prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who was born first, Bogdan Țăruș or Robert Wulnikowski?

The following are given passages.
Context 1: Passage 1:
Tom Dickinson
Thomas or Tom Dickinson may refer to: 

Thomas Dickenson, or Dickinson, merchant and politician of York, England
Thomas R  Dickinson, United States Army general
J  Thomas Dickinson, American physicist and astronomer
Tom Dickinson (cricketer),  Australian-born cricketer in England
Tom Dickinson (American football), American football player
Passage 2:
Robert Wulnikowski
Robert Wulnikowski (born 11 July 1977) is Polish-German former professional football goalkeeper and now goalkeeping coach 

Career
Born in Bydgoszcz, Wulnikowski began with football in his hometown at the Polish club Zawisza Bydgoszcz  In 1990, he entered the youth division of the FC Schalke 04  In 1997, he was promoted to the second team of the club and played in the Oberliga Westfalen  In 1999, he joined the third division team 1  FC Union Berlin  At Union Berlin, Wulnikowski was initially substitute goalkeeper behind Kay Wehner (Saison 1999–2000) and Sven Beuckert (2000–2002)  In 2001, Union was promoted to the 2  Bundesliga without Wulnikowski playing a single league match  In the 2000–01 DFB-Pokal quarter-final against VfL Bochum, Wulnikowski came on after 30 minutes for an injured Beuckert  Union Berlin won that match and succeeded in reaching the final (0–2 against Schalke 04)  After the dismissal of longtime coach Georgi Vasilev in October 2002 and the commitment of coach Mirko Votava, Wulnikowski became first-choice goalkeeper For Union Berlin  By the end of the 2003–04 season, after the club was relegated as next to last in the table again, Wulnikowski had completed a total of 54 second-division games for the club 
Wulnikowski moved then to Rot-Weiss Essen for an unknown transfer fee  At the beginning of the season, Wulnikowski was in the starting squad, but made an error in the first match  From matchday three on, coach Jürgen Gelsdorf replaced him with René Renno  At the end of the season, Rot-Weiss Essen was relegated and the contract with the goalkeeper cancelled 
In 2005, Wulnikowski subsequently joined VfR Aalen in the Regionalliga Süd  He completed two seasons as first-choice goalkeeper there  In April 2007, Wulnikowski announce his move to league rivals Sportfreunde Siegen  During the 2007–08 season, he was first-choice goalkeeper for Siegen 
At the beginning of the 2008–09 season, he moved to the third division club Kickers Offenbach  In the 2009–10 winter break, he extended his contract for another three years until the end of the 2012–13 season 
On 27 October 2010, he became nationwide famous for his fantastic match in the 2010–11 DFB-Pokal against Borussia Dortmund, in which he saved two penalties and single-handedly destroyed Dortmund's several other good goal chances  Offenbach won the match 4–2 after Penalty shootout and moved on to round three  He left Offenbach at the end of the 2012–13 season, after they were relegated from the 3  Liga  After six months without a club, he signed for RB Leipzig II for half a season, before joining Würzburger Kickers in July 2014  In June 2017, Wulnikowski ended his professional career and became goalkeeping coach for Würzburger Kickers 
Passage 3:
Greg A  Hill (artist)
Greg A  Hill is a Canadian-born First Nations artist and curator  He is 
Kanyen'kehà:ka Mohawk, from Six Nations of the Grand River Territory, Ontario 

Early life
Hill was born and raised in Fort Erie, Ontario 

Art career
His work as a multidisciplinary artist focuses primarily on installation, performance and digital imaging and explores issues of his Mohawk and French-Canadian identity through the prism of colonialism, nationalism and concepts of place and community Hill has been exhibiting his work since 1989, with solo exhibitions and performance works across Canada as well as group exhibitions in North America and abroad  His work can be found in the collections of the Canada Council, the Indian Art Centre, Indian and Northern Affairs Canada, the Canadian Native Arts Foundation (now Indspire), the Woodland Cultural Center, the City of Ottawa, the Ottawa Art Gallery and the International Museum of Electrography 

Curatorial career
Hill serves as the Audain Senior Curator of Indigenous Art at the National Gallery of Canada 

Awards and honours
In 2018, Hill received the Indspire Award for Arts 
Passage 4:
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957 

Surrey cricketer
McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29  In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6 3 overs for seven runs  This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later  In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth  In the 1948 season as a whole, he took 91 wickets at an average of 28 07  As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4 22 The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career  Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets  In 1951, he played just seven times and in 1952 only three times  In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12 38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21 53  At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries 

Somerset cricketer
Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service  McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly 
McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said  McMahon took 85 wickets at an average of 27 47 (Hilton took only 42 at a higher average)  His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career  He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table 
The figures for the 1955 were similar: McMahon this time took 75 wickets at 28 77 apiece  There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9 03  This included his highest-ever score, 24, made in the match against Sussex at Frome  A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin"  These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support  McMahon responded with his most successful season so far, taking 103 wickets at an average of 25 57, the only season in his career in which he exceeded 100 wickets  The bowling average improved still further in 1957 to 23 10 when McMahon took 86 wickets  But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival  Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial" 

Sacked by Somerset
The reason behind McMahon's sacking did not become public knowledge for many years  In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality"  It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again"  As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw  But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season  Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved 
After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines 


== Notes and references ==
Passage 5:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 6:
Bogdan Țăruș
Gabriel Bogdan Țăruș (Romanian pronunciation: [ɡabriˈel boɡˈdan t͡səˈruʃ]; born 1 August 1975 in Piatra Neamț, Neamț) is a former Romanian athlete who competed in long jump  He has, success in World Championships  His personal best is 8 29 metres, achieved in 1996  He retired in the summer of 2006 

Competition record
External links
Bogdan Tarus at World Athletics
Evans, Hilary; Gjerde, Arild; Heijmans, Jeroen; Mallon, Bill;  et al  "Bogdan Țăruș"  Olympics at Sports-Reference com  Sports Reference LLC  Archived from the original on 2011-09-15 
Passage 7:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 8:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 9:
Robert McGowan Coventry
Robert McGowan Coventry or Robert McGown Coventry  (1855–1914) was a Scottish painter born in Glasgow 

Biography
Coventry studied at the Glasgow School of Art under Robert Greenlees and in Paris  Although he traveled much to the continent and the Middle East, many of his paintings depict quayside and highland scenes from eastern Scotland  He used the signature "R M G COVENTRY"  His daughter, Gertrude Mary was also an artist, known for her portrait paintings In 1889 Coventry became a member of the Royal Scottish Society of Painters in Watercolour and in 1906 he was elected an associate of the Royal Scottish Academy, RSA  He exhibited his marine and landscape paintings mainly at the RSA 
Passage 10:
Wesley Barresi
Wesley Barresi (born 3 May 1984) is a South African born first-class and Netherlands international cricketer  He is a right-handed wicket keeper-batsman and also bowls right-arm offbreak  In February 2021, Barresi announced his retirement from all forms of cricket, but returned to the national team in August 2022 

Career
Wesley became the 100th victim to Indian cricketer Yuvraj Singh, when he was dismissed in the 2011 World Cup game against India In July 2018, he was named in the Netherlands' One Day International (ODI) squad, for their series against Nepal  Ahead of the ODI matches, the International Cricket Council (ICC) named him as the key player for the Netherlands In July 2019, he was selected to play for the Amsterdam Knights in the inaugural edition of the Euro T20 Slam cricket tournament  However, the following month, the tournament was cancelled 
Context 3: Passage 1:
The Police Serve the Citizens?
La polizia è al servizio del cittadino? (internationally released as The Police Serve the Citizens?) is a 1973 Italian giallo-poliziottesco film directed by Romolo Guerrieri  The film is set in Genova 

Cast
Enrico Maria Salerno: Commissioner Nicola Sironi
Giuseppe Pambieri: Commissioner Marino
John Steiner: Lambro
Venantino Venantini: Mancinelli
Alessandro Momo: Michele Sironi
Memmo Carotenuto: Baron
Marie Sophie Persson: Cristina
Daniel Gélin: Ing  Pier Paolo Brera
Gabriella Giorgelli: Eros, Prostitute
Enzo Liberti: Greengrocer

Release
The film was released on August 25, 1973  It was distributed by P I C  in Italy  The film grossed a total of ₤1 033 billion in Italy 
Passage 2:
Bag-in-box
A bag-in-box or BiB is a container for the storage and transportation of liquids   It consists of a strong bladder (or plastic bag), usually made of several layers of metallised film or other plastics, seated inside a corrugated fiberboard box 

Features
The bag is supplied to the company which will fill it as an empty pre-made bag  The company filling the bag with its product generally removes the tap, fills the bag (with wine, juice or other liquid) and replaces the tap and then the bag is placed in the box  
The bags are available as singles for semi-automatic machines or as web bags, where the bags have perforations between each one  These are used on automated filling systems where the bag is separated on line either before the bag is automatically filled or after  Depending on the end use, there are a number of options that can be used on the bag instead of the tap  The bags can be filled from chilled product temperatures up to 85 °C (185 °F) 
BiB packaging can be made using form seal fill (FSF) technology, where the bags are manufactured on-line from reels of film, then the FlexTap is inserted then filled on an integral rotary head filler  The BiB is currently used to package wine, soda fountain syrup products, milk, liquid chemicals, and water 

History
The first commercial BiB system was invented by American chemist William R  Scholle in 1955 for the safe transportation and dispensing of battery acid  Scholle's invention inspired a "packaging revolution " In 1991, Scholle was inducted into the packaging hall of fame for his invention 

Uses
BiB has many common commercial applications  Among the most common ones are to supply syrup to soft drink fountains and to dispense bulk supplied condiments such as ketchup or mustard in the foodservice industry (especially in fast food outlets)  BiB technology is still used for its original application of dispensing sulfuric acid for filling lead-acid batteries in garages and dealerships  As explained further below, BiBs have also been implemented for consumer applications like boxed wine For commercial syrup applications, the customer opens one end of the box (sometimes via a pre-scored opening) and connects a compatible connector to a built-in port on the bag to pump out its contents  The port itself contains a one-way valve which opens only under pressure from the attached connector and which prevents contamination of the syrup in the bag  For consumer applications like boxed wine, there is a tap already present on the bag which protrudes through a pre-cut hole on the box, so all the consumer has to do is locate the tap on the outside of the box 
Producers like BiB packaging because it is inexpensive  BiB also offers environmental benefits by allowing contents of 1 5–1000 liters, so that less packaging or labeling is required  The material it is made from is lighter than the other plastic alternatives, providing it with a better carbon footprint 

Wine cask
The 'wine cask' was invented by Thomas Angove (1918–2010) of Angove's, a winemaker from Renmark, South Australia, and patented by the company on April 20, 1965  Polyethylene bladders of 1 gallon (4 5 litres) were put into corrugated boxes for sale to consumers  An original design required that the consumer cut the corner off the bladder inside the box, pour out the desired quantity of wine and then reseal it with a special peg In 1967, Charles Malpas and Penfolds Wines patented a plastic, air-tight tap welded into an aluminised film bladder, making storage much more convenient for consumers  All modern wine casks now utilise some sort of plastic tap, which is exposed by tearing away a perforated panel on the box 
The main advantage of BiB packaging is that it prevents oxidation of the wine during dispensing  Rather than working as a conventional tap, the bladder uses gravity pressure to squeeze the liquid out of the bladder, whereas a conventional barrel tap works by allowing incoming air to displace the contents  After opening wine in a bottle, it is oxidized by air in the bottle which has displaced the wine poured; wine in a bag is not touched by air and thus not subject to oxidation until it is dispensed  Cask wine is not subject to cork taint or spoilage due to slow consumption after opening Although a promising technology, there have been production and design problems  The impermeable bladders tend to delaminate around the tap and where the two halves are joined  If tap components are deposited in the bladder during assembly, all the bladders must be destroyed to find the components as the bladders are opaque  It has also been difficult to manufacture taps that do not leak air into the bladder since tap parts usually do not join neatly, although there have been significant improvements  Most red wines require breathing before consumption which is not possible with casks, so the wine has air circulated through it before bottling (usually by running through a centrifuge), which reduces shelf life considerably  Most casks will have a best-before date stamped  As a result, it is not intended for cellaring and should be consumed within the prescribed period 

Aseptic packaging
BiB is also used extensively in the packaging of processed fruit and dairy products in aseptic processes  Using aseptic packaging equipment, products can be packed in aseptic packaging  Pasteurized or UHT treated products packed into this format can be "shelf-stable", requiring no refrigeration  Some products can have a shelf life of up to 2 years, depending on the type of bag that is used 
The key to this unique system is that the product being filled is not exposed to the external environment at any stage during the process and as such, there is no possibility of a bacterial load being added to the product during the filling process  To ensure there is no contamination from the packaging, the bag is irradiated after the bag manufacturing process 
These packs are typically from 10 to 1200 liters and offer the advantage of cheap, disposable and transport efficient packaging 

See also
Corrugated box design
Tetra Brik

Notes
Passage 3:
Bagman (disambiguation)
A bagman or bag man is a collector of dirty money for organized crime 
Bagman may also refer to:

Bagman (video game), a 1982 French platform arcade game
Bagman, a biochip containing the personality of a fallen comrade in the 2000AD comic Rogue Trooper
Bagman (film), a 2010 film about Jack Abramoff
Sack Man or Bag Man, a bogeyman-figure
Ludo Bagman, a character in J  K  Rowling's Harry Potter series
The Bag Man, a 2014 film
Bag Man (podcast), a 2018 podcast about Spiro Agnew's 1973 bribery and corruption scandal
"Bagman" (Better Call Saul), an episode of the television series Better Call Saul

See also
Bağban (disambiguation)
Bag boy (disambiguation)
Bag lady (disambiguation)
Passage 4:
Donne con le gonne
Women in Skirts (Italian: Donne con le gonne) is a 1991 Italian romantic comedy film directed by Francesco Nuti  It was the highest-grossing Italian film in Italy in 1992  The film was nominated for two awards, Best Supporting Actress and Best Costume Design 

Cast
Francesco Nuti as Renzo Calabrese
Carole Bouquet as Margherita
Barbara Enrichi as Renzo's mother
Cinzia Leone as Cinzia
Gastone Moschin as lawyer Carabba
Didi Perego as Pubblico Ministero
Daniele Dublino as count Ugolino
Passage 5:
Io piaccio
Io piaccio (also known as La via del successo  



ground_truth: Bogdan Țăruș

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died earlier, Melody Of The World or Ladies Love Danger?

The following are given passages.
Context 2: Passage 1:
White: Melody of Death
White: Melody of Death (Korean: 화이트: 저주의 멜로디; RR: Hwaiteu: Jeojooui Mellodi, lit  White: The Melody of the Curse) is a 2011 South Korean horror film by Kim Gok and Kim Sun 
The film was pre-sold in Malaysia and Singapore with the teaser trailer and poster released at the Hong Kong Film Mart  The movie was a commercial success grossing US$ 5,3 Million and ending up being the highest-grossing horror movie and among Top 30 highest-grossing movies in South Korea in 2011 

Plot
The girl group Pink Dolls, which consists of A-rang, Je-ni, Shin-ji, and Eun-ju, make their debut on stage but fail to achieve popularity  They and the record company moved to a renovated studio that was burnt down in a fire 15 years ago  Eun-ju's sponsor (someone who funds an idol or group on the condition they receive sexual favors) was credited for making the move, and renovations happen  Eun-ju is bullied by the other three members for her involvement with the sponsor and considers quitting  Her vocal trainer and best friend, Soon-ye encouraged her to remain in the group as she believes they will find success and gain attention with their new song  While cleaning up in the dance rehearsal room, Eun-ju finds a VHS tape titled "WHITE" and plays it in her dorm room  The footage is of an old, unreleased music video  When the group's manager finds her watching the tape, she demands to permitted its song to be remade as their next single 
When Pink Dolls receives overnight popularity with their debut of the song "White," which has become a viral hit, the manager seeks to re-record the song but with the main vocalist overtaking the song  The tension begins to rise as Je-ni, A-rang, and Shin-ji become hostile and jealousy against each other as they fight over the spot  During this time, a ghost attacks the three members on different occasions; Je-ni by strangling her with microphone cords, A-rang by causing her to fall off a music-video set, and Shin-ji by crushing her with camera equipment  Fearing the song is cursed and that she will be the next victim, Eun-ju examines hidden images within the video with Soon-ye and an editor and from there believe that a trainee named Jang Ye-bin, who died before the studio caught fire, wrote the song  Eun-ju meets up with her sponsor and asks about the circumstances surrounding Ye-bin and replies that she died by suicide  After returning to the rehearsal room in a fit of depression, Eun-Ju finds a suicide note beside power sockets that may have started the fire and she smashes the sockets with a hammer until she fell asleep in the morning 
Confident that the curse is broken, Eun-ju wants to get more attention by reinventing "White" with a new image, including dressing and dying her hair in white, and using the stage name "White"; but she takes credit for the song to her solo performance, and alienates those around her  While Soon-ye was destroying the evidence, she re-watched the video and noticed new details they had never seen  While doing so, she and the editor learned that Je-ni, A-rang, and Shin-ji, who had been hosts for a music television show, died from drinking bleach on air  Soon-ye calls Eun-ju, who is on her way to a venue to perform "White," and warns her that the curse is not over, but Eun-ju ignores her  Soon-ye soon learns that the writer of the song was not Ye-bin, but a back-up dancer who was bullied by Ye-bin by disfiguring her face with acid and caused the back-up dancer to commit suicide by drinking bleach  Her ghost killed Ye-bin, who caused the fire when attempting to burn the suicide note 
Soon-ye rushes to the venue to rescue Eun-ju but is unable to enter the stage with all the doors locked  During Eun-ju's performance, the stage goes blackout, and the electricity begins to malfunctions  Eun-ju's sponsor and manager try to get her off the stage, but they are both killed by stage equipment, and the ghost attempts to attack her  Afterward, the doors all open, and the panicking crowd starts to rush out of the building, Soon-ye enters and she and Eun-ju attempt to reunite, but Eun-ju trips in the crowd and gets trampled to death  The electricity eventually sets the venue on fire  After the incident, Soon-ye destroyed all of the remaining evidence of the song in the studio's karaoke room  However, the karaoke machine announces that the next song playing is "White," alluding to the possibility that the curse has not been broken 

Cast
Ham Eun-jeong as Eun-ju, a leader of the Pink Dolls, who is a former back-up dancer
Hwang Woo-seul-hye as Soon-ye, a vocal trainer, and Eun-ju's best friend
May Doni Kim as Shin-ji, a rapper/dancer who is excellent for dancing performance 
Choi Ah-ra as A-rang, a visual/singer who is addicted to plastic surgery
Jin Se-yeon as Je-ni, a lead singer who is insecure with hitting high notes
After School as Pure
Byun Jung-soo as Talent Agent
Kim Young-min as Lee Tae-Yong
Kim Ki-bang as Manager
Yoo Mo-ri as Jang Ye-bin
Kim Soo-hyun as White
Lee Jun-ho as Music Fever host

Soundtrack
The soundtrack contains 3 versions of the song "White," the original (the one featured on the VHS tape), another sung by Pink Dolls (Ham Eun-jeong, May Doni Kim, Choi Ah-ra and Jin Se-yeon), and a solo version with just Eun-jeong 

Reception
Box office
The film grossed US$1,265,702 its opening weekend landing at the fifth position of the box office chart  In total the film grossed US$5,299,831 by the end of its theatrical run  The film received a total of 791,133 admissions nationwide 

Accolades
Listicles
Release
White was released in Japan as a DVD on March 02, 2012 by NBC Universal  A re-issue ws released in the same country on July 21, 2017 
Passage 2:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 3:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 4:
Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German  abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger  He is best known for directing the semi-documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, Berlin: Symphony of a Metropolis  His audio montage Wochenende (Weekend) (1930) is considered a major contribution in the development of audio plays 

Biography
Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist  He graduated high school in 1905 and began architectural studies in Zürich in 1907  In 1909 Ruttmann began painting in Munich, where he befriended Paul Klee and Lyonel Feininger, and he would later paint in Marburg Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of World War I he was sent to the Eastern Front, where he served as an artillery lieutenant and a gas defense officer  After spending 1917 in a hospital for post traumatic stress disorder, he began making films  Ruttmann had the financial means to work independently of the major German studios of the time  He founded Ruttmann-Film S R O  in Munich and patented an animation table, in June 1920 
His first productions were the first fully animated German cartoons and abstract animated films  Lichtspiel: Opus I, produced between 1919 and 1921, premiered on 27 April 1921 at the Berlin Marmorhaus, and released for German theatrical distribution in 1922, is the "oldest fully abstract motion picture known to survive, using only animated geometric forms, arranged and shown without reference to any representational imagery" 
Opus I and Opus II, were experiments with new forms of film expression, and the influence of these early abstract films can be seen in some of the early work of Oskar Fischinger  Ruttmann and his colleagues of the avant garde movement enriched the language of film as a medium with new formal techniques In 1926 he worked with Julius Pinschewer on Der Aufsteig, an experimental film advertising the GeSoLei trade fair in Düsseldorf In 1926, Ruttmann licensed a Wax Slicing machine from Oskar Fischinger to create special effects for  The Adventures of Prince Achmed, an  animated fairy tale film, for Lotte Reiniger, making the moving backgrounds and magic scenes Ruttmann was a prominent exponent of both avant-garde art and music  His early abstractions played at the 1929 Baden-Baden Festival to international acclaim despite their being almost eight years old  Together with Erwin Piscator, he worked on the film Melody of the World (1929), though he is best remembered for Berlin: Die Sinfonie der Großstadt (Berlin: Symphony of a Metropolis, 1927) 
Weekend (Wochenende), commissioned in 1928 by Berlin Radio Hour, and presented on 13 June 1930, is a pioneering work of musique concrète, a montage of sound clips, recorded using film optical sound track from the Tri-Ergon process  Ruttmann recorded the streets sounds of Berlin with a camera, but without images, this was before magnetic tape  Hans Richter called it “a symphony of sound, speech-fragments, and silence woven into a poem ”A pacifist, he traveled to Moscow in 1928 and 1929  During the Nazi period he was replaced by Leni Riefenstahl as director of the documentary which eventually became Triumph of the Will (1935), supposedly because Ruttmann's editing style was considered too "Marxist" and Soviet influenced  He died in Berlin 15 July 1941 due to an embolism after leg amputation 

Culture and Media
Segments from Ruttmann's experimental films Lichtspiel: Opus II (1923) and Lichtspiel: Opus IV (1925) are used in the credits of the German neo-noir television series Babylon Berlin  Soundtracks to sped-up versions of Lichtspiel: Opus I and Opus IV have been proposed in 2023 

Select filmography
Lichtspiel: Opus I (1920)
Der Sieger (1922)
Das Wunder (1922)
Lichtspiel: Opus II (1922)
Lichtspiel: Opus III (1924, with Lore Leudesdorff)
Lichtspiel: Opus IV (1925, with Lore Leudesdorff)
Das wiedergefundene Paradies (1925)
Der Aufstieg (1926)
Spiel der Wellen (1926)
Dort wo der Rhein    (1927)
Berlin: Die Sinfonie der Großstadt (1927)
Melody of the World (Melodie der Welt) (1929)
Wochenende (1930) [an experimental film with sound only, no image]
Feind im Blut (1931)
In der Nacht (1931)
Steel (1933)
Blut und Boden - Grundlagen zum neuen Reich
Altgermanische Bauernkultur (1934)
Metall des Himmels (1935)
Schiff in Not (1936)
Mannesmann (1937)
Henkel, ein deutsches Werk in seiner Arbeit (1938)
Waffenkammern Deutschlands (1940)
Deutsche Panzer (1940)
Krebs (1941)

Further reading
Cowan, Michael  Walter Ruttmann and the Cinema of Multiplicity: Avant-garde-Advertising-Modernity  Amsterdam, NL: Amsterdam University Press, 2014  ISBN 9789089645852
Dombrug, Adrianus van  Walter Ruttmann in het beginsel  Purmerend, NL: J  Muusses, 1956 
Goergen, Jeanpaul  Walter Ruttmann: Eine Dokumentation  Berlin: Freunde der deutschen Kinemathek, 1989   ISBN 9783927876002
Rogers, Holly and Jeremy Barham The Music and Sound of Experimental Film  Oxford: Oxford University Press, 2017   ISBN 9780190469900
Quaresima, Leonard, editor  Walter Ruttmann: Cinema, pittura, ars acustica  Calliano (Trento), Italy: Manfrini, 1994  ISBN 9788870245035
Passage 5:
Melody of Death
Melody of Death is a 1922 British silent crime film directed by Floyd Martin Thornton and starring Philip Anthony, Enid R  Reed and Dick Sutherd  It is an adaptation of the 1915 novel The Melody of Death by Edgar Wallace 

Cast
Philip Anthony as Gilbert Standerton
Enid R  Reed as Enid Cathcart
Dick Sutherd as George Wallis
H  Agar Lyons as Sir John Standerton
Frank Petley
Hetta Bartlett as Mrs Cathcart
Bob Vallis
Passage 6:
H  Bruce Humberstone
H  Bruce "Lucky" Humberstone (November 18, 1901 – October 11, 1984) was an American film director  He was previously a movie actor (as a child), a script clerk, and an assistant director, working with directors such as King Vidor, Edmund Goulding, and Allan Dwan 

Early years
Humberstone was born in Buffalo, New York, and attended Miami Military Academy in Miami, Florida 

Film
One of 28 founders of the Directors Guild of America, Humberstone worked on several silent movie films for 20th Century Fox  Humberstone did not specialize; he worked on comedies, dramas, and melodramas  Humberstone is best known today for the seminal film noir I Wake Up Screaming (1941) and his work on some of the Charlie Chan films  In the 1950s, Humberstone worked mostly on TV  He retired in 1966 

Recognition
Humberstone has a star on the Hollywood Walk of Fame 

Death
Humberstone died of pneumonia in Woodland Hills, California, on October 11, 1984, aged 82, and was buried at the Hollywood Forever Cemetery in Hollywood, California 

Partial filmography as director
Passage 7:
Ladies Love Danger
Ladies Love Danger is a 1935 American comedy film directed by H  Bruce Humberstone and written by Samson Raphaelson, Robert Ellis and Helen Logan  The film stars Mona Barrie, Gilbert Roland, Donald Cook, Adrienne Ames, Hardie Albright and Herbert Mundin  The film was released on May 3, 1935, by Fox Film Corporation 

Plot
Cast
Passage 8:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 9:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 10:
Melody of the World
Melody of the World (German: Melodie der Welt) is a 1929 German film directed by Walter Ruttmann  It is also known as World Melody  The film is structured like a symphony and consists of documentary footage from all over the world, contrasted and juxtaposed to show a number of human activities as they take form in different cultures  There are also staged scenes with actors 
The film was produced by Tonbild-Syndikat AG as an assignment from Hapag  It has an original score by Wolfgang Zeller  It was advertised as Germany's first feature-length sound film 

Cast
Ivan Koval-Samborskij as sailor
Renée Stobrawa as sailor's wife
Grace Chiang as Japanese woman
O  Idris as Malayan temple dancer
Wilhelm Cuno as general director of Hapag

Release
The world premiere took place on 27 July 1929 at the Deutsches Kammermusikfest in Baden-Baden  The film was released in regular German cinemas on 10 May 1930, distributed by Deutsches Lichtspiel-Syndikat AG 

See also
List of early sound feature films (1926–1929)
Context 3:  con le donne) is a 1955 Italian comedy film directed by Giorgio Bianchi 

Plot
Professor Maldi, a researcher on the company held by Commendatore Tassinetti (Aldo Fabrizi), experiments on various animals, and especially on the capon Gildo, its preparation which should give courage to the men  Pressed by Tassinetti Maldi decides to experiment on himself the latest version of its compound, without waiting to know the reaction of the capon 
Soon, the shy Maldi finds himself desired by every woman he meets: rather than courage, his discovery provides an irresistible fascination for twenty-four hours 

Cast
Walter Chiari: Prof  Roberto Maldi
Aldo Fabrizi: Commendatore Tassinetti
Peppino De Filippo: Nicolino Donati
Dorian Gray: Doriana Paris
Bianca Maria Fusari: Sandra, Maldi's assistant
Tina Pica: Sibilla
Mario Carotenuto: Marassino
Sandra Mondaini:Giovanna
Lina Volonghi: Lucia, Tassinetti's wife
Valeria Fabrizi: Wardrobe supervisor
Enrico Glori: Butler at Caprice nightclub
Riccardo Billi: Husband
Erminio Spalla: Doriana's confidence man
Bruno Corelli: Director
Dina Perbellini: Marassino's wife
Passage 6:
It's in the Bag
It's in the Bag can refer to:

It's in the Bag, a pricing game on The Price Is Right
It's in the Bag (game show), a long-running New Zealand game show
L'affaire est dans le sac (English: It's in the Bag), a 1932 French film
It's in the Bag (1936 film), a British film
It's in the Bag (1944 film), a British film
It's in the Bag! (1945 film), a 1945 American film starring Fred Allen
Passage 7:
The Bag Man
The Bag Man (also known as Motel or The Carrier) is a 2014 neo-noir crime thriller film directed by David Grovic  It is based on an original screenplay by James Russo and a rewrite by David Grovic and Paul Conway and an inspiration of The Cat: A Tale of Feminine Redemption by Marie-Louise von Franz  The film stars John Cusack, Rebecca Da Costa, Crispin Glover, Dominic Purcell, Robert De Niro, and Sticky Fingaz  The film premiered on February 28, 2014, in New York and Los Angeles 

Plot
Brutal gangster Dragna recruits professional killer Jack to pick up a bag and wait for his arrival at a motel   Dragna stresses that Jack is not to open the bag or allow anyone to view its contents under any circumstances   Confused as to why Dragna wants him to do such an apparently easy job, Jack presses for more details, but Dragna only reiterates the rules   When Jack acquires the bag and a henchman of Dragna's shoots him in the hand, Jack kills him and stuffs the body in his car's trunk   Dragna is unsympathetic when Jack calls him and instructs Jack to stick to the plan 
At the motel, Jack meets several people: Ned, the desk clerk who uses a wheelchair; Rivka, a tall hooker; and Lizard and Guano, a pair of pimps  Jack requests room number thirteen, and Ned cautions him that it is a deathtrap, as it is unconnected   When two suited men become curious about Jack, he abruptly breaks into their room and kills both  A subsequent search reveals FBI badges and a briefcase  Jack sets the briefcase aside and leaves to dump the corpse stored in his car, but promptly returns upon being spotted, only to discover that Rivka has broken into his room  Fearful that Lizard will kill her, she requests that he allow her to stay 
Jack initially demands that she leave, then detains her when he cannot be sure whether she opened the bag  Rivka points out that the briefcase contains a photo of the bag, and Jack becomes worried that others may attempt to acquire it  When Jack attempts to drive Rivka to a bus station, she spots the corpse in the back of his car  Lizard and Guano first question Jack about Rivka and later, on the road, attack him  On their corpses he finds another photo of the bag  Unsure what to do with Rivka, or of her involvement, he returns to the hotel with her to await Dragna's arrival 
Ned becomes suspicious that Jack has a guest in his room and calls the sheriff when Jack refuses to pay the double occupancy fee  Sheriff Larson briefly questions Jack, and, after Larson leaves, Jack threatens Ned  Increasingly worried about the safety of the bag, Jack buries it near the motel, only to be caught by Ned, who is now out of his wheelchair  Jack kills Ned and returns to the motel, where Larson arrests him under suspicion of Ned's disappearance 
As Larson prepares to torture Jack for information, Rivka shows up  Larson threatens to rape her, but she overpowers a deputy and frees Jack, who then kills Larson  When Rivka demonstrates detailed knowledge of the bag, Jack becomes suspicious of her again, but she points out that she has saved his life   Somewhat mollified, he retrieves the bag and waits in room fourteen  Dragna finally appears, disappointed in Jack's apparent lack of trust  Nonetheless satisfied that Jack has not looked in the bag, Dragna explains that the whole situation was a test of Jack's skills and character, as he doubted Jack's resolve in the wake of Jack's fiancee's unsolved murder some months earlier  The motel and the local cops are all on Dragna's payroll, and were all (unwittingly) part of the test 
As Dragna prepares to leave, Rivka spontaneously tells Jack that she looked in the bag  Frustrated, Jack points out that Dragna will now kill them both  Jack dutifully reports Rivka's action to Dragna, who orders her killed  Jack instead kills Dragna's bodyguard, who wounds Rivka  Jack hunts down Dragna, and both are wounded  Jack looks in the bag and discovers the head of his fiancee, whom Dragna had killed in order to prevent Jack from quitting the murder-for-hire business  Trying to persuade Jack to surrender, Dragna destroys the hotel (where Rivka supposedly is) with remote-detonated explosives  Moments later, Rivka appears and saves Jack by killing Dragna, but she is shot again  Later, in Dragna's lawyer's office, Rivka reveals herself as Dragna's mistress and personal assassin who was sent to the motel to ensure things went Dragna's way  She collects a five million dollar reward for Jack's assassination, and she and Jack drive off together 

Cast
John Cusack as Jack
Rebecca Da Costa as Rivka
Robert De Niro as Dragna
Crispin Glover as Ned Stensen
Dominic Purcell as Sheriff Larson
Sticky Fingaz as Lizard
Martin Klebba as Guano
Theodus Crane as Goose
David Shumbris as Pike
Mike Mayhall as Deputy Jones
Danny Cosmo as Bishop
David Grovic as Dragna's lawyer

Reception
Rotten Tomatoes, a review aggregator, reports that 10% of 42 surveyed critics gave the film a positive review; the average rating was 3 4/10   Metacritic rated it 28/100 based on 18 reviews   Scott Foundas of Variety called it "a tedious, self-consciously quirky postmodern noir"   Stephen Farber of The Hollywood Reporter wrote, "If it weren't for the touches of cruelty, this might have been a passable B-movie, but Bag Man ends up wasting the A-list talent caught up in the lurid exercise "  Stephen Holden of The New York Times described the plot as "a protracted and increasingly tedious cat-and-mouse game" that "pathetically tries to build up expectations about what might be in the bag"   Mike D'Angelo of The A V  Club called it a Quentin Tarantino knock-off made two decades too late 
Passage 8:
Una prostituta al servizio del pubblico e in regola con le leggi dello stato
Una prostituta al servizio del pubblico e in regola con le leggi dello stato (literally "A prostitute serving the public and complying with the laws of the state", also known as Prostitution Italian Style) is a 1970  Italian comedy-drama film written and directed by Italo Zingarelli For her performance Giovanna Ralli won the Grolla d'oro for best actress 

Cast
Giovanna Ralli: Oslavia
Giancarlo Giannini: Walter
Jean-Marc Bory: François Coly
Denise Bataille
Paolo Bonacelli
Roberto Chevalier
Passage 9:
The Man with the Bag
"The Man with the Bag" may refer to:

The Sack Man, a mythical figure
"(Everybody's Waitin' for) The Man with the Bag", a Christmas song
"The Man with the Bag", an episode of Ally McBeal
Passage 10:
The Police Serve the Citizens?
La polizia è al servizio del cittadino? (internationally released as The Police Serve the Citizens?) is a 1973 Italian giallo-poliziottesco film directed by Romolo Guerrieri  The film is set in Genova 

Cast
Enrico Maria Salerno: Commissioner Nicola Sironi
Giuseppe Pambieri: Commissioner Marino
John Steiner: Lambro
Venantino Venantini: Mancinelli
Alessandro Momo: Michele Sironi
Memmo Carotenuto: Baron
Marie Sophie Persson: Cristina
Daniel Gélin: Ing  Pier Paolo Brera
Gabriella Giorgelli: Eros, Prostitute
Enzo Liberti: Greengrocer

Release
The film was released on August 25, 1973  It was distributed by P I C  in Italy  The film grossed a total of ₤1 033 billion in Italy 



ground_truth: Melody Of The World

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film came out first, Una Prostituta Al Servizio Del Pubblico E In Regola Con Le Leggi Dello Stato or The Bag Man?

The following are given passages.
Context 4:  They go on to say that the film belongs to both Moriarty and the Monster 

It's Alive
It's Alive, the first part of Cohen's horror trilogy featuring a mutated baby that kills its prey when trapped or frightened, holds a rating of 67% on Rotten Tomatoes, one of the highest ratings for his films  Focusing on the social context of the film at the time, The Film Journal points out that It's Alive "carries a potent mix of both suspense and social critique [   ] [i]nvoking such taboo subjects as abortion as early as 1974 " As well as being apt at providing 'suspense,' The Film Journal acknowledges Cohen's ability "to impart an intelligent nature to his otherwise pulpy horror films " Black Hole magazine opines that despite a lack of A-List actors and special effects, It's Alive still manages to maintain the viewer's interest due to Cohen's "unique horror concept and a script rich in ideas " Black Hole nevertheless points out that "[w]hile the drama is consistent, it's less successful as a seventies monster movie, and especially lacking now " Whereas Jaws (1975) revealed the shark slowly, Cohen's film "barely ever shows us the goods " The magazine does agree, however, that It's Alive was "a sufficiently powerful monster movie and [that] audiences wanted more " Filmcritic draws attention to the humour element, especially the scenes where the Baby-Monster is rustling in the bushes, unseen, comparing it to the scene in Basket Case (1982) when that film's Baby-Monster is stuffed into a garbage sack after being cut away from its human twin  Basket Case is indeed a part of another – later – Baby-Monster horror trilogy  In short, Filmcritic says that Cohen's film should not be confused with art; and yet, it is "pretty scary stuff" that "manages a few neat tricks "

God Told Me To
God Told Me To a k a  Demon (1976), Cohen's science fiction thriller, has a rating of 75% on Rotten Tomatoes, making it Cohen's most successful directorial effort, critically  The film, in which a number of New York citizens embark on a killing spree because God Told Them To, is called "one of his most ambitious movies" that is "cemented in an interesting idea" by QNetwork Entertainment, who find Cohen's ideology of the existence of God interesting: "cynical at best" and "sacrilegious at worst " The magazine continues, however, to comment on Cohen's lack of patience and drive when completing his movies, regarding the end products as being "hastily thrown-together" and "a mosaic of scenes, rather than a satisfying whole " In conclusion QNetwork give the film an even 2 1/2 stars for being the "clumsiest and most entertaining schlock of the last 20 years " CinePassion online magazine simply states: "[a] work of genius, in other words, possibly the Cohen joint that brims with the most all-pervasive invention and danger, as radical a Seventies 'incoherent text' as Taxi Driver and a clear linchpin of The X-Files " The Chicago Sun-Times sees Cohen's incoherent text in a different light, likening the film to a cinematic version of the card game 52 Pickup: "the movie does achieve greatness in another way: this is the most confused feature-length film [   ] ever seen " But Time Out applauded Cohen for offering "the perfect existential anti-hero" in New York cop, Lo Bianco, in a film that "overflows with such perverse and subversive notions that no amount of shoddy editing and substandard camerawork can conceal [its] unusual qualities" and that by "[d]igging deep into the psyche of American manhood, it lays bare the guilt-ridden oppressions of a soulless society "

Filmography
Film
Acting roles
Television
TV movies

TV series

Notes
Passage 4:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 
Passage 5:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 6:
Edvīns Šnore
Edvīns Šnore (born 21 March 1974, in Saulkrasti) is a Latvian film director and politician  He was elected to a four-year term in the Latvian Saeima in 2014 and 2018 Šnore's family comes from Kuldīga  He went to high school in Riga  During the Revolutions of 1989 he sympathized with the Popular Front of Latvia  He first studied political science in Norway, and then earned his master's degree at the University of Latvia  In 2013 he completed his  Doctoral thesis on the Western European view of Holodomor Šnore has become known for his 2008 documentary The Soviet Story  For this film, he was awarded with the Latvian Order of the Three Stars in 2008, and the Estonian Order of the Cross of Terra Mariana in 2009  In 2016 Šnore released another documentary called The Unknown War: Baltic Resistance on the guerrilla war in the Baltic states 

Views
In his article "The goal: A Latvian Latvia", E  Šnore expressed his views about the Russians in Latvia, as well as the Russian language as such  According to him, "… the Russophone immigrants of the Soviet times disparage and rail at Latvia all the time, yet still do not leave it  At least, not at the rate desired by the Latvians"  He also refers to Minister of Social Affairs of Latvia Alfreds Bērziņš saying "… the Russian louse, once let into a coat, is hard to get rid of" and Paul A  Goble that "…the Russian language is exactly the primary weapon of the Kremlin's hybrid war against the Baltic States"  E  Šnore concludes that "… the Latvian Latvia <…> is the only way towards a prosperous, safe and united Latvia" 
Mr Šnore was reprimanded by the parliamentary ethics commission - with the mildest possible punishment, an oral warning  The article and the mild reaction to it have drawn criticism from two Council of Europe bodies - the European Commission against Racism and Intolerance and the Advisory Committee on the Framework Convention for the Protection of National Minorities 
Passage 7:
Hell Up in Harlem
Hell Up in Harlem is a 1973 blaxploitation American neo-noir film, starring Fred Williamson and Gloria Hendry  Written and directed by Larry Cohen, it is a sequel to the film Black Caesar 
The film's soundtrack was recorded by Edwin Starr and released by Motown Records in January 1974 

Plot
Having survived the assassination attempt at the end of Black Caesar, Tommy Gibbs takes on corrupt New York District Attorney DiAngelo, who had sought to jail Gibbs and his father, Papa Gibbs, in order to monopolize the illicit drug trade  Gibbs decides to eliminate drug pushing from the streets of Harlem, while continuing to carry out his other illicit enterprises  Gibbs falls in love with Sister Jennifer (Margaret Avery), a woman who works with Reverend Rufus, a former pimp who has found a religious calling 
Gibbs and his father have a falling out after Gibbs is told by his enforcer, Zach, that his father ordered the death of Gibbs' ex-wife, Helen  Gibbs and Jennifer move to Los Angeles, leaving Papa Gibbs in charge of the Harlem territory  It is later revealed that Zach himself killed Helen as part of a move to take over the territory, with the assistance of DiAngelo  Gibbs defeats hit men sent to take him out in Los Angeles, while Papa dies from a heart attack while fighting Zach 
Knowing that DiAngelo will be having the New York airports and roads watched, Gibbs flies in to Philadelphia, and then enters New York City on foot in order to carry out a personal war against Zach and DiAngelo 

Cast
Fred Williamson as Tommy Gibbs
Julius Harris as Papa Gibbs
Gloria Hendry as Helen Bradley-Washington
Margaret Avery as Sister Jennifer
D'Urville Martin as Reverend Rufus
Tony King as Zach
Gerald Gordon as DiAngelo
Bobby Ramsen as Joe Frankfurter
James Dixon as "Irish" Bryant
Esther Sutherland as The Cook
Charles MacGuire as Charles MacGregor

Release on DVD & HD
In 2001 it was released on DVD 
In 2010 it was digitized in High Definition (1080i) and broadcast on MGMHD 

See also
List of American films of 1973
Passage 8:
Gloria Hendry
Gloria Hendry (born March 3, 1949) is an American actress and former model  Hendry is best known for her roles in films from the 1970s, most notably: portraying Rosie Carver in 1973's James Bond film Live and Let Die; and Helen Bradley in the blaxploitation film Black Caesar, and the sequel, Hell Up in Harlem 

Biography
Early life and education
Born in Jacksonville or Winter Haven, Florida (sources differ), Hendry was the older of two daughters  Hendry's family, which consisted of her mother and sister relocated to Newark, New Jersey to live with her grandparents during her early childhood  Hendry studied at Essex College of Business for Law 

Career
Hendry worked as a Playboy Bunny at the New York Playboy Club from 1965 until 1972  In 1968, Hendry received her first acting role in Sidney Poitier's film For Love of Ivy, followed by a small role in the 1970 film The Landlord  In 1973, Hendry portrayed the Bond girl Rosie Carver in the James Bond film Live and Let Die  In that film, she became the first African American woman to become romantically involved with 007; Trina Parks, who played a nemesis to Bond rather than a love interest in Diamonds Are Forever (the previous Bond film) is considered to be the first Black Bond girl Hendry later starred in several 1970s blaxploitation films, including Across 110th Street (1972), Slaughter's Big Rip-Off (1973), and both the 1973 films Black Caesar and its sequel Hell Up in Harlem  She also portrayed the martial arts expert, Sydney, in Black Belt Jones (1974), and appeared in Savage Sisters (1974) and Bare Knuckles (1977)  Her later films included the horror film Pumpkinhead II: Blood Wings (1994) and the action comedy Freaky Deaky (2012) 

Filmography
Film
Passage 9:
The Soviet Story
The Soviet Story is a 2008 documentary film about Soviet Communism and Soviet–German relations before 1941 and after, written and directed by Edvīns Šnore, and sponsored by the right-wing Union for Europe of the Nations group in the European Parliament  The film features interviews with Western and Russian historians such as Norman Davies and Boris Vadimovich Sokolov, the Russian writer Viktor Suvorov, the Soviet dissident Vladimir Bukovsky, members of the European Parliament, and participants and survivors of the Soviet terror  Sokolov later emphasized that he simply offered expert advice and told Šnore that some of the things he claimed were based on obvious falsifications Using those interviews, together with historical footage and documents, the film documentary argues that there were close philosophical, political and organisational connections between the Nazi and the Soviet systems  It highlights the Great Purge, the Holodomor, the Molotov–Ribbentrop Pact, the Katyn massacre, the Gestapo–NKVD collaboration, forced population transfer in the Soviet Union, and the medical experiments in the gulags  The documentary goes on to argue that the successor states to Nazi Germany and the Soviet Union differ in the sense that postwar Germany condemns the actions of Nazi Germany, but the opinion in contemporary Russia is summarised by a quote from Vladimir Putin: "One needs to acknowledge that the collapse of the Soviet Union was the greatest geopolitical catastrophe of the century " In the closing credits of the film, it is stated: "The Soviet Union killed more than 20,000,000 men, women and children  This film is dedicated to them "

Analysis and memory
The documentary film, commissioned by the national-conservative and right-wing Union for Europe of the Nations group in the European Parliament, compared the atrocities of the two regimes  In the documentary, producer and director Edvīns Šnore argued that "not only were the crimes of the former inspired by the crimes of the latter, but that they helped each other, and that without their mutual assistance the outcome of World War II could have been quite different " In Latvia the forced Soviet deportations are commonly seen as a genocidal practice  The European Day of Remembrance for Victims of Stalinism and Nazism, proclaimed by the European Parliament in August 2008 and endorsed by the Organization for Security and Co-operation in Europe in July 2009; it is officially known as the Black Ribbon Day in some countries, including Canada  Among many scholars in Western Europe, the comparison of the two totalitarian regimes and the equation of their crimes has been and still is widely rejected According to Mārtiņš Kaprāns, a communication science expert and researcher at the Institute of Philosophy and Sociology, University of Latvia, "[s]cholars have argued that The Soviet Story is an effective Latvian response to Russian propaganda, but it also exemplifies the broader problems of post-communist memory politics " Kaprāns writes that "the idea of how memory work triggered by the documentary got started on social networking sites" and on "the video-sharing website YouTube and the Internet encyclopedia Wikipedia, both of which are crucial meaning-making sites with respect to history " According to Kaprāns, his memory studies article "demonstrates transnational memory work in YouTube and Wikipedia as a multidirectional enterprise that both reinforces and emancipates existing hegemonic representations of controversial past "

Reactions
Positive
Various Members of the European Parliament (MEPs) who were interviewed for the film have expressed views in favour of it  According to the Latvian MEPs Inese Vaidere and Ģirts Valdis Kristovskis, writing in The Parliament Magazine, "The Soviet Story makes a significant contribution to the establishment of a common understanding of history and brings us closer to the truth about the tragic events of the 20th century  A common understanding of history among the member states is crucial for the future of the whole EU " Both Vaidere and Kristovskis represent the Union for Europe of the Nations group which actively supported the production of the film After watching the film, Finnish MEP Ari Vatanen opined: "It is a powerful message  Thank you for telling the truth  It will awaken people " After the premiere in the European parliament, Vatanen stated: "We cannot build a humanity if we close our eyes to this kind of massacres  Our possibility is to serve justice to those people " British MEP Christopher Beazley commented: "This film is very important  It's a very powerful representation of what took place in Poland, in Latvia and the other Central European countries "Vytautas Landsbergis, MEP and the former head of the Seimas, assessed The Soviet Story as "a world class film, which should be shown to the world", while Latvia's Minister of Justice Gaidis Bērziņš from For Fatherland and Freedom/LNNK stated that he would encourage the Ministry of Education to have the film shown in all schools in Latvia because of its important historical message 

Negative
A number of critics condemned the film even before its premiere  Boris Tsilevitch, a Latvian member of the Saeima representing Harmony Centre, stated that it was a "typical propaganda" and its release was timed to coincide with the 2009 European Parliament election in Latvia  MEP from Latvia Tatjana Ždanoka, who opposed Latvia's independence from the Soviet Union and ran as a candidate of the largest Russian political bloc in Latvia, regards the film as a "propagandistic odd job, which is given out to be "a new word in history", while also expressing her belief that "the second part of the film is pure political PR" because the first part of the film pictures the point of view of some historians and contemporary politicians criticize modern Russia in the end of the film  Ždanoka also stated that "a lot of attention was devoted to the partnership of the German and Russian military  This is followed by a jump forward in time to the 1940s, with a mass-meeting of Vlasovites is shown against a background of swastika "The film prompted negative reactions from Russian organizations, press, and politicians  According to the "European Voice" newspaper, Russians are infuriated by the film which reveals the extent of Nazi and Soviet collaboration  On 17 May 2008, the Russian pro-governmental youth organization Young Russia (Russian: Россия Молодая) organized the protest "Let's not allow the rewriting of history!" (Russian: Не дадим переписать историю!, romanized: Ne dadim perepisat' istoriyu!) in front of the Embassy of Latvia in Moscow  An effigy representing Edvīns Šnore was burnt during the protest  Alexander Reshideovich Dyukov, a former member of the Russian ARMS-TASS Agency of Military and Technical Information, has been the most vocal critic of the documentary  He was quoted as saying: "After watching two thirds of the film, I had only one wish: to kill its director and to burn down the Latvian Embassy " As a result of Dyukov's statements, a criminal investigation was initiated against him in Latvia  Asked to comment on the case, Latvian Foreign Minister Māris Riekstiņš commented that Dyukov might be a "mentally unstable personality", while Prime Minister of Estonia Mart Laar called Dyukov "an officer of FSB", Russia's principal security agency Russian State Duma Deputy Irina Yarovaya, the coordinator of the ruling party United Russia's State Patriotic Club and a member of the Presidium of the General Council, declared that the film "glorifies Estonian Nazi collaborators, those who killed people in Khatyn and in Pskov region " In response to Yarovaya's statement which apparently confuses Katyn with Khatyn, Estonian politician and historian Mart Laar wrote: "It is indeed impressive how much wrong can be put into one sentence  First, Estonians did not kill anyone in Khatyn and, secondly, the specific crime committed in Khatyn is not mentioned in the film at all      This gives the impression that Yarovaya, actually, has not seen the film "

Reception
The film has attracted both praise and criticism from political commentators  The Economist praised it as "a sharply provocative work", and stated that "Soviet Story is the most powerful antidote yet to the sanitisation of the past  The film is gripping, audacious and uncompromising      The main aim of the film is to show the close connections—philosophical, political and organisational—between the Nazi and Soviet systems " For The New York Times, Neil Genzlinger wrote: "The filmmaking in The Soviet Story is so overwrought that at times the movie comes across as comical      The film is not dispassionate scholarship; Mr  Snore, who is Latvian, and his backers (including some members of the European Parliament) obviously have an agenda, though to the casual American viewer it may not be clear what it is "Latvian political scientist and cultural commentator Ivars Ijabs offered a negative review of The Soviet Story, describing it as a well-made and "effective piece of cinematic propaganda in the good sense of this word", whose message is clearly presented to the audience  Ijabs does not agree with a number of historical interpretations in the film, asserting that it contains errors  In one example, Ijabs states: "In late 1930s Hitler did not yet plan a systematic genocide against the Jews [as it is suggested in the film]  Everybody knows that this decision was made in 1942 at the Wannsee Conference in Berlin " Ijabs also disagreed with the contention in the film by the British literary historian, liberal, and former political activist George Watson that Friedrich Engels is "the ancestor of the modern political genocide " Further,  Ijabs refuted the film’s criticism of Karl Marx as being the 'progenitor of modern genocide', although he acknowledged the use of the term Völkerabfälle in Karl Marx's newspaper Boris Vadimovich Sokolov, one of the historians interviewed in the film, was quoted as saying: "I had only been an expert there and I can only answer for what I am saying there myself  I had told to Šnore that some of his narratives are obvious forgeries he was tricked by  For example, Beria—Müller agreement on killing Jews together "In Lauren Wissot's review for Slant Magazine, "Soviet Story does a thorough job of laying out what happened, but its dull, educational-style format doesn't guide us to the next step of why we should care " In his Time Out review, Joshua Rothkopf stated: "An offensively schlocky treatment of an important subject, The Soviet Story turns Stalin's systematic starvation and slaughter of millions into a hopped-up horror flick "

Film festivals and awards
The Soviet Story has been screened in the following film festivals:

2008 Boston Film Festival – Boston, Massachusetts; received the "Mass Impact Award"
2008 KinoLev Film Festival – Lviv, Ukraine
2008 Black Nights Film Festival – Tallinn, Estonia
2008 Arsenals Film Festival – Riga, Latvia
2008 Promitey Film Festival – Tbilisi, Georgia
2008 Baltic Film Festival – Berlin, Germany
2009 Sedona International Film Festival – Sedona, Arizona
2009 Mene Tekel festival – Prague, Czech Republic
2009 Politicsonfilm Film Festival – Washington, D C 
2011 Free Minds Film Festival – Colorado Springs, Colorado
2012 Free Minds Film Festival – Colorado Springs, ColoradoIn 2008, the president of Latvia, Valdis Zatlers awarded the director Edvīns Šnore with the Order of the Three Stars  In 2009, the film was nominated for the biannual Latvian National Film Award Lielais Kristaps in the "Best Documentary" category  In the same year, Šnore received the Estonian Order of the Cross of Terra Mariana for creating The Soviet Story 

See also
Comparison of Nazism and Stalinism

Notes
Passage 10:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 



ground_truth: Una Prostituta Al Servizio Del Pubblico E In Regola Con Le Leggi Dello Stato