prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who was born first, Tombstone Rashomon or Waiting For The Clouds?

The following are given passages.
Context 1: Passage 1:
Alex Cox
Alexander B  H  Cox (born 15 December 1954) is an English film director, screenwriter, actor, non-fiction author and broadcaster  Cox experienced success early in his career with Repo Man and Sid and Nancy, but since the release and commercial failure of Walker, his career has moved towards independent films  Cox received a co-writer credit for the screenplay of Terry Gilliam's Fear and Loathing in Las Vegas (1998) for previous work on the script before it was rewritten by Gilliam 
As of 2012, Cox has taught screenwriting and film production at the University of Colorado, Boulder 

Early life
Cox was born in Bebington, Cheshire, England in 1954  He attended Worcester College, Oxford, and later transferred to the University of Bristol where he majored in film studies  Cox secured a Fulbright Scholarship, allowing him to study at the University of California, Los Angeles, where he graduated from the School of Theater, Film and Television with an MFA 

Film career
Study and independent
Cox began reading law as an undergraduate at Oxford University, but left to study radio, film and TV at Bristol University, graduating in 1977  Seeing difficulties in the British film scene at the time, he first went to Los Angeles to attend film school at UCLA in 1977  There he produced his first film, Edge City (also known as Sleep Is for Sissies), a 40-minute surreal short about an artist struggling against society  After graduation, Cox formed Edge City Productions with two friends with the intention of producing low-budget feature films  He wrote a screenplay for Repo Man, which he hoped to produce for a budget of $70,000, and began seeking funding 

Hollywood and major studio period (1978–1987)
Michael Nesmith agreed to produce Repo Man, and convinced Universal Studios to back the project with a budget of over a million dollars  During the course of the film's production, the studio's management changed, and the new management had far less faith in the project  The initial cinema release was limited to Chicago, followed by Los Angeles, and was short-lived 
After the success of the soundtrack album (notable for featuring many popular LA punk bands), there was enough interest in the film to earn a re-release in a single cinema in New York City, but only after becoming available on video and cable  Nevertheless, it ran for 18 months, and eventually earned $4,000,000 
Continuing his fascination with punk music, Cox's next film was an independent feature shot in London and Los Angeles, following the career and death of bassist Sid Vicious and his girlfriend Nancy Spungen, initially titled Love Kills and later renamed Sid and Nancy  It was met warmly by critics and fans, though heavily criticised by some, including Pistols' frontman John Lydon, for its inaccuracies  The production of this film also sparked a relationship with Joe Strummer of the Clash, who would continue to collaborate with the director on his next two films 
Cox had long been interested in Nicaragua and the Sandinistas (both Repo Man and Edge City made references to Nicaragua and/or Latin American revolution), and visited in 1984  The following year, he hoped to shoot a concert film there featuring the Clash, the Pogues and Elvis Costello  When he could not get backing, he decided instead to write a film that they would all act in  The film became Straight to Hell  Collaborating with Dick Rude (who also co-starred beside Strummer, Sy Richardson and Courtney Love), he imagined the film as a spoof of the Spaghetti Western genre, filmed in Almería, Spain, where many classic Italian westerns were shot  Straight to Hell was widely panned critically, but successful in Japan and retains a cult following  On 1 June 2012, Cox wrote an article in The New York Times about his long-standing interest in spaghetti westerns Continuing his interest in Nicaragua, Cox took on a more overtly political project, with the intention of filming it there  He asked Rudy Wurlitzer to pen the screenplay, which followed the life of William Walker, set against a backdrop of anachronisms that drew parallels between the story and modern American intervention in the area  The $6,000,000 production was backed by Universal, but the completed film was too political and too violent for the studio's tastes, and the film went without promotion  When Walker failed to perform at the box office, it ended the director's involvement with Hollywood studios, and led to a period of several years in which Cox would not direct a single film  Despite this, Cox and some critics maintain that it is his best film 

Mexican period (1988–1996)
Effectively blacklisted for working on a studio project during the 1988 Writers Guild of America strike, Alex Cox struggled to find feature work  He finally got financial backing for a feature from investors in Japan, where his films had been successful on video  Cox had scouted locations in Mexico during the pre-production of Walker and decided he wanted to shoot a film there, with a local cast and crew, in Spanish  Producer Lorenzo O'Brien penned the script  Inspired by the style of Mexican directors including Arturo Ripstein, he shot most of the film in plano secuencia; long, continuous takes shot with a hand-held camera  El Patrullero was completed and released in 1991, but struggled to find its way into cinemas 
Shortly after this, Cox was invited to adapt a Jorge Luis Borges story of his choice for the BBC  He chose Death and the Compass  Despite being a British production and an English language film, he convinced his producers to let him shoot in Mexico City  This film, like his previous Mexican production, made extensive use of long-takes  The completed 55-minute film aired on the BBC in 1992 
Cox had hoped to expand this into a feature-length film, but the BBC was uninterested  Japanese investors gave him $100,000 to expand the film in 1993, but the production ran over-budget, allowing no funds for post-production  To secure funds, Cox directed a "work for hire" project called The Winner  The film was edited extensively without Cox's knowledge, and he tried to have his name removed from the credits as a result but was denied, but the money was enough for Cox to fund the completion of Death and the Compass  The finished, 82-minute feature received a limited cinema release in the US, where the TV version had not aired, in 1996 

Liverpool period (1997–2006)
In 1996, producer Stephen Nemeth employed Alex Cox to write and direct an adaptation of Hunter S  Thompson's Fear and Loathing in Las Vegas  After creative disagreements with the producer and Thompson, he was sacked from the project, and his script rewritten when Terry Gilliam took over the film  (Cox later sued successfully for a writing credit, as it was ruled that there were enough similarities between the drafts to suggest that Gilliam's was derivative of Cox's  Gilliam countered that the screenplays were based on the source book and similarities between them were a consequence of this )
In 1997, Alex Cox made a deal with Dutch producer Wim Kayzer to produce another dual TV/feature production  Three Businessmen  Initially, Cox had hoped to shoot in Mexico but later decided to set his story in Liverpool, Rotterdam, Tokyo and Almería  The story follows businessmen in Liverpool who leave their hotel in search of food and slowly drift further from their starting point, all the while believing they are still in Liverpool  The film was completed for a small budget of $250,000  Following this, Cox moved back to Liverpool and became interested in creating films there 
Cox had long been interested in the Jacobean play, The Revenger's Tragedy, and upon moving back to Britain, decided to pursue adapting it to a film  Collaborating with fellow Liverpudlian screenwriter Frank Cottrell Boyce, the story was recast in the near future, following an unseen war  This adaptation, titled Revengers Tragedy, consisted primarily of the original play's dialogue, with some additional bits written in a more modern tone  The film is also notable for its soundtrack, composed by Chumbawamba 
Following this, Cox directed a short film set in Liverpool for the BBC titled I'm a Juvenile Delinquent – Jail Me! (2004)  The 30-minute film satirised reality television as well as the high volume of petty crime in Liverpool which, according to Cox, is largely recreational 

Microfeature period (2007–present)
In 2006, Alex Cox tried to get funding for a series of eight very low budget features set in Liverpool and produced by locals  The project was not completed, but the director grew interested in pursuing the idea of a film made for less than £100,000  He had originally hoped to shoot Repo Man on a comparable budget, and hoped that the lower overhead would mean greater creative freedom 
Searchers 2 0, named after but based on The Searchers, became Cox's first film for which he has sole writing credit since Repo Man, and marked his return to the comedy genre  A road movie and a revenge story, it tells of two actors, loosely based on and played by Del Zamora and Ed Pansullo, who travel from Los Angeles to a desert film screening in Monument Valley in the hopes of avenging abuse inflicted on them by a cruel screenwriter, Fritz Frobisher (Sy Richardson)  It was scored by longtime collaborator Dan Wool aka Pray for Rain (Sid & Nancy, Straight to Hell, Death & the Compass, The Winner, Three Businessmen, Repo Chick among others)  Although the film was unable to achieve a cinema release in America or Europe, Cox claimed the experience of making a film with a smaller crew and less restrictions was energising  It is available on DVD in Japan, and was released in October 2010 in North America Alex Cox had attempted to get a Repo Man sequel, titled Waldo's Hawaiian Holiday, produced in the mid-'90s, but the project fell apart, with the script adapted into a graphic novel of the same name  For his next micro-feature, he wrote a fresh attempt at a Repo follow-up, although it contained no recurring characters, so as to preserve Universal's rights to the original  Repo Chick was filmed entirely against a green screen, with backgrounds of digital composites, live action shots, and miniatures matted in afterwards, to produce an artificial look  It premiered at the Venice Film Festival on 9 September 2009 
As of July 2012, Cox was teaching film production and screenwriting at the University of Colorado at Boulder In 2013 Cox directed Bill, the Galactic Hero, developed from a science fiction book by Harry Harrison  It was funded by a successful Kickstarter funding campaign, raising $114,957 of the original $100,000 goal  The film was to be made, created and acted by his film students in monochrome with supervision from professional film makers who would be giving their time on the film for free Cox's 2013 book The President and the Provocateur examines events in the lives of John F  Kennedy and Lee Harvey Oswald leading up to Kennedy's assassination, with reference to the various conspiracy theories In 2017 Cox directed another crowdfunded film, Tombstone Rashomon, which tells the tale of the Gunfight at the O K  Corral from multiple perspectives in the style of Akira Kurosawa's 1950 film Rashomon In September 2019, Cox started the podcast ‘Conversations with Cox and Kjølseth’ with his friend and colleague Pablo Kjølseth  In October 2022, Cox announced the end of the podcast, citing its small audience and the comparative success of podcasts by Joe Dante, Quentin Tarantino and Cox's one-time collaborator Roger Deakins 

Moviedrome
In May 1988 Cox began presenting the long-running and influential BBC series Moviedrome  The weekly strand was a showcase for cult films  Though most of the films shown were chosen by series creator and producer Nick Jones, each film was introduced by Cox  By the time he left the show in September 1994, Cox had introduced 141 films  Various film directors have cited Moviedrome as an influence, including Ben Wheatley and Edgar Wright  The series was later presented by film director and critic Mark Cousins 

Influences and style
Cox has cited Luis Buñuel and Akira Kurosawa as influences, as well as the Western film directors Sergio Leone, Sergio Corbucci, Sam Peckinpah, John Ford and Giulio Questi  Cox also wrote a book on the history of the genre called 10,000 Ways to Die  While he once directed films for Universal Pictures, such as Repo Man and Walker, since the late 1980s, he has found himself on a self-described blacklist, and turned to producing independent films  Cox is an atheist and is decidedly left-wing in his political views  Many of his films have an explicit anti-capitalist theme or message  He was originally set to direct Fear and Loathing in Las Vegas but was replaced by Terry Gilliam due to creative differences with Hunter S  Thompson  By August 2009, Cox had announced completion of Repo Chick, which premiered at the Venice Film Festival the following month, but he remained ambivalent as to whether the film would ever be distributed to cinemas  His previous film, Searchers 2 0, was not released theatrically, and only appears on DVD in Japan and North America after a televised screening in the UK on the BBC 
Cox is a fan of the Japanese Godzilla films and appeared in a 1998 BBC documentary highlighting the series  He also narrated the documentary Bringing Godzilla Down to Size and wrote the Godzilla in Time comics for Dark Horse  He tried to direct an American Godzilla film at one point, but unsuccessfully submitted his outline to TriStar Pictures 

Personal life
As of 2011, Cox resided in Colestin, Oregon with his wife, writer Todelina Babish Davies 

Partial list of works
Feature films
Documentaries
Kurosawa: The Last Emperor (1999)
Emmanuelle: A Hard Look (2000)
Bringing Godzilla Down to Size (2007) – narrator
Scene Missing (2012)

Television
Moviedrome (as presenter) (1988 to 1994)
Godzilla: King of the Monsters – BBC, contributor
In His Life: The John Lennon Story as Bruno Koschmider
Mike Hama Must Die! (2002)
I'm a Juvenile Delinquent – Jail Me! (2003)

Books
10,000 Ways to Die: A Director's Take on the Spaghetti Western (2008)
X Films: True Confessions of a Radical Filmmaker (2008)
Waldo's Hawaiian Holiday (2008)
Three Dead Princes (Illustrator) (2010)
The President and the Provocateur: The Parallel Lives of JFK and Lee Harvey Oswald (2013)
Alex Cox's Introduction to Film: A Director's Perspective (2016)
I Am (Not) A Number: Decoding The Prisoner (2017)

Acting credits
Passage 2:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 3:
Waiting for the Clouds
Waiting for the Clouds (Bulutları Beklerken) is a film from 2003, Turkey  The film was directed by Yeşim Ustaoğlu  It is based on a novel by Georgios Andreadis titled Tamama  The film was produced by Setarh Farsi, Helge Albers and Behrooz Hashemian  The film was nominated in Montréal World Film Festival 2004 

Plot
The neighbor´s son Mehmet is worried about the elderly woman Ayshe, and he likes hearing her stories  When Ayshe´s older sister dies she refuses to be with the other villager and starts searching for her younger brother in Greece  Waiting for the Clouds takes place in 1975 and Mehmet´s experience is based on the directors memory from the 70s  And the character Ayshe would not have had to keep her ethnic identity a secret for 50 years if she had lived in a tolerant environment 

Hiding ethnic identity
The character of Ayshe was born Eleni, daughter of indigenous Greeks in the eastern Black Sea region of Northern Turkey, what was once the ancient country of Pontus  She was adopted by a Turkish Muslim family in the World War I  Fear is the reason that Ayshe never spoke of her ethnic past again  In the 70s Turkey the government did put a lot of pressure on the ordinary lives   If there had been tolerance, Ayshe would not have had to keep her ethnic identity a secret for 50 years  But in 1970s Turkey, paranoia and a fear of “others” was on the rise while tolerance toward minority ethnic groups diminished 

Boundaries and Ties
The movie has many commonalities with a series of movies by the renowned film maker Theodoros Angelopoulos: the borders and their impact on the lives of human beings – as in The Suspended Step of the Stork; a tedious Odyssean search for a family member – as in Landscape in the Mist; the long-lost identity and the fusion of different cultures – as in Ulysses' Gaze and The Suspended Step of the Stork  The similarities are not limited to the content and themes; they also include the form and style of the movie: carefully composed scenes and an enormous number of extended long shots  But there are telling differences as well  In Waiting for the Clouds, Ustaoglu tends to emphasize on the idea of distance, whereas Angelopolous emphasizes on the journey  We barely see Ayshe on the journey; rather, we see her at two different destinations  She belongs to a generation which has gone through the ordeal of Population exchange between Greece and Turkey, and has never managed  to fully recover from that emotional wound  When she finally decides to overcome her fears and inhibitions and go to find her lost brother, she trespasses a number of boundaries  We don’t see her cross the physical boundary, the border, – unlike Angelopolous – but her crossing the imagined boundaries that she had created for herself is manifest  “The objective properties of the community are less important than the imagined ones ” Deep in her subconscious, she imagines herself belonging to another nation, another community, and another language  But when she ventures outside her little home in the small village, she gets to see that what she had imagined to be her true community, is as strange to her as it gets  She goes back to Turkey, but she is not the same person anymore  She seems like she has put a huge burden off her shoulder  She begins to smile 
Passage 4:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 
Passage 5:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 6:
Rumbi Katedza
Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974 

Early life and education
She did her Primary and Secondary Education in Harare, Zimbabwe  Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995  In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film  She also holds a MA in Filmmaking from Goldsmiths College, London University 

Work and filmography
Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows  From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe)  From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival  Whilst there, she produced the Postcards from Zimbabwe Series  In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely

Tariro (2008);
Big House, Small House (2009);
The Axe and the Tree (2011);
The Team (2011)
Playing Warriors (2012)Her early works include:

Danai (2002);
Postcards from Zimbabwe (2006);
Trapped (2006 – Rumbi Katedza, Marcus Korhonen);
Asylum (2007);
Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts  She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe  She has also lobbied Zimbabwean government to actively support the film industry 
Passage 7:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 8:
South of the Clouds (2004 film)
South of the Clouds is a 2004 Chinese film and the second film directed by the writer Zhu Wen  The film stands in stark contrast to Zhu's previous film  In terms of production, South of the Clouds received the cooperation of the state apparatus unlike 2001's Seafood which was an underground production shot on digital hand-held cameras  In terms of story, the transgressive tale of a prostitute and a policeman in Seafood is a far cry from South of the Cloud's gentle tale of a retiree who fulfills a lifelong desire to travel to the southern province of Yunnan (literally "South of the Clouds") 
South of the Clouds stars Li Xuejian as the protagonist, Xu Daqin, and features a cameo by director Tian Zhuangzhuang as the police chief in a small town in Yunnan  It was produced by China Film Assist, an independent production company in China; South of the Clouds was the company's first production 

Background
South of the Clouds was, at heart, an attempt by Zhu Wen to capture the image and beauty of Yunnan that he had experienced upon his first visit to the province  Beyond that, however, the film was an opportunity for Zhu to present his work to his home country  Following the completion of Seafood, Zhu "wanted to make something that [he] could show to [his] parents and   friends in China  Unlike Seafood, South of the Clouds did not encounter any issues with the state censors, in part because the film strictly followed all the relevant regulations 

Awards and nominations
South of the Clouds like many Chinese art films was screened at numerous film festivals around the world  It succeeded in winning a FIPRESCI prize and the Firebird Award for New Cinema at the 28th Hong Kong International Film Festival  The film also won a NETPAC award at the Berlin International Film Festival in 2004 

See also
Mosuo - a matriarchal ethnic enclave in Yunnan, featured prominently in the film 
Passage 9:
Yeşim Ustaoğlu
Yeşim Ustaoğlu (born 18 November 1960) is a Turkish filmmaker and screenwriter 

Life and career
Ustaoğlu was born in Kars, Sarıkamış and grew up in Trabzon on the Black Sea  After studying architecture at Karadeniz Technical University she moved to Istanbul, attended master's programme in Yıldız Technical University, she worked as an architect, then as a journalist and a film critic  Before she made her feature film debut The Trace (İz) in 1994, she had made several award-winning short films  The Trace was entered into the 19th Moscow International Film Festival Ustaoğlu received international recognition for her next film, Journey to the Sun (Güneşe Yolculuk), which told a story of a friendship between a Turk and a Kurd  Her fourth film Pandora's Box (Pandora'nın Kutusu) won The Best Film and The Best Actress award in San Sebastian Film Festival and is Ustaoğlu's biggest international success to date 

Filmography
Passage 10:
Tombstone Rashomon
Tombstone Rashomon is a 2017 Western film directed by Alex Cox and starring Adam Newberry and Eric Schumacher  It tells the story of the Gunfight at the O K  Corral in Tombstone, Arizona Territory, from multiple differing perspectives in the style of Akira Kurosawa's 1950 film Rashomon 

Plot synopsis
A film crew travels back in time to film the Gunfight at the O K  Corral  They arrive after the gunfight, however, and can only interview those involved  They interview Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Roderick Hafford, and Johnny Behan, each of whom has a different take on the events 

Cast
Production
As with his previous film Bill, the Galactic Hero (2014), Alex Cox used crowdfunding to finance the production of the film  This time he used an Indiegogo campaign In an interview with IndieWire, Cox stated, "I was thinking it would be a conventional western, but Rudy (Wurlitzer) wants to give it a science fiction angle — from the perspective of time-traveling women historians from the future  They’ll time-travel back in time to film at the OK Corral, but they get the day wrong and they miss it by a day, so they have to interview the survivors " Wurlitzer was involved in early stages, but not credited as a writer on the final film, the screenplay is solely credited to Cox In an interview with The Huffington Post, Cox stated that he had originally planned to film in Boulder, Colorado, but then decided to shoot in Tucson instead Filming took place at the Old Tucson Studios west of Tucson  In an interview with Tucson Weekly, Cox stated that the producers of Snowden matched the funds already accumulated, helping Cox to complete the film 

Release
The film screened as a work in progress at the Ashland Independent Film Festival at 6:40 p m  on Saturday, April 8, 2017, at the Cinedelphia Film Festival at 7:00 p m  on April 15, 2017, and at the Loft Film Fest on May 27, 2017 
Context 3: Passage 1:
Pier-Luc Funk
Pier-Luc Funk (born May 5, 1994) is a Canadian film and television actor from Quebec  He is most noted for his role as Maxime in the 2018 film Genesis (Genèse), for which he received a Prix Iris nomination for Best Supporting Actor at the 21st Quebec Cinema Awards Funk had his first acting role in childhood, as the protagonist of the 2008 film A No-Hit No-Run Summer (Un été sans point ni coup sûr)  Following that he joined the cast of the teen drama series Tactik, in which he played Samuel Langevin from 2009 to 2013 In 2014 and 2015 he was a cast member in SNL Québec, a Quebec-based adaptation of Saturday Night Live  After the show was cancelled by Télé-Québec in 2015, he joined the cast of the new series Le nouveau show  In the same year he joined the cast of the drama series Mémoires vives as Jérémie, a sinister character who plotted and carried out a kidnapping of the main character's daughter  In 2017, he won the Prix Gémeaux for Best Actor in a Drama Series for Mémoires vives, the youngest actor to win in the history of the category In 2021 Funk hosted Sans rancune, a TVA variety series  In an episode devoted to drag queens in February, Funk participated in a lipsync battle against Rita Baga 

Filmography
2008 - A No-Hit No-Run Summer (Un été sans point ni coup sûr): Martin
2013 - Vic and Flo Saw a Bear (Vic+Flo ont vu un ours): Charlot Smith
2014 - 1987: Dallaire
2015 - The Demons (Les Démons): Ben
2015 - Aurélie Laflamme: Les pieds sur terre: Jean-Benoît Houde
2016 - Kiss Me Like a Lover (Embrasse-moi comme tu m'aimes): Donat
2017 - Sashinka: Prêteur sur gages
2018 - Genesis (Genèse): Maxime
2019 - Matthias & Maxime: Rivette
2020 - Flashwood: Luc
2021 - Entre deux draps: Antoine
2021 - The Time Thief (L'Arracheuse de temps)
Passage 2:
Ed Gill
Edward James Gill (August 7, 1895 – October 10, 1995) was an American professional baseball pitcher  He appeared in sixteen Major League Baseball games for the Washington Senators in 1919 

Biography
A native of Somerville, Massachusetts, Gill played college baseball for Holy Cross from 1916 to 1919, where he was coached by Baseball Hall of Famer Jesse Burkett  In 1916 and 1917, he played summer baseball for the Hyannis town team in what is now the Cape Cod Baseball League  At Hyannis, he pitched a no-hit, no-run game where he did not allow a ball to be hit to the outfield In Gill's lone season in the big leagues, he started two games and appeared in 16 total for the Senators, tossing 37 1 innings, and posting a 1–1 record with a 4 82 ERA  He made eight plate appearances, earning one base on balls and no hits  His major league debut came on July 5, when he hurled a 1-2-3 inning of relief in Washington's 6–4 loss in the first game of a doubleheader with the New York Yankees at the Polo Grounds  Gill's lone major league victory September 3 against the Philadelphia Athletics at Shibe Park  Gill tossed the first five innings and gave up two runs on four hits  He gave way to Jim Shaw, who went the rest of the way on the mound, and the Senators' Hall of Fame outfielder Sam Rice went 3–for–4 with a double, stolen base and two runs scored in the Senators' 4–3 win Gill died in Brockton, Massachusetts in 1995 at the age of 100 
Passage 3:
Obata Toramori
Obata Toramori (小畠虎盛, 1491 – July 14, 1561) was Japanese samurai warrior of the Sengoku Period  He is known as one of the "Twenty-Four Generals of Takeda Shingen" 
He also recorded as having been wounded 41 times in 36 encounters  
He was the father of Obata Masamori 

See also
Isao Obata
Passage 4:
A No-Hit No-Run Summer
A No-Hit No-Run Summer (French: Un été sans point ni coup sûr) is a Canadian sports drama film, directed by Francis Leclerc and released in 2008 Written by Marc Robitaille as an adaptation of his own novel, the film is set in the late 1960s and stars Pier-Luc Funk as Martin, a young boy who loves baseball and dreams of someday playing for the new Montreal Expos  He is disappointed when he is not chosen for the local youth baseball team by coach Gilbert Turcotte (Roy Dupuis), but his hope is restored when his father Charles (Patrice Robitaille) decides to organize and coach a new baseball team for the kids who didn't make it onto Turcotte's team The film received two Prix Jutra nominations at the 11th Jutra Awards in 2009, for Best Editing (Glenn Berman) and Best Original Music (Carl Bastien, Luc Sicard) 

Cast
Patrice Robitaille as Charles
Pier-Luc Funk as Martin
Jacinthe Laguë as Mireille
Roy Dupuis as Gilbert Turcotte
Peter Batakliev as Monsieur B
Frédérique Dufort as Sophie
Phillip Jarrett as Mack Jones
Guy-Daniel Tremblay as Fern
Guy Thauvette as M  Audet
Victor Desjardins as Grand Pete

Music
In addition to Fernand Lapierre's recording of the Montreal Expos theme song "Les Expos sont là", the film's soundtrack included a number of popular French and English songs from the era  Most were rerecorded as new covers by contemporary Quebec artists, although Robert Charlebois and Louise Forestier's "Lindberg" was included in its original version, and a few songs, including the theme to the television sitcom Gilligan's Island, were sung diegetically by the film's own cast 
"Je reviens chez nous" (Jean-Pierre Ferland) - Fernand Lapierre
"Les Expos sont là" (Marc Gélinas, Marcel Lefebvre) - Fernand Lapierre
"L'amour est bleu" (André Popp, Pierre Cour) - Luc Sicard and Carl Bastien
"People Got to Be Free" (Felix Cavaliere, Eddie Brigati) - Louis Larivière
"Working for the Man" (Roy Orbison) - Luck Mervil
"Daydream" (John Sebastian) - Ariane Moffatt
"The Ballad of Gilligan's Isle" (George Wyle, Sherwood Schwartz) - Pier-Luc Funk, Victor Desjardins, Simon Pigeon, Jean Carl Boucher
"California Dreamin'" (John Phillips, Michelle Philips) - Luck Mervil, Daniel Bélanger, Ariane Moffatt, Marie-Pierre Arthur
"Sunshine Superman" (Donovan) - Daniel Bélanger
"These Eyes" (Randy Bachman, Burton Cummings) - Béatrice Bonifassi
"Lindberg" (Robert Charlebois, Claude Péloquin) - Robert Charlebois, Louise Forestier
"The House of the Rising Sun" (Alan Price) - Sandrine St-Onge, Frédérique Dufort
Passage 5:
Anthony Lerew
Anthony Allen Lerew (born October 28, 1982) is an American former professional baseball pitcher who played in Major League Baseball (MLB) for the Atlanta Braves and Kansas City Royals; he also played Nippon Professional Baseball (NPB) for the Fukuoka SoftBank Hawks, and in the KBO League for the Kia Tigers, he also played for the Navegantes del Magallanes on the LVBP Liga Venezolana de Béisbol Profesional where on 11/21/2010 against the Leones del Caracas (the biggest rival team) he managed to throw a no hit no run game 

Career
Atlanta Braves
Lerew, a graduate of Northern York High School in Dillsburg, Pennsylvania, was drafted by the Atlanta Braves in the 11th round of the 2001 Major League Baseball draft   After four seasons in the Braves' minor league system, he debuted on September 4, 2005, in a home game against the Cincinnati Reds  In the 2005 season, Lerew recorded no wins, no losses, 5 strikeouts, and a 5 62 earned run average in 7 games, all of which were relief outings 
On February 23, 2006, the Braves signed Lerew to a one-year deal  A month later, on February 23, he was optioned to the Triple-A Richmond Braves  With Richmond, Lerew compiled a 3–5 record with a 7 48 ERA and 69 strikeouts in 16 games, 15 of which he started 
The Braves called up Lerew from Richmond on September 1, 2006  He made his 2006 debut the next day with a relief appearance in the fifth inning  Lerew pitched 2 innings, allowing 5 runs and striking out 1 batter  He was sent back down to the Richmond Braves on September 4, having appeared in only one game 
On May 8, 2007, Lerew made his first big-league start for Atlanta when he was called up from Richmond yet again, this time to replace Mark Redman in a game against the San Diego Padres  He was later sent down to Richmond again 
On June 20, 2007, Lerew underwent season-ending Tommy John surgery and was placed on the 60-day disabled list  He recovered from surgery in Southern Florida, at the Braves extended spring training site  Once recovered, he spent the rest of 2008 pitching for the Gulf Coast Braves and with Triple-A Richmond 
On March 5, 2009, Lerew was outrighted to Triple-A Gwinnett to make room on the roster for Tom Glavine, and was released five days later 

Kansas City Royals
On March 18, 2009, Lerew signed a minor league deal with the Kansas City Royals  Lerew spent the 2009 minor league season with the Double-A Northwest Arkansas Naturals   He was called up in September and made his Royals debut on September 24, 2009  He re-signed with them in February On June 16, 2010, Lerew was called up from the Triple-A Omaha Royals to the Royals to replace Luke Hochevar, who went on the disabled list with a sprained elbow  He earned his first career major league win on June 28 of that year over the Chicago White Sox 

Fukuoka SoftBank Hawks
Lerew signed with the Fukuoka SoftBank Hawks of Nippon Professional Baseball for the 2011 season 

Kia Tigers
On January 16, 2012, Lerew signed a bonus of $50,000 with Kia Tigers of the Korea Baseball Organization with Alex Graman  As a starter, he went 11–13 in his first season with them, with 94 strikeouts and an earned run average of 3 83  He was resigned with Kia Tigers for 2013 season, but was released on July 24, 2013 

York Revolution
On April 11, 2014, the York Revolution signed Lerew 

Los Angeles Angels
Lerew signed a minor league deal with the Los Angeles Angels of Anaheim on May 20, 2014 

York Revolution
Lerew signed with the York Revolution of the Atlantic League of Professional Baseball for the 2015 season  He became a free agent after the 2015 season 
Passage 6:
Inoue Masaru (bureaucrat)
Viscount Inoue Masaru (井上 勝, August 25, 1843 – August 2, 1910) was the first Director of Railways in Japan and is known as the "father of the Japanese railways" 

Biography
He was born into the Chōshū clan at Hagi, Yamaguchi, the son of Katsuyuki Inoue  He was briefly adopted into the Nomura family and became known as Nomura Yakichi, though he was later restored to the Inoue family 
Masaru Inoue was brought up as the son of a samurai belonging to the Chōshū fief



ground_truth: Tombstone Rashomon

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose director is younger, Cuchillos De Fuego or A Woman Has Killed?

The following are given passages.
Context 2: Passage 1:
Cuchillos de fuego
Cuchillos de fuego is a Venezuelan film released in 1990  It was directed by Román Chalbaud based on his theatre play Todo bicho de uña, where a young man, David, seeks revenge on his mother's rapist and murderer  In the film, which is styled like a Western, a stop-motion animated children's drawing of the young David crying over his mother's body is used to tell parts of the story  After searching through the Andes for ten years, he kills several Apaches for his revenge In its theatrical release it was viewed by 367,652 people 

Production
The film stars Miguel Ángel Landa, who also produced it, as well as Marisela Berti, Javier Zapata, Charles Barri, Natalia Martínez, Gabriel Fernández, Dora Mazzone, Jonathan Montenegro, Gabriel Martínez, and Raúl Medina Despite being a Spanish co-production, it was not released in Spain 

Response
The film has been praised for its mixing of diverse themes, like melodrama and fantasy  However, its use of Freudian references was seen as simple, with the film overall described as "somewhat indigestible" It has been assessed as thematically aligned with Chalbaud's other films, despite being a different genre  In this respect, it features "mirage-like memories" of David's mother;:46 masks and costumes used to show illusion and performance of characters thematically;:46-47 pop music in the background used to layer simple meaning;:47 the religious name (David) for its protagonist;:48 and the use of myths, specifically the "fairytale of the abandoned child" :52
Passage 2:
Vittorio Cottafavi
Vittorio Cottafavi (30 January 1914 – 14 December 1998) was an Italian film director and screenwriter  He directed 70 films between 1943 and 1985  His film Il diavolo sulle colline was screened in the Un Certain Regard section at the 1985 Cannes Film Festival 

Selected filmography
Passage 3:
Blossoms of Fire
Blossoms of Fire (also known as Ramo de fuego) is a 2000 documentary film about the people of Juchitán, Oaxaca, Mexico  The documentary was directed by Maureen Gosling and Ellen Osborne 

Overview
Author Elena Poniatowska described the women of Juchitán de Zaragoza, a city in the Mexican state of Oaxaca, as “guardians of men, distributors of food ” Artists like Miguel Covarrubias and Frida Kahlo celebrated their beauty and intelligence  Blossoms of Fire shows them in their daily lives as they run their own businesses, embroider their signature fiery blossoms on clothing and comment on articles in the foreign press that depict them as a promiscuous matriarchy  In particular, an article in the Latin American version of ELLE Magazine infuriated the community during the time the filmmakers were shooting in 1994  Yet, it is expressed throughout the film by the women that they do not consider their society to be a matriarchy 
The people interviewed in this film share a common work ethic and independent streak rooted in Zapotec culture  The movie demonstrates powerful women, the region’s progressive politics, and a tolerance of homosexuality  Veteran film editor and former Les Blank collaborator Maureen Gosling and co-director Ellen Osborne tell of an indigenous community whose "flair for survival in the modern world is a fighting spirit and the undeniable influence of women "

Scenes
A midwife laughs over a young husband’s behavior during birth,
A gay man cheerfully asserts that “the mom’s in charge” in Juchitecan society
Many proudly describe the challenges they face in their work and their families 

Honors and special screenings
World Premiere - San Francisco International Film Festival, Castro Theater, SF and Pacific Film Archive, Berkeley
Coral Prize for Best Foreign Documentary About Latin America: Havana International Film Festival, Havana, Cuba 
"Best Of"Sunnyside of the Doc Film Market, Marseille, France
Award for Excellence - Society for Visual Anthropology, American Anthropological Association
Best Documentary - Film Fest New Haven, Conn 
Second Prize, Community Category, Terres en Vues First People's Festival,  Montréal, Québec
Prix Union Latine, Competition - La Cita Festival de Biarritz, Biarritz, France
El Foro de la Cineteca Nacional, Mexico City, Mexico (One of 12 international films chosen to screen at this prestigious Forum ) The film toured Mexico with the other films for three months following 
HBO Frame by Frame Series, The Screening Room, Manhattan
Tour of the Mexican Republic, including Juchitán, Oaxaca, Mexico City, and dozens of venues in the southern Mexican states  Sponsored by the Mexican Film Institute (IMCINE)  May–June 2001 
HDerHumALC (Human Rights) Film Festival, Buenos Aires, Argentina 
Toured with festival films to Lima, Peru (Dec  2002)
World Social Justice Forum in Porto Alegre and Belem, Brazil (Jan  2003) 

Credits
Producer, Director, Editor - Maureen Gosling
Director, Co-Producer - Ellen Osborne
Co-Producers - Toni Hanna, Maria Teresa García de la Noceda
Cinematographer - Xavier Pérez Grobet
Sound Recordist - Gabriela Espinoza
Field Producer - Susana Vásquez Sánchez
Associate Producer - Kelly Clement
Fiscal Sponsor - Film Arts Foundation, San Francisco
Featuring - the People of Juchitán and San Blas Atempa, Oaxaca
Passage 4:
Miloš Zličić
Miloš Zličić (Serbian Cyrillic: Милош Зличић; born 29 December 1999) is a Serbian football forward who plays for Smederevo 1924  He is a younger brother of Lazar Zličić 

Club career
Vojvodina
Born in Novi Sad, Zličić passed Vojvodina youth school and joined the first team at the age of 16  Previously, he was nominated for the best player of the "Tournament of Friendship", played in 2015  He made his senior debut in a friendly match against OFK Bačka during the spring half of the 2015–16 season, along with a year younger Mihajlo Nešković  Zličić made an official debut for Vojvodina in the 16th fixture of the 2016–17 Serbian SuperLiga season, played on 19 November 2016 against Novi Pazar 

Loan to Cement
In July 2018, Zličić joined the Serbian League Vojvodina side Cement Beočin on half-year loan deal  Zličić made his debut in an official match for Cement on 18 August, in the first round of the new season of the Serbian League Vojvodina, in a defeat against Omladinac  He scored his first senior goal on 25 August, in victory against Radnički 

International career
Zličić was called in Serbia U15 national team squad during the 2014, and he also appeared for under-16 national team between 2014 and 2015  He was also member of a U17 level later  After that, he was member of a U18 level, and scored goal against Slovenia U18 

Career statistics
As of 26 February 2020
Passage 5:
Ojos de fuego
Ojos de Fuego  (Eyes of Fire) is a 1995 Argentine independent short film written and directed by Jorge Gaggero 

Cast
Erasmo Olivera as Julian
Jorge Huertas as Comisario
Victor Poleri as Rengo
Eva Fernandez as Madre de Julian
Leandro Martínez as Laucha

External links
Ojos de fuego at IMDb
Passage 6:
La Bestia humana
La Bestia humana is a 1957 Argentine film whose story is based on the 1890 novel La Bête Humaine by the French writer Émile Zola 

External links
La Bestia humana at IMDb
Passage 7:
Román Chalbaud
Román Chalbaud (born 10 October 1931) is a Venezuelan film director and screenwriter, as well as a prominent playwright  Starting work in television after prestigious training, Chalbaud moved into making films before the industry took off in his home country, returning to theatre where he had been a great success for several years until filmmaking became a viable industry again  He has served as the president of Venezuela's leading theatre, television, and film organisations  A documentary about his life and work called Román en el universo de las maravillas, produced by Argentinian filmmakers, was released on 17 March 2018 in Altamira, Caracas at the Rómulo Gallegos Center for Latin American Studies 

Early life
Born in Mérida, Chalboud moved to Caracas with his grandmother at age six, and was seen in the city as a "learning-disabled" "country boy" Chalbaud was young, "in his adolescence" when he knew he wanted to be a storyteller, but also had a proclivity towards poetry  Some of his storytelling desires came from his grandmother, who was a keen reader of European literature, and also enjoyed watching some French and Italian films  It was not long after his revelation that he believed he could achieve both working in theatre and in film, the arts towards which he has focused since he was a teenager  His journey to becoming one of his nation's most renowned directors is framed as starting when he would go to a cinema as a teenager and watch films from the Golden Age of Mexican cinema, though Chalbaud himself says that he was inspired by dramatic angles when playing an angel in a Nativity play as a child and being hoisted into the rafters, able to watch the performance from a detached perspective, and to watch the audience as they watched the action After leaving high school, Chalbaud studied for two years at the Teatro Experimental in Caracas, and then studied directing under Lee Strasberg in New York 

Career
The director was in his late teens when he got jobs working in television, whilst writing plays  When working one television job, in the early 1950s, he reports that his group worked from 3 pm until 9 at night, and would then spend time at a brothel  It is during this time that he found inspiration and stories for his play El Pez que Fuma, which he would later make into a film  He also wrote the plays Los adolescentes, for which he won the Ateneo de Caracas prize, and Caín adolescente in his early television career  It was also the early 1950s when he worked as the assistant director to Mexican filmmaker Víctor Urruchúa, working on two of Urruchúa's films, Six Months of Life and Light in the High Plains  In 1955 he became the artistic director of Televisora Nacional, a company he left in 1958 It is possible that he left Televisora Nacional, the official statement being "for political reasons", when he was imprisoned in 1957 for five months by the regime of Marcos Pérez Jiménez, an experience he says gave him a social conscience to do good after being tortured Before releasing his first film, Chalbaud had seen enough success in playwriting that he was made the director of the National Theatre of Venezuela in 1958  He left this role the year after the release of Caín adolescente, in 1960  He had made two films by 1963, when cinema diminished in Venezuela and he was effectively forced to return to theatre  In 1967 he took the presidency of the UNESCO Latin American Theatre Institute, and it was in this year theatre collective "El Nuevo Grupo" was co-founded by Chalbaud; he dedicated the poem "Us and the Theatre" to the group, with which he has worked extensively since, that same year The success of Chalbaud's plays is placed on his characters, with the social-realist works characterised by an open treatment of dramatic plots, and a supposedly archetypal selection of characters used to portray irony with the social contexts of marginalisation they find themselves, all which critiques the situation of the country  This is also a reason that his plays, many of them that he made into films, are deemed timeless and socially relevant even in the 21st century  He was awarded the National Theatre Award of Venezuela in 1984  He is considered, along with friends Isaac Chocrón and José Ignacio Cabrujas, to be "a prime moving force in continuing the work of César Rengifo in the development of the contemporary Venezuelan theatre"  The three are known as the Holy Trinity of Venezuelan theatre Though making films in this time, he had been largely focused on theatre  This would change after 1969, when Chalbaud left his president role and when Venezuelan cinema entered its Golden Age  He did return to television, joining Radio Caracas Television in 1969, but began his most successful line of work in film direction  Moving into film gave Chalbaud international acclaim, all of his films being screened at film festivals, and one being the first of his country's foreign-language Oscar nominations  His films, some of which are self-adaptations, are said to thematically continue his theatre work  He received the National Film Award of Venezuela in 1990 In 1974, Chalbaud, with other filmmakers of his generation, started Gente de Cine C A , a production company which would produce most of his own films  In 1975, thanks to new national legislation pushed through by the Asociación Nacional de Autores Cinematográficos (National Association of Cinema Auteurs) — ANAC — Chalbaud was the first director to receive protected state funding, making the film Sacred and Obscene  The success of this film quashed the government's doubts about the funding program  He was then named President of the ANAC in 1978, and was the Director General of the Fundación Cinemateca Nacional de Venezuela (National Foundation of Venezuelan Cinema) for two years Chalbaud resigned from Radio Caracas in 1982  In 1985, the San Sebastián Film Festival dedicated a retrospective to him; he has also been on the Jury of this festival, in 1990 In June 2018, he said he was in pre-production for a film trilogy about the life of Hugo Chávez Alfonso Molina, in his 2002 book on the director, wrote that you cannot fully understand the socio-political culture of Venezuela without watching Chalbaud's films 

Personal life
Chalbaud revealed little personal information until he was quite old, when he said that though he loves the landscape of his home city Mérida, he considers Caracas the place to grow old  His favourite play is El Pez que Fuma  Fabián Pierucci, the director of the documentary about his life, says that Chalbaud is "tireless, from his early rise until the night he is reading, writing, going to conferences, helping people" He considers Luis Buñuel a "master" Chalbaud's political affiliation is chavismo, which he believes "most of the country" follows, arguing that Nicolás Maduro is not a dictator and that the opposition since his election are "monsters", justifying the government treatment of opposition members and describing the Constituent National Assembly as Venezuela's legitimate democratic house 

Filmography
Passage 8:
La niña de fuego
La niña de fuego (The fire girl) is a 1952 Argentine film 

Cast
Lolita Torres – Fernanda / Fernando
Ricardo Passano – Pocho
Mario Baroffio – Cipriano Albaicín
César Fiaschi – Pereda
Domingo Márquez – Andrés
Antonio Martelo
Helena Cortesina
Alfonso Pisano – Ramallo
Arsenio Perdiguero – mr  José
Antonio Martiánez – Captain
Delfy Miranda – Ofelia
Noemí Laserre – María de los Cantares
Arturo Arcari
Semillita – box spectator
Helena Cortesina – Clotilde
Carlos Mendi – Marino
Ofelia Cortesina
Luis Laneri
Dante Liguori

External links
La niña de fuego at IMDb
Passage 9:
La selva de fuego
La Selva de Fuego (The Jungle of Fire) is a 1945 Mexican romantic drama film directed by Fernando de Fuentes and starring Dolores del Río 

Plot summary
The movie develops into the Jungle of Chiapas in México  A beautiful woman named Estrella (Dolores del Río) lost in a savage zone of the jungle  She is found by a group of men who are being held into the jungle as social outcasts  Their leader, Luciano (Arturo de Córdova) is a man of integrity, but with an inexplicable hatred toward women  The presence of a sensual woman between several alone men causing a chaos that only Luciano can save 

Curiosities
According to María Félix in her autobiography (Todas mis Guerras México, 1993), cause of this movie, she and Dolores del Río mistook their paths for only time  The film was written by Félix, but the messenger sent by mistake the film for Dolores  María finished filming the movie Vértigo (written by Dolores) 
Passage 10:
A Woman Has Killed
A Woman Has Killed (Italian: Una donna ha ucciso) is a 1952 Italian melodrama crime film directed by Vittorio Cottafavi  While on a train journey a young woman tells another passenger how she murdered her husband, a British army officer  It is a neorealist film, based on the real story of Lidia Cirillo, who appears in the film 
The film's sets were designed by the art director Ottavio Scotti 

Cast
Frank Latimore as 	Capt  Roy Prescott
Lianella Carell as 	Anna
Alessandro Serbaroli as 	Larry (as Alex Serbaroli)
Vera Palumbo as 	Carla
Umberto Spadaro as 	Padre di Anna
Marika Rowsky
Celeste Aída
Diego Muni
Vincenzo Milazzo
Pia De Doses
Lidia Cirillo
Context 3:  At 15, he entered the Nagasaki Naval Academy established by the Tokugawa shogunate under the direction of a Dutch naval officer  In 1863, Inoue and four friends from the Chōshū clan stowed away on a vessel to the United Kingdom  He studied civil engineering and mining at University College London and returned to Japan in 1868  After working for the government as a technical officer supervising the mining industry, he was appointed Director of the Railway Board in 1871  Inoue played a leading role in Japan's railway planning and construction, including the construction of the Nakasendo Railway, the selection of the alternative route (Tokaido), and the proposals for future mainline railway networks In 1891 Masaru Inoue founded Koiwai Farm with Yanosuke Iwasaki and Shin Onogi   After retirement from the government, Inoue founded Kisha Seizo Kaisha, the first locomotive manufacturer in Japan, becoming its first president in 1896  In 1909 he was appointed President of the Imperial Railway Association  He died of an illness in London in 1910, during an official visit on behalf of the Ministry of Railways 

Honors
Inoue and his friends later came to be known as the Chōshū Five  To commemorate their stay in London, two scholarships, known as the Inoue Masaru Scholarships, are available each session under the University College London 1863 Japan Scholarships scheme to enable University College students to study at a Japanese University  The value of the scholarships are £3000 each 
His tomb is in the triangular area of land where the Tōkaidō Main Line meets the Tōkaidō Shinkansen in Kita-Shinagawa 

Chōshū Five
These are the four other members of the "Chōshū Five":

Itō Shunsuke (later Itō Hirobumii)
Inoue Monta (later Inoue Kaoru)
Yamao Yōzō who later studied engineering at the Andersonian Institute, Glasgow, 1866-68 while working at the shipyards by day
Endō Kinsuke

See also
Japanese students in Britain
Statue of Inoue Masaru
Passage 7:
Ken Forsch
Kenneth Roth Forsch (born September 8, 1946) is an American former professional baseball player  He played in Major League Baseball (MLB) as a right-handed pitcher from 1970 to 1984, most prominently as a member of the Houston Astros where he helped the franchise win its first-ever National League Western Division title and postseason berth in 1980  A two-time All-Star player, Forsch pitched a no-hitter for the Astros on April 7, 1979  He ended his baseball career playing for the California Angels 

Career
Forsch was born in Sacramento, California where he graduated from Hiram Johnson High School and later attended the Oregon State University where he played for the Oregon State Beavers baseball team through the 1967–1968 seasons  He was selected by the Houston Astros in the 18th round (399th overall) of the 1968 Major League Baseball draft  He made his major league debut on September 7, 1970 at the age of 23 Forsch was selected to the All-Star Game in 1976 and 1981 On April 7, 1979, Forsch no-hit the Atlanta Braves 6–0 at the Astrodome  His brother Bob Forsch, who also pitched for the Astros, hurled two no-hitters while with the St  Louis Cardinals, making them the only set of brothers to pitch no-hitters in MLB history  The 1980 season went down to the wire, and Forsch was a part of the action  He went 12-13 during the season with a 3 20 ERA and on a then career-high 222 1 innings pitched; the rotation of him, Nolan Ryan, Joe Niekro, and J  R  Richard was slated to make a run at the National League West title, which they missed winning by one game the previous year  However, a stroke suffered by Richard late in the year saw the eventual end of his career  The Astros required a one-game playoff on October 6 after the Astros lost three straight games to the Los Angeles Dodgers in Dodger Stadium  Forsch had lost the first game on October 3 when trying to hang on to a precarious 2-1 lead  However, a single and a subsequent error set the stage for a Ron Cey base hit with two out to send the game into the 10th inning  On the first batter of the inning, Forsch allowed a home run that gave the Dodgers a 3-2 victory  The Astros prevailed in the tiebreaker game thanks to the efforts of Joe Niekro that set the Astros up in the 1980 National League Championship Series against the Philadelphia Phillies for Game 1 on the following day of October 7  Forsch was selected to start the game, which was the first playoff game in the history of the Astros  Facing Steve Carlton at Veterans Stadium, Forsch went eight innings and allowed three runs on eight hits with a walk and five strikeouts, as the Phillies broke through in the 6th on a two-run home run by Greg Luzinski and an pinch hit RBI single by Greg Gross in the 7th that got the Phillies a 3-1 victory  In Game 5, the Astros were on the verge of a pennant but needed relief down the stretch  They were leading 5-2 in the 8th inning, but Nolan Ryan had been taken out after allowing three hits and a walk to make the score 5-3 with the bases loaded  Forsch was put in after Joe Sambito had got a groundout to make it 5-4 with one out and two on  He struck out Mike Schmidt, but when facing Del Unser, Forsch allowed a base hit to right field that tied the game at 5  Now facing Manny Trillo, Forsch delivered a pitch that was smacked for a triple to left to clear the bases and give the Phillies a 7-5 lead  Forsch was pinch hit for in the 9th, which saw the Astros tie the game in the eventual loss in the 10th inning  It was the last appearance of Forsch in an Astros uniform and his only experience in the postseason  He was traded to the California Angels for Dickie Thon in April of 1981, eschewing the idea of being relegated to the bullpen and demanding a trade when general manager Al Rosen had acquired Don Sutton and Bob Knepper in the offseason 
In the strike-shortened 1981 season, Forsch went 11-7 with a 2 88 ERA in 153 innings, pitching a league high four shutouts while having 55 strikeouts  He was named to the All-Star Game for the second and final time  He went 13-11 in 1982, but he did not pitch in the postseason run by the Angels that saw them lose in the ALCS in five games  He went 11-12 in 1983 before suffering a setback in 1984, where he pitched in just two games, as he suffered a dislocated shoulder on April 7 when diving to the bag on a fielding play that had him land on his right elbow  He returned as a free agent in 1986, pitching as a middleman in ten games for 17 innings that saw him have a 9 53 ERA before being released on May 25 
During his 16-year career, Forsch compiled 114 wins, 1,047 strikeouts, and a 3 37 earned run average  After his career ended, He worked in commercial real estate along with serving as a member of the Angels’ Speakers Bureau before applying to work for the Angels as their director of player development, which was accepted  He worked for four years before having a promotion to assistant general manager in 1998  He won a World Series ring when the Angels won the championship in 2002  He was dismissed in 2011 

See also
Houston Astros award winners and league leaders
List of Houston Astros no-hitters
List of Major League Baseball no-hitters
Passage 8:
Paul Brooke
Paul Brooke (born 22 November 1944) is a retired English actor of film, television and radio  He made his film debut in 1972 in the Hammer film Straight on till Morning, followed by performances in For Your Eyes Only (1981), Return of the Jedi (1983), Scandal (1989), Saving Grace (2000), Bridget Jones's Diary (2001), Alfie (2004), The Phantom of the Opera (2004), and Oliver Twist (2005)  Brooke is the father of actor Tom Brooke 

Career
Brooke began as a stage actor and has played in many London productions, including several years as a member of Frank Dunlop's original Young Vic Company  He played Malakili the Rancor Keeper in the 1983 Star Wars film Return of the Jedi (his voiced dubbed over by Ernie Fosselius)  He played British Conservative politician Ian Gow in the 2004 BBC series The Alan Clark Diaries  In 2006, he guest starred in the Doctor Who audio adventure Year of the Pig as well as the 1990 Mr  Bean sketch "The Library"  He played Mr  Fitzherbert in the 2001 film Bridget Jones's Diary 
Other appearances in television dramas and comedies featuring Brooke include The Blackadder, Bertie and Elizabeth, the BBC adaptation of Blott on the Landscape, Lovejoy, Foyle's War, Rab C  Nesbitt, Kavanagh QC, Sharpe's Revenge, Midsomer Murders, Hustle, Covington Cross, The Kit Curran Radio Show, Between the Lines, Relic Hunter and Mornin' Sarge  He appeared in the miniseries Nostromo in 1997



ground_truth: Cuchillos De Fuego

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the father of the director of film A No-Hit No-Run Summer?

The following are given passages.
Context 3: 
He played Gríma Wormtongue in the 1981 BBC radio adaptation of The Lord of the Rings 
He, Linal Haft and Frank Mills are the only actors to appear in both the Classic and New series of Minder, but playing different roles in each 

Filmography
Film
Television
External links
Paul Brooke at IMDb
Passage 9:
Francis Leclerc
Francis Leclerc (born 1971 in Quebec City) is a Canadian film and television director, screenwriter and film editor  He is the son of Félix Leclerc  Since 1995 he has worked in the Quebec film industry, directing music videos for many well-known Quebec artists  He has directed more than 20 short and medium-length films, including a television adaptation of Robert Lepage’s Les Sept branches de la rivière Ota  He directed and co-wrote his critically acclaimed debut feature, A Girl at the Window (Une jeune fille à la fenêtre), in 2001  His second feature, Looking for Alexander (Mémoires affectives), a nuanced and mature work about lost memory and childhood tragedy, secured him Genie Awards for best director and screenplay as well as the Prix Jutra for direction 
His film Barefoot at Dawn (Pieds nus dans l'aube), an adaptation of his father's semi-autobiographical novel of the same name, was released in 2017 In 2018 he was the patron and curator of the Festival Vues dans la tête de    film festival in Rivière-du-Loup 

Filmography
A Girl at the Window (Une jeune fille à la fenêtre) - 2001
Looking for Alexander (Mémoires affectives) - 2004
Marie-Antoinette, la véritable histoire - 2006
A No-Hit No-Run Summer (Un été sans point ni coup sûr) - 2008
Trotteur - 2011
Barefoot at Dawn (Pieds nus dans l'aube) - 2017
The Time Thief (L'Arracheuse de temps) - 2021
The Dishwasher (Le Plongeur) - 2022

Recognition
2005 Genie Award for Best Achievement in Direction - Looking for Alexander - Won
2005 Genie Award for Best Original Screenplay - Looking for Alexander - Nominated (shared with Marcel Beaulieu)
2005 Jutra Award for Best Direction (Meilleure Réalisation) - Looking for Alexander - Won
2005 Jutra Award for Best Screenplay (Meilleur Scénario) - Looking for Alexander - Nominated (shared with Marcel Beaulieu)
2001 Montreal World Film Festival Grand Prix des Amériques - A Girl at the Window - Nominated
Passage 10:
Jim Wilson (pitcher)
James Alger Wilson (February 20, 1922 – September 2, 1986) was an American professional baseball pitcher, scout and front-office executive  Although he was well-traveled as a player and compiled a career winning percentage of only  491 in 175 decisions, he threw the first no-hit, no-run game in Milwaukee's Major League history and was a three-time (1954–56) All-Star who represented both the National and American leagues   During his front office career he served as the third general manager in the franchise history of the Milwaukee Brewers 

Career
As a player
A native of San Diego, Wilson threw and batted right-handed, stood 6 feet 1 inch (1 85 m) tall and weighed 200 pounds (91 kg)  He attended San Diego State University 
Wilson pitched in all or part of 12 seasons (1945–46; 1948–49; 1951–58) for five Major League franchises and six different cities: the Boston Red Sox, St  Louis Browns/Baltimore Orioles, Philadelphia Athletics, Boston / Milwaukee Braves and Chicago White Sox   He began his pro career during World War II in 1943 in the Red Sox' farm system and in his second year, 1944, he won 19 games with the top-level Louisville Colonels of the American Association  He made the 1945 Red Sox' roster coming out of spring training and started 21 games for them during the season's first four months  In his 21st start, on August 9 at Briggs Stadium,  Wilson worked into the tenth inning of a 3–3 game  With one out, Detroit Tigers' slugger Hank Greenberg hit a line drive back through the box that struck Wilson in the head, fracturing his skull and sending him to Henry Ford Hospital  The injury sidelined Wilson for the rest of the campaign and he would pitch only one more game for the Red Sox, on April 23, 1946 
Wilson returned to Louisville for the balance of 1946 and all of 1947, then was included in a trade to the Browns that yielded slugging shortstop Vern Stephens and starting pitcher Jack Kramer  But 1948 and 1949 saw Wilson bounce among four organizations—the Browns, Cleveland Indians, Tigers and Athletics—and make ineffective appearances in six total big-league games for the Browns and A's   Finally, in 1950, he was acquired by the Triple-A Seattle Rainiers, managed by Paul Richards  Wilson won 24 games (losing 11) for a sixth-place team and led the Pacific Coast League in strikeouts  His contract was purchased by the Boston Braves at season's end, and Wilson returned to the Major Leagues for good 
Wilson's first All-Star season came in 1954 for the Milwaukee Braves; they had moved from Boston in March 1953  He no-hit the Philadelphia Phillies, 2–0 at Milwaukee County Stadium on June 12 of that season  The 32-year-old right-hander beat future Hall of Famer Robin Roberts in the one-hour and 43-minute contest  Wilson issued two bases on balls (both to Phillies' catcher Smoky Burgess) and struck out six  The no-hitter was the first in the Braves' Milwaukee history   Wilson was named an All-Star in the midst of an 8–2 season in 27 games pitched with three other complete game shutouts for the contending Braves  But he did not get into the 1954 Midsummer classic, an 11–9 loss for his National League squad at Cleveland Municipal Stadium 
On the eve of the 1955 season, Richards, by now both the general manager and field manager of the Baltimore Orioles, purchased Wilson's contract and moved him into the starting rotation  Wilson led the American League in games lost (18) that season (as a team, Baltimore lost 97 games), but he again registered four shutouts and was selected to the AL All-Star team, chosen to play in the July 12, 1955, game at his old home field, County Stadium  But again Wilson did not appear and, again, his team was defeated, with the Senior Circuit winning 6–5 in 12 innings 

Wilson began 1956 by winning four of his first six decisions in seven starts for Baltimore despite sporting a high (5 03) earned run average  On May 21, Richards traded him to the first-division White Sox, and although he pitched more effectively, he registered only a 9–12 record for Chicago  Nevertheless, Wilson was selected to the 1956 American League All-Star team, and this time he played in the game at Griffith Stadium in Washington, working one inning in the AL's 7–3 loss, allowing two hits and one earned run, although he retired Willie Mays on a called third strike to register the final out That set the stage for Wilson's most successful big-league season, with the 1957 White Sox  He won a career-high 15 games (losing eight), and led the American League in shutouts, with five  However, he did not earn a place on the 1957 AL All-Star team   In 1958, the 36-year-old Wilson concluded his 16-season playing career, working in 28 games for the White Sox, 23 in a starting role  In his final MLB game, September 14 against the Washington Senators, he worked 82⁄3 innings and surrendered five earned runs, but was credited with the victory in a 6–5 Chicago triumph  That season he also continued his skein of errorless games as a pitcher  On June 15, 1955, as an Oriole, he muffed an eighth-inning foul pop-up by the White Sox' Jim Rivera for an error  It was the last miscue he would commit in his career, which spanned 116 games through his 1958 retirement  Wilson posted a career  988  fielding percentage, committing only 4 miscues in  333 total chances 
Altogether, Wilson appeared in 257 Major League games pitched, 217 as a starter  He compiled an 86–89 won-lost mark, with 75 complete games and 19 shutouts  In 1,539 innings pitched he notched 692 strikeouts  Wilson also allowed 1,479 hits, 608 bases on balls and 686 earned runs  His career earned run average was 4 01 

As a scout and executive
Wilson remained in the game as a scout for the Orioles and Houston Astros  He and scout Jim Russo signed Jim Palmer for the Orioles in 1963  Palmer recalled in a 1996 book that though 13 teams were interested in him, the Orioles scouts set themselves apart with their polite manners  In 1971, Wilson came back to Milwaukee as the director of scouting and player development of the Brewers, a three-year-old expansion team, and following the 1972 season, he succeeded Frank Lane as Milwaukee's general manager  Although Lane was renowned as a trader, Wilson completed a blockbuster transaction of his own with the Phillies on October 31, 1972, acquiring third baseman Don Money in a seven-player deal  Money would play 11 seasons for the Brewers and make four American League All-Star teams   Then, in June 1973, during his first draft as Brewers' general manager, Wilson selected Robin Yount with the club's first pick (third overall)   After one season in minor league baseball, Wilson promoted the 18-year-old Yount to the 1974 Brewers, the beginning of a 20-season, Hall of Fame career for the shortstop and center fielder 
But Wilson's stay as general manager in Milwaukee was not a long one  After the 1974 season he returned to California to become executive director of the Major League Baseball Scouting Bureau  He stepped down in 1985 after being stricken with cancer and died in Newport Beach at age 64 on September 2, 1986 

See also
List of Major League Baseball no-hitters



ground_truth: Félix Leclerc