prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Do director of film Betrayal (1932 Film) and director of film The Godsend (Film) share the same nationality?

The following are given passages.
Context 1: Passage 1:
Gabrielle Beaumont
Gabrielle Beaumont (7 April 1942 – 8 October 2022) was a British film and television director 
Her directing credits range from Hill Street Blues to Star Trek: The Next Generation  She became the first woman to direct an episode of Star Trek, with the episode "Booby Trap"  Beaumont lobbied to have Joan Collins cast as Alexis Colby in Dynasty Beaumont was best known for directing, writing and producing the television special Diana: A Tribute to the People's Princess  She directed a film version of Bernard Taylor's The Godsend Daphne du Maurier was her cousin Beaumont died at her home in Fornalutx on 8 October 2022, at the age of 80 

Selected filmography
Sources:
Diana: A Tribute to the People's Princess
Beastmaster III: The Eye of Braxus
The Other Woman
Moment of Truth: Cradle of Conspiracy
Fatal Inheritance
Riders
Star Trek: The Next Generation
L A  Law
He's My Girl
Hill Street Blues
Gone Are the Dayes
Secrets of a Mother and Daughter
Dynasty
Death of a Centerfold: The Dorothy Stratten Story
M*A*S*H
The Waltons
The Godsend
Passage 2:
The Godsend (film)
The Godsend is a 1980 British horror film directed by Gabrielle Beaumont, written by Olaf Pooley, and starring Malcolm Stoddard, Cyd Hayman, Angela Pleasence, Patrick Barr, Wilhelmina Green, and Joanne Boorman  It follows a family who adopt an infant girl from a strange woman, only to find that, as they raise her, their other children begin to die in a series of mysterious accidents  It is based on the 1976 novel The Godsend by Bernard Taylor  The film was released in the United States on 11 January 1980 by The Cannon Group, Inc 

Plot
Alan and Kate Marlowe are out an walk with their kids, Davy, Lucy, Sam, and baby Matthew  Kate meets a pregnant stranger and she comes home with them  It is apparent that Alan finds something "off" about her right away, as she intensely stares at him, but he does not say anything  Left briefly unattended, she cuts their telephone line  Alan is about to drive her home, but she goes into labor, and Kate helps her deliver a baby girl  The next day, Kate sees the woman is gone, having abandoned the child with them  Despite Alan's reservations, Kate wants to keep the baby, whom they name Bonnie  Later on, they find Matthew dead in a playpen with Bonnie 
At a family picnic, Davy and Bonnie wander off, and they search for them desperately  Kate finds Bonnie on the bank of a creek with scratches on her hands, while Alan finds that Davy has drowned in the creek  Alan attempts to perform CPR on Davy, but is unsuccessful  Later, Kate and Alan agree that the scratches on Bonnie must have been from Davy saving her  Bonnie starts to break things and Sam gets blamed for them, despite him saying he did not do it  Kate attributes this to Sam's jealousy of Bonnie  One day, the family is playing hide and seek and Alan finds Sam dead in a barn  Later, Alan finds Bonnie's ribbon next to where Sam's body was 
The Marlowes begin to receive letters accusing them of killing their children and Kate falls into a depression  When a reporter comes to their house and upsets Kate, Alan agrees to move the family to London  Bonnie becomes ill with the mumps, and purposely kisses Alan as he takes a nap  He becomes ill with the mumps too, and has a flashback in a dream, to the circumstances of the deaths of his sons, and Bonnie being nearby in each one 
At a playground, Alan watches Bonnie throw an unoccupied swing in the path of a swing Lucy is swinging on  The chains on the swing twist together, but Lucy does not fall off, and Alan is able to save her before she is hurt  Alan tries to discuss his concerns about Bonnie with Kate, saying she is not normal  Kate strongly disagrees, saying that Bonnie loves Lucy and was only playing  Alan says Bonnie loves Lucy the same way she loved their three boys, and Kate is disgusted at the insinuation  Alan tells Kate his theories about Bonnie being involved in the deaths, but she is still in disbelief  Alan uses an analogy about Bonnie, saying that a cuckoo lays its eggs in another nest, and the fledgling pushing the others out to get the full attention of the parents 
Alan wants to send Bonnie away, but Kate refuses, so he kidnaps Lucy  Alan goes to see Kate, who is distraught that Alan will not tell her where Lucy is  Alan gives Kate an ultimatum to choose Bonnie or Lucy  She refuses to do so and he leaves  Later, they find out that Kate has had an accident and is in the hospital  Alan rushes back to London, where he learns that Kate had been pregnant, but miscarried due to the accident 
Back at their apartment, Alan finds out from neighbor, Mr  Taverner, that Kate tripped over a doll at the top of a staircase and that Mrs  Taverner has taken Bonnie on a trip  Kate comes to Alan's work to tell him she wants a divorce  He is alarmed to learn that Bonnie is home alone with Lucy  Alan calls Lucy, telling her to go next door to the Taverners  Bonnie has them locked in, and as Kate and Alan get home, Bonnie has used mind control on Lucy to make her jump out of a window to her death  Alan tries to kill Bonnie, but Mr  Taverner pulls him off of her  Kate decides to stay with Bonnie, and Alan leaves her  At a park, Alan sees the strange woman who gave birth to Bonnie, and is now pregnant, and talking to the mother  He runs after them to warn the family, but they are already gone 

Cast
Release
The Cannon Group, Inc  released The Godsend theatrically in the United States on 11 January 1980, premiering it in Los Angeles  It screened in numerous U S  cities through the following weeks, as well as in Canada  The film screened in the United Kingdom in June 1981 as a double feature alongside Schizoid (1980) 

Critical response
Joe Pollack of the St  Louis Post-Dispatch wrote that, "though not a perfect film, [it] is a pretty good example     The film has moments when it drags, but it has many others that are both fascinating and scary " The Austin American-Statesman's Patrick Taggart panned the film as "nothing but a study in how decent actors—Malcolm Stoddard and Cyd Hayman—are made to throw talent into a bottomless pit of ineptness on all fronts " Bob Curtright of The Wichita Eagle praised the film as "a cut above similar fare  It's low-key and sneaky rather an extravagant and graphic "George Meyer, a film professor and critic, wrote in The Tampa Tribune that, "instead of frightening the viewer with costly gimmicks, Beaumont exploits some basic human fears, most of them involving our protective feelings about children," adding that while the film "makes good use of its limitations, it retains the look and feel of a limited effort  If it weren't for those few squirmy moments, the film's appeal would be even more limited " John Dodd of the Edmonton Journal commended the film's focus on suspense over graphic violence, but felt it would have been better-suited as a television film 

Home media
Scream Factory released the film on Blu-ray in 2015 as part of a double-feature with The Outing (1987)  The disc went out-of-print in February 2021 
Passage 3:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 4:
Hanro Smitsman
Hanro Smitsman, born in 1967 in Breda (Netherlands), is a writer and director of film and television 

Film and Television Credits
Films
Brothers (2017)
Schemer (2010)
Skin (2008)
Raak (aka Contact) (2006)
Allerzielen (aka All Souls) (2005) (segment "Groeten uit Holland")
Engel en Broer (2004)
2000 Terrorists (2004)
Dajo (2003)
Gloria (2000)
Depoep (2001)

Television
20 leugens, 4 ouders en een scharrelei (2013)
De ontmaskering van de vastgoedfraude (TV mini-series, 2013)
Moordvrouw (2012-)
Eileen (2 episodes, 2011)
Getuige (2011)
Vakantie in eigen land (2011)
De Reis van meneer van Leeuwen(2010)
De Punt (2009)
Roes (2 episodes, 2008)
Fok jou! (2006)
Van Speijk (2006)

Awards
In 2005, Engel en Broer won Cinema Prize for Short Film at the Avanca Film Festival In 2007, Raak (aka Contact) won the Golden Berlin Bear Award at the Berlin International Film Festival, the Spirit Award at the Brooklyn Film Festival, the first place jury prize for "Best Live Action under 15 minutes" at the Palm Springs International Short Film Festival, and the Prix UIP Ghent Award for European Short Films at the Flanders International Film Festival In 2008, Skin won the Movie Squad Award at the Nederlands Film Festival, an actor in the film also won the Best Actor Award   It also won the Reflet d’Or for Best Film at the Cinema tous ecrans Festival in Geneva in the same year 
Passage 5:
Betrayal (1932 film)
Betrayal is a 1932 British crime film directed by Reginald Fogwell and starring Stewart Rome, Marjorie Hume and Leslie Perrins  A woman attempts to save her husband from being hanged for a crime he didn't commit  It is based on a play No Crime of Passion by Hubert G  Griffith 

Cast
Stewart Rome as John Armytage
Marjorie Hume as Diana Armytage
Leslie Perrins as Clive Wilson
Henry Hewitt as Sir Robert Blackburn KC
J  Fisher White as John Lawrence KC
Frank Atherley as Judge
E  H  Williams as- Butler
Charles Childerstone as Doctor
Passage 6:
Brian Johnson (special effects artist)
Brian Johnson (born 29 June 1939 or 29 June 1940) is a British designer and director of film and television special effects 

Life and career
Born Brian Johncock, he changed his surname to Johnson during the 1960s  Joining the team of special effects artist Les Bowie, Johnson started his career behind the scenes for Bowie Films on productions such as On The Buses, and for Hammer Films   He is known for his special effects work on TV series including Thunderbirds (1965–66) and films including Alien (1979), for which he received the 1980 Academy Award for Best Visual Effects (shared with H  R  Giger, Carlo Rambaldi, Dennis Ayling and Nick Allder)  Previously, he had built miniature spacecraft models for Stanley Kubrick's 1968 film 2001: A Space Odyssey Johnson's work on Space: 1999 influenced the effects of the Star Wars films of the 1970s and 1980s  Impressed by his work, George Lucas visited Johnson during the production of the TV series to offer him the role of effects supervisor for the 1977 film  Having already been commissioned for the second series of Space: 1999, Johnson was unable to accept at the time  He worked on the sequel, The Empire Strikes Back (1980), whose special effects were recognised in the form of a 1981 Special Achievement Academy Award (which Johnson shared with Richard Edlund, Dennis Muren and Bruce Nicholson) 

Awards
Johnson has won Academy Awards for both Alien (1979) and The Empire Strikes Back (1980)  He was further nominated for an Academy Award for his work on Dragonslayer (1981)  In addition, Johnson is the recipient of a Saturn Award for The Empire Strikes Back and a BAFTA Award for James Cameron's  Aliens 

Filmography
Special effects
Director
Scragg 'n' Bones (2006)
Passage 7:
Rachel Feldman
Rachel Feldman is an American director of film and television and screenwriter of television films 

Life and career
Born in New York City, New York, Feldman began her career as a child actor performing extensively in commercials and television series Her credits as a television director include: ((The Rookie)), ((Criminal Minds)), ((Blue Bloods)), and some beloved shows like Doogie Howser, M D , The Commish, Dr  Quinn, Medicine Woman, Picket Fences, Sisters,Lizzie McGuire, at the start of her career  
She has written and directed several features including: Witchcraft III: The Kiss of Death (1991), Post Modern Romance (1993), She's No Angel (2001) starring Tracey Gold, Recipe for a Perfect Christmas (2005) starring Christine Baranski, Love Notes (2007) starring Laura Leighton, Lilly (2023) starring Patricia Clarkson 

Films
Feature Films
Lilly (2023) - Director/Writer
Love Notes (2007) - Writer
Recipe for a Perfect Christmas ((2005) - Writer
She's No Angel (2001) - Writer/Director
Witchcraft III: The Kiss of Death (1991)  - Director

Shorts
Here Now (2017) - Writer/Director
Happy Sad Happy (2014) - Writer/Director
Post Modern Romance (1993) - Writer/Director
Wunderkind (1984) - Writer/Director
Guistina (1981) - Writer/Director

Activism
Feldman is active in the fight for gender equality in the film and television industry  Her activism takes form in speaking out about issues such as equal pay, job stability for women, sexual harassment, sexual discrimination and female representation within the industry  Feldman is also an activist for women behind the camera, who can be seen in the Geena Davis produced documentary This Changes Everything 
Feldman was the former chair of the DGA Women's Steering Committee (WSC)  The focus of the WSC is to support and uplift women in the film and television industry 

Personal life and education
Feldman grew up in the Bronx and now lives in Los Angeles  She attended New York University where she received a Master of Fine Arts Degree and has taught classes in directing and screenwriting at the USC School of Cinematic Arts Feldman is married to artisan contractor and colorist Carl Tillmanns; together they have two children, Nora and Leon  They are both alumni of Sarah Lawrence College, where they first met 
Passage 8:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 9:
Howard W  Koch
Howard Winchel Koch (April 11, 1916 – February 16, 2001) was an American producer and director of film and television 

Life and career
Koch was born in New York City, the son of Beatrice (Winchel) and William Jacob Koch  His family was Jewish  He attended DeWitt Clinton High School and the Peddie School in Hightstown, New Jersey  He began his film career as an employee at Universal Studios office in New York then made his Hollywood filmmaking debut in 1947 as an assistant director  He worked as a producer for the first time in 1953 and a year later made his directing debut  In 1964, Paramount Pictures appointed him head of film production, a position he held until 1966 when he left to set up his own production company  He had a production pact with Paramount for over 15 years Among his numerous television productions, Howard W  Koch produced the Academy Awards show on eight occasions  Dedicated to the industry, he served as President of the Academy of Motion Picture Arts and Sciences from 1977 to 1979  In 1990 the Academy honored him with The Jean Hersholt Humanitarian Award and in 1991 he received the Frank Capra Achievement Award from the Directors Guild of America 
Together with actor Telly Savalas, Howard Koch owned the thoroughbred racehorse Telly's Pop, winner of several important California races for juveniles including the Norfolk Stakes and Del Mar Futurity 
Howard W  Koch suffered from Alzheimer's disease and died in at his home in Beverly Hills, California on February 16, 2001  He had two children from a marriage of 64 years to Ruth Pincus, who died in March 2009  In 2004, his son Hawk Koch was elected to the Board of Governors of the Academy of Motion Picture Arts and Sciences 

Filmography
Director
Film (director)

Shield for Murder (1954)
Big House, U S A  (1955)
Untamed Youth (1957)
Bop Girl Goes Calypso (1957)
Jungle Heat (1957)
The Girl in Black Stockings (1957)
Fort Bowie (1957)
Violent Road (1958)
Frankenstein 1970 (1958)
Born Reckless (1958)
Andy Hardy Comes Home (1958)
The Last Mile (1959)
Badge 373 (1973)Television (director)

Maverick (1957) (1 episode)
Hawaiian Eye (1959) (2 episodes)
Cheyenne (1958) (1 episode)
The Untouchables (1959) (4 episodes)
The Gun of Zangara (1960) (TV movie taken from The Untouchables (1959 TV series))
Miami Undercover (1961) (38 episodes)
Texaco Presents Bob Hope in a Very Special Special: On the Road with Bing (1977)

Producer
Film (producer):

War Paint (1953)
Beachhead (1954)
Shield for Murder (1954)
Big House, U S A  (1955)
Rebel in Town (1956)
Frankenstein 1970 (1958)
Sergeants 3 (1962)
The Manchurian Candidate (1962)
Come Blow Your Horn (1963)
Robin and the 7 Hoods (1964)
The Odd Couple (1968)
On a Clear Day You Can See Forever (1970)
A New Leaf (1971)
Plaza Suite (1971)
Last of the Red Hot Lovers (1972)
Jacqueline Susann's Once Is Not Enough (1975)
The Other Side of Midnight (1977)
Airplane! (1980)
Some Kind of Hero (1982)
Airplane II: The Sequel (1982)
Ghost (1990)Television (producer)

Magnavox Presents Frank Sinatra (1973)
Passage 10:
Reginald Fogwell
Reginald Fogwell (23 November 1893, Dartmouth, Devon -1977) was a British film director, producer and screenwriter 

Selected filmography
Director

The Warning (1928)
Cross Roads (1930)
The Written Law (1930)
Madame Guillotine (1931)
Guilt (1931)
Betrayal (1932)
The Wonderful Story (1932)
Murder at the Cabaret (1936)Screenwriter

Two Can Play (1926)
The Guns of Loos (1928)
Glorious Youth (1929)
Warned Off (1930)
Such Is the Law (1930)
Prince of Arcadia (1933)
Two Hearts in Waltz Time (1934)



ground_truth: yes

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the spouse of the performer of song Et Moi, Et Moi, Et Moi?

The following are given passages.
Context 2: Passage 1:
Toi et moi (Charles Aznavour song)
"Toi et Moi" (English translation: You and Me) is a song written in 1994 by Charles Aznavour, Jean-Pierre Bourtayre, and Jacques Revaux  It was originally released on Aznavour's highly successful 1994 CD, aptly titled Toi et Moi  In 1995, the English version titled You and Me, as well as the Spanish version Tú y Yo were released  In 2018 Charles Aznavour sang new version duo with russian singer Polina Gagarina 
Passage 2:
L'enfer et moi
France participated in the Eurovision Song Contest 2013 with the song "L'enfer et moi" written by Boris Bergman and David Salkin  The song was performed by Amandine Bourgeois  The French broadcaster France Télévisions in collaboration with the television channel France 3 internally selected the French entry for the 2013 contest in Malmö, Sweden  "L'enfer et moi" was officially announced by France 3 as the French entry on 22 January 2013 and later the song was presented to the public as the contest entry on 13 March 2013 
As a member of the "Big Five", France automatically qualified to compete in the final of the Eurovision Song Contest  Performing as the opening entry during the show in position 1, France placed twenty-third out of the 26 participating countries with 14 points 

Background
Prior to the 2013 Contest, France had participated in the Eurovision Song Contest fifty-five times since its debut as one of seven countries to take part in 1956  France first won the contest in 1958 with "Dors, mon amour" performed by André Claveau  In the 1960s, they won three times, with "Tom Pillibi" performed by Jacqueline Boyer in 1960, "Un premier amour" performed by Isabelle Aubret in 1962 and "Un jour, un enfant" performed by Frida Boccara, who won in 1969 in a four-way tie with the Netherlands, Spain and the United Kingdom  France's fifth victory came in 1977, when Marie Myriam won with the song "L'oiseau et l'enfant"  France have also finished second four times, with Paule Desjardins in 1957, Catherine Ferry in 1976, Joëlle Ursull in 1990 and Amina in 1991, who lost out to Sweden's Carola in a tie-break  In the 21st century, France has had less success, only making the top ten three times, with Natasha St-Pier finishing fourth in 2001, Sandrine François finishing fifth in 2002 and Patricia Kaas finishing eighth in 2009  In 2012, the nation finished in twenty-second place with the song "Echo (You and I)" performed by Anggun 
The French national broadcaster, France Télévisions, broadcasts the event within France and delegates the selection of the nation's entry to the television channel France 3  France 3 confirmed that France would participate in the 2013 Eurovision Song Contest on 6 November 2012  The French broadcaster had used both national finals and internal selection to choose the French entry in the past  From 2008 to 2012, the broadcaster opted to internally select the French entry, a procedure that was continued in order to select the 2013 entry 

Before Eurovision
Internal selection
France 3 announced in late 2012 that the French entry for the 2013 Eurovision Song Contest would be selected internally  The organisation of the internal selection was headed by the newly appointed French Head of Delegation for the Eurovision Song Contest Frédéric Valencak  The French broadcaster requested proposals from record companies, music publishers, artist managers and artists themselves and shortlisted 18 entries from the received submissions to advance to the next stage, which involved a fourteen-member selection committee consisting of representatives of France Télévisions and music industry professionals  The selection committee consisted of:

On 22 January 2013, France 3 announced that the French entry for the Eurovision Song Contest 2013 would be "L'enfer et moi" performed by Amandine Bourgeois  The song was written by Boris Bergman and David Salkin  The selection committee considered five entries following a blind audio listening before finalising their decision internally in early 2013  The entry was released on 13 March 2013 via the streaming service Spotify, and was formally presented to the public on 14 March 2013 during the France 5 programme C à vous, hosted by Alessandra Sublet 

At Eurovision
According to Eurovision rules, all nations with the exceptions of the host country and the "Big Five" (France, Germany, Italy, Spain and the United Kingdom) are required to qualify from one of two semi-finals in order to compete for the final; the top ten countries from each semi-final progress to the final  As a member of the "Big 5", France automatically qualified to compete in the final on 18 May 2013  In addition to their participation in the final, France is also required to broadcast and vote in one of the two semi-finals  During the semi-final allocation draw on 17 January 2013, France was assigned to broadcast and vote in the second semi-final on 16 May 2013 In France, the two semi-finals was broadcast on France Ô with commentary by Audrey Chauveau and Bruno Berberes, while the final was broadcast on France 3 with commentary by Cyril Féraud and Mireille Dumas  The French spokesperson, who announced the French votes during the final, was Marine Vignes 

Final
Amandine Bourgeois took part in technical rehearsals on 12 and 15 May, followed by dress rehearsals on 17 and 18 May  This included the jury final on 17 May where the professional juries of each country watched and voted on the competing entries  After technical rehearsals were held on 15 May, the "Big 5" countries and host nation Denmark held a press conference  As part of this press conference, the artists took part in a draw to determine which half of the grand final they would subsequently participate in  France was drawn to compete in the first half  Following the conclusion of the second semi-final, the shows' producers decided upon the running order of the final  The running order for the semi-finals and final was decided by the shows' producers rather than through another draw, so that similar songs were not placed next to each other  France was subsequently placed to open the show and perform in position 1, before the entry from Lithuania The French performance featured Amandine Bourgeois on stage wearing a grey dress and black high heels designed by French designer Jean-Claude Jitrois and performing the song at a microphone stand  The stage colours were predominately red with red, yellow and orange lighting and the stage projections displayed flames and steam on a black background  About the performance and song, France 3 entertainment director Marie Claire Mezerette stated: "In this case simplicity is the key  It is a simple, but still powerful rock love song  We don't need to make it complicated  She wants to express how angry she is with what happened in that love story, Amandine is singing about " Amandine Bourgeois was joined on stage by three backing vocalists: Fanny Llado, Guillaume Eyango and Judith Flessel-Toto  France placed twenty-third in the final, scoring 23 points 

Voting
Voting during the three shows consisted of 50 percent public televoting and 50 percent from a jury deliberation  The jury consisted of five music industry professionals who were citizens of the country they represent, with their names published before the contest to ensure transparency  This jury was asked to judge each contestant based on: vocal capacity; the stage performance; the song's composition and originality; and the overall impression by the act  In addition, no member of a national jury could be related in any way to any of the competing acts in such a way that they cannot vote impartially and independently  The individual rankings of each jury member were released shortly after the grand final 
Following the release of the full split voting by the EBU after the conclusion of the competition, it was revealed that France had placed twenty-fifth with the public televote and twelfth with the jury vote  In the public vote, France received an average rank of 21 68 and in the jury vote the nation received an average rank of 10 95 
Below is a breakdown of points awarded to France and awarded by France in the second semi-final and grand final of the contest, and the breakdown of the jury voting and televoting conducted during the two shows:

Points awarded to France
Points awarded by France
Passage 3:
Et moi, et moi, et moi
"Et moi, et moi, et moi" is the debut single by French singer-songwriter Jacques Dutronc, released in 1966  It is featured on his self-titled debut album 

Composition
The record came about as the result of rivalry between the two artistic directors at Disques Vogue, Christian Fechner and Jacques Wolfsohn  According to legend, Wolfsohn, who had previously promoted Françoise Hardy, used to amuse himself by taking pot-shots at Fechner's Revox tape-machine with a rifle from his office window  Wolfsohn wanted to better Fechner's success with the hippy-influenced singer-songwriter Antoine  He asked Jacques Dutronc, at that time his assistant and a songwriter at Vogue, and the novelist Jacques Lanzmann to work on songs for a rival act, a singer called Benjamin  Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair)  However, Wolfsohn was disappointed by Benjamin's recording of "Et moi, et moi, moi"  A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals  Wolfsohn then asked Dutronc if he would be interested in recording his own version The words to "Et moi, et moi et moi" have been described as sending up the socially conscious but "self-involved" lyrical style of Antoine, with Lanzmann and Dutronc perhaps suggesting doubt as to its sincerity  In the song, Dutronc alternates between thinking about people in different places around the world and thinking about himself  The opening of the song is Sept cent millions de chinois/Et moi, et moi, et moi ("Seven hundred million Chinese people/And then there's me")  According to Lanzmann, the song is "about complete selfishness   all the terrible things that go on a stone's-throw away, that touch us but that, nevertheless, do not prevent us from continuing to live and enjoy the evening's barbecue"  Musically, the song's fuzzy, choppy guitar line bears the influence of the Pretty Things and the Kinks 

Release and promotion
"Et moi, et moi, et moi" was released as the lead track on a four-track EP (EPL  8461) by Vogue in France in August 1966  In the UK and The Netherlands, it was released as a 2-track 7" single, with "Mini, mini, mini" as the b-side  In Germany, "Mini, mini, mini" was released as an a-side, backed with "Et moi, et moi, et moi"  For the Italian market, an Italian-language version titled "Il Mundo Va Cosi" was recorded  A version in Japanese was also attempted but was not released Dutronc performed "Et moi, et moi, et moi" on the French television show Le palmarès des chansons, broadcast on Channel One by the Office de Radiodiffusion Télévision Française on 29 September 1966  He also toured to promote the single 

Reception
"Et moi, et moi, et moi" reached number 2 in the French singles chart in September 1966 and number 7 in the Swiss chart the following month  It also gained popularity on the British mod scene where, despite the language barrier, it was appreciated as satirising the folk revival movement Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences"  For Portis, Dutronc marks a break with the literary tradition of French chanson in his creative use of the sounds, rather than just the syntax, of the language "Et moi, et moi, et moi" is featured in the coffee table book 1001 Songs You Must Hear Before You Die, published in 2010  In 2011, it was included in a series of 41 articles on songs that "define France", published in Le Figaro 

Cover versions
The British band Mungo Jerry reached number 3 in the UK singles chart in 1973 with an English-language reinterpretation of "Et moi, et moi, et moi" titled "Alright, Alright, Alright"  This version is credited to Lanzmann, Dutronc and Joe Strange  It features on Mungo Jerry's 1974 album Long Legged Woman Dressed In Black 
The original version of the song was covered in 1988 by the Spanish synth-pop artist Captain B Hardt  A recording of the song also appears on the 1989 compilation I Can't Come by punk band the Snivelling Shits  Yo La Tengo bassist James McNew, under his solo moniker Dump, released a cover of the song on his 1997 album A Plea for Tenderness  In 2002, Bruno Blum included a parody of the song, titled "Et moi, et moi etc", on his album Think Différent (sic)  In July 2013, the French singer-songwriter -M- performed a version of "Et moi, et moi, et moi" for the website of Le Figaro Israeli singer-songwriter Ariel Zilber recorded a Hebrew version of the song, entitled Milyard Sinim ("One Billion Chinese") in 1988  Translated by Yehonatan Gefen, the Hebrew text is a fairly accurate reflection of the French, and the chorus is exact  Loosely retranslated into English: "One billion Chinese are alive / And me, who am I, what am I? / With my private life / And my tooth that's been loose for four days / I think about it and then I forget / Because that's how life is" ("J'y pense et puis j'oublie / C'est la vie c'est la vie") 

Track listing
Words by Jacques Lanzmann and music by Jacques Dutronc 

Side A
"Et moi, et moi, et moi" – 2:52
"J'ai mis un tigre dans ma guitare" – 2:21

Side B
"Mini, mini, mini" – 1:54
"Les gens sont fous, les temps sont flous" – 3:03

Personnel
Jacques Dutronc : voice, guitar, percussion
Hadi Kalafate : bass, percussion
Alain Le Govic (alias Alain Chamfort) : piano, organ
Jean-Pierre Alarcen : guitar
Jacques Pasut : rhythm guitar
Michel Pelay : drums
Passage 4:
Juan Carlos Lecompte
Juan Carlos Lecompte Pérez is a Colombian author who was married to Ingrid Betancourt, a politician kidnapped by the Revolutionary Armed Forces of Colombia (FARC)  After her public release in Operation Jaque they divorced  In January 2010 he published a book about their break-up, it is called "Ingrid et moi" 
Passage 5:
L'Amour et moi
"L'Amour et moi" is Jenifer Bartoli's second single from her fifth album L'Amour et moi on which it is the fifth track  It was released on September 29, 2012 in Francophone countries and achieved success in France and Belgium (Wallonia) 

Charts
Passage 6:
Jacques Dutronc
Jacques Dutronc (born 28 April 1943) is a French singer, songwriter, guitarist, composer, and actor  Some of Dutronc's best-known hits include "Il est cinq heures, Paris s'éveille" (which AllMusic has called "his finest hour"), "Le Responsable", and "Les Cactus" 
Dutronc played guitar in the rock group El Toro et les Cyclones  He wrote successful songs for singer Françoise Hardy in the 1960s before moving on to pursue a successful solo career  His music incorporated traditional French pop and French rock as well as styles such as psychedelic and garage rock  He was also very important in the Yéyé music movement and has been a longtime songwriting collaborator with Jacques Lanzmann  According to AllMusic, Dutronc is "one of the most popular performers in the French-speaking world", although he "remains little known in English speaking territories" aside from a cult following in the UK He later branched out into film acting, starting in 1973  He earned a César Award for Best Actor for the leading role in Van Gogh, which was directed by Maurice Pialat  He married Hardy in 1981 and together they have a son, guitarist Thomas Dutronc (born 1973); the couple separated in 1988 

Early life
Jacques Dutronc was born on 28 April 1943 at 67 Rue de Provence in the 9th arrondissement of Paris, the home of his parents, Pierre and Madeleine  His father was a manager for the state-run Office of Coal Distribution  Jacques was educated at Rocroy-Saint-Léon elementary school (now a Lycée), the École de la Rue Blanche (now a drama school) and then at the École Professionnelle de Dessin Industriel, where he studied graphic design from 1959 

Career
1960s
In 1960, Dutronc formed a band with himself as guitarist, schoolfriend Hadi Kalafate as bassist, Charlot Bénaroch as drummer (later replaced with André Crudot) and Daniel Dray as singer  They auditioned in 1961 for Jacques Wolfsohn, an artistic director at Disques Vogue, who signed them and gave them the name El Toro et les Cyclones  The group released two singles, "L'Oncle John" and "Le Vagabond", but disbanded when Dutronc was obliged to undertake military service After being discharged from the army in 1963, Dutronc briefly played guitar in Eddy Mitchell's backing band and was also given a job at Vogue as Jacques Wolfsohn's assistant  In this capacity, he co-wrote songs for artists such as ZouZou, Cléo and Françoise Hardy 
Wolfsohn asked Dutronc to work with Jacques Lanzmann, a novelist and editor of Lui magazine, to create songs for a beatnik singer called Benjamin  Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair)  However, Wolfsohn was disappointed by Benjamin's recording of a song titled "Et moi, et moi, et moi"  A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals  Wolfsohn then asked Dutronc if he would be interested in recording his own version  The single reached number 2 in the French charts in September 1966 Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences"  For Portis, Dutronc marks a break with the literary tradition of French chanson in his creative use of the sounds, rather than just the syntax, of the language Dutronc's self-titled debut album, released at the end of 1966, sold over a million copies and was awarded a special Grand Prix du Disque by the Académie Charles Cros, in memoriam of one of its founders  A second single, "Les play boys", spent six weeks at number one and sold 600,000 copies Dutronc was one of the most commercially successful French music stars of the late 1960s and early 1970s  During that period, he released seven hit albums and more than 20 singles, including two further number ones: "J'aime les filles" in 1967 and "Il est cinq heures, Paris s'éveille" in 1968 According to music critic Mark Deming: "Dutronc's early hits were rough but clever exercises in European garage rock   like Dutronc's role models Bob Dylan and Ray Davies, he could write melodies strong enough to work even without their excellent lyrics, and his band had more than enough energy to make them fly (and the imagination to move with the musical times as psychedelia and hard rock entered the picture at the end of the decade)" 

1970s
Most of Dutronc's songs up to 1975 were written with Jacques Lanzmann, with only two written solely by Dutronc  Lanzmann's wife Anne Ségalen is also credited on some songs  Dutronc wrote three songs with comic-book writer Fred, whose stories he also narrated for commercial release in 1970  Two songs were written in 1971 by Lanzmann, Franck Harvel and the composer Jean-Pierre Bourtayre, for a TV adaptation of Arsène Lupin  Co-writing credits on Dutronc's self-titled 1975 album are split between Lanzmann, Serge Gainsbourg and Jean-Loup Dabadie 
In 1973, "Et moi, et moi, et moi" was adapted with English lyrics as "Alright Alright Alright" and became a UK No  3 hit for the group Mungo Jerry 
Also in 1973, Dutronc began a second career as an actor in the film Antoine et Sébastien, directed by Jean-Marie Périer  Dutronc's second film, That Most Important Thing: Love, directed by Andrzej Zulawski, was a major box-office hit in France  In the following years, Dutronc devoted most of his energies toward his acting career, appearing in films directed by Jean-Luc Godard, Claude Lelouch and Maurice Pialat  In 1977, he was nominated for the César Award for best supporting actor, for his role in Claude Sautet's Mado  Steven Spielberg reportedly considered Dutronc to be the best French actor of his generation, and had the role of René Belloq in Raiders of the Lost Ark written with him in mind  Dutronc was not given the role, however, because it transpired that his English was not adequate 

1980s
In 1980, Dutronc began work on a new album under the direction of Jacques Wolfsohn, now an executive at Gaumont Musique  Wolfsohn proposed that Dutronc write with both Jacques Lanzmann and Serge Gainsbourg  During recording, Wolfsohn proposed to Lanzmann and Gainsbourg that they each work on alternative lyrics to go with one of Dutronc's instrumental demos  Lanzmann objected to being placed in competition against another writer, and dropped out of the project  The resulting album, Guerre et pets ("War and Farts" - a play on the title of Tolstoy's novel), consequently only includes two Lanzmann-Dutronc compositions, and is mainly written by Dutronc and Gainsbourg  The album's lead single, "L'hymne à l'amour", received little airplay because its lyric consists primarily of racial epithets (the opening line, roughly translated, is "gook, wog, towel-head, yid"), and the album was only a moderate commercial success  The follow-up, 1982's C'est pas du bronze, was written with Anne Ségalen, by now divorced from Jacques Lanzmann, and was released to a frosty critical reception Dutronc's acting career continued during the 1980s, and he appeared in films such as Malevil and Barbet Schroeder's Tricheurs  In 1987, he released a further album, C Q F Dutronc  Most of the songs were written by Dutronc without a partner, although he collaborated with Etienne Daho on one track and with Jean-François Bernardini of the Corsican folk group I Muvrini on another 

1990s
In 1992, Dutronc was awarded the César for Best Actor for the title role in Maurice Pialat's biopic Van Gogh  Critic Christopher Null commented that Dutronc "manages to embody the obvious manic depression from Van Gogh's later years, all exuding from his scraggly face, sunken eyes, and bony frame    the searing Dutronc is the real reason to sit through the film" In November 1992, Dutronc played three comeback concerts at the Casino de Paris, highlights from which were released as a film, directed by Jean-Marie Périer and as a live album, Dutronc au Casino  At around this time, Dutronc began work on a new studio album, Brèves rencontres, but work progressed slowly and it was not released until 1995 During the 1990s, Dutronc appeared in two films by Patrick Grandperret and was nominated for a César Award for best supporting actor in 1999, for his role in Nicole Garcia's Place Vendôme 

21st century
Dutronc starred in Claude Chabrol's 2000 film Merci pour le chocolat  He was awarded the Best Actor prize at the 2001 Marrakech International Film Festival and was nominated for the César Award for best actor for his role in Jean-Pierre Améris' C'est la vie  In 2002, he starred in Michel Blanc's Summer Things 
In 2003, Dutronc reunited with Jacques Lanzmann for Madame l'existence, an album described by rock critic Christophe Conte as "surpassing, without much apparent effort, everything that [Dutronc] has created in the last two decades" In 2005, Dutronc was awarded an Honorary César  Since then, he has appeared in films by directors including Gabriel Aghion and Alain Corneau 
In 2010, Dutronc toured for the first time in 17 years, and released recordings from the tour as a live album and DVD, Et vous, et vous, et vous Dutronc's 41st film, Les Francis, was released in 2014 In November 2014, Dutronc performed a series of concerts with Eddy Mitchell and Johnny Hallyday at Paris Bercy, under the name "Les vieilles canailles" ("The Old Gits")  It was reported that, following these performances, Dutronc intended to begin recording a new album with his son Thomas 
Said album, Dutronc and Dutronc, was released November 4th 2022 and features 13 songs originally released by Jacques Dutronc during his early career  Father and son rearranged the songs and both sing on the album 

Reputation and influence
According to a 1979 editorial in the French magazine Rock & Folk, Dutronc is "the one singer who is so closely identified with the 1960s that it has become impossible to talk about them without talking about him"  In 1991, "Il est cinq heures, Paris s'éveille" was voted the best French-language single of all time in a poll of music critics organised by Le Nouvel Observateur for a TV special broadcast on Antenne 2, beating Jacques Brel's "Ne me quitte pas" into second place Dutronc's songs have been covered by Matthieu Chedid, Vanessa Paradis, Mungo Jerry, Etienne Daho, Sylvie Vartan, Miles Kane, the Divine Comedy, Serge Gainsbourg, Black Lips, Zine, the Last Shadow Puppets among others  Dutronc is also mentioned in the lyrics of the Cornershop song "Brimful of Asha" In 2015, a tribute album was released by Columbia Records with various artists interpreting songs by Jacques Dutronc  The 13-track album titled Joyeux anniversaire M'sieur Dutronc contained performances by artists Julien Doré, Gaëtan Roussel, Zaz, Joeystarr, Nathy (Tüxo), BAGARRE, Thomas Dutronc, Annie Cordy, the duo Brigitte, Miossec, Francis Cabrel, Francine Massiani, Tété and Camélia Jordana in addition to "L'opportuniste" sung by Jacques Dutronc with Nicola Sirkis  The album charted in France and Belgium 

Personal life
Dutronc began a relationship with Vogue label-mate Françoise Hardy in 1967  In 1973, they had a son, Thomas, who grew up to become a successful jazz and pop musician  In 1981, they were married, "for tax reasons", according to Hardy  In 1998, Jacques began a relationship with a stylist whom he had met on the set of the film Place Vendôme  Dutronc and Hardy are now separated, but remain married and see each other regularly He currently lives near the town of Monticello, Corsica In 2015, Dutronc revealed he had a brief relationship with Romy Schneider that lasted as long as they were shooting the film That Most Important Thing: Love 

Discography
Studio albums
Other notable singles
Live albums
Selected filmography
See also
French pop
French rock
Yé-yé
Jacques Lanzmann

Bibliography
Michel Leydier (2010)  Jacques Dutronc: La Bio  Paris: Seuil  ISBN 978-2-02-101287-3
Passage 7:
Sébastien Schuller
Sébastien Schuller (born 26 August 1970) is a French singer, songwriter and film score composer living in Philadelphia  His film scores include Toi et Moi , Notre univers impitoyable, Un Jour d'Été, One O One, High Society,The Night Eats the World  

Discography
1999: Londres (EP, Warner Music France)
2002: Weeping Willow (EP, EMI Music France/Capitol Records)
2005: Happiness (LP, Catalogue Records/Wagram Music)
2005: Harmony (EP, Catalogue Records/Wagram Music)
2009: Evenfall (LP, PIAS France)
2014: Heat Wave (LP, self-produced)
2023: Introspection (LP, self-produced)

External links
Official website 
Sébastien Schuller at IMDb
Sébastien Schuller discography at MusicBrainz
Sébastien Schuller discography at Discogs
Passage 8:
Alexis Martin (actor)
Alexis Martin (born June 9, 1964, in Montreal, Quebec) is a Canadian actor and writer  A 1986 graduate of the Conservatoire d'art dramatique de Montréal, he has acted in film, television and stage productions, and has written both theatrical plays and film screenplays He was a Genie Award nominee for Best Supporting Actor at the 31st Genie Awards in 2010 for Route 132, and for Best Adapted Screenplay at the 20th Genie Awards in 1999 for Matroni et moi  His play Bureaux was shortlisted for the Governor General's Award for French-language drama at the 2004 Governor General's Awards 

Filmography
Film
Cordélia - 1980
The Party (Le Party) - 1990
Cosmos - 1996
Karmina - 1996
The Revenge of the Woman in Black (La vengeance de la femme en noir) - 1997
Nô - 1998
August 32nd on Earth (Un 32 août sur terre) - 1998
Matroni and Me (Matroni et moi) - 1999
Les Boys III - 2001
The Collector (Le Collectionneur) - 2002
CQ2 (Seek You Too) - 2004
Audition (L'Audition) - 2005
Saint Martyrs of the Damned (Saints-Martyrs-des-Damnés) - 2005
A Sunday in Kigali (Un dimanche à Kigali) - 2006
Bluff - 2007
Le Banquet - 2008
Babine - 2008
Route 132 - 2010
Before My Heart Falls (Avant que mon cœur bascule) - 2012
My Internship in Canada (Guibord s'en va-t-en guerre) - 2015
Bad Seeds (Les mauvaises herbes) - 2016
9 (9, le film) - 2016
Hochelaga, Land of Souls (Hochelaga, Terre des âmes) - 2017
We Are Gold (Nous sommes Gold) - 2019
There Are No False Undertakings (Il n'y a pas de faux métier) - 2020

Television
L'Amour avec un Grand A
Radio Enfer
Sous le signe du lion
Fortier
Trauma
Les Parent

Plays
Oreille, tigre et bruit
Matroni et moi
L'An de Grâce
Bureaux
L'Apprentissage des marais
Révolutions
Passage 9:
Mary Christy
Marie Ruggeri (born Maria Christina Ruggeri, 21 July 1952 in Déifferdeng), professionally known as Mary Christy, frequently credited as Mary Cristy, is a Luxembourgish singer and actress 
Ruggeri grew up in Mamer, where her father worked as an entrepreneur  In the 1960s she was a child singer in Luxembourg and Germany where she appeared under the pseudonyms Marie Tina and Marie Christina 
In the early 1970s, she moved to Paris where she performed under the name Mary Christy, and participated in the rock opera La Révolution Française by Schönberg at the Palais des Sports in Paris 
She is best known for representing Monaco in the Eurovision Song Contest 1976 with the song "Toi, la musique et moi"  Her entry ranked 3rd out of 18 participants, receiving 93 points, including maximum 12 points from her native Luxembourg 
Passage 10:
Gertrude of Bavaria
Gertrude of Bavaria (Danish and German: Gertrud; 1152/55–1197) was Duchess of Swabia as the spouse of Duke Frederick IV, and Queen of Denmark as the spouse of King Canute VI 
Gertrude was born to Henry the Lion of Bavaria and Saxony and Clementia of Zähringen in either 1152 or 1155  She was married to Frederick IV, Duke of Swabia, in 1166, and became a widow in 1167  In 1171 she was engaged and in February 1177 married to Canute of Denmark in Lund  The couple lived the first years in Skåne  On 12 May 1182, they became king and queen  She did not have any children  During her second marriage, she chose to live in chastity and celibacy with her husband  Arnold of Lübeck remarked of their marriage, that her spouse was: "The most chaste one, living thus his days with his chaste spouse" in eternal chastity 
Context 3: Passage 1:
Alex Cox
Alexander B  H  Cox (born 15 December 1954) is an English film director, screenwriter, actor, non-fiction author and broadcaster  Cox experienced success early in his career with Repo Man and Sid and Nancy, but since the release and commercial failure of Walker, his career has moved towards independent films  Cox received a co-writer credit for the screenplay of Terry Gilliam's Fear and Loathing in Las Vegas (1998) for previous work on the script before it was rewritten by Gilliam 
As of 2012, Cox has taught screenwriting and film production at the University of Colorado, Boulder 

Early life
Cox was born in Bebington, Cheshire, England in 1954  He attended Worcester College, Oxford, and later transferred to the University of Bristol where he majored in film studies  Cox secured a Fulbright Scholarship, allowing him to study at the University of California, Los Angeles, where he graduated from the School of Theater, Film and Television with an MFA 

Film career
Study and independent
Cox began reading law as an undergraduate at Oxford University, but left to study radio, film and TV at Bristol University, graduating in 1977  Seeing difficulties in the British film scene at the time, he first went to Los Angeles to attend film school at UCLA in 1977  There he produced his first film, Edge City (also known as Sleep Is for Sissies), a 40-minute surreal short about an artist struggling against society  After graduation, Cox formed Edge City Productions with two friends with the intention of producing low-budget feature films  He wrote a screenplay for Repo Man, which he hoped to produce for a budget of $70,000, and began seeking funding 

Hollywood and major studio period (1978–1987)
Michael Nesmith agreed to produce Repo Man, and convinced Universal Studios to back the project with a budget of over a million dollars  During the course of the film's production, the studio's management changed, and the new management had far less faith in the project  The initial cinema release was limited to Chicago, followed by Los Angeles, and was short-lived 
After the success of the soundtrack album (notable for featuring many popular LA punk bands), there was enough interest in the film to earn a re-release in a single cinema in New York City, but only after becoming available on video and cable  Nevertheless, it ran for 18 months, and eventually earned $4,000,000 
Continuing his fascination with punk music, Cox's next film was an independent feature shot in London and Los Angeles, following the career and death of bassist Sid Vicious and his girlfriend Nancy Spungen, initially titled Love Kills and later renamed Sid and Nancy  It was met warmly by critics and fans, though heavily criticised by some, including Pistols' frontman John Lydon, for its inaccuracies  The production of this film also sparked a relationship with Joe Strummer of the Clash, who would continue to collaborate with the director on his next two films 
Cox had long been interested in Nicaragua and the Sandinistas (both Repo Man and Edge City made references to Nicaragua and/or Latin American revolution), and visited in 1984  The following year, he hoped to shoot a concert film there featuring the Clash, the Pogues and Elvis Costello  When he could not get backing, he decided instead to write a film that they would all act in  The film became Straight to Hell  Collaborating with Dick Rude (who also co-starred beside Strummer, Sy Richardson and Courtney Love), he imagined the film as a spoof of the Spaghetti Western genre, filmed in Almería, Spain, where many classic Italian westerns were shot  Straight to Hell was widely panned critically, but successful in Japan and retains a cult following  On 1 June 2012, Cox wrote an article in The New York Times about his long-standing interest in spaghetti westerns Continuing his interest in Nicaragua, Cox took on a more overtly political project, with the intention of filming it there  He asked Rudy Wurlitzer to pen the screenplay, which followed the life of William Walker, set against a backdrop of anachronisms that drew parallels between the story and modern American intervention in the area  The $6,000,000 production was backed by Universal, but the completed film was too political and too violent for the studio's tastes, and the film went without promotion  When Walker failed to perform at the box office, it ended the director's involvement with Hollywood studios, and led to a period of several years in which Cox would not direct a single film  Despite this, Cox and some critics maintain that it is his best film 

Mexican period (1988–1996)
Effectively blacklisted for working on a studio project during the 1988 Writers Guild of America strike, Alex Cox struggled to find feature work  He finally got financial backing for a feature from investors in Japan, where his films had been successful on video  Cox had scouted locations in Mexico during the pre-production of Walker and decided he wanted to shoot a film there, with a local cast and crew, in Spanish  Producer Lorenzo O'Brien penned the script  Inspired by the style of Mexican directors including Arturo Ripstein, he shot most of the film in plano secuencia; long, continuous takes shot with a hand-held camera  El Patrullero was completed and released in 1991, but struggled to find its way into cinemas 
Shortly after this, Cox was invited to adapt a Jorge Luis Borges story of his choice for the BBC  He chose Death and the Compass  Despite being a British production and an English language film, he convinced his producers to let him shoot in Mexico City  This film, like his previous Mexican production, made extensive use of long-takes  The completed 55-minute film aired on the BBC in 1992 
Cox had hoped to expand this into a feature-length film, but the BBC was uninterested  Japanese investors gave him $100,000 to expand the film in 1993, but the production ran over-budget, allowing no funds for post-production  To secure funds, Cox directed a "work for hire" project called The Winner  The film was edited extensively without Cox's knowledge, and he tried to have his name removed from the credits as a result but was denied, but the money was enough for Cox to fund the completion of Death and the Compass  The finished, 82-minute feature received a limited cinema release in the US, where the TV version had not aired, in 1996 

Liverpool period (1997–2006)
In 1996, producer Stephen Nemeth employed Alex Cox to write and direct an adaptation of Hunter S  Thompson's Fear and Loathing in Las Vegas  After creative disagreements with the producer and Thompson, he was sacked from the project, and his script rewritten when Terry Gilliam took over the film  (Cox later sued successfully for a writing credit, as it was ruled that there were enough similarities between the drafts to suggest that Gilliam's was derivative of Cox's  Gilliam countered that the screenplays were based on the source book and similarities between them were a consequence of this )
In 1997, Alex Cox made a deal with Dutch producer Wim Kayzer to produce another dual TV/feature production  Three Businessmen  Initially, Cox had hoped to shoot in Mexico but later decided to set his story in Liverpool, Rotterdam, Tokyo and Almería  The story follows businessmen in Liverpool who leave their hotel in search of food and slowly drift further from their starting point, all the while believing they are still in Liverpool  The film was completed for a small budget of $250,000  Following this, Cox moved back to Liverpool and became interested in creating films there 
Cox had long been interested in the Jacobean play, The Revenger's Tragedy, and upon moving back to Britain, decided to pursue adapting it to a film  Collaborating with fellow Liverpudlian screenwriter Frank Cottrell Boyce, the story was recast in the near future, following an unseen war  This adaptation, titled Revengers Tragedy, consisted primarily of the original play's dialogue, with some additional bits written in a more modern tone  The film is also notable for its soundtrack, composed by Chumbawamba 
Following this, Cox directed a short film set in Liverpool for the BBC titled I'm a Juvenile Delinquent – Jail Me! (2004)  The 30-minute film satirised reality television as well as the high volume of petty crime in Liverpool which, according to Cox, is largely recreational 

Microfeature period (2007–present)
In 2006, Alex Cox tried to get funding for a series of eight very low budget features set in Liverpool and produced by locals  The project was not completed, but the director grew interested in pursuing the idea of a film made for less than £100,000  He had originally hoped to shoot Repo Man on a comparable budget, and hoped that the lower overhead would mean greater creative freedom 
Searchers 2 0, named after but based on The Searchers, became Cox's first film for which he has sole writing credit since Repo Man, and marked his return to the comedy genre  A road movie and a revenge story, it tells of two actors, loosely based on and played by Del Zamora and Ed Pansullo, who travel from Los Angeles to a desert film screening in Monument Valley in the hopes of avenging abuse inflicted on them by a cruel screenwriter, Fritz Frobisher (Sy Richardson)  It was scored by longtime collaborator Dan Wool aka Pray for Rain (Sid & Nancy, Straight to Hell, Death & the Compass, The Winner, Three Businessmen, Repo Chick among others)  Although the film was unable to achieve a cinema release in America or Europe, Cox claimed the experience of making a film with a smaller crew and less restrictions was energising  It is available on DVD in Japan, and was released in October 2010 in North America Alex Cox had attempted to get a Repo Man sequel, titled Waldo's Hawaiian Holiday, produced in the mid-'90s, but the project fell apart, with the script adapted into a graphic novel of the same name  For his next micro-feature, he wrote a fresh attempt at a Repo follow-up, although it contained no recurring characters, so as to preserve Universal's rights to the original  Repo Chick was filmed entirely against a green screen, with backgrounds of digital composites, live action shots, and miniatures matted in afterwards, to produce an artificial look  It premiered at the Venice Film Festival on 9 September 2009 
As of July 2012, Cox was teaching film production and screenwriting at the University of Colorado at Boulder In 2013 Cox directed Bill, the Galactic Hero, developed from a science fiction book by Harry Harrison  It was funded by a successful Kickstarter funding campaign, raising $114,957 of the original $100,000 goal  The film was to be made, created and acted by his film students in monochrome with supervision from professional film makers who would be giving their time on the film for free Cox's 2013 book The President and the Provocateur examines events in the lives of John F  Kennedy and Lee Harvey Oswald leading up to Kennedy's assassination, with reference to the various conspiracy theories In 2017 Cox directed another crowdfunded film, Tombstone Rashomon, which tells the tale of the Gunfight at the O K  Corral from multiple perspectives in the style of Akira Kurosawa's 1950 film Rashomon In September 2019, Cox started the podcast ‘Conversations with Cox and Kjølseth’ with his friend and colleague Pablo Kjølseth  In October 2022, Cox announced the end of the podcast, citing its small audience and the comparative success of podcasts by Joe Dante, Quentin Tarantino and Cox's one-time collaborator Roger Deakins 

Moviedrome
In May 1988 Cox began presenting the long-running and influential BBC series Moviedrome  The weekly strand was a showcase for cult films  Though most of the films shown were chosen by series creator and producer Nick Jones, each film was introduced by Cox  By the time he left the show in September 1994, Cox had introduced 141 films  Various film directors have cited Moviedrome as an influence, including Ben Wheatley and Edgar Wright  The series was later presented by film director and critic Mark Cousins 

Influences and style
Cox has cited Luis Buñuel and Akira Kurosawa as influences, as well as the Western film directors Sergio Leone, Sergio Corbucci, Sam Peckinpah, John Ford and Giulio Questi  Cox also wrote a book on the history of the genre called 10,000 Ways to Die  While he once directed films for Universal Pictures, such as Repo Man and Walker, since the late 1980s, he has found himself on a self-described blacklist, and turned to producing independent films  Cox is an atheist and is decidedly left-wing in his political views  Many of his films have an explicit anti-capitalist theme or message  He was originally set to direct Fear and Loathing in Las Vegas but was replaced by Terry Gilliam due to creative differences with Hunter S  Thompson  By August 2009, Cox had announced completion of Repo Chick, which premiered at the Venice Film Festival the following month, but he remained ambivalent as to whether the film would ever be distributed to cinemas  His previous film, Searchers 2 0, was not released theatrically, and only appears on DVD in Japan and North America after a televised screening in the UK on the BBC 
Cox is a fan of the Japanese Godzilla films and appeared in a 1998 BBC documentary highlighting the series  He also narrated the documentary Bringing Godzilla Down to Size and wrote the Godzilla in Time comics for Dark Horse  He tried to direct an American Godzilla film at one point, but unsuccessfully submitted his outline to TriStar Pictures 

Personal life
As of 2011, Cox resided in Colestin, Oregon with his wife, writer Todelina Babish Davies 

Partial list of works
Feature films
Documentaries
Kurosawa: The Last Emperor (1999)
Emmanuelle: A Hard Look (2000)
Bringing Godzilla Down to Size (2007) – narrator
Scene Missing (2012)

Television
Moviedrome (as presenter) (1988 to 1994)
Godzilla: King of the Monsters – BBC, contributor
In His Life: The John Lennon Story as Bruno Koschmider
Mike Hama Must Die! (2002)
I'm a Juvenile Delinquent – Jail Me! (2003)

Books
10,000 Ways to Die: A Director's Take on the Spaghetti Western (2008)
X Films: True Confessions of a Radical Filmmaker (2008)
Waldo's Hawaiian Holiday (2008)
Three Dead Princes (Illustrator) (2010)
The President and the Provocateur: The Parallel Lives of JFK and Lee Harvey Oswald (2013)
Alex Cox's Introduction to Film: A Director's Perspective (2016)
I Am (Not) A Number: Decoding The Prisoner (2017)

Acting credits
Passage 2:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 3:
Waiting for the Clouds
Waiting for the Clouds (Bulutları Beklerken) is a film from 2003, Turkey  The film was directed by Yeşim Ustaoğlu  It is based on a novel by Georgios Andreadis titled Tamama  The film was produced by Setarh Farsi, Helge Albers and Behrooz Hashemian  The film was nominated in Montréal World Film Festival 2004 

Plot
The neighbor´s son Mehmet is worried about the elderly woman Ayshe, and he likes hearing her stories  When Ayshe´s older sister dies she refuses to be with the other villager and starts searching for her younger brother in Greece  Waiting for the Clouds takes place in 1975 and Mehmet´s experience is based on the directors memory from the 70s  And the character Ayshe would not have had to keep her ethnic identity a secret for 50 years if she had lived in a tolerant environment 

Hiding ethnic identity
The character of Ayshe was born Eleni, daughter of indigenous Greeks in the eastern Black Sea region of Northern Turkey, what was once the ancient country of Pontus



ground_truth: Françoise Hardy

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who was born first, Tombstone Rashomon or Waiting For The Clouds?

The following are given passages.
Context 3:  She was adopted by a Turkish Muslim family in the World War I  Fear is the reason that Ayshe never spoke of her ethnic past again  In the 70s Turkey the government did put a lot of pressure on the ordinary lives   If there had been tolerance, Ayshe would not have had to keep her ethnic identity a secret for 50 years  But in 1970s Turkey, paranoia and a fear of “others” was on the rise while tolerance toward minority ethnic groups diminished 

Boundaries and Ties
The movie has many commonalities with a series of movies by the renowned film maker Theodoros Angelopoulos: the borders and their impact on the lives of human beings – as in The Suspended Step of the Stork; a tedious Odyssean search for a family member – as in Landscape in the Mist; the long-lost identity and the fusion of different cultures – as in Ulysses' Gaze and The Suspended Step of the Stork  The similarities are not limited to the content and themes; they also include the form and style of the movie: carefully composed scenes and an enormous number of extended long shots  But there are telling differences as well  In Waiting for the Clouds, Ustaoglu tends to emphasize on the idea of distance, whereas Angelopolous emphasizes on the journey  We barely see Ayshe on the journey; rather, we see her at two different destinations  She belongs to a generation which has gone through the ordeal of Population exchange between Greece and Turkey, and has never managed  to fully recover from that emotional wound  When she finally decides to overcome her fears and inhibitions and go to find her lost brother, she trespasses a number of boundaries  We don’t see her cross the physical boundary, the border, – unlike Angelopolous – but her crossing the imagined boundaries that she had created for herself is manifest  “The objective properties of the community are less important than the imagined ones ” Deep in her subconscious, she imagines herself belonging to another nation, another community, and another language  But when she ventures outside her little home in the small village, she gets to see that what she had imagined to be her true community, is as strange to her as it gets  She goes back to Turkey, but she is not the same person anymore  She seems like she has put a huge burden off her shoulder  She begins to smile 
Passage 4:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 
Passage 5:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 6:
Rumbi Katedza
Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974 

Early life and education
She did her Primary and Secondary Education in Harare, Zimbabwe  Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995  In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film  She also holds a MA in Filmmaking from Goldsmiths College, London University 

Work and filmography
Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows  From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe)  From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival  Whilst there, she produced the Postcards from Zimbabwe Series  In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely

Tariro (2008);
Big House, Small House (2009);
The Axe and the Tree (2011);
The Team (2011)
Playing Warriors (2012)Her early works include:

Danai (2002);
Postcards from Zimbabwe (2006);
Trapped (2006 – Rumbi Katedza, Marcus Korhonen);
Asylum (2007);
Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts  She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe  She has also lobbied Zimbabwean government to actively support the film industry 
Passage 7:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 8:
South of the Clouds (2004 film)
South of the Clouds is a 2004 Chinese film and the second film directed by the writer Zhu Wen  The film stands in stark contrast to Zhu's previous film  In terms of production, South of the Clouds received the cooperation of the state apparatus unlike 2001's Seafood which was an underground production shot on digital hand-held cameras  In terms of story, the transgressive tale of a prostitute and a policeman in Seafood is a far cry from South of the Cloud's gentle tale of a retiree who fulfills a lifelong desire to travel to the southern province of Yunnan (literally "South of the Clouds") 
South of the Clouds stars Li Xuejian as the protagonist, Xu Daqin, and features a cameo by director Tian Zhuangzhuang as the police chief in a small town in Yunnan  It was produced by China Film Assist, an independent production company in China; South of the Clouds was the company's first production 

Background
South of the Clouds was, at heart, an attempt by Zhu Wen to capture the image and beauty of Yunnan that he had experienced upon his first visit to the province  Beyond that, however, the film was an opportunity for Zhu to present his work to his home country  Following the completion of Seafood, Zhu "wanted to make something that [he] could show to [his] parents and   friends in China  Unlike Seafood, South of the Clouds did not encounter any issues with the state censors, in part because the film strictly followed all the relevant regulations 

Awards and nominations
South of the Clouds like many Chinese art films was screened at numerous film festivals around the world  It succeeded in winning a FIPRESCI prize and the Firebird Award for New Cinema at the 28th Hong Kong International Film Festival  The film also won a NETPAC award at the Berlin International Film Festival in 2004 

See also
Mosuo - a matriarchal ethnic enclave in Yunnan, featured prominently in the film 
Passage 9:
Yeşim Ustaoğlu
Yeşim Ustaoğlu (born 18 November 1960) is a Turkish filmmaker and screenwriter 

Life and career
Ustaoğlu was born in Kars, Sarıkamış and grew up in Trabzon on the Black Sea  After studying architecture at Karadeniz Technical University she moved to Istanbul, attended master's programme in Yıldız Technical University, she worked as an architect, then as a journalist and a film critic  Before she made her feature film debut The Trace (İz) in 1994, she had made several award-winning short films  The Trace was entered into the 19th Moscow International Film Festival Ustaoğlu received international recognition for her next film, Journey to the Sun (Güneşe Yolculuk), which told a story of a friendship between a Turk and a Kurd  Her fourth film Pandora's Box (Pandora'nın Kutusu) won The Best Film and The Best Actress award in San Sebastian Film Festival and is Ustaoğlu's biggest international success to date 

Filmography
Passage 10:
Tombstone Rashomon
Tombstone Rashomon is a 2017 Western film directed by Alex Cox and starring Adam Newberry and Eric Schumacher  It tells the story of the Gunfight at the O K  Corral in Tombstone, Arizona Territory, from multiple differing perspectives in the style of Akira Kurosawa's 1950 film Rashomon 

Plot synopsis
A film crew travels back in time to film the Gunfight at the O K  Corral  They arrive after the gunfight, however, and can only interview those involved  They interview Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Roderick Hafford, and Johnny Behan, each of whom has a different take on the events 

Cast
Production
As with his previous film Bill, the Galactic Hero (2014), Alex Cox used crowdfunding to finance the production of the film  This time he used an Indiegogo campaign In an interview with IndieWire, Cox stated, "I was thinking it would be a conventional western, but Rudy (Wurlitzer) wants to give it a science fiction angle — from the perspective of time-traveling women historians from the future  They’ll time-travel back in time to film at the OK Corral, but they get the day wrong and they miss it by a day, so they have to interview the survivors " Wurlitzer was involved in early stages, but not credited as a writer on the final film, the screenplay is solely credited to Cox In an interview with The Huffington Post, Cox stated that he had originally planned to film in Boulder, Colorado, but then decided to shoot in Tucson instead Filming took place at the Old Tucson Studios west of Tucson  In an interview with Tucson Weekly, Cox stated that the producers of Snowden matched the funds already accumulated, helping Cox to complete the film 

Release
The film screened as a work in progress at the Ashland Independent Film Festival at 6:40 p m  on Saturday, April 8, 2017, at the Cinedelphia Film Festival at 7:00 p m  on April 15, 2017, and at the Loft Film Fest on May 27, 2017 



ground_truth: Tombstone Rashomon