prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the director of film The Dinner (2013 Film) born?

The following are given passages.
Context 1: Passage 1:
Jolly Blackburn
Jolly Randall Blackburn is an American publisher and cartoonist who is best known as the creator of the comic strip and identically titled magazine  Knights of the Dinner Table 

Early life
As a child, Jolly Blackburn enjoyed playing Monopoly, Life, Sorry  and many other board games  At age 15, he was introduced to the Avalon Hill wargame Luftwaffe, and soon owned several other wargames  While perusing wargames at the local games shop, Blackburn was introduced to Dungeons & Dragons, and he eventually created his own campaign world called Alderac  
Following high school, Blackburn entered Ball State University where he majored in anthropology, history, and classical cultures : 120

Shadis
After graduation, Blackburn enlisted in the Army, and married his wife Barbara  Blackburn had always wanted to be a writer, and while he was posted in Fort Jackson, South Carolina, he and Barbara launched a gaming magazine titled Shadis  He also created Alderac Entertainment Group, named after his D&D campaign world   (Shadis was the name of one of the moons that circled Alderac ): 262 Shadis was a black-and-white digest that featured gaming articles usually written by Blackburn, as well as several fictional works by Blackburn, collectively referred to as the "Alderac Anthology", since they were set in Blackburn's Alderac world : 262 In the second issue, faced with a blank last page, Blackburn drew a roughly drawn comic strip titled Knights of the Dinner Table that featured a group of gamers seated at a table playing a fictional role-playing game called Hackmaster  As Blackburn told Allen Varney,  "I had been a great fan of J D  Webster's Finieous Fingers from the early Dragon Magazine, and I wanted something similar  Unfortunately, I couldn't find anyone willing to do a strip  Finally I sat down and drew out a very crude cartoon showing a gamemaster and a player sitting around a table arguing over a rules call " Blackburn based the comic strip's players on his gamer friends, and the gamemaster B A  Felton on himself  Blackburn continued to draw the cartoon for Issues 3 to 5, but in Issue 6, believing that his readers wanted better artwork and a more involved storyline, Blackburn replaced his own comic strip with more professional cartoon strips  However, his readers' outcry convinced him to immediately return to Knights of the Dinner Table in the very next issue : 262 Blackburn had to put both Shadis and Knights of the Dinner Table on hold for 18 months in 1991–1992  He was still working as a sergeant in the army, and during Operation: Desert Storm, Blackburn was involved with activating reservists for remedial training prior to deployment, a job that required him to work working seven days a week for up to 16 hours a day  Following the end of the conflict, Blackburn returned to writing : 262

Knights of the Dinner Table
In 1994, Alderac published a Knights of the Dinner Table comic book, and followed up with two more issues  But by the following year, Blackburn felt that his plans for the future had diverged from his partners John Zinser and David Seay — they wanted to expand Alderac and look for success in the collectible card game industry while Blackburn wanted to keep the company fun and small and focus on Knights of the Dinner Table : 263  Blackburn sold his share of Alderac to his partners — keeping the rights to Knights of the Dinner Table — and also sold Shadis after Issue 21   
Blackburn believed that he could produce a monthly Knights of the Dinner Table magazine, and started up KODT Enteractive Facktory with that in mind : 309 While he was working on getting that new company together, Blackburn received a call from the editor of TSR's Dragon magazine, asking if the Knights of the Dinner Table strip was now available; although Blackburn originally planned to continue the strip in Shadis, he accepted the offer and Knights of the Dinner Table appeared Issue 226 of Dragon (February 1996)  Blackburn's comic suddenly reached ten times the audience that it in Shadis, and Blackburn was surprised at the overwhelmingly positive response  He later recounted "I think that's when the light bulb went on over my head   I was shocked by the interest and the apparent appetite for more " Knights of the Dinner Table would continue in Dragon until Issue 269 (March 2000), when it was replaced by an expanded Nodwick strip : 309 After he and Barbara finally published Knights of the Dinner Table #4, Blackburn questioned whether they could make it work on their own  In November 1996 when David Kenzer and some of his Kenzer & Company staff of met Blackburn at a local con, Kenzer asked Blackburn to join his company : 309  Blackburn decided that Kenzer had the sort of business sense and integrity that he was looking for in a partner, and he agreed to become a shareholder  Kenzer reprinted Issue 4 of Knights of the Dinner Table that the Blackburns had produced on their own  Starting with Issue 5 (February 1997), Knights of the Dinner Table was the work of the "KoTD Development Team" which consisted of Jolly Blackburn, David Kenzer, Brian Jelke and Steve Johansson : 310 Knights of the Dinner Table increased in popularity, and Blackburn was invited to be the guest of honor at several conventions, including U Con (November 1998),: 110  Key Con (April 2003) and Gencon (August 2004) In 2022, Knights of the Dinner Table published its 301st issue, becoming the longest comic book series by a single creator (passing the 300 issues of Cerebus the Aardvark created by David Sim) In 2023, Blackburn announced that Knights of the Dinner Table would be moving to an expanded format, but only once every two months, citing the short turnaround times for a monthly magazine and increased production costs 

Hackmaster
As early as 1995, Blackburn toyed with the idea of creating a one-off joke role-playing game called Hackmaster, based on the fictional role-playing game being played in Knights of the Dinner Table  However, Jim Kenzer urged him to wait, believing that it could become a serious product  In 2000, using Wizards of the Coast's Open Game License, Blackburn and Kenzer created Hackmaster, based on the rules for D&D Several years later, Blackburn made the decision to break away from the D&D game system and create an independent role-playing system for Hackmaster  This enabled him to include many items and ideas from the Knights of the Dinner Table comics 

Reception
Writing for Black Gate, John O'Neill noted that the artwork is not what draws readers to Knights of the Dinner Table, commenting, "Jolly has never claimed to be an artist, and in truth the art isn't where this strip shines anyway  Jolly's true gifts are as a writer, and the writing in KoDT is top notch "

Awards
Blackburn has received a number of awards for Knights of the Dinner Table, including:

Origins Awards for "Best Professional Game Magazine" of 1998 and 1999 
Origins Award for "Gamer's Choice: Best Periodical of 2003" 
Origins Award for "Best Game Accessory of 2009" 
Passage 2:
Menno Meyjes
Menno Meyjes (born 1954, Eindhoven) is a Dutch-born American screenwriter, film director, and film producer Meyjes moved to the United States in 1972 and studied at San Francisco Art Institute  He was nominated for several awards for his screenplay to the 1985 film The Color Purple, adapted from the novel by Alice Walker  In 1989, he gained recognition for cowriting Indiana Jones and the Last Crusade with George Lucas and winning a Goya Award for El Sueño del mono loco 
In 2002, Meyjes wrote and directed the film Max He attended the San Francisco Art Institute, where he studied with George Kuchar, James Broughton, and Larry Jordan 

Filmography
Uncredited written works:

Empire of the Sun (1987)
El Sueño del mono loco (1989)
Passage 3:
Jesse E  Hobson
Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955  Prior to SRI, he was the director of the Armour Research Foundation 

Early life and education
Hobson was born in Marshall, Indiana  He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology  Hobson was also selected as a nationally outstanding engineer Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children 

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948 
Passage 4:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 5:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 6:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 7:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 8:
S  N  Mathur
S N  Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980  He was also the Director General of Police in Punjab 
Passage 9:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 10:
The Dinner (2013 film)
The Dinner (Dutch: Het Diner) is a 2013 Dutch drama film written and directed by Menno Meyjes  It was screened in the Contemporary World Cinema section at the 2013 Toronto International Film Festival  The film is based on Herman Koch's novel Het diner 

Plot
Cast
Thekla Reuten as Claire
Kim van Kooten as Babette
Daan Schuurmans as Serge
Jacob Derwig as Paul
Sabine Soetanto
Reinout Bussemaker as Rector
Gusta Geleynse as Dakloze
Wil van der Meer as Tonio
Jonas Smulders as Michel

See also
The Dinner (2014)
The Dinner (2017)
Context 2: Passage 1:
Cuchillos de fuego
Cuchillos de fuego is a Venezuelan film released in 1990  It was directed by Román Chalbaud based on his theatre play Todo bicho de uña, where a young man, David, seeks revenge on his mother's rapist and murderer  In the film, which is styled like a Western, a stop-motion animated children's drawing of the young David crying over his mother's body is used to tell parts of the story  After searching through the Andes for ten years, he kills several Apaches for his revenge In its theatrical release it was viewed by 367,652 people 

Production
The film stars Miguel Ángel Landa, who also produced it, as well as Marisela Berti, Javier Zapata, Charles Barri, Natalia Martínez, Gabriel Fernández, Dora Mazzone, Jonathan Montenegro, Gabriel Martínez, and Raúl Medina Despite being a Spanish co-production, it was not released in Spain 

Response
The film has been praised for its mixing of diverse themes, like melodrama and fantasy  However, its use of Freudian references was seen as simple, with the film overall described as "somewhat indigestible" It has been assessed as thematically aligned with Chalbaud's other films, despite being a different genre  In this respect, it features "mirage-like memories" of David's mother;:46 masks and costumes used to show illusion and performance of characters thematically;:46-47 pop music in the background used to layer simple meaning;:47 the religious name (David) for its protagonist;:48 and the use of myths, specifically the "fairytale of the abandoned child" :52
Passage 2:
Vittorio Cottafavi
Vittorio Cottafavi (30 January 1914 – 14 December 1998) was an Italian film director and screenwriter  He directed 70 films between 1943 and 1985  His film Il diavolo sulle colline was screened in the Un Certain Regard section at the 1985 Cannes Film Festival 

Selected filmography
Passage 3:
Blossoms of Fire
Blossoms of Fire (also known as Ramo de fuego) is a 2000 documentary film about the people of Juchitán, Oaxaca, Mexico  The documentary was directed by Maureen Gosling and Ellen Osborne 

Overview
Author Elena Poniatowska described the women of Juchitán de Zaragoza, a city in the Mexican state of Oaxaca, as “guardians of men, distributors of food ” Artists like Miguel Covarrubias and Frida Kahlo celebrated their beauty and intelligence  Blossoms of Fire shows them in their daily lives as they run their own businesses, embroider their signature fiery blossoms on clothing and comment on articles in the foreign press that depict them as a promiscuous matriarchy  In particular, an article in the Latin American version of ELLE Magazine infuriated the community during the time the filmmakers were shooting in 1994  Yet, it is expressed throughout the film by the women that they do not consider their society to be a matriarchy 
The people interviewed in this film share a common work ethic and independent streak rooted in Zapotec culture  The movie demonstrates powerful women, the region’s progressive politics, and a tolerance of homosexuality  Veteran film editor and former Les Blank collaborator Maureen Gosling and co-director Ellen Osborne tell of an indigenous community whose "flair for survival in the modern world is a fighting spirit and the undeniable influence of women "

Scenes
A midwife laughs over a young husband’s behavior during birth,
A gay man cheerfully asserts that “the mom’s in charge” in Juchitecan society
Many proudly describe the challenges they face in their work and their families 

Honors and special screenings
World Premiere - San Francisco International Film Festival, Castro Theater, SF and Pacific Film Archive, Berkeley
Coral Prize for Best Foreign Documentary About Latin America: Havana International Film Festival, Havana, Cuba 
"Best Of"Sunnyside of the Doc Film Market, Marseille, France
Award for Excellence - Society for Visual Anthropology, American Anthropological Association
Best Documentary - Film Fest New Haven, Conn 
Second Prize, Community Category, Terres en Vues First People's Festival,  Montréal, Québec
Prix Union Latine, Competition - La Cita Festival de Biarritz, Biarritz, France
El Foro de la Cineteca Nacional, Mexico City, Mexico (One of 12 international films chosen to screen at this prestigious Forum ) The film toured Mexico with the other films for three months following 
HBO Frame by Frame Series, The Screening Room, Manhattan
Tour of the Mexican Republic, including Juchitán, Oaxaca, Mexico City, and dozens of venues in the southern Mexican states  Sponsored by the Mexican Film Institute (IMCINE)  May–June 2001 
HDerHumALC (Human Rights) Film Festival, Buenos Aires, Argentina 
Toured with festival films to Lima, Peru (Dec  2002)
World Social Justice Forum in Porto Alegre and Belem, Brazil (Jan  2003) 

Credits
Producer, Director, Editor - Maureen Gosling
Director, Co-Producer - Ellen Osborne
Co-Producers - Toni Hanna, Maria Teresa García de la Noceda
Cinematographer - Xavier Pérez Grobet
Sound Recordist - Gabriela Espinoza
Field Producer - Susana Vásquez Sánchez
Associate Producer - Kelly Clement
Fiscal Sponsor - Film Arts Foundation, San Francisco
Featuring - the People of Juchitán and San Blas Atempa, Oaxaca
Passage 4:
Miloš Zličić
Miloš Zličić (Serbian Cyrillic: Милош Зличић; born 29 December 1999) is a Serbian football forward who plays for Smederevo 1924  He is a younger brother of Lazar Zličić 

Club career
Vojvodina
Born in Novi Sad, Zličić passed Vojvodina youth school and joined the first team at the age of 16  Previously, he was nominated for the best player of the "Tournament of Friendship", played in 2015  He made his senior debut in a friendly match against OFK Bačka during the spring half of the 2015–16 season, along with a year younger Mihajlo Nešković  Zličić made an official debut for Vojvodina in the 16th fixture of the 2016–17 Serbian SuperLiga season, played on 19 November 2016 against Novi Pazar 

Loan to Cement
In July 2018, Zličić joined the Serbian League Vojvodina side Cement Beočin on half-year loan deal  Zličić made his debut in an official match for Cement on 18 August, in the first round of the new season of the Serbian League Vojvodina, in a defeat against Omladinac  He scored his first senior goal on 25 August, in victory against Radnički 

International career
Zličić was called in Serbia U15 national team squad during the 2014, and he also appeared for under-16 national team between 2014 and 2015  He was also member of a U17 level later  After that, he was member of a U18 level, and scored goal against Slovenia U18 

Career statistics
As of 26 February 2020
Passage 5:
Ojos de fuego
Ojos de Fuego  (Eyes of Fire) is a 1995 Argentine independent short film written and directed by Jorge Gaggero 

Cast
Erasmo Olivera as Julian
Jorge Huertas as Comisario
Victor Poleri as Rengo
Eva Fernandez as Madre de Julian
Leandro Martínez as Laucha

External links
Ojos de fuego at IMDb
Passage 6:
La Bestia humana
La Bestia humana is a 1957 Argentine film whose story is based on the 1890 novel La Bête Humaine by the French writer Émile Zola 

External links
La Bestia humana at IMDb
Passage 7:
Román Chalbaud
Román Chalbaud (born 10 October 1931) is a Venezuelan film director and screenwriter, as well as a prominent playwright  Starting work in television after prestigious training, Chalbaud moved into making films before the industry took off in his home country, returning to theatre where he had been a great success for several years until filmmaking became a viable industry again  He has served as the president of Venezuela's leading theatre, television, and film organisations  A documentary about his life and work called Román en el universo de las maravillas, produced by Argentinian filmmakers, was released on 17 March 2018 in Altamira, Caracas at the Rómulo Gallegos Center for Latin American Studies 

Early life
Born in Mérida, Chalboud moved to Caracas with his grandmother at age six, and was seen in the city as a "learning-disabled" "country boy" Chalbaud was young, "in his adolescence" when he knew he wanted to be a storyteller, but also had a proclivity towards poetry  Some of his storytelling desires came from his grandmother, who was a keen reader of European literature, and also enjoyed watching some French and Italian films
Context 3: Passage 1:
Thomas Savage, 3rd Earl Rivers
Major General Thomas Savage, 3rd Earl Rivers (c  1628 – 14 September 1694) was an English nobleman and soldier 
He was the first son of John Savage, 2nd Earl Rivers by his wife Catherine, daughter of William Parker, 13th Baron Morley  His father was closely involved in the English Civil War on the Royalist side from 1641  Consequently, he lost his castles at Halton and Rocksavage and their contents were confiscated 
About 1647, he married firstly Elizabeth (b  1627), illegitimate daughter of Emanuel Scrope, 1st Earl of Sunderland by his mistress Martha Jeanes  Their children included: Thomas, who married Charlotte, daughter of Charles Stanley, 8th Earl of Derby; Richard, who succeeded as 4th Earl Rivers; Elizabeth; and Annabella  They also had other children who died young He was widely believed to be a Roman Catholic, and during the Popish Plot he was denounced by informers, but the evidence was so flimsy that no charges were ever brought against him 
About 1684, he married secondly Arabella, daughter of Robert Bertie, 3rd Earl of Lindsey  They had no issue He died at his house in Great Queen Street in the Parish of St Giles in the Fields, Middlesex  A memorial to him by William Stanton was installed in St Michaels Church, Macclesfield Documented evidence exists in the form of a pamphlet which details a murder by a Thomas Savage of St Giles in the Fields  It is likely the Thomas in question is the son of the 3rd Earl Rivers, or a family relation 
Passage 2:
Robert Bertie, 3rd Earl of Lindsey
Robert Bertie, 3rd Earl of Lindsey PC FRS (8 November 1630 – 8 May 1701), styled Lord Willoughby de Eresby from 1642 to 1666, was an English nobleman 
He was the son of Montagu Bertie, 2nd Earl of Lindsey and Martha Cokayne  He travelled on the Continent, in France and Italy from 1647 to 1652, attending the University of Padua in 1651  In 1654, he married Mary Massingberd, who died in the late 1650s, after bearing him one daughter:
Lady Arabella Bertie (d  28 February 1716), married Thomas Savage, 3rd Earl Rivers Before 1660, he married again to Elizabeth Wharton (d  1669), daughter of Philip Wharton, 4th Baron Wharton, by whom he had five children:
Robert Bertie, 1st Duke of Ancaster and Kesteven (1660–1723)
Rt  Hon  Peregrine Bertie (c  1663–1711)
Hon  Philip Bertie (c  1664–1728), married Elizabeth Brabazon, daughter of William Brabazon, 3rd Earl of Meath, without issue
Hon  Norris Bertie (c  1666 – 27 August 1691)
Hon  Albemarle Bertie (c  1668–1742)He contested Boston in 1661 and was returned to the Cavalier Parliament, in which he sat until he succeeded his father as Earl of Lindsey and Lord Great Chamberlain in 1666  In about 1670, he married a third time, to Lady Elizabeth Pope, daughter of Thomas Pope, 2nd Earl of Downe and widow of Sir Francis Lee, 4th Baronet  By her he had two children:
Hon  Charles Bertie (c  1683–1727)
Lady Elizabeth Bertie, died unmarriedLindsey had inherited an electoral interest at Stamford, on which his brother Peregrine had been returned since 1665  In a 1677 by-election, Lindsey treated the voters lavishly and secured the election of his candidate against that of the 4th Earl of Exeter, heretofore the predominant interest in the borough  For a brief period, both Peregrine and their younger brother Charles Bertie sat for the borough, but the Exclusion crisis in 1679 temporarily destroyed Lindsey's influence and both were turned out  Lindsey's brothers regained both seats at the 1685 election, but in 1689, he compromised with the 5th Earl of Exeter and each chose one member, Lindsey's brother Charles holding the seat until 1711  In 1694, he put in his younger son Philip at a by-election alongside Charles, but the Exeter interest put up a candidate again in 1698 and Philip did not stand 
Passage 3:
Robert Bertie, 1st Earl of Lindsey
Robert Bertie, 1st Earl of Lindsey KG (16 December 1582 – 24 October 1642), previously (from 1601 to 1626) 14th Baron Willoughby de Eresby was an English peer, soldier and courtier 

Early life
Robert Bertie was the son of Peregrine Bertie, 13th Baron Willoughby de Eresby (b  12 October 1555 – d  25 June 1601) and Mary de Vere, daughter of John de Vere, 16th Earl of Oxford, and Margery Golding  Queen Elizabeth I was his godmother, and two of her favourite earls (Robert Dudley, 1st Earl of Leicester, and Robert Devereux, 2nd Earl of Essex), whose Christian name he bore, were his godfathers 
He had been part of Essex's expedition to Cádiz, and had afterwards served in the Netherlands, under Maurice of Nassau, Prince of Orange  He was even given temporary command of English forces during the Siege of Rheinberg in the summer of 1601  The long Continental wars throughout the peaceful reign of King James I had been treated by the English nobility as schools of arms, as a few campaigns were considered a graceful finish to a gentleman's education He succeeded his father as Baron Willoughby de Eresby in 1601  He was later created Earl of Lindsey on 22 November 1626 and took his title from the northern of the three parts of Lincolnshire, the old Kingdom of Lindsey 

The entrepreneur
The Lindsey Level in The Fens, between the River Glen and The Haven, at Boston, Lincolnshire, was named after the first Earl Lindsey as he was the principal adventurer in its drainage  The drainage work was declared complete in 1638 but the project was neglected with the onset of the Civil War so that the land fell back into its old state  When it was drained again, more than a hundred years later, it was called the Black Sluice Level  There is more information under the article Twenty, Lincolnshire 

The English Civil War
As soon as Lord Lindsey had begun to fear that the disputes between the King, Charles I and Parliament must end in war, he had begun to exercise and train his tenantry in Lincolnshire and Northamptonshire, of whom he had formed a regiment of infantry 

First Siege of Hull
Lord Lindsey accompanied the King in April 1642 as part of a party who tried to negotiate a handover of the magazine at Hull for the King's military use  This handover was turned down by the pro-Parliamentary governor, Sir John Hotham, who expelled the party, causing it to withdraw with the King to York  Early in July, the King returned from York with a force of 3,000 infantry and 1,000 cavalry, intent on besieging the city, now garrisoned by reinforcing Parliamentary troops commanded by Sir John Meldrum, returning to York while leaving Lord Lindsey in command through the siege   Meldrum ordered some effective sorties out of the city, the last of which, on 27 July, blew up the arsenal Lindsey's troops had set up at Anlaby, west of Hull  Lindsey's force, whose cavalry were unsupported by the infantry who had withdrawn to Beverley, gave up the siege after this loss of their munitions and retreated back to York, lifting the siege 

Battle of Edgehill
As Lord Lindsey was a most experienced soldier of 59 years of age at the start of the English Civil War, King Charles I had appointed him General-in-chief of the Royalists for the Battle of Edgehill  However, the King had imprudently exempted the cavalry from Lindsey's command, its general, the King's nephew Prince Rupert of the Rhine, taking orders only from the King  Rupert was only 22 years old, and although an experienced soldier who had fought in the Thirty Years' War, he had not yet learnt that cavalry should also be used in support of infantry and not just against the enemy's cavalry 
With Lindsey was his son Montagu Bertie, Lord Willoughby who had seen some service against the Spaniards in the Netherlands, and after his return had been made a captain in the Lifeguards, and a Gentleman of the Bedchamber  Anthony van Dyck has left portraits of the father and the son; the one a bald-headed, alert, precise-looking old warrior, with the cuirass and gauntlets of earlier warfare; the other, the very model of a cavalier, tall, easy, and graceful, with a gentle reflective face, and wearing the long lovelocks and deep-point lace collar and cuffs characteristic of Queen Henrietta's Court 
At eight o'clock, on the morning of 23 October 1642 King Charles was riding along the ridge of Edge Hill, and looking down into the Vale of the Red Horse, a fair meadow land, here and there broken by hedges and copses  His troops were mustering around him, and in the valley he could see with his telescope the various Parliamentary regiments, as they poured out of the town of Kineton, and took up their positions in three lines  "I never saw the rebels in a body before," he said, as he gazed sadly at the subjects arrayed against him  "I shall give them battle  God, and the prayers of good men to Him, assist the justice of my cause " The whole of his forces were not assembled till two o'clock in the afternoon, for the gentlemen who had become officers found it no easy matter to call their farmers and retainers together, and marshal them into any sort of order 
Lord Lindsey, who was an old comrade of Robert Devereux, 3rd Earl of Essex, who was by then the commander of the Parliamentarian forces, knew that he would follow the tactics they had both together studied in Holland, little thinking that one day they should be arrayed one against the other in their own native England  He had a high opinion of Essex's generalship, and insisted that the situation of the Royal army required the utmost caution  Rupert, on the other hand, had seen the swift fiery charges of the fierce troopers of the Thirty Years' War, and was backed up by Patrick Ruthven, Lord Ruthven, one of the many Scots who had won honour under King Gustavus Adolphus of Sweden  A sudden charge of the Royal horse would, Rupert argued, sweep the Roundheads from the field, and the foot would have nothing to do but to follow up the victory  The King, sad enough at having to fight at all with his subjects, and never having seen a battle, seemed entirely bewildered between the ardent words of his spirited nephew and the grave replies of the well-seasoned old Earl  Eventually the King, willing at least not to irritate Rupert, desired that Ruthven should array the troops in the Swedish fashion 
It was a greater affront to the General-in-chief than the king was likely to understand, but it could not shake the old soldier's loyalty  He gravely resigned the empty title of General, which only made confusion worse confounded, and rode away to act as colonel of his own Lincolnshire regiment, pitying his master's perplexity, and resolved that no private pique should hinder him from doing his duty  His regiment was of foot soldiers, and was just opposite to the standard of the Earl of Essex 
In the afternoon the Royal forces marched down the hill  Prince Rupert's charge was fully successful  No one even waited to cross swords with his troopers, but all the Roundhead horse galloped headlong off the field, hotly pursued by the Royalists  However, the main body of the army stood firm, and for some time the battle was nearly equal, until a large troop of Parliamentary cavalry who had been kept in reserve, wheeled round and fell upon the Royal forces just when their scanty supply of ammunition was exhausted  Step by step, however, they retreated bravely, and Rupert, who had returned from his charge, sought in vain to collect his scattered troopers, so as to fall again on the Roundheads  Some were plundering, some chasing the Roundheads, and none could be got together 

Death
Lord Lindsey was shot through the thigh bone, and fell  He was instantly surrounded by Roundhead cavalry; but his son, Lord Willoughby, seeing his danger, flung himself alone among them, forced his way forward, and raised his father in his arm, unheeding his own safety  The throng of Roundheads around called to him to surrender, and, hastily giving up his sword, he carried the Earl into the nearest shed, and laid him on a heap of straw, vainly striving to staunch the blood under watch of a Roundhead guard 
It was a bitterly cold night, and the frosty wind came howling through the darkness  Lord Lindsey himself murmured, "If it please God I should survive, I never will fight in the same field with boys again!"–no doubt deeming that young Rupert had wrought all the mischief  His thoughts were all on the cause, his son's all on him  It proved impossible to stop his wounds bleeding and gradually the old man's strength ebbed away 
Toward midnight the Earl's old comrade Essex had news of his condition, and sent some officers to enquire for him, and promise speedy surgical attendance  Lindsey was still full of spirit, and spoke to them so strongly of their broken faith, and of the sin of disloyalty and rebellion, that they slunk away one by one out of the hut, and dissuaded Essex from coming himself to see his old friend, as he had intended  The surgeon, however, arrived, but too late, Lindsey was already so much exhausted by cold and loss of blood, that he died early in the morning of 24 October 1642, as he was being carried through the gates of Warwick Castle where other Royalist prisoners were being kept  His son, despite King Charles' best efforts to obtain his exchange, remained a prisoner of the Parliamentary side for about a year  Lindsey is buried in St Michael and All Angels Church, Edenham, Lincolnshire Lord Lindsey should not be confused with Ludovic Lindsay, 16th Earl of Crawford, who also fought for the King at the Battle of Edgehill 

Marriage and issue
In 1605, Lindsey married Elizabeth Montagu (d  30 November 1654, sister of Edward Montagu, 1st Baron Montagu of Boughton)  They had thirteen children:

Montagu Bertie, 2nd Earl of Lindsey (1608–1666)
Hon  Sir Roger Bertie (d  15 October 1654), married Ursula Lawley, daughter of Sir Edward Lawley
Hon  Robert Bertie (1 January 1619 – 1708), married firstly Alice Barnard, secondly Elizabeth Bennet, and thirdly Mary Halsey
Hon  Sir Peregrine Bertie, married Anne Hardeby
Capt  Hon  Francis Bertie (d  1641), killed in Ireland
Capt  Hon  Henry Bertie (d  1643), killed at the First Battle of Newbury
Hon  Vere Bertie, died unmarried
Hon  Edward Bertie (17 October 1624 – 25 December 1686)
Lady Katherine Bertie, married about 1631 Sir William Paston, 1st Baronet, one son, Robert Paston, 1st Earl of Yarmouth
Lady Elizabeth Bertie (d  28 February 1684), married in 1661 Sir Miles Stapleton
Lady Anne Bertie (d  1660), died unmarried
Lady Mary Bertie, married firstly Rev  John Hewett (d  1658), and secondly Sir Abraham Shipman
Lady Sophia Bertie, married Sir Richard ChaworthThe office of Lord Great Chamberlain descended through to him following the death of his cousin Henry de Vere, 18th Earl of Oxford, as being the closest heir male 

Notes
Passage 4:
Montagu Bertie, 2nd Earl of Lindsey
Montagu Bertie, 2nd Earl of Lindsey, KG, PC (1608 – 25 July 1666), was an English soldier, courtier, and politician who sat in the House of Commons between 1624 and 1626  He was created Baron Willoughby de Eresby by writ of acceleration in 1640 and inherited the peerage of Earl of Lindsey in 1642  He fought in the Royalist army in the English Civil War 

Early life
Bertie was born in Grimsthorpe Castle, Grimsthorpe, the eldest son of Robert Bertie, 1st Earl of Lindsey, and his wife Elizabeth Montagu, daughter of Edward Montagu, 1st Baron Montagu of Boughton  After a brief term at Sidney Sussex College, Cambridge, in 1623, Bertie then served as Member of Parliament for Lincolnshire in 1624 and Stamford from 1625 to 1626, when, upon his father's elevation to an earldom, he assumed the style of Lord Willoughby de Eresby 
At some point during his early life, he was also Captain of a cavalry troop in the Low Countries  He rose in favour with King Charles I and was appointed a Gentleman of the Privy Chamber, High Steward of Boston, and Steward, Warden and Chief Ranger of Waltham Forest in 1634 In 1639, Willoughby raised The King's Life Guard of Foot, composed of four companies, for service in the First Bishops' War and was given a Captaincy in the regiment  The following year, he was appointed High Steward of the Honour of Bolingbroke and the Manor of Sutton  When the Long Parliament was convened on 3 November 1640, he was summoned to the House of Lords by a writ of acceleration as Baron Willoughby de Eresby  In October 1641, Lord Willoughby and four companions, including Endymion Porter, visited Scotland  Their sight-seeing was recorded in an anonymous poem, A Scottish Journie 

English Civil War
Both Lord Willoughby and his father supported the King and raised a regiment of cavalry in Lincolnshire on his behalf  Lord Willoughby commanded the Life Guards at Edgehill, where his father was mortally wounded by a shot through the thigh  Willoughby surrendered to the Parliamentarians in order to attend his father, whom he now succeeded as Earl of Lindsey and Lord Great Chamberlain  He was imprisoned in Warwick Castle, where he wrote a defiant declaration and justification of his loyalty to the King  He was not released until a prisoner exchange in July 1643, whereupon he rejoined the King at Oxford and was appointed a Privy Counsellor in December  As colonel of the King's Life Guards of Foot and subsequently lieutenant-general of the Life Guards "and all the foot", he fought at the First Battle of Newbury, Cropredy Bridge, Lostwithiel, Second Battle of Newbury, and was wounded at Naseby  In addition to his military services for the King, Lindsey frequently acted as a commissioner to treat with Parliament and persistently urged reconciliation  The King additionally honored Lindsey with the post of Gentleman of the Bedchamber from 1643 until 1649, and Steward, Keeper and Ranger of Woodstock in 1644 Lindsey was present at the surrender of Oxford in June 1646, attended the King in 1647, and finally served as a commissioner for the Treaty of Newport in 1648  He continued to attend the King during his trial and accompanied the King's body to its burial at Windsor  Lindsey paid heavily for his allegiance, compounding for his estates in December 1646 at £4360 (later reduced to £2100), a sum he did not pay off until 1651 

Commonwealth and Restoration
After the execution of the King, Lindsey retired into private life, and although his movements were carefully monitored by the Council of State, particularly during the Penruddock uprising and Booth's rebellion, he apparently took no part in the Royalist movement After the Restoration, Lindsey was re-appointed to the Privy Council, admitted as Lord Great Chamberlain, and appointed Lord Lieutenant of Lincolnshire  He was made a Knight of the Garter on 1 April 1661 and officiated as Lord Great Chamberlain at the coronation of Charles II on 23 April 1661  In 1662, the office of Earl Marshal was placed in commission and he was named one of the commissioners  Lindsey died in 1666 at Campden House, Kensington, the home of his son-in-law, and was buried at Grimsthorpe 

Family
Bertie married firstly, on 18 April 1627, Martha Ramsay (née Cockayne), Dowager Countess of Holderness and daughter of Sir William Cockayne, at the Church of St Peter-le-Poor in the City of London  They had eight children:
Robert Bertie, 3rd Earl of Lindsey (1630–1701)
Hon  Peregrine Bertie (ca



ground_truth: Eindhoven

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose director is younger, Cuchillos De Fuego or A Woman Has Killed?

The following are given passages.
Context 2:  It was not long after his revelation that he believed he could achieve both working in theatre and in film, the arts towards which he has focused since he was a teenager  His journey to becoming one of his nation's most renowned directors is framed as starting when he would go to a cinema as a teenager and watch films from the Golden Age of Mexican cinema, though Chalbaud himself says that he was inspired by dramatic angles when playing an angel in a Nativity play as a child and being hoisted into the rafters, able to watch the performance from a detached perspective, and to watch the audience as they watched the action After leaving high school, Chalbaud studied for two years at the Teatro Experimental in Caracas, and then studied directing under Lee Strasberg in New York 

Career
The director was in his late teens when he got jobs working in television, whilst writing plays  When working one television job, in the early 1950s, he reports that his group worked from 3 pm until 9 at night, and would then spend time at a brothel  It is during this time that he found inspiration and stories for his play El Pez que Fuma, which he would later make into a film  He also wrote the plays Los adolescentes, for which he won the Ateneo de Caracas prize, and Caín adolescente in his early television career  It was also the early 1950s when he worked as the assistant director to Mexican filmmaker Víctor Urruchúa, working on two of Urruchúa's films, Six Months of Life and Light in the High Plains  In 1955 he became the artistic director of Televisora Nacional, a company he left in 1958 It is possible that he left Televisora Nacional, the official statement being "for political reasons", when he was imprisoned in 1957 for five months by the regime of Marcos Pérez Jiménez, an experience he says gave him a social conscience to do good after being tortured Before releasing his first film, Chalbaud had seen enough success in playwriting that he was made the director of the National Theatre of Venezuela in 1958  He left this role the year after the release of Caín adolescente, in 1960  He had made two films by 1963, when cinema diminished in Venezuela and he was effectively forced to return to theatre  In 1967 he took the presidency of the UNESCO Latin American Theatre Institute, and it was in this year theatre collective "El Nuevo Grupo" was co-founded by Chalbaud; he dedicated the poem "Us and the Theatre" to the group, with which he has worked extensively since, that same year The success of Chalbaud's plays is placed on his characters, with the social-realist works characterised by an open treatment of dramatic plots, and a supposedly archetypal selection of characters used to portray irony with the social contexts of marginalisation they find themselves, all which critiques the situation of the country  This is also a reason that his plays, many of them that he made into films, are deemed timeless and socially relevant even in the 21st century  He was awarded the National Theatre Award of Venezuela in 1984  He is considered, along with friends Isaac Chocrón and José Ignacio Cabrujas, to be "a prime moving force in continuing the work of César Rengifo in the development of the contemporary Venezuelan theatre"  The three are known as the Holy Trinity of Venezuelan theatre Though making films in this time, he had been largely focused on theatre  This would change after 1969, when Chalbaud left his president role and when Venezuelan cinema entered its Golden Age  He did return to television, joining Radio Caracas Television in 1969, but began his most successful line of work in film direction  Moving into film gave Chalbaud international acclaim, all of his films being screened at film festivals, and one being the first of his country's foreign-language Oscar nominations  His films, some of which are self-adaptations, are said to thematically continue his theatre work  He received the National Film Award of Venezuela in 1990 In 1974, Chalbaud, with other filmmakers of his generation, started Gente de Cine C A , a production company which would produce most of his own films  In 1975, thanks to new national legislation pushed through by the Asociación Nacional de Autores Cinematográficos (National Association of Cinema Auteurs) — ANAC — Chalbaud was the first director to receive protected state funding, making the film Sacred and Obscene  The success of this film quashed the government's doubts about the funding program  He was then named President of the ANAC in 1978, and was the Director General of the Fundación Cinemateca Nacional de Venezuela (National Foundation of Venezuelan Cinema) for two years Chalbaud resigned from Radio Caracas in 1982  In 1985, the San Sebastián Film Festival dedicated a retrospective to him; he has also been on the Jury of this festival, in 1990 In June 2018, he said he was in pre-production for a film trilogy about the life of Hugo Chávez Alfonso Molina, in his 2002 book on the director, wrote that you cannot fully understand the socio-political culture of Venezuela without watching Chalbaud's films 

Personal life
Chalbaud revealed little personal information until he was quite old, when he said that though he loves the landscape of his home city Mérida, he considers Caracas the place to grow old  His favourite play is El Pez que Fuma  Fabián Pierucci, the director of the documentary about his life, says that Chalbaud is "tireless, from his early rise until the night he is reading, writing, going to conferences, helping people" He considers Luis Buñuel a "master" Chalbaud's political affiliation is chavismo, which he believes "most of the country" follows, arguing that Nicolás Maduro is not a dictator and that the opposition since his election are "monsters", justifying the government treatment of opposition members and describing the Constituent National Assembly as Venezuela's legitimate democratic house 

Filmography
Passage 8:
La niña de fuego
La niña de fuego (The fire girl) is a 1952 Argentine film 

Cast
Lolita Torres – Fernanda / Fernando
Ricardo Passano – Pocho
Mario Baroffio – Cipriano Albaicín
César Fiaschi – Pereda
Domingo Márquez – Andrés
Antonio Martelo
Helena Cortesina
Alfonso Pisano – Ramallo
Arsenio Perdiguero – mr  José
Antonio Martiánez – Captain
Delfy Miranda – Ofelia
Noemí Laserre – María de los Cantares
Arturo Arcari
Semillita – box spectator
Helena Cortesina – Clotilde
Carlos Mendi – Marino
Ofelia Cortesina
Luis Laneri
Dante Liguori

External links
La niña de fuego at IMDb
Passage 9:
La selva de fuego
La Selva de Fuego (The Jungle of Fire) is a 1945 Mexican romantic drama film directed by Fernando de Fuentes and starring Dolores del Río 

Plot summary
The movie develops into the Jungle of Chiapas in México  A beautiful woman named Estrella (Dolores del Río) lost in a savage zone of the jungle  She is found by a group of men who are being held into the jungle as social outcasts  Their leader, Luciano (Arturo de Córdova) is a man of integrity, but with an inexplicable hatred toward women  The presence of a sensual woman between several alone men causing a chaos that only Luciano can save 

Curiosities
According to María Félix in her autobiography (Todas mis Guerras México, 1993), cause of this movie, she and Dolores del Río mistook their paths for only time  The film was written by Félix, but the messenger sent by mistake the film for Dolores  María finished filming the movie Vértigo (written by Dolores) 
Passage 10:
A Woman Has Killed
A Woman Has Killed (Italian: Una donna ha ucciso) is a 1952 Italian melodrama crime film directed by Vittorio Cottafavi  While on a train journey a young woman tells another passenger how she murdered her husband, a British army officer  It is a neorealist film, based on the real story of Lidia Cirillo, who appears in the film 
The film's sets were designed by the art director Ottavio Scotti 

Cast
Frank Latimore as 	Capt  Roy Prescott
Lianella Carell as 	Anna
Alessandro Serbaroli as 	Larry (as Alex Serbaroli)
Vera Palumbo as 	Carla
Umberto Spadaro as 	Padre di Anna
Marika Rowsky
Celeste Aída
Diego Muni
Vincenzo Milazzo
Pia De Doses
Lidia Cirillo



ground_truth: Cuchillos De Fuego

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When did Robert Bertie, 3Rd Earl Of Lindsey's father die?

The following are given passages.
Context 3:  1634–1701)
Hon  Richard Bertie (ca  1635 – 19 January 1685/6)
Hon  Vere Bertie (d  13 February 1680)
Hon  Charles Bertie (ca  1640–1711)
Lady Elizabeth Bertie (d  1683), married the 3rd Viscount Campden and had issue
Lady Bridget Bertie (1629 – 7 January 1704), married the 1st Duke of Leeds and had issue
Lady Catherine Bertie, married Robert DormerMartha died in July 1641, and Bertie married secondly, sometime between 1646 and 1653, Bridget Wray, Baroness Norris, daughter of Edward Wray and Elizabeth Norris  This second marriage produced four children:
James Bertie, 1st Earl of Abingdon (1653–1699)
Hon  Edward Bertie
Hon  Henry Bertie (ca 1656–1734)
Lady Mary Bertie (1655–1709), married Charles Dormer, 2nd Earl of Carnarvon, no issue
Passage 5:
Elizabeth Noel, Viscountess Campden
Elizabeth Noel, Viscountess Campden (1640 – July 1683), formerly Lady Elizabeth Bertie, was the fourth wife of Baptist Noel, 3rd Viscount Campden, and the mother of nine of his children 
Lady Elizabeth was the daughter of Montagu Bertie, 2nd Earl of Lindsey, and his first wife, Martha Ramsay (née Cockayne), Dowager Countess of Holderness  Her siblings included Robert Bertie, 3rd Earl of Lindsey, Hon  Peregrine Bertie, Hon  Richard Bertie, Hon  Vere Bertie and Hon  Charles Bertie, as well as two sisters 
Elizabeth married Viscount Campden on 6 July 1655, when she was 15 and he was in his forties; he had been widowed three times, and had at least four surviving children, including his heir, Edward  Elizabeth's children by Campden were:
Baptist Noel, MP, who married Susannah Fanshaw and was the father of Baptist Noel, 3rd Earl of Gainsborough
John Noel (1659–1718), who married Elizabeth Sherard and had children
Martha Penelope Noel, who married a Mr Dormer
Catherine Noel (1657-1724 or 1733) who married, as his third wife, John Manners, 1st Duke of Rutland, and had childrenA portrait of Viscountess Campden was painted by Sir Peter Lely  She outlived her husband by a year, and is buried with him at the Church of St Peter and St Paul, in Exton, Rutland 
Passage 6:
Albemarle Bertie (MP)
Albemarle Bertie (c  1668–1742), of Swinstead, Lincolnshire, was an English Whig politician who sat in the English and British House of Commons between 1705 and 1741 
The fifth son of Robert Bertie, 3rd Earl of Lindsey and his wife Elizabeth Wharton, he successfully contested Lincolnshire for the Whigs at the 1705 English general election  At the 1708 British general election, he stood down at Lincolnshire to make way for his nephew, Lord Willoughby de Eresby and was returned instead for Cockermouth on the interest of his uncle, the 1st Earl of Wharton  He was probably the candidate put up by the Wharton interest at Appleby at the 1710 British general election, who withdrew before the poll expressing a desire to sit no longer in Parliament Bertie stood for Lincolnshire again at a by-election in 1721, but was defeated  At the 1734 British general election, he was returned for Boston by his nephew, now the 2nd Duke of Ancaster and Kesteven, but stood down again at the 1741 British general election and died the following year 
Passage 7:
Sir Francis Lee, 4th Baronet
Sir Francis Henry Lee, 4th Baronet (17 January 1639 – 4 December 1667) was an English politician who sat in the House of Commons from 1660 to 1667 
Lee was the son of Sir Francis Henry Lee, 2nd Baronet, of Quarrendon, Buckinghamshire, and his wife Hon  Anne St  John, daughter of Sir John St John, 1st Baronet of Lydiard Tregoze, later Countess of Rochester  In 1659 he succeeded his brother Henry in the baronetcy In 1660, Lee was elected Member of Parliament for Malmesbury in the Convention Parliament  He was re-elected MP for Malmesbury in 1661 for the Cavalier Parliament and sat until his death in 1667Lee lived at Ditchley, Oxfordshire, and died at the age of 28 
Lee married Lady Elizabeth Pope, daughter of Thomas Pope, 2nd Earl of Downe (later third wife of Robert Bertie, 3rd Earl of Lindsey)  His son Edward succeeded to the baronetcy and was later ennobled as Earl of Lichfield 
Passage 8:
Robert Bertie, 4th Duke of Ancaster and Kesteven
Robert Bertie, 4th Duke of Ancaster and Kesteven, PC (17 October 1756  – 8 July 1779), styled Lord Robert Bertie until 1758 and Marquess of Lindsey between 1758 and 1778, was a British peer  He was born in Grimsthorpe, the second son of the General Peregrine Bertie, 3rd Duke of Ancaster and Kesteven (died 1778), and Mary Panton (died 1793)
On the death of his elder brother, Peregrine Thomas Bertie, Marquess of Lindsey, on 12 December 1758, he inherited the courtesy title of Marquess of Lindsey  He was educated at Eton College and St John's College, Cambridge About 1777, he served as a volunteer in North America  A lieutenant in the 7th Regiment of Foot, on 20 January 1778, he was promoted to a captaincy in the 15th Regiment of Foot On his father's death on 12 August 1778, he succeeded as 4th Duke of Ancaster and Kesteven, 4th Marquess of Lindsey, 7th Earl of Lindsey, 20th Baron Willoughby de Eresby and Hereditary Lord Great Chamberlain  He was the last to hold the Lord Great Chamberlainship as an undivided office  On 12 February 1779 he was invested as Privy Counsellor and was Lord Lieutenant of Lincolnshire 
He never married and died in Grimsthorpe on 8 July 1779 from scarlet fever  At the time of his death he was engaged to Lady Anna Waldegrave, daughter of James Waldegrave, 2nd Earl Waldegrave, and Maria Walpole, the illegitimate granddaughter of Sir Robert Walpole, the Prime Minister  Lady Waldegrave, after her husband's death, married in secret Prince William Henry, Duke of Gloucester and Edinburgh, a younger brother of King George III, a marriage which outraged the King and led to the passing of the Royal Marriages Act 1772  After his death, his fiancée married Lord Hugh Seymour  He was buried on 22 July 1779 in Edenham  On his death, the Hereditary Lord Great Chamberlainship and the Barony Willoughby de Eresby fell into abeyance between his two sisters, all other titles of his passed to his uncle  An illegitimate daughter of the 4th duke, Susan, was married to Banastre Tarleton; but there were no children 
Passage 9:
Robert Bertie, 1st Duke of Ancaster and Kesteven
Robert Bertie, 1st Duke of Ancaster and Kesteven PC (20 October 1660 – 26 July 1723), styled 17th Baron Willoughby de Eresby between 1666 and 1701, and known as 4th Earl of Lindsey between 1701 and 1706, and as 1st Marquess of Lindsey between 1706 and 1715, was a British statesman and nobleman 

Early life
Bertie was the eldest son of Robert Bertie, 3rd Earl of Lindsey and, his second wife, the Hon  Elizabeth Wharton  Among his younger brothers were Hon  Peregrine Bertie (the Vice Chamberlain to King William III and to Queen Anne, Teller of the Exchequer), Hon  Philip Bertie (Auditor of the Duchy of Cornwall, who married Lady Elizabeth Brabazon, eldest daughter of William Brabazon, 3rd Earl of Meath), Hon  Norris Bertie (a Lt  of the Royal Navy), and Hon  Albemarle Bertie (MP who also served as Auditor of the Duchy of Cornwall  Among his sisters were Lady Jane Bertie (wife of Maj -Gen  Edward Mathew, Governor of Grenada), Lady Caroline Bertie (second wife of Capt  George Dewar)  From his father's first marriage to Mary (née Massingberd) Berkeley (widow of Hon  George Berkeley and second daughter John Massingberd, Treasurer of the East India Company), he had an elder half-sister, Lady Arabella Bertie (second wife Thomas Savage, 3rd Earl Rivers) His paternal grandparents were Montagu Bertie, 2nd Earl of Lindsey, and the former Martha Cokayne  Among his large extended family were uncles Peregrine, Richard, Vere, and Charles Bertie, and aunts Lady Elizabeth (wife of the 3rd Viscount Campden) and Lady Bridget (wife of the 1st Duke of Leeds)  His mother was the only child of Philip Wharton, 4th Baron Wharton and the former Elizabeth Wandesford (daughter of Sir Rowland Wandesford of Pickhill, an attorney of the Court of Wards and Liveries) 

Career
Lord Willoughby entered Parliament as Member of Parliament for Boston in 1685, and sat in the Loyal Parliament, from 1685 to 1687, and the Convention Parliament from 1689 to 1690  He was commissioned captain of an independent troop of horse raised to suppress the Monmouth Rebellion on 20 June 1685   In 1688, Bertie took part in the northern rising led by his kinsman, the Earl of Danby, in favour of William of Orange  He was rewarded with the chancellorship of the Duchy of Lancaster in 1689, a post which enabled him to secure a seat at Preston at the general election of 1690 In 1690, he was returned for Preston, but was soon forced to leave the House of Commons for the House of Lords after receiving a writ of acceleration as Baron Willoughby de Eresby  Lord Willougby inherited the earldom of Lindsey on his father's death in 1701, and was invested a Privy Counsellor one month later; along with the Earldom of Lindsey, he also inherited the offices of Lord Great Chamberlain and Lord Lieutenant of Lincolnshire, both of which he would hold until his death and would pass onto his son, the 2nd Duke of Ancaster and Kesteven Lord Lindsey, as he was now styled, was then created Marquess of Lindsey in 1706, and was finally created Duke of Ancaster and Kesteven in 1715, with a special remainder failing the heirs male of his body, to the heirs male of the body of his father, Robert, late Earl of Lindsey, by Elizabeth his wife, daughter of Philip, Lord Wharton  Also in 1715, he temporarily served as a Lord Justice In 1715, he employed Sir John Vanbrugh to design a baroque front to his house at Grimsthorpe to celebrate his ennoblement as first Duke of Ancaster and Kesteven 

Personal life
On 30 July 1678, Lord Willoughby married Mary Wynn (d  1689), a Welsh heiress and direct descendant of the princely house of Aberffraw  She was the daughter, and sole heiress, of Sir Richard Wynn, 4th Baronet of Gwydyr Estate and the former Sarah Myddelton (daughter of Sir Thomas Myddelton of Chirk Castle)  They had five children, including:
Robert Bertie, Lord Willoughby (1683–1704), who died while studying at the Wolfenbüttel Ritter-Akademie
Peregrine Bertie, 2nd Duke of Ancaster and Kesteven (1686–1742), who married Jane Brownlow, third daughter of Sir John Brownlow, 3rd Baronet 
Lady Elizabeth Bertie, who died unmarried 
Lady Eleanor Bertie, who died unmarried 
Lady Mary Bertie, who died unmarried After the death of his first wife in 1689, he married Albinia Farington on 6 July 1705  She was a daughter of Maj -Gen  William Farington of Chislehurst and the former Theodosia Betenson (sister and co-heiress of Sir Edward Betenson, 1st Baronet)  Together, they were the parents of:
Lord Vere Bertie (d  1768), an MP for Boston who married Ann Casey, illegitimate daughter of Sir Cecil Wray, 11th Baronet, in 1736 
Capt  Lord Montagu Bertie (d  1753), who married Elizabeth Piers, daughter of William Piers, MP in 1758 
Capt  Lord Thomas Bertie (1720–1749)
Lt -Gen  Lord Robert Bertie (1721–1782), the Governor of Cork who married Hon  Mary (née Blundell) Raymond, widow of Robert Raymond, 2nd Baron Raymond and third daughter of Montague Blundell, 1st Viscount Blundell, in 1762 
Lady Louisa Bertie, who married Thomas Bludworth, Gentleman of the Horse to the Prince of Wales and a Groom of the Bedchamber, in 1736 Lord Ancaster died in July 1723, aged 62, an established but relatively unheralded statesman  He was succeeded by his eldest surviving son, Peregrine  His widow remarried to James Douglas and died in 1745 

Descendants
Through his son Lord Vere, he was a grandfather of Albinia Bertie (wife of George Hobart, 3rd Earl of Buckinghamshire) and Louisa Bertie (wife of Lt -Gen  Hon  Sir Charles Stuart, Governor of Minorca and fourth son of John Stuart, 3rd Earl of Bute) Through his son Lord Montagu, he was a grandfather of Augusta Bertie, who married John Fane, 9th Earl of Westmorland 
Passage 10:
Albemarle Bertie, 9th Earl of Lindsey
Lieutenant-General Albemarle Bertie, 9th Earl of Lindsey (17 September 1744 – 18 September 1818) was a British nobleman and general 

Early life
Bertie was born on 17 September 1744  He was the son of Peregrine Bertie, a barrister of Lincoln's Inn (1709–1779) and the former Elizabeth Payne  He had two sisters, Louisa Bertie (wife of Fletcher Richardson of Cartmel) and Henrietta Bertie (wife of George Edmonds of Peterborough) His paternal grandparents were the former Mary Narbonne (daughter and heiress of John Narbonne of Great Stukeley) and Charles Bertie, MP for Stamford (a son of the Hon  Charles Bertie, also an MP for Stamford, Envoy to Denmark and Secretary to the Treasury who was the fifth son of Montagu Bertie, 2nd Earl of Lindsey)  His maternal grandfather was Edward Payne of Tottenham Wick 

Military career
In 1762, he was commissioned an ensign in the 1st Foot Guards  He became lieutenant and captain in that regiment in 1769, captain and lieutenant colonel in 1776, and colonel in 1781  He became 3rd Major of the regiment 12 March 1789 and 2nd Major on 8 August 1792 In 1793, he was promoted major-general, and was appointed colonel of the newly formed 81st Regiment of Foot on 19 September with instructions to recruit volunteers for it  In 1794, he obtained a colonelcy of an existing regiment, the 9th (East Norfolk) Regiment of Foot, instead  Bertie was promoted lieutenant-general in 1798 and general in 1803  In 1804, the Duke of York recommended him for the colonelcy of the 77th Regiment of Foot, then part of the Indian establishment, noting that "the difference of emolument is of great consequence" to Bertie  In 1808, he became commander of the 89th Regiment of Foot after John Whitelocke was cashiered and dismissed from the service Bertie retired from active service in 1809 upon inheriting the title of Earl of Lindsey from his third cousin on 8 February 1809  The earldom had been held by Robert Bertie, 1st Marquess of Lindsey from 1706 until 1715 when he was he was created the 1st Duke of Ancaster and Kesteven  The Dukes of Ancaster and Kesteven held the earldom until the dukedom became extinct on the death of Brownlow Bertie, 5th Duke of Ancaster and Kesteven in 1809, and the earldom passed to Bertie 

Political career
In 1801, he was nominated as Member of Parliament for Stamford, where the Bertie family had once held an electoral interest, by the Marquess of Exeter, then pre-eminent in the borough  He held the seat until succeeding to his peerage in 1809, but demonstrated little activity in Parliament  Lindsey inherited the Irish title of Viscount Cullen by special remainder in 1810, but never claimed it nor was acknowledged in the title  In 1814, he was appointed Governor of Blackness Castle, and in March 1818, of Charlemont Fort 

Personal life
On 7 May 1794, Bertie was married to Eliza Maria (née Clay) Scrope, the widow of Thomas Scrope of Coleby and a daughter of William Clay of Burridge Hill, Nottinghamshire  They had no children before her death in July 1806 On 18 November 1809 (when he was the Earl of Lindsey), he married Charlotte Susannah Elizabeth Layard (1780–1858), the daughter of the Very Reverend Charles Layard, Dean of Bristol  Together, Charlotte and Bertie were the parents of three children:
Lady Charlotte Bertie (1812–1895), a prominent linguist who married John Josiah Guest, 1st Baronet in 1833  After his death in ⁠1852, she married Charles Schreiber, MP for Cheltenham and Poole 
George Augustus Frederick Albemarle Bertie, 10th Earl of Lindsey (1814–1877), who died unmarried 
Montagu Peregrine Bertie, 11th Earl of Lindsey (1815–1899), who married Felicia Elizabeth Welby, the second daughter of Rev  John Earle Welby, Rector of Hareston (and son of Sir William Earle Welby, 1st Baronet) and Felicia Eliza Hole (a daughter of Rev  George Hole, Bishop of Norwich), in 1854 Lord Lindsey died on 18 September 1818  After his death, his two sons, in turn, succeeded to his titles  After his death, Lady Lindsey married the Rev  William Peter Pegus and was the mother of Maria Antoinetta Pegus (who married Charles Gordon, 10th Marquess of Huntly) before her death on 28 November 1858 

Descendants
Through his daughter, Lady Charlotte, he was a grandfather of Charlotte Maria Guest (wife of Richard Du Cane); Ivor Bertie Guest, 1st Baron Wimborne (who married Lady Cornelia Henrietta Maria Spencer-Churchill, a daughter of John Spencer-Churchill, 7th Duke of Marlborough); Katharine Gwladys Guest (wife of the Rev  Frederick Cecil Alderson); Thomas Merthyr Guest (who married Lady Theodora Grosvenor, a daughter of Richard Grosvenor, 2nd Marquess of Westminster);Montague John Guest (who never married); Augustus Frederick Guest (who died unmarried aged 21); Arthur Edward Guest (who married Adeline Mary Chapman); Mary Enid Evelyn Guest (wife of her cousin, Sir Austen Henry Layard); Constance Rhiannon Guest (wife of Hon  Charles Eliot, youngest son of Edward Eliot, 3rd Earl of St Germans); and Blanche Vere Guest (wife of Edward Ponsonby, 8th Earl of Bessborough) Through his youngest son, he was a grandfather of Montague Bertie, 12th Earl of Lindsey (1861–1938), who married Millicent Emma Cox (the eldest daughter of Dr  James Charles Cox), and served as aide-de-camp to the Governor of New South Wales from 1885 to 1888 



ground_truth: 25 July 1666