prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the paternal grandmother of Marie Of Brabant, Queen Of France?

The following are given passages.
Context 1: Passage 1:
Marie of Évreux
Marie d'Évreux (1303 – October 31, 1335) was the eldest child of Louis d'Évreux and his wife Margaret of Artois  She was a member of the House of Capet 
She was Duchess of Brabant by her marriage to John III, Duke of Brabant  Her paternal grandmother being Marie of Brabant, she was a great-granddaughter of Henry III, Duke of Brabant and so, her husband's second cousin 
Marie was the eldest of five children born to her parents  Marie's younger siblings included: Charles d'Évreux; Lord of Étampes, Philip III of Navarre; husband of Joan II of Navarre, and Jeanne d'Évreux; Queen of France by her marriage to Charles IV of France 

Marriage
In 1311, Marie married John III, Duke of Brabant as his father's gesture of rapprochement with France 
They had six children:

Joanna, Duchess of Brabant (1322–1406)
Margaret of Brabant (February 9, 1323 – 1368), married at Saint-Quentin on June 6, 1347 Louis II of Flanders
Marie of Brabant (1325 – March 1, 1399), Lady of Turnhout, married at Tervuren on July 1, 1347 Reginald III of Guelders
John (1327–1335/36)
Henri (d  October 29, 1349)
Godfrey (d  aft  February 3, 1352)Marie's daughter Joanna was the first woman to be Duchess of Brabant in her own right 
Marie died October 31, 1335, aged thirty-one or thirty-two 

Genealogy
Passage 2:
Hannah Arnold
Hannah Arnold may refer to:

Hannah Arnold (née Waterman) (c 1705–1758), mother of Benedict Arnold
Hannah Arnold (beauty queen) (born 1996), Filipino-Australian model and beauty pageant titleholder
Passage 3:
Beatrice of Luxembourg
Beatrice of Luxembourg (Hungarian: Luxemburgi Beatrix; 1305 – 11 November 1319), was by birth member of the House of Luxembourg and by marriage Queen of Hungary 
She was the youngest child of Henry VII, Holy Roman Emperor and his wife, Margaret of Brabant  Her two siblings were John of Luxembourg and Marie of Luxembourg, Queen of France 

Life
At the time of his death (1313), Emperor Henry VII initiated the negotiations for a marriage between Beatrice and Charles, Duke of Calabria, son and heir of King Robert of Naples, and also planned to marry again (his wife was already dead in 1311) with Catherine of Habsburg  Beatrice was called by her father to Italy, where she arrived with her paternal grandmother, Beatrice d'Avesnes  The marriage plans with the Duke of Calabria failed, and the Emperor began negotiations for a marriage with Prince Peter of Sicily, eldest son and heir of King Frederick III; however, the current political conflicts between the Holy Roman Empire and the Kingdom of Sicily soon ended this planned betrothal too 
When King Charles I of Hungary (whose first wife Maria of Bytom, had died in 1317) decided to marry again, he sent to the Kingdom of Bohemia two representants, Thomas Szécsényi and Simon Kacsics, in addition to an interpreter, a bourgeois from Szoprońskim called Stephen, in order to find a bride  King John called his two sisters to his court; at that moment, Marie resided in St  Marienthal Abbey and Beatrice remained in Italy  Both princesses arrived to Prague on 20 June 1318, and three days later, the Hungarian envoys met both girls at the monastery of Zbraslav, where the Bohemian king gave them the opportunity to choose between them their future queen  After a calculated assessment of both personal and physical attitudes, they chose Beatrice  Soon after, the formal engagement took place, and the young bride parted with the Hungarian entourage to her new home  On the border of the Kingdom of Hungary she was officially welcomed by Charles I's messengers  Beatrice and Charles I married at the Octave of Saint Martin (between 12 and 17 November) and she was crowned Queen of Hungary in the ceremony 
Beatrice became pregnant in 1319  In November, she went into labour but died while giving birth  The child was stillborn  She was buried at Nagyvárad Cathedral 
Passage 4:
Matilda of Brabant, Countess of Artois
Matilda of Brabant (14 June 1224 – 29 September 1288) was the eldest daughter of Henry II, Duke of Brabant and his first wife Marie of Hohenstaufen 

Marriages and children
On 14 June 1237, which was her 13th birthday, Matilda married her first husband Robert I of Artois  Robert was the son of Louis VIII of France and Blanche of Castile  They had:

Blanche of Artois (1248 – 2 May 1302)  Married first Henry I of Navarre and secondly Edmund Crouchback, 1st Earl of Lancaster 
Robert II, Count of Artois (1250 – 11 July 1302 at the Battle of the Golden Spurs) On 8 February 1250, Robert I was killed while participating in the Seventh Crusade   On 16 January 1255, Matilda married her second husband Guy III, Count of Saint-Pol  He was a younger son of Hugh I, Count of Blois and Mary, Countess of Blois  They had:

Hugh II, Count of Blois (died 1307), Count of Saint Pol and later Count of Blois
Guy IV, Count of Saint-Pol (died 1317), Count of Saint Pol
Jacques I of Leuze-Châtillon (died 11 July 1302 at the Battle of the Golden Spurs), first of the lords of Leuze, married Catherine de Condé and had issue; his descendants brought Condé, Carency, etc  into the House of Bourbon 
Beatrix (died 1304), married John I of Brienne, Count of Eu
Jeanne, married Guillaume III de Chauvigny, Lord of Châteauroux
Gertrude, married Florent, Lord of Mechelen (French: Malines) 
Passage 5:
Marie of Brabant, Countess of Savoy
Marie of Brabant (1277/80–1338), was a Countess Consort of Savoy by marriage to Amadeus V, Count of Savoy  She was the daughter of John I, Duke of Brabant and Margaret of Flanders 

Life
She was engaged to Amadeus after the death of her father  The marriage was arranged when Savoy joined Brabant in an alliance with France against England  A Papal dispensation was obtained in October 1297  The wedding took place at the Château de Chambéry in 1298  
As countess of Savoy, Marie of Brabant appears to have brought with her a certain cultural influence from Brabant, and brought with her several artisans which influenced the court of Savoy, such as her tailor Colin de Brabant  The marriage resulted in close ties between Savoy and Brabant, and gave Brabant closer access to Italy  Marie appears to have had some influence at court, playing a role as diplomat and political adviser In 1308, her brother-in-law was elected King in Germany  When her sister and brother-in-law travelled to Italy in 1310, they visited Maria at the court of Savoy in Geneva on their way to Rome  
In 1323, she became a widow  Her spouse was succeeded by Maria's stepson  The exact date of her death is unknown 

Issue
Maria of Savoy
Catherine of Savoy, d  1336, married to Leopold I (duke of Austria and Styria)
Anna of Savoy, d  1359, married to Byzantine Emperor Andronikos III Palaiologos
Beatrice of Savoy (1310–1331), married in 1327 to Henry VI, Duke of Carinthia, count of Tirol
Passage 6:
Hubba bint Hulail
Hubba bint Hulail (Arabic: حبة بنت هليل) was the grandmother of Hashim ibn 'Abd Manaf, thus the great-great-great-grandmother of the Islamic prophet Muhammad 

Biography
Hubbah was the daughter of Hulail ibn Hubshiyyah ibn Salul ibn Ka’b ibn Amr al-Khuza’i of Banu Khuza'a who was the trustee and guardian of the Ka‘bah (Arabic: كَـعْـبَـة, 'Cube')  She married Qusai ibn Kilab and after her father died, the keys of the Kaaba were committed to her  Qusai, according to Hulail's will, had the trusteeship of the Kaaba after him 
Hubbah never gave up ambitious hopes for the line of her favourite son Abd Manaf  Her two favourite grandsons were the twin sons Amr and Abd Shams, of ‘Ātikah bint Murrah  Hubbah hoped that the opportunities missed by Abd Manaf would be made up for in these grandsons, especially Amr, who seemed much more suitable for the role than any of the sons of Abd al-Dar  He was dear to the ‘ayn (Arabic: عـيـن, eye) of his grandmother Hubbah 

Family
Qusai ibn Kilab had four sons by Hubbah: Abd-al-Dar ibn Qusai dedicated to his house, Abdu’l Qusayy dedicated to himself, Abd-al-Uzza ibn Qusai to his goddess (Al-‘Uzzá) and Abd Manaf ibn Qusai to the idol revered by Hubbah  They also had two daughters, Takhmur and Barrah  Abd Manaf's real name was 'Mughirah', and he also had the nickname 'al-Qamar' (the Moon) because he was handsome 
Hubbah was related to Muhammad in more than one way  Firstly, she was the great-great-grandmother of his father Abdullah  She was also the great-grandmother of Umm Habib and Abdul-Uzza, respectively the maternal grandmother and grandfather of Muhammad's mother Aminah 

Family tree
* indicates that the marriage order is disputed
Note that direct lineage is marked in bold 

See also
Family tree of Muhammad
List of notable Hijazis
Passage 7:
Margaret of France, Queen of England
Margaret of France (c  1279 – 14 February 1318) was Queen of England as the second wife of King Edward I  She was a daughter of Philip III of France and Maria of Brabant 

Childhood
Margaret was the daughter of King Philip III of France and his second wife, Maria of Brabant  Margaret was only six years old when her father died  She grew up under guidance of her mother, and also of Queen Joan I of Navarre, the wife of her half-brother, King Philip IV 

Marriage negotiations
The death of his beloved first wife, Eleanor of Castile, in 1290, left King Edward I of England grief-stricken  He was at the time at war with France and Scotland  He and Eleanor had only one surviving son, Edward, and so the king was anxious to remarry to have more sons  In summer of 1291, Edward betrothed his son to Blanche, half-sister to Margaret and Philip IV, in order to achieve peace with France  However, having been told of Blanche's renowned beauty, Edward decided to have his son's bride for his own and sent emissaries to France  Philip IV agreed to have Blanche marry Edward on the conditions that a truce would be concluded between the two countries, and that Edward would give up the province of Gascony 
Edward agreed, and sent his brother Edmund Crouchback, Earl of Lancaster, to fetch the new bride  Edward had been deceived, for Blanche was to be married to Rudolph, the eldest son of King Albert I of Germany  Instead, Philip IV offered her younger sister Margaret to marry Edward (then 55)  Upon hearing this, Edward declared war on France, refusing to marry Margaret  After five years, a truce was agreed upon under the influence of Pope Boniface VIII  A series of treaties in the first half of 1299 provided terms for a double marriage: Edward I would marry Margaret and his son would marry Isabella, Philip IV's only surviving daughter  Additionally, the English monarchy would regain the key territory of Guyenne and receive £15,000 owed to Margaret as well as the return of Eleanor of Castile's lands in Ponthieu and Montreuil as a dower first for Margaret and then Isabella 

Queenship
Edward was then 60 years old, at least 40 years older than his bride  The wedding took place at Canterbury on 10 September 1299  Margaret was never crowned due to financial constraints, being the first uncrowned queen since the Conquest  This in no way lessened her dignity as the king's wife, however, for she used the royal title in her letters and documents, and appeared publicly wearing a crown even though she had not received one during a formal rite of investiture Edward soon returned to the Scottish border to continue his campaigns and left Margaret in London, but she had become pregnant quickly after the wedding  After several months, bored and lonely, the young queen decided to join her husband  Nothing could have pleased the king more, for Margaret's actions reminded him of his first wife Eleanor, who had had two of her sixteen children abroad  In less than a year Margaret gave birth to a son, Thomas, who was named after Thomas Becket, since she had prayed to him during her pregnancy  The next year she gave birth to another son, Edmund 
Many who fell under the king's wrath were saved from too stern a punishment by the queen's influence over her husband, and the statement, Pardoned solely on the intercession of our dearest consort, queen Margaret of England, appears  In 1305, the young queen acted as a mediator between her step-son and husband, reconciling the heir apparent to his aging father, and calming her husband's wrath  She and her stepson, who was only two years younger than she, also became fond of each other: he once made her a gift of an expensive ruby and gold ring, and she on one occasion rescued many of the prince's friends from the wrath of the king 
Margaret favoured the Franciscan order and was a benefactress of a new foundation at Newgate  She employed the minstrel Guy de Psaltery and both she and her husband liked to play chess  The mismatched couple were blissfully happy  When her sister Blanche died in 1305, Edward ordered full court mourning to please his wife  He had realised the wife he had gained was "a pearl of great price" as Margaret was respected for her beauty, virtue, and piety  The same year Margaret gave birth to a girl, Eleanor, named in honour of Edward's first wife, a choice which surprised many, and showed Margaret's unjealous nature 
In 1307, when Edward went on summer campaign to Scotland, Margaret accompanied him  Edward died in Burgh by Sands 

Widowhood
Margaret never remarried after Edward's death in 1307, despite being only 26 when widowed  She was alleged to have stated that, "when Edward died, all men died for me" 
Margaret was not pleased when Edward II elevated Piers Gaveston to become Earl of Cornwall upon his father's death, since the title had been meant for one of her own sons  She attended the new king's wedding to her half-niece Isabella, and a silver casket was made with both their arms  After Isabella's coronation, Margaret retired to Marlborough Castle (which was by this time a dower house), but she stayed in touch with the new queen and with her half-brother Philip IV by letter during the confusing times leading up to Gaveston's death in 1312  Margaret, too, was a victim of Gaveston's influence over her stepson  Edward II gave several of her dower lands to the favourite, including Berkhamsted Castle  In May 1308, an anonymous informer reported that Margaret had provided £40,000 along with Philip IV to support the English barons against Gaveston  Due to this action, Gaveston was briefly exiled and Margaret remained fairly unmolested by the upstart until his death in June 1312 
She was present at the birth of Edward III in November 1312 
On 14 February 1318 she died in her castle at Marlborough  Dressed in a Franciscan habit, she was buried at Christ Church Greyfriars in London, a church she had generously endowed  Her tomb was destroyed during the Reformation 

Issue
In all, Margaret gave birth to three children:
Thomas of Brotherton, 1st Earl of Norfolk (1 June 1300 – 4 August 1338)
Edmund of Woodstock, 1st Earl of Kent (5 August 1301 – 19 March 1330)
Eleanor (4 May 1306 – 1311) Died at Amesbury Abbey, buried at Beaulieu Abbey 

Genealogical table
Passage 8:
Henry III, Duke of Brabant
Henry III of Brabant (c  1230 – February 28, 1261, Leuven) was Duke of Brabant between 1248 and his death  He was the son of Henry II of Brabant and Marie of Hohenstaufen  He was also a trouvère 
The disputed territory of Lothier, the former Duchy of Lower Lorraine, was assigned to him by the King Alfonso X of Castile, a claimant to the German throne  Alfonso also appointed him imperial vicar to advance his claims on the Holy Roman Empire 
In 1251, he married Adelaide of Burgundy (c  1233 – October 23, 1273), daughter of Hugh IV, Duke of Burgundy and Yolande de Dreux, by whom he had four children:

Henry IV, Duke of Brabant (c  1251 – aft  1272) Mentally disabled, and made to abdicate in favor of his brother John on 24 May 1267 
John I, Duke of Brabant (1253–1294) Married first to Marguerite of France, daughter of King Louis IX of France (Saint Louis) and his wife Margaret of Provence, and later to Margaret of Flanders, daughter of Guy, Count of Flanders and his first wife Mathilda of Béthune 
Godfrey of Brabant, Lord of Aarschot (d  July 11, 1302, Kortrijk), killed at the Battle of the Golden Spurs, married 1277 Jeanne Isabeau de Vierzon (d  aft  1296)
Maria of Brabant (1256, Leuven – January 12, 1321, Murel), married at Vincennes on August 27, 1274 to King Philip III of France On February 26, 1261, Henry III signed his will, which included a clause threatening to banish Jewish people from Brabant unless they ceased the practice of usury, albeit only after his death  He died two days later  His wife Adelaide, acting as regent since Henry IV was incapable of ruling, never enforced this policy laid out in the will, and the Jews were able to stay 

See also
Dukes of Brabant family tree
Passage 9:
Marie of Brabant, Queen of France
Marie of Brabant (13 May 1254 – 12 January 1322) was Queen of France from 1274 until 1285 as the second wife of King Philip III  Born in Leuven, Brabant, she was a daughter of Henry III, Duke of Brabant, and Adelaide of Burgundy 

Queen
Marie married the widowed Philip III of France on 21 August 1274  His first wife, Isabella of Aragon, had already given birth to three surviving sons: Louis, Philip and Charles 
Philip was under the strong influence of his mother, Margaret of Provence, and his minion, surgeon and chamberlain (Chambellan) Pierre de la Broce  Not being French, Marie stood out at the French court  In 1276, Marie's stepson Louis died under suspicious circumstances  Marie was suspected of ordering him to be poisoned  La Broce, who was also suspected, was imprisoned and later executed for the murder 

Queen dowager
After the death of Philip III in 1285, Marie lost some of her political influence, and dedicated her life to their three children: Louis (May 1276 – 19 May 1319), Blanche (1278 – 19 March 1305) and Margaret (died in 1318)  Her stepson Philip IV was crowned king of France on 6 January 1286 in Reims 
Together with Joan I of Navarre and Blanche of Artois, she negotiated peace in 1294 between England and France with Edmund Crouchback, the younger brother of Edward I of England Marie lived through Philip IV's reign and she outlived her children  She died in 1322, aged 67, in the monastery at Les Mureaux, near Meulan, where she had withdrawn to in 1316  Marie was not buried in the royal necropolis of Basilica of Saint-Denis, but in the Cordeliers Convent, in Paris  Destroyed in a fire in 1580, the church was rebuilt in the following years 

See also
Marie of Brabant (disambiguation)

Notes
Sources
Bradbury, Jim (2007)  The Capetians, Kings of France 987–1328  Hambledon Continuum 
Dunbabin, Jean (2011)  The French in the Kingdom of Sicily, 1266–1305  Cambridge University Press 
Gaude-Ferragu, Murielle (2016)  Queenship in Medieval France, 1300-1500  Palgrave Macmillan 
Jordan, William Chester (2009)  A Tale of Two Monasteries: Westminster and Saint-Denis in the Thirteenth Century  Princeton University Press 
Morris, Marc (2008)  Edward I and the Forging of Britain  Windmill Books 
Stanton, Anne Rudloff (2001)  The Queen Mary Psalter: A Study of Affect and Audience  Vol  91 Part 6  American Philosophical Society 
Viard, Jules Marie Édouard (1930)  Grandes Chroniques de France  Librairie Ancienne Honoré Champion 
Passage 10:
Marie of Luxembourg, Queen of France
Marie of Luxembourg (1304 – 26 March 1324) was Queen of France and Navarre as the second wife of King Charles IV and I 
She was the daughter of Henry VII, Holy Roman Emperor and Margaret of Brabant  Her two siblings were John of Luxembourg and Beatrice of Luxembourg, Queen of Hungary 

Life
Marie was betrothed in 1308 to Louis of Bavaria, son and heir to Rudolf I, Duke of Bavaria  The engagement was agreed on soon after Marie's father Henry became King of the Romans; Rudolf had been a supporter of her father during the struggle for power  It ended due to the death of Louis around 1311  During the same year, Marie's mother Queen Margaret died whilst travelling with Henry in Genoa 
On 21 September 1322 in either Paris or Provins Marie married to Charles IV of France following the annulment of his first marriage to the adulterous Blanche of Burgundy  Blanche had given birth to two children, Philip and Joan, but both of them died young and Charles needed a son and heir to carry on the House of Capet 
On 15 May 1323 Marie was consecrated Queen of France at Sainte-Chapelle by Guillaume de Melum, Archbishop of Sens  In the same year she became pregnant but she later miscarried a girl  Whilst pregnant again in March 1324, Marie travelling to Avignon with King Charles to visit the pope when Marie fell out of the bottom of the coach  As a result, she went into labour and her child, a boy (Louis), was born prematurely, and died several hours later; Queen Marie died on 26 March 1324 and was buried at Montargis in the Dominican church  Following her death Charles married Jeanne d'Évreux, but failed to father a son, so the direct House of Capet was succeeded by its branch, the House of Valois 

Ancestors
Context 2: Passage 1:
Gabrielle Beaumont
Gabrielle Beaumont (7 April 1942 – 8 October 2022) was a British film and television director 
Her directing credits range from Hill Street Blues to Star Trek: The Next Generation  She became the first woman to direct an episode of Star Trek, with the episode "Booby Trap"  Beaumont lobbied to have Joan Collins cast as Alexis Colby in Dynasty Beaumont was best known for directing, writing and producing the television special Diana: A Tribute to the People's Princess  She directed a film version of Bernard Taylor's The Godsend Daphne du Maurier was her cousin Beaumont died at her home in Fornalutx on 8 October 2022, at the age of 80 

Selected filmography
Sources:
Diana: A Tribute to the People's Princess
Beastmaster III: The Eye of Braxus
The Other Woman
Moment of Truth: Cradle of Conspiracy
Fatal Inheritance
Riders
Star Trek: The Next Generation
L A  Law
He's My Girl
Hill Street Blues
Gone Are the Dayes
Secrets of a Mother and Daughter
Dynasty
Death of a Centerfold: The Dorothy Stratten Story
M*A*S*H
The Waltons
The Godsend
Passage 2:
The Godsend (film)
The Godsend is a 1980 British horror film directed by Gabrielle Beaumont, written by Olaf Pooley, and starring Malcolm Stoddard, Cyd Hayman, Angela Pleasence, Patrick Barr, Wilhelmina Green, and Joanne Boorman  It follows a family who adopt an infant girl from a strange woman, only to find that, as they raise her, their other children begin to die in a series of mysterious accidents  It is based on the 1976 novel The Godsend by Bernard Taylor  The film was released in the United States on 11 January 1980 by The Cannon Group, Inc 

Plot
Alan and Kate Marlowe are out an walk with their kids, Davy, Lucy, Sam, and baby Matthew  Kate meets a pregnant stranger and she comes home with them  It is apparent that Alan finds something "off" about her right away, as she intensely stares at him, but he does not say anything  Left briefly unattended, she cuts their telephone line  Alan is about to drive her home, but she goes into labor, and Kate helps her deliver a baby girl  The next day, Kate sees the woman is gone, having abandoned the child with them  Despite Alan's reservations, Kate wants to keep the baby, whom they name Bonnie  Later on, they find Matthew dead in a playpen with Bonnie 
At a family picnic, Davy and Bonnie wander off, and they search for them desperately  Kate finds Bonnie on the bank of a creek with scratches on her hands, while Alan finds that Davy has drowned in the creek  Alan attempts to perform CPR on Davy, but is unsuccessful  Later, Kate and Alan agree that the scratches on Bonnie must have been from Davy saving her  Bonnie starts to break things and Sam gets blamed for them, despite him saying he did not do it  Kate attributes this to Sam's jealousy of Bonnie  One day, the family is playing hide and seek and Alan finds Sam dead in a barn  Later, Alan finds Bonnie's ribbon next to where Sam's body was 
The Marlowes begin to receive letters accusing them of killing their children and Kate falls into a depression  When a reporter comes to their house and upsets Kate, Alan agrees to move the family to London  Bonnie becomes ill with the mumps, and purposely kisses Alan as he takes a nap  He becomes ill with the mumps too, and has a flashback in a dream, to the circumstances of the deaths of his sons, and Bonnie being nearby in each one 
At a playground, Alan watches Bonnie throw an unoccupied swing in the path of a swing Lucy is swinging on  The chains on the swing twist together, but Lucy does not fall off, and Alan is able to save her before she is hurt  Alan tries to discuss his concerns about Bonnie with Kate, saying she is not normal  Kate strongly disagrees, saying that Bonnie loves Lucy and was only playing  Alan says Bonnie loves Lucy the same way she loved their three boys, and Kate is disgusted at the insinuation  Alan tells Kate his theories about Bonnie being involved in the deaths, but she is still in disbelief  Alan uses an analogy about Bonnie, saying that a cuckoo lays its eggs in another nest, and the fledgling pushing the others out to get the full attention of the parents 
Alan wants to send Bonnie away, but Kate refuses, so he kidnaps Lucy  Alan goes to see Kate, who is distraught that Alan will not tell her where Lucy is  Alan gives Kate an ultimatum to choose Bonnie or Lucy  She refuses to do so and he leaves  Later, they find out that Kate has had an accident and is in the hospital  Alan rushes back to London, where he learns that Kate had been pregnant, but miscarried due to the accident 
Back at their apartment, Alan finds out from neighbor, Mr  Taverner, that Kate tripped over a doll at the top of a staircase and that Mrs  Taverner has taken Bonnie on a trip  Kate comes to Alan's work to tell him she wants a divorce  He is alarmed to learn that Bonnie is home alone with Lucy  Alan calls Lucy, telling her to go next door to the Taverners  Bonnie has them locked in, and as Kate and Alan get home, Bonnie has used mind control on Lucy to make her jump out of a window to her death  Alan tries to kill Bonnie, but Mr  Taverner pulls him off of her  Kate decides to stay with Bonnie, and Alan leaves her  At a park, Alan sees the strange woman who gave birth to Bonnie, and is now pregnant, and talking to the mother  He runs after them to warn the family, but they are already gone 

Cast
Release
The Cannon Group, Inc  released The Godsend theatrically in the United States on 11 January 1980, premiering it in Los Angeles  It screened in numerous U S  cities through the following weeks, as well as in Canada  The film screened in the United Kingdom in June 1981 as a double feature alongside Schizoid (1980) 

Critical response
Joe Pollack of the St  Louis Post-Dispatch wrote that, "though not a perfect film, [it] is a pretty good example     The film has moments when it drags, but it has many others that are both fascinating and scary " The Austin American-Statesman's Patrick Taggart panned the film as "nothing but a study in how decent actors—Malcolm Stoddard and Cyd Hayman—are made to throw talent into a bottomless pit of ineptness on all fronts " Bob Curtright of The Wichita Eagle praised the film as "a cut above similar fare  It's low-key and sneaky rather an extravagant and graphic "George Meyer, a film professor and critic, wrote in The Tampa Tribune that, "instead of frightening the viewer with costly gimmicks, Beaumont exploits some basic human fears, most of them involving our protective feelings about children," adding that while the film "makes good use of its limitations, it retains the look and feel of a limited effort  If it weren't for those few squirmy moments, the film's appeal would be even more limited " John Dodd of the Edmonton Journal commended the film's focus on suspense over graphic violence, but felt it would have been better-suited as a television film 

Home media
Scream Factory released the film on Blu-ray in 2015 as part of a double-feature with The Outing (1987)  The disc went out-of-print in February 2021



ground_truth: Marie of Hohenstaufen

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Do director of film Betrayal (1932 Film) and director of film The Godsend (Film) share the same nationality?

The following are given passages.
Context 2: 
Passage 3:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 4:
Hanro Smitsman
Hanro Smitsman, born in 1967 in Breda (Netherlands), is a writer and director of film and television 

Film and Television Credits
Films
Brothers (2017)
Schemer (2010)
Skin (2008)
Raak (aka Contact) (2006)
Allerzielen (aka All Souls) (2005) (segment "Groeten uit Holland")
Engel en Broer (2004)
2000 Terrorists (2004)
Dajo (2003)
Gloria (2000)
Depoep (2001)

Television
20 leugens, 4 ouders en een scharrelei (2013)
De ontmaskering van de vastgoedfraude (TV mini-series, 2013)
Moordvrouw (2012-)
Eileen (2 episodes, 2011)
Getuige (2011)
Vakantie in eigen land (2011)
De Reis van meneer van Leeuwen(2010)
De Punt (2009)
Roes (2 episodes, 2008)
Fok jou! (2006)
Van Speijk (2006)

Awards
In 2005, Engel en Broer won Cinema Prize for Short Film at the Avanca Film Festival In 2007, Raak (aka Contact) won the Golden Berlin Bear Award at the Berlin International Film Festival, the Spirit Award at the Brooklyn Film Festival, the first place jury prize for "Best Live Action under 15 minutes" at the Palm Springs International Short Film Festival, and the Prix UIP Ghent Award for European Short Films at the Flanders International Film Festival In 2008, Skin won the Movie Squad Award at the Nederlands Film Festival, an actor in the film also won the Best Actor Award   It also won the Reflet d’Or for Best Film at the Cinema tous ecrans Festival in Geneva in the same year 
Passage 5:
Betrayal (1932 film)
Betrayal is a 1932 British crime film directed by Reginald Fogwell and starring Stewart Rome, Marjorie Hume and Leslie Perrins  A woman attempts to save her husband from being hanged for a crime he didn't commit  It is based on a play No Crime of Passion by Hubert G  Griffith 

Cast
Stewart Rome as John Armytage
Marjorie Hume as Diana Armytage
Leslie Perrins as Clive Wilson
Henry Hewitt as Sir Robert Blackburn KC
J  Fisher White as John Lawrence KC
Frank Atherley as Judge
E  H  Williams as- Butler
Charles Childerstone as Doctor
Passage 6:
Brian Johnson (special effects artist)
Brian Johnson (born 29 June 1939 or 29 June 1940) is a British designer and director of film and television special effects 

Life and career
Born Brian Johncock, he changed his surname to Johnson during the 1960s  Joining the team of special effects artist Les Bowie, Johnson started his career behind the scenes for Bowie Films on productions such as On The Buses, and for Hammer Films   He is known for his special effects work on TV series including Thunderbirds (1965–66) and films including Alien (1979), for which he received the 1980 Academy Award for Best Visual Effects (shared with H  R  Giger, Carlo Rambaldi, Dennis Ayling and Nick Allder)  Previously, he had built miniature spacecraft models for Stanley Kubrick's 1968 film 2001: A Space Odyssey Johnson's work on Space: 1999 influenced the effects of the Star Wars films of the 1970s and 1980s  Impressed by his work, George Lucas visited Johnson during the production of the TV series to offer him the role of effects supervisor for the 1977 film  Having already been commissioned for the second series of Space: 1999, Johnson was unable to accept at the time  He worked on the sequel, The Empire Strikes Back (1980), whose special effects were recognised in the form of a 1981 Special Achievement Academy Award (which Johnson shared with Richard Edlund, Dennis Muren and Bruce Nicholson) 

Awards
Johnson has won Academy Awards for both Alien (1979) and The Empire Strikes Back (1980)  He was further nominated for an Academy Award for his work on Dragonslayer (1981)  In addition, Johnson is the recipient of a Saturn Award for The Empire Strikes Back and a BAFTA Award for James Cameron's  Aliens 

Filmography
Special effects
Director
Scragg 'n' Bones (2006)
Passage 7:
Rachel Feldman
Rachel Feldman is an American director of film and television and screenwriter of television films 

Life and career
Born in New York City, New York, Feldman began her career as a child actor performing extensively in commercials and television series Her credits as a television director include: ((The Rookie)), ((Criminal Minds)), ((Blue Bloods)), and some beloved shows like Doogie Howser, M D , The Commish, Dr  Quinn, Medicine Woman, Picket Fences, Sisters,Lizzie McGuire, at the start of her career  
She has written and directed several features including: Witchcraft III: The Kiss of Death (1991), Post Modern Romance (1993), She's No Angel (2001) starring Tracey Gold, Recipe for a Perfect Christmas (2005) starring Christine Baranski, Love Notes (2007) starring Laura Leighton, Lilly (2023) starring Patricia Clarkson 

Films
Feature Films
Lilly (2023) - Director/Writer
Love Notes (2007) - Writer
Recipe for a Perfect Christmas ((2005) - Writer
She's No Angel (2001) - Writer/Director
Witchcraft III: The Kiss of Death (1991)  - Director

Shorts
Here Now (2017) - Writer/Director
Happy Sad Happy (2014) - Writer/Director
Post Modern Romance (1993) - Writer/Director
Wunderkind (1984) - Writer/Director
Guistina (1981) - Writer/Director

Activism
Feldman is active in the fight for gender equality in the film and television industry  Her activism takes form in speaking out about issues such as equal pay, job stability for women, sexual harassment, sexual discrimination and female representation within the industry  Feldman is also an activist for women behind the camera, who can be seen in the Geena Davis produced documentary This Changes Everything 
Feldman was the former chair of the DGA Women's Steering Committee (WSC)  The focus of the WSC is to support and uplift women in the film and television industry 

Personal life and education
Feldman grew up in the Bronx and now lives in Los Angeles  She attended New York University where she received a Master of Fine Arts Degree and has taught classes in directing and screenwriting at the USC School of Cinematic Arts Feldman is married to artisan contractor and colorist Carl Tillmanns; together they have two children, Nora and Leon  They are both alumni of Sarah Lawrence College, where they first met 
Passage 8:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 9:
Howard W  Koch
Howard Winchel Koch (April 11, 1916 – February 16, 2001) was an American producer and director of film and television 

Life and career
Koch was born in New York City, the son of Beatrice (Winchel) and William Jacob Koch  His family was Jewish  He attended DeWitt Clinton High School and the Peddie School in Hightstown, New Jersey  He began his film career as an employee at Universal Studios office in New York then made his Hollywood filmmaking debut in 1947 as an assistant director  He worked as a producer for the first time in 1953 and a year later made his directing debut  In 1964, Paramount Pictures appointed him head of film production, a position he held until 1966 when he left to set up his own production company  He had a production pact with Paramount for over 15 years Among his numerous television productions, Howard W  Koch produced the Academy Awards show on eight occasions  Dedicated to the industry, he served as President of the Academy of Motion Picture Arts and Sciences from 1977 to 1979  In 1990 the Academy honored him with The Jean Hersholt Humanitarian Award and in 1991 he received the Frank Capra Achievement Award from the Directors Guild of America 
Together with actor Telly Savalas, Howard Koch owned the thoroughbred racehorse Telly's Pop, winner of several important California races for juveniles including the Norfolk Stakes and Del Mar Futurity 
Howard W  Koch suffered from Alzheimer's disease and died in at his home in Beverly Hills, California on February 16, 2001  He had two children from a marriage of 64 years to Ruth Pincus, who died in March 2009  In 2004, his son Hawk Koch was elected to the Board of Governors of the Academy of Motion Picture Arts and Sciences 

Filmography
Director
Film (director)

Shield for Murder (1954)
Big House, U S A  (1955)
Untamed Youth (1957)
Bop Girl Goes Calypso (1957)
Jungle Heat (1957)
The Girl in Black Stockings (1957)
Fort Bowie (1957)
Violent Road (1958)
Frankenstein 1970 (1958)
Born Reckless (1958)
Andy Hardy Comes Home (1958)
The Last Mile (1959)
Badge 373 (1973)Television (director)

Maverick (1957) (1 episode)
Hawaiian Eye (1959) (2 episodes)
Cheyenne (1958) (1 episode)
The Untouchables (1959) (4 episodes)
The Gun of Zangara (1960) (TV movie taken from The Untouchables (1959 TV series))
Miami Undercover (1961) (38 episodes)
Texaco Presents Bob Hope in a Very Special Special: On the Road with Bing (1977)

Producer
Film (producer):

War Paint (1953)
Beachhead (1954)
Shield for Murder (1954)
Big House, U S A  (1955)
Rebel in Town (1956)
Frankenstein 1970 (1958)
Sergeants 3 (1962)
The Manchurian Candidate (1962)
Come Blow Your Horn (1963)
Robin and the 7 Hoods (1964)
The Odd Couple (1968)
On a Clear Day You Can See Forever (1970)
A New Leaf (1971)
Plaza Suite (1971)
Last of the Red Hot Lovers (1972)
Jacqueline Susann's Once Is Not Enough (1975)
The Other Side of Midnight (1977)
Airplane! (1980)
Some Kind of Hero (1982)
Airplane II: The Sequel (1982)
Ghost (1990)Television (producer)

Magnavox Presents Frank Sinatra (1973)
Passage 10:
Reginald Fogwell
Reginald Fogwell (23 November 1893, Dartmouth, Devon -1977) was a British film director, producer and screenwriter 

Selected filmography
Director

The Warning (1928)
Cross Roads (1930)
The Written Law (1930)
Madame Guillotine (1931)
Guilt (1931)
Betrayal (1932)
The Wonderful Story (1932)
Murder at the Cabaret (1936)Screenwriter

Two Can Play (1926)
The Guns of Loos (1928)
Glorious Youth (1929)
Warned Off (1930)
Such Is the Law (1930)
Prince of Arcadia (1933)
Two Hearts in Waltz Time (1934)
Context 3: Passage 1:
Sam Newfield
Sam Newfield, born Samuel Neufeld (December 6, 1899 – November 10, 1964), also known as Sherman Scott or Peter Stewart, was an American B-movie director, one of the most prolific in American film history—he is credited with directing over 250 feature films in a career which began during the silent era and ended in 1958  In addition to his staggering feature output, he also directed one -and two-reel comedy shorts, training films, industrial films, TV episodes and pretty much anything anyone would pay him for  Because of this massive output—he would sometimes direct more than 20 films in a single year—he has been called the most prolific director of the sound era Many of Newfield's films were made for PRC Pictures  This was a film production company headed by his brother Sigmund Neufeld  The films PRC produced were low-budget productions, the majority being westerns, with an occasional horror film or crime drama 

Family and education
Newfield completed one year of high school, according to the 1940 US census  Brother Morris Neufeld was a stage actor, according to the 1930 US census 

Pseudonyms
Sam Newfield was credited as Sherman Scott and Peter Stewart on a number of films he made for PRC  He used these names in order to hide the fact that one person was responsible for so many of PRC's films 

Partial filmography
Partial filmography is listed below for the different names he used 

Film statistics
Between 1923 and 1930 Newfield directed over 50 comedies  Feature films statistics per year, starting with 1933, are summarised in the following table 

See also
Fred Olen Ray, another B movie director who has used many of these pseudonyms
Passage 2:
Durango Valley Raiders
Durango Valley Raiders is a 1938 American Western film directed by Sam Newfield and written by George H  Plympton  The film stars Bob Steele, Louise Stanley, Karl Hackett, Ted Adams, Forrest Taylor and Steve Clark  The film was released on August 22, 1938, by Republic Pictures 

Plot
Durango Valley is controlled by Shadow and his gang  The Sheriff while investigating a killing, arrests ranch worker Keene Cordner, with some help Keene gets out of jail and hides out, but will now become an actual bandit, in the hopes of catching Shadow 

Cast
Bob Steele as Keene Cordner
Louise Stanley as Betty McKay
Karl Hackett as John McKay
Ted Adams as Lobo
Forrest Taylor as Sheriff Devlin
Steve Clark as Boone Cordner
Horace Murphy as Matt Tanner
Jack Ingram as Deputy Slade
Passage 3:
W  Augustus Barratt
W  Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician 

Early life and songs
Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley  In 1893 he won a scholarship for composition to the Royal College of Music 
In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements 
By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover 
He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree  He co-composed with Howard Talbot the successful Kitty Grey (1900) He continued to write songs and to receive recognition for them  The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald 
His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times  It also appeared four times, with different singers, in the 1913 and 1914 Proms 

America
In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:

on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
musical director of The Little Michus (1907), also featuring songs by Barratt;
co-composer of Miss Pocahontas (1907), a musical comedy;
musical director of The Love Cure (1909–1910), a musical romance;
composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst  Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;
musical director of The Quaker Girl (1911–1912);
co-composer and musical director of My Best Girl (1912);
musical director of The Sunshine Girl (1913);
musical director of The Girl who Smiles (1915), a musical comedy;
musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
contributor of a song to The Passing Show of 1918;
composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;
contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
musical director of What's in a Name? (1920), a musical revue

1921 in London
Though domiciled in the US, he made several visits back to England  During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B  Cochran, namely

League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;
Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics

Back to Broadway
Back in the US he returned to Broadway, working as
composer and lyricist of Jack and Jill (1923), a musical comedy;
musical director of The Silver Swan (1929), a musical romance

Radio plays
In later years he wrote plays and operettas mostly for radio, such as:

Snapshots: a radioperetta (1929)
Sushannah and the Brush Wielders: a play in 1 act (1929)
The Magic Voice: a radio series (1933)
Men of Action: a series of radio sketches (1933)
Say, Uncle: a radio series (1933)
Sealed Orders: a radio drama (1934)
Sergeant Gabriel (with Hugh Abercrombie) (1945)

Personal
In 1897 in London he married Lizzie May Stoner  They had one son  In 1904 he emigrated to the US and lived in New York City  His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American  In 1924, he became a naturalized American citizen  He died on 12 April 1947 in New York City 

Note on his first name
The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake  For professional purposes up to about 1900 he appears to have written as "W  Augustus Barratt", and thereafter mostly as simply "Augustus Barratt" 
Passage 4:
Claude Weisz
Claude Weisz is a French film director born in Paris 

Filmography
Feature films
Une saison dans la vie d'Emmanuel (1972) with Germaine Montéro, Lucien Raimbourg, Florence Giorgetti, Jean-François Delacour, Hélène Darche, Manuel Pinto, etc Festival de Cannes 1973 - Quinzaine des réalisateurs
Jury Prize: Festival Jeune Cinéma 1973

La Chanson du mal aimé (1981) with Rufus, Daniel Mesguich, Christine Boisson, Věra Galatíková, Mark Burns, Philippe Clévenot, Dominique Pinon, Madelon Violla, Paloma Matta, Béatrice Bruno, Catherine Belkhodja, Véronique Leblanc, Philippe Avron, Albert Delpy, etc Festival de Cannes 1982 - Perspectives du cinéma français
Competition selections: Valencia, Valladolid, Istanbul, Montréal

On l'appelait    le Roi Laid (1987) with Yilmaz Güney (mockumentary)Valencia Festival 1988 - Grand Prix for documentaries "Laurel Wreath"
Competition selections: Rotterdam, Valladolid, Strasbourg, Nyon, Cannes, Lyon, Cairo

Paula et Paulette, ma mère (2005) Documentary - Straight to DVD

Short and mid-length
La Grande Grève (1963 - Co-directed CAS collective, IDHEC)
L'Inconnue (1966 - with Paloma Matta and Gérard Blain - Prix CNC Hyères, Sidney)
Un village au Québec
Montréal
Deux aspects du Canada (1969)
La Hongrie, vers quel socialisme ? (1975 - Nominated for best documentary - Césars 1976)
Tibor Déry, portrait d'un écrivain hongrois (1977)
L'huître boudeuse
Ancienne maison Godin ou le familistère de Guise (1977)
Passementiers et Rubaniers
Le quinzième mois
C'était la dernière année de ma vie (1984 - FIPRESCI Prize- Festival Oberhausen 1985 - Nomination - Césars 1986)
Nous aimons tant le cinéma (Film of the European year of cinema - Delphes 1988)
Participation jusqu'en 1978 à la réalisation de films "militants"

Television
Series of seven dramas in German
Numerous documentary and docu-soap type films (TVS CNDP)
Initiation à la vie économique (TV series - RTS promotion)
Contemplatives    et femmes (TF1 - 1976)
Suzel Sabatier (FR3)
Un autre Or Noir (FR3)
Vivre en Géorgie
Portrait d'une génération pour l'an 2000 (France 5 - 2000)
Femmes de peine, femmes de coeur (FR3 - 2003)

Television documentaries
La porte de Sarp est ouverte (1998)
Une histoire balbynienne (2002)
Tamara, une vie de Moscou à Port-au-Prince (unfinished)
Hana et Khaman (unfinished)
En compagnie d'Albert Memmi (unfinished)
Le Lucernaire, une passion de théâtre
Les quatre saisons de la Taillade ou une ferme l'autre
Histoire du peuple kurde (in development)
Les kurdes de Bourg-Lastic (2008)
Réalisation de films institutionnels et industriels
Passage 5:
Eugenio Alabiso
Eugenio Alabiso (born 30 July 1937) is an Italian film editor 
He edited The Good, the Bad and the Ugly (1966)He edited The Case of the Scorpion's Tail (1971), Silent Action (1975), and The Scorpion with Two Tails (1982), directed by Sergio Martino, and Face to Face (1967), directed by Sergio Sollima  He worked in crime films like Long Lasting Days (1973), Almost Human (1974), Manhunt in the City (1975), and From Corleone to Brooklyn (1979), directed by Umberto Lenzi 

Filmography
Films
Television series
Passage 6:
Jacques Décombe
Jacques Décombe is a French author, actor and director born in 1953 

Biography
After he studied at the Conservatoire national d'art dramatique, he was the director of the shows of Les Inconnus at the request of Didier Bourdon and won the Molière Award for best comedy show  (See fr:Molière du meilleur spectacle comique) in 1991  He also directed shows by Charlotte de Turckheim, Chevallier et Laspalès, Patrick Timsit, Les Chevaliers du fiel   
Passage 7:
Sepideh Farsi
Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director 

Early years
Farsi left Iran in 1984 and went to Paris to study mathematics   However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films  A main theme of her works is identity  She still visits Tehran each year 

Awards/Recognition
Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009  She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D  Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT" 

Recent News
One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission)   The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest   It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film   The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”   The  dialogue is in Persian with English and Arabic subtitles  In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival 

Filmography
Red Rose (2014)
Cloudy Greece (2013)
Zire Âb / The house under the water (2010)
Tehran bedoune mojavez / Tehran without permission (2009)
If it were Icarus (2008)
Harat (2007)
Negah / The Gaze (2006)
Khab-e khak / Dreams of Dust (2003)
Safar-e Maryam / The journey of Maryam (2002)
Mardan-e Atash / Men of Fire (2001)
Homi D  Sethna, filmmaker (2000)
Donya khaneye man ast / The world is my home (1999)
Khabe Âb / Water dreams (1997)
Bâd-e shomal / Northwind (1993)
Passage 8:
Fred Roy Krug
Fred R  Krug is an American film and television producer-director born in Bern, Switzerland 
Passage 9:
Umberto Lenzi
Umberto Lenzi (6 August 1931 – 19 October 2017) was an Italian film director, screenwriter, and novelist 
A fan of film since young age, Lenzi studied at the Centro Sperimentale di Cinematografia and made his first film in 1958 which went unreleased, while his official debut happened in 1961 with Queen of the Seas  Lenzi's films of the 1960s followed popular trends of the era, which led to him directing several spy and erotic thriller films  He followed in suit in the 1970s making giallo films, crime films and making the first Italian cannibal film with Man from the Deep River  He continued making films up until the 1990s and later worked as a novelist writing a series of murder mysteries 

Biography
Early life
Umberto Lenzi was born on 6 August 1931 in the Massa Marittima province of Italy  Lenzi was a film enthusiast as early as grade school  While studying law, Lenzi also created film fan clubs  Lenzi eventually put off studying law and began pursuing the technical arts of filmmaking He graduated from Rome's Centro Sperimentale di Cinematografia in 1956 and made I ragazzi di Trastevere as his final exam, a short film influenced by the writings of Pier Paolo Pasolini  Lenzi also worked as a journalist for various newspapers and magazines, including Bianco e Nero and, between 1957 and 1960, penned a number of detective novels and adventure stories using a pseudonym 

1960s
Prior to his officially first credited film as a director, Queen of the Seas, Lenzi directed a film in Greece in 1958 titled Mia Italida stin Ellada, or Vacanze ad Atene, which was never released Lenzi's films of the 1960s revolved around popular genres of their respective time periods  In the early 1960s, Lenzi directed many adventure films including two features about Robin Hood (The Triumph of Robin Hood and The Invincible Masked Rider) and two films about Sandokan (Sandokan the Great (1963) and Pirates of Malaysia (1964)) By 1965, Lenzi began directing European spy films, such as 008: Operation Exterminate, followed by Super Seven Calling Cairo and The Spy Who Loved Flowers, and even adapted the fumetti neri comic character Kriminal to the screen  Lenzi then turned to making war films such as Desert Commandos and Legion of the Damned and westerns such as Pistol for a Hundred Coffins and All Out (1968) Lenzi had box office success in Italy with his erotic thrillers starring Carroll Baker such as Orgasmo, So Sweet    So Perverse and A Quiet Place to Kill which were influenced by French "film noir" movies drawing from the works of Jacques Deray and René Clément 

1970s
After the commercial success of giallo films by Dario Argento, Lenzi followed the new trend with Seven Bloodstained Orchids, which referenced both Cornell Woolrich and Edgar Wallace novels, while another giallo Knife of Ice was a variation of Robert Siodmak's The Spiral Staircase  Other gialli created by Lenzi in the early 1970s included Spasmo and Eyeball During the early 1970s, Lenzi also directed the first of the Italian cannibal films, with Man from the Deep River, a genre that he would explore again in the 1980s with Eaten Alive! and Cannibal Ferox  During the late 1970s, Lenzi devoted himself almost exclusively to crime dramas, with the exception of two war films: The Greatest Battle and From Hell to Victory (1979) 

1980s
The 1980s marked the release of films that Roberto Curti described as some of Lenzi's "most notorious"  These included Nightmare City and the previously mentioned Cannibal Ferox Lenzi also worked on horror films towards the late 1980s, such as Ghosthouse (1988) under the name Humphrey Humbert and the slasher film Nightmare Beach which was credited to Harry Kirkpatrick as Lenzi refused to sign his name to the film  Other later 1980s work included horror films made for television, such as The House of Witchraft and The House of Lost Souls  Both films were part of a series titled Le case maldette (transl  Houses of Doom) which were set up by Luciano Martino and were related by the theme of haunted houses  The films were shot but the series was not broadcast immediately  Lenzi reflected on these films saying he made them as if they were designed for theatrical release and that  the producers, his colleagues and himself did not consider that television sponsors would not accept horror films  The two television series were eventually released on VHS in 2000 in Italy and later broadcast on Italian satellite TV in 2006  In 1989, Lenzi directed the police action film Cop Target in Miami and Santo Domingo, starring Robert Ginty and Charles Napier 

Post-1980s
In 1990, using his own company and a low amount of funds, Lenzi also shot two films in Brazil in a period of three months: the horror film Black Demons, which in 1996 he considered to be his masterpiece, and the adventure film Hunt for the Golden Scorpion In 1992, he shot the adventure film Mean Tricks (also known as Hornsby and Rodriguez) starring Charles Napier, David Warbeck and David Brandon  Variety reported in 2006 that Lenzi was shooting a slasher film in Italy titled Horror Baby  The film's story was about a 15-year-old paraplegic girl who becomes a serial killer after viewing a neighbor having sex from her window Lenzi later embarked on a career as a novelist, writing a series of murder mysteries set in the 1930s and '40s Cinecittà, involving real-life characters of the Italian film industry 

Death
Lenzi died on 19 October 2017  The director was hospitalized in the Ostia district of Rome  The cause of death is unknown 

Personal life
Umberto Lenzi was married to Olga Pehar, who co-wrote some of his films Lenzi was an anarchist 

Legacy
Roberto Curti referred to Lenzi as "one of the undisputed leading figures in Italian genre cinema" and that he was "a sort of institution in Italian genre cinema " Louis Paul suggested that Lenzi released some "quite enjoyable action films in the 1960s and some good thrillers in the '70s, he never consistently excelled at any one genre" and that Lenzi would "probably be remembered most for his cannibal-themed horror films " Kim Newman discussed Lenzi in 2021, stating that the director "has been rated towards the bottom of the ranks of Italian genre craftsmen by many - me included - because of the greater availability of his pulpier, more gruesome 1980s work" noting Cannibal Ferox and Nightmare City and stated that "though a trailblazer for the little-loved jungle cannibal cycle, contributing its earliest and most gruesome entries, in general Lenzi seemed one of the coat-tail riders, turning to whatever subgenre of exploitation was selling that year   and even in that class, he's less consistently interesting and exciting than Sergio Martino " Newman did note the film Lenzi made with Carroll Baker in the late 1960s, which Newman stated "force a reassessment" on Lenzi's work 

Select filmography
See also
Cannibal boom
Centro Sperimentale di Cinematografia
Poliziotteschi
Spaghetti Nightmares
Passage 10:
From Corleone to Brooklyn
From Corleone to Brooklyn (original title: Da Corleone a Brooklyn) is an Italian poliziotteschi film directed by Umberto Lenzi  The film was released in Italy on 13 April 1979 and stars Maurizio Merli, Mario Merola and Van Johnson 

Plot
Italian police officer Giorgio Berni (Maurizio Merli) is seeking to arrest Michele Barresi (Mario Merola), who is hiding in New York under the name Vito Ferrando, for his role in the murder of Salvetore Santoro  He plans to accomplish this by having a witness to the murder, Salvetore Scalia, testify against Barresi in court as evidence that Barresi was involved in the crime  On their way from Italy to New York Berni and Scalia experience several lethal encounters with Barresi's men trying to prevent them from getting to Barresi 
Assuming that Salvetore Scalia is dead, as a result of a newspaper report put out by the police, Barresi has his sister Liana murdered so as to eliminate all witnesses to the murder of Santoro  While searching Liana's apartment, police find a plane ticket for New York  While leaving Liana's apartment a shootout breaks out between Barresi's men and Berni, resulting in the death of Giuseppe Caruso, and revealing that Salvetore Scalia is alive  In order to secure a safe hiding spot for Scalia, Berni takes him to the house of his ex-wife, Paola  After leaving Paola's house another firefight ensues with Barresi's men  Poala, Berni, and Scalia then stay in a hotel for the night  As they head to the airport the following day, the road is blocked by Barresi's men, where Berni commands Paola to speed through their barrier  From here, Berni and Scalia take a plane to New York 
According to plan Scalia and Berni take refuge in a hotel the evening before they plan to testify against Barresi  After realizing that the man guarding the door is missing, Berni must take Scalia somewhere else to hide  He takes him to Joe's Restaurant and Pizzeria, where the head of the restaurant, Luigi, allows them to hide in his apartment upstairs  Meanwhile, two of Barresi's men enter the restaurant aiming to murder Berni and Scalia  However, a group of robbers enter immediately after, prompting Barresi's men to engage in shootout with the robbers, then flee the scene  Berni and Scalia exit Joe's Restaurant to track down the two men who left the restaurant, but are instead ambushed by a street gang  Police arrive to the scene of the ambush, where they arrest Berni and Scalia after receiving a report of two dangerous men, one armed, in the area  They do not initially believe that Berni is an Italian police officer  After Berni convinces them to take him to Lieutenant Sturges, who is sitting on the court case of Barresi, Berni and Scalia are free to begin their testimony against Barresi  When Scalia takes the stand to testify against Barresi, however, he claims that he does not know the man and has never seen him in his life, causing the judge to order Barresi to be set free 
Outside the court house, Scalia is shot dead by a gunman on the roof, revealed to be a clerk working at the hotel in which Berni and Scalia stayed when they first arrived in New York  The film ends with Berni searching Scalia's jacket pockets and finding a note stating that, if he were to die, let it be known that the man who goes by Vito Ferrando is actually Michele Barresi, providing Berni with the evidence he needs to bring Barresi down 

Cast
Maurizio Merli as Commissioner Giorgio Berni
Mario Merola as Michele Barresi
Biagio Pelligra as  Salvatore Scalia
Laura Belli as Paola
Van Johnson as Lt  Sturges
Venantino Venantini as Commissioner Danova
Sonia Viviani as Liana Scalia
Salvatore Billa as Giuseppe Caruso
Luca Barbareschi as Policeman

Release
From Corleone to Brooklyn was released theatrically in Italy on 13 April 1979, distributed by Variety Film  The film grossed 398 6 million Italian lira 

See also
List of Italian films of 1979



ground_truth: yes

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director born later, From Corleone To Brooklyn or Durango Valley Raiders?

The following are given passages.
Context 4:  He did some uncredited directing on AIP's De Sade (1969) when director Cy Endfield fell ill  He financed Bogdanovich's first feature, Targets (1968), which incorporated footage from The Terror  He also produced The Dunwich Horror (1970) for AIP, directed by Haller and co-written by Curtis Hanson, and financed Haller's Paddy 

Final films as director
For AIP, Corman returned to the director's chair for a gangster film, Bloody Mama (1970), starring Shelley Winters and a young Robert de Niro  It was a big hit at the box office  He also directed a black comedy, Gas-s-s-s (1970), written by George Armitage; it was cut without his permission by AIP and was a financial failure United Artists finally agreed to finance his Red Baron project, although they asked that it emphasize American characters  Accordingly, it was filmed as Von Richthofen and Brown (1971), shot in Ireland in July 1970  There were several plane crashes during filming and one person died Corman was going to make a film of Couples, a novel by John Updike for United Artists, and In from a script by Richard Schupe, but decided to take a break from directing 
"Directing is very hard and very painful," he said in 1971  "Producing is easy  I can do it without really thinking about it "

New World Pictures
In May 1970, Corman founded New World Pictures, which became a small independently owned production/distribution studio, immediately successful with Angels Die Hard (1970), a biker film, and The Student Nurses (1971), directed by Rothman   The Big Doll House (1971), directed by Jack Hill in the Philippines, was a big hit, making a star of Pam Grier  The company made a profit of $3 2 million in its first financial year, and Corman says all eleven out of his first eleven films were successful   Angels Die Hard led to a series of biker films, including Angels Hard as They Come (1971), produced by Jonathan Demme with Jack Fisk working as art director  Bury Me an Angel (1971) was the first biker movie directed by a woman, Barbara Peeters  Corman financed the directorial debuts of Curtis Hanson, Sweet Kill (1971), produced by Corman protege Tamara Asseyev   Student Nurses led to a "cycle" of nurse pictures, including Private Duty Nurses (the first film directed by George Armitage), Night Call Nurses (1972) (the first feature directed by Jonathan Kaplan), The Young Nurses and Candy Stripe Nurses (1975)  There was also The Student Teachers (1973) and Summer School Teachers (1974)   Big Doll House was followed by a series of women in prison pictures, such as Women in Cages (1972), The Hot Box (1972), Black Mama, White Mama (1973), The Arena (1974) (the first film directed by Steve Carver) and Caged Heat (1974) (the first film directed by Demme)   Of New World's second year, Corman says 11 of the 12 releases were successful   Corman produced one more film at AIP, Boxcar Bertha (1972), the second feature directed by Martin Scorsese, starring David Carradine  He also executive produced Unholy Rollers (1972) for AIP   A proposed political satire, The Wild Political Prank, was not made   He made I Escaped from Devil's Island (1973) with his brother and produced Cockfighter (1974) with Monte Hellman, which was a rare financial failure for New World   A big hit was Big Bad Mama (1974), a gangster film directed by Carver and starring Angie Dickinson  It led to a follow-up, Crazy Mama (1975), produced by his wife and directed by Demme   In 1975, Corman said New World was "the most successful independent film company in the country   if you count AIP as a major"  He said they were "the best of the cheap acts" 

Distributing foreign films
In the 1970s the major Hollywood studios were moving away from distributing foreign arthouse pictures, New World moved into the market and became the U S  distributor for Cries and Whispers (1972), directed by Ingmar Bergman  Corman bought it for $75,000 and it earned over $2 million at the U S  box office  and Corman's distribution side of New World brought many foreign films to mass audiences in the U S  for the first time - reportedly some played at drive-ins and grindhouses - including the works of François Truffaut (The Story of Adele H , Small Change), Peter Weir (The Cars That Ate Paris), Federico Fellini (Amarcord), Joseph Losey (The Romantic Englishwoman), Volker Schlöndorff (The Lost Honour of Katharina Blum, The Tin Drum) and Akira Kurosawa (Dersu Uzala)  New World also released Fantastic Planet (1974) 
In a 10-year period, New World Pictures won more Academy Awards for Best Foreign Film than all other studios combined 

20th Century Fox
He had a four-picture deal with 20th Century Fox, making Capone (1975), Fighting Mad (1976) (directed by Demme), Moving Violation (1976) and Thunder and Lightning (1977) 

Peak of New World
Death Race 2000 (1975), written by Robert Thom and directed by Paul Bartel, was a big hit, earning $4 million  It helped inspire a series of car chase movies: Cannonball (1976), directed by Bartel; Eat My Dust! (1976), directed by Griffith starring Ron Howard, which led to a follow-up, Grand Theft Auto (1978), Howard's directorial debut  There was also The Great Texas Dynamite Chase (1976), Deathsport (1978) and Smokey Bites the Dust (1981) 
New World's trailers were cut by Joe Dante and Alan Arkush  Corman gave them the chance to direct together, with Hollywood Boulevard (1976), which used outtakes from other New World films  It was successful enough for Corman to give both men jobs directing features on their own: Dante with Piranha (1978) and Arkush with Rock 'n' Roll High School (1979) 
Piranha was written by John Sayles, who had been discovered by Corman's story editor, Frances Doel  Sayles later wrote The Lady in Red (1979) for Corman, which was directed by Lewis Teague 
Other popular films around this time included Tidal Wave (1975), a Japanese film to which Corman added some extra footage, and Jackson County Jail (1976)  He also financed I Never Promised You a Rose Garden  Less popular was Avalanche (1979), a disaster film directed by Corey Allen 
For Universal he made Fast Charlie    the Moonbeam Rider (1979), directed by Carver  He financed Bogdanovich's Saint Jack (1979) 
Corman was criticized when he insisted on the addition of footage featuring a rape for Humanoids from the Deep (1980)  Similarly, in Galaxy of Terror, as noted on Schlock and Awe   some, "Corman promised the investors that the film would feature a Taaffe O'Connell sex-scene and a gruesome death-scene as-well  To save time, Corman put the two together  The actress agreed to a nude scene, but NOT a rape scene  Corman isn't the kind of man who takes no for an answer, and after some contract renegotiation, O'Connell agreed to being raped to death by a giant worm-monster  Money… it does amazing things "The success of Star Wars inspired New World's most expensive film yet, Battle Beyond the Stars (1981)  This film required extensive special effects, prompting Corman to buy a movie studio in Main Street Venice for $1 5 million  Corman made a TV film for CBS, The Georgia Peaches (1980) 
Battle Beyond the Stars was so successful Corman had its footage and music score reused in other films such as Galaxy of Terror (1981) and Forbidden World (1982) 
He picked up a film called The Personals (1983) which enjoyed success 

Millennium Films
Corman sold New World Pictures in January 1983 to a consortium of three lawyers for $16 9 million Under the terms of the contract, he agreed to stay on as a consultant for two years and to provide New World with at least five films they could release  New World agreed to distribute all of Corman's films until March 1984  He set up a new production company, Millennium – the title of which was taken from the name of a 1981 retrospective of Corman's work at the National Film Theatre of London  He announced plans to make films budgeted between $2–5 million using cash from his sale of New World to finance personally  He announced an intention to make fewer commercial films, movies more like I Never Promised You a Rose Garden and Cries and Whispers 
Millennium's films included Space Raiders (1983), a science fiction epic using footage and music from Battle Beyond the Stars; Love Letters (1984), a serious drama from Amy Holden Jones; Screwballs (1984), a sex comedy in the vein of Porky's; Suburbia (1984), directed by Penelope Spheeris, which he acquired, Deathstalker; and Kain of Dark Planet (which became The Warrior and the Sorceress) 

New Horizons
Corman says people struggled with the name "Millennium" – "nobody could spell it, nobody knew what it meant" – so he changed it to New Horizons by early 1984 Corman and the new owners of New World ended up suing each other in March 1985  Corman claimed that New World failed to honor their guarantee to distribute his movies at a fee of 15%  He sought $400 million in damages and the return of the company  He said they refused to distribute School Spirit (1985) and Wheels of Fire  He also claimed that New World cheated him distributing Space Raiders, Screwballs and Slumber Party Massacre  New World sued Corman in return, claiming he was seeking to return to distribution, and was discrediting New World to potential investors  They said Corman bypassed New World for some of his films, such as Columbia's Hardbodies (1984)  Corman argued "My whole point in selling was to free myself of the burden of running the company and to get guaranteed distribution  If I can't get my guaranteed distribution, I'm forced to go back to running the company "

Concorde Pictures
The case with New World settled out of court  In March 1985 Corman announced he would establish a new distribution "cooperative", Concorde Pictures, where producers could get relatively cheap distribution from Concorde in exchange for contributing to the company's overhead  Their first releases were Corman productions School Spirit, Wheels of Fire and Barbarian Queen  Concorde later merged with a low budget production company, Cinema Group, and announced plans to make 15-20 films a year Early Concorde releases include Loose Screws (1985), a sequel to Screwballs;  Streetwalkin' (1985), a more serious drama directed by Joan Freeman; Cocaine Wars (1986), the first in a series of movies Corman would finance in South America; Hour of the Assassin (1987), shot in Peru and the first film directed by Luis Llosa; and Munchies (1987), a spoof of Gremlins directed by Tina Hirsch 
Corman also remade Not of this Earth (1988) and released Big Bad Mama II (1987), and Transylvania Twist (1989); all three were directed by Jim Wynorski  He produced another version of Masque of the Red Death (1989), directed by Larry Brand 
He produced Sweet Revenge (1987), Slumber Party Massacre II (1988), directed by Deborah Brock, Andy Colby's Incredible Adventure (1988), also directed by Brock, and The Terror Within (1989), directed by Thierry Notz 
Corman financed the early directorial efforts of Carl Franklin (Nowhere to Run (1989)), Vargas Llosa and Katt Shea (Stripped to Kill (1988), Stripped to Kill II (1989))  More experimental was Nightfall (1988) 
After Hour of the Assassin, he made a series of films in Peru, including Crime Zone (1989), also directed by Luis Llosa, and Full Fathom Five (1990), directed by Carl Franklin 
Concorde had a big hit with Bloodfist (1989), starring Don "the Dragon" Wilson which cost $1 million and earned over $6 million  Concorde signed Wilson to a long-term contract and he made a number of sequels for the company, including Bloodfist II and Fighting to Win 

Frankenstein Unbound
He returned to directing once more with Frankenstein Unbound (1990) 

Concorde and New Horizon in the 1990s
In 1990, Concorde sued MGM for $6 million Concorde's films included Overexposed (1990), The Unborn (1991), and In the Heat of Passion (1992)  They had a big hit with Carnosaur (1993), which led to several sequels  He financed Fire on the Amazon (1991, directed Luis Llosa) which had Sandra Bullock and Craig Sheffer in early roles 
Corman had to deal with the decline of the drive-in market and studio competition through the 1990s, but Concorde-New Horizons still made 15-24 pictures a year  This included a never-released version of The Fantastic Four 

Roger Corman Presents
In 1995 Corman was executive producer on Roger Corman Presents, a special series of 13 movies for Showtime with budgets of around $1 5 million each  "I think the Corman name means action, humor and some titillation," says Mike Elliott, the producer of the series  "It's going to deliver the goods – and it will have a little moral statement in there as well " Corman ended up doing a second season of 11 movies  The films were Bram Stoker's Burial of the Rats, Hellfire, Virtual Seduction, Suspect Device, Unknown Origin, Terminal Virus, Where Evil Lies, Vampirella, Shadow of a Scream, Subliminal Seduction, House of the Damned (a k a  Spectre), The Haunted Sea, Alien Avengers (a k a  Aliens Among Us) and its sequel, Inhumanoid, Sawbones, Not Like Us, and Last Exit to Earth  He created his own comic book franchise, Black Scorpion, which led to a sequel and later a TV series  Corman also executive-produced remakes of The Wasp Woman, Humanoids from the Deep, A Bucket of Blood (a k a  The Death Artist), Piranha and Not of this Earth 

Ireland
Concorde set up operations in Ireland as Concorde Anois, building studios in Connemara, County Galway  He received some support from the Irish government, a decision which became controversial when the content of some Corman productions such as Criminal Affairs was criticized in the press Later Concorde-New Horizons films included Overdrive (1997)  "The genres still hold", said Corman in 1997, "action adventure, the suspense thriller, science fiction and horror  The difference is that they are bigger and better now  "Corman also produced the film Moving Target which was filmed in County Galway  It was his last film produced with Concorde-New Horizons 

Roger Corman's Cosmic Comics
Corman operated a short-lived comic book imprint in 1995–1996 called Roger Corman's Cosmic Comics  It produced comics based on his films, written and drawn in a similar no-hold-barred style  Titles included Bram Stoker's Burial of the Rats, Caged Heat 3000, Death Race 2020, Welcome to The Little Shop of Horrors, and Rock & Roll High School — the latter featuring the Melvins (instead of the Ramones)  Notable creators published by Cosmic Comics included Trevor Goring, James Kochalka, Jason Lutes, Pat Mills, Shane Oakley, Jerry Prosser, and J  R  Williams  The longest-running title was Death Race 2020, which lasted eight issues — but was left unfinished when the company closed down 

Later career:  Syfy Channel
He continued to produce creature films, such as Raptor (2001, dir Jim Wynorski)  Dinocroc (2004), which aired on the Syfy cable television channel and was popular enough for two sequels, Supergator and Dinocroc vs  Supergator (2010), as well as a spin-off film, Dinoshark (2010)  Supergator (2007) was turned down by the Syfy channel, but Corman made it anyway 
Corman also continued to make action films: Escape from Afghanistan (2001) was a Russian film, Peshavar Waltz plus some additional footage; The Hunt for Eagle One (2006) and The Hunt for Eagle One: Crash Point (2006) were shot in the Philippines; Roger Corman's Operation Rogue (2014); Fist of the Dragon (2015) 
In 2006 Corman said he made 60% of his films overseas  "These foreign countries are offering subsidies that are so great that not only I but many independent producers are moving overseas", he said  He sold the remake rights of Death Race 2000 to Universal, who made Death Race (2008) with Jason Statham, with Corman credited as executive producer  It led to two direct-to-video prequels and one direct-to-video sequel 
In 2009, Corman produced and directed alongside director Joe Dante the web series "Splatter" for Netflix  The protagonist of the film is portrayed by Corey Feldman, and the story talks of the haunting tale of rock-and-roll legend Johnny Splatter  He also started contributing trailer commentaries to Dante's web series Trailers from Hell  In 2011, Corman cited James Cameron's Avatar (2009) and Christopher Nolan's Inception (2010) as examples of "great imagination and originality" By now, the SyFy channel was Corman's leading market  For them, he made Sharktopus (2010) and Piranhaconda (2012)  Corman produced the 2017 film Death Race 2050, a sequel to the 1975 film Death Race 2000  It was made with Universal, Corman's first film with a major studio in more than two decades 

Personal life
Corman married Julie Halloran in 1970  They have four children  On April 3, 2018, a lawsuit by Corman's sons, Roger Martin Corman and Brian Corman, was filed against Corman to prevent the trade of his film collection  It was settled in 2020  In 2016, Corman also sued a wealth management company about suspected losses of his personal fortune  To date, the result of that dispute has not been disclosed 

Recognition
In 1964, Corman was the youngest producer/director to be given a retrospective at the Cinémathèque Française, as well as retrospectives at the British Film Institute and the Museum of Modern Art 
Corman won the Lifetime Achievement Award at Stockholm International Film Festival in 1990 
Corman was the subject of the 1978 documentary Roger Corman:  Hollywood's Wild Angel, produced and directed by Christian Blackwood  Portions of the film reappeared in 2011's Corman's World 
In 1998, he won the first Producer's Award ever given by the Cannes Film Festival 
In 2006, Corman received the David O  Selznick Award from the Producers Guild of America  Also in 2006, his film Fall of the House of Usher was among the twenty-five movies selected for the National Film Registry, a compilation of significant films being preserved by the Library of Congress 
In 2009, The Academy of Motion Picture Arts and Sciences awarded Corman with an Academy Honorary Award at the inaugural Governors Awards, on November 14, 2009 In 2010, writer and actor Mark Gatiss interviewed Corman for his BBC documentary series A History of Horror, of which the second half of the second episode focuses on Corman In 2010, Corman was inducted into the Beverly Hills High School Hall of Fame 
In 2012, Corman was honored with the Filmmaker on the Edge Award at the Provincetown International Film Festival 
In 2018, he received the "Extraordinary Contribution to Film" award at the Austin Film Festival 

Archive
Film elements and prints for many movies directed, produced, and/or distributed by Corman are held at the Academy Film Archive as part of the New Horizons Collection  The Academy Film Archive restored Corman's film The Masque of the Red Death in 2019 

"The Corman Film School"
A number of noted filmmakers (including directors, producers, writers, and cinematographers) have worked with Corman, usually early in their careers, including Francis Ford Coppola, Martin Scorsese, Ron Howard, Polly Platt, Peter Bogdanovich, Declan O'Brien, Armondo Linus Acosta, Paul Bartel, Jonathan Demme, Donald G  Jackson, Gale Anne Hurd, Carl Colpaert, Joe Dante, James Cameron, John Sayles, Monte Hellman, Carl Franklin, George Armitage, Jonathan Kaplan, George Hickenlooper, Curtis Hanson, Jack Hill, Robert Towne, Menahem Golan, James Horner, and Timur Bekmambetov  Many have said that Corman's influence taught them some of the ins and outs of filmmaking  In the extras for the DVD of The Terminator, director James Cameron asserts, "I trained at the Roger Corman Film School " The British director Nicolas Roeg served as the cinematographer on The Masque of the Red Death  Cameron, Coppola, Demme, Hanson, Howard and Scorsese have all gone on to win Academy Awards  Howard was reportedly told by Corman, "If you do a good job on this film, you'll never have to work for me again "
Actors who obtained their career breaks working for Corman include Jack Nicholson, Peter Fonda, Bruce Dern, Charles Bronson, Todd Field Michael McDonald, Dennis Hopper, Tommy Lee Jones, Talia Shire, Sandra Bullock, Robert De Niro, and David Carradine, who received one of his first starring film roles in the Corman-produced Boxcar Bertha (1972) and went on to star in Death Race 2000 (along with Sylvester Stallone) 
Many of Corman's protegés have paid their mentor homage by awarding him cameos in films, such as in The Godfather Part II, The Silence of the Lambs, Apollo 13, and as recently as Demme's 2008 film Rachel Getting Married 

Filmography
The IMDb credits Corman with 55 directed films and some 385 produced films from 1954 through 2008, many as uncredited producer or executive producer (consistent with his role as head of his own New World Pictures from 1970 through 1983)  Corman also has significant credits as writer and actor 
 Roger Corman's Cult Classics 
In 2010, Roger Corman teamed up New Horizons Pictures with Shout! Factory to release new DVD and Blu-ray editions of Corman productions under the name Roger Corman's Cult Classics  The releases have concentrated on 1970–1980s films he produced through New World rather than directed  These titles include Rock 'n' Roll High School, Death Race 2000, Galaxy of Terror, Forbidden World and Piranha, with additional titles continuing to be released 

Books
Corman, Roger; Jerome, Jim (1990)  How I Made a Hundred Movies in Hollywood and Never Lost a Dime  Random House  ISBN 978-0-394-56974-1  OCLC 840687965 
His autobiography documents his experiences in the film industry
Passage 6:
The House of the Seven Hawks
The House of the Seven Hawks is a 1959 British mystery film directed by Richard Thorpe and starring Robert Taylor, Nicole Maurey and Linda Christian  It was the final film by Robert Taylor under his twenty five-year contract with MGM  The film follows an American captain searching for sunken treasure who becomes entangled with criminals and is arrested by the Dutch police  It is based on the Victor Canning novel The House of the Seven Flies, published in 1952 

Plot
Story of an American skipper who becomes entangled with the Dutch police and international crooks over sunken treasure but survives and finds romance 

Cast
Robert Taylor as John Nordley
Nicole Maurey as Constanta Sluiter
Linda Christian as Elsa
Donald Wolfit as Inspector Van Der Stoor
David Kossoff as Wilhelm Dekker
Eric Pohlmann as Captain Rohner
Philo Hauser as Charlie Ponz
Gerard Heinz as Inspector Sluiter
Paul Hardtmuth as Beukleman
Lily Kann as Gerta
Richard Shaw as Police Sgt  Straatman
André van Gyseghem as Hotel Clerk
Leslie Weston as Tulper
Guy Deghy as Desk Lieutenant
Peter Welch as Gannett
Peter Lannagan as Peter

Critical reception
In a contemporary review, The New York Times called the film "an unpretentious but satisfying entertainment"; whereas more recently, the Radio Times called it a "bland B-movie "

Box office
According to MGM records, the film earned $415,000 in the U S  and Canada and $650,000 elsewhere, resulting in a loss of $20,000 

See also
List of British films of 1959
Passage 7:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 8:
Rumbi Katedza
Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974 

Early life and education
She did her Primary and Secondary Education in Harare, Zimbabwe  Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995  In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film  She also holds a MA in Filmmaking from Goldsmiths College, London University 

Work and filmography
Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows  From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe)  From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival  Whilst there, she produced the Postcards from Zimbabwe Series  In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely

Tariro (2008);
Big House, Small House (2009);
The Axe and the Tree (2011);
The Team (2011)
Playing Warriors (2012)Her early works include:

Danai (2002);
Postcards from Zimbabwe (2006);
Trapped (2006 – Rumbi Katedza, Marcus Korhonen);
Asylum (2007);
Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts  She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe  She has also lobbied Zimbabwean government to actively support the film industry 
Passage 9:
Richard Thorpe
Richard Thorpe (born Rollo Smolt Thorpe; February 24, 1896 – May 1, 1991) was an American film director best known for his long career at Metro-Goldwyn-Mayer 

Biography
Born Rollo Smolt Thorpe in Hutchinson, Kansas, Richard Thorpe began his entertainment career performing in vaudeville and onstage  In 1921 he began in motion pictures as an actor and directed his first silent film in 1923  He went on to direct more than one hundred and eighty films  He worked frequently at the Poverty Row studio Chesterfield Pictures during the 1930s  The first full-length motion picture he directed for MGM was Last of the Pagans (1935) starring Ray Mala  
At MGM, he teamed up with producer Pandro S  Berman in the 1950s, with whom he made several films, including Ivanhoe (1952), The Prisoner of Zenda (1952), Knights of the Round Table (1953), All the Brothers Were Valiant (1953) and The Adventures of Quentin Durward (1955) 
After directing The Last Challenge in 1967, he retired from the film industry 
His two favorite films were Night Must Fall (1937) and Two Girls and a Sailor (1944) 

Wizard of Oz
Thorpe is also known as the original director of The Wizard of Oz  He was fired after two weeks of shooting because it was felt that his scenes did not have the right air of fantasy about them  Thorpe notoriously gave Judy Garland a blonde wig and cutesy "baby-doll" makeup that made her look like a girl in her late teens rather than an innocent Kansas farm girl of about 13  Both makeup and wig were discarded at the suggestion of George Cukor, who was brought in temporarily  Stills from Thorpe's work on the film survive today  Further, it is understood that bits of his filmed footage of Toto escaping from the Wicked Witch's castle are featured in the film, albeit uncredited 
For his contribution to the motion picture industry, Thorpe has a star on the Hollywood Walk of Fame at 6101 Hollywood Blvd  In 2003 a Golden Palm Star on the Palm Springs Walk of Stars in Palm Springs, California was dedicated to him and his son Jerry He died in Palm Springs, California on May 1, 1991 

Selected filmography
As director
Passage 10:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 



ground_truth: From Corleone To Brooklyn