prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director born later, From Corleone To Brooklyn or Durango Valley Raiders?

The following are given passages.
Context 1: Passage 1:
Sam Newfield
Sam Newfield, born Samuel Neufeld (December 6, 1899 – November 10, 1964), also known as Sherman Scott or Peter Stewart, was an American B-movie director, one of the most prolific in American film history—he is credited with directing over 250 feature films in a career which began during the silent era and ended in 1958  In addition to his staggering feature output, he also directed one -and two-reel comedy shorts, training films, industrial films, TV episodes and pretty much anything anyone would pay him for  Because of this massive output—he would sometimes direct more than 20 films in a single year—he has been called the most prolific director of the sound era Many of Newfield's films were made for PRC Pictures  This was a film production company headed by his brother Sigmund Neufeld  The films PRC produced were low-budget productions, the majority being westerns, with an occasional horror film or crime drama 

Family and education
Newfield completed one year of high school, according to the 1940 US census  Brother Morris Neufeld was a stage actor, according to the 1930 US census 

Pseudonyms
Sam Newfield was credited as Sherman Scott and Peter Stewart on a number of films he made for PRC  He used these names in order to hide the fact that one person was responsible for so many of PRC's films 

Partial filmography
Partial filmography is listed below for the different names he used 

Film statistics
Between 1923 and 1930 Newfield directed over 50 comedies  Feature films statistics per year, starting with 1933, are summarised in the following table 

See also
Fred Olen Ray, another B movie director who has used many of these pseudonyms
Passage 2:
Durango Valley Raiders
Durango Valley Raiders is a 1938 American Western film directed by Sam Newfield and written by George H  Plympton  The film stars Bob Steele, Louise Stanley, Karl Hackett, Ted Adams, Forrest Taylor and Steve Clark  The film was released on August 22, 1938, by Republic Pictures 

Plot
Durango Valley is controlled by Shadow and his gang  The Sheriff while investigating a killing, arrests ranch worker Keene Cordner, with some help Keene gets out of jail and hides out, but will now become an actual bandit, in the hopes of catching Shadow 

Cast
Bob Steele as Keene Cordner
Louise Stanley as Betty McKay
Karl Hackett as John McKay
Ted Adams as Lobo
Forrest Taylor as Sheriff Devlin
Steve Clark as Boone Cordner
Horace Murphy as Matt Tanner
Jack Ingram as Deputy Slade
Passage 3:
W  Augustus Barratt
W  Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician 

Early life and songs
Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley  In 1893 he won a scholarship for composition to the Royal College of Music 
In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements 
By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover 
He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree  He co-composed with Howard Talbot the successful Kitty Grey (1900) He continued to write songs and to receive recognition for them  The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald 
His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times  It also appeared four times, with different singers, in the 1913 and 1914 Proms 

America
In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:

on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
musical director of The Little Michus (1907), also featuring songs by Barratt;
co-composer of Miss Pocahontas (1907), a musical comedy;
musical director of The Love Cure (1909–1910), a musical romance;
composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst  Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;
musical director of The Quaker Girl (1911–1912);
co-composer and musical director of My Best Girl (1912);
musical director of The Sunshine Girl (1913);
musical director of The Girl who Smiles (1915), a musical comedy;
musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
contributor of a song to The Passing Show of 1918;
composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;
contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
musical director of What's in a Name? (1920), a musical revue

1921 in London
Though domiciled in the US, he made several visits back to England  During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B  Cochran, namely

League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;
Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics

Back to Broadway
Back in the US he returned to Broadway, working as
composer and lyricist of Jack and Jill (1923), a musical comedy;
musical director of The Silver Swan (1929), a musical romance

Radio plays
In later years he wrote plays and operettas mostly for radio, such as:

Snapshots: a radioperetta (1929)
Sushannah and the Brush Wielders: a play in 1 act (1929)
The Magic Voice: a radio series (1933)
Men of Action: a series of radio sketches (1933)
Say, Uncle: a radio series (1933)
Sealed Orders: a radio drama (1934)
Sergeant Gabriel (with Hugh Abercrombie) (1945)

Personal
In 1897 in London he married Lizzie May Stoner  They had one son  In 1904 he emigrated to the US and lived in New York City  His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American  In 1924, he became a naturalized American citizen  He died on 12 April 1947 in New York City 

Note on his first name
The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake  For professional purposes up to about 1900 he appears to have written as "W  Augustus Barratt", and thereafter mostly as simply "Augustus Barratt" 
Passage 4:
Claude Weisz
Claude Weisz is a French film director born in Paris 

Filmography
Feature films
Une saison dans la vie d'Emmanuel (1972) with Germaine Montéro, Lucien Raimbourg, Florence Giorgetti, Jean-François Delacour, Hélène Darche, Manuel Pinto, etc Festival de Cannes 1973 - Quinzaine des réalisateurs
Jury Prize: Festival Jeune Cinéma 1973

La Chanson du mal aimé (1981) with Rufus, Daniel Mesguich, Christine Boisson, Věra Galatíková, Mark Burns, Philippe Clévenot, Dominique Pinon, Madelon Violla, Paloma Matta, Béatrice Bruno, Catherine Belkhodja, Véronique Leblanc, Philippe Avron, Albert Delpy, etc Festival de Cannes 1982 - Perspectives du cinéma français
Competition selections: Valencia, Valladolid, Istanbul, Montréal

On l'appelait    le Roi Laid (1987) with Yilmaz Güney (mockumentary)Valencia Festival 1988 - Grand Prix for documentaries "Laurel Wreath"
Competition selections: Rotterdam, Valladolid, Strasbourg, Nyon, Cannes, Lyon, Cairo

Paula et Paulette, ma mère (2005) Documentary - Straight to DVD

Short and mid-length
La Grande Grève (1963 - Co-directed CAS collective, IDHEC)
L'Inconnue (1966 - with Paloma Matta and Gérard Blain - Prix CNC Hyères, Sidney)
Un village au Québec
Montréal
Deux aspects du Canada (1969)
La Hongrie, vers quel socialisme ? (1975 - Nominated for best documentary - Césars 1976)
Tibor Déry, portrait d'un écrivain hongrois (1977)
L'huître boudeuse
Ancienne maison Godin ou le familistère de Guise (1977)
Passementiers et Rubaniers
Le quinzième mois
C'était la dernière année de ma vie (1984 - FIPRESCI Prize- Festival Oberhausen 1985 - Nomination - Césars 1986)
Nous aimons tant le cinéma (Film of the European year of cinema - Delphes 1988)
Participation jusqu'en 1978 à la réalisation de films "militants"

Television
Series of seven dramas in German
Numerous documentary and docu-soap type films (TVS CNDP)
Initiation à la vie économique (TV series - RTS promotion)
Contemplatives    et femmes (TF1 - 1976)
Suzel Sabatier (FR3)
Un autre Or Noir (FR3)
Vivre en Géorgie
Portrait d'une génération pour l'an 2000 (France 5 - 2000)
Femmes de peine, femmes de coeur (FR3 - 2003)

Television documentaries
La porte de Sarp est ouverte (1998)
Une histoire balbynienne (2002)
Tamara, une vie de Moscou à Port-au-Prince (unfinished)
Hana et Khaman (unfinished)
En compagnie d'Albert Memmi (unfinished)
Le Lucernaire, une passion de théâtre
Les quatre saisons de la Taillade ou une ferme l'autre
Histoire du peuple kurde (in development)
Les kurdes de Bourg-Lastic (2008)
Réalisation de films institutionnels et industriels
Passage 5:
Eugenio Alabiso
Eugenio Alabiso (born 30 July 1937) is an Italian film editor 
He edited The Good, the Bad and the Ugly (1966)He edited The Case of the Scorpion's Tail (1971), Silent Action (1975), and The Scorpion with Two Tails (1982), directed by Sergio Martino, and Face to Face (1967), directed by Sergio Sollima  He worked in crime films like Long Lasting Days (1973), Almost Human (1974), Manhunt in the City (1975), and From Corleone to Brooklyn (1979), directed by Umberto Lenzi 

Filmography
Films
Television series
Passage 6:
Jacques Décombe
Jacques Décombe is a French author, actor and director born in 1953 

Biography
After he studied at the Conservatoire national d'art dramatique, he was the director of the shows of Les Inconnus at the request of Didier Bourdon and won the Molière Award for best comedy show  (See fr:Molière du meilleur spectacle comique) in 1991  He also directed shows by Charlotte de Turckheim, Chevallier et Laspalès, Patrick Timsit, Les Chevaliers du fiel   
Passage 7:
Sepideh Farsi
Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director 

Early years
Farsi left Iran in 1984 and went to Paris to study mathematics   However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films  A main theme of her works is identity  She still visits Tehran each year 

Awards/Recognition
Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009  She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D  Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT" 

Recent News
One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission)   The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest   It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film   The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”   The  dialogue is in Persian with English and Arabic subtitles  In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival 

Filmography
Red Rose (2014)
Cloudy Greece (2013)
Zire Âb / The house under the water (2010)
Tehran bedoune mojavez / Tehran without permission (2009)
If it were Icarus (2008)
Harat (2007)
Negah / The Gaze (2006)
Khab-e khak / Dreams of Dust (2003)
Safar-e Maryam / The journey of Maryam (2002)
Mardan-e Atash / Men of Fire (2001)
Homi D  Sethna, filmmaker (2000)
Donya khaneye man ast / The world is my home (1999)
Khabe Âb / Water dreams (1997)
Bâd-e shomal / Northwind (1993)
Passage 8:
Fred Roy Krug
Fred R  Krug is an American film and television producer-director born in Bern, Switzerland 
Passage 9:
Umberto Lenzi
Umberto Lenzi (6 August 1931 – 19 October 2017) was an Italian film director, screenwriter, and novelist 
A fan of film since young age, Lenzi studied at the Centro Sperimentale di Cinematografia and made his first film in 1958 which went unreleased, while his official debut happened in 1961 with Queen of the Seas  Lenzi's films of the 1960s followed popular trends of the era, which led to him directing several spy and erotic thriller films  He followed in suit in the 1970s making giallo films, crime films and making the first Italian cannibal film with Man from the Deep River  He continued making films up until the 1990s and later worked as a novelist writing a series of murder mysteries 

Biography
Early life
Umberto Lenzi was born on 6 August 1931 in the Massa Marittima province of Italy  Lenzi was a film enthusiast as early as grade school  While studying law, Lenzi also created film fan clubs  Lenzi eventually put off studying law and began pursuing the technical arts of filmmaking He graduated from Rome's Centro Sperimentale di Cinematografia in 1956 and made I ragazzi di Trastevere as his final exam, a short film influenced by the writings of Pier Paolo Pasolini  Lenzi also worked as a journalist for various newspapers and magazines, including Bianco e Nero and, between 1957 and 1960, penned a number of detective novels and adventure stories using a pseudonym 

1960s
Prior to his officially first credited film as a director, Queen of the Seas, Lenzi directed a film in Greece in 1958 titled Mia Italida stin Ellada, or Vacanze ad Atene, which was never released Lenzi's films of the 1960s revolved around popular genres of their respective time periods  In the early 1960s, Lenzi directed many adventure films including two features about Robin Hood (The Triumph of Robin Hood and The Invincible Masked Rider) and two films about Sandokan (Sandokan the Great (1963) and Pirates of Malaysia (1964)) By 1965, Lenzi began directing European spy films, such as 008: Operation Exterminate, followed by Super Seven Calling Cairo and The Spy Who Loved Flowers, and even adapted the fumetti neri comic character Kriminal to the screen  Lenzi then turned to making war films such as Desert Commandos and Legion of the Damned and westerns such as Pistol for a Hundred Coffins and All Out (1968) Lenzi had box office success in Italy with his erotic thrillers starring Carroll Baker such as Orgasmo, So Sweet    So Perverse and A Quiet Place to Kill which were influenced by French "film noir" movies drawing from the works of Jacques Deray and René Clément 

1970s
After the commercial success of giallo films by Dario Argento, Lenzi followed the new trend with Seven Bloodstained Orchids, which referenced both Cornell Woolrich and Edgar Wallace novels, while another giallo Knife of Ice was a variation of Robert Siodmak's The Spiral Staircase  Other gialli created by Lenzi in the early 1970s included Spasmo and Eyeball During the early 1970s, Lenzi also directed the first of the Italian cannibal films, with Man from the Deep River, a genre that he would explore again in the 1980s with Eaten Alive! and Cannibal Ferox  During the late 1970s, Lenzi devoted himself almost exclusively to crime dramas, with the exception of two war films: The Greatest Battle and From Hell to Victory (1979) 

1980s
The 1980s marked the release of films that Roberto Curti described as some of Lenzi's "most notorious"  These included Nightmare City and the previously mentioned Cannibal Ferox Lenzi also worked on horror films towards the late 1980s, such as Ghosthouse (1988) under the name Humphrey Humbert and the slasher film Nightmare Beach which was credited to Harry Kirkpatrick as Lenzi refused to sign his name to the film  Other later 1980s work included horror films made for television, such as The House of Witchraft and The House of Lost Souls  Both films were part of a series titled Le case maldette (transl  Houses of Doom) which were set up by Luciano Martino and were related by the theme of haunted houses  The films were shot but the series was not broadcast immediately  Lenzi reflected on these films saying he made them as if they were designed for theatrical release and that  the producers, his colleagues and himself did not consider that television sponsors would not accept horror films  The two television series were eventually released on VHS in 2000 in Italy and later broadcast on Italian satellite TV in 2006  In 1989, Lenzi directed the police action film Cop Target in Miami and Santo Domingo, starring Robert Ginty and Charles Napier 

Post-1980s
In 1990, using his own company and a low amount of funds, Lenzi also shot two films in Brazil in a period of three months: the horror film Black Demons, which in 1996 he considered to be his masterpiece, and the adventure film Hunt for the Golden Scorpion In 1992, he shot the adventure film Mean Tricks (also known as Hornsby and Rodriguez) starring Charles Napier, David Warbeck and David Brandon  Variety reported in 2006 that Lenzi was shooting a slasher film in Italy titled Horror Baby  The film's story was about a 15-year-old paraplegic girl who becomes a serial killer after viewing a neighbor having sex from her window Lenzi later embarked on a career as a novelist, writing a series of murder mysteries set in the 1930s and '40s Cinecittà, involving real-life characters of the Italian film industry 

Death
Lenzi died on 19 October 2017  The director was hospitalized in the Ostia district of Rome  The cause of death is unknown 

Personal life
Umberto Lenzi was married to Olga Pehar, who co-wrote some of his films Lenzi was an anarchist 

Legacy
Roberto Curti referred to Lenzi as "one of the undisputed leading figures in Italian genre cinema" and that he was "a sort of institution in Italian genre cinema " Louis Paul suggested that Lenzi released some "quite enjoyable action films in the 1960s and some good thrillers in the '70s, he never consistently excelled at any one genre" and that Lenzi would "probably be remembered most for his cannibal-themed horror films " Kim Newman discussed Lenzi in 2021, stating that the director "has been rated towards the bottom of the ranks of Italian genre craftsmen by many - me included - because of the greater availability of his pulpier, more gruesome 1980s work" noting Cannibal Ferox and Nightmare City and stated that "though a trailblazer for the little-loved jungle cannibal cycle, contributing its earliest and most gruesome entries, in general Lenzi seemed one of the coat-tail riders, turning to whatever subgenre of exploitation was selling that year   and even in that class, he's less consistently interesting and exciting than Sergio Martino " Newman did note the film Lenzi made with Carroll Baker in the late 1960s, which Newman stated "force a reassessment" on Lenzi's work 

Select filmography
See also
Cannibal boom
Centro Sperimentale di Cinematografia
Poliziotteschi
Spaghetti Nightmares
Passage 10:
From Corleone to Brooklyn
From Corleone to Brooklyn (original title: Da Corleone a Brooklyn) is an Italian poliziotteschi film directed by Umberto Lenzi  The film was released in Italy on 13 April 1979 and stars Maurizio Merli, Mario Merola and Van Johnson 

Plot
Italian police officer Giorgio Berni (Maurizio Merli) is seeking to arrest Michele Barresi (Mario Merola), who is hiding in New York under the name Vito Ferrando, for his role in the murder of Salvetore Santoro  He plans to accomplish this by having a witness to the murder, Salvetore Scalia, testify against Barresi in court as evidence that Barresi was involved in the crime  On their way from Italy to New York Berni and Scalia experience several lethal encounters with Barresi's men trying to prevent them from getting to Barresi 
Assuming that Salvetore Scalia is dead, as a result of a newspaper report put out by the police, Barresi has his sister Liana murdered so as to eliminate all witnesses to the murder of Santoro  While searching Liana's apartment, police find a plane ticket for New York  While leaving Liana's apartment a shootout breaks out between Barresi's men and Berni, resulting in the death of Giuseppe Caruso, and revealing that Salvetore Scalia is alive  In order to secure a safe hiding spot for Scalia, Berni takes him to the house of his ex-wife, Paola  After leaving Paola's house another firefight ensues with Barresi's men  Poala, Berni, and Scalia then stay in a hotel for the night  As they head to the airport the following day, the road is blocked by Barresi's men, where Berni commands Paola to speed through their barrier  From here, Berni and Scalia take a plane to New York 
According to plan Scalia and Berni take refuge in a hotel the evening before they plan to testify against Barresi  After realizing that the man guarding the door is missing, Berni must take Scalia somewhere else to hide  He takes him to Joe's Restaurant and Pizzeria, where the head of the restaurant, Luigi, allows them to hide in his apartment upstairs  Meanwhile, two of Barresi's men enter the restaurant aiming to murder Berni and Scalia  However, a group of robbers enter immediately after, prompting Barresi's men to engage in shootout with the robbers, then flee the scene  Berni and Scalia exit Joe's Restaurant to track down the two men who left the restaurant, but are instead ambushed by a street gang  Police arrive to the scene of the ambush, where they arrest Berni and Scalia after receiving a report of two dangerous men, one armed, in the area  They do not initially believe that Berni is an Italian police officer  After Berni convinces them to take him to Lieutenant Sturges, who is sitting on the court case of Barresi, Berni and Scalia are free to begin their testimony against Barresi  When Scalia takes the stand to testify against Barresi, however, he claims that he does not know the man and has never seen him in his life, causing the judge to order Barresi to be set free 
Outside the court house, Scalia is shot dead by a gunman on the roof, revealed to be a clerk working at the hotel in which Berni and Scalia stayed when they first arrived in New York  The film ends with Berni searching Scalia's jacket pockets and finding a note stating that, if he were to die, let it be known that the man who goes by Vito Ferrando is actually Michele Barresi, providing Berni with the evidence he needs to bring Barresi down 

Cast
Maurizio Merli as Commissioner Giorgio Berni
Mario Merola as Michele Barresi
Biagio Pelligra as  Salvatore Scalia
Laura Belli as Paola
Van Johnson as Lt  Sturges
Venantino Venantini as Commissioner Danova
Sonia Viviani as Liana Scalia
Salvatore Billa as Giuseppe Caruso
Luca Barbareschi as Policeman

Release
From Corleone to Brooklyn was released theatrically in Italy on 13 April 1979, distributed by Variety Film  The film grossed 398 6 million Italian lira 

See also
List of Italian films of 1979
Context 2: Passage 1:
John I, Count of Soissons
John I (died after 1115), son of William Busac, Count of Eu and Soissons, and Adelaide, Countess of Soissons   Count of Soissons 
John became Count of Soissons after the death of his brother Renaud II in 1099   John was involved with the Abbey of St  Jean des Vignes 
John married Aveline de Pierrefonds, daughter of Nivelon II, Seigneur de Pierrefonds   John and Aveline had:

Renaud III, Count of SoissonsUpon the death of John, his son Renaud became the last of the Norman Counts of Soissons 
Passage 2:
Adelaide, Countess of Soissons
Adelaide (died 1105), was sovereign Countess of Soissons from 1057 until 1105 
She was the daughter of Renaud I, Count of Soissons, and his wife, whose name is unknown, widow of Hilduin III, Count of Montdidier   
Adelaide became ruler of the County of Soissons upon the death of her father and brother, Guy II, Count of Soissons, in 1057 
Adelaide married William Busac, Count of Eu, grandson of Richard I, Duke of Normandy   Adelaide and William had five children:

Renaud II, Count of Soissons
John I, Count of Soissons, married to Aveline de Pierrefonds
Manasses of Soissons, Bishop of Cambrai, Bishop of Soissons
Lithuise de Blois, married to Milo I of Montlhéry
Unnamed daughter, married to Yves le Vieux William Busac became Count of Soissons, de jure uxoris, upon their marriage 

Notes
Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 3:
Alberic III of Dammartin
Alberic III of Dammartin (Aubry de Dammartin) (c  1138 – 19 September 1200) was a French count and son of Alberic II, Count of Dammartin, and Clémence de Bar, daughter of Reginald I, Count of Bar  
He married Mathilde, heiress to the county of Clermont and daughter of Renaud II, Count of Clermont  They had:

Renaud I, Count of Dammartin (c  1165–1227), married 1) Marie de Châtillon and 2) Ide de Lorraine with whom he had Matilda II, Countess of Boulogne, Queen of Portugal
Alix de Dammartin (1170–1237), married Jean, Châtelain de Trie
Simon of Dammartin (1180 – 21 September 1239), married Marie, Countess of Ponthieu father of Joan, Countess of Ponthieu, Queen of Castile and Leon 
Julia of Dammartin, married Hugh de Gournay
Agnes of Dammartin, married William de Fiennes

Notes
Passage 4:
Nocher II, Count of Soissons
Nocher II (died 1019), Count of Bar-sur-Aube, Count of Soissons  He was the son of Nocher I, Count of Bar-sur-Aube  Nocher's brother Beraud (d  1052) was Bishop of Soissons Nocher became Count of Soissons, jure uxoris, upon his marriage to Adelise, Countess of Soissons   Nocher and Adelisa had three children:

Nocher III (d  1040), Count of Bar-sur-Aube, had at least two daughters by unknown wife:
Adèle (d  1053), Countess of Bar-sur-Aube
Isabeau
Guy, archbishop of Reims
Renaud I, Count of SoissonsNocher's son and namesake became Count of Bar-sur-Aube upon his death, and the countship of Soissons reverted to his wife   His son Renaud would eventually become the Count of Soissons 
Passage 5:
Renaud II, Count of Soissons
Renaud II (died 1099), son of William Busac, Count of Eu and Soissons, and Adelaide, Countess of Soissons   Count of Soissons 

It is unclear when Renaud assumed the countship of Soissons from his disgraced father   The latter was stripped of the County of Eu in 1050 but it is unclear when he relinquished the countship of Soissons   Alberic of Trois-Fontaines identifies Renaud in his Chronicles but little is known about his rule 
It is not known whether Renaud married or had any children  Upon the death of Renaud, his brother John became the Count of Soissons 

Notes
Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 6:
John V, Count of Soissons
John V (21 March 1281 – 1304), son of John IV, Count of Soissons, and his wife Marguerite of Rumigny  Count of Soissons



ground_truth: From Corleone To Brooklyn

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is Renaud Ii, Count Of Soissons's uncle?

The following are given passages.
Context 2: 
John inherited the countship of Soissons from his father in 1302   Nothing is known about his brief rule of the county  He never married and died with no heirs   Upon his death, his brother Hugh became Count of Soissons 

Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 7:
Guy II, Count of Soissons
Guy II (d  1057), son of Renaud I, Count of Soissons, and his wife (name unknown), widow of Hilduin III, Count of Montdidier  Guy was identified as Count of Soissons in 1042 in a charter in which Gaunilo of Marmoutiers, the treasurer of St  Martin, denoted property  Guy died with his father in 1057 at the siege of Soissons 
It is not known whether or not Guy was married and no children are recorded  Upon his death, his sister Adelaide assumed the countship of Soissons 

Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 8:
William Busac
William Busac (1020–1076), son of William I, Count of Eu, and his wife Lesceline, was Count of Eu and Count of Soissons, de jure uxoris   William was given the nickname Busac by the medieval chronicler Robert of Torigni 
William appealed to King Henry I of France, who gave him in marriage Adelaide, the heiress of the county of Soissons  Adelaide was daughter of Renaud I, Count of Soissons and Grand Master of the Hotel de France  William then became Count of Soissons in right of his wife  William and Adelaide had four children:

Renaud II, Count of Soissons (died 1099)
John I, Count of Soissons (died after 1115), married to Aveline de Pierrefonds
Manasses of Soissons, Bishop of Cambrai, Bishop of Soissons (died 1 Mar 1108)
Lithuise de Blois, married to Milo I of Montlhéry
Raintrude, married to Raoul I of Nesle, a member of the House of Nesle His son Renaud became Count of Soissons upon William's death, and he was succeeded by his brother John 
Passage 9:
Margaret, Countess of Soissons
Margaret (or Margaretha) of Soissons (died ca  1350) was ruling Countess of Soissons in 1305-1344  She was the only daughter of Hugh, Count of Soissons, and Johanna of Argies  In 1306 she succeeded her father as Countess of Soissons 
Margaret was married to John of Beaumont, son of John II, Count of Holland  Margaret and John had five children:

Johanna of Hainault (1323–1350), married first to Louis II, Count of Blois, (three sons), and second to William I, Marquis of Namur, no issue 
John, Canon of Cambrai 
William, Canon of Cambrai, Beauvais and Le Mans 
Amalrik, Canon of Cambrai, Dole and Tours 
Reinout, Canon of Cambrai Upon their marriage, John became Count of Soissons, jure uxoris 

Sources
Dormay, C , Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)
Passage 10:
John III, Count of Soissons
John III (died before 8 October 1286), son of John II, Count of Soissons, and Marie de Chimay   Count of Soissons and Seigneur of Chimay   John inherited the countship of Soissons upon his father’s death in 1272 
John married Marguerite de Montfort, daughter of Amaury, Count of Montfort, and his wife Beatrix de Viennois   John and Marguerite had:

Marie de Nesle (d  after 1272), married to Guy de Saint-Rémy
John IV, Count of Soissons
Unnamed daughter, married Eustache IV de Conflans, Seigneur de Mareuil, son of Eustache III de Conflans
Raoul de Nesle (killed in the battle of Courtrai, 11 July 1302)
Auchier de Nesle 
Hugh de Nesle, d 1306
Context 3: Passage 1:
The Magnificent Dope
The Magnificent Dope is a 1942 American comedy film released by 20th Century Fox  It is also known as Lazy Galahad, Strictly Dynamite and The Magnificent Jerk 

Plot
Dwight Dawson runs a hype-driven self-improvement course in the Dale Carnegie mode  He and his partner Horace Hunter are seeking new sales ideas as enrollment has declined sharply  Their chief of marketing, Claire Harris, who is also Dwight's fiancée, comes up with an idea to announce a contest seeking the biggest loser in the country  The prize is $500 and Dwight's course in career advancement  The idea is that the contest will create interest to Dwight's teaching system 
A winner is chosen: Thadeus Winship Page from the small town of Upper White Eddy in Vermont  He is running a not overly successful business of renting out boats during summer time and is, by his own description, lazy and completely unmotivated 
Tad comes to New York City to collect his prize, determined to use the money toward a fire engine needed by the small town  The publicity stunt is jeopardized, though, when happy, contented Tad does not want to take the course  Tad is charmed by Claire during a night out in the city and falls in love with her, all the while expounding his own philosophies on relaxation, enjoying life, and the unimportance of money  After the night out, Tad reluctantly agrees to take the course, just to be close to Claire 
Claire comes to realizes that he is not the failure they had thought him to be  After a while, Tad shyly admits to Claire that he is in love, but he doesn't dare tell her she is the subject of his affection, inventing a girl from his hometown named "Hazel" 
When Dwight hears about this, he tells Tad that the business course will help him in his quest to win his girl  Tad believes Dwight and continues the course until he hears that Claire is in love with someone else  Dwight and Horace have to persuade him once again to stay, telling Tad that the man Claire is in love with is an ugly, fat, and stupid man who can be out-conquered, carefully concealing his own engagement to Claire 
The publicity makes the course a success and attendance becomes much higher  Dwight convinces Tad to get a job to prove his success to the various magazines covering the course progress, so he does  He is hired as an insurance salesman, but is soon discouraged when he is unsuccessful  Dwight secretly helps out by making his friend buy an insurance policy from Tad, unaware that his friend, Frank Mitchell, has high blood pressure and would not pass the required physical  Tad commits his anticipated commission to the purchase of the fire engine, and takes Claire to see it  They bond further over Claire's passion for fire engines; she was a fire chief's niece 
When Tad finally reveals to Claire that she is his "Hazel", she reveals her engagement to Dwight  Heartbroken and humiliated, Tad feels he has been played for a fool by the couple 
The next day, after dodging Claire's many phone calls, Tad uses a special relaxation technique on Frank to help him pass the necessary physical, then proceeds to Dwight's office to vent his anger   Instead, he joins the rest of the office in overhearing a furious Claire in Dwight's office scolding him for the ruse and confessing her love for Tad  When Claire exits the building she finds Tad waiting in the new fire engine   With the siren blaring, they drive off to Vermont together as a couple  Dwight moves on to teach relaxation, using the technique Tad showed him 

Cast
Henry Fonda as Thadeus Winship "Tad" Page
Lynn Bari as Claire Harris
Don Ameche as Dwight Dawson
Edward Everett Horton as Horace Hunter
George Barbier as James Roger Barker
Frank Orth as Messenger
Roseanne Murray as Dawson's Secretary
Marietta Canty as Jennie
Hobart Cavanaugh as Albert Gowdy
Hal K  Dawson as Charlie
Josephine Whittell as Mrs  Hunter
Arthur Loft as Mr  Morton, Fire Engine Salesman
Paul Stanton as Peters
Claire Du Brey as Peter's Secretary
William B  Davidson as Mr  J  D  Reindel
Harry Hayden as Frank Mitchel
Pierre Watkin as Bill Carson
Passage 2:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 3:
Ringo-en no shōjo
Ringo-en no shōjo (リンゴ園の少女, Ringo-en no shōjo, lit  "Girl of Apple Park") is a 1952 black and white Japanese film directed by Koji Shima The art director was Tomoo Shimogawara 

Cast
Hibari Misora as Marumi
Akihiko Katayama
Kokuten Kōdō
Yōko Kosono as Yoko Kozono
Koji Mitsui
Hideaki Miura
Bontarō Miyake as Bontaro Miake
Zeko Nakamura as Zekō Nakamura
Takeshi Sakamoto
Isao Yamagata
So Yamamura

See also
List of films in the public domain in the United States
Passage 4:
Solemn Promise
Solemn Promise (Serbian: Беса, romanized: Besa) is a 2009 Serbian drama film directed by Srđan Karanović  The film was selected as the Serbian entry for the Best Foreign Language Film at the 83rd Academy Awards but it did not make the final shortlist 

Plot
The film portrays the drama between Azem, an Albanian man, and Lea, a Slovenian woman married to Filip, a Serb  The events happen when the young couple moves to a place in southern Serbia at the outbreak of World War I, when Filip receives the invitation to join the military ranks  He leaves his young attractive wife in the custody of the middle-aged Albanian  The film speaks about love, the sacred Albanian promise ‘Besa’, as well as the cultural, ethnic, and language barriers in the Balkans  The film shows how the sacred given word can be stronger than love and temptation 

Cast
Miki Manojlović as Azem
Iva Krajnc as Lea
Nebojša Dugalić as Filip
Radivoje Bukvić as Lieutenant Jevrem
Ana Kostovska as School teacher
Radivoj Knežević
Jovo Makšić as Mane
Nikola Krneta as Soldier
Slobodan Filipović as Gendarme

See also
List of submissions to the 83rd Academy Awards for Best Foreign Language Film
List of Serbian submissions for the Academy Award for Best Foreign Language Film
Passage 5:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 6:
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957 

Surrey cricketer
McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29  In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6 3 overs for seven runs  This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later  In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth  In the 1948 season as a whole, he took 91 wickets at an average of 28 07  As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4 22 The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career  Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets  In 1951, he played just seven times and in 1952 only three times  In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12 38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21 53  At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries 

Somerset cricketer
Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service  McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly 
McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said  McMahon took 85 wickets at an average of 27 47 (Hilton took only 42 at a higher average)  His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career  He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table 
The figures for the 1955 were similar: McMahon this time took 75 wickets at 28 77 apiece  There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9 03  This included his highest-ever score, 24, made in the match against Sussex at Frome  A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin"  These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support  McMahon responded with his most successful season so far, taking 103 wickets at an average of 25 57, the only season in his career in which he exceeded 100 wickets  The bowling average improved still further in 1957 to 23 10 when McMahon took 86 wickets  But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival  Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial" 

Sacked by Somerset
The reason behind McMahon's sacking did not become public knowledge for many years  In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality"  It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again"  As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw  But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season  Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved 
After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines 


== Notes and references ==
Passage 7:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 8:
Robert Day (director)
Robert Frederick Day (11 September 1922 – 17 March 2017) was an English film director  He directed more than 40 films between 1956 and 1991 

Biography
Day was born in Sheen, England  He worked his way up from clapper boy to camera operator then cinematographer while in his native country, and began directing in the mid-1950s  His first film as director, the black comedy The Green Man (1956) for the writer-producer team of Frank Launder and Sidney Gilliat, gained good reviews  Using this as a starting point, Day went on to become one of the industry's busiest directors including directing several Tarzan films 
He relocated to Hollywood in the 1960s and directed many TV episodes and made-for-TV movies  He occasionally had small parts in his own productions, including The Haunted Strangler (1958), Two-Way Stretch (1960), and the TV mini-series Peter and Paul (1981) 
In the 1970s and 1980s, Day would direct episodes of numerous American television shows, including Barnaby Jones, The F B I , Dallas, Walt Disney's Wonderful World of Color, and Matlock 

Personal life
Day was married to Eileen Day and then, following their divorce, to actress Dorothy Provine until her death in 2010  He was the brother of cinematographer Ernest Day 
Day died at the age of 94 on Bainbridge Island near Seattle on 17 March 2017 

Selected filmography
Passage 9:
Tarzan the Magnificent
Tarzan the Magnificent is a 1960 British Eastmancolor film, the follow-up to Tarzan's Greatest Adventure (1959)  Its plot bears no relation to that of the 1939 Edgar Rice Burroughs novel of the same name  The film was directed by Robert Day and produced by Sy Weintraub and Harvey Hayutin  Gordon Scott made his last appearance as Tarzan in the film, while Jock Mahoney appeared as villain Coy Banton  Mahoney would take over the Tarzan role himself beginning in the next film, Tarzan Goes to India, in 1962  The motion picture does not include Jane 

Plot
The Bantons (father, Abel and four sons, Coy, Ethan, Johnny and Martin) rob a pay office in a settlement, killing some people  Coy Banton is tracked down to their camp and taken away by a policeman, Wyntors  Taking him back to town, Wyntors is killed as two of the brothers seek to rescue Coy  Tarzan appears and kills Ethan Banton  The other brother escapes  Tarzan decides to take Coy to Kairobi for the $5000 reward so he can give it to Wyntors' widow  However, no one in the town of Mantu (same town as the one at the beginning of Tarzan's Greatest Adventure) wants to help him  The boat he is waiting for to take him and his prisoner to Kairobi is ambushed by the Bantons, who send the passengers off and destroy the boat 
Later that night Tarzan meets with the people from the boat and decides on an overland trek to take Coy Banton to Kairobi and agrees to take along, at first, the boat's mate, Tate, then reluctantly agrees to take the passengers of the boat: A business man named Ames and his wife, Fay; another man named Conway and a young woman named Lori, who all share with Tarzan their own reasons for wanting to go to Kairobi  But Tarzan warns them the trek through the jungles would be hard and dangerous  The presence of so many people to watch out for hinders Tarzan  The Bantons threaten to kill anyone who helps Tarzan  Pausing only to shoot the doctor who has told them what they want to know, the Bantons set out after the party and Coy 
Ames is a boastful and racist windbag whose wife begins to detest him  Seeing this, Coy plays up to her, hoping he might be able to use her later  The party are captured by natives and the leader wants to kill Coy, who killed his brother when the Bantons raided their village  However, the chief's wife is having a difficult childbirth labour, and since Conway (who was a doctor) is able to help her have her baby (a breach birth), the chief agrees to let the party go 
Coy sees his chance and escapes  Thanks to Ames, Tate is shot and later dies  Tarzan again captures Coy and he hides them both in a quicksand pit as the other Bantons search for them  Later, Lori wanders off and is caught by Johnny Banton who attempts to have his way with her  As she screams, Tarzan comes to rescue her and, after a fight, Johnny dies from a shot in the face with his rifle while struggling with Tarzan and falls into a stream  Later, seeing his grave (along with Tate's), Martin Banton has had enough of a father who taught them to steal and murder by age sixteen, and leaves him 
Coy's wiles have paid off and Fay Ames releases him while the others sleep, and they leave camp together  Tarzan goes after them and finds Fay's scarf  Coy left her behind when she was out of breath and a lioness found her  Tarzan eventually comes on Coy and Abel Banton, and in a roving battle, a ricochet from Coy's rifle kills Abel  A prolonged battle on rocks, on sand and underwater follows before Tarzan finally knocks Coy out  The film ends with Tarzan and the remaining three people (Ames, Lori, and Conway) handing Coy over to the Kairobi police on the border and instructs Conway to make sure Wyntor's widow gets the reward money 

Cast
Gordon Scott as Tarzan
Jock Mahoney as Coy Banton
Betta St  John as Fay Ames
John Carradine as Abel Banton
Lionel Jeffries as Ames
Alexandra Stewart as Lori
Earl Cameron as Tate
Charles Tingwell as Conway
Al Mulock as Martin Banton
Gary Cockrell as Johnny Banton
Ron McDonnell as Ethan Banton
Harry Baird as Warrior Leader
Christopher Carlos as Native Chief
John Sullivan as Inspector Wyntors
Ewen Solon as Dexter
Jacqueline Evans as Mrs Dexter
Thomas Duggan as Frye
Peter Howell as Dr Blake
John Harrison as N'Como
George Taylor as Captain Hayes

Production
Filming started 25 January 1960 in Africa 

See also
List of American films of 1960
Passage 10:
Srđan Karanović
Srđan Karanović (Serbian Cyrillic: Срђан Карановић, pronounced [ˌsř̩d͜ʑan kaˈrǎːnoʋit͜ɕ], born 17 November 1945) is a Serbian film director and screenwriter  He has directed 17 films since 1968  His film Miris poljskog cveća won the FIPRESCI prize at the 1978 Cannes Film Festival, Nešto između was screened in the Un Certain Regard section at the 1983 Cannes Film Festival  A Film with No Name (Za Sada Bez Dobrog Naslova) won the Golden Tulip Award at the Istanbul International Film Festival in 1989 
His 2009 film Besa was selected as the Serbian entry for the Best Foreign Language Film at the 83rd Academy Awards, but it did not make the final shortlist  In 2017, Srđan Karanović has signed the Declaration on the Common Language of the Croats, Serbs, Bosniaks and Montenegrins 

Selected filmography
See also
Praška filmska škola



ground_truth: Guy II, Count of Soissons

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose director was born first, Solemn Promise or Tarzan The Magnificent?

The following are given passages.
Context 4: He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 6:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 7:
Christophe Honoré
Christophe Honoré (born 10 April 1970) is a French writer and film and theatre director 

Career
Honoré was born in Carhaix, Finistère  After moving to Paris in 1995, he wrote articles in Les Cahiers du Cinéma  He started writing soon after  His 1996 book Tout contre Léo (Close to Leo) talks about HIV and is aimed at young adults; he made it into a film in 2002  He wrote other books for young adults throughout the late 1990s  His first play, Les Débutantes, was performed at Avignon's Off Festival in 1998  In 2005, he returned to Avignon to present Dionysos impuissant in the "In" Festival, with Joana Preiss and Louis Garrel playing the leads 
A well-known director, he is considered an "auteur" in French cinema  His 2006 film Dans Paris has led him to be considered by French critics as the heir to the Nouvelle Vague cinema  In 2007, Les Chansons d'amour was one of the films selected to be in competition at the 2007 Cannes Film Festival  Honoré is openly gay, and some of his movies or screenplays (among them Les Filles ne savent pas nager, Dix-sept fois Cécile Cassard and Les Chansons d'amour) deal with gay or lesbian relations  His film Plaire, aimer et courir vite (Sorry Angel), about a writer who has contracted HIV in the 1990s, won the Louis Delluc Prize for Best Film in 2018  Honoré has been the screenwriter for some of Gaël Morel's films  The actors Louis Garrel and Chiara Mastroianni have each had roles in several of his films 
Honoré has also directed several operas for the stage  For the Opéra de Lyon he directed Poulenc's Dialogues of the Carmelites in 2013,  Debussy's Pelléas et Mélisande in 2015, and Verdi's Don Carlos in 2018  He also presented his production of Mozart's Così fan tutte at the Aix-en-Provence Festival and the Edinburgh Festival in 2016, and Puccini's Tosca at Aix-en-Provence in 2019; both of these productions adopted a radical approach to traditional works In the summer of 2020 Honoré's rehearsals of his stage production of Le Côté de Guermantes, based on the third volume of Proust's In Search of Lost Time, were interrupted by restrictions to combat the COVID-19 epidemic and it became impossible to present it at the Comédie-Française as planned  With his troupe of actors he decided to make a film about the production and the uncertainties they were now facing, and the film Guermantes was released in September 2021 

Filmography
Novels
1995 : Tout contre Léo (jeunesse), turned into a film in 2002
1996 : C'est plus fort que moi (jeunesse)
1997 : Je joue très bien tout seul (jeunesse)
1997 : L'Affaire petit Marcel (jeunesse)
1997 : L’Infamille (Éditions de l'Olivier, ISBN 2-87929-143-7)
1998 : Zéro de lecture (jeunesse)
1998 : Une toute petite histoire d'amour (jeunesse)
1998 : Je ne suis pas une fille à papa (jeunesse)
1999 : Les Nuits où personne ne dort (jeunesse)
1999 : Mon cœur bouleversé  (jeunesse)
1999 : Bretonneries (jeunesse)
1999 : La Douceur (Éditions de L'Olivier, ISBN 2-87929-236-0)

Theatre and opera
Actor
1998: Les Débutantes
2001: Le Pire du troupeau
2004: Beautiful Guys
2005: Dionysos impuissant
2012: La Faculté
2012: Un jeune se tue
2012: Nouveau Roman
2015: Violentes femmes

Director
2009 : Angelo, Tyrant of Padua by Victor Hugo, Festival d'Avignon
2012 : Nouveau Roman, Festival d'Avignon, Théâtre national de la Colline
2013 : Dialogues of the Carmelites by Francis Poulenc, Opéra National de Lyon
2015 : Fin de l'Histoire by Witold Gombrowicz, Théâtre de Lorient
2015 : Pelléas et Mélisande by Claude Debussy, Opéra National de Lyon
2016 : Così fan tutte by Mozart, Aix-en-Provence Festival and Edinburgh International Festival
2018 : Don Carlos by Verdi, Opéra National de Lyon
2019 : Les Idoles by Christophe Honoré, Odéon-Théâtre de l'Europe
2019 : Tosca by Puccini, Aix-en-Provence Festival
Passage 8:
Man at Bath
Man at Bath (French: Homme au bain) is a 2010 French film by Christophe Honoré starring François Sagat and Chiara Mastroianni  The film premiered in competition at Locarno International Film Festival in Switzerland in 2010 and was released in cinemas on 22 September 2010 
This is gay pornographic actor François Sagat's second major role in general release non-pornographic film as Emmanuel after his role in L A  Zombie  Director Christopher Honoré told French gay website Yagg com that he was interested in Sagat because he "redefines the notion of masculinity"  Sagat was the only actor to feature in two competition entries during the festival 

Plot
Right before departing to New York colleges to promote his latest collaborations, Omar (Omar Ben Sellem) goes through yet another impulsive fit from his boyfriend Emmanuel (François Sagat), resulting in rape  Resentful, Omar demands Emmanuel to be gone from his flat located in the outskirts of Paris before his return, and leaves  The two set out to live a separate series of vignettes depicting the ways the former lovers' mourn for each other 
Being a lustful, aspiring filmmaker, Omar sees his touring in upper New York as an opportunity to finally forget Emmanuel, indulging instead in disjointed recordings of his travel  Soon after, his camera work is centered on Dustin (Dustin Segura-Suarez): a young college student who is on vacation from Canada  Omar eagerly befriends and later seduces Dustin, openly portraying their desire for each other on film with an amateurish academic intent  In a matter of days, the artistic intentions in Omar's house movie devolve into a bisexual experience including Omar's professor 
Back in Paris, an animalistic Emmanuel - used to take pride on the universal praise for his body - is left broke and in denial  He resorts instead to shelter himself in Omar's place, living as carefree days as he can muster  Emmanuel goes from demanding unsolicited attentions from an upstairs neighbor who also is one of his clients as a hustler (Dennis Cooper), to hosting sexual encounters with Omar's acquaintances  All without avoiding his growing yearning for the better days with his ex, not even after luring an Omar's look-alike (Sebastian D'Azeglio) back into the apartment  After an intermission in which Emmanuel is confronted with his own collapsing lack of emotionality, he then clumsily refuses the advances of an underage boy who claims to be in need (Andréas Leflamand), nor engages in a bisexual threesome in exchange for a tip he reluctantly accepts from a successful old friend (Kate Moran)  The next day, Emmanuel begrudgingly succumbs to the advances from a teenager (Rabah Zahi), and uses the opportunity to sexually lash out on the boy  Finally, shortly before Omar's return, Emmanuel cries over the improvised mural he started days earlier on one of the walls in the apartment 
Not long after, Omar enters back into his apartment, stopping to contemplate the finished mural drawn by Emmanuel, who is nowhere to be seen 

Cast
François Sagat as Emmanuel
Chiara Mastroianni as Actress
Rabah Zahi as Rabah
Omar Ben Sellem as Omar
Kate Moran as Kate
Lahcen el Mazouzi as Hicham
Andréas Leflamand as Andréas
Ronald Piwele as Ronald
Sebastian D'Azeglio as Man with a moustache
Sébastien Pouderoux as Kate's fiancé
Dennis Cooper as Robin
Dustin Segura-Suarez
Passage 9:
Paul Scheuring
Paul T  Scheuring (born November 20, 1968) is an American screenwriter and director of films and television shows  His work includes the 2003 film A Man Apart and the creation of the television drama Prison Break, for which he was also credited as an executive producer and head writer 

Early life
Scheuring was born in Aurora, Illinois  Before his success, he had attended the UCLA School of Theater Film and Television and has worked as a courier cable installer and factory worker 

Career
After working on 36K in 2000 and A Man Apart in 2003, Scheuring made his first attempt to be a television show writer  After developing an idea given to him by a female colleague into a miniseries screenplay called Prison Break, he approached the Fox network with the script but was turned down due to its unconventional storyline  However, in 2004, after the successful premiere of Lost, Fox backed Prison Break's production and the first episode was aired approximately twenty months after Scheuring had written the script  The series proceeded to win the 2006 People's Choice Award for Favorite New TV Drama and was nominated for Best Drama Television Series at the 2006 Golden Globe Awards  Moreover, Prison Break was picked up by Fox for three more seasons  In 2005, he signed an overall deal with 20th Century Fox  He runs a production company, One Light Road Productions Scheuring has also co-written Mexicali, which was scheduled for release in 2010 

Future projects
Following the completion of Prison Break, Scheuring began production of AR2, a drama co-developed with The West Wing director/exec producer Thomas Schlamme  The series is about a group of Midwestern youths who spark a second American Revolution  AR2 will explore how the revolting college students -- as well as the military and the law enforcement officers who oppose them -- perceive patriotism  Scheuring lessened his work on Fox's Prison Break to focus on development and features through his Mercator Pictures, which he operates with partner Matt Fiorello  He has also produced Masterwork, a drama pilot script for Fox and 20th TV, and the Inferno-produced feature The Experiment 
Scheuring was also confirmed to be the writer for Halo: Nightfall  A 5 episode series which is based upon the video game franchise connecting the story line between Halo 4 and Halo 5: Guardians

Filmography
Passage 10:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 



ground_truth: Tarzan The Magnificent