prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director born later, The Wind'S Fierce or Special Delivery (1927 Film)?

The following are given passages.
Context 1: Passage 1:
The Wind's Fierce
The Wind's Fierce (Spanish: La cólera del viento, Italian: La collera del vento, also known as Revenge of Trinity, Trinity Sees Red and The Wind's Anger) is a 1970 Spanish-Italian western-drama film written and directed by Mario Camus 

Plot
Andalusia, the late nineteenth century  Wealthy landowner Don Antonio hires two assassins, Marcos and Jacobo, to infiltrate a group of peasant revolutionaries and kill the leaders  After falling in love with the rebel Soledad, Marcos has a change of heart and decides to unite with the peasants 

Cast
Terence Hill as Marcos
Maria Grazia Buccella as Soledad
Mario Pardo as Jacobo
Máximo Valverde as  Ramón
Fernando Rey as Don Antonio
Ángel Lombarte as  José
William Layton as  Don Lucas
Manuel Alexandre as  Agustín
Manuel de Blas as  Rafael

Reception
Although set in Spain, this film is often classified as a spaghetti-western due to themes, scenes and settings deliberately evocative of the western genre 
Terence Hill gives a dramatic performance in his last film before attaining international stardom with They Call Me Trinity  After the success of that movie, The Wind's Fierce was re-released in many countries as a "Trinity" sequel and misleadingly marketed as a comedy 
Passage 2:
Claude Weisz
Claude Weisz is a French film director born in Paris 

Filmography
Feature films
Une saison dans la vie d'Emmanuel (1972) with Germaine Montéro, Lucien Raimbourg, Florence Giorgetti, Jean-François Delacour, Hélène Darche, Manuel Pinto, etc Festival de Cannes 1973 - Quinzaine des réalisateurs
Jury Prize: Festival Jeune Cinéma 1973

La Chanson du mal aimé (1981) with Rufus, Daniel Mesguich, Christine Boisson, Věra Galatíková, Mark Burns, Philippe Clévenot, Dominique Pinon, Madelon Violla, Paloma Matta, Béatrice Bruno, Catherine Belkhodja, Véronique Leblanc, Philippe Avron, Albert Delpy, etc Festival de Cannes 1982 - Perspectives du cinéma français
Competition selections: Valencia, Valladolid, Istanbul, Montréal

On l'appelait    le Roi Laid (1987) with Yilmaz Güney (mockumentary)Valencia Festival 1988 - Grand Prix for documentaries "Laurel Wreath"
Competition selections: Rotterdam, Valladolid, Strasbourg, Nyon, Cannes, Lyon, Cairo

Paula et Paulette, ma mère (2005) Documentary - Straight to DVD

Short and mid-length
La Grande Grève (1963 - Co-directed CAS collective, IDHEC)
L'Inconnue (1966 - with Paloma Matta and Gérard Blain - Prix CNC Hyères, Sidney)
Un village au Québec
Montréal
Deux aspects du Canada (1969)
La Hongrie, vers quel socialisme ? (1975 - Nominated for best documentary - Césars 1976)
Tibor Déry, portrait d'un écrivain hongrois (1977)
L'huître boudeuse
Ancienne maison Godin ou le familistère de Guise (1977)
Passementiers et Rubaniers
Le quinzième mois
C'était la dernière année de ma vie (1984 - FIPRESCI Prize- Festival Oberhausen 1985 - Nomination - Césars 1986)
Nous aimons tant le cinéma (Film of the European year of cinema - Delphes 1988)
Participation jusqu'en 1978 à la réalisation de films "militants"

Television
Series of seven dramas in German
Numerous documentary and docu-soap type films (TVS CNDP)
Initiation à la vie économique (TV series - RTS promotion)
Contemplatives    et femmes (TF1 - 1976)
Suzel Sabatier (FR3)
Un autre Or Noir (FR3)
Vivre en Géorgie
Portrait d'une génération pour l'an 2000 (France 5 - 2000)
Femmes de peine, femmes de coeur (FR3 - 2003)

Television documentaries
La porte de Sarp est ouverte (1998)
Une histoire balbynienne (2002)
Tamara, une vie de Moscou à Port-au-Prince (unfinished)
Hana et Khaman (unfinished)
En compagnie d'Albert Memmi (unfinished)
Le Lucernaire, une passion de théâtre
Les quatre saisons de la Taillade ou une ferme l'autre
Histoire du peuple kurde (in development)
Les kurdes de Bourg-Lastic (2008)
Réalisation de films institutionnels et industriels
Passage 3:
S D  Jones
Conrad Efraim (March 30, 1945 – October 26, 2008) was an Antiguan professional wrestler best known by his ring name, Special Delivery Jones or S  D  Jones (sometimes referred to as S  D  "Special Delivery" Jones) from his time (1974–1990) in the World Wrestling Federation (WWF, now WWE)  He also wrestled in Jim Crockett Promotions and the National Wrestling Alliance (NWA), and he won the NWA Americas Tag Team Championship three times 

Professional wrestling career
Before becoming a wrestler, Efraim worked at a telephone company  He also took part in boxing and lifting weights  While there, he began training under Johnny Rodz in the sport of professional wrestling  Upon completion of his training, he quit his job and began working for NWA Mid-Atlantic under the name "Roosevelt Jones" in a tag team with his partner and kayfabe cousin Rufus R  Jones  While there, they had a memorable feud with the Anderson family (Ole and Gene) On January 17, 1975, after leaving the Mid-Atlantic area for California, Jones won his first of three tag team titles, combining with Porkchop Cash to take the NWA Americas Tag Team Championship from the Hollywood Blonds (Buddy Roberts and Jerry Brown)  The following month, Jones and Cash dropped the titles back to the Blonds  Jones won the title again in 1977, teaming with Tom Jones to defeat Black Gordman and Goliath  Gordman and Goliath regained the championship, but SD and Tom Jones won the belts back from them on November 18, 1977 S  D  Jones had his first match in the WWWF on April 25, 1974 facing Nikolai Volkoff in Trenton, New Jersey  Jones would continue to wrestle in the WWF (WWWF) as a mid-card babyface who would give the heels a hard time but end up losing  He did, however, win quite a few matches on smaller cards against lower card or fellow mid carders like Ron Shaw and Johnny Rodz  Jones was often featured in tag team matches partnered with Tony Atlas, and the two challenged Mr  Fuji and Mr  Saito for the WWF Tag Team Championship several times in 1981  On one occasion, the two ended up as the final men in a battle royal and flipped a coin to decide the winner, as seen on the WWF Coliseum Video 'Best of the WWF Volume 4' and 'Grand Slams' video cassettes S  D  helped put over Greg Valentine at a 1979 TV taping when Valentine locked in his figure-four leglock and refused to let go, leading to Jones doing a stretcher job and subsequently appearing in Madison Square Garden with his leg in a cast  He was also the tag team partner of André the Giant on November 13, 1984 when André's hair was cut by Ken Patera and Big John Studd  At the inaugural WrestleMania in 1985 he famously lost to King Kong Bundy in an official match time of nine seconds, although the actual time from bell to pinfall was seventeen seconds  In any case, it would stand as the quickest match in WrestleMania history until The Rock defeated Erick Rowan in six seconds at WrestleMania 32 in 2016 Jones was a workhorse for the WWF as he wrestled 240 matches per year during his career and twice wrestled over 300 matches in a single year with (302) in 1978 and (305) in 1984  Despite mainly being used as a preliminary talent in the 1980s WWF, Jones garnered further recognition when LJN created two action figures of him for their Wrestling Superstars toy line  One was yellow with blue palm trees and the other was a red shirt  He also appeared in the WWF's music video for Land of a Thousand Dances  Jones last match was in New York City at Madison Square Garden on October 19, 1990 losing by pinfall against Iron Mike Sharpe 
After WWF, he wrestled for Herb Abrams's Universal Wrestling Federation and Universal Wrestling Superstars in New York City  He retired from the sport in 1995  In 2006, S  D  Jones appeared for the WWE inducting Tony Atlas into the WWE Hall of Fame   S  D  Jones was added to the WWE Hall Of Fame on April 7, 2019 as a legacy inductee 

Personal life and death
After retiring from wrestling, Jones lost a considerable amount of weight and took a job at the New York Daily News  He died in Antigua on October 26, 2008, following a stroke suffered two days earlier Following his death, his wife recalled "On Wednesday, he was laughing and singing and all of that… He went to feed the dogs, and when he came back, he called my name  He said, ‘Kay ’ He showed me his fingers, and the next thing I know, his body went limp  We went to the doctor’s, and he had three-quarters of his brain bleeding, covered with blood "

Championships and accomplishments
NWA Hollywood Wrestling
NWA Americas Tag Team Championship (3 times) – with Porkchop Cash (1 time) and Tom Jones (2 times)
Universal Superstars of America
USA Tag Team Championship (1 time) - with Tony Atlas
WWE
WWE Hall of Fame (Class of 2019)
Passage 4:
W  Augustus Barratt
W  Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician 

Early life and songs
Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley  In 1893 he won a scholarship for composition to the Royal College of Music 
In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements 
By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover 
He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree  He co-composed with Howard Talbot the successful Kitty Grey (1900) He continued to write songs and to receive recognition for them  The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald 
His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times  It also appeared four times, with different singers, in the 1913 and 1914 Proms 

America
In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:

on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
musical director of The Little Michus (1907), also featuring songs by Barratt;
co-composer of Miss Pocahontas (1907), a musical comedy;
musical director of The Love Cure (1909–1910), a musical romance;
composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst  Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;
musical director of The Quaker Girl (1911–1912);
co-composer and musical director of My Best Girl (1912);
musical director of The Sunshine Girl (1913);
musical director of The Girl who Smiles (1915), a musical comedy;
musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
contributor of a song to The Passing Show of 1918;
composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;
contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
musical director of What's in a Name? (1920), a musical revue

1921 in London
Though domiciled in the US, he made several visits back to England  During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B  Cochran, namely

League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;
Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics

Back to Broadway
Back in the US he returned to Broadway, working as
composer and lyricist of Jack and Jill (1923), a musical comedy;
musical director of The Silver Swan (1929), a musical romance

Radio plays
In later years he wrote plays and operettas mostly for radio, such as:

Snapshots: a radioperetta (1929)
Sushannah and the Brush Wielders: a play in 1 act (1929)
The Magic Voice: a radio series (1933)
Men of Action: a series of radio sketches (1933)
Say, Uncle: a radio series (1933)
Sealed Orders: a radio drama (1934)
Sergeant Gabriel (with Hugh Abercrombie) (1945)

Personal
In 1897 in London he married Lizzie May Stoner  They had one son  In 1904 he emigrated to the US and lived in New York City  His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American  In 1924, he became a naturalized American citizen  He died on 12 April 1947 in New York City 

Note on his first name
The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake  For professional purposes up to about 1900 he appears to have written as "W  Augustus Barratt", and thereafter mostly as simply "Augustus Barratt" 
Passage 5:
Roscoe Arbuckle
Roscoe Conkling "Fatty" Arbuckle (; March 24, 1887 – June 29, 1933) was an American silent film actor, comedian, director, and screenwriter  He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St  John  He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business  Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year (equivalent to $14,608,000 in 2022) 
Arbuckle was the defendant in three widely publicized trials between November 1921 and April 1922 for the rape and manslaughter of actress Virginia Rappe  Rappe had fallen ill at a party hosted by Arbuckle at San Francisco's St  Francis Hotel in September 1921, and died four days later  A friend of Rappe accused Arbuckle of raping and accidentally killing her  The first two trials resulted in hung juries, but Keaton testified for the defense in the third trial, which acquitted Arbuckle  The third jury took the unusual step of giving Arbuckle a written statement of apology for his treatment by the justice system 
Despite Arbuckle's acquittal, the scandal has mostly overshadowed his legacy as a pioneering comedian  At the behest of Adolph Zukor, president of Famous Players–Lasky, his films were banned by motion picture industry censor Will H  Hays after the trial, and he was publicly ostracized  Zukor was faced with the moral outrage of various groups such as the Lord's Day Alliance, the powerful Federation of Women's Clubs and even the Federal Trade Commission to curb what they perceived as Hollywood debauchery run amok and its effect on the morals of the general public   While Arbuckle saw a resurgence in his popularity immediately after his third trial (in which he was acquitted) Zukor decided he had to be sacrificed to keep the movie industry out of the clutches of censors and moralists   Hays lifted the ban within a year, but Arbuckle only worked sparingly through the 1920s  In their deal, Keaton promised to give him 35% of the Buster Keaton Comedies Co  profits  He later worked as a film director under the pseudonym William Goodrich  He was finally able to return to acting, making short two-reel comedies in 1932–33 for Warner Bros 

Arbuckle died in his sleep of a heart attack in 1933 at age 46, reportedly on the day that he signed a contract with Warner Bros  to make a feature film 

Early life
Roscoe Arbuckle was born on March 24, 1887, in Smith Center, Kansas, one of nine children of Mary E  Gordon and William Goodrich Arbuckle  He weighed in excess of 13 pounds (5 9 kg) at birth and his father believed that he was illegitimate, as both parents had slim builds  Consequently, he named him after Senator Roscoe Conkling of New York, a notorious philanderer whom he despised  The birth was traumatic for Mary and resulted in chronic health problems that contributed to her death eleven years later Arbuckle was nearly two when his family moved to Santa Ana, California  He first performed on stage with Frank Bacon's company at age 8 during their performance in Santa Ana  Arbuckle enjoyed performing and continued on until his mother's death in 1898, when he was 11  Arbuckle's father had always treated him harshly and now refused to support him, so he got work doing odd jobs in a hotel  He was in the habit of singing while he worked, and a professional singer heard him and invited him to perform in an amateur talent show  The show consisted of the audience judging acts by clapping or jeering, with bad acts pulled off the stage by a shepherd's crook  Arbuckle sang, danced, and did some clowning around, but he did not impress the audience  He saw the crook emerging from the wings and somersaulted into the orchestra pit in obvious panic  The audience went wild, and he won the competition and began a career in vaudeville 

Career
In 1904, Sid Grauman invited Arbuckle to sing in his new Unique Theater in San Francisco, beginning a long friendship between the two  He then joined the Pantages Theatre Group touring the West Coast and in 1906 played the Orpheum Theater in Portland, Oregon, in a vaudeville troupe organized by Leon Errol  Arbuckle became the main act and the group took their show on tour On August 6, 1908, Arbuckle married Minta Durfee (1889–1975), the daughter of Charles Warren Durfee and Flora Adkins  Durfee starred in many early comedy films, often with Arbuckle  They made a strange couple, as Minta was short and petite while Arbuckle tipped the scales at 300 lbs (136 kg)  Arbuckle then joined the Morosco Burbank Stock vaudeville company and went on a tour of China and Japan, returning in early 1909 Arbuckle began his film career with the Selig Polyscope Company in July 1909 when he appeared in Ben's Kid  He appeared sporadically in Selig one-reelers until 1913, moved briefly to Universal Pictures, and became a star in producer-director Mack Sennett's Keystone Cops comedies  Although his large size was undoubtedly part of his comedic appeal, Arbuckle was self-conscious about his weight and refused to use it to get "cheap" laughs like getting stuck in a doorway or chair Arbuckle was a talented singer  After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "give up this nonsense you do for a living, with training you could become the second greatest singer in the world "

Screen comedian
Despite his physical size, Arbuckle was remarkably agile and acrobatic  Mack Sennett, when recounting his first meeting with Arbuckle, noted that he "skipped up the stairs as lightly as Fred Astaire" and that he "without warning went into a feather light step, clapped his hands and did a backward somersault as graceful as a girl tumbler"  His comedies are noted as rollicking and fast-paced, have many chase scenes, and feature sight gags  Arbuckle was fond of the "pie in the face", a comedy cliché that has come to symbolize silent-film-era comedy itself  The earliest known pie thrown in film was in the June 1913 Keystone one-reeler A Noise from the Deep, starring Arbuckle and frequent screen partner Mabel Normand In 1914, Paramount Pictures made the then unheard-of offer of US$1,000 a day plus twenty-five percent of all profits and complete artistic control to make movies with Arbuckle and Normand  The movies were so lucrative and popular that in 1918 they offered Arbuckle a three-year, $3 million contract (equivalent to about $58,000,000 in 2022 dollars) By 1916, Arbuckle was experiencing serious health problems  An infection that developed on his leg became a carbuncle so severe that doctors considered amputation  Although Arbuckle was able to keep his leg, he was prescribed morphine against the pain; he would later be accused of being addicted to it  Following his recovery, Arbuckle started his own film company, Comique, in partnership with Joseph Schenck  Although Comique produced some of the best short pictures of the silent era, Arbuckle transferred his controlling interest in the company to Buster Keaton in 1918 and accepted Paramount's $3 million offer to make up to 18 feature films over three years Arbuckle disliked his screen nickname  "Fatty" had also been Arbuckle's nickname since school; "It was inevitable", he said  Fans also called Roscoe "The Prince of Whales" and "The Balloonatic"  However, the name Fatty identifies the character that Arbuckle portrayed on-screen (usually a naive hayseed), not Arbuckle himself  When Arbuckle portrayed a female, the character was named "Miss Fatty", as in the film Miss Fatty's Seaside Lovers  Arbuckle discouraged anyone from addressing him as "Fatty" off-screen, and when they did so his usual response was, "I've got a name, you know "

Scandal
On September 5, 1921, Arbuckle took a break from his hectic film schedule and, despite suffering from second-degree burns to both buttocks from an on-set accident, drove to San Francisco with two friends, Lowell Sherman and Fred Fishback  The three checked into three rooms at the St  Francis Hotel: 1219 for Arbuckle and Fishback to share, 1221 for Sherman, and 1220 designated as a party room  Several women were invited to the suite  During the carousing, a 30-year-old aspiring actress named Virginia Rappe was found seriously ill in room 1219 and was examined by the hotel doctor, who concluded her symptoms were mostly caused by intoxication and gave her morphine to calm her  Rappe was not hospitalized until two days after the incident 
At the hospital, Rappe's companion at the party, Bambina Maude Delmont, told a doctor that Arbuckle had raped her friend  The doctor examined Rappe but found no evidence of rape  She died one day after her hospitalization from peritonitis caused by a ruptured bladder  Rappe suffered from chronic urinary tract infections, a condition that liquor irritated dramatically  
Delmont then told police that Arbuckle had raped Rappe; the police concluded that the impact of Arbuckle's overweight body lying on top of Rappe had eventually caused her bladder to rupture  At a later press conference, Rappe's manager, Al Semnacher, accused Arbuckle of using a piece of ice to simulate sex with Rappe, thus leading to her injuries  By the time the story was reported in newspapers, the object had evolved into a Coca-Cola or champagne bottle rather than a piece of ice  In fact, witnesses testified that Arbuckle rubbed the ice on Rappe's stomach to ease her abdominal pain  Arbuckle denied any wrongdoing  Delmont later made a statement incriminating Arbuckle to the police in an attempt to extort money from Arbuckle's attorneys Arbuckle's trial was a major media event  The story was fueled by yellow journalism, with the newspapers portraying Arbuckle as a gross lecher who used his weight to overpower innocent girls  William Randolph Hearst's nationwide newspaper chain exploited the situation with exaggerated and sensationalized stories   Hearst was gratified by the profits he accrued during the Arbuckle scandal, and he allegedly said that it had "sold more newspapers [   ] than when the Lusitania went down " Morality groups called for Arbuckle to be sentenced to death  The resulting scandal destroyed Arbuckle's career along with his personal life 
Arbuckle was regarded by those who knew him closely as a good-natured man who was shy around women; he has been described as "the most chaste man in pictures"  However, studio executives, fearing negative publicity by association, ordered Arbuckle's industry friends and fellow actors (whose careers they controlled) not to publicly speak up for him  Charlie Chaplin, who was in Britain at the time, told reporters that he could not and would not believe Arbuckle had anything to do with Rappe's death; having known Arbuckle since they both worked at Keystone in 1914, Chaplin "knew Roscoe to be a genial, easy-going type who would not harm a fly " Buster Keaton reportedly did make one public statement in support of Arbuckle's innocence, a decision which earned him a mild reprimand from the studio where he worked  Film actor William S  Hart, who had never met or worked with Arbuckle, made a number of damaging public statements in which he presumed that Arbuckle was guilty  Arbuckle later wrote a premise for a film parodying Hart as a thief, bully, and wife beater, which Keaton purchased from him  The resulting film, The Frozen North, was released in 1922, almost a year after the scandal first emerged  Keaton co-wrote, directed and starred in the picture; consequently, Hart refused to speak to Keaton for many years 

Trials
The prosecutor, San Francisco District Attorney Matthew Brady, an intensely ambitious man who planned to run for governor, made public pronouncements of Arbuckle's guilt and pressured witnesses to make false statements  Brady at first used Delmont as his star witness during the indictment hearing  The defense obtained a letter from Delmont admitting to a plan to extort payment from Arbuckle  In view of Delmont's constantly changing story, her testimony would have ended any chance of going to trial  Ultimately, the judge found no evidence of rape  After hearing testimony from one of the party guests, Zey Prevon, that Rappe told her "Roscoe hurt me" on her deathbed, the judge decided that Arbuckle could be charged with first-degree murder  Brady had originally planned to seek the death penalty  The charge was later reduced to manslaughter 

First trial
On September 17, 1921, Arbuckle was arrested and arraigned on charges of manslaughter  He arranged bail after nearly three weeks in jail  The trial began November 14, 1921, in the city courthouse in San Francisco  Arbuckle hired as his lead defense counsel Gavin McNab, a competent local attorney  The principal witness was Prevon  At the beginning of the trial Arbuckle told his already-estranged wife, Minta Durfee, that he did not harm Rappe; she believed him and appeared regularly in the courtroom to support him  Public feeling was so negative that Durfee was later shot at while entering the courthouse Brady's first witnesses during the trial included Betty Campbell, a model, who attended the party and testified that she saw Arbuckle with a smile on his face hours after the alleged rape occurred; Grace Hultson, a local hospital nurse who testified it was very likely that Arbuckle raped Rappe and bruised her body in the process; and Dr  Edward Heinrich, a local criminologist who claimed that the fingerprints on the door to the hallway proved that Rappe had tried to flee, but that Arbuckle had stopped her by putting his hand over hers  Dr  Arthur Beardslee, the hotel doctor who had examined Rappe, testified that an external force seemed to have damaged the bladder  During cross-examination, however, Campbell revealed that Brady had threatened to charge her with perjury if she did not testify against Arbuckle  Dr  Heinrich's claim to have found fingerprints was cast into doubt after McNab produced a maid from the St  Francis Hotel who testified that she had thoroughly cleaned the room before the investigation took place  Dr  Beardslee admitted that Rappe had never mentioned being assaulted while he was treating her  McNab was furthermore able to get Nurse Hultson to admit that the rupture of Rappe's bladder could very well have been a result of cancer, and that the bruises on her body could also have been a result of the heavy jewelry she was wearing that evening On November 28, Arbuckle testified as the defense's final witness  He was simple, direct, and unflustered in both direct and cross-examination  In his testimony, Arbuckle claimed that Rappe (whom he testified he had known for five or six years) came into the party room (1220) around noon that day, and that sometime afterward he went to his room (1219) to change clothes after Mae Taub, daughter-in-law of Billy Sunday, asked him for a ride into town  In his room, Arbuckle discovered Rappe in the bathroom vomiting into the toilet  He then claimed Rappe told him she felt ill and asked to lie down, and that he carried her into the bedroom and asked a few of the party guests to help treat her  When Arbuckle and a few of the guests re-entered the room, they found Rappe on the floor near the bed tearing at her clothing and going into violent convulsions  To calm Rappe down, they placed her in a bathtub of cool water  Arbuckle and Fischbach then took her to room 1227 and called the hotel manager and doctor  At this point all those present thought Rappe was just very drunk, including the hotel doctors  Probably assuming Rappe would simply sleep it off, Arbuckle drove Taub into town During the whole trial, the prosecution presented medical descriptions of Rappe's bladder as evidence that she had an illness  In his testimony, Arbuckle denied he had any knowledge of Rappe's illness  During cross-examination, Assistant District Attorney Leo Friedman aggressively grilled Arbuckle over the fact that he refused to call a doctor when he found Rappe sick, and argued that he refused to do so because he knew of Rappe's illness and saw a perfect opportunity to rape and kill her  Arbuckle calmly maintained that he never physically hurt or sexually assaulted Rappe in any way during the party, and he also stated that he never made any inappropriate sexual advances against any woman in his life  After over two weeks of testimony with sixty prosecution and defense witnesses, including eighteen doctors who testified about Rappe's illness, the defense rested  On December 4, 1921, the jury returned five days later deadlocked after nearly forty-four hours of deliberation with a 10–2 not guilty verdict, and a mistrial was declared Arbuckle's attorneys later concentrated their attention on one woman named Helen Hubbard, who had told jurors that she would vote guilty "until hell freezes over"  She refused to look at the exhibits or read the trial transcripts, having made up her mind in the courtroom  Hubbard's husband was a lawyer who did business with the D A 's office, and expressed surprise that she was not challenged when selected for the jury pool  While much attention was paid to Hubbard after the trial, some former jury members told reporters that they believed that Arbuckle was indeed guilty, but not beyond a reasonable doubt  During the deliberations, some jurors joined Hubbard in voting to convict, but they all recanted except for Thomas Kilkenny  Arbuckle researcher Joan Myers describes the political climate and the media attention to the presence of women on juries (which had only been legal for four years at the time) and how Arbuckle's defense immediately singled out Hubbard as a villain; Myers also records Hubbard's account of the jury foreman August Fritze's attempts to bully her into changing her vote to 'not guilty'  While Hubbard offered explanations on her vote whenever challenged, Kilkenny remained silent and quickly faded from the media spotlight after the trial ended 

Second trial
The second trial began January 11, 1922, with a new jury, but with the same legal defense and prosecution as well as the same presiding judge  The same evidence was presented, but this time one of the witnesses, Zey Prevon, testified that Brady had forced her to lie  Another witness who testified during the first trial, a former Culver Studios security guard named Jesse Norgard, testified that Arbuckle had once shown up at the studio and offered him a cash bribe in exchange for the key to Rappe's dressing room  The comedian supposedly said he wanted it to play a joke on the actress  Norgard said he refused to give him the key  During cross-examination, Norgard's testimony was called into question when he was revealed to be an ex-convict who was currently charged with sexually assaulting an eight-year-old girl, and who was also looking for a sentence reduction from Brady in exchange for his testimony  Further, in contrast to the first trial, Rappe's history of promiscuity and heavy drinking was detailed  The second trial also discredited some major evidence such as the identification of Arbuckle's fingerprints on the hotel bedroom door: Heinrich took back his earlier testimony from the first trial and testified that the fingerprint evidence was likely faked  The defense was so convinced of an acquittal that Arbuckle was not called to testify  His lawyer, McNab, made no closing argument to the jury  However, some jurors interpreted the refusal to let Arbuckle testify as a sign of guilt  After five days and over forty hours of deliberation, the jury returned on February 3, deadlocked with a 10–2 majority in favour of conviction, resulting in another mistrial 

Third trial
By the time of Arbuckle's third trial, his films had been banned, and newspapers had been filled for the past seven months with stories of Hollywood orgies, murder, and sexual perversion  Delmont was touring the country giving one-woman shows as, "The woman who signed the murder charge against Arbuckle", and lecturing on the evils of Hollywood 
The third trial began March 13, 1922, and this time the defense took no chances  McNab took an aggressive defense, completely tearing apart the prosecution's case with long and aggressive examination and cross-examination of each witness  McNab also managed to get in still more evidence about Rappe's lurid past and medical history  Another hole in the prosecution's case was opened because Prevon, a key witness, was out of the country after fleeing police custody and unable to testify  As in the first trial, Arbuckle testified as the final witness and again maintained his denials in his heartfelt testimony about his version of the events at the party  Buster Keaton is said to have been in the courtroom and provided important evidence to prove Arbuckle's innocence; Delmont was involved in prostitution, extortion, and blackmail  During closing statements, McNab reviewed how flawed the case was against Arbuckle from the very start and how Brady fell for the outlandish charges of Delmont, whom McNab described as "the complaining witness who never witnessed"  The jury began deliberations April 12 and took only six minutes to return with a unanimous not-guilty verdict; five of those minutes were spent writing a formal statement of apology to Arbuckle for putting him through the ordeal, a dramatic move in American justice  The jury statement as read by the jury foreman stated:

Acquittal is not enough for Roscoe Arbuckle  We feel that a great injustice has been done him  We feel also that it was only our plain duty to give him this exoneration, under the evidence, for there was not the slightest proof adduced to connect him in any way with the commission of a crime  He was manly throughout the case and told a straightforward story on the witness stand, which we all believed  The happening at the hotel was an unfortunate affair for which Arbuckle, so the evidence shows, was in no way responsible  We wish him success and hope that the American people will take the judgment of fourteen men and woman who have sat listening for thirty-one days to evidence, that Roscoe Arbuckle is entirely innocent and free from all blame 
After the reading of the apology statement, the jury foreman personally handed the statement to Arbuckle, who kept it as a treasured memento for the rest of his life  Then, one by one, the 12-person jury plus the two jury alternates walked up to Arbuckle's defense table, where they shook his hand and/or embraced and personally apologized to him  The entire jury proudly posed with Arbuckle for photographers after the verdict and apology Some experts later concluded that Rappe's bladder might also have ruptured as a result of an abortion she might have had a short time before the fateful party  Her organs had been destroyed and it was now impossible to test for pregnancy  Because alcohol was consumed at the party, Arbuckle was forced to plead guilty to one count of violating the Volstead Act and had to pay a $500 fine  At the time of his acquittal, he owed over $700,000 (equivalent to approximately $12,200,000 in 2022 dollars) in legal fees to his attorneys for the three criminal trials, and he was forced to sell his house and all of his cars to pay some of the debt The scandal and trials had greatly damaged Arbuckle's popularity among the general public  In spite of the acquittal and the apology, his reputation was not restored and the effects of the scandal continued  Will H  Hays, who served as the head of the newly formed Motion Pictures Producers and Distributors of America (MPPDA) censor board, cited Arbuckle as an example of the poor morals in Hollywood  On April 18, 1922, six days after Arbuckle's acquittal, Hays banned him from ever working in U S  movies again  He had also requested that all showings and bookings of Arbuckle films be canceled, and exhibitors complied  In December of the same year, under public pressure, Hays elected to lift the ban  However, Arbuckle was still unable to secure work as an actor Most exhibitors still declined to show Arbuckle's films, several of which now have no copies known to have survived intact  One of Arbuckle's feature-length films known to survive is Leap Year, which Paramount declined to release in the U S  owing to the scandal  It was eventually released in Europe  With Arbuckle's films now banned, in March 1922 Keaton signed an agreement to give Arbuckle thirty-five percent of all future profits from his production company, Buster Keaton Comedies, in hopes of easing his financial situation 

Aftermath
In November 1923, Minta Durfee filed for divorce from Arbuckle, charging grounds of desertion  The divorce was granted the following January  They had been separated since 1921, though Durfee always claimed he was the nicest man in the world and they were still friends  After a brief reconciliation, Durfee again filed for divorce, this time while in Paris, in December 1924  Arbuckle married Doris Deane on May 16, 1925 Arbuckle tried returning to filmmaking, but industry resistance to distributing his pictures continued to linger after his acquittal  He retreated into alcoholism  In the words of his first wife, "Roscoe only seemed to find solace and comfort in a bottle"  Keaton attempted to help Arbuckle by giving him work on his films  Arbuckle wrote the story for a Keaton short called Day Dreams (1922)  Arbuckle allegedly co-directed scenes in Keaton's Sherlock Jr  (1924), but it is unclear how much of this footage remained in the film's final cut  In 1925, Carter DeHaven's short Character Studies, shot before the scandal, was released  Arbuckle appeared alongside Keaton, Harold Lloyd, Rudolph Valentino, Douglas Fairbanks, and Jackie Coogan  The same year, in Photoplay's August issue, James R  Quirk wrote: "I would like to see Roscoe Arbuckle make a comeback to the screen " He also said: "The American nation prides itself upon its spirit of fair play  We like the whole world to look upon America as the place where every man gets a square deal  Are you sure Roscoe Arbuckle is getting one today? I'm not "

William Goodrich pseudonym
Eventually, Arbuckle worked as a director under the pseudonym "William Goodrich"  Author David Yallop cites Arbuckle's father's full name as William Goodrich Arbuckle as the inspiration behind the alias  Another tale credits Keaton, an inveterate punster, with suggesting that Arbuckle become a director under the alias "Will B  Good"  The pun being too obvious, Arbuckle adopted the more formal pseudonym "William Goodrich"  Keaton himself told this story during a recorded interview with Kevin Brownlow in the 1960s Between 1924 and 1932, Arbuckle directed a number of comedy shorts under the pseudonym for Educational Pictures, which featured lesser-known comics of the day  Louise Brooks, who played the ingenue in Windy Riley Goes Hollywood (1931), told Brownlow of her experiences in working with Arbuckle:

He made no attempt to direct this picture  He just sat in his director's chair like a dead man  He had been very nice and sweetly dead ever since the scandal that ruined his career  But it was such an amazing thing for me to come in to make this broken-down picture, and to find my director was the great Roscoe Arbuckle  Oh, I thought he was magnificent in films  He was a wonderful dancer—a wonderful ballroom dancer, in his heyday  It was like floating in the arms of a huge doughnut—really delightful 
Among the more visible directorial projects under the Goodrich pseudonym was the Eddie Cantor feature Special Delivery (1927), which was released by Paramount and co-starred William Powell and Jobyna Ralston  His highest-profile project was arguably The Red Mill, also released in 1927, a Marion Davies vehicle 

Roscoe Arbuckle's Plantation Café
Arbuckle and Dan Coombs, one of Culver City's first mayors, re-opened the Plantation Club near the Metro-Goldwyn-Mayer studios on Washington Boulevard as Roscoe Arbuckle's Plantation Café on August 2, 1928  By 1930, Arbuckle sold his interest and it became known as George Olsen's Plantation Café, later The Plantation Trailer Court and then Foreman Phillips County Barn Dance 

Second divorce and third marriage
In 1929, Doris Deane sued for divorce from Arbuckle in Los Angeles, charging desertion and cruelty  On June 21, 1932, Roscoe married Addie Oakley Dukes McPhail (later Addie Oakley Sheldon, 1905–2003) in Erie, Pennsylvania 

Brief comeback and death
In 1932, Arbuckle signed a contract with Warner Bros  to star under his own name in a series of six two-reel comedies, to be filmed at the Vitaphone studios in Brooklyn, New York  These six short films constitute the only recordings of Arbuckle's voice  Silent-film comedian Al St  John (Arbuckle's nephew) and actors Lionel Stander and Shemp Howard appeared with Arbuckle  One of the films (How've You Bean?) had grocery-store gags reminiscent of Arbuckle's 1917 short The Butcher Boy, with vaudeville comic Fritz Hubert as his assistant, dressed like Buster Keaton  The Vitaphone shorts were very successful in America, although when Warner Bros  attempted to release the first one (Hey, Pop!) in the United Kingdom, the British Board of Film Censors cited the ten-year-old scandal and refused to grant an exhibition certificate On June 28, 1933, Arbuckle had finished filming the last of the two-reelers (four of which had already been released)  The next day he signed a contract with Warner Bros  to star in a feature-length film  That night he went out with friends to celebrate his first wedding anniversary and the new Warner Bros  contract when he reportedly said: "This is the best day of my life " He suffered a heart attack later that night and died in his sleep  He was 46  His widow Addie requested that his body be cremated, as that was Arbuckle's wish 

Legacy
Many of Arbuckle's films, including the feature The Life of the Party (1920), survive only as worn prints with foreign-language inter-titles  As with most American films produced during the silent era, little or no effort was made to preserve original negatives and prints during Hollywood's first two decades, making most films that included him  lost media or lost films  However, it is likely that due to the reputation Arbuckle received around the rape and death of Virginia Rappe, that many studios wished to avoid any negative backlash and purposely destroyed any surviving films which he had a starring role in 
 By the early 21st century, some of Arbuckle's short subjects (particularly those co-starring Chaplin or Keaton) had been restored, released on DVD, and even screened theatrically  His early influence on American slapstick comedy is widely recognised For his contributions to the film industry, in 1960, some 27 years after his death, Arbuckle was awarded a star on the Hollywood Walk of Fame located at 6701 Hollywood Boulevard 

In popular culture
Neil Sedaka refers to Arbuckle, along with Charlie Chaplin, Buster Keaton, Stan Laurel, and Oliver Hardy in his 1971 song "Silent Movies", as heard on his Emergence album The James Ivory film The Wild Party (1975) has been repeatedly but incorrectly cited as a film dramatization of the Arbuckle–Rappe scandal  In fact it is loosely based on the 1926 poem by Joseph Moncure March  In this film, James Coco portrays a heavy-set silent film comedian named Jolly Grimm whose career is on the skids, but who is desperately planning a comeback  Raquel Welch portrays his mistress, who ultimately goads him into shooting her  This film was loosely based on the misconceptions surrounding the Arbuckle scandal, yet it bears almost no resemblance to the documented facts of the case In Ken Russell's 1977 biopic Valentino, Rudolph Nureyev as a pre-movie star Rudolph Valentino dances in a nightclub before a grossly overweight, obnoxious, and hedonistic celebrity called "Mr  Fatty" (played by William Hootkins), a caricature of Arbuckle rooted in the public view of him created in popular press coverage of the Rappe rape trial  In the scene, Valentino picks up starlet Jean Acker (played by Carol Kane) off a table in which she is sitting in front of Fatty and dances with her, enraging the spoiled star, who becomes apoplectic Before his death in 1997, comedian Chris Farley expressed interest in starring as Arbuckle in a biography film  According to the 2008 biography The Chris Farley Show: A Biography in Three Acts, Farley and screenwriter David Mamet agreed to work together on what would have been Farley's first dramatic role  In 2007, director Kevin Connor planned a film, The Life of the Party, based on Arbuckle's life  It was to star Chris Kattan and Preston Lacy  However, the project was shelved  Like Farley, comedians John Belushi and John Candy also considered playing Arbuckle, but each of them died before a biopic was made  Farley's film was signed with Vince Vaughn as his co-star In April and May 2006, the Museum of Modern Art in New York City mounted a 56-film, month-long retrospective of all of Arbuckle's known surviving work, running the entire series twice Arbuckle is the subject of a 2004 novel titled I, Fatty by author Jerry Stahl  The Day the Laughter Stopped by David Yallop and Frame-Up! The Untold Story of Roscoe "Fatty" Arbuckle by Andy Edmonds are other books on Arbuckle's life  The 1963 novel Scandal in Eden by Garet Rogers is a fictionalized version of the Arbuckle scandal Fatty Arbuckle's was an American-themed restaurant chain in the UK named after Arbuckle The 2009 novel Devil's Garden is based on the Arbuckle trials  The main character in the story is Dashiell Hammett, a Pinkerton detective in San Francisco at the time of the trials NOFX's 2012 album Self Entitled has a song called "I, Fatty" about Arbuckle The 2021 French graphic novel Fatty : le premier roi d'Hollywood, by Nadar and Julien Frey, portrays the period from Arbuckle's early days in Hollywood to his death 

Filmography
See also
List of actors with Hollywood Walk of Fame motion picture stars
List of American comedy films

Notes
Passage 6:
Special Delivery (1927 film)
Special Delivery is a 1927 American silent comedy film directed by Roscoe Arbuckle starring Eddie Cantor, Jobyna Ralston and William Powell  It was written by Cantor, John F  Goodrich, and George Marion Jr  (with Larry Semon, uncredited)  It was released by Paramount Pictures  The film's copyright was renewed in 1954, so it entered the public domain in the United States on January 1, 2023 

Plot
Eddie, a mailman, is in love with waitress Madge but finds amongst his rivals for her affections the dishonest promoter Harold Jones  Eddie, who cannot dance, impresses Madge at the postal ball by his energetic performance of the Black Bottom after a piece of ice falls down his shirt and wins a cup  He eventually unmasks Harold as a crooked swindler 

Cast
Eddie Cantor as Eddie, The Mail Carrier
Jobyna Ralston as Madge, The Girl
William Powell as Harold Jones
Donald Keith as Harrigan, The Fireman
Jack Dougherty as Flannigan, a cop
Victor Potel as Nip, a detective
Paul Kelly as Tuck, another detective
Mary Carr as The Mother
Marilyn Cantor Baker as Extra (uncredited) (as Marilyn Cantor)
Marjorie Cantor as Extra (uncredited)
Tiny Doll as Baby on Eddie's Route (uncredited)
Robert Livingston as Extra at Postal Ball (uncredited)
Natalie Cantor Metzger as Extra (uncredited) (as Natalie Cantor)
Spec O'Donnell as Office Boy (uncredited)

See also
Fatty Arbuckle filmography
Passage 7:
Mario Camus
Mario Camus García (20 April 1935 – 18 September 2021) was a Spanish film director and screenwriter  He won the  Golden Bear at the 33rd Berlin International Film Festival with La colmena  His 1987 film The House of Bernarda Alba was screened in the Un Certain Regard section at the 1987 Cannes Film Festival and in the main competition at the 15th Moscow International Film Festival  His 1993 film Shadows in a Conflict was entered into the 18th Moscow International Film Festival 

Filmography
Passage 8:
Special Delivery (1955 film)
Special Delivery (German: Vom Himmel gefallen) is a 1955 American–West German comedy film, directed by John Brahm  It stars Joseph Cotten and Eva Bartok  Special Delivery was filmed simultaneously in an English- and German-language version 

Plot
Somewhere behind the Iron Curtain, mid 1950s  John Adams is a US embassy chargé d'affaires in a communist country in Eastern Europe  One day he has to deal with a very special case: in the front yard of the embassy, a baby has been laid down, as if it had "fallen from heaven"! Nobody knows how it got there, nobody saw the person who put it there  A found object in the front yard of the embassy is not all that unusual, because many a person persecuted by the regime has thrown something over the embassy fence so that it does not fall into the hands of the communist cultural barbarians  For the embassy, with its six exclusively male employees, the baby poses a serious problem: what to do? The government of the Eastern European country immediately demands the extradition of the young "citizen" and immediately sends a stubborn state representative, Comrade Kovacs  Adams, on the other hand, decides to stonewall and not hand the baby over to the communists  In order to ensure the care of the little one, who is simply called Sam after Uncle Sam, the host country also provides its own nanny  Sonja Novaswobida, as she is called, is also supposed to collect further information on site on behalf of her government 
Due to mutual distrust, the men's relationships with the Eastern European state employee initially ranged from difficult to cold, especially since Kovacs turned out to be a particularly tough opponent for Ambassador Adams  He insists on returning the baby to the country as a kind of public property  Adams, however, wants to hand over just that, and instead, with some ironic ulterior motive, gives Adams another find that someone had thrown over the embassy's bridle: a supposedly ingenious, modern musical score that Kovacs plays the piano reluctantly at first, but then enthusiastically after realizing it must, how little the Americans can do with such modern music  Trust in one another begins to develop slowly  Tensions between the two governments are only resolved when the little one's parents are located  They are Olaf, the embassy's Swedish cook, and a woman from the host country who used to work here  Ambassador Adams now ensures in no time at all that marriage papers are issued to the parents, so that the toddler is considered a Swedish citizen and can leave the communist country with the parents in the direction of freedom  Adams' relationship with Sonja also soon goes beyond the purely official: both eventually become a couple 

Cast
Joseph Cotten as John Adams
Eva Bartok as Sonja
Bob Cunningham as Captain Heinikan
René Deltgen as Kovak
Gert Fröbe as Olaf
Bruni Löbel as Lila
Ursula Herking as Madame Debrov

Production
It was filmed simultaneously in English- and German-language versions 

See also
1955 in film
List of comedy films of the 1950s
List of German films 1945–1959
Passage 9:
Sepideh Farsi
Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director 

Early years
Farsi left Iran in 1984 and went to Paris to study mathematics   However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films  A main theme of her works is identity  She still visits Tehran each year 

Awards/Recognition
Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009  She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D  Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT" 

Recent News
One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission)   The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest   It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film   The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”   The  dialogue is in Persian with English and Arabic subtitles  In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival 

Filmography
Red Rose (2014)
Cloudy Greece (2013)
Zire Âb / The house under the water (2010)
Tehran bedoune mojavez / Tehran without permission (2009)
If it were Icarus (2008)
Harat (2007)
Negah / The Gaze (2006)
Khab-e khak / Dreams of Dust (2003)
Safar-e Maryam / The journey of Maryam (2002)
Mardan-e Atash / Men of Fire (2001)
Homi D  Sethna, filmmaker (2000)
Donya khaneye man ast / The world is my home (1999)
Khabe Âb / Water dreams (1997)
Bâd-e shomal / Northwind (1993)
Passage 10:
Special Delivery (2002 film)
Special Delivery (French: C'est le bouquet !) is a 2002 French comedy film directed by Jeanne Labrune 

Cast
Sandrine Kiberlain - Catherine
Jean-Pierre Darroussin - Raphaël
Dominique Blanc - Edith
Mathieu Amalric - Stéphane
Jean-Claude Brialy - Robert Fresnel
Maurice Bénichou - Antoine
Hélène Lapiower - Alice
Dominique Besnehard - Laurent
Richard Debuisne - Emmanuel Kirsch
Gisèle Casadesus - The lady
Didier Bezace - The theater director
László Szabó - The guardian
Lise Lamétrie - The maid
Context 2: Passage 1:
Pier-Luc Funk
Pier-Luc Funk (born May 5, 1994) is a Canadian film and television actor from Quebec  He is most noted for his role as Maxime in the 2018 film Genesis (Genèse), for which he received a Prix Iris nomination for Best Supporting Actor at the 21st Quebec Cinema Awards Funk had his first acting role in childhood, as the protagonist of the 2008 film A No-Hit No-Run Summer (Un été sans point ni coup sûr)  Following that he joined the cast of the teen drama series Tactik, in which he played Samuel Langevin from 2009 to 2013 In 2014 and 2015 he was a cast member in SNL Québec, a Quebec-based adaptation of Saturday Night Live  After the show was cancelled by Télé-Québec in 2015, he joined the cast of the new series Le nouveau show  In the same year he joined the cast of the drama series Mémoires vives as Jérémie, a sinister character who plotted and carried out a kidnapping of the main character's daughter  In 2017, he won the Prix Gémeaux for Best Actor in a Drama Series for Mémoires vives, the youngest actor to win in the history of the category In 2021 Funk hosted Sans rancune, a TVA variety series  In an episode devoted to drag queens in February, Funk participated in a lipsync battle against Rita Baga 

Filmography
2008 - A No-Hit No-Run Summer (Un été sans point ni coup sûr): Martin
2013 - Vic and Flo Saw a Bear (Vic+Flo ont vu un ours): Charlot Smith
2014 - 1987: Dallaire
2015 - The Demons (Les Démons): Ben
2015 - Aurélie Laflamme: Les pieds sur terre: Jean-Benoît Houde
2016 - Kiss Me Like a Lover (Embrasse-moi comme tu m'aimes): Donat
2017 - Sashinka: Prêteur sur gages
2018 - Genesis (Genèse): Maxime
2019 - Matthias & Maxime: Rivette
2020 - Flashwood: Luc
2021 - Entre deux draps: Antoine
2021 - The Time Thief (L'Arracheuse de temps)
Passage 2:
Ed Gill
Edward James Gill (August 7, 1895 – October 10, 1995) was an American professional baseball pitcher  He appeared in sixteen Major League Baseball games for the Washington Senators in 1919 

Biography
A native of Somerville, Massachusetts, Gill played college baseball for Holy Cross from 1916 to 1919, where he was coached by Baseball Hall of Famer Jesse Burkett  In 1916 and 1917, he played summer baseball for the Hyannis town team in what is now the Cape Cod Baseball League  At Hyannis, he pitched a no-hit, no-run game where he did not allow a ball to be hit to the outfield In Gill's lone season in the big leagues, he started two games and appeared in 16 total for the Senators, tossing 37 1 innings, and posting a 1–1 record with a 4 82 ERA  He made eight plate appearances, earning one base on balls and no hits  His major league debut came on July 5, when he hurled a 1-2-3 inning of relief in Washington's 6–4 loss in the first game of a doubleheader with the New York Yankees at the Polo Grounds  Gill's lone major league victory September 3 against the Philadelphia Athletics at Shibe Park  Gill tossed the first five innings and gave up two runs on four hits  He gave way to Jim Shaw, who went the rest of the way on the mound, and the Senators' Hall of Fame outfielder Sam Rice went 3–for–4 with a double, stolen base and two runs scored in the Senators' 4–3 win Gill died in Brockton, Massachusetts in 1995 at the age of 100 
Passage 3:
Obata Toramori
Obata Toramori (小畠虎盛, 1491 – July 14, 1561) was Japanese samurai warrior of the Sengoku Period  He is known as one of the "Twenty-Four Generals of Takeda Shingen" 
He also recorded as having been wounded 41 times in 36 encounters  
He was the father of Obata Masamori 

See also
Isao Obata
Passage 4:
A No-Hit No-Run Summer
A No-Hit No-Run Summer (French: Un été sans point ni coup sûr) is a Canadian sports drama film, directed by Francis Leclerc and released in 2008 Written by Marc Robitaille as an adaptation of his own novel, the film is set in the late 1960s and stars Pier-Luc Funk as Martin, a young boy who loves baseball and dreams of someday playing for the new Montreal Expos  He is disappointed when he is not chosen for the local youth baseball team by coach Gilbert Turcotte (Roy Dupuis), but his hope is restored when his father Charles (Patrice Robitaille) decides to organize and coach a new baseball team for the kids who didn't make it onto Turcotte's team The film received two Prix Jutra nominations at the 11th Jutra Awards in 2009, for Best Editing (Glenn Berman) and Best Original Music (Carl Bastien, Luc Sicard) 

Cast
Patrice Robitaille as Charles
Pier-Luc Funk as Martin
Jacinthe Laguë as Mireille
Roy Dupuis as Gilbert Turcotte
Peter Batakliev as Monsieur B
Frédérique Dufort as Sophie
Phillip Jarrett as Mack Jones
Guy-Daniel Tremblay as Fern
Guy Thauvette as M  Audet
Victor Desjardins as Grand Pete

Music
In addition to Fernand Lapierre's recording of the Montreal Expos theme song "Les Expos sont là", the film's soundtrack included a number of popular French and English songs from the era  Most were rerecorded as new covers by contemporary Quebec artists, although Robert Charlebois and Louise Forestier's "Lindberg" was included in its original version, and a few songs, including the theme to the television sitcom Gilligan's Island, were sung diegetically by the film's own cast 
"Je reviens chez nous" (Jean-Pierre Ferland) - Fernand Lapierre
"Les Expos sont là" (Marc Gélinas, Marcel Lefebvre) - Fernand Lapierre
"L'amour est bleu" (André Popp, Pierre Cour) - Luc Sicard and Carl Bastien
"People Got to Be Free" (Felix Cavaliere, Eddie Brigati) - Louis Larivière
"Working for the Man" (Roy Orbison) - Luck Mervil
"Daydream" (John Sebastian) - Ariane Moffatt
"The Ballad of Gilligan's Isle" (George Wyle, Sherwood Schwartz) - Pier-Luc Funk, Victor Desjardins, Simon Pigeon, Jean Carl Boucher
"California Dreamin'" (John Phillips, Michelle Philips) - Luck Mervil, Daniel Bélanger, Ariane Moffatt, Marie-Pierre Arthur
"Sunshine Superman" (Donovan) - Daniel Bélanger
"These Eyes" (Randy Bachman, Burton Cummings) - Béatrice Bonifassi
"Lindberg" (Robert Charlebois, Claude Péloquin) - Robert Charlebois, Louise Forestier
"The House of the Rising Sun" (Alan Price) - Sandrine St-Onge, Frédérique Dufort
Passage 5:
Anthony Lerew
Anthony Allen Lerew (born October 28, 1982) is an American former professional baseball pitcher who played in Major League Baseball (MLB) for the Atlanta Braves and Kansas City Royals; he also played Nippon Professional Baseball (NPB) for the Fukuoka SoftBank Hawks, and in the KBO League for the Kia Tigers, he also played for the Navegantes del Magallanes on the LVBP Liga Venezolana de Béisbol Profesional where on 11/21/2010 against the Leones del Caracas (the biggest rival team) he managed to throw a no hit no run game 

Career
Atlanta Braves
Lerew, a graduate of Northern York High School in Dillsburg, Pennsylvania, was drafted by the Atlanta Braves in the 11th round of the 2001 Major League Baseball draft   After four seasons in the Braves' minor league system, he debuted on September 4, 2005, in a home game against the Cincinnati Reds  In the 2005 season, Lerew recorded no wins, no losses, 5 strikeouts, and a 5 62 earned run average in 7 games, all of which were relief outings 
On February 23, 2006, the Braves signed Lerew to a one-year deal  A month later, on February 23, he was optioned to the Triple-A Richmond Braves  With Richmond, Lerew compiled a 3–5 record with a 7 48 ERA and 69 strikeouts in 16 games, 15 of which he started 
The Braves called up Lerew from Richmond on September 1, 2006  He made his 2006 debut the next day with a relief appearance in the fifth inning  Lerew pitched 2 innings, allowing 5 runs and striking out 1 batter  He was sent back down to the Richmond Braves on September 4, having appeared in only one game 
On May 8, 2007, Lerew made his first big-league start for Atlanta when he was called up from Richmond yet again, this time to replace Mark Redman in a game against the San Diego Padres  He was later sent down to Richmond again 
On June 20, 2007, Lerew underwent season-ending Tommy John surgery and was placed on the 60-day disabled list  He recovered from surgery in Southern Florida, at the Braves extended spring training site  Once recovered, he spent the rest of 2008 pitching for the Gulf Coast Braves and with Triple-A Richmond 
On March 5, 2009, Lerew was outrighted to Triple-A Gwinnett to make room on the roster for Tom Glavine, and was released five days later 

Kansas City Royals
On March 18, 2009, Lerew signed a minor league deal with the Kansas City Royals  Lerew spent the 2009 minor league season with the Double-A Northwest Arkansas Naturals   He was called up in September and made his Royals debut on September 24, 2009  He re-signed with them in February On June 16, 2010, Lerew was called up from the Triple-A Omaha Royals to the Royals to replace Luke Hochevar, who went on the disabled list with a sprained elbow  He earned his first career major league win on June 28 of that year over the Chicago White Sox 

Fukuoka SoftBank Hawks
Lerew signed with the Fukuoka SoftBank Hawks of Nippon Professional Baseball for the 2011 season 

Kia Tigers
On January 16, 2012, Lerew signed a bonus of $50,000 with Kia Tigers of the Korea Baseball Organization with Alex Graman  As a starter, he went 11–13 in his first season with them, with 94 strikeouts and an earned run average of 3 83  He was resigned with Kia Tigers for 2013 season, but was released on July 24, 2013 

York Revolution
On April 11, 2014, the York Revolution signed Lerew 

Los Angeles Angels
Lerew signed a minor league deal with the Los Angeles Angels of Anaheim on May 20, 2014 

York Revolution
Lerew signed with the York Revolution of the Atlantic League of Professional Baseball for the 2015 season  He became a free agent after the 2015 season 
Passage 6:
Inoue Masaru (bureaucrat)
Viscount Inoue Masaru (井上 勝, August 25, 1843 – August 2, 1910) was the first Director of Railways in Japan and is known as the "father of the Japanese railways" 

Biography
He was born into the Chōshū clan at Hagi, Yamaguchi, the son of Katsuyuki Inoue  He was briefly adopted into the Nomura family and became known as Nomura Yakichi, though he was later restored to the Inoue family 
Masaru Inoue was brought up as the son of a samurai belonging to the Chōshū fief  At 15, he entered the Nagasaki Naval Academy established by the Tokugawa shogunate under the direction of a Dutch naval officer  In 1863, Inoue and four friends from the Chōshū clan stowed away on a vessel to the United Kingdom  He studied civil engineering and mining at University College London and returned to Japan in 1868  After working for the government as a technical officer supervising the mining industry, he was appointed Director of the Railway Board in 1871  Inoue played a leading role in Japan's railway planning and construction, including the construction of the Nakasendo Railway, the selection of the alternative route (Tokaido), and the proposals for future mainline railway networks In 1891 Masaru Inoue founded Koiwai Farm with Yanosuke Iwasaki and Shin Onogi   After retirement from the government, Inoue founded Kisha Seizo Kaisha, the first locomotive manufacturer in Japan, becoming its first president in 1896  In 1909 he was appointed President of the Imperial Railway Association  He died of an illness in London in 1910, during an official visit on behalf of the Ministry of Railways 

Honors
Inoue and his friends later came to be known as the Chōshū Five  To commemorate their stay in London, two scholarships, known as the Inoue Masaru Scholarships, are available each session under the University College London 1863 Japan Scholarships scheme to enable University College students to study at a Japanese University  The value of the scholarships are £3000 each 
His tomb is in the triangular area of land where the Tōkaidō Main Line meets the Tōkaidō Shinkansen in Kita-Shinagawa 

Chōshū Five
These are the four other members of the "Chōshū Five":

Itō Shunsuke (later Itō Hirobumii)
Inoue Monta (later Inoue Kaoru)
Yamao Yōzō who later studied engineering at the Andersonian Institute, Glasgow, 1866-68 while working at the shipyards by day
Endō Kinsuke

See also
Japanese students in Britain
Statue of Inoue Masaru
Passage 7:
Ken Forsch
Kenneth Roth Forsch (born September 8, 1946) is an American former professional baseball player  He played in Major League Baseball (MLB) as a right-handed pitcher from 1970 to 1984, most prominently as a member of the Houston Astros where he helped the franchise win its first-ever National League Western Division title and postseason berth in 1980  A two-time All-Star player, Forsch pitched a no-hitter for the Astros on April 7, 1979  He ended his baseball career playing for the California Angels 

Career
Forsch was born in Sacramento, California where he graduated from Hiram Johnson High School and later attended the Oregon State University where he played for the Oregon State Beavers baseball team through the 1967–1968 seasons  He was selected by the Houston Astros in the 18th round (399th overall) of the 1968 Major League Baseball draft  He made his major league debut on September 7, 1970 at the age of 23 Forsch was selected to the All-Star Game in 1976 and 1981 On April 7, 1979, Forsch no-hit the Atlanta Braves 6–0 at the Astrodome  His brother Bob Forsch, who also pitched for the Astros, hurled two no-hitters while with the St  Louis Cardinals, making them the only set of brothers to pitch no-hitters in MLB history  The 1980 season went down to the wire, and Forsch was a part of the action  He went 12-13 during the season with a 3 20 ERA and on a then career-high 222 1 innings pitched; the rotation of him, Nolan Ryan, Joe Niekro, and J  R  Richard was slated to make a run at the National League West title, which they missed winning by one game the previous year  However, a stroke suffered by Richard late in the year saw the eventual end of his career  The Astros required a one-game playoff on October 6 after the Astros lost three straight games to the Los Angeles Dodgers in Dodger Stadium  Forsch had lost the first game on October 3 when trying to hang on to a precarious 2-1 lead  However, a single and a subsequent error set the stage for a Ron Cey base hit with two out to send the game into the 10th inning  On the first batter of the inning, Forsch allowed a home run that gave the Dodgers a 3-2 victory  The Astros prevailed in the tiebreaker game thanks to the efforts of Joe Niekro that set the Astros up in the 1980 National League Championship Series against the Philadelphia Phillies for Game 1 on the following day of October 7  Forsch was selected to start the game, which was the first playoff game in the history of the Astros



ground_truth: The Wind'S Fierce

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the father of the director of film A No-Hit No-Run Summer?

The following are given passages.
Context 2:  Facing Steve Carlton at Veterans Stadium, Forsch went eight innings and allowed three runs on eight hits with a walk and five strikeouts, as the Phillies broke through in the 6th on a two-run home run by Greg Luzinski and an pinch hit RBI single by Greg Gross in the 7th that got the Phillies a 3-1 victory  In Game 5, the Astros were on the verge of a pennant but needed relief down the stretch  They were leading 5-2 in the 8th inning, but Nolan Ryan had been taken out after allowing three hits and a walk to make the score 5-3 with the bases loaded  Forsch was put in after Joe Sambito had got a groundout to make it 5-4 with one out and two on  He struck out Mike Schmidt, but when facing Del Unser, Forsch allowed a base hit to right field that tied the game at 5  Now facing Manny Trillo, Forsch delivered a pitch that was smacked for a triple to left to clear the bases and give the Phillies a 7-5 lead  Forsch was pinch hit for in the 9th, which saw the Astros tie the game in the eventual loss in the 10th inning  It was the last appearance of Forsch in an Astros uniform and his only experience in the postseason  He was traded to the California Angels for Dickie Thon in April of 1981, eschewing the idea of being relegated to the bullpen and demanding a trade when general manager Al Rosen had acquired Don Sutton and Bob Knepper in the offseason 
In the strike-shortened 1981 season, Forsch went 11-7 with a 2 88 ERA in 153 innings, pitching a league high four shutouts while having 55 strikeouts  He was named to the All-Star Game for the second and final time  He went 13-11 in 1982, but he did not pitch in the postseason run by the Angels that saw them lose in the ALCS in five games  He went 11-12 in 1983 before suffering a setback in 1984, where he pitched in just two games, as he suffered a dislocated shoulder on April 7 when diving to the bag on a fielding play that had him land on his right elbow  He returned as a free agent in 1986, pitching as a middleman in ten games for 17 innings that saw him have a 9 53 ERA before being released on May 25 
During his 16-year career, Forsch compiled 114 wins, 1,047 strikeouts, and a 3 37 earned run average  After his career ended, He worked in commercial real estate along with serving as a member of the Angels’ Speakers Bureau before applying to work for the Angels as their director of player development, which was accepted  He worked for four years before having a promotion to assistant general manager in 1998  He won a World Series ring when the Angels won the championship in 2002  He was dismissed in 2011 

See also
Houston Astros award winners and league leaders
List of Houston Astros no-hitters
List of Major League Baseball no-hitters
Passage 8:
Paul Brooke
Paul Brooke (born 22 November 1944) is a retired English actor of film, television and radio  He made his film debut in 1972 in the Hammer film Straight on till Morning, followed by performances in For Your Eyes Only (1981), Return of the Jedi (1983), Scandal (1989), Saving Grace (2000), Bridget Jones's Diary (2001), Alfie (2004), The Phantom of the Opera (2004), and Oliver Twist (2005)  Brooke is the father of actor Tom Brooke 

Career
Brooke began as a stage actor and has played in many London productions, including several years as a member of Frank Dunlop's original Young Vic Company  He played Malakili the Rancor Keeper in the 1983 Star Wars film Return of the Jedi (his voiced dubbed over by Ernie Fosselius)  He played British Conservative politician Ian Gow in the 2004 BBC series The Alan Clark Diaries  In 2006, he guest starred in the Doctor Who audio adventure Year of the Pig as well as the 1990 Mr  Bean sketch "The Library"  He played Mr  Fitzherbert in the 2001 film Bridget Jones's Diary 
Other appearances in television dramas and comedies featuring Brooke include The Blackadder, Bertie and Elizabeth, the BBC adaptation of Blott on the Landscape, Lovejoy, Foyle's War, Rab C  Nesbitt, Kavanagh QC, Sharpe's Revenge, Midsomer Murders, Hustle, Covington Cross, The Kit Curran Radio Show, Between the Lines, Relic Hunter and Mornin' Sarge  He appeared in the miniseries Nostromo in 1997 
He played Gríma Wormtongue in the 1981 BBC radio adaptation of The Lord of the Rings 
He, Linal Haft and Frank Mills are the only actors to appear in both the Classic and New series of Minder, but playing different roles in each 

Filmography
Film
Television
External links
Paul Brooke at IMDb
Passage 9:
Francis Leclerc
Francis Leclerc (born 1971 in Quebec City) is a Canadian film and television director, screenwriter and film editor  He is the son of Félix Leclerc  Since 1995 he has worked in the Quebec film industry, directing music videos for many well-known Quebec artists  He has directed more than 20 short and medium-length films, including a television adaptation of Robert Lepage’s Les Sept branches de la rivière Ota  He directed and co-wrote his critically acclaimed debut feature, A Girl at the Window (Une jeune fille à la fenêtre), in 2001  His second feature, Looking for Alexander (Mémoires affectives), a nuanced and mature work about lost memory and childhood tragedy, secured him Genie Awards for best director and screenplay as well as the Prix Jutra for direction 
His film Barefoot at Dawn (Pieds nus dans l'aube), an adaptation of his father's semi-autobiographical novel of the same name, was released in 2017 In 2018 he was the patron and curator of the Festival Vues dans la tête de    film festival in Rivière-du-Loup 

Filmography
A Girl at the Window (Une jeune fille à la fenêtre) - 2001
Looking for Alexander (Mémoires affectives) - 2004
Marie-Antoinette, la véritable histoire - 2006
A No-Hit No-Run Summer (Un été sans point ni coup sûr) - 2008
Trotteur - 2011
Barefoot at Dawn (Pieds nus dans l'aube) - 2017
The Time Thief (L'Arracheuse de temps) - 2021
The Dishwasher (Le Plongeur) - 2022

Recognition
2005 Genie Award for Best Achievement in Direction - Looking for Alexander - Won
2005 Genie Award for Best Original Screenplay - Looking for Alexander - Nominated (shared with Marcel Beaulieu)
2005 Jutra Award for Best Direction (Meilleure Réalisation) - Looking for Alexander - Won
2005 Jutra Award for Best Screenplay (Meilleur Scénario) - Looking for Alexander - Nominated (shared with Marcel Beaulieu)
2001 Montreal World Film Festival Grand Prix des Amériques - A Girl at the Window - Nominated
Passage 10:
Jim Wilson (pitcher)
James Alger Wilson (February 20, 1922 – September 2, 1986) was an American professional baseball pitcher, scout and front-office executive  Although he was well-traveled as a player and compiled a career winning percentage of only  491 in 175 decisions, he threw the first no-hit, no-run game in Milwaukee's Major League history and was a three-time (1954–56) All-Star who represented both the National and American leagues   During his front office career he served as the third general manager in the franchise history of the Milwaukee Brewers 

Career
As a player
A native of San Diego, Wilson threw and batted right-handed, stood 6 feet 1 inch (1 85 m) tall and weighed 200 pounds (91 kg)  He attended San Diego State University 
Wilson pitched in all or part of 12 seasons (1945–46; 1948–49; 1951–58) for five Major League franchises and six different cities: the Boston Red Sox, St  Louis Browns/Baltimore Orioles, Philadelphia Athletics, Boston / Milwaukee Braves and Chicago White Sox   He began his pro career during World War II in 1943 in the Red Sox' farm system and in his second year, 1944, he won 19 games with the top-level Louisville Colonels of the American Association  He made the 1945 Red Sox' roster coming out of spring training and started 21 games for them during the season's first four months  In his 21st start, on August 9 at Briggs Stadium,  Wilson worked into the tenth inning of a 3–3 game  With one out, Detroit Tigers' slugger Hank Greenberg hit a line drive back through the box that struck Wilson in the head, fracturing his skull and sending him to Henry Ford Hospital  The injury sidelined Wilson for the rest of the campaign and he would pitch only one more game for the Red Sox, on April 23, 1946 
Wilson returned to Louisville for the balance of 1946 and all of 1947, then was included in a trade to the Browns that yielded slugging shortstop Vern Stephens and starting pitcher Jack Kramer  But 1948 and 1949 saw Wilson bounce among four organizations—the Browns, Cleveland Indians, Tigers and Athletics—and make ineffective appearances in six total big-league games for the Browns and A's   Finally, in 1950, he was acquired by the Triple-A Seattle Rainiers, managed by Paul Richards  Wilson won 24 games (losing 11) for a sixth-place team and led the Pacific Coast League in strikeouts  His contract was purchased by the Boston Braves at season's end, and Wilson returned to the Major Leagues for good 
Wilson's first All-Star season came in 1954 for the Milwaukee Braves; they had moved from Boston in March 1953  He no-hit the Philadelphia Phillies, 2–0 at Milwaukee County Stadium on June 12 of that season  The 32-year-old right-hander beat future Hall of Famer Robin Roberts in the one-hour and 43-minute contest  Wilson issued two bases on balls (both to Phillies' catcher Smoky Burgess) and struck out six  The no-hitter was the first in the Braves' Milwaukee history   Wilson was named an All-Star in the midst of an 8–2 season in 27 games pitched with three other complete game shutouts for the contending Braves  But he did not get into the 1954 Midsummer classic, an 11–9 loss for his National League squad at Cleveland Municipal Stadium 
On the eve of the 1955 season, Richards, by now both the general manager and field manager of the Baltimore Orioles, purchased Wilson's contract and moved him into the starting rotation  Wilson led the American League in games lost (18) that season (as a team, Baltimore lost 97 games), but he again registered four shutouts and was selected to the AL All-Star team, chosen to play in the July 12, 1955, game at his old home field, County Stadium  But again Wilson did not appear and, again, his team was defeated, with the Senior Circuit winning 6–5 in 12 innings 

Wilson began 1956 by winning four of his first six decisions in seven starts for Baltimore despite sporting a high (5 03) earned run average  On May 21, Richards traded him to the first-division White Sox, and although he pitched more effectively, he registered only a 9–12 record for Chicago  Nevertheless, Wilson was selected to the 1956 American League All-Star team, and this time he played in the game at Griffith Stadium in Washington, working one inning in the AL's 7–3 loss, allowing two hits and one earned run, although he retired Willie Mays on a called third strike to register the final out That set the stage for Wilson's most successful big-league season, with the 1957 White Sox  He won a career-high 15 games (losing eight), and led the American League in shutouts, with five  However, he did not earn a place on the 1957 AL All-Star team   In 1958, the 36-year-old Wilson concluded his 16-season playing career, working in 28 games for the White Sox, 23 in a starting role  In his final MLB game, September 14 against the Washington Senators, he worked 82⁄3 innings and surrendered five earned runs, but was credited with the victory in a 6–5 Chicago triumph  That season he also continued his skein of errorless games as a pitcher  On June 15, 1955, as an Oriole, he muffed an eighth-inning foul pop-up by the White Sox' Jim Rivera for an error  It was the last miscue he would commit in his career, which spanned 116 games through his 1958 retirement  Wilson posted a career  988  fielding percentage, committing only 4 miscues in  333 total chances 
Altogether, Wilson appeared in 257 Major League games pitched, 217 as a starter  He compiled an 86–89 won-lost mark, with 75 complete games and 19 shutouts  In 1,539 innings pitched he notched 692 strikeouts  Wilson also allowed 1,479 hits, 608 bases on balls and 686 earned runs  His career earned run average was 4 01 

As a scout and executive
Wilson remained in the game as a scout for the Orioles and Houston Astros  He and scout Jim Russo signed Jim Palmer for the Orioles in 1963  Palmer recalled in a 1996 book that though 13 teams were interested in him, the Orioles scouts set themselves apart with their polite manners  In 1971, Wilson came back to Milwaukee as the director of scouting and player development of the Brewers, a three-year-old expansion team, and following the 1972 season, he succeeded Frank Lane as Milwaukee's general manager  Although Lane was renowned as a trader, Wilson completed a blockbuster transaction of his own with the Phillies on October 31, 1972, acquiring third baseman Don Money in a seven-player deal  Money would play 11 seasons for the Brewers and make four American League All-Star teams   Then, in June 1973, during his first draft as Brewers' general manager, Wilson selected Robin Yount with the club's first pick (third overall)   After one season in minor league baseball, Wilson promoted the 18-year-old Yount to the 1974 Brewers, the beginning of a 20-season, Hall of Fame career for the shortstop and center fielder 
But Wilson's stay as general manager in Milwaukee was not a long one  After the 1974 season he returned to California to become executive director of the Major League Baseball Scouting Bureau  He stepped down in 1985 after being stricken with cancer and died in Newport Beach at age 64 on September 2, 1986 

See also
List of Major League Baseball no-hitters
Context 3: Passage 1:
Domitila de Castro, Marchioness of Santos
Domitila (or Domitília) de Castro do Canto e Melo (27 December 1797 — 3 November 1867), 1st Viscountess with designation as a Grandee, then 1st Marchioness of Santos, was a Brazilian noblewoman and the long-term mistress and favorite of Emperor Pedro I 

Life
Birth and family
Daughter of João de Castro do Canto e Melo, 1st Viscount of Castro and Escolástica Bonifácia de Oliveira e Toledo Ribas, Domitila belonged to a traditional São Paulo noble family: she was the granddaughter of Colonel Carlos José Ribas, great-grandfather of Simão de Toledo Piza, patriarch of this family in São Paulo  Born on 27 December 1797, she was baptized three months later, on 7 March 1798 in the Church of Nossa Senhora da Assunção (Sé) in São Paulo  According to her baptismal record, her godfather was Ensign José Duarte e Câmara 
The Brigadier João de Castro Canto e Melo was born in the Terceira Island in the Azores, and died in Rio de Janeiro in 1826  He was the son of João Batista do Canto e Melo and Isabel Ricketts, and descended from Pero Anes do Canto, from Terceira Island  He passed to Portugal, setting up a cadet square at the age of 15 on 1 January 1768, named Standard-Bearer on 17 October 1773  He was 21 when, in 1774, he went to Rio de Janeiro and months later to São Paulo  He was transferred to the Santos Infantry line Regiment, promoted to Ensign in 1775 and to Lieutenant in the same year, to Adjudant in 1778; he was Captain in 1798, Major in the same year, and in 1815 Lieutenant Colonel  Later, after his daughter's love with the emperor, he was made Gentleman of the Imperial Chamber and still received the noble title of Viscount of Castro on 12 October 1825 Domitila's full siblings were:
João de Castro do Canto e Melo (March 1786 – 11 September 1853), 2nd Viscount of Castro, Field Marshal and Gentleman of the Imperial Chamber; married with Inocência Laura Vieira de Azambuja, with whom he had issue 
José de Castro do Canto e Melo (baptized 17 October 1787 – died ca  1842), Brigadier of the Brazilian Army  Soldier at the age of five on 1 July 1792, Standard-Bearer in 1801, Ensign in 1807, Lieutenant in 1815, Commander of the Cavalry Squad of the Legion of São Paulo and in the Battle of Itupuraí, in the 1816 campaign  Captain in 1818, Sergeant Major of the 2nd Line Cavalry Regiment of Vila de Curitiba, then São Paulo Province, in 1824  Colonel of the Army Staff in 1827  He was licensed due to health reasons in 1829  Brigadier retired from the Army  Gentleman of the Imperial Chamber, dismissed in 1842  Knight of the Military Order of Saint Benedict of Aviz in 1824 and was promoted to Commander in the same order in 1827  Officer of the Order of the Southern Cross in 1827; married with his niece Francisca Pinto Coelho de Mendonça e Castro, with whom he had issue 
Maria de Castro do Canto e Melo (baptized February 1790; died in infancy) 
Pedro de Castro do Canto e Melo (baptized 26 May 1791; died in infancy) 
Maria Benedita de Castro do Canto e Melo (18 December 1792 – 5 March 1857), married to Boaventura Delfim Pereira, Baron of Sorocaba, with whom she had issue; her second son Rodrigo Delfim Pereira, although recognized by her husband, was in fact an illegitimate son of Emperor Pedro I, her sister's lover 
Ana Cândida de Castro do Canto e Melo (January 1795 – 27 May 1834), married to Carlos Maria de Oliva, Veador of the Imperial Chamber and Colonel of the Army, with whom she had issue 
Fortunata de Castro do Canto e Melo (baptized 12 January 1797; died in infancy) 
Francisco de Castro do Canto e Melo (5 April 1799 – 21 June 1869), Gentleman of the Imperial Chamber, Major retired of the Army; married firstly with Francisca Leite Penteado and secondly with Lina Pereira de Castro  He had issue from his second marriage 
Jeronimo de Castro do Canto e Melo (baptized 13 September 1803; died in infancy) In addition, Domitila had an older illegitimate half-sister, Maria Eufrásia de Castro, born from her father's earlier relationship (in fact, betrothal later terminated) with Teresa Braseiro 

First Marriage
On 13 January 1813, Domitila, at the age of fifteen, married an officer from the second squad of the Corps of Dragons in the city of Vila Rica (now Ouro Preto), Ensign Felício Pinto Coelho de Mendonça (26 February 1790 – 5 November 1833), cited by several historians as a violent man, who beat and raped her, and from whom she divorced on 21 May 1824 After the wedding in São Paulo, Felício and Domitila left for Vila Rica  Three children were born from the marriage:

Due to her husband's mistreatment, Domitila obtained permission from his family in São Paulo to return to her father's home with her children  He arrived back in São Paulo at the end of 1816  Felício managed to transfer his post in the army from Vila Rica to Santos and settled in São Paulo, trying to reconcile with his wife and in 1818 they returned to live together  However, given his drinking and gambling problems, it did not take long for Felício to return with his old behavior, and began the beatings and death threats to his wife  On the morning of 6 March 1819, Felício surprised Domitila next to the Santa Luiza fountain and stabbed her twice, one stab caught in the thigh and the other in the belly  Felício was arrested and taken to Santos, next to his barracks, from where he left for Rio de Janeiro  Domitila spent two months between life and death  When she recovered from her injuries, she had to fight legally against her father-in-law, who wanted to take the couple's children to educate them in the Captaincy of Minas Gerais  Domitila asked for Felício's legal separation but only obtained it five years later, when she was already the Emperor's mistress  Domitila's detractors would accuse her after being assaulted because she betrayed Felício, when in reality, through documentation and witnesses in the divorce process, he had tried to kill her to sell the land that both, with the death of his mother, had jointly inherited in Minas Gerais 

Imperial Mistress
Domitila met Dom Pedro de Alcântara, Prince-Regent of Brazil days before the Proclamation of the Independence on 29 August 1822  The Prince-Regent was returning from a visit to Santos when he received, on the banks of the Ipiranga Brook, in São Paulo, two missives (one from his wife, Princess Maria Leopoldina of Austria and another from José Bonifácio de Andrada e Silva) that informed him about the decisions of the Portuguese Courts, in which Dom Pedro stopped being Prince-Regent and received orders to return to the continent  Outraged by this "interference with his acts as ruler", and influenced by whose defended the break with the metropolis, especially by José Bonifácio de Andrada, he decided to separate the Kingdom of Portugal and the Algarves 

Domitila was not the only lover of Dom Pedro, but she was the most important and the one with whom he had the longest relationship  Before his marriage, the Prince-Regent had been involved with a French ballerina, named Noémi Thierry, with whom he had a son  During his relationship with Domitila he had other parallel ones, such as Adèle Bonpland (wife of French naturalist Aimé Bonpland) and the dressmaker Clemence Saisset (whose husband had a store on Rua do Ouvidor), with whom he had a son  In addition to these liaisons, Domitila's own sister, Maria Benedita de Castro do Canto e Melo, Baroness of Sorocaba, also had a son with Dom Pedro 
In 1823, the now Emperor Pedro I installed Domitila at the Barão de Ubá street (today the Estácio neighborhood) which was her first residence in Rio de Janeiro  One year later, and thanks to the support of her lover, Domitila was able to have her first marriage nullified  In 1826, she received as a gift the "Casa Amarela", as her mansion became known, at number 293 of the current Avenida D  Pedro II, near Quinta da Boa Vista, in São Cristóvão (where the Museum of the First Reign now operates)  The Emperor bought the house from Dr  Teodoro Ferreira de Aguiar and ordered a renovation in a neoclassical style to the architect Pierre Joseph Pézerat  The internal mural paintings are the work of Francisco Pedro do Amaral, while the internal and external bas-reliefs by Zéphyrin Ferrez Domitila was being elevated by her lover little by little  In 1824 she was created Baroness of Santos; on 4 April 1825 she was appointed Lady-in-waiting of Empress Maria Leopoldina, on 12 October of the same year was created Viscountess of Santos with designation as a Grandee and, on 12 October 1826 she was finally created Marchioness of Santos  Besides all this titles, on 4 April 1827 the Emperor invested his mistress with the Order of Saint Isabel, who was solely granted "to women of irreproachable conduct"  Although Domitila was not born in that city, the Emperor, in an attempt to attack de Andrada brothers, born in Santos, would have given the titles to his mistress  José Bonifácio de Andrada, upon learning of this fact in his exile in France, wrote to his friend Counselor Drummond: "Who would dream that the michela (prostitute) Domitila would be Viscountess of the homeland of the Andradas! What a brazen insult!"  Domitila's family also received several imperial benefits: Her father became Viscount of Castro, her brother Francisco became the Emperor's Field Assistant and the rest of her siblings received Hidalgo precedence  Domitila's brother-in-law, Boaventura Delfim Pereira (husband of Maria Benedita), was made Baron of Sorocaba 
From her relationship with Emperor Pedro I, Domitila had five children:

Empress Maria Leopoldina died in 1826 due to complications caused by a miscarriage, amidst rumours who blame Domitila of the illness and death of the beloved Empress  The Marchioness of Santos' popularity, which was no longer the best, worsened, with her house in São Cristóvão being stoned and her brother-in-law, a butler of the Empress, received two shots  Her right to preside over medical appointments of the Empress, as her lady-in-waiting, was denied, and ministers and officials of the palace suggested that she should not continue to attend court 

  
Emperor Pedro I ended his relationship with Domitila in 1829 due to his second marriage with Amélie of Leuchtenberg  Already since 1827 he had been looking for a noble blood bride but the sufferings caused to his late wife by him and the scandalous link with the Marchioness of Santos were seen with horror by European courts and several princesses refused to marry the Emperor 
The Austrian ambassador to Rio de Janeiro, Baron Wenzel Philipp von Mareschal, wrote to Vienna about the future marriage of the Emperor and the banishment of the mistress: "Emperor D  Pedro was eventually convinced that the presence of the Lady of Santos would always be inopportune and that a simple change of residence would not satisfy anyone; he insisted on the sale of her properties, the which I heard was already provided and on her departure to São Paulo in eight or ten days" 
The Emperor bought the properties of the Marchioness of Santos in Rio de Janeiro for 240 contos (240 insurance policy of the Public Debt from the Amortization Box, of 1 contos de réis), returning to Domitila "in banknotes of São Paulo" of the amount of 14 contos de réis, two contos for the Amortization Box with which she had presented it, an allowance of 1 conto de réis per month put at your order, "at par or in banknotes"  Regarding the residence bought from the former mistress, Mareschal says: "It will serve the young Queen and her court"  It was Dona Maria da Glória, future Queen Maria II of Portugal; that is why it would later be known as the Queen's Palace, as effectively Dona Maria da Glória settled there, albeit for a short period  Later was bought by the Viscount of Mauá and around 1900 the residence was acquired by the doctor Abel Parente, the protagonist of one of the biggest scandals in Rio de Janeiro, in 1910  It became the Museum of the First Reign in the late 1980s until 2011 when it was deactivated and the restoration and adaptation of the space began to receive the Fashion Museum - Casa da Marquesa de Santos 

Second Marriage
Since 1833 Domitila began to cohabitated with the Brigadier Rafael Tobias de Aguiar (4 October 1794 – 7 October1857), with whom she officially married in the city of Sorocaba on 14 June 1842  Rafael Tobias de Aguiar was not only a politician but a wealthy Sorocaban farmer: the base of his fortune was the trade in mules, but in time he ended up diversifying his business with sugar farms, cattle and horse breeding  The Tobian coat was created by him  Nicknamed the "Reizinho de São Paulo" (Little King of São Paulo) thanks to his fortune, he held the position of President of the Province of São Paulo for two terms and was elected Provincial Deputy for São Paulo  He ran twice for the position of Senator of the Empire, but his name was never chosen by Emperor Pedro II of Brazil  In 1842, as one of the main leaders of the Liberal Revolution, after his marriage to the Marchioness of Santos and the eminent invasion of Sorocaba by the troops of Luís Alves de Lima e Silva, fled to the south where he was captured  Taken to Rio de Janeiro, he was incarcerated in the Fortress of Laje, located on a rock in the middle of Guanabara Bay  Domitila, on hearing of his arrest, arrived to the Imperial court where, by means of a representant, she pleaded to the Emperor that she could live with her husband in the Fortress of Laje to take care of his health, which was granted 
In 1844, Rafael Tobias de Aguiar was given an amnesty and the couple returned to São Paulo, where they were received with a great party  Rafael Tobias de Aguiar died on board the Vapor Piratininga on 7 October 1857 when on his way to Rio de Janeiro in search of medical help  He was accompanied by his wife and one of the couple's children  Domitila's relationship with Rafael Tobias de Aguiar was the longest one of hers, lasting 24 years, during which the couple had six children, of which 4 managed to reach adulthood:

The Solar da Marquesa de Santos
On her return to São Paulo after the end of her relationship with Emperor Pedro I of Brazil, Domitila acquired in 1834 a vast mansion on the old Rua do Carmo, currently Rua Roberto Simonsen in the city center  The first owner of the property was Brigadier José Pinto de Morais Leme according to documentation from 1802  Previously, on the site, there were two houses that were renovated and gave rise to a single building  Domitila was the owner of these house from 1834 until her death in 1867 
The property became the center of São Paulo society, animated by masquerade balls and literary evening parties given by the Marchioness of Santos  In 1880, the house was put up for auction and was acquired by the local Diocese, who transformed the Manor into the Episcopal Palace  The House today belongs to the City Hall of São Paulo, which has the Museum of the City installed there  Its historical importance is great not only because his link to Domitila but because the property is the only urban remnant built using the technique known as rammed earth still existing in the historic center of the city 

Later years and death
After being widowed, the Marchioness of Santos became devout and charitable, seeking to help the helpless, protecting the miserable and hungry, caring for the sick and students of the Faculdade de Direito do Largo de São Francisco, in the center of the city of São Paulo 
Domitila de Castro do Canto e Melo, Marchioness of Santos died of enterocolitis in her residence in the Rua do Carmo, now Roberto Simonsen, near the Pátio do Colégio, on 3 November 1867 aged 69  She was buried in the Cemitério da Consolação, whose original chapel was built with a donation made by Domitila by the amount of 2 contos de réis Despite information circulating that the cemetery's land was donated by the Marchioness of Santos, this version is incorrect  In fact, the cemetery was built, partly on land in the public domain and partly on land acquired from Marciano Pires de Oliveira for 200, 000 réis, which donated another part  After the inauguration, the area was enlarged with land expropriated by councilor Ramalho and Joaquim Floriano Wanderley 
Her grave in the Cemitério da Consolação, as well the two other plots she bought adjoining her gravesite —where her younger brother Francisco de Castro do Canto e Melo, her son Felício Pinto Coelho de Mendonça e Castro, and, after a recent discovery, her daughter the Countess of Iguaçu, were also buried—, were all recovered in the 1980s by the Italian accordionist Mario Zan, one of Domitila's most famous and fervent admirers; he took care of the deposit for the maintenance of the gravesites for years and when he died in 2006 he was buried in a tomb in front of the Marchioness  Even after his death, Mario Zan continues, in a way, to pay for the maintenance of Domitila's gravesite, because according to his will, the copyrights of his music were destined to this purpose 
Domitila's grave always receives fresh flowers from people who continue to consider her a popular saint  Among the legends is that she protects the prostitutes of the city and, due to having achieved a good marriage and restructuring worthily after her scandalous relationship with Emperor Pedro I of Brazil, she became an inspiration for girls who wanted to marry well  In her grave headstone there are plaques from devotees thanking her for some grace 

Ancestry
Representations in culture
Movies
In the silent film O Grito do Ipiranga (1917), Domitila was portrayed by Luíza Lambertini 
In the Argentine film Embrujo (1941), with direction and argumentation by Enrique Susini 
In the film Independência ou Morte (1972), Domitila was portrayed by Glória Menezes 

Theater
In Viriato Correia's play A Marquesa de Santos (1938), the Marchioness of Santos was portrayed by Dulcina de Moraes 
At the revue No Paço da Marquesa (1950), with the Vedette Virgínia Lane in the role of Domitila 
In the play O Imperador Galante (1954), written by Raimundo Magalhães Júnior, with Domitila being again portrayed by Dulcina de Moraes 
In the play Um grito de liberdade (1972), by Sérgio Viotti, with actress Nize Silva in the role of Domitila 
In the play Pedro e Domitila (1984), written by Ênio Gonçalves, Domitila was portrayed by Taya Perez 
In the monologue Marquesa de Santos: verso & reverso (2019), written by Paulo Rezzutti, Domitila was portrayed by Beth Araújo 

Radio
Dramatization of A Marquesa de Santos, by writer Paulo Setúbal by Rádio Nacional Rio de Janeiro, in 1946 
D  Pedro e a Marquesa de Santos, written by broadcaster Cassiano Gabus Mendes, was aired by Rádio Record, São Paulo, on 7 September 1950 

Television
In the televised play A Marquesa de Santos, aired on 12 February 12, 1962 on the program Teatro Nove, on TV Excelsior, Channel 9, São Paulo, the role of the Marchioness was portrayed by Cleyde Yáconis 
In the soap opera Helena (1987), the Marchioness was portrayed by Norma Suely 
In the mini-series Marquesa de Santos (1984) on Rede Manchete, the Marchioness was portrayed by Maitê Proença 
In the miniseries Entre o Amor e a Espada (2001), by TVE Brasil, the Marchioness was portrayed by Rejane Santos 
In the Rede Globo miniseries O Quinto dos Infernos (2002), the role of the Marchioness was portrayed by Luana Piovani 
In Rede Globo's soap opera Novo Mundo (2017), the role of the Marchioness was portrayed by Agatha Moreira 

Opera
Marquesa de Santos (1948), composed by João Batista de Siqueira  Opera piece in three acts with libretto by Joaquim Ribeiro 
Chalaça (1973), by conductor Francisco Mignone 
Domitila (2000), with music and libretto by Rio de Janeiro composer João Guilherme Ripper, inspired by the love letters exchanged between Dom Pedro I and Domitila  The soprano Maíra Lauter portrayed Domitila 

Rock
The album "Caso Real" (2015) by the rock band Lítera that was inspired by the love affair between the Emperor Pedro I of Brazil and the Marquesa de Santos, through the book "Titília e o Demonão – Cartas Inéditas de Dom Pedro I à Marquesa de Santos", by the writer Paulo Rezzutti 

Sambas plots
Os amores célebres do Brasil (1966), from Acadêmicos do Salgueiro 
A Favorita do Imperador (1964), from Imperatriz Leopoldinense 
A flecha do cupido me pegou (1981), from Caprichosos de Pilares 
Mulheres que Brilham – a força feminina no progresso social e cultural do país (2012), from Vai-Vai 
Paixões proibidas e outros amores (2014), from Nenê de Vila Matilde 

Notes
Passage 2:
Maria Isabel de Alcântara, Countess of Iguaçu
Maria Isabel de Alcântara Bourbon (28 February 1830 – 5 September 1896) was the third daughter (fifth child) of emperor Pedro I of Brazil and his mistress, Domitila de Castro, Marchioness of Santos 
Maria Isabel received the same name as her second sister, the Duchess of Ceará, who died in 1828 at only two months old  She was never given any titles by her father due to his marriage to Amélie of Leuchtenberg  Still, Pedro I acknowledged her as his daughter in his will but gave her no share of his state, except asking for his widow to aid in her education and upbringing  He had wished that she be given a good European education like her oldest sister, the Duchess of Goiás  However, the Marchioness declined to send the girl to Europe On 2 September 1848, at the age of eighteen, Maria Isabel married Pedro Caldeira Brant, the Count of Iguaçu, son of Felisberto Caldeira Brant, Marquis of Barbacena  At their wedding, Maria Isabel became the second Countess of Iguaçu  The couple had seven children: 

Isabel dos Santos
Luís de Alcantâra Caldeira Brant, married Maria Luísa Pereira de Brito
Pedro de Alcântara Caldeira Brant
Deulinda dos Santos, married Claudiano dos Santos
Maria Teresa Caldeira Brant, married Charles Collins
Isabel Maria dos Santos, married Antônio Dias Paes Leme
José Severiano de AlcântaraShe died on 5 September 1896, at sixty-six years of age, in São Paulo 
Passage 3:
Maria Isabel Barreno
Maria Isabel Barreno de Faria Martins GOIH (10 July 1939 – 3 September 2016) was a Portuguese writer, essayist, journalist and sculptor  She was one of the authors of the book Novas Cartas Portugesas (New Portuguese Letters), together with Maria Teresa Horta and Maria Velho da Costa  The authors, known as the "Three Marias," were arrested, jailed and prosecuted under Portuguese censorship laws in 1972, during the last years of the Estado Novo dictatorship  The book and their trial inspired protests in Portugal and attracted international attention from European and American women's liberation groups in the years leading up to the Carnation Revolution 

Biography
Born in Lisbon in the freguesia of Socorro, her parents moved to Areeiro, where she spent her childhood and adolescence  She studied College of Letters at the Universidade de Lisboa, where she graduated in Historico-Philosophical Sciences 
After graduation, she took a job working for the Instituto de Investigação Industrial  She dedicated herself to the cause of feminism, taking part in the Portuguese feminist movement together with the writers Maria Teresa Horta and Maria Velho da Costa, the "Three Marias" (Três Marias) 
On 8 March  2004, she was made a Grand Official in the Ordem do Infante D  Henrique Barreno died on 3 September 2016 at the age of 77 
The sketch shown here is not a portrait of Barreno but of Maria Fatima Velho da Costa  A 1975 photo of the Three Marias published in The Economist shows Isabel Barreno on the right  
A late-life photo of her appears with her obituary on a Portuguese government site, cig gov pt 

Works
Adaptação do Trabalhador de Origem Rural ao Meio Industrial Urbano (1966)
A Condição da Mulher Portuguesa (1968) (collaboration)
De Noite as Árvores São Negras (1968)
Os Outros Legítimos Superiores (1970)
Novas Cartas Portuguesas (1971) (co-authored with Maria Teresa Horta and Maria Velho da Costa)
A Morte da Mãe (1972)
A Imagem da Mulher na Imprensa (1976)
Inventário de Ana (1982)
Contos Analógicos (1983)
Sinos do Universo (1984)
Contos (1985)
Célia e Celina (1985)
O Outro Desbotado (1986)
O Falso Neutro (1989)
O Direito ao Presente (1990)
Crónica do Tempo (1991) – winner of the Fernando Namora Prize
O enviado (1991)
O Chão Salgado (1992)
Os Sensos Incomuns (1993) – winner of the Prémio P E N  Clube Português de Ficção, and the Grande Prémio de Conto Camilo Castelo Branco
O Senhor das Ilhas (1994)
As Vésperas Esquecidas (1999)
Passage 4:
Maria Isabel of Braganza
Maria Isabel of Braganza (Maria Isabel Francisca de Assis Antónia Carlota Joana Josefa Xavier de Paula Micaela Rafaela Isabel Gonzaga; 19 May 1797 – 26 December 1818) was a Portuguese infanta who became Queen of Spain as the second wife of King Ferdinand VII 

Early years
Maria Isabel, born Maria Isabel Francisca de Assis Antónia Carlota Joana Josefa Xavier de Paula Micaela Rafaela Isabel Gonzaga, was born to John VI of Portugal and Carlota Joaquina of Spain on 19 May 1797  She was born as their third child and second daughter  The marriage between her father and mother was unhappy, Carlota Joaquina attempting to have King John VI deemed insane In 1807 Napoleon invaded Portugal, and the royal family unwillingly fled to Brazil  Maria Isabel’s mother Carlota sent her eldest surviving son, Pedro, to join his father and grandmother onboard the ship Principe Real whilst Carlota and the rest of her children would board the Affonso d’Albuquerque Upon their arrival, Carlota and her children were forced to shave their heads and wear white muslin hats 

Upbringing
Maria Isabel and her siblings were carefully educated by her mother liberally  Maria Isabel was noted to be kind, balanced and shy, and was much like her father within her personality 

Marriage
On 20 March 1816, Queen Maria I of Portugal perished  Due to this, Maria Isabel’s father John became the King of Portugal and Brazil  On 22 February 1816 marriage contracts between Ferdinand VII of Spain and Maria Isabel were officially signed; they would soon marry 29 September 1816  Ferdinand was 32 years old and Maria Isabel was 19 
Towards the end 1816 Maria Isabel and Ferdinand were married, and then settled in Madrid  There, Maria Isabel was then quickly pregnant  Maria Isabel gave birth to a daughter, who they named María Luisa Isabel, on 21 August 1817  María Luisa Isabel died four-five months later 

Death
Maria Isabel was pregnant soon after the birth of María Luisa Isabel, but the birth was indeed a difficult one: the baby was in breech and the physicians soon found that the child had died  Maria Isabel stopped breathing soon thereafter and the doctors thought she was dead  
Maria Isabel’s sister protested against the doctors' thoughts on presuming her dead  The king, however, ordered a fatal caesarean  When they started cutting her stomach to extract the dead fetus, she suddenly shouted in pain and collapsed on her bed, bleeding heavily  She died soon afterwards on 26 December 1818 in the Palace of Aranjuez, and was buried at the Escorial — the royal site of San Lorenzo de El Escorial 

Legacy
Queen Maria Isabel's dedication and affection for art led her to gather many treasures from the past and create a royal museum, which would end up being the beginnings of Museo del Prado  It opened on 19 November 1819, a year after the queen's death 

Issue
Ancestors
Honours and arms
Dame of the Order of Queen Maria Luisa
Dame of the Order of Saint Isabel

See also
Napoleonic Wars
Passage 5:
Etan Boritzer
Etan Boritzer (born 1950) is an American writer of children’s literature who is best known for his book What is God? first published in 1989  His best selling What is? illustrated children's book series on character education and difficult subjects for children is a popular teaching guide for parents, teachers and child-life professionals Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views  The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages 
Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F  Kennedy  His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education 
Boritzer now lives in Venice, California and maintains his publishing office there also  He has helped numerous other authors to get published through How to Get Your Book Published! programs  Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally  He is also recognized nationally as an erudite speaker on The Teachings of the Buddha 
Passage 6:
Anne Yelverton
Anne Yelverton (1628–1698) was Countess of Manchester and Countess of Halifax 

Biography
Anne Yelverton was born in 1628  She was the daughter of Sir Christopher Yelverton, 1st Baronet, and Anne Twysden  She married Robert Montagu, 3rd Earl of Manchester, son of Edward Montagu, 2nd Earl of Manchester, and Lady Anne Rich, on 27 June 1655  They had five sons and four daughters:
Hon  Edward Montagu
Hon  Henry Montagu
Lady Anne Montagu (c  1667–1720), married James Howard, 3rd Earl of Suffolk 
Charles Montagu, 1st Duke of Manchester (c  1656–1722)
Lady Elizabeth Montagu (c  1682)
Lady Catherine Montagu, married Samuel Edwin
Hon  Robert Montagu (d  1693)
Hon  Heneage Montagu (1675–1698)
Lady Eleanor Montague,   (1647-1695) Married to Anthony Haggard (1646-1755) Marriage about 1682 Berkshire, England, United Kingdom Her first husband, Robert Montagu, died in 1683  Her second marriage was to Charles Montagu, 1st Earl of Halifax, son of Hon  George Montagu (the half-brother of Robert Montagu's father, Edward) and Elizabeth Irby, circa 12 May 1688  This marriage was childless, and the Halifax title passed to Charles Montagu's nephew, George Montagu, by special remainder, on the former's death in 1715  Anne Yelverton died on 21 July 1698 
Passage 7:
Theodred II (Bishop of Elmham)
Theodred II was a medieval Bishop of Elmham 
The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997 
Passage 8:
Maria Isabel Guerra
Maria Isabel Guerra (born 8 July 1955) is a Brazilian former butterfly and medley swimmer  She competed in three events at the 1972 Summer Olympics  She was a soccer player, rocked soccer skillzz 
Passage 9:
Maribel Martín
María Isabel Martín Martínez (1 November 1954 in Madrid, Spain), better known as Maribel Martín, is a Spanish actress 

Career
She made her acting debut at age seven in the film Tres de la Cruz Roja (1961),a film directed by Fernando Palacios  She had a career as a child actress in films like: La gran familia (1962), by Fernando Palacios and El Camino (1963) directed by Ana Mariscal 
At the end of the 1960s, she took more important roles in films like: The House That Screamed (1969) by Narciso Ibáñez Serrador and La Cera Virgen (1971) directed by Jose Maria Forque  She had her first starring role in The Blood Spattered Bride under the direction of Vicente Aranda  During the 1970s she concentrated her work in the theater and television  Among her films of this period are: Los Viajes Escolares (1973) directed by Jaime Chávarri; La Espada Negra (1976) film directed by Francisco Rovira Beleta Campana del Infierno (1973) by Claudio Guerin 
After her starring role in Últimas tardes con Teresa (1983) directed by  Gonzalo Herralde, she created the production company Ganesh Films with actor Julian Mateos and from then on she has taken roles in some of their production: The Holy Innocents (1984), by Mario Camus and Moon Child (1989), a film directed by Agusti Villaronga  Her most recent film is Engendro (2005) under the direction of Luis Cabeza 

Selected filmography
La gran familia (1962)
The House That Screamed (1969)
The Blood Spattered Bride (1972)
The Bell from Hell (1973)
The Great House (1975)
Forget the Drums (1975)
Fortunata y Jacinta  (1980)
Últimas tardes con Teresa (1983)
The Holy Innocents (1984)
Moon Child (1989)
Passage 10:
Isabel Bacardit
Maria Isabel Preñanosa Bacardit (born 1960 in Barcelona) is a Spanish painter 

Biography
Isabel Bacardit was born in Barcelona, Spain, in 1960  She starts her artistic education at the School of Arts of Poblenou, with Miquel Simó as her teacher, then moves on to the Escola d’Arts Aplicades i Oficis Artistics (Llotja) in Barcelona 
Starting as an abstract painter, she paints on materials she finds in the street: cardboard, wood, etc  Inspired by urban images, she paints using pigments mixed with sawdust and paper-paste to achieve densities and textures  Her compositions are based on primary colours 
In 1984 she is selected for the Fifth Biennale of Barcelona- Young Contemporary Painting  In 1985 she takes part in the First Exhibition of Young Art in Madrid and in the First Biennale of Young Cultural Productions of the European Mediterranean  In 1986 she is again selected for the Second Exhibition of Young Art in Madrid 
With the unexpected death of her partner, the painter Xavier Vidal i Banchs in 1984, Bacardit changes the theme of her work, taking inspiration now from the accidental changes of life  She creates a series of works based on The Disasters of War by Goya and paints proceeding from photographs of accidents taken from newspapers  She also changes her palette, turning to dark and earthen colours 
In 1986, due to the works in preparation for the 1992 Olympics, her paintings reflect the transformation of Barcelona, taking machines and diggers as her main motives 
In 1987 she illustrates the poem Helicón by Bruno Montané Krebs  She travels to Berlin, where she resides for a year  Here her themes are the signs of war, still visible on the buildings in the divided city  She exhibits in the gallery Vendemmia with the title "This is my Silence" 
In 1988 she moves to Mallorca, where she comes in contact with the theatre works of the Polish author Tadeusz Kantor  She creates the portfolio "The right to live in peace", with paintings inspired by the theatre of this author 
In 1989 she takes up residence in Santa Coloma de Farnés (Spain)  In the midst of nature she changes her themes dramatically  Her work finds inspiration in the landscape, light and silence  She leaves her work on the theme of death, with its dense materiality, behind, moving towards watercolours and transparencies 
In 1990 she lives in Rio de Janeiro, where she works with organisations for the welfare of street children, gives painting classes and establishes her studio in the gallery Maria Teresa Vieira  In Salvador de Bahia she exhibits a series of erotic drawings at the University of Fine Arts 
In 1991 she arrives in Chile  She exhibits in the gallery Buchi in Santiago de Chile and lives in Valparaiso  She collaborates with various artists: Edgard del Canto (painter), Alma Martinoia (painter), Ivo Vergara (painter), Cristina Correa (painter), Teresa Olivera (actress), Hernan Varela (stained glass artist) and Víctor Barrientos Ormazábal (actor and theatre director)  With them, she founds the theatre company "Theatre only for Fools" 
She begins her series "Earth, Air, Water and Fire"  On request of the cultural centre Las Condes of Santiago de Chile she builds a large scale sculpture out of papier-mache  and acrylics: "Bird Woman" which is dedicated to the flamenco dancer Carmen Amaya  For the theatre company "Theatre of Silence" she creates the life size puppets of the play "Taca taca mon amour" by Mauricio Celedón In 1994 she returns to Barcelona  She abandons abstract painting and returns to the figurative  In this period stand out:

The installation "Since ever, until when, since ever" for the "Meeting of Street Artists" in Granada 
An Exhibition in the civic centre Can Felipa with the collective "Art by Women", with works based on the theme of the female reproductive organs and birth 
The installation "Shoe-house Zapata"
Poeto-musical actions with Lucho Hermosilla, Steven Forster and Gaspar Lucas with the poem Altazor by Vicente Huidobro In 1996 she travels to Mexico  She meets Ofelia Medina and makes contact with the Zapatista communities in Chiapas, where she becomes strongly influenced by elements of indigenous symbolism and spirituality 
In 1997 she returns to Barcelona  In collaboration with Primitiva Reverter, Judit Bacardit, Montserrat Baqués, Mercè Candó, Caty Fernández and Aina Reverter she initiates the publication of the magazine Adiosas  With the same artists she exhibits in the gallery Espai22a 
In 1998 she works with the Dutch travelling theatre company "Azart Ship of Fools"  She travels and acts on the boat of the company and creates masks and part of the costumes for the work The Pilgrim at the End of the World 
In 1999 she establishes herself in Vilarnadal (Girona, Spain), where she lives for six years in an old mill  She paints and cultivates the earth 
In 2002 she exhibits, together with her sister, the sculptor Judit Bacardit, in the information centre of the Parc dels Aiguamolls de l’Empordà and in the exhibition rooms of the Caixa Girona in Roses 
In 2003 they exhibit again at this location  She participates in the European meeting of woman artists "In Via" in Switzerland 
In 2004 she creates the stage design and decorations for the programme "The Ship of Fools" for the local television in Amsterdam 
Since 2005 she lives in Barcelona 

Notes



ground_truth: Félix Leclerc

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the date of death of Maria Isabel De Alcântara, Countess Of Iguaçu's mother?

The following are given passages.
Context 4:  It is based on actual events and depicts the 185th Airborne Division Folgore during the battle of El-Alamein  The screenwriter and military advisor was Marcantonio Bragadin 

Plot
In the summer of 1942, during the Second World War, a group of young paratroopers from the Folgore Division, after having undergone a long and tiring training in Italy, was transported by air to the Libyan desert to cover the Italian-German front  The young soldiers believe that their destination is the island of Malta (operation C3) or the area of Alexandria: instead they find themselves thrown into a desert region where they are forced to live in holes dug in the sand and to face with insufficient means the armored British armored units  They will sadly see their parachutes piled up inside a warehouse in the desert  Thus develops that epic fight, which takes the name of the battle of El-Alamein, in which a handful of heroic fighters try with every effort to stop or at least delay the advance of General Montgomery's British tanks  Once their line-up has broken through, the survivors resist for several days an unequal struggle against the preponderant English forces, even being mentioned, for their heroism, by the British Prime Minister Winston Churchill, who called them "The lions of the Thunderbolt" 

Cast
Ettore Manni: The Captain
Fausto Tozzi: The Sergeant
José Jaspe: Salvi
Marco Guglielmi: Lt  Corsini
Aldo Bufi Landi: Friar Gabriele
Monica Clay: Captain's Wife
Lea Padovani:   Salvi's Wife
Mario Girotti: Paratrooper
Fabrizio Mioni: Gianluigi Corsini
Fernando Cicero
Carlo Tamberlani
Passage 6:
Sandflow
Sandflow is a 1937 American Western film directed by Lesley Selander and written by Frances Guihan  The film stars Buck Jones, Lita Chevret, Bob Kortman, Arthur Aylesworth, Bob Terry and Enrique de Rosas  The film was released on February 14, 1937, by Universal Pictures 

Plot
Lane Hallett is wanted for killing the Sheriff, however his brother Buck thinks he is innocent and sets out to prove it, but while he is out Quayle is after Lane for the reward money 

Cast
Buck Jones as Buck Hallett
Lita Chevret as Rose Porter
Bob Kortman as Quayle
Arthur Aylesworth as Tex
Bob Terry as Lane Hallett
Enrique de Rosas as Joaquin
Josef Swickard as Banker Porter
Lee Phelps as Singing Guard
Harold Hodge as Rillito
Tom Chatterton as Sheriff
Arthur Van Slyke as Santone
Malcolm Graham as Parable
Silver as Silver
Passage 7:
11th Division
11th Division or 11th Infantry Division may refer to:

Infantry divisions
11th Division (Australia)
11th Infantry Division (Bangladesh), see Md  Rashed Amin
11th Division (German Empire)
11th Reserve Division (German Empire)
11th Bavarian Infantry Division,  a unit of the Royal Bavarian Army, part of the Imperial German Army, in World War I
11th SS Volunteer Panzergrenadier Division Nordland
11th Infantry Division (Wehrmacht)
11th Infantry Division (Greece)
11th Indian Division, a unit of the British Indian Army during World War I
11th Infantry Division (India)
11th Infantry Division Brennero, Kingdom of Italy
11th Division (Imperial Japanese Army)
11th Infantry Division (Pakistan)
11th Infantry Division (Poland)
11th Infantry Division (Russian Empire)
11th Division (Spain)
11th Division (Sri Lanka)
11th Infantry Division (Thailand), se Apirat Kongsompong
11th (East Africa) Division, a colonial unit of the British Empire during World War II
11th (Northern) Division, a unit of the British Army during World War I
11th Infantry Division (United States), a unit in World War I and World War II
11th Rifle Division (disambiguation)

Airborne divisions
11th Airborne Division (United States)

Armored divisions
11th Panzer Division (Wehrmacht), Germany
11th Armoured Division (United Kingdom)
11th Armored Division (United States)

Aviation divisions
11th Air Division, a unit of the United States Air Force in Alaska

Air defense divisions
11th Air Defense Division, Yugoslavia

See also
11th Army (disambiguation)
XI Corps (disambiguation)
11th Group (disambiguation)
11th Brigade (disambiguation)
11th Regiment (disambiguation)
11th Battalion (disambiguation)
11 Squadron (disambiguation)
Passage 8:
Eastern Division
Eastern Division or East Division may refer to:

Military
12th (Eastern) Division, was a division raised by the British Army during the First World War
12th (Eastern) Infantry Division, was a division raised by the British Army during the Second World War
18th (Eastern) Division, was a division raised by the British Army during the First World War

Places
Eastern Division, Fiji
Eastern Division (New South Wales)
Eastern Land Division, a cadastral division of Western Australia

Sports
East Division (AFL), a division of the Arena Football League
East Division (CFL), a division of the Canadian Football League
East Division (NHL), a division of the National Hockey League
AFC East, a division of the American Football Conference
American League East, a division of Major League Baseball
National League East, a division of Major League Baseball
NFC East, a division of the National Football Conference
Eastern Division of the Southeastern Conference
Eastern Division (cricket), a division of Minor League Cricket

Other uses
BMT Eastern Division of the New York City Subway
East Division High School, Milwaukee, Wisconsin, United States

See also

Eastern Conference (disambiguation)
Central Division (disambiguation)
Northern Division (disambiguation)
Southern Division (disambiguation)
Western Division (disambiguation)
All pages with titles containing Division East
All pages with titles containing East Division

All pages with titles beginning with Eastern Division
All pages with titles containing Eastern Division
Division (disambiguation)
Eastern (disambiguation)
East (disambiguation)
Passage 9:
Division
Division or divider may refer to:

Mathematics
Division (mathematics), the inverse of multiplication
Division algorithm, a method for computing the result of mathematical division

Military
Division (military), a formation typically consisting of 10,000 to 25,000 troops
Divizion, a subunit in some militaries
Division (naval), a collection of warships

Science
Cell division, the process in which biological cells multiply
Continental divide, the geographical term for separation between watersheds
Division (biology), used differently in botany and zoology
Division (botany), a taxonomic rank for plants or fungi, equivalent to phylum in zoology
Division (horticulture), a method of vegetative plant propagation, or the plants created by using this method
Division, a medical/surgical operation involving cutting and separation, see ICD-10 Procedure Coding System

Technology
Beam compass, a compass with a beam and sliding sockets for drawing and dividing circles larger than those made by a regular pair of compasses
Divider caliper or compass, a caliper
Frequency divider, a circuit that divides the frequency of a clock signal

Society
Administrative division, territory into which a country is divided
Census division, an official term in Canada and the United States
Diairesis, Plato's method of definition by division
Division (business), of a business entity is a distinct part of that business but the primary business is legally responsible for all of the obligations and debts of the division
Division (political geography), a name for a subsidiary state or prefecture of a country
Division (sport), a group of teams in organised sport who compete for a divisional title
In parliamentary procedure:
Division of the assembly, a type of formally recorded vote by assembly members
Division of a question, to split a question into two or more questions
Partition (politics), the process of changing national borders or separating political entities
Police division, a large territorial unit of the British police

Places
Division station (CTA North Side Main Line), a station on the Chicago Transit Authority's North Side Main Line
Division station (CTA Blue Line), a station on the Chicago Transit Authority's 'L' system, serving the Blue Line
Division Mountain, on the Continental Divide along the Alberta - British Columbia border of Canada
Division Range, Humboldt County, Nevada

Music
Division (10 Years album), 2008
Division (The Gazette album), 2012
Divisions (album), by Starset, 2019
Division (music), a type of ornamentation or variation found in early music
Divider, as in Schenkerian music analysis, a consonant subdivision of a consonant interval
"Division", a song by Aly & AJ from Insomniatic, 2007
"Divider", a song by Scott Weiland from the album 12 Bar Blues (album), 1998

Other uses
Divider, a central reservation in Bangladesh
Division of the field, a concept in heraldry
Division (logical fallacy), when one reasons logically that something true of a thing must also be true of all or some of its parts
Tom Clancy's The Division, a multiplayer video game by Ubisoft and Red Storm Entertainment
The Division (TV series), a police procedural

See also

Dvsn, Canadian musical group
Dividend, payments made by a corporation to its shareholder members
Compartment (disambiguation)
Div (disambiguation)
Divide (disambiguation)
Partition (disambiguation)
Section (disambiguation)
Segment (disambiguation)
Split (disambiguation)
Subdivision (disambiguation)
All pages with titles beginning with Division
All pages with titles containing Division
Passage 10:
A Division
A Division or A-Division or Division A or variant has the following meanings:

A Division (New York City Subway)
Moldovan "A" Division, football (soccer)
Tuvalu A-Division, football (soccer)
Martyr's Memorial A-Division League, football (soccer)

See also
B Division (disambiguation)
Division 1



ground_truth: November 3, 1867