prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died later, True To The Navy or No Trees In The Street?

The following are given passages.
Context 1: Passage 1:
No Trees in the Street
No Trees in the Street is a 1959 British crime thriller directed by J  Lee Thompson and written by Ted Willis, from his 1948 stage play of the same name The film is set in the slums of London  It depicts the life of impoverished teenager Tommy, who becomes a criminal in an attempt at social mobility  He starts with minor thefts and progresses to murder  A subplot involves the romantic involvements of Tommy's sister Hetty, first with a racketeer and then with a policeman 
The film is another example of British kitchen sink realism, but is mainly noted for its naturalistic depiction of slum life 

Plot
Initially, the film's story is told by Frank (Ronald Howard) a local plainclothes policeman in love with Hetty (Sylvia Syms), to a young tearaway Kenny (David Hemmings) 
In the slums of London before World War II, Tommy (Melvyn Hayes) is an aimless teenager who tries to escape his squalid surroundings by entering a life of crime  He falls in with local racketeer Wilkie (Herbert Lom), who holds the rest of the slum citizens - including Tommy's own family - in a grip of fear 
For a brief period, Hetty (Tommy's older sister) becomes Wilkie's girlfriend until he humiliates her in front of the other slum citizens simply to show his power over them, after which she will have nothing to do with Wilkie despite him repeatedly asking her to come back to him 
The film chronicles Tommy's sordid progression from minor thefts to murder At the end of the film, Hetty and Frank are seen to be married and living in a new council flat long after the slums have been demolished 

Cast
Sylvia Syms as Hetty
Herbert Lom as Wilkie
Melvyn Hayes as Tommy
Ronald Howard as Frank
Stanley Holloway as Kipper
Joan Miller as Jess
Liam Redmond as Bill
David Hemmings as Kenny
Carole Lesley as Lova
Lily Kann as Mrs Jacobson
Lloyd Lamble as Superintendent
Campbell Singer as Inspector
Marianne Stone as Mrs  Jokel
Rita Webb as Mrs  Brown
Lana Morris as Marje

Production
Ted Willis based his script on his 1948 play of the same name Willis and J  Lee Thompson and Sylvia Syms had previously collaborated together on Woman in a Dressing Gown and Ice Cold in Alex Filming began 10 March 1958  The film was revised after previews, with new scenes added at the opening, and at the end showing the detective married the sister 

Critical reception
TV Guide wrote "NO TREES suffers from artificiality of plot and dialog  Characterizations are reduced to mere stereotypes   There are some notable exceptions within the drama, however  Syms is surprisingly moving, giving a sensitive performance despite the film's constraints  Holloway's characterization of a bookie's tout is comical and charming   The camerawork attempts a realistic documentary look, which manages to succeed in capturing the details of slum life that make the setting seem surprisingly naturalistic  The finer points of the film, however, are overshadowed by its faults "Time Out wrote "released at a time when kitchen sink drama was all the rage, this is an unremarkable 'we had it tough' chronicle from another age "Variety wrote "Ted Willis is a writer with a sympathetic eye for problems of the middle and lower classes   Syms gives a moving performance as the gentle girl who refuses to marry the cheap racketeer just to escape  Lom, as the opportunist who dominates the street, is sufficiently suave and unpleasant "
Passage 2:
True to the Navy
True to the Navy is a 1930 romantic comedy film directed by Frank Tuttle for Paramount Pictures  The film stars Clara Bow as a counter girl at a San Diego drugstore with a predilection for sailors  Eventually she sets her sights on Bull's Eye McCoy (Fredric March), a stiff-necked gunner's mate 

Cast
Clara Bow as Ruby Nolan
Fredric March as "Bull's-Eye" McCoy
Harry Green as Solomon Bimberg
Sam Hardy as Brady
Rex Bell as Eddie
Ray Cooke as Peewee
Eddie Fetherston as Michael
Eddie Dunn as Albert
Adele Windsor as Maizie
Harry Sweet as Artie

Critical reception
Allmovie wrote, "the spectacle of distinguished actor Frederic March in sailor togs, chewing gum and dispensing sez-you dialogue, is worth the admission price in itself" ; while The New York Times noted, "it is a moderately deserting Summer-weather film, which succeeded in eliciting a good deal of laughter at its showing yesterday "
Passage 3:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 4:
Frank Tuttle
Frank Wright Tuttle (August 6, 1892 – January 6, 1963) was a Hollywood film director and writer who directed films from 1922 (The Cradle Buster) to 1959 (Island of Lost Women) 

Biography
Frank Tuttle was educated at Yale University, where he edited campus humor magazine The Yale Record After graduation, he worked in New York City in the advertising department of the Metropolitan Music Bureau  He later moved to Hollywood, where he became a film director for Paramount  His films are largely in the comedy and film noir genres In 1947, his career ground to a temporary halt with the onset of the first of the House Un-American Activities Committee hearings on Communist infiltration of the movie industry  Tuttle had joined the American Communist Party in 1937 in reaction to Hitler's rise to power  Unable to find work in the United States, he moved to France, where he made Gunman in the Streets (1950) starring Simone Signoret and Dane Clark  In 1951, after a decade as a member of the Communist Party, Tuttle gave 36 names to the HUAC 

Death
Tuttle died in Hollywood, California, on January 6, 1963, aged 70  He was survived by his three daughters 

Selected filmography
The Cradle Buster (1922)
Puritan Passions (1923) starring Mary Astor
Second Fiddle (1923) starring Mary Astor
Youthful Cheaters (1923)
Grit (1924)
Dangerous Money (1924)
The Manicure Girl (1925)
The Lucky Devil (1925)
Lovers in Quarantine (1925) starring Bebe Daniels and the other Harrison Ford
Kid Boots (1926) starring Eddie Cantor and Clara Bow
Love 'Em and Leave 'Em (1926) starring Evelyn Brent and Louise Brooks
The American Venus (1926) with Douglas Fairbanks, Jr 
The Untamed Lady (1926) starring Gloria Swanson
Blind Alleys (1927) starring Evelyn Brent and Thomas Meighan
Time to Love (1927)
One Woman to Another (1927)
Something Always Happens (1928)
Varsity (1928) starring Charles "Buddy" Rogers and Mary Brian
The Canary Murder Case (additional sound footage; 1929) starring William Powell as Philo Vance
The Green Murder Case starring William Powell as Philo Vance
Sweetie (1929) starring Nancy Carroll
Paramount on Parade (1930), Paramount's all-star revue with a screenplay by Joseph L  Mankiewicz
The Benson Murder Case (1930) starring William Powell as Philo Vance
True to the Navy (1930) starring Clara Bow and Fredric March
It Pays to Advertise (1931) starring Carole Lombard
No Limit (1931) starring Clara Bow and Thelma Todd
This Reckless Age starring Charles "Buddy" Rogers
The Big Broadcast (1932) starring Bing Crosby
This Is the Night (1932) with Cary Grant
Roman Scandals (1933) starring Eddie Cantor
Springtime for Henry (1934) starring Otto Kruger and Nigel Bruce
Here is My Heart (1934) starring Bing Crosby
Ladies Should Listen (1934) starring Cary Grant
Two for Tonight (1935) starring Bing Crosby
The Glass Key (1935), film adaptation of Dashiell Hammett's novel of the same name
All the King's Horses (1935) starring Carl Brisson
College Holiday (1936) starring Jack Benny, George Burns and Gracie Allen
Waikiki Wedding (1937) starring Bing Crosby
Doctor Rhythm (1938) starring Bing Crosby
Paris Honeymoon (1939) starring Bing Crosby
I Stole a Million (1939) starring George Raft and written by Nathanael West
Charlie McCarthy, Detective (1939) starring Edgar Bergen
Lucky Jordan (1942) starring Sheldon Leonard and Alan Ladd
This Gun for Hire (1942) starring Veronica Lake and Alan Ladd
Star Spangled Rhythm (contributing director; 1943) with sketches by George S  Kaufman
The Hour Before the Dawn (1944) starring Veronica Lake and based on the novel by W  Somerset Maugham
Don Juan Quilligan (1945) starring Phil Silvers
The Great John L  (1945) starring Linda Darnell
Suspense (1946) starring Barry Sullivan and Belita
Swell Guy (1946) starring Sonny Tufts
Gunman in the Streets (1950) starring Simone Signoret
The Magic Face (1951) starring Luther Adler
Hell on Frisco Bay (1956) starring Alan Ladd and Edward G  Robinson
A Cry in the Night (1956) starring Edmond O'Brien, Natalie Wood and Raymond Burr
Island of Lost Women (1959) starring Jeff Richards and produced by Alan Ladd
Passage 5:
True to Life
True to Life may refer to:

True to Life (Ray Charles album), 1977
True to Life (film), a 1943 film directed by George Marshall
"True to Life", a song by Roxy Music on the 1982 album Avalon
True to Life (Lisette Melendez album), 1994
Passage 6:
Sylvia Syms
Sylvia May Laura Syms  (6 January 1934 – 27 January 2023) was an English stage and screen actress  Her best-known film roles include My Teenage Daughter (1956), Woman in a Dressing Gown (1957), for which she was nominated for a BAFTA Award, Ice Cold in Alex (1958), No Trees in the Street (1959), Victim (1961), and The Tamarind Seed (1974) 
Known as the "Grand Dame of British Cinema", Syms was a major player in films from the mid-1950s until mid-1960s, usually in stiff-upper-lip English pictures, as opposed to kitchen sink realism dramas, before becoming more of a supporting actress in both film and television roles  On television, she was known for her recurring role as dressmaker Olive Woodhouse on the BBC soap opera EastEnders  She was also a notable theatre player Syms portrayed Queen Elizabeth The Queen Mother in the 2006 biopic The Queen 

Early life and education
Syms was born in Woolwich, London, England, in 1934, the daughter of Daisy (née Hale) and Edwin Syms, a trade unionist and civil servant  With the outbreak of World War II, Syms was evacuated to Kent and subsequently Monmouthshire  She grew up in Well Hall, Eltham When Syms was 12, her mother committed suicide  At 16, she suffered a nervous breakdown and contemplated taking her own life until an intervention from her stepmother  Syms was educated at convent schools before deciding to become an actress and attending The Royal Academy of Dramatic Art, graduating in 1954  She later served on RADA's council  
Syms's career began in repertory theatre in Eastbourne and Bath  She made her West End debut in The Apple Cart with Noël Coward 

Film career
Syms appeared in a TV play The Romantic Young Lady  This led to two offers, one to make a film for Herbert Wilcox, My Teenage Daughter, another to sign a long term contract with Associated British  She accepted both  In My Teenage Daughter (1956), Syms played Anna Neagle's troubled daughter  The film was successful at the British box office For Associated British she made No Time for Tears then appeared in The Birthday Present  Syms had the third lead in Woman in a Dressing Gown for director J  Lee Thompson which was very popular  She then made the English Civil War film, The Moonraker and the war film Ice Cold in Alex, also directed by Thompson  In early 1958 she made a third film for Thompson, No Trees in the Street   She announced she would make her first screen comedy The Light Blue  This became Bachelor of Hearts  In March 1959 she was voted Variety Club's Film Actress of 1958 In 1959, Syms appeared in the film Expresso Bongo as Maisie King, opposite Cliff Richard  She played opposite Dirk Bogarde in the 1961 film Victim, as the wife of a barrister who is a closet homosexual  The film is thought to have broadened the debate that led to the decriminalisation of homosexual acts in private in the United Kingdom Syms made Ferry to Hong Kong, The World of Suzie Wong and Conspiracy of Hearts 
Syms travelled to Ireland to play opposite Patrick McGoohan as the wife of a condemned man in The Quare Fellow  
She played Tony Hancock's wife in The Punch and Judy Man  The film also featured her nephew, Nick Webb  In 1963 she ended her contract with Associated British which by then guaranteed her £10,000 a year but which she felt was too restrictive  She appeared in East of Sudan  In 1965 she appeared on stage in Dual Marriageway 

Later career
Other comedies followed, such as The Big Job (1965) with Sid James and Bat Out of Hell (1967), but it was for drama that she won acclaim, including The Tamarind Seed (1974) with Julie Andrews and Omar Sharif, for which she was nominated for a British Film Academy award  
Syms featured in the husband-and-wife TV comedy My Good Woman from 1972 to 1974 and on the weekly BBC programme Movie Quiz as one of two team captains 
In 1975, Syms headed the jury at the 25th Berlin International Film Festival In 1989, Syms guest-starred in the Doctor Who story Ghost Light  Shortly after the end of British Prime Minister Margaret Thatcher's term in office in 1990, Syms portrayed her in Thatcher: The Final Days (1991), a Granada television film for ITV, which dramatises the events surrounding Thatcher's removal from power, a role she recreated for the stage  From 2000 to 2003, she played Marion Riley in the ITV comedy-drama At Home with the Braithwaites  She also featured in the serial The Jury (2002) and in the same year contributed Sonnet 142 to the compilation album When Love Speaks For Stephen Frears's biopic The Queen (2006), Syms was cast as Queen Elizabeth The Queen Mother  She also appeared in The Poseidon Adventure (2005), an American TV film that was a loose remake of the 1972 feature film  Syms also took up producing and directing 
In 2009, Syms appeared in the film Is Anybody There? alongside Michael Caine and Anne-Marie Duff 
In 2009, she featured in the ITV drama series Collision  In 2010, she guest-starred as a patient in BBC One's drama series Casualty, having played a different character in an episode in 2007  Syms also appeared as another character in Casualty's sister series Holby City in 2003  From 2007 to 2010, she had a recurring role in BBC One's EastEnders, playing dressmaker Olive Woodhouse  In 2010, Syms took part in the BBC's The Young Ones, a series in which six celebrities in their seventies and eighties attempt to overcome some of the problems of ageing by harking back to the 1970s  From 2013 to 2019, Syms was the narrator of Talking Pictures, which aired on BBC Two Syms had numerous theatre roles, including in productions of Much Ado About Nothing, Who's Afraid of Virginia Woolf? and Antony and Cleopatra 

Personal life and death
From 9 June 1956 to 1989, Syms was married to Alan Edney, whom she had dated since she was a teenager  In 1961 they lost a baby daughter, Jessica  Later that year Syms and her husband adopted a son, Benjamin Mark  In October 1962 she gave birth to a daughter, Beatie Edney who is also an actress  Syms and her husband divorced in 1989 when she discovered he had a mistress for several years and that they shared a two year old daughter She was the aunt of musicians Nick and Alex Webb 
Syms was a longtime supporter of the Stars Foundation for Cerebral Palsy, serving on its board as an officer for 16 years until 2020, with singer Vera Lynn In the last year of her life, Syms lived at Denville Hall, a retirement home for actors in London  She died there on 27 January 2023, three weeks after her 89th birthday 

Legacy
In the words of Filmink magazine:

I don’t think any actress in English speaking cinema of this era had such a variety of love interests as Sylvia Syms  It helped that she was beautiful, of course     that she could act: it’s hard to think of a bad Sylvia Syms performance – sometimes she was miscast, but never bad  She always brought a level of intelligence to her roles along with a sense of fun  And she was highly adept playing “smouldering hot lava of emotion and sensuality under an outwardly straight-laced and sensible facade” that made her – and this is meant with nothing but the greatest respect to the recently departed – sexy as hell "

Filmography
Source:

Film
Television
Theatre
1953 The Apple Cart - with Noël Coward
1966 Peter Pan
1984 The Vortex
1985 Entertaining Mr Sloane - with Adam Ant
1988 Better in My Dreams - director
1991 Anthony and Cleopatra
1991 The Price - director
1992 The House of the Stairs
1993 For Services Rendered
Passage 7:
G  Marthandan
G  Marthandan is an Indian film director who works in Malayalam cinema  His debut film is Daivathinte Swantham Cleetus

Early life
G  Marthandan was born to M  S  Gopalan Nair and P  Kamalamma at Changanassery in Kottayam district of Kerala  He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery 

Career
After completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995  His next work was British Market, directed by Nissar in 1998  He worked as an associate director for 18 years He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role  His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles  Daivathinte Swantham Cleetus and Paavada were box office successes 

Filmography
As director
As associate director
As actor
TV serialKanyadanam (Malayalam TV series) - pilot episode

Awards
Ramu Kariat Film Award - Paavada (2016)
JCI Foundation Award - Daivathinte Swantham Cleetus (2013)
Passage 8:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 9:
SA Navy
SA Navy or S A  Navy may refer to:

Royal Saudi Navy
South African Navy
Passage 10:
J  Lee Thompson
John Lee Thompson (1 August 1914 – 30 August 2002) was a British film director, active in London and Hollywood, best known for award-winning films such as Woman in a Dressing Gown, Ice Cold in Alex and The Guns of Navarone along with cult classics like Cape Fear, Conquest of the Planet of the Apes and The White Buffalo 

Early life
Thompson was born in Bristol on 1 August 1914  His family had links to the theatre  Thompson studied at Dover College then went to work in the theatre, joining the Nottingham Repertory Company as an actor and stagehand  He later went to work for a repertory company in Croydon, Surrey He wrote plays in his spare time, and had started when he was nine  One of them, Murder Happens? was performed at Croydon in 1934  His second staged play, Double Error, had a brief West End run at the Fortune Theatre in 1935  An article from this time about the play said he had written 40 plays already, including four in between his first two staged plays  A company worth £10,000 was formed to exploit Thompson's writings over the next seven years but this appears to have not had a long life Thompson later said he had written a part for himself to perform, but when management asked him if he wanted to do so he said "of course not," and "the die was cast  Later I decided if I didn't have the guts to admit I wanted to play the role I should never act again and I never did "

Screenwriter
The film rights to Double Error were purchased for £100  Thompson was hired to work in the scriptwriting department at British International Pictures at Elstree Studios  While there he made his one appearance as an actor in films, playing a small role in Midshipman Easy (1935) 
His first credit was The Price of Folly (1937), based on his play  He also worked on the scripts for Glamorous Night (1937), and he worked as dialogue coach on Jamaica Inn (1939), directed by Alfred Hitchcock 
He wrote the scripts for The Middle Watch (1940), made at Associated British Picture Corporation (ABPC) and East of Piccadilly (1941) 

World War II
Thompson served in World War II as a tailgunner and wireless operator in the RAF  In 1942 a revised version of Double Error, titled Murder Without Crime, opened at the Comedy Theatre in London  The play had a run on Broadway in 1943 

Post War
After the war Thompson returned to his work as scriptwriter under contract at Associated British on such films as No Place for Jennifer (1949) and For Them That Trespass (1949), the latter starring Richard Todd in his debut 
Thompson was dialogue director on The Hasty Heart (1949), which turned Todd into a star  He later said he gave up dialogue directing because he found the job "impossible  My job was to take stars through their lines but I felt that I was also expected to be a spy for the front office  If a word was altered they wanted to know why  It was a way of keeping control "The same year his play The Human Touch, co written with Dudley Leslie, ran for more than a hundred performances at the Savoy Theatre in a production starring Alec Guinness 

British film director
Early films
His first film as a director was Murder Without Crime (1950), made at ABPC, who put Thompson under contract   Thompson was offered £500 for the screen rights to the play and £500 to direct  He said "it was not so much that I wanted to direct movies it was to get the money so I could continue writing plays  But while directing it I got the feeling that I wanted to be a movie director "Thompson said "the fact is I found directing to be much easier than writing and I enjoyed it much more than writing as well  So I became a film director "The film was about a man who thinks he has committed murder  Thompson also wrote the screenplay, based on his own play Double Error  In the words of Thompson's Screenonline profile "this well structured film went largely unnoticed but contained many of the themes which were to characterise Lee Thompson's work: a good person's struggle with their conscience, an external force of evil, and an out-of-character moment of violence which has long-term consequences  Believing people can "commit crimes without being criminals", he sought to make his audiences condone or at least understand behaviour that they would normally condemn "Thompson's first film success was one he directed and co-wrote (with Anne Burnaby), The Yellow Balloon (1953), the story of a child who is blackmailed into helping a criminal after accidentally causing his friend's death 
He followed it with a comedy, For Better, For Worse (1954) starring Dirk Bogarde, which was even more popular though it is little remembered today 

Social Realist films
Thompson's fourth film as director The Weak and the Wicked (1954), portrays the lives of women in prison and is based on memoirs by Joan Henry, who became Thompson's second wife  Thompson wrote the script, again in collaboration with Anne Burnaby  It starred Glynis Johns and Diana Dors and was a hit at the box office  The success of the film greatly added to Thompson's prestige and he began to be regarded as one of the leading directors in the country Thompson was loaned to Rank Films to direct a Jack Buchanan comedy, As Long as They're Happy (1955), co-starring Dors and An Alligator Named Daisy (1955), also starring Dors, along with Donald Sinden  He returned to ABPC and the theme of female prisoners in Yield to the Night (1956), an anti-capital punishment tale with Diana Dors as the condemned prisoner 
Thompson later said the "pattern" of his ABPC films was "two pieces of tepid rubbish for one decent project - if I could persuade Robert Clark, who was head of production  He used to wring his hands when I insisted  'Okay,' he'd finally say  'Do it if you must  But it won't make money ' I admired him for that really  He did give you a bit of a chance "The Good Companions (1957) was lighter fare, based on a book by J  B  Priestley  According to one obituary Thompson "made excellent use of the CinemaScope screen, assembled a fine supporting cast and, with zestful choreography    came up with one of the few successes in a genre for which the British cinema was not noted "Woman in a Dressing Gown (1957), with Yvonne Mitchell, Anthony Quayle and Sylvia Syms and written by Ted Willis, deals with the collapse of a 20-year marriage 

Action director
Thompson had a big success with Ice Cold in Alex (1958), the story of a British Army unit trekking across North Africa in the Second World War  It featured John Mills, Sylvia Syms, Anthony Quayle and Harry Andrews  It won three BAFTA Awards, including Best British Film  He followed it with North West Frontier (1959), an adventure film set in British India starring Kenneth More and Lauren Bacall  It was one of the most popular films in Britain in 1959 No Trees in the Street (1959) was a thriller written by Willis  Also in that genre was Tiger Bay (1959), starring John Mills  It introduced cinema audiences to Mills' daughter Hayley and German actor Horst Buchholz   Hayley Mills also earned a BAFTA for Most Promising Newcomer portraying a 12-year-old girl who refuses to betray a sailor accused of murder 
Thompson followed this with I Aim at the Stars (1960) 

Hollywood career
Guns of Navarone and Cape Fear
Thompson vaulted to international fame with The Guns of Navarone (1961) as a last-minute replacement for director Alexander Mackendrick  His take-charge attitude during its production earned him the nickname 'Mighty Mouse' from lead actor Gregory Peck  Co-star Anthony Quinn said Thompson:

Never read a scene until he had to shoot it and approached each shot on a whim  And yet the cumulative effect was astonishing  Lee Thompson made a marvelous picture but how? Perhaps his inventiveness lay in defying convention, in rejecting the accepted methods of motion picture making and establishing his own  Perhaps it was in his very formlessness that he found the one form he could sustain, and nurture, the one form that could, in turn, sustain and nurture him  Perhaps he was just a lucky Englishman who pulled a good picture out of his ass 
The Guns of Navarone, a World War II epic filmed on location in Rhodes, Greece, was nominated for seven Academy Awards including Thompson for Best Director  In 1961 he said "primarily I am in the business to entertain  This does not mean that I never want to try artistic movies again  But I do not think you can sell art on the big movie circuits  Art belongs in the art houses " Later he said "I liked the character bits best" about Navarone  "Anyone can make an explosion "The success of Navarone won him entry into Hollywood, where he directed Cape Fear (1962), a psychological thriller with Gregory Peck, Robert Mitchum, Polly Bergen and Lori Martin; Peck and Mitchum co-producing the film  Based on a novel called The Executioners by John D  MacDonald, Cape Fear shows how a sex offender can manipulate the justice system and terrorise an entire family  Highly controversial for its time, the film was cut heavily in both the United States and the United Kingdom 
He worked on a project with Warren Beatty and Clifford Odets based on an idea of Beatty's  It was never made  Neither was The Short Cut which he discussed doing with Darryl F  Zanuck, or The Living Room from a novel by Graham Greene or Chips with Everything by Arnold Wesker 

Mirisch Brothers
Thompson directed Yul Brynner in the Cossack epic Taras Bulba (1962) for producer Harold Hecht  Thompson was going to follow it with Big Charlie starring Brynner but the movie was not made  In 1962 the Mirisch Brothers signed the director to a four-picture contract  The first film made under this contract was the Mayan Indian epic Kings of the Sun (1963), starring Brynner 
In September 1962 Thompson said he would make I Love Louisa with Elizabeth Taylor produced by Arthur Jacobs  (This film became What a Way to Go!(1964) with Shirley MacLaine ) He would put actors under personal contract like Talitha Pol In September 1963 Thompson announced he had formed a company, Bowhall Productions, to make around four films a year in the $120,000-$160,000 budget range  Thompson said it was "unlikely" the films would "make a profit" but they were movies he "deeply wanted to make"  They included Chips with Everything, Rose without a Thorn by Clifford Bax, and a film in Spain  Following Return from the Ashes he would also make a $7 million movie in Africa Thunder of Giants Instead he did another with MacLaine, John Goldfarb, Please Come Home (1965)  Back in England Thompson made Return from the Ashes (1965) for the Mirisch Brothers  In April 1965 Thompson announced he would make High Citadel based on a novel by Desmond Bagley for the Mirisch Brothers  These plans were postponed when Thompson received an offer to replace Michael Anderson, who had fallen ill before he was to start directing a thriller about cults with David Niven, Eye of the Devil (1967) (originally titled 13)  High Citadel was never filmed  Another film announced but never filmed was The Case Against Colonel Sutton which he was going to do with producer Martin Poll  Neither was a proposed musical remake of The Private Lives of Henry VIII After a war film, Before Winter Comes (1968) Thompson was reunited with the star, producer and writer of Navarone in the Western Mackenna's Gold (1969) but it did poorly at the box office  So too did the espionage tale The Chairman (1969) with Gregory Peck  He was meant to follow that with You?, about assassination from a script by Andrew Sinclair  It was never filmed  "I freely admit I've done some pretty bad stuff," he said in 1968  "It's entirely my own fault  The trouble was I accepted some dismal scripts   I wasn't tough enough    Writing is the fundamental thing " Some have argued that Thompson's creative decline coincided with the end of his relationship with Henry 

Apes Movies
Back in the UK he directed Country Dance, also known as Brotherly Love (1970)  Thompson's handling of a smaller scale film impressed producer Arthur Jacobs, with whom Thompson had made What a Way to Go; Thompson was the first director attached to the Jacobs production The Planet of the Apes and Thompson says he turned down the first two sequels  He was available to make the fourth and fifth movies in the series, Conquest of the Planet of the Apes and Battle for the Planet of the Apes  Writer Paul Dehn said Thompson had a reputation as someone with a drinking problem but that he had overcome it by the time of the Apes films "They were cutting back on the budgets the whole time after the first one", said Thompson later  "It was a bad policy "

Later career
US Television
Thompson began working more in US television, directing the television films A Great American Tragedy (1972), Huckleberry Finn (1974) starring Jeff East and Paul Winfield, The Reincarnation of Peter Proud (1974) and Widow (1976) as well as the pilot episode of The Blue Knight (1975) 
He returned to playwriting with Getting Away with Murder (1976) 

Charles Bronson
In 1976, Thompson began a long collaboration with actor Charles Bronson on the Warner Bros  crime story St  Ives   John Crowther, who worked with both men, later said "Thompson was the total antithesis of Charlie and they got along famously  They really worked well together ”In 1977, Bronson and Thompson teamed again on an unconventional western film called The White Buffalo Thompson directed two films starring Anthony Quinn, The Greek Tycoon and The Passage  Reviewing the latter The Guardian called Thompson a director who "should know better but often doesn't"  The Globe and Mail argued Thompson was "possibly the worst experienced director working in the world today "Thompson directed the horror film, Happy Birthday to Me in 1980 
In 1981 Thompson and Bronson made the film Caboblanco, which opened on Los Angeles on 24 April  Also that year he directed an episode of the TV show Code Red, and which he followed with another Bronson movie, 10 to Midnight Thompson worked with Bronson again on, The Evil That Men Do (1984), which was shot in Mexico   Thompson was hired to replace original director Fielder Cook, who was fired shortly before filming began  Producer Pancho Okhenr said Thompson "knew exactly what shots he needed to put together the film     [Bronson] had a lot of respect for Lee  The whole crew appreciated when the director did not make them work over and over to get the same shot from different angles    He was just a terrific filmmaker ”Also released that year was The Ambassador, starring Robert Mitchum 
On 22 November 1985, King Solomon's Mines premiered  Thompson made this film as an Indiana Jones-style pastiche  It was shot in Zimbabwe and starred Richard Chamberlain  The film was reasonably successful at the box office 
On 18 April 1986, Murphy's Law, the Thompson and Bronson collaboration of that year, started its theatrical run  It is a neo-noir thriller film  Acting in the film are Kathleen Wilhoite, Carrie Snodgress, Robert F  Lyons, and Richard Romanus  Thompson tried another Indiana Jones-type tale with Firewalker, which premiered on 21 November  The film paired the actors Chuck Norris with Louis Gossett Jr  as its leads  The action adventure co-stars Will Sampson and Melody Anderson  Norris and Gossett play Max Donigan and Leo Porter, two soldiers of fortune, whose adventures rarely result in any notable gain  They are befriended by an inscrutable woman of mystery Patricia (Anderson)  Patricia's map leads them on a quest for treasure in Central America  The name of the movie comes from the powerful guardian of the treasure 
Now working exclusively for Cannon, Thompson made two more Charles Bronson thrillers  On 6 November 1987 Death Wish 4: The Crackdown was released and 16 September 1988 saw the opening of Messenger of Death  He later reflected, "I realized these films were not going to enhance my reputation  I had to live with that  You're not going to be offered the great films at a certain age "3 February 1989, Thompson's final directorial effort was released Kinjite: Forbidden Subjects starring Charles Bronson In 1990 Thompson moved to Sooke In 1992 Thompson said he was trying to finance a remake of Tiger Bay with Anna Chumsky and Alec Baldwin  The director said "I have certain regrets now  I would rather have stuck to making films like Yield to the Night which had some integrity and importance  But the British film industry caved in  I shouldn't denigrate myself too much because I have enjoyed making my films but I suppose I sort of sold out "

Personal life
Thompson was married three times  His first wife was Florence Bailey, whom he married in 1935 when he was 20  They had a son, Peter (1938–1997), who became a film editor on several of his father's films and predeceased him, and a daughter, Lesley, who survived him  They divorced in 1957 
His second wife was prisoner and author Joan Henry, whom he married in 1958  They collaborated on Weak and the Wicked and Yield to the Night  He left her for actress Susan Hampshire  In March 1962 Hedda Hopper reported that Thompson was "sweating it out" in Los Angeles while Henry and Hampshire were "awaiting his decision in London " Thompson confirmed this in an interview, and Hampshire and Henry were less forthcoming to the press In September, Hopper reported that it was over between Thompson and Hampshire  Henry and Thompson were divorced in the late 1960s In November 1962, Thompson said he had proposed to Shirley Ann Field whom he said accepted then changed her mind His third wife was Penny, who was his widow 

Death
Thompson died of congestive heart failure on 30 August 2002, at his holiday home in Sooke, British Columbia, aged 88 

Critical appraisal
The Guardian obituary called him "a compelling craftsman"  The Washington Post said "he directed adventure films noted for their punchy pacing, rich atmosphere and nuanced characterization " Variety said he was "Known as a craftsman who had a clear sense of how each film should play, scene by scene" The Independent said "he lent his acute sense of atmosphere and vivid visual style to a wide range of material  His intimate kitchen-sink melodramas    were unflinching portraits of social realism unusually stark for their time  His thrillers were tautly edited exercises in suspense, and he also made some engaging comedies and a bracing musical   Though his later films can most kindly be labelled potboilers, his body of work in the Fifties and early Sixties was an impressive one "In 2000 he stated that he made so many American films "because of my insecurity and effort to stay here  If I was given a script and it had something good in it I'd say, 'Good, I've got my next picture!' That is not the way to make good films, so some of them were good and some not so good     What an idiot! 'You should have stayed at what you really wanted to make ' If I have anything to say to young directors today it's don't make a film for the sake of making it  Make it only if you really believe in it  Then success will eventually come to you "

Awards
Nominated, Best Director Academy Award, The Guns of Navarone (1961)
Nominated, Best Director Directors Guild of America, The Guns of Navarone (1961)
Nominated, Best Director Golden Globe, The Guns of Navarone (1961)
Winner, Best Film Golden Globe, The Guns of Navarone (1961)
Nominated, Best Film BAFTA, Tiger Bay (1959)
Nominated, Best Film BAFTA, North West Frontier (1959)
Nominated, Golden Bear Berlin International Film Festival, Tiger Bay (1959)
Winner, FIPRESCI Prize Berlin International Film Festival, Ice Cold in Alex (1958)
Nominated, Golden Bear Berlin International Film Festival, Ice Cold in Alex (1958)
Winner, Special Mention Berlin International Film Festival, Woman in a Dressing Gown (1957)
Winner, FIPRESCI Prize Berlin International Film Festival, Woman in a Dressing Gown (1957)
Nominated, Golden Bear Berlin International Film Festival, Woman in a Dressing Gown (1957)
Nominated, Palme d'Or Cannes Film Festival, Yield to the Night (1956)

Selected filmography
Screenwriter
The Price of Folly (1937)
The Middle Watch (1940)
Last Holiday 1950 film: additional dialogue contributions to J B Priestley's Script 

Director
1950s
Murder Without Crime (1950)
The Yellow Balloon (1953)
For Better, for Worse (1954)
The Weak and the Wicked (1954)
As Long as They're Happy (1955)
An Alligator Named Daisy (1955)
Yield to the Night (1956)
The Good Companions (1957)
Woman in a Dressing Gown (1957)
Ice Cold in Alex (1958)
North West Frontier (1959)
No Trees in the Street (1959)
Tiger Bay (1959)

1960s
I Aim at the Stars (1960)
The Guns of Navarone (1961)
Cape Fear (1962)
Taras Bulba (1962)
Kings of the Sun (1963)
What a Way to Go! (1964)
John Goldfarb, Please Come Home (1965)
Return from the Ashes (1965)
Eye of the Devil (1967)
Mackenna's Gold (1969)
Before Winter Comes (1969)
The Chairman (1969)

1970s
Country Dance (1970)
Conquest of the Planet of the Apes (1972)
A Great American Tragedy (1972) (TV)
Battle for the Planet of the Apes (1973)
Huckleberry Finn (1974)
The Reincarnation of Peter Proud (1975)
Widow (1976) (TV)
St  Ives (1976)
The White Buffalo (1977)
The Greek Tycoon (1978)
The Passage (1979)

1980s
Caboblanco (1980)
Happy Birthday to Me (1981)
10 to Midnight (1983)
The Evil That Men Do (1984)
The Ambassador (1984)
King Solomon's Mines (1985)
Murphy's Law (1986)
Firewalker (1986)
Death Wish 4: The Crackdown (1987)
Messenger of Death (1988)
Kinjite: Forbidden Subjects (1989)

Notes and references
External links
J  Lee Thompson at IMDb
J  Lee Thompson at the BFI's Screenonline
Context 2: Passage 1:
Taking his Chance
Taking his Chance is a 1914 film from director Raymond Longford based on a poem by Henry Lawson It is considered a lost film 
Passage 2:
Mutiny in the Big House
Mutiny in the Big House is a 1939 American film directed by William Nigh 

Plot
Father Joe Collins is a kindly but realistic prison chaplain who tries to bring some humanity behind the grim walls of a major penitentiary  One of his success stories is "Dad" Schultz, a kindly convict who was released after 20 years but found the outside world so overwhelming that he had a nervous breakdown  Father Collins convinces the prison officials to take him back as a civilian employee/gardener, so he will "feel at home" 
Father Collins also takes an interest in Johnny Davis, an educated inmate who received an overly stiff sentence for
forging a $10 00 check  Hardened lifer Red Manson does his best to lessen the influence of Father Collins among the inmates, while planning a mass breakout 
When the break begins, Davis wildly fires a rifle to keep Father Collins from being taken hostage  The distraction
enables the guards to regain control of the prison 
His actions gain Davis an early release, meanwhile Manson, who killed two guards during the riot, is headed for death row 

Cast
Charles Bickford as Father Joe Collins
Barton MacLane as Red Manson
Pat Moriarity as Pat, the Warden
Dennis Moore as Johnny Davis
William Royle as Captain of Guards Ed Samson
Charley Foy as Convict Bitsy
George Cleveland as Convict "Dad" Schultz
Nigel De Brulier as Convict Mike Faleri
Eddie Foster as Convict Del
Richard Austin as Singing Jim
Russell Hopton as Convict Frankie

External links
Mutiny in the Big House at IMDb
Mutiny in the Big House is available for free viewing and download at the Internet Archive
Passage 3:
Road to the Big House
Road to the Big House is a 1947 American crime drama film directed by Walter Colmes  It was based on a script by Aubrey Wisberg 
It was also known as The Dark Road 

Plot
Cast
John Shelton as Eddie Clark
Ann Doran as Agnes Clark
Guinn "Big Boy" Williams as Butch McQuinn

Production
The film was made by a new company, Somerset Pictures, established in 1947 by Walter Combes, Solly Levenstn and Jake Milstein  It followed their first film The Burning Cross Somerset announced their third film would be about teachers' salaries  But it appears to have not been made 
Passage 4:
Mabel's Latest Prank
Mabel's Latest Prank is a 1914 film both starring and co-directed by Mabel Normand and Mack Sennett 

Cast
Mabel Normand
Mack Sennett
Hank Mann
Slim Summerville

External links
Mabel's Latest Prank at IMDb
Passage 5:
A Kind of America
A Kind of America (Hungarian: Valami Amerika) is a Hungarian comedy film from 2002 

Plot
The film is situated in Budapest, where the brothers Ákos, András, and Tamás live  Tamás is a director of video clips and commercials, but dreams of directing a feature film  He has written a script with the title 'The Guilty City', but has trouble financing the project  At his surprise, he receives an email from an American film producer named Alex Brubeck, who writes that he likes the script  Offering to pay half the budget, he wants to meet Tamás personally in Budapest to talk things through  With the help of his brothers Ákos, a successful manager and sex addict, and András, a failed poet, he does everything to impress the American producer 

External links
A Kind of America at IMDb
Passage 6:
The Fugitive (1914 film)
The Fugitive (Russian: Беглец) is a 1914 Russian-French short film directed by Alexandre Volkoff 

Plot
The film is based on a poem by Mikhail Lermontov 
Part 1  There are folk festivals in the village  Russian troops are approaching



ground_truth: No Trees In The Street

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Are Revolt In The Big House and The Fugitive (1914 Film) from the same country?

The following are given passages.
Context 2:  Harun goes to war  During the battle, Harun's father and two brothers are killed, and he flees the battlefield out of fear 
Part 2 (not preserved)  Harun wanders, returns to the aul, tries to justify himself to his relatives and dies 

Starring
Asho Shakhatuni
Alesandr Rusteikis
Passage 7:
Shima (film)
Shima is a 2007 film from Uzbekistan 

Plot
At the end of the Second World War, imperial Japanese fanaticism seals the fate of an island's inhabitants and its garrison, through a massacre, interrupting the love between a soldier and a fisherman's daughter  The daughter survives, but the other survivor Taro- a soldier cut off from all communication- continues to serve the emperor for another thirty years  Tormented in his dreams by memories and his secret aspiration for eternal peace 
Taro is regularly 'inspected' by his former military inspector Yamada, who exploits the situation to entertain former Japanese officers, nostalgic of Imperial Japan, by luring visitors to the island through his War Veterans Association  The visitors are held captive and enrolled by Taro to serve in the army of the Great Emperor  For the sadistic pleasure of the former Japanese officers, Yamada organises "inspections" during which the new recruits must prove their devotion to the emperor by sacrificing their lives 
Many years later Shintaro, the son of the fisherman's daughter, finds himself on the island after searching for his father  He learns his father disappeared on the island just before the massacre  He contacts Yamada through the War Veterans Association, who agrees to take him and others to the island  But once they arrive he abandons them and puts Taro in charge  For Shintaro and his comrades this means forced enrolment, military drills and suffering  After months of torture Shintaro and the other captives start to accept Taro's twisted sense of reality  The training intensifies as Taro prepares the recruits to fight a mysterious enemy 

Cast
Seidula Moldakhanov as Taro
Mikhail Vodzumi as Shintaro
Anvar Kenjaev as Yamada

Influences
Based on the true story of Lieutenant Hiroo Onoda, a Japanese holdout who did not surrender until 1974  During his service, it has been estimated that he killed about thirty people, including American soldiers and local police militia 
Passage 8:
Revolt in the Big House
Revolt in the Big House is a 1958 American film noir directed by R  G  Springsteen and starring Gene Evans, Robert Blake and Timothy Carey Portions of the film were shot on location at Folsom State Prison in California Blacklisted screenwriter Daniel Lewis James was listed in the onscreen credits as Daniel Hyatt  In 1998 his credit was reinstated under his real name as the film's cowriter by the Writers Guild of America 

Plot
Cast
Gene Evans as Lou Gannon
Robert Blake as Rudy Hernandez
Timothy Carey as Ed 'Bugsy' Kyle
John Qualen as Doc
Sam Edwards as Al Carey
John Dennis as Red
Walter Barnes as Guard Capt  Starkey
Frank Richards as Jake
Emile Meyer as Warden
Arline Hunter as Girl (as Arlene Hunter)
Passage 9:
Big House Blues
Big House Blues is a 1947 Flippy short film 

External links
Big House Blues (1947) at IMDB
Big House Blues at the Big Cartoon Database
Passage 10:
The Boer War (film)
The Boer War is a 1914 film, directed by George Melford about the Second Boer War 

Cast
Edward Clisbee as General Lambert, retired
Jane Wolfe	as Mrs  Lambert
Marin Sais as Jane Lambert, their daughter
William Brunton as Lt  Jack Lambert, their son
Lawrence Peyton as Captain Doane
William H  West as Jaubert, a Boer general



ground_truth: no

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director died later, Seven In The Sun or Daughter Of The Jungle?

The following are given passages.
Context 3: Passage 1:
Thulasi (1987 film)
Thulasi is a 1987 Indian Tamil-language romantic drama film directed by Ameerjan  The film stars Murali and Seetha  It was released on 27 November 1987 

Plot
Thirunavukarasu is considered as a God by his villagers  Nevertheless, his son Sammadham is an atheist and he doesn't believe in his father's power  Sammadham and Ponni, a low caste girl, fall in love with each other  Sammadham's best friend Siva, a low caste boy, passes the Master of Arts degree successfully  Thirunavukarasu's daughter Thulasi then develops a soft corner for Siva 
Thirunavukarasu cannot accept for his son Sammadham's marriage with Ponni due to caste difference  Sammadham then challenges him to marry her  Thirunavukarasu appoints henchmen to kill her and Ponni is found dead the next day in the water  In the meantime, Siva also falls in love with Thulasi  The rest of the story is what happens to Siva and Thulasi 

Cast
Murali as Sivalingam "Siva"
Seetha as Thulasi
Chandrasekhar as Sammadham
Major Sundarrajan as Thirunavukarasu
Senthil
Charle as Khan
Thara as Ponni
Mohanapriya as Sarasu
Vathiyar Raman
A  K  Veerasamy as Kaliyappan

Soundtrack
The music was composed by Sampath Selvam, with lyrics written by Vairamuthu 

Reception
The Indian Express gave a negative review calling it "thwarted love" 
Passage 2:
Querelle
Querelle is a 1982 West German-French English-language arthouse film directed by Rainer Werner Fassbinder and starring Brad Davis, adapted from French author Jean Genet's 1947 novel Querelle of Brest  It was Fassbinder's last film, released shortly after his death at the age of 37 

Plot
The plot centers on the handsome Belgian sailor Georges Querelle, who is also a thief and murderer  When his ship, Le Vengeur, arrives in Brest, he visits the Feria, a bar and brothel for sailors run by the Madame Lysiane, whose lover, Robert, is Querelle's brother  Querelle has a love/hate relationship with his brother: when they meet at La Feria, they embrace, but also punch one another slowly and repeatedly in the belly  Lysiane's husband Nono works behind the bar and also manages La Feria's underhanded affairs with the assistance of his friend, the corrupt police captain Mario 
Querelle makes a deal to sell opium to Nono  During the execution of the deal, he murders his accomplice Vic by slitting his throat   After delivering the drugs, Querelle announces that he wants to sleep with Lysiane   He knows that this means he will have to throw dice with Nono, who has the privilege of playing a game of chance with all of her prospective lovers  If Nono loses, the suitor is allowed to proceed with his affair  If the suitor loses, however, he must submit to anal sex with Nono first, according to Nono's maxim that "That way, I can say my wife only sleeps with arseholes " Querelle deliberately loses the game, allowing himself to be sodomized by Nono  When Nono gloats about Querelle's "loss" to Robert, who won his dice game, the brothers end up in a violent fight   Later, Querelle becomes Lysiane's lover, and also has sex with Mario 
Luckily for Querelle, a builder, Gil, murders his work mate Theo, who had been harassing and sexually assaulting him   Gil hides from the police in an abandoned prison, and Roger, who is in love with Gil, establishes contact between Querelle and Gil in the hopes that Querelle can help Gil flee  Querelle falls in love with Gil, who closely resembles his brother   Gil returns his affections, but Querelle betrays Gil by tipping off the police  Querelle cleverly arranged it so that the murder of Vic is also blamed on Gil 
Querelle's superior, Lieutenant Seblon, is in love with Querelle, and constantly tries to prove his manliness to him  Seblon is aware that Querelle murdered Vic, but chooses to protect him   Later, Seblon reveals his love and concern to a drunken Querelle, and they kiss and embrace before returning to Le Vengeur 

Cast
Brad Davis as Querelle
Franco Nero as Lieutenant Seblon
Jeanne Moreau as Lysiane
Laurent Malet as Roger Bataille
Hanno Pöschl as Robert / Gil
Günther Kaufmann as Nono
Burkhard Driest as Mario
Roger Fritz as Marcellin
Dieter Schidor as Vic Rivette
Natja Brunckhorst as Paulette
Werner Asam as Worker
Axel Bauer as Worker
Neil Bell as Theo
Robert van Ackeren as Drunken legionnaire
Wolf Gremm as Drunken legionnaire
Frank Ripploh as Drunken legionnaire

Production
According to Genet's biographer Edmund White, Querelle was originally going to be made by Werner Schroeter, with a scenario by Burkhard Driest, and produced by Dieter Schidor  However, Schidor could not find the money to finance a film by Schroeter, and therefore turned to other directors, including John Schlesinger and Sam Peckinpah, before finally settling on Fassbinder  Driest wrote a radically different script for Fassbinder, who then "took the linear narrative and jumbled it up"  White quotes Schidor as saying "Fassbinder did something totally different, he took the words of Genet and tried to meditate on something other than the story  The story became totally unimportant for him  He also said publicly that the story was a sort of third-rate police story that wouldn't be worth making a movie about without putting a particular moral impact into it" Schroeter had wanted to make a black and white film with amateur actors and location shots, but Fassbinder instead shot it with professional actors in a lurid, expressionist color, and on sets in the studio  Edmund White comments that the result is a film in which, "Everything is bathed in an artificial light and the architectural elements are all symbolic "

Soundtrack
Jeanne Moreau – "Each Man Kills the Things He Loves" (music by Peer Raben, lyrics from Oscar Wilde's poem "The Ballad of Reading Gaol")
"Young and Joyful Bandit" (Music by Peer Raben, lyrics by Jeanne Moreau)Both songs were nominated to the 1984 Razzie Awards for "Worst Original Song" 

Release
Querelle sold more than 100,000 tickets in the first three weeks after its release in Paris, the first time that a film with a gay theme had achieved such success  On review aggregator Rotten Tomatoes, which categorizes reviews as positive or negative only, the film has an approval rating of 57% calculated based on 14 critics comments  By comparison, with the same opinions being calculated using a weighted arithmetic mean, the rating is 6 10/10  Writing for The New York Times critic Vincent Canby noted that Querelle was "a mess   a detour that leads to a dead end "
Penny Ashbrook calls Querelle Fassbinder's "perfect epitaph: an intensely personal statement that is the most uncompromising portrayal of gay male sensibility to come from a major filmmaker " Edmund White considers Querelle the only film based on Genet's book that works, calling it "visually as artificial and menacing as Genet's prose " Genet, in discussion with Schidor, said that he had not seen the film, commenting "You can't smoke at the movies "
Passage 3:
Daughter of the Jungle
Daughter of the Jungle may refer to:

Daughter of the Jungle (1949 film), an American adventure film
Daughter of the Jungle (1982 film), an Italian romantic adventure film
Passage 4:
Bomba, the Jungle Boy (film)
Bomba, the Jungle Boy is a 1949 American adventure film directed by Ford Beebe  It was the first in a 12-film series featuring Bomba, a sort of teenage Tarzan, played by Johnny Sheffield, who as a child had played "Boy" in several previous Tarzan films 

Plot
A photographer and his daughter arrive in Africa hoping to capture the local wildlife on film  Instead, they encounter (and never end up photographing) a killer leopard, a swarm of locusts, deadly lion worshippers, and Bomba the Jungle Boy 
Bomba was raised by an aged naturalist, Cody Casson (since deceased)  He now lives beyond the Great Rift  The photographer's daughter, wearing a well-tailored leopard skin, spends most of the film with Bomba, while her father, Commissioner Barnes, and Eli search for her 

Cast
Johnny Sheffield as Bomba
Peggy Ann Garner as Patricia Harlan
Onslow Stevens as George Harland
Charles Irwin as Andy Barnes
Smoki Whitfield as Eli
Martin Wilkins as Mufti

Production
Walter Mirisch had been general manager of Monogram Pictures since 1945  They specialised in low-budget movies, including series of regular characters such as Charlie Chan, Joe Palooka and the Bowery Boys  Mirisch looked at the success of the Tarzan films and remembered the Bomba novels; he thought they might offer material to do a similar type of movie 
In November 1947 Monogram announced they had bought the rights to twenty of the stories  They assigned Walter Mirisch to oversee their production and said they intended to make three Bomba films per year  They were going to be in colour  They were seeking a male actor aged 18 to 20 to star In September 1948 Monogram's president Steve Broidy announced that the studio would make two Bomba films over the following year  (Other series at the studio included Joe Palooka, Charlie Chan and Bowery Boys )Mirisch later claimed he was paid $2,500 a film, and the success of the series launched him as a producer 

Reception
The New York Times called it a "dull flavorless picture about a vest pocket Tarzan " However the movie was a large success relative to its budget 
Passage 5:
Le Masque de la Méduse
Le masque de la Méduse (English: The Mask of Medusa) is a 2009 fantasy horror film directed by Jean Rollin  The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans  It was Rollin's final film, as the director died in 2010 

Cast
Simone Rollin as la Méduse
Sabine Lenoël as Euryale
Marlène Delcambre as Sthéno
Juliette Moreau as Juliette
Delphine Montoban as Cornelius
Jean-Pierre Bouyxou as le gardien
Bernard Charnacé as le collectionneur
Agnès Pierron as la colleuse d'affiche au Grand-Guignol
Gabrielle Rollin as la petite contrebassiste
Jean Rollin as l'homme qui enterre la tête
Thomas Smith as Thomas

Production
It was thought that Rollin's 2007 film La nuit des horloges was the final film of his career, as he had mentioned in the past  However, in 2009, Rollin began preparation foe Le masque de la Méduse  Rollin originally directed the film as a one-hour short, which was screened at the Cinémathèque de Toulouse, but after the release, Rollin decided to add 20 minutes of additional scenes and then cut the film into two distinct parts, as he did with his first feature, Le Viol du Vampire   The film was shot on location at the Golden Gate Aquarium and Père Lachaise Cemetery, as well as on stage at the Theatre du Grande Guignol, which is where the longest part of the film takes place  It was shot on HD video on a low budget of €150,000  Before the release, it was transferred to 35mm film 

Release
The film was not released theatrically, although it premiered on 19 November 2009 at the 11th edition of the Extreme Cinema Film Festival at the Cinémathèque de Toulouse  As part of "An Evening with Jean Rollin", it was shown as a double feature with Rollin's 2007 film La nuit des horloges 

Home media
No official DVD was released, although for a limited time, a DVD of La masque de la Méduse was included with the first 150 copies of Rollin's book Jean Rollin: Écrits complets Volume 1 
Passage 6:
Sergio Bergonzelli
Sergio Bergonzelli (25 August 1924 – 24 September 2002) was an Italian director, screenwriter, producer and actor 

Life and career
Born in Alba, Cuneo, Bergonzelli graduated in Philosophy, then he started working as an actor with the stage name Siro Carme  After being assistant and second unit director in a number of genre films, in 1960 he made his debut as director and screenwriter with Seven in the Sun  Also a film producer, Bergonzelli was the first to produce Spaghetti Western films entirely shot in Italy  In the 1970s he specialized in the erotic genre 

Selected filmography
Director
'*' denotes he wrote the screenplayActor
Passage 7:
Law of the Jungle (film)
Law of the Jungle is a 1942 American adventure film directed by Jean Yarbrough 

Plot
A singer, Nona Brooks, is stranded at a hotel in Africa because her passport is missing  It turns out enemy agents, in collaboration with hotel owner Simmons, have stolen her papers, then try to use her for their nefarious schemes 
Brooks flees and encounters paleontologist Larry Mason in the jungle  He and his assistant Jefferson Jones give her shelter, then fend off unfriendly natives while Simmons is murdered by the villainous agents  All looks hopeless until the tribal chief turns out to be a reasonable, Oxford-educated man who helps Larry and Nona out of their jam 

Cast
Arline Judge as Nona Brooks
John 'Dusty' King as Larry Mason
Mantan Moreland as Jefferson 'Jeff' Jones
Arthur O'Connell as Simmons
C  Montague Shaw as Sgt  Burke
Guy Kingsford as Constable Whiteside
Laurence Criner as Chief Mojobo - an Oxford Graduate
Victor Kendall as Grozman
Feodor Chaliapin, Jr  as Belts
Martin Wilkins as Bongo

Soundtrack
Arline Judge - "Jungle Moon" (Written by Edward J  Kay as Edward Kay)

External links
Law of the Jungle at IMDb
Law of the Jungle is available for free viewing and download at the Internet Archive
Passage 8:
Bomba and the Jungle Girl
Bomba and the Jungle Girl is a 1952 American adventure film directed by Ford Beebe and starring Johnny Sheffield  It is the eighth film (of 12) in the Bomba, the Jungle Boy film series 

Plot
Bomba decides to find out who his parents were  He starts with Cody Casson's diary and follows the trail to a native village  An ancient blind woman tells him his parents, along the village's true ruler, were murdered by the current chieftain and his daughter  With the aid of an inspector and his daughter, Bomba battles the usurpers in the cave where his parents were buried 

Cast
Johnny Sheffield as Bomba
Karen Sharpe as Linda Ward
Walter Sande as Mr  Ward
Suzette Harbin as Boru
Martin Wilkins as Chief Gamboso
Morris Buchanan as Kokoli
Leonard Mudie as Commissioner Barnes
Don Blackman as Boru's lieutenant
Passage 9:
George Blair (director)
George Blair  (December 6, 1905 – April 19, 1970) was an American film director who worked generally on supporting features including many B-Westerns  Two of his earliest films were British-set thriller films starring C  Aubrey Smith, made for Republic Pictures 

Selected filmography
Director

Secrets of Scotland Yard (1944)
A Sporting Chance (1945)
Scotland Yard Investigator (1945)
Gangs of the Waterfront (1945)
Affairs of Geraldine (1946)
That's My Gal (1947)
The Trespasser (1947)
Exposed (1947)
Madonna of the Desert (1948)
Lightnin' in the Forest (1948)
King of the Gamblers (1948)
Daredevils of the Clouds (1948)
Homicide for Three (1948)
Rose of the Yukon (1949)
Duke of Chicago (1949)
Streets of San Francisco (1949)
Under Mexicali Stars (1950)
Silver City Bonanza (1951)
Secrets of Monte Carlo (1951)
Desert Pursuit (1952)
Perils of the Jungle (1953)
Superman in Scotland Yard (1954)
Sabu and the Magic Ring (1957)
The Hypnotic Eye (1960)

TV series
Adventures of Superman (1953-1958, TV series, 27 episodes
Casey Jones (1957-1958, TV series, 23 episodes)
Highway Patrol (1957, TV series, 2 episodes)
Harbor Command (1958, TV series, 1 episode)
Tales of the Texas Rangers (1958, TV series, 7 episodes)
Death Valley Days (1959, TV series, 1 episode)
Lassie (1959–1960, TV series, 3 episodes)
Bonanza (1960, TV series, 1 episode)
Wanted: Dead or Alive (1960, TV series, 10 episodes)
Stagecoach West (1961, TV series, 2 episodes)
The Littlest Hobo (1963, TV series, 1 episode)
The Adventures of Superboy (1996, TV series)

TV shorts
Beach Patrol (1959, TV short)
The Adventures of Superboy (1961, TV short)

Bibliography
Richards, Jeffrey  Visions of Yesterday  Routledge, 1973 

External links
George Blair at IMDb
Passage 10:
Seven in the Sun
Seven in the Sun (Italian: Gli avventurieri dei Tropici) is a 1960 Italian adventure film written and directed  by Sergio Bergonzelli and starring Frank Latimore and Gianna Maria Canale 

Plot
Cast
Frank Latimore as Frank
Gianna Maria Canale as Libertà
Saro Urzì as  Fernand
John Kitzmiller as  Salvador
Marisa Belli as Jana
Marco Guglielmi
Eduardo Passarelli



ground_truth: Seven In The Sun