prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose director is younger, Cuchillos De Fuego or A Woman Has Killed?

The following are given passages.
Context 1: Passage 1:
Cuchillos de fuego
Cuchillos de fuego is a Venezuelan film released in 1990  It was directed by Román Chalbaud based on his theatre play Todo bicho de uña, where a young man, David, seeks revenge on his mother's rapist and murderer  In the film, which is styled like a Western, a stop-motion animated children's drawing of the young David crying over his mother's body is used to tell parts of the story  After searching through the Andes for ten years, he kills several Apaches for his revenge In its theatrical release it was viewed by 367,652 people 

Production
The film stars Miguel Ángel Landa, who also produced it, as well as Marisela Berti, Javier Zapata, Charles Barri, Natalia Martínez, Gabriel Fernández, Dora Mazzone, Jonathan Montenegro, Gabriel Martínez, and Raúl Medina Despite being a Spanish co-production, it was not released in Spain 

Response
The film has been praised for its mixing of diverse themes, like melodrama and fantasy  However, its use of Freudian references was seen as simple, with the film overall described as "somewhat indigestible" It has been assessed as thematically aligned with Chalbaud's other films, despite being a different genre  In this respect, it features "mirage-like memories" of David's mother;:46 masks and costumes used to show illusion and performance of characters thematically;:46-47 pop music in the background used to layer simple meaning;:47 the religious name (David) for its protagonist;:48 and the use of myths, specifically the "fairytale of the abandoned child" :52
Passage 2:
Vittorio Cottafavi
Vittorio Cottafavi (30 January 1914 – 14 December 1998) was an Italian film director and screenwriter  He directed 70 films between 1943 and 1985  His film Il diavolo sulle colline was screened in the Un Certain Regard section at the 1985 Cannes Film Festival 

Selected filmography
Passage 3:
Blossoms of Fire
Blossoms of Fire (also known as Ramo de fuego) is a 2000 documentary film about the people of Juchitán, Oaxaca, Mexico  The documentary was directed by Maureen Gosling and Ellen Osborne 

Overview
Author Elena Poniatowska described the women of Juchitán de Zaragoza, a city in the Mexican state of Oaxaca, as “guardians of men, distributors of food ” Artists like Miguel Covarrubias and Frida Kahlo celebrated their beauty and intelligence  Blossoms of Fire shows them in their daily lives as they run their own businesses, embroider their signature fiery blossoms on clothing and comment on articles in the foreign press that depict them as a promiscuous matriarchy  In particular, an article in the Latin American version of ELLE Magazine infuriated the community during the time the filmmakers were shooting in 1994  Yet, it is expressed throughout the film by the women that they do not consider their society to be a matriarchy 
The people interviewed in this film share a common work ethic and independent streak rooted in Zapotec culture  The movie demonstrates powerful women, the region’s progressive politics, and a tolerance of homosexuality  Veteran film editor and former Les Blank collaborator Maureen Gosling and co-director Ellen Osborne tell of an indigenous community whose "flair for survival in the modern world is a fighting spirit and the undeniable influence of women "

Scenes
A midwife laughs over a young husband’s behavior during birth,
A gay man cheerfully asserts that “the mom’s in charge” in Juchitecan society
Many proudly describe the challenges they face in their work and their families 

Honors and special screenings
World Premiere - San Francisco International Film Festival, Castro Theater, SF and Pacific Film Archive, Berkeley
Coral Prize for Best Foreign Documentary About Latin America: Havana International Film Festival, Havana, Cuba 
"Best Of"Sunnyside of the Doc Film Market, Marseille, France
Award for Excellence - Society for Visual Anthropology, American Anthropological Association
Best Documentary - Film Fest New Haven, Conn 
Second Prize, Community Category, Terres en Vues First People's Festival,  Montréal, Québec
Prix Union Latine, Competition - La Cita Festival de Biarritz, Biarritz, France
El Foro de la Cineteca Nacional, Mexico City, Mexico (One of 12 international films chosen to screen at this prestigious Forum ) The film toured Mexico with the other films for three months following 
HBO Frame by Frame Series, The Screening Room, Manhattan
Tour of the Mexican Republic, including Juchitán, Oaxaca, Mexico City, and dozens of venues in the southern Mexican states  Sponsored by the Mexican Film Institute (IMCINE)  May–June 2001 
HDerHumALC (Human Rights) Film Festival, Buenos Aires, Argentina 
Toured with festival films to Lima, Peru (Dec  2002)
World Social Justice Forum in Porto Alegre and Belem, Brazil (Jan  2003) 

Credits
Producer, Director, Editor - Maureen Gosling
Director, Co-Producer - Ellen Osborne
Co-Producers - Toni Hanna, Maria Teresa García de la Noceda
Cinematographer - Xavier Pérez Grobet
Sound Recordist - Gabriela Espinoza
Field Producer - Susana Vásquez Sánchez
Associate Producer - Kelly Clement
Fiscal Sponsor - Film Arts Foundation, San Francisco
Featuring - the People of Juchitán and San Blas Atempa, Oaxaca
Passage 4:
Miloš Zličić
Miloš Zličić (Serbian Cyrillic: Милош Зличић; born 29 December 1999) is a Serbian football forward who plays for Smederevo 1924  He is a younger brother of Lazar Zličić 

Club career
Vojvodina
Born in Novi Sad, Zličić passed Vojvodina youth school and joined the first team at the age of 16  Previously, he was nominated for the best player of the "Tournament of Friendship", played in 2015  He made his senior debut in a friendly match against OFK Bačka during the spring half of the 2015–16 season, along with a year younger Mihajlo Nešković  Zličić made an official debut for Vojvodina in the 16th fixture of the 2016–17 Serbian SuperLiga season, played on 19 November 2016 against Novi Pazar 

Loan to Cement
In July 2018, Zličić joined the Serbian League Vojvodina side Cement Beočin on half-year loan deal  Zličić made his debut in an official match for Cement on 18 August, in the first round of the new season of the Serbian League Vojvodina, in a defeat against Omladinac  He scored his first senior goal on 25 August, in victory against Radnički 

International career
Zličić was called in Serbia U15 national team squad during the 2014, and he also appeared for under-16 national team between 2014 and 2015  He was also member of a U17 level later  After that, he was member of a U18 level, and scored goal against Slovenia U18 

Career statistics
As of 26 February 2020
Passage 5:
Ojos de fuego
Ojos de Fuego  (Eyes of Fire) is a 1995 Argentine independent short film written and directed by Jorge Gaggero 

Cast
Erasmo Olivera as Julian
Jorge Huertas as Comisario
Victor Poleri as Rengo
Eva Fernandez as Madre de Julian
Leandro Martínez as Laucha

External links
Ojos de fuego at IMDb
Passage 6:
La Bestia humana
La Bestia humana is a 1957 Argentine film whose story is based on the 1890 novel La Bête Humaine by the French writer Émile Zola 

External links
La Bestia humana at IMDb
Passage 7:
Román Chalbaud
Román Chalbaud (born 10 October 1931) is a Venezuelan film director and screenwriter, as well as a prominent playwright  Starting work in television after prestigious training, Chalbaud moved into making films before the industry took off in his home country, returning to theatre where he had been a great success for several years until filmmaking became a viable industry again  He has served as the president of Venezuela's leading theatre, television, and film organisations  A documentary about his life and work called Román en el universo de las maravillas, produced by Argentinian filmmakers, was released on 17 March 2018 in Altamira, Caracas at the Rómulo Gallegos Center for Latin American Studies 

Early life
Born in Mérida, Chalboud moved to Caracas with his grandmother at age six, and was seen in the city as a "learning-disabled" "country boy" Chalbaud was young, "in his adolescence" when he knew he wanted to be a storyteller, but also had a proclivity towards poetry  Some of his storytelling desires came from his grandmother, who was a keen reader of European literature, and also enjoyed watching some French and Italian films  It was not long after his revelation that he believed he could achieve both working in theatre and in film, the arts towards which he has focused since he was a teenager  His journey to becoming one of his nation's most renowned directors is framed as starting when he would go to a cinema as a teenager and watch films from the Golden Age of Mexican cinema, though Chalbaud himself says that he was inspired by dramatic angles when playing an angel in a Nativity play as a child and being hoisted into the rafters, able to watch the performance from a detached perspective, and to watch the audience as they watched the action After leaving high school, Chalbaud studied for two years at the Teatro Experimental in Caracas, and then studied directing under Lee Strasberg in New York 

Career
The director was in his late teens when he got jobs working in television, whilst writing plays  When working one television job, in the early 1950s, he reports that his group worked from 3 pm until 9 at night, and would then spend time at a brothel  It is during this time that he found inspiration and stories for his play El Pez que Fuma, which he would later make into a film  He also wrote the plays Los adolescentes, for which he won the Ateneo de Caracas prize, and Caín adolescente in his early television career  It was also the early 1950s when he worked as the assistant director to Mexican filmmaker Víctor Urruchúa, working on two of Urruchúa's films, Six Months of Life and Light in the High Plains  In 1955 he became the artistic director of Televisora Nacional, a company he left in 1958 It is possible that he left Televisora Nacional, the official statement being "for political reasons", when he was imprisoned in 1957 for five months by the regime of Marcos Pérez Jiménez, an experience he says gave him a social conscience to do good after being tortured Before releasing his first film, Chalbaud had seen enough success in playwriting that he was made the director of the National Theatre of Venezuela in 1958  He left this role the year after the release of Caín adolescente, in 1960  He had made two films by 1963, when cinema diminished in Venezuela and he was effectively forced to return to theatre  In 1967 he took the presidency of the UNESCO Latin American Theatre Institute, and it was in this year theatre collective "El Nuevo Grupo" was co-founded by Chalbaud; he dedicated the poem "Us and the Theatre" to the group, with which he has worked extensively since, that same year The success of Chalbaud's plays is placed on his characters, with the social-realist works characterised by an open treatment of dramatic plots, and a supposedly archetypal selection of characters used to portray irony with the social contexts of marginalisation they find themselves, all which critiques the situation of the country  This is also a reason that his plays, many of them that he made into films, are deemed timeless and socially relevant even in the 21st century  He was awarded the National Theatre Award of Venezuela in 1984  He is considered, along with friends Isaac Chocrón and José Ignacio Cabrujas, to be "a prime moving force in continuing the work of César Rengifo in the development of the contemporary Venezuelan theatre"  The three are known as the Holy Trinity of Venezuelan theatre Though making films in this time, he had been largely focused on theatre  This would change after 1969, when Chalbaud left his president role and when Venezuelan cinema entered its Golden Age  He did return to television, joining Radio Caracas Television in 1969, but began his most successful line of work in film direction  Moving into film gave Chalbaud international acclaim, all of his films being screened at film festivals, and one being the first of his country's foreign-language Oscar nominations  His films, some of which are self-adaptations, are said to thematically continue his theatre work  He received the National Film Award of Venezuela in 1990 In 1974, Chalbaud, with other filmmakers of his generation, started Gente de Cine C A , a production company which would produce most of his own films  In 1975, thanks to new national legislation pushed through by the Asociación Nacional de Autores Cinematográficos (National Association of Cinema Auteurs) — ANAC — Chalbaud was the first director to receive protected state funding, making the film Sacred and Obscene  The success of this film quashed the government's doubts about the funding program  He was then named President of the ANAC in 1978, and was the Director General of the Fundación Cinemateca Nacional de Venezuela (National Foundation of Venezuelan Cinema) for two years Chalbaud resigned from Radio Caracas in 1982  In 1985, the San Sebastián Film Festival dedicated a retrospective to him; he has also been on the Jury of this festival, in 1990 In June 2018, he said he was in pre-production for a film trilogy about the life of Hugo Chávez Alfonso Molina, in his 2002 book on the director, wrote that you cannot fully understand the socio-political culture of Venezuela without watching Chalbaud's films 

Personal life
Chalbaud revealed little personal information until he was quite old, when he said that though he loves the landscape of his home city Mérida, he considers Caracas the place to grow old  His favourite play is El Pez que Fuma  Fabián Pierucci, the director of the documentary about his life, says that Chalbaud is "tireless, from his early rise until the night he is reading, writing, going to conferences, helping people" He considers Luis Buñuel a "master" Chalbaud's political affiliation is chavismo, which he believes "most of the country" follows, arguing that Nicolás Maduro is not a dictator and that the opposition since his election are "monsters", justifying the government treatment of opposition members and describing the Constituent National Assembly as Venezuela's legitimate democratic house 

Filmography
Passage 8:
La niña de fuego
La niña de fuego (The fire girl) is a 1952 Argentine film 

Cast
Lolita Torres – Fernanda / Fernando
Ricardo Passano – Pocho
Mario Baroffio – Cipriano Albaicín
César Fiaschi – Pereda
Domingo Márquez – Andrés
Antonio Martelo
Helena Cortesina
Alfonso Pisano – Ramallo
Arsenio Perdiguero – mr  José
Antonio Martiánez – Captain
Delfy Miranda – Ofelia
Noemí Laserre – María de los Cantares
Arturo Arcari
Semillita – box spectator
Helena Cortesina – Clotilde
Carlos Mendi – Marino
Ofelia Cortesina
Luis Laneri
Dante Liguori

External links
La niña de fuego at IMDb
Passage 9:
La selva de fuego
La Selva de Fuego (The Jungle of Fire) is a 1945 Mexican romantic drama film directed by Fernando de Fuentes and starring Dolores del Río 

Plot summary
The movie develops into the Jungle of Chiapas in México  A beautiful woman named Estrella (Dolores del Río) lost in a savage zone of the jungle  She is found by a group of men who are being held into the jungle as social outcasts  Their leader, Luciano (Arturo de Córdova) is a man of integrity, but with an inexplicable hatred toward women  The presence of a sensual woman between several alone men causing a chaos that only Luciano can save 

Curiosities
According to María Félix in her autobiography (Todas mis Guerras México, 1993), cause of this movie, she and Dolores del Río mistook their paths for only time  The film was written by Félix, but the messenger sent by mistake the film for Dolores  María finished filming the movie Vértigo (written by Dolores) 
Passage 10:
A Woman Has Killed
A Woman Has Killed (Italian: Una donna ha ucciso) is a 1952 Italian melodrama crime film directed by Vittorio Cottafavi  While on a train journey a young woman tells another passenger how she murdered her husband, a British army officer  It is a neorealist film, based on the real story of Lidia Cirillo, who appears in the film 
The film's sets were designed by the art director Ottavio Scotti 

Cast
Frank Latimore as 	Capt  Roy Prescott
Lianella Carell as 	Anna
Alessandro Serbaroli as 	Larry (as Alex Serbaroli)
Vera Palumbo as 	Carla
Umberto Spadaro as 	Padre di Anna
Marika Rowsky
Celeste Aída
Diego Muni
Vincenzo Milazzo
Pia De Doses
Lidia Cirillo
Context 2: Passage 1:
My Little Eye
My Little Eye is a 2002 British horror film directed by Marc Evans about five adults who agree to spend six months together in an isolated mansion while being filmed at all times  The idea for the film came from reality television shows such as Big Brother  The title refers to the guessing game I spy 

Plot
Five contestants, Matt (Sean Cw Johnson), Emma (Laura Regan), Charlie (Jennifer Sky), Danny (Stephen O'Reilly) and Rex (Kris Lemche), agree to take part in a reality webcast, where they must spend six months in a house to win $1 million  If anyone leaves, then no one wins the money  Nearing the end of the six months, tension between the contestants rises after Emma finds strange messages she believes are from a man from her past and the food packages arrive containing a letter that claims Danny's grandfather has died, and a gun with five bullets 
One night, a man named Travis Patterson (Bradley Cooper) arrives, claiming he is lost in the woods and that his GPS has died  Despite claiming to be an internet programmer, he claims to not recognize any of the contestants or ever having heard of the show  Later that night, Travis has sex with Charlie, and then secretly talks directly into a camera, to communicate with whoever is watching them  The next morning, Travis leaves and Danny discovers his backpack outside covered in blood and shredded to pieces  The contestants assume he was attacked by an animal but Rex believes Travis works for the people running their show and that it is all a trick to make them leave the house and forfeit the prize money 
Emma discovers her underwear among Danny’s belongings and confronts him, unaware that Travis planted them there the previous night  Danny denies it and attempts to make peace by giving her a crudely carved wooden cat, which Emma and Charlie ridicule, while Danny overhears 
The next morning, the group finds Danny has committed suicide by hanging himself from the staircase balcony with a rope  The guests finally decide to leave, but after being unable to contact anyone via radio, decide to wait until the next morning  Rex uses the GPS unit from Travis' bag and his laptop to gain access to the internet to find out more about the show but is unable to find any evidence of their show online 
Rex is only able to find a heavily encrypted beta site, that requires a $50,000 fee to access, and displays a web page with their pictures and betting odds  The group decides they will leave the next morning, though Rex and Emma go up to the roof to set off a flare  While Charlie and Matt remain in the house, Matt asks a camera if he should kill her, before suffocating her with a plastic bag 
Later, while Emma is sleeping, Rex comes downstairs and is decapitated with an axe by Matt  Matt awakens Emma and brings her up to the attic, telling her he is being chased and the others are dead  He then makes advances on Emma, who refuses, and attempts to rape her, before she stabs him in the back and runs off 
Emma runs outside and finds a police officer, who handcuffs her inside the car and enters the house  An injured Matt then crawls out, begging the cop to let him kill Emma, since he spent six months in the house with her  Realizing they are working together, Emma escapes the car and tries to run but is shot in the back with a rifle by the cop 
Matt and the cop sit in the kitchen discussing the setup they created with Travis for their high paying clients who want to witness the murders  When the cop says there are always "five suckers" to play the game with, Matt corrects him to four, and is then shot in the head  The cop then leaves, talking to Travis over the radio, while Emma is seen locked in a small room, unable to escape  As she collapses screaming, the cameras filming all shut off, one by one 

Cast
Sean Cw Johnson as Matt
Kris Lemche as Rex
Stephen O'Reilly as Danny
Laura Regan as Emma
Jennifer Sky as Charlie
Nick Mennell as The Cop
Bradley Cooper as Travis Patterson

Home media
My Little Eye is available on DVD from MCA/Universal Home Video with most of the special features available on the Region 2 Special Edition including a filmmakers' commentary and deleted scenes  There is an audio mode "Conversations of the Company (Eavesdropping Audio Track)" which allows the viewer to listen to the radio conversations between the members of the company: Travis and "the cop"  However, during this mode, the viewer cannot hear all of the dialogue of the cast in the scene  A UK release contains a 'Special Mode' where viewers see the film from the perspective of an internet subscriber, and more extra features become unlocked as the film goes on  You can watch other things going on in 'the house' in real time to what's happening in the film 

Reception
The film received polarized but positive reviews and holds 67% on Rotten Tomatoes based on 21 reviews, with an average score of 5 2/10 

See also
List of films featuring surveillance
Passage 2:
The PyraMMMid
The PyraMMMid (Russian: ПираМММида, romanized: PiraMMMida) is a 2011 Russian crime drama directed by Eldar Salavatov  The plot is based on the partially biographical story "Pyramid" by Sergei Mavrodi 

Plot
Russia, early 1990s  Sergei Mamontov is looking for where to apply himself and his intellect  And so he orders a mock-up of a security paper with imperial script, rich ornament, watermarks and his own portrait in the center 
An active advertising campaign begins  A little more than two weeks is enough to make people line up for the "mamontovs" ("mamontovki" in Russian)  Powerful bankers and state structures are in confusion – no one has a clue how to stop it, and the MMM has already accumulated more than 10 million investors 
Furthermore, Mamontov is concerned that there are no rich people in the country, and all Soviet industry is exposed to privatization  He accumulates "private greeds" and decides to carry out an honest privatization  His way is blocked by the agent of Western imperialism - Belyavsky (an allusion to Boris Berezovsky) with his MegaVAZ-bank (an allusion to LogoVAZ)  Belyavsky comes from the top - he makes connections in the Kremlin and is in charge of television  Belyavsky proposes to share Russia  Mamontov refuses: "I do not trade with Russia!", which attracts the financial inspectorate, who, without checking documents, imposes unthinkable demands for paying taxes upon him, which Mamontov executes  There is still enough money to ruin the bank of Belyavsky  In the country by that time are already 20 million investors and every week the number increases by a million, the "mamontov's" goes on par with ruble  Mamontov threatens to seize power with the help of investors who are facing ruin  During a one-minute audience with the President, Mamontov appears as a guardian for the state amid a corrupt environment and asks for a change in the law - to allow foreigners to be involved in their financial system in order to subordinate the Western oligarchy and thereby make Boris Yeltsin's Russia leader of the world  But Belyavsky begins to threaten the life of Mamontov's daughter and he eventually falls into a trap  On the Ostankino Tower, the battered Mamontov again refuses to cooperate with Belyavsky, despite the proposed opportunity to become the "head of state"  Mamontov hopes to leave with his daughter, defending himself by having a recording of a conversation with a representative of the FCS (where he offered similar "privileges"), from his assistant Vera, but she, escaping from the people of Belyavsky, drops the recording in a park and on charges of non-payment of taxes, Mamontov gets in prison and comes out after 7 years 

Cast
Aleksei Serebryakov – Sergey Mamontov
Fyodor Bondarchuk – Belyavsky
Pyotr Fyodorov – Anton
Ekaterina Vilkova – Vera
Anastasia Richie – Button
Nikita Salopin – Zotik
Sergey Koltakov – Prime Minister
Yuri Tsurilo – General
Oleksiy Gorbunov – Colonel
Artyom Mikhalkov – major
Igor Yatsko – Rezo
Daniil Spivakovsky – Gutov
Anna Mikhalkova  – wife of Mamontov
Vladimir Permyakov – Lyonya Golubkov (cameo)
Bogdan Titomir – cameo

See also
Sergei Mavrodi
MMM
Passage 3:
The Fabulous Senorita
The Fabulous Senorita is a 1952 American musical comedy film directed by R  G  Springsteen and starring Estelita Rodriguez, Robert Clarke and Nestor Paiva  The film came at the tail-end of a cycle of Latin American-themed films, though it did introduce a new star, Rita Moreno 

Plot
Cast
Estelita Rodriguez as Estelita Rodriguez
Robert Clarke as Jerry Taylor
Nestor Paiva as José Rodriguez
Marvin Kaplan as Clifford Van Kunkle
Rita Moreno as Manuela Rodríguez
Leon Belasco as Señor Gonzales
Tito Renaldo as Pedro Sanchez
Tom Powers as Delaney
Emory Parnell as Dean Bradshaw
Olin Howland as Justice of the Peace
Vito Scotti as Esteban Gonzales
Martin Garralaga as Police Captain Garcia
Nita Del Rey as Felice
Joan Blake as Betty
Frances Dominguez as Amelia
Betty Farrington as Janitress
Norman Field as Dr  Campbell
Clark Howat as Davis
Frank Kreig as Cab Driver
Dorothy Neumann as Mrs  Black
Elizabeth Slifer as Wife of Justice of the Peace
Charles Sullivan as Cab Driver
Arthur Walsh as Pete
Passage 4:
Revolt of Ghent
Revolt of Ghent may refer to:

Revolt of Ghent (1379–1385), a rebellion by the city of Ghent against Louis II, Count of Flanders
Revolt of Ghent (1449–53), a rebellion by the city of Ghent against Charles the Bold, Duke of Burgundy
Revolt of Ghent (1539), an uprising by the citizens of Ghent against Charles V, Holy Roman Emperor
Passage 5:
The Night of Nights
The Night of Nights is a 1939 black-and-white drama film written by Donald Ogden Stewart and directed by Lewis Milestone for Paramount Pictures that starred Pat O'Brien, Olympe Bradna, and Roland Young The film received positive contemporary reviews from publications such as The New York Times  Director Milestone went on to other successful productions after the film came out, including Ocean's 11 and Pork Chop Hill 

Background
Milestone directed The Night of Nights nine years after winning the 1930 Academy Award for Best Director for All Quiet on the Western Front 

Plot
Dan O'Farrell (Pat O'Brien) is a brilliant Broadway theater playwright, actor, and producer who has left the business



ground_truth: Cuchillos De Fuego

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film came out first, The Pyrammmid or Revolt Of The Praetorians?

The following are given passages.
Context 2:   When he was younger, he and his partner Barry Keith-Trimble (Roland Young) were preparing for the opening night of O'Farell's play Laughter by getting drunk   When it was time to perform, they were so intoxicated they ended up brawling on stage and fell into the orchestra pit   The two left the theater and continued drinking, until they learn that they have been suspended  At the same time, O'Farrell learns that his wife, actress Alyce Martelle, is pregnant and has left him for ruining her performance in Laughter as Toni   Despondent, he in left the business and went into seclusion 
Years later, his daughter Marie (Olympe Bradna) locates him and inspires him to return to Broadway   He decides to restage Laughter with its original cast, but with Marie substituting for Alyce in the part of Toni   Hoping to make a glorious return with a show that would be a hit with critics and the public alike, O'Farrell enlists the aid of friends to embark on a full-fledged comeback 

Cast
Reception
Frank S  Nugent wrote for The New York Times that the work of actors Pat O'Brien and Roland Young, had "been a labor of love and the film has profited accordingly " In noting that the plot centered on "the theatre and some of the curious folk who inhabit it", the newspaper's review stated that the film had an acceptable sentimentality and shared that the story was "an uncommonly interesting study of a man's mind, subtly written and directed, presented with honesty and commendable sincerity by Mr  O'Brien, Mr  Young and Olympe Bradna, and well worth any one's attention " The only objection in the review was that the stage play Laughter, the piece being produced within the film by O'Brien's character of Dan O'Farrell, "seemed to be the most awful tripe "
Passage 6:
Revolt of the Barbarians
Revolt of the Barbarians (Italian: La rivolta dei barbari) is a 1964 Italian film directed by Guido Malatesta 

Plot
After several years abroad fighting numerous campaigns in Gaul, Darius, commander of the 10th Legion, is finally able to return to Rome with his men  After discovering an ambushed Roman convoy and shortly meeting First Proconsul Claudius, Darius learns of a theft made on the convoy with gold intended to pay Roman legionnaires for their service  Darius then must track down the thieves and recover the gold before he is allowed to return home with his legion 

Cast
Roland Carey as Darius
Maria Grazia Spina as Lydia
Mario Feliciani
Gabriele Antonini as Domitius
Andrea Aureli
Susan Sullivan
Gaetano Scala
Franco Beltramme
Gilberto Galimberti

External links
Revolt of the Barbarians at IMDb
Revolt of the Barbarians (dubbed in English) is available for free viewing and download at the Internet Archive
Passage 7:
Revolt of the Praetorians
La Rivolta dei Pretoriani (AKA: Revolt of the Praetorians) is a 1964 sword and sandal film about the conspiracy to assassinate the emperor Domitian in the year AD 96, though the historical facts have been heavily fictionized  This film was written by Gian Paolo Callegari, directed by Alfonso Brescia in his directorial debut and starred Richard Harrison, Moira Orfei, Giuliano Gemma and Piero Lulli as Emperor Domitian 

Plot
In Ancient Rome, at about 96 AD, Emperor Domitian has become a highly paranoid and tyrannical despot who keeps the people oppressed in constant fear of a revolt  He has only a few retainers left whom he perceives as loyal: his lover Artamne, a scheming Egyptian priestess of Isis; his diminutive jester, Elpidion; his gladiator bodyguards under the command of Soterus; his palace guards; and his Imperial Praetorian Guard under the command of their centurion, Valerius Rufus  Anyone who dares speak up against the Emperor - and may it be only a minor complaint - or is suspected of treason is either imprisoned or summarily executed 
Although Valerius appears loyal, he secretly harbors resentment against the tyrant, but is careful not to reveal it  He begins fighting Domitian's rule in a masked identity; when he begins to use a red wolf's coat to hide his face, he becomes known as the "Red Wolf"  Among his allies are the young senator Nerva and the old patrician Fabius Lucillius and his family, especially Fabius' daughter Lucilla, Valerius' love interest 
One day, Artamne persuades Domitian to hold a sacrificial celebration in the Imperial palace, forcing Lucilla and other patrician daughters to attend and to be subjected to exploitation by the Emperor's lust  Valerius manages to prevent this, but as he hides his mask in a secret cache in the palace garden, he is spotted by Elpidion  The next day, Valerius arranges for Lucilla, the other girls and the fugitives he has rescued to flee to Lucillius' country estate  When he returns to his quarters, he discovers Elpidion, clad in his wolfpelt mask, waiting for him, but the dwarf declares that he, too, hates Domitian and wants to join his cause  He tells of Domitian and Artamne's plan to arrest and execute all patricians suspected of treason, and Valerius, as the Red Wolf, arrives just in time to help his friends escape to Lucillius' estate 
The fugitives finally decide to organize an armed resistance movement, and Valerius kidnaps Artamne as a hostage  But in time, Artamne manages to charm one of her guards into releasing her; she returns to Domitian and reveals the location of the rebels' hideout  Domitian sends out Soterus and his gladiators to eliminate the rebels  Valerius, alerted by Elpidion, fights them, allowing his friends to escape, but is wounded in the arm and Lucilla is captured  While Valerius manages to temporarily hide his secret by putting his mask onto one of his killed friends, Soterus notices the injury and exposes him  Valerius manages to escape, but as he later tries to free Lucilla from captivity, he is captured himself and both are sentenced to death 
In the dungeons, however, Valerius is approached by his loyal friend and subordinate in the guard, Sejanus, who reveals that the Praetorian Guards are also resentful of Domitian's tyranny and wish to overthrow him  Valerius sends him to contact his fugitive friends, and together with a group of disgruntled travelling artists the rebels prepare to free the two and overthrow Domitian when Valerius and Lucilla are to be executed in the palace garden the following night 
With Elpidion's aid, the rebel's main group enters the palace through the dungeons and takes the Emperor and his retinue by surprise  Artamne and Soterus are killed in the struggle, and with the appearance of the Praetorian Guardsmen, the battle is quickly ended  Domitian makes it as far as his throne room with Lucilla as his hostage, but Valerius follows him and kills him in the ensuing duel, ending his tyranny 

Cast
Richard Harrison as Valerius Rufus
Moira Orfei as Artamne
Piero Lulli as Domitian
Giuliano Gemma as Nerva
Paola Pitti as Lucilla
Ivy Holzer as Zusa
Fedele Gentile as Fabius Lucilius
Amedeo Trilli as Il guardiano della cava ("the Cave Guard")
Mirko Ellis as Sejanus
Renato Montalbano as Soterus
Salvatore Furnari as Elpidion
Massimo Carocci
Aldo Cecconi as Soterus

See also
List of historical drama films
Passage 8:
The Revolt of the Slaves
The Revolt of the Slaves (Italian: La rivolta degli schiavi) is a 1960 Italian film directed by Nunzio Malasomma  It is based on the 1854 novel Fabiola by Nicholas Wiseman 

Cast
Rhonda Fleming: Claudia
Lang Jeffries: Vibio
Darío Moreno: Massimiano
Ettore Manni: Sebastiano
Wandisa Guida: Agnese
Gino Cervi: Claudio
Fernando Rey: Valerio
Serge Gainsbourg: Corvino
José Nieto: Sesto, servitore di Claudia
Rainer Penkert: Massimo
Antonio Casas: Tertulio
Dolores Francine: Liubaia

Release
The Revolt of the Slaves was released in Italy on 20 December 1960 with a 100-minute running time and in the United States with a 102-minute running time in June 1961  It was released in West Germany as Die Sklaven Roms on 17 March 1961 

See also
List of Italian films of 1960
Passage 9:
Operation Leopard
La légion saute sur Kolwezi, also known as Operation Leopard, is a French war film directed by Raoul Coutard and filmed in French Guiana  The script is based on the true story of the Battle of Kolwezi that happened in 1978  It was diligently described in a book of the same name by former 1st Foreign Parachute Regiment Captain Pierre Sergent  He published his book in 1979, and the film came out in 1980  Coutard shot the film in a documentary style 

Plot
The film is based on true events  In 1978, approximately 3,000 heavily armed fighters from Katanga crossed the border to the Zaire and marched into Kolwezi, a mining centre for copper and cobalt  They took 3,000 civilians as hostages  Within a few days, between 90 and 280 hostages were killed  The rebels appeared to be unpredictable and are reported to have threatened to annihilate all civilians 
Mobutu Sese Seko, Zaire's head of state, urged Belgium, France and the United States to help  France sent the Foreign Legion's 2nd Foreign Parachute Regiment, which were flown from Corsica to Kolwezi  Following their arrival, they secured the perimeter, in co-operation with Belgian soldiers from Zaire, and then started to evacuate the civilians  Within two days more than 2,000 Europeans and about 3,000 African citizens were saved  The film strives to depict the events in a dramatised form, concentrating on the Europeans' plight 

Production
The late Jean Seberg had filmed scenes on location for the film, but her death caused her to be replaced by another French American actress, Mimsy Farmer, who reshot Seberg's scenes 

Cast
Bruno Cremer: Pierre Delbart
Jacques Perrin:Ambassador Berthier
Laurent Malet: Phillipe Denrémont
Pierre Vaneck: Colonel Grasser
Mimsy Farmer: Annie Devrindt
Giuliano Gemma: Adjudant Fédérico
Robert Etcheverry : Colonel Dubourg
Jean-Claude Bouillon : Maurois
Passage 10:
Army of Lovers or Revolt of the Perverts
Army of Lovers or Revolt of the Perverts (German: Armee der Liebenden oder Aufstand der Perversen)  is a 1979 German documentary film directed by Rosa von Praunheim For example, the film was shown at the University of California's Berkeley Art Museum and Pacific Film Archive in 1982 

Plot
The film is about the state and development of the LGBT movement in the US after the Stonewall riots of 1969 

Awards
1979: Nomination for the Gold Hugo at the Chicago International Film Festival

Reception
J  Hoberman wrote in the Village Voice: "Army of Lovers has its own moments of sentimental stridency, but it´s a heartfelt, challenging, and often stirring film that deserves the widest possible audience "

Notes



ground_truth: Revolt Of The Praetorians

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the paternal grandfather of Diego Fernández De Oviedo?

The following are given passages.
Context 3: Passage 1:
Fernando Flaínez
Fernando Flaínez (fl  c  1002  – c  1049) was a powerful magnate from the Kingdom of León, member of the aristocratic lineage of the Flaínez  His parents were Flaín Muñoz and his wife Justa Fernández, daughter of  count Fernando Bermúdez de Cea  He was the paternal grandfather of Jimena Díaz, wife of Rodrigo Díaz de Vivar El Cid, and the direct ancestor of the important medieval noble lineage of the Osorios   He married Elvira Peláez, daughter of Pelayo Rodríguez and Gotina Fernández de Cea, with whom he had at least seven children: Flaín, Oveco, Justa, Pedro, Pelayo, Muño and Diego  He was the tenente of Aguilar and documented with the title of count as of 1028   Jointly with his son, Flaín Fernández, he governed the city of León until 1038 when the kingdom was already under the control of King Sancho III of Pamplona 

Biographical sketch
He first appears in medieval charters in 999 when, jointly with his brother Munio, confirmed a donation by the Bishop of León to the Monastery of Sahagún   On 26 February 1020, he and his wife accompanied by several of his children founded the Monastery of San Martín de Pereda in Valle de Valdeburón which was subsequently incorporated in the Monastery of Benevívere  In this document, he mentions that he had inherited several of the properties being donated from Fredenando Uermudiz et Flanio Moniz,  his grandfather and father, respectively 
As a loyal vassal of King Alfonso V of León, he appears constantly confirming royal charters and was honored with the title of count at the end of the reign of Alfonso and at least from 1028  After the death of Alfonso V and the succession to the throne by Bermudo III of León, Fernando supported his first cousin King Sancho III of Navarre, although, at first, he accompanied the young monarch as evidenced in a donation made by Bermudo III in November 1028 to the Cathedral of Santiago de Compostela where he appears with other magnates confirming the royal charter  His presence in the curia regis of King Bermudo III was infrequent from 1029 until 1035 and this absence could be attributed to his involvement — active or behind the scenes — in the assassination of García Sánchez, Count of Castile in 1029 when García went to the city of León to meet Sancha, his promised bride and future wife of King Ferdinand I of León He was back at the court of Bermudo III to whom he remained faithful until the king was killed in the Battle of Tamarón in 1037  Fernando Flaínez did not hand over the capital of the Kingdom of León to Ferdinand I until 1038 and kept all his honors and estates until his death, after 1049, the last year in which he appears in the charters of the Monastery of Sahagún 

Marriage and issue
He married his first cousin, Elvira Peláez, daughter of Count Pelayo Rodríguez and Countess Gotina Fernández, another daughter of Fernando Bermúdez de Cea, and as such, also a sister of Queen Jimena and of Justa Fernández, Fernando's mother  They were the parents of the following children, all except Justa born before February 1020, the date on which they appear confirming the donation made by their parents: 

Flaín Fernández (died before 1065), a count, husband of Toda Fernández and father of Martín Flaínez, ancestors of the Osorio;
Oveco Fernández, married to Onecca Gutiérrez;
Pedro Fernández
Pelayo Fernández (died after June 1049), royal alférez in 1039 and in 1050 and count as from 1043  He could have been the father of Flaín Peláez;
Munio Fernández (died after June 1049), also a count, married Elvira Peláez, daughter of Count Pelayo Froilaz the Deacon and Aldonza Ordóñez, daughter of the infantes Ordoño Ramírez and his wife Cristina Bermúdez  They were the parents of Countess Aldonza Muñoz, the wife of Count Vela Ovéquiz  He last appears in June 1049 with his brother Pelayo;
Diego Fernández, the father of Jimena Díaz, wife of El Cid;
Justa Fernández, named after her paternal grandmother, Justa was the second wife of Count Ansur Díaz and step-mother of powerful count Pedro Ansúrez On 29 September 1047, Justa and her husband founded the Monastery of San Román 

Notes
Passage 2:
Guillermo Fernández de Soto
Guillermo John Roque Fernández de Soto Valderrama (born 27 September 1953) is a Colombian lawyer and diplomat, who has served as Secretary General of the Andean Community of Nations, Minister of Foreign Affairs of Colombia, Ambassador of Colombia to the Kingdom of the Netherlands, and designated-Ambassador Extraordinary and Plenipotenciary, Permanent Representative of Colombia to the United Nations in New York 

Biography
Ambassador Fernandez de Soto holds a degree in law and economic sciences from Pontificia Universidad Javeriana and a Postgraduate degree in Socio-Economic Sciences from the same institution  He has had extensive experience in the field of international relations, Colombian diplomacy, academia, and in the professional practice in civil, commercial and international law 

Career
Early in his career, he worked as a Senior Specialist of the Organization of American States (OAS) Inter American Commission on Human Rights in Washington DC  He also served as Vice Minister of Foreign Affairs of Colombia (1985 – 1986) He worked in the Secretariat of the United Nations for the Commission of Truth in the peace process of El Salvador  Also, he worked for the United Nations Development Program (UNDP) for the preparation of the Special Economic Cooperation Plan for Central America 
In the commercial field, he was the President of the Chamber of Commerce of Bogotá (CCB) and held other positions such as President of the Ibero-American Association of Chambers of Commerce (AICO), General Director of the Inter-American Commercial Arbitration Commission, President of the Colombian Committee of the International Chamber of Commerce in Paris (ICC), President of the Colombian Committee of the Economic Council of the Pacific Basin (PBEC) 
As well, he served as Member and Executive Secretary of the presidential Commission for the Colombo-Venezuelan border integration body 1988-1998 
He served as Minister of Foreign Affairs of Colombia from 1998 to 2002, a period during which he was also President of the Andean Council of Foreign Ministers and President of the United Nations Security Council (August, 2001)  Later, he was Secretary General of the Andean Community until 2004 
He also served as Ambassador of Colombia to the Kingdom of the Netherlands (2004-2008), Permanent Representative of Colombia to the Organization for the Prohibition of Chemical Weapons (OPCW), Vice-President of the Tenth Conference of States Parties to the OPCW  In addition, he was the Representative of Colombia before the Administrative Council of the Permanent Court of Arbitration and Representative of Colombia before the Common Fund for Commodities 
Ambassador Fernández de Soto served as International Arbitrator in various disputes from Commercial and Administrative Law matters  He was also Co-agent before the International Court of Justice in the case of Aerial Spraying (Ecuador v  Colombia) and in the case of the Territorialand Maritime Dispute (Nicaragua v  Colombia)  He was a member of the Inter-American Judicial Committee of the OAS and its president in 2011- 2012 
He was also President of the Colombian Council of International Relations (CORI)  Most recently, he served as Corporate Director for Europe at CAF, the Development Bank of Latin America based in Madrid, Spain (2012-2018) 
In the Academy, he served as the Dean of the Faculty of International Relations of the Universidad Jorge Tadeo Lozano in Bogotá, Executive Director of the International Studies Center “Interamerican Forum”  He has also participated in several academic publications as author and editor, and his articles have been published in several newspapers and magazines in Colombia 

Ambassador to the United Nations
He was appointed in September 2018 by the President of the Republic of Colombia as Ambassador to the United Nations  In 2019 he assumed the Presidency of the United Nations Peacebuilding Commission  The Peacebuilding Support Office was established in 2005 as an advisory body to Member States and its role is to contribute to the maintenance of peace through international support for peacebuilding initiatives in different areas and regions of the world [1]
During his presidency, Fernandez de Soto visited Sierrea Leona, Loberia, Côte d'Ivoire and the African Union where he was able to witness the Commission's progress in peacebuilding  In January 2020 he handed over the presidency to the government of Canada while Colombia continues as vice president 

Decorations
National Order of Merit (Grand Officer) - France
Order of José Cecilio del Valle (Grand Cross) - Honduras
Order of Francisco de Miranda (First Class) - Venezuela
Order of the Liberator (Grand Cordon) - Venezuela
Order of the Liberator General San Martin (Grand Cross) - Argentina
Order of Bernardo O'Higgins (Grand Cross) - Chile
Order of the Merit of Chile (Grand Cross) - Chile
Order of the Sun (Grand Cross) - Peru
Order of Isabella the Catholic (Grand Cross) - Spain
Order of Simón Bolívar (Grand Cross) - Bolivia
Order of Honorato Vásquez (Grand Cross) -Ecuador
Order of the Aztec Eagle (Grand Band) - Mexico
Order of Boyacá (Grand Cross) - Colombia
Order of Vasco Núñez de Balboa (Grand Cross) -Panama
Order of Orange-Nassau (Grand Cross) - Netherlands

External links
Photo of Guillermo Fernández de Soto
Passage 3:
Diego Fernández de Oviedo
Diego Fernández (fl  1020 – c  1046), also known as Diego Fernández de Oviedo, was a member of one of the most noble lineages of the Kingdom of León as the son of Fernando Flaínez and Elvira Peláez, daughter of count Pelayo Rodríguez  He was the second cousin of King Ferdinand I since both shared the same great-grandfather, Count Fernando Bermúdez de Cea  Distinguished with the title of Count at an early age, Diego was the father of Jimena Díaz, wife of Rodrigo Díaz de Vivar El Cid 

Marriages and issue
Count Diego first married Elvira Ovéquiz, daughter of Count Oveco Sánchez and Countess Elo, who gave him two daughters: 

Onneca Mayor Díaz the wife of Gundemaro Iohannes (Ibáñez)
Aurovita Díaz, married to Munio Godestéiz,most probably the Muño Gustioz mentioned in the Cantar de Mio Cid who would have been the brother-in-law of Jimena Díaz who fought along with El Cid and accompanied Jimena during her widowhood His second wife, probably named Cristina, was a daughter of Fernando Gundemáriz and granddaughter of Gundemaro Pinióliz  The documented offspring of this marriage were:

Rodrigo Díaz, count in Asturias, who, according to the charters in the Monastery of San Juan de Corias, could have married a Gontrodo with whom he had two daughters, Sancha a Mayor Rodríguez 
Fernando Díaz,  one of the most powerful magnates of his period, who first married Godo Gonzalez Salvadórez and then Enderquina Muñoz, daughter of Count Munio González 
Jimena Díaz, the wife of El Cid 

Notes
Passage 4:
Mariana Fernández de Córdoba y Ayala
Mariana Fernández de Córdoba y Ayala (c  1394 – 1431), also known as Mariana de Ayala Córdoba y Toledo, was the fourth Lady of Casarrubios del Monte in the province of Toledo   She was the daughter of Diego Fernández de Córdoba y Carrillo, first Lord of Baena, and Inés Ayala y Toledo, third Lady of Casarrubios del Monte 

Life
Mariana married Fadrique Enríquez de Mendoza, Admiral of Castile and Lord of Medina de Rioseco around July 1425   They had one daughter, Juana Enríquez (1425–1468), who married  John II of Aragon 
Passage 5:
Diego Fernández de la Cueva, 1st Viscount of Huelma
Diego Fernández de la Cueva, 1st Viscount of Huelma (died 26 November 1473) was a Spanish nobleman 

Biography
Diego Fernández de la Cueva was born in Úbeda, Andalusia, Crown of Castille  He was a merchant and banker of King Henry IV of Castile, who granted him the title of 1st Viscount of Huelma 
He was related to or perhaps a descendant of Juan Sánchez de la Cueva, a nobleman from Úbeda, Regedor or Veinte y Quatro (24) of Úbeda in 1367, who rose pennant for the usurper Henry, Count of Trastamara, bribed by his generous promises  He was also a relative and a contemporary of another Diego de la Cueva, Alcalde of Caltinovo, married to María Cortés, whose daughter María Cortés married Rodrigo or Ruy Fernández de Monroy, paternal grandparents of Hernán Cortés 
He married Maior Alfonso de Mercado from Úbeda and had two sons  King Enrique IV, in his second year as King, travelled to Úbeda and stayed with Diego  When he left this house, he took Diego's second oldest son, Beltrán, with him to stay at Court to show his gratitude to Diego  (Diego offered Beltrán after Enrique asked for Diego's oldest son, whom Diego wanted to keep close by) 

See also
Henry IV of Castile
Beltrán de la Cueva
War of the Castilian Succession

Notes
Passage 6:
Diego Fernández de Cevallos
Diego Fernández de Cevallos Ramos (Spanish pronunciation: [ˈdjeɣo feɾˈnandes ðe seˈβaʝos]; born 16 March 1941) is a Mexican politician affiliated with the conservative National Action Party (PAN)  He was a  presidential candidate in the 1994 election and President of the Mexican Senate 

Life and career
Fernández de Cevallos was born in Mexico City, the son of José Fernández de Cevallos Martínez and Beatriz Ramos Íñigo  He received a bachelor's degree in law from the National Autonomous University of Mexico (UNAM) and took several courses in economics at the Ibero-American University, where he also worked as a professor of criminal and commercial law 
He joined the conservative National Action Party (PAN) in 1959 and led its parliamentary group in the Chamber of Deputies (during the 55th legislature) and in the Senate (2003–06)  In 1994 he ran for president representing his party and lost against the PRI candidate, Ernesto Zedillo Ponce de León 
Outside politics, Fernández de Cevallos runs an influential law firm specialized in criminal, civil and commercial law  He was married only by the religious rite to Claudia Gutiérrez Navarrete  Currently he lives with his partner Liliana de León Maldonado 
At 80 years of age Fernández de Cevallos decided to join social media in order to persuade young people to adopt conservative values  President Andrés Manuel López Obrador (AMLO) responded to Fernández de Cevallos' criticisms of his government by showing a video of a debate they had in 2000 

Abduction
Fernández de Cevallos was abducted from one of his properties, located in Pedro Escobedo, Querétaro, on 14 May 2010  His abandoned vehicle was found nearby, with signs of a violent struggle  Fernandez de Cevallos' kidnappers demanded $100 million in exchange for his release, but decreased the amount  He was released from this abduction on December 20, 2010 in exchange for an amount that hasn't been officially disclosed by him or his family 

See also
List of kidnappings
List of solved missing person cases
Passage 7:
Diego Fernández de Cáceres y Ovando
Diego Fernández de Cáceres y Ovando (– Monleón, aft  February 2, 1487) was a Spanish military and nobleman 

Life
Diego Fernández de Cáceres y Ovando was a son of Fernán Blázquez de Cáceres y Mogollón, who granted a will at Cáceres in 1443, and wife Leonor Alfón de Ovando, daughter of Fernando Alfón de Ovando and wife Teresa Alfón (seventh grandparents in male line of the conqueror of the castle of Brindis, Italian city and sea port in the Adriatic, formerly called Brundisium and currently Brindisi, Francisco José de Ovando, 1st Marquis of Brindisi, and his brother Alonso Pablo de Ovando y Solís Rol de La Cerda, 2nd Marqués de Brindis), and paternal grandson of Fernán Blázquez de Cáceres and wife Juana González 
He was the 1st Lord of the Manor House del Alcázar Viejo, which place was granted de jure by Henry IV of Castile by Royal Cedule of July 16, 1473, famous Captain of the aforementioned King and of the Catholic Monarchs since 1475, Alcalde of Benquerencia and Monleón, where he passed on in 1487, having tested on February 2 
He was firstly married to Isabel Flores de las Varillas, Dame of Queen Isabel I of Castile, daughter of Rodrigo Flores de las Varillas, a distant relative of Hernán Cortés, and wife María Estebán Tejado de Paredes 
He grew up and learned the military art at the house of the Infant Lord King John II of Navarre and his services are historical 
They had at least two sons, first born Diego de Cáceres y Ovando and Nicolás de Ovando y Cáceres 
He was the ascendant of the Marqueses de Leganés (Mesía, on June 22, 1627, Grandees of Spain in 1640), Loriana (Velázquez-Dávila, December 19, 1591) and La Puebla de Ovanda (Velázquez-Dávila, March 10, 1627), Vizcondes de Penapardo, Condes de La Gomera with a Coat of Arms of de Herrera (de Herrera, 1487, also Señores de las Islas Canarias), de Oliva de Gaytan with a Coat of Arms of de Galarza (de Galarza, May 18, 1649), Fuenterubia, etc 
Passage 8:
Diego Fernández de Villalán
Diego Fernández de Villalán (died 7 Jul 1556) was a Roman Catholic prelate who served as the fourth Bishop of Almería (1523–1556) 

Biography
Diego Fernández de Villalán was ordained a priest in the Order of Friars Minor  On 17 July 1523, he was selected by the King of Spain and confirmed by Pope Adrian VI as Bishop of Almería  He served as Bishop of Almería until his death on 7 July 1556 
Passage 9:
Diego Fernández de Ovando
Fray Diego Fernández de Ovando was a Spanish military and nobleman 

Life
Diego Fernández de Ovando was a son of Fernando Fernández de Ovando, second son, and wife Francisca de Ulloa, and paternal grandson of Fernando Fernández de Ovando, 1st Count of Torrelaguna and 1st Count of Uceda, and wife Ora Blázquez Trillo, Lady of Talamanca 
He was a Professed Knight of the Habit of Alcántara, Commander of Lares at the time of Master Don Nuno Chamiço elected in 1338 
He had a natural son, Fernando Alfón de Ovando 

Sources
Cunha, Fernando de Castro Pereira Mouzinho de Albuquerque e (1906-1998), Instrumentário Genealógico - Linhagens Milenárias  MCMXCV, p  401
Passage 10:
Diego Fernández
Diego Fernández (c  1520 – c  1581) was a Spanish adventurer and historian of the 16th century 

Biography
Born at Palencia, he was educated for the church, but about 1545 he embarked for Peru, where he served in the royal army under Alonzo de Alvarado  Andres Hurtado de Mendoza, marquess of Cañete, who became viceroy of Peru in 1555, bestowed on Fernandez the office of chronicler of Peru; and in this capacity he wrote a narrative of the insurrection of Francisco Hernandez Giron, of the rebellion of Gonzalo Pizarro, and of the administration of Pedro de la Gasca  The whole work, under the title Primera y segunda parte de la Historia del Piru, was published at Seville in 1571 and was dedicated to King Philip II  It is written in a clear and intelligible style, and with more art than is usual in the compositions of the time  It gives copious details, and, as he had access to the correspondence and official documents of the Spanish leaders, it is, although necessarily possessing bias, the fullest and most authentic record existing of the events it relates A notice of the work will be found in William H  Prescott's History of the Conquest of Peru (new ed , London, 1902) 

See also
Inca Garcilaso de la Vega
Fray Martín de Murúa



ground_truth: Flaín Muñoz