prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died first, The Year Of The Rabbit or Monster On The Campus?

The following are given passages.
Context 1: Passage 1:
The Year of The Rabbit
The Year of the Rabbit (Spanish: El año del conejo) is a 1987 Argentine comedy drama film directed by Fernando Ayala and written by Oscar Viale  Starring Gerardo Romano, the film had its premiere on August 13, 1987 

Synopsis
In his mid-50s, a man reassesses his family and work life 

Main cast
Luisina Brando
Federico Luppi
Gerardo Romano
Ulises Dumont
Juan Carlos Dual
Ludovica Squirru
Katja Alemán
Andrea Barbieri
Raúl Rizzo
Emilio Vidal

Other cast
Luis Alday
Martín Andrade
Olga Bruno
Ana María Colombo
Adrián Cuneo
Manuel Cuneo
Cristina Czetto
Sandra Domínguez
Héctor Ezcurra
Daniel Galarza
Maruja Pibernat
Nilda Raggi
Felisa Rocha
Enrique Sabattini
Carlos Santamaría
Carlos Silva
Alejandra Sirlin
Jorge Varas
Hebe Castro Zinny

External links
The Year of the Rabbit at IMDb
Passage 2:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 3:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 4:
Fernando Ayala
Fernando Ayala (2 July 1920 – 11 September 1997) was an Argentine film director, screenwriter and film producer of the classic era  He is widely considered one of the most important Argentine film directors and producers in the history of the cinema of Argentina 
Ayala initially began as a trainee assistant director in 1942, in El Viaje, and within two years he had become an assistant director  By 1949 he had obtained his first job as director, and from 1958 he also served as producer for the films he directed and some others  Between 1950 and 1987 he was involved in the direction and production of well over 40 films, such as Ayer fue primavera in 1955 and Argentinísima and Argentinísima II in 1972 and 1973 respectively  In 1963 he was a member of the jury at the 13th Berlin International Film Festival  His 1983 film The Deal was entered into the 13th Moscow International Film Festival where it won a Special Diploma 

Filmography
Director
Passage 5:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 6:
Drew Esocoff
Drew Esocoff (born c  1957) is an American television sports director, who as of 2006 has been the director of NBC Sunday Night Football 

Early life
Esocoff was born in Elizabeth, New Jersey, graduating from Thomas Jefferson High School in 1975, later attending Colgate University  While in college he worked as a substitute teacher at Elizabeth High School where one of his students was Todd Bowles 

Career
Esocoff has worked for ESPN and ABC, serving as director for Monday Night Football, SportsCenter, and the NBA Finals, as well as five Super Bowls  Since 2006, he has served as director for NBC Sunday Night Football 
As of 2015, Esocoff has won 11 Emmy Awards 
Passage 7:
Jack Arnold (director)
Jack Arnold (born John Arnold Waks; October 14, 1916 – March 17, 1992) was an American actor and film and television director, best known as one of the leading filmmakers of 1950s science fiction films  His most notable films are It Came from Outer Space (1953), Creature from the Black Lagoon (1954), Tarantula (1955), and The Incredible Shrinking Man (1957) 

Early years
Jack Arnold was born in New Haven, Connecticut, to Russian immigrants : 53  As a child he read a lot of science fiction, which laid the foundations for his genre films of the 1950s 
He hoped to become a professional actor and in his late teens he enrolled in the American Academy of Dramatic Arts, where his classmates included Hume Cronyn, Betty Field and Garson Kanin  After graduating he worked as a vaudeville dancer and, in 1935, began getting roles in Broadway plays  He was acting in My Sister Eileen when the Japanese attacked Pearl Harbor, and he immediately enlisted as a cadet for pilot training : 53 While Arnold intended to become a pilot, a shortage of planes meant he was temporarily placed in the Signal Corps, where he took a crash course in cinematography  He then became a cameraman and learned the techniques of filmmaking by assisting Robert Flaherty on various military films  After eight months with Flaherty he became a pilot in the Air Corps : 53  While stationed at Truax Airfield at New Rochelle, New York, he met Betty, who would later become his wife 

Career
Following the end of World War II and the end of Arnold's term of service, he formed a partnership with an air squadron buddy, Lee Goodman, to form a film production company  Their new company, called Promotional Films Company, made fundraising films for various non-profit organizations  He also continued acting on stage during this period, in plays including a revival of The Front Page, and played opposite Bela Lugosi and Elaine Stritch in Three Indelicate Ladies : 54 

By 1950, after his documentary films had received more exposure, he was commissioned to produce and direct With These Hands, a documentary about working conditions of the early 20th century  It was nominated for an Academy Award for Best Documentary Feature Arnold directed a number of 1950s science fiction films  The best known of these, It Came from Outer Space (1953), Creature from the Black Lagoon (1954), Tarantula (1955), and The Incredible Shrinking Man (1957) are noted for their atmospheric black-and-white cinematography and sophisticated scripts  The Incredible Shrinking Man is considered his "masterpiece," a fantasy film with few equals in intelligence and sophistication, notes author John Baxter  While all the films display a "sheer virtuosity of style and clarity of vision "Arnold's main collaborator at Universal Studios was producer William Alland  Revenge of the Creature (1955) was Clint Eastwood's debut film 
Arnold also made some non-sci-fi films, mostly Westerns   His best Western is often considered to be No Name on the Bullet (1959), about a town frightened to hysteria by the arrival of a gunman who never reveals who he is after or why   The film was shot in color and CinemaScope and was later restored from the original negative for airing on the "Grit" digital broadcast channel 
He also worked as the director of The Mouse That Roared (1959), in which Peter Sellers played three roles, one of them in drag  His later films included Hello Down There (1969), Black Eye (1974), the British sex comedy The Bunny Caper aka Sex Play (1974), Boss Nigger (1975) and The Swiss Conspiracy (1976) 
Arnold began his television career in 1955 with several episodes of Science Fiction Theater  He went on to direct the long-running television series Perry Mason and Peter Gunn  He also directed episodes of such television shows as Nanny and the Professor, Alias Smith and Jones, The Fall Guy, The Brady Bunch, Gilligan's Island, Wonder Woman, Ellery Queen, Mr  Terrific, Mr  Lucky, and The San Pedro Beach Bums, as well as the TV movie Marilyn: The Untold Story (1980) 

Death and legacy
Arnold died of arteriosclerosis in Woodland Hills, Los Angeles, California at the age of 75  Later that year, the UCLA Film Archive held a tribute "Jack Arnold: The Incredible Thinking Man" film festival which screened a number of his films  The Archive also produced and screened a bio-documentary about his life, The Incredible Thinking Man 

Awards and nominations
Passage 8:
Monster on the Campus
Monster on the Campus (a k a  Monster in the Night and Stranger on the Campus) is a 1958 American black-and-white science fiction/horror film from Universal-International, produced by Joseph Gershenson, directed by Jack Arnold, from a script by David Duncan, that stars Arthur Franz, Joanna Cook Moore, Nancy Walters, Troy Donahue, and Whit Bissell  The film was theatrically released as a double feature with the British horror film Blood of the Vampire 
The film's storyline tells of a university science professor who accidentally comes into contact with the irradiated blood of a coelacanth, which causes him to "regress" to being a primitive caveman 

Plot
Dr  Donald Blake, a science professor at Dunsford University, receives a coelacanth  A student, Jimmy, asks Blake if the fish is really a million years old  Blake replies, "It's the species that's old  No change in millions of years  See, the coelacanth is a living fossil, immune to the forces of evolution"  Blake teaches his students that man is the only creature that can decide whether to evolve or devolve and that "unless we learn to control the instincts we've inherited from our ape-like ancestors, the race is doomed "
Inside the lab, Blake scratches himself on the teeth of the partially-thawed coelacanth, accidentally sticking his bloody hand into the water-filled container which held the fish  Molly Riordan, the assistant to Dr  Cole Oliver, is with Blake and offers him a ride home  Blake says he does not feel well and passes out when they get to Molly's car 
A person or persons unknown attacks Molly at Blake's home  Madeline Howard, Blake's fiancée and daughter of Dr  Gilbert Howard, president of the university, arrives and finds the home in shambles and Blake moaning on the ground  Madeline calls the police after seeing the corpse of Molly hanging by her hair in a tree 
Detective Lt  Mike Stevens and Detective Sgt  Eddie Daniels find a "deformed" handprint on a window and Blake's tie clasp in Molly's dead hand  They take Blake downtown when he admits that he cannot remember anything after getting into Molly's car 
Concluding that someone holding a grudge is trying to implicate Blake in Molly's murder, Stevens releases him  He assigns Daniels as Blake's bodyguard and tells Blake that Molly's autopsy showed she died of fright 
In his lab, Blake shoos away a dragonfly that lands on the coelacanth  The dragonfly later returns, now two feet in length  Blake and Jimmy try to catch the giant insect with a net when it lands on the coelacanth again  Blake stabs the dragonfly  While examining its body, he does not notice its blood has dripped into his pipe  Lighting up and smoking, he immediately feels ill  As the dragonfly shrinks back to its standard size, a large, hairy hand reaches out and squashes the insect  Then Blake's lab is trashed, and Jimmy's visiting girlfriend is killed  The police find huge footprints near her body and conclude they are from the same source 
Blake learns that the coelacanth has blood plasma preserved by gamma rays  If it gets into the bloodstream of an animal or person, it causes them to revert to a more primitive state temporarily  He realizes that he might have received a dose of the irradiated plasma  If so, then Blake has been reverting to a troglodyte with large hands, feet, dark skin, heavy body hair, and prominent brow ridges 
He decides to take some days off at Dr  Howard's remote cabin  Blake plans to learn whether he is the beast  He rigs the cabin with cameras on trip wires and injects himself with coelacanth plasma  His caveman self wrecks the room, trips the camera's wires, and is photographed  He grabs an axe and leaves 
While driving to the cabin, Madeline runs off the road and crashes when the caveman appears in her headlights  A local forest ranger arrives and calls the Dunsford police for help  The caveman carries the unconscious Madeline into the forest, with the ranger in pursuit 
Waking up, Madeline struggles with the beast  The ranger shoots the caveman when she breaks free  The caveman then kills the ranger with his axe and collapses  Blake, once again himself, returns to the cabin and develops a photo, showing it to Madeline 
Lt  Stevens, Detective Sgt  Powell and Dr  Howard arrive at the cabin  Blake tells them that he not only knows who the murderer is, but where to find him  Out in the woods, he explains to Howard what his experiment proved and injects himself with coelacanth plasma  Again transformed into the caveman, he chases Howard, forcing the two detectives to shoot him  As the beast lies dying, he slowly transforms back into Blake 

Cast
Arthur Franz as Dr  Donald Blake
Joanna Moore as Madeline Howard
Judson Pratt as Lt  Mike Stevens
Nancy Walters as Sylvia Lockwood
Troy Donahue as Jimmy Flanders
Phil Harvey as Sgt  Powell
Helen Westcott as Nurse Molly Riordan
Alexander Lockwood as Dr  Gilbert Howard
Whit Bissell as Dr  Oliver Cole
Ross Elliott as Sgt  Eddie Daniels
Anne Anderson as Student (uncredited)
Louis Cavalier as Student (uncredited)
Richard H  Cutting as Forest Ranger Tom Edwards (uncredited)
Hank Patterson as Night Watchman Mr  Townsend (uncredited)
Ronnie Rondell Jr  as Student (uncredited)
Eddie Parker as the Monster (uncredited)

Production
Production took place between April and May 1958  The on-campus scenes of Dunsford University were filmed at Occidental College in Eagle Rock, a suburb of Los Angeles, California The working title of the film was Monster in the Night  Although Universal music director Joseph Gershenson had received executive producer credit on some films of the 1940s, Monster on the Campus marked the first film for which he received sole credit as producer  This was the film debut of Nancy Walters  Arthur Franz only played Prof  Donald Blake  Once the makeup transformation scenes were over, stuntman Eddie Parker did every scene as the monster Science fiction film critic Bill Warren writes that director Jack Arnold said in an interview with Cinefastastique magazine (Vol 4 No 2, 1975) that the film was shot in 12 days, and that Arnold told Photon magazine (No 26, 1975), "I didn't really hate it, but I didn't think it was up to the standards of the other films that I have done" 

Reception
Monster on the Campus had a wide international release  Its U S  premiere was in Bismarck, North Dakota on 17 December 1958, followed by Finland on 1 May 1959, West Germany on 22 January 1960, France on 27 January 1960, and Mexico on 3 March 1960  The film was also released in the UK, Belgium, Greece, Italy, the Soviet Union, Argentina, and Brazil  In the UK, it was given an "X" certificate by the British Board of Film Censors (BBFC), which meant at the time that the film could not be exhibited to people under age 16  In 2016, BBFC reclassified the DVD of Monster on the Campus  It now has a PG rating According to Warren, there were few reviews of Monster on the Campus when it first came out because it was the "bottom half of a double-bill with the more colorful Blood of the Vampire"  He quotes a few contemporary reviews  It was called "'a pretty fair shocker'" in Daily Variety  Jack Moffitt, in The Hollywood Reporter, said the film emphasized the "'human rather than the monstrous side of this modern 'Dr  Jekyll' story"  The Monthly Film Reporter, however, called it "'depressing,'" even though it had been "'tailored for the horror market '"BoxOffice magazine in its issue of 19 January 1959 showed positive reviews from most of the publications listed in its "Review Digest"  BoxOffice, Film Daily, and The Hollywood Reporter all rated it as "very good"; Harrison's Report and Variety rated it "good"; Parents' Magazine gave it a "fair" rating; and the New York Daily News had not reviewed the film The reviewing division of the Catholic News Service evaluated Monster on the Campus in 1958 for its "artistic merit and moral suitability"  This resulted in The United States Conference of Catholic Bishops (USCCB) giving the film a rating of "A-III," which meant it was suitable for adults, although USCCB cautioned that it contained "stylized violence with some intense menace" Many of the more recent reviews have centered on the monster/caveman/ape-man makeup  Warren writes, "The mask is unconvincing, with tiny shell-like teeth and a built-in scowl; it resembles similar Universal-International over-the-head masks of the period, as seen in Abbott and Costello Meet Dr  Jekyll and Mr  Hyde, Tarantula and other outings"  Bryan Senn notes that keeping the monster off-camera until near the end of the film is a good idea, as it adds a "bit of build-up and mystery", but doing so "only makes the rubbery mask and hirsute padded shoulders (making him look like a simian linebacker) that much more disappointing when finally revealed" But reviews have noted more than just makeup  Phil Hardy writes that "cinematographer [Russel] Metty and special effects man [Clifford] Stine make the most of the ape-man's path of destruction through the campus but the script lacks any sparkle"  Senn calls the film "visually flat, with the 'action' taking place in labs, offices and cabins, and with exteriors consisting of one back-lot hillside"  And Warren says that the film is "hampered by trivial locations and drab sets  The film has no arresting images  The best [Arnold] can come up with is a swift glance the ape-man gives a mirror before smashing it and one shot of a woman dangling by her hair from a tree"  In summary, he calls the film "routine, unimaginative and foolish     Jack Arnold's worst science fiction film" But not every reviewer disliked Monster on the Campus  Critic Ken Hanke wrote that "part of the charm of this little movie is that the monster is so hokey  No, it's not classic horror, but it's a good bit of fun"  He gave the film a score of 4 5 out of 5 stars Popularity with the public is harder to judge  The film holds a 5 8/10 from 1,111 votes on the Internet Movie Database and a low 22% from 270 viewers at the film review aggregator website Rotten Tomatoes 

Academic interest
Monster on the Campus has attracted a fair amount of academic interest  Prof  Cyndy Hendershot in 2001 wrote that the film examines "issues of conformity and individuality" through a "metaphor of monstrous transformation"  Hendershot says that while Blake the professor represents conformity, his caveman self is a representation of individuality  But he cannot be conformist and individualistic at the same time  His employer, Dunsfield University, "conspires to stamp out individuality that does not follow the direction of the organization as a whole"  That is, "while Monster on the Campus adopts the typical sf/horror plot of the mad scientist versus the blind authorities", the film "frames the issue specifically within the world of the organization man"  According to Hendershot, a man such as Blake - driven from within toward individualism and not at all a good organization man who willingly submits to conformity imposed on him from the outside - cannot win  His personal goal of knowledge for the sake of knowledge is not that of the university, which seems more interested in the publicity that owning a rare coelacanth will bring  "But, if the film condemns the other-directed society as stifling scientific knowledge, it equally condemns Blake's rampant inner-directed man  It reveals, in fact, that the individual within is a beast" Also in 2001, Hendershot looked at Monster on the Campus as an exploration of a "wide variety of issues related to the emergence of teen culture in Fifties America"  Specifically, her focus is on juvenile deliquency, which she says "provoked feelings of intense horror" in adults at the time  The Dunsfield Police, for example, "suspect the teenagers on campus of being guilty" of the murders of Molly and Daniels, yet the "true criminal is located at the heart of adult authority on campus"  However, unlike many films in which young people are the villains, Monster on the Campus inverts things, so that "only the students emerge as having any clear moral sense about the horrors that are occurring on campus"  In other words, "the kids in Monster on the Campus are fine; it's the adults that have to be watched, as they may transform into monsters at any moment" Prof  Patrick Gonder looks at the film in racial terms  He writes that Monster on the Campus was released just a few years after the 1954 US Supreme Court decision in Brown v  Board of Education  In that light, he says, "the monster on the campus is the demonized black male student, threatening to contaminate the purity of white women and cause the reversal of white evolutionary potential  The Caveman is imaged as a racist caricature of the African American: bestial, violent and corrosive to the tenets of white society"  However, Gonder goes on to point out that the "creature and the professor are one and the same: several times, Blake comments on how the beast is 'within' him"  And at the end of the film Blake solves his problem: he "does not turn himself in but instead organizes his own lynch mob by purposefully (for the first time) transforming himself into the Caveman, thus forcing the police officers to shoot him" 

Home media
Monster on the Campus had its U S  VHS release in 1994  Universal Pictures released Monster on the Campus as part of a DVD boxed set called The Classic Sci-Fi Ultimate Collection, which features four other Universal films: The Incredible Shrinking Man, The Mole People, The Monolith Monsters, and Tarantula  Shout Factory released the film on Blu-ray in a package including the trailer and subtitles on 25 June 2019 

Popular culture
Monster on the Campus has been referenced in a number of other films and television programs  Among other examples, it was shown on Svengoolie in 1981 and 2013; scenes from it were used in the films Eternal Sunshine of the Spotless Mind (2004) and American Grindhouse (2010); and it was mentioned in the Canadian comedy Ding et Dong le film (1990) In music, The Modern Airline, a neo-New Wave band from Brooklyn, New York, released a song titled "Monster on the Campus" in 2017 
Passage 9:
G  Marthandan
G  Marthandan is an Indian film director who works in Malayalam cinema  His debut film is Daivathinte Swantham Cleetus

Early life
G  Marthandan was born to M  S  Gopalan Nair and P  Kamalamma at Changanassery in Kottayam district of Kerala  He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery 

Career
After completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995  His next work was British Market, directed by Nissar in 1998  He worked as an associate director for 18 years He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role  His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles  Daivathinte Swantham Cleetus and Paavada were box office successes 

Filmography
As director
As associate director
As actor
TV serialKanyadanam (Malayalam TV series) - pilot episode

Awards
Ramu Kariat Film Award - Paavada (2016)
JCI Foundation Award - Daivathinte Swantham Cleetus (2013)
Passage 10:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Context 2: Passage 1:
Nick Varner
Nick Varner (born May 15, 1948, in Owensboro, Kentucky) is an American professional pool player who was inducted into the Billiard Congress of America Hall of Fame in 1992  Varner is widely considered one of the greatest pool players of all time  Varner is a multiple world champion and has won back to back U S  Open 9-Ball Championships, in addition to being the oldest player to ever win the WPA World Nine-ball Championship, at 51 years old 

Career
Nick D  Varner graduated from Tell City High School in Tell City, Indiana in 1966  Varner learned to play pool in his father's (Nick Varner) pool hall in Grandview, Indiana  After graduating from high school, Varner gained notoriety on the professional pool scene after he won two ACU-I Intercollegiate Championships while attending Purdue University and playing "money games" at an on campus pool room called "The Hole"  A cliché given to Varner was "Speak softly and carry a big stick" because of the way he conducted himself as well as his competitive endeavors In 1989, Varner became only the second man to Mike Sigel, to earn over $100,000 in prize winnings in single year, accumulating an unprecedented 8 out of the 16 Nine-ball PBA tour events that year  The same year he won the PBA World 9-Ball Championship, after a momentous hill-hill final against Grady Mathews 
He was named Player of the Year in 1980, 1982, 1989, 1994, by the pool media, including the National Billiard News and Billiards Digest Magazine  He also represented Team USA eight times at the Mosconi Cup, four times as a non-playing team captain 
Varner is also an author, a video personality, a pool room proprietor, a manufacturer's representative, and an exhibition player Varner is considered one of the best all-around players of all time, winning multiple titles in Nine-ball, Eight-ball, Straight Pool, One Pocket and Bank Pool  
Varner is one of the few players to be inducted into the BCA, One Pocket and Bank Pool Hall of Fame 

Career titles and achievements
Passage 2:
Jeremy Jones (pool player)
Jeremy Jones (born April 30, 1971, in Baytown, Texas) is a professional pool player  He was the 1998 US Open One Pocket champion, the 2003 US Open 9 Ball champion, and has represented Team USA in the Mosconi Cup on seven occasions  Jones was the runner-up at the 1999 WPA World Nine-ball Championship losing 13–8 to Nick Varner in the final 

Personal life
Jones was first introduced to the pool tables at the age of 17, while he was working as a pizza delivery man in Houston, Texas  He then went on to quit his delivery job and got a job at a games room, in order to be able to play pool for free After playing pool with friends for many years, Jones began competing in amateur tournaments around the United States In 1997, Jones won the BCA National 8-Ball Masters, finishing as runner-up the previous year  In 2008 he won the BCA 9-Ball Open 

Professional career
In 1994, he decided to go professional and toured all but 2 of the 50 states in the United States   In 1998, he won the U S  Open One-Pocket Championship, and in 2003, he won the U S  Open 9-Ball Championship In January 2018, Jeremy Jones was inducted into the One Pocket Hall of Fame for his Outstanding Contribution to the Legacy of One Pocket Jones was a commentator at the Matchroom Multi Sport 2021 US Open in Atlantic City, New Jersey   He also competed in the event  Jones has been captain of Team USA for the Mosconi Cup in 2020 and 2021   He was vice captain for Team USA at the Mosconi Cup in 2019 

Career titles and achievements
1994 Texas Open 9-Ball Championship
1997 BCA National 8-Ball Masters
1998 U S  Open One-Pocket Championship
1999 Camel Pro Billiards 9-Ball Open
1999 Mosconi Cup
2000 Mosconi Cup
2001 Mosconi Cup
2001 Lexington Open
2002 Texas Open 9-Ball Championship
2003 U S  Open 9-Ball Championship
2003 Mosconi Cup
2003 Texas Open 9-Ball Championship
2005 Mosconi Cup
2007 Houston Open
2008 BCA Open Nine-ball Championship
2012 Space City Open One Pocket
2018 One Pocket Hall of Fame
Passage 3:
Frank Varner
Frank Varner (14 July 1937 – 26 June 2001) was a Norwegian businessman  He established the holding company Varner-Gruppen, which developed into the largest operator in the textile retailing trade in Norway
Context 3: Passage 1:
The Wind's Fierce
The Wind's Fierce (Spanish: La cólera del viento, Italian: La collera del vento, also known as Revenge of Trinity, Trinity Sees Red and The Wind's Anger) is a 1970 Spanish-Italian western-drama film written and directed by Mario Camus 

Plot
Andalusia, the late nineteenth century  Wealthy landowner Don Antonio hires two assassins, Marcos and Jacobo, to infiltrate a group of peasant revolutionaries and kill the leaders  After falling in love with the rebel Soledad, Marcos has a change of heart and decides to unite with the peasants 

Cast
Terence Hill as Marcos
Maria Grazia Buccella as Soledad
Mario Pardo as Jacobo
Máximo Valverde as  Ramón
Fernando Rey as Don Antonio
Ángel Lombarte as  José
William Layton as  Don Lucas
Manuel Alexandre as  Agustín
Manuel de Blas as  Rafael

Reception
Although set in Spain, this film is often classified as a spaghetti-western due to themes, scenes and settings deliberately evocative of the western genre 
Terence Hill gives a dramatic performance in his last film before attaining international stardom with They Call Me Trinity  After the success of that movie, The Wind's Fierce was re-released in many countries as a "Trinity" sequel and misleadingly marketed as a comedy 
Passage 2:
Claude Weisz
Claude Weisz is a French film director born in Paris 

Filmography
Feature films
Une saison dans la vie d'Emmanuel (1972) with Germaine Montéro, Lucien Raimbourg, Florence Giorgetti, Jean-François Delacour, Hélène Darche, Manuel Pinto, etc Festival de Cannes 1973 - Quinzaine des réalisateurs
Jury Prize: Festival Jeune Cinéma 1973

La Chanson du mal aimé (1981) with Rufus, Daniel Mesguich, Christine Boisson, Věra Galatíková, Mark Burns, Philippe Clévenot, Dominique Pinon, Madelon Violla, Paloma Matta, Béatrice Bruno, Catherine Belkhodja, Véronique Leblanc, Philippe Avron, Albert Delpy, etc Festival de Cannes 1982 - Perspectives du cinéma français
Competition selections: Valencia, Valladolid, Istanbul, Montréal

On l'appelait    le Roi Laid (1987) with Yilmaz Güney (mockumentary)Valencia Festival 1988 - Grand Prix for documentaries "Laurel Wreath"
Competition selections: Rotterdam, Valladolid, Strasbourg, Nyon, Cannes, Lyon, Cairo

Paula et Paulette, ma mère (2005) Documentary - Straight to DVD

Short and mid-length
La Grande Grève (1963 - Co-directed CAS collective, IDHEC)
L'Inconnue (1966 - with Paloma Matta and Gérard Blain - Prix CNC Hyères, Sidney)
Un village au Québec
Montréal
Deux aspects du Canada (1969)
La Hongrie, vers quel socialisme ? (1975 - Nominated for best documentary - Césars 1976)
Tibor Déry, portrait d'un écrivain hongrois (1977)
L'huître boudeuse
Ancienne maison Godin ou le familistère de Guise (1977)
Passementiers et Rubaniers
Le quinzième mois
C'était la dernière année de ma vie (1984 - FIPRESCI Prize- Festival Oberhausen 1985 - Nomination - Césars 1986)
Nous aimons tant le cinéma (Film of the European year of cinema - Delphes 1988)
Participation jusqu'en 1978 à la réalisation de films "militants"

Television
Series of seven dramas in German
Numerous documentary and docu-soap type films (TVS CNDP)
Initiation à la vie économique (TV series - RTS promotion)
Contemplatives    et femmes (TF1 - 1976)
Suzel Sabatier (FR3)
Un autre Or Noir (FR3)
Vivre en Géorgie
Portrait d'une génération pour l'an 2000 (France 5 - 2000)
Femmes de peine, femmes de coeur (FR3 - 2003)

Television documentaries
La porte de Sarp est ouverte (1998)
Une histoire balbynienne (2002)
Tamara, une vie de Moscou à Port-au-Prince (unfinished)
Hana et Khaman (unfinished)
En compagnie d'Albert Memmi (unfinished)
Le Lucernaire, une passion de théâtre
Les quatre saisons de la Taillade ou une ferme l'autre
Histoire du peuple kurde (in development)
Les kurdes de Bourg-Lastic (2008)
Réalisation de films institutionnels et industriels
Passage 3:
S D  Jones
Conrad Efraim (March 30, 1945 – October 26, 2008) was an Antiguan professional wrestler best known by his ring name, Special Delivery Jones or S  D  Jones (sometimes referred to as S  D  "Special Delivery" Jones) from his time (1974–1990) in the World Wrestling Federation (WWF, now WWE)  He also wrestled in Jim Crockett Promotions and the National Wrestling Alliance (NWA), and he won the NWA Americas Tag Team Championship three times 

Professional wrestling career
Before becoming a wrestler, Efraim worked at a telephone company  He also took part in boxing and lifting weights  While there, he began training under Johnny Rodz in the sport of professional wrestling  Upon completion of his training, he quit his job and began working for NWA Mid-Atlantic under the name "Roosevelt Jones" in a tag team with his partner and kayfabe cousin Rufus R  Jones  While there, they had a memorable feud with the Anderson family (Ole and Gene) On January 17, 1975, after leaving the Mid-Atlantic area for California, Jones won his first of three tag team titles, combining with Porkchop Cash to take the NWA Americas Tag Team Championship from the Hollywood Blonds (Buddy Roberts and Jerry Brown)  The following month, Jones and Cash dropped the titles back to the Blonds  Jones won the title again in 1977, teaming with Tom Jones to defeat Black Gordman and Goliath  Gordman and Goliath regained the championship, but SD and Tom Jones won the belts back from them on November 18, 1977 S  D  Jones had his first match in the WWWF on April 25, 1974 facing Nikolai Volkoff in Trenton, New Jersey  Jones would continue to wrestle in the WWF (WWWF) as a mid-card babyface who would give the heels a hard time but end up losing  He did, however, win quite a few matches on smaller cards against lower card or fellow mid carders like Ron Shaw and Johnny Rodz  Jones was often featured in tag team matches partnered with Tony Atlas, and the two challenged Mr  Fuji and Mr  Saito for the WWF Tag Team Championship several times in 1981  On one occasion, the two ended up as the final men in a battle royal and flipped a coin to decide the winner, as seen on the WWF Coliseum Video 'Best of the WWF Volume 4' and 'Grand Slams' video cassettes S  D  helped put over Greg Valentine at a 1979 TV taping when Valentine locked in his figure-four leglock and refused to let go, leading to Jones doing a stretcher job and subsequently appearing in Madison Square Garden with his leg in a cast  He was also the tag team partner of André the Giant on November 13, 1984 when André's hair was cut by Ken Patera and Big John Studd  At the inaugural WrestleMania in 1985 he famously lost to King Kong Bundy in an official match time of nine seconds, although the actual time from bell to pinfall was seventeen seconds  In any case, it would stand as the quickest match in WrestleMania history until The Rock defeated Erick Rowan in six seconds at WrestleMania 32 in 2016 Jones was a workhorse for the WWF as he wrestled 240 matches per year during his career and twice wrestled over 300 matches in a single year with (302) in 1978 and (305) in 1984  Despite mainly being used as a preliminary talent in the 1980s WWF, Jones garnered further recognition when LJN created two action figures of him for their Wrestling Superstars toy line  One was yellow with blue palm trees and the other was a red shirt  He also appeared in the WWF's music video for Land of a Thousand Dances  Jones last match was in New York City at Madison Square Garden on October 19, 1990 losing by pinfall against Iron Mike Sharpe 
After WWF, he wrestled for Herb Abrams's Universal Wrestling Federation and Universal Wrestling Superstars in New York City  He retired from the sport in 1995  In 2006, S  D  Jones appeared for the WWE inducting Tony Atlas into the WWE Hall of Fame   S  D  Jones was added to the WWE Hall Of Fame on April 7, 2019 as a legacy inductee 

Personal life and death
After retiring from wrestling, Jones lost a considerable amount of weight and took a job at the New York Daily News  He died in Antigua on October 26, 2008, following a stroke suffered two days earlier Following his death, his wife recalled "On Wednesday, he was laughing and singing and all of that… He went to feed the dogs, and when he came back, he called my name  He said, ‘Kay ’ He showed me his fingers, and the next thing I know, his body went limp  We went to the doctor’s, and he had three-quarters of his brain bleeding, covered with blood "

Championships and accomplishments
NWA Hollywood Wrestling
NWA Americas Tag Team Championship (3 times) – with Porkchop Cash (1 time) and Tom Jones (2 times)
Universal Superstars of America
USA Tag Team Championship (1 time) - with Tony Atlas
WWE
WWE Hall of Fame (Class of 2019)
Passage 4:
W  Augustus Barratt
W  Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician 

Early life and songs
Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley  In 1893 he won a scholarship for composition to the Royal College of Music 
In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements 
By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover 
He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree  He co-composed with Howard Talbot the successful Kitty Grey (1900) He continued to write songs and to receive recognition for them  The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald 
His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times  It also appeared four times, with different singers, in the 1913 and 1914 Proms 

America
In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:

on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
musical director of The Little Michus (1907), also featuring songs by Barratt;
co-composer of Miss Pocahontas (1907), a musical comedy;
musical director of The Love Cure (1909–1910), a musical romance;
composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst  Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;
musical director of The Quaker Girl (1911–1912);
co-composer and musical director of My Best Girl (1912);
musical director of The Sunshine Girl (1913);
musical director of The Girl who Smiles (1915), a musical comedy;
musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
contributor of a song to The Passing Show of 1918;
composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;
contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
musical director of What's in a Name? (1920), a musical revue

1921 in London
Though domiciled in the US, he made several visits back to England  During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B  Cochran, namely

League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;
Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics

Back to Broadway
Back in the US he returned to Broadway, working as
composer and lyricist of Jack and Jill (1923), a musical comedy;
musical director of The Silver Swan (1929), a musical romance

Radio plays
In later years he wrote plays and operettas mostly for radio, such as:

Snapshots: a radioperetta (1929)
Sushannah and the Brush Wielders: a play in 1 act (1929)
The Magic Voice: a radio series (1933)
Men of Action: a series of radio sketches (1933)
Say, Uncle: a radio series (1933)
Sealed Orders: a radio drama (1934)
Sergeant Gabriel (with Hugh Abercrombie) (1945)

Personal
In 1897 in London he married Lizzie May Stoner  They had one son  In 1904 he emigrated to the US and lived in New York City  His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American  In 1924, he became a naturalized American citizen  He died on 12 April 1947 in New York City 

Note on his first name
The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake  For professional purposes up to about 1900 he appears to have written as "W  Augustus Barratt", and thereafter mostly as simply "Augustus Barratt" 
Passage 5:
Roscoe Arbuckle
Roscoe Conkling "Fatty" Arbuckle (; March 24, 1887 – June 29, 1933) was an American silent film actor, comedian, director, and screenwriter  He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St  John  He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business  Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year (equivalent to $14,608,000 in 2022) 
Arbuckle was the defendant in three widely publicized trials between November 1921 and April 1922 for the rape and manslaughter of actress Virginia Rappe  Rappe had fallen ill at a party hosted by Arbuckle at San Francisco's St  Francis Hotel in September 1921, and died four days later  A friend of Rappe accused Arbuckle of raping and accidentally killing her  The first two trials resulted in hung juries, but Keaton testified for the defense in the third trial, which acquitted Arbuckle  The third jury took the unusual step of giving Arbuckle a written statement of apology for his treatment by the justice system 
Despite Arbuckle's acquittal, the scandal has mostly overshadowed his legacy as a pioneering comedian  At the behest of Adolph Zukor, president of Famous Players–Lasky, his films were banned by motion picture industry censor Will H  Hays after the trial, and he was publicly ostracized  Zukor was faced with the moral outrage of various groups such as the Lord's Day Alliance, the powerful Federation of Women's Clubs and even the Federal Trade Commission to curb what they perceived as Hollywood debauchery run amok and its effect on the morals of the general public   While Arbuckle saw a resurgence in his popularity immediately after his third trial (in which he was acquitted) Zukor decided he had to be sacrificed to keep the movie industry out of the clutches of censors and moralists   Hays lifted the ban within a year, but Arbuckle only worked sparingly through the 1920s  In their deal, Keaton promised to give him 35% of the Buster Keaton Comedies Co  profits  He later worked as a film director under the pseudonym William Goodrich  He was finally able to return to acting, making short two-reel comedies in 1932–33 for Warner Bros 

Arbuckle died in his sleep of a heart attack in 1933 at age 46, reportedly on the day that he signed a contract with Warner Bros  to make a feature film 

Early life
Roscoe Arbuckle was born on March 24, 1887, in Smith Center, Kansas, one of nine children of Mary E  Gordon and William Goodrich Arbuckle  He weighed in excess of 13 pounds (5 9 kg) at birth and his father believed that he was illegitimate, as both parents had slim builds  Consequently, he named him after Senator Roscoe Conkling of New York, a notorious philanderer whom he despised  The birth was traumatic for Mary and resulted in chronic health problems that contributed to her death eleven years later Arbuckle was nearly two when his family moved to Santa Ana, California  He first performed on stage with Frank Bacon's company at age 8 during their performance in Santa Ana  Arbuckle enjoyed performing and continued on until his mother's death in 1898, when he was 11  Arbuckle's father had always treated him harshly and now refused to support him, so he got work doing odd jobs in a hotel  He was in the habit of singing while he worked, and a professional singer heard him and invited him to perform in an amateur talent show  The show consisted of the audience judging acts by clapping or jeering, with bad acts pulled off the stage by a shepherd's crook  Arbuckle sang, danced, and did some clowning around, but he did not impress the audience  He saw the crook emerging from the wings and somersaulted into the orchestra pit in obvious panic  The audience went wild, and he won the competition and began a career in vaudeville 

Career
In 1904, Sid Grauman invited Arbuckle to sing in his new Unique Theater in San Francisco, beginning a long friendship between the two  He then joined the Pantages Theatre Group touring the West Coast and in 1906 played the Orpheum Theater in Portland, Oregon, in a vaudeville troupe organized by Leon Errol  Arbuckle became the main act and the group took their show on tour On August 6, 1908, Arbuckle married Minta Durfee (1889–1975), the daughter of Charles Warren Durfee and Flora Adkins  Durfee starred in many early comedy films, often with Arbuckle  They made a strange couple, as Minta was short and petite while Arbuckle tipped the scales at 300 lbs (136 kg)  Arbuckle then joined the Morosco Burbank Stock vaudeville company and went on a tour of China and Japan, returning in early 1909 Arbuckle began his film career with the Selig Polyscope Company in July 1909 when he appeared in Ben's Kid  He appeared sporadically in Selig one-reelers until 1913, moved briefly to Universal Pictures, and became a star in producer-director Mack Sennett's Keystone Cops comedies  Although his large size was undoubtedly part of his comedic appeal, Arbuckle was self-conscious about his weight and refused to use it to get "cheap" laughs like getting stuck in a doorway or chair Arbuckle was a talented singer  After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "give up this nonsense you do for a living, with training you could become the second greatest singer in the world "

Screen comedian
Despite his physical size, Arbuckle was remarkably agile and acrobatic



ground_truth: Monster On The Campus

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Do Nick Varner and Carl Duser share the same nationality?

The following are given passages.
Context 2: 

Biography
He was born in Oslo to Petter Oskar Varner (1903–65)  and Solveig Kleve (1904–77) 
In 1962, he established his first clothing store on Thorvald Meyersgate in Grünerløkka in Oslo 
In 1965, Varner opened two more stores in Oslo and Trondheim  
In 1967 he founded the Dressmann chain of men's clothing stores 
In 1985 he entered women's clothing, with the launch of Carlings  
In 1989, Varner acquired an owner's share of more than 90 percent in Jonas Øglænd AS 
This was followed by the purchase of Cubus (1989), Bik Bok (1991) and Vivikes (1994)  In 1994 he also started the chain Varners 

Personal life
He settled in Asker  
He married Turid Iversen in 1961  
They were the parents of three sons 
He died in Oslo during 2001 
Passage 4:
Lacordaire
Lacordaire is a surname  Notable people with the surname include:

Jean Théodore Lacordaire (1801–1870), Belgian entomologist
Jean-Baptiste Henri Lacordaire (1802–1861), French preacher

See also
Colegio Lacordaire
Lacordaire Academy
Passage 5:
George Augustus
Multiple people share the name George Augustus:

George Augustus Eliott, 1st Baron Heathfield
George Augustus Sala
George Augustus Selwyn, bishop 
George II of Great Britain was earlier known as Prince George Augustus
George IV of the United Kingdom's full name was George Augustus Frederick
Passage 6:
Anisopus
Several genera share the name Anisopus:

Anisopus (fly), Meigen, 1803, in the family Anisopodidae
Anisopus (plant), N E Br 1895, in the family Apocynaceae
Ovalipes, a genus of crab, formerly Anisopus De Haan, 1833, a junior homonym of Anisopus Meigen, 1803
Passage 7:
David Ji
David Longfen Ji is an American businessman who co-founded Apex Digital, an electronics manufacturer In 2004, he was arrested in China following a dispute with Sichuan Changhong Electric, a supplier owned by the city of Mianyang and the province of Sichuan  Changhong accused him of defrauding them through bad checks  Ji was taken, according to an account by his lawyer, to the senior management and told, "I decide whether you live or die " He has been held in China without charges 
Ji's case highlighted an "implicit racism" in dealings with American businessmen  As a U S  citizen he was not granted the same treatment by authorities as non-ethnically Chinese businessmen sharing the same nationality 
Passage 8:
Rice Family Cemetery
The Rice Family Cemetery is a historic cemetery at the junction of United States Route 65 and Arkansas Highway 388 in rural Varner, Arkansas   The small cemetery is the burial site of Robert R  Rice, one of the early settlers of Varner and a prominent race horse enthusiast   The cemetery contains seventeen graves, eleven of which are marked, dating from 1870 to 1965   In addition to members of the Rice family, it also holds graves of the Varner and Douglas families, also associated with the area's early history The cemetery was listed on the National Register of Historic Places in 2003 

See also
National Register of Historic Places listings in Lincoln County, Arkansas
Passage 9:
Dugès
Dugès is a surname  Notable people with the surname include:

Antoine Louis Dugès (1797–1838), French obstetrician and naturalist
Alfredo Dugès (1826–1910), French-born Mexican physician and naturalist, son of Antoine
Marie Jonet Dugès (1730–1797), French midwife
Passage 10:
Carl Duser
Carl Robert Duser (July 22, 1932 – January 5, 2023) was an American Major League Baseball pitcher  He played for the Kansas City Athletics during the 1956 and 1958 seasons  He attended Weatherly Area High School, in Pennsylvania 
Duser honorably served his country in the United States Army during the Korean War  He was employed by the Bethlehem Steel as a sales executive for over 27 years until retiring  He was an accomplished professional baseball player including pitching for the Kansas City Athletics from 1956 to 1958, when his career was cut short by an unfortunate automobile accident  He was a Caribbean World Series champion and was inducted into the Baseball Hall of Fame in Pennsylvania  He struck out murder's row which is the top 3 Yankees where he struck out all 3 in a row including Mickey Mantle Duser died in Sayre, Pennsylvania, on January 5, 2023, at the age of 90 
Context 3:  Mack Sennett, when recounting his first meeting with Arbuckle, noted that he "skipped up the stairs as lightly as Fred Astaire" and that he "without warning went into a feather light step, clapped his hands and did a backward somersault as graceful as a girl tumbler"  His comedies are noted as rollicking and fast-paced, have many chase scenes, and feature sight gags  Arbuckle was fond of the "pie in the face", a comedy cliché that has come to symbolize silent-film-era comedy itself  The earliest known pie thrown in film was in the June 1913 Keystone one-reeler A Noise from the Deep, starring Arbuckle and frequent screen partner Mabel Normand In 1914, Paramount Pictures made the then unheard-of offer of US$1,000 a day plus twenty-five percent of all profits and complete artistic control to make movies with Arbuckle and Normand  The movies were so lucrative and popular that in 1918 they offered Arbuckle a three-year, $3 million contract (equivalent to about $58,000,000 in 2022 dollars) By 1916, Arbuckle was experiencing serious health problems  An infection that developed on his leg became a carbuncle so severe that doctors considered amputation  Although Arbuckle was able to keep his leg, he was prescribed morphine against the pain; he would later be accused of being addicted to it  Following his recovery, Arbuckle started his own film company, Comique, in partnership with Joseph Schenck  Although Comique produced some of the best short pictures of the silent era, Arbuckle transferred his controlling interest in the company to Buster Keaton in 1918 and accepted Paramount's $3 million offer to make up to 18 feature films over three years Arbuckle disliked his screen nickname  "Fatty" had also been Arbuckle's nickname since school; "It was inevitable", he said  Fans also called Roscoe "The Prince of Whales" and "The Balloonatic"  However, the name Fatty identifies the character that Arbuckle portrayed on-screen (usually a naive hayseed), not Arbuckle himself  When Arbuckle portrayed a female, the character was named "Miss Fatty", as in the film Miss Fatty's Seaside Lovers  Arbuckle discouraged anyone from addressing him as "Fatty" off-screen, and when they did so his usual response was, "I've got a name, you know "

Scandal
On September 5, 1921, Arbuckle took a break from his hectic film schedule and, despite suffering from second-degree burns to both buttocks from an on-set accident, drove to San Francisco with two friends, Lowell Sherman and Fred Fishback  The three checked into three rooms at the St  Francis Hotel: 1219 for Arbuckle and Fishback to share, 1221 for Sherman, and 1220 designated as a party room  Several women were invited to the suite  During the carousing, a 30-year-old aspiring actress named Virginia Rappe was found seriously ill in room 1219 and was examined by the hotel doctor, who concluded her symptoms were mostly caused by intoxication and gave her morphine to calm her  Rappe was not hospitalized until two days after the incident 
At the hospital, Rappe's companion at the party, Bambina Maude Delmont, told a doctor that Arbuckle had raped her friend  The doctor examined Rappe but found no evidence of rape  She died one day after her hospitalization from peritonitis caused by a ruptured bladder  Rappe suffered from chronic urinary tract infections, a condition that liquor irritated dramatically  
Delmont then told police that Arbuckle had raped Rappe; the police concluded that the impact of Arbuckle's overweight body lying on top of Rappe had eventually caused her bladder to rupture  At a later press conference, Rappe's manager, Al Semnacher, accused Arbuckle of using a piece of ice to simulate sex with Rappe, thus leading to her injuries  By the time the story was reported in newspapers, the object had evolved into a Coca-Cola or champagne bottle rather than a piece of ice  In fact, witnesses testified that Arbuckle rubbed the ice on Rappe's stomach to ease her abdominal pain  Arbuckle denied any wrongdoing  Delmont later made a statement incriminating Arbuckle to the police in an attempt to extort money from Arbuckle's attorneys Arbuckle's trial was a major media event  The story was fueled by yellow journalism, with the newspapers portraying Arbuckle as a gross lecher who used his weight to overpower innocent girls  William Randolph Hearst's nationwide newspaper chain exploited the situation with exaggerated and sensationalized stories   Hearst was gratified by the profits he accrued during the Arbuckle scandal, and he allegedly said that it had "sold more newspapers [   ] than when the Lusitania went down " Morality groups called for Arbuckle to be sentenced to death  The resulting scandal destroyed Arbuckle's career along with his personal life 
Arbuckle was regarded by those who knew him closely as a good-natured man who was shy around women; he has been described as "the most chaste man in pictures"  However, studio executives, fearing negative publicity by association, ordered Arbuckle's industry friends and fellow actors (whose careers they controlled) not to publicly speak up for him  Charlie Chaplin, who was in Britain at the time, told reporters that he could not and would not believe Arbuckle had anything to do with Rappe's death; having known Arbuckle since they both worked at Keystone in 1914, Chaplin "knew Roscoe to be a genial, easy-going type who would not harm a fly " Buster Keaton reportedly did make one public statement in support of Arbuckle's innocence, a decision which earned him a mild reprimand from the studio where he worked  Film actor William S  Hart, who had never met or worked with Arbuckle, made a number of damaging public statements in which he presumed that Arbuckle was guilty  Arbuckle later wrote a premise for a film parodying Hart as a thief, bully, and wife beater, which Keaton purchased from him  The resulting film, The Frozen North, was released in 1922, almost a year after the scandal first emerged  Keaton co-wrote, directed and starred in the picture; consequently, Hart refused to speak to Keaton for many years 

Trials
The prosecutor, San Francisco District Attorney Matthew Brady, an intensely ambitious man who planned to run for governor, made public pronouncements of Arbuckle's guilt and pressured witnesses to make false statements  Brady at first used Delmont as his star witness during the indictment hearing  The defense obtained a letter from Delmont admitting to a plan to extort payment from Arbuckle  In view of Delmont's constantly changing story, her testimony would have ended any chance of going to trial  Ultimately, the judge found no evidence of rape  After hearing testimony from one of the party guests, Zey Prevon, that Rappe told her "Roscoe hurt me" on her deathbed, the judge decided that Arbuckle could be charged with first-degree murder  Brady had originally planned to seek the death penalty  The charge was later reduced to manslaughter 

First trial
On September 17, 1921, Arbuckle was arrested and arraigned on charges of manslaughter  He arranged bail after nearly three weeks in jail  The trial began November 14, 1921, in the city courthouse in San Francisco  Arbuckle hired as his lead defense counsel Gavin McNab, a competent local attorney  The principal witness was Prevon  At the beginning of the trial Arbuckle told his already-estranged wife, Minta Durfee, that he did not harm Rappe; she believed him and appeared regularly in the courtroom to support him  Public feeling was so negative that Durfee was later shot at while entering the courthouse Brady's first witnesses during the trial included Betty Campbell, a model, who attended the party and testified that she saw Arbuckle with a smile on his face hours after the alleged rape occurred; Grace Hultson, a local hospital nurse who testified it was very likely that Arbuckle raped Rappe and bruised her body in the process; and Dr  Edward Heinrich, a local criminologist who claimed that the fingerprints on the door to the hallway proved that Rappe had tried to flee, but that Arbuckle had stopped her by putting his hand over hers  Dr  Arthur Beardslee, the hotel doctor who had examined Rappe, testified that an external force seemed to have damaged the bladder  During cross-examination, however, Campbell revealed that Brady had threatened to charge her with perjury if she did not testify against Arbuckle  Dr  Heinrich's claim to have found fingerprints was cast into doubt after McNab produced a maid from the St  Francis Hotel who testified that she had thoroughly cleaned the room before the investigation took place  Dr  Beardslee admitted that Rappe had never mentioned being assaulted while he was treating her  McNab was furthermore able to get Nurse Hultson to admit that the rupture of Rappe's bladder could very well have been a result of cancer, and that the bruises on her body could also have been a result of the heavy jewelry she was wearing that evening On November 28, Arbuckle testified as the defense's final witness  He was simple, direct, and unflustered in both direct and cross-examination  In his testimony, Arbuckle claimed that Rappe (whom he testified he had known for five or six years) came into the party room (1220) around noon that day, and that sometime afterward he went to his room (1219) to change clothes after Mae Taub, daughter-in-law of Billy Sunday, asked him for a ride into town  In his room, Arbuckle discovered Rappe in the bathroom vomiting into the toilet  He then claimed Rappe told him she felt ill and asked to lie down, and that he carried her into the bedroom and asked a few of the party guests to help treat her  When Arbuckle and a few of the guests re-entered the room, they found Rappe on the floor near the bed tearing at her clothing and going into violent convulsions  To calm Rappe down, they placed her in a bathtub of cool water  Arbuckle and Fischbach then took her to room 1227 and called the hotel manager and doctor  At this point all those present thought Rappe was just very drunk, including the hotel doctors  Probably assuming Rappe would simply sleep it off, Arbuckle drove Taub into town During the whole trial, the prosecution presented medical descriptions of Rappe's bladder as evidence that she had an illness  In his testimony, Arbuckle denied he had any knowledge of Rappe's illness  During cross-examination, Assistant District Attorney Leo Friedman aggressively grilled Arbuckle over the fact that he refused to call a doctor when he found Rappe sick, and argued that he refused to do so because he knew of Rappe's illness and saw a perfect opportunity to rape and kill her  Arbuckle calmly maintained that he never physically hurt or sexually assaulted Rappe in any way during the party, and he also stated that he never made any inappropriate sexual advances against any woman in his life  After over two weeks of testimony with sixty prosecution and defense witnesses, including eighteen doctors who testified about Rappe's illness, the defense rested  On December 4, 1921, the jury returned five days later deadlocked after nearly forty-four hours of deliberation with a 10–2 not guilty verdict, and a mistrial was declared Arbuckle's attorneys later concentrated their attention on one woman named Helen Hubbard, who had told jurors that she would vote guilty "until hell freezes over"  She refused to look at the exhibits or read the trial transcripts, having made up her mind in the courtroom  Hubbard's husband was a lawyer who did business with the D A 's office, and expressed surprise that she was not challenged when selected for the jury pool  While much attention was paid to Hubbard after the trial, some former jury members told reporters that they believed that Arbuckle was indeed guilty, but not beyond a reasonable doubt  During the deliberations, some jurors joined Hubbard in voting to convict, but they all recanted except for Thomas Kilkenny  Arbuckle researcher Joan Myers describes the political climate and the media attention to the presence of women on juries (which had only been legal for four years at the time) and how Arbuckle's defense immediately singled out Hubbard as a villain; Myers also records Hubbard's account of the jury foreman August Fritze's attempts to bully her into changing her vote to 'not guilty'  While Hubbard offered explanations on her vote whenever challenged, Kilkenny remained silent and quickly faded from the media spotlight after the trial ended 

Second trial
The second trial began January 11, 1922, with a new jury, but with the same legal defense and prosecution as well as the same presiding judge  The same evidence was presented, but this time one of the witnesses, Zey Prevon, testified that Brady had forced her to lie  Another witness who testified during the first trial, a former Culver Studios security guard named Jesse Norgard, testified that Arbuckle had once shown up at the studio and offered him a cash bribe in exchange for the key to Rappe's dressing room  The comedian supposedly said he wanted it to play a joke on the actress  Norgard said he refused to give him the key  During cross-examination, Norgard's testimony was called into question when he was revealed to be an ex-convict who was currently charged with sexually assaulting an eight-year-old girl, and who was also looking for a sentence reduction from Brady in exchange for his testimony  Further, in contrast to the first trial, Rappe's history of promiscuity and heavy drinking was detailed  The second trial also discredited some major evidence such as the identification of Arbuckle's fingerprints on the hotel bedroom door: Heinrich took back his earlier testimony from the first trial and testified that the fingerprint evidence was likely faked  The defense was so convinced of an acquittal that Arbuckle was not called to testify  His lawyer, McNab, made no closing argument to the jury  However, some jurors interpreted the refusal to let Arbuckle testify as a sign of guilt  After five days and over forty hours of deliberation, the jury returned on February 3, deadlocked with a 10–2 majority in favour of conviction, resulting in another mistrial 

Third trial
By the time of Arbuckle's third trial, his films had been banned, and newspapers had been filled for the past seven months with stories of Hollywood orgies, murder, and sexual perversion  Delmont was touring the country giving one-woman shows as, "The woman who signed the murder charge against Arbuckle", and lecturing on the evils of Hollywood 
The third trial began March 13, 1922, and this time the defense took no chances  McNab took an aggressive defense, completely tearing apart the prosecution's case with long and aggressive examination and cross-examination of each witness  McNab also managed to get in still more evidence about Rappe's lurid past and medical history  Another hole in the prosecution's case was opened because Prevon, a key witness, was out of the country after fleeing police custody and unable to testify  As in the first trial, Arbuckle testified as the final witness and again maintained his denials in his heartfelt testimony about his version of the events at the party  Buster Keaton is said to have been in the courtroom and provided important evidence to prove Arbuckle's innocence; Delmont was involved in prostitution, extortion, and blackmail  During closing statements, McNab reviewed how flawed the case was against Arbuckle from the very start and how Brady fell for the outlandish charges of Delmont, whom McNab described as "the complaining witness who never witnessed"  The jury began deliberations April 12 and took only six minutes to return with a unanimous not-guilty verdict; five of those minutes were spent writing a formal statement of apology to Arbuckle for putting him through the ordeal, a dramatic move in American justice  The jury statement as read by the jury foreman stated:

Acquittal is not enough for Roscoe Arbuckle  We feel that a great injustice has been done him  We feel also that it was only our plain duty to give him this exoneration, under the evidence, for there was not the slightest proof adduced to connect him in any way with the commission of a crime  He was manly throughout the case and told a straightforward story on the witness stand, which we all believed  The happening at the hotel was an unfortunate affair for which Arbuckle, so the evidence shows, was in no way responsible  We wish him success and hope that the American people will take the judgment of fourteen men and woman who have sat listening for thirty-one days to evidence, that Roscoe Arbuckle is entirely innocent and free from all blame 
After the reading of the apology statement, the jury foreman personally handed the statement to Arbuckle, who kept it as a treasured memento for the rest of his life  Then, one by one, the 12-person jury plus the two jury alternates walked up to Arbuckle's defense table, where they shook his hand and/or embraced and personally apologized to him  The entire jury proudly posed with Arbuckle for photographers after the verdict and apology Some experts later concluded that Rappe's bladder might also have ruptured as a result of an abortion she might have had a short time before the fateful party  Her organs had been destroyed and it was now impossible to test for pregnancy  Because alcohol was consumed at the party, Arbuckle was forced to plead guilty to one count of violating the Volstead Act and had to pay a $500 fine  At the time of his acquittal, he owed over $700,000 (equivalent to approximately $12,200,000 in 2022 dollars) in legal fees to his attorneys for the three criminal trials, and he was forced to sell his house and all of his cars to pay some of the debt The scandal and trials had greatly damaged Arbuckle's popularity among the general public  In spite of the acquittal and the apology, his reputation was not restored and the effects of the scandal continued  Will H  Hays, who served as the head of the newly formed Motion Pictures Producers and Distributors of America (MPPDA) censor board, cited Arbuckle as an example of the poor morals in Hollywood  On April 18, 1922, six days after Arbuckle's acquittal, Hays banned him from ever working in U S  movies again



ground_truth: yes

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director born later, The Wind'S Fierce or Special Delivery (1927 Film)?

The following are given passages.
Context 3:  He had also requested that all showings and bookings of Arbuckle films be canceled, and exhibitors complied  In December of the same year, under public pressure, Hays elected to lift the ban  However, Arbuckle was still unable to secure work as an actor Most exhibitors still declined to show Arbuckle's films, several of which now have no copies known to have survived intact  One of Arbuckle's feature-length films known to survive is Leap Year, which Paramount declined to release in the U S  owing to the scandal  It was eventually released in Europe  With Arbuckle's films now banned, in March 1922 Keaton signed an agreement to give Arbuckle thirty-five percent of all future profits from his production company, Buster Keaton Comedies, in hopes of easing his financial situation 

Aftermath
In November 1923, Minta Durfee filed for divorce from Arbuckle, charging grounds of desertion  The divorce was granted the following January  They had been separated since 1921, though Durfee always claimed he was the nicest man in the world and they were still friends  After a brief reconciliation, Durfee again filed for divorce, this time while in Paris, in December 1924  Arbuckle married Doris Deane on May 16, 1925 Arbuckle tried returning to filmmaking, but industry resistance to distributing his pictures continued to linger after his acquittal  He retreated into alcoholism  In the words of his first wife, "Roscoe only seemed to find solace and comfort in a bottle"  Keaton attempted to help Arbuckle by giving him work on his films  Arbuckle wrote the story for a Keaton short called Day Dreams (1922)  Arbuckle allegedly co-directed scenes in Keaton's Sherlock Jr  (1924), but it is unclear how much of this footage remained in the film's final cut  In 1925, Carter DeHaven's short Character Studies, shot before the scandal, was released  Arbuckle appeared alongside Keaton, Harold Lloyd, Rudolph Valentino, Douglas Fairbanks, and Jackie Coogan  The same year, in Photoplay's August issue, James R  Quirk wrote: "I would like to see Roscoe Arbuckle make a comeback to the screen " He also said: "The American nation prides itself upon its spirit of fair play  We like the whole world to look upon America as the place where every man gets a square deal  Are you sure Roscoe Arbuckle is getting one today? I'm not "

William Goodrich pseudonym
Eventually, Arbuckle worked as a director under the pseudonym "William Goodrich"  Author David Yallop cites Arbuckle's father's full name as William Goodrich Arbuckle as the inspiration behind the alias  Another tale credits Keaton, an inveterate punster, with suggesting that Arbuckle become a director under the alias "Will B  Good"  The pun being too obvious, Arbuckle adopted the more formal pseudonym "William Goodrich"  Keaton himself told this story during a recorded interview with Kevin Brownlow in the 1960s Between 1924 and 1932, Arbuckle directed a number of comedy shorts under the pseudonym for Educational Pictures, which featured lesser-known comics of the day  Louise Brooks, who played the ingenue in Windy Riley Goes Hollywood (1931), told Brownlow of her experiences in working with Arbuckle:

He made no attempt to direct this picture  He just sat in his director's chair like a dead man  He had been very nice and sweetly dead ever since the scandal that ruined his career  But it was such an amazing thing for me to come in to make this broken-down picture, and to find my director was the great Roscoe Arbuckle  Oh, I thought he was magnificent in films  He was a wonderful dancer—a wonderful ballroom dancer, in his heyday  It was like floating in the arms of a huge doughnut—really delightful 
Among the more visible directorial projects under the Goodrich pseudonym was the Eddie Cantor feature Special Delivery (1927), which was released by Paramount and co-starred William Powell and Jobyna Ralston  His highest-profile project was arguably The Red Mill, also released in 1927, a Marion Davies vehicle 

Roscoe Arbuckle's Plantation Café
Arbuckle and Dan Coombs, one of Culver City's first mayors, re-opened the Plantation Club near the Metro-Goldwyn-Mayer studios on Washington Boulevard as Roscoe Arbuckle's Plantation Café on August 2, 1928  By 1930, Arbuckle sold his interest and it became known as George Olsen's Plantation Café, later The Plantation Trailer Court and then Foreman Phillips County Barn Dance 

Second divorce and third marriage
In 1929, Doris Deane sued for divorce from Arbuckle in Los Angeles, charging desertion and cruelty  On June 21, 1932, Roscoe married Addie Oakley Dukes McPhail (later Addie Oakley Sheldon, 1905–2003) in Erie, Pennsylvania 

Brief comeback and death
In 1932, Arbuckle signed a contract with Warner Bros  to star under his own name in a series of six two-reel comedies, to be filmed at the Vitaphone studios in Brooklyn, New York  These six short films constitute the only recordings of Arbuckle's voice  Silent-film comedian Al St  John (Arbuckle's nephew) and actors Lionel Stander and Shemp Howard appeared with Arbuckle  One of the films (How've You Bean?) had grocery-store gags reminiscent of Arbuckle's 1917 short The Butcher Boy, with vaudeville comic Fritz Hubert as his assistant, dressed like Buster Keaton  The Vitaphone shorts were very successful in America, although when Warner Bros  attempted to release the first one (Hey, Pop!) in the United Kingdom, the British Board of Film Censors cited the ten-year-old scandal and refused to grant an exhibition certificate On June 28, 1933, Arbuckle had finished filming the last of the two-reelers (four of which had already been released)  The next day he signed a contract with Warner Bros  to star in a feature-length film  That night he went out with friends to celebrate his first wedding anniversary and the new Warner Bros  contract when he reportedly said: "This is the best day of my life " He suffered a heart attack later that night and died in his sleep  He was 46  His widow Addie requested that his body be cremated, as that was Arbuckle's wish 

Legacy
Many of Arbuckle's films, including the feature The Life of the Party (1920), survive only as worn prints with foreign-language inter-titles  As with most American films produced during the silent era, little or no effort was made to preserve original negatives and prints during Hollywood's first two decades, making most films that included him  lost media or lost films  However, it is likely that due to the reputation Arbuckle received around the rape and death of Virginia Rappe, that many studios wished to avoid any negative backlash and purposely destroyed any surviving films which he had a starring role in 
 By the early 21st century, some of Arbuckle's short subjects (particularly those co-starring Chaplin or Keaton) had been restored, released on DVD, and even screened theatrically  His early influence on American slapstick comedy is widely recognised For his contributions to the film industry, in 1960, some 27 years after his death, Arbuckle was awarded a star on the Hollywood Walk of Fame located at 6701 Hollywood Boulevard 

In popular culture
Neil Sedaka refers to Arbuckle, along with Charlie Chaplin, Buster Keaton, Stan Laurel, and Oliver Hardy in his 1971 song "Silent Movies", as heard on his Emergence album The James Ivory film The Wild Party (1975) has been repeatedly but incorrectly cited as a film dramatization of the Arbuckle–Rappe scandal  In fact it is loosely based on the 1926 poem by Joseph Moncure March  In this film, James Coco portrays a heavy-set silent film comedian named Jolly Grimm whose career is on the skids, but who is desperately planning a comeback  Raquel Welch portrays his mistress, who ultimately goads him into shooting her  This film was loosely based on the misconceptions surrounding the Arbuckle scandal, yet it bears almost no resemblance to the documented facts of the case In Ken Russell's 1977 biopic Valentino, Rudolph Nureyev as a pre-movie star Rudolph Valentino dances in a nightclub before a grossly overweight, obnoxious, and hedonistic celebrity called "Mr  Fatty" (played by William Hootkins), a caricature of Arbuckle rooted in the public view of him created in popular press coverage of the Rappe rape trial  In the scene, Valentino picks up starlet Jean Acker (played by Carol Kane) off a table in which she is sitting in front of Fatty and dances with her, enraging the spoiled star, who becomes apoplectic Before his death in 1997, comedian Chris Farley expressed interest in starring as Arbuckle in a biography film  According to the 2008 biography The Chris Farley Show: A Biography in Three Acts, Farley and screenwriter David Mamet agreed to work together on what would have been Farley's first dramatic role  In 2007, director Kevin Connor planned a film, The Life of the Party, based on Arbuckle's life  It was to star Chris Kattan and Preston Lacy  However, the project was shelved  Like Farley, comedians John Belushi and John Candy also considered playing Arbuckle, but each of them died before a biopic was made  Farley's film was signed with Vince Vaughn as his co-star In April and May 2006, the Museum of Modern Art in New York City mounted a 56-film, month-long retrospective of all of Arbuckle's known surviving work, running the entire series twice Arbuckle is the subject of a 2004 novel titled I, Fatty by author Jerry Stahl  The Day the Laughter Stopped by David Yallop and Frame-Up! The Untold Story of Roscoe "Fatty" Arbuckle by Andy Edmonds are other books on Arbuckle's life  The 1963 novel Scandal in Eden by Garet Rogers is a fictionalized version of the Arbuckle scandal Fatty Arbuckle's was an American-themed restaurant chain in the UK named after Arbuckle The 2009 novel Devil's Garden is based on the Arbuckle trials  The main character in the story is Dashiell Hammett, a Pinkerton detective in San Francisco at the time of the trials NOFX's 2012 album Self Entitled has a song called "I, Fatty" about Arbuckle The 2021 French graphic novel Fatty : le premier roi d'Hollywood, by Nadar and Julien Frey, portrays the period from Arbuckle's early days in Hollywood to his death 

Filmography
See also
List of actors with Hollywood Walk of Fame motion picture stars
List of American comedy films

Notes
Passage 6:
Special Delivery (1927 film)
Special Delivery is a 1927 American silent comedy film directed by Roscoe Arbuckle starring Eddie Cantor, Jobyna Ralston and William Powell  It was written by Cantor, John F  Goodrich, and George Marion Jr  (with Larry Semon, uncredited)  It was released by Paramount Pictures  The film's copyright was renewed in 1954, so it entered the public domain in the United States on January 1, 2023 

Plot
Eddie, a mailman, is in love with waitress Madge but finds amongst his rivals for her affections the dishonest promoter Harold Jones  Eddie, who cannot dance, impresses Madge at the postal ball by his energetic performance of the Black Bottom after a piece of ice falls down his shirt and wins a cup  He eventually unmasks Harold as a crooked swindler 

Cast
Eddie Cantor as Eddie, The Mail Carrier
Jobyna Ralston as Madge, The Girl
William Powell as Harold Jones
Donald Keith as Harrigan, The Fireman
Jack Dougherty as Flannigan, a cop
Victor Potel as Nip, a detective
Paul Kelly as Tuck, another detective
Mary Carr as The Mother
Marilyn Cantor Baker as Extra (uncredited) (as Marilyn Cantor)
Marjorie Cantor as Extra (uncredited)
Tiny Doll as Baby on Eddie's Route (uncredited)
Robert Livingston as Extra at Postal Ball (uncredited)
Natalie Cantor Metzger as Extra (uncredited) (as Natalie Cantor)
Spec O'Donnell as Office Boy (uncredited)

See also
Fatty Arbuckle filmography
Passage 7:
Mario Camus
Mario Camus García (20 April 1935 – 18 September 2021) was a Spanish film director and screenwriter  He won the  Golden Bear at the 33rd Berlin International Film Festival with La colmena  His 1987 film The House of Bernarda Alba was screened in the Un Certain Regard section at the 1987 Cannes Film Festival and in the main competition at the 15th Moscow International Film Festival  His 1993 film Shadows in a Conflict was entered into the 18th Moscow International Film Festival 

Filmography
Passage 8:
Special Delivery (1955 film)
Special Delivery (German: Vom Himmel gefallen) is a 1955 American–West German comedy film, directed by John Brahm  It stars Joseph Cotten and Eva Bartok  Special Delivery was filmed simultaneously in an English- and German-language version 

Plot
Somewhere behind the Iron Curtain, mid 1950s  John Adams is a US embassy chargé d'affaires in a communist country in Eastern Europe  One day he has to deal with a very special case: in the front yard of the embassy, a baby has been laid down, as if it had "fallen from heaven"! Nobody knows how it got there, nobody saw the person who put it there  A found object in the front yard of the embassy is not all that unusual, because many a person persecuted by the regime has thrown something over the embassy fence so that it does not fall into the hands of the communist cultural barbarians  For the embassy, with its six exclusively male employees, the baby poses a serious problem: what to do? The government of the Eastern European country immediately demands the extradition of the young "citizen" and immediately sends a stubborn state representative, Comrade Kovacs  Adams, on the other hand, decides to stonewall and not hand the baby over to the communists  In order to ensure the care of the little one, who is simply called Sam after Uncle Sam, the host country also provides its own nanny  Sonja Novaswobida, as she is called, is also supposed to collect further information on site on behalf of her government 
Due to mutual distrust, the men's relationships with the Eastern European state employee initially ranged from difficult to cold, especially since Kovacs turned out to be a particularly tough opponent for Ambassador Adams  He insists on returning the baby to the country as a kind of public property  Adams, however, wants to hand over just that, and instead, with some ironic ulterior motive, gives Adams another find that someone had thrown over the embassy's bridle: a supposedly ingenious, modern musical score that Kovacs plays the piano reluctantly at first, but then enthusiastically after realizing it must, how little the Americans can do with such modern music  Trust in one another begins to develop slowly  Tensions between the two governments are only resolved when the little one's parents are located  They are Olaf, the embassy's Swedish cook, and a woman from the host country who used to work here  Ambassador Adams now ensures in no time at all that marriage papers are issued to the parents, so that the toddler is considered a Swedish citizen and can leave the communist country with the parents in the direction of freedom  Adams' relationship with Sonja also soon goes beyond the purely official: both eventually become a couple 

Cast
Joseph Cotten as John Adams
Eva Bartok as Sonja
Bob Cunningham as Captain Heinikan
René Deltgen as Kovak
Gert Fröbe as Olaf
Bruni Löbel as Lila
Ursula Herking as Madame Debrov

Production
It was filmed simultaneously in English- and German-language versions 

See also
1955 in film
List of comedy films of the 1950s
List of German films 1945–1959
Passage 9:
Sepideh Farsi
Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director 

Early years
Farsi left Iran in 1984 and went to Paris to study mathematics   However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films  A main theme of her works is identity  She still visits Tehran each year 

Awards/Recognition
Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009  She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D  Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT" 

Recent News
One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission)   The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest   It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film   The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”   The  dialogue is in Persian with English and Arabic subtitles  In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival 

Filmography
Red Rose (2014)
Cloudy Greece (2013)
Zire Âb / The house under the water (2010)
Tehran bedoune mojavez / Tehran without permission (2009)
If it were Icarus (2008)
Harat (2007)
Negah / The Gaze (2006)
Khab-e khak / Dreams of Dust (2003)
Safar-e Maryam / The journey of Maryam (2002)
Mardan-e Atash / Men of Fire (2001)
Homi D  Sethna, filmmaker (2000)
Donya khaneye man ast / The world is my home (1999)
Khabe Âb / Water dreams (1997)
Bâd-e shomal / Northwind (1993)
Passage 10:
Special Delivery (2002 film)
Special Delivery (French: C'est le bouquet !) is a 2002 French comedy film directed by Jeanne Labrune 

Cast
Sandrine Kiberlain - Catherine
Jean-Pierre Darroussin - Raphaël
Dominique Blanc - Edith
Mathieu Amalric - Stéphane
Jean-Claude Brialy - Robert Fresnel
Maurice Bénichou - Antoine
Hélène Lapiower - Alice
Dominique Besnehard - Laurent
Richard Debuisne - Emmanuel Kirsch
Gisèle Casadesus - The lady
Didier Bezace - The theater director
László Szabó - The guardian
Lise Lamétrie - The maid



ground_truth: The Wind'S Fierce