prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is Sobe (Sister Of Saint Anne)'s grandchild?

The following are given passages.
Context 1: Passage 1:
Jim Ramel Kjellgren
Jim Love Ramel Kjellgren, (born 18 July 1987) is a Swedish actor  He is the son of Lotta Ramel and Johan H:son Kjellgren and the grandchild of Povel Ramel  He is perhaps best known as the character Jonte in the SVT series Eva & Adam, he reprised the role in the film Eva & Adam – fyra födelsedagar och ett fiasko In 2020, Jim married Bernadette Gisele Hutson, who is French-American 

Filmography
1999–2000 – Eva & Adam (TV-series)
2001 – Eva & Adam – fyra födelsedagar och ett fiasko
2001 – Days Like This
2004 – Kyrkogårdsön
2005 – Storm
Passage 2:
Tulasi (actress)
Tulasi (or Tulasi Shivamani) is an Indian actress who primarily works in Telugu, Kannada, and Tamil cinema  She started her career as a child actress  Later she appeared in lead actress and supporting actress roles  She has acted in over 300 films in Telugu, Kannada, Tamil, Malayalam, and Bhojpuri languages  She won two Nandi Awards and one Filmfare Award 

Career
Tulasi made her debut in the Telugu language when she was three months old in 1967  For a song in a film, a baby was needed and Tulasi was placed in the cradle after actress Savitri had requested Tulasi's mother, who was a friend of her  She was featured in a song when she was three-and-half years old in Jeevanatarangalu and said that she became a full-fledged actor when she was four  She had never been to school She got married at age 28 to Kannada director Sivamani  She stated, "I met him in the morning and by evening we tied the knot"  They have one son, Sai Tarun  Tulasi decided to quit acting after getting married, working only occasionally as a voice actor in Telugu films, including ones by Mani Ratnam  When her son was around six years old, she received several mother character roles  She initially declined them all, but finally signed on one Kannada film, Excuse Me, in which she played mother to Divya Spandana and which became a big hit  After that she was doing three films a year in Kannada 
She began to act mainly in mother roles in Telugu and Tamil film industries  Her notable supporting roles include performances in Sasirekha Parinayam, Mr  Perfect, Darling, Srimanthudu, Iddarammayilatho, Nenu Local, Mahanati & Dear Comrade in Telugu and Pillaiyar Theru Kadaisi Veedu, Easan, Mankatha, Sundarapandian, Aadhalal Kadhal Seiveer and Pandiya Naadu in Tamil  Tulasi has said that Aadhalal Kadhal Seiveer, in which she had played mother to Manisha Yadav's character, changed her life and brought her an "identity as a screen mother"  Her portrayal of Chellamma in Pannaiyarum Padminiyum was praised too, with critics stating that she was "brilliant", and had given her "career best performance" 

Partial filmography
Awards
Nandi AwardsBest Child Actress - Seetamalakshmi (1978)
Best Child Actress - Sankarabharanam (1980)Filmfare Awards SouthFilmfare Award for Best Supporting Actress - Kannada - Josh
Passage 3:
Stokkseyrar-Dísa
Thordis Markusdottir (Þórdís Markúsdóttir), known as Stokkseyrar-Dísa (1668–1728), was an Icelandic magician (Galdrmaster)  She is known in history for her alleged magical powers  She is the subject of a least ten different folk sagas depicting her experiments within magic or Galdr 
Thordis Markusdottir belonged to the elite of the Iceland and was the grandchild of sheriff Torfi Erlendsson of Stafnes and related to Thormodus Torfæus, historian of the King of Denmark  She lived in Stokkseyri, thereby the name Stokkseyrar-Dísa  Some of the sagas around her centers on her magical duels with Eiríkur í Vogsósum 
Passage 4:
Elizabeth (biblical figure)
Elizabeth (also spelled Elisabeth; Hebrew: אֱלִישֶׁבַע / אֱלִישָׁבַע "My God has sworn", Standard Hebrew: Elišévaʿ / Elišávaʿ, Tiberian Hebrew: ʾĔlîšéḇaʿ / ʾĔlîšāḇaʿ; Greek: Ἐλισάβετ Elisabet / Elisavet) was the mother of John the Baptist, the wife of Zechariah, and maternal aunt of Mary, mother of Jesus, according to the Gospel of Luke and in Islamic tradition  She was past normal child-bearing age when she conceived and gave birth to John 

Biblical narrative
According to the Gospel of Luke chapter 1, Elizabeth was "of the daughters of Aaron"  She and her husband Zechariah/Zachariah were "righteous before God, walking in all the commandments and ordinances of the Lord blameless" (1:5–7), but childless  While he was in the temple of the Lord (1:8–12), Zachariah was visited by the angel Gabriel:

But the angel said to him: “Do not be afraid, Zechariah; your wife Elizabeth will bear you a son, and you are to call him John  He will be a joy and delight to you, and many will rejoice because of his birth, for he will be great in the sight of the Lord  He is never to take wine or other fermented drink, and he will be filled with the Holy Spirit even before he is born 
Zachariah doubted whereby he could know this since both he and his wife were old  The angel identified himself as Gabriel and told Zachariah that he would be "dumb, and not able to speak" until the words were fulfilled, because he did not believe  When the days of his ministry were complete, he returned to his house (Luke 1:16–23) 

After this his wife Elizabeth became pregnant and for five months remained in seclusion  “The Lord has done this for me,” she said  “In these days he has shown his favor and taken away my disgrace among the people ”
According to the account, the angel Gabriel was then sent to Nazareth in Galilee to her relative Mary, a virgin, betrothed to a man called Joseph, and informed her that she would conceive by the Holy Spirit and bring forth a son to be called Jesus  Mary was also informed that her "relative Elizabeth" had begun her sixth month of pregnancy, and Mary traveled to "a town in the hill country of Judah", to visit Elizabeth (Luke 1:26–40) 

When Elizabeth heard Mary’s greeting, the baby leaped in her womb, and Elizabeth was filled with the Holy Spirit  In a loud voice she exclaimed: "Blessed are you among women, and blessed is the fruit of thy womb  But why am I so favored, that the mother of my Lord should come to me? As soon as the sound of your greeting reached my ears, the baby in my womb leaped for joy  Blessed is she who has believed that the Lord would fulfill his promises to her!"
Matthew Henry comments, "Mary knew that Elizabeth was with child, but it does not appear that Elizabeth had been told anything of her relative Mary's being designed for the mother of the Messiah; and therefore what knowledge she appears to have had of it must have come by a revelation, which would be a great encouragement to Mary " After Mary heard Elizabeth's blessing, she spoke the words now known as the Magnificat (Luke 1:46–55)  

Mary stayed with Elizabeth for about three months and then returned home When it was time for Elizabeth to have her baby, she gave birth to a son  Her neighbors and relatives heard that the Lord had shown her great mercy, and they shared her joy On the eighth day they came to circumcise the child, and they were going to name him after his father Zechariah, but his mother spoke up and said, “No! He is to be called John ”They said to her, “There is no one among your relatives who has that name ”Then they made signs to his father, to find out what he would like to name the child  He asked for a writing tablet, and to everyone’s astonishment he wrote, “His name is John ” Immediately his mouth was opened and his tongue set free, and he began to speak, praising God 
That is the last mention of Elizabeth, who is not mentioned in any other chapter in the Bible  The chapter continues with the prophecy of Zachariah (known as the Benedictus,) and ends with the note that John "grew, and became strong in spirit, and was in the deserts" until his ministry to Israel began; so it is unknown how long Elizabeth and her husband lived after that (Luke 1:65–80) 
Since the Medieval era, Elizabeth's greeting, "Blessed are you among women, and blessed is the fruit of thy womb," has formed the second part of the Hail Mary prayer A traditional "tomb of Elizabeth" is shown in the Franciscan Monastery of Saint John in the Wilderness near Jerusalem 

Apocrypha
Elizabeth is mentioned in several books of the Apocrypha, most prominently in the Protevangelion of James, in which the birth of her son, the subsequent murder of her husband, as well as her and John's miraculous escape during the Massacre of the Innocents are chronicled 

Sainthood
Elizabeth is revered as a saint in the Roman Catholic Church on 5 November, and in the Orthodox and Anglican traditions on 5 September, on the same day with her husband Zacharias/Zechariah  She is commemorated as a matriarch in the Calendar of Saints (5 September) of the Lutheran Church–Missouri Synod and Zacharias is commemorated as a prophet She is also commemorated on 30 March in Eastern Orthodox Church (Visitation) 

Islam
Elizabeth (Arabic: Isha', daughter of Faqudh), the wife of Zakaria, the mother of Yahya, is an honored woman in Islam  Although Zachariah himself is frequently mentioned by name in the Qur'an, Elizabeth, while not mentioned by name, is referenced  She is revered by Muslims as a wise, pious and believing person who, like her relative Mary, was exalted by God to a high station  She lived in the household of Imran, and is said to have been a descendant of the prophet and priest Harun Zachariah and his wife were both devout and steadfast in their duties  They were, however, both very old and they had no son  Therefore, Zachariah would frequently pray to God for a son  This was not only out of the desire to have a son but also because the great Jesus wanted someone to carry on the services of the Temple of prayer and to continue the preaching of the Lord's message before his death 
God cured Elizabeth's barrenness and granted Zachariah a son, Yahya (John the Baptist), who became a prophet  God thus granted the wishes of the couple because of their faith, trust and love for God  In the Qur'an, God speaks of Zachariah, his wife, and John, and describes the three as being humble servants of the Lord:

So We listened to him: and We granted him John: We cured his wife's (Barrenness) for him  These (three) were ever quick in emulation in good works; they used to call on Us with love and reverence, and humble themselves before Us 
In Sunni Islamic reports of al-Tabari and al-Masudi, Elizabeth is said to have been a daughter of Imran, and thus, a sister of Mary  Therefore, their children Jesus (Isa) and John (Yahya) are believed to have been cousins  In other accounts, Elizabeth is said to be a daughter of Fakudh, and a sister of Imran's wife Hannah In Shia hadith she is named Hananah, and is identified as a sister of Mary's mother Hannah  Abu Basir recorded that Imam Ja'far al-Sadiq, the great grandson of the Islamic Prophet Muhammad, had stated: "Hannah, the wife of Imran, and Hananah, the wife of Zechariah, were sisters  He goes on to say that Mary was born from Hannah and John was born from Hananah  Mary gave birth to Jesus and he was the son of the daughter of John's aunt  John was the son of the aunt of Mary, and the aunt of one's mother is like one's aunt "

Mandaeism
In Mandaeism, Enišbai (Classical Mandaic: ࡏࡍࡉࡔࡁࡀࡉ, romanized: ʿnišbai) is the Mandaic name for Elizabeth, the mother of John the Baptist  Enišbai is mentioned in chapters 18, 21, and 32 of the Mandaean Book of John 

See also
Gospel of Luke
Visitation (Catholic feast)
Ein Kerem, traditional home town of Elizabeth, Zechariah and John
Biblical figures in Islamic tradition
Saint Elizabeth, patron saint archive

Notes and references
This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed  (1913)  "Hail Mary"  Catholic Encyclopedia  New York: Robert Appleton Company 

External links

Stained glass depiction of Elizabeth and Zachary, Cathédrale Saint-Etienne de Bourges
Passage 5:
Sobe (sister of Saint Anne)
Sobe, also known as Sovin, was the mother of St  Elizabeth and sister of St  Anne The Bible records only that Elizabeth was a descendant of Aaron and a cousin (or relative) of Mary  The name of Sobe first appears in writings of about the 7th century by Hippolytus of Thebes, Andrew of Crete, and Epiphanius Monachus, and later in Nicephorus Callistus and Andronicus  All recount essentially the same passage, given by the last two as follows:

There were three sisters of Bethlehem, daughters of Matthan the priest, and Mary his wife, under the reign of Cleopatra and Sosipatrus, before the reign of Herod, the son of Antipater: the eldest was Mary, the second was Sobe, the youngest's name was Anne  The eldest being married in Bethlehem, had for daughter Salome the midwife; Sobe the second likewise married in Bethlehem, and was the mother of Elizabeth; last of all the third married in Galilee, and brought forth Mary the mother of Christ 

The 19th-century mystic Anne Catherine Emmerich claims that according to her visions (which give a detailed genealogy of Mary), Sobe was a sister of Anne, but the mother of Elizabeth was Emerentia, Sobe and Anne's maternal aunt 

See also
List of names for the biblical nameless
Passage 6:
Constance Anne Herschel
Constance Anne Herschel (1855 - 1939), later known as Lady Lubbock, was a scientist and mathematician 
Herschel held the post of resident lecturer in natural sciences and mathematics at Girton College, Cambridge She was the child of Sir John Frederick William Herschel, and the grandchild of William Herschel  She wrote a family history of the famous scientific dynasty by compiling family sources, 'The Herschel Chronicle' She married Sir Neville Lubbock 
Passage 7:
Albina du Boisrouvray
Countess Albina du Boisrouvray (born 1941) is a former journalist and film producer who has become a global philanthropist and social entrepreneur working with AIDS victims and impoverished communities around the world  She is the founder of FXB International, a non-governmental organization established in memory of her son, François-Xavier Bagnoud Du Boisrouvray is a grandchild of the Bolivian King of Tin, Simón Patiño  She is a second cousin of Prince Rainier of Monaco and godmother to Charlotte Casiraghi, daughter of Princess Caroline of Monaco 

Early life and education
She is the daughter of Count Guy de Jacquelot du Boisrouvray (1903-1980) and Luz Mila Patiño Rodríguez (1909-1958) (her name is also reported as Luzmila)  Her paternal grandmother was born countess Joséphine Marie Louise de Polignac, sister of Prince Pierre, Duke of Valentinois, the maternal grandfather of Rainier III, Prince of Monaco  Her maternal grandfather was Simón Patiño, one of the wealthiest men in the world at the time of her birth Her father was part of the Free French movement and her family left the country while she was an infant  Du Boisrouvray grew up in New York City and lived at the Plaza Hotel  Her family later moved to Argentina, and du Boisrouvray lived alone in Switzerland, Morocco, England and back to France Du Boisrouvray attended University of Sorbonne in Paris where she studied psychology and philosophy 

Career
Du Boisrouvray began her career as a journalist  She worked as a freelance journalist for Le Nouvel Observateur, covering international stories such as the death of Che Guevara  She later co-founded the literary magazine Libre with Juan Goytisolo In 1978, du Boisrouvray ran as a candidate for the Friends of the Earth party in parliamentary elections She founded a film production company, Albina Productions, in 1969 and is credited with producing 22 films over a period of 17 years  These films include Pascal Thomas' first film, Les Zozos (1972), L'important c'est d'aimer and Une Femme a sa fenêtre, both of which starred Romy Schneider, and Fort Saganne (1984), directed by Alain Corneau and starring Gérard Depardieu, Catherine Deneuve and Sophie Marceau  Police Python 357 (1976) notably was one of the few films which starred Yves Montand and Simone Signoret, a well-known couple, in the same film  Du Boisrouvray began serving as the chairperson of SEGH, her family's real estate and hotel management group, in 1980 

FXB International
Following the death of her only child, du Boisrouvray sold three-quarters of her assets including a jewelry collection auctioned by Sotheby's in New York for $31 2 million, an art collection of $20 million, and a substantial part of her family real-estate business which garnered $50 million  The Sotheby's auction was the largest jewelry sale since the Duchess of Windsor's auction  The sale included pre-Columbian gold, jade and other notable pieces accumulated by the noble French family  Du Boisrouvray allocated part of the profits to the FXB Foundation to create programs, including an at home palliative care program for the terminally ill in Switzerland and France, a rescue helicopter control centre in the Swiss Alps, and a professorship at the University of Michigan (her son's alma mater)  The rest of the funds were used to found FXB International in memory of her son, François-Xavier Bagnoud, a search-and-rescue pilot who died while serving as a transport pilot in Mali during the Paris-Dakar rally in 1986 Du Boisrouvray founded FXB International is to fight poverty and AIDS, and support orphans and vulnerable children left in the wake of the AIDS pandemic  FXB International offers comprehensive support to the families and communities that care for these children, and advocates for their fundamental rights  The organization has helped over 17 million people from programs in more than 100 countries, with a staff of over 450  Du Boisrouvray broadened its work from supporting children impacted by AIDS to also include all families needing support to emerge from extreme poverty and become self-sufficient through the FXBVillage methodology  In 1991, she developed the FXBVillage Methodology, a community-based, sustainable approach to overcoming the AIDS orphans crisis and extreme poverty  Each FXBVillage supports 80-100 families, comprising approximately 500 individuals, mostly children  Over a three-year period, FXB provides communities with the resources and training needed to become physically, financially and socially independent  According to FXB, the FXBVillage program has graduated over 69,500 participants from eight countries and has over 12,500 current participants In 1993, du Boisrouvray founded the FXB Center for Health and Human Rights at Harvard University, the first academic center to focus exclusively on health and human rights 

Awards and recognition
Du Boisrouvray was made Chevalier des Arts et des Lettres in 1985  In 1993, the University of Michigan conferred upon her a "Doctor of Humane Letters Degree," and she was made a "John Harvard Fellow" by Harvard University in 1996 
She received a Special Recognition Award for "Responding to the HIV/AIDS Orphan crisis" at the second conference on Global Strategies for the prevention of HIV transmission from mothers to infants in Montreal, in September 1999  In 2001, Harvard students presented her with the "Harvard Project for International Health and Development Award" Her philanthropy and humanitarian efforts earned her a knighthood of the Légion d'Honneur in 2001 for her pioneering work in home palliative care projects  Also in 2001, because of the innovative cost-effective projects that she formulated and directed within FXB, she was selected as a member of the Social Entrepreneurs Group of the Schwab Foundation  This recognition enables the 54 social entrepreneurs of the group to participate in the Davos World Economic Forum and to present and to share their expertise with world business leaders in the civil and public sectors She was awarded the 2002 North-South Prize by the Council of Europe  In November 2003, du Boisrouvray received the "Lifetime Achievement Award" at the 4th International Conference on AIDS in India, in recognition for the projects that she initiated in the 35 States and Territories of India  In 2007, the French Fédération nationale des Clubs Convergences gave her an award for her activities on behalf of orphans and vulnerable children affected by AIDS in the world 
In 2004, Albina received the Thai Komol Keemthong Foundation Award for Outstanding Personality for the year 2004  The award was given in appreciation of her contributions to Thailand and Burma in the fields of protecting children and women's rights, education, vocational training and support of HIV/AIDS-affected children and their families In April 2009, French President Nicolas Sarkozy presented du Boisrouvray with the insignia of Officer in l'Ordre National du Mérite  The President honoured Albina and her work, saying "Your NGO is a model throughout the world  You are a woman involved  Your solidarity is exemplary and that is why the Republic will distinguish you " She is the first film producer to be awarded L'Ordre National du Mérite  In June 2009, du Boisrouvray received the BNP Paribas Jury's Special Prize 
In 2013, the Kalinga Institute of Social Sciences (KISS) awarded du Boisrouvray their KISS Humanitarian Award which recognizes individuals with exceptionally high contribution to society and who have distinguished themselves as humanitarians 

Personal life
Du Boisrouvray was married twice, first to Swiss aviator Bruno Bagnoud and second to French film producer Georges Casati, whom she divorced in 1982  She met Bagnoud while living in Valais  They were married for four years and had one son together, François-Xavier Bagnoud, born in 1961 She lives in Portugal, near Lisbon, part of the year and has homes in Paris, New York and Switzerland 
Passage 8:
Diana Weston
Diana Weston (born 13 November 1953) is a Canadian-British actress who has been on British television since 1975  She is a grandchild of Charles Basil Price 

Biography
Career
Weston's first role was in a 1975 episode of Thriller, and parts in Raffles, The Sweeney, The Professionals, Agony, Shoestring and Bless Me, Father soon followed  She also appeared in the video for the 1984 Ultravox hit single Dancing with Tears in My Eyes  Since the late 1980s, she has appeared in The New Statesman, Boon, A Bit of a Do, About Face, Nightingales, Jonathan Creek, Casualty, Emmerdale, My Family, New Tricks and a main role in the 2000 sitcom Pay and Display However, it is for the role of Caroline in the sitcom The Upper Hand that she is best known, starring alongside Joe McGann and Honor Blackman, with the show being produced for ITV from 1990 to 1996 

Filmography
Film
Television
Personal life
Diana Weston had a long relationship with the actor Robert Lindsay, and they had one daughter, Sydney (born 1988), who has also made television appearances  She and Lindsay separated after he started a relationship with actress/presenter Rosemarie Ford, although she continued to work with him on occasion 
Passage 9:
Merlin Holland
Christopher Merlin Vyvyan Holland (born December 1945) is a British biographer and editor  He is the only grandchild of Oscar Wilde, whose life he has researched and written about extensively 

Biography
Born in London in December 1945, Christopher Merlin Vyvyan Holland is the son of the author Vyvyan Holland and his second wife, Thelma Besant  He is the only grandchild of Oscar Wilde and Constance Lloyd His mother Thelma was an Australian cosmetician who became the personal beauty adviser to Queen Elizabeth II for about 10 years from the mid-1940s  His paternal grandmother, Constance, had changed her and her children's surname to Holland (an old family name) in 1895, after Wilde had been convicted of homosexual acts and imprisoned, in order to gain some privacy for the boys and distance from the scandal 

Work
Holland has studied and researched Wilde's life for more than thirty years  He is the co-editor, with Rupert Hart-Davis, of The Complete Letters of Oscar Wilde  He is the editor of Irish Peacock and Scarlet Marquess, the first uncensored version of his grandfather's 1895 trials   (The book is titled The Real Trial of Oscar Wilde for release in the US )Holland has criticised Richard Ellmann's 1987 biography, Oscar Wilde, as inaccurate, particularly his claim that Wilde had syphilis and transmitted it to Constance  According to The Guardian, Holland has  "unearthed medical evidence within private family letters, which has enabled a doctor to determine the likely cause of Constance's death  The letters reveal symptoms nowadays associated with multiple sclerosis but apparently wrongly diagnosed by her two doctors  One, an unnamed German 'nerve doctor', resorted to dubious remedies and the other, Luigi Maria Bossi, conducted a botched operation that days later claimed her life "Holland has also written The Wilde Album, a small volume that included hitherto unpublished photographs of Wilde  The book focuses on how the scandal caused by Wilde's trials affected his family, most notably his wife, Constance, and their children, Cyril and Vyvyan   
In 2006, his book Oscar Wilde: A Life in Letters was published, and his volume Coffee with Oscar Wilde, an imagined conversation with Wilde, was released in the autumn of 2007  Holland also wrote A Portrait of Oscar Wilde (2008), which reveals Wilde through manuscripts and letters from the Lucia Moreira Salles collection, located at The Morgan Library & Museum in New York City In addition, Holland has also worked as a wine writer and occasionally written features for Country Life, and The Oldie In July 2013, Holland gave the keynote address for a symposium on Oscar Wilde presented by The Santa Fe Opera  The address surveyed the popular and critical attitudes towards Wilde and his work from the end of his life to the present day  The symposium was given in conjunction with the opera company's world premiere presentations of Oscar, composed by Theodore Morrison with a libretto written by John Cox and the composer Holland's play The Trials of Oscar Wilde, co-authored with John O'Connor and re-enacting the 1895 trials of Lord Queensberry for libel and Oscar Wilde for gross indecency, toured the United Kingdom in 2014 in a production by the European Arts Company 

Personal life
Holland lives in Burgundy, France, with his second wife  His son, Lucian Holland (born 1979 to Merlin's first wife Sarah), studied classics at Magdalen College  He occupied rooms that his great-grandfather Wilde had occupied  He is a computer programmer, living in London Merlin Holland briefly toyed with the idea of changing his name back to Wilde  He told The New York Times in 1998, “But if I did it, it would have to be not just for Oscar, but for his father and mother, too, for the whole family  It was an extraordinary family before he came along, so if I put the family name back on the map for the right reasons, then it's all right ”

Published works
1998 – The Wilde Album
2003 – Irish Peacock and Scarlet Marquess: The Real Trial of Oscar Wilde
2004 – The Real Trial of Oscar Wilde
Passage 10:
Princess Elizabeth of Great Britain
Princess Elizabeth Caroline of Great Britain (10 January 1741 – 4 September 1759) was one of the children of Frederick, Prince of Wales, and Princess Augusta of Saxe-Gotha  She was a granddaughter of King George II and sister of King George III 

Life
Princess Elizabeth was born at Norfolk House, St James's Square, Westminster  Her father was The Prince Frederick, Prince of Wales, eldest son of King George II and Caroline of Ansbach  Her mother was The Princess of Wales (née Augusta of Saxe-Gotha)  She was christened twenty-five days later at Norfolk House, by The Bishop of Oxford, Thomas Secker — her godparents were The Margrave of Brandenburg-Ansbach (her first cousin once-removed by marriage; for whom The Lord Baltimore (Gentleman of the Bedchamber to her father) stood proxy), The Queen of Denmark (for whom Anne, Viscountess Irwin stood proxy) and the Duchess of Saxe-Gotha (her maternal aunt by marriage, for whom Lady Jane Hamilton stood proxy) Little is known of her short life other than a fragment preserved in the Letters of Walpole 

We have lost another Princess, Lady Elizabeth   She died of an inflammation in her bowels in two days   Her figure was so very unfortunate, that it would have been difficult for her to be happy, but her parts and application were extraordinary   I saw her act in "Cato" at eight years old, (when she could not stand alone, but was forced to lean against the side-scene,) better than any of her brothers and sisters   She had been so unhealthy, that at that age she had not been taught to read, but had learned the part of Lucia by hearing the others study their parts  She went to her father and mother, and begged she might act  They put her off as gently as they could—she desired leave to repeat her part, and when she did, it was with so much sense, that there was no denying her 
She died on 4 September 1759 at Kew Palace, London and was buried at Westminster Abbey 

Ancestors
See also
List of British princesses
Context 2: Passage 1:
Lamman Rucker
Lamman Rucker  (born October 6, 1971) is an American actor  Rucker began his career on the daytime soap operas As the World Turns and All My Children, before roles in The Temptations, Tyler Perry's films Why Did I Get Married?, Why Did I Get Married Too?, and Meet the Browns, and its television adaptation  In 2016, he began starring as Jacob Greenleaf in the Oprah Winfrey Network drama series, Greenleaf  Rucker is married to Kelly Davis Rucker, a graduate of Hampton University  As of 2022, he stars in BET+ drama The Black Hamptons 

Early life
Rucker was born in Pittsburgh, Pennsylvania, the son of Malaya (née Ray) and Eric Rucker  He has partial ancestry from Barbados  Rucker spent his formative years in the greater Washington, DC, Maryland area  He first had an interest in acting after he was placed in many child pageants   His first acting role was as Martin Luther King in the 4th grade  He was in the drama club in 7th grade and then attended high school at the Duke Ellington School of the Arts in Washington, D C  Rucker studied at Carnegie-Mellon University and Duquesne University On August 29, 2019, he shared personal life experiences that he credits for his success with the Hampton University football team 

Career
His major role came in 2002 when he assumed the role of attorney T  Marshall Travers on the CBS daytime soap opera As the World Turns opposite Tamara Tunie  He left the series the following year and portrayed Garret Williams on ABC soap opera All My Children in 2005  He also had the recurring roles on the UPN sitcoms All of Us and Half & Half 
Rucker is best known for his roles in the Tyler Perry's films  He co-starred in Why Did I Get Married? (2007) and  Why Did I Get Married Too? (2010)  He played Will Brown in 2008 film Meet The Browns  He later had a starring role on Perry's sitcom Meet the Browns reprising his role as Will from 2009 to 2011  The following year after Meet the Browns, Rucker was cast in the male lead role opposite Anne Heche in the NBC comedy series Save Me, but left after pilot episode  He later had roles in a number of small movies and TV movies  Rucker also had regular role opposite Mena Suvari in the short-lived WE tv drama series, South of Hell In 2015, Rucker was cast as one of leads in the Oprah Winfrey Network drama series, Greenleaf  He plays Jacob Greenleaf, the eldest son of Lynn Whitfield' and Keith David's characters 

Filmography
Film
Television
Award nominations
Passage 2:
Richard T  Jones
Richard Timothy Jones (born January 16, 1972) is an American actor  He has worked extensively in both film and television productions since the early 1990s  His television roles include Ally McBeal (1997), Judging Amy (1998–2005), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011–2014), Narcos (2015), and Criminal Minds (2017)  Since 2018, he has played Police Sergeant Wade Grey on the ABC police drama The Rookie His film roles include portrayals of Lamont Carr in Disney's Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014) 

Early life
Jones was born in Kobe, Japan, to American parents and grew up in Carson, California  He is the son of Lorene, a computer analyst, and Clarence Jones, a professional baseball player who at the time of Jones' birth was playing for the Nankai Hawks in Osaka  He has an older brother, Clarence Jones Jr , who works as a high school basketball coach  They would return to North America after Clarence's retirement following the 1978 season  His parents later divorced  Jones attended Bishop Montgomery High School in Torrance, California, then graduated from Tuskegee University 

Career
Since the early 1990s, Jones has worked in both film and television productions His first television role was in a 1993 episode of the series California Dreams  That same year, he appeared as Ike Turner, Jr  in What's Love Got to Do with It  From 1999 to 2005, he starred as Bruce Calvin van Exel in the CBS legal drama series Judging Amy Over the next two decades, Jones starred or guest-starred in high-profile television series such as Ally McBeal (1997), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011–2014), Narcos (2015), and Criminal Minds (2017) His film roles include portrayals of Lamont Carr in the Disney film Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), and Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014) From 2017 to 2018, Jones played Detective Tommy Cavanaugh in the CBS drama series Wisdom of the Crowd Since February 2018, Jones has played the role of Sergeant Wade Gray in the ABC police procedural drama series The Rookie with Nathan Fillion 

Personal life
Joshua Media Ministries claims that its leader, David E  Taylor, mentors Jones in ministry, and that Jones has donated $1 million to its efforts 

Filmography
Film
Television
Passage 3:
Port of Seven Seas
Port of Seven Seas is a 1938 drama film starring Wallace Beery and featuring Frank Morgan and Maureen O'Sullivan   The movie was written by Preston Sturges based on the plays of Marcel Pagnol and the films based on them, and was directed by James Whale, the director of Frankenstein (1931) and The Invisible Man (1933)  The cinematography is by Karl Freund, who filmed Fritz Lang's Metropolis (1927) and I Love Lucy (1951-1957) 

Plot
TCM Synopsis:
In the port of Marseilles, France, Honore Panisse, a well-to-do sailmaker in his fifties, is enamored of the lovely Madelon, the daughter of a widowed fishmonger  For many years Panisse has played cards with Bruneau, Captain Escartefigue and tavern-owner Cesar, the father of Marius, the boy with whom Madelon is in love  Though Cesar and Marius are great friends, they argue constantly, especially over Panisse's infatuation with Madelon, whom Cesar considers one of the family  One day, Marius sends Madelon a note saying that he is going to sea for three years, but cannot say goodbye in person because it would break his heart  Madelon rushes to the docks and faints as his ship sails away  Because Panisse has just arrived, he tries to carry her home, but Cesar insists on taking her himself, not realizing that Marius has gone  Panisse tries to tell him why she fainted, but cannot, and listens fretfully as Cesar tells him that the two young people will soon be married  When he tells Madelon's mother Honorine this, Madelon, now revived, tells them that Marius has gone  Despite her love, she did not stop him because she knew how much he loved the sea  One month later, As Cesar pretends not to care that Marius has not written, the postman arrives with a letter from the boy  When Madelon arrives he reads the letter aloud, saddening Madelon, who is barely mentioned  Soon Panisse goes to Honorine to ask once again for the hand of Madelon  At the same time, Madelon finds out that she is pregnant and prays that she will have the strength to tell her mother  Madelon later goes to Panisse and tells him why she cannot marry him, but he is overjoyed with the news of her pregnancy because he has always wanted a son and his late wife was never able to bear a child  Because Panisse is so kind, Madelon agrees to marry him for the sake of the little one, and when Cesar arrives, quells his anger by telling him the truth  Cesar finally relents in his anger at Panissse for "stealing" his grandchild when Panisse says that he will make Cesar the godfather  They agree to call the boy Cesar Marius Panisse  After the baby is born, he is the apple of Panisse's eye, and Madelon gains the gratitude of Panisse's aged relatives, as well as the continued devotion of Panisse  One year later, just after Panisse has reluctantly boarded the train to go to Paris on business, Marius unexpectedly shows up at his father's house, returned to France to obtain some equipment for his ship  During the night, Marius goes to see Madelon, knowing that she has married Panisse, and Madelon lies to him, saying that Panisse is asleep  Marius confesses how much he has missed her, but she tells him it's too late  When the baby cries, she goes to him and Marius realizes that the child is his  When she tearfully confesses that Panisse is actually in Paris, Marius asks her to come away with him, but she tells him to go away  Just then Cesar comes back  He has returned home because he ran into the town doctor on the train and learned that a neighbor's child has contracted scarlet fever  He tells Marius to go away because that the baby now belongs to Panisse  She wants to go away with him and the baby, but just as they are talking, Panisse comes home because he was worried about the baby  Soon Cesar arrives also and tells Marius to go, but he refuses to leave without Madelon and the baby  Though Panisse sadly says that Madelon can have her freedom, he adds that he cannot give the baby up  When Panisse goes to check on the baby, Madelon and Cesar make Marius realize that the baby belongs as much to Panisse as Marius or Madelon  When Panisse returns, Marius shakes his hand and goes away, after which Panisse and Madelon happily look at their baby's first tooth 
In the French port of Marseille, a lovely young woman named Madelon is in love with a young sailor, Marius  Madelon in turn is loved by Honore Panisse, a well-to-do middle-aged sailmaker   When Marius finds out he must go to sea for three years, he leaves without saying goodbye to Madelon; in a note he tells her that it would break his heart to tell her in person   She rushes to the dock, but sees his ship sailing away and faints   Marius's father Cesar, who already thinks of Madelon as one of the family, carries her to her home 
Later, Madelon finds out that she is pregnant, and to spare her the shame of a child born out of wedlock, Panisse asks Madelon to get an abortion  She agrees, and goes to find a rusty clotheshanger  She proceeds with her attempt to kill her fetus  She did not succeed, and was rushed to the hospital bleeding 
A year later Marius unexpectedly returns from sea to buy some equipment for his ship   Visiting Madelon that night, he sees the baby and realizes that he is the father  He asks her to steal away with him, but she refuses  Despite her love for Marius, she knows that Panisse, who adores the child, will be a better father than Marius, who will be away at sea for many years at a time   Marius leaves, shaking Panisse's hand before he goes, and Panisse and Madelon happily look at their baby's first tooth 

Cast
Wallace Beery as Cesar
Frank Morgan as Panisse
Maureen O'Sullivan as Madelon
John Beal as Marius
Jessie Ralph as Honorine
Cora Witherspoon as Claudine
Etienne Girardot as Bruneau
E  Alyn Warren as Captain Escartefigue
Jerry Colonna as Arab Rug Dealer (uncredited)
Henry Hull as Uncle Alzear (uncredited)
Doris Lloyd as Customer (uncredited)
Fred Malatesta as Bird Seller (uncredited)
Robert Spindola as Boy (uncredited)

Production
Although the credited basis of Port of Seven Seas was Marcel Pagnol's 1931 play Fanny, the screenplay incorporated some incidents from three French films written by Pagnol based on his plays: Marius (1931), directed by Alexander Korda, Fanny (1932), directed by Marc Allégret, and César (1936), which Pagnol directed  The play "Marius" was a great success and was played more than one thousand times in Paris 
William Wyler was slated to direct the film at the time that Preston Sturges was brought into the project, the working titles for which were "Fanny", "Madelon", "Life on the Waterfront" and "Man of the Waterfront"   Ernest Vajda had been reported to be one of the screenwriters, but was not credited   The project was considered by Universal Studios in late 1933 or early 1934, but was dropped sometime after Joseph Breen, who supervised the Production Code, rejected the submitted script  Paramount Pictures had some interest in it, before the script ended up at MGM by July 1936  Although the MGM script was still essentially the one that Universal had submitted to the Hays Office, this time the censors found it "acceptable", and it was approved on 15 March 1938   This did not prevent the Legion of Decency from protesting that the film "lower[ed] the standards" that the Production Code was designed to uphold Port of Seven Seas was in production from late December 1937 through 28 January 1938, with retakes completed on 23 February   Shortly before production started, Luise Rainer, who was to have played "Madelon" was replaced by Maureen O'Sullivan because of a bad cold 
The film was released on 1 July 1938, the long delay coming about because the studio considered the subject matter "dangerous" for the film industry while Congress was considering legislation which had implications for film censorship The movie was premiered on July 1, 1938 in New York City  Marcel Pagnol and Raimu (the great French actor who played Cesar in the French plays and movies) were invited but did not come, supposedly for fear of air travel  The movie was premiered in France in Marseille, later in 1938, at the movie theatre "Le Noailles" with Wallace Beery, Marcel Pagnol and Raimu in attendance 

Other versions
Pagnol's plays provided source material for the three French films noted above, a 1933 Italian film named Fanny, the 1934 German film Der Schwarze Walfisch ("The Black Whale"), the 1954 Broadway musical Fanny, and the 1961 non-musical film based in part on it   Even though many situations and incidents in the 1961 film originated in Port of the Seven Seas, neither it nor Preston Sturges was credited 

Notes
External links
Port of Seven Seas at IMDb 
Port of Seven Seas at the TCM Movie Database 
Port of Seven Seas at AllMovie
Passage 4:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 5:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 6:
Michael Ning
Michael Ning  (Chinese: 凌智豪; Jyutping: ling4 zi3 hou4 born 5 November 1979) known professionally as Chinese: 白只; pinyin: bái zhī; Jyutping: baak6 zi2
is a Hong Kong born Chinese actor best known for his role in the 2015 film Port of Call 

Filmography
Passage 7:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 8:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 9:
James Whale
James Whale (22 July 1889 – 29 May 1957) was an English film director, theatre director and actor, who spent the greater part of his career in Hollywood  He is best remembered for several horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935), all considered classics  Whale also directed films in other genres, including the 1936 film version of the musical Show Boat 
Whale was born into a large family in Dudley, Worcestershire now Metropolitan Borough of Dudley  He discovered his artistic talent early on and studied art  With the outbreak of World War I he enlisted in the British Army and became an officer  He was captured by the Germans and during his time as a prisoner of war he realised he was interested in drama  Following his release at the end of the war he became an actor, set designer and director  His success directing the 1928 play Journey's End led to his move to the US, first to direct the play on Broadway and then to Hollywood, California, to direct films  He lived in Hollywood for the rest of his life, most of that time with his longtime romantic partner, producer David Lewis  Apart from Journey's End (1930), which was released by Tiffany Films, and Hell's Angels (1930), released by United Artists, he directed a dozen films for Universal Pictures between 1931 and 1937, developing a style characterised by the influence of German Expressionism and a highly mobile camera 
At the height of his career as a director, Whale directed The Road Back (1937), a sequel to All Quiet on the Western Front  Studio interference, possibly spurred by political pressure from Nazi Germany, led to the film's being altered from Whale's vision, and it was a critical failure  A run of box-office disappointments followed and, while he would make one final short film in 1950, by 1941 his film directing career was effectively over  He continued to direct for the stage and also rediscovered his love for painting and travel  His investments made him wealthy and he lived a comfortable retirement until suffering strokes in 1956 that robbed him of his vigor and left him in pain  He committed suicide on 29 May 1957 by drowning himself in his swimming pool 
Whale was openly gay throughout his career, something that was very rare in the 1920s and 1930s  As knowledge of his sexual orientation has become more widespread, some of his films, Bride of Frankenstein in particular, have been interpreted as having a gay subtext and it has been claimed that his refusal to remain in the closet led to the end of his career 

Early years
Whale was born in Dudley, Worcestershire, at the heart of the Black Country, the sixth of seven children of William, a blast furnaceman, and Sarah, a nurse  He attended Kates Hill Board School, followed by Bayliss Charity School and finally Dudley Blue Coat School  His attendance stopped in his teenage years, because the cost would have been prohibitive and his labor was needed to help support the family  Thought not physically strong enough to follow his brothers into the local heavy industries, Whale started work as a cobbler, reclaiming the nails he recovered from replaced soles and selling them for scrap for extra money  He discovered he had some artistic ability and earned additional money lettering signs and price tags for his neighbors  He used his additional income to pay for evening classes at the Dudley School of Arts and Crafts World War I broke out in early August 1914  Although Whale had little interest in the politics behind the war, he realized that conscription was inevitable, so he voluntarily enlisted just before it was introduced, into the British Army's Inns of Court Officer Training Corps in October 1915, and was stationed initially at Bristol  He was subsequently commissioned as a second lieutenant into the Worcestershire Regiment in July 1916  He was taken prisoner of war in battle on the Western Front in Flanders in August 1917, and was held at Holzminden Officers' Camp, where he remained until the war's end, being repatriated to England in December 1918  While imprisoned he became actively involved, as an actor, writer, producer and set-designer, in the amateur theatrical productions that took place in the camp, finding them "a source of great pleasure and amusement"  He also developed a talent for poker, and after the war he cashed in the chits and IOUs from his fellow prisoners that he had amassed in gambling to provide himself with finances for re-entry into civilian life 

Career
Theatre
After the armistice, he returned to Birmingham and tried to find work as a cartoonist  He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position  Later that year he embarked on a professional stage career  Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director  In 1922, while with Playfair, he met Doris Zinkeisen  They were considered a couple for some two years, despite Whale's living as an openly gay man  They were reportedly engaged in 1924, but by 1925 the engagement was off In 1928 Whale was offered the opportunity to direct two private performances of R  C  Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays  Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I  The key conflict is between Capt  Stanhope, the company commander, and Lt  Raleigh, the brother of Stanhope's fiancée  Whale offered the part of Stanhope to the then barely known Laurence Olivier  Olivier initially declined the role, but after meeting the playwright agreed to take it on  Maurice Evans was cast as Raleigh  The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929  A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste  The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations  As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like"
Context 3: Passage 1:
Consenting Adults (1992 film)
Consenting Adults is a 1992 American mystery crime-thriller film directed by Alan J  Pakula, and stars Kevin Kline, Mary Elizabeth Mastrantonio, Kevin Spacey and Rebecca Miller  The original music score was composed by Michael Small  The film's tagline is: "Thou shalt not covet thy neighbor's wife "

Plot
Composer Richard Parker and his wife Priscilla live an ordinary suburban life until they meet their new neighbors Eddy and Kay Otis  The two couples become friends  Kay's talent for blues singing gets Richard's attention, while Eddy is attracted to Priscilla  It becomes clear that Eddy is a scam artist when he fakes a neck injury after an auto accident for the insurance proceeds (the majority of which he offers to the Parkers as a gift)  Eddy chastises Richard for not living dangerously, and suggests they swap mates for an evening 
The plot takes a nasty turn when Richard does sleep with Kay (supposedly without her realizing that he is not her husband) and Kay turns up dead the next morning, bludgeoned to death by a baseball bat  Later, it is revealed that Eddy spent the night elsewhere in order to establish an airtight alibi  Richard's semen is found in her body, and his fingerprints are on the bat (from when the two couples played a friendly game of softball earlier the previous day), so he's charged with the crime  Priscilla disowns and divorces Richard due to his infidelity  Eddy soon becomes Priscilla's lover and a substitute father to Richard's daughter, Lori 
A distraught Richard finally finds a ray of hope when he hears Kay singing in a radio talent show and realizes she's alive  With the help of private investigator David Duttonville, who was hired by the insurance company from which Eddy is attempting to collect a $1 5 million indemnity claim, Richard tracks her down and learns the truth of how he was betrayed  Kay is guilt-ridden over her part in it, but terrified by Eddy's threat to implicate her if she testifies  Eddy, anticipating what Richard intends to do next, murders Kay and slips away  Implicated in a second murder, Richard flees the scene as police sirens approach 
Priscilla discovers a plane ticket Eddy used on the night of the second murder  Realizing Eddy's guilt, she worries over what to do about it  Richard performs a commando-style raid on Eddy's house, but Eddy, anticipating this move as well, reveals to Priscilla his plan to murder her and shoot Richard as a homicidal intruder  Working together, Richard and Priscilla eventually kill Eddy using the original murder weapon, the baseball bat  Richard and Priscilla are later seen moving into a very secluded house with no neighbors visible for miles 

Cast
Kevin Kline as  Richard Parker
Mary Elizabeth Mastrantonio as  Priscilla Parker
Kevin Spacey as  Eddy Otis
Rebecca Miller as  Kay Otis
Forest Whitaker as  David Duttonville
E  G  Marshall as  George Gutton
Kimberly McCullough as  Lori Parker
Billie Neal as  Annie Duttonville
Benjamin Hendrickson as  Jimmy Schwartz

Reception
It holds a 23% rating on Rotten Tomatoes from 13 reviews  On Metacritic it has a score of 39% based on reviews from 23 critics, indicating "generally unfavorable reviews "Gene Siskel and Roger Ebert sharply disagreed on the movie: Siskel found it depressing, mean-spirited and lacking in well-developed characters; Ebert said it was a good thriller with very interesting characters and that "the entire movie is a comedy "Vancouver Province film critic Michale Walsh panned the film, stating: 'Adults? Pond Scum, Actually '

Remakes
The film was remade in Pakistan in 1995 as Jo Darr Gya Woh Marr Gya, starring Jawed Sheikh, Nadeem Baig, Neeli, and Reema Khan  The movie was a hit and earned a golden jubilee  The film's music was composed by Robin Ghosh and Nusrat Fateh Ali Khan  An Indian remake was also made in the 2001, Ajnabee, starring Akshay Kumar, Bobby Deol, Kareena Kapoor, and Bipasha Basu 
Passage 2:
Michael Small
Michael Small (May 30, 1939 – November 24, 2003) was an American film score composer known for his scores to the movies Klute, The Parallax View, Marathon Man, and The Star Chamber 

Personal life
Small was born in New York City but grew up in Maplewood, New Jersey  His father, Jack Small, was an actor and later, the general manager of the Shubert Theater in New York City  Small did his undergraduate work at Williams College where he was graduated with a degree in English  He later studied for a year at Harvard University 
Small died from prostate cancer on November 24, 2003; he was 64 years old 

Filmography
Passage 3:
Tarcisio Fusco
Tarcisio Fusco was an Italian composer of film scores  He was the brother of the composer Giovanni Fusco and the uncle of operatic soprano Cecilia Fusco 

Selected filmography
Boccaccio (1940)
Free Escape (1951)
Abracadabra (1952)
The Eternal Chain (1952)
Beauties in Capri (1952)
Milanese in Naples (1954)
Conspiracy of the Borgias (1959)
Passage 4:
Abe Meyer
Abe Meyer (1901–1969) was an American composer of film scores 

Selected filmography
Painted Faces (1929)
Honeymoon Lane (1931)
Unholy Love (1932)
A Strange Adventure (1932)
Take the Stand (1934)
Legong (1935)
The Unwelcome Stranger (1935)
Suicide Squad (1935)
The Mine with the Iron Door (1936)
The Devil on Horseback (1936)
Song of the Trail (1936)
County Fair (1937)
The 13th Man (1937)
Raw Timber (1937)
Roaring Timber (1937)
The Law Commands (1937)
The Painted Trail (1938)
My Old Kentucky Home (1938)
The Secret of Treasure Island (1938)
Saleslady (1938)
Numbered Woman  (1938)
The Marines Are Here (1938)
Fisherman's Wharf (1939)
Undercover Agent (1939)
Passage 5:
Thomas Morse
Thomas Morse (born June 30, 1968) is a composer of film and concert music 

Life and composing career
He began his musical career while in high school, writing his first orchestral work  After receiving a bachelor's degree in composition from the University of North Texas, Morse began a composition master's degree at USC in Los Angeles, changing over to the film scoring program in the second year In the years that followed, Morse composed orchestral scores for more than a dozen feature films including The Big Brass Ring, based on an Orson Welles script, with William Hurt & Miranda Richardson who received a Golden Globe nomination for her performance; The Sisters (Maria Bello & Elizabeth Banks); and The Apostate (with Dennis Hopper), as well as the noted orchestral score for Jerry Bruckheimer's CBS series The Amazing Race Working parallel in the field of popular music, he created string arrangements on songs for numerous artists including a posthumous Michael Hutchence release entitled Possibilities In 2013 he signed a worldwide publishing agreement with Music Sales Group in New York, parent company of G  Schirmer 

Notable music for film and television
Notable music for film and television:
2014 Come Back to Me
2005 The Sisters
2001-2005 The Amazing Race (69 Episodes)
2001 Lying in Wait
2000 The Apostate
1999 The Big Brass Ring

Opera
2017 Frau Schindler

Other works
2013 Code Novus (album)
Passage 6:
Alonso Mudarra
Alonso Mudarra (c  1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar-shaped string instrument   He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar 

Biography
The place of his birth is not recorded, but he grew up in Guadalajara, and probably received his musical training there   He most likely went to Italy in 1529 with Charles V, in the company of the fourth Duke of the Infantado, Íñigo López de Mendoza, marqués de Santillana   When he returned to Spain he became a priest, receiving the post of canon at the cathedral in Seville in 1546, where he remained for the rest of his life   While at the cathedral, he directed all of the musical activities; many records remain of his musical activities there, which included hiring instrumentalists, buying and assembling a new organ, and working closely with composer Francisco Guerrero for various festivities   Mudarra died in Seville, and his sizable fortune was distributed to the poor of the city according to his will 

Mudarra wrote numerous pieces for the vihuela and the four-course guitar, all contained in the collection Tres libros de musica en cifras para vihuela ("Three books of music in numbers for vihuela"), which he published on December 7, 1546 in Seville   These three books contain the first music ever published for the four-course guitar, which was then a relatively new instrument  The second book is noteworthy in that it contains eight multi-movement works, all arranged by "tono", or mode 
Compositions represented in this publication include fantasias, variations (including a set on La Folia), tientos, pavanes and galliards, and songs  Modern listeners are probably most familiar with his Fantasia X, which has been a concert and recording mainstay for many years    The songs are in Latin, Spanish and Italian, and include romances, canciones (songs), villancicos, (popular songs) and sonetos (sonnets)   Another innovation was the use of different signs for different tempos:  slow, medium, and fast 

References and further reading
John Griffiths: "Alonso Mudarra", Grove Music Online ed  L  Macy (Accessed March 24, 2005), (subscription access)
Gustave Reese, Music in the Renaissance   New York, W W  Norton & Co , 1954   ISBN 0-393-09530-4
Guitar Music of the Sixteenth Century, Mel Bay Publications (transcribed by Keith Calmes)
The Eight Masterpieces of Alonso Mudarra, Mel Bay Publications (transcribed by Keith Calmes)
Fantasia VI in hypermedia (Shockwave Player required) at the BinAural Collaborative Hypertext
Jacob Heringman and Catherine King: "Alonso Mudarra songs and solos"  Magnatune com (http://www magnatune com/artists/albums/heringman-mudarra/hifi_play)

External links
Free scores by Alonso Mudarra in the Choral Public Domain Library (ChoralWiki)
Free scores by Alonso Mudarra at the International Music Score Library Project (IMSLP)
Passage 7:
Henri Verdun
Henri Verdun (1895–1977) was a French composer of film scores 

Selected filmography
Napoléon (1927)
The Sweetness of Loving (1930)
The Levy Department Stores (1932)
The Lacquered Box (1932)
The Weaker Sex (1933)
The Flame (1936)
Girls of Paris (1936)
The Assault (1936)
Les Disparus de Saint-Agil (1938)
The Woman Thief (1938)
Ernest the Rebel (1938)
Rail Pirates (1938)
The Fatted Calf (1939)
Camp Thirteen (1940)
The Man Without a Name (1943)
The Bellman (1945)
My First Love (1945)
The Murderer is Not Guilty (1946)
Distress (1946)
The Fugitive (1947)
The Ironmaster (1948)
The Tragic Dolmen (1948)
The Ladies in the Green Hats (1949)
La Fugue de Monsieur Perle (1952)
The Lovers of Midnight (1953)
The Big Flag (1954)
Blood to the Head (1956)
Passage 8:
Walter Ulfig
Walter Ulfig was a German composer of film scores 

Selected filmography
Das Meer (1927)
Venus im Frack (1927)
Svengali (1927)
Bigamie (1927)
Homesick (1927)
The Awakening of Woman (1927)
The Famous Woman (1927)
Alpine Tragedy (1927)
The Strange Case of Captain Ramper (1927)
Assassination (1927)
Queen Louise (1927)
Homesick (1927)
Das Schicksal einer Nacht (1927)
The Hunt for the Bride (1927)
The Orlov (1927)
Serenissimus and the Last Virgin (1928)
Mariett Dances Today (1928))
The Woman from Till 12 (1928)
The Beloved of His Highness (1928)
The Schorrsiegel Affair (1928)
It Attracted Three Fellows (1928)
Miss Chauffeur (1928)
The King of Carnival (1928)
The Weekend Bride (1928)
Honeymoon (1928)
Spring Awakening (1929)
The Right of the Unborn (1929)
The Heath Is Green (1932)
Höllentempo (1933)
The Two Seals (1934)
Pappi (1934)
Mädchenräuber (1936)

Bibliography
Jung, Uli & Schatzberg, Walter  Beyond Caligari: The Films of Robert Wiene  Berghahn Books, 1999 

External links
Walter Ulfig at IMDb
Passage 9:
Bert Grund
Bert Grund (1920–1992) was a German composer of film scores 

Selected filmography
Crown Jewels (1950)
Immortal Light (1951)
I Can't Marry Them All (1952)
We're Dancing on the Rainbow (1952)
My Wife Is Being Stupid (1952)
Knall and Fall as Detectives (1952)
The Bachelor Trap (1953)
The Bird Seller (1953)
The Immortal Vagabond (1953)
The Sun of St  Moritz (1954)
The Witch (1954)
The Major and the Bulls (1955)
Operation Sleeping Bag (1955)
Love's Carnival (1955)
The Marriage of Doctor Danwitz (1956)
Between Time and Eternity (1956)
That Won't Keep a Sailor Down (1958)
Arena of Fear (1959)
The Thousand Eyes of Dr  Mabuse (1960)
The Count of Luxemburg (1972)
Mathias Sandorf (1979, TV series)
Die Wächter (1986, TV miniseries)
Carmen on Ice (1990)
Passage 10:
Simon Higgins
Simon Higgins is an Australian screenwriter and author of books for young adults, born in 1958 in England  He arrived in Australia in 1963 after first living in Nigeria, Africa 

Career
Originally a police officer  then private investigator in Adelaide, South Australia, working predominantly on homicide cases, he turned to writing in 1998 To date he has had 12 novels published, often combining the crime, speculative fiction and historical adventure genres  His works have been divided between Random House, the Hachette Group and Pulp Fiction Press  His short stories have also been published by Pan Macmillan/Ford Street Publishing His debut novel, Doctor Id, published in Australia 1998, subsequently released in Italy and serialised in Japan, was listed as a 1999 Notable Book of the Year by the Children's Book Council of Australia Higgins’ second novel, Thunderfish was also listed as a 2000 Notable Book by the CBCA 
One of the sequels to Thunderfish, titled Under No Flag, was shortlisted for a Ned Kelly Crime Writing Award in 2002 In 2007 Higgins won a Fellowship of Australian Writers (FAW) National Literary Award for an unpublished novel about historical Asia Higgins trained and competed in Japan in the traditional sword art of Iaido, and placed fifth in Iaido's world titles in Kyoto in 2008 
He has stated that this personal immersion in traditional Asian warrior culture and discipline inspired his most successful novels, which featured samurai and ninja His 2008 novel, Moonshadow: Eye of the Beast, was an Australian bestseller, was shortlisted for the 2008 Aurealis Fantasy Award and subsequently published in the United States, Germany, Indonesia and England As a result, Higgins was invited to appear on Australia's highest rating children's TV show, Saturday Disney, to discuss the book and demonstrate swordplay Higgins has written short stories for several anthologies, in the horror, science fiction and historical adventure genres He has also authored numerous articles on the craft of writing and creative brainstorming A prolific public speaker and teacher of creative writing, he is known for incorporating martial arts demonstrations into his presentations to middle school, high school and university-level writing students in Australia, England and Asia Higgins has been repeatedly noted in teaching journals and the Australian media for his efforts to ‘masculinise reading’ In 2010, in recognition of his efforts to promote greater understanding of Asian cultures, Higgins was invited by the Australian government's Asia Education Foundation to become an Ambassador for Asia Literacy His novel, Moonshadow: Eye of the Beast, was subsequently made a recommended school curriculum text by the Asia Education Foundation In 2013 Higgins received an Australian Government Endeavour Executive Fellowship Award to live and study ‘Screenwriting for Film & TV Animation’ in China This led to his ongoing creative collaboration with Crane Animation, based in Guilin, China, first in the role of creative consultant, then as a screenwriter for their award-winning series Gemini Fables and as coach of the company's in-house writing team 



ground_truth: John the Baptist

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Why did the director of film Port Of Seven Seas die?

The following are given passages.
Context 2:  After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years 

With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh  Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929  The play ran for over a year and cemented its reputation as the greatest play about World War I 

Early work in Hollywood
The success of the various productions of Journey's End brought Whale to the attention of movie producers  Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue  Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures  He was assigned as "dialogue director" for a film called The Love Doctor (1929)  He completed work on the film in 15 days and his contract was allowed to expire  It was at around this time that he met David Lewis Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie  Whale directed the dialogue sequences  When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film  The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York  Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh  Filming got underway on 6 December 1929 and wrapped on 22 January 1930  Journey's End was released in Great Britain on 14 April and in the United States on 15 April  On both sides of the Atlantic the film was a tremendous critical and commercial success 

With the Laemmles at Universal
Universal Studios signed Whale to a five-year contract in 1931 and his first project was Waterloo Bridge  Based on the Broadway play by Robert E  Sherwood, the film stars Mae Clarke as Myra, a chorus girl in World War I London who becomes a prostitute  It too was a critical and popular success  At around this time, Whale and Lewis began living together In 1931, Universal chief Carl Laemmle, Jr  offered Whale his choice of any property the studio owned  He chose Frankenstein, mostly because none of Universal's other properties particularly interested him, and he wanted to make something other than a war picture  While Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus itself was in the public domain, Universal owned the filming rights to a stage adaptation by Peggy Webling  Whale cast Colin Clive as Henry Frankenstein and Mae Clarke as his fiancée Elizabeth  For the Monster, he turned to the little known Boris Karloff, who had wide-ranging experience in supporting roles  Shooting began on 24 August 1931 and wrapped on 3 October  Previews were held 29 October, with wide release on 21 November  Frankenstein was an instant hit with critics and the public  The film received glowing reviews and shattered box office records across the United States, earning Universal $12 million on first release Next from Whale were The Impatient Maiden and The Old Dark House (both 1932)  The Impatient Maiden made little impression but The Old Dark House, starring Karloff and Charles Laughton, is credited with reinventing the "dark house" subgenre of horror films  Thought lost for some years, a print was found by filmmaker Curtis Harrington in the Universal vaults in 1968  It was restored by George Eastman House, and released on Blu-ray disk in 2017 
Whale's next film was The Kiss Before the Mirror (1933), a critical success but a box-office failure  He returned to horror with The Invisible Man (1933)  Shot from a script approved by H  G  Wells, the film blended horror with humor and confounding visual effects  Much admired, The New York Times placed it in their list of the ten best films of the year, and the film broke box-office records in cities across America  So highly regarded was the film that France, which restricted the number of theatres in which undubbed American films could play, granted it a special waiver because of its "extraordinary artistic merit" Also in 1933 Whale directed the romantic comedy By Candlelight which gained good reviews and was a modest box office hit  In 1934 he directed One More River, an adaptation of the novel of the same name by John Galsworthy  The film tells the story of a woman desperate to escape her abusive marriage to a member of the British aristocracy  This was the first of Whale's films for which Production Code Administration approval was required and Universal had a difficult time securing that approval because of the elements of sexual sadism implicit in the husband's abusive behavior 

Bride of Frankenstein (1935) was Whale's next project  He had resisted making a sequel to Frankenstein as he feared being pigeonholed as a horror director  Bride hearkened back to an episode from Mary Shelley's original novel in which the Monster promises to leave Frankenstein and humanity alone if Frankenstein makes him a mate  He does, but the mate is repelled by the monster who then, setting Frankenstein and his wife free to live, chooses to destroy himself and his "bride"  The film was a critical and box office success, having earned some $2 million for Universal by 1943  Lauded as "the finest of all gothic horror movies", Bride is frequently hailed as Whale's masterpiece 
With the success of Bride, Laemmle was eager to put Whale to work on Dracula's Daughter (1936), the sequel to Universal's first big horror hit of the sound era  Whale, wary of doing two horror films in a row and concerned that directing Dracula's Daughter could interfere with his plans for the first all-sound version of Show Boat (previously filmed as a part-talkie by Harry A  Pollard), instead convinced Laemmle to buy the rights to a novel called The Hangover Murders  The novel is a comedy-mystery in the style of The Thin Man, about a group of friends who were so drunk the night one of them was murdered that none can remember anything  Retitled Remember Last Night?, the film was one of Whale's personal favorites, but met with sharply divided reviews and commercial uninterest 

With the completion of Remember Last Night? Whale immediately went to work on Show Boat (1936)  Whale gathered as many of those as he could who had been involved in one production or another of the musical, including Helen Morgan, Paul Robeson, Charles Winninger, Sammy White, conductor Victor Baravalle, orchestrator Robert Russell Bennett, and, as Magnolia, Irene Dunne, who believed that Whale was the wrong director for the piece  The 1936 version of Show Boat, faithfully adapted from the original stage production, is believed to be the definitive film version of the musical by many critics, but became unavailable following the 1951 remake  In 2014, a restoration of the film became available on DVD in the U S  as part of Warner Home Video's Archive Collection line; and in 2020, a 4K restoration Blu-Ray was released by The Criterion Collection Show Boat was the last of Whale's films to be produced under the Laemmle family  The studio was now bankrupt, and the Laemmles lost control to J  Cheever Cowdin, head of the Standard Capital Corporation, and Charles R  Rogers, who was installed in Junior Laemmle's old job 

Career decline
Whale's career went into sharp decline following the release of his next film, The Road Back (1937)  The sequel to Erich Maria Remarque's All Quiet on the Western Front, which Universal had filmed in 1930, the novel and film follow the lives of several young German men who have returned from the trenches of World War I and their struggles to re-integrate into society  The Los Angeles consul for Nazi Germany, Georg Gyssling, learned that the film was in production  He protested to PCA enforcer Joseph Breen, arguing that the film gave an "untrue and distorted picture of the German people"  Gyssling eventually met Whale, but nothing came of it  Gyssling then sent letters to members of the cast, threatening that their participation in the film might lead to difficulties in obtaining German filming permits for them and for anyone associated in a film with them  While the low volume of business conducted by Universal in Germany made such threats largely hollow, the State Department, under pressure from the Hollywood Anti-Nazi League and the Screen Actors Guild, stepped in and the German government backed down  Whale's original cut of the film was given generally positive reviews, but some time between preview screenings and the film's general release, Rogers capitulated to the Germans, ordering that cuts be made and additional scenes be shot and inserted  Whale was furious, and the altered film was banned in Germany anyway  The Germans were successful in persuading China, Greece, Italy and Switzerland to ban the film as well Following the debacle of The Road Back, Charles Rogers tried to get out of his contract with Whale; Whale refused  Rogers then assigned him to a string of B movies to run out his contractual obligation  Whale only made one additional successful feature film, The Man in the Iron Mask (1939), before retiring from the film industry in 1941 

Post-film life
With his film career behind him, Whale found himself at a loose end  He was offered the occasional job, including the opportunity to direct Since You Went Away for David O  Selznick, but turned them down  Lewis, meanwhile, was busier than ever with his production duties and often worked late hours, leaving Whale lonely and bored  Lewis bought him a supply of paint and canvasses and Whale re-discovered his love of painting  Eventually he built a large studio for himself With the outbreak of World War II, Whale volunteered his services to make a training film for the United States Army  He shot the film, called Personnel Placement in the Army, in February 1942  Later that year, in association with actress Claire DuBrey, he created the Brentwood Service Players  The Players took over a 100–seat theatre  Sixty seats were provided free of charge to service personnel; the remaining were sold to the public, with the box office proceeds donated to wartime charities  The group expanded to the Playtime Theatre during the summer, where a series of shows ran through October Whale returned to Broadway in 1944 to direct the psychological thriller Hand in Glove  It was his first return to Broadway since his failed One, Two, Three! in 1930  Hand in Glove would fare no better than his earlier play, running the same number of performances, 40 Whale directed his final film in 1950, a short subject based on the William Saroyan one-act play Hello Out There  The film, financed by supermarket heir Huntington Hartford, was the story of a man in a Texas jail falsely accused of rape and the woman who cleans the jail  Hartford intended for the short to be part of an anthology film along the lines of Quartet  However, attempts to find appropriate short fiction companion pieces to adapt were unsuccessful and Hello Out There was never commercially released Whale's last professional engagement was directing Pagan in the Parlour, a farce about two New England spinster sisters who are visited by a Polynesian whom their father, when shipwrecked years earlier, had married  The production was mounted in Pasadena for two weeks in 1951  Plans were made to take it to New York, but Whale suggested taking the play to London first  Before opening the play in England, Whale decided to tour the art museums of Europe  In France he renewed his acquaintanceship with Curtis Harrington, whom he had met in 1947  While visiting Harrington in Paris, he went to some gay bars  At one he met a 25-year-old bartender named Pierre Foegel, whom Harrington believed was nothing but "a hustler out for what he could get"  The 62-year-old Whale was smitten with the younger man and hired him as his chauffeur A provincial tour of Pagan in the Parlour began in September 1952 and it appeared that the play would be a hit  However, Hermione Baddeley, starring in the play as the cannibal "Noo-ga", was drinking heavily and began engaging in bizarre antics and disrupting performances  Because she had a run of the play contract she could not be replaced and so producers were forced to close the show Whale returned to California in November 1952 and advised David Lewis that he planned to bring Foegel over early the following year  Appalled, Lewis moved out of their home  While this ended their 23-year romantic relationship, the two men remained friends  Lewis bought a small house and dug a swimming pool, prompting Whale to have his own pool dug, although he did not himself swim in it  He began throwing all-male swim parties and would watch the young men cavort in and around the pool  Foegel moved in with Whale in early 1953 and remained there for several months before returning to France  He returned in 1954 permanently, and Whale installed him as manager of a gas station that he owned Whale and Foegel settled into a quiet routine until the spring of 1956, when Whale suffered a small stroke  A few months later he suffered a larger stroke and was hospitalized  While in the hospital he was treated for depression with shock treatments Upon his release, Whale hired one of the male nurses from the hospital to be his personal live-in nurse  A jealous Foegel maneuvered the nurse out of the house and hired a female nurse as a non-live-in replacement  Whale suffered from mood swings and grew increasingly and frustratingly more dependent on others as his mental faculties were diminishing 

Death
Whale died by suicide by drowning himself in his Pacific Palisades swimming pool on 29 May 1957 at the age of 67  He left a suicide note, which Lewis withheld until shortly before his own death decades later  Because the note was suppressed, the death was initially ruled accidental  The note read in part:

To ALL I LOVE,
Do not grieve for me  My nerves are all shot and for the last year I have been in agony day and night—except when I sleep with sleeping pills—and any peace I have by day is when I am drugged by pills 

I have had a wonderful life but it is over and my nerves get worse and I am afraid they will have to take me away  So please forgive me, all those I love and may God forgive me too, but I cannot bear the agony and it [is] best for everyone this way  The future is just old age and illness and pain  Goodbye and thank you for all your love  I must have peace and this is the only way 
Whale's body was cremated per his request, and his ashes were interred in the Columbarium of Memory at Forest Lawn Memorial Park, Glendale  Because of his habit of periodically revising his date of birth, his niche lists the incorrect date of 1893  When his longtime partner David Lewis died in 1987, his executor and Whale biographer James Curtis had his ashes interred in a niche across from Whale's 

Sexual orientation
James Whale lived as an openly gay man throughout his career in the British theatre and in Hollywood, something that was virtually unheard of in that era  He and David Lewis lived together as a couple from around 1930 to 1952  While he did not go out of his way to publicize his homosexuality, he did not do anything to conceal it either  As filmmaker Curtis Harrington, a friend and confidant of Whale's, put it, "Not in the sense of screaming it from the rooftops or coming out  But yes, he was openly homosexual  Any sophisticated person who knew him knew he was gay " While there have been suggestions that Whale's career was terminated because of homophobia, and Whale was supposedly dubbed "The Queen of Hollywood", Harrington states that "nobody made a thing out of it as far as I could perceive" With knowledge of his sexuality becoming more common beginning in the 1970s, some film historians and gay studies scholars have detected homosexual themes in Whale's work, particularly in Bride of Frankenstein in which a number of the creative people associated with the cast, including Ernest Thesiger and Colin Clive, were alleged to be gay or bisexual  Scholars have identified a gay sensibility suffused through the film, especially a camp sensibility, particularly embodied in the character of Pretorius (Thesiger) and his relationship with Henry Frankenstein (Clive)  Minnie introduces Pretorius to Frankenstein with the line, "He's a very queer-looking old gentleman, sir    " at 16:56 in the film 
Gay film historian Vito Russo, in considering Pretorius, stops short of identifying the character as gay, instead referring to him as "sissified" ("sissy" itself being a Hollywood's gay stock character)  Pretorius serves as a "gay Mephistopheles", a figure of seduction and temptation, going so far as to pull Frankenstein away from his bride on their wedding night to engage in the unnatural act of non-procreative life  A novelisation of the film published in England made the implication clear, having Pretorius say to Frankenstein "'Be fruitful and multiply ' Let us obey the Biblical injunction: you of course, have the choice of natural means; but as for me, I am afraid that there is no course open to me but the scientific way " Russo goes so far as to suggest that Whale's homosexuality is expressed in both Frankenstein and Bride as "a vision both films had of the monster as an antisocial figure in the same way that gay people were 'things' that should not have happened" Whale's partner David Lewis stated flatly that Whale's sexual orientation was "not germane" to his filmmaking  "Jimmy was first and foremost an artist, and his films represent the work of an artist—not a gay artist, but an artist " Whale's biographer Curtis rejects the notion that Whale would have identified with the Monster from a homosexual perspective, stating that if the highly class-conscious Whale felt himself to be an antisocial figure, it would have been based not in his sexuality but in his origin in the lower classes 

Film style
Whale was heavily influenced by German Expressionism  He was a particular admirer of the films of Paul Leni, combining as they did elements of gothic horror and comedy  This influence was most evident in Bride of Frankenstein  Expressionist influence is also in evidence in Frankenstein, drawn in part from the work of Paul Wegener and his films The Golem (1915) and The Golem: How He Came into the World (1920) along with The Cabinet of Dr  Caligari (1920) from Robert Wiene, which Whale reportedly screened repeatedly while preparing to shoot Frankenstein  Frankenstein roughly alternates between distorted expressionistic shots and more conventional styles, with the character of Dr  Waldman serving as "a bridge between everyday and expressionist spaces"  Expressionist influence is also evident in the acting, costuming and the design of the Monster  Whale and makeup artist Jack Pierce may also have been influenced by the Bauhaus school of design  The expressionist influence lasted throughout Whale's career, with Whale's final film, Hello Out There, praised by Sight & Sound as "a virtuoso pattern of light and shade, a piece of fully blown expressionist filmmaking plonked down unceremoniously in the midst of neo-realism's heyday" Whale was known for his use of camera movement  He is credited with being the first director to use a 360-degree panning shot in a feature film, included in Frankenstein  Whale used a similar technique during the Ol' Man River sequence in Show Boat, in which the camera tracked around Paul Robeson as he sang the song  (The sequence also uses expressionist montages illustrating some of the lyrics ) Often singled out for praise in Frankenstein is the series of shots used to introduce the Monster: "Nothing can ever quite efface the thrill of watching the successive views Whale's mobile camera allows us of the lumbering figure"  These shots, starting with a medium shot and culminating in two close-ups of the Monster's face, were repeated by Whale to introduce Griffin in The Invisible Man and the abusive husband in One More River  Modified to a single cut rather than two, Whale uses the same technique in The Road Back to signal the instability of a returning World War I veteran 

Legacy
Influential film critic Andrew Sarris, in his 1968 ranking of directors, lists Whale as "lightly likable"  Noting that Whale's reputation has been subsumed by the "Karloff cult", Sarris cites Bride of Frankenstein as the "true gem" of the Frankenstein series and concludes that Whale's career "reflects the stylistic ambitions and dramatic disappointments of an expressionist in the studio-controlled Hollywood of the thirties" Whale's final months are the subject of the novel Father of Frankenstein (1995) by Christopher Bram  The novel focuses on the relationship between Whale and a fictional gardener named Clayton Boone  Father of Frankenstein served as the basis of the 1998 film Gods and Monsters with Ian McKellen as Whale and Brendan Fraser as Boone  McKellen was nominated for an Academy Award for his portrayal of Whale  Bram's novel has also been adapted as a play which premiered in London at the Southwark Playhouse in February 2015 Only two of Whale's films received Oscar nominations: The Man in the Iron Mask (for its musical score), and Bride of Frankenstein (for its sound recording) 
A memorial sculpture was erected for Whale in September 2001 on the grounds of a new multiplex cinema in his home town of Dudley  The sculpture, by Charles Hadcock, depicts a roll of film with the face of Frankenstein's monster engraved into the frames, and the names of his most famous films etched into a cast concrete base in the shape of film canisters  Other sculptures related to Whale's cinema career were planned, referencing his early work in a local sheet metal factory, but none had been installed as of 2019 Horror in Hollywood: The James Whale Story, a retrospective of Whale's artwork, opened at the Dudley Museum and Art Gallery in October 2012 and ran through to January 2013 

Filmography
Passage 10:
Raiders of the Seven Seas
Raiders of the Seven Seas is a 1953 American swashbuckler film directed by Sidney Salkow and starring John Payne and Donna Reed   The supporting cast features Gerald Mohr, Lon Chaney Jr  and Anthony Caruso 

Plot
The pirate Barbarossa raids the Sultan of Morocco's ships and captures a betrothed woman 

Cast
John Payne as Barbarossa
Donna Reed as Alida
Gerald Mohr as Capt  Jose Salcedo
Lon Chaney Jr  as  Peg Leg
Anthony Caruso as Renzo
Henry Brandon as Capt  Goiti
Skip Torgerson as Datu
Frank De Kova as Capt  Romero
William Tannen as Ramon
Christopher Dark as Pablo
Claire DuBrey as Señora Salcedo
Howard Freeman as Mayor Pompano

Production
The film was originally known as Storm over the Caribbean, Barbarossa and Swords Against the Mast  It was an original story co written by director Sidney Salkow, who subsequently signed a long-term contract with producer Edward Small 

See also
Flame of Araby (1951), with Barbarossa and his brother as villains
List of films featuring slavery



ground_truth: drowning

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the composer of film Consenting Adults (1992 Film) born?

The following are given passages.
Context 4:  Griffith and made his first full-length feature film, The Life of General Villa, shot on location in Mexico with Pancho Villa playing the lead, and with actual ongoing battles filmed in progress as well as battle recreations   Walsh played John Wilkes Booth in Griffith's epic The Birth of a Nation (1915) and also served as an assistant director  This movie was followed by the critically acclaimed Regeneration in 1915, the earliest feature gangster film, shot on location in Manhattan's Bowery district 
Walsh served as an officer in the United States Army during World War I  He later directed The Thief of Bagdad (1924), starring Douglas Fairbanks and Anna May Wong, and Laurence Stallings' What Price Glory? (1926), starring Victor McLaglen and Dolores del Río 

In Sadie Thompson (1928), starring Gloria Swanson as a prostitute seeking a new life in Samoa, Walsh starred as Swanson's boyfriend in his first acting role since 1915; he also directed the film  He was then hired to direct and star in In Old Arizona, a film about O  Henry's character the Cisco Kid  While on location for that film Walsh was in a car crash when a jackrabbit jumped through the windshield as he was driving through the desert; he lost his right eye as a result  He gave up the part and never acted again  Warner Baxter won an Oscar for the role Walsh was originally slated to play  Walsh would wear an eyepatch for the rest of his life 

In the early days of sound with Fox, Walsh directed the first widescreen spectacle, The Big Trail (1930), an epic wagon train western shot on location, across the West  The movie starred John Wayne, then unknown, whom Walsh discovered as prop man named Marion Morrison, and he was renamed after the Revolutionary War general Mad Anthony Wayne; Walsh happened to be reading a book about him at the time  Walsh directed The Bowery (1933), featuring Wallace Beery, George Raft, Fay Wray and Pert Kelton; the energetic movie recounts the story of Steve Brodie (Raft), supposedly the first man to jump off the Brooklyn Bridge and live to brag about it 
An undistinguished period followed with Paramount Pictures from 1935 to 1939, but Walsh's career rose to new heights after he moved to Warner Brothers, with The Roaring Twenties (1939), featuring James Cagney and Humphrey Bogart; Dark Command (1940), with John Wayne and Roy Rogers (at Republic Pictures); They Drive By Night (1940), with George Raft, Ann Sheridan, Ida Lupino and Bogart; High Sierra (1941), with Lupino and Bogart again; They Died with Their Boots On (1941), with Errol Flynn as Custer; The Strawberry Blonde (1941), with Cagney and Olivia de Havilland; Manpower (1941), with Edward G  Robinson, Marlene Dietrich and George Raft; and White Heat (1949), with Cagney  Walsh's contract at Warners expired in 1953 
He directed several films afterwards, including three with Clark Gable: The Tall Men (1955), The King and Four Queens (1956) and Band of Angels (1957)  Walsh retired in 1964  He died of a heart attack in 1980 

Outside interests
Raoul Walsh was a breeder and owner of Thoroughbred racehorses  For a time, his brother George Walsh trained his stable of horses  Their horse Sunset Trail competed in the 1937 Kentucky Derby won by War Admiral who went on to win the U S  Triple Crown  Sunset Trail finished sixteenth in a field of twenty runners Some of Walsh's film-related material and personal papers are contained in the Wesleyan University Cinema Archives 

Selected filmography
Miscellaneous
The Conqueror (writer, 1917)
The Big Trail (story contributor, uncredited, 1930)
Captain Horatio Hornblower R N  (producer, uncredited, 1951)
The Lawless Breed (producer, uncredited, 1953)
Esther and the King (screenplay, 1960)
The Men Who Made the Movies: Raoul Walsh (TV documentary)
Himself (1973)

Notes
Passage 6:
Logan Sandler
Logan Sandler is an American writer and director who is best known for his first feature film Live Cargo 

Early life and education
Sandler graduated from SFTV within Loyola Marymount University's Film School in 2011 with a B A  in Film Production, and three years later, while earning an M F A  from AFI in Film Directing, he developed his first feature film, Live Cargo  He developed the script with the late Seth Winston and co-writer Thymaya Payne  In 2015, Sandler was awarded the Institute's Franklin J  Schaffner Fellow Award for his short film, Tracks 

Career
Sandler's senior thesis, All It Will Ever Be premiered at the Bermuda International Film Festival in 2012  Sandler's second short film Tracks screened at various festival around the world, including AFI FEST, Marfa Film Fest, Cambridge Film Festival, and the Miami International Film Festival  The film won the Lexus Audience Award for Best Short film at the Miami International Film Festival and best actor for Keith Stanfield at the 24 FPS International Film Festival Sandler's debut feature film Live Cargo was filmed in the Bahamas, and premiered at the Tribeca Film Festival in 2016  The film stars Dree Hemingway, Keith Stanfield, and Robert Wisdom  In addition to the 2016 Tribeca Film Festival, Live Cargo had its European premiere at the Warsaw International Film Festival, then went on to screen at the American Film Festival in Poland, the São Paulo International Film Festival, the Denver Film Festival, the Key West Film Festival, the Torino Film Festival, the Bahamas International Film Festival, and AFI FEST Sandler has collaborated with Stanfield on music videos, co-directing the group MOORS’ single Gas  The music video premiered on Vice’s music channel Noisey IONCINEMA com chose Sandler as their IONCINEPHILE of the Month for April 2017, a feature that focuses on an emerging filmmaker from the world of cinema  When asked about his favorite films of his formative years Sandler said, "I fell in love with Jean Luc Godard’s Contempt and Weekend  I was blown away by Agnes Varda’s Cleo from 5 to 7  Michelangelo Antonioni’s films really struck a chord with me as well  After seeing L’Avventura and Blowup, I went online and ordered every film of his I could find  The Passenger’s penultimate shot blew me away  I watched that 7 minute shot over and over  It’s probably my favorite shot in the history of cinema "

Critical reception
Angelica Jade Bastien for Roger Ebert wrote of the film, "In 'Live Cargo,' director/co-writer Logan Sandler strives to tell a story that finds poetry in the commonplace by shirking narrative conventions "Chuck Wilson for The Village Voice wrote, "The well-acted Live Cargo, which also features Robert Wisdom and Sam Dillon, is at its best when it observes character acting silently against landscape, as when Nadine goes snorkeling and uses a spear gun to jab at sharks, a juxtaposition of natural beauty and human fury typical of Sandler’s poetic approach ” Wilson as well called Sandler "a filmmaker to watch "Katie Walsh in her IndieWire review wrote, ”Anchored by a quartet of equally strong and understated performances, LIVE CARGO proves itself to be a singularly artful film of great emotional heft ”  Walsh gave the film an A - grade Stephen Saito for The Moveable Fest in his review and interview wrote, "While there’s intrigue aplenty as anxieties rise higher than the tide, the assured hand of director Logan Sandler, who co-wrote the script with Thymaya Payne, guides 'Live Cargo' admirably as a thriller that may appear immediately as monochrome but shifts quickly into varying degrees of grey ”H  Nelson Tracey of Cinemacy wrote that Sandler's, “Live Cargo is an unforgettable debut and a promise of greater heights to come ”Justin Lowe of the Hollywood Reporter in his review stated, “A pronounced sense of style and place suffuses the entire film, boding well for Sandler’s future projects ”

Awards/Nominations
Passage 7:
Blue Blood (2014 film)
Blue Blood (Portuguese: Sangue azul) is a 2014 Brazilian drama film directed by Lírio Ferreira  It was screened in the Panorama section of the 65th Berlin International Film Festival 

Cast
Daniel de Oliveira
Caroline Abras
Sandra Coverloni
Rômulo Braga
Passage 8:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 9:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 10:
The Longshot
The Longshot is a 1986 American comedy film directed by Paul Bartel and starring Tim Conway 

Plot
Four friends enjoy betting on horses at the race track  Someone tells them that he's got something to give his horse to make it run faster, and they can win a lot of money if they bet  Dooley tries to romance Nicki Dixon to get the money, but he finds out she's a lunatic who tries to kill him when he reminds her of her ex  Later, they borrow an envelope of money from the mob, who expect them to pay back within a week  They find out that the man who gave them the tip was a fraud, but Dooley remembered someone saying that the horse would run fast if he saw red  He ran out to the track, waved a red dress and the horse won the race 

Cast
Tim Conway as Dooley
Harvey Korman as Lou
Jack Weston as Elton
Ted Wass as Stump
Stella Stevens as Nicki Dixon
Anne Meara as Madge
George DiCenzo as DeFranco
Jorge Cervera as Santiago
Jonathan Winters as Tyler
Frank Bonner as Realtor
Eddie Deezen as Parking Attendant
Nick Dimitri as Track Cop
Garry Goodrow as Josh
Edie McClurg as Donna
Joseph Ruskin as Fusco

Theme Song
"The Longshot", the film's title track, is performed by Irene Cara 



ground_truth: New York