prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is Pyotr Karatygin's sibling-in-law?

The following are given passages.
Context 1: Passage 1:
Nick Sidi
Nick Sidi (born 22 February 1966) is an English actor  He is the husband of Marianne Elliott and son-in-law of actress Rosalind Knight  He often plays drama or comedy roles on television and frequently appears in BBC dramas 

Filmography
Theatre
Passage 2:
Charles Francis Norton
Charles Francis Norton (1807 – 1835) was a 19th-century Member of Parliament for Guildford   Norton was also a Captain of 52nd Light Infantry  Through his wife Maria Louisa, née Campbell, he was son-in-law of Sir Colin Campbell; he was also brother-in-law of writer Caroline Norton

Early life
He was the son of Fletcher Norton MP FRSE (1744–1820) and his wife, Caroline Elizabeth Balmain 
His grandfather was Hon  Fletcher Norton  His brother was Hon  Fletcher Norton, 3rd Baron Grantley  While Charles Francis Norton was a Whig, he had a brother the Hon  George Chapple Norton was a Tory, who held office in Guildford from 1826 to 1830 Charles Francis Norton was brought up in Edinburgh, and joined the army after receiving a one seventh share of the residue of his father's estate (valued at £7,438)  his regiment was stationed in Nova Scotia during the period of his service (1823–1845) 

Political career
Charles Francis Norton briefly entered politics   He ran as a candidate for Guildford in the general election of 1831 and emerged victorious  He held office from 1831 to 1832, losing the re-election to his conservative rival 

Actions during term
Norton campaigned as a supporter of the grey ministry's reform bill and was returned with another reformer after a four-cornered contest 
He divided for the second reading of the reintroduced reform bill, 6 July, and steadily for its details, except the inclusion of Guildford in schedule B, which he opposed by vote and in his only recorded speech, 29 July 1831  He argued that the town's population was ‘respectable and increasing’ and supported its petition to retain two Members by expanding the boundary, the case for which he regarded as unanswerable  He voted for the bill's passage, 21 Sept , the second reading of the Scottish bill, 23 Sept , and Lord Ebrington's confidence motion, 10 Oct 
He was in the minority for O’Connell's motion to swear in the 11 members of the Dublin election committee, 29 July, but voted with ministers to prosecute only those found guilty of bribery, 23 Aug 
On 5 Nov  he was granted the precedence afforded to the younger sons of peers by letter patent  He divided for the second reading of the revised reform bill (by which Guildford kept both its Members), 17 Dec 
1831, steadily for its details and for the third reading, 22 Mar  1832  He voted for the address asking the king to appoint only ministers committed to carrying an unimpaired measure, 10 May, and against the Conservative amendment for increased Scottish county representation, 1 June 
He voted against government on the Russian-Dutch loan, 26 Jan , was absent from the division on this issue 12 July, but voted with ministers, 16 July 
He divided with them on relations with Portugal, 9 Feb  1832 He ran again for Guildford at the general election after his term, but was defeated by one of his Conservative rivals from the previous election 

Later life
Charles Francis Norton returned to an active military career and became assistant military secretary to his father-in-law, following the latter's appointment as governor of Nova Scotia (1834), and it was there that he died suddenly in October 1835, ‘in consequence of drinking cold water, whilst over-heated in the pursuit of moose deer’  He is buried in the Old Burying Ground (Halifax, Nova Scotia) 
Maria Louisa subsequently married Edmund Phipps 
Passage 3:
Nikolai Rubinstein
Nikolai Grigoryevich Rubinstein (Russian: Николай Григорьевич Рубинштейн; 14 June [O S  2 June] 1835 – 23 March [O S  11 March] 1881) was a Russian pianist, conductor, and composer  He was the younger brother of Anton Rubinstein and a close friend of Pyotr Ilyich Tchaikovsky 

Life
Born to Jewish parents in Moscow, where his father had just opened a small factory, Rubinstein showed talent at the keyboard early on  He studied piano first with his mother, and while the family was in Berlin between 1844 and 1846, he studied piano with Theodor Kullak and harmony and counterpoint with Siegfried Dehn; during this time both he and his brother Anton attracted the interest and support of Mendelssohn and Meyerbeer   When the family returned to Moscow, Nikolai studied with Alexander Villoing, who also toured with him  He studied medicine to avoid army conscription, graduating from Moscow University in 1855 
As a result of his playing, Rubinstein was welcomed in all the fashionable artistocratic houses in Moscow  He co-founded the Moscow branch of the Russian Musical Society in 1859 and the Moscow Conservatory in 1866 with Prince Nikolai Petrovitch Troubetzkoy, serving as director of the latter until his death in 1881  He hired Tchaikovsky, then newly graduated from the Saint Petersburg Conservatory, to teach harmony at Moscow Conservatory  He actively encouraged Tchaikovsky's creative efforts and performed his compositions  Rubinstein and Tchaikovsky had a well-known falling-out over the latter's First Piano Concerto, but Rubinstein later revised his position and became an ardent champion of the work  Rubinstein conducted the premiere of Tchaikovsky's opera Eugene Onegin in 1879   Tchaikovsky wrote his Piano Trio in A minor in Rubinstein's memory after he died from tuberculosis in Paris Rubinstein also conducted and performed music of the nationalistic music group "The Five" to a much greater degree than his brother  In 1869, when the group's leader, Mily Balakirev, was forced to resign as conductor of the St  Petersburg branch of the Russian Musical Society, Rubinstein gave Balakirev his support, playing at concerts of the Free Music School as Balakirev's guest  He also gave the first performance of Balakirev's piano work Islamey, the work for which he is best known today 

Pianism
Nikolai Rubinstein was generally regarded as one of the greatest pianists of his time, although now his reputation is overshadowed by that of his brother Anton  His pianistic style was quite at odds with that of his fiery brother  He instead opted for a restrained classicism more in line with the musical values of Clara Schumann than Franz Liszt  Edward Garden writes in the New Grove (2001), "His performances emphasized salient details of the structure of a piece and revealed great clarity of detail "According to Harold C  Schonberg, Anton Rubinstein is reported to have said that "if Nikolai had really worked on it, he could have been the better pianist of the two " One of Nikolai's pupils, Emil von Sauer, wrote a comparison of the two brothers' playing styles in 1895:

It is difficult to say which was the better pianist  In every way as different as the brothers were in personal appearance—the one dark, almost to blackness; the other very fair — so different was their playing  The playing of Nicholas was more like that of Tausig, only warmer and more impulsive  Perhaps Anton Rubinstein was the more inspired player of the two, but he was unequal  Nicholas never varied; his playing both in private and in public was always the same, and he kept up the same standard of excellence 

Students
Nikolai Rubinstein's best-known piano students were Sergei Taneyev, Emil von Sauer and Alexander Siloti  Sauer and Siloti went on to study under Franz Liszt  His other notable pupils included Ernst Jedliczka and Henryk Pachulski 

As a composer
Rubinstein was also a composer of some note, though Garden dismisses his music as "unimportant  Among his most popular works is his Tarantella in G minor and his Fantasia on a Theme by Schumann, both for piano solo  When asked why he did not compose more than he did, he replied that his brother Anton "composed enough for three "

Worklist (incomplete)
Op  11 - Two mazurkas
Op  13 - Bolero
Op  14 - Tarentelle in G minor (pub  1861 for solo piano; pub  1877 for piano duet; also arranged for 2 pianos)
Op  15 - Polka for piano in E-flat major
Op  16 - Valse in A-flat major (later arranged for 2 pianos)
Op  17 - Scene de Bal (later arranged for 2 pianos)
WoO - Two Feuilles d'Album

Notes
Passage 4:
Robert W  Levering
Robert Woodrow Levering (October 3, 1914 – August 11, 1989) was a U S  Representative from Ohio, son-in-law of Usher L  Burdick and brother-in-law of Quentin N  Burdick 

Biography
Born near Fredericktown, Ohio was son of Gertrude Alice and Daniel Lloyd Levering, Levering graduated from Fredericktown High School  He earned his Bachelor of Arts in 1936 from Denison University, Granville, Ohio, and his Bachelor of Laws in 1940 from George Washington University Law School, Washington, D C   He was a librarian at the Library of Congress from 1937 to 1941, and was a lawyer in private practice 
Levering was in the United States Army Reserve  As a civilian attorney working for the United States War Department in Manila, Philippines, he became a prisoner of war during World War II from 1942 to 1945  He served as assistant attorney general of Ohio from 1949 to 1950  He was an unsuccessful Democratic candidate for election to Congress in 1948, 1950, 1954, and 1956 
Levering was elected as a Democrat to the Eighty-sixth Congress (January 3, 1959 – January 3, 1961)   He was an unsuccessful candidate for reelection to the Eighty-seventh Congress in 1960 and for election in 1962  He died on August 11, 1989, in Fredericktown, Ohio, and his remains were cremated 

Publications
Levering, Robert (1948)  Horror trek; a true story of Bataan, the death march and three and one-half years in Japanese prison camps  Horstman Printing Co  ISBN 0806210362  OCLC 1168285 
Passage 5:
Vasily Karatygin
Vasily Andreevich Karatygin (Russian: Василий Андреевич Каратыгин) (10 March [O S  26 February] 1802–-25 March [O S  13 March] 1853) was a leading actor of Russian Romanticism 
Karatygin joined the Bolshoi Theatre in St Petersburg in 1820 and moved to the Alexandrine Theatre in 1832  He particularly excelled in the numerous productions of Shakespeare's and Schiller's plays, rivalling Moscow's Pavel Mochalov as the greatest Russian actor of his time  The two volumes of his Memoirs are invaluable 
Like other actors of his theatre, Karatygin was buried at the Smolensky Cemetery on Vasilievsky Island  His remains were later transferred to the national pantheon, the Alexander Nevsky Lavra  His wife Alexandra Kolosova was admired for her roles in Molière's comedies 
Passage 6:
Wyndham Goold
Wyndham Goold (1812-1854) was a Member of Parliament (MP) for County Limerick from 1850 to 1854 Goold was educated at Westminster School and Trinity College, Dublin  He was the son  of Frederick Falkiner Goold, Archdeacon of Raphoe and Caroline  Newcomen, and brother in law of Bishop Hamilton Verschoyle
Passage 7:
Pavel Petrovich Bulakhov
Pavel Petrovich Bulakhov (Russian: Павел Петрович Булахов; 1824–1875) was a Russian composer, and brother of Pyotr Bulakhov 
Passage 8:
Pyotr Karatygin
Pyotr Andreyevich Karatygin (Russian: Пётр Андреевич Каратыгин, 11 July 1805, Saint Petersburg, Russian Empire – 6 October 1879, Saint Petersburg, Russian Empire) was a Russian dramatist and actor  The tragic actor Vasily Karatygin (1802-1853) was his brother Karatygin debuted on stage in 1823 and rose to fame performing in Alexander Griboyedov's Woe from Wit (the parts of Zagoretsky, Repetilov and Chatsky)  From 1832 to 1838 he was head of the Drama department in the Saint Petersburg Theatre College, where he discovered and tutored several future Russian stage stars, including Alexander Martynov 
Pyotr Karatygin wrote 68 plays, 53 of them vaudevilles, mostly elaborate variations on foreign plays and Russian novels  In the 1860s and 1870s he wrote a series of short memoirs on the history of the Russian theatre  Edited and previewed by his son, Pyotr Karatygin's Notes were serialized by Russkaya Starina in 1872–1879, to much critical acclaim 
Passage 9:
Robert Vadra
Robert Vadra (born 18 April 1969) is an Indian businessman, entrepreneur and the husband of Priyanka Gandhi  He is the son-in-law of Sonia Gandhi and the brother-in-law of Rahul Gandhi 

Early life and family
Robert Vadra was born to Rajendra and Maureen Vadra on 18 April 1969  His father's family is of Punjabi descent settled in Moradabad district, Uttar Pradesh  His paternal family is originally from Sialkot in present-day Pakistan  Rajendra's father moved to India at the time of partition  His mother Maureen (née McDonagh) is of Scottish origin  Rajendra was a resident of Civil Lines, Moradabad and ran a brass and wood handicrafts business  Vadra has only completed his high school education Robert Vadra's brother Richard died by suicide and his sister Michelle died in a car accident in 2001  His father was found dead on April 3, 2009 in City Inn, a guest house in the Yusuf Sarai area of Delhi 

Politics
In January 2002, Vadra issued a notice in print newspaper distancing himself from his father and brother as they were misusing his relationship with the Nehru–Gandhi family to make money while promising jobs and other favours  Following this, Sonia Gandhi, the then Congress president also issued a notice to all Congress CMs, state unit heads and senior party members to stay away from Vadra and his family Until 2012, while Vadra was mostly in the background, he became a target for several opposition parties after the 2012 anti-corruption movement, India against corruption made allegations against him  These allegations got further politicization after several instances of Congress party spokespersons defending allegations on Vadra, stating he was a soft target While Vadra is not into active politics he has been actively campaigning for his brother-in-law Rahul Gandhi and mother-in-law Sonia Gandhi  In the Lok Sabha elections of 2019, he campaigned actively across India for several candidates  Recently on his 50th birthday, when asked about his intent to join active politics, Vadra stated it would happen 2–3 years later 

Controversies
DLF land grab case
In October 2011, he was accused by Arvind Kejriwal of taking an interest-free loan of 650 million and heavy bargains on land from DLF Limited in exchange for political favours  DLF responded that it had dealt with Vadra as a private entrepreneur, that the loan was Business Advance which was given, as per practice of trade, to make payments for land purchased from Vadra, that the company did not sell him land at a discounted price, and that no quid pro quo took place  Corporation Bank has denied ever providing an overdraft facility of that amount 

Bikaner land case
In February 2019, Rajasthan High Court issued summons to Vadra and his mother Maureen in relation to a 2015 case of illegal land transactions in Kolayat area of Bikaner  The enforcement directorate had filed a case against Vadra's company Skylight hospitality pvt ltd alleging purchase of 69 55 bigha (approx  28 acres) land in connivance with Rajasthan government officials at sub market rates (7 2 million) and then selling them at exorbitantly higher prices to gain illegal profits  The company had been issued a notice under Prevention of money laundering act in 2016  Subsequently, the company approached Delhi HC and Supreme court in April 2018 for reassessment of their transactions, however the court directed Vadra to appear before the ED and cooperate in investigations  In recent development, the ED has attached the assets of Vadra's company Skylight valued at 46 2 million after Vadra appeared before ED ignoring several previous summons  In January 2020, during his interrogation with the ED, Vadra stated that he had viewed the land locations on Google maps, but could not recollect the source for the funds he used to purchase those 

Gurugram Rajiv Gandhi Trust land grab case
Passage 10:
Greg Penner
Gregory Boyd Penner (born December 18, 1969) is an American businessman and venture capitalist  Penner was named the chairman of Walmart in June 2015  He is the son-in-law of S  Robson Walton and the grandson-in-law of Sam Walton, the founder of Walmart  He is part-owner and CEO of the Denver Broncos 

Early life
Penner is the son of Clifford and Joyce Penner, sex therapists based in Pasadena, California  They have published sex-advice books from a Christian perspective He earned a degree from  Georgetown University, where he majored in international economics, and an MBA from the Stanford Graduate School of Business in 1997 

Career
He worked as a financial analyst at Goldman Sachs Prior to being named Walmart chairman, Penner held a variety of roles at Walmart  He started as a store employee and eventually became the CFO of Walmart Japan  He was appointed to the Walmart board of directors in 2008 and was named vice-chairman in 2014 Penner is the founder of Madrone Capital Partners, an investment firm located in Menlo Park, California  He is on the board of directors of Baidu, eHarmony, Hyatt Hotels, Teach for America, and co-chair of Charter School Growth Fund On August 9, 2022, the NFL owners approved the purchase of the Denver Broncos by a syndicate consisting of Penner, his wife Carrie, S  Robson Walton, Condoleezza Rice, Mellody Hobson, and Sir Lewis Hamilton  The next day, the Broncos announced that Penner would also be taking over as the team's new CEO after Joe Ellis stepped down from the position  In his role, Penner is operating head of the franchise  He will have primary responsibility for the Broncos' day-to-day football and business operations in collaboration with his partners in the Walton-Penner Family Ownership Group 

Personal life
Penner is married to Carrie Walton Penner, the daughter of S  Robson Walton  Penner met his wife while they were undergraduates at Georgetown University  They have four children and live in Atherton, California 
Context 2: Passage 1:
Cuchillos de fuego
Cuchillos de fuego is a Venezuelan film released in 1990  It was directed by Román Chalbaud based on his theatre play Todo bicho de uña, where a young man, David, seeks revenge on his mother's rapist and murderer  In the film, which is styled like a Western, a stop-motion animated children's drawing of the young David crying over his mother's body is used to tell parts of the story  After searching through the Andes for ten years, he kills several Apaches for his revenge In its theatrical release it was viewed by 367,652 people 

Production
The film stars Miguel Ángel Landa, who also produced it, as well as Marisela Berti, Javier Zapata, Charles Barri, Natalia Martínez, Gabriel Fernández, Dora Mazzone, Jonathan Montenegro, Gabriel Martínez, and Raúl Medina Despite being a Spanish co-production, it was not released in Spain 

Response
The film has been praised for its mixing of diverse themes, like melodrama and fantasy  However, its use of Freudian references was seen as simple, with the film overall described as "somewhat indigestible" It has been assessed as thematically aligned with Chalbaud's other films, despite being a different genre  In this respect, it features "mirage-like memories" of David's mother;:46 masks and costumes used to show illusion and performance of characters thematically;:46-47 pop music in the background used to layer simple meaning;:47 the religious name (David) for its protagonist;:48 and the use of myths, specifically the "fairytale of the abandoned child" :52
Passage 2:
Vittorio Cottafavi
Vittorio Cottafavi (30 January 1914 – 14 December 1998) was an Italian film director and screenwriter  He directed 70 films between 1943 and 1985  His film Il diavolo sulle colline was screened in the Un Certain Regard section at the 1985 Cannes Film Festival 

Selected filmography
Passage 3:
Blossoms of Fire
Blossoms of Fire (also known as Ramo de fuego) is a 2000 documentary film about the people of Juchitán, Oaxaca, Mexico  The documentary was directed by Maureen Gosling and Ellen Osborne 

Overview
Author Elena Poniatowska described the women of Juchitán de Zaragoza, a city in the Mexican state of Oaxaca, as “guardians of men, distributors of food ” Artists like Miguel Covarrubias and Frida Kahlo celebrated their beauty and intelligence  Blossoms of Fire shows them in their daily lives as they run their own businesses, embroider their signature fiery blossoms on clothing and comment on articles in the foreign press that depict them as a promiscuous matriarchy  In particular, an article in the Latin American version of ELLE Magazine infuriated the community during the time the filmmakers were shooting in 1994  Yet, it is expressed throughout the film by the women that they do not consider their society to be a matriarchy 
The people interviewed in this film share a common work ethic and independent streak rooted in Zapotec culture  The movie demonstrates powerful women, the region’s progressive politics, and a tolerance of homosexuality  Veteran film editor and former Les Blank collaborator Maureen Gosling and co-director Ellen Osborne tell of an indigenous community whose "flair for survival in the modern world is a fighting spirit and the undeniable influence of women "

Scenes
A midwife laughs over a young husband’s behavior during birth,
A gay man cheerfully asserts that “the mom’s in charge” in Juchitecan society
Many proudly describe the challenges they face in their work and their families 

Honors and special screenings
World Premiere - San Francisco International Film Festival, Castro Theater, SF and Pacific Film Archive, Berkeley
Coral Prize for Best Foreign Documentary About Latin America: Havana International Film Festival, Havana, Cuba 
"Best Of"Sunnyside of the Doc Film Market, Marseille, France
Award for Excellence - Society for Visual Anthropology, American Anthropological Association
Best Documentary - Film Fest New Haven, Conn 
Second Prize, Community Category, Terres en Vues First People's Festival,  Montréal, Québec
Prix Union Latine, Competition - La Cita Festival de Biarritz, Biarritz, France
El Foro de la Cineteca Nacional, Mexico City, Mexico (One of 12 international films chosen to screen at this prestigious Forum ) The film toured Mexico with the other films for three months following 
HBO Frame by Frame Series, The Screening Room, Manhattan
Tour of the Mexican Republic, including Juchitán, Oaxaca, Mexico City, and dozens of venues in the southern Mexican states  Sponsored by the Mexican Film Institute (IMCINE)  May–June 2001 
HDerHumALC (Human Rights) Film Festival, Buenos Aires, Argentina 
Toured with festival films to Lima, Peru (Dec  2002)
World Social Justice Forum in Porto Alegre and Belem, Brazil (Jan  2003) 

Credits
Producer, Director, Editor - Maureen Gosling
Director, Co-Producer - Ellen Osborne
Co-Producers - Toni Hanna, Maria Teresa García de la Noceda
Cinematographer - Xavier Pérez Grobet
Sound Recordist - Gabriela Espinoza
Field Producer - Susana Vásquez Sánchez
Associate Producer - Kelly Clement
Fiscal Sponsor - Film Arts Foundation, San Francisco
Featuring - the People of Juchitán and San Blas Atempa, Oaxaca
Passage 4:
Miloš Zličić
Miloš Zličić (Serbian Cyrillic: Милош Зличић; born 29 December 1999) is a Serbian football forward who plays for Smederevo 1924  He is a younger brother of Lazar Zličić 

Club career
Vojvodina
Born in Novi Sad, Zličić passed Vojvodina youth school and joined the first team at the age of 16  Previously, he was nominated for the best player of the "Tournament of Friendship", played in 2015  He made his senior debut in a friendly match against OFK Bačka during the spring half of the 2015–16 season, along with a year younger Mihajlo Nešković  Zličić made an official debut for Vojvodina in the 16th fixture of the 2016–17 Serbian SuperLiga season, played on 19 November 2016 against Novi Pazar 

Loan to Cement
In July 2018, Zličić joined the Serbian League Vojvodina side Cement Beočin on half-year loan deal  Zličić made his debut in an official match for Cement on 18 August, in the first round of the new season of the Serbian League Vojvodina, in a defeat against Omladinac  He scored his first senior goal on 25 August, in victory against Radnički 

International career
Zličić was called in Serbia U15 national team squad during the 2014, and he also appeared for under-16 national team between 2014 and 2015  He was also member of a U17 level later  After that, he was member of a U18 level, and scored goal against Slovenia U18 

Career statistics
As of 26 February 2020
Passage 5:
Ojos de fuego
Ojos de Fuego  (Eyes of Fire) is a 1995 Argentine independent short film written and directed by Jorge Gaggero 

Cast
Erasmo Olivera as Julian
Jorge Huertas as Comisario
Victor Poleri as Rengo
Eva Fernandez as Madre de Julian
Leandro Martínez as Laucha

External links
Ojos de fuego at IMDb
Passage 6:
La Bestia humana
La Bestia humana is a 1957 Argentine film whose story is based on the 1890 novel La Bête Humaine by the French writer Émile Zola 

External links
La Bestia humana at IMDb
Passage 7:
Román Chalbaud
Román Chalbaud (born 10 October 1931) is a Venezuelan film director and screenwriter, as well as a prominent playwright  Starting work in television after prestigious training, Chalbaud moved into making films before the industry took off in his home country, returning to theatre where he had been a great success for several years until filmmaking became a viable industry again  He has served as the president of Venezuela's leading theatre, television, and film organisations  A documentary about his life and work called Román en el universo de las maravillas, produced by Argentinian filmmakers, was released on 17 March 2018 in Altamira, Caracas at the Rómulo Gallegos Center for Latin American Studies 

Early life
Born in Mérida, Chalboud moved to Caracas with his grandmother at age six, and was seen in the city as a "learning-disabled" "country boy" Chalbaud was young, "in his adolescence" when he knew he wanted to be a storyteller, but also had a proclivity towards poetry  Some of his storytelling desires came from his grandmother, who was a keen reader of European literature, and also enjoyed watching some French and Italian films



ground_truth: Alexandra Kolosova

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose director is younger, Cuchillos De Fuego or A Woman Has Killed?

The following are given passages.
Context 2:  It was not long after his revelation that he believed he could achieve both working in theatre and in film, the arts towards which he has focused since he was a teenager  His journey to becoming one of his nation's most renowned directors is framed as starting when he would go to a cinema as a teenager and watch films from the Golden Age of Mexican cinema, though Chalbaud himself says that he was inspired by dramatic angles when playing an angel in a Nativity play as a child and being hoisted into the rafters, able to watch the performance from a detached perspective, and to watch the audience as they watched the action After leaving high school, Chalbaud studied for two years at the Teatro Experimental in Caracas, and then studied directing under Lee Strasberg in New York 

Career
The director was in his late teens when he got jobs working in television, whilst writing plays  When working one television job, in the early 1950s, he reports that his group worked from 3 pm until 9 at night, and would then spend time at a brothel  It is during this time that he found inspiration and stories for his play El Pez que Fuma, which he would later make into a film  He also wrote the plays Los adolescentes, for which he won the Ateneo de Caracas prize, and Caín adolescente in his early television career  It was also the early 1950s when he worked as the assistant director to Mexican filmmaker Víctor Urruchúa, working on two of Urruchúa's films, Six Months of Life and Light in the High Plains  In 1955 he became the artistic director of Televisora Nacional, a company he left in 1958 It is possible that he left Televisora Nacional, the official statement being "for political reasons", when he was imprisoned in 1957 for five months by the regime of Marcos Pérez Jiménez, an experience he says gave him a social conscience to do good after being tortured Before releasing his first film, Chalbaud had seen enough success in playwriting that he was made the director of the National Theatre of Venezuela in 1958  He left this role the year after the release of Caín adolescente, in 1960  He had made two films by 1963, when cinema diminished in Venezuela and he was effectively forced to return to theatre  In 1967 he took the presidency of the UNESCO Latin American Theatre Institute, and it was in this year theatre collective "El Nuevo Grupo" was co-founded by Chalbaud; he dedicated the poem "Us and the Theatre" to the group, with which he has worked extensively since, that same year The success of Chalbaud's plays is placed on his characters, with the social-realist works characterised by an open treatment of dramatic plots, and a supposedly archetypal selection of characters used to portray irony with the social contexts of marginalisation they find themselves, all which critiques the situation of the country  This is also a reason that his plays, many of them that he made into films, are deemed timeless and socially relevant even in the 21st century  He was awarded the National Theatre Award of Venezuela in 1984  He is considered, along with friends Isaac Chocrón and José Ignacio Cabrujas, to be "a prime moving force in continuing the work of César Rengifo in the development of the contemporary Venezuelan theatre"  The three are known as the Holy Trinity of Venezuelan theatre Though making films in this time, he had been largely focused on theatre  This would change after 1969, when Chalbaud left his president role and when Venezuelan cinema entered its Golden Age  He did return to television, joining Radio Caracas Television in 1969, but began his most successful line of work in film direction  Moving into film gave Chalbaud international acclaim, all of his films being screened at film festivals, and one being the first of his country's foreign-language Oscar nominations  His films, some of which are self-adaptations, are said to thematically continue his theatre work  He received the National Film Award of Venezuela in 1990 In 1974, Chalbaud, with other filmmakers of his generation, started Gente de Cine C A , a production company which would produce most of his own films  In 1975, thanks to new national legislation pushed through by the Asociación Nacional de Autores Cinematográficos (National Association of Cinema Auteurs) — ANAC — Chalbaud was the first director to receive protected state funding, making the film Sacred and Obscene  The success of this film quashed the government's doubts about the funding program  He was then named President of the ANAC in 1978, and was the Director General of the Fundación Cinemateca Nacional de Venezuela (National Foundation of Venezuelan Cinema) for two years Chalbaud resigned from Radio Caracas in 1982  In 1985, the San Sebastián Film Festival dedicated a retrospective to him; he has also been on the Jury of this festival, in 1990 In June 2018, he said he was in pre-production for a film trilogy about the life of Hugo Chávez Alfonso Molina, in his 2002 book on the director, wrote that you cannot fully understand the socio-political culture of Venezuela without watching Chalbaud's films 

Personal life
Chalbaud revealed little personal information until he was quite old, when he said that though he loves the landscape of his home city Mérida, he considers Caracas the place to grow old  His favourite play is El Pez que Fuma  Fabián Pierucci, the director of the documentary about his life, says that Chalbaud is "tireless, from his early rise until the night he is reading, writing, going to conferences, helping people" He considers Luis Buñuel a "master" Chalbaud's political affiliation is chavismo, which he believes "most of the country" follows, arguing that Nicolás Maduro is not a dictator and that the opposition since his election are "monsters", justifying the government treatment of opposition members and describing the Constituent National Assembly as Venezuela's legitimate democratic house 

Filmography
Passage 8:
La niña de fuego
La niña de fuego (The fire girl) is a 1952 Argentine film 

Cast
Lolita Torres – Fernanda / Fernando
Ricardo Passano – Pocho
Mario Baroffio – Cipriano Albaicín
César Fiaschi – Pereda
Domingo Márquez – Andrés
Antonio Martelo
Helena Cortesina
Alfonso Pisano – Ramallo
Arsenio Perdiguero – mr  José
Antonio Martiánez – Captain
Delfy Miranda – Ofelia
Noemí Laserre – María de los Cantares
Arturo Arcari
Semillita – box spectator
Helena Cortesina – Clotilde
Carlos Mendi – Marino
Ofelia Cortesina
Luis Laneri
Dante Liguori

External links
La niña de fuego at IMDb
Passage 9:
La selva de fuego
La Selva de Fuego (The Jungle of Fire) is a 1945 Mexican romantic drama film directed by Fernando de Fuentes and starring Dolores del Río 

Plot summary
The movie develops into the Jungle of Chiapas in México  A beautiful woman named Estrella (Dolores del Río) lost in a savage zone of the jungle  She is found by a group of men who are being held into the jungle as social outcasts  Their leader, Luciano (Arturo de Córdova) is a man of integrity, but with an inexplicable hatred toward women  The presence of a sensual woman between several alone men causing a chaos that only Luciano can save 

Curiosities
According to María Félix in her autobiography (Todas mis Guerras México, 1993), cause of this movie, she and Dolores del Río mistook their paths for only time  The film was written by Félix, but the messenger sent by mistake the film for Dolores  María finished filming the movie Vértigo (written by Dolores) 
Passage 10:
A Woman Has Killed
A Woman Has Killed (Italian: Una donna ha ucciso) is a 1952 Italian melodrama crime film directed by Vittorio Cottafavi  While on a train journey a young woman tells another passenger how she murdered her husband, a British army officer  It is a neorealist film, based on the real story of Lidia Cirillo, who appears in the film 
The film's sets were designed by the art director Ottavio Scotti 

Cast
Frank Latimore as 	Capt  Roy Prescott
Lianella Carell as 	Anna
Alessandro Serbaroli as 	Larry (as Alex Serbaroli)
Vera Palumbo as 	Carla
Umberto Spadaro as 	Padre di Anna
Marika Rowsky
Celeste Aída
Diego Muni
Vincenzo Milazzo
Pia De Doses
Lidia Cirillo
Context 3: Passage 1:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 2:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 3:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television 

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University  Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run  He is the son of Fayetteville District Judge Rudy Moore In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003   He was nominated for a 2004 Tony Award for his direction  Moore also directed productions of the musical in Las Vegas and London and the show's national tour  Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008  He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008 Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City  The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011 For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters  As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton  A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998 In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow  He also served as an executive producer on the sequel  He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015  Moore's next project will be directing a live action Archie movie 

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)
Passage 4:
Wine of Morning
Wine of Morning is a 1955 American film directed by Katherine Stenholm and starring Al Carter, Joan DeVolk, and Katherine Helmond  It has Barabbas as the subject, who was pardoned according to the Biblical report in place of Jesus Christ by Pontius Pilate 
The film is based on the novel Wine of Morning by Bob Jones Jr 

Plot
On a stormy voyage Barabbas writes a letter to his friend Stephen and remembers his time in Galilean Nazareth 
There he is friends with the carpenter Josef and his son Jesus   One day he meets Irene, the future bride of his friend Stephanus, and falls in love with her  On Stephanus' and Irene's wedding in Cana, the wine goes out surprisingly  Mary asks Jesus for help, who then turns water into wine 
A little later, Joel decides to leave Nazareth and go to Capernaum  There he visits his friends Sarah and Jonathan and their son Dismas  Jonathan has been paralyzed, so Joel and Dismas supports Jonathan's business  He meets the rabid tax collector Levi and notes bitterly the oppression of the Jews by the Romans  While Joel would like to fight, Jonathan is waiting for salvation from God 
After Dismas one day watched with enthusiasm a demon exorcism by Jesus, he and Joel also bring Jonathan to Jesus  They let Jonathan down through the ceiling of the house to Jesus; Jonathan is healed 
In the meantime, Joel meets the stranger Omah, whose family was cruelly killed by the Romans  Omah takes Joel to Jesus; but to Joel's disappointment, Jesus does not choose him as a disciple  Omah recruits Joel for an underground movement fighting for the liberation of Israel 
In Jerusalem, Joel meets Prince Manean and is educated by him for six months  While performing a mission, he saves the Egyptian dancer Myra from the advances of Manean's servant Toron  Joel and Myra fall in love 
Manean plans an action against the Romans for the approaching Passover celebration   He gives Joel the name Barabbas, as he proposes to rob the necessary money from the expected pilgrims  A little later, Dismas also joins the group around Manean 
When Toron betrays Barabbas to the Romans, Barabbas escapes and kills Toron  Myra suggests Manean use Toron's funeral to escape together  Soon Barabbas is wanted by the Romans as a robber  A little later, Barabbas is caught in a robbery; Myra is coming 
At the same time, Pontius Pilate is presented Jesus as a prisoner accused of blasphemy  Pilate can not blame him, but the people demand Jesus' crucifixion  Pilate leaves the people the choice of whether to pardon Jesus or Barabbas on the occasion of the Passover feast; the people choose Barabbas  Finally, Pilate gives in to the people and condemns Jesus; Barabbas' accomplices Gestas and Dismas are crucified together with Jesus  Shaken, Barabbas follows Jesus' crucifixion on Golgotha   Jesus is mocked by those present; only Dismas holds to him 
After Barabbas' ship is shipwrecked during the storm, Barabbas is taken to Irene, who now has a son named Joel  Irene tells Barabbas of Jesus' resurrection and ascension  She and Stephen were later baptized; Stephen was stoned by the Romans for his faith  Shortly before leaving, Barabbas Irene admits that he once loved her 
In Antioch, Barabbas meets Manean, who has converted to Christianity; Barabbas also becomes a Christian  On his journey with Paul Barabbas is arrested and imprisoned  On the occasion of the death of King Herod Agrippa Barabbas has the prospect of being pardoned 

Cast
Al Carter as Joel / Barabbas
Joan DeVolk as Myra
Katherine Helmond as Irene
George Hennix as Omah
Bob Jones Jr  as Pontius Pilate
Bob Jones III as Dismas
Robert Pratt as Jonathan
David Yearick as Prince Manaen
Harvey Maddrix as Toron
Harold Root as Manaen's Servant
Claire Baker as Captain
Harry Brown as Mucius, Roman soldier
Howard Burns as Joseph
Jack Buttram as Stephanus
George Capps as Levi
Vincent Cervera as Apostle Paul
Bob Davis as Caesarean prison guard
Elizabeth Edwards as Maria
Velma Eubanks as Rebecca
Dwight Gustafson as Magistrate
R  K  Johnson as Stephanus' father
Fannie Mae Jones as Sarah
Bill Kinkaid as Barnabas
George Law as Peter
Bruce Lemmen as Caiaphas
John Ludwig as Priest
Melba Jo McKenzie as Claudia's maid
Fritz Mollenkott as Priest
Elmer Rumminger as Priest
James Ryerson as Fremder
Glenn Schunk as Irenes Vater
Billy Shelton as Enos
Clifford Wallace as Zebedee
Zeb Wolfe as Priest
Thomas Woodward as Herod Agrippa
Bob Kendall as Longinus, Roman soldier
Dan Dunkelberger as Vinicius, Roman soldier
Jon Formo as Vestus, Roman soldier
Roy Lichtenwalter as Sextus, Roman soldier
Barry Thomas as: Marcus, Roman soldier
Glenn Zachary as Octavus, Roman soldier

Production
The film was created with the participation of students and staff of Bob Jones University  The basis was the novel Wine of Morning of the University President, Bob Jones, Jr , 1950, who had long been planning to write a novel about Barabbas, but did not find the time to write until a pleurisy forced him into the hospital bed for two months  Six months later, the novel was completed  The novel was finally filmed by Unusual Films; Bob Jones Jr  took over the role of Pontius Pilatus 
Wine of Morning was featured at the International Congress of Motion's Picture and Television School Directors at the Cannes International Film Festival  It was the first film to win the four major awards from the National Evangelical Film Foundation 
Wine of Morning was Katherine Helmond's film debut 

External links
Wine of Morning in the Internet Movie Database (English)
Wine of Morning on www unusualfilms com
Passage 5:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003



ground_truth: Cuchillos De Fuego

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where does the director of film Wine Of Morning work at?

The following are given passages.
Context 3: 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 6:
Michael Govan
Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art  Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City 

Early life and education
Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D C  area, attending Sidwell Friends School He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art  Govan became closely involved with the museum, serving as acting curator as an undergraduate  After receiving his B A  from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego 

Career
As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R  Guggenheim Foundation  Govan served as deputy director of the Solomon R  Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain  Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation 

Dia Art Foundation
From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City  There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present  Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon  Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building  During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest  Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015 

LACMA
In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M  Daly, recruited Govan to run the Los Angeles County Museum of Art  Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961  "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that "Govan has been widely regarded for transforming LACMA into both a local and international landmark  Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion  LACMA's annual attendance has grown from 600,000 to nearly 1 6 million in 2016 

Artist collaborations
Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists  In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world  Baldessari has also designed LACMA's logo  Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth     crossed with a high-style urban lounge "Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists  These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard  Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016 In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived  In 2010, it was announced that Govan will steer LACMA for at least six more years  In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum 

Zumthor Project
Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor  As of January 2017, he has raised about $300 million in commitments  Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard  The project also envisages dissolving all existing curatorial departments and departmental collections  Some commentators have been highly critical of Govan's plans  Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own"  Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1 5 miles  Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support 
On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come" 

Personal life
Govan is married and has two daughters, one from a previous marriage  He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]  That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region 
Los Angeles CA 90020
United States  He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport 
Passage 7:
Katherine Stenholm
Katherine Corne Stenholm (June 19, 1917 – November 3, 2015) was an American film director and the founding director of Unusual Films, the production company of Bob Jones University 

Biography
Katherine Corne was born and reared in Hendersonville, North Carolina   As a high school student during the Depression, she supplemented her family's income by writing movie reviews for a local newspaper   Rejecting a college scholarship to Wellesley, Corne attended the fledgling Bob Jones College in Cleveland, Tennessee, after an evangelist convinced her that a Christian young person should attend a Christian college   At BJC, she majored in speech and became a private student of Bob Jones Jr , eventually helping him direct Shakespearean plays   After earning her undergraduate degree, she served on the BJC speech faculty while attending graduate school at Northwestern University for twelve summers  During this period she married Gilbert R  Stenholm (1915–89), who became an influential administrator at the institution; they had one son In 1950, after the college moved to Greenville and became Bob Jones University, Bob Jones Sr  and Jr  asked Stenholm to head a newly conceived campus film production company, Unusual Films   Stenholm then attended summer film school at the University of Southern California, making important professional contacts and serving an internship with Stanley Kramer    Stenholm was a quick learner and soon "became one of only a handful of women in the United States to direct feature films "  Through her career she produced seventy-two films of various types including sermon films, religious documentaries, promotional films, and multi-image presentations   She directed five feature-length religious films, all costume dramas: 

Wine of Morning
Red Runs the River
Flame in the Wind
Sheffey
Beyond the Night The National Evangelical Film Foundation named Stenholm Director of the Year in 1953, 1955, and 1963; and her favorite film, Sheffey, received a Silver Medallion award from the International Film and Television Festival of New York In 1958, at the height of the Cold War, the University Film Producers Association selected Wine of Morning as its submission to the International Congress of Motion Picture and Television School Directors at the Cannes Film Festival, and Stenholm was the keynote speaker on the occasion  A U S  State Department official who briefed Stenholm told her there had been a round of applause when the Department discovered that BJU had been chosen to represent the United States because "Bob Jones University is one school about which there is no worry!" The selection committee thought Wine of Morning would demonstrate the excellence of American cinema training and the film's frank religious message would "provide a revealing contrast to the entries from Russia and the other Communist-dominated countries "In 1986, Stenholm suffered a stroke in the Soviet Union while taking scenic footage in preparation for another feature-length film   She retired as director of Unusual Films but continued to teach at BJU until 2001  Stenholm died in November 2015 at the age of 98 
Passage 8:
Jesse E  Hobson
Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955  Prior to SRI, he was the director of the Armour Research Foundation 

Early life and education
Hobson was born in Marshall, Indiana  He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology  Hobson was also selected as a nationally outstanding engineer Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children 

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948 
Passage 9:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 10:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 



ground_truth: Bob Jones University