query: What are sounds too low for humans to hear called?

title: Sub-bass

text: Sub-bass Sub-bass sounds are the deep, low- register pitched pitches approximately below 60 Hz (C in scientific pitch notation) and extending downward to include the lowest frequency humans can hear, assumed at about 20 Hz (E). In this range, human hearing is not very sensitive, so sounds in this range tend to be felt more than heard. Sound reinforcement systems and PA systems often use one or more subwoofer loudspeaker cabinets that are dedicated solely to amplifying sounds in the sub-bass range. Sounds below sub-bass are called infrasound. 20 Hz is considered the normal low frequency limit of human hearing.

title: Hearing range

text: beyond the human hearing range. Some dolphins and bats, for example, can hear frequencies up to 100,000 Hz. Elephants can hear sounds at 14–16 Hz, while some whales can hear infrasonic sounds as low as 7 Hz (in water). A basic measure of hearing is afforded by an audiogram, a graph of the absolute threshold of hearing (minimum discernible sound level) at various frequencies throughout an organism's nominal hearing range. Behavioural hearing tests or physiological tests can be used to find hearing thresholds of humans and other animals. For humans, the test involves tones being presented at specific frequencies (pitch)

title: Sound

text: such low frequency are too low for humans to hear, whales, elephants and other animals can detect infrasound and use it to communicate. It can be used to detect volcanic eruptions and is used in some types of music. Sound In physics, sound is a vibration that typically propagates as an audible wave of pressure, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the "reception" of such waves and their "perception" by the brain. Humans can only hear sound waves as distinct pitches when the frequency lies between about 20

title: Fin whale

text: sea". Fin whales are more gregarious than other rorquals, and often live in groups of 6–10, although feeding groups may reach up to 100 animals. Like other whales, males make long, loud, low-frequency sounds. The vocalizations of blue and fin whales are the lowest-frequency sounds made by any animal. Most sounds are frequency-modulated (FM) down-swept infrasonic pulses from 16 to 40 hertz frequency (the range of sounds that most humans can hear falls between 20 hertz and 20 kilohertz). Each sound lasts one to two seconds, and various sound combinations occur in patterned sequences lasting 7 to 15 minutes each.

title: Too Many Humans.....

text: Frank Price's guitar riffs are mostly composed of high pitched guitar feedback. The closer track, "Happiness Is...", features multiple different looped sound samples, layered over a funk-influenced instrumental. The song "For The Fun Of It All" would later be rerecorded for the band's follow-up album "A Dozen Dead Roses". Too Many Humans..... Too Many Humans... is the first full-length album by the American noise rock band No Trend, released through their very own No Trend Records in 1984 on vinyl format. The album is known for its brash, misanthropic lyrics, as evident on tracks such as "Reality Breakdown" and "Mindless

title: Too Low for Zero Tour

text: Too Low for Zero Tour The Too Low for Zero Tour was a concert tour by English musician and composer Elton John, in support of his 17th studio album "Too Low for Zero". The tour consisted in 24 shows across Australia, New Zealand and Hong Kong. The tour was scheduled to promote the "Too Low for Zero" album, released on 30 May 1983. This tour featured the addition of keyboardist and guitarist Fred Mandel (who had recently worked with Davey Johnstone in Alice Cooper’s band) to the traditional line-up of Davey, Dee and Nigel. The tour began at the Addington

title: Do You Hear What I Hear?

text: Do You Hear What I Hear? "Do You Hear What I Hear?" is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists. Regney wrote the lyrics for the song, while Shayne composed the

title: Too Low for Zero Tour

text: Showgrounds in Christchurch and covered 22 shows in New Zealand and Australia, ending up with 2 shows in Hong Kong, China, at the Hong Kong Coliseum. Ticket sales were phenomenal - most of the concerts were sold out, breaking all previous records. Too Low for Zero Tour The Too Low for Zero Tour was a concert tour by English musician and composer Elton John, in support of his 17th studio album "Too Low for Zero". The tour consisted in 24 shows across Australia, New Zealand and Hong Kong. The tour was scheduled to promote the "Too Low for Zero" album,

title: Do You Hear What I Hear?

text: diverse ways by hundreds of artists including: Regney said that his favorite version of the song was performed by Robert Goulet: as "The New York Times" noted, when the singer came to the line "pray for peace, people everywhere," he "almost shouted the words." Do You Hear What I Hear? "Do You Hear What I Hear?" is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer

title: Too Low for Zero

text: especially distasteful. All music composed by Elton John, except where noted; all lyrics written by Bernie Taupin. Too Low for Zero Too Low for Zero (stylized as 2 ↓ 4 0), released in 1983, is the seventeenth studio album release by Elton John. The album marked a comeback for John, whose previous four albums had failed to yield many enduring international hit singles, and had disappointing sales compared to his string of hit records released during the first half of the 1970s. It is his best selling album of the 1980s, earning Platinum certification by both the RIAA and the

title: Too Low for Zero

text: Too Low for Zero Too Low for Zero (stylized as 2 ↓ 4 0), released in 1983, is the seventeenth studio album release by Elton John. The album marked a comeback for John, whose previous four albums had failed to yield many enduring international hit singles, and had disappointing sales compared to his string of hit records released during the first half of the 1970s. It is his best selling album of the 1980s, earning Platinum certification by both the RIAA and the British Phonographic Industry. It produced several hit songs, each accompanied by successful MTV music videos, and it

title: Too Low for Zero

text: LP, they have never produced an album of consistently first-rate material. And although "Too Low for Zero" is a big step up from losers like "Blue Moves" and "A Single Man", it doesn't hang together, either." He praised the catchy energy of "I'm Still Standing", "Kiss the Bride", "Crystal", and "Too Low for Zero", and approved of the way those four songs synthesized stylistics from popular artists such as The Pointer Sisters and Joe Jackson. However, he felt the rest of the album suffered from poor lyrics, finding the morbidity of "Cold as Christmas" and "One More Arrow" to be

title: Polar Bear, Polar Bear, What Do You Hear?

text: replacing the earlier text's colours and common animals with sounds and less common creatures. Polar Bear, Polar Bear, What Do You Hear? Polar Bear, Polar Bear, What Do You Hear? is a children's picture book, published in 1991, written and illustrated by Bill Martin, Jr. and Eric Carle. The book is designed to help toddlers identify zoo animals and the noises they make. It features a polar bear, a lion, a hippopotamus, a flamingo, a zebra, a boa constrictor, an elephant, a leopard, a peacock, a walrus, a zoo keeper and some children. This is a companion book to "Brown

title: Too Many Humans.....

text: Too Many Humans..... Too Many Humans... is the first full-length album by the American noise rock band No Trend, released through their very own No Trend Records in 1984 on vinyl format. The album is known for its brash, misanthropic lyrics, as evident on tracks such as "Reality Breakdown" and "Mindless Little Insects". The album has been described as "nightmarish", and has been compared to other noisy bands such as Flipper and Public Image Ltd. The album is currently out of print, and it will never be reissued due to the destruction of the original master tapes. The album has

title: Hear and Now

text: deaf people investigate the sounds and meaning of sounds; but learning what not to hear becomes an equally significant challenge. The camera records quite different reactions as the couple struggles to adjust after living deaf for a lifetime. The effects of the surgeries are not entirely positive. The film establishes cochlear implant surgery in an intimate family setting rather than the larger context of the Deaf community. This documentary was co-produced by Vermillion Films and HBO Documentary Films, which reduced the financial risks inherent in the project; and the film was distributed by HBO. In 2007, "Hear and Now" won

title: Did You Hear What Happened to Charlotte King?

text: the 2011 PRISM Awards. Rhimes received the NAACP Image Award for Outstanding Writing in a Dramatic Series at the 2011 NAACP Awards for her work on the episode. After its broadcast, RAINN had a "500-percent increase in service requests" (which temporarily crashed its website). Strickland participated in a public service announcement to increase awareness of rape and sexual abuse, and said that she had received many emails from survivors of sexual assault. After her work on the episode, RAINN called the actress a "vocal advocate for using DNA evidence in solving rape cases". Did You Hear What Happened to Charlotte

title: Hear What I Say

text: 4, 7 to 10] Warner Chappell [track 5] Miau Musik/Inferno Musik [track 6] ℗ 1989 Metronome Music GmbH, Hamburg Hear What I Say Hear What I Say is the fifth and final studio album by the Dutch born 1980's pop singer C. C. Catch, released in 1989 in Germany and worldwide, produced by member of Duran Duran and The Power Station Andy Taylor. It contains two singles: "Big Time" (#26 hit in Germany) and "Midnight Hour". "Hear What I Say" was the first album, that wasn't produced by Dieter Bohlen. Notable that album has a lot of influences, including house,

title: Zounds! What Sounds!

text: Dutch label Basta Music , known for their reissues of Raymond Scott material, have recently released what they describe as an official, legitimate CD release of Zounds! transferred directly from the Capitol master tapes. Zounds! What Sounds! Zounds! What Sounds! is an album by Dean Elliott, released as an LP in 1962 (see 1962 in music). The album was credited on the front cover to "Dean Elliott and His Swinging Big, Big Band" and on the LP label to "Dean Elliott and His Orchestra". The album was made with the assistance of Phil Kaye, a sound effects virtuoso who worked

title: Hear What I Say

text: Hear What I Say Hear What I Say is the fifth and final studio album by the Dutch born 1980's pop singer C. C. Catch, released in 1989 in Germany and worldwide, produced by member of Duran Duran and The Power Station Andy Taylor. It contains two singles: "Big Time" (#26 hit in Germany) and "Midnight Hour". "Hear What I Say" was the first album, that wasn't produced by Dieter Bohlen. Notable that album has a lot of influences, including house, funk and especially new jack swing which was in mainstream at that time. Design [Cover Design] – Michael Behr

title: Sounds of Then

text: one of those songs where if your goal was only to sell records, whatever it took to do it, then the song would have been called 'This is Australia'. But it's not about that. It's a brick veneer drama. My parents got divorced when they came to Australia, it was a horrible period of my life. And the song is actually about how smells and sounds and sensations can rekindle a memory – which is what music does so successfully for people: 'I think I hear the sounds of then and people talking / Scenes recalled by minute movement /

title: Do You Hear What I Hear?

text: the entire song at the time they wrote it because of the emotions surrounding the Cuban Missile Crisis. "Our little song broke us up. You must realize there was a threat of nuclear war at the time." "Do You Hear What I Hear?" was released shortly after Thanksgiving in 1962. The song was originally recorded for Mercury Records by the Harry Simeone Chorale, a group which had also popularized "The Little Drummer Boy"; and it was released as part of the album ""The Wonderful Songs Of Christmas With The Harry Simeone Chorale"". As a 45 rpm single, it went on

text: Did You Hear What Happened to Charlotte King? "Did You Hear What Happened to Charlotte King?" is the seventh episode of the fourth season of the American television medical drama "Private Practice" and the show's 61st episode overall. Written by Shonda Rhimes and directed by Allison Liddi-Brown, the episode was originally broadcast on ABC in the United States on November 4, 2010. "Private Practice" centers on a group of young doctors working in a private medical practice, and this episode deals with the immediate aftermath of Charlotte King's rape. The episode, written in collaboration with the Rape, Abuse & Incest

title: Zounds! What Sounds!

text: Zounds! What Sounds! Zounds! What Sounds! is an album by Dean Elliott, released as an LP in 1962 (see 1962 in music). The album was credited on the front cover to "Dean Elliott and His Swinging Big, Big Band" and on the LP label to "Dean Elliott and His Orchestra". The album was made with the assistance of Phil Kaye, a sound effects virtuoso who worked with Elliott on the Tom and Jerry cartoons. The subtitle that appeared on the front cover of the LP (which also featured three young women striking arguably sultry poses with saxophones and congas atop

title: Hearing range

text: the lower frequencies that humans can; they communicate using high frequency noises some of which are inaudible by humans. The distress call of a young mouse can be produced at 40 kHz. The mice use their ability to produce sounds out of predators' frequency ranges to alert other mice of danger without exposing themselves, though notably, cats' hearing range encompasses the mouse's entire vocal range. The squeaks that humans can hear are lower in frequency and are used by the mouse to make longer distance calls, as low frequency sounds can travel farther than high frequency sounds. Hearing is birds'

title: Sounds and Silences

text: her about it and proceeds to "shut her out" – going too far in the other direction, so that now he cannot hear anything at all. In 1961, a script titled "The Sound of Silence" was submitted to the producers and rejected. Following the first screening of "Sounds and Silences", the original author successfully sued Rod Serling for plagiarism because of similarities in the plot, and was awarded $3,500 in damages. Because of this, the episode was not included in syndicated repeats. Sounds and Silences "Sounds and Silences" is episode 147 of the American television anthology series "The Twilight Zone".

title: Too Low for Zero

text: colours (shown as ink smears on the inner sleeve) showing through the holes. No CD release has duplicated these die-cuts. All B-sides released on US singles from this time originate from his 1978 album "A Single Man" and the "21 at 33" sessions from 1980. They were also previously released on European singles. In the US, "Too Low for Zero" was certified gold in January 1984 and platinum in October 1995 by the RIAA. Reviewing the album in "Rolling Stone", Don Shewey commented, "Elton John and Bernie Taupin have written some great hit singles, but since the early "Elton John"

title: Low-frequency effects

text: amount of amplification for the human ear to hear them. Further, sounds at these frequencies are more felt in the body, rather than heard. As well, since they are sound effects, they may have a longer duration or sustain than many low-pitched musical notes, which makes them harder to reproduce accurately. It is a formidable challenge for an amplifier, subwoofer speakers, and cabinet to reproduce these sound effects at a high volume without problems such as power amplifier clipping (distortion), unwanted rattle or resonance in the wooden cabinet, or excessive "chuffing" sounds from the bass reflex vent (if a vent

title: Sounds Are Active

text: Sounds Are Active Sounds Are Active is an independent record label based in Long Beach, CA. It was founded in 1999 by Chris Schlarb. The label has focused on releasing music in the genres of free jazz, avanthop, ambient and other experimental music. A strong visual aesthetic has helped to define the label image. Sounds Are Active has worked with such visual artists as Tim McMullen, Jonathan Dueck, Paul Goode, Jason Munn, Grady McFerrin, Laura Park, Jeff Madrid, Aaron Tanner and Joel Speasmaker. In 2005 Sounds Are Active introduced an option to subscribe to all of their releases (digital and

text: "Did You Hear What Happened to Charlotte King?" and the following episodes, "What Happens Next" and "Can't Find My Way Back Home", losing to the first two seasons of "Parenthood". Rhimes and Strickland received a RAINN Hope Award in recognition of "their efforts in educating the public about sexual assault prevention". Strickland said that she considered submitting the episode, or the later episodes "Can't Find My Way Home" or "Blind Love," for consideration at the 63rd Primetime Emmy Awards, but she did not receive a nomination. The actress received the Female Performance in a Drama Series Multi-Episode Storyline award at

title: Sounds Are Active

text: physical) for a year. In November 2006 they released their first film, the rockumentary 40 Bands/80 Minutes!. Sounds Are Active Sounds Are Active is an independent record label based in Long Beach, CA. It was founded in 1999 by Chris Schlarb. The label has focused on releasing music in the genres of free jazz, avanthop, ambient and other experimental music. A strong visual aesthetic has helped to define the label image. Sounds Are Active has worked with such visual artists as Tim McMullen, Jonathan Dueck, Paul Goode, Jason Munn, Grady McFerrin, Laura Park, Jeff Madrid, Aaron Tanner and Joel Speasmaker.

title: People Hear What They See

text: People Hear What They See People Hear What They See is a studio album by American hip hop artist Oddisee. It was released via Mello Music Group on June 5, 2012. Andrew Noz of "Washington City Paper" gave the album a mixed review, saying, "[sometimes] he gets buried in the ornateness of his own beats; elsewhere, he manages to compensate with the instinctive understanding of having created them." Meanwhile, Marcus J. Moore of BBC Music commented that "[with] this album, Oddisee looks in the mirror and examines his own intricacies, attempting to comprehend his immediate surroundings and society as a

title: People Hear What They See

text: 2014, "Complex" included it on the "Best One-Producer Albums of the 2000s" list. People Hear What They See People Hear What They See is a studio album by American hip hop artist Oddisee. It was released via Mello Music Group on June 5, 2012. Andrew Noz of "Washington City Paper" gave the album a mixed review, saying, "[sometimes] he gets buried in the ornateness of his own beats; elsewhere, he manages to compensate with the instinctive understanding of having created them." Meanwhile, Marcus J. Moore of BBC Music commented that "[with] this album, Oddisee looks in the mirror and examines

title: Pet Sounds

text: and that would be for piano, organ, or harpsichord or anything. ... I wrote out all the horn charts separate from the keyboards. I wrote one basic keyboard chart, violins, horns, and basses, and percussion." A backing track session would last for three hours at minimum. Engineer Chuck Britz remembered how most of the time was spent perfecting individual sounds: "[Brian] knew basically every instrument he wanted to hear, and how he wanted to hear it. What he would do is call in all the musicians at one time (which was very costly), but still, that's the way he would

title: That's What Friends Are For (Slade song)

text: but Slade felt his working methods were too lengthy and expensive. Prior to the single's release, in a 1987 fan club interview, guitarist Dave Hill said: ""That's What Friends Are For" looks to be the next single, mainly because there's a certain person up at RCA who is going wally over it." Describing the song, Hill said: "This is a 'scarf waver' type of number". "That's What Friends Are For" was released on 7" and 12" vinyl by RCA Records in the UK only. In Europe, it was given a 12" vinyl release, and a 7" vinyl release in Australia

title: That's What Friends Are For (Johnny Mathis and Deniece Williams album)

text: That's What Friends Are For (Johnny Mathis and Deniece Williams album) That's What Friends Are For is an album by American singers Johnny Mathis and Deniece Williams that was released in July 1978 by Columbia Records. The project was a continuation of the pairing of the artists that began on his previous LP, "You Light Up My Life", which included "Too Much, Too Little, Too Late", the duet that was on its way to number one on three different charts in "Billboard" magazine as the recording sessions for this album got underway. On July 20 1978, "That's What Friends Are

text: rating and share percentages of the 18–49 demographic. The episode was aired with a message encouraging viewer discretion, due to its violence. The following episode "What Happens Next" saw a decrease in ratings, and was viewed by a total of 8.21 million people. The critical response was largely positive, with a "TV Guide" writer ranking "Did You Hear What Happened to Charlotte King?" one of 2010's top 25 television episodes. Alec Stern of "The Michigan Daily" cited the episode as an example of the show's improved quality, and The Futon Critic's Brian Ford Sullivan also included it in his list

text: praised the episode for "master[ing] the gut-wrenching crime of sexual assault". "Private Practice" received the award in 2010 for its approach to physician-assisted suicide in the second-season episode, "Nothing to Fear", and a drama-series Women's Image Network Award at the 13th annual WIN awards. "Did You Hear What Happened to Charlotte King?" was a finalist for the Sentinel for Health Award for Primetime Drama (Major Storyline) for its representation of rape, losing to the "Parenthood" episode "Qualities and Difficulties" (which focused on Asperger syndrome). The show was nominated for the PRISM Award for Drama Series Multi-Episode Storyline (Mental Health) for

title: What to Do When You Are Dead

text: Aberback of NorthJersey.com noted that the album placed the band on the "indie-rock map and continues to resonate heavily with fans 10 years later". Jorgensen later called the album a "diary entry. Without that, I think a lot of people when [their] lives go on they forget what they went through at a certain point in time so for me that’s the biggest markers for me to remember where I was at the point in my life." Personnel per booklet. Armor for Sleep Production Citations Sources What to Do When You Are Dead What to Do When You Are Dead

text: Charlotte King", was included on the fourth-season DVD and Blu-ray releases. "Did You Hear What Happened to Charlotte King?" was originally broadcast on November 4, 2010 in the United States on the ABC network. The episode was viewed by a total of 10.18 million people, and had a 44 percent increase from the previous episode "All in the Family", which earned an average rating of 7.68. Although it was the fifth-highest-rated show that night (behind CBS's "The Big Bang Theory", "$h*! My Dad Says", "" and "The Mentalist"), its 3.9/11 Nielsen rating topped the 10:00 Eastern time slot for the

title: Too big to fail

text: the [bailout] cost to taxpayers. America has let 106 smaller banks go bankrupt this year alone. It's the mega-banks that present the mega-costs ... banks that are too big to fail are too big to exist. If they continue to exist, they must exist in what is sometimes called a "utility" model, meaning that they are heavily regulated." He also wrote about several causes of the crisis related to the size, incentives, and interconnection of the mega-banks. The United States passed the Dodd–Frank Act in July 2010 to help strengthen regulation of the financial system in the wake of the

text: National Network (RAINN), revolved around KaDee Strickland's character, Charlotte, and was intended to accurately portray a victim's recovery from rape. Nicholas Brendon guest-starred as Lee McHenry, and Blue Deckert appeared as detective Joe Price. "Did You Hear What Happened to Charlotte King?" earned Rhimes, Strickland, and the series several awards and nominations and was well received by critics, with Strickland's character and performance praised. The initial broadcast was viewed by 10.18 million people, received a 3.9/11 Nielsen rating/share in the 18–49 demographic, and had the fifth-highest number of viewers that night. The episode opens with St. Ambrose Hospital chief of

title: What Are Friends For?

text: the cook-out and is glad to see his son making new friends with other children. What Are Friends For? "What Are Friends For?" is the first segment of the twenty-sixth episode (the second episode of the second season (1986–87)) of the television series "The Twilight Zone". Alex Mattingly and his young son Jeff move to a remote cabin in the woods following Alex's divorce. Jeff is lonely and unhappy because he has no one for companionship. Jeff awakens in the middle of the night and sees a boy playing in the woods, but the boy disappears before Jeff can speak

title: What Are Friends For?

text: What Are Friends For? "What Are Friends For?" is the first segment of the twenty-sixth episode (the second episode of the second season (1986–87)) of the television series "The Twilight Zone". Alex Mattingly and his young son Jeff move to a remote cabin in the woods following Alex's divorce. Jeff is lonely and unhappy because he has no one for companionship. Jeff awakens in the middle of the night and sees a boy playing in the woods, but the boy disappears before Jeff can speak to him. One day Jeff and the boy Mike meet and they become friends. Mike

title: Zounds! What Sounds!

text: on one of Rhino Records' influential Cocktail Mix CDs. As the space age pop/lounge revival grew in popularity, two more tracks from the album ("You're the Top" and "The Lonesome Road") were anthologized on one of the many volumes of Capitol Records' Ultra-Lounge series. The album was out of print for many years and was not available officially on CD until recently. A bootleg version is available as a single disc that combines "Zounds! What Sounds!" with Jack Fascinato's "Music From A Surplus Store" (1958), another orchestral album with sound effects from the same period with a similar flavor. Eclectic

title: Natural sounds

text: provides more sensory input than the soundscape there are indications that the soundscape alone also affords restoration. A majority of humans indicate that they find natural sounds pleasurable. These are sounds, calls, or audible signals made by any one species to its own or any other species, establishing boundaries so like or unlike species will not transgress those boundaries. Male baboons make sounds heard for miles by other baboons, communicating to those other male baboons, the territory of that male baboon. The strength, volume, and timbre, inherent in that "call", determine whether or not rival males attempt to invade that

title: If You Could See What I Hear

text: If You Could See What I Hear If You Could See What I Hear is a 1982 Canadian biographical drama film about blind musician Tom Sullivan, starring Marc Singer and Shari Belafonte, directed by Eric Till. Tagline: "The true story of a born winner! Tom Sullivan (Marc Singer) is a blind college student who wants to be normal. When not in class, Tom hangs out with his friend, Will Sly (R. H. Thomson), who does not treat him like a blind person. In fact, he goes out of his way to challenge Tom. Tom likes to go jogging while Will

title: If You Could See What I Hear

text: Siskel selected the film as one of the worst of the year in a 1982 episode of "Sneak Previews". If You Could See What I Hear If You Could See What I Hear is a 1982 Canadian biographical drama film about blind musician Tom Sullivan, starring Marc Singer and Shari Belafonte, directed by Eric Till. Tagline: "The true story of a born winner! Tom Sullivan (Marc Singer) is a blind college student who wants to be normal. When not in class, Tom hangs out with his friend, Will Sly (R. H. Thomson), who does not treat him like a blind

title: I Hear Your Heart

text: I Hear Your Heart "I Hear Your Heart" was the Latvian entry in the Eurovision Song Contest 2006, performed in English by Vocal Group Cosmos. The song is entirely a cappella, in line with the group's usual musical style. Lyrically, the group sings about the sound of their lovers' hearts, which can cut through the chaotic sounds of modern life. Many of these sounds are impersonated by members of the band. The performance featured the band wearing white suits and largely remaining static onstage. Near the end of the song, however, two members (Jānis Ozols and Reinis Sējāns) set up

text: Polar Bear, Polar Bear, What Do You Hear? Polar Bear, Polar Bear, What Do You Hear? is a children's picture book, published in 1991, written and illustrated by Bill Martin, Jr. and Eric Carle. The book is designed to help toddlers identify zoo animals and the noises they make. It features a polar bear, a lion, a hippopotamus, a flamingo, a zebra, a boa constrictor, an elephant, a leopard, a peacock, a walrus, a zoo keeper and some children. This is a companion book to "Brown Bear, Brown Bear, What Do You See?", published by Carle and Martin in 1967,

title: That's What Friends Are For

text: Dayne, Michael Douglas, Exposé, Whoopi Goldberg, Melanie Griffith, Hall & Oates, Jennifer Holliday, Whitney Houston, Alan Jackson, Kenny G, Melissa Manchester, Barry Manilow, Milli Vanilli, Jeffrey Osborne, Carly Simon, Patti Smith, Lisa Stansfield, The Four Tops, and Dionne Warwick. "That's What Friends Are For" was the finale song sung by Warwick and cousin Houston before being joined on the stage by the other guests of the event. Over $2.5 million was raised that night for the Arista Foundation which gave the proceeds to various AIDS organizations. That's What Friends Are For "That's What Friends Are For" is a song written

title: Natural sounds

text: soundscape and the featured organisms who play seminal roles in those habitats. But the nature of that effect varies with the types and families of sound and their relative intensity. Natural sounds are restricted to natural sources in their normal soundscape because clips of isolated natural sources are like sound bites: without context the sounds are prone to be misinterpreted. Humans can benefit from natural environments to restore from stress and directed attention fatigue. A human can endure high levels of stress for short time periods as long as these periods are interrupted by restoration moments. While a natural environment

title: Low-frequency effects

text: the bass. Low-frequency effects The low-frequency effects (LFE) channel is the name of an audio track specifically intended for deep, low-pitched sounds ranging from 3-120 Hz. This track is normally sent to a speaker that is specially designed for low-pitched sounds called the subwoofer. While LFE channels originated in Dolby Stereo 70 mm film prints, they became commonplace in the 1990s and 2000s in home theater systems used to reproduce film soundtracks for DVDs and Blu-ray discs. LFEs include both low-pitched musical notes and low-pitched sound effects. The musical soundtrack for many films includes bass instruments that produce very low

title: Low-frequency effects

text: Low-frequency effects The low-frequency effects (LFE) channel is the name of an audio track specifically intended for deep, low-pitched sounds ranging from 3-120 Hz. This track is normally sent to a speaker that is specially designed for low-pitched sounds called the subwoofer. While LFE channels originated in Dolby Stereo 70 mm film prints, they became commonplace in the 1990s and 2000s in home theater systems used to reproduce film soundtracks for DVDs and Blu-ray discs. LFEs include both low-pitched musical notes and low-pitched sound effects. The musical soundtrack for many films includes bass instruments that produce very low notes. Until

title: We Are What We Are (2010 film)

text: Film4 FrightFest 2010. IFC Film will release the film in the United States as Video-on-demand. Artificial Eye released "We Are What We Are" in the UK on 12 November 2010. The score was composed by Odd Crew. Deborah Young of "Reuters" said, that "We Are What We Are" "is perhaps too dark and relentlessly humorless to find wide international audiences." Young stated that "another limiting factor is the difficulty of identifying with any of the characters, who are played expressively but still remain abstract and alien, distant from the viewer." Review aggregator Rotten Tomatoes gives the film a score of

title: Too Much, Too Little, Too Late

text: UK Singles Chart. "Too Much, Too Little, Too Late" was certified gold and silver in the US and in the UK by the RIAA and the British Phonographic Industry respectively. Later in 1978 the duo released a follow-up single, "You're All I Need to Get By" (which peaked at number 47 on the Hot 100), and a full album of duets, "That's What Friends Are For". The success of the duets with Williams prompted Mathis to record duets with a variety of partners including Jane Olivor, Dionne Warwick, Natalie Cole, Gladys Knight, and Nana Mouskouri. A compilation album, also called

title: What Planet Are You From?

text: critics, currently holding a 42% score on Rotten Tomatoes based on 77 reviews, with an average rating of 5/10. The site's consensus states: "Though "What Planet Are You From?" has some laughs, it's too inconsistent and bland for critics to give it their recommendations." Metacritic reports a 41 out of 100 rating based on 32 critics, indicating "mixed or average reviews". What Planet Are You From? What Planet Are You From? is a 2000 American science fiction comedy film directed by Mike Nichols and written by Michael Leeson, Garry Shandling, Ed Solomon, and Peter Tolan based on a story by

title: Onomatopoeia

text: word can denote something that is shining or iridescent (e.g. glitter, glisten, gleam). When first exposed to sound and communication, humans are biologically inclined to mimic the sounds they hear, whether they are actual pieces of language or other natural sounds. Early on in development, an infant will vary his/her utterances between sounds that are well established within the phonetic range of the language(s) most heavily spoken in their environment, which may be called "tame" onomatopoeia, and the full range of sounds that the vocal tract can produce, or "wild" onomatopoeia. As one begins to acquire one's first language, the

title: Electronic pest control

text: high frequency sound waves that are too high in pitch to be heard by the human ear (generally accepted to be frequencies greater than 20,000 Hz). Humans are usually unable to hear sounds higher than 20 kHz due to physiological limitations of the cochlea, though there is considerable variation between individuals, especially at such high frequencies. Some animals, such as bats, dogs, and rodents, can hear well into the ultrasonic range. Some insects, such as grasshoppers and locusts, can detect frequencies from 50,000 Hz to 100,000 Hz, and lacewings and moths can detect ultrasound as high as 240,000 Hz produced

title: Are Years What? (for Marianne Moore)

text: mind. It is a gift to the city and all who visit." "Are Years What?" is considered by some to be di Suvero's "breakthrough work." Are Years What? (for Marianne Moore) Are Years What? (for Marianne Moore) is a sculpture by American artist Mark di Suvero. It is in the collection of the Hirshhorn Museum and Sculpture Garden, in Washington, D.C., United States. The sculpture is named after poet Marianne Moore's "What Are Years". From May 22, 2013 through May 26, 2014, the sculpture resided temporarily in San Francisco, as part of the San Francisco Museum of Modern Art's Mark

title: New Sounds

text: 5006). This LP, too, was a compilation of records originally released as 78s. The "New Sounds" CD includes the entirety of these two sessions—recorded October 19 and 25, 1948—including a previously unreleased alternate take of "The Fuller Bop Man." In his review of the CD version of "New Sounds", Scott Yanow of AllMusic gave it four stars and called the recording "historically significant. Classic and formerly rare music." "LP Tracks A3 and B3, CD tracks 10–14" "LP tracks A1, A2, B1" "LP track B2" "CD tracks 1–9" New Sounds New Sounds was originally a 10" LP compiling previously released 78

title: We Are X

text: watchable and interesting – if a tad worshipful", "an accessible ride, if not a particularly unique one", and that, "Kijak’s willingness to indulge the band’s rampant self-mythologising can get tiresome". "The Village Voice" was more critical saying it was, "a maddeningly vague primer. ... All director Stephen Kijak's frustrated attempts at getting into Yoshiki's head leave little time for viewers to hear much of what X Japan's music actually sounds like." "We Are X", which was entered in Sundance's World Cinema Documentary Competition, won the Special Jury Award for Best Editing. It also won the Audience Award for Excellence in

title: Electric vehicle warning sounds

text: 2013, the Association of Global Automakers and the Alliance of Automobile Manufacturers, which submitted a joint comment to the NHTSA, announced their support to the rule, but asked the NHTSA to find a noise level that effectively alerts pedestrians without being excessively loud to others inside and outside of the vehicle. They also commented that the rule is too complicated, unnecessarily prescriptive, and it will cost more than necessary. Some automakers also said there is no need for electric-drive vehicles to play sounds while not in motion, "since it is not clear that it helps pedestrians to hear cars that

title: You Are Too Much

text: You Are Too Much You Are Too Much () is a 2017 South Korean television series starring Uhm Jung-hwa, Jang Hee-jin, and Kang Tae-oh. The series will air every Saturday and Sunday from 8:45 p.m. to 10:00 p.m. (KST) on MBC TV. The series revolves around a Yoo Ji-na impersonator who calls herself “Yoo Gina”. The real Yoo Ji-na was a pop diva who lived life to the fullest and one day, she becomes involved with her impersonator called “Yoo Gina” and their two lives become intertwined. Yoo Ji-na lives a glamorous life but she also harbors a personal tragedy

title: Sounds of the Satellites

text: Credits adapted from liner notes. Laika Additional musicians Production Artwork and design Sounds of the Satellites Sounds of the Satellites is the second studio album by British band Laika. It was released through Too Pure in 1997. Rob Brunner of "Entertainment Weekly" said, ""Sounds of the Satellites" entrancing blend of heavy bass, gurgling electronics, and moody melodies — sung with low-key intensity by former Moonshaker Margaret Fiedler — is rich enough to hold your attention even when it doesn't move your feet." Jason Ankeny of AllMusic wrote that the album "is even better than its predecessor, a simultaneous expansion of

title: Sounds of the Satellites

text: Sounds of the Satellites Sounds of the Satellites is the second studio album by British band Laika. It was released through Too Pure in 1997. Rob Brunner of "Entertainment Weekly" said, ""Sounds of the Satellites" entrancing blend of heavy bass, gurgling electronics, and moody melodies — sung with low-key intensity by former Moonshaker Margaret Fiedler — is rich enough to hold your attention even when it doesn't move your feet." Jason Ankeny of AllMusic wrote that the album "is even better than its predecessor, a simultaneous expansion of the band's sonic palette and a brilliant refinement of their past innovations."

title: Beak (album)

text: frustration." Ian Crichton of "The Skinny" opined it as "at times a little too familiar and static to fully lose oneself in": "at first feels exciting and accomplished, until the absolute adherence to well-worn formulas of taut motorik beats, Can basslines and ghost train organ drones begin to dull the edge." "Under the Radar" writer Nick Hyman called the sounds "frequently surprising and refreshing to hear what comes around the dark corners created here", although felt the experimental nature went too far at some points of the LP. Credits are adapted from liner notes. Locations Personnel Beak (album) Beak (stylized

title: Natural sounds

text: male baboon's territory. They do this to make them sound impressive and then to attract the female to them. These are sounds made by the male baboon to attract females to his territory for courtship and mating. Again, the strength, quality, and timbre of those sounds, often determine the ability of that species to attract females for reproduction. These mating calls, often low and guttural, are the main criteria, used by the female baboon to determine which male she mates with. The imitation of natural sounds in various cultures is a diverse phenomenon. and can fill in various functions. In

title: Too Much to Ask

text: it got off to an alright start when I started writing the album. It's a very nice, beautiful song and means a lot to me. I just can't wait for people to hear it. Hopefully fingers cross that people are going to like it, obviously a lot different to 'Slow Hands'," Horan explained in a Smallzy's Surgery interview. "Too Much to Ask" is performed in the key of C major. Horan's vocals span from G2 to F4. Mike Wass of Idolator was positive about the song, saying: "Niall Horan's solo career continues to go from strength to strength with the

title: That's What Friends Are For (The Vulture Song)

text: different parts. In the soundtrack album, The Mellomen member Bill Lee replaced the unavailable Sanders. The Shermans were brought onto the film by Walt Disney due to Disney's feeling that the interpretation was keeping too true to the Rudyard Kipling book. In a deliberate effort to keep the score "light", this song as well as the Sherman Brothers' other contributions generally concern darker subject matter than the accompanying music would suggest. In the case of "That's What Friends Are For", the vultures sing in the style of a barbershop quartet, making their song endearing to Mowgli - and that much

title: That's What Friends Are For

text: That's What Friends Are For "That's What Friends Are For" is a song written by Burt Bacharach and Carole Bayer Sager. It was first recorded in 1982 by Rod Stewart for the soundtrack of the film "Night Shift", but it is better known for the 1985 cover version by Dionne Warwick, Elton John, Gladys Knight, and Stevie Wonder. This recording, billed as being by "Dionne & Friends", was released as a charity single for AIDS research and prevention. It was a massive hit, becoming the number-one single of 1986 in the United States, and winning the Grammy Awards for Best

title: Too Close for Comfort

text: Too Close for Comfort Too Close for Comfort is an American sitcom that aired on ABC from November 11, 1980, to May 5, 1983, and in first-run syndication from April 7, 1984, to February 7, 1987. Its name was changed to The Ted Knight Show when the show was retooled for what would turn out to be its final season. Ted Knight and Nancy Dussault star as Henry and Muriel Rush, respectively; owners of a two-family house in San Francisco, California. Henry is a conservative cartoonist who authors a comic strip called "Cosmic Cow." During scenes in which Henry draws

title: Cat senses

text: Unlike humans, cats do not need to blink their eyes on a regular basis to keep their eyes lubricated (with tears). Unblinking eyes are probably an advantage when hunting. Cats will, however, "squint" their eyes, usually as a form of communication expressing affection and ease around another cat or human. Humans and cats have a similar range of hearing on the low end of the scale, but cats can hear much higher-pitched sounds, up to 64 kHz, which is 1.6 octaves above the range of a human, and even 1 octave above the range of a dog. When listening for

title: Hear Ye Him

text: by the name of Profound Sounds who actually did the title cut "Hear Ye Him." They also did "Bury That" as well. There's also a young lady here from Virginia named Bri and she's on a song called "Different." She's a young 19-year-old with an incredible voice. John Bibbs, he's from Richmond, also on "Bury That." Cam Calloway. He produced a song called "Blasphemy," that's featuring Famlay. I definitely kept the spotlight on Virginia." On July 17, 2013, it was announced the intended released on August 18, 2013. On July 29, 2013, the final track listing and album cover were

title: Electric vehicle warning sounds

text: in February 2018. It requires hybrids and electric vehicles traveling at less than to emit warning sounds that pedestrians must be able to hear over background noises. The regulation requires full compliance in September 2020, but 50% of "quiet" vehicles must have the warning sounds by September 2019. Enhanced Vehicle Acoustics (EVA), a company based in Silicon Valley, California and founded by two Stanford students with the help of seed money from the National Federation of the Blind, developed an after market technology called "Vehicular Operations Sound Emitting Systems" (VOSES). The device makes hybrid electric vehicles sound more like conventional

title: Electric vehicle warning sounds

text: Electric vehicle warning sounds Electric vehicle warning sounds are sounds designed to alert pedestrians to the presence of electric drive vehicles such as hybrid electric vehicles (HEVs), plug-in hybrid electric vehicles (PHEVs), and all-electric vehicles (EVs) travelling at low speeds. Warning sound devices were deemed necessary by some government regulators because vehicles operating in all-electric mode produce less noise than traditional combustion engine vehicles and can make it more difficult for pedestrians, the blind, cyclists, and others, to be aware of their presence. Warning sounds may be driver triggered (as in a horn but less urgent) or automatic at low

title: Hearing range

text: poodle. When dogs hear a sound, they will move their ears towards it in order to maximise reception. In order to achieve this, the ears of a dog are controlled by at least 18 muscles, which allow the ears to tilt and rotate. The ear's shape also allows the sound to be heard more accurately. Many breeds often have upright and curved ears, which direct and amplify sounds. As dogs hear higher frequency sounds than humans, they have a different acoustic perception of the world. Sounds that seem loud to humans often emit high frequency tones that can scare away

title: Hear, hear

text: The phrase "hear him, hear him!" was used in Parliament from late in the 17th century, and was reduced to "hear!" or "hear, hear!" by the late 18th century. The verb "hear" had earlier been used in the King James Bible as a command for others to listen. Other phrases have been derived from "hear, hear", such as "a hear, hear" (a cheer), "to hear-hear" (to shout the expression), and "hear-hearer" (a person who does the same). Hear, hear Hear, hear is an expression used as a short, repeated form of "hear him". It represents a listener's agreement with the

title: Hear Ye Him

text: too far removed for the old Malice, introspective flows on the drug game, and its repercussions on one’s self and family. There are no filler hooks here. Rhymes are intelligent and concise, and they cut like a knife. The same high caliber raps The Clipse were known for are on this album. On “Shame The Devil”, No Malice spits “I too was a derelict, but the truth raised me from the dead when I became aware of it”. "Hear Ye Him" has quotables for days. Only downside here, too many interludes! I want more bars. No Malice did not disappoint

title: What We Live For

text: "we tried to take a lot of the stuff that our fans like and love about us from Oh, What a Life and take that to the next level as far as sounds go. [We] brought back some of the old instruments like mandolin and banjo, but also experimented with a lot of different sounds like vocal samples. We brought back a lot of piano [and] bigger harmonies." Lyrically, the album builds on "Oh, What a Life"s biographical themes, which followed the band's origins and journey; "What We Live For" documents the band's experiences during the present and their perspective

title: Cat

text: to killing small prey. Cat senses fit a crepuscular and predatory ecological niche. Cats can hear sounds too faint or too high in frequency for human ears, such as those made by mice and other small animals. They can see in near darkness. Like most other mammals, cats have poorer color vision and a better sense of smell than humans. Cats, despite being solitary hunters, are a social species, and cat communication includes the use of a variety of vocalizations (mewing, purring, trilling, hissing, growling and grunting) as well as cat pheromones and types of cat-specific body language. Cats have

title: Too Early for Birds

text: added "...The importance of knowing your own culture, and your own stories was brought to the fore with this amazing show – both funny and reflective, moving to the point of tears and in the next instance making you scream with laughter at the puns." Some of the shows received mixed reviews because of the choice of cast; "...I would have especially liked to hear Muthoni Nyanjiru’s story narrated by Laura. It would have been even more powerful in a woman’s voice." Too Early for Birds Too Early for Birds (TEFB) is a series of Kenyan theatre shows that stages

title: Sound reinforcement system

text: the system. Also, clarity may be enhanced, because low-frequency sounds take a great deal of power to amplify; with only a single amplifier for the entire sound spectrum, the power-hungry low-frequency sounds can take a disproportionate amount of the sound system's power. Professional sound reinforcement speaker systems often include dedicated hardware for safely "flying" them above the stage area, to provide more even sound coverage and to maximize sight lines within performance venues. Monitor loudspeakers, also called "foldback" loudspeakers, are speaker cabinets which are used onstage to help performers to hear their singing or playing. As such, monitor speakers are

title: Cat

text: to be an adaptation to low light levels rather than representing true trichromatic vision. Cats have excellent hearing and can detect an extremely broad range of frequencies. They can hear higher-pitched sounds than either dogs or humans, detecting frequencies from 55 Hz to 79,000 Hz, a range of 10.5 octaves, while humans and dogs both have ranges of about 9 octaves. Cats can hear ultrasound, which is important in hunting because many species of rodents make ultrasonic calls. However, they do not communicate using ultrasound like rodents do. Cats' hearing is also sensitive and among the best of any mammal,

title: Lights and Sounds

text: coated with a light dose of romantic schmaltz." "Alternative Press" gave the album a perfect rating, saying, "It may be one of the least 'punk' albums a pop-punk band will make this year--but it's probably one of the best, too." Sputnikmusic gave the album 3.5 out of five stars, writing: "It's pop-punk, and fairly unambitious stuff at that ... What keeps this record on its feet is the lyricism, the production and the simplicity of it all." Heather Phares of AllMusic wrote: "On "Lights and Sounds", Yellowcard sounds light years away from its "One for the Kids"/"Where We Stand" days.

title: Pet Sounds

text: the mike they used in "Pet Sounds".' This is exactly the same as "Pet Sounds".'" Commentator C.W. Maloney mused: "The songs on "Pet Sounds" are great, but you have to wonder, given all the hype and mythology and our love of shallow nostalgia, what we mean when we call it a classic or Wilson a genius. Consider what [Frank] Zappa was doing in 1966, to say nothing of Miles [Davis]. Wilson's high reputation is evidence of our obsession with childlike innocence and the victory of boring poptimism." By the 1990s, three British critics' polls featured "Pet Sounds" at or near

title: Are Years What? (for Marianne Moore)

text: Are Years What? (for Marianne Moore) Are Years What? (for Marianne Moore) is a sculpture by American artist Mark di Suvero. It is in the collection of the Hirshhorn Museum and Sculpture Garden, in Washington, D.C., United States. The sculpture is named after poet Marianne Moore's "What Are Years". From May 22, 2013 through May 26, 2014, the sculpture resided temporarily in San Francisco, as part of the San Francisco Museum of Modern Art's Mark di Suvero exhibition at Crissy Field. This 10-ton sculpture is made of nine red-orange steel I-beams, welded together, with one section suspended as a giant

title: I Hear Talk

text: I Hear Talk I Hear Talk is the fourth studio album by the pop group Bucks Fizz. It was released in November 1984, the album featured the singles "Talking in Your Sleep", "Golden Days" and "I Hear Talk". Bucks Fizz had been consistently in the public eye for three years by the end of 1983 and so decided to keep a low profile for the first half of 1984 following the low-charting performance of their last single Rules of the Game. During this time recording sessions were held for their fourth album as well as the group embarking on a

title: The Sentinel (TV series)

text: low light situations and with superb acuity at long distances, hear sounds at extremely low volume or beyond the normal range of human hearing, and sense what others cannot via taste, touch and smell; he declares himself "a walking forensic lab". Jim's powers have a drawback: if he concentrates too strongly on one sense, he may become oblivious to his immediate surroundings. Part of Blair's job is preventing this, and protecting Jim when he is focusing. As a Sentinel Jim has several powers: Blair Sandburg is the genius son of Naomi Sandburg, an absolute flower child. In his youth, he

title: What Is This Thing Called Love? (short story)

text: with aliens and sex. According to Asimov the article was mostly based on "Marvel" since its contents had been the raciest. Cele Goldsmith Lalli, editor of "Amazing Stories", requested a satire of the "Playboy" article. Asimov set out to write a story telling how a sex-interested alien and humans might "really" interact. The story appeared in the March 1961 issue of "Amazing" as "Playboy and the Slime God", but when Asimov included it in his 1969 collection "Nightfall and Other Stories" he retitled it "What Is This Thing Called Love?" Goldsmith Lalli rewrote the story's last three paragraphs, a change

title: Too Sane for This World

text: third film will explore how autism is diagnosed and what type of therapies are being implemented around the world, as different cultures approach the diagnosis differently. The documentary also questions what exactly is autism and will interview several parents whose children were recently diagnosed with autism. The various treatments utilized for autism, both traditional and non-traditional, will also be explored. Too Sane for This World Too Sane for This World is a documentary series that was directed by William Davenport. The first film, "Too Sane for This World", was released on September 1, 2011 and features an introduction by Dr.

title: Learning to read

text: stage also known as selective association. This begins with the child learning to decode print and understanding the meaning of what has been decoded. To do this, the child must first figure out the Alphabetic principle and master it in only a few years. Most children know that the words on a page in a book mean something, but do not readily understand how the letters code the meaning. They know that these words are made of the sounds of their particular language, and that letters convey these sounds. Novice readers learn to hear and manipulate the smaller sounds into

title: Sounds Like Life to Me

text: song's first verse, the male narrator receives a call from a friend's wife, who says that her husband "fell off the wagon" and has begun drinking excessively to escape his problems. The narrator then meets his friend at the bar and ask the friend what is wrong. After the friend lists off his problems, the narrator responds by saying, "sounds like life to me", convincing the friend to "suck it up" and face his problems and then buying him a drink. The music video was directed by The Erwin Brothers. Sounds Like Life to Me "Sounds Like Life to Me"

title: For Him Who Has Ears to Hear

text: recorded live in the studio with very little overdubbing. For Him Who Has Ears to Hear For Him Who Has Ears to Hear is the debut release by contemporary Christian music pianist and singer Keith Green, It was released on May 20, 1977. The album photography was taken by Garry Heery with help from Max Blanc in the way of art direction. The album is ranked fifth on CCM Magazine's "". The album was produced by Bill Maxwell (who played drums as well as other minor instruments on the album) at Studio 55 and was engineered by Larry Emerine, Wally

title: For Him Who Has Ears to Hear

text: For Him Who Has Ears to Hear For Him Who Has Ears to Hear is the debut release by contemporary Christian music pianist and singer Keith Green, It was released on May 20, 1977. The album photography was taken by Garry Heery with help from Max Blanc in the way of art direction. The album is ranked fifth on CCM Magazine's "". The album was produced by Bill Maxwell (who played drums as well as other minor instruments on the album) at Studio 55 and was engineered by Larry Emerine, Wally Duguid, Al Perkins and Gordon Shryock. The album was

title: Low Stars

text: she commented that she missed that kind of music and the idea for the project was born. Starbucks Entertainment's attention was caught by the project and they offered to add them to their Hear Music Debut series, which is designed to introduce Starbucks customers to upcoming artists. Hear Music distributes the music via a record label and a XM satellite radio station, which is played in Starbucks Cafes. The Low Stars eponymous album was produced by George Drakoulias and released in Starbucks stores across America. The songs "Child" and "Calling All Friends", the theme song from ABC's "What About Brian",

title: Too Dumb for New York City, Too Ugly for L.A.

text: boy, there was a time when I wouldn't do this. Then I thought again. What did I mean, there was a time? I ain't doing it now." Too Dumb for New York City, Too Ugly for L.A. Too Dumb for New York City, Too Ugly for L.A. is an album by Waylon Jennings, released on Epic Records in 1992. Jennings reunited with producer and ex-Waylors drummer Richie Albright for the album, which was an attempt "to find the key to the sound we had created together in the seventies." According to Jennings, their efforts were thwarted by Doug Johnson, the

title: We Are What We Are (2013 film)

text: Gierson of Screen Daily called it "a tense, unsettling experience that offers very little gore but nonetheless knows how to turn the stomach." Ryan Daley of Bloody Disgusting rated it 3.5/5 stars and wrote that the film "lacks any real surprises" but "has a lot to say and it says it well." Drew Tinnin of Dread Central rated it 2.5/5 stars and wrote that the payoff is much better than the slow-paced buildup. We Are What We Are (2013 film) We Are What We Are is a 2013 American horror film directed by Jim Mickle. It was screened at the

title: That's What Girls Are Made For

text: That's What Girls Are Made For "That's What Girls Are Made For" is the debuting single for the American R&B/Soul vocal group The Spinners, released on Harvey Fuqua's Tri-Phi Records label in 1961. The single featured most of the original members of the group including original lead singer Bobby Smith and featured a very young Marvin Gaye playing drums. Harvey Fuqua and his then-girlfriend Gwen Gordy made the song simply for them to record. Released nationally on Tri-Phi, the song reached number 27 on the "Billboard" Hot 100 and number 5 on the Hot R&B Songs chart, starting a long

title: Sounds Like Chicken

text: EP, "Slowly Going the Way of the Chicken". Sounds Like Chicken toured interstate for the first time under this lineup in September 2001, playing in Sydney and Canberra and also at the Black Stump Music Festival. In 2002, Tom Dowding departed from Sounds like Chicken to be replaced by Joshua Diemar on bass. It was in this year that Sounds Like Chicken released their first studio EP, "I Am Gibbon, Hear Me Roar", produced by David Carr (Antiskeptic, Taxiride). The EP gave the band airplay on community radio, Christian radio, and Triple J. In early 2004, the band were signed

title: Pet Sounds

text: to realize that Brian Wilson's production was as unique in its own way as the Beatles'". Noel Murray of "The A.V. Club", writing in 2014, theorized that the success of "Good Vibrations" helped turn around the perception of "Pet Sounds", in that the album's "un-hip orchestrations and pervasive sadness baffled some longtime fans, who didn't immediately get what Wilson was trying to do." In a 1972 review for "Rolling Stone", Stephen Davis called "Pet Sounds" "by far" Brian Wilson's best album and said that its "trenchant cycle of love songs has the emotional impact of a shatteringly evocative novel". Writing