prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Does Leslie Pietrzyk have the same nationality as Marianne Wiggins?

The following are given passages.
Context 1: Passage 1:
Marianne von Willemer
Marianne von Willemer (born 20 November 1784, probably in Linz; died 6 December 1860 in Frankfurt am Main; probably born as Marianne Pirngruber; also known as Marianne Jung) was an Austrian actress and dancer best known for her relationship with Johann Wolfgang von Goethe and her appearance in his poetry 

Biography
At the age of 14 she moved to Frankfurt am Main, where she became the third wife of Frankfurt banker Johann Jakob von Willemer  He introduced her to Goethe, who met Marianne in 1814 and 1815  Goethe immortalised her in the Buch Suleika of his late work West-östlicher Divan; she later revealed that several of its poems were authored by her 
Passage 2:
Mary Proctor
Mary Proctor  (1862 – 11 September 1957) was an American popularizer of astronomy  While not a professional astronomer, Proctor became well known for her books and articles written for the public – particularly her children's fiction   Despite various claims as being an American, there is a passenger list of about 1924 where she gives nationality as British 

Early life
Mary Proctor was born in Dublin, Ireland, the daughter of Mary and Richard Proctor  Proctor's mother died in 1879  Her father remarried in 1881 and her family immigrated to the United States settling in Saint Joseph, Missouri in 1882 Proctor's father was a British popularizer of astronomy, lecturer, and writer  As she grew up, Proctor often assisted her father in his work, looking after his library and correcting proofs of his books before they went to publication  She graduated from the London College of Preceptors in 1898 The crater Proctor on the Moon was named after her and Proctor on Mars was named after her father )

Career
In 1881, Proctor assisted her father in founding and producing a journal called Knowledge  She wrote a series of articles on the topic of comparative mythology  After a well-received appearance at the World's Columbian Exposition 1893, she eventually developed a career as an astronomy lecturer  Her book-length debut, Stories of Starland (1898), was adopted by the New York City Board of Education  She worked as an astronomy teacher in private schools while attending Columbia University 

Works
Proctor authored many articles for newspapers, journals and published numerous popular books  Her articles and books were mostly aimed for young readers, which earned her the nickname "the children's astronomer " Her books were easy to read, accurate, informative and well illustrated  Known and respected by many professional astronomers, Proctor became an elected member of the British Astronomical Association in 1897 and the American Association for the Advancement of Science in 1898   On 11 February 1916, she was elected as a fellow of the Royal Astronomical Society 

Bibliography
Stories Of Starland, 1895 
Giant Sun And His Family, 1896 
"Halley's Comet after 75 years rushes Earthward again", San Francisco Call, August 23, 1908 
Half Hours With The Summer Stars, 1911 
Legends Of The Stars, 1922 
The Children's Book Of The Heavens, 1924 
Evenings With The Stars, 1924 
Legends Of The Sun And Moon, 1926 
The Romance Of Comets, 1926 
The Romance Of The Sun, 1927 
The Romance Of The Moon, 1928 
The Romance Of The Planets, 1929 
Wonders Of The Sky, 1931 
Our Stars Month By Month, 1937
M  Proctor and A  C  D  Crommelin, Comets, 1937 
Everyman's Astronomy 1939 
Comets, Meteors And Shooting Stars, 1940 
Passage 3:
Lara Porzak
Lara Porzak (born April 14, 1967, in Rome, Italy) is an American fine art photographer, daughter of Pulitzer-prize nominated novelist, Marianne Wiggins 

About
Lara Porzak works predominantly with black & white film and is acclaimed for using labour-intensive, non-digital photographic methods, often utilizing vintage cameras and lenses from the late 1800s to create her photographs  According to The Los Angeles Times, "Her photojournalistic style combines with the romantic influences of European photographers from the 1930s and ‘40s to give her work a timeless quality with a strong sense of narrative "Porzak is "a real-deal fine art photographer" who has produced over 20 fine art photography shows and her work is part of the Getty museum's California Artist's Collection  The quality of her handmade photographs, using the gelatin silver process and tintypes has attracted many collectors throughout the world, as C Magazine so eloquently writes "If a picture is worth a thousand words, no doubt a Lara Porzak image is worth a great deal more " Her photographs have also appeared on many television shows & movies Porzak started her own photography business in the late 1990s as a fine art wedding photographer with a photojournalistic style, and her talent for disappearing into her subjects soon elevated her to the top of her field; travelling the globe, capturing weddings with her artistic aesthetic  Porzak has photographed the weddings of (to only name a few, in alphabetical order): Jennifer Aniston, Drew Barrymore, Kevin Costner, Ellen DeGeneres, Mariska Hargitay, Heidi Klum, Adam Sandler, Brooke Shields, Channing Tatum and Reese Witherspoon  When asked about her wedding photography in a magazine interview Porzak is quoted as saying, “my interest in photography isn’t just so people can remember what happened, but so they can remember how they felt ” Lured by the perfect light in which to make tintypes, she now lives in sunny Venice Beach, California 
Porzak is often quoted as saying 'the soul is not digital' and says with conviction "there is no separation between my work and my life "Her favorite color is whiskey 

Education
Lara Porzak attended Martha’s Vineyard Regional High School and received her degree from Dartmouth College  A self-proclaimed photography workshop junkie, Porzak has studied with Mary Ellen Mark, Graciela Iturbide and Christopher James amongst others 

Published credited works (selected)
Books and magazines
DeVries, Annalise (1 September 2015)  "Caught on Film"  Fresh Style 
Kelleher, Katy (April 2018)  "Found Objects"  Maine Home Design 
"Lara Porzak: Wild Horse"  Fresh Focus Photography  Leica 
McKinnon, Kelsey  "An Artist's Perspective"  C Magazine 
McKinnon, Kelsey  "A Modern Romance, an interview with fine art film photographer, Lara Porzak"  C Magazine  Fall 2015 
Niemi, Wayne (4 May 2008)  "Meet the experts"  The Los Angeles Times 
"Photographers"  House and Gardens (January 2012) 
Shields, Brooke (2014)  There Was a Little Girl: The Real Story of My Mother and Me  Plume  ISBN 9780147516565
Wiggins, Marianne (2007)  The Shadow Catcher  Simon and Schuster Paperbooks  ISBN 9780743265201 
Williams-Paisley, Kimberly (2017)  Where the Light Gets In: Losing My Mother Only to Find Her Again  Three Rivers Press  ISBN 9781101902974 

Celebrity portraits
"Celebrity Circuit"  CBS News 
"Drew's Perfect Day: Drew Barrymore & Will Kopelman's wedding photography by Lara Porzak"  People  2 June 2012 
Ellen & Portia's Wedding: Ellen DeGeneres & Portia de Rossi's wedding photography by Lara Porzak"  People  1 September 2008 
"Reese Witherspoon's Perfect Day: Reese Witherspoon & Jim Toth's wedding photography by Lara Porzak"  People  26 March 2011 
"Sofi Newmyer, Benjamin Schultz"  New York Times  27 August 2017 
Stebbins, Sarah (Winter 2005)  "California Dreamy: Mariska Hargitay and Peter Hermann's wedding photography by Lara Porzak"  InStyle Weddings: 318–325 
Théval, Vincent (January 2011)  ""Idaho" with Jeff Martin"  Photography by Lara Porzak  La Liberation Magazine 
Vulpo, Mike   "Ellen DeGeneres Has the Sweetest Message for Portia de Rossi on Their Ninth Wedding Anniversary"   E News!  16 August 2017 

Movies and TV credits
Lara Porzak's fine art was featured in "Felicity" and "Six Feet Under "
Passage 4:
Alexandros Margaritis
Alexandros "Alex" Margaritis (Greek: Αλέξανδρος Μαργαρίτης; born 20 September 1984) is a Greek-German racing driver who is best known for competing in the German-based Deutsche Tourenwagen Masters touring car championship  Prior to that, his career had focused on formula single seater racing in Europe  Margaritis has dual nationality as a result of his place of birth and Greek parentage 

Karting and formula racing
Margaritis had his first experience of karting in 1996, and in 1997, he competed in the ICA Junior class, in which he secured the championship runner-up position  He spent the next two seasons competing in the International Junior class in Germany, finishing 4th overall in 1999  In the following year, Margaritis made his single seater formula debut in the Formula BMW ADAC championship  In 2001, he achieved three podium finishes and one pole position on the way to 6th in the championship standings 
After one season in German Formula Renault, in which he finished 7th overall, Margaritis made his Formula Three debut in the first season of the new Formula 3 Euro Series  He achieved one podium finish and two pole positions during the first year and retained a place in the series in 2004 

Touring cars
In 2005, Margaritis moved from formula racing to touring cars when an opportunity arose in one of Europe's most high-profile touring car championships  He was signed by Mücke Motorsport, which was making the same transition between disciplines 
In a 2004-specification AMG Mercedes C Klasse, Margaritis did not achieve any points finishes; his best finish was 9th place at Spa-Francorchamps  He then moved to Persson Motorsport as the third driver in its 2006 line-up alongside Mathias Lauda and Jean Alesi  He was classified 11th in the standings, with a total of 11 points, and achieved a best finish of 5th position in the season's first race  Persson retained his services in 2007 alongside Paul di Resta and Gary Paffett  He finished 10th in the overall drivers standings with 16 points, achieving two 4th places 
On 27 February 2008, Margaritis announced his intention to leave the DTM and seek a position in another championship or category, citing as a primary factor the handicap of competing in year-old cars against machinery of factory specification 

Grand Tourers
In 2008, Margaritis switched his focus to GT cars: He competed in the 24 Hours of Spa for Phoenix Racing  The Corvette C6 R failed to finish the race and was classified 37th 
After one season without racing in major series, Margaritis participated in the newly created FIA GT1 World Championship  He drove for Triple H Team Hegersport and Phoenix Racing  In spite of not participating in all events he finished 7th in the overall standings 
Margaritis switched to the ADAC GT Masters in 2011  He and his partner Dino Lunardi won the driver's championship in their BMW ALPINA B6 GT3  In 2012 Margaritis switched to Team Heico to share a car with Lance David Arnold  The pairing finished 18th in their Mercedes-Benz SLS AMG GT3  
Heico hired Magaritis for the 2011 and 2012 editions of the 24 Hours Nürburgring as well 
2013 saw Margaritis getting a part-time drive for H&R Spezialfedern GmbH & Co in the VLN 

Racing record
Complete Formula 3 Euro Series results
(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

Complete Deutsche Tourenwagen Masters results
(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

† — Retired, but was classified as he completed 90% of the winner's race distance 

Complete GT1 World Championship results
Sources
Speedsport Magazine
Official website
Touring Car Times
Passage 5:
Jane Tilden
Jane Tilden, born as Marianne Wilhelmine Tuch, (1910–2002) was an Austrian actress who enjoyed a long career on stage and in films and television shows  She was born as Marianne Tuch in Aussig, then part of the Austro-Hungarian Empire  She was the sister of the cinematographer Walter Tuch  After making her debut on the stage in the early 1930s she appeared regularly in German and Austrian films during the Nazi era including the 1938 comedy The Blue Fox (1938)  After the Second World War she worked regularly in film and television, increasingly in supporting roles  She was married three times, her husbands included the actor Erik Frey and composer Alexander Steinbrecher 

Selected filmography
The Emperor's Candlesticks (1936)
Hannerl and Her Lovers (1936)
Flowers from Nice (1936)
The Blue Fox (1938)
Mirror of Life (1938)
Happiness is the Main Thing (1941)
Two Happy People (1943)
Cordula (1950)
Anna Louise and Anton (1953)
Emperor's Ball (1956)
The True Jacob (1960)
The Good Soldier Schweik (1960)
What Is Father Doing in Italy? (1961)
Romance in Venice (1962)
The Mad Aunts Strike Out (1971)
The Count of Luxemburg (1972)
Attempted Flight (1976)
Tales from the Vienna Woods (1979)
Sting in the Flesh (1981)
Cats' Play (1983, TV film)
Passage 6:
Sheila Atim
Sheila Atim  (; born c  1991) is a Ugandan-British actress, singer, composer, and playwright  She made her professional acting debut in 2013 at Shakespeare's Globe in The Lightning Child, a musical written by her acting teacher Ché Walker 
Following critically acclaimed stage roles in the Donmar Warehouse's all-female Shakespeare Trilogy in 2016 among others, Atim won the 2018 Laurence Olivier Award for Best Supporting Actress in a Musical for her role as Marianne Laine in an original production of Girl from the North Country  She has composed songs for several productions and premiered her play Anguis at the 2019 Edinburgh Festival Fringe  She has also been cast in several television series, including the cancelled Game of Thrones successor series Bloodmoon, the BBC's The Pale Horse and Amazon's The Underground Railroad, directed by Barry Jenkins  In 2021, she starred in Netflix's successful sports drama Bruised, directed and produced by Halle Berry  In 2022, she won another Laurence Olivier Award, this time for Best Lead Actress, for her performance in the play Constellations 

Early life
Sheila Atim was born c  1991 in Uganda and moved to the United Kingdom with her mother at the age of five months  She grew up in Rainham, London, and attended the Coopers' Company and Coborn School  She did some occasional modelling as a teenager after being recruited when she shaved the side of her head for a school prom  She appeared in a 2009 London Fashion Week event, All Walks beyond the Catwalk, organized by the British Fashion Council to showcase clothes for "real women"  She later said that "modelling was never a big earner for me  I was unusual looking, so I couldn't go for commercial castings "

Career
Theatre
Atim graduated with a degree in biomedical science from King's College London and trained as an actor at the Weekend Arts Centre in Belsize Park, London  She became involved in a workshop for a new play, The Lightning Child, which led to her being cast by her acting teacher Ché Walker for her professional acting debut at Shakespeare's Globe in 2013  In 2020, she told the King's College alumni magazine that "I look back and feel a strong connection between my scientific and artistic sides  Science often comes up in my work – even the way I approach things in the rehearsal room is affected by having taken BioMed  Sometimes it’s little private parallels and analogies I make for myself "The Lightning Child, written by Walker and Arthur Darvill, ran for several weeks from mid-September 2013 and was the first musical staged at Shakespeare's Globe  It received mixed reviews, with the Financial Times describing it as "a bold experiment, but sadly not a successful one" and The Guardian review calling it "oddly conventional and pointlessly excessive"  The Independent said that despite the production being overlong and having problems with the structure, it was "hard not to like" the show 
Atim played Keira, the physical embodiment of obsessive–compulsive disorder, in Ghost Town at the York Theatre Royal in early 2014  What's On Stage praised her "mesmeric physical presence" and The Yorkshire Times review said that Atim "dominated the stage"  Following this, Atim appeared with Ako Mitchell in Walker's two-hander Klook's Last Stand, being praised by The Guardian for an energetic performance and "tremendous stage presence" by The Daily Telegraph  In the autumn of 2014 she appeared in Rachel at the Finborough Theatre and followed this by joining the touring production of Kae Tempest's Hopelessly Devoted  In addition to this, Atim played three roles in Royal Shakespeare Company (RSC) productions: the Attendant in The Jew of Malta, Julia in Love's Sacrifice, and Assistant to Lady Politic Would-Be in Volpone  Walker's The Etienne Sisters, which included songs composed by Atim, opened two days before the end of her run in Volpone 

Leading roles
Atim's first major stage role was the non-speaking part of The Woman in Les Blancs at the National Theatre in 2016  The Stage said of her performance that "at the centre of the narrative is its most potent character: a gaunt, stooped and silent woman " The New York Times described a "spine-tingling production" and suggested that Atim's character may be an emblem of Africa  The Times later referred to her performance as "mesmerising" Atim received acclaim for her 2016 performances in the Donmar Warehouse's all-female Shakespeare Trilogy set in a women's prison, when she played Ferdinand in The Tempest, Gadshill and Lady Percy in Henry IV, and Lucius in Julius Caesar  The Guardian said Atim was "a glorious, giddy Ferdinand and a moving Lady Percy – [and] frequently seems to be physically stabbing the text as much as speaking it" and The Independent wrote "Sheila Atim (Ferdinand) and Leah Harvey (Miranda) are adorably funny and charming as they capture the giddy gaucheries of first love " Atim won a 2018 Clarence Derwent Award, presented to best supporting actors in London productions, for her roles in The Tempest and Les Blancs Her leading role in Babette received a more mixed assessment, with The Times saying she was "the best thing about [the] production" while The Daily Telegraph review said "It's a pity     that Babette, whose story this is, should remain, in Atim's somewhat remote performance, so distant a figure "She played Marianne Laine in the original run of the musical Girl from the North Country at The Old Vic in London from 26 July to 7 October 2017  Following the success of The Old Vic production, it transferred into London's West End at the Noël Coward Theatre from 29 December for a limited 12-week run until 24 March 2018  The play is set during the Great Depression and Atim's character Marianne Laine is a black woman, who was adopted by a white couple that run a struggling guesthouse  The character is pregnant and appears to have been forsaken by the father of her unborn child  The music for the show consists of songs by Bob Dylan and amongst the numbers that Atim performs are his "Tight Connection to My Heart (Has Anybody Seen My Love)" and "Idiot Wind"  The Guardian described Atim as "outstanding" in the role, with delivery of "Tight Connection to My Heart (Has Anybody Seen My Love)" being "direct, unaffected and perfectly poised" and her performance of "Idiot Wind" a "beautiful reading"  The Times stated that "Atim, in a strong cast, is standout," in an article that was headlined "She sings Dylan better than Bob " For her Girl from the North Country role, she received a nomination for Best Supporting Actress in a Play at the 18th WhatsOnStage awards and won the 2018 Laurence Olivier award for Best Supporting Actress in a Musical In 2018, she played Emilia opposite Mark Rylance's Iago in Othello at Shakespeare's Globe, where according to The Independent, "she unleashed a fury that blew the greatest actor of his generation off the stage "Atim presented her first play as an author, Anguis, at the 2019 Edinburgh Festival Fringe  It features Cleopatra being interviewed by a scientist and singing, Atim also having composed the songs  The Times considered it to be an "intriguing look at female power     that marks [Atim] as a playwright to watch", whereas The Scotsman, while praising the songs and some performances, lamented that "the stories of the hugely privileged queen and the stressed-out modern black Londoner never quite come together as strongly as the situation promises "

Television, film, and music
Atim played Viola and Sebastian in a film version of Shakespeare's Twelfth Night, and won the Screen Nation 2019 Best Female Performance film award  In 2018 she portrayed Limehouse Nell in ITV's Harlots Atim plays piano, violin, bass, and drums  She composed the score for the play Time Is Love at London's Finborough Theatre in 2019, the year that she was named one of the cast of the Game of Thrones prequel series Bloodmoon  The planned series was cancelled following the pilot episode  She appeared as an alleged witch in the 2020 BBC adaptation of Agatha Christie's The Pale Horse and in 2021 she appeared in the television series The Underground Railroad and The Irregulars and the film Bruised In June 2019, Atim was named an MBE for her services to drama  She is also on the Board of Trustees of The Old Vic Theatre Trust 

Credits
Theatre
Television
Film
Radio
Awards and nominations
Notes
Passage 7:
Marianne Wiggins
Marianne Wiggins (born 1947) is an American author  According to The Cambridge Guide to Women's Writing in English, Wiggins writes with "a bold intelligence and an ear for hidden comedy " She has won a Whiting Award, an National Endowment for the Arts award and the Janet Heidinger Kafka Prize  She was a finalist for the Pulitzer Prize in fiction in 2004 for her novel Evidence of Things Unseen 

Biography
Wiggins was born on November 8, 1947, in Lancaster, Pennsylvania  She married Brian Porzak in 1965, with whom she had one daughter  The couple divorced in 1970 Wiggins lived in London for 16 years, and for brief periods in Paris, Brussels, and Rome  In January 1988, she married novelist Salman Rushdie in London  On February 14, 1989, the Ayatollah Ruhollah Khomeini issued a Fatwa ordering Rushdie's assassination for alleged blasphemy in his book, The Satanic Verses  Although Wiggins had told Rushdie only five days prior that she wished to end their marriage, she nevertheless went into hiding along with him  In 1993, the two divorced In 2016 Wiggins suffered a stroke, leaving her unable to read or write  She regained those abilities and completed her novel Properties of Thirst over the course of several years  She was assisted by her daughter Lara Porzak Wiggins currently lives in Los Angeles, California, where she has been in the English department of the University of Southern California since 2005 
I have lived a really interesting life," she told Pamela J  Johnson in July 2006  "I haven't lived it so I can excavate material for my writing " She added, "I'm a novelist  I don't have those muscles  It's not about me  It's about what I've imagined  It's the universal voice that I want to move forward  That's my natural voice 

Awards and honors
1989: Whiting Award
1989: Janet Heidinger Kafka Prize for John Dollar
2003: Finalist for the National Book Award for Evidence of Things Unseen
2004: Finalist for the Pulitzer Prize for Evidence of Things Unseen

Bibliography
Novels
Babe, 1975; the story of a single mother 
Went South, 1980 
Separate Checks, 1984; a short-story writer recovers from a nervous breakdown After this book was published, Wiggins was able to support herself and her daughter from her novels John Dollar, 1989; eight girls, marooned on an island Won the Janet Heidinger Kafka Prize for best novel written by an American woman Eveless Eden, 1995; the romance between a war correspondent and a photographer Story suggested by then-husband Salman Rushdie 
Shortlisted for 1996 Orange Prize Almost Heaven, 1998 
Evidence of Things Unseen, 2003; the dawn of the atomic age is seen through the eyes of Fos, an amateur chemist in Kitty Hawk, North Carolina, and Opal, a glassblower's daughter Nominated for 2003 National Book Award 
Gold medal for 2004 Commonwealth Club Prize (fiction) 
Finalist for 2004 Pulitzer Prize The Shadow Catcher, 2007; a dual narrative threading early life of photographer Edward Curtis and current life of "Marianne Wiggins "
Properties of Thirst, 2022

Collections
Herself in Love and Other Stories, 1987 
"Herself in Love," Originally published in Granta 17: While Waiting for a War, August 1985
Bet They'll Miss Us When We're Gone, 1991 
Passage 8:
Leslie Pietrzyk
Leslie Pietrzyk is an American author who has published three novels, Pears on a Willow Tree, A Year and a Day, and  Silver Girl, as well as two books of short stories, This Angel on My Chest and Admit This To No One  An additional historical novel, Reversing the River, set in Chicago on the first day of 1900, was serialized on the literary app, Great Jones Street 

Career
Her short fiction has appeared in The Gettysburg Review, The Iowa Review, New England Review, The Sun, Ploughshares, River Styx, The Washington Post Magazine, TriQuarterly, and Shenandoah She holds a B A  in English/Creative Writing from Northwestern University and an M F A  in creative writing from American University   She lives in Alexandria, Virginia, and teaches in the Masters in Writing program at Johns Hopkins University as well as the Low-Residency MFA program at Converse College in Spartanburg, South Carolina 
Pietrzyk is also the founder and editor of Redux, an online journal featuring previously published work 

Personal life
In a 2015 Salon piece, Pietrzyk wrote that she met her first husband in college, that he died of a heart attack at age 37, after they had been married for ten years, and that she later remarried 

Awards and honors
Her first short story collection, This Angel on My Chest , won the 2015 Drue Heinz Literature Prize 
Pietrzyk's story "Stay There," first published in The Southern Review and  later included in her 2021 collection of linked short stories, Admit This To No One, won a 2020 Pushcart Prize 
Pietrzyk was a co-winner of the Polish American Historical Association's 2020 Creative Arts Prize, awarded to artists "who have promoted an awareness of the Polish experience in the Americas "
Other awards include residencies to Hawthornden Castle, the Wolff Cottage in Fairhope (AL), Writer in Residence at ARGS, Virginia Center for Creative Arts, Kimmel Harding Nelson Center, and The Hambidge Center 
Short story awards include the Jeanne Charpiot Goodheart Prize for Fiction from Shenandoah and the Chris O’Malley Fiction Prize from Madison Review 

Works
Pears on a Willow Tree,  New York, NY Bard 1998  ISBN 9780380976676, OCLC 245707562
A Year and a Day: a Novel, New York : William Morrow, 2003  ISBN 9780060554651, OCLC 223590478
This Angel on My Chest : stories,  Pittsburgh, PA : University of Pittsburgh Press, 2015  ISBN 9780822944423, OCLC 910334443
Silver Girl, Los Angeles, CA: Unnamed Press, 2018  ISBN 9781944700515, OCLC 1025341666
Admit This To No One: Stories, Unnamed Press, 2021 
Passage 9:
Mariloup Wolfe
Mariloup Wolfe (born 3 January 1978) is a Canadian actress and film director  She went to F A C E  School, an art school in Montreal  She holds a major in Film Production from Concordia University (2001) and a minor in Cultural Studies from McGill University (1999)  Mariloup Wolfe became famous through her role as Marianne in the popular TV series Ramdam broadcast since 2001 on Télé-Québec 

Personal life
She was married to actor Guillaume Lemay-Thivierge  They have two sons Manoé and Miro Lemay-Thivierge  They announced their separation on 13 November 2015 

Filmography
Film roles
2001 : The favorite game, Shell look-alike
2002 : Cul-de-sac, Victoire
2004 : C R A Z Y , Brigitte
2004 : À part des autres, Nellie
2005 : De ma fenêtre, sans maison, Sylvie
2007 : Taking the Plunge (À vos marques    party!), Sandrine Meilleur
2007 : Les rois du surf (animation), voice (lead)
2009 : Taking the Plunge 2 (À vos marques    party! 2), Sandrine Meilleur
2010 : Toy Story 3 (animation), voice of Barbie in Quebec version (Histoire de jouet 3)
2015: Snowtime! (La Guerre des tuques 3D) – Sophie

TV series roles
1999 : Tag, Camilla
1999-00 : 2 frères, Ariane Aubry
2000 : Caserne 24, Marie-Ève
2000 : Km/h (III), Julie
2001–08 : Ramdam, Marianne
2002 : Fred-DY (II), Élise Désy
2002 : Le plateau, Patineuse artistique
2002 : Jean Duceppe, Denise Pelletier
2003 : 3X Rien, Sonia
2006 : Il était une fois dans le trouble, Sabrina
2007 : C A , Marie-Pierre
2007–08 : Fais ça court!, host (autumn 2007 – winter 2008)
2010 : Musée Éden, Camille Courval

Director
2001: Fly fly (short film)
2004: Trois petits coups (short film)
2008: Free Fall (Les Pieds dans le vide) (full-length film)
2019: Jouliks
2022: Arlette

Awards and nominations
Prizes
2005 : Prix MetroStar : Youth artiste for Ramdam
2007 : Prix Artis : Youth artiste
2007 : Prix KARV : Best mother
2007 : Prix KARV : Coolest Québécois personality
2007 : Prix Gémeaux : Best leading youth role for Ramdam
2008 : Prix Artis : Youth artiste

Nominations
2004 : Nomination Prix MetroStar : Youth artiste for Ramdam
2006 : Nomination Prix Artis : Youth artiste for Ramdam
2004 : Nomination Prix Gémeaux : Best leading youth role for Ramdam
Passage 10:
Mari Mancusi
Mari Mancusi, sometimes credited as Marianne Mancusi, is an American author of  middle grade young adult and new adult novels and former Emmy Award winning television news producer 

Bibliography
Blood Coven Vampires Series
Boys That Bite (2006)
Stake That (2006)
Girls That Growl (2007)
Bad Blood (2009)
Night School (2010)
Blood Ties (2011)
Soul Bound (2012)
Blood Forever (2012)
Blood Coven Vampires Volume One (2011)
‘’Once Upon a Vampire’’ (2017)

Scorched series
Scorched (2013)
Shattered (2014)
Smoked (2015)

Frozen series
Frozen 2: Dangerous Secrets (2020)
Frozen: Polar Nights (2022)

Middle Grade novels
"Golden Girl" (2015)
"Princesses, Inc" (2017)
"The Camelot Code: The Once and Future Geek” (2018)
"The Camelot Code: Geeks and the Holy Grail" (2019)
”Dragon Ops” (2020)
"Dragon Ops 2" (2021)

Standalone novels
A Connecticut Fashionista in King Arthur's Court (2005)
Sk8er Boy (2005)
What, No Roses? (2006)
A Hoboken Hipster in Sherwood Forest (2007)
Moongazer (2007) (Reissued in 2012 as Alternity)
Razor Girl (2008) (Reissued in 2012 as Tomorrow Land)
News Blues (2008) (Reissued in 2012 as Love at 11)
Gamer Girl (2008)
These Boots Were Made for Stomping (Anthology, 2008) (Reissued story "Karma Kitty Goes to Comic Con" in 2011)
My Zombie Valentine (Anthology, 2010) (Reissued story "Zombiewood Confidential" in 2011)

Awards
2006 Most Innovative Historical Romance Award for What, No Roses?, RT Book Reviews
2009 Quick Picks for Reluctant Young Adult Readers for Gamer Girl, YALSA
2012 Popular Paperbacks for Young Adults for Gamer Girl, YALSA
Context 2: Passage 1:
Dameh
Dameh (Persian: دمه) is a village in Qaleh-ye Khvajeh Rural District, in the Central District of Andika County, Khuzestan Province, Iran  At the 2006 census, its population was 87, in 12 families 
Passage 2:
Rhosgoch
Rhosgoch (Welsh pronunciation; meaning: Red Moor) is a small village in the north of the island of Anglesey, Wales, about 3 5 miles (5 6 km) to the south-west of Amlwch  It is in the community of Rhosybol 
A short distance to the west of the village is the small lake Llyn Hafodol and a mile to the south is Anglesey's largest body of water the reservoir Llyn Alaw (Water Lily Lake) The village once had a station on the Anglesey Central Railway  Although the tracks still exist, no train has run on them since 1993  Also connected to the railway, was a short south-west facing spur that led to an oil terminal  This was linked to a floating dock in the sea off of Amlwch, where super-tankers could dock in all tides and feed oil via Rhosgoch and a pipeline to Stanlow oil refinery  This operation lasted for 16 years between 1974 and 1990 The first tornado of the record-breaking 1981 United Kingdom tornado outbreak, an F1/T2 tornado, touched down close to Rhosgoch at around 10:19 local time on 23 November 1981 
Passage 3:
Khosrow, Andika
Khosrow (Persian: خسرو) is a village in Qaleh-ye Khvajeh Rural District, in the Central District of Andika County, Khuzestan Province, Iran  At the 2006 census, its population was 70, in 13 families 
Passage 4:
Qaleh-ye Sahar
Qaleh-ye Sahar (Persian: قلعه سحر, also Romanized as Qal‘eh-ye Saḩar and Qal‘eh Sahar; also known as Qal‘eh-ye Saḩar Alhā’ī) is a village in Elhayi Rural District, in the Central District of Ahvaz County, Khuzestan Province, Iran  At the 2006 census, its population was 801, in 129 families 
Passage 5:
Qaleh-ye Askar
Qaleh-ye Askar or Qaleh Askar (Persian: قلعه عسكر), also rendered as Qaleh-ye Asgar and Qaleh Asgar may refer to:

Qaleh-ye Askar, Bam
Qaleh Askar, Bardsir
Qaleh Asgar Rural District
Passage 6:
Gohar, Iran
Gohar (Persian: گهر) is a village in Qaleh-ye Khvajeh Rural District, in the Central District of Andika County, Khuzestan Province, Iran  At the 2006 census, its population was 85, in 11 families 
Passage 7:
Qaleh-ye Zaras
Qaleh-ye Zaras (Persian: قلعه زراس, also Romanized as Qal‘eh-ye Zarās, Qal‘eh Zarās, and Qal‘eh Zarrās; also known as Ghal’eh Zaras) is a village in Qaleh-ye Khvajeh Rural District, in the Central District of Andika County, Khuzestan Province, Iran  At the 2006 census, its population was 291, in 49 families 
Passage 8:
Qaleh-ye Pain
Qaleh-ye Pain (Persian: قلعه پائين) may refer to:

Qaleh-ye Pain, Bavanat
Qaleh-ye Pain, Marvdasht
Qaleh-ye Pain Baram
Qaleh-ye Pain Deh Shah
Passage 9:
Qaleh-ye Bakhtiar
Qaleh-ye Bakhtiar or Qaleh-ye Bakhteyar (Persian: قلعه بختيار) may refer to:

Qaleh-ye Bakhtiar, Chaharmahal and Bakhtiari
Qaleh-ye Bakhtiar, Hamadan
Passage 10:
Qaleh-ye Nashin Shahi
Qaleh-ye Nashin Shahi (Persian: قلعه نشين شاهي, also Romanized as Qalʿeh Nashīn Shāhī; also known as Qaleh-ye Shinshahi) is a village in Shurab Rural District, Veysian District, Dowreh County, Lorestan Province, Iran  At the 2006 census, its population was 72, in 14 families 
Context 3: Passage 1:
Jacob Le Maire
Jacob Le Maire (c  1585 – 22 December 1616) was a Dutch mariner who circumnavigated the earth in 1615 and 1616  The strait between Tierra del Fuego and Isla de los Estados was named the Le Maire Strait in his honour, though not without controversy  It was Le Maire himself who proposed to the council aboard Eendracht that the new passage should be called by his name and the council unanimously agreed with Le Maire  The author or authors of The Relation took Eendracht captain Willem Schouten's side by proclaiming:

“     our men had each of them three cups of wine in signe of ioy for our good hap     [and the naming of] the Straights of Le Maire, although by good right it should rather have been called Willem Schouten Straight, after our Masters Name, by whose wise conduction and skill in sayling, the same was found ” Eendracht then rounded Cape Horn, proving that Tierra del Fuego was not a continent 

Biography
Jacob Le Maire was born in either Antwerp or Amsterdam, one of the 22 children of Maria Walraven of Antwerp and Isaac Le Maire (1558–1624) of Tournai, who was then already a prosperous merchant in Antwerp  Isaac and Maria married shortly before the Spanish siege of Antwerp in 1585 after which they fled to settle in Amsterdam  Jacob is thought to have been the oldest son, born perhaps the same year  Isaac was very successful in Amsterdam, and became one of the founders of the Dutch East Indies Company (VOC)  However, in 1605 Isaac Le Maire was forced to leave the company after a dispute and for the next decade tried to break the company's monopoly on the trade to the East Indies 
By 1615 Isaac had established a new company (the Australian Company) with the goal to find a new route to the Pacific and the Spice Islands, thereby evading the restrictions of the VOC  He contributed to the outfitting of two ships, the Eendracht and Hoorn, and put his son Jacob in charge of trading during the expedition  The experienced ship master Willem Schouten was captain of the Eendracht and a participant of the enterprise in equal shares with Isaac Le Maire On 14 June 1615 Jacob le Maire and Willem Schouten sailed from Texel in the United Provinces  On 29 January 1616 they rounded Cape Horn, which they named for the Hoorn, which was lost in a fire   The Dutch city of Hoorn was also the birthplace of Schouten  After failing to moor at the Juan Fernández Islands in early March, the ships crossed the Pacific in a fairly straight line, visiting several of the Tuamotus  Between 21 and 24 April 1616 they were the first Westerners to visit the (Northern) Tonga islands: "Cocos Island" (Tafahi), "Traitors Island" (Niuatoputapu), and "Island of Good Hope" (Niuafo'ou)  On 28 April they discovered the Hoorn Islands (Futuna and Alofi), where they were very well received and stayed until 12 May  They then followed the north coasts of New Ireland and New Guinea and visited adjacent islands, including, on 24 July, what became known as the Schouten Islands 
They reached the northern Moluccas in August and finally Ternate, the headquarters of the VOC, on 12 September 1616  Here they were enthusiastically welcomed by Governor-General Laurens Reael, admiral Steven Verhagen, and the governor of Ambon, Jasper Jansz 
The Eendracht sailed on to Java and reached  Batavia on 28 October with a remarkable 84 of the original 87 crew members of both ships on board  Although they had opened an unknown route, Jan Pieterszoon Coen of the VOC claimed infringement of its monopoly of trade to the Spice Islands  Le Maire and Schouten were arrested and the Eendracht was confiscated  After being released, they returned from Batavia to Amsterdam in the company of Joris van Spilbergen, who was on a circumnavigation of the earth himself, be it via the traditional Strait of Magellan 
Le Maire was aboard the ship Amsterdam on this journey home, but died en route  Van Spilbergen was at his deathbed and took Le Maire's report of his trip, which he included in his book Mirror of the East and West Indies  The rest of the crew arrived in the Netherlands on 1 July 1617, two years and 17 days after they departed  Jacob's father Isaac challenged the confiscation and the conclusion of the VOC, but it took him until 1622 until a court ruled in his favour  He was awarded 64,000 pounds and retrieved his son's diaries (which he then published as well), and his company was allowed trade via the newly discovered route  Unfortunately, by then, the Dutch West Indies Company had claimed the same waters 

Footnotes
Passage 2:
Éric Rohmer
Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (French: [eʁik ʁomɛʁ]; 21 March 1920 – 11 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher 
Rohmer was the last of the post-World War II French New Wave directors to become established  He edited the influential film journal Cahiers du cinéma from 1957 to 1963, while most of his colleagues—among them Jean-Luc Godard and François Truffaut—were making the transition from critics to filmmakers and gaining international attention 
Rohmer gained international acclaim around 1969 when his film My Night at Maud's was nominated at the Academy Awards  He won the San Sebastián International Film Festival with Claire's Knee in 1971 and the Golden Lion at the Venice Film Festival for The Green Ray in 1986  Rohmer went on to receive the Venice Film Festival's Career Golden Lion in 2001 
After Rohmer's death in 2010, his obituary in The Daily Telegraph described him as "the most durable filmmaker of the French New Wave", outlasting his peers and "still making movies the public wanted to see" late in his career 

Early life
Rohmer was born Jean-Marie Maurice Schérer (or Maurice Henri Joseph Schérer) in Nancy (also listed as Tulle), Meurthe-et-Moselle department, Lorraine, France, the son of Mathilde (née Bucher) and Lucien Schérer  Rohmer was a Catholic  He was secretive about his private life and often gave different dates of birth to reporters  He fashioned his pseudonym from the names of two famous artists: actor and director Erich von Stroheim and writer Sax Rohmer, author of the Fu Manchu series  Rohmer was educated in Paris and received an advanced degree in history, though he seemed equally interested and learned in literature, philosophy, and theology 

Career as a journalist
Rohmer first worked as a teacher in Clermont-Ferrand  In the mid-1940s he quit his teaching job and moved to Paris, where he worked as a freelance journalist  In 1946 he published a novel, Elisabeth (AKA Les Vacances) under the pen name Gilbert Cordier  While living in Paris, Rohmer first began to attend screenings at Henri Langlois's Cinémathèque Française, where he first met and befriended Jean-Luc Godard, François Truffaut, Claude Chabrol, Jacques Rivette and other members of the French New Wave  Rohmer had never been very interested in film, preferring literature, but soon became an intense lover of films and about 1949 switched from journalism to film criticism  He wrote film reviews for such publications as Révue du Cinéma, Arts, Temps Modernes and La Parisienne In 1950, he co-founded the film magazine La Gazette du Cinéma with Rivette and Godard, but it was short-lived  In 1951 Rohmer joined the staff of André Bazin's newly founded film magazine Cahiers du Cinéma, of which he became the editor in 1956  There, Rohmer established himself as a critic with a distinctive voice; fellow Cahiers contributor and French New Wave filmmaker Luc Moullet later remarked that, unlike the more aggressive and personal writings of younger critics like Truffaut and Godard, Rohmer favored a rhetorical style that made extensive use of questions and rarely used the first person singular  Rohmer was known as more politically conservative than most of the Cahiers staff, and his opinions were highly influential on the magazine's direction while he was editor  Rohmer first published articles under his real name but began using "Éric Rohmer" in 1955 so that his family would not find out that he was involved in the film world, as they would have disapproved Rohmer's best-known article was "Le Celluloïd et le marbre" ("Celluloid and Marble", 1955), which examines the relationship between film and other arts  In the article, Rohmer writes that in an age of cultural self-consciousness, film is "the last refuge of poetry" and the only contemporary art form from which metaphor can still spring naturally and spontaneously In 1957 Rohmer and Claude Chabrol wrote Hitchcock (Paris: Éditions Universitaires, 1957), the earliest book-length study of Alfred Hitchcock  It focuses on Hitchcock's Catholic background and has been called "one of the most influential film books since the Second World War, casting new light on a filmmaker hitherto considered a mere entertainer"  Hitchcock helped establish the auteur theory as a critical method and contributed to the reevaluation of the American cinema that was central to that method 
By 1963 Rohmer was becoming more at odds with some of the more radical left-wing critics at Cahiers du Cinéma  He continued to admire US films while many of the other left-wing critics had rejected them and were championing cinéma vérité and Marxist film criticism  Rohmer resigned that year and was succeeded by Rivette 

Film career
1950–1962: Shorts and early film career
In 1950 Rohmer made his first 16mm short film, Journal d'un scélérat  The film starred writer Paul Gégauff and was made with a borrowed camera  By 1951 Rohmer had a bigger budget provided by friends and shot the short film Présentation ou Charlotte et son steak  The 12-minute film was co-written by and starred Jean-Luc Godard  The film was not completed until 1961  In 1952 Rohmer began collaborating with Pierre Guilbaud on a one-hour short feature, Les Petites Filles modèles, but the film was never finished  In 1954 Rohmer made and acted in Bérénice, a 15-minute short based on a story by Edgar Allan Poe  In 1956 Rohmer directed, wrote, edited and starred in La Sonate à Kreutzer, a 50-minute film produced by Godard  In 1958 Rohmer made Véronique et son cancre, a 20-minute short produced by Chabrol 
Chabrol's company AJYM produced Rohmer's feature directorial debut, The Sign of Leo (Le Signe du lion) in 1959  In the film an American composer spends the month of August waiting for his inheritance while all his friends are on vacation and gradually becomes impoverished  It included music by Louis Sagver  The Sign of Leo was later recut and rescored by distributors when Chabrol was forced to sell his production company, and Rohmer disowned the recut version  In 1962 Rohmer and Barbet Schroeder co-founded the production company Les Films du Losange (they were later joined by Pierre Coltrell in the late 1960s)  Les Films du Losange produced all of Rohmer's work (except his last three features produced by La Compagnie Eric Rohmer) 

1962–1972: Six Moral Tales and television work
Rohmer's career began to gain momentum with his Six Moral Tales (Six contes moraux)  Each of the films in the cycle follows the same story, inspired by F  W  Murnau's Sunrise: A Song of Two Humans (1927): a man, married or otherwise committed to a woman, is tempted by a second woman but eventually returns to the first For Rohmer, these stories' characters "like to bring their motives, the reasons for their actions, into the open, they try to analyze, they are not people who act without thinking about what they are doing  What matters is what they think about their behavior, rather than their behavior itself " The French word "moraliste" does not translate directly to the English "moralist" and has more to do with what someone thinks and feels  Rohmer cited the works of Blaise Pascal, Jean de La Bruyère, François de La Rochefoucauld and Stendhal as inspirations for the series : 292  He clarified, "a moraliste is someone who is interested in the description of what goes on inside man  He's concerned with states of mind and feelings " Regarding the repetition of a single storyline, he explained that it would allow him to explore six variations of the same theme  Plus, he stated, "I was determined to be inflexible and intractable, because if you persist in an idea it seems to me that in the end you do secure a following ": 295 The first Moral Tale was The Bakery Girl of Monceau (1963)  This 26-minute film portrays a young man, a college student, who sees a young woman in the street and spends days obsessively searching for her  He meets a second woman who works in a bakery and begins to flirt with her, but abandons her when he finally finds the first woman  Schroder starred as the young man and Bertrand Tavernier was the narrator  The second Moral Tale was Suzanne's Career (1963)  This 60-minute film portrays a young student who is rejected by one woman and begins a romantic relationship with a second  The first and second Moral Tales were never theatrically released and Rohmer was disappointed by their poor technical quality  They were not well known until after the release of the other four In 1963 Les Films du Losange produced the New Wave omnibus film Six in Paris, of which Rohmer's short "Place de l'Etoile" was the centerpiece : 290  After being driven out of his editor position at Cahiers, Rohmer began making short documentaries for French television  Between 1964 and 1966 Rohmer made 14 shorts for television through the Office de Radiodiffusion Télévision Française (ORTF) and Télévision Scolaire  These included episodes of Filmmakers of Our Time on Louis Lumiere and Carl Theodor Dreyer, educational films on Blaise Pascal and Stéphane Mallarmé, and documentaries on the Percival legend, the industrial revolution and female students in Paris  Rohmer later said that television taught him how to make "readable images"  He later said, "When you show a film on TV, the framing goes to pieces, straight lines are warped   the way people stand and walk and move, the whole physical dimension   all this is lost  Personally I don't feel that TV is an intimate medium " In 1964 Rohmer made the 13-minute short film Nadja à Paris with cinematographer Nestor Almendros Rohmer and Schroder then sold the rights of two of their short films to French television in order to raise $60,000 to produce the feature film La Collectionneuse in 1967, the third Moral Tale  The film's budget went only to film stock and renting a house in St  Tropez as a set  Rohmer described it as a film about l'amour par désoeuvrement ("love from idleness")  La Collectionneuse won the Jury Grand Prix at the 17th Berlin International Film Festival and was praised by French film critics, though US film critics called it "boring" The fourth Moral Tale was My Night at Maud's in 1969  The film was made with funds raised by Truffaut, who liked the script, and was initially intended to be the third Moral Tale  But because the film takes place on Christmas Eve, Rohmer wanted to shoot the film in December  Actor Jean-Louis Trintignant was not available so filming was delayed for a year  The film centers on Pascal's Wager and stars Trintignant, Françoise Fabian, Marie-Christine Barrault and Antoine Vitez  My Night at Maud's was Rohmer's first successful film both commercially and critically  It was screened and highly praised at the 1969 Cannes Film Festival and later won the Prix Max Ophüls  It was released in the US and praised by critics there as well  It eventually received Oscar nominations for Best Original Screenplay and Best Foreign Film  James Monaco wrote, "Here, for the first time the focus is clearly set on the ethical and existential question of choice  If it isn't clear within Maud who actually is making the wager and whether or not they win or lose, that only enlarges the idea of le pari ("the bet") into the encompassing metaphor that Rohmer wants for the entire series "The fifth Moral Tale was Le genou de Claire (Claire's Knee, 1970)  It won the Grand Prix at the San Sebastián International Film Festival, the Prix Louis Delluc and the Prix Méliès, and was a huge international success  Vincent Canby called it "something close to a perfect film " It was Rohmer's second film in color  Rohmer said, "the presence of the lake and the mountains is stronger in color than in black and white  It is a film I couldn't imagine in black and white  The color green seems to me essential in that film   This film would have no value to me in black and white "The sixth and final Moral Tale was 1972's Love in the Afternoon (released as Chloe in the Afternoon in the US)  Molly Haskell criticized the film for betraying the rest of the series by making a moral judgment of the main character and approving of his decision in the film Overall, Rohmer said he wanted the Six Moral Tales "to portray in film what seemed most alien to the medium, to express feelings buried deep in our consciousness  That's why they have to be narrated in the first person singular   The protagonist discusses himself and judges his actions  I film the process "

1972–1987: Adaptations and Comedies and Proverbs
Following the Moral Tales Rohmer wanted to make a less personal film and adapted a novella by Heinrich von Kleist, La Marquise d'O    in 1976  It was one of Rohmer's most critically acclaimed films, with many critics ranking it with My Night at Maud's and Claire's Knee  Rohmer stated that "It wasn't simply the action I was drawn to, but the text itself  I didn't want to translate it into images, or make a filmed equivalent  I wanted to use the text as if Kleist himself had put it directly on the screen, as if he were making a movie     Kleist didn't copy me and I didn't copy him, but obviously there was an affinity "In 1978 Rohmer made the Holy Grail legend film Perceval le Gallois, based on a 12th-century manuscript by Chrétien de Troyes  The film received mostly poor critical reviews  Tom Milne said that the film was "almost universally greeted as a disappointment, at best a whimsical exercise in the faux-naif in its attempt to capture the poetic simplicity of medieval faith, at worse an anticlimatic blunder" and that it was "rather like watching the animation of a medieval manuscript, with the text gravely read aloud while the images — cramped and crowded, coloured with jewelled brilliance, delighting the eye with bizarre perspectives — magnificently play the role traditionally assigned to marginal illuminations " In 1980 Rohmer made a film for television of his stage production of Kleist's play Catherine de Heilbronn, another work with a medieval setting Later in 1980 Rohmer embarked on a second series of films: the "Comedies and Proverbs" (Comédies et Proverbes), where each film was based on a proverb  The first "Comedy and proverb" was The Aviator's Wife, which was based on an idea that Rohmer had had since the mid-1940s  This was followed in 1981 with Le Beau Mariage (A Perfect Marriage), the second "Comedy and Proverb"  Rohmer stated that "what interests me is to show how someone's imagination works  The fact that obsession can replace reality " In his review of the film, film critic Claude Baignères said that "Eric Rohmer is a virtuoso of the pen sketch   [He had not been] at ease with the paint tubes that Persival required, [but in this film he created] a tiny figurine whose every feature, every curl, every tone is aimed at revealing to us a state of soul and of heart " Raphael Bassan said that "the filmmaker fails to achieve in these dialogues the flexibility, the textual freedom of The Aviator's Wife  A Perfect Marriage is only a variation on the spiritual states of the petty bourgeoise who go on and on forever about the legitimacy of certain institutions or beliefs confronted by problems of the emotions  Quite simply, this is a minor variation on this central Rohmerian theme "The third "Comedy and proverb" was Pauline at the Beach in 1983  It won the Silver Bear for Best Director at the 33rd Berlin International Film Festival  It was based on an idea that Rohmer had in the 1950s, originally intended for Brigitte Bardot  Rohmer often made films that he had been working on for many years and stated "I can't say 'I make one film, then after that film I look for a subject and write on that subject   then I shoot ' Not at all   these are films that are drawn from one evolving mass, films that have been in my head for a long time and that I think about simultaneously "The fourth "Comedy and Proverb" was Full Moon in Paris in 1984  The film's proverb was invented by Rohmer himself: "The one who has two wives loses his soul, the one who has two houses loses his mind " The film's cinematographer Renato Berta called it "one of the most luxurious films ever made" because of the high amount of preparation put into it  The film began with Rohmer and the actors discussing their roles and reading from the film's scenario while tape recording the rehearsals  Rohmer then re-wrote the script based on these sessions and shot the film on Super 8mm as a dress rehearsal  When the film was finally shot, Rohmer often used between two and three takes for each shot, and sometimes only one take  Alain Bergala and Alain Philippon have stated that "all the art of Eric Rohmer consists of creating on the set a veritable osmosis among himself, the actors and the technicians " Rohmer even encouraged actress Pascale Ogier to design sets for the film since her character is an interior decorator  Ogier later won the Best Actress award at the Venice Film Festival  Alain Philippon called the film "one of the most accomplished films that Rohmer has given us   and that if the film moves it is because of its own risk-taking "The fifth "Comedy and Proverb" was The Green Ray in 1986  Rohmer explained that "I was struck by the naturalness of television interviews  You can say that here, nature is perfect  If you look for it, you find it because people forget the cameras " As was becoming his custom in pre-production, Rohmer gathered his cast together to discuss the project and their characters, but then allowed each actor to invent their own dialogue  Rohmer stated that lead actress Marie Rivière "is the one who called the shots, not only by what she said, but by the way she'd speak, the way she'd question people, and also by the questions her character evoked from the others " The film was shot chronologically and in 16mm so as to be "as inconspicuous as possible, to have Delphine blend into the crowd as a way, ultimately, of accentuating her isolation " Rohmer also instructed his cinematographer Sophie Maintigneux to keep technical aspects of the shoot to a minimum so as to not interrupt or distract the actors  The film's only major expense was a trip to the Canary Islands in order to film the green rays there  Rohmer chose to première the film on Canal Plus TV, a pay-TV station that paid $130,000 for the film, which was only one fifth of its budget  Rohmer stated that "Cinema here will survive only because of television  Without such an alliance we won't be able to afford French films "  The experiment paid off when the film was a theatrical hit after being released three days after its initial broadcast   It won the Golden Lion and the FIPRESCI Prize at the 1986 Venice Film Festival   It was mostly praised by film critics, although Alain Robbe-Grillet wrote an unfavorable review and stated "I didn't like it very much "The Sixth "Comedy and Proverb" was Boyfriends and Girlfriends (L'Ami de mon amie) in 1987 

1987–2009: Tales of the Four Seasons and later film career
He followed these with a third series in the 1990s: Tales of the Four Seasons (Contes des quatre saisons)  Conte d'automne or Autumn Tale was a critically acclaimed release in 1999 when Rohmer was 79  The previous titles of the series were A Tale of Springtime (1990), A Tale of Winter (1992), and A Summer's Tale (1996) 
Beginning in the 2000s, Rohmer, in his eighties, returned to period drama with The Lady and the Duke and Triple Agent  The Lady and the Duke caused considerable controversy in France, where its negative portrayal of the French Revolution led some critics to label it monarchist propaganda   Its innovative cinematic style and strong acting performances led it to be well received elsewhere 
In 2001, his life's work was recognised when he received the Golden Lion at the Venice Film Festival In 2007, Rohmer's final film, The Romance of Astrea and Celadon, was shown during the Venice Film Festival, at which he spoke of retiring 

Style
Rohmer's films concentrate on intelligent, articulate protagonists who frequently fail to own up to their desires  The contrast between what they say and what they do fuels much of the drama in his films  Gerard Legrand once said that "he is one of the rare filmmakers who is constantly inviting you to be intelligent, indeed, more intelligent than his (likable) characters " Rohmer considered filmmaking to be "closer to the novel—to a certain classical style of novel which the cinema is now taking over—than the other forms of entertainment, like the theater "Rohmer saw the full-face closeup as a device that does not reflect how we see each other and avoided its use  He avoids extradiegetic music (not coming from onscreen sound sources), seeing it as a violation of the fourth wall  He has on occasion departed from the rule by inserting soundtrack music in places in The Green Ray (1986) (released as Summer in the United States)  Rohmer also tends to spend considerable time in his films showing his characters going from place to place, walking, driving, bicycling or commuting on a train, engaging the viewer in the idea that part of the day of each individual involves quotidian travel  This was most evident in Le Beau Mariage (1982), which had the female protagonist constantly traveling, particularly between Paris and Le Mans



ground_truth: yes

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Are both villages, Rhosgoch and Qaleh-Ye Sahar, located in the same country?

The following are given passages.
Context 3: 
Rohmer typically populates his films with people in their twenties and the settings are often on pleasant beaches and popular resorts, notably in La Collectionneuse (1967), Pauline at the Beach (1983), The Green Ray (1986) and A Summer's Tale (1996)  These films are immersed in an environment of bright sunlight, blue skies, green grass, sandy beaches, and clear waters  He explained that "people sometimes ask me why most of the main characters in my films are young  I don't feel at ease with older people     I can't get people older than forty to talk convincingly "Rohmer preferred to use non-professional actors in his films  He usually held a large number of rehearsals before shooting and would shoot his films very quickly  He spent little time editing his films  He usually shot his films chronologically, and often shot scenes during the time of day in which they took place  He explained that "my films are based on meteorology  If I didn't call the weather service everyday, I couldn't make my films because they're shot according to the weather outside  My films are slaves to weather "The director's characters engage in long conversations—mostly talking about man–woman relationships but also on mundane issues like trying to find a vacation spot  There are also occasional digressions by the characters on literature and philosophy as most of Rohmer's characters are middle class and university educated 
A Summer's Tale (1996) has most of the elements of a typical Rohmer film: no soundtrack music, no close-ups, a seaside resort, long conversations between beautiful young people (who are middle class and educated) and discussions involving the characters' interests from songwriting to ethnology 
Rohmer said he wanted to look at "thoughts rather than actions", dealing "less with what people do than what is going on in their minds while they are doing it "
Beginning in the late 1970s during the production of Perceval le Gallois Rohmer began to reduce the number of crew members on his films  He first dispensed with the script supervisor, then (controversially) cut out the assistant director, then all other assistants and technical managers until, by the time he shot The Green Ray in 1986, his crew consisted only of a camera operator and a sound engineer  Rohmer stated that "I even wonder if I could work in the usual conditions of filmmaking "His style was famously criticised by Gene Hackman's character in the 1975 film Night Moves who describes viewing Rohmer's films as "kind of like watching paint dry" Rohmer was a highly literary man  His films frequently refer to ideas and themes in plays and novels, such as references to Jules Verne (in The Green Ray), William Shakespeare (in A Winter's Tale) and Pascal's wager (in Ma nuit chez Maud) 

Personal life and death
Rohmer's brother was the philosopher René Schérer  In 1957, Rohmer married Thérèse Barbet  The couple had two sons  The elder, René Monzat (b  1958), is an author and investigative journalist at, most recently, Le Monde and Mediapart  His work focuses on the French far-right Rohmer was a devout Catholic and "ecological zealot"  For years he had no telephone and refused to get into cars, which he called "immoral pollutors"  For many years he was known to jog two miles to his office every morning  He was well known for his need for personal privacy and sometimes wore disguises, such as a false moustache at the New York premiere of one of his films  Rohmer's mother died without ever knowing that her son was a famous film director 

Rohmer died on the morning of 11 January 2010 at the age of 89 after a series of strokes : 1345  He had been admitted to hospital the previous week The former Culture Minister Jack Lang called Rohmer "one of the masters of French cinema"  Director Thierry Fremaux called his work "unique" Rohmer's grave is in district 13 of Montparnasse Cemetery 
At the 2010 César Awards, actor Fabrice Luchini presented a special tribute to Rohmer:

I'm going to read a remarkable text written by Jacques Fieschi, writer, director, creator of "the cinematographe", challenger of Les cahiers du cinéma, which recently published a special edition on Eric Rohmer  Truffaut once said he was one of the greatest directors of the 20th century, Godard was his brother, Chabrol admired him, Wenders couldn't stop taking photos of him  Rohmer is a tremendous international star  The one and only French director who was in coherence with the money spent on his films and the money that his films made  I remember a phrase by Daniel Toscan Du Plantier the day Les Visiteurs opened, which eventually sold 15 million tickets: "Yes but there is this incredible film called L'arbre, le maire et la médiathèque that sold 100,000 tickets, which may sound ridiculous in comparison, but no, because but it was only playing in one theater for an entire year " A happy time for cinema when this kind of thing could happen  Rohmer  Here is a tribute from Jacques Fieschi: "We are all connected with the cinema, at least for a short time  The cinema has its economical laws, its artistic laws, a craft that once in a while rewards us or forgets us  Éric Rohmer seems to have escaped from this reality by inventing his own laws, his own rules of the game  One could say his own economy of the cinema that served his own purpose, which could skip the others, or to be more accurate that couldn't skip the audience with its originality  He had a very unique point of view on the different levels of language and on desire that is at work in the heart of each and every human being, on youth, on seasons, on literature, of course, and one could say on history  Éric Rohmer, this sensual intellectual, with his silhouette of a teacher and a walker  As an outsider he made luminous and candid films in which he deliberately forgot his perfect knowledge of the cinema in a very direct link with the beauty of the world " The text was by Jacques Fieschi and it was a tribute to Éric Rohmer  Thank you 
On 8 February 2010, the Cinémathèque Française held a special tribute to Rohmer that included a screening of Claire's Knee and a short video tribute to Rohmer by Jean-Luc Godard 

Awards and nominations
Filmography
Features
Notes
Passage 3:
Julie Bertuccelli
Julie Mathilde Charlotte Claire Bertuccelli is a French director born February 12, 1968, in Boulogne-Billancourt She is particularly known for her documentary La Cour de Babel released in 2014 and the feature film L'Arbre released in 2010 

Biography
After studies in hypokhâgne, then khâgne, and a master of philosophy, Julie Bertuccelli became, for ten years, assistant director on many feature films, TV movies and short films with Otar Iosseliani, Rithy Panh, Krzysztof Kieślowski, Emmanuel Finkiel, Bertrand Tavernier, Jean-Louis Bertuccelli, Christian de Chalonge, René Féret, and Pierre Etaix Following an introduction to documentary filmmaking in 1993 at Ateliers Varan, she directed fifteen documentaries for Arte, France 3 and France 5, including Une liberté!, La Fabrique des Judges, Welcome to the department store, A world in fusion, Otar Iosseliani, the whistling blackbird, The Glasberg Mystery, Antoinette Fouque, what is a woman?    
His first feature film Since Otar left     has been crowned by twenty awards in France and abroad, including the Grand Prize of the Critics' Week at the 2003 Cannes Film Festival, the César de la meilleur first work in 2004, the Marguerite Duras Prize 2003 and the Michel d'Ornano Award 2003 in Deauville 
L'Arbre is her second feature film  It was nominated for three Césars Her documentary The Court of Babel, released in theaters in March 2014, has been selected in several festivals, including those of New York, Rome, Abu Dhabi, Sheffield, Rio, Montreal, Tokyo, Cairo, and San Francisco 
Her documentary Latest News from the Cosmos (November 2016), received the Audience Award from the Rencontres du Cinéma Documentaire in Montreuil and the FIFA Grand Prix in Montreal (2018) 
Her last feature film, Claire Darling with Catherine Deneuve and Chiara Mastroianni, released in French theaters in February 2019 Claire Darling grossed $0 in North America and a total worldwide of $1 million  With 85 000 spectators in France, the film is a heavy public failure 
Julie Bertuccelli has chaired the Scam since June 2017, having been the first woman elected to this position in 2013, as well as the brand new Cinematheque of the documentary she created with Scam (with which she also created the Eye of 'Or, the Documentary Prize at the Cannes Film Festival in 2015)  She was co-chair with Michel Hazanavicius of the Civil Society of Producers' Authors Producers (ARP) in 2016 
She is the daughter of the director Jean-Louis Bertuccelli and the widow of cinematographer Christophe Pollock 

Filmography
Director
Documentaries
1993: Un métier comme un autre
1994: Une liberté !
1995: Un dimanche en champagne
1995: Le Jongleur de Notre-Dame
1996: Trait d'union
1996: Saint-Denis, les couleurs de la ville
1997: La Fabrique des juges
1999: Bienvenue au grand magasin
2000: Les Îles éoliennes (coll  Voyages, Voyages)
2006: Un monde en fusion
2006: Otar Iosseliani, le merle siffleur (Coll  Cinéastes de notre temps)
2007: Stage Les chantiers nomades: l'acteur concret au cinéma, autour des objets
2008: Le Mystère Glasberg
2008: Antoinette Fouque, qu'est-ce qu'une femme (Coll  Empreintes)
2014: La Cour de Babel
2016: Dernières nouvelles du cosmos

Feature films
2003: Depuis qu'Otar est parti…
2010: L'Arbre
2018:  Claire Darling

Scriptwriter
2002: Depuis qu'Otar est parti…
2010: L'Arbre
2018: Claire Darling

Assistant director
1988–1990: Divers série: Salut les homards, Les six compagnons, Souris noire from Pierre Étaix
1990: Aujourd'hui peut-être from Jean-Louis Bertuccelli
1990: Kaminsky, un flic à Moscou from Stéphane Kurc
1991: Promenades d'été from René Féret
1991: La Chasse aux papillons from Otar Iosseliani
1992: Precheur en eau trouble from Georges Lautner
1992: Trois couleurs: Bleu from Krzysztof Kieślowski
1992: Trois couleurs: Blanc from Krzysztof Kieślowski
1993: Les Dessous du Moulin Rouge from Nils Tavernier
1994: Le Clandestin from Jean-Louis Bertuccelli
1994: Madame Jacques sur la Croisette from Emmanuel Finkiel
1995: L'Appât from Bertrand Tavernier
1995: Le Bel Été 1914 from Christian de Chalonge
1996: Brigands, chapitre VII from Otar Iosseliani
1997: Un soir après la guerre from Rithy Panh

See also
List of female film and television directors
Passage 4:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 5:
L'Arbre, le maire et la médiathèque
The Tree, the Mayor and the Mediatheque (French: L'Arbre, le maire et la médiathèque; known also as Les sept hasards) is a 1993 French comedy-drama film written and directed by Éric Rohmer  The film was shown at the 1993 Montreal World Film Festival where it received the FIPRESCI prize  
The frame story involves the mayor of an isolated French village who, to further his political ambitions, secures a grant to build a sporting and cultural centre, but the necessary felling of a fine willow outrages the schoolteacher and his daughter  Within the frame there is much debate about the current state of France: city versus country, agriculture versus industry, conservatism versus progress, the environment versus growth 

Plot
In Saint-Juire-Champgillon, a remote village of traditional left-wing adherence in the Vendée, Julien Dechaumes has inherited the manor house and grounds and has been elected mayor, though he spends much of his time in Paris with his mistress  There he successfully lobbies the Ministry of Culture for a grant to build a state-of-the-art sports and media centre  By enhancing his reputation in the area, it will boost his chances of entering national politics under the socialist banner  
Opinion in the village is mixed, with the most passionate opposition coming from the schoolteacher, for whom the destruction of a 100-year-old willow symbolises all that is wrong about the plan  When a journalist on a left-wing magazine visits the village to talk to people, her editor cuts her piece to focus on the teacher and the tree  The teacher's ten-year-old daughter explains to the mayor that all the children want is not the sophisticated facilities on offer but just green space and trees  A survey reveals that the water table has dropped alarmingly, needing costly groundworks that make the whole project unviable 

Cast
Pascal Greggory as Julien Dechaumes, the mayor
Arielle Dombasle as Bérénice Beaurivage, the mayor's lover
Fabrice Luchini as Marc Rossignol, the school teacher
Clémentine Amouroux as Blandine Lenoir, the reporter
François-Marie Banier as Régis Lebrun-Blondet, the magazine editor

External links
The Tree, the Mayor and the Mediatheque at IMDb
The Tree, the Mayor and the Mediatheque at AllMovie
The Tree, the Mayor and the Mediatheque at Rotten Tomatoes
Passage 6:
William le Maire de Warzée d'Hermalle
William "Willy" le Maire de Warzée d'Hermalle (French pronunciation: ​[wiljam lə mɛːʁ də vaʁtse dɛʁmal]; 7 March 1879 –1966) was a Belgian tennis player  He has been named as among the best male tennis players in Belgian history Le Maire de Warzée d'Hermalle reached the quarterfinals of Wimbledon in 1904 and 1908 Le Maire de Warzée d'Hermalle was born into the Belgian nobility, the son of Marie-Léon-Hubert le Maire Warzée d'Hermalle (born 1848) and Noëmie Constance Caroline Georgine Valérie de Warzée d'Hermalle (born in Beaufays in 1850)  His elder brother, Marie-Georges-Gérard-Léon le Maire de Warzée d'Hermalle, Baron de Warzée d'Hermalle (1877–1931), was a diplomat and Belgian ambassador to Iran, Japan and China, who married Dorothy Hall, daughter of Irish writer Owen Hall 
Passage 7:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Passage 8:
Isaac Le Maire
Isaac Le Maire  (c  1558 in Tournai – September 20, 1624 in Egmond aan den Hoef) was a Walloon-born entrepreneur, investor, and a sizeable shareholder of the Dutch East India Company (VOC)  He is best known for his constant strife with the VOC, which ultimately led to the discovery of Cape Horn 
Isaac Le Maire was born in 1558 or 1559 in Tournai  He learned the trade from his merchant brother-in-law Jacques van de Walle  Isaac had four brothers, three of whom were merchants  Already in 1584 he was registered in Antwerp as a wealthy grocer  At the time, he was also captain of the company of the Antwerp militia  He rented the house of Bourgognien Schilt, but in 1585 after the fall of Antwerp he fled to the northern Netherlands 
In 1585 he settled in Amsterdam  He was married in Antwerp to Maria Jacobsdr  Walraven and they had 22 children, and one of them, his son Jacob, would go down in history as an explorer  In 1641 his son Maximiliaen became the first VOC chief of Dejima in Japan 
Initially, Isaac Le Maire was the largest shareholder in the VOC 

Merchant in Amsterdam
In 1592 his name was registered for the first time in Amsterdam as a participant in the oldest marine insurance policy  In the following years he grew into the trade in European waters  Initially, he wasn't one of the wealthiest merchants, but he could make major investments by ensuring warrant positions within the direct and indirect family network  
Together with Peter van de Pulle and Dirck van Os he constituted a company for trading in Russia  They carried Baltic grain and timber to Spain  Ships with leather, wax, fur and caviar from Archangelsk often were destined for Venice and Livorno  They also traded in bills of exchange, chartering and marine insurances  Between 1594 and 1598 he had a major position in the fish trade between British ports and Spain 
After Cornelis de Houtman made the first trip to the Indies from 1595 to 1597, Le Maire, like many other merchants, plunged into the Indian adventure  In 1599 he and several others in Amsterdam established the Brabant Company, which carried out two voyages to the Indies  The Brabant Company was very successful, it quickly yielded the company 400% profit 
In 1600 he decided to concentrate on trade with the East Indies, but at that time he already acted in the West Indies as well  In 1601 he officially became a citizen of Amsterdam, which was no doubt because of the merger of the New Brabant Company and the Old Company into the First United East Indies Company in Amsterdam  This company, in which Le Maire was a participant, fitted out eight ships to the Indies, led by Jacob van Heemskerk 

Shareholder of the Dutch East India Company
In 1602, at the insistence of Johan van Oldenbarnevelt, all Dutch trading companies merged into the Vereenigde Oostindische Compagnie (VOC) (also known as the Dutch East India Company)  Le Maire applied for shares for the sum of 85,000 guilders and he became the largest shareholder in the VOC   He got the high position of governor of the VOC  But he soon fell into conflict with the VOC and the Amsterdam Consistory as a result of malpractice concerning the journey of Wybrand van Warwijck in 1602  There were rumours that Le Maire intentionally did not submit receipts and other evidence of his share in the costs  The partners of the VOC let him be sued by the sheriff, but Le Maire settled the matter for 1200 guilders  The details of the offence were held secret  Because of this matter le Maire was forced to leave the VOC in 1605, while he also had to waive acting as a competitor of the VOC  This event was the foundation of his resentment and opposition against the VOC for the rest of his life  After leaving the VOC, he threw himself upon the European coasting trade, especially in grain  However, the thought of the lucrative trade with the Indies haunted him 

Competitor of the Dutch East India Company
Le Maire found his first opportunity to thwart the VOC in the efforts of France to set up a French trading company for India  King Henry IV of France invited him in 1607 for that purpose  Le Maire advised the French on the establishment and organization of a company, and in doing so ignored the competition stipulation with the VOC  However, at that time a French company was not yet established 
Next came the idea to involve Henry Hudson in the French plans  Hudson had already made two unsuccessful attempts for England to find a new North-Eastern passage, and in 1608 he came to the Netherlands to interest the VOC for that plan  He came in contact with Le Maire who proposed to the king of France to finance this expedition  With this attempt to find a new route to the Indies, Le Maire would not commit a breach of contract with the VOC, because the VOC only had a patent to trade via the Cape of Good Hope and the Strait of Magellan, until then the only two known routes to the Indies  The VOC got scent of this intention and offered Hudson a better contract, which ultimately led to his famous third voyage in 1609, discovering the river that was named after him  After the VOC had caught away Hudson, Le Maire and the king of France secretly came to an agreement to make the North-Eastern journey with another captain  The newly to be discovered strait would be named after the French king, and the new discoveries would be made under the French flag  However, the voyage, led by Melchior van den Kerckhove, was a failure 
In 1609, Isaac Le Maire travelled together with Joris van Spilbergen, Balthazar de Moucheron and others to Paris, again to discuss the formation of a French East India Company  De Moucheron played a double role in these discussions, because at one point he asked the ambassador of the Netherlands what it would be worth if he would disrupt the proceedings  The discussions so flagged because of mistrust by the French in Le Maire  Within the VOC the intrigues of Le Maire led to indignation, but it did not result in actual actions against him, probably because the Republic was not looking for a conflict with France during the war with Spain  In 1610 the King of France was killed and thus plans for a French East India Company were shelved 

Speculator against the Dutch East India Company
Isaac Le Maire also tried to use his knowledge of the VOC to cross the company financially  In 1609 he and eight others founded a secret company with the purpose to trade in VOC shares  Le Maire owned nearly one quarter of its shares  This so-called "Grote Compagnie" sold short shares of the VOC, that is, without actually owning them  By the time these shares were to be delivered, there was an interest in keeping the share price as low as possible  Le Maire probably expected that the competition by the still to be created French East India Company would ensure that the share price of the VOC dropped significantly  However, the French company was shelved  Rumours were spread to depress the prices, anyway  Such activities were detrimental to the (existing) VOC shareholders, who sometimes were forced to sell their shares at a low price  In particular, in 1609 the share price fell significantly, and the VOC imputed this to the machinations of Le Maire 
The VOC attempted via the States-General of the Netherlands to impose restrictions on free trade in VOC shares, which the company of Le Maire fiercely resisted  They claimed, the price drop was the result of the bad course of actions of the VOC  But the States-General decided in 1610 to prohibit the sale of shares not in possession (short selling)  During 1610 and 1611 the stock price of the VOC increased  The company of Le Maire then suffered big losses because many shares had to be delivered at a lower price than the market  They were therefore compelled to deliver shares at a loss  Several members of his company went bankrupt and Le Maire had also suffered significant losses, but he could still meet his obligations  This fiasco led him to withdraw from Amsterdam 

Dutch East India Company monopoly broken
Isaac Le Maire sold his property in Amsterdam and retired to his possessions in Egmond aan den Hoef, which he had bought between 1598 and 1600 from the estate of the Count of Egmont  After some time, he again started to make plans to break the VOC monopoly  The VOC owned by patent from the States-General the Dutch monopoly on travels to the Indies via the Cape of Good Hope and through the Strait of Magellan, until then the only two known passages to the Indies  From various travel accounts Le Maire assumed that south of the Magellan Strait another passage from the Atlantic to the Pacific Ocean could exist  In 1614 he founded the Austraalse Compagnie for the purpose of discovering this passage, which would fall outside the VOC monopoly  The voyage was prepared in Hoorn  Two ships were fitted out, the Eendracht and the Hoorn  The journey would be made under the responsibility of his son Jacob Le Maire  Willem Schouten was recruited as an experienced captain  The sailing orders expressly forbade a passage through the Strait of Magellan, even if a new route to the Pacific Ocean could not be found  Furthermore, the expedition was forbidden to trade on the coasts where the VOC had a trading post  At that time, there was still the expectation that a great unknown South Land would exist  Isaac Le Maire hoped to discover it, and in this way tap into an unimagined trading area  But above all, his motive was to circumvent the VOC monopoly  But Isaac gave his son a remarkable secret instruction: although the official sailing order was that no trade should be driven on the coasts where the VOC was established, on arrival in the Indies his son had to make clear to the administrators of the VOC that their monopoly had not been violated, because they had not sailed via the Cape of Good Hope or the Strait of Magellan  Then, he should ask permission to still be allowed to trade  Isaac le Maire anticipated it would not be granted, so Jacob would then have to do everything needed to win Governor-General Gerard Reynst, who had been, like Isaac Le Maire, a participant in the Brabant Company, for their cause  This even went so far as to Jacob asking Van Reynst the hand of one of his daughters  In this way Isaac le Maire tried to sow dissension within the VOC, because if Gerard Reynst allowed them to trade in this way it could lead to a major conflict within the VOC 
On June 14, 1615 the two ships set sail from Texel  The journey was a success in that, with the discovery of the passage round Cape Horn, the monopoly of the VOC was indeed broken, but the unknown South Land was not discovered, and the secret instruction could not be put into action because Gerard Reynst was already deceased 
After the ships had left Texel, the VOC got wind of the real intention of the travel  Therefore, the order was sent to the Indies that, if the expedition would arrive there, the ships would have to be confiscated because of a breach of the VOC's patent  And so it happened  Jacob Le Maire and Willem Schouten were sent back to the Republic, but Jacob Le Maire died during the return voyage  The VOC attempted to rewrite history by assigning the new discoveries to Willem Schouten 

The aftermath of the voyage
Isaac Le Maire had to fight many years to obtain his right  In 1619 the court ruled that the ship Eendracht was unlawfully seized by the VOC  The journals were to be returned to Le Maire, and in 1622 Le Maire could finally publish the Spieghel der Australische Navigatie door den Wijtvermaerden ende Cloeckmoedighen Zee-heldt Jacob Le Maire, to do justice to the discoveries of his son  For the damage, he was awarded 64,000 pounds  However, the court ruled that the Austraalse Compagnie was not allowed to trade in the Indian region, but that they did have the right to travel across the newly discovered route around Cape Horn  However, one year earlier the Dutch West India Company was established and in its patent it received also the monopoly on travels through the Strait of Magellan and other routes in that region  This was contrary to the rights that were granted to Le Maire's Austraalse Compagnie 
Le Maire died on September 20, 1624  He was buried in the Buurkerk in Egmond-Binnen, and on his tombstone he had written that he had lost during 30 years (except for his honour) 1 5 million guilders, a considerable sum at that time  His Australian Company continued the legal fight, but ultimately the States-General decided in 1644 to the detriment of the company 

See also
Financial history of the Dutch Republic
Passage 9:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 10:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 



ground_truth: no

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where does the director of film L'Arbre, Le Maire Et La Médiathèque work at?

The following are given passages.
Context 4:  An eminent astrophysicist and her brother, a small-town Buick salesman, discover how they grew so far apart and the bonds of love that still keep them together 
Shadow Play (1993)  As his wife does gymnastics and magic tricks, his crazy mother invents her own vocabulary, and his aunt writes her own version of the Bible, Five Oaks Assistant City Manager Wyatt Palmer tries to live a normal life and nearly succeeds, but   
The Feast of Love (2000) (Pantheon Books), a reimagined Midsummer Night's Dream, a story told through the eyes of several different people  Nominated for the National Book Award   A film version of the book, starring Morgan Freeman, Fred Ward and Greg Kinnear and directed by Robert Benton, was released in 2007 
Saul and Patsy (2003)  A teacher's marriage and identity are threatened by a dangerously obsessed teenage boy at his school 
The Soul Thief (2008)  A graduate student's complicated relationships lead to a disturbing case of identity theft, which ultimately leads the man to wonder if he really is who he thinks he is 
The Sun Collective (2020, Pantheon Books)  The lives of two very different couples—one retired, one in their twenties—intersect in Minneapolis around an anti-capitalist collective arguing for revolution, as an underground group of extremists wage war on the homeless 

Short story collections
Harmony of the World (1984)  Winner of the Associated Writing Programs Award 
Through the Safety Net (1985)
A Relative Stranger (1990)
Believers (1997)
Gryphon: New and Selected Stories (2011)
There's Something I Want You to Do: Stories (February 2015)

Non-fiction
Burning Down the House: Essays on Fiction (1997)
The Art of Subtext: Beyond Plot (2007)   Winner of the 2008 Minnesota Book Award for General Non-fiction 
Wonderlands: Essays on the Life of Literature (2022)

Poetry collections
Chameleon (1970)
The South Dakota Guidebook (1974)
Imaginary Paintings (1989)

Edited works
The Business of  Memory (1999)
Best New American Voices 2001 (2001)
Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life (2001)
A William Maxwell Portrait: Memories and Appreciations (2004)
Passage 6:
Mike Baxter (athlete)
Michael Ian Baxter (born 1945), is a male retired international athlete and current coach 

Athletics career
Baxter finished fourth in the 1968 AAA Championships and finished runner-up in the 1969 Northern cross-country  He trained with Brendan Foster and was selected for Great Britain's team for the 1969 European Athletics Championships in Athens, and the 1971 European Athletics Championships in Helsinki 
He represented England in the 5,000 metres, at the 1970 British Commonwealth Games in Edinburgh, Scotland His best year came in 1971 when he became AAA National 5000m champion and competed in the 1971 European Athletics Championships  He was a member of the Leeds City Club 

Coaching
Since retiring from competitive racing he has coached athletes 
Passage 7:
Esther Baxter
Esther Baxter (born September 24, 1984) is an American model and actress 

Biography
Baxter rose to prominence after being featured in the music video for Petey Pablo's single "Freek-a-Leek" in 2004  Since then, she has appeared in several music videos, including Ludacris's "Number One Spot", Will Smith's "Switch", Nelly's "Shake Ya Tailfeather" and Kanye West's "The New Workout Plan"  In addition to video success, she has also been in a number of magazines, such as Smooth, VIBE, King, and XXL She has been dubbed "Miss Freek-a-Leek" due to her appearance in Petey Pablo's video As of August 2007, Baxter has retired from modeling and video shoots in order to attend college She was featured on the cover of King's September/October 2011 issue  In an interview, she spoke about her transition from modeling to acting She is of African-American, Norwegian, Puerto Rican, Cuban and Indian descent 

Personal life
She took a two-year hiatus to stay at home and raise her son, Cayden, from a previous relationship 

See also
Hip hop models
Passage 8:
Werner Abrolat
Werner Abrolat (15 August 1924 – 24 August 1997) was a German actor best known for his role as various characters in the West German crime-drama television series Tatort 
After a long career at provincial theatres in West-Germany Abrolat appeared in a number of Spaghetti Westerns in the mid-1960s, such as a member of Indio's gang in the 1965 Sergio Leone film For a Few Dollars More 
In the early 1970s he made a number of films as a voice actor providing the voice for the character of Tjure in Vicky the Viking  He played Polizeipräsident in 00 Schneider – Jagd auf Nihil Baxter (1994)  From the mid-1970s he mostly appeared in German films and German television until his death in 1997 

Filmography
Passage 9:
00 Schneider – Jagd auf Nihil Baxter
00 Schneider – Jagd auf Nihil Baxter (The Search for Nihil Baxter)  is a German comedy-film directed by Helge Schneider  It was released on 22 December 1994 
He wrote the script as well as the music, did film direction, and played the main character and several additional roles 

Plot
The funny clown Bratislav Metulskie is found dead in circus "Apollo"  The retired commissioner 00 Schneider is asked to assume control of the case  Schneider and his aged sidekick Körschgen investigate to find the murderer, Nihil Baxter, a passionate art collector who is a little nuts and does not cultivate social contacts at all  Commissioner Schneider investigates at the circus and pays Baxter a visit  Baxter makes up an alibi and claims that he was working on a painting when the murder took place  The Sidekick Körschgen finds out that the picture is an imitation  When Baxter tries to escape to Rio by plane after he stole a sculpture from the practice of Dr  Hasenbein, 00 Schneider and his sidekick are also on board  As they are incognito, they are able to arrest the criminal with the help of the world-famous "sniffer dog nose" pilot 

Main cast
Helge Schneider - 00 Schneider/Nihil Baxter/Professor Hasenbein/Johnny Flash
Helmut Körschgen - Körschgen
Andreas Kunze - Friend of 00 Schneider
Werner Abrolat - Chief of Police
Bratislav Metulskie - Metulskie
Guenther Kordas - Ringmaster
Passage 10:
Dillon Baxter
Dillon Baxter (born October 23, 1991) is a former American football running back and wide receiver 

Early years
Baxter prepped at Mission Bay Senior High School in San Diego, California, where he played quarterback, running back, and wide receiver as a senior  Mission Bay went 13–0 and won the CIF San Diego Division IV title in 2009  Baxter won the prestigious Silver Pigskin Trophy, awarded annually to San Diego County's most outstanding football player, chosen by KUSI television's Prep Pigskin Report  In addition, Baxter was a consensus High School All-American and also won the Hall Trophy  He chose to attend USC on an athletic scholarship 

College career
Baxter joined the University of Southern California in 2010  In November, he was ruled temporarily ineligible for accepting benefits from an NFLPA-certified agent, but was later reinstated 
On October 25, 2011, ESPN reported that Baxter had been taken off the USC football team, but was still enrolled at the university  Baxter then transferred to San Diego State University and was scheduled to miss the 2012 season due to NCAA transfer restrictions  On February 29, 2012, however, he has been dismissed from the SDSU football program for "various reasons" 
See 2012 Heart of America Athletic Conference football seasonIn May 2012, Baxter enrolled at Baker University, a small NAIA school in Baldwin City, Kansas 
In 2013, he rushed for 1025 yards on 205 carries 
A March 10, 2014 article in The San Diego Union-Tribune indicated that Baxter had matured and was preparing for the NFL 

Professional career
In 2014 Baxter was signed to the Seattle Seahawks' practice squad by Pete Carroll, the coach who formerly recruited him at USC, but he did not make the cut  Baxter also tried out for the Los Angeles Chargers 
On January 24, 2017, Baxter was released by the Arizona Rattlers of the Indoor Football League (IFL)  He was re-signed just two days later  He was released again on February 9, 2017 



ground_truth: Cahiers du cinéma