prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director died first, Our Agent Tiger or London Melody?

The following are given passages.
Context 1: Passage 1:
Our Agent Tiger
Le tigre se parfume à la dynamite (Our Agent Tiger) is a 1965 secret agent spy film directed by Claude Chabrol and starring and written by Roger Hanin as the Tiger  It is a sequel to the 1964 film Le Tigre aime la chair fraiche 

Plot
The Tiger is sent to oversee the excavation of a sunken ship  While busy retrieving the gold treasure inside the vessel, The Tiger is constantly thwarted by international enemies  Among them is an old Nazi named Hans von Wunchendorf who dreams of world domination  He hides behind the codename "The Orchid" and needs the treasure to sustain a worldwide network of exiled former comrades  Once sanified by the gold his organisation plans to realise the endsieg after all 

Cast
Roger Hanin as Louis Rapière, "le Tigre"
Margaret Lee as Pamela Mitchum / Patricia Johnson
Michel Bouquet as Jacques Vermorel
Micaela Pignatelli as Sarita Sanchez
Carlos Casaravilla as Ricardo Sanchez
José Nieto as Pepe Nieto
José María Caffarel as Colonel Pontarlier
George Rigaud as Commander Damerec

Bibliography
Blake, Matt; Deal, David (2004)  The Eurospy Guide  Baltimore: Luminary Press  ISBN 1-887664-52-1 
Passage 2:
Le Tigre aime la chair fraiche
Le Tigre aime la chair fraîche ("The Tiger loves fresh meat"), English title Code Name: Tiger, is a 1964 French Eurospy film directed by Claude Chabrol and starring Roger Hanin as the spy Louis Rapière, code named "The Tiger"  The screenplay was written by Chabrol and Hanin  It was an attempt to create a French franchise equal to James Bond, and its female lead, Daniela Bianchi, had the previous year appeared in the James Bond film From Russia with Love  The film had a sequel in 1965, Le tigre se parfume à la dynamite (Our Agent Tiger) 

Plot
The French government plans an international arms deal with the help of a Turkish diplomate named Baskine  But a group of terrorists menaces the diplomat  When the government receives intelligence concerning a looming attempt on Baskine's life, they assign Louis Rapière a k a  "The Tiger" to guard Baskine and his family  Rapière immediately proves this decision right by scarcely foiling an assassination  Unfortunately more than one group is after Baskine  They are closing in on Baskine independently from each other 

Cast
Roger Hanin as Louis Rapière a k a  'le Tigre'
Maria Mauban as Madame Baskine
Daniela Bianchi as Mehlica Baskine
Roger Dumas as Duvet
Antonio Passalia as Coubassi
Jimmy Karoubi as Jean-Luc
Roger Rudel as Benita
Carlo Nell as the assassin in the theatre

Crew
Josée Dayan was the assistant director on the movie 

Bibliography
Blake, Matt; Deal, David (2004)  The Eurospy Guide  Baltimore: Luminary Press  ISBN 1-887664-52-1 
Passage 3:
Herbert Wilcox
Herbert Sydney Wilcox  CBE (19 April 1890 – 15 May 1977) was a British film producer and director  
He was one of the most successful British filmmakers from the 1920s to the 1950s  He is best known for the films he made with his third wife Anna Neagle 

Early life
Wilcox's mother was from County Cork, Ireland, and Wilcox considered himself Irish, but he was born in Norwood, south London  His family moved to Brighton when Wilcox was eight years old; he was one of five children 
His family were poor and Wilcox had to do a number of part-time jobs, including some work as a chorus boy at the local Hippodrome  His mother died of tuberculosis when she was 42  Wilcox left school before the age of fourteen to find work  Shortly afterwards, his father died at the age of 42  Wilcox began earning money as a professional pool player at the Metropole in Camberwell Green 
The First World War broke out and Wilcox enlisted in the army  He was training cadets in County Cork when the Easter Rising broke out in 1916 and Wilcox was wounded  He then enlisted in the Royal Flying Corps to earn more money and trained as a pilot  A case of appendicitis kept him away from the front for a time but he wound up serving in France and serving as a flight instructor in England 

Film career
After the war, Wilcox went to work for his brother Charles as a film salesman  He began selling American films to Yorkshire exhibitors, occasionally working with Victor Saville 

Astra Films
In 1919, Wilcox used his war gratuity to found his own distribution company, Astra Films, in association with his brother and a colleague, Jack Smart  Wilcox contributed £117, and the others made up the rest  It was based in Yorkshire  "Owing to the war, there were practically no British productions", said Wilcox  "They were almost all American films " The company was immediately successful so they expanded into London 

Graham-Wilcox Productions
Astra had a lot of success with a British film, A Peep Behind the Scenes (1919) so Wilcox decided to produce a British film himself  He raised £1,400 to make The Wonderful Story (1922)  It was directed by a Newcastle exhibitor who shared Wilcox's enthusiasm for D  W  Griffith, Jack Graham Cutts; he and Wilcox established Graham-Wilcox Productions  Wilcox sold the film for £4,000 and the premiere got excellent reviews  This enabled Wilcox to raise funds for a slate of films, before The Wonderful Story was released and flopped at the box office However the next Graham-Wilcox production, Flames of Passion (1922), starring imported Hollywood star Mae Marsh was a big hit, among the first British films sold to the USA  The success of the film inspired Wilcox to steer away from realistic drama and focus on escapist entertainment 

Director
Wilcox optioned the screen rights for Chu-Chin-Chow (1923), with imported American star Betty Blythe   The film was shot in Germany at UFA's studios in association with Eric Pommer with a huge budget but was only a moderate success  He followed it with Southern Love (1924), shot in Vienna, again with Blythe  Wilcox launched the film with a mock bull fight in Albert Hall and says the film returned a profit in England alone Pommer asked Wilcox to collaborate again and they made Decameron Nights (1924) 
Back in Britain he made Paddy the Next Best Thing (1923) 
After what he described as a "series of unimpressive films" he made The Only Way (1926), based on a stage play which was based on A Tale of Two Cities He followed it with Nell Gwyn (1926), starring Dorothy Gish in the title role  This was a big success around the world 

British National Films
The world rights to Nell Gwyn were purchased by British National Films, a company established by J D  Williams, who signed Wilcox and Gish to make three more films, all financed by Paramount:  Madame Pompadour (1926), the first film shot at the newly built Elstree Studios; London (1926); and Tip Toes (1927)  It was later revealed in a court case that Wilcox's fee was £3,000 a film plus 25% of the profits, but there were no profits for the three films 

British and Dominions Film Corporation
Wilcox ended up leaving British National and founded the British and Dominions Film Corporation with Nelson Keys with capital of half a million pounds  HIs first film for them, via Herbert Wilcox Productions, was Mumsie (1927), starring Pauline Frederick and, in his debut, Herbert Marshall 
Wilcox wanted to make another film with Frederick and suggested Noël Coward's The Vortex but Frederick disliked the role  Wilcox instead decided to do a version of the Edith Cavell story, Dawn (1928)  Frederick dropped out of the film, and was replaced by Sybil Thorndike  Filming proved difficult but the resulting movie was a big hit  In 1928 British and Dominion Films insured Wilcox for £100,000 There was some talk he would make a film of the Burke and Wills story  Instead he made what he described as "a series of unimportant but profitable films": The Bondman (1929), The Woman in White (1929),

Sound Films
Generally, Alfred Hitchcock's Blackmail is regarded as the first film with sound, but Wilcox's Black Waters was trade-shown several weeks earlier in May, 1929 He produced more than a hundred films, of which he directed about half   "His film production team were never laid off, even during the worst depressions of the British film industry  They were on full salary 52 weeks of the year "Wilcox built and equipped sound studios next to the British International Pictures studios, which they bought from John Maxwell  Wilcox signed up top stage artists such as Jack Buchanan, Tom Walls and Ralph Lynn and Sydney Howard, with C B  Cochran and Albert de Courville as producers  He announced plans to make nine talkies He produced and directed the first British all talkie ever made, Wolves (1930), with Charles Laughton and Dorothy Gish and produced Canaries Sometimes Sing (1930) He made an arrangement to produce a series of films in association with His Master's Voice gramophone company, with the aim of using their celebrity recording stars  Among the films they were to make together were Cochran's Talkie Revue, a film of C B Cochran's variety show; the play Rookery Nook; an adaptation of the novel The Blue Lagoon, and the life story of Robert Burns However their first movie, The Loves of Robert Burns (1930), with Joseph Hislop, was not a success and the arrangement abruptly ended  Wilcox's plans to make The Life of Beethoven and a version of Don Quixote starring Chaliapin had to be cancelled Wilcox produced Rookery Nook (1930), an Aldwych farce based on the play by Ben Travers and directed by Tom Walls  It led to a series of Aldwych farces from Travers and Walls 
He acted as producer only on  Splinters (1930), high Treason (1930, The Mountain of Mourne (1930), Warned Off (1930), On Approval (1930), Tons of Money (1930), Mischief (1931), The Speckled Band (1931), Plunder (1931), Almost a Divorce (1931), Up for the Cup (1931) with Sydney Howard, The Barton Mystery (1932), Life Goes On (1932), Thark (1932), Leap Year (1932), It's a King (1932),The Love Contract (1932), Say It with Music(1932),  The Mayor's Nest (1932), and A Night Like This (1932) 
As a director he made The Chance of a Night Time (1931) with Ralph Lynn from a play by Ben Travers; Carnival (1931); and The Blue Danube (1933) 

Anna Neagle
Wilcox's professional relationship with Anna Neagle began when he was looking for a leading lady to support Jack Buchanan in Goodnight, Vienna (1932)  He decided to cast her after seeing Neagle support Buchanan on stage in a musical Stand Up and Cheer  Goodnight Vienna was Wilcox's biggest success to that time He used Neagle again in The Flag Lieutenant (1932)
He made some films without her – Money Means Nothing (1932), The King's Cup (1933), General John Regan (1933), The Blarney Stone (1933), The King of Paris (1933), Lord of the Manor (1933), Discord (1933) – then they were reunited on The Little Damozel (1933), a conscious effort on Wilcox's part to ensure that Neagle was not type cast as an "English Rose" He bought the rights to a John Galsworthy play Loyalties and developed a screenplay  He later sold it to William Fox for a profit  He produced That's a Good Girl (1933) 
Bitter Sweet (1933) starred Neagle, based on the operetta by Noël Coward  It was a box office failure Yes, Mr Brown (1933) was a vehicle for Jack Buchanan and Lilies of the Field (1934) without her  Wilcox was back to Neagle for The Queen's Affair (1934)  He and Neagle had a big hit with a new version of Nell Gwynn (1934)  They followed it with Peg of Old Drury (1935) 
He also produced Escape Me Never (1935), starring Elisabeth Bergner, which was a surprise box office hit 

Herbert Wilcox Productions
The success of Peg of Old Drury saw Wilcox approached by Lord Portal to set up his own company, Herbert Wilcox Productions  Wilcox resigned from British Dominion, and set up the new company with C M  Woolf and J  Arthur Rank  The only other shareholders in the company apart from Wilcox were Woolf and his brother Maurice 
Wilcox, Woolf, Portal and Rank soon established themselves as a major player in the industry by buying Universal Pictures' English operations; Wilcox was appointed to the board to directors of Universal English and the Universal American parent company  He also had shares in a new company, General Cinema Finance, which was to control the distribution and production of films and acquire cinemas  This company would go on to acquire Gaumont British and the Odeon circuit and form the back bone of the Rank Film empire Their first film was Street Singer Serenade (1936), aka Limelight, directed by Wilcox with Neagle and Jack Buchanan  It was followed by Fame (1936), which he produced, starring Sydney Howard and new Wilcox discovers Miki Hood and Geraldine Hislop  He and Neagle did a story about trapeze artists, Three Maxims (1936) He made Where's George? (1936) with Sydney Howard 
Wilcox was back with Buchanan with This'll Make You Whistle (1936)  He wanted to make an epic version of The Blue Lagoon with Hollywood stars to be shot mostly on location in Hawaii and a biopic of Lady Hamilton with Neagle but neither was made  Instead he made Millions (1937) 
Wilcox's film studio at Elstree burnt down and Wilcox moved to new studios at Pinewood  There he made London Melody (1937) with Neagle 

RKO
Wilcox wanted to star Neagle in a biopic of Queen Victoria  Woolf refused to finance it, believing it to be a bad investment, so Wilcox raised the bulk of the finance himself  Wilcox invested his entire savings and Neagle put in £10,000  They secured a distribution agreement with RKO  Victoria the Great (1937) was a massive success and led to Wilcox signing a ten-year deal with RKO to help finance and distribute the films He and Neagle promptly made a sequel, Sixty Glorious Years (1938)  Wilcox produced but did not direct A Royal Divorce (1938) starring Ruth Chatterton  Wilcox announced he would make a biopic of Lord Kitchener but the film was never made 

Hollywood
He and Neagle went to the US to work for RKO  They looked into making a biopic of Marie Lloyd but could not find a suitable co-star for Neagle so instead made another biopic, Nurse Edith Cavell (1939)  They were going to follow it with a biopic of Flora MacDonald filmed in Scotland but the declaration of war made that impossible  Instead they made three musicals: Irene (1940), with Ray Milland; No, No, Nanette (1940), with Victor Mature; and Sunny (1941) with Ray Bolger  They were among the many names who worked on Forever and a Day (1943) 
In July 1941, Wilcox and Neagle returned to England to make They Flew Alone (1942) a biopic of Amy Johnson and the war thriller Yellow Canary (1943) 

The London Films
Wilcox and Neagle had a big hit with I Live in Grosvenor Square (1945), co starring Rex Harrison and Dean Jagger  They followed it with Piccadilly Incident (1946), starring Neagle and Michael Wilding, which was even more popular, the second biggest British hit of 1946  Wilcox signed Wilding to a long-term contract 
The Courtneys of Curzon Street (1947) was the most popular film at the British box office in 1947  Another hit was Spring in Park Lane (1948) 
Wilding was not in their next film, Elizabeth of Ladymead (1948) but returned for Maytime in Mayfair (1949), a sequel to Spring in Park Lane, and another massive success 
Wilcox and Neagle returned to war stories with Odette (1950) a biopic of Odette Samson starring Neagle and Trevor Howard, and Wilcox's most profitable movie to date  He planned to make a biopic about Van Gogh starring Trevor Howard, but it was never made Wilcox made a film without Neagle, Into the Blue (1950), with Wilding and Odile Versois; it was not particularly popular  Neagle and Wilding were reunited for The Lady with a Lamp (1951), a biopic of Florence Nightingale and Derby Day (1952), an ensemble film  Both did well at the box office but not as well as the late 40s films 

Margaret Lockwood and Republic Pictures
In the early 1950s Neagle had a long running stage hit, The Glorious Years  In November 1951 Wilcox signed a multi picture deal with Margaret Lockwood to make six films in three years  The following year he signed a six-picture deal with Republic Films 
The first movie Lockwood-Wilcox film, Trent's Last Case (1952) was a solid success, helped by a cast including Wilding and Orson Welles  However Laughing Anne (1953), co-starring Forrest Tucker and Wendell Corey, and Trouble in the Glen (1954), with Welles, did poorly and he made no further films with Lockwood or Republic 
Wilcox was further hurt when a film he produced, The Beggar's Opera (1953), was a box office disaster 

Errol Flynn and Ivor Novello
Wilcox formed a new production company, Everest, and made two musicals with Neagle and Errol Flynn: Lilacs in the Spring (1954), based on The Glorious Years, and King's Rhapsody (1955), based on a musical by Ivor Novello  Both flopped and plans to make a third Novello film, Perchance to Dream did not happen 

Last films
Wilcox had a hit with My Teenage Daughter (1956), a story of Neagle dealing with a juvenile delinquent daughter played by Sylvia Syms  Less successful was These Dangerous Years (1957), produced by Neagle and directed by Wilcox, starring George Baker and Frankie Vaughan, and no Neagle 
He produced but did not direct a war film,  Yangtse Incident (1957), which performed reasonably well at the British box office but ultimately lost money  Wilcox found himself personally liable for some of the film's costs 
He tried a drama with Neagle, The Man Who Wouldn't Talk (1958), and three films with Vaughan: Wonderful Things! (1958), The Heart of a Man (1959), and The Lady Is a Square (1959) 

Bankruptcy
Wilcox was plagued with financial troubles in the 1950s and 1960s  He missed an early opportunity to invest in television; Anna Neagle's chain of dancing schools failed; he and Neagle invested heavily in British Lion shares and the company went into receivership; he borrowed £341,000 from the Edgware Trust; he and Neagle had guaranteed a £75,000 loan to make the two Errol Flynn films; and he paid £100,000 to Terence Rattigan for the film rights to his play Ross only for him to be unable to get it made   His film company failed in the 1960s  He spent two years trying to make a film about King Edward VII but the Queen refused permission  He was declared bankrupt in 1964, owing £16,000 to the Edgware Trust and £134,313 over all However, the musical play Charlie Girl, starring his wife Anna Neagle, ran for five years and resolved this financial situation Wilcox made some money from writing articles and was discharged as a bankrupt in 1966 after paying about 4 1/2 d in the pound to creditors According to one profile "The conventional view of Wilcox is that, despite his eventual bankruptcy, his considerable entrepreneurial skills enabled him to sustain a continued presence over a long period in a notoriously unstable industry; discussion of his directorial qualities usually acknowledges his professionalism but falls short of crediting him with any authorial status "

Personal life
In June 1917, Herbert Wilcox was granted a divorce from his first wife Dorothy, whom he had married on 2 December 1916 at St Luke's (CoE), Brighton   At the time, Herbert Wilcox was a lieutenant in the Royal Flying Corps   His wife was "carrying on a disgraceful intrigue" with an also-married Mr  Stanley Steel   The jury awarded Wilcox damages, possibly shared with Mrs Steel, of £750 plus costs In 1920, Wilcox married Maude Bower; they had four children together  Wilcox married his third wife, actress Anna Neagle, on 9 August 1943  The couple remained married until Wilcox's death in 1977, but they had no children 
Prior to his death at the age of 87 in London, England after a long illness, Wilcox donated four Daily Mail National Film Awards to the Glebelands Retirement Home in Wokingham 
Wilcox is buried in the City of London Cemetery 

Awards
In 1937, the Wilcox film Victoria the Great was nominated for the Mussolini Cup at the Venice Film Festival, but lost out to the French film Life Dances On (Un carnet de bal)  Wilcox lost the Festival's Best Director award to Robert J  Flaherty and Zoltán Korda for Elephant Boy  However, Victoria the Great and Wilcox won the Festival's Nations Cup for "Best World Premiere" 
Wilcox won four Daily Mail National Film Awards 

1947 – Best Film – Piccadilly Incident (producer and director)
1948 – Best Film – The Courtneys of Curzon Street (producer and director)
1949 – Best Film – Spring in Park Lane (producer and director)
1951 – Best Film – Odette (producer and director)

Selected filmography
Director
Chu-Chin-Chow (1923)
Southern Love (1924)
Decameron Nights (1924)
Nell Gwyn (1926)
London (1926)
Mumsie (1927)
Madame Pompadour (1927)
Tip Toes (1927)
The Only Way (1927)
Dawn (1928)
The Bondman (1929)
The Woman in White (1929)
Splinters (1929)
The Loves of Robert Burns (1930)
The Chance of a Night Time (1931)
Carnival (1931)
The Blue Danube (1932)
Good Night, Vienna (1932)
Money Means Nothing (1932)
The King's Cup (1932)
The Little Damozel (1933)
Bitter Sweet (1933)
Yes, Mr  Brown (1933)
The Queen's Affair (1934)
Nell Gwynn (1934)
Peg of Old Drury (1935)
Where's George? (1935)
Three Maxims (1936)
This'll Make You Whistle (1936)
Limelight (1937)
London Melody (1937)
Victoria the Great (1937)
Sixty Glorious Years (1938)
A Royal Divorce (1938)
Nurse Edith Cavell (1939)
No, No, Nanette (1940)
Irene (1940)
Sunny (1941)
They Flew Alone (1942)
Forever and a Day (1943)
Yellow Canary (1943)
I Live in Grosvenor Square (1945)
Piccadilly Incident (1946)
The Courtneys of Curzon Street (1947)
Spring in Park Lane (1948)
Elizabeth of Ladymead (1948)
Maytime in Mayfair (1949)
Odette (1950)
Into the Blue (1950)
The Lady with the Lamp (1951)
Derby Day (1952)
Trent's Last Case (1952)
Laughing Anne (1953)
Trouble in the Glen (1953)
Lilacs in the Spring 1954)
King's Rhapsody (1955)
My Teenage Daughter (1956)
These Dangerous Years (1957)
The Man Who Wouldn't Talk (1958)
Wonderful Things! (1958)
The Heart of a Man (1959)
The Lady Is a Square (1959)

Producer
The Wonderful Story (1922)
Paddy the Next Best Thing (1923)
Warned Off (1930)
On Approval (1930)
Tons of Money (1930)
Plunder (1931)
The Barton Mystery (1932)
Life Goes On (1932)
Say It with Music (1932)
Thark (1932)
Leap Year (1932)
A Night Like This (1932)
The Flag Lieutenant (1932)
General John Regan (1933)
The Blarney Stone (1933)
Lord of the Manor (1933)
Discord (1933)
Lilies of the Field (1934)
Fame (1936)
Millions (1937)
Passage 4:
Mohsen Eslamzadeh
Mohsen Eslamzadeh is an Iranian documentary filmmaker  He is the director of Alone Among The Taliban  This film has won the best documentary award at the 44th Athens International Film and Video Festival in the United States  
This film has won the best documentary award at the 12th Marbella International Film Festival in Spain  
This film has won the Shahid Avini Award offers 

Filmography
“The Sunnies of Iran”
“Mothers of the Revolution”
“Mysteries of Abu-Salim Prison”
“In the name of Liberty”
“Looking for Peace”
“Alone Among The Taliban”
The Dream of Marjaan

Awards and honors
The competition of the international festival of documentary films "Meetings in Siberia" | Russia, 2018
The competition of the "Tiburon International Film Festival" | USA, 2017
The best documentary of “Athen international film + video festival” | USA, 2017The best documentary of “Marbella international film festival” | Spain, 2017The “Moscow detective film festival” | Russia, 2017
The competition of the “Thin line film festival” | USA, 2017The competition of the “Asia-Pacific Film Festival” | 2016
The competition of the “Human rights film festival” | Italy, 2017The competition of the “Ismailia international film festival” | Egypt, 2017The winner of the “Shahid Avini” international section of the “Cinema Verite” | Iran, 2015
The winner of the “Ammar popular film festival” | Iran, 2015
The 8th “Ammar film festival” for The Documentary of “Qasr-e-Qand” | Iran, 2018
The 7th “Ammar film festival” for The TV show of “Vatandar” | Iran, 2017
The winner of the 5th Ammar festival for the film "Sunnis in Iran"
The winner of the international section of the forth Ammar festival for the film "Journey to the Land of Pashtuns"
The winner of the special section of “Ruyesh” (growth) festival for the film “Mother of the Revolution”
The winner of the international section of the third Ammar festival for the film “ the Thought of Being”
The honored young documentary director from Mashhad in 2010 chosen by Mashhad's Islamic Revolution Cultural Centre 
The honored in the “Awakening Sequence” for the film “the Lover”
The honored in the first Ammar film Festival for the film “the Street of Martyrdom”He is a former guest of the many film festivals such as:

The “Nahj film festival” for The documentary of “Me and the commander” | Iraq, 2016
The Festival as a guest speaker “Aljazeera film festival” for the film “Mysteries of Abusalim Prison” | Qatar, 2013
The “Resistance international film festival” for the film of “Al-Sheikh Sabah” | Iran, 2015Eslamzadeh participated in few film festivals such as: “Fajr”, “Cinema Verity” and “Rooyesh” in Iran 
Eslamzadeh has won numerous awards and fellowships including “Aljazeera” in Qatar and “Human Rights” in Spain and he awarded in some of them 
Passage 5:
London Melody
London Melody is a 1937 British musical film directed by Herbert Wilcox and starring Anna Neagle, Tullio Carminati and Robert Douglas  It was made at British and Dominions Imperial Studios, Elstree and Pinewood Studios  by Wilcox's independent production company and distributed by J  Arthur Rank's General Film Distributors  It was also released with the alternative title Look Out for Love 
It was the first movie shot at Pinewood 

Synopsis and production
A musical with a trial  One of several Anna Neagle - Tullio Carminati vehicles of the era, London Melody was one of five films directed within a year or so by Neagle's future husband, Herbert Wilcox  This time around, Carminatti is cast as Marius Andreani, a cultured Italian diplomat  While in London on business, Marius makes the chance acquaintance of boisterous cockney street entertainer Jacqueline (Neagle)  It is love at first sight, but hero and heroine must undergo a dizzying series of roadblocks and misunderstandings before the climactic clinch  Meanwhile, Jacqueline rises to the top of show-business success, never dreaming (until the end, at least) that it is all the secret handiwork of faithful Marius 
British and Dominions Imperial Studios was destroyed by fire in the early morning of 9 February 1936, necessitating the move of the production to Pinewood 

Cast
Critical reception
In 1937, The Sydney Morning Herald called it an "attractive and well-acted picture   Produced and directed by Herbert Wilcox in a way that contrasts favourably with Hollywood's efforts in a similar direction   Anna Neagle, a gifted actress, with definite charm and personality, makes a delightful Jacqueline  As the diplomat   Tulllo Carminati lends distinction and poise to his role  Perhaps the best character in the film is the priest, Horace Hodges, a lovable and very human person  Robert Douglas makes a good impression in the rather inconsistent part of Nigel Taplow, Andreani's secretary"; whereas more recently, Sky Movies described it as "a very thin musical vehicle for Anna Neagle, bizarrely cast as a cockney street singer  This dated offering   will prove tough going for all but hardened Neagle fans today "
Passage 6:
Ravina (actress)
Ravina is an Indian actress who acted in Dhallywood movies  She acted in the 1997 film Praner Cheye Priyo with Riaz  She also appeared in Sabdhan and Dolopoti, again opposite Riaz 

Selected filmography
Praner Cheye Priyo
Sabdhan
Dolopoti
Passage 7:
Querelle
Querelle is a 1982 West German-French English-language arthouse film directed by Rainer Werner Fassbinder and starring Brad Davis, adapted from French author Jean Genet's 1947 novel Querelle of Brest  It was Fassbinder's last film, released shortly after his death at the age of 37 

Plot
The plot centers on the handsome Belgian sailor Georges Querelle, who is also a thief and murderer  When his ship, Le Vengeur, arrives in Brest, he visits the Feria, a bar and brothel for sailors run by the Madame Lysiane, whose lover, Robert, is Querelle's brother  Querelle has a love/hate relationship with his brother: when they meet at La Feria, they embrace, but also punch one another slowly and repeatedly in the belly  Lysiane's husband Nono works behind the bar and also manages La Feria's underhanded affairs with the assistance of his friend, the corrupt police captain Mario 
Querelle makes a deal to sell opium to Nono  During the execution of the deal, he murders his accomplice Vic by slitting his throat   After delivering the drugs, Querelle announces that he wants to sleep with Lysiane   He knows that this means he will have to throw dice with Nono, who has the privilege of playing a game of chance with all of her prospective lovers  If Nono loses, the suitor is allowed to proceed with his affair  If the suitor loses, however, he must submit to anal sex with Nono first, according to Nono's maxim that "That way, I can say my wife only sleeps with arseholes " Querelle deliberately loses the game, allowing himself to be sodomized by Nono  When Nono gloats about Querelle's "loss" to Robert, who won his dice game, the brothers end up in a violent fight   Later, Querelle becomes Lysiane's lover, and also has sex with Mario 
Luckily for Querelle, a builder, Gil, murders his work mate Theo, who had been harassing and sexually assaulting him   Gil hides from the police in an abandoned prison, and Roger, who is in love with Gil, establishes contact between Querelle and Gil in the hopes that Querelle can help Gil flee  Querelle falls in love with Gil, who closely resembles his brother   Gil returns his affections, but Querelle betrays Gil by tipping off the police  Querelle cleverly arranged it so that the murder of Vic is also blamed on Gil 
Querelle's superior, Lieutenant Seblon, is in love with Querelle, and constantly tries to prove his manliness to him  Seblon is aware that Querelle murdered Vic, but chooses to protect him   Later, Seblon reveals his love and concern to a drunken Querelle, and they kiss and embrace before returning to Le Vengeur 

Cast
Brad Davis as Querelle
Franco Nero as Lieutenant Seblon
Jeanne Moreau as Lysiane
Laurent Malet as Roger Bataille
Hanno Pöschl as Robert / Gil
Günther Kaufmann as Nono
Burkhard Driest as Mario
Roger Fritz as Marcellin
Dieter Schidor as Vic Rivette
Natja Brunckhorst as Paulette
Werner Asam as Worker
Axel Bauer as Worker
Neil Bell as Theo
Robert van Ackeren as Drunken legionnaire
Wolf Gremm as Drunken legionnaire
Frank Ripploh as Drunken legionnaire

Production
According to Genet's biographer Edmund White, Querelle was originally going to be made by Werner Schroeter, with a scenario by Burkhard Driest, and produced by Dieter Schidor  However, Schidor could not find the money to finance a film by Schroeter, and therefore turned to other directors, including John Schlesinger and Sam Peckinpah, before finally settling on Fassbinder  Driest wrote a radically different script for Fassbinder, who then "took the linear narrative and jumbled it up"  White quotes Schidor as saying "Fassbinder did something totally different, he took the words of Genet and tried to meditate on something other than the story  The story became totally unimportant for him  He also said publicly that the story was a sort of third-rate police story that wouldn't be worth making a movie about without putting a particular moral impact into it" Schroeter had wanted to make a black and white film with amateur actors and location shots, but Fassbinder instead shot it with professional actors in a lurid, expressionist color, and on sets in the studio  Edmund White comments that the result is a film in which, "Everything is bathed in an artificial light and the architectural elements are all symbolic "

Soundtrack
Jeanne Moreau – "Each Man Kills the Things He Loves" (music by Peer Raben, lyrics from Oscar Wilde's poem "The Ballad of Reading Gaol")
"Young and Joyful Bandit" (Music by Peer Raben, lyrics by Jeanne Moreau)Both songs were nominated to the 1984 Razzie Awards for "Worst Original Song" 

Release
Querelle sold more than 100,000 tickets in the first three weeks after its release in Paris, the first time that a film with a gay theme had achieved such success  On review aggregator Rotten Tomatoes, which categorizes reviews as positive or negative only, the film has an approval rating of 57% calculated based on 14 critics comments  By comparison, with the same opinions being calculated using a weighted arithmetic mean, the rating is 6 10/10  Writing for The New York Times critic Vincent Canby noted that Querelle was "a mess   a detour that leads to a dead end "
Penny Ashbrook calls Querelle Fassbinder's "perfect epitaph: an intensely personal statement that is the most uncompromising portrayal of gay male sensibility to come from a major filmmaker " Edmund White considers Querelle the only film based on Genet's book that works, calling it "visually as artificial and menacing as Genet's prose " Genet, in discussion with Schidor, said that he had not seen the film, commenting "You can't smoke at the movies "
Passage 8:
Claude Chabrol
Claude Henri Jean Chabrol (French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s  Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker 
Chabrol's career began with Le Beau Serge (1958), inspired by Hitchcock's Shadow of a Doubt (1943)  Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity  This is especially apparent in Les Biches (1968), La Femme infidèle (1969), and Le Boucher (1970) – all featuring Stéphane Audran, who was his wife at the time 
Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career  In 1978, he cast Isabelle Huppert as the lead in Violette Nozière  On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Cérémonie (1995)  Film critic John Russell Taylor has stated that "there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium   Some of his films become almost private jokes, made to amuse himself " James Monaco has called Chabrol "the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we don't get from the more varied experiments in genre of Truffaut or Godard "

Life and career
Early life
Claude Henri Jean Chabrol was born on 24 June 1930 to Yves Chabrol and Madeleine Delarbre in Paris and grew up in Sardent, France, a village in the region of Creuse 400 km (240 miles) south of Paris  Chabrol said that he always thought of himself as a country person, and never as a Parisian  Both Chabrol's father and grandfather had been pharmacists, and Chabrol was expected to follow in the family business  But as a child, Chabrol was "seized by the demon of cinema" and ran a film club in a barn in Sardent between the ages of 12 and 14  It was at this time that he developed his passion for the thriller genre, detective stories and other forms of popular fiction 

Early years in Paris
After World War II, Chabrol moved to Paris to study pharmacology and literature at the Sorbonne, where he received a licence en lettres  Some biographies also state that he briefly studied law and political science at the École Libre des Sciences Politiques  While living in Paris Chabrol became involved with the postwar cine club culture and frequented Henri Langlois's Cinémathèque Française and the Ciné-Club du Quartier Latin, where he first met Éric Rohmer, Jacques Rivette, Jean-Luc Godard, François Truffaut and other future Cahiers du Cinéma journalists and French New Wave filmmakers  After graduating, Chabrol served his mandatory military service in the French Medical Corps, serving in Germany and reaching the rank of sergeant  Chabrol has said that while in the army he worked as a film projectionist  After he was discharged from the army, he joined his friends as a staff writer for Cahiers du Cinéma, who were challenging then-contemporary French films and championing the concept of Auteur theory  As a film critic, Chabrol advocated realism both morally and aesthetically, mise-en-scene, and deep focus cinematography, which he wrote "brings the spectator in closer with the image" and encourages "both a more active mental attitude on the part of the spectator and a more positive contribution on his part to the action in progress " He also wrote for Arts magazine during this period  Among Chabrol's most famous articles were "Little Themes", a study of genre films, and "The Evolution of Detective Films" In 1955 Chabrol was briefly employed as a publicity man at the French offices of 20th Century Fox, but was told that he was "the worst press officer they'd ever seen" and was replaced by Jean-Luc Godard, who they said was even worse  In 1956 he helped finance Jacques Rivette's short film Le coup du berger, and later helped finance Rohmer's short Véronique et son cancre in 1958  Unlike all of his future New Wave contemporaries, Chabrol never made short film nor did he work as an assistant on other directors' work before making his feature film debut  In 1957 Chabrol and Eric Rohmer co-wrote Hitchcock (Paris: Éditions Universitaires, 1957), a study of the films made by director Alfred Hitchcock through the film The Wrong Man  Chabrol had said that Rohmer deserves the majority of the credit for the book, while he mainly worked on the sections pertaining to Hitchcock's early American films, Rebecca, Notorious, and Stage Fright  Chabrol had interviewed Hitchcock with François Truffaut in 1954 on the set of To Catch a Thief, where the two famously walked into a water tank after being starstruck by Hitchcock  Years later, when Chabrol and Truffaut had both become successful directors themselves, Hitchcock told Truffaut that he always thought of them when he saw "ice cubes in a glass of whiskey "

1957–67: Early film career
The most prolific of the major New Wave directors, Chabrol averaged almost one film a year from 1958 until his death  His early films (roughly 1958–1963) are usually categorized as part of the New Wave and generally have the experimental qualities associated with the movement; while his later early films are usually categorized as being intentionally commercial and far less experimental  In the mid-sixties it was difficult for Chabrol to obtain financing for films so he made a series of commercial "potboilers" and spy spoofs, which none of the other New Wave filmmakers did Chabrol had married Agnès Goute in 1952 and in 1957 his wife inherited a large sum of money from relatives  In December of that year Chabrol used the money to make his feature directorial debut with Le Beau Serge  Chabrol spent three months shooting in his hometown of Sardent using a small crew and little known actors  The film's budget was $85,000  The film starred Jean-Claude Brialy as François and Gérard Blain as Serge, two childhood friends reunited when the recent medical school graduate François returns to Sardent and discovers that Serge has become an alcoholic after the stillbirth of his physically retarded first child  Despite suffering from tuberculosis, François drags Serge through a snowstorm to witness the birth of his second child, thus giving Serge a reason to live while killing himself in the process  Le Beau Serge is considered the inaugural film of the French New Wave Film movement that would peak between 1959 and 1962  Chabrol was the first of his friends to complete a feature film (although Jacques Rivette had already begun filming his first feature Paris nous appartient), and it immediately received critical praise and was a box office success  It won the Grand Prix at the Locarno Film Festival and the Prix Jean Vigo  Critics noticed similarities to Hitchcock's films, such as the motifs of doubling and re-occurrences and the "Catholic guilt transference" that Chabrol had also written about extensively in his and Rohmer's book the year earlier  Chabrol stated that he made the film as a "farewell to Catholicism", and many critics have called his first film vastly different from any of his subsequent films Chabrol quickly followed this success up with Les Cousins in 1958  The film is a companion piece and a reversal to Le Beau Serge in many ways, such as having the responsible student Brialy now play the decadent and insensitive Paul while the reckless Blain now plays the hard-working law student Charles  In this film, the country cousin Charles arrives in the big city of Paris to live with his corrupt cousin Paul while attending school  This was the first of many Chabrol films to include characters named Paul and Charles, and later films would often include a female named Hélène  More so than his first film, Les Cousins features many characteristics that would be seen as "Chabrolian", including the Hitchcock influence, a depiction of the French bourgeoisie, characters with ambiguous motives and a murder  It was also Chabrol's first film co-written with his longtime collaborator Paul Gégauff, of whom Chabrol once said "when I want cruelty, I go off and look for Gégauff  Paul is very good at gingering things up   He can make a character look absolutely ridiculous and hateful in two seconds flat " Les Cousins was another box office success in France and won the Golden Bear at the 9th Berlin International Film Festival Chabrol formed his own production company AJYM Productions (acronym based on the initials of his wife's and children's names) at the time of making Le Beau Serge   After the success of Le Beau Serge and Les Cousins, Chabrol began funding many of the films of his friends  AJYM helped fund Eric Rohmer's feature debut The Sign of Leo, partially funded Rivette's Paris nous appartient, and Philippe de Broca's films Les Jeux de l'amour and Le farceur  He also donated excess film stock from Les Cousins to Rivette to complete Paris nous appartient  Chabrol was also a technical advisor on Jean-Luc Godard's feature debut Breathless and acted in small parts in many of his friends' and his own early films  For his support to the early careers of so many of his friends, Chabrol has been referred to as "the godfather of the French New Wave", although many film histories tend to overlook this contribution and dismiss Chabrol altogether After two box office hits in a row, Chabrol was given a big budget to make his first color film, À double tour (Léda) in the spring of 1959  The film stars Jean-Paul Belmondo as Laszlo and Antonella Lualdi as Léda, two outsiders of a bourgeois family who experience different results when attempting to enter that family  Chabrol adapted the script with Paul Gégauff from a novel by Stanley Ellin, and the film is known for its oedipal sex triangle and murder scenario  The film was shot on location in Aix-en-Provence with cinematographer Henri Decaë and includes choppy, hand-held camera footage that is atypical of a Chabrol film despite being present in many of the New Wave films made at the same time  The film was both a box office and critical disappointment, and critic Roy Armes criticized "Chabrol's lack of feeling for his characters and love of overacting "In 1960 Chabrol made what is considered by many critics as his best early film, Les Bonnes Femmes  The film stars Bernadette Lafont, Clotilde Joano, Stéphane Audran and Lucile Saint-Simon as four Parisian appliance store employees who all dream of an escape from their mediocre lives, and the different outcomes for each girl  Most critics praised the film, such as Robin Wood and James Monaco  However some left-wing critics disliked Chabrol's depiction of working-class people and accused him of making fun of their lifestyles  The film was another box office disappointment for Chabrol  It was followed with two films that were also financially unsuccessful and which Chabrol has admitted to making purely for "commercial reasons"  Les Godelureaux was made in 1960 and hated by Chabrol  The Third Lover (L'Œil du Malin), released in 1961, received better reviews than Chabrol's previous films, with critics pointing out that the films that Chabrol wrote without Paul Gégauff were much more compassionate and realistic than the ones with Gégauff  It was shot on location in Munich  Although she had appeared in supporting roles in several Chabrol films before, The Third Lover was the first Chabrol film in which Stéphane Audran appeared as the female lead  They later married in 1964 and worked together until the late 1970s In 1962 Chabrol made Ophelia, a loose adaptation of Hamlet that was another box office disappointment  Later that year he had a minor hit film with Landru, written by Françoise Sagan and starring Charles Denner, Michèle Morgan, Danielle Darrieux and Hildegard Knef  The film depicts the famous French serial killer Henri Désiré Landru, a story that had previously inspired Charlie Chaplin's film Monsieur Verdoux From 1964 to 1967 Chabrol made six films and one short that were critically and commercially disastrous, and this period is considered a low point of his career  Four of these films were in the then-popular genre of spy spoof films, including Le Tigre aime la chair fraiche and Le Tigre se parfume à la dynamite  Chabrol had said that "I like to get to the absolute limit of principles   In drivel like the Tiger series I really wanted to get the full extent of the drivel  They were drivel, so OK, let's get into it up to our necks " During this period a Variety headline read "Vital To Keep Making Pictures, and What Sort Not Relevant; Chabrol No 'Doctrinaire' Type " In 1965 Chabrol also contributed to the New Wave portmanteau film Six in Paris with the segment "La Muette"  Chabrol co-starred with Stéphane Audran as a middle aged couple dealing with their rebellious teenage daughter  In 1964 Chabrol also directed a stage production of MacBeth for the Théâtre Récamier 

1968–78: "Golden Era"
In 1968 Chabrol began working with film producer André Génovès and started to make more critically acclaimed films that would later be considered his "Golden Era"  Most of these films revolved around themes of bourgeois characters and a murder is almost always part of the plot  Unlike his earlier films, most of these films centered around middle aged people  Chabrol often worked with the same people during this period including actors Audran and Michel Bouquet, cinematographer Jean Rabier, editor Jacques Gaillard, sound technician Guy Chichignoud, composer Pierre Jansen, set designer Guy Littaye, as well as producer Génovés and co-writer Paul Gégauff In 1968 Chabrol made Les Biches, one of his most acclaimed works  The film stars Stéphane Audran as the dominant and bisexual Frédérique, who finds a young protege in the bisexual Why (Jacqueline Sassard), until they both become the lover of a young architect named Paul (Jean-Louis Trintignant)  Why ends up killing Frédérique, but it is unclear whether she murdered her cheating lover or the person that her lover was cheating with  The film received critical praise and was a box office hit  Chabrol followed this with a similar film The Unfaithful Wife (La Femme infidèle), in which a husband named Charles murders the lover of his cheating wife  It was later remade in 2002 by director Adrian Lyne  Chabrol finished the decade with This Man Must Die (Que la bête meure) in 1969  Based on an original story by Cecil Day-Lewis, in the film Charles (Michel Duchaussoy) plots to kill Paul (Jean Yanne) after Paul killed Charles' son in a hit and run car accident  However the film's ending is left intentionally ambiguous, and Chabrol has stated that "you'll never see a Charles kill a Paul  Never " The film was especially praised for its landscape cinematography In 1970 Chabrol made The Butcher (Le boucher) starring Jean Yanne and Stéphane Audran  Yanne plays Popaul, a former war hero known for his violent behavior, much like that depicted in the prehistoric cave drawings that the characters look at in their Périgord community  The French newspaper Le Figaro called it "the best French film since the liberation " After another examination of bourgeois life in The Breach (La Rupture) in 1970, Chabrol made Just Before Nightfall (Juste avant la nuit) in 1971  The film stars Michel Bouquet as an ad executive named Charles who kills his mistress but cannot handle the guilt, so he confesses his crime to her husband (François Périer) and his wife (Stéphane Audran), expecting their condemnation  To his surprise they are only compassionate and forgiving to his crime and Charles cannot find relief from the guilt of what he has done  Later in 1971 Chabrol made Ten Days' Wonder (La Décade prodigieuse), based on a novel by Ellery Queen  The film was shot in English and starred Michel Piccoli, Anthony Perkins and Orson Welles  It received poor critical reviews  He followed this with the equally disliked Dr  Popaul, starring Jean-Paul Belmondo and Mia Farrow  Critics compared the film unfavorably with Chabrol's earlier film that centered on a "Landru-like" theme  Critic Jacques Siclier said that "the novelty of Docteur Popaul comes from the offhandedness with which the criminal history is treated "Chabrol took a slight change of pace with his 1973 film Wedding in Blood (Les Noces rouges) by making his first film with political themes  The film stars Audran and Michel Piccoli as lovers who plot to murder Audran's husband, who is the corrupt gaullist mayor of their town  To their surprise the President of France orders that no investigation be made of the mayor's death, leading the murdering couple to suspect political interest in their crime  In the spring of 1973 the French government banned the film for one month, allegedly so that it would not influence members of the jury of a controversial criminal trial  Chabrol followed this political theme with Nada, in which a group of young anarchists kidnap an American ambassador  It was Chabrol's first film to not center on the bourgeois since Le Beau Serge  Chabrol returned to more familiar ground in 1975 with A piece of pleasure (Une partie de plaisir)  In this film screenwriter Paul Gégauff plays a writer with a troubled marriage that ends in tragedy  (In 1983, Gégauff was stabbed to death in real life by his second wife ) Gégauff's wife is played by his real-life first wife Danièle Gégauff (already divorced when this film was made) and his daughter is played by real life daughter Clemence Gégauff  The film received poor critical reviews, with Richard Roud calling it "rather interestingly loathsome "Chabrol ended his Golden Period with one of his most admired and his most controversial films Violette Nozière in 1978  The film starred a young Isabelle Huppert as a real life Parisian girl from a respectable petit-bourgeois family in the 1930s  At night Violette sneaks out to pick up men and eventually contracts syphilis, which she convinces her parents must be hereditary before she kills them  The film was controversial in France but praised in other countries 

1979–2009: Later work
In the 1980's and 1990's Chabrol engaged himself with many different projects for both TV and the silver screen  His films Poulet au vinaigre (1985) and Masques (1987) were entered into the 38th Cannes Film Festival and 37th Berlin International Film Festival respectively  Madame Bovary (1991) was nominated for the Golden Globe Award for Best Foreign Language Film and for the Academy Award for Best Costume Design  It was also entered into the 17th Moscow International Film Festival  La Cérémonie (1995) is perhaps his most acclaimed film from this period, as it was nominated for numerous César Awards and was entered into the 52nd Venice International Film Festival among other  His 1999 film The Color of Lies was entered into the 49th Berlin International Film Festival In 1995 Chabrol was awarded the Prix René Clair from the Académie française for his body of work 
Chabrol continued directing films and TV series well into the 2000's 

Personal life
Chabrol's first marriage to Agnès Goute (1956–1962) produced a son, Matthieu Chabrol, a composer who scored most of his father's films from the early 1980s  He divorced Agnès to marry the actress Stéphane Audran, with whom he had a son, actor Thomas Chabrol  They remained married from 1964 to 1978  His third wife was Aurore Paquiss, who has been a script supervisor since the 1950s  He had four children  Chabrol was a known gourmet chef and shot 10 Days Wonder in Alsace only because he wanted to visit its restaurants  Although he acknowledges the influence of Alfred Hitchcock in his work, Chabrol has stated that "others have influenced me more  My three greatest influences were Murnau, the great silent film director   Ernst Lubitsch and Fritz Lang "Chabrol died on 12 September 2010 of leukemia  He is buried in Pere Lachaise Cemetery in north-eastern Paris 

Filmography
As director
As actor
TV work
Histoires insolites (1974), 5 episodes
Nouvelles de Henry James (1974), 2 episodes – based on stories by Henry James
Il était un musicien (1978), 3 episodes
Madame le juge (1978), 1 episode
"Jeunesse et Spiritualité" Cyprien Katsaris (1979) Official site
Fantômas (1980), 2 episodes – Remake of Fantômas
Le système du docteur Goudron et du professeur Plume (1981) – based on The System of Doctor Tarr and Professor Fether by Edgar Allan Poe
Les affinités électives (1982) – based on Elective Affinities by Johann Wolfgang von Goethe
M  le maudit (1982, short)
La danse de mort (1982) – based on The Dance of Death by August Strindberg
Les dossiers secrets de l'inspecteur Lavardin (1988), 2 episodes
Les redoutables (2001), 1 episode
Chez Maupassant (2007), 2 episodes – based on stories by Guy de Maupassant
Au siècle de Maupassant: Contes et nouvelles du XIXème siècle (2010), 2 episodes
Passage 9:
Le Masque de la Méduse
Le masque de la Méduse (English: The Mask of Medusa) is a 2009 fantasy horror film directed by Jean Rollin  The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans  It was Rollin's final film, as the director died in 2010 

Cast
Simone Rollin as la Méduse
Sabine Lenoël as Euryale
Marlène Delcambre as Sthéno
Juliette Moreau as Juliette
Delphine Montoban as Cornelius
Jean-Pierre Bouyxou as le gardien
Bernard Charnacé as le collectionneur
Agnès Pierron as la colleuse d'affiche au Grand-Guignol
Gabrielle Rollin as la petite contrebassiste
Jean Rollin as l'homme qui enterre la tête
Thomas Smith as Thomas

Production
It was thought that Rollin's 2007 film La nuit des horloges was the final film of his career, as he had mentioned in the past  However, in 2009, Rollin began preparation foe Le masque de la Méduse  Rollin originally directed the film as a one-hour short, which was screened at the Cinémathèque de Toulouse, but after the release, Rollin decided to add 20 minutes of additional scenes and then cut the film into two distinct parts, as he did with his first feature, Le Viol du Vampire   The film was shot on location at the Golden Gate Aquarium and Père Lachaise Cemetery, as well as on stage at the Theatre du Grande Guignol, which is where the longest part of the film takes place  It was shot on HD video on a low budget of €150,000  Before the release, it was transferred to 35mm film 

Release
The film was not released theatrically, although it premiered on 19 November 2009 at the 11th edition of the Extreme Cinema Film Festival at the Cinémathèque de Toulouse  As part of "An Evening with Jean Rollin", it was shown as a double feature with Rollin's 2007 film La nuit des horloges 

Home media
No official DVD was released, although for a limited time, a DVD of La masque de la Méduse was included with the first 150 copies of Rollin's book Jean Rollin: Écrits complets Volume 1 
Passage 10:
Thulasi (1987 film)
Thulasi is a 1987 Indian Tamil-language romantic drama film directed by Ameerjan  The film stars Murali and Seetha  It was released on 27 November 1987 

Plot
Thirunavukarasu is considered as a God by his villagers  Nevertheless, his son Sammadham is an atheist and he doesn't believe in his father's power  Sammadham and Ponni, a low caste girl, fall in love with each other  Sammadham's best friend Siva, a low caste boy, passes the Master of Arts degree successfully  Thirunavukarasu's daughter Thulasi then develops a soft corner for Siva 
Thirunavukarasu cannot accept for his son Sammadham's marriage with Ponni due to caste difference  Sammadham then challenges him to marry her  Thirunavukarasu appoints henchmen to kill her and Ponni is found dead the next day in the water  In the meantime, Siva also falls in love with Thulasi  The rest of the story is what happens to Siva and Thulasi 

Cast
Murali as Sivalingam "Siva"
Seetha as Thulasi
Chandrasekhar as Sammadham
Major Sundarrajan as Thirunavukarasu
Senthil
Charle as Khan
Thara as Ponni
Mohanapriya as Sarasu
Vathiyar Raman
A  K  Veerasamy as Kaliyappan

Soundtrack
The music was composed by Sampath Selvam, with lyrics written by Vairamuthu 

Reception
The Indian Express gave a negative review calling it "thwarted love" 
Context 2: Passage 1:
Dorothea of Denmark, Duchess of Mecklenburg
Dorothea of Denmark (1528 – 11 November 1575), was a Danish princess and a Duchess consort of Mecklenburg  She was the daughter of king Frederick I of Denmark and Sophie of Pomerania  She was married to Christopher, Duke of Mecklenburg-Gadebusch in 1573 
Dorothea was raised with her maternal grand parents in Pomerania as a child, but spent her adult life at the Danish royal court and with her mother in Kiel  She took part in the entourage of her niece Anne of Denmark at the latter's wedding in Saxony in 1548, but otherwise she lived a discreet life  She died two years after her marriage, and her sister Elizabeth of Denmark had a monument erected over her grave 

Ancestry
Passage 2:
Maria of Mecklenburg-Schwerin
Marie of Mecklenburg, born sometime between 1363 and 1367, but probably by 1365, dead after 13 May 1402, was a duchess of Pomerania  She was the daughter of Duke Henry III of Mecklenburg (death 1383) and Princess Ingeborg of Denmark (death 1370), elder sister of Queen Margrete I of Denmark 

History
She married 1380, before March 23, with Duke Wartislaw VII of Pomerania(fallen 1394 or 1395) and together they had one son and a daughter:

Bogusław (born about 1382, dead 1459), better known as the Kalmar Union King Eric of Pomerania; and,
Catherine (born about 1390, dead 1426), married to Count palatine John, Count Palatine of Neumarkt (born about 1383, dead 1443) Maria was also possibly the heir to her aunt, the Nordic Union Queen Margaret I of Denmark 

See also
House of Knýtlinga
Passage 3:
Frederick I of Denmark
Frederick I (Danish and Norwegian: Frederik; German: Friedrich; Swedish: Fredrik; 7 October 1471 – 10 April 1533) was King of Denmark and Norway  He was the last Roman Catholic monarch to reign over Denmark and Norway, when subsequent monarchs embraced Lutheranism after the Protestant Reformation  As king of Norway, Frederick is most remarkable in never having visited the country and was never crowned as such   Therefore, he was styled  King of Denmark, the Vends and the Goths, elected King of Norway  Frederick's reign began the enduring tradition of calling kings of Denmark alternatively by the names Christian and Frederick, which has continued up to the reign of the current monarch, Margrethe II 

Background
Frederick was the younger son of the first Oldenburg King Christian I of Denmark, Norway and Sweden (1426–81) and of Dorothea of Brandenburg (1430–95)   Soon after the death of his father, the underage Frederick was elected co-Duke of Schleswig and Holstein in 1482, the other co-duke being his elder brother, King John of Denmark  In 1490 at Frederick's majority, both duchies were divided between the brothers In 1500, he had convinced his brother King John to conquer Dithmarschen  A great army was called from not only the duchies, but with additions from all of the Kalmar Union for which his brother briefly was king  In addition, numerous German mercenaries took part  The expedition failed miserably, however, in the Battle of Hemmingstedt, where one-third of all knights of Schleswig and Holstein lost their lives 

Reign
When his brother, King John died, a group of Jutish nobles had offered Frederick the throne as early as 1513, but he had declined, rightly believing that the majority of the Danish nobility would be loyal to his nephew Christian II  In 1523, Christian was forced by disloyal nobles to abdicate as king of Denmark and Norway, and Frederick took the throne of Denmark in 1523 and was elected king of Norway in 1524  It is not certain that Frederick ever learned to speak Danish  After becoming king, he continued spending most of his time at Gottorp, a castle and estate in the city of Schleswig In 1524 and 1525, Frederick had to suppress revolts among the peasants in Agder, Jutland and Scania who demanded the restoration of Christian II  The high point of the rebellion came in 1525 when Søren Norby, the governor (statholder) of Gotland, invaded Blekinge in an attempt to restore Christian II to power  He raised 8000 men who besieged Kärnan (Helsingborgs slott), a castle in Helsingborg   Frederick's general, Johann Rantzau, moved his army to Scania and defeated the peasants soundly in April and May 1525 
Frederick played a central role in the spread of Lutheran teaching throughout Denmark   In his coronation charter, he was made the solemn protector (værner) of Roman Catholicism in Denmark   In that role, he asserted his right to select bishops for the Roman Catholic dioceses in the country  Christian II had been intolerant of Protestant teaching, but Frederick took a more opportunist approach  For example, he ordered that Lutherans and Roman Catholics share the same churches and encouraged the first publication of the Bible in the  Danish language  In 1526, when Lutheran Reformer Hans Tausen was threatened with arrest and trial for heresy, Frederick appointed him his personal chaplain to give him immunity Starting in 1527, Frederick authorized the closure of Franciscan houses and monasteries in 28 Danish cities  He used the popular anti-establishment feelings that ran against some persons of the Roman Catholic hierarchy and nobility of Denmark as well as keen propaganda to decrease the power of bishops and Roman Catholic nobles During his reign, Frederick was skillful enough to prevent all-out warfare between Protestants and Roman Catholics  In 1532, he succeeded in capturing Christian II who had tried to invade Norway, and to make himself king of the country  Frederick died on 10 April 1533 in Gottorp, at the age of 61, and was buried in Schleswig Cathedral  Upon Frederick's death, tensions between Roman Catholics and Protestants rose to a fever pitch which would result in the Count's Feud (Grevens Fejde) 

Family and children
On 10 April 1502, Frederick married Anna of Brandenburg (1487–1514), the daughter of John Cicero, Elector of Brandenburg and Margaret of Thuringia  The couple had two children:

Christian III, King of Denmark and Norway (12 August 1503 – 1 January 1559)
Dorothea of Denmark (1 August 1504 – 11 April 1547), married 1 July 1526 to Albert, Duke of Prussia Frederick's wife Anna died on 5 May 1514, 26 years old  Four years later on 9 October 1518 at Kiel, Frederick married Sophie of Pomerania (20 years old; 1498–1568), a daughter of Bogislaw "the Great", Duke of Pomerania  Sophie and Frederick had six children:

John II of Denmark, Duke of Schleswig-Holstein-Haderslev (28 June 1521 – 2 October 1580)
Elizabeth of Denmark (14 October 1524 – 15 October 1586), married:
on 26 August 1543 to Magnus III of Mecklenburg-Schwerin 
on 14 February 1556 to Ulrich III, Duke of Mecklenburg-Güstrow 
Adolf of Denmark, Duke of Holstein-Gottorp (25 January 1526 – 1 October 1586)
Anna of Denmark (1527 – 4 June 1535)
Dorothea of Denmark (1528 – 11 November 1575), married on 27 October 1573 to Christopher, Duke of Mecklenburg-Gadebusch 
Frederick of Denmark (13 April 1532 – 27 October 1556), Prince-Bishop of Hildesheim and Bishop of Schleswig 
Passage 4:
Christine of Mecklenburg-Güstrow
Christine of Mecklenburg-Güstrow (14 August 1663 – 3 August 1749) was a German noblewoman of the House of Mecklenburg and by marriage Countess of Stolberg-Gedern 
Born in Güstrow, she was the sixth of eleven children born from the marriage of Gustav Adolph, Duke of Mecklenburg-Güstrow and Magdalene Sibylle of Holstein-Gottorp  From her ten older and younger siblings, eight survived to adulthood: Marie (by marriage Duchess of Mecklenburg-Strelitz), Magdalene, Sophie (by marriage Duchess of Württemberg-Oels), Charles, Hereditary Prince of Mecklenburg-Güstrow, Hedwig (by marriage Duchess of Saxe-Merseburg-Zörbig), Louise (by marriage Queen of Denmark and Norway), Elisabeth (by marriage Duchess of Saxe-Merseburg-Spremberg) and Augusta 

Life
In Güstrow on 14 May 1683, Christine married Louis Christian, Count of Stolberg-Gedern (1652–1710) as his second wife  Between 1684 and 1705 she had 23 children in 19 pregnancies (including 4 sets of twins)  From them, only 11 survive to adulthood:
Gustav Adolph, Hereditary Prince of Stolberg-Gedern (born and died Gedern, 17 January 1684) 
A daughter (born and died Gedern, 17 January 1684), twin of Gustav Adolph 
Gustav Ernest, Hereditary Prince of Stolberg-Gedern (Gedern, 10 March 1685 - Gedern, 14 June 1689) 
Fredericka Charlotte (Gedern, 3 April 1686 - Laubach, 10 January 1739), married on 8 December 1709 to Frederick Ernest, Count of Solms-Laubach 
Emilie Auguste (Gedern, 11 May 1687 - Rossla, 30 June 1730), married on 1 October 1709 to Jost Christian, Count of Stolberg-Rossla (her first-cousin) 
Christiana Louise (Gedern, 6 April 1688 - Gedern, 11 August 1691) 
Albertine Antonie (Gedern, 15 April 1689 - Gedern, 16 August 1691) 
Charles Louis, Hereditary Prince of Stolberg-Gedern (Gedern, 15 April 1689 - Gedern, 6 August 1691), twin of Albertine Antonie 
Gustave Magdalene (Gedern, 6 April 1690 - Gedern, 22 March 1691) 
Christian Ernest, Count of Stolberg-Wernigerode (Gedern, 2 April 1691 - Wernigerode, 25 October 1771) 
Christine Eleonore (Gedern, 12 September 1692 - Büdingen, 30 January 1745), married on 8 August 1708 to Ernest Casimir I, Count of Isenburg-Büdingen in Büdingen 
Frederick Charles, Prince of Stolberg-Gedern (Gedern, 11 October 1693 - Gedern, 28 September 1767) 
Ernestine Wilhelmine (Gedern, 29 January 1695 - Wächtersbach, 7 May 1759), married on 7 December 1725 to Ferdinand Maximilian, Count of Isenburg-Büdingen in Wächtersbach 
Fredericka Louise (Gedern, 20 January 1696 - Gedern, 24 April 1697) 
Louis Adolph (Gedern, 17 June 1697 - Gedern, 6 January 1698) 
Henry August, Count of Stolberg-Schwarza (Gedern, 17 June 1697 - Schwarza, 14 September 1748), twin of Louis Adolph 
Sophie Christiane (Gedern, 17 August 1698 - Gedern, 14 June 1771), unmarried 
Ferdinande Henriette (Gedern, 2 October 1699 - Schönberg, Odenwald, 31 January 1750), married on 15 December 1719 to George August, Count of Erbach-Schönberg  Through her, Christine was the great-great-great-grandmother of Queen Victoria of the United Kingdom 
Rudolph Lebrecht (Gedern, 17 September 1701 - Gedern, 6 April 1702) 
Louis Christian (Gedern, 17 September 1701 - Gedern, 22 November 1701), twin of Rudolph Lebrecht 
Auguste Marie (Gedern, 28 November 1702 - Herford, 3 July 1768), a nun in Herford, created Princess in 1742 
Caroline Adolphine (Gedern, 27 April 1704 - Gedern, 10 February 1707) 
Philippina Louise (Gedern, 20 October 1705 - Philippseich, 1 November 1744), married on 2 April 1725 to William Maurice II, Count of Isenburg-Philippseich 
Passage 5:
Elisabeth of Mecklenburg-Güstrow
Elisabeth of Mecklenburg-Güstrow (3 September 1668 – 25 August 1738), was a German noblewoman member of the House of Mecklenburg and by marriage Duchess of Saxe-Merseburg-Spremberg (during 1692-1731) and Saxe-Merseburg (during 1731-1738) 
Born in Güstrow, she was the tenth of eleven children born from the marriage of Gustav Adolph, Duke of Mecklenburg-Güstrow and Magdalene Sibylle of Holstein-Gottorp
Context 3: Passage 1:
Gabrielle Beaumont
Gabrielle Beaumont (7 April 1942 – 8 October 2022) was a British film and television director 
Her directing credits range from Hill Street Blues to Star Trek: The Next Generation  She became the first woman to direct an episode of Star Trek, with the episode "Booby Trap"  Beaumont lobbied to have Joan Collins cast as Alexis Colby in Dynasty Beaumont was best known for directing, writing and producing the television special Diana: A Tribute to the People's Princess  She directed a film version of Bernard Taylor's The Godsend Daphne du Maurier was her cousin Beaumont died at her home in Fornalutx on 8 October 2022, at the age of 80 

Selected filmography
Sources:
Diana: A Tribute to the People's Princess
Beastmaster III: The Eye of Braxus
The Other Woman
Moment of Truth: Cradle of Conspiracy
Fatal Inheritance
Riders
Star Trek: The Next Generation
L A  Law
He's My Girl
Hill Street Blues
Gone Are the Dayes
Secrets of a Mother and Daughter
Dynasty
Death of a Centerfold: The Dorothy Stratten Story
M*A*S*H
The Waltons
The Godsend
Passage 2:
The Godsend (film)
The Godsend is a 1980 British horror film directed by Gabrielle Beaumont, written by Olaf Pooley, and starring Malcolm Stoddard, Cyd Hayman, Angela Pleasence, Patrick Barr, Wilhelmina Green, and Joanne Boorman  It follows a family who adopt an infant girl from a strange woman, only to find that, as they raise her, their other children begin to die in a series of mysterious accidents  It is based on the 1976 novel The Godsend by Bernard Taylor  The film was released in the United States on 11 January 1980 by The Cannon Group, Inc 

Plot
Alan and Kate Marlowe are out an walk with their kids, Davy, Lucy, Sam, and baby Matthew  Kate meets a pregnant stranger and she comes home with them  It is apparent that Alan finds something "off" about her right away, as she intensely stares at him, but he does not say anything  Left briefly unattended, she cuts their telephone line  Alan is about to drive her home, but she goes into labor, and Kate helps her deliver a baby girl  The next day, Kate sees the woman is gone, having abandoned the child with them  Despite Alan's reservations, Kate wants to keep the baby, whom they name Bonnie  Later on, they find Matthew dead in a playpen with Bonnie 
At a family picnic, Davy and Bonnie wander off, and they search for them desperately  Kate finds Bonnie on the bank of a creek with scratches on her hands, while Alan finds that Davy has drowned in the creek  Alan attempts to perform CPR on Davy, but is unsuccessful  Later, Kate and Alan agree that the scratches on Bonnie must have been from Davy saving her  Bonnie starts to break things and Sam gets blamed for them, despite him saying he did not do it  Kate attributes this to Sam's jealousy of Bonnie  One day, the family is playing hide and seek and Alan finds Sam dead in a barn  Later, Alan finds Bonnie's ribbon next to where Sam's body was 
The Marlowes begin to receive letters accusing them of killing their children and Kate falls into a depression  When a reporter comes to their house and upsets Kate, Alan agrees to move the family to London  Bonnie becomes ill with the mumps, and purposely kisses Alan as he takes a nap  He becomes ill with the mumps too, and has a flashback in a dream, to the circumstances of the deaths of his sons, and Bonnie being nearby in each one 
At a playground, Alan watches Bonnie throw an unoccupied swing in the path of a swing Lucy is swinging on  The chains on the swing twist together, but Lucy does not fall off, and Alan is able to save her before she is hurt  Alan tries to discuss his concerns about Bonnie with Kate, saying she is not normal  Kate strongly disagrees, saying that Bonnie loves Lucy and was only playing  Alan says Bonnie loves Lucy the same way she loved their three boys, and Kate is disgusted at the insinuation  Alan tells Kate his theories about Bonnie being involved in the deaths, but she is still in disbelief  Alan uses an analogy about Bonnie, saying that a cuckoo lays its eggs in another nest, and the fledgling pushing the others out to get the full attention of the parents 
Alan wants to send Bonnie away, but Kate refuses, so he kidnaps Lucy  Alan goes to see Kate, who is distraught that Alan will not tell her where Lucy is  Alan gives Kate an ultimatum to choose Bonnie or Lucy  She refuses to do so and he leaves  Later, they find out that Kate has had an accident and is in the hospital  Alan rushes back to London, where he learns that Kate had been pregnant, but miscarried due to the accident 
Back at their apartment, Alan finds out from neighbor, Mr  Taverner, that Kate tripped over a doll at the top of a staircase and that Mrs  Taverner has taken Bonnie on a trip  Kate comes to Alan's work to tell him she wants a divorce  He is alarmed to learn that Bonnie is home alone with Lucy



ground_truth: London Melody

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which country Dorothea Of Denmark, Duchess Of Mecklenburg's father is from?

The following are given passages.
Context 2:  From her ten older and younger siblings, eight survive adulthood: Marie (by marriage Duchess of Mecklenburg-Strelitz), Magdalene, Sophie (by marriage Duchess of Württemberg-Oels), Christine (by marriage Countess of Stolberg-Gedern), Charles, Hereditary Prince of Mecklenburg-Güstrow, Hedwig (by marriage Duchess of Saxe-Merseburg-Zörbig), Louise (by marriage Queen of Denmark and Norway) and Augusta 

Life
In Güstrow on 29 March 1692, Elisabeth married Prince Henry of Saxe-Merseburg, fourth surviving son of Duke Christian I  Two years later (1694), Henry received the town of Spremberg as his appanage, and took his residence there 
The marriage produced three children, of whom only one survived to adulthood:
Maurice, Hereditary Prince of Saxe-Spremberg (Spremberg, 29 October 1694 - Spremberg, 11 April 1695) 
Christiana Fredericka (Spremberg, 17 May 1697 - Spremberg, 21 August 1722) [1]
Gustava Magdalena (Spremberg, 2 October 1699 - Spremberg, 3 October 1699) Elisabeth became Duchess of Saxe-Merseburg in 1731 after her husband inherited the main domains of the family as their last surviving male member  She died in Doberlug in 1738, aged 69, having survived her husband for one month  She was buried in Merseburg Cathedral 
Passage 6:
Dorothea of Brunswick-Lüneburg
Dorothea of Brunswick-Lüneburg (1 January 1570 – 15 August 1649) was a daughter of Duke William "the younger" of Brunswick-Lüneburg and his wife, Dorothea of Denmark, Duchess of Brunswick-Lüneburg She married Count Palatine Charles I of Zweibrücken-Birkenfeld   They had four children:

George William (1591–1669), Count Palatine and Duke of Zweibrücken-Birkenfeld
Sophia (1593–1676), married Kraft VII of Hohenlohe-Neuenstein-Weikersheim (1582–1641)
Frederick (1594–1626), canon at Strasbourg
Christian I (1598–1654), Count Palatine and Duke of Birkenfeld-Bischweiler
Passage 7:
Duchess Sophia Frederica of Mecklenburg-Schwerin
Sophia Frederica of Mecklenburg-Schwerin (24 August 1758 – 29 November 1794) was born a Princess and Duchess of Mecklenburg-Schwerin, and by marriage Hereditary Princess of Denmark and Norway 

Life
Born in Schwerin, she was the only daughter of Duke Louis of Mecklenburg-Schwerin, second son of Christian Louis II, Duke of Mecklenburg-Schwerin, and Princess Charlotte Sophie of Saxe-Coburg-Saalfeld  Her only sibling was Frederick, who was about two years older 

Life in Denmark
On 21 October 1774 in Copenhagen, she married Hereditary Prince Frederick of Denmark and Norway, the son of King Frederick V of Denmark and his second wife Juliane Marie of Brunswick-Wolfenbüttel, who was the regent in Denmark between 1772 and 1784  She was sixteen years old when she was married 
Sophia Frederica, known as Sofie Frederikke af Mecklenburg-Schwerin in Denmark, was described as jolly, charming and intelligent   She had a hard time in the beginning adapting to her new, stiffer environment, but became quite popular    During the first ten years of her marriage (1774-1784), she gave birth to three daughters, the eldest two were stillborn and the third lived only five months; it was only in 1786 when she had the first of her living children, the future King Christian VIII 
It is said she was disappointed when she met her husband for the first time, but they came to be fond of each other, although they both supposedly took lovers; her husband had a mistress, her companion Caja Hviid, while the father of Sophia Frederica's children was rumored to be her husband's adjutant, Frederik von Blücher  It was said that the harmony of their marriage was based on mutual understanding    The harmonious friendship between the spouses created a fear that Sophia Frederica's influence over her husband would lead to her interfering in politics She died in Sorgenfri Palace 

Issue
Sophia Frederica and Prince Frederick had the following children: 

Stillborn daughter (19 September 1781) 
Stillborn daughter (17 February 1783) 
Princess Juliana Marie (2 May 1784 - 28 October 1784), died in infancy 
Prince Christian Frederick (18 September 1786 - 20 January 1848), future King Christian Frederick of Norway and Christian VIII of Denmark 
Princess Juliane Sophie (18 February 1788 - 9 May 1850), married in 1812 to Prince William of Hesse-Philippsthal-Barchfeld; they had no issue 
Princess Louise Charlotte (30 October 1789 - 28 March 1864), married in 1810 to Prince William of Hesse-Cassel; they had issue 
Hereditary Prince Ferdinand (22 November 1792 - 29 June 1863), married in 1829 to Princess Caroline of Denmark; they had no issue 

Ancestry
Passage 8:
Dorothea of Denmark, Duchess of Prussia
Dorothea of Denmark (1 August 1504 – 11 April 1547), was a Duchess of Prussia by marriage to Duke Albert, Duke of Prussia  She was the daughter of King Frederick I of Denmark and Anna of Brandenburg 

Life
After her father's accession to the throne in 1523 a marriage was suggested to the English claimant to the throne, Duke Richard of Suffolk, who was supported by King Francis of France, but without success 
In 1525, she received a proposal from the newly made Duke of Prussia  The marriage was arranged by her father's German chancellor Wolfgang von Utenhof  The wedding was conducted 12 February 1526 and Dorothea arrived with a large entourage in Königsberg in June 
Dorothea had a very good relationship with Albert and this contributed to a good and active contact between Denmark and Prussia which continued during her brother's reign and until her death  
Dorothea and her spouse corresponded with her brother, the king of Denmark, and acted as his political advisors  Dorothea and Albert were present at the coronation of Christian III of Denmark in Copenhagen in 1537; they also acted as foster-parents of her nephew Duke Hans of Denmark in 1536–1542 
The Königsberg Cathedral has a monument of her 

Issue
Anna Sophia (11 June 1527 – 6 February 1591), married John Albert I, Duke of Mecklenburg-Güstrow 
Katharina (b  and d  24 February 1528) 
Frederick Albert (5 December 1529 – 1 January 1530) 
Lucia Dorothea (8 April 1531 – 1 February 1532) 
Lucia (3 February 1537 – May 1539) 
Albert (b  and d  March 1539) 
Passage 9:
Elizabeth of Denmark, Duchess of Mecklenburg
Elisabeth of Denmark (14 October 1524 – 15 October 1586) was Danish princess and a Duchess of Mecklenburg-Schwerin and later of Mecklenburg-Güstrow through marriage  She was the elder daughter of King Frederick I of Denmark and his second spouse Sophie of Pomerania 

Biography
Elizabeth was raised at the royal Danish court of her half brother and described as an extraordinary beauty  In 1542 she was engaged, and on 26 August 1543 Elizabeth was married to Duke Magnus III of Mecklenburg-Schwerin (4 July 1509 – 28 January 1550)  This marriage was childless  She returned to Denmark in 1551 and stayed there until her second marriage in 1556 
Secondly, she married on 14 February 1556 Duke Ulrich III of Mecklenburg-Güstrow and had the only daughter Sophie, who married King Frederick II of Denmark in 1572  Her relationship to Ulrich is described as a happy one 
Elizabeth made frequent visits to the Danish royal court, and also to her former sister in law queen dowager Dorothea  After her daughter became Queen of Denmark in 1572, her visits to Denmark became longer  She is described as kind, sensible, religious and practical  She was also active in Mecklenburg-Güstrow: she reconstructed the churches in Güstrow and Doberan and protected hospitals and convents  She died on return from one of her visits to Denmark 

Legacy
Elizabeth's granddaughter Anne of Denmark married King James I of England  Thus every British monarch since has been her direct descendant, the present King Charles III being king of 15 independent nations 

Ancestry
Passage 10:
Hedwig of Mecklenburg-Güstrow
Hedwig of Mecklenburg-Güstrow (Hedwig Eleonore; 12 January 1666 – 9 August 1735), was a German noblewoman member of the House of Mecklenburg and by marriage Duchess of Saxe-Merseburg-Zörbig 
Born in Güstrow, she was the eighth of eleven children born from the marriage of Gustav Adolph, Duke of Mecklenburg-Güstrow and Magdalene Sibylle of Holstein-Gottorp  From her ten older and younger siblings, eight survive adulthood: Marie (by marriage Duchess of Mecklenburg-Strelitz), Magdalene, Sophie (by marriage Duchess of Württemberg-Oels), Christine (by marriage Countess of Stolberg-Gedern), Charles, Hereditary Prince of Mecklenburg-Güstrow, Louise (by marriage Queen of Denmark and Norway), Elisabeth (by marriage Duchess of Saxe-Merseburg-Spremberg) and Augusta 

Life
In Güstrow on 1 December 1686, Hedwig married Prince August of Saxe-Merseburg, second surviving son of Duke Christian I  Five years later (1691), August received the town of Zörbig as his appanage, and took his residence there 
They had eight children, of whom only one survived to adulthood:
Christiane Magdalene (Zörbig, 11 March 1687 - Merseburg, 21 March 1689) 
Stillborn daughter (Alt-Stargard, Mecklenburg, 30 December 1689) 
Caroline Auguste (Zörbig, 10 March 1691 - Zörbig, 23 September 1743) 
Hedwig Eleonore (Zörbig, 26 February 1693 - Zörbig, 31 August 1693) 
Gustav Frederick, Hereditary Prince of Saxe-Merseburg-Zörbig (Zörbig, 28 October 1694 - Zörbig, 24 May 1695) 
August, Hereditary Prince of Saxe-Merseburg-Zörbig (Zörbig, 26 February 1696 - Zörbig, 26 March 1696) 
Stillborn twin sons (1707) Hedwig died in Zörbig aged 69  She was buried in Merseburg Cathedral 

See also
BWV Anh  16
Context 3:  Alan calls Lucy, telling her to go next door to the Taverners  Bonnie has them locked in, and as Kate and Alan get home, Bonnie has used mind control on Lucy to make her jump out of a window to her death  Alan tries to kill Bonnie, but Mr  Taverner pulls him off of her  Kate decides to stay with Bonnie, and Alan leaves her  At a park, Alan sees the strange woman who gave birth to Bonnie, and is now pregnant, and talking to the mother  He runs after them to warn the family, but they are already gone 

Cast
Release
The Cannon Group, Inc  released The Godsend theatrically in the United States on 11 January 1980, premiering it in Los Angeles  It screened in numerous U S  cities through the following weeks, as well as in Canada  The film screened in the United Kingdom in June 1981 as a double feature alongside Schizoid (1980) 

Critical response
Joe Pollack of the St  Louis Post-Dispatch wrote that, "though not a perfect film, [it] is a pretty good example     The film has moments when it drags, but it has many others that are both fascinating and scary " The Austin American-Statesman's Patrick Taggart panned the film as "nothing but a study in how decent actors—Malcolm Stoddard and Cyd Hayman—are made to throw talent into a bottomless pit of ineptness on all fronts " Bob Curtright of The Wichita Eagle praised the film as "a cut above similar fare  It's low-key and sneaky rather an extravagant and graphic "George Meyer, a film professor and critic, wrote in The Tampa Tribune that, "instead of frightening the viewer with costly gimmicks, Beaumont exploits some basic human fears, most of them involving our protective feelings about children," adding that while the film "makes good use of its limitations, it retains the look and feel of a limited effort  If it weren't for those few squirmy moments, the film's appeal would be even more limited " John Dodd of the Edmonton Journal commended the film's focus on suspense over graphic violence, but felt it would have been better-suited as a television film 

Home media
Scream Factory released the film on Blu-ray in 2015 as part of a double-feature with The Outing (1987)  The disc went out-of-print in February 2021 
Passage 3:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 4:
Hanro Smitsman
Hanro Smitsman, born in 1967 in Breda (Netherlands), is a writer and director of film and television 

Film and Television Credits
Films
Brothers (2017)
Schemer (2010)
Skin (2008)
Raak (aka Contact) (2006)
Allerzielen (aka All Souls) (2005) (segment "Groeten uit Holland")
Engel en Broer (2004)
2000 Terrorists (2004)
Dajo (2003)
Gloria (2000)
Depoep (2001)

Television
20 leugens, 4 ouders en een scharrelei (2013)
De ontmaskering van de vastgoedfraude (TV mini-series, 2013)
Moordvrouw (2012-)
Eileen (2 episodes, 2011)
Getuige (2011)
Vakantie in eigen land (2011)
De Reis van meneer van Leeuwen(2010)
De Punt (2009)
Roes (2 episodes, 2008)
Fok jou! (2006)
Van Speijk (2006)

Awards
In 2005, Engel en Broer won Cinema Prize for Short Film at the Avanca Film Festival In 2007, Raak (aka Contact) won the Golden Berlin Bear Award at the Berlin International Film Festival, the Spirit Award at the Brooklyn Film Festival, the first place jury prize for "Best Live Action under 15 minutes" at the Palm Springs International Short Film Festival, and the Prix UIP Ghent Award for European Short Films at the Flanders International Film Festival In 2008, Skin won the Movie Squad Award at the Nederlands Film Festival, an actor in the film also won the Best Actor Award   It also won the Reflet d’Or for Best Film at the Cinema tous ecrans Festival in Geneva in the same year 
Passage 5:
Betrayal (1932 film)
Betrayal is a 1932 British crime film directed by Reginald Fogwell and starring Stewart Rome, Marjorie Hume and Leslie Perrins  A woman attempts to save her husband from being hanged for a crime he didn't commit  It is based on a play No Crime of Passion by Hubert G  Griffith 

Cast
Stewart Rome as John Armytage
Marjorie Hume as Diana Armytage
Leslie Perrins as Clive Wilson
Henry Hewitt as Sir Robert Blackburn KC
J  Fisher White as John Lawrence KC
Frank Atherley as Judge
E  H  Williams as- Butler
Charles Childerstone as Doctor
Passage 6:
Brian Johnson (special effects artist)
Brian Johnson (born 29 June 1939 or 29 June 1940) is a British designer and director of film and television special effects 

Life and career
Born Brian Johncock, he changed his surname to Johnson during the 1960s  Joining the team of special effects artist Les Bowie, Johnson started his career behind the scenes for Bowie Films on productions such as On The Buses, and for Hammer Films   He is known for his special effects work on TV series including Thunderbirds (1965–66) and films including Alien (1979), for which he received the 1980 Academy Award for Best Visual Effects (shared with H



ground_truth: Norway

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Do director of film Betrayal (1932 Film) and director of film The Godsend (Film) share the same nationality?

The following are given passages.
Context 3:  R  Giger, Carlo Rambaldi, Dennis Ayling and Nick Allder)  Previously, he had built miniature spacecraft models for Stanley Kubrick's 1968 film 2001: A Space Odyssey Johnson's work on Space: 1999 influenced the effects of the Star Wars films of the 1970s and 1980s  Impressed by his work, George Lucas visited Johnson during the production of the TV series to offer him the role of effects supervisor for the 1977 film  Having already been commissioned for the second series of Space: 1999, Johnson was unable to accept at the time  He worked on the sequel, The Empire Strikes Back (1980), whose special effects were recognised in the form of a 1981 Special Achievement Academy Award (which Johnson shared with Richard Edlund, Dennis Muren and Bruce Nicholson) 

Awards
Johnson has won Academy Awards for both Alien (1979) and The Empire Strikes Back (1980)  He was further nominated for an Academy Award for his work on Dragonslayer (1981)  In addition, Johnson is the recipient of a Saturn Award for The Empire Strikes Back and a BAFTA Award for James Cameron's  Aliens 

Filmography
Special effects
Director
Scragg 'n' Bones (2006)
Passage 7:
Rachel Feldman
Rachel Feldman is an American director of film and television and screenwriter of television films 

Life and career
Born in New York City, New York, Feldman began her career as a child actor performing extensively in commercials and television series Her credits as a television director include: ((The Rookie)), ((Criminal Minds)), ((Blue Bloods)), and some beloved shows like Doogie Howser, M D , The Commish, Dr  Quinn, Medicine Woman, Picket Fences, Sisters,Lizzie McGuire, at the start of her career  
She has written and directed several features including: Witchcraft III: The Kiss of Death (1991), Post Modern Romance (1993), She's No Angel (2001) starring Tracey Gold, Recipe for a Perfect Christmas (2005) starring Christine Baranski, Love Notes (2007) starring Laura Leighton, Lilly (2023) starring Patricia Clarkson 

Films
Feature Films
Lilly (2023) - Director/Writer
Love Notes (2007) - Writer
Recipe for a Perfect Christmas ((2005) - Writer
She's No Angel (2001) - Writer/Director
Witchcraft III: The Kiss of Death (1991)  - Director

Shorts
Here Now (2017) - Writer/Director
Happy Sad Happy (2014) - Writer/Director
Post Modern Romance (1993) - Writer/Director
Wunderkind (1984) - Writer/Director
Guistina (1981) - Writer/Director

Activism
Feldman is active in the fight for gender equality in the film and television industry  Her activism takes form in speaking out about issues such as equal pay, job stability for women, sexual harassment, sexual discrimination and female representation within the industry  Feldman is also an activist for women behind the camera, who can be seen in the Geena Davis produced documentary This Changes Everything 
Feldman was the former chair of the DGA Women's Steering Committee (WSC)  The focus of the WSC is to support and uplift women in the film and television industry 

Personal life and education
Feldman grew up in the Bronx and now lives in Los Angeles  She attended New York University where she received a Master of Fine Arts Degree and has taught classes in directing and screenwriting at the USC School of Cinematic Arts Feldman is married to artisan contractor and colorist Carl Tillmanns; together they have two children, Nora and Leon  They are both alumni of Sarah Lawrence College, where they first met 
Passage 8:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 9:
Howard W  Koch
Howard Winchel Koch (April 11, 1916 – February 16, 2001) was an American producer and director of film and television 

Life and career
Koch was born in New York City, the son of Beatrice (Winchel) and William Jacob Koch  His family was Jewish  He attended DeWitt Clinton High School and the Peddie School in Hightstown, New Jersey  He began his film career as an employee at Universal Studios office in New York then made his Hollywood filmmaking debut in 1947 as an assistant director  He worked as a producer for the first time in 1953 and a year later made his directing debut  In 1964, Paramount Pictures appointed him head of film production, a position he held until 1966 when he left to set up his own production company  He had a production pact with Paramount for over 15 years Among his numerous television productions, Howard W  Koch produced the Academy Awards show on eight occasions  Dedicated to the industry, he served as President of the Academy of Motion Picture Arts and Sciences from 1977 to 1979  In 1990 the Academy honored him with The Jean Hersholt Humanitarian Award and in 1991 he received the Frank Capra Achievement Award from the Directors Guild of America 
Together with actor Telly Savalas, Howard Koch owned the thoroughbred racehorse Telly's Pop, winner of several important California races for juveniles including the Norfolk Stakes and Del Mar Futurity 
Howard W  Koch suffered from Alzheimer's disease and died in at his home in Beverly Hills, California on February 16, 2001  He had two children from a marriage of 64 years to Ruth Pincus, who died in March 2009  In 2004, his son Hawk Koch was elected to the Board of Governors of the Academy of Motion Picture Arts and Sciences 

Filmography
Director
Film (director)

Shield for Murder (1954)
Big House, U S A  (1955)
Untamed Youth (1957)
Bop Girl Goes Calypso (1957)
Jungle Heat (1957)
The Girl in Black Stockings (1957)
Fort Bowie (1957)
Violent Road (1958)
Frankenstein 1970 (1958)
Born Reckless (1958)
Andy Hardy Comes Home (1958)
The Last Mile (1959)
Badge 373 (1973)Television (director)

Maverick (1957) (1 episode)
Hawaiian Eye (1959) (2 episodes)
Cheyenne (1958) (1 episode)
The Untouchables (1959) (4 episodes)
The Gun of Zangara (1960) (TV movie taken from The Untouchables (1959 TV series))
Miami Undercover (1961) (38 episodes)
Texaco Presents Bob Hope in a Very Special Special: On the Road with Bing (1977)

Producer
Film (producer):

War Paint (1953)
Beachhead (1954)
Shield for Murder (1954)
Big House, U S A  (1955)
Rebel in Town (1956)
Frankenstein 1970 (1958)
Sergeants 3 (1962)
The Manchurian Candidate (1962)
Come Blow Your Horn (1963)
Robin and the 7 Hoods (1964)
The Odd Couple (1968)
On a Clear Day You Can See Forever (1970)
A New Leaf (1971)
Plaza Suite (1971)
Last of the Red Hot Lovers (1972)
Jacqueline Susann's Once Is Not Enough (1975)
The Other Side of Midnight (1977)
Airplane! (1980)
Some Kind of Hero (1982)
Airplane II: The Sequel (1982)
Ghost (1990)Television (producer)

Magnavox Presents Frank Sinatra (1973)
Passage 10:
Reginald Fogwell
Reginald Fogwell (23 November 1893, Dartmouth, Devon -1977) was a British film director, producer and screenwriter 

Selected filmography
Director

The Warning (1928)
Cross Roads (1930)
The Written Law (1930)
Madame Guillotine (1931)
Guilt (1931)
Betrayal (1932)
The Wonderful Story (1932)
Murder at the Cabaret (1936)Screenwriter

Two Can Play (1926)
The Guns of Loos (1928)
Glorious Youth (1929)
Warned Off (1930)
Such Is the Law (1930)
Prince of Arcadia (1933)
Two Hearts in Waltz Time (1934)



ground_truth: yes