prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film was released more recently, Bajo Otro Sol or Riding The California Trail?

The following are given passages.
Context 1: Passage 1:
Emigrant Pass (Nevada)
Emigrant Pass is a mountain pass in Eureka County, Nevada, United States  It originally carried the California Trail over the Emigrant Hills of northern Eureka County, reaching a peak elevation of 6,125 feet (1,867 m)  Interstate 80 now follows the California Trail's route over the pass 
Passage 2:
The California Trail
The California Trail is a 1933 American pre-Code
Western film directed by Lambert Hillyer starring Buck Jones, Helen Mack and Luis Alberni 

Cast
Buck Jones as Santa Fe Stewart (as Charles 'Buck' Jones)
Helen Mack as Dolores Ramirez
Luis Alberni as Commandant Emilio Quierra
George Humbert as Mayor Alberto Piedra (as George Humbart)
Charles Stevens as Juan
Carlos Villarías as Governor Carlos Moreno (as Carlos Villar)
Chris-Pin Martin as Pancho (as Chrispin Martin)
Carmen Laroux as Juan's wife (as Carmen La Roux)
William Steele as Pedro (as Robert Steele)
Al Ernest Garcia as Sergeant Florez (as Allan Garcia)
Émile Chautard as Don Marco Ramirez (as Emile Chautard)

External links
The California Trail at IMDb
The California Trail at AllMovie
The California Trail at the TCM Movie Database
The California Trail at the American Film Institute Catalog
Passage 3:
Coney Island Baby (film)
Coney Island Baby is a 2003 comedy-drama in which film producer Amy Hobby made her directorial debut  Karl Geary wrote the film and Tanya Ryno was the film's producer  The music was composed by Ryan Shore  The film was shot in Sligo, Ireland, which is known locally as "Coney Island" 
The film was screened at the Newport International Film Festival  Hobby won the Jury Award for "Best First Time Director" 
The film made its premiere television broadcast on the Sundance Channel 

Plot
After spending time in New York City, Billy Hayes returns to his hometown  He wants to get back together with his ex-girlfriend and take her back to America in hopes of opening up a gas station  But everything isn't going Billy's way - the townspeople aren't happy to see him, and his ex-girlfriend is engaged and pregnant  Then, Billy runs into his old friends who are planning a scam 

Cast
Karl Geary - Billy Hayes
Laura Fraser - Bridget
Hugh O'Conor - Satchmo
Andy Nyman - Franko
Patrick Fitzgerald - The Duke
Tom Hickey - Mr  Hayes
Conor McDermottroe - Gerry
David McEvoy - Joe
Thor McVeigh - Magician
Sinead Dolan - Julia

Music
The film's original score was composed by Ryan Shore 

External links
Coney Island Baby (2006) at IMDb
MSN - Movies: Coney Island Baby
Passage 4:
Bajo otro sol
Bajo otro sol (Spanish for Under Another Sun), is a 1988 Argentine film 

Plot summary
Manuel Ojeda, a rural lawyer who previously worked as a teacher during the dictatorship, returns to his hometown in Córdoba, Argentina  Motivated by a desire for justice, he embarks on a mission to avenge a disappeared comrade  The missing person, a member of the Peronist Youth, was targeted by Alberto Barrantes, a former employee of the factory where he was employed  Determined to uncover the truth, Manuel sets out to locate the missing individual 

Cast
Carlos Centeno
Laura Cikra
Ulises Dumont
Jorge González
Miguel Angel Sola
Passage 5:
The Wonderful World of Captain Kuhio
The Wonderful World of Captain Kuhio (クヒオ大佐, Kuhio Taisa, lit  "Captain Kuhio") is a 2009 Japanese comedy-crime film, directed by Daihachi Yoshida, based on Kazumasa Yoshida's 2006 biographical novel, Kekkon Sagishi Kuhio Taisa (lit  "Marriage swindler Captain Kuhio"), that focuses on a real-life marriage swindler, who conned over 100 million yen (US$1 2 million) from a number of women between the 1970s and the 1990s The film was released in Japan on 10 October 2009 

Cast
Masato Sakai - Captain Kuhio
Yasuko Matsuyuki - Shinobu Nagano
Hikari Mitsushima - Haru Yasuoka
Yuko Nakamura - Michiko Sudo
Hirofumi Arai - Tatsuya Nagano
Kazuya Kojima - Koichi Takahashi
Sakura Ando - Rika Kinoshita
Masaaki Uchino - Chief Fujiwara
Kanji Furutachi - Shigeru Kuroda
Reila Aphrodite
Sei Ando

Awards
At the 31st Yokohama Film Festival
Best Actor – Masato Sakai
Best Supporting Actress – Sakura Ando
Passage 6:
Riding the Wave
Riding the Wave may refer to:

Riding the Wave (album), 2004 album by The Blanks
"Riding the Wave (song)", a 2018 single by Sheppard

See also
Riding the Wave: The Whale Rider Story, documentary film by Jonathan Brough about the feature film Whale Rider
"Riding the Waves (For Virginia Woolf)", a song by Steve Harley on the 1978 album Hobo with a Grin
Passage 7:
Riding the Edge
Riding the Edge is a 1989 film directed by James Fargo and starring Raphael Sbarge and Catherine Mary Stewart 

Synopsis
When his scientist father is kidnapped by Middle-Eastern terrorists, Matt Harman (Raphael Sbarge), a championship motocross contestant, is designated by his dad's captors as the ideal courier  Western governments agree that the boy can serve as a go-between, and he is all prepared to deliver a special computer chip to the terrorists  He is accompanied in his travels by lovely female secret agent Maggie Cole (Catherine Mary Stewart) and a local Middle Eastern boy who has the rare distinction of also being royalty  Together, they work to save Matt's father and defeat the terrorists 

Cast
Raphael Sbarge as Matt Harman
Catherine Mary Stewart as Maggie Cole
James Fargo as Tarek
Passage 8:
Del sol
Del Sol or del Sol may refer to:

Del Sol, Texas, a census-designated place in Texas
Del Sol-Loma Linda, Texas, a former census-designated place in Texas
Del Sol High School, a high school in Las Vegas, Nevada
Del Sol High School (California), a high school in Oxnard, California
Del Sol Press, a publishing company
Del Sol metro station, a station in Santiago, Chile
Luis del Sol, former Spanish footballer
Honda CR-X del Sol, a two-seat, targa top convertible manufactured by Honda in the 1990s
Del Sol Quartet, a San Francisco-based string quartet
Passage 9:
Riding the California Trail
Riding the California Trail is a 1947 American Western film directed by William Nigh and written by Clarence Upson Young  The film stars Gilbert Roland as the Cisco Kid, Martin Garralaga, Frank Yaconelli, Teala Loring, Inez Cooper and Ted Hecht  The film was released on January 11, 1947, by Monogram Pictures 

Plot
Cast
Gilbert Roland as The Cisco Kid / Don Luis Salazar
Martin Garralaga as Don José Ramirez
Frank Yaconelli as Baby
Teala Loring as Raquel
Inez Cooper as Delores Ramirez
Ted Hecht as Don Raoul Pedro Reyes
Marcelle Grandville as Dueña Rosita
Passage 10:
Riding the Wind
Riding the Wind is a 1942 American Western film directed by Edward Killy and starring Tim Holt 

Plot
A cowboy fights against a schemer who is manipulating water rights 
Context 3: Passage 1:
The Wind's Fierce
The Wind's Fierce (Spanish: La cólera del viento, Italian: La collera del vento, also known as Revenge of Trinity, Trinity Sees Red and The Wind's Anger) is a 1970 Spanish-Italian western-drama film written and directed by Mario Camus 

Plot
Andalusia, the late nineteenth century  Wealthy landowner Don Antonio hires two assassins, Marcos and Jacobo, to infiltrate a group of peasant revolutionaries and kill the leaders  After falling in love with the rebel Soledad, Marcos has a change of heart and decides to unite with the peasants 

Cast
Terence Hill as Marcos
Maria Grazia Buccella as Soledad
Mario Pardo as Jacobo
Máximo Valverde as  Ramón
Fernando Rey as Don Antonio
Ángel Lombarte as  José
William Layton as  Don Lucas
Manuel Alexandre as  Agustín
Manuel de Blas as  Rafael

Reception
Although set in Spain, this film is often classified as a spaghetti-western due to themes, scenes and settings deliberately evocative of the western genre 
Terence Hill gives a dramatic performance in his last film before attaining international stardom with They Call Me Trinity  After the success of that movie, The Wind's Fierce was re-released in many countries as a "Trinity" sequel and misleadingly marketed as a comedy 
Passage 2:
Claude Weisz
Claude Weisz is a French film director born in Paris 

Filmography
Feature films
Une saison dans la vie d'Emmanuel (1972) with Germaine Montéro, Lucien Raimbourg, Florence Giorgetti, Jean-François Delacour, Hélène Darche, Manuel Pinto, etc Festival de Cannes 1973 - Quinzaine des réalisateurs
Jury Prize: Festival Jeune Cinéma 1973

La Chanson du mal aimé (1981) with Rufus, Daniel Mesguich, Christine Boisson, Věra Galatíková, Mark Burns, Philippe Clévenot, Dominique Pinon, Madelon Violla, Paloma Matta, Béatrice Bruno, Catherine Belkhodja, Véronique Leblanc, Philippe Avron, Albert Delpy, etc Festival de Cannes 1982 - Perspectives du cinéma français
Competition selections: Valencia, Valladolid, Istanbul, Montréal

On l'appelait    le Roi Laid (1987) with Yilmaz Güney (mockumentary)Valencia Festival 1988 - Grand Prix for documentaries "Laurel Wreath"
Competition selections: Rotterdam, Valladolid, Strasbourg, Nyon, Cannes, Lyon, Cairo

Paula et Paulette, ma mère (2005) Documentary - Straight to DVD

Short and mid-length
La Grande Grève (1963 - Co-directed CAS collective, IDHEC)
L'Inconnue (1966 - with Paloma Matta and Gérard Blain - Prix CNC Hyères, Sidney)
Un village au Québec
Montréal
Deux aspects du Canada (1969)
La Hongrie, vers quel socialisme ? (1975 - Nominated for best documentary - Césars 1976)
Tibor Déry, portrait d'un écrivain hongrois (1977)
L'huître boudeuse
Ancienne maison Godin ou le familistère de Guise (1977)
Passementiers et Rubaniers
Le quinzième mois
C'était la dernière année de ma vie (1984 - FIPRESCI Prize- Festival Oberhausen 1985 - Nomination - Césars 1986)
Nous aimons tant le cinéma (Film of the European year of cinema - Delphes 1988)
Participation jusqu'en 1978 à la réalisation de films "militants"

Television
Series of seven dramas in German
Numerous documentary and docu-soap type films (TVS CNDP)
Initiation à la vie économique (TV series - RTS promotion)
Contemplatives    et femmes (TF1 - 1976)
Suzel Sabatier (FR3)
Un autre Or Noir (FR3)
Vivre en Géorgie
Portrait d'une génération pour l'an 2000 (France 5 - 2000)
Femmes de peine, femmes de coeur (FR3 - 2003)

Television documentaries
La porte de Sarp est ouverte (1998)
Une histoire balbynienne (2002)
Tamara, une vie de Moscou à Port-au-Prince (unfinished)
Hana et Khaman (unfinished)
En compagnie d'Albert Memmi (unfinished)
Le Lucernaire, une passion de théâtre
Les quatre saisons de la Taillade ou une ferme l'autre
Histoire du peuple kurde (in development)
Les kurdes de Bourg-Lastic (2008)
Réalisation de films institutionnels et industriels
Passage 3:
S D  Jones
Conrad Efraim (March 30, 1945 – October 26, 2008) was an Antiguan professional wrestler best known by his ring name, Special Delivery Jones or S  D  Jones (sometimes referred to as S  D  "Special Delivery" Jones) from his time (1974–1990) in the World Wrestling Federation (WWF, now WWE)  He also wrestled in Jim Crockett Promotions and the National Wrestling Alliance (NWA), and he won the NWA Americas Tag Team Championship three times 

Professional wrestling career
Before becoming a wrestler, Efraim worked at a telephone company  He also took part in boxing and lifting weights  While there, he began training under Johnny Rodz in the sport of professional wrestling  Upon completion of his training, he quit his job and began working for NWA Mid-Atlantic under the name "Roosevelt Jones" in a tag team with his partner and kayfabe cousin Rufus R  Jones  While there, they had a memorable feud with the Anderson family (Ole and Gene) On January 17, 1975, after leaving the Mid-Atlantic area for California, Jones won his first of three tag team titles, combining with Porkchop Cash to take the NWA Americas Tag Team Championship from the Hollywood Blonds (Buddy Roberts and Jerry Brown)  The following month, Jones and Cash dropped the titles back to the Blonds  Jones won the title again in 1977, teaming with Tom Jones to defeat Black Gordman and Goliath  Gordman and Goliath regained the championship, but SD and Tom Jones won the belts back from them on November 18, 1977 S  D  Jones had his first match in the WWWF on April 25, 1974 facing Nikolai Volkoff in Trenton, New Jersey  Jones would continue to wrestle in the WWF (WWWF) as a mid-card babyface who would give the heels a hard time but end up losing  He did, however, win quite a few matches on smaller cards against lower card or fellow mid carders like Ron Shaw and Johnny Rodz  Jones was often featured in tag team matches partnered with Tony Atlas, and the two challenged Mr  Fuji and Mr  Saito for the WWF Tag Team Championship several times in 1981  On one occasion, the two ended up as the final men in a battle royal and flipped a coin to decide the winner, as seen on the WWF Coliseum Video 'Best of the WWF Volume 4' and 'Grand Slams' video cassettes S  D  helped put over Greg Valentine at a 1979 TV taping when Valentine locked in his figure-four leglock and refused to let go, leading to Jones doing a stretcher job and subsequently appearing in Madison Square Garden with his leg in a cast  He was also the tag team partner of André the Giant on November 13, 1984 when André's hair was cut by Ken Patera and Big John Studd  At the inaugural WrestleMania in 1985 he famously lost to King Kong Bundy in an official match time of nine seconds, although the actual time from bell to pinfall was seventeen seconds  In any case, it would stand as the quickest match in WrestleMania history until The Rock defeated Erick Rowan in six seconds at WrestleMania 32 in 2016 Jones was a workhorse for the WWF as he wrestled 240 matches per year during his career and twice wrestled over 300 matches in a single year with (302) in 1978 and (305) in 1984  Despite mainly being used as a preliminary talent in the 1980s WWF, Jones garnered further recognition when LJN created two action figures of him for their Wrestling Superstars toy line  One was yellow with blue palm trees and the other was a red shirt  He also appeared in the WWF's music video for Land of a Thousand Dances  Jones last match was in New York City at Madison Square Garden on October 19, 1990 losing by pinfall against Iron Mike Sharpe 
After WWF, he wrestled for Herb Abrams's Universal Wrestling Federation and Universal Wrestling Superstars in New York City  He retired from the sport in 1995  In 2006, S  D  Jones appeared for the WWE inducting Tony Atlas into the WWE Hall of Fame   S  D  Jones was added to the WWE Hall Of Fame on April 7, 2019 as a legacy inductee 

Personal life and death
After retiring from wrestling, Jones lost a considerable amount of weight and took a job at the New York Daily News  He died in Antigua on October 26, 2008, following a stroke suffered two days earlier Following his death, his wife recalled "On Wednesday, he was laughing and singing and all of that… He went to feed the dogs, and when he came back, he called my name  He said, ‘Kay ’ He showed me his fingers, and the next thing I know, his body went limp  We went to the doctor’s, and he had three-quarters of his brain bleeding, covered with blood "

Championships and accomplishments
NWA Hollywood Wrestling
NWA Americas Tag Team Championship (3 times) – with Porkchop Cash (1 time) and Tom Jones (2 times)
Universal Superstars of America
USA Tag Team Championship (1 time) - with Tony Atlas
WWE
WWE Hall of Fame (Class of 2019)
Passage 4:
W  Augustus Barratt
W  Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician 

Early life and songs
Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley  In 1893 he won a scholarship for composition to the Royal College of Music 
In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements 
By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover 
He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree  He co-composed with Howard Talbot the successful Kitty Grey (1900) He continued to write songs and to receive recognition for them  The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald 
His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times  It also appeared four times, with different singers, in the 1913 and 1914 Proms 

America
In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:

on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
musical director of The Little Michus (1907), also featuring songs by Barratt;
co-composer of Miss Pocahontas (1907), a musical comedy;
musical director of The Love Cure (1909–1910), a musical romance;
composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst  Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;
musical director of The Quaker Girl (1911–1912);
co-composer and musical director of My Best Girl (1912);
musical director of The Sunshine Girl (1913);
musical director of The Girl who Smiles (1915), a musical comedy;
musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
contributor of a song to The Passing Show of 1918;
composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;
contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
musical director of What's in a Name? (1920), a musical revue

1921 in London
Though domiciled in the US, he made several visits back to England  During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B  Cochran, namely

League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;
Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics

Back to Broadway
Back in the US he returned to Broadway, working as
composer and lyricist of Jack and Jill (1923), a musical comedy;
musical director of The Silver Swan (1929), a musical romance

Radio plays
In later years he wrote plays and operettas mostly for radio, such as:

Snapshots: a radioperetta (1929)
Sushannah and the Brush Wielders: a play in 1 act (1929)
The Magic Voice: a radio series (1933)
Men of Action: a series of radio sketches (1933)
Say, Uncle: a radio series (1933)
Sealed Orders: a radio drama (1934)
Sergeant Gabriel (with Hugh Abercrombie) (1945)

Personal
In 1897 in London he married Lizzie May Stoner  They had one son  In 1904 he emigrated to the US and lived in New York City  His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American  In 1924, he became a naturalized American citizen  He died on 12 April 1947 in New York City 

Note on his first name
The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake  For professional purposes up to about 1900 he appears to have written as "W  Augustus Barratt", and thereafter mostly as simply "Augustus Barratt" 
Passage 5:
Roscoe Arbuckle
Roscoe Conkling "Fatty" Arbuckle (; March 24, 1887 – June 29, 1933) was an American silent film actor, comedian, director, and screenwriter  He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St  John  He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business  Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year (equivalent to $14,608,000 in 2022) 
Arbuckle was the defendant in three widely publicized trials between November 1921 and April 1922 for the rape and manslaughter of actress Virginia Rappe  Rappe had fallen ill at a party hosted by Arbuckle at San Francisco's St  Francis Hotel in September 1921, and died four days later  A friend of Rappe accused Arbuckle of raping and accidentally killing her  The first two trials resulted in hung juries, but Keaton testified for the defense in the third trial, which acquitted Arbuckle  The third jury took the unusual step of giving Arbuckle a written statement of apology for his treatment by the justice system 
Despite Arbuckle's acquittal, the scandal has mostly overshadowed his legacy as a pioneering comedian  At the behest of Adolph Zukor, president of Famous Players–Lasky, his films were banned by motion picture industry censor Will H  Hays after the trial, and he was publicly ostracized  Zukor was faced with the moral outrage of various groups such as the Lord's Day Alliance, the powerful Federation of Women's Clubs and even the Federal Trade Commission to curb what they perceived as Hollywood debauchery run amok and its effect on the morals of the general public   While Arbuckle saw a resurgence in his popularity immediately after his third trial (in which he was acquitted) Zukor decided he had to be sacrificed to keep the movie industry out of the clutches of censors and moralists   Hays lifted the ban within a year, but Arbuckle only worked sparingly through the 1920s  In their deal, Keaton promised to give him 35% of the Buster Keaton Comedies Co  profits  He later worked as a film director under the pseudonym William Goodrich  He was finally able to return to acting, making short two-reel comedies in 1932–33 for Warner Bros 

Arbuckle died in his sleep of a heart attack in 1933 at age 46, reportedly on the day that he signed a contract with Warner Bros  to make a feature film 

Early life
Roscoe Arbuckle was born on March 24, 1887, in Smith Center, Kansas, one of nine children of Mary E  Gordon and William Goodrich Arbuckle  He weighed in excess of 13 pounds (5 9 kg) at birth and his father believed that he was illegitimate, as both parents had slim builds  Consequently, he named him after Senator Roscoe Conkling of New York, a notorious philanderer whom he despised  The birth was traumatic for Mary and resulted in chronic health problems that contributed to her death eleven years later Arbuckle was nearly two when his family moved to Santa Ana, California  He first performed on stage with Frank Bacon's company at age 8 during their performance in Santa Ana  Arbuckle enjoyed performing and continued on until his mother's death in 1898, when he was 11  Arbuckle's father had always treated him harshly and now refused to support him, so he got work doing odd jobs in a hotel  He was in the habit of singing while he worked, and a professional singer heard him and invited him to perform in an amateur talent show  The show consisted of the audience judging acts by clapping or jeering, with bad acts pulled off the stage by a shepherd's crook  Arbuckle sang, danced, and did some clowning around, but he did not impress the audience  He saw the crook emerging from the wings and somersaulted into the orchestra pit in obvious panic  The audience went wild, and he won the competition and began a career in vaudeville 

Career
In 1904, Sid Grauman invited Arbuckle to sing in his new Unique Theater in San Francisco, beginning a long friendship between the two  He then joined the Pantages Theatre Group touring the West Coast and in 1906 played the Orpheum Theater in Portland, Oregon, in a vaudeville troupe organized by Leon Errol  Arbuckle became the main act and the group took their show on tour On August 6, 1908, Arbuckle married Minta Durfee (1889–1975), the daughter of Charles Warren Durfee and Flora Adkins  Durfee starred in many early comedy films, often with Arbuckle  They made a strange couple, as Minta was short and petite while Arbuckle tipped the scales at 300 lbs (136 kg)  Arbuckle then joined the Morosco Burbank Stock vaudeville company and went on a tour of China and Japan, returning in early 1909 Arbuckle began his film career with the Selig Polyscope Company in July 1909 when he appeared in Ben's Kid  He appeared sporadically in Selig one-reelers until 1913, moved briefly to Universal Pictures, and became a star in producer-director Mack Sennett's Keystone Cops comedies  Although his large size was undoubtedly part of his comedic appeal, Arbuckle was self-conscious about his weight and refused to use it to get "cheap" laughs like getting stuck in a doorway or chair Arbuckle was a talented singer  After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "give up this nonsense you do for a living, with training you could become the second greatest singer in the world "

Screen comedian
Despite his physical size, Arbuckle was remarkably agile and acrobatic  Mack Sennett, when recounting his first meeting with Arbuckle, noted that he "skipped up the stairs as lightly as Fred Astaire" and that he "without warning went into a feather light step, clapped his hands and did a backward somersault as graceful as a girl tumbler"  His comedies are noted as rollicking and fast-paced, have many chase scenes, and feature sight gags  Arbuckle was fond of the "pie in the face", a comedy cliché that has come to symbolize silent-film-era comedy itself  The earliest known pie thrown in film was in the June 1913 Keystone one-reeler A Noise from the Deep, starring Arbuckle and frequent screen partner Mabel Normand In 1914, Paramount Pictures made the then unheard-of offer of US$1,000 a day plus twenty-five percent of all profits and complete artistic control to make movies with Arbuckle and Normand  The movies were so lucrative and popular that in 1918 they offered Arbuckle a three-year, $3 million contract (equivalent to about $58,000,000 in 2022 dollars) By 1916, Arbuckle was experiencing serious health problems  An infection that developed on his leg became a carbuncle so severe that doctors considered amputation  Although Arbuckle was able to keep his leg, he was prescribed morphine against the pain; he would later be accused of being addicted to it  Following his recovery, Arbuckle started his own film company, Comique, in partnership with Joseph Schenck  Although Comique produced some of the best short pictures of the silent era, Arbuckle transferred his controlling interest in the company to Buster Keaton in 1918 and accepted Paramount's $3 million offer to make up to 18 feature films over three years Arbuckle disliked his screen nickname  "Fatty" had also been Arbuckle's nickname since school; "It was inevitable", he said  Fans also called Roscoe "The Prince of Whales" and "The Balloonatic"  However, the name Fatty identifies the character that Arbuckle portrayed on-screen (usually a naive hayseed), not Arbuckle himself  When Arbuckle portrayed a female, the character was named "Miss Fatty", as in the film Miss Fatty's Seaside Lovers  Arbuckle discouraged anyone from addressing him as "Fatty" off-screen, and when they did so his usual response was, "I've got a name, you know "

Scandal
On September 5, 1921, Arbuckle took a break from his hectic film schedule and, despite suffering from second-degree burns to both buttocks from an on-set accident, drove to San Francisco with two friends, Lowell Sherman and Fred Fishback  The three checked into three rooms at the St  Francis Hotel: 1219 for Arbuckle and Fishback to share, 1221 for Sherman, and 1220 designated as a party room  Several women were invited to the suite  During the carousing, a 30-year-old aspiring actress named Virginia Rappe was found seriously ill in room 1219 and was examined by the hotel doctor, who concluded her symptoms were mostly caused by intoxication and gave her morphine to calm her  Rappe was not hospitalized until two days after the incident 
At the hospital, Rappe's companion at the party, Bambina Maude Delmont, told a doctor that Arbuckle had raped her friend  The doctor examined Rappe but found no evidence of rape  She died one day after her hospitalization from peritonitis caused by a ruptured bladder  Rappe suffered from chronic urinary tract infections, a condition that liquor irritated dramatically  
Delmont then told police that Arbuckle had raped Rappe; the police concluded that the impact of Arbuckle's overweight body lying on top of Rappe had eventually caused her bladder to rupture  At a later press conference, Rappe's manager, Al Semnacher, accused Arbuckle of using a piece of ice to simulate sex with Rappe, thus leading to her injuries  By the time the story was reported in newspapers, the object had evolved into a Coca-Cola or champagne bottle rather than a piece of ice  In fact, witnesses testified that Arbuckle rubbed the ice on Rappe's stomach to ease her abdominal pain  Arbuckle denied any wrongdoing  Delmont later made a statement incriminating Arbuckle to the police in an attempt to extort money from Arbuckle's attorneys Arbuckle's trial was a major media event  The story was fueled by yellow journalism, with the newspapers portraying Arbuckle as a gross lecher who used his weight to overpower innocent girls  William Randolph Hearst's nationwide newspaper chain exploited the situation with exaggerated and sensationalized stories   Hearst was gratified by the profits he accrued during the Arbuckle scandal, and he allegedly said that it had "sold more newspapers [   ] than when the Lusitania went down " Morality groups called for Arbuckle to be sentenced to death  The resulting scandal destroyed Arbuckle's career along with his personal life 
Arbuckle was regarded by those who knew him closely as a good-natured man who was shy around women; he has been described as "the most chaste man in pictures"  However, studio executives, fearing negative publicity by association, ordered Arbuckle's industry friends and fellow actors (whose careers they controlled) not to publicly speak up for him  Charlie Chaplin, who was in Britain at the time, told reporters that he could not and would not believe Arbuckle had anything to do with Rappe's death; having known Arbuckle since they both worked at Keystone in 1914, Chaplin "knew Roscoe to be a genial, easy-going type who would not harm a fly " Buster Keaton reportedly did make one public statement in support of Arbuckle's innocence, a decision which earned him a mild reprimand from the studio where he worked  Film actor William S  Hart, who had never met or worked with Arbuckle, made a number of damaging public statements in which he presumed that Arbuckle was guilty  Arbuckle later wrote a premise for a film parodying Hart as a thief, bully, and wife beater, which Keaton purchased from him  The resulting film, The Frozen North, was released in 1922, almost a year after the scandal first emerged  Keaton co-wrote, directed and starred in the picture; consequently, Hart refused to speak to Keaton for many years 

Trials
The prosecutor, San Francisco District Attorney Matthew Brady, an intensely ambitious man who planned to run for governor, made public pronouncements of Arbuckle's guilt and pressured witnesses to make false statements  Brady at first used Delmont as his star witness during the indictment hearing  The defense obtained a letter from Delmont admitting to a plan to extort payment from Arbuckle  In view of Delmont's constantly changing story, her testimony would have ended any chance of going to trial  Ultimately, the judge found no evidence of rape  After hearing testimony from one of the party guests, Zey Prevon, that Rappe told her "Roscoe hurt me" on her deathbed, the judge decided that Arbuckle could be charged with first-degree murder  Brady had originally planned to seek the death penalty  The charge was later reduced to manslaughter 

First trial
On September 17, 1921, Arbuckle was arrested and arraigned on charges of manslaughter  He arranged bail after nearly three weeks in jail  The trial began November 14, 1921, in the city courthouse in San Francisco  Arbuckle hired as his lead defense counsel Gavin McNab, a competent local attorney  The principal witness was Prevon  At the beginning of the trial Arbuckle told his already-estranged wife, Minta Durfee, that he did not harm Rappe; she believed him and appeared regularly in the courtroom to support him  Public feeling was so negative that Durfee was later shot at while entering the courthouse Brady's first witnesses during the trial included Betty Campbell, a model, who attended the party and testified that she saw Arbuckle with a smile on his face hours after the alleged rape occurred; Grace Hultson, a local hospital nurse who testified it was very likely that Arbuckle raped Rappe and bruised her body in the process; and Dr  Edward Heinrich, a local criminologist who claimed that the fingerprints on the door to the hallway proved that Rappe had tried to flee, but that Arbuckle had stopped her by putting his hand over hers  Dr  Arthur Beardslee, the hotel doctor who had examined Rappe, testified that an external force seemed to have damaged the bladder  During cross-examination, however, Campbell revealed that Brady had threatened to charge her with perjury if she did not testify against Arbuckle  Dr



ground_truth: Bajo Otro Sol

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who is older than the other, Blue Blood And Red or The Longshot? 

The following are given passages.
Context 2: Passage 1:
Blue Blood and Red
Blue Blood and Red is a 1916 American silent western comedy film directed by Raoul Walsh and starring George Walsh, Martin Kinney, and Doris Pawn 

Premise
After being kicked out of Harvard and thrown out by his millionaire father, a young wastrel heads west in the company of his butler 

Cast
George Walsh as Algernon DuPont
Martin Kinney as Peterkin
Doris Pawn
James A  Marcus
Jack Woods
Augustus Carney
Vester Pegg
Passage 2:
Dan Milne
Dan Milne is a British actor/director who is possibly best known for his role in EastEnders 

Career
He started his career in 1996 and made an appearance in Murder Most Horrid and as a pub poet in In a Land of Plenty  He then appeared in EastEnders as David Collins, Jane Beale's dying husband 
As a member of the Young Vic, he collaborated with Tim Supple to originate  Grimm Tales, which toured internationally, culminating in a Broadway run at the New Victory Theater  Since that time he has collaborated on more than seven major new works, including Two Men Talking, which has run for the past six years in various cities across the world  In 2013, he replaced Ken Barrie as the voice of the Reverend Timms in the children's show, Postman Pat 
Passage 3:
Paul Bartel
Paul Bartel (August 6, 1938 – May 13, 2000) was an American actor, writer and director  He was perhaps most known for his 1982 hit black comedy Eating Raoul, which he co-wrote, starred in and directed 
Bartel appeared in over 90 movies and TV episodes, including such titles as Eat My Dust (1976), Hollywood Boulevard (1976), Rock 'n' Roll High School (1979), Get Crazy (1983), Chopping Mall (1986), and Amazon Women on the Moon (1987)  He frequently co-starred with friend and former Warhol girl Mary Woronov; the pair appeared in 17 films together, often as husband and wife 
Bartel also directed 11 low-budget films, many of which he also acted in or wrote  He started in 1968 with the short The Secret Cinema, a paranoid delusional fantasy of self-referential cinema   He graduated to features in 1972 with the horror-comedy Private Parts   He would go on to direct such cult films as Death Race 2000 (1975), Eating Raoul (1982), Lust in the Dust (1985) and Scenes from the Class Struggle in Beverly Hills (1989) 

Biography
Bartel studied film and theatre at UCLA, and spent a year on a Fulbright scholarship at the Centro Sperimentale film school in Rome, before returning to the US  He fulfilled his military service by talking his way into the Army Signal Corps Pictorial Center in Long Island City and later made films for the United States Information Agency 

Early films
Bartel's first films were made in high school, primarily abstract and animated 16mm shorts, including titles such as Cinema Experimental (1954), Non Objective Film (1956), Margaret Whiting Sings "The Money Tree" (1956), and Camel Rock (1957)  After making the 35mm short Italian-language film Progetti (1962) while attending the Centro Sperimentale di Cinematografia in Rome, Bartel produced The Secret Cinema (1966)   Shot on an extremely low budget in 35mm and with his own money, The Secret Cinema was the film that began his reputation as a new and unusual independent voice in narrative cinema 
He followed it with another short he wrote and directed, Naughty Nurse (1969)  He co-wrote the feature Utterly Without Redeeming Social Value (1969), also starring in the lead  He worked as an actor only in Hi, Mom! (1970) directed by Brian De Palma 
Bartel's first feature as director was Private Parts (1972), a comedy horror film for MGM  It was produced by Gene Corman and Bartel was in the cast 

New World Pictures
Gene Corman's brother, Roger, ran a production company, New World Pictures, and hired Bartel to be second unit director on Big Bad Mama (1974), an action film  Bartel also played a small role 
Roger Corman gave Bartel the job of directing Death Race 2000 (1975), a satirical action comedy starring David Carradine, Sylvester Stallone and Mary Woronov  Bartel also played a small role  The film was a huge success at the box office and quickly established itself as a cult favorite 
Corman promptly offered Bartel the chance to direct a similar action film with Carradine for New World, Cannonball (1976)  Bartel also worked on the script  The film is littered with cameos from people such as Joe Dante and Martin Scorsese  Bartel later said he worked for a year on Death Race 2000 for $5,000 "so when it was finished I desperately needed money  The only thing anybody wanted from me was another car picture, hence Cannonball  Corman had drummed into me the idea that if Death Race had been "harder" and "more real" it would have been more popular  Like a fool, I believed him  I am not, and never have been, very much interested in cars and racing" so he decided to load up the film with "cameos and character gimmicks that did interest me "Bartel was in much demand from other directors at New World to play small parts in their pictures: he appeared in Eat My Dust (1976) for Ron Howard, Hollywood Boulevard (1976) for Joe Dante and Alan Arkush (quite a large role, as a director, which Bartel credited for really kicking off his acting career), Mr Billions (1977) for Jonathan Kaplan (not a New World film but Bartel met Kaplan at the company), Grand Theft Auto (1977) for Howard, Piranha (1978) for Dante, and Rock 'n' Roll High School (1979) for Arkush  Outside New World he appeared in The Hustler of Muscle Beach (1980) for Kaplan and Heartbeeps (1981) for Arkush 

Eating Raoul and after
Bartel wrote a script with Richard Blackburn, Eating Raoul (1982)  Bartel managed to raise the finance and starred in the film along with Woronov  Made for $230,000 (raised by  himself and his parents) it was a hit on the art house circuit, grossing $10 million, and became a cult movie 
Bartel had small roles in White Dog (1982), directed by Sam Fuller and produced by New World alumni Jon Davison, Trick or Treats (1982), Heart Like a Wheel (1983) for Kaplan, and Get Crazy (1983) for Arkush 
The success of Eating Raoul enabled Bartel to raise $3 million in finance (ten times the budget of Raoul) for a screwball comedy he had co written and wanted to direct, Not for Publication (1984)  It was a box-office disaster  More successful was Lust in the Dust (1985) starring Tab Hunter and Divine 
Bartel continued to be in demand as an actor, appearing in Frankenweenie (1984), a short for Tim Burton, Into the Night (1985) for John Landis, European Vacation (1985) for Amy Heckerling, and Sesame Street Presents: Follow That Bird (1985) 
Bartel directed The Longshot (1986) based on a script by Tim Conway who starred  Bartel said he was a "director for hire" on the project  "My sensibility was on some level antipathetic to what Tim Conway wanted  I was trying to find interesting things under the surface, and he just wanted more surface "He appeared in an episode of Fame directed by Arkush, and reprised his Raoul character in Chopping Mall (1986) for Jim Wynorski produced by Julie Corman (Wynorski says Bartel and Woronov adlibbed their roles)  He appeared in "The Jar", an episode of Alfred Hitchcock Presents directed by Burton, as well as the film Killer Party (1986) 
He directed two episodes of Amazing Stories, both from his own scripts, both featuring him as an actor: "Secret Cinema" (a remake of his short film of the same name) and "Gershwin's Trunk" 
He had roles in Munchies (1987) (produced by Roger Corman), Amazon Women on the Moon (1987) (in a segment directed by Dante), an episode of Crime Story, Baja Oklahoma (1988), and Shakedown (1988) 
Bartel co wrote but did not direct Mortuary Academy (1988); he and Woronov also played small roles  He was an executive producer on Out of the Dark (1988), in which he had a small role  He had a role in Caddyshack II (1988) directed by Arkush Bartel directed Scenes from the Class Struggle in Beverly Hills (1989), based on a story of his He wrote a sequel to Eating Raoul called Bland Ambition, where Paul and Mary wind up running for Governor of California  It was about 10 days from the start of filming when Vestron withdrew its financial backing Bartel appeared in Pucker Up and Bark Like a Dog (1989), Far Out Man (1990), Gremlins 2: The New Batch (1990) (for Dante), Dan Turner, Hollywood Detective (1990), an episode L A  Law directed by Arkush, Liquid Dreams (1991), and Desire and Hell at Sunset Motel (1991) 
Bartel had a large supporting role in The Pope Must Diet (1991), directed by Peter Richardson of The Comic Strip, and was in The Living End (1992) from Gregg Araki, Soulmates (1992), and Posse (1993) 
A musical adaptation of Eating Raoul premiered off Broadway in 1992 Bartel appeared in some episodes of The Comic Strip Presents   , even directing one ("Demonella")  He was in Acting on Impulse, Tales of the City and Grief (1993) 
Bartel's last feature as director was Shelf Life (1993)  Based on a play and done for a low budget, it struggled to find distribution 

Final years
Bartel appeared in Twin Sitters (1993), The Usual Suspects (1995), and The Jerky Boys (1995)  He had a rare star role in The Wacky Adventures of Dr  Boris and Nurse Shirley (1995) but was normally seen in minor parts: Naomi & Wynonna: Love Can Build a Bridge (1995), Not Like Us (1995) for Corman's new company Concorde Pictures, A Bucket of Blood (1995) also for Concorde, Number One Fan (1995), Red Ribbon Blues (1996), Joe's Apartment (1996), Escape from L A  (1996), and Basquiat (1996) 
He directed 2 episodes of Clueless, "We Shall Overpack" and "Cher Inc"  He also appeared in both 
He was in Prey of the Jaguar (1996), The Elevator (1996), Lewis & Clark & George (1997), Boston Common, Skeletons (1997), The Inheritance (1997), Chicago Hope, The Devil's Child (1997), Billy's Hollywood Screen Kiss (1998), More Tales of the City, Race, Vengeance Unlimited, Dreamers, Hard Time: The Premonition, episodes of Ally McBeal and Snoops directed by Arkush, Good vs Evil, Zoo (1999), Hamlet (2000), Dinner and a Movie (2001) and Perfect Fit (2001) 

Personal life
Bartel was openly gay; this influenced his career choice, as he found himself more accepted and afforded more opportunities within the independent film industry than he would have in Hollywood In 1979, he was a member of the jury at the 29th Berlin International Film Festival 

Death
Bartel died May 13, 2000, of a heart attack two weeks after liver cancer surgery; he was 61 years old  His final screen appearance was a posthumous role as "Dad" alongside Mary Woronov ("Mom") in the 2001 independent film Perfect Fit 

Legacy
The Belgian horror movie Calvaire paid a tribute to the late Bartel – the mad innkeeper character is named "Paul Bartel" 
Two of Bartel's early directorial efforts, Progetti and The Secret Cinema, were restored by the Academy Film Archive 

Filmography
Passage 4:
Scotty Fox
Scott Fox is a pornographic film director who is a member of the AVN Hall of Fame 

Awards
1992 AVN Award – Best Director, Video (The Cockateer)
1995 AVN Hall of Fame inductee
Passage 5:
Raoul Walsh
Raoul Walsh (born Albert Edward Walsh; March 11, 1887 – December 31, 1980) was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences (AMPAS), and the brother of silent screen actor George Walsh  He was known for portraying John Wilkes Booth in the silent film The Birth of a Nation (1915) and for directing such films as the widescreen epic The Big Trail (1930) starring John Wayne in his first leading role, The Roaring Twenties starring James Cagney and Humphrey Bogart, High Sierra (1941) starring Ida Lupino and Humphrey Bogart, and White Heat (1949) starring James Cagney and Edmond O'Brien  He directed his last film in 1964  His work has been noted as influences on directors such as Rainer Werner Fassbinder, Jack Hill, and Martin Scorsese 

Biography
Walsh was born in New York as Albert Edward Walsh to Elizabeth T  Bruff, the daughter of Irish Catholic immigrants, and Thomas W  Walsh, an Englishman  Walsh was part of Omega Gamma Delta in high school, as was his younger brother  Growing up in New York, Walsh was also a friend of the Barrymore family  John Barrymore recalled spending time reading in the Walsh family library as a youth  Later in life, Walsh lived in Palm Springs, California  He was buried at Assumption Cemetery Simi Valley, Ventura County, California 

Film career
Walsh was educated at Seton Hall College  He began acting in 1909, first as a stage actor in New York City and later as a film actor  In  1913 he changed his name to Raoul Walsh  In 1914 he became an assistant to D  W  Griffith and made his first full-length feature film, The Life of General Villa, shot on location in Mexico with Pancho Villa playing the lead, and with actual ongoing battles filmed in progress as well as battle recreations   Walsh played John Wilkes Booth in Griffith's epic The Birth of a Nation (1915) and also served as an assistant director  This movie was followed by the critically acclaimed Regeneration in 1915, the earliest feature gangster film, shot on location in Manhattan's Bowery district 
Walsh served as an officer in the United States Army during World War I  He later directed The Thief of Bagdad (1924), starring Douglas Fairbanks and Anna May Wong, and Laurence Stallings' What Price Glory? (1926), starring Victor McLaglen and Dolores del Río 

In Sadie Thompson (1928), starring Gloria Swanson as a prostitute seeking a new life in Samoa, Walsh starred as Swanson's boyfriend in his first acting role since 1915; he also directed the film  He was then hired to direct and star in In Old Arizona, a film about O  Henry's character the Cisco Kid  While on location for that film Walsh was in a car crash when a jackrabbit jumped through the windshield as he was driving through the desert; he lost his right eye as a result  He gave up the part and never acted again  Warner Baxter won an Oscar for the role Walsh was originally slated to play  Walsh would wear an eyepatch for the rest of his life 

In the early days of sound with Fox, Walsh directed the first widescreen spectacle, The Big Trail (1930), an epic wagon train western shot on location, across the West  The movie starred John Wayne, then unknown, whom Walsh discovered as prop man named Marion Morrison, and he was renamed after the Revolutionary War general Mad Anthony Wayne; Walsh happened to be reading a book about him at the time  Walsh directed The Bowery (1933), featuring Wallace Beery, George Raft, Fay Wray and Pert Kelton; the energetic movie recounts the story of Steve Brodie (Raft), supposedly the first man to jump off the Brooklyn Bridge and live to brag about it 
An undistinguished period followed with Paramount Pictures from 1935 to 1939, but Walsh's career rose to new heights after he moved to Warner Brothers, with The Roaring Twenties (1939), featuring James Cagney and Humphrey Bogart; Dark Command (1940), with John Wayne and Roy Rogers (at Republic Pictures); They Drive By Night (1940), with George Raft, Ann Sheridan, Ida Lupino and Bogart; High Sierra (1941), with Lupino and Bogart again; They Died with Their Boots On (1941), with Errol Flynn as Custer; The Strawberry Blonde (1941), with Cagney and Olivia de Havilland; Manpower (1941), with Edward G  Robinson, Marlene Dietrich and George Raft; and White Heat (1949), with Cagney  Walsh's contract at Warners expired in 1953 
He directed several films afterwards, including three with Clark Gable: The Tall Men (1955), The King and Four Queens (1956) and Band of Angels (1957)  Walsh retired in 1964  He died of a heart attack in 1980 

Outside interests
Raoul Walsh was a breeder and owner of Thoroughbred racehorses  For a time, his brother George Walsh trained his stable of horses  Their horse Sunset Trail competed in the 1937 Kentucky Derby won by War Admiral who went on to win the U S  Triple Crown  Sunset Trail finished sixteenth in a field of twenty runners Some of Walsh's film-related material and personal papers are contained in the Wesleyan University Cinema Archives 

Selected filmography
Miscellaneous
The Conqueror (writer, 1917)
The Big Trail (story contributor, uncredited, 1930)
Captain Horatio Hornblower R N  (producer, uncredited, 1951)
The Lawless Breed (producer, uncredited, 1953)
Esther and the King (screenplay, 1960)
The Men Who Made the Movies: Raoul Walsh (TV documentary)
Himself (1973)

Notes
Passage 6:
Logan Sandler
Logan Sandler is an American writer and director who is best known for his first feature film Live Cargo 

Early life and education
Sandler graduated from SFTV within Loyola Marymount University's Film School in 2011 with a B A  in Film Production, and three years later, while earning an M F A  from AFI in Film Directing, he developed his first feature film, Live Cargo  He developed the script with the late Seth Winston and co-writer Thymaya Payne  In 2015, Sandler was awarded the Institute's Franklin J  Schaffner Fellow Award for his short film, Tracks 

Career
Sandler's senior thesis, All It Will Ever Be premiered at the Bermuda International Film Festival in 2012  Sandler's second short film Tracks screened at various festival around the world, including AFI FEST, Marfa Film Fest, Cambridge Film Festival, and the Miami International Film Festival  The film won the Lexus Audience Award for Best Short film at the Miami International Film Festival and best actor for Keith Stanfield at the 24 FPS International Film Festival Sandler's debut feature film Live Cargo was filmed in the Bahamas, and premiered at the Tribeca Film Festival in 2016  The film stars Dree Hemingway, Keith Stanfield, and Robert Wisdom  In addition to the 2016 Tribeca Film Festival, Live Cargo had its European premiere at the Warsaw International Film Festival, then went on to screen at the American Film Festival in Poland, the São Paulo International Film Festival, the Denver Film Festival, the Key West Film Festival, the Torino Film Festival, the Bahamas International Film Festival, and AFI FEST Sandler has collaborated with Stanfield on music videos, co-directing the group MOORS’ single Gas  The music video premiered on Vice’s music channel Noisey IONCINEMA com chose Sandler as their IONCINEPHILE of the Month for April 2017, a feature that focuses on an emerging filmmaker from the world of cinema  When asked about his favorite films of his formative years Sandler said, "I fell in love with Jean Luc Godard’s Contempt and Weekend  I was blown away by Agnes Varda’s Cleo from 5 to 7  Michelangelo Antonioni’s films really struck a chord with me as well  After seeing L’Avventura and Blowup, I went online and ordered every film of his I could find  The Passenger’s penultimate shot blew me away  I watched that 7 minute shot over and over  It’s probably my favorite shot in the history of cinema "

Critical reception
Angelica Jade Bastien for Roger Ebert wrote of the film, "In 'Live Cargo,' director/co-writer Logan Sandler strives to tell a story that finds poetry in the commonplace by shirking narrative conventions "Chuck Wilson for The Village Voice wrote, "The well-acted Live Cargo, which also features Robert Wisdom and Sam Dillon, is at its best when it observes character acting silently against landscape, as when Nadine goes snorkeling and uses a spear gun to jab at sharks, a juxtaposition of natural beauty and human fury typical of Sandler’s poetic approach ” Wilson as well called Sandler "a filmmaker to watch "Katie Walsh in her IndieWire review wrote, ”Anchored by a quartet of equally strong and understated performances, LIVE CARGO proves itself to be a singularly artful film of great emotional heft ”  Walsh gave the film an A - grade Stephen Saito for The Moveable Fest in his review and interview wrote, "While there’s intrigue aplenty as anxieties rise higher than the tide, the assured hand of director Logan Sandler, who co-wrote the script with Thymaya Payne, guides 'Live Cargo' admirably as a thriller that may appear immediately as monochrome but shifts quickly into varying degrees of grey ”H  Nelson Tracey of Cinemacy wrote that Sandler's, “Live Cargo is an unforgettable debut and a promise of greater heights to come ”Justin Lowe of the Hollywood Reporter in his review stated, “A pronounced sense of style and place suffuses the entire film, boding well for Sandler’s future projects ”

Awards/Nominations
Passage 7:
Blue Blood (2014 film)
Blue Blood (Portuguese: Sangue azul) is a 2014 Brazilian drama film directed by Lírio Ferreira  It was screened in the Panorama section of the 65th Berlin International Film Festival 

Cast
Daniel de Oliveira
Caroline Abras
Sandra Coverloni
Rômulo Braga
Passage 8:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 9:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 10:
The Longshot
The Longshot is a 1986 American comedy film directed by Paul Bartel and starring Tim Conway 

Plot
Four friends enjoy betting on horses at the race track  Someone tells them that he's got something to give his horse to make it run faster, and they can win a lot of money if they bet  Dooley tries to romance Nicki Dixon to get the money, but he finds out she's a lunatic who tries to kill him when he reminds her of her ex  Later, they borrow an envelope of money from the mob, who expect them to pay back within a week  They find out that the man who gave them the tip was a fraud, but Dooley remembered someone saying that the horse would run fast if he saw red  He ran out to the track, waved a red dress and the horse won the race 

Cast
Tim Conway as Dooley
Harvey Korman as Lou
Jack Weston as Elton
Ted Wass as Stump
Stella Stevens as Nicki Dixon
Anne Meara as Madge
George DiCenzo as DeFranco
Jorge Cervera as Santiago
Jonathan Winters as Tyler
Frank Bonner as Realtor
Eddie Deezen as Parking Attendant
Nick Dimitri as Track Cop
Garry Goodrow as Josh
Edie McClurg as Donna
Joseph Ruskin as Fusco

Theme Song
"The Longshot", the film's title track, is performed by Irene Cara 
Context 3:  Heinrich's claim to have found fingerprints was cast into doubt after McNab produced a maid from the St  Francis Hotel who testified that she had thoroughly cleaned the room before the investigation took place  Dr  Beardslee admitted that Rappe had never mentioned being assaulted while he was treating her  McNab was furthermore able to get Nurse Hultson to admit that the rupture of Rappe's bladder could very well have been a result of cancer, and that the bruises on her body could also have been a result of the heavy jewelry she was wearing that evening On November 28, Arbuckle testified as the defense's final witness  He was simple, direct, and unflustered in both direct and cross-examination  In his testimony, Arbuckle claimed that Rappe (whom he testified he had known for five or six years) came into the party room (1220) around noon that day, and that sometime afterward he went to his room (1219) to change clothes after Mae Taub, daughter-in-law of Billy Sunday, asked him for a ride into town  In his room, Arbuckle discovered Rappe in the bathroom vomiting into the toilet  He then claimed Rappe told him she felt ill and asked to lie down, and that he carried her into the bedroom and asked a few of the party guests to help treat her  When Arbuckle and a few of the guests re-entered the room, they found Rappe on the floor near the bed tearing at her clothing and going into violent convulsions  To calm Rappe down, they placed her in a bathtub of cool water  Arbuckle and Fischbach then took her to room 1227 and called the hotel manager and doctor  At this point all those present thought Rappe was just very drunk, including the hotel doctors  Probably assuming Rappe would simply sleep it off, Arbuckle drove Taub into town During the whole trial, the prosecution presented medical descriptions of Rappe's bladder as evidence that she had an illness  In his testimony, Arbuckle denied he had any knowledge of Rappe's illness  During cross-examination, Assistant District Attorney Leo Friedman aggressively grilled Arbuckle over the fact that he refused to call a doctor when he found Rappe sick, and argued that he refused to do so because he knew of Rappe's illness and saw a perfect opportunity to rape and kill her  Arbuckle calmly maintained that he never physically hurt or sexually assaulted Rappe in any way during the party, and he also stated that he never made any inappropriate sexual advances against any woman in his life  After over two weeks of testimony with sixty prosecution and defense witnesses, including eighteen doctors who testified about Rappe's illness, the defense rested  On December 4, 1921, the jury returned five days later deadlocked after nearly forty-four hours of deliberation with a 10–2 not guilty verdict, and a mistrial was declared Arbuckle's attorneys later concentrated their attention on one woman named Helen Hubbard, who had told jurors that she would vote guilty "until hell freezes over"  She refused to look at the exhibits or read the trial transcripts, having made up her mind in the courtroom  Hubbard's husband was a lawyer who did business with the D A 's office, and expressed surprise that she was not challenged when selected for the jury pool  While much attention was paid to Hubbard after the trial, some former jury members told reporters that they believed that Arbuckle was indeed guilty, but not beyond a reasonable doubt  During the deliberations, some jurors joined Hubbard in voting to convict, but they all recanted except for Thomas Kilkenny  Arbuckle researcher Joan Myers describes the political climate and the media attention to the presence of women on juries (which had only been legal for four years at the time) and how Arbuckle's defense immediately singled out Hubbard as a villain; Myers also records Hubbard's account of the jury foreman August Fritze's attempts to bully her into changing her vote to 'not guilty'  While Hubbard offered explanations on her vote whenever challenged, Kilkenny remained silent and quickly faded from the media spotlight after the trial ended 

Second trial
The second trial began January 11, 1922, with a new jury, but with the same legal defense and prosecution as well as the same presiding judge  The same evidence was presented, but this time one of the witnesses, Zey Prevon, testified that Brady had forced her to lie  Another witness who testified during the first trial, a former Culver Studios security guard named Jesse Norgard, testified that Arbuckle had once shown up at the studio and offered him a cash bribe in exchange for the key to Rappe's dressing room  The comedian supposedly said he wanted it to play a joke on the actress  Norgard said he refused to give him the key  During cross-examination, Norgard's testimony was called into question when he was revealed to be an ex-convict who was currently charged with sexually assaulting an eight-year-old girl, and who was also looking for a sentence reduction from Brady in exchange for his testimony  Further, in contrast to the first trial, Rappe's history of promiscuity and heavy drinking was detailed  The second trial also discredited some major evidence such as the identification of Arbuckle's fingerprints on the hotel bedroom door: Heinrich took back his earlier testimony from the first trial and testified that the fingerprint evidence was likely faked  The defense was so convinced of an acquittal that Arbuckle was not called to testify  His lawyer, McNab, made no closing argument to the jury  However, some jurors interpreted the refusal to let Arbuckle testify as a sign of guilt  After five days and over forty hours of deliberation, the jury returned on February 3, deadlocked with a 10–2 majority in favour of conviction, resulting in another mistrial 

Third trial
By the time of Arbuckle's third trial, his films had been banned, and newspapers had been filled for the past seven months with stories of Hollywood orgies, murder, and sexual perversion  Delmont was touring the country giving one-woman shows as, "The woman who signed the murder charge against Arbuckle", and lecturing on the evils of Hollywood 
The third trial began March 13, 1922, and this time the defense took no chances  McNab took an aggressive defense, completely tearing apart the prosecution's case with long and aggressive examination and cross-examination of each witness  McNab also managed to get in still more evidence about Rappe's lurid past and medical history  Another hole in the prosecution's case was opened because Prevon, a key witness, was out of the country after fleeing police custody and unable to testify  As in the first trial, Arbuckle testified as the final witness and again maintained his denials in his heartfelt testimony about his version of the events at the party  Buster Keaton is said to have been in the courtroom and provided important evidence to prove Arbuckle's innocence; Delmont was involved in prostitution, extortion, and blackmail  During closing statements, McNab reviewed how flawed the case was against Arbuckle from the very start and how Brady fell for the outlandish charges of Delmont, whom McNab described as "the complaining witness who never witnessed"  The jury began deliberations April 12 and took only six minutes to return with a unanimous not-guilty verdict; five of those minutes were spent writing a formal statement of apology to Arbuckle for putting him through the ordeal, a dramatic move in American justice  The jury statement as read by the jury foreman stated:

Acquittal is not enough for Roscoe Arbuckle  We feel that a great injustice has been done him  We feel also that it was only our plain duty to give him this exoneration, under the evidence, for there was not the slightest proof adduced to connect him in any way with the commission of a crime  He was manly throughout the case and told a straightforward story on the witness stand, which we all believed  The happening at the hotel was an unfortunate affair for which Arbuckle, so the evidence shows, was in no way responsible  We wish him success and hope that the American people will take the judgment of fourteen men and woman who have sat listening for thirty-one days to evidence, that Roscoe Arbuckle is entirely innocent and free from all blame 
After the reading of the apology statement, the jury foreman personally handed the statement to Arbuckle, who kept it as a treasured memento for the rest of his life  Then, one by one, the 12-person jury plus the two jury alternates walked up to Arbuckle's defense table, where they shook his hand and/or embraced and personally apologized to him  The entire jury proudly posed with Arbuckle for photographers after the verdict and apology Some experts later concluded that Rappe's bladder might also have ruptured as a result of an abortion she might have had a short time before the fateful party  Her organs had been destroyed and it was now impossible to test for pregnancy  Because alcohol was consumed at the party, Arbuckle was forced to plead guilty to one count of violating the Volstead Act and had to pay a $500 fine  At the time of his acquittal, he owed over $700,000 (equivalent to approximately $12,200,000 in 2022 dollars) in legal fees to his attorneys for the three criminal trials, and he was forced to sell his house and all of his cars to pay some of the debt The scandal and trials had greatly damaged Arbuckle's popularity among the general public  In spite of the acquittal and the apology, his reputation was not restored and the effects of the scandal continued  Will H  Hays, who served as the head of the newly formed Motion Pictures Producers and Distributors of America (MPPDA) censor board, cited Arbuckle as an example of the poor morals in Hollywood  On April 18, 1922, six days after Arbuckle's acquittal, Hays banned him from ever working in U S  movies again  He had also requested that all showings and bookings of Arbuckle films be canceled, and exhibitors complied  In December of the same year, under public pressure, Hays elected to lift the ban  However, Arbuckle was still unable to secure work as an actor Most exhibitors still declined to show Arbuckle's films, several of which now have no copies known to have survived intact  One of Arbuckle's feature-length films known to survive is Leap Year, which Paramount declined to release in the U S  owing to the scandal  It was eventually released in Europe  With Arbuckle's films now banned, in March 1922 Keaton signed an agreement to give Arbuckle thirty-five percent of all future profits from his production company, Buster Keaton Comedies, in hopes of easing his financial situation 

Aftermath
In November 1923, Minta Durfee filed for divorce from Arbuckle, charging grounds of desertion  The divorce was granted the following January  They had been separated since 1921, though Durfee always claimed he was the nicest man in the world and they were still friends  After a brief reconciliation, Durfee again filed for divorce, this time while in Paris, in December 1924  Arbuckle married Doris Deane on May 16, 1925 Arbuckle tried returning to filmmaking, but industry resistance to distributing his pictures continued to linger after his acquittal  He retreated into alcoholism  In the words of his first wife, "Roscoe only seemed to find solace and comfort in a bottle"  Keaton attempted to help Arbuckle by giving him work on his films  Arbuckle wrote the story for a Keaton short called Day Dreams (1922)  Arbuckle allegedly co-directed scenes in Keaton's Sherlock Jr  (1924), but it is unclear how much of this footage remained in the film's final cut  In 1925, Carter DeHaven's short Character Studies, shot before the scandal, was released  Arbuckle appeared alongside Keaton, Harold Lloyd, Rudolph Valentino, Douglas Fairbanks, and Jackie Coogan  The same year, in Photoplay's August issue, James R  Quirk wrote: "I would like to see Roscoe Arbuckle make a comeback to the screen " He also said: "The American nation prides itself upon its spirit of fair play  We like the whole world to look upon America as the place where every man gets a square deal  Are you sure Roscoe Arbuckle is getting one today? I'm not "

William Goodrich pseudonym
Eventually, Arbuckle worked as a director under the pseudonym "William Goodrich"  Author David Yallop cites Arbuckle's father's full name as William Goodrich Arbuckle as the inspiration behind the alias  Another tale credits Keaton, an inveterate punster, with suggesting that Arbuckle become a director under the alias "Will B  Good"  The pun being too obvious, Arbuckle adopted the more formal pseudonym "William Goodrich"  Keaton himself told this story during a recorded interview with Kevin Brownlow in the 1960s Between 1924 and 1932, Arbuckle directed a number of comedy shorts under the pseudonym for Educational Pictures, which featured lesser-known comics of the day  Louise Brooks, who played the ingenue in Windy Riley Goes Hollywood (1931), told Brownlow of her experiences in working with Arbuckle:

He made no attempt to direct this picture  He just sat in his director's chair like a dead man  He had been very nice and sweetly dead ever since the scandal that ruined his career  But it was such an amazing thing for me to come in to make this broken-down picture, and to find my director was the great Roscoe Arbuckle  Oh, I thought he was magnificent in films  He was a wonderful dancer—a wonderful ballroom dancer, in his heyday  It was like floating in the arms of a huge doughnut—really delightful 
Among the more visible directorial projects under the Goodrich pseudonym was the Eddie Cantor feature Special Delivery (1927), which was released by Paramount and co-starred William Powell and Jobyna Ralston  His highest-profile project was arguably The Red Mill, also released in 1927, a Marion Davies vehicle 

Roscoe Arbuckle's Plantation Café
Arbuckle and Dan Coombs, one of Culver City's first mayors, re-opened the Plantation Club near the Metro-Goldwyn-Mayer studios on Washington Boulevard as Roscoe Arbuckle's Plantation Café on August 2, 1928  By 1930, Arbuckle sold his interest and it became known as George Olsen's Plantation Café, later The Plantation Trailer Court and then Foreman Phillips County Barn Dance 

Second divorce and third marriage
In 1929, Doris Deane sued for divorce from Arbuckle in Los Angeles, charging desertion and cruelty  On June 21, 1932, Roscoe married Addie Oakley Dukes McPhail (later Addie Oakley Sheldon, 1905–2003) in Erie, Pennsylvania 

Brief comeback and death
In 1932, Arbuckle signed a contract with Warner Bros  to star under his own name in a series of six two-reel comedies, to be filmed at the Vitaphone studios in Brooklyn, New York  These six short films constitute the only recordings of Arbuckle's voice  Silent-film comedian Al St  John (Arbuckle's nephew) and actors Lionel Stander and Shemp Howard appeared with Arbuckle  One of the films (How've You Bean?) had grocery-store gags reminiscent of Arbuckle's 1917 short The Butcher Boy, with vaudeville comic Fritz Hubert as his assistant, dressed like Buster Keaton  The Vitaphone shorts were very successful in America, although when Warner Bros  attempted to release the first one (Hey, Pop!) in the United Kingdom, the British Board of Film Censors cited the ten-year-old scandal and refused to grant an exhibition certificate On June 28, 1933, Arbuckle had finished filming the last of the two-reelers (four of which had already been released)  The next day he signed a contract with Warner Bros  to star in a feature-length film  That night he went out with friends to celebrate his first wedding anniversary and the new Warner Bros  contract when he reportedly said: "This is the best day of my life " He suffered a heart attack later that night and died in his sleep  He was 46  His widow Addie requested that his body be cremated, as that was Arbuckle's wish 

Legacy
Many of Arbuckle's films, including the feature The Life of the Party (1920), survive only as worn prints with foreign-language inter-titles  As with most American films produced during the silent era, little or no effort was made to preserve original negatives and prints during Hollywood's first two decades, making most films that included him  lost media or lost films  However, it is likely that due to the reputation Arbuckle received around the rape and death of Virginia Rappe, that many studios wished to avoid any negative backlash and purposely destroyed any surviving films which he had a starring role in 
 By the early 21st century, some of Arbuckle's short subjects (particularly those co-starring Chaplin or Keaton) had been restored, released on DVD, and even screened theatrically  His early influence on American slapstick comedy is widely recognised For his contributions to the film industry, in 1960, some 27 years after his death, Arbuckle was awarded a star on the Hollywood Walk of Fame located at 6701 Hollywood Boulevard 

In popular culture
Neil Sedaka refers to Arbuckle, along with Charlie Chaplin, Buster Keaton, Stan Laurel, and Oliver Hardy in his 1971 song "Silent Movies", as heard on his Emergence album The James Ivory film The Wild Party (1975) has been repeatedly but incorrectly cited as a film dramatization of the Arbuckle–Rappe scandal  In fact it is loosely based on the 1926 poem by Joseph Moncure March  In this film, James Coco portrays a heavy-set silent film comedian named Jolly Grimm whose career is on the skids, but who is desperately planning a comeback  Raquel Welch portrays his mistress, who ultimately goads him into shooting her  This film was loosely based on the misconceptions surrounding the Arbuckle scandal, yet it bears almost no resemblance to the documented facts of the case In Ken Russell's 1977 biopic Valentino, Rudolph Nureyev as a pre-movie star Rudolph Valentino dances in a nightclub before a grossly overweight, obnoxious, and hedonistic celebrity called "Mr  Fatty" (played by William Hootkins), a caricature of Arbuckle rooted in the public view of him created in popular press coverage of the Rappe rape trial  In the scene, Valentino picks up starlet Jean Acker (played by Carol Kane) off a table in which she is sitting in front of Fatty and dances with her, enraging the spoiled star, who becomes apoplectic Before his death in 1997, comedian Chris Farley expressed interest in starring as Arbuckle in a biography film  According to the 2008 biography The Chris Farley Show: A Biography in Three Acts, Farley and screenwriter David Mamet agreed to work together on what would have been Farley's first dramatic role  In 2007, director Kevin Connor planned a film, The Life of the Party, based on Arbuckle's life  It was to star Chris Kattan and Preston Lacy  However, the project was shelved  Like Farley, comedians John Belushi and John Candy also considered playing Arbuckle, but each of them died before a biopic was made  Farley's film was signed with Vince Vaughn as his co-star In April and May 2006, the Museum of Modern Art in New York City mounted a 56-film, month-long retrospective of all of Arbuckle's known surviving work, running the entire series twice Arbuckle is the subject of a 2004 novel titled I, Fatty by author Jerry Stahl  The Day the Laughter Stopped by David Yallop and Frame-Up! The Untold Story of Roscoe "Fatty" Arbuckle by Andy Edmonds are other books on Arbuckle's life  The 1963 novel Scandal in Eden by Garet Rogers is a fictionalized version of the Arbuckle scandal Fatty Arbuckle's was an American-themed restaurant chain in the UK named after Arbuckle The 2009 novel Devil's Garden is based on the Arbuckle trials  The main character in the story is Dashiell Hammett, a Pinkerton detective in San Francisco at the time of the trials NOFX's 2012 album Self Entitled has a song called "I, Fatty" about Arbuckle The 2021 French graphic novel Fatty : le premier roi d'Hollywood, by Nadar and Julien Frey, portrays the period from Arbuckle's early days in Hollywood to his death 

Filmography
See also
List of actors with Hollywood Walk of Fame motion picture stars
List of American comedy films

Notes
Passage 6:
Special Delivery (1927 film)
Special Delivery is a 1927 American silent comedy film directed by Roscoe Arbuckle starring Eddie Cantor, Jobyna Ralston and William Powell  It was written by Cantor, John F  Goodrich, and George Marion Jr  (with Larry Semon, uncredited)  It was released by Paramount Pictures  The film's copyright was renewed in 1954, so it entered the public domain in the United States on January 1, 2023 

Plot
Eddie, a mailman, is in love with waitress Madge but finds amongst his rivals for her affections the dishonest promoter Harold Jones  Eddie, who cannot dance, impresses Madge at the postal ball by his energetic performance of the Black Bottom after a piece of ice falls down his shirt and wins a cup  He eventually unmasks Harold as a crooked swindler 

Cast
Eddie Cantor as Eddie, The Mail Carrier
Jobyna Ralston as Madge, The Girl
William Powell as Harold Jones
Donald Keith as Harrigan, The Fireman
Jack Dougherty as Flannigan, a cop
Victor Potel as Nip, a detective
Paul Kelly as Tuck, another detective
Mary Carr as The Mother
Marilyn Cantor Baker as Extra (uncredited) (as Marilyn Cantor)
Marjorie Cantor as Extra (uncredited)
Tiny Doll as Baby on Eddie's Route (uncredited)
Robert Livingston as Extra at Postal Ball (uncredited)
Natalie Cantor Metzger as Extra (uncredited) (as Natalie Cantor)
Spec O'Donnell as Office Boy (uncredited)

See also
Fatty Arbuckle filmography
Passage 7:
Mario Camus
Mario Camus García (20 April 1935 – 18 September 2021) was a Spanish film director and screenwriter  He won the  Golden Bear at the 33rd Berlin International Film Festival with La colmena  His 1987 film The House of Bernarda Alba was screened in the Un Certain Regard section at the 1987 Cannes Film Festival and in the main competition at the 15th Moscow International Film Festival  His 1993 film Shadows in a Conflict was entered into the 18th Moscow International Film Festival 

Filmography
Passage 8:
Special Delivery (1955 film)
Special Delivery (German: Vom Himmel gefallen) is a 1955 American–West German comedy film, directed by John Brahm  It stars Joseph Cotten and Eva Bartok  Special Delivery was filmed simultaneously in an English- and German-language version 

Plot
Somewhere behind the Iron Curtain, mid 1950s  John Adams is a US embassy chargé d'affaires in a communist country in Eastern Europe  One day he has to deal with a very special case: in the front yard of the embassy, a baby has been laid down, as if it had "fallen from heaven"! Nobody knows how it got there, nobody saw the person who put it there  A found object in the front yard of the embassy is not all that unusual, because many a person persecuted by the regime has thrown something over the embassy fence so that it does not fall into the hands of the communist cultural barbarians  For the embassy, with its six exclusively male employees, the baby poses a serious problem: what to do? The government of the Eastern European country immediately demands the extradition of the young "citizen" and immediately sends a stubborn state representative, Comrade Kovacs  Adams, on the other hand, decides to stonewall and not hand the baby over to the communists  In order to ensure the care of the little one, who is simply called Sam after Uncle Sam, the host country also provides its own nanny  Sonja Novaswobida, as she is called, is also supposed to collect further information on site on behalf of her government 
Due to mutual distrust, the men's relationships with the Eastern European state employee initially ranged from difficult to cold, especially since Kovacs turned out to be a particularly tough opponent for Ambassador Adams  He insists on returning the baby to the country as a kind of public property  Adams, however, wants to hand over just that, and instead, with some ironic ulterior motive, gives Adams another find that someone had thrown over the embassy's bridle: a supposedly ingenious, modern musical score that Kovacs plays the piano reluctantly at first, but then enthusiastically after realizing it must, how little the Americans can do with such modern music  Trust in one another begins to develop slowly  Tensions between the two governments are only resolved when the little one's parents are located  They are Olaf, the embassy's Swedish cook, and a woman from the host country who used to work here  Ambassador Adams now ensures in no time at all that marriage papers are issued to the parents, so that the toddler is considered a Swedish citizen and can leave the communist country with the parents in the direction of freedom  Adams' relationship with Sonja also soon goes beyond the purely official: both eventually become a couple 

Cast
Joseph Cotten as John Adams
Eva Bartok as Sonja
Bob Cunningham as Captain Heinikan
René Deltgen as Kovak
Gert Fröbe as Olaf
Bruni Löbel as Lila
Ursula Herking as Madame Debrov

Production
It was filmed simultaneously in English- and German-language versions 

See also
1955 in film
List of comedy films of the 1950s
List of German films 1945–1959
Passage 9:
Sepideh Farsi
Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director 

Early years
Farsi left Iran in 1984 and went to Paris to study mathematics   However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films  A main theme of her works is identity  She still visits Tehran each year 

Awards/Recognition
Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009  She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D  Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT" 

Recent News
One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission)   The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest   It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film   The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”   The  dialogue is in Persian with English and Arabic subtitles  In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival 

Filmography
Red Rose (2014)
Cloudy Greece (2013)
Zire Âb / The house under the water (2010)
Tehran bedoune mojavez / Tehran without permission (2009)
If it were Icarus (2008)
Harat (2007)
Negah / The Gaze (2006)
Khab-e khak / Dreams of Dust (2003)
Safar-e Maryam / The journey of Maryam (2002)
Mardan-e Atash / Men of Fire (2001)
Homi D  Sethna, filmmaker (2000)
Donya khaneye man ast / The world is my home (1999)
Khabe Âb / Water dreams (1997)
Bâd-e shomal / Northwind (1993)
Passage 10:
Special Delivery (2002 film)
Special Delivery (French: C'est le bouquet !) is a 2002 French comedy film directed by Jeanne Labrune 

Cast
Sandrine Kiberlain - Catherine
Jean-Pierre Darroussin - Raphaël
Dominique Blanc - Edith
Mathieu Amalric - Stéphane
Jean-Claude Brialy - Robert Fresnel
Maurice Bénichou - Antoine
Hélène Lapiower - Alice
Dominique Besnehard - Laurent
Richard Debuisne - Emmanuel Kirsch
Gisèle Casadesus - The lady
Didier Bezace - The theater director
László Szabó - The guardian
Lise Lamétrie - The maid



ground_truth: Blue Blood And Red

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director born later, The Wind'S Fierce or Special Delivery (1927 Film)?

The following are given passages.
Context 4: 

Early life
His father was Hashim ibn 'Abd Manaf,: 81  the progenitor of the distinguished Banu Hashim, a clan of the Quraysh tribe of Mecca  They claimed descent from Ismā'īl and Ibrāhīm  His mother was Salma bint Amr, from the Banu Najjar, a clan of the Khazraj tribe in Yathrib (later called Madinah)  Hashim died while doing business in Gaza, before Abd al-Muttalib was born : 81 His real name was "Shaiba" meaning 'the ancient one' or 'white-haired' because of the streak of white through his jet-black hair, and is sometimes also called Shaybah al-Ḥamd ("The white streak of praise") : 81–82  After his father's death he was raised in Yathrib with his mother and her family until about the age of eight, when his uncle Muttalib ibn Abd Manaf went to see him and asked his mother Salmah to entrust Shaybah to his care  Salmah was unwilling to let her son go and Shaiba refused to leave his mother without her consent  Muṭṭalib then pointed out that the possibilities Yathrib had to offer were incomparable to Mecca  Salmah was impressed with his arguments, so she agreed to let him go  Upon first arriving in Mecca, the people assumed the unknown child was Muttalib's servant and started calling him 'Abd al-Muttalib ("servant of Muttalib") : 85–86

Chieftain of Hashim clan
When Muṭṭalib died, Shaiba succeeded him as the chief of the Hāshim clan  Following his uncle Al-Muṭṭalib, he took over the duties of providing the pilgrims with food and water, and carried on the practices of his forefathers with his people  He attained such eminence as none of his forefathers enjoyed; his people loved him and his reputation was great among them : 61 
'Umar ibn Al-Khaṭṭāb's grandfather Nufayl ibn Abdul Uzza arbitrated in a dispute between 'Abdul-Muṭṭalib and Ḥarb ibn Umayyah, Abu Sufyan's father, over the custodianship of the Kaaba  Nufayl gave his verdict in favour of 'Abdul-Muṭṭalib  Addressing Ḥarb ibn Umayyah, he said:
Why do you pick a quarrel with a person who is taller than you in stature; more imposing than you in appearance; more refined than you in intellect; whose progeny outnumbers yours and whose generosity outshines yours in lustre? Do not, however, construe this into any disparagement of your good qualities which I highly appreciate  You are as gentle as a lamb, you are renowned throughout Arabia for the stentorian tones of your voice, and you are an asset to your tribe 

Discovery of Zam Zam Well
'Abdul-Muṭṭalib said that while sleeping in the sacred enclosure, he had dreamed he was ordered to dig at the worship place of the Quraysh between the two deities Isāf and Nā'ila  There he would find the Zamzam Well, which the Jurhum tribe had filled in when they left Mecca  The Quraysh tried to stop him digging in that spot, but his son Al-Ḥārith stood guard until they gave up their protests  After three days of digging, 'Abdul-Muṭṭalib found traces of an ancient religious well and exclaimed, "Allahuakbar!" Some of the Quraysh disputed his claim to sole rights over water, then one of them suggested that they go to a female shaman who lived afar  It was said that she could summon jinns and that she could help them decide who was the owner of the well  So, 11 people from the 11 tribes went on the expedition  They had to cross the desert to meet the priestess but then they got lost  There was a lack of food and water and people started to lose hope of ever getting out  One of them suggested that they dig their own graves and if they died, the last person standing would bury the others  So all began digging their own graves and just as Abdul-Muṭṭalib started digging, water spewed out from the hole he dug and everyone became overjoyed  It was then and there decided that Abdul-Muttalib was the owner of the Zam Zam well  Thereafter he supplied pilgrims to the Kaaba with Zam Zam water, which soon eclipsed all the other wells in Mecca because it was considered sacred : 86–89 : 62–65

The Year of the Elephant
According to Muslim tradition, the Ethiopian governor of Yemen, Abrahah al-Ashram, envied the Kaaba's reverence among the Arabs and, being a Christian, he built a cathedral on Sana'a and ordered pilgrimage be made there : 21  The order was ignored and someone desecrated (some saying in the form of defecation: 696 note 35 ) the cathedral  Abrahah decided to avenge this act by demolishing the Kaaba and he advanced with an army towards Mecca : 22–23 There were thirteen elephants in Abrahah's army: 99 : 26  and the year came to be known as 'Ām al-Fīl (the Year of the Elephant), beginning a trend for reckoning the years in Arabia which was used until 'Umar ibn Al-Khaṭṭāb replaced it with the Islamic Calendar in 638 CE (17 AH), with the first year of the Islamic Calendar being 622 CE 
When news of the advance of Abrahah's army came, the Arab tribes of Quraysh, Kinānah, Khuzā'ah and Hudhayl united in defence of the Kaaba  A man from the Ḥimyar tribe was sent by Abrahah to advise them that he only wished to demolish the Kaaba and if they resisted, they would be crushed  "Abdul-Muṭṭalib told the Meccans to seek refuge in the nearest high hills while he, with some leading members of Quraysh, remained within the precincts of the Kaaba  Abrahah sent a dispatch inviting 'Abdul-Muṭṭalib to meet him and discuss matters  When 'Abdul-Muṭṭalib left the meeting he was heard saying, "The Owner of this House is its Defender, and I am sure He will save it from the attack of the adversaries and will not dishonour the servants of His House ": 24–26 It is recorded that when Abrahah's forces neared the Kaaba, Allah commanded small birds (abābīl) to destroy Abrahah's army, raining down pebbles on it from their beaks  Abrahah was seriously wounded and retreated towards Yemen but died on the way : 26–27  This event is referred to in the following Qur'anic chapter:

Have you not seen how your Lord dealt with the owners of the Elephant?
Did He not make their treacherous plan go astray?

And He sent against them birds in flocks, striking them with stones of baked clay, so He rendered them like straw eaten up 
Most Islamic sources place the event around the year that Muhammad was born, 570 CE, though other scholars place it one or two decades earlier  A tradition attributed to Ibn Shihab al-Zuhri in the musannaf of ʽAbd al-Razzaq al-Sanʽani places it before the birth of Muhammad's father 

Sacrificing his son Abdullah
Al-Harith was 'Abdul-Muṭṭalib's only son at the time he dug the Zamzam Well : 64  When the Quraysh tried to help him in the digging, he vowed that if he were to have ten sons to protect him, he would sacrifice one of them to Allah at the Kaaba  Later, after nine more sons had been born to him, he told them he must keep the vow  The divination arrows fell upon his favourite son Abdullah  The Quraysh protested 'Abdul-Muṭṭalib's intention to sacrifice his son and demanded that he sacrifice something else instead  'Abdul-Muṭṭalib agreed to consult a "sorceress with a familiar spirit"  She told him to cast lots between Abdullah and ten camels  If Abdullah were chosen, he had to add ten more camels, and keep on doing the same until his Lord accepted the camels in Abdullah's place  When the number of camels reached 100, the lot fell on the camels  'Abdul-Muṭṭalib confirmed this by repeating the test three times  Then the camels were sacrificed, and Abdullah was spared : 66–68

Family
Wives
Abd al-Muttalib had six known wives 

Sumra bint Jundab of the Hawazin tribe 
Lubnā bint Hājar of the Khuza'a tribe 
Fatima bint Amr of the Makhzum clan of the Quraysh tribe 
Halah bint Wuhayb of the Zuhrah clan of the Quraysh tribe 
Natīla bint Janab of the Namir tribe 
Mumanna'a bint Amr of the Khuza'a tribe 

Children
According to Ibn Hisham, ʿAbd al-Muṭṭalib had ten sons and six daughters : 707–708 note 97  However, Ibn Sa'd lists twelve sons : 99–101 By Sumra bint Jundab:

Al-Ḥārith : 708  He was the firstborn and he died before his father : 99 
Quthum : 100  He is not listed by Ibn Hisham By Fatima bint Amr:

Al-Zubayr : 707  He was a poet and a chief; his father made a will in his favour : 99  He died before Islam, leaving two sons and daughters : 101 : 34–35 
Abu Talib, born as Abd Manaf,: 99 : 707  father of the future Caliph Ali  He later became chief of the Hashim clan 
Abdullah, the father of Muhammad : 99 : 707 
Umm Hakim al-Bayda,: 100 : 707  the maternal grandmother of the third Caliph Uthman : 32 
Barra,: 100 : 707  the mother of Abu Salama : 33 
Arwa : 100 : 707 
Atika,: 100 : 707  a wife of Abu Umayya ibn al-Mughira : 31 
Umayma,: 100 : 707  the mother of Zaynab bint Jahsh and Abd Allah ibn Jahsh : 33 By Lubnā bint Hājar:

Abd al-'Uzzā, better known as Abū Lahab : 100 : 708 By Halah bint Wuhayb:

Ḥamza,: 707  the first big leader of Islam  He killed many leaders of the kufar and was considered as the strongest man of the quraysh  He was martyred at Uhud : 100 
Ṣafīyya : 100 : 707 
Al-Muqawwim : 707  He married Qilaba bint Amr ibn Ju'ana ibn Sa'd al-Sahmia, and had children named Abd Allah, Bakr, Hind, Arwa, and Umm Amr (Qutayla or Amra) 
Hajl : 707  He married Umm Murra bint Abi Qays ibn Abd Wud, and had two sons, named Abd Allah, Ubayd Allah, and three daughters named Murra, Rabi'a, and Fakhita By Natīlah bint Khubāb:

al-'Abbas,: 100 : 707  ancestor of the Abbasid caliphs 
Ḍirār,: 707  who died before Islam : 100 
Jahl, died before Islam
Imran, died before IslamBy Mumanna'a bint 'Amr:

Mus'ab, who, according to Ibn Saad, was the one known as al-Ghaydāq : 100  He is not listed by Ibn Hisham 
Al-Ghaydaq, died before Islam 
Abd al-Ka'ba, died before Islam : 100 
Al-Mughira,: 100  who had the byname al-Ghaydaq 

The family tree and some of his important descendants
Death
Abdul Muttalib's son 'Abdullāh died four months before Muḥammad's birth, after which Abdul Muttalib took care of his daughter-in-law Āminah  One day Muhammad's mother, Amina, wanted to go to Yathrib, where her husband, Abdullah, died  So, Muhammad, Amina, Abd al-Muttalib and their caretaker, Umm Ayman started their journey to Medina, which is around 500 kilometres away from Makkah  They stayed there for three weeks, then, started their journey back to Mecca  But, when they reached halfway, at Al-Abwa', Amina became very sick and died six years after her husband's death  She was buried over there  From then, Muhammad became an orphan  Abd al-Muttalib became very sad for Muhammad because he loved him so much  Abd al-Muttalib took care of Muhammad  But when Muhammad was eight years old, the very old Abd al-Muttalib became very sick and died at age 81-82 in 578-579 CE 
Shaybah ibn Hāshim's grave can be found in the Jannat al-Mu'allā cemetery in Makkah, Saudi Arabia 

See also
Family tree of Muhammad
Family tree of Shaiba ibn Hashim
Sahaba



ground_truth: The Wind'S Fierce