prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who was born later, Paul De Scherff or Lyudmyla Olyanovska?

The following are given passages.
Context 1: Passage 1:
Paul De Weert
Paul De Weert (born 27 November 1945) is a Belgian rower  He competed at the 1972 Summer Olympics and the 1976 Summer Olympics 
Passage 2:
Paul de Longpré
Paul de Longpré (1855–1911), was a French painter of flowers, who worked mainly in the United States 

Early life
Paul de Longpré was born in Lyon, France, in 1855, and was an entirely self-taught artist  From age 12, he practiced successfully in Paris as a painter of fans  In 1876, at 21, he first exhibited at the Paris Salon  Having lost his money by the failure of a Paris bank, he moved in 1890 to New York City and in 1896 held an exhibition of flower paintings which secured him instant recognition 

Life in Hollywood
De Longpré arrived in Los Angeles, Southern California with his family in 1899  Daeida Wilcox, with husband H  H  Wilcox the founders of Hollywood, was so eager to attract culture to the town that she gave him her homesite for his estate, three lots on Cahuenga on the north of Prospect (later Hollywood Boulevard), in exchange for three of his paintings In 1901, Canadian architect Louis Bourgeois designed a landmark residence for the 3 acres (1 2 ha) estate, in the Mission Revival style  The house included an art gallery to sell prints of de Longpré's paintings, and was surrounded by the expansive "Le Roi de Fleur" flower gardens  Estate tours became a popular tourist destination off an exclusive Balloon Route trolley spur of the Los Angeles Pacific Railroad, that later became a Pacific Electric Redcar line, and with print sales additional sources of income for de Longpré Paul de Longpré is listed in the 1900 US Census, Los Angeles City Ward 5, Precincts 38 B and 73 A, with his wife Josephine and daughters Blance, Alice, and Pauline  His occupation is listed as Artist, but the last name is misspelled as De Lonpre, It indicates Paul, Josephine, Blance, and Alice were born in France, and Pauline was born in New York City  The architect Louis Bourgeois also taught French to de Longpré's daughters, and later married his daughter Alice Paul de Longpré died at home in Los Angeles at age 56, on 29 June 1911 Afterwards, the family moved back to France  The increased property values in rapidly developing Hollywood resulted in demolition of the gardens by 1924, and the house in 1927 

Works
De Longpré only painted specimens of flowers  With a delicacy of touch and feeling for color he united scientific knowledge and art  He also knew how to give expression to the subtle essence of the flowers  Painting floral scenes almost exclusively in watercolors, in the 1900s de Longpre found inspiration in the 4,000 rose bushes he planted on his Hollywood estate  The finest of his paintings include Double Peach Blossoms and White Fringed Poppies (1902) – both widely known through popular reproductions 

Legacy
In present-day Hollywood, the street De Longpre Avenue, and De Longpre Park on it are both named for him 
Passage 3:
Paul de Scherff
Paul de Scherff (14 July 1820 – 22 July 1894) was a Luxembourgian politician 
De Scherff was born in Frankfurt to F  H  W  von Scherff-Arnoldi, who was minister plenipotentiary of the King-Grand Duke to the German Federal Diet   After studying law, Paul de Scherff came to Luxembourg  For six years he was avocat géneral, and later became president of the superior court, at the age of 34  From 24 June 1856 to 11 November 1858 he was Administrateur général (Minister) for Public Works and Railways in the Simons Ministry  From 1869 to 1871, and then again from 1886 to 1892 he was a member of the Chamber of Deputies for the Centre, and was President of the Chamber of Deputies from 1869 until 1872 When the walls of the fortress of Luxembourg were demolished in the 1870s and 1880s, Paul de Scherff was working in the ministry of public works, where he dealt with the building of the municipal parks 
He married Marie Pescatore on 14 September 1842, daughter of Constantin Jos  Antoine Pescatore and niece of Theodore Pescatore   De Scherff was a practising member of the Reformed Church 

Footnotes
Passage 4:
Paul de Cordon
Paul de Cordon (born in 1908 in Toulouse - died in 1998 in Paris) was a French photographer known for his photographs of the circus and the Crazy Horse Saloon  He was also recognized for his portraits and his nudes for which he was, in 1964, considered one of the greatest photographers in the world together with Guy Bourdin and Lucien Clergue  He produced portraits of many personalities such as Johnny Hallyday, Gilbert Bécaud, Mireille Darc, Jacques Brel, Fernand Raynaud, Anna Karina, Samy Davis Jr , Jeanne Moreau, Steve McQueen and his long-time friends, Daniel Sorano and Jacques Dufilho as well as Gonzague Saint Bris with whom he was very close  and who nicknamed him “The Toulouse-Lautrec of photography’’  In 1961 he participated alongside Edouard Boubat, Agnès Varda, Man Ray, Frank Horvat, William Klein and Robert Doisneau in the mythical exhibition "Metamorphosis and invention of a face" around the portrait of Anne- Marie Edvina  He was also an equestrian, fashion and advertising photographer, notably for Nikon and Beaulieu  He collaborated with Europe 1 in the years 1960/70  Paul de Cordon even tried his hand at television by co-presenting the Cirques du Monde program with Jean Richard on channel A2  His works are present in prestigious collections such as those of the National Library of France (BNF), the Rodin museum and W M  Hunt 

Early years
Paul de Cordon was born in Toulouse  His father, Comte Pierre de Cordon, was a cavalry officer; his mother, Marthe de Boyer-Montegut, a cultivated, book-loving woman, was the daughter of Paul de Boyer- Montégut, who, for many years, was mayor of Cugnaux, near Toulouse, where he owned the château de Maurens 
It was in Maurens that Paul de Cordon, as a child, spent his holidays and it was there that he discovered horses which were to become one of the great passions of his life  His grandfather Boyer-Montegut was what was the French call, a “Homme de cheval’’ whose four-in-hand teams were renowned in Toulouse and across the region  As a child, he also lived for several years in Mainz (Germany), where his father was stationed after the First World War  It was around this time that he started taking pictures with a small camera, a gift from his parents  He learned the basic techniques from an old German photographer during long hours spent in his shop 
It was also in Germany where his attraction to the circus was born  The large travelling circuses, like Althoff, then crisscrossed the country with quality shows and numerous animals 
As a teenager, he was a boarder in a Paris school  He was then able to discover a very intense artistic and cultural life thanks to his aunt, the Marquise du Crozet, his mother's elder sister  He attended performances by Serge de Diaghilev's Ballets Russes which, after the war, came on tour every year to Paris  He went to the theater and visited exhibitions with his first cousin, Aimar du Crozet, who was much older than him and took him "under his wing" to serve as his guide to the Paris of the 1920s  Aimar du Crozet also had a passion for horses and races  He was the owner of Master Bob, who won the 1924 Paris Grand Steeple Chase * and who became so famous an athlete that he is mentioned by Ernest Hemingway at the start of his book ‘’Death in the Afternoon’’ 
After his studies Paul de Cordon enlisted in the 18th Dragons cavalry regiment  More than a true military vocation, it was once again the love of horses that motivated him 
At that time almost all the cavalry regiments were mounted and each maintained and trained horses to enter in show jumping events and steeple chases, in which both officers and noncommissioned officers participated  In the 1930s, he thus took part in dozens of races on tracks in France and across Europe 
After the 18th Dragons he was assigned to the 2nd Hussards, in Tarbes, the “Chamborant’’, where he continued his favorite activities; training and riding horses  By an amusing coincidence, his great-grandmother on his mother’s side was Louise de Séganville, daughter of Colonel Baron de Séganville who had been the regiment’s commanding officer between 1813 and 1815 
It was at the 2nd Hussards that he had two encounters that would mean a lot in his life  He befriended Jacques Dufilho who, after interrupting his studies in dental prosthesis, had signed an eighteen-month enlistment contract  * Dufilho will become one of his dearest friends when they meet again after the war  There he also meets Jean Devaivre who completed his military service at “Chamborant’’  Jean Devaivre then went to work in cinema and became a great director, it was he who enabled Paul de Cordon, after the war, to embark on a new life 
Devaivre was not only a cineaste but also an authentic character actor: working during the occupation for the German group Continental Films in Paris, he was at the same time a very active member of the French resistance  His exploits include flying from the Nevers region to London clandestinely after having made the journey from Paris to Nevers in the afternoon    by bicycle  Bertrand Tavernier's film “Laissez-passer’’ is directly inspired by his life, as recounted in his autobiography, “Action’’ 
In 1939, the 2nd Hussards broke up into reconnaissance groups which took part in the 1940 battles on the Ardennes front, * Paul de Cordon participated in these actions in a mounted squadron and was taken prisoner by the Germans  He ended his captivity in the fortress of Colditz where he was liberated by the US military on April 16, 1945 
In 1945 he married Dilette de Rigaud de Vaudreuil and they had three children  He remained in the army for a few more months and was assigned to the Cadre Noir in Saumur 

Second life
After a few months in Saumur, he decided to leave the army  In 1947 Jean Devaivre who had just directed “La dame d’onze heure" with Paul Meurisse, a film of astonishing modernity, offered him a job as his assistant and Paul de Cordon accepted 
He was Devaivre’s first assistant director for “La ferme des sept péchés" ( he was also the stuntman for scenes on horseback) and for "Vendetta en Camargue" where he reunited with Jacques Dufilho  At that time, in addition to being a stuntman he was also an acrobatic and burlesque dancer 
At the beginning of the 1950s, Paul de Cordon decided to become a professional photographer  He set up a studio in Paris and started developing relations with various clients in the press, advertising agencies, fashion designers, show business    
He also began to develop a large-scale personal project on the circus and the Crazy Horse Saloon cabaret  He spent many nights with his camera at Medrano, at the Bouglione brothers' Cirque d’Hiver and at the Crazy Horse Saloon  Until the 1990s he also traveled the world to visit
circuses and bring back photos  Over these years, he has developed close ties with the great dynasties of the circus ring : Schumann, Rancy, Knie, Gruss, Bouglione, Houcke, Medrano, Fratellini etc     In all these families the horse occupied a central role in their performances  This equestrian culture and Paul de Cordon’s experience as a horseman facilitated and consolidated links with all these artists and strengthened their mutual confidence and friendship  His taste for spectacle, ballets and theater helped him to appreciate and better understand the work represented by all these artists  During these years, in addition to his work as a photographer, Paul de Cordon wrote a lot about the circus and this is how the Swiss magazine “L’Année Hippique" often published his articles on horses and circus equestrians 

Circus instants
"Faced with this obstinate pursuit of the perfect gesture, I understood that I was living there what I had always sought: a circus moment"  “Instants de Cirque’’ is the title of Paul de Cordon's most famous book, which brings together a selection of images taken over more than thirty years and which he considered particularly representative  The book was edited by Bernard de Fallois who was also a circus lover and an admirer of Paul de Cordon's photos 
This book, published in 1977 by Le Chêne, allows us, with hindsight, to better understand the originality and peculiarity of Paul de Cordon’s photos  The circus is a subject that has greatly inspired photographers attracted by the spectacular and flashy nature of the circus ring  But there is no flashiness in the photos that appear there, they are intimate, shrouded in mystery, charged with a secret emotion  A photo of Gilbert Houcke with his tiger Prince illustrates their peculiarity well: there is no circus ring nor lights, we are backstage, the tamer wears a worn bathrobe, there is a sort of semi-darkness which brings out the eye of the tiger and his outstretched paw, claws extended, which he offers to the caress of the human hand  Few images make you feel with as much force the reciprocal respect and the affection that there can be between a wild beast and his tamer but also the formidable danger, the courage it takes to face it and the amount of work and humility that represent a successful act  This photo may not be what people call a circus photo, but it illustrates what Paul de Cordon called the “instant de cirque’’  Paul de Cordon had a great admiration for tamers and loved wild animals  He liked to enter their cages, accompanied by the tamer of course  He also
chose to include on the jacket of his book, a photo of himself with the lionesses of Georges Marck, wearing the uniform of the 2nd Hussards  The photo was shot by his brother, Benoît de Cordon 
Paul de Cordon was passionately fond of the circus, but he did not like being labeled as a circus photographer because the documentary aspect often linked to that genre and most often sought after by circophiles, was of no interest to him  What he was interested in and what he wanted to express in his photos was, he said, “the peculiarity of an artist, the very core of his art’’  He had an exceptional talent for capturing what others didn't always see, which is probably why so many circus performers wanted to be photographed by him 

Crazy Horse Saloon
Paul de Cordon met Alain Bernardin at the very beginning of the Crazy Horse Saloon The old coal cellar on the avenue George V had just been converted into a micro cabaret  The former antique dealer who invented the most cerebral strip show in the world and the recently converted cavalry officer shared a common aversion for rules and conventions and were both attracted to show business and pretty women  The friendship between them that lasted many years was punctuated with sulking  They both had a touch of dandyism and a taste for beautiful fabrics and bespoke suits which led them to share a Russian tailor before he emigrated to Hollywood to dress movie stars  Paul de Cordon took hundreds of photos at the Paris cabaret which illustrate the long history of the place   There are also many images shot in the dressing rooms  They are more intimate, devoid of any sort of voyeurism and translate the total confidence of the dancers This part of his work is less well known as it reveals a different face of his talent 

Portraits
Paul de Cordon is not considered a portrait photographer and yet, one realizes when looking at his work, that he also excelled in this particular art as evidenced by portraits of his friends the Gruss brothers, Alexis and André, of the clown Pipo and of Jean Houcke  His striking portrait of the actor Jacques Dufilho, in a black leather coat captures all the austerity and intelligence of this comedian  His portraits of pop stars are of interest in that they totally ignore the canons of the yé-yé aesthetic
imposed by the iconic music magazine « Salut les copains » (Hello mates) 
Paul de Cordon worked regularly for advertising, fashion, and the press 
In advertising he worked for Nikon and Beaulieu shooting their ads and catalogues for several years 
In the press he began working for horse magazines  During the 60’s he did many jobs for the music press and for record companies including photos of pop groups, yé-yé stars, or even latin music groups (Chaussettes noires, Johnny Hallyday, Hugues Aufray, Françoise Hardy, Sylvie Vartan and los Machucambos) 
He was also involved in fashion photography and participated for several years in the July fashion show marathons when Paris studios were overbooked for night photoshoots 

3 zebras
In the contemporary world, images are everywhere, and some photos are more famous than their photographers  Everyone knows “Le baîser de l’hôtel de Ville’’ by Robert Doisneau, “Death of a republican soldier’’ by Robert Capa, or “Dovima and the elephants" by Avedon  Paul de Cordon most famous photo, undoubtedly, is “Three zebras’’ which has been presented in all his exhibitions and appears, of course, in Instants de Cirque although it was not shot in a circus but at the Amsterdam Zoo in 1957  This photo was published worldwide, including in the American edition of Life in March 1962 
Paul de Cordon died in March 1998 in Paris, two years before his wife, Dilette, who had accompanied him to circuses around the world  They are buried in Verneuil in the Nièvre  Paul de Cordon is the grandfather of Pierre-Elie de Pibrac, a photographer known in
particular for his work on the Paris Opera  Photos from his book “In Situ’’ (2014) have been exhibited in France and around the world  It was thanks to his grandfather with whom he was very close, that Pierre-Elie de Pibrac developed his vocation for photography 

Books by Paul de Cordon
Girls of the Crazy Horse Saloon Verlagspresse 1971
Instants de Cirque Edition du chêne 1977
Le Cadre Noir Julliard 1981
Passage 5:
Paul De Keyser
Paul De Keyser (born 7 February 1957) is a former Belgian racing cyclist  He rode in the 1980 Tour de France 
Passage 6:
Catherine I of Russia
Catherine I Alekseevna Mikhailova (Russian: Екатери́на I Алексе́евна Миха́йлова, tr  Ekaterína I Alekséyevna Mikháylova; born Polish: Marta Helena Skowrońska, Russian: Ма́рта Самуи́ловна Скавро́нская, tr  Márta Samuílovna Skavrónskaya; 15 April [O S  5 April] 1684 – 17 May [O S  6 May] 1727) was the second wife and empress consort of Peter the Great, and empress regnant of Russia from 1725 until her death in 1727 

Life as a servant
The life of Catherine I was said by Voltaire to be nearly as extraordinary as that of Peter the Great himself  Only uncertain and contradictory information is available about her early life  Said to have been born on 15 April 1684 (o s  5 April), she was originally named Marta Helena Skowrońska  Marta was the daughter of Samuel Skowroński (later spelled Samuil Skavronsky), a Roman Catholic farmer from the eastern parts of the Polish–Lithuanian Commonwealth, born to Minsker parents  In 1680 he married Dorothea Hahn at Jakobstadt  Her mother is named in at least one source as Elizabeth Moritz, the daughter of a Baltic German woman and there is debate as to whether Moritz's father was a Swedish officer  It is likely that two stories were conflated, and Swedish sources suggest that the Elizabeth Moritz story is probably incorrect  Some biographies state that Marta's father was a gravedigger and handyman, while others speculate that he was a runaway landless serf 
Marta's parents died of the plague around 1689, leaving five children  According to one of the popular versions, at the age of three Marta was taken by an aunt and sent to Marienburg (the present-day Alūksne in Latvia, near the border with Estonia and Russia) where she was raised by Johann Ernst Glück, a Lutheran pastor and educator who was the first to translate the Bible into Latvian  In his household she served as a lowly servant, likely either a scullery maid or washerwoman   No effort was made to teach her to read and write and she remained illiterate throughout her life 
Marta was considered a very beautiful young girl, and there are accounts that Frau Glück became fearful that she would become involved with her son  At the age of seventeen, she was married off to a Swedish dragoon, Johan Cruse or Johann Rabbe, with whom she remained for eight days in 1702, at which point the Swedish troops were withdrawn from Marienburg  When Russian forces captured the town, Pastor Glück offered to work as a translator, and Field Marshal Boris Sheremetev agreed to his proposal and took him to Moscow 
There are unsubstantiated stories that Marta worked briefly in the laundry of the victorious regiment, and also that she was presented in her undergarments to Brigadier General Rudolph Felix Bauer, later the Governor of Estonia, to be his mistress  She may have worked in the household of his superior, Sheremetev  It is not known whether she was his mistress, or household maid   She travelled back to the Russian court with Sheremetev's army Afterwards she became part of the household of Prince Alexander Menshikov, who was the best friend of Peter the Great of Russia  Anecdotal sources suggest that she was purchased by him  Whether the two of them were lovers is disputed, as Menshikov was already engaged to Darya Arsenyeva, his future wife  It is clear that Menshikov and Marta formed a lifetime alliance 
It is possible that Menshikov, who was quite jealous of Peter's attentions and knew his tastes, wanted to procure a mistress on whom he could rely  In any case, in 1703, while visiting Menshikov at his home, Peter met Marta  In 1704, she was well established in the Tsar's household as his mistress, and gave birth to a son, Peter  In 1703, she converted to Orthodoxy and took the new name Catherine Alexeyevna (Yekaterina Alexeyevna)  She and Darya Menshikova accompanied Peter and Menshikov on their military excursions 

Marriage and family life
Though no record exists, Catherine and Peter are described as having married secretly between 23 October and 1 December 1707 in Saint Petersburg  They had twelve children, two of whom survived into adulthood, Anna (born 1708) and Elizabeth (born 1709) 
Peter had moved the capital to St  Petersburg in 1703  While the city was being built he lived in a three-room log cabin with Catherine, where she did the cooking and caring for the children, and he tended a garden as though they were an ordinary couple  The relationship was the most successful of Peter's life and a great number of letters exist demonstrating the strong affection between Catherine and Peter  As a person she was very energetic, compassionate, charming, and always cheerful  She was able to calm Peter in his frequent rages and was often called in to do so 
Catherine went with Peter on his Pruth Campaign in 1711  There, she was said to have saved Peter and his Empire, as related by Voltaire in his book Peter the Great  Surrounded by overwhelming numbers of Turkish troops, Catherine suggested before surrendering, that her jewels and those of the other women be used in an effort to bribe the Ottoman grand vizier Baltacı Mehmet Pasha into allowing a retreat 
Mehmet allowed the retreat, whether motivated by the bribe or considerations of trade and diplomacy  In any case Peter credited Catherine and proceeded to marry her again (this time officially) at Saint Isaac's Cathedral in St  Petersburg on 9 February 1712   She was Peter's second wife; he had previously married and divorced Eudoxia Lopukhina, who had borne him the Tsarevich Alexis Petrovich  Upon their wedding, Catherine took on the style of her husband and became Tsarina  When Peter elevated the Russian Tsardom to Empire, Catherine became Empress  The Order of Saint Catherine was instituted by her husband on the occasion of their wedding 

Issue
Catherine and Peter had twelve children, all of whom died in childhood except Anna and Elizabeth:

Peter Petrovich (1704–1707), died in infancy
Paul Petrovich (October 1705–1707), died in infancy
Catherine Petrovna (7 February 1707–7 August 1708)
Grand Duchess Anna Petrovna (27 January 1708–15 May 1728)
Grand Duchess Elizabeth Petrovna (29 December 1709–5 January 1762)
Grand Duchess Mary Natalia Petrovna (20 March 1713–17 May 1715)
Grand Duchess Margaret Petrovna (19 September 1714–7 June 1715)
Grand Duke Peter Petrovich (9 November 1715–6 May 1719)

Grand Duke Paul Petrovich (13 January 1717–14 January 1717)
Grand Duchess Natalia Petrovna (31 August 1718–15 March 1725)
Grand Duke Peter Petrovich (7 October 1723–7 October 1723)
Grand Duke Paul Petrovich (1724–1724)

Siblings
Upon Peter's death, Catherine found her four siblings, Krystyna, Anna, Karol, and Fryderyk, gave them the newly created titles of Count and Countess, and brought them to Russia 

Krystyna Skowrońska, renamed Christina (Russian: Христина) Samuilovna Skavronskaya (1687–14 April 1729), had married Simon Heinrich (Russian: Симон Гейнрих) (1672–1728) and their descendants became the Counts Gendrikov 
Anna Skowrońska, renamed Anna Samuilovna Skavronskaya, had married one Michael-Joachim N and their descendants became the Counts Efimovsky 
Karol Skowroński, renamed Karel Samuilovich Skavronsky, was created a Count of the Russian Empire on 5 January 1727 and made a Chamberlain of the Imperial Court; he had married Maria Ivanovna, a Russian woman, by whom he had descendants who became extinct in the male line with the death of Count Paul Martinovich Skavronskyi (1757-1793), father of Princess Catherine Bagration 
Fryderyk Skowroński, renamed Feodor Samuilovich Skavronsky, was created a Count of the Russian Empire on 5 January 1727 and was married twice: to N, a Lithuanian woman, and to Ekaterina Rodionovna Saburova, without having children by either of them 

Reign as empress regnant
Catherine was crowned in 1724  The year before his death, Peter and Catherine had an estrangement over her support of Willem Mons, brother of Peter's former mistress Anna, and brother to one of the current ladies in waiting for Catherine, Matryona  He served as Catherine's secretary  Peter had fought his entire life to clear up corruption in Russia  Catherine had a great deal of influence over who could gain access to her husband  Willem Mons and his sister Matryona had begun selling their influence to those who wanted access to Catherine and, through her, to Peter  Apparently this had been overlooked by Catherine, who was fond of both  Peter found out and had Willem Mons executed and his sister Matryona exiled  He and Catherine did not speak for several months  Rumors flew that she and Mons had had an affair, but there is no evidence for this 
Peter died (28 January 1725 Old Style) without naming a successor  Catherine represented the interests of the "new men", commoners who had been brought to positions of great power by Peter based on competence  A change of government was likely to favor the entrenched aristocrats  For that reason during a meeting of a council to decide on a successor, a coup was arranged by Menshikov and others in which the guards regiments with whom Catherine was very popular proclaimed her the ruler of Russia  Supporting evidence was "produced" from Peter's secretary Makarov and the Bishop of Pskov, both "new men" with motivation to see Catherine take over  The real power, however, lay with Menshikov, Peter Tolstoy, and other members of the Supreme Privy Council 
Catherine viewed the deposed empress Eudoxia as a threat, so she secretly moved her to Shlisselburg Fortress near St  Petersburg to be put in a secret prison under strict custody as a state prisoner 

Death
Catherine I died two years after Peter I, on 17 May 1727 at age 43, in St  Petersburg, where she was buried at St  Peter and St  Paul Fortress  Tuberculosis, diagnosed as an abscess of the lungs, caused her early demise 
Before her death she recognized Peter II, the grandson of Peter I and Eudoxia, as her successor 

Assessment and legacy
Catherine was the first woman to rule Imperial Russia, opening the legal path for a century almost entirely dominated by women, including her daughter Elizabeth and granddaughter-in-law Catherine the Great, all of whom continued Peter the Great's policies in modernizing Russia   At the time of Peter's death the Russian Army, composed of 130,000 men and supplemented by another 100,000 Cossacks, was easily the largest in Europe   However, the expense of the military was proving ruinous to the Russian economy, consuming some 65% of the government's annual revenue   Since the nation was at peace, Catherine was determined to reduce military expenditure   For most of her reign, Catherine I was controlled by her advisers   However, on this single issue, the reduction of military expenses, Catherine was able to have her way   The resulting tax relief on the peasantry led to the reputation of Catherine I as a just and fair ruler The Supreme Privy Council concentrated power in the hands of one party, and thus was an executive innovation  In foreign affairs, Russia reluctantly joined the Austro-Spanish league to defend the interests of Catherine's son-in-law, the Duke of Holstein, against Great Britain 
Catherine gave her name to Catherinehof near St  Petersburg, and built the first bridges in the new capital  She was also the first royal owner of the Tsarskoye Selo estate, where the Catherine Palace still bears her name 
The city of Yekaterinburg is named after her, Yekaterina being the Russian form of her name 
She also gave her name to the Kadriorg Palace (German: Katharinental, meaning "Catherine's Valley"), its adjacent Kadriorg Park and the later Kadriorg neighbourhood of Tallinn, Estonia, which today houses the Presidential Palace of Estonia  The name of the neighbourhood is also used as a metonym for the institution of the President 
In general, Catherine's policies were reasonable and cautious   The story of her humble origins was considered by later generations of tsars to be a state secret 

See also
Bibliography of Russian history (1613–1917)
Rulers of Russia family tree

Notes
Passage 7:
Lyudmyla Olyanovska
Lyudmyla Olyanovska (Ukrainian: Людмила Оляновська; born 20 February 1993, in Kyiv) is a Ukrainian race walker 

Career
She won the bronze medal in the 20 kilometer racewalking event at the 2015 World Championships in Athletics in Beijing, China 
In 2014, she won the silver medal in the 20 kilometres racewalking event at the 2014 European Championships in Athletics 
In February 2017, she was disqualified for doping rules violation for four years since 30 November 2015 until 29 November 2019 

National records
She holds three national records in racewalking:
Passage 8:
Antoine Pescatore
Constantin-Joseph-Antoine Pescatore, known as Antoine Pescatore, was born on 16 December 1787 in Luxembourg City, and died on 31 October 1858 in Sandweiler  He was a businessman and politician 
From 1817 to 1820, he was mayor of the city of Luxembourg From 1842 to 1848 he was a member of the Assembly of Estates, and from 1854 to 1856 was a member of the Chamber of Deputies In 1845 he became a founding member of the Société pour la recherche et la conservation des monuments historiques dans le Grand-Duché de Luxembourg 
His daughter Marie Pescatore (1819-1894) married Paul de Scherff 
Passage 9:
Paul de Maleingreau
Paul Constant Eugène de Maleingreau (23 November 1887 - 9 January 1956) was a Belgian composer and organist 

Biography
Paul Constant Eugène Malengreau was born in  Trélon, Nord, France  He later changed his surname to "de Maleingreau"  From 1905 to 1912 he studied at the Brussels Conservatory where his principal teachers were Alfons Desmet, Paul Gilson and Edgar Tinel  He began teaching at the Conservatory in 1913 and was professor of organ (succeeding Desmet) from 1929 until 1953   His pupils included Pierre Froidebise, Charles Koenig, Robert Kohnen, Marcel Druart, Paul Sprimont and Herman Roelstraete 
In 1921 and 1922 he was the first to play Bach’s complete organ works in Brussels 
Gregorian plainsong forms the basis of most of Malengreau’s compositions, and indeed part of his output is intended for the liturgy  He also wrote programme music, his organ symphonies being inspired by paintings by Rogier van der Weyden and the van Eyck brothers  While the chromaticism and cyclic treatment of themes reveal the influence of Franck, certain harmonic progressions are typical of Impressionist music 
He was a member of the Libre Académie, and died in Brussels in 1956 

Selected works
Publication dates and publishers in parentheses where known 

Organ
Op  2  Élévation (1912, Hérelle)
Op  3 no  1 Post partum Virgo inviolata permansisti (Hérelle, Fortemps)
Op  3 no  2 Ego sum panis vivus (Hérelle, Fortemps)
Op  10 Opus sacrum: In nativitate Domini (1920, Chester)
Op  14 Suite (1919, Durand)
Op  18 nos 1 & 2 Offrande musicale (1920, Chester)
Op  18 no  3 Toccata (1920, Chester)
Op  19 Symphonie de Noël (1920, Chester)
Op  20 Symphonie de la Passion (1923, Senart)
Op  22 Opus sacrum II: In feriis Quadragesimae (1923, Senart)
Op  23 Triptyque pour la Noël (1923, Salabert)
Op  24 Symphonie de l’Agneau mystique (1926, Leduc)
Op  25 Préludes à l’introit pour orgue sans pédale (1924, Senart)
Op  26 no  4 Noël parisienne
Op  27 Élévations liturgiques (1935, Herelle-Philippo)
Op  30 Messe du jour de Noël (1938, Philippo)
Op  31 Messe de pâques (Hérelle-Philippo)
Op  35 Méditation pour le temps pascal: Quoniam ipsius est mare (1939, Hérelle)
Op  60 Préludes de carème (1952, Oxford)
Op  65 Suite mariale (1939, Oxford)
Op  71 Suite: Four paraphrases on hymns to the Virgin (1937, Oxford)
Op  103 Diptyque de la Toussaint (1952, Fischer)

Piano
Op  7 Prélude-Chorale et fugue (1920, Chester)
Op  8 No  1 Cygnes de neige sur des lacs de Lapis-Lazuli (F  Lauweryns)
Op  9 Suite pour piano (1920, Chester)
Op  12 Sonatine pour piano (1917, Lauweryns)
Op  17 Les angelus du printemps : suite pittoresque pour piano (1920, Chester)
Suite enfantine  (1934, Senart)

Chamber
Op  15 Sonate pour violoncelle et piano (1919, Durand)
Passage 10:
W  Augustus Barratt
W  Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician 

Early life and songs
Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley  In 1893 he won a scholarship for composition to the Royal College of Music 
In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements 
By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover 
He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree  He co-composed with Howard Talbot the successful Kitty Grey (1900) He continued to write songs and to receive recognition for them  The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald 
His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times  It also appeared four times, with different singers, in the 1913 and 1914 Proms 

America
In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:

on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
musical director of The Little Michus (1907), also featuring songs by Barratt;
co-composer of Miss Pocahontas (1907), a musical comedy;
musical director of The Love Cure (1909–1910), a musical romance;
composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst  Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;
musical director of The Quaker Girl (1911–1912);
co-composer and musical director of My Best Girl (1912);
musical director of The Sunshine Girl (1913);
musical director of The Girl who Smiles (1915), a musical comedy;
musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
contributor of a song to The Passing Show of 1918;
composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;
contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
musical director of What's in a Name? (1920), a musical revue

1921 in London
Though domiciled in the US, he made several visits back to England  During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B  Cochran, namely

League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;
Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics

Back to Broadway
Back in the US he returned to Broadway, working as
composer and lyricist of Jack and Jill (1923), a musical comedy;
musical director of The Silver Swan (1929), a musical romance

Radio plays
In later years he wrote plays and operettas mostly for radio, such as:

Snapshots: a radioperetta (1929)
Sushannah and the Brush Wielders: a play in 1 act (1929)
The Magic Voice: a radio series (1933)
Men of Action: a series of radio sketches (1933)
Say, Uncle: a radio series (1933)
Sealed Orders: a radio drama (1934)
Sergeant Gabriel (with Hugh Abercrombie) (1945)

Personal
In 1897 in London he married Lizzie May Stoner  They had one son  In 1904 he emigrated to the US and lived in New York City  His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American  In 1924, he became a naturalized American citizen  He died on 12 April 1947 in New York City 

Note on his first name
The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake  For professional purposes up to about 1900 he appears to have written as "W  Augustus Barratt", and thereafter mostly as simply "Augustus Barratt" 
Context 2: Passage 1:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 2:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 3:
John Donatich
John Donatich is the Director of Yale University Press 

Early life
He received a BA from New York University in 1982, graduating magna cum laude  He also got a master's degree from NYU in 1984, graduating summa cum laude 

Career
Donatich worked as director of National Accounts at Putnam Publishing Group from 1989 to 1992 His writing has appeared in various periodicals including Harper's, The Atlantic Monthly and The Village Voice 
He worked at HarperCollins from 1992 to 1996, serving as director of national accounts and then as vice president and director of product and marketing development From 1995 to 2003, Donatich served as publisher and vice president of Basic Books  While there, he started the Art of Mentoring series of books, which would run from 2001 to 2008   While at Basic Books, Donatich published such authors as Christopher Hitchens, Steven Pinker, Samantha Power, Alan Dershowitz, Sir Martin Rees and Richard Florida 
In 2003, Donatich became the director of the Yale University Press   At Yale, Donatich published such authors as Michael Walzer, Janet Malcolm, E  H  Gombrich, Michael Fried, Edmund Morgan and T  J   Clark   Donatich began the Margellos World Republic of Letters, a literature in translation series that published such authors as Adonis, Norman Manea and Claudio Magris  He also launched the digital archive platform, The Stalin Digital Archive and the Encounters Chinese Language multimedia platform 
In 2009, he briefly gained media attention when he was involved in the decision to expunge the Muhammad cartoons from the Yale University Press book The Cartoons that Shook the World, for fear of Muslim violence He is the author of a memoir, Ambivalence, a Love Story, and a novel, The Variations 

Books
Ambivalence, a Love Story: Portrait of a Marriage (memoir), St  Martin's Press, 2005 
The Variations (novel), Henry Holt, March, 2012

Articles
Why Books Still Matter, Journal of Scholarly Publishing, Volume 40, Number 4, July 2009, pp  329–342, E-ISSN 1710-1166 Print ISSN 1198-9742

Personal life
Donatich is married to Betsy Lerner, a literary agent and author; together they have a daughter, Raffaella 
Passage 4:
Michael Govan
Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art  Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City 

Early life and education
Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D C  area, attending Sidwell Friends School He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art  Govan became closely involved with the museum, serving as acting curator as an undergraduate  After receiving his B A  from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego 

Career
As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R  Guggenheim Foundation  Govan served as deputy director of the Solomon R  Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain  Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation 

Dia Art Foundation
From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City  There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present  Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon  Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building  During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest  Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015 

LACMA
In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M  Daly, recruited Govan to run the Los Angeles County Museum of Art  Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961  "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that "Govan has been widely regarded for transforming LACMA into both a local and international landmark  Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion  LACMA's annual attendance has grown from 600,000 to nearly 1 6 million in 2016 

Artist collaborations
Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists  In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world  Baldessari has also designed LACMA's logo  Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth     crossed with a high-style urban lounge "Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists  These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard  Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016 In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived  In 2010, it was announced that Govan will steer LACMA for at least six more years  In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum 

Zumthor Project
Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor  As of January 2017, he has raised about $300 million in commitments  Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard  The project also envisages dissolving all existing curatorial departments and departmental collections  Some commentators have been highly critical of Govan's plans  Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own"  Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1 5 miles  Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support 
On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come" 

Personal life
Govan is married and has two daughters, one from a previous marriage  He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]  That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region 
Los Angeles CA 90020
United States  He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport 
Passage 5:
Martin Kunert
Martin Kunert (born Marcin Stanisław Kunert-Dziewanowski; 1974) is a feature film and television writer, director and producer; and since 2010, a photographer  In 2004, Kunert conceived and directed the documentary Voices of Iraq, made by sending 150 DV cameras to Iraqis to film their own lives  MovieMaker Magazine hailed the film as "truly a groundbreaking film…both in terms of its content and the process behind its production "Previously, Kunert created and executive produced MTV's Fear, the first reality show to have contestants film themselves  Kunert created the show's frightening ambiance, developed the oft-mimicked visual and musical style and streamlined the show's editing process, where on a weekly basis, over 250 hours of contestant generated video was edited into 45-minute episodes  MTV's Fear spawned TV specials, fan clubs, DVDs, and numerous copycat television shows, including NBC's Fear Factor and VH1's Celebrity Paranormal Project 
Kunert has also directed television and feature films, including the cult favorite Campfire Tales (starring Amy Smart, Jimmy Marsden, Ron Livingston, and Christine Taylor) for New Line Cinema and Rogue Force (starring Michael Rooker and Robert Patrick) for Miramax  His screenplays include Warner Bros ' Dodging Bullets for Will Smith and Halle Berry, Paramount's The Brazilian, and 20th Century Fox's Hindenburg for Jan de Bont  He created and executive produced "HRT" (starring Michael Rooker and Ernie Hudson) for CBS and Columbia TriStar and "Catch" for CBS  With Doug Liman, Kunert reinvented "CHiPs" for NBC and Warner Bros  He also created the reality show "Mayor" for Columbia TriStar  In 2002, NBC/StudiosUSA signed Kunert to an exclusive writing/directing/producing contract   He wrote and executive produced "Witch Doctor", a TV pilot for Beacon TV and ABC television studios in 2008 
In 2011, DirecTV, Technicolor, and Panasonic got together to finance an experimental 3D film for Kunert to direct and shoot on Panasonic's new 3D camera systems   As part of it, Technicolor trained Kunert extensively on how to make clean, non-headache inducing, 3D motion images   DirecTV will distribute the 3D film internationally Kunert is a graduate of New York University's film school  He is a member of the Directors Guild of America and Writers Guild of America 
He was born in Warsaw, Poland and grew up in Westfield, New Jersey before attending the New York Military Academy 

Filmography
Passage 6:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 7:
Renegade Force
Renegade Force (aka Counterforce and Rogue Force) is a 1998 action film, starring Michael Rooker, Robert Patrick, Diane DiLascio and Louis Mandylor  The movie was written by Rick Bloggs and Alan Schechter and directed by Martin Kunert 

Plot
Rooker plays an FBI agent who joins force with a cop (Diane DiLascio) to investigate some mysterious deaths of several mobsters 

Cast
Michael Rooker as Matt Cooper
Robert Patrick as Jake McInroy
Diane DiLascio as Helen Simms
Louis Mandylor as Peter Roth

Reception
Comeuppance Reviews called Renegade Force a "brainless action at its best", stating: "In the end: Rogue Force is 90 minutes of cool FBI\SWAT action  The plot is routine but who cares when you're having a good time?"  Movie Mavs gave the film 3,5 stars out of 4, praised several aspects of the movie and concluding: "Rogue Force is a better than average corrupt police themed adult thriller, with some solid acting "
Passage 8:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 9:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 10:
John Farrell (businessman)
John Farrell is the director of YouTube in Latin America 

Education
Farrell holds a joint MBA degree from the University of Texas at Austin and Instituto Tecnologico de Estudios Superiores de Monterrey (ITESM) 

Career
His business career began at Skytel, and later at Iridium as head of Business Development, in Washington DC, where he supported the design and launched the first satellite location service in the world and established international distribution agreements He co-founded Adetel, the first company to provide internet access to residential communities and businesses in Mexico  After becoming General Manager of Adetel, he developed a partnership with TV Azteca in order to create the first internet access prepaid card in the country known as the ToditoCard   Later in his career, John Farrell worked for Televisa in Mexico City as Director of Business Development for Esmas com  There he established a strategic alliance with a leading telecommunications provider to launch co-branded Internet and telephone services  He also led initial efforts to launch social networking services, leveraging Televisa’s content and media channels 

Google
Farrel joined Google in 2004 as Director of Business Development for Asia and Latin America  On April 7, 2008, he was promoted to the position of General Manager for Google Mexico, replacing Alonso Gonzalo  He is now director of YouTube in Latin America, responsible for developing audiences, managing partnerships and growing Google’s video display business  John is also part of Google’s Latin America leadership management team and contributes to Google’s strategy in the region  He is Vice President of the IAB (Interactive Advertising Bureau), a member of the AMIPCI (Mexican Internet Association) Advisory Board, an active Endeavor mentor, and member of YPO 
Context 3: Passage 1:
Everybody's Magazine
Everybody's Magazine was an American magazine published from 1899 to 1929  The magazine was headquartered in New York City 

History and profile
The magazine was founded by Philadelphia merchant John Wanamaker in 1899, though he had little role in its actual operations  Initially, the magazine published a combination of non-fiction articles and new fiction stories   By 1926, the magazine had become a pulp fiction magazine and in 1929 it merged with Romance magazine 
In 1903, it had a circulation of 150,000, and Wanamaker sold the magazine for $75,000 to a group headed by Erman Jesse Ridgway   A series of muckraking articles called "Frenzied Finance" in 1904 boosted circulation to well over 500,000, and it stayed above the half million mark for many years   During America's involvement in World War I, circulation declined below 300,000   By the late 1920s, it had declined to about 50,000 Beginning in 1915, the magazine began referring to itself simply as Everybody's  Writers who appeared in it include Jack London, Talbot Mundy, Victor Rousseau, O  Henry, A  A  Milne (Milne's novel The Red House Mystery was serialised in the magazine from August to December 1921 as The Red House Murder) Hugh Pendexter, Eleanor Hoyt Brainerd, Raoul Whitfield and Dornford Yates 
The last issue of Everybody's Magazine was published in March 1929  In 1931, publisher Alfred A  Cohen purchased Everybody's Magazine from the Butterick Publishing Company and attempted to revive it with F  Orlin Tremaine as editor  No known issues were produced and the magazine was soon declared discontinued 

Gallery
Passage 2:
Northern Men's League for Women's Suffrage
The Northern Men's Federation for Women's Suffrage was an organisation which was active in Scotland during the later part of the campaign for women's suffrage 

Formation
In 1907, after the imprisonment of his wife, Maggie Moffat for suffrage activity, Graham Moffat formed the Glasgow Men's League for Women's Suffrage  It was intended to offer support and solidarity for the husbands and brothers of women involved in the campaign, as well as male sympathisers Many of the members were politically active and powerful men who wanted to use their influence in the campaign In July 1913, organised by Maud Arncliffe Sennett, a large delegation of  Scottish men travelled to London for an audience with the prime minister, H  H  Asquith, to discuss extending the franchise to women  The request for a meeting was refused  A direct result of this failure to meet with them was that they formed the new campaigning organisation  The artist John Wilson McLaren wrote a verse about the trip:

We've come from the North, and the heather's on fire,
To fight for the women–our only desire;
At last we've been roused thro' the treachery shown
By knaves at Westminster–the knaves we disown!'The inaugural meeting was held in Glasgow on 11 September 1913  The founder, president, and main organiser of the July deputation was Maud Arncliffe Sennett  She had discussed the possibility of a men's campaigning organisation on the train to the funeral of Emily Davison, which she attended on behalf of the Actresses' Franchise League  The honorary secretary of the Edinburgh branch was Nannie Brown Branches were formed in Midlothian and Berwick upon Tweed 

Activities
The league had no party political loyalties, and supported all of the different suffrage groups, whether militant or constitutional  They sent petitions and resolutions to those in power, and corresponded with other organisations to rally support 
They held a meeting in Bridgeton in November 1913, which was addressed by Maud Arncliffe Sennet, Henry Harben, JP, Bailie Alston and Helen Crawfurd, who "welcomed the NMF as a new order of chivalry: it came to fight for the oppressed and sweated women worker"  In the same month they also met in the Synod Hall, Edinburgh, and were addressed by John Cockburn, Mrs Cavendish Bentinck, and Maud Arncliffe Sennett   On 14 February 1914, the Northern Men's Federation for Women's Suffrage was to hold a mass meeting in Memorial Hall, London, and the following day a Trafalgar Square demonstration  The 'War Song" titled  'Justice For Ever'  by J  Wilson McLaren was to be sung in full at these events, to the air 'The Macgregors' Gathering' , and the words printed (the day before the first event) in the Women's Freedom League newspaper The Vote:We've come from the North, and the heather's on fire,
To fight for the women – our only desire;
At last we've been roused thro' the treachery shown
By knaves at Westminster–the knaves we disown!
Then rally, rally, rally, Englishmen!
With the Scots by your side, help the Cause that is just -
The mothers who bore us, we cannot but trust -
They're voteless, voteless, voteless!
Voteless, voteless, voteless!
Then prove yourselves heroes! Oppressors? No, never!
The Women shall triumph! It's Justice for ever!
The torture of martyrs has stirred the whole nation -
Wives, sisters and mothers  - vile degradation!

It's shameful, shameful, shameful, Englishmen!
Shameful, shameful, shameful!
Then join the fray - turn the Government out
That still dares the Mandate of voters to flout:
For Freedom our forefathers fought long ago,
And the sons from auld Scotland will strike, too, a blow!
Then help us, help us, Englishmen!
The "Forcible Feeding" and "Cat-and-Mouse Bill,"
We're now more determined than ever to kill;
Then rally, rally, rally!
Rally, rally, rally!
"Votes for Women" our cry  Cease fighting? No, never!

Till victory is won, and - Justice for ever!Both Nannie Brown and Maud Arncliffe Sennett visited the City of Edinburgh Council and were welcomed and given a lunch with the Lord Provost and councillors (the week before) and were organising the deputation to London  Councillors Murray and Crawford were to take part, and a large and supportive rally on the Mound, Edinburgh took place In April 1914, the league took part in a larger demonstration at Cupar, where H  H  Asquith was standing in a ministerial by-election  They announced their intention of opposing him at the next general election The league continued their campaigning work during the war years, which included an open-air meeting at The Meadows, Edinburgh in May 1915, a demonstration in July 1915, addressed by Maud Arncliffe Sennett, and a meeting in April 1916  Their activities continued until 1919 

Notable members and speakers
Cunninghame Graham
William Graham
Charles Mabon
Maud Arncliffe Sennett
Nannie Brown
J Wilson McLaren

See also
Men's League for Women's Suffrage (United Kingdom)
Women's suffrage in the United Kingdom
Passage 3:
Budapest Business Journal
The Budapest Business Journal or BBJ is a biweekly business magazine published in Hungary  It is the largest, oldest and a leading publication in its category in the country 

History and profile
The BBJ was launched in November 1992 as a weekly  The magazine, based in Budapest, was converted into biweekly later  It was founded by a US-owned company headed by Stephen A  O'Connor, an American media entrepreneur  Mike Stone was also its founder The publisher is Absolut Media Kft  It was originally published by  New World Publishing  which also published the Warsaw Business Journal in Poland and the Prague Business Journal in Czechoslovakia (and later the Czech Republic) until January 2004 As its title implies, the BBJ exclusively focuses on business news and related analysis, targeting business professionals  In addition, it provides detailed industry and company information  The magazine publishes rankings of Hungarian companies each year in a separate publication called The Book of Lists The BBJ was one of the independent publications and provided investigative reports in the late 1990s  In 2002 the BBJ had a circulation of 8,700 copies The BBJ has a website which is one of the leading business information websites in the country



ground_truth: Lyudmyla Olyanovska

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which country the director of film Renegade Force is from?

The following are given passages.
Context 3:  As of 15 May 2013 the Alexa rank of the website was 858437 

See also
List of magazines in Hungary
Passage 4:
Lydia Becker
Lydia Ernestine Becker (24 February 1827 – 18 July 1890) was a leader in the early British suffrage movement, as well as an amateur scientist with interests in biology and astronomy  She established Manchester as a centre for the suffrage movement and with Richard Pankhurst she arranged for the first woman to vote in a British election and a court case was unsuccessfully brought to exploit the precedent  Becker is also remembered for founding and publishing the Women's Suffrage Journal between 1870 and 1890 

Biography
Born in Cooper Street in the Deansgate area of Manchester, the oldest daughter of Hannibal Becker, whose father, Ernst Becker had emigrated from Ohrdruf in Thuringia  Becker was educated at home, like many girls at the time  Intellectually curious, she studied botany and astronomy from the 1850s onwards, winning a gold medal for an 1862 scholarly paper on horticulture  An uncle, rather than her parents, encouraged this interest  Five years later, she founded the Ladies' Literary Society in Manchester 
She began a correspondence with Charles Darwin and soon afterwards convinced him to send a paper to the society  In the course of their correspondence, Becker sent a number of plant samples to Darwin from the fields surrounding Manchester  She also forwarded Darwin a copy of her "little book", Botany for Novices (1864)  Becker is one of a number of 19th-century women who contributed, often routinely, to Darwin's scientific work  Her correspondence and work alike suggest that Becker had a particular interest in bisexual and hermaphroditic plants which, perhaps, offered her powerful 'natural' evidence of radical, alternative sexual and social order She was also recognised for her own scientific contributions, being awarded a national prize in the 1860s for a collection of dried plants prepared using a method that she had devised so that they retained their original colours  She gave a botanical paper to the Biology Section (D) at the 1868 meeting of the British Association about the effect of fungal infection on sexual development in a plant species  Botany remained important to her, but her work for women's suffrage took over the central role in her life  Her involvement in promoting and encouraging scientific education for girls and women brought these two aspects together 

Role in women's suffrage
In autumn 1866 Becker attended the annual meeting of the National Association for the Advancement of Social Science, where she was excited by a paper from Barbara Bodichon entitled "Reasons for the Enfranchisement of Women"  She dedicated herself to organising around the issue, and in January 1867 convened the first meeting of the Manchester Women's Suffrage Committee, one of the first organisations of its kind in England  She got to know there Dr  Richard Pankhurst, known as 'the red Doctor' whom Becker described as 'a very clever little man with some extraordinary sentiments about life in general and women in particular'  He married Emmeline in 1879 Several months later, a widowed shop owner, Lilly Maxwell, mistakenly appeared on the register of voters in Manchester  She was not the first but she was a good opportunity for publicity  Becker visited Maxwell and escorted her to the polling station  The returning officer found Maxwell's name on the list and allowed her to vote  Becker immediately began encouraging other women heads of households in the region to petition for their names to appear on the rolls  Their claims were presented in court by Sir John Coleridge and Richard Pankhurst in Chorlton v  Lings, but the case was dismissed On 14 April 1868, the first public meeting of the National Society for Women's Suffrage was held in the Free Trade Hall in Manchester  The three main speakers were Agnes Pochin, Anne Robinson and Becker  The meeting was presided over by Priscilla Bright McLaren  Becker moved the resolution that women should be granted voting rights on the same terms as men 
Becker subsequently commenced a lecture tour of northern cities on behalf of the society  In June 1869, Becker and fellow campaigners were successful in securing the vote for women in municipal elections  Having campaigned for the inclusion of women on school boards, in 1870 she was one of four women elected to the Manchester School Board on which she served until her death  In the same year Becker and her friend Jessie Boucherett founded the Women's Suffrage Journal and soon afterward began organising speaking tours of women – a rarity in Britain at the time  At an 1874 speaking event in Manchester organised by Becker, fifteen-year-old Emmeline Pankhurst experienced her first public gathering in the name of women's suffrage  On 24 March 1877 Lydia appeared at a public meeting alongside J W White, Henry Birchenough, Alice Cliff Scatcherd (subsequently one of the co-founders of the Women's Franchise League) and other early suffragists to discuss women's access to the vote in Macclesfield The Journal was the most popular publication relating to women's suffrage in 19th-century Britain  Roger Fulford, in his study of the movement Votes for Women: The Story of a Struggle, writes: "The history of the decades from 1860 to 1890 – so far as women's suffrage is concerned – is the history of Miss Becker " The Journal published speeches from around the country, both within and outside of Parliament  Becker published her correspondence with her supporters and her opponents, notably in 1870, when she chastised the MP for Caernarvonshire after he voted against a proposal offering women the vote In 1880, Becker and co-workers campaigned in the Isle of Man for the right of women to vote in the House of Keys elections  Unexpectedly, they were successful and they secured for women voting rights in the Isle of Man for the first time in the elections of March 1881  Becker became the chair of the Central Committee of the National Society for Women's Suffrage  This organisation had been formed in 1871 to lobby parliament  Other committee members included Helen Blackburn, Millicent Fawcett, Jessie Boucherett, Eva McLaren, Margaret Bright Lucas, Priscilla Bright McLaren and Frances Power Cobbe Becker differed from many early feminists in her disputation of essentialised femininity  Arguing there was no natural difference between the intellect of men and women, Becker was a vocal advocate of a non-gendered education system in Britain  She also differed with many suffrage activists in arguing more strenuously for the voting rights of unmarried women  Women connected to husbands and stable sources of income, Becker believed, were less desperately in need of the vote than widows and single women  This attitude made her the target of frequent ridicule in newspaper commentary and editorial cartoons 

Death and legacy
In 1890 Becker visited the spa town of Aix-les-Bains, where she fell ill and died of diphtheria, aged 63 Rather than continue publishing in her absence, the staff of the Women's Suffrage Journal decided to cease production 

Memorials
A book collection by women, with books from Helen Blackburn's collection, her friends and from second hand sources, was placed in two bookcases decorated with paintings of Becker and Caroline Ashurst Biggs, who had been chairs of the Central Committee of the National Society for Women's Suffrage before Blackburn  These bookcases were given to Girton College and are extant Becker's name is listed on the south face of the Reformers Memorial in Kensal Green Cemetery in London  Her name is also listed on her father's gravestone (Hannibal Becker) in the churchyard of the Parish Church of St James, Altham in Lancashire  A plaque commemorating her life is situated adjacent to the Moorfield Colliery Memorial on Burnley Road, Altham, (A678) at the junction with Moorfield Way 
Becker's name and image, alongside those of 58 other women's suffrage supporters, are etched on the plinth of the statue of Millicent Fawcett in Parliament Square, London



ground_truth: America

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which magazine was established first, Women'S Suffrage Journal or Mostar (Magazine)?

The following are given passages.
Context 3: In Paris, France, a street is named after her, the allée Lydia-Becker (Lydia Becker Lane), near Montmartre, close to the rue Eva-Kotchever   In Chadderton, Oldham, United Kingdom,  a street is named after her, Lydia Becker Way 

Works
Botany for Novices (1864)
"Female Suffrage" in The Contemporary Review (1867)
"Is there any Specific Distinction between Male and Female Intellect?" in Englishwoman's Review of Social and Industrial Questions (1868)
"On the Study of Science by Women" in The Contemporary Review (1869)
"The Political Disabilities of Women" in The Westminster Review (1872)

Archives
The archives of Lydia Becker are held at the Women's Library at the Library of the London School of Economics 

Lydia Becker Institute of Immunology and Inflammation
In 2018 the Lydia Becker Institute of Immunology and Inflammation  was launched at The University of Manchester 
The institute is home to internationally renowned immunology and inflammation expertise in a vast array of basic and applied disciplines  
The institute is named after Lydia Becker because she was a celebrated natural scientist who conversed with Charles Darwin and because she strongly believed that women were intellectually equal to men and deserved the same opportunities 

Notes
Passage 5:
UPraw – UK Student Magazine
UPraw Magazine was a national UK student magazine distributed through various university-related sites, student unions and selected Blackwell bookstores from 2001 - 2002  The magazine was based in Bournemouth The magazine was a full colour glossy publication and four issues were released   The cover and interviews stars included the BBC Radio 1 Disc Jockeys 'Dream Team', the RnB act 'Artful Dodger' and acting legend Robert De Niro 
The magazine was a mix of student related current affairs and mostly humour based articles   The magazine proved very popular in smaller cities but was less successful in bigger cities where local student publications were more dominant   The magazine was also criticised in some quarters for not having enough of a political agenda and not advancing student issues 
The magazine was established by Suzanne Miller who had previously edited the magazine FastTimes 
The magazine was co-edited by Nimalan Nades (also known by his real name Nimalan Nadesalingam) who had previously edited a local student magazine in Lincoln, England and who had also been a published as a writer for FastTime   Many of the UPraw writers were also Lincoln based and included James Copper who had co-edited a local student magazine with Nimalan Nades previously   Another contributor was Jon Kirk who then went on to establish Chalk, a rock-climbing magazine 
Passage 6:
Mostar (magazine)
Mostar is a monthly magazine of culture and current affairs  It began publishing in March 2005  Its name originates from the Stari Most in Bosnia-Herzegovina 

Content of Magazine
File subjects
Awards
On January 1, 2010, Mostar has been awarded as "Magazine of the Year" by Writers Union of Turkey 
On April 12, 2012, Mostar has won the reward of "Magazine of the Year" from International Association of Islamic World Journalist and Authors (ULGAYAD)

Notes
External links
Official Site
Passage 7:
Women's Suffrage Journal
The Women's Suffrage Journal was a magazine founded by Lydia Becker and Jessie Boucherett in 1870  Initially titled the Manchester National Society for Women's Suffrage Journal within a year its title was changed reflecting Becker's desire to extend its influence beyond "Manchester's radical liberal elite"  It carried news of events affecting all areas of women's lives, and particularly focused on features that demonstrated the breadth of support among the general population for women's suffrage in the United Kingdom  It also frequently published guidance on how to prepare a petition to be presented to the House of Commons Publication ceased in 1890 following Becker's death  The final edition contained this note:

For twenty years and four months this Journal has received the impress of one hand and one mind, so that its long row of volumes forms one continuous work, and now when that careful hand is laid low and the energies of that far-seeing mind are carried beyond our mortal ken, it would seem the most fitting course to close these pages where Miss Becker left them 

See also
List of suffragists and suffragettes
List of women's rights activists
Timeline of women's suffrage
Women's suffrage
Passage 8:
Lip (magazine)
Lip, A Feminist Arts Journal, or just Lip, was an Australian interdisciplinary feminist art journal, published between 1976 and 1984  It was the first of its kind in Australia The magazine was founded by Suzanne Spunner, who had been involved in the organising of the International Women's Film Festival in 1975 The magazine was self-published by a feminist collective during the era of the women's liberation movement, and its content included a very wide range of feminist positions and interdisciplinary art forms, in addition to work that connected the local scene to a more international network  The magazine was based in Carlton, Victoria The Lip collective also organised art shows, curated critical essays, and additionally published the Earthworks Poster Collective, The Women’s Theatre Group and The Women’s Film Group In 2013 Vivian Ziherl published an anthology of Lip articles 
Passage 9:
American Monthly
American Monthly magazine was the original official monthly magazine published by the National Society of the Daughters of the American Revolution (NSDAR)  The magazine was published between 1892 and 2001 

History and profile
The magazine was established in 1892 with the name The American Monthly  The headquarters of the magazine was in Washington DC  In 1913 it was renamed as Daughters of the American Revolution Magazine Later titles were Daughters of the American Revolution Magazine, and The National Historical Magazine  In 2001, the NSDAR split the content into two magazines, a new periodical called American Spirit, containing "articles pertaining to American history, historic preservation, patriotism, genealogy and education", and Daughters of the American Revolution Newsletter, a newsletter covering members' concerns from national headquarters Ellen Hardin Walworth, one of the original four founders of the DAR, was the initial editor of the magazine  She was the periodical's editor from the spring of 1892 until July 1894  Catharine Hitchcock Tilden Avery later served in that role 
Passage 10:
Everybody's Magazine
Everybody's Magazine was an American magazine published from 1899 to 1929  The magazine was headquartered in New York City 

History and profile
The magazine was founded by Philadelphia merchant John Wanamaker in 1899, though he had little role in its actual operations  Initially, the magazine published a combination of non-fiction articles and new fiction stories   By 1926, the magazine had become a pulp fiction magazine and in 1929 it merged with Romance magazine 
In 1903, it had a circulation of 150,000, and Wanamaker sold the magazine for $75,000 to a group headed by Erman Jesse Ridgway   A series of muckraking articles called "Frenzied Finance" in 1904 boosted circulation to well over 500,000, and it stayed above the half million mark for many years   During America's involvement in World War I, circulation declined below 300,000   By the late 1920s, it had declined to about 50,000 Beginning in 1915, the magazine began referring to itself simply as Everybody's  Writers who appeared in it include Jack London, Talbot Mundy, Victor Rousseau, O  Henry, A  A  Milne (Milne's novel The Red House Mystery was serialised in the magazine from August to December 1921 as The Red House Murder) Hugh Pendexter, Eleanor Hoyt Brainerd, Raoul Whitfield and Dornford Yates 
The last issue of Everybody's Magazine was published in March 1929  In 1931, publisher Alfred A  Cohen purchased Everybody's Magazine from the Butterick Publishing Company and attempted to revive it with F  Orlin Tremaine as editor  No known issues were produced and the magazine was soon declared discontinued 

Gallery



ground_truth: Women'S Suffrage Journal