prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director born later, From Corleone To Brooklyn or Durango Valley Raiders?

The following are given passages.
Context 1: Passage 1:
Sam Newfield
Sam Newfield, born Samuel Neufeld (December 6, 1899 – November 10, 1964), also known as Sherman Scott or Peter Stewart, was an American B-movie director, one of the most prolific in American film history—he is credited with directing over 250 feature films in a career which began during the silent era and ended in 1958  In addition to his staggering feature output, he also directed one -and two-reel comedy shorts, training films, industrial films, TV episodes and pretty much anything anyone would pay him for  Because of this massive output—he would sometimes direct more than 20 films in a single year—he has been called the most prolific director of the sound era Many of Newfield's films were made for PRC Pictures  This was a film production company headed by his brother Sigmund Neufeld  The films PRC produced were low-budget productions, the majority being westerns, with an occasional horror film or crime drama 

Family and education
Newfield completed one year of high school, according to the 1940 US census  Brother Morris Neufeld was a stage actor, according to the 1930 US census 

Pseudonyms
Sam Newfield was credited as Sherman Scott and Peter Stewart on a number of films he made for PRC  He used these names in order to hide the fact that one person was responsible for so many of PRC's films 

Partial filmography
Partial filmography is listed below for the different names he used 

Film statistics
Between 1923 and 1930 Newfield directed over 50 comedies  Feature films statistics per year, starting with 1933, are summarised in the following table 

See also
Fred Olen Ray, another B movie director who has used many of these pseudonyms
Passage 2:
Durango Valley Raiders
Durango Valley Raiders is a 1938 American Western film directed by Sam Newfield and written by George H  Plympton  The film stars Bob Steele, Louise Stanley, Karl Hackett, Ted Adams, Forrest Taylor and Steve Clark  The film was released on August 22, 1938, by Republic Pictures 

Plot
Durango Valley is controlled by Shadow and his gang  The Sheriff while investigating a killing, arrests ranch worker Keene Cordner, with some help Keene gets out of jail and hides out, but will now become an actual bandit, in the hopes of catching Shadow 

Cast
Bob Steele as Keene Cordner
Louise Stanley as Betty McKay
Karl Hackett as John McKay
Ted Adams as Lobo
Forrest Taylor as Sheriff Devlin
Steve Clark as Boone Cordner
Horace Murphy as Matt Tanner
Jack Ingram as Deputy Slade
Passage 3:
W  Augustus Barratt
W  Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician 

Early life and songs
Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley  In 1893 he won a scholarship for composition to the Royal College of Music 
In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements 
By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover 
He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree  He co-composed with Howard Talbot the successful Kitty Grey (1900) He continued to write songs and to receive recognition for them  The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald 
His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times  It also appeared four times, with different singers, in the 1913 and 1914 Proms 

America
In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:

on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
musical director of The Little Michus (1907), also featuring songs by Barratt;
co-composer of Miss Pocahontas (1907), a musical comedy;
musical director of The Love Cure (1909–1910), a musical romance;
composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst  Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;
musical director of The Quaker Girl (1911–1912);
co-composer and musical director of My Best Girl (1912);
musical director of The Sunshine Girl (1913);
musical director of The Girl who Smiles (1915), a musical comedy;
musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
contributor of a song to The Passing Show of 1918;
composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;
contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
musical director of What's in a Name? (1920), a musical revue

1921 in London
Though domiciled in the US, he made several visits back to England  During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B  Cochran, namely

League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;
Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics

Back to Broadway
Back in the US he returned to Broadway, working as
composer and lyricist of Jack and Jill (1923), a musical comedy;
musical director of The Silver Swan (1929), a musical romance

Radio plays
In later years he wrote plays and operettas mostly for radio, such as:

Snapshots: a radioperetta (1929)
Sushannah and the Brush Wielders: a play in 1 act (1929)
The Magic Voice: a radio series (1933)
Men of Action: a series of radio sketches (1933)
Say, Uncle: a radio series (1933)
Sealed Orders: a radio drama (1934)
Sergeant Gabriel (with Hugh Abercrombie) (1945)

Personal
In 1897 in London he married Lizzie May Stoner  They had one son  In 1904 he emigrated to the US and lived in New York City  His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American  In 1924, he became a naturalized American citizen  He died on 12 April 1947 in New York City 

Note on his first name
The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake  For professional purposes up to about 1900 he appears to have written as "W  Augustus Barratt", and thereafter mostly as simply "Augustus Barratt" 
Passage 4:
Claude Weisz
Claude Weisz is a French film director born in Paris 

Filmography
Feature films
Une saison dans la vie d'Emmanuel (1972) with Germaine Montéro, Lucien Raimbourg, Florence Giorgetti, Jean-François Delacour, Hélène Darche, Manuel Pinto, etc Festival de Cannes 1973 - Quinzaine des réalisateurs
Jury Prize: Festival Jeune Cinéma 1973

La Chanson du mal aimé (1981) with Rufus, Daniel Mesguich, Christine Boisson, Věra Galatíková, Mark Burns, Philippe Clévenot, Dominique Pinon, Madelon Violla, Paloma Matta, Béatrice Bruno, Catherine Belkhodja, Véronique Leblanc, Philippe Avron, Albert Delpy, etc Festival de Cannes 1982 - Perspectives du cinéma français
Competition selections: Valencia, Valladolid, Istanbul, Montréal

On l'appelait    le Roi Laid (1987) with Yilmaz Güney (mockumentary)Valencia Festival 1988 - Grand Prix for documentaries "Laurel Wreath"
Competition selections: Rotterdam, Valladolid, Strasbourg, Nyon, Cannes, Lyon, Cairo

Paula et Paulette, ma mère (2005) Documentary - Straight to DVD

Short and mid-length
La Grande Grève (1963 - Co-directed CAS collective, IDHEC)
L'Inconnue (1966 - with Paloma Matta and Gérard Blain - Prix CNC Hyères, Sidney)
Un village au Québec
Montréal
Deux aspects du Canada (1969)
La Hongrie, vers quel socialisme ? (1975 - Nominated for best documentary - Césars 1976)
Tibor Déry, portrait d'un écrivain hongrois (1977)
L'huître boudeuse
Ancienne maison Godin ou le familistère de Guise (1977)
Passementiers et Rubaniers
Le quinzième mois
C'était la dernière année de ma vie (1984 - FIPRESCI Prize- Festival Oberhausen 1985 - Nomination - Césars 1986)
Nous aimons tant le cinéma (Film of the European year of cinema - Delphes 1988)
Participation jusqu'en 1978 à la réalisation de films "militants"

Television
Series of seven dramas in German
Numerous documentary and docu-soap type films (TVS CNDP)
Initiation à la vie économique (TV series - RTS promotion)
Contemplatives    et femmes (TF1 - 1976)
Suzel Sabatier (FR3)
Un autre Or Noir (FR3)
Vivre en Géorgie
Portrait d'une génération pour l'an 2000 (France 5 - 2000)
Femmes de peine, femmes de coeur (FR3 - 2003)

Television documentaries
La porte de Sarp est ouverte (1998)
Une histoire balbynienne (2002)
Tamara, une vie de Moscou à Port-au-Prince (unfinished)
Hana et Khaman (unfinished)
En compagnie d'Albert Memmi (unfinished)
Le Lucernaire, une passion de théâtre
Les quatre saisons de la Taillade ou une ferme l'autre
Histoire du peuple kurde (in development)
Les kurdes de Bourg-Lastic (2008)
Réalisation de films institutionnels et industriels
Passage 5:
Eugenio Alabiso
Eugenio Alabiso (born 30 July 1937) is an Italian film editor 
He edited The Good, the Bad and the Ugly (1966)He edited The Case of the Scorpion's Tail (1971), Silent Action (1975), and The Scorpion with Two Tails (1982), directed by Sergio Martino, and Face to Face (1967), directed by Sergio Sollima  He worked in crime films like Long Lasting Days (1973), Almost Human (1974), Manhunt in the City (1975), and From Corleone to Brooklyn (1979), directed by Umberto Lenzi 

Filmography
Films
Television series
Passage 6:
Jacques Décombe
Jacques Décombe is a French author, actor and director born in 1953 

Biography
After he studied at the Conservatoire national d'art dramatique, he was the director of the shows of Les Inconnus at the request of Didier Bourdon and won the Molière Award for best comedy show  (See fr:Molière du meilleur spectacle comique) in 1991  He also directed shows by Charlotte de Turckheim, Chevallier et Laspalès, Patrick Timsit, Les Chevaliers du fiel   
Passage 7:
Sepideh Farsi
Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director 

Early years
Farsi left Iran in 1984 and went to Paris to study mathematics   However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films  A main theme of her works is identity  She still visits Tehran each year 

Awards/Recognition
Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009  She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D  Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT" 

Recent News
One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission)   The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest   It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film   The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”   The  dialogue is in Persian with English and Arabic subtitles  In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival 

Filmography
Red Rose (2014)
Cloudy Greece (2013)
Zire Âb / The house under the water (2010)
Tehran bedoune mojavez / Tehran without permission (2009)
If it were Icarus (2008)
Harat (2007)
Negah / The Gaze (2006)
Khab-e khak / Dreams of Dust (2003)
Safar-e Maryam / The journey of Maryam (2002)
Mardan-e Atash / Men of Fire (2001)
Homi D  Sethna, filmmaker (2000)
Donya khaneye man ast / The world is my home (1999)
Khabe Âb / Water dreams (1997)
Bâd-e shomal / Northwind (1993)
Passage 8:
Fred Roy Krug
Fred R  Krug is an American film and television producer-director born in Bern, Switzerland 
Passage 9:
Umberto Lenzi
Umberto Lenzi (6 August 1931 – 19 October 2017) was an Italian film director, screenwriter, and novelist 
A fan of film since young age, Lenzi studied at the Centro Sperimentale di Cinematografia and made his first film in 1958 which went unreleased, while his official debut happened in 1961 with Queen of the Seas  Lenzi's films of the 1960s followed popular trends of the era, which led to him directing several spy and erotic thriller films  He followed in suit in the 1970s making giallo films, crime films and making the first Italian cannibal film with Man from the Deep River  He continued making films up until the 1990s and later worked as a novelist writing a series of murder mysteries 

Biography
Early life
Umberto Lenzi was born on 6 August 1931 in the Massa Marittima province of Italy  Lenzi was a film enthusiast as early as grade school  While studying law, Lenzi also created film fan clubs  Lenzi eventually put off studying law and began pursuing the technical arts of filmmaking He graduated from Rome's Centro Sperimentale di Cinematografia in 1956 and made I ragazzi di Trastevere as his final exam, a short film influenced by the writings of Pier Paolo Pasolini  Lenzi also worked as a journalist for various newspapers and magazines, including Bianco e Nero and, between 1957 and 1960, penned a number of detective novels and adventure stories using a pseudonym 

1960s
Prior to his officially first credited film as a director, Queen of the Seas, Lenzi directed a film in Greece in 1958 titled Mia Italida stin Ellada, or Vacanze ad Atene, which was never released Lenzi's films of the 1960s revolved around popular genres of their respective time periods  In the early 1960s, Lenzi directed many adventure films including two features about Robin Hood (The Triumph of Robin Hood and The Invincible Masked Rider) and two films about Sandokan (Sandokan the Great (1963) and Pirates of Malaysia (1964)) By 1965, Lenzi began directing European spy films, such as 008: Operation Exterminate, followed by Super Seven Calling Cairo and The Spy Who Loved Flowers, and even adapted the fumetti neri comic character Kriminal to the screen  Lenzi then turned to making war films such as Desert Commandos and Legion of the Damned and westerns such as Pistol for a Hundred Coffins and All Out (1968) Lenzi had box office success in Italy with his erotic thrillers starring Carroll Baker such as Orgasmo, So Sweet    So Perverse and A Quiet Place to Kill which were influenced by French "film noir" movies drawing from the works of Jacques Deray and René Clément 

1970s
After the commercial success of giallo films by Dario Argento, Lenzi followed the new trend with Seven Bloodstained Orchids, which referenced both Cornell Woolrich and Edgar Wallace novels, while another giallo Knife of Ice was a variation of Robert Siodmak's The Spiral Staircase  Other gialli created by Lenzi in the early 1970s included Spasmo and Eyeball During the early 1970s, Lenzi also directed the first of the Italian cannibal films, with Man from the Deep River, a genre that he would explore again in the 1980s with Eaten Alive! and Cannibal Ferox  During the late 1970s, Lenzi devoted himself almost exclusively to crime dramas, with the exception of two war films: The Greatest Battle and From Hell to Victory (1979) 

1980s
The 1980s marked the release of films that Roberto Curti described as some of Lenzi's "most notorious"  These included Nightmare City and the previously mentioned Cannibal Ferox Lenzi also worked on horror films towards the late 1980s, such as Ghosthouse (1988) under the name Humphrey Humbert and the slasher film Nightmare Beach which was credited to Harry Kirkpatrick as Lenzi refused to sign his name to the film  Other later 1980s work included horror films made for television, such as The House of Witchraft and The House of Lost Souls  Both films were part of a series titled Le case maldette (transl  Houses of Doom) which were set up by Luciano Martino and were related by the theme of haunted houses  The films were shot but the series was not broadcast immediately  Lenzi reflected on these films saying he made them as if they were designed for theatrical release and that  the producers, his colleagues and himself did not consider that television sponsors would not accept horror films  The two television series were eventually released on VHS in 2000 in Italy and later broadcast on Italian satellite TV in 2006  In 1989, Lenzi directed the police action film Cop Target in Miami and Santo Domingo, starring Robert Ginty and Charles Napier 

Post-1980s
In 1990, using his own company and a low amount of funds, Lenzi also shot two films in Brazil in a period of three months: the horror film Black Demons, which in 1996 he considered to be his masterpiece, and the adventure film Hunt for the Golden Scorpion In 1992, he shot the adventure film Mean Tricks (also known as Hornsby and Rodriguez) starring Charles Napier, David Warbeck and David Brandon  Variety reported in 2006 that Lenzi was shooting a slasher film in Italy titled Horror Baby  The film's story was about a 15-year-old paraplegic girl who becomes a serial killer after viewing a neighbor having sex from her window Lenzi later embarked on a career as a novelist, writing a series of murder mysteries set in the 1930s and '40s Cinecittà, involving real-life characters of the Italian film industry 

Death
Lenzi died on 19 October 2017  The director was hospitalized in the Ostia district of Rome  The cause of death is unknown 

Personal life
Umberto Lenzi was married to Olga Pehar, who co-wrote some of his films Lenzi was an anarchist 

Legacy
Roberto Curti referred to Lenzi as "one of the undisputed leading figures in Italian genre cinema" and that he was "a sort of institution in Italian genre cinema " Louis Paul suggested that Lenzi released some "quite enjoyable action films in the 1960s and some good thrillers in the '70s, he never consistently excelled at any one genre" and that Lenzi would "probably be remembered most for his cannibal-themed horror films " Kim Newman discussed Lenzi in 2021, stating that the director "has been rated towards the bottom of the ranks of Italian genre craftsmen by many - me included - because of the greater availability of his pulpier, more gruesome 1980s work" noting Cannibal Ferox and Nightmare City and stated that "though a trailblazer for the little-loved jungle cannibal cycle, contributing its earliest and most gruesome entries, in general Lenzi seemed one of the coat-tail riders, turning to whatever subgenre of exploitation was selling that year   and even in that class, he's less consistently interesting and exciting than Sergio Martino " Newman did note the film Lenzi made with Carroll Baker in the late 1960s, which Newman stated "force a reassessment" on Lenzi's work 

Select filmography
See also
Cannibal boom
Centro Sperimentale di Cinematografia
Poliziotteschi
Spaghetti Nightmares
Passage 10:
From Corleone to Brooklyn
From Corleone to Brooklyn (original title: Da Corleone a Brooklyn) is an Italian poliziotteschi film directed by Umberto Lenzi  The film was released in Italy on 13 April 1979 and stars Maurizio Merli, Mario Merola and Van Johnson 

Plot
Italian police officer Giorgio Berni (Maurizio Merli) is seeking to arrest Michele Barresi (Mario Merola), who is hiding in New York under the name Vito Ferrando, for his role in the murder of Salvetore Santoro  He plans to accomplish this by having a witness to the murder, Salvetore Scalia, testify against Barresi in court as evidence that Barresi was involved in the crime  On their way from Italy to New York Berni and Scalia experience several lethal encounters with Barresi's men trying to prevent them from getting to Barresi 
Assuming that Salvetore Scalia is dead, as a result of a newspaper report put out by the police, Barresi has his sister Liana murdered so as to eliminate all witnesses to the murder of Santoro  While searching Liana's apartment, police find a plane ticket for New York  While leaving Liana's apartment a shootout breaks out between Barresi's men and Berni, resulting in the death of Giuseppe Caruso, and revealing that Salvetore Scalia is alive  In order to secure a safe hiding spot for Scalia, Berni takes him to the house of his ex-wife, Paola  After leaving Paola's house another firefight ensues with Barresi's men  Poala, Berni, and Scalia then stay in a hotel for the night  As they head to the airport the following day, the road is blocked by Barresi's men, where Berni commands Paola to speed through their barrier  From here, Berni and Scalia take a plane to New York 
According to plan Scalia and Berni take refuge in a hotel the evening before they plan to testify against Barresi  After realizing that the man guarding the door is missing, Berni must take Scalia somewhere else to hide  He takes him to Joe's Restaurant and Pizzeria, where the head of the restaurant, Luigi, allows them to hide in his apartment upstairs  Meanwhile, two of Barresi's men enter the restaurant aiming to murder Berni and Scalia  However, a group of robbers enter immediately after, prompting Barresi's men to engage in shootout with the robbers, then flee the scene  Berni and Scalia exit Joe's Restaurant to track down the two men who left the restaurant, but are instead ambushed by a street gang  Police arrive to the scene of the ambush, where they arrest Berni and Scalia after receiving a report of two dangerous men, one armed, in the area  They do not initially believe that Berni is an Italian police officer  After Berni convinces them to take him to Lieutenant Sturges, who is sitting on the court case of Barresi, Berni and Scalia are free to begin their testimony against Barresi  When Scalia takes the stand to testify against Barresi, however, he claims that he does not know the man and has never seen him in his life, causing the judge to order Barresi to be set free 
Outside the court house, Scalia is shot dead by a gunman on the roof, revealed to be a clerk working at the hotel in which Berni and Scalia stayed when they first arrived in New York  The film ends with Berni searching Scalia's jacket pockets and finding a note stating that, if he were to die, let it be known that the man who goes by Vito Ferrando is actually Michele Barresi, providing Berni with the evidence he needs to bring Barresi down 

Cast
Maurizio Merli as Commissioner Giorgio Berni
Mario Merola as Michele Barresi
Biagio Pelligra as  Salvatore Scalia
Laura Belli as Paola
Van Johnson as Lt  Sturges
Venantino Venantini as Commissioner Danova
Sonia Viviani as Liana Scalia
Salvatore Billa as Giuseppe Caruso
Luca Barbareschi as Policeman

Release
From Corleone to Brooklyn was released theatrically in Italy on 13 April 1979, distributed by Variety Film  The film grossed 398 6 million Italian lira 

See also
List of Italian films of 1979
Context 2: Passage 1:
The Secret Invasion
The Secret Invasion is a 1964 American war film directed by Roger Corman  It stars Stewart Granger, Raf Vallone, Mickey Rooney, Edd Byrnes, Henry Silva, Mia Massini, and William Campbell  Appearing three years before The Dirty Dozen (1967), the film features a similar World War II mission where convicts are recruited by the Allies for an extremely hazardous operation behind enemy lines 

Plot
In 1943, British Intelligence in Cairo recruits Italian  criminal mastermind Roberto Rocca, demolitions expert and Irish Republican Army member Terence Scanlon, forger Simon Fell, cold-blooded assassin John Durrell, and thief and impersonator Jean Saval for a dangerous mission  The men are offered pardons in exchange for attempting to rescue an Italian general sympathetic to the Allies who is imprisoned in German-occupied Yugoslavia  The group is led by Major Richard Mace, who is trying to expiate his feelings of guilt for sending his own brother on a dangerous mission and waiting too long to extricate him  The fishing boat transporting Mace's team is stopped by a patrol boat, but they dispose of the Germans 
With the assistance of local partisans led by Marko, they split up and enter Dubrovnik  Durrell is partnered with Mila, a recent widow with a baby  They are attracted to each other, but Durrell becomes extremely distraught when he accidentally smothers her crying child to avoid detection by a German patrol  The team is captured and taken to the same fortress where the Italian general is being kept  They are tortured for information, but manage to escape and fulfill their mission, although Mace, Mila, Fell, Scanlon, and Saval are killed while fending off German troops 
At the last minute, Rocca and Durrell discover that the man they have freed is an impostor, and he is about to exhort "his" troops to stay loyal to the Axis  Durrell pretends to be a Nazi fanatic and shoots the fake general; he is killed by the outraged Italians  Rocca, the last man standing, directs the Italians' anger to the Germans 

Cast
Production
After turning out a treatment based on the locale of Dubrovnik, Roger Corman teamed with screenwriter R  Wright Campbell who had a project, Dubious Patriots about a wartime mission involving convicts  The script was taken over by producer David V  Picker at United Artists, who was able to leverage the screenplay into a well-financed studio production  With a budget of $600,000, more than twice more than he had for his earlier independently-funded features, Corman was able to start production in between his Edgar Allan Poe adaptations, The Masque of the Red Death and The Tomb of Ligeia (1964) The original cast was Mickey Rooney, Raf Vallone, Edd Byrnes and Bobby Darin  Brendan Behan was to be adviser for scenes set at Borstal Prison  It was Byrnes first role after his contract with Warner Bros ended In August 1963 it was announced that Darin had pulled out of the film on the orders of his doctor, and he was replaced by Henry Silva  Also that month Stewart Granger signed to star Principal photography under the working title of Dubious Patriots took place on location in Dubrovnik and other parts of Yugoslavia in the summer of 1963 for a typically short Corman shooting schedule of 36 days  With the assistance of the Yugoslavian government, a large number of military personnel and equipment were offered, but an earthquake threatened to delay the production when troops were siphoned off to help in the relief effort Corman's problems extended to not only wrangling military extras, but also to dealing with the emotions of a star like Stewart Granger "stooping" to make a "B film" and worrying that his role was not as prominent as the others in the ensemble cast  At one point, Corman actually rewrote his part "on the spot" so that Granger had more lines than Edd Byrnes, his co-star, who was a current popular television star The production was photographed in Panavision with Eastmancolor film (Gene Corman later reused the title The Dubious Patriots for another film he made with Tony Curtis and Charles Bronson )

Reception
In a contemporary review of The Secret Invasion, The New York Times film reviewer Howard Thompson saw some positives in what was basically a "programmer": 

    a rather surprising amount of brisk muscularity and panoramic color, if not always credibility  The casting of this United Artists release, which arrived at the Criterion and other houses, may make some customers blink and wait for the worst     But they, and the picture, do pretty well, considering 

In Brassey's Guide to War Films, film historian Alun Evans considered the production exemplified Corman's ability to "    create something out of nothing " He also noted that The Secret Invasion has some notoriety as  "    the  sawn-off antecedent of The Dirty Dozen "

See also
List of American films of 1964
Five Guns West, an earlier Roger Corman movie of essentially the same plot
Passage 2:
Ryoichi Hattori (politician)
Ryoichi Hattori (服部良一, Hattori Ryoichi, born February 24, 1950) is a Japanese politician of the Social Democratic Party  He was born in Yame city in Fukuoka prefecture  He entered Kyoto University in 1969 before leaving part-way through his degree and moving to Osaka to work, where he became active with the trade union movement 
In the House of Councillors 2007 election he ran for the House of Councillors in Osaka, but was defeated  He became the private secretary of Tokushin Yamauchi, an SDP member of the House of Councillors 
In the 2009 general election he was elected as the House of Representatives member representing the Kinki block 
Passage 3:
Edward Yates
Edward J  Yates (September 16, 1918 – June 2, 2006) was an American television director who was the director of the ABC television program American Bandstand from 1952 until 1969 

Biography
Yates became a still photographer after graduating from high school in 1936  After serving in World War II, he became employed by Philadelphia's WFIL-TV as a boom microphone operator  He was later promoted to cameraman (important as most programming was done live and local during the early years of television) and earned a bachelor's degree in communications in 1950 from the University of Pennsylvania 
In October 1952, Yates volunteered to direct Bandstand, a new concept featuring local teens dancing to the latest hits patterned after the "950 Club" on WPEN-AM  The show debuted with Bob Horn as host and took off after Dick Clark, already a radio veteran at age 26, took over in 1956 
It was broadcast live in its early years, even after it became part of the ABC network's weekday afternoon lineup in 1957 as American Bandstand  Yates pulled records, directed the cameras, queued the commercials and communicated with Clark via a private line telephone located on his podium 
In 1964, Clark moved the show to Los Angeles, taking Yates with him 
Yates retired from American Bandstand in 1969, and moved his family to the Philadelphia suburb of West Chester 
He died in 2006 at a nursing home where he had been for the last two months of his life 

External links
Edward Yates at IMDb
Passage 4:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 5:
Roger Corman
Roger William Corman (born April 5, 1926) is an American film director, producer, and actor  Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he is known as a trailblazer in the world of independent film  Many of Corman's films are based on works that have an already-established critical reputation, such as his cycle of low-budget cult films adapted from the tales of Edgar Allan Poe In 1964, Corman—admired by members of the French New Wave and Cahiers du Cinéma—became the youngest filmmaker to have a retrospective at the Cinémathèque Française, as well as in the British Film Institute and the Museum of Modern Art  He was the co-founder of New World Pictures, the founder of New Concorde and is a longtime member of the Academy of Motion Picture Arts and Sciences  In 2009, he was awarded an Honorary Academy Award "for his rich engendering of films and filmmakers" Corman is also famous for distributing in the U S  many foreign directors, such as Federico Fellini (Italy), Ingmar Bergman (Sweden), François Truffaut (France) and Akira Kurosawa (Japan)  He mentored and gave a start to many young film directors such as Francis Ford Coppola, Ron Howard, Martin Scorsese, Jonathan Demme, Peter Bogdanovich, Joe Dante, John Sayles, and James Cameron, and was highly influential in the New Hollywood filmmaking movement of the 1960s and 1970s  He also helped to launch the careers of actors like Peter Fonda, Jack Nicholson, Dennis Hopper, Bruce Dern, Diane Ladd, and William Shatner  Corman has occasionally taken minor acting roles in the films of directors who started with him, including The Silence of the Lambs, The Godfather Part II, Apollo 13, The Manchurian Candidate, and Philadelphia A documentary about Corman's life and career entitled Corman's World: Exploits of a Hollywood Rebel, directed by Alex Stapleton, premiered at the Sundance and Cannes Film Festivals in 2011  The film's TV rights were picked up by A&E IndieFilms after a well-received screening at Sundance 

Early life
Corman was born in Detroit, Michigan, the son of Anne (née High) and William Corman, an engineer  His younger brother, Gene, produced numerous films, sometimes in collaboration with Roger  Corman and his brother were raised Catholic Corman went to Beverly Hills High School and then to Stanford University to study industrial engineering  While at Stanford, Corman realized he did not want to be an engineer  He enlisted in the V-12 Navy College Training Program with six months of study to complete  After serving in the United States Navy from 1944 to 1946, he returned to Stanford to finish his degree, receiving a Bachelor of Science in industrial engineering in 1947  While at Stanford University, Corman was initiated in the fraternity Sigma Alpha Epsilon 
In 1948, he worked briefly at U S  Electrical Motors on Slauson Avenue in Los Angeles, but his career in engineering lasted only four days; he began work on Monday and quit on Thursday, telling his boss "I've made a terrible mistake " Gene Corman was already working in the film industry as an agent, and Roger decided to go into filmmaking instead 

Early film career
Corman found work at 20th Century Fox initially in the mail room  He worked his way up to a story reader  The one property that he liked the most and provided ideas for was filmed as The Gunfighter with Gregory Peck  When Corman received no credit at all, he left Fox and decided he would work in film by himself  Under the G I  Bill, Corman studied English literature at Oxford University and lived in Paris for a time 

He then returned to Los Angeles and tried to re-establish himself in the film industry  He took various jobs, including television stagehand at KLAC and a messenger at Fox  He worked as an assistant to agent Dick Hyland, a literary agent 

Highway Dragnet
Corman wrote a script in his spare time and sold it to William F  Broidy at Allied Artists for $2,000  "Dick thought it was funny and let me pay myself a commission," said Corman  Originally called House in the Sea, it was retitled Highway Dragnet (1953) and starred Richard Conte and Joan Bennett  Corman also worked as associate producer on the film for nothing, just for the experience 

Producer
Corman used his script fee and personal contacts to raise $12,000 to produce his first feature, a science-fiction film, Monster from the Ocean Floor (1954)  It was produced by Corman's own company, Palo Alto, and released by Robert L  Lippert 
The film did well enough to encourage Corman to produce another film, the racing-car thriller The Fast and the Furious (1955), directed by its star, John Ireland, and co-starring Dorothy Malone  Decades later, producer Neal H  Moritz and Universal Pictures licensed the title for the 2001 film, The Fast and the Furious, which eventually spawned a huge franchise  Moritz had difficulty choosing between proposed titles Racer X, Redline, Race Wars, and Street Wars, and was inspired by a documentary on American International Pictures that included Corman's film  Moritz was able to trade the use of some stock footage to Corman for use of the title Corman sold the movie to a new independent company, the American Releasing Company (ARC), run by James H  Nicholson and Samuel Z  Arkoff  Although Corman had a number of offers for the film from Republic and Columbia, he elected to go with ARC because they undertook to advance money to enable him to make two more movies 

Director
Corman's second film for ARC was one he decided to direct, Five Guns West (1955), a Western, made in color for around $60,000, with Malone and John Lund  The script was written by Robert Wright Campbell, who worked with Corman on several more occasions 
Corman announced he would make four more projects for ARC: High Steel, Cobra, Fortress Beneath the Sea, and an untitled film from Campbell  Instead, Corman did some uncredited directing on The Beast with a Million Eyes (1955), then made another Western, Apache Woman (1955), starring Lloyd Bridges, written by Lou Rusoff  Rusoff and Corman reunited on Day the World Ended (1955), a postapocalyptic science-fiction film, which was popular 
Corman was to make The Devil on Horseback by Charles B  Griffith about the Brownsville Raid, but it was too expensive 
The Woolner Brothers, Louisiana drive-in owners, financed Corman's Swamp Women (1956), a girls-on-the-lam saga 
He returned to ARC for two Westerns, The Oklahoma Woman (1956) and Gunslinger (1956) (with Ireland); Gunslinger was co-written by Griffith, who became a crucial collaborator with Corman over the next five years  He bought a script from Curtis Harrington, The Girl from Beneath the Sea  Harrington made it for Corman years later as Night Tide (1961) 
Beverly Garland, one of Corman's early regular stock players, recalled working with him:

Roger made us work hard and long, I remember that! He was always fascinating to me, a fascinating man – and a good businessman! He had such incredible energy, it was tremendous – he was a dynamo to be around  I always knew he was going to be a huge success because there was no stopping him  He just made up his mind that he was going to be a success and that was it 

American International Pictures and Allied Artists
ARC changed its name to American International Pictures  Corman was established as their leading filmmaker  They financed Corman's next film as director, the science-fiction story It Conquered the World (1956)  Co-written by Griffith, it was a follow-up to The Day the World Ended  It was a big hit 
He optioned a TV play, The Stake, and hoped to get Dana Andrews to star  It was never made  Instead, Walter Mirisch of Allied Artists hired Corman to make The Undead (1957), inspired by The Search for Bridey Murphy  Griffith wrote the script 
In June, Corman made a science-fiction film for Allied Artists,  Not of this Earth (1957), written by Griffith 
In August 1956, AIP financed a Corman heist movie shot in Hawaii, Naked Paradise (1957), co-written by Griffith  Corman shot it back-to-back with a movie made with his own money, She Gods of Shark Reef (1958)  Corman wound up selling the movie to AIP 
Corman and Griffith reunited in Attack of the Crab Monsters (1957) for Allied, which wound up being one of his most successful early films For his own production company, Corman made a rock-and-roll "quickle", Carnival Rock (1957), released by Howco  Rock All Night (1957) was a heist film written by Griffith expanded from a TV play, "The Little Guy", with musical acts inserted He was meant to make Rock'n'Roll Girl for AIP in December 1957 In April 1957, Corman announced he would try to make two films back-to-back from then on to save costs Corman made two "teen girl noirs", Teenage Doll (1957) for the Woolner Brothers and Sorority Girl (1957), starring Susan Cabot for AIP For AIP, he made The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent (1957), shot in August 1957  He was meant to follow this with Teenage Jungle by Tony Miller The success of Not of this Earth and Crab Monsters led to Allied offering Corman a four-picture deal for 1958 

Machine Gun Kelly and producing
Corman received his first serious critical praise for Machine-Gun Kelly (1958), an AIP biopic of the famous gangster, which gave Charles Bronson his first leading role and co-starred Cabot  Campbell wrote the script 
Also for AIP, he did Teenage Caveman (1958), with Robert Vaughn, originally titled Prehistoric World 
He helped produce two films for Allied Artists, both from scripts by Leo Gordon: Hot Car Girl (1958), directed by Bernard Kowalski and produced by his brother Gene (the first film they made together) from a script by Gordon; and The Cry Baby Killer (1958), which gave Jack Nicholson his first starring role 
He had his biggest budget yet for I Mobster (1958), a gangster story, co-produced by Edward L  Alperson and Corman's brother Gene for 20th Century Fox  In September 1958, he was reported as scouting locations in Australia to do a remake of H  Rider Haggard's She War of the Satellites (1958) was conceived and shot in record time to take advantage of the Sputnik launch; it was his first collaboration with art director Daniel Haller 
Corman also produced, but did not direct, Stakeout on Dope Street (1958), directed by Irvin Kershner, Night of the Blood Beast (1958), directed by Kowalski for AIP, using leftover costumes from Teenage Caveman, and Crime and Punishment U S A  (1959), directed by Dennis Sanders with George Hamilton in his first lead role 

The Filmgroup
In January 1959, Corman announced he would be moving into distribution In 1959, Corman founded The Filmgroup with his brother Gene, a company producing or releasing low-budget black-and-white films as double features for drive-ins and action houses  In February 1959, Filmgroup announced they would release 10 films  Their first movies were High School Big Shot (1959) and T-Bird Gang (1959) produced by Stanley Bickman 

For AIP, Corman and Griffith made a black comedy, A Bucket of Blood (1959)  Corman announced he would follow it with a similar comedy, The Bloodshot Private Eye  It does not seem to have been made  Instead, Griffith reused the same script structure and Corman employed many of the same cast in The Little Shop of Horrors (1960)  This film was reputedly shot in two days and one night For Filmgroup, Corman directed The Wasp Woman (1959), starring Cabot from a script by Gordon  His brother and he made two films back-to-back in South Dakota: Ski Troop Attack (1960), a war movie written by Griffith and directed by Corman, and Beast from Haunted Cave (1959), the first film directed by Monte Hellman 
Corman went to Puerto Rico and produced another two films back-to-back: Battle of Blood Island (1960), directed by Joel Rapp, and Last Woman on Earth (1960), directed by Corman from a script by Robert Towne  Filming on these two films went so quickly that Corman commissioned Griffith to write a third, which was shot at the same time: Creature from the Haunted Sea (1961) 
Corman was going to make Part Time Mother from a script by Griffith but it appears to have never been made 

House of Usher
AIP wanted Corman to make two horror films for them, in black and white, at under $100,000 each on a 10-day shooting schedule  Corman, however, was tired of making films on this sort of budget and was worried the market for them was in decline  He proposed making a film in colour for $200,000, shot over 15 days  Corman proposed an adaptation of "The Fall of the House of Usher" by Edgar Allan Poe and AIP agreed  The film was announced in May 1959 Richard Matheson was hired to do the adaptation and Vincent Price was brought in to star; Haller did the art direction  The resulting film, House of Usher (1960), shot in early 1960, was a critical and commercial hit 
Following this, Corman bought two scripts, Sob Sisters Don't Cry and Cop Killer  In March 1960, Corman announced that Filmgroup would be part of an international production group, Compass Productions  He directed a peplum in Greece, Atlas (1961) in August 
He was going to direct a thriller from a script by Robert Towne, I Flew a Spy Plane Over Russia  It was not made; neither were two comedies he was to make with Dick Miller and Jon Haze, Murder at the Convention and Pan and the Satyrs House of Usher had been so successful that AIP wanted a follow-up, and Corman, Haller, Matheson and Price reunited on The Pit and the Pendulum (1961)  It was another sizeable hit, and the "Poe cycle" of films was underway 
Corman hired Charles Beaumont to write Masque of the Red Death and announced two films, Captain Nemo and the Floating City and House of Secrets 

The Intruder
Following The Pit and the Pendulum, Corman directed one of William Shatner's earliest appearances in a lead role with The Intruder (a k a  The Stranger, 1962)  Based on a novel by Charles Beaumont, the film was co-produced by Gene Corman and was shot in July and August 1961  It took a while for the film to be released and it lost money Corman was unhappy with his profit participation on the first two Poe films, so he made a third adaptation for different producers, The Premature Burial (1962), written by Charles Beaumont and starring Ray Milland  The film was co-financed by Pathe labs; AIP put pressure on Pathe and ended up buying out their interest 
For producer Edward Small, Corman made a historical horror piece about Richard III, Tower of London (1962), starring Vincent Price   It was meant to be the first in a three-picture deal with Small, but Corman did not enjoy working with the producer 
For Filmgroup, he also bought the rights to a Soviet science-fiction film, Nebo Zovyot (1959) and had some additional footage shot for it by his then-assistant, Francis Ford Coppola; the result was Battle Beyond the Sun (1962)  He also released The Magic Voyage of Sinbad (1962), dubbed from a Soviet film 
The fourth Poe was an anthology, Tales of Terror (1962), shot in late 1961  One of the installments, "The Black Cat", was a comedy, inspiring Corman to do a whole Poe story comedically next: The Raven (1963)  Later, Corman used the sets for that film for The Terror (1963), made for Filmgroup but released by AIP, and starring Boris Karloff (whose scenes were all shot in two days) and Jack Nicholson  Corman did not direct all of this film; additional scenes were shot by Monte Hellman, Coppola, and Jack Hill, among others 
The Young Racers (1963) was produced and directed by Corman in Europe for AIP, starring and written by Campbell  Working on the film was Francis Ford Coppola, whom Corman financed to make his directorial debut, Dementia 13 (1963) 
Back in the U S , Corman made X: The Man with the X-ray Eyes (1963), a contemporary science-fiction film for AIP starring Ray Milland  He followed it with The Haunted Palace (1963), ostensibly part of the Poe cycle—it featured Price and was made for AIP, written by Beaumont—but was actually based on a story by H  P  Lovecraft 
Corman directed a war film in Yugoslavia with his brother, The Secret Invasion (1964), with Stewart Granger and Mickey Rooney, from a script by Campbell  Following this, he announced he would make The Life of Robert E  Lee as part of a four-picture deal with Filmgroup worth $3 75 million  Other movies were Fun and Profit by Joel Rapp, The Wild Surfers by John Lamb, and Planet of Storms by Jack Hill  None of these films was made, nor was The Gold Bug, a Poe adaptation written by Griffith 

End of the Poe cycle and filming in Europe
Corman made two Poes in England starring Price, the much-delayed The Masque of the Red Death (1964), with Campbell rewriting Beaumont's scripts, and The Tomb of Ligeia (1965), from a script by Robert Towne  Corman made no further Poes; AIP started up a fresh Poe cycle in the late 1960s, but Corman was not part of it 
Corman got Towne to write a script called The Red Baron  He bought the rights to another Soviet science-fiction film, Planeta Bur (1962), and had some additional footage added to it by Curtis Harrington  The result was Voyage to the Prehistoric Planet (1965)  Harrington used footage from Planeta Bur in another film financed by Corman, Queen of Blood (1966) 
He also bought the rights to a Yugoslavian film, Operation Titan (1963), and financed additional shooting by Jack Hill and Stephanie Rothman  The result was Blood Bath (1966)  He also had an investment in the beach party films Beach Ball (1965) and It's a Bikini World (1967) 

Working for major studios
Corman said, "For ten years as an independent I could get financing for $100-$200-$300,000 pictures  Everything had been interesting, artistically satisfying, economically satisfying  But I decided I was going nowhere and wanted to move directly into the business  So I accepted a contract with Columbia "In August 1965, Corman announced he had signed a contract with United Artists to make two films over three years  He also signed with Columbia to make a Western, The Long Ride Home, based on a script by Robert Towne He was announced for a number of other projects at Columbia: the biopic of Robert E  Lee, an adaptation of Portrait of the Artist as a Young Man, an adaptation of Kafka's The Penal Colony, and a script by novelist Richard Yates about the Battle of Iwo Jima  He intended to make The Deserters for UA, from a script by Wright, but that was not made either He later reflected, "Every idea I submitted was considered too strange, too weird; every idea they had seemed too ordinary to me  Ordinary pictures don't make money "

The Wild Angels
After a year of not directing, Corman took a leave of absence under his contract with Columbia to make a film for AIP, the first biker movie, The Wild Angels  It starred Peter Fonda and Nancy Sinatra, from a script by Griffith; Peter Bogdanovich worked as Corman's assistant  The film opened the 1966 Venice Film Festival and was hugely successful at the box office, making over $6 million on a $350,000 budget and kicking off the "biker movie" cycle He wanted to make a film about the Red Baron, but Columbia turned it down because of The Blue Max (1966)  He proposed a movie about the St Valentine's Day Massacre and also an adaptation of the novel Only Lovers Left Alive  Nick Ray was meant to be making Only Lovers in Britain 
Corman did begin directing Long Ride Home with Glenn Ford at Columbia  However, Corman left production a few weeks into the shoot in June 1966 and was replaced by Phil Karlson  The film was retitled A Time for Killing (1967) 
Corman received an offer to direct a studio film,The St  Valentine's Day Massacre (1967), for 20th Century Fox, starring Jason Robards and George Segal  He did not enjoy the restrictions of working for a major studio  He was given a $2 5 million budget and made it for $400,000 less  Corman, an independent director, was most comfortable in his own style:  shoestring budgets and shooting schedules measured in days, rather than weeks  Nonetheless, it is generally considered one of his best films as a director 
Corman was meant to follow this with Robert E  Lee for United Artists at a budget of $4 5 million  It was not made  Neither was a story Corman optioned, The Spy in the Vatican 

Return to independence
He continued to finance films for Filmgroup: Voyage to the Prehistoric Planet (1965), dubbing a Soviet movie Planeta Bur into English with some additional footage shot by Curtis Harrington, Queen of Blood (1966), using some Soviet footage but a mostly new film, directed by Harrington, Blood Bath (1966), an adapted Yugoslavian film with additional footage shot by Stephanie Rothman and Jack Hill, and  Voyage to the Planet of Prehistoric Women (1967), yet another dubbed version of Planeta Bur with some additional footage shot by Corman's then-assistant Peter Bogdanovich 
He had money in Navy vs  the Night Monsters (1967)  He financed two Westerns shot back to back in Utah, directed by Monte Hellman and written and co-produced by Jack Nicholson, The Shooting (1967) and Ride in the Whirlwind (1967), which became cult successes  He also financed two films directed by Dan Haller, Devil's Angels (1967), a follow-up to Wild Angels written by Griffith, and a car racing film shot in Europe, The Wild Racers (1968)  He announced a comedy about the population explosion, There Just Isn't Any Room, but it appears to have never been made Corman directed The Trip for AIP, written by Jack Nicholson and starring Peter Fonda, Dennis Hopper and Bruce Dern  This began the psychedelic film craze of the late 1960s and was the American entry at Cannes that year  AIP made some changes to the film in post-production, which made Corman unhappy 
In September 1967, he announced plans to build a new film studio  However, this did not happen for a number of years 
Corman made a film for American TV, Target: Harry (1968), shot in Europe with his brother producing
Context 3: Passage 1:
Sula Island
Sula Island is an island located in the Albay province of the Philippines 

See also
List of islands of the Philippines
Passage 2:
Henry Island (Nova Scotia)
Henry Island is an island located in the Gulf of Saint Lawrence in the Northumberland Strait of Nova Scotia, Canada, just east of Prince Edward Island and southwest of Port Hood Island 

Geography
Consisting of 150 acres (0 61 km2) of mostly forested tract, the 2½ mile long by 1-mile (1 6 km) wide island has up to 100-foot (30 m) cliffs along the west shore, and beaches of shallow shoals along the east shore   The water along the west shore reaches depths of up to 80 feet (24 m)   There are no year-round residents   Privately owned, the family inhabits the island in the summer 

History
Early nautical charts refer to the island as Iles aux Jestico or Juste-au-Corps, the previous county name of the current-day Inverness County, Nova Scotia   There is some debate over the origin of the current name, Henry   One theory has it that the island was named for Henry Hood, son of Admiral Samuel Hood, commander-in-chief of the Royal Navy of North America in the late 18th century   Others think it may have been named for Prince William Henry, the uncle of Queen Victoria 
The first person known to have settled the island was James Campbell during the 18th century   By this time an area of great maritime activity, a lighthouse existed on the summit as early as 1854   During the period of the Canadian–American Reciprocity Treaty which was in effect from 1854 to 1866, fishermen set up temporary camps each summer on Henry Island   Soon after the treaty expired the area was overcome by economic depression   Nearly 30 years later, the original lighthouse was replaced with the currently standing 53-foot (16 m) red and white lighthouse in 1902 under the supervision of foreman Jim MacDonnell of Margaree Harbor, Nova Scotia for a total cost of $3,489   The current lighthouse remains the property of the Canadian Coast Guard  An adjacent house had also been constructed in 1901   This new lighthouse had been a campaign promise of Parliament member Angus MacLennan, M D  The first three lighthouse keepers were relatives and descendants of MacLennan: John MacLennan from 1901, Daniel MacLennan, starting in 1907, and Charles MacLennan, the father of a local shopkeeper, Sadie Murphy   The last known keeper before the lighthouse was automated was Sterling Morrison, who became keeper in 1961 for a very brief period   By 1992, the adjacent house had not been lived in for 40 years and had been vandalized, and a nearby shed destroyed   The island was purchased by William F  Baker, who undertook the restoration of the home back to its original state 

Transportation
Henry Island is accessible for day tours around the periphery and walking tours to the lighthouse via boat through Port Hood Island Views Boat Tours 
Passage 3:
Ingmarsö
Ingmarsö is an island located in the Stockholm archipelago in Sweden 
Passage 4:
Fairbank Island (Michigan)
Fairbank Island is an island located in Chippewa County, Michigan, United States 
Passage 5:
Jeløya
Jeløya is an island located in the municipality of Moss in Østfold County, Norway 

History
Jeløya was actually a peninsula in the Oslofjord, but was divided from the mainland in 1855 by the Moss canal (Mossekanalen)  a 20-meter broad canal that was built through the low isthmus  The Canal Bridge (Kanalbrua) is the link between Jeløya and the mainland at Moss  This was at first a low, sliding bridge, and since 1957 a simple-leaf Bascule bridge, but dating from the early 1990s has been locked and unable to open  Part of the city of Moss lies on the south-eastern part of Jeløya 
At 19 km2, Jeløya is the largest island in the Oslofjord  Geologically, Jeløya is largely made up of a young lava rock-type from the Permian period  Other islands in the Oslofjord formed during that same time period include Revlingen, Eldøya, Missingene and the Søsterøyene  Ringerike sandstone is found in some parts of Jeløya, and fossil cephalaspids have been found  The largest Norwegian moraine from the Ice Age crosses Jeløya, goes to the east of Moss and Rygge and continues through Sweden to Finland Until the 1990s, two of Moss' largest industrial zones were on the southern part of Jeløya - Moss Glassverk  and Moss Verft  Moss Glassverk produced glass containers from 1898 until 1999  Moss Verft was a shipyard formed in 1870 which was active in shipbuilding until 1987 and was historically one of the biggest employers in the municipality  These areas are now turning into costly apartments and post-industrial businesses  Jeløya is today best known for its beaches, its scenery, a swarming harbor with boats, and Refsnes Gods,  a hotel with a renowned cuisine 
Jeløya is the site of a number of country manor houses on farms including Grønli gård and Kubberød gård  Torderød gård is now owned by Moss Municipality which hosts tours during the summer  Grimsrød gård housed Edvard Munch for a number of years  Roed gård has been established as a combined Arts and Cultural Center  Alby gård is the site of one of Norway's most widely known art galleries,  Galleri F 15 

Gallery
Passage 6:
Twin Cairns Island
The Belcher Islands (Inuktitut: ᓴᓪᓚᔪᒐᐃᑦ, Sanikiluaq) are an archipelago in the southeast part of Hudson Bay near the centre of the Nastapoka arc  The Belcher Islands are spread out over almost 3,000 km2 (1,200 sq mi)  Administratively, they belong to the Qikiqtaaluk Region of Nunavut, Canada  The hamlet of Sanikiluaq (where the majority of the inhabitants of the Belcher Islands live) is on the north coast of Flaherty Island and is the southernmost in Nunavut  Along with Flaherty Island, the other large islands are Kugong Island, Tukarak Island, and Innetalling Island  Other main islands in the 1,500–island archipelago are Moore Island, Wiegand Island, Split Island, Snape Island and Mavor Island, while island groups include the Sleeper Islands, King George Islands, and Bakers Dozen Islands 

History
The archaeological evidence present on the islands indicates that they were inhabited by the Dorset culture between 500 BCE and 1000 CE  Centuries later, from 1200 to 1500, the Thule people made their presence on the islands The first European to discover the islands was English sea explorer Henry Hudson, the namesake of Hudson Bay, who sighted the island in 1610  The islands are named after Royal Navy Admiral Sir Edward Belcher (1799-1877) 
In the early 19th century, caribou herds which lived on the islands disappeared  In an alternative effort to find warm clothing, the inhabitants of the islands sought the down of the Eider duck, a species of bird which nests on the island Before 1914, English-speaking cartographers knew very little about the Belcher Islands, which they showed on maps as specks, much smaller than their true extent  In that year a map showing them, drawn by George Weetaltuk, came into the hands of Robert Flaherty, and cartographers began to represent them more accurately In 1941, a religious movement led by Charley Ouyerack, Peter Sala, and his sister Mina caused the death by blows or exposure of nine persons, an occurrence that came to be known as the Belcher Island Murders 

Geology
General geology
The geologic units of the Belcher Group, which forms the Belcher Islands, were deposited during the Paleoproterozoic  Combined with other Paleoproterozoic units that occur along the edge of the Superior Craton, the Belcher Group forms part of the Circum-Superior Belt From youngest to oldest, the Belcher Group is composed of:
Loaf Formation (molasse)
Omarolluk Formation (flysch)
Flaherty Formation (flood basalt)
Kipalu Formation (iron formation)
Mukpollo Formation (sandstone)
Rowatt Formation (shallow water carbonate)
Laddie Formation (deep marine red bed)
Costello Formation (carbonate slope deposit)
Mavor Formation (stromatolite reef complex)
Tukarak Formation (shallow water carbonate)
Fairweather Formation (shallow water carbonate)
Eskimo Formation (flood basalt)
Kasegalik Formation (sabkha)The oldest part of the Belcher Group, the Kasegalik Formation, was deposited between 2 0185 and 2 0154 billion years ago



ground_truth: From Corleone To Brooklyn

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who was born earlier, The Secret Invasion or The House Of The Seven Hawks?

The following are given passages.
Context 2:  He did some uncredited directing on AIP's De Sade (1969) when director Cy Endfield fell ill  He financed Bogdanovich's first feature, Targets (1968), which incorporated footage from The Terror  He also produced The Dunwich Horror (1970) for AIP, directed by Haller and co-written by Curtis Hanson, and financed Haller's Paddy 

Final films as director
For AIP, Corman returned to the director's chair for a gangster film, Bloody Mama (1970), starring Shelley Winters and a young Robert de Niro  It was a big hit at the box office  He also directed a black comedy, Gas-s-s-s (1970), written by George Armitage; it was cut without his permission by AIP and was a financial failure United Artists finally agreed to finance his Red Baron project, although they asked that it emphasize American characters  Accordingly, it was filmed as Von Richthofen and Brown (1971), shot in Ireland in July 1970  There were several plane crashes during filming and one person died Corman was going to make a film of Couples, a novel by John Updike for United Artists, and In from a script by Richard Schupe, but decided to take a break from directing 
"Directing is very hard and very painful," he said in 1971  "Producing is easy  I can do it without really thinking about it "

New World Pictures
In May 1970, Corman founded New World Pictures, which became a small independently owned production/distribution studio, immediately successful with Angels Die Hard (1970), a biker film, and The Student Nurses (1971), directed by Rothman   The Big Doll House (1971), directed by Jack Hill in the Philippines, was a big hit, making a star of Pam Grier  The company made a profit of $3 2 million in its first financial year, and Corman says all eleven out of his first eleven films were successful   Angels Die Hard led to a series of biker films, including Angels Hard as They Come (1971), produced by Jonathan Demme with Jack Fisk working as art director  Bury Me an Angel (1971) was the first biker movie directed by a woman, Barbara Peeters  Corman financed the directorial debuts of Curtis Hanson, Sweet Kill (1971), produced by Corman protege Tamara Asseyev   Student Nurses led to a "cycle" of nurse pictures, including Private Duty Nurses (the first film directed by George Armitage), Night Call Nurses (1972) (the first feature directed by Jonathan Kaplan), The Young Nurses and Candy Stripe Nurses (1975)  There was also The Student Teachers (1973) and Summer School Teachers (1974)   Big Doll House was followed by a series of women in prison pictures, such as Women in Cages (1972), The Hot Box (1972), Black Mama, White Mama (1973), The Arena (1974) (the first film directed by Steve Carver) and Caged Heat (1974) (the first film directed by Demme)   Of New World's second year, Corman says 11 of the 12 releases were successful   Corman produced one more film at AIP, Boxcar Bertha (1972), the second feature directed by Martin Scorsese, starring David Carradine  He also executive produced Unholy Rollers (1972) for AIP   A proposed political satire, The Wild Political Prank, was not made   He made I Escaped from Devil's Island (1973) with his brother and produced Cockfighter (1974) with Monte Hellman, which was a rare financial failure for New World   A big hit was Big Bad Mama (1974), a gangster film directed by Carver and starring Angie Dickinson  It led to a follow-up, Crazy Mama (1975), produced by his wife and directed by Demme   In 1975, Corman said New World was "the most successful independent film company in the country   if you count AIP as a major"  He said they were "the best of the cheap acts" 

Distributing foreign films
In the 1970s the major Hollywood studios were moving away from distributing foreign arthouse pictures, New World moved into the market and became the U S  distributor for Cries and Whispers (1972), directed by Ingmar Bergman  Corman bought it for $75,000 and it earned over $2 million at the U S  box office  and Corman's distribution side of New World brought many foreign films to mass audiences in the U S  for the first time - reportedly some played at drive-ins and grindhouses - including the works of François Truffaut (The Story of Adele H , Small Change), Peter Weir (The Cars That Ate Paris), Federico Fellini (Amarcord), Joseph Losey (The Romantic Englishwoman), Volker Schlöndorff (The Lost Honour of Katharina Blum, The Tin Drum) and Akira Kurosawa (Dersu Uzala)  New World also released Fantastic Planet (1974) 
In a 10-year period, New World Pictures won more Academy Awards for Best Foreign Film than all other studios combined 

20th Century Fox
He had a four-picture deal with 20th Century Fox, making Capone (1975), Fighting Mad (1976) (directed by Demme), Moving Violation (1976) and Thunder and Lightning (1977) 

Peak of New World
Death Race 2000 (1975), written by Robert Thom and directed by Paul Bartel, was a big hit, earning $4 million  It helped inspire a series of car chase movies: Cannonball (1976), directed by Bartel; Eat My Dust! (1976), directed by Griffith starring Ron Howard, which led to a follow-up, Grand Theft Auto (1978), Howard's directorial debut  There was also The Great Texas Dynamite Chase (1976), Deathsport (1978) and Smokey Bites the Dust (1981) 
New World's trailers were cut by Joe Dante and Alan Arkush  Corman gave them the chance to direct together, with Hollywood Boulevard (1976), which used outtakes from other New World films  It was successful enough for Corman to give both men jobs directing features on their own: Dante with Piranha (1978) and Arkush with Rock 'n' Roll High School (1979) 
Piranha was written by John Sayles, who had been discovered by Corman's story editor, Frances Doel  Sayles later wrote The Lady in Red (1979) for Corman, which was directed by Lewis Teague 
Other popular films around this time included Tidal Wave (1975), a Japanese film to which Corman added some extra footage, and Jackson County Jail (1976)  He also financed I Never Promised You a Rose Garden  Less popular was Avalanche (1979), a disaster film directed by Corey Allen 
For Universal he made Fast Charlie    the Moonbeam Rider (1979), directed by Carver  He financed Bogdanovich's Saint Jack (1979) 
Corman was criticized when he insisted on the addition of footage featuring a rape for Humanoids from the Deep (1980)  Similarly, in Galaxy of Terror, as noted on Schlock and Awe   some, "Corman promised the investors that the film would feature a Taaffe O'Connell sex-scene and a gruesome death-scene as-well  To save time, Corman put the two together  The actress agreed to a nude scene, but NOT a rape scene  Corman isn't the kind of man who takes no for an answer, and after some contract renegotiation, O'Connell agreed to being raped to death by a giant worm-monster  Money… it does amazing things "The success of Star Wars inspired New World's most expensive film yet, Battle Beyond the Stars (1981)  This film required extensive special effects, prompting Corman to buy a movie studio in Main Street Venice for $1 5 million  Corman made a TV film for CBS, The Georgia Peaches (1980) 
Battle Beyond the Stars was so successful Corman had its footage and music score reused in other films such as Galaxy of Terror (1981) and Forbidden World (1982) 
He picked up a film called The Personals (1983) which enjoyed success 

Millennium Films
Corman sold New World Pictures in January 1983 to a consortium of three lawyers for $16 9 million Under the terms of the contract, he agreed to stay on as a consultant for two years and to provide New World with at least five films they could release  New World agreed to distribute all of Corman's films until March 1984  He set up a new production company, Millennium – the title of which was taken from the name of a 1981 retrospective of Corman's work at the National Film Theatre of London  He announced plans to make films budgeted between $2–5 million using cash from his sale of New World to finance personally  He announced an intention to make fewer commercial films, movies more like I Never Promised You a Rose Garden and Cries and Whispers 
Millennium's films included Space Raiders (1983), a science fiction epic using footage and music from Battle Beyond the Stars; Love Letters (1984), a serious drama from Amy Holden Jones; Screwballs (1984), a sex comedy in the vein of Porky's; Suburbia (1984), directed by Penelope Spheeris, which he acquired, Deathstalker; and Kain of Dark Planet (which became The Warrior and the Sorceress) 

New Horizons
Corman says people struggled with the name "Millennium" – "nobody could spell it, nobody knew what it meant" – so he changed it to New Horizons by early 1984 Corman and the new owners of New World ended up suing each other in March 1985  Corman claimed that New World failed to honor their guarantee to distribute his movies at a fee of 15%  He sought $400 million in damages and the return of the company  He said they refused to distribute School Spirit (1985) and Wheels of Fire  He also claimed that New World cheated him distributing Space Raiders, Screwballs and Slumber Party Massacre  New World sued Corman in return, claiming he was seeking to return to distribution, and was discrediting New World to potential investors  They said Corman bypassed New World for some of his films, such as Columbia's Hardbodies (1984)  Corman argued "My whole point in selling was to free myself of the burden of running the company and to get guaranteed distribution  If I can't get my guaranteed distribution, I'm forced to go back to running the company "

Concorde Pictures
The case with New World settled out of court  In March 1985 Corman announced he would establish a new distribution "cooperative", Concorde Pictures, where producers could get relatively cheap distribution from Concorde in exchange for contributing to the company's overhead  Their first releases were Corman productions School Spirit, Wheels of Fire and Barbarian Queen  Concorde later merged with a low budget production company, Cinema Group, and announced plans to make 15-20 films a year Early Concorde releases include Loose Screws (1985), a sequel to Screwballs;  Streetwalkin' (1985), a more serious drama directed by Joan Freeman; Cocaine Wars (1986), the first in a series of movies Corman would finance in South America; Hour of the Assassin (1987), shot in Peru and the first film directed by Luis Llosa; and Munchies (1987), a spoof of Gremlins directed by Tina Hirsch 
Corman also remade Not of this Earth (1988) and released Big Bad Mama II (1987), and Transylvania Twist (1989); all three were directed by Jim Wynorski  He produced another version of Masque of the Red Death (1989), directed by Larry Brand 
He produced Sweet Revenge (1987), Slumber Party Massacre II (1988), directed by Deborah Brock, Andy Colby's Incredible Adventure (1988), also directed by Brock, and The Terror Within (1989), directed by Thierry Notz 
Corman financed the early directorial efforts of Carl Franklin (Nowhere to Run (1989)), Vargas Llosa and Katt Shea (Stripped to Kill (1988), Stripped to Kill II (1989))  More experimental was Nightfall (1988) 
After Hour of the Assassin, he made a series of films in Peru, including Crime Zone (1989), also directed by Luis Llosa, and Full Fathom Five (1990), directed by Carl Franklin 
Concorde had a big hit with Bloodfist (1989), starring Don "the Dragon" Wilson which cost $1 million and earned over $6 million  Concorde signed Wilson to a long-term contract and he made a number of sequels for the company, including Bloodfist II and Fighting to Win 

Frankenstein Unbound
He returned to directing once more with Frankenstein Unbound (1990) 

Concorde and New Horizon in the 1990s
In 1990, Concorde sued MGM for $6 million Concorde's films included Overexposed (1990), The Unborn (1991), and In the Heat of Passion (1992)  They had a big hit with Carnosaur (1993), which led to several sequels  He financed Fire on the Amazon (1991, directed Luis Llosa) which had Sandra Bullock and Craig Sheffer in early roles 
Corman had to deal with the decline of the drive-in market and studio competition through the 1990s, but Concorde-New Horizons still made 15-24 pictures a year  This included a never-released version of The Fantastic Four 

Roger Corman Presents
In 1995 Corman was executive producer on Roger Corman Presents, a special series of 13 movies for Showtime with budgets of around $1 5 million each  "I think the Corman name means action, humor and some titillation," says Mike Elliott, the producer of the series  "It's going to deliver the goods – and it will have a little moral statement in there as well " Corman ended up doing a second season of 11 movies  The films were Bram Stoker's Burial of the Rats, Hellfire, Virtual Seduction, Suspect Device, Unknown Origin, Terminal Virus, Where Evil Lies, Vampirella, Shadow of a Scream, Subliminal Seduction, House of the Damned (a k a  Spectre), The Haunted Sea, Alien Avengers (a k a  Aliens Among Us) and its sequel, Inhumanoid, Sawbones, Not Like Us, and Last Exit to Earth  He created his own comic book franchise, Black Scorpion, which led to a sequel and later a TV series  Corman also executive-produced remakes of The Wasp Woman, Humanoids from the Deep, A Bucket of Blood (a k a  The Death Artist), Piranha and Not of this Earth 

Ireland
Concorde set up operations in Ireland as Concorde Anois, building studios in Connemara, County Galway  He received some support from the Irish government, a decision which became controversial when the content of some Corman productions such as Criminal Affairs was criticized in the press Later Concorde-New Horizons films included Overdrive (1997)  "The genres still hold", said Corman in 1997, "action adventure, the suspense thriller, science fiction and horror  The difference is that they are bigger and better now  "Corman also produced the film Moving Target which was filmed in County Galway  It was his last film produced with Concorde-New Horizons 

Roger Corman's Cosmic Comics
Corman operated a short-lived comic book imprint in 1995–1996 called Roger Corman's Cosmic Comics  It produced comics based on his films, written and drawn in a similar no-hold-barred style  Titles included Bram Stoker's Burial of the Rats, Caged Heat 3000, Death Race 2020, Welcome to The Little Shop of Horrors, and Rock & Roll High School — the latter featuring the Melvins (instead of the Ramones)  Notable creators published by Cosmic Comics included Trevor Goring, James Kochalka, Jason Lutes, Pat Mills, Shane Oakley, Jerry Prosser, and J  R  Williams  The longest-running title was Death Race 2020, which lasted eight issues — but was left unfinished when the company closed down 

Later career:  Syfy Channel
He continued to produce creature films, such as Raptor (2001, dir Jim Wynorski)  Dinocroc (2004), which aired on the Syfy cable television channel and was popular enough for two sequels, Supergator and Dinocroc vs  Supergator (2010), as well as a spin-off film, Dinoshark (2010)  Supergator (2007) was turned down by the Syfy channel, but Corman made it anyway 
Corman also continued to make action films: Escape from Afghanistan (2001) was a Russian film, Peshavar Waltz plus some additional footage; The Hunt for Eagle One (2006) and The Hunt for Eagle One: Crash Point (2006) were shot in the Philippines; Roger Corman's Operation Rogue (2014); Fist of the Dragon (2015) 
In 2006 Corman said he made 60% of his films overseas  "These foreign countries are offering subsidies that are so great that not only I but many independent producers are moving overseas", he said  He sold the remake rights of Death Race 2000 to Universal, who made Death Race (2008) with Jason Statham, with Corman credited as executive producer  It led to two direct-to-video prequels and one direct-to-video sequel 
In 2009, Corman produced and directed alongside director Joe Dante the web series "Splatter" for Netflix  The protagonist of the film is portrayed by Corey Feldman, and the story talks of the haunting tale of rock-and-roll legend Johnny Splatter  He also started contributing trailer commentaries to Dante's web series Trailers from Hell  In 2011, Corman cited James Cameron's Avatar (2009) and Christopher Nolan's Inception (2010) as examples of "great imagination and originality" By now, the SyFy channel was Corman's leading market  For them, he made Sharktopus (2010) and Piranhaconda (2012)  Corman produced the 2017 film Death Race 2050, a sequel to the 1975 film Death Race 2000  It was made with Universal, Corman's first film with a major studio in more than two decades 

Personal life
Corman married Julie Halloran in 1970  They have four children  On April 3, 2018, a lawsuit by Corman's sons, Roger Martin Corman and Brian Corman, was filed against Corman to prevent the trade of his film collection  It was settled in 2020  In 2016, Corman also sued a wealth management company about suspected losses of his personal fortune  To date, the result of that dispute has not been disclosed 

Recognition
In 1964, Corman was the youngest producer/director to be given a retrospective at the Cinémathèque Française, as well as retrospectives at the British Film Institute and the Museum of Modern Art 
Corman won the Lifetime Achievement Award at Stockholm International Film Festival in 1990 
Corman was the subject of the 1978 documentary Roger Corman:  Hollywood's Wild Angel, produced and directed by Christian Blackwood  Portions of the film reappeared in 2011's Corman's World 
In 1998, he won the first Producer's Award ever given by the Cannes Film Festival 
In 2006, Corman received the David O  Selznick Award from the Producers Guild of America  Also in 2006, his film Fall of the House of Usher was among the twenty-five movies selected for the National Film Registry, a compilation of significant films being preserved by the Library of Congress 
In 2009, The Academy of Motion Picture Arts and Sciences awarded Corman with an Academy Honorary Award at the inaugural Governors Awards, on November 14, 2009 In 2010, writer and actor Mark Gatiss interviewed Corman for his BBC documentary series A History of Horror, of which the second half of the second episode focuses on Corman In 2010, Corman was inducted into the Beverly Hills High School Hall of Fame 
In 2012, Corman was honored with the Filmmaker on the Edge Award at the Provincetown International Film Festival 
In 2018, he received the "Extraordinary Contribution to Film" award at the Austin Film Festival 

Archive
Film elements and prints for many movies directed, produced, and/or distributed by Corman are held at the Academy Film Archive as part of the New Horizons Collection  The Academy Film Archive restored Corman's film The Masque of the Red Death in 2019 

"The Corman Film School"
A number of noted filmmakers (including directors, producers, writers, and cinematographers) have worked with Corman, usually early in their careers, including Francis Ford Coppola, Martin Scorsese, Ron Howard, Polly Platt, Peter Bogdanovich, Declan O'Brien, Armondo Linus Acosta, Paul Bartel, Jonathan Demme, Donald G  Jackson, Gale Anne Hurd, Carl Colpaert, Joe Dante, James Cameron, John Sayles, Monte Hellman, Carl Franklin, George Armitage, Jonathan Kaplan, George Hickenlooper, Curtis Hanson, Jack Hill, Robert Towne, Menahem Golan, James Horner, and Timur Bekmambetov  Many have said that Corman's influence taught them some of the ins and outs of filmmaking  In the extras for the DVD of The Terminator, director James Cameron asserts, "I trained at the Roger Corman Film School " The British director Nicolas Roeg served as the cinematographer on The Masque of the Red Death  Cameron, Coppola, Demme, Hanson, Howard and Scorsese have all gone on to win Academy Awards  Howard was reportedly told by Corman, "If you do a good job on this film, you'll never have to work for me again "
Actors who obtained their career breaks working for Corman include Jack Nicholson, Peter Fonda, Bruce Dern, Charles Bronson, Todd Field Michael McDonald, Dennis Hopper, Tommy Lee Jones, Talia Shire, Sandra Bullock, Robert De Niro, and David Carradine, who received one of his first starring film roles in the Corman-produced Boxcar Bertha (1972) and went on to star in Death Race 2000 (along with Sylvester Stallone) 
Many of Corman's protegés have paid their mentor homage by awarding him cameos in films, such as in The Godfather Part II, The Silence of the Lambs, Apollo 13, and as recently as Demme's 2008 film Rachel Getting Married 

Filmography
The IMDb credits Corman with 55 directed films and some 385 produced films from 1954 through 2008, many as uncredited producer or executive producer (consistent with his role as head of his own New World Pictures from 1970 through 1983)  Corman also has significant credits as writer and actor 
 Roger Corman's Cult Classics 
In 2010, Roger Corman teamed up New Horizons Pictures with Shout! Factory to release new DVD and Blu-ray editions of Corman productions under the name Roger Corman's Cult Classics  The releases have concentrated on 1970–1980s films he produced through New World rather than directed  These titles include Rock 'n' Roll High School, Death Race 2000, Galaxy of Terror, Forbidden World and Piranha, with additional titles continuing to be released 

Books
Corman, Roger; Jerome, Jim (1990)  How I Made a Hundred Movies in Hollywood and Never Lost a Dime  Random House  ISBN 978-0-394-56974-1  OCLC 840687965 
His autobiography documents his experiences in the film industry
Passage 6:
The House of the Seven Hawks
The House of the Seven Hawks is a 1959 British mystery film directed by Richard Thorpe and starring Robert Taylor, Nicole Maurey and Linda Christian  It was the final film by Robert Taylor under his twenty five-year contract with MGM  The film follows an American captain searching for sunken treasure who becomes entangled with criminals and is arrested by the Dutch police  It is based on the Victor Canning novel The House of the Seven Flies, published in 1952 

Plot
Story of an American skipper who becomes entangled with the Dutch police and international crooks over sunken treasure but survives and finds romance 

Cast
Robert Taylor as John Nordley
Nicole Maurey as Constanta Sluiter
Linda Christian as Elsa
Donald Wolfit as Inspector Van Der Stoor
David Kossoff as Wilhelm Dekker
Eric Pohlmann as Captain Rohner
Philo Hauser as Charlie Ponz
Gerard Heinz as Inspector Sluiter
Paul Hardtmuth as Beukleman
Lily Kann as Gerta
Richard Shaw as Police Sgt  Straatman
André van Gyseghem as Hotel Clerk
Leslie Weston as Tulper
Guy Deghy as Desk Lieutenant
Peter Welch as Gannett
Peter Lannagan as Peter

Critical reception
In a contemporary review, The New York Times called the film "an unpretentious but satisfying entertainment"; whereas more recently, the Radio Times called it a "bland B-movie "

Box office
According to MGM records, the film earned $415,000 in the U S  and Canada and $650,000 elsewhere, resulting in a loss of $20,000 

See also
List of British films of 1959
Passage 7:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 8:
Rumbi Katedza
Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974 

Early life and education
She did her Primary and Secondary Education in Harare, Zimbabwe  Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995  In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film  She also holds a MA in Filmmaking from Goldsmiths College, London University 

Work and filmography
Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows  From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe)  From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival  Whilst there, she produced the Postcards from Zimbabwe Series  In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely

Tariro (2008);
Big House, Small House (2009);
The Axe and the Tree (2011);
The Team (2011)
Playing Warriors (2012)Her early works include:

Danai (2002);
Postcards from Zimbabwe (2006);
Trapped (2006 – Rumbi Katedza, Marcus Korhonen);
Asylum (2007);
Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts  She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe  She has also lobbied Zimbabwean government to actively support the film industry 
Passage 9:
Richard Thorpe
Richard Thorpe (born Rollo Smolt Thorpe; February 24, 1896 – May 1, 1991) was an American film director best known for his long career at Metro-Goldwyn-Mayer 

Biography
Born Rollo Smolt Thorpe in Hutchinson, Kansas, Richard Thorpe began his entertainment career performing in vaudeville and onstage  In 1921 he began in motion pictures as an actor and directed his first silent film in 1923  He went on to direct more than one hundred and eighty films  He worked frequently at the Poverty Row studio Chesterfield Pictures during the 1930s  The first full-length motion picture he directed for MGM was Last of the Pagans (1935) starring Ray Mala  
At MGM, he teamed up with producer Pandro S  Berman in the 1950s, with whom he made several films, including Ivanhoe (1952), The Prisoner of Zenda (1952), Knights of the Round Table (1953), All the Brothers Were Valiant (1953) and The Adventures of Quentin Durward (1955) 
After directing The Last Challenge in 1967, he retired from the film industry 
His two favorite films were Night Must Fall (1937) and Two Girls and a Sailor (1944) 

Wizard of Oz
Thorpe is also known as the original director of The Wizard of Oz  He was fired after two weeks of shooting because it was felt that his scenes did not have the right air of fantasy about them  Thorpe notoriously gave Judy Garland a blonde wig and cutesy "baby-doll" makeup that made her look like a girl in her late teens rather than an innocent Kansas farm girl of about 13  Both makeup and wig were discarded at the suggestion of George Cukor, who was brought in temporarily  Stills from Thorpe's work on the film survive today  Further, it is understood that bits of his filmed footage of Toto escaping from the Wicked Witch's castle are featured in the film, albeit uncredited 
For his contribution to the motion picture industry, Thorpe has a star on the Hollywood Walk of Fame at 6101 Hollywood Blvd  In 2003 a Golden Palm Star on the Palm Springs Walk of Stars in Palm Springs, California was dedicated to him and his son Jerry He died in Palm Springs, California on May 1, 1991 

Selected filmography
As director
Passage 10:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 



ground_truth: The House Of The Seven Hawks

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Are Twin Cairns Island and Nova Zembla Island located in the same country?

The following are given passages.
Context 3:  The Kasegalik Formation also contains the oldest unambiguous Cyanobacteria microfossils  Much of the  Belcher Group strata were deposited under intertidal to shallow-water conditions, although the Mavor Formation formed a platform margin stromatolite reef complex, and the overlying Costello and Laddie formations represent slope and deep basin deposits, respectively  The Kipalu Formation, deposited approximately 1 88 billion years ago, is notable for being a granular iron formation  The Flaherty Formation basalt that composes much of the Belcher Islands was deposited between 1 87 and 1 854 billion years ago, with the overlying Omarolluk and Loaf formations being deposited from 1 854 billion years ago until sometime after 1 83 billion years ago 

Soapstone
The occurrence of very high-quality soapstone in the Belcher Islands supports a locally significant carving industry  These soapstone occurrences formed when sedimentary rocks of the Belcher Group were intruded by Haig sills and dykes approximately 1 87 billion years ago  Most soapstone is quarried from a site on western Tukarak Island where dolomite of the Costello Formation was intruded by hot magma, with dolomite reacting with quartz and water under intense heat to form talc, calcite, and carbon dioxide:
3CaMg(CO3)2 + 4SiO2 + H2O  → [Heat] Mg3Si4O10(OH)2 + 3CaCO3 + 3CO2
Other minerals within the soapstone are largely calcite, dolomite, talc, and clinochlore, with minor amounts of ilmenite 
Although most soapstone has been sourced from two quarries, the relatively widespread occurrence of Haig intrusions within the Belcher Islands suggests that there may be many more possible sources of high-quality soapstone not yet discovered 

Flora
Several species of willow (Salix) form a large component of the native small shrubbery on the archipelago  These include rock willow (Salix vestita), bog willow (S  pedicellaris), and Labrador willow (S  argyrocarpa), as well as naturally occurring hybrids between S  arctica and S  glauca 
Trees cannot grow on the islands because of a lack of adequate soil 

Fauna
The main wildlife consists of belugas, walrus, caribou, common eiders and snowy owls all of which can be seen on the island year round  There is also a wide variety of fish that can be caught such as Arctic char, cod, capelin, lump fish, and sculpin  The historical relationship between the Sanikiluaq community and the eider is the subject of a feature-length Canadian documentary film called People of a Feather  The director, cinematographer and biologist Joel Heath, spent seven years on the project, writing biological articles on the eider In 1998, the Belcher Island caribou (Rangifer tarandus groenlandicus) herd numbered 800 
Passage 7:
Wadmalaw Island
Wadmalaw Island is an island located in Charleston County, South Carolina, United States  It is one of the Sea Islands, a chain of tidal and barrier islands on the Atlantic Ocean 

Geography
Wadmalaw Island is located generally to the southwest of Johns Island and more than halfway encircled by it   To the north it is bordered by Church Creek; to the northeast and east by Bohicket Creek; to the south by the North Edisto River; and to the west by the Bohicket Creek   The island's only connection to the mainland is via a bridge over Church Creek   The island is about 10 miles long by 6 miles wide  It has a land area of 108 502 km² (41 893 sq mi)  The 2000 census reported a population of 2,611 persons 

History
Wadmalaw Island was landed upon by Captain Robert Sandford and the crew of the Berkeley Bay in mid-June 1666 after an excursion up the Bohicket Creek  It is believed that Sandford landed where Rockville, South Carolina now sits  On June 23, 1666, Captain and crew carried out the ritual of turf and twig, claiming the land for England and the Lords Proprietors In 1670, 148 colonists arrived and settled on the west bank of the Ashley (Kiawah) River   They survived the first four years of poor crop production through the generosity of natives who shared beans and corn   They later moved to what is now Charleston In 1890, planters organized the first sailing regatta at Rockville, less than a mile from the tea garden  The 120th Rockville Regatta was held in August, 2010 
In more recent times, The Lipton Tea Company operated an experimental tea farm on Wadmalaw Island from 1960 until 1987, when it was sold to Mack Fleming and Bill Hall  These gentlemen converted the experimental farm into a working tea Garden  The Charleston Tea Garden utilized a converted cotton picker and tobacco harvester to mechanically harvest the tea  The Charleston Tea Garden sold tea mail order known as American Classic Tea and also produced Sam's Choice Instant Tea, sold through Sam's Clubs  American Classic Tea has been the official tea of the White House since 1987  In 2003, Bigelow Tea Company purchased the Charleston Tea Garden and temporarily closed the garden in order to renovate it   The garden reopened in January 2006  Tours are now offered of this last remaining working Tea Farm in America  Wadmalaw now produces Firefly, a sweet tea flavored vodka 

See also
Charleston Tea Garden
Passage 8:
Round Island (Nunavut)
Round Island is an uninhabited island in the Qikiqtaaluk Region of Nunavut, Canada  It is located across the mouth of Coutts Inlet in Baffin Bay off the northeastern coast of Baffin Island  Nova Zembla Island is 7 4 km (4 6 mi) to the northwest Another, smaller Nunavut Round Island is located in Cross Bay, at the land end of Chesterfield Inlet 
Passage 9:
Nova Zembla Island
Nova Zembla Island ("New Land") is an uninhabited island in the Qikiqtaaluk Region of Nunavut, Canada  It is located across the mouth of Coutts Inlet in Baffin Bay off the northeastern coast of Baffin Island  Round Island is 7 4 km (4 6 mi) to the southeast The island was visited in 1875 by a Swedish expedition led by Adolf Erik Nordenskiöld and sponsored by the businessman Oscar Dickson 
Passage 10:
Runmarö
Runmarö is an island located in the Stockholm archipelago in Sweden  The island is known for its many species of orchids (at least 27 different kinds) and 9 marshy lakes 

Notable residents
Author and entomologist Fredrik Sjöberg lives on the island with his family  The island is frequently referenced in his 2014 novel The Fly Trap 



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