query: where did kate chopin grow up?

title: Kate Chopin House (St. Louis, Missouri)

text: Kate Chopin House (St. Louis, Missouri) The Kate Chopin House, located at 4232 McPherson Avenue in St. Louis, Missouri, is the former home of author Kate Chopin. The house was built in 1897 by contractor Oscar F. Humphrey. Chopin moved to the house in 1903 and lived there until her death in 1904; while living in the house, she wrote her last poem and story. Chopin grew up in St. Louis before moving to Louisiana with her husband; after his death, she returned to St. Louis, where she began her writing career. Her stories discussed the evolving role of women

title: Kate Chopin

text: Kate Chopin Kate Chopin (; born Katherine O'Flaherty; February 8, 1850 – August 22, 1904), was an American author of short stories and novels based in Louisiana. She is now considered by some scholars to have been a forerunner of American 20th-century feminist authors of Southern or Catholic background, such as Zelda Fitzgerald. Of maternal French and paternal Irish descent, Chopin was born in St. Louis, Missouri. She married and moved with her husband to New Orleans. They later lived in the country in Cloutierville, Louisiana. From 1892 to 1895, Chopin wrote short stories for both children and adults that

title: Kate Chopin

text: "Pay attention to the language itself. The ideas. Don't think in terms of a beginning and an end. Because unlike some plot-driven entertainments, there is no closure in real life. Not really. Kate Chopin Kate Chopin (; born Katherine O'Flaherty; February 8, 1850 – August 22, 1904), was an American author of short stories and novels based in Louisiana. She is now considered by some scholars to have been a forerunner of American 20th-century feminist authors of Southern or Catholic background, such as Zelda Fitzgerald. Of maternal French and paternal Irish descent, Chopin was born in St. Louis, Missouri. She

title: Kate Chopin

text: addressed to factions in society. Kate Chopin began her writing career with her first story published on St. Louis Post Dispatch. By the early 1890s, Chopin forged a successful writing career, contributing short stories and articles to local publications and literary journals. She also initially wrote a number of short stories such as "A Point at Issue!", "A No-Account Creole", "Beyond the Bayou" which were published in various magazines.In 1890, her first novel "At Fault" about a young widow and the sexual constraints of women was published privately. The protagonist demonstrates the initial theme of Kate Chopin's works when she

title: Kate Chopin

text: Kate and Kitty first communions in May of 1861, the Civil War broke out in St. Louis. After the war ended Kate suffered losses, from her friend Kitty and Kitty family being banished from St. Louis for supporting the Confederate, to losing her half-brother from a fever but most of all the death of her Great-Grandmother during the chaos. In St. Louis, Missouri, on 8 June 1870, she married Oscar Chopin and settled with him in his home town of New Orleans, an important port. Chopin had six children between 1871 and 1879: in order of birth, Jean Baptiste, Oscar

title: Kate Chopin

text: began writing. In 1892, Kate Chopin produced “Désirée’s Baby”, “Ripe Figs” and “At the ‘Cadian Ball” appeared in "Two Tales" that year, and eight of her other stories were published. The short story of "Désirée's Baby" focuses on Kate Chopin's experience with miscegenation and communities of the Creoles of color in Louisiana. She came of age when slavery was institutionalized in St. Louis and the South. In Louisiana, there had been communities established of free people of color, especially in New Orleans, where formal arrangements were made between white men and free women of color or enslaved women for plaçage,

title: Kate Chopin House (St. Louis, Missouri)

text: in American society, and contemporary literary critics considered her one of the most significant St. Louis authors of the period. The house at 4232 McPherson is her only surviving former residence in St. Louis. The house was added to the National Register of Historic Places on February 14, 1986. Kate Chopin House (St. Louis, Missouri) The Kate Chopin House, located at 4232 McPherson Avenue in St. Louis, Missouri, is the former home of author Kate Chopin. The house was built in 1897 by contractor Oscar F. Humphrey. Chopin moved to the house in 1903 and lived there until her death

title: Kate Chopin House (Cloutierville, Louisiana)

text: play cards, and go for walks alone. Local gossip also suggested that Chopin lifted her skirt higher than necessary when walking, showing her ankles. Kate Chopin only lived here for about four years when her husband died. Oscar Chopin had suffered from malaria and overdosed on quinine, leading to his wife Kate to take over the business. However, she soon left the home and relocated to St. Louis, Missouri by mid-1884 to be with her mother. She left her sons with the family of her husband in Cloutierville. Chopin used some of her experience in the town for inspiration for

title: Kate Chopin

text: story writing. In 1900, she wrote "The Gentleman from New Orleans." That same year she was listed in the first edition of "Marquis Who's Who." However, she never made much money from her writing, and had to depend on her investments in Louisiana and St. Louis (aided by her inheritance from her mother) to support her. While visiting the St. Louis World's Fair on August 20, 1904, Chopin suffered a brain hemorrhage. She died two days later, at the age of 54. She was interred in Calvary Cemetery in St. Louis. Kate Chopin lived in a variety of locations, based

title: Kate Chopin

text: flirted outrageously with local men; (she even engaged in a relationship with a married farmer)." Although Chopin worked to make her late husband's plantation and general store succeed, two years later she sold her Louisiana business. Her mother had implored her to move back to St. Louis, and Chopin did, aided by her mother's assistance with finances. Her children gradually settled into life in the bustling city of St. Louis. The following year, Chopin's mother died. Chopin struggled with depression after the losses in a short time of both her husband and her mother. Her obstetrician and family friend, Dr.

title: Kate Chopin

text: Frederick Kolbenheyer, suggested that she start writing, believing that it could be a source of therapeutic healing for her. He understood also that writing could be a focus for her extraordinary energy, as well as a source of income. By the early 1890s, Kate Chopin began writing short stories, articles, and translations which were published in periodicals, including the "St. Louis Post-Dispatch" newspaper. She was quite successful and placed many of her publications in literary magazines. At the time, she was considered only as a regional local color writer, as this was a period of considerable publishing of folk tales,

title: Kate Chopin

text: native aptitude for narration amounting almost to genius." Chopin was born Katherine O'Flaherty in St. Louis, Missouri. Her father, Thomas O'Flaherty, was a successful businessman who had immigrated to the United States from Galway, Ireland. Her mother, Eliza Faris, was his second wife and a well-connected member of the ethnic French community in St. Louis; she was the daughter of Athénaïse Charleville, who was of French Canadian descent. Some of Chopin's ancestors were among the first European (French) inhabitants of Dauphin Island, Alabama. Kate was the third of five children, but her sisters died in infancy and her half-brothers (from

title: Kate Chopin

text: Maupassant, known for his short stories: Kate Chopin is an example of a revisionist myth-maker because she revises myth more realistically about marriage and female sexuality of her time. The biggest myth Chopin focused on was the " Victorian notion of women's somewhat anemic sexuality" and "The Storm" is the best example of Kate Chopin using that myth through a character set on fulfilling her complete sexual potential. For instance, in" The Storm", portraits of women were revised by Kate Chopin to obtain consummation in roles other than marriage to evince a passionate nature considered inappropriate by conventional, patriarchal standards

title: Kate Chopin

text: She never doubted women's ability to be strong." Kate Chopin's sympathies lay with the individual in the context of his and her personal life and society. Through her stories, Kate Chopin wrote a kind of autobiography and described her societies; she had grown up in a time when her surroundings included the abolitionist movements before the American Civil War, and their influence on freedmen education and rights afterward, as well as the emergence of feminism. Her ideas and descriptions were not reporting, but her stories expressed the reality of her world. Chopin took strong interest in her surroundings and wrote

title: Kate Chopin

text: and own slaves and a plantation. Mentine and Jules' marriage has weathered many hard times, while Armand and Desiree's falls apart at the first sign of trouble. Kate Chopin was very talented at showing various sides of marriages and local people and their lives, making her writing very broad and sweeping in topic, even as she had many common themes in her work. Martha Cutter argues that Kate Chopin demonstrates feminine resistance to patriarchal society through her short stories. Cutter claims that Chopin’s resistance can be traced through the timeline of her work, with Chopin becoming more and more understanding

text: Kate Chopin House (Cloutierville, Louisiana) The Kate Chopin House, also known as the Bayou Folk Museum or Alexic Cloutier House, was a house in Cloutierville, Louisiana. It was the home of Kate Chopin, author of "The Awakening", after her marriage. The house was located on Main Street (Louisiana Highway 1) in Cloutierville, in Natchitoches Parish, Louisiana. The home was built by the town's founder, Alexis Cloutier and was constructed in a combination of handmade brick, hand-hewn cypress boards, and bousillage. Its construction, done through the use of slave labor, dated to between 1806 and 1813. Kate Chopin moved here with

title: Kate Chopin

text: exemplification of Edna Pontellier in "The Awakening," Mrs. Baroda in “A Respectable Woman,” and Mrs. Mallard in “The Story of an Hour. In Martha Cutter’s article, “The Search for A Feminine Voice in the Works of Kate Chopin,” analyzes the female characters in many of Chopin’s stories. Cutter argues that Chopin’s opinion of women as being “the invisible and unheard sex” is exemplified through the characterization of Edna in the "Awakening". Cutter argues that Chopin’s writing was shocking due to its sexual identity and articulation of feminine desire. According to Cutter, Chopin’s stories disrupt patriarchal norms. Kate Chopin clearly was

title: Kate Chopin

text: Charles, George Francis, Frederick, Felix Andrew, and Lélia (baptized Marie Laïza). In 1879, Oscar Chopin's cotton brokerage failed. The family left the city and moved to Cloutierville in south Natchitoches Parish to manage several small plantations and a general store. They became active in the community, and Chopin absorbed much material for her future writing, especially regarding the culture of the Creoles of color of the area. When Oscar Chopin died in 1882, he left Kate with $42,000 in debt (approximately $420,000 in 2009 money). According to Emily Toth, "for a while the widow Kate ran his [Oscar's] business and

text: the same name), was run by the Association for Preservation of Historic Natchitoches. The house was destroyed in a fire on October 1, 2008. Though the cause of the fire was not determined, the home's destruction inspired the use of preventative measures at other historic structures in Louisiana. Its National Historic Landmark designation and National Register of Historic Places listing were withdrawn in December 2015. Kate Chopin House (Cloutierville, Louisiana) The Kate Chopin House, also known as the Bayou Folk Museum or Alexic Cloutier House, was a house in Cloutierville, Louisiana. It was the home of Kate Chopin, author of

title: Kate Chopin

text: the pioneer of the early feminist movement even though she did not achieve any literacy rewards for her works. Although it took many readers by surprise, her notion of a woman finding her own identity, and breaking free from society's shackles to soar and strive for one's aspirations has become prevalent in modern time. Women are no longer suppressed against their will to do what their husband says (in most cases), and are allowed to pursue their dreams in the same way that males are. Kate Chopin wrote the majority of her short stories and novels between the years 1889

title: Kate Chopin

text: being censored by it.” And to due this, Chopin tried different strategies in her writings: silent women, overly resistant women, women with a “voice covert,” and women who mimic patriarchal discourse. In 1893, she wrote “Madame Célestin’s Divorce,” and thirteen of her stories were published. In 1894, "The Story of an Hour" and "A Respectable woman" were firstly published by Vogue. "Bayou Folk", a collection of twenty-three of Chopin’s stories, was a success to Kate Chopin in 1894 which was published by Houghton Mifflin. It was the first of her works to gain national attention, and was followed by another

title: Kate Chopin

text: Edna Pontellier ends her life due to her realization that she cannot truly be both the traditional mother role and have a sense of her self as an individual at the same time but especially not during those times. Louisiana Public Broadcasting, under president Beth Courtney, produced a documentary on Chopin's life, "Kate Chopin: A Reawakening". In the penultimate episode of the first season of HBO's "Treme," set in New Orleans, the teacher Creighton (played by John Goodman) assigns Kate Chopin's "The Awakening" to his freshmen and warns them: I want you to take your time with it," he cautions.

title: Kate Chopin

text: even fell out of print for several decades before being rediscovered in the 1970s. It’s now considered a classic of feminist fiction. Chopin reacted to the whole negative events happening to her by commenting ironically:I never dreamt of Mrs. Pontellier making such a mess of things and working out her own damnation as she did. If I had had the slightest intimation of such a thing I would have excluded her from the company. But when I found out what she was up to, the play was half over and it was then too late.According to Bender, Chopin was intrigued

title: What Kate Did

text: What Kate Did "What Kate Did" is the 34th episode of "Lost". It is the ninth episode of the second season. The episode was directed by Paul Edwards, and written by Steven Maeda and Craig Wright. It first aired on November 30, 2005, on ABC. The character of Kate Austen is featured in the episode's flashbacks. Kate Austen kills her alcoholic stepfather, Wayne Jansen, by blowing up his house. Kate confronts her mother, Diane Austen. Kate reveals that she took out an insurance policy under Diane's name. Later, Kate attempts to buy a ticket to Tallahassee, when she is arrested

title: Kate Chopin

text: public began to really appreciate her work as essential Feminist and Southern literature from the 19th Century. Seyersted wrote that she "broke new ground in American Literature." According to Emily Toth, Kate Chopin's work rose in popularity and recognition during the 1970s due to themes of women venturing outside of the constraints set upon them by society, which appealed to people participating in feminist activism and the sexual revolution. She also argues that the works appealed to women in the 1960s, "a time when American women yearned to know about our feisty foremothers"." Academics and scholars began to put Chopin

title: Kate Chopin

text: Marquand draws from theories about creative nonfiction in terms of her work. In order for a story to be autobiographical, or even biographical, Marquand writes, there has to be a nonfictional element, but more often than not the author exaggerates the truth to spark and hold interest for the readers. Kate Chopin might have been surprised to know her work has been characterized as feminist in the late 20th and early 21st centuries, just as she had been in her own time to have it described as immoral. Critics tend to regard writers as individuals with larger points of view

title: Kate Chopin

text: hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome. Not many writers during the mid- to late 19th century were bold enough to address subjects that Chopin took on. Elizabeth Fox-Genovese, of Emory University, wrote that "Kate was neither a feminist nor a suffragist, she said so. She was nonetheless a woman who took women extremely seriously.

title: What Kate Did

text: 'Dad?' Hurley comments that he did not expect Rose's husband to be white, before Jack quickly changes the subject. The producers felt it was important to address that they are an interracial couple, and that Hurley was saying what the audience would be thinking. Caldwell agreed with them and thought it would be odd if the issue was not addressed. Anderson also was glad that Hurley brought up the issue, and liked that Jack did not pay any attention. The episode gained 21.54 million American viewers in its first airing. What Kate Did "What Kate Did" is the 34th episode

title: Kate Chopin

text: by Darwin’s "The Descent of Man and Selection in Relation to Sex""." Though she agreed with the processes of evolution, Chopin however quarreled with Darwin’s theory of sexual selection and the female’s role, which can be exemplified in "The Awakening", in which Bender argues that Chopin references "The Descent of Man""." In his essay, Darwin suggests female inferiority and says that males had “gained the power of selection.” Bender argues that in her writing, Chopin presented women characters that had selective power based on their own sexual desires, not the want of reproduction or love. Bender argues this through the

title: What Kate Did

text: the computer so that Jack can attend Shannon's funeral. At the funeral, Sayid tries to say a few words but, can only declare that he loved her before walking away. At the hatch, Kate tells an unconscious Sawyer that she saw a horse outside. Suddenly, Sawyer grabs her by the neck and says, "You killed me. Why did you kill me?" Jack and Locke later return to the hatch to find the alarm blaring, Sawyer on the floor, and Kate nowhere to be seen. Jack tracks Kate down and accosts her for leaving the hatch. In the ensuing confrontation, Kate

text: several of her writings, including "Bayou Folk", "A Night in Acadie", and "The Awakening". The house was opened as a museum in 1979. It was declared a National Historic Landmark in 1993 for its association with Kate Chopin's life and her use of area happenings as source for bayou life covered in much of her writings. Though the building was restored, the wainscotting was original, as were many of the glass panes. A collection of Chopin artifacts was displayed in one of the basement rooms. The museum, known as the Bayou Folk Museum (in part because of Chopin's book of

title: Where Did All the Love Go?

text: Where Did All the Love Go? "Where Did All the Love Go?" is a song by English rock band Kasabian and is the second official single from their third album "West Ryder Pauper Lunatic Asylum". It was released on 10 August 2009. Guitarist Sergio Pizzorno explained the song's meaning to "New Musical Express" stating that "It's sitting at home seeing another kid get stabbed, everyone is scared and going, 'What the fuck is going on?" The song also speaks about the Internet, with Pizzorno elaborating in an interview with "The Sun" that "Kids today grow up really quickly and there's

title: Kate Chopin

text: - 1904. Altogether, Chopin wrote about a hundred short stories or novels during her time as a fiction writer; her short stories were published in a number of local newspapers including the Saint Louis Post-Dispatch. A large number of her short stories were also published in national Magazines like "Youth’s Companion" and "Harper’s Young People". "Bayou Folk" was especially well reviewed, with Chopin even writing about how she had seen a hundred press notices about it. Those stories were published in the "New York Times" and the "Atlantic." People particularly liked how she used local dialects to give her characters

title: Kate Chopin

text: about many of her observations. Jane Le Marquand assesses Chopin's writings as a new feminist voice, while other intellectuals recognize it as the voice of an individual who happens to be a woman. Marquand writes, "Chopin undermines patriarchy by endowing the Other, the woman, with an individual identity and a sense of self, a sense of self to which the letters she leaves behind give voice. The 'official' version of her life, that constructed by the men around her, is challenged and overthrown by the woman of the story." Chopin appeared to express her belief in the strength of women.

title: Rosa 'Chopin'

text: winter hardy (USDA zone 6b - 10b) and generally disease resistant. Rosa 'Chopin' 'Chopin' (synonym: 'Frederic Chopin', 'Frederyk Chopin') is a rose cultivar which was introduced by Stanisław Żyła in Poland in 1980. The hybrid tea rose was bred by crossing the 'Crêpe de Chine' with the 'Peer Gynt' and is named after Polish-French composer Frédéric Chopin. 'Chopin' is a strong growing rose (150–200 cm) with showy, large flowers of light cream to pale yellow colour. Flowers have an average diameter of 5 inches (11 cm) and 17-25 petals. They grow in small clusters (3-5), have moderate fragrance and appear

title: Kate Chopin

text: in the same feminist categories as Louisa May Alcott, Susan Warner, and Emily Dickinson. Parallels between Alcott and Chopin have been drawn to point out how both authors wrote about females who departed from their traditional roles by dreaming of or striving for independence and individual freedoms, also described as a dramatization of a woman's struggle for selfhood. A reviewer for "Choice Reviews" stated that it was ultimately a struggle doomed to failure because the patriarchal conventions of her society restricted her freedom. Karen Simons felt that this failed struggle was perfectly captured by the ending of the novel, where

title: Kate Chopin

text: also wrote two novels: "At Fault" (1890) and "The Awakening" (1899), which are set in New Orleans and Grand Isle, respectively. The characters in her stories are usually residents of Louisiana. Many of her works are set in Natchitoches in north central Louisiana, a region where she lived. Within a decade of her death, Chopin was widely recognized as one of the leading writers of her time. In 1915, Fred Lewis Pattee wrote, "some of [Chopin's] work is equal to the best that has been produced in France or even in America. [She displayed] what may be described as a

text: her husband Oscar and their five children in 1879. Her sixth child, a daughter named Lélia, was born here shortly after the family's arrival. Oscar set up a general store and ran the business end of the family plantation. Shortly after their arrival in Cloutierville, he inherited a quarter of the family property. Chopin would later describe the neighborhood in her 1891 short story "For Marse Chouchoute" as "two long rows of very old frame houses, facing each other closely across a dusty roadway". Neighbors, mostly of French-Creole descent, did not approve of Chopin's fashion and tendency to smoke cigarettes,

title: Grow Up (The Queers album)

text: should do "Slug". The Ramones never did record "Love Love Love" but we were more than happy to record "Slug". Having Joey say he wanted to do our song was a thrill I will never forget. A demo recording of "Slug", recorded by the Ramones, did eventually surface on the 1990 compilation album "All the Stuff (And More) Volume Two". For the "Grow Up" reissue, King, Rassler, and Shore wrote new liner notes reflecting on this period of the Queers' history and on the various recording sessions that comprised the album. Reviewing the 1994 edition of "Grow Up", Stewart Mason

title: Rosa 'Chopin'

text: Rosa 'Chopin' 'Chopin' (synonym: 'Frederic Chopin', 'Frederyk Chopin') is a rose cultivar which was introduced by Stanisław Żyła in Poland in 1980. The hybrid tea rose was bred by crossing the 'Crêpe de Chine' with the 'Peer Gynt' and is named after Polish-French composer Frédéric Chopin. 'Chopin' is a strong growing rose (150–200 cm) with showy, large flowers of light cream to pale yellow colour. Flowers have an average diameter of 5 inches (11 cm) and 17-25 petals. They grow in small clusters (3-5), have moderate fragrance and appear in flushes throughout the season. Big, leathery foliage. The cultivar is

title: Where Grass Won't Grow

text: Where Grass Won't Grow Where Grass Won't Grow is an album by American country music artist George Jones released in 1969 (see 1969 in country music) on the Musicor Records label. "Where Grass Won't Grow" came towards the end of Jones's association with Musicor. Jones dissatisfaction with the production on his own records and his new marriage to Tammy Wynette only increased his desire to leave Musicor and join her at Epic Records. Significant cuts on the album include "She's Mine" and "If Not For You", which both reached number six on the charts, and "Where Grass Won't Grow", a

title: Where the Columbines Grow

text: Where the Columbines Grow "Where the Columbines Grow" is one of the two official state songs of Colorado. It was written and composed by A.J. Fynn, and was adopted on May 8, 1915. In the early to mid-2000s, there was debate over replacing "Where the Columbines Grow" with John Denver's "Rocky Mountain High" or Merle Haggard's rare song "Colorado". In 2007, the Colorado legislature named "Rocky Mountain High" as Colorado's second official state song, paired with "Where the Columbines Grow". In October 1978, Dave Beadles (then music director for 740 KSSS, Colorado Springs) petitioned governor Richard Lamm to temporarily change

title: When I Grow Up (Garbage song)

text: at Brisbane's Livid Festival and co-headline a tour with Alanis Morissette the following month. On October 9, Garbage appeared on "Hey Hey It's Saturday" to perform the single. "When I Grow Up" moved back up the charts to No. 25 by the end of the month, while the "Version 2.0" album surged up to #8. "When I Grow Up" eventually dropped off the ARIA chart when Garbage released follow-up single "You Look So Fine" on December 6. That single did not make the chart. "When I Grow Up" reappeared at No. 47 at the end of the month and charted

title: I Don't Want to Grow Up

text: notes. Band Production I Don't Want to Grow Up I Don't Want to Grow Up is the second album by the American punk rock band the Descendents, released in 1985 through New Alliance Records. It marked the end of a two-year hiatus for the band, during which singer Milo Aukerman had attended college and drummer Bill Stevenson had joined Black Flag. "I Don't Want to Grow Up" was the first of two albums the Descendents recorded with guitarist Ray Cooper, and their last with original bassist Tony Lombardo, who quit the group because he did not want to go on

title: I Don't Want to Grow Up

text: I Don't Want to Grow Up I Don't Want to Grow Up is the second album by the American punk rock band the Descendents, released in 1985 through New Alliance Records. It marked the end of a two-year hiatus for the band, during which singer Milo Aukerman had attended college and drummer Bill Stevenson had joined Black Flag. "I Don't Want to Grow Up" was the first of two albums the Descendents recorded with guitarist Ray Cooper, and their last with original bassist Tony Lombardo, who quit the group because he did not want to go on tour. Though recorded

title: Matthew Grow

text: which was edited by Grow, Jill Mulvay Derr, Carol Cornwall Madsen, and Kate Holbrook. He also edited the book "The Council of Fifty, Minutes, March 1844–January 1846," for the Church Historian's Press imprint of Deseret Book, 2016. Grow also wrote the article "The Whore of Babylon and the Abomination of Abominations: Nineteenth-Century Catholic and Mormon Mutual Perceptions and Religious Identity". Grow has a bachelor's degree from Brigham Young University (BYU) and a Ph.D. from the University of Notre Dame. During his graduate training Grow did a summer seminar course in Latter-day Saint history that was directed by Richard L. Bushman.

title: Where the Columbines Grow

text: the state song to "Colorado", written by Dave Kirby, for Country Music Month. The petition was successful, and Kirby was flown to Colorado for the occasion. Where the Columbines Grow "Where the Columbines Grow" is one of the two official state songs of Colorado. It was written and composed by A.J. Fynn, and was adopted on May 8, 1915. In the early to mid-2000s, there was debate over replacing "Where the Columbines Grow" with John Denver's "Rocky Mountain High" or Merle Haggard's rare song "Colorado". In 2007, the Colorado legislature named "Rocky Mountain High" as Colorado's second official state song,

title: Where Corn Don't Grow

text: in search of a life in the big city. The young male eventually has his guitar and wallet, and everything but his father's gold watch stolen. He robs food from a store because he has no money, but he is caught and arrested. The young male is eventually revealed to be Tritt when he returns to his father's home with the gold watch. "Where Corn Don't Grow" debuted at number 73 on the U.S. "Billboard" Hot Country Singles & Tracks for the week of November 23, 1996. Where Corn Don't Grow "Where Corn Don't Grow" is a song written by

title: Grow Up, Dude

text: album a more mixed review, stating that the album might have the charm mainly due to its low-budget, do-it-yourself attitude. Schreurs believes that "if ("Grow Up, Dude") was polished with big production, it wouldn’t be nearly as endearing." Schreurs ended up giving the album three-and-a-half stars out of five. Grow Up, Dude Grow Up, Dude is the debut studio album by Floridian emo band, You Blew It! The album was released through Topshelf Records on April 24, 2012. Released through Topshelf, it was the band's second release on Topshelf, and their first LP through Topshelf. In June and July 2013,

title: Grow Up, Dude

text: Grow Up, Dude Grow Up, Dude is the debut studio album by Floridian emo band, You Blew It! The album was released through Topshelf Records on April 24, 2012. Released through Topshelf, it was the band's second release on Topshelf, and their first LP through Topshelf. In June and July 2013, the group went on a short US tour with Mixtapes, Modern Baseball and Light Years. "Grow Up, Dude" has received mostly positive reviews from music critics. Brandon Wall-Fudge of the Sanctuary Review gave a rave review of the album stating that the band "does do the quieter side with

title: Grow Up (video game)

text: Grow Up (video game) Grow Up is an open world adventure platform video game developed by Ubisoft Reflections and published by Ubisoft. The game, which is the sequel to 2015's "Grow Home", was released on 16 August 2016 for Microsoft Windows, PlayStation 4, and Xbox One. "Grow Up" builds upon the gameplay of its predecessor, "Grow Home", by once again putting players in control of a robot named B.U.D, who is able to climb on landscapes. While the game still features B.U.D's ability to direct the stalks of Starplants into energy sources to help them grow, the main goal of

title: Grow Up and Blow Away

text: re-released. All songs written, performed and recorded by Emily Haines and James Shaw. Grow Up and Blow Away Grow Up and Blow Away is the third studio album by the Canadian indie rock band Metric. The album was recorded in 2001, but delayed for years by their record label. As the years passed, the band's sound changed to the point where they no longer felt the album would be what the fans expected to hear, so Metric recorded a completely new album, "Old World Underground, Where Are You Now?", and released that instead. Last Gang Records later purchased the rights

title: Grow Up and Blow Away

text: Grow Up and Blow Away Grow Up and Blow Away is the third studio album by the Canadian indie rock band Metric. The album was recorded in 2001, but delayed for years by their record label. As the years passed, the band's sound changed to the point where they no longer felt the album would be what the fans expected to hear, so Metric recorded a completely new album, "Old World Underground, Where Are You Now?", and released that instead. Last Gang Records later purchased the rights to the album and released it on June 26, 2007. Compared with the

title: When I Grow Up (Garbage song)

text: for a final time in mid-January 2000, having clocked up a total of twenty-one weeks. "When I Grow Up" became Garbage's most successful single release in Australia at that point in their career. Following the success of Garbage's James Bond theme "The World Is Not Enough" in Germany (where it reached #38) and across Europe, BMG Ariola followed up by issuing "When I Grow Up" as the sixth German single from "Version 2.0" on March 6, 2000. The original "When I Grow Up" music video documented the frenzy of a "Version 2.0" tour concert. director Sophie Muller shot footage over

title: Grow Up (Paramore song)

text: ""Grow Up" is one of several highlights of their new self-titled album that "wears its love of New Wave culture like an extreme asymmetrical bob." Grow Up (Paramore song) "Grow Up" is a song by American rock band Paramore, and is the third track from their self-titled fourth studio album "Paramore". Despite not being released as a single, the song charted at #36 on the UK Rock chart. It garnered acclaim from music critics, who called the song one of the standout tracks on "Paramore", and praised its production and lyricism. "Grow Up" was written by the band's lead singer

title: Grow Up (Paramore song)

text: Grow Up (Paramore song) "Grow Up" is a song by American rock band Paramore, and is the third track from their self-titled fourth studio album "Paramore". Despite not being released as a single, the song charted at #36 on the UK Rock chart. It garnered acclaim from music critics, who called the song one of the standout tracks on "Paramore", and praised its production and lyricism. "Grow Up" was written by the band's lead singer Hayley Williams, and lead guitarist Taylor York. Production was handled by York and Justin Meldal-Johnsen. "Grow Up" includes a mid-tempo guitar, synthesizers and has a

title: When I Grow Up (Garbage song)

text: at No. 1 with a box office take of almost $42 million. After dropping for two weeks, "When I Grow Up" stabilized at No. 24 for a fortnight before leaving the Modern Rock chart at the start of August. "When I Grow Up" had spent a total of fifteen weeks on the alternative charts and fourteen on the dance charts (where it exited at the end of June). "When I Grow Up" was released by Festival Mushroom in New Zealand in mid-July on CD (featuring "Can't Seem to Make You Mine", "Tornado" and the Danny tenaglia remix) and cassette single

title: When I Grow Up (Garbage song)

text: the band in both United Kingdom and Spain where the single charted very strongly. In North America, after initially impacting the band's core alternative fanbase, "When I Grow Up" served as one of two songs released from the soundtrack to the comedy film "Big Daddy" (the other being Sheryl Crow's cover version of "Sweet Child O' Mine"). The song performed moderately well on the alternative and dance charts. "When I Grow Up" was remastered in 2007 for Garbage's greatest hits album "Absolute Garbage". "When I Grow Up" was written and recorded at Smart Studios during the 1997 sessions for "Version

title: Grow Up (video game)

text: crystals hidden across the world. By completing challenges, which require B.U.D to go through multiple checkpoints within a time limit, the player can unlock optional B.U.D Suits, which each give B.U.D unique properties, such as a bee suit that attracts bugs or an aviator suit that increases gliding speed. "Grow Up" received "mixed or average" reviews, according to video game review aggregator Metacritic. Grow Up (video game) Grow Up is an open world adventure platform video game developed by Ubisoft Reflections and published by Ubisoft. The game, which is the sequel to 2015's "Grow Home", was released on 16 August

title: Kate Liu

text: highest number of votes cast by listeners of the Second Program of the Polish Radio, and won the contest "My Chopin." In the opinion of listeners of the Program, she was the best pianist of the Chopin Competition. Although her average score from the competition judges placed her third overall, she received the most (3) scores of 10 (the highest allowed), and was the only competitor to receive a standing ovation at the conclusion of her concerto performance. Kate Liu Kate Liu (born May 23, 1994 in Singapore) is a Singaporean American classical pianist. On October 20, 2015 she won

title: Grow Up (Svoy album)

text: Grow Up (Svoy album) Grow Up is the third self-produced solo album by Svoy. It was released in Japan on June 22, 2011, on Thistime Records. U.S./International release followed on June 28, 2011, on Sixteenth Republic Records. In July 2011, it was announced that the album's opening track "Never Grow Up" was picked up for power rotation by Japan's FM Ishikawa 80.5 MHz with the song debuting at #95 on the station's HOT 100 Chart and subsequently peaking at #63. In the same month, it was announced that another track from the album, "Right Here, Right Now", was picked up

title: I Want to Grow Up

text: neuroses and doesn't need your help." All songs written by Colleen Green. Information adapted from the album's liner notes. "I Want to Grow Up" charted on the U.S. Top Heatseekers Albums chart for the week of March 14, 2015, at position 22. I Want to Grow Up I Want to Grow Up is the third studio album by American indie pop musician Colleen Green, released on February 24, 2015 through Hardly Art. The album's title is a play on the Descendents' "I Don't Want to Grow Up". "I Want to Grow Up" was Green's first album professionally recorded in a

title: I Want to Grow Up

text: I Want to Grow Up I Want to Grow Up is the third studio album by American indie pop musician Colleen Green, released on February 24, 2015 through Hardly Art. The album's title is a play on the Descendents' "I Don't Want to Grow Up". "I Want to Grow Up" was Green's first album professionally recorded in a studio. The album features Jake Orrall of JEFF The Brotherhood on guitar and Diarrhea Planet's Casey Weissbuch on drums. Green spoke on recording the album in an interview with Stereogum: "I Want to Grow Up" received positive reviews. Pitchfork's Jes Skolnik praised

title: Grow Up (Svoy album)

text: is ""...Beautiful. Exhilarating."" and Niigata's 76.5 FM Kento gave the album ""...High praise."". Grow Up (Svoy album) Grow Up is the third self-produced solo album by Svoy. It was released in Japan on June 22, 2011, on Thistime Records. U.S./International release followed on June 28, 2011, on Sixteenth Republic Records. In July 2011, it was announced that the album's opening track "Never Grow Up" was picked up for power rotation by Japan's FM Ishikawa 80.5 MHz with the song debuting at #95 on the station's HOT 100 Chart and subsequently peaking at #63. In the same month, it was announced

title: Where Grass Won't Grow

text: song Jones would revisit as a duet with Dolly Parton, Emmylou Harris and Trisha Yearwood as part of "The Bradley Barn Sessions" in 1994. The album would only reach number 15 on the country albums chart. Writing for AllMusic, Eugene Chadbourne criticizes the album for being lackluster, calling it "needlessly bland and the inevitable result of trying to tame the wild stallion" and laments that "the star seems to be receiving songs from only a handful of sources here, none of which do him much justice." Album – Billboard (North America) Where Grass Won't Grow Where Grass Won't Grow is

title: Where Corn Don't Grow

text: Where Corn Don't Grow "Where Corn Don't Grow" is a song written by Roger Murrah and Mark Alan Springer. It was first recorded by Waylon Jennings on his 1990 album "The Eagle", peaking at #67 on the country singles charts that year. Six years later, Travis Tritt covered it on his 1996 album "The Restless Kind". Also released as a single, his rendition was a Top Ten country hit in 1997, peaking at #6 on the same chart. The music video for Tritt's version was directed by Michael Merriman. The video features a young male who leaves his father's farm

title: Grow Up, Tony Phillips

text: and for what the "Daily Texan" saw as "genuine truths about how high school can dissolve the most intense friendships". "Vox" and "Twitch Film" both gave mostly positive reviews, with "Twitch Film" praising the movie's cinematography and film score. Grow Up, Tony Phillips Grow Up, Tony Phillips is a 2013 comedy film by American director Emily Hagins and her fourth feature film. It was first released on October 31, 2013 at the South by Southwest film festival and stars Tony Vespe as Tony Phillips, a young teenager's love for Halloween. Unlike her prior feature-length films, "Grow Up, Tony Phillips" does

title: Grow Up, Tony Phillips

text: Grow Up, Tony Phillips Grow Up, Tony Phillips is a 2013 comedy film by American director Emily Hagins and her fourth feature film. It was first released on October 31, 2013 at the South by Southwest film festival and stars Tony Vespe as Tony Phillips, a young teenager's love for Halloween. Unlike her prior feature-length films, "Grow Up, Tony Phillips" does not feature any supernatural elements seen in past films such as "Pathogen" or "My Sucky Teen Romance". Tony (Tony Vespe) is conflicted. He loves Halloween, but this year all of his high school friends have decided that Halloween is

title: When I Grow Up (Garbage song)

text: 2.0". Bass on "When I Grow Up" was performed by Daniel Shulman. Lyrically, Manson described "When I Grow Up" as being about "that delirious state of wishing and hoping and dreaming for things, not giving up. There's a great quote by Flaubert where he says, 'Sometimes the forces of the world hold us back for a while, but not for ever' ... ". Manson stated that despite the song dealing with growing up, it actually questions whether adulthood brings maturity − "Even though you're sussed and you're smart and you've worked it all out, you haven't even got the remotest

title: What Kate Did

text: background. Kate tells Sam that she recently discovered that he was her stepfather and that Wayne was her biological father. Sam reveals that he had known this all along but hid the truth because he feared Kate would kill Wayne if she ever found out. He informs Kate that he must call the authorities but agrees to give her a one-hour head start. In the hatch, Jack watches over Sawyer. Meanwhile, Kate is collecting fruit in the jungle. She is shocked to see a black horse standing in the undergrowth. She returns to the hatch to attend to Sawyer and

title: What Kate Did

text: by United States Marshal Edward Mars, revealing that her mother had turned her in. On a country highway during a rainy night, Mars is driving a handcuffed Kate to her arraignment in Iowa. Suddenly, a black horse passes in front of the car, causing Mars to crash the car. With Mars momentarily stunned by the opening of the driver's airbag, Kate grabs the handcuff keys and escapes. Kate then visits a U.S. Army recruiting station and meets her father, Sergeant Major Sam Austen. As Kate approaches his desk, Sayid's arrest in the airport is shown on a television in the

title: Kate Chopin

text: collection of short stories, "A Night in Acadi"e (1897). Published in 1899, her novel "The Awakening" were considered far ahead of its time, garnering more negative reviews than positive, Chopin was discouraged by the literary criticism which denied her occupation as an author, so she turned to short story writing almost exclusively thereafter. The female characters in "The Awakening" went beyond the standards of social norms of the time. The protagonist has sexual desires and questions the sanctity of motherhood. Above all, there’s the theme of marital infidelity from the perspective of a wife. The book was widely banned, and

title: Kate Chopin

text: of how women can fight back suppression as time progresses. To demonstrate this, Cutter claims that Chopin’s earlier stories, such as “At the ‘Canadian Ball,” “Wiser than a God,” and “Mrs. Mobry’s Reason” present women who are outright resisting, and are therefore not taken seriously, erased, or called insane. However, in Chopin’s later stories, the female characters take on a different voice of resistance, one that is more “covert” and works to undermine patriarchal discourse from within. Cutter exemplifies this idea through the presentation of Chopin’s works written after 1894. Cutter claims that Chopin wanted to “disrupt patriarchal discourse, without

title: Kate Chopin

text: the local color writing that Chopin was known for, and is one of her stories that shows a couple in a completely fulfilled marriage. While Doudouce is hoping otherwise, he sees ample evidence that Mentine and Jules' marriage is a happy and fulfilling one, despite the poverty-stricken circumstances that they live in. In contrast, in "Desiree's Baby", which is much more controversial, due to the topic of miscegenation, portrays a marriage in trouble. The other contrasts to "A Visit to Avoyelles" are very clear, although some are more subtle than others. Unlike Mentine and Jules, Armand and Desiree are rich

title: Kate Chopin

text: a kind of common-law marriage. There and in the country, she lived with a society based on the history of slavery and the continuation of plantation life, to a great extent. Mixed-race people (also known as mulattos) were numerous in New Orleans and the South. This story addresses the racism of 19th century America; persons who were visibly European-American could be threatened by the revelation of also having African ancestry. Chopin was not afraid to address such issues, which were often suppressed and intentionally ignored. Her character Armand tries to deny this reality, when he refuses to believe that he

title: Kate Chopin

text: of "Victorian" America. Chopin went beyond Maupassant's technique and style to give her writing its own flavor. She had an ability to perceive life and creatively express it. She concentrated on women's lives and their continual struggles to create an identity of their own within the Southern society of the late nineteenth century. For instance, in "The Story of an Hour," Mrs. Mallard allows herself time to reflect after learning of her husband's death. Instead of dreading the lonely years ahead, she stumbles upon another realization altogether. She knew that she would weep again when she saw the kind, tender

title: Kate Chopin

text: It was out of print for several decades, as literary tastes changed. Rediscovered in the 1970s, when there was a wave of new studies and appreciation of women's writings, the novel has since been reprinted and is widely available. It has been critically acclaimed for its writing quality and importance as an early feminist work of the South. Critics suggest that such works as "The Awakening" were too far ahead of their time and therefore not socially embraced. After almost 12 years of publishing and shattered by the lack of acceptance, Chopin, deeply discouraged by the criticism, turned to short

title: Kate Chopin

text: were published in such national magazines as "Atlantic Monthly", "Vogue", "The Century Magazine", and "The Youth's Companion." Her stories aroused controversy because of her subjects and her approach; they were condemned as immoral by some critics. Her major works were two short story collections: "Bayou Folk" (1894) and "A Night in Acadie" (1897). Her important short stories included "Désirée's Baby" (1893), a tale of miscegenation in antebellum Louisiana, "The Story of an Hour" (1894), and "The Storm" (1898). "The Storm" is a sequel to "At the Cadian Ball," which appeared in her first collection of short stories, "Bayou Folk." Chopin

title: Where the Wild Roses Grow

text: Kylie made a surprise appearance during the Nick Cave and The Bad Seeds set at All Points East festival. Minogue performed the song on the following concert tours: Minogue appeared as a surprise guest at Coldplay's Enmore Theatre show in Sydney, Australia on 19 June 2014, where they performed the song as a duet. A guide track with The Bad Seeds guitarist, Blixa Bargeld, singing Kylie Minogue's vocal part was released on the compilation "B-Sides & Rarities". These are the formats and track listings of major single releases of "Where the Wild Roses Grow". Where the Wild Roses Grow "Where

title: When I Grow Up (Matilda)

text: number that captures kids aching for adulthood, blissfully ignorant of its pains and burdens.". Entertainment Weekly named it "the second-act show-stopper", and said the song "takes a simple, round-like melody and artfully sketches a pint-size perspective on the supposedly absolute freedoms of adulthood". Out named it "the barn-raiser song". "When I Grow Up" and "Naughty" were performed at the Royal Albert Hall in November 2012. When I Grow Up (Matilda) "When I Grow Up" is a song from the musical "Matilda". Its music and lyrics were written by Tim Minchin. "When I Grow Up" was the first song that Tim

title: Mazurkas (Chopin)

text: writers were well-respected and carried weight in the scholarly community, people accepted their suggestions as truth, which allowed the myth to grow. However, in 1921, Béla Bartók published an essay in which he said that Chopin "had not known authentic Polish folk music." By the time of his death in 1945, Bartók was a very well known and respected composer, as well as a prominent expert on folk music, so his opinion and his writing carried a great deal of weight. Bartók suggested that Chopin instead had been influenced by national, and not folk music. The soprano and composer Pauline

title: Mazurkas (Chopin)

text: repetition of an entire section. This repetition makes sense in the traditional dance for the repeat of a certain section of the actual dance; even though Chopin did not compose his mazurkas so they could be danced to, it is clear Chopin kept the original form in mind. Furthermore, many of the rhythmic patterns of the traditional mazurka also appear in Chopin's compositions so they still convey the idea of a dance, but a more "self-contained, stylized dance piece." In keeping with this idea, Chopin did try to make his mazurkas more technically interesting by furthering their chromaticism and harmony,

title: Grow Up (Olly Murs song)

text: Murs filming the video with the crew made up of children. Grow Up (Olly Murs song) "Grow Up" is a song performed by English singer-songwriter Olly Murs. The song was released as a digital download in the United Kingdom on 7 October 2016 as the second single from his fifth studio album "24 Hrs" (2016). The song has peaked at number 25 on the UK Singles Chart. The song was written by Olly Murs, Steve Robson, Camille Purcell, Wayne Hector. "Grow Up" debuted outside of the top-forty on the UK Singles Chart at number 52. In its second week it

title: Where the Wild Roses Grow

text: United Kingdom, Ireland, Germany and New Zealand. It also received a limited promotional release in the United States. The song was certified Gold in Germany in 1996 for 250,000 copies sold, despite never reaching the top ten in that country. It charted again at the bottom of the German Top 100 in 2008 because of digital downloads after it was used in a soap opera. "Where the Wild Roses Grow" was also certified Gold in Australia for selling 50,000 copies. Cave was inspired to write "Where the Wild Roses Grow" after listening to the traditional song, "Down in the Willow

title: Where the Wild Roses Grow

text: Where the Wild Roses Grow "Where the Wild Roses Grow" is a duet by Australian rock band Nick Cave and the Bad Seeds and pop singer Kylie Minogue. It is the fifth song and lead single from the band's ninth studio album, "Murder Ballads" (1996), released on Mute Records. It was written by the band's frontman Nick Cave and produced by Tony Cohen and Victor Van Vugt. The song received a positive reception from music critics and became the band's most successful single worldwide reaching No. 3 in Norway, the top five in Australia, and the top twenty in the

title: Where Grass Won't Grow (song)

text: and Trisha Yearwood for the "Bradley Barn Sessions". Where Grass Won't Grow (song) "Where Grass Won't Grow" is a song by American country music singer George Jones. It was written by Earl "Peanut" Montgomery, one of Jones' favorite songwriters, and tells the story of the hardships faced by a family living on a twelve-acre farm in south Tennessee. The song features a gentle mandolin and three modulations that build to a redemptive closing but, despite a moving vocal from Jones, the single, released on Musicor in 1970, stalled at #28 on the "Billboard" country singles chart. He would record it

title: Where Grass Won't Grow (song)

text: Where Grass Won't Grow (song) "Where Grass Won't Grow" is a song by American country music singer George Jones. It was written by Earl "Peanut" Montgomery, one of Jones' favorite songwriters, and tells the story of the hardships faced by a family living on a twelve-acre farm in south Tennessee. The song features a gentle mandolin and three modulations that build to a redemptive closing but, despite a moving vocal from Jones, the single, released on Musicor in 1970, stalled at #28 on the "Billboard" country singles chart. He would record it again in 1994 with Emmylou Harris, Dolly Parton,

title: The Awakening (Chopin novel)

text: this was so strictly reinforced as the main purpose of women's lives, a character who rebels against these social norms shocked readers. An "Etiquette/Advice Book" of the time proclaimed: "if she has the true mother-heart the companionship of her children will be the society which she will prefer above that of all others." (plain text and HTML) The Awakening (Chopin novel) The Awakening is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between

title: The Awakening (Chopin novel)

text: The Awakening (Chopin novel) The Awakening is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics. The novel's blend

title: Grow Up (Desperate Journalist album)

text: what being an adult is supposed to mean". The cover is a photograph of Bevan "at the start of [her] (ongoing) phase of teenage angst". "Grow Up" received positive reviews from critics upon release. On Metacritic, the album holds a score of 79/100 based on 6 reviews, indicating "generally favorable reviews." Desperate Journalist Production From "Hollow" From "Resolution" Grow Up (Desperate Journalist album) Grow Up is the second album by London-based post punk band Desperate Journalist. It was released on 24 March 2017 on Fierce Panda Records. The first single, "Hollow", was released in October 2016. The second single, "Resolution",

title: Grow Up (Olly Murs song)

text: Grow Up (Olly Murs song) "Grow Up" is a song performed by English singer-songwriter Olly Murs. The song was released as a digital download in the United Kingdom on 7 October 2016 as the second single from his fifth studio album "24 Hrs" (2016). The song has peaked at number 25 on the UK Singles Chart. The song was written by Olly Murs, Steve Robson, Camille Purcell, Wayne Hector. "Grow Up" debuted outside of the top-forty on the UK Singles Chart at number 52. In its second week it dropped to number 56 but later rebounded to number 53 in

title: When I Grow Up (Matilda)

text: When I Grow Up (Matilda) "When I Grow Up" is a song from the musical "Matilda". Its music and lyrics were written by Tim Minchin. "When I Grow Up" was the first song that Tim Minchin wrote for "Matilda", attempting to find a tone for the entire musical, drawing inspiration from his own child. He also drew inspiration from a childhood memory in which the adults on his grandfather's farm would fiddle with the padlock to a gate, whereas Minchin went out of his way to hurdle the gate, promising to himself to never open the farm gate. The song

title: That's How People Grow Up

text: on Zane Lowe's Radio 1 show on 17 December. Prior to release, it featured on the BBC Radio 2 A-list, receiving around 20 plays per week. On 10 February 2008, "That's How People Grow Up" entered the UK Singles Chart at number 14. Four days later it also entered the Swedish singles chart, at number 26. That's How People Grow Up "That's How People Grow Up" is a 2008 single by British singer Morrissey. The song, released on 4 February 2008, was used to promote his latest "Greatest Hits" album. The song also appears on his 2009 album "Years of

title: Nocturnes (Chopin)

text: Nocturnes (Chopin) The Chopin nocturnes consist of 21 pieces for solo piano written by Frédéric Chopin between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field. Chopin's nocturnes numbered 1 to 18 were published during his lifetime, in twos or threes, in the order of composition. However, numbers 19 and 20 were actually written first, prior to Chopin's departure from Poland,

title: When I Grow Up (Garbage song)

text: When I Grow Up (Garbage song) "When I Grow Up" is a 1998 song written, recorded and produced by alternative rock band Garbage. The song was released as the fourth international single to be taken from the band's multi-platinum second album "Version 2.0" over the course of the following year. "When I Grow Up" served as a simultaneous single release with album cut "The Trick Is to Keep Breathing" which was released in its place in a few European territories such as Germany, Austria, Italy, Portugal and Greece. "When I Grow Up" proved to be a Top Ten hit for

title: When I Grow Up (The Pussycat Dolls song)

text: in Germany. "When I Grow Up" received acclaim from music critics. Bill Lamb from About.com listed "When I Grow Up" among the top tracks on "Doll Domination", stating that the song "bursts out of the blocks", and that it was of no surprise that it "landed in the pop top 10 with ease". On a separate review, Lamb gave the song three out of five stars. He noted that the "anonymous nature" of the group's vocals and "sexual lyrical tease" is starting to wear thin, stating: "This is more of the same, not a step forward". Lamb, however, did compliment

title: Grow Up (Svoy album)

text: for Hyper Power Play by Japan's FM Kento 76.5 MHz, with an exclusive feature of "Grow Up" album cover artwork on FM Kento's internet home page. In November, 2011, Russian version of "Never Grow Up" entitled "Navsegda" was added by Moscow's major radio network 94.8 MHz RU.FM and remained in steady rotation until July 2013. Following its release, the album received international critical acclaim: New York's TheCelebrityCafe.com described the album as ""...A sonic adventure. Swooning. Emotive.""; Tokyo's Skream! Magazine called it ""...Superb. Sophisticated. Beautiful.""; Tokyo's Bounce Magazine described it as ""...Wispy. Poetic.""; Osaka's Flake Records Magazine noted that the album

title: Grow Up (The Queers album)

text: dumb either." He later reflected that this was not very effective: It wasn't ideal. Even with the disclaimer, I felt ambivalent about the record. But it had so many great songs—and only a couple troublesome ones—that it seemed a shame not to put it out. Certain people, of course, weren't going to be happy no matter what we did. Some were offended that I released "Grow Up" at all; others were outraged that I was trying to "censor" the Queers. In 2006 the Queers followed several other former Lookout! artists in rescinding their master tapes and licensing rights from the

title: Chopin (opera)

text: Chopin himself, entirely fictional). In Act II, set in Paris, Elio tells a group of children about the history and struggles of Poland, inspiring Chopin to fly to the piano and write a nocturne. Chopin's new love, Flora, is also present. Act III is set in Majorca, where the real Chopin spent the winter of 1838-9 with George Sand. In this version Chopin is there with Flora and their daughter, who dies after a thunderstorm and is mourned by the local population. In Act IV, Stella arrives in Paris from Poland just in time for Chopin to expire in her

title: What Kate Did

text: suddenly kisses Jack, however, she immediately runs away. Sayid discovers Kate sitting at Shannon's grave. She apologizes for missing the funeral and confesses that she thinks she is going crazy, to which Sayid replies that he saw Walt in the jungle just before Shannon was shot and asks if that makes him crazy too. In the hatch, Michael asks Locke about the blast door in the ceiling, which Locke admits he had not noticed. Locke shows the DHARMA Initiative "Orientation" film to Michael and Eko and then explains that he has set up two-person shifts every six hours to enter