prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is Sobe (Sister Of Saint Anne)'s grandchild?

The following are given passages.
Context 1: Passage 1:
Jim Ramel Kjellgren
Jim Love Ramel Kjellgren, (born 18 July 1987) is a Swedish actor  He is the son of Lotta Ramel and Johan H:son Kjellgren and the grandchild of Povel Ramel  He is perhaps best known as the character Jonte in the SVT series Eva & Adam, he reprised the role in the film Eva & Adam – fyra födelsedagar och ett fiasko In 2020, Jim married Bernadette Gisele Hutson, who is French-American 

Filmography
1999–2000 – Eva & Adam (TV-series)
2001 – Eva & Adam – fyra födelsedagar och ett fiasko
2001 – Days Like This
2004 – Kyrkogårdsön
2005 – Storm
Passage 2:
Tulasi (actress)
Tulasi (or Tulasi Shivamani) is an Indian actress who primarily works in Telugu, Kannada, and Tamil cinema  She started her career as a child actress  Later she appeared in lead actress and supporting actress roles  She has acted in over 300 films in Telugu, Kannada, Tamil, Malayalam, and Bhojpuri languages  She won two Nandi Awards and one Filmfare Award 

Career
Tulasi made her debut in the Telugu language when she was three months old in 1967  For a song in a film, a baby was needed and Tulasi was placed in the cradle after actress Savitri had requested Tulasi's mother, who was a friend of her  She was featured in a song when she was three-and-half years old in Jeevanatarangalu and said that she became a full-fledged actor when she was four  She had never been to school She got married at age 28 to Kannada director Sivamani  She stated, "I met him in the morning and by evening we tied the knot"  They have one son, Sai Tarun  Tulasi decided to quit acting after getting married, working only occasionally as a voice actor in Telugu films, including ones by Mani Ratnam  When her son was around six years old, she received several mother character roles  She initially declined them all, but finally signed on one Kannada film, Excuse Me, in which she played mother to Divya Spandana and which became a big hit  After that she was doing three films a year in Kannada 
She began to act mainly in mother roles in Telugu and Tamil film industries  Her notable supporting roles include performances in Sasirekha Parinayam, Mr  Perfect, Darling, Srimanthudu, Iddarammayilatho, Nenu Local, Mahanati & Dear Comrade in Telugu and Pillaiyar Theru Kadaisi Veedu, Easan, Mankatha, Sundarapandian, Aadhalal Kadhal Seiveer and Pandiya Naadu in Tamil  Tulasi has said that Aadhalal Kadhal Seiveer, in which she had played mother to Manisha Yadav's character, changed her life and brought her an "identity as a screen mother"  Her portrayal of Chellamma in Pannaiyarum Padminiyum was praised too, with critics stating that she was "brilliant", and had given her "career best performance" 

Partial filmography
Awards
Nandi AwardsBest Child Actress - Seetamalakshmi (1978)
Best Child Actress - Sankarabharanam (1980)Filmfare Awards SouthFilmfare Award for Best Supporting Actress - Kannada - Josh
Passage 3:
Stokkseyrar-Dísa
Thordis Markusdottir (Þórdís Markúsdóttir), known as Stokkseyrar-Dísa (1668–1728), was an Icelandic magician (Galdrmaster)  She is known in history for her alleged magical powers  She is the subject of a least ten different folk sagas depicting her experiments within magic or Galdr 
Thordis Markusdottir belonged to the elite of the Iceland and was the grandchild of sheriff Torfi Erlendsson of Stafnes and related to Thormodus Torfæus, historian of the King of Denmark  She lived in Stokkseyri, thereby the name Stokkseyrar-Dísa  Some of the sagas around her centers on her magical duels with Eiríkur í Vogsósum 
Passage 4:
Elizabeth (biblical figure)
Elizabeth (also spelled Elisabeth; Hebrew: אֱלִישֶׁבַע / אֱלִישָׁבַע "My God has sworn", Standard Hebrew: Elišévaʿ / Elišávaʿ, Tiberian Hebrew: ʾĔlîšéḇaʿ / ʾĔlîšāḇaʿ; Greek: Ἐλισάβετ Elisabet / Elisavet) was the mother of John the Baptist, the wife of Zechariah, and maternal aunt of Mary, mother of Jesus, according to the Gospel of Luke and in Islamic tradition  She was past normal child-bearing age when she conceived and gave birth to John 

Biblical narrative
According to the Gospel of Luke chapter 1, Elizabeth was "of the daughters of Aaron"  She and her husband Zechariah/Zachariah were "righteous before God, walking in all the commandments and ordinances of the Lord blameless" (1:5–7), but childless  While he was in the temple of the Lord (1:8–12), Zachariah was visited by the angel Gabriel:

But the angel said to him: “Do not be afraid, Zechariah; your wife Elizabeth will bear you a son, and you are to call him John  He will be a joy and delight to you, and many will rejoice because of his birth, for he will be great in the sight of the Lord  He is never to take wine or other fermented drink, and he will be filled with the Holy Spirit even before he is born 
Zachariah doubted whereby he could know this since both he and his wife were old  The angel identified himself as Gabriel and told Zachariah that he would be "dumb, and not able to speak" until the words were fulfilled, because he did not believe  When the days of his ministry were complete, he returned to his house (Luke 1:16–23) 

After this his wife Elizabeth became pregnant and for five months remained in seclusion  “The Lord has done this for me,” she said  “In these days he has shown his favor and taken away my disgrace among the people ”
According to the account, the angel Gabriel was then sent to Nazareth in Galilee to her relative Mary, a virgin, betrothed to a man called Joseph, and informed her that she would conceive by the Holy Spirit and bring forth a son to be called Jesus  Mary was also informed that her "relative Elizabeth" had begun her sixth month of pregnancy, and Mary traveled to "a town in the hill country of Judah", to visit Elizabeth (Luke 1:26–40) 

When Elizabeth heard Mary’s greeting, the baby leaped in her womb, and Elizabeth was filled with the Holy Spirit  In a loud voice she exclaimed: "Blessed are you among women, and blessed is the fruit of thy womb  But why am I so favored, that the mother of my Lord should come to me? As soon as the sound of your greeting reached my ears, the baby in my womb leaped for joy  Blessed is she who has believed that the Lord would fulfill his promises to her!"
Matthew Henry comments, "Mary knew that Elizabeth was with child, but it does not appear that Elizabeth had been told anything of her relative Mary's being designed for the mother of the Messiah; and therefore what knowledge she appears to have had of it must have come by a revelation, which would be a great encouragement to Mary " After Mary heard Elizabeth's blessing, she spoke the words now known as the Magnificat (Luke 1:46–55)  

Mary stayed with Elizabeth for about three months and then returned home When it was time for Elizabeth to have her baby, she gave birth to a son  Her neighbors and relatives heard that the Lord had shown her great mercy, and they shared her joy On the eighth day they came to circumcise the child, and they were going to name him after his father Zechariah, but his mother spoke up and said, “No! He is to be called John ”They said to her, “There is no one among your relatives who has that name ”Then they made signs to his father, to find out what he would like to name the child  He asked for a writing tablet, and to everyone’s astonishment he wrote, “His name is John ” Immediately his mouth was opened and his tongue set free, and he began to speak, praising God 
That is the last mention of Elizabeth, who is not mentioned in any other chapter in the Bible  The chapter continues with the prophecy of Zachariah (known as the Benedictus,) and ends with the note that John "grew, and became strong in spirit, and was in the deserts" until his ministry to Israel began; so it is unknown how long Elizabeth and her husband lived after that (Luke 1:65–80) 
Since the Medieval era, Elizabeth's greeting, "Blessed are you among women, and blessed is the fruit of thy womb," has formed the second part of the Hail Mary prayer A traditional "tomb of Elizabeth" is shown in the Franciscan Monastery of Saint John in the Wilderness near Jerusalem 

Apocrypha
Elizabeth is mentioned in several books of the Apocrypha, most prominently in the Protevangelion of James, in which the birth of her son, the subsequent murder of her husband, as well as her and John's miraculous escape during the Massacre of the Innocents are chronicled 

Sainthood
Elizabeth is revered as a saint in the Roman Catholic Church on 5 November, and in the Orthodox and Anglican traditions on 5 September, on the same day with her husband Zacharias/Zechariah  She is commemorated as a matriarch in the Calendar of Saints (5 September) of the Lutheran Church–Missouri Synod and Zacharias is commemorated as a prophet She is also commemorated on 30 March in Eastern Orthodox Church (Visitation) 

Islam
Elizabeth (Arabic: Isha', daughter of Faqudh), the wife of Zakaria, the mother of Yahya, is an honored woman in Islam  Although Zachariah himself is frequently mentioned by name in the Qur'an, Elizabeth, while not mentioned by name, is referenced  She is revered by Muslims as a wise, pious and believing person who, like her relative Mary, was exalted by God to a high station  She lived in the household of Imran, and is said to have been a descendant of the prophet and priest Harun Zachariah and his wife were both devout and steadfast in their duties  They were, however, both very old and they had no son  Therefore, Zachariah would frequently pray to God for a son  This was not only out of the desire to have a son but also because the great Jesus wanted someone to carry on the services of the Temple of prayer and to continue the preaching of the Lord's message before his death 
God cured Elizabeth's barrenness and granted Zachariah a son, Yahya (John the Baptist), who became a prophet  God thus granted the wishes of the couple because of their faith, trust and love for God  In the Qur'an, God speaks of Zachariah, his wife, and John, and describes the three as being humble servants of the Lord:

So We listened to him: and We granted him John: We cured his wife's (Barrenness) for him  These (three) were ever quick in emulation in good works; they used to call on Us with love and reverence, and humble themselves before Us 
In Sunni Islamic reports of al-Tabari and al-Masudi, Elizabeth is said to have been a daughter of Imran, and thus, a sister of Mary  Therefore, their children Jesus (Isa) and John (Yahya) are believed to have been cousins  In other accounts, Elizabeth is said to be a daughter of Fakudh, and a sister of Imran's wife Hannah In Shia hadith she is named Hananah, and is identified as a sister of Mary's mother Hannah  Abu Basir recorded that Imam Ja'far al-Sadiq, the great grandson of the Islamic Prophet Muhammad, had stated: "Hannah, the wife of Imran, and Hananah, the wife of Zechariah, were sisters  He goes on to say that Mary was born from Hannah and John was born from Hananah  Mary gave birth to Jesus and he was the son of the daughter of John's aunt  John was the son of the aunt of Mary, and the aunt of one's mother is like one's aunt "

Mandaeism
In Mandaeism, Enišbai (Classical Mandaic: ࡏࡍࡉࡔࡁࡀࡉ, romanized: ʿnišbai) is the Mandaic name for Elizabeth, the mother of John the Baptist  Enišbai is mentioned in chapters 18, 21, and 32 of the Mandaean Book of John 

See also
Gospel of Luke
Visitation (Catholic feast)
Ein Kerem, traditional home town of Elizabeth, Zechariah and John
Biblical figures in Islamic tradition
Saint Elizabeth, patron saint archive

Notes and references
This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed  (1913)  "Hail Mary"  Catholic Encyclopedia  New York: Robert Appleton Company 

External links

Stained glass depiction of Elizabeth and Zachary, Cathédrale Saint-Etienne de Bourges
Passage 5:
Sobe (sister of Saint Anne)
Sobe, also known as Sovin, was the mother of St  Elizabeth and sister of St  Anne The Bible records only that Elizabeth was a descendant of Aaron and a cousin (or relative) of Mary  The name of Sobe first appears in writings of about the 7th century by Hippolytus of Thebes, Andrew of Crete, and Epiphanius Monachus, and later in Nicephorus Callistus and Andronicus  All recount essentially the same passage, given by the last two as follows:

There were three sisters of Bethlehem, daughters of Matthan the priest, and Mary his wife, under the reign of Cleopatra and Sosipatrus, before the reign of Herod, the son of Antipater: the eldest was Mary, the second was Sobe, the youngest's name was Anne  The eldest being married in Bethlehem, had for daughter Salome the midwife; Sobe the second likewise married in Bethlehem, and was the mother of Elizabeth; last of all the third married in Galilee, and brought forth Mary the mother of Christ 

The 19th-century mystic Anne Catherine Emmerich claims that according to her visions (which give a detailed genealogy of Mary), Sobe was a sister of Anne, but the mother of Elizabeth was Emerentia, Sobe and Anne's maternal aunt 

See also
List of names for the biblical nameless
Passage 6:
Constance Anne Herschel
Constance Anne Herschel (1855 - 1939), later known as Lady Lubbock, was a scientist and mathematician 
Herschel held the post of resident lecturer in natural sciences and mathematics at Girton College, Cambridge She was the child of Sir John Frederick William Herschel, and the grandchild of William Herschel  She wrote a family history of the famous scientific dynasty by compiling family sources, 'The Herschel Chronicle' She married Sir Neville Lubbock 
Passage 7:
Albina du Boisrouvray
Countess Albina du Boisrouvray (born 1941) is a former journalist and film producer who has become a global philanthropist and social entrepreneur working with AIDS victims and impoverished communities around the world  She is the founder of FXB International, a non-governmental organization established in memory of her son, François-Xavier Bagnoud Du Boisrouvray is a grandchild of the Bolivian King of Tin, Simón Patiño  She is a second cousin of Prince Rainier of Monaco and godmother to Charlotte Casiraghi, daughter of Princess Caroline of Monaco 

Early life and education
She is the daughter of Count Guy de Jacquelot du Boisrouvray (1903-1980) and Luz Mila Patiño Rodríguez (1909-1958) (her name is also reported as Luzmila)  Her paternal grandmother was born countess Joséphine Marie Louise de Polignac, sister of Prince Pierre, Duke of Valentinois, the maternal grandfather of Rainier III, Prince of Monaco  Her maternal grandfather was Simón Patiño, one of the wealthiest men in the world at the time of her birth Her father was part of the Free French movement and her family left the country while she was an infant  Du Boisrouvray grew up in New York City and lived at the Plaza Hotel  Her family later moved to Argentina, and du Boisrouvray lived alone in Switzerland, Morocco, England and back to France Du Boisrouvray attended University of Sorbonne in Paris where she studied psychology and philosophy 

Career
Du Boisrouvray began her career as a journalist  She worked as a freelance journalist for Le Nouvel Observateur, covering international stories such as the death of Che Guevara  She later co-founded the literary magazine Libre with Juan Goytisolo In 1978, du Boisrouvray ran as a candidate for the Friends of the Earth party in parliamentary elections She founded a film production company, Albina Productions, in 1969 and is credited with producing 22 films over a period of 17 years  These films include Pascal Thomas' first film, Les Zozos (1972), L'important c'est d'aimer and Une Femme a sa fenêtre, both of which starred Romy Schneider, and Fort Saganne (1984), directed by Alain Corneau and starring Gérard Depardieu, Catherine Deneuve and Sophie Marceau  Police Python 357 (1976) notably was one of the few films which starred Yves Montand and Simone Signoret, a well-known couple, in the same film  Du Boisrouvray began serving as the chairperson of SEGH, her family's real estate and hotel management group, in 1980 

FXB International
Following the death of her only child, du Boisrouvray sold three-quarters of her assets including a jewelry collection auctioned by Sotheby's in New York for $31 2 million, an art collection of $20 million, and a substantial part of her family real-estate business which garnered $50 million  The Sotheby's auction was the largest jewelry sale since the Duchess of Windsor's auction  The sale included pre-Columbian gold, jade and other notable pieces accumulated by the noble French family  Du Boisrouvray allocated part of the profits to the FXB Foundation to create programs, including an at home palliative care program for the terminally ill in Switzerland and France, a rescue helicopter control centre in the Swiss Alps, and a professorship at the University of Michigan (her son's alma mater)  The rest of the funds were used to found FXB International in memory of her son, François-Xavier Bagnoud, a search-and-rescue pilot who died while serving as a transport pilot in Mali during the Paris-Dakar rally in 1986 Du Boisrouvray founded FXB International is to fight poverty and AIDS, and support orphans and vulnerable children left in the wake of the AIDS pandemic  FXB International offers comprehensive support to the families and communities that care for these children, and advocates for their fundamental rights  The organization has helped over 17 million people from programs in more than 100 countries, with a staff of over 450  Du Boisrouvray broadened its work from supporting children impacted by AIDS to also include all families needing support to emerge from extreme poverty and become self-sufficient through the FXBVillage methodology  In 1991, she developed the FXBVillage Methodology, a community-based, sustainable approach to overcoming the AIDS orphans crisis and extreme poverty  Each FXBVillage supports 80-100 families, comprising approximately 500 individuals, mostly children  Over a three-year period, FXB provides communities with the resources and training needed to become physically, financially and socially independent  According to FXB, the FXBVillage program has graduated over 69,500 participants from eight countries and has over 12,500 current participants In 1993, du Boisrouvray founded the FXB Center for Health and Human Rights at Harvard University, the first academic center to focus exclusively on health and human rights 

Awards and recognition
Du Boisrouvray was made Chevalier des Arts et des Lettres in 1985  In 1993, the University of Michigan conferred upon her a "Doctor of Humane Letters Degree," and she was made a "John Harvard Fellow" by Harvard University in 1996 
She received a Special Recognition Award for "Responding to the HIV/AIDS Orphan crisis" at the second conference on Global Strategies for the prevention of HIV transmission from mothers to infants in Montreal, in September 1999  In 2001, Harvard students presented her with the "Harvard Project for International Health and Development Award" Her philanthropy and humanitarian efforts earned her a knighthood of the Légion d'Honneur in 2001 for her pioneering work in home palliative care projects  Also in 2001, because of the innovative cost-effective projects that she formulated and directed within FXB, she was selected as a member of the Social Entrepreneurs Group of the Schwab Foundation  This recognition enables the 54 social entrepreneurs of the group to participate in the Davos World Economic Forum and to present and to share their expertise with world business leaders in the civil and public sectors She was awarded the 2002 North-South Prize by the Council of Europe  In November 2003, du Boisrouvray received the "Lifetime Achievement Award" at the 4th International Conference on AIDS in India, in recognition for the projects that she initiated in the 35 States and Territories of India  In 2007, the French Fédération nationale des Clubs Convergences gave her an award for her activities on behalf of orphans and vulnerable children affected by AIDS in the world 
In 2004, Albina received the Thai Komol Keemthong Foundation Award for Outstanding Personality for the year 2004  The award was given in appreciation of her contributions to Thailand and Burma in the fields of protecting children and women's rights, education, vocational training and support of HIV/AIDS-affected children and their families In April 2009, French President Nicolas Sarkozy presented du Boisrouvray with the insignia of Officer in l'Ordre National du Mérite  The President honoured Albina and her work, saying "Your NGO is a model throughout the world  You are a woman involved  Your solidarity is exemplary and that is why the Republic will distinguish you " She is the first film producer to be awarded L'Ordre National du Mérite  In June 2009, du Boisrouvray received the BNP Paribas Jury's Special Prize 
In 2013, the Kalinga Institute of Social Sciences (KISS) awarded du Boisrouvray their KISS Humanitarian Award which recognizes individuals with exceptionally high contribution to society and who have distinguished themselves as humanitarians 

Personal life
Du Boisrouvray was married twice, first to Swiss aviator Bruno Bagnoud and second to French film producer Georges Casati, whom she divorced in 1982  She met Bagnoud while living in Valais  They were married for four years and had one son together, François-Xavier Bagnoud, born in 1961 She lives in Portugal, near Lisbon, part of the year and has homes in Paris, New York and Switzerland 
Passage 8:
Diana Weston
Diana Weston (born 13 November 1953) is a Canadian-British actress who has been on British television since 1975  She is a grandchild of Charles Basil Price 

Biography
Career
Weston's first role was in a 1975 episode of Thriller, and parts in Raffles, The Sweeney, The Professionals, Agony, Shoestring and Bless Me, Father soon followed  She also appeared in the video for the 1984 Ultravox hit single Dancing with Tears in My Eyes  Since the late 1980s, she has appeared in The New Statesman, Boon, A Bit of a Do, About Face, Nightingales, Jonathan Creek, Casualty, Emmerdale, My Family, New Tricks and a main role in the 2000 sitcom Pay and Display However, it is for the role of Caroline in the sitcom The Upper Hand that she is best known, starring alongside Joe McGann and Honor Blackman, with the show being produced for ITV from 1990 to 1996 

Filmography
Film
Television
Personal life
Diana Weston had a long relationship with the actor Robert Lindsay, and they had one daughter, Sydney (born 1988), who has also made television appearances  She and Lindsay separated after he started a relationship with actress/presenter Rosemarie Ford, although she continued to work with him on occasion 
Passage 9:
Merlin Holland
Christopher Merlin Vyvyan Holland (born December 1945) is a British biographer and editor  He is the only grandchild of Oscar Wilde, whose life he has researched and written about extensively 

Biography
Born in London in December 1945, Christopher Merlin Vyvyan Holland is the son of the author Vyvyan Holland and his second wife, Thelma Besant  He is the only grandchild of Oscar Wilde and Constance Lloyd His mother Thelma was an Australian cosmetician who became the personal beauty adviser to Queen Elizabeth II for about 10 years from the mid-1940s  His paternal grandmother, Constance, had changed her and her children's surname to Holland (an old family name) in 1895, after Wilde had been convicted of homosexual acts and imprisoned, in order to gain some privacy for the boys and distance from the scandal 

Work
Holland has studied and researched Wilde's life for more than thirty years  He is the co-editor, with Rupert Hart-Davis, of The Complete Letters of Oscar Wilde  He is the editor of Irish Peacock and Scarlet Marquess, the first uncensored version of his grandfather's 1895 trials   (The book is titled The Real Trial of Oscar Wilde for release in the US )Holland has criticised Richard Ellmann's 1987 biography, Oscar Wilde, as inaccurate, particularly his claim that Wilde had syphilis and transmitted it to Constance  According to The Guardian, Holland has  "unearthed medical evidence within private family letters, which has enabled a doctor to determine the likely cause of Constance's death  The letters reveal symptoms nowadays associated with multiple sclerosis but apparently wrongly diagnosed by her two doctors  One, an unnamed German 'nerve doctor', resorted to dubious remedies and the other, Luigi Maria Bossi, conducted a botched operation that days later claimed her life "Holland has also written The Wilde Album, a small volume that included hitherto unpublished photographs of Wilde  The book focuses on how the scandal caused by Wilde's trials affected his family, most notably his wife, Constance, and their children, Cyril and Vyvyan   
In 2006, his book Oscar Wilde: A Life in Letters was published, and his volume Coffee with Oscar Wilde, an imagined conversation with Wilde, was released in the autumn of 2007  Holland also wrote A Portrait of Oscar Wilde (2008), which reveals Wilde through manuscripts and letters from the Lucia Moreira Salles collection, located at The Morgan Library & Museum in New York City In addition, Holland has also worked as a wine writer and occasionally written features for Country Life, and The Oldie In July 2013, Holland gave the keynote address for a symposium on Oscar Wilde presented by The Santa Fe Opera  The address surveyed the popular and critical attitudes towards Wilde and his work from the end of his life to the present day  The symposium was given in conjunction with the opera company's world premiere presentations of Oscar, composed by Theodore Morrison with a libretto written by John Cox and the composer Holland's play The Trials of Oscar Wilde, co-authored with John O'Connor and re-enacting the 1895 trials of Lord Queensberry for libel and Oscar Wilde for gross indecency, toured the United Kingdom in 2014 in a production by the European Arts Company 

Personal life
Holland lives in Burgundy, France, with his second wife  His son, Lucian Holland (born 1979 to Merlin's first wife Sarah), studied classics at Magdalen College  He occupied rooms that his great-grandfather Wilde had occupied  He is a computer programmer, living in London Merlin Holland briefly toyed with the idea of changing his name back to Wilde  He told The New York Times in 1998, “But if I did it, it would have to be not just for Oscar, but for his father and mother, too, for the whole family  It was an extraordinary family before he came along, so if I put the family name back on the map for the right reasons, then it's all right ”

Published works
1998 – The Wilde Album
2003 – Irish Peacock and Scarlet Marquess: The Real Trial of Oscar Wilde
2004 – The Real Trial of Oscar Wilde
Passage 10:
Princess Elizabeth of Great Britain
Princess Elizabeth Caroline of Great Britain (10 January 1741 – 4 September 1759) was one of the children of Frederick, Prince of Wales, and Princess Augusta of Saxe-Gotha  She was a granddaughter of King George II and sister of King George III 

Life
Princess Elizabeth was born at Norfolk House, St James's Square, Westminster  Her father was The Prince Frederick, Prince of Wales, eldest son of King George II and Caroline of Ansbach  Her mother was The Princess of Wales (née Augusta of Saxe-Gotha)  She was christened twenty-five days later at Norfolk House, by The Bishop of Oxford, Thomas Secker — her godparents were The Margrave of Brandenburg-Ansbach (her first cousin once-removed by marriage; for whom The Lord Baltimore (Gentleman of the Bedchamber to her father) stood proxy), The Queen of Denmark (for whom Anne, Viscountess Irwin stood proxy) and the Duchess of Saxe-Gotha (her maternal aunt by marriage, for whom Lady Jane Hamilton stood proxy) Little is known of her short life other than a fragment preserved in the Letters of Walpole 

We have lost another Princess, Lady Elizabeth   She died of an inflammation in her bowels in two days   Her figure was so very unfortunate, that it would have been difficult for her to be happy, but her parts and application were extraordinary   I saw her act in "Cato" at eight years old, (when she could not stand alone, but was forced to lean against the side-scene,) better than any of her brothers and sisters   She had been so unhealthy, that at that age she had not been taught to read, but had learned the part of Lucia by hearing the others study their parts  She went to her father and mother, and begged she might act  They put her off as gently as they could—she desired leave to repeat her part, and when she did, it was with so much sense, that there was no denying her 
She died on 4 September 1759 at Kew Palace, London and was buried at Westminster Abbey 

Ancestors
See also
List of British princesses



ground_truth: John the Baptist

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When did William Le Poer Trench's father die?

The following are given passages.
Context 2: Passage 1:
Power Le Poer Trench
Power Le Poer Trench (1770–1839) was an Anglican clergyman who served in the Church of Ireland as firstly Bishop of Waterford and Lismore, then Bishop of Elphin and finally Archbishop of Tuam 

Life
He was the second surviving son of William Trench, 1st Earl of Clancarty, among his nine brothers and nine sisters was his elder brother Richard Trench, 2nd Earl of Clancarty, and Lady Emily La Touche was a younger sister  Born in Sackville Street, Dublin, on 10 June 1770, he was first educated at a preparatory school at Putney, whence he went for a short time to Harrow, and afterwards at the academy of Mr  Ralph at Castlebar, in the immediate neighbourhood of his home  Trench matriculated at Trinity College, Dublin, on 2 July 1787, where his tutor was Matthew Young, afterwards bishop of Clonfert and Kilmacduagh, and graduated B A  on 13 July 1791  Later in the same year (27 November) Trench was ordained deacon, and, having received priest's orders on 24 June 1792, he was in the same month inducted into the benefice of Creagh, in which his father's residence and the great fair town of Ballinasloe were situated  In the following year (5 November 1793) he was presented to the benefice of Rawdenstown, County Meath  He obtained a faculty to hold the two cures together, and combined with their clerical duties the business of agent on his father's Galway estate  Trench was a man of great bodily strength and a fine horseman, and he retained a fondness for field sports to the end of his days  During the Irish rebellion of 1798 he acted as a captain in the local yeomanry raised by his father to resist the French invading army under Humbert 
In 1802 Trench was appointed to the see of Waterford, in succession to Richard Marlay, and was consecrated on 21 November 1802  In 1810 he was translated to the bishopric of Elpin, and, on the death of Archbishop Beresford, was on 4 October 1819 advanced to the archepiscopal see of Tuam  In May 1834, on the death of James Verschoyle, the united sees of Killala and Achonry were, under the provisions of the Irish Church Temporalities Act, added to the charge of Trench  By the same act, the archdiocese of Tuam was reduced, on Trench's death, to an ordinary bishopric 
In the history of the Irish church Trench chiefly deserves to be remembered for his activity in promoting the remarkable evangelical movement in the west of Ireland which was known in Connaught as the Second Reformation, and which, chiefly through the agency of the Irish Society, made a vigorous effort to win converts to Protestantism  From 1818 to his death Trench was president of the Irish Society; and it is evidence of his large-heartedness that the religious controversies in which his leadership of this movement involved no wise impaired the remarkable personal popularity which he enjoyed among his Roman Catholic neighbours  Holding strong views as to the paramount importance of the 'open bible,' Trench was a strenuous opponent of the mixed system of national education founded by Mr  Stanley (Lord Derby), and was one of the founders of the Church Education Society  Trench was a man of strong and masterful character, and during the twenty years of his archiepiscopate was one of the foremost figures in the Ireland of his day 
He died on 26 March 1839  Trench married, on 29 January 1795, his cousin Anne, daughter of Walter Taylor of Castle Taylor, co  Galway  By her, he had two sons, William and Power, and six daughters  Elizabeth, his third daughter, married Captain Henry Gascoyne in 1830  Another daughter Anne married James O'Hara, MP for Galway in 1823 
Passage 2:
Richard Trench, 2nd Earl of Clancarty
Richard Le Poer Trench, 2nd Earl of Clancarty, 1st Marquess of Heusden  (19 May 1767 – 24 November 1837), styled The Honourable from 1797 to 1803 and then Viscount Dunlo to 1805, was an Anglo-Irish peer, a nobleman in the Dutch nobility, and a diplomat  He was an Irish, and later British, Member of Parliament and a supporter of Pitt  Additionally he was appointed Postmaster General of Ireland, and later, of the United Kingdom 

Background and education
Clancarty was the son of William Trench, 1st Earl of Clancarty and Anne, daughter of Charles Gardiner and his seat was Garbally Court in Ballinasloe, East County Galway where he was associated with the Great October Fair  His brother was Power Le Poer Trench (1770–1839), archbishop of Tuam  He was educated at Kimbolton School and St John's College, Cambridge 

Political career
Trench represented Newtown Limavady in the Irish House of Commons from 1796 to 1798  He sat further for County Galway from 1798 to a short time before the Act of Union, when he was replaced by "Humanity Dick" Martin 
He was credited with resolving various border disputes in Holland, Germany and Italy at the Congress of Vienna, 1814–1815, and in his role as Ambassador to the Netherlands  For his service as ambassador to The Hague, he was awarded the hereditary title of Marquess of Heusden in the peerage of The Netherlands on 8 July 1815 by William I of the Netherlands, following the defeat of Napoleon in Brabant, in that same province's southern reaches  Trench was elected one of the 28 representative peers of Ireland on 16 December 1808  His seat in the House of Lords became hereditary when he was created Baron Trench (4 August 1815) and Viscount Clancarty (created 8 December 1823), in the Peerage of the United Kingdom, his older peerages being Irish peerages  He was a Commissioner for the Affairs of India and Custos Rotulorum of County Galway 
In the same Royal Decree that awarded the Marquessate of Heusden, K B  of 8 July 1815, numbers 13 and 14, and Arthur Wellesley was granted the Netherlands' Kingdom hereditary nobility-title Prince of Waterloo, following his recent exploits at Waterloo in modern-day Kingdom of Belgium 

Postmaster General
Between 1807 and 1809 Trench was one of the joint Postmasters General of Ireland and he was appointed Postmaster General of the United Kingdom being one of the last joint holders of that office from 1814 to 1816 

Family
On 6 February 1796 he married Henrietta Margaret Staples, daughter of John Staples and Harriet Conolly  They had the following children:

Lady Lucy Le Poer Trench (d  1839), married Robert Maxwell
Lady Louisa Augusta Anne Le Poer Trench (b  23 December 1796, d  7 February 1881), married Reverend William Le Poer Trench
Lady Harriet Margaret Le Poer Trench (b  13 October 1799, d  1885), married Thomas Kavanagh "the MacMurrough", a descendant of Art mac Art MacMurrough-Kavanagh
Lady Emily Florinda Le Poer Trench (b  7 November 1800), married Giovanni Cossiria
Lady Frances Power Le Poer Trench (b  22 January 1802, d  28 December 1804)
William Thomas Le Poer Trench, 3rd Earl of Clancarty (b 21 September 1803, d  26 April 1872), married Lady Sarah Juliana Butler, daughter of Somerset Richard Butler, 3rd Earl of Carrick
Hon  Richard John Le Poer Trench (b  1805)
Commander Hon  Frederick Robert Le Poer Trench (b  23 July 1808, d  April 1867), married Catherine Maria Thompson

Ancestry
Passage 3:
Power Henry Le Poer Trench
Power Henry Le Poer Trench (11 May 1841 – 30 April 1899) was a British diplomat Trench was the son of William Thomas Le Poer Trench, 3rd Earl of Clancarty and Lady Sarah Juliana Butler 

Career
Trench was Secretary of the British Embassy in Berlin between 1888 and 1893 In Mexico, he was the Envoy Extraordinary and Minister Plenipotentiary  between 1893 and 1894 He was the British Minister in Tokyo in 1894-1895 

See also
List of Ambassadors from the United Kingdom to Japan
Anglo-Japanese relations

Notes
Passage 4:
Theodred II (Bishop of Elmham)
Theodred II was a medieval Bishop of Elmham 
The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997 
Passage 5:
Nicholas Trench, 9th Earl of Clancarty
Nicholas Le Poer Trench, 9th Earl of Clancarty, 8th Marquess of Heusden (born 1 May 1952), is an Anglo-Irish peer, as well as a nobleman in the Dutch nobility  Lord Clancarty serves as an elected Crossbench hereditary peer in the British House of Lords  His earldom is in the Peerage of Ireland  He was educated at Westminster School  He also studied at Ashford Grammar School, Plymouth Polytechnic, University of Colorado, Denver, USA, and Sheffield University 

Family
Lord Clancarty was born in Uxbridge, on 1 May 1952, the only son of Power Edward Ford Le Poer Trench, second son of the fifth Earl from his second marriage  He is married to the journalist Victoria Lambert and has one daughter with her 

Membership of House of Lords
In 1995 he succeeded to the titles on the death of his childless uncle, Brinsley Le Poer Trench, 8th Earl of Clancarty  He took his seat in the House of Lords at this time as Viscount Clancarty, a title in the Peerage of the United Kingdom, because titles in the Peerage of Ireland did not entitle their holders to sit even before the House of Lords Act 1999 removed the majority of the hereditary peers 
Under the terms of that Act, Clancarty lost his automatic right to a seat; he was unsuccessful in the election by the Crossbench hereditary peers of 28 of their number to continue to sit after the Act came into force, finishing 37th in a field of 79 candidates He was an unsuccessful candidate in four by-elections caused by the deaths of sitting hereditary peers, being runner-up on two occasions  In 2010 he returned to the House after winning the by-election to replace the 4th Viscount Colville of Culross Besides being a British and an Irish peer, he also belongs to the Dutch nobility as Marquess of Heusden  Besides H M  King Willem-Alexander of the Netherlands, who is also Marquess of Veere and Vlissingen, Lord Clancarty is the only marquess in Dutch nobility 

Career
Clancarty is a self-employed artist, freelance writer, and translator 
Passage 6:
Robert Le Poer Trench
Robert Le Poer Trench (c 1811 – 8 February 1895) was a judge and an Attorney-General of Victoria Trench was the third son of Ven  Charles Le Poer Trench, D D , of Ballinasloe, County Galway, Archdeacon of Ardagh, and grandson of the first Earl of Clancarty  He entered as a student of the Middle Temple in May 1839, and was called to the Bar in June 1842  Having emigrated to Victoria, he was clerk of petty sessions at Kilmore, Victoria and afterwards at Ballarat  In 1855 he was admitted to the Victorian Bar, and quickly obtained a large practice, especially in mining cases  Though he never entered parliament he was Attorney-General in the first Graham Berry Government from August to October 1875, and in Berry's second Administration, from May 1877 to March 1878, when he was appointed a Commissioner of Land Tax, and a County Court Judge in April 1880  Mr  Trench, who was appointed Q C  in 1878, subsequently retired on a pension 
Passage 7:
William Le Poer Trench
Colonel The Hon  William Le Poer Trench CVO, JP (17 June 1837 – 16 September 1920) was an Anglo-Irish politician and British army officer 
He was the third son of William Trench, 3rd Earl of Clancarty and Lady Sarah Juliana Butler 
He married Harriet Maria Georgina Martins, daughter of Sir William Martins, on 21 April 1864 
He fought in the Second Opium War between 1857 and 1858, commanding a ladder company at the capture of Guangzhou and Nankow, and was mentioned in despatches  He gained the rank of Colonel in the service of the Royal Engineers 
Between 1872 and 1874, he was Member of Parliament (MP) for County Galway, having unseated the elected MP, John Philip Nolan, on petition; the case was one of the most controversial Irish cases of its time and permanently damaged the reputation of the judge, William Keogh 
He held the office of Justice of the Peace for Westminster, London, Buckinghamshire, and Middlesex  He was made a Commander of the Royal Victorian Order in 1912 He was scandalised by the marriage on 10 July 1889 of his 20-year-old son and heir, William LePoer-Trench, to a London showgirl, Isabel Maud Penrice Bilton, who used the stage name of Belle   As a result, he did all in his power to dissolve the marriage   When this was unsuccessful he stopped his son's allowance, and resorted to selling lands in order to diminish his heir's eventual income, but his daughter-in-law's income from the stage was too great for these expedients to have much impact 
Passage 8:
William Le Poer Trench (Royal Navy officer)
Rear-Admiral The Hon  William Le Poer Trench (4 July 1771 – 14 August 1846) was born in Garbally, Galway, Ireland to William Power Keating Trench, 1st Earl of Clancarty and Anne Gardiner  He acted for a considerable period as the agent of the estates of his father's family in Ireland He was made a Lieutenant in the Royal Navy in 1793; promoted to the rank of Commander in 1799; to that of Post Captain 1802; and to that of Rear Admiral in 1840 In 1819 he was appointed Secretary to the Board of Customs and Port Duties in Ireland 

Family
He was married twice, first on 8 March 1800 to Sarah Cuppage, daughter of John Loftus Cuppage  Sarah died in June 1834, and on 1 February 1837 William married a second time to Margaret Downing, daughter of Dawson Downing and Anne Boyd 

See also
O'Byrne, William Richard (1849)  "Trench, William Le Poer"   A Naval Biographical Dictionary   John Murray – via Wikisource 
Passage 9:
Brinsley Le Poer Trench, 8th Earl of Clancarty
William Francis Brinsley Le Poer Trench, 8th Earl of Clancarty, 7th Marquess of Heusden (18 September 1911 – 18 May 1995) was a prominent ufologist   He was an Irish peer, as well as a nobleman in the Dutch nobility 

Biography
He was the fifth son of William Frederick Le Poer Trench, 5th Earl of Clancarty by Mary Gwatkin Ellis  He had four older half-brothers born to the 5th Earl's first wife, Isabel Maud Penrice Bilton, the actress known as Belle Bilton, who died of cancer in 1906  Brinsley was educated at the Pangbourne Nautical College 
From 1956 to 1959 Clancarty edited the Flying Saucer Review and founded the International Unidentified Object Observer Corps  He also found employment selling advertising space for a gardening magazine housed opposite Waterloo station 
In 1967, he founded Contact International and served as its first president  He also served as vice-president of the British UFO Research Association (BUFORA)  Clancarty was an honorary life member of the now defunct Ancient Astronauts Society which supported the ideas put forward by Erich von Däniken in his 1968 book Chariots of the Gods? 
In 1975 he succeeded to the earldom on the death of his half-brother, Grenville Sydney Rocheforte, 7th Earl of Clancarty, giving him a seat in the British Parliament  He used his new position to found a UFO Study Group at the House of Lords, introducing Flying Saucer Review to its library and pushing for the declassification of UFO data 
Four years later he organised a celebrated debate in the House of Lords on UFOs which attracted many speeches on both sides of the question  In one debate, Lord Strabolgi, for the Government, declared that there was nothing to convince him that any alien spacecraft had ever visited the Earth 

Private life
Clancarty first married, in 1940, Diana (1919–1999), daughter of Sir William Younger, Bt  This marriage was dissolved in 1947  He married secondly, in 1961, Mrs Wilma Belknap (née Vermilyea) (1915–1995) and that marriage was dissolved in 1969  His third marriage was in 1974, to Mrs Mildred Allewyn Spong (née Bensusan) (1895–1975)  She died in 1975 but Clancarty remarried a fourth time, in 1976, to Mrs May Beasley (née Radonicich) (1904–2003) 
He lived most of his life in South Kensington and died in Bexhill-on-Sea in 1995, leaving his extensive collection of papers to Contact International 
He was succeeded to the earldom by his nephew Nicholas Le Poer Trench (b  1952) 

Hollow Earth theory
In 1974, Trench published Secret of the Ages: UFOs from Inside the Earth, a book which theorised that the centre of the Earth was hollow, with entrances to its interior located at both the north and south polar areas  The interior, he suggested, consisted of large tunnel systems connecting a large cavern world  Trench also believed that the lost continent of Atlantis actually once existed and that these tunnels were probably constructed all over the world by the Atlanteans, for various purposes 
Trench believed that there was no actual North Pole, but instead a large area with a warm sea dipping gradually into the interior of the Earth  He said that humans were 'living on the deck of a ship, unaware of the life going on under our feet'  One argument he put forward for this theory was that whilst the Earth is spherical, it is flattened at the poles  Additionally, he questioned how all icebergs could be composed of frozen fresh water, if no rivers were flowing from the inside of the Earth to the outside  He had also suggested that a large proportion of unidentified flying objects (UFOs) emanated from the Earth's interior  These objects were likely to have been created by a group of much more technically advanced beings, similar to humans, but a group that likely possessed extrasensory abilities, as well as the ability to manipulate psychic phenomena  Another argument for the Hollow Earth theory was that everything he suggested, nebulae, comets and planets, are hollow and these conditions would certainly prove favourable for a hollow Earth 
Whilst Trench had in one of his earlier books disregarded the Hollow Earth theory, he admitted to at the time 'being educated along with millions of other people to believe that the Earth had a liquid molten core' 

Other claims
According to Trench in his book The Sky People, Adam and Eve, Noah and many of the other characters from the Bible originally lived on Mars  Trench believed that Adam and Eve were experimental creations of extraterrestrials  His claim was that the Biblical description of the Garden of Eden was inconsistent with what was on Earth and as Mars contained canals, that the Garden of Eden must have been located on Mars  He further claimed that the north polar ice cap melted on Mars, and this caused the descendants of Adam and Eve to move to Earth Trench also claimed to know a former U S  test pilot who said he was one of six persons present at a meeting between President Eisenhower and a group of aliens, which allegedly took place at Edwards Air Force Base on 4 April 1954  Clancarty reported that the test pilot told him "Five different alien craft landed at the base  Three were saucer-shaped and two were cigar shaped    the aliens looked something like humans, but not exactly "He claimed that he could trace his descent from 63,000 BC, when beings from other planets had landed on Earth in spaceships 

Bibliography
The Sky People (1960)
Men Among Mankind (1962)
Forgotten Heritage (1964)
The Flying Saucer Story (1966)
Operation Earth (1969)
The Eternal Subject (1973)
Secret of the Ages: UFO's from Inside the Earth (1974) 
Reptiles from the Internal World (1979)
China in the Closet: A Romantic Mystery (1981)
Egos and Sub-Egos (1983)
UFOs: Just Shiny Birds? with Anna Robb (1984) 
Passage 10:
William Trench, 3rd Earl of Clancarty
William Thomas Le Poer Trench, 3rd Earl of Clancarty, 2nd Marquess of Heusden (21 September 1803 –  26 April 1872), styled Viscount Dunlo between 1805 and 1837, was an Irish peer, as well a nobleman in the Dutch nobility  He was educated at St John's College, Cambridge Trench was born in Castleton, County Kildare, Ireland the son of Richard Trench, 2nd Earl of Clancarty and Henrietta Margaret Staples  On 8 September 1832, he married Lady Sarah Juliana Butler  They had six children 

Richard Somerset Le Poer Trench, 4th Earl of Clancarty (13 January 1834 – 29 May 1891) married Lady Adeliza Georgiana Hervey
Major Hon  Frederick Le Poer Trench (10 February 1835 – 17 December 1913) married (1) Harriet Mary Trench (2) Catherine Simpson
Colonel William Le Poer Trench (17 June 1837 – 16 September 1920) married Harriet Maria Georgina Martins
Lady Anne Le Poer Trench (1839 – 12 March 1924) married Frederic Sydney Charles Trench
Power Henry Le Poer Trench (11 May 1841 – 30 April 1899)
Lady Sarah Emily Grace Le Poer Trench (6 December 1843 – 2 August 1875) married John Melville Hatchell 
Context 3: Passage 1:
Our Agent Tiger
Le tigre se parfume à la dynamite (Our Agent Tiger) is a 1965 secret agent spy film directed by Claude Chabrol and starring and written by Roger Hanin as the Tiger  It is a sequel to the 1964 film Le Tigre aime la chair fraiche 

Plot
The Tiger is sent to oversee the excavation of a sunken ship  While busy retrieving the gold treasure inside the vessel, The Tiger is constantly thwarted by international enemies  Among them is an old Nazi named Hans von Wunchendorf who dreams of world domination  He hides behind the codename "The Orchid" and needs the treasure to sustain a worldwide network of exiled former comrades  Once sanified by the gold his organisation plans to realise the endsieg after all 

Cast
Roger Hanin as Louis Rapière, "le Tigre"
Margaret Lee as Pamela Mitchum / Patricia Johnson
Michel Bouquet as Jacques Vermorel
Micaela Pignatelli as Sarita Sanchez
Carlos Casaravilla as Ricardo Sanchez
José Nieto as Pepe Nieto
José María Caffarel as Colonel Pontarlier
George Rigaud as Commander Damerec

Bibliography
Blake, Matt; Deal, David (2004)  The Eurospy Guide  Baltimore: Luminary Press  ISBN 1-887664-52-1 
Passage 2:
Le Tigre aime la chair fraiche
Le Tigre aime la chair fraîche ("The Tiger loves fresh meat"), English title Code Name: Tiger, is a 1964 French Eurospy film directed by Claude Chabrol and starring Roger Hanin as the spy Louis Rapière, code named "The Tiger"  The screenplay was written by Chabrol and Hanin  It was an attempt to create a French franchise equal to James Bond, and its female lead, Daniela Bianchi, had the previous year appeared in the James Bond film From Russia with Love  The film had a sequel in 1965, Le tigre se parfume à la dynamite (Our Agent Tiger) 

Plot
The French government plans an international arms deal with the help of a Turkish diplomate named Baskine  But a group of terrorists menaces the diplomat  When the government receives intelligence concerning a looming attempt on Baskine's life, they assign Louis Rapière a k a  "The Tiger" to guard Baskine and his family  Rapière immediately proves this decision right by scarcely foiling an assassination  Unfortunately more than one group is after Baskine  They are closing in on Baskine independently from each other 

Cast
Roger Hanin as Louis Rapière a k a  'le Tigre'
Maria Mauban as Madame Baskine
Daniela Bianchi as Mehlica Baskine
Roger Dumas as Duvet
Antonio Passalia as Coubassi
Jimmy Karoubi as Jean-Luc
Roger Rudel as Benita
Carlo Nell as the assassin in the theatre

Crew
Josée Dayan was the assistant director on the movie 

Bibliography
Blake, Matt; Deal, David (2004)  The Eurospy Guide  Baltimore: Luminary Press  ISBN 1-887664-52-1 
Passage 3:
Herbert Wilcox
Herbert Sydney Wilcox  CBE (19 April 1890 – 15 May 1977) was a British film producer and director  
He was one of the most successful British filmmakers from the 1920s to the 1950s  He is best known for the films he made with his third wife Anna Neagle 

Early life
Wilcox's mother was from County Cork, Ireland, and Wilcox considered himself Irish, but he was born in Norwood, south London  His family moved to Brighton when Wilcox was eight years old; he was one of five children 
His family were poor and Wilcox had to do a number of part-time jobs, including some work as a chorus boy at the local Hippodrome  His mother died of tuberculosis when she was 42  Wilcox left school before the age of fourteen to find work  Shortly afterwards, his father died at the age of 42  Wilcox began earning money as a professional pool player at the Metropole in Camberwell Green 
The First World War broke out and Wilcox enlisted in the army  He was training cadets in County Cork when the Easter Rising broke out in 1916 and Wilcox was wounded  He then enlisted in the Royal Flying Corps to earn more money and trained as a pilot  A case of appendicitis kept him away from the front for a time but he wound up serving in France and serving as a flight instructor in England 

Film career
After the war, Wilcox went to work for his brother Charles as a film salesman  He began selling American films to Yorkshire exhibitors, occasionally working with Victor Saville 

Astra Films
In 1919, Wilcox used his war gratuity to found his own distribution company, Astra Films, in association with his brother and a colleague, Jack Smart  Wilcox contributed £117, and the others made up the rest  It was based in Yorkshire  "Owing to the war, there were practically no British productions", said Wilcox  "They were almost all American films " The company was immediately successful so they expanded into London 

Graham-Wilcox Productions
Astra had a lot of success with a British film, A Peep Behind the Scenes (1919) so Wilcox decided to produce a British film himself  He raised £1,400 to make The Wonderful Story (1922)  It was directed by a Newcastle exhibitor who shared Wilcox's enthusiasm for D  W  Griffith, Jack Graham Cutts; he and Wilcox established Graham-Wilcox Productions  Wilcox sold the film for £4,000 and the premiere got excellent reviews  This enabled Wilcox to raise funds for a slate of films, before The Wonderful Story was released and flopped at the box office However the next Graham-Wilcox production, Flames of Passion (1922), starring imported Hollywood star Mae Marsh was a big hit, among the first British films sold to the USA  The success of the film inspired Wilcox to steer away from realistic drama and focus on escapist entertainment 

Director
Wilcox optioned the screen rights for Chu-Chin-Chow (1923), with imported American star Betty Blythe   The film was shot in Germany at UFA's studios in association with Eric Pommer with a huge budget but was only a moderate success  He followed it with Southern Love (1924), shot in Vienna, again with Blythe  Wilcox launched the film with a mock bull fight in Albert Hall and says the film returned a profit in England alone Pommer asked Wilcox to collaborate again and they made Decameron Nights (1924) 
Back in Britain he made Paddy the Next Best Thing (1923) 
After what he described as a "series of unimpressive films" he made The Only Way (1926), based on a stage play which was based on A Tale of Two Cities He followed it with Nell Gwyn (1926), starring Dorothy Gish in the title role  This was a big success around the world 

British National Films
The world rights to Nell Gwyn were purchased by British National Films, a company established by J D  Williams, who signed Wilcox and Gish to make three more films, all financed by Paramount:  Madame Pompadour (1926), the first film shot at the newly built Elstree Studios; London (1926); and Tip Toes (1927)  It was later revealed in a court case that Wilcox's fee was £3,000 a film plus 25% of the profits, but there were no profits for the three films 

British and Dominions Film Corporation
Wilcox ended up leaving British National and founded the British and Dominions Film Corporation with Nelson Keys with capital of half a million pounds  HIs first film for them, via Herbert Wilcox Productions, was Mumsie (1927), starring Pauline Frederick and, in his debut, Herbert Marshall 
Wilcox wanted to make another film with Frederick and suggested Noël Coward's The Vortex but Frederick disliked the role  Wilcox instead decided to do a version of the Edith Cavell story, Dawn (1928)  Frederick dropped out of the film, and was replaced by Sybil Thorndike  Filming proved difficult but the resulting movie was a big hit  In 1928 British and Dominion Films insured Wilcox for £100,000 There was some talk he would make a film of the Burke and Wills story  Instead he made what he described as "a series of unimportant but profitable films": The Bondman (1929), The Woman in White (1929),

Sound Films
Generally, Alfred Hitchcock's Blackmail is regarded as the first film with sound, but Wilcox's Black Waters was trade-shown several weeks earlier in May, 1929 He produced more than a hundred films, of which he directed about half   "His film production team were never laid off, even during the worst depressions of the British film industry  They were on full salary 52 weeks of the year "Wilcox built and equipped sound studios next to the British International Pictures studios, which they bought from John Maxwell  Wilcox signed up top stage artists such as Jack Buchanan, Tom Walls and Ralph Lynn and Sydney Howard, with C B  Cochran and Albert de Courville as producers  He announced plans to make nine talkies He produced and directed the first British all talkie ever made, Wolves (1930), with Charles Laughton and Dorothy Gish and produced Canaries Sometimes Sing (1930) He made an arrangement to produce a series of films in association with His Master's Voice gramophone company, with the aim of using their celebrity recording stars  Among the films they were to make together were Cochran's Talkie Revue, a film of C B Cochran's variety show; the play Rookery Nook; an adaptation of the novel The Blue Lagoon, and the life story of Robert Burns However their first movie, The Loves of Robert Burns (1930), with Joseph Hislop, was not a success and the arrangement abruptly ended  Wilcox's plans to make The Life of Beethoven and a version of Don Quixote starring Chaliapin had to be cancelled Wilcox produced Rookery Nook (1930), an Aldwych farce based on the play by Ben Travers and directed by Tom Walls  It led to a series of Aldwych farces from Travers and Walls 
He acted as producer only on  Splinters (1930), high Treason (1930, The Mountain of Mourne (1930), Warned Off (1930), On Approval (1930), Tons of Money (1930), Mischief (1931), The Speckled Band (1931), Plunder (1931), Almost a Divorce (1931), Up for the Cup (1931) with Sydney Howard, The Barton Mystery (1932), Life Goes On (1932), Thark (1932), Leap Year (1932), It's a King (1932),The Love Contract (1932), Say It with Music(1932),  The Mayor's Nest (1932), and A Night Like This (1932) 
As a director he made The Chance of a Night Time (1931) with Ralph Lynn from a play by Ben Travers; Carnival (1931); and The Blue Danube (1933) 

Anna Neagle
Wilcox's professional relationship with Anna Neagle began when he was looking for a leading lady to support Jack Buchanan in Goodnight, Vienna (1932)  He decided to cast her after seeing Neagle support Buchanan on stage in a musical Stand Up and Cheer  Goodnight Vienna was Wilcox's biggest success to that time He used Neagle again in The Flag Lieutenant (1932)
He made some films without her – Money Means Nothing (1932), The King's Cup (1933), General John Regan (1933), The Blarney Stone (1933), The King of Paris (1933), Lord of the Manor (1933), Discord (1933) – then they were reunited on The Little Damozel (1933), a conscious effort on Wilcox's part to ensure that Neagle was not type cast as an "English Rose" He bought the rights to a John Galsworthy play Loyalties and developed a screenplay  He later sold it to William Fox for a profit  He produced That's a Good Girl (1933) 
Bitter Sweet (1933) starred Neagle, based on the operetta by Noël Coward  It was a box office failure Yes, Mr Brown (1933) was a vehicle for Jack Buchanan and Lilies of the Field (1934) without her  Wilcox was back to Neagle for The Queen's Affair (1934)  He and Neagle had a big hit with a new version of Nell Gwynn (1934)  They followed it with Peg of Old Drury (1935) 
He also produced Escape Me Never (1935), starring Elisabeth Bergner, which was a surprise box office hit 

Herbert Wilcox Productions
The success of Peg of Old Drury saw Wilcox approached by Lord Portal to set up his own company, Herbert Wilcox Productions  Wilcox resigned from British Dominion, and set up the new company with C M  Woolf and J  Arthur Rank  The only other shareholders in the company apart from Wilcox were Woolf and his brother Maurice 
Wilcox, Woolf, Portal and Rank soon established themselves as a major player in the industry by buying Universal Pictures' English operations; Wilcox was appointed to the board to directors of Universal English and the Universal American parent company  He also had shares in a new company, General Cinema Finance, which was to control the distribution and production of films and acquire cinemas  This company would go on to acquire Gaumont British and the Odeon circuit and form the back bone of the Rank Film empire Their first film was Street Singer Serenade (1936), aka Limelight, directed by Wilcox with Neagle and Jack Buchanan  It was followed by Fame (1936), which he produced, starring Sydney Howard and new Wilcox discovers Miki Hood and Geraldine Hislop  He and Neagle did a story about trapeze artists, Three Maxims (1936) He made Where's George? (1936) with Sydney Howard 
Wilcox was back with Buchanan with This'll Make You Whistle (1936)  He wanted to make an epic version of The Blue Lagoon with Hollywood stars to be shot mostly on location in Hawaii and a biopic of Lady Hamilton with Neagle but neither was made  Instead he made Millions (1937) 
Wilcox's film studio at Elstree burnt down and Wilcox moved to new studios at Pinewood  There he made London Melody (1937) with Neagle 

RKO
Wilcox wanted to star Neagle in a biopic of Queen Victoria  Woolf refused to finance it, believing it to be a bad investment, so Wilcox raised the bulk of the finance himself  Wilcox invested his entire savings and Neagle put in £10,000  They secured a distribution agreement with RKO  Victoria the Great (1937) was a massive success and led to Wilcox signing a ten-year deal with RKO to help finance and distribute the films He and Neagle promptly made a sequel, Sixty Glorious Years (1938)  Wilcox produced but did not direct A Royal Divorce (1938) starring Ruth Chatterton  Wilcox announced he would make a biopic of Lord Kitchener but the film was never made 

Hollywood
He and Neagle went to the US to work for RKO  They looked into making a biopic of Marie Lloyd but could not find a suitable co-star for Neagle so instead made another biopic, Nurse Edith Cavell (1939)  They were going to follow it with a biopic of Flora MacDonald filmed in Scotland but the declaration of war made that impossible  Instead they made three musicals: Irene (1940), with Ray Milland; No, No, Nanette (1940), with Victor Mature; and Sunny (1941) with Ray Bolger  They were among the many names who worked on Forever and a Day (1943) 
In July 1941, Wilcox and Neagle returned to England to make They Flew Alone (1942) a biopic of Amy Johnson and the war thriller Yellow Canary (1943) 

The London Films
Wilcox and Neagle had a big hit with I Live in Grosvenor Square (1945), co starring Rex Harrison and Dean Jagger  They followed it with Piccadilly Incident (1946), starring Neagle and Michael Wilding, which was even more popular, the second biggest British hit of 1946  Wilcox signed Wilding to a long-term contract 
The Courtneys of Curzon Street (1947) was the most popular film at the British box office in 1947  Another hit was Spring in Park Lane (1948) 
Wilding was not in their next film, Elizabeth of Ladymead (1948) but returned for Maytime in Mayfair (1949), a sequel to Spring in Park Lane, and another massive success 
Wilcox and Neagle returned to war stories with Odette (1950) a biopic of Odette Samson starring Neagle and Trevor Howard, and Wilcox's most profitable movie to date  He planned to make a biopic about Van Gogh starring Trevor Howard, but it was never made Wilcox made a film without Neagle, Into the Blue (1950), with Wilding and Odile Versois; it was not particularly popular  Neagle and Wilding were reunited for The Lady with a Lamp (1951), a biopic of Florence Nightingale and Derby Day (1952), an ensemble film  Both did well at the box office but not as well as the late 40s films 

Margaret Lockwood and Republic Pictures
In the early 1950s Neagle had a long running stage hit, The Glorious Years  In November 1951 Wilcox signed a multi picture deal with Margaret Lockwood to make six films in three years  The following year he signed a six-picture deal with Republic Films 
The first movie Lockwood-Wilcox film, Trent's Last Case (1952) was a solid success, helped by a cast including Wilding and Orson Welles  However Laughing Anne (1953), co-starring Forrest Tucker and Wendell Corey, and Trouble in the Glen (1954), with Welles, did poorly and he made no further films with Lockwood or Republic 
Wilcox was further hurt when a film he produced, The Beggar's Opera (1953), was a box office disaster 

Errol Flynn and Ivor Novello
Wilcox formed a new production company, Everest, and made two musicals with Neagle and Errol Flynn: Lilacs in the Spring (1954), based on The Glorious Years, and King's Rhapsody (1955), based on a musical by Ivor Novello  Both flopped and plans to make a third Novello film, Perchance to Dream did not happen 

Last films
Wilcox had a hit with My Teenage Daughter (1956), a story of Neagle dealing with a juvenile delinquent daughter played by Sylvia Syms  Less successful was These Dangerous Years (1957), produced by Neagle and directed by Wilcox, starring George Baker and Frankie Vaughan, and no Neagle 
He produced but did not direct a war film,  Yangtse Incident (1957), which performed reasonably well at the British box office but ultimately lost money  Wilcox found himself personally liable for some of the film's costs 
He tried a drama with Neagle, The Man Who Wouldn't Talk (1958), and three films with Vaughan: Wonderful Things! (1958), The Heart of a Man (1959), and The Lady Is a Square (1959) 

Bankruptcy
Wilcox was plagued with financial troubles in the 1950s and 1960s  He missed an early opportunity to invest in television; Anna Neagle's chain of dancing schools failed; he and Neagle invested heavily in British Lion shares and the company went into receivership; he borrowed £341,000 from the Edgware Trust; he and Neagle had guaranteed a £75,000 loan to make the two Errol Flynn films; and he paid £100,000 to Terence Rattigan for the film rights to his play Ross only for him to be unable to get it made   His film company failed in the 1960s  He spent two years trying to make a film about King Edward VII but the Queen refused permission  He was declared bankrupt in 1964, owing £16,000 to the Edgware Trust and £134,313 over all However, the musical play Charlie Girl, starring his wife Anna Neagle, ran for five years and resolved this financial situation Wilcox made some money from writing articles and was discharged as a bankrupt in 1966 after paying about 4 1/2 d in the pound to creditors According to one profile "The conventional view of Wilcox is that, despite his eventual bankruptcy, his considerable entrepreneurial skills enabled him to sustain a continued presence over a long period in a notoriously unstable industry; discussion of his directorial qualities usually acknowledges his professionalism but falls short of crediting him with any authorial status "

Personal life
In June 1917, Herbert Wilcox was granted a divorce from his first wife Dorothy, whom he had married on 2 December 1916 at St Luke's (CoE), Brighton   At the time, Herbert Wilcox was a lieutenant in the Royal Flying Corps   His wife was "carrying on a disgraceful intrigue" with an also-married Mr  Stanley Steel   The jury awarded Wilcox damages, possibly shared with Mrs Steel, of £750 plus costs In 1920, Wilcox married Maude Bower; they had four children together  Wilcox married his third wife, actress Anna Neagle, on 9 August 1943  The couple remained married until Wilcox's death in 1977, but they had no children 
Prior to his death at the age of 87 in London, England after a long illness, Wilcox donated four Daily Mail National Film Awards to the Glebelands Retirement Home in Wokingham 
Wilcox is buried in the City of London Cemetery 

Awards
In 1937, the Wilcox film Victoria the Great was nominated for the Mussolini Cup at the Venice Film Festival, but lost out to the French film Life Dances On (Un carnet de bal)  Wilcox lost the Festival's Best Director award to Robert J  Flaherty and Zoltán Korda for Elephant Boy  However, Victoria the Great and Wilcox won the Festival's Nations Cup for "Best World Premiere" 
Wilcox won four Daily Mail National Film Awards 

1947 – Best Film – Piccadilly Incident (producer and director)
1948 – Best Film – The Courtneys of Curzon Street (producer and director)
1949 – Best Film – Spring in Park Lane (producer and director)
1951 – Best Film – Odette (producer and director)

Selected filmography
Director
Chu-Chin-Chow (1923)
Southern Love (1924)
Decameron Nights (1924)
Nell Gwyn (1926)
London (1926)
Mumsie (1927)
Madame Pompadour (1927)
Tip Toes (1927)
The Only Way (1927)
Dawn (1928)
The Bondman (1929)
The Woman in White (1929)
Splinters (1929)
The Loves of Robert Burns (1930)
The Chance of a Night Time (1931)
Carnival (1931)
The Blue Danube (1932)
Good Night, Vienna (1932)
Money Means Nothing (1932)
The King's Cup (1932)
The Little Damozel (1933)
Bitter Sweet (1933)
Yes, Mr  Brown (1933)
The Queen's Affair (1934)
Nell Gwynn (1934)
Peg of Old Drury (1935)
Where's George? (1935)
Three Maxims (1936)
This'll Make You Whistle (1936)
Limelight (1937)
London Melody (1937)
Victoria the Great (1937)
Sixty Glorious Years (1938)
A Royal Divorce (1938)
Nurse Edith Cavell (1939)
No, No, Nanette (1940)
Irene (1940)
Sunny (1941)
They Flew Alone (1942)
Forever and a Day (1943)
Yellow Canary (1943)
I Live in Grosvenor Square (1945)
Piccadilly Incident (1946)
The Courtneys of Curzon Street (1947)
Spring in Park Lane (1948)
Elizabeth of Ladymead (1948)
Maytime in Mayfair (1949)
Odette (1950)
Into the Blue (1950)
The Lady with the Lamp (1951)
Derby Day (1952)
Trent's Last Case (1952)
Laughing Anne (1953)
Trouble in the Glen (1953)
Lilacs in the Spring 1954)
King's Rhapsody (1955)
My Teenage Daughter (1956)
These Dangerous Years (1957)
The Man Who Wouldn't Talk (1958)
Wonderful Things! (1958)
The Heart of a Man (1959)
The Lady Is a Square (1959)

Producer
The Wonderful Story (1922)
Paddy the Next Best Thing (1923)
Warned Off (1930)
On Approval (1930)
Tons of Money (1930)
Plunder (1931)
The Barton Mystery (1932)
Life Goes On (1932)
Say It with Music (1932)
Thark (1932)
Leap Year (1932)
A Night Like This (1932)
The Flag Lieutenant (1932)
General John Regan (1933)
The Blarney Stone (1933)
Lord of the Manor (1933)
Discord (1933)
Lilies of the Field (1934)
Fame (1936)
Millions (1937)
Passage 4:
Mohsen Eslamzadeh
Mohsen Eslamzadeh is an Iranian documentary filmmaker  He is the director of Alone Among The Taliban  This film has won the best documentary award at the 44th Athens International Film and Video Festival in the United States  
This film has won the best documentary award at the 12th Marbella International Film Festival in Spain  
This film has won the Shahid Avini Award offers 

Filmography
“The Sunnies of Iran”
“Mothers of the Revolution”
“Mysteries of Abu-Salim Prison”
“In the name of Liberty”
“Looking for Peace”
“Alone Among The Taliban”
The Dream of Marjaan

Awards and honors
The competition of the international festival of documentary films "Meetings in Siberia" | Russia, 2018
The competition of the "Tiburon International Film Festival" | USA, 2017
The best documentary of “Athen international film + video festival” | USA, 2017The best documentary of “Marbella international film festival” | Spain, 2017The “Moscow detective film festival” | Russia, 2017
The competition of the “Thin line film festival” | USA, 2017The competition of the “Asia-Pacific Film Festival” | 2016
The competition of the “Human rights film festival” | Italy, 2017The competition of the “Ismailia international film festival” | Egypt, 2017The winner of the “Shahid Avini” international section of the “Cinema Verite” | Iran, 2015
The winner of the “Ammar popular film festival” | Iran, 2015
The 8th “Ammar film festival” for The Documentary of “Qasr-e-Qand” | Iran, 2018
The 7th “Ammar film festival” for The TV show of “Vatandar” | Iran, 2017
The winner of the 5th Ammar festival for the film "Sunnis in Iran"
The winner of the international section of the forth Ammar festival for the film "Journey to the Land of Pashtuns"
The winner of the special section of “Ruyesh” (growth) festival for the film “Mother of the Revolution”
The winner of the international section of the third Ammar festival for the film “ the Thought of Being”
The honored young documentary director from Mashhad in 2010 chosen by Mashhad's Islamic Revolution Cultural Centre 
The honored in the “Awakening Sequence” for the film “the Lover”
The honored in the first Ammar film Festival for the film “the Street of Martyrdom”He is a former guest of the many film festivals such as:

The “Nahj film festival” for The documentary of “Me and the commander” | Iraq, 2016
The Festival as a guest speaker “Aljazeera film festival” for the film “Mysteries of Abusalim Prison” | Qatar, 2013
The “Resistance international film festival” for the film of “Al-Sheikh Sabah” | Iran, 2015Eslamzadeh participated in few film festivals such as: “Fajr”, “Cinema Verity” and “Rooyesh” in Iran 
Eslamzadeh has won numerous awards and fellowships including “Aljazeera” in Qatar and “Human Rights” in Spain and he awarded in some of them 
Passage 5:
London Melody
London Melody is a 1937 British musical film directed by Herbert Wilcox and starring Anna Neagle, Tullio Carminati and Robert Douglas  It was made at British and Dominions Imperial Studios, Elstree and Pinewood Studios  by Wilcox's independent production company and distributed by J  Arthur Rank's General Film Distributors  It was also released with the alternative title Look Out for Love 
It was the first movie shot at Pinewood 

Synopsis and production
A musical with a trial  One of several Anna Neagle - Tullio Carminati vehicles of the era, London Melody was one of five films directed within a year or so by Neagle's future husband, Herbert Wilcox  This time around, Carminatti is cast as Marius Andreani, a cultured Italian diplomat  While in London on business, Marius makes the chance acquaintance of boisterous cockney street entertainer Jacqueline (Neagle)  It is love at first sight, but hero and heroine must undergo a dizzying series of roadblocks and misunderstandings before the climactic clinch  Meanwhile, Jacqueline rises to the top of show-business success, never dreaming (until the end, at least) that it is all the secret handiwork of faithful Marius 
British and Dominions Imperial Studios was destroyed by fire in the early morning of 9 February 1936, necessitating the move of the production to Pinewood 

Cast
Critical reception
In 1937, The Sydney Morning Herald called it an "attractive and well-acted picture   Produced and directed by Herbert Wilcox in a way that contrasts favourably with Hollywood's efforts in a similar direction   Anna Neagle, a gifted actress, with definite charm and personality, makes a delightful Jacqueline  As the diplomat   Tulllo Carminati lends distinction and poise to his role  Perhaps the best character in the film is the priest, Horace Hodges, a lovable and very human person  Robert Douglas makes a good impression in the rather inconsistent part of Nigel Taplow, Andreani's secretary"; whereas more recently, Sky Movies described it as "a very thin musical vehicle for Anna Neagle, bizarrely cast as a cockney street singer  This dated offering   will prove tough going for all but hardened Neagle fans today "
Passage 6:
Ravina (actress)
Ravina is an Indian actress who acted in Dhallywood movies  She acted in the 1997 film Praner Cheye Priyo with Riaz  She also appeared in Sabdhan and Dolopoti, again opposite Riaz 

Selected filmography
Praner Cheye Priyo
Sabdhan
Dolopoti
Passage 7:
Querelle
Querelle is a 1982 West German-French English-language arthouse film directed by Rainer Werner Fassbinder and starring Brad Davis, adapted from French author Jean Genet's 1947 novel Querelle of Brest  It was Fassbinder's last film, released shortly after his death at the age of 37 

Plot
The plot centers on the handsome Belgian sailor Georges Querelle, who is also a thief and murderer  When his ship, Le Vengeur, arrives in Brest, he visits the Feria, a bar and brothel for sailors run by the Madame Lysiane, whose lover, Robert, is Querelle's brother  Querelle has a love/hate relationship with his brother: when they meet at La Feria, they embrace, but also punch one another slowly and repeatedly in the belly  Lysiane's husband Nono works behind the bar and also manages La Feria's underhanded affairs with the assistance of his friend, the corrupt police captain Mario 
Querelle makes a deal to sell opium to Nono  During the execution of the deal, he murders his accomplice Vic by slitting his throat   After delivering the drugs, Querelle announces that he wants to sleep with Lysiane   He knows that this means he will have to throw dice with Nono, who has the privilege of playing a game of chance with all of her prospective lovers  If Nono loses, the suitor is allowed to proceed with his affair  If the suitor loses, however, he must submit to anal sex with Nono first, according to Nono's maxim that "That way, I can say my wife only sleeps with arseholes " Querelle deliberately loses the game, allowing himself to be sodomized by Nono  When Nono gloats about Querelle's "loss" to Robert, who won his dice game, the brothers end up in a violent fight   Later, Querelle becomes Lysiane's lover, and also has sex with Mario 
Luckily for Querelle, a builder, Gil, murders his work mate Theo, who had been harassing and sexually assaulting him   Gil hides from the police in an abandoned prison, and Roger, who is in love with Gil, establishes contact between Querelle and Gil in the hopes that Querelle can help Gil flee  Querelle falls in love with Gil, who closely resembles his brother   Gil returns his affections, but Querelle betrays Gil by tipping off the police  Querelle cleverly arranged it so that the murder of Vic is also blamed on Gil 
Querelle's superior, Lieutenant Seblon, is in love with Querelle, and constantly tries to prove his manliness to him  Seblon is aware that Querelle murdered Vic, but chooses to protect him   Later, Seblon reveals his love and concern to a drunken Querelle, and they kiss and embrace before returning to Le Vengeur 

Cast
Brad Davis as Querelle
Franco Nero as Lieutenant Seblon
Jeanne Moreau as Lysiane
Laurent Malet as Roger Bataille
Hanno Pöschl as Robert / Gil
Günther Kaufmann as Nono
Burkhard Driest as Mario
Roger Fritz as Marcellin
Dieter Schidor as Vic Rivette
Natja Brunckhorst as Paulette
Werner Asam as Worker
Axel Bauer as Worker
Neil Bell as Theo
Robert van Ackeren as Drunken legionnaire
Wolf Gremm as Drunken legionnaire
Frank Ripploh as Drunken legionnaire

Production
According to Genet's biographer Edmund White, Querelle was originally going to be made by Werner Schroeter, with a scenario by Burkhard Driest, and produced by Dieter Schidor  However, Schidor could not find the money to finance a film by Schroeter, and therefore turned to other directors, including John Schlesinger and Sam Peckinpah, before finally settling on Fassbinder  Driest wrote a radically different script for Fassbinder, who then "took the linear narrative and jumbled it up"  White quotes Schidor as saying "Fassbinder did something totally different, he took the words of Genet and tried to meditate on something other than the story  The story became totally unimportant for him  He also said publicly that the story was a sort of third-rate police story that wouldn't be worth making a movie about without putting a particular moral impact into it" Schroeter had wanted to make a black and white film with amateur actors and location shots, but Fassbinder instead shot it with professional actors in a lurid, expressionist color, and on sets in the studio  Edmund White comments that the result is a film in which, "Everything is bathed in an artificial light and the architectural elements are all symbolic "

Soundtrack
Jeanne Moreau – "Each Man Kills the Things He Loves" (music by Peer Raben, lyrics from Oscar Wilde's poem "The Ballad of Reading Gaol")
"Young and Joyful Bandit" (Music by Peer Raben, lyrics by Jeanne Moreau)Both songs were nominated to the 1984 Razzie Awards for "Worst Original Song" 

Release
Querelle sold more than 100,000 tickets in the first three weeks after its release in Paris, the first time that a film with a gay theme had achieved such success  On review aggregator Rotten Tomatoes, which categorizes reviews as positive or negative only, the film has an approval rating of 57% calculated based on 14 critics comments  By comparison, with the same opinions being calculated using a weighted arithmetic mean, the rating is 6 10/10  Writing for The New York Times critic Vincent Canby noted that Querelle was "a mess   a detour that leads to a dead end "
Penny Ashbrook calls Querelle Fassbinder's "perfect epitaph: an intensely personal statement that is the most uncompromising portrayal of gay male sensibility to come from a major filmmaker " Edmund White considers Querelle the only film based on Genet's book that works, calling it "visually as artificial and menacing as Genet's prose " Genet, in discussion with Schidor, said that he had not seen the film, commenting "You can't smoke at the movies "
Passage 8:
Claude Chabrol
Claude Henri Jean Chabrol (French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s  Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker 
Chabrol's career began with Le Beau Serge (1958), inspired by Hitchcock's Shadow of a Doubt (1943)  Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity  This is especially apparent in Les Biches (1968), La Femme infidèle (1969), and Le Boucher (1970) – all featuring Stéphane Audran, who was his wife at the time 
Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career  In 1978, he cast Isabelle Huppert as the lead in Violette Nozière  On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Cérémonie (1995)  Film critic John Russell Taylor has stated that "there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium   Some of his films become almost private jokes, made to amuse himself " James Monaco has called Chabrol "the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we don't get from the more varied experiments in genre of Truffaut or Godard "

Life and career
Early life
Claude Henri Jean Chabrol was born on 24 June 1930 to Yves Chabrol and Madeleine Delarbre in Paris and grew up in Sardent, France, a village in the region of Creuse 400 km (240 miles) south of Paris  Chabrol said that he always thought of himself as a country person, and never as a Parisian  Both Chabrol's father and grandfather had been pharmacists, and Chabrol was expected to follow in the family business  But as a child, Chabrol was "seized by the demon of cinema" and ran a film club in a barn in Sardent between the ages of 12 and 14  It was at this time that he developed his passion for the thriller genre, detective stories and other forms of popular fiction 

Early years in Paris
After World War II, Chabrol moved to Paris to study pharmacology and literature at the Sorbonne, where he received a licence en lettres  Some biographies also state that he briefly studied law and political science at the École Libre des Sciences Politiques  While living in Paris Chabrol became involved with the postwar cine club culture and frequented Henri Langlois's Cinémathèque Française and the Ciné-Club du Quartier Latin, where he first met Éric Rohmer, Jacques Rivette, Jean-Luc Godard, François Truffaut and other future Cahiers du Cinéma journalists and French New Wave filmmakers  After graduating, Chabrol served his mandatory military service in the French Medical Corps, serving in Germany and reaching the rank of sergeant  Chabrol has said that while in the army he worked as a film projectionist  After he was discharged from the army, he joined his friends as a staff writer for Cahiers du Cinéma, who were challenging then-contemporary French films and championing the concept of Auteur theory  As a film critic, Chabrol advocated realism both morally and aesthetically, mise-en-scene, and deep focus cinematography, which he wrote "brings the spectator in closer with the image" and encourages "both a more active mental attitude on the part of the spectator and a more positive contribution on his part to the action in progress " He also wrote for Arts magazine during this period  Among Chabrol's most famous articles were "Little Themes", a study of genre films, and "The Evolution of Detective Films" In 1955 Chabrol was briefly employed as a publicity man at the French offices of 20th Century Fox, but was told that he was "the worst press officer they'd ever seen" and was replaced by Jean-Luc Godard, who they said was even worse  In 1956 he helped finance Jacques Rivette's short film Le coup du berger, and later helped finance Rohmer's short Véronique et son cancre in 1958  Unlike all of his future New Wave contemporaries, Chabrol never made short film nor did he work as an assistant on other directors' work before making his feature film debut  In 1957 Chabrol and Eric Rohmer co-wrote Hitchcock (Paris: Éditions Universitaires, 1957), a study of the films made by director Alfred Hitchcock through the film The Wrong Man  Chabrol had said that Rohmer deserves the majority of the credit for the book, while he mainly worked on the sections pertaining to Hitchcock's early American films, Rebecca, Notorious, and Stage Fright  Chabrol had interviewed Hitchcock with François Truffaut in 1954 on the set of To Catch a Thief, where the two famously walked into a water tank after being starstruck by Hitchcock  Years later, when Chabrol and Truffaut had both become successful directors themselves, Hitchcock told Truffaut that he always thought of them when he saw "ice cubes in a glass of whiskey "

1957–67: Early film career
The most prolific of the major New Wave directors, Chabrol averaged almost one film a year from 1958 until his death  His early films (roughly 1958–1963) are usually categorized as part of the New Wave and generally have the experimental qualities associated with the movement; while his later early films are usually categorized as being intentionally commercial and far less experimental  In the mid-sixties it was difficult for Chabrol to obtain financing for films so he made a series of commercial "potboilers" and spy spoofs, which none of the other New Wave filmmakers did Chabrol had married Agnès Goute in 1952 and in 1957 his wife inherited a large sum of money from relatives  In December of that year Chabrol used the money to make his feature directorial debut with Le Beau Serge  Chabrol spent three months shooting in his hometown of Sardent using a small crew and little known actors  The film's budget was $85,000  The film starred Jean-Claude Brialy as François and Gérard Blain as Serge, two childhood friends reunited when the recent medical school graduate François returns to Sardent and discovers that Serge has become an alcoholic after the stillbirth of his physically retarded first child  Despite suffering from tuberculosis, François drags Serge through a snowstorm to witness the birth of his second child, thus giving Serge a reason to live while killing himself in the process  Le Beau Serge is considered the inaugural film of the French New Wave Film movement that would peak between 1959 and 1962  Chabrol was the first of his friends to complete a feature film (although Jacques Rivette had already begun filming his first feature Paris nous appartient), and it immediately received critical praise and was a box office success  It won the Grand Prix at the Locarno Film Festival and the Prix Jean Vigo  Critics noticed similarities to Hitchcock's films, such as the motifs of doubling and re-occurrences and the "Catholic guilt transference" that Chabrol had also written about extensively in his and Rohmer's book the year earlier  Chabrol stated that he made the film as a "farewell to Catholicism", and many critics have called his first film vastly different from any of his subsequent films Chabrol quickly followed this success up with Les Cousins in 1958  The film is a companion piece and a reversal to Le Beau Serge in many ways, such as having the responsible student Brialy now play the decadent and insensitive Paul while the reckless Blain now plays the hard-working law student Charles  In this film, the country cousin Charles arrives in the big city of Paris to live with his corrupt cousin Paul while attending school  This was the first of many Chabrol films to include characters named Paul and Charles, and later films would often include a female named Hélène  More so than his first film, Les Cousins features many characteristics that would be seen as "Chabrolian", including the Hitchcock influence, a depiction of the French bourgeoisie, characters with ambiguous motives and a murder  It was also Chabrol's first film co-written with his longtime collaborator Paul Gégauff, of whom Chabrol once said "when I want cruelty, I go off and look for Gégauff  Paul is very good at gingering things up   He can make a character look absolutely ridiculous and hateful in two seconds flat " Les Cousins was another box office success in France and won the Golden Bear at the 9th Berlin International Film Festival Chabrol formed his own production company AJYM Productions (acronym based on the initials of his wife's and children's names) at the time of making Le Beau Serge   After the success of Le Beau Serge and Les Cousins, Chabrol began funding many of the films of his friends  AJYM helped fund Eric Rohmer's feature debut The Sign of Leo, partially funded Rivette's Paris nous appartient, and Philippe de Broca's films Les Jeux de l'amour and Le farceur  He also donated excess film stock from Les Cousins to Rivette to complete Paris nous appartient  Chabrol was also a technical advisor on Jean-Luc Godard's feature debut Breathless and acted in small parts in many of his friends' and his own early films  For his support to the early careers of so many of his friends, Chabrol has been referred to as "the godfather of the French New Wave", although many film histories tend to overlook this contribution and dismiss Chabrol altogether After two box office hits in a row, Chabrol was given a big budget to make his first color film, À double tour (Léda) in the spring of 1959  The film stars Jean-Paul Belmondo as Laszlo and Antonella Lualdi as Léda, two outsiders of a bourgeois family who experience different results when attempting to enter that family  Chabrol adapted the script with Paul Gégauff from a novel by Stanley Ellin, and the film is known for its oedipal sex triangle and murder scenario  The film was shot on location in Aix-en-Provence with cinematographer Henri Decaë and includes choppy, hand-held camera footage that is atypical of a Chabrol film despite being present in many of the New Wave films made at the same time  The film was both a box office and critical disappointment, and critic Roy Armes criticized "Chabrol's lack of feeling for his characters and love of overacting "In 1960 Chabrol made what is considered by many critics as his best early film, Les Bonnes Femmes  The film stars Bernadette Lafont, Clotilde Joano, Stéphane Audran and Lucile Saint-Simon as four Parisian appliance store employees who all dream of an escape from their mediocre lives, and the different outcomes for each girl  Most critics praised the film, such as Robin Wood and James Monaco  However some left-wing critics disliked Chabrol's depiction of working-class people and accused him of making fun of their lifestyles  The film was another box office disappointment for Chabrol  It was followed with two films that were also financially unsuccessful and which Chabrol has admitted to making purely for "commercial reasons"  Les Godelureaux was made in 1960 and hated by Chabrol  The Third Lover (L'Œil du Malin), released in 1961, received better reviews than Chabrol's previous films, with critics pointing out that the films that Chabrol wrote without Paul Gégauff were much more compassionate and realistic than the ones with Gégauff  It was shot on location in Munich  Although she had appeared in supporting roles in several Chabrol films before, The Third Lover was the first Chabrol film in which Stéphane Audran appeared as the female lead  They later married in 1964 and worked together until the late 1970s In 1962 Chabrol made Ophelia, a loose adaptation of Hamlet that was another box office disappointment  Later that year he had a minor hit film with Landru, written by Françoise Sagan and starring Charles Denner, Michèle Morgan, Danielle Darrieux and Hildegard Knef  The film depicts the famous French serial killer Henri Désiré Landru, a story that had previously inspired Charlie Chaplin's film Monsieur Verdoux From 1964 to 1967 Chabrol made six films and one short that were critically and commercially disastrous, and this period is considered a low point of his career  Four of these films were in the then-popular genre of spy spoof films, including Le Tigre aime la chair fraiche and Le Tigre se parfume à la dynamite  Chabrol had said that "I like to get to the absolute limit of principles   In drivel like the Tiger series I really wanted to get the full extent of the drivel  They were drivel, so OK, let's get into it up to our necks " During this period a Variety headline read "Vital To Keep Making Pictures, and What Sort Not Relevant; Chabrol No 'Doctrinaire' Type " In 1965 Chabrol also contributed to the New Wave portmanteau film Six in Paris with the segment "La Muette"  Chabrol co-starred with Stéphane Audran as a middle aged couple dealing with their rebellious teenage daughter  In 1964 Chabrol also directed a stage production of MacBeth for the Théâtre Récamier 

1968–78: "Golden Era"
In 1968 Chabrol began working with film producer André Génovès and started to make more critically acclaimed films that would later be considered his "Golden Era"  Most of these films revolved around themes of bourgeois characters and a murder is almost always part of the plot  Unlike his earlier films, most of these films centered around middle aged people  Chabrol often worked with the same people during this period including actors Audran and Michel Bouquet, cinematographer Jean Rabier, editor Jacques Gaillard, sound technician Guy Chichignoud, composer Pierre Jansen, set designer Guy Littaye, as well as producer Génovés and co-writer Paul Gégauff In 1968 Chabrol made Les Biches, one of his most acclaimed works  The film stars Stéphane Audran as the dominant and bisexual Frédérique, who finds a young protege in the bisexual Why (Jacqueline Sassard), until they both become the lover of a young architect named Paul (Jean-Louis Trintignant)  Why ends up killing Frédérique, but it is unclear whether she murdered her cheating lover or the person that her lover was cheating with  The film received critical praise and was a box office hit  Chabrol followed this with a similar film The Unfaithful Wife (La Femme infidèle), in which a husband named Charles murders the lover of his cheating wife  It was later remade in 2002 by director Adrian Lyne  Chabrol finished the decade with This Man Must Die (Que la bête meure) in 1969  Based on an original story by Cecil Day-Lewis, in the film Charles (Michel Duchaussoy) plots to kill Paul (Jean Yanne) after Paul killed Charles' son in a hit and run car accident  However the film's ending is left intentionally ambiguous, and Chabrol has stated that "you'll never see a Charles kill a Paul  Never " The film was especially praised for its landscape cinematography In 1970 Chabrol made The Butcher (Le boucher) starring Jean Yanne and Stéphane Audran  Yanne plays Popaul, a former war hero known for his violent behavior, much like that depicted in the prehistoric cave drawings that the characters look at in their Périgord community  The French newspaper Le Figaro called it "the best French film since the liberation " After another examination of bourgeois life in The Breach (La Rupture) in 1970, Chabrol made Just Before Nightfall (Juste avant la nuit) in 1971  The film stars Michel Bouquet as an ad executive named Charles who kills his mistress but cannot handle the guilt, so he confesses his crime to her husband (François Périer) and his wife (Stéphane Audran), expecting their condemnation  To his surprise they are only compassionate and forgiving to his crime and Charles cannot find relief from the guilt of what he has done  Later in 1971 Chabrol made Ten Days' Wonder (La Décade prodigieuse), based on a novel by Ellery Queen  The film was shot in English and starred Michel Piccoli, Anthony Perkins and Orson Welles  It received poor critical reviews  He followed this with the equally disliked Dr  Popaul, starring Jean-Paul Belmondo and Mia Farrow  Critics compared the film unfavorably with Chabrol's earlier film that centered on a "Landru-like" theme  Critic Jacques Siclier said that "the novelty of Docteur Popaul comes from the offhandedness with which the criminal history is treated "Chabrol took a slight change of pace with his 1973 film Wedding in Blood (Les Noces rouges) by making his first film with political themes  The film stars Audran and Michel Piccoli as lovers who plot to murder Audran's husband, who is the corrupt gaullist mayor of their town  To their surprise the President of France orders that no investigation be made of the mayor's death, leading the murdering couple to suspect political interest in their crime  In the spring of 1973 the French government banned the film for one month, allegedly so that it would not influence members of the jury of a controversial criminal trial  Chabrol followed this political theme with Nada, in which a group of young anarchists kidnap an American ambassador  It was Chabrol's first film to not center on the bourgeois since Le Beau Serge  Chabrol returned to more familiar ground in 1975 with A piece of pleasure (Une partie de plaisir)  In this film screenwriter Paul Gégauff plays a writer with a troubled marriage that ends in tragedy  (In 1983, Gégauff was stabbed to death in real life by his second wife ) Gégauff's wife is played by his real-life first wife Danièle Gégauff (already divorced when this film was made) and his daughter is played by real life daughter Clemence Gégauff  The film received poor critical reviews, with Richard Roud calling it "rather interestingly loathsome "Chabrol ended his Golden Period with one of his most admired and his most controversial films Violette Nozière in 1978  The film starred a young Isabelle Huppert as a real life Parisian girl from a respectable petit-bourgeois family in the 1930s  At night Violette sneaks out to pick up men and eventually contracts syphilis, which she convinces her parents must be hereditary before she kills them  The film was controversial in France but praised in other countries 

1979–2009: Later work
In the 1980's and 1990's Chabrol engaged himself with many different projects for both TV and the silver screen  His films Poulet au vinaigre (1985) and Masques (1987) were entered into the 38th Cannes Film Festival and 37th Berlin International Film Festival respectively  Madame Bovary (1991) was nominated for the Golden Globe Award for Best Foreign Language Film and for the Academy Award for Best Costume Design  It was also entered into the 17th Moscow International Film Festival  La Cérémonie (1995) is perhaps his most acclaimed film from this period, as it was nominated for numerous César Awards and was entered into the 52nd Venice International Film Festival among other  His 1999 film The Color of Lies was entered into the 49th Berlin International Film Festival In 1995 Chabrol was awarded the Prix René Clair from the Académie française for his body of work 
Chabrol continued directing films and TV series well into the 2000's 

Personal life
Chabrol's first marriage to Agnès Goute (1956–1962) produced a son, Matthieu Chabrol, a composer who scored most of his father's films from the early 1980s  He divorced Agnès to marry the actress Stéphane Audran, with whom he had a son, actor Thomas Chabrol  They remained married from 1964 to 1978  His third wife was Aurore Paquiss, who has been a script supervisor since the 1950s  He had four children  Chabrol was a known gourmet chef and shot 10 Days Wonder in Alsace only because he wanted to visit its restaurants  Although he acknowledges the influence of Alfred Hitchcock in his work, Chabrol has stated that "others have influenced me more  My three greatest influences were Murnau, the great silent film director   Ernst Lubitsch and Fritz Lang "Chabrol died on 12 September 2010 of leukemia  He is buried in Pere Lachaise Cemetery in north-eastern Paris 

Filmography
As director
As actor
TV work
Histoires insolites (1974), 5 episodes
Nouvelles de Henry James (1974), 2 episodes – based on stories by Henry James
Il était un musicien (1978), 3 episodes
Madame le juge (1978), 1 episode
"Jeunesse et Spiritualité" Cyprien Katsaris (1979) Official site
Fantômas (1980), 2 episodes – Remake of Fantômas
Le système du docteur Goudron et du professeur Plume (1981) – based on The System of Doctor Tarr and Professor Fether by Edgar Allan Poe
Les affinités électives (1982) – based on Elective Affinities by Johann Wolfgang von Goethe
M  le maudit (1982, short)
La danse de mort (1982) – based on The Dance of Death by August Strindberg
Les dossiers secrets de l'inspecteur Lavardin (1988), 2 episodes
Les redoutables (2001), 1 episode
Chez Maupassant (2007), 2 episodes – based on stories by Guy de Maupassant
Au siècle de Maupassant: Contes et nouvelles du XIXème siècle (2010), 2 episodes
Passage 9:
Le Masque de la Méduse
Le masque de la Méduse (English: The Mask of Medusa) is a 2009 fantasy horror film directed by Jean Rollin  The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans  It was Rollin's final film, as the director died in 2010 

Cast
Simone Rollin as la Méduse
Sabine Lenoël as Euryale
Marlène Delcambre as Sthéno
Juliette Moreau as Juliette
Delphine Montoban as Cornelius
Jean-Pierre Bouyxou as le gardien
Bernard Charnacé as le collectionneur
Agnès Pierron as la colleuse d'affiche au Grand-Guignol
Gabrielle Rollin as la petite contrebassiste
Jean Rollin as l'homme qui enterre la tête
Thomas Smith as Thomas

Production
It was thought that Rollin's 2007 film La nuit des horloges was the final film of his career, as he had mentioned in the past  However, in 2009, Rollin began preparation foe Le masque de la Méduse  Rollin originally directed the film as a one-hour short, which was screened at the Cinémathèque de Toulouse, but after the release, Rollin decided to add 20 minutes of additional scenes and then cut the film into two distinct parts, as he did with his first feature, Le Viol du Vampire   The film was shot on location at the Golden Gate Aquarium and Père Lachaise Cemetery, as well as on stage at the Theatre du Grande Guignol, which is where the longest part of the film takes place  It was shot on HD video on a low budget of €150,000  Before the release, it was transferred to 35mm film 

Release
The film was not released theatrically, although it premiered on 19 November 2009 at the 11th edition of the Extreme Cinema Film Festival at the Cinémathèque de Toulouse  As part of "An Evening with Jean Rollin", it was shown as a double feature with Rollin's 2007 film La nuit des horloges 

Home media
No official DVD was released, although for a limited time, a DVD of La masque de la Méduse was included with the first 150 copies of Rollin's book Jean Rollin: Écrits complets Volume 1 
Passage 10:
Thulasi (1987 film)
Thulasi is a 1987 Indian Tamil-language romantic drama film directed by Ameerjan  The film stars Murali and Seetha  It was released on 27 November 1987 

Plot
Thirunavukarasu is considered as a God by his villagers  Nevertheless, his son Sammadham is an atheist and he doesn't believe in his father's power  Sammadham and Ponni, a low caste girl, fall in love with each other  Sammadham's best friend Siva, a low caste boy, passes the Master of Arts degree successfully  Thirunavukarasu's daughter Thulasi then develops a soft corner for Siva 
Thirunavukarasu cannot accept for his son Sammadham's marriage with Ponni due to caste difference  Sammadham then challenges him to marry her  Thirunavukarasu appoints henchmen to kill her and Ponni is found dead the next day in the water  In the meantime, Siva also falls in love with Thulasi  The rest of the story is what happens to Siva and Thulasi 

Cast
Murali as Sivalingam "Siva"
Seetha as Thulasi
Chandrasekhar as Sammadham
Major Sundarrajan as Thirunavukarasu
Senthil
Charle as Khan
Thara as Ponni
Mohanapriya as Sarasu
Vathiyar Raman
A  K  Veerasamy as Kaliyappan

Soundtrack
The music was composed by Sampath Selvam, with lyrics written by Vairamuthu 

Reception
The Indian Express gave a negative review calling it "thwarted love" 



ground_truth: 26 April 1872

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director died first, Our Agent Tiger or London Melody?

The following are given passages.
Context 4: 

Early life and education
Hobson was born in Marshall, Indiana  He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology  Hobson was also selected as a nationally outstanding engineer Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children 

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948 
Passage 9:
Hellcats of the Navy
Hellcats of the Navy is a 1957 American black-and-white World War II submarine film drama from Columbia Pictures, produced by Charles H  Schneer and directed by Nathan Juran  The film stars Ronald Reagan and his wife, billed under her screen name Nancy Davis, and Arthur Franz  This was the only feature film in which the Reagans acted together, either before or after their 1952 marriage 
The film's setting is the Pacific War  The film's storyline concerns Commander Casey Abbott, skipper of the submarine USS Starfish, being ordered to retrieve a new type of Japanese mine in the waters off the Asiatic mainland  When diver Wes Barton, Abbott's rival for the affections of Nurse Lieutenant Helen Blair, gets into a life-threatening situation, Abbott must keep his personal and professional lives separate when dealing with the crisis   
The story is based on the 1955 non-fiction book Hellcats of the Sea by Vice Admiral Charles A  Lockwood and Hans Christian Adamson 

Plot
Commander Casey Abbott (Ronald Reagan), commander of the submarine USS Starfish, is ordered to undertake a dangerous mission which sees him attempting to cut off the flow of supplies between China and Japan in the heavily mined waters off the Asiatic mainland  When a diver, who is Abbott's competitor for the affections of nurse Lieutenant Helen Blair (Nancy Davis) back home, gets into a dangerous situation, Abbott must struggle to keep his personal and professional lives separate in dealing with the crisis 
The results arouse ill feelings in the crew and especially Abbott's executive officer, Lt  Commander Landon (Arthur Franz), who asks his captain to let him air his views in confidence  The results lead Abbott to write in Landon's efficiency report that he should never be given command of a naval vessel, resulting in further ill will between the two 

Cast
Production
Fleet Admiral Chester W  Nimitz appears as himself to introduce the film, and he is later played in the story by actor Selmer Jackson  Retired Navy officer Charles A  Lockwood, chief author of the book on which this feature was based, is also portrayed briefly by an actor 
It was the second film Nathan Juran directed for producer Charles Schneer Reagan said in his autobiography that he was disappointed, overall, in the film, having expected a result more like Destination Tokyo, a major Warner Bros  submarine film made during World War II  The diminishing status of the feature films that Reagan was being offered, plus his increasing involvement with television, led to his leaving the big screen forever 
The United States Navy provided extensive cooperation by allowing portions of the film to be shot at Naval Base San Diego and aboard an actual U S  submarine, possibly USS Besugo  The executive officer of the submarine was Lloyd Bucher, who would go on to command the USS Pueblo during its capture by North Korea in 1968 During the film's production, as USS Besugo was about to get underway, an argument ensued between the director and one of the unions  There was only a short window of opportunity to maneuver the boat away from the pier, as it was difficult for a submarine tied up in San Diego to get underway while a tide was running  Besugo was one of the first submarines to employ nylon rope lines, and when stretched, the lines could get about "as big around as a pencil" and become lethal if they broke under strain  The order was given to the helmsman to answer all bells  Reagan happened to be on deck practicing his dialog lines and hollering out, "Ahead one third, starboard back full    " About this time, the nylon ropes were stretched to their breaking point when an officer gave the command, "All stop, ALL STOP, Goddammit, ALL STOP!" and Reagan, totally oblivious to what was going on, continued to practice his lines, rocking back and forth on his feet with his hands behind his back, as if nothing were wrong 
Among the stock music used in the film were excerpts from The Caine Mutiny March, composed by Max Steiner, the main title theme for the 1954 Columbia Pictures feature film The Caine Mutiny  That film was also about World War II U S  Navy operations in the Pacific theater; Arthur Franz appears as well in the minor role of Lt  (jg) Paynter 
According to Maurice Manson, who played Vice-Admiral Charles A  Lockwood, shooting for the film was completed in five days 

Film premiere
Hellcats of the Navy had its official premiere in San Diego, at the downtown Spreckels Theater  The film's stars were in attendance, as were local U  S  Navy brass and submariners  A program preceded the showing of the film  On a flatbed trailer in front of the theater were displayed one Mark 14 torpedo and one Mark 16 torpedo, the two types used by navy submarines during World War II 

DVD reviews
Glenn Erickson of DVD Talk reviewed the DVD release of Hellcats of the Navy and thought that although the direction was "competent", the script was "completely derivative and cornball"  He went on to criticize the lack of realistic supporting characters and the film's use of obvious stock footage, especially that of a U  S  Navy patrol boat portraying a Japanese ship  Overall, he described the film itself as "fair"  David Krauss of Digitally Obsessed described the production values as "bargain basement" and found that the cast's stiff performances alienated viewers  He gave the film a C for style and a B- for substance, although he also described the direction as "dry as a military briefing" on CNN Erick Harper at DVD Verdict has written that Hellcats followed a series of submarine war film clichés, like the "love triangle" and familiar elements of the action sequences  He compared parts of the film to the TV series Star Trek (which premiered almost a decade later), in that it follows a standard Hollywood formula for its plot  He described Ronald Reagan as "comfortable" and "believable", and said that the film was "worth checking out for the historical value, if nothing else" 

See also
List of American films of 1957
Ronald Reagan filmography

Bibliography
Charles A  Lockwood; Hans Christian Adamson (1955)  Hellcats of the Sea  New York: Greenberg  OCLC 2364890 , a non-fiction account of the U S  Navy's Pacific submarine fleet's Operation Barney in World War II, of which Hellcats of the Navy is a fictionalized filmed version 

See also
List of American films of 1957
Passage 10:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==



ground_truth: London Melody