prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Are The Other Half (2016 Film) and Spy Kids 2: The Island Of Lost Dreams from the same country?

The following are given passages.
Context 1: Passage 1:
Autohead
Autohead is a 2016 film directed by Rohit Mittal 

Cast
Passage 2:
Spy Kids 2: The Island of Lost Dreams
Spy Kids 2: The Island of Lost Dreams is a 2002 American spy action comedy film written, shot, edited and directed by Robert Rodriguez  Rodriguez also produced with Elizabeth Avellán  It stars Antonio Banderas, Carla Gugino, Alexa Vega, Daryl Sabara, Mike Judge, Ricardo Montalbán, Holland Taylor, Christopher McDonald, and Steve Buscemi 
The second installment in the Spy Kids film series, which began with 2001's Spy Kids, the film premiered at the Grauman's Chinese Theatre in Hollywood on July 28, 2002  Dimension Films theatrically released the film on August 7  Upon release, Spy Kids 2 received mostly positive reviews from critics and grossed over $119 million worldwide 

Plot
The OSS now has a full child spy section, of which Carmen Cortez and Juni Cortez are now Level 2 agents  Although they are the first of the new Spy Kids Division, they face fierce competition from Gary and Gerti Giggles, the children of Donnagon Giggles (the agent whom Carmen and Juni rescued on their first mission)  Carmen defends Gary, even after the two outperform them on a mission to rescue the president's daughter Alexandra from an out of control theme park ride, straining her relationship with Juni 
At the OSS awards banquet, Donnagon hacks into the president's teleprompter, and is named director of the OSS instead of Gregorio Cortez  In his acceptance speech, Donnagon announces his two children are being promoted from Level 3 to Level 1  However, the adults are rendered unconscious by a group of "Magna Men", who are seeking the "Transmooker", a highly coveted device owned by the president, which can shut off all electronic devices around the world  The Spy Kids hold them off but the Magna Men manage to steal the Transmooker after Gary causes Juni to drop it in a scuffle  Gary blames Juni for the theft, resulting in him being fired from the OSS 
The next morning Carmen hacks into the database, reinstating Juni as an agent and taking the Ukata assignment, a mission originally meant for Gary and Gerti, to recover the stolen Transmooker  Using some hints from their former arch-nemesis, Alexander Minion, they follow the trail to a mysterious island where no electronics work  Meanwhile, Gary and Gerti are rerouted to the Gobi Desert and while trying to pinpoint their position fall into a pit of camel feces, whereupon they swear revenge 
Carmen and Juni manage to reach the island, but realize that none of their gadgets work  After falling into a volcano, the two meet Romero, a scientist and sole human inhabitant of the island who has been attempting to create genetically miniaturized animals to sell to kids as "miniature zoos"  After creating hybrid animals, Romero accidentally poured a growth concoction over them, greatly increasing their size  He also reveals that he created the Transmooker device, as a mean of hiding his island from the outside world, meaning that the stolen Transmooker was a prototype and the real one is on the island somewhere  Romero fears being eaten, so is unwilling to leave his lab, but shows Carmen and Juni the way to the real Transmooker  As both Gregorio and Ingrid are tracking where Juni and Carmen are, they are joined by Ingrid's parents who want to help them find their children 
Carmen is captured by a Spork, a flying pig, and dropped into its nest with Gerti, who tells her that Gary is genuinely evil  Her feelings for Gary change after he and a Slizard he tamed attack Juni and his Spider Monkey  Carmen manages to incapacitate Gary and she and Juni leave to retrieve the Transmooker  Romero, encouraged by Juni, leaves his lab and discovers his creatures are much friendlier than he thought  Carmen and Juni eventually find and recover the Transmooker, eliminating the cloaking around the island, and are surprised when their family joins them  Donnagon then confronts the group, takes the Transmooker and, after a fight with Gregorio tries to destroy the Cortez family with it, but it malfunctions  Gerti reveals she sabotaged it and threatens Donnagon with telling everything to her mother, which he detests  Romero arrives alongside his creatures and destroys the prototype Transmooker as well 
The President and his staff arrive on the island  He and his daughter fire Donnagon; Gary is temporarily disavowed, and Alexandra appoints Gregorio as director of the OSS on her father's behalf  Even though offered a promotion to Level 1, Juni resigns due to the impersonal treatment he had received by the OSS after being framed  As the Cortez family leaves the island, Romero gives Juni a miniature spider-monkey as a gift, and the island's inhabitants bid farewell to the Cortez family 
During the credits, Isador "Machete" Cortez hosts a concert featuring Carmen (with a microphone which helps her sing, and a belt that helps her dance), and Juni (with a guitar that plays itself), but realizes too late that he never put any batteries in the devices before they went onstage  When he breaks this news to Carmen and Juni, this shocks them, realizing they have musical talent  Meanwhile, Dinky Winks, the owner of Troublemakers theme park where Juni rescued Alexandra, paddles to Romero's island to offer a business deal 

Cast
Antonio Banderas as Gregorio Cortez, the father of Juni and Carmen who is now called back to the OSS
Carla Gugino as Ingrid Cortez, the mother of Juni and Carmen
Alexa Vega as Carmen Cortez, daughter of Gregorio and Ingrid who is now an OSS member of their spy kid division
Daryl Sabara as Juni Cortez, son of Gregorio and Ingrid and Carmen's brother, also a member of the OSS's spy kid division
Mike Judge as Donnagon Giggles, an OSS agent turned director who was previously rescued by Carmen and Juni, but is now seeking world domination
Ricardo Montalbán as Grandfather Valentin Avellan
Holland Taylor as Grandmother Helga Avellan
Christopher McDonald as the President of the United States
Danny Trejo as Isador "Machete" Cortez, gadget inventor and Juni and Carmen's uncle
Alan Cumming as Fegan Floop, host of Floop's Fooglies
Tony Shalhoub as Alexander Minion, Floop's assistant
Matt O'Leary as Gary Giggles, the son of Donnagon Giggles and a rival OSS agent of Juni and Carmen's love interest
Taylor Momsen as Alexandra, the President's daughter
Emily Osment as Gerti Giggles, daughter of Donnagon Giggles and a rival OSS agent of Carmen
Cheech Marin as Felix Gumm, an OSS agent
Steve Buscemi as RomeroAdditionally, Bill Paxton appears as Dinky Winks, a theme park owner 

Production
Spy Kids 2 was filmed entirely on High Definition digital video  After seeing George Lucas using digital video for Star Wars: Episode II – Attack of the Clones, Rodriguez tested the technology during re shoots for the first Spy Kids film  Rodriguez used the cameras unfiltered 

Filming sites
Arenal Lake, Costa Rica
Austin, Texas, USA
Big Bend National Park, Texas, USA
Manuel Antonio, Costa Rica
San Antonio, Texas, USA
Six Flags Over Texas, Arlington, Texas, USA

Special effects
Despite using over twice the amount of special effects than the first film, Rodriguez did not ask the producers for a larger budget; he said that he wanted to be more creative instead of asking the studio for more money for special effects  Rodriguez picked some visual effects companies who were eager and less established, as well as starting up his own Troublemaker Studios, and reemploying Hybrid, who had worked with him on the first film  Gregor Punchatz, the film's lead animator, employed a certain technique to make the movements of the computer generated creatures resemble the stop-motion work of filmmaker Ray Harryhausen, who has a cameo in the film  The scene with the army of live skeletons was shot on a real rock formation, with the two young actors on safety wires, and the computer generated skeletons added later to over three dozen shots 

Music
The film score was co-written by director Robert Rodriguez and composer John Debney, who had also co-written the score for Spy Kids  The sound is a mix of rock, pop, and indie rock, and includes songs performed by Alan Cumming and Alexa Vega  Unusually, the orchestral score was recorded in the auditorium of a local high school in Austin, Georgetown High School All tracks composed by Debney and Rodriguez, and performed by the Texas Philharmonic Orchestra 

"The Juggler"
"Spy Ballet"
"Magna Men"
"Treehouse"
"R A L P H "
"Floop's Dream" (performed by Alan Cumming)
"Escape from Dragon-spy"
"Spy-parents"
"Island of Lost Dreams"
"Donnagon's Big Office"/"The Giggles"
"Mysterious Volcano Island"
"Romero's Zoo Too"
"Mothership"/"SpyGrandparents"
"Magna Racers"
"Aztec Treasure Room"
"Skeletons"
"Creature Battle"
"Romero's Creatures"/"SpyBeach"
"SpyDad vs  SpyDad"/"Romero's Gift"
"Isle of Dreams" (performed by Alexa Vega)Additional music not on the soundtrack album includes "Oye Como Spy", which is an adaptation of Tito Puente's "Oye Como Va", performed by Los Lobos (the song is on the soundtrack album from the first Spy Kids film) 

Release
Home media
The film was released on VHS and DVD in the United States on February 18, 2003  The film is also available to download on iTunes  A Blu-ray re-release was scheduled for August 2, 2011 to coincide with the fourth film 

Reception
Box office
Spy Kids 2: The Island of Lost Dreams opened theatrically on August 7, 2002 in 3,307 venues and earned $16,711,716 in its first weekend, ranking third in the North American box office behind XXX and the second weekend of Signs  The film ended its run on January 12, 2003, having grossed $85,846,429 in the United States and Canada, and $33,876,929 overseas for a worldwide total of $119,723,358 

Critical response
On Rotten Tomatoes, Spy Kids 2: The Island of Lost Dreams has a 75% approval score based on 136 reviews and an average rating of 6 6/10  The site's critical consensus reads: "Though the concept is no longer fresh, Spy Kids 2 is still an agreeable and energetic romp"  Metacritic reports a 66 out of 100 rating based on reviews from 29 critics, indicating "generally favorable reviews"  Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale Roger Ebert gave the film 3 out of 4 stars and commented: "With Spy Kids 2: The Island of Lost Dreams, the Spy Kids franchise establishes itself as a durable part of the movie landscape: a James Bond series for kids"  Kenneth Turan of the New York Times gave it 4 out of 5 stars said: "The movie is a gaudy, noisy thrill ride -- hyperactive, slightly out of control and full of kinetic, mischievous charm"  Lisa Schwarzbaum of Entertainment Weekly wrote: "The antics are a tad more frantic, and the gizmos work overtime, as if     Robert Rodriguez felt the hot breath of el diablo on his neck  On the other hand, the inventiveness is still superior and the network of fiends [sic] and family is extended"  Michael Wilmington of Metro mix Chicago, noting how Rodriguez borrows many elements from television and earlier films, stated that "Rodriguez recycles and refurbishes all these old movie bits with the opportunistic energy of a man looting his old attic toy chest -- but he also puts some personal feeling into the movie  This is a film about families staying together, children asserting themselves and even, to some degree, Latino power" 

Other media
Sequels
It was followed up in 2003 by a third film in the series, Spy Kids 3-D: Game Over, and in 2011 by a fourth film, Spy Kids: All the Time in the World 

Novelization
Talk Miramax Books released a novelization of the film in June/July 2002  The novel was written by children's book author Kiki Thorpe  The posters and end of the credits even say "Read the Talk/Miramax Books", telling the viewers to read the print retelling 
Passage 3:
Spy Kids 3-D: Game Over
Spy Kids 3-D: Game Over (also known as Spy Kids 3: Game Over) is a 2003 American spy action comedy film, the sequel to Spy Kids 2: The Island of Lost Dreams, and the third installment overall in the Spy Kids film series  Written and directed by Robert Rodriguez and co-produced by Elizabeth Avellán, the film stars Antonio Banderas, Carla Gugino, Alexa Vega, Daryl Sabara, Elijah Wood, Ricardo Montalbán, Holland Taylor, Mike Judge, Salma Hayek, Matt O'Leary, Emily Osment, Cheech Marin, Bobby Edner, Courtney Jines, Robert Vito, Ryan Pinkston, Danny Trejo, Alan Cumming, Tony Shalhoub, and Sylvester Stallone  It was released in the United States on July 25, 2003, by Dimension Films  Despite mixed to negative reviews, the film grossed $197 million on a $38 million budget, becoming the highest-grossing film in the series 
Though this was initially intended to be the final installment in the Spy Kids film franchise, it was eventually followed by a fourth film, Spy Kids: All the Time in the World, in 2011 

Plot
Juni Cortez, sometime after the events of the second film, has retired from the OSS and now lives quietly, working as a private detective, though on a minuscule salary  One day, he is contacted by President Devlin, the former head of the OSS, who informs him that his sister, Carmen Cortez, is missing after a mission gone wrong 
Arriving at the technological and computer department of OSS, Juni is reunited with a now reformed Donnagon Giggles and his wife Francesca, who explain that Carmen was captured by the Toymaker, a former OSS informant who was imprisoned in cyberspace but has since created Game Over, a virtual reality-based video game which he intends on using to permanently take control of children's minds  Juni agrees to venture into the game, save Carmen, and shut it down, with only twelve hours to win  He is also informed that his sister was last seen on Level 4 
In the game, Juni finds the challenges difficult, having only nine lives and already losing one at the start  While roaming a cartoon-like medieval village, he finds three beta-testers, Francis, Arnold, and Rez, who provide him with passage to the Moon and launch him into space, but mostly to eliminate the competition 
Juni lands hard on the Moon, consequently losing another life, and receives an opportunity to bring in an ally for assistance  He chooses his grandfather Valentin, who uses a wheelchair and has a personal history with the Toymaker  Valentin receives a power-up which gives him a robotic bodysuit, allowing him to walk and possess superhuman strength and durability  Distracted by a butterfly, he abandons Juni, telling him they will regroup later  Searching for the entrance to Level 2, Juni ventures into a robot battle arena where he fights a girl named Demetra to return to Earth and Level 2  In the fight, he receives a more powerful robotic suit, and is placed on a huge mecha to combat Demetra  In the 3-round fight, in which he loses another life, he defeats her and he is allowed to keep his power suit 
He meets the beta-testers again who believe that he is a character named "The Guy", who can supposedly beat the allegedly "un-winnable" Level 5  Rez is unconvinced and challenges Juni to a "Mega-race" involving a multitude of vehicles, which will allow them onto Level 3  The only apparent rule of this game is "win at any cost"  Juni wins the race with help from Valentin, and Demetra joins them; she and Juni display romantic feelings, with him giving her a med-pack with extra lives and her providing him with an illegal map of the game  Upon entering Level 3, Arnold and Juni are forced to battle, the loser getting an immediate game over  During the fight, Juni loses almost all of his lives, but Demetra swaps places with him and is defeated, seemingly getting a game over, upsetting Juni 
The group arrives at Level 4 where Juni finds Carmen, released by the Toymaker, who leads the group  Carmen notices their grandfather is with them and tells Juni the Toymaker is the reason their grandfather uses a wheelchair  Juni follows a map to a lava-filled gorge and the group surfs their way through it  The OSS finds out about the history between the Toymaker and Valentin  Fearing that Valentin might seek revenge, Donnagon attempts to prevent them from reaching Level 5, but fails  They fall into the lava and discover it is harmless, and they reach a cavern where they find the door to Level 5  Carmen asks how much time is remaining, and Juni informs the group that they only have 5 minutes  After the other gamers start to think that Carmen and Juni are deceivers and Rez threatens to give Juni a game over, the real Guy appears, gives the group a pep talk, zaps the door open and walks in, arrogantly thinking it was easy  However, as part of a booby trap set by the Toymaker, he is struck by lightning which causes him collapse and his life count to rapidly drop from 99 to  5, and after The Guy nervously says "Oops", the life count drops to 0, giving him a permanent Game Over, forcing the group to move on without him 
In the Level 5 zone, a purple cyberspace, Demetra appears, claiming to have re-entered the game via a glitch but Carmen identifies her as "The Deceiver", a program used to mislead players  Demetra confirms this and apologizes to a stunned Juni before the Toymaker attacks them with giant robots  Valentin appears, holding the entrance back to the real world open so the group can escape  Demetra, shedding a tear, quickly holds the door open so he can go with them  Upon return though, it is revealed that Valentin had released the Toymaker with the villain's robot army now attacking the city 
Juni and Carmen summon their family members: parents Gregorio and Ingrid, Gregorio's brother Isador "Machete" Cortez, their grandmother, and Uncle Felix  With too many robots to handle, Juni calls out for everyone to help, summoning Fegan Floop, his assistant Minion, the robot children, Dinky Winks and his son, Romero and a spork, as well as Gary and Gerti Giggles  All of the robots are destroyed except for the Toymaker's  Valentin confronts The Toymaker and forgives him for what he did, which Valentin had been trying to do for 30 years  The Toymaker shuts down his robot and joins the rest of the Cortez family and their friends in celebrating their families 

Cast
Additionally, Salma Hayek appears as Francesca Giggles, Steve Buscemi appears as Romero, Bill Paxton appears as Dinky Winks, George Clooney appears as Devlin, Elijah Wood appears as The Guy, Selena Gomez appears as Waterpark Girl, Glen Powell appears as Long-fingered Boy, and James Paxton appears as Dinky Winks Jr 

Production
Filming
Filming took place from January 10 to April 2003 Green screen was widely used, with about 90% of the film being green screen footage 

Music
The film score was composed by Robert Rodriguez and is the first score for which he takes solo credit  Rodriguez also performs in the "Game Over" band, playing guitar, bass, keyboard and drums, including the title track, "Game Over", performed by Alexa Vega All selections composed by Rodriguez and performed by Texas Philharmonic Orchestra, conducted by George Oldziey and Rodriguez 

"Game Over" (vocals by Alexa Vega)
"Thumb Thumbs"
"Pogoland"
"Robot Arena"
"Metal Battle"
"Toymaker"
"Mega Racer"
"Programmerz"
"Bonus Life"
"Cyber Staff Battle"
"Tinker Toys"
"Lava Monster Rock"
"The Real Guy"
"Orbit"
"Welcome to the Game"
"Heart Drive" (performed by Bobby Edner and Alexa Vega)
"Game Over (Level 5 Mix)" (performed by Alexa Vega)
"Isle of Dreams (Cortez Mix)" (performed by Alexa Vega)Tracks 17–18 produced by Dave Curtin for DeepMix 

Release
Home media
The film was released via VHS and DVD on February 24, 2004, by Dimension Home Video  The film's 3-D effect was not removable on the DVD release, but a 2D version (Spy Kids 3: Game Over) was available on a second disc, and on television airings  In April 2011, the film was re-released on DVD, but only in 2D and named Spy Kids 3: Game Over 
The 2D version was released via Blu-ray on August 2, 2011  On December 4, 2012, Lionsgate released the 3D version as a double feature with The Adventures of Sharkboy and Lavagirl on Blu-ray 3D 

Reception
Box office
Spy Kids 3-D: Game Over opened theatrically on July 25, 2003, in 3,344 venues, earning $33,417,739 in its first weekend and ranking first at the North American box office  It is the series' highest-grossing opening weekend  The film ended its run on February 5, 2004, having grossed $111,761,982 domestically and $85,250,000 internationally for a worldwide total of $197,011,982, making it the best performing film in the series 

Critical response
Spy Kids 3-D: Game Over received mixed reviews from critics  Review aggregation website Rotten Tomatoes gives the film a 45% approval rating based on 143 reviews, with an average rating of 5 42/10  The website's critical consensus states: "The movie will be found wanting if one is not taken in by the 3-D visuals"  Metacritic reports a 57/100 rating based on 30 critics, indicating "mixed or average reviews"  Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale Bob Longino of the Atlanta Journal-Constitution wrote that "the 3-D process will hurt your eyes  The onscreen characters, who also wear 3-D glasses, even say so when it's time to take them off"  However, he also stated that it helped mask what he deemed as an overall lack of a story  Jim Lane of Sacramento News and Review called the 3D scenes "murky and purple like a window smeared with grape jell-o"  Roger Ebert gave the film one and a half stars out of four, suggesting that perhaps Rodriguez was held back by the film's technical constraints  Ebert also admitted to showing disdain for the 3D gimmick, saying that the picture quality with the 3D glasses is more murky and washed out than the crisper and more colorful 2D films  Mick LaSalle of the San Francisco Chronicle noted Carmen's absence for much of the film and criticized the plot's repeated scenes of Juni attempting over and over again to reach Level Five  Kimberly Jones of the Austin City Chronicle praised the visuals but called the plot twig-thin and stated that the parents' near absence in the story makes Rodriguez's continuing theme of family ties seem much less resonant than in the other films  The reason the characters were in minor roles and cameos was because Rodriguez was filming Once Upon a Time in Mexico while writing the third Spy Kids film For his performance as The Toymaker, Sylvester Stallone earned a Golden Raspberry Award for Worst Supporting Actor at John J  B  Wilson's 2003 Golden Raspberry Awards ceremony 

Other media
Sequel
After the release of the film, there were plans of an animated, straight-to-DVD sequel, but it never went past pre-production and was simply an idea The film was eventually followed up in 2011 by a fourth film in the series, Spy Kids: All the Time in the World 

Novelization
Talk Miramax Books released a novelization of the movie in June 2003  The novel was written by children's book author Kitty Richards  The posters and end of the credits even say "Read the Talk/Miramax Books", telling the viewers to read the print retelling 

In popular culture
In "The Never-Ending Stories" episode of the animated TV series American Dad (Season 15, episode 9), CIA agent Stan Smith tells the class he is teaching that he is the only contributor to the Wikipedia article on Spy Kids 3-D: Game Over 
Passage 4:
The North Star (2016 film)
The North Star is a 2016 film about slavery and the underground railroad 

Plot summary
Cast
Jeremiah Trotter as Big Ben Jones
Thomas C  Bartley Jr  as Moses Hopkins (as Thomas C  Bartley)
Clifton Powell as Mr  Lee
John Diehl as Master Anderson
Keith David as Frederick Douglas
Lynn Whitfield as Miss Grace

See also
List of films featuring slavery
Passage 5:
The Keeper of Lost Causes
The Keeper of Lost Causes (Danish: Kvinden i buret), also known as Department Q: The Keeper of Lost Causes, is a 2013 Danish film directed by Mikkel Nørgaard  The movie is based on the novel by Jussi Adler-Olsen  It is the first film in the Department Q film series, followed by  The Absent One (2014) and A Conspiracy of Faith (2016) 

Synopsis
Carl Mørck is demoted to Department Q, the cold case unit, after a raid he instigated goes wrong  One case, a suspected suicide, piques his interest  His investigations suggest that the victim, a rising politician named Merete Lynnggard, was actually kidnapped  Mørck ruffles feathers and is told to halt the investigation, but he and his assistant Assad persist 
As the duo investigate the case further, they get into trouble with Swedish police and are suspended, but they still continue to persevere in their investigation  Lynnggard is revealed to be imprisoned in a pressure chamber by a vengeful chef named Larsa Carl and Assad locate the pressure chamber and rescue Lynnggard as she is about to die, and they arrest Larsa  Because of their action and the prominence of the case, the police chief reinstates the duo as detectives 

Cast and characters
Nikolaj Lie Kaas as Carl Mørck
Fares Fares as Assad
Sonja Richter as Merete Lynggaard
Mikkel Følsgaard as Uffe Lynggaard
Søren Pilmark as Marcus Jacobsen
Troels Lyby as Hardy Henningsen
Patricia Schumann as Søs Norup
Eric Ericson as Johan Lundquist

Release
The film was first shown at the Gothenburg Film Festival in January 2013, followed by several more film festivals before its cinema release in Denmark on 3 October 2013  The film topped the local box office in 2013 with 725,000 Danish moviegoers buying tickets 
Passage 6:
The Other Half (2016 film)
The Other Half is a 2016 Canadian romantic drama film, written and directed by Joey Klein  It stars Tatiana Maslany, Tom Cullen, Henry Czerny, and Suzanne Clément  The film had its world premiere at South by Southwest on 12 March 2016 

Premise
A bipolar woman and grief-stricken man struggle to live a simple life 

Cast
Tatiana Maslany as Emily
Tom Cullen as Nickie
Henry Czerny as Jacob
Suzanne Clément as Marie
Mark Rendall as Sammy
Diana Bentley as Kristin
Deragh Campbell as Anna
Nancy Palk as Katherine
Kaleb Alexander as Johnny
Zachary Hillard-Forde as Tommy
Emmanuel Kabongo as Officer James

Production
In July 2015, it was revealed that Joey Klein would write and direct the film, with Tatiana Maslany, Tom Cullen, Suzanne Clément, Deragh Campbell, and Mark Rendall starring in the film 

Release
The film had its world premiere at South by Southwest on 12 March 2016  Mongrel Media distributed the film in Canada, releasing it on 2 December 2016 

Reception
The film received positive critical reviews  On review aggregator website Rotten Tomatoes, it has an approval rating of 78% based on 18 reviews, with an average rating of 6 9/10  On Metacritic, the film has a weighted average score of 60 out of 100, based on 9 critics, indicating "generally favorable reviews" The Los Angeles Times said that the film is "a granular depiction of trauma, illness and protectiveness disguised as a love story and guided by a pair of intense portrayals", and that, "as it plays out, it’s only a hard road for these swept-up, damaged lovers, whom Klein and his actors treat with blessedly non-exploitative honesty " Variety wrote, "What might have seemed pro forma on paper overcomes its occasionally studied stylistic tics to become a troubled, anguished love story that neither exaggerates nor soft-pedals the demons on display "The Toronto Star praised Klein, saying that he "creates a mood of tension, foreboding and sombre reflection through occasional moments of slo-mo and camera work that blurs reality  His literate script offers no easy resolution, only the faint hope that love can rescue two lost souls "
Passage 7:
The Other Half (1919 film)
The Other Half is a 1919 American drama film directed by King Vidor  Produced by the Brentwood Corporation, the film starred Vidor’s wife Florence Vidor and featured comedienne Zasu Pitts The picture is the third of four Christian Science-influenced films that represent a brief phase in Vidor’s output,  championing the superiority of self-healing through moral strength and supplemented by the benefits of rural living 
In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career 

Plot
As described in a film magazine, Captain Donald Trent (Meredith), whose father owns the mills that are the chief industry of the small town, returns from service in the American Expeditionary Forces in France with a clear vision of humanity and humanity's rights, deciding to start work in the plant at the bottom  With him returns Corporal Jimmy Davis (Butler) who takes back his old job at the mill  Donald's sweetheart Katherine (Vidor) comes around, as does Jennie Jones, The Jazz Kid (Pitts), making up the quartet  Then Trent Sr  (Allen) dies and Donald becomes manager of the mills, quickly losing his new found views  After an accident at the mills blinds Jimmy, Donald refuses to see him  Katherine, through the editorial pages of a newspaper she has purchased, reaches Donald's heart with her columns, and brings the quartet back together in unity and happiness 

Cast
Florence Vidor as Katherine Boone
Charles Meredith as Donald Trent
ZaSu Pitts as Jennie Jones, The Jazz Kid
David Butler as Cpl  Jimmy Davis
Alfred Allen as J  Martin Trent
Frances Raymond as Mrs  Boone
Hugh Saxon as James Bradley
Thomas Jefferson as Caleb Fairman

Footnotes
Passage 8:
Port of Lost Dreams
Port of Lost Dreams is a 1934 American drama film directed by Frank R  Strayer and starring William Boyd, Lola Lane and George F  Marion 

Cast
William Boyd as Lars Christensen
Lola Lane as Molly Deshon / Molly Clark Christensen
George F  Marion as Capt  Morgan Rock
Edward Gargan as Porky the Freda's 'Crew'
Harold Huber as Louis Constolos
Robert Elliott as Lt  Andersen
Evelyn Carter Carrington as Mother McGee, Bar Owner
Charles C  Wilson as Warden
Robert Frazer as Radio Announcer
Lafe McKee as Justice of the Peace
Lew Kelly as First Hospital Detective
Eddie Phillips as Constolos' Lawyer
Passage 9:
Island of Lost Souls (2007 film)
Island of Lost Souls (Danish: De fortabte sjæles ø) is a 2007 Danish fantasy film directed by Nikolaj Arcel 

Plot
The 14-year-old protagonist Lulu moves to a small provincial town with her mother and little brother, where she gets bored and dreams of a more magical world  Suddenly, the little brother is possessed by a spirit  With the help from a rich kid named Oliver, and Ricard, disillusioned clairvoyant and inventor, they fight the dark forces hiding on the island of the lost souls 

Cast
Sara Langebæk Gaarmann - Lulu
Lucas Munk Billing - Sylvester
Lasse Borg - Oliver
Nicolaj Kopernikus - Richard
Lars Mikkelsen - Necromancer
Anette Støvelbæk - Beate

External links
Island of Lost Souls at IMDb
Island of Lost Souls in the Danish Film Database
Passage 10:
Spy Kids
Spy Kids is an American family action-adventure spy comedy franchise created by Robert Rodriguez  The plot follows adventures of Carmen and Juni Cortez, two children who become involved in their parents' espionage organization  The films include Latino themes, as Rodriguez is of Mexican descent 

Background
Influences
Spy Kids was influenced by James Bond films  The first film was "a fusion of Willy Wonka and James Bond" and the second was the "Mysterious Island and James Bond mix" 
The spy organization in the films is called the OSS  These initials are from the Office of Strategic Services, a former U S  intelligence organization during World War II which later evolved into the CIA  The character Donnagon Giggles was named after William Joseph Donovan, the director of the original OSS  The initials in the Spy Kids universe are never specified on screen, but, in one of the books, they stand for the Organization of Super Spies 

Themes
One of the main themes of Spy Kids is the unity of family  The children have adult responsibilities, and a lesson is that keeping secrets from family members can have a negative effect on relationships  The first film also deals extensively with sibling rivalry and the responsibility of older children  There is also a strong sense of Latino heritage 

Technical innovations
The other films were shot with High Definition digital video, parts of the third film using an anaglyphic process to create the 3-D effect  Audiences were given red/blue 3D glasses with their tickets in movie theatres  Four sets of these glasses were also included in the DVD release  The third film was used as a test for a special Texas Instruments digital projector which can project polarized 3D, which does not require the red-blue lenses, later reused for The Adventures of Sharkboy and Lavagirl in 3-D (2005) 

Films
Spy Kids (2001)
After retiring from espionage for ten years, Gregorio and Ingrid (Antonio Banderas and Carla Gugino) are pulled back into duty for their important assignment despite the fact they were out of practice, and were captured  Their two children, Carmen and Juni (Alexa Vega and Daryl Sabara), stay with their uncle Felix Gumm (Cheech Marin) and discover the truth of their parents' past, which they had neglected to tell them because they were afraid that if they knew, they would picture danger at every corner; and decide to rescue them  On their first mission, Carmen and Juni manage to bring around their estranged uncle, Isador "Machete" Cortez (Danny Trejo), a genius gadget inventor and Juni helps to redeem a TV show host named Fegan Floop (Alan Cumming)  Together, Carmen and Juni thwart the plan of Floop's notorious second in-command Alexander Minion (Tony Shalhoub) to develop an army of androids resembling young children (including Carmen and Juni themselves) for a mastermind named Mr  Lisp (Robert Patrick) and his partner Ms  Gradenko (Teri Hatcher)  The robots based on Carmen and Juni became part of Floop's show 

Spy Kids 2: The Island of Lost Dreams (2002)
As agents of the OSS, Carmen and Juni try to save the daughter (Taylor Momsen) of The President Of The United States (Christopher McDonald) while facing a particularly hard competition with Gary and Gerti Giggles (Matt O'Leary and Emily Osment), the two children of a double-dealing agent Donnagon Giggles (Mike Judge), whom Carmen and Juni helped to rescue them from the first film  Juni gets fired from the OSS after fighting with Gary over a smaller version of the transmooker, a device that can shut off all electronic devices even though it was Gary who started the fight  Juni loses his spot for the best spy kid of the year award, while Donnagon plans to steal the transmooker to take over the world  On their second mission, Carmen and Juni follow the trail to the mysterious island of Leeke Leeke which is home to Romero (Steve Buscemi), an eccentric scientist who attempted to create genetically miniaturised animals, but instead ended up with his island inhabited by mutant monsters  Eventually, Donnagon is fired and Gary is suspended, and the transmooker is destroyed  Juni is offered his job back, but in order to take a break from the OSS, he retires to start his own private eye agency 

Spy Kids 3-D: Game Over (2003)
After retiring from the OSS, Juni is thrust back into service when an evil mastermind named Sebastian "The Toymaker" (Sylvester Stallone) creates a fictional video game called Game Over, which hypnotizes its users  Carmen was sent on a mission to disable the game, but disappeared on Level 4  With the help of his maternal grandfather, Valentin Avellan (Ricardo Montalban), who uses a wheelchair, Juni is sent after Carmen and helps her to disable the game in order to save the world  It is revealed that Sebastian was the one who disabled Valentin in the first place  Instead of avenging his former partner, Valentin forgives Sebastian who is redeemed 

Spy Kids: All the Time in the World (2011)
The OSS has become the world's top spy agency, while the Spy Kids department has become defunct  A retired spy Marissa (Jessica Alba) is thrown back into the action along with her two stepchildren, Rebecca and Cecil (Rowan Blanchard and Mason Cook), when a maniacal Timekeeper (Jeremy Piven) attempts to take over the world  In order to save the world, Rebecca and Cecil must team up with Marissa 

Spy Kids: Armageddon (2023)
The fifth installment, Spy Kids: Armageddon, serving as a reboot of the franchise, is in development, with a film involving a plot that centers around a multicultural family  Robert Rodriguez again serves as writer/director, while the project is a joint-venture production between Skydance Media and Spyglass Media Group  The film is scheduled for distribution on Netflix, making it the second Spy Kids project produced for the platform  Gina Rodriguez, Zachary Levi, Everly Carganilla and Connor Esterson were set to star, along with Billy Magnussen and D  J  Cotrona  The plotline for the film is as follows: "When the children of the world's greatest secret agents unwittingly help a powerful Game Developer unleash a computer virus that gives him control of all technology, they must become spies themselves to save their parents and the world"  Production of the film wrapped in late August 2022, and is set to be released on Netflix in Q3-Q4 2023 

Television
Spy Kids: Mission Critical (2018)
An animated series based on the films, Spy Kids: Mission Critical, was released on Netflix in 2018  The first and second seasons both consist of 10 episodes and is produced by Mainframe Studios  Robert Rodriguez served as one of the executive producers on the show 

Main cast and characters
Additional crew and production details
Reception
Box office performance
Critical and public response
Though the first and second film received positive reviews, the series experienced a steadily declining critical reception with each film 

Home media
September 18, 2001 (Spy Kids) on DVD by Buena Vista Home Entertainment
February 18, 2003 (Spy Kids 2: The Island of Lost Dreams) on DVD by Buena Vista Home Entertainment
February 24, 2004 (Spy Kids 3D: Game Over) on DVD by Buena Vista Home Entertainment
August 2, 2011 (Spy Kids, Spy Kids 2: The Island of Lost Dreams, and Spy Kids 3-D: Game Over) on DVD and Blu-ray Disc by Lionsgate (However, all 3 DVDs are still the original Buena Vista Home Entertainment copies )
November 15, 2011 (Spy Kids, Spy Kids 2: The Island of Lost Dreams, and Spy Kids 3-D: Game Over Triple Feature) on Blu-ray Disc by Lionsgate
November 22, 2011 (Spy Kids: All the Time in the World) on DVD and Blu-ray by Anchor Bay Entertainment
December 4, 2012 (Spy Kids 3-D: Game Over, The Adventures of Sharkboy and Lavagirl in 3-D 3D Double Feature) on Blu-ray 3D Disc by Lionsgate
September 22, 2020 (Spy Kids, Spy Kids 2: The Island of Lost Dreams, and Spy Kids 3-D: Game Over Triple Feature) on DVD and Blu-ray Disc reissue by Paramount

Other media
Video games
Spy Kids Challenger (Game Boy Advance)
Spy Kids Mega Mission Zone (PC/Mac)
Spy Kids 3-D: Game Over (Game Boy Advance and PC/Mac)
Spy Kids: Learning Adventures series (PC/Mac)
Spy Kids: All the Time in the World (Nintendo DS)

See also
Related film series
Isador "Machete" Cortez, who appeared in all four Spy Kids film series as a supporting character, additionally had a series of two stand-alone films: Machete and Machete Kills, also written and directed by Robert Rodriguez  However, the Machete films share little in common with the Spy Kids films thematically and are not considered direct spin-offs, the first film instead being an adult-oriented action exploitation film, with the second film introducing science fiction elements; both films additionally share several cast members and characters with the Spy Kids films  The idea for a Machete film came from a fake trailer promoting the Grindhouse double-feature by Rodriguez and Quentin Tarantino  Trejo and Rodriguez have made two conflicting statements regarding its canonicity to the Spy Kids films; Trejo claimed that the films depict "what Uncle Machete does when he's not taking care of the kids", while Rodriguez said in a Reddit AMA that they are alternate universes  Regardless, Rodriguez claimed that he was prompted by an incident on the set of the first Machete film to start envisioning a fourth film in the main Spy Kids film series, casting Jessica Alba as Machete's sister Marissa, a different character to the one she portrayed in Machete, with Trejo additionally reprising his role alongside her 

Notes
Context 2: Passage 1:
Alex Cox
Alexander B  H  Cox (born 15 December 1954) is an English film director, screenwriter, actor, non-fiction author and broadcaster  Cox experienced success early in his career with Repo Man and Sid and Nancy, but since the release and commercial failure of Walker, his career has moved towards independent films  Cox received a co-writer credit for the screenplay of Terry Gilliam's Fear and Loathing in Las Vegas (1998) for previous work on the script before it was rewritten by Gilliam 
As of 2012, Cox has taught screenwriting and film production at the University of Colorado, Boulder 

Early life
Cox was born in Bebington, Cheshire, England in 1954  He attended Worcester College, Oxford, and later transferred to the University of Bristol where he majored in film studies  Cox secured a Fulbright Scholarship, allowing him to study at the University of California, Los Angeles, where he graduated from the School of Theater, Film and Television with an MFA 

Film career
Study and independent
Cox began reading law as an undergraduate at Oxford University, but left to study radio, film and TV at Bristol University, graduating in 1977  Seeing difficulties in the British film scene at the time, he first went to Los Angeles to attend film school at UCLA in 1977  There he produced his first film, Edge City (also known as Sleep Is for Sissies), a 40-minute surreal short about an artist struggling against society  After graduation, Cox formed Edge City Productions with two friends with the intention of producing low-budget feature films  He wrote a screenplay for Repo Man, which he hoped to produce for a budget of $70,000, and began seeking funding 

Hollywood and major studio period (1978–1987)
Michael Nesmith agreed to produce Repo Man, and convinced Universal Studios to back the project with a budget of over a million dollars  During the course of the film's production, the studio's management changed, and the new management had far less faith in the project  The initial cinema release was limited to Chicago, followed by Los Angeles, and was short-lived 
After the success of the soundtrack album (notable for featuring many popular LA punk bands), there was enough interest in the film to earn a re-release in a single cinema in New York City, but only after becoming available on video and cable  Nevertheless, it ran for 18 months, and eventually earned $4,000,000 
Continuing his fascination with punk music, Cox's next film was an independent feature shot in London and Los Angeles, following the career and death of bassist Sid Vicious and his girlfriend Nancy Spungen, initially titled Love Kills and later renamed Sid and Nancy  It was met warmly by critics and fans, though heavily criticised by some, including Pistols' frontman John Lydon, for its inaccuracies  The production of this film also sparked a relationship with Joe Strummer of the Clash, who would continue to collaborate with the director on his next two films 
Cox had long been interested in Nicaragua and the Sandinistas (both Repo Man and Edge City made references to Nicaragua and/or Latin American revolution), and visited in 1984  The following year, he hoped to shoot a concert film there featuring the Clash, the Pogues and Elvis Costello  When he could not get backing, he decided instead to write a film that they would all act in  The film became Straight to Hell  Collaborating with Dick Rude (who also co-starred beside Strummer, Sy Richardson and Courtney Love), he imagined the film as a spoof of the Spaghetti Western genre, filmed in Almería, Spain, where many classic Italian westerns were shot  Straight to Hell was widely panned critically, but successful in Japan and retains a cult following  On 1 June 2012, Cox wrote an article in The New York Times about his long-standing interest in spaghetti westerns Continuing his interest in Nicaragua, Cox took on a more overtly political project, with the intention of filming it there  He asked Rudy Wurlitzer to pen the screenplay, which followed the life of William Walker, set against a backdrop of anachronisms that drew parallels between the story and modern American intervention in the area  The $6,000,000 production was backed by Universal, but the completed film was too political and too violent for the studio's tastes, and the film went without promotion  When Walker failed to perform at the box office, it ended the director's involvement with Hollywood studios, and led to a period of several years in which Cox would not direct a single film  Despite this, Cox and some critics maintain that it is his best film 

Mexican period (1988–1996)
Effectively blacklisted for working on a studio project during the 1988 Writers Guild of America strike, Alex Cox struggled to find feature work  He finally got financial backing for a feature from investors in Japan, where his films had been successful on video  Cox had scouted locations in Mexico during the pre-production of Walker and decided he wanted to shoot a film there, with a local cast and crew, in Spanish  Producer Lorenzo O'Brien penned the script  Inspired by the style of Mexican directors including Arturo Ripstein, he shot most of the film in plano secuencia; long, continuous takes shot with a hand-held camera  El Patrullero was completed and released in 1991, but struggled to find its way into cinemas 
Shortly after this, Cox was invited to adapt a Jorge Luis Borges story of his choice for the BBC  He chose Death and the Compass  Despite being a British production and an English language film, he convinced his producers to let him shoot in Mexico City  This film, like his previous Mexican production, made extensive use of long-takes  The completed 55-minute film aired on the BBC in 1992 
Cox had hoped to expand this into a feature-length film, but the BBC was uninterested  Japanese investors gave him $100,000 to expand the film in 1993, but the production ran over-budget, allowing no funds for post-production  To secure funds, Cox directed a "work for hire" project called The Winner  The film was edited extensively without Cox's knowledge, and he tried to have his name removed from the credits as a result but was denied, but the money was enough for Cox to fund the completion of Death and the Compass  The finished, 82-minute feature received a limited cinema release in the US, where the TV version had not aired, in 1996 

Liverpool period (1997–2006)
In 1996, producer Stephen Nemeth employed Alex Cox to write and direct an adaptation of Hunter S  Thompson's Fear and Loathing in Las Vegas  After creative disagreements with the producer and Thompson, he was sacked from the project, and his script rewritten when Terry Gilliam took over the film  (Cox later sued successfully for a writing credit, as it was ruled that there were enough similarities between the drafts to suggest that Gilliam's was derivative of Cox's  Gilliam countered that the screenplays were based on the source book and similarities between them were a consequence of this )
In 1997, Alex Cox made a deal with Dutch producer Wim Kayzer to produce another dual TV/feature production  Three Businessmen  Initially, Cox had hoped to shoot in Mexico but later decided to set his story in Liverpool, Rotterdam, Tokyo and Almería  The story follows businessmen in Liverpool who leave their hotel in search of food and slowly drift further from their starting point, all the while believing they are still in Liverpool  The film was completed for a small budget of $250,000  Following this, Cox moved back to Liverpool and became interested in creating films there 
Cox had long been interested in the Jacobean play, The Revenger's Tragedy, and upon moving back to Britain, decided to pursue adapting it to a film  Collaborating with fellow Liverpudlian screenwriter Frank Cottrell Boyce, the story was recast in the near future, following an unseen war  This adaptation, titled Revengers Tragedy, consisted primarily of the original play's dialogue, with some additional bits written in a more modern tone  The film is also notable for its soundtrack, composed by Chumbawamba 
Following this, Cox directed a short film set in Liverpool for the BBC titled I'm a Juvenile Delinquent – Jail Me! (2004)  The 30-minute film satirised reality television as well as the high volume of petty crime in Liverpool which, according to Cox, is largely recreational 

Microfeature period (2007–present)
In 2006, Alex Cox tried to get funding for a series of eight very low budget features set in Liverpool and produced by locals  The project was not completed, but the director grew interested in pursuing the idea of a film made for less than £100,000  He had originally hoped to shoot Repo Man on a comparable budget, and hoped that the lower overhead would mean greater creative freedom 
Searchers 2 0, named after but based on The Searchers, became Cox's first film for which he has sole writing credit since Repo Man, and marked his return to the comedy genre  A road movie and a revenge story, it tells of two actors, loosely based on and played by Del Zamora and Ed Pansullo, who travel from Los Angeles to a desert film screening in Monument Valley in the hopes of avenging abuse inflicted on them by a cruel screenwriter, Fritz Frobisher (Sy Richardson)  It was scored by longtime collaborator Dan Wool aka Pray for Rain (Sid & Nancy, Straight to Hell, Death & the Compass, The Winner, Three Businessmen, Repo Chick among others)  Although the film was unable to achieve a cinema release in America or Europe, Cox claimed the experience of making a film with a smaller crew and less restrictions was energising  It is available on DVD in Japan, and was released in October 2010 in North America Alex Cox had attempted to get a Repo Man sequel, titled Waldo's Hawaiian Holiday, produced in the mid-'90s, but the project fell apart, with the script adapted into a graphic novel of the same name  For his next micro-feature, he wrote a fresh attempt at a Repo follow-up, although it contained no recurring characters, so as to preserve Universal's rights to the original  Repo Chick was filmed entirely against a green screen, with backgrounds of digital composites, live action shots, and miniatures matted in afterwards, to produce an artificial look  It premiered at the Venice Film Festival on 9 September 2009 
As of July 2012, Cox was teaching film production and screenwriting at the University of Colorado at Boulder In 2013 Cox directed Bill, the Galactic Hero, developed from a science fiction book by Harry Harrison  It was funded by a successful Kickstarter funding campaign, raising $114,957 of the original $100,000 goal  The film was to be made, created and acted by his film students in monochrome with supervision from professional film makers who would be giving their time on the film for free Cox's 2013 book The President and the Provocateur examines events in the lives of John F  Kennedy and Lee Harvey Oswald leading up to Kennedy's assassination, with reference to the various conspiracy theories In 2017 Cox directed another crowdfunded film, Tombstone Rashomon, which tells the tale of the Gunfight at the O K  Corral from multiple perspectives in the style of Akira Kurosawa's 1950 film Rashomon In September 2019, Cox started the podcast ‘Conversations with Cox and Kjølseth’ with his friend and colleague Pablo Kjølseth  In October 2022, Cox announced the end of the podcast, citing its small audience and the comparative success of podcasts by Joe Dante, Quentin Tarantino and Cox's one-time collaborator Roger Deakins 

Moviedrome
In May 1988 Cox began presenting the long-running and influential BBC series Moviedrome  The weekly strand was a showcase for cult films  Though most of the films shown were chosen by series creator and producer Nick Jones, each film was introduced by Cox  By the time he left the show in September 1994, Cox had introduced 141 films  Various film directors have cited Moviedrome as an influence, including Ben Wheatley and Edgar Wright  The series was later presented by film director and critic Mark Cousins 

Influences and style
Cox has cited Luis Buñuel and Akira Kurosawa as influences, as well as the Western film directors Sergio Leone, Sergio Corbucci, Sam Peckinpah, John Ford and Giulio Questi  Cox also wrote a book on the history of the genre called 10,000 Ways to Die  While he once directed films for Universal Pictures, such as Repo Man and Walker, since the late 1980s, he has found himself on a self-described blacklist, and turned to producing independent films  Cox is an atheist and is decidedly left-wing in his political views  Many of his films have an explicit anti-capitalist theme or message  He was originally set to direct Fear and Loathing in Las Vegas but was replaced by Terry Gilliam due to creative differences with Hunter S  Thompson  By August 2009, Cox had announced completion of Repo Chick, which premiered at the Venice Film Festival the following month, but he remained ambivalent as to whether the film would ever be distributed to cinemas  His previous film, Searchers 2 0, was not released theatrically, and only appears on DVD in Japan and North America after a televised screening in the UK on the BBC 
Cox is a fan of the Japanese Godzilla films and appeared in a 1998 BBC documentary highlighting the series  He also narrated the documentary Bringing Godzilla Down to Size and wrote the Godzilla in Time comics for Dark Horse  He tried to direct an American Godzilla film at one point, but unsuccessfully submitted his outline to TriStar Pictures 

Personal life
As of 2011, Cox resided in Colestin, Oregon with his wife, writer Todelina Babish Davies 

Partial list of works
Feature films
Documentaries
Kurosawa: The Last Emperor (1999)
Emmanuelle: A Hard Look (2000)
Bringing Godzilla Down to Size (2007) – narrator
Scene Missing (2012)

Television
Moviedrome (as presenter) (1988 to 1994)
Godzilla: King of the Monsters – BBC, contributor
In His Life: The John Lennon Story as Bruno Koschmider
Mike Hama Must Die! (2002)
I'm a Juvenile Delinquent – Jail Me! (2003)

Books
10,000 Ways to Die: A Director's Take on the Spaghetti Western (2008)
X Films: True Confessions of a Radical Filmmaker (2008)
Waldo's Hawaiian Holiday (2008)
Three Dead Princes (Illustrator) (2010)
The President and the Provocateur: The Parallel Lives of JFK and Lee Harvey Oswald (2013)
Alex Cox's Introduction to Film: A Director's Perspective (2016)
I Am (Not) A Number: Decoding The Prisoner (2017)

Acting credits
Passage 2:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s 

Life and career
Lobban played little cricket in Jamaica  He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF  He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37 Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952  He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9  A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire  In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings  Worcestershire won the game and Lobban finished the season with 23 wickets at 23 69 He took 23 wickets again in 1953, but at a considerably worse average of 34 43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July  On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings  He also made his highest score with the bat, 18, but Sussex won by five wickets In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells  In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51  He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win  Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets 
He was also a professional boxer and played rugby union for Kidderminster He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia  He and his wife Celia had a son and two daughters 
Passage 3:
Waiting for the Clouds
Waiting for the Clouds (Bulutları Beklerken) is a film from 2003, Turkey  The film was directed by Yeşim Ustaoğlu  It is based on a novel by Georgios Andreadis titled Tamama  The film was produced by Setarh Farsi, Helge Albers and Behrooz Hashemian  The film was nominated in Montréal World Film Festival 2004 

Plot
The neighbor´s son Mehmet is worried about the elderly woman Ayshe, and he likes hearing her stories  When Ayshe´s older sister dies she refuses to be with the other villager and starts searching for her younger brother in Greece  Waiting for the Clouds takes place in 1975 and Mehmet´s experience is based on the directors memory from the 70s  And the character Ayshe would not have had to keep her ethnic identity a secret for 50 years if she had lived in a tolerant environment 

Hiding ethnic identity
The character of Ayshe was born Eleni, daughter of indigenous Greeks in the eastern Black Sea region of Northern Turkey, what was once the ancient country of Pontus
Context 3: Passage 1:
Reg Allen (set decorator)
Reg Allen (12 April 1917 – 30 March 1989) was an American set decorator  He was nominated for an Academy Award in the category Best Art Direction for the film Lady Sings the Blues 

Selected filmography
The Pink Panther (1963)
The Party (1968)
Lady Sings the Blues (1972)
Passage 2:
John Farrell (businessman)
John Farrell is the director of YouTube in Latin America 

Education
Farrell holds a joint MBA degree from the University of Texas at Austin and Instituto Tecnologico de Estudios Superiores de Monterrey (ITESM) 

Career
His business career began at Skytel, and later at Iridium as head of Business Development, in Washington DC, where he supported the design and launched the first satellite location service in the world and established international distribution agreements He co-founded Adetel, the first company to provide internet access to residential communities and businesses in Mexico  After becoming General Manager of Adetel, he developed a partnership with TV Azteca in order to create the first internet access prepaid card in the country known as the ToditoCard   Later in his career, John Farrell worked for Televisa in Mexico City as Director of Business Development for Esmas com  There he established a strategic alliance with a leading telecommunications provider to launch co-branded Internet and telephone services  He also led initial efforts to launch social networking services, leveraging Televisa’s content and media channels 

Google
Farrel joined Google in 2004 as Director of Business Development for Asia and Latin America  On April 7, 2008, he was promoted to the position of General Manager for Google Mexico, replacing Alonso Gonzalo  He is now director of YouTube in Latin America, responsible for developing audiences, managing partnerships and growing Google’s video display business  John is also part of Google’s Latin America leadership management team and contributes to Google’s strategy in the region  He is Vice President of the IAB (Interactive Advertising Bureau), a member of the AMIPCI (Mexican Internet Association) Advisory Board, an active Endeavor mentor, and member of YPO 
Passage 3:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 4:
Etan Boritzer
Etan Boritzer (born 1950) is an American writer of children’s literature who is best known for his book What is God? first published in 1989  His best selling What is? illustrated children's book series on character education and difficult subjects for children is a popular teaching guide for parents, teachers and child-life professionals Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views  The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages 
Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F  Kennedy  His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education 
Boritzer now lives in Venice, California and maintains his publishing office there also  He has helped numerous other authors to get published through How to Get Your Book Published! programs  Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally  He is also recognized nationally as an erudite speaker on The Teachings of the Buddha 
Passage 5:
Michael Govan
Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art  Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City 

Early life and education
Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D C  area, attending Sidwell Friends School He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art  Govan became closely involved with the museum, serving as acting curator as an undergraduate  After receiving his B A  from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego 

Career
As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R  Guggenheim Foundation  Govan served as deputy director of the Solomon R  Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain  Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation 

Dia Art Foundation
From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City  There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present  Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon  Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building  During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest  Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015 

LACMA
In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M



ground_truth: no

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who was born first, Tombstone Rashomon or Waiting For The Clouds?

The following are given passages.
Context 2:  She was adopted by a Turkish Muslim family in the World War I  Fear is the reason that Ayshe never spoke of her ethnic past again  In the 70s Turkey the government did put a lot of pressure on the ordinary lives   If there had been tolerance, Ayshe would not have had to keep her ethnic identity a secret for 50 years  But in 1970s Turkey, paranoia and a fear of “others” was on the rise while tolerance toward minority ethnic groups diminished 

Boundaries and Ties
The movie has many commonalities with a series of movies by the renowned film maker Theodoros Angelopoulos: the borders and their impact on the lives of human beings – as in The Suspended Step of the Stork; a tedious Odyssean search for a family member – as in Landscape in the Mist; the long-lost identity and the fusion of different cultures – as in Ulysses' Gaze and The Suspended Step of the Stork  The similarities are not limited to the content and themes; they also include the form and style of the movie: carefully composed scenes and an enormous number of extended long shots  But there are telling differences as well  In Waiting for the Clouds, Ustaoglu tends to emphasize on the idea of distance, whereas Angelopolous emphasizes on the journey  We barely see Ayshe on the journey; rather, we see her at two different destinations  She belongs to a generation which has gone through the ordeal of Population exchange between Greece and Turkey, and has never managed  to fully recover from that emotional wound  When she finally decides to overcome her fears and inhibitions and go to find her lost brother, she trespasses a number of boundaries  We don’t see her cross the physical boundary, the border, – unlike Angelopolous – but her crossing the imagined boundaries that she had created for herself is manifest  “The objective properties of the community are less important than the imagined ones ” Deep in her subconscious, she imagines herself belonging to another nation, another community, and another language  But when she ventures outside her little home in the small village, she gets to see that what she had imagined to be her true community, is as strange to her as it gets  She goes back to Turkey, but she is not the same person anymore  She seems like she has put a huge burden off her shoulder  She begins to smile 
Passage 4:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan 

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan  as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities  As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children 
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs   It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences  He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring   He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive  These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal  He got his medical doctor degree at Rawalpindi Medical College, Pakistan 

Film career
Doctor Zee's first film titled Night of Henna was released in 2005  The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways   " Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture  Many often landed themselves in trouble when it came to marrying off their children 
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition " His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil  His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend  While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure 
Passage 5:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow  He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania  Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa 

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M Sc  and Ph D  in Political Science from the University of Ibadan  He also has an MPhil  and a Ph D  in Social Anthropology from the University of Cambridge 

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher  He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA  He became a full professor at UC Davis in 2016 Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies 

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including 

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013) 
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010) 

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies 
Passage 6:
Rumbi Katedza
Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974 

Early life and education
She did her Primary and Secondary Education in Harare, Zimbabwe  Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995  In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film  She also holds a MA in Filmmaking from Goldsmiths College, London University 

Work and filmography
Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows  From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe)  From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival  Whilst there, she produced the Postcards from Zimbabwe Series  In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely

Tariro (2008);
Big House, Small House (2009);
The Axe and the Tree (2011);
The Team (2011)
Playing Warriors (2012)Her early works include:

Danai (2002);
Postcards from Zimbabwe (2006);
Trapped (2006 – Rumbi Katedza, Marcus Korhonen);
Asylum (2007);
Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts  She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe  She has also lobbied Zimbabwean government to actively support the film industry 
Passage 7:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand 

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849  He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch  One of his brothers, Arthur, became an admiral and was knighted  Their great 
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805  One of their sisters was a maid of honour to Queen Victoria Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch  He married Henrietta Lysaght of Hāwera in November 1879, and they had one son  In May 1884 she died a few days after giving birth to a daughter, who also died In 1886 Moore became a Justice of the Peace in Geraldine  In 1897 he married Alice Fish of Geraldine  They moved to England four years before his death in 1916 

Cricket career
Moore was a right-handed middle-order batsman  In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively  His 76 came in his first match for Canterbury, against Otago  He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence"  Canterbury were all out for 133, but went on to win the match  His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6  The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving " Canterbury won again Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34 4  Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians  In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team 
Passage 8:
South of the Clouds (2004 film)
South of the Clouds is a 2004 Chinese film and the second film directed by the writer Zhu Wen  The film stands in stark contrast to Zhu's previous film  In terms of production, South of the Clouds received the cooperation of the state apparatus unlike 2001's Seafood which was an underground production shot on digital hand-held cameras  In terms of story, the transgressive tale of a prostitute and a policeman in Seafood is a far cry from South of the Cloud's gentle tale of a retiree who fulfills a lifelong desire to travel to the southern province of Yunnan (literally "South of the Clouds") 
South of the Clouds stars Li Xuejian as the protagonist, Xu Daqin, and features a cameo by director Tian Zhuangzhuang as the police chief in a small town in Yunnan  It was produced by China Film Assist, an independent production company in China; South of the Clouds was the company's first production 

Background
South of the Clouds was, at heart, an attempt by Zhu Wen to capture the image and beauty of Yunnan that he had experienced upon his first visit to the province  Beyond that, however, the film was an opportunity for Zhu to present his work to his home country  Following the completion of Seafood, Zhu "wanted to make something that [he] could show to [his] parents and   friends in China  Unlike Seafood, South of the Clouds did not encounter any issues with the state censors, in part because the film strictly followed all the relevant regulations 

Awards and nominations
South of the Clouds like many Chinese art films was screened at numerous film festivals around the world  It succeeded in winning a FIPRESCI prize and the Firebird Award for New Cinema at the 28th Hong Kong International Film Festival  The film also won a NETPAC award at the Berlin International Film Festival in 2004 

See also
Mosuo - a matriarchal ethnic enclave in Yunnan, featured prominently in the film 
Passage 9:
Yeşim Ustaoğlu
Yeşim Ustaoğlu (born 18 November 1960) is a Turkish filmmaker and screenwriter 

Life and career
Ustaoğlu was born in Kars, Sarıkamış and grew up in Trabzon on the Black Sea  After studying architecture at Karadeniz Technical University she moved to Istanbul, attended master's programme in Yıldız Technical University, she worked as an architect, then as a journalist and a film critic  Before she made her feature film debut The Trace (İz) in 1994, she had made several award-winning short films  The Trace was entered into the 19th Moscow International Film Festival Ustaoğlu received international recognition for her next film, Journey to the Sun (Güneşe Yolculuk), which told a story of a friendship between a Turk and a Kurd  Her fourth film Pandora's Box (Pandora'nın Kutusu) won The Best Film and The Best Actress award in San Sebastian Film Festival and is Ustaoğlu's biggest international success to date 

Filmography
Passage 10:
Tombstone Rashomon
Tombstone Rashomon is a 2017 Western film directed by Alex Cox and starring Adam Newberry and Eric Schumacher  It tells the story of the Gunfight at the O K  Corral in Tombstone, Arizona Territory, from multiple differing perspectives in the style of Akira Kurosawa's 1950 film Rashomon 

Plot synopsis
A film crew travels back in time to film the Gunfight at the O K  Corral  They arrive after the gunfight, however, and can only interview those involved  They interview Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Roderick Hafford, and Johnny Behan, each of whom has a different take on the events 

Cast
Production
As with his previous film Bill, the Galactic Hero (2014), Alex Cox used crowdfunding to finance the production of the film  This time he used an Indiegogo campaign In an interview with IndieWire, Cox stated, "I was thinking it would be a conventional western, but Rudy (Wurlitzer) wants to give it a science fiction angle — from the perspective of time-traveling women historians from the future  They’ll time-travel back in time to film at the OK Corral, but they get the day wrong and they miss it by a day, so they have to interview the survivors " Wurlitzer was involved in early stages, but not credited as a writer on the final film, the screenplay is solely credited to Cox In an interview with The Huffington Post, Cox stated that he had originally planned to film in Boulder, Colorado, but then decided to shoot in Tucson instead Filming took place at the Old Tucson Studios west of Tucson  In an interview with Tucson Weekly, Cox stated that the producers of Snowden matched the funds already accumulated, helping Cox to complete the film 

Release
The film screened as a work in progress at the Ashland Independent Film Festival at 6:40 p m  on Saturday, April 8, 2017, at the Cinedelphia Film Festival at 7:00 p m  on April 15, 2017, and at the Loft Film Fest on May 27, 2017 
Context 3:  Daly, recruited Govan to run the Los Angeles County Museum of Art  Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961  "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that "Govan has been widely regarded for transforming LACMA into both a local and international landmark  Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion  LACMA's annual attendance has grown from 600,000 to nearly 1 6 million in 2016 

Artist collaborations
Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists  In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world  Baldessari has also designed LACMA's logo  Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth     crossed with a high-style urban lounge "Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists  These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard  Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016 In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived  In 2010, it was announced that Govan will steer LACMA for at least six more years  In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum 

Zumthor Project
Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor  As of January 2017, he has raised about $300 million in commitments  Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard  The project also envisages dissolving all existing curatorial departments and departmental collections  Some commentators have been highly critical of Govan's plans  Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own"  Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1 5 miles  Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support 
On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come" 

Personal life
Govan is married and has two daughters, one from a previous marriage  He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]  That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region 
Los Angeles CA 90020
United States  He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport 
Passage 6:
John Donatich
John Donatich is the Director of Yale University Press 

Early life
He received a BA from New York University in 1982, graduating magna cum laude  He also got a master's degree from NYU in 1984, graduating summa cum laude 

Career
Donatich worked as director of National Accounts at Putnam Publishing Group from 1989 to 1992 His writing has appeared in various periodicals including Harper's, The Atlantic Monthly and The Village Voice 
He worked at HarperCollins from 1992 to 1996, serving as director of national accounts and then as vice president and director of product and marketing development From 1995 to 2003, Donatich served as publisher and vice president of Basic Books  While there, he started the Art of Mentoring series of books, which would run from 2001 to 2008   While at Basic Books, Donatich published such authors as Christopher Hitchens, Steven Pinker, Samantha Power, Alan Dershowitz, Sir Martin Rees and Richard Florida 
In 2003, Donatich became the director of the Yale University Press   At Yale, Donatich published such authors as Michael Walzer, Janet Malcolm, E  H  Gombrich, Michael Fried, Edmund Morgan and T  J   Clark   Donatich began the Margellos World Republic of Letters, a literature in translation series that published such authors as Adonis, Norman Manea and Claudio Magris  He also launched the digital archive platform, The Stalin Digital Archive and the Encounters Chinese Language multimedia platform 
In 2009, he briefly gained media attention when he was involved in the decision to expunge the Muhammad cartoons from the Yale University Press book The Cartoons that Shook the World, for fear of Muslim violence He is the author of a memoir, Ambivalence, a Love Story, and a novel, The Variations 

Books
Ambivalence, a Love Story: Portrait of a Marriage (memoir), St  Martin's Press, 2005 
The Variations (novel), Henry Holt, March, 2012

Articles
Why Books Still Matter, Journal of Scholarly Publishing, Volume 40, Number 4, July 2009, pp  329–342, E-ISSN 1710-1166 Print ISSN 1198-9742

Personal life
Donatich is married to Betsy Lerner, a literary agent and author; together they have a daughter, Raffaella 
Passage 7:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School



ground_truth: Tombstone Rashomon

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which award the director of film Lady Magdalene'S got?

The following are given passages.
Context 3:  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 8:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 9:
Lady Magdalene's
Lady Magdalene's is a film directed, written and produced by J  Neil Schulman and starring Nichelle Nichols (who also received an executive producer credit)  The movie was J  Neil Schulman's debut as a director, and Nichelle Nichols' debut as a producer 

Plot
Jack Goldwater, an IRS agent on loan to the Federal Air Marshal Service, is relieved of field duty after insulting a powerful U S  senator, and finds himself exiled to a humiliating desk job in Nevada as the federal receiver managing a legal brothel in tax default, where—with the help of the brothel Madam, Lady Magdalene—he uncovers an Al Qaeda plot to unload a nuclear-bomb-sized crate at Hoover Dam 

Cast (opening titles)
Nichelle Nichols as Lady Magdalene
Ethan Keogh as Jack Goldwater
Susan Smythe as Angel
Claudia Lynx as Scheherazade
Alexander Wraith as Yassin Salem
Mark Gilvary as The Director & FBI SAC Broderick
J  Neil Schulman as Ali the American
Said Faraj as Gamal Hosny
Mara Marini as Nurse Gretchen
Vince Martorano as IRS Agent Lewis Heinlein
Hope McBane as Sinead
Michele Redmond as Eden
Keyaria Rodriguez as Pixie

Release
The movie was produced by Schulman's own film company Jesulu Productions  After film-festival play the full movie was released on YouTube 

Awards
The film won three film-festival awards: "Best Cutting Edge Film" at the 2008 San Diego Film Festival, "Audience Choice -- Feature-Length Narrative Film" at the 2008 Cinema City International Film Festival held on the Universal Hollywood Citywalk, and "Special Jury Prize for Libertarian Ideals" at the 2011 Anthem Film Festival/FreedomFest held at Bally's Las Vegas 
Passage 10:
J  Neil Schulman
Joseph Neil Schulman (; April 16, 1953 – August 10, 2019) was an American novelist who wrote Alongside Night (published 1979) and The Rainbow Cadenza (published 1983) which both received the Prometheus Award, a libertarian science fiction award  His third novel, Escape from Heaven, was also a finalist for the 2002 Prometheus Award  His fourth and last novel, The Fractal Man, was a finalist for the 2019 Prometheus Award 

Biography
Schulman was born in Forest Hills, Queens on April 16, 1953   He was the author of nine other books currently in print, including a short story collection, Nasty, Brutish, and Short Stories, Stopping Power: Why 70 Million Americans Own Guns, and The Robert Heinlein Interview and Other Heinleiniana He wrote the Twilight Zone episode "Profile in Silver", first broadcast on CBS March 7, 1986  Schulman died on August 10, 2019 at the age of 66, three days after suffering a pulmonary embolism 

Filmmaking
Schulman was the writer, director, executive producer (along with Nichelle Nichols) of the movie Lady Magdalene's, which was produced by Schulman's own company Jesulu Productions  The movie won three film-festival awards: "Best Cutting Edge Film" at the 2008 San Diego Black Film Festival, "Audience Choice – Feature-Length Narrative Film" at the 2008 Cinema City International Film Festival held on the Universal Hollywood Citywalk, and "Special Jury Prize for Libertarian Ideals" at the 2011 Anthem Film Festival/FreedomFest held at Bally's Las Vegas In 2013, Schulman completed production on a feature-film of Alongside Night, starring Kevin Sorbo, Jake Busey, Tim Russ, Garrett Wang, Mara Marini, and Gary Graham  The movie premiered in 2014 and had a limited theatrical release  It was released for streaming on iTunes, Amazon Video and Amazon Prime and as a Blu-ray/DVD combo pack 

Views
Schulman was a known proponent of the anarchist philosophy agorism, which was developed by Samuel Edward Konkin III  Though originally a supporter of the War on Terror, he was opposed to U S  military occupations or operations in the Middle East  Schulman also supported free trade and was against tariffs 

Books
Schulman is author of:
Alongside Night (Crown Publishers, 1979; Pulpless Com 1999) Libertarian Futurist Society gold medallion winner, 1989
The Rainbow Cadenza  (Simon & Schuster, 1983; Pulpless Com, 2017) 1984 Prometheus Award winner for Best Libertarian SF Novel
Self Control Not Gun Control (Synapse-Centurion, 1995; Pulpless Com 1999)
Profile in Silver and Other Screenwritings (Pulpless Com, 1999)
The Frame of the Century? (Pulpless Com, 1999)
Escape from Heaven (Pulpless Com, 2002) 2003 Prometheus Award finalist for Best Libertarian SF Novel
The Heartmost Desire (Pulpless Com, 2013)
Unchaining the Human Heart – A Revolutionary Manifesto (Pulpless Com, 2017)
I Met God – God without Religion, Scripture, or Faith (Pulpless Com, 2017)
Atheist to Believer (Pulpless Com, 2017)
J  Neil Schulman's The Book of Words (Pulpless Com, 2017)
The Fractal Man (Steve Heller Publishing, 2018) 2019 Prometheus Award finalist for Best Libertarian SF Novel
Origitent: Why Original Content Is Property (Steve Heller Publishing, 2018)
Why Original Content Is Property – Kindle edition by J  Neil Schulman, Wendy McElroy, Samuel Edward Konkin III, Stephan Kinsella, Steve Heller 



ground_truth: Prometheus Award