prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is Sir William Gore, 3Rd Baronet's paternal grandfather?

The following are given passages.
Context 1: Passage 1:
Sir William Gore, 3rd Baronet
Sir William Gore, 3rd Baronet PC (Ire) (died 1700) was an Anglo-Irish baronet and magistrate 
He was the oldest son of Sir Ralph Gore, 2nd Baronet and his wife Anne Caulfeild, second daughter of William Caulfeild, 2nd Baron Caulfeild  In 1661, he succeeded his father as baronet  Gore was appointed Custos Rotulorum of Leitrim in 1684, an office he held until his death in 1700  He was sworn off the Privy Council of Ireland He married Hannah Hamilton, daughter of James Hamilton and niece of Gustavus Hamilton, 1st Viscount Boyne, and had by her three sons and five daughters  Gore died in 1700 and was succeeded in the baronetcy by his oldest son Ralph 
Passage 2:
William Ormsby-Gore (1779–1860)
William Ormsby-Gore (14 March 1779 – 4 May 1860), known as William Gore until 1815, was a British Member of Parliament 

Life
Born into an Anglo-Irish family as William Gore, the eldest son of William Gore, M P , of Woodford, County Leitrim, he was the great-great-grandson of William Gore, third and youngest son of Sir Arthur Gore, 1st Baronet, of Newtown, second son of Sir Paul Gore, 1st Baronet, of Magharabag, whose eldest son Paul was the grandfather of Arthur Gore, 1st Earl of Arran  He was educated at Eton College (1796), the Middle Temple (1796) and Merton College, Oxford, where he matriculated in 1797  In 1815 he married Mary Jane Ormsby, daughter and heiress of Owen Ormsby, and assumed by Royal licence the additional surname of Ormsby the same year 
He joined the British Army and served as a lieutenant in the 1st Dragoon Guards in 1800, was promoted to captain in 1802, to major in 1802 and to brevet major in 1813  He went onto half-pay with the 86th Foot in 1815 and as a captain in the 88th Foot  He left the Army in 1829  He was appointed High Sheriff of Shropshire for 1817–18 and High Sheriff of Caernarvonshire for 1820–21 
Ormsby-Gore was elected to the House of Commons for County Leitrim in 1806, a seat he held until 1807, and then represented Caernarvon from 1830 to 1831 and North Shropshire from 1835 to 1857 
He died at Porkington and was buried at Selattyn  He had 3 sons (one of whom predeceased him) and 2 daughters  His eldest son John Ormsby Gore was M P  for Caernarvonshire and created Baron Harlech in 1876  His second son William became 2nd Baron Harlech after the death of his brother 
Passage 3:
Thomas Gladstones
Thomas Gladstones (3 June 1732 – 12 May 1809) was a Scottish flour merchant and philanthropist  He was the father of Sir John Gladstone and the grandfather of the British prime minister William Ewart Gladstone 

Early life
Born at the farm of Mid Toftcombs in the parish of Biggar, Lanarkshire, Thomas Gladstones was the fourth son of John Gladstones (c 1696–1757), a miller and farmer at Mid Toftcombs  John Gladstones also served as an elder of Biggar Kirk  Thomas's elder brother, James, was a Church of Scotland minister and rector of Leith Academy 
In 1746, when he was aged 14, Thomas's father arranged for him to be apprenticed to Alexander Somerville, a wine merchant in Leith  When Thomas completed his apprenticeship he decided that the corn trade offered better prospects than did wine, and he established himself in Leith as a provision merchant and corn dealer, eventually trading at both wholesale and retail 
He died in 1809 at his home on Coalhill in Leith 

Marriage and family
On 21 April 1762, Gladstones married Nelly Neilson (1738–1806), the daughter of Walter Neilson, a merchant from Springfield near Edinburgh  They had sixteen children together, the second-born, and eldest son, being Sir John Gladstones 

Career
Thomas Gladstones' corn business prospered during the 1760s  His business operated from a shop at the front of his house on Coalhill in Leith  Thomas became the lessee of the Dalry paper mill, where he appointed his brother-in-law, James Murray, as superintendent  He also bought and sold grain from the Baltic ports, was an investor in a Leith whaling syndicate, owned a number of trading ships, and had an interest in the sulfuric acid plants at Barrowmuirhead, near Leith  His provisions business focused on provisioning ships with butter, oranges, wine, vinegar and other goods 
Thomas Gladstones was a Whig and an elder in the Church of Scotland  He died at his home in Leith in May 1809, aged 86  He was buried in the churchyard of North Leith Parish Church 

See also
Gladstone baronets
Passage 4:
George Ormsby-Gore, 3rd Baron Harlech
George Ralph Charles Ormsby-Gore, 3rd Baron Harlech,  (21 January 1855 – 8 May 1938), was a British soldier and Conservative Member of Parliament 

Background and education
Harlech was the son of William Richard Ormsby-Gore, 2nd Baron Harlech, and Lady Emily Charlotte Seymour, and was educated at Eton College and the Royal Military College, Sandhurst 

Military career
He served in the regular army as a lieutenant in the Coldstream Guards from 1875 to 1883   He later served in the Shropshire Yeomanry, becoming its commanding officer as lieutenant-colonel from 1902 to 1907, and was honorary colonel from 1908  He commanded the Welsh Guards at home during the First World War in 1915  He was chairman of the Salop Territorial Army Association 

Political career
He was elected to the House of Commons for Oswestry in a by-election in May 1901, a seat he held until 1904 when he succeeded his father as third Baron Harlech and entered the House of Lords 

Crown appointments
Lord Harlech was a justice of the peace for both County Leitrim and Shropshire and High Sheriff of Leitrim for 1885  He was appointed to be a deputy lieutenant of Merionethshire in 1896 and of Shropshire in 1897 Harlech also served as Lord Lieutenant of Leitrim from 1904 to 1922 and as Lord Lieutenant of Merionethshire from 1927 to 1938, as well as Constable of Harlech Castle from 1927 until his death 

Honours and decorations
DL: Deputy lieutenant of Salop, and County Merioneth 
TD:  Recipient of the Territorial Decoration, 2 September 1910 
CB: Companion of the Order of the Bath 
GCB: Knight Grand Cross of the Order of the Bath –  as a Companion (CB) in the 1923 Birthday Honours 
KCB: Knight commander in the 1936 New Year Honours Harlech was also awarded the Knight of the Order of St John of Jerusalem From 1926 to 1938 he was served as Provincial Grand Master of Freemasonry in Shropshire and was a member of the Lodge of St  Oswald (No  1124), which is now also known as the Harlech Lodge of Perfection 

Arms
Personal life
Lord Harlech married Lady Margaret Ethel Gordon, daughter of Charles Gordon, 10th Marquess of Huntly, on 25 July 1881  They had one child :
William George Arthur Ormsby-Gore, 4th Baron Harlech (born 11 April 1885, died 14 February 1964)His family seats were Brogyntyn, Oswestry; Derrycarne, County Leitrim, Glyn, Merionethshire Harlech died in May 1938, aged 83, and was succeeded in the barony by his son  Lady Harlech died in 1950  The couple are buried in the parish churchyard of Selattyn near Oswestry  Their southern English home was Tetworth Hall at Ascot in Berkshire 
Passage 5:
Jason Gore
Jason William Gore (born May 17, 1974) is an American professional golfer 

Amateur career
Gore was born in Van Nuys, California  He grew up playing junior golf with Tiger Woods Gore attended the University of Arizona, then transferred to Pepperdine University  At Pepperdine, he was part of their NCAA Division I Championship team in 1997  He also played on the victorious Walker Cup team that year 

Professional career
Gore turned professional in 1997  In 2005, he played on the PGA Tour after moving from the Nationwide Tour mid-season, after receiving a battlefield promotion, which is given when a player wins three Nationwide Tour events in one season  
Gore has one PGA Tour win, the 84 Lumber Classic in 2005, and is the all-time leader in career wins on what is now the Korn Ferry Tour, with seven  Gore belongs to a small group of players who have shot 59 in their careers  His historic round of 59 happened on Friday of the 2005 Cox Classic at Champions Run in Omaha, Nebraska  He is also one of two golfers to win on both the Korn Ferry Tour and PGA Tour in the same season, following Paul Stankowski in 1996 
Gore played in the final group of the 2005 U S  Open with Retief Goosen  He shot a 14-over-par 84 to drop all the way to a tie for 49th; Michael Campbell won the event  Gore was not fully exempt on the PGA Tour from 2009 to 2014   Gore had a strong 2015, but a poor 2016 saw him finish outside 150th, limiting him to past champion status for 2017 
During the third round of the 2016 Farmers Insurance Open at Torrey Pines, Gore made a double eagle on the par-5 18th hole After injuries and poor play, Gore went into the insurance business  In 2018, he received his license and is one of the co-founders of Kirkman Gore Insurance Services As a comeback from his retirement, Gore earned a sponsor exemption for the 2018 RSM Classic on the PGA Tour  After three rounds, he was in second place, a stroke behind leader Charles Howell III after posting scores of 68, 63 and 67  In the final round, Gore shot +2 and finished T15 for the tournament  In March 2019, Gore was named the first player relations director for the USGA 

Personal life
Gore resides in Gladstone, New Jersey with his wife, Megan, his son, Jaxon, and his daughter, Olivia 

Amateur wins
this list may be incomplete

1996 Sahalee Players Championship
1997 Pacific Coast Amateur, California State Amateur

Professional wins (12)
PGA Tour wins (1)
Nationwide Tour wins (7)
Nationwide Tour playoff record (1–0)

Other wins (4)
1997 (1) California State Open (as an amateur)
2004 (1) California State Open
2008 (1) Straight Down Fall Classic (with Kevin Marsh)
2013 (1) Straight Down Fall Classic (with Kevin Marsh)

Results in major championships
CUT = missed the half-way cut
"T" = tied

Results in The Players Championship
CUT = missed the halfway cut
WD = withdrew
"T" indicates a tie for a place

Results in World Golf Championships
"T" = Tied

U S  national team appearances
Amateur

Walker Cup: 1997 (winners)

See also
2000 PGA Tour Qualifying School graduates
2002 Buy com Tour graduates
2005 Nationwide Tour graduates
2014 Web com Tour Finals graduates
List of golfers with most Web com Tour wins
Lowest rounds of golf
Passage 6:
William Bowes
William Bowes may refer to:

Sir William Bowes (MP for County Durham) (1657–1707), English landowner and MP
William Bowes (15th century MP) (died 1439), MP for City of York
Sir William Bowes (soldier) (1389–1460), English military commander
Sir William Bowes (ambassador) (died 1611), English ambassador to Scotland
Bill Bowes (1908–1987), English cricketer
Billy Bowes, Scottish footballer
Passage 7:
William Gore-Langton (1760–1847)
Colonel William Gore-Langton (December 1760 – 14 March 1847), known as William Gore until 1783, was a British politician  He sat in the House of Commons for 45 years 

Background
Born William Gore, he was the son of Edward Gore and Barbara, daughter of Sir George Browne, 3rd Baronet  This branch of the Gore family descends from Sir John Gore, Lord Mayor of London in 1624, younger son of Gerard Gore, whose elder son Sir Paul Gore, 1st Baronet, of Magharabeg was the ancestor of the Earls of Arran, the Barons Annaly and the Barons Harlech  Montague Gore was his nephew 

Political career
Gore-Langton was Member of Parliament for Somerset between 1795 and 1806 and again between 1812 and 1826, for Tregony between 1808 and 1812 and for Somerset East between 1832 and 1847  He was also a Colonel in the Oxford Militia 

Family
Gore-Langton married firstly Bridget, daughter of Joseph Langton (d  1779), in 1783, and assumed the same year by Royal licence the additional surname and arms of Langton according to the will of his father-in-law  Through this marriage Newton Park in Somerset came into the Gore family  After Bridget's death in 1793 he married secondly Mary, daughter of John Browne  There were children from both marriages  His son from his first marriage, William Gore-Langton, was the father of William Gore-Langton and the grandfather of William Temple-Gore-Langton, 4th Earl Temple of Stowe while his son from his second marriage, Henry Gore-Langton, represented Bristol in Parliament 
Passage 8:
Sir Humphrey de Trafford, 4th Baronet
Sir Humphrey Edmund de Trafford, 4th Baronet  (30 November 1891 – 6 October 1971) was a prominent English racehorse owner, and the grandfather of Brigadier Andrew Parker Bowles  He was the son of Sir Humphrey de Trafford, 3rd Baronet, and Violet Alice Maud Franklin 

Early life
Trafford was educated at The Oratory School and the Royal Military College, Sandhurst  After training he was commissioned into the Coldstream Guards as an officer  He fought with distinction in the First World War and was awarded the Military Cross in 1917 

Personal life
He married the Hon  Cynthia Hilda Evelyn Cadogan, daughter of Henry Arthur Cadogan, Viscount Chelsea and the Hon  Mildred Cecilia Harriet Sturt, on 2 October 1917  They had four daughters:

Ann (14 July 1918 – 1987), who married Derek Henry Parker Bowles 
Mary (23 February 1920 – 28 October 2007), who married Sir Francis James Cecil Bowes-Lyon
Violet (born 17 June 1926), who married Sir Max Aitken, 2nd Baronet
Catherine (5 November 1928 – 21 January 2023), who married Fulke Walwyn

Racehorse ownership
Trafford was an amateur rider and racehorse owner and a member of the Jockey Club and its National Hunt Committee 
In 1926, he purchased the Newsells Park Estate, Barkway near Royston, Hertfordshire as a home for his family and established a stud farm there, from which he bred most of his famous racehorses including Alcide who won the 1958 St  Leger Stakes and the 1959 King George VI and Queen Elizabeth Stakes and Parthia, who won the 1959 Epsom Derby  Other notable horses included Papillio who won the 1953 Goodwood Stakes and Approval who won the Observer Gold Cup at Doncaster in 1969 and the Dante Stakes at York in 1970  Trafford also served as Steward of The Jockey Club from 1934 to 1937 and then again in 1944 and 1951 

Baronet
On the death of his father, on 10 January 1929, Trafford became the fourth Baronet  In 1940, he was one of four godparents at the christening of his grandson Brigadier Andrew Parker Bowles, Ann's son  Trafford served as a justice of the peace and a deputy lieutenant of Hertfordshire and in 1945 as High Sheriff of Hertfordshire Sir Humphrey Edmund de Trafford died on 6 October 1971 at the age of 79 
Passage 9:
Sir Ralph Gore, 2nd Baronet
Sir Ralph Gore, 2nd Baronet (died 1661) was an Anglo-Irish politician, soldier and baronet 
He was the eldest son of Sir Paul Gore, 1st Baronet and Isabella Wycliffe, daughter of Francis Wycliffe  Gore succeeded his father as baronet in 1629  He was Member of Parliament (MP) in the Irish House of Commons for County Donegal from 1639 until 1648  In the Irish Rebellion of 1641, he was appointed colonel of 500 men by King Charles I of England to end the riots On 23 April 1639, he married Anne Caulfeild, second daughter of the 2nd Baron Caulfeild of Charlemont  Gore was succeeded in the baronetcy by his only son William 
Passage 10:
Sir William Acland, 3rd Baronet
Sir William Henry Dyke Acland, 3rd Baronet  (18 May 1888 – 4 December 1970) was the eldest son of Sir William Acland, 2nd Baronet and Hon  Emily Anna Smith 

Succession
He succeeded his father as 3rd Baronet Acland, of St  Mary Magdalen, Oxford on the latter's death on 26 November 1924  On his death in 1970 he was succeeded in the baronetcy by his younger brother 

Education
He attended Eton College and Christ Church, Oxford 

Career
He fought in the Great War, where he was wounded, and Mentioned in Dispatches  He served with the Royal Artillery and the Royal Flying Corps  He was awarded with the Military Cross, the Air Force Cross and the Territorial Decoration  At various times he acted as Deputy Lieutenant, Justice of the Peace, High Sheriff (1851) and County Alderman for Hertfordshire 

Family
He married Margaret Emily Barclay (d 1967), daughter of Charles Theodore Barclay, on 26 April 1916, and had issue:

Elizabeth Margaret Acland (1919–1998), married Major Edward Cecil O'Brien (1943)
Juliet Mary Acland (1922–1991), married Peter Robert Tabor (1939)
Sarah Josephine Acland (1930–1961), married George Edward Brown (1954)
Rosalyn Emily Patricia Acland (21 November 1931 – 2006), married Kenneth John Coles (1953)
Context 3: Passage 1:
My Little Eye
My Little Eye is a 2002 British horror film directed by Marc Evans about five adults who agree to spend six months together in an isolated mansion while being filmed at all times  The idea for the film came from reality television shows such as Big Brother  The title refers to the guessing game I spy 

Plot
Five contestants, Matt (Sean Cw Johnson), Emma (Laura Regan), Charlie (Jennifer Sky), Danny (Stephen O'Reilly) and Rex (Kris Lemche), agree to take part in a reality webcast, where they must spend six months in a house to win $1 million  If anyone leaves, then no one wins the money  Nearing the end of the six months, tension between the contestants rises after Emma finds strange messages she believes are from a man from her past and the food packages arrive containing a letter that claims Danny's grandfather has died, and a gun with five bullets 
One night, a man named Travis Patterson (Bradley Cooper) arrives, claiming he is lost in the woods and that his GPS has died  Despite claiming to be an internet programmer, he claims to not recognize any of the contestants or ever having heard of the show  Later that night, Travis has sex with Charlie, and then secretly talks directly into a camera, to communicate with whoever is watching them  The next morning, Travis leaves and Danny discovers his backpack outside covered in blood and shredded to pieces  The contestants assume he was attacked by an animal but Rex believes Travis works for the people running their show and that it is all a trick to make them leave the house and forfeit the prize money 
Emma discovers her underwear among Danny’s belongings and confronts him, unaware that Travis planted them there the previous night  Danny denies it and attempts to make peace by giving her a crudely carved wooden cat, which Emma and Charlie ridicule, while Danny overhears 
The next morning, the group finds Danny has committed suicide by hanging himself from the staircase balcony with a rope  The guests finally decide to leave, but after being unable to contact anyone via radio, decide to wait until the next morning  Rex uses the GPS unit from Travis' bag and his laptop to gain access to the internet to find out more about the show but is unable to find any evidence of their show online 
Rex is only able to find a heavily encrypted beta site, that requires a $50,000 fee to access, and displays a web page with their pictures and betting odds  The group decides they will leave the next morning, though Rex and Emma go up to the roof to set off a flare  While Charlie and Matt remain in the house, Matt asks a camera if he should kill her, before suffocating her with a plastic bag 
Later, while Emma is sleeping, Rex comes downstairs and is decapitated with an axe by Matt  Matt awakens Emma and brings her up to the attic, telling her he is being chased and the others are dead  He then makes advances on Emma, who refuses, and attempts to rape her, before she stabs him in the back and runs off 
Emma runs outside and finds a police officer, who handcuffs her inside the car and enters the house  An injured Matt then crawls out, begging the cop to let him kill Emma, since he spent six months in the house with her  Realizing they are working together, Emma escapes the car and tries to run but is shot in the back with a rifle by the cop 
Matt and the cop sit in the kitchen discussing the setup they created with Travis for their high paying clients who want to witness the murders  When the cop says there are always "five suckers" to play the game with, Matt corrects him to four, and is then shot in the head  The cop then leaves, talking to Travis over the radio, while Emma is seen locked in a small room, unable to escape  As she collapses screaming, the cameras filming all shut off, one by one 

Cast
Sean Cw Johnson as Matt
Kris Lemche as Rex
Stephen O'Reilly as Danny
Laura Regan as Emma
Jennifer Sky as Charlie
Nick Mennell as The Cop
Bradley Cooper as Travis Patterson

Home media
My Little Eye is available on DVD from MCA/Universal Home Video with most of the special features available on the Region 2 Special Edition including a filmmakers' commentary and deleted scenes  There is an audio mode "Conversations of the Company (Eavesdropping Audio Track)" which allows the viewer to listen to the radio conversations between the members of the company: Travis and "the cop"  However, during this mode, the viewer cannot hear all of the dialogue of the cast in the scene  A UK release contains a 'Special Mode' where viewers see the film from the perspective of an internet subscriber, and more extra features become unlocked as the film goes on  You can watch other things going on in 'the house' in real time to what's happening in the film 

Reception
The film received polarized but positive reviews and holds 67% on Rotten Tomatoes based on 21 reviews, with an average score of 5 2/10 

See also
List of films featuring surveillance
Passage 2:
The PyraMMMid
The PyraMMMid (Russian: ПираМММида, romanized: PiraMMMida) is a 2011 Russian crime drama directed by Eldar Salavatov  The plot is based on the partially biographical story "Pyramid" by Sergei Mavrodi 

Plot
Russia, early 1990s  Sergei Mamontov is looking for where to apply himself and his intellect  And so he orders a mock-up of a security paper with imperial script, rich ornament, watermarks and his own portrait in the center 
An active advertising campaign begins  A little more than two weeks is enough to make people line up for the "mamontovs" ("mamontovki" in Russian)  Powerful bankers and state structures are in confusion – no one has a clue how to stop it, and the MMM has already accumulated more than 10 million investors 
Furthermore, Mamontov is concerned that there are no rich people in the country, and all Soviet industry is exposed to privatization  He accumulates "private greeds" and decides to carry out an honest privatization  His way is blocked by the agent of Western imperialism - Belyavsky (an allusion to Boris Berezovsky) with his MegaVAZ-bank (an allusion to LogoVAZ)  Belyavsky comes from the top - he makes connections in the Kremlin and is in charge of television  Belyavsky proposes to share Russia  Mamontov refuses: "I do not trade with Russia!", which attracts the financial inspectorate, who, without checking documents, imposes unthinkable demands for paying taxes upon him, which Mamontov executes  There is still enough money to ruin the bank of Belyavsky  In the country by that time are already 20 million investors and every week the number increases by a million, the "mamontov's" goes on par with ruble  Mamontov threatens to seize power with the help of investors who are facing ruin  During a one-minute audience with the President, Mamontov appears as a guardian for the state amid a corrupt environment and asks for a change in the law - to allow foreigners to be involved in their financial system in order to subordinate the Western oligarchy and thereby make Boris Yeltsin's Russia leader of the world  But Belyavsky begins to threaten the life of Mamontov's daughter and he eventually falls into a trap  On the Ostankino Tower, the battered Mamontov again refuses to cooperate with Belyavsky, despite the proposed opportunity to become the "head of state"  Mamontov hopes to leave with his daughter, defending himself by having a recording of a conversation with a representative of the FCS (where he offered similar "privileges"), from his assistant Vera, but she, escaping from the people of Belyavsky, drops the recording in a park and on charges of non-payment of taxes, Mamontov gets in prison and comes out after 7 years 

Cast
Aleksei Serebryakov – Sergey Mamontov
Fyodor Bondarchuk – Belyavsky
Pyotr Fyodorov – Anton
Ekaterina Vilkova – Vera
Anastasia Richie – Button
Nikita Salopin – Zotik
Sergey Koltakov – Prime Minister
Yuri Tsurilo – General
Oleksiy Gorbunov – Colonel
Artyom Mikhalkov – major
Igor Yatsko – Rezo
Daniil Spivakovsky – Gutov
Anna Mikhalkova  – wife of Mamontov
Vladimir Permyakov – Lyonya Golubkov (cameo)
Bogdan Titomir – cameo

See also
Sergei Mavrodi
MMM
Passage 3:
The Fabulous Senorita
The Fabulous Senorita is a 1952 American musical comedy film directed by R  G  Springsteen and starring Estelita Rodriguez, Robert Clarke and Nestor Paiva  The film came at the tail-end of a cycle of Latin American-themed films, though it did introduce a new star, Rita Moreno 

Plot
Cast
Estelita Rodriguez as Estelita Rodriguez
Robert Clarke as Jerry Taylor
Nestor Paiva as José Rodriguez
Marvin Kaplan as Clifford Van Kunkle
Rita Moreno as Manuela Rodríguez
Leon Belasco as Señor Gonzales
Tito Renaldo as Pedro Sanchez
Tom Powers as Delaney
Emory Parnell as Dean Bradshaw
Olin Howland as Justice of the Peace
Vito Scotti as Esteban Gonzales
Martin Garralaga as Police Captain Garcia
Nita Del Rey as Felice
Joan Blake as Betty
Frances Dominguez as Amelia
Betty Farrington as Janitress
Norman Field as Dr  Campbell
Clark Howat as Davis
Frank Kreig as Cab Driver
Dorothy Neumann as Mrs  Black
Elizabeth Slifer as Wife of Justice of the Peace
Charles Sullivan as Cab Driver
Arthur Walsh as Pete
Passage 4:
Revolt of Ghent
Revolt of Ghent may refer to:

Revolt of Ghent (1379–1385), a rebellion by the city of Ghent against Louis II, Count of Flanders
Revolt of Ghent (1449–53), a rebellion by the city of Ghent against Charles the Bold, Duke of Burgundy
Revolt of Ghent (1539), an uprising by the citizens of Ghent against Charles V, Holy Roman Emperor
Passage 5:
The Night of Nights
The Night of Nights is a 1939 black-and-white drama film written by Donald Ogden Stewart and directed by Lewis Milestone for Paramount Pictures that starred Pat O'Brien, Olympe Bradna, and Roland Young The film received positive contemporary reviews from publications such as The New York Times  Director Milestone went on to other successful productions after the film came out, including Ocean's 11 and Pork Chop Hill 

Background
Milestone directed The Night of Nights nine years after winning the 1930 Academy Award for Best Director for All Quiet on the Western Front 

Plot
Dan O'Farrell (Pat O'Brien) is a brilliant Broadway theater playwright, actor, and producer who has left the business



ground_truth: Sir Paul Gore, 1st Baronet

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where does the director of film Man At Bath work at?

The following are given passages.
Context 2: Passage 1:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television 

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University  Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run  He is the son of Fayetteville District Judge Rudy Moore In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003   He was nominated for a 2004 Tony Award for his direction  Moore also directed productions of the musical in Las Vegas and London and the show's national tour  Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008  He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008 Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City  The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011 For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters  As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton  A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998 In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow  He also served as an executive producer on the sequel  He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015  Moore's next project will be directing a live action Archie movie 

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)
Passage 2:
Man at the Top (film)
Man at the Top is a 1973 British drama film directed by Mike Vardy and starring Kenneth Haigh, spun off from the television series Man at the Top, which itself was inspired by the 1959 film Room at the Top and its 1965 sequel Life at the Top 

Plot
Joe Lampton is promoted to managing director of a pharmaceutical company, and becomes involved with Lord Ackerman, the powerful chairman, who is also his father-in-law  But Joe makes a shocking discovery: his predecessor committed suicide because of his involvement in a drug that left 1,000 African women sterile  Joe threatens to reveal all to the press, while Lord Ackerman seeks to persuade him otherwise, by offering him promotion to Chief Executive 

Cast
Kenneth Haigh as Joe Lampton
Nanette Newman as Lady Alex Ackerman
Harry Andrews as Lord Ackerman
William Lucas as Marshall
Clive Swift as Massey
Paul Williamson as Tarrant
John Collin as Wisbech
John Quentin as Digby
Danny Sewell as Weston
Charlie Williams as George Harvey
Anne Cunningham as Mrs  Harvey
Angela Bruce as Joyce
Margaret Heald as Eileen
Mary Maude as Robin Ackerman
Norma West as Sarah Tarrant
John Conteh as Boxer

Production
Filming
Shooting took place from 3 March to 7 April 1973 

Reception
Box office
The film was not a success at the box office 

Critical reception
Monthly Film Bulletin said it was "too much like an episode of a TV series stretched to feature length" "Network on Air" noted the film as, "offering a grittier treatment than the 1959 film adaptation and the subsequent television series" Allmovie noted, " Nanette Newman, a busy doe-eyed ingenue of the 1960s, is quietly effective as the middle-aged Mrs  Lampton "
Passage 3:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 4:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 5:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 6:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 7:
Christophe Honoré
Christophe Honoré (born 10 April 1970) is a French writer and film and theatre director 

Career
Honoré was born in Carhaix, Finistère  After moving to Paris in 1995, he wrote articles in Les Cahiers du Cinéma  He started writing soon after  His 1996 book Tout contre Léo (Close to Leo) talks about HIV and is aimed at young adults; he made it into a film in 2002  He wrote other books for young adults throughout the late 1990s  His first play, Les Débutantes, was performed at Avignon's Off Festival in 1998  In 2005, he returned to Avignon to present Dionysos impuissant in the "In" Festival, with Joana Preiss and Louis Garrel playing the leads 
A well-known director, he is considered an "auteur" in French cinema  His 2006 film Dans Paris has led him to be considered by French critics as the heir to the Nouvelle Vague cinema  In 2007, Les Chansons d'amour was one of the films selected to be in competition at the 2007 Cannes Film Festival  Honoré is openly gay, and some of his movies or screenplays (among them Les Filles ne savent pas nager, Dix-sept fois Cécile Cassard and Les Chansons d'amour) deal with gay or lesbian relations  His film Plaire, aimer et courir vite (Sorry Angel), about a writer who has contracted HIV in the 1990s, won the Louis Delluc Prize for Best Film in 2018  Honoré has been the screenwriter for some of Gaël Morel's films  The actors Louis Garrel and Chiara Mastroianni have each had roles in several of his films 
Honoré has also directed several operas for the stage  For the Opéra de Lyon he directed Poulenc's Dialogues of the Carmelites in 2013,  Debussy's Pelléas et Mélisande in 2015, and Verdi's Don Carlos in 2018  He also presented his production of Mozart's Così fan tutte at the Aix-en-Provence Festival and the Edinburgh Festival in 2016, and Puccini's Tosca at Aix-en-Provence in 2019; both of these productions adopted a radical approach to traditional works In the summer of 2020 Honoré's rehearsals of his stage production of Le Côté de Guermantes, based on the third volume of Proust's In Search of Lost Time, were interrupted by restrictions to combat the COVID-19 epidemic and it became impossible to present it at the Comédie-Française as planned  With his troupe of actors he decided to make a film about the production and the uncertainties they were now facing, and the film Guermantes was released in September 2021 

Filmography
Novels
1995 : Tout contre Léo (jeunesse), turned into a film in 2002
1996 : C'est plus fort que moi (jeunesse)
1997 : Je joue très bien tout seul (jeunesse)
1997 : L'Affaire petit Marcel (jeunesse)
1997 : L’Infamille (Éditions de l'Olivier, ISBN 2-87929-143-7)
1998 : Zéro de lecture (jeunesse)
1998 : Une toute petite histoire d'amour (jeunesse)
1998 : Je ne suis pas une fille à papa (jeunesse)
1999 : Les Nuits où personne ne dort (jeunesse)
1999 : Mon cœur bouleversé  (jeunesse)
1999 : Bretonneries (jeunesse)
1999 : La Douceur (Éditions de L'Olivier, ISBN 2-87929-236-0)

Theatre and opera
Actor
1998: Les Débutantes
2001: Le Pire du troupeau
2004: Beautiful Guys
2005: Dionysos impuissant
2012: La Faculté
2012: Un jeune se tue
2012: Nouveau Roman
2015: Violentes femmes

Director
2009 : Angelo, Tyrant of Padua by Victor Hugo, Festival d'Avignon
2012 : Nouveau Roman, Festival d'Avignon, Théâtre national de la Colline
2013 : Dialogues of the Carmelites by Francis Poulenc, Opéra National de Lyon
2015 : Fin de l'Histoire by Witold Gombrowicz, Théâtre de Lorient
2015 : Pelléas et Mélisande by Claude Debussy, Opéra National de Lyon
2016 : Così fan tutte by Mozart, Aix-en-Provence Festival and Edinburgh International Festival
2018 : Don Carlos by Verdi, Opéra National de Lyon
2019 : Les Idoles by Christophe Honoré, Odéon-Théâtre de l'Europe
2019 : Tosca by Puccini, Aix-en-Provence Festival
Passage 8:
Man at Bath
Man at Bath (French: Homme au bain) is a 2010 French film by Christophe Honoré starring François Sagat and Chiara Mastroianni  The film premiered in competition at Locarno International Film Festival in Switzerland in 2010 and was released in cinemas on 22 September 2010 
This is gay pornographic actor François Sagat's second major role in general release non-pornographic film as Emmanuel after his role in L A  Zombie  Director Christopher Honoré told French gay website Yagg com that he was interested in Sagat because he "redefines the notion of masculinity"  Sagat was the only actor to feature in two competition entries during the festival 

Plot
Right before departing to New York colleges to promote his latest collaborations, Omar (Omar Ben Sellem) goes through yet another impulsive fit from his boyfriend Emmanuel (François Sagat), resulting in rape  Resentful, Omar demands Emmanuel to be gone from his flat located in the outskirts of Paris before his return, and leaves  The two set out to live a separate series of vignettes depicting the ways the former lovers' mourn for each other 
Being a lustful, aspiring filmmaker, Omar sees his touring in upper New York as an opportunity to finally forget Emmanuel, indulging instead in disjointed recordings of his travel  Soon after, his camera work is centered on Dustin (Dustin Segura-Suarez): a young college student who is on vacation from Canada  Omar eagerly befriends and later seduces Dustin, openly portraying their desire for each other on film with an amateurish academic intent  In a matter of days, the artistic intentions in Omar's house movie devolve into a bisexual experience including Omar's professor 
Back in Paris, an animalistic Emmanuel - used to take pride on the universal praise for his body - is left broke and in denial  He resorts instead to shelter himself in Omar's place, living as carefree days as he can muster  Emmanuel goes from demanding unsolicited attentions from an upstairs neighbor who also is one of his clients as a hustler (Dennis Cooper), to hosting sexual encounters with Omar's acquaintances  All without avoiding his growing yearning for the better days with his ex, not even after luring an Omar's look-alike (Sebastian D'Azeglio) back into the apartment  After an intermission in which Emmanuel is confronted with his own collapsing lack of emotionality, he then clumsily refuses the advances of an underage boy who claims to be in need (Andréas Leflamand), nor engages in a bisexual threesome in exchange for a tip he reluctantly accepts from a successful old friend (Kate Moran)  The next day, Emmanuel begrudgingly succumbs to the advances from a teenager (Rabah Zahi), and uses the opportunity to sexually lash out on the boy  Finally, shortly before Omar's return, Emmanuel cries over the improvised mural he started days earlier on one of the walls in the apartment 
Not long after, Omar enters back into his apartment, stopping to contemplate the finished mural drawn by Emmanuel, who is nowhere to be seen 

Cast
François Sagat as Emmanuel
Chiara Mastroianni as Actress
Rabah Zahi as Rabah
Omar Ben Sellem as Omar
Kate Moran as Kate
Lahcen el Mazouzi as Hicham
Andréas Leflamand as Andréas
Ronald Piwele as Ronald
Sebastian D'Azeglio as Man with a moustache
Sébastien Pouderoux as Kate's fiancé
Dennis Cooper as Robin
Dustin Segura-Suarez
Passage 9:
Paul Scheuring
Paul T  Scheuring (born November 20, 1968) is an American screenwriter and director of films and television shows  His work includes the 2003 film A Man Apart and the creation of the television drama Prison Break, for which he was also credited as an executive producer and head writer 

Early life
Scheuring was born in Aurora, Illinois  Before his success, he had attended the UCLA School of Theater Film and Television and has worked as a courier cable installer and factory worker 

Career
After working on 36K in 2000 and A Man Apart in 2003, Scheuring made his first attempt to be a television show writer  After developing an idea given to him by a female colleague into a miniseries screenplay called Prison Break, he approached the Fox network with the script but was turned down due to its unconventional storyline  However, in 2004, after the successful premiere of Lost, Fox backed Prison Break's production and the first episode was aired approximately twenty months after Scheuring had written the script  The series proceeded to win the 2006 People's Choice Award for Favorite New TV Drama and was nominated for Best Drama Television Series at the 2006 Golden Globe Awards  Moreover, Prison Break was picked up by Fox for three more seasons  In 2005, he signed an overall deal with 20th Century Fox  He runs a production company, One Light Road Productions Scheuring has also co-written Mexicali, which was scheduled for release in 2010 

Future projects
Following the completion of Prison Break, Scheuring began production of AR2, a drama co-developed with The West Wing director/exec producer Thomas Schlamme  The series is about a group of Midwestern youths who spark a second American Revolution  AR2 will explore how the revolting college students -- as well as the military and the law enforcement officers who oppose them -- perceive patriotism  Scheuring lessened his work on Fox's Prison Break to focus on development and features through his Mercator Pictures, which he operates with partner Matt Fiorello  He has also produced Masterwork, a drama pilot script for Fox and 20th TV, and the Inferno-produced feature The Experiment 
Scheuring was also confirmed to be the writer for Halo: Nightfall  A 5 episode series which is based upon the video game franchise connecting the story line between Halo 4 and Halo 5: Guardians

Filmography
Passage 10:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Context 3:   When he was younger, he and his partner Barry Keith-Trimble (Roland Young) were preparing for the opening night of O'Farell's play Laughter by getting drunk   When it was time to perform, they were so intoxicated they ended up brawling on stage and fell into the orchestra pit   The two left the theater and continued drinking, until they learn that they have been suspended  At the same time, O'Farrell learns that his wife, actress Alyce Martelle, is pregnant and has left him for ruining her performance in Laughter as Toni   Despondent, he in left the business and went into seclusion 
Years later, his daughter Marie (Olympe Bradna) locates him and inspires him to return to Broadway   He decides to restage Laughter with its original cast, but with Marie substituting for Alyce in the part of Toni   Hoping to make a glorious return with a show that would be a hit with critics and the public alike, O'Farrell enlists the aid of friends to embark on a full-fledged comeback 

Cast
Reception
Frank S  Nugent wrote for The New York Times that the work of actors Pat O'Brien and Roland Young, had "been a labor of love and the film has profited accordingly " In noting that the plot centered on "the theatre and some of the curious folk who inhabit it", the newspaper's review stated that the film had an acceptable sentimentality and shared that the story was "an uncommonly interesting study of a man's mind, subtly written and directed, presented with honesty and commendable sincerity by Mr  O'Brien, Mr  Young and Olympe Bradna, and well worth any one's attention " The only objection in the review was that the stage play Laughter, the piece being produced within the film by O'Brien's character of Dan O'Farrell, "seemed to be the most awful tripe "
Passage 6:
Revolt of the Barbarians
Revolt of the Barbarians (Italian: La rivolta dei barbari) is a 1964 Italian film directed by Guido Malatesta 

Plot
After several years abroad fighting numerous campaigns in Gaul, Darius, commander of the 10th Legion, is finally able to return to Rome with his men  After discovering an ambushed Roman convoy and shortly meeting First Proconsul Claudius, Darius learns of a theft made on the convoy with gold intended to pay Roman legionnaires for their service  Darius then must track down the thieves and recover the gold before he is allowed to return home with his legion 

Cast
Roland Carey as Darius
Maria Grazia Spina as Lydia
Mario Feliciani
Gabriele Antonini as Domitius
Andrea Aureli
Susan Sullivan
Gaetano Scala
Franco Beltramme
Gilberto Galimberti

External links
Revolt of the Barbarians at IMDb
Revolt of the Barbarians (dubbed in English) is available for free viewing and download at the Internet Archive
Passage 7:
Revolt of the Praetorians
La Rivolta dei Pretoriani (AKA: Revolt of the Praetorians) is a 1964 sword and sandal film about the conspiracy to assassinate the emperor Domitian in the year AD 96, though the historical facts have been heavily fictionized  This film was written by Gian Paolo Callegari, directed by Alfonso Brescia in his directorial debut and starred Richard Harrison, Moira Orfei, Giuliano Gemma and Piero Lulli as Emperor Domitian 

Plot
In Ancient Rome, at about 96 AD, Emperor Domitian has become a highly paranoid and tyrannical despot who keeps the people oppressed in constant fear of a revolt  He has only a few retainers left whom he perceives as loyal: his lover Artamne, a scheming Egyptian priestess of Isis; his diminutive jester, Elpidion; his gladiator bodyguards under the command of Soterus; his palace guards; and his Imperial Praetorian Guard under the command of their centurion, Valerius Rufus  Anyone who dares speak up against the Emperor - and may it be only a minor complaint - or is suspected of treason is either imprisoned or summarily executed 
Although Valerius appears loyal, he secretly harbors resentment against the tyrant, but is careful not to reveal it  He begins fighting Domitian's rule in a masked identity; when he begins to use a red wolf's coat to hide his face, he becomes known as the "Red Wolf"  Among his allies are the young senator Nerva and the old patrician Fabius Lucillius and his family, especially Fabius' daughter Lucilla, Valerius' love interest 
One day, Artamne persuades Domitian to hold a sacrificial celebration in the Imperial palace, forcing Lucilla and other patrician daughters to attend and to be subjected to exploitation by the Emperor's lust  Valerius manages to prevent this, but as he hides his mask in a secret cache in the palace garden, he is spotted by Elpidion  The next day, Valerius arranges for Lucilla, the other girls and the fugitives he has rescued to flee to Lucillius' country estate  When he returns to his quarters, he discovers Elpidion, clad in his wolfpelt mask, waiting for him, but the dwarf declares that he, too, hates Domitian and wants to join his cause  He tells of Domitian and Artamne's plan to arrest and execute all patricians suspected of treason, and Valerius, as the Red Wolf, arrives just in time to help his friends escape to Lucillius' estate 
The fugitives finally decide to organize an armed resistance movement, and Valerius kidnaps Artamne as a hostage  But in time, Artamne manages to charm one of her guards into releasing her; she returns to Domitian and reveals the location of the rebels' hideout  Domitian sends out Soterus and his gladiators to eliminate the rebels  Valerius, alerted by Elpidion, fights them, allowing his friends to escape, but is wounded in the arm and Lucilla is captured  While Valerius manages to temporarily hide his secret by putting his mask onto one of his killed friends, Soterus notices the injury and exposes him  Valerius manages to escape, but as he later tries to free Lucilla from captivity, he is captured himself and both are sentenced to death 
In the dungeons, however, Valerius is approached by his loyal friend and subordinate in the guard, Sejanus, who reveals that the Praetorian Guards are also resentful of Domitian's tyranny and wish to overthrow him  Valerius sends him to contact his fugitive friends, and together with a group of disgruntled travelling artists the rebels prepare to free the two and overthrow Domitian when Valerius and Lucilla are to be executed in the palace garden the following night 
With Elpidion's aid, the rebel's main group enters the palace through the dungeons and takes the Emperor and his retinue by surprise  Artamne and Soterus are killed in the struggle, and with the appearance of the Praetorian Guardsmen, the battle is quickly ended  Domitian makes it as far as his throne room with Lucilla as his hostage, but Valerius follows him and kills him in the ensuing duel, ending his tyranny 

Cast
Richard Harrison as Valerius Rufus
Moira Orfei as Artamne
Piero Lulli as Domitian
Giuliano Gemma as Nerva
Paola Pitti as Lucilla
Ivy Holzer as Zusa
Fedele Gentile as Fabius Lucilius
Amedeo Trilli as Il guardiano della cava ("the Cave Guard")
Mirko Ellis as Sejanus
Renato Montalbano as Soterus
Salvatore Furnari as Elpidion
Massimo Carocci
Aldo Cecconi as Soterus

See also
List of historical drama films
Passage 8:
The Revolt of the Slaves
The Revolt of the Slaves (Italian: La rivolta degli schiavi) is a 1960 Italian film directed by Nunzio Malasomma  It is based on the 1854 novel Fabiola by Nicholas Wiseman 

Cast
Rhonda Fleming: Claudia
Lang Jeffries: Vibio
Darío Moreno: Massimiano
Ettore Manni: Sebastiano
Wandisa Guida: Agnese
Gino Cervi: Claudio
Fernando Rey: Valerio
Serge Gainsbourg: Corvino
José Nieto: Sesto, servitore di Claudia
Rainer Penkert: Massimo
Antonio Casas: Tertulio
Dolores Francine: Liubaia

Release
The Revolt of the Slaves was released in Italy on 20 December 1960 with a 100-minute running time and in the United States with a 102-minute running time in June 1961  It was released in West Germany as Die Sklaven Roms on 17 March 1961 

See also
List of Italian films of 1960
Passage 9:
Operation Leopard
La légion saute sur Kolwezi, also known as Operation Leopard, is a French war film directed by Raoul Coutard and filmed in French Guiana  The script is based on the true story of the Battle of Kolwezi that happened in 1978  It was diligently described in a book of the same name by former 1st Foreign Parachute Regiment Captain Pierre Sergent  He published his book in 1979, and the film came out in 1980  Coutard shot the film in a documentary style 

Plot
The film is based on true events  In 1978, approximately 3,000 heavily armed fighters from Katanga crossed the border to the Zaire and marched into Kolwezi, a mining centre for copper and cobalt  They took 3,000 civilians as hostages  Within a few days, between 90 and 280 hostages were killed  The rebels appeared to be unpredictable and are reported to have threatened to annihilate all civilians 
Mobutu Sese Seko, Zaire's head of state, urged Belgium, France and the United States to help  France sent the Foreign Legion's 2nd Foreign Parachute Regiment, which were flown from Corsica to Kolwezi  Following their arrival, they secured the perimeter, in co-operation with Belgian soldiers from Zaire, and then started to evacuate the civilians  Within two days more than 2,000 Europeans and about 3,000 African citizens were saved  The film strives to depict the events in a dramatised form, concentrating on the Europeans' plight 

Production
The late Jean Seberg had filmed scenes on location for the film, but her death caused her to be replaced by another French American actress, Mimsy Farmer, who reshot Seberg's scenes 

Cast
Bruno Cremer: Pierre Delbart
Jacques Perrin:Ambassador Berthier
Laurent Malet: Phillipe Denrémont
Pierre Vaneck: Colonel Grasser
Mimsy Farmer: Annie Devrindt
Giuliano Gemma: Adjudant Fédérico
Robert Etcheverry : Colonel Dubourg
Jean-Claude Bouillon : Maurois
Passage 10:
Army of Lovers or Revolt of the Perverts
Army of Lovers or Revolt of the Perverts (German: Armee der Liebenden oder Aufstand der Perversen)  is a 1979 German documentary film directed by Rosa von Praunheim For example, the film was shown at the University of California's Berkeley Art Museum and Pacific Film Archive in 1982 

Plot
The film is about the state and development of the LGBT movement in the US after the Stonewall riots of 1969 

Awards
1979: Nomination for the Gold Hugo at the Chicago International Film Festival

Reception
J  Hoberman wrote in the Village Voice: "Army of Lovers has its own moments of sentimental stridency, but it´s a heartfelt, challenging, and often stirring film that deserves the widest possible audience "

Notes



ground_truth: Cahiers du cinéma

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film came out first, The Pyrammmid or Revolt Of The Praetorians?

The following are given passages.
Context 4:  Heinrich's claim to have found fingerprints was cast into doubt after McNab produced a maid from the St  Francis Hotel who testified that she had thoroughly cleaned the room before the investigation took place  Dr  Beardslee admitted that Rappe had never mentioned being assaulted while he was treating her  McNab was furthermore able to get Nurse Hultson to admit that the rupture of Rappe's bladder could very well have been a result of cancer, and that the bruises on her body could also have been a result of the heavy jewelry she was wearing that evening On November 28, Arbuckle testified as the defense's final witness  He was simple, direct, and unflustered in both direct and cross-examination  In his testimony, Arbuckle claimed that Rappe (whom he testified he had known for five or six years) came into the party room (1220) around noon that day, and that sometime afterward he went to his room (1219) to change clothes after Mae Taub, daughter-in-law of Billy Sunday, asked him for a ride into town  In his room, Arbuckle discovered Rappe in the bathroom vomiting into the toilet  He then claimed Rappe told him she felt ill and asked to lie down, and that he carried her into the bedroom and asked a few of the party guests to help treat her  When Arbuckle and a few of the guests re-entered the room, they found Rappe on the floor near the bed tearing at her clothing and going into violent convulsions  To calm Rappe down, they placed her in a bathtub of cool water  Arbuckle and Fischbach then took her to room 1227 and called the hotel manager and doctor  At this point all those present thought Rappe was just very drunk, including the hotel doctors  Probably assuming Rappe would simply sleep it off, Arbuckle drove Taub into town During the whole trial, the prosecution presented medical descriptions of Rappe's bladder as evidence that she had an illness  In his testimony, Arbuckle denied he had any knowledge of Rappe's illness  During cross-examination, Assistant District Attorney Leo Friedman aggressively grilled Arbuckle over the fact that he refused to call a doctor when he found Rappe sick, and argued that he refused to do so because he knew of Rappe's illness and saw a perfect opportunity to rape and kill her  Arbuckle calmly maintained that he never physically hurt or sexually assaulted Rappe in any way during the party, and he also stated that he never made any inappropriate sexual advances against any woman in his life  After over two weeks of testimony with sixty prosecution and defense witnesses, including eighteen doctors who testified about Rappe's illness, the defense rested  On December 4, 1921, the jury returned five days later deadlocked after nearly forty-four hours of deliberation with a 10–2 not guilty verdict, and a mistrial was declared Arbuckle's attorneys later concentrated their attention on one woman named Helen Hubbard, who had told jurors that she would vote guilty "until hell freezes over"  She refused to look at the exhibits or read the trial transcripts, having made up her mind in the courtroom  Hubbard's husband was a lawyer who did business with the D A 's office, and expressed surprise that she was not challenged when selected for the jury pool  While much attention was paid to Hubbard after the trial, some former jury members told reporters that they believed that Arbuckle was indeed guilty, but not beyond a reasonable doubt  During the deliberations, some jurors joined Hubbard in voting to convict, but they all recanted except for Thomas Kilkenny  Arbuckle researcher Joan Myers describes the political climate and the media attention to the presence of women on juries (which had only been legal for four years at the time) and how Arbuckle's defense immediately singled out Hubbard as a villain; Myers also records Hubbard's account of the jury foreman August Fritze's attempts to bully her into changing her vote to 'not guilty'  While Hubbard offered explanations on her vote whenever challenged, Kilkenny remained silent and quickly faded from the media spotlight after the trial ended 

Second trial
The second trial began January 11, 1922, with a new jury, but with the same legal defense and prosecution as well as the same presiding judge  The same evidence was presented, but this time one of the witnesses, Zey Prevon, testified that Brady had forced her to lie  Another witness who testified during the first trial, a former Culver Studios security guard named Jesse Norgard, testified that Arbuckle had once shown up at the studio and offered him a cash bribe in exchange for the key to Rappe's dressing room  The comedian supposedly said he wanted it to play a joke on the actress  Norgard said he refused to give him the key  During cross-examination, Norgard's testimony was called into question when he was revealed to be an ex-convict who was currently charged with sexually assaulting an eight-year-old girl, and who was also looking for a sentence reduction from Brady in exchange for his testimony  Further, in contrast to the first trial, Rappe's history of promiscuity and heavy drinking was detailed  The second trial also discredited some major evidence such as the identification of Arbuckle's fingerprints on the hotel bedroom door: Heinrich took back his earlier testimony from the first trial and testified that the fingerprint evidence was likely faked  The defense was so convinced of an acquittal that Arbuckle was not called to testify  His lawyer, McNab, made no closing argument to the jury  However, some jurors interpreted the refusal to let Arbuckle testify as a sign of guilt  After five days and over forty hours of deliberation, the jury returned on February 3, deadlocked with a 10–2 majority in favour of conviction, resulting in another mistrial 

Third trial
By the time of Arbuckle's third trial, his films had been banned, and newspapers had been filled for the past seven months with stories of Hollywood orgies, murder, and sexual perversion  Delmont was touring the country giving one-woman shows as, "The woman who signed the murder charge against Arbuckle", and lecturing on the evils of Hollywood 
The third trial began March 13, 1922, and this time the defense took no chances  McNab took an aggressive defense, completely tearing apart the prosecution's case with long and aggressive examination and cross-examination of each witness  McNab also managed to get in still more evidence about Rappe's lurid past and medical history  Another hole in the prosecution's case was opened because Prevon, a key witness, was out of the country after fleeing police custody and unable to testify  As in the first trial, Arbuckle testified as the final witness and again maintained his denials in his heartfelt testimony about his version of the events at the party  Buster Keaton is said to have been in the courtroom and provided important evidence to prove Arbuckle's innocence; Delmont was involved in prostitution, extortion, and blackmail  During closing statements, McNab reviewed how flawed the case was against Arbuckle from the very start and how Brady fell for the outlandish charges of Delmont, whom McNab described as "the complaining witness who never witnessed"  The jury began deliberations April 12 and took only six minutes to return with a unanimous not-guilty verdict; five of those minutes were spent writing a formal statement of apology to Arbuckle for putting him through the ordeal, a dramatic move in American justice  The jury statement as read by the jury foreman stated:

Acquittal is not enough for Roscoe Arbuckle  We feel that a great injustice has been done him  We feel also that it was only our plain duty to give him this exoneration, under the evidence, for there was not the slightest proof adduced to connect him in any way with the commission of a crime  He was manly throughout the case and told a straightforward story on the witness stand, which we all believed  The happening at the hotel was an unfortunate affair for which Arbuckle, so the evidence shows, was in no way responsible  We wish him success and hope that the American people will take the judgment of fourteen men and woman who have sat listening for thirty-one days to evidence, that Roscoe Arbuckle is entirely innocent and free from all blame 
After the reading of the apology statement, the jury foreman personally handed the statement to Arbuckle, who kept it as a treasured memento for the rest of his life  Then, one by one, the 12-person jury plus the two jury alternates walked up to Arbuckle's defense table, where they shook his hand and/or embraced and personally apologized to him  The entire jury proudly posed with Arbuckle for photographers after the verdict and apology Some experts later concluded that Rappe's bladder might also have ruptured as a result of an abortion she might have had a short time before the fateful party  Her organs had been destroyed and it was now impossible to test for pregnancy  Because alcohol was consumed at the party, Arbuckle was forced to plead guilty to one count of violating the Volstead Act and had to pay a $500 fine  At the time of his acquittal, he owed over $700,000 (equivalent to approximately $12,200,000 in 2022 dollars) in legal fees to his attorneys for the three criminal trials, and he was forced to sell his house and all of his cars to pay some of the debt The scandal and trials had greatly damaged Arbuckle's popularity among the general public  In spite of the acquittal and the apology, his reputation was not restored and the effects of the scandal continued  Will H  Hays, who served as the head of the newly formed Motion Pictures Producers and Distributors of America (MPPDA) censor board, cited Arbuckle as an example of the poor morals in Hollywood  On April 18, 1922, six days after Arbuckle's acquittal, Hays banned him from ever working in U S  movies again  He had also requested that all showings and bookings of Arbuckle films be canceled, and exhibitors complied  In December of the same year, under public pressure, Hays elected to lift the ban  However, Arbuckle was still unable to secure work as an actor Most exhibitors still declined to show Arbuckle's films, several of which now have no copies known to have survived intact  One of Arbuckle's feature-length films known to survive is Leap Year, which Paramount declined to release in the U S  owing to the scandal  It was eventually released in Europe  With Arbuckle's films now banned, in March 1922 Keaton signed an agreement to give Arbuckle thirty-five percent of all future profits from his production company, Buster Keaton Comedies, in hopes of easing his financial situation 

Aftermath
In November 1923, Minta Durfee filed for divorce from Arbuckle, charging grounds of desertion  The divorce was granted the following January  They had been separated since 1921, though Durfee always claimed he was the nicest man in the world and they were still friends  After a brief reconciliation, Durfee again filed for divorce, this time while in Paris, in December 1924  Arbuckle married Doris Deane on May 16, 1925 Arbuckle tried returning to filmmaking, but industry resistance to distributing his pictures continued to linger after his acquittal  He retreated into alcoholism  In the words of his first wife, "Roscoe only seemed to find solace and comfort in a bottle"  Keaton attempted to help Arbuckle by giving him work on his films  Arbuckle wrote the story for a Keaton short called Day Dreams (1922)  Arbuckle allegedly co-directed scenes in Keaton's Sherlock Jr  (1924), but it is unclear how much of this footage remained in the film's final cut  In 1925, Carter DeHaven's short Character Studies, shot before the scandal, was released  Arbuckle appeared alongside Keaton, Harold Lloyd, Rudolph Valentino, Douglas Fairbanks, and Jackie Coogan  The same year, in Photoplay's August issue, James R  Quirk wrote: "I would like to see Roscoe Arbuckle make a comeback to the screen " He also said: "The American nation prides itself upon its spirit of fair play  We like the whole world to look upon America as the place where every man gets a square deal  Are you sure Roscoe Arbuckle is getting one today? I'm not "

William Goodrich pseudonym
Eventually, Arbuckle worked as a director under the pseudonym "William Goodrich"  Author David Yallop cites Arbuckle's father's full name as William Goodrich Arbuckle as the inspiration behind the alias  Another tale credits Keaton, an inveterate punster, with suggesting that Arbuckle become a director under the alias "Will B  Good"  The pun being too obvious, Arbuckle adopted the more formal pseudonym "William Goodrich"  Keaton himself told this story during a recorded interview with Kevin Brownlow in the 1960s Between 1924 and 1932, Arbuckle directed a number of comedy shorts under the pseudonym for Educational Pictures, which featured lesser-known comics of the day  Louise Brooks, who played the ingenue in Windy Riley Goes Hollywood (1931), told Brownlow of her experiences in working with Arbuckle:

He made no attempt to direct this picture  He just sat in his director's chair like a dead man  He had been very nice and sweetly dead ever since the scandal that ruined his career  But it was such an amazing thing for me to come in to make this broken-down picture, and to find my director was the great Roscoe Arbuckle  Oh, I thought he was magnificent in films  He was a wonderful dancer—a wonderful ballroom dancer, in his heyday  It was like floating in the arms of a huge doughnut—really delightful 
Among the more visible directorial projects under the Goodrich pseudonym was the Eddie Cantor feature Special Delivery (1927), which was released by Paramount and co-starred William Powell and Jobyna Ralston  His highest-profile project was arguably The Red Mill, also released in 1927, a Marion Davies vehicle 

Roscoe Arbuckle's Plantation Café
Arbuckle and Dan Coombs, one of Culver City's first mayors, re-opened the Plantation Club near the Metro-Goldwyn-Mayer studios on Washington Boulevard as Roscoe Arbuckle's Plantation Café on August 2, 1928  By 1930, Arbuckle sold his interest and it became known as George Olsen's Plantation Café, later The Plantation Trailer Court and then Foreman Phillips County Barn Dance 

Second divorce and third marriage
In 1929, Doris Deane sued for divorce from Arbuckle in Los Angeles, charging desertion and cruelty  On June 21, 1932, Roscoe married Addie Oakley Dukes McPhail (later Addie Oakley Sheldon, 1905–2003) in Erie, Pennsylvania 

Brief comeback and death
In 1932, Arbuckle signed a contract with Warner Bros  to star under his own name in a series of six two-reel comedies, to be filmed at the Vitaphone studios in Brooklyn, New York  These six short films constitute the only recordings of Arbuckle's voice  Silent-film comedian Al St  John (Arbuckle's nephew) and actors Lionel Stander and Shemp Howard appeared with Arbuckle  One of the films (How've You Bean?) had grocery-store gags reminiscent of Arbuckle's 1917 short The Butcher Boy, with vaudeville comic Fritz Hubert as his assistant, dressed like Buster Keaton  The Vitaphone shorts were very successful in America, although when Warner Bros  attempted to release the first one (Hey, Pop!) in the United Kingdom, the British Board of Film Censors cited the ten-year-old scandal and refused to grant an exhibition certificate On June 28, 1933, Arbuckle had finished filming the last of the two-reelers (four of which had already been released)  The next day he signed a contract with Warner Bros  to star in a feature-length film  That night he went out with friends to celebrate his first wedding anniversary and the new Warner Bros  contract when he reportedly said: "This is the best day of my life " He suffered a heart attack later that night and died in his sleep  He was 46  His widow Addie requested that his body be cremated, as that was Arbuckle's wish 

Legacy
Many of Arbuckle's films, including the feature The Life of the Party (1920), survive only as worn prints with foreign-language inter-titles  As with most American films produced during the silent era, little or no effort was made to preserve original negatives and prints during Hollywood's first two decades, making most films that included him  lost media or lost films  However, it is likely that due to the reputation Arbuckle received around the rape and death of Virginia Rappe, that many studios wished to avoid any negative backlash and purposely destroyed any surviving films which he had a starring role in 
 By the early 21st century, some of Arbuckle's short subjects (particularly those co-starring Chaplin or Keaton) had been restored, released on DVD, and even screened theatrically  His early influence on American slapstick comedy is widely recognised For his contributions to the film industry, in 1960, some 27 years after his death, Arbuckle was awarded a star on the Hollywood Walk of Fame located at 6701 Hollywood Boulevard 

In popular culture
Neil Sedaka refers to Arbuckle, along with Charlie Chaplin, Buster Keaton, Stan Laurel, and Oliver Hardy in his 1971 song "Silent Movies", as heard on his Emergence album The James Ivory film The Wild Party (1975) has been repeatedly but incorrectly cited as a film dramatization of the Arbuckle–Rappe scandal  In fact it is loosely based on the 1926 poem by Joseph Moncure March  In this film, James Coco portrays a heavy-set silent film comedian named Jolly Grimm whose career is on the skids, but who is desperately planning a comeback  Raquel Welch portrays his mistress, who ultimately goads him into shooting her  This film was loosely based on the misconceptions surrounding the Arbuckle scandal, yet it bears almost no resemblance to the documented facts of the case In Ken Russell's 1977 biopic Valentino, Rudolph Nureyev as a pre-movie star Rudolph Valentino dances in a nightclub before a grossly overweight, obnoxious, and hedonistic celebrity called "Mr  Fatty" (played by William Hootkins), a caricature of Arbuckle rooted in the public view of him created in popular press coverage of the Rappe rape trial  In the scene, Valentino picks up starlet Jean Acker (played by Carol Kane) off a table in which she is sitting in front of Fatty and dances with her, enraging the spoiled star, who becomes apoplectic Before his death in 1997, comedian Chris Farley expressed interest in starring as Arbuckle in a biography film  According to the 2008 biography The Chris Farley Show: A Biography in Three Acts, Farley and screenwriter David Mamet agreed to work together on what would have been Farley's first dramatic role  In 2007, director Kevin Connor planned a film, The Life of the Party, based on Arbuckle's life  It was to star Chris Kattan and Preston Lacy  However, the project was shelved  Like Farley, comedians John Belushi and John Candy also considered playing Arbuckle, but each of them died before a biopic was made  Farley's film was signed with Vince Vaughn as his co-star In April and May 2006, the Museum of Modern Art in New York City mounted a 56-film, month-long retrospective of all of Arbuckle's known surviving work, running the entire series twice Arbuckle is the subject of a 2004 novel titled I, Fatty by author Jerry Stahl  The Day the Laughter Stopped by David Yallop and Frame-Up! The Untold Story of Roscoe "Fatty" Arbuckle by Andy Edmonds are other books on Arbuckle's life  The 1963 novel Scandal in Eden by Garet Rogers is a fictionalized version of the Arbuckle scandal Fatty Arbuckle's was an American-themed restaurant chain in the UK named after Arbuckle The 2009 novel Devil's Garden is based on the Arbuckle trials  The main character in the story is Dashiell Hammett, a Pinkerton detective in San Francisco at the time of the trials NOFX's 2012 album Self Entitled has a song called "I, Fatty" about Arbuckle The 2021 French graphic novel Fatty : le premier roi d'Hollywood, by Nadar and Julien Frey, portrays the period from Arbuckle's early days in Hollywood to his death 

Filmography
See also
List of actors with Hollywood Walk of Fame motion picture stars
List of American comedy films

Notes
Passage 6:
Special Delivery (1927 film)
Special Delivery is a 1927 American silent comedy film directed by Roscoe Arbuckle starring Eddie Cantor, Jobyna Ralston and William Powell  It was written by Cantor, John F  Goodrich, and George Marion Jr  (with Larry Semon, uncredited)  It was released by Paramount Pictures  The film's copyright was renewed in 1954, so it entered the public domain in the United States on January 1, 2023 

Plot
Eddie, a mailman, is in love with waitress Madge but finds amongst his rivals for her affections the dishonest promoter Harold Jones  Eddie, who cannot dance, impresses Madge at the postal ball by his energetic performance of the Black Bottom after a piece of ice falls down his shirt and wins a cup  He eventually unmasks Harold as a crooked swindler 

Cast
Eddie Cantor as Eddie, The Mail Carrier
Jobyna Ralston as Madge, The Girl
William Powell as Harold Jones
Donald Keith as Harrigan, The Fireman
Jack Dougherty as Flannigan, a cop
Victor Potel as Nip, a detective
Paul Kelly as Tuck, another detective
Mary Carr as The Mother
Marilyn Cantor Baker as Extra (uncredited) (as Marilyn Cantor)
Marjorie Cantor as Extra (uncredited)
Tiny Doll as Baby on Eddie's Route (uncredited)
Robert Livingston as Extra at Postal Ball (uncredited)
Natalie Cantor Metzger as Extra (uncredited) (as Natalie Cantor)
Spec O'Donnell as Office Boy (uncredited)

See also
Fatty Arbuckle filmography
Passage 7:
Mario Camus
Mario Camus García (20 April 1935 – 18 September 2021) was a Spanish film director and screenwriter  He won the  Golden Bear at the 33rd Berlin International Film Festival with La colmena  His 1987 film The House of Bernarda Alba was screened in the Un Certain Regard section at the 1987 Cannes Film Festival and in the main competition at the 15th Moscow International Film Festival  His 1993 film Shadows in a Conflict was entered into the 18th Moscow International Film Festival 

Filmography
Passage 8:
Special Delivery (1955 film)
Special Delivery (German: Vom Himmel gefallen) is a 1955 American–West German comedy film, directed by John Brahm  It stars Joseph Cotten and Eva Bartok  Special Delivery was filmed simultaneously in an English- and German-language version 

Plot
Somewhere behind the Iron Curtain, mid 1950s  John Adams is a US embassy chargé d'affaires in a communist country in Eastern Europe  One day he has to deal with a very special case: in the front yard of the embassy, a baby has been laid down, as if it had "fallen from heaven"! Nobody knows how it got there, nobody saw the person who put it there  A found object in the front yard of the embassy is not all that unusual, because many a person persecuted by the regime has thrown something over the embassy fence so that it does not fall into the hands of the communist cultural barbarians  For the embassy, with its six exclusively male employees, the baby poses a serious problem: what to do? The government of the Eastern European country immediately demands the extradition of the young "citizen" and immediately sends a stubborn state representative, Comrade Kovacs  Adams, on the other hand, decides to stonewall and not hand the baby over to the communists  In order to ensure the care of the little one, who is simply called Sam after Uncle Sam, the host country also provides its own nanny  Sonja Novaswobida, as she is called, is also supposed to collect further information on site on behalf of her government 
Due to mutual distrust, the men's relationships with the Eastern European state employee initially ranged from difficult to cold, especially since Kovacs turned out to be a particularly tough opponent for Ambassador Adams  He insists on returning the baby to the country as a kind of public property  Adams, however, wants to hand over just that, and instead, with some ironic ulterior motive, gives Adams another find that someone had thrown over the embassy's bridle: a supposedly ingenious, modern musical score that Kovacs plays the piano reluctantly at first, but then enthusiastically after realizing it must, how little the Americans can do with such modern music  Trust in one another begins to develop slowly  Tensions between the two governments are only resolved when the little one's parents are located  They are Olaf, the embassy's Swedish cook, and a woman from the host country who used to work here  Ambassador Adams now ensures in no time at all that marriage papers are issued to the parents, so that the toddler is considered a Swedish citizen and can leave the communist country with the parents in the direction of freedom  Adams' relationship with Sonja also soon goes beyond the purely official: both eventually become a couple 

Cast
Joseph Cotten as John Adams
Eva Bartok as Sonja
Bob Cunningham as Captain Heinikan
René Deltgen as Kovak
Gert Fröbe as Olaf
Bruni Löbel as Lila
Ursula Herking as Madame Debrov

Production
It was filmed simultaneously in English- and German-language versions 

See also
1955 in film
List of comedy films of the 1950s
List of German films 1945–1959
Passage 9:
Sepideh Farsi
Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director 

Early years
Farsi left Iran in 1984 and went to Paris to study mathematics   However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films  A main theme of her works is identity  She still visits Tehran each year 

Awards/Recognition
Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009  She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D  Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT" 

Recent News
One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission)   The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest   It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film   The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”   The  dialogue is in Persian with English and Arabic subtitles  In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival 

Filmography
Red Rose (2014)
Cloudy Greece (2013)
Zire Âb / The house under the water (2010)
Tehran bedoune mojavez / Tehran without permission (2009)
If it were Icarus (2008)
Harat (2007)
Negah / The Gaze (2006)
Khab-e khak / Dreams of Dust (2003)
Safar-e Maryam / The journey of Maryam (2002)
Mardan-e Atash / Men of Fire (2001)
Homi D  Sethna, filmmaker (2000)
Donya khaneye man ast / The world is my home (1999)
Khabe Âb / Water dreams (1997)
Bâd-e shomal / Northwind (1993)
Passage 10:
Special Delivery (2002 film)
Special Delivery (French: C'est le bouquet !) is a 2002 French comedy film directed by Jeanne Labrune 

Cast
Sandrine Kiberlain - Catherine
Jean-Pierre Darroussin - Raphaël
Dominique Blanc - Edith
Mathieu Amalric - Stéphane
Jean-Claude Brialy - Robert Fresnel
Maurice Bénichou - Antoine
Hélène Lapiower - Alice
Dominique Besnehard - Laurent
Richard Debuisne - Emmanuel Kirsch
Gisèle Casadesus - The lady
Didier Bezace - The theater director
László Szabó - The guardian
Lise Lamétrie - The maid



ground_truth: Revolt Of The Praetorians