prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died first, The Year Of The Rabbit or Monster On The Campus?

The following are given passages.
Context 1: Passage 1:
The Year of The Rabbit
The Year of the Rabbit (Spanish: El año del conejo) is a 1987 Argentine comedy drama film directed by Fernando Ayala and written by Oscar Viale  Starring Gerardo Romano, the film had its premiere on August 13, 1987 

Synopsis
In his mid-50s, a man reassesses his family and work life 

Main cast
Luisina Brando
Federico Luppi
Gerardo Romano
Ulises Dumont
Juan Carlos Dual
Ludovica Squirru
Katja Alemán
Andrea Barbieri
Raúl Rizzo
Emilio Vidal

Other cast
Luis Alday
Martín Andrade
Olga Bruno
Ana María Colombo
Adrián Cuneo
Manuel Cuneo
Cristina Czetto
Sandra Domínguez
Héctor Ezcurra
Daniel Galarza
Maruja Pibernat
Nilda Raggi
Felisa Rocha
Enrique Sabattini
Carlos Santamaría
Carlos Silva
Alejandra Sirlin
Jorge Varas
Hebe Castro Zinny

External links
The Year of the Rabbit at IMDb
Passage 2:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 3:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director  He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977)  His television work includes four episodes of The Twilight Zone (1961–1964) 

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century  The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin 
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire 
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt 
While Silverstein was not a prolific director, his films were often decorated  Cat Ballou, for instance, earned one Oscar and was nominated for four more  His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America 

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou 
He was also nominated for the Golden Berlin Bear In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou) 
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris In 1985, he won the Robert B  Aldrich Achievement Award from the Directors Guild of America 
In 1990, he was awarded the DGA Honorary Life Member Award 

Personal life
Silverstein has been married three times, each ending in divorce  His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968  His second marriage was to Alana King  During his first marriage, he was the step-father of David Cassidy 
He currently lives in North Hollywood, Los Angeles  Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects 

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr  Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 4:
Fernando Ayala
Fernando Ayala (2 July 1920 – 11 September 1997) was an Argentine film director, screenwriter and film producer of the classic era  He is widely considered one of the most important Argentine film directors and producers in the history of the cinema of Argentina 
Ayala initially began as a trainee assistant director in 1942, in El Viaje, and within two years he had become an assistant director  By 1949 he had obtained his first job as director, and from 1958 he also served as producer for the films he directed and some others  Between 1950 and 1987 he was involved in the direction and production of well over 40 films, such as Ayer fue primavera in 1955 and Argentinísima and Argentinísima II in 1972 and 1973 respectively  In 1963 he was a member of the jury at the 13th Berlin International Film Festival  His 1983 film The Deal was entered into the 13th Moscow International Film Festival where it won a Special Diploma 

Filmography
Director
Passage 5:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 6:
Drew Esocoff
Drew Esocoff (born c  1957) is an American television sports director, who as of 2006 has been the director of NBC Sunday Night Football 

Early life
Esocoff was born in Elizabeth, New Jersey, graduating from Thomas Jefferson High School in 1975, later attending Colgate University  While in college he worked as a substitute teacher at Elizabeth High School where one of his students was Todd Bowles 

Career
Esocoff has worked for ESPN and ABC, serving as director for Monday Night Football, SportsCenter, and the NBA Finals, as well as five Super Bowls  Since 2006, he has served as director for NBC Sunday Night Football 
As of 2015, Esocoff has won 11 Emmy Awards 
Passage 7:
Jack Arnold (director)
Jack Arnold (born John Arnold Waks; October 14, 1916 – March 17, 1992) was an American actor and film and television director, best known as one of the leading filmmakers of 1950s science fiction films  His most notable films are It Came from Outer Space (1953), Creature from the Black Lagoon (1954), Tarantula (1955), and The Incredible Shrinking Man (1957) 

Early years
Jack Arnold was born in New Haven, Connecticut, to Russian immigrants : 53  As a child he read a lot of science fiction, which laid the foundations for his genre films of the 1950s 
He hoped to become a professional actor and in his late teens he enrolled in the American Academy of Dramatic Arts, where his classmates included Hume Cronyn, Betty Field and Garson Kanin  After graduating he worked as a vaudeville dancer and, in 1935, began getting roles in Broadway plays  He was acting in My Sister Eileen when the Japanese attacked Pearl Harbor, and he immediately enlisted as a cadet for pilot training : 53 While Arnold intended to become a pilot, a shortage of planes meant he was temporarily placed in the Signal Corps, where he took a crash course in cinematography  He then became a cameraman and learned the techniques of filmmaking by assisting Robert Flaherty on various military films  After eight months with Flaherty he became a pilot in the Air Corps : 53  While stationed at Truax Airfield at New Rochelle, New York, he met Betty, who would later become his wife 

Career
Following the end of World War II and the end of Arnold's term of service, he formed a partnership with an air squadron buddy, Lee Goodman, to form a film production company  Their new company, called Promotional Films Company, made fundraising films for various non-profit organizations  He also continued acting on stage during this period, in plays including a revival of The Front Page, and played opposite Bela Lugosi and Elaine Stritch in Three Indelicate Ladies : 54 

By 1950, after his documentary films had received more exposure, he was commissioned to produce and direct With These Hands, a documentary about working conditions of the early 20th century  It was nominated for an Academy Award for Best Documentary Feature Arnold directed a number of 1950s science fiction films  The best known of these, It Came from Outer Space (1953), Creature from the Black Lagoon (1954), Tarantula (1955), and The Incredible Shrinking Man (1957) are noted for their atmospheric black-and-white cinematography and sophisticated scripts  The Incredible Shrinking Man is considered his "masterpiece," a fantasy film with few equals in intelligence and sophistication, notes author John Baxter  While all the films display a "sheer virtuosity of style and clarity of vision "Arnold's main collaborator at Universal Studios was producer William Alland  Revenge of the Creature (1955) was Clint Eastwood's debut film 
Arnold also made some non-sci-fi films, mostly Westerns   His best Western is often considered to be No Name on the Bullet (1959), about a town frightened to hysteria by the arrival of a gunman who never reveals who he is after or why   The film was shot in color and CinemaScope and was later restored from the original negative for airing on the "Grit" digital broadcast channel 
He also worked as the director of The Mouse That Roared (1959), in which Peter Sellers played three roles, one of them in drag  His later films included Hello Down There (1969), Black Eye (1974), the British sex comedy The Bunny Caper aka Sex Play (1974), Boss Nigger (1975) and The Swiss Conspiracy (1976) 
Arnold began his television career in 1955 with several episodes of Science Fiction Theater  He went on to direct the long-running television series Perry Mason and Peter Gunn  He also directed episodes of such television shows as Nanny and the Professor, Alias Smith and Jones, The Fall Guy, The Brady Bunch, Gilligan's Island, Wonder Woman, Ellery Queen, Mr  Terrific, Mr  Lucky, and The San Pedro Beach Bums, as well as the TV movie Marilyn: The Untold Story (1980) 

Death and legacy
Arnold died of arteriosclerosis in Woodland Hills, Los Angeles, California at the age of 75  Later that year, the UCLA Film Archive held a tribute "Jack Arnold: The Incredible Thinking Man" film festival which screened a number of his films  The Archive also produced and screened a bio-documentary about his life, The Incredible Thinking Man 

Awards and nominations
Passage 8:
Monster on the Campus
Monster on the Campus (a k a  Monster in the Night and Stranger on the Campus) is a 1958 American black-and-white science fiction/horror film from Universal-International, produced by Joseph Gershenson, directed by Jack Arnold, from a script by David Duncan, that stars Arthur Franz, Joanna Cook Moore, Nancy Walters, Troy Donahue, and Whit Bissell  The film was theatrically released as a double feature with the British horror film Blood of the Vampire 
The film's storyline tells of a university science professor who accidentally comes into contact with the irradiated blood of a coelacanth, which causes him to "regress" to being a primitive caveman 

Plot
Dr  Donald Blake, a science professor at Dunsford University, receives a coelacanth  A student, Jimmy, asks Blake if the fish is really a million years old  Blake replies, "It's the species that's old  No change in millions of years  See, the coelacanth is a living fossil, immune to the forces of evolution"  Blake teaches his students that man is the only creature that can decide whether to evolve or devolve and that "unless we learn to control the instincts we've inherited from our ape-like ancestors, the race is doomed "
Inside the lab, Blake scratches himself on the teeth of the partially-thawed coelacanth, accidentally sticking his bloody hand into the water-filled container which held the fish  Molly Riordan, the assistant to Dr  Cole Oliver, is with Blake and offers him a ride home  Blake says he does not feel well and passes out when they get to Molly's car 
A person or persons unknown attacks Molly at Blake's home  Madeline Howard, Blake's fiancée and daughter of Dr  Gilbert Howard, president of the university, arrives and finds the home in shambles and Blake moaning on the ground  Madeline calls the police after seeing the corpse of Molly hanging by her hair in a tree 
Detective Lt  Mike Stevens and Detective Sgt  Eddie Daniels find a "deformed" handprint on a window and Blake's tie clasp in Molly's dead hand  They take Blake downtown when he admits that he cannot remember anything after getting into Molly's car 
Concluding that someone holding a grudge is trying to implicate Blake in Molly's murder, Stevens releases him  He assigns Daniels as Blake's bodyguard and tells Blake that Molly's autopsy showed she died of fright 
In his lab, Blake shoos away a dragonfly that lands on the coelacanth  The dragonfly later returns, now two feet in length  Blake and Jimmy try to catch the giant insect with a net when it lands on the coelacanth again  Blake stabs the dragonfly  While examining its body, he does not notice its blood has dripped into his pipe  Lighting up and smoking, he immediately feels ill  As the dragonfly shrinks back to its standard size, a large, hairy hand reaches out and squashes the insect  Then Blake's lab is trashed, and Jimmy's visiting girlfriend is killed  The police find huge footprints near her body and conclude they are from the same source 
Blake learns that the coelacanth has blood plasma preserved by gamma rays  If it gets into the bloodstream of an animal or person, it causes them to revert to a more primitive state temporarily  He realizes that he might have received a dose of the irradiated plasma  If so, then Blake has been reverting to a troglodyte with large hands, feet, dark skin, heavy body hair, and prominent brow ridges 
He decides to take some days off at Dr  Howard's remote cabin  Blake plans to learn whether he is the beast  He rigs the cabin with cameras on trip wires and injects himself with coelacanth plasma  His caveman self wrecks the room, trips the camera's wires, and is photographed  He grabs an axe and leaves 
While driving to the cabin, Madeline runs off the road and crashes when the caveman appears in her headlights  A local forest ranger arrives and calls the Dunsford police for help  The caveman carries the unconscious Madeline into the forest, with the ranger in pursuit 
Waking up, Madeline struggles with the beast  The ranger shoots the caveman when she breaks free  The caveman then kills the ranger with his axe and collapses  Blake, once again himself, returns to the cabin and develops a photo, showing it to Madeline 
Lt  Stevens, Detective Sgt  Powell and Dr  Howard arrive at the cabin  Blake tells them that he not only knows who the murderer is, but where to find him  Out in the woods, he explains to Howard what his experiment proved and injects himself with coelacanth plasma  Again transformed into the caveman, he chases Howard, forcing the two detectives to shoot him  As the beast lies dying, he slowly transforms back into Blake 

Cast
Arthur Franz as Dr  Donald Blake
Joanna Moore as Madeline Howard
Judson Pratt as Lt  Mike Stevens
Nancy Walters as Sylvia Lockwood
Troy Donahue as Jimmy Flanders
Phil Harvey as Sgt  Powell
Helen Westcott as Nurse Molly Riordan
Alexander Lockwood as Dr  Gilbert Howard
Whit Bissell as Dr  Oliver Cole
Ross Elliott as Sgt  Eddie Daniels
Anne Anderson as Student (uncredited)
Louis Cavalier as Student (uncredited)
Richard H  Cutting as Forest Ranger Tom Edwards (uncredited)
Hank Patterson as Night Watchman Mr  Townsend (uncredited)
Ronnie Rondell Jr  as Student (uncredited)
Eddie Parker as the Monster (uncredited)

Production
Production took place between April and May 1958  The on-campus scenes of Dunsford University were filmed at Occidental College in Eagle Rock, a suburb of Los Angeles, California The working title of the film was Monster in the Night  Although Universal music director Joseph Gershenson had received executive producer credit on some films of the 1940s, Monster on the Campus marked the first film for which he received sole credit as producer  This was the film debut of Nancy Walters  Arthur Franz only played Prof  Donald Blake  Once the makeup transformation scenes were over, stuntman Eddie Parker did every scene as the monster Science fiction film critic Bill Warren writes that director Jack Arnold said in an interview with Cinefastastique magazine (Vol 4 No 2, 1975) that the film was shot in 12 days, and that Arnold told Photon magazine (No 26, 1975), "I didn't really hate it, but I didn't think it was up to the standards of the other films that I have done" 

Reception
Monster on the Campus had a wide international release  Its U S  premiere was in Bismarck, North Dakota on 17 December 1958, followed by Finland on 1 May 1959, West Germany on 22 January 1960, France on 27 January 1960, and Mexico on 3 March 1960  The film was also released in the UK, Belgium, Greece, Italy, the Soviet Union, Argentina, and Brazil  In the UK, it was given an "X" certificate by the British Board of Film Censors (BBFC), which meant at the time that the film could not be exhibited to people under age 16  In 2016, BBFC reclassified the DVD of Monster on the Campus  It now has a PG rating According to Warren, there were few reviews of Monster on the Campus when it first came out because it was the "bottom half of a double-bill with the more colorful Blood of the Vampire"  He quotes a few contemporary reviews  It was called "'a pretty fair shocker'" in Daily Variety  Jack Moffitt, in The Hollywood Reporter, said the film emphasized the "'human rather than the monstrous side of this modern 'Dr  Jekyll' story"  The Monthly Film Reporter, however, called it "'depressing,'" even though it had been "'tailored for the horror market '"BoxOffice magazine in its issue of 19 January 1959 showed positive reviews from most of the publications listed in its "Review Digest"  BoxOffice, Film Daily, and The Hollywood Reporter all rated it as "very good"; Harrison's Report and Variety rated it "good"; Parents' Magazine gave it a "fair" rating; and the New York Daily News had not reviewed the film The reviewing division of the Catholic News Service evaluated Monster on the Campus in 1958 for its "artistic merit and moral suitability"  This resulted in The United States Conference of Catholic Bishops (USCCB) giving the film a rating of "A-III," which meant it was suitable for adults, although USCCB cautioned that it contained "stylized violence with some intense menace" Many of the more recent reviews have centered on the monster/caveman/ape-man makeup  Warren writes, "The mask is unconvincing, with tiny shell-like teeth and a built-in scowl; it resembles similar Universal-International over-the-head masks of the period, as seen in Abbott and Costello Meet Dr  Jekyll and Mr  Hyde, Tarantula and other outings"  Bryan Senn notes that keeping the monster off-camera until near the end of the film is a good idea, as it adds a "bit of build-up and mystery", but doing so "only makes the rubbery mask and hirsute padded shoulders (making him look like a simian linebacker) that much more disappointing when finally revealed" But reviews have noted more than just makeup  Phil Hardy writes that "cinematographer [Russel] Metty and special effects man [Clifford] Stine make the most of the ape-man's path of destruction through the campus but the script lacks any sparkle"  Senn calls the film "visually flat, with the 'action' taking place in labs, offices and cabins, and with exteriors consisting of one back-lot hillside"  And Warren says that the film is "hampered by trivial locations and drab sets  The film has no arresting images  The best [Arnold] can come up with is a swift glance the ape-man gives a mirror before smashing it and one shot of a woman dangling by her hair from a tree"  In summary, he calls the film "routine, unimaginative and foolish     Jack Arnold's worst science fiction film" But not every reviewer disliked Monster on the Campus  Critic Ken Hanke wrote that "part of the charm of this little movie is that the monster is so hokey  No, it's not classic horror, but it's a good bit of fun"  He gave the film a score of 4 5 out of 5 stars Popularity with the public is harder to judge  The film holds a 5 8/10 from 1,111 votes on the Internet Movie Database and a low 22% from 270 viewers at the film review aggregator website Rotten Tomatoes 

Academic interest
Monster on the Campus has attracted a fair amount of academic interest  Prof  Cyndy Hendershot in 2001 wrote that the film examines "issues of conformity and individuality" through a "metaphor of monstrous transformation"  Hendershot says that while Blake the professor represents conformity, his caveman self is a representation of individuality  But he cannot be conformist and individualistic at the same time  His employer, Dunsfield University, "conspires to stamp out individuality that does not follow the direction of the organization as a whole"  That is, "while Monster on the Campus adopts the typical sf/horror plot of the mad scientist versus the blind authorities", the film "frames the issue specifically within the world of the organization man"  According to Hendershot, a man such as Blake - driven from within toward individualism and not at all a good organization man who willingly submits to conformity imposed on him from the outside - cannot win  His personal goal of knowledge for the sake of knowledge is not that of the university, which seems more interested in the publicity that owning a rare coelacanth will bring  "But, if the film condemns the other-directed society as stifling scientific knowledge, it equally condemns Blake's rampant inner-directed man  It reveals, in fact, that the individual within is a beast" Also in 2001, Hendershot looked at Monster on the Campus as an exploration of a "wide variety of issues related to the emergence of teen culture in Fifties America"  Specifically, her focus is on juvenile deliquency, which she says "provoked feelings of intense horror" in adults at the time  The Dunsfield Police, for example, "suspect the teenagers on campus of being guilty" of the murders of Molly and Daniels, yet the "true criminal is located at the heart of adult authority on campus"  However, unlike many films in which young people are the villains, Monster on the Campus inverts things, so that "only the students emerge as having any clear moral sense about the horrors that are occurring on campus"  In other words, "the kids in Monster on the Campus are fine; it's the adults that have to be watched, as they may transform into monsters at any moment" Prof  Patrick Gonder looks at the film in racial terms  He writes that Monster on the Campus was released just a few years after the 1954 US Supreme Court decision in Brown v  Board of Education  In that light, he says, "the monster on the campus is the demonized black male student, threatening to contaminate the purity of white women and cause the reversal of white evolutionary potential  The Caveman is imaged as a racist caricature of the African American: bestial, violent and corrosive to the tenets of white society"  However, Gonder goes on to point out that the "creature and the professor are one and the same: several times, Blake comments on how the beast is 'within' him"  And at the end of the film Blake solves his problem: he "does not turn himself in but instead organizes his own lynch mob by purposefully (for the first time) transforming himself into the Caveman, thus forcing the police officers to shoot him" 

Home media
Monster on the Campus had its U S  VHS release in 1994  Universal Pictures released Monster on the Campus as part of a DVD boxed set called The Classic Sci-Fi Ultimate Collection, which features four other Universal films: The Incredible Shrinking Man, The Mole People, The Monolith Monsters, and Tarantula  Shout Factory released the film on Blu-ray in a package including the trailer and subtitles on 25 June 2019 

Popular culture
Monster on the Campus has been referenced in a number of other films and television programs  Among other examples, it was shown on Svengoolie in 1981 and 2013; scenes from it were used in the films Eternal Sunshine of the Spotless Mind (2004) and American Grindhouse (2010); and it was mentioned in the Canadian comedy Ding et Dong le film (1990) In music, The Modern Airline, a neo-New Wave band from Brooklyn, New York, released a song titled "Monster on the Campus" in 2017 
Passage 9:
G  Marthandan
G  Marthandan is an Indian film director who works in Malayalam cinema  His debut film is Daivathinte Swantham Cleetus

Early life
G  Marthandan was born to M  S  Gopalan Nair and P  Kamalamma at Changanassery in Kottayam district of Kerala  He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery 

Career
After completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995  His next work was British Market, directed by Nissar in 1998  He worked as an associate director for 18 years He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role  His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles  Daivathinte Swantham Cleetus and Paavada were box office successes 

Filmography
As director
As associate director
As actor
TV serialKanyadanam (Malayalam TV series) - pilot episode

Awards
Ramu Kariat Film Award - Paavada (2016)
JCI Foundation Award - Daivathinte Swantham Cleetus (2013)
Passage 10:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)



ground_truth: Monster On The Campus

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the place of death of Maria (Wife Of Boris I Of Bulgaria)'s husband?

The following are given passages.
Context 2: Passage 1:
Where Was I
"Where Was I?" may refer to:

Books
"Where Was I?", essay by David Hawley Sanford from The Mind's I
Where Was I?, book by John Haycraft 2006
Where was I?!, book by Terry Wogan 2009

Film and TV
Where Was I? (film), 1925 film directed by William A  Seiter  With Reginald Denny, Marian Nixon, Pauline Garon, Lee Moran 
Where Was I? (2001 film), biography about songwriter Tim Rose
Where Was I? (TV series) 1952–1953 Quiz show with the panelists attempting to guess a location by looking at photos
"Where Was I?" episode of Shoestring (TV series) 1980

Music
"Where was I", song by W  Franke Harling and Al Dubin performed by Ruby Newman and His Orchestra  with vocal chorus by  Larry Taylor and Peggy McCall  1939
"Where Was I", single from Charley Pride discography 1988
"Where Was I" (song), a 1994 song by Ricky Van Shelton
"Where Was I (Donde Estuve Yo)", song by Joe Pass from Simplicity (Joe Pass album)
"Where Was I?", song by Guttermouth from The Album Formerly Known as a Full Length LP (Guttermouth album)
"Where Was I", song by Sawyer Brown (Billy Maddox, Paul Thorn, Anne Graham) from Can You Hear Me Now 2002
"Where Was I?", song  by  Kenny Wayne Shepherd from Live On  1999
"Where Was I", song by Melanie Laine (Victoria Banks, Steve Fox) from Time Flies (Melanie Laine album)
"Where Was I", song by Rosie Thomas from With Love (Rosie Thomas album)
Passage 2:
Beaulieu-sur-Loire
Beaulieu-sur-Loire (French pronunciation: ​[boljø syʁ lwaʁ], literally Beaulieu on Loire) is a commune in the Loiret department in north-central France  It is the place of death of Jacques MacDonald, a French general who served in the Napoleonic Wars 

Population
See also
Communes of the Loiret department
Passage 3:
Dance of Death (disambiguation)
Dance of Death, also called Danse Macabre, is a late-medieval allegory of the universality of death 
Dance of Death or The Dance of Death may also refer to:

Books
Dance of Death, a 1938 novel by Helen McCloy
Dance of Death (Stine novel), a 1997 novel by R  L  Stine
Dance of Death (novel), a 2005 novel by Douglas Preston and Lincoln Child

Theatre and film
The Dance of Death (Strindberg play), a 1900 play by August Strindberg
The Dance of Death, a 1908 play by Frank Wedekind
The Dance of Death (Auden play), a 1933 play by W  H  Auden

Film
The Death Dance, a 1918 drama starring Alice Brady
The Dance of Death (1912 film), a German silent film
The Dance of Death (1919 film), an Austrian silent film
The Dance of Death (1938 film), crime drama starring Vesta Victoria; screenplay by Ralph Dawson
The Dance of Death (1948 film), French-Italian drama based on Strindberg's play, starring Erich von Stroheim
The Dance of Death (1967 film), a West German drama film
Dance of Death or House of Evil, 1968 Mexican horror film starring Boris Karloff
Dance of Death (1969 film), a film based on Strindberg's play, starring Laurence Olivier
Dance of Death (1979 film), a Hong Kong film featuring Paul Chun

Music
Dance of Death (album), a 2003 album by Iron Maiden, or the title song
The Dance of Death & Other Plantation Favorites, a 1964 album by John Fahey
The Dance of Death (Scaramanga Six album)
"Death Dance", a 2016 song by Sevendust

See also
Dance of the Dead (disambiguation)
Danse Macabre (disambiguation)
Bon Odori, a Japanese traditional dance welcoming the spirits of the dead
La danse des morts, an oratorio by Arthur Honegger
Totentanz (disambiguation)
Passage 4:
Place of origin
In Switzerland, the place of origin (German: Heimatort or Bürgerort, literally "home place" or "citizen place"; French: Lieu d'origine; Italian: Luogo di attinenza) denotes where a Swiss citizen has their municipal citizenship, usually inherited from previous generations  It is not to be confused with the place of birth or  place of residence, although two or all three of these locations may be identical depending on the person's circumstances 

Acquisition of municipal citizenship
Swiss citizenship has three tiers  For a person applying to naturalise as a Swiss citizen, these tiers are as follows:

Municipal citizenship, granted by the place of residence after fulfilling several preconditions, such as sufficient knowledge of the local language, integration into local society, and a minimum number of years lived in said municipality 
Cantonal (state) citizenship, for which a Swiss municipal citizenship is required  This requires a certain number of years lived in said canton 
Country citizenship, for which both of the above are required, also requires a certain number of years lived in Switzerland (except for people married to a Swiss citizen, who may obtain simplified naturalisation without having to reside in Switzerland), and involves a criminal background check The last two kinds of citizenship are a mere formality, while municipal citizenship is the most significant step in becoming a Swiss citizen  
Nowadays the place of residence determines the municipality where citizenship is acquired, for a new applicant, whereas previously there was a historical reason for preserving the municipal citizenship from earlier generations in the family line, namely to specify which municipality held the responsibility of providing social welfare  The law has now been changed, eliminating this form of allocating responsibility to a municipality other than that of the place of residence  Care needs to be taken when translating the term in Swiss documents which list the historical "Heimatort" instead of the usual place of birth and place of residence 
However, any Swiss citizen can apply for a second, a third or even more municipal citizenships for prestige reasons or to show their connection to the place they currently live – and thus have several places of origin  As the legal significance of the place of origin has waned (see below), Swiss citizens can often apply for municipal citizenship for no more than 100 Swiss francs after having lived in the same municipality for one or two years  In the past, it was common to have to pay between 2,000 and 4,000 Swiss francs as a citizenship fee, because of the financial obligations incumbent on the municipality to grant the citizenship 
A child born to two Swiss parents is automatically granted the citizenship of the parent whose last name they hold, so the child gets either the mother's or the father's place of origin  A child born to one Swiss parent and one foreign parent acquires the citizenship, and thus the place of origin, of the Swiss parent 

International confusion
Almost uniquely in the world (with the exception of Japan, which lists one's Registered Domicile; and Sweden, which lists the mother's place of domicile as place of birth), the Swiss identity card, passport and driving licence do not show the holder's birthplace, but only their place of origin  The vast majority of countries show the holder's actual birthplace on identity documents  This can lead to administrative issues for Swiss citizens abroad when asked to demonstrate their actual place of birth, as no such information exists on any official Swiss identification documents  Only a minority of Swiss citizens have a place of origin identical to their birthplace  More confusion comes into play through the fact that people can have more than one place of origin 

Significance and history
A citizen of a municipality does not enjoy a larger set of rights than a non-citizen of the same municipality  To vote in communal, cantonal or national matters, only the current place of residence matters – or in the case of citizens abroad, the last Swiss place of residence 
The law previously required that a citizen's place of origin continued to bear all their social welfare costs for two years after the citizen moved away  In 2012, the National Council voted by 151 to 9 votes to abolish this law  The place of domicile is now the sole payer of welfare costs In 1923, 1937, 1959 and 1967, more cantons signed treaties that assured that the place of domicile had to pay welfare costs instead of the place of origin, reflecting the fact that fewer and fewer people lived in their place of origin (1860: 59%, in 1910: 34%) In 1681, the Tagsatzung – the then Swiss parliament – decided that beggars should be deported to their place of origin, especially if they were insufficiently cared for by their residential community In the 19th century, Swiss municipalities even offered free emigration to the United States if the Swiss citizen agreed to renounce municipal citizenship, and with that the right to receive welfare 

See also
Ancestral home (Chinese)
Bon-gwan
Registered domicile


== Notes and references ==
Passage 5:
Maria Pietersdr Olycan
Portrait of Maria Pietersdochter Olycan is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1638, now in the São Paulo Museum of Art  It is considered a pendant to the portrait of Maria's husband Andries van Hoorn 

Life
Maria Pietersdr Olycan was born in Haarlem in 1607 as the daughter of the wealthy brewers Pieter Jacobsz Olycan and Maritge Claesdr  Voogt  She was the younger sister of the brewer Jacob Pietersz Olycan  Maria's older sister Dorothea married Cornelis van Loo, the son of another brewer, Claes van Loo  Her brother Nicolaes van Olycan married Agatha Dicx, the daughter of the brewer and mayor, Dirk Dicx  Maria's younger sister Hester married the brewer Tyman Oosdorp 
On 25 July 1638 Maria married the widower Andries van Hoorn, also a brewer  He had a daughter Christine by his first marriage and a brewery of his own  His sister Agatha had married the brewer Cornelis Guldewagen  Andries and Maria had a daughter of their own, also called Maria, in 1639, but Maria Pietersdr Olycan died only five years later in 1655  Andries survived his second wife by 22 years and lived to see his daughter Christine's wedding in 1657 to Adriaan Noirot, and his daughter Maria's wedding in 1662 to the diplomat jhr  mr  Cornelis Ascanius van Sypesteyn  He also lived to see the Sypesteyn house be searched by a mob in 1672 on suspicion of hiding Johan de Witt, and though nothing was found, C A  van Sypesteyn continued to be mistrusted and was stabbed to death in 1673 in Gorinchem  Maria van Hoorn outlived both her parents and her husband and died in 1704 

Painting
Maria's dress reflects the height of fashion in 1638  The millstone collar has made way for layers of intricate lace that edge see-through linen collars that come together with a brooch in a manner that suggests a decolleté  She is holding a fan and wears matching pearl bracelets and a pearl necklace  Her hair is wrapped around a diadem that is studded with gold dangles  This portrait was documented by Hofstede de Groot in 1910, before the sitter was identified  He wrote "384  PORTRAIT OF A WOMAN  M  206  Half-length  She is turned slightly to the left, and looks at the spectator  Her left hand is at her breast ; her right hand holds her fan  She wears a black dress trimmed with lace, a close-fitting cap, a white lace collar and wristbands, and a pearl necklace  Grey background  Painted about the years 1635-40  Canvas, 31 1/2 inches by 25 1/2 inches  Exhibited in the Royal Academy Winter Exhibition, London, 1903, No  45  Exhibited at the Hudson-Fulton Celebration, Metropolitan Museum, New York, 1909, No  31  Purchased in the Isle of Wight, 1896, from the grandson of George IV 's cook, who had formerly owned it, by the London dealers Dowdeswell  In the possession, successively, of the London dealer C  Wertheimer ; of the Paris dealer C  Sedelmeyer ; and the London dealers T  Agnew and Sons  In the collection of J  Pierpont Morgan, London "
Of this portrait's pendant, Hofstede de Groot noted that it did not resemble the wedding portrait of Michiel de Wael that he included as #242  Of this portrait of an as yet unidentified man, he wrote:282  PORTRAIT OF A MAN SEATED  M  135  Half-length  He faces right, and leans his left hand on a stick  He has a moustache and slight imperial  He wears a large black felt hat, a black costume, a white ruff, and yellowish-grey gloves  Doubtfully identified as a portrait of Michiel de Wael  [Compare 242 ] Inscribed, "AETAT SVAE 32 AN 1638" (the last numeral is not clear); canvas, 34 inches by 26 1/2 inches  Exhibited at the Hudson-Fulton Celebration, Metropolitan Museum, New York, 1909, No  30  Bought in Paris by an elder Seymour (for  40)  Sale  Arthur Seymour, London, April I, 1897, No  113 (T  Agnew and Sons)  In the collection of J  Pierpont Morgan, London  
In 1974 Seymour Slive tried to trace the remark about the king's cook but there is no reference in the Royal collections of such a statement  He remarked on Andries' portrait bearing an inscription and coat of arms while Maria's portrait lacks this, but notes that coats of arms were generally added by later descendants 

Wedding pendant
See also
List of paintings by Frans Hals
Passage 6:
Sennedjem
Sennedjem was an Ancient Egyptian artisan who was active during the reigns of Seti I and Ramesses II  He lived in Set Maat (translated as "The Place of Truth"), contemporary Deir el-Medina, on the west bank of the Nile, opposite Thebes  Sennedjem had the title "Servant in the Place of Truth"  He was buried along with his wife, Iyneferti, and members of his family in a tomb in the village necropolis  His tomb was discovered January 31, 1886  When Sennedjem's tomb was found, it contained furniture from his home, including a stool and a bed, which he used when he was alive His titles included Servant in the Place of Truth, meaning that he worked on the excavation and decoration of the nearby royal tombs 

See also

TT1 – (Tomb of Sennedjem, family and wife)
Passage 7:
Boris I of Bulgaria
Knyaz Boris I (also Bogoris), venerated as Saint Tsar Boris I (Mihail) the Baptizer  (Church Slavonic: Борисъ А҃  / Борисъ-Михаилъ Bulgarian: Борис I / Борис-Михаил; died 2 May 907), was the ruler of the First Bulgarian Empire in 852–889  At the time of his baptism in 864, Boris was named Michael after his godfather, Emperor Michael III  The historian Steven Runciman called him one of the greatest persons in history Despite a number of military setbacks, the reign of Boris I was marked with significant events that shaped Bulgarian and European history  With the Christianization of Bulgaria in 864 paganism (i e  Tengrism) was abolished  A skillful diplomat, Boris I successfully exploited the conflict between the Patriarchate of Constantinople and the Papacy to secure an autocephalous Bulgarian Church, thus dealing with the nobility's concerns about Byzantine interference in Bulgaria's internal affairs 
When in 885 the disciples of Saints Cyril and Methodius were banished from Great Moravia, Boris I gave them refuge and provided assistance which saved the Glagolithic and later promoted the development of the Cyrillic script in Preslav and the Slavic literature  After he abdicated in 889, his eldest son and successor tried to restore the old pagan religion but was deposed by Boris I  During the Council of Preslav which followed that event, the Byzantine clergy was replaced with Bulgarian, and the Greek language was replaced with what is now known as Old Church Slavonic 
He is regarded as a saint in the Orthodox Church, as the Prince and baptizer of Bulgaria, and as Equal-to-the-Apostles, with his feast day observed on May 2 and in Synaxis of all venerable and holy Fathers of Bulgaria (movable holiday on the 2nd Sunday of Pentecost) 

Name and titles
The most common theory is that the name Boris is of Bulgar origin  After his official act of conversion to Christianity, Boris adopted the Christian name Michael  He is sometimes called Boris-Michael in historical research 
The only direct evidence of Boris's title are his seals and the inscription found near the town of Ballsh, modern Albania, and at Varna  There he is called by the Byzantine title "Archon of Bulgaria", which is usually translated as "ruler", and in the 10-11th centuries also as "Knyaz" (Кнѧзъ, Bulg )  In the Bulgarian sources from that period, Boris I is called "Knyaz" or "Tsar" ("Царь", Bulg ), and during the Second Bulgarian Empire, "Tsar" In modern historiography Boris is called by different titles  Most historians accept that he changed his title after his conversion to Christianity  According to them, before the baptism he had the title Khan or Kanasubigi, and after that Knyaz 

Reign
Central Europe in the 9th century
The early 9th century marked the beginning of a fierce rivalry between the Greek East and Latin West, which would ultimately lead to the schism between the Orthodox Church in Constantinople and the Catholic Church in Rome 
As early as 781, the Empress Irene began to seek a closer relationship with the Carolingian dynasty and the Papacy  She negotiated a marriage between her son, Constantine, and Rotrude, a daughter of Charlemagne by his third wife Hildegard  Irene went as far as to send an official to instruct the Frankish princess in Greek; however, Irene herself broke off the engagement in 787, against her son's wishes  When the Second Council of Nicaea of 787 reintroduced the veneration of icons under Empress Irene, the result was not recognized by Charlemagne since no Frankish emissaries had been invited even though Charlemagne was by then ruling more than three provinces of the old Roman empire  While this improved relations with the Papacy, it did not prevent the outbreak of a war with the Franks, who took over Istria and Benevento in 788 
When Charlemagne was proclaimed Emperor of the Holy Roman Empire by Leo III, the Pope was effectively nullifying the legitimacy of Irene  He certainly desired to increase the influence of the papacy and to honour his protector Charlemagne  Irene, like many of her predecessors since Justinian I, was too weak to protect Rome and its much reduced citizenry and the city was not being ruled by any emperor  Thus, Charlemagne's assumption of the imperial title was not seen as an usurpation in the eyes of the Franks or Italians  It was, however, seen as such in Byzantium, but protests by Irene and her successor Nicephorus I had no great effect 
Mojmír I managed to unite some Slavic princes and established Great Moravia in 833  His successor, Rastislav, also fought against the Germans  Both states tried to maintain good relations with Bulgaria on account of its considerable military power 

Military campaigns
Boris I was the son and successor of Presian I of Bulgaria  In 852 he sent emissaries to Eastern Francia to confirm the peace treaty of 845  At the time of his accession he threatened the Byzantines with an invasion, but his armies did not attack, and he received a small area in Strandzha to the southeast  The peace treaty was not signed, however, although both states exchanged temporary delegations  In 854 the Moravian Prince Rastislav persuaded Boris I to help him against East Francia  According to some sources, some Franks bribed the Bulgarian monarch to attack Louis the German  The Bulgarian-Slav campaign was a disaster, and Louis scored a great victory and invaded Bulgaria  At the same time the Croats waged a war against the Bulgarians  Both peoples had coexisted peacefully up to that time, suggesting that the Croats were paid by Louis to attack Bulgaria and distract Boris' attention from his alliance with Great Moravia  Kanasubigi Boris could not achieve any success, and both sides exchanged gifts and settled for peace  As a result of the military actions in 855, the peace between Bulgaria and Eastern Francia was restored, and Rastislav was forced to fight against Louis alone  In the meantime, a conflict between the Byzantines and Bulgarians had started in 855–856, and Boris, distracted by his conflict with Louis, lost Philippopolis (Plovdiv), the region of Zagora, and the ports around the Gulf of Burgas on the Black Sea to the Byzantine army led by Michael III and the caesar Bardas 

Serbia
After the death of Knez Vlastimir of Serbia circa 850, his state was divided between his sons  Vlastimir and Boris' father had fought against each other in the Bulgarian-Serbian War of 839–842, which resulted in a Serbian victory, and Boris sought to avenge that defeat  In 853 or 854, the Bulgarian army led by Vladimir-Rasate, the son of Boris I, invaded Serbia, with the aim of replacing the Byzantine overlordship over the Serbs  The Serbian army was led by Mutimir and his two brothers; they defeated the Bulgarians, capturing Vladimir and 12 boyars  Boris I and Mutimir agreed to peace (and perhaps an alliance), and Mutimir sent his sons Pribislav and Stefan to the border to escort the prisoners, where they exchanged items as a sign of peace  Boris himself gave them "rich gifts", while he was given "two slaves, two falcons, two dogs, and 80 furs"  An internal conflict among the Serbian brothers resulted in Mutimir banishing the two younger brothers to the Bulgarian court  Mutimir, however, kept a nephew, Petar, at his court for political reasons  The reason for the feud is not known, though it is postulated that it was a result of treachery  Petar would later defeat Pribislav, Mutimir's son, and take the Serbian throne 

Motivations for baptism and conversion to Christianity
There are a number of versions as to why Boris converted to Christianity  Some historians attribute it to the intervention of his sister who had already converted while being at Constantinople   Another story mentions a Greek slave in the ruler's court   A more mythological version is the one in which Boris is astonished and frightened by an icon of Judgement day and thus decides to adopt Christianity  Richard B  Spence sees the decision as deliberate, practical, and politic For a variety of diplomatic reasons, Boris became interested in converting to Christianity  In order to both extend his control over the Slavic world and gain an ally against one of the most powerful foes of the Bulgars, the Byzantine Empire, Boris sought to establish an alliance with Louis the German against Ratislav of Moravia  Through this alliance, Louis promised to supply Boris with missionaries, which would have effectively brought the Bulgars under the Roman Church   However, late in 863, the Byzantine Empire under Emperor Michael III declared war on Boris and the Bulgars during a period of famine and natural disasters   Taken by surprise, Boris was forced to make peace with the Byzantines, promising to convert to Christianity according to the eastern rites, in exchange for peace and territorial concessions in Thrace (he regained the region of Zagora recently recovered by the Byzantines)   At the beginning of 864, Boris was secretly baptized at Pliska by an embassy of Byzantine clergymen, together with his family and select members of the Bulgarian nobility   With Emperor Michael III as his godfather, Boris also adopted the Christian name Michael Separate from diplomatic concerns, Boris was interested in converting himself and the Bulgarians to Christianity to resolve the disunity within the Bulgarian society  When he ascended to the throne, the Bulgars and Slavs were separate elements within Boris' kingdom, the minority Bulgars constituting a military aristocracy  Richard Spence compares it to the relationship between the Normans and Saxons in England  Religious plurality further contributed to divisions within the society  The Slavs had their own polytheistic belief system while the Bulgar elite believed in Tangra, the Sky God, or God of Heaven 
The arrival of Methodius and his followers introduced the Cyrillic alphabet, freeing the Bulgarians from dependence on Greek as a written and liturgical language  A Slavic Christian culture developed that helped unify the realm 

Baptism of the Bulgarians and the establishment of the Bulgarian Church
After his baptism, the first major task that Boris undertook was the baptism of his subjects and for this task he appealed to Byzantine priests between 864 and 866  At the same time Boris sought further instruction on how to lead a Christian lifestyle and society and how to set up an autocephalous church from the Byzantine Patriarch Photios   Photios' answer proved less than satisfactory, and Boris sought to gain a more favorable settlement from the Papacy   Boris dispatched emissaries led by the kavhan Peter with a long list of questions to Pope Nicholas I at Rome in August 866, and obtained 106 detailed answers, detailing the essence of religion, law, politics, customs and personal faith   Stemming from his concerns with the baptism of the Bulgarians, Boris also complained to Nicholas about the abuses perpetrated by the Byzantine priests responsible for baptizing the Bulgarians and how he could go about correcting the consequences resulting from these abuses  The pope temporarily glossed over the controversial question of the autocephalous status desired by Boris for his church and sent a large group of missionaries to continue the conversion of Bulgaria in accordance with the western rite  Bulgaria's shift towards the Papacy infuriated Patriarch Photios, who wrote an encyclical to the eastern clergy in 867 in which he denounced the practices associated with the western rite and Rome's ecclesiastical intervention in Bulgaria  This occasioned the Photian Schism, which was a major step in the rift between the eastern and western churches 
To deliver his response to Boris’ questions, Pope Nicholas I sent two bishops to Bulgaria: Paul of Populonia and Formosus of Porto  The Pope expected that these priests would execute their episcopal responsibilities to address Boris’ concerns, but did not intend for them to be elevated to the positions that they assumed in the Bulgar hierarchy  In Bulgaria, the activities of Bishop Formosus (later Pope Formosus) met with success, until the pope rejected Boris' request to nominate Formosus as archbishop of Bulgaria  Nicholas justified the rejection of the request by arguing that it was “uncanonical to transfer an already established bishop from one see to another”  The new Pope Adrian II refused Boris' request for a similar nomination of either Formosus or Deacon Marinus (later Pope Marinus I), after which Bulgaria began to shift towards Constantinople once again   At the Fourth Council of Constantinople in 870 the position of the Bulgarian church was reopened by Bulgarian envoys, and the eastern patriarchs adjudicated in favor of Constantinople   This determined the future of the Bulgarian Orthodox Church, which was granted the status of an autocephalous archbishopric by the Patriarchate of Constantinople and an archbishop of its own  Later in the 870s, the Patriarch of Constantinople surrendered Bulgaria to the Papacy, but this concession was purely nominal, as it did not affect the actual position of Bulgaria's autocephalous church The Christianization of the Bulgarians as a result of Boris’ actions had profound effects not only on the religious belief system of the Bulgarians but also the structure of the Bulgarian government  Upon embracing Christianity, Boris took on the title of Tsar and joined the community of nations that embraced Christ, to the great delight of the Eastern Roman Empire, which was later given the name Byzantium by historians Toward the end of his reign, Boris began to increase the number of native Bulgarian clergy  Consequently, Boris began to send Bulgarians to Constantinople to obtain a monastic education and some of these Bulgarians returned to their homeland to serve as clergymen  In 885, Boris was presented with a new opportunity to establish a native clergy when Slavic-speaking disciples of St  Cyril and St  Methodius were forced to flee from Moravia after a German-inspired reaction to the death of the apostle 

Changes to Bulgarian culture brought on by Clement and Naum
In 886 Boris' governor of Belgrade welcomed the disciples of Saint Cyril and Saint Methodius, who were exiled from Great Moravia into Bulgaria and sent them on to Boris in Pliska  Boris happily greeted two of these disciples, Clement of Ohrid and Naum of Preslav, who were of noble Bulgarian Slavic origin  To utilize the disciple's talents, Boris commissioned Clement to be a “teacher” in the province of Kutmichevitsa 
Both Clement and Naum were instrumental in furthering the cultural, linguistic and spiritual works of Cyril and Methodius  They set up educational centers in Pliska and in Ohrid to further the development of Slavonic letters and liturgy  Clement later trained thousands of Slavonic-speaking priests who replaced the Greek-speaking clergy from Constantinople still present in Bulgaria  The script that was originally developed by Cyril and Methodius is known as the Glagolitic alphabet 
In Bulgaria, Clement of Ohrid and Naum of Preslav created (or rather compiled) the new Bulgarian script, later called Cyrillic that was declared the official alphabet in  893  Old Bulgarian was declared as the official language in the same year  In the following centuries this script was adopted by other Slavic peoples and states  The introduction of Slavic liturgy paralleled Boris' continued development of churches and monasteries throughout his realm 

Reactions to religious conversion
Conversion to Christianity met great opposition among the Bulgarian elite  Some refused to become Christians while others apostatized after baptism and started a rebellion against Boris for forcing them to be baptized  Some people did not object necessarily to the Christian religion but to the fact that it was brought by foreign priests, which, as a result, established external foreign policy  By breaking the power of the old cults, Boris reduced the influence of the boyars, who resisted the khan's authority  In the summer of 865 a group of Bulgar aristocrats (boyars) started an open revolt  Boris ruthlessly suppressed it and executed 52 boyars together with their entire families  Thus the Christianization continued 

End of Boris' reign
In 889 Boris abdicated the throne and became a monk  His son and successor Vladimir attempted a pagan reaction, which brought Boris out of retirement in 893  Vladimir was defeated and Boris had him blinded, his wife shaved and sent to a monastery  Boris gathered the Council of Preslav placing his third son, Tsar Simeon I of Bulgaria, on the throne, threatening him with the same fate if he too apostatized  Boris returned to his monastery, emerging once again in c  895 to help Simeon fight the Magyars, who had invaded Bulgaria in alliance with the Byzantines  After the passing of this crisis, Boris resumed monastic life and died in 907  The location of his retreat, where perhaps he was interred, is not certain; it may be near Preslav, or Pliska, or in a monastery near Varna or Ravda 

Legacy
St  Boris Peak on Livingston Island in the South Shetland Islands, Antarctica is named for Boris I of Bulgaria 
Boris I's life is featured in the 1985 film "Boris I" (Борис Първи), with Stefan Danailov in the title role 

See also
Christianization of Bulgaria
Cyril and Methodius
Glagolitic alphabet

Footnotes
Passage 8:
Maria (wife of Boris I of Bulgaria)
Maria (Bulgarian: Мария) was a Bulgarian royal consort as the wife of the Knyaz Boris I of Bulgaria  Her parents are unknown  She is mentioned in one charter from 850/96, together with her family members  
These are the children of Boris and Maria:

Vladimir of Bulgaria
Gavriil (Gabriel)
Simeon I of Bulgaria
Jacob
Anna

Footnotes


== External links ==
Passage 9:
Place of birth
The place of birth (POB) or birthplace is the place where a person was born  This place is often used in legal documents, together with name and date of birth, to uniquely identify a person  Practice regarding whether this place should be a country, a territory or a city/town/locality differs in different countries, but often city or territory is used for native-born citizen passports and countries for foreign-born ones 
As a general rule with respect to passports, if the place of birth is to be a country, it's determined to be the country that currently has sovereignty over the actual place of birth, regardless of when the birth actually occurred  The place of birth is not necessarily the place where the parents of the new baby live  If the baby is born in a hospital in another place, that place is the place of birth  In many countries, this also means that the government requires that the birth of the new baby is registered in the place of birth 
Some countries place less or no importance on the place of birth, instead using alternative geographical characteristics for the purpose of identity documents  For example, Sweden has used the concept of födelsehemort ("domicile of birth") since 1947  This means that the domicile of the baby's mother is the registered place of birth  The location of the maternity ward or other physical birthplace is considered unimportant 
Similarly, Switzerland uses the concept of place of origin  A child born to Swiss parents is automatically assigned the place of origin of the parent with the same last name, so the child either gets their mother's or father's place of origin  A child born to one Swiss parent and one foreign parent acquires the place of origin of their Swiss parent  In a Swiss passport and identity card, the holder's place of origin is stated, not their place of birth  In Japan, the registered domicile is a similar concept 
In some countries (primarily in the Americas), the place of birth automatically determines the nationality of the baby, a practice often referred to by the Latin phrase jus soli  Almost all countries outside the Americas instead attribute nationality based on the nationality(-ies) of the baby's parents (referred to as jus sanguinis) 
There can be some confusion regarding the place of birth if the birth takes place in an unusual way: when babies are born on an airplane or at sea, difficulties can arise  The place of birth of such a person depends on the law of the countries involved, which include the nationality of the plane or ship, the nationality(-ies) of the parents and/or the location of the plane or ship (if the birth occurs in the territorial waters or airspace of a country) 
Some administrative forms may request the applicant's "country of birth"  It is important to determine from the requester whether the information requested refers to the applicant's "place of birth" or "nationality at birth"  For example, US citizens born abroad who acquire US citizenship at the time of birth, the nationality at birth will be USA (American), while the place of birth would be the country in which the actual birth takes place 

Reference list
8 FAM 403 4 Place of Birth
Passage 10:
Motherland (disambiguation)
Motherland is the place of one's birth, the place of one's ancestors, or the place of origin of an ethnic group 
Motherland may also refer to:

Music
"Motherland" (anthem), the national anthem of Mauritius
National Song (Montserrat), also called "Motherland"
Motherland (Natalie Merchant album), 2001
Motherland (Arsonists Get All the Girls album), 2011
Motherland (Daedalus album), 2011
"Motherland" (Crystal Kay song), 2004

Film and television
Motherland (1927 film), a 1927 British silent war film
Motherland (2010 film), a 2010 documentary film
Motherland (2015 film), a 2015 Turkish drama
Motherland (2022 film), a 2022 documentary film about the Second Nagorno-Karabakh War
Motherland (TV series), a 2016 British television series
Motherland: Fort Salem, a 2020 American science fiction drama series

Other uses
Motherland Party (disambiguation), the name of several political groups
Personifications of Russia, including a list of monuments called Motherland

See also
All pages with titles containing Motherland
Mother Country (disambiguation)
Context 3: Passage 1:
Frederick Henry, Margrave of Brandenburg-Schwedt
Frederick Henry, Margrave of Brandenburg-Schwedt (21 August 1709, in Schwedt – 12 December 1788, in Schwedt) was the last owner of the Prussian secundogeniture of Brandenburg-Schwedt 

Early life
His was the son of Margrave Philip William, son of Philip William, Margrave of Brandenburg-Schwedt and his wife Sophia Dorothea of Schleswig-Holstein-Sonderburg-Glücksburg  His mother was Princess Johanna Charlotte of Anhalt-Dessau, daughter of Prince John George II of Anhalt-Dessau and Princess Henriette Catherine of Nassau 

Life
After his father's death in 1711, his mother put Frederick Henry under the guardianship of his uncle Frederick I, and after Frederick I's death in 1713, under the guardianship of his cousin Frederick William I   In 1711, Frederick Henry was made the chief of the Infantry Regiment No  12   However, he showed little interest in military affairs   In 1733, King Frederick William I was so incensed with the disorder in Frederick Henry's regiment that he was jailed for several weeks   Frederick the Great held little respect for Frederick Henry's abilities and did not employ him   In 1741, Frederick Henry traded the Infantry Regiment No  12 for the Infantry Regiment No  42, but again, he cared little for his duties, and he left its business to the respective commanders 
When his brother Frederick William died in 1771, Frederick Henry inherited the Lordship of Schwedt-Wildenbruch   As "Margrave of Brandenburg-Schwedt", he was a patron of the arts, especially theater   In 1755 he acquired the Prinzessinnenpalais in Berlin and in 1785, he contracted the actress Henriette Hendel-Schutz to perform in his Court Theater 
He married his first cousin Leopoldine Marie of Anhalt-Dessau, a daughter of Prince Leopold I of Anhalt-Dessau, nicknamed the old Dessauer   After the birth of two daughters, he and his wife quarreled so often and so violently, that he banned her to Kolberg for the rest of her life 
Between 1760 and 1762, the mathematician Leonhard Euler sent numerous letters in French about mathematical and philosophical subjects to his daughter Frederike  These letters were published between 1769 and 1773 under the title "Letters to a German Princess" and were printed in Leipzig and St  Petersburg  The French edition alone enjoyed 12 printings  It was the Age of Enlightenment and Euler tried to explain physical issues and in particular their philosophical background in a generally understandable manner  Frederick Henry may have employed Euler as her teacher When he died in 1788, the junior line of Brandenburg-Schwedt died out and the secundogeniture fell back to the Electorate   His daughters and nieces received a pension 

Daughters
Louise of Brandenburg-Schwedt (10 August 1750 – 21 December 1811) married Prince (later Duke) Leopold III of Anhalt-Dessau (1740-1817)
Friederike Charlotte of Brandenburg-Schwedt (18 August 1745 – 23 January 1808), the last Abbess of Herford Abbey
Passage 2:
Princess Anna Elisabeth Louise of Brandenburg-Schwedt
Princess and Margravine Anna Elisabeth Louise of Brandenburg-Schwedt (German: Luise; 22 April 1738 – 10 February 1820) was a Prussian princess by marriage to her uncle Prince Augustus Ferdinand of Prussia  She was a daughter of Margrave Frederick William of Brandenburg-Schwedt and Princess Sophia Dorothea of Prussia 

Early life
Anna Elisabeth Louise was one of five children born to Margrave Frederick William of Brandenburg-Schwedt and Sophia Dorothea of Prussia  Her siblings included Sophia Dorothea, Duchess of Württemberg, and Philippine, Landgravine of Hesse-Cassel 
Her father was a son of Philip William, Margrave of Brandenburg-Schwedt and Princess Johanna Charlotte of Anhalt-Dessau 
Her mother was a daughter of Frederick William I of Prussia and Sophia Dorothea of Hanover  Through her mother, Anna Elisabeth Louise was a niece of Frederick the Great 

Princess of Prussia
On 27 September 1755 in Charlottenburg Palace, Berlin, Anna Elisabeth Louise married her uncle Prince Augustus Ferdinand of Prussia, a younger brother of her mother, Sophia Dorothea  He was eight years older than she and was a younger son of Frederick William I of Prussia and Sophia Dorothea of Hanover (herself the only daughter of George I of Great Britain) 

The biological father of her daughter Louise, who was born in 1770, may have been Count Friedrich Wilhelm Carl von Schmettau  Louise was described as nice, witty and kind  The Swedish Princess Hedwig Elizabeth Charlotte described her at the time of her visit in 1798: In the afternoon, we visited this Princess, who lives at Bellevue in the outskirts of Berlin  It is a little villa, very suitable for a private person but far from royal  The reception here was quite dissimilar from the one at my aunt  Princess Ferdinand is stiff and made it obvious that she wished to impress us  I was of course polite, but after I had noticed, that she took on a condescending tone and wished to embarrass me, I replied the same way and displayed the same haughtiness  The Princess is no longer young, has surely been beautiful, looks like an aristocratic Frenchwoman but not like a Princess, for she has nothing royal about her  I do not think she is that clever, but she can make a pleasant conversation and is quite confident, as one becomes through a long habit of socializing in the grand world  
Anna Elisabeth Louise was one of the few members of the royal house to remain in Berlin during the French occupation in 1806  While most of the royal family left, reportedly because of the anti-Napoleonic criticism they had expressed, and the members of the royal court either followed them or left the capital for their country estates, Elisabeth Louise remained with her spouse and Princess Wilhelmina of Hesse-Kassel because of "their great age", as did Princess Augusta of Prussia, who was pregnant at the time One visitor to her in 1813–14 commented that, "I never saw such a formal, stiff, disagreeable old woman - vieille cour outree, and she frightened me to death  I was glad to get away   " 

Death
Augustus Ferdinand died in Berlin on 2 May 1813  Elisabeth Louise died seven years later, on 22 February 1820  She is buried in Berlin Cathedral 

Issue
On 27 September 1755 in Charlottenburg Palace, Berlin, Anna Elisabeth Louise married her uncle Prince Augustus Ferdinand of Prussia
The couple had seven children:

Friederike Elisabeth Dorothea Henriette Amalie, Princess of Prussia (1761–1773)
Friedrich Heinrich Emil Karl, Prince of Prussia (1769–1773)
Friederike Dorothea Louise Philippine, Princess of Prussia (1770–1836), married to Prince Antoni Radziwiłł
Heinrich Friedrich Carl Ludwig (1771–1790)
Friedrich Ludwig Christian (1772–1806)
Friedrich Paul Heinrich August, Prince of Prussia (1776)
Friedrich Wilhelm Heinrich August, Prince of Prussia (1779–1843)

Ancestry
Passage 3:
Frederick William, Margrave of Brandenburg-Schwedt
Frederick William of Brandenburg-Schwedt (17 November 1700 – 4 March 1771) was a German nobleman  In his lifetime, from 1711 to 1771, he held the titles Prince in Prussia and Margrave of Brandenburg, with the style Royal Highness  He was made a knight of the Order of the Black Eagle 
In the 19th century he was retrospectively known by the title Margrave of Brandenburg-Schwedt, in order to differentiate his branch of the Hohenzollern dynasty   He was the second owner of the Prussian secundogeniture of Brandenburg-Schwedt  His parents were Philip William, Margrave of Brandenburg-Schwedt, and Princess Johanna Charlotte of Anhalt-Dessau  He was the nephew of King Frederick I of Prussia 

Life
Frederick William was known as a brutal man because of his short temper, severity, and coarse manners  He was born at Oranienbaum Castle (modern-day Oranienbaum-Wörlitz, Wittenberg), and was educated and raised by his uncle, King Frederick I, and then by his cousin, King Frederick William I  His character closely resembled that of his second royal guardian, who like himself, hated idleness and was a terror to all loungers  The clergy were especial objects of his ridicule and persecution  His cane was as much feared as that of his royal namesake He made the fashionable Grand Tour, travelling to Geneva 1715, and in 1716 to Italy  He returned in 1719 to Prussia, where he received the Order of the Black Eagle from Frederick William I  On 15 June 1723 he was made a Prussian major-general  On 10 July 1737 he was appointed lieutenant-general The existence of the Schwedt branch of the Hohenzollern dynasty, descended as they were from Frederick I's father and being 'princes of the blood', posed a theoretical threat to the Prussian kings   Frederick William I tried to neutralise this threat by keeping his cousins close, bringing the Schwedt brothers into his own household, acting as their guardian, and later marrying Frederick William to his daughter  Following the margrave's reaching adulthood the king was so fearful of any covert political activity on his cousin's part that he sent spies to Schwedt to find out who met with Frederick William and his brother Margrave Frederick William pursued a lavish programme of building in Schwedt, both in the palace and town, and he actively purchased land and estates to augment his inheritance; this aggrandisement resulted in the king eventually forbidding him from making any more such purchases  In contrast to his father's policy Frederick II sought to distance himself from his Schwedt cousins, humiliating them at every chance  He made them unwelcome at his court, undermined the margrave's authority in his own dominions by encouraging complaints and lawsuits by his tenants and neighbours and, most effectively, he marginalised the position of the Schwedt brothers within the Prussian army   Margrave Frederick William was removed from command in the army, a denigration the king also extended to his own brothers Frederick William was 19 years older than his wife Sophia Dorothea of Prussia, who was his first cousin once removed   The marriage, in 1734, was at the express wish of King Frederick William, against the wishes of his daughter; the bride was given away by her brother the future Frederick II, as the king was unwell  The relationship of the couple was not happy  Sophia often fled to the protection of her brother King Frederick  The latter did not stop at friendly admonitions, but sent General Meir to Schwedt with unlimited authority to protect the margravine from insult  Eventually they lived in separate places: Sophia lived in the castle Montplaisir, and the Margrave lived in the castle of Schwedt  Apparently they were only reconciled when the margravine was in her terminal illness; she died in her husband's arms On 4 March 1771, Frederick William died at Wildenbruch Castle, when the heavy cold he was suffering from worsened  The Margrave acknowledged one illegitimate son, the only one of his male offspring to survive infancy  Due to his lack of surviving legitimate male issue, his lands and title were inherited by his younger brother Frederick Henry (ruled 1771–1788) 

Issue
In 1734, the Margrave married Sophia Dorothea of Prussia and they had five children 
Sophia Dorothea (18 December 1736 – 9 March 1798); married Frederick II Eugene, Duke of Württemberg
Elisabeth Louise (22 April 1738 – 10 February 1820); married her uncle Prince Augustus Ferdinand of Prussia
George Philip (10 September 1741 – 28 April 1742)
Philippine (10 October 1745 – 1 May 1800); married Frederick II, Landgrave of Hesse-Kassel (or Hesse-Cassel)
George Frederick (3 May 1749 – 13 August 1751)He also fathered an illegitimate son named Georg Wilhelm von Jägersfeld (1725–1797) 

Genealogy
Frederick William belonged to a junior branch of the House of Hohenzollern; the senior branch were the Counts of Hohenzollern-Sigmaringen  The junior line produced electors of Brandenburg and kings and emperors of Prussia and Germany  Frederick William was a descendant of Burkhard I, Count of Zollern  Through his daughter Sophia Dorothea he is an ancestor of Mary of Teck (Queen Mary), the wife of George V, and therefore an ancestor of the present British royal family 

Ancestry
See also
Frederick William, Elector of Brandenburg

Notes
Passage 4:
Charles Frederick Albert, Margrave of Brandenburg-Schwedt
Karl Friedrich Albrecht, Margrave of Brandenburg-Schwedt (10 June 1705 – 22 June 1762), a grandson of Frederick William of Brandenburg (the Great Elector) and son of Margrave Albert Frederick of Brandenburg-Schwedt, was a Prussian military officer and the Herrenmeister (grand master) of the Order of Saint John (Bailiwick of Brandenburg) 

Life
Charles of Brandenburg-Schwedt was born in Berlin  He joined the Prussian Army at an early age and distinguished himself during the First Silesian War at the capture of Głogów, at the Battle of Mollwitz and the Battle of Chotusitz  He took command in Upper Silesia in the spring of 1745, to the special satisfaction of his cousin, King Frederick II of Prussia 
During the Seven Years' War Margrave Charles again held independent commands, as Frederick II had confidence in him, and he distinguished himself at the Battle of Hochkirch and the Battle of Torgau  In both battles, as at Mollwitz, he was wounded 
The General German Biography (ADB) describes him as a noble, philanthropic character and lover of the arts and sciences 
For 31 years he governed the knights, the Bailiwick of Brandenburg, and its fiefs as Grand Master of the Order of St  John, having been installed at Sonnenburg in 1731  He died in Breslau 

Issue
Charles Frederick Albert was never married, but had one daughter with his mistress, Dorothea Regina Wuthner (who was raised to the nobility on 14 January 1744 as "Frau von Carlowitz"):

Caroline Regina von Carlowitz (Soldin, 12 December 1731 – Berlin, 16 September 1755), married in Berlin on 16 June 1747 to Count Albrecht Christian von Schönburg-Hinterglauchau (22 January 1720 – 9 March 1799), Charles's adjutant  They had three children:Countess Ernestine Caroline Wilhelmine Albertine of Schönburg-Hinterglauchau (6 June 1748 – 21 March 1810); married in Berlin on 2 November 1770 to Count Frederick Louis Finck von Finckenstein (18 February 1745 – 18 April 1818) 
Count Frederick William Charles Ernest of Schönburg-Hinterglauchau (9 January 1751 – 17 June 1751) 
Count Christian William Charles Frederick Ernest of Schönburg-Hinterglauchau (14 June 1752 – 9 March 1770) In 1744, Charles was engaged to marry Maria Amalia of Hesse-Cassel (1721–1744), but she died before they could wed   Upon his death in 1762, lacking legitimate heirs, his estate reverted to the crown   After the Treaty of Hubertusburg, Frederick II granted these fortunes to the two officers for whom he had particular gratitude: Hans Sigismund von Lestwitz received the estate of Friedland, and Joachim Bernhard von Prittwitz, who had led the king from the battlefield in the Kunersdorf, received the estate at Quillitz   Theodore Fontane gave this circumstance a special mention, by quoting a proverb:   "Lestwitz a sauvé l'etat, Prittwitz a sauvé le roi " (Lestwitz saved the state, Prittwitz the king ) The staff officers of the Lestwitz regiment received a golden medal 

Notes
Passage 5:
Charles Philip of Brandenburg-Schwedt
Margrave Charles Philip of Brandenburg-Schwedt (5 January 1673 in Sparnberg – 23 July 1695 in Casale Monferrato) was a Hohenzollern prince and a titular Margrave of Brandenburg-Schwedt  Near the end of his life he became Grand Master of the Order of Saint John (Bailiwick of Brandenburg) 

Life
Charles Philip was the third surviving son of the "Great Elector", Frederick William of Brandenburg (1620–1688) from his second marriage with Sophia Dorothea (1636–1689), the daughter of Philip, Duke of Schleswig-Holstein-Sonderburg-Glücksburg In 1693, Charles Philip proved himself at the Battle of Neerwinden and was promoted to Lieutenant General by his brother Frederick I  He participated in the War of the Palatine Succession at the head of an auxiliary contingent   He joined the main force of Victor Amadeus II of Sardinia in Turin In Turin, he met Countess Caterina di Salmour (1670-1719), widow of Giovanni Gabaleone, Count di Salmour and daughter of Geofredo Alberico Balbiani, Marchese di Colcavagno by his wife, Marta-Maria Benso di Cavour, heiress of Isolabella  On the afternoon of 29 May 1695 three officers of Brandenburg's army, Col  Ludwig von Blumenthal, Lt  Col  von Hackeborn and Col  von Stille learned that Charles Philipp had lodged in the recently ruined Palace of Venaria, near Turin, where he was about to marry the Countess di Salmour in secret  They hurried towards La Venaria  As they neared the château, the Margrave’s Master of the Horse met them on the road and confirmed the rumour  The Margrave had invited a small gathering to his secret wedding, including three women who were friends of the Countess, her brother Flaminio Balbiano, and some local Torino notables; on the German side were a Prince of Hesse-Cassel and a Captain Beaupré, currently serving in Brandenburg’s army  The local priest Fr  Galli was summoned, and before him and in the presence of Abbot Alexander del Marro and the Chevalier Parella, they declared their determination to marry  But the priest refused to co-operate on the grounds that they were not his parishioners  The Abbot and Captain Beaupré fought; Staff intervened and the Margrave then fell upon the Master of Horse with drawn sword, who fled Riding on, the three colonels came upon the Margrave, heading for the Countess’ house in Turin in his carriage with his escort  They joined the cavalcade, and when they reached the destination the Prince’s advisors implored him not to carry on  Neither the Elector of Brandenburg, nor the Duke of Savoy recognized the marriage  To avoid diplomatic complications, Duke Victor Amadeus imprisoned Caterina in a convent  The Curia supported Charles Philip's claim that the marriage was legal, in the hope that he would convert to Catholicism   While the issue was still being debated, Charles Philip died of a fever or (it was said) of a broken heart  He was buried in the Hohenzollern family crypt in Berlin Cathedral 
Two years later, Rome ruled that the marriage was valid   The Elector still did not recognize it 
In 1707, Caterina married the Saxon general Count August Christoph von Wackerbarth 
Passage 6:
Margrave Albert Frederick of Brandenburg-Schwedt
Albert Frederick, Prince of Prussia, Margrave of Brandenburg-Schwedt (24 January 1672 – 21 June 1731), was a Lieutenant General in the army of the Electorate of Brandenburg-Prussia and Grand Master of the Order of Saint John  In his lifetime he held the courtesy title of Margrave of Brandenburg  His elder brother Philip William held the town and lands of Schwedt 

Life
Albert Frederick was born in Berlin, a son of Elector Frederick William of Brandenburg and his second wife Sophia Dorothea   His brother Philip William was from 1692 to 1711 Governor of Magdeburg   Albrecht Frederick joined the Prussian army as a volunteer in 1689, at the beginning of the War of the Palatine Succession against France   On 10 May 1692 he became head of a cavalry regiment and on 14 March 1693, he was promoted to major general  In 1694 he participated in the campaign in Italy and was on 9 March 1695, he was promoted to lieutenant general   The Margrave became in 1696 Grand Master of the Order of Saint John (Bailiwick of Brandenburg) and, on 17 January 1701, one of the first knights of the Order of the Black Eagle 
Beginning 14 February 1702 he fought against France as head of an infantry regiment in the War of Spanish Succession as the commander of the Prussian corps in the Netherlands   In November of that year he had to leave this post because of illness   In 1706, he was appointed governor in Pomerania  He died at Friedrichsfelde Palace, aged 59 

Marriage and issue
On 31 October 1703 Albert Frederick married with Princess Maria Dorothea Ketteler of Courland (1684–1743), daughter of Frederick Casimir, Duke of Courland  They had the following children:

Frederick of Brandenburg-Schwedt (1704–1707)
Charles Frederick Albert, Margrave of Brandenburg-Schwedt (1705–1762)
Anna Sophie Charlotte of Brandenburg-Schwedt (1706–1751); married in 1723 Wilhelm Heinrich, Duke of Saxe-Eisenach (1691–1741)
Luise Wilhelmine of Brandenburg-Schwedt (1709–1726)
Frederick of Brandenburg-Schwedt (1710–1741), died in the Battle of Mollwitz as a Prussian colonel
Sophie Friederike Albertine of Brandenburg-Schwedt (1712–1750); married in 1733 Victor Frederick, Prince of Anhalt-Bernburg (1700–1765)
Frederick William (1715–1744) 
Passage 7:
Henrietta Maria of Brandenburg-Schwedt
Henriette Maria of Brandenburg-Schwedt (2 March 1702 probably in Berlin – 7 May 1782 in Köpenick), was a granddaughter of the "Great Elector" Frederick William of Brandenburg   She was the daughter of Philip William, Margrave of Brandenburg-Schwedt (1669-1711), the eldest son of the elector's second marriage with Sophia Dorothea of Schleswig-Holstein-Sonderburg-Glücksburg   Her mother was Johanna Charlotte (1682-1750), the daughter of Prince John George II, Prince of Anhalt-Dessau 

Life
She married on 8 December 1716 in Berlin to Hereditary Prince Frederick Louis of Württemberg (1698-1731), the only son of Duke Eberhard Louis of Württemberg   The marriage produced two children:

Eberhard Frederick (1718-1719)
Louise Frederica (1721-1791), married Frederick II, Duke of Mecklenburg-Schwerin Henrietta Maria died on 7 May 1782, aged 81, and was buried in the crypt below the church of Köpenick Palace, where she had spent her years of widowhood   Her daughter arranged for a black marble plate in the crypt to commemorate her mother   In the 1960s, the coffin was cremated, with permission of the Hohenzollern family, and the formerly open-ended crypt (as described by Fontane) was walled off   Her urn was buried below the black marble plate 
Passage 8:
Margrave Frederick William of Brandenburg-Schwedt (1715–1744)
Frederick William of Brandenburg-Schwedt (18 March 1715 – 12 September 1744 in Prague) was a Prussian Major General and commander of the Guards on Foot   He was the son of Margrave Albert Frederick of Brandenburg-Schwedt and his wife Maria Dorothea of Courland (1684-1743)  In his lifetime he held the courtesy title of Margrave of Brandenburg  His first cousin of the same name (Frederick William) was of the senior line and held the town and lands of Schwedt 

Life
In May 1719, when he was only four years old, he was awarded the Order of the Black Eagle 
From 1734, he participated as a volunteer in the campaigns of the Prussian army   During the War of the Austrian Succession, he was wounded in the Battle of Mollwitz   His elder brother Frederick fell during this battle 
In 1740, the Guard on Foot were formed from the Infantry Regiment Nr  15, and Frederick William was the first colonel of the new unit   On May 16, 1743, he was promoted to major general and made commander of the Guard 
During the Siege of Prague in 1744, he commanded the trenches   The king was present when he was killed by a cannonball   His body was transferred to Berlin and he was buried in the Hohenzollern crypt in Berlin Cathedral 

Footnotes
Passage 9:
Philip William, Margrave of Brandenburg-Schwedt
Philip William, Prince in Prussia (German: Philipp Wilhelm von Brandenburg-Schwedt; May 19, 1669, castle of Königsberg – December 19, 1711, castle of Schwedt) was a Prussian Prince,  was the first owner of the Prussian secundogeniture of Brandenburg-Schwedt and was governor of Magdeburg from 1692 to 1711 

Biography
Philip William was the eldest son of the Great Elector and his second wife, Princess Sophia Dorothea of Schleswig-Holstein-Sonderburg-Glücksburg  One of her major endeavours was to ensure the financial security of her sons, mostly by the purchase of land  Shortly after the birth of Philip William, he was invested with his mother's dominion of Schwedt, later, the Brandenburg-Prussian government added the lands of Wildenbruch  Both dominions were improved by Princess Dorothea's care and investments  Following the death of his mother, Philip, in an accord of dating to 3 March 1692, reached agreement with his half-brother, the Elector Friedrich III, about income and lands left to him by the Great Elector, including the lordship, without sovereignty, of Halberstadt  Philip received for himself and his descendants guaranteed appanages generating an income of 24,000 thalers each year  Added revenue came in to the amount of 22,000 thalers from the rule of Schwedt, plus military salaries of about 20,000 thalers, so that with a total income of 66,000 crowns he was enabled to hold court, in some style, himself 
He held, like all the male members of his house, the courtesy title, Margrave of Brandenburg  After the coronation of his elder brother, Frederick, he became Prince in Prussia, Margrave of Brandenburg with the style Royal Highness  The nomenclature "Brandenburg-Schwedt" came into use in the 19th century, posthumously, to distinguish the lords of Schwedt from the main line of the Hohenzollerns  Philip William was the ancestor of the Schwedt branch of the Royal House of Hohenzollern  On 25 January 1699 Philip Wilhelm married Princess Johanna Charlotte of Anhalt-Dessau (1682–1750), daughter of John George II, Prince of Anhalt-Dessau  As a widow she became Abbess of the Imperial Abbey of Herford 
Philipp Wilhelm served as a general in the campaigns against France and was promoted in 1697 to Inspector-General of the artillery  His half-brother, Prince Elector Friedrich III (later King Frederick I of Prussia), also gave him the proprietorship of several regiments  During his time as governor of Magdeburg, he was raised by the University of Halle (Saale) to the post of "Rector magnificentissimus” 
Philip's Berlin residence, the Margrave Weilersche Palace, was later used by Kaiser Wilhelm I  He was buried in the Berlin Cathedral, where most of the senior members of the House of Hohenzollern are buried 
Since Philip's eldest son, Frederick William, was a minor at his death, the King of Prussia (Frederick I and Frederick William I) took over guardianship  With the death of his granddaughter, Anna Elisabeth Luise, the collateral line of Brandenburg-Schwedt became extinct in 1820 

Issue
Frederick William, Margrave of Brandenburg-Schwedt (1700–1771); married in 1734 Princess Sophia Dorothea of Prussia (1719–1765) 
Margravine Friederike Dorothea Henriette of Brandenburg-Schwedt (1700–1701) 
Margravine Henrietta Maria of Brandenburg-Schwedt (1702–1782); married in 1716 Hereditary Prince Frederick Louis of Württemberg (1698–1731) 
George William of Brandenburg-Schwedt (* / † 1704) 
Frederick Henry, Margrave of Brandenburg-Schwedt (1709–1788); married in 1739 Princess Leopoldine Marie of Anhalt-Dessau (1716–1782) 
Margravine Charlotte of Brandenburg-Schwedt (1710–1712) 

Ancestry
Passage 10:
Marie Amalie of Brandenburg
Maria Amalia of Brandenburg-Schwedt (26 November 1670 in Cölln – 17 November 1739 at Bertholdsburg Castle in Schleusingen) was a princess from the Brandenburg-Schwedt line of the House of Hohenzollern and by marriage a Duchess of Saxe-Zeitz 

Family
She was the daughter of the "Great Elector" Frederick William of Brandenburg from his second marriage with Sophia Dorothea of Schleswig-Holstein-Sonderburg-Glücksburg, daughter of Duke Philip of Schleswig-Holstein-Sonderburg-Glücksburg 

Life
In 1709, while she was a duchess, she visited the William Fountain, a medicinal spring in Schleusingen   She promoted the development of Schleusingen as a spa 
She died in 1739, at the age of 68, at the castle in Schleusingen that had earlier served as the seat of the Counts of Henneberg-Schleusingen   She had received this castle as her widow seat   Via her daughter, she was related to the Landgraviate family in Hesse and on that basis, she was buried in the royal crypt in the Martinskirche, Kassel 

Marriage and issue
Her first marriage was on 20 August 1687 in Potsdam with Prince Charles of Mecklenburg-Güstrow, the son of the Duke Gustav Adolph of Mecklenburg-Güstrow and Magdalene Sibylle of Holstein-Gottorp   They had one child, who was born on 15 March 1688 and died later that day   Her husband also died that day 
She married her second husband on 25 June 1689 in Potsdam   He was Duke Maurice William of Saxe-Zeitz, the son of Duke Maurice of Saxe-Zeitz and Dorothea Maria of Saxe-Weimar   She survived him by 21 years   They had the following children:

Frederick William (Moritzburg, 26 March 1690 – Moritzburg, 15 May 1690) 
Dorothea Wilhelmine (Moritzburg, 20 March 1691 – Kassel, 17 March 1743), married on 27 September 1717 to Landgrave William VIII of Hesse-Kassel 
Karoline Amalie (Moritzburg, 24 May 1693 – Moritzburg, 5 September 1694) 
Sophie Charlotte (Moritzburg, 25 April 1695 – Moritzburg, 18 June 1696) 
Frederick Augustus (Moritzburg, 12 August 1700 – Halle, 17 February 1710) /

External links
Publications by or about Marie Amalie of Brandenburg at VD 17
Johann Hübner's    Three hundred and thirty three and Genealogical Tables, Table 171



ground_truth: Preslav

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When is Henrietta Maria Of Brandenburg-Schwedt's father's birthday?

The following are given passages.
Context 4: 

Early life
His father was Hashim ibn 'Abd Manaf,: 81  the progenitor of the distinguished Banu Hashim, a clan of the Quraysh tribe of Mecca  They claimed descent from Ismā'īl and Ibrāhīm  His mother was Salma bint Amr, from the Banu Najjar, a clan of the Khazraj tribe in Yathrib (later called Madinah)  Hashim died while doing business in Gaza, before Abd al-Muttalib was born : 81 His real name was "Shaiba" meaning 'the ancient one' or 'white-haired' because of the streak of white through his jet-black hair, and is sometimes also called Shaybah al-Ḥamd ("The white streak of praise") : 81–82  After his father's death he was raised in Yathrib with his mother and her family until about the age of eight, when his uncle Muttalib ibn Abd Manaf went to see him and asked his mother Salmah to entrust Shaybah to his care  Salmah was unwilling to let her son go and Shaiba refused to leave his mother without her consent  Muṭṭalib then pointed out that the possibilities Yathrib had to offer were incomparable to Mecca  Salmah was impressed with his arguments, so she agreed to let him go  Upon first arriving in Mecca, the people assumed the unknown child was Muttalib's servant and started calling him 'Abd al-Muttalib ("servant of Muttalib") : 85–86

Chieftain of Hashim clan
When Muṭṭalib died, Shaiba succeeded him as the chief of the Hāshim clan  Following his uncle Al-Muṭṭalib, he took over the duties of providing the pilgrims with food and water, and carried on the practices of his forefathers with his people  He attained such eminence as none of his forefathers enjoyed; his people loved him and his reputation was great among them : 61 
'Umar ibn Al-Khaṭṭāb's grandfather Nufayl ibn Abdul Uzza arbitrated in a dispute between 'Abdul-Muṭṭalib and Ḥarb ibn Umayyah, Abu Sufyan's father, over the custodianship of the Kaaba  Nufayl gave his verdict in favour of 'Abdul-Muṭṭalib  Addressing Ḥarb ibn Umayyah, he said:
Why do you pick a quarrel with a person who is taller than you in stature; more imposing than you in appearance; more refined than you in intellect; whose progeny outnumbers yours and whose generosity outshines yours in lustre? Do not, however, construe this into any disparagement of your good qualities which I highly appreciate  You are as gentle as a lamb, you are renowned throughout Arabia for the stentorian tones of your voice, and you are an asset to your tribe 

Discovery of Zam Zam Well
'Abdul-Muṭṭalib said that while sleeping in the sacred enclosure, he had dreamed he was ordered to dig at the worship place of the Quraysh between the two deities Isāf and Nā'ila  There he would find the Zamzam Well, which the Jurhum tribe had filled in when they left Mecca  The Quraysh tried to stop him digging in that spot, but his son Al-Ḥārith stood guard until they gave up their protests  After three days of digging, 'Abdul-Muṭṭalib found traces of an ancient religious well and exclaimed, "Allahuakbar!" Some of the Quraysh disputed his claim to sole rights over water, then one of them suggested that they go to a female shaman who lived afar  It was said that she could summon jinns and that she could help them decide who was the owner of the well  So, 11 people from the 11 tribes went on the expedition  They had to cross the desert to meet the priestess but then they got lost  There was a lack of food and water and people started to lose hope of ever getting out  One of them suggested that they dig their own graves and if they died, the last person standing would bury the others  So all began digging their own graves and just as Abdul-Muṭṭalib started digging, water spewed out from the hole he dug and everyone became overjoyed  It was then and there decided that Abdul-Muttalib was the owner of the Zam Zam well  Thereafter he supplied pilgrims to the Kaaba with Zam Zam water, which soon eclipsed all the other wells in Mecca because it was considered sacred : 86–89 : 62–65

The Year of the Elephant
According to Muslim tradition, the Ethiopian governor of Yemen, Abrahah al-Ashram, envied the Kaaba's reverence among the Arabs and, being a Christian, he built a cathedral on Sana'a and ordered pilgrimage be made there : 21  The order was ignored and someone desecrated (some saying in the form of defecation: 696 note 35 ) the cathedral  Abrahah decided to avenge this act by demolishing the Kaaba and he advanced with an army towards Mecca : 22–23 There were thirteen elephants in Abrahah's army: 99 : 26  and the year came to be known as 'Ām al-Fīl (the Year of the Elephant), beginning a trend for reckoning the years in Arabia which was used until 'Umar ibn Al-Khaṭṭāb replaced it with the Islamic Calendar in 638 CE (17 AH), with the first year of the Islamic Calendar being 622 CE 
When news of the advance of Abrahah's army came, the Arab tribes of Quraysh, Kinānah, Khuzā'ah and Hudhayl united in defence of the Kaaba  A man from the Ḥimyar tribe was sent by Abrahah to advise them that he only wished to demolish the Kaaba and if they resisted, they would be crushed  "Abdul-Muṭṭalib told the Meccans to seek refuge in the nearest high hills while he, with some leading members of Quraysh, remained within the precincts of the Kaaba  Abrahah sent a dispatch inviting 'Abdul-Muṭṭalib to meet him and discuss matters  When 'Abdul-Muṭṭalib left the meeting he was heard saying, "The Owner of this House is its Defender, and I am sure He will save it from the attack of the adversaries and will not dishonour the servants of His House ": 24–26 It is recorded that when Abrahah's forces neared the Kaaba, Allah commanded small birds (abābīl) to destroy Abrahah's army, raining down pebbles on it from their beaks  Abrahah was seriously wounded and retreated towards Yemen but died on the way : 26–27  This event is referred to in the following Qur'anic chapter:

Have you not seen how your Lord dealt with the owners of the Elephant?
Did He not make their treacherous plan go astray?

And He sent against them birds in flocks, striking them with stones of baked clay, so He rendered them like straw eaten up 
Most Islamic sources place the event around the year that Muhammad was born, 570 CE, though other scholars place it one or two decades earlier  A tradition attributed to Ibn Shihab al-Zuhri in the musannaf of ʽAbd al-Razzaq al-Sanʽani places it before the birth of Muhammad's father 

Sacrificing his son Abdullah
Al-Harith was 'Abdul-Muṭṭalib's only son at the time he dug the Zamzam Well : 64  When the Quraysh tried to help him in the digging, he vowed that if he were to have ten sons to protect him, he would sacrifice one of them to Allah at the Kaaba  Later, after nine more sons had been born to him, he told them he must keep the vow  The divination arrows fell upon his favourite son Abdullah  The Quraysh protested 'Abdul-Muṭṭalib's intention to sacrifice his son and demanded that he sacrifice something else instead  'Abdul-Muṭṭalib agreed to consult a "sorceress with a familiar spirit"  She told him to cast lots between Abdullah and ten camels  If Abdullah were chosen, he had to add ten more camels, and keep on doing the same until his Lord accepted the camels in Abdullah's place  When the number of camels reached 100, the lot fell on the camels  'Abdul-Muṭṭalib confirmed this by repeating the test three times  Then the camels were sacrificed, and Abdullah was spared : 66–68

Family
Wives
Abd al-Muttalib had six known wives 

Sumra bint Jundab of the Hawazin tribe 
Lubnā bint Hājar of the Khuza'a tribe 
Fatima bint Amr of the Makhzum clan of the Quraysh tribe 
Halah bint Wuhayb of the Zuhrah clan of the Quraysh tribe 
Natīla bint Janab of the Namir tribe 
Mumanna'a bint Amr of the Khuza'a tribe 

Children
According to Ibn Hisham, ʿAbd al-Muṭṭalib had ten sons and six daughters : 707–708 note 97  However, Ibn Sa'd lists twelve sons : 99–101 By Sumra bint Jundab:

Al-Ḥārith : 708  He was the firstborn and he died before his father : 99 
Quthum : 100  He is not listed by Ibn Hisham By Fatima bint Amr:

Al-Zubayr : 707  He was a poet and a chief; his father made a will in his favour : 99  He died before Islam, leaving two sons and daughters : 101 : 34–35 
Abu Talib, born as Abd Manaf,: 99 : 707  father of the future Caliph Ali  He later became chief of the Hashim clan 
Abdullah, the father of Muhammad : 99 : 707 
Umm Hakim al-Bayda,: 100 : 707  the maternal grandmother of the third Caliph Uthman : 32 
Barra,: 100 : 707  the mother of Abu Salama : 33 
Arwa : 100 : 707 
Atika,: 100 : 707  a wife of Abu Umayya ibn al-Mughira : 31 
Umayma,: 100 : 707  the mother of Zaynab bint Jahsh and Abd Allah ibn Jahsh : 33 By Lubnā bint Hājar:

Abd al-'Uzzā, better known as Abū Lahab : 100 : 708 By Halah bint Wuhayb:

Ḥamza,: 707  the first big leader of Islam  He killed many leaders of the kufar and was considered as the strongest man of the quraysh  He was martyred at Uhud : 100 
Ṣafīyya : 100 : 707 
Al-Muqawwim : 707  He married Qilaba bint Amr ibn Ju'ana ibn Sa'd al-Sahmia, and had children named Abd Allah, Bakr, Hind, Arwa, and Umm Amr (Qutayla or Amra) 
Hajl : 707  He married Umm Murra bint Abi Qays ibn Abd Wud, and had two sons, named Abd Allah, Ubayd Allah, and three daughters named Murra, Rabi'a, and Fakhita By Natīlah bint Khubāb:

al-'Abbas,: 100 : 707  ancestor of the Abbasid caliphs 
Ḍirār,: 707  who died before Islam : 100 
Jahl, died before Islam
Imran, died before IslamBy Mumanna'a bint 'Amr:

Mus'ab, who, according to Ibn Saad, was the one known as al-Ghaydāq : 100  He is not listed by Ibn Hisham 
Al-Ghaydaq, died before Islam 
Abd al-Ka'ba, died before Islam : 100 
Al-Mughira,: 100  who had the byname al-Ghaydaq 

The family tree and some of his important descendants
Death
Abdul Muttalib's son 'Abdullāh died four months before Muḥammad's birth, after which Abdul Muttalib took care of his daughter-in-law Āminah  One day Muhammad's mother, Amina, wanted to go to Yathrib, where her husband, Abdullah, died  So, Muhammad, Amina, Abd al-Muttalib and their caretaker, Umm Ayman started their journey to Medina, which is around 500 kilometres away from Makkah  They stayed there for three weeks, then, started their journey back to Mecca  But, when they reached halfway, at Al-Abwa', Amina became very sick and died six years after her husband's death  She was buried over there  From then, Muhammad became an orphan  Abd al-Muttalib became very sad for Muhammad because he loved him so much  Abd al-Muttalib took care of Muhammad  But when Muhammad was eight years old, the very old Abd al-Muttalib became very sick and died at age 81-82 in 578-579 CE 
Shaybah ibn Hāshim's grave can be found in the Jannat al-Mu'allā cemetery in Makkah, Saudi Arabia 

See also
Family tree of Muhammad
Family tree of Shaiba ibn Hashim
Sahaba



ground_truth: May 19, 1669