prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where does the director of film Man At Bath work at?

The following are given passages.
Context 1: Passage 1:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television 

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University  Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run  He is the son of Fayetteville District Judge Rudy Moore In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003   He was nominated for a 2004 Tony Award for his direction  Moore also directed productions of the musical in Las Vegas and London and the show's national tour  Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008  He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008 Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City  The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011 For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters  As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton  A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998 In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow  He also served as an executive producer on the sequel  He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015  Moore's next project will be directing a live action Archie movie 

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)
Passage 2:
Man at the Top (film)
Man at the Top is a 1973 British drama film directed by Mike Vardy and starring Kenneth Haigh, spun off from the television series Man at the Top, which itself was inspired by the 1959 film Room at the Top and its 1965 sequel Life at the Top 

Plot
Joe Lampton is promoted to managing director of a pharmaceutical company, and becomes involved with Lord Ackerman, the powerful chairman, who is also his father-in-law  But Joe makes a shocking discovery: his predecessor committed suicide because of his involvement in a drug that left 1,000 African women sterile  Joe threatens to reveal all to the press, while Lord Ackerman seeks to persuade him otherwise, by offering him promotion to Chief Executive 

Cast
Kenneth Haigh as Joe Lampton
Nanette Newman as Lady Alex Ackerman
Harry Andrews as Lord Ackerman
William Lucas as Marshall
Clive Swift as Massey
Paul Williamson as Tarrant
John Collin as Wisbech
John Quentin as Digby
Danny Sewell as Weston
Charlie Williams as George Harvey
Anne Cunningham as Mrs  Harvey
Angela Bruce as Joyce
Margaret Heald as Eileen
Mary Maude as Robin Ackerman
Norma West as Sarah Tarrant
John Conteh as Boxer

Production
Filming
Shooting took place from 3 March to 7 April 1973 

Reception
Box office
The film was not a success at the box office 

Critical reception
Monthly Film Bulletin said it was "too much like an episode of a TV series stretched to feature length" "Network on Air" noted the film as, "offering a grittier treatment than the 1959 film adaptation and the subsequent television series" Allmovie noted, " Nanette Newman, a busy doe-eyed ingenue of the 1960s, is quietly effective as the middle-aged Mrs  Lampton "
Passage 3:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 4:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 5:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 6:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 7:
Christophe Honoré
Christophe Honoré (born 10 April 1970) is a French writer and film and theatre director 

Career
Honoré was born in Carhaix, Finistère  After moving to Paris in 1995, he wrote articles in Les Cahiers du Cinéma  He started writing soon after  His 1996 book Tout contre Léo (Close to Leo) talks about HIV and is aimed at young adults; he made it into a film in 2002  He wrote other books for young adults throughout the late 1990s  His first play, Les Débutantes, was performed at Avignon's Off Festival in 1998  In 2005, he returned to Avignon to present Dionysos impuissant in the "In" Festival, with Joana Preiss and Louis Garrel playing the leads 
A well-known director, he is considered an "auteur" in French cinema  His 2006 film Dans Paris has led him to be considered by French critics as the heir to the Nouvelle Vague cinema  In 2007, Les Chansons d'amour was one of the films selected to be in competition at the 2007 Cannes Film Festival  Honoré is openly gay, and some of his movies or screenplays (among them Les Filles ne savent pas nager, Dix-sept fois Cécile Cassard and Les Chansons d'amour) deal with gay or lesbian relations  His film Plaire, aimer et courir vite (Sorry Angel), about a writer who has contracted HIV in the 1990s, won the Louis Delluc Prize for Best Film in 2018  Honoré has been the screenwriter for some of Gaël Morel's films  The actors Louis Garrel and Chiara Mastroianni have each had roles in several of his films 
Honoré has also directed several operas for the stage  For the Opéra de Lyon he directed Poulenc's Dialogues of the Carmelites in 2013,  Debussy's Pelléas et Mélisande in 2015, and Verdi's Don Carlos in 2018  He also presented his production of Mozart's Così fan tutte at the Aix-en-Provence Festival and the Edinburgh Festival in 2016, and Puccini's Tosca at Aix-en-Provence in 2019; both of these productions adopted a radical approach to traditional works In the summer of 2020 Honoré's rehearsals of his stage production of Le Côté de Guermantes, based on the third volume of Proust's In Search of Lost Time, were interrupted by restrictions to combat the COVID-19 epidemic and it became impossible to present it at the Comédie-Française as planned  With his troupe of actors he decided to make a film about the production and the uncertainties they were now facing, and the film Guermantes was released in September 2021 

Filmography
Novels
1995 : Tout contre Léo (jeunesse), turned into a film in 2002
1996 : C'est plus fort que moi (jeunesse)
1997 : Je joue très bien tout seul (jeunesse)
1997 : L'Affaire petit Marcel (jeunesse)
1997 : L’Infamille (Éditions de l'Olivier, ISBN 2-87929-143-7)
1998 : Zéro de lecture (jeunesse)
1998 : Une toute petite histoire d'amour (jeunesse)
1998 : Je ne suis pas une fille à papa (jeunesse)
1999 : Les Nuits où personne ne dort (jeunesse)
1999 : Mon cœur bouleversé  (jeunesse)
1999 : Bretonneries (jeunesse)
1999 : La Douceur (Éditions de L'Olivier, ISBN 2-87929-236-0)

Theatre and opera
Actor
1998: Les Débutantes
2001: Le Pire du troupeau
2004: Beautiful Guys
2005: Dionysos impuissant
2012: La Faculté
2012: Un jeune se tue
2012: Nouveau Roman
2015: Violentes femmes

Director
2009 : Angelo, Tyrant of Padua by Victor Hugo, Festival d'Avignon
2012 : Nouveau Roman, Festival d'Avignon, Théâtre national de la Colline
2013 : Dialogues of the Carmelites by Francis Poulenc, Opéra National de Lyon
2015 : Fin de l'Histoire by Witold Gombrowicz, Théâtre de Lorient
2015 : Pelléas et Mélisande by Claude Debussy, Opéra National de Lyon
2016 : Così fan tutte by Mozart, Aix-en-Provence Festival and Edinburgh International Festival
2018 : Don Carlos by Verdi, Opéra National de Lyon
2019 : Les Idoles by Christophe Honoré, Odéon-Théâtre de l'Europe
2019 : Tosca by Puccini, Aix-en-Provence Festival
Passage 8:
Man at Bath
Man at Bath (French: Homme au bain) is a 2010 French film by Christophe Honoré starring François Sagat and Chiara Mastroianni  The film premiered in competition at Locarno International Film Festival in Switzerland in 2010 and was released in cinemas on 22 September 2010 
This is gay pornographic actor François Sagat's second major role in general release non-pornographic film as Emmanuel after his role in L A  Zombie  Director Christopher Honoré told French gay website Yagg com that he was interested in Sagat because he "redefines the notion of masculinity"  Sagat was the only actor to feature in two competition entries during the festival 

Plot
Right before departing to New York colleges to promote his latest collaborations, Omar (Omar Ben Sellem) goes through yet another impulsive fit from his boyfriend Emmanuel (François Sagat), resulting in rape  Resentful, Omar demands Emmanuel to be gone from his flat located in the outskirts of Paris before his return, and leaves  The two set out to live a separate series of vignettes depicting the ways the former lovers' mourn for each other 
Being a lustful, aspiring filmmaker, Omar sees his touring in upper New York as an opportunity to finally forget Emmanuel, indulging instead in disjointed recordings of his travel  Soon after, his camera work is centered on Dustin (Dustin Segura-Suarez): a young college student who is on vacation from Canada  Omar eagerly befriends and later seduces Dustin, openly portraying their desire for each other on film with an amateurish academic intent  In a matter of days, the artistic intentions in Omar's house movie devolve into a bisexual experience including Omar's professor 
Back in Paris, an animalistic Emmanuel - used to take pride on the universal praise for his body - is left broke and in denial  He resorts instead to shelter himself in Omar's place, living as carefree days as he can muster  Emmanuel goes from demanding unsolicited attentions from an upstairs neighbor who also is one of his clients as a hustler (Dennis Cooper), to hosting sexual encounters with Omar's acquaintances  All without avoiding his growing yearning for the better days with his ex, not even after luring an Omar's look-alike (Sebastian D'Azeglio) back into the apartment  After an intermission in which Emmanuel is confronted with his own collapsing lack of emotionality, he then clumsily refuses the advances of an underage boy who claims to be in need (Andréas Leflamand), nor engages in a bisexual threesome in exchange for a tip he reluctantly accepts from a successful old friend (Kate Moran)  The next day, Emmanuel begrudgingly succumbs to the advances from a teenager (Rabah Zahi), and uses the opportunity to sexually lash out on the boy  Finally, shortly before Omar's return, Emmanuel cries over the improvised mural he started days earlier on one of the walls in the apartment 
Not long after, Omar enters back into his apartment, stopping to contemplate the finished mural drawn by Emmanuel, who is nowhere to be seen 

Cast
François Sagat as Emmanuel
Chiara Mastroianni as Actress
Rabah Zahi as Rabah
Omar Ben Sellem as Omar
Kate Moran as Kate
Lahcen el Mazouzi as Hicham
Andréas Leflamand as Andréas
Ronald Piwele as Ronald
Sebastian D'Azeglio as Man with a moustache
Sébastien Pouderoux as Kate's fiancé
Dennis Cooper as Robin
Dustin Segura-Suarez
Passage 9:
Paul Scheuring
Paul T  Scheuring (born November 20, 1968) is an American screenwriter and director of films and television shows  His work includes the 2003 film A Man Apart and the creation of the television drama Prison Break, for which he was also credited as an executive producer and head writer 

Early life
Scheuring was born in Aurora, Illinois  Before his success, he had attended the UCLA School of Theater Film and Television and has worked as a courier cable installer and factory worker 

Career
After working on 36K in 2000 and A Man Apart in 2003, Scheuring made his first attempt to be a television show writer  After developing an idea given to him by a female colleague into a miniseries screenplay called Prison Break, he approached the Fox network with the script but was turned down due to its unconventional storyline  However, in 2004, after the successful premiere of Lost, Fox backed Prison Break's production and the first episode was aired approximately twenty months after Scheuring had written the script  The series proceeded to win the 2006 People's Choice Award for Favorite New TV Drama and was nominated for Best Drama Television Series at the 2006 Golden Globe Awards  Moreover, Prison Break was picked up by Fox for three more seasons  In 2005, he signed an overall deal with 20th Century Fox  He runs a production company, One Light Road Productions Scheuring has also co-written Mexicali, which was scheduled for release in 2010 

Future projects
Following the completion of Prison Break, Scheuring began production of AR2, a drama co-developed with The West Wing director/exec producer Thomas Schlamme  The series is about a group of Midwestern youths who spark a second American Revolution  AR2 will explore how the revolting college students -- as well as the military and the law enforcement officers who oppose them -- perceive patriotism  Scheuring lessened his work on Fox's Prison Break to focus on development and features through his Mercator Pictures, which he operates with partner Matt Fiorello  He has also produced Masterwork, a drama pilot script for Fox and 20th TV, and the Inferno-produced feature The Experiment 
Scheuring was also confirmed to be the writer for Halo: Nightfall  A 5 episode series which is based upon the video game franchise connecting the story line between Halo 4 and Halo 5: Guardians

Filmography
Passage 10:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Context 2: Passage 1:
Our Agent Tiger
Le tigre se parfume à la dynamite (Our Agent Tiger) is a 1965 secret agent spy film directed by Claude Chabrol and starring and written by Roger Hanin as the Tiger  It is a sequel to the 1964 film Le Tigre aime la chair fraiche 

Plot
The Tiger is sent to oversee the excavation of a sunken ship  While busy retrieving the gold treasure inside the vessel, The Tiger is constantly thwarted by international enemies  Among them is an old Nazi named Hans von Wunchendorf who dreams of world domination  He hides behind the codename "The Orchid" and needs the treasure to sustain a worldwide network of exiled former comrades  Once sanified by the gold his organisation plans to realise the endsieg after all 

Cast
Roger Hanin as Louis Rapière, "le Tigre"
Margaret Lee as Pamela Mitchum / Patricia Johnson
Michel Bouquet as Jacques Vermorel
Micaela Pignatelli as Sarita Sanchez
Carlos Casaravilla as Ricardo Sanchez
José Nieto as Pepe Nieto
José María Caffarel as Colonel Pontarlier
George Rigaud as Commander Damerec

Bibliography
Blake, Matt; Deal, David (2004)  The Eurospy Guide  Baltimore: Luminary Press  ISBN 1-887664-52-1 
Passage 2:
Le Tigre aime la chair fraiche
Le Tigre aime la chair fraîche ("The Tiger loves fresh meat"), English title Code Name: Tiger, is a 1964 French Eurospy film directed by Claude Chabrol and starring Roger Hanin as the spy Louis Rapière, code named "The Tiger"  The screenplay was written by Chabrol and Hanin  It was an attempt to create a French franchise equal to James Bond, and its female lead, Daniela Bianchi, had the previous year appeared in the James Bond film From Russia with Love  The film had a sequel in 1965, Le tigre se parfume à la dynamite (Our Agent Tiger) 

Plot
The French government plans an international arms deal with the help of a Turkish diplomate named Baskine  But a group of terrorists menaces the diplomat  When the government receives intelligence concerning a looming attempt on Baskine's life, they assign Louis Rapière a k a  "The Tiger" to guard Baskine and his family  Rapière immediately proves this decision right by scarcely foiling an assassination  Unfortunately more than one group is after Baskine  They are closing in on Baskine independently from each other 

Cast
Roger Hanin as Louis Rapière a k a  'le Tigre'
Maria Mauban as Madame Baskine
Daniela Bianchi as Mehlica Baskine
Roger Dumas as Duvet
Antonio Passalia as Coubassi
Jimmy Karoubi as Jean-Luc
Roger Rudel as Benita
Carlo Nell as the assassin in the theatre

Crew
Josée Dayan was the assistant director on the movie 

Bibliography
Blake, Matt; Deal, David (2004)  The Eurospy Guide  Baltimore: Luminary Press  ISBN 1-887664-52-1 
Passage 3:
Herbert Wilcox
Herbert Sydney Wilcox  CBE (19 April 1890 – 15 May 1977) was a British film producer and director  
He was one of the most successful British filmmakers from the 1920s to the 1950s  He is best known for the films he made with his third wife Anna Neagle 

Early life
Wilcox's mother was from County Cork, Ireland, and Wilcox considered himself Irish, but he was born in Norwood, south London  His family moved to Brighton when Wilcox was eight years old; he was one of five children 
His family were poor and Wilcox had to do a number of part-time jobs, including some work as a chorus boy at the local Hippodrome  His mother died of tuberculosis when she was 42  Wilcox left school before the age of fourteen to find work  Shortly afterwards, his father died at the age of 42  Wilcox began earning money as a professional pool player at the Metropole in Camberwell Green 
The First World War broke out and Wilcox enlisted in the army  He was training cadets in County Cork when the Easter Rising broke out in 1916 and Wilcox was wounded  He then enlisted in the Royal Flying Corps to earn more money and trained as a pilot  A case of appendicitis kept him away from the front for a time but he wound up serving in France and serving as a flight instructor in England 

Film career
After the war, Wilcox went to work for his brother Charles as a film salesman  He began selling American films to Yorkshire exhibitors, occasionally working with Victor Saville 

Astra Films
In 1919, Wilcox used his war gratuity to found his own distribution company, Astra Films, in association with his brother and a colleague, Jack Smart  Wilcox contributed £117, and the others made up the rest  It was based in Yorkshire  "Owing to the war, there were practically no British productions", said Wilcox  "They were almost all American films " The company was immediately successful so they expanded into London 

Graham-Wilcox Productions
Astra had a lot of success with a British film, A Peep Behind the Scenes (1919) so Wilcox decided to produce a British film himself  He raised £1,400 to make The Wonderful Story (1922)  It was directed by a Newcastle exhibitor who shared Wilcox's enthusiasm for D  W  Griffith, Jack Graham Cutts; he and Wilcox established Graham-Wilcox Productions  Wilcox sold the film for £4,000 and the premiere got excellent reviews  This enabled Wilcox to raise funds for a slate of films, before The Wonderful Story was released and flopped at the box office However the next Graham-Wilcox production, Flames of Passion (1922), starring imported Hollywood star Mae Marsh was a big hit, among the first British films sold to the USA  The success of the film inspired Wilcox to steer away from realistic drama and focus on escapist entertainment 

Director
Wilcox optioned the screen rights for Chu-Chin-Chow (1923), with imported American star Betty Blythe   The film was shot in Germany at UFA's studios in association with Eric Pommer with a huge budget but was only a moderate success  He followed it with Southern Love (1924), shot in Vienna, again with Blythe  Wilcox launched the film with a mock bull fight in Albert Hall and says the film returned a profit in England alone Pommer asked Wilcox to collaborate again and they made Decameron Nights (1924) 
Back in Britain he made Paddy the Next Best Thing (1923) 
After what he described as a "series of unimpressive films" he made The Only Way (1926), based on a stage play which was based on A Tale of Two Cities He followed it with Nell Gwyn (1926), starring Dorothy Gish in the title role  This was a big success around the world 

British National Films
The world rights to Nell Gwyn were purchased by British National Films, a company established by J D  Williams, who signed Wilcox and Gish to make three more films, all financed by Paramount:  Madame Pompadour (1926), the first film shot at the newly built Elstree Studios; London (1926); and Tip Toes (1927)  It was later revealed in a court case that Wilcox's fee was £3,000 a film plus 25% of the profits, but there were no profits for the three films 

British and Dominions Film Corporation
Wilcox ended up leaving British National and founded the British and Dominions Film Corporation with Nelson Keys with capital of half a million pounds  HIs first film for them, via Herbert Wilcox Productions, was Mumsie (1927), starring Pauline Frederick and, in his debut, Herbert Marshall 
Wilcox wanted to make another film with Frederick and suggested Noël Coward's The Vortex but Frederick disliked the role  Wilcox instead decided to do a version of the Edith Cavell story, Dawn (1928)  Frederick dropped out of the film, and was replaced by Sybil Thorndike  Filming proved difficult but the resulting movie was a big hit  In 1928 British and Dominion Films insured Wilcox for £100,000 There was some talk he would make a film of the Burke and Wills story  Instead he made what he described as "a series of unimportant but profitable films": The Bondman (1929), The Woman in White (1929),

Sound Films
Generally, Alfred Hitchcock's Blackmail is regarded as the first film with sound, but Wilcox's Black Waters was trade-shown several weeks earlier in May, 1929 He produced more than a hundred films, of which he directed about half   "His film production team were never laid off, even during the worst depressions of the British film industry  They were on full salary 52 weeks of the year "Wilcox built and equipped sound studios next to the British International Pictures studios, which they bought from John Maxwell  Wilcox signed up top stage artists such as Jack Buchanan, Tom Walls and Ralph Lynn and Sydney Howard, with C B  Cochran and Albert de Courville as producers  He announced plans to make nine talkies He produced and directed the first British all talkie ever made, Wolves (1930), with Charles Laughton and Dorothy Gish and produced Canaries Sometimes Sing (1930) He made an arrangement to produce a series of films in association with His Master's Voice gramophone company, with the aim of using their celebrity recording stars  Among the films they were to make together were Cochran's Talkie Revue, a film of C B Cochran's variety show; the play Rookery Nook; an adaptation of the novel The Blue Lagoon, and the life story of Robert Burns However their first movie, The Loves of Robert Burns (1930), with Joseph Hislop, was not a success and the arrangement abruptly ended  Wilcox's plans to make The Life of Beethoven and a version of Don Quixote starring Chaliapin had to be cancelled Wilcox produced Rookery Nook (1930), an Aldwych farce based on the play by Ben Travers and directed by Tom Walls  It led to a series of Aldwych farces from Travers and Walls 
He acted as producer only on  Splinters (1930), high Treason (1930, The Mountain of Mourne (1930), Warned Off (1930), On Approval (1930), Tons of Money (1930), Mischief (1931), The Speckled Band (1931), Plunder (1931), Almost a Divorce (1931), Up for the Cup (1931) with Sydney Howard, The Barton Mystery (1932), Life Goes On (1932), Thark (1932), Leap Year (1932), It's a King (1932),The Love Contract (1932), Say It with Music(1932),  The Mayor's Nest (1932), and A Night Like This (1932) 
As a director he made The Chance of a Night Time (1931) with Ralph Lynn from a play by Ben Travers; Carnival (1931); and The Blue Danube (1933) 

Anna Neagle
Wilcox's professional relationship with Anna Neagle began when he was looking for a leading lady to support Jack Buchanan in Goodnight, Vienna (1932)  He decided to cast her after seeing Neagle support Buchanan on stage in a musical Stand Up and Cheer  Goodnight Vienna was Wilcox's biggest success to that time He used Neagle again in The Flag Lieutenant (1932)
He made some films without her – Money Means Nothing (1932), The King's Cup (1933), General John Regan (1933), The Blarney Stone (1933), The King of Paris (1933), Lord of the Manor (1933), Discord (1933) – then they were reunited on The Little Damozel (1933), a conscious effort on Wilcox's part to ensure that Neagle was not type cast as an "English Rose" He bought the rights to a John Galsworthy play Loyalties and developed a screenplay  He later sold it to William Fox for a profit  He produced That's a Good Girl (1933) 
Bitter Sweet (1933) starred Neagle, based on the operetta by Noël Coward  It was a box office failure Yes, Mr Brown (1933) was a vehicle for Jack Buchanan and Lilies of the Field (1934) without her  Wilcox was back to Neagle for The Queen's Affair (1934)  He and Neagle had a big hit with a new version of Nell Gwynn (1934)  They followed it with Peg of Old Drury (1935) 
He also produced Escape Me Never (1935), starring Elisabeth Bergner, which was a surprise box office hit 

Herbert Wilcox Productions
The success of Peg of Old Drury saw Wilcox approached by Lord Portal to set up his own company, Herbert Wilcox Productions  Wilcox resigned from British Dominion, and set up the new company with C M  Woolf and J  Arthur Rank  The only other shareholders in the company apart from Wilcox were Woolf and his brother Maurice 
Wilcox, Woolf, Portal and Rank soon established themselves as a major player in the industry by buying Universal Pictures' English operations; Wilcox was appointed to the board to directors of Universal English and the Universal American parent company  He also had shares in a new company, General Cinema Finance, which was to control the distribution and production of films and acquire cinemas  This company would go on to acquire Gaumont British and the Odeon circuit and form the back bone of the Rank Film empire Their first film was Street Singer Serenade (1936), aka Limelight, directed by Wilcox with Neagle and Jack Buchanan  It was followed by Fame (1936), which he produced, starring Sydney Howard and new Wilcox discovers Miki Hood and Geraldine Hislop  He and Neagle did a story about trapeze artists, Three Maxims (1936) He made Where's George? (1936) with Sydney Howard 
Wilcox was back with Buchanan with This'll Make You Whistle (1936)  He wanted to make an epic version of The Blue Lagoon with Hollywood stars to be shot mostly on location in Hawaii and a biopic of Lady Hamilton with Neagle but neither was made  Instead he made Millions (1937) 
Wilcox's film studio at Elstree burnt down and Wilcox moved to new studios at Pinewood  There he made London Melody (1937) with Neagle 

RKO
Wilcox wanted to star Neagle in a biopic of Queen Victoria  Woolf refused to finance it, believing it to be a bad investment, so Wilcox raised the bulk of the finance himself  Wilcox invested his entire savings and Neagle put in £10,000  They secured a distribution agreement with RKO  Victoria the Great (1937) was a massive success and led to Wilcox signing a ten-year deal with RKO to help finance and distribute the films He and Neagle promptly made a sequel, Sixty Glorious Years (1938)  Wilcox produced but did not direct A Royal Divorce (1938) starring Ruth Chatterton  Wilcox announced he would make a biopic of Lord Kitchener but the film was never made 

Hollywood
He and Neagle went to the US to work for RKO  They looked into making a biopic of Marie Lloyd but could not find a suitable co-star for Neagle so instead made another biopic, Nurse Edith Cavell (1939)  They were going to follow it with a biopic of Flora MacDonald filmed in Scotland but the declaration of war made that impossible  Instead they made three musicals: Irene (1940), with Ray Milland; No, No, Nanette (1940), with Victor Mature; and Sunny (1941) with Ray Bolger  They were among the many names who worked on Forever and a Day (1943) 
In July 1941, Wilcox and Neagle returned to England to make They Flew Alone (1942) a biopic of Amy Johnson and the war thriller Yellow Canary (1943) 

The London Films
Wilcox and Neagle had a big hit with I Live in Grosvenor Square (1945), co starring Rex Harrison and Dean Jagger  They followed it with Piccadilly Incident (1946), starring Neagle and Michael Wilding, which was even more popular, the second biggest British hit of 1946  Wilcox signed Wilding to a long-term contract 
The Courtneys of Curzon Street (1947) was the most popular film at the British box office in 1947  Another hit was Spring in Park Lane (1948) 
Wilding was not in their next film, Elizabeth of Ladymead (1948) but returned for Maytime in Mayfair (1949), a sequel to Spring in Park Lane, and another massive success 
Wilcox and Neagle returned to war stories with Odette (1950) a biopic of Odette Samson starring Neagle and Trevor Howard, and Wilcox's most profitable movie to date  He planned to make a biopic about Van Gogh starring Trevor Howard, but it was never made Wilcox made a film without Neagle, Into the Blue (1950), with Wilding and Odile Versois; it was not particularly popular  Neagle and Wilding were reunited for The Lady with a Lamp (1951), a biopic of Florence Nightingale and Derby Day (1952), an ensemble film  Both did well at the box office but not as well as the late 40s films 

Margaret Lockwood and Republic Pictures
In the early 1950s Neagle had a long running stage hit, The Glorious Years  In November 1951 Wilcox signed a multi picture deal with Margaret Lockwood to make six films in three years  The following year he signed a six-picture deal with Republic Films 
The first movie Lockwood-Wilcox film, Trent's Last Case (1952) was a solid success, helped by a cast including Wilding and Orson Welles  However Laughing Anne (1953), co-starring Forrest Tucker and Wendell Corey, and Trouble in the Glen (1954), with Welles, did poorly and he made no further films with Lockwood or Republic 
Wilcox was further hurt when a film he produced, The Beggar's Opera (1953), was a box office disaster 

Errol Flynn and Ivor Novello
Wilcox formed a new production company, Everest, and made two musicals with Neagle and Errol Flynn: Lilacs in the Spring (1954), based on The Glorious Years, and King's Rhapsody (1955), based on a musical by Ivor Novello  Both flopped and plans to make a third Novello film, Perchance to Dream did not happen 

Last films
Wilcox had a hit with My Teenage Daughter (1956), a story of Neagle dealing with a juvenile delinquent daughter played by Sylvia Syms  Less successful was These Dangerous Years (1957), produced by Neagle and directed by Wilcox, starring George Baker and Frankie Vaughan, and no Neagle 
He produced but did not direct a war film,  Yangtse Incident (1957), which performed reasonably well at the British box office but ultimately lost money  Wilcox found himself personally liable for some of the film's costs 
He tried a drama with Neagle, The Man Who Wouldn't Talk (1958), and three films with Vaughan: Wonderful Things! (1958), The Heart of a Man (1959), and The Lady Is a Square (1959) 

Bankruptcy
Wilcox was plagued with financial troubles in the 1950s and 1960s  He missed an early opportunity to invest in television; Anna Neagle's chain of dancing schools failed; he and Neagle invested heavily in British Lion shares and the company went into receivership; he borrowed £341,000 from the Edgware Trust; he and Neagle had guaranteed a £75,000 loan to make the two Errol Flynn films; and he paid £100,000 to Terence Rattigan for the film rights to his play Ross only for him to be unable to get it made   His film company failed in the 1960s  He spent two years trying to make a film about King Edward VII but the Queen refused permission  He was declared bankrupt in 1964, owing £16,000 to the Edgware Trust and £134,313 over all However, the musical play Charlie Girl, starring his wife Anna Neagle, ran for five years and resolved this financial situation Wilcox made some money from writing articles and was discharged as a bankrupt in 1966 after paying about 4 1/2 d in the pound to creditors According to one profile "The conventional view of Wilcox is that, despite his eventual bankruptcy, his considerable entrepreneurial skills enabled him to sustain a continued presence over a long period in a notoriously unstable industry; discussion of his directorial qualities usually acknowledges his professionalism but falls short of crediting him with any authorial status "

Personal life
In June 1917, Herbert Wilcox was granted a divorce from his first wife Dorothy, whom he had married on 2 December 1916 at St Luke's (CoE), Brighton   At the time, Herbert Wilcox was a lieutenant in the Royal Flying Corps   His wife was "carrying on a disgraceful intrigue" with an also-married Mr  Stanley Steel   The jury awarded Wilcox damages, possibly shared with Mrs Steel, of £750 plus costs In 1920, Wilcox married Maude Bower; they had four children together  Wilcox married his third wife, actress Anna Neagle, on 9 August 1943  The couple remained married until Wilcox's death in 1977, but they had no children 
Prior to his death at the age of 87 in London, England after a long illness, Wilcox donated four Daily Mail National Film Awards to the Glebelands Retirement Home in Wokingham 
Wilcox is buried in the City of London Cemetery 

Awards
In 1937, the Wilcox film Victoria the Great was nominated for the Mussolini Cup at the Venice Film Festival, but lost out to the French film Life Dances On (Un carnet de bal)  Wilcox lost the Festival's Best Director award to Robert J  Flaherty and Zoltán Korda for Elephant Boy  However, Victoria the Great and Wilcox won the Festival's Nations Cup for "Best World Premiere" 
Wilcox won four Daily Mail National Film Awards 

1947 – Best Film – Piccadilly Incident (producer and director)
1948 – Best Film – The Courtneys of Curzon Street (producer and director)
1949 – Best Film – Spring in Park Lane (producer and director)
1951 – Best Film – Odette (producer and director)

Selected filmography
Director
Chu-Chin-Chow (1923)
Southern Love (1924)
Decameron Nights (1924)
Nell Gwyn (1926)
London (1926)
Mumsie (1927)
Madame Pompadour (1927)
Tip Toes (1927)
The Only Way (1927)
Dawn (1928)
The Bondman (1929)
The Woman in White (1929)
Splinters (1929)
The Loves of Robert Burns (1930)
The Chance of a Night Time (1931)
Carnival (1931)
The Blue Danube (1932)
Good Night, Vienna (1932)
Money Means Nothing (1932)
The King's Cup (1932)
The Little Damozel (1933)
Bitter Sweet (1933)
Yes, Mr  Brown (1933)
The Queen's Affair (1934)
Nell Gwynn (1934)
Peg of Old Drury (1935)
Where's George? (1935)
Three Maxims (1936)
This'll Make You Whistle (1936)
Limelight (1937)
London Melody (1937)
Victoria the Great (1937)
Sixty Glorious Years (1938)
A Royal Divorce (1938)
Nurse Edith Cavell (1939)
No, No, Nanette (1940)
Irene (1940)
Sunny (1941)
They Flew Alone (1942)
Forever and a Day (1943)
Yellow Canary (1943)
I Live in Grosvenor Square (1945)
Piccadilly Incident (1946)
The Courtneys of Curzon Street (1947)
Spring in Park Lane (1948)
Elizabeth of Ladymead (1948)
Maytime in Mayfair (1949)
Odette (1950)
Into the Blue (1950)
The Lady with the Lamp (1951)
Derby Day (1952)
Trent's Last Case (1952)
Laughing Anne (1953)
Trouble in the Glen (1953)
Lilacs in the Spring 1954)
King's Rhapsody (1955)
My Teenage Daughter (1956)
These Dangerous Years (1957)
The Man Who Wouldn't Talk (1958)
Wonderful Things! (1958)
The Heart of a Man (1959)
The Lady Is a Square (1959)

Producer
The Wonderful Story (1922)
Paddy the Next Best Thing (1923)
Warned Off (1930)
On Approval (1930)
Tons of Money (1930)
Plunder (1931)
The Barton Mystery (1932)
Life Goes On (1932)
Say It with Music (1932)
Thark (1932)
Leap Year (1932)
A Night Like This (1932)
The Flag Lieutenant (1932)
General John Regan (1933)
The Blarney Stone (1933)
Lord of the Manor (1933)
Discord (1933)
Lilies of the Field (1934)
Fame (1936)
Millions (1937)
Passage 4:
Mohsen Eslamzadeh
Mohsen Eslamzadeh is an Iranian documentary filmmaker  He is the director of Alone Among The Taliban  This film has won the best documentary award at the 44th Athens International Film and Video Festival in the United States  
This film has won the best documentary award at the 12th Marbella International Film Festival in Spain  
This film has won the Shahid Avini Award offers 

Filmography
“The Sunnies of Iran”
“Mothers of the Revolution”
“Mysteries of Abu-Salim Prison”
“In the name of Liberty”
“Looking for Peace”
“Alone Among The Taliban”
The Dream of Marjaan

Awards and honors
The competition of the international festival of documentary films "Meetings in Siberia" | Russia, 2018
The competition of the "Tiburon International Film Festival" | USA, 2017
The best documentary of “Athen international film + video festival” | USA, 2017The best documentary of “Marbella international film festival” | Spain, 2017The “Moscow detective film festival” | Russia, 2017
The competition of the “Thin line film festival” | USA, 2017The competition of the “Asia-Pacific Film Festival” | 2016
The competition of the “Human rights film festival” | Italy, 2017The competition of the “Ismailia international film festival” | Egypt, 2017The winner of the “Shahid Avini” international section of the “Cinema Verite” | Iran, 2015
The winner of the “Ammar popular film festival” | Iran, 2015
The 8th “Ammar film festival” for The Documentary of “Qasr-e-Qand” | Iran, 2018
The 7th “Ammar film festival” for The TV show of “Vatandar” | Iran, 2017
The winner of the 5th Ammar festival for the film "Sunnis in Iran"
The winner of the international section of the forth Ammar festival for the film "Journey to the Land of Pashtuns"
The winner of the special section of “Ruyesh” (growth) festival for the film “Mother of the Revolution”
The winner of the international section of the third Ammar festival for the film “ the Thought of Being”
The honored young documentary director from Mashhad in 2010 chosen by Mashhad's Islamic Revolution Cultural Centre 
The honored in the “Awakening Sequence” for the film “the Lover”
The honored in the first Ammar film Festival for the film “the Street of Martyrdom”He is a former guest of the many film festivals such as:

The “Nahj film festival” for The documentary of “Me and the commander” | Iraq, 2016
The Festival as a guest speaker “Aljazeera film festival” for the film “Mysteries of Abusalim Prison” | Qatar, 2013
The “Resistance international film festival” for the film of “Al-Sheikh Sabah” | Iran, 2015Eslamzadeh participated in few film festivals such as: “Fajr”, “Cinema Verity” and “Rooyesh” in Iran 
Eslamzadeh has won numerous awards and fellowships including “Aljazeera” in Qatar and “Human Rights” in Spain and he awarded in some of them 
Passage 5:
London Melody
London Melody is a 1937 British musical film directed by Herbert Wilcox and starring Anna Neagle, Tullio Carminati and Robert Douglas  It was made at British and Dominions Imperial Studios, Elstree and Pinewood Studios  by Wilcox's independent production company and distributed by J  Arthur Rank's General Film Distributors  It was also released with the alternative title Look Out for Love 
It was the first movie shot at Pinewood 

Synopsis and production
A musical with a trial  One of several Anna Neagle - Tullio Carminati vehicles of the era, London Melody was one of five films directed within a year or so by Neagle's future husband, Herbert Wilcox  This time around, Carminatti is cast as Marius Andreani, a cultured Italian diplomat  While in London on business, Marius makes the chance acquaintance of boisterous cockney street entertainer Jacqueline (Neagle)  It is love at first sight, but hero and heroine must undergo a dizzying series of roadblocks and misunderstandings before the climactic clinch  Meanwhile, Jacqueline rises to the top of show-business success, never dreaming (until the end, at least) that it is all the secret handiwork of faithful Marius 
British and Dominions Imperial Studios was destroyed by fire in the early morning of 9 February 1936, necessitating the move of the production to Pinewood 

Cast
Critical reception
In 1937, The Sydney Morning Herald called it an "attractive and well-acted picture   Produced and directed by Herbert Wilcox in a way that contrasts favourably with Hollywood's efforts in a similar direction   Anna Neagle, a gifted actress, with definite charm and personality, makes a delightful Jacqueline  As the diplomat   Tulllo Carminati lends distinction and poise to his role  Perhaps the best character in the film is the priest, Horace Hodges, a lovable and very human person  Robert Douglas makes a good impression in the rather inconsistent part of Nigel Taplow, Andreani's secretary"; whereas more recently, Sky Movies described it as "a very thin musical vehicle for Anna Neagle, bizarrely cast as a cockney street singer  This dated offering   will prove tough going for all but hardened Neagle fans today "
Passage 6:
Ravina (actress)
Ravina is an Indian actress who acted in Dhallywood movies



ground_truth: Cahiers du cinéma

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director died first, Our Agent Tiger or London Melody?

The following are given passages.
Context 2:  She acted in the 1997 film Praner Cheye Priyo with Riaz  She also appeared in Sabdhan and Dolopoti, again opposite Riaz 

Selected filmography
Praner Cheye Priyo
Sabdhan
Dolopoti
Passage 7:
Querelle
Querelle is a 1982 West German-French English-language arthouse film directed by Rainer Werner Fassbinder and starring Brad Davis, adapted from French author Jean Genet's 1947 novel Querelle of Brest  It was Fassbinder's last film, released shortly after his death at the age of 37 

Plot
The plot centers on the handsome Belgian sailor Georges Querelle, who is also a thief and murderer  When his ship, Le Vengeur, arrives in Brest, he visits the Feria, a bar and brothel for sailors run by the Madame Lysiane, whose lover, Robert, is Querelle's brother  Querelle has a love/hate relationship with his brother: when they meet at La Feria, they embrace, but also punch one another slowly and repeatedly in the belly  Lysiane's husband Nono works behind the bar and also manages La Feria's underhanded affairs with the assistance of his friend, the corrupt police captain Mario 
Querelle makes a deal to sell opium to Nono  During the execution of the deal, he murders his accomplice Vic by slitting his throat   After delivering the drugs, Querelle announces that he wants to sleep with Lysiane   He knows that this means he will have to throw dice with Nono, who has the privilege of playing a game of chance with all of her prospective lovers  If Nono loses, the suitor is allowed to proceed with his affair  If the suitor loses, however, he must submit to anal sex with Nono first, according to Nono's maxim that "That way, I can say my wife only sleeps with arseholes " Querelle deliberately loses the game, allowing himself to be sodomized by Nono  When Nono gloats about Querelle's "loss" to Robert, who won his dice game, the brothers end up in a violent fight   Later, Querelle becomes Lysiane's lover, and also has sex with Mario 
Luckily for Querelle, a builder, Gil, murders his work mate Theo, who had been harassing and sexually assaulting him   Gil hides from the police in an abandoned prison, and Roger, who is in love with Gil, establishes contact between Querelle and Gil in the hopes that Querelle can help Gil flee  Querelle falls in love with Gil, who closely resembles his brother   Gil returns his affections, but Querelle betrays Gil by tipping off the police  Querelle cleverly arranged it so that the murder of Vic is also blamed on Gil 
Querelle's superior, Lieutenant Seblon, is in love with Querelle, and constantly tries to prove his manliness to him  Seblon is aware that Querelle murdered Vic, but chooses to protect him   Later, Seblon reveals his love and concern to a drunken Querelle, and they kiss and embrace before returning to Le Vengeur 

Cast
Brad Davis as Querelle
Franco Nero as Lieutenant Seblon
Jeanne Moreau as Lysiane
Laurent Malet as Roger Bataille
Hanno Pöschl as Robert / Gil
Günther Kaufmann as Nono
Burkhard Driest as Mario
Roger Fritz as Marcellin
Dieter Schidor as Vic Rivette
Natja Brunckhorst as Paulette
Werner Asam as Worker
Axel Bauer as Worker
Neil Bell as Theo
Robert van Ackeren as Drunken legionnaire
Wolf Gremm as Drunken legionnaire
Frank Ripploh as Drunken legionnaire

Production
According to Genet's biographer Edmund White, Querelle was originally going to be made by Werner Schroeter, with a scenario by Burkhard Driest, and produced by Dieter Schidor  However, Schidor could not find the money to finance a film by Schroeter, and therefore turned to other directors, including John Schlesinger and Sam Peckinpah, before finally settling on Fassbinder  Driest wrote a radically different script for Fassbinder, who then "took the linear narrative and jumbled it up"  White quotes Schidor as saying "Fassbinder did something totally different, he took the words of Genet and tried to meditate on something other than the story  The story became totally unimportant for him  He also said publicly that the story was a sort of third-rate police story that wouldn't be worth making a movie about without putting a particular moral impact into it" Schroeter had wanted to make a black and white film with amateur actors and location shots, but Fassbinder instead shot it with professional actors in a lurid, expressionist color, and on sets in the studio  Edmund White comments that the result is a film in which, "Everything is bathed in an artificial light and the architectural elements are all symbolic "

Soundtrack
Jeanne Moreau – "Each Man Kills the Things He Loves" (music by Peer Raben, lyrics from Oscar Wilde's poem "The Ballad of Reading Gaol")
"Young and Joyful Bandit" (Music by Peer Raben, lyrics by Jeanne Moreau)Both songs were nominated to the 1984 Razzie Awards for "Worst Original Song" 

Release
Querelle sold more than 100,000 tickets in the first three weeks after its release in Paris, the first time that a film with a gay theme had achieved such success  On review aggregator Rotten Tomatoes, which categorizes reviews as positive or negative only, the film has an approval rating of 57% calculated based on 14 critics comments  By comparison, with the same opinions being calculated using a weighted arithmetic mean, the rating is 6 10/10  Writing for The New York Times critic Vincent Canby noted that Querelle was "a mess   a detour that leads to a dead end "
Penny Ashbrook calls Querelle Fassbinder's "perfect epitaph: an intensely personal statement that is the most uncompromising portrayal of gay male sensibility to come from a major filmmaker " Edmund White considers Querelle the only film based on Genet's book that works, calling it "visually as artificial and menacing as Genet's prose " Genet, in discussion with Schidor, said that he had not seen the film, commenting "You can't smoke at the movies "
Passage 8:
Claude Chabrol
Claude Henri Jean Chabrol (French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s  Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker 
Chabrol's career began with Le Beau Serge (1958), inspired by Hitchcock's Shadow of a Doubt (1943)  Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity  This is especially apparent in Les Biches (1968), La Femme infidèle (1969), and Le Boucher (1970) – all featuring Stéphane Audran, who was his wife at the time 
Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career  In 1978, he cast Isabelle Huppert as the lead in Violette Nozière  On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Cérémonie (1995)  Film critic John Russell Taylor has stated that "there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium   Some of his films become almost private jokes, made to amuse himself " James Monaco has called Chabrol "the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we don't get from the more varied experiments in genre of Truffaut or Godard "

Life and career
Early life
Claude Henri Jean Chabrol was born on 24 June 1930 to Yves Chabrol and Madeleine Delarbre in Paris and grew up in Sardent, France, a village in the region of Creuse 400 km (240 miles) south of Paris  Chabrol said that he always thought of himself as a country person, and never as a Parisian  Both Chabrol's father and grandfather had been pharmacists, and Chabrol was expected to follow in the family business  But as a child, Chabrol was "seized by the demon of cinema" and ran a film club in a barn in Sardent between the ages of 12 and 14  It was at this time that he developed his passion for the thriller genre, detective stories and other forms of popular fiction 

Early years in Paris
After World War II, Chabrol moved to Paris to study pharmacology and literature at the Sorbonne, where he received a licence en lettres  Some biographies also state that he briefly studied law and political science at the École Libre des Sciences Politiques  While living in Paris Chabrol became involved with the postwar cine club culture and frequented Henri Langlois's Cinémathèque Française and the Ciné-Club du Quartier Latin, where he first met Éric Rohmer, Jacques Rivette, Jean-Luc Godard, François Truffaut and other future Cahiers du Cinéma journalists and French New Wave filmmakers  After graduating, Chabrol served his mandatory military service in the French Medical Corps, serving in Germany and reaching the rank of sergeant  Chabrol has said that while in the army he worked as a film projectionist  After he was discharged from the army, he joined his friends as a staff writer for Cahiers du Cinéma, who were challenging then-contemporary French films and championing the concept of Auteur theory  As a film critic, Chabrol advocated realism both morally and aesthetically, mise-en-scene, and deep focus cinematography, which he wrote "brings the spectator in closer with the image" and encourages "both a more active mental attitude on the part of the spectator and a more positive contribution on his part to the action in progress " He also wrote for Arts magazine during this period  Among Chabrol's most famous articles were "Little Themes", a study of genre films, and "The Evolution of Detective Films" In 1955 Chabrol was briefly employed as a publicity man at the French offices of 20th Century Fox, but was told that he was "the worst press officer they'd ever seen" and was replaced by Jean-Luc Godard, who they said was even worse  In 1956 he helped finance Jacques Rivette's short film Le coup du berger, and later helped finance Rohmer's short Véronique et son cancre in 1958  Unlike all of his future New Wave contemporaries, Chabrol never made short film nor did he work as an assistant on other directors' work before making his feature film debut  In 1957 Chabrol and Eric Rohmer co-wrote Hitchcock (Paris: Éditions Universitaires, 1957), a study of the films made by director Alfred Hitchcock through the film The Wrong Man  Chabrol had said that Rohmer deserves the majority of the credit for the book, while he mainly worked on the sections pertaining to Hitchcock's early American films, Rebecca, Notorious, and Stage Fright  Chabrol had interviewed Hitchcock with François Truffaut in 1954 on the set of To Catch a Thief, where the two famously walked into a water tank after being starstruck by Hitchcock  Years later, when Chabrol and Truffaut had both become successful directors themselves, Hitchcock told Truffaut that he always thought of them when he saw "ice cubes in a glass of whiskey "

1957–67: Early film career
The most prolific of the major New Wave directors, Chabrol averaged almost one film a year from 1958 until his death  His early films (roughly 1958–1963) are usually categorized as part of the New Wave and generally have the experimental qualities associated with the movement; while his later early films are usually categorized as being intentionally commercial and far less experimental  In the mid-sixties it was difficult for Chabrol to obtain financing for films so he made a series of commercial "potboilers" and spy spoofs, which none of the other New Wave filmmakers did Chabrol had married Agnès Goute in 1952 and in 1957 his wife inherited a large sum of money from relatives  In December of that year Chabrol used the money to make his feature directorial debut with Le Beau Serge  Chabrol spent three months shooting in his hometown of Sardent using a small crew and little known actors  The film's budget was $85,000  The film starred Jean-Claude Brialy as François and Gérard Blain as Serge, two childhood friends reunited when the recent medical school graduate François returns to Sardent and discovers that Serge has become an alcoholic after the stillbirth of his physically retarded first child  Despite suffering from tuberculosis, François drags Serge through a snowstorm to witness the birth of his second child, thus giving Serge a reason to live while killing himself in the process  Le Beau Serge is considered the inaugural film of the French New Wave Film movement that would peak between 1959 and 1962  Chabrol was the first of his friends to complete a feature film (although Jacques Rivette had already begun filming his first feature Paris nous appartient), and it immediately received critical praise and was a box office success  It won the Grand Prix at the Locarno Film Festival and the Prix Jean Vigo  Critics noticed similarities to Hitchcock's films, such as the motifs of doubling and re-occurrences and the "Catholic guilt transference" that Chabrol had also written about extensively in his and Rohmer's book the year earlier  Chabrol stated that he made the film as a "farewell to Catholicism", and many critics have called his first film vastly different from any of his subsequent films Chabrol quickly followed this success up with Les Cousins in 1958  The film is a companion piece and a reversal to Le Beau Serge in many ways, such as having the responsible student Brialy now play the decadent and insensitive Paul while the reckless Blain now plays the hard-working law student Charles  In this film, the country cousin Charles arrives in the big city of Paris to live with his corrupt cousin Paul while attending school  This was the first of many Chabrol films to include characters named Paul and Charles, and later films would often include a female named Hélène  More so than his first film, Les Cousins features many characteristics that would be seen as "Chabrolian", including the Hitchcock influence, a depiction of the French bourgeoisie, characters with ambiguous motives and a murder  It was also Chabrol's first film co-written with his longtime collaborator Paul Gégauff, of whom Chabrol once said "when I want cruelty, I go off and look for Gégauff  Paul is very good at gingering things up   He can make a character look absolutely ridiculous and hateful in two seconds flat " Les Cousins was another box office success in France and won the Golden Bear at the 9th Berlin International Film Festival Chabrol formed his own production company AJYM Productions (acronym based on the initials of his wife's and children's names) at the time of making Le Beau Serge   After the success of Le Beau Serge and Les Cousins, Chabrol began funding many of the films of his friends  AJYM helped fund Eric Rohmer's feature debut The Sign of Leo, partially funded Rivette's Paris nous appartient, and Philippe de Broca's films Les Jeux de l'amour and Le farceur  He also donated excess film stock from Les Cousins to Rivette to complete Paris nous appartient  Chabrol was also a technical advisor on Jean-Luc Godard's feature debut Breathless and acted in small parts in many of his friends' and his own early films  For his support to the early careers of so many of his friends, Chabrol has been referred to as "the godfather of the French New Wave", although many film histories tend to overlook this contribution and dismiss Chabrol altogether After two box office hits in a row, Chabrol was given a big budget to make his first color film, À double tour (Léda) in the spring of 1959  The film stars Jean-Paul Belmondo as Laszlo and Antonella Lualdi as Léda, two outsiders of a bourgeois family who experience different results when attempting to enter that family  Chabrol adapted the script with Paul Gégauff from a novel by Stanley Ellin, and the film is known for its oedipal sex triangle and murder scenario  The film was shot on location in Aix-en-Provence with cinematographer Henri Decaë and includes choppy, hand-held camera footage that is atypical of a Chabrol film despite being present in many of the New Wave films made at the same time  The film was both a box office and critical disappointment, and critic Roy Armes criticized "Chabrol's lack of feeling for his characters and love of overacting "In 1960 Chabrol made what is considered by many critics as his best early film, Les Bonnes Femmes  The film stars Bernadette Lafont, Clotilde Joano, Stéphane Audran and Lucile Saint-Simon as four Parisian appliance store employees who all dream of an escape from their mediocre lives, and the different outcomes for each girl  Most critics praised the film, such as Robin Wood and James Monaco  However some left-wing critics disliked Chabrol's depiction of working-class people and accused him of making fun of their lifestyles  The film was another box office disappointment for Chabrol  It was followed with two films that were also financially unsuccessful and which Chabrol has admitted to making purely for "commercial reasons"  Les Godelureaux was made in 1960 and hated by Chabrol  The Third Lover (L'Œil du Malin), released in 1961, received better reviews than Chabrol's previous films, with critics pointing out that the films that Chabrol wrote without Paul Gégauff were much more compassionate and realistic than the ones with Gégauff  It was shot on location in Munich  Although she had appeared in supporting roles in several Chabrol films before, The Third Lover was the first Chabrol film in which Stéphane Audran appeared as the female lead  They later married in 1964 and worked together until the late 1970s In 1962 Chabrol made Ophelia, a loose adaptation of Hamlet that was another box office disappointment  Later that year he had a minor hit film with Landru, written by Françoise Sagan and starring Charles Denner, Michèle Morgan, Danielle Darrieux and Hildegard Knef  The film depicts the famous French serial killer Henri Désiré Landru, a story that had previously inspired Charlie Chaplin's film Monsieur Verdoux From 1964 to 1967 Chabrol made six films and one short that were critically and commercially disastrous, and this period is considered a low point of his career  Four of these films were in the then-popular genre of spy spoof films, including Le Tigre aime la chair fraiche and Le Tigre se parfume à la dynamite  Chabrol had said that "I like to get to the absolute limit of principles   In drivel like the Tiger series I really wanted to get the full extent of the drivel  They were drivel, so OK, let's get into it up to our necks " During this period a Variety headline read "Vital To Keep Making Pictures, and What Sort Not Relevant; Chabrol No 'Doctrinaire' Type " In 1965 Chabrol also contributed to the New Wave portmanteau film Six in Paris with the segment "La Muette"  Chabrol co-starred with Stéphane Audran as a middle aged couple dealing with their rebellious teenage daughter  In 1964 Chabrol also directed a stage production of MacBeth for the Théâtre Récamier 

1968–78: "Golden Era"
In 1968 Chabrol began working with film producer André Génovès and started to make more critically acclaimed films that would later be considered his "Golden Era"  Most of these films revolved around themes of bourgeois characters and a murder is almost always part of the plot  Unlike his earlier films, most of these films centered around middle aged people  Chabrol often worked with the same people during this period including actors Audran and Michel Bouquet, cinematographer Jean Rabier, editor Jacques Gaillard, sound technician Guy Chichignoud, composer Pierre Jansen, set designer Guy Littaye, as well as producer Génovés and co-writer Paul Gégauff In 1968 Chabrol made Les Biches, one of his most acclaimed works  The film stars Stéphane Audran as the dominant and bisexual Frédérique, who finds a young protege in the bisexual Why (Jacqueline Sassard), until they both become the lover of a young architect named Paul (Jean-Louis Trintignant)  Why ends up killing Frédérique, but it is unclear whether she murdered her cheating lover or the person that her lover was cheating with  The film received critical praise and was a box office hit  Chabrol followed this with a similar film The Unfaithful Wife (La Femme infidèle), in which a husband named Charles murders the lover of his cheating wife  It was later remade in 2002 by director Adrian Lyne  Chabrol finished the decade with This Man Must Die (Que la bête meure) in 1969  Based on an original story by Cecil Day-Lewis, in the film Charles (Michel Duchaussoy) plots to kill Paul (Jean Yanne) after Paul killed Charles' son in a hit and run car accident  However the film's ending is left intentionally ambiguous, and Chabrol has stated that "you'll never see a Charles kill a Paul  Never " The film was especially praised for its landscape cinematography In 1970 Chabrol made The Butcher (Le boucher) starring Jean Yanne and Stéphane Audran  Yanne plays Popaul, a former war hero known for his violent behavior, much like that depicted in the prehistoric cave drawings that the characters look at in their Périgord community  The French newspaper Le Figaro called it "the best French film since the liberation " After another examination of bourgeois life in The Breach (La Rupture) in 1970, Chabrol made Just Before Nightfall (Juste avant la nuit) in 1971  The film stars Michel Bouquet as an ad executive named Charles who kills his mistress but cannot handle the guilt, so he confesses his crime to her husband (François Périer) and his wife (Stéphane Audran), expecting their condemnation  To his surprise they are only compassionate and forgiving to his crime and Charles cannot find relief from the guilt of what he has done  Later in 1971 Chabrol made Ten Days' Wonder (La Décade prodigieuse), based on a novel by Ellery Queen  The film was shot in English and starred Michel Piccoli, Anthony Perkins and Orson Welles  It received poor critical reviews  He followed this with the equally disliked Dr  Popaul, starring Jean-Paul Belmondo and Mia Farrow  Critics compared the film unfavorably with Chabrol's earlier film that centered on a "Landru-like" theme  Critic Jacques Siclier said that "the novelty of Docteur Popaul comes from the offhandedness with which the criminal history is treated "Chabrol took a slight change of pace with his 1973 film Wedding in Blood (Les Noces rouges) by making his first film with political themes  The film stars Audran and Michel Piccoli as lovers who plot to murder Audran's husband, who is the corrupt gaullist mayor of their town  To their surprise the President of France orders that no investigation be made of the mayor's death, leading the murdering couple to suspect political interest in their crime  In the spring of 1973 the French government banned the film for one month, allegedly so that it would not influence members of the jury of a controversial criminal trial  Chabrol followed this political theme with Nada, in which a group of young anarchists kidnap an American ambassador  It was Chabrol's first film to not center on the bourgeois since Le Beau Serge  Chabrol returned to more familiar ground in 1975 with A piece of pleasure (Une partie de plaisir)  In this film screenwriter Paul Gégauff plays a writer with a troubled marriage that ends in tragedy  (In 1983, Gégauff was stabbed to death in real life by his second wife ) Gégauff's wife is played by his real-life first wife Danièle Gégauff (already divorced when this film was made) and his daughter is played by real life daughter Clemence Gégauff  The film received poor critical reviews, with Richard Roud calling it "rather interestingly loathsome "Chabrol ended his Golden Period with one of his most admired and his most controversial films Violette Nozière in 1978  The film starred a young Isabelle Huppert as a real life Parisian girl from a respectable petit-bourgeois family in the 1930s  At night Violette sneaks out to pick up men and eventually contracts syphilis, which she convinces her parents must be hereditary before she kills them  The film was controversial in France but praised in other countries 

1979–2009: Later work
In the 1980's and 1990's Chabrol engaged himself with many different projects for both TV and the silver screen  His films Poulet au vinaigre (1985) and Masques (1987) were entered into the 38th Cannes Film Festival and 37th Berlin International Film Festival respectively  Madame Bovary (1991) was nominated for the Golden Globe Award for Best Foreign Language Film and for the Academy Award for Best Costume Design  It was also entered into the 17th Moscow International Film Festival  La Cérémonie (1995) is perhaps his most acclaimed film from this period, as it was nominated for numerous César Awards and was entered into the 52nd Venice International Film Festival among other  His 1999 film The Color of Lies was entered into the 49th Berlin International Film Festival In 1995 Chabrol was awarded the Prix René Clair from the Académie française for his body of work 
Chabrol continued directing films and TV series well into the 2000's 

Personal life
Chabrol's first marriage to Agnès Goute (1956–1962) produced a son, Matthieu Chabrol, a composer who scored most of his father's films from the early 1980s  He divorced Agnès to marry the actress Stéphane Audran, with whom he had a son, actor Thomas Chabrol  They remained married from 1964 to 1978  His third wife was Aurore Paquiss, who has been a script supervisor since the 1950s  He had four children  Chabrol was a known gourmet chef and shot 10 Days Wonder in Alsace only because he wanted to visit its restaurants  Although he acknowledges the influence of Alfred Hitchcock in his work, Chabrol has stated that "others have influenced me more  My three greatest influences were Murnau, the great silent film director   Ernst Lubitsch and Fritz Lang "Chabrol died on 12 September 2010 of leukemia  He is buried in Pere Lachaise Cemetery in north-eastern Paris 

Filmography
As director
As actor
TV work
Histoires insolites (1974), 5 episodes
Nouvelles de Henry James (1974), 2 episodes – based on stories by Henry James
Il était un musicien (1978), 3 episodes
Madame le juge (1978), 1 episode
"Jeunesse et Spiritualité" Cyprien Katsaris (1979) Official site
Fantômas (1980), 2 episodes – Remake of Fantômas
Le système du docteur Goudron et du professeur Plume (1981) – based on The System of Doctor Tarr and Professor Fether by Edgar Allan Poe
Les affinités électives (1982) – based on Elective Affinities by Johann Wolfgang von Goethe
M  le maudit (1982, short)
La danse de mort (1982) – based on The Dance of Death by August Strindberg
Les dossiers secrets de l'inspecteur Lavardin (1988), 2 episodes
Les redoutables (2001), 1 episode
Chez Maupassant (2007), 2 episodes – based on stories by Guy de Maupassant
Au siècle de Maupassant: Contes et nouvelles du XIXème siècle (2010), 2 episodes
Passage 9:
Le Masque de la Méduse
Le masque de la Méduse (English: The Mask of Medusa) is a 2009 fantasy horror film directed by Jean Rollin  The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans  It was Rollin's final film, as the director died in 2010 

Cast
Simone Rollin as la Méduse
Sabine Lenoël as Euryale
Marlène Delcambre as Sthéno
Juliette Moreau as Juliette
Delphine Montoban as Cornelius
Jean-Pierre Bouyxou as le gardien
Bernard Charnacé as le collectionneur
Agnès Pierron as la colleuse d'affiche au Grand-Guignol
Gabrielle Rollin as la petite contrebassiste
Jean Rollin as l'homme qui enterre la tête
Thomas Smith as Thomas

Production
It was thought that Rollin's 2007 film La nuit des horloges was the final film of his career, as he had mentioned in the past  However, in 2009, Rollin began preparation foe Le masque de la Méduse  Rollin originally directed the film as a one-hour short, which was screened at the Cinémathèque de Toulouse, but after the release, Rollin decided to add 20 minutes of additional scenes and then cut the film into two distinct parts, as he did with his first feature, Le Viol du Vampire   The film was shot on location at the Golden Gate Aquarium and Père Lachaise Cemetery, as well as on stage at the Theatre du Grande Guignol, which is where the longest part of the film takes place  It was shot on HD video on a low budget of €150,000  Before the release, it was transferred to 35mm film 

Release
The film was not released theatrically, although it premiered on 19 November 2009 at the 11th edition of the Extreme Cinema Film Festival at the Cinémathèque de Toulouse  As part of "An Evening with Jean Rollin", it was shown as a double feature with Rollin's 2007 film La nuit des horloges 

Home media
No official DVD was released, although for a limited time, a DVD of La masque de la Méduse was included with the first 150 copies of Rollin's book Jean Rollin: Écrits complets Volume 1 
Passage 10:
Thulasi (1987 film)
Thulasi is a 1987 Indian Tamil-language romantic drama film directed by Ameerjan  The film stars Murali and Seetha  It was released on 27 November 1987 

Plot
Thirunavukarasu is considered as a God by his villagers  Nevertheless, his son Sammadham is an atheist and he doesn't believe in his father's power  Sammadham and Ponni, a low caste girl, fall in love with each other  Sammadham's best friend Siva, a low caste boy, passes the Master of Arts degree successfully  Thirunavukarasu's daughter Thulasi then develops a soft corner for Siva 
Thirunavukarasu cannot accept for his son Sammadham's marriage with Ponni due to caste difference  Sammadham then challenges him to marry her  Thirunavukarasu appoints henchmen to kill her and Ponni is found dead the next day in the water  In the meantime, Siva also falls in love with Thulasi  The rest of the story is what happens to Siva and Thulasi 

Cast
Murali as Sivalingam "Siva"
Seetha as Thulasi
Chandrasekhar as Sammadham
Major Sundarrajan as Thirunavukarasu
Senthil
Charle as Khan
Thara as Ponni
Mohanapriya as Sarasu
Vathiyar Raman
A  K  Veerasamy as Kaliyappan

Soundtrack
The music was composed by Sampath Selvam, with lyrics written by Vairamuthu 

Reception
The Indian Express gave a negative review calling it "thwarted love" 
Context 3: Passage 1:
Theodred II (Bishop of Elmham)
Theodred II was a medieval Bishop of Elmham 
The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997 
Passage 2:
Albert Thompson (footballer, born 1912)
Albert Thompson (born 1912, date of death unknown) was a Welsh footballer 

Career
Thompson was born in Llanbradach, Wales, and joined Bradford Park Avenue from Barry Town in 1934  After making 11 appearances and scoring two goals in the league for Bradford, he joined York City in 1936  He was York City's top scorer for the 1936–37 season, with 28 goals  He joined Swansea Town in 1937, after making 29 appearances and scoring 28 goals for York  After making 4 appearances in the league for Swansea, he joined Wellington Town 


== Notes ==
Passage 3:
Harry Wainwright (footballer)
Harry Wainwright (born 1899; date of death unknown) was an English footballer 

Career
Wainwright played for Highfields before joining Port Vale as an amateur in December 1919  After making his debut in a 1–0 defeat at Barnsley on Boxing Day he signed as a professional the following month  He was unable to nail down a regular place however, and was released at the end of the season with just four appearances to his name He returned to Highfields before moving on to Doncaster Rovers where he scored in their return to football following WW1, in the 2–1 defeat to Rotherham Town in the Midland League  He scored two more goals that season, and none the following season He then went to Brodsworth Main, Frickley Colliery, Sheffield United, Boston Town, Scunthorpe & Lindsey United and Newark Town 

Career statistics
Source:
Passage 4:
Etan Boritzer
Etan Boritzer (born 1950) is an American writer of children’s literature who is best known for his book What is God? first published in 1989  His best selling What is? illustrated children's book series on character education and difficult subjects for children is a popular teaching guide for parents, teachers and child-life professionals Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views  The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages 
Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F  Kennedy  His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education 
Boritzer now lives in Venice, California and maintains his publishing office there also  He has helped numerous other authors to get published through How to Get Your Book Published! programs  Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally  He is also recognized nationally as an erudite speaker on The Teachings of the Buddha 
Passage 5:
Bill Smith (footballer, born 1897)
William Thomas Smith (9 April 1897 – after 1924) was an English professional footballer 

Career
During his amateur career, Smith played in 17 finals, and captained the Third Army team in Germany when he was stationed in Koblenz after the armistice during the First World War  He started his professional career with Hull City in 1921  After making no appearances for the club, he joined Leadgate Park  He joined Durham City in 1921, making 33 league appearances in the club's first season in the Football League He joined York City in the Midland League in July 1922, where he scored the club's first goal in that competition  He made 75 appearances for the club in the Midland League and five appearances in the FA Cup before joining Stockport County in 1925, where he made no league appearances 
Passage 6:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 7:
P  Neelakantan
Palaniyaandi Neelakantan (2 October 1916 – 3 September 1992) was a Tamil film director, who was active for nearly four decades 

Life
He was born at Villupuram, Tamil Nadu  He graduated to movies from stage play  His play Naam Iruvar was brought by movie mogul Avichi Meiyappa Chettiar and made into a film in 1947  Then he wrote the dialogues for films like Vedala Ulagam in 1948  His directorial debut was with Oru Iravu in (1951), the dialogue for which was written by C  N  Annadurai  Two films that made him well-known are ALS productions Ambikapadi (1957) and Thirudadhe (1961)  He also has directed movies in Kannada and Sinhalese Suneetha and Sujage Rahase  Neelakantan was mainly associated with creating M  G  Ramachandran's (MGR) movie persona  Between Chakravarthi Thirumagal in 1957 and Needhikku Thalaivanangu in 1976, Neelakantan directed altogether 17 of MGR's movies 

Filmography
Passage 8:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 9:
Nallavan Vazhvan
Nallavan Vazhvan (transl  The good man will live) is a 1961 Indian Tamil-language crime thriller film produced and directed by P  Neelakantan  The film stars M  G  Ramachandran and Rajasulochana  It revolves around a man who is sentenced to death on false charges, and escapes from prison to clear his name 
Nallavan Vazhvan is the 50th film for Ramachandran as an actor  The screenplay was written by C  N  Annadurai, from a story by Na  Pandurangan, and cinematography was handled by G  Durai  The film was released on 31 August 1961 and underperformed at the box office, with a theatrical run of 80 days 

Plot
Muthu, a convict sentenced to death on false charges of murder, escapes from prison  He will have to himself confuse the culprit, Nallasivam, the local personality, of the most well-to-do, above suspicion, a priori  During his escape, disguised as a shaman, Muthu leads an investigation, and finds that the matter rests on the indestructible support of some women  First of all, his young and beautiful Chandra (that he saved formerly, captivated in the hands of Nallasivam), of its mother and the one that he considers as his young sister Chenbagame  But the husband of the latter, the inspector of police, in charge of this case, Madhavan, friend, nevertheless, Muthu, convinced of his guilt, does not stop pursuing him  However, the hired men thrown by Nallasivam cross the region in search of the fugitive to kill him  In front of such threats, will Muthu manage to put, in time, the hand on the unique witness which could exonerate him?

Cast
Male castM  G  Ramachandran as Muthu
M  R  Radha as Nallasivam
M  N  Nambiar as Inspector Madhavan
D  Balasubramaniam as Nallasivam's clerk
S  Rama Rao as Makeup MeganathanFemale castRajasulochana as Chandra
E  V  Saroja as Chenbagame
Lakshmi Prabha as Muthu's mother
P  S  Seethalaksmi as the witness

Production
Nallavan Vazhvan was produced and directed by P  Neelakantan under Arasu Pictures  The screenplay was written by C  N  Annadurai, from a story by Na  Pandurangan  It was the 50th film for M  G  Ramachandran as an actor  Cinematography was handled by G  Durai 

Soundtrack
The soundtrack was composed by T  R  Pappa, with lyrics by M  K  Athmanathan and Vaali  This was the first Ramachandran film for which Vaali wrote lyrics  The team initially rejected the lyrics Vaali wrote for the song "Sirikindraal Indru Sirikindraal" and wanted A  Maruthakasi to write new lyrics, but Maruthakasi convinced the team to retain Vaali's lyrics  The song contains the lyrics "Udayasooriyan ethiril irundhal, ullai thamarai malaratho" (in front of the rising sun, the lotus of one's heart blooms), where the "rising sun" is a reference to the Dravida Munnetra Kazhagam's election symbol 

Release and reception
Nallavan Vazhvan was released on 31 August 1961  Kanthan of Kalki negatively reviewed the film, saying one redeeming feature was its short runtime of 15,133 feet (4,613 m)  The film underperformed at the box office and ran for 80 days in theatres 
Passage 10:
Thomas Scott (diver)
Thomas Scott (1907 - date of death unknown) was an English diver 

Boxing
He competed in the 10 metre platform at the 1930 British Empire Games for England 

Personal life
He was a police officer at the time of the 1930 Games 



ground_truth: London Melody

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the date of death of the director of film Nallavan Vazhvan?

The following are given passages.
Context 4: : 21  The order was ignored and someone desecrated (some saying in the form of defecation: 696 note 35 ) the cathedral  Abrahah decided to avenge this act by demolishing the Kaaba and he advanced with an army towards Mecca : 22–23 There were thirteen elephants in Abrahah's army: 99 : 26  and the year came to be known as 'Ām al-Fīl (the Year of the Elephant), beginning a trend for reckoning the years in Arabia which was used until 'Umar ibn Al-Khaṭṭāb replaced it with the Islamic Calendar in 638 CE (17 AH), with the first year of the Islamic Calendar being 622 CE 
When news of the advance of Abrahah's army came, the Arab tribes of Quraysh, Kinānah, Khuzā'ah and Hudhayl united in defence of the Kaaba  A man from the Ḥimyar tribe was sent by Abrahah to advise them that he only wished to demolish the Kaaba and if they resisted, they would be crushed  "Abdul-Muṭṭalib told the Meccans to seek refuge in the nearest high hills while he, with some leading members of Quraysh, remained within the precincts of the Kaaba  Abrahah sent a dispatch inviting 'Abdul-Muṭṭalib to meet him and discuss matters  When 'Abdul-Muṭṭalib left the meeting he was heard saying, "The Owner of this House is its Defender, and I am sure He will save it from the attack of the adversaries and will not dishonour the servants of His House ": 24–26 It is recorded that when Abrahah's forces neared the Kaaba, Allah commanded small birds (abābīl) to destroy Abrahah's army, raining down pebbles on it from their beaks  Abrahah was seriously wounded and retreated towards Yemen but died on the way : 26–27  This event is referred to in the following Qur'anic chapter:

Have you not seen how your Lord dealt with the owners of the Elephant?
Did He not make their treacherous plan go astray?

And He sent against them birds in flocks, striking them with stones of baked clay, so He rendered them like straw eaten up 
Most Islamic sources place the event around the year that Muhammad was born, 570 CE, though other scholars place it one or two decades earlier  A tradition attributed to Ibn Shihab al-Zuhri in the musannaf of ʽAbd al-Razzaq al-Sanʽani places it before the birth of Muhammad's father 

Sacrificing his son Abdullah
Al-Harith was 'Abdul-Muṭṭalib's only son at the time he dug the Zamzam Well : 64  When the Quraysh tried to help him in the digging, he vowed that if he were to have ten sons to protect him, he would sacrifice one of them to Allah at the Kaaba  Later, after nine more sons had been born to him, he told them he must keep the vow  The divination arrows fell upon his favourite son Abdullah  The Quraysh protested 'Abdul-Muṭṭalib's intention to sacrifice his son and demanded that he sacrifice something else instead  'Abdul-Muṭṭalib agreed to consult a "sorceress with a familiar spirit"  She told him to cast lots between Abdullah and ten camels  If Abdullah were chosen, he had to add ten more camels, and keep on doing the same until his Lord accepted the camels in Abdullah's place  When the number of camels reached 100, the lot fell on the camels  'Abdul-Muṭṭalib confirmed this by repeating the test three times  Then the camels were sacrificed, and Abdullah was spared : 66–68

Family
Wives
Abd al-Muttalib had six known wives 

Sumra bint Jundab of the Hawazin tribe 
Lubnā bint Hājar of the Khuza'a tribe 
Fatima bint Amr of the Makhzum clan of the Quraysh tribe 
Halah bint Wuhayb of the Zuhrah clan of the Quraysh tribe 
Natīla bint Janab of the Namir tribe 
Mumanna'a bint Amr of the Khuza'a tribe 

Children
According to Ibn Hisham, ʿAbd al-Muṭṭalib had ten sons and six daughters : 707–708 note 97  However, Ibn Sa'd lists twelve sons : 99–101 By Sumra bint Jundab:

Al-Ḥārith : 708  He was the firstborn and he died before his father : 99 
Quthum : 100  He is not listed by Ibn Hisham By Fatima bint Amr:

Al-Zubayr : 707  He was a poet and a chief; his father made a will in his favour : 99  He died before Islam, leaving two sons and daughters : 101 : 34–35 
Abu Talib, born as Abd Manaf,: 99 : 707  father of the future Caliph Ali  He later became chief of the Hashim clan 
Abdullah, the father of Muhammad : 99 : 707 
Umm Hakim al-Bayda,: 100 : 707  the maternal grandmother of the third Caliph Uthman : 32 
Barra,: 100 : 707  the mother of Abu Salama : 33 
Arwa : 100 : 707 
Atika,: 100 : 707  a wife of Abu Umayya ibn al-Mughira : 31 
Umayma,: 100 : 707  the mother of Zaynab bint Jahsh and Abd Allah ibn Jahsh : 33 By Lubnā bint Hājar:

Abd al-'Uzzā, better known as Abū Lahab : 100 : 708 By Halah bint Wuhayb:

Ḥamza,: 707  the first big leader of Islam  He killed many leaders of the kufar and was considered as the strongest man of the quraysh  He was martyred at Uhud : 100 
Ṣafīyya : 100 : 707 
Al-Muqawwim : 707  He married Qilaba bint Amr ibn Ju'ana ibn Sa'd al-Sahmia, and had children named Abd Allah, Bakr, Hind, Arwa, and Umm Amr (Qutayla or Amra) 
Hajl : 707  He married Umm Murra bint Abi Qays ibn Abd Wud, and had two sons, named Abd Allah, Ubayd Allah, and three daughters named Murra, Rabi'a, and Fakhita By Natīlah bint Khubāb:

al-'Abbas,: 100 : 707  ancestor of the Abbasid caliphs 
Ḍirār,: 707  who died before Islam : 100 
Jahl, died before Islam
Imran, died before IslamBy Mumanna'a bint 'Amr:

Mus'ab, who, according to Ibn Saad, was the one known as al-Ghaydāq : 100  He is not listed by Ibn Hisham 
Al-Ghaydaq, died before Islam 
Abd al-Ka'ba, died before Islam : 100 
Al-Mughira,: 100  who had the byname al-Ghaydaq 

The family tree and some of his important descendants
Death
Abdul Muttalib's son 'Abdullāh died four months before Muḥammad's birth, after which Abdul Muttalib took care of his daughter-in-law Āminah  One day Muhammad's mother, Amina, wanted to go to Yathrib, where her husband, Abdullah, died  So, Muhammad, Amina, Abd al-Muttalib and their caretaker, Umm Ayman started their journey to Medina, which is around 500 kilometres away from Makkah  They stayed there for three weeks, then, started their journey back to Mecca  But, when they reached halfway, at Al-Abwa', Amina became very sick and died six years after her husband's death  She was buried over there  From then, Muhammad became an orphan  Abd al-Muttalib became very sad for Muhammad because he loved him so much  Abd al-Muttalib took care of Muhammad  But when Muhammad was eight years old, the very old Abd al-Muttalib became very sick and died at age 81-82 in 578-579 CE 
Shaybah ibn Hāshim's grave can be found in the Jannat al-Mu'allā cemetery in Makkah, Saudi Arabia 

See also
Family tree of Muhammad
Family tree of Shaiba ibn Hashim
Sahaba
Passage 9:
Fred Le Deux
Frederick David Le Deux (born 4 December 1934) is a former Australian rules footballer who played with Geelong in the Victorian Football League (VFL)  He is the grandfather of Tom Hawkins 

Early life
Le Deux grew up in Nagambie and attended Assumption College, after which he went to Bendigo to study teaching 

Football
While a student at Bendigo Teachers' Training College, Le Deux played for the Sandhurst Football Club  He then moved to Ocean Grove to take up a teaching position and in 1956 joined Geelong A follower and defender, Le Deux made 18 appearances for Geelong over three seasons, from 1956 to 1958 He was troubled by a back injury in 1958, which kept him out of the entire 1959 VFL season In 1960 he joined Victorian Football Association club Mordialloc, as he had transferred to a local technical school 

Family
Le Deux's daughter Jennifer was married to former Geelong player Jack Hawkins  Jennifer died in 2015  Their son, Tom Hawkins, currently plays for Geelong 
Passage 10:
John Westley
Rev  John Wesley (1636–78) was an English nonconformist minister  He was the grandfather of John Wesley (founder of Methodism) 

Life
John Wesly (his own spelling), Westley, or Wesley was probably born at Bridport, Dorset, although some authorities claim he was born in Devon, the son of the Rev  Bartholomew Westley and Ann Colley, daughter of Sir Henry Colley of Carbery Castle in County Kildare, Ireland  He was educated at Dorchester Grammar School and as a student of New Inn Hall, Oxford, where he matriculated on 23 April 1651, and graduated B A  on 23 January 1655, and M A  on 4 July 1657  After his appointment as an evangelist, he preached at Melcombe Regis, Radipole, and other areas in Dorset  Never episcopally ordained, he was approved by Oliver Cromwell's Commission of Triers in 1658 and appointed Vicar of Winterborne Whitechurch The report of his interview in 1661 with Gilbert Ironside the elder, his diocesan, according to Alexander Gordon writing in the Dictionary of National Biography, shows him to have been an Independent  He was imprisoned for not using the Book of Common Prayer, imprisoned again and ejected in 1662  After the Conventicle Act 1664 he continued to preach in small gatherings at Preston and then Poole, until his death at Preston in 1678 

Family
He married a daughter of John White, who was related also to Thomas Fuller  White, the "Patriarch of Dorchester", married a sister of Cornelius Burges  Westley's eldest son was Timothy (born 1659)  Their second son was Rev  Samuel Wesley, a High Church Anglican vicar and the father of John and Charles Wesley  A younger son, Matthew Wesley, remained a nonconformist, became a London apothecary, and died on 10 June 1737, leaving a son, Matthew, in India; he provided for some of his brother Samuel's daughters 

Notes
Additional sources
Matthews, A  G , "Calamy Revised", Oxford University Press, 1934, page 521  This article incorporates text from a publication now in the public domain: "Wesley, Samuel (1662-1735)"  Dictionary of National Biography  London: Smith, Elder & Co  1885–1900 



ground_truth: 3 September 1992