prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the place of death of Kamures Kadın's husband?

The following are given passages.
Context 1: Passage 1:
Where Was I
"Where Was I?" may refer to:

Books
"Where Was I?", essay by David Hawley Sanford from The Mind's I
Where Was I?, book by John Haycraft 2006
Where was I?!, book by Terry Wogan 2009

Film and TV
Where Was I? (film), 1925 film directed by William A  Seiter  With Reginald Denny, Marian Nixon, Pauline Garon, Lee Moran 
Where Was I? (2001 film), biography about songwriter Tim Rose
Where Was I? (TV series) 1952–1953 Quiz show with the panelists attempting to guess a location by looking at photos
"Where Was I?" episode of Shoestring (TV series) 1980

Music
"Where was I", song by W  Franke Harling and Al Dubin performed by Ruby Newman and His Orchestra  with vocal chorus by  Larry Taylor and Peggy McCall  1939
"Where Was I", single from Charley Pride discography 1988
"Where Was I" (song), a 1994 song by Ricky Van Shelton
"Where Was I (Donde Estuve Yo)", song by Joe Pass from Simplicity (Joe Pass album)
"Where Was I?", song by Guttermouth from The Album Formerly Known as a Full Length LP (Guttermouth album)
"Where Was I", song by Sawyer Brown (Billy Maddox, Paul Thorn, Anne Graham) from Can You Hear Me Now 2002
"Where Was I?", song  by  Kenny Wayne Shepherd from Live On  1999
"Where Was I", song by Melanie Laine (Victoria Banks, Steve Fox) from Time Flies (Melanie Laine album)
"Where Was I", song by Rosie Thomas from With Love (Rosie Thomas album)
Passage 2:
Place of origin
In Switzerland, the place of origin (German: Heimatort or Bürgerort, literally "home place" or "citizen place"; French: Lieu d'origine; Italian: Luogo di attinenza) denotes where a Swiss citizen has their municipal citizenship, usually inherited from previous generations  It is not to be confused with the place of birth or  place of residence, although two or all three of these locations may be identical depending on the person's circumstances 

Acquisition of municipal citizenship
Swiss citizenship has three tiers  For a person applying to naturalise as a Swiss citizen, these tiers are as follows:

Municipal citizenship, granted by the place of residence after fulfilling several preconditions, such as sufficient knowledge of the local language, integration into local society, and a minimum number of years lived in said municipality 
Cantonal (state) citizenship, for which a Swiss municipal citizenship is required  This requires a certain number of years lived in said canton 
Country citizenship, for which both of the above are required, also requires a certain number of years lived in Switzerland (except for people married to a Swiss citizen, who may obtain simplified naturalisation without having to reside in Switzerland), and involves a criminal background check The last two kinds of citizenship are a mere formality, while municipal citizenship is the most significant step in becoming a Swiss citizen  
Nowadays the place of residence determines the municipality where citizenship is acquired, for a new applicant, whereas previously there was a historical reason for preserving the municipal citizenship from earlier generations in the family line, namely to specify which municipality held the responsibility of providing social welfare  The law has now been changed, eliminating this form of allocating responsibility to a municipality other than that of the place of residence  Care needs to be taken when translating the term in Swiss documents which list the historical "Heimatort" instead of the usual place of birth and place of residence 
However, any Swiss citizen can apply for a second, a third or even more municipal citizenships for prestige reasons or to show their connection to the place they currently live – and thus have several places of origin  As the legal significance of the place of origin has waned (see below), Swiss citizens can often apply for municipal citizenship for no more than 100 Swiss francs after having lived in the same municipality for one or two years  In the past, it was common to have to pay between 2,000 and 4,000 Swiss francs as a citizenship fee, because of the financial obligations incumbent on the municipality to grant the citizenship 
A child born to two Swiss parents is automatically granted the citizenship of the parent whose last name they hold, so the child gets either the mother's or the father's place of origin  A child born to one Swiss parent and one foreign parent acquires the citizenship, and thus the place of origin, of the Swiss parent 

International confusion
Almost uniquely in the world (with the exception of Japan, which lists one's Registered Domicile; and Sweden, which lists the mother's place of domicile as place of birth), the Swiss identity card, passport and driving licence do not show the holder's birthplace, but only their place of origin  The vast majority of countries show the holder's actual birthplace on identity documents  This can lead to administrative issues for Swiss citizens abroad when asked to demonstrate their actual place of birth, as no such information exists on any official Swiss identification documents  Only a minority of Swiss citizens have a place of origin identical to their birthplace  More confusion comes into play through the fact that people can have more than one place of origin 

Significance and history
A citizen of a municipality does not enjoy a larger set of rights than a non-citizen of the same municipality  To vote in communal, cantonal or national matters, only the current place of residence matters – or in the case of citizens abroad, the last Swiss place of residence 
The law previously required that a citizen's place of origin continued to bear all their social welfare costs for two years after the citizen moved away  In 2012, the National Council voted by 151 to 9 votes to abolish this law  The place of domicile is now the sole payer of welfare costs In 1923, 1937, 1959 and 1967, more cantons signed treaties that assured that the place of domicile had to pay welfare costs instead of the place of origin, reflecting the fact that fewer and fewer people lived in their place of origin (1860: 59%, in 1910: 34%) In 1681, the Tagsatzung – the then Swiss parliament – decided that beggars should be deported to their place of origin, especially if they were insufficiently cared for by their residential community In the 19th century, Swiss municipalities even offered free emigration to the United States if the Swiss citizen agreed to renounce municipal citizenship, and with that the right to receive welfare 

See also
Ancestral home (Chinese)
Bon-gwan
Registered domicile


== Notes and references ==
Passage 3:
Motherland (disambiguation)
Motherland is the place of one's birth, the place of one's ancestors, or the place of origin of an ethnic group 
Motherland may also refer to:

Music
"Motherland" (anthem), the national anthem of Mauritius
National Song (Montserrat), also called "Motherland"
Motherland (Natalie Merchant album), 2001
Motherland (Arsonists Get All the Girls album), 2011
Motherland (Daedalus album), 2011
"Motherland" (Crystal Kay song), 2004

Film and television
Motherland (1927 film), a 1927 British silent war film
Motherland (2010 film), a 2010 documentary film
Motherland (2015 film), a 2015 Turkish drama
Motherland (2022 film), a 2022 documentary film about the Second Nagorno-Karabakh War
Motherland (TV series), a 2016 British television series
Motherland: Fort Salem, a 2020 American science fiction drama series

Other uses
Motherland Party (disambiguation), the name of several political groups
Personifications of Russia, including a list of monuments called Motherland

See also
All pages with titles containing Motherland
Mother Country (disambiguation)
Passage 4:
Beaulieu-sur-Loire
Beaulieu-sur-Loire (French pronunciation: ​[boljø syʁ lwaʁ], literally Beaulieu on Loire) is a commune in the Loiret department in north-central France  It is the place of death of Jacques MacDonald, a French general who served in the Napoleonic Wars 

Population
See also
Communes of the Loiret department
Passage 5:
Valley of Death
Valley of Death may refer to:

Places
Valley of Death (Bydgoszcz), the site of a 1939 Nazi mass murder and mass grave site in northern Poland
Valley of Death (Crimea), the site of the Charge of the Light Brigade in the 1854 Battle of Balaclava
Valley of Death (Gettysburg), the 1863 Gettysburg Battlefield landform of Plum Run
Valley of Death (Dukla Pass), the site of a tank battle during the Battle of the Dukla Pass in 1944 (World War II)
The Valley of Death, an area of poisonous volcanic gas near the Kikhpinych volcano in Russia
The Valley of Death, an area of poisonous volcanic gas near the Tangkuban Perahu volcano in Indonesia
Valley of Death, a nickname for the highly polluted city of Cubatão, Brazil

Other uses
The Valley of Death (audio drama), a Doctor Who audio play
The Valley of Death (film), a 1968 western film
"Valley of Death", the flawed NewsStand: CNN & Time debut program that caused the Operation Tailwind controversy
A literary element of "The Charge of the Light Brigade" by Alfred, Lord Tennyson
A reference to the difficulty of covering negative cash flow in the early stages of a start-up company; see Venture capital
"The Valley of Death", a song by the Swedish heavy metal band Sabaton from the 2022 album The War to End All Wars

See also
All pages with titles containing Valley of Death
Death Valley (disambiguation)
Valley of the Shadow of Death (disambiguation)
Passage 6:
Sennedjem
Sennedjem was an Ancient Egyptian artisan who was active during the reigns of Seti I and Ramesses II  He lived in Set Maat (translated as "The Place of Truth"), contemporary Deir el-Medina, on the west bank of the Nile, opposite Thebes  Sennedjem had the title "Servant in the Place of Truth"  He was buried along with his wife, Iyneferti, and members of his family in a tomb in the village necropolis  His tomb was discovered January 31, 1886  When Sennedjem's tomb was found, it contained furniture from his home, including a stool and a bed, which he used when he was alive His titles included Servant in the Place of Truth, meaning that he worked on the excavation and decoration of the nearby royal tombs 

See also

TT1 – (Tomb of Sennedjem, family and wife)
Passage 7:
Mehmed V
Mehmed V Reşâd (Ottoman Turkish: محمد خامس, romanized: Meḥmed-i ḫâmis; Turkish: V  Mehmed or Mehmed Reşad; 2 November 1844 – 3 July 1918) was the 35th and penultimate sultan of the Ottoman Empire from 1909 to 1918  Mehmed V reigned as a constitutional monarch, interfering little when it came to government affairs, though the constitution was held with little respect by his governments  The first half of his reign was marked by contentious politicking between factions of the Young Turks, with the second half being headed by the Committee of Union and Progress and the Three Pashas 
Reşad was the son of Sultan Abdulmejid I  He succeeded his half-brother Abdul Hamid II after the 31 March Incident  He was succeeded by his half-brother Mehmed VI in the summer of 1918 
Coming to power in the aftermath of a failed coup attempt, his nine-year reign featured three coup d'etats and four wars  The Italo-Turkish War saw the cession of the Empire's North African territories and the Dodecanese Islands, including Rhodes, during which the CUP was forced out of power by the military  This was followed up by the traumatic loss of almost all of the Empire's European territories west of Constantinople (now Istanbul) in the First Balkan War, and the return of a now radicalized CUP rule  Eastern Thrace was retaken in the Second Balkan War 
The Ottomans entered World War I in November 1914 during which Mehmed declared a jihad against the Allies  During the war the Ottoman government committed genocides against its Christian minorities  While Ottoman forces successfully fended off an Allied invasion at Gallipoli, defeat loomed on the Caucasian and Mesopotamian fronts  Military collapse in the field and a revolt by its Arab subjects would ultimately lead to the Empire's end 

Early life
Prince Reşad was born on 2 November 1844 at the Çırağan Palace, Istanbul  His father was Sultan Abdulmejid I, and his mother was Gülcemal Kadın  He had three elder sisters, Fatma Sultan, Refia Sultan and Hatice Sultan (Refia Sultan's twin sister, died as newborn)  After his mother's death in 1851, he and his sisters were entrusted in the care of his father's senior consort Servetseza Kadın  She had asked Abdulmejid to take the motherless children under her wing, and raise as her own, and carried out the duties of a mother who cares for her children with compassion and concern In 1856, aged twelve, he was ceremoniously circumcised together with his younger half-brothers, Şehzade Ahmed Kemaleddin, Şehzade Mehmed Burhaneddin, and Şehzade Ahmed Nureddin Mehmed received his education at the palace  Halid Ziya, the chief clerk of the Chamberlain's office between 1909 and 1912, described this as being a poor one  Thanks to his comparatively high intelligence, however, he made good use of the education he had and used it to go further  He studied Arabic and Persian, and spoke the latter very well  He took piano lessons from an Italian pianist and calligraphy lessons from a famous Ottoman calligrapher, Kazasker Mustafa Izzet Efendi (1801–1876), who designed the giant pendant medallions of the Hagia Sophia 

Reign
His reign began at the conclusion of the 31 March Incident on 27 April 1909, but he was largely a figurehead with no real political power, as a consequence of the demonstration of the CUP's power in the 31 March Incident and the Young Turk Revolution (which restored the Ottoman Constitution and Parliament)  In 1913 the CUP undertook a coup d'état, which brought the dictatorial triumvirate of the Three Pashas to power  At the age of 64, Mehmed V was the oldest person to ascend the Ottoman throne 

In 1911, he embarked on an imperial tour of Selânik (Salonica, today Thessaloniki) and Manastır (today Bitola), stopping by Florina on the way  He also visited Üsküp (Skopje) and Priştine (Pristina), where he attended Friday prayers at the Tomb of Sultan Murad  The visit was recorded on film and photographs by the Manaki brothers  It would soon prove to be the last visit of an Ottoman sultan to the Rumelian provinces before the catastrophe of the Balkan Wars the following year 
Under his rule, the Ottoman Empire lost all its remaining territory in North Africa (Tripolitania, Cyrenaica and Fezzan) and the Dodecanese to Italy in the Italo-Turkish War and nearly all its European territories (except for a small strip of land west of Constantinople) in the First Balkan War  The Ottomans made some small gains in the following war, recapturing the peninsula comprising East Thrace up to Edirne, but this was only partial consolation for the Turks: the bulk of Ottoman territories that they had fought to keep had been lost forever The sudden loss of these enormous swathes of land, which had been Ottoman territory for centuries and were ceded to the Empire's opponents within a span of only two years, was deeply shocking to the Ottoman Turks and resulted in massive popular backlash against the government, culminating in the 1913 Ottoman coup d'etat  It also spelt the end of the Ottomanism movement, which for several decades had advocated equal rights to all citizens of the Empire regardless of ethnicity or religion, in order to foster a communal sense of belonging and allegiance to the Ottoman state  With the loss of the Empire's ethnic minorities in Rumelia and North Africa, the movement's raison d'être also evaporated, and the country's politics soon began to take on a more reactionary character, centred around Turkish nationalism  The more extreme elements of this right-wing faction, primarily in the upper echelons of the CUP-dominated government, would go on to commit atrocities against the Armenians Despite his preference that the country stayed out of further conflict, Mehmed V's most significant political act was to formally declare jihad against the Entente Powers (Allies of World War I) on 14 November 1914, following the Ottoman government's decision to join the First World War on the side of the Central Powers  He was actually said to look with disfavour on the pro-German policy of Enver Pasha, but could do little to prevent war due to the sultanate's diminished influence since the overthrow of Abdülhamid II in 1909 
This was the last genuine proclamation of jihad in history by a Caliph, as the Caliphate was abolished in 1924  As a direct result of the declaration of war, the British annexed Cyprus, while the Khedivate of Egypt proclaimed its independence and was turned into a British protectorate; these provinces had at least been under nominal Ottoman rule  The proclamation had no noticeable effect on the war, despite the fact that many Muslims lived in Ottoman territories  Some Arabs eventually joined the British forces against the Ottoman Empire with the Arab Revolt in 1916 
Mehmed V hosted Kaiser Wilhelm II, his World War I ally, in Constantinople on 15 October 1917  He was made Generalfeldmarschall of the Kingdom of Prussia on 27 January 1916, and of the German Empire on 1 February 1916  He was also made Generalfeldmarschall of Austria-Hungary on 19 May 1918 

Death
Mehmed V died at Yıldız Palace on 3 July 1918 at the age of 73, only four months before the end of World War I  Thus, he did not live to see the downfall of the Ottoman Empire  He spent most of his life at the Dolmabahçe Palace and Yıldız Palace in Istanbul  His grave is in the Eyüp district of modern Istanbul 

Honours
Ottoman honoursGrand Master of the Order of the Crescent
Grand Master of the Order of Glory
Grand Master of the Order of the Medjidie
Grand Master of the Order of OsmaniehForeign honoursGrand Cross of St  Stephen, in Diamonds, 1914 (Austria-Hungary)
Knight of the Military Order of Max Joseph (Bavaria)
Grand Cross of the Star of Karađorđe (Serbia)

Family
Mehmed V had a small harem, as well as few children  He was also the only sultan not to take new consorts after his accession to the throne 

Consorts
Mehmed V had five consorts:
Kamures Kadın (5 March 1855 – 30 April 1921)  BaşKadin  She is also called Gamres, Kamres or Kamus  Of Caucasian descent, she married Mehmed when he was still Şehzade  She had a son 
Dürriaden Kadın (16 May 1860 – 17 October 1909)  Second Kadın  She born Hatice Hanim, she married Mehmed when he was still Şehzade  She was the aunt of Inşirah Hanim, who was a consort of Mehmed VI (Mehmed V's younger half-brother)  She had a son 
Mihrengiz Kadın (15 October 1869 – 12 December 1938)  Second Kadın after Dürriaden's death  Circassian, born Fatma Hanım, married Mehmed when he was still Şehzade  She had a son 
Nazperver Kadın (12 June 1870 – 9 March 1929)  Third Kadın after Dürriaden's death  Born Rukiye Hanim, she was an Abkhazian princess of Çikotua family and niece of Dürrinev Kadın, chief consort of Sultan Abdülaziz, who educated her  She married Mehmed when he was still Şehzade  She had a daughter 
Dilfirib Kadın (1890–1952)  Fourth Kadın after Dürriaden's death  Circassian, she married Mehmed when he was still Şehzade  She was close friends with Safiye Ünüvar, a teacher at the Palace  She had no children by Mehmed, but after his death she remarried and had a son 

Sons
Mehmed V had three sons:
Şehzade Mehmed Ziyaeddin (26 August 1873 – 30 January 1938)–with Kamures Kadın  He had five consorts, two sons and six daughters 
Şehzade Mahmud Necmeddin (23 June 1878 – 27 June 1913) – with Dürriaden Kadın  Born with kyphosis, he never married or had children 
Şehzade Ömer Hilmi (2 March 1886 – 6 April 1935) – with Mihrengiz Kadın  He had five consorts, a son and a daughter  His great-granddaughter Ayşe Gülnev Osmanoğlu became an authress of historical novels about the Ottoman dynasty 

Daughters
Mehmed V had only one daughter:
Refia Sultan (1888–1888) – with Nazperver Kadın  She died as newborn 

See also
The Ottomans: Europe's Muslim Emperors
Passage 8:
Dance of Death (disambiguation)
Dance of Death, also called Danse Macabre, is a late-medieval allegory of the universality of death 
Dance of Death or The Dance of Death may also refer to:

Books
Dance of Death, a 1938 novel by Helen McCloy
Dance of Death (Stine novel), a 1997 novel by R  L  Stine
Dance of Death (novel), a 2005 novel by Douglas Preston and Lincoln Child

Theatre and film
The Dance of Death (Strindberg play), a 1900 play by August Strindberg
The Dance of Death, a 1908 play by Frank Wedekind
The Dance of Death (Auden play), a 1933 play by W  H  Auden

Film
The Death Dance, a 1918 drama starring Alice Brady
The Dance of Death (1912 film), a German silent film
The Dance of Death (1919 film), an Austrian silent film
The Dance of Death (1938 film), crime drama starring Vesta Victoria; screenplay by Ralph Dawson
The Dance of Death (1948 film), French-Italian drama based on Strindberg's play, starring Erich von Stroheim
The Dance of Death (1967 film), a West German drama film
Dance of Death or House of Evil, 1968 Mexican horror film starring Boris Karloff
Dance of Death (1969 film), a film based on Strindberg's play, starring Laurence Olivier
Dance of Death (1979 film), a Hong Kong film featuring Paul Chun

Music
Dance of Death (album), a 2003 album by Iron Maiden, or the title song
The Dance of Death & Other Plantation Favorites, a 1964 album by John Fahey
The Dance of Death (Scaramanga Six album)
"Death Dance", a 2016 song by Sevendust

See also
Dance of the Dead (disambiguation)
Danse Macabre (disambiguation)
Bon Odori, a Japanese traditional dance welcoming the spirits of the dead
La danse des morts, an oratorio by Arthur Honegger
Totentanz (disambiguation)
Passage 9:
Kamures Kadın
Kamures Kadın (Ottoman Turkish: کامرس قادین; meaning "Bringer of pleasure"; called also Gamres, Kamres or Kamus Kadın; 5 March 1855 – 30 April 1921) was the first and chief consort of Sultan Mehmed V of the Ottoman Empire 

Early years
Kamures Kadın was born on 5 March 1855  According to Palace documents he was born in Ganja, although there are doubts about that  She was sent to the Ottoman court when she was very young as a slave, which was the traditional custom  She received an excellent education and became an outstanding pianist  
She married the then-Prince Mehmed Reşad on 30 September 1872  She was his first consort  A year after the marriage, on 26 August 1873, she gave birth to her only son, Şehzade Mehmed Ziyaeddin 

Reign of Mehmed V
On 27 April 1909, after Mehmed's accession to the throne, she was given the title of "Senior Kadın" In 1914, she met with Sultan Jahan, Begum of Bhopal  Sultan Mehmed, who knew Persian well, acted as interpreter between the two of them  Safiye Ünüvar, a teacher at the Palace School, commented in her memoirs about her beauty, and said that she still some of her looks, when the two met in 1915  Kamures had occupied herself with reading history, and whenever Safiye visited her she would always bring up with the subject of Ottoman history In 1918, she met with the king Boris III of Bulgaria, when he visited Istanbul  She was presented as Queen of Ottoman Empire  This was significant, since meeting a man meant that she broke the traditional harem seclusion  On 30 May 1918, Kamures met with the Empress Zita of Bourbon-Parma in the harem of Yıldız Palace, when the latter visited Istanbul with her husband Emperor Charles I of Austria 

Philanthropy
On 20 March 1912, the "Hilal-i Ahmer Centre for Women" was organised within the "Ottoman Hilal-i Ahmer Association", a foundation established in 1877 to provide medical care in Istanbul and surrounding communities  Kamures served as the honorary president of this organization  The same year, she also received the Ottoman Red Crescent Medal (Osmanlı Hilal-i Ahmer Madalyası), which was created shortly after the start of the Balkan Wars in November 1912  The award was given to those who would render beneficent services, materially or morally, to the organisation  She was the only Ottoman Muslim woman before the First World War to have received the medal in gold In February 1914, the organisation announced the start of a course for nursing aids, which would consist of eighteen lessons of two hours each on Fridays and Sundays  The classes were to be taught by Besim Ömer and Akıl Muhtar  Between 40 and 50 women participated in the course and at the end of the five months course 27 women successfully took the exam  These 27 women, who were all wives and daughters of prominent Ottoman officials, received their certificate during a ceremony in the presence of Kamures, of Naciye Sultan and her mother and other palace women In April 1913, Kamures served as the patroness of the organization Osmanlı–Türk Hanımları Esirgeme Derneği (Association for the Protection of Ottoman Turkish Women)  The sultan donated 50 Ottoman pounds to the organization 

Death
After Mehmed's death on 3 July 1918, she settled in the palace of her stepson Şehzade Mahmud Necmeddin in Kuruçeşme, where she died on 30 April 1921, at the age of sixty-six  She was buried in the mausoleum of her husband located in the Eyüp Cemetery, Istanbul 

Honours
Ottoman Red Crescent Medal in Gold, 1912

Appointments
Honorary President of the Hilal-i Ahmer Centre for Women, 20 March 1912

Issue
See also
Kadın (title)
Ottoman Imperial Harem
List of consorts of the Ottoman sultans
Passage 10:
Place of birth
The place of birth (POB) or birthplace is the place where a person was born  This place is often used in legal documents, together with name and date of birth, to uniquely identify a person  Practice regarding whether this place should be a country, a territory or a city/town/locality differs in different countries, but often city or territory is used for native-born citizen passports and countries for foreign-born ones 
As a general rule with respect to passports, if the place of birth is to be a country, it's determined to be the country that currently has sovereignty over the actual place of birth, regardless of when the birth actually occurred  The place of birth is not necessarily the place where the parents of the new baby live  If the baby is born in a hospital in another place, that place is the place of birth  In many countries, this also means that the government requires that the birth of the new baby is registered in the place of birth 
Some countries place less or no importance on the place of birth, instead using alternative geographical characteristics for the purpose of identity documents  For example, Sweden has used the concept of födelsehemort ("domicile of birth") since 1947  This means that the domicile of the baby's mother is the registered place of birth  The location of the maternity ward or other physical birthplace is considered unimportant 
Similarly, Switzerland uses the concept of place of origin  A child born to Swiss parents is automatically assigned the place of origin of the parent with the same last name, so the child either gets their mother's or father's place of origin  A child born to one Swiss parent and one foreign parent acquires the place of origin of their Swiss parent  In a Swiss passport and identity card, the holder's place of origin is stated, not their place of birth  In Japan, the registered domicile is a similar concept 
In some countries (primarily in the Americas), the place of birth automatically determines the nationality of the baby, a practice often referred to by the Latin phrase jus soli  Almost all countries outside the Americas instead attribute nationality based on the nationality(-ies) of the baby's parents (referred to as jus sanguinis) 
There can be some confusion regarding the place of birth if the birth takes place in an unusual way: when babies are born on an airplane or at sea, difficulties can arise  The place of birth of such a person depends on the law of the countries involved, which include the nationality of the plane or ship, the nationality(-ies) of the parents and/or the location of the plane or ship (if the birth occurs in the territorial waters or airspace of a country) 
Some administrative forms may request the applicant's "country of birth"  It is important to determine from the requester whether the information requested refers to the applicant's "place of birth" or "nationality at birth"  For example, US citizens born abroad who acquire US citizenship at the time of birth, the nationality at birth will be USA (American), while the place of birth would be the country in which the actual birth takes place 

Reference list
8 FAM 403 4 Place of Birth
Context 2: Passage 1:
Daniel Burman
Daniel Burman (born 29 August 1973, in Buenos Aires) is an Argentine film director, screenplay writer, and producer 
According to film critic Joel Poblete, who writes for Mabuse, a cinema magazine, Daniel Burman is one of the members of the so-called "New Argentina Cinema", which began circa 1998  In fact, film critic Anthony Kaufman, writing for indieWIRE, said Burman's A Chrysanthemum Burst in Cincoesquinas (1998) has been cited as the beginning of the "New Argentine Cinema" wave 

Biography
Burman is of Polish-Jewish descent, and he was born and raised in Buenos Aires  He holds both Argentine and Polish citizenship, like his films' character, Ariel  He studied law before changing to audiovisual media production In 1995, he launched his own production company together with Diego Dubcovsky, BD Cine (Burman and Dubcovsky Cine)  Burman is also a founding member of the Academy of Argentine Cinema His loose trilogy of films, Esperando al Mesías (2000), El Abrazo Partido (2004), and Derecho de Familia (2006), were all written and directed by Burman and star Uruguayan actor Daniel Hendler  They are largely autobiographical, dealing with the life of a young neurotic Jew in contemporary Buenos Aires 
He frequently collaborates with other Argentine Jews, notably writer and klezmer musician Marcelo Birmajer, and César Lerner  His comedic touches often bring comparison to Woody Allen, a comparison Burman is quick to reject   He said, "It's not a measurable comparison  But I'm very happy with it  I admire him more than anyone else in the world "Burman's films have been featured in many film festivals around the world  El abrazo partido (2003) took the Grand Jury Prize at the Berlin International Film Festival, as well as best actor for Hendler  Burman was co-producer of the successful 2004 film, The Motorcycle Diaries, as well as Garage Olimpo (1999) 

Opinions on filmmaking
In an interview with Brian Brooks, who writes for indieWIRE com, an online community of independent filmmakers and aficionados, Burman discussed his approach to filmmaking  He said: "I don't have goals when I make a film, except to create as faithfully as possible the story I wanted to tell, and that the sensations that provoked me to tell the story are also caused when reading the script ""I don't love film in itself; it's not like I was debating the merits of using different types of camera-work, like traveling shots  I love film because it's a story-telling tool," he said in an interview he did for TimesSquare com 

Interconnections between films
It is arguable that the loose trilogy of films — Esperando al Mesías (2000), El Abrazo Partido (2003), and Derecho de Familia (2006) — happen in the same "universe"  The three share common traits: They are written and directed by Burman and all star Daniel Hendler in the title role as a young Jew  Additionally, several actors and actresses appear twice in the films  Because Hendler's characters share similar traits (they are all named Ariel: Ariel Goldstein, Ariel Makaroff and Ariel Perelman respectively) and because some characters from one film seem to appear in another, the trilogy is usually considered as happening in the same universe
Several continuity changes show that the three Ariels are different people: In the first movie, Ariel's father is a restaurant owner, and his mother dies; in the second film, his father has been long gone, and his mother tends to a small shop; in the third movie, his father dies in the film, and his mother has been long dead  However, a character named Estela from the first film appears in the second, and is both times played by Melina Petriella  This at least connects the first two movies to the same universe  Additionally, Juan José Flores Quispe appears in the second and third movie as "Ramón"  Although his character, unlike Estela, varies from film to film, this suggests that the second and third film also share the same universe and, thus, the trilogy itself is set in the same storyline, with the "Ariel persona" showing either different aspects of the same character or simply being a mere coincidence 

Filmography
Producer
El Crimen del Cacaro Gumaro (2014) a k a  "The Popcorn Chronicles"

Director
¿En qué estación estamos? (1992, short)
Post data de ambas cartas (1993, short)
Help o el pedido de auxilio de una mujer viva (1994, short)
Niños envueltos (1995, short)
Un Crisantemo Estalla en Cinco Esquinas (1998) a k a  A Chrysanthemum Burst in Cincoesquinas
Esperando al Mesías (2000) a k a  Waiting for the Messiah
Todas Las Azafatas Van Al Cielo (2002) a k a  Every Stewardess Goes to Heaven
El Abrazo Partido (2004) a k a  Lost Embrace
18-J (2004)
Derecho de Familia (2006) a k a  Family Law
Encarnación (2007)
El nido vacío (2008)
Brother and Sister  (2010)
La suerte en tus manos  (2012)
Mystery of Happiness  (2014)
The Tenth Man (2016)

Television
La pista (1997)
Un cuento de Navidad (2002)
Yosi, the Regretful Spy (2022)

Awards
Bangkok World Film Festival: Best Film; El Abrazo partido; 2004 
Berlin International Film Festival: Silver Berlin Bear; Jury Grand Prix; for El Abrazo partido; 2004 
Clarin Entertainment Awards: Clarin Award Best Film Screenplay; for Derecho de familia; 2006 
Clarin Entertainment Awards: Won Clarin Award Best Film Screenplay; for El Abrazo partido; 2004 
Festróia - Tróia International Film Festival: Golden Dolphin; for Todas las azafatas van al cielo; 2002 
Havana Film Festival: Best Unpublished Screenplay; for El abrazo partido; 2002 
Havana Film Festival: Won Grand Coral, Third Prize; for Esperando al mesías; 2000 
Lleida Latin-American Film Festival: Best Director; Best Film; ICCI Screenplay Award; all for El Abrazo partido; 2004 
Lleida Latin-American Film Festival: Best Film; for El Esperando al mesías 2001 
Mar del Plata Film Festival: Audience Award; Best Ibero-American Film; SIGNIS Award; all for Derecho de familia; 2006 
Santa Fe Film Festival: Luminaria Award; Best Latino Film; for Todas las azafatas van al cielo; 2002 
Sochi International Film Festival: FIPRESCI Prize; for Un Crisantemo estalla en cinco esquinas; 1998 
Sundance Film Festival: NHK Award; for Every Stewardess Goes to Heaven (Latin America); 2001 
Valladolid International Film Festival: FIPRESCI Prize; for Esperando al mesías; For an honest, both realistic and symbolic depiction of human hopes in Buenos Aires nowadays; 2002 
Passage 2:
S  N  Mathur
S N  Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980  He was also the Director General of Police in Punjab 
Passage 3:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 4:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997
Context 3: Passage 1:
White: Melody of Death
White: Melody of Death (Korean: 화이트: 저주의 멜로디; RR: Hwaiteu: Jeojooui Mellodi, lit  White: The Melody of the Curse) is a 2011 South Korean horror film by Kim Gok and Kim Sun 
The film was pre-sold in Malaysia and Singapore with the teaser trailer and poster released at the Hong Kong Film Mart  The movie was a commercial success grossing US$ 5,3 Million and ending up being the highest-grossing horror movie and among Top 30 highest-grossing movies in South Korea in 2011 

Plot
The girl group Pink Dolls, which consists of A-rang, Je-ni, Shin-ji, and Eun-ju, make their debut on stage but fail to achieve popularity  They and the record company moved to a renovated studio that was burnt down in a fire 15 years ago  Eun-ju's sponsor (someone who funds an idol or group on the condition they receive sexual favors) was credited for making the move, and renovations happen  Eun-ju is bullied by the other three members for her involvement with the sponsor and considers quitting  Her vocal trainer and best friend, Soon-ye encouraged her to remain in the group as she believes they will find success and gain attention with their new song  While cleaning up in the dance rehearsal room, Eun-ju finds a VHS tape titled "WHITE" and plays it in her dorm room  The footage is of an old, unreleased music video  When the group's manager finds her watching the tape, she demands to permitted its song to be remade as their next single 
When Pink Dolls receives overnight popularity with their debut of the song "White," which has become a viral hit, the manager seeks to re-record the song but with the main vocalist overtaking the song  The tension begins to rise as Je-ni, A-rang, and Shin-ji become hostile and jealousy against each other as they fight over the spot  During this time, a ghost attacks the three members on different occasions; Je-ni by strangling her with microphone cords, A-rang by causing her to fall off a music-video set, and Shin-ji by crushing her with camera equipment  Fearing the song is cursed and that she will be the next victim, Eun-ju examines hidden images within the video with Soon-ye and an editor and from there believe that a trainee named Jang Ye-bin, who died before the studio caught fire, wrote the song  Eun-ju meets up with her sponsor and asks about the circumstances surrounding Ye-bin and replies that she died by suicide  After returning to the rehearsal room in a fit of depression, Eun-Ju finds a suicide note beside power sockets that may have started the fire and she smashes the sockets with a hammer until she fell asleep in the morning 
Confident that the curse is broken, Eun-ju wants to get more attention by reinventing "White" with a new image, including dressing and dying her hair in white, and using the stage name "White"; but she takes credit for the song to her solo performance, and alienates those around her  While Soon-ye was destroying the evidence, she re-watched the video and noticed new details they had never seen  While doing so, she and the editor learned that Je-ni, A-rang, and Shin-ji, who had been hosts for a music television show, died from drinking bleach on air  Soon-ye calls Eun-ju, who is on her way to a venue to perform "White," and warns her that the curse is not over, but Eun-ju ignores her  Soon-ye soon learns that the writer of the song was not Ye-bin, but a back-up dancer who was bullied by Ye-bin by disfiguring her face with acid and caused the back-up dancer to commit suicide by drinking bleach  Her ghost killed Ye-bin, who caused the fire when attempting to burn the suicide note 
Soon-ye rushes to the venue to rescue Eun-ju but is unable to enter the stage with all the doors locked  During Eun-ju's performance, the stage goes blackout, and the electricity begins to malfunctions  Eun-ju's sponsor and manager try to get her off the stage, but they are both killed by stage equipment, and the ghost attempts to attack her  Afterward, the doors all open, and the panicking crowd starts to rush out of the building, Soon-ye enters and she and Eun-ju attempt to reunite, but Eun-ju trips in the crowd and gets trampled to death  The electricity eventually sets the venue on fire  After the incident, Soon-ye destroyed all of the remaining evidence of the song in the studio's karaoke room  However, the karaoke machine announces that the next song playing is "White," alluding to the possibility that the curse has not been broken 

Cast
Ham Eun-jeong as Eun-ju, a leader of the Pink Dolls, who is a former back-up dancer
Hwang Woo-seul-hye as Soon-ye, a vocal trainer, and Eun-ju's best friend
May Doni Kim as Shin-ji, a rapper/dancer who is excellent for dancing performance 
Choi Ah-ra as A-rang, a visual/singer who is addicted to plastic surgery
Jin Se-yeon as Je-ni, a lead singer who is insecure with hitting high notes
After School as Pure
Byun Jung-soo as Talent Agent
Kim Young-min as Lee Tae-Yong
Kim Ki-bang as Manager
Yoo Mo-ri as Jang Ye-bin
Kim Soo-hyun as White
Lee Jun-ho as Music Fever host

Soundtrack
The soundtrack contains 3 versions of the song "White," the original (the one featured on the VHS tape), another sung by Pink Dolls (Ham Eun-jeong, May Doni Kim, Choi Ah-ra and Jin Se-yeon), and a solo version with just Eun-jeong 

Reception
Box office
The film grossed US$1,265,702 its opening weekend landing at the fifth position of the box office chart  In total the film grossed US$5,299,831 by the end of its theatrical run  The film received a total of 791,133 admissions nationwide 

Accolades
Listicles
Release
White was released in Japan as a DVD on March 02, 2012 by NBC Universal  A re-issue ws released in the same country on July 21, 2017 
Passage 2:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 3:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 4:
Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German  abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger  He is best known for directing the semi-documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, Berlin: Symphony of a Metropolis  His audio montage Wochenende (Weekend) (1930) is considered a major contribution in the development of audio plays 

Biography
Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist  He graduated high school in 1905 and began architectural studies in Zürich in 1907  In 1909 Ruttmann began painting in Munich, where he befriended Paul Klee and Lyonel Feininger, and he would later paint in Marburg Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of World War I he was sent to the Eastern Front, where he served as an artillery lieutenant and a gas defense officer  After spending 1917 in a hospital for post traumatic stress disorder, he began making films  Ruttmann had the financial means to work independently of the major German studios of the time  He founded Ruttmann-Film S R O  in Munich and patented an animation table, in June 1920 
His first productions were the first fully animated German cartoons and abstract animated films  Lichtspiel: Opus I, produced between 1919 and 1921, premiered on 27 April 1921 at the Berlin Marmorhaus, and released for German theatrical distribution in 1922, is the "oldest fully abstract motion picture known to survive, using only animated geometric forms, arranged and shown without reference to any representational imagery" 
Opus I and Opus II, were experiments with new forms of film expression, and the influence of these early abstract films can be seen in some of the early work of Oskar Fischinger  Ruttmann and his colleagues of the avant garde movement enriched the language of film as a medium with new formal techniques In 1926 he worked with Julius Pinschewer on Der Aufsteig, an experimental film advertising the GeSoLei trade fair in Düsseldorf In 1926, Ruttmann licensed a Wax Slicing machine from Oskar Fischinger to create special effects for  The Adventures of Prince Achmed, an  animated fairy tale film, for Lotte Reiniger, making the moving backgrounds and magic scenes Ruttmann was a prominent exponent of both avant-garde art and music  His early abstractions played at the 1929 Baden-Baden Festival to international acclaim despite their being almost eight years old  Together with Erwin Piscator, he worked on the film Melody of the World (1929), though he is best remembered for Berlin: Die Sinfonie der Großstadt (Berlin: Symphony of a Metropolis, 1927) 
Weekend (Wochenende), commissioned in 1928 by Berlin Radio Hour, and presented on 13 June 1930, is a pioneering work of musique concrète, a montage of sound clips, recorded using film optical sound track from the Tri-Ergon process  Ruttmann recorded the streets sounds of Berlin with a camera, but without images, this was before magnetic tape  Hans Richter called it “a symphony of sound, speech-fragments, and silence woven into a poem ”A pacifist, he traveled to Moscow in 1928 and 1929  During the Nazi period he was replaced by Leni Riefenstahl as director of the documentary which eventually became Triumph of the Will (1935), supposedly because Ruttmann's editing style was considered too "Marxist" and Soviet influenced  He died in Berlin 15 July 1941 due to an embolism after leg amputation 

Culture and Media
Segments from Ruttmann's experimental films Lichtspiel: Opus II (1923) and Lichtspiel: Opus IV (1925) are used in the credits of the German neo-noir television series Babylon Berlin  Soundtracks to sped-up versions of Lichtspiel: Opus I and Opus IV have been proposed in 2023 

Select filmography
Lichtspiel: Opus I (1920)
Der Sieger (1922)
Das Wunder (1922)
Lichtspiel: Opus II (1922)
Lichtspiel: Opus III (1924, with Lore Leudesdorff)
Lichtspiel: Opus IV (1925, with Lore Leudesdorff)
Das wiedergefundene Paradies (1925)
Der Aufstieg (1926)
Spiel der Wellen (1926)
Dort wo der Rhein    (1927)
Berlin: Die Sinfonie der Großstadt (1927)
Melody of the World (Melodie der Welt) (1929)
Wochenende (1930) [an experimental film with sound only, no image]
Feind im Blut (1931)
In der Nacht (1931)
Steel (1933)
Blut und Boden - Grundlagen zum neuen Reich
Altgermanische Bauernkultur (1934)
Metall des Himmels (1935)
Schiff in Not (1936)
Mannesmann (1937)
Henkel, ein deutsches Werk in seiner Arbeit (1938)
Waffenkammern Deutschlands (1940)
Deutsche Panzer (1940)
Krebs (1941)

Further reading
Cowan, Michael  Walter Ruttmann and the Cinema of Multiplicity: Avant-garde-Advertising-Modernity  Amsterdam, NL: Amsterdam University Press, 2014  ISBN 9789089645852
Dombrug, Adrianus van  Walter Ruttmann in het beginsel  Purmerend, NL: J  Muusses, 1956 
Goergen, Jeanpaul  Walter Ruttmann: Eine Dokumentation  Berlin: Freunde der deutschen Kinemathek, 1989   ISBN 9783927876002
Rogers, Holly and Jeremy Barham The Music and Sound of Experimental Film  Oxford: Oxford University Press, 2017



ground_truth: Constantinople

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the place of birth of the director of film A Chrysanthemum Bursts In Cincoesquinas?

The following are given passages.
Context 2:  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 5:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 6:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 7:
Jesse E  Hobson
Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955  Prior to SRI, he was the director of the Armour Research Foundation 

Early life and education
Hobson was born in Marshall, Indiana  He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology  Hobson was also selected as a nationally outstanding engineer Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children 

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948 
Passage 8:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 9:
A Chrysanthemum Bursts in Cincoesquinas
Un crisantemo estalla en cinco esquinas (English: A Chrysanthemum Bursts in Cincoesquinas) is a 1998 Argentine, Brazilian, French, and Spanish comedy-drama film written and directed by Daniel Burman, in feature film debut  It was produced by Diego Dubcovsky  It stars José Luis Alfonzo, Pastora Vega and Martin Kalwill, among others 
Film critic Anthony Kaufman, writing for indieWIRE, said Burman's A Chrysanthemum Burst in Cincoesquinas (1998) has been cited as the beginning of the "New Argentine Cinema" wave 

Synopsis
The story takes place in South America at the turn of the 20th century  As a child, Erasmo was left with a nurse by his parents, who had to escape a waging civil war   Erasmo is now a grown man   He has lost his parents, and now his foster mother is brutally murdered  He seeks to avenge her death, and the culprit is the landowner and head of state, El Zancudo  Erasmo befriends a poor Jew named Saul, who is prepared to help him in his undertaking  Along the way, Erasmo finds allies, adversaries, love, and then Magdalena 

Cast
José Luis Alfonzo as Erasmo
Pastora Vega as La Gallega
Martin Kalwill as Saul
Valentina Bassi as Magdalena
Millie Stegman as La Boletera
Walter Reyno as El Zancudo
Roly Serrano as Cachao
Ricardo Merkin as Doctor
Aldo Romero as Lucio
María Luisa Argüello as Elsa
Sandra Ceballos as Mother
Guadalupe Farías Gómez as Albina
Antonio Tarragó Ross as Chamamecero

Distribution
The film was first presented at the Berlin International Film Festival on February 11, 1998  It opened in Argentina on May 7, 1998  It screened at the Muestra de Cine Argentino en Medellín, Colombia 

Awards
Wins

Sochi International Film Festival, Sochi, Russia: FIPRESCI Prize, Daniel Burman 
Passage 10:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television 

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University  Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run  He is the son of Fayetteville District Judge Rudy Moore In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003   He was nominated for a 2004 Tony Award for his direction  Moore also directed productions of the musical in Las Vegas and London and the show's national tour  Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008  He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008 Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City  The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011 For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters  As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton  A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998 In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow  He also served as an executive producer on the sequel  He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015  Moore's next project will be directing a live action Archie movie 

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)



ground_truth: Buenos Aires

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died earlier, Melody Of The World or Ladies Love Danger?

The following are given passages.
Context 3:   ISBN 9780190469900
Quaresima, Leonard, editor  Walter Ruttmann: Cinema, pittura, ars acustica  Calliano (Trento), Italy: Manfrini, 1994  ISBN 9788870245035
Passage 5:
Melody of Death
Melody of Death is a 1922 British silent crime film directed by Floyd Martin Thornton and starring Philip Anthony, Enid R  Reed and Dick Sutherd  It is an adaptation of the 1915 novel The Melody of Death by Edgar Wallace 

Cast
Philip Anthony as Gilbert Standerton
Enid R  Reed as Enid Cathcart
Dick Sutherd as George Wallis
H  Agar Lyons as Sir John Standerton
Frank Petley
Hetta Bartlett as Mrs Cathcart
Bob Vallis
Passage 6:
H  Bruce Humberstone
H  Bruce "Lucky" Humberstone (November 18, 1901 – October 11, 1984) was an American film director  He was previously a movie actor (as a child), a script clerk, and an assistant director, working with directors such as King Vidor, Edmund Goulding, and Allan Dwan 

Early years
Humberstone was born in Buffalo, New York, and attended Miami Military Academy in Miami, Florida 

Film
One of 28 founders of the Directors Guild of America, Humberstone worked on several silent movie films for 20th Century Fox  Humberstone did not specialize; he worked on comedies, dramas, and melodramas  Humberstone is best known today for the seminal film noir I Wake Up Screaming (1941) and his work on some of the Charlie Chan films  In the 1950s, Humberstone worked mostly on TV  He retired in 1966 

Recognition
Humberstone has a star on the Hollywood Walk of Fame 

Death
Humberstone died of pneumonia in Woodland Hills, California, on October 11, 1984, aged 82, and was buried at the Hollywood Forever Cemetery in Hollywood, California 

Partial filmography as director
Passage 7:
Ladies Love Danger
Ladies Love Danger is a 1935 American comedy film directed by H  Bruce Humberstone and written by Samson Raphaelson, Robert Ellis and Helen Logan  The film stars Mona Barrie, Gilbert Roland, Donald Cook, Adrienne Ames, Hardie Albright and Herbert Mundin  The film was released on May 3, 1935, by Fox Film Corporation 

Plot
Cast
Passage 8:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 9:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 10:
Melody of the World
Melody of the World (German: Melodie der Welt) is a 1929 German film directed by Walter Ruttmann  It is also known as World Melody  The film is structured like a symphony and consists of documentary footage from all over the world, contrasted and juxtaposed to show a number of human activities as they take form in different cultures  There are also staged scenes with actors 
The film was produced by Tonbild-Syndikat AG as an assignment from Hapag  It has an original score by Wolfgang Zeller  It was advertised as Germany's first feature-length sound film 

Cast
Ivan Koval-Samborskij as sailor
Renée Stobrawa as sailor's wife
Grace Chiang as Japanese woman
O  Idris as Malayan temple dancer
Wilhelm Cuno as general director of Hapag

Release
The world premiere took place on 27 July 1929 at the Deutsches Kammermusikfest in Baden-Baden  The film was released in regular German cinemas on 10 May 1930, distributed by Deutsches Lichtspiel-Syndikat AG 

See also
List of early sound feature films (1926–1929)



ground_truth: Melody Of The World