prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose producer was born first, All-American Co-Ed or Lagu Kenangan?

The following are given passages.
Context 1: Passage 1:
Hal Roach
Harold Eugene "Hal" Roach Sr  (January 14, 1892 – November 2, 1992) was an American film and television producer, director, screenwriter, and centenarian, who was the founder of the namesake Hal Roach Studios 
Roach was active in the industry from the 1910s to the 1990s known for producing a number of successes including the Laurel and Hardy franchise, the films of entertainer Charley Chase, and the Our Gang short film comedy series 

Early life and career
Roach was born in Elmira, New York, to Charles Henry Roach, whose father was born in Wicklow, County Wicklow, Ireland, and Mabel Gertrude Bally, her father John Bally being from Switzerland  A presentation by the American humorist Mark Twain impressed Roach as a young grade school student After an adventurous youth that took him to Alaska, Roach arrived in Hollywood, California, in 1912 and began working as an extra in silent films  Upon coming into an inheritance, he began producing short film comedies in 1915 with his friend Harold Lloyd, who portrayed a character known as Lonesome Luke In September 1916, Roach married actress Marguerite Nichols, who worked as an actress in the 1930s and 1940s, and died in March 1941  They had two children, Hal Roach Jr  (June 15, 1918 – March 29, 1972), who followed his father as a producer and director, and Margaret Roach (March 15, 1921 – November 22, 1964), Roach married a second time, on September 1, 1942, to Lucille Prin (January 20, 1913 – April 4, 1981), a Los Angeles secretary  They were married at the on-base home of Colonel Franklin C  Wolfe and his wife at Wright-Patterson Airfield in Dayton, Ohio, where Roach was stationed at the time while serving as a major in the United States Army Air Corps  Roach and Lucille had four children, Elizabeth Carson Roach (December 26, 1945 – September 5, 1946), Maria May Roach (born April 14, 1947), Jeanne Alice Roach (born October 7, 1949), and Kathleen Bridget Roach (born January 29, 1951) 

Success
Unable to expand his studios in Downtown Los Angeles because of zoning, Roach purchased what became the Hal Roach Studios from Harry Culver in Culver City, California  During the 1920s and 1930s, he employed Lloyd (his top money-maker until his departure in 1923), Will Rogers, Max Davidson, the Our Gang children, Charley Chase, Harry Langdon, Thelma Todd, ZaSu Pitts, Patsy Kelly and, most famously, Laurel and Hardy  During the 1920s, Roach's biggest rival was producer Mack Sennett  In 1925, Roach hired away Sennett's supervising director, F  Richard Jones Roach released his films through Pathé Exchange until 1927, when he struck a distribution deal with Metro-Goldwyn-Mayer  He converted his silent-movie studio to sound in late 1928 and began releasing talking shorts in early 1929  In the days before dubbing, foreign language versions of the Roach comedies were created by reshooting each film in the Spanish, French, and occasionally Italian and German languages  Laurel & Hardy, Charley Chase, and the Our Gang kids (some of whom had barely begun school) were required to recite the foreign dialogue phonetically, often working from blackboards hidden off-camera In 1931, with the release of the Laurel & Hardy film Pardon Us, Roach began producing occasional full-length features alongside the short subjects  Two-reel comedies were less profitable than features, and Roach phased most of them out by 1936  When the Our Gang feature film General Spanky did not do as well as expected, Roach intended to disband Our Gang entirely  MGM still wanted the Our Gang short subjects, so Roach agreed to supply them in single-reel (10-minute) form 
In 1937, Roach conceived a joint business venture partnering with Vittorio Mussolini, son of fascist Italian dictator Benito Mussolini, to form a production company called "R A M " (Roach and Mussolini)  Roach claimed the scheme involved Italian bankers providing US$6 million that would enable Roach's studio to produce a series of 12 films  Eight would be for Italian screening only while the remaining four would receive world distribution  The first film for Italy was to be a feature film of the opera Rigoletto This proposed business alliance with Mussolini alarmed MGM, which intervened and forced Roach to buy his way out of the venture  This embarrassment, coupled with the underperformance of much of Roach's latest feature-film output (except Laurel & Hardy titles and the 1937 hit Topper), led to the end of Roach's distribution contract with MGM  In May 1938, Roach sold MGM the production rights and actors contracts to the Our Gang shorts  Roach signed a distribution deal with United Artists at this time From 1937 to 1940, Roach concentrated on producing glossy features, abandoning low comedy almost completely  Most of his new films were either sophisticated farces (like Topper and The Housekeeper's Daughter, 1939) or rugged action fare (like Captain Fury, 1939, and One Million B C , 1940)  Roach's one venture into heavy drama was the acclaimed Of Mice and Men (1939), in which actors Burgess Meredith and Lon Chaney Jr  played the leading roles  The Laurel and Hardy comedies, once the Roach studio's biggest drawing cards, were now the studio's least important product and were phased out altogether in 1940 
In 1940, Roach experimented with medium-length featurettes, running 40 to 50 minutes each  He contended that these "streamliners", as he called them, would be useful in double-feature situations where the main attraction was a longer-length epic  Exhibitors agreed with him and used Roach's mini-features to balance top-heavy double bills  He had intended to introduce the new format with a series of four Laurel and Hardy featurettes, but was overruled by United Artists, which insisted on two Laurel & Hardy feature films instead  United Artists continued to release Roach's streamliners through 1943  By this time, Roach no longer had a resident company of comedy stars and cast his films with familiar featured players (William Tracy and Joe Sawyer, Johnny Downs, Jean Porter, Frank Faylen, William Bendix, George E  Stone, Bobby Watson, etc ) 
Recognizing the value of his film library, in 1943 Roach began licensing revivals of his older productions for theatrical distribution through Film Classics, Inc  and home-movie distribution 

World War II and television
Hal Roach Sr , commissioned in the U S  Army Signal Reserve Corps in 1927, was called back to active military duty in the Signal Corps in June 1942, at age 50  The studio output he oversaw in uniform was converted from entertainment featurettes to military training films  The studios were leased to the U S  Army Air Forces, and the First Motion Picture Unit made 400 training, morale and propaganda films at "Fort Roach " Members of the unit included Ronald Reagan and Alan Ladd  After the war the government returned the studio to Roach, with millions of dollars of improvements In 1946, Hal Roach resumed motion picture production, with former Harold Lloyd co-star Bebe Daniels as an associate producer  Roach was the first Hollywood producer to adopt an all-color production schedule, making four streamliners in Cinecolor, although the increased production costs did not result in increased revenue  In 1948, with his studio deeply in debt, Roach re-established his studio for television production, with Hal Roach Jr , producing series such as The Stu Erwin Show, Steve Donovan, Western Marshal, Racket Squad, The Public Defender, The Gale Storm Show, Rocky Jones, Space Ranger and My Little Margie, and independent producers leasing the facilities for such programs as Amos 'n' Andy, The Life of Riley and The Abbott and Costello Show  By 1951, the studio was producing 1,500 hours of television programs a year, nearly three times Hollywood's annual output of feature movies Roach's old theatrical films were also early arrivals on television  His Laurel and Hardy comedies were successful in television syndication, as were the Our Gang comedies he produced from 1929 to 1938 

Later years
In 1955, Roach sold his interests in the production company to his son, Hal Roach Jr , and retired from active production  The younger Roach lacked much of his father's business acumen and was forced to sell the studio in 1958 to The Scranton Corporation, a division of the automobile-parts conglomerate F  L  Jacobs Co  The Roach studio finally shut down in 1961 For two more decades, Roach Sr  occasionally worked as a consultant on projects related to his past work  In 1983 the "Hal Roach Studios" name was reactivated as a video concern, pioneering the new field of colorizing movies  Roach lent his film library to the cause but was otherwise not involved in the new video productions  Extremely vigorous into an advanced age, Roach contemplated a comedy comeback at 96 In 1984, 92-year-old Roach was presented with an honorary Academy Award  Former Our Gang members Jackie Cooper and George "Spanky" McFarland made the presentation to a flattered Roach, with McFarland thanking the producer for hiring him 53 years prior  An additional Our Gang member, Ernie Morrison, was in the crowd and started the standing ovation for Roach  Years earlier Cooper had been the youngest Academy Award nominee ever for his performance in Skippy when he had been under contract with Roach  Although Paramount had paid Roach $25,000 for Cooper's services in that film, Roach paid Cooper only his standard salary of $50 per week On January 21, 1992, Roach was a guest on The Tonight Show with Johnny Carson, one week after his 100th birthday, where he recounted experiences with such stars as Stan Laurel and Jean Harlow; he even did a brief, energetic demonstration of the "humble hula" dance   In February 1992, Roach traveled to Berlin to receive the honorary award of the Berlinale Kamera for Lifetime Achievement at the 42nd Berlin International Film Festival On March 30, 1992, Roach appeared at the 64th Academy Awards ceremony, hosted by Billy Crystal  When Roach rose from the audience to a standing ovation, he decided to give a speech without a microphone, causing Crystal to quip "I think that's appropriate because Mr  Roach started in silent films "

Death and legacy
Hal Roach died in his home in Bel Air, Los Angeles, from pneumonia, on November 2, 1992, at the age of 100  He had married twice, and had six children, eight grandchildren, and a number of great-grandchildren  Roach outlived three of his children by more than 20 years: Hal Jr  (died in 1972), Margaret (died in 1964), and Elizabeth (died in 1946)  He also outlived many of the children who starred in his films  Roach is buried in Woodlawn Cemetery in Elmira, New York, where he grew up In the 2018 Laurel and Hardy biopic Stan & Ollie, Roach was portrayed by Danny Huston 
Passage 2:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 3:
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957 

Surrey cricketer
McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29  In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6 3 overs for seven runs  This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later  In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth  In the 1948 season as a whole, he took 91 wickets at an average of 28 07  As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4 22 The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career  Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets  In 1951, he played just seven times and in 1952 only three times  In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12 38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21 53  At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries 

Somerset cricketer
Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service  McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly 
McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said  McMahon took 85 wickets at an average of 27 47 (Hilton took only 42 at a higher average)  His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career  He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table 
The figures for the 1955 were similar: McMahon this time took 75 wickets at 28 77 apiece  There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9 03  This included his highest-ever score, 24, made in the match against Sussex at Frome  A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin"  These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support  McMahon responded with his most successful season so far, taking 103 wickets at an average of 25 57, the only season in his career in which he exceeded 100 wickets  The bowling average improved still further in 1957 to 23 10 when McMahon took 86 wickets  But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival  Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial" 

Sacked by Somerset
The reason behind McMahon's sacking did not become public knowledge for many years  In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality"  It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again"  As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw  But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season  Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved 
After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines 


== Notes and references ==
Passage 4:
Wesley Barresi
Wesley Barresi (born 3 May 1984) is a South African born first-class and Netherlands international cricketer  He is a right-handed wicket keeper-batsman and also bowls right-arm offbreak  In February 2021, Barresi announced his retirement from all forms of cricket, but returned to the national team in August 2022 

Career
Wesley became the 100th victim to Indian cricketer Yuvraj Singh, when he was dismissed in the 2011 World Cup game against India In July 2018, he was named in the Netherlands' One Day International (ODI) squad, for their series against Nepal  Ahead of the ODI matches, the International Cricket Council (ICC) named him as the key player for the Netherlands In July 2019, he was selected to play for the Amsterdam Knights in the inaugural edition of the Euro T20 Slam cricket tournament  However, the following month, the tournament was cancelled 
Passage 5:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 6:
Lagu Kenangan
Lagu Kenangan ('Song of Memories') is a 1953 Indonesian film directed by L  Inata and produced by Djamaluddin Malik for the Persari Film Corporation  Starring Titien Sumarni and A  N  Alcaff, it follows the domestic troubles of a composer and his wife 

Plot
The composer Supardi lives with his wife, Surjati, and their two children Janti and Janto  The couple often fight, owing to Supardi's late hours, as he does his best work at night when the children are sleeping  Things escalate to the point that Surjati takes Janti and leaves  This separation nearly ends in divorce, but eventually with the support of their parents, Surjati and Supardi are able to reconcile 

Production
Lagu Kenangan was produced for Persari Film Corporation by Djamaluddin Malik  The film was one in a long line of commercially oriented ventures which had been produced by the company starting with Sedap Malam in 1950  This black-and-white film was written and directed by L  Inata, who joined Persari shortly after completing Pahit-Pahit Manis for their competitor Banteng Film The film starred Titien Sumarni and AN Alcaff  They were supported by Mien Sondakh, M  Budhrasa, Sjamsu, Ramlan, and Djauhari Effendi 

Release
Lagu Kenangan passed the censorship bureau in 1953, and was rated for viewers aged 13 and up  Screenings are reported as early as 14 August, at the Rivoli Theatre in Jakarta  The film had reached Malang, East Java, by 7 November 1953  For its run there at the Atrium Theater, it was advertised as a "charming, sad, funny and replete with melodious songs" ("menawan hati, sedih, lutju, dan diringi dengan njanjian2 jang merdu")  Lagu Kenangan was screened as late as August 1955 
Passage 7:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 8:
All-American Co-ed
All-American Co-ed is a 1941 American musical film produced and directed by Leroy Prinz as a Hal Roach Streamliner for release by United Artists  It stars Frances Langford, Johnny Downs, Marjorie Woodworth, Noah Beery Jr , Esther Dale, Harry Langdon, and The Tanner Sisters 

Plot
Quinceton College Zeta fraternity stages a revue with members in drag  The resulting publicity catches the attention of newspaperman Hap Holden (Harry Langdon) and Virginia Collinge (Frances Langford)  They convince Virginia's aunt Matilda Collinge (Esther Dale), president of failing Mar Brynn (a woman's horticultural  college), to refute the school's staid image by sponsoring a contest awarding a dozen free scholarships aimed at "unusual girls", winners of pageants for fruits, vegetables and flowers, as women most likely to succeed and to be showcased in a musical presentation during the Fall Festival 
To publicize the contest, President Collinge pokes fun at Zeta members as being least likely to succeed and bans them from their campus  For revenge the Zeta chapter president Bob Sheppard (Johnny Downs) is coerced to infiltrate Mar Brynn by entering the contest as "Bobbie DeWolfe, Queen of the Flowers"  After falling in love with Virginia, Bob comes clean and assists in staging the show, but includes in the finale a Busby Berkeley-style spelling out of "Zeta" as revenge for the ban 

Cast
Frances Langford as Virginia
Johnny Downs as Bob Sheppard
Marjorie Woodworth as Bunny
Noah Beery Jr  as Slinky
Esther Dale as Matilda
Harry Langdon as Hap Holden
Alan Hale Jr  as Tiny
Kent Rogers as Henry
Allan Lane as 2nd Senior
Joe Brown Jr  as 3rd Senior
Irving Mitchell as Doctor
Lillian Randolph as Washwoman (Deborah)
Carlyle Blackwell Jr  as 4th Senior
Mickey Tanner • Betty Tanner • Martha Tanner as Vocal Trio

Uncredited
Frank O'Connor, as Policeman
Jesse Graves, as Redcap
Dudley Dickerson, as Dancing Train Porter
Elyse Knox, as Co-ed
Marie Windsor, as Carrot Queen

Soundtrack
Johnny Downs with chorus - "I'm a Chap with a Chip on My Shoulder" (by Walter G  Samuels and Charles Newman)
Frances Langford - "I'm a Chap with a Chip on My Shoulder"
Marjorie Woodworth, Tanner Sisters with Harry Langdon and chorus - "Up at the Crack of Dawn" (by Walter G  Samuels and Charles Newman)
Frances Langford with chorus - "Out of the Silence" (by Lloyd B  Norlin)
Frances Langford, Tanner Sisters and Johnny Downs - "The Farmer's Daughter" (by Walter G  Samuels and Charles Newman)"Out of the Silence", music and lyrics by Lloyd B  Norlin, was nominated for the Academy Award for Best Original Song of 1941  It lost to Jerome Kern and Oscar Hammerstein's "The Last Time I Saw Paris", from Lady Be Good (1941) 

External links
All-American Co-Ed at IMDb
All-American Coed at AllMovie
All-American Co-Ed is available for free viewing and download at the Internet Archive
Passage 9:
Djamaluddin Malik
Djamaluddin Malik (13 February 1917 – 8 June 1970) was a prominent Indonesian film producer, politician, entrepreneur  He founded the Jakarta Indonesian company Persari Film 

Personal life
Malik was born in Padang, West Sumatra  His father was a Pagaruyung descendant, in the Minangkabau hinterland   He died in Munich, Germany in 1970   During his lifetime in Senen his friends called him "the king of artists" 

Career
Malik started his career in the Dutch shipping business, then worked in a Dutch trading company, where he gained experience in business and finance, so that he could eventually found his own company In 1942 he entered the world of art and culture  He started a theatrical group, Panca Warna  To help Indonesian independence, he showed around Indonesia to inspire spirit and patriotism  In 1951 Djamaluddin established and became President of PT Persari (Perseroan Artis Indonesia)  In this effort, he was inspired by United Artists in Hollywood, United States  Persari has a complete film studio in Jatinegara   During the same time Malik was President of the electrical installation company Prapatak and of the weaving company PT Cimalaka in Sumedang, West Java 
Djamaluddin Malik was the Nahdlatul Ulama politician and the member of People's Representative Council  He was also as the chairman of National Film Council 

Family
Malik married Elly Yunara  They had four children: Zainal Malik, Camelia Malik, Yudha Asmara Malik, and Lailasari Malik  Camelia follows his career, as an actress and pop-dangdut singer  His wife, continued the family interests by founding PT  Remaja Ellynda Film  It successfully produced Malin Kundang and Jembatan Merah 

Awards
The government appointed Djamaluddin and Usmar Ismail as Cinema of Indonesian figures 

Filmography
Rodrigo de Villa (1952)
Leilani (1953)
Lagu Kenangan (1953)
Tabu (1953)
Supir Istimewa (1954)
Tarmina (1955)
Ratu Asia
Tauhid (1964)

Notes
External links
(in Indonesian) https://web archive org/web/20090610211435/http://perfilman pnri go id/djamaluddin/
Passage 10:
Greg A  Hill (artist)
Greg A  Hill is a Canadian-born First Nations artist and curator  He is 
Kanyen'kehà:ka Mohawk, from Six Nations of the Grand River Territory, Ontario 

Early life
Hill was born and raised in Fort Erie, Ontario 

Art career
His work as a multidisciplinary artist focuses primarily on installation, performance and digital imaging and explores issues of his Mohawk and French-Canadian identity through the prism of colonialism, nationalism and concepts of place and community Hill has been exhibiting his work since 1989, with solo exhibitions and performance works across Canada as well as group exhibitions in North America and abroad  His work can be found in the collections of the Canada Council, the Indian Art Centre, Indian and Northern Affairs Canada, the Canadian Native Arts Foundation (now Indspire), the Woodland Cultural Center, the City of Ottawa, the Ottawa Art Gallery and the International Museum of Electrography 

Curatorial career
Hill serves as the Audain Senior Curator of Indigenous Art at the National Gallery of Canada 

Awards and honours
In 2018, Hill received the Indspire Award for Arts 
Context 2: Passage 1:
Dameh
Dameh (Persian: دمه) is a village in Qaleh-ye Khvajeh Rural District, in the Central District of Andika County, Khuzestan Province, Iran  At the 2006 census, its population was 87, in 12 families 
Passage 2:
Rhosgoch
Rhosgoch (Welsh pronunciation; meaning: Red Moor) is a small village in the north of the island of Anglesey, Wales, about 3 5 miles (5 6 km) to the south-west of Amlwch  It is in the community of Rhosybol 
A short distance to the west of the village is the small lake Llyn Hafodol and a mile to the south is Anglesey's largest body of water the reservoir Llyn Alaw (Water Lily Lake) The village once had a station on the Anglesey Central Railway  Although the tracks still exist, no train has run on them since 1993  Also connected to the railway, was a short south-west facing spur that led to an oil terminal  This was linked to a floating dock in the sea off of Amlwch, where super-tankers could dock in all tides and feed oil via Rhosgoch and a pipeline to Stanlow oil refinery  This operation lasted for 16 years between 1974 and 1990
Context 3: Passage 1:
End of the World (1977 film)
End of the World is a 1977 American science fiction film directed by John Hayes 

Plot
NASA Professor Andrew Boran is a research scientist who discovers strange radio signals in outer space that appear to originate from Earth  The signals seem to predict natural disasters that are occurring around the globe 
When he and his wife Sylvia decide to investigate the source of the signals, they end up being held captive in a convent that has been infiltrated by aliens  These invaders, from the planet Utopia, plan to destroy the world with the natural disasters  They have replicated the original inhabits of the convent and now pose as the Father and the nuns 
While posing as the human Father Pergado, the alien leader Zindar explains Earth is a hotbed of disease that cannot be permitted to continue polluting the galaxy 
Boran and Sylvia decide in the end not to stop the destruction of Earth and instead return to Utopia with Zindar  To make the return safely, Zindar holds Sylvia hostage and demands that Boran steal a Variance Crystal from the lab so that they can escape the destruction of Earth  Earth then explodes 

Cast
Christopher Lee as Father Pergado / Zindar
Sue Lyon as Sylvia Boran
Kirk Scott as Professor Andrew Boran
Dean Jagger as Ray Collins
Lew Ayres as Commander Joseph Beckerman
Macdonald Carey as John Davis
Liz Ross as Sister Patrizia
Jon van Ness as Mr  Sanchez

Reception
Creature Feature found it to be cheap and plodding, giving it 1 5 out of 5 stars  TV Guide gave the movie 1 of 5 stars  Moria found the movie dull and legendarily bad, only worth viewing to see the early work of Charles Band, and gave the movie 1/2 of a star  It further said Lee gave a very good performance, much better than the movie deserved 

Production
Produced by Charles Band  Moria states that in an in an interview from the 1970s Lee said he was lied to about the quality of the film to be produced to get him to agree to star in the movie 

Release
Released on DVD in 2005 
Passage 2:
The Seventh Company Outdoors
The Seventh Company Outdoors (French: La Septième Compagnie au clair de lune) is a 1977 French comedy film directed by Robert Lamoureux  It is a sequel to Now Where Did the 7th Company Get to? 

Cast
Jean Lefebvre - Pithivier
Pierre Mondy - Chaudard
Henri Guybet - Tassin
Patricia Karim - Suzanne Chaudard
Gérard Hérold - Le commandant Gilles
Gérard Jugnot - Gorgeton
Jean Carmet - M  Albert, le passeur
André Pousse - Lambert
Michel Berto
Passage 3:
David Wexler (director)
David Wexler is an American film director, screenwriter, and film producer  Wexler is a New York City native and a graduate of the University of Wisconsin-Madison, where he majored in communication arts 
Prior to his feature films (Evil Weed, The Stand Up, Anchors, Turtle Island, Last Supper, and Vigilante), Wexler created and produced the reality show College Life for MTV Wexler has written and directed many commercials and corporate videos  He worked with Curtis Sliwa and the Guardian Angels to create a comic book and a handbook, as well as a clothing line available at Barking Irons 
Wexler founded the production company Cinema 59 Productions in 2006  Cinema 59 often works with Creative Diversions, a toy and game company to create 360 degree entertainment 
Wexler's film, Motorcycle Drive By, about Third Eye Blind, was an official selection of the 2020 Tribeca Film Festival  In 2021 his game Fish Club was nominated for the Toy Of The Year Award  Most recently, his film Disintegration Loops was an official selection of the 2021 SXSW Film Festival 

Filmography (as writer, director)
American Gothic (2007)
My First Kiss (2008)
Evil Weed (2009)
The Stand Up (2010)
Anchors (2012)
Turtle Island (2012)
Last Supper (2018)
Vigilante: The Incredible True Story of Curtis Sliwa and the Guardian Angels (2018)
Motorcycle Drive By (2020)
Disintegration Loops (2021)

Filmography (as actor)
Turtle Island (2012)
I'm Not Here (2017)

Television (as creator/producer)
College Life (2009)

Web Series (as creator/producer)
Movie Life (2009)
Passage 4:
American Gothic (2007 film)
David Wexler is an American film director, screenwriter, and film producer  Wexler is a New York City native and a graduate of the University of Wisconsin-Madison, where he majored in communication arts 
Prior to his feature films (Evil Weed, The Stand Up, Anchors, Turtle Island, Last Supper, and Vigilante), Wexler created and produced the reality show College Life for MTV Wexler has written and directed many commercials and corporate videos  He worked with Curtis Sliwa and the Guardian Angels to create a comic book and a handbook, as well as a clothing line available at Barking Irons 
Wexler founded the production company Cinema 59 Productions in 2006  Cinema 59 often works with Creative Diversions, a toy and game company to create 360 degree entertainment 
Wexler's film, Motorcycle Drive By, about Third Eye Blind, was an official selection of the 2020 Tribeca Film Festival  In 2021 his game Fish Club was nominated for the Toy Of The Year Award  Most recently, his film Disintegration Loops was an official selection of the 2021 SXSW Film Festival 

Filmography (as writer, director)
American Gothic (2007)
My First Kiss (2008)
Evil Weed (2009)
The Stand Up (2010)
Anchors (2012)
Turtle Island (2012)
Last Supper (2018)
Vigilante: The Incredible True Story of Curtis Sliwa and the Guardian Angels (2018)
Motorcycle Drive By (2020)
Disintegration Loops (2021)

Filmography (as actor)
Turtle Island (2012)
I'm Not Here (2017)

Television (as creator/producer)
College Life (2009)

Web Series (as creator/producer)
Movie Life (2009)
Passage 5:
Now Where Did the 7th Company Get to?
Now Where Did the 7th Company Get To? (French: Mais où est donc passée la septième compagnie?) is a 1973 French-Italian comedy war film directed by Robert Lamoureux



ground_truth: All-American Co-Ed

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Are both villages, Rhosgoch and Qaleh-Ye Sahar, located in the same country?

The following are given passages.
Context 2: The first tornado of the record-breaking 1981 United Kingdom tornado outbreak, an F1/T2 tornado, touched down close to Rhosgoch at around 10:19 local time on 23 November 1981 
Passage 3:
Khosrow, Andika
Khosrow (Persian: خسرو) is a village in Qaleh-ye Khvajeh Rural District, in the Central District of Andika County, Khuzestan Province, Iran  At the 2006 census, its population was 70, in 13 families 
Passage 4:
Qaleh-ye Sahar
Qaleh-ye Sahar (Persian: قلعه سحر, also Romanized as Qal‘eh-ye Saḩar and Qal‘eh Sahar; also known as Qal‘eh-ye Saḩar Alhā’ī) is a village in Elhayi Rural District, in the Central District of Ahvaz County, Khuzestan Province, Iran  At the 2006 census, its population was 801, in 129 families 
Passage 5:
Qaleh-ye Askar
Qaleh-ye Askar or Qaleh Askar (Persian: قلعه عسكر), also rendered as Qaleh-ye Asgar and Qaleh Asgar may refer to:

Qaleh-ye Askar, Bam
Qaleh Askar, Bardsir
Qaleh Asgar Rural District
Passage 6:
Gohar, Iran
Gohar (Persian: گهر) is a village in Qaleh-ye Khvajeh Rural District, in the Central District of Andika County, Khuzestan Province, Iran  At the 2006 census, its population was 85, in 11 families 
Passage 7:
Qaleh-ye Zaras
Qaleh-ye Zaras (Persian: قلعه زراس, also Romanized as Qal‘eh-ye Zarās, Qal‘eh Zarās, and Qal‘eh Zarrās; also known as Ghal’eh Zaras) is a village in Qaleh-ye Khvajeh Rural District, in the Central District of Andika County, Khuzestan Province, Iran  At the 2006 census, its population was 291, in 49 families 
Passage 8:
Qaleh-ye Pain
Qaleh-ye Pain (Persian: قلعه پائين) may refer to:

Qaleh-ye Pain, Bavanat
Qaleh-ye Pain, Marvdasht
Qaleh-ye Pain Baram
Qaleh-ye Pain Deh Shah
Passage 9:
Qaleh-ye Bakhtiar
Qaleh-ye Bakhtiar or Qaleh-ye Bakhteyar (Persian: قلعه بختيار) may refer to:

Qaleh-ye Bakhtiar, Chaharmahal and Bakhtiari
Qaleh-ye Bakhtiar, Hamadan
Passage 10:
Qaleh-ye Nashin Shahi
Qaleh-ye Nashin Shahi (Persian: قلعه نشين شاهي, also Romanized as Qalʿeh Nashīn Shāhī; also known as Qaleh-ye Shinshahi) is a village in Shurab Rural District, Veysian District, Dowreh County, Lorestan Province, Iran  At the 2006 census, its population was 72, in 14 families 
Context 3:  The film portrays the adventures of a French Army squad lost somewhere on the front in May 1940 during the Battle of France 

Plot
During the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods  Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area  After burying the radio cable beneath a sandy road, the squad crosses the field, climbs a nearby hill, and takes position within a cemetery  One man cut down the wrong tree for camouflage, pulling up the radio cable and revealing it to the passing German infantry  The Germans cut the cable, surround the woods, and order a puzzled 7th Company to surrender  The squad tries to contact the company, but then witness their capture and run away 
Commanded by Staff Sergeant Chaudard, the unit stops in a wood for the night  Pithiviers is content to slow down and wait for the end of the campaign  The next day, he goes for a swim in the lake, in sight of possible German fighters  When Chaudard and Tassin wake up, they leave the camp without their weapons to look for Pithiviers  Tassin finds him and gives an angry warning, but Pithiviers convinces Tassin to join him in the lake  Chaudard orders them to get out, but distracted by a rabbit, falls into the lake  While Chaudard teaches his men how to swim, two German fighter planes appear, forcing them out of the water  After shooting down one of the German planes, a French pilot, Lieutenant Duvauchel, makes an emergency landing and escapes before his plane explodes  PFC Pithiviers, seeing the bad shape of one of his shoes, destroys what is left of his shoe sole  Tassin is sent on patrol to get food and a new pair of shoes for Pithiviers  Tassin arrives in a farm, but only finds a dog, so he returns and Chaudard goes to the farm after nightfall  The farmer returns with her daughter-in-law and Lt Duvauchel, and she welcomes Chaudard  Duvauchel, who is hiding behind the door, comes out upon hearing the news and decides to meet Chaudard's men 
When Chaudard and Duvauchel return to the camp, Tassin and Pithiviers are roasting a rabbit they caught  Duvauchel realizes that Chaudard has been lying and takes command 
The following day, the men leave the wood in early morning and capture a German armored tow truck after killing its two drivers  They originally planned to abandon the truck and the two dead Germans in the woods, but instead realized that the truck is the best way to disguise themselves and free the 7th Company  They put on the Germans' uniforms, recover another soldier of the 7th Company, who succeeded in escaping, and obtain resources from a collaborator who mistook them for Germans 
On their way, they encounter a National Gendarmerie patrol, who appear to be a 5th column  The patrol injures the newest member of their group, a young soldier, and then are killed by Tassin  In revenge, they destroy a German tank using the tow truck's cannon gun 
They planned to go to Paris but are misguided by their own colonel, but find the 7th Company with guards who are bringing them to Germany  Using their cover, they make the guards run in front of the truck, allowing the company to get away  When Captain Dumont joins his Chaudard, Tassin, and Pithiviers in the truck, who salute the German commander with a great smile 

Casting
Jean Lefebvre : PFC Pithiviers
Pierre Mondy : Staff Sergent Paul Chaudard
Aldo Maccione: PFC Tassin
Robert Lamoureux: Colonel Blanchet
Erik Colin: Lieutenant Duvauchel
Pierre Tornade: Captain Dumont
Alain Doutey: Carlier
Robert Dalban : The peasant
Jacques Marin: The collaborationist
Robert Rollis: A French soldier

Production
The film's success spawned two sequels:– 1975 : On a retrouvé la septième compagnie (The Seventh Company Has Been Found) by Robert Lamoureux;
– 1977 : La Septième Compagnie au clair de lune (The Seventh Company Outdoors)) by Robert Lamoureux The story is set in Machecoul woods, but it was actually filmed near Cerny and La Ferté-Alais, as well as Jouars-Pontchartrain and Rochefort-en-Yvelines  The famous grocery scene was filmed in Bazoches-Sur-Guyonne 
Robert Lamoureux based this film on his own personal experiences in June 1940 during the war 
The final scene with the parachute is based on a true story  The 58 Free French paratroopers were parachuted into Brittany in groups of three, on the night of 7 June 1944 to neutralize the rail network of Normandy Landings in Brittany, two days before 

Box office
The movie received a great success in France reaching the third best selling movie in 1974 

Notes
External links
Mais où est donc passée la septième compagnie? at IMDb
Passage 6:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav



ground_truth: no

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where did the director of film American Gothic (2007 Film) graduate from?

The following are given passages.
Context 3: 
Passage 7:
Jared Gold
Jared Gold (born 2 May 1972) is a fashion designer of avant-garde American Gothic fashion 

Biography
Gold grew up in Idaho Falls, Idaho and was a child piano prodigy long before he discovered fashion design  In 1990 he attended the Piano Conservatory of Hawaii for a year and soon after took up the harpsichord  Gold trained at Los Angeles' Otis Parson's School of Design  Gold is lead designer for his clothing company Black Chandelier  Gold has been creating fashion for men women and children since 1992, and shows his collections at events in Los Angeles as well as New York City  His collections are based in antiquated imagery, and use Victorian sewing details  Gold is the originator of the jewelled Giant Madagascar Hissing cockroach worn as jewelry known as the "Roach Brooch "

Life and career
Jared Gold's Czarina fashion show on March 14, 2008 was well reviewed in The Daily Titan, the student newspaper of Cal State Fullerton, which said Gold made the runway his "playground " In May 2006, he appeared as a guest judge on America's Next Top Model, in an episode that also featured his cockroach jewelry  In March 2009 Gold appeared as a special guest judge on Germany's Next Topmodel, hosted by Heidi Klum  Jared is known for his close friendship with writer Clint Catalyst  Metro Mix, a free nightlife guide in Los Angeles, said Catalyst is Gold's "muse " Catalyst has been hired as an event producer for some of Gold's fashion shows   In November 2009, the duo released their first collaborative design effort: a set of prize ribbons with awards such as "Epic" and "Hedonist ">

Gold appeared on Germany's Next Top Model  hosted by Heidi Klum, along with Jessicka and Catalyst on March 5, 2009 
Passage 8:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 9:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 10:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)



ground_truth: University of Wisconsin