prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Were Jake Eisenhart and Michael T. Ullman of the same nationality?

The following are given passages.
Context 1: Passage 1:
Michael T  Ullman
Michael T  Ullman (born July 29, 1962, San Francisco, California) is an American neuroscientist whose main field of research is the relationship between language, memory and the brain  He is best known for his Declarative/Procedural model of language 

Early life and career
Ullman was born in San Francisco, California  He is an alumnus of the French American International School and Lowell High School (1976–1980), both in San Francisco  He received his BA in Computer Science from Harvard University in 1988 and his PhD from the Department of Brain and Cognitive Sciences, Massachusetts Institute of Technology in 1993  Ullman is currently a full professor at Georgetown University  His primary appointment is in the Department of Neuroscience (Georgetown University Medical Center), with secondary appointments in the Departments of Linguistics, Neurology and Psychology  He is the founding Director of the Brain and Language Lab, founding co-Director of the Center for the Brain Basis of Cognition, and founding Director of the Georgetown Cognitive Neuroscience EEG/ERP Center  He was a Presidential Columnist for American Psychological Society Observer in 2005  He currently lives in Washington D C , with his daughter Clementina Ullman 
Passage 2:
Pete Sanstol
Pete Sanstol (March 28, 1905 – March 13, 1982) was a Norwegian professional boxer who took the Canadian version of the World Bantamweight Championship in Montreal in 1931 against Archie Bell  He contended twice unsuccessfully for the NBA World Bantamweight Title, and was a class of 2000 World Boxing Hall of Fame inductee Lew Burston, Raoul Godbout, George Blake, and Bobby Diamond were his managers  His trainers were Jake Kravitz and Manny Seeman 

Early life and amateur career
Peder Olai Sanstøl was the youngest of five children born to Jonas Jonasen Sanstøl (1864–1942) and Elen Dortea Nilsdatter Lindland (1860–1946) in Moi, Lunde municipality, in Rogaland county in Norway  He moved to Stavanger with his parents as a child  Sanstol learned to box in the club Kristiana AK, after his family moved to Oslo  Boxing as an amateur, he came in fourth in the flyweight class championship in 1923 and won gold in the bantam class championship in 1925 

Early professional boxing career
Pete Sanstol embarked on a professional career in 1926  After winning his professional debut against the British boxing veteran Bert Gallard in Oslo, Sanstol was invited by Max Schmeling's manager to train in Berlin  After Sanstol left Norway in the mid-1920s, he only occasionally returned 
On July 13, 1926 Sanstol defeated Harry Stein, than the Flyweight Champion of Germany, in Berlin at Luna Park in a four-round newspaper decision  The source, BOX-SPORT reported that Sanstol won the decision decisively 

Bout with Andre Dedieu in Paris, January 1927
Winning all his bouts in Germany, Sanstol moved on to Paris where he fought at least through February 1927  On January 24, 1927, he met the well known Andre Dedieu at the Central Sporting Club in Paris, winning in a third-round technical knockout  Some observers in Paris compared him to French boxing champion, Georges Carpentier  Discovered in Paris by American manager Lew Burston (1896–1969), Sanstol was brought to New York around mid-1927, where he graduated from the club preliminaries to become the most sought after bantam in the eastern United States and Canada 

Bouts with Joey Scalfano, August, October 1930
On October 22, 1930, Sanstol fought a tough ten-round draw against Joey Scalfano at Madison Square Garden that was "nip and tuck for the entire ten rounds", and a great crowd pleaser   Sanstol later described it as one of his toughest fights   There were no knockdowns in the bout and the fighting was fast-paced and frenzied  Scalfaro's left eye was completed closed for the last two rounds and his blows often missed their mark  Sanstol had previously lost to Scalfaro on August 6, 1930 at Madison Square Garden in a ten-round points decision   Scalfaro was known as the only boxer to score a knock down of the Black Cuban champion Kid Chocolate in North America 

Taking the Canadian version of the World Bantamweight Championship
By late 1930, Sanstol had moved his headquarters from the Norwegian-American community of Bay Ridge, in Brooklyn, NY, to Montreal, Canada where he came under the management of Raoul Godbout (1894–1975) 
On May 20, 1931, in his most important bout, Sanstol won the World Bantamweight Title in a ten-round unanimous decision against the great New York Jewish contender Archie Bell in Montreal  The title was recognized by the Montreal Athletic Commission and the Canadian Boxing Federation, so it had some limits in its scope  The fast bout had no knockdowns  For a championship bout, it received very limited coverage in American newspapers  Sanstol weighted 115 1/2, giving up only two pounds to Bell  Bell would later contend for but not take the British version of the World Bantamweight Title and contend twice for the California version of the World Featherweight Title 

First defense of the Canadian World Bantamweight Title, June 1931
Sanstol twice successfully defended his bantamweight title  On June 17, 1931, Sanstol defeated Art Giroux, also of Montreal, in the Canadian version of a World Bantamweight Title  Leading in the betting odds by 7 to 5, Sanstol won the fifteen round bout at the Forum in Montreal in a fifteen-round Unanimous Decision  Giroux was the Canadian Bantamweight Champion at the time  After the win, Sanstol was rated second in the world in the bantamweight division, behind only Panama Al Brown, according to the quarterly standings of the National Boxing Association (NBA) 

Second defense of the Canadian World Bantamweight Title, July 1931
On July 29, 1931, again at the Forum in Montreal, Sanstol defeated Eugène Huat in a ten-round Unanimous Decision in his second defense of the Canadian version of the World Bantamweight Title  Huat was the French Bantamweight Champion at the time  In a fairly close bout, Huat knocked Sanstol off his feet in the eighth round  In the eighth round, Huat scored often with lightning fast jabs that went through Sanstol's defense, though Huat appeared to have lost the first few rounds, with Sanstol not clearly taking the lead til the seventh  In the ninth the boxing seemed close, but in the tenth, perhaps with greater stamina, Sanstol took the offensive and battered Huat with telling blows  Sanstol's performance in the final round may have strongly influenced the judge's decisions  The final decision for Sanstol was not entirely popular with the crowd 

Attempt at the NBA World Bantamweight Championship, Al Brown, August 1931
On August 25, 1931, Sanstol met Panama Al Brown for the widely recognized NBA and NYSAC World Bantamweight Title before a crowd of 23,000 at the Forum in Montreal  The bout was considered the largest gross take on a bout in the history of boxing in Montreal according to the New York Times, and was easily one of the largest audiences for any of Sanstol's fights  Sanstol lost the bout in a close fifteen round split decision  In the close bout, the Canadian Press gave Brown seven rounds, Stanstol five, with three rounds even 
Sanstol fought much of the bout in a crouch, to compensate for a six-inch disadvantage in height and reach  Aiming down on Sanstol, Brown scored frequently with blows to the head, opening a cut over one of Sanstol's eyes, which eventually reduced his vision   Sanstol fought on doggedly despite his  Fighting during the depression, Sanstol took about $3,427 for his loss, not a great amount for a world championship bout, considering Jack Dempsey had received over $150,000 for some of his World Heavyweight Championship wins 

Draw with NBA Flyweight Champion Spider Pladner, July 1932
On July 20, 1932 Sanstol fought a ten-round draw with 1929 NBA World Flyweight Champion Emille "Spider" Pladner, a French born boxer, at the Forum in Montreal, Canada   An important bout between contenders, the January 1932 ratings, listed Sanstol as the third best bantamweight in the world, with Pladner listed as fourth  Pladner had also held the 1931 Canadian World Bantamweight Title 

Short retirement and bout with Midget Wolgast, August 1933
After losing the bout with Brown, Sanstol took a year off between August 1931 and June 1932, before resuming another campaign for the championship  On August 15, 1933, Sanstol fought an important bout against Midget Wolgast, NYSAC World Flyweight Champion at the time, losing in a ten-round non-title points decision in a bout where the brows of his face and his eyes were battered  According to one source, Wolgast won every round 

Victory over Young Perez, former World Flyweight Champion, September 1934
On September 1, 1934, Sanstol defeated World Champion Victor "Young" Perez at Bislet Stadium in Oslo in a ten-round points decision  In October 1931, Perez had taken the NBA World Flyweight Championship in a second-round knockout at the Palais de Sports in Paris, France, making him one of the youngest world boxing champions in history  In 1929, Perez had also taken the French Flyweight Title  A Tunisian Jew, Perez would die tragically in 1945 on a march from Auschwitz, where he had been interned, after being denounced to the Nazis in Paris in 1943 

Wins in Sweden and Germany March–May 1935
He retired from boxing in late 1933, fighting only one bout in 1934, and then resumed his boxing in Sweden in 1935  He won a ten-round points decision in Berlin against Hans Schiller, former German Featherweight Champion, on May 10, 1935   In Sweden he met Werner Reithdorf on April 26, 1935, winning in an eighth-round TKO in Gothenburg, and Joey Carr on March 1, 1935, also in Gothenburg, where he won in a first-round knockout 

Last NBA World Bantamweight Title bout, Sixto Escobar, August 1935
With both boxers very near 118, Sanstol had his last NBA World Bantamweight Championship match with Sixto Escobar, on August 7, 1935 at the Forum in Montreal  Sanstol lost the bout in a twelve-round unanimous decision, that was not particularly close, though quite satisfying to the crowd  In the seventh, Escobar closed Sanstol's left eye, in effect winning the bout, or reducing his need to show the same level of aggression  Ringside observers gave Escobar eight rounds, with four rounds even 

Win over Panama Al Brown, September 1935
Sanstol had one more career bout of consequence, on September 13, 1935, defeating Al Brown in Oslo in a ten-round non-title decision a month after the Escobar fight, not long before his retirement 

Joining the US Army Air Corp in April 1942, and gaining US Citizenship, 1943
Sanstol joined the US Army Air Corp on April 3, 1942  He served a total of three years and two months  During his service, he fought two army benefit fights on May 1, and July 16, 1942 in Miami, Florida, winning both in a four-round and then ten-round decision  While in the Air Corp, he also refereed a bout on May 8, 1943 in Montreal 
He completed his service on June 12, 1945  He became a U S  citizen, a privilege he had long awaited, in 1943 during his service with the Army 

Fighting style
Sanstol was known for his aggression, energy, speed, amazing stamina and uncanny defense  He was also known for his ability to give the crowd a thrilling show  About the only attribute he lacked was the so-called "power punch", although a quarter of his 98 victories were by way of knockout  Throughout his early career, Sanstol used these skills to build an impressive record  In time, his fighting style gradually evolved from that of a careless youth, to that of a wizened veteran  After his first bout with Panama Al Brown, Sanstol learned to pace himself better and to use every punch sparingly, not wasting a single drop of energy  Part of this evolution may have resulted from a chronically bad foot or ankle he first sustained during one of these title bouts  It would haunt and hobble him for the remainder of his professional career 
Long-time Montreal Herald Sports Editor Elmer W  Ferguson (1885–1972) once described Sanstol's evolved fighting style as follows:

Sanstol first flashed on the Montreal fistic horizon half a dozen years ago  This writer recollects him knocking out Aleck Burlie in April 1928, over seven years ago at the Forum  In those days Sanstol was a bewildering bundle of speed and energy  His slim, tireless legs carried him around the ring at bounding, blinding speed  He threw his endless energy to the winds with complete abandon  He was a profligate spendthrift of energy and strength, of nerve force  He had all the carelessness of youth about vitality as expended in the ring  He had a seemingly endless supply  For ten or twelve rounds he could dance, bounce, leap and dash about the ring on those steel legs, and meanwhile his speeding fists could keep on throwing stinging punches at bewildering speed, punches from all angles  For not only did Sanstol bound about the ring  He ducked like lightning, weaved, bobbed, always going at top speed, a master-boxer in his own fashion, a fashion founded on speed and stamina  The fighting heart that blazes from his ice-cold eyes still sends him on  But fistic age has tempered the pace, has developed a new ring cunning, and a tendency to accomplish by polished skill what he once achieved by youthful energy that disdained to save itself, that was gladly thrown to the winds 
Sanstol doesn't bound so much as he did  He moves now in a more shuffling fashion, as did great fighters before him, and as did such peerless runners as Schrubb and Nurmi, the greatest of all conservation stylists  Today Sanstol is inclined to save his legs, to some degree, and to employ instead the ring-craft he has acquired in nearly ten years of campaigning up and down the fistic lanes of two continents  Today he is more the Dempsey in his style, less the old Sanstol  His hands still carry their speed, his arms and shoulders the energy to hurl an endless barrage of punches  But he will be found doing much more of the weaving and bending to evade blows or get himself into hitting position  He will not be leaping five or six feet when an evasive swing of a few inches will suffice  He will be doing more of the bobbing and ducking and swinging from the hips, with which he used to delight crowds and bewilder his opponents 

Career highlights and honors
Amateur Flyweight class championship of Norway in 1923
Amateur recipient of Gold in the Norwegian and Scandinavian Bantam class championship in 1925
Canadian World Bantamweight Champion (1931)
Ranked by long-time Madison Square Garden Matchmaker Tom McArdle with legendary bantams Terry McGovern, Kid Williams, and Pete Herman (1931 Everlast Boxing Record)
Featured solo on the cover of the August 1931 The Ring magazine and in its accompanying article
Described in the article "The Golden Bantams" (The Ring, December 1953 issue, page 13) as "one of the hottest local favorites the big town New York ever had  Pete, flashy, colorful and capable fought in the Ridgewood Grove Sporting Club in the Queens section of New York no less than 26 times in one year, packing the place every time "
Proclaimed the Ridgewood Grove's "Greatest Ring Attraction" by The Ring magazine's Ted Carroll
Ranked with Leo "Kid" Roy as Montreal's favorite boxer of the late 1920s/early 1930s
Inducted into the World Boxing Hall of Fame in 2000

Life after boxing
After his boxing career ended, Sanstol worked various jobs in Norway, New York City, Chicago, Seattle, and Alaska, including restaurant owner, newspaper writer, recreation center director, hotel clerk, and translator  In 1957, he completed his autobiography entitled Gjennom Ringen He married Bessie Andrews Marshal in Seattle on August 24, 1956  Shortly after the wedding, Sanstol and his wife moved to live in Norway, where he was still remembered for his boxing  He was in demand, often telling stories of his boxing days, and speaking to groups  In 1960, Pete moved back to the West Coast of the United States with his wife, taking a job in Long Beach, California, as a translator for a shipping company  In 1962, Sanstol and his wife moved to nearby San Pedro  By October 15, 1981, Sanstol was living in a Convalescent Home in Torrance, California suffering from a diagnosed form of dementia He died in 1982 in Whittier, California after a series of strokes  On June 7, 2005, Lund municipality raised a monolith in a park in Moi to his memory, listing him as Norway's most famous boxer 
Passage 3:
James P  Wade
James P  Wade, Jr  is the author, with Harlan K  Ullman of the doctrine of strategic dominance, more popularly known as shock and awe  They published their concept in Shock and Awe: Achieving Rapid Dominance, a 1996 monograph of the National Defense University In 1977, he was appointed by President Jimmy Carter as Chairman of the Military Liaison Committee to the United States Department of Energy 
Passage 4:
James Michael Ullman
James Michael Ullman (1925–1997) was an American novelist and newspaper writer/editor known for his work in and about the Chicago area 

Education, employment, war service
Ullman served in World War II and the U S  Navy for two and a half years, and also served as an Air Force civilian employee on Guam 
Ullman became a newspaperman soon after  He served as police reporter on the La Porte, Indiana Herald-Argus, was editor of the Skokie, IL News and served as head of the United Press Bureau's Chicago desk 
Ullman was educated at Chicago's Wright Junior College and De Paul University, eventually receiving a Masters in Journalism from Northwestern University in 1954 
He won a prize in the Ellery Queen Magazine's 1953 contest with his first story Anything New on the Strangler? His short stories continued to appear in Ellery Queen's Mystery Magazine through the early 1960s when he turned to novels 

Novels
Ullman's first novel The Neon Haystack won Simon & Schuster's Inner Sanctum Mystery Award in 1963  The story centers around Steve Kolchak, who arrives in "a mid-western city" in search of his brother who disappeared exactly one year earlier  Kolchak takes the same hotel room, walks into the same dive bars and befriends the same shady characters who last saw his brother before his disappearance 
Ullman's 1966 novel, The Venus Trap, follows a similar theme: its protagonist goes in search of his father who went missing many years earlier, last having been seen leaving home with a strange man and a million dollars in diamonds in the heel of his shoe 
This theme of family members gone missing held a certain attraction to Ullman, and eventually encouraged the writing of this article  Ullman, his work, and his biography – like one of his mystery novel characters –  had seemed to simply disappear without a trace in the digital online age 
Perhaps Ullman's most popular and enduring work appeared in 1981, titled How to Hold a Garage Sale  Still popular as a how-to book among enthusiasts of the backyard sale, the book can still be found on Amazon and other markets  In 1986, Ullman co-authored the similarly themed Dow Jones-Irwin Guide to Using IRA's 
In 1987, Ullman and his 1954 short story Dead Ringer were honored by appearing in the collection Murder & Mystery in Chicago, a collection of mysteries set in the city Ullman called home  Ullman died in 1997 
Passage 5:
James P  Wade
James P  Wade, Jr  is the author, with Harlan K  Ullman of the doctrine of strategic dominance, more popularly known as shock and awe  They published their concept in Shock and Awe: Achieving Rapid Dominance, a 1996 monograph of the National Defense University In 1977, he was appointed by President Jimmy Carter as Chairman of the Military Liaison Committee to the United States Department of Energy 
Passage 6:
Jake Eisenhart
Jacob Henry "Ol' Jake" Eisenhart (October 3, 1922 – December 20, 1987) was an American left-handed pitcher in Major League Baseball who appeared in one game for the Cincinnati Reds in 1944  The 6'3½", 195 lb  left-hander was a native of Perkasie, Pennsylvania 
Eisenhart is one of many ballplayers who only appeared in the major leagues during World War II  After attending Juniata College, he was signed by the Reds to a 30-day trial contract, but his only big league action came on June 10, 1944 in a home game against the St  Louis Cardinals at Crosley Field  He entered the game with two out in the top of the ninth inning, and the Reds behind 18–0  The pitcher he came in to relieve was 15-year-old Joe Nuxhall, who had just made his major league debut  Eisenhart walked the first batter he faced, George Fallon, then got the last out, retiring opposing pitcher Mort Cooper on a foul out  His total major league experience ended up lasting only 1/3 of an inning  He was released by the Reds on June 24  Eisenhart also served in the Army during World War II, and toiled three years in the Philadelphia Athletics organization, but never made it back to the major leagues  He died in 1987 in Huntingdon, Pennsylvania 
Passage 7:
James Michael Ullman
James Michael Ullman (1925–1997) was an American novelist and newspaper writer/editor known for his work in and about the Chicago area 

Education, employment, war service
Ullman served in World War II and the U S  Navy for two and a half years, and also served as an Air Force civilian employee on Guam 
Ullman became a newspaperman soon after  He served as police reporter on the La Porte, Indiana Herald-Argus, was editor of the Skokie, IL News and served as head of the United Press Bureau's Chicago desk 
Ullman was educated at Chicago's Wright Junior College and De Paul University, eventually receiving a Masters in Journalism from Northwestern University in 1954 
He won a prize in the Ellery Queen Magazine's 1953 contest with his first story Anything New on the Strangler? His short stories continued to appear in Ellery Queen's Mystery Magazine through the early 1960s when he turned to novels 

Novels
Ullman's first novel The Neon Haystack won Simon & Schuster's Inner Sanctum Mystery Award in 1963  The story centers around Steve Kolchak, who arrives in "a mid-western city" in search of his brother who disappeared exactly one year earlier  Kolchak takes the same hotel room, walks into the same dive bars and befriends the same shady characters who last saw his brother before his disappearance 
Ullman's 1966 novel, The Venus Trap, follows a similar theme: its protagonist goes in search of his father who went missing many years earlier, last having been seen leaving home with a strange man and a million dollars in diamonds in the heel of his shoe 
This theme of family members gone missing held a certain attraction to Ullman, and eventually encouraged the writing of this article  Ullman, his work, and his biography – like one of his mystery novel characters –  had seemed to simply disappear without a trace in the digital online age 
Perhaps Ullman's most popular and enduring work appeared in 1981, titled How to Hold a Garage Sale  Still popular as a how-to book among enthusiasts of the backyard sale, the book can still be found on Amazon and other markets  In 1986, Ullman co-authored the similarly themed Dow Jones-Irwin Guide to Using IRA's 
In 1987, Ullman and his 1954 short story Dead Ringer were honored by appearing in the collection Murder & Mystery in Chicago, a collection of mysteries set in the city Ullman called home  Ullman died in 1997 
Passage 8:
David Ji
David Longfen Ji is an American businessman who co-founded Apex Digital, an electronics manufacturer In 2004, he was arrested in China following a dispute with Sichuan Changhong Electric, a supplier owned by the city of Mianyang and the province of Sichuan  Changhong accused him of defrauding them through bad checks  Ji was taken, according to an account by his lawyer, to the senior management and told, "I decide whether you live or die " He has been held in China without charges 
Ji's case highlighted an "implicit racism" in dealings with American businessmen  As a U S  citizen he was not granted the same treatment by authorities as non-ethnically Chinese businessmen sharing the same nationality 
Passage 9:
Andrew Esinhart
Andrew Esinhart (December 27, 1838 – ca 1915) was a merchant and political figure in Quebec  He represented La Prairie in the Legislative Assembly of Quebec from 1871 to 1875 as a Conservative 
He was born in La Prairie, Lower Canada, the son of Andrew Eisenhart and Charlotte Barbeau, and became a merchant there  Esinhart owned a sawmill at Sainte-Clothilde and also operated a brick factory which failed in 1870  In 1867, he married Marie-Ézelda Valotte  He was defeated by Léon-Benoît-Alfred Charlebois when he ran for reelection to the Quebec assembly in 1875  In 1876, he moved to Iberville, where he owned a general store and grain warehouse  Esinhart was mayor of Iberville from 1882 to 1883  He later moved to the United States, where he died around 1915 
Passage 10:
Emma Russack
Emma Russack is an Australian singer and songwriter, who grew up in Narooma, New South Wales, where she graduated from high school in 2005  She currently lives in Melbourne In 2004, when she was 16, she won the contest Fresh Air of the Australian Broadcasting Corporation for young talents with her song "Used To This"  By 2008, she was already known on YouTube, where she had posted eight covers, as well as two songs of her own, playing the guitar  For some time between 2007 and 2008, she took on the artistic name Lola Flash, while being the singer of a band of the same name  The group members were Jake Phillips (bass), Alec Marshall (guitar), Paul Mc Lean (drums) and Kate Delahunty (violin)  The single "Psycho", published in 2009, is from that period  She spent a year travelling around in South America  In 2010, the EP Peasants was published, and in 2012 her first album, Sounds Of Our City, including ten songs, was released  Articles about her have appeared in the German and Australian editions of Rolling Stone and in the Australian magazine Frankie  She had her song "All My Dreaming" featured in the ending of The Walking Dead's Season 9 11th episode, "Bounty" 

Discography
Solo
Peasants (EP) (2010)
Sounds Of Our City  (2012)
You Changed Me (2014)
In A New State (2016)
Permanent Vacation (2017)
Winter Blues (2019)

Emma Russack & Lachlan Denton
When It Ends (2018)
Keep On Trying (2018)
Take The Reigns (2019)

Awards and nominations
EG Awards / Music Victoria Awards
The EG Awards (known as Music Victoria Awards since 2013) are an annual awards night celebrating Victorian music  They commenced in 2006 
Context 2: Passage 1:
Where Was I
"Where Was I?" may refer to:

Books
"Where Was I?", essay by David Hawley Sanford from The Mind's I
Where Was I?, book by John Haycraft 2006
Where was I?!, book by Terry Wogan 2009

Film and TV
Where Was I? (film), 1925 film directed by William A  Seiter  With Reginald Denny, Marian Nixon, Pauline Garon, Lee Moran 
Where Was I? (2001 film), biography about songwriter Tim Rose
Where Was I? (TV series) 1952–1953 Quiz show with the panelists attempting to guess a location by looking at photos
"Where Was I?" episode of Shoestring (TV series) 1980

Music
"Where was I", song by W  Franke Harling and Al Dubin performed by Ruby Newman and His Orchestra  with vocal chorus by  Larry Taylor and Peggy McCall  1939
"Where Was I", single from Charley Pride discography 1988
"Where Was I" (song), a 1994 song by Ricky Van Shelton
"Where Was I (Donde Estuve Yo)", song by Joe Pass from Simplicity (Joe Pass album)
"Where Was I?", song by Guttermouth from The Album Formerly Known as a Full Length LP (Guttermouth album)
"Where Was I", song by Sawyer Brown (Billy Maddox, Paul Thorn, Anne Graham) from Can You Hear Me Now 2002
"Where Was I?", song  by  Kenny Wayne Shepherd from Live On  1999
"Where Was I", song by Melanie Laine (Victoria Banks, Steve Fox) from Time Flies (Melanie Laine album)
"Where Was I", song by Rosie Thomas from With Love (Rosie Thomas album)
Passage 2:
Place of origin
In Switzerland, the place of origin (German: Heimatort or Bürgerort, literally "home place" or "citizen place"; French: Lieu d'origine; Italian: Luogo di attinenza) denotes where a Swiss citizen has their municipal citizenship, usually inherited from previous generations  It is not to be confused with the place of birth or  place of residence, although two or all three of these locations may be identical depending on the person's circumstances 

Acquisition of municipal citizenship
Swiss citizenship has three tiers  For a person applying to naturalise as a Swiss citizen, these tiers are as follows:

Municipal citizenship, granted by the place of residence after fulfilling several preconditions, such as sufficient knowledge of the local language, integration into local society, and a minimum number of years lived in said municipality 
Cantonal (state) citizenship, for which a Swiss municipal citizenship is required  This requires a certain number of years lived in said canton 
Country citizenship, for which both of the above are required, also requires a certain number of years lived in Switzerland (except for people married to a Swiss citizen, who may obtain simplified naturalisation without having to reside in Switzerland), and involves a criminal background check The last two kinds of citizenship are a mere formality, while municipal citizenship is the most significant step in becoming a Swiss citizen  
Nowadays the place of residence determines the municipality where citizenship is acquired, for a new applicant, whereas previously there was a historical reason for preserving the municipal citizenship from earlier generations in the family line, namely to specify which municipality held the responsibility of providing social welfare  The law has now been changed, eliminating this form of allocating responsibility to a municipality other than that of the place of residence  Care needs to be taken when translating the term in Swiss documents which list the historical "Heimatort" instead of the usual place of birth and place of residence 
However, any Swiss citizen can apply for a second, a third or even more municipal citizenships for prestige reasons or to show their connection to the place they currently live – and thus have several places of origin  As the legal significance of the place of origin has waned (see below), Swiss citizens can often apply for municipal citizenship for no more than 100 Swiss francs after having lived in the same municipality for one or two years  In the past, it was common to have to pay between 2,000 and 4,000 Swiss francs as a citizenship fee, because of the financial obligations incumbent on the municipality to grant the citizenship 
A child born to two Swiss parents is automatically granted the citizenship of the parent whose last name they hold, so the child gets either the mother's or the father's place of origin  A child born to one Swiss parent and one foreign parent acquires the citizenship, and thus the place of origin, of the Swiss parent 

International confusion
Almost uniquely in the world (with the exception of Japan, which lists one's Registered Domicile; and Sweden, which lists the mother's place of domicile as place of birth), the Swiss identity card, passport and driving licence do not show the holder's birthplace, but only their place of origin  The vast majority of countries show the holder's actual birthplace on identity documents  This can lead to administrative issues for Swiss citizens abroad when asked to demonstrate their actual place of birth, as no such information exists on any official Swiss identification documents  Only a minority of Swiss citizens have a place of origin identical to their birthplace  More confusion comes into play through the fact that people can have more than one place of origin 

Significance and history
A citizen of a municipality does not enjoy a larger set of rights than a non-citizen of the same municipality  To vote in communal, cantonal or national matters, only the current place of residence matters – or in the case of citizens abroad, the last Swiss place of residence 
The law previously required that a citizen's place of origin continued to bear all their social welfare costs for two years after the citizen moved away  In 2012, the National Council voted by 151 to 9 votes to abolish this law  The place of domicile is now the sole payer of welfare costs In 1923, 1937, 1959 and 1967, more cantons signed treaties that assured that the place of domicile had to pay welfare costs instead of the place of origin, reflecting the fact that fewer and fewer people lived in their place of origin (1860: 59%, in 1910: 34%) In 1681, the Tagsatzung – the then Swiss parliament – decided that beggars should be deported to their place of origin, especially if they were insufficiently cared for by their residential community In the 19th century, Swiss municipalities even offered free emigration to the United States if the Swiss citizen agreed to renounce municipal citizenship, and with that the right to receive welfare 

See also
Ancestral home (Chinese)
Bon-gwan
Registered domicile


== Notes and references ==
Passage 3:
Motherland (disambiguation)
Motherland is the place of one's birth, the place of one's ancestors, or the place of origin of an ethnic group 
Motherland may also refer to:

Music
"Motherland" (anthem), the national anthem of Mauritius
National Song (Montserrat), also called "Motherland"
Motherland (Natalie Merchant album), 2001
Motherland (Arsonists Get All the Girls album), 2011
Motherland (Daedalus album), 2011
"Motherland" (Crystal Kay song), 2004

Film and television
Motherland (1927 film), a 1927 British silent war film
Motherland (2010 film), a 2010 documentary film
Motherland (2015 film), a 2015 Turkish drama
Motherland (2022 film), a 2022 documentary film about the Second Nagorno-Karabakh War
Motherland (TV series), a 2016 British television series
Motherland: Fort Salem, a 2020 American science fiction drama series

Other uses
Motherland Party (disambiguation), the name of several political groups
Personifications of Russia, including a list of monuments called Motherland

See also
All pages with titles containing Motherland
Mother Country (disambiguation)
Passage 4:
Beaulieu-sur-Loire
Beaulieu-sur-Loire (French pronunciation: ​[boljø syʁ lwaʁ], literally Beaulieu on Loire) is a commune in the Loiret department in north-central France  It is the place of death of Jacques MacDonald, a French general who served in the Napoleonic Wars 

Population
See also
Communes of the Loiret department
Passage 5:
Valley of Death
Valley of Death may refer to:

Places
Valley of Death (Bydgoszcz), the site of a 1939 Nazi mass murder and mass grave site in northern Poland
Valley of Death (Crimea), the site of the Charge of the Light Brigade in the 1854 Battle of Balaclava
Valley of Death (Gettysburg), the 1863 Gettysburg Battlefield landform of Plum Run
Valley of Death (Dukla Pass), the site of a tank battle during the Battle of the Dukla Pass in 1944 (World War II)
The Valley of Death, an area of poisonous volcanic gas near the Kikhpinych volcano in Russia
The Valley of Death, an area of poisonous volcanic gas near the Tangkuban Perahu volcano in Indonesia
Valley of Death, a nickname for the highly polluted city of Cubatão, Brazil

Other uses
The Valley of Death (audio drama), a Doctor Who audio play
The Valley of Death (film), a 1968 western film
"Valley of Death", the flawed NewsStand: CNN & Time debut program that caused the Operation Tailwind controversy
A literary element of "The Charge of the Light Brigade" by Alfred, Lord Tennyson
A reference to the difficulty of covering negative cash flow in the early stages of a start-up company; see Venture capital
"The Valley of Death", a song by the Swedish heavy metal band Sabaton from the 2022 album The War to End All Wars

See also
All pages with titles containing Valley of Death
Death Valley (disambiguation)
Valley of the Shadow of Death (disambiguation)
Passage 6:
Sennedjem
Sennedjem was an Ancient Egyptian artisan who was active during the reigns of Seti I and Ramesses II  He lived in Set Maat (translated as "The Place of Truth"), contemporary Deir el-Medina, on the west bank of the Nile, opposite Thebes  Sennedjem had the title "Servant in the Place of Truth"  He was buried along with his wife, Iyneferti, and members of his family in a tomb in the village necropolis  His tomb was discovered January 31, 1886  When Sennedjem's tomb was found, it contained furniture from his home, including a stool and a bed, which he used when he was alive His titles included Servant in the Place of Truth, meaning that he worked on the excavation and decoration of the nearby royal tombs 

See also

TT1 – (Tomb of Sennedjem, family and wife)
Passage 7:
Mehmed V
Mehmed V Reşâd (Ottoman Turkish: محمد خامس, romanized: Meḥmed-i ḫâmis; Turkish: V  Mehmed or Mehmed Reşad; 2 November 1844 – 3 July 1918) was the 35th and penultimate sultan of the Ottoman Empire from 1909 to 1918  Mehmed V reigned as a constitutional monarch, interfering little when it came to government affairs, though the constitution was held with little respect by his governments  The first half of his reign was marked by contentious politicking between factions of the Young Turks, with the second half being headed by the Committee of Union and Progress and the Three Pashas 
Reşad was the son of Sultan Abdulmejid I  He succeeded his half-brother Abdul Hamid II after the 31 March Incident  He was succeeded by his half-brother Mehmed VI in the summer of 1918 
Coming to power in the aftermath of a failed coup attempt, his nine-year reign featured three coup d'etats and four wars  The Italo-Turkish War saw the cession of the Empire's North African territories and the Dodecanese Islands, including Rhodes, during which the CUP was forced out of power by the military  This was followed up by the traumatic loss of almost all of the Empire's European territories west of Constantinople (now Istanbul) in the First Balkan War, and the return of a now radicalized CUP rule  Eastern Thrace was retaken in the Second Balkan War 
The Ottomans entered World War I in November 1914 during which Mehmed declared a jihad against the Allies  During the war the Ottoman government committed genocides against its Christian minorities  While Ottoman forces successfully fended off an Allied invasion at Gallipoli, defeat loomed on the Caucasian and Mesopotamian fronts  Military collapse in the field and a revolt by its Arab subjects would ultimately lead to the Empire's end 

Early life
Prince Reşad was born on 2 November 1844 at the Çırağan Palace, Istanbul  His father was Sultan Abdulmejid I, and his mother was Gülcemal Kadın  He had three elder sisters, Fatma Sultan, Refia Sultan and Hatice Sultan (Refia Sultan's twin sister, died as newborn)  After his mother's death in 1851, he and his sisters were entrusted in the care of his father's senior consort Servetseza Kadın  She had asked Abdulmejid to take the motherless children under her wing, and raise as her own, and carried out the duties of a mother who cares for her children with compassion and concern In 1856, aged twelve, he was ceremoniously circumcised together with his younger half-brothers, Şehzade Ahmed Kemaleddin, Şehzade Mehmed Burhaneddin, and Şehzade Ahmed Nureddin Mehmed received his education at the palace  Halid Ziya, the chief clerk of the Chamberlain's office between 1909 and 1912, described this as being a poor one  Thanks to his comparatively high intelligence, however, he made good use of the education he had and used it to go further  He studied Arabic and Persian, and spoke the latter very well  He took piano lessons from an Italian pianist and calligraphy lessons from a famous Ottoman calligrapher, Kazasker Mustafa Izzet Efendi (1801–1876), who designed the giant pendant medallions of the Hagia Sophia 

Reign
His reign began at the conclusion of the 31 March Incident on 27 April 1909, but he was largely a figurehead with no real political power, as a consequence of the demonstration of the CUP's power in the 31 March Incident and the Young Turk Revolution (which restored the Ottoman Constitution and Parliament)  In 1913 the CUP undertook a coup d'état, which brought the dictatorial triumvirate of the Three Pashas to power  At the age of 64, Mehmed V was the oldest person to ascend the Ottoman throne 

In 1911, he embarked on an imperial tour of Selânik (Salonica, today Thessaloniki) and Manastır (today Bitola), stopping by Florina on the way  He also visited Üsküp (Skopje) and Priştine (Pristina), where he attended Friday prayers at the Tomb of Sultan Murad  The visit was recorded on film and photographs by the Manaki brothers  It would soon prove to be the last visit of an Ottoman sultan to the Rumelian provinces before the catastrophe of the Balkan Wars the following year 
Under his rule, the Ottoman Empire lost all its remaining territory in North Africa (Tripolitania, Cyrenaica and Fezzan) and the Dodecanese to Italy in the Italo-Turkish War and nearly all its European territories (except for a small strip of land west of Constantinople) in the First Balkan War  The Ottomans made some small gains in the following war, recapturing the peninsula comprising East Thrace up to Edirne, but this was only partial consolation for the Turks: the bulk of Ottoman territories that they had fought to keep had been lost forever The sudden loss of these enormous swathes of land, which had been Ottoman territory for centuries and were ceded to the Empire's opponents within a span of only two years, was deeply shocking to the Ottoman Turks and resulted in massive popular backlash against the government, culminating in the 1913 Ottoman coup d'etat  It also spelt the end of the Ottomanism movement, which for several decades had advocated equal rights to all citizens of the Empire regardless of ethnicity or religion, in order to foster a communal sense of belonging and allegiance to the Ottoman state  With the loss of the Empire's ethnic minorities in Rumelia and North Africa, the movement's raison d'être also evaporated, and the country's politics soon began to take on a more reactionary character, centred around Turkish nationalism  The more extreme elements of this right-wing faction, primarily in the upper echelons of the CUP-dominated government, would go on to commit atrocities against the Armenians Despite his preference that the country stayed out of further conflict, Mehmed V's most significant political act was to formally declare jihad against the Entente Powers (Allies of World War I) on 14 November 1914, following the Ottoman government's decision to join the First World War on the side of the Central Powers  He was actually said to look with disfavour on the pro-German policy of Enver Pasha, but could do little to prevent war due to the sultanate's diminished influence since the overthrow of Abdülhamid II in 1909 
This was the last genuine proclamation of jihad in history by a Caliph, as the Caliphate was abolished in 1924  As a direct result of the declaration of war, the British annexed Cyprus, while the Khedivate of Egypt proclaimed its independence and was turned into a British protectorate; these provinces had at least been under nominal Ottoman rule  The proclamation had no noticeable effect on the war, despite the fact that many Muslims lived in Ottoman territories  Some Arabs eventually joined the British forces against the Ottoman Empire with the Arab Revolt in 1916 
Mehmed V hosted Kaiser Wilhelm II, his World War I ally, in Constantinople on 15 October 1917  He was made Generalfeldmarschall of the Kingdom of Prussia on 27 January 1916, and of the German Empire on 1 February 1916  He was also made Generalfeldmarschall of Austria-Hungary on 19 May 1918 

Death
Mehmed V died at Yıldız Palace on 3 July 1918 at the age of 73, only four months before the end of World War I  Thus, he did not live to see the downfall of the Ottoman Empire  He spent most of his life at the Dolmabahçe Palace and Yıldız Palace in Istanbul  His grave is in the Eyüp district of modern Istanbul
Context 3: Passage 1:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 2:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 3:
Lamman Rucker
Lamman Rucker  (born October 6, 1971) is an American actor  Rucker began his career on the daytime soap operas As the World Turns and All My Children, before roles in The Temptations, Tyler Perry's films Why Did I Get Married?, Why Did I Get Married Too?, and Meet the Browns, and its television adaptation  In 2016, he began starring as Jacob Greenleaf in the Oprah Winfrey Network drama series, Greenleaf  Rucker is married to Kelly Davis Rucker, a graduate of Hampton University  As of 2022, he stars in BET+ drama The Black Hamptons 

Early life
Rucker was born in Pittsburgh, Pennsylvania, the son of Malaya (née Ray) and Eric Rucker  He has partial ancestry from Barbados  Rucker spent his formative years in the greater Washington, DC, Maryland area  He first had an interest in acting after he was placed in many child pageants   His first acting role was as Martin Luther King in the 4th grade  He was in the drama club in 7th grade and then attended high school at the Duke Ellington School of the Arts in Washington, D C  Rucker studied at Carnegie-Mellon University and Duquesne University On August 29, 2019, he shared personal life experiences that he credits for his success with the Hampton University football team 

Career
His major role came in 2002 when he assumed the role of attorney T  Marshall Travers on the CBS daytime soap opera As the World Turns opposite Tamara Tunie  He left the series the following year and portrayed Garret Williams on ABC soap opera All My Children in 2005  He also had the recurring roles on the UPN sitcoms All of Us and Half & Half 
Rucker is best known for his roles in the Tyler Perry's films  He co-starred in Why Did I Get Married? (2007) and  Why Did I Get Married Too? (2010)  He played Will Brown in 2008 film Meet The Browns  He later had a starring role on Perry's sitcom Meet the Browns reprising his role as Will from 2009 to 2011  The following year after Meet the Browns, Rucker was cast in the male lead role opposite Anne Heche in the NBC comedy series Save Me, but left after pilot episode  He later had roles in a number of small movies and TV movies  Rucker also had regular role opposite Mena Suvari in the short-lived WE tv drama series, South of Hell In 2015, Rucker was cast as one of leads in the Oprah Winfrey Network drama series, Greenleaf  He plays Jacob Greenleaf, the eldest son of Lynn Whitfield' and Keith David's characters 

Filmography
Film
Television
Award nominations
Passage 4:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 5:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 6:
Richard T  Jones
Richard Timothy Jones (born January 16, 1972) is an American actor  He has worked extensively in both film and television productions since the early 1990s  His television roles include Ally McBeal (1997), Judging Amy (1998–2005), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011–2014), Narcos (2015), and Criminal Minds (2017)  Since 2018, he has played Police Sergeant Wade Grey on the ABC police drama The Rookie His film roles include portrayals of Lamont Carr in Disney's Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014) 

Early life
Jones was born in Kobe, Japan, to American parents and grew up in Carson, California  He is the son of Lorene, a computer analyst, and Clarence Jones, a professional baseball player who at the time of Jones' birth was playing for the Nankai Hawks in Osaka  He has an older brother, Clarence Jones Jr , who works as a high school basketball coach  They would return to North America after Clarence's retirement following the 1978 season  His parents later divorced  Jones attended Bishop Montgomery High School in Torrance, California, then graduated from Tuskegee University 

Career
Since the early 1990s, Jones has worked in both film and television productions His first television role was in a 1993 episode of the series California Dreams  That same year, he appeared as Ike Turner, Jr  in What's Love Got to Do with It  From 1999 to 2005, he starred as Bruce Calvin van Exel in the CBS legal drama series Judging Amy



ground_truth: yes

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the place of death of Kamures Kadın's husband?

The following are given passages.
Context 2: 

Honours
Ottoman honoursGrand Master of the Order of the Crescent
Grand Master of the Order of Glory
Grand Master of the Order of the Medjidie
Grand Master of the Order of OsmaniehForeign honoursGrand Cross of St  Stephen, in Diamonds, 1914 (Austria-Hungary)
Knight of the Military Order of Max Joseph (Bavaria)
Grand Cross of the Star of Karađorđe (Serbia)

Family
Mehmed V had a small harem, as well as few children  He was also the only sultan not to take new consorts after his accession to the throne 

Consorts
Mehmed V had five consorts:
Kamures Kadın (5 March 1855 – 30 April 1921)  BaşKadin  She is also called Gamres, Kamres or Kamus  Of Caucasian descent, she married Mehmed when he was still Şehzade  She had a son 
Dürriaden Kadın (16 May 1860 – 17 October 1909)  Second Kadın  She born Hatice Hanim, she married Mehmed when he was still Şehzade  She was the aunt of Inşirah Hanim, who was a consort of Mehmed VI (Mehmed V's younger half-brother)  She had a son 
Mihrengiz Kadın (15 October 1869 – 12 December 1938)  Second Kadın after Dürriaden's death  Circassian, born Fatma Hanım, married Mehmed when he was still Şehzade  She had a son 
Nazperver Kadın (12 June 1870 – 9 March 1929)  Third Kadın after Dürriaden's death  Born Rukiye Hanim, she was an Abkhazian princess of Çikotua family and niece of Dürrinev Kadın, chief consort of Sultan Abdülaziz, who educated her  She married Mehmed when he was still Şehzade  She had a daughter 
Dilfirib Kadın (1890–1952)  Fourth Kadın after Dürriaden's death  Circassian, she married Mehmed when he was still Şehzade  She was close friends with Safiye Ünüvar, a teacher at the Palace  She had no children by Mehmed, but after his death she remarried and had a son 

Sons
Mehmed V had three sons:
Şehzade Mehmed Ziyaeddin (26 August 1873 – 30 January 1938)–with Kamures Kadın  He had five consorts, two sons and six daughters 
Şehzade Mahmud Necmeddin (23 June 1878 – 27 June 1913) – with Dürriaden Kadın  Born with kyphosis, he never married or had children 
Şehzade Ömer Hilmi (2 March 1886 – 6 April 1935) – with Mihrengiz Kadın  He had five consorts, a son and a daughter  His great-granddaughter Ayşe Gülnev Osmanoğlu became an authress of historical novels about the Ottoman dynasty 

Daughters
Mehmed V had only one daughter:
Refia Sultan (1888–1888) – with Nazperver Kadın  She died as newborn 

See also
The Ottomans: Europe's Muslim Emperors
Passage 8:
Dance of Death (disambiguation)
Dance of Death, also called Danse Macabre, is a late-medieval allegory of the universality of death 
Dance of Death or The Dance of Death may also refer to:

Books
Dance of Death, a 1938 novel by Helen McCloy
Dance of Death (Stine novel), a 1997 novel by R  L  Stine
Dance of Death (novel), a 2005 novel by Douglas Preston and Lincoln Child

Theatre and film
The Dance of Death (Strindberg play), a 1900 play by August Strindberg
The Dance of Death, a 1908 play by Frank Wedekind
The Dance of Death (Auden play), a 1933 play by W  H  Auden

Film
The Death Dance, a 1918 drama starring Alice Brady
The Dance of Death (1912 film), a German silent film
The Dance of Death (1919 film), an Austrian silent film
The Dance of Death (1938 film), crime drama starring Vesta Victoria; screenplay by Ralph Dawson
The Dance of Death (1948 film), French-Italian drama based on Strindberg's play, starring Erich von Stroheim
The Dance of Death (1967 film), a West German drama film
Dance of Death or House of Evil, 1968 Mexican horror film starring Boris Karloff
Dance of Death (1969 film), a film based on Strindberg's play, starring Laurence Olivier
Dance of Death (1979 film), a Hong Kong film featuring Paul Chun

Music
Dance of Death (album), a 2003 album by Iron Maiden, or the title song
The Dance of Death & Other Plantation Favorites, a 1964 album by John Fahey
The Dance of Death (Scaramanga Six album)
"Death Dance", a 2016 song by Sevendust

See also
Dance of the Dead (disambiguation)
Danse Macabre (disambiguation)
Bon Odori, a Japanese traditional dance welcoming the spirits of the dead
La danse des morts, an oratorio by Arthur Honegger
Totentanz (disambiguation)
Passage 9:
Kamures Kadın
Kamures Kadın (Ottoman Turkish: کامرس قادین; meaning "Bringer of pleasure"; called also Gamres, Kamres or Kamus Kadın; 5 March 1855 – 30 April 1921) was the first and chief consort of Sultan Mehmed V of the Ottoman Empire 

Early years
Kamures Kadın was born on 5 March 1855  According to Palace documents he was born in Ganja, although there are doubts about that  She was sent to the Ottoman court when she was very young as a slave, which was the traditional custom  She received an excellent education and became an outstanding pianist  
She married the then-Prince Mehmed Reşad on 30 September 1872  She was his first consort  A year after the marriage, on 26 August 1873, she gave birth to her only son, Şehzade Mehmed Ziyaeddin 

Reign of Mehmed V
On 27 April 1909, after Mehmed's accession to the throne, she was given the title of "Senior Kadın" In 1914, she met with Sultan Jahan, Begum of Bhopal  Sultan Mehmed, who knew Persian well, acted as interpreter between the two of them  Safiye Ünüvar, a teacher at the Palace School, commented in her memoirs about her beauty, and said that she still some of her looks, when the two met in 1915  Kamures had occupied herself with reading history, and whenever Safiye visited her she would always bring up with the subject of Ottoman history In 1918, she met with the king Boris III of Bulgaria, when he visited Istanbul  She was presented as Queen of Ottoman Empire  This was significant, since meeting a man meant that she broke the traditional harem seclusion  On 30 May 1918, Kamures met with the Empress Zita of Bourbon-Parma in the harem of Yıldız Palace, when the latter visited Istanbul with her husband Emperor Charles I of Austria 

Philanthropy
On 20 March 1912, the "Hilal-i Ahmer Centre for Women" was organised within the "Ottoman Hilal-i Ahmer Association", a foundation established in 1877 to provide medical care in Istanbul and surrounding communities  Kamures served as the honorary president of this organization  The same year, she also received the Ottoman Red Crescent Medal (Osmanlı Hilal-i Ahmer Madalyası), which was created shortly after the start of the Balkan Wars in November 1912  The award was given to those who would render beneficent services, materially or morally, to the organisation  She was the only Ottoman Muslim woman before the First World War to have received the medal in gold In February 1914, the organisation announced the start of a course for nursing aids, which would consist of eighteen lessons of two hours each on Fridays and Sundays  The classes were to be taught by Besim Ömer and Akıl Muhtar  Between 40 and 50 women participated in the course and at the end of the five months course 27 women successfully took the exam  These 27 women, who were all wives and daughters of prominent Ottoman officials, received their certificate during a ceremony in the presence of Kamures, of Naciye Sultan and her mother and other palace women In April 1913, Kamures served as the patroness of the organization Osmanlı–Türk Hanımları Esirgeme Derneği (Association for the Protection of Ottoman Turkish Women)  The sultan donated 50 Ottoman pounds to the organization 

Death
After Mehmed's death on 3 July 1918, she settled in the palace of her stepson Şehzade Mahmud Necmeddin in Kuruçeşme, where she died on 30 April 1921, at the age of sixty-six  She was buried in the mausoleum of her husband located in the Eyüp Cemetery, Istanbul 

Honours
Ottoman Red Crescent Medal in Gold, 1912

Appointments
Honorary President of the Hilal-i Ahmer Centre for Women, 20 March 1912

Issue
See also
Kadın (title)
Ottoman Imperial Harem
List of consorts of the Ottoman sultans
Passage 10:
Place of birth
The place of birth (POB) or birthplace is the place where a person was born  This place is often used in legal documents, together with name and date of birth, to uniquely identify a person  Practice regarding whether this place should be a country, a territory or a city/town/locality differs in different countries, but often city or territory is used for native-born citizen passports and countries for foreign-born ones 
As a general rule with respect to passports, if the place of birth is to be a country, it's determined to be the country that currently has sovereignty over the actual place of birth, regardless of when the birth actually occurred  The place of birth is not necessarily the place where the parents of the new baby live  If the baby is born in a hospital in another place, that place is the place of birth  In many countries, this also means that the government requires that the birth of the new baby is registered in the place of birth 
Some countries place less or no importance on the place of birth, instead using alternative geographical characteristics for the purpose of identity documents  For example, Sweden has used the concept of födelsehemort ("domicile of birth") since 1947  This means that the domicile of the baby's mother is the registered place of birth  The location of the maternity ward or other physical birthplace is considered unimportant 
Similarly, Switzerland uses the concept of place of origin  A child born to Swiss parents is automatically assigned the place of origin of the parent with the same last name, so the child either gets their mother's or father's place of origin  A child born to one Swiss parent and one foreign parent acquires the place of origin of their Swiss parent  In a Swiss passport and identity card, the holder's place of origin is stated, not their place of birth  In Japan, the registered domicile is a similar concept 
In some countries (primarily in the Americas), the place of birth automatically determines the nationality of the baby, a practice often referred to by the Latin phrase jus soli  Almost all countries outside the Americas instead attribute nationality based on the nationality(-ies) of the baby's parents (referred to as jus sanguinis) 
There can be some confusion regarding the place of birth if the birth takes place in an unusual way: when babies are born on an airplane or at sea, difficulties can arise  The place of birth of such a person depends on the law of the countries involved, which include the nationality of the plane or ship, the nationality(-ies) of the parents and/or the location of the plane or ship (if the birth occurs in the territorial waters or airspace of a country) 
Some administrative forms may request the applicant's "country of birth"  It is important to determine from the requester whether the information requested refers to the applicant's "place of birth" or "nationality at birth"  For example, US citizens born abroad who acquire US citizenship at the time of birth, the nationality at birth will be USA (American), while the place of birth would be the country in which the actual birth takes place 

Reference list
8 FAM 403 4 Place of Birth
Context 3: Over the next two decades, Jones starred or guest-starred in high-profile television series such as Ally McBeal (1997), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011–2014), Narcos (2015), and Criminal Minds (2017) His film roles include portrayals of Lamont Carr in the Disney film Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), and Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014) From 2017 to 2018, Jones played Detective Tommy Cavanaugh in the CBS drama series Wisdom of the Crowd Since February 2018, Jones has played the role of Sergeant Wade Gray in the ABC police procedural drama series The Rookie with Nathan Fillion 

Personal life
Joshua Media Ministries claims that its leader, David E  Taylor, mentors Jones in ministry, and that Jones has donated $1 million to its efforts 

Filmography
Film
Television
Passage 7:
I Will, I Will    for Now
I Will, I Will    for Now is a 1976 American romantic-comedy film directed by Norman Panama  It stars Elliott Gould and Diane Keaton It was Panama's last feature as director 

Plot
The marriage of Les and Katie Bingham is in big trouble  They've already split up once, and now they're giving it one more try, but the bedroom of their New York apartment is not a happy place  Les finds her too cold  Katie finds him too fast 
The Binghams weigh the opinions of lawyer Lou, who also has a romantic interest in Katie  There's also temptation for Les in the form of sexy neighbor Jackie, who gives him a copy of "The Joy of Sex" as a gift  But as soon as he tries out one of the positions in it, Les throws out his back 
The couple takes one last desperate try to revive their passion and save their relationship  They travel to California to join a sex-therapy group, where much goes wrong, but all ends well 

Cast
Elliott Gould as Les Bingham
Diane Keaton as Katie Bingham
Paul Sorvino as Lou Springer
Victoria Principal as Jackie Martin
Robert Alda as Dr  Magnus
Warren Berlinger as Steve Martin
Candy Clark as Sally Bingham

Production
The film was based on an original script by Norman Panama and Alfred Lewin  It was made by Brut Productions the short lived film company of Faberge, headed by George Barrie  When Ross Hunter took over as president of the company in December 1973, he listed the film as among his potential projects Hunter left the company after only a few months but in December 1974 Barrie said Brut would make the film  "We think it is a very funny, new wrinkle on marriage," said Barrie  He said the film was about a separated couple who reunite at their daughter's wedding  The wedding ceremony involves reading out a clause with options for renewal or dissolution of the marriage  The couple decide to try again using this arrangement Barrie wanted Paul Newman and Glenda Jackson to star Norman Panama had made Brut's most successful film to date, A Touch of Class  "I'm hoping lightning will strike twice", said Barrie By January 1975 Elliott Gould, who had just made Whiffs for Brut, agreed to star 

Reception
Roger Ebert of the Chicago Sun-Times gave the film one star out of four and wrote, "The film moves at a leaden pace, interrupted only by its dead halts, and the actors stand around looking appalled at themselves after being forced to recite dialog like, 'I still love that hard-nosed little dumpling ' There will be worse movies this year, but probably none so stupefying " Richard Eder of The New York Times called the film "a stale 1950's poundcake of a movie" that "should make people happy that they don't make movies like that any more " Arthur D  Murphy of Variety described the film as "passable contemporary fluff " Gene Siskel of the Chicago Tribune gave the film two stars out of four and called it a "tired sex comedy" with humor "about as modern as a whoopee cushion " Charles Champlin of the Los Angeles Times panned the film as a "tone-deaf and grimly forced" attempt to update the screwball comedy formula, though he added that "the movie is almost worth seeing just for the pleasure of gazing upon Ms  Keaton who is beautiful, intelligent, warm, amusing and sympathetic " Gary Arnold of The Washington Post wrote, "Gould and Keaton are no negligible screen personalities or comic performers, so it's especially agonizing to see them trapped inside of an antiquated laugh-provoking machine " John Pym of The Monthly Film Bulletin wrote, "A relentless flow of innuendo, limp wisecracks and an attempted tone of sexual sophistication (buttressed by a series of ludicrously opulent sets) suggest that I Will   I Will    For Now was derived from some rejected Doris Day—Rock Hudson script of the Fifties "Gould said the film "was almost fully not realized" but had "an interesting story and idea  I wouldn’t have necessarily cast Paul Sorvino in that part, but I love Paul Sorvino, I love his family  And anytime I can work with Diane Keaton is a great bonus for me ”
Passage 8:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television 

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University  Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run  He is the son of Fayetteville District Judge Rudy Moore In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003   He was nominated for a 2004 Tony Award for his direction  Moore also directed productions of the musical in Las Vegas and London and the show's national tour  Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008  He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008 Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City  The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011 For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters  As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton  A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998 In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow  He also served as an executive producer on the sequel  He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015  Moore's next project will be directing a live action Archie movie 

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)
Passage 9:
Norman Panama
Norman Kaye Panama (April 21, 1914 – January 13, 2003) was an American screenwriter, film producer and film director   He is known for his partnership with Melvin Frank and their work on films such as Mr  Blandings Builds His Dream House (1948), White Christmas (1954), and The Court Jester (1956)



ground_truth: Constantinople

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the cause of death of director of film I Will, I Will... For Now?

The following are given passages.
Context 3:  Without Frank, he directed films such as  How to Commit Marriage (1969) 

Life and career
Panama met his future collaborator Melvin Frank in 1933 when they were both at the University of Chicago  After graduating, they formed a partnership in 1935 which endured for four decades; first writing for Milton Berle before becoming writers for Bob Hope's radio show and for Groucho Marx  In 1941, they sold their first script to Paramount Pictures, My Favorite Blonde (1942), which starred Hope They worked for Paramount for five years where, among others, they wrote Road to Utopia (1946), starring Hope and Bing Crosby, for which they received an Academy Award nomination for Best Original Screenplay  They moved to Columbia Pictures making It Had to Be You (1947) and The Return of October (1948) and also wrote Mr  Blandings Builds His Dream House (1948) for RKO In 1950, they signed a writing, producing and directing deal with Metro-Goldwyn-Mayer and made films together as co-writers, co-directors and co-producers  They started with The Reformer and the Redhead (1950) and also made Knock on Wood (1954) and The Court Jester (1956), both with Danny Kaye, with the former earning them another Academy Award nomination  They also co-wrote White Christmas (1954) with Norman Krasna  They wrote a Broadway play together in 1956, later adapted into Li'l Abner (1959), directed by Frank  They received another Academy Award nomination for The Facts of Life (1960) and also worked on  The Road to Hong Kong (1962) He won an Edgar Award for A Talent for Murder (1981), a play he co-wrote with Jerome Chodorov  Panama continued to write and direct through the 1980s  He died in 2003 in Los Angeles, California, aged 88, from complications of Parkinson's disease 

Selected filmography
Passage 10:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==



ground_truth: Parkinson