prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the place of birth of the director of film A Chrysanthemum Bursts In Cincoesquinas?

The following are given passages.
Context 1: Passage 1:
Daniel Burman
Daniel Burman (born 29 August 1973, in Buenos Aires) is an Argentine film director, screenplay writer, and producer 
According to film critic Joel Poblete, who writes for Mabuse, a cinema magazine, Daniel Burman is one of the members of the so-called "New Argentina Cinema", which began circa 1998  In fact, film critic Anthony Kaufman, writing for indieWIRE, said Burman's A Chrysanthemum Burst in Cincoesquinas (1998) has been cited as the beginning of the "New Argentine Cinema" wave 

Biography
Burman is of Polish-Jewish descent, and he was born and raised in Buenos Aires  He holds both Argentine and Polish citizenship, like his films' character, Ariel  He studied law before changing to audiovisual media production In 1995, he launched his own production company together with Diego Dubcovsky, BD Cine (Burman and Dubcovsky Cine)  Burman is also a founding member of the Academy of Argentine Cinema His loose trilogy of films, Esperando al Mesías (2000), El Abrazo Partido (2004), and Derecho de Familia (2006), were all written and directed by Burman and star Uruguayan actor Daniel Hendler  They are largely autobiographical, dealing with the life of a young neurotic Jew in contemporary Buenos Aires 
He frequently collaborates with other Argentine Jews, notably writer and klezmer musician Marcelo Birmajer, and César Lerner  His comedic touches often bring comparison to Woody Allen, a comparison Burman is quick to reject   He said, "It's not a measurable comparison  But I'm very happy with it  I admire him more than anyone else in the world "Burman's films have been featured in many film festivals around the world  El abrazo partido (2003) took the Grand Jury Prize at the Berlin International Film Festival, as well as best actor for Hendler  Burman was co-producer of the successful 2004 film, The Motorcycle Diaries, as well as Garage Olimpo (1999) 

Opinions on filmmaking
In an interview with Brian Brooks, who writes for indieWIRE com, an online community of independent filmmakers and aficionados, Burman discussed his approach to filmmaking  He said: "I don't have goals when I make a film, except to create as faithfully as possible the story I wanted to tell, and that the sensations that provoked me to tell the story are also caused when reading the script ""I don't love film in itself; it's not like I was debating the merits of using different types of camera-work, like traveling shots  I love film because it's a story-telling tool," he said in an interview he did for TimesSquare com 

Interconnections between films
It is arguable that the loose trilogy of films — Esperando al Mesías (2000), El Abrazo Partido (2003), and Derecho de Familia (2006) — happen in the same "universe"  The three share common traits: They are written and directed by Burman and all star Daniel Hendler in the title role as a young Jew  Additionally, several actors and actresses appear twice in the films  Because Hendler's characters share similar traits (they are all named Ariel: Ariel Goldstein, Ariel Makaroff and Ariel Perelman respectively) and because some characters from one film seem to appear in another, the trilogy is usually considered as happening in the same universe
Several continuity changes show that the three Ariels are different people: In the first movie, Ariel's father is a restaurant owner, and his mother dies; in the second film, his father has been long gone, and his mother tends to a small shop; in the third movie, his father dies in the film, and his mother has been long dead  However, a character named Estela from the first film appears in the second, and is both times played by Melina Petriella  This at least connects the first two movies to the same universe  Additionally, Juan José Flores Quispe appears in the second and third movie as "Ramón"  Although his character, unlike Estela, varies from film to film, this suggests that the second and third film also share the same universe and, thus, the trilogy itself is set in the same storyline, with the "Ariel persona" showing either different aspects of the same character or simply being a mere coincidence 

Filmography
Producer
El Crimen del Cacaro Gumaro (2014) a k a  "The Popcorn Chronicles"

Director
¿En qué estación estamos? (1992, short)
Post data de ambas cartas (1993, short)
Help o el pedido de auxilio de una mujer viva (1994, short)
Niños envueltos (1995, short)
Un Crisantemo Estalla en Cinco Esquinas (1998) a k a  A Chrysanthemum Burst in Cincoesquinas
Esperando al Mesías (2000) a k a  Waiting for the Messiah
Todas Las Azafatas Van Al Cielo (2002) a k a  Every Stewardess Goes to Heaven
El Abrazo Partido (2004) a k a  Lost Embrace
18-J (2004)
Derecho de Familia (2006) a k a  Family Law
Encarnación (2007)
El nido vacío (2008)
Brother and Sister  (2010)
La suerte en tus manos  (2012)
Mystery of Happiness  (2014)
The Tenth Man (2016)

Television
La pista (1997)
Un cuento de Navidad (2002)
Yosi, the Regretful Spy (2022)

Awards
Bangkok World Film Festival: Best Film; El Abrazo partido; 2004 
Berlin International Film Festival: Silver Berlin Bear; Jury Grand Prix; for El Abrazo partido; 2004 
Clarin Entertainment Awards: Clarin Award Best Film Screenplay; for Derecho de familia; 2006 
Clarin Entertainment Awards: Won Clarin Award Best Film Screenplay; for El Abrazo partido; 2004 
Festróia - Tróia International Film Festival: Golden Dolphin; for Todas las azafatas van al cielo; 2002 
Havana Film Festival: Best Unpublished Screenplay; for El abrazo partido; 2002 
Havana Film Festival: Won Grand Coral, Third Prize; for Esperando al mesías; 2000 
Lleida Latin-American Film Festival: Best Director; Best Film; ICCI Screenplay Award; all for El Abrazo partido; 2004 
Lleida Latin-American Film Festival: Best Film; for El Esperando al mesías 2001 
Mar del Plata Film Festival: Audience Award; Best Ibero-American Film; SIGNIS Award; all for Derecho de familia; 2006 
Santa Fe Film Festival: Luminaria Award; Best Latino Film; for Todas las azafatas van al cielo; 2002 
Sochi International Film Festival: FIPRESCI Prize; for Un Crisantemo estalla en cinco esquinas; 1998 
Sundance Film Festival: NHK Award; for Every Stewardess Goes to Heaven (Latin America); 2001 
Valladolid International Film Festival: FIPRESCI Prize; for Esperando al mesías; For an honest, both realistic and symbolic depiction of human hopes in Buenos Aires nowadays; 2002 
Passage 2:
S  N  Mathur
S N  Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980  He was also the Director General of Police in Punjab 
Passage 3:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 4:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 5:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 6:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 7:
Jesse E  Hobson
Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955  Prior to SRI, he was the director of the Armour Research Foundation 

Early life and education
Hobson was born in Marshall, Indiana  He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology  Hobson was also selected as a nationally outstanding engineer Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children 

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948 
Passage 8:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 9:
A Chrysanthemum Bursts in Cincoesquinas
Un crisantemo estalla en cinco esquinas (English: A Chrysanthemum Bursts in Cincoesquinas) is a 1998 Argentine, Brazilian, French, and Spanish comedy-drama film written and directed by Daniel Burman, in feature film debut  It was produced by Diego Dubcovsky  It stars José Luis Alfonzo, Pastora Vega and Martin Kalwill, among others 
Film critic Anthony Kaufman, writing for indieWIRE, said Burman's A Chrysanthemum Burst in Cincoesquinas (1998) has been cited as the beginning of the "New Argentine Cinema" wave 

Synopsis
The story takes place in South America at the turn of the 20th century  As a child, Erasmo was left with a nurse by his parents, who had to escape a waging civil war   Erasmo is now a grown man   He has lost his parents, and now his foster mother is brutally murdered  He seeks to avenge her death, and the culprit is the landowner and head of state, El Zancudo  Erasmo befriends a poor Jew named Saul, who is prepared to help him in his undertaking  Along the way, Erasmo finds allies, adversaries, love, and then Magdalena 

Cast
José Luis Alfonzo as Erasmo
Pastora Vega as La Gallega
Martin Kalwill as Saul
Valentina Bassi as Magdalena
Millie Stegman as La Boletera
Walter Reyno as El Zancudo
Roly Serrano as Cachao
Ricardo Merkin as Doctor
Aldo Romero as Lucio
María Luisa Argüello as Elsa
Sandra Ceballos as Mother
Guadalupe Farías Gómez as Albina
Antonio Tarragó Ross as Chamamecero

Distribution
The film was first presented at the Berlin International Film Festival on February 11, 1998  It opened in Argentina on May 7, 1998  It screened at the Muestra de Cine Argentino en Medellín, Colombia 

Awards
Wins

Sochi International Film Festival, Sochi, Russia: FIPRESCI Prize, Daniel Burman 
Passage 10:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television 

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University  Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run  He is the son of Fayetteville District Judge Rudy Moore In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003   He was nominated for a 2004 Tony Award for his direction  Moore also directed productions of the musical in Las Vegas and London and the show's national tour  Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008  He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008 Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City  The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011 For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters  As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton  A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998 In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow  He also served as an executive producer on the sequel  He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015  Moore's next project will be directing a live action Archie movie 

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)
Context 2: Passage 1:
The Abduction Club
The Abduction Club is a 2002 British-Irish romantic comedy-drama adventure film directed by Stefan Schwartz  Based loosely on real events, the plot centres on a group of outlaws who abduct women in order to marry them  It was written by Richard Crawford and Bill Britten 

Plot
In 18th century Ireland, there are two financially insecure young bachelors, Garrett Byrne and James Strang, whose exploits evolve from the need to secure wealth  Both are younger sons that will not inherit titles and estates so they become members of an infamous society known as the 'Abduction Club', whose main aim is to woo and then abduct wealthy heiresses in order to marry them (therefore providing themselves with financial security)  The men decide to set their sights on the beautiful yet feisty Kennedy sisters, Catherine and Anne, but are unprepared for the negative reaction they are to receive, and they soon find themselves on the run across the Irish countryside (with the sisters in tow) from Anne's cold-hearted admirer, John Power, who does not take kindly to the news of their kidnapping, and with the help of the embittered Attorney General Lord Fermoy, implicates Byrne and Strang in the murder of a Redcoat soldier 

Cast
Alice Evans as Catherine Kennedy
Daniel Lapaine as Garrett Byrne
Sophia Myles as Anne Kennedy
Matthew Rhys as James Strang
Liam Cunningham as John Power
Edward Woodward as Lord Fermoy
Patrick Malahide as Sir Myles
Tom Murphy as Knox
Passage 2:
Wooden Crosses
Wooden Crosses (French: Les Croix de Bois) is a 1932 French war film by Raymond Bernard, based upon a novel by Roland Dorgelès 

Plot
Patriotic student Demachy enlists in the French army in 1914 at the start of World War I  He and his comrades soon experience the terrifying, endless trench war in Champagne, where more and more wooden crosses have to be erected for this cannon fodder 

Cast (in credits order)
Pierre Blanchar as Adjudant Gilbert Demachy
Gabriel Gabrio as Sulphart
Charles Vanel as Caporal Breval
Raymond Aimos as Soldat Fouillard
Antonin Artaud as Soldat Vieuble
Paul Azaïs as Soldat Broucke
René Bergeron as Soldat Hamel
Raymond Cordy as Soldat Vairon
Marcel Delaitre as Sergent Berthier
Jean Galland as Capitaine Cruchet
Pierre Labry as Soldat Bouffioux, Le Cuistot
Geo Laby as Soldat Belin
René Montis as Lieutenant Morache
Jean-François Martial as Soldat Lemoine
Marc Valbel as Maroux
Passage 3:
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957 

Surrey cricketer
McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29  In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6 3 overs for seven runs  This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later  In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth  In the 1948 season as a whole, he took 91 wickets at an average of 28 07  As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4 22 The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career  Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets  In 1951, he played just seven times and in 1952 only three times  In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12 38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21 53  At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries 

Somerset cricketer
Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service  McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly 
McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said  McMahon took 85 wickets at an average of 27 47 (Hilton took only 42 at a higher average)  His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career  He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table 
The figures for the 1955 were similar: McMahon this time took 75 wickets at 28 77 apiece  There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9 03  This included his highest-ever score, 24, made in the match against Sussex at Frome  A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin"  These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support  McMahon responded with his most successful season so far, taking 103 wickets at an average of 25 57, the only season in his career in which he exceeded 100 wickets  The bowling average improved still further in 1957 to 23 10 when McMahon took 86 wickets  But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival  Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial" 

Sacked by Somerset
The reason behind McMahon's sacking did not become public knowledge for many years  In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality"  It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again"  As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw  But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season  Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved 
After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines 


== Notes and references ==
Passage 4:
Stefan Schwartz
Stefan Schwartz (born 1 May 1963) is an English and Canadian film and television director, writer and actor, most known for the feature film Shooting Fish and his work on the BBC's Spooks and Luther, AMC's The Walking Dead and Fear The Walking Dead as well as The Americans and The Boys 

Career
1992–2007
Stefan Schwartz teamed up with Richard Holmes at The University of York and formed The Gruber Brothers  The duo made a number of films together including their feature film debut Soft Top Hard Shoulder (1992) starring Peter Capaldi and Phyllis Logan, which won two BAFTAs in Scotland and the London Film Festival's prestigious audience award  Building on this success in 1995 he directed Giving Tongue, shown as part of BBC2′s Wicked Women series and in 1997 wrote and directed Shooting Fish, a crime-caper comedy starring Kate Beckinsale which won several awards and made over twenty million dollars worldwide He then signed a three-year deal to write and direct for Miramax and wrote screenplays for them, teaming up with notable producers such as Laurence Bender and Jennifer and Suzanne Todd before directing The Abduction Club (2002) for Pathe Films His next film as writer/director was the romantic comedy The Best Man starring Stuart Townsend, Amy Smart and Seth Green in 2005 

2007–2015
In television, he directed Hustle, the award-winning Spooks and The Ghost Train for Lynda La Plante before moving on to the season finale of the ground-breaking series, Luther, for the BBC  In the US he has directed several episodes of the critically acclaimed Crash with Dennis Hopper, joined the Starz series Camelot, which he directed for and also co-executive produced, and directed for the much praised Dexter series 
After finishing Being Human for Syfy Stefan directed in the final season of House and worked in New York on White Collar  He then went back to Showtime for another episode of Dexter 
Autumn 2012 he worked in Paris with Jean Reno on the series Jo, before travelling to Atlanta to shoot The Walking Dead for which he won Online Film & Television Association -  Television Award - Best Direction in a Drama Series for The Walking Dead 
Early 2013 he directed the mid-season finale of ABC's hit show Revenge, then went back to work on the final season of Dexter 
AMC then asked him back to direct Low Winters Sun in Detroit before heading back to New York to shoot the season opener of  White Collar  From there to Pittsburgh to direct Chloe Sevigny and James D'Arcy in Those Who Kill, and then to South Africa to shoot the first episode of Black Sails for Starz, (second season) 
In 2014 he started the year in New York on The Americans then worked with Diane Kruger on The Bridge  He won the OFTA Television Award for Best Direction in a Drama Series  – The walking Dead 
Summer 2014 he completed an episode of the new Starz show called Flesh and Bone set in the world of ballet and written by Adam Rapp and Moira Walley-Beckett  Then Power 

2015–2018
In 2015 Stefan returned to Cape Town to shoot two new episodes of Black Sails directing some of the most complex action/vfx sequences on television at that time  In the same year, he also directed the season finale of Fear the Walking Dead season 1 in Los Angeles, before crossing the country to direct episode 4 of The Americans season 4 in New York 

Filmography
Film
Television
As director
As actor
Passage 5:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952
Context 3: Passage 1:
Puka Rumi
Puka Rumi (Quechua puka red, rumi stone, "red stone", Hispanicized spelling Pucarumi) is a 5,000-metre-high (16,404 ft) mountain in the northern part of the Chunta mountain range in the Andes of Peru  It is situated in the Huancavelica Region, Huancavelica Province, Acobambilla District, and in the Junín Region, Huancayo Province, Chongos Alto District  Puka Rumi lies southeast of Ñawinqucha 
Passage 2:
Yana Urqu (Q'umirqucha)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", Hispanicized spelling Yanaorjo) is a mountain in the Andes of Peru, about 4,800 metres (15,748 ft) high  It is situated in the Cusco Region, Quispicanchi Province, Marcapata District  It lies southwest of Wanakuni and west of a little lake named Q'umirqucha 
Passage 3:
Yana Urqu (Mizque)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", also spelled Yana Orkho) is a 3,572-metre-high (11,719 ft) mountain in the Bolivian Andes  It is located in the Cochabamba Department, Mizque Province, Mizque Municipality  The Yana Urqu Mayu ("black mountain river") originates northwest of the mountain  Its waters flow to the Mizque River 
Passage 4:
Yana Urqu (Yayamari)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", Hispanicized spelling Yanaorjo) is a mountain in the Willkanuta mountain range in the Andes of Peru, about 5,000 metres (16,404 ft) high  It is situated in the Cusco Region, Quispicanchi Province, Marcapata District  Yana Urqu lies southwest of the mountain Q'illu Wallayuq and northeast of Yayamari 
Passage 5:
Yana Urqu (Lima)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", also spelled Yana Orco) is mountain in the Cordillera Central in the Andes of Peru which reaches a height of approximately  4,800 metres (15,748 ft)  It is located in the Lima Region, Yauyos Province,  Laraos District  Yana Urqu lies northwest of Uchku and a lake named Pumaqucha



ground_truth: Buenos Aires

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose director was born first, The Abduction Club or Wooden Crosses?

The following are given passages.
Context 2:  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 6:
Raymond Bernard
Raymond Bernard (10 October 1891 – 12 December 1977) was a French film director and screenwriter whose career spanned more than 40 years  He is best remembered for several large-scale historical productions, including the silent films Le Miracle des loups (The Miracle of the Wolves) and Le Joueur d'échecs (The Chess Player) and in the 1930s Les Croix de bois (Wooden Crosses) and a highly regarded adaptation of Les Misérables 

Biography
Raymond Bernard was born in Paris in 1891, the son of the author and humorist Tristan Bernard and younger brother of the playwright Jean-Jacques Bernard  He began his career as an actor appearing on stage in plays written by his father, including Jeanne Doré (1913) alongside Sarah Bernhardt (also filmed in 1916)  In 1917, Bernard began to work behind the camera as assistant to Jacques Feyder at Gaumont and then continued as a director, principally adapting plays by his father  In these popular entertainments, he soon gained experience of working with leading performers such as Max Linder and Charles Dullin In 1924, Bernard embarked upon a new style of film, the historical spectacle, with Le Miracle des loups set in 15th-century France in the reign of Louis XI  This proved to be the most expensive film of its day and one of the more profitable  Bernard's ability to combine dramatic narrative with spacious settings and large numbers of performers was utilised in the two remaining productions of his silent film career, Le Joueur d'échecs (1927) and Tarakanova (1930) Bernard's film-making in the sound era continued for nearly three decades  Further large-scale productions included his film about the First World War, Les Croix de bois (1932), and a three-part adaptation of Victor Hugo's Les Misérables (1934) which was nearly five hours in length  In his later films, he returned to modest projects and budgets, including a number of sophisticated comedies  During the wartime Occupation of France, Bernard as a Jew was obliged to remain in hiding, and his film-making ceased until the end of the war 
He retired from film-making in 1958, but in the 1970s, when he was in his 80s, he was able to supervise the reconstruction of Les Misérables, which had been severely truncated in the 1940s for easier distribution  In 1977, shortly after the broadcast of a nearly complete version on French television, Bernard died at age 86 Raymond Bernard was an Officer of the Legion of Honour 

Filmography (as director)
Le Ravin sans fond (1917) (co-directed with Jacques Feyder)
Le Traitement du hoquet (1917)
Le Gentilhomme commerçant (1918)
Le Petit Café (1919) (The Little Café)
Le Secret de Rosette Lambert (1920) (The Secret of Rosette Lambert)
La Maison vide (1921)
Triplepatte (1922)
L'Homme inusable (1923)
Grandeur et Décadence (1923)
Le Costaud des Épinettes (1923)
Le Miracle des loups (1924) (The Miracle of the Wolves)
Le Joueur d'échecs (1927) (The Chess Player)
Tarakanova (1930)
Faubourg Montmartre (1931) (Montmartre)
Les Croix de bois (1932) (Wooden Crosses)
Les Misérables (1934)
Tartarin de Tarascon (1934)
Amants et Voleurs (1935) (Lovers and Thieves)
Anne-Marie (1936)
Le Coupable (1937) (Culprit)
Marthe Richard au service de la France (1937)
J'étais une aventurière (1938) (I Was an Adventuress)
Les Otages (1939) (The Mayor's Dilemma)
Cavalcade d'amour (1940) (Love Cavalcade)
Un ami viendra ce soir (1946) (A Friend Will Come Tonight)
Adieu chérie (1946) (Goodbye Darling)
Maya (1949)
Le Cap de l'espérance (1951) (The Cape of Hope)
Le Jugement de Dieu (1952) (Judgement of God)
La Dame aux camélias (1953) (Lady of the Camelias)
La Belle de Cadix (1953) (The Beauty of Cadiz)
Les Fruits de l'été (1955) (Fruits of Summer)
Le Septième Commandement (1957) (The Seventh Commandment)
Le Septième Ciel (1958) (Seventh Heaven)
Passage 7:
Deepak Sareen
Deepak Sareen is a Bollywood film director and assistant director  His first film as director was Ranbhoomi and last film as director was Albela 

As assistant director
Deewaar (1975)
Kabhi Kabhi (1976)
Doosra Aadmi (1977)
Silsila (1981)
Mashaal (1984)
Faasle (1985)

As director
Ranbhoomi (1991)
Aaina (1993)
Gaddaar (1995)
Jab Pyaar Kisise Hota Hai (1998)
Albela (2001)

External links
Deepak Sareen at IMDb
Passage 8:
Ringo-en no shōjo
Ringo-en no shōjo (リンゴ園の少女, Ringo-en no shōjo, lit  "Girl of Apple Park") is a 1952 black and white Japanese film directed by Koji Shima The art director was Tomoo Shimogawara 

Cast
Hibari Misora as Marumi
Akihiko Katayama
Kokuten Kōdō
Yōko Kosono as Yoko Kozono
Koji Mitsui
Hideaki Miura
Bontarō Miyake as Bontaro Miake
Zeko Nakamura as Zekō Nakamura
Takeshi Sakamoto
Isao Yamagata
So Yamamura

See also
List of films in the public domain in the United States
Passage 9:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 10:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 



ground_truth: Wooden Crosses

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Are both mountains, Yana Urqu (Q'Umirqucha) and Puka Rumi, located in the same country?

The following are given passages.
Context 3: 
Passage 6:
Yana Urqu (Jaqhichuwa)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", Hispanicized spelling Yanaorjo) is a mountain in the Willkanuta mountain range in the Andes of Peru, about 4,800 metres (15,748 ft) high  It is situated in the Cusco Region, Quispicanchi Province, Marcapata District  Yana Urqu lies southeast of the mountain Jaqhichuwa 
Passage 7:
Yana Urqu (Castrovirreyna)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", Hispanicized spelling Yana Orjo) is a mountain in the Chunta mountain range in the Andes of Peru, about 5,000 metres (16,404 ft) high  It is located in the Huancavelica Region, Castrovirreyna Province, Santa Ana District  Yana Urqu lies south of Wayra Q'asa 
Passage 8:
Yana Urqu (Apurímac)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", hispanicized spelling Yanaorjo) is a mountain in the north of the Wansu mountain range in the Andes of Peru, about 5,000 m (16,404 ft) high  It is situated in the Apurímac Region, Antabamba Province, Oropesa District  Yana Urqu lies southwest of Willkarana and Kisu Qutu 
Passage 9:
Yana Urqu (Chapi Urqu)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", Hispanicized spelling Yanaorcco) is a 4,890-metre-high (16,040 ft) mountain in the Andes of Peru  It is located in the Huancavelica Region, Huancavelica Province, Huacocolpa District  Yana Urqu lies southeast of Chapi Urqu and northeast of Inqhana 
Passage 10:
Yana Urqu (Huancavelica)
Yana Urqu (Quechua yana black, urqu mountain, "black mountain", hispanicized spelling Yana Orjo) is a mountain in the Chunta mountain range in the Andes of Peru, about 5,000 metres (16,404 ft) high  It is located in the Huancavelica Region, Huancavelica Province, Huacocolpa District  Yana Urqu lies northwest of Inqhana and northeast of Wayra Q'asa 



ground_truth: yes