prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the spouse of the performer of song Et Moi, Et Moi, Et Moi?

The following are given passages.
Context 1: Passage 1:
Toi et moi (Charles Aznavour song)
"Toi et Moi" (English translation: You and Me) is a song written in 1994 by Charles Aznavour, Jean-Pierre Bourtayre, and Jacques Revaux  It was originally released on Aznavour's highly successful 1994 CD, aptly titled Toi et Moi  In 1995, the English version titled You and Me, as well as the Spanish version Tú y Yo were released  In 2018 Charles Aznavour sang new version duo with russian singer Polina Gagarina 
Passage 2:
L'enfer et moi
France participated in the Eurovision Song Contest 2013 with the song "L'enfer et moi" written by Boris Bergman and David Salkin  The song was performed by Amandine Bourgeois  The French broadcaster France Télévisions in collaboration with the television channel France 3 internally selected the French entry for the 2013 contest in Malmö, Sweden  "L'enfer et moi" was officially announced by France 3 as the French entry on 22 January 2013 and later the song was presented to the public as the contest entry on 13 March 2013 
As a member of the "Big Five", France automatically qualified to compete in the final of the Eurovision Song Contest  Performing as the opening entry during the show in position 1, France placed twenty-third out of the 26 participating countries with 14 points 

Background
Prior to the 2013 Contest, France had participated in the Eurovision Song Contest fifty-five times since its debut as one of seven countries to take part in 1956  France first won the contest in 1958 with "Dors, mon amour" performed by André Claveau  In the 1960s, they won three times, with "Tom Pillibi" performed by Jacqueline Boyer in 1960, "Un premier amour" performed by Isabelle Aubret in 1962 and "Un jour, un enfant" performed by Frida Boccara, who won in 1969 in a four-way tie with the Netherlands, Spain and the United Kingdom  France's fifth victory came in 1977, when Marie Myriam won with the song "L'oiseau et l'enfant"  France have also finished second four times, with Paule Desjardins in 1957, Catherine Ferry in 1976, Joëlle Ursull in 1990 and Amina in 1991, who lost out to Sweden's Carola in a tie-break  In the 21st century, France has had less success, only making the top ten three times, with Natasha St-Pier finishing fourth in 2001, Sandrine François finishing fifth in 2002 and Patricia Kaas finishing eighth in 2009  In 2012, the nation finished in twenty-second place with the song "Echo (You and I)" performed by Anggun 
The French national broadcaster, France Télévisions, broadcasts the event within France and delegates the selection of the nation's entry to the television channel France 3  France 3 confirmed that France would participate in the 2013 Eurovision Song Contest on 6 November 2012  The French broadcaster had used both national finals and internal selection to choose the French entry in the past  From 2008 to 2012, the broadcaster opted to internally select the French entry, a procedure that was continued in order to select the 2013 entry 

Before Eurovision
Internal selection
France 3 announced in late 2012 that the French entry for the 2013 Eurovision Song Contest would be selected internally  The organisation of the internal selection was headed by the newly appointed French Head of Delegation for the Eurovision Song Contest Frédéric Valencak  The French broadcaster requested proposals from record companies, music publishers, artist managers and artists themselves and shortlisted 18 entries from the received submissions to advance to the next stage, which involved a fourteen-member selection committee consisting of representatives of France Télévisions and music industry professionals  The selection committee consisted of:

On 22 January 2013, France 3 announced that the French entry for the Eurovision Song Contest 2013 would be "L'enfer et moi" performed by Amandine Bourgeois  The song was written by Boris Bergman and David Salkin  The selection committee considered five entries following a blind audio listening before finalising their decision internally in early 2013  The entry was released on 13 March 2013 via the streaming service Spotify, and was formally presented to the public on 14 March 2013 during the France 5 programme C à vous, hosted by Alessandra Sublet 

At Eurovision
According to Eurovision rules, all nations with the exceptions of the host country and the "Big Five" (France, Germany, Italy, Spain and the United Kingdom) are required to qualify from one of two semi-finals in order to compete for the final; the top ten countries from each semi-final progress to the final  As a member of the "Big 5", France automatically qualified to compete in the final on 18 May 2013  In addition to their participation in the final, France is also required to broadcast and vote in one of the two semi-finals  During the semi-final allocation draw on 17 January 2013, France was assigned to broadcast and vote in the second semi-final on 16 May 2013 In France, the two semi-finals was broadcast on France Ô with commentary by Audrey Chauveau and Bruno Berberes, while the final was broadcast on France 3 with commentary by Cyril Féraud and Mireille Dumas  The French spokesperson, who announced the French votes during the final, was Marine Vignes 

Final
Amandine Bourgeois took part in technical rehearsals on 12 and 15 May, followed by dress rehearsals on 17 and 18 May  This included the jury final on 17 May where the professional juries of each country watched and voted on the competing entries  After technical rehearsals were held on 15 May, the "Big 5" countries and host nation Denmark held a press conference  As part of this press conference, the artists took part in a draw to determine which half of the grand final they would subsequently participate in  France was drawn to compete in the first half  Following the conclusion of the second semi-final, the shows' producers decided upon the running order of the final  The running order for the semi-finals and final was decided by the shows' producers rather than through another draw, so that similar songs were not placed next to each other  France was subsequently placed to open the show and perform in position 1, before the entry from Lithuania The French performance featured Amandine Bourgeois on stage wearing a grey dress and black high heels designed by French designer Jean-Claude Jitrois and performing the song at a microphone stand  The stage colours were predominately red with red, yellow and orange lighting and the stage projections displayed flames and steam on a black background  About the performance and song, France 3 entertainment director Marie Claire Mezerette stated: "In this case simplicity is the key  It is a simple, but still powerful rock love song  We don't need to make it complicated  She wants to express how angry she is with what happened in that love story, Amandine is singing about " Amandine Bourgeois was joined on stage by three backing vocalists: Fanny Llado, Guillaume Eyango and Judith Flessel-Toto  France placed twenty-third in the final, scoring 23 points 

Voting
Voting during the three shows consisted of 50 percent public televoting and 50 percent from a jury deliberation  The jury consisted of five music industry professionals who were citizens of the country they represent, with their names published before the contest to ensure transparency  This jury was asked to judge each contestant based on: vocal capacity; the stage performance; the song's composition and originality; and the overall impression by the act  In addition, no member of a national jury could be related in any way to any of the competing acts in such a way that they cannot vote impartially and independently  The individual rankings of each jury member were released shortly after the grand final 
Following the release of the full split voting by the EBU after the conclusion of the competition, it was revealed that France had placed twenty-fifth with the public televote and twelfth with the jury vote  In the public vote, France received an average rank of 21 68 and in the jury vote the nation received an average rank of 10 95 
Below is a breakdown of points awarded to France and awarded by France in the second semi-final and grand final of the contest, and the breakdown of the jury voting and televoting conducted during the two shows:

Points awarded to France
Points awarded by France
Passage 3:
Et moi, et moi, et moi
"Et moi, et moi, et moi" is the debut single by French singer-songwriter Jacques Dutronc, released in 1966  It is featured on his self-titled debut album 

Composition
The record came about as the result of rivalry between the two artistic directors at Disques Vogue, Christian Fechner and Jacques Wolfsohn  According to legend, Wolfsohn, who had previously promoted Françoise Hardy, used to amuse himself by taking pot-shots at Fechner's Revox tape-machine with a rifle from his office window  Wolfsohn wanted to better Fechner's success with the hippy-influenced singer-songwriter Antoine  He asked Jacques Dutronc, at that time his assistant and a songwriter at Vogue, and the novelist Jacques Lanzmann to work on songs for a rival act, a singer called Benjamin  Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair)  However, Wolfsohn was disappointed by Benjamin's recording of "Et moi, et moi, moi"  A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals  Wolfsohn then asked Dutronc if he would be interested in recording his own version The words to "Et moi, et moi et moi" have been described as sending up the socially conscious but "self-involved" lyrical style of Antoine, with Lanzmann and Dutronc perhaps suggesting doubt as to its sincerity  In the song, Dutronc alternates between thinking about people in different places around the world and thinking about himself  The opening of the song is Sept cent millions de chinois/Et moi, et moi, et moi ("Seven hundred million Chinese people/And then there's me")  According to Lanzmann, the song is "about complete selfishness   all the terrible things that go on a stone's-throw away, that touch us but that, nevertheless, do not prevent us from continuing to live and enjoy the evening's barbecue"  Musically, the song's fuzzy, choppy guitar line bears the influence of the Pretty Things and the Kinks 

Release and promotion
"Et moi, et moi, et moi" was released as the lead track on a four-track EP (EPL  8461) by Vogue in France in August 1966  In the UK and The Netherlands, it was released as a 2-track 7" single, with "Mini, mini, mini" as the b-side  In Germany, "Mini, mini, mini" was released as an a-side, backed with "Et moi, et moi, et moi"  For the Italian market, an Italian-language version titled "Il Mundo Va Cosi" was recorded  A version in Japanese was also attempted but was not released Dutronc performed "Et moi, et moi, et moi" on the French television show Le palmarès des chansons, broadcast on Channel One by the Office de Radiodiffusion Télévision Française on 29 September 1966  He also toured to promote the single 

Reception
"Et moi, et moi, et moi" reached number 2 in the French singles chart in September 1966 and number 7 in the Swiss chart the following month  It also gained popularity on the British mod scene where, despite the language barrier, it was appreciated as satirising the folk revival movement Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences"  For Portis, Dutronc marks a break with the literary tradition of French chanson in his creative use of the sounds, rather than just the syntax, of the language "Et moi, et moi, et moi" is featured in the coffee table book 1001 Songs You Must Hear Before You Die, published in 2010  In 2011, it was included in a series of 41 articles on songs that "define France", published in Le Figaro 

Cover versions
The British band Mungo Jerry reached number 3 in the UK singles chart in 1973 with an English-language reinterpretation of "Et moi, et moi, et moi" titled "Alright, Alright, Alright"  This version is credited to Lanzmann, Dutronc and Joe Strange  It features on Mungo Jerry's 1974 album Long Legged Woman Dressed In Black 
The original version of the song was covered in 1988 by the Spanish synth-pop artist Captain B Hardt  A recording of the song also appears on the 1989 compilation I Can't Come by punk band the Snivelling Shits  Yo La Tengo bassist James McNew, under his solo moniker Dump, released a cover of the song on his 1997 album A Plea for Tenderness  In 2002, Bruno Blum included a parody of the song, titled "Et moi, et moi etc", on his album Think Différent (sic)  In July 2013, the French singer-songwriter -M- performed a version of "Et moi, et moi, et moi" for the website of Le Figaro Israeli singer-songwriter Ariel Zilber recorded a Hebrew version of the song, entitled Milyard Sinim ("One Billion Chinese") in 1988  Translated by Yehonatan Gefen, the Hebrew text is a fairly accurate reflection of the French, and the chorus is exact  Loosely retranslated into English: "One billion Chinese are alive / And me, who am I, what am I? / With my private life / And my tooth that's been loose for four days / I think about it and then I forget / Because that's how life is" ("J'y pense et puis j'oublie / C'est la vie c'est la vie") 

Track listing
Words by Jacques Lanzmann and music by Jacques Dutronc 

Side A
"Et moi, et moi, et moi" – 2:52
"J'ai mis un tigre dans ma guitare" – 2:21

Side B
"Mini, mini, mini" – 1:54
"Les gens sont fous, les temps sont flous" – 3:03

Personnel
Jacques Dutronc : voice, guitar, percussion
Hadi Kalafate : bass, percussion
Alain Le Govic (alias Alain Chamfort) : piano, organ
Jean-Pierre Alarcen : guitar
Jacques Pasut : rhythm guitar
Michel Pelay : drums
Passage 4:
Juan Carlos Lecompte
Juan Carlos Lecompte Pérez is a Colombian author who was married to Ingrid Betancourt, a politician kidnapped by the Revolutionary Armed Forces of Colombia (FARC)  After her public release in Operation Jaque they divorced  In January 2010 he published a book about their break-up, it is called "Ingrid et moi" 
Passage 5:
L'Amour et moi
"L'Amour et moi" is Jenifer Bartoli's second single from her fifth album L'Amour et moi on which it is the fifth track  It was released on September 29, 2012 in Francophone countries and achieved success in France and Belgium (Wallonia) 

Charts
Passage 6:
Jacques Dutronc
Jacques Dutronc (born 28 April 1943) is a French singer, songwriter, guitarist, composer, and actor  Some of Dutronc's best-known hits include "Il est cinq heures, Paris s'éveille" (which AllMusic has called "his finest hour"), "Le Responsable", and "Les Cactus" 
Dutronc played guitar in the rock group El Toro et les Cyclones  He wrote successful songs for singer Françoise Hardy in the 1960s before moving on to pursue a successful solo career  His music incorporated traditional French pop and French rock as well as styles such as psychedelic and garage rock  He was also very important in the Yéyé music movement and has been a longtime songwriting collaborator with Jacques Lanzmann  According to AllMusic, Dutronc is "one of the most popular performers in the French-speaking world", although he "remains little known in English speaking territories" aside from a cult following in the UK He later branched out into film acting, starting in 1973  He earned a César Award for Best Actor for the leading role in Van Gogh, which was directed by Maurice Pialat  He married Hardy in 1981 and together they have a son, guitarist Thomas Dutronc (born 1973); the couple separated in 1988 

Early life
Jacques Dutronc was born on 28 April 1943 at 67 Rue de Provence in the 9th arrondissement of Paris, the home of his parents, Pierre and Madeleine  His father was a manager for the state-run Office of Coal Distribution  Jacques was educated at Rocroy-Saint-Léon elementary school (now a Lycée), the École de la Rue Blanche (now a drama school) and then at the École Professionnelle de Dessin Industriel, where he studied graphic design from 1959 

Career
1960s
In 1960, Dutronc formed a band with himself as guitarist, schoolfriend Hadi Kalafate as bassist, Charlot Bénaroch as drummer (later replaced with André Crudot) and Daniel Dray as singer  They auditioned in 1961 for Jacques Wolfsohn, an artistic director at Disques Vogue, who signed them and gave them the name El Toro et les Cyclones  The group released two singles, "L'Oncle John" and "Le Vagabond", but disbanded when Dutronc was obliged to undertake military service After being discharged from the army in 1963, Dutronc briefly played guitar in Eddy Mitchell's backing band and was also given a job at Vogue as Jacques Wolfsohn's assistant  In this capacity, he co-wrote songs for artists such as ZouZou, Cléo and Françoise Hardy 
Wolfsohn asked Dutronc to work with Jacques Lanzmann, a novelist and editor of Lui magazine, to create songs for a beatnik singer called Benjamin  Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair)  However, Wolfsohn was disappointed by Benjamin's recording of a song titled "Et moi, et moi, et moi"  A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals  Wolfsohn then asked Dutronc if he would be interested in recording his own version  The single reached number 2 in the French charts in September 1966 Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences"  For Portis, Dutronc marks a break with the literary tradition of French chanson in his creative use of the sounds, rather than just the syntax, of the language Dutronc's self-titled debut album, released at the end of 1966, sold over a million copies and was awarded a special Grand Prix du Disque by the Académie Charles Cros, in memoriam of one of its founders  A second single, "Les play boys", spent six weeks at number one and sold 600,000 copies Dutronc was one of the most commercially successful French music stars of the late 1960s and early 1970s  During that period, he released seven hit albums and more than 20 singles, including two further number ones: "J'aime les filles" in 1967 and "Il est cinq heures, Paris s'éveille" in 1968 According to music critic Mark Deming: "Dutronc's early hits were rough but clever exercises in European garage rock   like Dutronc's role models Bob Dylan and Ray Davies, he could write melodies strong enough to work even without their excellent lyrics, and his band had more than enough energy to make them fly (and the imagination to move with the musical times as psychedelia and hard rock entered the picture at the end of the decade)" 

1970s
Most of Dutronc's songs up to 1975 were written with Jacques Lanzmann, with only two written solely by Dutronc  Lanzmann's wife Anne Ségalen is also credited on some songs  Dutronc wrote three songs with comic-book writer Fred, whose stories he also narrated for commercial release in 1970  Two songs were written in 1971 by Lanzmann, Franck Harvel and the composer Jean-Pierre Bourtayre, for a TV adaptation of Arsène Lupin  Co-writing credits on Dutronc's self-titled 1975 album are split between Lanzmann, Serge Gainsbourg and Jean-Loup Dabadie 
In 1973, "Et moi, et moi, et moi" was adapted with English lyrics as "Alright Alright Alright" and became a UK No  3 hit for the group Mungo Jerry 
Also in 1973, Dutronc began a second career as an actor in the film Antoine et Sébastien, directed by Jean-Marie Périer  Dutronc's second film, That Most Important Thing: Love, directed by Andrzej Zulawski, was a major box-office hit in France  In the following years, Dutronc devoted most of his energies toward his acting career, appearing in films directed by Jean-Luc Godard, Claude Lelouch and Maurice Pialat  In 1977, he was nominated for the César Award for best supporting actor, for his role in Claude Sautet's Mado  Steven Spielberg reportedly considered Dutronc to be the best French actor of his generation, and had the role of René Belloq in Raiders of the Lost Ark written with him in mind  Dutronc was not given the role, however, because it transpired that his English was not adequate 

1980s
In 1980, Dutronc began work on a new album under the direction of Jacques Wolfsohn, now an executive at Gaumont Musique  Wolfsohn proposed that Dutronc write with both Jacques Lanzmann and Serge Gainsbourg  During recording, Wolfsohn proposed to Lanzmann and Gainsbourg that they each work on alternative lyrics to go with one of Dutronc's instrumental demos  Lanzmann objected to being placed in competition against another writer, and dropped out of the project  The resulting album, Guerre et pets ("War and Farts" - a play on the title of Tolstoy's novel), consequently only includes two Lanzmann-Dutronc compositions, and is mainly written by Dutronc and Gainsbourg  The album's lead single, "L'hymne à l'amour", received little airplay because its lyric consists primarily of racial epithets (the opening line, roughly translated, is "gook, wog, towel-head, yid"), and the album was only a moderate commercial success  The follow-up, 1982's C'est pas du bronze, was written with Anne Ségalen, by now divorced from Jacques Lanzmann, and was released to a frosty critical reception Dutronc's acting career continued during the 1980s, and he appeared in films such as Malevil and Barbet Schroeder's Tricheurs  In 1987, he released a further album, C Q F Dutronc  Most of the songs were written by Dutronc without a partner, although he collaborated with Etienne Daho on one track and with Jean-François Bernardini of the Corsican folk group I Muvrini on another 

1990s
In 1992, Dutronc was awarded the César for Best Actor for the title role in Maurice Pialat's biopic Van Gogh  Critic Christopher Null commented that Dutronc "manages to embody the obvious manic depression from Van Gogh's later years, all exuding from his scraggly face, sunken eyes, and bony frame    the searing Dutronc is the real reason to sit through the film" In November 1992, Dutronc played three comeback concerts at the Casino de Paris, highlights from which were released as a film, directed by Jean-Marie Périer and as a live album, Dutronc au Casino  At around this time, Dutronc began work on a new studio album, Brèves rencontres, but work progressed slowly and it was not released until 1995 During the 1990s, Dutronc appeared in two films by Patrick Grandperret and was nominated for a César Award for best supporting actor in 1999, for his role in Nicole Garcia's Place Vendôme 

21st century
Dutronc starred in Claude Chabrol's 2000 film Merci pour le chocolat  He was awarded the Best Actor prize at the 2001 Marrakech International Film Festival and was nominated for the César Award for best actor for his role in Jean-Pierre Améris' C'est la vie  In 2002, he starred in Michel Blanc's Summer Things 
In 2003, Dutronc reunited with Jacques Lanzmann for Madame l'existence, an album described by rock critic Christophe Conte as "surpassing, without much apparent effort, everything that [Dutronc] has created in the last two decades" In 2005, Dutronc was awarded an Honorary César  Since then, he has appeared in films by directors including Gabriel Aghion and Alain Corneau 
In 2010, Dutronc toured for the first time in 17 years, and released recordings from the tour as a live album and DVD, Et vous, et vous, et vous Dutronc's 41st film, Les Francis, was released in 2014 In November 2014, Dutronc performed a series of concerts with Eddy Mitchell and Johnny Hallyday at Paris Bercy, under the name "Les vieilles canailles" ("The Old Gits")  It was reported that, following these performances, Dutronc intended to begin recording a new album with his son Thomas 
Said album, Dutronc and Dutronc, was released November 4th 2022 and features 13 songs originally released by Jacques Dutronc during his early career  Father and son rearranged the songs and both sing on the album 

Reputation and influence
According to a 1979 editorial in the French magazine Rock & Folk, Dutronc is "the one singer who is so closely identified with the 1960s that it has become impossible to talk about them without talking about him"  In 1991, "Il est cinq heures, Paris s'éveille" was voted the best French-language single of all time in a poll of music critics organised by Le Nouvel Observateur for a TV special broadcast on Antenne 2, beating Jacques Brel's "Ne me quitte pas" into second place Dutronc's songs have been covered by Matthieu Chedid, Vanessa Paradis, Mungo Jerry, Etienne Daho, Sylvie Vartan, Miles Kane, the Divine Comedy, Serge Gainsbourg, Black Lips, Zine, the Last Shadow Puppets among others  Dutronc is also mentioned in the lyrics of the Cornershop song "Brimful of Asha" In 2015, a tribute album was released by Columbia Records with various artists interpreting songs by Jacques Dutronc  The 13-track album titled Joyeux anniversaire M'sieur Dutronc contained performances by artists Julien Doré, Gaëtan Roussel, Zaz, Joeystarr, Nathy (Tüxo), BAGARRE, Thomas Dutronc, Annie Cordy, the duo Brigitte, Miossec, Francis Cabrel, Francine Massiani, Tété and Camélia Jordana in addition to "L'opportuniste" sung by Jacques Dutronc with Nicola Sirkis  The album charted in France and Belgium 

Personal life
Dutronc began a relationship with Vogue label-mate Françoise Hardy in 1967  In 1973, they had a son, Thomas, who grew up to become a successful jazz and pop musician  In 1981, they were married, "for tax reasons", according to Hardy  In 1998, Jacques began a relationship with a stylist whom he had met on the set of the film Place Vendôme  Dutronc and Hardy are now separated, but remain married and see each other regularly He currently lives near the town of Monticello, Corsica In 2015, Dutronc revealed he had a brief relationship with Romy Schneider that lasted as long as they were shooting the film That Most Important Thing: Love 

Discography
Studio albums
Other notable singles
Live albums
Selected filmography
See also
French pop
French rock
Yé-yé
Jacques Lanzmann

Bibliography
Michel Leydier (2010)  Jacques Dutronc: La Bio  Paris: Seuil  ISBN 978-2-02-101287-3
Passage 7:
Sébastien Schuller
Sébastien Schuller (born 26 August 1970) is a French singer, songwriter and film score composer living in Philadelphia  His film scores include Toi et Moi , Notre univers impitoyable, Un Jour d'Été, One O One, High Society,The Night Eats the World  

Discography
1999: Londres (EP, Warner Music France)
2002: Weeping Willow (EP, EMI Music France/Capitol Records)
2005: Happiness (LP, Catalogue Records/Wagram Music)
2005: Harmony (EP, Catalogue Records/Wagram Music)
2009: Evenfall (LP, PIAS France)
2014: Heat Wave (LP, self-produced)
2023: Introspection (LP, self-produced)

External links
Official website 
Sébastien Schuller at IMDb
Sébastien Schuller discography at MusicBrainz
Sébastien Schuller discography at Discogs
Passage 8:
Alexis Martin (actor)
Alexis Martin (born June 9, 1964, in Montreal, Quebec) is a Canadian actor and writer  A 1986 graduate of the Conservatoire d'art dramatique de Montréal, he has acted in film, television and stage productions, and has written both theatrical plays and film screenplays He was a Genie Award nominee for Best Supporting Actor at the 31st Genie Awards in 2010 for Route 132, and for Best Adapted Screenplay at the 20th Genie Awards in 1999 for Matroni et moi  His play Bureaux was shortlisted for the Governor General's Award for French-language drama at the 2004 Governor General's Awards 

Filmography
Film
Cordélia - 1980
The Party (Le Party) - 1990
Cosmos - 1996
Karmina - 1996
The Revenge of the Woman in Black (La vengeance de la femme en noir) - 1997
Nô - 1998
August 32nd on Earth (Un 32 août sur terre) - 1998
Matroni and Me (Matroni et moi) - 1999
Les Boys III - 2001
The Collector (Le Collectionneur) - 2002
CQ2 (Seek You Too) - 2004
Audition (L'Audition) - 2005
Saint Martyrs of the Damned (Saints-Martyrs-des-Damnés) - 2005
A Sunday in Kigali (Un dimanche à Kigali) - 2006
Bluff - 2007
Le Banquet - 2008
Babine - 2008
Route 132 - 2010
Before My Heart Falls (Avant que mon cœur bascule) - 2012
My Internship in Canada (Guibord s'en va-t-en guerre) - 2015
Bad Seeds (Les mauvaises herbes) - 2016
9 (9, le film) - 2016
Hochelaga, Land of Souls (Hochelaga, Terre des âmes) - 2017
We Are Gold (Nous sommes Gold) - 2019
There Are No False Undertakings (Il n'y a pas de faux métier) - 2020

Television
L'Amour avec un Grand A
Radio Enfer
Sous le signe du lion
Fortier
Trauma
Les Parent

Plays
Oreille, tigre et bruit
Matroni et moi
L'An de Grâce
Bureaux
L'Apprentissage des marais
Révolutions
Passage 9:
Mary Christy
Marie Ruggeri (born Maria Christina Ruggeri, 21 July 1952 in Déifferdeng), professionally known as Mary Christy, frequently credited as Mary Cristy, is a Luxembourgish singer and actress 
Ruggeri grew up in Mamer, where her father worked as an entrepreneur  In the 1960s she was a child singer in Luxembourg and Germany where she appeared under the pseudonyms Marie Tina and Marie Christina 
In the early 1970s, she moved to Paris where she performed under the name Mary Christy, and participated in the rock opera La Révolution Française by Schönberg at the Palais des Sports in Paris 
She is best known for representing Monaco in the Eurovision Song Contest 1976 with the song "Toi, la musique et moi"  Her entry ranked 3rd out of 18 participants, receiving 93 points, including maximum 12 points from her native Luxembourg 
Passage 10:
Gertrude of Bavaria
Gertrude of Bavaria (Danish and German: Gertrud; 1152/55–1197) was Duchess of Swabia as the spouse of Duke Frederick IV, and Queen of Denmark as the spouse of King Canute VI 
Gertrude was born to Henry the Lion of Bavaria and Saxony and Clementia of Zähringen in either 1152 or 1155  She was married to Frederick IV, Duke of Swabia, in 1166, and became a widow in 1167  In 1171 she was engaged and in February 1177 married to Canute of Denmark in Lund  The couple lived the first years in Skåne  On 12 May 1182, they became king and queen  She did not have any children  During her second marriage, she chose to live in chastity and celibacy with her husband  Arnold of Lübeck remarked of their marriage, that her spouse was: "The most chaste one, living thus his days with his chaste spouse" in eternal chastity 
Context 2: Passage 1:
Carry On Dick
Carry On Dick is a 1974 British comedy film, the 26th release in the series of 31 Carry On films (1958–1992)  The story is based on the Dick Turpin legend and features Turpin (James) as an antihero, attempting to evade capture by the authorities 
Carry On Dick was released in July 1974 and marked the end of an era for the series  It features the last appearances of Sid James (after nineteen appearances in the series), Hattie Jacques (fourteen appearances) and Barbara Windsor (nine appearances), although all three would appear in the Carry On Laughing TV series and Windsor would co-present a film compilation, That's Carry On!  It was the first of two Carry On appearances for Sam Kelly and the final Carry On film for Margaret Nolan (six appearances) and Bill Maynard (five appearances)  It was the 20th and final Carry On to be scripted by Talbot Rothwell  Other regulars in Carry On Dick were Kenneth Williams, Bernard Bresslaw, Joan Sims, Kenneth Connor, Peter Butterworth and Jack Douglas  The film was followed by Carry On Behind 1975 

Plot
In the year 1750, England is rife with crime and highway robbers  To stop the wave of chaos, King George II sets up the first professional police force named the Bow Street Runners, under the command of the bellowing Sir Roger Daley (Bernard Bresslaw), and seconded by Captain Desmond Fancey (Kenneth Williams) and Sergeant Jock Strapp (Jack Douglas)  The Runners are apparently successful in wiping out crime and lawlessness – using all manner of traps and tricks to round the criminals up  However their main target is the notorious Richard "Big Dick" Turpin (Sid James), a highwayman who has evaded capture and succeeded in even robbing Sir Roger and his prim wife (Margaret Nolan) of their money and clothing  After this humiliation, Turpin becomes the Bow Street Runners' most wanted man, and thus Captain Fancey is assigned to go undercover and catch the famous Dick Turpin and bring him to justice 
The Bow Street Runners nearly succeed in apprehending Turpin and his two partners in crime, Harriet (Barbara Windsor) and Tom (Peter Butterworth), one evening as they hold up a coach carrying faux-French show-woman, Madame Desiree (Joan Sims), and her unladylike daughters, "The Birds of Paradise " However, Turpin manages to outsmart the Runners, sending them away in Madam Desiree's coach 
Outraged by Strapp's incompetence, Captain Fancey travels with the sergeant to the village of Upper Dencher near to where the majority of Turpin's hold-ups are carried out  There they encounter the mild-mannered Reverend Flasher, who is really Turpin in disguise, with Tom as his church assistant and Harriet as his maidservant  They confide in the rector their true identities and their scheme to apprehend Turpin  They agree to meet at the seedy Old Cock Inn, a notorious hang-out for criminals and sleazy types, and where Desiree and her showgirls are performing  Fancey and Strapp pose as two on-the-run crooks – and Strapp dubs his superior "Dandy Desmond" – and they hear from the greasy old hag, Maggie (Marianne Stone), a midwife who removed buckshot from Turpin's buttock, that Turpin has a curious birthmark on his manhood  Strapp wastes no time in carrying out an inspection in the public convenience of the Old Cock Inn 
When the rector arrives, he discovers their knowledge of the birthmark, and sweet talks Desiree into assisting him with the capture of "Turpin", whom the rector has told Desiree is actually Fancey, who is sitting downstairs in the bar  She lures him to her room and attempts to undress him, with the help of her wild daughters  The girls pull down his breeches but fail to find an incriminating birthmark, and Desmond staggers half-undressed into the bar  Strapp is also dumped into a horse trough for peeping at the men in the toilets 
Strapp and Fancey send a message to Sir Roger about the birthmark, and are accosted by Harriet in disguise who tells them to meet Turpin that night at ten o'clock  Meanwhile, Tom tells the local constable that he knows where Turpin will be that night – at the location Harriet told Strapp and Fancey to wait  Thus, they are imprisoned as Turpin and his mate, and Sir Roger is yet again robbed on his way to see the prisoners 
However things fall apart when the rector's housekeeper, Martha Hoggett (Hattie Jacques) begins to put two and two together when Mrs Giles (Patsy Rowlands), apparently sick and used for a cover-up story for Dick's raids, is seen fit and well at the church jumble sale  Later that day, Harriet is caught at the Old Cock Inn where Fancey, Strapp and Daley are meeting and Fancey recognises her as the "man" who conned them into being caught  She is chased into Desiree's room and is told to undress to show the infamous birthmark  However, they soon realise she is a woman and are prepared to let her go, but lock her up after Lady Daley recognises a bracelet that Harriet is wearing as one Turpin stole from her 
With the net tightening, the Reverend Flasher gives an elongated sermon before outwitting his would-be captors and making a speedy getaway, with Harriett and Tom, across the border 

Cast
Crew
Screenplay – Talbot Rothwell
Treatment – Lawrie Wyman & George Evans
Music – Eric Rogers
Production Manager – Roy Goddard
Art Director – Lionel Couch
Editor – Alfred Roome
Director of Photography – Ernest Steward
Camera Operator – Jimmy Devis
Continuity – Jane Buck
Assistant Director – David Bracknell
Sound Recordists – Danny Daniel & Ken Barker
Make-up – Geoffrey Rodway
Hairdresser – Stella Rivers
Costume Design – Courtenay Elliott
Set Dresser – Charles Bishop
Dubbing Editor – Peter Best
Horse Master – Gerry Wain
Assistant Editor – Jack Gardner
Casting Director – John Owen
Stills Cameraman – Tom Cadman
Wardrobe Mistresses – Vi Murray & Maggie Lewin
Coach & Horses – George Mossman
Titles – GSE Ltd
Processor – Rank Film Laboratories
Producer – Peter Rogers
Director – Gerald Thomas

Filming and locations
Filming dates – 4 March-11 April 1974Interiors:

Pinewood Studios, BuckinghamshireExteriors:

Countryside and woodland near Pinewood Studios at Black Park, Iver Heath, Buckinghamshire
The Jolly Woodman Pub, Iver Heath, Buckinghamshire
Stoke Poges Manor, Stoke Poges, Buckinghamshire
St Mary's Church, Burnham, Buckinghamshire

Bibliography
Davidson, Andy (2012)  Carry On Confidential  London: Miwk  ISBN 978-1-908630-01-8 
Sheridan, Simon (2011)  Keeping the British End Up – Four Decades of Saucy Cinema  London: Titan Books  ISBN 978-0-85768-279-6 
Webber, Richard (2009)  50 Years of Carry On  London: Arrow  ISBN 978-0-09-949007-4 
Hudis, Norman (2008)  No Laughing Matter  London: Apex  ISBN 978-1-906358-15-0 
Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
Ross, Robert (2002)  The Carry On Companion  London: Batsford  ISBN 978-0-7134-8771-8 
Bright, Morris; Ross, Robert (2000)  Mr Carry On – The Life & Work of Peter Rogers  London: BBC Books  ISBN 978-0-563-55183-6 
Rigelsford, Adrian (1996)  Carry On Laughing – a celebration  London: Virgin  ISBN 1-85227-554-5 
Hibbin, Sally & Nina (1988)  What a Carry On  London: Hamlyn  ISBN 978-0-600-55819-4 
Eastaugh, Kenneth (1978)  The Carry On Book  London: David & Charles  ISBN 978-0-7153-7403-0 
Passage 2:
Carry On Emmannuelle
Carry On Emmannuelle is a 1978 British comedy film, the 30th release in the series of 31 Carry On films (1958–1992)  The film was to be the final Carry On for many regulars, including Kenneth Williams (in his 26th Carry On), Kenneth Connor (in his 17th), Joan Sims (in her 24th) and Peter Butterworth (in his 16th)  Jack Douglas is the only regular from this film to bridge the gap to Carry On Columbus  Beryl Reid, Henry McGee and Suzanne Danielle make their only appearances in the series here  The film featured a change in style, becoming more openly sexual and explicit  This was highlighted by the implied behaviour of Danielle's character, though she does not bare any more flesh than any other Carry On female lead  These changes brought the film closer to the then popular series of X-rated Confessions    comedies, or indeed the actual Emmanuelle films that it parodies  This film, as well as the original cut of Carry On England were the only films in the series to be certified AA by the British Board of Film Censors, which restricted audiences to those aged 14 and over  The film was followed by the final installment of the series Carry On Columbus 1992 

Plot
Emmannuelle Prévert (Suzanne Danielle) relieves the boredom of a flight on Concorde by seducing timid Theodore Valentine (Larry Dann)  She returns home to London to surprise her husband, the French ambassador, Émile Prevert (Kenneth Williams) but first surprises the butler, Lyons (Jack Douglas)  He removes her coat, only to find that she has left her dress on the aircraft  The chauffeur, Leyland (Kenneth Connor), housekeeper, Mrs Dangle (Joan Sims), and aged boot-boy, Richmond (Peter Butterworth), sense saucy times ahead… and they are right! Émile is dedicated to his bodybuilding, leaving a sexually frustrated Emmannuelle to find pleasure with everyone from the Lord Chief Justice (Llewellyn Rees) to chat show host, Harold Hump (Henry McGee)  Theodore is spurned by Emmannuelle, who has genuinely forgotten their airborne encounter, and, despite reassurances from his mother (Beryl Reid), exacts revenge by revealing Emmannuelle's antics to the press  However, after a visit to her doctor (Albert Moses), she discovers that she is pregnant and decides to settle down to a faithful marriage with Émile… and dozens of children 

Cast
Kenneth Williams as Émile Prévert
Suzanne Danielle as Emmannuelle Prévert
Kenneth Connor as Leyland
Jack Douglas as Lyons
Joan Sims as Mrs  Dangle
Peter Butterworth as Richmond
Larry Dann as Theodore Valentine
Beryl Reid as Mrs  Valentine
Henry McGee as Harold Hump
Victor Maddern as Man in Launderette
Dino Shafeek as Immigration Officer
Eric Barker as Ancient General
Joan Benham as Cynical Lady
Albert Moses as Doctor
Robert Dorning as Prime Minister
Steve Plytas as Arabian Official
Michael Nightingale as Police Commissioner
Bruce Boa as U S  Ambassador
Llewellyn Rees as Lord Chief Justice
Jack Lynn as Admiral
Claire Davenport as Blonde in Pub
Norman Mitchell as Drunken Husband
Tricia Newby as Nurse in Surgery
James Fagan as Concorde Steward
Malcolm Johns as Sentry
Howard Nelson as Harry Hernia
Tim Brinton as BBC Newscaster
Corbett Woodall as ITN Newscaster
Marianne Maskell as Nurse in Hospital
Louise Burton as Girl at Zoo
Gertan Klauber as German Soldier
John Carlin as French Parson
Guy Ward as Dandy
John Hallet as Substitute Football Player
Deborah Brayshaw as French Buxom Blonde
Suzanna East as Colette
Bruce Wylie as Football Referee
Philip Clifton as Injured Footballer
Stanley McGeagh as Fleet Street Journalist
Bill Hutchinson as 1st Reporter
Neville Ware as 2nd Reporter
Jane Norman as 3rd reporter
Nick White as Sent-off Footballer

Crew
Screenplay – Lance Peters
Music – Eric Rogers
Song – Kenny Lynch
Performers – Masterplan
Director of Photography – Alan Hume
Editor – Peter Boita
Art Director – Jack Sampan
Production Manager – Roy Goddard
Camera Operator – Godfrey Godar
Make-up – Robin Grantham
Production Executive for Cleves – Donald Langdon
Assistant Director – Gregory Dark
Sound Recordists – Danny Daniel & Otto Snel
Continuity – Marjorie Lavelly
Wardrobe – Margaret Lewin
Stills Cameraman – Ken Bray
Hairdresser – Betty Sherriff
Costume Designer – Courtenay Elliott
Set Dresser – John Hoesli
Assistant Editor – Jack Gardner
Dubbing Editor – Peter Best
Titles & Opticals – GSE Ltd
Processor – Technicolor Ltd
Producer – Peter Rogers
Director – Gerald Thomas

Filming and locations
Filming dates – 10 April-15 May 1978Interiors:

Pinewood Studios, BuckinghamshireExteriors:

Wembley, London
Trafalgar Square, London
Oxford Street, London
London Zoo, London

Critical reception
Critical response was universally negative, even more so than Carry on England which preceded it, and Carry On Columbus which succeeded it 14 years later  Philip French said of it: "This relentless sequence of badly-written, badly-timed dirty jokes is surely one of the most morally and aesthetically offensive pictures to emerge from a British studio " Christopher Tookey considered the film to be "embarrassingly feeble" Whilst many other Carry Ons have continued to be popular, opinions of Carry on Emmannuelle and its immediate predecessor and successor have not improved over the passing of time, and Carry On Emmannuelle is universally considered to be the worst film in the series  Tom Cole, writing in the Radio Times, found it "undignified" and "laugh-free", noting that the Lolita-esque performance of Suzanne Danielle was "unintentionally creepy"  And both Cole and Ian Freer, writing for Empire, laid the blame for the death of the series squarely at the film's door 

Notes
Passage 3:
Carry On Jack
Carry On Jack is a 1964 British comedy film, the eighth in the series of 31 Carry On films (1958–1992)  Most of the usual Carry On team are missing from this film: only Kenneth Williams and Charles Hawtrey appear throughout, with Jim Dale making a cameo appearance as a sedan chair carrier  Bernard Cribbins makes the first of his three appearances in a Carry On  Juliet Mills, Donald Houston and Cecil Parker make their only Carry on appearances in this film   Carry On Jack was the second of the series to be filmed in colour and the first Carry On film with a historical setting and period costumes 
As with its immediate predecessor, the script for Carry on Jack started off as a non-Carry On film (originally entitled Up the Armada) and after a number of title changes was incorporated into the series  The film was followed by Carry On Spying 1964 

Plot
Carry On Jack starts with the death of Admiral Horatio Nelson (Jimmy Thompson), whose last words are that Britain needs a bigger navy with more men, followed by his famous request for a kiss to Hardy (Anton Rodgers)  In the main story, Albert Poop-Decker (Bernard Cribbins) has taken 81⁄2 years and still not qualified as midshipman, but is promoted by the First Sea Lord (Cecil Parker) as England needs officers  He is to join the frigate HMS Venus at Plymouth  Arriving to find the crew all celebrating as they are sailing tomorrow, he takes a sedan chair with no bottom (so he has to run), carried by a young man and his father (Jim Dale and Ian Wilson, respectively) to Dirty Dick's Tavern 
Mobbed by women in the tavern as he is holding a sovereign aloft (as advised by Dale), he is rescued by serving maid, Sally (Juliet Mills)  She wants to go to sea to find her former lodger and childhood sweetheart Roger, but landlord Ned (George Woodbridge) has let her down  She finds that Poop-Decker has not reported to the ship yet and is unknown to them, so in a room upstairs she knocks him out and takes his midshipman's uniform 
Poop-Decker wakes and dons a dress to cover his long johns, and downstairs, along with a cess pit cleaner named Walter Sweetly (Charles Hawtrey), is kidnapped by a press gang run by the Venus's First Officer Lieutenant Jonathan Howett (Donald Houston) and his bosun, Mr Angel (Percy Herbert)  They come to when at sea and are introduced to Captain Fearless (Kenneth Williams)  Poop-Decker makes himself known, but there is already a Midshipman Poop-Decker aboard – Sally, in disguise  Poop-Decker, as a hopeless seaman, goes on to continually upset Howett by doing the wrong thing  Sally reveals her true identity to Poop-Decker after he has been punished, and he decides to let things continue as they are  Eventually, in the course of the film Poop-Decker and Sally fall in love with each other 
After three months at sea and no action, the crew are very restless, and when they finally see a Spanish ship, the Captain has them sail away from it  Howett and Angel hatch a plot, making it look like the ship has been boarded by the enemy during a night raid and using Poop-Decker as an expendable dupe to get the Captain leave the ship on his own volition  Poop-Decker, Sweetly and Sally thus help the Captain into a boat, and they leave the ship, but while leaving his cabin, the Captain gets a splinter in his foot, which later goes gangrenous  When they reach dry land, Captain Fearless reckons that they are in France and they need only to walk a short distance to reach Calais, while they are actually standing on Spanish soil  Sally and Poop-Decker spot a party of civilians and steal their clothes while they are bathing 
Now in charge of the ship, Howett and Angel sail for Cadiz and plan on taking it from Don Luis (Patrick Cargill), the Spanish Governor  They are successful, but their plot is ruined by Poop-Decker's group, who stumble into Cadiz (believing it to be Le Havre) and recapture the Venus  Sailing back to England, they encounter a pirate ship, whose crew seizes the Venus  The Captain (Patch, played by Peter Gilmore) turns out to be Sally's lost love Roger, but upon seeing him as a coarse, brutal rogue, she no longer wants to have anything to do with him  In order to force her compliance, Patch and Hook (Ed Devereaux) try to make Poop-Decker and Fearless walk the plank, but Poop-Decker manages to escape and cut down a sail, which covers the pirates, capturing them 
In Cadiz, the former crew of the Venus are taken to be shot, but escape with five empty Spanish men-of-war to England for prize money and glory  They are within sight of England when they encounter the Venus  While Poop-Decker, Sally and Walter are working below decks on cutting off Fearless's badly infected leg, a fire gets out of control on deck and burns a sail, which sets off the Venus's primed cannons, hitting all five Spanish ships and thus once again thwarting Howett  Poop-Decker and his companions end up at the Admiralty as heroes  Fearless, who now has a pegleg is promoted to Admiral and given a desk job  Poop-Decker and Sweetly are given the rank of honorary Captains, with pensions, but Poop-Decker reveals that he is going to leave the service to marry Sally 

Background
The overall plot in relation to Sally steals the idea from episode 2 of the British TV series "Sir Francis Drake" made three years earlier (1961)  In this episode a girl (the daughter of a ship's gunner) stows away on Drake's ship dressed as a man 

Cast
Crew
Screenplay – Talbot Rothwell
Music – Eric Rogers
Art Director – Jack Shampan
Director of Photography – Alan Hume
Editor – Archie Ludski
Associate Producer – Frank Bevis
Assistant Director – Anthony Waye
Camera Operator – Godfrey Godar
Sound Editor – Christopher Lancaster
Sound Recordist – Bill Daniels
Unit Manager – Donald Toms
Make-up Artists – Geoffrey Rodway & Jim Hydes
Continuity – Penny Daniels
Hairdressing – Olga Angelinetta
Costume Designer – Joan Ellacott
Technical Advisor – Ian Cox
Producer – Peter Rogers
Director – Gerald Thomas

Filming and locations
Filming dates: 2 September – 26 October 1963Interiors:

Pinewood Studios, BuckinghamshireExteriors:

Frensham Pond   The background to the scenes with HMS Venus on fire and "firing" on the other ships is Kimmeridge Bay, Dorset 

Reception
Kinematograph Weekly called the film a "money maker" for 1964 

Bibliography
Davidson, Andy (2012)  Carry On Confidential  London: Miwk  ISBN 978-1908630018 
Sheridan, Simon (2011)  Keeping the British End Up – Four Decades of Saucy Cinema  London: Titan Books  ISBN 978-0857682796 
Webber, Richard (2009)  50 Years of Carry On  London: Arrow  ISBN 978-0099490074 
Hudis, Norman (2008)  No Laughing Matter  London: Apex  ISBN 978-1906358150 
Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
Ross, Robert (2002)  The Carry On Companion  London: Batsford  ISBN 978-0713487718 
Bright, Morris; Ross, Robert (2000)  Mr Carry On – The Life & Work of Peter Rogers  London: BBC Books  ISBN 978-0563551836 
Rigelsford, Adrian (1996)  Carry On Laughing – a celebration  London: Virgin  ISBN 1-85227-554-5 
Hibbin, Sally & Nina (1988)  What a Carry On  London: Hamlyn  ISBN 978-0600558194 
Eastaugh, Kenneth (1978)  The Carry On Book  London: David & Charles  ISBN 978-0715374030 
Passage 4:
Carry On Matron
Carry On Matron is a 1972 British comedy film, the 23rd release in the series of 31 Carry On films (1958–1992)  It was released in May 1972  It features series regulars Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, Hattie Jacques, Bernard Bresslaw, Barbara Windsor and Kenneth Connor  This was the last Carry on    film for Terry Scott after appearing in seven films   Carry On Matron was the second and last Carry On    for Kenneth Cope 
Along with the next film in the series (Carry On Abroad), it features the highest number of the regular Carry On team  The only regular members missing are Jim Dale and Peter Butterworth  Dale would return belatedly for Carry On Columbus in 1992 and Butterworth returned in a major role in Abroad the following year  Butterworth was due to play Freddy but was unable because of other work engagements  The film was followed by Carry on Abroad 1972 

Plot
Sid Carter (Sid James) is the cunning head of a criminal gang that includes the longhaired drip Ernie Bragg (Bernard Bresslaw), the cheeky Freddy (Bill Maynard) and Sid's honest son, Cyril (Kenneth Cope)  Cyril does not want a life of crime, but is emotionally blackmailed by his father into going along with his scheme to rob Finisham Maternity Hospital for its stock of contraceptive pills and sell them abroad  Cyril reluctantly disguises himself as a new female nurse to case the hospital  Assumed to be one of the new student nurses who have just arrived, he is assigned to share a room with the shapely blonde nurse, Susan Ball (Barbara Windsor)  Unfortunately for Cyril, he also catches the eye of the hospital lothario, Dr Prodd (Terry Scott) 
Sir Bernard Cutting (Kenneth Williams), the hypochondriac registrar of the hospital, is convinced he's undergoing a sex change  When he consults the nutty Dr F  A  Goode (Charles Hawtrey), Goode dishes out psychiatric mumbo jumbo, stating that Cutting merely wants to prove his manhood, and Cutting decides he is in love with Matron (Hattie Jacques)  Matron, on the other hand, has more than enough to contend with on the wards, with the gluttonous patient Mrs Tidey (Joan Sims) who seems more interested in eating than producing a baby, and her long-suffering British Rail worker husband (Kenneth Connor) who continually hangs around the waiting room 
When Cyril goes back to Prodd's room to get a map of the hospital, Prodd attempts to get intimate, only to be knocked across the room  Prodd and Cyril are called out on an emergency when lovely film star Jane Darling (Valerie Leon) goes into labour, but as Cyril knocks Prodd out in the ambulance, he is forced to deal with the actress's triplets being born  Jane Darling is delighted with Cyril and hails "the nurse" a heroine for her efforts, bringing fame to the hospital  Susan uncovers Cyril's disguise, but as she is in love with him, does not reveal the truth 
The much put-upon Sister (Jacki Piper) desperately tries to keep the ward in order, while Cutting's secretary, Miss Banks (Patsy Rowlands) keeps her employer in check, but nothing can cool his pent-up desire to prove himself as a man, and it's Matron who's in his sights  The criminal gang don disguises—Sid dresses as the foreign "Dr Zhivago" and Ernie as a heavily expectant mum—but the crime is thwarted by the mothers-to-be  The medical hierarchy's threat to call the police is halted when Sid reveals the heroine of the day is a man, and the hospital realise they would suffer nationwide humiliation if anyone found out  Cyril weds his shapely nurse Susan, and Matron finally gets her doctor 

Cast
Crew
Screenplay – Talbot Rothwell
Music – Eric Rogers
Production manager – Jack Swinburne
Art director – Lionel Couch
Editor – Alfred Roome
Director of photography – Ernest Steward
Camera operator – James Bawden
Continuity – Joy Mercer
Assistant director – Bert Batt
Sound recordists – Danny Daniel & Ken Barker
Make-up – Geoffrey Rodway
Hairdresser – Stella Rivers
Costume designer – Courtenay Elliott
Assistant art director – William Alexander
Set dresser – Peter Lamont
Dubbing editor – Peter Best
Titles – GSE Ltd
Processor – Rank Film Laboratories
Assistant editor – Jack Gardner
Wardrobe mistresses – Vi Murray & Maggie Lewin
Producer – Peter Rogers
Director – Gerald Thomas

Filming and locations
Filming dates – 11 October-26 November 1971Interiors:

Pinewood Studios, BuckinghamshireExteriors:

Heatherwood Hospital, Ascot, Berkshire
The White House, Denham, Buckinghamshire
St Mary's Church, Denham, Buckinghamshire

Bibliography
Davidson, Andy (2012)  Carry On Confidential  London: Miwk  ISBN 978-1-908630-01-8 
Sheridan, Simon (2011)  Keeping the British End Up – Four Decades of Saucy Cinema  London: Titan Books  ISBN 978-0-85768-279-6 
Webber, Richard (2009)  50 Years of Carry On  London: Arrow  ISBN 978-0-09-949007-4 
Hudis, Norman (2008)  No Laughing Matter  London: Apex  ISBN 978-1-906358-15-0 
Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
Ross, Robert (2002)  The Carry On Companion  London: Batsford  ISBN 978-0-7134-8771-8 
Bright, Morris; Ross, Robert (2000)  Mr Carry On – The Life & Work of Peter Rogers  London: BBC Books  ISBN 978-0-563-55183-6 
Rigelsford, Adrian (1996)  Carry On Laughing – a celebration  London: Virgin  ISBN 1-85227-554-5 
Hibbin, Sally & Nina (1988)  What a Carry On  London: Hamlyn  ISBN 978-0-600-55819-4 
Eastaugh, Kenneth (1978)  The Carry On Book  London: David & Charles  ISBN 978-0-7153-7403-0 
Passage 5:
Carry On Cleo
Carry On Cleo is a 1964 British historical comedy film, the tenth in the series of 31 Carry On films (1958–1992)  Regulars Sid James, Kenneth Williams, Kenneth Connor, Charles Hawtrey, and Jim Dale are present and Connor made his last appearance until his return in Carry On Up the Jungle six years later  Joan Sims returned to the series for the first time since Carry On Regardless three years earlier  Sims would now appear in every Carry On up to Carry On Emmannuelle in 1978, making her the most prolific actress in the series  Jon Pertwee makes the first of his four appearances in the series  The title role is played by Amanda Barrie in her second and last Carry On  Along with Carry On Sergeant and Carry On Screaming!, its original posters were reproduced by the Royal Mail on stamps to celebrate the 50th anniversary of the Carry On series in June 2008  The film was followed by Carry On Cowboy 1965 

Plot
The film opens during Caesar's invasions of Britain, with Mark Antony (Sid James) struggling to lead his armies through miserable weather  At a nearby village, cavemen Horsa (Jim Dale) and Hengist Pod (Kenneth Connor) attempt to alert Boudica to the invasion, but are captured by the Romans 
Once in Rome, Horsa is sold by the slave-trading firm Marcus et Spencius, and Hengist is destined to be thrown to the lions when no-one agrees to buy him  Horsa and Hengist escape and take refuge in the Temple of Vesta  Whilst hiding there, Julius Caesar (Kenneth Williams) arrives to consult the Vestal Virgins, but an attempt is made on his life by his bodyguard, Bilius (David Davenport)  In the melee, Horsa kills Bilius and escapes, leaving Hengist to take the credit for saving Caesar's life and to be made Caesar's new bodyguard 
When a power struggle emerges in Egypt, Mark Antony is sent to force Cleopatra (Amanda Barrie) to abdicate in favour of Ptolemy  However, Mark Antony becomes besotted with her, and instead kills Ptolemy off-screen to win her favour  Cleopatra convinces Mark Antony to kill Caesar and become ruler of Rome himself so that they may rule a powerful Roman-Egyptian alliance together  After seducing one another, Mark Antony agrees, and plots to kill Caesar 
Caesar and Hengist travel to Egypt on a galley, along with Agrippa (Francis de Wolff), whom Mark Antony has convinced to kill Caesar  However, Horsa has been re-captured and is now a slave on Caesar's galley  After killing the galley-master (Peter Gilmore), Horsa and the galley slaves kill Agrippa and his fellow assassins and swim to Egypt  Hengist, who had been sent out to fight Agrippa and was unaware of Horsa's presence on board, again takes the credit 
Once at Cleopatra's palace, an Egyptian soothsayer (Jon Pertwee) warns Caesar of the plot to kill him, but Mark Anthony convinces Caesar not to flee
Context 3: Passage 1:
The Fabulous Senorita
The Fabulous Senorita is a 1952 American musical comedy film directed by R  G  Springsteen and starring Estelita Rodriguez, Robert Clarke and Nestor Paiva  The film came at the tail-end of a cycle of Latin American-themed films, though it did introduce a new star, Rita Moreno 

Plot
Cast
Estelita Rodriguez as Estelita Rodriguez
Robert Clarke as Jerry Taylor
Nestor Paiva as José Rodriguez
Marvin Kaplan as Clifford Van Kunkle
Rita Moreno as Manuela Rodríguez
Leon Belasco as Señor Gonzales
Tito Renaldo as Pedro Sanchez
Tom Powers as Delaney
Emory Parnell as Dean Bradshaw
Olin Howland as Justice of the Peace
Vito Scotti as Esteban Gonzales
Martin Garralaga as Police Captain Garcia
Nita Del Rey as Felice
Joan Blake as Betty
Frances Dominguez as Amelia
Betty Farrington as Janitress
Norman Field as Dr  Campbell
Clark Howat as Davis
Frank Kreig as Cab Driver
Dorothy Neumann as Mrs  Black
Elizabeth Slifer as Wife of Justice of the Peace
Charles Sullivan as Cab Driver
Arthur Walsh as Pete
Passage 2:
Kabani Nadi Chuvannappol
Kabani Nadi Chuvannappol (When the River Kabani Turned Red) is a 1975 Malayalam feature film directed by P  A  Backer, produced by Pavithran, and starring T  V  Chandran, Shalini, Raveendran and J  Siddiqui  This leftist political drama film came out during the Emergency period  It was the directorial debut of P  A  Backer, who won that year's awards for Best Director and Second Best Film at the Kerala State Film Awards  Pavithran, who later directed many critically acclaimed Malayalam films produced the film  T  V  Chandran, who also later went on to direct a bevy of award-winning films in Malayalam and Tamil, played the lead role  After certain post-production controversies, the film debuted in theatres on 16 July 1976 

Cast
Production and release
The principal production started in June 1975  The day when shoot of the film commenced in Bangalore, Emergency was declared in India The film was screened at several film festivals in 1975  It was not given the censor certificate for the theme it dealt with for more than a year  It released in theatres during the Emergency period itself, on 16 July 1976 The English title of the film is When the River Kabani Turned Red 

Awards
Kerala State Film AwardsSecond Best Film - P  A  Backer (director), Pavithran (producer)
Best Director - P  A  Backer
Passage 3:
The Drover's Wife
The Drover's Wife is a 1945 painting by Australian artist Russell Drysdale  The painting depicts a flat, barren landscape with a woman in a plain dress in the foreground  The drover with his horses and wagon are in the background  The painting has been described as "an allegory of the white Australian people's relationship with this ancient land " Henry Lawson's 1892 short story "The Drover's Wife" is widely seen as an inspiration for the painting, although Drysdale denies that The painting is now part of the collection of the National Gallery of Australia in Canberra 
Passage 4:
The Drover's Sweetheart
The Drover's Sweetheart is a 1911 film from the team of Agnes and John Gavin It was the first film they made for their own production company after leaving Stanley Crick and Herbert Finlay on 19 July 1911 and seems to have been made at Gavin's new studios at Waverly Very little is known about the movie, which is considered a lost film  It is not certain if it was ever even released commercially The film was supposed to be followed by another from Gavin called The Lubra's Revenge but is unclear if this was made 
Passage 5:
Operation Leopard
La légion saute sur Kolwezi, also known as Operation Leopard, is a French war film directed by Raoul Coutard and filmed in French Guiana  The script is based on the true story of the Battle of Kolwezi that happened in 1978  It was diligently described in a book of the same name by former 1st Foreign Parachute Regiment Captain Pierre Sergent  He published his book in 1979, and the film came out in 1980  Coutard shot the film in a documentary style 

Plot
The film is based on true events  In 1978, approximately 3,000 heavily armed fighters from Katanga crossed the border to the Zaire and marched into Kolwezi, a mining centre for copper and cobalt  They took 3,000 civilians as hostages  Within a few days, between 90 and 280 hostages were killed  The rebels appeared to be unpredictable and are reported to have threatened to annihilate all civilians 
Mobutu Sese Seko, Zaire's head of state, urged Belgium, France and the United States to help  France sent the Foreign Legion's 2nd Foreign Parachute Regiment, which were flown from Corsica to Kolwezi  Following their arrival, they secured the perimeter, in co-operation with Belgian soldiers from Zaire, and then started to evacuate the civilians  Within two days more than 2,000 Europeans and about 3,000 African citizens were saved  The film strives to depict the events in a dramatised form, concentrating on the Europeans' plight 

Production
The late Jean Seberg had filmed scenes on location for the film, but her death caused her to be replaced by another French American actress, Mimsy Farmer, who reshot Seberg's scenes 

Cast
Bruno Cremer: Pierre Delbart
Jacques Perrin:Ambassador Berthier
Laurent Malet: Phillipe Denrémont
Pierre Vaneck: Colonel Grasser
Mimsy Farmer: Annie Devrindt
Giuliano Gemma: Adjudant Fédérico
Robert Etcheverry : Colonel Dubourg
Jean-Claude Bouillon : Maurois
Passage 6:
My Little Eye
My Little Eye is a 2002 British horror film directed by Marc Evans about five adults who agree to spend six months together in an isolated mansion while being filmed at all times  The idea for the film came from reality television shows such as Big Brother  The title refers to the guessing game I spy 

Plot
Five contestants, Matt (Sean Cw Johnson), Emma (Laura Regan), Charlie (Jennifer Sky), Danny (Stephen O'Reilly) and Rex (Kris Lemche), agree to take part in a reality webcast, where they must spend six months in a house to win $1 million  If anyone leaves, then no one wins the money  Nearing the end of the six months, tension between the contestants rises after Emma finds strange messages she believes are from a man from her past and the food packages arrive containing a letter that claims Danny's grandfather has died, and a gun with five bullets 
One night, a man named Travis Patterson (Bradley Cooper) arrives, claiming he is lost in the woods and that his GPS has died  Despite claiming to be an internet programmer, he claims to not recognize any of the contestants or ever having heard of the show  Later that night, Travis has sex with Charlie, and then secretly talks directly into a camera, to communicate with whoever is watching them



ground_truth: Françoise Hardy

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Are the movies The Hatton Garden Job and Carry On Cleo, from the same country?

The following are given passages.
Context 2:  Instead, Caesar convinces Hengist to change places with him, since Cleopatra and Caesar have never met  On meeting, Cleopatra lures Hengist, who accidentally exposes both Cleopatra and Mark Anthony as would-be assassins  He and Caesar then ally with Horsa, and after defeating Cleopatra's bodyguard Sosages (Tom Clegg) in combat, Hengist and the party flee Egypt  Caesar is returned to Rome, only to be assassinated on the Ides of March  Horsa and Hengist return to Britain, and Mark Antony is left in Egypt to live "one long Saturday night" with Cleopatra 

Background notes
The costumes and sets used in the film were originally intended for Cleopatra (1963) before that production moved to Rome and rebuilt new sets there  Carry On Cleo was filmed between 13 July and 28 August 1964 The original poster and publicity artwork by Tom Chantrell were withdrawn from circulation after 20th Century Fox successfully brought a copyright infringement case against distributor Anglo Amalgamated, which found the design was based on a painting by Howard Terpning for which Fox owned the copyright and was used to promote the Cleopatra film 

Cast
Filming and locations
Filming dates: 13 July – 28 August 1964Interiors:

Pinewood Studios, Buckinghamshire
Chobham Common, Surrey

Reception
The  film premiered at London's Warner cinema on 10 December 1964 and went on to become one of the 12 most popular movies at the British box office in 1965 Colin McCabe, Professor of English at the University of Exeter, labelled this film (together with Carry On Up The Khyber) as one of the best films of all time In 2007, the pun "Infamy, infamy, they've all got it in for me", spoken by Kenneth Williams, was voted the funniest one-line joke in film history  The line was not written by Rothwell but borrowed with permission from a Take It from Here script written by Frank Muir and Denis Norden 
Passage 6:
Carry On Abroad
Carry On Abroad is a 1972 British comedy film, the 24th release in the series of 31 Carry On films (1958–1992)  The film features series regulars Sid James, Kenneth Williams, Joan Sims, Bernard Bresslaw, Barbara Windsor, Kenneth Connor, Peter Butterworth and Hattie Jacques  It was the 23rd and final appearance for Charles Hawtrey  June Whitfield returned after appearing in Carry On Nurse 13 years earlier  Jimmy Logan and  Carol Hawkins made their first of two appearances in the series 
Along with the previous film in the series (Carry On Matron), it features the highest number of the regular Carry On team, and actually surpasses it if you count Terry Scott, who had filmed a scene as an irate Wundatours customer, but his scene was cut from the final film  The only other member missing is Jim Dale, who had left the series by this point, but would return belatedly for Carry On Columbus in 1992  Dale and Scott were never in a Carry On film together  The film was followed by Carry On Girls 1973 

Plot
The film opens with pub landlord and frequent holidaymaker Vic Flange (Sid James) openly flirting with the sassy saucepot widow Sadie Tompkins (Barbara Windsor) as his battleaxe wife, Cora (Joan Sims), looks on with disdain  Their twitching friend Harry (Jack Douglas), who is prone to elaborate and violent twitches, arrives and reveals that the package holiday Vic has booked to the Mediterranean island Elsbels (a pun on the slang expression "Hell's Bells") which is on the Costa Bomm, also includes Sadie, much to Cora's outrage  Cora, who avoids holidays because she hates flying, suddenly decides to accompany her boorish husband on the trip, to ensure he keeps away from Sadie 
The next day, Stuart Farquhar (Kenneth Williams), the representative of Wundatours Travel Agency, and his sexy, seductive assistant, Moira Plunkett (Gail Grainger), welcome the motley passengers  Among them are the henpecked and sex-starved Stanley Blunt (Kenneth Connor) and his overbearing, conservative, frigid wife, Evelyn (June Whitfield); a drunken, bowler-hatted mummy's boy, Eustace Tuttle (Charles Hawtrey); brash Scotsman Bert Conway (Jimmy Logan); young and beautiful friends Lily and Marge (Sally Geeson and Carol Hawkins respectively), who are each hoping to find a man to fall in love with; and a party of monks, including Brother Bernard (Bernard Bresslaw), a timid young monk who has difficulty fitting into his new path of life 
Unfortunately, upon their arrival they discover their hotel is only half-finished; the builders have just quit suddenly for unspecified reasons, leaving the remaining five floors unfinished  Distraught manager Pepe (Peter Butterworth) desperately tries to run the place in myriad different guises – the manager, the doorman and the porter – and the chef is his irate, ill-tempered wife, Floella (Hattie Jacques), who battles repeatedly with the temperamental stove while their handsome, womanising son Georgio (Ray Brooks) idles behind the bar  The hotel also hides an assortment of faults, and Pepe is soon overrun with complaints: Evelyn finds Mr Tuttle in her bath, Vic discovers Sadie naked in his shower; Lily and Marge's wardrobe has no back to it, allowing them to be accidentally seen by Brother Bernard in the opposite room; sand pours out of Moira's taps; the lavatory drenches Bert  The phone system itself is faulty, and the guests end up complaining to each other for much of the time  Nevertheless, Stuart is determined to ensure everyone has a good time 
Dinner on the first night is foul, and made even more unpleasant by the smoke from the burning food in the kitchen, which forces the motley group of holiday-makers to open the windows, prompting the arrival of mosquitos  Although agreeing to play leapfrog with Tuttle, Lily and Marge have their eyes on other things  Marge takes a shine to Brother Bernard, and they develop an innocent romance, while Lily lures the dashing Nicholas (David Kernan) away from his jealous (and, it is implied, gay) friend, Robin (John Clive)  Meanwhile, Stanley attempts to seduce Cora whilst his nagging wife is not present, but Cora is more interested in keeping Vic away from Sadie, who grows fond of Bert  Vic tries to put Bert off Sadie by telling him that she is a black widow who murdered her two previous husbands, when in fact both were firemen who died on the job 
The next day, the holidaymakers are awakened very early in the morning by the builders, who have returned to work  While most of the party go off on an excursion to the nearby village, Stanley ensures his wife is left behind so that he can spend the day attempting to woo Cora  Vic samples a local drink, "Santa Cecelia's Elixir", which blesses the drinker with X-ray vision and he is able to see through women's clothing  However, the tourists are arrested for causing a riot at Madame Fifi's (Olga Lowe) local brothel after Vic, Bert and Eustace annoy the girls there; left-behind Evelyn is seduced by Georgio, which leads to her abandoning her frigid manners 
In the local prison, Miss Plunkett seduces the Chief of Police, and the tourists are released  Back at the hotel, Mrs Blunt resumes her sex life with a surprised Stanley after having a brief affair with Georgio  The last night in the hotel starts as a success, with all the guests at ease with each other thanks to the punch being spiked with Santa Cecelia's Elixir  Midway through the night it begins to rain, and the hotel is shown to have been constructed on a dry river bed  As the hotel begins to collapse Pepe finally loses his patience and sanity with the guests who, intoxicated by the spiked punch, party on oblivious to the fact the hotel is disintegrating around them 
The film then shifts forward an unspecified period of time, and shows an Elsbels reunion at Vic and Cora's pub  Farquhar has also lost his job at Wundatours and started working at the pub  All the guests are happy, and reminisce about the holiday they barely survived 

Cast
Sid James as Vic Flange
Kenneth Williams as Stuart Farquhar
Charles Hawtrey as Eustace Tuttle
Joan Sims as Cora Flange
Peter Butterworth as Pepe
Kenneth Connor as Stanley Blunt
Hattie Jacques as Floella
Bernard Bresslaw as Brother Bernard
Barbara Windsor as Sadie Tomkins
Jimmy Logan as Bert Conway
June Whitfield as Evelyn Blunt
Sally Geeson as Lily Maggs
Carol Hawkins as Marge Dawes
Gail Grainger as Moira Plunkett
Ray Brooks as Georgio
John Clive as Robin Tweet
David Kernan as Nicholas Phipps
Patsy Rowlands as Miss Dobbs
Derek Francis as Brother Martin
Jack Douglas as Harry
Amelia Bayntun as Mrs Tuttle
Alan Curtis as Police Chief
Hugh Futcher as Jailer
Gertan Klauber as Postcard seller
Brian Osborne as Stall-holder
Olga Lowe as Madame Fifi

Crew
Screenplay – Talbot Rothwell
Music – Eric Rogers
Production manager – Jack Swinburne
Art director – Lionel Couch
Editor – Alfred Roome
Director of photography – Alan Hume
Camera operator – Jimmy Davis
Continuity – Joy Mercer
Assistant director – David Bracknell
Sound recordists – Taffy Haines & Ken Barker
Make-up – Geoffrey Rodway
Assistant art director – Bill Bennison
Set dresser – Don Picton
Hairdresser – Stella Rivers
Costume designer – Courtenay Elliott
Dubbing editor – Peter Best
Assistant editor – Jack Gardner
Titles – GSE Ltd
Processor – Rank Film Laboratories
Producer – Peter Rogers
Director – Gerald Thomas

Notes
The film's opening credits also include 'Sun Tan Lo Tion' (sun tan lotion) as 'Technical Director' 
The brothel keeper is played by Olga Lowe, one of the first actresses to work with Sid James when he arrived in the UK in 1946  Lowe was also the actress on stage with James on the night he died in Sunderland 

Filming and locations
Filming dates – 17 April–26 May 1972 (The previous entry – Carry On Matron – was released during filming)Interior/exterior film locations:
Bagshot, Surrey: The road to the airport 
High Street, Slough: The Wundatours travel agency shop (the site has since been redeveloped and is now Cornwall House) 
Pinewood Studios: Elsbels airport terminal building (the studios' security block); the Whippit Inn pub; Elsbels hotel interior and exterior scenes  (The hotel was constructed in the studio backlot with a matte added to represent the upper floors and sections of scaffold )
Passage 7:
The Hatton Garden Job
The Hatton Garden Job, also known as One Last Heist, is a 2017 British crime film  The film is a dramatization of real-life events in April 2015, when the Hatton Garden Safe Deposit Company, based underground in the Hatton Garden area of central London, was burgled by four elderly men, all experienced thieves  The film was directed by Ronnie Thompson and stars Larry Lamb, Matthew Goode, and Joely Richardson 
The film had its West End of London première at the Curzon, Shaftesbury Avenue, on 11 April 2017 

Outline
Larry Lamb plays the 76-year-old Brian Reader, taking the lead among the four "codgers" who carry out the operation, with the title of Guvnor, while the other three at the sharp end of the raid are Danny Jones (Phil Daniels), Terry Perkins (David Calder), and Kenny Collins (Clive Russell)  Apart from more routine thievery going back at least to his first conviction in 1975, Reader had previously laundered the proceeds of the Brink's-Mat robbery of 1983  The burglars enter the underground premises over an Easter bank holiday weekend through a lift shaft, then drill through the thick walls of the vault with an industrial power drill, proceeding over the following two days to rifle through dozens of deposit boxes  The burglar alarm goes off, but the police decide not to attend  The robbery remains undetected until staff return to work the following week, and newspapers are soon calling it the biggest theft in English history, as the total stolen has a reported value of up to £200 million — although the gang of seven (who have a combined age of 448) don't believe it Matthew Goode plays the organiser of the robbery, known only as XXX, while Joely Richardson is Erzebet Zslondos, a glamorous Hungarian mobster who is pulling the strings, complete with an exotic accent and remarkable set of costumes  A subplot centres on Zslondos and a corrupt policeman, DCI Frank Baskin (Mark Harris) After an efficiently carried-out operation, the haul is divvied up, the Flying Squad of the Metropolitan Police ("the Sweeney") is called in, led by DCI Emma Carter (Sarah-Jane Crawford), and the insurers offer rewards for leads to crack the crime  Six weeks later, acting on information received, nine men are arrested, including Reader  Later, four other men are pulled in and charged with conspiracy to commit burglary  They then face the challenge of what (if anything) to say under questioning and the dilemma of whether to reveal the hiding places of the missing loot  Almost a year after they hit Hatton Garden, all but one of the men are found guilty and go to prison, Reader getting six years  Most do not take up the offer of shorter sentences for returning millions still unrecovered 
The leader, referred to in the film as "XXX", escapes justice — which at the time of shooting matched the story of the real-life Michael Seed (known as 'Basil')  Seed was later found guilty of both burglary and conspiracy to burgle, and was sentenced to ten years in prison for the former and eight years for the latter, the two running concurrently 

Cast
Production
It was announced in June 2016 that Larry Lamb, Matthew Goode, Joely Richardson, and Phil Daniels had taken leading roles in the low budget film 

Reception
On review aggregation website Rotten Tomatoes, the film holds an approval rating of 18% based on reviews from 17 critics, with an average rating of 3 90/10 In negative reviews The Guardian called the film "a piece of geezer nostalgia" with a "wocka-wocka retro-funk score", but suggested that Phil Daniels might deserve an award for uttering the line “the biggest bling blag in history”  It also took the view that the film failed to keep faith with its grey power ethos by parachuting in an attractive young leader for the much older gang (Matthew Goode), who was simply an invention 
The Daily Telegraph deemed the film a Guy Ritchie pastiche and commented that "This is entirely, even aggressively un-cinematic, and after a while begins to feel like a bizarre, Brechtian joke at the audience’s expense: vast expanses of the film are, quite literally, just boring " Metro's review found the production slow and clichéd and suggested that "this is a film that ultimately proves to be every bit as opportunistic as the raid that initially inspired it "
The film magazine Empire was more positive, The film is not without charm, thanks to engaging lead performances from a roster of solid British talent, from Larry Lamb to Phil Daniels, who can do lovable-rogue banter in their sleep  Early scenes of them plotting the heist are enjoyable if not exactly fresh, several exchanges raising a smile  Despite their best efforts, however, the film falters thanks to an inescapable fact    it’s all a little dull 

See also
Hatton Garden: the Heist – an earlier film released in 2016 based on the robbery
King of Thieves – a 2018 film also based on the same events
Heist film
Passage 8:
Carry On Cruising
Carry On Cruising is a 1962 British comedy film, the sixth in the series of 31 Carry On films (1958–1992)  It was based on an original story by Eric Barker  P&O – Orient Lines were thanked in the credits  Regulars Sid James, Kenneth Williams and Kenneth Connor appear in the film, whereas Joan Sims and Charles Hawtrey do not  Sims took ill shortly before filming began and was replaced by Dilys Laye, making her Carry On debut, at four days' notice  Hawtrey was dropped for demanding star billing,  but returned for the next entry, making this the only entry during Hawtrey's 23-film run which he missed  Sims returned two years later in Carry On Cleo  Liz Fraser notches up the second of her four appearances here  Lance Percival makes his only appearance in the series in Carry On Cruising, playing the ship's chef, the role originally designated for Hawtrey  The Australian actor Vincent Ball also makes his first, of two, Carry On appearances  This was the last film to have its screenplay written by Norman Hudis  This film was notable for being the first in the series to be filmed in colour  The film was followed by Carry On Cabby 1963 

Plot
Captain Crowther (Sid James) has five of his crew replaced at short notice before a new cruise voyage begins  Not only does he get the five most incompetent crew men ever to sail the seven seas, but the passengers turn out to be a rather strange bunch too 
The SS Happy Wanderer is the cruise ship and after this voyage, Crowther hopes to get a job as captain on a transatlantic ship, promising the cruise crew members their jobs will be safe under the new captain   Setting off from England, the Happy Wanderer calls at unnamed ports in Spain, Italy and North Africa before heading  home 
Single ladies Gladys (Liz Fraser) and Flo (Dilys Laye) take the cruise, Flo hoping to find a husband  Bridget (Esma Cannon) is her usual dotty and entertaining self, and one unnamed passenger (Ronnie Stevens) never disembarks but always goes straight to the bar to drink, to forget an unidentified woman  The crew and passengers settle in as the ship leaves port and head chef Wilfred Haines (Lance Percival) discovers he gets easily seasick  Mario Fabrizi makes a quick appearance as one of the cooks under Haines  Ed Devereaux, best known for the part of Matt Hammond in the Australian TV series 'Skippy', appears as a young officer 
Gladys and Flo fall for the PT instructor Mr  Jenkins but nothing comes of it, especially when Flo turns out to be hopeless in the gym  Meanwhile, the new men try to impress Crowther but disaster follows disaster with him getting knocked out and covered with food at a party 
Meanwhile, ship's doctor Dr  Binn (Kenneth Connor) has fallen for Flo, but she wants nothing to do with him, so he serenades her with a song after leaving Italy (Bella Marie, sung by Roberto Cardinali), which she does not hear as she is asleep  Gladys, who has heard the song, realises that Flo is in love with Binn and with the help of First Officer Marjoribanks (Kenneth Williams) arranges a plot for Binn and Flo to get together  It works and the confident Binn finally confesses his feelings to a gobsmacked Flo, who returns his affections 
Crowther lets the five newcomers know that they have improved since the cruise began, simply by doing their jobs and not by trying to impress him  They learn that the captain has been in charge of the Happy Wanderer for ten years and decide to hold a surprise party for him, with the passengers  Haines bakes him a many-flavoured cake and the barman cables the former barman for the recipe of the captain's favourite drink, the Aberdeen Angus 
The party goes well and Crowther gets his telegram telling him he has the captaincy of the new ship  He turns it down as he recognises it does not have the personal touch of a cruise ship, and prefers the company of his own crew 

Cast
Sid James as Captain Wellington Crowther
Kenneth Williams as First Officer Leonard Marjoribanks
Kenneth Connor as Dr Arthur Binn
Liz Fraser as Glad Trimble
Dilys Laye as Flo Castle
Esma Cannon as Bridget Madderley
Lance Percival as Wilfred Haines, Ship's Cook 
Jimmy Thompson as Sam Turner
Ronnie Stevens as Drunk
Vincent Ball as Jenkins
Cyril Chamberlain as Tom Tree
Willoughby Goddard as Large Man
Ed Devereaux as Young officer
Brian Rawlinson as Steward
Anton Rodgers as Young man
Anthony Sagar as Cook
Terence Holland as Passer-by
Mario Fabrizi as Cook
Evan David as Bridegroom
Marian Collins as Bride
Jill Mai Meredith as Shapely miss
Alan Casley as Kindly seaman

Crew
Screenplay – Norman Hudis
Story – Eric Barker
Music – Bruce Montgomery & Douglas Gamley
Director of Photography – Alan Hume
Art Director – Carmen Dillon
Editor – John Shirley
Production Manager – Bill Hill
Camera Operator – Dudley Lovell
Assistant Director – Jack Causey
Sound Editors – Arthur Ridout & Archie Ludski
Sound Recordists – Robert T MacPhee & Bill Daniels
Continuity – Penny Daniels
Make-up – George Blackler & Geoffrey Rodway
Hairdressing – Biddy Crystal
Costume Designer – Joan Ellacott
Casting Director – Betty White
Beachwear – Silhouette (lingerie)
Producer – Peter Rogers
Director – Gerald Thomas

Filming and locations
Filming dates – 8 January-16 February 1962Interiors:

Pinewood Studios, Buckinghamshire, EnglandExteriors

Southampton Docks

Reception
The film was the 12th most popular film at the British box office in 1962  According to Kinematograph Weekly the film was considered a "money maker" at the British box office in 1962 

Bibliography
Davidson, Andy (2012)  Carry On Confidential  London: Miwk  ISBN 978-1908630018 
Sheridan, Simon (2011)  Keeping the British End Up – Four Decades of Saucy Cinema  London: Titan Books  ISBN 978-0857682796 
Webber, Richard (2009)  50 Years of Carry On  London: Arrow  ISBN 978-0099490074 
Hudis, Norman (2008)  No Laughing Matter  London: Apex  ISBN 978-1906358150 
Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
Ross, Robert (2002)  The Carry On Companion  London: Batsford  ISBN 978-0713487718 
Bright, Morris; Ross, Robert (2000)  Mr Carry On – The Life & Work of Peter Rogers  London: BBC Books  ISBN 978-0563551836 
Rigelsford, Adrian (1996)  Carry On Laughing – a celebration  London: Virgin  ISBN 1-85227-554-5 
Hibbin, Sally & Nina (1988)  What a Carry On  London: Hamlyn  ISBN 978-0600558194 
Eastaugh, Kenneth (1978)  The Carry On Book  London: David & Charles  ISBN 978-0715374030 
Passage 9:
Carry On Up the Jungle
Carry On Up the Jungle is a 1970 British adventure comedy film, the 19th release in the series of 31 Carry On films (1958–1992)  The film marked Frankie Howerd's second and final appearance in the series  He stars alongside regular players Sid James, Charles Hawtrey, Joan Sims, Terry Scott and Bernard Bresslaw  Kenneth Connor returns to the series for the first time since Carry On Cleo six years earlier and would now feature in almost every entry up to Carry On Emmannuelle in 1978  Jacki Piper makes the first of her four appearances in the series  This movie is a send-up of the classic Tarzan films  It features an unusually dark tone for the series, as the protagonists are faced with certain death after they are apprehended by a cannibalistic tribe in the jungle  The film was followed by Carry On Loving 1970 

Plot
Camp ornithologist Professor Inigo Tinkle (Frankie Howerd) tells a less-than-enraptured audience about his most recent ornithological expedition to the darkest, most barren regions of the African wilds in search for the legendary Oozlum bird, which is said to fly in ever decreasing circles until it disappears up its own rear end  Financing the expedition is Lady Evelyn Bagley (Joan Sims) and the team are led by the fearless (and lecherous) Bill Boosey (Sid James) and his slow-witted African guide Upsidasi (Bernard Bresslaw)  Also on the expedition is Tinkle's idiotic assistant, Claude Chumley (Kenneth Connor) and June (Jacki Piper), Lady Bagley's beautiful but unappreciated maidservant  The journey does not get off to a good start, with a mad gorilla terrorising the campsite and the travellers realising they have ventured into the territory of the bloodthirsty "Noshas", a tribe of feared cannibals 
On the first night of the expedition, at dinner Lady Bagley reveals that she has embarked on the journey to find her long-lost husband and baby son who vanished twenty years ago on their delayed honeymoon, whilst out on a walk  Her husband is believed to have been eaten by a crocodile, but she hopes to find her baby son, Cecil's, nappy pin as something to remember him by  What the group do not know is that watching them from the bushes is Ug (Terry Scott), a bungling yet compassionate Tarzan-like jungle dweller that wears a loincloth and sandals  Ug has never before seen any other white people, especially a woman  The next day, June stumbles across a beautiful oasis where she saves Ug from drowning and the two begin to fall in love 
That night, Ug wanders into camp and encounters Lady Bagley in her tent (mistaking it for June's tent) and she is astonished to see that Ug is wearing Cecil's nappy pin, and that Ug is in fact her lost son Cecil  But before they can be reunited, Ug flees in fear and Lady Bagley faints with shock  The next day, the travellers are kidnapped by the Noshas, but manage to bribe their way out of being cannibalised by giving the tribal witch doctor Tinkle's pocket watch  Tinkle however delays and promises the witch doctor that their gods will bestow a sign of thanks upon them  Intending rescue, Ug accidentally catapults himself into the Nosha camp and starts a fire  In the chaos, Ug, June and Upsidasi manage to escape but the enraged Noshas apprehend the other travellers and prepare to kill them 
As they wait to be put to death, they are suddenly rescued by the all-female Lubby-Dubby tribe led by the stunning Leda (Valerie Leon) from the Lost World of Aphrodisia  They are taken to Aphrodisia and meet the king of the tribe Tonka who turns out to be Lady Bagley's missing husband Walter Bagley (Charles Hawtrey) who was taken by the Noshas years ago, but saved and brought to Aphrodisia by the tribal women  Evelyn Bagley is infuriated that he never bothered to search for their missing son and laments she has seen him but has once again lost him  June and Ug are revealed to be living happily together and June is teaching Ug to speak English 
Bill Boosey, Prof  Tinkle and Chumley enjoy the attention given to them by the tribal women, and Tinkle and Chumley are stunned to find that their elusive Oozlum bird is in fact a sacred animal to the Lubby-Dubby females  It transpires that the Lubby-Dubbies need the menfolk to save themselves from extinction, as no males have been born in Aphrodisia for over a century  The men think their dreams have come true    until Leda makes it clear that the Lubby-Dubby women have no intention of letting them go  Tonka implies that the last man who tried to escape Aphrodisia was murdered by the tribe 
Lady Bagley is resentful of this work the men have been given and taking over control from her husband (Tonka) ensure the mates assigned to the men are the least attractive women in the tribe  Three months pass and the men now are fed up and Leda is outraged that none of their "mates" have gotten pregnant, so she overthrows Tonka and assumes his place, threatening harm to the men  However, Upsidasi arrives disguised as a woman and says he has brought soldiers to save them  Ug and June also search for their friends and Ug summons a stampede of animals to create chaos and enable the men to get away  During the confusion, Tinkle snatches the Oozlum bird, and the team escape along with Tonka  After the chaos, Leda and her army chase after the men, but are more interested in the trampled soldiers  She says to let the others go not needing them now that they have "some real men " Lady Bagley is reunited with her beloved son and the group return to England  Tinkle unveils his Oozlum bird to his audience    only to find it has apparently vanished up inside itself  June and Ug are happily married with a baby and live in a treehouse in the suburbs whilst Ug goes to work in a bowler hat, suit, and no shoes 

Cast
Frankie Howerd as Professor Inigo Tinkle
Sid James as Bill Boosey
Charles Hawtrey as Walter Bagley/King Tonka
Joan Sims as Lady Evelyn Bagley
Kenneth Connor as Claude Chumley
Bernard Bresslaw as Upsidasi
Terry Scott as Ug the Jungle Boy/Cecil Bagley
Jacki Piper as June
Valerie Leon as Leda
Reuben Martin as Gorilla
Edwina Carroll as Nerda
Danny Daniels as Nosha Chief
Yemi Ajibadi as Witch Doctor
Lincoln Webb as Nosha with girl
Heather Emmanuel as Pregnant Lubi
Verna Lucille MacKenzie as Gong Lubi
Valerie Moore as Lubi Lieutenant
Cathi March as Lubi Lieutenant
Nina Baden-Semper as Girl Nosha (uncredited)
Roy Stewart as Nosha (uncredited)
John Hamilton as Nosha (uncredited)
Willie Jonah as Nosha (uncredited)
Chris Konyils as Nosha (uncredited)

Crew
Screenplay – Talbot Rothwell
Music – Eric Rogers
Production Manager – Jack Swinburne
Director of Photography – Ernest Steward
Editor – Alfred Roome
Art Director – Alex Vetchinsky
Assistant Editor – Jack Gardner
Camera Operator – James Bawden
Assistant Director – Jack Causey
Continuity – Josephine Knowles
Make-up – Geoffrey Rodway
Sound Recordists – RT MacPhee & Ken Barker
Hairdresser – Stella Rivers
Costume Designer – Courtenay Elliott
Dubbing Editor – Colin Miller
Titles – GSE Ltd
Producer – Peter Rogers
Director – Gerald Thomas

Filming and locations
Filming dates – 13 October to 21 November 1969
Maidenhead Library – The location for Professor Tinkle's lecture  The building is now demolished but the original site is directly opposite Maidenhead Town Hall, as featured in Carry On Doctor, Carry On Again Doctor and Carry On Behind 
Clarence Crescent, Windsor - location of the very final scene of the moviePinewood Studios was used for both interior and exterior filming 

Production and casting
Carry On Up the Jungle is, in part, a parody of Hammer Film Productions' "Cavegirl" series: One Million Years B C  (1966), Slave Girls (1967) and more particularly Edgar Rice Burroughs' Tarzan series of books and films 
Bernard Bresslaw learned all his native orders in Swahili; however, the "African" extras were of Caribbean origin and did not understand  But Sid James, who was born in South Africa, recognised it and congratulated him The storyline is partly referenced in the Christmas Special Carry On, when all the characters sit down for Christmas Dinner and eat the Oozlum bird instead of a traditional Turkey 
Charles Hawtrey (born November 1914) as Walter Bagley plays the father of Ugg/Cecil Bagley Terry Scott (born May 1927) despite being merely twelve and a half years his senior  Joan Sims (born May 1930) as Lady Bagley plays his mother though she is three years his junior 
The role of Professor Tinkle was written for Kenneth Williams, and the role of Jungle Boy was written for Jim Dale, but Williams was unavailable as he was preparing to star in his own series, The Kenneth Williams Show, and Dale turned down his part due to the character having limited dialogue 

Reception
The film was among the eight most popular movies at the UK box office in 1970 In a diary entry for Saturday 3 April 1976, Kenneth Williams wrote about the film, which he watched on television that evening, in positive terms  "It was quite funny and at one point I was laughing aloud  I was staggered to see what they got away with!" He was particularly complimentary about Kenneth Connor and Terry Scott, less so about Sid James 
Passage 10:
Follow That Camel
Follow That Camel is a 1967 British comedy film, the 14th in the series of 31 Carry On films (1958–1992)  Like its predecessor Carry On Don't Lose Your Head, it does not have the words "Carry On" in its original title (though for screenings outside the United Kingdom it was known as Carry On In The Legion, and it is alternatively titled Carry On     Follow That Camel)  It parodies the much-filmed 1924 book Beau Geste, by PC Wren, and other French Foreign Legion films   This film was producer Peter Rogers's attempt to break into the American market; Phil Silvers (in his only Carry On) is heavily featured in a Sergeant Bilko-esque role  He appears alongside Carry On regulars Kenneth Williams, Jim Dale, Charles Hawtrey, Joan Sims, Peter Butterworth and Bernard Bresslaw  Angela Douglas makes the third of her four Carry On appearances   Anita Harris makes the first of her two Carry On appearances  The film was followed by Carry On Doctor 1967 

Plot
His reputation brought into disrepute by Captain Bagshaw, a competitor for the affections of Lady Jane Ponsonby, Bertram Oliphant "Bo" West decides to leave England and join the French Foreign Legion, followed by his faithful manservant Simpson  Originally mistaken for enemy combatants at Sidi Bel Abbès, the pair eventually enlist and are helped in surviving Legion life by Sergeant Nocker, although only after they discover that when he is "on patrol" he is actually enjoying himself at the local cafe with the female owner, Zig-Zig 
Meanwhile, Lady Jane, having learnt that Bo was really innocent, heads out to the Sahara to bring him back to England  Along the way she has several encounters with men who exploit the fact that she is naive and travelling alone  After several such run-ins, including with the Legion fort's Commandant Burger (who coincidentally had once been her fencing instructor, and joined the Legion in self-imposed shame after he had inadvertently cut her finger during a lesson), she meets Sheikh Abdul Abulbul and ends up becoming a part of his harem and planned 13th wife 
Nocker and Bo are kidnapped by Abulbul after being lured to the home of Corktip, a belly dancer at the Café ZigZig  Simpson follows them to the Oasis El Nooki but is also captured  After entering Abulbul's harem and discovering Lady Jane, Bo and Simpson give themselves up while Nocker escapes (or rather is allowed to by Abulbul) back to Sidi Bel Abbes to warn Commandant Burger of Abulbul's plans to attack Fort Soixante-Neuf (i e  69, the sexual position)  However, during this time Zig-Zig has told the Commandant about Nocker's true destination when on patrol, and therefore upon his return his story is not believed   It is only when Nocker mentions Lady Jane that they realise he was telling the truth and the Commandant organises a force to reinforce the fort 
Along the way they discover Bo and Simpson staked to the ground at the now abandoned oasis  The relief column marches on towards the fort but heat, lack of water and a sand castle building competition gone wrong decimates the force to a handful  The remaining members reach the fort to find that they are too late; the attack has already occurred and the garrison wiped out 
After learning that Abulbul's celebration of the successful attack includes marrying Lady Jane, Bo, Burger, Nocker and Simpson rescue her from his tent, leaving Simpson behind dressed as a decoy  When Abulbul discovers the deception, he chases Simpson back to the fort where, through the imaginative use of a gramophone and a German marching song, gum arabic, coconuts, gunpowder and a cricket bat, the group holds off Abulbul's army until a relief force arrives  However, Commandant Burger ends up as the sole casualty among the protagonists 
Back in England the group reunites for a game of cricket, with Nocker having been promoted to Commandant and Lady Jane having conceived a son by the late Burger  Bo is batting, but when he hits the ball, it explodes  The bowler is then shown to be Abulbul having gained his revenge, to which Bo, with a broken bat and burnt clothes, good-naturedly responds "Not out!"

Filming
Location work was shot during the early months of 1967 when scenes set in the Sahara were filmed at Camber Sands near Rye, East Sussex, England  Shooting had to be halted several times because there was snow on the sands  Other shots occurred at Birkdale beach near Southport, Lancashire 
Some of the town sets were reused the year after in the production of Carry On Up the Khyber 

Cast
Crew
Screenplay - Talbot Rothwell
Music - Eric Rogers
Production Manager - Jack Swinburne
Director of Photography - Alan Hume
Editor - Alfred Roome
Art Director - Alex Vetchinsky
Camera Operator - Alan Hall
Assistant Director - David Bracknell
Continuity - Joy Mercer
Assistant Editor - Jack Gardner
Make-up - Geoffrey Rodway
Sound Recordists - Dudley Messenger & Ken Barker
Hairdresser - Stella Rivers
Costume Designer - Emma Selby-Walker
Dubbing Editor - Wally Nelson
Location Manager - Terry Clegg
Producer - Peter Rogers
Director - Gerald Thomas

Dates and locations
Filming dates – 1 May – 23 June 1967Interiors:

Pinewood Studios, BuckinghamshireExteriors:

Rye and Camber Sands, Sussex
Swakeleys House, Ickenham, Middlesex
Osterley Park House, Isleworth, Middlesex

Production notes
The character named "Corktip" is a parody of "Cigarette" in the 1936 film Under Two Flags, a film about the French Foreign Legion in the Sahara   The name refers to cigarettes, such as the Craven A brand, which had a cork tip 
Phil Silvers was paid a great deal more than any other cast member, which provoked animosity among the regular Carry On team  Silvers also could not, or would not, learn his lines, so boards were placed behind the camera so he could read them as shooting was taking place  Despite Talbot Rothwell writing in January 1967 that the part "simply yells for Phil Silvers all the way along  I just can't get this Bilko image out of my mind", the central role of the fast-talking Foreign Legion Sergeant had originally been earmarked for Sid James  However, with a commitment to the ITV sitcom George and the Dragon, James's part was recast 
The song used by Bo and the others to trick Abdul into thinking there are reinforcements coming is "Durch die grüne Heide", a marching song used by the German Army during World War II 
Context 3:  The next morning, Travis leaves and Danny discovers his backpack outside covered in blood and shredded to pieces  The contestants assume he was attacked by an animal but Rex believes Travis works for the people running their show and that it is all a trick to make them leave the house and forfeit the prize money 
Emma discovers her underwear among Danny’s belongings and confronts him, unaware that Travis planted them there the previous night  Danny denies it and attempts to make peace by giving her a crudely carved wooden cat, which Emma and Charlie ridicule, while Danny overhears 
The next morning, the group finds Danny has committed suicide by hanging himself from the staircase balcony with a rope  The guests finally decide to leave, but after being unable to contact anyone via radio, decide to wait until the next morning  Rex uses the GPS unit from Travis' bag and his laptop to gain access to the internet to find out more about the show but is unable to find any evidence of their show online 
Rex is only able to find a heavily encrypted beta site, that requires a $50,000 fee to access, and displays a web page with their pictures and betting odds  The group decides they will leave the next morning, though Rex and Emma go up to the roof to set off a flare  While Charlie and Matt remain in the house, Matt asks a camera if he should kill her, before suffocating her with a plastic bag 
Later, while Emma is sleeping, Rex comes downstairs and is decapitated with an axe by Matt  Matt awakens Emma and brings her up to the attic, telling her he is being chased and the others are dead  He then makes advances on Emma, who refuses, and attempts to rape her, before she stabs him in the back and runs off 
Emma runs outside and finds a police officer, who handcuffs her inside the car and enters the house  An injured Matt then crawls out, begging the cop to let him kill Emma, since he spent six months in the house with her  Realizing they are working together, Emma escapes the car and tries to run but is shot in the back with a rifle by the cop 
Matt and the cop sit in the kitchen discussing the setup they created with Travis for their high paying clients who want to witness the murders  When the cop says there are always "five suckers" to play the game with, Matt corrects him to four, and is then shot in the head  The cop then leaves, talking to Travis over the radio, while Emma is seen locked in a small room, unable to escape  As she collapses screaming, the cameras filming all shut off, one by one 

Cast
Sean Cw Johnson as Matt
Kris Lemche as Rex
Stephen O'Reilly as Danny
Laura Regan as Emma
Jennifer Sky as Charlie
Nick Mennell as The Cop
Bradley Cooper as Travis Patterson

Home media
My Little Eye is available on DVD from MCA/Universal Home Video with most of the special features available on the Region 2 Special Edition including a filmmakers' commentary and deleted scenes  There is an audio mode "Conversations of the Company (Eavesdropping Audio Track)" which allows the viewer to listen to the radio conversations between the members of the company: Travis and "the cop"  However, during this mode, the viewer cannot hear all of the dialogue of the cast in the scene  A UK release contains a 'Special Mode' where viewers see the film from the perspective of an internet subscriber, and more extra features become unlocked as the film goes on  You can watch other things going on in 'the house' in real time to what's happening in the film 

Reception
The film received polarized but positive reviews and holds 67% on Rotten Tomatoes based on 21 reviews, with an average score of 5 2/10 

See also
List of films featuring surveillance
Passage 7:
Life Is What You Make It (film)
Life Is What You Make It is a 2017 documentary film which explores the life of award-winning Filipino theatre producer Jhett Tolentino from his migration into the United States and his entry into theatre production in New York  The film came with a soundtrack album entitled Life Is What You Make It: Original Motion Picture Soundtrack 

Soundtrack
The song "Life Is What You Make It" served as the documentary's main theme  The song won the Silver Medal at the Global Music Awards in San Diego and was nominated Song of the Year at the Josie Awards in Nashville, Tennessee in 2017 

Accolades
See also
Broadway theatre
Here Lies Love (musical)
National Artist of the Philippines
Musical theatre
Passage 8:
Pigsty (film)
Pigsty (Italian: Porcile) is a 1969 Italian film, written and directed by Pier Paolo Pasolini and starring Jean-Pierre Léaud, Marco Ferreri, Ugo Tognazzi, Pierre Clémenti, Alberto Lionello, Franco Citti and Anne Wiazemsky 

Plot
The film features two parallel stories  The first one is set in an unknown past time and is about a young man (Clémenti) who wanders in a volcanic landscape (shot around Etna) and turns into a cannibal  The man joins forces with a thug (Citti) and ravages the countryside  At the end, he and his gang get arrested and at his execution, he recites the famous tagline of the film: "I killed my father, I ate human flesh and I quiver with joy " The story is about the human capacity of destruction and a rebellion against the social prerequisites implied against it 
The second story is about Herr Klotz (Lionello), a German industrialist and his young son Julian (Léaud) who live in 1960s Germany  Julian, instead of passing time with his radically politicised fiancée Ida (Wiazemsky), prefers to build relationships with pigs  Herr Klotz, on the other hand, with his loyal aide Hans Guenther (Ferreri), tries to solve his rivalry with fellow industrialist Herdhitze (Tognazzi)  The two industrialists join forces while Julian gets eaten by pigs in the sty  Herdhitze intends to conceal the event  The story attempts to provide a link between the Third Reich and Wirtschaftswunder Germany 

Reception
On review aggregator website Rotten Tomatoes, the film has a rating of 56% based on 9 critics, with an average rating of 5 7/10 
Passage 9:
The Night of Nights
The Night of Nights is a 1939 black-and-white drama film written by Donald Ogden Stewart and directed by Lewis Milestone for Paramount Pictures that starred Pat O'Brien, Olympe Bradna, and Roland Young The film received positive contemporary reviews from publications such as The New York Times  Director Milestone went on to other successful productions after the film came out, including Ocean's 11 and Pork Chop Hill 

Background
Milestone directed The Night of Nights nine years after winning the 1930 Academy Award for Best Director for All Quiet on the Western Front 

Plot
Dan O'Farrell (Pat O'Brien) is a brilliant Broadway theater playwright, actor, and producer who has left the business   When he was younger, he and his partner Barry Keith-Trimble (Roland Young) were preparing for the opening night of O'Farell's play Laughter by getting drunk   When it was time to perform, they were so intoxicated they ended up brawling on stage and fell into the orchestra pit   The two left the theater and continued drinking, until they learn that they have been suspended  At the same time, O'Farrell learns that his wife, actress Alyce Martelle, is pregnant and has left him for ruining her performance in Laughter as Toni   Despondent, he in left the business and went into seclusion 
Years later, his daughter Marie (Olympe Bradna) locates him and inspires him to return to Broadway   He decides to restage Laughter with its original cast, but with Marie substituting for Alyce in the part of Toni   Hoping to make a glorious return with a show that would be a hit with critics and the public alike, O'Farrell enlists the aid of friends to embark on a full-fledged comeback 

Cast
Reception
Frank S  Nugent wrote for The New York Times that the work of actors Pat O'Brien and Roland Young, had "been a labor of love and the film has profited accordingly " In noting that the plot centered on "the theatre and some of the curious folk who inhabit it", the newspaper's review stated that the film had an acceptable sentimentality and shared that the story was "an uncommonly interesting study of a man's mind, subtly written and directed, presented with honesty and commendable sincerity by Mr  O'Brien, Mr  Young and Olympe Bradna, and well worth any one's attention " The only objection in the review was that the stage play Laughter, the piece being produced within the film by O'Brien's character of Dan O'Farrell, "seemed to be the most awful tripe "
Passage 10:
Jaan-E-Mann
Jaan-E-Mann (transl  Beloved) is a 2006 Indian Hindi-language musical romance film directed by Shirish Kunder and was produced by Sajid Nadiawala  The film stars Salman Khan, Akshay Kumar and Preity Zinta



ground_truth: yes

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film came out earlier, The Drover'S Sweetheart or Pigsty (Film)?

The following are given passages.
Context 3:  This was Kunder's debut film as a director  He also edited and wrote the screenplay and dialogues Jaan-E-Mann released on 20 October 2006 on the festive weekend of Diwali/Eid, clashing with Don – The Chase Begins Again starring Shah Rukh Khan and Priyanka Chopra  The film proved to be a commercial failure at the box office  It received mixed reviews from critics upon release, with praise for its innovative filming techniques, visuals, production design, soundtrack and special effects; however its story, screenplay and dialogues received sharp criticism 
At the 52nd Filmfare Awards, Jaan-E-Mann received 2 nominations – Best Choreography (Farah Khan for "Humko Maloom Hai") and Best Special Effects 
The DVD for the film was released on 15 December 2006 

Plot
The film begins when Suhaan Kapoor (Salman Khan) receives a notice saying his ex-wife Piya Goyal (Preity Zinta), who has settled in New York, wants a divorce settlement of ₹5 million, because he failed to make his alimony payments due to his poor financial condition  Suhaan appeals to his uncle Bonney Kapoor (Anupam Kher), a midget lawyer, for help  While they are trying to figure out a solution, Agastya Rao (Akshay Kumar) lands at their doorstep searching for Piya  He reveals to them that he fell in love with Piya during his college days but could not express his love to her because she was in love with someone else, unaware that the person he lost her to was Suhaan  Piya had ignored Agastya then, a nerd, a nobody, and even broke his heart by blowing him off to be with Suhaan at a concert that Agastya had taken her to  A heartbroken Agastya left the college as a result and eventually wound up in Houston working for NASA 
Suhaan and Piya fall in love in college and elope  However, he kept his marriage a secret to further his career as a movie star and when his career hits a low, he returns home to find out that she has left him  She does not answer his calls or emails, and he soon receives a divorce notice in the mail 
Suhaan and Bonney hatch a plan to get Agastya and Piya together so that Suhaan does not need to pay alimony to Piya and Agastya can get the girl of his dreams  Suhaan accompanies Agastya to New York to help Agastya win Piya over  They rent an apartment opposite Piya's and watch her every move using telescopes, binoculars, and surveillance techniques  Using a headset, Suhaan feeds Agastya lines to woo Piya with and eventually succeeds in getting Piya and Agastya together 
One night, Suhaan finds out Piya has a baby girl, Suhaan's daughter  He realizes that she left him since she did not want her and the baby to ruin Suhaan's film career  Suhaan realizes his mistake and tries to make amends and start a new life with Piya and his daughter, Suhaani  Unfortunately, before he can act, Piya gets engaged to Agastya 
It later emerges that Piya's brother, Vishal (Nawwab Shah), had been hiding letters that Suhaan wrote to her and was responsible for initiating the divorce process  Agastya realizes that Piya is still in love with Suhaan and not him; so, he reveals the truth and tells her to be with Suhaan  Piya flies back to India where Suhaan is trying to find work as a small-time actor  They express their mutual love, reuniting their broken family 
A few years later, Agastya is on a NASA Space Shuttle and initiates a video conference with Suhaan and Piya (on Suhaan's birthday)  He introduces them to his new girlfriend who looks strikingly like Piya 

Cast
Salman Khan as Suhaan Kapoor, a former superstar who is married to his college girlfriend Piya  After being fired from his career, he gets a divorce notice from Piya and has to pay for the alimony 
Akshay Kumar as Agastya Rao / Champu, a NASA specialist who used to have a crush on Piya during his years in college but was rejected by her back then  He becomes friends with Suhan and with his help, he tries to get him and Piya together 
Preity Zinta as Piya Goyal Kapoor and Preity Zintacova (dual role)
Aman Verma as Zubin Hornibhoy, Piya's friend
Anupam Kher as Bonney Kapoor / New York Cafe Owner (Dual Role)
Nawwab Shah as Vishal Goyal (Piya's brother)
Soni Razdan as Mrs  Sushma Goyal
Jawed Sheikh as Samrat Goyal
Rajesh Balwani as Daboo Goyal, Piya's cousin brother

Production
Filming started in New York City on 1 September 2005 and then moved to Mumbai 

Soundtrack
The music for the film was released on 6 September 2006  The music is composed by Anu Malik and includes a few playback singers forming the former contestants of Indian Idol  Lyrics are penned by Gulzar  According to the Indian trade website Box Office India, with around 1,250,000 units sold, this film's soundtrack album was the year's eighth highest-selling 

Track listing
Reception
Box office
Jaan-E-Mann opened in nearly 1,200 screens worldwide  The film faced stiff competition from Don – The Chase Begins Again which also released on the same day  The film opened to a 40% response  The second day saw a huge drop in the collections, due to the Diwali celebrations  According to boxofficeindia com, the collections jumped to 70%, but fell again to 50%  The film has done very well in the smaller centres in India Pranab Kapadia, the UK distributor of Jaan-E-Mann said "Jaan-E-Mann's figures have picked up dramatically in Britain  Although the film grossed a mere £18,000 on its opening day, the film has experienced a remarkable upswing, grossing £40,000 on Monday and £60,000 on Tuesday  The audience and critics reception has been overwhelming "

Critical reception
On the review aggregator website Rotten Tomatoes, 44% of 9 critics' reviews are positive Taran Adarsh of Bollywood Hungama gave the film 3 5 out of 5, saying "On the whole, JAAN-E-MANN balances humor and emotions beautifully  In fact, it's a BIG film in all respects -- right from its cast to the extravagant sets to the lavish making, besides, of course, unadulterated entertainment it has to offer  At the box-office, the Diwali and Idd holidays will prove bountiful for the film and add to the big returns  Business-wise, JAAN-E-MANN should fare best at multiplexes and also at major centres, besides Overseas  But its business at comparatively smaller centres, where masala films dominate, is bound to be affected by DON's presence  However, if the strong word of mouth catches on, the business at smaller centres will add to its booty " Poonam Joshi of BBC com gave the film 4 out of 5 stars, writing "Jaan-E-mann simultaneously parodies the worst elements of Hindi cinema, while exulting in the best that Bollywood has to offer, making for an unexpectedly original and entertaining film " Raja Sen of Rediff com gave the film 3 out of 5 stars stating "In the end, what echoes in your ears as you leave is Akki's thick, goofy he-he-he laugh  It's the best thing in the film "Conversely, Namrata Joshi of Outlook India called the film "A mish-mash—a twisted love triangle but even the inventive narrative doesn't take it very far " Vincent Musetto of New York Post gave the film  1 out of 5 stars, writing "We keep waiting for one of those outlandish musical treats to bring some life to the clichd script  Kunder throws in a few breaks, but they're tepid and brief "

Nominations
See also
List of movies set in New York City

Notes



ground_truth: The Drover'S Sweetheart