prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where did the director of film American Gothic (2007 Film) graduate from?

The following are given passages.
Context 1: Passage 1:
End of the World (1977 film)
End of the World is a 1977 American science fiction film directed by John Hayes 

Plot
NASA Professor Andrew Boran is a research scientist who discovers strange radio signals in outer space that appear to originate from Earth  The signals seem to predict natural disasters that are occurring around the globe 
When he and his wife Sylvia decide to investigate the source of the signals, they end up being held captive in a convent that has been infiltrated by aliens  These invaders, from the planet Utopia, plan to destroy the world with the natural disasters  They have replicated the original inhabits of the convent and now pose as the Father and the nuns 
While posing as the human Father Pergado, the alien leader Zindar explains Earth is a hotbed of disease that cannot be permitted to continue polluting the galaxy 
Boran and Sylvia decide in the end not to stop the destruction of Earth and instead return to Utopia with Zindar  To make the return safely, Zindar holds Sylvia hostage and demands that Boran steal a Variance Crystal from the lab so that they can escape the destruction of Earth  Earth then explodes 

Cast
Christopher Lee as Father Pergado / Zindar
Sue Lyon as Sylvia Boran
Kirk Scott as Professor Andrew Boran
Dean Jagger as Ray Collins
Lew Ayres as Commander Joseph Beckerman
Macdonald Carey as John Davis
Liz Ross as Sister Patrizia
Jon van Ness as Mr  Sanchez

Reception
Creature Feature found it to be cheap and plodding, giving it 1 5 out of 5 stars  TV Guide gave the movie 1 of 5 stars  Moria found the movie dull and legendarily bad, only worth viewing to see the early work of Charles Band, and gave the movie 1/2 of a star  It further said Lee gave a very good performance, much better than the movie deserved 

Production
Produced by Charles Band  Moria states that in an in an interview from the 1970s Lee said he was lied to about the quality of the film to be produced to get him to agree to star in the movie 

Release
Released on DVD in 2005 
Passage 2:
The Seventh Company Outdoors
The Seventh Company Outdoors (French: La Septième Compagnie au clair de lune) is a 1977 French comedy film directed by Robert Lamoureux  It is a sequel to Now Where Did the 7th Company Get to? 

Cast
Jean Lefebvre - Pithivier
Pierre Mondy - Chaudard
Henri Guybet - Tassin
Patricia Karim - Suzanne Chaudard
Gérard Hérold - Le commandant Gilles
Gérard Jugnot - Gorgeton
Jean Carmet - M  Albert, le passeur
André Pousse - Lambert
Michel Berto
Passage 3:
David Wexler (director)
David Wexler is an American film director, screenwriter, and film producer  Wexler is a New York City native and a graduate of the University of Wisconsin-Madison, where he majored in communication arts 
Prior to his feature films (Evil Weed, The Stand Up, Anchors, Turtle Island, Last Supper, and Vigilante), Wexler created and produced the reality show College Life for MTV Wexler has written and directed many commercials and corporate videos  He worked with Curtis Sliwa and the Guardian Angels to create a comic book and a handbook, as well as a clothing line available at Barking Irons 
Wexler founded the production company Cinema 59 Productions in 2006  Cinema 59 often works with Creative Diversions, a toy and game company to create 360 degree entertainment 
Wexler's film, Motorcycle Drive By, about Third Eye Blind, was an official selection of the 2020 Tribeca Film Festival  In 2021 his game Fish Club was nominated for the Toy Of The Year Award  Most recently, his film Disintegration Loops was an official selection of the 2021 SXSW Film Festival 

Filmography (as writer, director)
American Gothic (2007)
My First Kiss (2008)
Evil Weed (2009)
The Stand Up (2010)
Anchors (2012)
Turtle Island (2012)
Last Supper (2018)
Vigilante: The Incredible True Story of Curtis Sliwa and the Guardian Angels (2018)
Motorcycle Drive By (2020)
Disintegration Loops (2021)

Filmography (as actor)
Turtle Island (2012)
I'm Not Here (2017)

Television (as creator/producer)
College Life (2009)

Web Series (as creator/producer)
Movie Life (2009)
Passage 4:
American Gothic (2007 film)
David Wexler is an American film director, screenwriter, and film producer  Wexler is a New York City native and a graduate of the University of Wisconsin-Madison, where he majored in communication arts 
Prior to his feature films (Evil Weed, The Stand Up, Anchors, Turtle Island, Last Supper, and Vigilante), Wexler created and produced the reality show College Life for MTV Wexler has written and directed many commercials and corporate videos  He worked with Curtis Sliwa and the Guardian Angels to create a comic book and a handbook, as well as a clothing line available at Barking Irons 
Wexler founded the production company Cinema 59 Productions in 2006  Cinema 59 often works with Creative Diversions, a toy and game company to create 360 degree entertainment 
Wexler's film, Motorcycle Drive By, about Third Eye Blind, was an official selection of the 2020 Tribeca Film Festival  In 2021 his game Fish Club was nominated for the Toy Of The Year Award  Most recently, his film Disintegration Loops was an official selection of the 2021 SXSW Film Festival 

Filmography (as writer, director)
American Gothic (2007)
My First Kiss (2008)
Evil Weed (2009)
The Stand Up (2010)
Anchors (2012)
Turtle Island (2012)
Last Supper (2018)
Vigilante: The Incredible True Story of Curtis Sliwa and the Guardian Angels (2018)
Motorcycle Drive By (2020)
Disintegration Loops (2021)

Filmography (as actor)
Turtle Island (2012)
I'm Not Here (2017)

Television (as creator/producer)
College Life (2009)

Web Series (as creator/producer)
Movie Life (2009)
Passage 5:
Now Where Did the 7th Company Get to?
Now Where Did the 7th Company Get To? (French: Mais où est donc passée la septième compagnie?) is a 1973 French-Italian comedy war film directed by Robert Lamoureux  The film portrays the adventures of a French Army squad lost somewhere on the front in May 1940 during the Battle of France 

Plot
During the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods  Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area  After burying the radio cable beneath a sandy road, the squad crosses the field, climbs a nearby hill, and takes position within a cemetery  One man cut down the wrong tree for camouflage, pulling up the radio cable and revealing it to the passing German infantry  The Germans cut the cable, surround the woods, and order a puzzled 7th Company to surrender  The squad tries to contact the company, but then witness their capture and run away 
Commanded by Staff Sergeant Chaudard, the unit stops in a wood for the night  Pithiviers is content to slow down and wait for the end of the campaign  The next day, he goes for a swim in the lake, in sight of possible German fighters  When Chaudard and Tassin wake up, they leave the camp without their weapons to look for Pithiviers  Tassin finds him and gives an angry warning, but Pithiviers convinces Tassin to join him in the lake  Chaudard orders them to get out, but distracted by a rabbit, falls into the lake  While Chaudard teaches his men how to swim, two German fighter planes appear, forcing them out of the water  After shooting down one of the German planes, a French pilot, Lieutenant Duvauchel, makes an emergency landing and escapes before his plane explodes  PFC Pithiviers, seeing the bad shape of one of his shoes, destroys what is left of his shoe sole  Tassin is sent on patrol to get food and a new pair of shoes for Pithiviers  Tassin arrives in a farm, but only finds a dog, so he returns and Chaudard goes to the farm after nightfall  The farmer returns with her daughter-in-law and Lt Duvauchel, and she welcomes Chaudard  Duvauchel, who is hiding behind the door, comes out upon hearing the news and decides to meet Chaudard's men 
When Chaudard and Duvauchel return to the camp, Tassin and Pithiviers are roasting a rabbit they caught  Duvauchel realizes that Chaudard has been lying and takes command 
The following day, the men leave the wood in early morning and capture a German armored tow truck after killing its two drivers  They originally planned to abandon the truck and the two dead Germans in the woods, but instead realized that the truck is the best way to disguise themselves and free the 7th Company  They put on the Germans' uniforms, recover another soldier of the 7th Company, who succeeded in escaping, and obtain resources from a collaborator who mistook them for Germans 
On their way, they encounter a National Gendarmerie patrol, who appear to be a 5th column  The patrol injures the newest member of their group, a young soldier, and then are killed by Tassin  In revenge, they destroy a German tank using the tow truck's cannon gun 
They planned to go to Paris but are misguided by their own colonel, but find the 7th Company with guards who are bringing them to Germany  Using their cover, they make the guards run in front of the truck, allowing the company to get away  When Captain Dumont joins his Chaudard, Tassin, and Pithiviers in the truck, who salute the German commander with a great smile 

Casting
Jean Lefebvre : PFC Pithiviers
Pierre Mondy : Staff Sergent Paul Chaudard
Aldo Maccione: PFC Tassin
Robert Lamoureux: Colonel Blanchet
Erik Colin: Lieutenant Duvauchel
Pierre Tornade: Captain Dumont
Alain Doutey: Carlier
Robert Dalban : The peasant
Jacques Marin: The collaborationist
Robert Rollis: A French soldier

Production
The film's success spawned two sequels:– 1975 : On a retrouvé la septième compagnie (The Seventh Company Has Been Found) by Robert Lamoureux;
– 1977 : La Septième Compagnie au clair de lune (The Seventh Company Outdoors)) by Robert Lamoureux The story is set in Machecoul woods, but it was actually filmed near Cerny and La Ferté-Alais, as well as Jouars-Pontchartrain and Rochefort-en-Yvelines  The famous grocery scene was filmed in Bazoches-Sur-Guyonne 
Robert Lamoureux based this film on his own personal experiences in June 1940 during the war 
The final scene with the parachute is based on a true story  The 58 Free French paratroopers were parachuted into Brittany in groups of three, on the night of 7 June 1944 to neutralize the rail network of Normandy Landings in Brittany, two days before 

Box office
The movie received a great success in France reaching the third best selling movie in 1974 

Notes
External links
Mais où est donc passée la septième compagnie? at IMDb
Passage 6:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 7:
Jared Gold
Jared Gold (born 2 May 1972) is a fashion designer of avant-garde American Gothic fashion 

Biography
Gold grew up in Idaho Falls, Idaho and was a child piano prodigy long before he discovered fashion design  In 1990 he attended the Piano Conservatory of Hawaii for a year and soon after took up the harpsichord  Gold trained at Los Angeles' Otis Parson's School of Design  Gold is lead designer for his clothing company Black Chandelier  Gold has been creating fashion for men women and children since 1992, and shows his collections at events in Los Angeles as well as New York City  His collections are based in antiquated imagery, and use Victorian sewing details  Gold is the originator of the jewelled Giant Madagascar Hissing cockroach worn as jewelry known as the "Roach Brooch "

Life and career
Jared Gold's Czarina fashion show on March 14, 2008 was well reviewed in The Daily Titan, the student newspaper of Cal State Fullerton, which said Gold made the runway his "playground " In May 2006, he appeared as a guest judge on America's Next Top Model, in an episode that also featured his cockroach jewelry  In March 2009 Gold appeared as a special guest judge on Germany's Next Topmodel, hosted by Heidi Klum  Jared is known for his close friendship with writer Clint Catalyst  Metro Mix, a free nightlife guide in Los Angeles, said Catalyst is Gold's "muse " Catalyst has been hired as an event producer for some of Gold's fashion shows   In November 2009, the duo released their first collaborative design effort: a set of prize ribbons with awards such as "Epic" and "Hedonist ">

Gold appeared on Germany's Next Top Model  hosted by Heidi Klum, along with Jessicka and Catalyst on March 5, 2009 
Passage 8:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 9:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 10:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Context 2: Passage 1:
Michael T  Ullman
Michael T  Ullman (born July 29, 1962, San Francisco, California) is an American neuroscientist whose main field of research is the relationship between language, memory and the brain  He is best known for his Declarative/Procedural model of language 

Early life and career
Ullman was born in San Francisco, California  He is an alumnus of the French American International School and Lowell High School (1976–1980), both in San Francisco  He received his BA in Computer Science from Harvard University in 1988 and his PhD from the Department of Brain and Cognitive Sciences, Massachusetts Institute of Technology in 1993  Ullman is currently a full professor at Georgetown University  His primary appointment is in the Department of Neuroscience (Georgetown University Medical Center), with secondary appointments in the Departments of Linguistics, Neurology and Psychology  He is the founding Director of the Brain and Language Lab, founding co-Director of the Center for the Brain Basis of Cognition, and founding Director of the Georgetown Cognitive Neuroscience EEG/ERP Center  He was a Presidential Columnist for American Psychological Society Observer in 2005  He currently lives in Washington D C , with his daughter Clementina Ullman 
Passage 2:
Pete Sanstol
Pete Sanstol (March 28, 1905 – March 13, 1982) was a Norwegian professional boxer who took the Canadian version of the World Bantamweight Championship in Montreal in 1931 against Archie Bell  He contended twice unsuccessfully for the NBA World Bantamweight Title, and was a class of 2000 World Boxing Hall of Fame inductee Lew Burston, Raoul Godbout, George Blake, and Bobby Diamond were his managers  His trainers were Jake Kravitz and Manny Seeman 

Early life and amateur career
Peder Olai Sanstøl was the youngest of five children born to Jonas Jonasen Sanstøl (1864–1942) and Elen Dortea Nilsdatter Lindland (1860–1946) in Moi, Lunde municipality, in Rogaland county in Norway  He moved to Stavanger with his parents as a child  Sanstol learned to box in the club Kristiana AK, after his family moved to Oslo  Boxing as an amateur, he came in fourth in the flyweight class championship in 1923 and won gold in the bantam class championship in 1925 

Early professional boxing career
Pete Sanstol embarked on a professional career in 1926  After winning his professional debut against the British boxing veteran Bert Gallard in Oslo, Sanstol was invited by Max Schmeling's manager to train in Berlin  After Sanstol left Norway in the mid-1920s, he only occasionally returned 
On July 13, 1926 Sanstol defeated Harry Stein, than the Flyweight Champion of Germany, in Berlin at Luna Park in a four-round newspaper decision  The source, BOX-SPORT reported that Sanstol won the decision decisively 

Bout with Andre Dedieu in Paris, January 1927
Winning all his bouts in Germany, Sanstol moved on to Paris where he fought at least through February 1927  On January 24, 1927, he met the well known Andre Dedieu at the Central Sporting Club in Paris, winning in a third-round technical knockout  Some observers in Paris compared him to French boxing champion, Georges Carpentier  Discovered in Paris by American manager Lew Burston (1896–1969), Sanstol was brought to New York around mid-1927, where he graduated from the club preliminaries to become the most sought after bantam in the eastern United States and Canada 

Bouts with Joey Scalfano, August, October 1930
On October 22, 1930, Sanstol fought a tough ten-round draw against Joey Scalfano at Madison Square Garden that was "nip and tuck for the entire ten rounds", and a great crowd pleaser   Sanstol later described it as one of his toughest fights   There were no knockdowns in the bout and the fighting was fast-paced and frenzied  Scalfaro's left eye was completed closed for the last two rounds and his blows often missed their mark  Sanstol had previously lost to Scalfaro on August 6, 1930 at Madison Square Garden in a ten-round points decision   Scalfaro was known as the only boxer to score a knock down of the Black Cuban champion Kid Chocolate in North America 

Taking the Canadian version of the World Bantamweight Championship
By late 1930, Sanstol had moved his headquarters from the Norwegian-American community of Bay Ridge, in Brooklyn, NY, to Montreal, Canada where he came under the management of Raoul Godbout (1894–1975) 
On May 20, 1931, in his most important bout, Sanstol won the World Bantamweight Title in a ten-round unanimous decision against the great New York Jewish contender Archie Bell in Montreal  The title was recognized by the Montreal Athletic Commission and the Canadian Boxing Federation, so it had some limits in its scope  The fast bout had no knockdowns  For a championship bout, it received very limited coverage in American newspapers  Sanstol weighted 115 1/2, giving up only two pounds to Bell  Bell would later contend for but not take the British version of the World Bantamweight Title and contend twice for the California version of the World Featherweight Title 

First defense of the Canadian World Bantamweight Title, June 1931
Sanstol twice successfully defended his bantamweight title  On June 17, 1931, Sanstol defeated Art Giroux, also of Montreal, in the Canadian version of a World Bantamweight Title  Leading in the betting odds by 7 to 5, Sanstol won the fifteen round bout at the Forum in Montreal in a fifteen-round Unanimous Decision  Giroux was the Canadian Bantamweight Champion at the time  After the win, Sanstol was rated second in the world in the bantamweight division, behind only Panama Al Brown, according to the quarterly standings of the National Boxing Association (NBA) 

Second defense of the Canadian World Bantamweight Title, July 1931
On July 29, 1931, again at the Forum in Montreal, Sanstol defeated Eugène Huat in a ten-round Unanimous Decision in his second defense of the Canadian version of the World Bantamweight Title  Huat was the French Bantamweight Champion at the time  In a fairly close bout, Huat knocked Sanstol off his feet in the eighth round  In the eighth round, Huat scored often with lightning fast jabs that went through Sanstol's defense, though Huat appeared to have lost the first few rounds, with Sanstol not clearly taking the lead til the seventh  In the ninth the boxing seemed close, but in the tenth, perhaps with greater stamina, Sanstol took the offensive and battered Huat with telling blows  Sanstol's performance in the final round may have strongly influenced the judge's decisions  The final decision for Sanstol was not entirely popular with the crowd 

Attempt at the NBA World Bantamweight Championship, Al Brown, August 1931
On August 25, 1931, Sanstol met Panama Al Brown for the widely recognized NBA and NYSAC World Bantamweight Title before a crowd of 23,000 at the Forum in Montreal  The bout was considered the largest gross take on a bout in the history of boxing in Montreal according to the New York Times, and was easily one of the largest audiences for any of Sanstol's fights  Sanstol lost the bout in a close fifteen round split decision  In the close bout, the Canadian Press gave Brown seven rounds, Stanstol five, with three rounds even 
Sanstol fought much of the bout in a crouch, to compensate for a six-inch disadvantage in height and reach  Aiming down on Sanstol, Brown scored frequently with blows to the head, opening a cut over one of Sanstol's eyes, which eventually reduced his vision   Sanstol fought on doggedly despite his  Fighting during the depression, Sanstol took about $3,427 for his loss, not a great amount for a world championship bout, considering Jack Dempsey had received over $150,000 for some of his World Heavyweight Championship wins 

Draw with NBA Flyweight Champion Spider Pladner, July 1932
On July 20, 1932 Sanstol fought a ten-round draw with 1929 NBA World Flyweight Champion Emille "Spider" Pladner, a French born boxer, at the Forum in Montreal, Canada   An important bout between contenders, the January 1932 ratings, listed Sanstol as the third best bantamweight in the world, with Pladner listed as fourth  Pladner had also held the 1931 Canadian World Bantamweight Title 

Short retirement and bout with Midget Wolgast, August 1933
After losing the bout with Brown, Sanstol took a year off between August 1931 and June 1932, before resuming another campaign for the championship  On August 15, 1933, Sanstol fought an important bout against Midget Wolgast, NYSAC World Flyweight Champion at the time, losing in a ten-round non-title points decision in a bout where the brows of his face and his eyes were battered  According to one source, Wolgast won every round 

Victory over Young Perez, former World Flyweight Champion, September 1934
On September 1, 1934, Sanstol defeated World Champion Victor "Young" Perez at Bislet Stadium in Oslo in a ten-round points decision  In October 1931, Perez had taken the NBA World Flyweight Championship in a second-round knockout at the Palais de Sports in Paris, France, making him one of the youngest world boxing champions in history  In 1929, Perez had also taken the French Flyweight Title  A Tunisian Jew, Perez would die tragically in 1945 on a march from Auschwitz, where he had been interned, after being denounced to the Nazis in Paris in 1943 

Wins in Sweden and Germany March–May 1935
He retired from boxing in late 1933, fighting only one bout in 1934, and then resumed his boxing in Sweden in 1935  He won a ten-round points decision in Berlin against Hans Schiller, former German Featherweight Champion, on May 10, 1935   In Sweden he met Werner Reithdorf on April 26, 1935, winning in an eighth-round TKO in Gothenburg, and Joey Carr on March 1, 1935, also in Gothenburg, where he won in a first-round knockout 

Last NBA World Bantamweight Title bout, Sixto Escobar, August 1935
With both boxers very near 118, Sanstol had his last NBA World Bantamweight Championship match with Sixto Escobar, on August 7, 1935 at the Forum in Montreal  Sanstol lost the bout in a twelve-round unanimous decision, that was not particularly close, though quite satisfying to the crowd  In the seventh, Escobar closed Sanstol's left eye, in effect winning the bout, or reducing his need to show the same level of aggression  Ringside observers gave Escobar eight rounds, with four rounds even 

Win over Panama Al Brown, September 1935
Sanstol had one more career bout of consequence, on September 13, 1935, defeating Al Brown in Oslo in a ten-round non-title decision a month after the Escobar fight, not long before his retirement 

Joining the US Army Air Corp in April 1942, and gaining US Citizenship, 1943
Sanstol joined the US Army Air Corp on April 3, 1942  He served a total of three years and two months  During his service, he fought two army benefit fights on May 1, and July 16, 1942 in Miami, Florida, winning both in a four-round and then ten-round decision  While in the Air Corp, he also refereed a bout on May 8, 1943 in Montreal 
He completed his service on June 12, 1945  He became a U S  citizen, a privilege he had long awaited, in 1943 during his service with the Army 

Fighting style
Sanstol was known for his aggression, energy, speed, amazing stamina and uncanny defense  He was also known for his ability to give the crowd a thrilling show  About the only attribute he lacked was the so-called "power punch", although a quarter of his 98 victories were by way of knockout  Throughout his early career, Sanstol used these skills to build an impressive record  In time, his fighting style gradually evolved from that of a careless youth, to that of a wizened veteran  After his first bout with Panama Al Brown, Sanstol learned to pace himself better and to use every punch sparingly, not wasting a single drop of energy  Part of this evolution may have resulted from a chronically bad foot or ankle he first sustained during one of these title bouts  It would haunt and hobble him for the remainder of his professional career 
Long-time Montreal Herald Sports Editor Elmer W  Ferguson (1885–1972) once described Sanstol's evolved fighting style as follows:

Sanstol first flashed on the Montreal fistic horizon half a dozen years ago  This writer recollects him knocking out Aleck Burlie in April 1928, over seven years ago at the Forum  In those days Sanstol was a bewildering bundle of speed and energy  His slim, tireless legs carried him around the ring at bounding, blinding speed  He threw his endless energy to the winds with complete abandon  He was a profligate spendthrift of energy and strength, of nerve force  He had all the carelessness of youth about vitality as expended in the ring  He had a seemingly endless supply  For ten or twelve rounds he could dance, bounce, leap and dash about the ring on those steel legs, and meanwhile his speeding fists could keep on throwing stinging punches at bewildering speed, punches from all angles  For not only did Sanstol bound about the ring  He ducked like lightning, weaved, bobbed, always going at top speed, a master-boxer in his own fashion, a fashion founded on speed and stamina  The fighting heart that blazes from his ice-cold eyes still sends him on  But fistic age has tempered the pace, has developed a new ring cunning, and a tendency to accomplish by polished skill what he once achieved by youthful energy that disdained to save itself, that was gladly thrown to the winds 
Sanstol doesn't bound so much as he did  He moves now in a more shuffling fashion, as did great fighters before him, and as did such peerless runners as Schrubb and Nurmi, the greatest of all conservation stylists
Context 3: Passage 1:
Changeland
Changeland is a 2019 comedy-drama film written and directed by Seth Green 
It was released on June 7, 2019, by Gravitas Ventures 

Plot
While a troubled man goes through a personal crisis, he meets up with his estranged friend in Thailand 

Cast
Seth Green as Brandon
Breckin Meyer as Dan
Brenda Song as Pen
Macaulay Culkin as Ian
Clare Grant as Dory
Randy Orton as Martin
Rose Williams as Emma
Kedar Williams-Stirling as Marc

Production
The film was announced on June 21, 2017  It marks the feature directorial debut of Seth Green, who also stars in the film alongside Breckin Meyer, Macaulay Culkin, Brenda Song, Clare Grant, Rose Williams, Kedar Williams-Stirling and Randy Orton  Filming in Thailand began that same week  Patrick Stump, who composed the film score, has an uncredited cameo appearance as an airline passenger in the film's opening scene 

Release
In March 2019, Gravitas Ventures acquired distribution rights to the film and set it for a June 7, 2019 release 

Reception
On Rotten Tomatoes, the film has an approval rating of 50% based on 10 reviews with an average rating of 6 10/10  On Metacritic, it has a score of 42 out of 100, based on four critics 
Passage 2:
Fred Roy Krug
Fred R  Krug is an American film and television producer-director born in Bern, Switzerland 
Passage 3:
W  Augustus Barratt
W  Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician 

Early life and songs
Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley  In 1893 he won a scholarship for composition to the Royal College of Music 
In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements 
By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover 
He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree  He co-composed with Howard Talbot the successful Kitty Grey (1900) He continued to write songs and to receive recognition for them  The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald 
His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times  It also appeared four times, with different singers, in the 1913 and 1914 Proms 

America
In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:

on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
musical director of The Little Michus (1907), also featuring songs by Barratt;
co-composer of Miss Pocahontas (1907), a musical comedy;
musical director of The Love Cure (1909–1910), a musical romance;
composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst  Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;
musical director of The Quaker Girl (1911–1912);
co-composer and musical director of My Best Girl (1912);
musical director of The Sunshine Girl (1913);
musical director of The Girl who Smiles (1915), a musical comedy;
musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
contributor of a song to The Passing Show of 1918;
composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;
contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
musical director of What's in a Name? (1920), a musical revue

1921 in London
Though domiciled in the US, he made several visits back to England  During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B  Cochran, namely

League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;
Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics

Back to Broadway
Back in the US he returned to Broadway, working as
composer and lyricist of Jack and Jill (1923), a musical comedy;
musical director of The Silver Swan (1929), a musical romance

Radio plays
In later years he wrote plays and operettas mostly for radio, such as:

Snapshots: a radioperetta (1929)
Sushannah and the Brush Wielders: a play in 1 act (1929)
The Magic Voice: a radio series (1933)
Men of Action: a series of radio sketches (1933)
Say, Uncle: a radio series (1933)
Sealed Orders: a radio drama (1934)
Sergeant Gabriel (with Hugh Abercrombie) (1945)

Personal
In 1897 in London he married Lizzie May Stoner  They had one son  In 1904 he emigrated to the US and lived in New York City  His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American  In 1924, he became a naturalized American citizen  He died on 12 April 1947 in New York City 

Note on his first name
The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake  For professional purposes up to about 1900 he appears to have written as "W  Augustus Barratt", and thereafter mostly as simply "Augustus Barratt" 
Passage 4:
Fritz Lang
Friedrich Christian Anton Lang (German: [ˈfʁiːdʁɪç ˈkʁɪsti̯an ˈantɔn laŋ]; December 5, 1890 – August 2, 1976), better known as Fritz Lang ([fʁɪt͡s laŋ]), was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States  One of the best-known émigrés from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute  He has been cited as one of the most influential filmmakers of all time Lang's most celebrated films include the groundbreaking futuristic Metropolis (1927) and the influential M (1931), a film noir precursor  His 1929 film Woman in the Moon showcased the use of a multi-stage rocket, and also pioneered the concept of a rocket launch pad (a rocket standing upright against a tall building before launch having been slowly rolled into place) and the rocket-launch countdown clock  His other major films include Dr  Mabuse the Gambler (1922), Die Nibelungen (1924), and after moving to Hollywood in 1934, Fury (1936), You Only Live Once  (1937), Hangmen Also Die! (1943), The Woman in the Window (1944), Scarlet Street (1945) and The Big Heat (1953)  He became a naturalized citizen of the United States in 1939 

Early life
Lang was born in Vienna, as the second son of Anton Lang (1860–1940), an architect and construction company manager, and his wife Pauline "Paula" Lang (née Schlesinger; 1864–1920)  His mother was born Jewish and converted to Catholicism  His father was described as a “lapsed Catholic ”  He was baptized on December 28, 1890, at the Schottenkirche in Vienna  He had an elder brother, Adolf (1884–1961) Lang's parents were of Moravian descent  At one point, he noted that he was “born [a] Catholic and very puritan"  Ultimately describing himself as an atheist, Lang believed that religion was important for teaching ethics After finishing school, Lang briefly attended the Technical University of Vienna, where he studied civil engineering and eventually switched to art  He left Vienna in 1910 in order to see the world, traveling throughout Europe and Africa, and later Asia and the Pacific area  In 1913, he studied painting in Paris 
At the outbreak of World War I, Lang returned to Vienna and volunteered for military service in the Austrian army and fought in Russia and Romania, where he was wounded four times and lost sight in his right eye, the first of many vision issues he would face in his lifetime  While recovering from his injuries and shell shock in 1916, he wrote some scenarios and ideas for films  He was discharged from the army with the rank of lieutenant in 1918 and did some acting in the Viennese theater circuit for a short time before being hired as a writer at Decla Film, Erich Pommer's Berlin-based production company  In 1919, he married Jewish Lisa Rosenthal, who died under mysterious circumstances of a single gunshot wound deemed to have been fired by a sidearm weapon from World War I 

Career
Expressionist films: the Weimar years (1918–1933)
Lang's writing stint was brief, as he soon started to work as a director at the German film studio UFA, and later Nero-Film, just as the Expressionist movement was building  In this first phase of his career, Lang alternated between films such as Der Müde Tod ("The Weary Death") and popular thrillers such as Die Spinnen ("The Spiders"), combining popular genres with Expressionist techniques to create an unprecedented synthesis of popular entertainment with art cinema 

In 1920, Lang met his future wife, the writer Thea von Harbou  She and Lang co-wrote all of his movies from 1921 through 1933, including Dr  Mabuse, der Spieler ("Dr  Mabuse the Gambler," 1922 - which ran for over four hours, in two parts in the original version, and was the first in the Dr  Mabuse trilogy), the five-hour Die Nibelungen (1924), the dystopian film Metropolis (1927), and the science fiction film Woman in the Moon (1929)  Metropolis went far over budget and nearly destroyed UFA, which was bought by right-wing businessman and politician Alfred Hugenberg  It was a financial flop, as were his last silent films Spies (1928) and Woman in the Moon, produced by Lang's own company In 1931, independent producer Seymour Nebenzahl hired Lang to direct M for Nero-Film  His first "talking" picture, considered by many film scholars to be a masterpiece of the early sound era, M is a disturbing story of a child murderer (Peter Lorre in his first starring role) who is hunted down and brought to rough justice by Berlin's criminal underworld  M remains a powerful work; it was remade in 1951 by Joseph Losey, but this version had little impact on audiences, and has become harder to see than the original film 
During the climactic final scene in M, Lang allegedly threw Peter Lorre down a flight of stairs in order to give more authenticity to Lorre's battered look  Lang, who was known for being hard to work with, epitomized the stereotype of the tyrannical Germanic film director, a type embodied also by Erich von Stroheim and Otto Preminger; Lang wore a monocle, adding to the stereotype 
In the films of his German period, Lang produced a coherent oeuvre that established the characteristics later attributed to film noir, with its recurring themes of psychological conflict, paranoia, fate and moral ambiguity 
At the end of 1932, Lang started filming The Testament of Dr  Mabuse  Adolf Hitler came to power in January 1933, and by March 30, the new regime banned it as an incitement to public disorder  Testament is sometimes deemed an anti-Nazi film, as Lang had put phrases used by the Nazis into the mouth of the title character  A screening of the film was cancelled by Joseph Goebbels, and it was later banned by the Reich Ministry of Public Enlightenment and Propaganda  In banning the film, Goebbels stated that the film "showed that an extremely dedicated group of people are perfectly capable of overthrowing any state with violence", and that the film posed a threat to public health and safety Lang was worried about the advent of the Nazi regime, partly because of his Jewish heritage, whereas his wife and co-screenwriter Thea von Harbou had started to sympathize with the Nazis in the early 1930s, and later joined the NSDAP in 1940  They soon divorced  Lang's fears would be realized following his departure from Austria, as under the Nuremberg Laws he would be identified as half-Jewish by ethnicity even though his mother was a converted Roman Catholic, and he was raised as such 

Emigration
According to Lang, propaganda minister Joseph Goebbels called Lang to his offices to inform him – apologetically – that The Testament of Dr  Mabuse was being banned but, nevertheless, he was so impressed by Lang's abilities as a filmmaker (especially Metropolis), that he offered Lang the position of head of German film studio UFA  Lang said it was during that meeting he had decided to leave for Paris – but that the banks had closed by the time the meeting was over  Lang claimed that, after selling his wife's jewelry, he fled by train to Paris that evening, leaving most of his money and personal possessions behind  However, his passport of the time showed that he traveled to and from Germany a few times during 1933 Lang left Berlin for good on July 31, 1933, four months after his meeting with Goebbels and his initial departure  He moved to Paris, having divorced Thea von Harbou, who stayed behind, earlier in 1933 In Paris, Lang filmed a version of Ferenc Molnár's Liliom, starring Charles Boyer  That was Lang's only film in French (excluding the French version of Testament)  He then moved to the United States 

Hollywood career (1936–1957)
Lang made twenty-three features in his 20-year American career, working in a variety of genres at every major studio in Hollywood, and occasionally producing his films as an independent  He became a naturalized citizen of the United States in 1939 Signing first with MGM Studios, Lang's crime drama Fury (1936) saw Spencer Tracy cast as a man who is wrongly accused of a crime and nearly killed when a lynch mob sets fire to the jail where he is awaiting trial  However, in Fury, he was not allowed to represent black victims in a lynching scenario or to criticize racism, which was his original intention  By the time Fury was released, Lang had been involved in the creation of the Hollywood Anti-Nazi League, working with Otto Katz, a Czech who was a Comintern spy  He made four films with an explicitly anti-Nazi theme, Man Hunt (1941), Hangmen Also Die! (1943), Ministry of Fear (1944) and Cloak and Dagger (1946)



ground_truth: University of Wisconsin

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Were Jake Eisenhart and Michael T. Ullman of the same nationality?

The following are given passages.
Context 2:  Today Sanstol is inclined to save his legs, to some degree, and to employ instead the ring-craft he has acquired in nearly ten years of campaigning up and down the fistic lanes of two continents  Today he is more the Dempsey in his style, less the old Sanstol  His hands still carry their speed, his arms and shoulders the energy to hurl an endless barrage of punches  But he will be found doing much more of the weaving and bending to evade blows or get himself into hitting position  He will not be leaping five or six feet when an evasive swing of a few inches will suffice  He will be doing more of the bobbing and ducking and swinging from the hips, with which he used to delight crowds and bewilder his opponents 

Career highlights and honors
Amateur Flyweight class championship of Norway in 1923
Amateur recipient of Gold in the Norwegian and Scandinavian Bantam class championship in 1925
Canadian World Bantamweight Champion (1931)
Ranked by long-time Madison Square Garden Matchmaker Tom McArdle with legendary bantams Terry McGovern, Kid Williams, and Pete Herman (1931 Everlast Boxing Record)
Featured solo on the cover of the August 1931 The Ring magazine and in its accompanying article
Described in the article "The Golden Bantams" (The Ring, December 1953 issue, page 13) as "one of the hottest local favorites the big town New York ever had  Pete, flashy, colorful and capable fought in the Ridgewood Grove Sporting Club in the Queens section of New York no less than 26 times in one year, packing the place every time "
Proclaimed the Ridgewood Grove's "Greatest Ring Attraction" by The Ring magazine's Ted Carroll
Ranked with Leo "Kid" Roy as Montreal's favorite boxer of the late 1920s/early 1930s
Inducted into the World Boxing Hall of Fame in 2000

Life after boxing
After his boxing career ended, Sanstol worked various jobs in Norway, New York City, Chicago, Seattle, and Alaska, including restaurant owner, newspaper writer, recreation center director, hotel clerk, and translator  In 1957, he completed his autobiography entitled Gjennom Ringen He married Bessie Andrews Marshal in Seattle on August 24, 1956  Shortly after the wedding, Sanstol and his wife moved to live in Norway, where he was still remembered for his boxing  He was in demand, often telling stories of his boxing days, and speaking to groups  In 1960, Pete moved back to the West Coast of the United States with his wife, taking a job in Long Beach, California, as a translator for a shipping company  In 1962, Sanstol and his wife moved to nearby San Pedro  By October 15, 1981, Sanstol was living in a Convalescent Home in Torrance, California suffering from a diagnosed form of dementia He died in 1982 in Whittier, California after a series of strokes  On June 7, 2005, Lund municipality raised a monolith in a park in Moi to his memory, listing him as Norway's most famous boxer 
Passage 3:
James P  Wade
James P  Wade, Jr  is the author, with Harlan K  Ullman of the doctrine of strategic dominance, more popularly known as shock and awe  They published their concept in Shock and Awe: Achieving Rapid Dominance, a 1996 monograph of the National Defense University In 1977, he was appointed by President Jimmy Carter as Chairman of the Military Liaison Committee to the United States Department of Energy 
Passage 4:
James Michael Ullman
James Michael Ullman (1925–1997) was an American novelist and newspaper writer/editor known for his work in and about the Chicago area 

Education, employment, war service
Ullman served in World War II and the U S  Navy for two and a half years, and also served as an Air Force civilian employee on Guam 
Ullman became a newspaperman soon after  He served as police reporter on the La Porte, Indiana Herald-Argus, was editor of the Skokie, IL News and served as head of the United Press Bureau's Chicago desk 
Ullman was educated at Chicago's Wright Junior College and De Paul University, eventually receiving a Masters in Journalism from Northwestern University in 1954 
He won a prize in the Ellery Queen Magazine's 1953 contest with his first story Anything New on the Strangler? His short stories continued to appear in Ellery Queen's Mystery Magazine through the early 1960s when he turned to novels 

Novels
Ullman's first novel The Neon Haystack won Simon & Schuster's Inner Sanctum Mystery Award in 1963  The story centers around Steve Kolchak, who arrives in "a mid-western city" in search of his brother who disappeared exactly one year earlier  Kolchak takes the same hotel room, walks into the same dive bars and befriends the same shady characters who last saw his brother before his disappearance 
Ullman's 1966 novel, The Venus Trap, follows a similar theme: its protagonist goes in search of his father who went missing many years earlier, last having been seen leaving home with a strange man and a million dollars in diamonds in the heel of his shoe 
This theme of family members gone missing held a certain attraction to Ullman, and eventually encouraged the writing of this article  Ullman, his work, and his biography – like one of his mystery novel characters –  had seemed to simply disappear without a trace in the digital online age 
Perhaps Ullman's most popular and enduring work appeared in 1981, titled How to Hold a Garage Sale  Still popular as a how-to book among enthusiasts of the backyard sale, the book can still be found on Amazon and other markets  In 1986, Ullman co-authored the similarly themed Dow Jones-Irwin Guide to Using IRA's 
In 1987, Ullman and his 1954 short story Dead Ringer were honored by appearing in the collection Murder & Mystery in Chicago, a collection of mysteries set in the city Ullman called home  Ullman died in 1997 
Passage 5:
James P  Wade
James P  Wade, Jr  is the author, with Harlan K  Ullman of the doctrine of strategic dominance, more popularly known as shock and awe  They published their concept in Shock and Awe: Achieving Rapid Dominance, a 1996 monograph of the National Defense University In 1977, he was appointed by President Jimmy Carter as Chairman of the Military Liaison Committee to the United States Department of Energy 
Passage 6:
Jake Eisenhart
Jacob Henry "Ol' Jake" Eisenhart (October 3, 1922 – December 20, 1987) was an American left-handed pitcher in Major League Baseball who appeared in one game for the Cincinnati Reds in 1944  The 6'3½", 195 lb  left-hander was a native of Perkasie, Pennsylvania 
Eisenhart is one of many ballplayers who only appeared in the major leagues during World War II  After attending Juniata College, he was signed by the Reds to a 30-day trial contract, but his only big league action came on June 10, 1944 in a home game against the St  Louis Cardinals at Crosley Field  He entered the game with two out in the top of the ninth inning, and the Reds behind 18–0  The pitcher he came in to relieve was 15-year-old Joe Nuxhall, who had just made his major league debut  Eisenhart walked the first batter he faced, George Fallon, then got the last out, retiring opposing pitcher Mort Cooper on a foul out  His total major league experience ended up lasting only 1/3 of an inning  He was released by the Reds on June 24  Eisenhart also served in the Army during World War II, and toiled three years in the Philadelphia Athletics organization, but never made it back to the major leagues  He died in 1987 in Huntingdon, Pennsylvania 
Passage 7:
James Michael Ullman
James Michael Ullman (1925–1997) was an American novelist and newspaper writer/editor known for his work in and about the Chicago area 

Education, employment, war service
Ullman served in World War II and the U S  Navy for two and a half years, and also served as an Air Force civilian employee on Guam 
Ullman became a newspaperman soon after  He served as police reporter on the La Porte, Indiana Herald-Argus, was editor of the Skokie, IL News and served as head of the United Press Bureau's Chicago desk 
Ullman was educated at Chicago's Wright Junior College and De Paul University, eventually receiving a Masters in Journalism from Northwestern University in 1954 
He won a prize in the Ellery Queen Magazine's 1953 contest with his first story Anything New on the Strangler? His short stories continued to appear in Ellery Queen's Mystery Magazine through the early 1960s when he turned to novels 

Novels
Ullman's first novel The Neon Haystack won Simon & Schuster's Inner Sanctum Mystery Award in 1963  The story centers around Steve Kolchak, who arrives in "a mid-western city" in search of his brother who disappeared exactly one year earlier  Kolchak takes the same hotel room, walks into the same dive bars and befriends the same shady characters who last saw his brother before his disappearance 
Ullman's 1966 novel, The Venus Trap, follows a similar theme: its protagonist goes in search of his father who went missing many years earlier, last having been seen leaving home with a strange man and a million dollars in diamonds in the heel of his shoe 
This theme of family members gone missing held a certain attraction to Ullman, and eventually encouraged the writing of this article  Ullman, his work, and his biography – like one of his mystery novel characters –  had seemed to simply disappear without a trace in the digital online age 
Perhaps Ullman's most popular and enduring work appeared in 1981, titled How to Hold a Garage Sale  Still popular as a how-to book among enthusiasts of the backyard sale, the book can still be found on Amazon and other markets  In 1986, Ullman co-authored the similarly themed Dow Jones-Irwin Guide to Using IRA's 
In 1987, Ullman and his 1954 short story Dead Ringer were honored by appearing in the collection Murder & Mystery in Chicago, a collection of mysteries set in the city Ullman called home  Ullman died in 1997 
Passage 8:
David Ji
David Longfen Ji is an American businessman who co-founded Apex Digital, an electronics manufacturer In 2004, he was arrested in China following a dispute with Sichuan Changhong Electric, a supplier owned by the city of Mianyang and the province of Sichuan  Changhong accused him of defrauding them through bad checks  Ji was taken, according to an account by his lawyer, to the senior management and told, "I decide whether you live or die " He has been held in China without charges 
Ji's case highlighted an "implicit racism" in dealings with American businessmen  As a U S  citizen he was not granted the same treatment by authorities as non-ethnically Chinese businessmen sharing the same nationality 
Passage 9:
Andrew Esinhart
Andrew Esinhart (December 27, 1838 – ca 1915) was a merchant and political figure in Quebec  He represented La Prairie in the Legislative Assembly of Quebec from 1871 to 1875 as a Conservative 
He was born in La Prairie, Lower Canada, the son of Andrew Eisenhart and Charlotte Barbeau, and became a merchant there  Esinhart owned a sawmill at Sainte-Clothilde and also operated a brick factory which failed in 1870  In 1867, he married Marie-Ézelda Valotte  He was defeated by Léon-Benoît-Alfred Charlebois when he ran for reelection to the Quebec assembly in 1875  In 1876, he moved to Iberville, where he owned a general store and grain warehouse  Esinhart was mayor of Iberville from 1882 to 1883  He later moved to the United States, where he died around 1915 
Passage 10:
Emma Russack
Emma Russack is an Australian singer and songwriter, who grew up in Narooma, New South Wales, where she graduated from high school in 2005  She currently lives in Melbourne In 2004, when she was 16, she won the contest Fresh Air of the Australian Broadcasting Corporation for young talents with her song "Used To This"  By 2008, she was already known on YouTube, where she had posted eight covers, as well as two songs of her own, playing the guitar  For some time between 2007 and 2008, she took on the artistic name Lola Flash, while being the singer of a band of the same name  The group members were Jake Phillips (bass), Alec Marshall (guitar), Paul Mc Lean (drums) and Kate Delahunty (violin)  The single "Psycho", published in 2009, is from that period  She spent a year travelling around in South America  In 2010, the EP Peasants was published, and in 2012 her first album, Sounds Of Our City, including ten songs, was released  Articles about her have appeared in the German and Australian editions of Rolling Stone and in the Australian magazine Frankie  She had her song "All My Dreaming" featured in the ending of The Walking Dead's Season 9 11th episode, "Bounty" 

Discography
Solo
Peasants (EP) (2010)
Sounds Of Our City  (2012)
You Changed Me (2014)
In A New State (2016)
Permanent Vacation (2017)
Winter Blues (2019)

Emma Russack & Lachlan Denton
When It Ends (2018)
Keep On Trying (2018)
Take The Reigns (2019)

Awards and nominations
EG Awards / Music Victoria Awards
The EG Awards (known as Music Victoria Awards since 2013) are an annual awards night celebrating Victorian music  They commenced in 2006 
Context 3:  Man Hunt, wrote Dave Kehr in 2009, "may be the best" of the "many interventionist films produced by the Hollywood studios before Pearl Harbor" as it is "clean and concentrated, elegant and precise, pointed without being preachy "

His American films were often compared unfavorably to his earlier works by contemporary critics, although the restrained Expressionism of these films is now seen as integral to the emergence and evolution of American genre cinema, film noir in particular  Scarlet Street (1945), one of his films featuring Edward G  Robinson and Joan Bennett, is considered a central film in the genre 
One of Lang's most praised films noir is the police drama The Big Heat (1953), known for its uncompromising brutality, especially for a scene in which Lee Marvin throws scalding coffee on Gloria Grahame's face  As Lang's visual style simplified, in part due to the constraints of the Hollywood studio system, his worldview became increasingly pessimistic, culminating in the cold, geometric style of his last American films, While the City Sleeps (1956) and Beyond a Reasonable Doubt (1956) 

Last films (1959–1963)
Finding it difficult to find congenial production conditions and backers in Hollywood, particularly as his health declined with age, Lang contemplated retirement  The German producer Artur Brauner had expressed interest in remaking The Indian Tomb (from an original story by Thea von Harbou, that Lang had developed in the 1920s which had ultimately been directed by Joe May), so Lang returned to Germany to make his "Indian Epic" (consisting of The Tiger of Eschnapur and The Indian Tomb) 
Following the production, Brauner was preparing for a remake of The Testament of Dr  Mabuse when Lang approached him with the idea of adding a new original film to the series  The result was The Thousand Eyes of Dr  Mabuse (1960), whose success led to a series of new Mabuse films, which were produced by Brauner (including the remake of The Testament of Dr  Mabuse), though Lang did not direct any of the sequels  Lang was approaching blindness during the production, and it was his final project as director 
In 1963, he appeared as himself in Jean-Luc Godard's film Contempt 

Death and legacy
On February 8, 1960, Lang received a star on the Hollywood Walk of Fame for his contributions to the motion picture industry, located at 1600 Vine Street 

Lang died from a stroke on August 2, 1976 and was interred in the Forest Lawn Hollywood Hills Cemetery in the Hollywood Hills of Los Angeles While his career had ended without fanfare, Lang's American and later German works were championed by the critics of the Cahiers du cinéma, such as François Truffaut and Jacques Rivette  Truffaut wrote that Lang, especially in his American career, was greatly underappreciated by "cinema historians and critics" who "deny him any genius when he 'signs' spy movies     war movies     or simple thrillers " Filmmakers that were influenced by his work include Jacques Rivette, William Friedkin, Steven Spielberg, Christopher Nolan, Luis Buñuel, Osamu Tezuka, Alfred Hitchcock, Jean-Luc Godard and Stanley Kubrick Lang is credited with launching or developing many different genres of film  Philip French of The Observer believed that Lang helped craft the "entertainment war flick" and that his interpretation of the story of Bonnie and Clyde "helped launch the Hollywood film noir"  Geoff Andrew of the British Film Institute believed he set the "blueprint for the serial killer movie" through M In December 2021 Lang was the subject for BBC Radio 4's In Our Time 

Preservation
The Academy Film Archive has preserved a number of Lang's films, including Human Desire and Man Hunt 

Filmography
Awards
Silver Hand in 1931, for his film M, by the German Motion Picture Arts Association
Commander Cross, Order of Merit in 1957 and 1966
Golden Ribbon of Motion Picture Arts in 1963 by the Federal Republic of Germany
Order of Arts and Letters from France in 1965
Plaque from El Festival Internacional del Cine de San Sebastian in 1970
Order of the Yugoslavia Flag with a Golden Wreath in 1971
Honorary Professor of Fine Arts by the University of Vienna, Austria, in 1973
Passage 5:
Jacques Décombe
Jacques Décombe is a French author, actor and director born in 1953 

Biography
After he studied at the Conservatoire national d'art dramatique, he was the director of the shows of Les Inconnus at the request of Didier Bourdon and won the Molière Award for best comedy show  (See fr:Molière du meilleur spectacle comique) in 1991  He also directed shows by Charlotte de Turckheim, Chevallier et Laspalès, Patrick Timsit, Les Chevaliers du fiel   
Passage 6:
Woman in the Moon
Woman in the Moon (German Frau im Mond) is a German science fiction silent film that premiered 15 October 1929 at the UFA-Palast am Zoo cinema in Berlin to an audience of 2,000   It is often considered to be one of the first "serious" science fiction films  It was directed by Fritz Lang, and written by his wife Thea von Harbou, based on her 1928 novel The Rocket to the Moon  It was released in the US as By Rocket to the Moon and in the UK as Girl in the Moon  The basics of rocket travel were presented to a mass audience for the first time by this film, including the use of a multi-stage rocket  The film was shot between October 1928 and June 1929 at the UFA studios in Neubabelsberg near Berlin 

Plot
Helius (Willy Fritsch) is an entrepreneur with an interest in space travel  He seeks out his friend Professor Mannfeldt (Klaus Pohl), a visionary who wrote a treatise claiming that there was probably much gold on the Moon, only to be ridiculed by his peers  Helius recognizes the value of Mannfeldt's work  However, a gang of evil businessmen have also taken an interest in Mannfeldt's theories, and send a spy (Fritz Rasp) who identifies himself as "Walter Turner" 
Meanwhile, Helius's assistant Windegger (Gustav von Wangenheim) has announced his engagement to Helius's other assistant, Friede (Gerda Maurus)  Helius, who secretly loves Friede, avoids their engagement party 
On his way home from his meeting with Professor Mannfeldt, Helius is mugged by henchmen of the gang  They steal the research that Professor Mannfeldt had entrusted to Helius, and also burgle Helius's home, taking other valuable material  Turner then presents Helius with an ultimatum: the gang know he is planning a voyage to the Moon; either he includes them in the project, or they will sabotage it and destroy his rocket, which is named Friede ("peace")  Reluctantly, Helius agrees to their terms 
The rocket team is assembled: Helius; Professor Mannfeldt and his pet mouse Josephine; Windegger; Friede; and Turner  After Friede blasts off, the team discovers that Gustav (Gustl Gstettenbaur), a young boy who has befriended Helius, has stowed away, along with his collection of science fiction pulp magazines 
During the journey, Windegger emerges as a coward, and Helius's feelings for Friede begin to become known to her, creating a romantic triangle 
They reach the far side of the Moon and find it has a breathable atmosphere, per the theories of Peter Andreas Hansen, who is mentioned near the beginning of the film  Mannfeldt discovers gold, proving his theory  When confronted by Turner, Mannfeldt falls to his death in a crevasse  Turner attempts to hijack the rocket, and in the struggle, he is shot and killed  Gunfire damages the oxygen tanks, and they come to the grim realization that there is not enough oxygen for all to make the return trip  One person must remain on the Moon 
Helius and Windegger draw straws to see who must stay and Windegger loses  Seeing Windegger's anguish, Helius decides to drug Windegger and Friede with a last drink together and take Windegger's place, letting Windegger return to Earth with Friede  Friede senses that something is in the wine  She pretends to drink and then retires to the compartment where her cot is located, closes and locks the door  Windegger drinks the wine, becoming sedated  Helius makes Gustav his confidant and the new pilot for the ship  Helius watches it depart, then starts out for the survival camp originally prepared for Windegger  He discovers that Friede has decided to stay with him on the Moon  They embrace, and Helius weeps into her shoulder while Friede strokes his hair and whispers words of comfort to him 

Influence
Lang, who also made Metropolis, had a personal interest in science fiction  When returning to Germany in the late 1950s, he sold his extensive collection of Astounding Science Fiction, Weird Tales, and Galaxy magazines  Several prescient technical/operational features are presented during the film's 1920s launch sequence, which subsequently came into common operational use during America's postwar space race:

The rocket ship Friede is fully built in a tall building and moved to the launch area
As launch approaches, intertitles count down the seconds from six to "now" ("now" was used for zero), and Woman in the Moon is often cited as the first occurrence of the "countdown to zero" before a rocket launch
The rocket ship blasts off submerged in a pool of water; water is commonly used today on launch pads to absorb and dissipate the extreme heat and to damp the noise generated by the rocket exhaust
In space, the rocket ejects its first stage and fires its second stage rocket, predicting the development of modern multistage orbital rockets
The crew recline on horizontal beds to cope with the G-forces experienced during lift-off and pre-orbital acceleration
Floor foot straps are used to restrain the crew during zero gravity (Velcro is used today) These items and the overall design of the rocket led to the film being banned in Germany from 1933–1945 during World War II by the Nazis, due to similarities to their secret V-2 project 
Rocket scientist Hermann Oberth worked as an advisor on this movie  He had originally intended to build a working rocket for use in the film, but time and technical constraints prevented this from happening  The film was popular among the rocket scientists in Wernher von Braun's circle at the Verein für Raumschiffahrt (VfR)  The first successfully launched V-2 rocket at the rocket-development facility in Peenemünde had the Frau im Mond logo painted on its base  Noted post-war science writer Willy Ley also served as a consultant on the film  Thomas Pynchon's 1973 novel Gravity's Rainbow, which deals with the V-2 rockets, refers to the movie, along with several other classic German silent films 
Oberth also advised Hergé for Destination Moon and Explorers on the Moon (1953/4), which has plot points strongly influenced by Woman in the Moon 

Cast
Klaus Pohl as Professor Georg Manfeldt
Willy Fritsch as Wolf Helius
Gustav von Wangenheim as Ingenieur Hans Windegger (as Gustav v  Wangenheim)
Gerda Maurus as Stud  astr  Friede Velten
Gustl Gstettenbaur as Gustav (as Gustl Stark-Gstettenbaur)
Fritz Rasp as Der Mann "who calls himself Walter Turner"
Tilla Durieux as Fünf Gehirne und Scheckbücher
Hermann Vallentin as Fünf Gehirne und Scheckbücher
Max Zilzer as Fünf Gehirne und Scheckbücher
Mahmud Terja Bey  as  Fünf Gehirne und Scheckbücher
Borwin Walth as Fünf Gehirne und Scheckbücher
Karl Platen as Der Mann am Mikrophon
Margarete Kupfer as Frau Hippolt, Haushälterin bei Helius
Alexa von Porembsky as Eine Veilchenverkäuferin (as Alexa v  Porembska)
Gerhard Dammann as Der Werkmeister der Helius-Flugwerften (as Dammann)
Heinrich Gotho as Der Mieter vom II  Stock (as Gotho)
Alfred Loretto as Zwei eindeutige Existenzen (as Loretto)
Max Maximilian as Grotjan, Chauffeur bei Helius (as Maximilian)
Edgar Pauly as Zwei eindeutige Existenzen (as Pauly)
Die Maus Josephine as Maus

See also
1929 in science fiction
Passage 7:
Sepideh Farsi
Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director 

Early years
Farsi left Iran in 1984 and went to Paris to study mathematics   However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films  A main theme of her works is identity  She still visits Tehran each year 

Awards/Recognition
Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009  She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D  Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT" 

Recent News
One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission)   The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest   It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film   The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”   The  dialogue is in Persian with English and Arabic subtitles  In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival



ground_truth: yes

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director born later, Woman In The Moon or Changeland?

The following are given passages.
Context 3: 

Filmography
Red Rose (2014)
Cloudy Greece (2013)
Zire Âb / The house under the water (2010)
Tehran bedoune mojavez / Tehran without permission (2009)
If it were Icarus (2008)
Harat (2007)
Negah / The Gaze (2006)
Khab-e khak / Dreams of Dust (2003)
Safar-e Maryam / The journey of Maryam (2002)
Mardan-e Atash / Men of Fire (2001)
Homi D  Sethna, filmmaker (2000)
Donya khaneye man ast / The world is my home (1999)
Khabe Âb / Water dreams (1997)
Bâd-e shomal / Northwind (1993)
Passage 8:
Claude Weisz
Claude Weisz is a French film director born in Paris 

Filmography
Feature films
Une saison dans la vie d'Emmanuel (1972) with Germaine Montéro, Lucien Raimbourg, Florence Giorgetti, Jean-François Delacour, Hélène Darche, Manuel Pinto, etc Festival de Cannes 1973 - Quinzaine des réalisateurs
Jury Prize: Festival Jeune Cinéma 1973

La Chanson du mal aimé (1981) with Rufus, Daniel Mesguich, Christine Boisson, Věra Galatíková, Mark Burns, Philippe Clévenot, Dominique Pinon, Madelon Violla, Paloma Matta, Béatrice Bruno, Catherine Belkhodja, Véronique Leblanc, Philippe Avron, Albert Delpy, etc Festival de Cannes 1982 - Perspectives du cinéma français
Competition selections: Valencia, Valladolid, Istanbul, Montréal

On l'appelait    le Roi Laid (1987) with Yilmaz Güney (mockumentary)Valencia Festival 1988 - Grand Prix for documentaries "Laurel Wreath"
Competition selections: Rotterdam, Valladolid, Strasbourg, Nyon, Cannes, Lyon, Cairo

Paula et Paulette, ma mère (2005) Documentary - Straight to DVD

Short and mid-length
La Grande Grève (1963 - Co-directed CAS collective, IDHEC)
L'Inconnue (1966 - with Paloma Matta and Gérard Blain - Prix CNC Hyères, Sidney)
Un village au Québec
Montréal
Deux aspects du Canada (1969)
La Hongrie, vers quel socialisme ? (1975 - Nominated for best documentary - Césars 1976)
Tibor Déry, portrait d'un écrivain hongrois (1977)
L'huître boudeuse
Ancienne maison Godin ou le familistère de Guise (1977)
Passementiers et Rubaniers
Le quinzième mois
C'était la dernière année de ma vie (1984 - FIPRESCI Prize- Festival Oberhausen 1985 - Nomination - Césars 1986)
Nous aimons tant le cinéma (Film of the European year of cinema - Delphes 1988)
Participation jusqu'en 1978 à la réalisation de films "militants"

Television
Series of seven dramas in German
Numerous documentary and docu-soap type films (TVS CNDP)
Initiation à la vie économique (TV series - RTS promotion)
Contemplatives    et femmes (TF1 - 1976)
Suzel Sabatier (FR3)
Un autre Or Noir (FR3)
Vivre en Géorgie
Portrait d'une génération pour l'an 2000 (France 5 - 2000)
Femmes de peine, femmes de coeur (FR3 - 2003)

Television documentaries
La porte de Sarp est ouverte (1998)
Une histoire balbynienne (2002)
Tamara, une vie de Moscou à Port-au-Prince (unfinished)
Hana et Khaman (unfinished)
En compagnie d'Albert Memmi (unfinished)
Le Lucernaire, une passion de théâtre
Les quatre saisons de la Taillade ou une ferme l'autre
Histoire du peuple kurde (in development)
Les kurdes de Bourg-Lastic (2008)
Réalisation de films institutionnels et industriels
Passage 9:
Seth Green
Seth Benjamin Green (né Gesshel-Green; born February 8, 1974) is an American actor  His film debut came with a role in the comedy-drama film The Hotel New Hampshire (1984), and he went on to have supporting roles in comedy films throughout the 1980s, including Radio Days (1987) and Big Business (1988)  
During the 1990s and 2000s, Green began starring in comedy films such as Idle Hands (1999), Rat Race (2001), Without a Paddle (2004) and Be Cool (2005)  During this time he became known for his portrayal of Scott Evil, Dr  Evil's son, in the Austin Powers film series (1997–2002)  Green has also taken serious roles in films, including The Attic Expeditions (2001) and Party Monster (2003)  He has provided the voice for Howard the Duck in a number of Marvel Cinematic Universe films and series, including Guardians of the Galaxy (2014) and Guardians of the Galaxy Vol  2 (2017)  In 2019, he wrote, directed, and starred in the comedy-drama film Changeland 
Green's first lead role on television was on the ABC sitcom Good & Evil in 1991, for which he won a Young Artist Award  Green later gained attention for his supporting roles as Oz, a teenage guitarist and the boyfriend of Willow Rosenberg, on the fantasy television series Buffy the Vampire Slayer (1997–2000), and as the voice of Chris Griffin on the Fox adult animated sitcom Family Guy (1999–present)  He also voiced Leonardo in the Nickelodeon animated series Teenage Mutant Ninja Turtles (2014–2017) and Joker in the Mass Effect video game series (2007–2012)  Green created, directs, writes, and produces the adult animated comedy series Robot Chicken and its spinoffs (2005–present), which have earned him three Primetime Emmy Awards and five Annie Awards 

Early life
Seth Benjamin Gesshel-Green was born in Overbrook Park, Philadelphia, Pennsylvania, the son of Barbara (Gesshel) and Herbert Green  He has one sister, Kaela  Green later legally changed his name to Seth Benjamin Green  He was raised Jewish and had a Bar Mitzvah ceremony  His ancestors were from Russia, Poland, and Scotland  Green started acting at the age of 7  His early comic influences included Monty Python, Blackadder, Saturday Night Live, Richard Pryor, Bill Cosby, Porky's, and Caddyshack 

Career
Early work
Green's first movie roles were in the 1984 films Billions for Boris and The Hotel New Hampshire; the second film cast him alongside Jodie Foster and Rob Lowe  He appeared in the 1987 film Can't Buy Me Love, playing Patrick Dempsey's character's little brother, Chuckie Miller  He starred in Woody Allen's Radio Days (1987) as Joe (a 1930s–1940s boy based on Allen) and appeared in Big Business (1988) and, in the same year, My Stepmother Is an Alien, which also starred Buffy the Vampire Slayer co-star Alyson Hannigan 
In 1984, Green portrayed Carl "Alfalfa" Switzer in the Jell-O Gelatin Pops commercials featuring The Little Rascals  In 1991, Green rose to fame in a Rally's "Cha Ching" commercial, which earned him an appearance at a New Orleans Saints game  Green was given a key to New Orleans in honor of his role in the popular commercial Green appeared in the horror TV series It (as Richie Tozier, age 12) and Ticks, all three Austin Powers movies (as Dr  Evil's son, Scott), and Enemy of the State and The Italian Job (as a computer specialist in both)  He was also in the films Can't Hardly Wait, Rat Race, Scooby-Doo 2: Monsters Unleashed, Without a Paddle (alongside Matthew Lillard), Idle Hands, Party Monster, Airborne, and Old Dogs  Green also had a role in the series Buffy the Vampire Slayer 
In 1994, he starred alongside Jennifer Love Hewitt in the short-lived series The Byrds of Paradise  He worked with Hewitt again in 1998's Can't Hardly Wait  Green is not related to Bruce Seth Green, who directed some episodes of Buffy the Vampire Slayer  On occasion, some sources confuse the two and have credited Seth as the director  As an actor in the series, he was close to co-star Alyson Hannigan because they were lovers in the show  He played Daniel "Oz" Osbourne, a calm, mild-mannered member of the band Dingoes Ate My Baby who gets turned into a werewolf  He is very popular among fans of the series  Green has starred on Fox's Greg the Bunny and guest-starred on The X-Files, That '70s Show, Will & Grace, MADtv, Reno 911!, Entourage, Grey's Anatomy, The Wonder Years, Heroes, The Facts of Life, The Drew Carey Show, and My Name Is Earl 

Family Guy
Green provides the voice of Chris for the animated television sitcom  Family Guy  Green primarily voices Chris Griffin, the teenage son, who is overweight, unintelligent and, in many respects, a younger version of his father, and Neil Goldman, a neighbor of the Griffins  Green did an impression of the Buffalo Bill character from the thriller film The Silence of the Lambs during his audition  Green has stated that his main inspiration for Chris' voice came from envisioning how "Buffalo Bill" would sound if he were speaking through a PA system at a McDonald's 

Howard the Duck
Green provides the voice of Howard the Duck for the live-action Marvel Cinematic Universe (MCU) films Guardians of the Galaxy (2014) and Vol  2 (2017) and the Disney+ animated series What If   ?, as well as the Disney XD animated series Guardians of the Galaxy (2015–19) and Ultimate Spider-Man (2016) Developing the character with James Gunn, Green did an impression of Danny DeVito, "being sort of a gruff and cynical sarcastic character [who] doesn't know what the Earth species of duck even is and doesn't think of himself that way and is offended by that generalization "

Later work
Green is a co-creator, co-producer, writer, director, and most frequent voice of the Emmy-winning stop-motion sketch parody comedy TV series Robot Chicken, for which he does many voices and has appeared in animated form  Green is friends with the band Fall Out Boy, making a cameo in their music video, "This Ain't a Scene, It's an Arms Race"  He also appeared in "Weird Al" Yankovic's "White & Nerdy" music video  He made two appearances on The Soup in 2007 and 2008, using his first appearance to lampoon Internet celebrity Chris Crocker  He voiced the character Jeff "Joker" Moreau, pilot of the Normandy-SR starship series in the video games Mass Effect, Mass Effect 2, and Mass Effect 3  He is a producer of The 1 Second Film and appears in the "making of" documentary that accompanies its feature-length credits  Green is also the co-creator (with Hugh Sterbakov) of the comic Freshmen, published by Top Cow Productions 
Green, along with Robot Chicken co-producer Breckin Meyer, appeared in the NBC show Heroes during the 2008–09 season  In January 2009, Green worked with David Faustino (Bud Bundy from Married    with Children) for an episode of Faustino's show Star-ving – Faustino is often mistaken for Green  Later in the same year, he worked with one of his idols, Robin Williams in comedy film Old Dogs, which also starred John Travolta  On July 13, World Wrestling Entertainment's official website announced Green as the special guest host for the July 13 episode of WWE Raw, and on that night, Green competed in the main event, a six-man tag team match, which his team won by disqualification  He was also in attendance for WWE's biggest event of the year, WrestleMania XXVI on March 28, 2010  Green guest-starred in the third season of the acclaimed sitcom Husbands  Green became the new voice of Leonardo in Teenage Mutant Ninja Turtles beginning in its third season (following Jason Biggs' departure from the role) In 2019, he wrote and released his first movie named Changeland, starring Brenda Song and Macaulay Culkin  The movie was released on June 7, 2019 In 2021, Green reprised the role of Todo 360 in Star Wars: The Bad Batch In 2022, Green voiced Thunderbolt in season three of Stargirl where the character was previously voiced by Jim Gaffigan 

Personal life
After getting engaged on New Year's Eve in 2009, Green married actress Clare Grant on May 1, 2010, in Northern California  They worked together on Robot Chicken, Warren the Ape, Changeland, Holidays, Star Wars: The Clone Wars, Hulk and the Agents of S M A S H , and her Saber and "Geek and Gamer Girls Song" viral videos In 2000, Green stated, "God is, to me, pretty much an idea  God is, to me, pretty much a myth created over time to deny the idea that we're all responsible for our own actions " In 2013, he said that he had "a deep belief in the divinity of the Universe, and I had no ability to really comprehend the scope or magnitude of all the things that I don't understand" 

Filmography
Film
Television
Web
Video games
Theme park attractions
Awards and nominations
See also
List of recurring That '70s Show characters
Passage 10:
Yolonda Ross
Yolonda Ross is an American actress, writer and director 

Life and career
Ross was born and raised in Omaha, Nebraska  She began her acting career in New York, appearing in the episodes of television series New York Undercover and Third Watch  Before landing the leading role in the independent drama film, Stranger Inside (2001)  The movie produced by HBO, first premiered on television, but Ross was nominated for an Independent Spirit Award for Best Debut Performance  She later had supporting roles in a number of independent productions and guest-starred on Law & Order and Law & Order: Criminal Intent, and in 2011 had a recurring role of HBO's Treme Ross co-starred alongside LisaGay Hamilton in the critically acclaimed 2013 independent drama film, Go for Sisters  She received Independent Spirit Award for Best Supporting Female nomination for her performance in film  She later was cast opposite Viola Davis in Lila & Eve  In 2015, Ross played Robyn Crawford, the friend, assistant, and reported girlfriend of Whitney Houston, in the Lifetime movie, Whitney directed by Angela Bassett In 2017, Ross had a recurring role opposite Viola Davis in the ABC legal thriller How to Get Away with Murder  The following year she was cast in a series regular role in the Showtime drama series, The Chi 

Filmography
Film and TV Movies
Television
Awards and nominations



ground_truth: Changeland