prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the spouse of the director of film Emergency Wedding?

The following are given passages.
Context 1: Passage 1:
Sophia Magdalena of Denmark
Sophia Magdalena of Denmark (Danish: Sophie Magdalene; Swedish: Sofia Magdalena; 3 July 1746 – 21 August 1813) was Queen of Sweden from 1771 to 1792 as the wife of King Gustav III  
Born into the House of Oldenburg, the royal family of Denmark-Norway, Sophia Magdalena was the first daughter of King Frederick V of Denmark and Norway and his first consort, Princess Louise of Great Britain  Already at the age of five, she was betrothed to Gustav, the heir apparent to the throne of Sweden, as part of an attempt to improve the traditionally tense relationship between the two Scandinavian realms  She was subsequently brought up to be the Queen of Sweden, and they married in 1766  In 1771, Sophia's husband ascended to the throne and became King of Sweden, making Sophia Queen of Sweden  Their coronation was on 29 May 1772 
The politically arranged marriage was unsuccessful  The desired political consequences for the mutual relations between the two countries did not materialize, and on a personal level the union also proved to be unhappy  Sophia Magdalena was of a quiet and serious nature, and found it difficult to adjust to her husband's pleasure seeking court  She dutifully performed her ceremonial duties but did not care for social life and was most comfortable in quiet surroundings with a few friends  However, she was liked by many in the Caps party, believing she was a symbol of virtue and religion  The relationship between the spouses improved somewhat in the years from 1775 to 1783, but subsequently deteriorated again 
After her husband was assassinated in 1792, Sophia Magdalena withdrew from public life, and led a quiet life as dowager queen until her death in 1813 

Early life
Princess Sophie Magdalene was born on 3 July 1746 at her parents' residence Charlottenborg Palace, located at the large square, Kongens Nytorv, in central Copenhagen  She was the second child and first daughter of Crown Prince Frederick of Denmark and his first consort, the former Princess Louise of Great Britain, and was named for her grandmother, Queen Sophie Magdalene  She received her own royal household at birth 
Just one month after her birth, her grandfather King Christian VI died, and Princess Sophie Magdalene's father ascended the throne as King Frederick V  She was the heir presumptive to the throne of Denmark from the death of her elder brother in 1747 until the birth of her second brother in 1749, and retained her status as next in line to the Danish throne after her brother until her marriage  She was therefore often referred to as Crown Princess of Denmark In the spring of 1751, at the age of five, she was betrothed to Gustav, the heir apparent to the throne of Sweden, and she was brought up to be the Queen of Sweden  The marriage was arranged by the Riksdag of the Estates, not by the Swedish royal family  The marriage was arranged as a way of creating peace between Sweden and Denmark, which had a long history of war and which had strained relations following the election of an heir to the Swedish throne in 1743, where the Danish candidate had lost  The engagement was met with some worry from Queen Louise, who feared that her daughter would be mistreated by the Queen of Sweden, Louisa Ulrika of Prussia  The match was known to be disliked by the Queen of Sweden, who was in constant conflict with the Parliament; and who was known in Denmark for her pride, dominant personality and hatred of anything Danish, which she demonstrated in her treatment of the Danish ambassadors in Stockholm After the death of her mother early in her life, Sophia Magdalena was given a very strict and religious upbringing by her grandmother and her stepmother, who considered her father and brother to be morally degenerate  She is noted to have had good relationships with her siblings, her grandmother and her stepmother; her father, however, often frightened her when he came before her drunk, and was reportedly known to set his dogs upon her, causing in her a lifelong phobia 

In 1760, the betrothal was again brought up by Denmark, which regarded it as a matter of prestige  The negotiations were made between Denmark and the Swedish Queen, as King Adolf Frederick of Sweden was never considered to be of any more than purely formal importance  Louisa Ulrika favored a match between Gustav and her niece Philippine of Brandenburg-Schwedt instead, and claimed that she regarded the engagement to be void and forced upon her by Carl Gustaf Tessin  She negotiated with Catherine the Great and her brother Frederick the Great to create some political benefit for Denmark in exchange for a broken engagement  However, the Swedish public was very favorable to the match due to expectations Sophia Magdalena would be like the last Danish-born Queen of Sweden, Ulrika Eleonora of Denmark, who was very loved for her kindness and charity  This view was supported by the Caps political party, which expected Sophia Magdalena to be an example of a virtuous and religious representative of the monarchy in contrast to the haughty Louisa Ulrika  Fredrick V of Denmark was also eager to complete the match: "His Danish Majesty could not have the interests of his daughter sacrificed because of the prejudices and whims of the Swedish Queen"  In 1764 Crown Prince Gustav, who was at this point eager to free himself from his mother and form his own household, used the public opinion to state to his mother that he wished to honor the engagement, and on 3 April 1766, the engagement was officially celebrated 
When a portrait of Sophia Magdalena was displayed in Stockholm, Louisa Ulrika commented: "why Gustav, you seem to be already in love with her! She looks stupid", after which she turned to Prince Charles and added: "She would suit you better!"

Crown Princess
On 1 October 1766, Sophia Magdalena was married to Gustav by proxy at Christiansborg Palace in Copenhagen with her brother Frederick, Hereditary Prince of Denmark, as representative of her groom  She traveled in the royal golden sloop from Kronborg in Denmark over Öresund to Hälsingborg in Sweden; when she was halfway, the Danish cannon salute ended, and the Swedish started to fire  In Helsingborg, she was welcomed by her brother-in-law Prince Charles of Hesse, who had crossed the sea shortly before her, the Danish envoy in Stockholm, Baron Schack, as well as Crown Prince Gustav himself  As she was about to set foot on ground, Gustav was afraid that she would fall, and he therefore reached her his hand with the words: "Watch out, Madame!", a reply which quickly became a topic of gossip at the Swedish court 
The couple then traveled by land toward Stockholm, being celebrated on the way  She met her father-in-law the King and her brothers-in-law at Stäket Manor on 27 October, and she continued to be well-treated and liked by them all during her life in Sweden  Thereafter, she met her mother-in-law the Queen and her sister-in-law at Säby Manor, and on the 28th, she was formally presented for the Swedish royal court at Drottningholm Palace  At this occasion, Countess Ebba Bonde noted that the impression about her was: "By God, how beautiful she is!", but that her appearance was affected by the fact that she had a: "terrible fear of the Queen"  On 4 November 1766, she was officially welcomed to the capital of Stockholm, where she was married to Gustav in person in the Royal Chapel at Stockholm Royal Palace Sophia Magdalena initially made a good impression upon the Swedish nobility with her beauty, elegance and skillful dance; but her shy, silent, and reserved nature soon made her a disappointment in the society life  Being of a reserved nature, she was considered cold and arrogant  Her mother-in-law Queen Louisa Ulrika, who once stated that she could comprehend nothing more humiliating than the position of a Queen Dowager, harassed her in many ways: a typical example was when she invited Gustav to her birthday celebrations, but asked him to make Sophia Magdalena excuse herself by pretending to be too ill to attend  Louisa Ulrika encouraged a distance between the couple in various ways, and Gustav largely ignored her so as not to make his mother jealous 
Sophia Magdalena was known to be popular with the Caps, who were supported by Denmark, while Louisa Ulrika and Gustav sided with the Hats  The Caps regarded Sophia Magdalena to be a symbol of virtue and religion in a degenerated royal court, and officially demonstrated their support  Sophia Magdalena was advised by the Danish ambassador not to involve herself in politics, and when the spies of Louisa Ulrika reported that Sophia Magdalena received letters from the Danish ambassador through her Danish entourage, the Queen regarded her to be a sympathizer of the Danish-supported Caps: she was isolated from any contact with the Danish embassy, and the Queen encouraged Gustav to force her to send her Danish servants home  This she did not do until 1770, and his demand contributed to their tense and distant relationship  In 1768, Charlotta Sparre tried to reconcile the couple at their summer residence Ekolsund Castle, but the marriage remained unconsummated After King Adolf Frederick of Sweden died in 1771, Gustav III became King of Sweden  The following year, on 29 May, Sophia Magdalena was crowned Queen 

Early reign as Queen
The coronation of Gustav III and Sophia Magdalena took place on 29 May 1772  She was not informed about the coup of Gustav III, which reinstated absolute monarchy and ended the parliamentary rule of the Estates in the revolution of 1772  At the time she was deemed as suspicious and politically untrustworthy in the eyes of the King, primarily by her mother-in-law, who painted her as pro-Danish  Denmark was presumed to oppose the coup; there were also plans to conquer Norway from Denmark 
Sophia Magdalena was informed about politics nonetheless: she expressed herself pleased with the 1772 parliament because Count Fredrik Ribbing, for whom she had taken an interest, had regained his seat  The conflict between her and her mother-in-law was publicly known and disliked, and the sympathies were on her side  In the contemporary paper Dagligt Allehanda, a fable was presented about Rävinnan och Turturduvan ("The She Fox and the Turtle Dove")  The fable was about the innocent turtle dove (Sophia Magdalena) who was slandered by the wicked she fox (Louisa Ulrika), who was supported by the second she fox (Anna Maria Hjärne) and the other foxes (the nobility)  The fable was believed to have been sent from the Caps party Queen Sophia Magdalena was of a shy and reserved character, and was never a member of the King's inner circle  At the famous amateur court theater of Gustav III, Sophia Magdalena is occasionally named as participator in the documents  In 1777, for example, she dressed as an Italian sailor and participated in a battle between Italian and Spanish sailors  Usually it was rather her role to act as the passive lady of games and tournaments, and to decorate the winner with the award  She did her ceremonial duties, but disliked the vivid lifestyle of the court around her outgoing spouse As queen, she was expected to do a great deal of representation – more than what had been expected from previous queens due to her husband's adoration of representation  On formal occasions, she was at her best: she performed beautifully according to royal court etiquette, and was seen as dignified and impressive  For instance, on 17 September 1784, she cut the cord to let off the first air balloons from the Stockholm observatory  During the King's Italian journey in 1783–84, she hosted a grand formal public dinner every two weeks  During that time, she appeared at the Royal Swedish Opera and at the French Theater, but otherwise preferred her solitude  This attracted attention as during the absence of the King she had been expected to represent the royal couple all the more 
Sophia appeared to have enjoyed nature trips in the country side with only one lady-in-waiting and two footmen, however, her country side visitations were stopped because it was deemed 'unsuitable'  Several of her ladies-in-waiting were well known Swedish women of the era, among them The Three Graces: Augusta von Fersen, Ulla von Höpken and Lovisa Meijerfelt, as well as Marianne Ehrenström and Charlotta Cedercreutz, who were known artists 
Sophia Magdalena was a popular Queen: on 22 July 1788, for example, during the absence of her spouse in Finland, several members of the Royal Dramatic Theater and the musical society Augustibröder, among them Bellman, took a spontaneous trip by boat from the capital to Ulriksdal Palace, where she was, and performed a poem by Bellman to her honor at the occasion of her name day 

In the famous diary of her sister-in-law, Princess Hedwig Elizabeth Charlotte, Sophia Magdalena is described as beautiful, cold, silent and haughty, very polite and formal, reserved and unsociable  When she performed her duties as Queen, her sister-in-law, Hedwig Elizabeth Charlotte of Holstein-Gottorp, described her as "Forced to meet people" Sophia Magdalena preferred to spend her days in solitude whenever she could  She had two very intimate friends, Maria Aurora Uggla and Baroness Virginia Charlotta Manderström, but otherwise rarely participated in any social life outside of what was absolutely necessary to perform her representational  duties  She frequently visited the theater, and she also had a great interest for fashion  As a result of this, she was somewhat criticized for being too vain: even when she had no representational duties to dress up for and spend her days alone in her rooms, she is said to have changed costumes several times daily, and according her chamberlain Adolf Ludvig Hamilton, she never passed a mirror without studying herself in it  She was also interested in literature, and educated herself in various subjects: her library contained works about geography, genealogy and history  She educated herself in Swedish, English, German and Italian, and regularly read French magazines  According to Augusta von Fersen, Sophia Magdalena was quite educated, but she was not perceived as such because she rarely engaged in conversation In 1784, after the King had returned from his trip to Italy and France, the relationship between the King and Queen soured  At this time, Gustav III spent more and more time with male favorites  In 1786, this came to an open conflict  The King had taken to spend more time at intimate evenings with his favorite Gustaf Mauritz Armfelt, from which he excluded her company  When he gave some of her rooms at the Royal Palace to Armfelt, Sophia Magdalena refused to participate in any representation until the rooms were given back to her, and she also banned her ladies-in-waiting from accepting his invitations without her permission 
In 1787, she threatened him with asking for the support of the parliament against him if he took their son with him to Finland, which she opposed, and the year after, she successfully prevented him from doing so  She also reprimanded him from allowing his male favorites to slander her before him 
Queen Sophia Magdalena was never involved in politics, except for one on one occasion  In August 1788, during the Russo-Swedish War (1788–1790), the King gave her the task to enter in negotiations with Denmark to prevent a declaration of war from Denmark during the ongoing war against Russia  He asked her to call upon the Danish ambassador Reventlow and give him a letter to be read in the Danish royal council before her brother, the Danish King  He gave her the freedom to write as she wished, but to use the argument that she spoke as a sister and mother to a son with the right to the Danish throne and upon her own initiative 
Sophia Magdalena called upon the Danish ambassador, held a speech to him followed by a long conversation and then handed him a letter written as a "warm appeal" to her brother  A copy was sent to Gustav III, and her letter was read in the royal Danish council, where it reportedly made a good impression  However, her mission was still unsuccessful, as the Russo-Danish alliance made it unavoidable for Denmark to declare war shortly afterward  At the time, there was a note that she met two Russian prisoners of war in the park of the Haga Palace, and gave them 100 kronor each 

At the parliament of 1789 Gustav III united the other estates against the nobility and to gain support for the war and for his constitutional reform  Coming into conflict with the nobility, he had many of its representatives imprisoned  This act led to a social boycott of the monarch by the female members of the aristocracy, who followed the example of Jeanna von Lantingshausen as well as the King's sister and sister-in-law, Sophie Albertine of Sweden and Hedvig Elisabeth Charlotte  The Queen did not participate in this political demonstration and refused to allow any talk of politics in her presence  She was nevertheless involved in the conflict  When the King informed his son about the event, he discovered the child to be already informed in other ways than what he had intended  He suspected Sophia Magdalena to be responsible, and asked the governor of the prince, Count Nils Gyldenstolpe, to speak to her  Gyldenstolpe, however, sent one of the king's favorites, Baron Erik Boye  The Queen, who despised the favorites of the King, furiously told Boye that she spoke to her son how she wished and that only her contempt for him prevented her from having him thrown out of the window  She was known to dislike the reforms of 1789, and she did let it be known to its representatives  At the celebrations of the Victory at Fredrikshamn in 1790, she refused to be escorted by riksråd Count Joakim Beck-Friis, who was in favor of the reform, and demanded to be escorted by Count Axel von Fersen the Elder, who was in opposition to it 
In the autumn of 1790, the King chose to remain in the summer residence of Drottningholm Palace well in to the autumn because of the social boycott  Finally, the Queen returned to the capital without his consent  He accused her of having been manipulated by the female courtiers into participating in the political demonstration, and refusing him the company of her ladies-in-waiting by leaving  This applied especially to Hedvig Ulrika De la Gardie and Augusta von Fersen, who did not participate in the boycott: he suspected Hedvig Eleonora von Fersen to have persuaded the Queen to participate in the boycott  This is however is not considered to have been true: though the Queen did oppose to the act of 1789, she is reported never to have allowed any one to speak of politics in her presence  The reason to why she wished to leave was reportedly due to her health, as Drottningholm was quite cold by that time of the year and she had been afflicted by an ear infection  The King did in any case suspect her of being in political opposition to him, and before his trip to Aachen in 1791, he ordered that his son was to be separated from her during his absence abroad  When she was made aware of this, Sophia Magdalena caused a public scene when she visited him in his box at the opera and demanded to be given access to her son  This led to a heated argument and she left the box with the words: "I will have my vengeance, monsieur! I give you my sacred vow on that!"

Succession issues
Sophia Magdalena is mostly known in Swedish history for the scandal created around the consummation of her marriage and the questioned legitimacy of her son  Her marriage was a then normal arranged royal match for political convenience, in which Sophia Magdalena at first was described by her spouse as "cold as ice"  Sophia Magdalena's religious upbringing and introverted character made her avoid the lively and spontaneous Gustavian court life, which made her even less attractive in the eyes of her outgoing spouse Their marriage was not consummated until 1775, nine years after the wedding  The status quo between Gustav III and his consort was nurtured by the Queen Dowager, Louisa Ulrika, who did not want competition in her influence over her son  There were rumors that the King was a homosexual or sexually underdeveloped  His sexuality, which had much effect on Sophia Magdalena's life, as a royal marriage was designed to produce offspring, has been much debated  His sexual inexperience has been blamed on immaturity or him also being asexual 
As a teenager, Gustav had a crush on Axel von Fersen's mother, Hedvig Catharina De la Gardie, though this affection was never physical  In 1768, he had another infatuation with the noble Charlotte Du Rietz, but this is not believed to have been sexually consummated either  Various documents written during his lifetime alleged that he was bisexual or homosexual 
His sister-in-law, Princess Charlotte, claims that the King did participate in homosexual activity after his trip to Italy in 1784 and that there were several rumors about this: she claims that she herself had witnessed that the park at Drottningholm Palace had become a place where male courtiers searched for homosexual partners, and in a letter to Sophie von Fersen, she writes in code: 

"It is said that the King recently attacked a young man in the park at night and offered him the post of chamberlain to the Queen if he agreed to his lusts, but the young man preferred to leave  Agree that this is to take things too far  It is said that the trips to Svartsjö Palace are made to be provide privacy, it is unbelievable, but it is what it is said  I could tell you a million things about this "
In 1791, Sophia Magdalena herself paid a surprise visit to the King during his stay at the Gustav III's Pavilion, where the King had spent more time since he came in conflict with the nobility after the 1789 parliament; and where he was reputed to indulge in orgies  She found the King in bed, and he asked one of his favorites, Count Fabian Wrede, to show her around  In the King's private chamber, however, the Queen found the actor and page of the King, Lars Hjortsberg, sleeping, naked  The Queen reacted by interrupting the tour by saying to Wrede that he apparently did not know his way around Haga, as he had obviously showed her the chamber of the staff rather than the King by mistake Some sources explain that both the Queen and the King had serious anatomical problems resulting in erotic complications  Erik Lönnroth has concluded that there is no factual proof for the rumors that Gustav III was inclined toward homosexuality or bisexuality, nor that Gustav Adolf was illegitimate 

During the Coup of Gustav III on 19 August 1772, Sophia Magdalena was at Ekolsund Castle  After having been told of the successful coup where her consort had reinstated absolute monarchy, she confided to her Mistress of the Robes, Countess Anna Maria Hjärne, that she was afraid that she would now be divorced by Gustav, because she knew she was not liked by him, because she had not given birth, and because she knew she was being slandered before him  Gustav III was told of this and her words led to a conflict  At a following ball at Ekolsund, the King told Count Axel von Fersen the Elder, that he did plan to divorce her on the grounds of pro-Danish plots and adultery with riksråd Count Fredrik Sparre and Marcus Gerhard Rosencrone of the Danish legation in Stockholm  Von Fersen, however, convinced him not to by saying that she should not be regarded to participate in pro-Danish plots just for her love of her Danish chamber-maids, and that as a neglected wife, she should not be blamed for enjoying the compliments of Count Ribbing, which were not grounds for suspicions of adultery  During this period, it had been noted that Count Ribbing was often seen in the company of the Queen and had paid her compliments and made her laugh, among other things by caricaturing her Mistress of the Robes Countess Anna Maria Hjärne  Countess Hjärne had informed the King that the Queen was pregnant, "And the riksråd Ribbing is her favorite "The King had given Countess Ulrica Catharina Stromberg the task to investigate this, and she was told by the chamber madame of Sophia Magdalena, Charlotta Hellman, that: "information, which where dubious, especially since the clearest evidence could be gathered from the linen of the Queen"  Her contact with Rosencrone is said to have been restricted to the fact that he handled her correspondence with Denmark  After the reconciliation of Sophia Magdalena and Gustav III, he apologized to her for having believed these rumors 
In 1774, the King arranged the marriage between his brother, the future Charles XIII of Sweden, and Hedwig Elizabeth Charlotte of Holstein-Gottorp, to solve, for the time being, the immediate question of an heir to the throne  The Duchess had false pregnancies and miscarriages only, which may have hastened the King to expedite the consummation of his own marriage and produce a son of his own 
In 1778, Sophia Magdalena gave birth to Gustav Adolf, successor to the throne, and in 1782, she gave birth to a second son, Charles Gustav, who only lived for one year  It was suggested in some circles that King Gustav's first son was sired by someone else  When the heir was born, the father was believed, by the Queen Dowager among others, to be Count Adolf Fredrik Munck af Fulkila, then Riksstallmästare  This rumor was believed by elements of the public and the royal court, and her acquiescence to it led to a year-long break between the Queen Dowager and her son 

Succession scandal
The King, claiming to be sexually inexperienced, called upon Munck to help him with a reconciliation with his spouse, instruct the couple in the ways of sexual intercourse, and physically show them how to consummate their marriage  Munck, a Finnish nobleman and, at the time, a stable master was, at that point, the lover of Anna Sofia Ramström, the Queen's chamber maid  Through Anna Sofia Ramström, Munck contacted Ingrid Maria Wenner, who was assigned to inform the queen of the king's wish, because she was married and the confidant of the queen  Munck and Ramström were to be present in a room close to the bedchamber, ready to be of assistance when needed, and he was, at some points, called into the bedchamber  Munck himself writes in his written account, which is preserved at the National Archives of Sweden, that to succeed, he was obliged to touch them both physically When it became known that Munck participated in the reconciliation between the royal couple, there were rumours that he was the father of Sophia Magdalena's firstborn These became the subject of accusations from the political opposition, as late as in 1786 and 1789,: 132  where it was claimed that the whole nation was aware of the rumour that the King had asked Munck to make the Queen pregnant : 118  Pamphlets to that end were posted on street corners all over Stockholm : 143 This was also caricatured by Carl August Ehrensvärd in private letters discovered later – his drawing was published in 1987 —, where he passed on a number of rumors and jokes about Gustav III, Sophia Magdalena and Munck without inferring that he believed they were true  There was also a rumour that the King and Queen had divorced in secret and that the Queen had married Munck There is no proof that Munck was the father of the crown prince  Erik Lönnroth has suggested that the anatomical problems mentioned in Munck's account, known only to a few initiated persons, were the primary factor in their delay in producing an heir  At the time, the rumors became more persistent, however, when the royal couple presented Munck with gifts: the King promoted him, and the Queen gave Munck a pension, a diamond ring, and a watch with her image A few socialites took the Queen Mother's side in supporting and spreading the rumors, such as Anna Charlotta Schröderheim and Eva Helena Löwen The circle around the King's brother, Duke Charles, the future Charles XIII of Sweden, who desired the throne, also encouraged these rumors  Their mother was quoted as saying, during the pregnancy of Sophia Magdalena, that there were rumors among the public that the future child was illegitimate, and that she herself believed that the King had hired Munck to impregnate the Queen, and that she would never accept that the throne would come into the hands of "a common nobleman's illegitimate offspring" : 103–4 The Queen Mother ordered Duke Charles to interrogate Munck, and word spread to the King, who was shocked  Sophia Magdalena was equally shocked by the accusations  She swore she would never speak to the Queen Dowager again, and indeed she never did 
The King arranged for his mother to make a public apology for her accusation in the presence of the rest of the Royal Family the 12 May 1778  The scene gained a lot of attention and broke the bonds between Gustav III and his mother  The scandal disturbed celebrations, as did an accident with the public banquet  The public was invited to a great feast to celebrate the birth of the heir, but too many people were let in, and the crowd panicked  Between sixty and one hundred people were trampled to death in the crowd 
Sven Anders Hedin, a medical doctor at the royal court, and married to one of the Queen's chambermaids, Charlotta Hellman, contributed two statements which have been quoted in connection with the scandal  In the summer of 1780, during the King's absence abroad, he passed through the private apartments of the Queen, which were expected to be empty at that hour  There, he claimed to have seen the Queen and Baron Munck embracing each other through the not-quite closed door to her bedroom   To warn them that they were not alone, he hummed a tune and pretended to speak to himself, saying that he would be in trouble if the Queen discovered him there, and then left the room  He claimed to have found three expensive court costumes in his room a few days after this event  In October 1781, Hedin met the King in the corridor on his way to the Queen's bedchamber  Gustav III asked Hedin what time it was, and Hedin claims to have added to his reply: "In nine months, I will be able to answer exactly!" in which Hedin insinuated that the King had expected him to remember the time should the fatherhood of the next child be questioned 

In 1782, Sophia Magdalena had a second son  After the death of her younger son in 1783, her marriage deteriorated  In May 1784, Sophia Magdalena is believed to have had a miscarriage, and after this, there are no further notes of any pregnancies  A brief reconciliation in 1787 was deemed by Duchess Hedwig Elizabeth Charlotte in her diaries as temporary, with no hope of being complete and lasting,: 191  as the King was not "receptive to female charm": another insinuation that he was homosexual 
In 1787, Sophia Magdalena deposited a sum of 50 000 riksdaler in an account for Munck, which was generally rumoured to be a "farewell gift" : 156–7   At this point, Munck had started an affair with the ballerina Giovanna Bassi, to whom Sophia Magdalena showed great dislike : 157   The King was terrified when he heard that the Queen had made that deposit, and he tried to prevent the transaction from becoming public knowledge, which, however, did not succeed : 157  Munck was, however, continued to be used as a go-between and a messenger between the King and the Queen, especially during conflicts 
A child of Giovanna Bassi's, rumored to be the child of Munck, bore a strong likeness to the Crown Prince 

Queen Dowager
On 16 March 1792 Gustav III was attacked and mortally wounded  Sophia Magdalena was reportedly shocked and horrified by the attack  The conspirators intended to make her the regent of her son during his minority : 443  As a Guardian government had been necessary by putting a minor monarch on the throne, their plan was to offer this role to Sophia Magdalena by taking military control and offering the Queen dowager the role of presiding over the guardian council instead of her brother-in-law Duke Charles  Directly after she was told of the attack, Sophia Magdalena sent for the king's favorite, Gustav Mauritz Armfelt, and was taken by him to the sick bed of the King  There, she took the hands of the King between hers and cried out to Armfelt: "How horrifying! Such a cruel atrocity!" She was kept informed of his state by Armfelt, but she was prevented from further visits because Gustav did not wish to receive visits from women because of the smell from his wounds  At the death of Gustav III 29 March 1792, she attempted to visit him, but she was blocked by her brother-in-law Duke Charles, who fell on his knees before her to stop her from entering the bed room 
Sophia Magdalena caused a scandal as it was noted that she did not dress in mourning except when she was forced to do so at visits and on formal occasions : 442   This criticism was likely worsened because she was exposed to some suspicions, as it was known that the conspirators had planned to make her regent 
As Queen Dowager, it was a relief to Sophia Magdalena to withdraw from public life  Her brother-in-law, Duke Charles, became regent, and she eschewed a political role  As a widow, Sophia Magdalena lived a withdrawn life  She did not wish to take part in any representational duties, and she gave up her quarters at Drottningholm Palace to be relieved of them  She lived in the Royal Palace in Stockholm during the winter, and at Ulriksdal Palace during the summer  She lived in a circle of her own court, and seldom entertained any guests other than her lifelong friends Maria Aurora Uggla and Virginia Manderström  It is noted that, although she had hated the male favorites of her spouse during his lifetime, she gave several of them positions in her court as a widow  Sophia Magdalena had a close relationship with her son, King Gustav IV Adolf, who visited her regularly and with whom she shared an interest in religion 

In 1797, she insisted on skipping the protocol at the reception of her daughter-in-law, Frederica of Baden  The etiquette demanded that as Queen Dowager, she should not greet her daughter-in-law at the stair of the royal palace with the rest of the royal family, but wait for her in her own salon, but she refused: "I know myself how I suffered, when I arrived to Sweden, and how painfully I reacted to the cold reception I was given by Queen Louisa Ulrika  As for my daughter-in-law, I have decided to spare her from having to experience such bitter emotions!" During the reign of her son, she seldom showed herself at court except on Sundays and at court presentations, and preferred to stay at her estate  She regularly met her son and his family on family visits, but she did not participate in court life 
In 1809 she witnessed the coup and following abdication of her son, King Gustav IV Adolf of Sweden, after Sweden lost Finland to Russia  She was deeply affected by his deposition  On the day of the coup, she was informed by her friend Maria Aurora Uggla, and in her company she immediately rushed to the quarters of her son  She was prevented from seeing him by guards, and burst into tears in the arms of Uggla  Shortly after, she was visited in her quarters by Duke Charles in the company of guards, who officially told her what had happened and made her burst into tears again by officially banning her from seeing her son  When she, during the captivity of her son, formally applied for permission to see him, and was told by Charles that she could not unless given permission by the government, she publicly commented: "The government was not asked for permission for the murder of my husband, neither any permission was sought to depose and imprison my son, but I must have their permission, to speak to my child " She was never to see her son again, but she corresponded with him for the rest of her life  He was sent into exile and replaced by his paternal uncle Charles XIII, but she remained in Sweden until her death  She did, however, say goodbye to her daughter-in-law and her grandchildren when they left Stockholm to join Gustav Adolf 
In January 1810, she was presented to the elected heir to the throne, Charles August, Crown Prince of Sweden  During his visit, he stopped before the portrait of her grandson Gustav, and informed her that he wished to adopt him for his successor  Later that year (2 November 1810), she was presented to the next elected heir to the throne, Jean Baptiste Bernadotte  He regarded her with suspicion and believed that she did not wish to see him, but she commented: "I am grateful for the sensitivity of the Crown prince, but he is mistaken, if he believes that I do not wish to see him! It would be unfair if I were to hold the least bit of dislike toward him, for it is not he who has deposed my son!" At the meeting, her face was said to have turned white, but at the end, she is said to have been delighted by his charm  In 1811, she was one of the few in the Swedish Court who were nice to Désirée Clary 
In September 1812, Germaine de Staël was presented to her, and gave her the impression of her: "Her Majesty analyzed my books as an educated woman, whose judgement showed as much thoroughness as well as delicate feeling  Never has any one impressed me such as your Queen! I almost dared not reply to her, so taken was I by the royal glory around her – it gave me such respect, that I shivered!" When the Crown Prince banned any contact between Swedes and the former royal family, Germaine de Staël asked that an exception was to be made for Sophia Magdalena, and it was: her letters were however read by foreign minister Lars von Engeström 

Later life and death
Sophia Magdalena lived more isolated towards the end of her life and was affected by worsened health  From 1812, she devoted much of her time to her friendship with the young amateur botanic Baron Anton Fredrik Wrangel  She never fully recovered after having suffered a stroke in May 1813 

Children
In popular culture
The affair of the consummation of her marriage and the succession scandal was portrayed in SVT's period drama production of "Gustav III:s äktenskap" (The Marriage of Gustav III) in 2001, where Sophia Magdalena was portrayed by Danish actress Iben Hjejle 
It was also used to inspire the novel Drottningens juvelsmycke, famous in Sweden, where the character of Tintomara is portrayed as a half sibling of Gustav IV Adolf through Count Munck 

Ancestry
Inline references
Bibliographic references
Alm, Mikael (2003–2006)  Sophia Magdalena  Svenskt biografiskt lexikon (in Swedish)  Vol  32  Retrieved 28 April 2022 
Bech, Claus (1983)  Sophie Magdalene  Dansk Biografisk Leksikon (in Danish)  Vol  13 (3 ed )  Copenhagen: Gyldendals Forlag  ISBN 8700055514 
Jørgensen, Harald (1942)  Sophie Magdalene (PDF)  Dansk Biografisk Leksikon (in Danish)  Vol  22 (2 ed )  Copenhagen: J H  Schultz Forlag  pp  314–315 
Laursen, Laurs (1902)  "Sophie Magdalene af Danmark"  Dansk biografisk Lexikon, tillige omfattende Norge for tidsrummet 1537-1814 (in Danish) (1st ed )  Copenhagen: Gyldendalske Boghandels Forlag  XVI: 179–180 
Svenskt biografiskt handlexikon [Swedish biographical dictionary] (in Swedish), Runeberg, 1906
Stålberg, Wilhelmina (1864), Anteckningar om svenska qvinnor [Notes on Swedish women] (in Swedish), Runeberg 
Munk (in Swedish), SE: Passagen, archived from the original on 9 January 2001
Personakt för Gustav III av >> Holstein-Gottorp, Född 1746-01-24 (in Swedish), NU: Historiska Personer, archived from the original on 9 November 2007, retrieved 9 November 2007
Starbäck, Carl Georg; Bäckström, Per Olof (1885–1986), "Nionde bandet  Gustaf III  Gustaf IV Adolf", Berättelser ur svenska historien [Tales from the history of Sweden] (in Swedish)
Svenskt biografiskt handlexikon [Swedish biographical hand-dictionary] (in Swedish), Runeber, 1906
Andersson, Ingvar (1979)  Gustavianskt [The Gustavian age] (in Swedish)  Fletcher & Son  ISBN 91-46-13373-9 
Ribbing, Gerd, Gustav III:s hustru Sofia Magdalena [Sophia Madalena, wife of Gustav III]
Hartmann, Godfred (1993)  "Gode Dronning" – Om den svenske konge Gustaf III's dronning Sophie Magdalene (1746–1813) og hendes ulykkelige skæbne ["Good Queen" – About the Swedish king Gustaf III's queen Sophie Magdalene (1746–1813) and her unfortunate fate] (in Danish)  København: Gyldendal  ISBN 87-00-15758-9 

Primary sources
af Klercker, Cecilia, ed  (1942)  Hedvig Elisabeth Charlottas Dagbok [The diaries of Hedvig Elizabeth Charlotte] (in Swedish)  Vol  IX  PA Norstedt & Söners förlag  Unknown ID 412070  on WorldCat

Further reading
Sophia Magdalena of Denmark at Svenskt kvinnobiografiskt lexikon
Passage 2:
Princess Auguste of Bavaria (1875–1964)
Princess Auguste of Bavaria (German: Auguste Maria Luise Prinzessin von Bayern; 28 April 1875 – 25 June 1964) was a member of the Bavarian Royal House of Wittelsbach and the spouse of Archduke Joseph August of Austria 

Birth and family
Auguste was born in Munich, Bavaria, the second child of Prince Leopold of Bavaria and his wife, Archduchess Gisela of Austria  She had one older sister, Princess Elisabeth Marie of Bavaria and two younger brothers, Prince Georg of Bavaria and Prince Konrad of Bavaria 

Marriage and issue
She married Joseph August, Archduke of Austria, on 15 November 1893 in Munich  The couple had six children;

Archduke Joseph Francis of Austria, born on 28 March 1895; died on 25 September 1957(1957-09-25) (aged 62)
Archduchess Gisela Auguste Anna Maria, born on 5 July 1897; died on 30 March 1901(1901-03-30) (aged 3)
Archduchess Sophie Klementine Elisabeth Klothilde Maria, born on 11 March 1899; died on 19 April 1978(1978-04-19) (aged 79)
Archduke Ladislaus Luitpold, born on 3 January 1901; died on 29 August 1946(1946-08-29) (aged 44)
Archduke Matthias Joseph Albrecht Anton Ignatius, born on 26 June 1904; died on 7 October 1905(1905-10-07) (aged 1)
Archduchess Magdalena Maria Raineria, born on 6 September 1909; died on 11 May 2000(2000-05-11) (aged 90)

Ancestry
World War I
On the outbreak of war with Italy in 1915, Augusta Maria Louise, though in her 40s and the mother of a son serving as an officer, went to the front with the cavalry regiment of which her husband, the Archduke Josef August, a corps commander, was honorary colonel, and served a common soldier, wearing a saber and riding astride, until the end of the war 
Passage 3:
Mehdi Abrishamchi
Mehdi Abrishamchi (Persian: مهدی ابریشم‌چی born in 1947 in Tehran) is a high-ranking member of the People's Mujahedin of Iran (MEK) 

Early life
Abrishamchi came from a well-known anti-Shah bazaari family in Tehran, and participated in June 5, 1963, demonstrations in Iran  He became a member of Hojjatieh, and left it to join the People's Mujahedin of Iran (MEK) in 1969  In 1972 he was imprisoned for being a MEK member, and spent time in jail until 1979 

Career
Shortly after Iranian Revolution, he became one of the senior members of the MEK  He is now an official in the National Council of Resistance of Iran 

Electoral history
Personal life
Abrishamchi was married to Maryam Rajavi from 1980 to 1985  Shortly after, he married Mousa Khiabani's younger sister Azar 

Legacy
Abrishamchi credited Massoud Rajavi for saving the People's Mojahedin Organization of Iran after the "great schism" 
Passage 4:
Heather D  Gibson
Heather Denise Gibson (Greek: Χέδερ Ντενίζ Γκίμπσον) is a Scottish economist currently serving as Director-Advisor to the Bank of Greece (since 2011)  She was the spouse of Euclid Tsakalotos, former Greek Minister of Finance 

Academic career
Before assuming her duties at the Bank of Greece and alternating child-rearing duties with her husband, Gibson worked at the University of Kent, where she published two volumes on international exchange rate mechanisms and wrote numerous articles on this and other topics, sometimes in cooperation with her husband, who was teaching at Kent at the time 

Personal life
Gibson first came to Greece in 1993, with her husband, with whom she took turns away from their respective economic studies to raise their three children while the other worked The couple maintain two homes in Kifisia, along with an office in Athens and a vacation home in Preveza  In 2013, this proved detrimental to Tsakalotos and his party when his critics began calling him «αριστερός αριστοκράτης» (aristeros aristokratis, "aristocrat of the left"), while newspapers opposed to the Syriza party seized on his property holdings as a chance to accuse the couple of hypocrisy for enjoying a generous lifestyle in private while criticizing the "ethic of austerity" in public  One opposition newspaper published on the front page criticism reasoning that Tsakalotos own family wealth came from the same sort of investments in companies as made by financial institutions JP Morgan and BlackRock 

Works
Editor
Economic Bulletin, Bank of Greece

Books
The Eurocurrency Markets, Domestic Financial Policy and International Instability (London, etc , Longman: 1989) ISBN 0312028261
International Finance: Exchange Rates and Financial Flows in the International Financial System (London, etc , Longman: 1996) ISBN 0582218136
Economic Transformation, Democratization and Integration into the European Union (London: Palgrave Macmillan: 2001) ISBN 9780333801222

Articles and papers
"Fundamentally Wrong: Market Pricing of Sovereigns and the Greek Financial Crisis," Journal of Macroeconomics, Elsevier, vol  39(PB), pp  405–419 (with Stephen G  & Tavlas, George S , 2014)
"Capital flows and speculative attacks in prospective EU member states" (with Euclid Tsakalotos, Economics of Transition Volume 12, Issue 3, pages 559–586, September 2004)
"A Unifying Framework for Analysing Offsetting Capital Flows and Sterilisation: Germany and the ERM" (with Sophocles Brissimis & Euclid Tsakalotos, International Journal of Finance & Economics, 2002, vol  7, issue 1, pp  63–78)
"Internal vs External Financing of Acquisitions: Do Managers Squander Retained Profits" (with Andrew Dickerson and Euclid Tsakalotos, Studies in Economics, 1996; Oxford Bulletin of Economics and Statistics, 2000)
"Are Aggregate Consumption Relationships Similar Across the European Union" (with Alan Carruth & Euclid Tsakalotos, Regional Studies, Volume 33, Issue 1, 1999)
Takeover Risk and the Market for Corporate Control: The Experience of British Firms in the 1970s and 1980 (with Andrew Dickerson and Euclid Tsakalotos, 1998) PDF
"The Impact of Acquisitions on Company Performance: Evidence from a Large Panel of UK Firms" (with Andrew Dickerson and Euclid Tsakalotos, Oxford Economic Papers New Series, Vol  49, No  3 (Jul , 1997), pp  344–361)
"Short-Termism and Underinvestment: The Influence of Financial Systems" (with Andrew Dickerson and Euclid Tsakalotos, The Manchester School of Economic & Social Studies, 1995, vol  63, issue 4, pp  351–67)
"Testing a Flow Model of Capital Flight in Five European Countries" (with Euclid Tsakalotos, The Manchester School of Economic and Social Studies, Volume 61, Issue 2, pp  144–166, June 1993)
Full list of articles by Heather D Gibson  researchgate net  Recovered 7 July 2015
Passage 5:
Gertrude of Bavaria
Gertrude of Bavaria (Danish and German: Gertrud; 1152/55–1197) was Duchess of Swabia as the spouse of Duke Frederick IV, and Queen of Denmark as the spouse of King Canute VI 
Gertrude was born to Henry the Lion of Bavaria and Saxony and Clementia of Zähringen in either 1152 or 1155  She was married to Frederick IV, Duke of Swabia, in 1166, and became a widow in 1167  In 1171 she was engaged and in February 1177 married to Canute of Denmark in Lund  The couple lived the first years in Skåne  On 12 May 1182, they became king and queen  She did not have any children  During her second marriage, she chose to live in chastity and celibacy with her husband  Arnold of Lübeck remarked of their marriage, that her spouse was: "The most chaste one, living thus his days with his chaste spouse" in eternal chastity 
Passage 6:
Adib Kheir
Adib Kheir (Arabic: أديب الخير) was a leading Syrian nationalist of the 1920s  He was the owner of the Librairie Universelle in Damascus  His granddaughter is the spouse of Manaf Tlass 
Passage 7:
Emergency Wedding
Emergency Wedding (titled Jealousy in the UK) is a 1950 American comedy film directed by Edward Buzzell and starring Larry Parks, Barbara Hale and Willard Parker  It is a remake of You Belong to Me, a film in which Parks appeared in a bit part 

Plot
Dr  Helen Hunt is a physician married to millionaire Peter Judson Kirk Jr  who is jealous that his wife is spending too much time with her male patients  He makes a fool of himself trying to prove her guilt, which causes his wife to leave  But when he donates funds for a new hospital, she returns to him 

Cast
Larry Parks as Peter Judson Kirk
Barbara Hale as Dr  Helen Hunt
Willard Parker as Vandemer
Una Merkel as Emma
Alan Reed as Tony
Eduard Franz as Dr  Heimer
Irving Bacon as Filbert - Mechanic
Don Beddoe as Forbish - Floorwalker
Jim Backus as Ed Hamley
Vince Gironda as Gym Guy

Reception
In a contemporary review for The New York Times, critic A  H  Weiler wrote that Claude Binyon's script was largely a facsimile of Dalton Trumbo's script for the 1941 film You Belong to Me  Weiler described Emergency Wedding as "lightweight without being especially gay or serious" and "an unimpressive reproduction "
Passage 8:
Maria Teresa, Grand Duchess of Luxembourg
Maria Teresa (born María Teresa Mestre y Batista; 22 March 1956) is the Grand Duchess of Luxembourg as the wife of Grand Duke Henri, who acceded to the throne in 2000 

Early life and education
Maria Teresa was born on 22 March 1956 in Marianao, Havana, Cuba, to José Antonio Mestre y Álvarez (1926–1993) and wife  María Teresa Batista y Falla de Mestre (1928–1988), both from bourgeois families of Spanish descent  She is also the granddaughter of Agustín Batista y González de Mendoza, who was the founder of the Trust Company of Cuba, the most powerful Cuban bank prior to the Cuban Revolution In October 1959, at the time of the Cuban Revolution, Maria Teresa Mestre’s parents left Cuba with their children, because the new government headed by Fidel Castro confiscated their properties  The family settled in New York City,  where as a young girl she was a pupil at Marymount School  From 1961 she carried on her studies at the Lycée Français de New York  In her childhood, Maria Teresa Mestre took ballet and singing courses  She practices skiing, ice-skating and water sports  She later lived in Santander, Spain, and in Geneva, Switzerland, where she became a Swiss citizen In 1980, Maria Teresa graduated from the Graduate Institute of International and Development Studies in Geneva with a degree in political sciences  While studying there, she met her future husband Henri of Luxembourg 

Social and humanitarian interests
Soon after her marriage, Maria Teresa and the then Hereditary Grand Duke Henri established The Prince Henri and Princess Maria Teresa Foundation to help those with special needs integrate fully into society  In 2001, she and her husband created The Grand Duke and Grand Duchess Foundation, launched upon the accession of the couple as the new Grand Duke and Duchess of Luxembourg  In 2004, the Grand Duke Henri and the Grand Duchess Maria Teresa Foundation was created after the merging of the two previous foundations 
In 1997, Maria Teresa was made a special ambassador for UNESCO, working to expand education for young girls and women and help to fight poverty Since 2005, Maria Teresa has been the chairwoman of the international jury of the European Microfinance Award, which annually awards holders of microfinance and inclusive finance initiatives in developing countries  Also, since 2006, Maria Teresa has been honorary president of the LuxFLAG (Luxembourg Fund Labeling Agency), the first agency to label responsible microfinance investment funds around the world On 19 April 2007, the Grand Duchess was appointed UNICEF Eminent Advocate for Children, in which role she has visited Brazil (2007), China (2008), and Burundi (2009) She is a member of the Honorary Board of the International Paralympic Committee and a patron of the Ligue Luxembourgeoise de Prévention et d’Action medico-sociales and SOS Villages d’Enfants Monde  The Grand Duchess and her husband Grand Duke Henri are the members of the Mentor Foundation (London), created under the patronage of the World Health Organization  She is also the president of the Luxembourg Red Cross and the Cancer Foundation  In 2016, she organized the first international forum on learning disabilities in Luxembourg The Grand Duchess supports the UNESCO “Breaking the Poverty Cycle of Women” project in Bangladesh, India, Nepal and Pakistan  The purpose of this project is to improve the living conditions of girls, women and their families  As honorary president of her own foundation, Grand Duchess Maria Teresa set up a project called Projet de la Main Tendue after visiting the Bujumbura prison in 2009 in Burundi  The purpose of this project is to liberate minor people from prison and to give them new opportunities for their future 
In October 2016, Maria Teresa accepted an invitation to join the eminent international Council of Patrons of the Asian University for Women (AUW) in Chittagong, Bangladesh  The university, which is the product of east-west foundational partnerships (Bill and Melinda Gates Foundation, Open Society Foundation, IKEA Foundation, etc ) and regional cooperation, serves extraordinarily talented women from 15 countries across Asia and the Middle East In 2019, Maria Teresa presented her initiative "Stand Speak Rise Up!" to end sexual violence in fragile environments, launched in cooperation with the Women’s Forum and with the support of the Luxembourg government  The conference is in partnership with the Dr  Denis Mukwege Foundation and We Are Not Weapons of War In 2020 the Prime Minister of Luxembourg commissioned a report into the Cour le Grand Ducal following concerns over its working  The report found that up to 1/3 of employees had left since 2015 and that "The most important decisions in the field of personnel management, whether at the level of recruitment, assignment to the various departments or even at the dismissal level are taken by HRH the Grand Duchess ” Several newspaper reports at the time highlighted a 'culture of fear' around the Grand Duchess and "that no-one bar the Prime Minister dared confront her"  The report also raised concerns about the use of public funds to pay for the Grand Duchess' personal website and that this had been prioritised over the Cour's own official website  There were also allegations that staff at the Court has been subject to physical abuse and these reports were investigated by the Luxembourg judicial police 
In February 2023 it was reported by several Luxembourg based media that the Grand Duchess had once again been accused of treating staff poorly during an outfit fitting in October 22  The incident even involved the Prime Minister of Luxembourg having to speak to the Grand Duke and Grand Duchess about the treatment of the staff and commissioning a report into it 

Family
Maria Teresa married Prince Henri of Luxembourg in a civil ceremony on 4 February 1981 and a religious ceremony on 14 February 1981, since Valentine's Day was their favourite holiday  The consent of the Grand Duke had been previously given on 7 November 1980  She received a bouquet of red roses and a sugarcane as a wedding gift from Cuban leader, Fidel Castro  The couple has five children: Guillaume, Hereditary Grand Duke of Luxembourg, Prince Félix of Luxembourg, Prince Louis of Luxembourg, Princess Alexandra of Luxembourg, and Prince Sébastien of Luxembourg, They were born at Maternity Hospital in Luxembourg City 

Honours
National
Luxembourg:
 Knight of the Order of the Gold Lion of the House of Nassau
 Grand Cross of the Order of Adolphe of Nassau

Foreign
Austria: Grand Star  of the Decoration of Honour for Services to the Republic of Austria
 Belgium: Grand Cordon of the Order of Leopold I
 Brazil: Grand Cross of the Order of the Southern Cross
 Denmark: Knight of the Order of the Elephant
 Finland: Grand Cross of the Order of the White Rose of Finland
 France: Grand Cross of the Order of National Merit
 Greece: Grand Cross of the Order of Beneficence
 Italy: Knight Grand Cross of the Order of Merit of the Italian Republic
 Japan: Grand Cordon (Paulownia) of the Order of the Precious Crown
 Latvia: Commander Grand Cross of the Order of the Three Stars
 Netherlands:
Knight Grand Cross of the Order of the Netherlands Lion
Grand Cross of the Order of the Crown
 Norway: Grand Cross of the Order of Saint Olav
Portugal-
 Portuguese Royal Family:
Dame Grand Cross of the Royal Order of Saint Isabel
 Portugal:
Grand Cross of the Order of Christ
Grand Cross of the Order of Saint James of the Sword
Grand Cross of the Order of Infante Henry
Grand Cross of the Order of Camões
 Romania: Grand Cross of the Order of the Star of Romania
 Spain: Dame Grand Cross of the Order of Charles III
 Sweden:
Member of the Royal Order of the Seraphim
Commander Grand Cross of the Royal Order of the Polar Star
Recipient of the 50th Birthday Badge Medal of King Carl XVI Gustaf

Footnotes
External links
 Media related to Maria Teresa, Grand Duchess of Luxembourg at Wikimedia Commons
Official website
The Mentor Foundation charity website
Passage 9:
Edward Buzzell
Edward Buzzell (November 13, 1895 – January 11, 1985) was an American film actor and director whose credits include Child of Manhattan (1933); Honolulu (1939); the Marx Brothers films At the Circus (1939) and Go West (1940); the musicals Best Foot Forward (1943), Song of the Thin Man (1947), and Neptune's Daughter (1949); and Easy to Wed (1946) 
Born in Brooklyn, Buzzell appeared in vaudeville and on Broadway, and he was hired to star in the 1929 film version of George M  Cohan's Little Johnny Jones with Alice Day  Buzzell appeared in a few Vitaphone shorts and the two-strip Technicolor short The Devil's Cabaret (1930) as Satan's assistant  He wrote screenplays in the early 1930s and later produced the popular The Milton Berle Show, which premiered on television in 1948 
In 1926, Buzzell married actress Ona Munson, who later played Belle Watling in Gone with the Wind  They divorced in 1931  He married socialite Sara Clark on August 11, 1934, but the marriage only lasted five weeks  He married actress Lorraine Miller on December 10, 1949  He died in Los Angeles in 1985 at the age of 89  Buzzell's brother, Samuel Jesse Buzzell, was a music patent attorney in New York City; his daughter (Edward's niece) Gloria Joyce Buzzell was married to Academy Award-winning film producer Harold Hecht, and his son (Edward's nephew) Loring Buzzell was a music publisher and partner in the firm Hecht-Lancaster & Buzzell Music, and was married to singer Lu Ann Simms 

Filmography
As Actor

Midnight Life (1928)
Little Johnny Jones (1929)
Hello Thar (short, 1930)
The Royal Four-Flusher (short, 1930)
The Devil's Cabaret (short, 1930)
The Lone Star Stranger (short, 1931)
Check and Rubber Check (short, 1931)
She Served Him Right (short, 1931)
The Youngest Profession (1943)
Passage 10:
Marie-Louise Coidavid
Queen Marie Louise Coidavid (1778 – 11 March 1851) was the Queen of the Kingdom of Haiti 1811–20 as the spouse of Henri Christophe 

Early life
Marie-Louise was born into a free black family; her father was the owner of Hotel de la Couronne, Cap-Haïtien  Henri Christophe was a slave purchased by her father  Supposedly, he earned enough money in tips from his duties at the hotel that he was able to purchase his freedom before the Haitian Revolution  They married in Cap-Haïtien in 1793, having had a relationship with him from the year prior  They had four children: François Ferdinand (born 1794), Françoise-Améthyste (d  1831), Athénaïs (d  1839) and Victor-Henri 
At her spouse's new position in 1798, she moved to the Sans-Souci Palace  During the French invasion, she and her children lived underground until 1803 

Queen
In 1811, Marie-Louise was given the title of queen upon the creation of the Kingdom of Haiti  Her new status gave her ceremonial tasks to perform, ladies-in-waiting, a secretary and her own court  She took her position seriously, and stated that the title "given to her by the nation" also gave her responsibilities and duties to perform  She served as the hostess of the ceremonial royal court life performed at the Sans-Souci Palace  She did not involve herself in the affairs of state  She was given the position of Regent should her son succeed her spouse while still being a minor   However, as her son became of age before the death of his father, this was never to materialize After the death of the king in 1820, she remained with her daughters Améthyste and Athénaïs at the palace until they were escorted from it by his followers together with his corpse; after their departure, the palace was attacked and plundered  Marie-Louise and her daughters were given the property Lambert outside Cap  She was visited by president Jean Pierre Boyer, who offered her his protection; he denied the spurs of gold she gave him, stating that he was the leader of poor people  They were allowed to settle in Port-au-Prince  Marie-Louise was described as calm and resigned, but her daughters, especially Athénaïs, were described as vengeful 

Exile
The Queen was in exile for 30 years  In August 1821, the former queen left Haiti with her daughters under the protection of the British admiral Sir Home Popham, and travelled to London  There were rumours that she was searching for the money, three million, deposited by her spouse in Europe  Whatever the case, she did live the rest of her life without economic difficulties  The English climate and pollution during the Industrial Revolution was determintal to Améthyste's health, and eventually they decided to leave In 1824, Marie-Louise and her daughters moved in Pisa in Italy, where they lived for the rest of their lives, Améthyste dying shortly after their arrival and Athénaïs in 1839  They lived discreetly for the most part, but were occasionally bothered by fortune hunters and throne claimers who wanted their fortune  Shortly before her death, she wrote to Haiti for permission to return  She never did, however, before she died in Italy  She is buried in the church of San Donnino  A historical marker was installed in front of the church on April 23, 2023 to commemorate the Queen, her daughter and her sister 

See also
Marie-Claire Heureuse Félicité
Adélina Lévêque



ground_truth: Ona Munson

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the spouse of the performer of song Et Moi, Et Moi, Et Moi?

The following are given passages.
Context 2: Passage 1:
Toi et moi (Charles Aznavour song)
"Toi et Moi" (English translation: You and Me) is a song written in 1994 by Charles Aznavour, Jean-Pierre Bourtayre, and Jacques Revaux  It was originally released on Aznavour's highly successful 1994 CD, aptly titled Toi et Moi  In 1995, the English version titled You and Me, as well as the Spanish version Tú y Yo were released  In 2018 Charles Aznavour sang new version duo with russian singer Polina Gagarina 
Passage 2:
L'enfer et moi
France participated in the Eurovision Song Contest 2013 with the song "L'enfer et moi" written by Boris Bergman and David Salkin  The song was performed by Amandine Bourgeois  The French broadcaster France Télévisions in collaboration with the television channel France 3 internally selected the French entry for the 2013 contest in Malmö, Sweden  "L'enfer et moi" was officially announced by France 3 as the French entry on 22 January 2013 and later the song was presented to the public as the contest entry on 13 March 2013 
As a member of the "Big Five", France automatically qualified to compete in the final of the Eurovision Song Contest  Performing as the opening entry during the show in position 1, France placed twenty-third out of the 26 participating countries with 14 points 

Background
Prior to the 2013 Contest, France had participated in the Eurovision Song Contest fifty-five times since its debut as one of seven countries to take part in 1956  France first won the contest in 1958 with "Dors, mon amour" performed by André Claveau  In the 1960s, they won three times, with "Tom Pillibi" performed by Jacqueline Boyer in 1960, "Un premier amour" performed by Isabelle Aubret in 1962 and "Un jour, un enfant" performed by Frida Boccara, who won in 1969 in a four-way tie with the Netherlands, Spain and the United Kingdom  France's fifth victory came in 1977, when Marie Myriam won with the song "L'oiseau et l'enfant"  France have also finished second four times, with Paule Desjardins in 1957, Catherine Ferry in 1976, Joëlle Ursull in 1990 and Amina in 1991, who lost out to Sweden's Carola in a tie-break  In the 21st century, France has had less success, only making the top ten three times, with Natasha St-Pier finishing fourth in 2001, Sandrine François finishing fifth in 2002 and Patricia Kaas finishing eighth in 2009  In 2012, the nation finished in twenty-second place with the song "Echo (You and I)" performed by Anggun 
The French national broadcaster, France Télévisions, broadcasts the event within France and delegates the selection of the nation's entry to the television channel France 3  France 3 confirmed that France would participate in the 2013 Eurovision Song Contest on 6 November 2012  The French broadcaster had used both national finals and internal selection to choose the French entry in the past  From 2008 to 2012, the broadcaster opted to internally select the French entry, a procedure that was continued in order to select the 2013 entry 

Before Eurovision
Internal selection
France 3 announced in late 2012 that the French entry for the 2013 Eurovision Song Contest would be selected internally  The organisation of the internal selection was headed by the newly appointed French Head of Delegation for the Eurovision Song Contest Frédéric Valencak  The French broadcaster requested proposals from record companies, music publishers, artist managers and artists themselves and shortlisted 18 entries from the received submissions to advance to the next stage, which involved a fourteen-member selection committee consisting of representatives of France Télévisions and music industry professionals  The selection committee consisted of:

On 22 January 2013, France 3 announced that the French entry for the Eurovision Song Contest 2013 would be "L'enfer et moi" performed by Amandine Bourgeois  The song was written by Boris Bergman and David Salkin  The selection committee considered five entries following a blind audio listening before finalising their decision internally in early 2013  The entry was released on 13 March 2013 via the streaming service Spotify, and was formally presented to the public on 14 March 2013 during the France 5 programme C à vous, hosted by Alessandra Sublet 

At Eurovision
According to Eurovision rules, all nations with the exceptions of the host country and the "Big Five" (France, Germany, Italy, Spain and the United Kingdom) are required to qualify from one of two semi-finals in order to compete for the final; the top ten countries from each semi-final progress to the final  As a member of the "Big 5", France automatically qualified to compete in the final on 18 May 2013  In addition to their participation in the final, France is also required to broadcast and vote in one of the two semi-finals  During the semi-final allocation draw on 17 January 2013, France was assigned to broadcast and vote in the second semi-final on 16 May 2013 In France, the two semi-finals was broadcast on France Ô with commentary by Audrey Chauveau and Bruno Berberes, while the final was broadcast on France 3 with commentary by Cyril Féraud and Mireille Dumas  The French spokesperson, who announced the French votes during the final, was Marine Vignes 

Final
Amandine Bourgeois took part in technical rehearsals on 12 and 15 May, followed by dress rehearsals on 17 and 18 May  This included the jury final on 17 May where the professional juries of each country watched and voted on the competing entries  After technical rehearsals were held on 15 May, the "Big 5" countries and host nation Denmark held a press conference  As part of this press conference, the artists took part in a draw to determine which half of the grand final they would subsequently participate in  France was drawn to compete in the first half  Following the conclusion of the second semi-final, the shows' producers decided upon the running order of the final  The running order for the semi-finals and final was decided by the shows' producers rather than through another draw, so that similar songs were not placed next to each other  France was subsequently placed to open the show and perform in position 1, before the entry from Lithuania The French performance featured Amandine Bourgeois on stage wearing a grey dress and black high heels designed by French designer Jean-Claude Jitrois and performing the song at a microphone stand  The stage colours were predominately red with red, yellow and orange lighting and the stage projections displayed flames and steam on a black background  About the performance and song, France 3 entertainment director Marie Claire Mezerette stated: "In this case simplicity is the key  It is a simple, but still powerful rock love song  We don't need to make it complicated  She wants to express how angry she is with what happened in that love story, Amandine is singing about " Amandine Bourgeois was joined on stage by three backing vocalists: Fanny Llado, Guillaume Eyango and Judith Flessel-Toto  France placed twenty-third in the final, scoring 23 points 

Voting
Voting during the three shows consisted of 50 percent public televoting and 50 percent from a jury deliberation  The jury consisted of five music industry professionals who were citizens of the country they represent, with their names published before the contest to ensure transparency  This jury was asked to judge each contestant based on: vocal capacity; the stage performance; the song's composition and originality; and the overall impression by the act  In addition, no member of a national jury could be related in any way to any of the competing acts in such a way that they cannot vote impartially and independently  The individual rankings of each jury member were released shortly after the grand final 
Following the release of the full split voting by the EBU after the conclusion of the competition, it was revealed that France had placed twenty-fifth with the public televote and twelfth with the jury vote  In the public vote, France received an average rank of 21 68 and in the jury vote the nation received an average rank of 10 95 
Below is a breakdown of points awarded to France and awarded by France in the second semi-final and grand final of the contest, and the breakdown of the jury voting and televoting conducted during the two shows:

Points awarded to France
Points awarded by France
Passage 3:
Et moi, et moi, et moi
"Et moi, et moi, et moi" is the debut single by French singer-songwriter Jacques Dutronc, released in 1966  It is featured on his self-titled debut album 

Composition
The record came about as the result of rivalry between the two artistic directors at Disques Vogue, Christian Fechner and Jacques Wolfsohn  According to legend, Wolfsohn, who had previously promoted Françoise Hardy, used to amuse himself by taking pot-shots at Fechner's Revox tape-machine with a rifle from his office window  Wolfsohn wanted to better Fechner's success with the hippy-influenced singer-songwriter Antoine  He asked Jacques Dutronc, at that time his assistant and a songwriter at Vogue, and the novelist Jacques Lanzmann to work on songs for a rival act, a singer called Benjamin  Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair)  However, Wolfsohn was disappointed by Benjamin's recording of "Et moi, et moi, moi"  A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals  Wolfsohn then asked Dutronc if he would be interested in recording his own version The words to "Et moi, et moi et moi" have been described as sending up the socially conscious but "self-involved" lyrical style of Antoine, with Lanzmann and Dutronc perhaps suggesting doubt as to its sincerity  In the song, Dutronc alternates between thinking about people in different places around the world and thinking about himself  The opening of the song is Sept cent millions de chinois/Et moi, et moi, et moi ("Seven hundred million Chinese people/And then there's me")  According to Lanzmann, the song is "about complete selfishness   all the terrible things that go on a stone's-throw away, that touch us but that, nevertheless, do not prevent us from continuing to live and enjoy the evening's barbecue"  Musically, the song's fuzzy, choppy guitar line bears the influence of the Pretty Things and the Kinks 

Release and promotion
"Et moi, et moi, et moi" was released as the lead track on a four-track EP (EPL  8461) by Vogue in France in August 1966  In the UK and The Netherlands, it was released as a 2-track 7" single, with "Mini, mini, mini" as the b-side  In Germany, "Mini, mini, mini" was released as an a-side, backed with "Et moi, et moi, et moi"  For the Italian market, an Italian-language version titled "Il Mundo Va Cosi" was recorded  A version in Japanese was also attempted but was not released Dutronc performed "Et moi, et moi, et moi" on the French television show Le palmarès des chansons, broadcast on Channel One by the Office de Radiodiffusion Télévision Française on 29 September 1966  He also toured to promote the single 

Reception
"Et moi, et moi, et moi" reached number 2 in the French singles chart in September 1966 and number 7 in the Swiss chart the following month  It also gained popularity on the British mod scene where, despite the language barrier, it was appreciated as satirising the folk revival movement Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences"  For Portis, Dutronc marks a break with the literary tradition of French chanson in his creative use of the sounds, rather than just the syntax, of the language "Et moi, et moi, et moi" is featured in the coffee table book 1001 Songs You Must Hear Before You Die, published in 2010  In 2011, it was included in a series of 41 articles on songs that "define France", published in Le Figaro 

Cover versions
The British band Mungo Jerry reached number 3 in the UK singles chart in 1973 with an English-language reinterpretation of "Et moi, et moi, et moi" titled "Alright, Alright, Alright"  This version is credited to Lanzmann, Dutronc and Joe Strange  It features on Mungo Jerry's 1974 album Long Legged Woman Dressed In Black 
The original version of the song was covered in 1988 by the Spanish synth-pop artist Captain B Hardt  A recording of the song also appears on the 1989 compilation I Can't Come by punk band the Snivelling Shits  Yo La Tengo bassist James McNew, under his solo moniker Dump, released a cover of the song on his 1997 album A Plea for Tenderness  In 2002, Bruno Blum included a parody of the song, titled "Et moi, et moi etc", on his album Think Différent (sic)  In July 2013, the French singer-songwriter -M- performed a version of "Et moi, et moi, et moi" for the website of Le Figaro Israeli singer-songwriter Ariel Zilber recorded a Hebrew version of the song, entitled Milyard Sinim ("One Billion Chinese") in 1988  Translated by Yehonatan Gefen, the Hebrew text is a fairly accurate reflection of the French, and the chorus is exact  Loosely retranslated into English: "One billion Chinese are alive / And me, who am I, what am I? / With my private life / And my tooth that's been loose for four days / I think about it and then I forget / Because that's how life is" ("J'y pense et puis j'oublie / C'est la vie c'est la vie") 

Track listing
Words by Jacques Lanzmann and music by Jacques Dutronc 

Side A
"Et moi, et moi, et moi" – 2:52
"J'ai mis un tigre dans ma guitare" – 2:21

Side B
"Mini, mini, mini" – 1:54
"Les gens sont fous, les temps sont flous" – 3:03

Personnel
Jacques Dutronc : voice, guitar, percussion
Hadi Kalafate : bass, percussion
Alain Le Govic (alias Alain Chamfort) : piano, organ
Jean-Pierre Alarcen : guitar
Jacques Pasut : rhythm guitar
Michel Pelay : drums
Passage 4:
Juan Carlos Lecompte
Juan Carlos Lecompte Pérez is a Colombian author who was married to Ingrid Betancourt, a politician kidnapped by the Revolutionary Armed Forces of Colombia (FARC)  After her public release in Operation Jaque they divorced  In January 2010 he published a book about their break-up, it is called "Ingrid et moi" 
Passage 5:
L'Amour et moi
"L'Amour et moi" is Jenifer Bartoli's second single from her fifth album L'Amour et moi on which it is the fifth track  It was released on September 29, 2012 in Francophone countries and achieved success in France and Belgium (Wallonia) 

Charts
Passage 6:
Jacques Dutronc
Jacques Dutronc (born 28 April 1943) is a French singer, songwriter, guitarist, composer, and actor  Some of Dutronc's best-known hits include "Il est cinq heures, Paris s'éveille" (which AllMusic has called "his finest hour"), "Le Responsable", and "Les Cactus" 
Dutronc played guitar in the rock group El Toro et les Cyclones  He wrote successful songs for singer Françoise Hardy in the 1960s before moving on to pursue a successful solo career  His music incorporated traditional French pop and French rock as well as styles such as psychedelic and garage rock  He was also very important in the Yéyé music movement and has been a longtime songwriting collaborator with Jacques Lanzmann  According to AllMusic, Dutronc is "one of the most popular performers in the French-speaking world", although he "remains little known in English speaking territories" aside from a cult following in the UK He later branched out into film acting, starting in 1973  He earned a César Award for Best Actor for the leading role in Van Gogh, which was directed by Maurice Pialat  He married Hardy in 1981 and together they have a son, guitarist Thomas Dutronc (born 1973); the couple separated in 1988 

Early life
Jacques Dutronc was born on 28 April 1943 at 67 Rue de Provence in the 9th arrondissement of Paris, the home of his parents, Pierre and Madeleine  His father was a manager for the state-run Office of Coal Distribution  Jacques was educated at Rocroy-Saint-Léon elementary school (now a Lycée), the École de la Rue Blanche (now a drama school) and then at the École Professionnelle de Dessin Industriel, where he studied graphic design from 1959 

Career
1960s
In 1960, Dutronc formed a band with himself as guitarist, schoolfriend Hadi Kalafate as bassist, Charlot Bénaroch as drummer (later replaced with André Crudot) and Daniel Dray as singer  They auditioned in 1961 for Jacques Wolfsohn, an artistic director at Disques Vogue, who signed them and gave them the name El Toro et les Cyclones  The group released two singles, "L'Oncle John" and "Le Vagabond", but disbanded when Dutronc was obliged to undertake military service After being discharged from the army in 1963, Dutronc briefly played guitar in Eddy Mitchell's backing band and was also given a job at Vogue as Jacques Wolfsohn's assistant  In this capacity, he co-wrote songs for artists such as ZouZou, Cléo and Françoise Hardy 
Wolfsohn asked Dutronc to work with Jacques Lanzmann, a novelist and editor of Lui magazine, to create songs for a beatnik singer called Benjamin  Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair)  However, Wolfsohn was disappointed by Benjamin's recording of a song titled "Et moi, et moi, et moi"  A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals  Wolfsohn then asked Dutronc if he would be interested in recording his own version  The single reached number 2 in the French charts in September 1966 Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences"  For Portis, Dutronc marks a break with the literary tradition of French chanson in his creative use of the sounds, rather than just the syntax, of the language Dutronc's self-titled debut album, released at the end of 1966, sold over a million copies and was awarded a special Grand Prix du Disque by the Académie Charles Cros, in memoriam of one of its founders  A second single, "Les play boys", spent six weeks at number one and sold 600,000 copies Dutronc was one of the most commercially successful French music stars of the late 1960s and early 1970s  During that period, he released seven hit albums and more than 20 singles, including two further number ones: "J'aime les filles" in 1967 and "Il est cinq heures, Paris s'éveille" in 1968 According to music critic Mark Deming: "Dutronc's early hits were rough but clever exercises in European garage rock   like Dutronc's role models Bob Dylan and Ray Davies, he could write melodies strong enough to work even without their excellent lyrics, and his band had more than enough energy to make them fly (and the imagination to move with the musical times as psychedelia and hard rock entered the picture at the end of the decade)" 

1970s
Most of Dutronc's songs up to 1975 were written with Jacques Lanzmann, with only two written solely by Dutronc  Lanzmann's wife Anne Ségalen is also credited on some songs  Dutronc wrote three songs with comic-book writer Fred, whose stories he also narrated for commercial release in 1970  Two songs were written in 1971 by Lanzmann, Franck Harvel and the composer Jean-Pierre Bourtayre, for a TV adaptation of Arsène Lupin  Co-writing credits on Dutronc's self-titled 1975 album are split between Lanzmann, Serge Gainsbourg and Jean-Loup Dabadie 
In 1973, "Et moi, et moi, et moi" was adapted with English lyrics as "Alright Alright Alright" and became a UK No  3 hit for the group Mungo Jerry 
Also in 1973, Dutronc began a second career as an actor in the film Antoine et Sébastien, directed by Jean-Marie Périer  Dutronc's second film, That Most Important Thing: Love, directed by Andrzej Zulawski, was a major box-office hit in France  In the following years, Dutronc devoted most of his energies toward his acting career, appearing in films directed by Jean-Luc Godard, Claude Lelouch and Maurice Pialat  In 1977, he was nominated for the César Award for best supporting actor, for his role in Claude Sautet's Mado  Steven Spielberg reportedly considered Dutronc to be the best French actor of his generation, and had the role of René Belloq in Raiders of the Lost Ark written with him in mind  Dutronc was not given the role, however, because it transpired that his English was not adequate 

1980s
In 1980, Dutronc began work on a new album under the direction of Jacques Wolfsohn, now an executive at Gaumont Musique  Wolfsohn proposed that Dutronc write with both Jacques Lanzmann and Serge Gainsbourg  During recording, Wolfsohn proposed to Lanzmann and Gainsbourg that they each work on alternative lyrics to go with one of Dutronc's instrumental demos  Lanzmann objected to being placed in competition against another writer, and dropped out of the project  The resulting album, Guerre et pets ("War and Farts" - a play on the title of Tolstoy's novel), consequently only includes two Lanzmann-Dutronc compositions, and is mainly written by Dutronc and Gainsbourg  The album's lead single, "L'hymne à l'amour", received little airplay because its lyric consists primarily of racial epithets (the opening line, roughly translated, is "gook, wog, towel-head, yid"), and the album was only a moderate commercial success  The follow-up, 1982's C'est pas du bronze, was written with Anne Ségalen, by now divorced from Jacques Lanzmann, and was released to a frosty critical reception Dutronc's acting career continued during the 1980s, and he appeared in films such as Malevil and Barbet Schroeder's Tricheurs  In 1987, he released a further album, C Q F Dutronc  Most of the songs were written by Dutronc without a partner, although he collaborated with Etienne Daho on one track and with Jean-François Bernardini of the Corsican folk group I Muvrini on another 

1990s
In 1992, Dutronc was awarded the César for Best Actor for the title role in Maurice Pialat's biopic Van Gogh  Critic Christopher Null commented that Dutronc "manages to embody the obvious manic depression from Van Gogh's later years, all exuding from his scraggly face, sunken eyes, and bony frame    the searing Dutronc is the real reason to sit through the film" In November 1992, Dutronc played three comeback concerts at the Casino de Paris, highlights from which were released as a film, directed by Jean-Marie Périer and as a live album, Dutronc au Casino  At around this time, Dutronc began work on a new studio album, Brèves rencontres, but work progressed slowly and it was not released until 1995 During the 1990s, Dutronc appeared in two films by Patrick Grandperret and was nominated for a César Award for best supporting actor in 1999, for his role in Nicole Garcia's Place Vendôme 

21st century
Dutronc starred in Claude Chabrol's 2000 film Merci pour le chocolat  He was awarded the Best Actor prize at the 2001 Marrakech International Film Festival and was nominated for the César Award for best actor for his role in Jean-Pierre Améris' C'est la vie  In 2002, he starred in Michel Blanc's Summer Things 
In 2003, Dutronc reunited with Jacques Lanzmann for Madame l'existence, an album described by rock critic Christophe Conte as "surpassing, without much apparent effort, everything that [Dutronc] has created in the last two decades" In 2005, Dutronc was awarded an Honorary César  Since then, he has appeared in films by directors including Gabriel Aghion and Alain Corneau 
In 2010, Dutronc toured for the first time in 17 years, and released recordings from the tour as a live album and DVD, Et vous, et vous, et vous Dutronc's 41st film, Les Francis, was released in 2014 In November 2014, Dutronc performed a series of concerts with Eddy Mitchell and Johnny Hallyday at Paris Bercy, under the name "Les vieilles canailles" ("The Old Gits")  It was reported that, following these performances, Dutronc intended to begin recording a new album with his son Thomas 
Said album, Dutronc and Dutronc, was released November 4th 2022 and features 13 songs originally released by Jacques Dutronc during his early career  Father and son rearranged the songs and both sing on the album 

Reputation and influence
According to a 1979 editorial in the French magazine Rock & Folk, Dutronc is "the one singer who is so closely identified with the 1960s that it has become impossible to talk about them without talking about him"  In 1991, "Il est cinq heures, Paris s'éveille" was voted the best French-language single of all time in a poll of music critics organised by Le Nouvel Observateur for a TV special broadcast on Antenne 2, beating Jacques Brel's "Ne me quitte pas" into second place Dutronc's songs have been covered by Matthieu Chedid, Vanessa Paradis, Mungo Jerry, Etienne Daho, Sylvie Vartan, Miles Kane, the Divine Comedy, Serge Gainsbourg, Black Lips, Zine, the Last Shadow Puppets among others  Dutronc is also mentioned in the lyrics of the Cornershop song "Brimful of Asha" In 2015, a tribute album was released by Columbia Records with various artists interpreting songs by Jacques Dutronc  The 13-track album titled Joyeux anniversaire M'sieur Dutronc contained performances by artists Julien Doré, Gaëtan Roussel, Zaz, Joeystarr, Nathy (Tüxo), BAGARRE, Thomas Dutronc, Annie Cordy, the duo Brigitte, Miossec, Francis Cabrel, Francine Massiani, Tété and Camélia Jordana in addition to "L'opportuniste" sung by Jacques Dutronc with Nicola Sirkis  The album charted in France and Belgium 

Personal life
Dutronc began a relationship with Vogue label-mate Françoise Hardy in 1967  In 1973, they had a son, Thomas, who grew up to become a successful jazz and pop musician  In 1981, they were married, "for tax reasons", according to Hardy  In 1998, Jacques began a relationship with a stylist whom he had met on the set of the film Place Vendôme  Dutronc and Hardy are now separated, but remain married and see each other regularly He currently lives near the town of Monticello, Corsica In 2015, Dutronc revealed he had a brief relationship with Romy Schneider that lasted as long as they were shooting the film That Most Important Thing: Love 

Discography
Studio albums
Other notable singles
Live albums
Selected filmography
See also
French pop
French rock
Yé-yé
Jacques Lanzmann

Bibliography
Michel Leydier (2010)  Jacques Dutronc: La Bio  Paris: Seuil  ISBN 978-2-02-101287-3
Passage 7:
Sébastien Schuller
Sébastien Schuller (born 26 August 1970) is a French singer, songwriter and film score composer living in Philadelphia  His film scores include Toi et Moi , Notre univers impitoyable, Un Jour d'Été, One O One, High Society,The Night Eats the World  

Discography
1999: Londres (EP, Warner Music France)
2002: Weeping Willow (EP, EMI Music France/Capitol Records)
2005: Happiness (LP, Catalogue Records/Wagram Music)
2005: Harmony (EP, Catalogue Records/Wagram Music)
2009: Evenfall (LP, PIAS France)
2014: Heat Wave (LP, self-produced)
2023: Introspection (LP, self-produced)

External links
Official website 
Sébastien Schuller at IMDb
Sébastien Schuller discography at MusicBrainz
Sébastien Schuller discography at Discogs
Passage 8:
Alexis Martin (actor)
Alexis Martin (born June 9, 1964, in Montreal, Quebec) is a Canadian actor and writer  A 1986 graduate of the Conservatoire d'art dramatique de Montréal, he has acted in film, television and stage productions, and has written both theatrical plays and film screenplays He was a Genie Award nominee for Best Supporting Actor at the 31st Genie Awards in 2010 for Route 132, and for Best Adapted Screenplay at the 20th Genie Awards in 1999 for Matroni et moi  His play Bureaux was shortlisted for the Governor General's Award for French-language drama at the 2004 Governor General's Awards 

Filmography
Film
Cordélia - 1980
The Party (Le Party) - 1990
Cosmos - 1996
Karmina - 1996
The Revenge of the Woman in Black (La vengeance de la femme en noir) - 1997
Nô - 1998
August 32nd on Earth (Un 32 août sur terre) - 1998
Matroni and Me (Matroni et moi) - 1999
Les Boys III - 2001
The Collector (Le Collectionneur) - 2002
CQ2 (Seek You Too) - 2004
Audition (L'Audition) - 2005
Saint Martyrs of the Damned (Saints-Martyrs-des-Damnés) - 2005
A Sunday in Kigali (Un dimanche à Kigali) - 2006
Bluff - 2007
Le Banquet - 2008
Babine - 2008
Route 132 - 2010
Before My Heart Falls (Avant que mon cœur bascule) - 2012
My Internship in Canada (Guibord s'en va-t-en guerre) - 2015
Bad Seeds (Les mauvaises herbes) - 2016
9 (9, le film) - 2016
Hochelaga, Land of Souls (Hochelaga, Terre des âmes) - 2017
We Are Gold (Nous sommes Gold) - 2019
There Are No False Undertakings (Il n'y a pas de faux métier) - 2020

Television
L'Amour avec un Grand A
Radio Enfer
Sous le signe du lion
Fortier
Trauma
Les Parent

Plays
Oreille, tigre et bruit
Matroni et moi
L'An de Grâce
Bureaux
L'Apprentissage des marais
Révolutions
Passage 9:
Mary Christy
Marie Ruggeri (born Maria Christina Ruggeri, 21 July 1952 in Déifferdeng), professionally known as Mary Christy, frequently credited as Mary Cristy, is a Luxembourgish singer and actress 
Ruggeri grew up in Mamer, where her father worked as an entrepreneur  In the 1960s she was a child singer in Luxembourg and Germany where she appeared under the pseudonyms Marie Tina and Marie Christina 
In the early 1970s, she moved to Paris where she performed under the name Mary Christy, and participated in the rock opera La Révolution Française by Schönberg at the Palais des Sports in Paris 
She is best known for representing Monaco in the Eurovision Song Contest 1976 with the song "Toi, la musique et moi"  Her entry ranked 3rd out of 18 participants, receiving 93 points, including maximum 12 points from her native Luxembourg 
Passage 10:
Gertrude of Bavaria
Gertrude of Bavaria (Danish and German: Gertrud; 1152/55–1197) was Duchess of Swabia as the spouse of Duke Frederick IV, and Queen of Denmark as the spouse of King Canute VI 
Gertrude was born to Henry the Lion of Bavaria and Saxony and Clementia of Zähringen in either 1152 or 1155  She was married to Frederick IV, Duke of Swabia, in 1166, and became a widow in 1167  In 1171 she was engaged and in February 1177 married to Canute of Denmark in Lund  The couple lived the first years in Skåne  On 12 May 1182, they became king and queen  She did not have any children  During her second marriage, she chose to live in chastity and celibacy with her husband  Arnold of Lübeck remarked of their marriage, that her spouse was: "The most chaste one, living thus his days with his chaste spouse" in eternal chastity 
Context 3: Passage 1:
Gabrielle Beaumont
Gabrielle Beaumont (7 April 1942 – 8 October 2022) was a British film and television director 
Her directing credits range from Hill Street Blues to Star Trek: The Next Generation  She became the first woman to direct an episode of Star Trek, with the episode "Booby Trap"  Beaumont lobbied to have Joan Collins cast as Alexis Colby in Dynasty Beaumont was best known for directing, writing and producing the television special Diana: A Tribute to the People's Princess  She directed a film version of Bernard Taylor's The Godsend Daphne du Maurier was her cousin Beaumont died at her home in Fornalutx on 8 October 2022, at the age of 80 

Selected filmography
Sources:
Diana: A Tribute to the People's Princess
Beastmaster III: The Eye of Braxus
The Other Woman
Moment of Truth: Cradle of Conspiracy
Fatal Inheritance
Riders
Star Trek: The Next Generation
L A  Law
He's My Girl
Hill Street Blues
Gone Are the Dayes
Secrets of a Mother and Daughter
Dynasty
Death of a Centerfold: The Dorothy Stratten Story
M*A*S*H
The Waltons
The Godsend
Passage 2:
The Godsend (film)
The Godsend is a 1980 British horror film directed by Gabrielle Beaumont, written by Olaf Pooley, and starring Malcolm Stoddard, Cyd Hayman, Angela Pleasence, Patrick Barr, Wilhelmina Green, and Joanne Boorman  It follows a family who adopt an infant girl from a strange woman, only to find that, as they raise her, their other children begin to die in a series of mysterious accidents  It is based on the 1976 novel The Godsend by Bernard Taylor  The film was released in the United States on 11 January 1980 by The Cannon Group, Inc 

Plot
Alan and Kate Marlowe are out an walk with their kids, Davy, Lucy, Sam, and baby Matthew  Kate meets a pregnant stranger and she comes home with them  It is apparent that Alan finds something "off" about her right away, as she intensely stares at him, but he does not say anything  Left briefly unattended, she cuts their telephone line  Alan is about to drive her home, but she goes into labor, and Kate helps her deliver a baby girl  The next day, Kate sees the woman is gone, having abandoned the child with them  Despite Alan's reservations, Kate wants to keep the baby, whom they name Bonnie  Later on, they find Matthew dead in a playpen with Bonnie 
At a family picnic, Davy and Bonnie wander off, and they search for them desperately  Kate finds Bonnie on the bank of a creek with scratches on her hands, while Alan finds that Davy has drowned in the creek  Alan attempts to perform CPR on Davy, but is unsuccessful  Later, Kate and Alan agree that the scratches on Bonnie must have been from Davy saving her  Bonnie starts to break things and Sam gets blamed for them, despite him saying he did not do it  Kate attributes this to Sam's jealousy of Bonnie  One day, the family is playing hide and seek and Alan finds Sam dead in a barn  Later, Alan finds Bonnie's ribbon next to where Sam's body was 
The Marlowes begin to receive letters accusing them of killing their children and Kate falls into a depression  When a reporter comes to their house and upsets Kate, Alan agrees to move the family to London  Bonnie becomes ill with the mumps, and purposely kisses Alan as he takes a nap  He becomes ill with the mumps too, and has a flashback in a dream, to the circumstances of the deaths of his sons, and Bonnie being nearby in each one 
At a playground, Alan watches Bonnie throw an unoccupied swing in the path of a swing Lucy is swinging on  The chains on the swing twist together, but Lucy does not fall off, and Alan is able to save her before she is hurt  Alan tries to discuss his concerns about Bonnie with Kate, saying she is not normal  Kate strongly disagrees, saying that Bonnie loves Lucy and was only playing  Alan says Bonnie loves Lucy the same way she loved their three boys, and Kate is disgusted at the insinuation  Alan tells Kate his theories about Bonnie being involved in the deaths, but she is still in disbelief  Alan uses an analogy about Bonnie, saying that a cuckoo lays its eggs in another nest, and the fledgling pushing the others out to get the full attention of the parents 
Alan wants to send Bonnie away, but Kate refuses, so he kidnaps Lucy  Alan goes to see Kate, who is distraught that Alan will not tell her where Lucy is  Alan gives Kate an ultimatum to choose Bonnie or Lucy  She refuses to do so and he leaves  Later, they find out that Kate has had an accident and is in the hospital  Alan rushes back to London, where he learns that Kate had been pregnant, but miscarried due to the accident 
Back at their apartment, Alan finds out from neighbor, Mr  Taverner, that Kate tripped over a doll at the top of a staircase and that Mrs  Taverner has taken Bonnie on a trip  Kate comes to Alan's work to tell him she wants a divorce  He is alarmed to learn that Bonnie is home alone with Lucy  Alan calls Lucy, telling her to go next door to the Taverners  Bonnie has them locked in, and as Kate and Alan get home, Bonnie has used mind control on Lucy to make her jump out of a window to her death  Alan tries to kill Bonnie, but Mr  Taverner pulls him off of her  Kate decides to stay with Bonnie, and Alan leaves her  At a park, Alan sees the strange woman who gave birth to Bonnie, and is now pregnant, and talking to the mother  He runs after them to warn the family, but they are already gone 

Cast
Release
The Cannon Group, Inc  released The Godsend theatrically in the United States on 11 January 1980, premiering it in Los Angeles  It screened in numerous U S  cities through the following weeks, as well as in Canada  The film screened in the United Kingdom in June 1981 as a double feature alongside Schizoid (1980) 

Critical response
Joe Pollack of the St  Louis Post-Dispatch wrote that, "though not a perfect film, [it] is a pretty good example     The film has moments when it drags, but it has many others that are both fascinating and scary " The Austin American-Statesman's Patrick Taggart panned the film as "nothing but a study in how decent actors—Malcolm Stoddard and Cyd Hayman—are made to throw talent into a bottomless pit of ineptness on all fronts " Bob Curtright of The Wichita Eagle praised the film as "a cut above similar fare  It's low-key and sneaky rather an extravagant and graphic "George Meyer, a film professor and critic, wrote in The Tampa Tribune that, "instead of frightening the viewer with costly gimmicks, Beaumont exploits some basic human fears, most of them involving our protective feelings about children," adding that while the film "makes good use of its limitations, it retains the look and feel of a limited effort  If it weren't for those few squirmy moments, the film's appeal would be even more limited " John Dodd of the Edmonton Journal commended the film's focus on suspense over graphic violence, but felt it would have been better-suited as a television film 

Home media
Scream Factory released the film on Blu-ray in 2015 as part of a double-feature with The Outing (1987)  The disc went out-of-print in February 2021



ground_truth: Françoise Hardy

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Do director of film Betrayal (1932 Film) and director of film The Godsend (Film) share the same nationality?

The following are given passages.
Context 3: 
Passage 3:
Peter Levin
Peter Levin is an American director of film, television and theatre 

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films  Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films  He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s 
Prior to becoming a director, Levin worked as an actor in several Broadway productions  He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army  He trained at the Carnegie Mellon University  Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company  He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company 
Passage 4:
Hanro Smitsman
Hanro Smitsman, born in 1967 in Breda (Netherlands), is a writer and director of film and television 

Film and Television Credits
Films
Brothers (2017)
Schemer (2010)
Skin (2008)
Raak (aka Contact) (2006)
Allerzielen (aka All Souls) (2005) (segment "Groeten uit Holland")
Engel en Broer (2004)
2000 Terrorists (2004)
Dajo (2003)
Gloria (2000)
Depoep (2001)

Television
20 leugens, 4 ouders en een scharrelei (2013)
De ontmaskering van de vastgoedfraude (TV mini-series, 2013)
Moordvrouw (2012-)
Eileen (2 episodes, 2011)
Getuige (2011)
Vakantie in eigen land (2011)
De Reis van meneer van Leeuwen(2010)
De Punt (2009)
Roes (2 episodes, 2008)
Fok jou! (2006)
Van Speijk (2006)

Awards
In 2005, Engel en Broer won Cinema Prize for Short Film at the Avanca Film Festival In 2007, Raak (aka Contact) won the Golden Berlin Bear Award at the Berlin International Film Festival, the Spirit Award at the Brooklyn Film Festival, the first place jury prize for "Best Live Action under 15 minutes" at the Palm Springs International Short Film Festival, and the Prix UIP Ghent Award for European Short Films at the Flanders International Film Festival In 2008, Skin won the Movie Squad Award at the Nederlands Film Festival, an actor in the film also won the Best Actor Award   It also won the Reflet d’Or for Best Film at the Cinema tous ecrans Festival in Geneva in the same year 
Passage 5:
Betrayal (1932 film)
Betrayal is a 1932 British crime film directed by Reginald Fogwell and starring Stewart Rome, Marjorie Hume and Leslie Perrins  A woman attempts to save her husband from being hanged for a crime he didn't commit  It is based on a play No Crime of Passion by Hubert G  Griffith 

Cast
Stewart Rome as John Armytage
Marjorie Hume as Diana Armytage
Leslie Perrins as Clive Wilson
Henry Hewitt as Sir Robert Blackburn KC
J  Fisher White as John Lawrence KC
Frank Atherley as Judge
E  H  Williams as- Butler
Charles Childerstone as Doctor
Passage 6:
Brian Johnson (special effects artist)
Brian Johnson (born 29 June 1939 or 29 June 1940) is a British designer and director of film and television special effects 

Life and career
Born Brian Johncock, he changed his surname to Johnson during the 1960s  Joining the team of special effects artist Les Bowie, Johnson started his career behind the scenes for Bowie Films on productions such as On The Buses, and for Hammer Films   He is known for his special effects work on TV series including Thunderbirds (1965–66) and films including Alien (1979), for which he received the 1980 Academy Award for Best Visual Effects (shared with H  R  Giger, Carlo Rambaldi, Dennis Ayling and Nick Allder)  Previously, he had built miniature spacecraft models for Stanley Kubrick's 1968 film 2001: A Space Odyssey Johnson's work on Space: 1999 influenced the effects of the Star Wars films of the 1970s and 1980s  Impressed by his work, George Lucas visited Johnson during the production of the TV series to offer him the role of effects supervisor for the 1977 film  Having already been commissioned for the second series of Space: 1999, Johnson was unable to accept at the time  He worked on the sequel, The Empire Strikes Back (1980), whose special effects were recognised in the form of a 1981 Special Achievement Academy Award (which Johnson shared with Richard Edlund, Dennis Muren and Bruce Nicholson) 

Awards
Johnson has won Academy Awards for both Alien (1979) and The Empire Strikes Back (1980)  He was further nominated for an Academy Award for his work on Dragonslayer (1981)  In addition, Johnson is the recipient of a Saturn Award for The Empire Strikes Back and a BAFTA Award for James Cameron's  Aliens 

Filmography
Special effects
Director
Scragg 'n' Bones (2006)
Passage 7:
Rachel Feldman
Rachel Feldman is an American director of film and television and screenwriter of television films 

Life and career
Born in New York City, New York, Feldman began her career as a child actor performing extensively in commercials and television series Her credits as a television director include: ((The Rookie)), ((Criminal Minds)), ((Blue Bloods)), and some beloved shows like Doogie Howser, M D , The Commish, Dr  Quinn, Medicine Woman, Picket Fences, Sisters,Lizzie McGuire, at the start of her career  
She has written and directed several features including: Witchcraft III: The Kiss of Death (1991), Post Modern Romance (1993), She's No Angel (2001) starring Tracey Gold, Recipe for a Perfect Christmas (2005) starring Christine Baranski, Love Notes (2007) starring Laura Leighton, Lilly (2023) starring Patricia Clarkson 

Films
Feature Films
Lilly (2023) - Director/Writer
Love Notes (2007) - Writer
Recipe for a Perfect Christmas ((2005) - Writer
She's No Angel (2001) - Writer/Director
Witchcraft III: The Kiss of Death (1991)  - Director

Shorts
Here Now (2017) - Writer/Director
Happy Sad Happy (2014) - Writer/Director
Post Modern Romance (1993) - Writer/Director
Wunderkind (1984) - Writer/Director
Guistina (1981) - Writer/Director

Activism
Feldman is active in the fight for gender equality in the film and television industry  Her activism takes form in speaking out about issues such as equal pay, job stability for women, sexual harassment, sexual discrimination and female representation within the industry  Feldman is also an activist for women behind the camera, who can be seen in the Geena Davis produced documentary This Changes Everything 
Feldman was the former chair of the DGA Women's Steering Committee (WSC)  The focus of the WSC is to support and uplift women in the film and television industry 

Personal life and education
Feldman grew up in the Bronx and now lives in Los Angeles  She attended New York University where she received a Master of Fine Arts Degree and has taught classes in directing and screenwriting at the USC School of Cinematic Arts Feldman is married to artisan contractor and colorist Carl Tillmanns; together they have two children, Nora and Leon  They are both alumni of Sarah Lawrence College, where they first met 
Passage 8:
Ian Barry (director)
Ian Barry is an Australian director of film and TV 

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 9:
Howard W  Koch
Howard Winchel Koch (April 11, 1916 – February 16, 2001) was an American producer and director of film and television 

Life and career
Koch was born in New York City, the son of Beatrice (Winchel) and William Jacob Koch  His family was Jewish  He attended DeWitt Clinton High School and the Peddie School in Hightstown, New Jersey  He began his film career as an employee at Universal Studios office in New York then made his Hollywood filmmaking debut in 1947 as an assistant director  He worked as a producer for the first time in 1953 and a year later made his directing debut  In 1964, Paramount Pictures appointed him head of film production, a position he held until 1966 when he left to set up his own production company  He had a production pact with Paramount for over 15 years Among his numerous television productions, Howard W  Koch produced the Academy Awards show on eight occasions  Dedicated to the industry, he served as President of the Academy of Motion Picture Arts and Sciences from 1977 to 1979  In 1990 the Academy honored him with The Jean Hersholt Humanitarian Award and in 1991 he received the Frank Capra Achievement Award from the Directors Guild of America 
Together with actor Telly Savalas, Howard Koch owned the thoroughbred racehorse Telly's Pop, winner of several important California races for juveniles including the Norfolk Stakes and Del Mar Futurity 
Howard W  Koch suffered from Alzheimer's disease and died in at his home in Beverly Hills, California on February 16, 2001  He had two children from a marriage of 64 years to Ruth Pincus, who died in March 2009  In 2004, his son Hawk Koch was elected to the Board of Governors of the Academy of Motion Picture Arts and Sciences 

Filmography
Director
Film (director)

Shield for Murder (1954)
Big House, U S A  (1955)
Untamed Youth (1957)
Bop Girl Goes Calypso (1957)
Jungle Heat (1957)
The Girl in Black Stockings (1957)
Fort Bowie (1957)
Violent Road (1958)
Frankenstein 1970 (1958)
Born Reckless (1958)
Andy Hardy Comes Home (1958)
The Last Mile (1959)
Badge 373 (1973)Television (director)

Maverick (1957) (1 episode)
Hawaiian Eye (1959) (2 episodes)
Cheyenne (1958) (1 episode)
The Untouchables (1959) (4 episodes)
The Gun of Zangara (1960) (TV movie taken from The Untouchables (1959 TV series))
Miami Undercover (1961) (38 episodes)
Texaco Presents Bob Hope in a Very Special Special: On the Road with Bing (1977)

Producer
Film (producer):

War Paint (1953)
Beachhead (1954)
Shield for Murder (1954)
Big House, U S A  (1955)
Rebel in Town (1956)
Frankenstein 1970 (1958)
Sergeants 3 (1962)
The Manchurian Candidate (1962)
Come Blow Your Horn (1963)
Robin and the 7 Hoods (1964)
The Odd Couple (1968)
On a Clear Day You Can See Forever (1970)
A New Leaf (1971)
Plaza Suite (1971)
Last of the Red Hot Lovers (1972)
Jacqueline Susann's Once Is Not Enough (1975)
The Other Side of Midnight (1977)
Airplane! (1980)
Some Kind of Hero (1982)
Airplane II: The Sequel (1982)
Ghost (1990)Television (producer)

Magnavox Presents Frank Sinatra (1973)
Passage 10:
Reginald Fogwell
Reginald Fogwell (23 November 1893, Dartmouth, Devon -1977) was a British film director, producer and screenwriter 

Selected filmography
Director

The Warning (1928)
Cross Roads (1930)
The Written Law (1930)
Madame Guillotine (1931)
Guilt (1931)
Betrayal (1932)
The Wonderful Story (1932)
Murder at the Cabaret (1936)Screenwriter

Two Can Play (1926)
The Guns of Loos (1928)
Glorious Youth (1929)
Warned Off (1930)
Such Is the Law (1930)
Prince of Arcadia (1933)
Two Hearts in Waltz Time (1934)



ground_truth: yes