query: what instrument was louis armstrong famous for?

title: Louis Armstrong

text: the United States National Recording Registry, a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the National Recording Registry of the Library of Congress. The US Open tennis tournament's former main stadium was named Louis Armstrong Stadium in honor of Armstrong who had lived a few blocks from the site. "Congo Square" was a common gathering place for African-Americans in New Orleans for dancing and performing music. The park where Congo Square is located was later renamed Louis Armstrong Park. Dedicated in April 1980, the park includes a 12-foot statue of Armstrong, trumpet in

title: Louis Armstrong

text: Louis Armstrong Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo, Satch, and Pops, was an American trumpeter, composer, vocalist and occasional actor who was one of the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in the history of jazz. In 2017, he was inducted into the Rhythm & Blues Hall of Fame. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of

title: Louis Armstrong

text: him fit enough to resume live performances. He embarked on another world tour, but a heart attack forced him to take a break for two months. Armstrong made his last recorded trumpet performances on his 1968 album "Disney Songs the Satchmo Way". The Louis Armstrong House Museum website states: In a memoir written for Robert Goffin between 1943 and 1944, Armstrong states, "All white folks call me Louie", suggesting that he himself did not. That said, Armstrong was registered as "Lewie" for the 1920 U.S. Census. On various live records he's called "Louie" on stage, such as on the 1952

title: Louis Armstrong discography

text: Louis Armstrong discography Louis Armstrong (1901–1971), nicknamed Satchmo or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of american popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as

title: Louis Armstrong

text: 1925, Armstrong returned to Chicago largely at the insistence of Lil, who wanted to expand his career and his income. In publicity, much to his chagrin, she billed him as "the World's Greatest Trumpet Player". For a time he was a member of the Lil Hardin Armstrong Band and working for his wife. He formed Louis Armstrong and his Hot Five and recorded the hits "Potato Head Blues" and "Muggles". The word "muggles" was a slang term for marijuana, something he used often during his life. The Hot Five included Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo),

title: Louis Armstrong

text: the American Film Institute's 100 Years ... 100 Stars. The influence of Armstrong on the development of jazz is virtually immeasurable. His irrepressible personality both as a performer and as a public figure was so strong that to some it sometimes overshadowed his contributions as a musician and singer. As a virtuoso trumpet player, Armstrong had a unique tone and an extraordinary talent for melodic improvisation. Through his playing, the trumpet emerged as a solo instrument in jazz and is used widely today. Additionally, jazz itself was transformed from a collectively improvised folk music to a soloist's serious art form

title: Louis Armstrong

text: duet) and Armstrong's trumpet introduction to and solo in "West End Blues" remain some of the most famous and influential improvisations in jazz history. Armstrong was now free to develop his personal style as he wished, which included a heavy dose of effervescent jive, such as "Whip That Thing, Miss Lil" and "Mr. Johnny Dodds, Aw, Do That Clarinet, Boy!" Armstrong also played with Erskine Tate's Little Symphony, which played mostly at the Vendome Theatre. They furnished music for silent movies and live shows, including jazz versions of classical music, such as "Madame Butterfly", which gave Armstrong experience with longer

title: Louis Armstrong discography

text: number of CD releases listed is limited, with preference given to the label that originally released the album. These LPs and CDs were released after Armstrong's 1971 death. Chronology of the recordings of Armstrong's songs: Louis Armstrong discography Louis Armstrong (1901–1971), nicknamed Satchmo or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of american popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player,

title: Louis Armstrong and His Hot Five

text: "Basin Street Blues", "Tight Like This", "Saint James Infirmary", and "Weather Bird". In the last named, only Armstrong and Hines are present, turning an old rag number into a tour-de-force duet. Louis Armstrong and His Hot Five The Hot Five was Louis Armstrong's first jazz recording band led under his own name. It was a typical New Orleans jazz band in instrumentation, consisting of trumpet, clarinet, and trombone backed by a rhythm section. The original New Orleans jazz style leaned heavily on collective improvisation, in which the three horns together played the lead: the trumpet played the main melody, and

title: Louis Armstrong

text: downbeat slurring, and complementary relations among rhythmic patterns." The most lauded recordings on which Armstrong plays trumpet include the Hot Five and Hot Seven sessions, as well as those of the Red Onion Jazz Babies. Armstrong's improvisations, while unconventionally sophisticated for that era, were also subtle and highly melodic. The solo that Armstrong plays during the song Potato Head Blues has long been considered his best solo of that series. Prior to Armstrong, most collective ensemble playing in jazz, along with its occasional solos, simply varied the melodies of the songs. Armstrong was virtually the first to create significant variations

title: Louis Armstrong

text: for expressive purposes. He was also very skilled at scat singing. Armstrong is renowned for his charismatic stage presence and voice almost as much as for his trumpet playing. Armstrong's influence extends well beyond jazz, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", that is, whose skin color became secondary to his music in an America that was extremely racially divided at the time. He rarely publicly politicized his race, often to

title: Louis Armstrong

text: especially concerning his salary and additional money that Oliver held back from Armstrong and other band members. Armstrong and Oliver parted amicably in 1924. Shortly afterward, Armstrong received an invitation to go to New York City to play with the Fletcher Henderson Orchestra, the top African-American band of the time. He switched to the trumpet to blend in better with the other musicians in his section. His influence on Henderson's tenor sax soloist, Coleman Hawkins, can be judged by listening to the records made by the band during this period. Armstrong adapted to the tightly controlled style of Henderson, playing

title: Louis Armstrong

text: is often claimed, a Freemason. Although he is usually listed as being a member of Montgomery Lodge No. 18 (Prince Hall) in New York, no such lodge has ever existed. However, Armstrong stated in his autobiography that he was a member of the Knights of Pythias, which although real is not a Masonic group. In his early years, Armstrong was best known for his virtuosity with the cornet and trumpet. Along with his "clarinet-like figurations and high notes in his cornet solos", he was also known for his "intense rhythmic 'swing', a complex conception involving ... accented upbeats, upbeat to

title: Louis Armstrong and His Hot Five

text: Louis Armstrong and His Hot Five The Hot Five was Louis Armstrong's first jazz recording band led under his own name. It was a typical New Orleans jazz band in instrumentation, consisting of trumpet, clarinet, and trombone backed by a rhythm section. The original New Orleans jazz style leaned heavily on collective improvisation, in which the three horns together played the lead: the trumpet played the main melody, and the clarinet and trombone played improvised accompaniments to the melody. This tradition was continued in the Hot Five, but because of Armstrong's creative gifts as a trumpet player, solo passages by

title: Louis Armstrong

text: Louie Bellson (on the second). Norman Granz then had the vision for Ella and Louis to record "Porgy and Bess". His recordings for Columbia Records, "Louis Armstrong Plays W.C. Handy" (1954) and "Satch Plays Fats" (all Fats Waller tunes) (1955) were both being considered masterpieces, as well as moderately well selling. In 1961 the All Stars participated in two albums—"The Great Summit" and "The Great Reunion" (now together as a single disc) with Duke Ellington. The albums feature many of Ellington's most famous compositions (as well as two exclusive cuts) with Duke sitting in on piano. His participation in Dave

title: Louis Armstrong

text: new visitors center is planned. According to literary critic Harold Bloom, "The two great American contributions to the world's art, in the end, are Walt Whitman and, after him, Armstrong and jazz ... If I had to choose between the two, ultimately, I wouldn't. I would say that the genius of this nation at its best is indeed Walt Whitman and Louis Armstrong." Louis Armstrong Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo, Satch, and Pops, was an American trumpeter, composer, vocalist and occasional actor who was one of the most influential figures in jazz. His

title: Louis Armstrong House

text: garden was assembled and the garage was constructed by the Armstrongs. In addition the interior of the house was renovated to their taste. Ornate bathrooms, and the kitchen was not originally part of the house. Paintings and souvenirs were given to Louis Armstrong on tour from Asia, Europe to Africa. These gifts have found a home of their own on dressers, night stands, shelves and walls. Louis Armstrong House The Louis Armstrong House was the home of Louis Armstrong and his wife Lucille Wilson from 1943 until his death in 1971. Lucille gave ownership of it to the city of

title: Louis Armstrong

text: praised Armstrong through strong testimonials. Duke Ellington, DownBeat magazine in 1971, said, "If anybody was a master, it was Louis Armstrong. He was and will continue to be the embodiment of jazz." In 1950, Bing Crosby, the most successful vocalist of the first half of the 20th century, said, "He is the beginning and the end of music in America." In the summer of 2001, in commemoration of the centennial of Armstrong's birth, New Orleans's main airport was renamed Louis Armstrong New Orleans International Airport. In 2002, the Louis Armstrong's Hot Five and Hot Seven recordings (1925–1928) were preserved in

title: Louis Armstrong

text: famously Ella Fitzgerald. His influence upon Crosby is particularly important with regard to the subsequent development of popular music: Crosby admired and copied Armstrong, as is evident on many of his early recordings, notably "Just One More Chance" (1931). The "New Grove Dictionary of Jazz" describes Crosby's debt to Armstrong in precise detail, although it does not acknowledge Armstrong by name: Armstrong recorded two albums with Ella Fitzgerald: "Ella and Louis", and "Ella and Louis Again" for Verve Records, with the sessions featuring the backing musicianship of the Oscar Peterson Trio and drummers Buddy Rich (on the first album), and

title: Struttin' (Louis Armstrong album)

text: Struttin' (Louis Armstrong album) Struttin' is an album by Louis Armstrong with Edmond Hall's All Stars, recorded at Carnegie Hall in 1947. The music on the album was recorded during a concert at Carnegie Hall on February 8, 1947. The music features trumpeter Louis Armstrong playing with a small group – clarinettist Edmond Hall, trumpeter "Mousie" Randolph, trombonist Henderson Chambers, pianist Ellis Larkins, bassist Johnny Williams, and drummer Jimmy Crawford – thus making it Armstrong's "first major appearance in front of a small group in close to two decades". "Clearly, it was inspirational for Armstrong at the time: by the

title: Louis Armstrong

text: 1901 to Mary Albert and William Armstrong. Albert was from Boutte, Louisiana, and gave birth at home when she was about sixteen. William Armstrong abandoned the family shortly after. About two years later, he had a daughter, Beatrice "Mama Lucy" Armstrong, who was raised by Albert. Louis Armstrong was raised by his grandmother until the age of five when he was returned to his mother. He spent his youth in poverty in a rough neighborhood known as The Battlefield. At six he attended the Fisk School for Boys, a school that accepted black children in the racially segregated system of

title: Louis Armstrong award

text: recipient over the years may be added. Louis Armstrong award The Louis Armstrong Award, or sometimes the King Bee Award, is the "top senior jazz award" or highest level interscholastic award given to a musician. It is given out by high schools nationwide in the United States in recognition of ""outstanding musical achievement and an incredible dedication to the program"". Typically there is only one recipient per high school. Louis Armstrong was an American jazz musician and singer. Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as

title: Louis Armstrong award

text: Louis Armstrong award The Louis Armstrong Award, or sometimes the King Bee Award, is the "top senior jazz award" or highest level interscholastic award given to a musician. It is given out by high schools nationwide in the United States in recognition of ""outstanding musical achievement and an incredible dedication to the program"". Typically there is only one recipient per high school. Louis Armstrong was an American jazz musician and singer. Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in

title: Louis Armstrong House

text: Louis Armstrong House The Louis Armstrong House was the home of Louis Armstrong and his wife Lucille Wilson from 1943 until his death in 1971. Lucille gave ownership of it to the city of New York in order to create a museum focused on her husband. It was designated a New York City Landmark in 1988 and declared a National Historic Landmark in 1976. It is located at 34–56 107th Street near 37th Avenue, in Corona, Queens, New York City. The house is now a museum that presents concerts and educational programs, operates as a historic house museum and makes

title: Louis Armstrong

text: Dolly!" as the bandleader Louis. He sang the title song with actress Barbra Streisand. His solo recording of "Hello, Dolly!" is one of his most recognizable performances. Argentine writer Julio Cortázar, a self-described Armstrong admirer, asserted that a 1952 Louis Armstrong concert at the Théâtre des Champs-Élysées in Paris played a significant role in inspiring him to create the fictional creatures called Cronopios that are the subject of a number of Cortázar's short stories. Cortázar once called Armstrong himself "Grandísimo Cronopio" (The Great Cronopio). There is a pivotal scene in "Stardust Memories" (1980) in which Woody Allen is overwhelmed by

title: Louis Armstrong Stadium (1978-2016)

text: Louis Armstrong Stadium (1978-2016) Louis Armstrong Stadium was a tennis stadium of the USTA Billie Jean King National Tennis Center and one of the venues of the U.S. Open. Armstrong was the main stadium before Arthur Ashe Stadium opened in 1997, after which it served as the No. 2 stadium. It is named after the noted jazz musician Louis Armstrong, who lived nearby until his death in 1971 and was a significant player in the Civil Rights Movement. The stadium was originally built as the Singer Bowl for the 1964 New York World's Fair, and hosted special events and concerts

title: Louis Armstrong Plays W.C. Handy

text: Louis Armstrong Plays W.C. Handy Louis Armstrong Plays W. C. Handy is a 1954 studio release by Louis Armstrong and His All Stars, described by Allmusic as "Louis Armstrong's finest record of the 1950s" and "essential music for all serious jazz collections". Columbia CD released the album on CD in 1986 in a much altered form, with alternative versions in place of many of the original songs, but restored the original with its 1997 re-issue, which also included additional tracks: a brief interview by the producer, George Avakian, with W. C. Handy; a joke told by Louis Armstrong; and several

title: Louis Armstrong

text: who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording. Recordings of Armstrong were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old, and that have "qualitative or historical significance". The Rock and Roll Hall of Fame listed Armstrong's "West End Blues" on the list of 500 songs that shaped Rock and Roll. In 1995, the U.S. Post Office issued a Louis Armstrong 32 cents commemorative postage stamp. In 1999 Armstrong was nominated for inclusion in

title: Louis Armstrong Stadium (1978-2016)

text: Parking Lot B, close to the boardwalk ramp to the subway and LIRR trains. Notes Sources Louis Armstrong Stadium (1978-2016) Louis Armstrong Stadium was a tennis stadium of the USTA Billie Jean King National Tennis Center and one of the venues of the U.S. Open. Armstrong was the main stadium before Arthur Ashe Stadium opened in 1997, after which it served as the No. 2 stadium. It is named after the noted jazz musician Louis Armstrong, who lived nearby until his death in 1971 and was a significant player in the Civil Rights Movement. The stadium was originally built as

title: Struttin' (Louis Armstrong album)

text: end of 1947, he dissolved his big band and formed his own combo, also called the All-Stars, and adapted most of these songs into their repertoire." The AllMusic reviewer wrote that, "While the sound quality of this disc is unfortunately primitive, the historical import of the performances overshadows the technical problems." Struttin' (Louis Armstrong album) Struttin' is an album by Louis Armstrong with Edmond Hall's All Stars, recorded at Carnegie Hall in 1947. The music on the album was recorded during a concert at Carnegie Hall on February 8, 1947. The music features trumpeter Louis Armstrong playing with a small

title: Louis Armstrong Park (New Orleans)

text: Louis Armstrong Park (New Orleans) Louis Armstrong Park is a park located in the Tremé neighborhood of New Orleans, Louisiana, just across Rampart Street from the French Quarter. In the 1960s a controversial urban renewal project leveled a substantial portion of the Tremé neighborhood adjacent to Congo Square. After a decade of debate, the City created the present-day park from that land. This park was designed by New Orleans architect Robin Riley and was named after New Orleans-born Jazz legend Louis Armstrong. The footprint of the present-day park contains the New Orleans Municipal Auditorium, the Mahalia Jackson Theater for the

title: Louis Armstrong Stadium

text: Louis Armstrong Stadium Louis Armstrong Stadium is a 14,000-seat tennis stadium at the USTA Billie Jean King National Tennis Center, one of the venues of the US Open. It opened for the 2018 US Open as a replacement for the 1978 stadium of the same name. The stadium has a retractable roof, the largest of its kind among the No. 2 stadiums at Grand Slam venues. At the time of its opening it was the 13th largest tennis venue in the world (based on capacity). On each side of the stadium, there are façades covered with terra cotta louvers, optimally

title: Louis Armstrong

text: This group was called Louis Armstrong and His All Stars and included at various times Earl "Fatha" Hines, Barney Bigard, Edmond Hall, Jack Teagarden, Trummy Young, Arvell Shaw, Billy Kyle, Marty Napoleon, Big Sid Catlett, Cozy Cole, Tyree Glenn, Barrett Deems, Mort Herbert, Joe Darensbourg, Eddie Shu and percussionist Danny Barcelona. During this period, Armstrong made many recordings and appeared in over thirty films. He was the first jazz musician to appear on the cover of "Time" magazine, on February 21, 1949. By the 1950s, Armstrong was a widely beloved American icon and cultural ambassador who commanded an international fanbase.

title: Louis Armstrong and His Hot Seven

text: to the "Voyager" spacecraft. Louis Armstrong and His Hot Seven Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. Some of the personnel also recorded with Louis Armstrong and His Hot Five, including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr (banjo and guitar). These musicians were augmented by Dodds's brother, Baby Dodds (drums), Pete Briggs (tuba), and John Thomas (trombone, replacing Armstrong's usual trombonist, Kid Ory, who was then touring with King Oliver). Briggs and Thomas were at the

title: Louis Armstrong and His Hot Seven

text: Louis Armstrong and His Hot Seven Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. Some of the personnel also recorded with Louis Armstrong and His Hot Five, including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr (banjo and guitar). These musicians were augmented by Dodds's brother, Baby Dodds (drums), Pete Briggs (tuba), and John Thomas (trombone, replacing Armstrong's usual trombonist, Kid Ory, who was then touring with King Oliver). Briggs and Thomas were at the time working with Armstrong's

title: Louis Armstrong

text: Joe Glaser in the Carroll Dickerson Orchestra, with Earl Hines on piano, which was renamed Louis Armstrong and his Stompers, though Hines was the music director and Glaser managed the orchestra. Hines and Armstrong became fast friends and successful collaborators. In the first half of 1927, Armstrong assembled his Hot Seven group, which added drummer Al "Baby" Dodds and tuba player, Pete Briggs, while preserving most of his original Hot Five lineup. John Thomas replaced Kid Ory on trombone. Later that year he organized a series of new Hot Five sessions which resulted in nine more records. In the last

title: Louis Armstrong Plays W.C. Handy

text: rehearsal versions of the songs. Production Louis Armstrong Plays W.C. Handy Louis Armstrong Plays W. C. Handy is a 1954 studio release by Louis Armstrong and His All Stars, described by Allmusic as "Louis Armstrong's finest record of the 1950s" and "essential music for all serious jazz collections". Columbia CD released the album on CD in 1986 in a much altered form, with alternative versions in place of many of the original songs, but restored the original with its 1997 re-issue, which also included additional tracks: a brief interview by the producer, George Avakian, with W. C. Handy; a joke

title: Louis Armstrong and His Hot Five

text: only for two parties organized by Okeh. There were two different groups called "Louis Armstrong and his Hot Five", the first recording from 1925 through 1927 and the second in 1928; Armstrong was the only musician in both groups. The original Hot Five were Armstrong's wife, pianist Lil Hardin Armstrong, as well as New Orleans musicians who Armstrong had worked with in that city in the 1910s: Kid Ory on trombone, Johnny Dodds on clarinet, and Johnny St. Cyr on guitar and banjo. For some or all of the Louis Armstrong and His Hot Seven sides, Ory was in New

title: Louis Armstrong New Orleans International Airport

text: Louis Armstrong New Orleans International Airport Louis Armstrong New Orleans International Airport is an international airport under Class B airspace in Jefferson Parish, Louisiana, United States. It is owned by the city of New Orleans and is west of downtown New Orleans. The airport's address is 900 Airline Drive in Kenner, Louisiana. A small portion of Runway 11/29 is in unincorporated St. Charles Parish. Armstrong International is the primary commercial airport for the New Orleans metropolitan area and southeast Louisiana. The airport was formerly known as Moisant Field, and it is also known as Louis Armstrong International Airport and New

title: Louis Armstrong

text: hand. The house where Armstrong lived for almost 28 years was declared a National Historic Landmark in 1977 and is now a museum. The Louis Armstrong House Museum, at 34–56 107th Street (between 34th and 37th Avenues) in Corona, Queens, presents concerts and educational programs, operates as a historic house museum and makes materials in its archives of writings, books, recordings and memorabilia available to the public for research. The museum is operated by the City University of New York's Queens College, following the dictates of Lucille Armstrong's will. The museum opened to the public on October 15, 2003. A

title: Louis Armstrong Stadium

text: on the site of the demolished ticket office and East Gate entrance, on Parking Lot B, close to the boardwalk ramp to the subway and LIRR trains. Louis Armstrong Stadium Louis Armstrong Stadium is a 14,000-seat tennis stadium at the USTA Billie Jean King National Tennis Center, one of the venues of the US Open. It opened for the 2018 US Open as a replacement for the 1978 stadium of the same name. The stadium has a retractable roof, the largest of its kind among the No. 2 stadiums at Grand Slam venues. At the time of its opening it

title: Louis Armstrong Park (New Orleans)

text: by Elizabeth Catlett, a bust of Sidney Bechet, and a depiction of Buddy Bolden. Louis Armstrong Park (New Orleans) Louis Armstrong Park is a park located in the Tremé neighborhood of New Orleans, Louisiana, just across Rampart Street from the French Quarter. In the 1960s a controversial urban renewal project leveled a substantial portion of the Tremé neighborhood adjacent to Congo Square. After a decade of debate, the City created the present-day park from that land. This park was designed by New Orleans architect Robin Riley and was named after New Orleans-born Jazz legend Louis Armstrong. The footprint of the

title: Louis Armstrong

text: under their arms." In June 1950, Suzy Delair performed rehearsals of the song "C'est si bon" with Aimé Barelli and his Orchestra at the Monte Carlo casino where Louis Armstrong was finishing the evening. Armstrong enjoyed the song and he recorded the American version in New York City on June 26, 1950. In the 1960s, he toured Ghana and Nigeria. After finishing his contract with Decca Records, he became a freelance artist and recorded for other labels. He continued an intense international touring schedule, but in 1959 he suffered a heart attack in Italy and had to rest. In 1964,

title: Ella Fitzgerald and Louis Armstrong collaborations

text: lyrical phrasing, and vocal intonation; her instrument-like improvisational ability with her voice, particularly in her scat singing, proved popular with many audiences. In the 1950s, the depth and scope of her many releases had already attracted major attention. Many critics of the time regarded her as one of the best female vocalists still making music. Louis Armstrong (August 4, 1901 – July 6, 1971) was an African-American jazz singer and trumpeter as well as composer who ended up being one of the most pivotal and influential figures in not just jazz-related styles but across popular music. His career spanned five

title: Hello, Dolly! (Louis Armstrong album)

text: past his prime at the time, "Hello, Dolly!" shows him at his '60s best." Digby Fairweather included the album in the selected Armstrong discography in "The Rough Guide to Jazz", saying that "Armstrong has established himself in 1964 with a new generation of fans." Hello, Dolly! (Louis Armstrong album) Hello Dolly! is a jazz album by Louis Armstrong and His All Stars, which at the time included Joe Darensbourg, Billy Kyle, Big Chief Russell Moore, Arvell Shaw, and Trummy Young. The tracks were mostly recorded on December 3, 1963, and April 18, 1964, in New York City. It was released

title: Louis Armstrong

text: "What a Wonderful World", which topped the British charts for a month. Armstrong appeared on the October 28, 1970, "Johnny Cash Show", where he sang Nat King Cole's hit "Ramblin' Rose" and joined Cash to re-create his performance backing Jimmie Rodgers on "Blue Yodel No. 9". Armstrong enjoyed many types of music, from blues to the arrangements of Guy Lombardo, to Latin American folksongs, to classical symphonies and opera. He incorporated influences from all these sources into his performances, sometimes to the bewilderment of fans who wanted him to stay in convenient narrow categories. Armstrong was inducted into the Rock

title: On My Way (Louis Armstrong song)

text: I'm on My Way!", a song sung by Ella Fitzgerald the previous year (1957) on the "Porgy and Bess" album by Fitzgerald and Armstrong. That song begins: "Porgy and all, I'm on my way to a heav'nly lan. On My Way (Louis Armstrong song) "On My Way" is a Louis Armstrong song that appeared on the album "Louis and the Good Book" in 1958 and was issued with "I'll String Along with You" as a single in 1959. It features a solo section with Louis and Trummy Young. A variant of I'm on My Way (traditional song), Armstrong's version starts

title: Louis Armstrong House

text: materials in its archives of writings, books, recordings and memorabilia available to the public for research. The Louis Armstrong Educational Foundation gave the house to the Department of Culture Affairs after Lucille Armstrong died in 1983. This brick house was designed by architect Robert W. Johnson and built by Thomas Daly in 1910. Some changes were made to the exterior and interior of the house when the Armstrongs moved in. The porch that was once in the front of the house was taken down and the space was added to the living room. For the exterior of the house the

title: Louis Armstrong award

text: general. Lucille Armstrong, his wife in later years, described his love for people. "Louis's greatest personality traits were humility and generosity. He just loved people, and he always tried to understand them too. He was compassionate, generous, and understanding with everyone. He was loved, not only for his style, but as a person as well." The Louis Armstrong award was inaugurated in 1974, with the consent of Armstrong's widow, shortly after he died in 1971. The award itself is limited to one per school, and may include a certificate, engraved statue, and wall plaque to which the names of each

title: Louis Armstrong

text: husband a few years earlier. His second wife helped him develop his career, but they separated in 1931 and divorced in 1938. Armstrong then married Alpha Smith. His marriage to his third wife lasted four years, and they divorced in 1942. Louis then married Lucille Wilson in October 1942, a singer at the Cotton Club, to whom he was married until his death in 1971. Armstrong's marriages never produced any offspring, though he loved children. However, in December 2012, 57-year-old Sharon Preston-Folta claimed to be his daughter from a 1950s affair between Armstrong and Lucille "Sweets" Preston, a dancer at

title: Hello, Dolly! (Louis Armstrong album)

text: Hello, Dolly! (Louis Armstrong album) Hello Dolly! is a jazz album by Louis Armstrong and His All Stars, which at the time included Joe Darensbourg, Billy Kyle, Big Chief Russell Moore, Arvell Shaw, and Trummy Young. The tracks were mostly recorded on December 3, 1963, and April 18, 1964, in New York City. It was released by Kapp Records in 1964 and became Armstrong's most commercially successful album. Greg Adams gave the album 3½ out of 5 stars in Allmusic and said, "Armstrong had one of the most recognizable and personality-laden voices of the 20th century, and although he was

title: Louis Armstrong Park (New Orleans)

text: in the rear of the park into the park's greenspace The presence of these parking lots are often attributed to high rates of subsidence and flooding along N. Villere Street. Louis Armstrong Park was home to the first New Orleans Jazz & Heritage Festival in 1970. While that festival has moved to the larger space of New Orleans Fairgrounds, Armstrong Park has more recently been the home of many other events, including the "Jazz in the Park" free concert series, the Treme Creole Gumbo Fest, and the Louisiana Cajun & Zydeco Festival. Monuments include a 12-foot statue of Louis Armstrong.

text: a host of instrumentalists from the Jazz At The Philharmonic troupe. The idea of entire duet album came about from Verve's Norman Granz who had the idea to pair Fitzgerald and Armstrong. Granz also persuaded Armstrong to forsake his own trad jazz group and embrace the modern sound of Oscar Peterson and composers such as Porter and Berlin. Fitzgerald allowed Louis to choose the keys in which to sing the repertoire and together they recorded the first of three albums, "Ella and Louis". "Ella and Louis" found Ella Fitzgerald and Louis Armstrong accompanied by the Oscar Peterson Quartet. The studio

title: Louis Armstrong Hot Five and Hot Seven Sessions

text: Louis Armstrong Hot Five and Hot Seven Sessions The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry, "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures. These sessions, his solos in particular, set a standard musicians still strive to equal in their beauty and innovation." These recordings were added to the National Recording Registry in 2002, the first year of the institution's existence. Ron Wynn and Bruce Boyd Raeburn,

text: another all-time record, with 12,009,512 passengers handled. MSY opened after World War II, replacing the older New Orleans Lakefront Airport (which kept the NEW and KNEW airport codes and now serves general aviation) as the city's main airport. MSY was renamed in 2001 after Louis Armstrong, the famous jazz musician from New Orleans. In January 2016, the airport began replacement of the current terminal by starting construction on a new terminal located on the north side of the airfield. The terminal is slated to have 35 gates, which can be expanded to 42 gates in the future. Plans for a

title: Louis Armstrong

text: taking what had been essentially a collective folk music and turning it into an art form with tremendous possibilities for individual expression. Armstrong was one of the first artists to use recordings of his performances to improve himself. Armstrong was an avid audiophile. He had a large collection of recordings, including reel-to-reel tapes, which he took on the road with him in a trunk during his later career. He enjoyed listening to his own recordings, and comparing his performances musically. In the den of his home, he had the latest audio equipment and would sometimes rehearse and record along with

title: Louis Armstrong

text: Cotton Club, a venue for elaborately staged floor shows, and a front for gangster Dutch Schultz. Armstrong also had considerable success with vocal recordings, including versions of famous songs composed by his old friend Hoagy Carmichael. His 1930s recordings took full advantage of the new RCA ribbon microphone, introduced in 1931, which imparted a characteristic warmth to vocals and immediately became an intrinsic part of the 'crooning' sound of artists like Bing Crosby. Armstrong's famous interpretation of Carmichael's "Stardust" became one of the most successful versions of this song ever recorded, showcasing Armstrong's unique vocal sound and style and his

text: decades, from the 1920s to the 1960s, and different eras both musically and also in terms of U.S. culture. Coming to prominence first as an inventive player, Armstrong attracted notice for shifting the focus in his records from collective improvisations to turn-by-turn solo performances. Like Fitzgerald, Armstrong picked up popular nicknames, in his case "Pops" and "Satchmo", that stuck, and critics praised him by the 1950s as a sort of elder statesmen of popular music. Fitzgerald appeared in many duets in the Forties, appearing on recordings with, among others, The Ink Spots, Louis Jordan and Louis Armstrong as well as

title: On My Way (Louis Armstrong song)

text: On My Way (Louis Armstrong song) "On My Way" is a Louis Armstrong song that appeared on the album "Louis and the Good Book" in 1958 and was issued with "I'll String Along with You" as a single in 1959. It features a solo section with Louis and Trummy Young. A variant of I'm on My Way (traditional song), Armstrong's version starts with "On My Way" or "I'm on My Way" (or similar phrases in various versions) and then goes into a chorus "On my way now, got on my traveling shoes...". The song is no relation to "Oh, Lawd,

text: of the above titles are also sometimes known as "Porgy & Bess". On May 20, 1997, the compilation album "The Complete Ella Fitzgerald & Louis Armstrong on Verve" first came out. "The Complete Ella Fitzgerald and Louis Armstrong Studio Recorded Duets" (also known as just "The Complete Studio Recorded Duets") was first released on March 31, 2008. It saw a re-release in 2011. Despite the latter's title, that two-CD album only featured a selection of thirty-five particular tracks by the duo, lifting just four of the pieces on "Porgy and Bess". "Ella and Louis" has picked up praise from a

text: Ella Fitzgerald and Louis Armstrong collaborations The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in "Ella and Louis" (1956), "Ella and Louis Again" (1957), and "Porgy and Bess" (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.

title: Louis Armstrong

text: "Can Anyone Explain?" from the live album "In Scandinavia vol.1". "Lewie" is the French pronunciation of "Louis" and is commonly used in Louisiana. Armstrong was performing at the Brick House in Gretna, Louisiana when he met Daisy Parker, a local prostitute. He started the affair as a client. He returned to Gretna on several occasions to visit her. He found the courage to look for her home to see her away from work. It was on this occasion that he found out that she had a common-law husband. Not long after this fiasco, Parker traveled to Armstrong's home on Perdido

text: the airport will route to I-10 via Loyola Drive. The plans call for demolishing concourses A, B and C of the existing southside terminal complex, while repurposing concourse D for charter services and administrative offices. The airport currently has 34 gates but only uses 30 gates; the new terminal is designed for 35 gates, with an option to expand to 42. Louis Armstrong New Orleans International Airport Louis Armstrong New Orleans International Airport is an international airport under Class B airspace in Jefferson Parish, Louisiana, United States. It is owned by the city of New Orleans and is west of

title: Louis Armstrong

text: forms of music and with hosting before a large audience. He began to scat sing (improvised vocal jazz using nonsensical words) and was among the first to record it, on the Hot Five recording "Heebie Jeebies" in 1926. The recording was so popular that the group became the most famous jazz band in the United States, even though they had not performed live to any great extent. Young musicians across the country, black or white, were turned on by Armstrong's new type of jazz. After separating from Lil, Armstrong started to play at the Sunset Café for Al Capone's associate

title: Louis Armstrong Stadium (1978-2016)

text: third largest stadium at the US Open, with a seating capacity of about 6,000. In 1997, the stadium was replaced as the Open's primary venue by Arthur Ashe Stadium. Armstrong Stadium was renovated again, with the top tiers of seating being removed. The stadium held close to 18,000 at its peak, but this was reduced to around 10,200 with the renovation, which also added a brick facade to match that of Ashe Stadium. The stadium was demolished in October 2016. A new 14,000-seat Louis Armstrong Stadium opened for the 2018 US Open. This new stadium features a retractable roof, the

title: Louis Armstrong

text: Orleans, always signing his letters, "Red beans and ricely yours ..." A fan of Major League Baseball, he founded a team in New Orleans that was known as Raggedy Nine and transformed the team into his Armstrong's "Secret Nine Baseball". Armstrong's gregariousness extended to writing. On the road, he wrote constantly, sharing favorite themes of his life with correspondents around the world. He avidly typed or wrote on whatever stationery was at hand, recording instant takes on music, sex, food, childhood memories, his heavy "medicinal" marijuana use—and even his bowel movements, which he gleefully described. Louis Armstrong was not, as

title: What Made America Famous?

text: What Made America Famous? "What Made America Famous?" is a song written and performed by Harry Chapin. The song was included on his 1974 album, Verities & Balderdash. It has also been included on numerous posthumous compilation albums. The song inspired Chapin to write the award nominated Broadway musical, The Night That Made America Famous. The song shows a man, his girlfriend, and kids living in a rundown home. Eventually, a house fire starts, and they need rescue. It is continually asked in the song if anybody cares. It ends with the firefighters waiting to respond to "let them sweat

title: Louis Armstrong

text: New Orleans. He did odd jobs for the Karnoffskys, a family of Lithuanian Jews. While selling coal in Storyville, he heard spasm bands, groups that played music out of household objects. He heard the early sounds of jazz from bands that played in brothels and dance halls such as Pete Lala's, where King Oliver performed. The Karnoffskys took him in and treated him like family. Knowing he lived without a father, they fed and nurtured him. In his memoir "Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907", he described his discovery that this family

title: Louis Armstrong Stadium

text: positioned to keep rain out and, at the same time, allow for natural ventilation. Designers say the terra cotta material contextually relates to the traditional brick buildings on the site while using the material in a new way. The first official match was played on August 27th, 2018 between Simona Halep and Kaia Kanepi. Kanepi won in two sets, which was the first time a WTA No. 1 had ever lost in the first round of the US Open. For the 2017 tournament, while construction was still ongoing on the new Louis Armstrong Stadium, a temporary 8,800-seat stadium was built

title: Louis Armstrong

text: and Roll Hall of Fame as an "early influence". Some of his solos from the 1950s, such as the hard rocking version of "St. Louis Blues" from the "WC Handy" album, show that the influence went in both directions. Armstrong appeared in more than a dozen Hollywood films, usually playing a bandleader or musician. His most familiar role was as the bandleader "cum" narrator in the 1956 musical "High Society" in which he sang the title song and performed a duet with Bing Crosby on "Now You Has Jazz". In 1947, he played himself in the movie "New Orleans" opposite

title: What Made Milwaukee Famous (band)

text: What Made Milwaukee Famous (band) What Made Milwaukee Famous (WMMF) is an indie rock band from Austin, Texas. In 2005, WMMF performed for Austin City Limits with Franz Ferdinand, making them one of the only unsigned bands to play for the show in its 43-year history. In 2006, the band signed with Barsuk Records, which re-released their 2004 debut album, "Trying to Never Catch Up". Their second album, "What Doesn't Kill Us", was released on March 4, 2008. Since forming, the band has played at the South by Southwest music festival, the Austin City Limits Festival, and Lollapalooza. They have

title: Todd Armstrong

text: Todd Armstrong Todd Armstrong (July 25, 1937 – November 17, 1992) was an American actor in ten films and several television series. He is probably best known for playing the titular role of Jason in the film "Jason and the Argonauts" (1963). He had also starred, during 1961, in the later segments of the syndicated crime drama "Manhunt". Todd Armstrong was born John Harris Armstrong in St. Louis, Missouri on July 25, 1937. His parents were Louise Armstrong (maiden name, McClelland) and Harris Armstrong (born 1899). Armstrong’s father was born in St. Louis (Missouri). He was a well-known architect that

title: What Made America Famous?

text: a little", and the plumber ends up saving everyone in the home. They spend the night in the plumber's home and realize that heroes are people who you'd never suspect, or ever know. The song was inspired when Chapin himself lived in Point Lookout in Long Island during the 1960s. There was a suspicious fire in a low-income residence. Although it is unknown how the actual firefighters responded, he imagined that they responded like in the song. What Made America Famous? "What Made America Famous?" is a song written and performed by Harry Chapin. The song was included on his

title: What Made Milwaukee Famous (band)

text: opened for The Smashing Pumpkins, Arcade Fire, The Black Keys, and Snow Patrol. WMMF has been featured on spots in "Billboard" and Rolling Stone bands-to-watch lists. The band's name comes from Jerry Lee Lewis's "What's Made Milwaukee Famous (Has Made a Loser Out of Me)". What Made Milwaukee Famous (band) What Made Milwaukee Famous (WMMF) is an indie rock band from Austin, Texas. In 2005, WMMF performed for Austin City Limits with Franz Ferdinand, making them one of the only unsigned bands to play for the show in its 43-year history. In 2006, the band signed with Barsuk Records, which

text: form on these dates, Fitzgerald's sweetly melodic voice contrasting nicely with Armstrong's coarse rasp." In his view, the related 2011 compilation album that included most of their collaborations, while missing several tracks, "captures some of the finest vocal work of the past century". Ella Fitzgerald and Louis Armstrong collaborations The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together

title: Neil Armstrong

text: Armstrong, but two weeks later he called her to ask what she was doing. She replied that she was cutting down a cherry tree, and 35 minutes later Armstrong was at her house to help. They were married in Ohio on June 12, 1994, and had a second ceremony at San Ysidro Ranch in California. He lived in Indian Hill, Ohio. Armstrong guarded the use of his name, image, and famous quote. When it was launched in 1981, MTV wanted to use his quote in its station identification, with the American flag replaced with the MTV logo, but he refused

title: Louis Armstrong

text: traditional jazz of the 1920s made it possible for Armstrong to consider a return to the small-group musical style of his youth. Following a highly successful small-group jazz concert at New York Town Hall on May 17, 1947, featuring Armstrong with trombonist/singer Jack Teagarden, Armstrong's manager, Joe Glaser dissolved the Armstrong big band on August 13, 1947, and established a six-piece traditional jazz group featuring Armstrong with (initially) Teagarden, Earl Hines and other top swing and Dixieland musicians, most of whom were previously leaders of big bands. The new group was announced at the opening of Billy Berg's Supper Club.

title: Louis Armstrong

text: attract customers. Morris Karnoffsky gave Armstrong an advance toward the purchase of a cornet from a pawn shop. When Armstrong was eleven, he dropped out of school. His mother moved into a one-room house on Perdido Street with him, Lucy, and her common-law husband, Tom Lee, next door to her brother Ike and his two sons. Armstrong joined a quartet of boys who sang in the streets for money. He also got into trouble. Cornetist Bunk Johnson said he taught the eleven-year-old to play by ear at Dago Tony's honky tonk. In his later years Armstrong credited King Oliver. He

title: Harris Armstrong

text: (then known as the Jefferson National Expansion Memorial). Armstrong retired in 1969. He was the father of the actor Todd Armstrong, best known for playing the title character in the 1963 film "Jason and the Argonauts". Harris Armstrong Harris Armstrong (1899 – 1973) was an American regional modernist architect, considered the dean of modernists active in St. Louis, Missouri. After working in the office of Raymond Hood in the 1930s, Armstrong returned to St. Louis and designed many civic landmarks, including the 1935 Shanley Building, awarded a silver medal at the 1937 Paris Exposition of Art and Technology; the 1938

title: Louis Armstrong

text: as the title of a 2010 biography of Armstrong by Terry Teachout. Armstrong was largely accepted into white society, both on stage and off, a privilege reserved for very few African-American public figures at the time. Some musicians criticized Armstrong for playing in front of segregated audiences, and for not taking a strong enough stand in the American civil rights movement. The few exceptions made it more effective when he did speak out. Armstrong's criticism of President Eisenhower, calling him "two-faced" and "gutless" because of his inaction during the conflict over school desegregation in Little Rock, Arkansas in 1957 made

title: Louis Armstrong

text: the Cotton Club. In a 1955 letter to his manager, Joe Glaser, Armstrong affirmed his belief that Preston's newborn baby was his daughter, and ordered Glaser to pay a monthly allowance of $400 to mother and child. Armstrong was noted for his colorful and charismatic personality. His autobiography vexed some biographers and historians, as he had a habit of telling tales, particularly of his early childhood when he was less scrutinized, and his embellishments of his history often lack consistency. In addition to an entertainer, Armstrong was a leading personality of the day. He was beloved by an American public

title: Henry Armstrong

text: Bert Sugar also ranked Armstrong as the second-greatest fighter of all time. ESPN ranked Armstrong as number 3 on their list of the 50 greatest boxers of all time. Armstrong was born December 12, 1912, in Columbus, Mississippi but moved with his family to St. Louis, Missouri, during his childhood, where he became involved in boxing. He was the son of Henry Jackson Sr., a sharecropper of African American, Irish and Native American descent. Armstrong graduated from Vashon High School in St. Louis and was later inducted into the St. Louis Walk of Fame. Armstrong's two nicknames were "Hurricane Henry"

text: Grammy Hall of Fame by 2001. "The Complete Ella Fitzgerald & Louis Armstrong on Verve" attracted praise in the same vein as the original releases that the compilation albums took songs from, such as from Richard S. Ginell of Allmusic. Writing for "All About Jazz", music critic David Rickert stated that the collaborations were "a match made in heaven" and lauded "Ella and Louis", "Ella and Louis Again", and "Porgy and Bess" all as "terrific albums". He remarked, "Their work together is a highlight of the 1950s, a busy time for classic vocal jazz records, and both were in fine

title: G.G. Armstrong

text: G.G. Armstrong George Grey Armstrong (1877–1961) was a noted player, teacher and maker of the Northumbrian smallpipes. He also composed several tunes for the instrument. He lived in Hexham, Northumberland. He learned to play the instrument from the Clough family, and studied pipemaking with John E. Baty. There is a photograph of him with his pipes, from the Cocks collection, at. He taught 36 pupils, including Joe Hutton, Tommy Breckons and Colin Caisley, and passed on his pipemaking skills to William Cocks. Some of his teaching was for Scout troops - the Northumbrian Pipers' Society led a move to introduce

title: Louis Armstrong

text: his older recordings or the radio. As his music progressed and popularity grew, his singing also became very important. Armstrong was not the first to record scat singing, but he was masterful at it and helped popularize it with the first recording on which he scatted, "Heebie Jeebies". At a recording session for Okeh Records, when the sheet music supposedly fell on the floor and the music began before he could pick up the pages, Armstrong simply started singing nonsense syllables while Okeh president E.A. Fearn, who was at the session, kept telling him to continue. Armstrong did, thinking the

title: Louis Armstrong

text: national news. As a protest, Armstrong canceled a planned tour of the Soviet Union on behalf of the State Department saying: "The way they're treating my people in the South, the government can go to hell" and that he could not represent his government abroad when it was in conflict with its own people. The FBI kept a file on Armstrong for his outspokenness about integration. When asked about his religion, Armstrong answered that he was raised a Baptist, always wore a Star of David, and was friends with the pope. He wore the Star of David in honor of

title: G.G. Armstrong

text: a family heirloom, made by James Reid, is now in the Morpeth Chantry Bagpipe Museum. He used this as the model for the 17-key chanters he made himself. G.G. Armstrong George Grey Armstrong (1877–1961) was a noted player, teacher and maker of the Northumbrian smallpipes. He also composed several tunes for the instrument. He lived in Hexham, Northumberland. He learned to play the instrument from the Clough family, and studied pipemaking with John E. Baty. There is a photograph of him with his pipes, from the Cocks collection, at. He taught 36 pupils, including Joe Hutton, Tommy Breckons and Colin

title: Louis Armstrong

text: like a military camp and used corporal punishment. Armstrong developed his cornet skills by playing in the band. Peter Davis, who frequently appeared at the home at the request of Captain Jones, became Armstrong's first teacher and chose him as bandleader. With this band, the thirteen year-old Armstrong attracted the attention of Kid Ory. On June 14, 1914, Armstrong was released into the custody of his father and his new stepmother, Gertrude. He lived in this household with two stepbrothers for several months. After Gertrude gave birth to a daughter, Armstrong's father never welcomed him, so he returned to his

title: Louis Armstrong

text: Street. They checked into Kid Green's hotel that evening. On the next day, March 19, 1918, at the age of 16, Armstrong and Parker married at City Hall. They adopted a 3-year-old boy, Clarence, whose mother, Armstrong's cousin Flora, died soon after giving birth. Clarence Armstrong was mentally disabled as the result of a head injury at an early age, and Armstrong spent the rest of his life taking care of him. His marriage to Parker ended when they were separated in 1923. On February 4, 1924, he married Lil Hardin Armstrong, King Oliver's pianist. She had divorced her first

text: Tokyo and São Paulo, Brazil. By the time the 1959 airport terminal building opened, the name "Moisant International Airport" was being used for the New Orleans facility. In 1961, the name was changed to "New Orleans International Airport". In July 2001, to honor the 100th anniversary of Louis Armstrong's birth (August 4, 1901), the airport's name became "Louis Armstrong New Orleans International Airport". During the administration of Morrison's successor, Vic Schiro, the government sponsored studies of the feasibility of relocating New Orleans International Airport to a new site, contemporaneous with similar efforts that were ultimately successful in Houston (George Bush

title: Neil Armstrong

text: before extravehicular activity, but Armstrong requested the EVA be moved to earlier in the evening, Houston time. When he and Aldrin were ready to go outside, "Eagle" was depressurized, the hatch was opened, and Armstrong made his way down the ladder. At the bottom of the ladder Armstrong said, "I'm going to step off the LM now". He turned and set his left boot on the lunar surface at 02:56 UTC July 21, 1969, then spoke the now-famous words, "That's one small step for [a] man, one giant leap for mankind." Armstrong prepared his famous epigram on his own. In

title: David H. Armstrong

text: commissioners from 1873 to 1876. Armstrong served as a member of the board of freeholders which framed the charter of St. Louis in 1876, and was appointed as a Democrat to the U.S. Senate to fill the vacancy caused by the death of Lewis V. Bogy, serving from September 29, 1877, to January 26, 1879, when a successor was elected and qualified. Armstrong was not a candidate for reelection in 1879; and in 1893 died in St. Louis. Interment was in Bellefontaine Cemetery. Armstrong was Vice President of the St. Louis Board and helped command the July 27, 1877 cavalry

title: Louis Armstrong

text: including "Stardust", "What a Wonderful World", "When The Saints Go Marching In", "Dream a Little Dream of Me", "Ain't Misbehavin'", "You Rascal You", and "Stompin' at the Savoy". "We Have All the Time in the World" was featured on the soundtrack of the James Bond film "On Her Majesty's Secret Service", and enjoyed renewed popularity in the UK in 1994 when it featured on a Guinness advert. It reached number 3 in the charts on being re-released. In 1964, Armstrong knocked The Beatles off the top of the "Billboard" Hot 100 chart with "Hello, Dolly!", which gave the 63-year-old performer

title: Louis Armstrong

text: track would be discarded, but that was the version that was pressed to disc, sold, and became an unexpected hit. Although the story was thought to be apocryphal, Armstrong himself confirmed it in at least one interview as well as in his memoirs. On a later recording, Armstrong also sang out "I done forgot the words" in the middle of recording "I'm A Ding Dong Daddy From Dumas". Such records were hits and scat singing became a major part of his performances. Long before this, however, Armstrong was playing around with his vocals, shortening and lengthening phrases, interjecting improvisations, using

title: Todd Armstrong

text: He was 55. Armstrong appeared in the following film and television roles: Todd Armstrong Todd Armstrong (July 25, 1937 – November 17, 1992) was an American actor in ten films and several television series. He is probably best known for playing the titular role of Jason in the film "Jason and the Argonauts" (1963). He had also starred, during 1961, in the later segments of the syndicated crime drama "Manhunt". Todd Armstrong was born John Harris Armstrong in St. Louis, Missouri on July 25, 1937. His parents were Louise Armstrong (maiden name, McClelland) and Harris Armstrong (born 1899). Armstrong’s father

title: Porgy and Bess (Ella Fitzgerald and Louis Armstrong album)

text: Porgy and Bess (Ella Fitzgerald and Louis Armstrong album) Porgy and Bess is a 1958 studio album by jazz vocalist and trumpeter Louis Armstrong and singer Ella Fitzgerald, collaborating on selections from George and Ira Gershwin's Porgy and Bess. In 2001, it was awarded a Grammy Hall of Fame Award, a special achievement prize established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." The album was originally issued on the Verve label as Verve MGV 4011-2, then reissued on PolyGram on CD in 1990, as Verve-PolyGram 827 475-2. The

title: Louis Armstrong

text: debts. Armstrong also began to experience problems with his fingers and lips, which were aggravated by his unorthodox playing style. As a result, he branched out, developing his vocal style and making his first theatrical appearances. He appeared in movies again, including Crosby's 1936 hit "Pennies from Heaven". In 1937, Armstrong substituted for Rudy Vallee on the CBS radio network and became the first African American to host a sponsored, national broadcast. After spending many years on the road, Armstrong settled permanently in Queens, New York in 1943 in contentment with his fourth wife, Lucille. Although subject to the vicissitudes

title: Harris Armstrong

text: Harris Armstrong Harris Armstrong (1899 – 1973) was an American regional modernist architect, considered the dean of modernists active in St. Louis, Missouri. After working in the office of Raymond Hood in the 1930s, Armstrong returned to St. Louis and designed many civic landmarks, including the 1935 Shanley Building, awarded a silver medal at the 1937 Paris Exposition of Art and Technology; the 1938 Grant Medical Clinic; the 1946 "Magic Chef" building in collaboration with Isamu Noguchi; and the distinctive 1962 Ethical Society building. He was one of five finalists in the design competition for the Gateway Arch National Park

title: Louis Armstrong

text: for blacks making good wages at factories with some left over for entertainment. Oliver's band was among the most influential jazz bands in Chicago in the early 1920s. Armstrong lived luxuriously in his own apartment with his first private bath. Excited as he was to be in Chicago, he began his career-long pastime of writing letters to friends in New Orleans. Armstrong could blow two hundred high Cs in a row. As his reputation grew, he was challenged to cutting contests by other musicians. His first studio recordings were with Oliver for Gennett Records on April 56, 1923. They endured

title: Louis Armstrong

text: the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. His artistry and personality allowed him access to the upper echelons of American society, then highly restricted for black men. Armstrong often stated that he was born on July 4, 1900. Although he died in 1971, it was not until the mid-1980s that his true birth date, August 4, 1901, was discovered by Tad Jones by researching baptismal records. At least three other biographies treat the July 4th birth date as a myth. Armstrong was born in New Orleans on August 4,