prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the place of birth of the director of film Bhagirathi (Film)?

The following are given passages.
Context 1: Passage 1:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television 

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University  Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run  He is the son of Fayetteville District Judge Rudy Moore In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003   He was nominated for a 2004 Tony Award for his direction  Moore also directed productions of the musical in Las Vegas and London and the show's national tour  Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008  He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008 Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City  The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011 For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters  As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton  A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998 In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow  He also served as an executive producer on the sequel  He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015  Moore's next project will be directing a live action Archie movie 

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)
Passage 2:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 3:
Bhagirathi (film)
Bhagirathi (Kannada: ಭಾಗೀರಥಿ) is a 2012 Indian Kannada drama film written and directed by Baraguru Ramachandrappa  The film stars Bhavana and Kishore in the lead roles with Srinath, Tara, Hema Choudhury and Padma Vasanthi in the supporting role  The film is based on a folktale from North Karnataka, "Kerege Haara", which glorifies the sacrifice of a young woman for the sake of her village and her heart-broken husband 

Plot
Bhagirathi (Bhavana) dreams of a tank for her village and inspired by her, Maadevaraya (Kishore), the son of Mallanagowda (Srinath), convinces his father to construct one for the community  When Maadevaraya and Bhagirathi fall in love, class differences come in the way  But when they decide to end their lives, Mallanagowda is moved to solemnise their marriage on the tank's site 
As fate would have it, the tank remains dry and the priest advises Mallanagowda to sacrifice of one of his daughters-in-law  The lot falls on Bhagirathi  On learning what has happened to his young wife, Maadevaraya ends his life in the tank 

Cast
Bhavana as Bhagirathi
Kishore as Mahadevaraya
Srinath as Mallanagowda
Tara
Hema Choudhury
Padma Vasanthi
Shivadhwaj
Ravishankar
Vatsala Mohan

Soundtrack
The soundtrack album of the film was released on 20 November 2011 by actor Puneeth Rajkumar in Bangalore 
 The album consists of six tracks, lyrics for which were written by Baraguru Ramachandrappa for music composed by V  Manohar, who also scored the film's background music 

Review
IBN Live reviewed the movie and said, "Bhagirathi' is a one time watch"  The Hindu review the movie and said "Bhagirathi - Bringing alive a Kannada folktale" The movie completed 100 days of show 

Awards
Karnataka State Film Award for Best Actress - Bhavana
Karnataka State Film Award for Best Lyricist - Baraguru Ramachandrappa
Karnataka State Film Award for Best Female Playback Singer - Archana Udupa
Udaya Film Awards for Best Supporting Actress - Tara
Passage 4:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 5:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 6:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 7:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 8:
S  N  Mathur
S N  Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980  He was also the Director General of Police in Punjab 
Passage 9:
Baraguru Ramachandrappa
Baraguru Ramachandrappa (born 18 October 1947) is an Indian essayist, lyricist, screenwriter, film director, socialist, writer, novelist, predominantly works in Kannada language and President of the Textbook Revision Committee, in Karnataka Text Books Society (KTBS) from May 2015  In 2008, he was given an honorary doctorate by the Kuvempu University and Rani Channamma University, Belagavi, Karnataka Ramachandrappa won the National Film Award for Best Lyrics in 2002 for "Baruthe Ve Nav Baruthe Ve" in the film Thaayi and was given the Pampa Award in 2011 by the Government of Karnataka for his contribution to Kannada literature  His directorial debut film, Ondu Oorina Kathe (1978), fetched him the State award for best story writer for the year 1978–79  Since then, he has been the recipient of several awards, both national and international  His novel Suntaragali won the Karnataka Sahitya Academy award 

Biography
Ramachandrappa was born to Kenchamma and Rangadasappa in Baraguru village in the Tumkur district, Karnataka state  After completing his studies, he worked as a professor in the Kannada department of Bangalore University  He was the president of the Kannada Sahitya Academy for two years  He has made notable contributions as the Chairman of Kannada Development Authority as well as a member of various educational institutions, Doordarshan, literary and film based organizations  His contribution to Kannada literature includes novels, collection of poetry, short stories, drama, edition of other works and research and criticism for which he was awarded by the Karnataka Sahitya Academy  Class based society and its challenges is a theme that is well expressed in his creative works 

Literary works
Research and criticism

Saahithya Matthu Raajakaarana
Samskruthi Mattu Srujanasheelathe
Bandaaya Sahithya Meemanse
Samskruthi - Upa samskruthi
Vartamaana
Rajakeeya chinthane
Samskruthi: Shrama mattu srujanasheelathe
Parampareyondige Pisumathu
Kannada Sahityavemba Swatantrya Horata
Shabdavillada Yuddha
Cinema Ondu Janapada Kale
Maryaadastha ManushyaraagonaNovels

Sootra
Ukkina Kote
Ondu Oorina Kathe
Benki
Surya
Sangappana Saahasagalu
Seelu Nela
Bharatha Nagari
Gaagina Mane
Swapna Mantapa
ShabariCollections of poems

Kanasina Kannik
Marakutika
Nettaralli Nenda Hoovu
Gulaama Geethe
Maguvina Haadu
Kaantesadalli Kavya (anthology)Short stories

Suntaragaali
Kappu Nelada Kempu Kaalu
Ondu Oorina Kathegalu (anthology)Drama

Kappu halage
Kote

Awards
Karnataka State Film Awards1978–79: Best Story Writer – Ondu Oorina Kathe
1978–79: Best Dialogue Writer – Ondu Oorina Kathe
1983-84: Second Best Film - Benki'
1983–84: Best Story Writer - Benki
1986–87: Second Best Film - Surya
1988–89: Jury Special Award (Lyrics) – Kote
1996–97: Best Film of Social Concern - Karadipura
1996–97: Best Dialogue Writer - Janumada Jodi
1999–00: Best Story Writer - Hagalu Vesha
1999–00: Best Lyricist - Hagalu Vesha
2002–03: Second Best Film - Kshaama
2003–04: Second Best Film - Shanthi
2005–06: Best Film of Social Concern - Thayi
2005–06: Best Lyricist - Thayi
2007–08: Best Children's Film - Ekalavya
2008–09: Best Story Writer - Ugragami
2009–10: Best Film of Social Concern - Shabari
2011: Best Lyricist - Bhagirathi
2012: Best Story Writer - Angulimala
2014: Puttanna Kanagal Award

Filmography
Ramachandrappa has been making films for more than thirty years  His debut film Ondu Oorina Kathe won him the Best Story Writer Award, Karnataka Government Film Awards in 1978  He has made several documentaries and most of his thirteen feature films have won either a Karnataka State Award or a National Film Award  His film Shanti, with only one artist entered the Guinness Book of World Records  In 2014 Karnataka State "Puttanna Kanagal Award" (Puttanna Kanagal was among the front runners in Kannada cinema's most successful film directors  In his memory and honor, this award is presented to the directors every year during the Karnataka State Awards function) 

As Director
Others
Passage 10:
Jesse E  Hobson
Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955  Prior to SRI, he was the director of the Armour Research Foundation 

Early life and education
Hobson was born in Marshall, Indiana  He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology  Hobson was also selected as a nationally outstanding engineer Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children 

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948 
Context 3: Passage 1:
Domitila de Castro, Marchioness of Santos
Domitila (or Domitília) de Castro do Canto e Melo (27 December 1797 — 3 November 1867), 1st Viscountess with designation as a Grandee, then 1st Marchioness of Santos, was a Brazilian noblewoman and the long-term mistress and favorite of Emperor Pedro I 

Life
Birth and family
Daughter of João de Castro do Canto e Melo, 1st Viscount of Castro and Escolástica Bonifácia de Oliveira e Toledo Ribas, Domitila belonged to a traditional São Paulo noble family: she was the granddaughter of Colonel Carlos José Ribas, great-grandfather of Simão de Toledo Piza, patriarch of this family in São Paulo  Born on 27 December 1797, she was baptized three months later, on 7 March 1798 in the Church of Nossa Senhora da Assunção (Sé) in São Paulo  According to her baptismal record, her godfather was Ensign José Duarte e Câmara 
The Brigadier João de Castro Canto e Melo was born in the Terceira Island in the Azores, and died in Rio de Janeiro in 1826  He was the son of João Batista do Canto e Melo and Isabel Ricketts, and descended from Pero Anes do Canto, from Terceira Island  He passed to Portugal, setting up a cadet square at the age of 15 on 1 January 1768, named Standard-Bearer on 17 October 1773  He was 21 when, in 1774, he went to Rio de Janeiro and months later to São Paulo  He was transferred to the Santos Infantry line Regiment, promoted to Ensign in 1775 and to Lieutenant in the same year, to Adjudant in 1778; he was Captain in 1798, Major in the same year, and in 1815 Lieutenant Colonel  Later, after his daughter's love with the emperor, he was made Gentleman of the Imperial Chamber and still received the noble title of Viscount of Castro on 12 October 1825 Domitila's full siblings were:
João de Castro do Canto e Melo (March 1786 – 11 September 1853), 2nd Viscount of Castro, Field Marshal and Gentleman of the Imperial Chamber; married with Inocência Laura Vieira de Azambuja, with whom he had issue 
José de Castro do Canto e Melo (baptized 17 October 1787 – died ca  1842), Brigadier of the Brazilian Army  Soldier at the age of five on 1 July 1792, Standard-Bearer in 1801, Ensign in 1807, Lieutenant in 1815, Commander of the Cavalry Squad of the Legion of São Paulo and in the Battle of Itupuraí, in the 1816 campaign  Captain in 1818, Sergeant Major of the 2nd Line Cavalry Regiment of Vila de Curitiba, then São Paulo Province, in 1824  Colonel of the Army Staff in 1827  He was licensed due to health reasons in 1829  Brigadier retired from the Army  Gentleman of the Imperial Chamber, dismissed in 1842  Knight of the Military Order of Saint Benedict of Aviz in 1824 and was promoted to Commander in the same order in 1827  Officer of the Order of the Southern Cross in 1827; married with his niece Francisca Pinto Coelho de Mendonça e Castro, with whom he had issue 
Maria de Castro do Canto e Melo (baptized February 1790; died in infancy) 
Pedro de Castro do Canto e Melo (baptized 26 May 1791; died in infancy) 
Maria Benedita de Castro do Canto e Melo (18 December 1792 – 5 March 1857), married to Boaventura Delfim Pereira, Baron of Sorocaba, with whom she had issue; her second son Rodrigo Delfim Pereira, although recognized by her husband, was in fact an illegitimate son of Emperor Pedro I, her sister's lover 
Ana Cândida de Castro do Canto e Melo (January 1795 – 27 May 1834), married to Carlos Maria de Oliva, Veador of the Imperial Chamber and Colonel of the Army, with whom she had issue 
Fortunata de Castro do Canto e Melo (baptized 12 January 1797; died in infancy) 
Francisco de Castro do Canto e Melo (5 April 1799 – 21 June 1869), Gentleman of the Imperial Chamber, Major retired of the Army; married firstly with Francisca Leite Penteado and secondly with Lina Pereira de Castro  He had issue from his second marriage 
Jeronimo de Castro do Canto e Melo (baptized 13 September 1803; died in infancy) In addition, Domitila had an older illegitimate half-sister, Maria Eufrásia de Castro, born from her father's earlier relationship (in fact, betrothal later terminated) with Teresa Braseiro 

First Marriage
On 13 January 1813, Domitila, at the age of fifteen, married an officer from the second squad of the Corps of Dragons in the city of Vila Rica (now Ouro Preto), Ensign Felício Pinto Coelho de Mendonça (26 February 1790 – 5 November 1833), cited by several historians as a violent man, who beat and raped her, and from whom she divorced on 21 May 1824 After the wedding in São Paulo, Felício and Domitila left for Vila Rica  Three children were born from the marriage:

Due to her husband's mistreatment, Domitila obtained permission from his family in São Paulo to return to her father's home with her children  He arrived back in São Paulo at the end of 1816  Felício managed to transfer his post in the army from Vila Rica to Santos and settled in São Paulo, trying to reconcile with his wife and in 1818 they returned to live together  However, given his drinking and gambling problems, it did not take long for Felício to return with his old behavior, and began the beatings and death threats to his wife  On the morning of 6 March 1819, Felício surprised Domitila next to the Santa Luiza fountain and stabbed her twice, one stab caught in the thigh and the other in the belly  Felício was arrested and taken to Santos, next to his barracks, from where he left for Rio de Janeiro  Domitila spent two months between life and death  When she recovered from her injuries, she had to fight legally against her father-in-law, who wanted to take the couple's children to educate them in the Captaincy of Minas Gerais  Domitila asked for Felício's legal separation but only obtained it five years later, when she was already the Emperor's mistress  Domitila's detractors would accuse her after being assaulted because she betrayed Felício, when in reality, through documentation and witnesses in the divorce process, he had tried to kill her to sell the land that both, with the death of his mother, had jointly inherited in Minas Gerais 

Imperial Mistress
Domitila met Dom Pedro de Alcântara, Prince-Regent of Brazil days before the Proclamation of the Independence on 29 August 1822  The Prince-Regent was returning from a visit to Santos when he received, on the banks of the Ipiranga Brook, in São Paulo, two missives (one from his wife, Princess Maria Leopoldina of Austria and another from José Bonifácio de Andrada e Silva) that informed him about the decisions of the Portuguese Courts, in which Dom Pedro stopped being Prince-Regent and received orders to return to the continent  Outraged by this "interference with his acts as ruler", and influenced by whose defended the break with the metropolis, especially by José Bonifácio de Andrada, he decided to separate the Kingdom of Portugal and the Algarves 

Domitila was not the only lover of Dom Pedro, but she was the most important and the one with whom he had the longest relationship  Before his marriage, the Prince-Regent had been involved with a French ballerina, named Noémi Thierry, with whom he had a son  During his relationship with Domitila he had other parallel ones, such as Adèle Bonpland (wife of French naturalist Aimé Bonpland) and the dressmaker Clemence Saisset (whose husband had a store on Rua do Ouvidor), with whom he had a son  In addition to these liaisons, Domitila's own sister, Maria Benedita de Castro do Canto e Melo, Baroness of Sorocaba, also had a son with Dom Pedro 
In 1823, the now Emperor Pedro I installed Domitila at the Barão de Ubá street (today the Estácio neighborhood) which was her first residence in Rio de Janeiro  One year later, and thanks to the support of her lover, Domitila was able to have her first marriage nullified  In 1826, she received as a gift the "Casa Amarela", as her mansion became known, at number 293 of the current Avenida D  Pedro II, near Quinta da Boa Vista, in São Cristóvão (where the Museum of the First Reign now operates)  The Emperor bought the house from Dr  Teodoro Ferreira de Aguiar and ordered a renovation in a neoclassical style to the architect Pierre Joseph Pézerat  The internal mural paintings are the work of Francisco Pedro do Amaral, while the internal and external bas-reliefs by Zéphyrin Ferrez Domitila was being elevated by her lover little by little  In 1824 she was created Baroness of Santos; on 4 April 1825 she was appointed Lady-in-waiting of Empress Maria Leopoldina, on 12 October of the same year was created Viscountess of Santos with designation as a Grandee and, on 12 October 1826 she was finally created Marchioness of Santos  Besides all this titles, on 4 April 1827 the Emperor invested his mistress with the Order of Saint Isabel, who was solely granted "to women of irreproachable conduct"  Although Domitila was not born in that city, the Emperor, in an attempt to attack de Andrada brothers, born in Santos, would have given the titles to his mistress  José Bonifácio de Andrada, upon learning of this fact in his exile in France, wrote to his friend Counselor Drummond: "Who would dream that the michela (prostitute) Domitila would be Viscountess of the homeland of the Andradas! What a brazen insult!"  Domitila's family also received several imperial benefits: Her father became Viscount of Castro, her brother Francisco became the Emperor's Field Assistant and the rest of her siblings received Hidalgo precedence  Domitila's brother-in-law, Boaventura Delfim Pereira (husband of Maria Benedita), was made Baron of Sorocaba 
From her relationship with Emperor Pedro I, Domitila had five children:

Empress Maria Leopoldina died in 1826 due to complications caused by a miscarriage, amidst rumours who blame Domitila of the illness and death of the beloved Empress  The Marchioness of Santos' popularity, which was no longer the best, worsened, with her house in São Cristóvão being stoned and her brother-in-law, a butler of the Empress, received two shots  Her right to preside over medical appointments of the Empress, as her lady-in-waiting, was denied, and ministers and officials of the palace suggested that she should not continue to attend court 

  
Emperor Pedro I ended his relationship with Domitila in 1829 due to his second marriage with Amélie of Leuchtenberg  Already since 1827 he had been looking for a noble blood bride but the sufferings caused to his late wife by him and the scandalous link with the Marchioness of Santos were seen with horror by European courts and several princesses refused to marry the Emperor 
The Austrian ambassador to Rio de Janeiro, Baron Wenzel Philipp von Mareschal, wrote to Vienna about the future marriage of the Emperor and the banishment of the mistress: "Emperor D  Pedro was eventually convinced that the presence of the Lady of Santos would always be inopportune and that a simple change of residence would not satisfy anyone; he insisted on the sale of her properties, the which I heard was already provided and on her departure to São Paulo in eight or ten days" 
The Emperor bought the properties of the Marchioness of Santos in Rio de Janeiro for 240 contos (240 insurance policy of the Public Debt from the Amortization Box, of 1 contos de réis), returning to Domitila "in banknotes of São Paulo" of the amount of 14 contos de réis, two contos for the Amortization Box with which she had presented it, an allowance of 1 conto de réis per month put at your order, "at par or in banknotes"  Regarding the residence bought from the former mistress, Mareschal says: "It will serve the young Queen and her court"  It was Dona Maria da Glória, future Queen Maria II of Portugal; that is why it would later be known as the Queen's Palace, as effectively Dona Maria da Glória settled there, albeit for a short period  Later was bought by the Viscount of Mauá and around 1900 the residence was acquired by the doctor Abel Parente, the protagonist of one of the biggest scandals in Rio de Janeiro, in 1910  It became the Museum of the First Reign in the late 1980s until 2011 when it was deactivated and the restoration and adaptation of the space began to receive the Fashion Museum - Casa da Marquesa de Santos 

Second Marriage
Since 1833 Domitila began to cohabitated with the Brigadier Rafael Tobias de Aguiar (4 October 1794 – 7 October1857), with whom she officially married in the city of Sorocaba on 14 June 1842  Rafael Tobias de Aguiar was not only a politician but a wealthy Sorocaban farmer: the base of his fortune was the trade in mules, but in time he ended up diversifying his business with sugar farms, cattle and horse breeding  The Tobian coat was created by him  Nicknamed the "Reizinho de São Paulo" (Little King of São Paulo) thanks to his fortune, he held the position of President of the Province of São Paulo for two terms and was elected Provincial Deputy for São Paulo  He ran twice for the position of Senator of the Empire, but his name was never chosen by Emperor Pedro II of Brazil  In 1842, as one of the main leaders of the Liberal Revolution, after his marriage to the Marchioness of Santos and the eminent invasion of Sorocaba by the troops of Luís Alves de Lima e Silva, fled to the south where he was captured  Taken to Rio de Janeiro, he was incarcerated in the Fortress of Laje, located on a rock in the middle of Guanabara Bay  Domitila, on hearing of his arrest, arrived to the Imperial court where, by means of a representant, she pleaded to the Emperor that she could live with her husband in the Fortress of Laje to take care of his health, which was granted 
In 1844, Rafael Tobias de Aguiar was given an amnesty and the couple returned to São Paulo, where they were received with a great party  Rafael Tobias de Aguiar died on board the Vapor Piratininga on 7 October 1857 when on his way to Rio de Janeiro in search of medical help  He was accompanied by his wife and one of the couple's children  Domitila's relationship with Rafael Tobias de Aguiar was the longest one of hers, lasting 24 years, during which the couple had six children, of which 4 managed to reach adulthood:

The Solar da Marquesa de Santos
On her return to São Paulo after the end of her relationship with Emperor Pedro I of Brazil, Domitila acquired in 1834 a vast mansion on the old Rua do Carmo, currently Rua Roberto Simonsen in the city center  The first owner of the property was Brigadier José Pinto de Morais Leme according to documentation from 1802  Previously, on the site, there were two houses that were renovated and gave rise to a single building  Domitila was the owner of these house from 1834 until her death in 1867 
The property became the center of São Paulo society, animated by masquerade balls and literary evening parties given by the Marchioness of Santos  In 1880, the house was put up for auction and was acquired by the local Diocese, who transformed the Manor into the Episcopal Palace  The House today belongs to the City Hall of São Paulo, which has the Museum of the City installed there  Its historical importance is great not only because his link to Domitila but because the property is the only urban remnant built using the technique known as rammed earth still existing in the historic center of the city



ground_truth: Tumkur

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose producer was born first, All-American Co-Ed or Lagu Kenangan?

The following are given passages.
Context 2: Passage 1:
Hal Roach
Harold Eugene "Hal" Roach Sr  (January 14, 1892 – November 2, 1992) was an American film and television producer, director, screenwriter, and centenarian, who was the founder of the namesake Hal Roach Studios 
Roach was active in the industry from the 1910s to the 1990s known for producing a number of successes including the Laurel and Hardy franchise, the films of entertainer Charley Chase, and the Our Gang short film comedy series 

Early life and career
Roach was born in Elmira, New York, to Charles Henry Roach, whose father was born in Wicklow, County Wicklow, Ireland, and Mabel Gertrude Bally, her father John Bally being from Switzerland  A presentation by the American humorist Mark Twain impressed Roach as a young grade school student After an adventurous youth that took him to Alaska, Roach arrived in Hollywood, California, in 1912 and began working as an extra in silent films  Upon coming into an inheritance, he began producing short film comedies in 1915 with his friend Harold Lloyd, who portrayed a character known as Lonesome Luke In September 1916, Roach married actress Marguerite Nichols, who worked as an actress in the 1930s and 1940s, and died in March 1941  They had two children, Hal Roach Jr  (June 15, 1918 – March 29, 1972), who followed his father as a producer and director, and Margaret Roach (March 15, 1921 – November 22, 1964), Roach married a second time, on September 1, 1942, to Lucille Prin (January 20, 1913 – April 4, 1981), a Los Angeles secretary  They were married at the on-base home of Colonel Franklin C  Wolfe and his wife at Wright-Patterson Airfield in Dayton, Ohio, where Roach was stationed at the time while serving as a major in the United States Army Air Corps  Roach and Lucille had four children, Elizabeth Carson Roach (December 26, 1945 – September 5, 1946), Maria May Roach (born April 14, 1947), Jeanne Alice Roach (born October 7, 1949), and Kathleen Bridget Roach (born January 29, 1951) 

Success
Unable to expand his studios in Downtown Los Angeles because of zoning, Roach purchased what became the Hal Roach Studios from Harry Culver in Culver City, California  During the 1920s and 1930s, he employed Lloyd (his top money-maker until his departure in 1923), Will Rogers, Max Davidson, the Our Gang children, Charley Chase, Harry Langdon, Thelma Todd, ZaSu Pitts, Patsy Kelly and, most famously, Laurel and Hardy  During the 1920s, Roach's biggest rival was producer Mack Sennett  In 1925, Roach hired away Sennett's supervising director, F  Richard Jones Roach released his films through Pathé Exchange until 1927, when he struck a distribution deal with Metro-Goldwyn-Mayer  He converted his silent-movie studio to sound in late 1928 and began releasing talking shorts in early 1929  In the days before dubbing, foreign language versions of the Roach comedies were created by reshooting each film in the Spanish, French, and occasionally Italian and German languages  Laurel & Hardy, Charley Chase, and the Our Gang kids (some of whom had barely begun school) were required to recite the foreign dialogue phonetically, often working from blackboards hidden off-camera In 1931, with the release of the Laurel & Hardy film Pardon Us, Roach began producing occasional full-length features alongside the short subjects  Two-reel comedies were less profitable than features, and Roach phased most of them out by 1936  When the Our Gang feature film General Spanky did not do as well as expected, Roach intended to disband Our Gang entirely  MGM still wanted the Our Gang short subjects, so Roach agreed to supply them in single-reel (10-minute) form 
In 1937, Roach conceived a joint business venture partnering with Vittorio Mussolini, son of fascist Italian dictator Benito Mussolini, to form a production company called "R A M " (Roach and Mussolini)  Roach claimed the scheme involved Italian bankers providing US$6 million that would enable Roach's studio to produce a series of 12 films  Eight would be for Italian screening only while the remaining four would receive world distribution  The first film for Italy was to be a feature film of the opera Rigoletto This proposed business alliance with Mussolini alarmed MGM, which intervened and forced Roach to buy his way out of the venture  This embarrassment, coupled with the underperformance of much of Roach's latest feature-film output (except Laurel & Hardy titles and the 1937 hit Topper), led to the end of Roach's distribution contract with MGM  In May 1938, Roach sold MGM the production rights and actors contracts to the Our Gang shorts  Roach signed a distribution deal with United Artists at this time From 1937 to 1940, Roach concentrated on producing glossy features, abandoning low comedy almost completely  Most of his new films were either sophisticated farces (like Topper and The Housekeeper's Daughter, 1939) or rugged action fare (like Captain Fury, 1939, and One Million B C , 1940)  Roach's one venture into heavy drama was the acclaimed Of Mice and Men (1939), in which actors Burgess Meredith and Lon Chaney Jr  played the leading roles  The Laurel and Hardy comedies, once the Roach studio's biggest drawing cards, were now the studio's least important product and were phased out altogether in 1940 
In 1940, Roach experimented with medium-length featurettes, running 40 to 50 minutes each  He contended that these "streamliners", as he called them, would be useful in double-feature situations where the main attraction was a longer-length epic  Exhibitors agreed with him and used Roach's mini-features to balance top-heavy double bills  He had intended to introduce the new format with a series of four Laurel and Hardy featurettes, but was overruled by United Artists, which insisted on two Laurel & Hardy feature films instead  United Artists continued to release Roach's streamliners through 1943  By this time, Roach no longer had a resident company of comedy stars and cast his films with familiar featured players (William Tracy and Joe Sawyer, Johnny Downs, Jean Porter, Frank Faylen, William Bendix, George E  Stone, Bobby Watson, etc ) 
Recognizing the value of his film library, in 1943 Roach began licensing revivals of his older productions for theatrical distribution through Film Classics, Inc  and home-movie distribution 

World War II and television
Hal Roach Sr , commissioned in the U S  Army Signal Reserve Corps in 1927, was called back to active military duty in the Signal Corps in June 1942, at age 50  The studio output he oversaw in uniform was converted from entertainment featurettes to military training films  The studios were leased to the U S  Army Air Forces, and the First Motion Picture Unit made 400 training, morale and propaganda films at "Fort Roach " Members of the unit included Ronald Reagan and Alan Ladd  After the war the government returned the studio to Roach, with millions of dollars of improvements In 1946, Hal Roach resumed motion picture production, with former Harold Lloyd co-star Bebe Daniels as an associate producer  Roach was the first Hollywood producer to adopt an all-color production schedule, making four streamliners in Cinecolor, although the increased production costs did not result in increased revenue  In 1948, with his studio deeply in debt, Roach re-established his studio for television production, with Hal Roach Jr , producing series such as The Stu Erwin Show, Steve Donovan, Western Marshal, Racket Squad, The Public Defender, The Gale Storm Show, Rocky Jones, Space Ranger and My Little Margie, and independent producers leasing the facilities for such programs as Amos 'n' Andy, The Life of Riley and The Abbott and Costello Show  By 1951, the studio was producing 1,500 hours of television programs a year, nearly three times Hollywood's annual output of feature movies Roach's old theatrical films were also early arrivals on television  His Laurel and Hardy comedies were successful in television syndication, as were the Our Gang comedies he produced from 1929 to 1938 

Later years
In 1955, Roach sold his interests in the production company to his son, Hal Roach Jr , and retired from active production  The younger Roach lacked much of his father's business acumen and was forced to sell the studio in 1958 to The Scranton Corporation, a division of the automobile-parts conglomerate F  L  Jacobs Co  The Roach studio finally shut down in 1961 For two more decades, Roach Sr  occasionally worked as a consultant on projects related to his past work  In 1983 the "Hal Roach Studios" name was reactivated as a video concern, pioneering the new field of colorizing movies  Roach lent his film library to the cause but was otherwise not involved in the new video productions  Extremely vigorous into an advanced age, Roach contemplated a comedy comeback at 96 In 1984, 92-year-old Roach was presented with an honorary Academy Award  Former Our Gang members Jackie Cooper and George "Spanky" McFarland made the presentation to a flattered Roach, with McFarland thanking the producer for hiring him 53 years prior  An additional Our Gang member, Ernie Morrison, was in the crowd and started the standing ovation for Roach  Years earlier Cooper had been the youngest Academy Award nominee ever for his performance in Skippy when he had been under contract with Roach  Although Paramount had paid Roach $25,000 for Cooper's services in that film, Roach paid Cooper only his standard salary of $50 per week On January 21, 1992, Roach was a guest on The Tonight Show with Johnny Carson, one week after his 100th birthday, where he recounted experiences with such stars as Stan Laurel and Jean Harlow; he even did a brief, energetic demonstration of the "humble hula" dance   In February 1992, Roach traveled to Berlin to receive the honorary award of the Berlinale Kamera for Lifetime Achievement at the 42nd Berlin International Film Festival On March 30, 1992, Roach appeared at the 64th Academy Awards ceremony, hosted by Billy Crystal  When Roach rose from the audience to a standing ovation, he decided to give a speech without a microphone, causing Crystal to quip "I think that's appropriate because Mr  Roach started in silent films "

Death and legacy
Hal Roach died in his home in Bel Air, Los Angeles, from pneumonia, on November 2, 1992, at the age of 100  He had married twice, and had six children, eight grandchildren, and a number of great-grandchildren  Roach outlived three of his children by more than 20 years: Hal Jr  (died in 1972), Margaret (died in 1964), and Elizabeth (died in 1946)  He also outlived many of the children who starred in his films  Roach is buried in Woodlawn Cemetery in Elmira, New York, where he grew up In the 2018 Laurel and Hardy biopic Stan & Ollie, Roach was portrayed by Danny Huston 
Passage 2:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 3:
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957 

Surrey cricketer
McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29  In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6 3 overs for seven runs  This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later  In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth  In the 1948 season as a whole, he took 91 wickets at an average of 28 07  As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4 22 The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career  Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets  In 1951, he played just seven times and in 1952 only three times  In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12 38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21 53  At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries 

Somerset cricketer
Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service  McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly 
McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said  McMahon took 85 wickets at an average of 27 47 (Hilton took only 42 at a higher average)  His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career  He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table 
The figures for the 1955 were similar: McMahon this time took 75 wickets at 28 77 apiece  There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9 03  This included his highest-ever score, 24, made in the match against Sussex at Frome  A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin"  These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support  McMahon responded with his most successful season so far, taking 103 wickets at an average of 25 57, the only season in his career in which he exceeded 100 wickets  The bowling average improved still further in 1957 to 23 10 when McMahon took 86 wickets  But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival  Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial" 

Sacked by Somerset
The reason behind McMahon's sacking did not become public knowledge for many years  In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality"  It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again"  As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw  But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season  Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved 
After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines 


== Notes and references ==
Passage 4:
Wesley Barresi
Wesley Barresi (born 3 May 1984) is a South African born first-class and Netherlands international cricketer  He is a right-handed wicket keeper-batsman and also bowls right-arm offbreak  In February 2021, Barresi announced his retirement from all forms of cricket, but returned to the national team in August 2022 

Career
Wesley became the 100th victim to Indian cricketer Yuvraj Singh, when he was dismissed in the 2011 World Cup game against India In July 2018, he was named in the Netherlands' One Day International (ODI) squad, for their series against Nepal  Ahead of the ODI matches, the International Cricket Council (ICC) named him as the key player for the Netherlands In July 2019, he was selected to play for the Amsterdam Knights in the inaugural edition of the Euro T20 Slam cricket tournament  However, the following month, the tournament was cancelled 
Passage 5:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 6:
Lagu Kenangan
Lagu Kenangan ('Song of Memories') is a 1953 Indonesian film directed by L  Inata and produced by Djamaluddin Malik for the Persari Film Corporation  Starring Titien Sumarni and A  N  Alcaff, it follows the domestic troubles of a composer and his wife 

Plot
The composer Supardi lives with his wife, Surjati, and their two children Janti and Janto  The couple often fight, owing to Supardi's late hours, as he does his best work at night when the children are sleeping  Things escalate to the point that Surjati takes Janti and leaves  This separation nearly ends in divorce, but eventually with the support of their parents, Surjati and Supardi are able to reconcile 

Production
Lagu Kenangan was produced for Persari Film Corporation by Djamaluddin Malik  The film was one in a long line of commercially oriented ventures which had been produced by the company starting with Sedap Malam in 1950  This black-and-white film was written and directed by L  Inata, who joined Persari shortly after completing Pahit-Pahit Manis for their competitor Banteng Film The film starred Titien Sumarni and AN Alcaff  They were supported by Mien Sondakh, M  Budhrasa, Sjamsu, Ramlan, and Djauhari Effendi 

Release
Lagu Kenangan passed the censorship bureau in 1953, and was rated for viewers aged 13 and up  Screenings are reported as early as 14 August, at the Rivoli Theatre in Jakarta  The film had reached Malang, East Java, by 7 November 1953  For its run there at the Atrium Theater, it was advertised as a "charming, sad, funny and replete with melodious songs" ("menawan hati, sedih, lutju, dan diringi dengan njanjian2 jang merdu")  Lagu Kenangan was screened as late as August 1955 
Passage 7:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 8:
All-American Co-ed
All-American Co-ed is a 1941 American musical film produced and directed by Leroy Prinz as a Hal Roach Streamliner for release by United Artists  It stars Frances Langford, Johnny Downs, Marjorie Woodworth, Noah Beery Jr , Esther Dale, Harry Langdon, and The Tanner Sisters 

Plot
Quinceton College Zeta fraternity stages a revue with members in drag  The resulting publicity catches the attention of newspaperman Hap Holden (Harry Langdon) and Virginia Collinge (Frances Langford)  They convince Virginia's aunt Matilda Collinge (Esther Dale), president of failing Mar Brynn (a woman's horticultural  college), to refute the school's staid image by sponsoring a contest awarding a dozen free scholarships aimed at "unusual girls", winners of pageants for fruits, vegetables and flowers, as women most likely to succeed and to be showcased in a musical presentation during the Fall Festival 
To publicize the contest, President Collinge pokes fun at Zeta members as being least likely to succeed and bans them from their campus  For revenge the Zeta chapter president Bob Sheppard (Johnny Downs) is coerced to infiltrate Mar Brynn by entering the contest as "Bobbie DeWolfe, Queen of the Flowers"  After falling in love with Virginia, Bob comes clean and assists in staging the show, but includes in the finale a Busby Berkeley-style spelling out of "Zeta" as revenge for the ban 

Cast
Frances Langford as Virginia
Johnny Downs as Bob Sheppard
Marjorie Woodworth as Bunny
Noah Beery Jr  as Slinky
Esther Dale as Matilda
Harry Langdon as Hap Holden
Alan Hale Jr  as Tiny
Kent Rogers as Henry
Allan Lane as 2nd Senior
Joe Brown Jr  as 3rd Senior
Irving Mitchell as Doctor
Lillian Randolph as Washwoman (Deborah)
Carlyle Blackwell Jr  as 4th Senior
Mickey Tanner • Betty Tanner • Martha Tanner as Vocal Trio

Uncredited
Frank O'Connor, as Policeman
Jesse Graves, as Redcap
Dudley Dickerson, as Dancing Train Porter
Elyse Knox, as Co-ed
Marie Windsor, as Carrot Queen

Soundtrack
Johnny Downs with chorus - "I'm a Chap with a Chip on My Shoulder" (by Walter G  Samuels and Charles Newman)
Frances Langford - "I'm a Chap with a Chip on My Shoulder"
Marjorie Woodworth, Tanner Sisters with Harry Langdon and chorus - "Up at the Crack of Dawn" (by Walter G  Samuels and Charles Newman)
Frances Langford with chorus - "Out of the Silence" (by Lloyd B  Norlin)
Frances Langford, Tanner Sisters and Johnny Downs - "The Farmer's Daughter" (by Walter G  Samuels and Charles Newman)"Out of the Silence", music and lyrics by Lloyd B  Norlin, was nominated for the Academy Award for Best Original Song of 1941  It lost to Jerome Kern and Oscar Hammerstein's "The Last Time I Saw Paris", from Lady Be Good (1941) 

External links
All-American Co-Ed at IMDb
All-American Coed at AllMovie
All-American Co-Ed is available for free viewing and download at the Internet Archive
Passage 9:
Djamaluddin Malik
Djamaluddin Malik (13 February 1917 – 8 June 1970) was a prominent Indonesian film producer, politician, entrepreneur  He founded the Jakarta Indonesian company Persari Film 

Personal life
Malik was born in Padang, West Sumatra  His father was a Pagaruyung descendant, in the Minangkabau hinterland   He died in Munich, Germany in 1970   During his lifetime in Senen his friends called him "the king of artists" 

Career
Malik started his career in the Dutch shipping business, then worked in a Dutch trading company, where he gained experience in business and finance, so that he could eventually found his own company In 1942 he entered the world of art and culture  He started a theatrical group, Panca Warna  To help Indonesian independence, he showed around Indonesia to inspire spirit and patriotism  In 1951 Djamaluddin established and became President of PT Persari (Perseroan Artis Indonesia)  In this effort, he was inspired by United Artists in Hollywood, United States  Persari has a complete film studio in Jatinegara   During the same time Malik was President of the electrical installation company Prapatak and of the weaving company PT Cimalaka in Sumedang, West Java 
Djamaluddin Malik was the Nahdlatul Ulama politician and the member of People's Representative Council  He was also as the chairman of National Film Council 

Family
Malik married Elly Yunara  They had four children: Zainal Malik, Camelia Malik, Yudha Asmara Malik, and Lailasari Malik  Camelia follows his career, as an actress and pop-dangdut singer  His wife, continued the family interests by founding PT  Remaja Ellynda Film  It successfully produced Malin Kundang and Jembatan Merah 

Awards
The government appointed Djamaluddin and Usmar Ismail as Cinema of Indonesian figures 

Filmography
Rodrigo de Villa (1952)
Leilani (1953)
Lagu Kenangan (1953)
Tabu (1953)
Supir Istimewa (1954)
Tarmina (1955)
Ratu Asia
Tauhid (1964)

Notes
External links
(in Indonesian) https://web archive org/web/20090610211435/http://perfilman pnri go id/djamaluddin/
Passage 10:
Greg A  Hill (artist)
Greg A  Hill is a Canadian-born First Nations artist and curator  He is 
Kanyen'kehà:ka Mohawk, from Six Nations of the Grand River Territory, Ontario 

Early life
Hill was born and raised in Fort Erie, Ontario 

Art career
His work as a multidisciplinary artist focuses primarily on installation, performance and digital imaging and explores issues of his Mohawk and French-Canadian identity through the prism of colonialism, nationalism and concepts of place and community Hill has been exhibiting his work since 1989, with solo exhibitions and performance works across Canada as well as group exhibitions in North America and abroad  His work can be found in the collections of the Canada Council, the Indian Art Centre, Indian and Northern Affairs Canada, the Canadian Native Arts Foundation (now Indspire), the Woodland Cultural Center, the City of Ottawa, the Ottawa Art Gallery and the International Museum of Electrography 

Curatorial career
Hill serves as the Audain Senior Curator of Indigenous Art at the National Gallery of Canada 

Awards and honours
In 2018, Hill received the Indspire Award for Arts 
Context 3: 

Later years and death
After being widowed, the Marchioness of Santos became devout and charitable, seeking to help the helpless, protecting the miserable and hungry, caring for the sick and students of the Faculdade de Direito do Largo de São Francisco, in the center of the city of São Paulo 
Domitila de Castro do Canto e Melo, Marchioness of Santos died of enterocolitis in her residence in the Rua do Carmo, now Roberto Simonsen, near the Pátio do Colégio, on 3 November 1867 aged 69  She was buried in the Cemitério da Consolação, whose original chapel was built with a donation made by Domitila by the amount of 2 contos de réis Despite information circulating that the cemetery's land was donated by the Marchioness of Santos, this version is incorrect  In fact, the cemetery was built, partly on land in the public domain and partly on land acquired from Marciano Pires de Oliveira for 200, 000 réis, which donated another part  After the inauguration, the area was enlarged with land expropriated by councilor Ramalho and Joaquim Floriano Wanderley 
Her grave in the Cemitério da Consolação, as well the two other plots she bought adjoining her gravesite —where her younger brother Francisco de Castro do Canto e Melo, her son Felício Pinto Coelho de Mendonça e Castro, and, after a recent discovery, her daughter the Countess of Iguaçu, were also buried—, were all recovered in the 1980s by the Italian accordionist Mario Zan, one of Domitila's most famous and fervent admirers; he took care of the deposit for the maintenance of the gravesites for years and when he died in 2006 he was buried in a tomb in front of the Marchioness  Even after his death, Mario Zan continues, in a way, to pay for the maintenance of Domitila's gravesite, because according to his will, the copyrights of his music were destined to this purpose 
Domitila's grave always receives fresh flowers from people who continue to consider her a popular saint  Among the legends is that she protects the prostitutes of the city and, due to having achieved a good marriage and restructuring worthily after her scandalous relationship with Emperor Pedro I of Brazil, she became an inspiration for girls who wanted to marry well  In her grave headstone there are plaques from devotees thanking her for some grace 

Ancestry
Representations in culture
Movies
In the silent film O Grito do Ipiranga (1917), Domitila was portrayed by Luíza Lambertini 
In the Argentine film Embrujo (1941), with direction and argumentation by Enrique Susini 
In the film Independência ou Morte (1972), Domitila was portrayed by Glória Menezes 

Theater
In Viriato Correia's play A Marquesa de Santos (1938), the Marchioness of Santos was portrayed by Dulcina de Moraes 
At the revue No Paço da Marquesa (1950), with the Vedette Virgínia Lane in the role of Domitila 
In the play O Imperador Galante (1954), written by Raimundo Magalhães Júnior, with Domitila being again portrayed by Dulcina de Moraes 
In the play Um grito de liberdade (1972), by Sérgio Viotti, with actress Nize Silva in the role of Domitila 
In the play Pedro e Domitila (1984), written by Ênio Gonçalves, Domitila was portrayed by Taya Perez 
In the monologue Marquesa de Santos: verso & reverso (2019), written by Paulo Rezzutti, Domitila was portrayed by Beth Araújo 

Radio
Dramatization of A Marquesa de Santos, by writer Paulo Setúbal by Rádio Nacional Rio de Janeiro, in 1946 
D  Pedro e a Marquesa de Santos, written by broadcaster Cassiano Gabus Mendes, was aired by Rádio Record, São Paulo, on 7 September 1950 

Television
In the televised play A Marquesa de Santos, aired on 12 February 12, 1962 on the program Teatro Nove, on TV Excelsior, Channel 9, São Paulo, the role of the Marchioness was portrayed by Cleyde Yáconis 
In the soap opera Helena (1987), the Marchioness was portrayed by Norma Suely 
In the mini-series Marquesa de Santos (1984) on Rede Manchete, the Marchioness was portrayed by Maitê Proença 
In the miniseries Entre o Amor e a Espada (2001), by TVE Brasil, the Marchioness was portrayed by Rejane Santos 
In the Rede Globo miniseries O Quinto dos Infernos (2002), the role of the Marchioness was portrayed by Luana Piovani 
In Rede Globo's soap opera Novo Mundo (2017), the role of the Marchioness was portrayed by Agatha Moreira 

Opera
Marquesa de Santos (1948), composed by João Batista de Siqueira  Opera piece in three acts with libretto by Joaquim Ribeiro 
Chalaça (1973), by conductor Francisco Mignone 
Domitila (2000), with music and libretto by Rio de Janeiro composer João Guilherme Ripper, inspired by the love letters exchanged between Dom Pedro I and Domitila  The soprano Maíra Lauter portrayed Domitila 

Rock
The album "Caso Real" (2015) by the rock band Lítera that was inspired by the love affair between the Emperor Pedro I of Brazil and the Marquesa de Santos, through the book "Titília e o Demonão – Cartas Inéditas de Dom Pedro I à Marquesa de Santos", by the writer Paulo Rezzutti 

Sambas plots
Os amores célebres do Brasil (1966), from Acadêmicos do Salgueiro 
A Favorita do Imperador (1964), from Imperatriz Leopoldinense 
A flecha do cupido me pegou (1981), from Caprichosos de Pilares 
Mulheres que Brilham – a força feminina no progresso social e cultural do país (2012), from Vai-Vai 
Paixões proibidas e outros amores (2014), from Nenê de Vila Matilde 

Notes
Passage 2:
Maria Isabel de Alcântara, Countess of Iguaçu
Maria Isabel de Alcântara Bourbon (28 February 1830 – 5 September 1896) was the third daughter (fifth child) of emperor Pedro I of Brazil and his mistress, Domitila de Castro, Marchioness of Santos 
Maria Isabel received the same name as her second sister, the Duchess of Ceará, who died in 1828 at only two months old  She was never given any titles by her father due to his marriage to Amélie of Leuchtenberg  Still, Pedro I acknowledged her as his daughter in his will but gave her no share of his state, except asking for his widow to aid in her education and upbringing  He had wished that she be given a good European education like her oldest sister, the Duchess of Goiás  However, the Marchioness declined to send the girl to Europe On 2 September 1848, at the age of eighteen, Maria Isabel married Pedro Caldeira Brant, the Count of Iguaçu, son of Felisberto Caldeira Brant, Marquis of Barbacena  At their wedding, Maria Isabel became the second Countess of Iguaçu  The couple had seven children: 

Isabel dos Santos
Luís de Alcantâra Caldeira Brant, married Maria Luísa Pereira de Brito
Pedro de Alcântara Caldeira Brant
Deulinda dos Santos, married Claudiano dos Santos
Maria Teresa Caldeira Brant, married Charles Collins
Isabel Maria dos Santos, married Antônio Dias Paes Leme
José Severiano de AlcântaraShe died on 5 September 1896, at sixty-six years of age, in São Paulo 
Passage 3:
Maria Isabel Barreno
Maria Isabel Barreno de Faria Martins GOIH (10 July 1939 – 3 September 2016) was a Portuguese writer, essayist, journalist and sculptor  She was one of the authors of the book Novas Cartas Portugesas (New Portuguese Letters), together with Maria Teresa Horta and Maria Velho da Costa  The authors, known as the "Three Marias," were arrested, jailed and prosecuted under Portuguese censorship laws in 1972, during the last years of the Estado Novo dictatorship  The book and their trial inspired protests in Portugal and attracted international attention from European and American women's liberation groups in the years leading up to the Carnation Revolution 

Biography
Born in Lisbon in the freguesia of Socorro, her parents moved to Areeiro, where she spent her childhood and adolescence  She studied College of Letters at the Universidade de Lisboa, where she graduated in Historico-Philosophical Sciences 
After graduation, she took a job working for the Instituto de Investigação Industrial  She dedicated herself to the cause of feminism, taking part in the Portuguese feminist movement together with the writers Maria Teresa Horta and Maria Velho da Costa, the "Three Marias" (Três Marias) 
On 8 March  2004, she was made a Grand Official in the Ordem do Infante D  Henrique Barreno died on 3 September 2016 at the age of 77 
The sketch shown here is not a portrait of Barreno but of Maria Fatima Velho da Costa  A 1975 photo of the Three Marias published in The Economist shows Isabel Barreno on the right  
A late-life photo of her appears with her obituary on a Portuguese government site, cig gov pt 

Works
Adaptação do Trabalhador de Origem Rural ao Meio Industrial Urbano (1966)
A Condição da Mulher Portuguesa (1968) (collaboration)
De Noite as Árvores São Negras (1968)
Os Outros Legítimos Superiores (1970)
Novas Cartas Portuguesas (1971) (co-authored with Maria Teresa Horta and Maria Velho da Costa)
A Morte da Mãe (1972)
A Imagem da Mulher na Imprensa (1976)
Inventário de Ana (1982)
Contos Analógicos (1983)
Sinos do Universo (1984)
Contos (1985)
Célia e Celina (1985)
O Outro Desbotado (1986)
O Falso Neutro (1989)
O Direito ao Presente (1990)
Crónica do Tempo (1991) – winner of the Fernando Namora Prize
O enviado (1991)
O Chão Salgado (1992)
Os Sensos Incomuns (1993) – winner of the Prémio P E N  Clube Português de Ficção, and the Grande Prémio de Conto Camilo Castelo Branco
O Senhor das Ilhas (1994)
As Vésperas Esquecidas (1999)
Passage 4:
Maria Isabel of Braganza
Maria Isabel of Braganza (Maria Isabel Francisca de Assis Antónia Carlota Joana Josefa Xavier de Paula Micaela Rafaela Isabel Gonzaga; 19 May 1797 – 26 December 1818) was a Portuguese infanta who became Queen of Spain as the second wife of King Ferdinand VII 

Early years
Maria Isabel, born Maria Isabel Francisca de Assis Antónia Carlota Joana Josefa Xavier de Paula Micaela Rafaela Isabel Gonzaga, was born to John VI of Portugal and Carlota Joaquina of Spain on 19 May 1797  She was born as their third child and second daughter  The marriage between her father and mother was unhappy, Carlota Joaquina attempting to have King John VI deemed insane In 1807 Napoleon invaded Portugal, and the royal family unwillingly fled to Brazil  Maria Isabel’s mother Carlota sent her eldest surviving son, Pedro, to join his father and grandmother onboard the ship Principe Real whilst Carlota and the rest of her children would board the Affonso d’Albuquerque Upon their arrival, Carlota and her children were forced to shave their heads and wear white muslin hats 

Upbringing
Maria Isabel and her siblings were carefully educated by her mother liberally  Maria Isabel was noted to be kind, balanced and shy, and was much like her father within her personality 

Marriage
On 20 March 1816, Queen Maria I of Portugal perished  Due to this, Maria Isabel’s father John became the King of Portugal and Brazil  On 22 February 1816 marriage contracts between Ferdinand VII of Spain and Maria Isabel were officially signed; they would soon marry 29 September 1816  Ferdinand was 32 years old and Maria Isabel was 19 
Towards the end 1816 Maria Isabel and Ferdinand were married, and then settled in Madrid  There, Maria Isabel was then quickly pregnant  Maria Isabel gave birth to a daughter, who they named María Luisa Isabel, on 21 August 1817  María Luisa Isabel died four-five months later 

Death
Maria Isabel was pregnant soon after the birth of María Luisa Isabel, but the birth was indeed a difficult one: the baby was in breech and the physicians soon found that the child had died  Maria Isabel stopped breathing soon thereafter and the doctors thought she was dead  
Maria Isabel’s sister protested against the doctors' thoughts on presuming her dead  The king, however, ordered a fatal caesarean  When they started cutting her stomach to extract the dead fetus, she suddenly shouted in pain and collapsed on her bed, bleeding heavily  She died soon afterwards on 26 December 1818 in the Palace of Aranjuez, and was buried at the Escorial — the royal site of San Lorenzo de El Escorial 

Legacy
Queen Maria Isabel's dedication and affection for art led her to gather many treasures from the past and create a royal museum, which would end up being the beginnings of Museo del Prado  It opened on 19 November 1819, a year after the queen's death 

Issue
Ancestors
Honours and arms
Dame of the Order of Queen Maria Luisa
Dame of the Order of Saint Isabel

See also
Napoleonic Wars
Passage 5:
Etan Boritzer
Etan Boritzer (born 1950) is an American writer of children’s literature who is best known for his book What is God? first published in 1989



ground_truth: All-American Co-Ed

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the date of death of Maria Isabel De Alcântara, Countess Of Iguaçu's mother?

The following are given passages.
Context 3:  His best selling What is? illustrated children's book series on character education and difficult subjects for children is a popular teaching guide for parents, teachers and child-life professionals Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views  The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages 
Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F  Kennedy  His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education 
Boritzer now lives in Venice, California and maintains his publishing office there also  He has helped numerous other authors to get published through How to Get Your Book Published! programs  Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally  He is also recognized nationally as an erudite speaker on The Teachings of the Buddha 
Passage 6:
Anne Yelverton
Anne Yelverton (1628–1698) was Countess of Manchester and Countess of Halifax 

Biography
Anne Yelverton was born in 1628  She was the daughter of Sir Christopher Yelverton, 1st Baronet, and Anne Twysden  She married Robert Montagu, 3rd Earl of Manchester, son of Edward Montagu, 2nd Earl of Manchester, and Lady Anne Rich, on 27 June 1655  They had five sons and four daughters:
Hon  Edward Montagu
Hon  Henry Montagu
Lady Anne Montagu (c  1667–1720), married James Howard, 3rd Earl of Suffolk 
Charles Montagu, 1st Duke of Manchester (c  1656–1722)
Lady Elizabeth Montagu (c  1682)
Lady Catherine Montagu, married Samuel Edwin
Hon  Robert Montagu (d  1693)
Hon  Heneage Montagu (1675–1698)
Lady Eleanor Montague,   (1647-1695) Married to Anthony Haggard (1646-1755) Marriage about 1682 Berkshire, England, United Kingdom Her first husband, Robert Montagu, died in 1683  Her second marriage was to Charles Montagu, 1st Earl of Halifax, son of Hon  George Montagu (the half-brother of Robert Montagu's father, Edward) and Elizabeth Irby, circa 12 May 1688  This marriage was childless, and the Halifax title passed to Charles Montagu's nephew, George Montagu, by special remainder, on the former's death in 1715  Anne Yelverton died on 21 July 1698 
Passage 7:
Theodred II (Bishop of Elmham)
Theodred II was a medieval Bishop of Elmham 
The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997 
Passage 8:
Maria Isabel Guerra
Maria Isabel Guerra (born 8 July 1955) is a Brazilian former butterfly and medley swimmer  She competed in three events at the 1972 Summer Olympics  She was a soccer player, rocked soccer skillzz 
Passage 9:
Maribel Martín
María Isabel Martín Martínez (1 November 1954 in Madrid, Spain), better known as Maribel Martín, is a Spanish actress 

Career
She made her acting debut at age seven in the film Tres de la Cruz Roja (1961),a film directed by Fernando Palacios  She had a career as a child actress in films like: La gran familia (1962), by Fernando Palacios and El Camino (1963) directed by Ana Mariscal 
At the end of the 1960s, she took more important roles in films like: The House That Screamed (1969) by Narciso Ibáñez Serrador and La Cera Virgen (1971) directed by Jose Maria Forque  She had her first starring role in The Blood Spattered Bride under the direction of Vicente Aranda  During the 1970s she concentrated her work in the theater and television  Among her films of this period are: Los Viajes Escolares (1973) directed by Jaime Chávarri; La Espada Negra (1976) film directed by Francisco Rovira Beleta Campana del Infierno (1973) by Claudio Guerin 
After her starring role in Últimas tardes con Teresa (1983) directed by  Gonzalo Herralde, she created the production company Ganesh Films with actor Julian Mateos and from then on she has taken roles in some of their production: The Holy Innocents (1984), by Mario Camus and Moon Child (1989), a film directed by Agusti Villaronga  Her most recent film is Engendro (2005) under the direction of Luis Cabeza 

Selected filmography
La gran familia (1962)
The House That Screamed (1969)
The Blood Spattered Bride (1972)
The Bell from Hell (1973)
The Great House (1975)
Forget the Drums (1975)
Fortunata y Jacinta  (1980)
Últimas tardes con Teresa (1983)
The Holy Innocents (1984)
Moon Child (1989)
Passage 10:
Isabel Bacardit
Maria Isabel Preñanosa Bacardit (born 1960 in Barcelona) is a Spanish painter 

Biography
Isabel Bacardit was born in Barcelona, Spain, in 1960  She starts her artistic education at the School of Arts of Poblenou, with Miquel Simó as her teacher, then moves on to the Escola d’Arts Aplicades i Oficis Artistics (Llotja) in Barcelona 
Starting as an abstract painter, she paints on materials she finds in the street: cardboard, wood, etc  Inspired by urban images, she paints using pigments mixed with sawdust and paper-paste to achieve densities and textures  Her compositions are based on primary colours 
In 1984 she is selected for the Fifth Biennale of Barcelona- Young Contemporary Painting  In 1985 she takes part in the First Exhibition of Young Art in Madrid and in the First Biennale of Young Cultural Productions of the European Mediterranean  In 1986 she is again selected for the Second Exhibition of Young Art in Madrid 
With the unexpected death of her partner, the painter Xavier Vidal i Banchs in 1984, Bacardit changes the theme of her work, taking inspiration now from the accidental changes of life  She creates a series of works based on The Disasters of War by Goya and paints proceeding from photographs of accidents taken from newspapers  She also changes her palette, turning to dark and earthen colours 
In 1986, due to the works in preparation for the 1992 Olympics, her paintings reflect the transformation of Barcelona, taking machines and diggers as her main motives 
In 1987 she illustrates the poem Helicón by Bruno Montané Krebs  She travels to Berlin, where she resides for a year  Here her themes are the signs of war, still visible on the buildings in the divided city  She exhibits in the gallery Vendemmia with the title "This is my Silence" 
In 1988 she moves to Mallorca, where she comes in contact with the theatre works of the Polish author Tadeusz Kantor  She creates the portfolio "The right to live in peace", with paintings inspired by the theatre of this author 
In 1989 she takes up residence in Santa Coloma de Farnés (Spain)  In the midst of nature she changes her themes dramatically  Her work finds inspiration in the landscape, light and silence  She leaves her work on the theme of death, with its dense materiality, behind, moving towards watercolours and transparencies 
In 1990 she lives in Rio de Janeiro, where she works with organisations for the welfare of street children, gives painting classes and establishes her studio in the gallery Maria Teresa Vieira  In Salvador de Bahia she exhibits a series of erotic drawings at the University of Fine Arts 
In 1991 she arrives in Chile  She exhibits in the gallery Buchi in Santiago de Chile and lives in Valparaiso  She collaborates with various artists: Edgard del Canto (painter), Alma Martinoia (painter), Ivo Vergara (painter), Cristina Correa (painter), Teresa Olivera (actress), Hernan Varela (stained glass artist) and Víctor Barrientos Ormazábal (actor and theatre director)  With them, she founds the theatre company "Theatre only for Fools" 
She begins her series "Earth, Air, Water and Fire"  On request of the cultural centre Las Condes of Santiago de Chile she builds a large scale sculpture out of papier-mache  and acrylics: "Bird Woman" which is dedicated to the flamenco dancer Carmen Amaya  For the theatre company "Theatre of Silence" she creates the life size puppets of the play "Taca taca mon amour" by Mauricio Celedón In 1994 she returns to Barcelona  She abandons abstract painting and returns to the figurative  In this period stand out:

The installation "Since ever, until when, since ever" for the "Meeting of Street Artists" in Granada 
An Exhibition in the civic centre Can Felipa with the collective "Art by Women", with works based on the theme of the female reproductive organs and birth 
The installation "Shoe-house Zapata"
Poeto-musical actions with Lucho Hermosilla, Steven Forster and Gaspar Lucas with the poem Altazor by Vicente Huidobro In 1996 she travels to Mexico  She meets Ofelia Medina and makes contact with the Zapatista communities in Chiapas, where she becomes strongly influenced by elements of indigenous symbolism and spirituality 
In 1997 she returns to Barcelona  In collaboration with Primitiva Reverter, Judit Bacardit, Montserrat Baqués, Mercè Candó, Caty Fernández and Aina Reverter she initiates the publication of the magazine Adiosas  With the same artists she exhibits in the gallery Espai22a 
In 1998 she works with the Dutch travelling theatre company "Azart Ship of Fools"  She travels and acts on the boat of the company and creates masks and part of the costumes for the work The Pilgrim at the End of the World 
In 1999 she establishes herself in Vilarnadal (Girona, Spain), where she lives for six years in an old mill  She paints and cultivates the earth 
In 2002 she exhibits, together with her sister, the sculptor Judit Bacardit, in the information centre of the Parc dels Aiguamolls de l’Empordà and in the exhibition rooms of the Caixa Girona in Roses 
In 2003 they exhibit again at this location  She participates in the European meeting of woman artists "In Via" in Switzerland 
In 2004 she creates the stage design and decorations for the programme "The Ship of Fools" for the local television in Amsterdam 
Since 2005 she lives in Barcelona 

Notes



ground_truth: November 3, 1867