query: where did the tutsi come from?

title: Tutsi

text: rule. The Tutsi aristocracy or elite was distinguished from Tutsi commoners, and wealthy Hutu were often indistinguishable from upper-class Tutsi. When the Belgian colonists conducted censuses, they wanted to identify the people throughout Rwanda-Burundi according to a simple classification scheme. They defined "Tutsi" as anyone owning more than ten cows (a sign of wealth) or with the physical feature of a longer nose, or longer neck, commonly associated with the Tutsi. The Belgians believed that some Tutsis had facial characteristics that were generally atypical of other Bantus. They sought to explain these purported divergent physical traits by postulating admixture with

title: Tutsi

text: little relation to the gene pools that had existed a few centuries ago. The social categories are thus real, but there is little if any detectable genetic differentiation between Hutu and Tutsi. Tishkoff et al. (2009) found their mixed Hutu and Tutsi samples from Rwanda to be predominately of Bantu origin, with minor gene flow from Afro-Asiatic communities (17.7% Afro-Asiatic genes found in the mixed Hutu/Tutsi population). Their average height is 5 feet 9 inches, although individuals have been recorded as being taller than 7 feet. Prior to the arrival of colonists, Rwanda had been ruled by a Tutsi-dominated monarchy

title: Tutsi

text: were murdered by the former and "at least as many" were killed by the latter. Since the 2000 Arusha Peace Process, today in Burundi the Tutsi minority shares power in a more or less equitable manner with the Hutu majority. Traditionally, the Tutsi had held more economic power and controlled the military. A similar pattern of events took place in Rwanda, but there the Hutu came to power in 1962. They in turn often oppressed the Tutsi, who fled the country. After the anti-Tutsi violence around 1959-1961, Tutsis fled in large numbers. These exile Tutsi communities gave rise to Tutsi

title: Tutsi

text: (largest) and the Twa (smallest). Small numbers of Hema, Kiga and Furiiru people also live near the Tutsi in Rwanda. The Northern Tutsi who reside in Rwanda are called Ruguru (Banyaruguru), while southern Tutsi that live in Burundi are known as Hima, the Tutsis who resides in Masisi which is in Kivu and they are known as Banyamasisi and the Tutsi that inhabit the Kivu plateau in the Congo go by Banyamulenge. The definitions of "Hutu" and "Tutsi" people may have changed through time and location. Social structures were not stable throughout Rwanda, even during colonial times under the Belgian

title: Tutsi

text: colonists from Rutshuru or from Rwanda and mostly settled in Masisi in North Kivu and Kalehe in South Kivu. Tutsi The Tutsi (; ), or Abatutsi, are a social class or ethnic group of the African Great Lakes region. Historically, they were often referred to as the Watutsi, Watusi, Wahuma, Wahima or the Wahinda. The Tutsi form a subgroup of the Banyarwanda and the Barundi peoples, who reside primarily in Rwanda and Burundi, but with significant populations also found in Uganda, the Democratic Republic of the Congo and Tanzania. They speak Rwanda-Rundi, a group of Bantu languages. Tutsis are the

title: Tutsi

text: Tutsi The Tutsi (; ), or Abatutsi, are a social class or ethnic group of the African Great Lakes region. Historically, they were often referred to as the Watutsi, Watusi, Wahuma, Wahima or the Wahinda. The Tutsi form a subgroup of the Banyarwanda and the Barundi peoples, who reside primarily in Rwanda and Burundi, but with significant populations also found in Uganda, the Democratic Republic of the Congo and Tanzania. They speak Rwanda-Rundi, a group of Bantu languages. Tutsis are the second largest population division among the three largest groups in Rwanda and Burundi; the other two being the Hutu

title: Tutsi

text: Hima speak the same language, but call their language Hima. In the Rwanda territory, from the 15th century until 1961, the Tutsi were ruled by a king (the "mwami"). Belgium abolished the monarchy in response to Hutu activism, following the national referendum that led to independence. By contrast, in the northwestern part of the country (predominantly Hutu), large regional landholders shared power, similar to Buganda society (in what is now Uganda). Under their holy king, Tutsi culture traditionally revolved around administering justice and government. They were the only proprietors of cattle, and sustained themselves on their own products. Additionally, their

title: Tutsi

text: the government through universal elections after independence. This partly reflected internal Belgian domestic politics, in which the discrimination against the Hutu majority came to be regarded as similar to oppression within Belgium stemming from the Flemish-Walloon conflict, and the democratization and empowerment of the Hutu was seen as a just response to the Tutsi domination. Belgian policies wavered and flip-flopped considerably during this period leading up to independence of Burundi and Rwanda. The Hutu majority in Rwanda had revolted against the Tutsi and was able to take power. Tutsis fled and created exile communities outside Rwanda in Uganda and Tanzania.

title: Origins of Hutu, Tutsi and Twa

text: Origins of Hutu, Tutsi and Twa The origins of the Tutsi and Hutu people is a major issue in the histories of Rwanda and Burundi, as well as the Great Lakes region of Africa. The relationship between the two modern populations is thus, in many ways, derived from the perceived origins and claim to "Rwandan-ness". The largest conflicts related to this question were the Rwandan genocide, the Burundian genocide, and the First and Second Congo Wars. Ugandan scholar Mahmoud Mamdani identifies at least four distinct foundations for studies that support the "distinct difference between Hutu and Tutsi" school of thought:

title: Tutsi

text: rebel movements. The Rwandan Patriotic Front, mostly made up of exiled Tutsi living primarily in Uganda, attacked Rwanda in 1990 with the intention of liberating Rwanda. The RPF had experience in organized irregular warfare from the Ugandan Bush War, and got much support from the government of Uganda. The initial RPF advance was halted by the lift of French arms to the Rwandan government. Attempts at peace culminated in the Arusha Accords. The agreement broke down after the assassination of the Rwandan and Burundian Presidents, triggering a resumption of hostilities and the start of the Rwandan Genocide of 1994, in

title: Origins of Hutu, Tutsi and Twa

text: adults has a high capacity for lactose digestion, a surprisingly high number for an agrarian people, which Mamdani suggests may be the result of centuries of intermarriage with Tutsi. Bethwell Ogot in the 1988 UNESCO "General History" further notes that the number of pastoralists in Rwanda increased sharply around the fifteenth century. Although Luis et al. (2004) in a more general study on bi-allelic markers in many African countries found a statistically significant genetic difference between Tutsi and Hutu, the overall difference were not large. Modern-day genetic studies of the Y-chromosome generally indicate that the Tutsi, like the Hutu, are

title: Origins of Hutu, Tutsi and Twa

text: on economic criteria. Formal and discrete social divisions were consequently imposed upon ambiguous biological distinctions. To some extent, the permeability of these categories in the intervening decades helped to reify the biological distinctions, generating a taller elite and a shorter underclass, but with little relation to the gene pools that had existed a few centuries ago. The social categories are thus real, but there is little if any detectable genetic differentiation between Hutu and Tutsi. Tishkoff et al. (2009) found their mixed Hutu and Tutsi samples from Rwanda to be predominately of Bantu origin, with minor gene flow from Afro-Asiatic

title: Tutsi

text: which the Hutu then in power killed an estimated 500,000–1,000,000 people, largely of Tutsi origin. Victorious in the aftermath of the genocide, the RPF came to power in July 1994. Tutsis speak Rwanda-Rundi as their native language. It is a member of the Bantu subgroup of the Niger–Congo family. Rwanda-Rundi is subdivided into the Kinyarwanda and Kirundi dialects, which have been standardized as official languages of Burundi and Rwanda. Rwanda-Rundi is also spoken as a mother tongue by the Hutu and Twa. Additionally, many Tutsis speak French, the third official language of Rwanda and Burundi, as a lingua franca. The

title: Origins of Hutu, Tutsi and Twa

text: bloodlines is thus questioned. Origins of Hutu, Tutsi and Twa The origins of the Tutsi and Hutu people is a major issue in the histories of Rwanda and Burundi, as well as the Great Lakes region of Africa. The relationship between the two modern populations is thus, in many ways, derived from the perceived origins and claim to "Rwandan-ness". The largest conflicts related to this question were the Rwandan genocide, the Burundian genocide, and the First and Second Congo Wars. Ugandan scholar Mahmoud Mamdani identifies at least four distinct foundations for studies that support the "distinct difference between Hutu and

title: Origins of Hutu, Tutsi and Twa

text: of neighboring people, it was almost non-existent among Rwandan Tutsi. Presence of the sickle cell trait is evidence of survival in the presence of malaria over many centuries, suggesting differing origins. Regional studies of the ability to digest lactose are also supportive. The ability to digest lactose among adults is widespread only among desert-dwelling nomadic groups that have depended upon milk for millennia. Three quarters of the adult Tutsi of Rwanda and Burundi have a high ability to digest lactose, while only 5% of the adults of the neighboring Shi people of eastern Congo can. Among Hutu, one in three

title: Who Were the Early Israelites and Where Did They Come from?

text: the "protoIsraelites." It followed an earlier book, "What Did the Biblical Writers Know and When Did They Know It?", in which Dever, contrary to the "minimalists", asserted that the writers of the Old Testament knew a good deal about the Israelites' past. Who Were the Early Israelites and Where Did They Come from? Who Were the Early Israelites and Where Did They Come From? is a book by American biblical scholar and archaeologist William G. Dever. Dever has been prominent in the debate between biblical "maximalists" and "minimalists" over the historicity of the Bible (specifically the Old Testament). This book,

text: Who Were the Early Israelites and Where Did They Come from? Who Were the Early Israelites and Where Did They Come From? is a book by American biblical scholar and archaeologist William G. Dever. Dever has been prominent in the debate between biblical "maximalists" and "minimalists" over the historicity of the Bible (specifically the Old Testament). This book, which coincided with Dever's retirement from the University of Arizona, where he served as professor of Near Eastern Archaeology and Anthropology for many years, was written on a semi-popular level to explain the background and origin of the people Dever describes as

title: Back Where I Come From

text: said that "As a publisher I knew I was devaluing the copyright by singing it myself instead of passing it onto better and bigger singers, but I did it anyway. One of many of my classically bad business choices, but thankfully Kenny Chesney was kind enough to bail me out and cut it again." From "Simple Life" liner notes. Back Where I Come From "Back Where I Come From" is a song written and recorded by American country music artist Mac McAnally. It was released in January 1990 as the first single from his album "Simple Life". The song reached

title: Where the Toys Come From

text: find their maker, named Kenji and their questions are answered. Where the Toys Come From Where The Toys Come From is a Disney special directed by Theodore Thomas created in 1983 and then released in 1984 by Walt Disney Studio Showcase. It follows the journey of two toys, named Zoom and Peepers, as they try to find out where they were made. Their owner, named Robin assists them in their journey. Their search begins in a toy museum, where they find out they were made in Japan. Robin takes them to the toy store they were purchased from and they

title: Where the Toys Come From

text: Where the Toys Come From Where The Toys Come From is a Disney special directed by Theodore Thomas created in 1983 and then released in 1984 by Walt Disney Studio Showcase. It follows the journey of two toys, named Zoom and Peepers, as they try to find out where they were made. Their owner, named Robin assists them in their journey. Their search begins in a toy museum, where they find out they were made in Japan. Robin takes them to the toy store they were purchased from and they begin their trip to Japan. In Japan, Zoom and Peepers

title: Where We Come From

text: as positive reviews by NPR, The Guardian, The Washington Post, Billboard, Dazed, Jamaican Observer, Complex, FACT, and more. "Where We Come From" received acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 81, which indicates "universal acclaim", based on 5 reviews. Where We Come From Where We Come From is the debut studio album by Jamaican dancehall artist Popcaan, released on 10 June 2014 by Mixpak Records. A prolific dancehall artist from Jamaica, Popcaan collaborated with several producers on the album: Dre Skull

title: Where We Come From

text: Where We Come From Where We Come From is the debut studio album by Jamaican dancehall artist Popcaan, released on 10 June 2014 by Mixpak Records. A prolific dancehall artist from Jamaica, Popcaan collaborated with several producers on the album: Dre Skull (who also served as the album's Executive Producer), Dubbel Dutch, Anju Blaxx, Jaime YVP and Adde Instrumentals. "Where We Come From" received critical acclaim upon release, and placed on several year-end critics' lists for 2014. Upon release of the album, Popcaan was featured as the cover star on The Fader, garnered an 8.0 rating at Pitchfork, as well

title: Where Soldiers Come From

text: Where Soldiers Come From Where Soldiers Come From is a 2011 American documentary film directed by Heather Courtney. The film is an intimate look at a group of young American men who join the Michigan Army National Guard, their families, and the town they come from. Director Heather Courtney follows these young men closely, as they transition from small town teenagers to Army guardsmen during the war in Afghanistan. Their story continues to follow the 23-year-old veterans dealing with the less visible wounds of Traumatic Brain Injury (TBI) and PTSD. It premiered at South by Southwest festival, where it won

title: Where Soldiers Come From

text: You, as well as an original score by composers Alex Chavez and Chad Stocker. Where Soldiers Come From Where Soldiers Come From is a 2011 American documentary film directed by Heather Courtney. The film is an intimate look at a group of young American men who join the Michigan Army National Guard, their families, and the town they come from. Director Heather Courtney follows these young men closely, as they transition from small town teenagers to Army guardsmen during the war in Afghanistan. Their story continues to follow the 23-year-old veterans dealing with the less visible wounds of Traumatic Brain

title: Where I Come From (Montgomery Gentry song)

text: September 2017. It would be the duo's final Top 10 hit. The music video was directed by Potsy Ponciroli and premiered in September 2011. Where I Come From (Montgomery Gentry song) "Where I Come From" is a song recorded by American country music duo Montgomery Gentry. It is the first single from their seventh studio album, "Rebels on the Run". The song was written by Rodney Clawson and Dallas Davidson. The song is a mid-tempo rock-influenced song in which the narrators express pride with their Southern heritage. Co-writer Dallas Davidson said that he did not like many of Montgomery Gentry's

text: Where I Come From (Montgomery Gentry song) "Where I Come From" is a song recorded by American country music duo Montgomery Gentry. It is the first single from their seventh studio album, "Rebels on the Run". The song was written by Rodney Clawson and Dallas Davidson. The song is a mid-tempo rock-influenced song in which the narrators express pride with their Southern heritage. Co-writer Dallas Davidson said that he did not like many of Montgomery Gentry's previous singles, and that "I feel like this song fits them, and I say that as a fan. I think that they can actually

title: Come to Where I'm From

text: and remixed to become "Come to Where I'm From". As this was not the official finalized release, few promos were made. Note Come to Where I'm From Come to Where I'm From is the second studio album by Joseph Arthur released by Real World Records on April 11, 2000. The album was co-produced by T-Bone Burnett, and features the singles "Chemical" and "In the Sun." Real World Records reissued the album in July 2012, as a part of their "Real World Gold" series. In the UK, there were two singles released from the album: On March 11, 1999, a promo

title: Where Do You Come From

text: Where Do You Come From "Where Do You Come From" is a song first recorded by Elvis Presley as part of the soundtrack for his 1962 motion picture "Girls! Girls! Girls!". Later it was rejected from the motion picture and wasn't used in it, but appeared on its soundtrack album "Girls! Girls! Girls!". The song was written by Ruth Bachelor and Bob Roberts. Elvis Presley recorded "Where Do You Come From" on March 27, 1962 — during his March 26-28 soundtrack recordings for the Paramount motion picture "Girls! Girls! Girls!" at the Radio Recorders studio in Hollywood, California. The song

title: Back Where I Come From

text: Back Where I Come From "Back Where I Come From" is a song written and recorded by American country music artist Mac McAnally. It was released in January 1990 as the first single from his album "Simple Life". The song reached number 14 on the "Billboard" Hot Country Singles & Tracks chart. Its B-side, "Company Time", was later a single for Linda Davis in 1994. The song is a mid-tempo in which the narrator expresses nostalgia towards his hometown in Mississippi. Regarding its content, McAnally told "American Songwriter", "When I wrote 'Back Where I Come From' I thought that it

title: Where I Come From (album)

text: Where I Come From (album) Where I Come From is the fourteenth studio album by the American country rock band the New Riders of the Purple Sage. It was recorded in 2008, and released on the Woodstock Records label on June 2, 2009. Following "", "Where I Come From" was the second album recorded by the New Riders after they re-formed in 2005, with band co-founder David Nelson on guitar, long-time member Buddy Cage on pedal steel guitar, Hot Tuna alumnus Michael Falzarano on guitar, Ronnie Penque on bass, and Johnny Markowski on drums. It was the band's first studio

title: Where Do You Come From

text: was released on a single as a flip side to "Return to Sender" in October 1962. "Where Do You Come From" peaked at number 99 on the "Billboard" Hot 100, while "Return to Sender" peaked at number 2. The title "Return to Sender" was certified Gold in the United States for selling a million copies. "Billboard" in 1962 called the song a "croon ballad". According to the book "Elvis Films FAQ", it is a "slow, aching ballad" that "starts a bit like "As Long As I Have You"" Where Do You Come From "Where Do You Come From" is a

title: Tutsi

text: Since Burundi's independence, more extremist Tutsi came to power and oppressed the Hutus, especially those who were educated. Their actions led to the deaths of up to 200,000 Hutus. Overt discrimination from the colonial period was continued by different Rwandan and Burundian governments, including identity cards that distinguished Tutsi and Hutu. In 1993, Burundi's first democratically elected president, Melchior Ndadaye, a Hutu, was assassinated by Tutsi officers, as was the person entitled to succeed him under the constitution. This sparked a genocide in Burundi between Hutu political structures and the Tutsi military, in which "possibly as many as 25,000 Tutsi"

title: Tutsi

text: by the former Cushitic Sidama states in the southern Gibe region of Ethiopia. By contrast, Bantu populations to the north of the Tutsi-Hima in Kenya were until modern times essentially without a king, while there were a number of Bantu kingdoms to the south of the Tutsi-Hima in Tanzania, all of which shared the Tutsi-Hima's chieftaincy pattern. Since the Cushitic Sidama kingdoms interacted with Nilotic groups, Fage thus proposes that the Tutsi may have descended from one such migrating Nilotic population. The Tutsis' Nilotic ancestors would thereby in earlier times have served as cultural intermediaries, adopting some monarchical traditions from

title: Come to Where I'm From

text: Come to Where I'm From Come to Where I'm From is the second studio album by Joseph Arthur released by Real World Records on April 11, 2000. The album was co-produced by T-Bone Burnett, and features the singles "Chemical" and "In the Sun." Real World Records reissued the album in July 2012, as a part of their "Real World Gold" series. In the UK, there were two singles released from the album: On March 11, 1999, a promo CD titled Rusty Water was released via Virgin Records. The CD featured 13 tracks, most of which would later be re-recorded, edited,

title: Where I Come From (album)

text: with Nelson on a half dozen cuts and the long-time Grateful Dead lyricist demonstrates an elegant command of language on the title song, while the band's playing on a close to eight minute track is articulate in its own way... NRPS 2009 can excel when they improvise, as on the ten-minute plus of 'Ghost Train Blues', and the group would do well to jam more often and bring in more cover material, such as the traditional 'Them Old Minglewood Blues', to complement their originals." Where I Come From (album) Where I Come From is the fourteenth studio album by the

title: Tutsi

text: after mid-1600. Beginning in about 1880, Roman Catholic missionaries arrived in the Great Lakes region. Later, when German forces occupied the area during World War I, the conflict and efforts for Catholic conversion became more pronounced. As the Tutsi resisted conversion, missionaries found success only among the Hutu. In an effort to reward conversion, the colonial government confiscated traditionally Tutsi land and reassigned it to Hutu tribes. In Burundi, meanwhile, Tutsi domination was even more entrenched. A ruling faction, the Ganwa, soon emerged from amongst the Tutsi and assumed effective control of the country's administration. The area was ruled as

title: Where Do Teenagers Come From?

text: especially young girls, experience adolescence and how her body changes. Where Do Teenagers Come From? Where Do Teenagers Come From? was an American television teen comedy/documentary that aired as an "ABC Afterschool Special" on March 5, 1980. The live action/animation program was produced by DePatie-Freleng Enterprises and was a sequel to the 1977 program "My Mom's Having a Baby." The special was notable for its signature song "Growing Up," written by Doug Goodwin. When 12-year-old Kelly begins to experience changes in her body, she, along with Petey and Oscar, once again visit Dr. Lendon Smith, who uses an animated film

title: Where Do Teenagers Come From?

text: Where Do Teenagers Come From? Where Do Teenagers Come From? was an American television teen comedy/documentary that aired as an "ABC Afterschool Special" on March 5, 1980. The live action/animation program was produced by DePatie-Freleng Enterprises and was a sequel to the 1977 program "My Mom's Having a Baby." The special was notable for its signature song "Growing Up," written by Doug Goodwin. When 12-year-old Kelly begins to experience changes in her body, she, along with Petey and Oscar, once again visit Dr. Lendon Smith, who uses an animated film that explains in detail (via Smith's narraration) of how teenagers,

title: Did Tomorrow Come...

text: of mankind, only to return and find it worse. It takes a departure from the dark and depressive lyrical content of their previous albums for a much more science fiction oriented feel. Did Tomorrow Come... Did Tomorrow Come... is the third and last album from Polish gothic metal band Sirrah, though it was their second official release. It was released in 1997. Though the original title is "Did Tomorrow Come...", the title of the releases outside of Poland were changed to "Will Tomorrow Come?" by Music for Nations, which completely changed its meaning. This album also contains less growling and

title: Did Tomorrow Come...

text: Did Tomorrow Come... Did Tomorrow Come... is the third and last album from Polish gothic metal band Sirrah, though it was their second official release. It was released in 1997. Though the original title is "Did Tomorrow Come...", the title of the releases outside of Poland were changed to "Will Tomorrow Come?" by Music for Nations, which completely changed its meaning. This album also contains less growling and Death metal elements than in their earlier works. The album is a concept album about a time traveller who goes back and forth through time in order to prevent the dystopian future

title: Where I Come From (Alan Jackson song)

text: fell to number 2 on October 27, with Brooks & Dunn's "Only in America" taking over at Number One. The next week, "Where I Come From" returned to number 1 for a third and final week at the top. Where I Come From (Alan Jackson song) "Where I Come From" is a song written and performed by American country music singer Alan Jackson. It was released in July 2001 as the third single from his album "When Somebody Loves You". In November 2001, the song became Jackson's 18th #1 hit on the "Billboard" country charts, his only number one from

title: Never Forget (Where You Come From)

text: the album managed to sell more than 500,000 copies domestically. With thirty-eight weeks in the German Top 100, a platinum, and a gold certification the album became the eleventh successful album of 2002. Never Forget (Where You Come From) Never Forget (Where You Come From) is the debut studio album by German pop group Bro'Sis. It was released on January 21, 2002 on Cheyenne Records, Polydor and Zeitgeist. It was primarily produced by Toni Cottura, with additional production from Alex Christensen, Marc Mozart, Syndicate Music, and others. The album reached the top of the German, Austrian and Swiss albums chart

title: Never Forget (Where You Come From)

text: Never Forget (Where You Come From) Never Forget (Where You Come From) is the debut studio album by German pop group Bro'Sis. It was released on January 21, 2002 on Cheyenne Records, Polydor and Zeitgeist. It was primarily produced by Toni Cottura, with additional production from Alex Christensen, Marc Mozart, Syndicate Music, and others. The album reached the top of the German, Austrian and Swiss albums chart and spawned five singles, including number one single "I Believe" and a cover version of 98 Degrees' 1999 Christmas single "The Gift". Including its "Special Winter Edition" (released on November 11, 2002) and

title: Where Did Our Love Go

text: Where Did Our Love Go "Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Where Did Our Love Go" was the first single by the Supremes to go to the number-one position on the "Billboard" Hot 100 pop singles chart in the United States, a position it held for two weeks, from August 16 to August 29, 1964. It was also the first of five Supremes songs in a row to reach number one (the others being "Baby Love", "Come

title: Where Soldiers Come From

text: "hauntingly beautiful and deeply felt...some of the best Afghanistan war-related storytelling I’ve seen.” In his review of the film, "Time Magazine"'s film critic Steven James Snyder called it an "emotional and engrossing portrait of America's bravest." Matt Zoller Seitz of Salon claimed that "the last 10 years have produced an array of documentaries about post-9/11 America, but few are as haunting and compassionate as Heather Courtney’s ‘Where Soldiers Come From.’” Salon also included the film in their list of "the best nonfiction TV of 2011." Documentary filmmaker Michael Moore said the film was "a profoundly moving experience. One of the

title: Tutsi

text: closely related to each other than to faraway groups. There are essentially two groups of Tutsi in the Congo (DRC). There is the Banyamulenge that live in the southern tip of South Kivu. They are descendants of migrating Rwandan, Burundian and Tanzanian pastoralists. And secondly there are Tutsi in North Kivu and Kalehe in South Kivu - being part of the Banyarwanda (Hutu and Tutsi) community. These are not Banyamulenge. Some of these Banyarwanda are descendants of people that lived long before colonial rule in Rutshuru - on what's currently Congolese territory. Others migrated or were "transplanted" by the Belgian

title: Where I Come From (Alan Jackson song)

text: Where I Come From (Alan Jackson song) "Where I Come From" is a song written and performed by American country music singer Alan Jackson. It was released in July 2001 as the third single from his album "When Somebody Loves You". In November 2001, the song became Jackson's 18th #1 hit on the "Billboard" country charts, his only number one from the album. The song is a moderate up-tempo which finds the narrator, a truck driver, traveling across the United States and finding himself in various situations that make him think about how life in other places is different from

title: Where Did Our Love Go (album)

text: Where Did Our Love Go (album) Where Did Our Love Go is the second studio album by Motown singing group The Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run". With the release of this album, The Supremes became the first act in

title: Back Where I Come From

text: was a hit, but also that it said something that I personally wanted to be the first to say." The song, the first cut on "Simple Life", has a play length of 3 minutes and 32 seconds; a 1-minute and 20 second reprise, performed by McAnally on piano with backing from the Nashville String Machine, is the album's sixth track. "Back Where I Come From" was covered by Kenny Chesney on his 1996 album "Me and You", produced by Barry Beckett. Chesney also included a live version of the song on his 2000 "Greatest Hits" album. Of Chesney's recordings, McAnally

title: Where I Come From (album)

text: weepy side of the pedal steel in favor of something more stinging. These New Riders jam a bit more than the original ensemble, and they also rock a bit more." On Jambands.com, Brian Robbins said, "Forget the 40 years of history; forget the dues paid and the groundwork laid for what came to be known as the jamband scene; forget the family tree whose roots are tightly entwined with those of the Dead; just forget all that stuff and throw on a copy of the New Riders of the Purple Sage "Where I Come From". Pretend it's the debut album

title: Where I Come From (album)

text: by a bonus disc called Where I Come From: Radio Mixes & Live Bonus. On Allmusic, William Ruhlmann wrote, "But the heart of the album — seven songs out of 12 — is the work of the new songwriting team of Nelson and Robert Hunter... Hunter comes up with his typically aphoristic, imagistic, and vernacular words (particularly on the title song) and Nelson matches them with catchy, country-tinged melodies that the band plays in frisky country-rock roadhouse arrangements. This may be San Francisco music, but Bakersfield doesn't seem far away as the guitars go twangy and Cage plays down the

title: Where I Come From (album)

text: album in 17 years, since 1992's "Midnight Moonlight". The music for seven of the songs on the album was written by David Nelson, with lyrics by Robert Hunter, who wrote the lyrics for many Grateful Dead songs. Four of the other five songs were also written by current band members. In 2010, a version of the song "Olivia Rose", written by Ronnie Penque, appeared on his album "Only Road Home". The cover of "Where I Come From" was illustrated by Stanley Mouse, an artist known for his many concert posters and album covers. Some copies of the album were accompanied

title: Tutsi

text: agree that Hutu and Tutsis cannot be properly called distinct ethnic groups. Modern-day genetic studies of the Y-chromosome generally indicate that the Tutsi, like the Hutu, are largely of Bantu extraction (60% E1b1a, 20% B, 4% E-P2(xE1b1a)). Paternal genetic influences associated with the Horn of Africa and North Africa are few (under 3% E1b1b-M35), and are ascribed to much earlier inhabitants who were assimilated. However, the Tutsi have considerably more haplogroup B paternal lineages (14.9% B) than do the Hutu (4.3% B). Trombetta et al. (2015) found 22.2% of E1b1b in a small sample of Tutsis from Burundi, but no

title: Where Do We Come From? What Are We? Where Are We Going?

text: Boston, acquired it from the Marie Harriman Gallery on 16 April 1936. Where Do We Come From? What Are We? Where Are We Going? Where Do We Come From? What Are We? Where Are We Going? is a painting by French artist Paul Gauguin. Gauguin inscribed the original French title in the upper left corner: D'où Venons Nous / Que Sommes Nous / Où Allons Nous. The inscription the artist wrote on his canvas has no question mark, no dash, and all words are capitalized. In the upper right corner he signed and dated the painting: "P. Gauguin / 1897".

text: Where Do We Come From? What Are We? Where Are We Going? Where Do We Come From? What Are We? Where Are We Going? is a painting by French artist Paul Gauguin. Gauguin inscribed the original French title in the upper left corner: D'où Venons Nous / Que Sommes Nous / Où Allons Nous. The inscription the artist wrote on his canvas has no question mark, no dash, and all words are capitalized. In the upper right corner he signed and dated the painting: "P. Gauguin / 1897". The painting was created in Tahiti, and is in the Museum of

title: Tutsi

text: adjacent Cushitic kingdoms and subsequently taking those borrowed customs south with them when they first settled amongst Bantu autochthones in the Great Lakes area. However, little difference can be ascertained between the cultures today of the Tutsi and Hutu; both groups speak the same Bantu language. The rate of intermarriage between the two groups were traditionally very high, and relations were amicable until the 20th century. Many scholars have concluded that the determination of Tutsi was and is mainly an expression of class or caste, rather than ethnicity. As noted above, DNA studies show clearly that the peoples are more

title: Tutsi

text: lifestyle afforded them a lot of leisure time, which they spent cultivating the high arts of poetry, weaving and music. Due to the Tutsi's status as a dominant minority vis-a-vis the Hutu farmers and the other local inhabitants, this relationship has been likened to that between lords and serfs in feudal Europe. According to Fage (2013), the Tutsi are serologically related to Bantu and Nilotic populations. This in turn rules out a possible Cushitic origin for the founding Tutsi-Hima ruling class in the lacustrine kingdoms. However, the royal burial customs of the latter kingdoms are quite similar to those practiced

title: Tutsi

text: a colony by Germany (prior to World War I) and Belgium. Because the Tutsi had been the traditional governing elite, both colonial powers kept this system and allowed only the Tutsi to be educated and to participate in the colonial government. Such discriminatory policies engendered resentment. When the Belgians took over, they believed it could be better governed if they continued to identify the different populations. In the 1920s, they required people to identify with a particular ethnic group and classified them accordingly in censuses. In 1959, Belgium reversed its stance and allowed the majority Hutu to assume control of

title: Where Did the Night Fall

text: the original photo shoot with Warren Du Preez and Nick Thornton Jones. Adapted from AllMusic. Where Did the Night Fall Where Did the Night Fall is the fourth regular studio album from British electronic music act Unkle, released on . As a documentation of the work on the album, on 13 April 2009, James Lavelle, Unkle's mastermind, started an official "UNKLE Blog". According to the first post, Lavelle started to work in studio in January 2009 with Pablo Clements, James Griffith, Joel Cadbury, Gavin Clark, Matt Pierce and Mike Lowry. On a single, "Heavy Drug (Surrender Sounds Mix)", was made

title: Where Did the Night Fall

text: UNKLE revealed that "Where Did the Night Fall" would be re-released as "Where Did the Night Fall – Another Night Out". The first disc will contain the same songs that are on the original album but the second disc contains material from two of UNKLE's previous EPs, plus a number of exclusive and rare tracks. It was released on 11 April 2011. The standard edition comes packaged as a double jewel case with a 16-page booklet. The limited edition comes in a gold outer slipcase featuring a fully re-worked 16-page board book and 32-page booklet with new exclusive shots from

title: Where I Come From (Alan Jackson song)

text: verse comes a chorus where the narrator explains how the road life is different. Allmusic critic Thom Jurek described the song favorably in his review of the album, calling it a "redneck anthem" that "rocks a little harder with a ZZ Top-styled guitar". "Where I Come From" re-entered the chart as a single at number 58 on the U.S. "Billboard" Hot Country Singles & Tracks for the week of July 14, 2001. The song reached its peak position of number 1 on the "Billboard" country charts for the week of October 13. It held the position on October 20, then

title: Where Did the Feeling Go?

text: Where Did the Feeling Go? "Where Did the Feeling Go?" is a song written by Michael Masser and Norman Saleet and first recorded by American singer Jill Michaels in 1985, and then by Russell Hitchcock (from the band Air Supply) for his eponymous debut solo album in 1988. The song found renewed interest when Selena recorded the song a year later in 1989; however, it was not released until 1997 when it was featured in the film "Selena" and its soundtrack album, following her death in 1995. The song was later included on the "20 Years of Music" version of

title: Where Did the Night Fall

text: Where Did the Night Fall Where Did the Night Fall is the fourth regular studio album from British electronic music act Unkle, released on . As a documentation of the work on the album, on 13 April 2009, James Lavelle, Unkle's mastermind, started an official "UNKLE Blog". According to the first post, Lavelle started to work in studio in January 2009 with Pablo Clements, James Griffith, Joel Cadbury, Gavin Clark, Matt Pierce and Mike Lowry. On a single, "Heavy Drug (Surrender Sounds Mix)", was made available digitally via Beatport and iTunes. On the download was followed by a remix EP

title: Where Did the Feeling Go?

text: her 1992 album "Entre a Mi Mundo". Where Did the Feeling Go? "Where Did the Feeling Go?" is a song written by Michael Masser and Norman Saleet and first recorded by American singer Jill Michaels in 1985, and then by Russell Hitchcock (from the band Air Supply) for his eponymous debut solo album in 1988. The song found renewed interest when Selena recorded the song a year later in 1989; however, it was not released until 1997 when it was featured in the film "Selena" and its soundtrack album, following her death in 1995. The song was later included on

title: Haiti: Where Did the Money Go

text: Haiti: Where Did the Money Go Haiti: Where Did the Money Go? is a 2012 Film at Eleven Media production that was produced, written and directed by Michele Mitchell. Shot in the aftermath of the 2010 Haiti earthquake, the documentary looks at what really happens with the money donated to help with disaster aid. "Haiti: Where Did The Money Go?" aired on PBS and won the 2013 Edward R. Murrow Award for News Documentary. "Haiti: Where Did the Money Go" seeks to discover where the funds raised for the relief effort after the 2010 earthquake in Haiti really went. Taking

title: Where Did All the Love Go?

text: this single did prove popular on the radio. Where Did All the Love Go? "Where Did All the Love Go?" is a song by English rock band Kasabian and is the second official single from their third album "West Ryder Pauper Lunatic Asylum". It was released on 10 August 2009. Guitarist Sergio Pizzorno explained the song's meaning to "New Musical Express" stating that "It's sitting at home seeing another kid get stabbed, everyone is scared and going, 'What the fuck is going on?" The song also speaks about the Internet, with Pizzorno elaborating in an interview with "The Sun" that

title: Where Did They Go (album)

text: in 1971. The single did not make the charts. Lee performed songs from this album, including "Where Did They Go" and "My Sweet Lord," during her June 1971 engagement at The Frontier Hotel in Las Vegas, Nevada. After completing work on "Where Did They Go", Peggy Lee did not return to the recording studio again until nearly a year later, when she began recording "Norma Deloris Egstrom from Jamestown, North Dakota" in April 1972. This album was released on 8-track, along with LP. Where Did They Go (album) Where Did They Go is a 1971 album by Peggy Lee. It

title: Haiti: Where Did the Money Go

text: Best Investigative Documentary •2013 Edward R. Murrow Award for News Documentary •2013 Women's International Film Festival Best Documentary Short Haiti: Where Did the Money Go Haiti: Where Did the Money Go? is a 2012 Film at Eleven Media production that was produced, written and directed by Michele Mitchell. Shot in the aftermath of the 2010 Haiti earthquake, the documentary looks at what really happens with the money donated to help with disaster aid. "Haiti: Where Did The Money Go?" aired on PBS and won the 2013 Edward R. Murrow Award for News Documentary. "Haiti: Where Did the Money Go" seeks

title: Where Did Everyone Go?

text: "there is a perceptible poignancy and longing weaved throughout Jenkins' arrangements. The opener "Where Did Everyone Go?" possesses a solitude accentuated by responsive instrumentation that supports, yet never intrudes. Cole's practically conversational delivery of pop standards...become musical soliloquies with the score as a sonic subtext." Where Did Everyone Go? Where Did Everyone Go? is a 1963 studio album by Nat King Cole, arranged by Gordon Jenkins. This was the third and final album that Cole and Jenkins recorded together, following "Love Is the Thing" (1957) and "The Very Thought of You" (1958). The initial "Billboard" review from April 13, 1963

title: Where Did Everyone Go?

text: Where Did Everyone Go? Where Did Everyone Go? is a 1963 studio album by Nat King Cole, arranged by Gordon Jenkins. This was the third and final album that Cole and Jenkins recorded together, following "Love Is the Thing" (1957) and "The Very Thought of You" (1958). The initial "Billboard" review from April 13, 1963 commented that "Here he is in a superb collection of ballad tunes, many of them in a lonesome, blue mood, with standout backing provided by Gordon Jenkins...Great mood wax for buyers and spinners". The Allmusic review of "Where Did Everyone Go?" by Lindsay Planer said

text: boastful." Ben Foster of "Country Universe" gave the song a C, writing that "by relying so heavily on overused formulas, it’s like they're running around in circles in terms of creativity." "Where I Come From" debuted at number 59 on the U.S. "Billboard" Hot Country Songs chart for the week of July 30, 2011. In March 2012, it became Montgomery Gentry's first Top 10 hit since 2009's "One in Every Crowd," and ultimately peaked at No. 8. The single was certified Gold by the RIAA on January 8, 2016. It has sold 484,000 copies in the United States as of

text: stand onstage and sing this song every night, and people are going to believe them because it’s where they come from, too." It is in the key of B-flat minor with a main chord pattern of Bm-G-D-A. Billy Dukes of "Taste of Country" gave the song three stars out of five, saying that it "is better than anything Montgomery Gentry have released in two years, but they're getting by on memories." Bobby Peacock of "Roughstock" gave the song four stars out of five, calling the production "a little more muscular and gritty than usual" and the lyrics "proud without being

title: Where Did Our Love Go

text: letter" formula. Mary Wilson and Florence Ballard's vocal contribution was significant in bringing a fresh yet hypnotic sexiness to the overall sound of the song while remaining true to the backup arrangements that Lamont Dozier had set down. Upon hearing the song's playback, an excited Ross rushed to Gordy's office and told him to come to the studio to listen to the song. Upon hearing playback, a satisfied Gordy nodded saying to the producers and the group that the song had potential to be a top ten hit. "Where Did Our Love Go" was released as a single on June

title: Origins of Hutu, Tutsi and Twa

text: communities (17.7% Afro-Asiatic genes found in the mixed Hutu/Tutsi population). While most supporters of the migration theory are also supporters of the "Hamitic theory", namely that the Tutsi came from the Horn of Africa, a later theory proposed that the Tutsi had instead migrated from nearby interior East Africa, and that the physical differences were the result of natural selection in a dry arid climate over millennia. Among the most detailed theories was one put forward by Jean Hiernaux, based on studies of blood factors and archeology. Noting the fossil record of a tall people with narrow facial features several

text: Fine Arts in Boston, Massachusetts, US. Gauguin had been a student at the Petit Séminaire de La Chapelle-Saint-Mesmin, just outside Orléans, from the age of eleven to the age of sixteen. His subjects there included a class in Catholic liturgy; the teacher for this class was the Bishop of Orléans, Félix-Antoine-Philibert Dupanloup. Dupanloup had devised his own catechism to be lodged in the minds of the young schoolboys, and to lead them towards proper spiritual reflections on the nature of life. The three fundamental questions in this catechism were: "Where does humanity come from?" "Where is it going to?", "How

title: Where Did the Good Times Go?

text: Where Did the Good Times Go? "Where Did the Good Times Go?" is, what is popularly termed, the "big ballad" or "11 o'clock number" from the musical "Over Here!", which opened on Broadway at the Shubert Theatre (Broadway) on March 6, 1974. The song is the penultimate moment of drama when all seems lost toward the end of the second act. The song was somewhat successful as a single for Patty Andrews, who debuted the song in the show. The song was written by Robert B. Sherman and Richard M. Sherman. The recording on both the LP and the single

title: Where Did the Good Times Go?

text: are mixed without hi-hat. In 1992 when the Original cast CD was released, the hi-hat was suddenly apparent in the recording. It is most likely that the hi-hat was always present in the mix, but just not loud enough to be heard. It was probably boosted in the remix and subsequent remastering. Where Did the Good Times Go? "Where Did the Good Times Go?" is, what is popularly termed, the "big ballad" or "11 o'clock number" from the musical "Over Here!", which opened on Broadway at the Shubert Theatre (Broadway) on March 6, 1974. The song is the penultimate moment

title: Where Did All the Love Go?

text: Where Did All the Love Go? "Where Did All the Love Go?" is a song by English rock band Kasabian and is the second official single from their third album "West Ryder Pauper Lunatic Asylum". It was released on 10 August 2009. Guitarist Sergio Pizzorno explained the song's meaning to "New Musical Express" stating that "It's sitting at home seeing another kid get stabbed, everyone is scared and going, 'What the fuck is going on?" The song also speaks about the Internet, with Pizzorno elaborating in an interview with "The Sun" that "Kids today grow up really quickly and there's

title: Come On In (You Did the Best You Could Do)

text: single "Come On In". Come On In (You Did the Best You Could Do) "Come On In (You Did the Best You Could Do)" is a song written by Rick Giles and George Green, and recorded by American country music group The Oak Ridge Boys. It was released in November 1985 as the third single from the album "Step On Out". The song reached number 3 on the "Billboard" Hot Country Singles & Tracks chart. The song was also recorded by Oak Ridge Boy William Lee Golden on his 1986 solo album "American Vagabond". It is not to be confused

title: Where Soldiers Come From

text: the best documentary editing award. In 2012, the film won a News & Documentary Emmy Award for Outstanding Continuing Coverage of a News Story (Long Form), as well as the Truer Than Fiction Independent Spirit Award. Motivated by a variety of reasons from college tuition support, to a sense of purpose, best friends Dominic and Cole join the Army National Guard after graduating from their rural high school. After persuading several of their friends to join them, the young men are sent to Afghanistan as part of the 107th Engineer Battalion, 168th Engineer Brigade, where they are tasked with searching

title: How Did It Ever Come to This?

text: was bought out by Sony, and the ensuing disruption meant that this plan was shelved. After the band's split the three members negotiated a release from their contracts. How Did It Ever Come to This? "How Did it Ever Come to This?" was the last single released by the British band Easyworld. It did not appear on their second and final album "Kill the Last Romantic", because it had not yet been written. The band's record label Jive decided the band should record a new track as it was felt none of the tracks on the album were suitable for

title: Where Did Our Love Go

text: in Vietnam, and foreseeing the end of the early optimism of the 1960s. Where Did Our Love Go "Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Where Did Our Love Go" was the first single by the Supremes to go to the number-one position on the "Billboard" Hot 100 pop singles chart in the United States, a position it held for two weeks, from August 16 to August 29, 1964. It was also the first of five Supremes songs

text: Come On In (You Did the Best You Could Do) "Come On In (You Did the Best You Could Do)" is a song written by Rick Giles and George Green, and recorded by American country music group The Oak Ridge Boys. It was released in November 1985 as the third single from the album "Step On Out". The song reached number 3 on the "Billboard" Hot Country Singles & Tracks chart. The song was also recorded by Oak Ridge Boy William Lee Golden on his 1986 solo album "American Vagabond". It is not to be confused with the band's 1978

title: Origins of Hutu, Tutsi and Twa

text: is currently no mtDNA data available for the Tutsi, which might have helped shed light on their background. The colonial scholars who found complex societies in sub-Saharan Africa developed the Hamitic hypothesis, namely that "black Europeans" had migrated into the African interior, conquering the primitive peoples they found there and introducing civilization. The Hamitic hypothesis continues to echo into the current day, both inside and outside of academic circles. As scholars developed a migration hypothesis for the origin of the Tutsi that rejected the Hamitic thesis, the notion that the Tutsi were civilizing alien conquerors was also put in question.

title: Where Did They Go (album)

text: Where Did They Go (album) Where Did They Go is a 1971 album by Peggy Lee. It was arranged and conducted by Don Sebesky and Al Capps. The recording sessions for this album took place at the Capitol Tower in Hollywood, California. "Where Did They Go" was Peggy Lee's first album not to make the "Billboard" 200 chart since her Grammy-winning hit "Is That All There Is?" in 1969. Burt Bacharach and Hal David wrote the song "My Rock And Foundation" specifically for Lee. Capitol Records released "Where Did They Go" (backed by "All I Want") as a 45" single

title: Where Did Your Heart Go?

text: "Where Did Your Heart Go?" was also included on "The Final" and "Music from the Edge of Heaven" albums. George Michael's arrangement of "Where Did Your Heart Go?" is relatively faithful to the original Was (Not Was) version making only subtle changes to the song's instrumentation and structure. Michael alters the song by dropping the opening chorus in favour of an instrumental introduction of the chorus melody. The subdued ending is protracted in the Wham! recording, where the Was (Not Was) original quickly fades out after the completion of the final chorus; Michael's arrangement continues for an additional half a

title: How Did It Ever Come to This?

text: How Did It Ever Come to This? "How Did it Ever Come to This?" was the last single released by the British band Easyworld. It did not appear on their second and final album "Kill the Last Romantic", because it had not yet been written. The band's record label Jive decided the band should record a new track as it was felt none of the tracks on the album were suitable for release. The single charted at #50 in September 2004, missing the top 40 after "Til the Day" charted at #27 in February. Easyworld announced their split the following

title: Where Dreams Come True Tour

text: an "Access All Areas" documentary, a "World of Our Own" featurette, a link to an exclusive website and a music video of "When You're Looking Like That" in Dolby Digital 2.0 & 5.1 sound. This was re-released in China into CD/DVD format. Release contains a free poster of the band and a booklet with the lyrics of the CD-songs translated to Chinese. With the same DVD track listing and bonus CD contains 5 live tracks from the same performance as the DVD: Where Dreams Come True Tour The Where Dreams Come True Tour was the second concert tour by Irish

title: Where Did Your Heart Go?

text: Where Did Your Heart Go? "Where Did Your Heart Go?" is a song written by American musicians David Was and Don Was. The song was first recorded and released by the writers' disco-dance-rock band Was (Not Was) as a single in the UK as a double A-side with "Wheel Me Out" in September 1981. The single did not chart. It was featured as the second track on the band's début album "Was (Not Was)" in August 1981. French editions of the single included the track "It's an Attack!" as the B-side. A live recording of "Where Did Your Heart Go?"

title: Tutsi

text: bearers of the haplogroup among the local Hutu and Twa populations. The subclade was of the M293 variety, which suggests that the ancestors of Tutsis in this area may have assimilated some Southern Cushitic-speaking pastoralists. M293 is around 4,500 years old. Its parental marker E-V1515 is thought to have originated in the northern part of the Horn of Africa around 12,000 to 14,000 years ago. In general, the Tutsi appear to share a close genetic kinship with neighboring Bantu populations, particularly the Hutus. However, it is unclear whether this similarity is primarily due to extensive genetic exchanges between these communities

title: Where Did the Night Fall

text: with remixes by King Unique, Steve Mac and Future Beat Alliance. On a song, "Natural Selection", appeared as a streaming on "Spin" magazine's website, and was later made available to download as a 320 kbit/s MP3 file, via UNKLE's official website. Beginning on 31 March, a Warm Digits remix of "Natural Selection" was made available for download to customers who had pre-ordered "Where Did the Night Fall" on UNKLE's online store. Available on the UNKLE website was a 2 disc limited edition of the album, which included a second disc containing instrumental versions of all the songs. On 9 February,

title: Where Did Your Heart Go?

text: video for the Wham! version of the song was directed by George Michael and Andy Morahan. Where Did Your Heart Go? "Where Did Your Heart Go?" is a song written by American musicians David Was and Don Was. The song was first recorded and released by the writers' disco-dance-rock band Was (Not Was) as a single in the UK as a double A-side with "Wheel Me Out" in September 1981. The single did not chart. It was featured as the second track on the band's début album "Was (Not Was)" in August 1981. French editions of the single included the

title: Where I'm From

text: Disney for him." He also said that the song is "not a bad song; it's just not a great one." CM Wilcox, of The 9513 gave the song a "thumbs down" review. He stated in his review that "the chorus treads the same ground as Alan Jackson's 'Where I Come From' and any number of other songs, while the verses concoct a storyline that is not only cliché, but also improbable and unfocused to the point of distraction–ultimately sinking any possibility of success." "Where I'm From" debuted at number 60 on the U.S. "Billboard" Hot Country Songs chart dated December

title: Where Dreams Come True Tour

text: Where Dreams Come True Tour The Where Dreams Come True Tour was the second concert tour by Irish boy band Westlife seen by 600,000 fans making £12,000,000, in support of their second studio album, "Coast to Coast". The tour was nicknamed "The No Stools Tour" due to the band's reputation of performing while perched on stools. Before this full-length world tour, they had a short tour within UK, Ireland and Southeast Asian countries. A "Coast to Coast" Itinerary was made as a tour programme with original 63-page A5 sized spiral-bound tour itinerary book for 1 February to 31 March UK

title: Where Did Our Love Go (album)

text: on December 29, 1964. It was equivalent to Motown 25 or Live Aid as a pivotal music concert event . When it hit theaters nationwide, it undoubtedly raised and extended the visibility of the "Where Did Our Love Go" album. All tracks written by Holland–Dozier–Holland except as noted. The original album sold a million copies {in 1964-1965} stateside alone. The limited exclusive "40th Anniversary" version is now listed as "sold out". It remains, to date, their third best-selling studio album. Where Did Our Love Go (album) Where Did Our Love Go is the second studio album by Motown singing group

title: Come from the Shadows

text: populist politics and her cultivated vocabulary, singling out the lyrics to "Myths": "I don't know about The People, but just plain people say 'scattered upon the four winds,' not 'upon the four winds scattered.' Actually they don't say 'scattered upon the four winds' either". AllMusic's William Ruhlmann later gave it three out of five stars. Come from the Shadows Come from the Shadows was a 1972 album by Joan Baez. After recording for the independent label Vanguard for more than a decade, Baez signed with A&M, and attempted to point her career in a slightly more "commercial" direction (though the

title: Come from the Heart

text: (with front man Todd Snider) recorded the song in 2014 as a duet with Rosanne Cash. The song includes the lyrics: which "The Yale Book of Quotations" attributes as the source for similar aphorisms sometimes attributed to others (e.g. Annie's Mailbox attributes a version of the lyric to a combination of William Watson Purkey and Satchel Paige). In 2004 in response to an inquiry by a group of librarians Richard Leigh stated Come from the Heart "Come from the Heart" is a country music song written by Richard Leigh and Susanna Clark and published in 1987. It is most known

title: Come from the Heart

text: Come from the Heart "Come from the Heart" is a country music song written by Richard Leigh and Susanna Clark and published in 1987. It is most known through the 1989 single by Kathy Mattea, released in conjunction with her album "Willow in the Wind", though the song was first recorded and released on the 1987 Don Williams album "Traces" and also released in 1988 by Clark's husband on his album "Old Friends". Mattea's single was her third number one on the country chart, spending 14 weeks on that chart including a single week at the top. Hard Working Americans

title: Come from the Shadows

text: Come from the Shadows Come from the Shadows was a 1972 album by Joan Baez. After recording for the independent label Vanguard for more than a decade, Baez signed with A&M, and attempted to point her career in a slightly more "commercial" direction (though the album still had overtly political overtones). In addition to her own compositions such as "Prison Trilogy","Love Song to a Stranger", "Myths", and "To Bobby" (addressed to Bob Dylan), Baez included John Lennon's "Imagine", Anna Marly's "Song of the Partisan", and Mimi Fariña's "In the Quiet Morning (for Janis Joplin)". "In the Quiet Morning" and "Love

title: Now Where Did the 7th Company Get to?

text: Now Where Did the 7th Company Get to? Now Where Did the 7th Company Get To? () is a 1973 French-Italian comedy war film directed by Robert Lamoureux. The film portraya the adventures of three French soldiers lost somewhere on the front in May 1940 during the Battle of France. During the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods. Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area. After burying the