query: where did pharaoh hatshepsut live?

title: Hatshepsut

text: Hatshepsut Hatshepsut (; also Hatchepsut; Egyptian: "ḥꜣt-šps.wt" "Foremost of Noble Ladies"; 1507–1458 BC) was the fifth pharaoh of the Eighteenth Dynasty of Egypt. She was the second historically-confirmed female pharaoh, the first being Sobekneferu. (Various other women may have also ruled as pharaohs regnant or at least regents before Hatshepsut, as early as Neithhotep around 1600 years prior.) Hatshepsut came to the throne of Egypt in 1478 BC. Her rise to power was noteworthy as it required her to utilize her bloodline, education, and an understanding of religion. Her bloodline was impeccable as she was the daughter, sister, and wife

title: The Pharaoh Who Conquered the Sea

text: The Pharaoh Who Conquered the Sea The Pharaoh Who Conquered the Sea is a 2010 British documentary film produced by the BBC. The film premiered on BBC Four on 6 January 2010, and is presented by archaeologist Cheryl Ward and directed by Stephane Begoin. Chris Hilton and Valerie Abita served as the executive producers. The duration of the film is fifty nine minutes. The film explores the legend that a large number of ships were built by Hatshepsut, the fifth pharaoh of the Eighteenth Dynasty of Egypt, capable of trade with the Land of Punt. Hatshepsut is known as one

title: Amenemhat (son of Thutmose III)

text: Amenemhat (son of Thutmose III) Amenemhat was a prince of the eighteenth dynasty of Egypt. He was the son of Pharaoh Thutmose III. He was the eldest son and appointed heir of the pharaoh. It is possible that his mother was Queen Satiah, but it has also been proposed that Neferure — the daughter of Hatshepsut and Thutmose II — was married to Thutmose III. Although Neferure is identified several times as the royal wife of Thutmose III while he was the co-regent of Hatshepsut, who was serving as pharaoh, some authors think it is less likely that Neferure was

title: Thutmose II

text: Thutmose II Thutmose II (sometimes read as Thutmosis or Tuthmosis II, Thothmes in older history works in Latinized Greek; Ancient Egyptian: /"ḏḥwty.ms"/ Djehutymes, meaning "Thoth is born") was the fourth Pharaoh of the Eighteenth dynasty of Egypt. He built some minor monuments and initiated at least two minor campaigns but did little else during his rule and was probably strongly influenced by his wife, Hatshepsut. His reign is generally dated from 1493 to 1479 BC. Thutmose II's body was found in the Deir el-Bahri Cache above the Mortuary Temple of Hatshepsut and can be viewed today in the Egyptian Museum

title: Hatshepsut

text: Hatshepsut is not unique, however, in taking the title of king. Sobekneferu, ruling six dynasties prior to Hatshepsut, also did so when she ruled Egypt. Hatshepsut had been well trained in her duties as the daughter of the pharaoh. During her father's reign she held the powerful office of "God's Wife". She had taken a strong role as queen to her husband and was well experienced in the administration of her kingdom by the time she became pharaoh. There is no indication of challenges to her leadership and, until her death, her co-regent remained in a secondary role, quite amicably

title: Merytre-Hatshepsut

text: Merytre-Hatshepsut Queen Merytre-Hatshepsut (or sometimes Hatshepsut-Meryet-Ra) was the principal wife of Pharaoh Thutmose III and the mother of Amenhotep II. Merytre-Hatshepsut was of noble birth. She was possibly the daughter of the Adoratrix Huy or Hatshepsut , whose statue in the British Museum (EA 1280) shows Huy holding a grandchild and represents the other children of Thutmose III and Merytre-Hatshepsut along the sides of her seated statue. She was the mother of Pharaoh Amenhotep II, Prince Menkheperre, and the princesses Nebetiunet, Merytamun C, Merytamun D, and Iset. Merytre-Hatshepsut is known to have held the titles Hereditary Princess (iryt-p`t), Sole One,

title: Hatshepsut

text: places the "ankh", a symbol of life, to Ahmose's nose, and Hatshepsut is conceived by Ahmose. Khnum, the god who forms the bodies of human children, is then instructed to create a body and "ka", or corporal presence/life force, for Hatshepsut. Heket, the goddess of life and fertility, and Khnum then lead Ahmose along to a lioness' bed where she gives birth to Hatshepsut. Reliefs depicting each step in these events are at Karnak and in her mortuary temple. The Oracle of Amun proclaimed that it was the will of Amun that Hatshepsut be pharaoh, further strengthening her position. She

title: 2436 Hatshepsut

text: The trio are credited with the discovery of . This minor planet named after the only female pharaoh to reign over ancient Egypt, Hatshepsut. The approved naming citation was published on 22 September 1983 (). 2436 Hatshepsut 2436 Hatshepsut ( ), provisional designation , is a Hygiean asteroid from the outer asteroid belt, approximately 19 kilometers in diameter. It was discovered by Cornelis van Houten, Ingrid van Houten-Groeneveld and Tom Gehrels at Palomar Observatory on 24 September 1960. It was named for pharaoh Hatshepsut. "Hatshepsut" is a member of the Hygiea family (), a very large family of carbonaceous outer-belt

title: Hatshepsut

text: commissioned by Hatshepsut. After this period of transition ended, however, most formal depictions of Hatshepsut as pharaoh showed her in the royal attire, with all of the pharaonic regalia. At her mortuary temple, in Osirian statues that regaled the transportation of the pharaoh to the world of the dead, the symbols of the pharaoh "as" the deity Osiris were the reason for the attire and they were much more important to be displayed traditionally, her breasts are obscured behind her crossed arms holding the royal staffs of the two kingdoms she ruled. This became a pointed concern among writers who

title: Hatshepsut

text: her and her reign was uncovered. The 2006 discovery of a foundation deposit including nine golden cartouches bearing the names of both Hatshepsut and Thutmose III in Karnak may shed additional light on the eventual attempt by Thutmose III and his son Amenhotep II to erase Hatshepsut from the historical record and the correct nature of their relationships and her role as pharaoh. Hatshepsut has appeared as a fictional character in many novels. Some of them include: The artwork for "The Dinner Party" features a place setting for Hatshepsut. Hatshepsut Hatshepsut (; also Hatchepsut; Egyptian: "ḥꜣt-šps.wt" "Foremost of Noble Ladies";

title: Hatshepsut

text: pharaoh could. Rather than the strong bull, Hatshepsut, having served as a very successful warrior during the early portion of her reign as pharaoh, associated herself with the lioness image of Sekhmet, the major war deity in the Egyptian pantheon. Religious concepts were tied into all of these symbols and titles. By the time of Hatshepsut's reign, the merger of some aspects of these two goddesses provided that they would both have given birth to, and were the protectors of, the pharaohs. They became interchangeable at times. Hatshepsut also traced her lineage to Mut, a primal mother goddess of the

title: Hatshepsut

text: was the daughter and only child of Thutmose I and his primary wife, Ahmose. Her husband Thutmose II was the son of Thutmose I and a secondary wife named Mutnofret, who carried the title King's daughter and was probably a child of Ahmose I. Hatshepsut and Thutmose II had a daughter named Neferure. After having their daughter, Hatshepsut could not bear any more children. Thutmose II with Iset, a secondary wife, would father Thutmose III, who would succeed Hatshepsut as pharaoh. Although contemporary records of her reign are documented in diverse ancient sources, Hatshepsut was thought by early modern scholars

title: Hatshepsut

text: of Thutmose I, her father. Longer reigns would put her ascension 25 years after Thutmose I's coronation. Thus, Hatshepsut could have assumed power as early as 1512 BC, or, as late as 1479 BC. The earliest attestation of Hatshepsut as pharaoh occurs in the tomb of Ramose and Hatnofer, where a collection of grave goods contained a single pottery jar or amphora from the tomb's chamber—which was stamped with the date "Year 7". Another jar from the same tomb—which was discovered "in situ" by a 1935–36 Metropolitan Museum of Art expedition on a hillside near Thebes—was stamped with the seal

title: Merytre-Hatshepsut

text: shown wearing a modius and double plunes. She is shown holding a fly-whisk in one hand and an ankh in the other. Merytre-Hatshepsut was originally meant to be interred in KV42. Foundation deposits were found in 1921 which clearly establish that the tomb was originally meant for her.She may have been buried in KV35, the tomb of her son Amenhotep II however. KV42 may have been reused for the Theban Mayor Sennefer and his wife Senetnay. Merytre-Hatshepsut Queen Merytre-Hatshepsut (or sometimes Hatshepsut-Meryet-Ra) was the principal wife of Pharaoh Thutmose III and the mother of Amenhotep II. Merytre-Hatshepsut was of noble

title: Hatshepsut

text: woman at court. Biographer Evelyn Wells, however, accepts Hatshepsut's claim that she was her father's intended successor. Once she became pharaoh herself, Hatshepsut supported her assertion that she was her father's designated successor with inscriptions on the walls of her mortuary temple: American humorist Will Cuppy wrote an essay on Hatshepsut which was published after his death in the book "The Decline and Fall of Practically Everybody". Regarding one of her wall inscriptions, he wrote, Hatshepsut died as she was approaching what we would consider middle age given typical contemporary lifespans, in her twenty-second regnal year. The precise date of

title: Hatshepsut

text: as only having served as a co-regent from about 1479 to 1458 BC, during years seven to twenty-one of the reign previously identified as that of Thutmose III. Today Egyptologists generally agree that Hatshepsut assumed the position of pharaoh. Hatshepsut was described as having a reign of about 21 years by ancient authors. Josephus and Julius Africanus both quote Manetho's king list, mentioning a woman called Amessis or Amensis who has been identified (from the context) as Hatshepsut. In Josephus' work, her reign is described as lasting 21 years and nine months, while Africanus stated it was twenty-two years. At

title: 2436 Hatshepsut

text: 2436 Hatshepsut 2436 Hatshepsut ( ), provisional designation , is a Hygiean asteroid from the outer asteroid belt, approximately 19 kilometers in diameter. It was discovered by Cornelis van Houten, Ingrid van Houten-Groeneveld and Tom Gehrels at Palomar Observatory on 24 September 1960. It was named for pharaoh Hatshepsut. "Hatshepsut" is a member of the Hygiea family (), a very large family of carbonaceous outer-belt asteroids, named after the fourth-largest asteroid, 10 Hygiea. It orbits the Sun in the outer main-belt at a distance of 2.9–3.5 AU once every 5 years and 8 months (2,072 days). Its orbit has an

title: Hatshepsut

text: to have been a regent for him. Other women whose possible reigns as pharaohs are under study include Akhenaten's possible female co-regent/successor (usually identified as either Nefertiti or Meritaten) and Twosret. Among the later, non-indigenous Egyptian dynasties, the most notable example of another woman who became pharaoh was Cleopatra VII, the last pharaoh of Ancient Egypt. Perhaps in an effort to ease anxiety over the prospect of a female pharaoh, Hatshepsut claimed a divine right to rule based on the authority of the god Amun. In comparison with other female pharaohs, Hatshepsut's reign was much longer and more prosperous. She

title: Hatshepsut

text: (also known as the granite obelisks). Although it was uncommon for Egypt to be ruled by a woman, the situation was not unprecedented. As a regent, Hatshepsut was preceded by Merneith of the First Dynasty, who was buried with the full honors of a pharaoh and may have ruled in her own right. Nimaathap of the Third Dynasty may have been the dowager of Khasekhemwy, but certainly acted as regent for her son, Djoser, and may have reigned as pharaoh in her own right. Nitocris may have been the last pharaoh of the Sixth Dynasty. Her name is found in

title: Hatshepsut

text: Egyptian pantheon, which gave her another ancestor who was a deity as well as her father and grandfathers, pharaohs who would have become deified upon death. While Hatshepsut was depicted in official art wearing regalia of a pharaoh, such as the false beard that male pharaohs also wore, it is most unlikely that she ever wore such ceremonial decorations, just as it is unlikely that the male pharaohs did. Statues such as those at the Metropolitan Museum of Art, depicting her seated wearing a tight-fitting dress and the nemes crown, are thought to be a more accurate representation of how

title: Hatshepsut

text: was successful in warfare early in her reign, but generally is considered to be a pharaoh who inaugurated a long peaceful era. She re-established international trading relationships lost during foreign occupation by the Hyksos and brought great wealth to Egypt. That wealth enabled Hatshepsut to initiate building projects that raised the calibre of Ancient Egyptian architecture to a standard, comparable to classical architecture, that would not be rivaled by any other culture for a thousand years. She managed to rule for about 20 years. One of the most famous things that she did was build Hatshepsut's temple (see above). Hyperbole

title: Hatshepsut

text: the nobility of her day. Notably, even after assuming the formal regalia, Hatshepsut still described herself as a beautiful woman, often as the most beautiful of women, and although she assumed almost all of her father's titles, she declined to take the title "The Strong Bull" (the full title being, "The Strong Bull of his Mother"), which tied the pharaoh to the goddesses Isis, "the throne", and Hathor, (the cow who gave birth to and protected the pharaohs)—by being her son sitting on her throne—an unnecessary title for her, since Hatshepsut became allied with the goddesses, herself, which no male

title: Hatshepsut

text: pharaohs was never stressed in the art. With few exceptions, subjects were idealized. Modern scholars, however, have theorized that by assuming the typical symbols of pharaonic power, Hatshepsut was asserting her claim to be the sovereign rather than a "King's Great Wife" or queen consort. The gender of pharaohs was never stressed in official depictions; even the men were depicted with the highly stylized false beard associated with their position in the society. Moreover, the "Osirian statues" of Hatshepsut—as with other pharaohs—depict the dead pharaoh as Osiris, with the body and regalia of that deity. All of the statues of

title: Hatshepsut

text: this point in the histories, records of the reign of Hatshepsut end, since the first major foreign campaign of Thutmose III was dated to his 22nd year, which also would have been Hatshepsut's 22nd year as pharaoh. Dating the beginning of her reign is more difficult, however. Her father's reign began in either 1526 or 1506 BC according to the high and low estimates of her reign, respectively. The length of the reigns of Thutmose I and Thutmose II, however, cannot be determined with absolute certainty. With short reigns, Hatshepsut would have ascended the throne 14 years after the coronation

title: Mortuary Temple of Hatshepsut

text: 2016 in the freely available virtual world of Second Life. The main focus of this model is the overall architectural impression of the temples and gardens, but also some important murals of the Hatshepsut temple are shown (see links). Mortuary Temple of Hatshepsut The Mortuary Temple of Hatshepsut, also known as the Djeser-Djeseru ( "Holy of Holies"), is a mortuary temple of Ancient Egypt located in Upper Egypt. Built for the Eighteenth Dynasty pharaoh Hatshepsut, it is located beneath the cliffs at Deir el-Bahari on the west bank of the Nile near the Valley of the Kings. This mortuary temple

title: Mortuary Temple of Hatshepsut

text: Mortuary Temple of Hatshepsut The Mortuary Temple of Hatshepsut, also known as the Djeser-Djeseru ( "Holy of Holies"), is a mortuary temple of Ancient Egypt located in Upper Egypt. Built for the Eighteenth Dynasty pharaoh Hatshepsut, it is located beneath the cliffs at Deir el-Bahari on the west bank of the Nile near the Valley of the Kings. This mortuary temple is dedicated to Amun and Hatshepsut and is situated next to the mortuary temple of Mentuhotep II, which served both as an inspiration and later, a quarry. It is considered one of the "incomparable monuments of ancient Egypt." The

title: Hatshepsut

text: pattern of self-promotion that existed among the pharaohs and their administrators, or perhaps saving money by not building new monuments for the burial of Thutmose III and instead, using the grand structures built by Hatshepsut. Amenhotep II, the son of Thutmose III, who became a co-regent toward the end of his father's reign, is suspected by some as being the defacer during the end of the reign of a very old pharaoh. He would have had a motive because his position in the royal lineage was not so strong as to assure his elevation to pharaoh. He is documented, further,

title: Hatshepsut

text: she would have presented herself at court. As a notable exception, only one male pharaoh abandoned the rigid symbolic depiction that had become the style of the most official artwork representing the ruler, Pharaoh Amenhotep IV (later Akhenaten) of the same eighteenth dynasty, whose wife, Nefertiti, also may have ruled in her own right following the death of her husband. One of the most famous examples of the legends about Hatshepsut is a myth about her birth. In this myth, Amun goes to Ahmose in the form of Thutmose I and awakens her with pleasant odors. At this point Amun

title: Hatshepsut

text: is common to virtually all royal inscriptions of Egyptian history. While all ancient leaders used it to laud their achievements, Hatshepsut has been called the most accomplished pharaoh at promoting her accomplishments. This may have resulted from the extensive building executed during her time as pharaoh, in comparison with many others. It afforded her many opportunities to laud herself, but it also reflected the wealth that her policies and administration brought to Egypt, enabling her to finance such projects. Aggrandizement of their achievements was traditional when pharaohs built temples and their tombs. Women had a relatively high status in ancient

title: The Pharaoh Who Conquered the Sea

text: because of the "soft-focus dramatic reconstructions, Hatshepsut feeding grapes to her royal monkey etc" that "resembled a Flake ad." The Pharaoh Who Conquered the Sea The Pharaoh Who Conquered the Sea is a 2010 British documentary film produced by the BBC. The film premiered on BBC Four on 6 January 2010, and is presented by archaeologist Cheryl Ward and directed by Stephane Begoin. Chris Hilton and Valerie Abita served as the executive producers. The duration of the film is fifty nine minutes. The film explores the legend that a large number of ships were built by Hatshepsut, the fifth pharaoh

title: Hatshepsut

text: hypothesized that it is possible that Thutmose III, lacking any sinister motivation, may have decided toward the end of his life to relegate Hatshepsut to her expected place as the regent—which was the traditional role of powerful women in Egypt's court as the example of Queen Ahhotep attests—rather than king. Tyldesley fashions her concept as, that by eliminating the more obvious traces of Hatshepsut's monuments as pharaoh and reducing her status to that of his co-regent, Thutmose III could claim that the royal succession ran directly from Thutmose II to Thutmose III without any interference from his aunt. The deliberate

title: Hatshepsut

text: to a carcinogenic skin lotion found in possession of the Pharaoh, which led to her having bone cancer. "There is a lot that speaks for this hypothesis," according to Helmut Wiedenfeld of the University of Bonn's pharmaceutical institute. "If you imagine that the queen had a chronic skin disease and that she found short-term improvement from the salve, she may have exposed herself to a great risk over the years." Toward the end of the reign of Thutmose III and into the reign of his son, an attempt was made to remove Hatshepsut from certain historical and pharaonic records —

title: Hatshepsut

text: Great Royal Wife of Thutmose II, but the scale of this was not suitable for a pharaoh, so when she ascended the throne, preparation for another burial started. For this, KV20, originally quarried for her father, Thutmose I, and probably the first royal tomb in the Valley of the Kings, was extended with a new burial chamber. Hatshepsut also refurbished the burial of her father and prepared for a double interment of both Thutmose I and her within KV20. It is likely, therefore, that when she died (no later than the twenty-second year of her reign), she was interred in

title: Hatshepsut

text: Hatshepsut's death—and the time when Thutmose III became the next pharaoh of Egypt—is considered to be "Year 22, II Peret day 10" of her reign, as recorded on a single stela erected at Armant or January 16, 1458 BC. This information validates the basic reliability of Manetho's kinglist records since Hatshepsut's known accession date was "I Shemu day 4" (i.e.: Hatshepsut died nine months into her 22nd year as king, as Manetho writes in his Epitome for a reign of 21 years and nine months). No contemporary mention of the cause of her death has survived. In June 2007, there

title: Hatshepsut

text: co-regent or successor of Akhenaten, assumed the throne for short reigns as pharaoh later in the New Kingdom. The erasure of Hatshepsut's name—whatever the reason or the person ordering it—almost caused her to disappear from Egypt's archaeological and written records. When nineteenth-century Egyptologists started to interpret the texts on the Deir el-Bahri temple walls (which were illustrated with two seemingly male kings) their translations made no sense. Jean-François Champollion, the French decoder of hieroglyphs, was not alone in feeling confused by the obvious conflict between words and pictures: The "Hatshepsut Problem" was a major issue in late 19th century and

title: Hatshepsut

text: Hatshepsut at her tomb follow that tradition. The promise of resurrection after death was a tenet of the cult of Osiris. Since many statues of Hatshepsut depicted in this fashion have been put on display in museums and those images have been widely published, viewers who lack an understanding of the religious significance of these depictions have been misled. Aside from the face depicting Hatshepsut, these statues closely resemble those of other kings as Osiris, following religious traditions. Most of the official statues commissioned of Hatshepsut show her less symbolically and more naturally, as a woman in typical dresses of

title: Den (pharaoh)

text: seems that he was too young to rule himself. Therefore, Meritneith reigned as a regent or "de facto" pharaoh for some time. Such a course of action was not unusual in ancient Egyptian history. Queen Neithhotep may have taken on a similar role before Meritneith, while queens such as Sobekneferu and Hatshepsut were later female Egyptian rulers. Den's mother was rewarded with her own tomb of royal dimensions and with her own mortuary cult. An important innovation during Den's reign was the introduction of numbering using hieroglyphs. Prior to this, important year events were merely depicted in signs and miniatures,

title: Hatshepsut (king's daughter)

text: Hatshepsut (king's daughter) Hatshepsut was an Ancient Egyptian "king's daughter" of the 13th Dynasty, around 1750 BC. She is known from a limestone stela now in the Cairo Egyptian Museum (CG 20394) and found at Abydos, where it is stated that she was the daughter of a "king's wife" Nofret. The name of her royal father is not recorded here. The queen Nofret is not known from other sources. Hatshepsut appears on this stela as wife of the military man Nedjesankh/Iu who had a second wife with the name Nubemwakh. On the stela is also mentioned her daughter, the "lady

title: Pharaoh Overlord 1

text: Pharaoh Overlord 1 Pharaoh Overlord #1 is the debut album by Finnish experimental rock band Pharaoh Overlord. It was released on CD in 2000 by Ektro Records. The album features three members of krautrock-influenced rock band Circle indulging their love for stoner rock. All the tracks are instrumental and follow a basic model of hugely distorted, repetitive riffs. Although Pharaoh Overlord were to move away from this sound in subsequent albums, it remains the cornerstone of their live performances; the song "Mangrove" appears on both Pharaoh Overlord's live albums, The Battle Of The Axehammer (Live) and Live In Suomi Finland.

title: Pharaoh Overlord 1

title: Hatshepsut

text: reiterated Amun's support by having these proclamations by the god Amun carved on her monuments: Hatshepsut claimed that she was her father's intended heir and that he made her the heir apparent of Egypt. Almost all scholars today view this as historical revisionism, or prolepsis, on Hatshepsut's part since it was Thutmose II—a son of Thutmose I by Mutnofret—who was her father's heir. Moreover, Thutmose I could not have foreseen that his daughter Hatshepsut would outlive his son within his own lifetime. Thutmose II soon married Hatshepsut and the latter became both his senior royal wife and the most powerful

title: Hatshepsut

text: has Hatshepsut statuary among their collections; for instance, the Hatshepsut Room in New York City's Metropolitan Museum of Art is dedicated solely to some of these pieces. Following the tradition of most pharaohs, Hatshepsut had monuments constructed at the Temple of Karnak. She also restored the original Precinct of Mut, the ancient great goddess of Egypt, at Karnak that had been ravaged by the foreign rulers during the Hyksos occupation. It later was ravaged by other pharaohs, who took one part after another to use in their own pet projects. The precinct awaits restoration. She had twin obelisks, at the

title: Hatshepsut

text: of the "God's Wife Hatshepsut" while two jars bore the seal of "The Good Goddess Maatkare." The dating of the amphorae, "sealed into the [tomb's] burial chamber by the debris from Senenmut's own tomb," is undisputed, which means that Hatshepsut was acknowledged as king, and not queen, of Egypt by Year 7 of her reign. Hatshepsut re-established the trade networks that had been disrupted during the Hyksos occupation of Egypt during the Second Intermediate Period, thereby building the wealth of the Eighteenth Dynasty. She oversaw the preparations and funding for a mission to the Land of Punt. This trading expedition

title: Pharaoh

text: only with reference to the royal palace and not the person. During the reign of Thutmose III (c. 1479–1425 BCE) in the New Kingdom, after the foreign rule of the Hyksos during the Second Intermediate Period, "pharaoh" became the form of address for a person who was king. The earliest instance where "pr ꜥꜣ" is used specifically to address the ruler is in a letter to Akhenaten, who reigned c. 1353–1336 BCE, which is addressed to "Great House, May it Live, Prosper, and be in Health". During the Eighteenth Dynasty (16th to 14th centuries BCE) the title pharaoh was employed

title: Hatshepsut (king's daughter)

text: of the houses" Nebetiunet. A "king's daughter" Hatshepsut is also known from a scarab seal. In 2017 there was discovered a 13th Dynasty pyramid at Dahshur. In the pyramid was found a stone slab with pyramid texts and the name of the king Ameny Qemau. In the same pyramid was found a canopic box naming the "king's daughter" Hatshepsut. It must in the very moment remain unknown whether these women with the name Hatshepsut are identical. Hatshepsut (king's daughter) Hatshepsut was an Ancient Egyptian "king's daughter" of the 13th Dynasty, around 1750 BC. She is known from a limestone stela

title: KV20

text: Ahmose-Nefertari, Thutmosis I, and Hatshepsut, two quartzite sarcophagi inscribed for Thutmose I and Hatshepsut (as pharaoh), a canopic chest for Hatshepsut (again as pharaoh), the limestone blocks bearing funerary text (see above), and several fragments of the usual funerary furnishings. The sarcophagus of Thutmose originally was inscribed for Hatshepsut, but later altered for the former king. A box inscribed for Hatshepsut as pharaoh, containing the remains of a mummified liver or spleen was recovered from the DB320 royal cache. Other items associated with Hatshepsut, including the legs and footboard of a couch or bed and a fragmentary cartouche-shaped lid are

title: Pharaoh Overlord 2

text: Pharaoh Overlord's live albums, The Battle Of The Axehammer (Live) and Live In Suomi Finland. Track List: 1. Komaron Runner (6:04) 2. August (5:59) 3. Dark Temper (7:51) 4. Skyline (9:58) 5. Love Unfiltered (10:50) 6. Who Were You (10:09) Personnel: Jussi Lehtisalo Tomi Leppänen Janne Westerlund Pharaoh Overlord 2 Pharaoh Overlord #2 is the second album by Finnish experimental rock band Pharaoh Overlord. It was released on CD in 2003 by No Quarter Records. It features three members of krautrock-influenced rock band Circle indulging their love for stoner rock. Like its predecessor, the album is completely instrumental and the

title: Hatshepsut

text: to Punt was roughly during the ninth year of Hatshepsut's reign. It set out in her name with five ships, each measuring 70 feet (21 m) long, bearing several sails and accommodating 210 men that included sailors and 30 rowers. Many trade goods were bought in Punt, notably frankincense and myrrh. Hatshepsut's delegation returned from Punt bearing 31 live myrrh trees, the roots of which were carefully kept in baskets for the duration of the voyage. This was the first recorded attempt to transplant foreign trees. It is reported that Hatshepsut had these trees planted in the courts of her

title: Where Did Your Heart Go?

text: Where Did Your Heart Go? "Where Did Your Heart Go?" is a song written by American musicians David Was and Don Was. The song was first recorded and released by the writers' disco-dance-rock band Was (Not Was) as a single in the UK as a double A-side with "Wheel Me Out" in September 1981. The single did not chart. It was featured as the second track on the band's début album "Was (Not Was)" in August 1981. French editions of the single included the track "It's an Attack!" as the B-side. A live recording of "Where Did Your Heart Go?"

title: Merytre-Hatshepsut

text: of the pillars the queen, identified as Merytre, is one of three queens following Thutmose III. Merytre is followed by queen Satiah, Queen Nebtu and Princess Nefertari. In the tomb of Ra (TT72) in Thebes. Merytre Hatshepsut is depicted seated next to / behind her son Amenhotep II. A scene in another tomb in Sheikh Abd el-Qurna seems to depict a statue of Merytre-Hatshepsut that is shown in a small structure on a sled. The other statues depicted all represent Tuthmosis III. A stela (borne by the statue of a courtier) depicts Merytre-Hatshepsut standing before Tuthmosis III. The Queen is

title: Hatshepsut: Daughter of Amun

text: place first. Hatshepsut: Daughter of Amun Hatshepsut: Daughter of Amun is a novel written by Moyra Caldecott in 1989. It was first published in Great Britain in 1989 as a paperback by Arrow Books Limited (). Ancient Egypt 3500 years ago - a land ruled by the all-powerful female king, Hatshepsut. Ambitious, ruthless and worldly: a woman who established Amun as the chief god of Egypt, bestowing his Priesthood with unprecedented riches and power. Hatshepsut: Daughter of Amun is part of Moyra Caldecott’s Egyptian sequence, which also includes "" and "Tutankhamun and the Daughter of Ra". Chronologically, Hatshepsut: Daughter of

title: Hatshepsut: Daughter of Amun

text: Hatshepsut: Daughter of Amun Hatshepsut: Daughter of Amun is a novel written by Moyra Caldecott in 1989. It was first published in Great Britain in 1989 as a paperback by Arrow Books Limited (). Ancient Egypt 3500 years ago - a land ruled by the all-powerful female king, Hatshepsut. Ambitious, ruthless and worldly: a woman who established Amun as the chief god of Egypt, bestowing his Priesthood with unprecedented riches and power. Hatshepsut: Daughter of Amun is part of Moyra Caldecott’s Egyptian sequence, which also includes "" and "Tutankhamun and the Daughter of Ra". Chronologically, Hatshepsut: Daughter of Amun takes

title: Chapelle Rouge

text: had become the pharaoh by that time. Thutmose III had been the co-regent of Hatshepsut—the royal wife to his father and thereby his aunt and "stepmother"—who became pharaoh during his youth and ruled until her death. Thutmose III married the daughter of Hatshepsut to continue the royal lineage, but she and their offspring failed to survive his reign. During the majority of Thutmose's reign as pharaoh, none of the construction by Hatshepsut was harmed, and in fact, he continued to enhance this structure. The destruction of the works of Hatshepsut seems to have begun after his remaining son (of a

title: Pharaoh Overlord

text: Pharaoh Overlord Pharaoh Overlord is an experimental rock-music band, featuring three members of the Finnish group Circle, Jussi Lehtisalo, Janne Westerlund and Tomi Leppänen. Originally begun as a vehicle to indulge their love of stoner rock, Pharaoh Overlord's output has become more varied, mirroring the development of their sister group. Their 2007 album "Live In Suomi Finland" features contributions from krautrock pioneer Hans Joachim Irmler. Julius Jääskeläinen and Pekka Jääskeläinen also appear on that recording, and have played regularly with the band since both in performance and in the studio. In September 2010, it was announced that Circle/Pharaoh Overlord would

title: Iset (queen)

text: his death, Hatshepsut became regent for the young king Thutmose III. Thutmose III became the head of the armies of Egypt as he grew up. Hatshepsut ruled as pharaoh until her death in 1458 BC when her co-regent, Thutmose III, became pharaoh. At that time Iset received the title of ""King's Mother"" (since her son had become pharaoh) and she may then have been designated as a royal wife if she had not been previously when he was the co-regent. At the time Thutmose III became pharaoh Neferure, the daughter of Hatshepsut and Thutmose II, was the God's Wife. She

title: Hatshepsut

text: early 20th century Egyptology, centering on confusion and disagreement on the order of succession of early 18th dynasty pharaohs. The dilemma takes its name from confusion over the chronology of the rule of Queen Hatshepsut and Thutmose I, II, and III. In its day, the problem was controversial enough to cause academic feuds between leading Egyptologists and created perceptions about the early Thutmosid family that persisted well into the 20th century, the influence of which still can be found in more recent works. Chronology-wise, the Hatshepsut problem was largely cleared up in the late 20th century, as more information about

title: Hatshepsut

text: may be that he never intended a total obliteration of her memory. In fact, we have no evidence to support the assumption that Thutmose hated or resented Hatshepsut during her lifetime. Had that been true, as head of the army, in a position given to him by Hatshepsut (who was clearly not worried about her co-regent's loyalty), he surely could have led a successful coup, but he made no attempt to challenge her authority during her reign and, her accomplishments and images remained featured on all of the public buildings she built for twenty years after her death. Joyce Tyldesley

title: Hatshepsut

text: situation probably is too simplistic, however. It is highly unlikely that the determined and focused Thutmose—not only Egypt's most successful general, but an acclaimed athlete, author, historian, botanist, and architect—would have brooded for two decades of his own reign before attempting to avenge himself on his stepmother and aunt. According to renowned Egyptologist Donald Redford: The erasures were sporadic and haphazard, with only the more visible and accessible images of Hatshepsut being removed; had it been more complete, we would not now have so many images of Hatshepsut. Thutmose III may have died before these changes were finished and it

title: Hatshepsut

text: the tomb in 1903, other funerary furniture belonging to Hatshepsut has been found elsewhere, including a lioness "throne" (bedstead is a better description), a senet game board with carved lioness-headed, red-jasper game pieces bearing her pharaonic title, a signet ring, and a partial shabti figurine bearing her name. In the Royal Mummy Cache at DB320, a wooden canopic box with an ivory knob was found that was inscribed with the name of Hatshepsut and contained a mummified liver or spleen as well as a molar tooth. There was a royal lady of the twenty-first dynasty of the same name, however,

title: Hatshepsut

text: the Histories of Herodotus and writings of Manetho, but her historicity is uncertain. Queen Sobekneferu of the Twelfth Dynasty is known to have assumed formal power as ruler of "Upper and Lower Egypt" three centuries earlier than Hatshepsut. Ahhotep I, lauded as a warrior queen, may have been a regent between the reigns of two of her sons, Kamose and Ahmose I, at the end of the Seventeenth Dynasty and the beginning of Hatshepsut's own Eighteenth Dynasty. Amenhotep I, also preceding Hatshepsut in the Eighteenth Dynasty, probably came to power while a young child and his mother, Ahmose-Nefertari, is thought

title: Hatshepsut

text: mortuary temple complex. Egyptians also returned with a number of other gifts from Punt, among which was frankincense. Hatshepsut would grind the charred frankincense into kohl eyeliner. This is the first recorded use of the resin. Hatshepsut had the expedition commemorated in relief at Deir el-Bahari, which is also famous for its realistic depiction of the Queen of the Land of Punt, Queen Ati. The Puntite Queen is portrayed as relatively tall and her physique was generously proportioned, with large breasts and rolls of fat on her body. Due to the fat deposits on her buttocks, it has sometimes been

title: Hatshepsut

text: of a king. Her understanding of religion allowed her to establish herself as the God’s Wife of Amen. Officially, she ruled jointly with Thutmose III, who had ascended to the throne the previous year as a child of about two years old. Hatshepsut was the chief wife of Thutmose II, Thutmose III’s father. She is generally regarded by Egyptologists as one of the most successful pharaohs, reigning longer than any other woman of an indigenous Egyptian dynasty. According to Egyptologist James Henry Breasted she is also known as "the first great woman in history of whom we are informed." Hatshepsut

title: Chapelle Rouge

text: deity. If this interpretation is correct, the relief probably was carved under the auspices of Thutmose III after the death of Hatshepsut. Other archeologists, however, have hypothesized that the pharaoh driving the boat is Hatshepsut. This interpretation makes sense, as the inscription bears the words “The Good God, Lady of the Two Lands, Daughter of Re, Hatshepsut,” and the pharaoh is pictured making offerings to Amun. Because it seems that Hatshepsut is making the offerings before the Red Chapel, it can be presumed that there were two mummiform, Osirian statues of Hatshepsut at the entrance, one standing on either side

title: Where Did Our Love Go (album)

text: on December 29, 1964. It was equivalent to Motown 25 or Live Aid as a pivotal music concert event . When it hit theaters nationwide, it undoubtedly raised and extended the visibility of the "Where Did Our Love Go" album. All tracks written by Holland–Dozier–Holland except as noted. The original album sold a million copies {in 1964-1965} stateside alone. The limited exclusive "40th Anniversary" version is now listed as "sold out". It remains, to date, their third best-selling studio album. Where Did Our Love Go (album) Where Did Our Love Go is the second studio album by Motown singing group

title: Pharaoh Overlord

text: be performing the role of artists-in-residence at Dutch rock festival Roadburn Festival 2011. Pharaoh Overlord Pharaoh Overlord is an experimental rock-music band, featuring three members of the Finnish group Circle, Jussi Lehtisalo, Janne Westerlund and Tomi Leppänen. Originally begun as a vehicle to indulge their love of stoner rock, Pharaoh Overlord's output has become more varied, mirroring the development of their sister group. Their 2007 album "Live In Suomi Finland" features contributions from krautrock pioneer Hans Joachim Irmler. Julius Jääskeläinen and Pekka Jääskeläinen also appear on that recording, and have played regularly with the band since both in performance and

title: Pharaoh Overlord 2

text: Pharaoh Overlord 2 Pharaoh Overlord #2 is the second album by Finnish experimental rock band Pharaoh Overlord. It was released on CD in 2003 by No Quarter Records. It features three members of krautrock-influenced rock band Circle indulging their love for stoner rock. Like its predecessor, the album is completely instrumental and the tracks follow a basic model of repetitive riffs. However, it is a much more subdued record than Pharaoh Overlord #1 even featuring acoustic guitars in places. Only "Skyline" contained the heavy distortion of the first album, and became a live staple for the band, appearing on both

title: Hatshepsut

text: broke during construction and a third was therefore constructed to replace it. The broken obelisk was left at its quarrying site in Aswan, where it still remains. Known as the Unfinished Obelisk, it provides evidence of how obelisks were quarried. The Temple of Pakhet was built by Hatshepsut at Beni Hasan in the Minya Governorate south of Al Minya. The name, Pakhet, was a synthesis that occurred by combining Bast and Sekhmet, who were similar lioness war goddesses, in an area that bordered the north and south division of their cults. The cavernous underground temple, cut into the rock cliffs

title: Chapelle Rouge

text: the building have been catalogued and numbered. Decorations on the Red Chapel may help archeologists pinpoint the coronation date of Hatshepsut: one text inscribed on Block 287, on the outside wall of the chapel, hints that Hatshepsut was named pharaoh in the second year of an unnamed king's reign. This text, narrated by Hatshepsut, describes a religious procession associated with the "Opet Festival". During the ceremony, in the presence of this anonymous ruler, an oracle speaking the words of Amun makes the announcement that Hatshepsut is to become the pharaoh. It is unclear, however, who the unnamed king is. One

title: Merytre-Hatshepsut

text: Great of Praises (wrt-hzwt-w’tit), King’s Mother (mwt-niswt), Lady of The Two Lands (nbt-t3wy), King’s Wife (hmt-nisw), Great King’s Wife (hmt-niswt-wrt), God’s Wife (hmt-ntr), God’s Hand (djrt-ntr). Merytre-Hatshepsut became a Great Royal Wife after the death of queen Satiah. She is attested in the mortuary temple of Thutmose III in Medinet Habu. The queen is depicted standing behind a seated Tuthmosis III. She's depicted in full Queenly regalia, including the vulture cap, modius with double plumes and the fly-whisk. She is called "great royal wife". Merytre-hatshepsut is depicted in several tombs, including that of her husband Tuthmosis III (KV43). On one

title: Pharaoh (module)

text: long-dead Pharaoh, cursed to wander the sands of his now-deserted land for time on end, in search of the ones who can break the curse and free him from this world. The characters soon find themselves searching for items which will end the curse and bring them wealth and power. There are five levels to explore in the pyramid, and a large exterior temple. The TSR version of "Pharaoh" is an Egyptian-styled adventure that includes a pyramid map and a trap-filled maze. In "Pharaoh", the player characters (PCs) are driven into the desert for a crime they did not commit.

title: Pharaoh ant

text: recommended method to eliminate pharaoh ants is by the use of baits attractive to the species. Modern baits use insect growth regulators (IGRs) as the active substance; the ants are attracted to the bait by its food content, and take it back to the nest. Over a period of weeks the IGR prevents the production of worker ants and sterilizes the queen. Renewing the baits once or twice may be necessary. Pharaoh ants have also been exterminated by placing baits of ground liver mixed with boric acid in places where the ants forage. Pharaoh ant The pharaoh ant ("Monomorium pharaonis")

title: Chapelle Rouge

text: pharaoh. Since Hatshepsut was pharaoh, it is thought that her daughter assumed the role for her mother. One block shows the God's Wife and a priest performing a ritualistic burning of the names of Egypt's enemies in an attempt to destroy them. Another depicts the God's Wife watching Hatshepsut present dinner to the seventeen deities of Karnak. Yet another shows the God's Wife, as chief priestess, leading a group of male priests to the temple pool to be purified and then following Hatshepsut into the shrine in which she performed sacred rites in front of the statue of Amun. Because

title: Senenmut

text: was charged with the execution of Senenmut's funerary rites. Senenmut first enters the historical record on a national level as the "Steward of the God's Wife" (Hatshepsut) and "Steward of the King's Daughter" (Neferure). Some Egyptologists place Senenmut's entry into royal service during the reign of Thutmose I, but it is far more likely that it occurred during either the reign of Thutmose II or while Hatshepsut was still regent and not pharaoh. After Hatshepsut was crowned pharaoh, Senenmut was given more prestigious titles and became "high steward of the king". Senenmut supervised the quarrying, transport, and erection of twin

title: Honorary male

text: a full pharaoh. Ruling in the New Kingdom, Hatshepsut depicted and asserted herself as a male ruler. In artwork and sculpture of Hatshepsut, she is represented in the traditional pharaoh headdress, kilt, and false beard—a symbol of kingship; her breasts are reduced and deemphasized, and her shoulders are broad and manly. Hatshepsut executed several building projects and military campaigns and brought Egypt into a period of peace and prosperity. Hatshepsut's actions to improve the status of women during this time are unknown, although women in ancient Egypt could decide their own professions, marry whomever they desired, contract prenuptial agreements that

title: Sed festival

text: the Eighteenth Dynasty, Hatshepsut and Akhenaten, rulers in a dynasty that was recovering from occupation by foreigners, reestablishing itself, and redefining many traditions. Hatshepsut, an extremely successful pharaoh, celebrated her Sed jubilee at Thebes—in what some Victorian-era historians insist was only her sixteenth regnal year—but she did this by counting the time she was the strong consort of her weak husband, and some recent research indicates that she did exercise authority usually reserved for pharaohs during his reign, thereby acting as a co-ruler rather than as his Great Royal Wife, the duties of which were assigned to their royal daughter.

title: God's Wife of Amun

text: appointed regent for the very youthful Thutmose III, who was not born to her—the royal wife and queen of his father—rather, he was born of a lesser wife. He was her stepson and nephew. Shortly thereafter, Hatshepsut was named pharaoh. Her daughter, Neferure, took her place in many functions that required a royal queen serving as the "Great Royal Wife" and, as "God's Wife of Amun" in the temple, while Thutmose III remained as co-regent to Hatshepsut. He became the head of the armies. Hatshepsut died after a 22-year reign and, Thutmose III became pharaoh. At the end of a

title: Mark Pharaoh

text: Mark Pharaoh Mark Pharaoh (born 18 July 1931) is a former track and field athlete, who competed in the discus throw at both the 1952 Helsinki Olympics and the 1956 Melbourne Olympics where he came fourth. This has been described as by far the finest single achievement in British discus history. He was also an international shot put and hammer thrower. He was fifth in the shot put at the 1954 British Empire and Commonwealth Games and second in the hammer at the 1953 Summer International University Sports Week. Mark Pharaoh was born 18 July 1931 and as a youth

title: Great Royal Wife

text: Thutmose III. While he was still very young, however, Hatshepsut was crowned as pharaoh and ruled very successfully in her own right for many years. Although other women before her had ruled Egypt, Hatshepsut was the first woman to take the title, "pharaoh", as it was a new term being used for the rulers, not having been used before the eighteenth dynasty. When she became pharaoh, she designated her daughter, Neferure, as God's Wife of Amun to perform the duties of high priestess. Her daughter may have been the great royal wife of Thutmose III, but there is no clear

title: Where We Live

text: Blumenthal, Neil DeGrasse Tyson, Dave Brubeck, Gloria Steinem, United States ambassador Robert Ford and others. Where We Live "Where We Live" is the award-winning flagship news and talk program for WNPR (Connecticut Public Radio). The program is hosted by Lucy Nalpathanchil. "Where We Live" was originally created by John Dankosky in 2006. The show format includes live listener participation through phone and social media as well as long form interviews. It has been honored three times nationally as "Best Call-in Show" by PRNDI (Public Radio News Directors Inc.) "Where We Live" has included numerous local and national guests such as

title: Where We Live

text: Where We Live "Where We Live" is the award-winning flagship news and talk program for WNPR (Connecticut Public Radio). The program is hosted by Lucy Nalpathanchil. "Where We Live" was originally created by John Dankosky in 2006. The show format includes live listener participation through phone and social media as well as long form interviews. It has been honored three times nationally as "Best Call-in Show" by PRNDI (Public Radio News Directors Inc.) "Where We Live" has included numerous local and national guests such as Connecticut Governor Dannel Malloy, retired NBA player, Jason Collins, Connecticut Senators Chris Murphy and Richard

title: Where Did Everyone Go?

text: "there is a perceptible poignancy and longing weaved throughout Jenkins' arrangements. The opener "Where Did Everyone Go?" possesses a solitude accentuated by responsive instrumentation that supports, yet never intrudes. Cole's practically conversational delivery of pop standards...become musical soliloquies with the score as a sonic subtext." Where Did Everyone Go? Where Did Everyone Go? is a 1963 studio album by Nat King Cole, arranged by Gordon Jenkins. This was the third and final album that Cole and Jenkins recorded together, following "Love Is the Thing" (1957) and "The Very Thought of You" (1958). The initial "Billboard" review from April 13, 1963

title: Where Did Everyone Go?

text: Where Did Everyone Go? Where Did Everyone Go? is a 1963 studio album by Nat King Cole, arranged by Gordon Jenkins. This was the third and final album that Cole and Jenkins recorded together, following "Love Is the Thing" (1957) and "The Very Thought of You" (1958). The initial "Billboard" review from April 13, 1963 commented that "Here he is in a superb collection of ballad tunes, many of them in a lonesome, blue mood, with standout backing provided by Gordon Jenkins...Great mood wax for buyers and spinners". The Allmusic review of "Where Did Everyone Go?" by Lindsay Planer said

title: Where Did They Go (album)

text: in 1971. The single did not make the charts. Lee performed songs from this album, including "Where Did They Go" and "My Sweet Lord," during her June 1971 engagement at The Frontier Hotel in Las Vegas, Nevada. After completing work on "Where Did They Go", Peggy Lee did not return to the recording studio again until nearly a year later, when she began recording "Norma Deloris Egstrom from Jamestown, North Dakota" in April 1972. This album was released on 8-track, along with LP. Where Did They Go (album) Where Did They Go is a 1971 album by Peggy Lee. It

title: Where Did They Go (album)

text: Where Did They Go (album) Where Did They Go is a 1971 album by Peggy Lee. It was arranged and conducted by Don Sebesky and Al Capps. The recording sessions for this album took place at the Capitol Tower in Hollywood, California. "Where Did They Go" was Peggy Lee's first album not to make the "Billboard" 200 chart since her Grammy-winning hit "Is That All There Is?" in 1969. Burt Bacharach and Hal David wrote the song "My Rock And Foundation" specifically for Lee. Capitol Records released "Where Did They Go" (backed by "All I Want") as a 45" single

title: Where Did Our Love Go (album)

text: on Billboard's R&B album chart in January 1965. Hip-O Select released a limited run fortieth anniversary deluxe edition of the album in 2004, which included both the mono and stereo versions of the album, as well as several outtakes, non-album tracks and a recorded live show from the Twenty Grand club in Detroit, Michigan. It sold out immediately. (see: Hip-O Select.com) They filmed performances of four of the singles from the album including "Run, Run, Run", "When the Lovelight Starts Shining Through His Eyes", "Where Did Our Love Go" and "Baby Love" for the concert film, "The T.A.M.I. Show" released

title: Hatshepsut

text: Egypt and enjoyed the legal right to own, inherit, or will property. A woman becoming pharaoh was rare, however; only Sobekneferu, Khentkaus I and possibly Nitocris preceded her. The existence of this last ruler is disputed and is probably a mis-translation of a male king. Nefernferuaten and Twosret may have been the only women to succeed her among the indigenous rulers. In Egyptian history, there was no word for a "queen regnant" as in contemporary history, "king" being the ancient Egyptian title regardless of gender, and by the time of her reign, "pharaoh" had become the name for the ruler.

title: Hatshepsut

text: erasures or mutilations of the numerous public celebrations of her accomplishments, but not the rarely seen ones, would be all that was necessary to obscure Hatshepsut's accomplishments. Moreover, by the latter half of Thutmose III's reign, the more prominent high officials who had served Hatshepsut would have died, thereby eliminating the powerful religious and bureaucratic resistance to a change in direction in a highly stratified culture. Hatshepsut's highest official and closest supporter, Senenmut, seems either to have retired abruptly or died around Years 16 and 20 of Hatshepsut's reign, and was never interred in either of his carefully prepared tombs.

title: Hatshepsut

text: a "damnatio memoriae". This elimination was carried out in the most literal way possible. Her cartouches and images were chiseled off some stone walls, leaving very obvious Hatshepsut-shaped gaps in the artwork. At the Deir el-Bahari temple, Hatshepsut's numerous statues were torn down and in many cases, smashed or disfigured before being buried in a pit. At Karnak, there even was an attempt to wall up her obelisks. While it is clear that much of this rewriting of Hatshepsut's history occurred only during the close of Thutmose III's reign, it is not clear why it happened, other than the typical

title: Hatshepsut

text: was a discovery made in the Valley of the Kings. A mummy was discovered in the tomb of Hatshepsut's royal nurse, Setre-In. A tooth fragment founded in a jar of organs was used to help identify the body to be Hatshepsut's. If the recent identification of her mummy is correct, however, the medical evidence would indicate that she suffered from diabetes and died from bone cancer which had spread throughout her body while she was in her fifties. It also would suggest that she had arthritis and bad teeth. Hatshepsut had begun construction of a tomb when she was the

title: Hatshepsut

text: heading her powerful army—which would have given him the power necessary to overthrow a usurper of his rightful place, if that had been the case. Hatshepsut assumed all of the regalia and symbols of the pharaonic office in official representations: the Khat head cloth, topped with the uraeus, the traditional false beard, and shendyt kilt. Many existing statues alternatively show her in typically feminine attire as well as those that depict her in the royal ceremonial attire. Statues portraying Sobekneferu also combine elements of traditional male and female iconography and, by tradition, may have served as inspiration for these works

title: Hatshepsut

text: policies and innovations. This temple was altered later and some of its inside decorations were usurped by Seti I of the Nineteenth Dynasty, in an attempt to have his name replace that of Hatshepsut. Following the tradition of many pharaohs, the masterpiece of Hatshepsut's building projects was a mortuary temple. She built hers in a complex at Deir el-Bahri. It was designed and implemented by Senenmut at a site on the West Bank of the Nile River near the entrance to what now is called the Valley of the Kings because of all the pharaohs who later chose to associate

title: Hatshepsut

text: she led military campaigns against Nubia and Canaan. Hatshepsut was one of the most prolific builders in ancient Egypt, commissioning hundreds of construction projects throughout both Upper Egypt and Lower Egypt. Arguably, her buildings were grander and more numerous than those of any of her Middle Kingdom predecessors'. Later pharaohs attempted to claim some of her projects as theirs. She employed the great architect Ineni, who also had worked for her father, her husband, and for the royal steward Senemut. During her reign, so much statuary was produced that almost every major museum with Ancient Egyptian artifacts in the world

title: Hatshepsut

text: argued that she may have had steatopygia. However, according to the pathologist Marc Armand Ruffer, the main characteristic of a steatopygous woman is a disproportion in size between the buttocks and thighs, which was not the case with Ati. She instead appears to have been generally obese, a condition that was exaggerated by excessive lordosis or curvature of the lower spine. Hatshepsut also sent raiding expeditions to Byblos and the Sinai Peninsula shortly after the Punt expedition. Very little is known about these expeditions. Although many Egyptologists have claimed that her foreign policy was mainly peaceful, it is possible that

title: A Pharaoh to Remember

text: A Pharaoh to Remember "A Pharaoh to Remember" is the seventeenth episode in the third season of the American animated television series "Futurama". It originally aired on the Fox network in the United States on March 10, 2002. The episode's title references the title of the 1957 film "An Affair to Remember". Bender becomes worried that his name will not live in infamy after a heist he pulled is attributed to a human crook. Bender sets out to make a name for himself, but his efforts are futile. To make him feel better, the Planet Express crew stage a mock

title: Pharaoh Hound

text: that the Pharaoh Hound was brought by the Phoenicians to Malta, where it has existed for over 2,000 years. The breed has variously been classified as a member of the sighthound group. At first glance, the Pharaoh Hound appears both graceful and elegant as well as powerful and athletic. Its build is one of strength without bulkiness or excessive musculature. Its head is elegant without being fine or extreme. The skull resembles a blunt wedge, and is long and chiseled with only a slight stop and a snout of good length. Its eyes are oval with a keen, alert, and

title: Pharaoh ant

text: pharaonis", behavior is almost always non-aggressive even when the ants are from different colonies and of different castes. Very few cases exist where aggressive behavior is seen in these ants. After foraging, pharaoh ants will wash themselves when a worker enters the cell. Pharaoh ants will also wash after a long feed. It has been proposed that washing has a hygienic value, keeping the nest area clean, staving off disease and disorder. Right before workers leave to forage, they also may wash themselves. However, in this instance the behavior is extremely violent, often causing the ants to fall over. It

title: Pharaoh Brown

text: Pharaoh Brown Pharaoh Brown (born May 4, 1994) is an American football tight end for the Cleveland Browns of the National Football League (NFL). He was signed by the Oakland Raiders as an undrafted free agent on May 5, 2017 following the 2017 NFL Draft. Brown played college football at the University of Oregon. Brown grew up in Lyndhurst, Ohio where he played football and basketball at Brush High School, graduating in June 2012. During the college recruiting process, Brown initially committed to play for Michigan in May 2011, but ultimately signed his letter of intent to play at Oregon

title: Mark Pharaoh

text: attended Manchester Grammar School where he excelled at sport and was an active member of the Gannet patrol of Troop 4 of the school's scouts. He went on to study at Manchester University. Having competed at the 1952 Summer Olympics and having won the British AAA's on four occasions he competed at the 1956 Summer Olympics. He came fourth, setting a British record of 54.27 m in the process and missing the bronze medal by just 13 cm. Mark also represented Walton Athletic Club in Walton-on-Thames Mark Pharaoh Mark Pharaoh (born 18 July 1931) is a former track and field

title: Hatshepsut

text: their complexes with the grandeur of hers. Her buildings were the first grand ones planned for that location. The focal point of the complex was the Djeser-Djeseru or "the Sublime of Sublimes", a colonnaded structure of perfect harmony built nearly one thousand years before the Parthenon. Djeser-Djeseru sits atop a series of terraces that once were graced with lush gardens. Djeser-Djeseru is built into a cliff face that rises sharply above it. Djeser-Djeseru and the other buildings of Hatshepsut's Deir el-Bahri complex are considered to be significant advances in architecture. Another one of her great accomplishments is the Hatshepsut needle

title: Where Did Our Love Go

text: Where Did Our Love Go "Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Where Did Our Love Go" was the first single by the Supremes to go to the number-one position on the "Billboard" Hot 100 pop singles chart in the United States, a position it held for two weeks, from August 16 to August 29, 1964. It was also the first of five Supremes songs in a row to reach number one (the others being "Baby Love", "Come