prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which film has the director who died later, The Great Man'S Lady or La Belle Américaine?

The following are given passages.
Context 1: Passage 1:
La Belle Township, Lewis County, Missouri
La Belle Township is an inactive township in Lewis County, in the U S  state of Missouri La Belle Township was established in 1866, and named after the community of La Belle, Missouri 
Passage 2:
The Great Man (2014 film)
The Great Man (Le Grand Homme) is a 2014 French drama film co-written and directed by Sarah Leonor  It was screened in the Discovery section at the 2014 Toronto International Film Festival 

Cast
Jérémie Renier as Hamilton / Michaël Hernandez
Surho Sugaipov as Markov / Mourad Massaev
Ramzan Idiev as Khadji
Daniel Fassi as Gradé Afghanistan
Jean-Yves Ruf as Colonel Lacour
Sabine Massé as Sabina
Miglen Mirtchev as Johnson
Paul Massé as Magomed
Laura Arsangereeva as Madina
Issita Arslanov as Issita
Michaël Klein as Directeur d'école
Daphné Dumons as Camille
Manon Gineste as Maëva
Sava Lolov as Dr  Arnold
Guillaume Verdier as Sergent-chef Gao
Passage 3:
La Belle
La Belle is a French term meaning "the beautiful one" (feminine); it is sometimes used metaphorically to refer to the country of France 
La Belle may be a place in the US:

La Belle, Missouri
La Belle, New Mexico, a ghost town
La Belle, Texas, an unincorporated community
La Belle Township, Lewis County, Missouri, an inactive township
La Belle Township, Marshall County, South DakotaLa Belle may also be:

La belle jardinière, aka Madonna and Child with Saint John the Baptist, a painting
La Belle, a putative 18th century Huguenot outpost at the Falls of the Ohio
La Belle (discotheque), scene of a 1986 bombing in Berlin, Germany
La Belle Dame sans Merci, a ballad
La Belle, a 17th century sailing ship
La Belle Verte, a 1996 film
James D  La Belle, U S  Marine Hero
La Belle, a 2000 Korean movie starring Oh Ji-ho

See also
Labelle (disambiguation)
Lac La Belle (disambiguation)
Passage 4:
La Belle Américaine
La belle américaine is a French comedy film from 1961, directed by Robert Dhéry, written by Alfred Adam and starring Alfred Adam and Louis de Funès  The film was known under the titles La bella americana (Italian), The American Beauty (English) and Der tolle Amerikaner (German) 

Plot
The wife of a rich man learns that her husband has an affair with a younger woman  She takes revenge on him by selling his beloved big car for little money  The worker Marcel Perrignon is very happy about this bargain but when his boss sees the car, he envies him and Perrignon gets fired  This is the start of a number of mishaps for Perrignon 

Cast
Passage 5:
The Great Man (disambiguation)
The Great Man is 1956 American drama film directed by and starring José Ferrer, based on a novel by Al Morgan 
The Great Man may also refer to:

The Great Man (2014 film), a 2014 French drama film
The Great Man (novel), a 2007 Kate Christensen novel
William Pitt, 1st Earl of Chatham (1708–1778), English statesman known as "The Great Man"
The Great Man (play), a 2000 play by David Williamson
Great Man (film), a 1951 French drama film

See also
Great man theory, a 19th-century idea according to which history can be largely explained by the impact of great men
Passage 6:
The Great Man Votes
The Great Man Votes is a 1939 American drama film starring John Barrymore as a widowed professor turned drunkard who has the deciding vote in an election for mayor  It was based on the short story of the same name by Gordon Malherbe Hillman published in the November 1933 issue of American Magazine  The plot of the 2008 movie Swing Vote has been compared to The Great Man Votes 

Plot
Former Harvard professor Gregory Vance (John Barrymore), now an outcast alcoholic in a small city, is introduced hitching a ride with the local milkman, who also delivers alcohol to him, after his shift in his current job as a night watchman   Despite his alcoholism, Vance cares for his children, Joan (Virginia Weidler) and Donald (Peter Holden), bringing them up on the classics, teaching them Latin, and having them recite Shakespeare  They in turn look after their father and his reputation 
After an altercation between his children and some bullies, led by the son of "Iron Hat" McCarthy (Donald McBride), the local political boss, Vance is visited by his children's teacher, Agnes Billow (Katherine Alexander), and the two become friendly with each other, especially as she realizes that Vance is a  writer she greatly respected and he reveals that his fall from respectability began with the death of the children's mother 
With a city election for mayor nearing, Iron Hat is informed that every vote in the city is already locked in place, with a likely tie between the boss's handpicked current mayor and a rival, with one exception in one crucial ward—Gregory Vance   At the same time, Vance's wealthy in-laws are threatening to take custody of his children, something Joan and Donald do not want, despite the material advantages that would offer them 
Trying to woo Vance for his vote, Iron Hat offers him a low-level job with the city, but the children are able to raise the bargaining stakes until Vance is offered the post of Commissioner of Education   Vance himself is reluctant to be a party to such dirty politics, but when he demands getting the job offer in writing, he is able to expose the corruption of the mayor and Iron Hat   Now socially respectable and a new man, Vance is able to turn over a new leaf, presumably along with Miss Billow 

Cast
Reception
The film recorded a loss of $10,000 
Passage 7:
Labelle (disambiguation)
Labelle, LaBelle or La Belle is a family name of French and French-Canadian origins  It may refer to:

Places
Labelle, Quebec
Labelle, Nova Scotia
Labelle (electoral district), a federal riding in Quebec
Labelle (provincial electoral district), another, provincial riding also in Quebec
Labelle County, Quebec, a former county
Antoine-Labelle Regional County Municipality, Quebec
Papineau-Labelle Wildlife Reserve, Quebec 
LaBelle, Florida
LaBelle, Pennsylvania, Luzerne Township, Fayette County, Pennsylvania
LaBelle, Texas
La Belle Station, Northern Territory, Australia

People
Antoine Labelle
Chuck Labelle
Doug LaBelle II
James W  LaBelle
Jean-Baptiste Labelle
Jean-Baptiste Labelle (politician)
Marc LaBelle
Patti LaBelle

Other
Labelle, a former American R&B and soul group
Labelle (album), the group's 1972 eponymous debut

See also
Labille, a similarly spelled surname
Passage 8:
Robert Dhéry
Robert Dhéry (27 April 1921 – 3 December 2004) (born Robert Léon Henri Fourrey or Robert Foullcy) was a French comedian, actor, director and screenwriter 
He was married to actress Colette Brosset, with whom he appeared onstage in La Plume de Ma Tante 
He appeared on Broadway from 1958 to 1960 in La Plume de Ma Tante, and was, along with the rest of the entire cast (Pamela Austin, Colette Brosset, Roger Caccia, Yvonne Constant, Genevieve Coulombel, Michael Kent, Jean Lefevre, Jacques Legras, Michael Modo, Pierre Olaf, Nicole Parent, Ross Parker, Henri Pennec) awarded a Special Tony Award 1959 for contribution to the theatre 

Selected filmography
Night Shift (1944)
Last Chance Castle (1947)
Branquignol (1949)
I Like Only You (1949)
Bernard and the Lion (1951)
Love Is Not a Sin (1952)
La demoiselle et son revenant (1952)
The Pirates of the Bois de Boulogne (1954)
Passage 9:
The Great Man's Lady
The Great Man's Lady is a 1942 American Western film directed by William A  Wellman and starring Barbara Stanwyck and Joel McCrea  It is based on the short story "The Human Side" by Viña Delmar It was filmed at two locations in Thousand Oaks, California: Joel McCrea Ranch and nearby Moorpark Road 

Plot
A statue is being dedicated to the late founder of Hoyt City, and reporters from around the country have gathered, speculating that "the old lady's going to talk " When the anticipated "old lady" does not appear at the event, they rush to her home  She is centenarian, Hannah Sempler Hoyt, who lives in an old mansion among the skyscrapers of Hoyt City  As she confronts the press who have barged in, a photographer says, "Hold it, Mrs  Hoyt!" She replies that her name is Hannah Sempler, and refuses to answer their questions as to whether she and Hoyt had been married, which as another reporter says, would make him a bigamist  The intruders leave, having learned nothing to prove or disprove the many rumors, but Hannah is persuaded to tell her story to a young female biographer who lags behind  She reminisces about her experiences with Ethan Hoyt in the American West 
In 1848, a teenaged Hannah Sempler is squired by her wealthy father's associate, Mr  Cadwallader, but she is not interested  Hannah meets and flirts with a young pioneer and dreamer, Ethan Hoyt, who comes to her home seeking financial backing from her father in order to build a city in the western wilderness  Her father rejects Ethan's proposal, stating that it is too risky  Hannah, however, falls in love with the young man, and quite impulsively, they elope and head west  The first years of their marriage are not easy, but the couple are happy  When Ethan loses all his money and possessions in a drunken gambling spree to Steely Edwards, Hannah wins back his losses and befriends Steely, who accompanies the couple to Sacramento, California, where they hope to strike it rich mining 
In Sacramento, Hannah and Ethan spend less time together, with Ethan working long hours in the mines  One day, Hannah discovers silver on Ethan's boots, carried from the Virginia City mine where he had been working  Hannah knows she is pregnant, but does not reveal this to Ethan, knowing he would never leave her behind in that condition  Instead she encourages Ethan to go to Virginia City and find his fortune in the silver mines  Thinking Hannah wants him gone so she can be with Steely, Ethan leaves her with no intention of returning 
After he leaves for Virginia City, the friendship between Hannah and Steely grows  Steely looks after Hannah and her twin babies  When Sacramento is threatened by torrential flooding, Hannah plans to travel to San Francisco  But knowing that Hannah still loves Ethan, Steely arranges for her to travel by coach to Virginia City to be with her husband—he will go to San Francisco alone  As the coach crosses a bridge near Sacramento, the river overflows and washes away the coach and its passengers  Hannah survives, but the babies perish 
After burying the twins, and believing that Hannah is also dead, Steely travels to Virginia City to tell Ethan the tragic news  It has been years since they've seen or spoken, and by now Ethan has become a wealthy man  When Steely tells him that Hannah is dead, Ethan shoots him, saying, "He killed my wife " Thinking that Hannah and Steely are now dead—Steely actually survives the shooting—Ethan continues his dream of building a great city 
Steely returns to Sacramento and discovers that Hannah is still alive  He tells her that Ethan, who believes she is dead, has married another woman  Steely and Hannah move to San Francisco and open a gambling casino  Years later, Hannah's father visits her and urges her to "disappear" so as not to threaten the political future of Ethan Hoyt, who is now representing her father's railroad interests  Hannah refuses her father's request, and travels to Hoyt City, where she watches Ethan giving a political speech  No longer a champion of the people as he once dreamed of becoming, Ethan is now a man of wealth and power, participating in corrupt practices to achieve private goals  Ethan sees Hannah in the crowd and they meet  She tells him that she had divorced him, knowing his political future would be ruined by scandal if it were known they were still married  She reminds him of the dreamer he once was  He goes off with a renewed idealism, devoting the rest of his life to helping the less fortunate, even at his own expense 
The story concludes as it started, with the aged Hannah and the young female biographer discussing Ethan Hoyt, standing beneath the impressive statue  Hannah has been alone for many years now  Steely died in the 1906 San Francisco fire, the same year that Ethan returned to Hoyt City, to die in Hannah's mansion  No one knew why he chose to do this, and for some thirty more years Hannah has remained silent about their marriage  The biographer now realizes the profound role that Hannah played in Ethan's life and success, and in the founding of this now great city  Also aware of Ethan's mythic reputation, she kisses Hannah sweetly, saying, "I'm kissing my biography [of Ethan] goodbye " Before Hanna leaves the statue, the old woman tears up the marriage certificate she has kept all these years, saying of his myth, and perhaps their relationship, "Forever, Ethan  Now no one can change it  Forever "

Cast
Barbara Stanwyck as Hannah Sempler
Joel McCrea as Ethan Hoyt
Brian Donlevy as Steely Edwards
K  T  Stevens as Girl biographer
Thurston Hall as Mr  Sempler
Lloyd Corrigan as Mr  Cadwallader
Etta McDaniel as Delilah
Frank M  Thomas as Mr  Frisbee
William B  Davidson as Senator Knobs
Lillian Yarbo as Mandy
Helen Lynd as Bettina Sempler
David Clyde as Bartender
Passage 10:
William A  Wellman
William Augustus Wellman  (February 29, 1896 – December 9, 1975) was an American film director, producer, screenwriter, actor and military pilot  He was known for his work in crime, adventure, and action genre films, often focusing on aviation themes, a particular passion  He also directed several well-regarded satirical comedies  His 1927 film, Wings, was the first film to win an Academy Award for Best Picture at the 1st Academy Awards ceremony Beginning his film career as an actor, he went on to direct over 80 films, at times co-credited as producer and consultant, from the silent era through the Golden Age of Hollywood  He was nominated for four Academy Awards: three Best Director Oscars for the original A Star Is Born (1937), Battleground (1949), and The High and the Mighty (1954) and one in Best Original Story for A Star is Born, which he won  In 1973, he received the Directors Guild of America's Lifetime Achievement Award  He was previously a decorated combat pilot during World War I, serving in the Lafayette Flying Corps of the French Air Force, and earning a Croix de Guerre with two palms for valorous action 

Early life
Wellman was born in Brookline, Massachusetts  His father, Arthur Gouverneur Wellman, was a Boston Brahmin  William was a five times great-grandson of Puritan Thomas Wellman, who emigrated to the Massachusetts Bay Colony circa 1640   He was also a great-great-great-grandson of Welsh-born Francis Lewis of New York, one of the signatories to the Declaration of Independence  Wellman's mother, Cecilia McCarthy, was an Irish immigrant   
During his teenage years, Wellman often found himself in trouble with authorities  He was expelled from Newton High School in Newtonville, Massachusetts for dropping a stink bomb on the principal's head  He was also arrested and placed on probation for car theft  His mother, who actually worked as a probation officer, was asked to address Congress on the subject of juvenile delinquency  Later, young William worked as a salesman, as a general laborer in a lumber yard, and as a player on a minor-league hockey team 

World War I
In World War I, Wellman enlisted in the Norton-Harjes Ambulance Corps to serve as a driver in Europe  While in Paris, Wellman joined the French Foreign Legion and was assigned on December 3, 1917 as a fighter pilot, becoming the first American to join Escadrille N 87 in the Lafayette Flying Corps (not the sub-unit Lafayette Escadrille as usually stated), where he earned himself the nickname "Wild Bill", and was awarded the Croix de Guerre with two palms  N 87, les Chats Noir (Black Cat Group) was stationed at Lunéville in the Alsace-Lorraine sector and was equipped with Nieuport 17 and later Nieuport 24 "pursuit" aircraft  Wellman's combat experience culminated in three recorded "kills", along with five probables, although he was ultimately shot down by German anti-aircraft fire on March 21, 1918  Wellman survived the crash but he walked with a pronounced limp for the rest of his life Wellman's air-combat credits include the following in 1918:
January 19: a German "Rumpler" shot down in front of American lines in Lorraine by Wellman and Thomas Hitchcock 
January 20: a German "Rumpler" shot down near German airfield at Mamy, France; pilot killed/gunner escaped
March 8: forced two observers to jump from an observation balloon (attack unsuccessful; balloon taken down)
March 9: fired on a German "Rumpler" over Parroy; plane escaped, but rear gunner killed 
March 9: shot down a German "Rumpler"; killed rear gunner; pilot killed by airman Ruamps 
March 9: shot down a German "Albatros"; pilot killed; plane fell into American lines
March 17: shot down at least two +one[?] German patrol planes; not confirmed as fight took place over German lines 
March 18: shot down a German "Rumpler;" not confirmed as fight took place over German lines Maréchal des logis (Sergeant) Wellman received a medical discharge from the Foreign Legion and returned to the United States a few weeks later  He spoke at War Savings Stamp rallies in his French uniform  In September 1918 his book about French flight school and his eventful four months at the front, Go Get 'Em! (written by Wellman with the help of Eliot Harlow Robinson), was published  He joined the United States Army Air Service, but was too late to fly for America in the war  Stationed at Rockwell Field in San Diego, he taught combat tactics to new pilots 

Film career
While in San Diego, Wellman flew to Hollywood for the weekends in his Spad fighter, using Douglas Fairbanks' polo field in Bel Air as a landing strip  Fairbanks was fascinated with the true-life adventures of "Wild Bill" and promised to recommend him for a job in the movie business; he was responsible for Wellman being cast in the juvenile lead of The Knickerbocker Buckaroo (1919)  Wellman was hired for the role of a young officer in Evangeline (1919), but he was fired for slapping Miriam Cooper, the film's star and also the wife of the production’s director, Raoul Walsh 

Wellman hated being an actor, thinking it an "unmanly" profession, and was miserable watching himself on screen while learning the craft  He soon switched to working behind the camera, aiming to be a director, and progressed up the line as "a messenger boy, as an assistant cutter, an assistant property man, a property man, an assistant director, second unit director and eventually   director " His first assignment as an assistant director for Bernie Durning provided him with a work ethic that he adopted for future film work  One strict rule that Durning enforced was no fraternization with screen femme fatales, which almost immediately Wellman broke, leading to a confrontation and a thrashing from the director  Despite his transgression, both men became lifelong friends, and Wellman steadily progressed to more difficult first unit assignments Wellman made his uncredited directorial debut in 1920 at Fox with The Twins of Suffering Creek  The first films he was credited with directing were The Man Who Won and Second Hand Love, released on the same day in 1923  After directing a dozen low-budget 'horse opera' films, Wellman was hired by Paramount in 1927 to direct Wings, a major war drama dealing with fighter pilots during World War I that was highlighted by air combat and flight sequences  The film culminates with the epic Battle of Saint-Mihiel  In the 1st Academy Awards it was one of two films to win Best Picture (the other was Sunrise), although, due to tensions within the studio regarding time and budget overages, Wellman wasn't invited to the event Wellman's other films include The Public Enemy (1931), the first version of A Star Is Born (1937), Nothing Sacred (1937), Beau Geste (1939) starring Gary Cooper, Thunder Birds (1942), The Ox-Bow Incident (1943), Lady of Burlesque (1943), The Story of G I  Joe (1945), The Iron Curtain (1948), Battleground (1949) and two films starring and co-produced by John Wayne, Island in the Sky (1953) and The High and the Mighty (1954) While he was primarily a director, Wellman also produced 10 films, one of them uncredited, all of which he also directed  His last film was Lafayette Escadrille (1958), which he produced, directed, wrote the story for and narrated  He wrote the screenplay for two other films that he directed, and one film that he did not direct: 1936's The Last Gangster  Wellman wrote the story for A Star Is Born and (with Robert Carson) received the Academy Award for Best Story  Wellman is credited for the story in the remakes released in 1954, 1976, and 2018  Wellman's work was influenced by his good friend and fellow film director Howard Hawks, with whom he rode motorcycles together in a group called the Moraga Spit and Polish Club  Wellman reportedly worked fast, usually satisfied with a shot after one or two takes  Despite his reputation for not coddling his leading men and women, he coaxed Oscar-nominated performances from seven actors: Fredric March and Janet Gaynor (A Star Is Born), Brian Donlevy (Beau Geste), Robert Mitchum (The Story of G I  Joe), James Whitmore (Battleground), and Jan Sterling and Claire Trevor (The High and Mighty)  Regarding actors, Wellman in a 1952 interview stated, "Movie stardom isn't about acting ability, it's personality and temperament"  He then added, "I once directed Clara Bow  She was mad and crazy but what a personality!"

Innovations
Wings led to several firsts in filmmaking including newly invented camera mounts that could be secured to plane fuselages and motor-driven cameras to shoot actors while flying as the cameramen ducked out of frame in their cockpits  Star Richard Arlen had some flying experience but co-star Buddy Rogers had to learn to fly for the film, as stunt pilots could not be used during close-up shots  Towers up to 100 feet were used to shoot low-flying planes and battle action on the ground During the filming of Beggars of Life, a silent film starring Wallace Beery, Richard Arlen and Louise Brooks, sound was added to Beery's introductory scene at the behest of Paramount Studio  Wellman reportedly hung a microphone from a broom so Beery could walk and talk within the scene, avoiding the static shot required for early sound shoots  During the filming of Chinatown Nights (1929), he sat under the camera on a dolly with the mic between his legs, essentially inventing a shotgun mic 

Awards
Wellman won a single Academy Award, for the story of A Star Is Born  He was nominated as best director three times: for A Star Is Born, Battleground and The High and Mighty, for which he was also nominated by the Directors Guild of America as best director  In 1973, the DGA honored him with a Lifetime Achievement Award  Copies of both Wings and The Story of G I  Joe are preserved in the Academy Film Archive  Wellman also has a star on the Hollywood Walk of Fame 

Personal life and death
Wellman revealed near the end of his life that he had married a French woman named Renee during his time in The Lafayette Flying Corps  She was killed in a bombing raid during the war  Later, between 1918 and 1934, he married four additional times in the United States:

Helene Chadwick: married (1918-1923) separated after a month; later divorced
Margery Chapin (daughter of Frederic Chapin): married (1925-1926); together for a short time; adopted Robert Emmett Tansey's daughter, Gloria 
Marjorie Crawford: married (1930-1933) divorced
Dorothy "Dottie" Coonan: married (March 20, 1934 – 1975); until his death; they had seven children - four daughters, three sons Dorothy starred in Wellman's 1933 film Wild Boys of The Road and had seven children with him, including actors Michael Wellman, William Wellman Jr , Maggie Wellman, and Cissy Wellman  His daughter Kathleen "Kitty" Wellman married actor James Franciscus, although they later divorced  His first daughter is Patty Wellman, and he had a third son, Tim Wellman 
William Wellman died of leukemia in 1975 at his Brentwood home in Los Angeles  He was cremated, and his ashes were scattered at sea  His widow Dorothy, at age 95, died on September 16, 2009 in Brentwood, California 

Career assessments
Decades after Wellman's death, William Jr  wrote two biographies about his father, The Man and His Wings: William A  Wellman and the Making of the First Best Picture (2006) and Wild Bill Wellman—Hollywood Rebel (2015)  Fellow filmmakers have also examined Wellman's career  Richard Schickel in 1973 devoted an episode of his PBS series The Men Who Made the Movies to Wellman, and in 1996, Todd Robinson made the feature-length documentary Wild Bill: Hollywood Maverick 

Selected filmography
See also
List of ambulance drivers during World War I
Context 2: Passage 1:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television 

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University  Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run  He is the son of Fayetteville District Judge Rudy Moore In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003   He was nominated for a 2004 Tony Award for his direction  Moore also directed productions of the musical in Las Vegas and London and the show's national tour  Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008  He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008 Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City  The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011 For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters  As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton  A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998 In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow  He also served as an executive producer on the sequel  He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015  Moore's next project will be directing a live action Archie movie 

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)
Passage 2:
Man at the Top (film)
Man at the Top is a 1973 British drama film directed by Mike Vardy and starring Kenneth Haigh, spun off from the television series Man at the Top, which itself was inspired by the 1959 film Room at the Top and its 1965 sequel Life at the Top 

Plot
Joe Lampton is promoted to managing director of a pharmaceutical company, and becomes involved with Lord Ackerman, the powerful chairman, who is also his father-in-law  But Joe makes a shocking discovery: his predecessor committed suicide because of his involvement in a drug that left 1,000 African women sterile  Joe threatens to reveal all to the press, while Lord Ackerman seeks to persuade him otherwise, by offering him promotion to Chief Executive 

Cast
Kenneth Haigh as Joe Lampton
Nanette Newman as Lady Alex Ackerman
Harry Andrews as Lord Ackerman
William Lucas as Marshall
Clive Swift as Massey
Paul Williamson as Tarrant
John Collin as Wisbech
John Quentin as Digby
Danny Sewell as Weston
Charlie Williams as George Harvey
Anne Cunningham as Mrs  Harvey
Angela Bruce as Joyce
Margaret Heald as Eileen
Mary Maude as Robin Ackerman
Norma West as Sarah Tarrant
John Conteh as Boxer

Production
Filming
Shooting took place from 3 March to 7 April 1973 

Reception
Box office
The film was not a success at the box office 

Critical reception
Monthly Film Bulletin said it was "too much like an episode of a TV series stretched to feature length" "Network on Air" noted the film as, "offering a grittier treatment than the 1959 film adaptation and the subsequent television series" Allmovie noted, " Nanette Newman, a busy doe-eyed ingenue of the 1960s, is quietly effective as the middle-aged Mrs  Lampton "
Passage 3:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School  She was appointed by the board of directors  in November 2019   Previously she was the CEO of the Israeli Academy of Film and Television  She is a film director, and an Israeli culture entrepreneur 

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein  She moved to Israel in 1983 and grew up in Tel Aviv 
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors  During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners   She also directed and shot 'the making of' film on Gavison's film Lost and Found  Her debut film Camping competed at the Berlin International Film Festival, 2007 

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality  The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities 
Blankstein directed the mini-series "Tel Aviviot" (2012)  From 2016-2019 was the director of the Israeli Academy of Film and Television 
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab  In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem 

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 4:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 5:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States   He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020  He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019  He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004 

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College  In October 2010 he became the ninth Director of the Toledo Museum of Art  On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum 

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College  He received B A  (1982), M A  (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history 
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89)  He married Mary Fiona Carlin in 1988 He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997  He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003  In September 1997 he became Director of the National Gallery of Australia 

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site   Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions 
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship  However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds   As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later   Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001  Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive  He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above) 
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship  He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor  However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns  The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn  Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous  The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion " In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art"  He has said that it "was the toughest decision of my professional life, so far "Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system  The air-conditioning was finally renovated in 2003  Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors
Context 3: Passage 1:
Domitila de Castro, Marchioness of Santos
Domitila (or Domitília) de Castro do Canto e Melo (27 December 1797 — 3 November 1867), 1st Viscountess with designation as a Grandee, then 1st Marchioness of Santos, was a Brazilian noblewoman and the long-term mistress and favorite of Emperor Pedro I 

Life
Birth and family
Daughter of João de Castro do Canto e Melo, 1st Viscount of Castro and Escolástica Bonifácia de Oliveira e Toledo Ribas, Domitila belonged to a traditional São Paulo noble family: she was the granddaughter of Colonel Carlos José Ribas, great-grandfather of Simão de Toledo Piza, patriarch of this family in São Paulo  Born on 27 December 1797, she was baptized three months later, on 7 March 1798 in the Church of Nossa Senhora da Assunção (Sé) in São Paulo  According to her baptismal record, her godfather was Ensign José Duarte e Câmara 
The Brigadier João de Castro Canto e Melo was born in the Terceira Island in the Azores, and died in Rio de Janeiro in 1826  He was the son of João Batista do Canto e Melo and Isabel Ricketts, and descended from Pero Anes do Canto, from Terceira Island  He passed to Portugal, setting up a cadet square at the age of 15 on 1 January 1768, named Standard-Bearer on 17 October 1773  He was 21 when, in 1774, he went to Rio de Janeiro and months later to São Paulo  He was transferred to the Santos Infantry line Regiment, promoted to Ensign in 1775 and to Lieutenant in the same year, to Adjudant in 1778; he was Captain in 1798, Major in the same year, and in 1815 Lieutenant Colonel  Later, after his daughter's love with the emperor, he was made Gentleman of the Imperial Chamber and still received the noble title of Viscount of Castro on 12 October 1825 Domitila's full siblings were:
João de Castro do Canto e Melo (March 1786 – 11 September 1853), 2nd Viscount of Castro, Field Marshal and Gentleman of the Imperial Chamber; married with Inocência Laura Vieira de Azambuja, with whom he had issue 
José de Castro do Canto e Melo (baptized 17 October 1787 – died ca  1842), Brigadier of the Brazilian Army  Soldier at the age of five on 1 July 1792, Standard-Bearer in 1801, Ensign in 1807, Lieutenant in 1815, Commander of the Cavalry Squad of the Legion of São Paulo and in the Battle of Itupuraí, in the 1816 campaign  Captain in 1818, Sergeant Major of the 2nd Line Cavalry Regiment of Vila de Curitiba, then São Paulo Province, in 1824  Colonel of the Army Staff in 1827  He was licensed due to health reasons in 1829  Brigadier retired from the Army  Gentleman of the Imperial Chamber, dismissed in 1842  Knight of the Military Order of Saint Benedict of Aviz in 1824 and was promoted to Commander in the same order in 1827  Officer of the Order of the Southern Cross in 1827; married with his niece Francisca Pinto Coelho de Mendonça e Castro, with whom he had issue 
Maria de Castro do Canto e Melo (baptized February 1790; died in infancy) 
Pedro de Castro do Canto e Melo (baptized 26 May 1791; died in infancy) 
Maria Benedita de Castro do Canto e Melo (18 December 1792 – 5 March 1857), married to Boaventura Delfim Pereira, Baron of Sorocaba, with whom she had issue; her second son Rodrigo Delfim Pereira, although recognized by her husband, was in fact an illegitimate son of Emperor Pedro I, her sister's lover 
Ana Cândida de Castro do Canto e Melo (January 1795 – 27 May 1834), married to Carlos Maria de Oliva, Veador of the Imperial Chamber and Colonel of the Army, with whom she had issue 
Fortunata de Castro do Canto e Melo (baptized 12 January 1797; died in infancy) 
Francisco de Castro do Canto e Melo (5 April 1799 – 21 June 1869), Gentleman of the Imperial Chamber, Major retired of the Army; married firstly with Francisca Leite Penteado and secondly with Lina Pereira de Castro  He had issue from his second marriage 
Jeronimo de Castro do Canto e Melo (baptized 13 September 1803; died in infancy) In addition, Domitila had an older illegitimate half-sister, Maria Eufrásia de Castro, born from her father's earlier relationship (in fact, betrothal later terminated) with Teresa Braseiro 

First Marriage
On 13 January 1813, Domitila, at the age of fifteen, married an officer from the second squad of the Corps of Dragons in the city of Vila Rica (now Ouro Preto), Ensign Felício Pinto Coelho de Mendonça (26 February 1790 – 5 November 1833), cited by several historians as a violent man, who beat and raped her, and from whom she divorced on 21 May 1824 After the wedding in São Paulo, Felício and Domitila left for Vila Rica  Three children were born from the marriage:

Due to her husband's mistreatment, Domitila obtained permission from his family in São Paulo to return to her father's home with her children  He arrived back in São Paulo at the end of 1816  Felício managed to transfer his post in the army from Vila Rica to Santos and settled in São Paulo, trying to reconcile with his wife and in 1818 they returned to live together  However, given his drinking and gambling problems, it did not take long for Felício to return with his old behavior, and began the beatings and death threats to his wife  On the morning of 6 March 1819, Felício surprised Domitila next to the Santa Luiza fountain and stabbed her twice, one stab caught in the thigh and the other in the belly  Felício was arrested and taken to Santos, next to his barracks, from where he left for Rio de Janeiro  Domitila spent two months between life and death  When she recovered from her injuries, she had to fight legally against her father-in-law, who wanted to take the couple's children to educate them in the Captaincy of Minas Gerais  Domitila asked for Felício's legal separation but only obtained it five years later, when she was already the Emperor's mistress  Domitila's detractors would accuse her after being assaulted because she betrayed Felício, when in reality, through documentation and witnesses in the divorce process, he had tried to kill her to sell the land that both, with the death of his mother, had jointly inherited in Minas Gerais 

Imperial Mistress
Domitila met Dom Pedro de Alcântara, Prince-Regent of Brazil days before the Proclamation of the Independence on 29 August 1822  The Prince-Regent was returning from a visit to Santos when he received, on the banks of the Ipiranga Brook, in São Paulo, two missives (one from his wife, Princess Maria Leopoldina of Austria and another from José Bonifácio de Andrada e Silva) that informed him about the decisions of the Portuguese Courts, in which Dom Pedro stopped being Prince-Regent and received orders to return to the continent  Outraged by this "interference with his acts as ruler", and influenced by whose defended the break with the metropolis, especially by José Bonifácio de Andrada, he decided to separate the Kingdom of Portugal and the Algarves 

Domitila was not the only lover of Dom Pedro, but she was the most important and the one with whom he had the longest relationship  Before his marriage, the Prince-Regent had been involved with a French ballerina, named Noémi Thierry, with whom he had a son  During his relationship with Domitila he had other parallel ones, such as Adèle Bonpland (wife of French naturalist Aimé Bonpland) and the dressmaker Clemence Saisset (whose husband had a store on Rua do Ouvidor), with whom he had a son  In addition to these liaisons, Domitila's own sister, Maria Benedita de Castro do Canto e Melo, Baroness of Sorocaba, also had a son with Dom Pedro 
In 1823, the now Emperor Pedro I installed Domitila at the Barão de Ubá street (today the Estácio neighborhood) which was her first residence in Rio de Janeiro  One year later, and thanks to the support of her lover, Domitila was able to have her first marriage nullified  In 1826, she received as a gift the "Casa Amarela", as her mansion became known, at number 293 of the current Avenida D  Pedro II, near Quinta da Boa Vista, in São Cristóvão (where the Museum of the First Reign now operates)  The Emperor bought the house from Dr  Teodoro Ferreira de Aguiar and ordered a renovation in a neoclassical style to the architect Pierre Joseph Pézerat  The internal mural paintings are the work of Francisco Pedro do Amaral, while the internal and external bas-reliefs by Zéphyrin Ferrez Domitila was being elevated by her lover little by little  In 1824 she was created Baroness of Santos; on 4 April 1825 she was appointed Lady-in-waiting of Empress Maria Leopoldina, on 12 October of the same year was created Viscountess of Santos with designation as a Grandee and, on 12 October 1826 she was finally created Marchioness of Santos  Besides all this titles, on 4 April 1827 the Emperor invested his mistress with the Order of Saint Isabel, who was solely granted "to women of irreproachable conduct"  Although Domitila was not born in that city, the Emperor, in an attempt to attack de Andrada brothers, born in Santos, would have given the titles to his mistress  José Bonifácio de Andrada, upon learning of this fact in his exile in France, wrote to his friend Counselor Drummond: "Who would dream that the michela (prostitute) Domitila would be Viscountess of the homeland of the Andradas! What a brazen insult!"  Domitila's family also received several imperial benefits: Her father became Viscount of Castro, her brother Francisco became the Emperor's Field Assistant and the rest of her siblings received Hidalgo precedence  Domitila's brother-in-law, Boaventura Delfim Pereira (husband of Maria Benedita), was made Baron of Sorocaba 
From her relationship with Emperor Pedro I, Domitila had five children:

Empress Maria Leopoldina died in 1826 due to complications caused by a miscarriage, amidst rumours who blame Domitila of the illness and death of the beloved Empress  The Marchioness of Santos' popularity, which was no longer the best, worsened, with her house in São Cristóvão being stoned and her brother-in-law, a butler of the Empress, received two shots  Her right to preside over medical appointments of the Empress, as her lady-in-waiting, was denied, and ministers and officials of the palace suggested that she should not continue to attend court 

  
Emperor Pedro I ended his relationship with Domitila in 1829 due to his second marriage with Amélie of Leuchtenberg  Already since 1827 he had been looking for a noble blood bride but the sufferings caused to his late wife by him and the scandalous link with the Marchioness of Santos were seen with horror by European courts and several princesses refused to marry the Emperor 
The Austrian ambassador to Rio de Janeiro, Baron Wenzel Philipp von Mareschal, wrote to Vienna about the future marriage of the Emperor and the banishment of the mistress: "Emperor D  Pedro was eventually convinced that the presence of the Lady of Santos would always be inopportune and that a simple change of residence would not satisfy anyone; he insisted on the sale of her properties, the which I heard was already provided and on her departure to São Paulo in eight or ten days" 
The Emperor bought the properties of the Marchioness of Santos in Rio de Janeiro for 240 contos (240 insurance policy of the Public Debt from the Amortization Box, of 1 contos de réis), returning to Domitila "in banknotes of São Paulo" of the amount of 14 contos de réis, two contos for the Amortization Box with which she had presented it, an allowance of 1 conto de réis per month put at your order, "at par or in banknotes"  Regarding the residence bought from the former mistress, Mareschal says: "It will serve the young Queen and her court"  It was Dona Maria da Glória, future Queen Maria II of Portugal; that is why it would later be known as the Queen's Palace, as effectively Dona Maria da Glória settled there, albeit for a short period  Later was bought by the Viscount of Mauá and around 1900 the residence was acquired by the doctor Abel Parente, the protagonist of one of the biggest scandals in Rio de Janeiro, in 1910  It became the Museum of the First Reign in the late 1980s until 2011 when it was deactivated and the restoration and adaptation of the space began to receive the Fashion Museum - Casa da Marquesa de Santos 

Second Marriage
Since 1833 Domitila began to cohabitated with the Brigadier Rafael Tobias de Aguiar (4 October 1794 – 7 October1857), with whom she officially married in the city of Sorocaba on 14 June 1842  Rafael Tobias de Aguiar was not only a politician but a wealthy Sorocaban farmer: the base of his fortune was the trade in mules, but in time he ended up diversifying his business with sugar farms, cattle and horse breeding  The Tobian coat was created by him  Nicknamed the "Reizinho de São Paulo" (Little King of São Paulo) thanks to his fortune, he held the position of President of the Province of São Paulo for two terms and was elected Provincial Deputy for São Paulo  He ran twice for the position of Senator of the Empire, but his name was never chosen by Emperor Pedro II of Brazil  In 1842, as one of the main leaders of the Liberal Revolution, after his marriage to the Marchioness of Santos and the eminent invasion of Sorocaba by the troops of Luís Alves de Lima e Silva, fled to the south where he was captured  Taken to Rio de Janeiro, he was incarcerated in the Fortress of Laje, located on a rock in the middle of Guanabara Bay  Domitila, on hearing of his arrest, arrived to the Imperial court where, by means of a representant, she pleaded to the Emperor that she could live with her husband in the Fortress of Laje to take care of his health, which was granted 
In 1844, Rafael Tobias de Aguiar was given an amnesty and the couple returned to São Paulo, where they were received with a great party  Rafael Tobias de Aguiar died on board the Vapor Piratininga on 7 October 1857 when on his way to Rio de Janeiro in search of medical help  He was accompanied by his wife and one of the couple's children  Domitila's relationship with Rafael Tobias de Aguiar was the longest one of hers, lasting 24 years, during which the couple had six children, of which 4 managed to reach adulthood:

The Solar da Marquesa de Santos
On her return to São Paulo after the end of her relationship with Emperor Pedro I of Brazil, Domitila acquired in 1834 a vast mansion on the old Rua do Carmo, currently Rua Roberto Simonsen in the city center  The first owner of the property was Brigadier José Pinto de Morais Leme according to documentation from 1802  Previously, on the site, there were two houses that were renovated and gave rise to a single building  Domitila was the owner of these house from 1834 until her death in 1867 
The property became the center of São Paulo society, animated by masquerade balls and literary evening parties given by the Marchioness of Santos  In 1880, the house was put up for auction and was acquired by the local Diocese, who transformed the Manor into the Episcopal Palace  The House today belongs to the City Hall of São Paulo, which has the Museum of the City installed there  Its historical importance is great not only because his link to Domitila but because the property is the only urban remnant built using the technique known as rammed earth still existing in the historic center of the city



ground_truth: La Belle Américaine

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where does the director of film Man At Bath work at?

The following are given passages.
Context 2: He became a joint Irish-Australian citizen in 2003 

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke  The museum offers free admission and is recognized for its historical leadership in the field of art education   During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language "   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www vislit org  In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so  Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy 
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples  Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired   In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum   In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015 

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005  During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions  At 70,000 objects, the Hood has one of the largest collections on any American college of university campus  The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues  Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually  Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons 

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art  He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics  In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University  Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education 


== Notes ==
Passage 6:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 7:
Christophe Honoré
Christophe Honoré (born 10 April 1970) is a French writer and film and theatre director 

Career
Honoré was born in Carhaix, Finistère  After moving to Paris in 1995, he wrote articles in Les Cahiers du Cinéma  He started writing soon after  His 1996 book Tout contre Léo (Close to Leo) talks about HIV and is aimed at young adults; he made it into a film in 2002  He wrote other books for young adults throughout the late 1990s  His first play, Les Débutantes, was performed at Avignon's Off Festival in 1998  In 2005, he returned to Avignon to present Dionysos impuissant in the "In" Festival, with Joana Preiss and Louis Garrel playing the leads 
A well-known director, he is considered an "auteur" in French cinema  His 2006 film Dans Paris has led him to be considered by French critics as the heir to the Nouvelle Vague cinema  In 2007, Les Chansons d'amour was one of the films selected to be in competition at the 2007 Cannes Film Festival  Honoré is openly gay, and some of his movies or screenplays (among them Les Filles ne savent pas nager, Dix-sept fois Cécile Cassard and Les Chansons d'amour) deal with gay or lesbian relations  His film Plaire, aimer et courir vite (Sorry Angel), about a writer who has contracted HIV in the 1990s, won the Louis Delluc Prize for Best Film in 2018  Honoré has been the screenwriter for some of Gaël Morel's films  The actors Louis Garrel and Chiara Mastroianni have each had roles in several of his films 
Honoré has also directed several operas for the stage  For the Opéra de Lyon he directed Poulenc's Dialogues of the Carmelites in 2013,  Debussy's Pelléas et Mélisande in 2015, and Verdi's Don Carlos in 2018  He also presented his production of Mozart's Così fan tutte at the Aix-en-Provence Festival and the Edinburgh Festival in 2016, and Puccini's Tosca at Aix-en-Provence in 2019; both of these productions adopted a radical approach to traditional works In the summer of 2020 Honoré's rehearsals of his stage production of Le Côté de Guermantes, based on the third volume of Proust's In Search of Lost Time, were interrupted by restrictions to combat the COVID-19 epidemic and it became impossible to present it at the Comédie-Française as planned  With his troupe of actors he decided to make a film about the production and the uncertainties they were now facing, and the film Guermantes was released in September 2021 

Filmography
Novels
1995 : Tout contre Léo (jeunesse), turned into a film in 2002
1996 : C'est plus fort que moi (jeunesse)
1997 : Je joue très bien tout seul (jeunesse)
1997 : L'Affaire petit Marcel (jeunesse)
1997 : L’Infamille (Éditions de l'Olivier, ISBN 2-87929-143-7)
1998 : Zéro de lecture (jeunesse)
1998 : Une toute petite histoire d'amour (jeunesse)
1998 : Je ne suis pas une fille à papa (jeunesse)
1999 : Les Nuits où personne ne dort (jeunesse)
1999 : Mon cœur bouleversé  (jeunesse)
1999 : Bretonneries (jeunesse)
1999 : La Douceur (Éditions de L'Olivier, ISBN 2-87929-236-0)

Theatre and opera
Actor
1998: Les Débutantes
2001: Le Pire du troupeau
2004: Beautiful Guys
2005: Dionysos impuissant
2012: La Faculté
2012: Un jeune se tue
2012: Nouveau Roman
2015: Violentes femmes

Director
2009 : Angelo, Tyrant of Padua by Victor Hugo, Festival d'Avignon
2012 : Nouveau Roman, Festival d'Avignon, Théâtre national de la Colline
2013 : Dialogues of the Carmelites by Francis Poulenc, Opéra National de Lyon
2015 : Fin de l'Histoire by Witold Gombrowicz, Théâtre de Lorient
2015 : Pelléas et Mélisande by Claude Debussy, Opéra National de Lyon
2016 : Così fan tutte by Mozart, Aix-en-Provence Festival and Edinburgh International Festival
2018 : Don Carlos by Verdi, Opéra National de Lyon
2019 : Les Idoles by Christophe Honoré, Odéon-Théâtre de l'Europe
2019 : Tosca by Puccini, Aix-en-Provence Festival
Passage 8:
Man at Bath
Man at Bath (French: Homme au bain) is a 2010 French film by Christophe Honoré starring François Sagat and Chiara Mastroianni  The film premiered in competition at Locarno International Film Festival in Switzerland in 2010 and was released in cinemas on 22 September 2010 
This is gay pornographic actor François Sagat's second major role in general release non-pornographic film as Emmanuel after his role in L A  Zombie  Director Christopher Honoré told French gay website Yagg com that he was interested in Sagat because he "redefines the notion of masculinity"  Sagat was the only actor to feature in two competition entries during the festival 

Plot
Right before departing to New York colleges to promote his latest collaborations, Omar (Omar Ben Sellem) goes through yet another impulsive fit from his boyfriend Emmanuel (François Sagat), resulting in rape  Resentful, Omar demands Emmanuel to be gone from his flat located in the outskirts of Paris before his return, and leaves  The two set out to live a separate series of vignettes depicting the ways the former lovers' mourn for each other 
Being a lustful, aspiring filmmaker, Omar sees his touring in upper New York as an opportunity to finally forget Emmanuel, indulging instead in disjointed recordings of his travel  Soon after, his camera work is centered on Dustin (Dustin Segura-Suarez): a young college student who is on vacation from Canada  Omar eagerly befriends and later seduces Dustin, openly portraying their desire for each other on film with an amateurish academic intent  In a matter of days, the artistic intentions in Omar's house movie devolve into a bisexual experience including Omar's professor 
Back in Paris, an animalistic Emmanuel - used to take pride on the universal praise for his body - is left broke and in denial  He resorts instead to shelter himself in Omar's place, living as carefree days as he can muster  Emmanuel goes from demanding unsolicited attentions from an upstairs neighbor who also is one of his clients as a hustler (Dennis Cooper), to hosting sexual encounters with Omar's acquaintances  All without avoiding his growing yearning for the better days with his ex, not even after luring an Omar's look-alike (Sebastian D'Azeglio) back into the apartment  After an intermission in which Emmanuel is confronted with his own collapsing lack of emotionality, he then clumsily refuses the advances of an underage boy who claims to be in need (Andréas Leflamand), nor engages in a bisexual threesome in exchange for a tip he reluctantly accepts from a successful old friend (Kate Moran)  The next day, Emmanuel begrudgingly succumbs to the advances from a teenager (Rabah Zahi), and uses the opportunity to sexually lash out on the boy  Finally, shortly before Omar's return, Emmanuel cries over the improvised mural he started days earlier on one of the walls in the apartment 
Not long after, Omar enters back into his apartment, stopping to contemplate the finished mural drawn by Emmanuel, who is nowhere to be seen 

Cast
François Sagat as Emmanuel
Chiara Mastroianni as Actress
Rabah Zahi as Rabah
Omar Ben Sellem as Omar
Kate Moran as Kate
Lahcen el Mazouzi as Hicham
Andréas Leflamand as Andréas
Ronald Piwele as Ronald
Sebastian D'Azeglio as Man with a moustache
Sébastien Pouderoux as Kate's fiancé
Dennis Cooper as Robin
Dustin Segura-Suarez
Passage 9:
Paul Scheuring
Paul T  Scheuring (born November 20, 1968) is an American screenwriter and director of films and television shows  His work includes the 2003 film A Man Apart and the creation of the television drama Prison Break, for which he was also credited as an executive producer and head writer 

Early life
Scheuring was born in Aurora, Illinois  Before his success, he had attended the UCLA School of Theater Film and Television and has worked as a courier cable installer and factory worker 

Career
After working on 36K in 2000 and A Man Apart in 2003, Scheuring made his first attempt to be a television show writer  After developing an idea given to him by a female colleague into a miniseries screenplay called Prison Break, he approached the Fox network with the script but was turned down due to its unconventional storyline  However, in 2004, after the successful premiere of Lost, Fox backed Prison Break's production and the first episode was aired approximately twenty months after Scheuring had written the script  The series proceeded to win the 2006 People's Choice Award for Favorite New TV Drama and was nominated for Best Drama Television Series at the 2006 Golden Globe Awards  Moreover, Prison Break was picked up by Fox for three more seasons  In 2005, he signed an overall deal with 20th Century Fox  He runs a production company, One Light Road Productions Scheuring has also co-written Mexicali, which was scheduled for release in 2010 

Future projects
Following the completion of Prison Break, Scheuring began production of AR2, a drama co-developed with The West Wing director/exec producer Thomas Schlamme  The series is about a group of Midwestern youths who spark a second American Revolution  AR2 will explore how the revolting college students -- as well as the military and the law enforcement officers who oppose them -- perceive patriotism  Scheuring lessened his work on Fox's Prison Break to focus on development and features through his Mercator Pictures, which he operates with partner Matt Fiorello  He has also produced Masterwork, a drama pilot script for Fox and 20th TV, and the Inferno-produced feature The Experiment 
Scheuring was also confirmed to be the writer for Halo: Nightfall  A 5 episode series which is based upon the video game franchise connecting the story line between Halo 4 and Halo 5: Guardians

Filmography
Passage 10:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director 
He was born in Fredrikstad  From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History  In 2010 he was decorated with the Royal Norwegian Order of St  Olav 
Context 3: 

Later years and death
After being widowed, the Marchioness of Santos became devout and charitable, seeking to help the helpless, protecting the miserable and hungry, caring for the sick and students of the Faculdade de Direito do Largo de São Francisco, in the center of the city of São Paulo 
Domitila de Castro do Canto e Melo, Marchioness of Santos died of enterocolitis in her residence in the Rua do Carmo, now Roberto Simonsen, near the Pátio do Colégio, on 3 November 1867 aged 69  She was buried in the Cemitério da Consolação, whose original chapel was built with a donation made by Domitila by the amount of 2 contos de réis Despite information circulating that the cemetery's land was donated by the Marchioness of Santos, this version is incorrect  In fact, the cemetery was built, partly on land in the public domain and partly on land acquired from Marciano Pires de Oliveira for 200, 000 réis, which donated another part  After the inauguration, the area was enlarged with land expropriated by councilor Ramalho and Joaquim Floriano Wanderley 
Her grave in the Cemitério da Consolação, as well the two other plots she bought adjoining her gravesite —where her younger brother Francisco de Castro do Canto e Melo, her son Felício Pinto Coelho de Mendonça e Castro, and, after a recent discovery, her daughter the Countess of Iguaçu, were also buried—, were all recovered in the 1980s by the Italian accordionist Mario Zan, one of Domitila's most famous and fervent admirers; he took care of the deposit for the maintenance of the gravesites for years and when he died in 2006 he was buried in a tomb in front of the Marchioness  Even after his death, Mario Zan continues, in a way, to pay for the maintenance of Domitila's gravesite, because according to his will, the copyrights of his music were destined to this purpose 
Domitila's grave always receives fresh flowers from people who continue to consider her a popular saint  Among the legends is that she protects the prostitutes of the city and, due to having achieved a good marriage and restructuring worthily after her scandalous relationship with Emperor Pedro I of Brazil, she became an inspiration for girls who wanted to marry well  In her grave headstone there are plaques from devotees thanking her for some grace 

Ancestry
Representations in culture
Movies
In the silent film O Grito do Ipiranga (1917), Domitila was portrayed by Luíza Lambertini 
In the Argentine film Embrujo (1941), with direction and argumentation by Enrique Susini 
In the film Independência ou Morte (1972), Domitila was portrayed by Glória Menezes 

Theater
In Viriato Correia's play A Marquesa de Santos (1938), the Marchioness of Santos was portrayed by Dulcina de Moraes 
At the revue No Paço da Marquesa (1950), with the Vedette Virgínia Lane in the role of Domitila 
In the play O Imperador Galante (1954), written by Raimundo Magalhães Júnior, with Domitila being again portrayed by Dulcina de Moraes 
In the play Um grito de liberdade (1972), by Sérgio Viotti, with actress Nize Silva in the role of Domitila 
In the play Pedro e Domitila (1984), written by Ênio Gonçalves, Domitila was portrayed by Taya Perez 
In the monologue Marquesa de Santos: verso & reverso (2019), written by Paulo Rezzutti, Domitila was portrayed by Beth Araújo 

Radio
Dramatization of A Marquesa de Santos, by writer Paulo Setúbal by Rádio Nacional Rio de Janeiro, in 1946 
D  Pedro e a Marquesa de Santos, written by broadcaster Cassiano Gabus Mendes, was aired by Rádio Record, São Paulo, on 7 September 1950 

Television
In the televised play A Marquesa de Santos, aired on 12 February 12, 1962 on the program Teatro Nove, on TV Excelsior, Channel 9, São Paulo, the role of the Marchioness was portrayed by Cleyde Yáconis 
In the soap opera Helena (1987), the Marchioness was portrayed by Norma Suely 
In the mini-series Marquesa de Santos (1984) on Rede Manchete, the Marchioness was portrayed by Maitê Proença 
In the miniseries Entre o Amor e a Espada (2001), by TVE Brasil, the Marchioness was portrayed by Rejane Santos 
In the Rede Globo miniseries O Quinto dos Infernos (2002), the role of the Marchioness was portrayed by Luana Piovani 
In Rede Globo's soap opera Novo Mundo (2017), the role of the Marchioness was portrayed by Agatha Moreira 

Opera
Marquesa de Santos (1948), composed by João Batista de Siqueira  Opera piece in three acts with libretto by Joaquim Ribeiro 
Chalaça (1973), by conductor Francisco Mignone 
Domitila (2000), with music and libretto by Rio de Janeiro composer João Guilherme Ripper, inspired by the love letters exchanged between Dom Pedro I and Domitila  The soprano Maíra Lauter portrayed Domitila 

Rock
The album "Caso Real" (2015) by the rock band Lítera that was inspired by the love affair between the Emperor Pedro I of Brazil and the Marquesa de Santos, through the book "Titília e o Demonão – Cartas Inéditas de Dom Pedro I à Marquesa de Santos", by the writer Paulo Rezzutti 

Sambas plots
Os amores célebres do Brasil (1966), from Acadêmicos do Salgueiro 
A Favorita do Imperador (1964), from Imperatriz Leopoldinense 
A flecha do cupido me pegou (1981), from Caprichosos de Pilares 
Mulheres que Brilham – a força feminina no progresso social e cultural do país (2012), from Vai-Vai 
Paixões proibidas e outros amores (2014), from Nenê de Vila Matilde 

Notes
Passage 2:
Maria Isabel de Alcântara, Countess of Iguaçu
Maria Isabel de Alcântara Bourbon (28 February 1830 – 5 September 1896) was the third daughter (fifth child) of emperor Pedro I of Brazil and his mistress, Domitila de Castro, Marchioness of Santos 
Maria Isabel received the same name as her second sister, the Duchess of Ceará, who died in 1828 at only two months old  She was never given any titles by her father due to his marriage to Amélie of Leuchtenberg  Still, Pedro I acknowledged her as his daughter in his will but gave her no share of his state, except asking for his widow to aid in her education and upbringing  He had wished that she be given a good European education like her oldest sister, the Duchess of Goiás  However, the Marchioness declined to send the girl to Europe On 2 September 1848, at the age of eighteen, Maria Isabel married Pedro Caldeira Brant, the Count of Iguaçu, son of Felisberto Caldeira Brant, Marquis of Barbacena  At their wedding, Maria Isabel became the second Countess of Iguaçu  The couple had seven children: 

Isabel dos Santos
Luís de Alcantâra Caldeira Brant, married Maria Luísa Pereira de Brito
Pedro de Alcântara Caldeira Brant
Deulinda dos Santos, married Claudiano dos Santos
Maria Teresa Caldeira Brant, married Charles Collins
Isabel Maria dos Santos, married Antônio Dias Paes Leme
José Severiano de AlcântaraShe died on 5 September 1896, at sixty-six years of age, in São Paulo 
Passage 3:
Maria Isabel Barreno
Maria Isabel Barreno de Faria Martins GOIH (10 July 1939 – 3 September 2016) was a Portuguese writer, essayist, journalist and sculptor  She was one of the authors of the book Novas Cartas Portugesas (New Portuguese Letters), together with Maria Teresa Horta and Maria Velho da Costa  The authors, known as the "Three Marias," were arrested, jailed and prosecuted under Portuguese censorship laws in 1972, during the last years of the Estado Novo dictatorship  The book and their trial inspired protests in Portugal and attracted international attention from European and American women's liberation groups in the years leading up to the Carnation Revolution 

Biography
Born in Lisbon in the freguesia of Socorro, her parents moved to Areeiro, where she spent her childhood and adolescence  She studied College of Letters at the Universidade de Lisboa, where she graduated in Historico-Philosophical Sciences 
After graduation, she took a job working for the Instituto de Investigação Industrial  She dedicated herself to the cause of feminism, taking part in the Portuguese feminist movement together with the writers Maria Teresa Horta and Maria Velho da Costa, the "Three Marias" (Três Marias) 
On 8 March  2004, she was made a Grand Official in the Ordem do Infante D  Henrique Barreno died on 3 September 2016 at the age of 77 
The sketch shown here is not a portrait of Barreno but of Maria Fatima Velho da Costa  A 1975 photo of the Three Marias published in The Economist shows Isabel Barreno on the right  
A late-life photo of her appears with her obituary on a Portuguese government site, cig gov pt 

Works
Adaptação do Trabalhador de Origem Rural ao Meio Industrial Urbano (1966)
A Condição da Mulher Portuguesa (1968) (collaboration)
De Noite as Árvores São Negras (1968)
Os Outros Legítimos Superiores (1970)
Novas Cartas Portuguesas (1971) (co-authored with Maria Teresa Horta and Maria Velho da Costa)
A Morte da Mãe (1972)
A Imagem da Mulher na Imprensa (1976)
Inventário de Ana (1982)
Contos Analógicos (1983)
Sinos do Universo (1984)
Contos (1985)
Célia e Celina (1985)
O Outro Desbotado (1986)
O Falso Neutro (1989)
O Direito ao Presente (1990)
Crónica do Tempo (1991) – winner of the Fernando Namora Prize
O enviado (1991)
O Chão Salgado (1992)
Os Sensos Incomuns (1993) – winner of the Prémio P E N  Clube Português de Ficção, and the Grande Prémio de Conto Camilo Castelo Branco
O Senhor das Ilhas (1994)
As Vésperas Esquecidas (1999)
Passage 4:
Maria Isabel of Braganza
Maria Isabel of Braganza (Maria Isabel Francisca de Assis Antónia Carlota Joana Josefa Xavier de Paula Micaela Rafaela Isabel Gonzaga; 19 May 1797 – 26 December 1818) was a Portuguese infanta who became Queen of Spain as the second wife of King Ferdinand VII 

Early years
Maria Isabel, born Maria Isabel Francisca de Assis Antónia Carlota Joana Josefa Xavier de Paula Micaela Rafaela Isabel Gonzaga, was born to John VI of Portugal and Carlota Joaquina of Spain on 19 May 1797  She was born as their third child and second daughter  The marriage between her father and mother was unhappy, Carlota Joaquina attempting to have King John VI deemed insane In 1807 Napoleon invaded Portugal, and the royal family unwillingly fled to Brazil  Maria Isabel’s mother Carlota sent her eldest surviving son, Pedro, to join his father and grandmother onboard the ship Principe Real whilst Carlota and the rest of her children would board the Affonso d’Albuquerque Upon their arrival, Carlota and her children were forced to shave their heads and wear white muslin hats 

Upbringing
Maria Isabel and her siblings were carefully educated by her mother liberally  Maria Isabel was noted to be kind, balanced and shy, and was much like her father within her personality 

Marriage
On 20 March 1816, Queen Maria I of Portugal perished  Due to this, Maria Isabel’s father John became the King of Portugal and Brazil  On 22 February 1816 marriage contracts between Ferdinand VII of Spain and Maria Isabel were officially signed; they would soon marry 29 September 1816  Ferdinand was 32 years old and Maria Isabel was 19 
Towards the end 1816 Maria Isabel and Ferdinand were married, and then settled in Madrid  There, Maria Isabel was then quickly pregnant  Maria Isabel gave birth to a daughter, who they named María Luisa Isabel, on 21 August 1817  María Luisa Isabel died four-five months later 

Death
Maria Isabel was pregnant soon after the birth of María Luisa Isabel, but the birth was indeed a difficult one: the baby was in breech and the physicians soon found that the child had died  Maria Isabel stopped breathing soon thereafter and the doctors thought she was dead  
Maria Isabel’s sister protested against the doctors' thoughts on presuming her dead  The king, however, ordered a fatal caesarean  When they started cutting her stomach to extract the dead fetus, she suddenly shouted in pain and collapsed on her bed, bleeding heavily  She died soon afterwards on 26 December 1818 in the Palace of Aranjuez, and was buried at the Escorial — the royal site of San Lorenzo de El Escorial 

Legacy
Queen Maria Isabel's dedication and affection for art led her to gather many treasures from the past and create a royal museum, which would end up being the beginnings of Museo del Prado  It opened on 19 November 1819, a year after the queen's death 

Issue
Ancestors
Honours and arms
Dame of the Order of Queen Maria Luisa
Dame of the Order of Saint Isabel

See also
Napoleonic Wars
Passage 5:
Etan Boritzer
Etan Boritzer (born 1950) is an American writer of children’s literature who is best known for his book What is God? first published in 1989



ground_truth: Cahiers du cinéma

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the date of death of Maria Isabel De Alcântara, Countess Of Iguaçu's mother?

The following are given passages.
Context 3:  His best selling What is? illustrated children's book series on character education and difficult subjects for children is a popular teaching guide for parents, teachers and child-life professionals Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views  The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages 
Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F  Kennedy  His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education 
Boritzer now lives in Venice, California and maintains his publishing office there also  He has helped numerous other authors to get published through How to Get Your Book Published! programs  Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally  He is also recognized nationally as an erudite speaker on The Teachings of the Buddha 
Passage 6:
Anne Yelverton
Anne Yelverton (1628–1698) was Countess of Manchester and Countess of Halifax 

Biography
Anne Yelverton was born in 1628  She was the daughter of Sir Christopher Yelverton, 1st Baronet, and Anne Twysden  She married Robert Montagu, 3rd Earl of Manchester, son of Edward Montagu, 2nd Earl of Manchester, and Lady Anne Rich, on 27 June 1655  They had five sons and four daughters:
Hon  Edward Montagu
Hon  Henry Montagu
Lady Anne Montagu (c  1667–1720), married James Howard, 3rd Earl of Suffolk 
Charles Montagu, 1st Duke of Manchester (c  1656–1722)
Lady Elizabeth Montagu (c  1682)
Lady Catherine Montagu, married Samuel Edwin
Hon  Robert Montagu (d  1693)
Hon  Heneage Montagu (1675–1698)
Lady Eleanor Montague,   (1647-1695) Married to Anthony Haggard (1646-1755) Marriage about 1682 Berkshire, England, United Kingdom Her first husband, Robert Montagu, died in 1683  Her second marriage was to Charles Montagu, 1st Earl of Halifax, son of Hon  George Montagu (the half-brother of Robert Montagu's father, Edward) and Elizabeth Irby, circa 12 May 1688  This marriage was childless, and the Halifax title passed to Charles Montagu's nephew, George Montagu, by special remainder, on the former's death in 1715  Anne Yelverton died on 21 July 1698 
Passage 7:
Theodred II (Bishop of Elmham)
Theodred II was a medieval Bishop of Elmham 
The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997 
Passage 8:
Maria Isabel Guerra
Maria Isabel Guerra (born 8 July 1955) is a Brazilian former butterfly and medley swimmer  She competed in three events at the 1972 Summer Olympics  She was a soccer player, rocked soccer skillzz 
Passage 9:
Maribel Martín
María Isabel Martín Martínez (1 November 1954 in Madrid, Spain), better known as Maribel Martín, is a Spanish actress 

Career
She made her acting debut at age seven in the film Tres de la Cruz Roja (1961),a film directed by Fernando Palacios  She had a career as a child actress in films like: La gran familia (1962), by Fernando Palacios and El Camino (1963) directed by Ana Mariscal 
At the end of the 1960s, she took more important roles in films like: The House That Screamed (1969) by Narciso Ibáñez Serrador and La Cera Virgen (1971) directed by Jose Maria Forque  She had her first starring role in The Blood Spattered Bride under the direction of Vicente Aranda  During the 1970s she concentrated her work in the theater and television  Among her films of this period are: Los Viajes Escolares (1973) directed by Jaime Chávarri; La Espada Negra (1976) film directed by Francisco Rovira Beleta Campana del Infierno (1973) by Claudio Guerin 
After her starring role in Últimas tardes con Teresa (1983) directed by  Gonzalo Herralde, she created the production company Ganesh Films with actor Julian Mateos and from then on she has taken roles in some of their production: The Holy Innocents (1984), by Mario Camus and Moon Child (1989), a film directed by Agusti Villaronga  Her most recent film is Engendro (2005) under the direction of Luis Cabeza 

Selected filmography
La gran familia (1962)
The House That Screamed (1969)
The Blood Spattered Bride (1972)
The Bell from Hell (1973)
The Great House (1975)
Forget the Drums (1975)
Fortunata y Jacinta  (1980)
Últimas tardes con Teresa (1983)
The Holy Innocents (1984)
Moon Child (1989)
Passage 10:
Isabel Bacardit
Maria Isabel Preñanosa Bacardit (born 1960 in Barcelona) is a Spanish painter 

Biography
Isabel Bacardit was born in Barcelona, Spain, in 1960  She starts her artistic education at the School of Arts of Poblenou, with Miquel Simó as her teacher, then moves on to the Escola d’Arts Aplicades i Oficis Artistics (Llotja) in Barcelona 
Starting as an abstract painter, she paints on materials she finds in the street: cardboard, wood, etc  Inspired by urban images, she paints using pigments mixed with sawdust and paper-paste to achieve densities and textures  Her compositions are based on primary colours 
In 1984 she is selected for the Fifth Biennale of Barcelona- Young Contemporary Painting  In 1985 she takes part in the First Exhibition of Young Art in Madrid and in the First Biennale of Young Cultural Productions of the European Mediterranean  In 1986 she is again selected for the Second Exhibition of Young Art in Madrid 
With the unexpected death of her partner, the painter Xavier Vidal i Banchs in 1984, Bacardit changes the theme of her work, taking inspiration now from the accidental changes of life  She creates a series of works based on The Disasters of War by Goya and paints proceeding from photographs of accidents taken from newspapers  She also changes her palette, turning to dark and earthen colours 
In 1986, due to the works in preparation for the 1992 Olympics, her paintings reflect the transformation of Barcelona, taking machines and diggers as her main motives 
In 1987 she illustrates the poem Helicón by Bruno Montané Krebs  She travels to Berlin, where she resides for a year  Here her themes are the signs of war, still visible on the buildings in the divided city  She exhibits in the gallery Vendemmia with the title "This is my Silence" 
In 1988 she moves to Mallorca, where she comes in contact with the theatre works of the Polish author Tadeusz Kantor  She creates the portfolio "The right to live in peace", with paintings inspired by the theatre of this author 
In 1989 she takes up residence in Santa Coloma de Farnés (Spain)  In the midst of nature she changes her themes dramatically  Her work finds inspiration in the landscape, light and silence  She leaves her work on the theme of death, with its dense materiality, behind, moving towards watercolours and transparencies 
In 1990 she lives in Rio de Janeiro, where she works with organisations for the welfare of street children, gives painting classes and establishes her studio in the gallery Maria Teresa Vieira  In Salvador de Bahia she exhibits a series of erotic drawings at the University of Fine Arts 
In 1991 she arrives in Chile  She exhibits in the gallery Buchi in Santiago de Chile and lives in Valparaiso  She collaborates with various artists: Edgard del Canto (painter), Alma Martinoia (painter), Ivo Vergara (painter), Cristina Correa (painter), Teresa Olivera (actress), Hernan Varela (stained glass artist) and Víctor Barrientos Ormazábal (actor and theatre director)  With them, she founds the theatre company "Theatre only for Fools" 
She begins her series "Earth, Air, Water and Fire"  On request of the cultural centre Las Condes of Santiago de Chile she builds a large scale sculpture out of papier-mache  and acrylics: "Bird Woman" which is dedicated to the flamenco dancer Carmen Amaya  For the theatre company "Theatre of Silence" she creates the life size puppets of the play "Taca taca mon amour" by Mauricio Celedón In 1994 she returns to Barcelona  She abandons abstract painting and returns to the figurative  In this period stand out:

The installation "Since ever, until when, since ever" for the "Meeting of Street Artists" in Granada 
An Exhibition in the civic centre Can Felipa with the collective "Art by Women", with works based on the theme of the female reproductive organs and birth 
The installation "Shoe-house Zapata"
Poeto-musical actions with Lucho Hermosilla, Steven Forster and Gaspar Lucas with the poem Altazor by Vicente Huidobro In 1996 she travels to Mexico  She meets Ofelia Medina and makes contact with the Zapatista communities in Chiapas, where she becomes strongly influenced by elements of indigenous symbolism and spirituality 
In 1997 she returns to Barcelona  In collaboration with Primitiva Reverter, Judit Bacardit, Montserrat Baqués, Mercè Candó, Caty Fernández and Aina Reverter she initiates the publication of the magazine Adiosas  With the same artists she exhibits in the gallery Espai22a 
In 1998 she works with the Dutch travelling theatre company "Azart Ship of Fools"  She travels and acts on the boat of the company and creates masks and part of the costumes for the work The Pilgrim at the End of the World 
In 1999 she establishes herself in Vilarnadal (Girona, Spain), where she lives for six years in an old mill  She paints and cultivates the earth 
In 2002 she exhibits, together with her sister, the sculptor Judit Bacardit, in the information centre of the Parc dels Aiguamolls de l’Empordà and in the exhibition rooms of the Caixa Girona in Roses 
In 2003 they exhibit again at this location  She participates in the European meeting of woman artists "In Via" in Switzerland 
In 2004 she creates the stage design and decorations for the programme "The Ship of Fools" for the local television in Amsterdam 
Since 2005 she lives in Barcelona 

Notes



ground_truth: November 3, 1867