prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the spouse of the performer of song Et Moi, Et Moi, Et Moi?

The following are given passages.
Context 1: Passage 1:
Toi et moi (Charles Aznavour song)
"Toi et Moi" (English translation: You and Me) is a song written in 1994 by Charles Aznavour, Jean-Pierre Bourtayre, and Jacques Revaux  It was originally released on Aznavour's highly successful 1994 CD, aptly titled Toi et Moi  In 1995, the English version titled You and Me, as well as the Spanish version Tú y Yo were released  In 2018 Charles Aznavour sang new version duo with russian singer Polina Gagarina 
Passage 2:
L'enfer et moi
France participated in the Eurovision Song Contest 2013 with the song "L'enfer et moi" written by Boris Bergman and David Salkin  The song was performed by Amandine Bourgeois  The French broadcaster France Télévisions in collaboration with the television channel France 3 internally selected the French entry for the 2013 contest in Malmö, Sweden  "L'enfer et moi" was officially announced by France 3 as the French entry on 22 January 2013 and later the song was presented to the public as the contest entry on 13 March 2013 
As a member of the "Big Five", France automatically qualified to compete in the final of the Eurovision Song Contest  Performing as the opening entry during the show in position 1, France placed twenty-third out of the 26 participating countries with 14 points 

Background
Prior to the 2013 Contest, France had participated in the Eurovision Song Contest fifty-five times since its debut as one of seven countries to take part in 1956  France first won the contest in 1958 with "Dors, mon amour" performed by André Claveau  In the 1960s, they won three times, with "Tom Pillibi" performed by Jacqueline Boyer in 1960, "Un premier amour" performed by Isabelle Aubret in 1962 and "Un jour, un enfant" performed by Frida Boccara, who won in 1969 in a four-way tie with the Netherlands, Spain and the United Kingdom  France's fifth victory came in 1977, when Marie Myriam won with the song "L'oiseau et l'enfant"  France have also finished second four times, with Paule Desjardins in 1957, Catherine Ferry in 1976, Joëlle Ursull in 1990 and Amina in 1991, who lost out to Sweden's Carola in a tie-break  In the 21st century, France has had less success, only making the top ten three times, with Natasha St-Pier finishing fourth in 2001, Sandrine François finishing fifth in 2002 and Patricia Kaas finishing eighth in 2009  In 2012, the nation finished in twenty-second place with the song "Echo (You and I)" performed by Anggun 
The French national broadcaster, France Télévisions, broadcasts the event within France and delegates the selection of the nation's entry to the television channel France 3  France 3 confirmed that France would participate in the 2013 Eurovision Song Contest on 6 November 2012  The French broadcaster had used both national finals and internal selection to choose the French entry in the past  From 2008 to 2012, the broadcaster opted to internally select the French entry, a procedure that was continued in order to select the 2013 entry 

Before Eurovision
Internal selection
France 3 announced in late 2012 that the French entry for the 2013 Eurovision Song Contest would be selected internally  The organisation of the internal selection was headed by the newly appointed French Head of Delegation for the Eurovision Song Contest Frédéric Valencak  The French broadcaster requested proposals from record companies, music publishers, artist managers and artists themselves and shortlisted 18 entries from the received submissions to advance to the next stage, which involved a fourteen-member selection committee consisting of representatives of France Télévisions and music industry professionals  The selection committee consisted of:

On 22 January 2013, France 3 announced that the French entry for the Eurovision Song Contest 2013 would be "L'enfer et moi" performed by Amandine Bourgeois  The song was written by Boris Bergman and David Salkin  The selection committee considered five entries following a blind audio listening before finalising their decision internally in early 2013  The entry was released on 13 March 2013 via the streaming service Spotify, and was formally presented to the public on 14 March 2013 during the France 5 programme C à vous, hosted by Alessandra Sublet 

At Eurovision
According to Eurovision rules, all nations with the exceptions of the host country and the "Big Five" (France, Germany, Italy, Spain and the United Kingdom) are required to qualify from one of two semi-finals in order to compete for the final; the top ten countries from each semi-final progress to the final  As a member of the "Big 5", France automatically qualified to compete in the final on 18 May 2013  In addition to their participation in the final, France is also required to broadcast and vote in one of the two semi-finals  During the semi-final allocation draw on 17 January 2013, France was assigned to broadcast and vote in the second semi-final on 16 May 2013 In France, the two semi-finals was broadcast on France Ô with commentary by Audrey Chauveau and Bruno Berberes, while the final was broadcast on France 3 with commentary by Cyril Féraud and Mireille Dumas  The French spokesperson, who announced the French votes during the final, was Marine Vignes 

Final
Amandine Bourgeois took part in technical rehearsals on 12 and 15 May, followed by dress rehearsals on 17 and 18 May  This included the jury final on 17 May where the professional juries of each country watched and voted on the competing entries  After technical rehearsals were held on 15 May, the "Big 5" countries and host nation Denmark held a press conference  As part of this press conference, the artists took part in a draw to determine which half of the grand final they would subsequently participate in  France was drawn to compete in the first half  Following the conclusion of the second semi-final, the shows' producers decided upon the running order of the final  The running order for the semi-finals and final was decided by the shows' producers rather than through another draw, so that similar songs were not placed next to each other  France was subsequently placed to open the show and perform in position 1, before the entry from Lithuania The French performance featured Amandine Bourgeois on stage wearing a grey dress and black high heels designed by French designer Jean-Claude Jitrois and performing the song at a microphone stand  The stage colours were predominately red with red, yellow and orange lighting and the stage projections displayed flames and steam on a black background  About the performance and song, France 3 entertainment director Marie Claire Mezerette stated: "In this case simplicity is the key  It is a simple, but still powerful rock love song  We don't need to make it complicated  She wants to express how angry she is with what happened in that love story, Amandine is singing about " Amandine Bourgeois was joined on stage by three backing vocalists: Fanny Llado, Guillaume Eyango and Judith Flessel-Toto  France placed twenty-third in the final, scoring 23 points 

Voting
Voting during the three shows consisted of 50 percent public televoting and 50 percent from a jury deliberation  The jury consisted of five music industry professionals who were citizens of the country they represent, with their names published before the contest to ensure transparency  This jury was asked to judge each contestant based on: vocal capacity; the stage performance; the song's composition and originality; and the overall impression by the act  In addition, no member of a national jury could be related in any way to any of the competing acts in such a way that they cannot vote impartially and independently  The individual rankings of each jury member were released shortly after the grand final 
Following the release of the full split voting by the EBU after the conclusion of the competition, it was revealed that France had placed twenty-fifth with the public televote and twelfth with the jury vote  In the public vote, France received an average rank of 21 68 and in the jury vote the nation received an average rank of 10 95 
Below is a breakdown of points awarded to France and awarded by France in the second semi-final and grand final of the contest, and the breakdown of the jury voting and televoting conducted during the two shows:

Points awarded to France
Points awarded by France
Passage 3:
Et moi, et moi, et moi
"Et moi, et moi, et moi" is the debut single by French singer-songwriter Jacques Dutronc, released in 1966  It is featured on his self-titled debut album 

Composition
The record came about as the result of rivalry between the two artistic directors at Disques Vogue, Christian Fechner and Jacques Wolfsohn  According to legend, Wolfsohn, who had previously promoted Françoise Hardy, used to amuse himself by taking pot-shots at Fechner's Revox tape-machine with a rifle from his office window  Wolfsohn wanted to better Fechner's success with the hippy-influenced singer-songwriter Antoine  He asked Jacques Dutronc, at that time his assistant and a songwriter at Vogue, and the novelist Jacques Lanzmann to work on songs for a rival act, a singer called Benjamin  Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair)  However, Wolfsohn was disappointed by Benjamin's recording of "Et moi, et moi, moi"  A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals  Wolfsohn then asked Dutronc if he would be interested in recording his own version The words to "Et moi, et moi et moi" have been described as sending up the socially conscious but "self-involved" lyrical style of Antoine, with Lanzmann and Dutronc perhaps suggesting doubt as to its sincerity  In the song, Dutronc alternates between thinking about people in different places around the world and thinking about himself  The opening of the song is Sept cent millions de chinois/Et moi, et moi, et moi ("Seven hundred million Chinese people/And then there's me")  According to Lanzmann, the song is "about complete selfishness   all the terrible things that go on a stone's-throw away, that touch us but that, nevertheless, do not prevent us from continuing to live and enjoy the evening's barbecue"  Musically, the song's fuzzy, choppy guitar line bears the influence of the Pretty Things and the Kinks 

Release and promotion
"Et moi, et moi, et moi" was released as the lead track on a four-track EP (EPL  8461) by Vogue in France in August 1966  In the UK and The Netherlands, it was released as a 2-track 7" single, with "Mini, mini, mini" as the b-side  In Germany, "Mini, mini, mini" was released as an a-side, backed with "Et moi, et moi, et moi"  For the Italian market, an Italian-language version titled "Il Mundo Va Cosi" was recorded  A version in Japanese was also attempted but was not released Dutronc performed "Et moi, et moi, et moi" on the French television show Le palmarès des chansons, broadcast on Channel One by the Office de Radiodiffusion Télévision Française on 29 September 1966  He also toured to promote the single 

Reception
"Et moi, et moi, et moi" reached number 2 in the French singles chart in September 1966 and number 7 in the Swiss chart the following month  It also gained popularity on the British mod scene where, despite the language barrier, it was appreciated as satirising the folk revival movement Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences"  For Portis, Dutronc marks a break with the literary tradition of French chanson in his creative use of the sounds, rather than just the syntax, of the language "Et moi, et moi, et moi" is featured in the coffee table book 1001 Songs You Must Hear Before You Die, published in 2010  In 2011, it was included in a series of 41 articles on songs that "define France", published in Le Figaro 

Cover versions
The British band Mungo Jerry reached number 3 in the UK singles chart in 1973 with an English-language reinterpretation of "Et moi, et moi, et moi" titled "Alright, Alright, Alright"  This version is credited to Lanzmann, Dutronc and Joe Strange  It features on Mungo Jerry's 1974 album Long Legged Woman Dressed In Black 
The original version of the song was covered in 1988 by the Spanish synth-pop artist Captain B Hardt  A recording of the song also appears on the 1989 compilation I Can't Come by punk band the Snivelling Shits  Yo La Tengo bassist James McNew, under his solo moniker Dump, released a cover of the song on his 1997 album A Plea for Tenderness  In 2002, Bruno Blum included a parody of the song, titled "Et moi, et moi etc", on his album Think Différent (sic)  In July 2013, the French singer-songwriter -M- performed a version of "Et moi, et moi, et moi" for the website of Le Figaro Israeli singer-songwriter Ariel Zilber recorded a Hebrew version of the song, entitled Milyard Sinim ("One Billion Chinese") in 1988  Translated by Yehonatan Gefen, the Hebrew text is a fairly accurate reflection of the French, and the chorus is exact  Loosely retranslated into English: "One billion Chinese are alive / And me, who am I, what am I? / With my private life / And my tooth that's been loose for four days / I think about it and then I forget / Because that's how life is" ("J'y pense et puis j'oublie / C'est la vie c'est la vie") 

Track listing
Words by Jacques Lanzmann and music by Jacques Dutronc 

Side A
"Et moi, et moi, et moi" – 2:52
"J'ai mis un tigre dans ma guitare" – 2:21

Side B
"Mini, mini, mini" – 1:54
"Les gens sont fous, les temps sont flous" – 3:03

Personnel
Jacques Dutronc : voice, guitar, percussion
Hadi Kalafate : bass, percussion
Alain Le Govic (alias Alain Chamfort) : piano, organ
Jean-Pierre Alarcen : guitar
Jacques Pasut : rhythm guitar
Michel Pelay : drums
Passage 4:
Juan Carlos Lecompte
Juan Carlos Lecompte Pérez is a Colombian author who was married to Ingrid Betancourt, a politician kidnapped by the Revolutionary Armed Forces of Colombia (FARC)  After her public release in Operation Jaque they divorced  In January 2010 he published a book about their break-up, it is called "Ingrid et moi" 
Passage 5:
L'Amour et moi
"L'Amour et moi" is Jenifer Bartoli's second single from her fifth album L'Amour et moi on which it is the fifth track  It was released on September 29, 2012 in Francophone countries and achieved success in France and Belgium (Wallonia) 

Charts
Passage 6:
Jacques Dutronc
Jacques Dutronc (born 28 April 1943) is a French singer, songwriter, guitarist, composer, and actor  Some of Dutronc's best-known hits include "Il est cinq heures, Paris s'éveille" (which AllMusic has called "his finest hour"), "Le Responsable", and "Les Cactus" 
Dutronc played guitar in the rock group El Toro et les Cyclones  He wrote successful songs for singer Françoise Hardy in the 1960s before moving on to pursue a successful solo career  His music incorporated traditional French pop and French rock as well as styles such as psychedelic and garage rock  He was also very important in the Yéyé music movement and has been a longtime songwriting collaborator with Jacques Lanzmann  According to AllMusic, Dutronc is "one of the most popular performers in the French-speaking world", although he "remains little known in English speaking territories" aside from a cult following in the UK He later branched out into film acting, starting in 1973  He earned a César Award for Best Actor for the leading role in Van Gogh, which was directed by Maurice Pialat  He married Hardy in 1981 and together they have a son, guitarist Thomas Dutronc (born 1973); the couple separated in 1988 

Early life
Jacques Dutronc was born on 28 April 1943 at 67 Rue de Provence in the 9th arrondissement of Paris, the home of his parents, Pierre and Madeleine  His father was a manager for the state-run Office of Coal Distribution  Jacques was educated at Rocroy-Saint-Léon elementary school (now a Lycée), the École de la Rue Blanche (now a drama school) and then at the École Professionnelle de Dessin Industriel, where he studied graphic design from 1959 

Career
1960s
In 1960, Dutronc formed a band with himself as guitarist, schoolfriend Hadi Kalafate as bassist, Charlot Bénaroch as drummer (later replaced with André Crudot) and Daniel Dray as singer  They auditioned in 1961 for Jacques Wolfsohn, an artistic director at Disques Vogue, who signed them and gave them the name El Toro et les Cyclones  The group released two singles, "L'Oncle John" and "Le Vagabond", but disbanded when Dutronc was obliged to undertake military service After being discharged from the army in 1963, Dutronc briefly played guitar in Eddy Mitchell's backing band and was also given a job at Vogue as Jacques Wolfsohn's assistant  In this capacity, he co-wrote songs for artists such as ZouZou, Cléo and Françoise Hardy 
Wolfsohn asked Dutronc to work with Jacques Lanzmann, a novelist and editor of Lui magazine, to create songs for a beatnik singer called Benjamin  Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair)  However, Wolfsohn was disappointed by Benjamin's recording of a song titled "Et moi, et moi, et moi"  A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals  Wolfsohn then asked Dutronc if he would be interested in recording his own version  The single reached number 2 in the French charts in September 1966 Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences"  For Portis, Dutronc marks a break with the literary tradition of French chanson in his creative use of the sounds, rather than just the syntax, of the language Dutronc's self-titled debut album, released at the end of 1966, sold over a million copies and was awarded a special Grand Prix du Disque by the Académie Charles Cros, in memoriam of one of its founders  A second single, "Les play boys", spent six weeks at number one and sold 600,000 copies Dutronc was one of the most commercially successful French music stars of the late 1960s and early 1970s  During that period, he released seven hit albums and more than 20 singles, including two further number ones: "J'aime les filles" in 1967 and "Il est cinq heures, Paris s'éveille" in 1968 According to music critic Mark Deming: "Dutronc's early hits were rough but clever exercises in European garage rock   like Dutronc's role models Bob Dylan and Ray Davies, he could write melodies strong enough to work even without their excellent lyrics, and his band had more than enough energy to make them fly (and the imagination to move with the musical times as psychedelia and hard rock entered the picture at the end of the decade)" 

1970s
Most of Dutronc's songs up to 1975 were written with Jacques Lanzmann, with only two written solely by Dutronc  Lanzmann's wife Anne Ségalen is also credited on some songs  Dutronc wrote three songs with comic-book writer Fred, whose stories he also narrated for commercial release in 1970  Two songs were written in 1971 by Lanzmann, Franck Harvel and the composer Jean-Pierre Bourtayre, for a TV adaptation of Arsène Lupin  Co-writing credits on Dutronc's self-titled 1975 album are split between Lanzmann, Serge Gainsbourg and Jean-Loup Dabadie 
In 1973, "Et moi, et moi, et moi" was adapted with English lyrics as "Alright Alright Alright" and became a UK No  3 hit for the group Mungo Jerry 
Also in 1973, Dutronc began a second career as an actor in the film Antoine et Sébastien, directed by Jean-Marie Périer  Dutronc's second film, That Most Important Thing: Love, directed by Andrzej Zulawski, was a major box-office hit in France  In the following years, Dutronc devoted most of his energies toward his acting career, appearing in films directed by Jean-Luc Godard, Claude Lelouch and Maurice Pialat  In 1977, he was nominated for the César Award for best supporting actor, for his role in Claude Sautet's Mado  Steven Spielberg reportedly considered Dutronc to be the best French actor of his generation, and had the role of René Belloq in Raiders of the Lost Ark written with him in mind  Dutronc was not given the role, however, because it transpired that his English was not adequate 

1980s
In 1980, Dutronc began work on a new album under the direction of Jacques Wolfsohn, now an executive at Gaumont Musique  Wolfsohn proposed that Dutronc write with both Jacques Lanzmann and Serge Gainsbourg  During recording, Wolfsohn proposed to Lanzmann and Gainsbourg that they each work on alternative lyrics to go with one of Dutronc's instrumental demos  Lanzmann objected to being placed in competition against another writer, and dropped out of the project  The resulting album, Guerre et pets ("War and Farts" - a play on the title of Tolstoy's novel), consequently only includes two Lanzmann-Dutronc compositions, and is mainly written by Dutronc and Gainsbourg  The album's lead single, "L'hymne à l'amour", received little airplay because its lyric consists primarily of racial epithets (the opening line, roughly translated, is "gook, wog, towel-head, yid"), and the album was only a moderate commercial success  The follow-up, 1982's C'est pas du bronze, was written with Anne Ségalen, by now divorced from Jacques Lanzmann, and was released to a frosty critical reception Dutronc's acting career continued during the 1980s, and he appeared in films such as Malevil and Barbet Schroeder's Tricheurs  In 1987, he released a further album, C Q F Dutronc  Most of the songs were written by Dutronc without a partner, although he collaborated with Etienne Daho on one track and with Jean-François Bernardini of the Corsican folk group I Muvrini on another 

1990s
In 1992, Dutronc was awarded the César for Best Actor for the title role in Maurice Pialat's biopic Van Gogh  Critic Christopher Null commented that Dutronc "manages to embody the obvious manic depression from Van Gogh's later years, all exuding from his scraggly face, sunken eyes, and bony frame    the searing Dutronc is the real reason to sit through the film" In November 1992, Dutronc played three comeback concerts at the Casino de Paris, highlights from which were released as a film, directed by Jean-Marie Périer and as a live album, Dutronc au Casino  At around this time, Dutronc began work on a new studio album, Brèves rencontres, but work progressed slowly and it was not released until 1995 During the 1990s, Dutronc appeared in two films by Patrick Grandperret and was nominated for a César Award for best supporting actor in 1999, for his role in Nicole Garcia's Place Vendôme 

21st century
Dutronc starred in Claude Chabrol's 2000 film Merci pour le chocolat  He was awarded the Best Actor prize at the 2001 Marrakech International Film Festival and was nominated for the César Award for best actor for his role in Jean-Pierre Améris' C'est la vie  In 2002, he starred in Michel Blanc's Summer Things 
In 2003, Dutronc reunited with Jacques Lanzmann for Madame l'existence, an album described by rock critic Christophe Conte as "surpassing, without much apparent effort, everything that [Dutronc] has created in the last two decades" In 2005, Dutronc was awarded an Honorary César  Since then, he has appeared in films by directors including Gabriel Aghion and Alain Corneau 
In 2010, Dutronc toured for the first time in 17 years, and released recordings from the tour as a live album and DVD, Et vous, et vous, et vous Dutronc's 41st film, Les Francis, was released in 2014 In November 2014, Dutronc performed a series of concerts with Eddy Mitchell and Johnny Hallyday at Paris Bercy, under the name "Les vieilles canailles" ("The Old Gits")  It was reported that, following these performances, Dutronc intended to begin recording a new album with his son Thomas 
Said album, Dutronc and Dutronc, was released November 4th 2022 and features 13 songs originally released by Jacques Dutronc during his early career  Father and son rearranged the songs and both sing on the album 

Reputation and influence
According to a 1979 editorial in the French magazine Rock & Folk, Dutronc is "the one singer who is so closely identified with the 1960s that it has become impossible to talk about them without talking about him"  In 1991, "Il est cinq heures, Paris s'éveille" was voted the best French-language single of all time in a poll of music critics organised by Le Nouvel Observateur for a TV special broadcast on Antenne 2, beating Jacques Brel's "Ne me quitte pas" into second place Dutronc's songs have been covered by Matthieu Chedid, Vanessa Paradis, Mungo Jerry, Etienne Daho, Sylvie Vartan, Miles Kane, the Divine Comedy, Serge Gainsbourg, Black Lips, Zine, the Last Shadow Puppets among others  Dutronc is also mentioned in the lyrics of the Cornershop song "Brimful of Asha" In 2015, a tribute album was released by Columbia Records with various artists interpreting songs by Jacques Dutronc  The 13-track album titled Joyeux anniversaire M'sieur Dutronc contained performances by artists Julien Doré, Gaëtan Roussel, Zaz, Joeystarr, Nathy (Tüxo), BAGARRE, Thomas Dutronc, Annie Cordy, the duo Brigitte, Miossec, Francis Cabrel, Francine Massiani, Tété and Camélia Jordana in addition to "L'opportuniste" sung by Jacques Dutronc with Nicola Sirkis  The album charted in France and Belgium 

Personal life
Dutronc began a relationship with Vogue label-mate Françoise Hardy in 1967  In 1973, they had a son, Thomas, who grew up to become a successful jazz and pop musician  In 1981, they were married, "for tax reasons", according to Hardy  In 1998, Jacques began a relationship with a stylist whom he had met on the set of the film Place Vendôme  Dutronc and Hardy are now separated, but remain married and see each other regularly He currently lives near the town of Monticello, Corsica In 2015, Dutronc revealed he had a brief relationship with Romy Schneider that lasted as long as they were shooting the film That Most Important Thing: Love 

Discography
Studio albums
Other notable singles
Live albums
Selected filmography
See also
French pop
French rock
Yé-yé
Jacques Lanzmann

Bibliography
Michel Leydier (2010)  Jacques Dutronc: La Bio  Paris: Seuil  ISBN 978-2-02-101287-3
Passage 7:
Sébastien Schuller
Sébastien Schuller (born 26 August 1970) is a French singer, songwriter and film score composer living in Philadelphia  His film scores include Toi et Moi , Notre univers impitoyable, Un Jour d'Été, One O One, High Society,The Night Eats the World  

Discography
1999: Londres (EP, Warner Music France)
2002: Weeping Willow (EP, EMI Music France/Capitol Records)
2005: Happiness (LP, Catalogue Records/Wagram Music)
2005: Harmony (EP, Catalogue Records/Wagram Music)
2009: Evenfall (LP, PIAS France)
2014: Heat Wave (LP, self-produced)
2023: Introspection (LP, self-produced)

External links
Official website 
Sébastien Schuller at IMDb
Sébastien Schuller discography at MusicBrainz
Sébastien Schuller discography at Discogs
Passage 8:
Alexis Martin (actor)
Alexis Martin (born June 9, 1964, in Montreal, Quebec) is a Canadian actor and writer  A 1986 graduate of the Conservatoire d'art dramatique de Montréal, he has acted in film, television and stage productions, and has written both theatrical plays and film screenplays He was a Genie Award nominee for Best Supporting Actor at the 31st Genie Awards in 2010 for Route 132, and for Best Adapted Screenplay at the 20th Genie Awards in 1999 for Matroni et moi  His play Bureaux was shortlisted for the Governor General's Award for French-language drama at the 2004 Governor General's Awards 

Filmography
Film
Cordélia - 1980
The Party (Le Party) - 1990
Cosmos - 1996
Karmina - 1996
The Revenge of the Woman in Black (La vengeance de la femme en noir) - 1997
Nô - 1998
August 32nd on Earth (Un 32 août sur terre) - 1998
Matroni and Me (Matroni et moi) - 1999
Les Boys III - 2001
The Collector (Le Collectionneur) - 2002
CQ2 (Seek You Too) - 2004
Audition (L'Audition) - 2005
Saint Martyrs of the Damned (Saints-Martyrs-des-Damnés) - 2005
A Sunday in Kigali (Un dimanche à Kigali) - 2006
Bluff - 2007
Le Banquet - 2008
Babine - 2008
Route 132 - 2010
Before My Heart Falls (Avant que mon cœur bascule) - 2012
My Internship in Canada (Guibord s'en va-t-en guerre) - 2015
Bad Seeds (Les mauvaises herbes) - 2016
9 (9, le film) - 2016
Hochelaga, Land of Souls (Hochelaga, Terre des âmes) - 2017
We Are Gold (Nous sommes Gold) - 2019
There Are No False Undertakings (Il n'y a pas de faux métier) - 2020

Television
L'Amour avec un Grand A
Radio Enfer
Sous le signe du lion
Fortier
Trauma
Les Parent

Plays
Oreille, tigre et bruit
Matroni et moi
L'An de Grâce
Bureaux
L'Apprentissage des marais
Révolutions
Passage 9:
Mary Christy
Marie Ruggeri (born Maria Christina Ruggeri, 21 July 1952 in Déifferdeng), professionally known as Mary Christy, frequently credited as Mary Cristy, is a Luxembourgish singer and actress 
Ruggeri grew up in Mamer, where her father worked as an entrepreneur  In the 1960s she was a child singer in Luxembourg and Germany where she appeared under the pseudonyms Marie Tina and Marie Christina 
In the early 1970s, she moved to Paris where she performed under the name Mary Christy, and participated in the rock opera La Révolution Française by Schönberg at the Palais des Sports in Paris 
She is best known for representing Monaco in the Eurovision Song Contest 1976 with the song "Toi, la musique et moi"  Her entry ranked 3rd out of 18 participants, receiving 93 points, including maximum 12 points from her native Luxembourg 
Passage 10:
Gertrude of Bavaria
Gertrude of Bavaria (Danish and German: Gertrud; 1152/55–1197) was Duchess of Swabia as the spouse of Duke Frederick IV, and Queen of Denmark as the spouse of King Canute VI 
Gertrude was born to Henry the Lion of Bavaria and Saxony and Clementia of Zähringen in either 1152 or 1155  She was married to Frederick IV, Duke of Swabia, in 1166, and became a widow in 1167  In 1171 she was engaged and in February 1177 married to Canute of Denmark in Lund  The couple lived the first years in Skåne  On 12 May 1182, they became king and queen  She did not have any children  During her second marriage, she chose to live in chastity and celibacy with her husband  Arnold of Lübeck remarked of their marriage, that her spouse was: "The most chaste one, living thus his days with his chaste spouse" in eternal chastity 
Context 2: Passage 1:
Nanon (1938 film)
Nanon is a 1938 German historical film directed by Herbert Maisch and starring Erna Sack, Johannes Heesters and Dagny Servaes  It is based on the original operetta Nanon by Richard Genée which had a libretto by F Zell, although the music for this film was specially commissioned from Alois Melichar 
It was produced by the giant German studio UFA, and is part of a cycle of operetta films made during the 1930s  The film's sets were designed by the art director Erich Kettelhut 
It was a remake of the 1924 silent film of the same title 

Cast
Erna Sack as Nanon Patin
Johannes Heesters as Marquis Charles d'Aubigne
Dagny Servaes as Ninon de l'Enclos
Kurt Meisel as Hector
Otto Gebühr as Jean Baptiste Molière
Oskar Sima as Marquis de Marsillac
Karl Paryla as Louis XIV
Berthold Ebbecke as Pierre
Ursula Deinert as Tänzerin
Clemens Hasse as Francois Patin
Paul Westermeier as 1  Korporal
Armin Schweizer as 2  Korporal
Oskar Höcker as 3  Korporal
Ilse Fürstenberg as Die Magd
Ludwig Andersen as Sekretär
Walter Steinbeck as Mons  Louvois
Hermann Pfeiffer as Mons  Duval
Horst Birr
Lucie Euler
Angelo Ferrari as Gast bei Ninon
Eric Harden
Alice Hechy
Max Hiller
Willy Kaiser-Heyl
Hermann Meyer-Falkow
Ellen Plessow
Klaus Pohl
Walter Schenk
Erhart Stettner
Robert Vincenti-Lieffertz
Egon Vogel
Leopold von Ledebur
Wolfgang von Schwindt
Helmut Weiss as Verehrer von Gräfin Ninon de Lenclos
Herbert Weissbach
Passage 2:
Jesse E  Hobson
Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955  Prior to SRI, he was the director of the Armour Research Foundation 

Early life and education
Hobson was born in Marshall, Indiana  He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology  Hobson was also selected as a nationally outstanding engineer Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children 

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948 
Passage 3:
Herbert Maisch
Herbert Maisch (born 10 December 1890 – in Nürtingen, Württemberg, died 10 October 1974 in Köln) was a German film director 

Selected filmography
The Royal Waltz (1935)
Boccaccio (1936)
Love's Awakening (1936)
Men Without a Fatherland (1937)
Nights in Andalusia (1938)
Nanon (1938)
D III 88 (1939)
Andreas Schlüter (1942)
Music in Salzburg (1944)
Passage 4:
Michael Govan
Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art  Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City 

Early life and education
Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D C  area, attending Sidwell Friends School He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art  Govan became closely involved with the museum, serving as acting curator as an undergraduate  After receiving his B A  from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego 

Career
As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R  Guggenheim Foundation  Govan served as deputy director of the Solomon R  Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain  Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation 

Dia Art Foundation
From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City  There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present  Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon  Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building  During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest  Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015 

LACMA
In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M  Daly, recruited Govan to run the Los Angeles County Museum of Art  Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961  "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that "Govan has been widely regarded for transforming LACMA into both a local and international landmark  Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion  LACMA's annual attendance has grown from 600,000 to nearly 1 6 million in 2016 

Artist collaborations
Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists  In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world  Baldessari has also designed LACMA's logo  Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth     crossed with a high-style urban lounge "Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists  These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard  Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016 In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived  In 2010, it was announced that Govan will steer LACMA for at least six more years  In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum 

Zumthor Project
Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor  As of January 2017, he has raised about $300 million in commitments  Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard  The project also envisages dissolving all existing curatorial departments and departmental collections  Some commentators have been highly critical of Govan's plans  Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own"  Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1 5 miles  Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support 
On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come" 

Personal life
Govan is married and has two daughters, one from a previous marriage  He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]  That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region 
Los Angeles CA 90020
United States  He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport 
Passage 5:
S  N  Mathur
S N  Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980  He was also the Director General of Police in Punjab 
Passage 6:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv
Context 3: Passage 1:
Baer House (Little Rock, Arkansas)
The Baer House is a historic house located at 1010 Rock Street in Little Rock, Arkansas 

Description and history
It is a simple two-story L-shaped masonry structure, with a cross-gable roof configuration and a porch at the crook of the L  The front-facing gable has Craftsman-style brackets and half-timbering effects  The porch has a shed roof, and is supported by groups of short box columns set on tall brick piers, with a brick balustrade  The house was designed by the architect Charles L  Thompson, and was built about 1915 The house was listed on the National Register of Historic Places on December 22, 1982 

See also
National Register of Historic Places listings in Little Rock, Arkansas
Passage 2:
Soyol Erdene
Soyol Erdene (Mongolian: Соёл Эрдэнэ, [ˈsɔjɔɮ ˈɛrdən]) is the first rock band of Mongolia 

Name
"Soyol Erdene" is the name of a melodious popular song of 1920s which the band played on an electric guitar  The approximate meaning is "Cultural jewel" 

History
The band was established in late 1971  The Minister of Culture of that time, famous novelist Ch  Lodoidamba called four young musicians and said: "England has a band The Beatles of four young men  Why shouldn't we have a similar band?" The four young musicians, who had recently graduated from the School of Music and Dance in Ulaanbaatar (nowadays College of Music and Dance) as yatga (ятга) players, established a rock band  The members were Tserenbat (drums), Erdenekhuyag (guitar), Batsaikhan (guitar) and Naranbaatar (keyboard)  Later members were Galsanbat (guitar-solo), Zundari (bass), Bayar (vocal), Damdinsuren (guitar), Jargalsaikhan (drums), Jargalsaikhan (guitar/vocal), B  Tsolmon (drums)  Among the more recent members were D  Enkhbold (guitar-solo) and Kh  Bulgan (keyboard)  Soyol Erdene also performed for female singers Rentsenkhand, Nandintsetseg, Dulamsuren, Uranchimeg, Nasantogtokh, and Ariunaa 
During socialism, the band worked under the administration of the State Philharmony which also supervised a symphony orchestra and the jazz band Bayan Mongol 
The first compositions of the band were Mongolian folk songs in a rock style arrangement as well as songs written by the members of the band  They often used poems of famous Mongolian writers 
The rock band was frequently criticized by the MPRP censorship for promotion of the Western musical style and Western fashion 
Soyol Erdene won the gold medal at the 10th World Festival of Youth and Students in 1973 Soyol Erdene's only full album, Soyol Erdene, was re-released in 2019 by the Everland Music Group 

Repertoire
Among the most popular songs created by the members of Soyol Erdene during its merseybeat period in the early 1970s were "Setgeliin jigüür" (The wings of the Mood), "Zürhnii aizam" (Melody of the Heart), and "Uchraliin uyanga" (Melody of Love) by Zundari, Ankhnii khairiin duu (Song of the First Love) and Hüleelt (Waiting) by Jargalsaikhan G, glam rock 6:45 (Six forty-five), Tursun udriin duu (Happy Birthday's song), 18 nas mini namaig buu orkhioch (Don’t leave me, my childhood), Burged (The Eagle), rock composition Chinggis khaan by Jargalsaikhan D,
The most popular rock interpretations of Mongolian folk songs were "Damdin" and "Tonjoo" (Western Mongolian folk song)  Western Mongolian folklore fitted well with the rock arrangement 
The most renowned instrumental compositions of Soyol Erdene were "Soyol Erdene", "Sansriin khölög" (Spaceship composed by Baatarsukh S 1969), Tsenkher zalaa (a yatga solo that became a jingle for weather forecasts composed by Baatarsukh S 1969) and "Ankhnii tsas" (The First Snow) by Naranbaatar, rock composition "Bid" (We are) by Jargalsaikhan D

See also
Music of Mongolia
Passage 3:
Central Congregational Church (Fall River, Massachusetts)
Central Congregational Church is a historic church at 100 Rock Street in Fall River, Massachusetts 

History
The church was built in 1875 and added to the National Register of Historic Places in 1983  It was designed by Boston architects Hartwell & Swasey, who also designed several other notable buildings in Fall River, including the Academy Building and several city fire stations  It was well known in its early days for being the home church of Lizzie Borden and her family 
In the 1990s and 2000s, the church and abbey were renovated into the International Culinary Academy, with the Abbey Grille and classrooms in the abbey and a large function hall in the main church  The Academy and restaurant closed in March 2009



ground_truth: Françoise Hardy

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where did the director of film Nanon (1938 Film) die?

The following are given passages.
Context 2: 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 7:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 8:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 9:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 10:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Context 3: 
In 2019 the church became a venue for events  Weddings and other large events  It is now called The Historic Abbey at 100 Rock Street 
The Hook & Hastings organ was built some time ago  This Hook & Hastings organ is one of the only ones in the area  The organ is located in the main hall 

In popular culture
It was the site used, in the spring of 1993, for the performance segment of the video for "Cryin'" by Aerosmith, who had played the area in the early days  The church was also featured on the first-season episode of Haunted Towns where paranormal team Tennessee Wraith Chasers were the first ones to investigate it, trying to communicate with the ghost of Lizzie Borden who taught Sunday school here 

See also
National Register of Historic Places listings in Fall River, Massachusetts
Massasoit Fire House No  5
Pocasset Firehouse No  7
Passage 4:
De León
De León or de León or De Leon may refer to:

De Leon, Texas, USA
De Leon Independent School District of De Leon, Texas
Manuel Márquez de León International Airport, the airport serving La Paz, Baja California Sur, Mexico
De León (surname), people with the surname De León, de León or De Leon
Passage 5:
Mission Rock station
Mission Rock station is a light rail station on the Muni Metro T Third Street line, located in the median of Third Street at Mission Rock Street in the Mission Bay neighborhood of San Francisco, California  The station opened with the T Third Street line on January 13, 2007  It has two side platforms; the northbound platform is north of Mission Rock Street, and the southbound platform south of Mission Rock Street, which allows trains to pass through the intersection before stopping at the station 
The stop is also served by the route 22 bus, plus the T Bus and 91 Owl bus routes, which provide service along the T Third Street line during the early morning and late night hours respectively when trains do not operate 
Passage 6:
Rock Street Journal
Rock Street Journal or RSJ is a monthly magazine covering the rock scene in India and South Asia  It was started in January 1993 in Allahabad by Amit Saigal and Shena Gamat Saigal after they noted the lack of a support system for Indian rock musicians  The magazine has grown in popularity ever since and is now published from Delhi  It organizes the yearly Great Indian Rock Festival (GIR) to promote original music of new and upcoming rock bands in India 

History
Amit Saigal and Sam Eric Lal used to perform in a band called Impact in the 1980s  They realized that there was no support system in place for new and upcoming rock musicians and bands in India  They only had college fests as platforms  According to Sam, "The community was large and strong but very fragmented at the same time  When we thought about this, we decided to come up with RSJ which would provide news about rock music anywhere in the country " And thus RSJ was born to bring a sense of community among these struggling musicians, the first issue published from Allahabad in January 1993  It was initially planned as subscription-only magazine  Amit promoted the magazine in college festivals but only sold a handful of subscriptions at that time  The magazine has grown substantially since then, and has a circulation of 1, 42,000 copies per issue 

Features
RSJ regularly covers professional and college festival concerts throughout India  It also publishes reviews of new music albums, new bands, old bands and everything that falls under the gamut of the Indian and the international rock scene, they also publish reviews of Indian Bands along with extensive reviews and interviews of International bands  Its website has an extensive database of over a thousand rock bands and musicians hailing from the Indian subcontinent, including desi rock bands from elsewhere in the world  The website also contains the official forums frequented by thousands of Indian rock fans  Between 2004 and 2007, a thread called the "Deadman show" was the most visited and read thread in the forum  Currently boasting of a registered database of over 40,000 
Over the years RSJ changed the overall approach to the content and now covers an array of varied music and concerts  The magazine also regularly does free CD releases every month 
The latest initiative however is the Breaking Boundaries Split EP series which features music from across the globe and renowned bands  The first edition featured Textures, New Way Home and Indian metal legends Bhayanak Maut, Scribe and Undying Inc  The second edition is rumored to feature bands like Tesseract, Fell Silent and hardcore band Norris from Canada 

Concerts and music festivals
RSJ organizes the Great Indian Rock Festival each year showcasing the best among upcoming talent in rock and roll in the Indian subcontinent  The first GIR was in 1997 in Kolkata



ground_truth: Köln

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which magazine was established first, Rock Street Journal or De As?

The following are given passages.
Context 3:  It is usually held in Delhi in the month of February, in the 11th year of GIR; Norway's biggest Black Metal Act Enslaved were headlining  In addition, RSJ has organized several other concerts including the Concert for Tibet in 2003 in Dharamsala, and the Brotherhood of Rock in Shillong 
RSJ has also conceptualised and executed events like the Pubrockfest and RocktoberFest which are now regular events in Delhi, however the PubrockFest went national this year going to 7 cities and with over 30 gigs in all  This year the Pubrockfest is bigger going to 20 cities with 60 gigs and also features two international artistes from Australia and Canada respectively 
2007 also saw the inception of a new festival called LiveAlive - Experience Jazz, Blues and Beyond, this festival focused on music like jazz, blues and other experimental music 
Every year in November, Jazz fans in Delhi get a treat in the form of The Jazz Utsav which is organised by Capital Jazz in association with Rock Street Journal, the Jazz Utsav features some of the biggest acts in Jazz from across the globe 
Over the years the number of festivals have grown and the key festivals that RSJ does are
1  Great Indian Rock
2  Live Alive
3  Pubrockfest
4  Rocktoberfest
5  Global Groove
6  Jazz Utsav

See also
Indian rock
Passage 7:
Delisle
Delisle or De Lisle or de Lisle may refer to:

People
Delisle (surname)
DeLisle Worrell, a former governor of the Central Bank of Barbados

Places
CanadaDelisle, Quebec, a former municipality that is now part of Alma, in RCM of Lac-Saint-Jean-Est, in administrative region of Saguenay-Lac-Saint-Jean, in Quebec
Richmond Gulf (French: Lac Guillaume-Delisle), a waterbody in Nunavik, in administrative region of Nord-du-Québec, in Quebec, Canada
Sector Delisle, a sector of Alma, Quebec, in Lac-Saint-Jean-Est Regional County Municipality, in administrative region of Saguenay-Lac-Saint-Jean, in Quebec
Delisle, Saskatchewan, a town in SaskatchewanUnited StatesDeLisle, Mississippi, a census-designated place
Delisle, Ohio, an unincorporated communityThe MoonMons Delisle, a mountain on the moon
Delisle (crater), a lunar crater

Other uses
Delisle scale, a temperature scale
De Lisle carbine, a World War II silent rifle
De Lisle College, a Roman Catholic school in Leicestershire, England
De Lisle (novel), an 1828 novel by Elizabeth Caroline Grey

See also
Lisle (disambiguation)
Passage 8:
DeLorenzo
DeLorenzo or De Lorenzo or de Lorenzo is an Italian surname  It may refer to:

Giovanni de Lorenzo Larciani (1484-1527), Italian painterBart DeLorenzo (born 1965), American theater director
Dana DeLorenzo (born 1983), American actress
Enrico de Lorenzo, Italian bobsledder who competed during the 1960s
Francesco De Lorenzo (born 1938), Italian doctor and politician
Italo de Lorenzo, Italian bobsledder who competed in the mid-1960s
Leonardo De Lorenzo (1875–1962), Italian musician
Michael DeLorenzo (born 1959), American actor
Tista De Lorenzo (born 1934), Australian football player
Victor DeLorenzo (born 1954), American musicianJax DeLorenzo (born 2014)
Dog

See also
De Lorenzo's Tomato Pies, a pizzeria in New Jersey
Lorenzo (name)
Passage 9:
De AS
De AS (Anarcho-Socialist) (also called De AS) is a Dutch anarchist quarterly, published by De AS Foundation in Moerkapelle  The first issue appeared in December 1972 
De AS appears in the form of special issues and once per year in the form of a Yearbook Anarchism  Sometimes, these two appear together, as is the case with number 156 (Winter 2006)  Sometimes there are also double numbers  The themes followed by the 13th Yearbook Anarchism concern uprooting of Europe  The aim of De AS is to develop an anarchist vision regarding the social environment (from politics to art) as well a critique of the point of view of anarchism 
From 1973 to 1983, Anton Levien Constandse served as an editor for the magazine  As of May 2009, Marius de Geus, Jaap van der Laan, Wim de Lobel and Hans Ramaer edited the magazine 
Passage 10:
Everybody's Magazine
Everybody's Magazine was an American magazine published from 1899 to 1929  The magazine was headquartered in New York City 

History and profile
The magazine was founded by Philadelphia merchant John Wanamaker in 1899, though he had little role in its actual operations  Initially, the magazine published a combination of non-fiction articles and new fiction stories   By 1926, the magazine had become a pulp fiction magazine and in 1929 it merged with Romance magazine 
In 1903, it had a circulation of 150,000, and Wanamaker sold the magazine for $75,000 to a group headed by Erman Jesse Ridgway   A series of muckraking articles called "Frenzied Finance" in 1904 boosted circulation to well over 500,000, and it stayed above the half million mark for many years   During America's involvement in World War I, circulation declined below 300,000   By the late 1920s, it had declined to about 50,000 Beginning in 1915, the magazine began referring to itself simply as Everybody's  Writers who appeared in it include Jack London, Talbot Mundy, Victor Rousseau, O  Henry, A  A  Milne (Milne's novel The Red House Mystery was serialised in the magazine from August to December 1921 as The Red House Murder) Hugh Pendexter, Eleanor Hoyt Brainerd, Raoul Whitfield and Dornford Yates 
The last issue of Everybody's Magazine was published in March 1929  In 1931, publisher Alfred A  Cohen purchased Everybody's Magazine from the Butterick Publishing Company and attempted to revive it with F  Orlin Tremaine as editor  No known issues were produced and the magazine was soon declared discontinued 

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ground_truth: De As