query: what instrument did louis armstrong like to play?

title: Louis Armstrong

text: him fit enough to resume live performances. He embarked on another world tour, but a heart attack forced him to take a break for two months. Armstrong made his last recorded trumpet performances on his 1968 album "Disney Songs the Satchmo Way". The Louis Armstrong House Museum website states: In a memoir written for Robert Goffin between 1943 and 1944, Armstrong states, "All white folks call me Louie", suggesting that he himself did not. That said, Armstrong was registered as "Lewie" for the 1920 U.S. Census. On various live records he's called "Louie" on stage, such as on the 1952

title: Louis Armstrong

text: Louis Armstrong Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo, Satch, and Pops, was an American trumpeter, composer, vocalist and occasional actor who was one of the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in the history of jazz. In 2017, he was inducted into the Rhythm & Blues Hall of Fame. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of

title: Louis Armstrong

text: the United States National Recording Registry, a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the National Recording Registry of the Library of Congress. The US Open tennis tournament's former main stadium was named Louis Armstrong Stadium in honor of Armstrong who had lived a few blocks from the site. "Congo Square" was a common gathering place for African-Americans in New Orleans for dancing and performing music. The park where Congo Square is located was later renamed Louis Armstrong Park. Dedicated in April 1980, the park includes a 12-foot statue of Armstrong, trumpet in

title: Louis Armstrong discography

text: Louis Armstrong discography Louis Armstrong (1901–1971), nicknamed Satchmo or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of american popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as

title: Louis Armstrong

text: the American Film Institute's 100 Years ... 100 Stars. The influence of Armstrong on the development of jazz is virtually immeasurable. His irrepressible personality both as a performer and as a public figure was so strong that to some it sometimes overshadowed his contributions as a musician and singer. As a virtuoso trumpet player, Armstrong had a unique tone and an extraordinary talent for melodic improvisation. Through his playing, the trumpet emerged as a solo instrument in jazz and is used widely today. Additionally, jazz itself was transformed from a collectively improvised folk music to a soloist's serious art form

title: Louis Armstrong

text: 1925, Armstrong returned to Chicago largely at the insistence of Lil, who wanted to expand his career and his income. In publicity, much to his chagrin, she billed him as "the World's Greatest Trumpet Player". For a time he was a member of the Lil Hardin Armstrong Band and working for his wife. He formed Louis Armstrong and his Hot Five and recorded the hits "Potato Head Blues" and "Muggles". The word "muggles" was a slang term for marijuana, something he used often during his life. The Hot Five included Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo),

title: Louis Armstrong and His Hot Five

text: "Basin Street Blues", "Tight Like This", "Saint James Infirmary", and "Weather Bird". In the last named, only Armstrong and Hines are present, turning an old rag number into a tour-de-force duet. Louis Armstrong and His Hot Five The Hot Five was Louis Armstrong's first jazz recording band led under his own name. It was a typical New Orleans jazz band in instrumentation, consisting of trumpet, clarinet, and trombone backed by a rhythm section. The original New Orleans jazz style leaned heavily on collective improvisation, in which the three horns together played the lead: the trumpet played the main melody, and

title: Louis Armstrong discography

text: number of CD releases listed is limited, with preference given to the label that originally released the album. These LPs and CDs were released after Armstrong's 1971 death. Chronology of the recordings of Armstrong's songs: Louis Armstrong discography Louis Armstrong (1901–1971), nicknamed Satchmo or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of american popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player,

title: Louis Armstrong

text: especially concerning his salary and additional money that Oliver held back from Armstrong and other band members. Armstrong and Oliver parted amicably in 1924. Shortly afterward, Armstrong received an invitation to go to New York City to play with the Fletcher Henderson Orchestra, the top African-American band of the time. He switched to the trumpet to blend in better with the other musicians in his section. His influence on Henderson's tenor sax soloist, Coleman Hawkins, can be judged by listening to the records made by the band during this period. Armstrong adapted to the tightly controlled style of Henderson, playing

title: Louis Armstrong

text: attract customers. Morris Karnoffsky gave Armstrong an advance toward the purchase of a cornet from a pawn shop. When Armstrong was eleven, he dropped out of school. His mother moved into a one-room house on Perdido Street with him, Lucy, and her common-law husband, Tom Lee, next door to her brother Ike and his two sons. Armstrong joined a quartet of boys who sang in the streets for money. He also got into trouble. Cornetist Bunk Johnson said he taught the eleven-year-old to play by ear at Dago Tony's honky tonk. In his later years Armstrong credited King Oliver. He

title: Dominick Farinacci

text: trumpet to play, he said, "I really wanted to play drums like my uncle, who was a professional drummer in Cleveland. So my aunt bought me a set of drums and my uncle assembled them for me, but I failed the drum auditions for the band! And the director said he really needed trumpet players, and asked if I would give that instrument a try." Shortly after he began playing trumpet, Farinacci started to listen to many trumpet players, including Louis Armstrong and Harry James. "I remember hearing a recording of Louis Armstrong playing 'A Kiss to Build a Dream

title: Louis Armstrong

text: like a military camp and used corporal punishment. Armstrong developed his cornet skills by playing in the band. Peter Davis, who frequently appeared at the home at the request of Captain Jones, became Armstrong's first teacher and chose him as bandleader. With this band, the thirteen year-old Armstrong attracted the attention of Kid Ory. On June 14, 1914, Armstrong was released into the custody of his father and his new stepmother, Gertrude. He lived in this household with two stepbrothers for several months. After Gertrude gave birth to a daughter, Armstrong's father never welcomed him, so he returned to his

title: Louis Armstrong

text: Lil Armstrong on piano, and usually no drummer. Over a twelve-month period starting in November 1925, this quintet produced twenty-four records. Armstrong's band leading style was easygoing, as St. Cyr noted, "One felt so relaxed working with him, and he was very broad-minded ... always did his best to feature each individual." Among the most notable of the Hot Five and Seven records were "Cornet Chop Suey", "Struttin' With Some Barbecue", "Hotter Than that" and "Potato Head Blues", all featuring highly creative solos by Armstrong. His recordings soon after with pianist Earl "Fatha" Hines (most famously their 1928 "Weather Bird"

title: Louis Armstrong

text: is often claimed, a Freemason. Although he is usually listed as being a member of Montgomery Lodge No. 18 (Prince Hall) in New York, no such lodge has ever existed. However, Armstrong stated in his autobiography that he was a member of the Knights of Pythias, which although real is not a Masonic group. In his early years, Armstrong was best known for his virtuosity with the cornet and trumpet. Along with his "clarinet-like figurations and high notes in his cornet solos", he was also known for his "intense rhythmic 'swing', a complex conception involving ... accented upbeats, upbeat to

title: Louis Armstrong

text: New Orleans. He did odd jobs for the Karnoffskys, a family of Lithuanian Jews. While selling coal in Storyville, he heard spasm bands, groups that played music out of household objects. He heard the early sounds of jazz from bands that played in brothels and dance halls such as Pete Lala's, where King Oliver performed. The Karnoffskys took him in and treated him like family. Knowing he lived without a father, they fed and nurtured him. In his memoir "Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907", he described his discovery that this family

title: Louis Armstrong

text: new visitors center is planned. According to literary critic Harold Bloom, "The two great American contributions to the world's art, in the end, are Walt Whitman and, after him, Armstrong and jazz ... If I had to choose between the two, ultimately, I wouldn't. I would say that the genius of this nation at its best is indeed Walt Whitman and Louis Armstrong." Louis Armstrong Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo, Satch, and Pops, was an American trumpeter, composer, vocalist and occasional actor who was one of the most influential figures in jazz. His

title: Ella Fitzgerald and Louis Armstrong collaborations

text: lyrical phrasing, and vocal intonation; her instrument-like improvisational ability with her voice, particularly in her scat singing, proved popular with many audiences. In the 1950s, the depth and scope of her many releases had already attracted major attention. Many critics of the time regarded her as one of the best female vocalists still making music. Louis Armstrong (August 4, 1901 – July 6, 1971) was an African-American jazz singer and trumpeter as well as composer who ended up being one of the most pivotal and influential figures in not just jazz-related styles but across popular music. His career spanned five

title: Louis Armstrong House

text: garden was assembled and the garage was constructed by the Armstrongs. In addition the interior of the house was renovated to their taste. Ornate bathrooms, and the kitchen was not originally part of the house. Paintings and souvenirs were given to Louis Armstrong on tour from Asia, Europe to Africa. These gifts have found a home of their own on dressers, night stands, shelves and walls. Louis Armstrong House The Louis Armstrong House was the home of Louis Armstrong and his wife Lucille Wilson from 1943 until his death in 1971. Lucille gave ownership of it to the city of

title: Louis Armstrong

text: praised Armstrong through strong testimonials. Duke Ellington, DownBeat magazine in 1971, said, "If anybody was a master, it was Louis Armstrong. He was and will continue to be the embodiment of jazz." In 1950, Bing Crosby, the most successful vocalist of the first half of the 20th century, said, "He is the beginning and the end of music in America." In the summer of 2001, in commemoration of the centennial of Armstrong's birth, New Orleans's main airport was renamed Louis Armstrong New Orleans International Airport. In 2002, the Louis Armstrong's Hot Five and Hot Seven recordings (1925–1928) were preserved in

title: Louis Armstrong

text: famously Ella Fitzgerald. His influence upon Crosby is particularly important with regard to the subsequent development of popular music: Crosby admired and copied Armstrong, as is evident on many of his early recordings, notably "Just One More Chance" (1931). The "New Grove Dictionary of Jazz" describes Crosby's debt to Armstrong in precise detail, although it does not acknowledge Armstrong by name: Armstrong recorded two albums with Ella Fitzgerald: "Ella and Louis", and "Ella and Louis Again" for Verve Records, with the sessions featuring the backing musicianship of the Oscar Peterson Trio and drummers Buddy Rich (on the first album), and

title: Louis Armstrong

text: Dolly!" as the bandleader Louis. He sang the title song with actress Barbra Streisand. His solo recording of "Hello, Dolly!" is one of his most recognizable performances. Argentine writer Julio Cortázar, a self-described Armstrong admirer, asserted that a 1952 Louis Armstrong concert at the Théâtre des Champs-Élysées in Paris played a significant role in inspiring him to create the fictional creatures called Cronopios that are the subject of a number of Cortázar's short stories. Cortázar once called Armstrong himself "Grandísimo Cronopio" (The Great Cronopio). There is a pivotal scene in "Stardust Memories" (1980) in which Woody Allen is overwhelmed by

title: What a Wonderful World

text: song was initially offered to Tony Bennett, who turned it down, although Louis Armstrong biographer Ricky Riccardi disputes this claim. The song was offered to Louis Armstrong. George Weiss recounts in the book "Off the Record: Songwriters on Songwriting" by Graham Nash that he wrote the song specifically for Louis Armstrong. Weiss was inspired by Armstrong's ability to bring people of different races together. The song was not initially a hit in the United States, where it sold fewer than 1,000 copies because ABC Records head Larry Newton did not like the song and therefore did not promote it, but

text: decades, from the 1920s to the 1960s, and different eras both musically and also in terms of U.S. culture. Coming to prominence first as an inventive player, Armstrong attracted notice for shifting the focus in his records from collective improvisations to turn-by-turn solo performances. Like Fitzgerald, Armstrong picked up popular nicknames, in his case "Pops" and "Satchmo", that stuck, and critics praised him by the 1950s as a sort of elder statesmen of popular music. Fitzgerald appeared in many duets in the Forties, appearing on recordings with, among others, The Ink Spots, Louis Jordan and Louis Armstrong as well as

title: Louis Armstrong award

text: recipient over the years may be added. Louis Armstrong award The Louis Armstrong Award, or sometimes the King Bee Award, is the "top senior jazz award" or highest level interscholastic award given to a musician. It is given out by high schools nationwide in the United States in recognition of ""outstanding musical achievement and an incredible dedication to the program"". Typically there is only one recipient per high school. Louis Armstrong was an American jazz musician and singer. Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as

title: Louis Armstrong award

text: Louis Armstrong award The Louis Armstrong Award, or sometimes the King Bee Award, is the "top senior jazz award" or highest level interscholastic award given to a musician. It is given out by high schools nationwide in the United States in recognition of ""outstanding musical achievement and an incredible dedication to the program"". Typically there is only one recipient per high school. Louis Armstrong was an American jazz musician and singer. Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in

title: Louis Armstrong House

text: Louis Armstrong House The Louis Armstrong House was the home of Louis Armstrong and his wife Lucille Wilson from 1943 until his death in 1971. Lucille gave ownership of it to the city of New York in order to create a museum focused on her husband. It was designated a New York City Landmark in 1988 and declared a National Historic Landmark in 1976. It is located at 34–56 107th Street near 37th Avenue, in Corona, Queens, New York City. The house is now a museum that presents concerts and educational programs, operates as a historic house museum and makes

title: Struttin' (Louis Armstrong album)

text: Struttin' (Louis Armstrong album) Struttin' is an album by Louis Armstrong with Edmond Hall's All Stars, recorded at Carnegie Hall in 1947. The music on the album was recorded during a concert at Carnegie Hall on February 8, 1947. The music features trumpeter Louis Armstrong playing with a small group – clarinettist Edmond Hall, trumpeter "Mousie" Randolph, trombonist Henderson Chambers, pianist Ellis Larkins, bassist Johnny Williams, and drummer Jimmy Crawford – thus making it Armstrong's "first major appearance in front of a small group in close to two decades". "Clearly, it was inspirational for Armstrong at the time: by the

title: Louis Armstrong

text: 1901 to Mary Albert and William Armstrong. Albert was from Boutte, Louisiana, and gave birth at home when she was about sixteen. William Armstrong abandoned the family shortly after. About two years later, he had a daughter, Beatrice "Mama Lucy" Armstrong, who was raised by Albert. Louis Armstrong was raised by his grandmother until the age of five when he was returned to his mother. He spent his youth in poverty in a rough neighborhood known as The Battlefield. At six he attended the Fisk School for Boys, a school that accepted black children in the racially segregated system of

title: Louis Armstrong Plays W.C. Handy

text: Louis Armstrong Plays W.C. Handy Louis Armstrong Plays W. C. Handy is a 1954 studio release by Louis Armstrong and His All Stars, described by Allmusic as "Louis Armstrong's finest record of the 1950s" and "essential music for all serious jazz collections". Columbia CD released the album on CD in 1986 in a much altered form, with alternative versions in place of many of the original songs, but restored the original with its 1997 re-issue, which also included additional tracks: a brief interview by the producer, George Avakian, with W. C. Handy; a joke told by Louis Armstrong; and several

title: Louis Armstrong Stadium (1978-2016)

text: Parking Lot B, close to the boardwalk ramp to the subway and LIRR trains. Notes Sources Louis Armstrong Stadium (1978-2016) Louis Armstrong Stadium was a tennis stadium of the USTA Billie Jean King National Tennis Center and one of the venues of the U.S. Open. Armstrong was the main stadium before Arthur Ashe Stadium opened in 1997, after which it served as the No. 2 stadium. It is named after the noted jazz musician Louis Armstrong, who lived nearby until his death in 1971 and was a significant player in the Civil Rights Movement. The stadium was originally built as

title: Struttin' (Louis Armstrong album)

text: end of 1947, he dissolved his big band and formed his own combo, also called the All-Stars, and adapted most of these songs into their repertoire." The AllMusic reviewer wrote that, "While the sound quality of this disc is unfortunately primitive, the historical import of the performances overshadows the technical problems." Struttin' (Louis Armstrong album) Struttin' is an album by Louis Armstrong with Edmond Hall's All Stars, recorded at Carnegie Hall in 1947. The music on the album was recorded during a concert at Carnegie Hall on February 8, 1947. The music features trumpeter Louis Armstrong playing with a small

title: Louis Armstrong

text: who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording. Recordings of Armstrong were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old, and that have "qualitative or historical significance". The Rock and Roll Hall of Fame listed Armstrong's "West End Blues" on the list of 500 songs that shaped Rock and Roll. In 1995, the U.S. Post Office issued a Louis Armstrong 32 cents commemorative postage stamp. In 1999 Armstrong was nominated for inclusion in

title: Louis Armstrong

text: This group was called Louis Armstrong and His All Stars and included at various times Earl "Fatha" Hines, Barney Bigard, Edmond Hall, Jack Teagarden, Trummy Young, Arvell Shaw, Billy Kyle, Marty Napoleon, Big Sid Catlett, Cozy Cole, Tyree Glenn, Barrett Deems, Mort Herbert, Joe Darensbourg, Eddie Shu and percussionist Danny Barcelona. During this period, Armstrong made many recordings and appeared in over thirty films. He was the first jazz musician to appear on the cover of "Time" magazine, on February 21, 1949. By the 1950s, Armstrong was a widely beloved American icon and cultural ambassador who commanded an international fanbase.

title: Louis Armstrong Stadium (1978-2016)

text: Louis Armstrong Stadium (1978-2016) Louis Armstrong Stadium was a tennis stadium of the USTA Billie Jean King National Tennis Center and one of the venues of the U.S. Open. Armstrong was the main stadium before Arthur Ashe Stadium opened in 1997, after which it served as the No. 2 stadium. It is named after the noted jazz musician Louis Armstrong, who lived nearby until his death in 1971 and was a significant player in the Civil Rights Movement. The stadium was originally built as the Singer Bowl for the 1964 New York World's Fair, and hosted special events and concerts

title: Louis Armstrong

text: Joe Glaser in the Carroll Dickerson Orchestra, with Earl Hines on piano, which was renamed Louis Armstrong and his Stompers, though Hines was the music director and Glaser managed the orchestra. Hines and Armstrong became fast friends and successful collaborators. In the first half of 1927, Armstrong assembled his Hot Seven group, which added drummer Al "Baby" Dodds and tuba player, Pete Briggs, while preserving most of his original Hot Five lineup. John Thomas replaced Kid Ory on trombone. Later that year he organized a series of new Hot Five sessions which resulted in nine more records. In the last

title: What Katy Did

text: Cousin Helen: Papa's niece; she cannot walk because of an accident years ago. Despite her suffering she is amusing, cheerful, and kind; just what Katy wants to be. After Katy's accident, Cousin Helen helps her adjust to her illness. Susan Coolidge shared her publisher, Roberts Brothers, with Louisa May Alcott, and "What Katy Did" helped satisfy the demand for naturalistic novels about girlhood that followed the 1868 success of "Little Women". Like Alcott, Coolidge heightened the realism of her novel by drawing on her own childhood memories. "What Katy Did" also illustrates social shifts. First the novel depicts the treatment

title: Louis Armstrong Plays W.C. Handy

text: rehearsal versions of the songs. Production Louis Armstrong Plays W.C. Handy Louis Armstrong Plays W. C. Handy is a 1954 studio release by Louis Armstrong and His All Stars, described by Allmusic as "Louis Armstrong's finest record of the 1950s" and "essential music for all serious jazz collections". Columbia CD released the album on CD in 1986 in a much altered form, with alternative versions in place of many of the original songs, but restored the original with its 1997 re-issue, which also included additional tracks: a brief interview by the producer, George Avakian, with W. C. Handy; a joke

title: Louis Armstrong Stadium

text: on the site of the demolished ticket office and East Gate entrance, on Parking Lot B, close to the boardwalk ramp to the subway and LIRR trains. Louis Armstrong Stadium Louis Armstrong Stadium is a 14,000-seat tennis stadium at the USTA Billie Jean King National Tennis Center, one of the venues of the US Open. It opened for the 2018 US Open as a replacement for the 1978 stadium of the same name. The stadium has a retractable roof, the largest of its kind among the No. 2 stadiums at Grand Slam venues. At the time of its opening it

title: Louis Armstrong Park (New Orleans)

text: by Elizabeth Catlett, a bust of Sidney Bechet, and a depiction of Buddy Bolden. Louis Armstrong Park (New Orleans) Louis Armstrong Park is a park located in the Tremé neighborhood of New Orleans, Louisiana, just across Rampart Street from the French Quarter. In the 1960s a controversial urban renewal project leveled a substantial portion of the Tremé neighborhood adjacent to Congo Square. After a decade of debate, the City created the present-day park from that land. This park was designed by New Orleans architect Robin Riley and was named after New Orleans-born Jazz legend Louis Armstrong. The footprint of the

title: Louis Armstrong Park (New Orleans)

text: Louis Armstrong Park (New Orleans) Louis Armstrong Park is a park located in the Tremé neighborhood of New Orleans, Louisiana, just across Rampart Street from the French Quarter. In the 1960s a controversial urban renewal project leveled a substantial portion of the Tremé neighborhood adjacent to Congo Square. After a decade of debate, the City created the present-day park from that land. This park was designed by New Orleans architect Robin Riley and was named after New Orleans-born Jazz legend Louis Armstrong. The footprint of the present-day park contains the New Orleans Municipal Auditorium, the Mahalia Jackson Theater for the

title: Louis Armstrong and His Hot Seven

text: to the "Voyager" spacecraft. Louis Armstrong and His Hot Seven Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. Some of the personnel also recorded with Louis Armstrong and His Hot Five, including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr (banjo and guitar). These musicians were augmented by Dodds's brother, Baby Dodds (drums), Pete Briggs (tuba), and John Thomas (trombone, replacing Armstrong's usual trombonist, Kid Ory, who was then touring with King Oliver). Briggs and Thomas were at the

title: What Katy Did

text: up: "What Katy Did at School" and "What Katy Did Next". Two further sequels relating the adventures of Katy's younger siblings were also published—"Clover" and "In the High Valley". The books were frequently reprinted and all are available online. Coolidge modeled Katy on her own childhood self, and the other 'Little Carrs' on her brothers and sisters. The title is a play on the katydid, a family of insects – which explains the insects on the first edition book cover. 12-year-old Katy Carr lives with her widowed father and her two brothers and three sisters in Burnet, a small midwestern

title: Louis Armstrong and His Hot Seven

text: Louis Armstrong and His Hot Seven Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. Some of the personnel also recorded with Louis Armstrong and His Hot Five, including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr (banjo and guitar). These musicians were augmented by Dodds's brother, Baby Dodds (drums), Pete Briggs (tuba), and John Thomas (trombone, replacing Armstrong's usual trombonist, Kid Ory, who was then touring with King Oliver). Briggs and Thomas were at the time working with Armstrong's

title: Hello, Dolly! (Louis Armstrong album)

text: past his prime at the time, "Hello, Dolly!" shows him at his '60s best." Digby Fairweather included the album in the selected Armstrong discography in "The Rough Guide to Jazz", saying that "Armstrong has established himself in 1964 with a new generation of fans." Hello, Dolly! (Louis Armstrong album) Hello Dolly! is a jazz album by Louis Armstrong and His All Stars, which at the time included Joe Darensbourg, Billy Kyle, Big Chief Russell Moore, Arvell Shaw, and Trummy Young. The tracks were mostly recorded on December 3, 1963, and April 18, 1964, in New York City. It was released

title: What Did You Expect? (film)

text: live. The film is being distributed by MVD Entertainment, and was released on DVD in November 2012. It is also available on iTunes, Hulu, and Video-on-Demand. Writing in Punk News, John Gentile said, "The wilder songs, like 'Audiowhore' where bassist Matt Gentling just gets completely down, stomping around like a T-rex, are nearly berserk, with the band approaching a Stooges-type thrash. 'What Did You Expect?' could pass for Fugazi's wilder side. Gentling just goes nuts on the bass, which is wild. Likewise, the mid-tempo songs like "Freezing Point" have an inherent urgency." What Did You Expect? (film) What Did You

text: a host of instrumentalists from the Jazz At The Philharmonic troupe. The idea of entire duet album came about from Verve's Norman Granz who had the idea to pair Fitzgerald and Armstrong. Granz also persuaded Armstrong to forsake his own trad jazz group and embrace the modern sound of Oscar Peterson and composers such as Porter and Berlin. Fitzgerald allowed Louis to choose the keys in which to sing the repertoire and together they recorded the first of three albums, "Ella and Louis". "Ella and Louis" found Ella Fitzgerald and Louis Armstrong accompanied by the Oscar Peterson Quartet. The studio

title: What Did I Do to You?

text: What Did I Do to You? "What Did I Do to You?" is a song recorded by British singer Lisa Stansfield for her 1989 album, "Affection". It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song received positive reviews from music critics. "What Did I Do to You?" was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: "My Apple Heart," "Lay Me Down" and "Something's Happenin'." "What Did I Do to You?" was remixed by Mark Saunders and

title: Louis Armstrong Stadium

text: Louis Armstrong Stadium Louis Armstrong Stadium is a 14,000-seat tennis stadium at the USTA Billie Jean King National Tennis Center, one of the venues of the US Open. It opened for the 2018 US Open as a replacement for the 1978 stadium of the same name. The stadium has a retractable roof, the largest of its kind among the No. 2 stadiums at Grand Slam venues. At the time of its opening it was the 13th largest tennis venue in the world (based on capacity). On each side of the stadium, there are façades covered with terra cotta louvers, optimally

title: On My Way (Louis Armstrong song)

text: I'm on My Way!", a song sung by Ella Fitzgerald the previous year (1957) on the "Porgy and Bess" album by Fitzgerald and Armstrong. That song begins: "Porgy and all, I'm on my way to a heav'nly lan. On My Way (Louis Armstrong song) "On My Way" is a Louis Armstrong song that appeared on the album "Louis and the Good Book" in 1958 and was issued with "I'll String Along with You" as a single in 1959. It features a solo section with Louis and Trummy Young. A variant of I'm on My Way (traditional song), Armstrong's version starts

title: Louis Armstrong New Orleans International Airport

text: Louis Armstrong New Orleans International Airport Louis Armstrong New Orleans International Airport is an international airport under Class B airspace in Jefferson Parish, Louisiana, United States. It is owned by the city of New Orleans and is west of downtown New Orleans. The airport's address is 900 Airline Drive in Kenner, Louisiana. A small portion of Runway 11/29 is in unincorporated St. Charles Parish. Armstrong International is the primary commercial airport for the New Orleans metropolitan area and southeast Louisiana. The airport was formerly known as Moisant Field, and it is also known as Louis Armstrong International Airport and New

title: Louis Armstrong

text: husband a few years earlier. His second wife helped him develop his career, but they separated in 1931 and divorced in 1938. Armstrong then married Alpha Smith. His marriage to his third wife lasted four years, and they divorced in 1942. Louis then married Lucille Wilson in October 1942, a singer at the Cotton Club, to whom he was married until his death in 1971. Armstrong's marriages never produced any offspring, though he loved children. However, in December 2012, 57-year-old Sharon Preston-Folta claimed to be his daughter from a 1950s affair between Armstrong and Lucille "Sweets" Preston, a dancer at

title: Louis Armstrong

text: hand. The house where Armstrong lived for almost 28 years was declared a National Historic Landmark in 1977 and is now a museum. The Louis Armstrong House Museum, at 34–56 107th Street (between 34th and 37th Avenues) in Corona, Queens, presents concerts and educational programs, operates as a historic house museum and makes materials in its archives of writings, books, recordings and memorabilia available to the public for research. The museum is operated by the City University of New York's Queens College, following the dictates of Lucille Armstrong's will. The museum opened to the public on October 15, 2003. A

title: Louis Armstrong

text: under their arms." In June 1950, Suzy Delair performed rehearsals of the song "C'est si bon" with Aimé Barelli and his Orchestra at the Monte Carlo casino where Louis Armstrong was finishing the evening. Armstrong enjoyed the song and he recorded the American version in New York City on June 26, 1950. In the 1960s, he toured Ghana and Nigeria. After finishing his contract with Decca Records, he became a freelance artist and recorded for other labels. He continued an intense international touring schedule, but in 1959 he suffered a heart attack in Italy and had to rest. In 1964,

title: What I Did Right

text: daughter. All three examples are connected by a chorus stating ""I'll take this one day and figure out what I did right / And I'll do it the same way for the rest of my life."" Deborah Evans Price of "Billboard" reviewed the song favorably, saying that "Like 'I Hope You Dance'…the song will touch a universal chord with everyone who has experienced a moment so perfect they wish they could capture it and live it over again." What I Did Right "What I Did Right" is a song recorded by American country music group Sons of the Desert. It

title: Louis Armstrong and His Hot Five

text: only for two parties organized by Okeh. There were two different groups called "Louis Armstrong and his Hot Five", the first recording from 1925 through 1927 and the second in 1928; Armstrong was the only musician in both groups. The original Hot Five were Armstrong's wife, pianist Lil Hardin Armstrong, as well as New Orleans musicians who Armstrong had worked with in that city in the 1910s: Kid Ory on trombone, Johnny Dodds on clarinet, and Johnny St. Cyr on guitar and banjo. For some or all of the Louis Armstrong and His Hot Seven sides, Ory was in New

title: Louis Armstrong Park (New Orleans)

text: in the rear of the park into the park's greenspace The presence of these parking lots are often attributed to high rates of subsidence and flooding along N. Villere Street. Louis Armstrong Park was home to the first New Orleans Jazz & Heritage Festival in 1970. While that festival has moved to the larger space of New Orleans Fairgrounds, Armstrong Park has more recently been the home of many other events, including the "Jazz in the Park" free concert series, the Treme Creole Gumbo Fest, and the Louisiana Cajun & Zydeco Festival. Monuments include a 12-foot statue of Louis Armstrong.

title: Louis Armstrong

text: "What a Wonderful World", which topped the British charts for a month. Armstrong appeared on the October 28, 1970, "Johnny Cash Show", where he sang Nat King Cole's hit "Ramblin' Rose" and joined Cash to re-create his performance backing Jimmie Rodgers on "Blue Yodel No. 9". Armstrong enjoyed many types of music, from blues to the arrangements of Guy Lombardo, to Latin American folksongs, to classical symphonies and opera. He incorporated influences from all these sources into his performances, sometimes to the bewilderment of fans who wanted him to stay in convenient narrow categories. Armstrong was inducted into the Rock

title: You Know What You Did

text: on it", which was assumed to be alluding to Montag and Pratt. "You Know What You Did" was met with generally favorable reviews from critics, who felt that the changed dynamic between Conrad and Montag was entertaining for television. Writing for "Entertainment Weekly", Jennifer Armstrong provided a favorable review; she opined that the conflict between Conrad and Montag made for the "most mature season ever" and offered a disclaimer that the term "maturity" was "being relative here, of course." A writer for The Hollywood Gossip stated that the episode "didn't disappoint", and felt that the storyline clearly categorized Patridge and

title: G.G. Armstrong

text: G.G. Armstrong George Grey Armstrong (1877–1961) was a noted player, teacher and maker of the Northumbrian smallpipes. He also composed several tunes for the instrument. He lived in Hexham, Northumberland. He learned to play the instrument from the Clough family, and studied pipemaking with John E. Baty. There is a photograph of him with his pipes, from the Cocks collection, at. He taught 36 pupils, including Joe Hutton, Tommy Breckons and Colin Caisley, and passed on his pipemaking skills to William Cocks. Some of his teaching was for Scout troops - the Northumbrian Pipers' Society led a move to introduce

title: Louis Armstrong Hot Five and Hot Seven Sessions

text: Louis Armstrong Hot Five and Hot Seven Sessions The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry, "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures. These sessions, his solos in particular, set a standard musicians still strive to equal in their beauty and innovation." These recordings were added to the National Recording Registry in 2002, the first year of the institution's existence. Ron Wynn and Bruce Boyd Raeburn,

title: What They Did to Princess Paragon

text: of the fan base. One deranged fanboy in particular, Jerome T. Kornacker, is so outraged that his favorite superheroine is being "perverted," that he takes radical steps to stop the change. "What They Did to Princess Paragon" is a tongue-in-cheek look at the comic book industry, the artists who create comics, the corporations that publish and sell them, and the fans who support and consume the books. The story is also an exploration of 1990s lesbian feminist thought. What They Did to Princess Paragon What They Did to Princess Paragon is a humor novel by Robert Rodi, which tells the

title: G.G. Armstrong

text: a family heirloom, made by James Reid, is now in the Morpeth Chantry Bagpipe Museum. He used this as the model for the 17-key chanters he made himself. G.G. Armstrong George Grey Armstrong (1877–1961) was a noted player, teacher and maker of the Northumbrian smallpipes. He also composed several tunes for the instrument. He lived in Hexham, Northumberland. He learned to play the instrument from the Clough family, and studied pipemaking with John E. Baty. There is a photograph of him with his pipes, from the Cocks collection, at. He taught 36 pupils, including Joe Hutton, Tommy Breckons and Colin

title: Look What I Did

text: the band signed a deal with new label Modernist Movement. The album "Atlas Drugged" was released on February 9, 2010 via Modernist Movement Recordings. Atlas Drugged was also produced by Brian Virtue. Decibel magazine referred to the band in a review of Atlas Drugged, "Look What I Did crush on political philosophers, put Latin words in their song titles and generally get off on being a bunch of wiseasses to spazzed-out Adderall punk.". The album title is play on Ayn Rand's 1957 novel 'Atlas Shrugged' In 2013, Look What I Did began revealing songs set to be released on their

title: What Did I Do to You?

text: 1989–2003" box set (2014), including previously unreleased Red Zone Mix by David Morales. European/UK 7" single European/UK/Japanese CD single UK 10" single European/UK 12" single UK 12" promotional single Other remixes What Did I Do to You? "What Did I Do to You?" is a song recorded by British singer Lisa Stansfield for her 1989 album, "Affection". It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song received positive reviews from music critics. "What Did I Do to You?" was released as the fourth European single on 30 April 1990. It included

title: Hello, Dolly! (Louis Armstrong album)

text: Hello, Dolly! (Louis Armstrong album) Hello Dolly! is a jazz album by Louis Armstrong and His All Stars, which at the time included Joe Darensbourg, Billy Kyle, Big Chief Russell Moore, Arvell Shaw, and Trummy Young. The tracks were mostly recorded on December 3, 1963, and April 18, 1964, in New York City. It was released by Kapp Records in 1964 and became Armstrong's most commercially successful album. Greg Adams gave the album 3½ out of 5 stars in Allmusic and said, "Armstrong had one of the most recognizable and personality-laden voices of the 20th century, and although he was

title: Louis Armstrong

text: his older recordings or the radio. As his music progressed and popularity grew, his singing also became very important. Armstrong was not the first to record scat singing, but he was masterful at it and helped popularize it with the first recording on which he scatted, "Heebie Jeebies". At a recording session for Okeh Records, when the sheet music supposedly fell on the floor and the music began before he could pick up the pages, Armstrong simply started singing nonsense syllables while Okeh president E.A. Fearn, who was at the session, kept telling him to continue. Armstrong did, thinking the

title: What They Play

text: a small editorial staff of seven to play and review games based on their content, but also allowed parents to leave comments and reviews under each game describing their thoughts on the game's content and/or their child's reaction to the game. Parents could also submit an age-appropriateness rating, assigned on a scale from 1-17. What They Play What They Play was a video game-centric website aimed at helping parents learn about content in video games, helping them decide what games their children should play. It was the first of several websites to launch under "What They Like, Inc.", other sites

title: Dwight Armstrong

text: been something to write home about". He justified the bombing, stating that "We did what we had to do; we did what we felt a lot of other people should have done", continuing that "I don't care what public opinion is; we did what was right." Armstrong died of lung cancer at age 58 on June 20, 2010, at the University of Wisconsin Hospital and Clinics in Madison, Wisconsin. He was survived by his mother, his brother, two sisters, and a daughter. Dwight Armstrong Dwight Alan Armstrong (August 29, 1951 – June 20, 2010) was an American anti-Vietnam War activist

title: What Price Glory? (play)

text: a General Chatelaine. The play's success allowed Anderson to quit teaching and journalism, and start his long and successful career as a professional playwright. It was included in Burns Mantle's "The Best Plays of 1924-1925". The play was filmed in 1926 and 1952. What Price Glory? (play) What Price Glory?, a 1924 comedy-drama written by Maxwell Anderson and critic/veteran Laurence Stallings was Anderson's first commercial success, with a long run on Broadway, starring Louis Wolheim. The play depicted the rivalry between two U.S. Marine Corps officers fighting in France during World War I. The play was notable for its profanity,

title: Louis Armstrong

text: Louie Bellson (on the second). Norman Granz then had the vision for Ella and Louis to record "Porgy and Bess". His recordings for Columbia Records, "Louis Armstrong Plays W.C. Handy" (1954) and "Satch Plays Fats" (all Fats Waller tunes) (1955) were both being considered masterpieces, as well as moderately well selling. In 1961 the All Stars participated in two albums—"The Great Summit" and "The Great Reunion" (now together as a single disc) with Duke Ellington. The albums feature many of Ellington's most famous compositions (as well as two exclusive cuts) with Duke sitting in on piano. His participation in Dave

title: Neil Armstrong

text: take men he deemed the "greatest explorers" to the North Pole. The group included Armstrong, Edmund Hillary, Hillary's son Peter, Steve Fossett, and Patrick Morrow. They arrived at the Pole on April 6, 1985. Armstrong said he was curious to see what it looked like from the ground, as he had seen it only from the Moon. He did not inform the media of the trip, preferring to keep it private. In 2010, Armstrong voiced the character of Dr. Jack Morrow in "", an animated educational sci-fi adventure film initiated by JPL/NASA through a grant from Jet Propulsion Lab. Between

title: Louis Armstrong

text: as the title of a 2010 biography of Armstrong by Terry Teachout. Armstrong was largely accepted into white society, both on stage and off, a privilege reserved for very few African-American public figures at the time. Some musicians criticized Armstrong for playing in front of segregated audiences, and for not taking a strong enough stand in the American civil rights movement. The few exceptions made it more effective when he did speak out. Armstrong's criticism of President Eisenhower, calling him "two-faced" and "gutless" because of his inaction during the conflict over school desegregation in Little Rock, Arkansas in 1957 made

title: What They Did to Princess Paragon

text: What They Did to Princess Paragon What They Did to Princess Paragon is a humor novel by Robert Rodi, which tells the story of what happens when a venerable comic book superheroine is retconned as a lesbian. Gay comic book creator Brian Parrish is hired by Bang Comics to take over "Princess Paragon", a superhero comic book that's been around since the 1940s, but whose sales are slumping badly by the 1990s. Parrish decides to reimagine Princess Paragon as a lesbian, a move which causes quite a bit of excitement and publicity for Bang, but also causes consternation among some

text: Ella Fitzgerald and Louis Armstrong collaborations The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in "Ella and Louis" (1956), "Ella and Louis Again" (1957), and "Porgy and Bess" (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.

title: On My Way (Louis Armstrong song)

text: On My Way (Louis Armstrong song) "On My Way" is a Louis Armstrong song that appeared on the album "Louis and the Good Book" in 1958 and was issued with "I'll String Along with You" as a single in 1959. It features a solo section with Louis and Trummy Young. A variant of I'm on My Way (traditional song), Armstrong's version starts with "On My Way" or "I'm on My Way" (or similar phrases in various versions) and then goes into a chorus "On my way now, got on my traveling shoes...". The song is no relation to "Oh, Lawd,

title: What Price Glory? (play)

text: What Price Glory? (play) What Price Glory?, a 1924 comedy-drama written by Maxwell Anderson and critic/veteran Laurence Stallings was Anderson's first commercial success, with a long run on Broadway, starring Louis Wolheim. The play depicted the rivalry between two U.S. Marine Corps officers fighting in France during World War I. The play was notable for its profanity, "toot goddam sweet," etc., and for censorship efforts by military and religious groups. These efforts failed when the primary censorship authority, Rear Admiral Charles P. Plunkett, was revealed by columnist Heywood Broun to have written a far more vulgar series of letters to

title: Earl Hines

text: band at the Sunset Cafe. In 1927, this became Armstrong's band under the musical direction of Hines. Later that year, Armstrong revamped his Okeh Records recording-only band, Louis Armstrong and His Hot Five, and hired Hines as the pianist, replacing his wife, Lil Hardin Armstrong, on the instrument. Armstrong and Hines then recorded what are often regarded as some of the most important jazz records ever made. The Sunset Cafe closed in 1927. Hines, Armstrong and the drummer Zutty Singleton agreed that they would become the "Unholy Three" – they would "stick together and not play for anyone unless the

title: What They Play

text: What They Play What They Play was a video game-centric website aimed at helping parents learn about content in video games, helping them decide what games their children should play. It was the first of several websites to launch under "What They Like, Inc.", other sites featuring books, movies and music followed. The site was launched in 2007 by two former Ziff Davis members Ira Becker, executive vice-president of the Game Group, and ex-1UP.com writer and Senior vice-president of the Game Group John Davison. Davison announced his departure from Ziff in August 2007, with Becker's announcement soon following. The two

title: Louis Armstrong House

text: materials in its archives of writings, books, recordings and memorabilia available to the public for research. The Louis Armstrong Educational Foundation gave the house to the Department of Culture Affairs after Lucille Armstrong died in 1983. This brick house was designed by architect Robert W. Johnson and built by Thomas Daly in 1910. Some changes were made to the exterior and interior of the house when the Armstrongs moved in. The porch that was once in the front of the house was taken down and the space was added to the living room. For the exterior of the house the

title: Louis Armstrong award

text: general. Lucille Armstrong, his wife in later years, described his love for people. "Louis's greatest personality traits were humility and generosity. He just loved people, and he always tried to understand them too. He was compassionate, generous, and understanding with everyone. He was loved, not only for his style, but as a person as well." The Louis Armstrong award was inaugurated in 1974, with the consent of Armstrong's widow, shortly after he died in 1971. The award itself is limited to one per school, and may include a certificate, engraved statue, and wall plaque to which the names of each

title: Look What This World Did to Us

text: things to be jazzier, more subdued, dustier. I’m a fan of sample based production but I’m really into everything at the end of the day. I like to be able to sound good on anything and I’m open to all kinds of production — I just happen to gravitate more to sample based, “boom bap” style shit." It was released on April 7, 2015 by Mello Music Group. HipHopDX gave "Look What This World Did To Us" a positive review and a score of 3.5/5. "Locash Magazine" called the album "serious breakout album potential, reminiscent of Atmosphere’s "Overcast", or El-P’s

title: Louis Armstrong

text: taking what had been essentially a collective folk music and turning it into an art form with tremendous possibilities for individual expression. Armstrong was one of the first artists to use recordings of his performances to improve himself. Armstrong was an avid audiophile. He had a large collection of recordings, including reel-to-reel tapes, which he took on the road with him in a trunk during his later career. He enjoyed listening to his own recordings, and comparing his performances musically. In the den of his home, he had the latest audio equipment and would sometimes rehearse and record along with

title: Warwick Armstrong

text: series two-one, and for Armstrong, who made 1,451 runs at an average of just under 44 and took 133 wickets at an average of 16.40 "Wisden Cricketers' Almanack" described his role in the tour as "to keep the side together by means of his impregnable defence, and he did exactly what was required, only on rare occasions giving free play to his hitting power. When he likes to let himself loose there is no harder driver in the world". Armstrong, along with Monty Noble, Tibby Cotter and Bert Hopkins returned home via Sri Lanka (then Ceylon), Penang and Singapore, where

title: What Did You Expect? (film)

text: What Did You Expect? (film) What Did You Expect?, which made its film festival debut in June, 2012, is a live concert documentary capturing the Archers of Loaf reunion tour, directed by Gorman Bechard. Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat's Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform

title: What Did I Do to You?

text: by the Grammy Award-winning American house music DJ and producer, David Morales. The Philip Richardson-directed music video was also released. The single became a top forty hit in the European countries reaching number seven in Italy, number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. "What Did I Do to You?" was also released in Japan. In 2014, the remixes of "What Did I Do to You?" were included on the deluxe 2CD + DVD re-release of "Affection" and on "People Hold On ... The Remix Anthology". They were also featured on "The Collection

title: I Like to Play Games

text: I Like to Play Games I Like to Play Games is a 1995 American erotic drama film that was directed by Moctezuma Lobato and written by David Keith Miller. It starred Lisa Boyle and the late Ken Steadman, with Jennifer Burton, Monique Noel, and Cheryl Rixon also being featured in the cast. It was released on September 15, 1995, and was followed in 1999 by "I Like to Play Games Too." Michael (Ken Steadman) is looking for a woman who likes to play games, but when he finds Suzanne (Lisa Boyle), he discovers to his cost that she may be

text: of the above titles are also sometimes known as "Porgy & Bess". On May 20, 1997, the compilation album "The Complete Ella Fitzgerald & Louis Armstrong on Verve" first came out. "The Complete Ella Fitzgerald and Louis Armstrong Studio Recorded Duets" (also known as just "The Complete Studio Recorded Duets") was first released on March 31, 2008. It saw a re-release in 2011. Despite the latter's title, that two-CD album only featured a selection of thirty-five particular tracks by the duo, lifting just four of the pieces on "Porgy and Bess". "Ella and Louis" has picked up praise from a

title: What I Did Last Summer

text: Retro Productions in New York City at the Spoon Theater. This production was attended and praised by A.R. Gurney and his extended family, and directed by Ric Sechrest. A professional revival was staged in Houston, Texas in 2003, directed by Kelley Williams. The Cast was as follows (2003): Charlie: (In alternating performances): Giddony Sanchez/ Shawn Anthony Anderson; Anna Trumbull: Sarah Douchez; Elsie: Jade Prudent; Grace: Elizabeth Keel; Bonny: Genieva Croley; Ted: John Ruiz. What I Did Last Summer What I Did Last Summer is a play by the American playwright A.R. Gurney. The setting is a well-to-do vacation colony on

title: What I Did Last Summer

text: What I Did Last Summer What I Did Last Summer is a play by the American playwright A.R. Gurney. The setting is a well-to-do vacation colony on the shores of Lake Erie, the time 1945, during the final stages of World War II. Charlie, an incipiently rebellious fourteen-year-old, is summering with his mother and sister (his father is fighting in the Pacific) before going off to an expensive boarding school in the fall. Although he intended to spend the summer loafing and socializing with his friends (such as Ted), the need for spending money forces him to take a job

title: Louis Armstrong

text: bands and riverboats in New Orleans, first on an excursion boat in September 1918. He traveled with the band of Fate Marable, which toured on the steamboat "Sidney" with the Streckfus Steamers line up and down the Mississippi River. Marable was proud of his musical knowledge, and he insisted that Armstrong and other musicians in his band learn sight reading. Armstrong described his time with Marable as "going to the University", since it gave him a wider experience working with written arrangements. He did return to New Orleans periodically. In 1919, Oliver decided to go north and resigned his position

title: What Every Woman Knows (play)

text: The play's most recent London revival was at the Finborough Theatre in 2010. In 1976 in New York, Fran Brill was awarded the Drama Desk Award for her portrayal of Maggie Wylie. In 1977 there was a musical version entitled "Maggie" at the Shaftesbury Theatre in London. Noel and Company presented a staged reading of the play at the Mint Theater in New York City in 2013, directed by David Glenn Armstrong and produced by Anne Kaufman. The cast included Carole Shelley, Aedin Maloney, Robert Sella, Heidi Armbruster, Kevin Collins, Alex Rice and John Windsor-Cunningham. What Every Woman Knows (play)

title: What Kate Did

text: 'Dad?' Hurley comments that he did not expect Rose's husband to be white, before Jack quickly changes the subject. The producers felt it was important to address that they are an interracial couple, and that Hurley was saying what the audience would be thinking. Caldwell agreed with them and thought it would be odd if the issue was not addressed. Anderson also was glad that Hurley brought up the issue, and liked that Jack did not pay any attention. The episode gained 21.54 million American viewers in its first airing. What Kate Did "What Kate Did" is the 34th episode

title: The Armstrong Twins

text: The Armstrong Twins The Armstrong Twins were a bluegrass and country duo consisting of the twins Floyd (1930-1994) and Lloyd Armstrong (1930-1999). They were born on January 24, 1930 in De Witt, Arkansas to a musical family, and active mostly in the 1940s and 1950s. They were one of several brother duos of their era, of which they were the only twins. Initially they both played guitar; but after randomly picking an instrument at a pawn shop in 1938 at his father's behest ("It's a wonder I didn't pick a tuba"), Lloyd started to play the mandolin and sing harmony,

title: You Sound Like Louis Burdett

text: himself for sounding like Louis Burdett. You Sound Like Louis Burdett "You Sound Like Louis Burdett" is the lead single by The Whitlams from their 3rd album, "Eternal Nightcap". It was released on January 11, 1997 and did not chart. It was included on The Whitlams compilation album, "Truth, Beauty and a Picture of You". The single was placed at number 53 of Triple J's Hottest 100 of that year. Louis Burdett is an eccentric inner-west Sydney personality. Tim Freedman once shared a cottage in Tempe with Burdett, who is described on the Whitlams' official site as "an underemployed avant-garde

title: Lisa Armstrong

text: articles which show a keen eye and a sense of wit, and for being unafraid to express controversial opinions, such as criticising the Yves Saint Laurent brand for its multiple name changes. Armstrong has written four novels. "The Economist" reviewed her first novel, "Front Row", as "sprawling, soap-opera-like," and showing a "superior chagrin" at being so familiar with the fashion industry. In contrast, the "Birmingham Post" thought it was amusing, affectionate and indulgent, and the "Daily Mail" called it merrily entertaining, saying Armstrong had "done for frocks what Jilly Cooper did for polo: made a gladiatorial social ritual into something

title: Look What This World Did to Us

text: This World Did To Us" adapted from AllMusic. Managerial Visuals and imagery Performance credits Technical and production Look What This World Did to Us Look What This World Did To Us is a studio album by Red Pill. Released on April 7, 2015 by Mello Music Group, it was largely well received by critics. The Canadian music publication "Exclaim!" wrote that the lyrics "range from deeply intimate, to unflinchingly grim, to hilariously self-deprecating, often in the same bar." According to Red Pill, at the time of writing the album he'd been reading Charles Bukowski, which somewhat influenced the album's focus

title: I Saw What You Did (1988 film)

text: I Saw What You Did (1988 film) I Saw What You Did is a 1988 American made-for-television horror film directed by Fred Walton. It is a remake of the 1965 theatrical film of the same name starring Joan Crawford. It received generally negative reviews, with only a few exceptions. Nevertheless, it won a Primetime Emmy Award for Outstanding Cinematography for a Miniseries or a Special. Lisa Harris is a popular high school student who is more interested in her boyfriend Louis than getting good grades. She is invited to dinner by Kim Fielding, an intelligent classmate who never breaks any

text: the airport will route to I-10 via Loyola Drive. The plans call for demolishing concourses A, B and C of the existing southside terminal complex, while repurposing concourse D for charter services and administrative offices. The airport currently has 34 gates but only uses 30 gates; the new terminal is designed for 35 gates, with an option to expand to 42. Louis Armstrong New Orleans International Airport Louis Armstrong New Orleans International Airport is an international airport under Class B airspace in Jefferson Parish, Louisiana, United States. It is owned by the city of New Orleans and is west of

title: Louis Armstrong

text: "Can Anyone Explain?" from the live album "In Scandinavia vol.1". "Lewie" is the French pronunciation of "Louis" and is commonly used in Louisiana. Armstrong was performing at the Brick House in Gretna, Louisiana when he met Daisy Parker, a local prostitute. He started the affair as a client. He returned to Gretna on several occasions to visit her. He found the courage to look for her home to see her away from work. It was on this occasion that he found out that she had a common-law husband. Not long after this fiasco, Parker traveled to Armstrong's home on Perdido

title: What We Did

text: What We Did What We Did is a collaborative studio album by Swans frontman Michael Gira and Windsor for the Derby member Dan Matz. It was released on November 13, 2001 through Gira's Young God Records label. "What We Did" has a considerably more pop-oriented and accessible sound, compared to Gira's other solo works. The majority of the lyrics on the album was written by Matz. Allmusic critic Thom Jurek described the album as "a finely wrought album of relayed styles and layered textures enfolding one another into a music that could have only been made by these two men,