prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is Renaud Ii, Count Of Soissons's uncle?

The following are given passages.
Context 1: Passage 1:
John I, Count of Soissons
John I (died after 1115), son of William Busac, Count of Eu and Soissons, and Adelaide, Countess of Soissons   Count of Soissons 
John became Count of Soissons after the death of his brother Renaud II in 1099   John was involved with the Abbey of St  Jean des Vignes 
John married Aveline de Pierrefonds, daughter of Nivelon II, Seigneur de Pierrefonds   John and Aveline had:

Renaud III, Count of SoissonsUpon the death of John, his son Renaud became the last of the Norman Counts of Soissons 
Passage 2:
Adelaide, Countess of Soissons
Adelaide (died 1105), was sovereign Countess of Soissons from 1057 until 1105 
She was the daughter of Renaud I, Count of Soissons, and his wife, whose name is unknown, widow of Hilduin III, Count of Montdidier   
Adelaide became ruler of the County of Soissons upon the death of her father and brother, Guy II, Count of Soissons, in 1057 
Adelaide married William Busac, Count of Eu, grandson of Richard I, Duke of Normandy   Adelaide and William had five children:

Renaud II, Count of Soissons
John I, Count of Soissons, married to Aveline de Pierrefonds
Manasses of Soissons, Bishop of Cambrai, Bishop of Soissons
Lithuise de Blois, married to Milo I of Montlhéry
Unnamed daughter, married to Yves le Vieux William Busac became Count of Soissons, de jure uxoris, upon their marriage 

Notes
Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 3:
Alberic III of Dammartin
Alberic III of Dammartin (Aubry de Dammartin) (c  1138 – 19 September 1200) was a French count and son of Alberic II, Count of Dammartin, and Clémence de Bar, daughter of Reginald I, Count of Bar  
He married Mathilde, heiress to the county of Clermont and daughter of Renaud II, Count of Clermont  They had:

Renaud I, Count of Dammartin (c  1165–1227), married 1) Marie de Châtillon and 2) Ide de Lorraine with whom he had Matilda II, Countess of Boulogne, Queen of Portugal
Alix de Dammartin (1170–1237), married Jean, Châtelain de Trie
Simon of Dammartin (1180 – 21 September 1239), married Marie, Countess of Ponthieu father of Joan, Countess of Ponthieu, Queen of Castile and Leon 
Julia of Dammartin, married Hugh de Gournay
Agnes of Dammartin, married William de Fiennes

Notes
Passage 4:
Nocher II, Count of Soissons
Nocher II (died 1019), Count of Bar-sur-Aube, Count of Soissons  He was the son of Nocher I, Count of Bar-sur-Aube  Nocher's brother Beraud (d  1052) was Bishop of Soissons Nocher became Count of Soissons, jure uxoris, upon his marriage to Adelise, Countess of Soissons   Nocher and Adelisa had three children:

Nocher III (d  1040), Count of Bar-sur-Aube, had at least two daughters by unknown wife:
Adèle (d  1053), Countess of Bar-sur-Aube
Isabeau
Guy, archbishop of Reims
Renaud I, Count of SoissonsNocher's son and namesake became Count of Bar-sur-Aube upon his death, and the countship of Soissons reverted to his wife   His son Renaud would eventually become the Count of Soissons 
Passage 5:
Renaud II, Count of Soissons
Renaud II (died 1099), son of William Busac, Count of Eu and Soissons, and Adelaide, Countess of Soissons   Count of Soissons 

It is unclear when Renaud assumed the countship of Soissons from his disgraced father   The latter was stripped of the County of Eu in 1050 but it is unclear when he relinquished the countship of Soissons   Alberic of Trois-Fontaines identifies Renaud in his Chronicles but little is known about his rule 
It is not known whether Renaud married or had any children  Upon the death of Renaud, his brother John became the Count of Soissons 

Notes
Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 6:
John V, Count of Soissons
John V (21 March 1281 – 1304), son of John IV, Count of Soissons, and his wife Marguerite of Rumigny  Count of Soissons 
John inherited the countship of Soissons from his father in 1302   Nothing is known about his brief rule of the county  He never married and died with no heirs   Upon his death, his brother Hugh became Count of Soissons 

Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 7:
Guy II, Count of Soissons
Guy II (d  1057), son of Renaud I, Count of Soissons, and his wife (name unknown), widow of Hilduin III, Count of Montdidier  Guy was identified as Count of Soissons in 1042 in a charter in which Gaunilo of Marmoutiers, the treasurer of St  Martin, denoted property  Guy died with his father in 1057 at the siege of Soissons 
It is not known whether or not Guy was married and no children are recorded  Upon his death, his sister Adelaide assumed the countship of Soissons 

Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 8:
William Busac
William Busac (1020–1076), son of William I, Count of Eu, and his wife Lesceline, was Count of Eu and Count of Soissons, de jure uxoris   William was given the nickname Busac by the medieval chronicler Robert of Torigni 
William appealed to King Henry I of France, who gave him in marriage Adelaide, the heiress of the county of Soissons  Adelaide was daughter of Renaud I, Count of Soissons and Grand Master of the Hotel de France  William then became Count of Soissons in right of his wife  William and Adelaide had four children:

Renaud II, Count of Soissons (died 1099)
John I, Count of Soissons (died after 1115), married to Aveline de Pierrefonds
Manasses of Soissons, Bishop of Cambrai, Bishop of Soissons (died 1 Mar 1108)
Lithuise de Blois, married to Milo I of Montlhéry
Raintrude, married to Raoul I of Nesle, a member of the House of Nesle His son Renaud became Count of Soissons upon William's death, and he was succeeded by his brother John 
Passage 9:
Margaret, Countess of Soissons
Margaret (or Margaretha) of Soissons (died ca  1350) was ruling Countess of Soissons in 1305-1344  She was the only daughter of Hugh, Count of Soissons, and Johanna of Argies  In 1306 she succeeded her father as Countess of Soissons 
Margaret was married to John of Beaumont, son of John II, Count of Holland  Margaret and John had five children:

Johanna of Hainault (1323–1350), married first to Louis II, Count of Blois, (three sons), and second to William I, Marquis of Namur, no issue 
John, Canon of Cambrai 
William, Canon of Cambrai, Beauvais and Le Mans 
Amalrik, Canon of Cambrai, Dole and Tours 
Reinout, Canon of Cambrai Upon their marriage, John became Count of Soissons, jure uxoris 

Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 10:
John III, Count of Soissons
John III (died before 8 October 1286), son of John II, Count of Soissons, and Marie de Chimay   Count of Soissons and Seigneur of Chimay   John inherited the countship of Soissons upon his father’s death in 1272 
John married Marguerite de Montfort, daughter of Amaury, Count of Montfort, and his wife Beatrix de Viennois   John and Marguerite had:

Marie de Nesle (d  after 1272), married to Guy de Saint-Rémy
John IV, Count of Soissons
Unnamed daughter, married Eustache IV de Conflans, Seigneur de Mareuil, son of Eustache III de Conflans
Raoul de Nesle (killed in the battle of Courtrai, 11 July 1302)
Auchier de Nesle 
Hugh de Nesle, d 1306
Context 2: Passage 1:
White: Melody of Death
White: Melody of Death (Korean: 화이트: 저주의 멜로디; RR: Hwaiteu: Jeojooui Mellodi, lit  White: The Melody of the Curse) is a 2011 South Korean horror film by Kim Gok and Kim Sun 
The film was pre-sold in Malaysia and Singapore with the teaser trailer and poster released at the Hong Kong Film Mart  The movie was a commercial success grossing US$ 5,3 Million and ending up being the highest-grossing horror movie and among Top 30 highest-grossing movies in South Korea in 2011 

Plot
The girl group Pink Dolls, which consists of A-rang, Je-ni, Shin-ji, and Eun-ju, make their debut on stage but fail to achieve popularity  They and the record company moved to a renovated studio that was burnt down in a fire 15 years ago  Eun-ju's sponsor (someone who funds an idol or group on the condition they receive sexual favors) was credited for making the move, and renovations happen  Eun-ju is bullied by the other three members for her involvement with the sponsor and considers quitting  Her vocal trainer and best friend, Soon-ye encouraged her to remain in the group as she believes they will find success and gain attention with their new song  While cleaning up in the dance rehearsal room, Eun-ju finds a VHS tape titled "WHITE" and plays it in her dorm room  The footage is of an old, unreleased music video  When the group's manager finds her watching the tape, she demands to permitted its song to be remade as their next single 
When Pink Dolls receives overnight popularity with their debut of the song "White," which has become a viral hit, the manager seeks to re-record the song but with the main vocalist overtaking the song  The tension begins to rise as Je-ni, A-rang, and Shin-ji become hostile and jealousy against each other as they fight over the spot  During this time, a ghost attacks the three members on different occasions; Je-ni by strangling her with microphone cords, A-rang by causing her to fall off a music-video set, and Shin-ji by crushing her with camera equipment  Fearing the song is cursed and that she will be the next victim, Eun-ju examines hidden images within the video with Soon-ye and an editor and from there believe that a trainee named Jang Ye-bin, who died before the studio caught fire, wrote the song  Eun-ju meets up with her sponsor and asks about the circumstances surrounding Ye-bin and replies that she died by suicide  After returning to the rehearsal room in a fit of depression, Eun-Ju finds a suicide note beside power sockets that may have started the fire and she smashes the sockets with a hammer until she fell asleep in the morning 
Confident that the curse is broken, Eun-ju wants to get more attention by reinventing "White" with a new image, including dressing and dying her hair in white, and using the stage name "White"; but she takes credit for the song to her solo performance, and alienates those around her  While Soon-ye was destroying the evidence, she re-watched the video and noticed new details they had never seen  While doing so, she and the editor learned that Je-ni, A-rang, and Shin-ji, who had been hosts for a music television show, died from drinking bleach on air  Soon-ye calls Eun-ju, who is on her way to a venue to perform "White," and warns her that the curse is not over, but Eun-ju ignores her  Soon-ye soon learns that the writer of the song was not Ye-bin, but a back-up dancer who was bullied by Ye-bin by disfiguring her face with acid and caused the back-up dancer to commit suicide by drinking bleach  Her ghost killed Ye-bin, who caused the fire when attempting to burn the suicide note 
Soon-ye rushes to the venue to rescue Eun-ju but is unable to enter the stage with all the doors locked  During Eun-ju's performance, the stage goes blackout, and the electricity begins to malfunctions  Eun-ju's sponsor and manager try to get her off the stage, but they are both killed by stage equipment, and the ghost attempts to attack her  Afterward, the doors all open, and the panicking crowd starts to rush out of the building, Soon-ye enters and she and Eun-ju attempt to reunite, but Eun-ju trips in the crowd and gets trampled to death  The electricity eventually sets the venue on fire  After the incident, Soon-ye destroyed all of the remaining evidence of the song in the studio's karaoke room  However, the karaoke machine announces that the next song playing is "White," alluding to the possibility that the curse has not been broken 

Cast
Ham Eun-jeong as Eun-ju, a leader of the Pink Dolls, who is a former back-up dancer
Hwang Woo-seul-hye as Soon-ye, a vocal trainer, and Eun-ju's best friend
May Doni Kim as Shin-ji, a rapper/dancer who is excellent for dancing performance 
Choi Ah-ra as A-rang, a visual/singer who is addicted to plastic surgery
Jin Se-yeon as Je-ni, a lead singer who is insecure with hitting high notes
After School as Pure
Byun Jung-soo as Talent Agent
Kim Young-min as Lee Tae-Yong
Kim Ki-bang as Manager
Yoo Mo-ri as Jang Ye-bin
Kim Soo-hyun as White
Lee Jun-ho as Music Fever host

Soundtrack
The soundtrack contains 3 versions of the song "White," the original (the one featured on the VHS tape), another sung by Pink Dolls (Ham Eun-jeong, May Doni Kim, Choi Ah-ra and Jin Se-yeon), and a solo version with just Eun-jeong 

Reception
Box office
The film grossed US$1,265,702 its opening weekend landing at the fifth position of the box office chart  In total the film grossed US$5,299,831 by the end of its theatrical run  The film received a total of 791,133 admissions nationwide 

Accolades
Listicles
Release
White was released in Japan as a DVD on March 02, 2012 by NBC Universal  A re-issue ws released in the same country on July 21, 2017 
Passage 2:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 3:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 4:
Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German  abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger  He is best known for directing the semi-documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, Berlin: Symphony of a Metropolis  His audio montage Wochenende (Weekend) (1930) is considered a major contribution in the development of audio plays 

Biography
Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist  He graduated high school in 1905 and began architectural studies in Zürich in 1907  In 1909 Ruttmann began painting in Munich, where he befriended Paul Klee and Lyonel Feininger, and he would later paint in Marburg Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of World War I he was sent to the Eastern Front, where he served as an artillery lieutenant and a gas defense officer  After spending 1917 in a hospital for post traumatic stress disorder, he began making films  Ruttmann had the financial means to work independently of the major German studios of the time  He founded Ruttmann-Film S R O  in Munich and patented an animation table, in June 1920 
His first productions were the first fully animated German cartoons and abstract animated films  Lichtspiel: Opus I, produced between 1919 and 1921, premiered on 27 April 1921 at the Berlin Marmorhaus, and released for German theatrical distribution in 1922, is the "oldest fully abstract motion picture known to survive, using only animated geometric forms, arranged and shown without reference to any representational imagery" 
Opus I and Opus II, were experiments with new forms of film expression, and the influence of these early abstract films can be seen in some of the early work of Oskar Fischinger  Ruttmann and his colleagues of the avant garde movement enriched the language of film as a medium with new formal techniques In 1926 he worked with Julius Pinschewer on Der Aufsteig, an experimental film advertising the GeSoLei trade fair in Düsseldorf In 1926, Ruttmann licensed a Wax Slicing machine from Oskar Fischinger to create special effects for  The Adventures of Prince Achmed, an  animated fairy tale film, for Lotte Reiniger, making the moving backgrounds and magic scenes Ruttmann was a prominent exponent of both avant-garde art and music  His early abstractions played at the 1929 Baden-Baden Festival to international acclaim despite their being almost eight years old  Together with Erwin Piscator, he worked on the film Melody of the World (1929), though he is best remembered for Berlin: Die Sinfonie der Großstadt (Berlin: Symphony of a Metropolis, 1927) 
Weekend (Wochenende), commissioned in 1928 by Berlin Radio Hour, and presented on 13 June 1930, is a pioneering work of musique concrète, a montage of sound clips, recorded using film optical sound track from the Tri-Ergon process  Ruttmann recorded the streets sounds of Berlin with a camera, but without images, this was before magnetic tape  Hans Richter called it “a symphony of sound, speech-fragments, and silence woven into a poem ”A pacifist, he traveled to Moscow in 1928 and 1929  During the Nazi period he was replaced by Leni Riefenstahl as director of the documentary which eventually became Triumph of the Will (1935), supposedly because Ruttmann's editing style was considered too "Marxist" and Soviet influenced  He died in Berlin 15 July 1941 due to an embolism after leg amputation 

Culture and Media
Segments from Ruttmann's experimental films Lichtspiel: Opus II (1923) and Lichtspiel: Opus IV (1925) are used in the credits of the German neo-noir television series Babylon Berlin  Soundtracks to sped-up versions of Lichtspiel: Opus I and Opus IV have been proposed in 2023 

Select filmography
Lichtspiel: Opus I (1920)
Der Sieger (1922)
Das Wunder (1922)
Lichtspiel: Opus II (1922)
Lichtspiel: Opus III (1924, with Lore Leudesdorff)
Lichtspiel: Opus IV (1925, with Lore Leudesdorff)
Das wiedergefundene Paradies (1925)
Der Aufstieg (1926)
Spiel der Wellen (1926)
Dort wo der Rhein    (1927)
Berlin: Die Sinfonie der Großstadt (1927)
Melody of the World (Melodie der Welt) (1929)
Wochenende (1930) [an experimental film with sound only, no image]
Feind im Blut (1931)
In der Nacht (1931)
Steel (1933)
Blut und Boden - Grundlagen zum neuen Reich
Altgermanische Bauernkultur (1934)
Metall des Himmels (1935)
Schiff in Not (1936)
Mannesmann (1937)
Henkel, ein deutsches Werk in seiner Arbeit (1938)
Waffenkammern Deutschlands (1940)
Deutsche Panzer (1940)
Krebs (1941)

Further reading
Cowan, Michael  Walter Ruttmann and the Cinema of Multiplicity: Avant-garde-Advertising-Modernity  Amsterdam, NL: Amsterdam University Press, 2014  ISBN 9789089645852
Dombrug, Adrianus van  Walter Ruttmann in het beginsel  Purmerend, NL: J  Muusses, 1956 
Goergen, Jeanpaul  Walter Ruttmann: Eine Dokumentation  Berlin: Freunde der deutschen Kinemathek, 1989   ISBN 9783927876002
Rogers, Holly and Jeremy Barham The Music and Sound of Experimental Film  Oxford: Oxford University Press, 2017
Context 3: Passage 1:
Nola Fairbanks
Nola Fairbanks (born Nola Jo Modine; December 10, 1924 – February 8, 2021) was an American actress  She was also the aunt of actor Matthew Modine 

Early life
Fairbanks was born Nola Jo Modine in Santa Paula, California, on December 10, 1924, the daughter of Zella Vonola Fairbanks and Alexander Revard Modine  She is the granddaughter of Mormon pioneers Ralph Jacobus Fairbanks (aka R J  "Dad" Fairbanks) and Celestia Adelaide (Johnson) Fairbanks, from Payson, Utah and Death Valley, California  She is a descendant of Jonathan Fairbanks, whose 17th century wood-frame house still stands in Dedham, Massachusetts As a child, she joined the Meglin Kiddies Dance Troupe where Shirley Temple was also a student  While her father, Alexander Revard Modine, worked for the Texaco Oil Company, Nola Jo's mother, Zella Vonola Fairbanks Modine, washed clothes to pay for her singing and dancing lessons during the Great Depression 

Career
Her only movie role was as a "glorified extra" in The Corn Is Green in 1945, starring Bette Davis  Soon after, she joined the Lionel Barrymore production of the musical, Halloween at the Hollywood Bowl, and performed on The Standard Hour in addition to the Hollywood Canteen for servicemen 
Next, she went on tour as a soloist with the Sonja Henie Ice Show, completing two national tours  When the tours ended in New York, she stayed on with the show, named Howdy Mr  Ice at the Center Theatre in Rockefeller Center 
Her Broadway debut was in 1950 in the chorus of Cole Porter's Out of This World
  She soon became an understudy and before long, assumed the lead  Summer stock performances included Miss Liberty with Dick Haymes in the Dallas Theatre as well as Die Fledermaus and finally Bloomer Girl in Toronto, Canada  Next, she joined the Broadway cast of Paint Your Wagon opposite James Barton, when Olga San Juan left the role of Jennifer Rumson  She took the show on tour with Burl Ives in the part of her father, Ben Rumson  
In 1952, she starred in the first musical production at the new Jones Beach Theatre in Long Island, New York  Mike Todd was the producer of this production of the Johann Strauss II operetta Eine Nacht in Venedig starring alongside Enzo Stuarti and Thomas Hayward 
After a winning performance on The Arthur Godfrey Radio Show, she appeared on his television show  Her final Broadway performance came when she was asked to replace Florence Henderson in the lead role in Fanny, co-starring Ezio Pinza 
She revived her career in 1978 with appearances in a short-lived sketch comedy TV series, Madhouse Brigade, produced by her husband  In 1981, he produced an off-Broadway show called Romance Is where Fairbanks performed with an ensemble cast  The show closed after a few performances 

Personal life
Fairbanks married James Larkin in 1954 and had four children  They divorced in 1990  She died on February 8, 2021, at the age of 96, in Greenwich, Connecticut 
Passage 2:
Emel Say
Emel Say (1927 – 17 February 2011) was a Turkish painter  She was the daughter of painter Zehra Say and the aunt of pianist Fazıl Say 

Life
Emel Say was born in 1927  Her grandfather was a politician, who left the Committee of Union and Progress and opened a dance hall  Her mother Zehra Say was the first woman in modern Turkey to be married at an official wedding  Emel's mind was always on music  When she was fifteen, she received singing classes from Professor Carl Ebert, who had established the Ankara Conservatory  At first, Emel Say wanted to be an opera artist, but she changed her mind when she fell in love with a piece of land in Hatay, southern Turkey  She had to put her interest in music on hold when she married  Her husband Fuat Say, unlike the tolerance that Fuat Say had shown her mother Zehra, did not send Emel to school, nor was this really possible in Hatay at the time  Raising her three sons was the only thing she did until she divorced her husband when she was 30 years old 
After her divorce, her interest in music did not come to fruition; her mother got sick, so she had to focus on getting a job and income  She started her work life as the secretary of Fuat Bezmen  She worked for him for around ten years She worked in the United States for about five years When her mother, the famous painter Zehra Say, went into the later stages of Alzheimer's disease, she was no longer able to continue painting  Zehra made her daughter Emel promise to finish her painting Maui Adası (Island of Maui), which she had started to paint from a postcard Emel had brought back from a trip to Hawaii  She did not know how she could paint  At first, she cried but then she tried to paint and from that point on did not stop  She completed her mother's painting and it was displayed at an exhibition at the Çiçek Bar  There she was discovered by the sculptor Gürdal Duyar who at first asked what had happened to Maui Adası, and then when Emel told him that her mother had insisted she finish it, she tried at it  Duyar expressed to her that she was a natural talent and had been a painter within all along  If it was not for this reassuring encounter she may not have gone into painting at all in her life  She started painting after the age of 60 Together with Duyar, who became a close friend of hers and other friends and family, she would often work on paintings and listen to music together late into the night  One of these nights, Duyar made a portrait for one of Fazıl's musician friends starting at midnight and finishing towards the morning as recalled by this friend of Fazıl's Say died in 2011 

Art
She was a student in the studio of the painter Osman Özal  She, together with the other (former) students, would meet on Wednesdays at the İzmir Art and Sculpture Museum, and work in the studio there  They became known as the "Group Wednesday", and held collaborative exhibitions She and Duyar had exhibitions at the CEP Gallery in the time period between 1977 and 1990 In 1995, her work, along with the work of Gürdal Duyar, was exhibited in the grand opening exhibition of the Asmalımescit Art Gallery 

Technique
She made many miniatures  One of the techniques she often used was using two different types of paint in the same painting, acrylic and gouache 

Exhibitions
Emel Say painting exhibition, Underground Art Gallery (till 20 May 1992)
Asmalımescit Art Gallery grand opening exhibition (1995)
Emel Say painting exhibition, Çatı Sanatevi (till 7 May 2000)
Emel Say painting exhibition, Underground Art Gallery (till 21 May 2004)
9th exhibition, Çiçek Bar (till 18 December 2004)
Mixed Exhibition of works by Osman Özals students, Dr  Selahattin Akçiçek Culture and Art Center in Konak, İzmir (till 15 April 2012) but extended?

Friends and Family
She is proud of how her mother, Zehra Say, even after her marriage, went to school and became an art teacher, which was quite an accomplishment at that time  She is also proud of her father Fuat Say for supporting his wife, her mother  Say's uncle's grandson, Fazıl Say, did make a career of his musical talent  When talking about him, she said that he is "A Genius!", "When he was just four years old, his mother had bought a small organ, like a toy    Fazıl started to play the songs on the radio with this organ  How many times could a composer the likes of him come to this Earth!"She became friends with the poet and writer Gülsüm Cengiz around after her time in the United States  He was visiting her and Zehra at their home and they continued in conversation late into the night, and they learned about the 1960 military coup towards the morning after someone was banging on the door and they turned on the radio



ground_truth: Guy II, Count of Soissons

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died earlier, Melody Of The World or Ladies Love Danger?

The following are given passages.
Context 2:   ISBN 9780190469900
Quaresima, Leonard, editor  Walter Ruttmann: Cinema, pittura, ars acustica  Calliano (Trento), Italy: Manfrini, 1994  ISBN 9788870245035
Passage 5:
Melody of Death
Melody of Death is a 1922 British silent crime film directed by Floyd Martin Thornton and starring Philip Anthony, Enid R  Reed and Dick Sutherd  It is an adaptation of the 1915 novel The Melody of Death by Edgar Wallace 

Cast
Philip Anthony as Gilbert Standerton
Enid R  Reed as Enid Cathcart
Dick Sutherd as George Wallis
H  Agar Lyons as Sir John Standerton
Frank Petley
Hetta Bartlett as Mrs Cathcart
Bob Vallis
Passage 6:
H  Bruce Humberstone
H  Bruce "Lucky" Humberstone (November 18, 1901 – October 11, 1984) was an American film director  He was previously a movie actor (as a child), a script clerk, and an assistant director, working with directors such as King Vidor, Edmund Goulding, and Allan Dwan 

Early years
Humberstone was born in Buffalo, New York, and attended Miami Military Academy in Miami, Florida 

Film
One of 28 founders of the Directors Guild of America, Humberstone worked on several silent movie films for 20th Century Fox  Humberstone did not specialize; he worked on comedies, dramas, and melodramas  Humberstone is best known today for the seminal film noir I Wake Up Screaming (1941) and his work on some of the Charlie Chan films  In the 1950s, Humberstone worked mostly on TV  He retired in 1966 

Recognition
Humberstone has a star on the Hollywood Walk of Fame 

Death
Humberstone died of pneumonia in Woodland Hills, California, on October 11, 1984, aged 82, and was buried at the Hollywood Forever Cemetery in Hollywood, California 

Partial filmography as director
Passage 7:
Ladies Love Danger
Ladies Love Danger is a 1935 American comedy film directed by H  Bruce Humberstone and written by Samson Raphaelson, Robert Ellis and Helen Logan  The film stars Mona Barrie, Gilbert Roland, Donald Cook, Adrienne Ames, Hardie Albright and Herbert Mundin  The film was released on May 3, 1935, by Fox Film Corporation 

Plot
Cast
Passage 8:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 9:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 10:
Melody of the World
Melody of the World (German: Melodie der Welt) is a 1929 German film directed by Walter Ruttmann  It is also known as World Melody  The film is structured like a symphony and consists of documentary footage from all over the world, contrasted and juxtaposed to show a number of human activities as they take form in different cultures  There are also staged scenes with actors 
The film was produced by Tonbild-Syndikat AG as an assignment from Hapag  It has an original score by Wolfgang Zeller  It was advertised as Germany's first feature-length sound film 

Cast
Ivan Koval-Samborskij as sailor
Renée Stobrawa as sailor's wife
Grace Chiang as Japanese woman
O  Idris as Malayan temple dancer
Wilhelm Cuno as general director of Hapag

Release
The world premiere took place on 27 July 1929 at the Deutsches Kammermusikfest in Baden-Baden  The film was released in regular German cinemas on 10 May 1930, distributed by Deutsches Lichtspiel-Syndikat AG 

See also
List of early sound feature films (1926–1929)
Context 3: She was also close friends with Gürdal Duyar, and they had exhibitions together 
Passage 3:
Marcus Annius Libo (consul 161)
Marcus Annius Libo (died 163) was a Roman senator  He was suffect consul in the nundinium of January-April 161 with Quintus Camurius Numisius Junior as his colleague  Libo was the nephew of emperor Antoninus Pius, and cousin to emperor Marcus Aurelius 
Libo came from a Roman family that had settled in Hispania generations before, and had returned to Rome more recently  His father was Marcus Annius Libo, consul in 128, and his mother was a noblewoman whose name has been surmised as Fundania, daughter of Lucius Fundanius Lamia Aelianus, consul in 116  Libo had a sister, Annia Fundania Faustina, wife of Titus Pomponius Proculus Vitrasius Pollio, whose second consulship was in 176 

Governor of Syria
The only portion of his cursus honorum we know is the portion immediately after Libo stepped down from his consulate  To support his co-emperor Lucius Verus' campaign against the Parthians, Marcus Aurelius appointed Libo governor of the province of Syria  Anthony Birley notes this was a surprising choice  "As Libo had been consul only the previous year, 161," writes Birley, "he must have been in his early thirties, and as a patrician must have lacked military experience " Syria was an important province, and the men picked to govern it were usually senior men with much military and administrative experience  Birley answers his own question, "It seems that Marcus' intention was to have on the spot a man he could rely "As governor, Libo quarreled with the emperor Lucius, taking the attitude that he would only follow the instructions that Marcus gave him  This angered Lucius, so when Libo suddenly died, rumor claimed that Lucius had Libo poisoned When Libo died, Lucius Verus defied Marcus and married Libo's widow to his Greek freedman called Agaclytus  Accordingly, Marcus Aurelius attended neither the ceremony nor the banquet 
Passage 4:
Marcus Annius Verus (praetor)
Marcus Annius Verus (died 124 AD) was a distinguished Roman politician who lived in the 2nd century, served as a praetor and was the father of the Emperor Marcus Aurelius 

Life
He was the son of Roman senator Marcus Annius Verus and noblewoman Rupilia Faustina  His brother was the consul Marcus Annius Libo and his sister was Faustina the Elder, wife of Antoninus Pius  He married Domitia Lucilla, the heiress of a wealthy family which owned a tile factory  They had two children, Marcus Aurelius (born in 121, and who was also originally named Marcus Annius Verus), and Annia Cornificia Faustina (born in 123)  Annius Verus died young while he held the office of praetor  Both his children were still young  The likeliest year of his death is 124 In his Meditations, Marcus Aurelius, who was only about 3 years old when his father died, says of him: "From what I heard of my father and my memory of him, modesty and manliness "

Nerva–Antonine family tree
Passage 5:
Lucius Neratius Priscus
Lucius Neratius Priscus was a Roman Senator and leading jurist, serving for a time as the head of the Proculeian school  He was suffect consul in the nundinium of May–June 97 as the colleague of Marcus Annius Verus 

Family
The origins of the gens Neratia lie in the Italian town of Saepinum in the heart of Samnium; Priscus' father was the homonymous suffect consul of the year 87  He is known to have a younger brother, Lucius Neratius Marcellus, who was adopted by their uncle Marcus Hirrius Fronto Neratius Pansa who was suffect consul in either 73 or 74 and co-opted into the Patrician class; Marcellus became suffect consul two years before Priscus, and ordinary consul in 129 The existence of a son with the identical name and consul in either 122 or 123, inferred from the existence of the possible governor of Pannonia Inferior, was disproved by a 1976 paper written by G  Camodeca, whose findings were embraced by Ronald Syme 

Career
Most of Priscus' advancement through the cursus honorum has been established  His first known office was as military tribune with Legio XXII Primigenia between c  79 to c  80, in Mogontiacum (modern Mainz)  Next he held the office of quaestor (c  83/84), and upon completion of this traditional Republican magistracy Priscus would be enrolled in the Senate  The two other magistracies followed: plebeian tribune (c  85/86) and praetor (c  88/89); usually a senator would govern either a public or imperial praetorian province before becoming a consul, but none is known for Priscus  After serving as suffect consul, Priscus was admitted to the collegia of the Septemviri epulonum, one of the four most prestigious ancient Roman priesthoods  He was also entrusted with governing, in succession, the imperial provinces of Germania Inferior (98-101), then Pannonia (102-105) The Digest of Justinian records that the emperor Trajan invoked the help of Priscus and Titius Aristo on a point of law   According to the Historia Augusta, there was a rumor that Trajan considered making Priscus his heir to the empire, before finally deciding on Hadrian to succeed him  Despite being a potential rival for the throne, Priscus was one of the legal experts the emperor Hadrian relied on for advice  Sir Ronald Syme looks to have considered Priscus as being another name used by or for Publius Cornelius Tacitus 
Passage 6:
Marcus Annius Flavius Libo
Marcus Annius Flavius Libo was a Roman Senator who lived in the second half of the 2nd century and first half of the 3rd century  He was consul ordinarius in AD 204 with Lucius Fabius Cilo as his senior colleague 
Libo was a Patrician and came from Hispania Baetica  His grandfather was Marcus Annius Libo, who was made suffect consul in 161  His father of the same name was a legatus of Syria and may have been poisoned, possibly by his cousin, Lucius Verus  Libo was related to Lucius Verus through their mutual ancestor, Marcus Annius Verus, who was consul three times, and by marriage to Emperor Antoninus Pius, who married his grandfather's sister 
Passage 7:
Rupilia
The gens Rupilia, occasionally written Rupillia, was a minor plebeian family at ancient Rome   Members of this gens are first mentioned in the latter part of the Republic, and Publius Rupilius obtained the consulship in 132 BC   Few others achieved any prominence, but the name occurs once or twice in the consular fasti under the Empire   The name is frequently confounded with the similar Rutilius 

Praenomina
The main praenomina of the Rupilii were Publius and Lucius, two of the most common names throughout Roman history 

Branches and cognomina
None of the Rupilii bore cognomina under the Republic, but as with other plebeian families most of them had individual surnames in imperial times 

Members
This list includes abbreviated praenomina   For an explanation of this practice, see filiation Publius Rupilius P  f  P  n , a fierce opponent of the Gracchi, became consul in 132 BC, the year after the murder of Tiberius Gracchus, whose followers he persecuted   He brought the First Servile War to a close, then remained in Sicily to reorganize the province, receiving a triumph on his return   He was prosecuted and condemned during the tribunate of Gaius Gracchus in 123, and died soon afterward 
Lucius Rupilius P  f  P  n , brother of Publius Rupilius, the consul, sought the aid of Scipio Aemilianus to obtain the consulship, but was not elected



ground_truth: Melody Of The World

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is Marcus Annius Libo's aunt?

The following are given passages.
Context 3: 
Lucius Rupilius, an actor known to the young Cicero 
Aulus Rupilius, a physician employed by Aulus Cluentius Habitus, whose mother, Sassia, bought a slave, Strato, from Rupilius, and had him tortured in the hope of obtaining evidence against her own son   The slave knew nothing of value, and Sassia's scheme came to naught 
Publius Rupilius, a man of equestrian rank, was magister of the publicani of Bithynia 
Gaius Rupilius, an argentarius, or silversmith, named in an inscription 
Lucius Scribonius Libo Rupilius M  f  M  n  Frugi Bonus, consul suffectus, serving from May to August in AD 88   He was the great-grandfather of Marcus Aurelius   His descent from the Rupilii is unclear 
Rupilia L  f  M  n  Faustina, the grandmother of Marcus Aurelius, married Marcus Annius Verus 
Lucius Rupilius Appianus, one of the septemviri epulones at Brixia in Venetia and Histria 
Decimus Rupilius Severus, legate in Lycia and Pamphylia in AD 151, perhaps the same Severus who was consul suffectus at the end of 155 
Lucius Rupilius Au[   ], legate of Sextius Lateranus, proconsul of Africa in AD 176 
Quintus Rupilius Q  f  Honoratus, of Mactar in Africa, raised to the equestrian order by Severus Alexander 
Rupilius Pisonianus, curator at Mactar and Mididi between 290 and 293 AD 
Rupilius Pisonianus, praefectus vigilum of Rome under Constans Caesar 

See also
List of Roman gentes
Passage 8:
Annia Fundania Faustina
Annia Fundania Faustina (died 192) was a noble Roman woman who lived in the Roman Empire during the 2nd century AD  She was the paternal cousin of Roman Emperor Marcus Aurelius and his sister Annia Cornificia Faustina 

Life
Fundania Faustina was the daughter of the Roman consul Marcus Annius Libo and wife Fundania  Her brother was the younger Marcus Annius Libo who served as governor of Syria in 162  Fundania Faustina's maternal grandparents are inferred to be Lucius Fundanius Lamia Aelianus and his unknown wife; however her paternal grandparents are the Roman consul Marcus Annius Verus and Rupilia Faustina  She was born and raised in Rome 
Through her paternal grandmother, she was related to the ruling Nerva–Antonine dynasty of the Roman Empire  Her paternal aunt was Empress Faustina the Elder (wife of Emperor Antoninus Pius and mother of Empress Faustina the Younger) and her paternal uncle was praetor Marcus Annius Verus (father of Emperor Marcus Aurelius, the paternal grandmother of Empress Lucilla and Emperor Commodus) 
Fundania Faustina, married the Roman Politician Titus Pomponius Proculus Vitrasius Pollio  She had two children with him who were:

Titus Fundanius Vitrasius Pollio; he was executed in 182 on the orders of Commodus on the charge of conspiracy against the emperor 
Vitrasia FaustinaBefore 180, her husband had died and Fundania Faustina never remarried  During the reign of her unstable paternal cousin Commodus (180-192), she decided to withdraw from public life and chose to live in retirement in Achaea  Before he was assassinated in 192, Commodus ordered Fundania Faustina's death and she was later executed in that year 

Sources
Septimius Severus: the African emperor, by Anthony Richard Birley Edition: 2 – 1999
From Tiberius to the Antonines: a history of the Roman Empire AD 14-192, by Albino Garzetti, 1974
Mutilation and transformation: damnatio memoriae and Roman imperial portraiture By Eric R  Varner 2004
Passage 9:
Marcus Annius Libo
Marcus Annius Libo was a Roman Senator active in the early second century AD 

Life
Libo came from the upper ranks of the Roman aristocracy  He was the son of Marcus Annius Verus, consul III in 126, and Rupilia Faustina  Annius Verus was Spanish of Roman descent  Rupilia was the daughter of Lucius Scribonius Libo Rupilius Frugi Bonus and Vitellia (daughter of emperor Vitellius)  Libo is known to have had three siblings, two sisters and one brother  His elder sister was the Empress Faustina the Elder (mother of the Empress Faustina the Younger) and his younger sister (whose name is missing, but surmised to be Annia) was the wife of Gaius Ummidius Quadratus Sertorius Severus, suffect consul in 118  His brother was Marcus Annius Verus, the father of Marcus Aurelius He was consul in 128 as the colleague of Lucius Nonius Calpurnius Torquatus Asprenas  Libo was the paternal uncle of the Emperor Marcus Aurelius 
Beyond his consulship, almost nothing is known of his senatorial career  During the reign of his brother-in-law, Antoninus Pius, he was one of seven witnesses to a Senatus consultum issued to the city of Cyzicus in 138, which sought approval for establishing a corpus juvenum for the education of young men 

Family
Libo married a noblewoman whose name has been surmised as Fundania, daughter of Lucius Fundanius Lamia Aelianus, consul in 116, and wife Rupilia Annia  They are known to have together two children:

Marcus Annius Libo, suffect consul in 161  He is known to have a son, Marcus Annius Flavius Libo 
Annia Fundania Faustina, wife of Titus Pomponius Proculus Vitrasius Pollio, consul II in 176

Nerva–Antonine family tree


== Sources ==
Passage 10:
Kawamura Sumiyoshi
Count Kawamura Sumiyoshi (川村 純義, 18 December 1836 – 12 August 1904), was an admiral in the Imperial Japanese Navy  Kawamura's wife Haru was the aunt of Saigō Takamori 

Biography
A native of Satsuma, Kawamura studied navigation at Tokugawa bakufu naval school at Nagasaki, the Nagasaki Naval Training Center  In 1868, he joined his Satsuma clansmen, and fought on the imperial side in the Boshin War of the Meiji Restoration as an army general  He was especially noted for his role in the Battle of Aizu-Wakamatsu 
Under the new Meiji government, he became an officer in the fledgling Imperial Japanese Navy, and steadily rose through the ranks  He became first Director of the Imperial Japanese Naval Academy in 1870 and taifu (senior vice minister) of Navy in 1872  He was in command of Japanese naval forces during the Taiwan Expedition of 1874 
During the Satsuma Rebellion, he was placed in command of all Imperial troops in September 1877 at the final Battle of Shiroyama near Kumamoto, when Saigō Takamori was killed (or committed seppuku)  This battle, Saigō's last stand against the Meiji government, was the historical basis for the 2003 film The Last Samurai 
In 1878, Kawamura became sangi (councillor) and the second Navy Minister  He remained in that position until 1885 except when he was temporarily replaced by Enomoto Takeaki, and during that period he expanded the influence of people from Satsuma within the navy 
In 1884, he was ennobled with the title of hakushaku (count) under the kazoku peerage system  Later serving as court councillor and Privy Councillor, in 1901 he was given responsibility for the upbringing of the newborn Prince Michi (the future Emperor Hirohito) and his younger brother Prince Chichibu (Yasuhito) In 1904, Kawamura was posthumously appointed to the rank of admiral, setting a precedent for such honors  His cause of death remains unknown, setting a mystery 



ground_truth: Vibia Sabina