query: what music did beethoven composed?

title: Germania (Beethoven)

text: Germania (Beethoven) Germania is a patriotic song by Ludwig van Beethoven written in order to celebrate the victory against Napoleon. During and after the defeat of Napoleon during the Wars of Liberation, German patriotism flourished and spurred the production of poems, plays, and songs exalting the nation. Among these German artists who contributed to the glorification of their country was Friedrich Treitschke. In 1814, he wrote a patriotic opera, "Die gute Nachricht", to which several Viennese composers contributed music. Beethoven composed the music for the closing song celebrating Germania, the allegory of Germany. Beethoven's own patriotic motivation is illustrated in

title: Music of Germany

text: works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most popular of classical composers, and his influence on subsequent Western art music is profound; Ludwig van Beethoven composed his own early works in the shadow of Mozart. The following century saw two major German composers come to fame early—Ludwig van Beethoven and Franz Schubert. Beethoven, a student of Haydn's in Vienna, used unusually daring harmonies and rhythm and composed numerous pieces for piano, violin, symphonies, chamber music, string quartets and an opera. Schubert created a field of artistic, romantic poetry and music

title: American classical music

text: colorful orchestral and chamber music which had almost nothing in common with the music being composed in Europe. Heinrich was the first American composer to write for symphony orchestra, as well as the first to conduct a Beethoven symphony in the United States (in Lexington, Kentucky in 1817). Because the United States is made up of many states, some of which were parts of other empires, the classical music of the nation has derived from those empires respectively. The earliest classical music in what is now California, and other former Spanish colonies, was the renaissance polyphony of Spain. This sacred

title: Adelaide (Beethoven)

text: Romantic opera as anything else: its long, winding melody, symmetrical and passionate, its colorful modulations and aggressively simple accompaniment could come easily from an early work of Bellini. Adelaide (Beethoven) Adelaide, Op. 46, () is a song for solo voice and piano composed in about 1795 by Ludwig van Beethoven. The text is a poem in German by Friedrich von Matthisson (1761–1831). During the period he created "Adelaide", Beethoven was in his mid twenties; he had come to Vienna in 1792 to pursue a career and was in the early stages of making a name for himself as pianist and

title: What I Did for Love (David Guetta song)

text: Sandé performed "What I Did for Love" on "The X Factor UK" on 22 November 2014. BBC soap opera "EastEnders" also used the song as part of their live episode on 20 February 2015. What I Did for Love (David Guetta song) "What I Did for Love" is a song by French music producer David Guetta. It was released as the third single from his sixth studio album, "Listen" (2014). It features vocals by Scottish recording artist Emeli Sandé. It was released officially on 20 February 2015 in the United Kingdom. The song was written by Guetta, Giorgio Tuinfort, Breyan

title: What the Hell Did I Say

text: part of the album's pre-release video series. The official music video was released on July 9, 2017. Also directed by Edwards, the video is composed of footage from Bentley's 2017 tour. What the Hell Did I Say "What the Hell Did I Say" is a song co-written and recorded by country music artist Dierks Bentley. It was released in June 2017 as the fourth single from his 2016 album "Black". This is the second collaboration by Bentley, Kear and Tompkins, following the highly successful No. 1 single "Drunk on a Plane". However, unlike "Drunk", this song underperformed and became the

title: Beethoven (Mähler, 1804–05)

text: Beethoven (Mähler, 1804–05) Joseph Willibrord Mähler's portrait of Ludwig van Beethoven, painted in approximately 1804 or 1805, is the first of four untitled portraits the painter made of the composer. Today it hangs in the Pasqualati House of the Vienna Museum. Joseph Willibrord Mähler was introduced to Beethoven by (1774–1827). Though eventually a court secretary, Mähler was interested in music, was a good singer and did some composing. Beethoven took him to one rehearsal of "Leonore" in 1805. What is known about the painting stems from Alexander Wheelock Thayer's biography. He first came across the original Mähler painting during a

title: Copying Beethoven

text: she composed. Beethoven tactlessly and unknowingly insults her. Anna, more than ready not to return, continues to stay with her great aunt and the nuns at the convent. Anna is surprised when Beethoven, desperate to keep Anna in his employment and under his tutelage, bursts into the convent and begs Anna, on his knees, to come back and work as his equal on both of their music. He begins to teach her about Romanticism, music, and mostly, how to allow her artistic side freedom. Continuing his infuriating behavior, Beethoven smashes Martin's bridge he built for an engineer's competition, thereby ruining

title: What Did You Expect from The Vaccines?

text: cites "I, Jonathan" by Jonathan Richman, "Milo Goes to College" by Descendents and "California Girls" by The Beach Boys as his major inspirations during the writing of this album. All lyrics written by Justin Young; all music composed by The Vaccines. What Did You Expect from The Vaccines? What Did You Expect from The Vaccines? is the debut studio album by English indie rock band The Vaccines. It was released on 11 March 2011 by Columbia Records, entering the UK Albums Chart at #4, going on to become the biggest-selling debut by a band in 2011. Two singles preceded the

title: What We Did

text: quietest albums in Michael Gira’s catalog." What We Did What We Did is a collaborative studio album by Swans frontman Michael Gira and Windsor for the Derby member Dan Matz. It was released on November 13, 2001 through Gira's Young God Records label. "What We Did" has a considerably more pop-oriented and accessible sound, compared to Gira's other solo works. The majority of the lyrics on the album was written by Matz. Allmusic critic Thom Jurek described the album as "a finely wrought album of relayed styles and layered textures enfolding one another into a music that could have only

title: What We Did

text: What We Did What We Did is a collaborative studio album by Swans frontman Michael Gira and Windsor for the Derby member Dan Matz. It was released on November 13, 2001 through Gira's Young God Records label. "What We Did" has a considerably more pop-oriented and accessible sound, compared to Gira's other solo works. The majority of the lyrics on the album was written by Matz. Allmusic critic Thom Jurek described the album as "a finely wrought album of relayed styles and layered textures enfolding one another into a music that could have only been made by these two men,

title: Choral Fantasy (Beethoven)

text: print another text, as the text like the music was written very quickly ... Still with another set of words I want the word "kraft" ["strength"] to be kept or one similar to it in its place. As Kalischer et al. observe, the word "Kraft" "is treated with grand style in the music." Choral Fantasy (Beethoven) The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, , usually called the Choral Fantasy, was composed in 1808 by Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on

title: What Did I Do?

text: Australian iTunes Store. On Boxing Day 2011, a remix by Sander van Doorn was released to Beatport, released on Doorn Records. The single is billed to Kele vs. Sander van Doorn featuring Lucy Taylor. A music video (simply a re-edited version of the original video) was released. The songs music video was released on 13 September 2011 to Kele's official YouTube channel. As of 23 November 2011, the video has 295939 views. The music video was directed by Nova Dando, with the dancers styled by Nadine Artois. What Did I Do? "What Did I Do?" is a song by Kele

title: Look What I Did

text: I Were You I Wouldn't<nowiki>"</nowiki> in January 2016 on their YouTube account, followed by "Fireball" in June 2016, their first songs released since 'Zanzibar III : Analog Prison'. The band was named after friend's child said the phrase 'Mommy, look what I did', about a drawing to her mother when Barry was talking to her over the phone discussing what the band's name should be. Look What I Did Look What I Did is an American post-hardcore band, formed in 2001 in Nashville, Tennessee, USA. The music combines elements of jazz/fusion, hardcore, metal, and progressive pop punk. The band is

title: Beethoven (Mähler, 1804–05)

text: field [and temple to Apollo] to his right." Just as music had rescued his grandfather from overwhelming grief, so too does music provide life's direction for Beethoven and solace from deafness. Beethoven (Mähler, 1804–05) Joseph Willibrord Mähler's portrait of Ludwig van Beethoven, painted in approximately 1804 or 1805, is the first of four untitled portraits the painter made of the composer. Today it hangs in the Pasqualati House of the Vienna Museum. Joseph Willibrord Mähler was introduced to Beethoven by (1774–1827). Though eventually a court secretary, Mähler was interested in music, was a good singer and did some composing. Beethoven

title: Beethoven (film)

text: Jones as Dr. Herman Varnick. It features music composed by Ludwig van Beethoven. Principal photography began on May 1, 1991, in Los Angeles, California. A group of puppies are stolen from a pet store by two thieves. A St. Bernard escapes and sneaks into the Newtons' home. The workaholic father, George Newton, doesn't want the responsibility of owning a dog, but his wife, Alice, and their children, Ryce, Ted and Emily, convince him. When Emily plays a portion of Ludwig van Beethoven's Fifth Symphony on the piano, he barks along and they name him Beethoven. Beethoven helps the children overcome

title: Look What I Did

text: Look What I Did Look What I Did is an American post-hardcore band, formed in 2001 in Nashville, Tennessee, USA. The music combines elements of jazz/fusion, hardcore, metal, and progressive pop punk. The band is known for its intense live show, described by Cincinnati CityBeat as a "live act capable of unleashing a scary, uncontrolled intensity bordering on dangerous," and oft-satirical eccentric lyrics. Look What I Did was formed in 2001 in Nashville, Tennessee by singer Barry Donegan and guitarist Colby Shea. Miles McPherson (drums, currently drumming for Kelly Clarkson) and Chris Bradley (bass) were added before the band's first

title: What I Did Right

text: daughter. All three examples are connected by a chorus stating ""I'll take this one day and figure out what I did right / And I'll do it the same way for the rest of my life."" Deborah Evans Price of "Billboard" reviewed the song favorably, saying that "Like 'I Hope You Dance'…the song will touch a universal chord with everyone who has experienced a moment so perfect they wish they could capture it and live it over again." What I Did Right "What I Did Right" is a song recorded by American country music group Sons of the Desert. It

title: What Did I Do?

text: What Did I Do? "What Did I Do?" is a song by Kele Okereke, released as the first single from his EP "The Hunter". The song's music video was released on 13 September 2011, with the song being released as a digital single in Japan 10 days later. The song features vocals from singer Lucy Taylor. The single was produced by constant collaborator XXXChange and mixed by Sub Focus. The single's cover is the same as the cover for "The Hunter" EP. On 16 November 2011, Liberator Music released a remix of the single by All The Lights to the

title: King Stephen (Beethoven)

text: theatre in 1811, Beethoven was commissioned to put to music two commemorative texts written by August von Kotzebue: "König Stephan" (King Stephen) and "Die Ruinen von Athen" (The Ruins of Athens). King Stephen (Beethoven) King Stephen, Op. 117 ("König Stephan") is a commemorative work composed by Ludwig van Beethoven in 1811. It includes an overture in E flat major and nine vocal numbers. Only the overture is usually played today. The title refers to King Stephen I, founder of the Kingdom of Hungary in the year 1000. In 1808 Emperor Francis I of Austria commissioned the construction of a large

title: Horn Sonata (Beethoven)

text: for natural horn but is most often performed on the modern instrument with valves. However, to broaden the potential market for the work, an arrangement of the sonata for cello was made, probably by Beethoven, for publication. It was then published as ""Sonate pour le Forte-Piano avec un Cor ou Violoncelle."" A further arrangement for string quintet, was made by oboist Carl Khym for the music publisher Simrock in 1817. It consists of three movements: A standard performance of this three-movement work usually lasts 15 minutes. Horn Sonata (Beethoven) Ludwig van Beethoven composed his Horn Sonata in F major, Op.

title: Piano Concerto No. 2 (Beethoven)

text: Piano Concerto No. 2 (Beethoven) The Piano Concerto No. 2 in B-flat major, Op. 19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form it was published as until 1795. Beethoven did write another finale for it in 1798 for performance in Prague, but that is not the finale that it was published with. It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle. It was published in 1801 following Beethoven's Piano Concerto No. 1 in C major,

title: Piano sonatas (Beethoven)

text: major (1800) After he wrote his first 15 sonatas (up to Op. 28), he wrote to Wenzel Krumpholz, "From now on, I'm going to take a new path." Beethoven's sonatas from this period are very different from his earlier ones. His experimentation in modifications to the common sonata form of Haydn and Mozart became more daring, as did the depth of expression. Most Romantic period sonatas were highly influenced by those of Beethoven. After 1804, Beethoven ceased publishing sonatas in sets and only composed them as a single opus. It is unclear why he did so. Opus 26: Piano Sonata

title: Underwater Sunshine (or What We Did on Our Summer Vacation)

text: Underwater Sunshine (or What We Did on Our Summer Vacation) Underwater Sunshine (Or What We Did On Our Summer Vacation) is the sixth studio album by American rock band Counting Crows, released on April 10, 2012, on Cooking Vinyl. The album is composed of cover songs, with vocalist Adam Duritz stating, "Sometimes it's great to play someone else's music and try to make it your own. Sometimes it's great just because it's fun." Produced by both the band and Shawn Dealy, the album features tracks from the 1960s through to the 2010s, and includes songs written by band's early contemporaries,

title: Symphony No. 7 (Beethoven)

text: present during rehearsals, said that the consensus, among musicians and laymen alike, was that Beethoven must have composed the symphony in a drunken state; and the conductor Thomas Beecham commented on the fourth movement: "What can you do with it? It's like a lot of yaks jumping about." The oft-repeated claim that Carl Maria von Weber considered the chromatic bass line in the coda of the first movement evidence that Beethoven was "ripe for the madhouse", seems to have been the invention of Beethoven's first biographer, Anton Schindler. His possessive adulation of Beethoven is well-known, and he was criticised by

title: Ludwig van Beethoven

text: instrumental music (including movements of symphonies and a violin concerto, as well as various fragmentary chamber works) is conservative and uninspired. The conventional "first period" begins after Beethoven's arrival in Vienna in 1792. In the first few years he seems to have composed less than he did at Bonn, and his Piano Trios, op.1 were not published until 1795. From this point onwards, Beethoven had mastered the 'Viennese style' (best known today from Haydn and Mozart) and was making the style his own. His works from 1795-1800 are larger in scale than was the norm (writing sonatas in four movements,

title: What I Did Right

text: What I Did Right "What I Did Right" is a song recorded by American country music group Sons of the Desert. It was released in February 2001 as the third single from the album "Change". The song reached number 22 on the "Billboard" Hot Country Singles & Tracks chart. Lead singer Drew Womack wrote the song with Sonny LeMaire. The song is a ballad about treasuring moments in the narrator's life, using three examples: an expression of pride from a grandfather who fought in World War II, of love from the narrator's wife, and of comfort from the narrator's newborn

title: Egmont (Beethoven)

text: unofficial anthem of the 1956 Hungarian revolution. Beethoven composed Klärchen’s songs ""Die Trommel gerühret"" ("The drum is a-stirring") and ""Freudvoll und leidvoll"" ("Joyful and woeful") with Austrian actress Antonie Adamberger specifically in mind, and she often spoke enthusiastically of her collaboration with him. The music was praised by E.T.A. Hoffmann for its poetry, and Goethe himself declared that Beethoven had expressed his intentions with "a remarkable genius." The overture is powerful and expressive, one of the last works of Beethoven's middle period. It has become as famous a composition as the "Coriolan Overture" and is in a style similar to

title: Egmont (Beethoven)

text: life and heroism of 16th-century nobleman Lamoral, Count of Egmont from the Low Countries. It was composed during the Napoleonic Wars when the First French Empire had extended its domination over vast swathes of Europe. Beethoven had famously expressed his great outrage over Napoleon Bonaparte's decision to crown himself Emperor in 1804, furiously scratching out his name in the dedication of the "Eroica Symphony". In the music for "Egmont", Beethoven expressed his own political concerns through the exaltation of the heroic sacrifice of a man condemned to death for having taken a valiant stand against oppression. The Overture became an

title: What Did I Do to You?

text: What Did I Do to You? "What Did I Do to You?" is a song recorded by British singer Lisa Stansfield for her 1989 album, "Affection". It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song received positive reviews from music critics. "What Did I Do to You?" was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: "My Apple Heart," "Lay Me Down" and "Something's Happenin'." "What Did I Do to You?" was remixed by Mark Saunders and

title: Symphony No. 9 (Beethoven)

text: Symphony No. 9 (Beethoven) The Symphony No. 9 in D minor, Op. 125, is the final complete symphony by Ludwig van Beethoven, composed between 1822 and 1824. It was first performed in Vienna on 7 May 1824. One of the best-known works in common practice music, it is regarded by many critics and musicologists as one of Beethoven's greatest works and one of the supreme achievements in the history of western music. In the 2010s, it stands as one of the most performed symphonies in the world. The symphony was the first example of a major composer using voices in

title: Look at What the Light Did Now

text: Kinks and Peggy Lee, and two studio recordings of a new song, "Look at What the Light Did Now", written by Little Wings. Prior to its December 2010 home video release, the documentary screened at number of international fall festivals, including the 2010 Raindance Film Festival in London, CPH:DOX in Copenhagen, and the Pop Montreal music festival in Quebec. "Look at What the Light Did Now" marks both Feist's first official documentary and first official live album. "Look at What the Light Did Now" received limited reviews upon release that were mostly positive. Music site Drowned in Sound gave the

title: Piano Sonata No. 16 (Beethoven)

text: syncopated, modulated throughout the piece. After a brief Adagio section, the piece ends with a Presto Coda. Piano Sonata No. 16 (Beethoven) Ludwig van Beethoven's Piano Sonata No. 16 in G major, Op. 31 No. 1, was composed between 1801 and 1802. Although it was numbered as the first piece in the trio of piano sonatas which were published as Opus 31 in 1803, Beethoven actually finished it after the Op. 31 No. 2, the "Tempest Sonata". Due to his dissatisfaction with the classical style of music, Beethoven pledged to take a new path of musical composition and style. The

title: Piano Sonata No. 16 (Beethoven)

text: Piano Sonata No. 16 (Beethoven) Ludwig van Beethoven's Piano Sonata No. 16 in G major, Op. 31 No. 1, was composed between 1801 and 1802. Although it was numbered as the first piece in the trio of piano sonatas which were published as Opus 31 in 1803, Beethoven actually finished it after the Op. 31 No. 2, the "Tempest Sonata". Due to his dissatisfaction with the classical style of music, Beethoven pledged to take a new path of musical composition and style. The Opus 31 works are the first examples of Beethoven's new and unconventional ideas, an attempt to make

title: I Still Know What You Did Last Summer

text: to Say Goodbye". A music video for "How Do I Deal" was made available to music television networks. On August 15, 2006, a straight-to-DVD sequel titled "I'll Always Know What You Did Last Summer" was released. The film is unrelated to the two previous films, and features no returning cast members. It was originally proposed to continue where "I Still Know What You Did Last Summer" left off. Instead, the film features an unrelated plot with a brief mention of the first two films. I Still Know What You Did Last Summer I Still Know What You Did Last Summer

title: Cello Sonatas Nos. 1 and 2 (Beethoven)

text: Cello Sonatas Nos. 1 and 2 (Beethoven) Cello Sonatas No. 1 and No. 2, Op. 5, are two sonatas for cello and piano written by Ludwig van Beethoven in 1796, while he was in Berlin. While there, Beethoven met the King of Prussia Friedrich Wilhelm II, an ardent music-lover and keen cellist. Although the sonatas are dedicated to Friedrich Wilhelm II, Ferdinand Ries tells us that Beethoven "played several times at the court, where he also played the two cello sonatas, opus 5, composed for Duport (the King's first cellist) and himself". Although Jean-Pierre Duport was one of the King's

title: Beethoven House

text: Beethoven House The Beethoven House (German: Beethoven-Haus) in Bonn, Germany, is a memorial site, museum and cultural institution serving various purposes. Founded in 1889 by the Beethoven-Haus association, it studies the life and work of composer Ludwig van Beethoven. The centrepiece of the Beethoven-Haus is Beethoven's birthplace at Bonngasse 20. This building houses the museum. The neighbouring buildings (Bonngasse 18 and 24 to 26) accommodate a research centre (Beethoven archive) comprising a collection, a library and publishing house, and a chamber music hall. Here, music lovers and experts from all over the world can meet and share their ideas. The

title: What Did I Do to You?

text: by the Grammy Award-winning American house music DJ and producer, David Morales. The Philip Richardson-directed music video was also released. The single became a top forty hit in the European countries reaching number seven in Italy, number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. "What Did I Do to You?" was also released in Japan. In 2014, the remixes of "What Did I Do to You?" were included on the deluxe 2CD + DVD re-release of "Affection" and on "People Hold On ... The Remix Anthology". They were also featured on "The Collection

title: Beethoven (TV series)

text: But the father, George, has his moments with Beethoven, who gets in different mishaps time after time. When not with the Newton family, Beethoven spends time with three other dogs, Sparky (the stray from the first film), Ginger, and Caesar. Unlike the movie, Beethoven could talk, at least among the other animals; incidentally he would also talk in the 2011 direct-to-video film, "Beethoven's Christmas Adventure". The same plot was used in another animated series "Free Willy", where the main character also could talk. Some of the music was used for the DIC cartoon, "What-a-Mess". Universal and Goodtimes released episodes of

title: What Kate Did

text: 'Dad?' Hurley comments that he did not expect Rose's husband to be white, before Jack quickly changes the subject. The producers felt it was important to address that they are an interracial couple, and that Hurley was saying what the audience would be thinking. Caldwell agreed with them and thought it would be odd if the issue was not addressed. Anderson also was glad that Hurley brought up the issue, and liked that Jack did not pay any attention. The episode gained 21.54 million American viewers in its first airing. What Kate Did "What Kate Did" is the 34th episode

title: Beethoven House

text: study Beethoven's art and time. The Beethoven archive as a hub of the Beethoven research was also deemed to be useful for the general interest in art. The collection now comprises over 11,000 autographs, music sheet, letters, documents, music prints and other sources from more than 200 libraries and archives. It is the foundation for philological research and edition. Besides, employees of the Beethoven-Haus regularly take part in international events concerning the research on Beethoven such as congresses and seminars. The archive's inventory is complemented with the literature and sheet music collection of the Beethoven-Haus library. In 1927 the collection

title: What Did I Do to You?

text: 1989–2003" box set (2014), including previously unreleased Red Zone Mix by David Morales. European/UK 7" single European/UK/Japanese CD single UK 10" single European/UK 12" single UK 12" promotional single Other remixes What Did I Do to You? "What Did I Do to You?" is a song recorded by British singer Lisa Stansfield for her 1989 album, "Affection". It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song received positive reviews from music critics. "What Did I Do to You?" was released as the fourth European single on 30 April 1990. It included

title: Beethoven House

text: publications on Beethoven research contains congress reports, dissertations and monographs dealing with the research on Beethoven and research-related topics. Among the publications are several books about the composer's family and his dwellings, the reception of Beethoven compositions in France and the influence Beethoven had on the reception of early music. Other books deal with specific compositions, genres or interpretation issues. Today, the publishing house serves as a department of the Beethoven-Haus and publishes literature about the Beethoven research (the publications also contain contributions from external scientists), books for children and music aficionados as well as CDs. The publishing house closely

title: Piano Sonata No. 9 (Beethoven)

text: There is hardly a bar of the quartet-version that does not shed some light on the nature of the pianoforte, of quartet-writing and of the general structure of music… he takes one his smallest sonatas and shows that hardly a bar of pianoforte music can be turned into good quartet-writing without quantities of new material besides drastic transformation of the old.” Tovey singles out the opening of the Allegretto second movement as an example not only of what Beethoven adds, but also of what he "leaves out" in re-imagining the piano sound for strings: “Beethoven shows his profoundest insight in

title: Look What This World Did to Us

text: This World Did To Us" adapted from AllMusic. Managerial Visuals and imagery Performance credits Technical and production Look What This World Did to Us Look What This World Did To Us is a studio album by Red Pill. Released on April 7, 2015 by Mello Music Group, it was largely well received by critics. The Canadian music publication "Exclaim!" wrote that the lyrics "range from deeply intimate, to unflinchingly grim, to hilariously self-deprecating, often in the same bar." According to Red Pill, at the time of writing the album he'd been reading Charles Bukowski, which somewhat influenced the album's focus

title: What Katy Did

text: as Dorry, Bryn McAuley as Joanna, and Dean Stockwell as "Tramp". A 1972 UK movie adaptation, "Katy", starred Clare Walker, and the 1962 eight-part TV series made in the UK, also called "Katy", featured rising star Susan Hampshire in the title role. In 2015, author Jacqueline Wilson wrote her novel "Katy", which is a modern retelling of "What Katy Did". The August 2016 edition of Storytime featured a new illustrated adaptation with illustrations by Italian artist Marco Guadalupi. "What Katy Did" was followed by four sequels: "What Katy Did at School" in which Katy and Clover attend the fictional Hillsover

title: Beethoven House

text: Portraits of the composer in various stages of his life, the famous bust from Vienna sculptor Franz Klein (1779–1840), Josef Danhauser's lithography "Beethoven on his deathbed" and the death mask deliver an impression of Beethoven's appearance. Franz Xaver Stöber's watercolour depicting the funeral cortege on 29 March 1827 shows how much Beethoven was recognized and revered even in his lifetime. Beethoven's hearing problems are documented by the exhibited ear trumpets and a conversation booklet, i.e. a booklet in which Beethoven's interlocutors wrote down what they had to say. Letters, notes, various contemporary music instruments and items of daily life give

title: What Katy Did

text: School (set in Hanover, New Hampshire); "What Katy Did Next", in which a new friend of Katy's takes her on a once-in-a-lifetime trip to Europe; "Clover", in which Katy is married and Clover accompanies her brother Phil to Colorado after he falls ill; and "In the High Valley", which shows the lives of a handful of young people living in the High Valley in Colorado, including Clover, Elsie and their husbands. What Katy Did What Katy Did is an 1872 children's book written by Sarah Chauncey Woolsey under her pen name Susan Coolidge. It follows the adventures of a twelve-year-old

title: Horn Sonata (Beethoven)

text: Horn Sonata (Beethoven) Ludwig van Beethoven composed his Horn Sonata in F major, Op. 17 in 1800 for the virtuoso horn player Giovanni Punto. It was premiered with Punto as the soloist, accompanied on the piano by Beethoven himself in Vienna on April 18, 1800. Beethoven was not well known outside of Vienna at the time of this composition, and after a performance of the piece in Pest, played by Punto and Beethoven, a Hungarian critic wrote, "Who is this Beethoven? His name is not known to us. Of course, Punto is very well known." The piece was written originally

title: Piano Quartets (Beethoven)

text: Piano Quartets (Beethoven) The Piano Quartets, WoO 36, by Ludwig van Beethoven are a set of three piano quartets, completed in 1785 when the composer was aged 15. They are scored for piano, violin, viola and cello. He composed a quartet in C major, another in E-flat major, and a third in D major. They were first published posthumously in 1828, however numbered in a different order: Piano Quartet No. 1 in E-flat major, Piano Quartet No. 2 in D major, and Piano Quartet No. 3 in C major. When Beethoven composed these three piano quartets at age 15 the

title: Beethoven (film)

text: of 4.7/10. Audiences surveyed by CinemaScore gave Beethoven a grade A. Roger Ebert of the "Chicago Sun Times" gave the film two-and-a-half stars out of four, writing in his review, "this is not the sort of entertainment I scour the movie pages for, hoping desperately for a new film about a cute dog. Nor did I find anything particularly new in ""Beethoven"", although I concede that the filmmakers secured an admirable dog for the title role, and that Charles Grodin, who is almost always amusing, has what fun can be had playing the grumpy dad." The film grossed $57,114,049 in

title: Adelaide (Beethoven)

text: Adelaide (Beethoven) Adelaide, Op. 46, () is a song for solo voice and piano composed in about 1795 by Ludwig van Beethoven. The text is a poem in German by Friedrich von Matthisson (1761–1831). During the period he created "Adelaide", Beethoven was in his mid twenties; he had come to Vienna in 1792 to pursue a career and was in the early stages of making a name for himself as pianist and composer. He had only recently completed his studies with Joseph Haydn. A. Peter Brown suggests that in writing "Adelaide", Beethoven was strongly influenced by Haydn's song "O Tuneful

title: String Quartet No. 14 (Beethoven)

text: String Quartet No. 14 (Beethoven) The String Quartet No. 14 in C minor, Op. 131, was completed by Ludwig van Beethoven in 1826. It is the last-composed of a trio of string quartets, written in the order Opp. 132, 130 (with the "Große Fuge" ending), 131. It was Beethoven's favourite of the late quartets: he is quoted as remarking to a friend that he would find "a new manner of part-writing and, thank God, less lack of imagination than before". It is said that upon listening to a performance of this quartet, Schubert remarked, "After this, what is left for

title: Look at What the Light Did Now

text: earthy, quirky additions". "Look at What the Light Did Now" won the 'DVD of the Year' prize at the 2012 Juno Awards in Canada, and was nominated for the Sound & Vision Award at CPH:DOX in Denmark. Feature Length Documentary Music videos Live Performances from The Reminder Tour 2007-2009 Tracks 9-12: Chilly Gonzales Original Score - Songs from The Reminder improvised and performed on solo piano. Total running time: 58:43 Look at What the Light Did Now Look at What the Light Did Now is a documentary/live album DVD/CD by Canadian indie pop artist Feist, first released in December 2010.

title: Look What This World Did to Us

text: Look What This World Did to Us Look What This World Did To Us is a studio album by Red Pill. Released on April 7, 2015 by Mello Music Group, it was largely well received by critics. The Canadian music publication "Exclaim!" wrote that the lyrics "range from deeply intimate, to unflinchingly grim, to hilariously self-deprecating, often in the same bar." According to Red Pill, at the time of writing the album he'd been reading Charles Bukowski, which somewhat influenced the album's focus on "the daily grind." About the production, Red Pill explained that "for this particular record, I wanted

title: What Katy Did Next

text: Mrs. Ashe's brother, Ned, they fell in love. When Katy got home, she received a letter from Ned and blushed and ran to her room, leaving Clover and the reader thinking that Katy and Ned may get married in the future. What Katy Did Next What Katy Did Next (1886) is a children's book by Sarah Chauncey Woolsey, working under the pen name Susan Coolidge. It follows the stories "What Katy Did" (1872) and "What Katy Did At School" (1873) and tells the adventures of Katy Carr as she travels to Europe. The book opens by reintroducing the Carr family

title: What Katy Did Next

text: What Katy Did Next What Katy Did Next (1886) is a children's book by Sarah Chauncey Woolsey, working under the pen name Susan Coolidge. It follows the stories "What Katy Did" (1872) and "What Katy Did At School" (1873) and tells the adventures of Katy Carr as she travels to Europe. The book opens by reintroducing the Carr family and introducing the widow Mrs. Ashe. Mrs. Ashe has her nephew, Walter, over for a visit and it is discovered that he has scarlet fever. Anxious that her only daughter Amy should not contract the disease, Amy is sent to live

title: What Katy Did

text: Cousin Helen: Papa's niece; she cannot walk because of an accident years ago. Despite her suffering she is amusing, cheerful, and kind; just what Katy wants to be. After Katy's accident, Cousin Helen helps her adjust to her illness. Susan Coolidge shared her publisher, Roberts Brothers, with Louisa May Alcott, and "What Katy Did" helped satisfy the demand for naturalistic novels about girlhood that followed the 1868 success of "Little Women". Like Alcott, Coolidge heightened the realism of her novel by drawing on her own childhood memories. "What Katy Did" also illustrates social shifts. First the novel depicts the treatment

title: Beethoven Lives Upstairs

text: but is unable to hear the orchestra, and Kurt, acting as a second conductor, discreetly conducts from the side. When the orchestra finishes, Beethoven is behind and still "conducting", so Kurt and one of the sopranos turn him around so he can see the audience giving him a wild standing ovation. Several years later, after Beethoven's death, Christoph reflects on his experiences with Beethoven, saying that although Beethoven is gone, "his music will never die", and how Beethoven "thought he could change the world with his music – maybe he will... bit by bit." Beethoven Lives Upstairs Beethoven Lives Upstairs

title: I Did What I Did for Maria

text: album, "Definitive Collection", which reached number 1 in the UK Albums Chart in 2005. Paper Lace included this song on their 1974 album, "Paper Lace". I Did What I Did for Maria "I Did What I Did for Maria" is a song recorded by English singer Tony Christie. It was written and produced by Mitch Murray and Peter Callander, who were also responsible for Christie's "Las Vegas" and "Avenues and Alleyways". The song is about a widower who, on the eve of his execution, recalls how he remorselessly avenged his dead wife, hence the title. It was a number 2

title: I Did What I Did for Maria

text: I Did What I Did for Maria "I Did What I Did for Maria" is a song recorded by English singer Tony Christie. It was written and produced by Mitch Murray and Peter Callander, who were also responsible for Christie's "Las Vegas" and "Avenues and Alleyways". The song is about a widower who, on the eve of his execution, recalls how he remorselessly avenged his dead wife, hence the title. It was a number 2 UK hit in June 1971, and was also a hit in Ireland, where it also reached number 2. The track later appeared on Christie's compilation

title: Beethoven House

text: of musical performances and promotion of the international collaboration with research centres and other institutions dealing with Beethoven. Among the duties of the Beethoven-Haus, the oldest one is collecting documents related to Beethoven. Within the 120 years of its existence, the Beethoven-Haus has established the largest and most diverse Beethoven collection. It comprises more than 1,000 original manuscripts (sketch sheets and sketch booklets, autographs, Beethoven-revised copies, conversation booklets, around 700 letters) as well as composition prints annotated by Beethoven, music instruments, memorabilia and items from Beethoven's daily life. The art collection consists of more than 3,000 pictures, paintings, photographs and

title: What the Hell Did I Say

text: What the Hell Did I Say "What the Hell Did I Say" is a song co-written and recorded by country music artist Dierks Bentley. It was released in June 2017 as the fourth single from his 2016 album "Black". This is the second collaboration by Bentley, Kear and Tompkins, following the highly successful No. 1 single "Drunk on a Plane". However, unlike "Drunk", this song underperformed and became the lowest charting single of Bentley's career. The song is about getting intoxicated and giving a girl false promises. A promotional video directed by Wes Edwards premiered on April 29, 2016 as

title: Piano Trios, Op. 70 (Beethoven)

text: Piano Trios, Op. 70 (Beethoven) Opus 70 is a set of two Piano Trios by Ludwig van Beethoven, written for piano, violin, and cello. Both trios were composed during Beethoven's stay at Countess Marie von Erdödy's estate, and both are dedicated to her for her hospitality. They were published in 1809. The first, in D major, known as the "Ghost", is one of his best known works in the genre (rivaled only by the "Archduke Trio"). The D major trio features themes found in the second movement of Beethoven's Symphony No. 2. The All-Music Guide states that "because of its

title: String Trios, Op. 9 (Beethoven)

text: was a significant milestone in his development as a composer. At the time of publication the 28-year-old Beethoven regarded the trios as his best compositions. The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the string trios of Op. 9 rank with Beethoven's first string quartets which ousted the trios from the concert halls. Beethoven composed no further trios after the first quartets (Op. 18) were published in 1801.

title: Beethoven House

text: since 2007, dealing with selected research topics on Beethoven. The master classes initiated by Kurt Masur in 2006 aim at promoting the development of young musicians. Initially, the classes were only available for conductors. Since 2010 chamber music ensembles can also participate in these classes, where famous artists study and perform Beethoven compositions with young musicians during public rehearsals. In addition, the students have access to the corresponding manuscripts, can discuss themes on philology, music history and performance techniques with the staff of the Beethoven-Haus and can obtain advice on how to interpret Beethoven's compositions. Since 2013 the Beethoven-Haus uses

title: Ludwig van Beethoven

text: his life. Beethoven was the grandson of Ludwig van Beethoven (1712–1773), a musician from the town of Mechelen in the Duchy of Brabant in the Flemish region of what is now Belgium, who at the age of 21 moved to Bonn. Ludwig (he adopted the German cognate of the Dutch ") was employed as a bass singer at the court of the Elector of Cologne, eventually rising to become, in 1761, (music director) and thereafter the pre-eminent musician in Bonn. The portrait he commissioned of himself towards the end of his life remained displayed in his grandson's rooms as a

title: Camper Van Beethoven

text: guitarist Johnny Hickman). These bands included future Camper Van Beethoven members bassist and vocalist David Lowery, guitarist and multi-instrumentalist Chris Molla, and often drummer Bill McDonald as well. The Estonian Gauchos and a late incarnation of Sitting Duck also included another future Camper Van Beethoven member, bassist Victor Krummenacher, whose joining allowed Lowery to switch to rhythm guitar. Sitting Ducks played a mixture of punk and acid rock, along with what Lowery described as "fake Russian-sounding music". At the same time, Lowery, Molla and Krummenacher were studying in Santa Cruz at the University of California, Santa Cruz, and were musically

title: What Did He Say?

text: – 0:31 16. "A Little Buzz" – 2:46 17. "Kids Didn't Change" – 0:54 18. "Heaven Is Where the Heart Is" – 5:03 What Did He Say? What Did He Say? is the second solo album released by bassist Victor Wooten. 1. "Yo Victa" – 0:07 2. "What Did He Say?" – 3:20 3. "What You Won't Do for Love" – 4:43 4. "Cherokee" – 1:49 5. "Don't Wanna Cry" – 5:07 6. "The Lonliest Monk" – 4:36 7. "A Chance" – 2:54 8. "Radio W-OO-10" – 1:06 9. "Norwegian Wood" – 4:52 10. "Bro John" – 4:18 11. "Naima"

title: What Did He Say?

text: What Did He Say? What Did He Say? is the second solo album released by bassist Victor Wooten. 1. "Yo Victa" – 0:07 2. "What Did He Say?" – 3:20 3. "What You Won't Do for Love" – 4:43 4. "Cherokee" – 1:49 5. "Don't Wanna Cry" – 5:07 6. "The Lonliest Monk" – 4:36 7. "A Chance" – 2:54 8. "Radio W-OO-10" – 1:06 9. "Norwegian Wood" – 4:52 10. "Bro John" – 4:18 11. "Naima" – 5:57 12. "Sometimes I Laugh" – 3:20 13. "My Life" – 4:45 14. "The Sojourn of Arjuna" – 6:29 15. "Buzz Ntro"

title: Copying Beethoven

text: Martin as well. Anna, angry, confronts Beethoven, asking him if he had ever considered that she loved Martin. Beethoven replies, "You don't love him." Upon hearing this, Anna angrily asks if she is supposed to love Beethoven instead. Beethoven again replies, "No. You want to be me." From here, Anna agrees that Beethoven did the right thing, and continues to work with him, pushing him past his hardships and failures, and then staying by his bedside until he died. The movie ends though, with Anna finally embracing herself as an artist, unique from all other composers, including Beethoven, and readying

title: Choral Fantasy (Beethoven)

text: Choral Fantasy (Beethoven) The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, , usually called the Choral Fantasy, was composed in 1808 by Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808; the performers consisted of vocal soloists, chorus, an orchestra, and Beethoven himself as piano soloist. The Fantasy was designed to include all the participants in the program and thus unites all of these musical forces. The work is noted as a kind of forerunner to the later Ninth Symphony. The

title: Beethoven and Mozart

text: strong reputation as keyboard performer, was mentored by Joseph Haydn, and was patronized by Countess Maria Wilhelmine Thun. Beethoven was also patronized by Baron van Swieten, in whose home he played the works of Baroque masters, just as Mozart had done. Like Mozart, Beethoven traveled (in 1796) to Prague, Dresden, Leipzig, and Berlin in the company of Prince Lichnowsky. On the Prague phase of his journey, Beethoven composed an extended concert aria for the noted soprano Josepha Duschek, as Mozart had done on his visit in 1789. By the early 19th century Beethoven was a focus of Emanuel Schikaneder's attention;

title: Violin Sonata No. 9 (Beethoven)

text: for another, earlier, sonata for violin and piano by Beethoven, the Op. 30, no. 1, in A major. Beethoven gave no key designation to the work. Although the work is usually titled as being in A-major, the Austrian composer and music theoretician Gerhard Präsent has published articles indicating that the main key is in fact A-minor. Präsent has revealed interesting connections to the 6th violin sonata op.30/1, for which the third movement was originally composed, and he believes that the unusual opening bars for solo violin form a kind of transition from the earlier sonata (or from its structural material),

title: Beethoven Lives Upstairs

text: frustrated by setbacks. Christoph enters after Beethoven has had another quarrel with Sophie, and accidentally spills the sheet music for the concert. Beethoven then angrily orders him to leave the room. Christoph fears that Beethoven now hates him and would not give him the tickets, but Kurt reassures him that Beethoven's notorious tempers are short-lived and that someone able to write music as he does must have a great heart. Later, Beethoven apologizes to Sophie for his behavior and gives her the tickets to give to Christoph and his mother. The concert is a great success; Beethoven is nominally conducting,

title: Egmont (Beethoven)

text: influential short films in film history and described as "among the most ingenious pairings of music and image in the history of the festival." Egmont (Beethoven) Egmont, Op. 84 by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. It consists of an overture followed by a sequence of nine pieces for soprano, male narrator, and full symphony orchestra. (The male narrator is optional; he is not used in the play and does not appear in all recordings of the complete incidental music.) Beethoven wrote it

title: Egmont (Beethoven)

text: Egmont (Beethoven) Egmont, Op. 84 by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. It consists of an overture followed by a sequence of nine pieces for soprano, male narrator, and full symphony orchestra. (The male narrator is optional; he is not used in the play and does not appear in all recordings of the complete incidental music.) Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810. The subject of the music and dramatic narrative is the

title: Beethoven House

text: success of Beethoven's string quartets, served as honorary president. In 1890 the association established the Beethoven-Haus chamber music festivals that are held every two years. The charity concerts under the direction of Joseph Joachim and supported by renowned musicians raised enough money to maintain the buildings and pay for the association's activities. During the first chamber music festival, the largest-ever Beethoven exhibition took place, showing 360 items on loan from all over Europe. On 10 May 1893, during the second chamber music festival, the Beethoven-Haus was opened as a memorial site and museum for Beethoven's life, work and impact. The

title: Ludwig van Beethoven

text: optimistic hymn championing the brotherhood of humanity. The Beethoven Monument in Bonn was unveiled in August 1845, in honour of his 75th anniversary. It was the first statue of a composer created in Germany, and the music festival that accompanied the unveiling was the impetus for the very hasty construction of the original Beethovenhalle in Bonn (it was designed and built within less than a month, on the urging of Franz Liszt). A statue to Mozart had been unveiled in Salzburg, Austria in 1842. Vienna did not honour Beethoven with a statue until 1880. His is the only name inscribed

title: 32 Variations in C minor (Beethoven)

text: piece last from 10 to 12 minutes. The piece proved popular, receiving a favorable review in the Allgemeinen Musikalischen Zeitung (Leipzig) in 1807, and remains popular today. Nevertheless Beethoven did not see fit to assign it an opus number. It is said that later in his life he heard a friend practicing it. After listening for some time he said "Whose is that?" "Yours," was the answer. "Mine? That piece of folly mine?" was his retort; "Oh, Beethoven, what an ass you were in those days!"' (Alexander Thayer ed. Forbes (1967), "Life of Beethoven Volume II" (Princeton University Press), p.

title: What Katy Did

text: up: "What Katy Did at School" and "What Katy Did Next". Two further sequels relating the adventures of Katy's younger siblings were also published—"Clover" and "In the High Valley". The books were frequently reprinted and all are available online. Coolidge modeled Katy on her own childhood self, and the other 'Little Carrs' on her brothers and sisters. The title is a play on the katydid, a family of insects – which explains the insects on the first edition book cover. 12-year-old Katy Carr lives with her widowed father and her two brothers and three sisters in Burnet, a small midwestern

title: What Katy Did

text: What Katy Did What Katy Did is an 1872 children's book written by Sarah Chauncey Woolsey under her pen name Susan Coolidge. It follows the adventures of a twelve-year-old American girl, Katy Carr, and her family who live in the fictional lakeside Ohio town of Burnet in the 1860s. Katy is a tall untidy tomboy, forever getting into scrapes but wishing to be beautiful and beloved. When a terrible accident makes her an invalid, her illness and four-year recovery gradually teach her to be as good and kind as she has always wanted. Two sequels follow Katy as she grows

title: What Kate Did

text: What Kate Did "What Kate Did" is the 34th episode of "Lost". It is the ninth episode of the second season. The episode was directed by Paul Edwards, and written by Steven Maeda and Craig Wright. It first aired on November 30, 2005, on ABC. The character of Kate Austen is featured in the episode's flashbacks. Kate Austen kills her alcoholic stepfather, Wayne Jansen, by blowing up his house. Kate confronts her mother, Diane Austen. Kate reveals that she took out an insurance policy under Diane's name. Later, Kate attempts to buy a ticket to Tallahassee, when she is arrested

title: What Richard Did

text: Festival in Turkey. The film was released on DVD in Ireland on 8 February 2013. What Richard Did What Richard Did is a 2012 Irish film directed by Lenny Abrahamson and written by Malcolm Campbell. The film is loosely based on Kevin Power's "Bad Day in Blackrock", a fictionalised novel inspired by the real-life death of Brian Murphy in 2000. It won the best Irish film of the year award at the 10th Irish Film & Television Awards and was the most commercially successful Irish film of 2012. It has screened at the 2012 Toronto International Film Festival and the

title: What Richard Did

text: What Richard Did What Richard Did is a 2012 Irish film directed by Lenny Abrahamson and written by Malcolm Campbell. The film is loosely based on Kevin Power's "Bad Day in Blackrock", a fictionalised novel inspired by the real-life death of Brian Murphy in 2000. It won the best Irish film of the year award at the 10th Irish Film & Television Awards and was the most commercially successful Irish film of 2012. It has screened at the 2012 Toronto International Film Festival and the BFI London Film Festival and was selected to screen at the Tribeca Film Festival in

title: What Hetty Did

text: early 20s. The story was adapted by Ellen Dryden for BBC Radio 4's Woman's Hour Drama in 2004. What Hetty Did What Hetty Did is the seventh novel by J.L. Carr, published in 1988 when he was 76 years old. The novel describes the experiences of an 18-year-old girl. Hetty Birtwisle has been brought up by adoptive parents in the Fens; after a beating by her father, discovering that she was adopted, she flees to Birmingham where she has learnt she was born and alters her surname to Beauchamp. Hetty Beauchamp comes across several characters from Carr's other novels in

title: What Hetty Did

text: What Hetty Did What Hetty Did is the seventh novel by J.L. Carr, published in 1988 when he was 76 years old. The novel describes the experiences of an 18-year-old girl. Hetty Birtwisle has been brought up by adoptive parents in the Fens; after a beating by her father, discovering that she was adopted, she flees to Birmingham where she has learnt she was born and alters her surname to Beauchamp. Hetty Beauchamp comes across several characters from Carr's other novels in the boarding house in which she lives, including Emma Foxberrow, a teacher in "The Harpole Report" and Edward

title: Ludwig van Beethoven

text: referred to as one of the "three "B"s" who epitomize that tradition. He was a pivotal figure in the transition from the 18th century musical classicism to 19th century romanticism, and his influence on subsequent generations of composers was profound. His music features twice on the Voyager Golden Record, a phonograph record containing a broad sample of the images, common sounds, languages, and music of Earth, sent into outer space with the two Voyager probes. Beethoven composed in several musical genres and for a variety of instrument combinations. His works for symphony orchestra include nine symphonies (of which the Ninth

title: What Katie Did (company)

text: Thomas has also appeared advising on corsets on ABC's Nightline in 2012 and in the same year was nominated for Cosmopolitan's Businesswoman of the Year. The brand recreates designs from the 1950s including the bullet bra, which has been worn by celebrities such as Madonna and Rihanna. What Katie Did are also known for their steel boned corsets. Models for the company include Bernie Dexter, Missy Malone, Jami Deadly and Miss Polly Rae. What Katie Did (company) What Katie Did is a British lingerie design house founded in 1999 by Katie Thomas. In 1999, being unable to afford fully fashioned

title: What I Did for Love (A Chorus Line)

text: version as the lead single from her third studio album, "Ladies and Gentlemen" (1977). The song peaked at number 6 on the Kent Music Report, becoming Hines' third top 10 single in Australia. What I Did for Love (A Chorus Line) "What I Did for Love" is a song from the musical "A Chorus Line" (music by Marvin Hamlisch, lyrics by Edward Kleban). It was quickly recognized for its show-business potential outside Broadway and was picked up by popular singers to include in their performances in their club and television appearances. Both female and male singers have made it an

title: Symphony No. 3 (Beethoven)

text: initially, the Italian phrase "Intitolata Bonaparte" ("Titled Bonaparte"), secondly, the German phrase "Geschriben auf Bonaparte" ("Written for Bonaparte"), four lines below the Italian sub-title. Three months after retracting his initial Napoleonic dedication of the symphony, Beethoven informed his music publisher that "The title of the symphony is really "Bonaparte"". In 1806, the score was published under the Italian title "Sinfonia Eroica ... composta per festeggiare il sovvenire di un grande Uomo" ("Heroic Symphony, Composed to celebrate the memory of a great man"). Composed from the autumn of 1803 until the spring of 1804, the earliest rehearsals and performances of the

title: Piano Sonata No. 30 (Beethoven)

text: and others often point out the danger of too much interpretative license indicating parallels between passages that are scarcely related. Piano Sonata No. 30 (Beethoven) Ludwig van Beethoven's Piano Sonata No. 30 in E major, Op. 109, composed in 1820, is the antepenultimate of his piano sonatas. In it, after the huge "Hammerklavier" Sonata, Op. 106, Beethoven returns to a smaller scale and a more intimate character. It is dedicated to Maximiliane Brentano, the daughter of Beethoven's long-standing friend Antonie Brentano, for whom Beethoven had already composed the short Piano Trio in B major WoO 39 in 1812. Musically, the

title: Piano Sonata No. 30 (Beethoven)

text: Piano Sonata No. 30 (Beethoven) Ludwig van Beethoven's Piano Sonata No. 30 in E major, Op. 109, composed in 1820, is the antepenultimate of his piano sonatas. In it, after the huge "Hammerklavier" Sonata, Op. 106, Beethoven returns to a smaller scale and a more intimate character. It is dedicated to Maximiliane Brentano, the daughter of Beethoven's long-standing friend Antonie Brentano, for whom Beethoven had already composed the short Piano Trio in B major WoO 39 in 1812. Musically, the work is characterised by a free and original approach to the traditional sonata form. Its focus is the third movement,

title: String Quintet, Op. 4 (Beethoven)

text: String Quintet, Op. 4 (Beethoven) The String Quintet in E-flat major, Op. 4, was composed by Ludwig van Beethoven in 1795. It was adapted from his Octet in E-flat major, Op. 103, which, despite its high opus number, was in fact composed by Beethoven in 1792/1793 but was published only in 1837, ten years after the composer's death. The Quintet was published in Vienna in 1796. The quintet has been viewed as a mere transcription of the octet. However, there are a few differences between the two works. In the first movement, there are significant changes in the exposition and

title: Piano Concerto No. 0 (Beethoven)

text: fast, again based on scales. Beethoven most likely composed this concerto in 1784, when he was still in Bonn. During this time period, Mozart had not yet composed his Symphonies No, 39, 40, or 41. Beethoven went to Vienna in 1792 at the age of 21. Piano Concerto No. 0 (Beethoven) Ludwig van Beethoven's Piano Concerto in E flat major, WoO 4, is one of his earlier works, written in 1784 when he was only 14. Only the solo piano part survives today, although there are some indications in the manuscript for orchestral cues. On the occasions when the work

title: Turkish March (Beethoven)

text: Turkish March (Beethoven) The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time. The theme was first used in Beethoven's "Six Variations on an Original Theme", Op. 76, of 1809. In 1811, Beethoven wrote an overture and incidental music to a play by August von Kotzebue called "The Ruins of Athens" (Op. 113), which premiered in Pest in 1812. The Turkish March appears as movement four of the incidental music. Many music lovers associate the theme with "The Ruins of Athens",

title: Beethoven concert of 22 December 1808

text: on: In this troubled venture Beethoven did enjoy the advantage that many in the audience were enthusiasts for his music and eager to attend. One such was the composer Johann Friedrich Reichardt, who was visiting Vienna. He later wrote (in his "Personal Letters Written on a Trip to Vienna", 1810): Prince von Lobkowitz was a patron and supporter of Beethoven. Reichardt goes on to say:" Reichardt's opinion echoed that of the "Allgemeine musikalische Zeitung": Beethoven's biographer Thayer writes, "the pecuniary results of this concert to Beethoven are not known"; adding however that there is a record indicating that Prince Esterházy

title: Adelaide (Beethoven)

text: poem: "Adelaide" is in the key of B-flat major; the vocal range is appropriate for a tenor or soprano voice (it is also performed in transposed versions by other voices). A performance lasts about six minutes. The song is through-composed, meaning that every stanza is set to different music. Beethoven treated the text in two parts. The first, covering the first three stanzas, is set larghetto and marked "dolce". There is a triplet accompaniment in the piano, with many modulations through the flat keys, creating a dreamy atmosphere. As Cooper remarks, "the lover sees his beloved wherever he wanders, and

title: Beethoven House

text: or yet unprinted pieces (compositions without opus number) were not included in the old edition. Apart from that the entitlements to historic editions had changed. Delayed by the maelstrom of WW2, the G. Henle publishing house published in 1961 the first volume of the New Beethoven Edition that was begun in 1959. Until today it is the archive's most important scientific project. 56 volumes, divided into composition categories and instrumentation, are planned. The edition elaborated by the scientific staff of the Beethoven archive and internationally renowned music scientists is to identify the sheet music Beethoven intended but that is not

title: Beethoven House

text: quartetts" in 2011 and "Piano sonates" in 2012) and congresses (Beethoven's "Dedications" in 2011) are also presented by exhibition for the public. For some years now exhibitions accompanying the Bonn Beethoven festival have been organised. In 2009, under the motto "The power of music" theatre and concert shows relating to Beethoven performances held at the Bandō prisoner-of-war camp for German soldiers in Japan were performed, whereas in 2010 the focus was on Beethoven's chamber music compositions, in which the composer ventured out into the open ("Into the open" was the motto of the 2010 Beethoven festival). Additional publications offer more