prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film came out earlier, The Drover'S Sweetheart or Pigsty (Film)?

The following are given passages.
Context 1: Passage 1:
The Fabulous Senorita
The Fabulous Senorita is a 1952 American musical comedy film directed by R  G  Springsteen and starring Estelita Rodriguez, Robert Clarke and Nestor Paiva  The film came at the tail-end of a cycle of Latin American-themed films, though it did introduce a new star, Rita Moreno 

Plot
Cast
Estelita Rodriguez as Estelita Rodriguez
Robert Clarke as Jerry Taylor
Nestor Paiva as José Rodriguez
Marvin Kaplan as Clifford Van Kunkle
Rita Moreno as Manuela Rodríguez
Leon Belasco as Señor Gonzales
Tito Renaldo as Pedro Sanchez
Tom Powers as Delaney
Emory Parnell as Dean Bradshaw
Olin Howland as Justice of the Peace
Vito Scotti as Esteban Gonzales
Martin Garralaga as Police Captain Garcia
Nita Del Rey as Felice
Joan Blake as Betty
Frances Dominguez as Amelia
Betty Farrington as Janitress
Norman Field as Dr  Campbell
Clark Howat as Davis
Frank Kreig as Cab Driver
Dorothy Neumann as Mrs  Black
Elizabeth Slifer as Wife of Justice of the Peace
Charles Sullivan as Cab Driver
Arthur Walsh as Pete
Passage 2:
Kabani Nadi Chuvannappol
Kabani Nadi Chuvannappol (When the River Kabani Turned Red) is a 1975 Malayalam feature film directed by P  A  Backer, produced by Pavithran, and starring T  V  Chandran, Shalini, Raveendran and J  Siddiqui  This leftist political drama film came out during the Emergency period  It was the directorial debut of P  A  Backer, who won that year's awards for Best Director and Second Best Film at the Kerala State Film Awards  Pavithran, who later directed many critically acclaimed Malayalam films produced the film  T  V  Chandran, who also later went on to direct a bevy of award-winning films in Malayalam and Tamil, played the lead role  After certain post-production controversies, the film debuted in theatres on 16 July 1976 

Cast
Production and release
The principal production started in June 1975  The day when shoot of the film commenced in Bangalore, Emergency was declared in India The film was screened at several film festivals in 1975  It was not given the censor certificate for the theme it dealt with for more than a year  It released in theatres during the Emergency period itself, on 16 July 1976 The English title of the film is When the River Kabani Turned Red 

Awards
Kerala State Film AwardsSecond Best Film - P  A  Backer (director), Pavithran (producer)
Best Director - P  A  Backer
Passage 3:
The Drover's Wife
The Drover's Wife is a 1945 painting by Australian artist Russell Drysdale  The painting depicts a flat, barren landscape with a woman in a plain dress in the foreground  The drover with his horses and wagon are in the background  The painting has been described as "an allegory of the white Australian people's relationship with this ancient land " Henry Lawson's 1892 short story "The Drover's Wife" is widely seen as an inspiration for the painting, although Drysdale denies that The painting is now part of the collection of the National Gallery of Australia in Canberra 
Passage 4:
The Drover's Sweetheart
The Drover's Sweetheart is a 1911 film from the team of Agnes and John Gavin It was the first film they made for their own production company after leaving Stanley Crick and Herbert Finlay on 19 July 1911 and seems to have been made at Gavin's new studios at Waverly Very little is known about the movie, which is considered a lost film  It is not certain if it was ever even released commercially The film was supposed to be followed by another from Gavin called The Lubra's Revenge but is unclear if this was made 
Passage 5:
Operation Leopard
La légion saute sur Kolwezi, also known as Operation Leopard, is a French war film directed by Raoul Coutard and filmed in French Guiana  The script is based on the true story of the Battle of Kolwezi that happened in 1978  It was diligently described in a book of the same name by former 1st Foreign Parachute Regiment Captain Pierre Sergent  He published his book in 1979, and the film came out in 1980  Coutard shot the film in a documentary style 

Plot
The film is based on true events  In 1978, approximately 3,000 heavily armed fighters from Katanga crossed the border to the Zaire and marched into Kolwezi, a mining centre for copper and cobalt  They took 3,000 civilians as hostages  Within a few days, between 90 and 280 hostages were killed  The rebels appeared to be unpredictable and are reported to have threatened to annihilate all civilians 
Mobutu Sese Seko, Zaire's head of state, urged Belgium, France and the United States to help  France sent the Foreign Legion's 2nd Foreign Parachute Regiment, which were flown from Corsica to Kolwezi  Following their arrival, they secured the perimeter, in co-operation with Belgian soldiers from Zaire, and then started to evacuate the civilians  Within two days more than 2,000 Europeans and about 3,000 African citizens were saved  The film strives to depict the events in a dramatised form, concentrating on the Europeans' plight 

Production
The late Jean Seberg had filmed scenes on location for the film, but her death caused her to be replaced by another French American actress, Mimsy Farmer, who reshot Seberg's scenes 

Cast
Bruno Cremer: Pierre Delbart
Jacques Perrin:Ambassador Berthier
Laurent Malet: Phillipe Denrémont
Pierre Vaneck: Colonel Grasser
Mimsy Farmer: Annie Devrindt
Giuliano Gemma: Adjudant Fédérico
Robert Etcheverry : Colonel Dubourg
Jean-Claude Bouillon : Maurois
Passage 6:
My Little Eye
My Little Eye is a 2002 British horror film directed by Marc Evans about five adults who agree to spend six months together in an isolated mansion while being filmed at all times  The idea for the film came from reality television shows such as Big Brother  The title refers to the guessing game I spy 

Plot
Five contestants, Matt (Sean Cw Johnson), Emma (Laura Regan), Charlie (Jennifer Sky), Danny (Stephen O'Reilly) and Rex (Kris Lemche), agree to take part in a reality webcast, where they must spend six months in a house to win $1 million  If anyone leaves, then no one wins the money  Nearing the end of the six months, tension between the contestants rises after Emma finds strange messages she believes are from a man from her past and the food packages arrive containing a letter that claims Danny's grandfather has died, and a gun with five bullets 
One night, a man named Travis Patterson (Bradley Cooper) arrives, claiming he is lost in the woods and that his GPS has died  Despite claiming to be an internet programmer, he claims to not recognize any of the contestants or ever having heard of the show  Later that night, Travis has sex with Charlie, and then secretly talks directly into a camera, to communicate with whoever is watching them  The next morning, Travis leaves and Danny discovers his backpack outside covered in blood and shredded to pieces  The contestants assume he was attacked by an animal but Rex believes Travis works for the people running their show and that it is all a trick to make them leave the house and forfeit the prize money 
Emma discovers her underwear among Danny’s belongings and confronts him, unaware that Travis planted them there the previous night  Danny denies it and attempts to make peace by giving her a crudely carved wooden cat, which Emma and Charlie ridicule, while Danny overhears 
The next morning, the group finds Danny has committed suicide by hanging himself from the staircase balcony with a rope  The guests finally decide to leave, but after being unable to contact anyone via radio, decide to wait until the next morning  Rex uses the GPS unit from Travis' bag and his laptop to gain access to the internet to find out more about the show but is unable to find any evidence of their show online 
Rex is only able to find a heavily encrypted beta site, that requires a $50,000 fee to access, and displays a web page with their pictures and betting odds  The group decides they will leave the next morning, though Rex and Emma go up to the roof to set off a flare  While Charlie and Matt remain in the house, Matt asks a camera if he should kill her, before suffocating her with a plastic bag 
Later, while Emma is sleeping, Rex comes downstairs and is decapitated with an axe by Matt  Matt awakens Emma and brings her up to the attic, telling her he is being chased and the others are dead  He then makes advances on Emma, who refuses, and attempts to rape her, before she stabs him in the back and runs off 
Emma runs outside and finds a police officer, who handcuffs her inside the car and enters the house  An injured Matt then crawls out, begging the cop to let him kill Emma, since he spent six months in the house with her  Realizing they are working together, Emma escapes the car and tries to run but is shot in the back with a rifle by the cop 
Matt and the cop sit in the kitchen discussing the setup they created with Travis for their high paying clients who want to witness the murders  When the cop says there are always "five suckers" to play the game with, Matt corrects him to four, and is then shot in the head  The cop then leaves, talking to Travis over the radio, while Emma is seen locked in a small room, unable to escape  As she collapses screaming, the cameras filming all shut off, one by one 

Cast
Sean Cw Johnson as Matt
Kris Lemche as Rex
Stephen O'Reilly as Danny
Laura Regan as Emma
Jennifer Sky as Charlie
Nick Mennell as The Cop
Bradley Cooper as Travis Patterson

Home media
My Little Eye is available on DVD from MCA/Universal Home Video with most of the special features available on the Region 2 Special Edition including a filmmakers' commentary and deleted scenes  There is an audio mode "Conversations of the Company (Eavesdropping Audio Track)" which allows the viewer to listen to the radio conversations between the members of the company: Travis and "the cop"  However, during this mode, the viewer cannot hear all of the dialogue of the cast in the scene  A UK release contains a 'Special Mode' where viewers see the film from the perspective of an internet subscriber, and more extra features become unlocked as the film goes on  You can watch other things going on in 'the house' in real time to what's happening in the film 

Reception
The film received polarized but positive reviews and holds 67% on Rotten Tomatoes based on 21 reviews, with an average score of 5 2/10 

See also
List of films featuring surveillance
Passage 7:
Life Is What You Make It (film)
Life Is What You Make It is a 2017 documentary film which explores the life of award-winning Filipino theatre producer Jhett Tolentino from his migration into the United States and his entry into theatre production in New York  The film came with a soundtrack album entitled Life Is What You Make It: Original Motion Picture Soundtrack 

Soundtrack
The song "Life Is What You Make It" served as the documentary's main theme  The song won the Silver Medal at the Global Music Awards in San Diego and was nominated Song of the Year at the Josie Awards in Nashville, Tennessee in 2017 

Accolades
See also
Broadway theatre
Here Lies Love (musical)
National Artist of the Philippines
Musical theatre
Passage 8:
Pigsty (film)
Pigsty (Italian: Porcile) is a 1969 Italian film, written and directed by Pier Paolo Pasolini and starring Jean-Pierre Léaud, Marco Ferreri, Ugo Tognazzi, Pierre Clémenti, Alberto Lionello, Franco Citti and Anne Wiazemsky 

Plot
The film features two parallel stories  The first one is set in an unknown past time and is about a young man (Clémenti) who wanders in a volcanic landscape (shot around Etna) and turns into a cannibal  The man joins forces with a thug (Citti) and ravages the countryside  At the end, he and his gang get arrested and at his execution, he recites the famous tagline of the film: "I killed my father, I ate human flesh and I quiver with joy " The story is about the human capacity of destruction and a rebellion against the social prerequisites implied against it 
The second story is about Herr Klotz (Lionello), a German industrialist and his young son Julian (Léaud) who live in 1960s Germany  Julian, instead of passing time with his radically politicised fiancée Ida (Wiazemsky), prefers to build relationships with pigs  Herr Klotz, on the other hand, with his loyal aide Hans Guenther (Ferreri), tries to solve his rivalry with fellow industrialist Herdhitze (Tognazzi)  The two industrialists join forces while Julian gets eaten by pigs in the sty  Herdhitze intends to conceal the event  The story attempts to provide a link between the Third Reich and Wirtschaftswunder Germany 

Reception
On review aggregator website Rotten Tomatoes, the film has a rating of 56% based on 9 critics, with an average rating of 5 7/10 
Passage 9:
The Night of Nights
The Night of Nights is a 1939 black-and-white drama film written by Donald Ogden Stewart and directed by Lewis Milestone for Paramount Pictures that starred Pat O'Brien, Olympe Bradna, and Roland Young The film received positive contemporary reviews from publications such as The New York Times  Director Milestone went on to other successful productions after the film came out, including Ocean's 11 and Pork Chop Hill 

Background
Milestone directed The Night of Nights nine years after winning the 1930 Academy Award for Best Director for All Quiet on the Western Front 

Plot
Dan O'Farrell (Pat O'Brien) is a brilliant Broadway theater playwright, actor, and producer who has left the business   When he was younger, he and his partner Barry Keith-Trimble (Roland Young) were preparing for the opening night of O'Farell's play Laughter by getting drunk   When it was time to perform, they were so intoxicated they ended up brawling on stage and fell into the orchestra pit   The two left the theater and continued drinking, until they learn that they have been suspended  At the same time, O'Farrell learns that his wife, actress Alyce Martelle, is pregnant and has left him for ruining her performance in Laughter as Toni   Despondent, he in left the business and went into seclusion 
Years later, his daughter Marie (Olympe Bradna) locates him and inspires him to return to Broadway   He decides to restage Laughter with its original cast, but with Marie substituting for Alyce in the part of Toni   Hoping to make a glorious return with a show that would be a hit with critics and the public alike, O'Farrell enlists the aid of friends to embark on a full-fledged comeback 

Cast
Reception
Frank S  Nugent wrote for The New York Times that the work of actors Pat O'Brien and Roland Young, had "been a labor of love and the film has profited accordingly " In noting that the plot centered on "the theatre and some of the curious folk who inhabit it", the newspaper's review stated that the film had an acceptable sentimentality and shared that the story was "an uncommonly interesting study of a man's mind, subtly written and directed, presented with honesty and commendable sincerity by Mr  O'Brien, Mr  Young and Olympe Bradna, and well worth any one's attention " The only objection in the review was that the stage play Laughter, the piece being produced within the film by O'Brien's character of Dan O'Farrell, "seemed to be the most awful tripe "
Passage 10:
Jaan-E-Mann
Jaan-E-Mann (transl  Beloved) is a 2006 Indian Hindi-language musical romance film directed by Shirish Kunder and was produced by Sajid Nadiawala  The film stars Salman Khan, Akshay Kumar and Preity Zinta  This was Kunder's debut film as a director  He also edited and wrote the screenplay and dialogues Jaan-E-Mann released on 20 October 2006 on the festive weekend of Diwali/Eid, clashing with Don – The Chase Begins Again starring Shah Rukh Khan and Priyanka Chopra  The film proved to be a commercial failure at the box office  It received mixed reviews from critics upon release, with praise for its innovative filming techniques, visuals, production design, soundtrack and special effects; however its story, screenplay and dialogues received sharp criticism 
At the 52nd Filmfare Awards, Jaan-E-Mann received 2 nominations – Best Choreography (Farah Khan for "Humko Maloom Hai") and Best Special Effects 
The DVD for the film was released on 15 December 2006 

Plot
The film begins when Suhaan Kapoor (Salman Khan) receives a notice saying his ex-wife Piya Goyal (Preity Zinta), who has settled in New York, wants a divorce settlement of ₹5 million, because he failed to make his alimony payments due to his poor financial condition  Suhaan appeals to his uncle Bonney Kapoor (Anupam Kher), a midget lawyer, for help  While they are trying to figure out a solution, Agastya Rao (Akshay Kumar) lands at their doorstep searching for Piya  He reveals to them that he fell in love with Piya during his college days but could not express his love to her because she was in love with someone else, unaware that the person he lost her to was Suhaan  Piya had ignored Agastya then, a nerd, a nobody, and even broke his heart by blowing him off to be with Suhaan at a concert that Agastya had taken her to  A heartbroken Agastya left the college as a result and eventually wound up in Houston working for NASA 
Suhaan and Piya fall in love in college and elope  However, he kept his marriage a secret to further his career as a movie star and when his career hits a low, he returns home to find out that she has left him  She does not answer his calls or emails, and he soon receives a divorce notice in the mail 
Suhaan and Bonney hatch a plan to get Agastya and Piya together so that Suhaan does not need to pay alimony to Piya and Agastya can get the girl of his dreams  Suhaan accompanies Agastya to New York to help Agastya win Piya over  They rent an apartment opposite Piya's and watch her every move using telescopes, binoculars, and surveillance techniques  Using a headset, Suhaan feeds Agastya lines to woo Piya with and eventually succeeds in getting Piya and Agastya together 
One night, Suhaan finds out Piya has a baby girl, Suhaan's daughter  He realizes that she left him since she did not want her and the baby to ruin Suhaan's film career  Suhaan realizes his mistake and tries to make amends and start a new life with Piya and his daughter, Suhaani  Unfortunately, before he can act, Piya gets engaged to Agastya 
It later emerges that Piya's brother, Vishal (Nawwab Shah), had been hiding letters that Suhaan wrote to her and was responsible for initiating the divorce process  Agastya realizes that Piya is still in love with Suhaan and not him; so, he reveals the truth and tells her to be with Suhaan  Piya flies back to India where Suhaan is trying to find work as a small-time actor  They express their mutual love, reuniting their broken family 
A few years later, Agastya is on a NASA Space Shuttle and initiates a video conference with Suhaan and Piya (on Suhaan's birthday)  He introduces them to his new girlfriend who looks strikingly like Piya 

Cast
Salman Khan as Suhaan Kapoor, a former superstar who is married to his college girlfriend Piya  After being fired from his career, he gets a divorce notice from Piya and has to pay for the alimony 
Akshay Kumar as Agastya Rao / Champu, a NASA specialist who used to have a crush on Piya during his years in college but was rejected by her back then  He becomes friends with Suhan and with his help, he tries to get him and Piya together 
Preity Zinta as Piya Goyal Kapoor and Preity Zintacova (dual role)
Aman Verma as Zubin Hornibhoy, Piya's friend
Anupam Kher as Bonney Kapoor / New York Cafe Owner (Dual Role)
Nawwab Shah as Vishal Goyal (Piya's brother)
Soni Razdan as Mrs  Sushma Goyal
Jawed Sheikh as Samrat Goyal
Rajesh Balwani as Daboo Goyal, Piya's cousin brother

Production
Filming started in New York City on 1 September 2005 and then moved to Mumbai 

Soundtrack
The music for the film was released on 6 September 2006  The music is composed by Anu Malik and includes a few playback singers forming the former contestants of Indian Idol  Lyrics are penned by Gulzar  According to the Indian trade website Box Office India, with around 1,250,000 units sold, this film's soundtrack album was the year's eighth highest-selling 

Track listing
Reception
Box office
Jaan-E-Mann opened in nearly 1,200 screens worldwide  The film faced stiff competition from Don – The Chase Begins Again which also released on the same day  The film opened to a 40% response  The second day saw a huge drop in the collections, due to the Diwali celebrations  According to boxofficeindia com, the collections jumped to 70%, but fell again to 50%  The film has done very well in the smaller centres in India Pranab Kapadia, the UK distributor of Jaan-E-Mann said "Jaan-E-Mann's figures have picked up dramatically in Britain  Although the film grossed a mere £18,000 on its opening day, the film has experienced a remarkable upswing, grossing £40,000 on Monday and £60,000 on Tuesday  The audience and critics reception has been overwhelming "

Critical reception
On the review aggregator website Rotten Tomatoes, 44% of 9 critics' reviews are positive Taran Adarsh of Bollywood Hungama gave the film 3 5 out of 5, saying "On the whole, JAAN-E-MANN balances humor and emotions beautifully  In fact, it's a BIG film in all respects -- right from its cast to the extravagant sets to the lavish making, besides, of course, unadulterated entertainment it has to offer  At the box-office, the Diwali and Idd holidays will prove bountiful for the film and add to the big returns  Business-wise, JAAN-E-MANN should fare best at multiplexes and also at major centres, besides Overseas  But its business at comparatively smaller centres, where masala films dominate, is bound to be affected by DON's presence  However, if the strong word of mouth catches on, the business at smaller centres will add to its booty " Poonam Joshi of BBC com gave the film 4 out of 5 stars, writing "Jaan-E-mann simultaneously parodies the worst elements of Hindi cinema, while exulting in the best that Bollywood has to offer, making for an unexpectedly original and entertaining film " Raja Sen of Rediff com gave the film 3 out of 5 stars stating "In the end, what echoes in your ears as you leave is Akki's thick, goofy he-he-he laugh  It's the best thing in the film "Conversely, Namrata Joshi of Outlook India called the film "A mish-mash—a twisted love triangle but even the inventive narrative doesn't take it very far " Vincent Musetto of New York Post gave the film  1 out of 5 stars, writing "We keep waiting for one of those outlandish musical treats to bring some life to the clichd script  Kunder throws in a few breaks, but they're tepid and brief "

Nominations
See also
List of movies set in New York City

Notes
Context 2: Passage 1:
Nusrat Bhutto
Begum Nusrat Bhutto (née: Nusrat Ispahani; Persian: ‌نصرت بوتو; Sindhi: نصرت ڀٽو; Urdu: نُصرت بُھٹّو; 23 March 1929 – 23 October 2011) was an Iranian-born Pakistani public figure of Kurdish origin, who served as the First Lady of Pakistan between 1971 until the 1977 coup, and as a senior member of the federal cabinet between 1988 and 1990 
She was born in Isfahan to a wealthy merchant family of Kurdish heritage and her family had settled in Bombay before moving to Karachi after the Partition of British India  Ispahani joined a paramilitary women's force in 1950, but left a year later when she married Zulfikar Ali Bhutto  She moved to Oxfordshire with her husband who then was pursuing his legal education  She returned to Pakistan alongside Bhutto who went on to serve as the Foreign Minister  After her husband founded the Pakistan Peoples Party, Ispahani worked to lead the party's women's wing  After Bhutto was elected as the Prime Minister in 1971, Ispahani became the First Lady of Pakistan and remained so until her husband's removal in 1977  Her daughter, Benazir Bhutto immediately succeeded her husband as the leader of the Pakistan Peoples party and, while under house arrest, fought an unsuccessful legal battle to prevent her husband's execution  After Bhutto's execution, Ispahani, along with her children, went into exile to London, from where in 1981 she co-founded the Movement for the Restoration of Democracy, a nonviolent opposition to Zia's regime Ispahani returned to Pakistan after her daughter Benazir made a comeback in 1986  After the People's Party's victory in 1988, she joined Benazir's cabinet as a minister without portfolio while representing Larkana District in the National Assembly  She remained in the cabinet until Benazir's government was dismissed in 1990  Afterwards, during a family dispute between her son, Murtaza, and her daughter, Benazir, Ispahani favored Murtaza leading Benazir to sack Ispahani as the party leader  Ispahani stopped talking to the media and refrained from political engagements after the assassination of her son Murtaza in 1996 during a police encounter, during her daughter's second government Ispahani moved to Dubai in 1996, suffering from Alzheimer's disease, she was kept out of public's eye by Benazir until her demise on 23 October 2011  In Pakistan, Ispahani is remembered for her contribution to empowerment of women in Pakistan and for advocating for democracy in Pakistan, for which she is dubbed as "Mādar-e-Jamhooriat" (English "Mother of Democracy"), a title she was honored with by the parliament following her death 

Early life, background and political career
Nusrat Ispahani was born on 23 March 1929 in Isfahan, Persia (now Iran)  Her father was a wealthy businessman who came from the wealthy Hariri family of merchants in Isfahan and was of partial Kurdish descent via his mother who came from Kurdistan Province  Shortly after her birth, the family later moved to British India, where they initially lived in Bombay and then moved to Karachi before the independence of Pakistan and the Partition of India in 1947  She grew up with Iranian traditions at her home but adapted to Indian Muslim culture outside  Before emigrating to Pakistan, Nusrat attended and was educated at the University of Karachi where she obtained a Bachelor of Arts (B A ) in Humanities in 1950 
As first lady from 1973 to 1977, Nusrat Bhutto functioned as a political worker and accompanied her husband on a number of overseas visits  In 1979, after the trial and execution of her husband, she succeeded her husband as leader of the Pakistan Peoples Party as chairman for life  She led the PPP's campaign against General Muhammad Zia-ul-Haq's regime  Alongside her daughter Benazir Bhutto, she was arrested numerous times and placed under house arrest and in prison in Sihala  Nusrat Bhutto was attacked by police with batons while attending a cricket match at Gaddafi Stadium in Lahore, when the crowd began to raise pro Bhutto slogans  In 1982, ill with cancer, she was given permission to leave the country by the military government of General Zia-ul-Haq for medical treatment in London at which point her daughter, Benazir Bhutto, became acting leader of the party, and, by 1984, the party chairman After returning to Pakistan in the late 1980s, she served two terms as a Member of Parliament to the National Assembly from the family constituency of Larkana, Sindh  During the administrations of her daughter Benazir, she became a cabinet minister and Deputy Prime Minister  In the 1990s, she and Benazir became estranged when Nusrat took the side of her son Murtaza during a family dispute but were later reconciled after Murtaza's murder  She lived the last few years of her life with her daughter's family in Dubai, United Arab Emirates and later suffered from the combined effects of a stroke and Alzheimer's disease 

Personal life, illness and death
Nusrat met Zulfikar Ali Bhutto in Karachi where they later got married on 8 September 1951  She was Zulfikar Ali Bhutto's second wife, and they had four children together: Benazir, Murtaza, Sanam and Shahnawaz  With the exception of Sanam, she outlived her children  Benazir's widower and Nusrat's son-in-law Asif Ali Zardari was the President of Pakistan from 9 September 2008 till 8 September 2013 Besides her native Persian, Bhutto was fluent in Urdu and Sindhi Bhutto was suspected of suffering from cancer in 1982, the year when she left Pakistan for medical treatment  For the last several years of her life, she had also been suffering from Alzheimer's disease  In the mid-1990s, particularly after the death of her son Mir Murtaza Bhutto in 1996, she withdrew from public life  Party sources suggest this may also have coincided with the time that she began to show symptoms of Alzheimer's  According to her senior party leader, Bhutto's disease was so advanced that she was even unaware of the assassination of her daughter, Benazir  She used a ventilator until her last days  She died at the age of 82 in the Iranian Hospital Dubai on 23 October 2011  Her body was flown to her hometown of Garhi Khuda Bakhsh in the Larkana District the next day, and was buried next to her husband and children in the Bhutto family mausoleum at a ceremony attended by thousands of mourners 

Further reading
Chandran, Ramesh (15 January 1983)  "I am afraid and fearing for Pakistan's future: Nusrat Bhutto"  India Today 
Hussain, Zahid (31 January 1994)  "Battle between Benazir Bhutto and her mother paralyses PPP Government"  India Today 

See also
Bhutto family
Zulfikar Ali Bhutto
Begum Nusrat Bhutto Women University
Begum Nusrat Bhutto Airport
Nusrat Bhutto Colony
Passage 2:
Dance of Death (disambiguation)
Dance of Death, also called Danse Macabre, is a late-medieval allegory of the universality of death 
Dance of Death or The Dance of Death may also refer to:

Books
Dance of Death, a 1938 novel by Helen McCloy
Dance of Death (Stine novel), a 1997 novel by R  L  Stine
Dance of Death (novel), a 2005 novel by Douglas Preston and Lincoln Child

Theatre and film
The Dance of Death (Strindberg play), a 1900 play by August Strindberg
The Dance of Death, a 1908 play by Frank Wedekind
The Dance of Death (Auden play), a 1933 play by W  H  Auden

Film
The Death Dance, a 1918 drama starring Alice Brady
The Dance of Death (1912 film), a German silent film
The Dance of Death (1919 film), an Austrian silent film
The Dance of Death (1938 film), crime drama starring Vesta Victoria; screenplay by Ralph Dawson
The Dance of Death (1948 film), French-Italian drama based on Strindberg's play, starring Erich von Stroheim
The Dance of Death (1967 film), a West German drama film
Dance of Death or House of Evil, 1968 Mexican horror film starring Boris Karloff
Dance of Death (1969 film), a film based on Strindberg's play, starring Laurence Olivier
Dance of Death (1979 film), a Hong Kong film featuring Paul Chun

Music
Dance of Death (album), a 2003 album by Iron Maiden, or the title song
The Dance of Death & Other Plantation Favorites, a 1964 album by John Fahey
The Dance of Death (Scaramanga Six album)
"Death Dance", a 2016 song by Sevendust

See also
Dance of the Dead (disambiguation)
Danse Macabre (disambiguation)
Bon Odori, a Japanese traditional dance welcoming the spirits of the dead
La danse des morts, an oratorio by Arthur Honegger
Totentanz (disambiguation)
Passage 3:
Where Was I
"Where Was I?" may refer to:

Books
"Where Was I?", essay by David Hawley Sanford from The Mind's I
Where Was I?, book by John Haycraft 2006
Where was I?!, book by Terry Wogan 2009

Film and TV
Where Was I? (film), 1925 film directed by William A  Seiter  With Reginald Denny, Marian Nixon, Pauline Garon, Lee Moran 
Where Was I? (2001 film), biography about songwriter Tim Rose
Where Was I? (TV series) 1952–1953 Quiz show with the panelists attempting to guess a location by looking at photos
"Where Was I?" episode of Shoestring (TV series) 1980

Music
"Where was I", song by W  Franke Harling and Al Dubin performed by Ruby Newman and His Orchestra  with vocal chorus by  Larry Taylor and Peggy McCall  1939
"Where Was I", single from Charley Pride discography 1988
"Where Was I" (song), a 1994 song by Ricky Van Shelton
"Where Was I (Donde Estuve Yo)", song by Joe Pass from Simplicity (Joe Pass album)
"Where Was I?", song by Guttermouth from The Album Formerly Known as a Full Length LP (Guttermouth album)
"Where Was I", song by Sawyer Brown (Billy Maddox, Paul Thorn, Anne Graham) from Can You Hear Me Now 2002
"Where Was I?", song  by  Kenny Wayne Shepherd from Live On  1999
"Where Was I", song by Melanie Laine (Victoria Banks, Steve Fox) from Time Flies (Melanie Laine album)
"Where Was I", song by Rosie Thomas from With Love (Rosie Thomas album)
Passage 4:
Ghinwa Bhutto
Ghinwa Bhutto (Urdu: غنویٰ بھٹو, Sindhi: غنوا ڀٽو, Arabic: غنوة بوتو; born Ghinwa Itaoui) is a Lebanese-Pakistani politician and the chairperson of Pakistan Peoples Party (Shaheed Bhutto)  She is the widow of Murtaza Bhutto, and the daughter-in-law and sister-in-law of the former Prime Ministers of Pakistan, Zulfiqar Ali Bhutto and Benazir Bhutto, respectively 

Background
Murtaza Bhutto and his daughter Fatima spent time in exile in Syria, where Murtaza first met Ghinwa  Ghinwa had fled from the Lebanese Civil War back home and migrated to Syria, where she used to give ballet classes in the basement of a church  Fatima was one of her students  Murtaza and Ghinwa would later marry in 1989, and had a son Zulfikar Ali Bhutto Jr in 1990 Ghinwa has been estranged from the powerful Bhutto family ever since she accused her sister-in-law Benazir Bhutto and her husband Asif Ali Zardari of conspiracy to the 1996 murder of her husband, and also accused Benazir and Zardari of corruption  Zardari was arrested as a suspect in the murder of Murtaza, but he was later released due to lack of evidence  Her husband's murderers were never brought to justice 

Politics
In 1997, Ghinwa staked a claim to the Bhutto political legacy  She formed the Pakistan Peoples Party (Shaheed Bhutto) (PPP-SB), becoming the chairperson of the party, and ran for election from Larkana on 3 February 1997  Benazir convinced her mother Nusrat Bhutto, then president of the Pakistan Peoples Party, to run against her  Though her opponent suffered from Alzheimer's disease, Ghinwa was defeated Ghinwa lives in the Bhutto family home in Karachi with her son Zulfikar Ali Bhutto Jr (named after his grandfather Zulfikar Ali Bhutto) and her step-daughter Fatima Bhutto  Prior to marrying Murtaza, Ghinwa worked as a ballet dancer and teacher In 2002, Pakistani election authorities rejected her candidacy for the October 10 election  Ghinwa was rejected on the grounds of not possessing the required minimum academic qualification of a university degree  In August 2007, Ghinwa Bhutto passed the BA exams from Punjab University in the First Division with 526 marks  Ghinwa, roll # 86604, appeared as a private candidate  To be eligible to contest elections, Ghinwa chose to take the Punjab University BA exam because the results were to be declared by the end of August, before the elections After the first suicide attack following Benazir's return to Pakistan in October 2007, Ghinwa remarked: "I think she has invited trouble herself " However, when Benazir was assassinated on December 27, 2007 Ghinwa put their differences aside  She attended the funeral with her step-daughter, Fatima Bhutto 

See also
Bhutto family
Politics of Pakistan
Pakistan Peoples Party (Shaheed Bhutto)
Passage 5:
Place of birth
The place of birth (POB) or birthplace is the place where a person was born  This place is often used in legal documents, together with name and date of birth, to uniquely identify a person  Practice regarding whether this place should be a country, a territory or a city/town/locality differs in different countries, but often city or territory is used for native-born citizen passports and countries for foreign-born ones 
As a general rule with respect to passports, if the place of birth is to be a country, it's determined to be the country that currently has sovereignty over the actual place of birth, regardless of when the birth actually occurred  The place of birth is not necessarily the place where the parents of the new baby live  If the baby is born in a hospital in another place, that place is the place of birth
Context 3: Passage 1:
Henri, Duke of Montpensier
Henri de Bourbon, Duke of Montpensier, (12 May 1573 – 27 February 1608) was Dauphin of Auvergne, Duke of Montpensier, Sovereign Prince of the Dombes and Lord of Châtellerault 
Henri was born at Mézières, the son  of François de Bourbon, Duke of Montpensier, and of his wife Renée d'Anjou, marquise de Mézières 
On 15 May 1597, Henri married  Henriette Catherine, daughter of Henri de Joyeuse and Catherine de Nogaret   They had:

Marie de Bourbon, Duchess of Montpensier (15 October 1605 – 4 June 1627); married Gaston, Duke of Orléans and was the mother of La Grande Mademoiselle (with Marie dying as a result of complications from the birth of her daughter)  Her daughter never married and died childless in 1693 and thus Marie has no surviving descendants today 
Passage 2:
Mercedes of Orléans
María de las Mercedes of Orléans (24 June 1860 – 26 June 1878) was Queen of Spain as the first wife of King Alfonso XII  She was born in Madrid, the daughter of Antoine of Orléans, Duke of Montpensier, and Infanta Luisa Fernanda of Spain 

Early life
Born at the Palacio Real in Madrid on 24 June 1860, Mercedes was the sixth of her parents' nine children  Her father, Antoine, was the Duke of Montpensier while her mother, Luisa Fernanda, was an Infanta of Spain  Her mother's elder sister, Queen Isabella II, and brother-in-law, King Francis, served as Mercedes' godparents at her christening, when she was given the names: María de las Mercedes Isabel Francisca de Asís Antonia Luisa Fernanda Felipa Amalia Cristina Francisca de Paula Ramona Rita Cayetana Manuela Juana Josefa Joaquina Ana Rafaela Filomena Teresa Santísima Trinidad Gaspara Melchora Baltasara et omni sancti Although Mercedes was patrilineally a French princess, she was also a Spanish infanta and spent the first eight years of her life in Spain  Her childhood was spent at the Palace of San Telmo in Andalusia, her father's rumoured aspirations to obtain his sister-in-law's crown periodically rendering him unwelcome at the royal court in Madrid 

Marriage and reign
When Queen Isabella II was deposed in 1868, Mercedes' family left Spain for exile  It was reportedly during that banishment in 1872 that she met her first cousin Alfonso, Prince of Asturias, also living in exile  Isabella II opposed a marriage between the two due to the hostilities between Mercedes' father and the former queen 
Upon restoration, King Alfonso married María de las Mercedes at the church of Atocha in Madrid on 23 January 1878, following a huge ball in December 1877  Allegedly, the King's choice dashed the hopes of his still-exiled mother Queen Isabella for Alfonso's marriage to Infanta Blanca de Borbón, daughter of his Carlist rival Carlos, Duke of Madrid Mercedes helped build a new temple after the Church of Santa María de la Almudena was demolished in 1868 

Death
Shortly after their honeymoon, it became evident that Queen Mercedes suffered from typhoid fever  The marriage would last only six months, during which she reportedly had a miscarriage  She died due to the fever on 26 June 1878, at 18 years old 

Legacy
The news of her demise spawned many folk songs accounting for it, most notably the famous copla, with many variations in Spain and America, particularly popular among children delivered as a song accompanying a skipping rope game  According to Benito Pérez Galdós, he had already heard about it few days after the incident: “¿Dónde vas Alfonso XII? ¿Dónde vas triste de ti? Voy en busca de Mercedes que ayer tarde no la vi…” ("Where are you going, Alfonso XII? Where are you going, sad man?—I'm going in search of Mercedes whom I did not see yesterday afternoon   ")  A film about the romance between María de las Mercedes and Alfonso XII, Where Are You Going, Alfonso XII?, was released in 1958 Queen Mercedes co-initiated the building of the Cathedral of la Almudena in Madrid, opposite of the royal palace —the construction beginning in 1883  In May 2004 Felipe, Prince of Asturias, was wed there to Letizia Ortiz  Queen Mercedes' remains were re-interred there on 8 November 2000, in accordance with her widower's wishes 
A town in the northern Philippine province of Isabela was named Reina Mercedes in her honor in 1886 when the Spanish colonial government formally separated it from Cauayan 
When the King's minister Cánovas del Castillo suggested that he take a new wife, Alfonso acquiesced, choosing Mercedes' sister María Cristina  She also contracted tuberculosis, and died during the engagement period  In late 1879, he married Archduchess Maria Christina of Austria-Teschen; the eldest of their children, the Princess of Asturias, was named in honour of Queen Mercedes 

Ancestry
Passage 3:
Louise Marie Adélaïde de Bourbon, Duchess of Orléans
Louise Marie Adélaïde de Bourbon, Duchess of Orléans (13 March 1753 – 23 June 1821), was the daughter of Louis Jean Marie de Bourbon, Duke of Penthièvre and Princess Maria Teresa d'Este  At the death of her brother, Louis Alexandre, Prince of Lamballe, she became the wealthiest heiress in France prior to the French Revolution  She married Louis Philippe II, Duke of Orléans, the "regicide" Philippe Égalité, and was the mother of France's last king, Louis Philippe I  She was sister-in-law to Marie Thérèse Louise, Princess of Lamballe, and was the last member of the Bourbon-Penthièvre family 

Early life
Marie-Adélaïde was born on 13 March 1753 at the Hôtel de Toulouse, the family residence in Paris since 1712, when her grandfather, Louis-Alexandre de Bourbon, comte de Toulouse, bought it from Louis Phélypeaux de La Vrillière  She was the youngest daughter of Louis Jean Marie de Bourbon, Duke of Penthièvre and his wife, Princess Maria Teresa d'Este  Her mother died in childbirth the following year  Styled Mademoiselle d'Ivoy initially and, as a young girl, until her marriage, Mademoiselle de Penthièvre (derived from the duchy inherited by her father)  The style of Mademoiselle de Penthièvre had been previously borne by her sister Marie Louise de Bourbon (1751–1753), who died six months after Marie-Adélaïde's birth 

Education
At birth, she was put in the care of Madame de Sourcy and, as was the custom for many girls of the nobility, she was later raised at the Abbaye de Montmartre convent, overlooking Paris, where she spent twelve years  As a child, she was encouraged to take an active part in the charities for which her father had become known as "Prince of the Poor"  His reputation for beneficence made him popular throughout France and, subsequently, saved him during the Revolution 

Marriage
Upon the death of her brother and only sibling, the Prince de Lamballe, on 8 May 1768, Marie-Adélaïde became heiress to what was to become the largest fortune of France 
Her marriage to Louis Philippe Joseph d'Orléans, Duke of Chartres, son of the Duke of Orléans, had been envisaged earlier and, while the Duke of Penthièvre saw in it the opportunity for his daughter to marry the First Prince of the Blood Royal, the Orléanses did not want another union with an illegitimate branch of the royal family  However, when the Prince de Lamballe's death left his sister sole heiress to the family fortune, the bar sinister on her inescutcheon was "overlooked"  Although Marie-Adélaîde was much in love with her Orléans cousin, Louis XV warned Penthièvre against such a marriage because of the reputation of the young Duke of Chartres as a libertine  Louis XV was also fearful of the powerful leverage given the Orléans branch should it inherit the Penthièvre fortune You are wrong, my cousin, said Louis XV to Penthièvre, the Duke of Chartres has a bad temper, bad habits: he is a libertine, your daughter will not be happy  Do not rush, wait!
Mademoiselle de Penthièvre was presented to the King on 7 December 1768, in a ceremony called de nubilité, by her maternal aunt, Maria Fortunata d'Este, Comtesse de la Marche  She was greeted by Louis XV, the Dauphin and other members of the royal family  On that day, she was baptised by Charles Antoine de La Roche-Aymon, Grand Almoner of France, and given the names Louise Marie Adélaïde Her marriage to the Duke of Chartres took place at the Palace of Versailles on 5 April 1769 in a ceremony which all of the princes du sang attended  The marriage contract was signed by all members of the royal family  Afterwards, Louis XV hosted a wedding supper which included the entire royal family  Mlle de Penthièvre brought to the already wealthy House of Orléans a dowry of six million livres, an annual income of 240,000 livres (later increased to 400,000), and the expectation of much more upon her father's death 

The Comtesse de Genlis
During the first few months of their marriage, the couple appeared devoted to each other, but the duke went back to the life of libertinage he had led before his marriage 
In the summer of 1772, a few months after his wife had given birth to a stillborn daughter, Philippe's secret liaison began with one of her ladies-in-waiting, Stéphanie Félicité Ducrest de St-Albin, Comtesse de Genlis, the niece of Madame de Montesson, the morganatic wife of Philippe's father  Passionate at first, the liaison cooled within a few months and, by the spring of 1773, was reported to be "dead"  After the romantic affair was over, Félicité remained in the service of Marie-Adélaïde at the Palais-Royal, a trusted friend to both Marie-Adélaïde and Philippe  They both appreciated her intelligence and, in July 1779, she became the governess of the couple's twin daughters born in 1777 In 1782, the young Louis Philippe was nine and in need of discipline  However, the Duke of Chartres could not think of someone better qualified to "turn his sons over to" than Mme de Genlis  Thus she became the "gouverneur" of the Duc and Duchesse de Chartres' children  Teacher and pupils left the Palais-Royal and went to live in a house built specially for them on the grounds of the Couvent des Dames de Bellechasse in Paris  Mme de Genlis was an excellent teacher, but like those of her former lover, the Duc de Chartres, her liberal political views made her unpopular with Queen Marie Antoinette  In the dissemination of her ideas, de Genlis managed to alienate her charges from their mother 
Marie-Adélaïde began to object to the education given her children by her former lady-in-waiting  The relationship between the two women became unbearable when Louis-Philippe, on 2 November 1790, one month after his seventeenth birthday, joined the revolutionary Jacobin Club  Marie-Adélaïde's relationship with her husband was also at its worst at this point, and the only way the two would communicate was through letters  In the memoirs of the Baronne d'Oberkirch, Marie-Adélaïde is described as:   always wearing a melancholic expression which nothing could cure  She sometimes smiled, she never laughed    
Upon the death of her father-in-law Louis Philippe d'Orléans in November 1785, her husband became the new Duke of Orléans, and First Prince of the Blood, taking rank only after the immediate family of the king  As the wife of a prince du sang she was entitled to be addressed as Your Serene Highness, a style to which her own illegitimate branch of the Bourbons had no right 

Revolution
On 5 April 1791, Marie-Adélaïde left her husband, and went to live with her father at the château de Bizy overlooking Vernon, Eure in Normandy In September 1792, having sided with the Revolution, the Duke of Orléans was elected to the National Convention under the name of Philippe Égalité  Siding with the radical group called La Montagne, he was from the very beginning suspect in the eyes of the Girondists, who wanted all the Bourbons to be banished from France  The fate of the Orléans family was sealed when Marie-Adélaïde's eldest son, the duc de Chartres, "Général Égalité" in the Army of the North commanded by Charles François Dumouriez, sought political asylum from the Austrians in March 1793  On 6 April, all the members of the Orléans family still remaining in France were arrested  After their arrest in Paris, Philippe Égalité and his son, the comte de Beaujolais, were imprisoned in the prison de l'Abbaye in Paris Later, the two were transferred to the prison of Fort Saint-Jean in Marseille, where they were soon joined by the duc de Montpensier who had been arrested while serving as an officer in the Army of the Alps  The day before his father and brothers were arrested in France, the duc de Chartres rushed to Tournai, near the French border, where his sister Adélaïde and Mme de Genlis had been living since Philippe Égalité had made them emigrate in November 1792  The duc de Chartres accompanied them to safety in Switzerland  In the meantime, due to her poor health, Marie-Adélaïde was allowed to stay in France, under guard, at the château de Bizy, where her father had died a month earlier  Her inheritance, however, was confiscated by the revolutionary government  Despite having voted for the death of his cousin Louis XVI of France, and having denounced his son's defection, Philippe Égalité was guillotined on 6 November 1793 

Widow Égalité
Upon the execution of her husband, Marie-Adélaïde, now known as the "Veuve Égalité" ("Widow Égalité"), was incarcerated at the Luxembourg Palace, which had been transformed into a prison during the Revolution  There she met the man who was to become the "love of her life", a former member of the National Convention named Jacques-Marie Rouzet, who had been imprisoned at the fall of the Girondins  Nearly executed before the fall of Robespierre, in July 1794 at the end of the Reign of Terror, she was transferred to the "Pension Belhomme", a former mental institution turned into a "prison for the rich" during the Revolution After Rouzet, who after his liberation had become a member of the Council of Five Hundred, succeeded, in 1796, to secure her liberation and that of her two sons still imprisoned in Marseille, the two always remained together and lived in Paris until 1797, when a decree banished the remaining members of the House of Bourbon from France  Marie-Adélaïde was exiled to Spain, as was her sister-in-law Bathilde d'Orléans, the last princesse de Condé  Rouzet accompanied them to the Spanish border and managed to secretly join them in Barcelona where he became her chancellor, and she obtained for him the title of comte de Folmont Marie-Adélaïde was never to see her two younger sons again, Montpensier and Beaujolais, who died in exile before the 1814 Bourbon Restoration  She, Rouzet and the Orléans exiled in Spain returned to France in 1814 at the time of the first Bourbon Restoration  After legal battles which lasted until her death, the bulk of her inheritance was eventually recovered  She died in her castle at Ivry-sur-Seine on 23 June 1821, after battling breast cancer  Rouzet had died nine months before, on 25 October 1820, and she had him inhumed in the new family chapel she had built in Dreux in 1816, as the final resting place for the two families, Bourbon-Penthièvre and Orléans The original Bourbon-Penthièvre family crypt in the Collégiale de Saint-Étienne de Dreux had been violated during the Revolution and the bodies thrown together into a grave in the Chanoines Cemetery of the Collégiale  She was buried in the new chapel which, after the accession to the throne of her son Louis Philippe, was enlarged, embellished and renamed Chapelle royale de Dreux, becoming the necropolis for the now royal Orléans family  Marie Adélaïde did not live to see her son Louis Philippe become King of the French in 1830 

Cultural references
In the 2006 film, Marie Antoinette, Marie-Adélaïde had a minor role played by actress Aurore Clément 

Issue
The couple had six children:

A daughter (died at birth, 10 October 1771)
Louis Philippe d'Orléans (future King Louis Philippe I of the French), (Palais Royal, 1773–1850, Claremont) Duke of Valois (1773–1785) **Duke of Chartres (1785–1793) Duke of Orléans (1793–1830) married Maria Amalia of Naples and had issue 
Louis Antoine Philippe d'Orléans, Duke of Montpensier, (Palais Royal, 1775–1807, Salthill),
Françoise d'Orléans, Mademoiselle d'Orléans (Palais Royal, 1777–1782, Palais Royal), twin sister of (below),
Louise Marie Adélaïde Eugénie d'Orléans, Mademoiselle de Chartres (Palais Royal, 1777–1847, Palais de Tuileries) never married 
Louis Charles Alphonse Léodgard d'Orléans, Count of Beaujolais (Palais Royal, 1779–1808, Malta) never married

The painting
On the eve of the French Revolution, in 1789, she was painted by Élisabeth-Louise Vigée-Le Brun, the favourite portrait painter of Queen Marie Antoinette  The painting was titled Madame la Duchesse d'Orléans  Vigée-Le Brun made use of the lonely duchess' melancholia in the pose  Dressed in white, a reminder of her candor, the head of the duchess is supported on her upraised arm  She is shown with a languid, sad expression  Below the breast is a Wedgwood medallion which Colin Eisler has identified as Poor Maria, possibly a reference to the life of the duchess, which was later destroyed because of the Revolution  The painting is now at the Palace of Versailles  There is another copy in the musée de Longchamp, Marseille  Versailles has a third copy which has been incorrectly described as a replica 

Ancestry
Passage 4:
Amédée Faure
Amédée Faure or Victor-Amédée Faure (1801–1878) was a French painter and portraitist   His portrait subjects include the brothers Louis-Charles, Count of Beaujolais and Antoine Philippe, Duke of Montpensier, and he also specialised in historic scenes of the House of Orléans and the July Monarchy 

External links
Amédée Faure at culture fr
Passage 5:
Theodred II (Bishop of Elmham)
Theodred II was a medieval Bishop of Elmham 
The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997 
Passage 6:
Françoise Barbaroux
Françoise Barbaroux (1 January 1761 – 3 November 1822) was mistress of Antoine Philippe, Duke of Montpensier  She had one child to Antoine Philippe, Jean-Antoine-Philippe Dentend (6 August 1797 – 5 March 1858), who became notary to the house of Orléans and in that role oversaw Louis Philippe's donation of his personal goods in 1830 before his accession 
Françoise was insulting to members of Antoine's family, then living in exile after the political tumult of the French Revolution   The Revolution's victims included Louis Philippe II, Duke of Orléans, Antoine's father  Madame Adélaïde of Orléans, Antoine's sister, wrote in several of her diary entries that Françoise was "Ugly"  Her attempt to befriend Adélaïde failed as the princesse left for America  Antoine never saw his son, and Françoise left France for Belgium after Antoine's death  She remained there until her death in 1822 
Françoise Barbaroux' father, Francis Barbaroux, was the chamberlain to Louis XVIII of France 
Passage 7:
George of Naples
George (died 739) was the duke of Naples for a decade beginning in 729  
George succeeded Theodore I and continued his prudent policy of balancing between the Byzantine Empire and the papacy, at that time embroiled in a conflict over the iconoclastic controversy  He was succeeded by Gregory I 
An ancient monument, dedicated to George, can be found to this day at Terracina 

Sources
Gay, Jules  L'Italie méridionale et l'empire Byzantin: Livre I  Burt Franklin: New York, 1904 
Passage 8:
Louis II, Count of Montpensier
Louis de Bourbon, Count of Montpensier (1483 – August 14, 1501, Naples) was the son of Gilbert, Count of Montpensier and Claire Gonzaga  He was Count of Montpensier and Clermont-en-Auvergne and Dauphin d'Auvergne from 1496 to his death 
He died unmarried and was succeeded by his brother Charles III, Duke of Bourbon 
Passage 9:
Marie de Bourbon, Duchess of Montpensier
Marie de Bourbon (15 October 1605 – 4 June 1627), Duchess of Montpensier, and Duchess of Orléans by marriage, was a French noblewoman and one of the last members of the House of Bourbon-Montpensier  Her parents were Henri de Bourbon, Duke of Montpensier and Henriette Catherine de Joyeuse, Duchess of Joyeuse in her own right 

Biography
Marie de Bourbon was born in the château de Gaillon, in Gaillon (Eure department of France), in the former province of Normandy 
Known as Mademoiselle de Montpensier before her marriage, she was the Duke and Duchess of Montpensier's only child  At the age of two, she had been engaged to the second son of Henry IV of France, Nicolas Henri de France, Duke of Orléans, but he died at the age of four in 1611  She was then betrothed to his brother, Gaston de France, Duke of Orléans, the younger brother of king Louis XIII, and the heir presumptive to the throne of France 
At the death of her father, in 1608, Marie became the Duchess of Montpensier in her own right; the Duchy was one of the oldest in France having been elevated from a County in 1539  Marie was a descendant of John II of France, of the House of Valois and of Saint Louis 
Because of the Montpensier's fortune, of which Marie was the only heiress, and despite the aversion shown by Gaston toward this arranged marriage, Louis XIII and Richelieu were determined the marriage would take place 
The wedding ceremony was celebrated in Nantes, on 6 August 1626, in the presence of Louis XIII, his wife, Queen Anne of Austria, and Marie de' Medici, the Queen Mother  According to her daughter's biographer, Vita Sackville-West, quoting a member of her husband's household, A sadder wedding was never seen  From this union, the new ducal couple had one child:

Anne Marie Louise d'Orléans, Duchess of Montpensier (Louvre, 29 May 1627 – Palais du Luxembourg, 3 April 1693), the future Grande Mademoiselle Marie died on 4 June 1627 at the Palais du Louvre in Paris, at the age of twenty-one, shortly after the birth of her daughter who, as her only child, inherited her fortune and titles  She was buried at the Royal Basilica of Saint Denis, north of Paris 
In a will intended to disinherit her niece, Anne Marie Louise d'Orléans, Marie's half-sister Marie de Lorraine,) chose Charles François de Stainville as beneficiary in 1688; but on the urging of her heirs, the will was broken by the Parlement of Paris in 1689 After the death of her daughter, La Grande Mademoiselle, in 1693, Marie's fortune was handed over to Philippe de France, Louis XIV's younger and only brother 

Ancestors
Passage 10:
Antoine Philippe, Duke of Montpensier
Louis Antoine Philippe d'Orléans, Duke of Montpensier (3 July 1775, Palais-Royal, Paris - 18 May 1807, Salthill, England) was a son of Louis Philippe, Duke of Orléans (nom de rėvolution: "Philippe Égalité") (1747–1793), and his duchess Louise Marie Adélaïde de Bourbon, Duchess of Orléans  He was the younger brother of Louis Philippe, later King of the French  Antoine had a deep affection for him, and they were only ever separated during the Reign of Terror and the events that followed between 1793 and 1797 

Life
In 1791, Antoine Philippe was appointed as an aide-de-camp, with the rank of sous-lieutenant in his brother's regiment (his brother, then duc de Chartres, was known as "Général Égalité ") He was made adjutant-general before the battle of Jemmapes, in which both he and his brother fought  In Paris at the time of the trial of Louis XVI, Antoine Philippe attempted unsuccessfully to persuade his father not to vote for the king's death 
In April 1793, whilst adjutant-general in the armée du Var, Antoine Philippe was arrested at the same time as the other Bourbons who had remained in France  He was imprisoned in Fort Saint-Jean at Marseille 
During his imprisonment, Antoine Philippe contracted tuberculosis which eventually killed him  He had an illegitimate son with Françoise Barbaroux – Jean-Antoine-Philippe Dentend (7 July 1797 – 5 March 1858) – who became notary to the House of Orléans  In that role, he oversaw Louis Philippe's donation of his personal property in 1830 before his accession  Antoine never saw his child; on 13 fructidor year IV (30 August 1796), the French Directory decided to exile him to Philadelphia, where the French Republic's chargé-d'affaires in the United States of America granted him an annual pension of 15,000 francs  He set out on      5 November 1796, accompanied by his brother Louis-Charles, comte de Beaujolais, and in February 1797 met Louis-Philippe in Philadelphia  For two years they travelled around New England, the Great Lakes region and the Mississippi valley  

Returning to Europe in 1800, the royal House of Bourbon remained in exile from France, so the brothers set up in England at Twickenham (Highshot House, Crown Road, building demolished in 1927)  Later that year Antoine- Philippe sought the hand in marriage of Lady Charlotte Adelaide Constantia Rawdon (d  1834), daughter of the 1st Earl of Moira by his third wife, Elizabeth Hastings, 16th Baroness Botreaux (daughter of the 9th Earl of Huntingdon by his wife, Lady Selena Shirley, founder of the Countess of Huntingdon's Connexion)  Despite her noble lineage, consent for the marriage was withheld by Louis, Count of Provence (the future King Louis XVIII), and the couple never wed In 1807 Antoine-Philippe's tuberculosis worsened, motivating his elder brother to take him to Devon to benefit from the fresh air  Twelve miles out of Twickenham, they were forced to stop at an inn in Salt Hill, near Windsor  During a respiratory crisis, Antoine-Philippe refused the ether Louis-Philippe was wanting to administer, and, murmuring to him "Give me your hand, I thought I was dying" ("Donne-moi ta main, j'ai cru que je mourais"), and with that he died  
Antoine-Philippe's funeral service was held at the Catholic chapel on King Street in London   Monsieur (the future King Charles X) attended and, thanks to Prince Edward, Duke of Kent, obtained permission to bury his brother in Westminster Abbey 

Works
Relation de la captivité de S A S  Monsignor le duc de Montpensier, pendant les années 1793, 1794, 1795 et 1796, écrite par lui-même, Twickenham, Imprimerie de G  White, 1816
Mémoires de S A S  Louis-Antoine-Philippe d'Orléans, duc de Montpensier, Paris, Baudouin frères, 1824 – text on www gallica fr

Ancestors
References and notes

Hay, Malcolm  Prince in Captivity: based on the Memoirs and unpublished Letters of Antoine Philippe d'Orleans, Duc de Montpensier, 1775-1807 (Eyre & Spottiswoode, 1960)


== External links ==



ground_truth: The Drover'S Sweetheart

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the place of death of Shahnawaz Bhutto's mother?

The following are given passages.
Context 2:  In many countries, this also means that the government requires that the birth of the new baby is registered in the place of birth 
Some countries place less or no importance on the place of birth, instead using alternative geographical characteristics for the purpose of identity documents  For example, Sweden has used the concept of födelsehemort ("domicile of birth") since 1947  This means that the domicile of the baby's mother is the registered place of birth  The location of the maternity ward or other physical birthplace is considered unimportant 
Similarly, Switzerland uses the concept of place of origin  A child born to Swiss parents is automatically assigned the place of origin of the parent with the same last name, so the child either gets their mother's or father's place of origin  A child born to one Swiss parent and one foreign parent acquires the place of origin of their Swiss parent  In a Swiss passport and identity card, the holder's place of origin is stated, not their place of birth  In Japan, the registered domicile is a similar concept 
In some countries (primarily in the Americas), the place of birth automatically determines the nationality of the baby, a practice often referred to by the Latin phrase jus soli  Almost all countries outside the Americas instead attribute nationality based on the nationality(-ies) of the baby's parents (referred to as jus sanguinis) 
There can be some confusion regarding the place of birth if the birth takes place in an unusual way: when babies are born on an airplane or at sea, difficulties can arise  The place of birth of such a person depends on the law of the countries involved, which include the nationality of the plane or ship, the nationality(-ies) of the parents and/or the location of the plane or ship (if the birth occurs in the territorial waters or airspace of a country) 
Some administrative forms may request the applicant's "country of birth"  It is important to determine from the requester whether the information requested refers to the applicant's "place of birth" or "nationality at birth"  For example, US citizens born abroad who acquire US citizenship at the time of birth, the nationality at birth will be USA (American), while the place of birth would be the country in which the actual birth takes place 

Reference list
8 FAM 403 4 Place of Birth
Passage 6:
Beaulieu-sur-Loire
Beaulieu-sur-Loire (French pronunciation: ​[boljø syʁ lwaʁ], literally Beaulieu on Loire) is a commune in the Loiret department in north-central France  It is the place of death of Jacques MacDonald, a French general who served in the Napoleonic Wars 

Population
See also
Communes of the Loiret department
Passage 7:
Sennedjem
Sennedjem was an Ancient Egyptian artisan who was active during the reigns of Seti I and Ramesses II  He lived in Set Maat (translated as "The Place of Truth"), contemporary Deir el-Medina, on the west bank of the Nile, opposite Thebes  Sennedjem had the title "Servant in the Place of Truth"  He was buried along with his wife, Iyneferti, and members of his family in a tomb in the village necropolis  His tomb was discovered January 31, 1886  When Sennedjem's tomb was found, it contained furniture from his home, including a stool and a bed, which he used when he was alive His titles included Servant in the Place of Truth, meaning that he worked on the excavation and decoration of the nearby royal tombs 

See also

TT1 – (Tomb of Sennedjem, family and wife)
Passage 8:
Place of origin
In Switzerland, the place of origin (German: Heimatort or Bürgerort, literally "home place" or "citizen place"; French: Lieu d'origine; Italian: Luogo di attinenza) denotes where a Swiss citizen has their municipal citizenship, usually inherited from previous generations  It is not to be confused with the place of birth or  place of residence, although two or all three of these locations may be identical depending on the person's circumstances 

Acquisition of municipal citizenship
Swiss citizenship has three tiers  For a person applying to naturalise as a Swiss citizen, these tiers are as follows:

Municipal citizenship, granted by the place of residence after fulfilling several preconditions, such as sufficient knowledge of the local language, integration into local society, and a minimum number of years lived in said municipality 
Cantonal (state) citizenship, for which a Swiss municipal citizenship is required  This requires a certain number of years lived in said canton 
Country citizenship, for which both of the above are required, also requires a certain number of years lived in Switzerland (except for people married to a Swiss citizen, who may obtain simplified naturalisation without having to reside in Switzerland), and involves a criminal background check The last two kinds of citizenship are a mere formality, while municipal citizenship is the most significant step in becoming a Swiss citizen  
Nowadays the place of residence determines the municipality where citizenship is acquired, for a new applicant, whereas previously there was a historical reason for preserving the municipal citizenship from earlier generations in the family line, namely to specify which municipality held the responsibility of providing social welfare  The law has now been changed, eliminating this form of allocating responsibility to a municipality other than that of the place of residence  Care needs to be taken when translating the term in Swiss documents which list the historical "Heimatort" instead of the usual place of birth and place of residence 
However, any Swiss citizen can apply for a second, a third or even more municipal citizenships for prestige reasons or to show their connection to the place they currently live – and thus have several places of origin  As the legal significance of the place of origin has waned (see below), Swiss citizens can often apply for municipal citizenship for no more than 100 Swiss francs after having lived in the same municipality for one or two years  In the past, it was common to have to pay between 2,000 and 4,000 Swiss francs as a citizenship fee, because of the financial obligations incumbent on the municipality to grant the citizenship 
A child born to two Swiss parents is automatically granted the citizenship of the parent whose last name they hold, so the child gets either the mother's or the father's place of origin  A child born to one Swiss parent and one foreign parent acquires the citizenship, and thus the place of origin, of the Swiss parent 

International confusion
Almost uniquely in the world (with the exception of Japan, which lists one's Registered Domicile; and Sweden, which lists the mother's place of domicile as place of birth), the Swiss identity card, passport and driving licence do not show the holder's birthplace, but only their place of origin  The vast majority of countries show the holder's actual birthplace on identity documents  This can lead to administrative issues for Swiss citizens abroad when asked to demonstrate their actual place of birth, as no such information exists on any official Swiss identification documents  Only a minority of Swiss citizens have a place of origin identical to their birthplace  More confusion comes into play through the fact that people can have more than one place of origin 

Significance and history
A citizen of a municipality does not enjoy a larger set of rights than a non-citizen of the same municipality  To vote in communal, cantonal or national matters, only the current place of residence matters – or in the case of citizens abroad, the last Swiss place of residence 
The law previously required that a citizen's place of origin continued to bear all their social welfare costs for two years after the citizen moved away  In 2012, the National Council voted by 151 to 9 votes to abolish this law  The place of domicile is now the sole payer of welfare costs In 1923, 1937, 1959 and 1967, more cantons signed treaties that assured that the place of domicile had to pay welfare costs instead of the place of origin, reflecting the fact that fewer and fewer people lived in their place of origin (1860: 59%, in 1910: 34%) In 1681, the Tagsatzung – the then Swiss parliament – decided that beggars should be deported to their place of origin, especially if they were insufficiently cared for by their residential community In the 19th century, Swiss municipalities even offered free emigration to the United States if the Swiss citizen agreed to renounce municipal citizenship, and with that the right to receive welfare 

See also
Ancestral home (Chinese)
Bon-gwan
Registered domicile


== Notes and references ==
Passage 9:
Shahnawaz Bhutto
Shahnawaz Bhutto (November 21, 1958 – July 18, 1985; Sindhi: شاھنواز ڀٽو) was the son of Zulfiqar Ali Bhutto, the former President and Prime Minister of Pakistan from 1971 to 1977 and Begum Nusrat Bhutto, who was of Kurdish descent  Shahnawaz Bhutto was the youngest of Bhutto's four children, including the former Prime Minister of Pakistan Benazir Bhutto  Shahnawaz was schooled in Pakistan (at the Aitchison College in Lahore and Rawalpindi American School - renamed the International School of Islamabad (ISOI) in 1979, after the school was stormed during the uprising), where he graduated in 1976 and later travelled abroad to complete his higher education 
Shahnawaz was studying in Switzerland when Zia ul Haq's military regime executed his father in 1979  Prior to the execution, Shahnawaz and his elder brother Murtaza Bhutto had embarked on an international campaign to save their father's life, but it was to no avail  The two brothers continued to resist the military abrogation of the 1973 constitution in exile 
Shahnawaz and his brother Murtaza Bhutto, both married two Afghan sisters, Rehana and Fauzia  After the alleged involvement of Shahnawaz's wife Rehana in the murder of Shahnawaz, Murtaza Bhutto divorced his wife 
On  July 18, 1985, the 26-year-old Shahnawaz was found dead in Nice, France  He died under mysterious circumstances, and the Bhutto family firmly believed he was poisoned  No one was brought to trial for murder, but Shahnawaz's wife Rehana was considered a suspect by the French authorities and remained in their custody for some time  She was found not guilty and later allowed to travel, and went to the United States  Pakistani media, which was under Zia's control, attributed  death to drug and alcohol abuse 
Shahnawaz is believed to have helped organize a group dedicated to overthrowing the regime of President Mohammed Zia ul-Haq, through links to Al-Zulfiqar increasingly active in Pakistan at that time  The funeral of Shahnawaz turned into a defiant show of opposition to Zia's military rule  It was held in a Larkana sports stadium, attended by an estimated 25,000 people  He is buried at the Bhutto family mausoleum in Garhi Khuda Baksh in Sindh  Shahnawaz's daughter Sassi Bhutto lives with her mother in the United States 

Sources
Riaz, Bashir (18 July 2014)  "Remembering Shahnawaz Bhutto"  The International News  Pakistan 
Crossette, Barbara (25 September 1990)  "Bhutto's Hunted Brother Is Hoping to Return"  The New York Times 
Fathers, Michal (17 October 1993)  "The Bhutto inheritance"  The Independent  UK  Archived from the original on August 30, 2009 

External links
Chandran, Ramesh (August 15, 1985)  "Tragedy continues to stalk Bhutto clan with mysterious death of Shahnawaz in Cannes"  India Today 
Passage 10:
Motherland (disambiguation)
Motherland is the place of one's birth, the place of one's ancestors, or the place of origin of an ethnic group 
Motherland may also refer to:

Music
"Motherland" (anthem), the national anthem of Mauritius
National Song (Montserrat), also called "Motherland"
Motherland (Natalie Merchant album), 2001
Motherland (Arsonists Get All the Girls album), 2011
Motherland (Daedalus album), 2011
"Motherland" (Crystal Kay song), 2004

Film and television
Motherland (1927 film), a 1927 British silent war film
Motherland (2010 film), a 2010 documentary film
Motherland (2015 film), a 2015 Turkish drama
Motherland (2022 film), a 2022 documentary film about the Second Nagorno-Karabakh War
Motherland (TV series), a 2016 British television series
Motherland: Fort Salem, a 2020 American science fiction drama series

Other uses
Motherland Party (disambiguation), the name of several political groups
Personifications of Russia, including a list of monuments called Motherland

See also
All pages with titles containing Motherland
Mother Country (disambiguation)



ground_truth: Dubai

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When was Antoine Philippe, Duke Of Montpensier's mother born?

The following are given passages.
Context 4: Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views  The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages 
Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F  Kennedy  His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education 
Boritzer now lives in Venice, California and maintains his publishing office there also  He has helped numerous other authors to get published through How to Get Your Book Published! programs  Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally  He is also recognized nationally as an erudite speaker on The Teachings of the Buddha 
Passage 9:
Michael Govan
Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art  Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City 

Early life and education
Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D C  area, attending Sidwell Friends School He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art  Govan became closely involved with the museum, serving as acting curator as an undergraduate  After receiving his B A  from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego 

Career
As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R  Guggenheim Foundation  Govan served as deputy director of the Solomon R  Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain  Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation 

Dia Art Foundation
From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City  There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present  Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon  Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building  During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest  Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015 

LACMA
In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M  Daly, recruited Govan to run the Los Angeles County Museum of Art  Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961  "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that "Govan has been widely regarded for transforming LACMA into both a local and international landmark  Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion  LACMA's annual attendance has grown from 600,000 to nearly 1 6 million in 2016 

Artist collaborations
Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists  In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world  Baldessari has also designed LACMA's logo  Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth     crossed with a high-style urban lounge "Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists  These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard  Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016 In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived  In 2010, it was announced that Govan will steer LACMA for at least six more years  In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum 

Zumthor Project
Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor  As of January 2017, he has raised about $300 million in commitments  Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard  The project also envisages dissolving all existing curatorial departments and departmental collections  Some commentators have been highly critical of Govan's plans  Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own"  Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1 5 miles  Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support 
On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come" 

Personal life
Govan is married and has two daughters, one from a previous marriage  He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]  That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region 
Los Angeles CA 90020
United States  He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport 
Passage 10:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 



ground_truth: 13 March 1753