prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who was born first, The Longshots or Station For Two?

The following are given passages.
Context 1: Passage 1:
The Longshots
The Longshots is a 2008 American comedy-drama sports film directed by Fred Durst, based on the real life events of Jasmine Plummer, the first girl to participate in the Pop Warner football tournament with the Harvey Colts lead by Head Coach Richard Brown Jr  The film stars Ice Cube and Keke Palmer, their second film together after Barbershop 2: Back in Business, and was released on August 22, 2008 

Plot
Minden, Illinois, is a former factory town with a failing economy and a pathetic football team that no one believes in  Curtis Plummer, a washed-up former football player, returns home broke and directionless until he meets his niece Jasmine, the daughter of his no-good brother Roy  Jasmine has worn her father's watch ever since he left five years ago in the hopes that he will one day return  Her mother Claire asks Curtis to take care of Jasmine after school as she is too busy with her job at the local diner  Curtis realizes Jasmine has a talent for throwing a football, which he nurtures into a passion for the game  He then persuades her to try out for the town's Pop Warner football team, the Minden Browns, because he thinks it would be good for her  The team, including the coach, are against admitting a female player, but Jasmine's abilities gain her a spot on the team  However, the coach deliberately keeps her on the bench  In the fourth game, after much prodding from Curtis, the coach puts Jasmine in the game, and although the Browns lose, everyone said they could have won if she had played from the beginning  Jasmine is then assigned as the starting quarterback and the Minden Browns quickly become a winning team 
Everything is going great until Coach Fisher suffers a heart attack, and the assistant coach asks Curtis to step in as a replacement for the last two games  He hesitates at first, still haunted by his past failures, but is eventually talked into it  The Browns win the two games and are able to go to the Pop Warner Super Bowl in Miami Beach  Roy suddenly shows up to meet them, having seen his daughter play on TV  Claire and Curtis are both unhappy and suspicious about his return, but Jasmine is ecstatic, convinced that Roy finally wants to be a part of her life 
The Browns are nearly forced to skip the Super Bowl due to a lack of money, but are able to raise enough from the town; even Curtis pitches in by donating the last of his life savings  Jasmine plays poorly in the first half when Roy does not show up to watch  Curtis talks her through her feelings and the Browns rally for the second half  They lose the game after a teammate drops the ball on the last play, but everyone is glad nonetheless that for the first time, the Browns made it to the championship  Jasmine finally confronts her deadbeat father and returns his watch, cutting him out of her life for good and accepting Curtis as the father figure she always wanted 

Cast
Production
The film was shot mostly in northwestern Louisiana, with the majority being in the small city of Minden  It was filmed at Minden High School and the Webster Parish Alternative School  The "Super Bowl" was filmed in Shreveport, Louisiana at Calvary Baptist Academy 

Release
The Longshots was released on DVD on December 2, 2008  It opened at #18 at the DVD sales chart, selling 143,000 units for revenue of $2,858,950  By January 2009, 471,000 DVD units had been sold, translating to $11 million in revenue 

Reception
Box office
The Longshots opened on August 22, 2008 and grossed $4,080,687 in its opening week  It flopped at the box office, grossing $11,767,866 worldwide, on a $23 million budget 

Critical reception
The Longshots received mixed reviews  Review aggregation website Rotten Tomatoes gives the film an approval rating of 41% based on 71 reviews, with an average rating of 5 2/10  The site's critical consensus reads, "The Longshots means well, but it's a largely formulaic affair, rarely deviating from the inspirational sports movie playbook " On Metacritic, the film has a weighted average score of 52 out of 100, based on 19 critics, indicating "mixed or average reviews"  Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale 
Ruthe Stein of San Francisco Chronicle opined that Keke Palmer's "winning manner and incandescent smile" made her "a perfect fit" for her role in the film 

See also
List of American football films
Passage 2:
Eldar Ryazanov
Eldar Aleksandrovich Ryazanov (Russian: Эльдар Александрович Рязанов; 18 November 1927 – 30 November 2015) was a Soviet and Russian film director, screenwriter, poet, actor and pedagogue whose popular comedies, satirizing the daily life of the Soviet Union and Russia, are celebrated throughout the former Soviet Union and former Warsaw Pact countries 

Biography
Eldar Aleksandrovich Ryazanov was born in Samara  His father, Aleksandr Semyonovich Ryazanov, was a diplomat who worked in Tehran  His mother, Sofya Mikhailovna (née Shusterman), was of Jewish descent In 1930, the family moved to Moscow, and soon his parents divorced  He was then raised by his mother and her new husband, Lev Mikhailovich Kopp  In 1937 his father was arrested by the Stalinist government and subsequently served 18 years in the correctional labour camps Ryazanov began to create films in the early 1950s  In 1955, Ivan Pyryev, then a major force in the Soviet film industry, suggested to him to begin work on his film Carnival Night  At first, Ryazanov refused, as he wanted to make "serious films", but then was convinced to begin, as Pyryev believed that "anybody could shoot a melodrama, but only a few can create good comedy " He won instant success, and began to release more films 
He was named a People's Artist of the USSR in 1984, and received the USSR State Prize in 1977  He won the Nika Award for Best Director in 1991 for the film Promised Heaven 
Among his most famous films are Carnival Night (1955), Hussar Ballad (1962), Beware of the Car (1966), The Irony of Fate (1975), Office Romance (1977), The Garage (1980), A Railway Station for Two (1982) and A Cruel Romance (1984)  Ryazanov's main genre was tragicomedy 

Illness and death
Ryazanov had an acute ischemic stroke in November 2014  He was admitted to a Moscow hospital on 21 November 2015 due to shortness of breath  He died around midnight on 30 November 2015, of heart and lung failure, at the age of 88 

Legacy
Ryazanov was one of the most successful film directors of the Soviet Union, and his films are still well-known in the post-USSR landscape  The Irony of Fate is still aired every December 31 in most post-USSR countries, except for Ukraine since the 2014 Revolution of Dignity  A street in Moscow was named after him in 2017, and a museum and memorial dedicated to his memory was opened on the site of his childhood home in Samara 

Honours and awards
Order "For Merit to the Fatherland";
2nd class (3 July 2008) – for outstanding contribution to the development of national cinema and many years of creative activity
3rd class (20 June 1996) – for services to the state, an outstanding contribution to the development of national cinema and culture
Order of the Red Banner of Labour, twice (1969, 1977)
Order of Friendship of Peoples (1987)
Order of the "Key of Friendship" (Kemerovo Region, 2007)
Commander of the Order of Arts and Letters (France)
Commander of the Order of Honour (Georgia) (2008)
People's Artist of the RSFSR (1974)
People's Artist of the USSR (1984)
USSR State Prize (1977) (for the film "Irony of Fate, or Enjoy Your Bath!")
Vasilyev Brothers State Prize of the RSFSR (1979) (for the film "Office Romance")
Winner of the All-Union Film Festival in the "First Prize among the comedies" for 1958
Winner of the All-Union Film Festival in the "Special Award" for 1983
Nika awards;
Best Director (1991)
Best Fiction Film (1991)
Honour and dignity (2006)
Winner of Tsarskoye Selo Art Prize (2005)
The asteroid 4258 Ryazanov is named after him 

Filmography
1950 They are Studying in Moscow (Russian: Они учатся в Москве), documentary – author (in co-operation with Zoya Fomina)
1951 The Way Named October (Дорога имени Октября), documentary – director (in co-operation with Liya Derbysheva)
1952 On the World Chess  Championship (На первенство мира по шахматам), documentary – director
1953 Your Books (Твои книжки), documentary – director (in co-operation with Zoya Fomina)
1953 Near Krasnodar (Недалеко от Краснодара), documentary – director
1954 Island of Sakhalin (Остров Сахалин), documentary – director (in co-operation with Vasily Katanyan)
1955 Spring Voices (Весенние голоса), documentary – second director
1956 Carnival Night (Карнавальная ночь) – director
1957 The Girl Without Address (Девушка без адреса) – director
1961 How Robinson Was Created (Как создавался Робинзон) – director
1961 The Man from Nowhere (Человек ниоткуда) – director
1962 Hussar Ballad (Гусарская баллада) – director / screenwriter
1965 Give me a complaints book (Дайте жалобную книгу) – director / actor: chief editor
1966 Beware of the Car (Берегись автомобиля) – director / screenwriter
1968 Zigzag of Success (Зигзаг удачи) – sirector / screenwriter
1971 Grandads-Robbers (Старики-разбойники) – sirector / screenwriter / actor: the passer-by
1974 Unbelievable Adventures of Italians in Russia (Невероятные приключения итальянцев в России) – director / screenwriter / actor: doctor
1975 The Irony of Fate (Ирония судьбы или с легким паром!) – director / screenwriter / actor: airplane passenger
1977 Office Romance (Служебный роман) – director / screenwriter / actor: bus passenger
1979 The Garage (Гараж) – director / screenwriter / actor: sleeping Man
1981 Say a Word for the Poor Hussar (О бедном гусаре замолвите слово) – director / screenwriter / actor: confectioner
1982 Station for Two (Вокзал для двоих) – director / screenwriter / actor: railroad supervisor
1984 A Cruel Romance (Жестокий романс) – director / screenwriter
1987 Forgotten Melody for a Flute (Забытая мелодия для флейты) – director / screenwriter / actor: astronomer
1988 Dear Yelena Sergeyevna (Дорогая Елена Сергеевна) – director / screenwriter / actor: neighbour
1991 Promised Heaven (Небеса обетованные) – director / screenwriter / actor: man in diner
1993 Prediction (Предсказание) – director / screenwriter
1996 Hello, Fools! (Привет, дуралеи!) – director / screenwriter / actor: manager of the bookshop
2000 Old Hags (Старые клячи) – director / screenwriter / actor: judge
2000 Still Waters (Тихие омуты) – Director / Screenwriter / Actor: Radiologist / Producer
2003 The Key of Bedroom (Ключи от спальни) – director / screenwriter / actor: police constable / producer
2006 Carnival Night 2 (TV) – director / actor (сameo appearance)
2006 Andersen  Life Without Love – director / screenwriter (with Irakly Kvirikadze) / actor: mortician / producer
2007 The Irony of Fate 2 – actor (сameo appearance)
Passage 3:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 4:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 5:
Rumbi Katedza
Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974 

Early life and education
She did her Primary and Secondary Education in Harare, Zimbabwe  Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995  In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film  She also holds a MA in Filmmaking from Goldsmiths College, London University 

Work and filmography
Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows  From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe)  From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival  Whilst there, she produced the Postcards from Zimbabwe Series  In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely

Tariro (2008);
Big House, Small House (2009);
The Axe and the Tree (2011);
The Team (2011)
Playing Warriors (2012)Her early works include:

Danai (2002);
Postcards from Zimbabwe (2006);
Trapped (2006 – Rumbi Katedza, Marcus Korhonen);
Asylum (2007);
Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts  She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe  She has also lobbied Zimbabwean government to actively support the film industry 
Passage 6:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 7:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 
Passage 8:
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957 

Surrey cricketer
McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29  In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6 3 overs for seven runs  This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later  In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth  In the 1948 season as a whole, he took 91 wickets at an average of 28 07  As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4 22 The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career  Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets  In 1951, he played just seven times and in 1952 only three times  In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12 38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21 53  At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries 

Somerset cricketer
Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service  McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly 
McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said  McMahon took 85 wickets at an average of 27 47 (Hilton took only 42 at a higher average)  His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career  He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table 
The figures for the 1955 were similar: McMahon this time took 75 wickets at 28 77 apiece  There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9 03  This included his highest-ever score, 24, made in the match against Sussex at Frome  A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin"  These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support  McMahon responded with his most successful season so far, taking 103 wickets at an average of 25 57, the only season in his career in which he exceeded 100 wickets  The bowling average improved still further in 1957 to 23 10 when McMahon took 86 wickets  But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival  Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial" 

Sacked by Somerset
The reason behind McMahon's sacking did not become public knowledge for many years  In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality"  It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again"  As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw  But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season  Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved 
After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines 


== Notes and references ==
Passage 9:
Station for Two
Station for Two  (Russian: Вокзал для двоих, romanized: Vokzal dlya dvoikh) is a 1983 Soviet romantic comedy directed by Eldar Ryazanov  The film became the Soviet box office leader of 1983 with a total of 35 8 million ticket sales  It was entered into the 1983 Cannes Film Festival 

Plot summary
There are three main heroes in this movie: Vera, a waitress; Platon, a pianist; and     a train station where these two people met  The differences in the heroes' characters and professions, the plight that Platon found himself in (he is to be arrested and undergo trial) trigger a host of both amusing and sad situations which serve as a backdrop for their unfolding love  Platon is innocent of the crime he is accused of  He simply took the blame for his wife's driving over a pedestrian  But this is known only to Platon's wife and Vera in whom he confided  However, after the verdict has been passed, Platon's life is of no interest to his wife, although Vera is ready to wait for his release 

Ideas for the filming
The script (the beginning and the end of the movie) is based on two real stories from the life of well-known people – the composer Mikael Tariverdiev and the poet Yaroslav Smelyakov 
The idea was given to the authors by Tariverdiyev  During the trip on his car, he took the passenger's seat and had one of the famous actresses drive his car  Unfortunately, it ended tragically  They had an accident and a pedestrian died  The composer decided to take the blame on himself to save the woman  There was a very long legal process that lasted about two years  Mikael was found guilty, but he was saved by amnesty  However, the affair with that woman did not last long 
The second story, which happened with the poet Smelyakov, was used in the ending of the film  He was arrested in the early 1950s and was sent to the Arctic Circle  In 1953, he was given a day off to meet his friends  The next morning after the feast friends woke up late and overslept the roll-call  Delay for the roll-call was equated with the escape  So, Smelyakov and his friends had to run a few kilometers along the snow-covered tundra to the camp  Towards the end of the road, his friends had to drag him up to the very gates of the camp, as he was too tired 

Cast
Lyudmila Gurchenko as Vera Nikolayevna Nefyodova, waitress
Oleg Basilashvili as Platon Sergeyevich Ryabinin, pianist
Nikita Mikhalkov as Andrey, conductor
Nonna Mordyukova as "Uncle Misha", a speculator
Mikhail Kononov as  Nikolasha, militiaman
Anastasia Voznesenskaya as Yuliya, on duty at the hotel
Aleksandr Shirvindt as Shurik,  pianist
Tatyana Dogileva as Marina, on duty at the hotel
Olga Volkova as Violetta, waitress
Raisa Etush as Lyuda, waitress
Viktor Bortsov as drunken visitor restaurant
Anatoli Skoryakin as commandant
Stanislav Sadalsky as drunk man with a carburetor
Alla Budnitskaya as Masha, Platon's wife
Eldar Ryazanov as Railroad Supervisor
Passage 10:
Fred Durst
William Frederick Durst (born Frederick Allen Mayne III; August 20, 1970) is an American rapper, singer, songwriter, actor and director  He is the frontman and lyricist of the nu metal band Limp Bizkit, formed in 1994, with whom he has released nine studio albums 
Since 2006, Durst has worked on a number of independent films  He co-starred in Population 436, and made his directorial debut in 2007 with The Education of Charlie Banks  He followed with The Longshots in 2008  His latest film, The Fanatic, came out in 2019  He appears as a super secret playable character in the video games Fight Club, WWF Raw, and WWF SmackDown! Just Bring It 

Early life
Durst was born Frederick Allen Mayne III in Jacksonville, Florida, but soon moved to Orlando and then a farm in Cherryville, North Carolina at one year old  His mother had him rechristened as William Frederick Durst after remarrying Bill Durst, a local police officer  Shortly after, Durst's parents had another child, his half-brother Cory Durst  In the fifth grade, he moved to Gastonia, North Carolina, where he graduated from Hunter Huss High School  As a child, Durst was bullied, which he incorporated into his music  At the age of 12, Durst took an interest in breakdancing, hip hop, punk rock, and heavy metal  He began to rap, skate, beatbox, and DJ  After being discharged from the Navy after two years (1988-1990), Durst moved back to Jacksonville in 1993, briefly living with his father and working multiple jobs as a landscaper, pizza delivery driver, and tattoo artist while developing an idea for a band that combined elements of rock and hip-hop 

Career
Formation of Limp Bizkit (1994–1998)
In 1994, Durst, Malachi Sage, bassist Sam Rivers, and Rivers' cousin John Otto jammed together and wrote three songs  Guitarist Wes Borland later joined  Durst named the band Limp Bizkit because he wanted a name that would repel listeners  Limp Bizkit developed a cult following in the underground music scene when its covers of George Michael's "Faith" and Paula Abdul's "Straight Up" began to attract curious concertgoers Later, when Korn performed in town as the opening act for Sick of It All, Durst invited Korn to his house  He was able to persuade bassist Reginald Arvizu to listen to demos of the songs "Pollution", "Counterfeit", and "Stalemate"  Korn added a then-unsigned Limp Bizkit to two tours, which gave the band a new audience  DJ Lethal, formerly of the hip hop group House of Pain, joined the band as a turntablist; Durst's disagreements with Borland led the guitarist to quit and rejoin the band In 1997, Limp Bizkit signed with Flip Records, a subsidiary of Interscope Records, and released their debut album, Three Dollar Bill, Y'all to moderate response  On October 23, 1997, Durst met the band Staind, but friction quickly emerged between the two over the cover art of Staind's album  Durst unsuccessfully attempted to remove Staind from a concert bill shortly before their performance, but after hearing the band play, he was so impressed that he signed them to Flip/Elektra, recorded a demo with the band, and co-produced their next album, Dysfunction After Limp Bizkit finished a tour with the band Deftones, Durst and DJ Lethal were asked by Max Cavalera, formerly of the band Sepultura, to appear on "Bleed", a song from the self-titled debut of his new band Soulfly  Cavalera stated that producer Ross Robinson recommended that he work with Durst  Durst also made an appearance on Korn's album Follow the Leader  Jonathan Davis had intended to write a battle rap with B-Real of Cypress Hill, but the latter's label wouldn't let him do it, and Durst was tapped instead  Davis and Durst wrote the lyrics for "All in the Family", which featured the two vocalists trading insults  Davis and Durst would often offer suggestions for each other's lyrics; a lyric written by Durst as "tootin' on your bagpipe" was changed to "fagpipes" by Davis, who stated "I helped him bag on me better" Durst began to take an interest in filmmaking, directing the music video for Limp Bizkit's single "Faith" in promotion for its appearance in the film Very Bad Things; he was unsatisfied with it and made a second video which paid tribute to tour mates Primus, Deftones and Mötley Crüe, who appeared in the video 

Mainstream success (1998–2005)
Limp Bizkit achieved mainstream success with the albums Significant Other (1999) and Chocolate Starfish and the Hot Dog Flavored Water (2000)  In June 1999, Durst was appointed Senior Vice President of A&R at Interscope  Durst utilized his connections through the label and scouted numerous bands; landing record deals for Cold, Staind, Puddle of Mudd, and She Wants Revenge  Durst would also aid in attracting other bands such as 30 Seconds to Mars and Taproot, though Durst would pass on 30 Seconds to Mars, and he later engaged in a minor feud with Taproot after they rejected his original offer to sign the group to interscope in 1999 In the summer of 1999, Limp Bizkit played at the highly anticipated Woodstock '99 festival in front of approximately 200,000 people  The concert was tarnished by violent behavior from the crowd, much of which occurred during and after their performance, including fans tearing plywood from the walls during the song "Break Stuff"  Several sexual assaults were reported in the aftermath of the concert  Durst stated during the concert, "People are getting hurt  Don't let anybody get hurt  But I don't think you should mellow out  That's what Alanis Morissette had you motherfuckers do  If someone falls, pick 'em up  We already let the negative energy out  Now we wanna let out the positive energy"  Durst later stated in an interview, "I didn't see anybody getting hurt  You don't see that  When you're looking out on a sea of people and the stage is twenty feet in the air and you're performing, and you're feeling your music, how do they expect us to see something bad going on?" Les Claypool told the San Francisco Examiner, "Woodstock was just Durst being Durst  His attitude is 'no press is bad press', so he brings it on himself  He wallows in it  Still, he's a great guy " "It's easy to point the finger and blame [us], but they hired us for what we do — and all we did is what we do  I would turn the finger and point it back to the people that hired us," said Durst, in reference to original Woodstock co-founder, Michael Lang In June 2000, Limp Bizkit's tour was sponsored by the controversial file sharing service Napster  Durst was an outspoken advocate of file sharing  During the 2000 MTV Video Music Awards, Durst performed Limp Bizkit's song "Livin' It Up", as a duet with Christina Aguilera  In response to the performance, Filter frontman Richard Patrick claimed that "Fred getting onstage with Christina Aguilera embarrassed us all " In response to the negative reactions to the performance, Durst remarked, "People always just wanna talk about Britney or Christina  What's the problem? Because they make a type of music we aren't allowed to like? Or you think they are the nemesis of what our music is about? Why segregate? Why be so musically fuckin' racist? What do you mean, I can't hang out with these types of people? Clearly I didn't give a fuck, which fed a lot of it, too  I mean, someone that's not going to give in and apologise    it's gonna make people carry on talking "During a 2001 tour of Australia at the Big Day Out festival in Sydney, fans rushed the stage in the mosh pit, and teenager Jessica Michalik died of asphyxiation  In Auckland, New Zealand, on the same tour, Durst threw water over the head of a security personnel tasked with defusing a similar situation  During the Big Day Out crush, Durst has been accused of taunting security guards intervening in the situation  In court, Durst, represented by his long-time attorney, Ed McPherson, testified he had warned the concert's organizers Aaron Jackson, Will Pearce and Amar Tailor and promoter Vivian Lees of the potential dangers of such minimal security  After viewing video and hearing witness testimony, the coroner said it was evident that the density of the crowd was dangerous at the time Limp Bizkit took the stage and Durst should have acted more responsibly when the problem became apparent  Durst stated that he was "emotionally scarred" because of the teenager's death In 2002, Durst was tapped to write songs for Britney Spears, and later said that he was in a relationship with her  Spears denied Durst's claims  In a 2009 interview, he explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her " In February 2005, a sex tape featuring Durst was released on the Internet  Durst filed a $70 million lawsuit against ten websites that posted the video In May 2003, it was reported that Durst was working on a New Wave side-project alongside Limp Bizkit's Results May Vary album  The band, named Pacifica, was reportedly in its "very early stages" and had a sound reminiscent of Duran Duran and Soft Cell  News about the band stopped quickly and no releases ever surfaced 
In July 2003, Limp Bizkit participated on the Summer Sanitarium Tour, headlined by Metallica  In the days preceding the tour's stop in Chicago, local radio personality Mancow Muller mocked Durst and suggested that listeners who were attending the concert should heckle the singer and throw debris  With the crowd chanting "fuck Fred Durst" and pelting the stage with garbage, Durst erupted after six songs, threw the microphone down and walked off stage  Durst was eventually sued for breach of contract (for not completing the show) by Chicago lawyer Michael Young in a class-action suit In May 2005, The Unquestionable Truth (Part 1) was released  Sammy Siegler took over drumming duties for the band for much of the album  At Durst's insistence, the album was released as an underground album, without any advertising or promotion  The album sold over 2,000,000 copies worldwide, peaking at number 24 on the Billboard 200  Durst later announced that despite the album's title, no sequel to The Unquestionable Truth would be produced  Later in the year, the band released a Greatest Hitz album Having been bullied while growing up, Durst disliked seeing people "using my music as fuel to torture other people"; feeling that his music was being misinterpreted, he would later cite this as the reason for the band taking a hiatus Durst also said that he created a character for his music, but that he was also misunderstood by the public: "I always knew the guy in the red cap was not me  I'm Dr Frankenstein and that's my creature  Being a breakdancer, a graffiti artist, a tattoo artist and liking rock and hip hop was too much; it was a conscious effort to create Fred Durst and eventually I had to bring that guy out more than I wanted to  It took on a life of its own  I had to check into that character – the gorilla, the thing, the red cap guy  It's a painful transformation, but I do it 'cos that's what I was taught to do when you have people pulling at you" 

Start of film career (2006–2009)
While Limp Bizkit was on hiatus, Durst began working in independent films  In 2006, Durst costarred in the film Population 436  His directorial debut, The Education of Charlie Banks, was released the following year  The film, which starred Jesse Eisenberg, Chris Marquette and Jason Ritter, received mixed reviews; Rotten Tomatoes gave the film a score of 48% based on reviews from 31 critics   The website's consensus stated, "Unevenness and earnestness mire this otherwise sweet, surprising coming of age drama " A second directorial effort, The Longshots, starring Ice Cube and Keke Palmer, was released in 2008  Rotten Tomatoes gave the film a score of 41% based on 71 reviews, with the site's consensus indicating that the film was "a largely formulaic affair, rarely deviating from the inspirational sports movie playbook " The same year, Durst appeared as a bartender in two episodes of the television medical drama House, M D 

Limp Bizkit reunion (2009–present)
In 2009, the original lineup of Limp Bizkit reunited and began touring  Durst announced that they had begun to record a new album, Gold Cobra  The album was released on June 28, 2011, receiving mixed reviews  It peaked at number 16 on the Billboard 200 In 2012, Durst appeared on the Insane Clown Posse cover album Smothered, Covered & Chunked on a cover of AMG's "Bitch Betta Have My Money"  In February 2012, Lil Wayne announced in a radio interview that Limp Bizkit had signed to his label, Cash Money Records, which Durst confirmed on his Twitter page  A few months later Durst was featured alongside Lil Wayne and Birdman on the Kevin Rudolf song "Champions", which peaked in the top 10 on iTunes 
Originally, Durst was to direct and produce the film Pawn Shop Chronicles, starring Paul Walker; but Wayne Kramer was later chosen to direct the film  In 2014, Durst shot three commercials for the website Eharmony, In February 2018, Durst began filming The Fanatic, starring John Travolta 

Personal life
Whilst serving in the Navy, Durst was stationed in Oakland, California where he married his first wife Rachel Tergesen in 1990  The two had a daughter named Adriana Durst, born on June 3, 1990  Durst and Tergesen divorced in 1993 following a domestic disturbance in which the couple engaged in a heated argument  Durst was later arrested and charged with disorderly conduct, receiving fine of $5000 Durst would have a son named Dallas born August 30, 2001 with his ex-girlfriend, actress Jennifer Thayer On July 13, 1999, Durst was arrested for kicking a stage security guard in the head  Durst was released on $50,000 bail and was later fined in exchange for reduced charges In 2007, Durst pled no-contest to seven misdemeanor charges, including battery, assault and reckless driving  According to court documents, Durst hit two Los Angeles residents with his car on October 25, 2006  He was given a 120-day suspended sentence, 20 hours community service and a $1,500 fine In 2009, Durst married Esther Nazarov and split after three months  Durst married his third wife, make-up artist Kseniya Beryazina, in 2012  They filed for divorce in September 2018 and finalized it in 2019  Durst married Arles Durst in 2022 In 2015, Durst stated his interest in obtaining a Russian passport and spending half of the year in Crimea  He wrote a letter in which he stated that Vladimir Putin is "a great guy with clear moral principles and a nice person " Following that, Durst was banned by the Security Service of Ukraine from entering Ukraine for five years "in the interests of guaranteeing the security" of the country During the 2018 California wildfires, Durst's house burned down and he lost a majority of his possessions  His bandmate, Wes Borland, also lost several pieces of equipment in the fire due to their being stored in Durst's home in anticipation of a scheduled recording session Durst is a notable sports fan  He is known to be a fan of the National Football League's Jacksonville Jaguars and Las Vegas Raiders  Durst has shown his support for the NBA's Boston Celtics  Most famously, Durst was remembered for his unique style of regularly wearing a New York Yankees baseball cap backwards 

Feuds
Slipknot
Following Corey Taylor's public distaste for Korn drummer David Silveria's photo campaign for Calvin Klein, Taylor had taken copies of the magazine issues and burned them during multiple Slipknot live performances, culminating in Durst taking offense to the gestures  It was rumored that Durst would later make retaliatory comments towards Slipknot's fans in the spring of 1999, referring to them as "fat, ugly kids"  Durst has denied these comments  Slipknot singer Corey Taylor responded during a February 2000 appearance in Sydney, Australia by claiming that the fans of Slipknot "for the most part, enjoy all kinds of music, like Limp Bizkit… maybe " Taylor went on to claim that insulting fans of Slipknot could also be insulting fans of Limp Bizkit  During an interview with VH1 in October 2000, Durst praised Slipknot's music, expressing his desire to quell the tension between both sides, telling interviewers; "Man this band is super phat, man; we don't even know them  That's their whole thing, that's their chant, that's their thing, that's cool  Maybe all this hate that's going around the world, that's why I said 'It's all the world has even seen lately'"  Despite this; Taylor retorted with praise for Durst's financial ventures but attacked his artistic motives, claiming "Fred Durst is a great businessman, but he is not an artist" The two would find themselves on friendlier terms in 2010, while recording the album Gold Cobra; Durst included a line on the song "90 2 10", giving a shout-out to Taylor  According to Taylor during a live interview in 2011; Durst's children were allegedly fans of Slipknot  Limp Bizkit was later booked on the 2014 Japanese leg of Slipknot's Knotfest tour along with Korn In 2021, after the death of ex-Slipknot drummer Joey Jordison, Limp Bizkit paid tribute to him at one of their shows 

Britney Spears
Durst and Britney Spears were linked to have written numerous songs for her then-upcoming 2003 album In the Zone  At the time Spears was making numerous headlines as reports surfaced of her fractured relationship with former boyfriend Justin Timberlake (with whom Spears had split from in 2002), later linking her with Durst as the two were spotted together on numerous occasions  In response of initial allegations that Spears had engaged in an affair with Durst, Timberlake released the track Cry Me a River in November of 2002, aimed at Spears  In January of 2003, Durst claimed he and Spears were in a relationship stemming from their collaborations on three upcoming tracks for the album  Upon hearing Durst's claims; Spears denied the two were in a relationship but claimed Durst "Was a really Sweet guy", admitting the two still shared a friendly relationship  Out of anger at Spears' denial of the affair; Durst scrapped his three songs for Spears' album and leaked the song "Just Drop Dead" on February 18, 2003 through Limp Bizkit's website  The song depicts Durst's vulgar recounting of their alleged relationship  Durst continued to expose numerous sexual encounters between the two during a later appearance on Howard Stern  During a 2009 interview, Durst explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her " In 2013, Durst later made another derogatory reference aimed at Spears on Limp Bizkit's song Ready to Go 

Taproot & System of a Down
Taproot had been an up-and-coming band from Ann Arbor, Michigan  In 1998 the band sent their demo to Durst who quickly befriended them, often invited them to various press releases in Los Angeles and occasionally bringing them to Limp Bizkit's concerts throughout the region  During this time; Taproot were simultaneously receiving attention from other labels; notably being Arista Records and Atlantic Records  Durst was impressed with the band's material and had initially lined up Taproot to land a record contract through Interscope; however, executives from Interscope proved to be difficult to negotiate with as they wanted the rights to the 3 songs recorded by the band through their demo deal  The band eventually rejected the offer from Interscope and sought to sign with Atlantic Records through their new found friendship with System of a Down  Durst was enraged to eventually discover Taproot had defected to Atlantic, leading him to leave a threatening message on frontman Stephen Richards' mother's answering machine  Durst was later alleged to have personally removed System of a Down from the 1999 Family Values Tour as a retaliatory action, claiming he loved System of a Down but their manager "was a piece of shit who got them kicked off the tour" 

Creed
In June 2000, Limp Bizkit performed at the WXRK Dysfunctional Family Picnic, but showed up an hour late for their set  An Interscope spokesman stated that there was confusion over the band's set time  During the band's performance, Durst criticized Creed singer Scott Stapp, calling him "an egomaniac"  Creed's representatives later presented Durst with an autographed anger management manual during an appearance on Total Request Live 

Placebo
A feud between Limp Bizkit and Placebo began at a show Durst was hosting at Irving Plaza in December 1998  A side stage spat with Placebo singer Brian Molko led to Durst asking the crowd to chant "Placebo sucks!" prior to Placebo's performance  Molko later commented that nobody had told him that Durst would be hosting the show and that Placebo would have to follow opening act Kid Rock  Prior to introducing Staind as a part of K-Rock's Dysfunctional Family Picnic in Holmdel, New Jersey in 1999, Durst once again encouraged the crowd to chant "Fuck Placebo"  The feud was reignited during Big Day Out 2001, on which Placebo were billed below Limp Bizkit  By 2004, the feud had supposedly ended 

Shaggy 2 Dope
On October 6, 2018, Shaggy 2 Dope from hip hop duo Insane Clown Posse attempted to dropkick Durst during a performance of the song "Faith"  DJ Lethal from Limp Bizkit responded on Instagram Live, calling Shaggy a "clout chaser"  According to 2 Dope, who is a pro wrestler with years of experience, he did not intend to cause Durst any harm and the motive for the kick stemmed from a dare he had with a security guard that let him on the stage after Durst announced "I need some people on stage "On February 4, 2022, Shaggy 2 Dope apologized to Durst on Steve-O's Wild Ride podcast for attacking him 4 years back  Durst responded on social media with "No hard feelings at all" 

Trent Reznor & Marilyn Manson
Trent Reznor of Nine Inch Nails was noted by Durst as an influence during several interviews  Displeased  by Durst's statements; Reznor repeatedly attacked Durst and Limp Bizkit to several interviews in response  In a profile for Kerrang!, Reznor mocked Durst saying "It's one thing if you know your place; like, 'Hey, I'm an idiot who plays shitty music but people buy it – fuck it, I'm having fun  But it's another thing when you think you're David Bowie after you've stayed up all night to write a song called 'Break Stuff'  I mean, Fred Durst probably spelt the word 'break' wrong the first couple of times  Fred Durst might be a cool guy; I don't know him  But his 'art' – in the word's loosest sense – sucks " Durst in turn made several references to Nine Inch Nails in the Limp Bizkit song "Hot Dog", leading to Reznor earning a co-writer credit  Reznor said there was no issue, jokingly stating that "When his record was going to print, [Durst] realised 'Fuck, I'd better ask permission first or I might get sued!' I let him do it – I wasn't gonna hold his record up " In 1999, Marilyn Manson insulted Limp Bizkit and their fans, calling them "illiterate apes that beat your ass in high school for being a 'fag' and now sell you tuneless testosterone anthems of misogyny and pretend to be outsiders   " Reznor and Manson once again took aim at Durst and Limp Bizkit during a 2000 interview when Manson was asked about his opinion of Nine Inch Nails' recent video for the single Starfuckers, Inc  in which the two take aim at multiple artists ranging from Billy Corgan, Michael Stipe, and notably Durst  Manson later exclaimed: "With this video, we didn't wanna seem bitching like about somehow that Limp Bizkit's doing better than we are, in their mind " Reznor later exclaimed; "I don't have to say Limp Bizkit sucks, you know it, I know it, I shouldn't have to say it" Durst responded to Manson and Reznor's insults: "I understand that Marilyn Manson is very unhappy that his career has gone in a shambles and he's alienated his fans so if he has to say things like that because he's very mad at himself, I would forgive him  And Trent Reznor's in the fucking same boat  Trent Reznor is obviously unhappy with how he's alienated the world, how long he took to make a record, and how he thought he was immortal  We're just here doing what we do and we have nothing to say about anybody  I wish them both luck and I feel sorry that they're so jealous and mad at themselves that they have to talk shit "Durst's relationship with Manson had reportedly grown cordial as the two appeared on the cover of a Rolling Stone magazine issue in June of 2003 alongside James Hetfield and Ozzy Osbourne Despite this, Limp Bizkit guitarist Wes Borland would join Manson's touring band in 2008  During a show in Seoul, South Korea on August 15, 2008; Manson would introduce Borland onstage and attacked Limp Bizkit, claiming to the crowd "Here's our new guitarist, he used to play for a really bad band…"  Borland would depart Manson's touring band after less than nine months 
In the wake of multiple allegations of sexual abuse and assault accusations against Manson, Borland would later attack Manson in several interviews in 2021, denouncing him as a "Bad fucking dude"  Reznor in response supported Borland's claims against Manson's misconduct while he also attacked Manson for the abuse allegations during an interview with Ultimate Guitar 

Puddle of Mudd
Due to the notoriety surrounding Puddle of Mudd receiving a record deal through Durst in 2000, the band was often asked in regards to their relationship with him  Wes Scantlin criticized Durst in an interview in 2004 with Canada's Chart magazine: "He doesn't write our songs, he doesn't produce our songs, he doesn't do anything for us  He doesn't do our videos anymore  He doesn't do anything for this band  I don't know what he's doing, I don't know what the guy's like  All I know is that he's like Mr Hollywood guy, Mr Celebrity  Like, 'I don't hang out with anybody except Hollywood celebrities'  Every single fucking interview I've ever fucking done, I get asked about that fucking guy    And for me to do interviews all the time and be asked about this certain individual    People think he writes music with me or something  He does not do that  I just don't get it  We have nothing in common  He doesn't even call us, he has his assistant call us to congratulate us on our record  Yeah, that's how pathetic he is "
On April 22, 2008, in an interview with Artisan News Service, Wes Scantlin retracted his previous criticism of Fred Durst: "Fred got our foot in the door and helped us out tremendously  I think nowadays he's doing a lot of directing and we don't really speak to him too much but we appreciate everything he's ever done for our careers "

Discography
Limp Bizkit
Three Dollar Bill, Y'all$ (1997)
Significant Other (1999)
Chocolate Starfish and the Hot Dog Flavored Water (2000)
Results May Vary (2003)
The Unquestionable Truth (Part 1) (2005)
Gold Cobra (2011)
Still Sucks (2021)

Singles
Filmography
Awards and nominations
Context 2: Passage 1:
Where Was I
"Where Was I?" may refer to:

Books
"Where Was I?", essay by David Hawley Sanford from The Mind's I
Where Was I?, book by John Haycraft 2006
Where was I?!, book by Terry Wogan 2009

Film and TV
Where Was I? (film), 1925 film directed by William A  Seiter  With Reginald Denny, Marian Nixon, Pauline Garon, Lee Moran 
Where Was I? (2001 film), biography about songwriter Tim Rose
Where Was I? (TV series) 1952–1953 Quiz show with the panelists attempting to guess a location by looking at photos
"Where Was I?" episode of Shoestring (TV series) 1980

Music
"Where was I", song by W  Franke Harling and Al Dubin performed by Ruby Newman and His Orchestra  with vocal chorus by  Larry Taylor and Peggy McCall  1939
"Where Was I", single from Charley Pride discography 1988
"Where Was I" (song), a 1994 song by Ricky Van Shelton
"Where Was I (Donde Estuve Yo)", song by Joe Pass from Simplicity (Joe Pass album)
"Where Was I?", song by Guttermouth from The Album Formerly Known as a Full Length LP (Guttermouth album)
"Where Was I", song by Sawyer Brown (Billy Maddox, Paul Thorn, Anne Graham) from Can You Hear Me Now 2002
"Where Was I?", song  by  Kenny Wayne Shepherd from Live On  1999
"Where Was I", song by Melanie Laine (Victoria Banks, Steve Fox) from Time Flies (Melanie Laine album)
"Where Was I", song by Rosie Thomas from With Love (Rosie Thomas album)
Passage 2:
Place of origin
In Switzerland, the place of origin (German: Heimatort or Bürgerort, literally "home place" or "citizen place"; French: Lieu d'origine; Italian: Luogo di attinenza) denotes where a Swiss citizen has their municipal citizenship, usually inherited from previous generations  It is not to be confused with the place of birth or  place of residence, although two or all three of these locations may be identical depending on the person's circumstances 

Acquisition of municipal citizenship
Swiss citizenship has three tiers  For a person applying to naturalise as a Swiss citizen, these tiers are as follows:

Municipal citizenship, granted by the place of residence after fulfilling several preconditions, such as sufficient knowledge of the local language, integration into local society, and a minimum number of years lived in said municipality 
Cantonal (state) citizenship, for which a Swiss municipal citizenship is required  This requires a certain number of years lived in said canton 
Country citizenship, for which both of the above are required, also requires a certain number of years lived in Switzerland (except for people married to a Swiss citizen, who may obtain simplified naturalisation without having to reside in Switzerland), and involves a criminal background check The last two kinds of citizenship are a mere formality, while municipal citizenship is the most significant step in becoming a Swiss citizen  
Nowadays the place of residence determines the municipality where citizenship is acquired, for a new applicant, whereas previously there was a historical reason for preserving the municipal citizenship from earlier generations in the family line, namely to specify which municipality held the responsibility of providing social welfare  The law has now been changed, eliminating this form of allocating responsibility to a municipality other than that of the place of residence  Care needs to be taken when translating the term in Swiss documents which list the historical "Heimatort" instead of the usual place of birth and place of residence 
However, any Swiss citizen can apply for a second, a third or even more municipal citizenships for prestige reasons or to show their connection to the place they currently live – and thus have several places of origin  As the legal significance of the place of origin has waned (see below), Swiss citizens can often apply for municipal citizenship for no more than 100 Swiss francs after having lived in the same municipality for one or two years  In the past, it was common to have to pay between 2,000 and 4,000 Swiss francs as a citizenship fee, because of the financial obligations incumbent on the municipality to grant the citizenship 
A child born to two Swiss parents is automatically granted the citizenship of the parent whose last name they hold, so the child gets either the mother's or the father's place of origin  A child born to one Swiss parent and one foreign parent acquires the citizenship, and thus the place of origin, of the Swiss parent 

International confusion
Almost uniquely in the world (with the exception of Japan, which lists one's Registered Domicile; and Sweden, which lists the mother's place of domicile as place of birth), the Swiss identity card, passport and driving licence do not show the holder's birthplace, but only their place of origin  The vast majority of countries show the holder's actual birthplace on identity documents  This can lead to administrative issues for Swiss citizens abroad when asked to demonstrate their actual place of birth, as no such information exists on any official Swiss identification documents  Only a minority of Swiss citizens have a place of origin identical to their birthplace  More confusion comes into play through the fact that people can have more than one place of origin 

Significance and history
A citizen of a municipality does not enjoy a larger set of rights than a non-citizen of the same municipality  To vote in communal, cantonal or national matters, only the current place of residence matters – or in the case of citizens abroad, the last Swiss place of residence 
The law previously required that a citizen's place of origin continued to bear all their social welfare costs for two years after the citizen moved away  In 2012, the National Council voted by 151 to 9 votes to abolish this law  The place of domicile is now the sole payer of welfare costs In 1923, 1937, 1959 and 1967, more cantons signed treaties that assured that the place of domicile had to pay welfare costs instead of the place of origin, reflecting the fact that fewer and fewer people lived in their place of origin (1860: 59%, in 1910: 34%) In 1681, the Tagsatzung – the then Swiss parliament – decided that beggars should be deported to their place of origin, especially if they were insufficiently cared for by their residential community In the 19th century, Swiss municipalities even offered free emigration to the United States if the Swiss citizen agreed to renounce municipal citizenship, and with that the right to receive welfare 

See also
Ancestral home (Chinese)
Bon-gwan
Registered domicile


== Notes and references ==
Passage 3:
Motherland (disambiguation)
Motherland is the place of one's birth, the place of one's ancestors, or the place of origin of an ethnic group 
Motherland may also refer to:

Music
"Motherland" (anthem), the national anthem of Mauritius
National Song (Montserrat), also called "Motherland"
Motherland (Natalie Merchant album), 2001
Motherland (Arsonists Get All the Girls album), 2011
Motherland (Daedalus album), 2011
"Motherland" (Crystal Kay song), 2004

Film and television
Motherland (1927 film), a 1927 British silent war film
Motherland (2010 film), a 2010 documentary film
Motherland (2015 film), a 2015 Turkish drama
Motherland (2022 film), a 2022 documentary film about the Second Nagorno-Karabakh War
Motherland (TV series), a 2016 British television series
Motherland: Fort Salem, a 2020 American science fiction drama series

Other uses
Motherland Party (disambiguation), the name of several political groups
Personifications of Russia, including a list of monuments called Motherland

See also
All pages with titles containing Motherland
Mother Country (disambiguation)
Passage 4:
Beaulieu-sur-Loire
Beaulieu-sur-Loire (French pronunciation: ​[boljø syʁ lwaʁ], literally Beaulieu on Loire) is a commune in the Loiret department in north-central France  It is the place of death of Jacques MacDonald, a French general who served in the Napoleonic Wars 

Population
See also
Communes of the Loiret department
Passage 5:
Valley of Death
Valley of Death may refer to:

Places
Valley of Death (Bydgoszcz), the site of a 1939 Nazi mass murder and mass grave site in northern Poland
Valley of Death (Crimea), the site of the Charge of the Light Brigade in the 1854 Battle of Balaclava
Valley of Death (Gettysburg), the 1863 Gettysburg Battlefield landform of Plum Run
Valley of Death (Dukla Pass), the site of a tank battle during the Battle of the Dukla Pass in 1944 (World War II)
The Valley of Death, an area of poisonous volcanic gas near the Kikhpinych volcano in Russia
The Valley of Death, an area of poisonous volcanic gas near the Tangkuban Perahu volcano in Indonesia
Valley of Death, a nickname for the highly polluted city of Cubatão, Brazil

Other uses
The Valley of Death (audio drama), a Doctor Who audio play
The Valley of Death (film), a 1968 western film
"Valley of Death", the flawed NewsStand: CNN & Time debut program that caused the Operation Tailwind controversy
A literary element of "The Charge of the Light Brigade" by Alfred, Lord Tennyson
A reference to the difficulty of covering negative cash flow in the early stages of a start-up company; see Venture capital
"The Valley of Death", a song by the Swedish heavy metal band Sabaton from the 2022 album The War to End All Wars

See also
All pages with titles containing Valley of Death
Death Valley (disambiguation)
Valley of the Shadow of Death (disambiguation)
Passage 6:
Sennedjem
Sennedjem was an Ancient Egyptian artisan who was active during the reigns of Seti I and Ramesses II  He lived in Set Maat (translated as "The Place of Truth"), contemporary Deir el-Medina, on the west bank of the Nile, opposite Thebes  Sennedjem had the title "Servant in the Place of Truth"  He was buried along with his wife, Iyneferti, and members of his family in a tomb in the village necropolis  His tomb was discovered January 31, 1886  When Sennedjem's tomb was found, it contained furniture from his home, including a stool and a bed, which he used when he was alive His titles included Servant in the Place of Truth, meaning that he worked on the excavation and decoration of the nearby royal tombs 

See also

TT1 – (Tomb of Sennedjem, family and wife)
Passage 7:
Mehmed V
Mehmed V Reşâd (Ottoman Turkish: محمد خامس, romanized: Meḥmed-i ḫâmis; Turkish: V  Mehmed or Mehmed Reşad; 2 November 1844 – 3 July 1918) was the 35th and penultimate sultan of the Ottoman Empire from 1909 to 1918  Mehmed V reigned as a constitutional monarch, interfering little when it came to government affairs, though the constitution was held with little respect by his governments  The first half of his reign was marked by contentious politicking between factions of the Young Turks, with the second half being headed by the Committee of Union and Progress and the Three Pashas 
Reşad was the son of Sultan Abdulmejid I  He succeeded his half-brother Abdul Hamid II after the 31 March Incident  He was succeeded by his half-brother Mehmed VI in the summer of 1918 
Coming to power in the aftermath of a failed coup attempt, his nine-year reign featured three coup d'etats and four wars  The Italo-Turkish War saw the cession of the Empire's North African territories and the Dodecanese Islands, including Rhodes, during which the CUP was forced out of power by the military  This was followed up by the traumatic loss of almost all of the Empire's European territories west of Constantinople (now Istanbul) in the First Balkan War, and the return of a now radicalized CUP rule  Eastern Thrace was retaken in the Second Balkan War 
The Ottomans entered World War I in November 1914 during which Mehmed declared a jihad against the Allies  During the war the Ottoman government committed genocides against its Christian minorities  While Ottoman forces successfully fended off an Allied invasion at Gallipoli, defeat loomed on the Caucasian and Mesopotamian fronts  Military collapse in the field and a revolt by its Arab subjects would ultimately lead to the Empire's end 

Early life
Prince Reşad was born on 2 November 1844 at the Çırağan Palace, Istanbul  His father was Sultan Abdulmejid I, and his mother was Gülcemal Kadın  He had three elder sisters, Fatma Sultan, Refia Sultan and Hatice Sultan (Refia Sultan's twin sister, died as newborn)  After his mother's death in 1851, he and his sisters were entrusted in the care of his father's senior consort Servetseza Kadın  She had asked Abdulmejid to take the motherless children under her wing, and raise as her own, and carried out the duties of a mother who cares for her children with compassion and concern In 1856, aged twelve, he was ceremoniously circumcised together with his younger half-brothers, Şehzade Ahmed Kemaleddin, Şehzade Mehmed Burhaneddin, and Şehzade Ahmed Nureddin Mehmed received his education at the palace  Halid Ziya, the chief clerk of the Chamberlain's office between 1909 and 1912, described this as being a poor one  Thanks to his comparatively high intelligence, however, he made good use of the education he had and used it to go further  He studied Arabic and Persian, and spoke the latter very well  He took piano lessons from an Italian pianist and calligraphy lessons from a famous Ottoman calligrapher, Kazasker Mustafa Izzet Efendi (1801–1876), who designed the giant pendant medallions of the Hagia Sophia 

Reign
His reign began at the conclusion of the 31 March Incident on 27 April 1909, but he was largely a figurehead with no real political power, as a consequence of the demonstration of the CUP's power in the 31 March Incident and the Young Turk Revolution (which restored the Ottoman Constitution and Parliament)  In 1913 the CUP undertook a coup d'état, which brought the dictatorial triumvirate of the Three Pashas to power  At the age of 64, Mehmed V was the oldest person to ascend the Ottoman throne 

In 1911, he embarked on an imperial tour of Selânik (Salonica, today Thessaloniki) and Manastır (today Bitola), stopping by Florina on the way  He also visited Üsküp (Skopje) and Priştine (Pristina), where he attended Friday prayers at the Tomb of Sultan Murad  The visit was recorded on film and photographs by the Manaki brothers  It would soon prove to be the last visit of an Ottoman sultan to the Rumelian provinces before the catastrophe of the Balkan Wars the following year 
Under his rule, the Ottoman Empire lost all its remaining territory in North Africa (Tripolitania, Cyrenaica and Fezzan) and the Dodecanese to Italy in the Italo-Turkish War and nearly all its European territories (except for a small strip of land west of Constantinople) in the First Balkan War  The Ottomans made some small gains in the following war, recapturing the peninsula comprising East Thrace up to Edirne, but this was only partial consolation for the Turks: the bulk of Ottoman territories that they had fought to keep had been lost forever The sudden loss of these enormous swathes of land, which had been Ottoman territory for centuries and were ceded to the Empire's opponents within a span of only two years, was deeply shocking to the Ottoman Turks and resulted in massive popular backlash against the government, culminating in the 1913 Ottoman coup d'etat  It also spelt the end of the Ottomanism movement, which for several decades had advocated equal rights to all citizens of the Empire regardless of ethnicity or religion, in order to foster a communal sense of belonging and allegiance to the Ottoman state  With the loss of the Empire's ethnic minorities in Rumelia and North Africa, the movement's raison d'être also evaporated, and the country's politics soon began to take on a more reactionary character, centred around Turkish nationalism  The more extreme elements of this right-wing faction, primarily in the upper echelons of the CUP-dominated government, would go on to commit atrocities against the Armenians Despite his preference that the country stayed out of further conflict, Mehmed V's most significant political act was to formally declare jihad against the Entente Powers (Allies of World War I) on 14 November 1914, following the Ottoman government's decision to join the First World War on the side of the Central Powers  He was actually said to look with disfavour on the pro-German policy of Enver Pasha, but could do little to prevent war due to the sultanate's diminished influence since the overthrow of Abdülhamid II in 1909 
This was the last genuine proclamation of jihad in history by a Caliph, as the Caliphate was abolished in 1924  As a direct result of the declaration of war, the British annexed Cyprus, while the Khedivate of Egypt proclaimed its independence and was turned into a British protectorate; these provinces had at least been under nominal Ottoman rule  The proclamation had no noticeable effect on the war, despite the fact that many Muslims lived in Ottoman territories  Some Arabs eventually joined the British forces against the Ottoman Empire with the Arab Revolt in 1916 
Mehmed V hosted Kaiser Wilhelm II, his World War I ally, in Constantinople on 15 October 1917  He was made Generalfeldmarschall of the Kingdom of Prussia on 27 January 1916, and of the German Empire on 1 February 1916  He was also made Generalfeldmarschall of Austria-Hungary on 19 May 1918 

Death
Mehmed V died at Yıldız Palace on 3 July 1918 at the age of 73, only four months before the end of World War I  Thus, he did not live to see the downfall of the Ottoman Empire  He spent most of his life at the Dolmabahçe Palace and Yıldız Palace in Istanbul  His grave is in the Eyüp district of modern Istanbul
Context 3: Passage 1:
Nola Fairbanks
Nola Fairbanks (born Nola Jo Modine; December 10, 1924 – February 8, 2021) was an American actress  She was also the aunt of actor Matthew Modine 

Early life
Fairbanks was born Nola Jo Modine in Santa Paula, California, on December 10, 1924, the daughter of Zella Vonola Fairbanks and Alexander Revard Modine  She is the granddaughter of Mormon pioneers Ralph Jacobus Fairbanks (aka R J  "Dad" Fairbanks) and Celestia Adelaide (Johnson) Fairbanks, from Payson, Utah and Death Valley, California  She is a descendant of Jonathan Fairbanks, whose 17th century wood-frame house still stands in Dedham, Massachusetts As a child, she joined the Meglin Kiddies Dance Troupe where Shirley Temple was also a student  While her father, Alexander Revard Modine, worked for the Texaco Oil Company, Nola Jo's mother, Zella Vonola Fairbanks Modine, washed clothes to pay for her singing and dancing lessons during the Great Depression 

Career
Her only movie role was as a "glorified extra" in The Corn Is Green in 1945, starring Bette Davis  Soon after, she joined the Lionel Barrymore production of the musical, Halloween at the Hollywood Bowl, and performed on The Standard Hour in addition to the Hollywood Canteen for servicemen 
Next, she went on tour as a soloist with the Sonja Henie Ice Show, completing two national tours  When the tours ended in New York, she stayed on with the show, named Howdy Mr  Ice at the Center Theatre in Rockefeller Center 
Her Broadway debut was in 1950 in the chorus of Cole Porter's Out of This World
  She soon became an understudy and before long, assumed the lead  Summer stock performances included Miss Liberty with Dick Haymes in the Dallas Theatre as well as Die Fledermaus and finally Bloomer Girl in Toronto, Canada  Next, she joined the Broadway cast of Paint Your Wagon opposite James Barton, when Olga San Juan left the role of Jennifer Rumson  She took the show on tour with Burl Ives in the part of her father, Ben Rumson  
In 1952, she starred in the first musical production at the new Jones Beach Theatre in Long Island, New York  Mike Todd was the producer of this production of the Johann Strauss II operetta Eine Nacht in Venedig starring alongside Enzo Stuarti and Thomas Hayward 
After a winning performance on The Arthur Godfrey Radio Show, she appeared on his television show  Her final Broadway performance came when she was asked to replace Florence Henderson in the lead role in Fanny, co-starring Ezio Pinza 
She revived her career in 1978 with appearances in a short-lived sketch comedy TV series, Madhouse Brigade, produced by her husband  In 1981, he produced an off-Broadway show called Romance Is where Fairbanks performed with an ensemble cast  The show closed after a few performances 

Personal life
Fairbanks married James Larkin in 1954 and had four children  They divorced in 1990  She died on February 8, 2021, at the age of 96, in Greenwich, Connecticut 
Passage 2:
Emel Say
Emel Say (1927 – 17 February 2011) was a Turkish painter  She was the daughter of painter Zehra Say and the aunt of pianist Fazıl Say 

Life
Emel Say was born in 1927  Her grandfather was a politician, who left the Committee of Union and Progress and opened a dance hall  Her mother Zehra Say was the first woman in modern Turkey to be married at an official wedding  Emel's mind was always on music  When she was fifteen, she received singing classes from Professor Carl Ebert, who had established the Ankara Conservatory  At first, Emel Say wanted to be an opera artist, but she changed her mind when she fell in love with a piece of land in Hatay, southern Turkey  She had to put her interest in music on hold when she married  Her husband Fuat Say, unlike the tolerance that Fuat Say had shown her mother Zehra, did not send Emel to school, nor was this really possible in Hatay at the time  Raising her three sons was the only thing she did until she divorced her husband when she was 30 years old 
After her divorce, her interest in music did not come to fruition; her mother got sick, so she had to focus on getting a job and income  She started her work life as the secretary of Fuat Bezmen  She worked for him for around ten years She worked in the United States for about five years When her mother, the famous painter Zehra Say, went into the later stages of Alzheimer's disease, she was no longer able to continue painting  Zehra made her daughter Emel promise to finish her painting Maui Adası (Island of Maui), which she had started to paint from a postcard Emel had brought back from a trip to Hawaii  She did not know how she could paint  At first, she cried but then she tried to paint and from that point on did not stop  She completed her mother's painting and it was displayed at an exhibition at the Çiçek Bar  There she was discovered by the sculptor Gürdal Duyar who at first asked what had happened to Maui Adası, and then when Emel told him that her mother had insisted she finish it, she tried at it  Duyar expressed to her that she was a natural talent and had been a painter within all along  If it was not for this reassuring encounter she may not have gone into painting at all in her life  She started painting after the age of 60 Together with Duyar, who became a close friend of hers and other friends and family, she would often work on paintings and listen to music together late into the night  One of these nights, Duyar made a portrait for one of Fazıl's musician friends starting at midnight and finishing towards the morning as recalled by this friend of Fazıl's Say died in 2011 

Art
She was a student in the studio of the painter Osman Özal  She, together with the other (former) students, would meet on Wednesdays at the İzmir Art and Sculpture Museum, and work in the studio there  They became known as the "Group Wednesday", and held collaborative exhibitions She and Duyar had exhibitions at the CEP Gallery in the time period between 1977 and 1990 In 1995, her work, along with the work of Gürdal Duyar, was exhibited in the grand opening exhibition of the Asmalımescit Art Gallery 

Technique
She made many miniatures  One of the techniques she often used was using two different types of paint in the same painting, acrylic and gouache 

Exhibitions
Emel Say painting exhibition, Underground Art Gallery (till 20 May 1992)
Asmalımescit Art Gallery grand opening exhibition (1995)
Emel Say painting exhibition, Çatı Sanatevi (till 7 May 2000)
Emel Say painting exhibition, Underground Art Gallery (till 21 May 2004)
9th exhibition, Çiçek Bar (till 18 December 2004)
Mixed Exhibition of works by Osman Özals students, Dr  Selahattin Akçiçek Culture and Art Center in Konak, İzmir (till 15 April 2012) but extended?

Friends and Family
She is proud of how her mother, Zehra Say, even after her marriage, went to school and became an art teacher, which was quite an accomplishment at that time  She is also proud of her father Fuat Say for supporting his wife, her mother  Say's uncle's grandson, Fazıl Say, did make a career of his musical talent  When talking about him, she said that he is "A Genius!", "When he was just four years old, his mother had bought a small organ, like a toy    Fazıl started to play the songs on the radio with this organ  How many times could a composer the likes of him come to this Earth!"She became friends with the poet and writer Gülsüm Cengiz around after her time in the United States  He was visiting her and Zehra at their home and they continued in conversation late into the night, and they learned about the 1960 military coup towards the morning after someone was banging on the door and they turned on the radio



ground_truth: Station For Two

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the place of death of Kamures Kadın's husband?

The following are given passages.
Context 2: 

Honours
Ottoman honoursGrand Master of the Order of the Crescent
Grand Master of the Order of Glory
Grand Master of the Order of the Medjidie
Grand Master of the Order of OsmaniehForeign honoursGrand Cross of St  Stephen, in Diamonds, 1914 (Austria-Hungary)
Knight of the Military Order of Max Joseph (Bavaria)
Grand Cross of the Star of Karađorđe (Serbia)

Family
Mehmed V had a small harem, as well as few children  He was also the only sultan not to take new consorts after his accession to the throne 

Consorts
Mehmed V had five consorts:
Kamures Kadın (5 March 1855 – 30 April 1921)  BaşKadin  She is also called Gamres, Kamres or Kamus  Of Caucasian descent, she married Mehmed when he was still Şehzade  She had a son 
Dürriaden Kadın (16 May 1860 – 17 October 1909)  Second Kadın  She born Hatice Hanim, she married Mehmed when he was still Şehzade  She was the aunt of Inşirah Hanim, who was a consort of Mehmed VI (Mehmed V's younger half-brother)  She had a son 
Mihrengiz Kadın (15 October 1869 – 12 December 1938)  Second Kadın after Dürriaden's death  Circassian, born Fatma Hanım, married Mehmed when he was still Şehzade  She had a son 
Nazperver Kadın (12 June 1870 – 9 March 1929)  Third Kadın after Dürriaden's death  Born Rukiye Hanim, she was an Abkhazian princess of Çikotua family and niece of Dürrinev Kadın, chief consort of Sultan Abdülaziz, who educated her  She married Mehmed when he was still Şehzade  She had a daughter 
Dilfirib Kadın (1890–1952)  Fourth Kadın after Dürriaden's death  Circassian, she married Mehmed when he was still Şehzade  She was close friends with Safiye Ünüvar, a teacher at the Palace  She had no children by Mehmed, but after his death she remarried and had a son 

Sons
Mehmed V had three sons:
Şehzade Mehmed Ziyaeddin (26 August 1873 – 30 January 1938)–with Kamures Kadın  He had five consorts, two sons and six daughters 
Şehzade Mahmud Necmeddin (23 June 1878 – 27 June 1913) – with Dürriaden Kadın  Born with kyphosis, he never married or had children 
Şehzade Ömer Hilmi (2 March 1886 – 6 April 1935) – with Mihrengiz Kadın  He had five consorts, a son and a daughter  His great-granddaughter Ayşe Gülnev Osmanoğlu became an authress of historical novels about the Ottoman dynasty 

Daughters
Mehmed V had only one daughter:
Refia Sultan (1888–1888) – with Nazperver Kadın  She died as newborn 

See also
The Ottomans: Europe's Muslim Emperors
Passage 8:
Dance of Death (disambiguation)
Dance of Death, also called Danse Macabre, is a late-medieval allegory of the universality of death 
Dance of Death or The Dance of Death may also refer to:

Books
Dance of Death, a 1938 novel by Helen McCloy
Dance of Death (Stine novel), a 1997 novel by R  L  Stine
Dance of Death (novel), a 2005 novel by Douglas Preston and Lincoln Child

Theatre and film
The Dance of Death (Strindberg play), a 1900 play by August Strindberg
The Dance of Death, a 1908 play by Frank Wedekind
The Dance of Death (Auden play), a 1933 play by W  H  Auden

Film
The Death Dance, a 1918 drama starring Alice Brady
The Dance of Death (1912 film), a German silent film
The Dance of Death (1919 film), an Austrian silent film
The Dance of Death (1938 film), crime drama starring Vesta Victoria; screenplay by Ralph Dawson
The Dance of Death (1948 film), French-Italian drama based on Strindberg's play, starring Erich von Stroheim
The Dance of Death (1967 film), a West German drama film
Dance of Death or House of Evil, 1968 Mexican horror film starring Boris Karloff
Dance of Death (1969 film), a film based on Strindberg's play, starring Laurence Olivier
Dance of Death (1979 film), a Hong Kong film featuring Paul Chun

Music
Dance of Death (album), a 2003 album by Iron Maiden, or the title song
The Dance of Death & Other Plantation Favorites, a 1964 album by John Fahey
The Dance of Death (Scaramanga Six album)
"Death Dance", a 2016 song by Sevendust

See also
Dance of the Dead (disambiguation)
Danse Macabre (disambiguation)
Bon Odori, a Japanese traditional dance welcoming the spirits of the dead
La danse des morts, an oratorio by Arthur Honegger
Totentanz (disambiguation)
Passage 9:
Kamures Kadın
Kamures Kadın (Ottoman Turkish: کامرس قادین; meaning "Bringer of pleasure"; called also Gamres, Kamres or Kamus Kadın; 5 March 1855 – 30 April 1921) was the first and chief consort of Sultan Mehmed V of the Ottoman Empire 

Early years
Kamures Kadın was born on 5 March 1855  According to Palace documents he was born in Ganja, although there are doubts about that  She was sent to the Ottoman court when she was very young as a slave, which was the traditional custom  She received an excellent education and became an outstanding pianist  
She married the then-Prince Mehmed Reşad on 30 September 1872  She was his first consort  A year after the marriage, on 26 August 1873, she gave birth to her only son, Şehzade Mehmed Ziyaeddin 

Reign of Mehmed V
On 27 April 1909, after Mehmed's accession to the throne, she was given the title of "Senior Kadın" In 1914, she met with Sultan Jahan, Begum of Bhopal  Sultan Mehmed, who knew Persian well, acted as interpreter between the two of them  Safiye Ünüvar, a teacher at the Palace School, commented in her memoirs about her beauty, and said that she still some of her looks, when the two met in 1915  Kamures had occupied herself with reading history, and whenever Safiye visited her she would always bring up with the subject of Ottoman history In 1918, she met with the king Boris III of Bulgaria, when he visited Istanbul  She was presented as Queen of Ottoman Empire  This was significant, since meeting a man meant that she broke the traditional harem seclusion  On 30 May 1918, Kamures met with the Empress Zita of Bourbon-Parma in the harem of Yıldız Palace, when the latter visited Istanbul with her husband Emperor Charles I of Austria 

Philanthropy
On 20 March 1912, the "Hilal-i Ahmer Centre for Women" was organised within the "Ottoman Hilal-i Ahmer Association", a foundation established in 1877 to provide medical care in Istanbul and surrounding communities  Kamures served as the honorary president of this organization  The same year, she also received the Ottoman Red Crescent Medal (Osmanlı Hilal-i Ahmer Madalyası), which was created shortly after the start of the Balkan Wars in November 1912  The award was given to those who would render beneficent services, materially or morally, to the organisation  She was the only Ottoman Muslim woman before the First World War to have received the medal in gold In February 1914, the organisation announced the start of a course for nursing aids, which would consist of eighteen lessons of two hours each on Fridays and Sundays  The classes were to be taught by Besim Ömer and Akıl Muhtar  Between 40 and 50 women participated in the course and at the end of the five months course 27 women successfully took the exam  These 27 women, who were all wives and daughters of prominent Ottoman officials, received their certificate during a ceremony in the presence of Kamures, of Naciye Sultan and her mother and other palace women In April 1913, Kamures served as the patroness of the organization Osmanlı–Türk Hanımları Esirgeme Derneği (Association for the Protection of Ottoman Turkish Women)  The sultan donated 50 Ottoman pounds to the organization 

Death
After Mehmed's death on 3 July 1918, she settled in the palace of her stepson Şehzade Mahmud Necmeddin in Kuruçeşme, where she died on 30 April 1921, at the age of sixty-six  She was buried in the mausoleum of her husband located in the Eyüp Cemetery, Istanbul 

Honours
Ottoman Red Crescent Medal in Gold, 1912

Appointments
Honorary President of the Hilal-i Ahmer Centre for Women, 20 March 1912

Issue
See also
Kadın (title)
Ottoman Imperial Harem
List of consorts of the Ottoman sultans
Passage 10:
Place of birth
The place of birth (POB) or birthplace is the place where a person was born  This place is often used in legal documents, together with name and date of birth, to uniquely identify a person  Practice regarding whether this place should be a country, a territory or a city/town/locality differs in different countries, but often city or territory is used for native-born citizen passports and countries for foreign-born ones 
As a general rule with respect to passports, if the place of birth is to be a country, it's determined to be the country that currently has sovereignty over the actual place of birth, regardless of when the birth actually occurred  The place of birth is not necessarily the place where the parents of the new baby live  If the baby is born in a hospital in another place, that place is the place of birth  In many countries, this also means that the government requires that the birth of the new baby is registered in the place of birth 
Some countries place less or no importance on the place of birth, instead using alternative geographical characteristics for the purpose of identity documents  For example, Sweden has used the concept of födelsehemort ("domicile of birth") since 1947  This means that the domicile of the baby's mother is the registered place of birth  The location of the maternity ward or other physical birthplace is considered unimportant 
Similarly, Switzerland uses the concept of place of origin  A child born to Swiss parents is automatically assigned the place of origin of the parent with the same last name, so the child either gets their mother's or father's place of origin  A child born to one Swiss parent and one foreign parent acquires the place of origin of their Swiss parent  In a Swiss passport and identity card, the holder's place of origin is stated, not their place of birth  In Japan, the registered domicile is a similar concept 
In some countries (primarily in the Americas), the place of birth automatically determines the nationality of the baby, a practice often referred to by the Latin phrase jus soli  Almost all countries outside the Americas instead attribute nationality based on the nationality(-ies) of the baby's parents (referred to as jus sanguinis) 
There can be some confusion regarding the place of birth if the birth takes place in an unusual way: when babies are born on an airplane or at sea, difficulties can arise  The place of birth of such a person depends on the law of the countries involved, which include the nationality of the plane or ship, the nationality(-ies) of the parents and/or the location of the plane or ship (if the birth occurs in the territorial waters or airspace of a country) 
Some administrative forms may request the applicant's "country of birth"  It is important to determine from the requester whether the information requested refers to the applicant's "place of birth" or "nationality at birth"  For example, US citizens born abroad who acquire US citizenship at the time of birth, the nationality at birth will be USA (American), while the place of birth would be the country in which the actual birth takes place 

Reference list
8 FAM 403 4 Place of Birth
Context 3: She was also close friends with Gürdal Duyar, and they had exhibitions together 
Passage 3:
Marcus Annius Libo (consul 161)
Marcus Annius Libo (died 163) was a Roman senator  He was suffect consul in the nundinium of January-April 161 with Quintus Camurius Numisius Junior as his colleague  Libo was the nephew of emperor Antoninus Pius, and cousin to emperor Marcus Aurelius 
Libo came from a Roman family that had settled in Hispania generations before, and had returned to Rome more recently  His father was Marcus Annius Libo, consul in 128, and his mother was a noblewoman whose name has been surmised as Fundania, daughter of Lucius Fundanius Lamia Aelianus, consul in 116  Libo had a sister, Annia Fundania Faustina, wife of Titus Pomponius Proculus Vitrasius Pollio, whose second consulship was in 176 

Governor of Syria
The only portion of his cursus honorum we know is the portion immediately after Libo stepped down from his consulate  To support his co-emperor Lucius Verus' campaign against the Parthians, Marcus Aurelius appointed Libo governor of the province of Syria  Anthony Birley notes this was a surprising choice  "As Libo had been consul only the previous year, 161," writes Birley, "he must have been in his early thirties, and as a patrician must have lacked military experience " Syria was an important province, and the men picked to govern it were usually senior men with much military and administrative experience  Birley answers his own question, "It seems that Marcus' intention was to have on the spot a man he could rely "As governor, Libo quarreled with the emperor Lucius, taking the attitude that he would only follow the instructions that Marcus gave him  This angered Lucius, so when Libo suddenly died, rumor claimed that Lucius had Libo poisoned When Libo died, Lucius Verus defied Marcus and married Libo's widow to his Greek freedman called Agaclytus  Accordingly, Marcus Aurelius attended neither the ceremony nor the banquet 
Passage 4:
Marcus Annius Verus (praetor)
Marcus Annius Verus (died 124 AD) was a distinguished Roman politician who lived in the 2nd century, served as a praetor and was the father of the Emperor Marcus Aurelius 

Life
He was the son of Roman senator Marcus Annius Verus and noblewoman Rupilia Faustina  His brother was the consul Marcus Annius Libo and his sister was Faustina the Elder, wife of Antoninus Pius  He married Domitia Lucilla, the heiress of a wealthy family which owned a tile factory  They had two children, Marcus Aurelius (born in 121, and who was also originally named Marcus Annius Verus), and Annia Cornificia Faustina (born in 123)  Annius Verus died young while he held the office of praetor  Both his children were still young  The likeliest year of his death is 124 In his Meditations, Marcus Aurelius, who was only about 3 years old when his father died, says of him: "From what I heard of my father and my memory of him, modesty and manliness "

Nerva–Antonine family tree
Passage 5:
Lucius Neratius Priscus
Lucius Neratius Priscus was a Roman Senator and leading jurist, serving for a time as the head of the Proculeian school  He was suffect consul in the nundinium of May–June 97 as the colleague of Marcus Annius Verus 

Family
The origins of the gens Neratia lie in the Italian town of Saepinum in the heart of Samnium; Priscus' father was the homonymous suffect consul of the year 87  He is known to have a younger brother, Lucius Neratius Marcellus, who was adopted by their uncle Marcus Hirrius Fronto Neratius Pansa who was suffect consul in either 73 or 74 and co-opted into the Patrician class; Marcellus became suffect consul two years before Priscus, and ordinary consul in 129 The existence of a son with the identical name and consul in either 122 or 123, inferred from the existence of the possible governor of Pannonia Inferior, was disproved by a 1976 paper written by G  Camodeca, whose findings were embraced by Ronald Syme 

Career
Most of Priscus' advancement through the cursus honorum has been established  His first known office was as military tribune with Legio XXII Primigenia between c  79 to c  80, in Mogontiacum (modern Mainz)  Next he held the office of quaestor (c  83/84), and upon completion of this traditional Republican magistracy Priscus would be enrolled in the Senate  The two other magistracies followed: plebeian tribune (c  85/86) and praetor (c  88/89); usually a senator would govern either a public or imperial praetorian province before becoming a consul, but none is known for Priscus  After serving as suffect consul, Priscus was admitted to the collegia of the Septemviri epulonum, one of the four most prestigious ancient Roman priesthoods  He was also entrusted with governing, in succession, the imperial provinces of Germania Inferior (98-101), then Pannonia (102-105) The Digest of Justinian records that the emperor Trajan invoked the help of Priscus and Titius Aristo on a point of law   According to the Historia Augusta, there was a rumor that Trajan considered making Priscus his heir to the empire, before finally deciding on Hadrian to succeed him  Despite being a potential rival for the throne, Priscus was one of the legal experts the emperor Hadrian relied on for advice  Sir Ronald Syme looks to have considered Priscus as being another name used by or for Publius Cornelius Tacitus 
Passage 6:
Marcus Annius Flavius Libo
Marcus Annius Flavius Libo was a Roman Senator who lived in the second half of the 2nd century and first half of the 3rd century  He was consul ordinarius in AD 204 with Lucius Fabius Cilo as his senior colleague 
Libo was a Patrician and came from Hispania Baetica  His grandfather was Marcus Annius Libo, who was made suffect consul in 161  His father of the same name was a legatus of Syria and may have been poisoned, possibly by his cousin, Lucius Verus  Libo was related to Lucius Verus through their mutual ancestor, Marcus Annius Verus, who was consul three times, and by marriage to Emperor Antoninus Pius, who married his grandfather's sister 
Passage 7:
Rupilia
The gens Rupilia, occasionally written Rupillia, was a minor plebeian family at ancient Rome   Members of this gens are first mentioned in the latter part of the Republic, and Publius Rupilius obtained the consulship in 132 BC   Few others achieved any prominence, but the name occurs once or twice in the consular fasti under the Empire   The name is frequently confounded with the similar Rutilius 

Praenomina
The main praenomina of the Rupilii were Publius and Lucius, two of the most common names throughout Roman history 

Branches and cognomina
None of the Rupilii bore cognomina under the Republic, but as with other plebeian families most of them had individual surnames in imperial times 

Members
This list includes abbreviated praenomina   For an explanation of this practice, see filiation Publius Rupilius P  f  P  n , a fierce opponent of the Gracchi, became consul in 132 BC, the year after the murder of Tiberius Gracchus, whose followers he persecuted   He brought the First Servile War to a close, then remained in Sicily to reorganize the province, receiving a triumph on his return   He was prosecuted and condemned during the tribunate of Gaius Gracchus in 123, and died soon afterward 
Lucius Rupilius P  f  P  n , brother of Publius Rupilius, the consul, sought the aid of Scipio Aemilianus to obtain the consulship, but was not elected



ground_truth: Constantinople

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is Marcus Annius Libo's aunt?

The following are given passages.
Context 3: 
Lucius Rupilius, an actor known to the young Cicero 
Aulus Rupilius, a physician employed by Aulus Cluentius Habitus, whose mother, Sassia, bought a slave, Strato, from Rupilius, and had him tortured in the hope of obtaining evidence against her own son   The slave knew nothing of value, and Sassia's scheme came to naught 
Publius Rupilius, a man of equestrian rank, was magister of the publicani of Bithynia 
Gaius Rupilius, an argentarius, or silversmith, named in an inscription 
Lucius Scribonius Libo Rupilius M  f  M  n  Frugi Bonus, consul suffectus, serving from May to August in AD 88   He was the great-grandfather of Marcus Aurelius   His descent from the Rupilii is unclear 
Rupilia L  f  M  n  Faustina, the grandmother of Marcus Aurelius, married Marcus Annius Verus 
Lucius Rupilius Appianus, one of the septemviri epulones at Brixia in Venetia and Histria 
Decimus Rupilius Severus, legate in Lycia and Pamphylia in AD 151, perhaps the same Severus who was consul suffectus at the end of 155 
Lucius Rupilius Au[   ], legate of Sextius Lateranus, proconsul of Africa in AD 176 
Quintus Rupilius Q  f  Honoratus, of Mactar in Africa, raised to the equestrian order by Severus Alexander 
Rupilius Pisonianus, curator at Mactar and Mididi between 290 and 293 AD 
Rupilius Pisonianus, praefectus vigilum of Rome under Constans Caesar 

See also
List of Roman gentes
Passage 8:
Annia Fundania Faustina
Annia Fundania Faustina (died 192) was a noble Roman woman who lived in the Roman Empire during the 2nd century AD  She was the paternal cousin of Roman Emperor Marcus Aurelius and his sister Annia Cornificia Faustina 

Life
Fundania Faustina was the daughter of the Roman consul Marcus Annius Libo and wife Fundania  Her brother was the younger Marcus Annius Libo who served as governor of Syria in 162  Fundania Faustina's maternal grandparents are inferred to be Lucius Fundanius Lamia Aelianus and his unknown wife; however her paternal grandparents are the Roman consul Marcus Annius Verus and Rupilia Faustina  She was born and raised in Rome 
Through her paternal grandmother, she was related to the ruling Nerva–Antonine dynasty of the Roman Empire  Her paternal aunt was Empress Faustina the Elder (wife of Emperor Antoninus Pius and mother of Empress Faustina the Younger) and her paternal uncle was praetor Marcus Annius Verus (father of Emperor Marcus Aurelius, the paternal grandmother of Empress Lucilla and Emperor Commodus) 
Fundania Faustina, married the Roman Politician Titus Pomponius Proculus Vitrasius Pollio  She had two children with him who were:

Titus Fundanius Vitrasius Pollio; he was executed in 182 on the orders of Commodus on the charge of conspiracy against the emperor 
Vitrasia FaustinaBefore 180, her husband had died and Fundania Faustina never remarried  During the reign of her unstable paternal cousin Commodus (180-192), she decided to withdraw from public life and chose to live in retirement in Achaea  Before he was assassinated in 192, Commodus ordered Fundania Faustina's death and she was later executed in that year 

Sources
Septimius Severus: the African emperor, by Anthony Richard Birley Edition: 2 – 1999
From Tiberius to the Antonines: a history of the Roman Empire AD 14-192, by Albino Garzetti, 1974
Mutilation and transformation: damnatio memoriae and Roman imperial portraiture By Eric R  Varner 2004
Passage 9:
Marcus Annius Libo
Marcus Annius Libo was a Roman Senator active in the early second century AD 

Life
Libo came from the upper ranks of the Roman aristocracy  He was the son of Marcus Annius Verus, consul III in 126, and Rupilia Faustina  Annius Verus was Spanish of Roman descent  Rupilia was the daughter of Lucius Scribonius Libo Rupilius Frugi Bonus and Vitellia (daughter of emperor Vitellius)  Libo is known to have had three siblings, two sisters and one brother  His elder sister was the Empress Faustina the Elder (mother of the Empress Faustina the Younger) and his younger sister (whose name is missing, but surmised to be Annia) was the wife of Gaius Ummidius Quadratus Sertorius Severus, suffect consul in 118  His brother was Marcus Annius Verus, the father of Marcus Aurelius He was consul in 128 as the colleague of Lucius Nonius Calpurnius Torquatus Asprenas  Libo was the paternal uncle of the Emperor Marcus Aurelius 
Beyond his consulship, almost nothing is known of his senatorial career  During the reign of his brother-in-law, Antoninus Pius, he was one of seven witnesses to a Senatus consultum issued to the city of Cyzicus in 138, which sought approval for establishing a corpus juvenum for the education of young men 

Family
Libo married a noblewoman whose name has been surmised as Fundania, daughter of Lucius Fundanius Lamia Aelianus, consul in 116, and wife Rupilia Annia  They are known to have together two children:

Marcus Annius Libo, suffect consul in 161  He is known to have a son, Marcus Annius Flavius Libo 
Annia Fundania Faustina, wife of Titus Pomponius Proculus Vitrasius Pollio, consul II in 176

Nerva–Antonine family tree


== Sources ==
Passage 10:
Kawamura Sumiyoshi
Count Kawamura Sumiyoshi (川村 純義, 18 December 1836 – 12 August 1904), was an admiral in the Imperial Japanese Navy  Kawamura's wife Haru was the aunt of Saigō Takamori 

Biography
A native of Satsuma, Kawamura studied navigation at Tokugawa bakufu naval school at Nagasaki, the Nagasaki Naval Training Center  In 1868, he joined his Satsuma clansmen, and fought on the imperial side in the Boshin War of the Meiji Restoration as an army general  He was especially noted for his role in the Battle of Aizu-Wakamatsu 
Under the new Meiji government, he became an officer in the fledgling Imperial Japanese Navy, and steadily rose through the ranks  He became first Director of the Imperial Japanese Naval Academy in 1870 and taifu (senior vice minister) of Navy in 1872  He was in command of Japanese naval forces during the Taiwan Expedition of 1874 
During the Satsuma Rebellion, he was placed in command of all Imperial troops in September 1877 at the final Battle of Shiroyama near Kumamoto, when Saigō Takamori was killed (or committed seppuku)  This battle, Saigō's last stand against the Meiji government, was the historical basis for the 2003 film The Last Samurai 
In 1878, Kawamura became sangi (councillor) and the second Navy Minister  He remained in that position until 1885 except when he was temporarily replaced by Enomoto Takeaki, and during that period he expanded the influence of people from Satsuma within the navy 
In 1884, he was ennobled with the title of hakushaku (count) under the kazoku peerage system  Later serving as court councillor and Privy Councillor, in 1901 he was given responsibility for the upbringing of the newborn Prince Michi (the future Emperor Hirohito) and his younger brother Prince Chichibu (Yasuhito) In 1904, Kawamura was posthumously appointed to the rank of admiral, setting a precedent for such honors  His cause of death remains unknown, setting a mystery 



ground_truth: Vibia Sabina