query: where do haitian people come from?

title: Haitian Americans

text: factor in the lives of Haitian American youth, particularly among those who aspire towards certain professions such as medicine and law. Many Haitian youth who immigrate have been trained in top Haitian middle schools, high schools, and colleges that prepare them for such pursuits. Because of this, many Haitian youth come to the United States in order to enter college. (See Harvard University’s Haitian Student Association for an example of a strong group of Haitian American and Haitian students). In other cases, parents who do not have access to high-quality schools in Haiti may move to the United States to

title: Haitian Canadians

text: take up residence in Montreal. In other provinces within Canada, Haitian migrants are shown to possess unique identity's; in particular, studies from 2005 show that Haitian immigrants to Ontario are seen as "double minorities", in part for living in a province where English is the primary language. In addition, the Haitian Ontarian "double minority" status is seen through the linguistic discrimination Haitian migrants face by way of their english-speaking counterparts, as well as through institutional racism perpetuated by the government. Haitian Canadians Haitian Canadians are Canadian citizens of Haitian descent or Haiti-born people who reside in Canada. Citizens from the

title: Haitian Creole

text: , meaning white, or white person), the meanings they carry in French do not apply in Haitian Creole. means "person", regardless of skin color (like "guy" or "dude" in American English). The word generally means "foreigner" or "not from Haiti". Thus, a non-black Haitian man would be called , while a black person from the US could be referred to as . Etymologically, the word is derived from the French and is cognate with the Spanish ("black", both the color and the people). There are many other Haitian Creole terms for specific tones of skin including , , , and

title: Haitian diaspora

text: $ 500 a month to family members Haitian Creole and culture first entered Cuba with the arrival of Haitian immigrants at the start of the 19th century. Haiti was a French colony, and the final years of the 1791–1804 Haitian Revolution brought a wave of French settlers and their Haitian slaves to Cuba. They came mainly to the east, and especially Guantanamo, where the French later introduced sugar cultivation, constructed sugar refineries and developed coffee plantations. By 1804, some 30,000 French were living in Baracoa and Maisí, the furthest eastern municipalities of the province. Later, Haitians continued to come to

title: Haitian diaspora

text: would be granted a form of asylum called temporary protected status (TPS). Thousands of Haiti earthquake survivors, including Haitian children left orphaned in the aftermath of earthquake, could be relocated to the US. Senegal is offering parcels of land – even an entire region if they come en masse – to people affected by the earthquake in Haiti. There is a significant Haitian population in South Florida, specifically the Miami enclave of Little Haiti. New Orleans, Louisiana has many historic ties to Haiti that date back to the Haitian Revolution. New York City, especially in Flatbush, East Flatbush and Springfield

title: Haitian Creole

text: York, aim to promote education and Haitian culture through advocacy, literacy projects, and cultural/artistic endeavors. Haitian Creole is the second most spoken language in Cuba after Spanish, where over 300,000 Haitian immigrants speak it. It is recognized as a minority language in Cuba and a considerable number of Cubans speak it fluently. Most of these speakers have never been to Haiti and do not possess Haitian ancestry, but merely learned it in their communities. In addition, there is a Haitian Creole radio station operating in Havana. , the language was also spoken by over 450,000 Haitians who reside in the

title: Haitian Cuban

text: a considerable number of Cubans speak it fluently. Most of these speakers have never been to Haiti and do not possess Haitian ancestry, but merely learned it in their communities. In addition to the eastern provinces, there are also communities in Ciego de Ávila and Camagüey provinces where the population still maintains Creole, their mother tongue. Classes in Creole are offered in Guantanamo, Matanzas and the City of Havana. There is a Creole-language radio program.. Haitian immigration to Cuba has increased since a re-establishment of diplomatic relations in 1997. Haitian Cuban Haitian Cubans (; ; ) are Cuban citizens of

title: Haitian diaspora

text: Haitian immigrants speak it. It is recognized as a language in Cuba and a considerable number of Cubans speak it fluently. Most of these speakers have never been to Haiti and do not possess Haitian ancestry, but merely learned it in their communities. In addition to the eastern provinces, there are also communities in Ciego de Ávila and Camagüey provinces where the population still maintains Creole, their mother tongue. Classes in Creole are offered in Guantanamo, Matanzas and the City of Havana. In addition, there is a Haitian Creole radio station operating in Havana. Haitian diaspora Haiti has a sizable

title: Party for the Integral Advancement of the Haitian People

text: from Radio Haiti where she was recording AIDS education PSAs. Jacques was arrested and removed from the ballot. She contested this action but was denied an audience. In December Jacques returned to California to read, approve, and sign the FDA resolution to remove Haiti from the list of AIDS carriers. PAIPH goals include better schools, improved agriculture, better construction of buildings and roads, and an improved health system. Logo: Green Heart on white, Political Platform: Education for all. Slogan: The Heart of Hope for the Innocent Haitian Party for the Integral Advancement of the Haitian People The Party for the

title: Haitian Vodou drumming

text: Rapture: Sacred Musics of Haitian Vodou"" – Various Artists – Smithsonian Folkways Records ""Vodou: Ritual Possession of the Dead"" – Various Artists – Interra Records ""Haiti: Music Of The Voodoo Cult"" – Pierre Chariza – Buda Musique ""Prepare"" - Frisner Augustin and Makandal - La Troupe Makandal, Inc. ""Se nou ki la!"" - Chouk Bwa Libète - Buda Musique Haitian Vodou drumming Vodou drumming and ceremonies are inextricably linked in Haiti. While drumming does exist in other contexts in the country, by far the richest traditions come from this distinctly Haitian religion. As such, before one can come to play,

title: Haitian diaspora

text: New Jersey and Connecticut region, about 250,000 in Florida and about 70,000 in Massachusetts. Unlike those states, Illinois’ Haitian community is widely dispersed, with small enclaves of Haitian professionals, middle and working-class people and poor, undocumented refugees scattered in small clusters in and around Chicago. There is not a Little Haiti neighborhood here, like in Miami, to act as a voting block. Presently, there is already a sizable Haitian community in Atlanta. And it is, indeed, growing at a rapid pace. Unlike most other Haitian-American centers, though, Atlanta does not have a central neighborhood where it is located. The community,

title: Haitian Vodou drumming

text: Haitian Vodou drumming Vodou drumming and ceremonies are inextricably linked in Haiti. While drumming does exist in other contexts in the country, by far the richest traditions come from this distinctly Haitian religion. As such, before one can come to play, appreciate, and understand this music one should view it in its religious context. Haitian Vodou is a henotheistic religion, although viewed by many Haitians as a cultural practice, widely practiced in the country of Haiti. Vodou as practiced in urban centres in Haiti and some cities in North America (especially New Orleans) is a ritualistic faith system that involves

title: Haitian Creole

text: neighboring Dominican Republic, although the locals do not speak it. However, some estimates suggest that there are over a million speakers due to a huge population of undocumented immigrants from Haiti. As of 2009, up to 80,000 Haitians were estimated residing in the Bahamas, where about 20,000 speak Haitian Creole. It is the third most‑spoken language after English and Bahamian Creole. After the 2010 Haiti earthquake, international aid workers desperately needed translation tools for communicating in Haitian Creole. Furthermore, international organizations had little idea whom to contact as translators. As an emergency measure, Carnegie Mellon University released data for its

text: Party for the Integral Advancement of the Haitian People The Party for the Integral Advancement of the Haitian People ("Parti Pour l'Avancement Integral du Peuple Haitien", or PAIPH) is a political party in Haiti founded by Colette Jacques in 1990. Jacques was the first woman to have a political party registered and recognized in the country. The PAIPH platform focuses on education, and the party was created to improve Haiti's international image. The PAIPH logo is a green heart on a white canvas, representing a heart of hope for the innocent Haitian. Jacques was born in Port-au-Prince. She was very

title: Haitian Canadians

text: Haitian Canadians Haitian Canadians are Canadian citizens of Haitian descent or Haiti-born people who reside in Canada. Citizens from the Francophone Caribbean island nation of Haiti began immigrating to Canada in the 1960s, settling predominantly in Montreal and other parts of Quebec. Though their reasons for leaving Haiti were manifold, their choice to settle in Quebec is mainly due to their fluency in French. The Canada 2016 Census showed a total population of around 200,000 Haitian-Canadians residing in Canada, an increase of 35,565 respondents who identified themselves as Haitian Canadians compared with the Canada 2006 Census, which showed a total

title: Haitian Brazilian

text: Haitian Brazilian A Haitian Brazilian (, , ) is a Brazilian person of full, partial, or predominantly Haitians ancestry, or a Haitian-born person residing in Brazil. Haitian immigration to Brazil become a migratory phenomenon that gained large after the earthquake that rocked Haiti in 2010. The presence of Haitians in Brazil was negligible before the political instability that affected the country in 2004. Since then, the presence of military peacekeepers UN (mostly Brazilian), Haitians have come to see in Brazil a reference point, a fact that was reinforced after the disaster, which triggered the great migratory wave that started in

title: Haitian passport

text: Haitian passport The Haitian passport is issued to citizens of Haiti for international travel. To obtain a Haitian passport, one must be a Haitian citizen and furnish proof thereof. The Haitian Constitution does not allow people who were born in Haiti but who later changed their nationality to obtain Haitian passports. The front cover is dark blue in colour and bears the Coat of arms of Haiti embossed in silver. and 'Republic of Haiti Passport in French and Haitian Creole, the two official languages of the Haiti. Between 1937 and 1942, a Haitian passport and Haitian citizenship could be obtained

title: Haitian Americans

text: are either familiar with, or learn English. In Haiti, although French is an official language that is widely spoken and understood, most Haitians speak Creole in daily life. (More than 90% of its vocabulary is of French origin, with some influences from Taíno, West African languages, Portuguese, and Spanish languages; however, its grammar and other features are markedly different from French.) Most native-born Haitian Americans speak English fluently, as do many immigrants. Most Haitian Americans, like their counterparts in Haiti, are Roman Catholic. Some smaller Protestant and Mormon communities of Haitian Americans also exist, as does a population of Jehovah's

title: Haitian Creole

text: Haitian Creole Haitian Creole (; , ; ) is a French-based creole language spoken by 10–12million people worldwide, and the only language of most Haitians. It is a creole language based largely on 18th century French with influences from Portuguese, Spanish, English, Taíno, and West African languages. Haitian Creole emerged from contact between French settlers and African slaves during the Atlantic slave trade in the French colony of Saint-Domingue (now Haiti). Haitians are the largest creole-speaking community in the world. The usage of and education in Haitian Creole—which is not mutually intelligible with French—has been contentious since at least the

title: Haitian passport

text: of travel freedom (tied with Gabonese and Malagasy passports) according to the Henley visa restrictions index. Haitian passport The Haitian passport is issued to citizens of Haiti for international travel. To obtain a Haitian passport, one must be a Haitian citizen and furnish proof thereof. The Haitian Constitution does not allow people who were born in Haiti but who later changed their nationality to obtain Haitian passports. The front cover is dark blue in colour and bears the Coat of arms of Haiti embossed in silver. and 'Republic of Haiti Passport in French and Haitian Creole, the two official languages

title: Haitian Americans

text: Witnesses. Some individuals practice Vodoun, either in combination with Christianity or separately. Religion is very important in the life of Haitian Americans. The Haitians who emigrated to the United States brought many of their cultural practices and ideologies, as do all immigrants. Many foreign-born Haitians have set up their own businesses, initially to serve their communities. Thus, many established barbershops, bodegas, and restaurants (predominately of Haitian cuisine). Haitian Americans have a visible cultural presence in Little Haiti, Miami, and several nearby communities, such as Golden Glades and North Miami. Other significant Haitian-American communities are found in several neighborhoods of New

title: Haitian diaspora

text: other Latin American nations. The Congressional Black Caucus has urged more economic aid for Haiti and criticized the lack of U.S. support for former Haitian President Jean-Bertrand Aristide, ousted in 2004 amid a violent uprising. New York City has the largest concentration of Haitians in the United States as well as the oldest established Haitian communities of the country. The conservative estimate of the documented Haitian population in the New York City Metropolitan Area, as recorded by INS is approximately 156,000. However, community leaders and directors of community centers, who come in constant contact with the undocumented population, strongly believe

title: Haitian Vodou

text: Africa. A significant portion of Haitian Vodou often overlooked by scholars until recently is the input from the Kongo. The entire northern area of Haiti is heavily influenced by Kongo practices. In northern Haiti, it is often called the Kongo Rite or Lemba, from the Lemba rituals of the Loango area and Mayombe. In the south, Kongo influence is called Petwo (Petro). Many loa (a Kikongo term) are of Kongo origin such as Basimba belonging to the Basimba people and the Lemba. In addition, the Vodun religion (distinct from Haitian Vodou) already existed in the United States previously to Haitian

title: Haitian Cuban

text: Haitian Cuban Haitian Cubans (; ; ) are Cuban citizens of full or partial Haitian ancestry. Haitian culture and French and Haitian Creole languages, first entered Cuba with the arrival of Haitian immigrants at the start of the 19th century. Haiti was a French colony, and the final years of the 1791-1804 Haitian Revolution brought a wave of French settlers fleeing with their Haitian slaves to Cuba. They came mainly to the east, and especially Guantanamo, where the French later introduced sugar cultivation, constructed sugar refineries and developed coffee plantations. By 1804, some 30,000 French were living in Baracoa and

title: Haitian (Heroes)

text: it stolen by Daphne. He then captures Hiro and Ando and detains them in Level 2. In "Villains" he is shown present during Angela Petrelli's attempt to kill Arthur Petrelli in order to suppress his powers. The Haitian makes a return in "The Eclipse", where he is being sought out by the Petrelli brothers in Haiti, believing that he is one of the few people that can stop their father. Initially, Nathan believes that he is responsible for the loss of his powers; however, the Haitian informs him that his abilities are also gone. The brothers explain to him that

title: Haitian mythology

text: in a symbiotic relationship intended to bring both humans and the Loa back to Bondye. "Vodou is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers." Haitian mythology Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The Loa, or spirits with whom

title: Haitian diaspora

text: East-Ottawa suburb of Orléans, where a significant number of Haitian-Canadian families live. The year 2010 marked the beginning of Haitian immigration in Brazil. The arrival of the Haitians via Tabatinga, in the Amazon, began to be noticed in February 2010, soon after the earthquake, that shook violently Haiti, and in particular the capital, Port-au-Prince. The catastrophe has killed more than 150,000 people and left some 300,000 IDPs. The presence of Haitians in Brazil was quantitatively inexpressive until then. According to IBGE data, in 1940, 16 Haitians lived in Brazil; in 1950-21; in 1960-159; in 1970-90; in 1980-127; in 1991-1981; in

title: Where Do You Come From

text: Where Do You Come From "Where Do You Come From" is a song first recorded by Elvis Presley as part of the soundtrack for his 1962 motion picture "Girls! Girls! Girls!". Later it was rejected from the motion picture and wasn't used in it, but appeared on its soundtrack album "Girls! Girls! Girls!". The song was written by Ruth Bachelor and Bob Roberts. Elvis Presley recorded "Where Do You Come From" on March 27, 1962 — during his March 26-28 soundtrack recordings for the Paramount motion picture "Girls! Girls! Girls!" at the Radio Recorders studio in Hollywood, California. The song

title: Where Do You Come From

text: was released on a single as a flip side to "Return to Sender" in October 1962. "Where Do You Come From" peaked at number 99 on the "Billboard" Hot 100, while "Return to Sender" peaked at number 2. The title "Return to Sender" was certified Gold in the United States for selling a million copies. "Billboard" in 1962 called the song a "croon ballad". According to the book "Elvis Films FAQ", it is a "slow, aching ballad" that "starts a bit like "As Long As I Have You"" Where Do You Come From "Where Do You Come From" is a

title: Where Do Teenagers Come From?

text: especially young girls, experience adolescence and how her body changes. Where Do Teenagers Come From? Where Do Teenagers Come From? was an American television teen comedy/documentary that aired as an "ABC Afterschool Special" on March 5, 1980. The live action/animation program was produced by DePatie-Freleng Enterprises and was a sequel to the 1977 program "My Mom's Having a Baby." The special was notable for its signature song "Growing Up," written by Doug Goodwin. When 12-year-old Kelly begins to experience changes in her body, she, along with Petey and Oscar, once again visit Dr. Lendon Smith, who uses an animated film

title: Where Do Teenagers Come From?

text: Where Do Teenagers Come From? Where Do Teenagers Come From? was an American television teen comedy/documentary that aired as an "ABC Afterschool Special" on March 5, 1980. The live action/animation program was produced by DePatie-Freleng Enterprises and was a sequel to the 1977 program "My Mom's Having a Baby." The special was notable for its signature song "Growing Up," written by Doug Goodwin. When 12-year-old Kelly begins to experience changes in her body, she, along with Petey and Oscar, once again visit Dr. Lendon Smith, who uses an animated film that explains in detail (via Smith's narraration) of how teenagers,

title: Where Do We Come From? What Are We? Where Are We Going?

text: Boston, acquired it from the Marie Harriman Gallery on 16 April 1936. Where Do We Come From? What Are We? Where Are We Going? Where Do We Come From? What Are We? Where Are We Going? is a painting by French artist Paul Gauguin. Gauguin inscribed the original French title in the upper left corner: D'où Venons Nous / Que Sommes Nous / Où Allons Nous. The inscription the artist wrote on his canvas has no question mark, no dash, and all words are capitalized. In the upper right corner he signed and dated the painting: "P. Gauguin / 1897".

text: Where Do We Come From? What Are We? Where Are We Going? Where Do We Come From? What Are We? Where Are We Going? is a painting by French artist Paul Gauguin. Gauguin inscribed the original French title in the upper left corner: D'où Venons Nous / Que Sommes Nous / Où Allons Nous. The inscription the artist wrote on his canvas has no question mark, no dash, and all words are capitalized. In the upper right corner he signed and dated the painting: "P. Gauguin / 1897". The painting was created in Tahiti, and is in the Museum of

title: Where I Come From (album)

text: with Nelson on a half dozen cuts and the long-time Grateful Dead lyricist demonstrates an elegant command of language on the title song, while the band's playing on a close to eight minute track is articulate in its own way... NRPS 2009 can excel when they improvise, as on the ten-minute plus of 'Ghost Train Blues', and the group would do well to jam more often and bring in more cover material, such as the traditional 'Them Old Minglewood Blues', to complement their originals." Where I Come From (album) Where I Come From is the fourteenth studio album by the

title: Where We Come From

text: as positive reviews by NPR, The Guardian, The Washington Post, Billboard, Dazed, Jamaican Observer, Complex, FACT, and more. "Where We Come From" received acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 81, which indicates "universal acclaim", based on 5 reviews. Where We Come From Where We Come From is the debut studio album by Jamaican dancehall artist Popcaan, released on 10 June 2014 by Mixpak Records. A prolific dancehall artist from Jamaica, Popcaan collaborated with several producers on the album: Dre Skull

title: Where We Come From

text: Where We Come From Where We Come From is the debut studio album by Jamaican dancehall artist Popcaan, released on 10 June 2014 by Mixpak Records. A prolific dancehall artist from Jamaica, Popcaan collaborated with several producers on the album: Dre Skull (who also served as the album's Executive Producer), Dubbel Dutch, Anju Blaxx, Jaime YVP and Adde Instrumentals. "Where We Come From" received critical acclaim upon release, and placed on several year-end critics' lists for 2014. Upon release of the album, Popcaan was featured as the cover star on The Fader, garnered an 8.0 rating at Pitchfork, as well

title: Where Soldiers Come From

text: Where Soldiers Come From Where Soldiers Come From is a 2011 American documentary film directed by Heather Courtney. The film is an intimate look at a group of young American men who join the Michigan Army National Guard, their families, and the town they come from. Director Heather Courtney follows these young men closely, as they transition from small town teenagers to Army guardsmen during the war in Afghanistan. Their story continues to follow the 23-year-old veterans dealing with the less visible wounds of Traumatic Brain Injury (TBI) and PTSD. It premiered at South by Southwest festival, where it won

title: Where Soldiers Come From

text: You, as well as an original score by composers Alex Chavez and Chad Stocker. Where Soldiers Come From Where Soldiers Come From is a 2011 American documentary film directed by Heather Courtney. The film is an intimate look at a group of young American men who join the Michigan Army National Guard, their families, and the town they come from. Director Heather Courtney follows these young men closely, as they transition from small town teenagers to Army guardsmen during the war in Afghanistan. Their story continues to follow the 23-year-old veterans dealing with the less visible wounds of Traumatic Brain

title: Come to Where I'm From

text: and remixed to become "Come to Where I'm From". As this was not the official finalized release, few promos were made. Note Come to Where I'm From Come to Where I'm From is the second studio album by Joseph Arthur released by Real World Records on April 11, 2000. The album was co-produced by T-Bone Burnett, and features the singles "Chemical" and "In the Sun." Real World Records reissued the album in July 2012, as a part of their "Real World Gold" series. In the UK, there were two singles released from the album: On March 11, 1999, a promo

title: Back Where I Come From

text: Back Where I Come From "Back Where I Come From" is a song written and recorded by American country music artist Mac McAnally. It was released in January 1990 as the first single from his album "Simple Life". The song reached number 14 on the "Billboard" Hot Country Singles & Tracks chart. Its B-side, "Company Time", was later a single for Linda Davis in 1994. The song is a mid-tempo in which the narrator expresses nostalgia towards his hometown in Mississippi. Regarding its content, McAnally told "American Songwriter", "When I wrote 'Back Where I Come From' I thought that it

title: Where I Come From (album)

text: Where I Come From (album) Where I Come From is the fourteenth studio album by the American country rock band the New Riders of the Purple Sage. It was recorded in 2008, and released on the Woodstock Records label on June 2, 2009. Following "", "Where I Come From" was the second album recorded by the New Riders after they re-formed in 2005, with band co-founder David Nelson on guitar, long-time member Buddy Cage on pedal steel guitar, Hot Tuna alumnus Michael Falzarano on guitar, Ronnie Penque on bass, and Johnny Markowski on drums. It was the band's first studio

title: Where Do We Go from Here (Filter song)

text: Where Do We Go from Here (Filter song) "Where Do We Go from Here" is a song by American industrial rock band Filter for their third studio album, The Amalgamut. The song was released as the album's first single in 2002. "Where Do We Go from Here" failed to match the success of their earlier hit single, 2000's "Take a Picture" on the "Billboard" Hot 100. However, it managed to come close to the top ten of the Hot Mainstream Rock Tracks and Hot Modern Rock Tracks charts at number 12 and number 11, respectively. A popular remix of this

title: Where the Toys Come From

text: find their maker, named Kenji and their questions are answered. Where the Toys Come From Where The Toys Come From is a Disney special directed by Theodore Thomas created in 1983 and then released in 1984 by Walt Disney Studio Showcase. It follows the journey of two toys, named Zoom and Peepers, as they try to find out where they were made. Their owner, named Robin assists them in their journey. Their search begins in a toy museum, where they find out they were made in Japan. Robin takes them to the toy store they were purchased from and they

title: Where the Toys Come From

text: Where the Toys Come From Where The Toys Come From is a Disney special directed by Theodore Thomas created in 1983 and then released in 1984 by Walt Disney Studio Showcase. It follows the journey of two toys, named Zoom and Peepers, as they try to find out where they were made. Their owner, named Robin assists them in their journey. Their search begins in a toy museum, where they find out they were made in Japan. Robin takes them to the toy store they were purchased from and they begin their trip to Japan. In Japan, Zoom and Peepers

title: Haitian (Heroes)

text: and Claire's abilities. After Claire lectures them about what they are able to do with people around her, the Haitian and Claire go back to her dorm to make sure Gretchen is okay. Once Gretchen decides to return home, Claire sends René, the Haitian, to make sure Becky won't hurt Gretchen until she leaves. In "Brother's Keeper", the Haitian shows up at Nathan's senate office, where he finds Peter and "Nathan". He then confesses to Peter in private that Angela sent him there to mind-wipe both of them, but he believes Angela is not thinking well but being emotional, so

title: Back Where I Come From

text: said that "As a publisher I knew I was devaluing the copyright by singing it myself instead of passing it onto better and bigger singers, but I did it anyway. One of many of my classically bad business choices, but thankfully Kenny Chesney was kind enough to bail me out and cut it again." From "Simple Life" liner notes. Back Where I Come From "Back Where I Come From" is a song written and recorded by American country music artist Mac McAnally. It was released in January 1990 as the first single from his album "Simple Life". The song reached

title: Come to Where I'm From

text: Come to Where I'm From Come to Where I'm From is the second studio album by Joseph Arthur released by Real World Records on April 11, 2000. The album was co-produced by T-Bone Burnett, and features the singles "Chemical" and "In the Sun." Real World Records reissued the album in July 2012, as a part of their "Real World Gold" series. In the UK, there were two singles released from the album: On March 11, 1999, a promo CD titled Rusty Water was released via Virgin Records. The CD featured 13 tracks, most of which would later be re-recorded, edited,

text: Fine Arts in Boston, Massachusetts, US. Gauguin had been a student at the Petit Séminaire de La Chapelle-Saint-Mesmin, just outside Orléans, from the age of eleven to the age of sixteen. His subjects there included a class in Catholic liturgy; the teacher for this class was the Bishop of Orléans, Félix-Antoine-Philibert Dupanloup. Dupanloup had devised his own catechism to be lodged in the minds of the young schoolboys, and to lead them towards proper spiritual reflections on the nature of life. The three fundamental questions in this catechism were: "Where does humanity come from?" "Where is it going to?", "How

title: Haitian Americans

text: million. Social media was also used to updates outside aid of on the ground happenings of relief for the subsequent Cholera outbreak. Haitian-Americans and Haitians living in the continental U.S. used social media listservs, such as Sakapfet (a web board on which Haitians can post what’s happening where they are and where sought after people were last seen) to inquire about loved ones living on the island. Twitter also provided up to date information and continues to do so in the wake of Hurricane Matthew (October 2016). Twitter also serves as a platform for Haitian Americans to speak out against

title: Where I Come From (Alan Jackson song)

text: fell to number 2 on October 27, with Brooks & Dunn's "Only in America" taking over at Number One. The next week, "Where I Come From" returned to number 1 for a third and final week at the top. Where I Come From (Alan Jackson song) "Where I Come From" is a song written and performed by American country music singer Alan Jackson. It was released in July 2001 as the third single from his album "When Somebody Loves You". In November 2001, the song became Jackson's 18th #1 hit on the "Billboard" country charts, his only number one from

title: Never Forget (Where You Come From)

text: the album managed to sell more than 500,000 copies domestically. With thirty-eight weeks in the German Top 100, a platinum, and a gold certification the album became the eleventh successful album of 2002. Never Forget (Where You Come From) Never Forget (Where You Come From) is the debut studio album by German pop group Bro'Sis. It was released on January 21, 2002 on Cheyenne Records, Polydor and Zeitgeist. It was primarily produced by Toni Cottura, with additional production from Alex Christensen, Marc Mozart, Syndicate Music, and others. The album reached the top of the German, Austrian and Swiss albums chart

title: Never Forget (Where You Come From)

text: Never Forget (Where You Come From) Never Forget (Where You Come From) is the debut studio album by German pop group Bro'Sis. It was released on January 21, 2002 on Cheyenne Records, Polydor and Zeitgeist. It was primarily produced by Toni Cottura, with additional production from Alex Christensen, Marc Mozart, Syndicate Music, and others. The album reached the top of the German, Austrian and Swiss albums chart and spawned five singles, including number one single "I Believe" and a cover version of 98 Degrees' 1999 Christmas single "The Gift". Including its "Special Winter Edition" (released on November 11, 2002) and

title: Where Soldiers Come From

text: "hauntingly beautiful and deeply felt...some of the best Afghanistan war-related storytelling I’ve seen.” In his review of the film, "Time Magazine"'s film critic Steven James Snyder called it an "emotional and engrossing portrait of America's bravest." Matt Zoller Seitz of Salon claimed that "the last 10 years have produced an array of documentaries about post-9/11 America, but few are as haunting and compassionate as Heather Courtney’s ‘Where Soldiers Come From.’” Salon also included the film in their list of "the best nonfiction TV of 2011." Documentary filmmaker Michael Moore said the film was "a profoundly moving experience. One of the

title: Come Along, Do!

text: than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside. Come Along, Do! Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only 38 seconds has survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to

title: Where Do I Go from You

text: his new single. I predict he has his next Top 5 on the line and maybe a #1?" The website "Urban Country Blog" gave the song a positive review writing "With radio making a slight shift to more traditional material again, a grown-up break-up song such as this should do well." "Where Do I Go from You" debuted at number 60 on the U.S. "Billboard" Hot Country Songs chart dated August 14, 2010, and reached a peak of number 26 in March 2011. Where Do I Go from You "Where Do I Go from You" is a song written by

title: Come from Away

text: particular merit. Joe Dziemianowicz of the "New York Daily News" called the show "big-hearted and crowd-pleasing" and "a singing reminder that when things are at their worst, people can be at their best." Joe Westerfield with "Newsweek" wrote that "'Come From Away' accomplishes what all the best musicals do: It takes you to a place where you didn't know you wanted to go, and makes you not want to leave." Frank Scheck of "The Hollywood Reporter" called the musical "heartwarming and thoroughly entertaining [...] especially in these politically fractious times." Johnny Oleksinski with the "New York Post" wrote that "Every

title: Where I Come From (Montgomery Gentry song)

text: stand onstage and sing this song every night, and people are going to believe them because it’s where they come from, too." It is in the key of B-flat minor with a main chord pattern of Bm-G-D-A. Billy Dukes of "Taste of Country" gave the song three stars out of five, saying that it "is better than anything Montgomery Gentry have released in two years, but they're getting by on memories." Bobby Peacock of "Roughstock" gave the song four stars out of five, calling the production "a little more muscular and gritty than usual" and the lyrics "proud without being

title: Where Do We Go from Here? (Chicago song)

text: how life is short, and that if you look around you can see that people need to embrace each other with love all the time, and not just when the country is at an all-time low (hence the Vietnam War). The title line is taken from a TV reporter's comment during the broadcast of the 1969 moon landing—a historically positive event in stark contrast to the social upheaval on Earth at the time. A live performance of the song can be found on their 1971 "Chicago at Carnegie Hall" album. Where Do We Go from Here? (Chicago song) "Where Do

title: Where Do I Go from You

text: Where Do I Go from You "Where Do I Go from You" is a song written by Don Cook, Clint Daniels, and Ryan Tyndell and recorded by American country music singer Clay Walker. It was released in August 2010 as the second single to his album "She Won't Be Lonely Long". It peaked at #26 on the "Billboard" Hot Country Singles & Tracks charts, becoming his 28th top 40 hit on the chart. Prior to "Where Do I Go from You" being released as a single, Walker expressed that he thought "Summer Song" would be a better choice. He explained

title: Who Were the Early Israelites and Where Did They Come from?

text: Who Were the Early Israelites and Where Did They Come from? Who Were the Early Israelites and Where Did They Come From? is a book by American biblical scholar and archaeologist William G. Dever. Dever has been prominent in the debate between biblical "maximalists" and "minimalists" over the historicity of the Bible (specifically the Old Testament). This book, which coincided with Dever's retirement from the University of Arizona, where he served as professor of Near Eastern Archaeology and Anthropology for many years, was written on a semi-popular level to explain the background and origin of the people Dever describes as

title: Where I Come From (Alan Jackson song)

text: Where I Come From (Alan Jackson song) "Where I Come From" is a song written and performed by American country music singer Alan Jackson. It was released in July 2001 as the third single from his album "When Somebody Loves You". In November 2001, the song became Jackson's 18th #1 hit on the "Billboard" country charts, his only number one from the album. The song is a moderate up-tempo which finds the narrator, a truck driver, traveling across the United States and finding himself in various situations that make him think about how life in other places is different from

text: September 2017. It would be the duo's final Top 10 hit. The music video was directed by Potsy Ponciroli and premiered in September 2011. Where I Come From (Montgomery Gentry song) "Where I Come From" is a song recorded by American country music duo Montgomery Gentry. It is the first single from their seventh studio album, "Rebels on the Run". The song was written by Rodney Clawson and Dallas Davidson. The song is a mid-tempo rock-influenced song in which the narrators express pride with their Southern heritage. Co-writer Dallas Davidson said that he did not like many of Montgomery Gentry's

text: Where I Come From (Montgomery Gentry song) "Where I Come From" is a song recorded by American country music duo Montgomery Gentry. It is the first single from their seventh studio album, "Rebels on the Run". The song was written by Rodney Clawson and Dallas Davidson. The song is a mid-tempo rock-influenced song in which the narrators express pride with their Southern heritage. Co-writer Dallas Davidson said that he did not like many of Montgomery Gentry's previous singles, and that "I feel like this song fits them, and I say that as a fan. I think that they can actually

title: Back Where I Come From

text: was a hit, but also that it said something that I personally wanted to be the first to say." The song, the first cut on "Simple Life", has a play length of 3 minutes and 32 seconds; a 1-minute and 20 second reprise, performed by McAnally on piano with backing from the Nashville String Machine, is the album's sixth track. "Back Where I Come From" was covered by Kenny Chesney on his 1996 album "Me and You", produced by Barry Beckett. Chesney also included a live version of the song on his 2000 "Greatest Hits" album. Of Chesney's recordings, McAnally

title: Where I Come From (album)

text: weepy side of the pedal steel in favor of something more stinging. These New Riders jam a bit more than the original ensemble, and they also rock a bit more." On Jambands.com, Brian Robbins said, "Forget the 40 years of history; forget the dues paid and the groundwork laid for what came to be known as the jamband scene; forget the family tree whose roots are tightly entwined with those of the Dead; just forget all that stuff and throw on a copy of the New Riders of the Purple Sage "Where I Come From". Pretend it's the debut album

title: Where I Come From (album)

text: by a bonus disc called Where I Come From: Radio Mixes & Live Bonus. On Allmusic, William Ruhlmann wrote, "But the heart of the album — seven songs out of 12 — is the work of the new songwriting team of Nelson and Robert Hunter... Hunter comes up with his typically aphoristic, imagistic, and vernacular words (particularly on the title song) and Nelson matches them with catchy, country-tinged melodies that the band plays in frisky country-rock roadhouse arrangements. This may be San Francisco music, but Bakersfield doesn't seem far away as the guitars go twangy and Cage plays down the

title: Where I Come From (album)

text: album in 17 years, since 1992's "Midnight Moonlight". The music for seven of the songs on the album was written by David Nelson, with lyrics by Robert Hunter, who wrote the lyrics for many Grateful Dead songs. Four of the other five songs were also written by current band members. In 2010, a version of the song "Olivia Rose", written by Ronnie Penque, appeared on his album "Only Road Home". The cover of "Where I Come From" was illustrated by Stanley Mouse, an artist known for his many concert posters and album covers. Some copies of the album were accompanied

title: Where Do We Go from Here (album)

text: Award for Rock Album of the Year at the 36th GMA Dove Awards. Where Do We Go from Here (album) Where Do We Go from Here is the third album by Christian metal band Pillar. The song "Bring Me Down" was featured on the 2005 Major League Baseball video game, MLB 2006, as well as the offroad racing game MX vs. ATV Unleashed. The song "Frontline", along with "Bring Me Down", reached No. 1 on the Christian rock charts. The album debuted at No. 74 on the "Billboard" 200. "Where Do We Go from Here" garnered generally positive reception from

title: Where Do We Go from Here (album)

text: Where Do We Go from Here (album) Where Do We Go from Here is the third album by Christian metal band Pillar. The song "Bring Me Down" was featured on the 2005 Major League Baseball video game, MLB 2006, as well as the offroad racing game MX vs. ATV Unleashed. The song "Frontline", along with "Bring Me Down", reached No. 1 on the Christian rock charts. The album debuted at No. 74 on the "Billboard" 200. "Where Do We Go from Here" garnered generally positive reception from seven music critics. At "CCM Magazine", David Jenison graded the album an A,

title: Where Do I Go from You

text: right now because it's musically just one of those songs you can groove to right away. It's not one that you have to think about. So I like the fact that my record label picked it as the follow-up." "Where Do I Go from You" is about a man who is not sure what to do anymore after his girlfriend has left him. He tries to forget about her but her memory keeps coming back to him and he remains lost about where to go from her. Karlie Justus of "Engine 145" gave the song a thumbs up rating. She

title: Come, Ye Thankful People, Come

text: Come, Ye Thankful People, Come "Come, Ye Thankful People, Come" is an English Christian harvest festival hymn written in 1844 by Henry Alford. It is often sung to the tune "St. George's, Windsor" by George Job Elvey. Alford wrote "Come, Ye Thankful People, Come" in 1844 while he was the rector of Aston Standford church in Buckinghamshire, England. It was first published in "Hymns and Psalms" in 1844 with seven verses under the title "After Harvest". "Come, Ye Thankful People, Come" was set to George J. Elvey's hymn tune "St. George's, Windsor" in 1858. In 1865, Alford revised the hymn,

title: Come, Ye Thankful People, Come

text: since the beginning of time, but it was the one he could remember best. <poem> 1. Come, ye thankful people, come, 2. We ourselves are God's own field, 3. For the Lord our God shall come, 4. Then, thou Church triumphant come, </poem> "Lyrics in Public Domain" <poem> 2. All this world is God's own field, </poem> <poem> 3. For we know that thou wilt come, </poem> <poem> 4. Come then, Lord of mercy, come, </poem> Come, Ye Thankful People, Come "Come, Ye Thankful People, Come" is an English Christian harvest festival hymn written in 1844 by Henry Alford. It

title: Where Do We Go from Here (Filter song)

text: song was made by The X-Ecutioners which gained extensive club play. A music video was also produced for the song. It received moderate airplay upon release. Like many of the band's singles, the single version of "Where Do We Go From Here" (the one used for radio and the music video) is much shorter than the album version. The album version extends the pre-choruses and bridge mostly. Where Do We Go from Here (Filter song) "Where Do We Go from Here" is a song by American industrial rock band Filter for their third studio album, The Amalgamut. The song was

title: Where I Come From (Alan Jackson song)

text: verse comes a chorus where the narrator explains how the road life is different. Allmusic critic Thom Jurek described the song favorably in his review of the album, calling it a "redneck anthem" that "rocks a little harder with a ZZ Top-styled guitar". "Where I Come From" re-entered the chart as a single at number 58 on the U.S. "Billboard" Hot Country Singles & Tracks for the week of July 14, 2001. The song reached its peak position of number 1 on the "Billboard" country charts for the week of October 13. It held the position on October 20, then

title: Haitian diaspora

text: that the actual number is closer to 400,000. This number includes the non-immigrant (temporary visitors, students, temporary workers and trainees) and undocumented entrants, as well as the documented residents who do not fill out the census forms for a variety of reasons. Moreover, the New York City Haitian population represents a very heterogeneous group, reflecting the various strata of Haitian society. Members of the middle class started migrating during the U.S. occupation in the 1920s and 1930s; at the time they established their enclaves in Harlem, where they mingled with African Americans and other Caribbean immigrants who were contributing to

title: Come, Ye Thankful People, Come

text: "Marigold/Harvest Home" on the Sails of Silver album. "Come, Ye Thankful People, Come" was used in the "All is Safely Gathered In" episode of British sitcom "Dad's Army" where it is performed by a drunk Walmington-on-Sea platoon at a harvest service. Some scholars assert that this hymn is the one sung by the Cabby in C. S. Lewis's children's book "The Magician's Nephew" before the creation of Narnia: He struck up at once a harvest thanksgiving hymn, all about crops being "safely gathered in." It was not very suitable to a place which felt as if nothing had grown there

title: Haitian (Heroes)

text: Show on G4, Jimmy Jean-Louis stated that the Haitian was originally supposed to be from New Zealand, and that the character was going to be "The Kiwi." Kiwi is a colloquial term for the people of New Zealand. Jimmy Jean-Louis also stated that he auditioned three times for the role of D.L. Hawkins, which he did not get. Haitian (Heroes) The Haitian is a fictional character on the NBC television series "Heroes", portrayed by Haitian actor Jimmy Jean-Louis. In the show, he is an associate of Noah Bennet, and for the first three seasons, he was only referred to on-screen

title: Haitian Carnival

text: problems, and to give a limited, sanctioned way for people to release frustrations and avert rioting. Carnival is an important commercial event for Haitian musicians. Musicians have an opportunity to expand their audience by performing for crowds during the 3 days prior to Ash Wednesday. While Carnival bands can integrate many styles of music, compas is a common form used. In Haitian Creole, it is spelled "konpa", though it is commonly spelling "kompa". Haitian Carnival Haitian Carnival (, ) is a celebration held over several weeks each year leading up to Mardi Gras. "Haitian Defile Kanaval" is the Haitian Creole

title: How Come You Do Me Like You Do?

text: How Come You Do Me Like You Do? "How Come You Do Me Like You Do?" is a song written by vaudeville comedy duo Gene Austin and Roy Bergere in 1924. It has later been covered by many artists, and is considered a jazz standard. Austin and Bergere were a vaudeville comedy duet act performing in the East and Midwest. "How Come You Do Me Like You Do?" became a national hit in 1924 for Marion Harris. Austin would later achieve even greater fame with his recording of "My Blue Heaven" in 1927. The song has been covered by many

title: Where Do We Go from Here (Deborah Cox song)

text: Where Do We Go from Here (Deborah Cox song) Where Do We Go from Here is a song by Canadian singer Deborah Cox. It was written by Larry "Rock" Campbell and Lascelles Stephens for her self-titled debut studio album (1995), while production was helmed by Vincent Herbert. Released as the album's third single along with a cover version of The S.O.S. Band's 1983 song "Just Be Good to Me", it became a moderate commercial success. "Where Do We Go from Here" entered the top forty of Canadian Singles Chart and peaked at number 20 in New Zealand, also reaching number

text: Where Do We Go from Here? (Chicago song) "Where Do We Go from Here?" is a song from the American rock band Chicago's second studio album, "Chicago" (1970). It was released as the B-side to the single "25 or 6 to 4", one of the leading songs off of the record. With that single, it went to number four on the Pop Singles chart in June 1970. The song was also the very first musical composition from bassist Peter Cetera, who was by this time contributing more than on the debut album released the year before. The song deals with

title: Haitian (Heroes)

text: that God sent Mohinder all the way from America to find him so the Haitian allows himself to be treated. In "The Line", the Haitian accompanies Bennet to Odessa, Ukraine, following a lead on some missing Isaac Mendez paintings. Once there, Noah uses the Haitian as a torture device to remove the memories of his mentor until he breaks down and tells Bennet where he can find the paintings. In "One of Us, One of Them", the Haitian takes part in the handover of the second part of the Formula. Hiro and Ando retrieve it from him, only to have

title: Do You Wanna Come Over?

text: Do You Wanna Come Over? "Do You Wanna Come Over?" is a song recorded by American singer Britney Spears for her ninth studio album "Glory" (2016). It was written by Mattias Larsson, Robin Fredriksson, Julia Michaels, Justin Tranter and Sandy Chila, and produced by Mattman & Robin. The song was released as the third and final promotional single from the album on August 18, 2016, as an instant track for those who pre-ordered the album and for streaming. "Do You Wanna Come Over?" is an electropop and dance-pop song, with subtle keyboards, a strummed guitar and wobbly bass in its

text: boastful." Ben Foster of "Country Universe" gave the song a C, writing that "by relying so heavily on overused formulas, it’s like they're running around in circles in terms of creativity." "Where I Come From" debuted at number 59 on the U.S. "Billboard" Hot Country Songs chart for the week of July 30, 2011. In March 2012, it became Montgomery Gentry's first Top 10 hit since 2009's "One in Every Crowd," and ultimately peaked at No. 8. The single was certified Gold by the RIAA on January 8, 2016. It has sold 484,000 copies in the United States as of

text: 28 on the US Hot R&B/Hip-Hop Songs. Where Do We Go from Here (Deborah Cox song) Where Do We Go from Here is a song by Canadian singer Deborah Cox. It was written by Larry "Rock" Campbell and Lascelles Stephens for her self-titled debut studio album (1995), while production was helmed by Vincent Herbert. Released as the album's third single along with a cover version of The S.O.S. Band's 1983 song "Just Be Good to Me", it became a moderate commercial success. "Where Do We Go from Here" entered the top forty of Canadian Singles Chart and peaked at number

title: Haitian Vodou

text: the divination from the deities while he or she was possessed. His or her tendency is to do good by helping and protecting others from spells, however they sometimes use their supernatural power to hurt or kill people. They also conduct ceremonies that usually take place "Amba Peristil" (under a Vodou Temple). However, non-Houngan or non-Mambo as Vodouisants are not initiated, and are referred to as being "bossale"; it is not a requirement to be an initiate to serve one's spirits. There are clergy in Haitian Vodou whose responsibility it is to preserve the rituals and songs and maintain the

title: Where Do We Go from Here? (1945 film)

text: the CD "Tryout" (DRG Records) including extended versions of the songs "Nina, the Pinta, the Santa Maria", "Song of the Rhineland", and "Manhattan (Indian Song)." Where Do We Go from Here? (1945 film) Where Do We Go from Here (1945) Technicolor is a romantic musical comedy-fantasy film produced by Twentieth Century-Fox, and starring Fred MacMurray, Joan Leslie, June Haver, Gene Sheldon, Anthony Quinn and Fortunio Bonanova. Joan Leslie's singing voice was dubbed by Sally Sweetland. The score was composed by Kurt Weill with lyrics by Ira Gershwin. Gregory Ratoff directed and Morrie Ryskind wrote the screenplay from a story by

title: Where Do We Go from Here? (1945 film)

text: cuts were made in his proposed score for "Where Do We Go from Here", most of his work with Ira Gershwin remains, including a lengthy mock-opera bouffé aboard Columbus' ship during which the crew threatens to mutiny. Co-stars June Haver and Fred MacMurray met while working on this film, and were later married. "Where Do We Go from Here?" has never been released on home video. A recording taken directly from the soundtrack of the film was released on LP (Ariel KWH 10) and a set of rehearsal recordings performed by Kurt Weill and Ira Gershwin is currently available on

title: Where Do We Go from Here? (1945 film)

text: Where Do We Go from Here? (1945 film) Where Do We Go from Here (1945) Technicolor is a romantic musical comedy-fantasy film produced by Twentieth Century-Fox, and starring Fred MacMurray, Joan Leslie, June Haver, Gene Sheldon, Anthony Quinn and Fortunio Bonanova. Joan Leslie's singing voice was dubbed by Sally Sweetland. The score was composed by Kurt Weill with lyrics by Ira Gershwin. Gregory Ratoff directed and Morrie Ryskind wrote the screenplay from a story by Sig Herzig and Ryskind. The film is notable as Weill's only musical written directly for the screen and for its anachronistic blend of history and

title: Haitian (Heroes)

text: in capturing Eden McCain, who went on to work with him and Bennet. The Haitian and Bennet attempt to kidnap Nathan Petrelli, but Nathan escapes by flying away. Bennet's tasks for the Haitian are not limited to dealing with people possessing powers. In the episode "Hiros", the Haitian follows Bennet's order to "hollow out" Brody Mitchum, a schoolmate of Claire's who attempted to rape her. After this encounter, Brody no longer recognizes even his own name. The Haitian and Eden work together in "Homecoming" to capture Sylar. In "Fallout", Mr. Bennet orders the Haitian to erase the recent memories of

title: Haitian Americans

text: with the largest Haitian populations are: The largest populations of Haitians are situated in the following metropolitan areas: The 36 U.S. communities with the highest percentage of people claiming Haitian ancestry are: Haitian Americans Haitian Americans (; ) are Americans of Haitian descent. The largest proportion of Haitians in the United States live in the South Florida area and especially the cities of Tampa and Orlando. In addition, they have settled in major East Coast cities such as New York City, Boston, Philadelphia, and Washington, D.C., and in Chicago in the Midwestern United States. Most are immigrants or their descendants

title: Where Do We Go from Here? (2015 film)

text: Film Awards. Where Do We Go from Here? (2015 film) Where Do We Go from Here? is a Scottish comedy feature film by John McPhail. The film centres on James (Tyler Collins) a young man who takes on the role of a janitor of a care home when his Grandad is forced into social care. It is the first feature to be directed by John McPhail. When Jen starts her new Job as a nurse at the 'Easy Love Care Home, she is surprised to find James, a 25-year-old man living and working in the building. James and his three,

title: Where Do We Go from Here? (2015 film)

text: Where Do We Go from Here? (2015 film) Where Do We Go from Here? is a Scottish comedy feature film by John McPhail. The film centres on James (Tyler Collins) a young man who takes on the role of a janitor of a care home when his Grandad is forced into social care. It is the first feature to be directed by John McPhail. When Jen starts her new Job as a nurse at the 'Easy Love Care Home, she is surprised to find James, a 25-year-old man living and working in the building. James and his three, elderly best

title: Do You Wanna Come Over?

text: his Vice column, Robert Christgau selected "Do You Wanna Come Over?" and "Clumsy" as his favorite tracks on the album. Amy Mackelden of "Bustle" elaborated about the track: With a strong '90s vibe, an upbeat tempo, and a surprising rhythm, "Do You Wanna Come Over?" utilizes the best of Spears' talents. [...] "Do You Wanna Come Over?" embraces the current trend for songs that are musically complicated, that layer up their beats and sound effects, and feature multiple voices and infectious shouting during their choruses. Much like Hailee Steinfeld and Gwen Stefani's latest offerings, "Do You Wanna Come Over?" is

title: National Haitian Student Alliance

text: from universities nationwide. Throughout its evolution, NHSC has always been fertile ground on which Haitians, African-Americans, Hispanics, Africans, West Indians and various ethnic groups come together to discuss issues that relate to the diversity of Haitian culture and heritage. The Attendees are immersed in pertinent information, inspired by world-renowned speakers and are encouraged to volunteer and become active in their local communities. Past participants of the conference have included: Wyclef Jean, Grammy Award winning producer, singer and songwriter; Edwidge Danticat, acclaimed Haitian writer whose literature has been featured in Oprah's Book Club; Marie St. Fleur, the first Haitian State Representative

title: Come Along, Do!

text: Come Along, Do! Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only 38 seconds has survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more

title: Haitian Vodou

text: as Boukman Dutty, a slave who helped plan the 1791 revolt, also served as religious leader, connecting Vodou spirituality with political action. Bois Caiman has often been cited as the start of the Haitian Revolution but the slave uprising had already been planned weeks in advance, proving that the thirst for freedom had always been present. The revolution would free the Haitian people from French colonial rule in 1804 and establish the first black people's republic in the history of the world and the second independent nation in the Americas. Haitian nationalists have frequently drawn inspiration by imagining their ancestors'

title: National Haitian Student Alliance

text: in Massachusetts; Judge Sybil Elias, the first Haitian judge in New Jersey; Ron Daniels, motivational speaker and Senator Kwami Raoul, the first Haitian-American Senator of Illinois. Ti Frem Ti Sem is a peer-mentoring program that fosters cultural education, builds unity among community members, provides role models as well as creates recreational activities for high school and college students. It also facilitates leadership, guidance, networking, and self-esteem for Haitian College and High School Students. In this program Haitian professionals mentor Haitian college students, while those same college students do the same for Haitian high school students. The book club's main goals

text: to the artist, "an old woman approaching death appears reconciled and resigned to her thoughts"; at her feet, "a strange white bird...represents the futility of words" or "the uselessness of vain words". The blue idol in the background apparently represents what Gauguin described as "the Beyond." Of its entirety he said, "I believe that this canvas not only surpasses all my preceding ones, but that I shall never do anything better—or even like it." The painting is an accentuation of Gauguin's trailblazing post-impressionistic style; his art stressed the vivid use of colors and thick brushstrokes, tenets of the impressionists (though

title: Haitian (Heroes)

text: but he states that he cannot do so because "that's not how [his] gift works." He also considers the superpowers he and Claire have to be "God's gift," and advises Claire to respect hers accordingly. "The Fix" reveals that the Haitian gave Claire special wind chimes to hang outside her window if she needs to talk with him. The day after Claire does, they meet again at the same factory area. The Haitian asks if it's an emergency, but Claire just wants to know about her biological parents. The Haitian says that Claire's biological mother died in a fire, something