prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died first, The Year Of The Rabbit or Monster On The Campus?

The following are given passages.
Context 1: Passage 1:
The Year of The Rabbit
The Year of the Rabbit (Spanish: El año del conejo) is a 1987 Argentine comedy drama film directed by Fernando Ayala and written by Oscar Viale  Starring Gerardo Romano, the film had its premiere on August 13, 1987 

Synopsis
In his mid-50s, a man reassesses his family and work life 

Main cast
Luisina Brando
Federico Luppi
Gerardo Romano
Ulises Dumont
Juan Carlos Dual
Ludovica Squirru
Katja Alemán
Andrea Barbieri
Raúl Rizzo
Emilio Vidal

Other cast
Luis Alday
Martín Andrade
Olga Bruno
Ana María Colombo
Adrián Cuneo
Manuel Cuneo
Cristina Czetto
Sandra Domínguez
Héctor Ezcurra
Daniel Galarza
Maruja Pibernat
Nilda Raggi
Felisa Rocha
Enrique Sabattini
Carlos Santamaría
Carlos Silva
Alejandra Sirlin
Jorge Varas
Hebe Castro Zinny

External links
The Year of the Rabbit at IMDb
Passage 2:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 3:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 4:
Fernando Ayala
Fernando Ayala (2 July 1920 – 11 September 1997) was an Argentine film director, screenwriter and film producer of the classic era  He is widely considered one of the most important Argentine film directors and producers in the history of the cinema of Argentina 
Ayala initially began as a trainee assistant director in 1942, in El Viaje, and within two years he had become an assistant director  By 1949 he had obtained his first job as director, and from 1958 he also served as producer for the films he directed and some others  Between 1950 and 1987 he was involved in the direction and production of well over 40 films, such as Ayer fue primavera in 1955 and Argentinísima and Argentinísima II in 1972 and 1973 respectively  In 1963 he was a member of the jury at the 13th Berlin International Film Festival  His 1983 film The Deal was entered into the 13th Moscow International Film Festival where it won a Special Diploma 

Filmography
Director
Passage 5:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 6:
Drew Esocoff
Drew Esocoff (born c  1957) is an American television sports director, who as of 2006 has been the director of NBC Sunday Night Football 

Early life
Esocoff was born in Elizabeth, New Jersey, graduating from Thomas Jefferson High School in 1975, later attending Colgate University  While in college he worked as a substitute teacher at Elizabeth High School where one of his students was Todd Bowles 

Career
Esocoff has worked for ESPN and ABC, serving as director for Monday Night Football, SportsCenter, and the NBA Finals, as well as five Super Bowls  Since 2006, he has served as director for NBC Sunday Night Football 
As of 2015, Esocoff has won 11 Emmy Awards 
Passage 7:
Jack Arnold (director)
Jack Arnold (born John Arnold Waks; October 14, 1916 – March 17, 1992) was an American actor and film and television director, best known as one of the leading filmmakers of 1950s science fiction films  His most notable films are It Came from Outer Space (1953), Creature from the Black Lagoon (1954), Tarantula (1955), and The Incredible Shrinking Man (1957) 

Early years
Jack Arnold was born in New Haven, Connecticut, to Russian immigrants : 53  As a child he read a lot of science fiction, which laid the foundations for his genre films of the 1950s 
He hoped to become a professional actor and in his late teens he enrolled in the American Academy of Dramatic Arts, where his classmates included Hume Cronyn, Betty Field and Garson Kanin  After graduating he worked as a vaudeville dancer and, in 1935, began getting roles in Broadway plays  He was acting in My Sister Eileen when the Japanese attacked Pearl Harbor, and he immediately enlisted as a cadet for pilot training : 53 While Arnold intended to become a pilot, a shortage of planes meant he was temporarily placed in the Signal Corps, where he took a crash course in cinematography  He then became a cameraman and learned the techniques of filmmaking by assisting Robert Flaherty on various military films  After eight months with Flaherty he became a pilot in the Air Corps : 53  While stationed at Truax Airfield at New Rochelle, New York, he met Betty, who would later become his wife 

Career
Following the end of World War II and the end of Arnold's term of service, he formed a partnership with an air squadron buddy, Lee Goodman, to form a film production company  Their new company, called Promotional Films Company, made fundraising films for various non-profit organizations  He also continued acting on stage during this period, in plays including a revival of The Front Page, and played opposite Bela Lugosi and Elaine Stritch in Three Indelicate Ladies : 54 

By 1950, after his documentary films had received more exposure, he was commissioned to produce and direct With These Hands, a documentary about working conditions of the early 20th century  It was nominated for an Academy Award for Best Documentary Feature Arnold directed a number of 1950s science fiction films  The best known of these, It Came from Outer Space (1953), Creature from the Black Lagoon (1954), Tarantula (1955), and The Incredible Shrinking Man (1957) are noted for their atmospheric black-and-white cinematography and sophisticated scripts  The Incredible Shrinking Man is considered his "masterpiece," a fantasy film with few equals in intelligence and sophistication, notes author John Baxter  While all the films display a "sheer virtuosity of style and clarity of vision "Arnold's main collaborator at Universal Studios was producer William Alland  Revenge of the Creature (1955) was Clint Eastwood's debut film 
Arnold also made some non-sci-fi films, mostly Westerns   His best Western is often considered to be No Name on the Bullet (1959), about a town frightened to hysteria by the arrival of a gunman who never reveals who he is after or why   The film was shot in color and CinemaScope and was later restored from the original negative for airing on the "Grit" digital broadcast channel 
He also worked as the director of The Mouse That Roared (1959), in which Peter Sellers played three roles, one of them in drag  His later films included Hello Down There (1969), Black Eye (1974), the British sex comedy The Bunny Caper aka Sex Play (1974), Boss Nigger (1975) and The Swiss Conspiracy (1976) 
Arnold began his television career in 1955 with several episodes of Science Fiction Theater  He went on to direct the long-running television series Perry Mason and Peter Gunn  He also directed episodes of such television shows as Nanny and the Professor, Alias Smith and Jones, The Fall Guy, The Brady Bunch, Gilligan's Island, Wonder Woman, Ellery Queen, Mr  Terrific, Mr  Lucky, and The San Pedro Beach Bums, as well as the TV movie Marilyn: The Untold Story (1980) 

Death and legacy
Arnold died of arteriosclerosis in Woodland Hills, Los Angeles, California at the age of 75  Later that year, the UCLA Film Archive held a tribute "Jack Arnold: The Incredible Thinking Man" film festival which screened a number of his films  The Archive also produced and screened a bio-documentary about his life, The Incredible Thinking Man 

Awards and nominations
Passage 8:
Monster on the Campus
Monster on the Campus (a k a  Monster in the Night and Stranger on the Campus) is a 1958 American black-and-white science fiction/horror film from Universal-International, produced by Joseph Gershenson, directed by Jack Arnold, from a script by David Duncan, that stars Arthur Franz, Joanna Cook Moore, Nancy Walters, Troy Donahue, and Whit Bissell  The film was theatrically released as a double feature with the British horror film Blood of the Vampire 
The film's storyline tells of a university science professor who accidentally comes into contact with the irradiated blood of a coelacanth, which causes him to "regress" to being a primitive caveman 

Plot
Dr  Donald Blake, a science professor at Dunsford University, receives a coelacanth  A student, Jimmy, asks Blake if the fish is really a million years old  Blake replies, "It's the species that's old  No change in millions of years  See, the coelacanth is a living fossil, immune to the forces of evolution"  Blake teaches his students that man is the only creature that can decide whether to evolve or devolve and that "unless we learn to control the instincts we've inherited from our ape-like ancestors, the race is doomed "
Inside the lab, Blake scratches himself on the teeth of the partially-thawed coelacanth, accidentally sticking his bloody hand into the water-filled container which held the fish  Molly Riordan, the assistant to Dr  Cole Oliver, is with Blake and offers him a ride home  Blake says he does not feel well and passes out when they get to Molly's car 
A person or persons unknown attacks Molly at Blake's home  Madeline Howard, Blake's fiancée and daughter of Dr  Gilbert Howard, president of the university, arrives and finds the home in shambles and Blake moaning on the ground  Madeline calls the police after seeing the corpse of Molly hanging by her hair in a tree 
Detective Lt  Mike Stevens and Detective Sgt  Eddie Daniels find a "deformed" handprint on a window and Blake's tie clasp in Molly's dead hand  They take Blake downtown when he admits that he cannot remember anything after getting into Molly's car 
Concluding that someone holding a grudge is trying to implicate Blake in Molly's murder, Stevens releases him  He assigns Daniels as Blake's bodyguard and tells Blake that Molly's autopsy showed she died of fright 
In his lab, Blake shoos away a dragonfly that lands on the coelacanth  The dragonfly later returns, now two feet in length  Blake and Jimmy try to catch the giant insect with a net when it lands on the coelacanth again  Blake stabs the dragonfly  While examining its body, he does not notice its blood has dripped into his pipe  Lighting up and smoking, he immediately feels ill  As the dragonfly shrinks back to its standard size, a large, hairy hand reaches out and squashes the insect  Then Blake's lab is trashed, and Jimmy's visiting girlfriend is killed  The police find huge footprints near her body and conclude they are from the same source 
Blake learns that the coelacanth has blood plasma preserved by gamma rays  If it gets into the bloodstream of an animal or person, it causes them to revert to a more primitive state temporarily  He realizes that he might have received a dose of the irradiated plasma  If so, then Blake has been reverting to a troglodyte with large hands, feet, dark skin, heavy body hair, and prominent brow ridges 
He decides to take some days off at Dr  Howard's remote cabin  Blake plans to learn whether he is the beast  He rigs the cabin with cameras on trip wires and injects himself with coelacanth plasma  His caveman self wrecks the room, trips the camera's wires, and is photographed  He grabs an axe and leaves 
While driving to the cabin, Madeline runs off the road and crashes when the caveman appears in her headlights  A local forest ranger arrives and calls the Dunsford police for help  The caveman carries the unconscious Madeline into the forest, with the ranger in pursuit 
Waking up, Madeline struggles with the beast  The ranger shoots the caveman when she breaks free  The caveman then kills the ranger with his axe and collapses  Blake, once again himself, returns to the cabin and develops a photo, showing it to Madeline 
Lt  Stevens, Detective Sgt  Powell and Dr  Howard arrive at the cabin  Blake tells them that he not only knows who the murderer is, but where to find him  Out in the woods, he explains to Howard what his experiment proved and injects himself with coelacanth plasma  Again transformed into the caveman, he chases Howard, forcing the two detectives to shoot him  As the beast lies dying, he slowly transforms back into Blake 

Cast
Arthur Franz as Dr  Donald Blake
Joanna Moore as Madeline Howard
Judson Pratt as Lt  Mike Stevens
Nancy Walters as Sylvia Lockwood
Troy Donahue as Jimmy Flanders
Phil Harvey as Sgt  Powell
Helen Westcott as Nurse Molly Riordan
Alexander Lockwood as Dr  Gilbert Howard
Whit Bissell as Dr  Oliver Cole
Ross Elliott as Sgt  Eddie Daniels
Anne Anderson as Student (uncredited)
Louis Cavalier as Student (uncredited)
Richard H  Cutting as Forest Ranger Tom Edwards (uncredited)
Hank Patterson as Night Watchman Mr  Townsend (uncredited)
Ronnie Rondell Jr  as Student (uncredited)
Eddie Parker as the Monster (uncredited)

Production
Production took place between April and May 1958  The on-campus scenes of Dunsford University were filmed at Occidental College in Eagle Rock, a suburb of Los Angeles, California The working title of the film was Monster in the Night  Although Universal music director Joseph Gershenson had received executive producer credit on some films of the 1940s, Monster on the Campus marked the first film for which he received sole credit as producer  This was the film debut of Nancy Walters  Arthur Franz only played Prof  Donald Blake  Once the makeup transformation scenes were over, stuntman Eddie Parker did every scene as the monster Science fiction film critic Bill Warren writes that director Jack Arnold said in an interview with Cinefastastique magazine (Vol 4 No 2, 1975) that the film was shot in 12 days, and that Arnold told Photon magazine (No 26, 1975), "I didn't really hate it, but I didn't think it was up to the standards of the other films that I have done" 

Reception
Monster on the Campus had a wide international release  Its U S  premiere was in Bismarck, North Dakota on 17 December 1958, followed by Finland on 1 May 1959, West Germany on 22 January 1960, France on 27 January 1960, and Mexico on 3 March 1960  The film was also released in the UK, Belgium, Greece, Italy, the Soviet Union, Argentina, and Brazil  In the UK, it was given an "X" certificate by the British Board of Film Censors (BBFC), which meant at the time that the film could not be exhibited to people under age 16  In 2016, BBFC reclassified the DVD of Monster on the Campus  It now has a PG rating According to Warren, there were few reviews of Monster on the Campus when it first came out because it was the "bottom half of a double-bill with the more colorful Blood of the Vampire"  He quotes a few contemporary reviews  It was called "'a pretty fair shocker'" in Daily Variety  Jack Moffitt, in The Hollywood Reporter, said the film emphasized the "'human rather than the monstrous side of this modern 'Dr  Jekyll' story"  The Monthly Film Reporter, however, called it "'depressing,'" even though it had been "'tailored for the horror market '"BoxOffice magazine in its issue of 19 January 1959 showed positive reviews from most of the publications listed in its "Review Digest"  BoxOffice, Film Daily, and The Hollywood Reporter all rated it as "very good"; Harrison's Report and Variety rated it "good"; Parents' Magazine gave it a "fair" rating; and the New York Daily News had not reviewed the film The reviewing division of the Catholic News Service evaluated Monster on the Campus in 1958 for its "artistic merit and moral suitability"  This resulted in The United States Conference of Catholic Bishops (USCCB) giving the film a rating of "A-III," which meant it was suitable for adults, although USCCB cautioned that it contained "stylized violence with some intense menace" Many of the more recent reviews have centered on the monster/caveman/ape-man makeup  Warren writes, "The mask is unconvincing, with tiny shell-like teeth and a built-in scowl; it resembles similar Universal-International over-the-head masks of the period, as seen in Abbott and Costello Meet Dr  Jekyll and Mr  Hyde, Tarantula and other outings"  Bryan Senn notes that keeping the monster off-camera until near the end of the film is a good idea, as it adds a "bit of build-up and mystery", but doing so "only makes the rubbery mask and hirsute padded shoulders (making him look like a simian linebacker) that much more disappointing when finally revealed" But reviews have noted more than just makeup  Phil Hardy writes that "cinematographer [Russel] Metty and special effects man [Clifford] Stine make the most of the ape-man's path of destruction through the campus but the script lacks any sparkle"  Senn calls the film "visually flat, with the 'action' taking place in labs, offices and cabins, and with exteriors consisting of one back-lot hillside"  And Warren says that the film is "hampered by trivial locations and drab sets  The film has no arresting images  The best [Arnold] can come up with is a swift glance the ape-man gives a mirror before smashing it and one shot of a woman dangling by her hair from a tree"  In summary, he calls the film "routine, unimaginative and foolish     Jack Arnold's worst science fiction film" But not every reviewer disliked Monster on the Campus  Critic Ken Hanke wrote that "part of the charm of this little movie is that the monster is so hokey  No, it's not classic horror, but it's a good bit of fun"  He gave the film a score of 4 5 out of 5 stars Popularity with the public is harder to judge  The film holds a 5 8/10 from 1,111 votes on the Internet Movie Database and a low 22% from 270 viewers at the film review aggregator website Rotten Tomatoes 

Academic interest
Monster on the Campus has attracted a fair amount of academic interest  Prof  Cyndy Hendershot in 2001 wrote that the film examines "issues of conformity and individuality" through a "metaphor of monstrous transformation"  Hendershot says that while Blake the professor represents conformity, his caveman self is a representation of individuality  But he cannot be conformist and individualistic at the same time  His employer, Dunsfield University, "conspires to stamp out individuality that does not follow the direction of the organization as a whole"  That is, "while Monster on the Campus adopts the typical sf/horror plot of the mad scientist versus the blind authorities", the film "frames the issue specifically within the world of the organization man"  According to Hendershot, a man such as Blake - driven from within toward individualism and not at all a good organization man who willingly submits to conformity imposed on him from the outside - cannot win  His personal goal of knowledge for the sake of knowledge is not that of the university, which seems more interested in the publicity that owning a rare coelacanth will bring  "But, if the film condemns the other-directed society as stifling scientific knowledge, it equally condemns Blake's rampant inner-directed man  It reveals, in fact, that the individual within is a beast" Also in 2001, Hendershot looked at Monster on the Campus as an exploration of a "wide variety of issues related to the emergence of teen culture in Fifties America"  Specifically, her focus is on juvenile deliquency, which she says "provoked feelings of intense horror" in adults at the time  The Dunsfield Police, for example, "suspect the teenagers on campus of being guilty" of the murders of Molly and Daniels, yet the "true criminal is located at the heart of adult authority on campus"  However, unlike many films in which young people are the villains, Monster on the Campus inverts things, so that "only the students emerge as having any clear moral sense about the horrors that are occurring on campus"  In other words, "the kids in Monster on the Campus are fine; it's the adults that have to be watched, as they may transform into monsters at any moment" Prof  Patrick Gonder looks at the film in racial terms  He writes that Monster on the Campus was released just a few years after the 1954 US Supreme Court decision in Brown v  Board of Education  In that light, he says, "the monster on the campus is the demonized black male student, threatening to contaminate the purity of white women and cause the reversal of white evolutionary potential  The Caveman is imaged as a racist caricature of the African American: bestial, violent and corrosive to the tenets of white society"  However, Gonder goes on to point out that the "creature and the professor are one and the same: several times, Blake comments on how the beast is 'within' him"  And at the end of the film Blake solves his problem: he "does not turn himself in but instead organizes his own lynch mob by purposefully (for the first time) transforming himself into the Caveman, thus forcing the police officers to shoot him" 

Home media
Monster on the Campus had its U S  VHS release in 1994  Universal Pictures released Monster on the Campus as part of a DVD boxed set called The Classic Sci-Fi Ultimate Collection, which features four other Universal films: The Incredible Shrinking Man, The Mole People, The Monolith Monsters, and Tarantula  Shout Factory released the film on Blu-ray in a package including the trailer and subtitles on 25 June 2019 

Popular culture
Monster on the Campus has been referenced in a number of other films and television programs  Among other examples, it was shown on Svengoolie in 1981 and 2013; scenes from it were used in the films Eternal Sunshine of the Spotless Mind (2004) and American Grindhouse (2010); and it was mentioned in the Canadian comedy Ding et Dong le film (1990) In music, The Modern Airline, a neo-New Wave band from Brooklyn, New York, released a song titled "Monster on the Campus" in 2017 
Passage 9:
G  Marthandan
G  Marthandan is an Indian film director who works in Malayalam cinema  His debut film is Daivathinte Swantham Cleetus

Early life
G  Marthandan was born to M  S  Gopalan Nair and P  Kamalamma at Changanassery in Kottayam district of Kerala  He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery 

Career
After completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995  His next work was British Market, directed by Nissar in 1998  He worked as an associate director for 18 years He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role  His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles  Daivathinte Swantham Cleetus and Paavada were box office successes 

Filmography
As director
As associate director
As actor
TV serialKanyadanam (Malayalam TV series) - pilot episode

Awards
Ramu Kariat Film Award - Paavada (2016)
JCI Foundation Award - Daivathinte Swantham Cleetus (2013)
Passage 10:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Context 2: Passage 1:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 2:
G  Marthandan
G  Marthandan is an Indian film director who works in Malayalam cinema  His debut film is Daivathinte Swantham Cleetus

Early life
G  Marthandan was born to M  S  Gopalan Nair and P  Kamalamma at Changanassery in Kottayam district of Kerala  He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery 

Career
After completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995  His next work was British Market, directed by Nissar in 1998  He worked as an associate director for 18 years He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role  His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles  Daivathinte Swantham Cleetus and Paavada were box office successes 

Filmography
As director
As associate director
As actor
TV serialKanyadanam (Malayalam TV series) - pilot episode

Awards
Ramu Kariat Film Award - Paavada (2016)
JCI Foundation Award - Daivathinte Swantham Cleetus (2013)
Passage 3:
Riyad Vinci Wadia
Riyad Vinci Wadia (19 September 1967 – 30 November 2003) was an Indian independent filmmaker from Bombay, known for his short film, BOMgAY (1996), possibly the very first gay themed movie from India  Born into the filmmaking Wadia family, he inherited the production company Wadia Movietone which is known for the Fearless Nadia movies which are one of their kind in the superwoman and stunt genre when other movies of their time usually portrayed women in submissive roles   Wadia is also known for his award-winning documentary on Nadia, Fearless: The Hunterwali Story (1993), which was written about in Time magazine and made a name for Riyad at the very outset of his brief but impactful career 

Personal life
Riyad was born in Bombay to Nargis and Vinci Wadia, son of the legendary filmmaker JBH Wadia who was one of the founding fathers of stunt films and mythological films in India  The latter's production firm, Wadia Movietone, which Riyad would later inherit, launched into the Indian film industry (later known as Bollywood) the Australian actress Mary Evans who was known popularly as 'Fearless Nadia'  Riyad did his schooling at Bombay International School, briefly attended St  Xavier's College, and later went to Australia to the Charles Sturt Film School in Wagga Wagga  Riyad was openly gay, and BOMgAY was India's first overtly gay-themed film 

Recognition
Nicknamed as 'The Turk' of the Indian Independent cinema, Riyad's films are still being referred to in many books about Bollywood, be it gay themes in Indian Cinema, or the ones about JBH Wadia and Fearless Nadia  His first documentary, Fearless : The Hunterwali Story, which is based on the life of Mary (aka Nadia) Wadia, got screened at over 50 international film festivals, such as The Berlin International Film Festival (1994) and The London Film Festival (1993)  The short film, BOMgAY, with shooting locations such as the gay cruising spots of the Victoria Terminus urinals and the Bombay local tracks along which people defecate, was described as "part Bollywood, part Genet"  The film, based on the gay-themed poetry of the Poona-based R  Raj Rao, explored the underground gay subculture of Bombay and marked the entry of queer themes into Indian Cinema  The film had a limited release in India, thanks to its explicit content  It got screened at a number of international film festivals and finds mention in the research works on the history of queer themes in Indian Cinema as the first queer themed film from India An award has been instituted in his memory by his mother and brother at the KASHISH Mumbai International Queer Film Festival and awarded every year since 2011  The Riyad Wadia Award for Best Emerging Indian Filmmaker is given to first or second time filmmaker whose LGBTQ+ short film is being screened at the festival 

Final years
Riyad tested positive for HIV in 1995  Though he was quite capable of affording the then expensive HIV medication, he refused to be on any kind of dosage  He left India shortly after the production of BOMgAY, supporting himself with petty jobs in New York and writing a regular column for The New Indian Express  Things got difficult post 9/11, with not many jobs available, forcing him to get back to Bombay
Context 3: Passage 1:
No Trees in the Street
No Trees in the Street is a 1959 British crime thriller directed by J  Lee Thompson and written by Ted Willis, from his 1948 stage play of the same name The film is set in the slums of London  It depicts the life of impoverished teenager Tommy, who becomes a criminal in an attempt at social mobility  He starts with minor thefts and progresses to murder  A subplot involves the romantic involvements of Tommy's sister Hetty, first with a racketeer and then with a policeman 
The film is another example of British kitchen sink realism, but is mainly noted for its naturalistic depiction of slum life 

Plot
Initially, the film's story is told by Frank (Ronald Howard) a local plainclothes policeman in love with Hetty (Sylvia Syms), to a young tearaway Kenny (David Hemmings) 
In the slums of London before World War II, Tommy (Melvyn Hayes) is an aimless teenager who tries to escape his squalid surroundings by entering a life of crime  He falls in with local racketeer Wilkie (Herbert Lom), who holds the rest of the slum citizens - including Tommy's own family - in a grip of fear 
For a brief period, Hetty (Tommy's older sister) becomes Wilkie's girlfriend until he humiliates her in front of the other slum citizens simply to show his power over them, after which she will have nothing to do with Wilkie despite him repeatedly asking her to come back to him 
The film chronicles Tommy's sordid progression from minor thefts to murder At the end of the film, Hetty and Frank are seen to be married and living in a new council flat long after the slums have been demolished 

Cast
Sylvia Syms as Hetty
Herbert Lom as Wilkie
Melvyn Hayes as Tommy
Ronald Howard as Frank
Stanley Holloway as Kipper
Joan Miller as Jess
Liam Redmond as Bill
David Hemmings as Kenny
Carole Lesley as Lova
Lily Kann as Mrs Jacobson
Lloyd Lamble as Superintendent
Campbell Singer as Inspector
Marianne Stone as Mrs  Jokel
Rita Webb as Mrs  Brown
Lana Morris as Marje

Production
Ted Willis based his script on his 1948 play of the same name Willis and J  Lee Thompson and Sylvia Syms had previously collaborated together on Woman in a Dressing Gown and Ice Cold in Alex Filming began 10 March 1958  The film was revised after previews, with new scenes added at the opening, and at the end showing the detective married the sister 

Critical reception
TV Guide wrote "NO TREES suffers from artificiality of plot and dialog  Characterizations are reduced to mere stereotypes   There are some notable exceptions within the drama, however  Syms is surprisingly moving, giving a sensitive performance despite the film's constraints  Holloway's characterization of a bookie's tout is comical and charming   The camerawork attempts a realistic documentary look, which manages to succeed in capturing the details of slum life that make the setting seem surprisingly naturalistic  The finer points of the film, however, are overshadowed by its faults "Time Out wrote "released at a time when kitchen sink drama was all the rage, this is an unremarkable 'we had it tough' chronicle from another age "Variety wrote "Ted Willis is a writer with a sympathetic eye for problems of the middle and lower classes   Syms gives a moving performance as the gentle girl who refuses to marry the cheap racketeer just to escape  Lom, as the opportunist who dominates the street, is sufficiently suave and unpleasant "
Passage 2:
True to the Navy
True to the Navy is a 1930 romantic comedy film directed by Frank Tuttle for Paramount Pictures  The film stars Clara Bow as a counter girl at a San Diego drugstore with a predilection for sailors  Eventually she sets her sights on Bull's Eye McCoy (Fredric March), a stiff-necked gunner's mate 

Cast
Clara Bow as Ruby Nolan
Fredric March as "Bull's-Eye" McCoy
Harry Green as Solomon Bimberg
Sam Hardy as Brady
Rex Bell as Eddie
Ray Cooke as Peewee
Eddie Fetherston as Michael
Eddie Dunn as Albert
Adele Windsor as Maizie
Harry Sweet as Artie

Critical reception
Allmovie wrote, "the spectacle of distinguished actor Frederic March in sailor togs, chewing gum and dispensing sez-you dialogue, is worth the admission price in itself" ; while The New York Times noted, "it is a moderately deserting Summer-weather film, which succeeded in eliciting a good deal of laughter at its showing yesterday "
Passage 3:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 4:
Frank Tuttle
Frank Wright Tuttle (August 6, 1892 – January 6, 1963) was a Hollywood film director and writer who directed films from 1922 (The Cradle Buster) to 1959 (Island of Lost Women) 

Biography
Frank Tuttle was educated at Yale University, where he edited campus humor magazine The Yale Record After graduation, he worked in New York City in the advertising department of the Metropolitan Music Bureau  He later moved to Hollywood, where he became a film director for Paramount  His films are largely in the comedy and film noir genres In 1947, his career ground to a temporary halt with the onset of the first of the House Un-American Activities Committee hearings on Communist infiltration of the movie industry  Tuttle had joined the American Communist Party in 1937 in reaction to Hitler's rise to power  Unable to find work in the United States, he moved to France, where he made Gunman in the Streets (1950) starring Simone Signoret and Dane Clark  In 1951, after a decade as a member of the Communist Party, Tuttle gave 36 names to the HUAC 

Death
Tuttle died in Hollywood, California, on January 6, 1963, aged 70  He was survived by his three daughters 

Selected filmography
The Cradle Buster (1922)
Puritan Passions (1923) starring Mary Astor
Second Fiddle (1923) starring Mary Astor
Youthful Cheaters (1923)
Grit (1924)
Dangerous Money (1924)
The Manicure Girl (1925)
The Lucky Devil (1925)
Lovers in Quarantine (1925) starring Bebe Daniels and the other Harrison Ford
Kid Boots (1926) starring Eddie Cantor and Clara Bow
Love 'Em and Leave 'Em (1926) starring Evelyn Brent and Louise Brooks
The American Venus (1926) with Douglas Fairbanks, Jr 
The Untamed Lady (1926) starring Gloria Swanson
Blind Alleys (1927) starring Evelyn Brent and Thomas Meighan
Time to Love (1927)
One Woman to Another (1927)
Something Always Happens (1928)
Varsity (1928) starring Charles "Buddy" Rogers and Mary Brian
The Canary Murder Case (additional sound footage; 1929) starring William Powell as Philo Vance
The Green Murder Case starring William Powell as Philo Vance
Sweetie (1929) starring Nancy Carroll
Paramount on Parade (1930), Paramount's all-star revue with a screenplay by Joseph L  Mankiewicz
The Benson Murder Case (1930) starring William Powell as Philo Vance
True to the Navy (1930) starring Clara Bow and Fredric March
It Pays to Advertise (1931) starring Carole Lombard
No Limit (1931) starring Clara Bow and Thelma Todd
This Reckless Age starring Charles "Buddy" Rogers
The Big Broadcast (1932) starring Bing Crosby
This Is the Night (1932) with Cary Grant
Roman Scandals (1933) starring Eddie Cantor
Springtime for Henry (1934) starring Otto Kruger and Nigel Bruce
Here is My Heart (1934) starring Bing Crosby
Ladies Should Listen (1934) starring Cary Grant
Two for Tonight (1935) starring Bing Crosby
The Glass Key (1935), film adaptation of Dashiell Hammett's novel of the same name
All the King's Horses (1935) starring Carl Brisson
College Holiday (1936) starring Jack Benny, George Burns and Gracie Allen
Waikiki Wedding (1937) starring Bing Crosby
Doctor Rhythm (1938) starring Bing Crosby
Paris Honeymoon (1939) starring Bing Crosby
I Stole a Million (1939) starring George Raft and written by Nathanael West
Charlie McCarthy, Detective (1939) starring Edgar Bergen
Lucky Jordan (1942) starring Sheldon Leonard and Alan Ladd
This Gun for Hire (1942) starring Veronica Lake and Alan Ladd
Star Spangled Rhythm (contributing director; 1943) with sketches by George S  Kaufman
The Hour Before the Dawn (1944) starring Veronica Lake and based on the novel by W  Somerset Maugham
Don Juan Quilligan (1945) starring Phil Silvers
The Great John L  (1945) starring Linda Darnell
Suspense (1946) starring Barry Sullivan and Belita
Swell Guy (1946) starring Sonny Tufts
Gunman in the Streets (1950) starring Simone Signoret
The Magic Face (1951) starring Luther Adler
Hell on Frisco Bay (1956) starring Alan Ladd and Edward G  Robinson
A Cry in the Night (1956) starring Edmond O'Brien, Natalie Wood and Raymond Burr
Island of Lost Women (1959) starring Jeff Richards and produced by Alan Ladd
Passage 5:
True to Life
True to Life may refer to:

True to Life (Ray Charles album), 1977
True to Life (film), a 1943 film directed by George Marshall
"True to Life", a song by Roxy Music on the 1982 album Avalon
True to Life (Lisette Melendez album), 1994
Passage 6:
Sylvia Syms
Sylvia May Laura Syms  (6 January 1934 – 27 January 2023) was an English stage and screen actress  Her best-known film roles include My Teenage Daughter (1956), Woman in a Dressing Gown (1957), for which she was nominated for a BAFTA Award, Ice Cold in Alex (1958), No Trees in the Street (1959), Victim (1961), and The Tamarind Seed (1974) 
Known as the "Grand Dame of British Cinema", Syms was a major player in films from the mid-1950s until mid-1960s, usually in stiff-upper-lip English pictures, as opposed to kitchen sink realism dramas, before becoming more of a supporting actress in both film and television roles  On television, she was known for her recurring role as dressmaker Olive Woodhouse on the BBC soap opera EastEnders  She was also a notable theatre player Syms portrayed Queen Elizabeth The Queen Mother in the 2006 biopic The Queen 

Early life and education
Syms was born in Woolwich, London, England, in 1934, the daughter of Daisy (née Hale) and Edwin Syms, a trade unionist and civil servant  With the outbreak of World War II, Syms was evacuated to Kent and subsequently Monmouthshire  She grew up in Well Hall, Eltham When Syms was 12, her mother committed suicide  At 16, she suffered a nervous breakdown and contemplated taking her own life until an intervention from her stepmother  Syms was educated at convent schools before deciding to become an actress and attending The Royal Academy of Dramatic Art, graduating in 1954  She later served on RADA's council  
Syms's career began in repertory theatre in Eastbourne and Bath  She made her West End debut in The Apple Cart with Noël Coward 

Film career
Syms appeared in a TV play The Romantic Young Lady  This led to two offers, one to make a film for Herbert Wilcox, My Teenage Daughter, another to sign a long term contract with Associated British  She accepted both  In My Teenage Daughter (1956), Syms played Anna Neagle's troubled daughter  The film was successful at the British box office For Associated British she made No Time for Tears then appeared in The Birthday Present  Syms had the third lead in Woman in a Dressing Gown for director J  Lee Thompson which was very popular  She then made the English Civil War film, The Moonraker and the war film Ice Cold in Alex, also directed by Thompson  In early 1958 she made a third film for Thompson, No Trees in the Street   She announced she would make her first screen comedy The Light Blue  This became Bachelor of Hearts  In March 1959 she was voted Variety Club's Film Actress of 1958 In 1959, Syms appeared in the film Expresso Bongo as Maisie King, opposite Cliff Richard  She played opposite Dirk Bogarde in the 1961 film Victim, as the wife of a barrister who is a closet homosexual  The film is thought to have broadened the debate that led to the decriminalisation of homosexual acts in private in the United Kingdom Syms made Ferry to Hong Kong, The World of Suzie Wong and Conspiracy of Hearts 
Syms travelled to Ireland to play opposite Patrick McGoohan as the wife of a condemned man in The Quare Fellow  
She played Tony Hancock's wife in The Punch and Judy Man  The film also featured her nephew, Nick Webb  In 1963 she ended her contract with Associated British which by then guaranteed her £10,000 a year but which she felt was too restrictive  She appeared in East of Sudan  In 1965 she appeared on stage in Dual Marriageway 

Later career
Other comedies followed, such as The Big Job (1965) with Sid James and Bat Out of Hell (1967), but it was for drama that she won acclaim, including The Tamarind Seed (1974) with Julie Andrews and Omar Sharif, for which she was nominated for a British Film Academy award  
Syms featured in the husband-and-wife TV comedy My Good Woman from 1972 to 1974 and on the weekly BBC programme Movie Quiz as one of two team captains 
In 1975, Syms headed the jury at the 25th Berlin International Film Festival In 1989, Syms guest-starred in the Doctor Who story Ghost Light  Shortly after the end of British Prime Minister Margaret Thatcher's term in office in 1990, Syms portrayed her in Thatcher: The Final Days (1991), a Granada television film for ITV, which dramatises the events surrounding Thatcher's removal from power, a role she recreated for the stage  From 2000 to 2003, she played Marion Riley in the ITV comedy-drama At Home with the Braithwaites  She also featured in the serial The Jury (2002) and in the same year contributed Sonnet 142 to the compilation album When Love Speaks For Stephen Frears's biopic The Queen (2006), Syms was cast as Queen Elizabeth The Queen Mother  She also appeared in The Poseidon Adventure (2005), an American TV film that was a loose remake of the 1972 feature film  Syms also took up producing and directing 
In 2009, Syms appeared in the film Is Anybody There? alongside Michael Caine and Anne-Marie Duff 
In 2009, she featured in the ITV drama series Collision  In 2010, she guest-starred as a patient in BBC One's drama series Casualty, having played a different character in an episode in 2007  Syms also appeared as another character in Casualty's sister series Holby City in 2003  From 2007 to 2010, she had a recurring role in BBC One's EastEnders, playing dressmaker Olive Woodhouse  In 2010, Syms took part in the BBC's The Young Ones, a series in which six celebrities in their seventies and eighties attempt to overcome some of the problems of ageing by harking back to the 1970s  From 2013 to 2019, Syms was the narrator of Talking Pictures, which aired on BBC Two Syms had numerous theatre roles, including in productions of Much Ado About Nothing, Who's Afraid of Virginia Woolf? and Antony and Cleopatra 

Personal life and death
From 9 June 1956 to 1989, Syms was married to Alan Edney, whom she had dated since she was a teenager  In 1961 they lost a baby daughter, Jessica  Later that year Syms and her husband adopted a son, Benjamin Mark  In October 1962 she gave birth to a daughter, Beatie Edney who is also an actress  Syms and her husband divorced in 1989 when she discovered he had a mistress for several years and that they shared a two year old daughter She was the aunt of musicians Nick and Alex Webb 
Syms was a longtime supporter of the Stars Foundation for Cerebral Palsy, serving on its board as an officer for 16 years until 2020, with singer Vera Lynn In the last year of her life, Syms lived at Denville Hall, a retirement home for actors in London  She died there on 27 January 2023, three weeks after her 89th birthday 

Legacy
In the words of Filmink magazine:

I don’t think any actress in English speaking cinema of this era had such a variety of love interests as Sylvia Syms  It helped that she was beautiful, of course     that she could act: it’s hard to think of a bad Sylvia Syms performance – sometimes she was miscast, but never bad  She always brought a level of intelligence to her roles along with a sense of fun  And she was highly adept playing “smouldering hot lava of emotion and sensuality under an outwardly straight-laced and sensible facade” that made her – and this is meant with nothing but the greatest respect to the recently departed – sexy as hell "

Filmography
Source:

Film
Television
Theatre
1953 The Apple Cart - with Noël Coward
1966 Peter Pan
1984 The Vortex
1985 Entertaining Mr Sloane - with Adam Ant
1988 Better in My Dreams - director
1991 Anthony and Cleopatra
1991 The Price - director
1992 The House of the Stairs
1993 For Services Rendered
Passage 7:
G  Marthandan
G  Marthandan is an Indian film director who works in Malayalam cinema  His debut film is Daivathinte Swantham Cleetus

Early life
G  Marthandan was born to M  S  Gopalan Nair and P  Kamalamma at Changanassery in Kottayam district of Kerala  He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery 

Career
After completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995  His next work was British Market, directed by Nissar in 1998  He worked as an associate director for 18 years He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role  His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles  Daivathinte Swantham Cleetus and Paavada were box office successes 

Filmography
As director
As associate director
As actor
TV serialKanyadanam (Malayalam TV series) - pilot episode

Awards
Ramu Kariat Film Award - Paavada (2016)
JCI Foundation Award - Daivathinte Swantham Cleetus (2013)
Passage 8:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 9:
SA Navy
SA Navy or S A  Navy may refer to:

Royal Saudi Navy
South African Navy
Passage 10:
J  Lee Thompson
John Lee Thompson (1 August 1914 – 30 August 2002) was a British film director, active in London and Hollywood, best known for award-winning films such as Woman in a Dressing Gown, Ice Cold in Alex and The Guns of Navarone along with cult classics like Cape Fear, Conquest of the Planet of the Apes and The White Buffalo 

Early life
Thompson was born in Bristol on 1 August 1914  His family had links to the theatre  Thompson studied at Dover College then went to work in the theatre, joining the Nottingham Repertory Company as an actor and stagehand  He later went to work for a repertory company in Croydon, Surrey He wrote plays in his spare time, and had started when he was nine  One of them, Murder Happens? was performed at Croydon in 1934  His second staged play, Double Error, had a brief West End run at the Fortune Theatre in 1935  An article from this time about the play said he had written 40 plays already, including four in between his first two staged plays  A company worth £10,000 was formed to exploit Thompson's writings over the next seven years but this appears to have not had a long life Thompson later said he had written a part for himself to perform, but when management asked him if he wanted to do so he said "of course not," and "the die was cast  Later I decided if I didn't have the guts to admit I wanted to play the role I should never act again and I never did "

Screenwriter
The film rights to Double Error were purchased for £100  Thompson was hired to work in the scriptwriting department at British International Pictures at Elstree Studios  While there he made his one appearance as an actor in films, playing a small role in Midshipman Easy (1935) 
His first credit was The Price of Folly (1937), based on his play  He also worked on the scripts for Glamorous Night (1937), and he worked as dialogue coach on Jamaica Inn (1939), directed by Alfred Hitchcock 
He wrote the scripts for The Middle Watch (1940), made at Associated British Picture Corporation (ABPC) and East of Piccadilly (1941) 

World War II
Thompson served in World War II as a tailgunner and wireless operator in the RAF  In 1942 a revised version of Double Error, titled Murder Without Crime, opened at the Comedy Theatre in London  The play had a run on Broadway in 1943 

Post War
After the war Thompson returned to his work as scriptwriter under contract at Associated British on such films as No Place for Jennifer (1949) and For Them That Trespass (1949), the latter starring Richard Todd in his debut 
Thompson was dialogue director on The Hasty Heart (1949), which turned Todd into a star  He later said he gave up dialogue directing because he found the job "impossible



ground_truth: Monster On The Campus

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died earlier, Il Gaucho or Bomgay?

The following are given passages.
Context 2:  Riyad was lost to stomach tuberculosis on 30 November 2003, in Bombay  At the time of his death, he was in the process of generating funds for his supposed first full-length film (unfinished), Naked Rain, based on R  Raj Rao's novel, Boyfriend   "He made a very important contribution to the gay cause and was one of the central figures to begin the broad-basing of the gay movement in India," says gay activist Ashok Row Kavi  The Riyad Wadia Award for Best Emerging Indian Filmmaker was instituted with funding from Wadia Movietone (through Riyad's brother Roy) in 2011 by Kashish, the noted international queer film festival held annually in Bombay 

Works
Films
Fearless : The Hunterwali Story (1993)
Bomgay (1996)
A Mermaid called Aida (1996)
Writings
Long Life of a Short Film: The Making of BOMgAY
Wadia also wrote columns for The New Indian Express 
Passage 4:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 5:
Dino Risi
Dino Risi (23 December 1916 – 7 June 2008) was an Italian film director  With Mario Monicelli, Luigi Comencini, Nanni Loy and Ettore Scola, he was one of the masters of commedia all'italiana 

Biography
Risi was born in Milan  He had an older brother, Fernando, a cinematographer, and a younger brother, Nelo (1920–2015), a director and writer  At the age of twelve, Risi became an orphan and was looked after by relatives and friends of his family  He studied medicine but refused to become a psychiatrist, as his parents wishedRisi started his career in cinema as an assistant director to cinema figures such as Mario Soldati and Alberto Lattuada  Later he began directing his own films and was credited with giving early opportunities to future acting stars such as Sophia Loren and Vittorio Gassman  His 1966 film Treasure of San Gennaro was entered into the 5th Moscow International Film Festival where it won a Silver Prize His biggest hits were Poor, But Handsome (Poveri ma belli), followed by two sequels, which he also directed; A Difficult Life (Una vita difficile); The Easy Life (Il sorpasso); Opiate '67 or, in a cut version, 15 From Rome (I Mostri); and Scent of a Woman (Profumo di Donna), which was remade by Martin Brest starring Al Pacino in 1992 In 2002, he was awarded the Golden Lion – Honorary Award (Leone d'oro alla carriera) at the Venice Film Festival for his life-time work  Two of his films, Il giovedì and Il commissario Lo Gatto, were shown in a retrospective section on Italian comedy at the 67th Venice International Film Festival He died on 7 June 2008 at his residence in Rome  He was 91 and was survived by two children, Claudio Risi (1948–2020) and Marco Risi (1951), both film directors 

Filmography
Passage 6:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 7:
Bomgay
Bomgay is a 1996 Indian anthology of short films directed by Riyad Vinci Wadia and Jangu Sethna  The film stars Kushal Punjabi and Rahul Bose with music by Ashutosh Phatak  It is often regarded as India's first gay film and is known for its  gay sex scene in a library  Bomgay consists of six segments, each based on a poem by Indian writer R  Raj Rao 

Segments
"Opinions"
"Underground"
"Lefty"
"E unema no"
"Bomgay"
"Friends"

Cast
Rahul Bose as The Lefty
Kushal Punjabi as The Sodomiser
Tarun Shahani as Enema Boy
R  Raj Rao as The Opinionated
Farud Cambata as Bombay Dost
Freddy Firoze as Muthree Rani
Eric Rosenbaumm as Sex Tourist

Production
In 1995 Riyad Vinci Wadia, having released his debut film Fearless, decided to make a film based on gay culture in Bombay  He read R  Raj Rao's poetry collection One Day I Locked My Flat in Soul City and invited him to collaborate on a film script with him  It was difficult to find funding for the film in India, so the project was temporarily put on hold until Wadia read Rao's newest work, a collection of poems called "Bomgay"  He decided to make a low-budget short film based on the poems  As "Bomgay" had a limited budget of Rs  500,000, Wadia planned to use friends from the gay community to help keep costs down  He discovered that this was difficult as people were afraid of being outed if they worked on the film, so he enlisted the help of his friends from the Bombay advertising industry instead  Wadia secured Rahul Bose for the lead role  The film was shot in Bombay with scenes taking place in railroad cars shot guerrilla style  In order to shoot footage of a gay sex scene, the crew pretended that they were making a public service film on ragging  The film was not released commercially in India as Wadia did not submit it to the Censor Board, believing that they would refuse it a certificate 
Passage 8:
Drew Esocoff
Drew Esocoff (born c  1957) is an American television sports director, who as of 2006 has been the director of NBC Sunday Night Football 

Early life
Esocoff was born in Elizabeth, New Jersey, graduating from Thomas Jefferson High School in 1975, later attending Colgate University  While in college he worked as a substitute teacher at Elizabeth High School where one of his students was Todd Bowles 

Career
Esocoff has worked for ESPN and ABC, serving as director for Monday Night Football, SportsCenter, and the NBA Finals, as well as five Super Bowls  Since 2006, he has served as director for NBC Sunday Night Football 
As of 2015, Esocoff has won 11 Emmy Awards 
Passage 9:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 10:
Il Gaucho
Il Gaucho (internationally released as The Gaucho) is a  1964 Italian comedy film directed by Dino Risi  It was co-produced by Clemente Lococo, an Argentinian production company, and in Argentina it was released as Un italiano en la Argentina  For his role in this film Nino Manfredi won a Grolla d'oro for best actor 

Cast
Vittorio Gassman as Marco Ravicchio
Amedeo Nazzari as Ingegnere Marucchelli
Nelly Panizza as Ines Marucchelli
Jorgelina Aranda: Italia Marucchelli
Umberto D'Orsi as Gianni Pertini
Maria Grazia Buccella as Mara
Annie Gorassini as Lorella
Guido Gorgatti as Giulio
Norberto Sánchez Calleja as Cecilio
Maria Fiore as Maria
Francesco Mulè as Fiorini
Nora Cárpena as Lida
Nino Manfredi as Stefano
Silvana Pampanini as Luciana
Nando Angelini as Aldo
Nelly Tesolín as Prostitute
Aldo Vianello
Vicky Astori
Amparito Castro
Mario Mario
José Del Vecchio
Rafael Diserio
Carmen Pericolo
Context 3:  My job was to take stars through their lines but I felt that I was also expected to be a spy for the front office  If a word was altered they wanted to know why  It was a way of keeping control "The same year his play The Human Touch, co written with Dudley Leslie, ran for more than a hundred performances at the Savoy Theatre in a production starring Alec Guinness 

British film director
Early films
His first film as a director was Murder Without Crime (1950), made at ABPC, who put Thompson under contract   Thompson was offered £500 for the screen rights to the play and £500 to direct  He said "it was not so much that I wanted to direct movies it was to get the money so I could continue writing plays  But while directing it I got the feeling that I wanted to be a movie director "Thompson said "the fact is I found directing to be much easier than writing and I enjoyed it much more than writing as well  So I became a film director "The film was about a man who thinks he has committed murder  Thompson also wrote the screenplay, based on his own play Double Error  In the words of Thompson's Screenonline profile "this well structured film went largely unnoticed but contained many of the themes which were to characterise Lee Thompson's work: a good person's struggle with their conscience, an external force of evil, and an out-of-character moment of violence which has long-term consequences  Believing people can "commit crimes without being criminals", he sought to make his audiences condone or at least understand behaviour that they would normally condemn "Thompson's first film success was one he directed and co-wrote (with Anne Burnaby), The Yellow Balloon (1953), the story of a child who is blackmailed into helping a criminal after accidentally causing his friend's death 
He followed it with a comedy, For Better, For Worse (1954) starring Dirk Bogarde, which was even more popular though it is little remembered today 

Social Realist films
Thompson's fourth film as director The Weak and the Wicked (1954), portrays the lives of women in prison and is based on memoirs by Joan Henry, who became Thompson's second wife  Thompson wrote the script, again in collaboration with Anne Burnaby  It starred Glynis Johns and Diana Dors and was a hit at the box office  The success of the film greatly added to Thompson's prestige and he began to be regarded as one of the leading directors in the country Thompson was loaned to Rank Films to direct a Jack Buchanan comedy, As Long as They're Happy (1955), co-starring Dors and An Alligator Named Daisy (1955), also starring Dors, along with Donald Sinden  He returned to ABPC and the theme of female prisoners in Yield to the Night (1956), an anti-capital punishment tale with Diana Dors as the condemned prisoner 
Thompson later said the "pattern" of his ABPC films was "two pieces of tepid rubbish for one decent project - if I could persuade Robert Clark, who was head of production  He used to wring his hands when I insisted  'Okay,' he'd finally say  'Do it if you must  But it won't make money ' I admired him for that really  He did give you a bit of a chance "The Good Companions (1957) was lighter fare, based on a book by J  B  Priestley  According to one obituary Thompson "made excellent use of the CinemaScope screen, assembled a fine supporting cast and, with zestful choreography    came up with one of the few successes in a genre for which the British cinema was not noted "Woman in a Dressing Gown (1957), with Yvonne Mitchell, Anthony Quayle and Sylvia Syms and written by Ted Willis, deals with the collapse of a 20-year marriage 

Action director
Thompson had a big success with Ice Cold in Alex (1958), the story of a British Army unit trekking across North Africa in the Second World War  It featured John Mills, Sylvia Syms, Anthony Quayle and Harry Andrews  It won three BAFTA Awards, including Best British Film  He followed it with North West Frontier (1959), an adventure film set in British India starring Kenneth More and Lauren Bacall  It was one of the most popular films in Britain in 1959 No Trees in the Street (1959) was a thriller written by Willis  Also in that genre was Tiger Bay (1959), starring John Mills  It introduced cinema audiences to Mills' daughter Hayley and German actor Horst Buchholz   Hayley Mills also earned a BAFTA for Most Promising Newcomer portraying a 12-year-old girl who refuses to betray a sailor accused of murder 
Thompson followed this with I Aim at the Stars (1960) 

Hollywood career
Guns of Navarone and Cape Fear
Thompson vaulted to international fame with The Guns of Navarone (1961) as a last-minute replacement for director Alexander Mackendrick  His take-charge attitude during its production earned him the nickname 'Mighty Mouse' from lead actor Gregory Peck  Co-star Anthony Quinn said Thompson:

Never read a scene until he had to shoot it and approached each shot on a whim  And yet the cumulative effect was astonishing  Lee Thompson made a marvelous picture but how? Perhaps his inventiveness lay in defying convention, in rejecting the accepted methods of motion picture making and establishing his own  Perhaps it was in his very formlessness that he found the one form he could sustain, and nurture, the one form that could, in turn, sustain and nurture him  Perhaps he was just a lucky Englishman who pulled a good picture out of his ass 
The Guns of Navarone, a World War II epic filmed on location in Rhodes, Greece, was nominated for seven Academy Awards including Thompson for Best Director  In 1961 he said "primarily I am in the business to entertain  This does not mean that I never want to try artistic movies again  But I do not think you can sell art on the big movie circuits  Art belongs in the art houses " Later he said "I liked the character bits best" about Navarone  "Anyone can make an explosion "The success of Navarone won him entry into Hollywood, where he directed Cape Fear (1962), a psychological thriller with Gregory Peck, Robert Mitchum, Polly Bergen and Lori Martin; Peck and Mitchum co-producing the film  Based on a novel called The Executioners by John D  MacDonald, Cape Fear shows how a sex offender can manipulate the justice system and terrorise an entire family  Highly controversial for its time, the film was cut heavily in both the United States and the United Kingdom 
He worked on a project with Warren Beatty and Clifford Odets based on an idea of Beatty's  It was never made  Neither was The Short Cut which he discussed doing with Darryl F  Zanuck, or The Living Room from a novel by Graham Greene or Chips with Everything by Arnold Wesker 

Mirisch Brothers
Thompson directed Yul Brynner in the Cossack epic Taras Bulba (1962) for producer Harold Hecht  Thompson was going to follow it with Big Charlie starring Brynner but the movie was not made  In 1962 the Mirisch Brothers signed the director to a four-picture contract  The first film made under this contract was the Mayan Indian epic Kings of the Sun (1963), starring Brynner 
In September 1962 Thompson said he would make I Love Louisa with Elizabeth Taylor produced by Arthur Jacobs  (This film became What a Way to Go!(1964) with Shirley MacLaine ) He would put actors under personal contract like Talitha Pol In September 1963 Thompson announced he had formed a company, Bowhall Productions, to make around four films a year in the $120,000-$160,000 budget range  Thompson said it was "unlikely" the films would "make a profit" but they were movies he "deeply wanted to make"  They included Chips with Everything, Rose without a Thorn by Clifford Bax, and a film in Spain  Following Return from the Ashes he would also make a $7 million movie in Africa Thunder of Giants Instead he did another with MacLaine, John Goldfarb, Please Come Home (1965)  Back in England Thompson made Return from the Ashes (1965) for the Mirisch Brothers  In April 1965 Thompson announced he would make High Citadel based on a novel by Desmond Bagley for the Mirisch Brothers  These plans were postponed when Thompson received an offer to replace Michael Anderson, who had fallen ill before he was to start directing a thriller about cults with David Niven, Eye of the Devil (1967) (originally titled 13)  High Citadel was never filmed  Another film announced but never filmed was The Case Against Colonel Sutton which he was going to do with producer Martin Poll  Neither was a proposed musical remake of The Private Lives of Henry VIII After a war film, Before Winter Comes (1968) Thompson was reunited with the star, producer and writer of Navarone in the Western Mackenna's Gold (1969) but it did poorly at the box office  So too did the espionage tale The Chairman (1969) with Gregory Peck  He was meant to follow that with You?, about assassination from a script by Andrew Sinclair  It was never filmed  "I freely admit I've done some pretty bad stuff," he said in 1968  "It's entirely my own fault  The trouble was I accepted some dismal scripts   I wasn't tough enough    Writing is the fundamental thing " Some have argued that Thompson's creative decline coincided with the end of his relationship with Henry 

Apes Movies
Back in the UK he directed Country Dance, also known as Brotherly Love (1970)  Thompson's handling of a smaller scale film impressed producer Arthur Jacobs, with whom Thompson had made What a Way to Go; Thompson was the first director attached to the Jacobs production The Planet of the Apes and Thompson says he turned down the first two sequels  He was available to make the fourth and fifth movies in the series, Conquest of the Planet of the Apes and Battle for the Planet of the Apes  Writer Paul Dehn said Thompson had a reputation as someone with a drinking problem but that he had overcome it by the time of the Apes films "They were cutting back on the budgets the whole time after the first one", said Thompson later  "It was a bad policy "

Later career
US Television
Thompson began working more in US television, directing the television films A Great American Tragedy (1972), Huckleberry Finn (1974) starring Jeff East and Paul Winfield, The Reincarnation of Peter Proud (1974) and Widow (1976) as well as the pilot episode of The Blue Knight (1975) 
He returned to playwriting with Getting Away with Murder (1976) 

Charles Bronson
In 1976, Thompson began a long collaboration with actor Charles Bronson on the Warner Bros  crime story St  Ives   John Crowther, who worked with both men, later said "Thompson was the total antithesis of Charlie and they got along famously  They really worked well together ”In 1977, Bronson and Thompson teamed again on an unconventional western film called The White Buffalo Thompson directed two films starring Anthony Quinn, The Greek Tycoon and The Passage  Reviewing the latter The Guardian called Thompson a director who "should know better but often doesn't"  The Globe and Mail argued Thompson was "possibly the worst experienced director working in the world today "Thompson directed the horror film, Happy Birthday to Me in 1980 
In 1981 Thompson and Bronson made the film Caboblanco, which opened on Los Angeles on 24 April  Also that year he directed an episode of the TV show Code Red, and which he followed with another Bronson movie, 10 to Midnight Thompson worked with Bronson again on, The Evil That Men Do (1984), which was shot in Mexico   Thompson was hired to replace original director Fielder Cook, who was fired shortly before filming began  Producer Pancho Okhenr said Thompson "knew exactly what shots he needed to put together the film     [Bronson] had a lot of respect for Lee  The whole crew appreciated when the director did not make them work over and over to get the same shot from different angles    He was just a terrific filmmaker ”Also released that year was The Ambassador, starring Robert Mitchum 
On 22 November 1985, King Solomon's Mines premiered  Thompson made this film as an Indiana Jones-style pastiche  It was shot in Zimbabwe and starred Richard Chamberlain  The film was reasonably successful at the box office 
On 18 April 1986, Murphy's Law, the Thompson and Bronson collaboration of that year, started its theatrical run  It is a neo-noir thriller film  Acting in the film are Kathleen Wilhoite, Carrie Snodgress, Robert F  Lyons, and Richard Romanus  Thompson tried another Indiana Jones-type tale with Firewalker, which premiered on 21 November  The film paired the actors Chuck Norris with Louis Gossett Jr  as its leads  The action adventure co-stars Will Sampson and Melody Anderson  Norris and Gossett play Max Donigan and Leo Porter, two soldiers of fortune, whose adventures rarely result in any notable gain  They are befriended by an inscrutable woman of mystery Patricia (Anderson)  Patricia's map leads them on a quest for treasure in Central America  The name of the movie comes from the powerful guardian of the treasure 
Now working exclusively for Cannon, Thompson made two more Charles Bronson thrillers  On 6 November 1987 Death Wish 4: The Crackdown was released and 16 September 1988 saw the opening of Messenger of Death  He later reflected, "I realized these films were not going to enhance my reputation  I had to live with that  You're not going to be offered the great films at a certain age "3 February 1989, Thompson's final directorial effort was released Kinjite: Forbidden Subjects starring Charles Bronson In 1990 Thompson moved to Sooke In 1992 Thompson said he was trying to finance a remake of Tiger Bay with Anna Chumsky and Alec Baldwin  The director said "I have certain regrets now  I would rather have stuck to making films like Yield to the Night which had some integrity and importance  But the British film industry caved in  I shouldn't denigrate myself too much because I have enjoyed making my films but I suppose I sort of sold out "

Personal life
Thompson was married three times  His first wife was Florence Bailey, whom he married in 1935 when he was 20  They had a son, Peter (1938–1997), who became a film editor on several of his father's films and predeceased him, and a daughter, Lesley, who survived him  They divorced in 1957 
His second wife was prisoner and author Joan Henry, whom he married in 1958  They collaborated on Weak and the Wicked and Yield to the Night  He left her for actress Susan Hampshire  In March 1962 Hedda Hopper reported that Thompson was "sweating it out" in Los Angeles while Henry and Hampshire were "awaiting his decision in London " Thompson confirmed this in an interview, and Hampshire and Henry were less forthcoming to the press In September, Hopper reported that it was over between Thompson and Hampshire  Henry and Thompson were divorced in the late 1960s In November 1962, Thompson said he had proposed to Shirley Ann Field whom he said accepted then changed her mind His third wife was Penny, who was his widow 

Death
Thompson died of congestive heart failure on 30 August 2002, at his holiday home in Sooke, British Columbia, aged 88 

Critical appraisal
The Guardian obituary called him "a compelling craftsman"  The Washington Post said "he directed adventure films noted for their punchy pacing, rich atmosphere and nuanced characterization " Variety said he was "Known as a craftsman who had a clear sense of how each film should play, scene by scene" The Independent said "he lent his acute sense of atmosphere and vivid visual style to a wide range of material  His intimate kitchen-sink melodramas    were unflinching portraits of social realism unusually stark for their time  His thrillers were tautly edited exercises in suspense, and he also made some engaging comedies and a bracing musical   Though his later films can most kindly be labelled potboilers, his body of work in the Fifties and early Sixties was an impressive one "In 2000 he stated that he made so many American films "because of my insecurity and effort to stay here  If I was given a script and it had something good in it I'd say, 'Good, I've got my next picture!' That is not the way to make good films, so some of them were good and some not so good     What an idiot! 'You should have stayed at what you really wanted to make ' If I have anything to say to young directors today it's don't make a film for the sake of making it  Make it only if you really believe in it  Then success will eventually come to you "

Awards
Nominated, Best Director Academy Award, The Guns of Navarone (1961)
Nominated, Best Director Directors Guild of America, The Guns of Navarone (1961)
Nominated, Best Director Golden Globe, The Guns of Navarone (1961)
Winner, Best Film Golden Globe, The Guns of Navarone (1961)
Nominated, Best Film BAFTA, Tiger Bay (1959)
Nominated, Best Film BAFTA, North West Frontier (1959)
Nominated, Golden Bear Berlin International Film Festival, Tiger Bay (1959)
Winner, FIPRESCI Prize Berlin International Film Festival, Ice Cold in Alex (1958)
Nominated, Golden Bear Berlin International Film Festival, Ice Cold in Alex (1958)
Winner, Special Mention Berlin International Film Festival, Woman in a Dressing Gown (1957)
Winner, FIPRESCI Prize Berlin International Film Festival, Woman in a Dressing Gown (1957)
Nominated, Golden Bear Berlin International Film Festival, Woman in a Dressing Gown (1957)
Nominated, Palme d'Or Cannes Film Festival, Yield to the Night (1956)

Selected filmography
Screenwriter
The Price of Folly (1937)
The Middle Watch (1940)
Last Holiday 1950 film: additional dialogue contributions to J B Priestley's Script 

Director
1950s
Murder Without Crime (1950)
The Yellow Balloon (1953)
For Better, for Worse (1954)
The Weak and the Wicked (1954)
As Long as They're Happy (1955)
An Alligator Named Daisy (1955)
Yield to the Night (1956)
The Good Companions (1957)
Woman in a Dressing Gown (1957)
Ice Cold in Alex (1958)
North West Frontier (1959)
No Trees in the Street (1959)
Tiger Bay (1959)

1960s
I Aim at the Stars (1960)
The Guns of Navarone (1961)
Cape Fear (1962)
Taras Bulba (1962)
Kings of the Sun (1963)
What a Way to Go! (1964)
John Goldfarb, Please Come Home (1965)
Return from the Ashes (1965)
Eye of the Devil (1967)
Mackenna's Gold (1969)
Before Winter Comes (1969)
The Chairman (1969)

1970s
Country Dance (1970)
Conquest of the Planet of the Apes (1972)
A Great American Tragedy (1972) (TV)
Battle for the Planet of the Apes (1973)
Huckleberry Finn (1974)
The Reincarnation of Peter Proud (1975)
Widow (1976) (TV)
St  Ives (1976)
The White Buffalo (1977)
The Greek Tycoon (1978)
The Passage (1979)

1980s
Caboblanco (1980)
Happy Birthday to Me (1981)
10 to Midnight (1983)
The Evil That Men Do (1984)
The Ambassador (1984)
King Solomon's Mines (1985)
Murphy's Law (1986)
Firewalker (1986)
Death Wish 4: The Crackdown (1987)
Messenger of Death (1988)
Kinjite: Forbidden Subjects (1989)

Notes and references
External links
J  Lee Thompson at IMDb
J  Lee Thompson at the BFI's Screenonline



ground_truth: Bomgay

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died later, True To The Navy or No Trees In The Street?

The following are given passages.
Context 4:  Charibert and Guntram immediately returned to Burgundy to secure their positions 

After the actual death of Chlothar in 561, the Frankish kingdom was divided between his sons in a new configuration (map, left)  Each son ruled a distinct realm which was not necessarily geographically coherent but could contain two unconnected regions  Their kingdoms were named after the city from which they ruled  Charibert received Neustria (the region between the Somme and the Loire), Aquitaine, and Novempopulana with Paris as his capital  His other chief cities were Rouen, Tours, Poitiers, Limoges, Bordeaux, Toulouse, Cahors, and Albi  Guntram received Burgundy  Sigebert received Austrasia (including Rheims) with his capital at Metz, and the youngest brother Chilperic received a compact kingdom with Soissons as its capital 

Death and legacy
Though Charibert was eloquent and learned in the law, Gregory of Tours found him one of the most dissolute of the early Merovingians  He maintained four concurrent wives, two of them sisters, and this resulted in his excommunication by Germanus  This was the first ever excommunication of a Merovingian king   As a result, he was buried in disgrace at Blavia castellum, a stronghold in the Tractatus Armoricani  At his death, his brothers divided his realm between them, agreeing at first to hold Paris in common  His surviving queen (out of four), Theudechild, proposed a marriage with Guntram, though a council held at Paris in 557 had outlawed such matches as incestuous  Guntram decided to house her more safely, though unwillingly, in a nunnery at Arles 
The main source for Charibert's life is Gregory of Tours' History of the Franks (Book IV, 3,16,22,26 and IX, 26), and from the English perspective Bede's Ecclesiastic History of the English People 
Passage 7:
Michael Jai White
Michael Jai White (born November 10, 1964) is an American actor, director and martial artist  He was the first African American to portray a major comic book superhero in a major motion picture, starring as Al Simmons, the protagonist in the 1997 film Spawn  White appeared as Marcus Williams in the Tyler Perry films Why Did I Get Married? and Why Did I Get Married Too?, and starred as the character on the TBS/OWN comedy-drama television series Tyler Perry's For Better or Worse  White portrayed Jax Briggs in Mortal Kombat: Legacy and the Cyborg Seth in Universal Soldier: The Return  He portrayed boxer Mike Tyson in the 1995 HBO television film Tyson  He also played the title role in the blaxploitation parody film Black Dynamite, as well as the animated series of the same name 

Early life
White is a martial artist in nine different styles: Shōtōkan, Goju-Ryu (for which he studied under Master Eddie Morales where he learned to sharpen his Goju karate technique), Taekwondo, Kobudō, Tang Soo Do, Wushu, Jujutsu, Kyokushin and Boxing, with a specific focus in Kyokushin Karate (although his style incorporates aspects of many different martial arts forms)  White started training in the martial arts at the age of four in Jujutsu  He next took up Shōtōkan and moved on to other styles later  White holds seven legitimate black belts in Kyokushin Karate, Goju-Ryu Karate, Shotokan Karate, Taekwondo, Tang Soo Do, Kobudo, and Wushu 
White is a former special education teacher and taught students with behavioral problems for three years  He cites his history in education as the reason why, despite his personal love for the music genre on "a lot of levels", he cannot "in good [conscience]" have a positive opinion on hip hop or "excuse some of [its] pervasive and destructive elements", mainly due to his experience with youngsters who had difficulty seeing the difference between it and real life 

Acting career
White's first major starring role and breakout performance was in the 1995 HBO film Tyson, as heavyweight boxer Mike Tyson  He portrayed the eponymous character in the 1997 film Spawn, making him the first African American to portray a major comic book superhero in a major motion picture   His work in Spawn earned him a nomination for the Blockbuster Entertainment Award  White starred opposite Jean-Claude Van Damme in Universal Soldier: The Return, in 1999  A few years earlier, he acted in Full Contact, with Jerry Trimble  In 2001, he also starred opposite fellow martial artist Steven Seagal in Exit Wounds  In 2003, he starred in Busta Rhymes and Mariah Carey's music video "I Know What You Want"  Since 2003, in addition to his on screen roles, White has been doing voice work, including in Static Shock and Justice League   White showcases his martial arts skills in the direct-to-DVD film Undisputed II: Last Man Standing  He also appears in Michelle Yeoh's Silver Hawk in 2004  He appeared in Kill Bill: Volume 2, although his role was cut from the theatrical release  His film Why Did I Get Married? opened at number one at the box office on October 12, 2007 
White played the role of the mob boss Gambol in the 2008 film The Dark Knight  He also starred in the film Blood and Bone and the blaxploitation homage Black Dynamite, both released in 2009  White wrote the scripts for both Black Dynamite and his upcoming 3 Bullets in which he stars with Bokeem Woodbine 
On March 30, 2010, White appeared on The Mo'Nique Show to promote his film Why Did I Get Married Too  The two joked about the acclaim that comes with winning an Oscar  In May of that year he appeared in the music video for Toni Braxton's new song "Hands Tied" from her album Pulse, as well as the Nicki Minaj music video for "Your Love" as Nicki's sensei and love interest 
He also starred in Kevin Tancharoen's short film Mortal Kombat: Rebirth, as Jax Briggs, and reprised the role in Mortal Kombat: Legacy, a webseries from the same director  He posted on Twitter that he would not be returning to the role for the second season, but would return for the 2013 film 
White made his directorial debut and starred in Never Back Down 2: The Beatdown, which was released on home video on September 13, 2011 White also provided the voice of Green Lantern in the video game Justice League Heroes In October 2019, White announced the spiritual successor to Black Dynamite titled The Outlaw Johnny Black officially entered pre-production  Despite the Indiegogo campaign not reaching its goal, he was still able to secure enough backers and additional donors to get the project off the ground  It is currently available for pre-order on the official website, although a release date has not been announced or confirmed 
In October 2020, White's latest film Welcome to Sudden Death debuted on Netflix and became one of the most watched films on the platform  The Universal Pictures Home Entertainment release is a remake of the 1995 film Sudden Death starring Jean-Claude Van Damme 
On July 12, 2021, White laid out a vision for starting a film studio in New Haven, CT called "Jaigantic Studios"  He wants to create a studio district on New Haven's Quinnipiac River waterfront 

Personal life
From 2005 to 2011, White was married to Courtenay Chatman and together they have a daughter named Morgan  In addition, White has two sons  In February 2014, White announced his engagement to actress Gillian Iliana Waters  In April 2015, White penned an open letter via Facebook entitled "Apologies to My Ex's", where he credited Waters for helping him become, "the very best version of myself "  In July 2015, White married Waters in Thailand  They appeared together in the martial arts thriller movie Take Back (2021), with Gillian White starring as the female lead In 2014, White was honored with the Fists of Legends Decade Award at the Urban Action Showcase & Expo at HBO  On November 8, 2019, he assumed the "Mantle of The Black Dragon" from Ron van Clief, Don "The Dragon" Wilson, Cynthia Rothrock, and Taimak, in a ceremony at the 2019 Urban Action Showcase & Expo at AMC 25, NYC 

Filmography
Film
Television
Stunts
Video games
Web series
Music videos
Notes
Passage 8:
Sharon Leal
Sharon Ann Leal is an American actress and singer  She is known for her roles in movies such as Dreamgirls (2006), This Christmas (2007), Why Did I Get Married? (2007), Why Did I Get Married Too? (2010) and her roles on the television shows Legacy, Guiding Light and Boston Public 

Early life
Leal was born in Tucson, Arizona  Her mother, Angelita, is Filipina  Her father was an African-American military policeman who broke up with her mother before Sharon was born  Shortly after, her mother married Jesse Leal, a Master Sergeant in the United States Air Force and a police officer at Clark Air Base, Philippines; he legally adopted Sharon 

Career
Leal's career began with the role of Dahlia Crede in the CBS daytime serial Guiding Light   Later, she joined the Broadway company of Rent  Soon after, she was cast as Mimi for the San Francisco leg of the first national tour of Rent  Leal appeared on the 1999 original cast recording of the Off-Broadway musical Bright Lights, Big City alongside Patrick Wilson and Jesse L  Martin  She also appeared on the 2001 cast recording of Making Tracks 
From 2000 to 2004, Leal starred in the Fox prime time TV series Boston Public  She also had a role in the theatrical release Face the Music  She then appeared in a recurring role in the short-lived NBC series LAX, as the wife of airport co-director, Roger de Souza 
In 2006, she co-starred in the film adaptation of the Broadway musical Dreamgirls as Michelle Morris, Effie White's replacement in the pop group The Dreams, with Beyoncé Knowles, Jennifer Hudson, Eddie Murphy and Jamie Foxx  In 2007, Leal was cast in the Tyler Perry production Why Did I Get Married? and This Christmas  In 2010, she starred in Perry's sequel production Why Did I Get Married Too?  She also portrayed the character Vanessa Lodge in the series Hellcats, until it was cancelled in 2011  In 2013, Leal played the supporting role in the movie 1982, which tells a story of a drug addicted mother and a father's fight to protect his daughter 
Leal appears in seasons 2, 3, 5 and 6 of Supergirl as M'gann M'orzz (Megan in human form) 

Personal life
In October 2001, Leal married Bev Land  Their son Kai Miles Land was born in September 2001  The couple divorced in 2009 
Former Guiding Light co-star Yvonna Wright has said that she and Leal are close friends; the two starred together in a community production of Dreamgirls in their hometown 

Filmography
Film and TV Movies
Television
Awards and nominations
Passage 9:
Denise Boutte
Denise Boutte (born January 19, 1982) is an American actress and model, who has appeared in the films Why Did I Get Married? as Trina, Death Valley: The Revenge of Bloody Bill, as Mandy, Sister's Keeper and Noah's Arc 

Career
She starred in the sitcom Meet the Browns as Sasha Brown 

Filmography
Film and TV Movies
Television
Passage 10:
Lamman Rucker
Lamman Rucker  (born October 6, 1971) is an American actor  Rucker began his career on the daytime soap operas As the World Turns and All My Children, before roles in The Temptations, Tyler Perry's films Why Did I Get Married?, Why Did I Get Married Too?, and Meet the Browns, and its television adaptation  In 2016, he began starring as Jacob Greenleaf in the Oprah Winfrey Network drama series, Greenleaf  Rucker is married to Kelly Davis Rucker, a graduate of Hampton University  As of 2022, he stars in BET+ drama The Black Hamptons 

Early life
Rucker was born in Pittsburgh, Pennsylvania, the son of Malaya (née Ray) and Eric Rucker  He has partial ancestry from Barbados  Rucker spent his formative years in the greater Washington, DC, Maryland area  He first had an interest in acting after he was placed in many child pageants   His first acting role was as Martin Luther King in the 4th grade  He was in the drama club in 7th grade and then attended high school at the Duke Ellington School of the Arts in Washington, D C  Rucker studied at Carnegie-Mellon University and Duquesne University On August 29, 2019, he shared personal life experiences that he credits for his success with the Hampton University football team 

Career
His major role came in 2002 when he assumed the role of attorney T  Marshall Travers on the CBS daytime soap opera As the World Turns opposite Tamara Tunie  He left the series the following year and portrayed Garret Williams on ABC soap opera All My Children in 2005  He also had the recurring roles on the UPN sitcoms All of Us and Half & Half 
Rucker is best known for his roles in the Tyler Perry's films  He co-starred in Why Did I Get Married? (2007) and  Why Did I Get Married Too? (2010)  He played Will Brown in 2008 film Meet The Browns  He later had a starring role on Perry's sitcom Meet the Browns reprising his role as Will from 2009 to 2011  The following year after Meet the Browns, Rucker was cast in the male lead role opposite Anne Heche in the NBC comedy series Save Me, but left after pilot episode  He later had roles in a number of small movies and TV movies  Rucker also had regular role opposite Mena Suvari in the short-lived WE tv drama series, South of Hell In 2015, Rucker was cast as one of leads in the Oprah Winfrey Network drama series, Greenleaf  He plays Jacob Greenleaf, the eldest son of Lynn Whitfield' and Keith David's characters 

Filmography
Film
Television
Award nominations



ground_truth: No Trees In The Street