prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film whose producer was born first, All-American Co-Ed or Lagu Kenangan?

The following are given passages.
Context 1: Passage 1:
Hal Roach
Harold Eugene "Hal" Roach Sr  (January 14, 1892 – November 2, 1992) was an American film and television producer, director, screenwriter, and centenarian, who was the founder of the namesake Hal Roach Studios 
Roach was active in the industry from the 1910s to the 1990s known for producing a number of successes including the Laurel and Hardy franchise, the films of entertainer Charley Chase, and the Our Gang short film comedy series 

Early life and career
Roach was born in Elmira, New York, to Charles Henry Roach, whose father was born in Wicklow, County Wicklow, Ireland, and Mabel Gertrude Bally, her father John Bally being from Switzerland  A presentation by the American humorist Mark Twain impressed Roach as a young grade school student After an adventurous youth that took him to Alaska, Roach arrived in Hollywood, California, in 1912 and began working as an extra in silent films  Upon coming into an inheritance, he began producing short film comedies in 1915 with his friend Harold Lloyd, who portrayed a character known as Lonesome Luke In September 1916, Roach married actress Marguerite Nichols, who worked as an actress in the 1930s and 1940s, and died in March 1941  They had two children, Hal Roach Jr  (June 15, 1918 – March 29, 1972), who followed his father as a producer and director, and Margaret Roach (March 15, 1921 – November 22, 1964), Roach married a second time, on September 1, 1942, to Lucille Prin (January 20, 1913 – April 4, 1981), a Los Angeles secretary  They were married at the on-base home of Colonel Franklin C  Wolfe and his wife at Wright-Patterson Airfield in Dayton, Ohio, where Roach was stationed at the time while serving as a major in the United States Army Air Corps  Roach and Lucille had four children, Elizabeth Carson Roach (December 26, 1945 – September 5, 1946), Maria May Roach (born April 14, 1947), Jeanne Alice Roach (born October 7, 1949), and Kathleen Bridget Roach (born January 29, 1951) 

Success
Unable to expand his studios in Downtown Los Angeles because of zoning, Roach purchased what became the Hal Roach Studios from Harry Culver in Culver City, California  During the 1920s and 1930s, he employed Lloyd (his top money-maker until his departure in 1923), Will Rogers, Max Davidson, the Our Gang children, Charley Chase, Harry Langdon, Thelma Todd, ZaSu Pitts, Patsy Kelly and, most famously, Laurel and Hardy  During the 1920s, Roach's biggest rival was producer Mack Sennett  In 1925, Roach hired away Sennett's supervising director, F  Richard Jones Roach released his films through Pathé Exchange until 1927, when he struck a distribution deal with Metro-Goldwyn-Mayer  He converted his silent-movie studio to sound in late 1928 and began releasing talking shorts in early 1929  In the days before dubbing, foreign language versions of the Roach comedies were created by reshooting each film in the Spanish, French, and occasionally Italian and German languages  Laurel & Hardy, Charley Chase, and the Our Gang kids (some of whom had barely begun school) were required to recite the foreign dialogue phonetically, often working from blackboards hidden off-camera In 1931, with the release of the Laurel & Hardy film Pardon Us, Roach began producing occasional full-length features alongside the short subjects  Two-reel comedies were less profitable than features, and Roach phased most of them out by 1936  When the Our Gang feature film General Spanky did not do as well as expected, Roach intended to disband Our Gang entirely  MGM still wanted the Our Gang short subjects, so Roach agreed to supply them in single-reel (10-minute) form 
In 1937, Roach conceived a joint business venture partnering with Vittorio Mussolini, son of fascist Italian dictator Benito Mussolini, to form a production company called "R A M " (Roach and Mussolini)  Roach claimed the scheme involved Italian bankers providing US$6 million that would enable Roach's studio to produce a series of 12 films  Eight would be for Italian screening only while the remaining four would receive world distribution  The first film for Italy was to be a feature film of the opera Rigoletto This proposed business alliance with Mussolini alarmed MGM, which intervened and forced Roach to buy his way out of the venture  This embarrassment, coupled with the underperformance of much of Roach's latest feature-film output (except Laurel & Hardy titles and the 1937 hit Topper), led to the end of Roach's distribution contract with MGM  In May 1938, Roach sold MGM the production rights and actors contracts to the Our Gang shorts  Roach signed a distribution deal with United Artists at this time From 1937 to 1940, Roach concentrated on producing glossy features, abandoning low comedy almost completely  Most of his new films were either sophisticated farces (like Topper and The Housekeeper's Daughter, 1939) or rugged action fare (like Captain Fury, 1939, and One Million B C , 1940)  Roach's one venture into heavy drama was the acclaimed Of Mice and Men (1939), in which actors Burgess Meredith and Lon Chaney Jr  played the leading roles  The Laurel and Hardy comedies, once the Roach studio's biggest drawing cards, were now the studio's least important product and were phased out altogether in 1940 
In 1940, Roach experimented with medium-length featurettes, running 40 to 50 minutes each  He contended that these "streamliners", as he called them, would be useful in double-feature situations where the main attraction was a longer-length epic  Exhibitors agreed with him and used Roach's mini-features to balance top-heavy double bills  He had intended to introduce the new format with a series of four Laurel and Hardy featurettes, but was overruled by United Artists, which insisted on two Laurel & Hardy feature films instead  United Artists continued to release Roach's streamliners through 1943  By this time, Roach no longer had a resident company of comedy stars and cast his films with familiar featured players (William Tracy and Joe Sawyer, Johnny Downs, Jean Porter, Frank Faylen, William Bendix, George E  Stone, Bobby Watson, etc ) 
Recognizing the value of his film library, in 1943 Roach began licensing revivals of his older productions for theatrical distribution through Film Classics, Inc  and home-movie distribution 

World War II and television
Hal Roach Sr , commissioned in the U S  Army Signal Reserve Corps in 1927, was called back to active military duty in the Signal Corps in June 1942, at age 50  The studio output he oversaw in uniform was converted from entertainment featurettes to military training films  The studios were leased to the U S  Army Air Forces, and the First Motion Picture Unit made 400 training, morale and propaganda films at "Fort Roach " Members of the unit included Ronald Reagan and Alan Ladd  After the war the government returned the studio to Roach, with millions of dollars of improvements In 1946, Hal Roach resumed motion picture production, with former Harold Lloyd co-star Bebe Daniels as an associate producer  Roach was the first Hollywood producer to adopt an all-color production schedule, making four streamliners in Cinecolor, although the increased production costs did not result in increased revenue  In 1948, with his studio deeply in debt, Roach re-established his studio for television production, with Hal Roach Jr , producing series such as The Stu Erwin Show, Steve Donovan, Western Marshal, Racket Squad, The Public Defender, The Gale Storm Show, Rocky Jones, Space Ranger and My Little Margie, and independent producers leasing the facilities for such programs as Amos 'n' Andy, The Life of Riley and The Abbott and Costello Show  By 1951, the studio was producing 1,500 hours of television programs a year, nearly three times Hollywood's annual output of feature movies Roach's old theatrical films were also early arrivals on television  His Laurel and Hardy comedies were successful in television syndication, as were the Our Gang comedies he produced from 1929 to 1938 

Later years
In 1955, Roach sold his interests in the production company to his son, Hal Roach Jr , and retired from active production  The younger Roach lacked much of his father's business acumen and was forced to sell the studio in 1958 to The Scranton Corporation, a division of the automobile-parts conglomerate F  L  Jacobs Co  The Roach studio finally shut down in 1961 For two more decades, Roach Sr  occasionally worked as a consultant on projects related to his past work  In 1983 the "Hal Roach Studios" name was reactivated as a video concern, pioneering the new field of colorizing movies  Roach lent his film library to the cause but was otherwise not involved in the new video productions  Extremely vigorous into an advanced age, Roach contemplated a comedy comeback at 96 In 1984, 92-year-old Roach was presented with an honorary Academy Award  Former Our Gang members Jackie Cooper and George "Spanky" McFarland made the presentation to a flattered Roach, with McFarland thanking the producer for hiring him 53 years prior  An additional Our Gang member, Ernie Morrison, was in the crowd and started the standing ovation for Roach  Years earlier Cooper had been the youngest Academy Award nominee ever for his performance in Skippy when he had been under contract with Roach  Although Paramount had paid Roach $25,000 for Cooper's services in that film, Roach paid Cooper only his standard salary of $50 per week On January 21, 1992, Roach was a guest on The Tonight Show with Johnny Carson, one week after his 100th birthday, where he recounted experiences with such stars as Stan Laurel and Jean Harlow; he even did a brief, energetic demonstration of the "humble hula" dance   In February 1992, Roach traveled to Berlin to receive the honorary award of the Berlinale Kamera for Lifetime Achievement at the 42nd Berlin International Film Festival On March 30, 1992, Roach appeared at the 64th Academy Awards ceremony, hosted by Billy Crystal  When Roach rose from the audience to a standing ovation, he decided to give a speech without a microphone, causing Crystal to quip "I think that's appropriate because Mr  Roach started in silent films "

Death and legacy
Hal Roach died in his home in Bel Air, Los Angeles, from pneumonia, on November 2, 1992, at the age of 100  He had married twice, and had six children, eight grandchildren, and a number of great-grandchildren  Roach outlived three of his children by more than 20 years: Hal Jr  (died in 1972), Margaret (died in 1964), and Elizabeth (died in 1946)  He also outlived many of the children who starred in his films  Roach is buried in Woodlawn Cemetery in Elmira, New York, where he grew up In the 2018 Laurel and Hardy biopic Stan & Ollie, Roach was portrayed by Danny Huston 
Passage 2:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 3:
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957 

Surrey cricketer
McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29  In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6 3 overs for seven runs  This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later  In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth  In the 1948 season as a whole, he took 91 wickets at an average of 28 07  As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4 22 The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career  Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets  In 1951, he played just seven times and in 1952 only three times  In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12 38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21 53  At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries 

Somerset cricketer
Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service  McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly 
McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said  McMahon took 85 wickets at an average of 27 47 (Hilton took only 42 at a higher average)  His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career  He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table 
The figures for the 1955 were similar: McMahon this time took 75 wickets at 28 77 apiece  There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9 03  This included his highest-ever score, 24, made in the match against Sussex at Frome  A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin"  These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support  McMahon responded with his most successful season so far, taking 103 wickets at an average of 25 57, the only season in his career in which he exceeded 100 wickets  The bowling average improved still further in 1957 to 23 10 when McMahon took 86 wickets  But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival  Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial" 

Sacked by Somerset
The reason behind McMahon's sacking did not become public knowledge for many years  In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality"  It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again"  As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw  But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season  Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved 
After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines 


== Notes and references ==
Passage 4:
Wesley Barresi
Wesley Barresi (born 3 May 1984) is a South African born first-class and Netherlands international cricketer  He is a right-handed wicket keeper-batsman and also bowls right-arm offbreak  In February 2021, Barresi announced his retirement from all forms of cricket, but returned to the national team in August 2022 

Career
Wesley became the 100th victim to Indian cricketer Yuvraj Singh, when he was dismissed in the 2011 World Cup game against India In July 2018, he was named in the Netherlands' One Day International (ODI) squad, for their series against Nepal  Ahead of the ODI matches, the International Cricket Council (ICC) named him as the key player for the Netherlands In July 2019, he was selected to play for the Amsterdam Knights in the inaugural edition of the Euro T20 Slam cricket tournament  However, the following month, the tournament was cancelled 
Passage 5:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 6:
Lagu Kenangan
Lagu Kenangan ('Song of Memories') is a 1953 Indonesian film directed by L  Inata and produced by Djamaluddin Malik for the Persari Film Corporation  Starring Titien Sumarni and A  N  Alcaff, it follows the domestic troubles of a composer and his wife 

Plot
The composer Supardi lives with his wife, Surjati, and their two children Janti and Janto  The couple often fight, owing to Supardi's late hours, as he does his best work at night when the children are sleeping  Things escalate to the point that Surjati takes Janti and leaves  This separation nearly ends in divorce, but eventually with the support of their parents, Surjati and Supardi are able to reconcile 

Production
Lagu Kenangan was produced for Persari Film Corporation by Djamaluddin Malik  The film was one in a long line of commercially oriented ventures which had been produced by the company starting with Sedap Malam in 1950  This black-and-white film was written and directed by L  Inata, who joined Persari shortly after completing Pahit-Pahit Manis for their competitor Banteng Film The film starred Titien Sumarni and AN Alcaff  They were supported by Mien Sondakh, M  Budhrasa, Sjamsu, Ramlan, and Djauhari Effendi 

Release
Lagu Kenangan passed the censorship bureau in 1953, and was rated for viewers aged 13 and up  Screenings are reported as early as 14 August, at the Rivoli Theatre in Jakarta  The film had reached Malang, East Java, by 7 November 1953  For its run there at the Atrium Theater, it was advertised as a "charming, sad, funny and replete with melodious songs" ("menawan hati, sedih, lutju, dan diringi dengan njanjian2 jang merdu")  Lagu Kenangan was screened as late as August 1955 
Passage 7:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 8:
All-American Co-ed
All-American Co-ed is a 1941 American musical film produced and directed by Leroy Prinz as a Hal Roach Streamliner for release by United Artists  It stars Frances Langford, Johnny Downs, Marjorie Woodworth, Noah Beery Jr , Esther Dale, Harry Langdon, and The Tanner Sisters 

Plot
Quinceton College Zeta fraternity stages a revue with members in drag  The resulting publicity catches the attention of newspaperman Hap Holden (Harry Langdon) and Virginia Collinge (Frances Langford)  They convince Virginia's aunt Matilda Collinge (Esther Dale), president of failing Mar Brynn (a woman's horticultural  college), to refute the school's staid image by sponsoring a contest awarding a dozen free scholarships aimed at "unusual girls", winners of pageants for fruits, vegetables and flowers, as women most likely to succeed and to be showcased in a musical presentation during the Fall Festival 
To publicize the contest, President Collinge pokes fun at Zeta members as being least likely to succeed and bans them from their campus  For revenge the Zeta chapter president Bob Sheppard (Johnny Downs) is coerced to infiltrate Mar Brynn by entering the contest as "Bobbie DeWolfe, Queen of the Flowers"  After falling in love with Virginia, Bob comes clean and assists in staging the show, but includes in the finale a Busby Berkeley-style spelling out of "Zeta" as revenge for the ban 

Cast
Frances Langford as Virginia
Johnny Downs as Bob Sheppard
Marjorie Woodworth as Bunny
Noah Beery Jr  as Slinky
Esther Dale as Matilda
Harry Langdon as Hap Holden
Alan Hale Jr  as Tiny
Kent Rogers as Henry
Allan Lane as 2nd Senior
Joe Brown Jr  as 3rd Senior
Irving Mitchell as Doctor
Lillian Randolph as Washwoman (Deborah)
Carlyle Blackwell Jr  as 4th Senior
Mickey Tanner • Betty Tanner • Martha Tanner as Vocal Trio

Uncredited
Frank O'Connor, as Policeman
Jesse Graves, as Redcap
Dudley Dickerson, as Dancing Train Porter
Elyse Knox, as Co-ed
Marie Windsor, as Carrot Queen

Soundtrack
Johnny Downs with chorus - "I'm a Chap with a Chip on My Shoulder" (by Walter G  Samuels and Charles Newman)
Frances Langford - "I'm a Chap with a Chip on My Shoulder"
Marjorie Woodworth, Tanner Sisters with Harry Langdon and chorus - "Up at the Crack of Dawn" (by Walter G  Samuels and Charles Newman)
Frances Langford with chorus - "Out of the Silence" (by Lloyd B  Norlin)
Frances Langford, Tanner Sisters and Johnny Downs - "The Farmer's Daughter" (by Walter G  Samuels and Charles Newman)"Out of the Silence", music and lyrics by Lloyd B  Norlin, was nominated for the Academy Award for Best Original Song of 1941  It lost to Jerome Kern and Oscar Hammerstein's "The Last Time I Saw Paris", from Lady Be Good (1941) 

External links
All-American Co-Ed at IMDb
All-American Coed at AllMovie
All-American Co-Ed is available for free viewing and download at the Internet Archive
Passage 9:
Djamaluddin Malik
Djamaluddin Malik (13 February 1917 – 8 June 1970) was a prominent Indonesian film producer, politician, entrepreneur  He founded the Jakarta Indonesian company Persari Film 

Personal life
Malik was born in Padang, West Sumatra  His father was a Pagaruyung descendant, in the Minangkabau hinterland   He died in Munich, Germany in 1970   During his lifetime in Senen his friends called him "the king of artists" 

Career
Malik started his career in the Dutch shipping business, then worked in a Dutch trading company, where he gained experience in business and finance, so that he could eventually found his own company In 1942 he entered the world of art and culture  He started a theatrical group, Panca Warna  To help Indonesian independence, he showed around Indonesia to inspire spirit and patriotism  In 1951 Djamaluddin established and became President of PT Persari (Perseroan Artis Indonesia)  In this effort, he was inspired by United Artists in Hollywood, United States  Persari has a complete film studio in Jatinegara   During the same time Malik was President of the electrical installation company Prapatak and of the weaving company PT Cimalaka in Sumedang, West Java 
Djamaluddin Malik was the Nahdlatul Ulama politician and the member of People's Representative Council  He was also as the chairman of National Film Council 

Family
Malik married Elly Yunara  They had four children: Zainal Malik, Camelia Malik, Yudha Asmara Malik, and Lailasari Malik  Camelia follows his career, as an actress and pop-dangdut singer  His wife, continued the family interests by founding PT  Remaja Ellynda Film  It successfully produced Malin Kundang and Jembatan Merah 

Awards
The government appointed Djamaluddin and Usmar Ismail as Cinema of Indonesian figures 

Filmography
Rodrigo de Villa (1952)
Leilani (1953)
Lagu Kenangan (1953)
Tabu (1953)
Supir Istimewa (1954)
Tarmina (1955)
Ratu Asia
Tauhid (1964)

Notes
External links
(in Indonesian) https://web archive org/web/20090610211435/http://perfilman pnri go id/djamaluddin/
Passage 10:
Greg A  Hill (artist)
Greg A  Hill is a Canadian-born First Nations artist and curator  He is 
Kanyen'kehà:ka Mohawk, from Six Nations of the Grand River Territory, Ontario 

Early life
Hill was born and raised in Fort Erie, Ontario 

Art career
His work as a multidisciplinary artist focuses primarily on installation, performance and digital imaging and explores issues of his Mohawk and French-Canadian identity through the prism of colonialism, nationalism and concepts of place and community Hill has been exhibiting his work since 1989, with solo exhibitions and performance works across Canada as well as group exhibitions in North America and abroad  His work can be found in the collections of the Canada Council, the Indian Art Centre, Indian and Northern Affairs Canada, the Canadian Native Arts Foundation (now Indspire), the Woodland Cultural Center, the City of Ottawa, the Ottawa Art Gallery and the International Museum of Electrography 

Curatorial career
Hill serves as the Audain Senior Curator of Indigenous Art at the National Gallery of Canada 

Awards and honours
In 2018, Hill received the Indspire Award for Arts 
Context 2: Passage 1:
The Secret Invasion
The Secret Invasion is a 1964 American war film directed by Roger Corman  It stars Stewart Granger, Raf Vallone, Mickey Rooney, Edd Byrnes, Henry Silva, Mia Massini, and William Campbell  Appearing three years before The Dirty Dozen (1967), the film features a similar World War II mission where convicts are recruited by the Allies for an extremely hazardous operation behind enemy lines 

Plot
In 1943, British Intelligence in Cairo recruits Italian  criminal mastermind Roberto Rocca, demolitions expert and Irish Republican Army member Terence Scanlon, forger Simon Fell, cold-blooded assassin John Durrell, and thief and impersonator Jean Saval for a dangerous mission  The men are offered pardons in exchange for attempting to rescue an Italian general sympathetic to the Allies who is imprisoned in German-occupied Yugoslavia  The group is led by Major Richard Mace, who is trying to expiate his feelings of guilt for sending his own brother on a dangerous mission and waiting too long to extricate him  The fishing boat transporting Mace's team is stopped by a patrol boat, but they dispose of the Germans 
With the assistance of local partisans led by Marko, they split up and enter Dubrovnik  Durrell is partnered with Mila, a recent widow with a baby  They are attracted to each other, but Durrell becomes extremely distraught when he accidentally smothers her crying child to avoid detection by a German patrol  The team is captured and taken to the same fortress where the Italian general is being kept  They are tortured for information, but manage to escape and fulfill their mission, although Mace, Mila, Fell, Scanlon, and Saval are killed while fending off German troops 
At the last minute, Rocca and Durrell discover that the man they have freed is an impostor, and he is about to exhort "his" troops to stay loyal to the Axis  Durrell pretends to be a Nazi fanatic and shoots the fake general; he is killed by the outraged Italians  Rocca, the last man standing, directs the Italians' anger to the Germans 

Cast
Production
After turning out a treatment based on the locale of Dubrovnik, Roger Corman teamed with screenwriter R  Wright Campbell who had a project, Dubious Patriots about a wartime mission involving convicts  The script was taken over by producer David V  Picker at United Artists, who was able to leverage the screenplay into a well-financed studio production  With a budget of $600,000, more than twice more than he had for his earlier independently-funded features, Corman was able to start production in between his Edgar Allan Poe adaptations, The Masque of the Red Death and The Tomb of Ligeia (1964) The original cast was Mickey Rooney, Raf Vallone, Edd Byrnes and Bobby Darin  Brendan Behan was to be adviser for scenes set at Borstal Prison  It was Byrnes first role after his contract with Warner Bros ended In August 1963 it was announced that Darin had pulled out of the film on the orders of his doctor, and he was replaced by Henry Silva  Also that month Stewart Granger signed to star Principal photography under the working title of Dubious Patriots took place on location in Dubrovnik and other parts of Yugoslavia in the summer of 1963 for a typically short Corman shooting schedule of 36 days  With the assistance of the Yugoslavian government, a large number of military personnel and equipment were offered, but an earthquake threatened to delay the production when troops were siphoned off to help in the relief effort Corman's problems extended to not only wrangling military extras, but also to dealing with the emotions of a star like Stewart Granger "stooping" to make a "B film" and worrying that his role was not as prominent as the others in the ensemble cast  At one point, Corman actually rewrote his part "on the spot" so that Granger had more lines than Edd Byrnes, his co-star, who was a current popular television star The production was photographed in Panavision with Eastmancolor film (Gene Corman later reused the title The Dubious Patriots for another film he made with Tony Curtis and Charles Bronson )

Reception
In a contemporary review of The Secret Invasion, The New York Times film reviewer Howard Thompson saw some positives in what was basically a "programmer": 

    a rather surprising amount of brisk muscularity and panoramic color, if not always credibility  The casting of this United Artists release, which arrived at the Criterion and other houses, may make some customers blink and wait for the worst     But they, and the picture, do pretty well, considering 

In Brassey's Guide to War Films, film historian Alun Evans considered the production exemplified Corman's ability to "    create something out of nothing " He also noted that The Secret Invasion has some notoriety as  "    the  sawn-off antecedent of The Dirty Dozen "

See also
List of American films of 1964
Five Guns West, an earlier Roger Corman movie of essentially the same plot
Passage 2:
Ryoichi Hattori (politician)
Ryoichi Hattori (服部良一, Hattori Ryoichi, born February 24, 1950) is a Japanese politician of the Social Democratic Party  He was born in Yame city in Fukuoka prefecture  He entered Kyoto University in 1969 before leaving part-way through his degree and moving to Osaka to work, where he became active with the trade union movement 
In the House of Councillors 2007 election he ran for the House of Councillors in Osaka, but was defeated  He became the private secretary of Tokushin Yamauchi, an SDP member of the House of Councillors 
In the 2009 general election he was elected as the House of Representatives member representing the Kinki block 
Passage 3:
Edward Yates
Edward J  Yates (September 16, 1918 – June 2, 2006) was an American television director who was the director of the ABC television program American Bandstand from 1952 until 1969 

Biography
Yates became a still photographer after graduating from high school in 1936  After serving in World War II, he became employed by Philadelphia's WFIL-TV as a boom microphone operator  He was later promoted to cameraman (important as most programming was done live and local during the early years of television) and earned a bachelor's degree in communications in 1950 from the University of Pennsylvania 
In October 1952, Yates volunteered to direct Bandstand, a new concept featuring local teens dancing to the latest hits patterned after the "950 Club" on WPEN-AM  The show debuted with Bob Horn as host and took off after Dick Clark, already a radio veteran at age 26, took over in 1956 
It was broadcast live in its early years, even after it became part of the ABC network's weekday afternoon lineup in 1957 as American Bandstand  Yates pulled records, directed the cameras, queued the commercials and communicated with Clark via a private line telephone located on his podium 
In 1964, Clark moved the show to Los Angeles, taking Yates with him 
Yates retired from American Bandstand in 1969, and moved his family to the Philadelphia suburb of West Chester 
He died in 2006 at a nursing home where he had been for the last two months of his life 

External links
Edward Yates at IMDb
Passage 4:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 5:
Roger Corman
Roger William Corman (born April 5, 1926) is an American film director, producer, and actor  Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he is known as a trailblazer in the world of independent film  Many of Corman's films are based on works that have an already-established critical reputation, such as his cycle of low-budget cult films adapted from the tales of Edgar Allan Poe In 1964, Corman—admired by members of the French New Wave and Cahiers du Cinéma—became the youngest filmmaker to have a retrospective at the Cinémathèque Française, as well as in the British Film Institute and the Museum of Modern Art  He was the co-founder of New World Pictures, the founder of New Concorde and is a longtime member of the Academy of Motion Picture Arts and Sciences  In 2009, he was awarded an Honorary Academy Award "for his rich engendering of films and filmmakers" Corman is also famous for distributing in the U S  many foreign directors, such as Federico Fellini (Italy), Ingmar Bergman (Sweden), François Truffaut (France) and Akira Kurosawa (Japan)  He mentored and gave a start to many young film directors such as Francis Ford Coppola, Ron Howard, Martin Scorsese, Jonathan Demme, Peter Bogdanovich, Joe Dante, John Sayles, and James Cameron, and was highly influential in the New Hollywood filmmaking movement of the 1960s and 1970s  He also helped to launch the careers of actors like Peter Fonda, Jack Nicholson, Dennis Hopper, Bruce Dern, Diane Ladd, and William Shatner  Corman has occasionally taken minor acting roles in the films of directors who started with him, including The Silence of the Lambs, The Godfather Part II, Apollo 13, The Manchurian Candidate, and Philadelphia A documentary about Corman's life and career entitled Corman's World: Exploits of a Hollywood Rebel, directed by Alex Stapleton, premiered at the Sundance and Cannes Film Festivals in 2011  The film's TV rights were picked up by A&E IndieFilms after a well-received screening at Sundance 

Early life
Corman was born in Detroit, Michigan, the son of Anne (née High) and William Corman, an engineer  His younger brother, Gene, produced numerous films, sometimes in collaboration with Roger  Corman and his brother were raised Catholic Corman went to Beverly Hills High School and then to Stanford University to study industrial engineering  While at Stanford, Corman realized he did not want to be an engineer  He enlisted in the V-12 Navy College Training Program with six months of study to complete  After serving in the United States Navy from 1944 to 1946, he returned to Stanford to finish his degree, receiving a Bachelor of Science in industrial engineering in 1947  While at Stanford University, Corman was initiated in the fraternity Sigma Alpha Epsilon 
In 1948, he worked briefly at U S  Electrical Motors on Slauson Avenue in Los Angeles, but his career in engineering lasted only four days; he began work on Monday and quit on Thursday, telling his boss "I've made a terrible mistake " Gene Corman was already working in the film industry as an agent, and Roger decided to go into filmmaking instead 

Early film career
Corman found work at 20th Century Fox initially in the mail room  He worked his way up to a story reader  The one property that he liked the most and provided ideas for was filmed as The Gunfighter with Gregory Peck  When Corman received no credit at all, he left Fox and decided he would work in film by himself  Under the G I  Bill, Corman studied English literature at Oxford University and lived in Paris for a time 

He then returned to Los Angeles and tried to re-establish himself in the film industry  He took various jobs, including television stagehand at KLAC and a messenger at Fox  He worked as an assistant to agent Dick Hyland, a literary agent 

Highway Dragnet
Corman wrote a script in his spare time and sold it to William F  Broidy at Allied Artists for $2,000  "Dick thought it was funny and let me pay myself a commission," said Corman  Originally called House in the Sea, it was retitled Highway Dragnet (1953) and starred Richard Conte and Joan Bennett  Corman also worked as associate producer on the film for nothing, just for the experience 

Producer
Corman used his script fee and personal contacts to raise $12,000 to produce his first feature, a science-fiction film, Monster from the Ocean Floor (1954)  It was produced by Corman's own company, Palo Alto, and released by Robert L  Lippert 
The film did well enough to encourage Corman to produce another film, the racing-car thriller The Fast and the Furious (1955), directed by its star, John Ireland, and co-starring Dorothy Malone  Decades later, producer Neal H  Moritz and Universal Pictures licensed the title for the 2001 film, The Fast and the Furious, which eventually spawned a huge franchise  Moritz had difficulty choosing between proposed titles Racer X, Redline, Race Wars, and Street Wars, and was inspired by a documentary on American International Pictures that included Corman's film  Moritz was able to trade the use of some stock footage to Corman for use of the title Corman sold the movie to a new independent company, the American Releasing Company (ARC), run by James H  Nicholson and Samuel Z  Arkoff  Although Corman had a number of offers for the film from Republic and Columbia, he elected to go with ARC because they undertook to advance money to enable him to make two more movies 

Director
Corman's second film for ARC was one he decided to direct, Five Guns West (1955), a Western, made in color for around $60,000, with Malone and John Lund  The script was written by Robert Wright Campbell, who worked with Corman on several more occasions 
Corman announced he would make four more projects for ARC: High Steel, Cobra, Fortress Beneath the Sea, and an untitled film from Campbell  Instead, Corman did some uncredited directing on The Beast with a Million Eyes (1955), then made another Western, Apache Woman (1955), starring Lloyd Bridges, written by Lou Rusoff  Rusoff and Corman reunited on Day the World Ended (1955), a postapocalyptic science-fiction film, which was popular 
Corman was to make The Devil on Horseback by Charles B  Griffith about the Brownsville Raid, but it was too expensive 
The Woolner Brothers, Louisiana drive-in owners, financed Corman's Swamp Women (1956), a girls-on-the-lam saga 
He returned to ARC for two Westerns, The Oklahoma Woman (1956) and Gunslinger (1956) (with Ireland); Gunslinger was co-written by Griffith, who became a crucial collaborator with Corman over the next five years  He bought a script from Curtis Harrington, The Girl from Beneath the Sea  Harrington made it for Corman years later as Night Tide (1961) 
Beverly Garland, one of Corman's early regular stock players, recalled working with him:

Roger made us work hard and long, I remember that! He was always fascinating to me, a fascinating man – and a good businessman! He had such incredible energy, it was tremendous – he was a dynamo to be around  I always knew he was going to be a huge success because there was no stopping him  He just made up his mind that he was going to be a success and that was it 

American International Pictures and Allied Artists
ARC changed its name to American International Pictures  Corman was established as their leading filmmaker  They financed Corman's next film as director, the science-fiction story It Conquered the World (1956)  Co-written by Griffith, it was a follow-up to The Day the World Ended  It was a big hit 
He optioned a TV play, The Stake, and hoped to get Dana Andrews to star  It was never made  Instead, Walter Mirisch of Allied Artists hired Corman to make The Undead (1957), inspired by The Search for Bridey Murphy  Griffith wrote the script 
In June, Corman made a science-fiction film for Allied Artists,  Not of this Earth (1957), written by Griffith 
In August 1956, AIP financed a Corman heist movie shot in Hawaii, Naked Paradise (1957), co-written by Griffith  Corman shot it back-to-back with a movie made with his own money, She Gods of Shark Reef (1958)  Corman wound up selling the movie to AIP 
Corman and Griffith reunited in Attack of the Crab Monsters (1957) for Allied, which wound up being one of his most successful early films For his own production company, Corman made a rock-and-roll "quickle", Carnival Rock (1957), released by Howco  Rock All Night (1957) was a heist film written by Griffith expanded from a TV play, "The Little Guy", with musical acts inserted He was meant to make Rock'n'Roll Girl for AIP in December 1957 In April 1957, Corman announced he would try to make two films back-to-back from then on to save costs Corman made two "teen girl noirs", Teenage Doll (1957) for the Woolner Brothers and Sorority Girl (1957), starring Susan Cabot for AIP For AIP, he made The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent (1957), shot in August 1957  He was meant to follow this with Teenage Jungle by Tony Miller The success of Not of this Earth and Crab Monsters led to Allied offering Corman a four-picture deal for 1958 

Machine Gun Kelly and producing
Corman received his first serious critical praise for Machine-Gun Kelly (1958), an AIP biopic of the famous gangster, which gave Charles Bronson his first leading role and co-starred Cabot  Campbell wrote the script 
Also for AIP, he did Teenage Caveman (1958), with Robert Vaughn, originally titled Prehistoric World 
He helped produce two films for Allied Artists, both from scripts by Leo Gordon: Hot Car Girl (1958), directed by Bernard Kowalski and produced by his brother Gene (the first film they made together) from a script by Gordon; and The Cry Baby Killer (1958), which gave Jack Nicholson his first starring role 
He had his biggest budget yet for I Mobster (1958), a gangster story, co-produced by Edward L  Alperson and Corman's brother Gene for 20th Century Fox  In September 1958, he was reported as scouting locations in Australia to do a remake of H  Rider Haggard's She War of the Satellites (1958) was conceived and shot in record time to take advantage of the Sputnik launch; it was his first collaboration with art director Daniel Haller 
Corman also produced, but did not direct, Stakeout on Dope Street (1958), directed by Irvin Kershner, Night of the Blood Beast (1958), directed by Kowalski for AIP, using leftover costumes from Teenage Caveman, and Crime and Punishment U S A  (1959), directed by Dennis Sanders with George Hamilton in his first lead role 

The Filmgroup
In January 1959, Corman announced he would be moving into distribution In 1959, Corman founded The Filmgroup with his brother Gene, a company producing or releasing low-budget black-and-white films as double features for drive-ins and action houses  In February 1959, Filmgroup announced they would release 10 films  Their first movies were High School Big Shot (1959) and T-Bird Gang (1959) produced by Stanley Bickman 

For AIP, Corman and Griffith made a black comedy, A Bucket of Blood (1959)  Corman announced he would follow it with a similar comedy, The Bloodshot Private Eye  It does not seem to have been made  Instead, Griffith reused the same script structure and Corman employed many of the same cast in The Little Shop of Horrors (1960)  This film was reputedly shot in two days and one night For Filmgroup, Corman directed The Wasp Woman (1959), starring Cabot from a script by Gordon  His brother and he made two films back-to-back in South Dakota: Ski Troop Attack (1960), a war movie written by Griffith and directed by Corman, and Beast from Haunted Cave (1959), the first film directed by Monte Hellman 
Corman went to Puerto Rico and produced another two films back-to-back: Battle of Blood Island (1960), directed by Joel Rapp, and Last Woman on Earth (1960), directed by Corman from a script by Robert Towne  Filming on these two films went so quickly that Corman commissioned Griffith to write a third, which was shot at the same time: Creature from the Haunted Sea (1961) 
Corman was going to make Part Time Mother from a script by Griffith but it appears to have never been made 

House of Usher
AIP wanted Corman to make two horror films for them, in black and white, at under $100,000 each on a 10-day shooting schedule  Corman, however, was tired of making films on this sort of budget and was worried the market for them was in decline  He proposed making a film in colour for $200,000, shot over 15 days  Corman proposed an adaptation of "The Fall of the House of Usher" by Edgar Allan Poe and AIP agreed  The film was announced in May 1959 Richard Matheson was hired to do the adaptation and Vincent Price was brought in to star; Haller did the art direction  The resulting film, House of Usher (1960), shot in early 1960, was a critical and commercial hit 
Following this, Corman bought two scripts, Sob Sisters Don't Cry and Cop Killer  In March 1960, Corman announced that Filmgroup would be part of an international production group, Compass Productions  He directed a peplum in Greece, Atlas (1961) in August 
He was going to direct a thriller from a script by Robert Towne, I Flew a Spy Plane Over Russia  It was not made; neither were two comedies he was to make with Dick Miller and Jon Haze, Murder at the Convention and Pan and the Satyrs House of Usher had been so successful that AIP wanted a follow-up, and Corman, Haller, Matheson and Price reunited on The Pit and the Pendulum (1961)  It was another sizeable hit, and the "Poe cycle" of films was underway 
Corman hired Charles Beaumont to write Masque of the Red Death and announced two films, Captain Nemo and the Floating City and House of Secrets 

The Intruder
Following The Pit and the Pendulum, Corman directed one of William Shatner's earliest appearances in a lead role with The Intruder (a k a  The Stranger, 1962)  Based on a novel by Charles Beaumont, the film was co-produced by Gene Corman and was shot in July and August 1961  It took a while for the film to be released and it lost money Corman was unhappy with his profit participation on the first two Poe films, so he made a third adaptation for different producers, The Premature Burial (1962), written by Charles Beaumont and starring Ray Milland  The film was co-financed by Pathe labs; AIP put pressure on Pathe and ended up buying out their interest 
For producer Edward Small, Corman made a historical horror piece about Richard III, Tower of London (1962), starring Vincent Price   It was meant to be the first in a three-picture deal with Small, but Corman did not enjoy working with the producer 
For Filmgroup, he also bought the rights to a Soviet science-fiction film, Nebo Zovyot (1959) and had some additional footage shot for it by his then-assistant, Francis Ford Coppola; the result was Battle Beyond the Sun (1962)  He also released The Magic Voyage of Sinbad (1962), dubbed from a Soviet film 
The fourth Poe was an anthology, Tales of Terror (1962), shot in late 1961  One of the installments, "The Black Cat", was a comedy, inspiring Corman to do a whole Poe story comedically next: The Raven (1963)  Later, Corman used the sets for that film for The Terror (1963), made for Filmgroup but released by AIP, and starring Boris Karloff (whose scenes were all shot in two days) and Jack Nicholson  Corman did not direct all of this film; additional scenes were shot by Monte Hellman, Coppola, and Jack Hill, among others 
The Young Racers (1963) was produced and directed by Corman in Europe for AIP, starring and written by Campbell  Working on the film was Francis Ford Coppola, whom Corman financed to make his directorial debut, Dementia 13 (1963) 
Back in the U S , Corman made X: The Man with the X-ray Eyes (1963), a contemporary science-fiction film for AIP starring Ray Milland  He followed it with The Haunted Palace (1963), ostensibly part of the Poe cycle—it featured Price and was made for AIP, written by Beaumont—but was actually based on a story by H  P  Lovecraft 
Corman directed a war film in Yugoslavia with his brother, The Secret Invasion (1964), with Stewart Granger and Mickey Rooney, from a script by Campbell  Following this, he announced he would make The Life of Robert E  Lee as part of a four-picture deal with Filmgroup worth $3 75 million  Other movies were Fun and Profit by Joel Rapp, The Wild Surfers by John Lamb, and Planet of Storms by Jack Hill  None of these films was made, nor was The Gold Bug, a Poe adaptation written by Griffith 

End of the Poe cycle and filming in Europe
Corman made two Poes in England starring Price, the much-delayed The Masque of the Red Death (1964), with Campbell rewriting Beaumont's scripts, and The Tomb of Ligeia (1965), from a script by Robert Towne  Corman made no further Poes; AIP started up a fresh Poe cycle in the late 1960s, but Corman was not part of it 
Corman got Towne to write a script called The Red Baron  He bought the rights to another Soviet science-fiction film, Planeta Bur (1962), and had some additional footage added to it by Curtis Harrington  The result was Voyage to the Prehistoric Planet (1965)  Harrington used footage from Planeta Bur in another film financed by Corman, Queen of Blood (1966) 
He also bought the rights to a Yugoslavian film, Operation Titan (1963), and financed additional shooting by Jack Hill and Stephanie Rothman  The result was Blood Bath (1966)  He also had an investment in the beach party films Beach Ball (1965) and It's a Bikini World (1967) 

Working for major studios
Corman said, "For ten years as an independent I could get financing for $100-$200-$300,000 pictures  Everything had been interesting, artistically satisfying, economically satisfying  But I decided I was going nowhere and wanted to move directly into the business  So I accepted a contract with Columbia "In August 1965, Corman announced he had signed a contract with United Artists to make two films over three years  He also signed with Columbia to make a Western, The Long Ride Home, based on a script by Robert Towne He was announced for a number of other projects at Columbia: the biopic of Robert E  Lee, an adaptation of Portrait of the Artist as a Young Man, an adaptation of Kafka's The Penal Colony, and a script by novelist Richard Yates about the Battle of Iwo Jima  He intended to make The Deserters for UA, from a script by Wright, but that was not made either He later reflected, "Every idea I submitted was considered too strange, too weird; every idea they had seemed too ordinary to me  Ordinary pictures don't make money "

The Wild Angels
After a year of not directing, Corman took a leave of absence under his contract with Columbia to make a film for AIP, the first biker movie, The Wild Angels  It starred Peter Fonda and Nancy Sinatra, from a script by Griffith; Peter Bogdanovich worked as Corman's assistant  The film opened the 1966 Venice Film Festival and was hugely successful at the box office, making over $6 million on a $350,000 budget and kicking off the "biker movie" cycle He wanted to make a film about the Red Baron, but Columbia turned it down because of The Blue Max (1966)  He proposed a movie about the St Valentine's Day Massacre and also an adaptation of the novel Only Lovers Left Alive  Nick Ray was meant to be making Only Lovers in Britain 
Corman did begin directing Long Ride Home with Glenn Ford at Columbia  However, Corman left production a few weeks into the shoot in June 1966 and was replaced by Phil Karlson  The film was retitled A Time for Killing (1967) 
Corman received an offer to direct a studio film,The St  Valentine's Day Massacre (1967), for 20th Century Fox, starring Jason Robards and George Segal  He did not enjoy the restrictions of working for a major studio  He was given a $2 5 million budget and made it for $400,000 less  Corman, an independent director, was most comfortable in his own style:  shoestring budgets and shooting schedules measured in days, rather than weeks  Nonetheless, it is generally considered one of his best films as a director 
Corman was meant to follow this with Robert E  Lee for United Artists at a budget of $4 5 million  It was not made  Neither was a story Corman optioned, The Spy in the Vatican 

Return to independence
He continued to finance films for Filmgroup: Voyage to the Prehistoric Planet (1965), dubbing a Soviet movie Planeta Bur into English with some additional footage shot by Curtis Harrington, Queen of Blood (1966), using some Soviet footage but a mostly new film, directed by Harrington, Blood Bath (1966), an adapted Yugoslavian film with additional footage shot by Stephanie Rothman and Jack Hill, and  Voyage to the Planet of Prehistoric Women (1967), yet another dubbed version of Planeta Bur with some additional footage shot by Corman's then-assistant Peter Bogdanovich 
He had money in Navy vs  the Night Monsters (1967)  He financed two Westerns shot back to back in Utah, directed by Monte Hellman and written and co-produced by Jack Nicholson, The Shooting (1967) and Ride in the Whirlwind (1967), which became cult successes  He also financed two films directed by Dan Haller, Devil's Angels (1967), a follow-up to Wild Angels written by Griffith, and a car racing film shot in Europe, The Wild Racers (1968)  He announced a comedy about the population explosion, There Just Isn't Any Room, but it appears to have never been made Corman directed The Trip for AIP, written by Jack Nicholson and starring Peter Fonda, Dennis Hopper and Bruce Dern  This began the psychedelic film craze of the late 1960s and was the American entry at Cannes that year  AIP made some changes to the film in post-production, which made Corman unhappy 
In September 1967, he announced plans to build a new film studio  However, this did not happen for a number of years 
Corman made a film for American TV, Target: Harry (1968), shot in Europe with his brother producing
Context 3: Passage 1:
Kyle Greig
Kyle Greig (born February 22, 1990) is an American soccer player who plays as a forward 

Career
Greig played four years of college soccer at Benedictine College between 2008 and 2011  He also played for USL PDL club Kansas City Brass between 2010 and 2012 Greig signed his first professional contract with USL Pro club Wilmington Hammerheads in April 2013  He made his debut and scored his first professional goal on April 19, 2013, during a 2-0 victory over Antigua Barracuda FC 
After two seasons with Oklahoma City Energy, Greig signed with Whitecaps FC 2 on January 29, 2016  He made the move to the Whitecaps senior team in Major League Soccer on December 19, 2016 During the 2017 season, Greig was loaned out to United Soccer League club FC Cincinnati  His loan ended when FC Cincinnati's 2017 season ended Greig joined USL club Saint Louis FC on February 21, 2018  Saint Louis FC folded following the 2020 USL Championship season On May 20, 2021, it was announced that Greig had signed with Louisville City  Following the 2021 season, Louisville opted to decline their contract option on Greig Greig signed with the Tampa Bay Rowdies on January 14, 2022  He was released by Tampa following their 2022 season 
Passage 2:
Mitchey Greig
Mitchey Greig (born 4 October 1988) is a freestyle skier from New Zealand  In the 2010 Winter Olympics at Vancouver, she came 30th in the woman’s ski cross 

External links
Mitchey Greig at the NZOC website
Mitchey Greig at the SR Sports Reference website
Michelle Greig (sic) at the ISF website
Passage 3:
Mel Greig
Mel Greig (born 19 September 1982) is an Australian journalist, radio and television personality  In 2011, Greig competed on the first season of The Amazing Race Australia  In 2012, she began co-hosting the Hot30 Countdown show on 2Day FM  In December 2012, she and Mike Christian posed as the Queen and Prince Charles to make a prank call to the hospital where the Duchess of Cambridge was convalescing  It backfired, leading to a tragedy and the end of Greig's career on radio  In 2015, Greig was a contestant on the fourth season of The Celebrity Apprentice Australia  In January 2016, she returned to co-hosting on The Hot Breakfast, with Travis Winks  In 2018, Greig left Wave FM and moved back to Sydney  She writes an online dating column and has contributed articles to a website for women  Greig has endometriosis and is an ambassador for Endometriosis Australia 

Career
In 2011, she competed on the first season of The Amazing Race Australia with her sister Alana In 2012, Greig began co-hosting the Hot30 Countdown show on 2Day FM with Matty Acton, who was later replaced by Mike Christian 

Royal prank
In December 2012, Greig and Christian broadcast a prank call they had made to King Edward VII Hospital, where Catherine, Duchess of Cambridge was convalescing, posing as the Queen and Prince Charles  It later transpired that one of the nurses who answered the call, Jacintha Saldanha, as a result of being duped by the DJs and the subsequent media attention, later died by suicide  Greig made a statement at the inquest, while 2Day FM has, to date, rejected any blame for Saldanha's death  The show was then cancelled on 12 December  In an interview with ITV's This Morning programme, Greig said that she was the victim of a "witch hunt" 

Post radio show
In 2015, Greig was a contestant on the fourth season of The Celebrity Apprentice Australia  She was fired after Task 8  In January 2016, Greig began co-hosting the 96 5 Wave FM breakfast show, The Hot Breakfast, with Travis Winks, she had taken a three-year hiatus following the royal prank call incident  In 2018, Greig left Wave FM to move back to Sydney citing personal reasons 
Greig writes an online dating column for Yahoo Be and has contributed articles to Mamamia, an Australian women's website Greig suffers from endometriosis and is an ambassador for the non-profit organisation Endometriosis Australia 
Passage 4:
Charlotte Greig
Charlotte Greig (10 August 1954 – 19 June 2014) was a British novelist, playwright, music journalist, singer and songwriter 

Early life
Charlotte Greig's father was in the navy and the family travelled the world  In 1962, she attended Charsfield village school, later described in Ronald Blythe's book Akenfield, where she learned to sing folk songs  At the age of 10 she was sent to a convent boarding school, St Stephen's College, Broadstairs, Kent, where she learned to play piano  She studied philosophy at Sussex University during the 1970s, a setting recounted in A Girl's Guide to Modern European Philosophy 

Career
Journalism
After university, Greig worked as a music journalist in print and radio  In 1990 she presented a six-part series on BBC Radio 1 called Will You Still Love Me Tomorrow on girl groups in popular music  It was based on her own book of the same title, published in 1989  In 1991 she wrote another Radio 1 documentary, British Black Music, and went on to present popular music features for BBC Radio 4's Woman's Hour and Kaleidoscope  By 1998 Greig was working for Mojo magazine, reviewing folk and country music 

Music
In the same year, she issued the first of her own albums, Night Visiting Songs  It consisted of four traditional songs, with the rest written by herself  This has set the tone for her subsequent albums: acoustic understated gothic folk music  Unusually, she plays harmonium and mountain dulcimer, with occasional electronic additions  Four further albums are collaborations with guitarist Julian Hayman  Her main influences are Lal Waterson and Nico  She appeared on the Topic anthology A Woman's Voice (many other anthologies exist with the same title)  In 2007 she curated and contributed to Migrating Bird, a tribute album to the late Lal Waterson released on Honest Jon's record label 
In addition, Greig's 2008 song Crows was released on a compilation album entitled The Crow Club released on People Tree Records, an offshoot label of Acid Jazz Records 
In 2014, Greig released "Studies in Hysteria" by Doctor Freud's Cabaret, a collection of songs in the voices of Freud's early patients, featuring a number of guest vocalists including Euros Childs, Julie Murphy, Jon Langford, and Angharad van Rijswijk 

Writing
In 2007 her first novel, 'A Girl's Guide to Modern European Philosophy', was published in the UK by Serpent's Tail  It was also published in the US (Other Press), and in translation in Italy (Tropea), Sweden (Voltaire), and Turkey (Sel Yayincilik) 
She has written two radio plays, 'The Confessions' (2009) and 'Against the Grain' (2010), both broadcast on BBC Radio 4  Her most recent play was a Radio 4 docu-drama to mark the fiftieth anniversary of the Profumo Scandal, entitled 'Well, He Would, Wouldn't He' (2013), and featuring Mandy Rice-Davies



ground_truth: All-American Co-Ed

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who was born earlier, The Secret Invasion or The House Of The Seven Hawks?

The following are given passages.
Context 2:  He did some uncredited directing on AIP's De Sade (1969) when director Cy Endfield fell ill  He financed Bogdanovich's first feature, Targets (1968), which incorporated footage from The Terror  He also produced The Dunwich Horror (1970) for AIP, directed by Haller and co-written by Curtis Hanson, and financed Haller's Paddy 

Final films as director
For AIP, Corman returned to the director's chair for a gangster film, Bloody Mama (1970), starring Shelley Winters and a young Robert de Niro  It was a big hit at the box office  He also directed a black comedy, Gas-s-s-s (1970), written by George Armitage; it was cut without his permission by AIP and was a financial failure United Artists finally agreed to finance his Red Baron project, although they asked that it emphasize American characters  Accordingly, it was filmed as Von Richthofen and Brown (1971), shot in Ireland in July 1970  There were several plane crashes during filming and one person died Corman was going to make a film of Couples, a novel by John Updike for United Artists, and In from a script by Richard Schupe, but decided to take a break from directing 
"Directing is very hard and very painful," he said in 1971  "Producing is easy  I can do it without really thinking about it "

New World Pictures
In May 1970, Corman founded New World Pictures, which became a small independently owned production/distribution studio, immediately successful with Angels Die Hard (1970), a biker film, and The Student Nurses (1971), directed by Rothman   The Big Doll House (1971), directed by Jack Hill in the Philippines, was a big hit, making a star of Pam Grier  The company made a profit of $3 2 million in its first financial year, and Corman says all eleven out of his first eleven films were successful   Angels Die Hard led to a series of biker films, including Angels Hard as They Come (1971), produced by Jonathan Demme with Jack Fisk working as art director  Bury Me an Angel (1971) was the first biker movie directed by a woman, Barbara Peeters  Corman financed the directorial debuts of Curtis Hanson, Sweet Kill (1971), produced by Corman protege Tamara Asseyev   Student Nurses led to a "cycle" of nurse pictures, including Private Duty Nurses (the first film directed by George Armitage), Night Call Nurses (1972) (the first feature directed by Jonathan Kaplan), The Young Nurses and Candy Stripe Nurses (1975)  There was also The Student Teachers (1973) and Summer School Teachers (1974)   Big Doll House was followed by a series of women in prison pictures, such as Women in Cages (1972), The Hot Box (1972), Black Mama, White Mama (1973), The Arena (1974) (the first film directed by Steve Carver) and Caged Heat (1974) (the first film directed by Demme)   Of New World's second year, Corman says 11 of the 12 releases were successful   Corman produced one more film at AIP, Boxcar Bertha (1972), the second feature directed by Martin Scorsese, starring David Carradine  He also executive produced Unholy Rollers (1972) for AIP   A proposed political satire, The Wild Political Prank, was not made   He made I Escaped from Devil's Island (1973) with his brother and produced Cockfighter (1974) with Monte Hellman, which was a rare financial failure for New World   A big hit was Big Bad Mama (1974), a gangster film directed by Carver and starring Angie Dickinson  It led to a follow-up, Crazy Mama (1975), produced by his wife and directed by Demme   In 1975, Corman said New World was "the most successful independent film company in the country   if you count AIP as a major"  He said they were "the best of the cheap acts" 

Distributing foreign films
In the 1970s the major Hollywood studios were moving away from distributing foreign arthouse pictures, New World moved into the market and became the U S  distributor for Cries and Whispers (1972), directed by Ingmar Bergman  Corman bought it for $75,000 and it earned over $2 million at the U S  box office  and Corman's distribution side of New World brought many foreign films to mass audiences in the U S  for the first time - reportedly some played at drive-ins and grindhouses - including the works of François Truffaut (The Story of Adele H , Small Change), Peter Weir (The Cars That Ate Paris), Federico Fellini (Amarcord), Joseph Losey (The Romantic Englishwoman), Volker Schlöndorff (The Lost Honour of Katharina Blum, The Tin Drum) and Akira Kurosawa (Dersu Uzala)  New World also released Fantastic Planet (1974) 
In a 10-year period, New World Pictures won more Academy Awards for Best Foreign Film than all other studios combined 

20th Century Fox
He had a four-picture deal with 20th Century Fox, making Capone (1975), Fighting Mad (1976) (directed by Demme), Moving Violation (1976) and Thunder and Lightning (1977) 

Peak of New World
Death Race 2000 (1975), written by Robert Thom and directed by Paul Bartel, was a big hit, earning $4 million  It helped inspire a series of car chase movies: Cannonball (1976), directed by Bartel; Eat My Dust! (1976), directed by Griffith starring Ron Howard, which led to a follow-up, Grand Theft Auto (1978), Howard's directorial debut  There was also The Great Texas Dynamite Chase (1976), Deathsport (1978) and Smokey Bites the Dust (1981) 
New World's trailers were cut by Joe Dante and Alan Arkush  Corman gave them the chance to direct together, with Hollywood Boulevard (1976), which used outtakes from other New World films  It was successful enough for Corman to give both men jobs directing features on their own: Dante with Piranha (1978) and Arkush with Rock 'n' Roll High School (1979) 
Piranha was written by John Sayles, who had been discovered by Corman's story editor, Frances Doel  Sayles later wrote The Lady in Red (1979) for Corman, which was directed by Lewis Teague 
Other popular films around this time included Tidal Wave (1975), a Japanese film to which Corman added some extra footage, and Jackson County Jail (1976)  He also financed I Never Promised You a Rose Garden  Less popular was Avalanche (1979), a disaster film directed by Corey Allen 
For Universal he made Fast Charlie    the Moonbeam Rider (1979), directed by Carver  He financed Bogdanovich's Saint Jack (1979) 
Corman was criticized when he insisted on the addition of footage featuring a rape for Humanoids from the Deep (1980)  Similarly, in Galaxy of Terror, as noted on Schlock and Awe   some, "Corman promised the investors that the film would feature a Taaffe O'Connell sex-scene and a gruesome death-scene as-well  To save time, Corman put the two together  The actress agreed to a nude scene, but NOT a rape scene  Corman isn't the kind of man who takes no for an answer, and after some contract renegotiation, O'Connell agreed to being raped to death by a giant worm-monster  Money… it does amazing things "The success of Star Wars inspired New World's most expensive film yet, Battle Beyond the Stars (1981)  This film required extensive special effects, prompting Corman to buy a movie studio in Main Street Venice for $1 5 million  Corman made a TV film for CBS, The Georgia Peaches (1980) 
Battle Beyond the Stars was so successful Corman had its footage and music score reused in other films such as Galaxy of Terror (1981) and Forbidden World (1982) 
He picked up a film called The Personals (1983) which enjoyed success 

Millennium Films
Corman sold New World Pictures in January 1983 to a consortium of three lawyers for $16 9 million Under the terms of the contract, he agreed to stay on as a consultant for two years and to provide New World with at least five films they could release  New World agreed to distribute all of Corman's films until March 1984  He set up a new production company, Millennium – the title of which was taken from the name of a 1981 retrospective of Corman's work at the National Film Theatre of London  He announced plans to make films budgeted between $2–5 million using cash from his sale of New World to finance personally  He announced an intention to make fewer commercial films, movies more like I Never Promised You a Rose Garden and Cries and Whispers 
Millennium's films included Space Raiders (1983), a science fiction epic using footage and music from Battle Beyond the Stars; Love Letters (1984), a serious drama from Amy Holden Jones; Screwballs (1984), a sex comedy in the vein of Porky's; Suburbia (1984), directed by Penelope Spheeris, which he acquired, Deathstalker; and Kain of Dark Planet (which became The Warrior and the Sorceress) 

New Horizons
Corman says people struggled with the name "Millennium" – "nobody could spell it, nobody knew what it meant" – so he changed it to New Horizons by early 1984 Corman and the new owners of New World ended up suing each other in March 1985  Corman claimed that New World failed to honor their guarantee to distribute his movies at a fee of 15%  He sought $400 million in damages and the return of the company  He said they refused to distribute School Spirit (1985) and Wheels of Fire  He also claimed that New World cheated him distributing Space Raiders, Screwballs and Slumber Party Massacre  New World sued Corman in return, claiming he was seeking to return to distribution, and was discrediting New World to potential investors  They said Corman bypassed New World for some of his films, such as Columbia's Hardbodies (1984)  Corman argued "My whole point in selling was to free myself of the burden of running the company and to get guaranteed distribution  If I can't get my guaranteed distribution, I'm forced to go back to running the company "

Concorde Pictures
The case with New World settled out of court  In March 1985 Corman announced he would establish a new distribution "cooperative", Concorde Pictures, where producers could get relatively cheap distribution from Concorde in exchange for contributing to the company's overhead  Their first releases were Corman productions School Spirit, Wheels of Fire and Barbarian Queen  Concorde later merged with a low budget production company, Cinema Group, and announced plans to make 15-20 films a year Early Concorde releases include Loose Screws (1985), a sequel to Screwballs;  Streetwalkin' (1985), a more serious drama directed by Joan Freeman; Cocaine Wars (1986), the first in a series of movies Corman would finance in South America; Hour of the Assassin (1987), shot in Peru and the first film directed by Luis Llosa; and Munchies (1987), a spoof of Gremlins directed by Tina Hirsch 
Corman also remade Not of this Earth (1988) and released Big Bad Mama II (1987), and Transylvania Twist (1989); all three were directed by Jim Wynorski  He produced another version of Masque of the Red Death (1989), directed by Larry Brand 
He produced Sweet Revenge (1987), Slumber Party Massacre II (1988), directed by Deborah Brock, Andy Colby's Incredible Adventure (1988), also directed by Brock, and The Terror Within (1989), directed by Thierry Notz 
Corman financed the early directorial efforts of Carl Franklin (Nowhere to Run (1989)), Vargas Llosa and Katt Shea (Stripped to Kill (1988), Stripped to Kill II (1989))  More experimental was Nightfall (1988) 
After Hour of the Assassin, he made a series of films in Peru, including Crime Zone (1989), also directed by Luis Llosa, and Full Fathom Five (1990), directed by Carl Franklin 
Concorde had a big hit with Bloodfist (1989), starring Don "the Dragon" Wilson which cost $1 million and earned over $6 million  Concorde signed Wilson to a long-term contract and he made a number of sequels for the company, including Bloodfist II and Fighting to Win 

Frankenstein Unbound
He returned to directing once more with Frankenstein Unbound (1990) 

Concorde and New Horizon in the 1990s
In 1990, Concorde sued MGM for $6 million Concorde's films included Overexposed (1990), The Unborn (1991), and In the Heat of Passion (1992)  They had a big hit with Carnosaur (1993), which led to several sequels  He financed Fire on the Amazon (1991, directed Luis Llosa) which had Sandra Bullock and Craig Sheffer in early roles 
Corman had to deal with the decline of the drive-in market and studio competition through the 1990s, but Concorde-New Horizons still made 15-24 pictures a year  This included a never-released version of The Fantastic Four 

Roger Corman Presents
In 1995 Corman was executive producer on Roger Corman Presents, a special series of 13 movies for Showtime with budgets of around $1 5 million each  "I think the Corman name means action, humor and some titillation," says Mike Elliott, the producer of the series  "It's going to deliver the goods – and it will have a little moral statement in there as well " Corman ended up doing a second season of 11 movies  The films were Bram Stoker's Burial of the Rats, Hellfire, Virtual Seduction, Suspect Device, Unknown Origin, Terminal Virus, Where Evil Lies, Vampirella, Shadow of a Scream, Subliminal Seduction, House of the Damned (a k a  Spectre), The Haunted Sea, Alien Avengers (a k a  Aliens Among Us) and its sequel, Inhumanoid, Sawbones, Not Like Us, and Last Exit to Earth  He created his own comic book franchise, Black Scorpion, which led to a sequel and later a TV series  Corman also executive-produced remakes of The Wasp Woman, Humanoids from the Deep, A Bucket of Blood (a k a  The Death Artist), Piranha and Not of this Earth 

Ireland
Concorde set up operations in Ireland as Concorde Anois, building studios in Connemara, County Galway  He received some support from the Irish government, a decision which became controversial when the content of some Corman productions such as Criminal Affairs was criticized in the press Later Concorde-New Horizons films included Overdrive (1997)  "The genres still hold", said Corman in 1997, "action adventure, the suspense thriller, science fiction and horror  The difference is that they are bigger and better now  "Corman also produced the film Moving Target which was filmed in County Galway  It was his last film produced with Concorde-New Horizons 

Roger Corman's Cosmic Comics
Corman operated a short-lived comic book imprint in 1995–1996 called Roger Corman's Cosmic Comics  It produced comics based on his films, written and drawn in a similar no-hold-barred style  Titles included Bram Stoker's Burial of the Rats, Caged Heat 3000, Death Race 2020, Welcome to The Little Shop of Horrors, and Rock & Roll High School — the latter featuring the Melvins (instead of the Ramones)  Notable creators published by Cosmic Comics included Trevor Goring, James Kochalka, Jason Lutes, Pat Mills, Shane Oakley, Jerry Prosser, and J  R  Williams  The longest-running title was Death Race 2020, which lasted eight issues — but was left unfinished when the company closed down 

Later career:  Syfy Channel
He continued to produce creature films, such as Raptor (2001, dir Jim Wynorski)  Dinocroc (2004), which aired on the Syfy cable television channel and was popular enough for two sequels, Supergator and Dinocroc vs  Supergator (2010), as well as a spin-off film, Dinoshark (2010)  Supergator (2007) was turned down by the Syfy channel, but Corman made it anyway 
Corman also continued to make action films: Escape from Afghanistan (2001) was a Russian film, Peshavar Waltz plus some additional footage; The Hunt for Eagle One (2006) and The Hunt for Eagle One: Crash Point (2006) were shot in the Philippines; Roger Corman's Operation Rogue (2014); Fist of the Dragon (2015) 
In 2006 Corman said he made 60% of his films overseas  "These foreign countries are offering subsidies that are so great that not only I but many independent producers are moving overseas", he said  He sold the remake rights of Death Race 2000 to Universal, who made Death Race (2008) with Jason Statham, with Corman credited as executive producer  It led to two direct-to-video prequels and one direct-to-video sequel 
In 2009, Corman produced and directed alongside director Joe Dante the web series "Splatter" for Netflix  The protagonist of the film is portrayed by Corey Feldman, and the story talks of the haunting tale of rock-and-roll legend Johnny Splatter  He also started contributing trailer commentaries to Dante's web series Trailers from Hell  In 2011, Corman cited James Cameron's Avatar (2009) and Christopher Nolan's Inception (2010) as examples of "great imagination and originality" By now, the SyFy channel was Corman's leading market  For them, he made Sharktopus (2010) and Piranhaconda (2012)  Corman produced the 2017 film Death Race 2050, a sequel to the 1975 film Death Race 2000  It was made with Universal, Corman's first film with a major studio in more than two decades 

Personal life
Corman married Julie Halloran in 1970  They have four children  On April 3, 2018, a lawsuit by Corman's sons, Roger Martin Corman and Brian Corman, was filed against Corman to prevent the trade of his film collection  It was settled in 2020  In 2016, Corman also sued a wealth management company about suspected losses of his personal fortune  To date, the result of that dispute has not been disclosed 

Recognition
In 1964, Corman was the youngest producer/director to be given a retrospective at the Cinémathèque Française, as well as retrospectives at the British Film Institute and the Museum of Modern Art 
Corman won the Lifetime Achievement Award at Stockholm International Film Festival in 1990 
Corman was the subject of the 1978 documentary Roger Corman:  Hollywood's Wild Angel, produced and directed by Christian Blackwood  Portions of the film reappeared in 2011's Corman's World 
In 1998, he won the first Producer's Award ever given by the Cannes Film Festival 
In 2006, Corman received the David O  Selznick Award from the Producers Guild of America  Also in 2006, his film Fall of the House of Usher was among the twenty-five movies selected for the National Film Registry, a compilation of significant films being preserved by the Library of Congress 
In 2009, The Academy of Motion Picture Arts and Sciences awarded Corman with an Academy Honorary Award at the inaugural Governors Awards, on November 14, 2009 In 2010, writer and actor Mark Gatiss interviewed Corman for his BBC documentary series A History of Horror, of which the second half of the second episode focuses on Corman In 2010, Corman was inducted into the Beverly Hills High School Hall of Fame 
In 2012, Corman was honored with the Filmmaker on the Edge Award at the Provincetown International Film Festival 
In 2018, he received the "Extraordinary Contribution to Film" award at the Austin Film Festival 

Archive
Film elements and prints for many movies directed, produced, and/or distributed by Corman are held at the Academy Film Archive as part of the New Horizons Collection  The Academy Film Archive restored Corman's film The Masque of the Red Death in 2019 

"The Corman Film School"
A number of noted filmmakers (including directors, producers, writers, and cinematographers) have worked with Corman, usually early in their careers, including Francis Ford Coppola, Martin Scorsese, Ron Howard, Polly Platt, Peter Bogdanovich, Declan O'Brien, Armondo Linus Acosta, Paul Bartel, Jonathan Demme, Donald G  Jackson, Gale Anne Hurd, Carl Colpaert, Joe Dante, James Cameron, John Sayles, Monte Hellman, Carl Franklin, George Armitage, Jonathan Kaplan, George Hickenlooper, Curtis Hanson, Jack Hill, Robert Towne, Menahem Golan, James Horner, and Timur Bekmambetov  Many have said that Corman's influence taught them some of the ins and outs of filmmaking  In the extras for the DVD of The Terminator, director James Cameron asserts, "I trained at the Roger Corman Film School " The British director Nicolas Roeg served as the cinematographer on The Masque of the Red Death  Cameron, Coppola, Demme, Hanson, Howard and Scorsese have all gone on to win Academy Awards  Howard was reportedly told by Corman, "If you do a good job on this film, you'll never have to work for me again "
Actors who obtained their career breaks working for Corman include Jack Nicholson, Peter Fonda, Bruce Dern, Charles Bronson, Todd Field Michael McDonald, Dennis Hopper, Tommy Lee Jones, Talia Shire, Sandra Bullock, Robert De Niro, and David Carradine, who received one of his first starring film roles in the Corman-produced Boxcar Bertha (1972) and went on to star in Death Race 2000 (along with Sylvester Stallone) 
Many of Corman's protegés have paid their mentor homage by awarding him cameos in films, such as in The Godfather Part II, The Silence of the Lambs, Apollo 13, and as recently as Demme's 2008 film Rachel Getting Married 

Filmography
The IMDb credits Corman with 55 directed films and some 385 produced films from 1954 through 2008, many as uncredited producer or executive producer (consistent with his role as head of his own New World Pictures from 1970 through 1983)  Corman also has significant credits as writer and actor 
 Roger Corman's Cult Classics 
In 2010, Roger Corman teamed up New Horizons Pictures with Shout! Factory to release new DVD and Blu-ray editions of Corman productions under the name Roger Corman's Cult Classics  The releases have concentrated on 1970–1980s films he produced through New World rather than directed  These titles include Rock 'n' Roll High School, Death Race 2000, Galaxy of Terror, Forbidden World and Piranha, with additional titles continuing to be released 

Books
Corman, Roger; Jerome, Jim (1990)  How I Made a Hundred Movies in Hollywood and Never Lost a Dime  Random House  ISBN 978-0-394-56974-1  OCLC 840687965 
His autobiography documents his experiences in the film industry
Passage 6:
The House of the Seven Hawks
The House of the Seven Hawks is a 1959 British mystery film directed by Richard Thorpe and starring Robert Taylor, Nicole Maurey and Linda Christian  It was the final film by Robert Taylor under his twenty five-year contract with MGM  The film follows an American captain searching for sunken treasure who becomes entangled with criminals and is arrested by the Dutch police  It is based on the Victor Canning novel The House of the Seven Flies, published in 1952 

Plot
Story of an American skipper who becomes entangled with the Dutch police and international crooks over sunken treasure but survives and finds romance 

Cast
Robert Taylor as John Nordley
Nicole Maurey as Constanta Sluiter
Linda Christian as Elsa
Donald Wolfit as Inspector Van Der Stoor
David Kossoff as Wilhelm Dekker
Eric Pohlmann as Captain Rohner
Philo Hauser as Charlie Ponz
Gerard Heinz as Inspector Sluiter
Paul Hardtmuth as Beukleman
Lily Kann as Gerta
Richard Shaw as Police Sgt  Straatman
André van Gyseghem as Hotel Clerk
Leslie Weston as Tulper
Guy Deghy as Desk Lieutenant
Peter Welch as Gannett
Peter Lannagan as Peter

Critical reception
In a contemporary review, The New York Times called the film "an unpretentious but satisfying entertainment"; whereas more recently, the Radio Times called it a "bland B-movie "

Box office
According to MGM records, the film earned $415,000 in the U S  and Canada and $650,000 elsewhere, resulting in a loss of $20,000 

See also
List of British films of 1959
Passage 7:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 8:
Rumbi Katedza
Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974 

Early life and education
She did her Primary and Secondary Education in Harare, Zimbabwe  Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995  In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film  She also holds a MA in Filmmaking from Goldsmiths College, London University 

Work and filmography
Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows  From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe)  From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival  Whilst there, she produced the Postcards from Zimbabwe Series  In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely

Tariro (2008);
Big House, Small House (2009);
The Axe and the Tree (2011);
The Team (2011)
Playing Warriors (2012)Her early works include:

Danai (2002);
Postcards from Zimbabwe (2006);
Trapped (2006 – Rumbi Katedza, Marcus Korhonen);
Asylum (2007);
Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts  She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe  She has also lobbied Zimbabwean government to actively support the film industry 
Passage 9:
Richard Thorpe
Richard Thorpe (born Rollo Smolt Thorpe; February 24, 1896 – May 1, 1991) was an American film director best known for his long career at Metro-Goldwyn-Mayer 

Biography
Born Rollo Smolt Thorpe in Hutchinson, Kansas, Richard Thorpe began his entertainment career performing in vaudeville and onstage  In 1921 he began in motion pictures as an actor and directed his first silent film in 1923  He went on to direct more than one hundred and eighty films  He worked frequently at the Poverty Row studio Chesterfield Pictures during the 1930s  The first full-length motion picture he directed for MGM was Last of the Pagans (1935) starring Ray Mala  
At MGM, he teamed up with producer Pandro S  Berman in the 1950s, with whom he made several films, including Ivanhoe (1952), The Prisoner of Zenda (1952), Knights of the Round Table (1953), All the Brothers Were Valiant (1953) and The Adventures of Quentin Durward (1955) 
After directing The Last Challenge in 1967, he retired from the film industry 
His two favorite films were Night Must Fall (1937) and Two Girls and a Sailor (1944) 

Wizard of Oz
Thorpe is also known as the original director of The Wizard of Oz  He was fired after two weeks of shooting because it was felt that his scenes did not have the right air of fantasy about them  Thorpe notoriously gave Judy Garland a blonde wig and cutesy "baby-doll" makeup that made her look like a girl in her late teens rather than an innocent Kansas farm girl of about 13  Both makeup and wig were discarded at the suggestion of George Cukor, who was brought in temporarily  Stills from Thorpe's work on the film survive today  Further, it is understood that bits of his filmed footage of Toto escaping from the Wicked Witch's castle are featured in the film, albeit uncredited 
For his contribution to the motion picture industry, Thorpe has a star on the Hollywood Walk of Fame at 6101 Hollywood Blvd  In 2003 a Golden Palm Star on the Palm Springs Walk of Stars in Palm Springs, California was dedicated to him and his son Jerry He died in Palm Springs, California on May 1, 1991 

Selected filmography
As director
Passage 10:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 
Context 3: 
She has also written musical theatre pieces   'I Sing of a Maiden', co-written with Rachel Trezise, was an exploration of folk song and young motherhood in the Welsh valleys (2008)  The second, 'Dr Freud's Cabaret', with Anthony Reynolds, featured songs in the voices of Freud's early patients, including The Wolf Man, The Rat Man, Anna O, and Dora 
In 2013, her first crime novel, 'The House on the Cliff', under the name Charlotte Williams, was published by Macmillan  The second, Black Valley, was published in August 2014  These novels have been published in translation in the US (HarperCollins) Holland (Ambo Anthos) and Germany (Lyx Verlag) 

Discography
Albums

Night Visiting Songs (1998)
Down in the Valley (2000)
At Llangennith (2001)
Winter Woods (2003)
Quite Silent (2005)
Dr Freud's Cabaret (2014)Anthologies

The Executioner's Last Songs (2003)
A Woman's Voice (2004)
 Migrating Bird  (2007)
John Barleycorn Reborn (2007)
James Yorkston:When the Haar Rolls in Covers Disc (2008)
Crow Club: Various Artists  (2009)
 Like the Sun Feeds From Flowers  (with Anthony Reynolds) (2010)

Bibliography
Fiction

A Girl's Guide to Modern European Philosophy (2007)
The House on the Cliff (2013)
Black Valley (2014)Non-fiction

Will You Still Love Me Tomorrow (1989)
Icons of Black Music (1999)Plays

 I Sing of a Maiden (with Rachel Trezise) (2008)
 The Confessions  (2009)
 Against the Grain  (2010)
 Dr Freud's Cabaret  (with Anthony Reynolds) (2010)
 Well, He Would, Wouldn't He  (with Mandy Rice Davies) (2013)
Passage 5:
Aleksey Greig
Aleksey Samuilovich Greig (Russian: Алексе́й Самуи́лович Грейг) (6 September 1775 – 18 January 1845), born into the noble Greig family, was an admiral of the Imperial Russian Navy  Born in Kronstadt, he was the son of Admiral Samuel Greig (1735–1788, then Governor of Kronstadt), brother-in-law of Mary Somerville, and father of General Samuil Greig (1827–1887), Russian Minister of Finance 
He studied at the Royal High School, Edinburgh under the Rector Alexander Adam from 1783 to 1785, and then served as a volunteer on board HMS Culloden, under Captain Thomas Troubridge 
Greig started his career in the British Royal Navy, serving in East India and Europe from 1785 to 1796  He returned to Russia to take part in the Mediterranean expeditions against France from 1798–1800  Under the command of Admiral Dmitry Senyavin, he distinguished himself in 1807 in the Battle of Athos and the Battle of the Dardanelles, which resulted in the Russian occupation of Lemnos and Tenedos  At the close of the Napoleonic Wars he was placed in command of the sea blockade of Danzig during the 1813 siege of Danzig 
Greig was not the only Russian officer of Scottish descent  While still a captain, he and another Scotsman, Captain Brown, were involved in some trouble due to the wreck of the Imperial frigate Archangel in 1797  In the following year, in the squadron off the Texel, he commanded the 64-gun Retvizan; and Captain Robert Crown, said to be a Scot, had the 74-gun Utislaw In 1801 Greig was banished to Siberia for a time, in consequence of boldly remonstrating with the Emperor Paul for his severity to some British naval prisoners In 1816 Greig became Commander of the Black Sea Fleet, a post which he kept for 17 years  At the same time, he served as Military Governor of Sevastopol and Nikolayev, introducing many reforms and improvements that the grateful citizens of Nikolayev would later erect a statue to his memory in 1873 
During the Russo-Turkish War of 1828–29, Greig's bold leadership made itself felt at the Sieges of Varna and Anapa  He was in full command of the Russian fleet, which he had brought from Sevastopol: forty vessels, eight being of the line, acting in conjunction with the troops under Prince Menshikov for three months by sea and land  During these operations the Emperor Nicholas I of Russia was his guest on board the Parizh,
which had the Diplomatic Chancery and 1,300 persons under her flag In 1833 Greig was recalled to Saint Petersburg, where the Emperor Nicholas appointed him a member of the State Council of Imperial Russia and asked him to superintend the construction of the Pulkovo Observatory 
An atoll in French Polynesia Niau is named Greig after Aleksey Greig  It was named in his honor by the Russian Admiral Fabian Gottlieb von Bellingshausen in 1820 

Family
Aleksey Greig married Julia Stalinskaya, who was Jewish  This created social problems for them, when the family moved to St Petersburg 
They had five children, and their sons all served in the navy, achieving prominence 
Greig's grandfather Charles was an emigrant from Scotland  His father Samuil was an admiral in the Russian Imperial Navy 

Notes
Passage 6:
Obata Toramori
Obata Toramori (小畠虎盛, 1491 – July 14, 1561) was Japanese samurai warrior of the Sengoku Period  He is known as one of the "Twenty-Four Generals of Takeda Shingen" 
He also recorded as having been wounded 41 times in 36 encounters  
He was the father of Obata Masamori 

See also
Isao Obata
Passage 7:
Geordie Greig
George Carron Greig (born 16 December 1960), known as Geordie Greig, is an English journalist, the editor-in-chief of The Independent since January 2023, and the former editor of the Daily Mail 

Early life and career
Born 16 December 1960 in Lambeth, London, Greig is the son of Sir Carron Greig and Monica Stourton, granddaughter of the 24th Lord Mowbray, Segrave and Stourton  Members of his father's family have been royal courtiers for three generations — including his twin sister Laura, who was a lady-in-waiting to Diana, Princess of Wales  He attended Eton College and St Peter's College, Oxford Greig began his career as a reporter for the South East London and Kentish Mercury newspaper, before joining the Daily Mail and then Sunday Today  He moved to The Sunday Times in 1987, becoming arts correspondent in 1989 and then its American correspondent based in New York in 1991  Greig returned to London in 1995 to become The Sunday Times literary editor and was then appointed editor of Tatler magazine in 1999 

Newspaper editor
He was appointed editor of the Evening Standard in February 2009  During his time as editor the Dispossessed Campaign was launched tackling poverty, illiteracy and unemployment  The campaign led to a Dispossessed Fund which has raised over £9 million for grassroots groups addressing poverty and has helped more than 100,000 people, including the homeless and unemployed 
In 2010 he was appointed editorial director of The Independent, The Independent on Sunday and i (Independent Print Ltd) and the Evening Standard 
In March 2012, Greig became editor of The Mail on Sunday while remaining a director of Independent Print Ltd and the Evening Standard 
He succeeded Paul Dacre as editor of the Daily Mail in September 2018  The Daily Mail's profits were reported as stable in 2019  In June 2020, The Guardian reported that the Daily Mail had surpassed The Sun as the UK's best-selling paper that May His tenure as editor of the Daily Mail came to an end on 17 November 2021  He became consultant editor On 4 January 2023, The Independent announced that he was rejoining the digital news outlet as editor-in-chief 

Other interests
Greig wrote the foreword for the Forward Book of Poetry (1999)  His 2011 book, The Kingmaker is about his grandfather, Louis Greig, who became mentor, physician and friend to Prince Albert, the future King George VI Greig has also written about the life of Lucian Freud in his book Breakfast with Lucian: A Portrait of the Artist published in 2013  }}

Personal life
On 25 November 1995 he married Kathryn Terry, who is originally from Texas; the couple have three children, a son and two daughters  Greig and his family live in Notting Hill, London 
Passage 8:
Cleomenes II
Cleomenes II (Greek: Κλεομένης; died 309 BC) was king of Sparta from 370 to 309 BC  He was the second son of Cleombrotus I, and grandfather of Areus I, who succeeded him  Although he reigned for more than 60 years, his life is completely unknown, apart from a victory at the Pythian Games in 336 BC  Several theories have been suggested by modern historians to explain such inactivity, but none has gained consensus 

Life and reign
Cleomenes was the second son of king Cleombrotus I (r  380–371), who belonged to the Agiad dynasty, one of the two royal families of Sparta (the other being the Eurypontids)  Cleombrotus died fighting Thebes at the famous Battle of Leuctra in 371  His eldest son Agesipolis II succeeded him, but he died soon after in 370



ground_truth: The House Of The Seven Hawks

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the place of birth of Aleksey Greig's father?

The following are given passages.
Context 3:  Cleomenes' reign was instead exceptionally long, lasting 60 years and 10 months according to Diodorus of Sicily, a historian of the 1st century BC  In a second statement, Diodorus nevertheless tells that Cleomenes II reigned 34 years, but he confused him with his namesake Cleomenes I (r  524–490) 

Despite the outstanding length of his reign, very little can be said about Cleomenes  He has been described by modern historians as a "nonentity"  Perhaps that the apparent weakness of Cleomenes inspired the negative opinion of the hereditary kingship at Sparta expressed by Aristotle in his Politics (written between 336 and 322)  However, Cleomenes may have focused on internal politics within Sparta, because military duties were apparently given to the Eurypontid Agesilaus II (r  400–c 360), Archidamus III (r  360–338), and Agis III (r  338–331)  As the Spartans notably kept their policies secret from foreign eyes, it would explain the silence of ancient sources on Cleomenes  Another explanation is that his duties were assumed by his elder son Acrotatus, described as a military leader by Diodorus, who mentions him in the aftermath of the Battle of Megalopolis in 331, and again in 315 Cleomenes' only known deed was his chariot race victory at the Pythian Games in Delphi in 336  In the following autumn, he gave the small sum of 510 drachmas for the reconstruction of the Temple of Apollo at Delphi, which had been destroyed by an earthquake in 373  Cleomenes might have made this gift as a pretext to go to Delphi and engage in informal diplomacy with other Greek states, possibly to discuss the consequences of the recent assassination of the Macedonian king Philip II One short witticism of Cleomenes regarding cockfighting is preserved in the Moralia, written by the philosopher Plutarch in the early 2nd century AD:
Somebody promised to give to Cleomenes cocks that would die fighting, but he retorted, "No, don't, but give me those that kill fighting "
As Acrotatus died before Cleomenes, the latter's grandson Areus I succeeded him while still very young, so Cleomenes' second son Cleonymus acted as regent until Areus' majority  Some modern scholars also give Cleomenes a daughter named Archidamia, who played an important role during Pyrrhus' invasion of the Peloponnese, but the age difference makes it unlikely 
Passage 9:
Samuel Greig
Vice-Admiral Samuel Greig, or Samuil Karlovich Greig (Russian: Самуи́л Ка́рлович Грейг), as he was known in Russia (30 November 1735, Inverkeithing, Fife, Scotland – 26 October 1788, Tallinn, Estonia, Russian Empire) was a Scottish-born Russian admiral who distinguished himself in the Battle of Chesma (1770) and the Battle of Hogland (1788)  His son Alexey Greig also made a spectacular career in the Imperial Russian Navy 

Early life
He was born on 30 November 1735 in the burgh of Inverkeithing in Fife  Initially he was a seaman who worked on his father's ships before entering the Royal Navy before 1758 as a Master's mate  He was present at naval engagements at the Capture of Gorée (1758), the Battle of Quiberon Bay (1759) and the Battle of Havana (1762)   He was promoted to acting lieutenant in 1761 but the Royal Navy took several years to confirm this rank The court of Russia having requested the government of Great Britain to send out some British naval officers of skill to improve the marine of that country, Lieutenant Greig was selected as one  His superior abilities there  soon attracted the notice of the Russian government, and he was speedily promoted to the rank of captain 

Family
Samuel Greig married Sarah (1752–1793), daughter of Alexander Cook  Their union would give rise to children and grandchildren who later married into the Russian and German nobility 
He was father to Alexey Greig, admiral of the Imperial Russian Navy, who would go on to have his own spectacular career in the Russian Navy  Alexey Greig would become a privy counsellor and knight of all the Imperial Russian Orders 
Greig was father-in-law to Scottish science writer and polymath, Mary Somerville who was a distant cousin of his  Somerville had married Greig's fourth son, Captain Samuil Samuilovich Greig (1778–1807), who was the Russian Consul in London  They had two sons before Greig died in 1807, one of whom, Woronzow Greig (1805–1865) became a barrister and scientist Another son, Ivan Samuilovich Greig (1776–1802), traveled to China but was never heard of again 
His grandson Samuil Alexeyvich Greig (1827–1887) was the Russian Minister of Finance 1877–80  A general-lieutenant, he took part in the defence of Sebastopol during the Crimea War  He is buried in Smolenskoe Lutheran Cemetery in St  Petersburg 

The Battle of Chesma
When some time after the war broke out between the Russians and the Turks, Captain Greig was sent in 1770 under the command of Count Alexey Orlov and Admiral Grigory Spiridov, with a fleet to the Mediterranean  The Turkish fleet of around 15 ships of the line plus frigates and galleys which they met near Chesma Bay, western Turkey, was much superior to the Russian force of 9 ships of the line and 3 frigates  After a severe and sanguinary but indecisive battle, the Turkish fleet retired during the night close into Chesma Bay, where they were protected by batteries on land  Notwithstanding the formidable position which the enemy had taken up, the Russian admiral determined to pursue, and if possible destroy these by means of his fire-ships 
At one o’clock in the morning Captain Greig bore down upon the enemy with his fire-ships, and succeeded in totally destroying the Turkish fleet  Captain Greig, on this occasion assisted by another British officer, a Lieutenant Drysdale, who acted under him, set the match to the fire ships with his own hands  This perilous duty performed, he and Drysdale leaped overboard and swam to their own boats, under a tremendous fire from the Turks, and at the imminent hazard besides of being destroyed by the explosion of their own fire-ships  Following up this success, the Russian fleet now attacked the town and batteries on shore, and by nine o’clock in the morning there was scarcely a vestige remaining of the town, fortifications, or fleet  For this important service, Captain Greig, who had been appointed commodore on his being placed in command of the fire-ships, was immediately promoted by Count Orlov to the rank of admiral, an appointment which was confirmed by an express from the Empress of Russia 
A peace was soon afterwards concluded between the two powers, but this circumstance did not lessen the importance of Admiral Greig's services to the government by which he was employed  He continued indefatigable in his exertions in improving the Russian fleet, remodeling its code of discipline, and by his example infusing a spirit into every department of its economy, which finally made it one of the most formidable marines in Europe  These important services were fully appreciated by the empress, who rewarded them by promoting Greig to the high rank of admiral of the Russian Empire, and governor of Kronstadt  In 1782 he was elected a Fellow of the Royal Society

The Battle of Hogland
Admiral Greig next distinguished himself against the Swedes, whose fleet he blocked up in port, whilst he himself rode triumphantly in the open seas of the Baltic  Several days after winning the Battle of Hogland, he was attacked by a violent fever, and having been carried to Reval, died on 26 October 1788, on board of his own ship, Rostislav, after a few days' illness, in the 53rd year of his life  As soon as the empress heard of his illness, she, in the utmost anxiety about a life so valuable to herself and her empire, instantly sent for her first physician, Dr Rogerson, and ordered him to proceed immediately to Revel and to do every thing in his power for the admiral's recovery  Dr Rogerson obeyed, but all his skill was unavailing The ceremonial of the admiral's funeral in the Tallinn Cathedral was conducted with the utmost pomp and magnificence  For some days before it took place the body was exposed in state in the hall of the admiralty, and was afterwards conveyed to the grave on a splendid funeral bier drawn by six horses, covered with black cloth, and attended in public procession by an immense concourse of nobility, clergy, and naval and military officers of all ranks; the whole escorted by large bodies of troops, in different divisions; with tolling of bells and firing of cannon from the ramparts and fleet: every thing in short was calculated to express the sorrow of an empire for the loss of one of its most useful men  Catherine, the Empress of Russia, had her architect Giacomo Quarenghi design Greig's tomb 

Honours
In 1864, Greigia is a genus of the botanical family Bromeliaceae is named after him, by Eduard August von Regel (a director of the St Petersburg Botanical Garden) 
Then in 1873, Regel named a species of Tulip after him, Tulipa greigii  Due to Greig once being president of the Russian Horticultural Society 

Family
His eldest son Samuel Greig married Mary Fairfax daughter of Sir William George Fairfax who later married Dr William Somerville and became famous in her own right as Mary Somerville 
Passage 10:
Keiller Greig
John Keiller Greig (12 June 1881 – 1971) was a British figure skater  He was a three-time British national champion and was placed at fourth at the 1908 Olympics 

Competitive highlights



ground_truth: Inverkeithing