prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died later, True To The Navy or No Trees In The Street?

The following are given passages.
Context 1: Passage 1:
No Trees in the Street
No Trees in the Street is a 1959 British crime thriller directed by J  Lee Thompson and written by Ted Willis, from his 1948 stage play of the same name The film is set in the slums of London  It depicts the life of impoverished teenager Tommy, who becomes a criminal in an attempt at social mobility  He starts with minor thefts and progresses to murder  A subplot involves the romantic involvements of Tommy's sister Hetty, first with a racketeer and then with a policeman 
The film is another example of British kitchen sink realism, but is mainly noted for its naturalistic depiction of slum life 

Plot
Initially, the film's story is told by Frank (Ronald Howard) a local plainclothes policeman in love with Hetty (Sylvia Syms), to a young tearaway Kenny (David Hemmings) 
In the slums of London before World War II, Tommy (Melvyn Hayes) is an aimless teenager who tries to escape his squalid surroundings by entering a life of crime  He falls in with local racketeer Wilkie (Herbert Lom), who holds the rest of the slum citizens - including Tommy's own family - in a grip of fear 
For a brief period, Hetty (Tommy's older sister) becomes Wilkie's girlfriend until he humiliates her in front of the other slum citizens simply to show his power over them, after which she will have nothing to do with Wilkie despite him repeatedly asking her to come back to him 
The film chronicles Tommy's sordid progression from minor thefts to murder At the end of the film, Hetty and Frank are seen to be married and living in a new council flat long after the slums have been demolished 

Cast
Sylvia Syms as Hetty
Herbert Lom as Wilkie
Melvyn Hayes as Tommy
Ronald Howard as Frank
Stanley Holloway as Kipper
Joan Miller as Jess
Liam Redmond as Bill
David Hemmings as Kenny
Carole Lesley as Lova
Lily Kann as Mrs Jacobson
Lloyd Lamble as Superintendent
Campbell Singer as Inspector
Marianne Stone as Mrs  Jokel
Rita Webb as Mrs  Brown
Lana Morris as Marje

Production
Ted Willis based his script on his 1948 play of the same name Willis and J  Lee Thompson and Sylvia Syms had previously collaborated together on Woman in a Dressing Gown and Ice Cold in Alex Filming began 10 March 1958  The film was revised after previews, with new scenes added at the opening, and at the end showing the detective married the sister 

Critical reception
TV Guide wrote "NO TREES suffers from artificiality of plot and dialog  Characterizations are reduced to mere stereotypes   There are some notable exceptions within the drama, however  Syms is surprisingly moving, giving a sensitive performance despite the film's constraints  Holloway's characterization of a bookie's tout is comical and charming   The camerawork attempts a realistic documentary look, which manages to succeed in capturing the details of slum life that make the setting seem surprisingly naturalistic  The finer points of the film, however, are overshadowed by its faults "Time Out wrote "released at a time when kitchen sink drama was all the rage, this is an unremarkable 'we had it tough' chronicle from another age "Variety wrote "Ted Willis is a writer with a sympathetic eye for problems of the middle and lower classes   Syms gives a moving performance as the gentle girl who refuses to marry the cheap racketeer just to escape  Lom, as the opportunist who dominates the street, is sufficiently suave and unpleasant "
Passage 2:
True to the Navy
True to the Navy is a 1930 romantic comedy film directed by Frank Tuttle for Paramount Pictures  The film stars Clara Bow as a counter girl at a San Diego drugstore with a predilection for sailors  Eventually she sets her sights on Bull's Eye McCoy (Fredric March), a stiff-necked gunner's mate 

Cast
Clara Bow as Ruby Nolan
Fredric March as "Bull's-Eye" McCoy
Harry Green as Solomon Bimberg
Sam Hardy as Brady
Rex Bell as Eddie
Ray Cooke as Peewee
Eddie Fetherston as Michael
Eddie Dunn as Albert
Adele Windsor as Maizie
Harry Sweet as Artie

Critical reception
Allmovie wrote, "the spectacle of distinguished actor Frederic March in sailor togs, chewing gum and dispensing sez-you dialogue, is worth the admission price in itself" ; while The New York Times noted, "it is a moderately deserting Summer-weather film, which succeeded in eliciting a good deal of laughter at its showing yesterday "
Passage 3:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 4:
Frank Tuttle
Frank Wright Tuttle (August 6, 1892 – January 6, 1963) was a Hollywood film director and writer who directed films from 1922 (The Cradle Buster) to 1959 (Island of Lost Women) 

Biography
Frank Tuttle was educated at Yale University, where he edited campus humor magazine The Yale Record After graduation, he worked in New York City in the advertising department of the Metropolitan Music Bureau  He later moved to Hollywood, where he became a film director for Paramount  His films are largely in the comedy and film noir genres In 1947, his career ground to a temporary halt with the onset of the first of the House Un-American Activities Committee hearings on Communist infiltration of the movie industry  Tuttle had joined the American Communist Party in 1937 in reaction to Hitler's rise to power  Unable to find work in the United States, he moved to France, where he made Gunman in the Streets (1950) starring Simone Signoret and Dane Clark  In 1951, after a decade as a member of the Communist Party, Tuttle gave 36 names to the HUAC 

Death
Tuttle died in Hollywood, California, on January 6, 1963, aged 70  He was survived by his three daughters 

Selected filmography
The Cradle Buster (1922)
Puritan Passions (1923) starring Mary Astor
Second Fiddle (1923) starring Mary Astor
Youthful Cheaters (1923)
Grit (1924)
Dangerous Money (1924)
The Manicure Girl (1925)
The Lucky Devil (1925)
Lovers in Quarantine (1925) starring Bebe Daniels and the other Harrison Ford
Kid Boots (1926) starring Eddie Cantor and Clara Bow
Love 'Em and Leave 'Em (1926) starring Evelyn Brent and Louise Brooks
The American Venus (1926) with Douglas Fairbanks, Jr 
The Untamed Lady (1926) starring Gloria Swanson
Blind Alleys (1927) starring Evelyn Brent and Thomas Meighan
Time to Love (1927)
One Woman to Another (1927)
Something Always Happens (1928)
Varsity (1928) starring Charles "Buddy" Rogers and Mary Brian
The Canary Murder Case (additional sound footage; 1929) starring William Powell as Philo Vance
The Green Murder Case starring William Powell as Philo Vance
Sweetie (1929) starring Nancy Carroll
Paramount on Parade (1930), Paramount's all-star revue with a screenplay by Joseph L  Mankiewicz
The Benson Murder Case (1930) starring William Powell as Philo Vance
True to the Navy (1930) starring Clara Bow and Fredric March
It Pays to Advertise (1931) starring Carole Lombard
No Limit (1931) starring Clara Bow and Thelma Todd
This Reckless Age starring Charles "Buddy" Rogers
The Big Broadcast (1932) starring Bing Crosby
This Is the Night (1932) with Cary Grant
Roman Scandals (1933) starring Eddie Cantor
Springtime for Henry (1934) starring Otto Kruger and Nigel Bruce
Here is My Heart (1934) starring Bing Crosby
Ladies Should Listen (1934) starring Cary Grant
Two for Tonight (1935) starring Bing Crosby
The Glass Key (1935), film adaptation of Dashiell Hammett's novel of the same name
All the King's Horses (1935) starring Carl Brisson
College Holiday (1936) starring Jack Benny, George Burns and Gracie Allen
Waikiki Wedding (1937) starring Bing Crosby
Doctor Rhythm (1938) starring Bing Crosby
Paris Honeymoon (1939) starring Bing Crosby
I Stole a Million (1939) starring George Raft and written by Nathanael West
Charlie McCarthy, Detective (1939) starring Edgar Bergen
Lucky Jordan (1942) starring Sheldon Leonard and Alan Ladd
This Gun for Hire (1942) starring Veronica Lake and Alan Ladd
Star Spangled Rhythm (contributing director; 1943) with sketches by George S  Kaufman
The Hour Before the Dawn (1944) starring Veronica Lake and based on the novel by W  Somerset Maugham
Don Juan Quilligan (1945) starring Phil Silvers
The Great John L  (1945) starring Linda Darnell
Suspense (1946) starring Barry Sullivan and Belita
Swell Guy (1946) starring Sonny Tufts
Gunman in the Streets (1950) starring Simone Signoret
The Magic Face (1951) starring Luther Adler
Hell on Frisco Bay (1956) starring Alan Ladd and Edward G  Robinson
A Cry in the Night (1956) starring Edmond O'Brien, Natalie Wood and Raymond Burr
Island of Lost Women (1959) starring Jeff Richards and produced by Alan Ladd
Passage 5:
True to Life
True to Life may refer to:

True to Life (Ray Charles album), 1977
True to Life (film), a 1943 film directed by George Marshall
"True to Life", a song by Roxy Music on the 1982 album Avalon
True to Life (Lisette Melendez album), 1994
Passage 6:
Sylvia Syms
Sylvia May Laura Syms  (6 January 1934 – 27 January 2023) was an English stage and screen actress  Her best-known film roles include My Teenage Daughter (1956), Woman in a Dressing Gown (1957), for which she was nominated for a BAFTA Award, Ice Cold in Alex (1958), No Trees in the Street (1959), Victim (1961), and The Tamarind Seed (1974) 
Known as the "Grand Dame of British Cinema", Syms was a major player in films from the mid-1950s until mid-1960s, usually in stiff-upper-lip English pictures, as opposed to kitchen sink realism dramas, before becoming more of a supporting actress in both film and television roles  On television, she was known for her recurring role as dressmaker Olive Woodhouse on the BBC soap opera EastEnders  She was also a notable theatre player Syms portrayed Queen Elizabeth The Queen Mother in the 2006 biopic The Queen 

Early life and education
Syms was born in Woolwich, London, England, in 1934, the daughter of Daisy (née Hale) and Edwin Syms, a trade unionist and civil servant  With the outbreak of World War II, Syms was evacuated to Kent and subsequently Monmouthshire  She grew up in Well Hall, Eltham When Syms was 12, her mother committed suicide  At 16, she suffered a nervous breakdown and contemplated taking her own life until an intervention from her stepmother  Syms was educated at convent schools before deciding to become an actress and attending The Royal Academy of Dramatic Art, graduating in 1954  She later served on RADA's council  
Syms's career began in repertory theatre in Eastbourne and Bath  She made her West End debut in The Apple Cart with Noël Coward 

Film career
Syms appeared in a TV play The Romantic Young Lady  This led to two offers, one to make a film for Herbert Wilcox, My Teenage Daughter, another to sign a long term contract with Associated British  She accepted both  In My Teenage Daughter (1956), Syms played Anna Neagle's troubled daughter  The film was successful at the British box office For Associated British she made No Time for Tears then appeared in The Birthday Present  Syms had the third lead in Woman in a Dressing Gown for director J  Lee Thompson which was very popular  She then made the English Civil War film, The Moonraker and the war film Ice Cold in Alex, also directed by Thompson  In early 1958 she made a third film for Thompson, No Trees in the Street   She announced she would make her first screen comedy The Light Blue  This became Bachelor of Hearts  In March 1959 she was voted Variety Club's Film Actress of 1958 In 1959, Syms appeared in the film Expresso Bongo as Maisie King, opposite Cliff Richard  She played opposite Dirk Bogarde in the 1961 film Victim, as the wife of a barrister who is a closet homosexual  The film is thought to have broadened the debate that led to the decriminalisation of homosexual acts in private in the United Kingdom Syms made Ferry to Hong Kong, The World of Suzie Wong and Conspiracy of Hearts 
Syms travelled to Ireland to play opposite Patrick McGoohan as the wife of a condemned man in The Quare Fellow  
She played Tony Hancock's wife in The Punch and Judy Man  The film also featured her nephew, Nick Webb  In 1963 she ended her contract with Associated British which by then guaranteed her £10,000 a year but which she felt was too restrictive  She appeared in East of Sudan  In 1965 she appeared on stage in Dual Marriageway 

Later career
Other comedies followed, such as The Big Job (1965) with Sid James and Bat Out of Hell (1967), but it was for drama that she won acclaim, including The Tamarind Seed (1974) with Julie Andrews and Omar Sharif, for which she was nominated for a British Film Academy award  
Syms featured in the husband-and-wife TV comedy My Good Woman from 1972 to 1974 and on the weekly BBC programme Movie Quiz as one of two team captains 
In 1975, Syms headed the jury at the 25th Berlin International Film Festival In 1989, Syms guest-starred in the Doctor Who story Ghost Light  Shortly after the end of British Prime Minister Margaret Thatcher's term in office in 1990, Syms portrayed her in Thatcher: The Final Days (1991), a Granada television film for ITV, which dramatises the events surrounding Thatcher's removal from power, a role she recreated for the stage  From 2000 to 2003, she played Marion Riley in the ITV comedy-drama At Home with the Braithwaites  She also featured in the serial The Jury (2002) and in the same year contributed Sonnet 142 to the compilation album When Love Speaks For Stephen Frears's biopic The Queen (2006), Syms was cast as Queen Elizabeth The Queen Mother  She also appeared in The Poseidon Adventure (2005), an American TV film that was a loose remake of the 1972 feature film  Syms also took up producing and directing 
In 2009, Syms appeared in the film Is Anybody There? alongside Michael Caine and Anne-Marie Duff 
In 2009, she featured in the ITV drama series Collision  In 2010, she guest-starred as a patient in BBC One's drama series Casualty, having played a different character in an episode in 2007  Syms also appeared as another character in Casualty's sister series Holby City in 2003  From 2007 to 2010, she had a recurring role in BBC One's EastEnders, playing dressmaker Olive Woodhouse  In 2010, Syms took part in the BBC's The Young Ones, a series in which six celebrities in their seventies and eighties attempt to overcome some of the problems of ageing by harking back to the 1970s  From 2013 to 2019, Syms was the narrator of Talking Pictures, which aired on BBC Two Syms had numerous theatre roles, including in productions of Much Ado About Nothing, Who's Afraid of Virginia Woolf? and Antony and Cleopatra 

Personal life and death
From 9 June 1956 to 1989, Syms was married to Alan Edney, whom she had dated since she was a teenager  In 1961 they lost a baby daughter, Jessica  Later that year Syms and her husband adopted a son, Benjamin Mark  In October 1962 she gave birth to a daughter, Beatie Edney who is also an actress  Syms and her husband divorced in 1989 when she discovered he had a mistress for several years and that they shared a two year old daughter She was the aunt of musicians Nick and Alex Webb 
Syms was a longtime supporter of the Stars Foundation for Cerebral Palsy, serving on its board as an officer for 16 years until 2020, with singer Vera Lynn In the last year of her life, Syms lived at Denville Hall, a retirement home for actors in London  She died there on 27 January 2023, three weeks after her 89th birthday 

Legacy
In the words of Filmink magazine:

I don’t think any actress in English speaking cinema of this era had such a variety of love interests as Sylvia Syms  It helped that she was beautiful, of course     that she could act: it’s hard to think of a bad Sylvia Syms performance – sometimes she was miscast, but never bad  She always brought a level of intelligence to her roles along with a sense of fun  And she was highly adept playing “smouldering hot lava of emotion and sensuality under an outwardly straight-laced and sensible facade” that made her – and this is meant with nothing but the greatest respect to the recently departed – sexy as hell "

Filmography
Source:

Film
Television
Theatre
1953 The Apple Cart - with Noël Coward
1966 Peter Pan
1984 The Vortex
1985 Entertaining Mr Sloane - with Adam Ant
1988 Better in My Dreams - director
1991 Anthony and Cleopatra
1991 The Price - director
1992 The House of the Stairs
1993 For Services Rendered
Passage 7:
G  Marthandan
G  Marthandan is an Indian film director who works in Malayalam cinema  His debut film is Daivathinte Swantham Cleetus

Early life
G  Marthandan was born to M  S  Gopalan Nair and P  Kamalamma at Changanassery in Kottayam district of Kerala  He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery 

Career
After completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995  His next work was British Market, directed by Nissar in 1998  He worked as an associate director for 18 years He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role  His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles  Daivathinte Swantham Cleetus and Paavada were box office successes 

Filmography
As director
As associate director
As actor
TV serialKanyadanam (Malayalam TV series) - pilot episode

Awards
Ramu Kariat Film Award - Paavada (2016)
JCI Foundation Award - Daivathinte Swantham Cleetus (2013)
Passage 8:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 9:
SA Navy
SA Navy or S A  Navy may refer to:

Royal Saudi Navy
South African Navy
Passage 10:
J  Lee Thompson
John Lee Thompson (1 August 1914 – 30 August 2002) was a British film director, active in London and Hollywood, best known for award-winning films such as Woman in a Dressing Gown, Ice Cold in Alex and The Guns of Navarone along with cult classics like Cape Fear, Conquest of the Planet of the Apes and The White Buffalo 

Early life
Thompson was born in Bristol on 1 August 1914  His family had links to the theatre  Thompson studied at Dover College then went to work in the theatre, joining the Nottingham Repertory Company as an actor and stagehand  He later went to work for a repertory company in Croydon, Surrey He wrote plays in his spare time, and had started when he was nine  One of them, Murder Happens? was performed at Croydon in 1934  His second staged play, Double Error, had a brief West End run at the Fortune Theatre in 1935  An article from this time about the play said he had written 40 plays already, including four in between his first two staged plays  A company worth £10,000 was formed to exploit Thompson's writings over the next seven years but this appears to have not had a long life Thompson later said he had written a part for himself to perform, but when management asked him if he wanted to do so he said "of course not," and "the die was cast  Later I decided if I didn't have the guts to admit I wanted to play the role I should never act again and I never did "

Screenwriter
The film rights to Double Error were purchased for £100  Thompson was hired to work in the scriptwriting department at British International Pictures at Elstree Studios  While there he made his one appearance as an actor in films, playing a small role in Midshipman Easy (1935) 
His first credit was The Price of Folly (1937), based on his play  He also worked on the scripts for Glamorous Night (1937), and he worked as dialogue coach on Jamaica Inn (1939), directed by Alfred Hitchcock 
He wrote the scripts for The Middle Watch (1940), made at Associated British Picture Corporation (ABPC) and East of Piccadilly (1941) 

World War II
Thompson served in World War II as a tailgunner and wireless operator in the RAF  In 1942 a revised version of Double Error, titled Murder Without Crime, opened at the Comedy Theatre in London  The play had a run on Broadway in 1943 

Post War
After the war Thompson returned to his work as scriptwriter under contract at Associated British on such films as No Place for Jennifer (1949) and For Them That Trespass (1949), the latter starring Richard Todd in his debut 
Thompson was dialogue director on The Hasty Heart (1949), which turned Todd into a star  He later said he gave up dialogue directing because he found the job "impossible  My job was to take stars through their lines but I felt that I was also expected to be a spy for the front office  If a word was altered they wanted to know why  It was a way of keeping control "The same year his play The Human Touch, co written with Dudley Leslie, ran for more than a hundred performances at the Savoy Theatre in a production starring Alec Guinness 

British film director
Early films
His first film as a director was Murder Without Crime (1950), made at ABPC, who put Thompson under contract   Thompson was offered £500 for the screen rights to the play and £500 to direct  He said "it was not so much that I wanted to direct movies it was to get the money so I could continue writing plays  But while directing it I got the feeling that I wanted to be a movie director "Thompson said "the fact is I found directing to be much easier than writing and I enjoyed it much more than writing as well  So I became a film director "The film was about a man who thinks he has committed murder  Thompson also wrote the screenplay, based on his own play Double Error  In the words of Thompson's Screenonline profile "this well structured film went largely unnoticed but contained many of the themes which were to characterise Lee Thompson's work: a good person's struggle with their conscience, an external force of evil, and an out-of-character moment of violence which has long-term consequences  Believing people can "commit crimes without being criminals", he sought to make his audiences condone or at least understand behaviour that they would normally condemn "Thompson's first film success was one he directed and co-wrote (with Anne Burnaby), The Yellow Balloon (1953), the story of a child who is blackmailed into helping a criminal after accidentally causing his friend's death 
He followed it with a comedy, For Better, For Worse (1954) starring Dirk Bogarde, which was even more popular though it is little remembered today 

Social Realist films
Thompson's fourth film as director The Weak and the Wicked (1954), portrays the lives of women in prison and is based on memoirs by Joan Henry, who became Thompson's second wife  Thompson wrote the script, again in collaboration with Anne Burnaby  It starred Glynis Johns and Diana Dors and was a hit at the box office  The success of the film greatly added to Thompson's prestige and he began to be regarded as one of the leading directors in the country Thompson was loaned to Rank Films to direct a Jack Buchanan comedy, As Long as They're Happy (1955), co-starring Dors and An Alligator Named Daisy (1955), also starring Dors, along with Donald Sinden  He returned to ABPC and the theme of female prisoners in Yield to the Night (1956), an anti-capital punishment tale with Diana Dors as the condemned prisoner 
Thompson later said the "pattern" of his ABPC films was "two pieces of tepid rubbish for one decent project - if I could persuade Robert Clark, who was head of production  He used to wring his hands when I insisted  'Okay,' he'd finally say  'Do it if you must  But it won't make money ' I admired him for that really  He did give you a bit of a chance "The Good Companions (1957) was lighter fare, based on a book by J  B  Priestley  According to one obituary Thompson "made excellent use of the CinemaScope screen, assembled a fine supporting cast and, with zestful choreography    came up with one of the few successes in a genre for which the British cinema was not noted "Woman in a Dressing Gown (1957), with Yvonne Mitchell, Anthony Quayle and Sylvia Syms and written by Ted Willis, deals with the collapse of a 20-year marriage 

Action director
Thompson had a big success with Ice Cold in Alex (1958), the story of a British Army unit trekking across North Africa in the Second World War  It featured John Mills, Sylvia Syms, Anthony Quayle and Harry Andrews  It won three BAFTA Awards, including Best British Film  He followed it with North West Frontier (1959), an adventure film set in British India starring Kenneth More and Lauren Bacall  It was one of the most popular films in Britain in 1959 No Trees in the Street (1959) was a thriller written by Willis  Also in that genre was Tiger Bay (1959), starring John Mills  It introduced cinema audiences to Mills' daughter Hayley and German actor Horst Buchholz   Hayley Mills also earned a BAFTA for Most Promising Newcomer portraying a 12-year-old girl who refuses to betray a sailor accused of murder 
Thompson followed this with I Aim at the Stars (1960) 

Hollywood career
Guns of Navarone and Cape Fear
Thompson vaulted to international fame with The Guns of Navarone (1961) as a last-minute replacement for director Alexander Mackendrick  His take-charge attitude during its production earned him the nickname 'Mighty Mouse' from lead actor Gregory Peck  Co-star Anthony Quinn said Thompson:

Never read a scene until he had to shoot it and approached each shot on a whim  And yet the cumulative effect was astonishing  Lee Thompson made a marvelous picture but how? Perhaps his inventiveness lay in defying convention, in rejecting the accepted methods of motion picture making and establishing his own  Perhaps it was in his very formlessness that he found the one form he could sustain, and nurture, the one form that could, in turn, sustain and nurture him  Perhaps he was just a lucky Englishman who pulled a good picture out of his ass 
The Guns of Navarone, a World War II epic filmed on location in Rhodes, Greece, was nominated for seven Academy Awards including Thompson for Best Director  In 1961 he said "primarily I am in the business to entertain  This does not mean that I never want to try artistic movies again  But I do not think you can sell art on the big movie circuits  Art belongs in the art houses " Later he said "I liked the character bits best" about Navarone  "Anyone can make an explosion "The success of Navarone won him entry into Hollywood, where he directed Cape Fear (1962), a psychological thriller with Gregory Peck, Robert Mitchum, Polly Bergen and Lori Martin; Peck and Mitchum co-producing the film  Based on a novel called The Executioners by John D  MacDonald, Cape Fear shows how a sex offender can manipulate the justice system and terrorise an entire family  Highly controversial for its time, the film was cut heavily in both the United States and the United Kingdom 
He worked on a project with Warren Beatty and Clifford Odets based on an idea of Beatty's  It was never made  Neither was The Short Cut which he discussed doing with Darryl F  Zanuck, or The Living Room from a novel by Graham Greene or Chips with Everything by Arnold Wesker 

Mirisch Brothers
Thompson directed Yul Brynner in the Cossack epic Taras Bulba (1962) for producer Harold Hecht  Thompson was going to follow it with Big Charlie starring Brynner but the movie was not made  In 1962 the Mirisch Brothers signed the director to a four-picture contract  The first film made under this contract was the Mayan Indian epic Kings of the Sun (1963), starring Brynner 
In September 1962 Thompson said he would make I Love Louisa with Elizabeth Taylor produced by Arthur Jacobs  (This film became What a Way to Go!(1964) with Shirley MacLaine ) He would put actors under personal contract like Talitha Pol In September 1963 Thompson announced he had formed a company, Bowhall Productions, to make around four films a year in the $120,000-$160,000 budget range  Thompson said it was "unlikely" the films would "make a profit" but they were movies he "deeply wanted to make"  They included Chips with Everything, Rose without a Thorn by Clifford Bax, and a film in Spain  Following Return from the Ashes he would also make a $7 million movie in Africa Thunder of Giants Instead he did another with MacLaine, John Goldfarb, Please Come Home (1965)  Back in England Thompson made Return from the Ashes (1965) for the Mirisch Brothers  In April 1965 Thompson announced he would make High Citadel based on a novel by Desmond Bagley for the Mirisch Brothers  These plans were postponed when Thompson received an offer to replace Michael Anderson, who had fallen ill before he was to start directing a thriller about cults with David Niven, Eye of the Devil (1967) (originally titled 13)  High Citadel was never filmed  Another film announced but never filmed was The Case Against Colonel Sutton which he was going to do with producer Martin Poll  Neither was a proposed musical remake of The Private Lives of Henry VIII After a war film, Before Winter Comes (1968) Thompson was reunited with the star, producer and writer of Navarone in the Western Mackenna's Gold (1969) but it did poorly at the box office  So too did the espionage tale The Chairman (1969) with Gregory Peck  He was meant to follow that with You?, about assassination from a script by Andrew Sinclair  It was never filmed  "I freely admit I've done some pretty bad stuff," he said in 1968  "It's entirely my own fault  The trouble was I accepted some dismal scripts   I wasn't tough enough    Writing is the fundamental thing " Some have argued that Thompson's creative decline coincided with the end of his relationship with Henry 

Apes Movies
Back in the UK he directed Country Dance, also known as Brotherly Love (1970)  Thompson's handling of a smaller scale film impressed producer Arthur Jacobs, with whom Thompson had made What a Way to Go; Thompson was the first director attached to the Jacobs production The Planet of the Apes and Thompson says he turned down the first two sequels  He was available to make the fourth and fifth movies in the series, Conquest of the Planet of the Apes and Battle for the Planet of the Apes  Writer Paul Dehn said Thompson had a reputation as someone with a drinking problem but that he had overcome it by the time of the Apes films "They were cutting back on the budgets the whole time after the first one", said Thompson later  "It was a bad policy "

Later career
US Television
Thompson began working more in US television, directing the television films A Great American Tragedy (1972), Huckleberry Finn (1974) starring Jeff East and Paul Winfield, The Reincarnation of Peter Proud (1974) and Widow (1976) as well as the pilot episode of The Blue Knight (1975) 
He returned to playwriting with Getting Away with Murder (1976) 

Charles Bronson
In 1976, Thompson began a long collaboration with actor Charles Bronson on the Warner Bros  crime story St  Ives   John Crowther, who worked with both men, later said "Thompson was the total antithesis of Charlie and they got along famously  They really worked well together ”In 1977, Bronson and Thompson teamed again on an unconventional western film called The White Buffalo Thompson directed two films starring Anthony Quinn, The Greek Tycoon and The Passage  Reviewing the latter The Guardian called Thompson a director who "should know better but often doesn't"  The Globe and Mail argued Thompson was "possibly the worst experienced director working in the world today "Thompson directed the horror film, Happy Birthday to Me in 1980 
In 1981 Thompson and Bronson made the film Caboblanco, which opened on Los Angeles on 24 April  Also that year he directed an episode of the TV show Code Red, and which he followed with another Bronson movie, 10 to Midnight Thompson worked with Bronson again on, The Evil That Men Do (1984), which was shot in Mexico   Thompson was hired to replace original director Fielder Cook, who was fired shortly before filming began  Producer Pancho Okhenr said Thompson "knew exactly what shots he needed to put together the film     [Bronson] had a lot of respect for Lee  The whole crew appreciated when the director did not make them work over and over to get the same shot from different angles    He was just a terrific filmmaker ”Also released that year was The Ambassador, starring Robert Mitchum 
On 22 November 1985, King Solomon's Mines premiered  Thompson made this film as an Indiana Jones-style pastiche  It was shot in Zimbabwe and starred Richard Chamberlain  The film was reasonably successful at the box office 
On 18 April 1986, Murphy's Law, the Thompson and Bronson collaboration of that year, started its theatrical run  It is a neo-noir thriller film  Acting in the film are Kathleen Wilhoite, Carrie Snodgress, Robert F  Lyons, and Richard Romanus  Thompson tried another Indiana Jones-type tale with Firewalker, which premiered on 21 November  The film paired the actors Chuck Norris with Louis Gossett Jr  as its leads  The action adventure co-stars Will Sampson and Melody Anderson  Norris and Gossett play Max Donigan and Leo Porter, two soldiers of fortune, whose adventures rarely result in any notable gain  They are befriended by an inscrutable woman of mystery Patricia (Anderson)  Patricia's map leads them on a quest for treasure in Central America  The name of the movie comes from the powerful guardian of the treasure 
Now working exclusively for Cannon, Thompson made two more Charles Bronson thrillers  On 6 November 1987 Death Wish 4: The Crackdown was released and 16 September 1988 saw the opening of Messenger of Death  He later reflected, "I realized these films were not going to enhance my reputation  I had to live with that  You're not going to be offered the great films at a certain age "3 February 1989, Thompson's final directorial effort was released Kinjite: Forbidden Subjects starring Charles Bronson In 1990 Thompson moved to Sooke In 1992 Thompson said he was trying to finance a remake of Tiger Bay with Anna Chumsky and Alec Baldwin  The director said "I have certain regrets now  I would rather have stuck to making films like Yield to the Night which had some integrity and importance  But the British film industry caved in  I shouldn't denigrate myself too much because I have enjoyed making my films but I suppose I sort of sold out "

Personal life
Thompson was married three times  His first wife was Florence Bailey, whom he married in 1935 when he was 20  They had a son, Peter (1938–1997), who became a film editor on several of his father's films and predeceased him, and a daughter, Lesley, who survived him  They divorced in 1957 
His second wife was prisoner and author Joan Henry, whom he married in 1958  They collaborated on Weak and the Wicked and Yield to the Night  He left her for actress Susan Hampshire  In March 1962 Hedda Hopper reported that Thompson was "sweating it out" in Los Angeles while Henry and Hampshire were "awaiting his decision in London " Thompson confirmed this in an interview, and Hampshire and Henry were less forthcoming to the press In September, Hopper reported that it was over between Thompson and Hampshire  Henry and Thompson were divorced in the late 1960s In November 1962, Thompson said he had proposed to Shirley Ann Field whom he said accepted then changed her mind His third wife was Penny, who was his widow 

Death
Thompson died of congestive heart failure on 30 August 2002, at his holiday home in Sooke, British Columbia, aged 88 

Critical appraisal
The Guardian obituary called him "a compelling craftsman"  The Washington Post said "he directed adventure films noted for their punchy pacing, rich atmosphere and nuanced characterization " Variety said he was "Known as a craftsman who had a clear sense of how each film should play, scene by scene" The Independent said "he lent his acute sense of atmosphere and vivid visual style to a wide range of material  His intimate kitchen-sink melodramas    were unflinching portraits of social realism unusually stark for their time  His thrillers were tautly edited exercises in suspense, and he also made some engaging comedies and a bracing musical   Though his later films can most kindly be labelled potboilers, his body of work in the Fifties and early Sixties was an impressive one "In 2000 he stated that he made so many American films "because of my insecurity and effort to stay here  If I was given a script and it had something good in it I'd say, 'Good, I've got my next picture!' That is not the way to make good films, so some of them were good and some not so good     What an idiot! 'You should have stayed at what you really wanted to make ' If I have anything to say to young directors today it's don't make a film for the sake of making it  Make it only if you really believe in it  Then success will eventually come to you "

Awards
Nominated, Best Director Academy Award, The Guns of Navarone (1961)
Nominated, Best Director Directors Guild of America, The Guns of Navarone (1961)
Nominated, Best Director Golden Globe, The Guns of Navarone (1961)
Winner, Best Film Golden Globe, The Guns of Navarone (1961)
Nominated, Best Film BAFTA, Tiger Bay (1959)
Nominated, Best Film BAFTA, North West Frontier (1959)
Nominated, Golden Bear Berlin International Film Festival, Tiger Bay (1959)
Winner, FIPRESCI Prize Berlin International Film Festival, Ice Cold in Alex (1958)
Nominated, Golden Bear Berlin International Film Festival, Ice Cold in Alex (1958)
Winner, Special Mention Berlin International Film Festival, Woman in a Dressing Gown (1957)
Winner, FIPRESCI Prize Berlin International Film Festival, Woman in a Dressing Gown (1957)
Nominated, Golden Bear Berlin International Film Festival, Woman in a Dressing Gown (1957)
Nominated, Palme d'Or Cannes Film Festival, Yield to the Night (1956)

Selected filmography
Screenwriter
The Price of Folly (1937)
The Middle Watch (1940)
Last Holiday 1950 film: additional dialogue contributions to J B Priestley's Script 

Director
1950s
Murder Without Crime (1950)
The Yellow Balloon (1953)
For Better, for Worse (1954)
The Weak and the Wicked (1954)
As Long as They're Happy (1955)
An Alligator Named Daisy (1955)
Yield to the Night (1956)
The Good Companions (1957)
Woman in a Dressing Gown (1957)
Ice Cold in Alex (1958)
North West Frontier (1959)
No Trees in the Street (1959)
Tiger Bay (1959)

1960s
I Aim at the Stars (1960)
The Guns of Navarone (1961)
Cape Fear (1962)
Taras Bulba (1962)
Kings of the Sun (1963)
What a Way to Go! (1964)
John Goldfarb, Please Come Home (1965)
Return from the Ashes (1965)
Eye of the Devil (1967)
Mackenna's Gold (1969)
Before Winter Comes (1969)
The Chairman (1969)

1970s
Country Dance (1970)
Conquest of the Planet of the Apes (1972)
A Great American Tragedy (1972) (TV)
Battle for the Planet of the Apes (1973)
Huckleberry Finn (1974)
The Reincarnation of Peter Proud (1975)
Widow (1976) (TV)
St  Ives (1976)
The White Buffalo (1977)
The Greek Tycoon (1978)
The Passage (1979)

1980s
Caboblanco (1980)
Happy Birthday to Me (1981)
10 to Midnight (1983)
The Evil That Men Do (1984)
The Ambassador (1984)
King Solomon's Mines (1985)
Murphy's Law (1986)
Firewalker (1986)
Death Wish 4: The Crackdown (1987)
Messenger of Death (1988)
Kinjite: Forbidden Subjects (1989)

Notes and references
External links
J  Lee Thompson at IMDb
J  Lee Thompson at the BFI's Screenonline
Context 3: Passage 1:
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957 

Surrey cricketer
McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29  In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6 3 overs for seven runs  This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later  In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth  In the 1948 season as a whole, he took 91 wickets at an average of 28 07  As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4 22 The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career  Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets  In 1951, he played just seven times and in 1952 only three times  In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12 38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21 53  At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries 

Somerset cricketer
Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service  McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly 
McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said  McMahon took 85 wickets at an average of 27 47 (Hilton took only 42 at a higher average)  His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career  He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table 
The figures for the 1955 were similar: McMahon this time took 75 wickets at 28 77 apiece  There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9 03  This included his highest-ever score, 24, made in the match against Sussex at Frome  A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin"  These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support  McMahon responded with his most successful season so far, taking 103 wickets at an average of 25 57, the only season in his career in which he exceeded 100 wickets  The bowling average improved still further in 1957 to 23 10 when McMahon took 86 wickets  But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival  Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial" 

Sacked by Somerset
The reason behind McMahon's sacking did not become public knowledge for many years  In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality"  It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again"  As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw  But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season  Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved 
After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines 


== Notes and references ==
Passage 2:
Abdul Ali Lalu
AFM Abdul Ali Lalu (20 October 1932 – 21 July 2008) was a Bangladeshi film and television actor mostly in a comedic role  He was notable for his on-screen catchphrase "Koinchhen Dehi" in the television show Jodi Kichu Mone Na Koren, hosted by Fazle Lohani  He acted in more than 100 films 

Early life and career
Lalu was born in Charpara Sehara in Mymensingh to Wajed Ali and Zobeda Khatun  He first acted in a drama titled Palli Samaj, directed by his father  In 1960, he moved to Dhaka for opportunities Lalu was an artiste of Bangladesh Television and Bangladesh Betar  He debuted in film acting through the film Surya Snan (1962)  Earlier, he worked as an assistant director with  Abdul Jabber Khan in the film Mukh O Mukhosh (1956)  He performed in the comic serial Triratna, plays Gharua, Anwara and magazine programme Bahurupi 

Personal life
Lalu was an employee of Bangladesh Telegraph and Telephone Board until his retirement in 1989  He was married to Halima Khatun 

Works
Films
Passage 3:
Antoine Casavant
Antoine Casavant (October 20, 1826 – July 18, 1892) was a farmer and political figure in Quebec  He represented Bagot in the Legislative Assembly of Quebec from 1881 to 1886 as a Conservative  His name also appears as Antoine Casavant dit Ladébauche 
He was born in Saint-Hyacinthe, Lower Canada, the son of Antoine Casavant dit Ladébauche and Marie Benoît, and was educated at the Séminaire de Saint-Hyacinthe  Casavant served as a captain in the militia, a justice of the peace and a commissioner for the trial of minor causes  He was also president of the agricultural society for Bagot County and a member of the Quebec agricultural council  He helped found a beet sugar plant at Farnham  He was married twice: to Rosalie Piedalue in 1850 and to Marie-Hermine Vachon in 1868  Casavant served on the municipal council for Saint-Dominique  He ran unsuccessfully for the Saint-Hyacinthe seat in the Quebec assembly in 1878 and 1879  Casavant died in Saint-Dominique at the age of 65 
Passage 4:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died



ground_truth: No Trees In The Street

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died earlier, Mayor Muthanna or The Market Of Souls?

The following are given passages.
Context 2: Passage 1:
Drew Esocoff
Drew Esocoff (born c  1957) is an American television sports director, who as of 2006 has been the director of NBC Sunday Night Football 

Early life
Esocoff was born in Elizabeth, New Jersey, graduating from Thomas Jefferson High School in 1975, later attending Colgate University  While in college he worked as a substitute teacher at Elizabeth High School where one of his students was Todd Bowles 

Career
Esocoff has worked for ESPN and ABC, serving as director for Monday Night Football, SportsCenter, and the NBA Finals, as well as five Super Bowls  Since 2006, he has served as director for NBC Sunday Night Football 
As of 2015, Esocoff has won 11 Emmy Awards 
Passage 2:
G  Marthandan
G  Marthandan is an Indian film director who works in Malayalam cinema  His debut film is Daivathinte Swantham Cleetus

Early life
G  Marthandan was born to M  S  Gopalan Nair and P  Kamalamma at Changanassery in Kottayam district of Kerala  He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery 

Career
After completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995  His next work was British Market, directed by Nissar in 1998  He worked as an associate director for 18 years He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role  His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles  Daivathinte Swantham Cleetus and Paavada were box office successes 

Filmography
As director
As associate director
As actor
TV serialKanyadanam (Malayalam TV series) - pilot episode

Awards
Ramu Kariat Film Award - Paavada (2016)
JCI Foundation Award - Daivathinte Swantham Cleetus (2013)
Passage 3:
Abhishek Saxena
Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu  The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role  Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film  This film was screened in cinemas in 2014 

Life and background
Abhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena  Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014  His mother's name is Gurpreet Kaur Saxena 
Saxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017 

Career
Abhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad  He made his first directed film Patiala Dreamz, this is a Punjabi movie After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017  Saxena is now making his upcoming movie "India Gate" 
In 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta 
 Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut  Talking about the film, director Abhishek Saxena told Mumbai Mirror, "As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people  The idea germinated from there "
Career as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus 
In addition to these serials, he played the role of assistant director in the movie "Girgit" which was made in Telugu language 

Filmography
As Director
Passage 4:
Mayor Muthanna
Mayor Muthanna is a 1969 Indian Kannada-language film directed by Siddalingaiah  The film stars Rajkumar and Bharathi  The film was Siddalingaiah's debut as a director and actor Dwarkish's first independent production venture who had earlier co- produced the 1966 movie Mamatheya Bandhana with 2 other people under Thunga Pictures  The sub-plot of the film regarding the salvaging of the sub-standard grain was inspired by the 1886 novel The Mayor of Casterbridge by Thomas Hardy  The movie was remade in Telugu in 1974 as Chairman Chalamayya starring Chalam 

Cast
Soundtrack
The music of the film was composed by the duo Rajan–Nagendra, with lyrics penned by Chi  Udaya Shankar 
Passage 5:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director 
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020)  Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015) 

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness  He attended Chetwynde School His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis  Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively 

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 6:
The Market of Souls
The Market of Souls is a 1919 American silent drama film directed by Joe De Grasse and written by John Lynch and C  Gardner Sullivan  The film stars Dorothy Dalton, Holmes Herbert, Philo McCullough, Dorcas Mathews, Donald McDonald, and George Williams  The film was released on September 7, 1919, by Paramount Pictures 

Plot
As described in a film magazine, Helen Armes (Dalton), a nurse, comes to New York City from Albany to visit her married brother  She arrives on New Year's Eve and is immediately added to a cabaret party being made up to include her brother's wife and Lyle Bane (McCullough), a wealthy bachelor  At the cabaret she meets his brother Temple Bane (Herbert), a woman-hater who begins to believe in her  When she wearies of the performance, Lyle takes her home, lures her into his apartment, and attempts familiarities  She escapes but is judged guilty by her sister-in-law, so she leaves at once and goes to the nurse headquarters  Temple arrives and, after being told a lie about Helen's character and the incident, fights with his brother and receives a blow that blinds him  Helen is assigned to his case and she nurses him back to his sight  Being ignorant of her identity, Temple asks Helen for her hand in marriage  When he regains his sight, he then denounces her  She is about to leave when Lyle Bane, who has been reported killed in France while in the American Expeditionary Forces, appears in a supernatural form and tells the truth about the incident in the apartment  Temple and Helen reconcile, and Lyle disappears, with it concluded that he did not return in the flesh but only as a spirit 

Cast
Dorothy Dalton as Helen Armes
Holmes Herbert as Temple Bane
Philo McCullough as Lyle Bane
Dorcas Mathews as Evelyn Howell
Donald McDonald as Herbert Howell
George Williams as Dr  Rodney Nevins

Preservation
A print of the film is held in the Gosfilmofond collection in Moscow 
Passage 7:
S  Siddalingaiah
Siddalingaiah (15 December 1936 – 12 March 2015) was an Indian film director, scriptwriter and producer who worked mainly in the Kannada films  He was well known for his distinct film-making style, and the industry knew him as a master of social themes and rural subject matter  He was one of the most commercially successful directors in the Kannada industry  He began his film career in 1964 as a director with Mayor Muthanna (1969)  In a career that spanned 30 years, he directed over 20 films His most well-known films usually starred matinee idol Rajkumar  They have collaborated 7 times  His most popular works include Bangaarada Manushya, Bhootayyana Maga Ayyu, Nyayave Devaru, Biligiriya Banadalli, Doorada Betta and Bhoolokadalli Yamaraja  In 1993, he was awarded the Puttanna Kanagal Award for his contribution to the Kannada film industry as a director 

Family and early life
Siddalingaiah joined the film industry as both a floor and a spot boy for Navajyothi studios  He became an assistant for director Shanker Singh and later worked as junior actor and assistant as the protégé of B  Vittalacharya 
Siddalingaiah's son Murali was an actor in Tamil films  Murali died on the morning of 8 September 2010 in Chennai due to a massive heart attack  His grandson Atharvaa started his acting career in Baana Kaathadi in 2010 

Career
Siddalingaiah directed Mayor Muthanna in 1969 starring Rajkumar, Bharathi and Dwarakish in his film debut  He cast the same lead pair in Baalu Belagithu, Namma Samsara, Thayi Devaru and Bangaarada Manushya 
After Bangaarda Manushya, he worked with other actors including Vishnuvardhan, Ananth Nag, Lokesh and Srinivasa Murthy  He introduced his son Murali in the 1983 romantic drama Prema Parva  He also directed a Tamil film Puthir in 1986 with Murali as the lead actor  His last film, Prema Prema Prema, was released in 1999 after which he retired from directing 

Death
Siddalingaiah died on 14 March 2015 in Bangalore where he had been hospitalized for treatment of H1N1 influenza 

Filmography
Passage 8:
Joseph De Grasse
Joseph Louis De Grasse (May 4, 1873 – May 25, 1940) was a Canadian film director  Born in Bathurst, New Brunswick, he was the elder brother of actor Sam De Grasse 

Biography
Joseph De Grasse had studied and was a first-class graduate of accounting and he began his career as a journalist, but soon became enamored with the theater and took work as a stage actor  In 1903, he quit his full-time job as the City of Boston's bookkeeper to pursue acting  In 1910, he acted in his first motion picture and although he would appear as an actor in 13 films, and write 2 screenplays, his real interest was in directing 
While working in Hollywood for Universal Pictures, De Grasse met and married one of the few female directors working at the time, Ida May Park (1879–1954)  In 1915, he became a founding member of the Motion Picture Directors Association, a forerunner to today's Directors Guild of America 
During his career he directed a total of 86 films  In 1924, actor Lon Chaney said of the De Grasses:

Joe and Sam De Grasses are two of the most talented personalities in today's film industry  Joe, a very skilled actor, is also the consummate director, firm in his demands yet gentle in his way of dealing with many different temperaments to be found in the movie industry  Sam is the only actor I know who can horrify an audience without make-up and without grotesque posturing and playing to the camera  He is the only actor I know who pulls teeth on the set in between takes  A rare pair, they have given the industry not one but two dimensions 
Joseph De Grasse died in Eagle Rock, California; he collapsed on a street while walking, and was taken to hospital where he was pronounced dead  The cause of his death was a heart attack 

Filmography
Director
Actor
The Place Beyond the Winds (1916) - Anton Farwell
Triumph (1917) - Man at Theatre (uncredited)
After the War (1918)
So Big (1924) - Simeon Peake
The Cowboy Kid (1928) - John Grover
The Drunkard (1935) - Mr  Miller
The Dawn Rider (1935) - Dad Mason
The Adventures of Frank Merriwell (1936, Serial) - Dr  Cummings (uncredited) (final film role)

Preservation
The three surviving reels of De Grasse's film Triumph were restored by the Academy Film Archive in 2012 

See also
Other Canadian pioneers in early Hollywood
Passage 9:
The Market of Vain Desire
The Market of Vain Desire a 1916 American silent drama film directed by Reginald Barker  It stars Henry B  Warner and Clara Williams Prints of the film still exist and are preserved at the Library of Congress and with a private collector  The Market of Desire is now in the public domain 

Cast
Henry B  Warner as John Armstrong
Clara Williams as Helen Badgley
Charles Miller as Count Bernard d'Montaigne
Gertrude Claire as Mrs  Bladglley
Leona Hutton as Belle
Passage 10:
The Ship of Souls (film)
The Ship of Souls or Ship of Souls is a 1925 American silent 3-D Western drama film, directed by Charles Miller  It was based on the Western novel The Ship of Souls by Emerson Hough, which was published after his death  It was produced by Max O  Miller, who created the 3-D process used in the film 

Plot
Langley Barnes (Bert Lytell) goes to the North Country after being abandoned by his wife  There he falls in love with Christine Garth (Lillian Rich), and even though he is not legally divorced, marries Christine  Captain Churchill (Cyril Chadwick) is posted to the area to build a radio transmitter, and after returning to the United States, marries Langley's wife, who has now obtained a divorce  After Churchill alerts Barnes with a radio transmission, Langley remarries Christine in a legal ceremony 

Cast
Preservation
With no prints of The Ship of Souls located in any film archives, it is a lost film 
Context 3: In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 5:
Greg A  Hill (artist)
Greg A  Hill is a Canadian-born First Nations artist and curator  He is 
Kanyen'kehà:ka Mohawk, from Six Nations of the Grand River Territory, Ontario 

Early life
Hill was born and raised in Fort Erie, Ontario 

Art career
His work as a multidisciplinary artist focuses primarily on installation, performance and digital imaging and explores issues of his Mohawk and French-Canadian identity through the prism of colonialism, nationalism and concepts of place and community Hill has been exhibiting his work since 1989, with solo exhibitions and performance works across Canada as well as group exhibitions in North America and abroad  His work can be found in the collections of the Canada Council, the Indian Art Centre, Indian and Northern Affairs Canada, the Canadian Native Arts Foundation (now Indspire), the Woodland Cultural Center, the City of Ottawa, the Ottawa Art Gallery and the International Museum of Electrography 

Curatorial career
Hill serves as the Audain Senior Curator of Indigenous Art at the National Gallery of Canada 

Awards and honours
In 2018, Hill received the Indspire Award for Arts 
Passage 6:
Abdul Ali Mridha
Abdul Ali Mridha was a Bangladeshi politician  He was elected as MP of Narsingdi-5 constituency in 5th and 6th general election of Bangladesh  He died on 9 March 2019 
Passage 7:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 8:
Wesley Barresi
Wesley Barresi (born 3 May 1984) is a South African born first-class and Netherlands international cricketer  He is a right-handed wicket keeper-batsman and also bowls right-arm offbreak  In February 2021, Barresi announced his retirement from all forms of cricket, but returned to the national team in August 2022 

Career
Wesley became the 100th victim to Indian cricketer Yuvraj Singh, when he was dismissed in the 2011 World Cup game against India In July 2018, he was named in the Netherlands' One Day International (ODI) squad, for their series against Nepal  Ahead of the ODI matches, the International Cricket Council (ICC) named him as the key player for the Netherlands In July 2019, he was selected to play for the Amsterdam Knights in the inaugural edition of the Euro T20 Slam cricket tournament  However, the following month, the tournament was cancelled 
Passage 9:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 10:
Abdul Ali Maghoub
Abdul Ali Maghoub was an Egyptian long-distance runner  He competed in the men's 5000 metres at the 1920 Summer Olympics 



ground_truth: The Market Of Souls

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who was born first, Antoine Casavant or Abdul Ali Lalu?

The following are given passages.
Context 4:  They go on to say that the film belongs to both Moriarty and the Monster 

It's Alive
It's Alive, the first part of Cohen's horror trilogy featuring a mutated baby that kills its prey when trapped or frightened, holds a rating of 67% on Rotten Tomatoes, one of the highest ratings for his films  Focusing on the social context of the film at the time, The Film Journal points out that It's Alive "carries a potent mix of both suspense and social critique [   ] [i]nvoking such taboo subjects as abortion as early as 1974 " As well as being apt at providing 'suspense,' The Film Journal acknowledges Cohen's ability "to impart an intelligent nature to his otherwise pulpy horror films " Black Hole magazine opines that despite a lack of A-List actors and special effects, It's Alive still manages to maintain the viewer's interest due to Cohen's "unique horror concept and a script rich in ideas " Black Hole nevertheless points out that "[w]hile the drama is consistent, it's less successful as a seventies monster movie, and especially lacking now " Whereas Jaws (1975) revealed the shark slowly, Cohen's film "barely ever shows us the goods " The magazine does agree, however, that It's Alive was "a sufficiently powerful monster movie and [that] audiences wanted more " Filmcritic draws attention to the humour element, especially the scenes where the Baby-Monster is rustling in the bushes, unseen, comparing it to the scene in Basket Case (1982) when that film's Baby-Monster is stuffed into a garbage sack after being cut away from its human twin  Basket Case is indeed a part of another – later – Baby-Monster horror trilogy  In short, Filmcritic says that Cohen's film should not be confused with art; and yet, it is "pretty scary stuff" that "manages a few neat tricks "

God Told Me To
God Told Me To a k a  Demon (1976), Cohen's science fiction thriller, has a rating of 75% on Rotten Tomatoes, making it Cohen's most successful directorial effort, critically  The film, in which a number of New York citizens embark on a killing spree because God Told Them To, is called "one of his most ambitious movies" that is "cemented in an interesting idea" by QNetwork Entertainment, who find Cohen's ideology of the existence of God interesting: "cynical at best" and "sacrilegious at worst " The magazine continues, however, to comment on Cohen's lack of patience and drive when completing his movies, regarding the end products as being "hastily thrown-together" and "a mosaic of scenes, rather than a satisfying whole " In conclusion QNetwork give the film an even 2 1/2 stars for being the "clumsiest and most entertaining schlock of the last 20 years " CinePassion online magazine simply states: "[a] work of genius, in other words, possibly the Cohen joint that brims with the most all-pervasive invention and danger, as radical a Seventies 'incoherent text' as Taxi Driver and a clear linchpin of The X-Files " The Chicago Sun-Times sees Cohen's incoherent text in a different light, likening the film to a cinematic version of the card game 52 Pickup: "the movie does achieve greatness in another way: this is the most confused feature-length film [   ] ever seen " But Time Out applauded Cohen for offering "the perfect existential anti-hero" in New York cop, Lo Bianco, in a film that "overflows with such perverse and subversive notions that no amount of shoddy editing and substandard camerawork can conceal [its] unusual qualities" and that by "[d]igging deep into the psyche of American manhood, it lays bare the guilt-ridden oppressions of a soulless society "

Filmography
Film
Acting roles
Television
TV movies

TV series

Notes
Passage 4:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 
Passage 5:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 6:
Edvīns Šnore
Edvīns Šnore (born 21 March 1974, in Saulkrasti) is a Latvian film director and politician  He was elected to a four-year term in the Latvian Saeima in 2014 and 2018 Šnore's family comes from Kuldīga  He went to high school in Riga  During the Revolutions of 1989 he sympathized with the Popular Front of Latvia  He first studied political science in Norway, and then earned his master's degree at the University of Latvia  In 2013 he completed his  Doctoral thesis on the Western European view of Holodomor Šnore has become known for his 2008 documentary The Soviet Story  For this film, he was awarded with the Latvian Order of the Three Stars in 2008, and the Estonian Order of the Cross of Terra Mariana in 2009  In 2016 Šnore released another documentary called The Unknown War: Baltic Resistance on the guerrilla war in the Baltic states 

Views
In his article "The goal: A Latvian Latvia", E  Šnore expressed his views about the Russians in Latvia, as well as the Russian language as such  According to him, "… the Russophone immigrants of the Soviet times disparage and rail at Latvia all the time, yet still do not leave it  At least, not at the rate desired by the Latvians"  He also refers to Minister of Social Affairs of Latvia Alfreds Bērziņš saying "… the Russian louse, once let into a coat, is hard to get rid of" and Paul A  Goble that "…the Russian language is exactly the primary weapon of the Kremlin's hybrid war against the Baltic States"  E  Šnore concludes that "… the Latvian Latvia <…> is the only way towards a prosperous, safe and united Latvia" 
Mr Šnore was reprimanded by the parliamentary ethics commission - with the mildest possible punishment, an oral warning  The article and the mild reaction to it have drawn criticism from two Council of Europe bodies - the European Commission against Racism and Intolerance and the Advisory Committee on the Framework Convention for the Protection of National Minorities 
Passage 7:
Hell Up in Harlem
Hell Up in Harlem is a 1973 blaxploitation American neo-noir film, starring Fred Williamson and Gloria Hendry  Written and directed by Larry Cohen, it is a sequel to the film Black Caesar 
The film's soundtrack was recorded by Edwin Starr and released by Motown Records in January 1974 

Plot
Having survived the assassination attempt at the end of Black Caesar, Tommy Gibbs takes on corrupt New York District Attorney DiAngelo, who had sought to jail Gibbs and his father, Papa Gibbs, in order to monopolize the illicit drug trade  Gibbs decides to eliminate drug pushing from the streets of Harlem, while continuing to carry out his other illicit enterprises  Gibbs falls in love with Sister Jennifer (Margaret Avery), a woman who works with Reverend Rufus, a former pimp who has found a religious calling 
Gibbs and his father have a falling out after Gibbs is told by his enforcer, Zach, that his father ordered the death of Gibbs' ex-wife, Helen  Gibbs and Jennifer move to Los Angeles, leaving Papa Gibbs in charge of the Harlem territory  It is later revealed that Zach himself killed Helen as part of a move to take over the territory, with the assistance of DiAngelo  Gibbs defeats hit men sent to take him out in Los Angeles, while Papa dies from a heart attack while fighting Zach 
Knowing that DiAngelo will be having the New York airports and roads watched, Gibbs flies in to Philadelphia, and then enters New York City on foot in order to carry out a personal war against Zach and DiAngelo 

Cast
Fred Williamson as Tommy Gibbs
Julius Harris as Papa Gibbs
Gloria Hendry as Helen Bradley-Washington
Margaret Avery as Sister Jennifer
D'Urville Martin as Reverend Rufus
Tony King as Zach
Gerald Gordon as DiAngelo
Bobby Ramsen as Joe Frankfurter
James Dixon as "Irish" Bryant
Esther Sutherland as The Cook
Charles MacGuire as Charles MacGregor

Release on DVD & HD
In 2001 it was released on DVD 
In 2010 it was digitized in High Definition (1080i) and broadcast on MGMHD 

See also
List of American films of 1973
Passage 8:
Gloria Hendry
Gloria Hendry (born March 3, 1949) is an American actress and former model  Hendry is best known for her roles in films from the 1970s, most notably: portraying Rosie Carver in 1973's James Bond film Live and Let Die; and Helen Bradley in the blaxploitation film Black Caesar, and the sequel, Hell Up in Harlem 

Biography
Early life and education
Born in Jacksonville or Winter Haven, Florida (sources differ), Hendry was the older of two daughters  Hendry's family, which consisted of her mother and sister relocated to Newark, New Jersey to live with her grandparents during her early childhood  Hendry studied at Essex College of Business for Law 

Career
Hendry worked as a Playboy Bunny at the New York Playboy Club from 1965 until 1972  In 1968, Hendry received her first acting role in Sidney Poitier's film For Love of Ivy, followed by a small role in the 1970 film The Landlord  In 1973, Hendry portrayed the Bond girl Rosie Carver in the James Bond film Live and Let Die  In that film, she became the first African American woman to become romantically involved with 007; Trina Parks, who played a nemesis to Bond rather than a love interest in Diamonds Are Forever (the previous Bond film) is considered to be the first Black Bond girl Hendry later starred in several 1970s blaxploitation films, including Across 110th Street (1972), Slaughter's Big Rip-Off (1973), and both the 1973 films Black Caesar and its sequel Hell Up in Harlem  She also portrayed the martial arts expert, Sydney, in Black Belt Jones (1974), and appeared in Savage Sisters (1974) and Bare Knuckles (1977)  Her later films included the horror film Pumpkinhead II: Blood Wings (1994) and the action comedy Freaky Deaky (2012) 

Filmography
Film
Passage 9:
The Soviet Story
The Soviet Story is a 2008 documentary film about Soviet Communism and Soviet–German relations before 1941 and after, written and directed by Edvīns Šnore, and sponsored by the right-wing Union for Europe of the Nations group in the European Parliament  The film features interviews with Western and Russian historians such as Norman Davies and Boris Vadimovich Sokolov, the Russian writer Viktor Suvorov, the Soviet dissident Vladimir Bukovsky, members of the European Parliament, and participants and survivors of the Soviet terror  Sokolov later emphasized that he simply offered expert advice and told Šnore that some of the things he claimed were based on obvious falsifications Using those interviews, together with historical footage and documents, the film documentary argues that there were close philosophical, political and organisational connections between the Nazi and the Soviet systems  It highlights the Great Purge, the Holodomor, the Molotov–Ribbentrop Pact, the Katyn massacre, the Gestapo–NKVD collaboration, forced population transfer in the Soviet Union, and the medical experiments in the gulags  The documentary goes on to argue that the successor states to Nazi Germany and the Soviet Union differ in the sense that postwar Germany condemns the actions of Nazi Germany, but the opinion in contemporary Russia is summarised by a quote from Vladimir Putin: "One needs to acknowledge that the collapse of the Soviet Union was the greatest geopolitical catastrophe of the century " In the closing credits of the film, it is stated: "The Soviet Union killed more than 20,000,000 men, women and children  This film is dedicated to them "

Analysis and memory
The documentary film, commissioned by the national-conservative and right-wing Union for Europe of the Nations group in the European Parliament, compared the atrocities of the two regimes  In the documentary, producer and director Edvīns Šnore argued that "not only were the crimes of the former inspired by the crimes of the latter, but that they helped each other, and that without their mutual assistance the outcome of World War II could have been quite different " In Latvia the forced Soviet deportations are commonly seen as a genocidal practice  The European Day of Remembrance for Victims of Stalinism and Nazism, proclaimed by the European Parliament in August 2008 and endorsed by the Organization for Security and Co-operation in Europe in July 2009; it is officially known as the Black Ribbon Day in some countries, including Canada  Among many scholars in Western Europe, the comparison of the two totalitarian regimes and the equation of their crimes has been and still is widely rejected According to Mārtiņš Kaprāns, a communication science expert and researcher at the Institute of Philosophy and Sociology, University of Latvia, "[s]cholars have argued that The Soviet Story is an effective Latvian response to Russian propaganda, but it also exemplifies the broader problems of post-communist memory politics " Kaprāns writes that "the idea of how memory work triggered by the documentary got started on social networking sites" and on "the video-sharing website YouTube and the Internet encyclopedia Wikipedia, both of which are crucial meaning-making sites with respect to history " According to Kaprāns, his memory studies article "demonstrates transnational memory work in YouTube and Wikipedia as a multidirectional enterprise that both reinforces and emancipates existing hegemonic representations of controversial past "

Reactions
Positive
Various Members of the European Parliament (MEPs) who were interviewed for the film have expressed views in favour of it  According to the Latvian MEPs Inese Vaidere and Ģirts Valdis Kristovskis, writing in The Parliament Magazine, "The Soviet Story makes a significant contribution to the establishment of a common understanding of history and brings us closer to the truth about the tragic events of the 20th century  A common understanding of history among the member states is crucial for the future of the whole EU " Both Vaidere and Kristovskis represent the Union for Europe of the Nations group which actively supported the production of the film After watching the film, Finnish MEP Ari Vatanen opined: "It is a powerful message  Thank you for telling the truth  It will awaken people " After the premiere in the European parliament, Vatanen stated: "We cannot build a humanity if we close our eyes to this kind of massacres  Our possibility is to serve justice to those people " British MEP Christopher Beazley commented: "This film is very important  It's a very powerful representation of what took place in Poland, in Latvia and the other Central European countries "Vytautas Landsbergis, MEP and the former head of the Seimas, assessed The Soviet Story as "a world class film, which should be shown to the world", while Latvia's Minister of Justice Gaidis Bērziņš from For Fatherland and Freedom/LNNK stated that he would encourage the Ministry of Education to have the film shown in all schools in Latvia because of its important historical message 

Negative
A number of critics condemned the film even before its premiere  Boris Tsilevitch, a Latvian member of the Saeima representing Harmony Centre, stated that it was a "typical propaganda" and its release was timed to coincide with the 2009 European Parliament election in Latvia  MEP from Latvia Tatjana Ždanoka, who opposed Latvia's independence from the Soviet Union and ran as a candidate of the largest Russian political bloc in Latvia, regards the film as a "propagandistic odd job, which is given out to be "a new word in history", while also expressing her belief that "the second part of the film is pure political PR" because the first part of the film pictures the point of view of some historians and contemporary politicians criticize modern Russia in the end of the film  Ždanoka also stated that "a lot of attention was devoted to the partnership of the German and Russian military  This is followed by a jump forward in time to the 1940s, with a mass-meeting of Vlasovites is shown against a background of swastika "The film prompted negative reactions from Russian organizations, press, and politicians  According to the "European Voice" newspaper, Russians are infuriated by the film which reveals the extent of Nazi and Soviet collaboration  On 17 May 2008, the Russian pro-governmental youth organization Young Russia (Russian: Россия Молодая) organized the protest "Let's not allow the rewriting of history!" (Russian: Не дадим переписать историю!, romanized: Ne dadim perepisat' istoriyu!) in front of the Embassy of Latvia in Moscow  An effigy representing Edvīns Šnore was burnt during the protest  Alexander Reshideovich Dyukov, a former member of the Russian ARMS-TASS Agency of Military and Technical Information, has been the most vocal critic of the documentary  He was quoted as saying: "After watching two thirds of the film, I had only one wish: to kill its director and to burn down the Latvian Embassy " As a result of Dyukov's statements, a criminal investigation was initiated against him in Latvia  Asked to comment on the case, Latvian Foreign Minister Māris Riekstiņš commented that Dyukov might be a "mentally unstable personality", while Prime Minister of Estonia Mart Laar called Dyukov "an officer of FSB", Russia's principal security agency Russian State Duma Deputy Irina Yarovaya, the coordinator of the ruling party United Russia's State Patriotic Club and a member of the Presidium of the General Council, declared that the film "glorifies Estonian Nazi collaborators, those who killed people in Khatyn and in Pskov region " In response to Yarovaya's statement which apparently confuses Katyn with Khatyn, Estonian politician and historian Mart Laar wrote: "It is indeed impressive how much wrong can be put into one sentence  First, Estonians did not kill anyone in Khatyn and, secondly, the specific crime committed in Khatyn is not mentioned in the film at all      This gives the impression that Yarovaya, actually, has not seen the film "

Reception
The film has attracted both praise and criticism from political commentators  The Economist praised it as "a sharply provocative work", and stated that "Soviet Story is the most powerful antidote yet to the sanitisation of the past  The film is gripping, audacious and uncompromising      The main aim of the film is to show the close connections—philosophical, political and organisational—between the Nazi and Soviet systems " For The New York Times, Neil Genzlinger wrote: "The filmmaking in The Soviet Story is so overwrought that at times the movie comes across as comical      The film is not dispassionate scholarship; Mr  Snore, who is Latvian, and his backers (including some members of the European Parliament) obviously have an agenda, though to the casual American viewer it may not be clear what it is "Latvian political scientist and cultural commentator Ivars Ijabs offered a negative review of The Soviet Story, describing it as a well-made and "effective piece of cinematic propaganda in the good sense of this word", whose message is clearly presented to the audience  Ijabs does not agree with a number of historical interpretations in the film, asserting that it contains errors  In one example, Ijabs states: "In late 1930s Hitler did not yet plan a systematic genocide against the Jews [as it is suggested in the film]  Everybody knows that this decision was made in 1942 at the Wannsee Conference in Berlin " Ijabs also disagreed with the contention in the film by the British literary historian, liberal, and former political activist George Watson that Friedrich Engels is "the ancestor of the modern political genocide " Further,  Ijabs refuted the film’s criticism of Karl Marx as being the 'progenitor of modern genocide', although he acknowledged the use of the term Völkerabfälle in Karl Marx's newspaper Boris Vadimovich Sokolov, one of the historians interviewed in the film, was quoted as saying: "I had only been an expert there and I can only answer for what I am saying there myself  I had told to Šnore that some of his narratives are obvious forgeries he was tricked by  For example, Beria—Müller agreement on killing Jews together "In Lauren Wissot's review for Slant Magazine, "Soviet Story does a thorough job of laying out what happened, but its dull, educational-style format doesn't guide us to the next step of why we should care " In his Time Out review, Joshua Rothkopf stated: "An offensively schlocky treatment of an important subject, The Soviet Story turns Stalin's systematic starvation and slaughter of millions into a hopped-up horror flick "

Film festivals and awards
The Soviet Story has been screened in the following film festivals:

2008 Boston Film Festival – Boston, Massachusetts; received the "Mass Impact Award"
2008 KinoLev Film Festival – Lviv, Ukraine
2008 Black Nights Film Festival – Tallinn, Estonia
2008 Arsenals Film Festival – Riga, Latvia
2008 Promitey Film Festival – Tbilisi, Georgia
2008 Baltic Film Festival – Berlin, Germany
2009 Sedona International Film Festival – Sedona, Arizona
2009 Mene Tekel festival – Prague, Czech Republic
2009 Politicsonfilm Film Festival – Washington, D C 
2011 Free Minds Film Festival – Colorado Springs, Colorado
2012 Free Minds Film Festival – Colorado Springs, ColoradoIn 2008, the president of Latvia, Valdis Zatlers awarded the director Edvīns Šnore with the Order of the Three Stars  In 2009, the film was nominated for the biannual Latvian National Film Award Lielais Kristaps in the "Best Documentary" category  In the same year, Šnore received the Estonian Order of the Cross of Terra Mariana for creating The Soviet Story 

See also
Comparison of Nazism and Stalinism

Notes
Passage 10:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 



ground_truth: Antoine Casavant