Tamazight-NLP/NLLB-Seed_Standard-Moroccan-Tamazight huggingface dataset:
English: Lillian Diana Gish (October 14, 1893 – February 27, 1993) was an American actress, director and screenwriter.
Tamazight: ⵍⵉⵍⵢⴰⵏ ⴷⵢⴰⵏⴰ ⴳⵉⵛ (14 ⴽⵟⵓⴱⵕ, 1893 - 27 ⴱⵕⴰⵢⵕ, 1993) ⵜⴽⴰⵜⵜⵉⵏ ⵜⴳⴰ ⵜⴰⵙⵎⴷⴰⵢⵜ, ⴷ ⵜⴰⵎⵙⵙⵓⴼⵖⵜ ⴷ ⵜⴰⵏⴰⵙⵔⴰⵢⵜ ⵏ ⵓⵙⵉⵏⴰⵔⵢⵓ ⵜⴰⵎⵉⵔⵉⴽⴰⵏⵉⵜ.
English: Gish was a prominent film star from 1912 into the 1920s, being particularly associated with the films of director D. W. Griffith.
Tamazight: ⴳⵉⵛ ⵜⴽⴽⴰⵜⵉⵏ ⵜⴳⴰ ⵜⵉⵜⵔⵉⵜ ⴱⴰⵀⵔⴰ ⵉⵎⵇⵇⵓⵔⵏ ⵙⴳ 1912 ⴰⵔ ⵉⵙⴳⴳⴰⵙⵏ ⵏ 1920, ⵍⵉⵖ ⵜⴽⴽⴰⵜⵉⵏ ⵜⵙⵙⵓⵔ ⴳ ⵍⴰⴼⵍⴰⵎ ⵏ ⵓⵙⴼⴼⵓⴳ ⴷ. ⵡ. ⴳⵔⵉⴼⵉⵜ.
English: She also did considerable television work from the early 1950s into the 1980s, and closed her career playing opposite Bette Davis in the 1987 film The Whales of August.
Tamazight: ⵜⵙⴽⵔ ⴷⴰⴳ ⵢⴰⵜ ⵍⵅⴷⵎⵜ ⵉⵙⵜⴰⵡⵀⵎⵎⴰⵏ ⴳ ⵙⵉⵣⵡⴰⵔ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1950 ⴰⵔ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1980, ⴷ ⵜⵇⵇⵏ ⵜⴰⵖⴰⵔⴰⵙⵜ ⵏⵏⵙ ⵍⵍⵉⵖ ⵜⵎⵜⵜⵍ ⴷ ⴱⵉⵜⵜⵉ ⴷⵉⵢⴼⵉⵙ ⴳ ⵍⴼⵉⵍⵎ ⴷⴰ ⵡⴰⵢⵍⵣ ⵓⴼ ⵓⴳⵓⵙⵜ ⵏ 1987.
English: The first several generations of Gishes were Dunkard ministers.
Tamazight: ⵎⵏⵏⴰⵡ ⵉⵖⵔⴼⵏ ⵣⵡⴰⵔⵏⵉⵏ ⵏ ⴰⵉⵜ ⴳⵉⵛ ⴽⴰⵏⵜⵜⵉⵏ ⴳⴰⵏ ⵉⵔⴳⴰⵣⵏ ⵏ ⴷⴷⵉⵏ ⴰⵎⴰⵙⵉⵃⵉ.
English: Their mother opened the Majestic Candy Kitchen, and the girls helped sell popcorn and candy to patrons of the old Majestic Theater, located next door.
Tamazight: ⵜⵔⵣⴻⵎ ⵉⵏⵏⴰⵙⵏⵜ ⵎⴰⵊⵉⵙⵜⵉⴽ ⴽⴰⵏⴷⵢ ⴽⵉⵜⵛⴻⵏ ⴷ ⵜⴼⵔⵅⵉⵏ ⵄⴰⵡⵏⵏⵜ ⵖⵓⵣⵣⵏⵣ ⵏ ⵜⵉⵔⵓⴼⵉⵏ ⴷ ⵍⴼⴰⵏⵉⴷ ⵉ ⵉⴷⴱⵓ ⵍⵎⵙⵔⴰⵃ ⵎⴰⵊⴻⵙⵜⵉⴽ, ⵜⴰⵎⴰ ⵏⵏⵙⵏ.
English: The seventeen-year-old Lillian traveled to Shawnee, Oklahoma, where James's brother Alfred Grant Gish and his wife, Maude, lived.
Tamazight: ⵍⵉⵖ ⴷⴰⵔⵙ ⵙⴰ ⴷ ⵎⵔⴰⵡ ⵍⵉⵍⵢⴰⵏ ⵜⵎⵎⵓⴷⴷⴰ ⵙ ⵛⴰⵡⵏⵉ ⵓⴽⵍⴰⵀoⵎⴰ ⵍⵍⵉⵖ ⵏ ⵉⵣⴷⵖ ⴳⵎⴰⵙ ⵏ ⵊⵉⵎⵙ ⴰⵍⴼⵔⵉⴷ ⴳⵔⴰⵏⵜ ⴳⵉⵛ ⴷ, ⵎⵓⴷ, ⵜⴰⵎⵖⴰⵔⵜ ⵏⵏⵙ.
English: Her father died in Norman, Oklahoma, in 1912, but she had returned to Ohio a few months before this.
Tamazight: ⵉⵎⵎⵓⵜ ⵉⴱⴱⴰⵙ ⴳ ⵏⵓⵔⵎⴰⵏ, ⵓⴽⵍⴰⵀoⵎⴰ, ⴳ 1912, ⵎⴰⵛ ⵜⵓⵔⵔⵉⴷ ⵙ ⵓⵀⴰⵢⵓ ⵎⵏⵏⴰⵡ ⵉⵢⵢⵓⵔⵏ ⵙⵉⵣⵡⴰⵔ.
English: When Lillian and Dorothy were old enough they joined the theatre, often traveling separately in different productions.
Tamazight: ⵍⵍⵉⵖ ⵜⵎⵇⵇⵓⵔ ⵍⵉⵍⵢⴰⵏ ⴷ ⴷⵓⵔⵓⵜⵉ ⴽⵛⵎⵏⵜ ⵙ ⵓⵎⵣⴳⵓⵏ, ⵎⵎⵓⴷⴷⵓⵏⵜ ⵣⵍⵉⵏⵜ ⵃⵉⵏⴰ ⴳ ⵓⵙⴼⴼⵓⵖⵏ ⵣⵍⵉⵏⵉⵏ.
English: Gish continued to perform on the stage, and in 1913, during a run of A Good Little Devil, she collapsed from anemia.
Tamazight: ⴳⵉⵛ ⵜⵎⴹⴼⴰⵔ ⵜⴰⵡⵡⵓⵔⵉ ⵏⵏⵙ ⴳ ⵓⵎⵣⴳⵓⵏ ⴰⵔ 1913, ⵍⵉⵖ ⵉⵍⵍⴰ ⴰ ⴳⵓⴷ ⵍⵉⵜⵜⵍ ⴷⵉⴼⵉⵍ, ⵜⵓⵙⵅⵉ ⵙ ⴼⴰⵇⵔ ⴷⴷⴰⵎ.
English: Her performance in these frigid conditions gave her lasting nerve damage in several fingers.
Tamazight: ⵜⴰⵡⵡⵓⵔⵏⵉⵙ ⵖ ⴷⴷⵓⵔⵓⴼ ⴰⴷ ⵀⵔⵛⵏⵉⵏ ⴼⴰⵏⴰⵙ ⴰⵇⵓⵛⵛⵃ ⵖ ⵉⴹⵓⴹⴰⵏ.
English: He utilized her expressive talents to the fullest, developing her into a suffering yet strong heroine.
Tamazight: ⵉⵙⵙⵎⵔⵙ ⵍⵎⴰⵡⴰⵀⵉⴱ ⵏⵏⵙ ⴰⵔ ⵓⵣⵣⵓⵔ ⵏⵏⵙⵏ ⴷ ⵉⵙⴱⵓⵖⵍⴰⵜ ⵙ ⵢⴰⵜ ⵜⴰⴱⵃⵍⴻⵢⵜ ⵜⴰⵙⵃⵓⵙⵉⵜ ⵎⴰⵛ ⵜⴰⵎⴰⴽⴰⵢⵜ.
English: She directed her sister Dorothy in one film, Remodeling Her Husband (1920), when D. W. Griffith took his unit on location.
Tamazight: ⵜⵙⴽⵔ ⵓⵙⵓⴼⵖⴷ ⵓⵍⵜⵎⴰⵙ ⴷⵓⵔⵓⵜⵉ ⵖ ⵢⴰⵏ ⵍⴼⵉⵍⵎ, ⵔⴻⵎⵓⴷⵍⵉⵏ ⵀⵉⵔ ⵀⴰⵣⴱⴰⵏⴷ (1920), ⵍⵉⵖ ⵢⵓⵙⵉ ⴷ. ⵡ. ⴳⵔⵉⴼⵉⵜ ⵜⴰⴳⴳⴰⵢⵜⵏⵙ ⵙ ⵓⴷⵖⴰⵔ.
English: She turned down the money, requesting a more modest wage and a percentage so that the studio could use the funds to increase the quality of her films — hiring the best actors, screenwriters, etc.
Tamazight: ⵜⵓⴳⵉ ⵉⵇⴰⵔⵉⴹⵏ ⵎⴰⵛ ⵜⵙⵙⵓⵜⵔ ⵙ ⵢⴰⵏ ⵚⵚⴰⵍⵉⵔ ⵉⵜⵜⵏⴽⵛⵓⴼⵏ ⴷ ⵢⴰⵜ ⵜⵉⴳⵎⵉⴹⵉ ⵉ ⵙⵜⵓⴷⵢⵓ ⴱⴰⵛ ⴰⴷ ⵙⵙⵓⵖⵍⵉⵏ ⵜⴰⵖⴰⵔⴰ ⵏ ⵍⴰⴼⵍⴰⵎⵏⵙ — ⵉⵜⵙⵙⵅⴷⵎ ⴰⵎⴰⴼⴰⵢ ⵏ ⵉⵙⵎⴷⴰⵢⵏ ⴷ ⵉⵏⴰⵙⵔⴰⵢⵏ ⵏ ⵓⵙⵉⵏⴰⵔⵢⵓ.
English: Many of the silent era's leading ladies, such as Gish and Pickford, had been wholesome and innocent, but by the early 1930s (after the full adoption of sound and before the Motion Picture Production Code was enforced) these roles were perceived as outdated.
Tamazight: ⵜⵓⴳⴳⵜ ⵏ ⵜⵉⵍⴰⵍⵍⴰⵜⵉⵏ ⵏ ⵍⵃⵉⵇⴱⵜ ⵉⵃⵉⵙⵙⵉⵏ, ⵣⵓⵏⴷ ⴳⵉⵛ ⴷ ⴱⵉⴽⴼⵓⵔⴷ, ⴷⵓⵙⵏⵜ ⴷ ⴳⴰⵏⵜ ⵜⵉⵣⵣⵉⴷⴳⴰ, ⵎⴰⵛ ⵖ ⵓⵙⴳⴳⵯⴰⵙⵏ ⵣⵡⴰⵔⵏⵉⵏ ⵏ 1930 (ⴹⴰⵕⵜ ⴰⵙⵙⴳⵎ ⵏ ⵓⵎⵙⵍⵉ ⴷ ⴷⴰⵜ ⴰⵣⵣⴳⵉⵔ ⵏ ⵓⵣⵔⴼ ⵏ ⵜⴰⵙⵢⴰⴼⵓⵜ ⵏ ⵍⴰⴼⵍⴰⵎ) ⵜⵉⵍⴰⵍⴰⵜⵉⵏ ⴽⴰⵏⵜⵉⴽ ⴳⴰⵏⵜ ⵉⵡⵙⵙⴰⵔⵏ.
English: Louis Mayer wanted to stage a scandal ("knock her off her pedestal") to garner public sympathy for Gish, but Lillian didn't want to act both on screen and off, and returned to her first love, the theater.
Tamazight: "ⵉⵔⴰ ⵍⵓⵉⵙ ⵎⴰⵢⵔ ⴰⵉⵙⵙⵓⴷⵙ ⵢⴰ ⵓⴷⴰⵛⴰⴼ (""ⵏⵓⴽ ⵀⴻⵔ ⵓⴼⴼ ⵀⴻⵔ ⴱⴻⴷⴻⵙⵜⵍⵍ"") ⴱⴰⵛ ⴰⵢⵙⵎⵓⵏ ⵜⴰⵖⵓⵙⵉ ⵉ ⴳⵉⵛ, ⵎⴰⵛ ⵍⵉⵍⵢⴰⵏ ⵜⵓⴳⵉ ⴰⵜⵍⵄⴱ ⵖ ⵙⵙⵉⵏⵉⵎⴰ ⴷ ⴱⵕⵕⴰⵏⵙ, ⴷ ⵜⵓⵔⵔⵉⴷ ⵙ ⵜⴰⵢⵔⵉⵏⵙ ⵉⵣⵡⴰⵔⵏ, ⴰⵎⵣⴳⵓⵏ.
English: Returning to movies, Gish was nominated for the Academy Award for Best Supporting Actress in 1946 for Duel in the Sun.
Tamazight: ⵍⵍⵉⵖ ⵜⵓⵔⵔⵉⴷ ⵙ ⵍⴰⴼⵍⴰⵎ, ⵜⵙⵎⵎⴰ ⴳⵉⵛ ⵉ ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏⵜⴽⴰⴷⵉⵎⵉⵜ ⵍ ⵜⴰⵙⵎⴷⴰⵢⵜ ⵜⴰⵎⴰⴼⴰⵢⵜ ⵖ 1946 ⵉ ⴷⵓⵍ ⵉⵏ ⴷⴰ ⵚⵚⴰⵏ.
English: She was considered for various roles in Gone with the Wind ranging from Ellen O'Hara, Scarlett's mother (which went to Barbara O'Neil), to prostitute Belle Watling (which went to Ona Munson).
Tamazight: ⵜⵙⵡⵉⵏⴳⵎ ⵖ ⵎⵏⵏⴰⵡ ⵏ ⵜⵉⵍⴰⵍⵉⵏ ⵖ ⴳⵓⵏ ⵡⵉⴷ ⴷⴰ ⵡⵉⵏⴷ ⴳ ⵉⵍⵍⵉⵏ oⵀⴰⵔⴰ, ⵉⵏⵏⴰⵙ ⵏ ⵙⴽⴰⵔⵍⵉⵜ (ⵍⵍⵉ ⵉⴼⵜⴰⵏ ⵙ ⴱⴰⵔⴱⴰⵔⴰ oⵏⵉⵍ), ⴰⵔ ⵜⴰⵎⴳⴳⴰⵏⵜ ⴱⵉⵍⵍ ⵡⴰⵍⵜⵉⵏⴳ (ⵍⵍⵉ ⵉⴼⵜⴰⵏ ⵙ ⵓⵏⴰ ⵎⵓⵏⵙⵓⵏ).
English: She appeared as Dowager Empress Maria Feodorovna in the short-lived 1965 Broadway musical Anya.
Tamazight: ⵜⵓⴳⴳⵯⵉ ⴰⵎ ⵎⴰⵔⵉⴰ ⴼⵢⵓⴷⵓⵔⵓⴼⵏⴰ ⵜⴰⴳⵍⴷⵉⵜ ⵏ ⴷoⵡⴰⴳⴻⵔ ⵖ ⵜⴰⵎⵣⴳⵓⵍⵜ ⵏ ⵓⵣⴰⵡⴰⵏ ⵉⴷⵔⵓⵙⵏ ⵖ ⴱⵔⵓⴷⵡⴰⵢ ⵏ 1965 ⴰⵏⵢⴰ.
English: She was interviewed in the television documentary series Hollywood: A Celebration of the American Silent Film (1980).
Tamazight: ⵜⵎⵙⵇⵙⴰ ⵖ ⵓⵙⴷⴷⵉ ⵓⵏⵜⵉⵎ ⵏ ⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏ ⵀⵓⵍⵉⵡⵓⴷ: ⴰ ⵙⵉⵍⵉⴱⵔⵉⵛⵏ ⵓⴼ ⴷⴰ ⴰⵎⵉⵔⵉⴽⴰⵏ ⵙⴰⵢⵍⵏⵜ ⴼⵉⵍⵎ (1980).
English: She has a star on the Hollywood Walk of Fame at 1720 Vine Street.
Tamazight: ⵜⴰⵔⵙ ⵢⴰⵜ ⵜⵉⵜⵔⵉⵜ ⵖ ⵡⴰⵍⴽ oⴼ ⴼⵉⵎ ⵖ ⵀⵓⵍⵉⵡⵓⴷ ⵖ 1720 ⴼⴰⵢⵏ ⵙⵜⵔⵉⵜ.
English: At the Cannes festival, Gish won a 10-minute standing ovation from the audience.
Tamazight: ⵖ ⵓⵍⵎⵓⴳⴳⴰⵔ ⵏ ⴽⴰⵏ, ⴳⵉⵛ ⵜⵔⴱⵃ ⴰⵙⴱⵉⴷ ⵏ 10-ⵏⵜⵓⵙⴷⵉⴷⵉⵏ ⴷⴰⵔ ⵓⴳⴷⵓⴷ.
English: The episode "Marry for Murder" was broadcast on September 9, 1943.
Tamazight: ⵜⵣⵓⵙⵙⵔ ⵜⵉⵏⴷⵔⵜ "ⵎⴰⵔⵉ ⴼⵓⵔ ⵎⵓⵔⴷⵔ" ⵖ 9 ⵛⵓⵜⴰⵏⴱⵉⵔ, 1943.
English: She was awarded an Academy Honorary Award in 1971, and in 1984 she received an AFI Life Achievement Award.
Tamazight: ⵓⵛⵛⵏⴰⵙ ⵜⴰⵙⵎⵖⵓⵔⵜ ⵜⴰⵙⵍⵍⵓⵎⵎⵜ ⵏ ⵜⴽⴰⴷⵉⵎⵉⵜ ⵖ 1971, ⵖ 1984 ⵓⵛⵛⵏⴰⵙ ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ ⴰⴼⵉ ⵍⴰⵢⴼ ⴰⵜⵛⵉⴼⵎⵏⵜ.
English: The University awarded Gish the honorary degree of Doctor of Performing Arts the next day.
Tamazight: ⵜⴰⵙⴷⴰⵡⵉⵜ ⵜⵓⵛ ⵉ ⴳⵉⵛ ⴷⴷⵓⴽⵜⵓⵔⴰ ⵜⴰⵙⵍⵍⵓⵎⵎⵜ ⵖ ⴰⵙⵙ ⴰⵡⴰⵔ.
English: Following Gish's 1993 death, the University raised funds to enlarge its gallery to display memorabilia received from Gish's estate.
Tamazight: ⵍⵍⵉⵖ ⵜⵎⵎⵓⵜ ⴳⵉⵛ ⵖ 1993, ⵜⵙⵎⵓⵏ ⵜⴰⵙⴷⴰⵡⵉⵜ ⵉⵇⴰⵕⵉⴹⵏ ⴱⴰⵛ ⴰⴷ ⵙⵅⴰⵜⴰⵔⵏ ⵜⴰⵙⵏⵏⵉⵖⵜ ⵏ ⵉⴽⵜⵜⴰⵢⵏ ⵏ ⴳⵉⵛ.
English: The association between herself and D. W. Griffith was so close that some suspected a romantic connection, an issue never acknowledged by Gish, although several of their associates were certain they were at least briefly involved.
Tamazight: ⴰⵛⵔⴰⴽ ⵏⴳⵔⴰⵙ ⴷ D. W. ⴳⵔⵉⴼⵉⵜ ⵉⵇⵕⴱ ⴱⴰⵀⵔⴰ ⴰⵢⵍⵉⵖ ⵏⵏⴰⵏ ⴽⵔⴰ ⵉⵙ ⴳⴰⵏ ⵉⵎⴰⵔⴰⵢⵏ, ⵖⴰⵢⴰⴷ ⵓⵔ ⵊⵊⵓ ⴳⵉⵙ ⵜⵙⴰⵡⵍ ⴳⵉⵛ, ⵎⴰⵛ ⵎⵏⵏⴰⵡ ⵍⵍⵉ ⴷⵉⵙ ⵉⵇⵇⵔⴱⵏ ⴰⵡⵔⵏ ⵉⵙ ⴳⴰⵏ ⴻⵎⴰⵔⴰⵢⵏ.
English: In the 1920s, Gish's association with Duell became something of a tabloid scandal when he sued her and made the details of their relationship public.
Tamazight: ⵖⵓⵙⴳⴳⵯⴰⵙⵏ ⵏ 1920, ⴰⵛⵔⴰⴽ ⵏ ⴳⵉⵛ ⴷ ⴷⵓⵍⵍ ⵉⵏⵏⴼⵍ ⵙ ⵓⴽⴰⵛⴰⴼ ⵍⵉⵖ ⵜⵉⴹⴼⵕ ⵖ ⵜⴰⵙⵏⴱⴷⴰⵢⵜ ⴷ ⵉⵙⴼⴼⵓⵖ ⴻⴼⵔⵓⵔⵉⵜⵏ ⵏ ⵓⵛⵔⴰⴽⵏⵙⵏ ⵉ ⵡⴰⴳⴷⵓⴷ.
English: George Jean Nathan praised Gish's acting glowingly—comparing her to Eleonora Duse.
Tamazight: ⵉⵙⵙⵉⵎⵖⵓⵔ ⵊⵓⵔⵊ ⵊⵉⵏ ⵏⴰⵜⴰⵏ ⴱⴰⵀⵔⴰ ⵓⵔⴰⵔⵏⵙ —ⴷ ⵉⵙⵎⵢⴻⴼⵜ ⵙ ⵉⵍⵉoⵏoⵔⴰ ⴷⵓⵙ.
English: During the period of political turmoil in the US that lasted from the outbreak of World War II in Europe until the attack on Pearl Harbor, she maintained an outspoken non-interventionist stance.
Tamazight: ⵍⵍⵉⵖ ⵜⵍⵍⴰ ⵜⴰⵙⵙⴰⵙⵜ ⵜⴰⵙⵔⵜⴰⵏⵜ ⵖ ⵎⵉⵔⵉⴽⴰⵏ ⵍⵍⵉ ⵜⴽⴽⴰ ⵖ ⵍⵍⵉⵖ ⵉⴱⴷⴰ ⴰⵎⴳⴰⵔⵓ ⴰⵎⴰⴹⵍⴰⵏ ⵡⵉⵙⵙ ⵙⵉⵏ ⵖ ⵍⵓⵔⵓⵒ ⴰⵔ ⴰⵙⵓⴳⵉ ⵏ ⴱⴻⵔⵍ ⵀⴰⵔⴱⴻⵔ, ⵜⵖⴰⵎⴰ ⵖ ⵜⵉⵎⵙⵔⵉ ⵜⴰⵙⴼⵏⵥⴰⵢⵜ.
English: Joseph Frank Keaton (October 4, 1895 – February 1, 1966), known professionally as Buster Keaton, was an American actor, comedian, film director, producer, screenwriter, and stunt performer.
Tamazight: ⵊⵓⵣⵉⴼ ⴼⵔⴰⵏⴽ ⴽⵉⵜⵓⵏ (4 ⴽⵟⵓⴱⵕ, 1895 – 1 ⴱⵕⴰⵢⵕ, 1966), ⵉⵜⵓⵙⵙⴰⵏ ⵙ ⴱⵓⵙⵜⵔ ⴽⵉⵜⵏ, ⵉⴽⴽⴰⵜⵉⵏ ⵉⴳⴰ ⴰⵙⵎⴷⵢ, ⴰⵎⵙⵓⴼⵖ ⵏ ⵍⴰⴼⵍⴰⵎ, ⴰⵎⵙⵢⴰⴼⵓ, ⴰⵏⴰⵙⵔⴰⵢ ⵍ ⵓⵙⵉⵏⴰⵔⵢⵓ ⴰⵎⵉⵔⵉⴽⴰⵏⵉ.
English: His career declined when he signed with Metro-Goldwyn-Mayer and lost his artistic independence.
Tamazight: ⵜⴷⵔⵓⵙ ⵍⵅⴷⵎⵜⵏⵙ ⵍⵍⵉⵖ ⵉⵙⴳⵎⴹ ⴷ ⵎⵉⵜⵔⵓ-ⴳⵓⵍⴷⵡⵢⵏ-ⵎⴰⵢⴻⵔ ⴷ ⵉⵄⴷⴷⵎ ⵜⴰⵙⵉⵎⴰⵏⵜ ⵜⴰⵏⴰⵣⵓⵔⵜⵏⵙ.
English: Many of Keaton's films from the 1920s remain highly regarded, such as Sherlock Jr. (1924), The General (1926), and The Cameraman (1928).
Tamazight: ⵜⵓⴳⴳⵜ ⵏ ⵍⴰⴼⵍⴰⵎ ⵏ ⴽⵉⵜⵓⵏ ⵖ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1920 ⴷⴰⵔⵙⵏ ⴰⵀⴰⵎⵢⴰ ⵉⴳⴳⵓⵜⵏ, ⵣⵓⴳ ⵛⵉⵔⵍⵓⴽ ⵊⵔ. (1924), ⴷⴰ ⴷⵊⵉⵏⵉⵔⴰⵍ (1926), ⴷ ⴷⴰ ⴽⵉⴼⵎⴰⵏ (1928).
English: His father was Joseph Hallie "Joe" Keaton, who owned a traveling show with Harry Houdini called the Mohawk Indian Medicine Company, or the Keaton Houdini Medicine Show Company, which performed on stage and sold patent medicine on the side.
Tamazight: ⵉⴱⴱⴰⵙ ⵉⴳⴰ ⵊoⵣⵉⴼ ⵀⴰⵍⵍⵉ "ⵊⵓ" ⴽⴻⵜⵓⵏ, ⵍⵍⵉ ⵉⵎⵎⵓⴷⴷⴰⵏ ⴷ ⵀⴰⵔⵔⵉ ⵀⵓⴷⵉⵏⵉ ⵖ ⵓⴼⵕⵕⵊⵏⵙⵏ ⵉⵙⵎⴰⵙ ⴷⴰ ⵎⵓⵀⴰⴽ ⵉⵏⴷⵢⴰⵏ ⵎⵉⴷⵉⵙⵉⵏ ⴽⵓⵎⴱⴰⵏⵉ, ⵏⵖⴷ ⴷⴰ ⴽⴻⵜⵓⵏ ⵀⵓⴷⵉⵏⵉ ⵎⵉⴷⵉⵛⵉⵏ ⵛⵓ ⴽoⵎⴱⴰⵏⵉ, ⴳⴰⵏ ⴰⴼⵕⵕⵊ ⴷ ⴰⵔ ⵥⵏⵣⴰⵏ ⴰⵙⴰⴼⴰⵔ.
English: In Keaton's retelling, he was six months old when the incident occurred, and Harry Houdini gave him the nickname.
Tamazight: ⵙ ⵡⴰⵍⵍⴰⵙ ⵏ ⴽⵉⵜⵓⵏ, ⵉⴽⴽⴰⵜⵉⵏ ⴷⴰⵔⵙ ⵙⴷⵉⵙ ⵉⵢⵢⵓⵔⵏ ⵍⵉⵖ ⵉⴳⴳⵓⵔⵓ ⴰⵎⵣⵣⵓ, ⴷ ⵉⴼⴰⵢⴰⵙ ⵀⵓⴷⵉⵏⵉ ⵉⵙⵎⵏⵙ.
English: The act was mainly a comedy sketch.
Tamazight: ⵉⴽⴽⴰⵜⵉⵏ ⵉⴳⴰ ⵙⴽⵉⵜⵛ ⵏ ⵍⴽⵓⵎⵉⴷⵉⴰ.
English: A suitcase handle was sewn into Keaton's clothing to aid with the constant tossing.
Tamazight: ⴰⴽⴰⵔⴰⵎ ⵏ ⵜⴰⵙⵓⴼⵔⵜ ⵉⴳⵏⴰ ⵖ ⵉⵎⴽⵔⴰⴹ ⵏ ⴽⵉⵜⵓⵏ ⴱⴰⵛ ⴰⵜⵏ ⵉⵄⴰⵡⵏ ⵖ ⴰⴳⵯⵔ ⵏ ⵡⴰⵍⵍⴰⵙ.
English: However, Buster was always able to show the authorities that he had no bruises or broken bones.
Tamazight: ⵎⴰⵛ, ⴱⵓⵙⵜⵔ ⵉⵥⴹⴰⵔ ⴰⵢⵎⵍ ⵉ ⵜⵉⵏⴱⴰⴹⵉⵍ ⵎⴰⴼ ⴷⴰⵔⵙ ⵓⵔ ⵍⵍⴰⵏⵜ ⵉⴱⵔⴰⵢⵏ.
English: Several times I'd have been killed if I hadn't been able to land like a cat.
Tamazight: ⵎⵏⵏⴰⵡⵜ ⵜⵡⴰⵍ ⴰⴷ ⵏⵏⵉⵖ ⵉⵙ ⵔⴰⴷ ⵎⵎⵓⵜⵖ ⵍⵉⵖ ⵓⵔ ⴳⴳⵯⵉⵣⵖ ⵣⵓⴷ ⴰⵎⵓⵛ.
English: Noticing that this caused the audience to laugh less, he adopted his famous deadpan expression when performing.
Tamazight: ⵍⵍⵉⵖ ⵉⵣⵔⴰ ⵉⴳⴷⵓⴷⵏ ⵓⵔ ⴰⵙⵓⵍ ⴱⴰⵀⵔⴰ ⴷⵚⵚⴰⵏ, ⵉⵙⵙⴳⵎ ⴰⵄⵔⵉⵏⵙ ⵍⵍⵉⵖ ⴰⵢⵜⵜⵍⵄⴰⴱ.
English: Despite tangles with the law and a disastrous tour of music halls in the United Kingdom, Keaton was a rising star in the theater.
Tamazight: ⵡⴰⵅⵅⴰ ⴷⴰⵔⵙ ⵜⵉⵎⵓⴽⵔⵉⵙⵉⵏ ⴷ ⵉⵣⵔⴼ ⴷ ⵍⵊⴰⵡⵍⴰ ⵜⴰⵄⴷⵔⵉⵇ ⵏ ⵜⴰⴷⴰⵍⴰ ⵏ ⵓⵣⴰⵡⴰⵏ ⵖ ⴱⵔⵉⵟⴰⵏⵢⴰ, ⴽⵉⵜⵓⵏ ⵉⴳⴰ ⵉⵜⵔⵉ ⵖ ⵓⵎⵣⴳⵓⵏ.
English: In February 1917, he met Roscoe "Fatty" Arbuckle at the Talmadge Studios in New York City, where Arbuckle was under contract to Joseph M. Schenck.
Tamazight: ⵖ ⴱⵔⴰⵢⵔ ⵏ 1917, ⵉⵎⵎⴰⵇⵇⴰⵕ ⴷ ⵔⵓⵙⴽⵓ "ⴼⴰⵜⵜⵉ" ⴰⵔⴱⵓⴽⵍ ⵖ ⵙⵜⵓⴷⵉⵓ ⵏ ⵜⴰⵍⵎⴰⵊ ⵖ ⵜⴰⵎⴷⵉⵏⵜ ⵏ ⵏⵢⵓ ⵢⵓⵔⴽ, ⵍⵉⵖ ⵜⵍⵍⴰ ⴰⵔⴱⵓⴽⵍ ⵖ ⵜⴰⵎⵅⵓⵏⵜ ⴷ ⵊⵓⵣⵉⴼ ⵎ. ⵛⵉⵏⴽ.
English: Buster was such a natural in his first film, The Butcher Boy, he was hired on the spot.
Tamazight: ⴱⴰⵙⵜⵔ ⵉⴽⴽⴰⵜⵉⵏ ⵉⴳⴰ ⴰⴳⴰⵎⴰⵏ ⴳ ⵍⴼⵉⵍⵎⵏⵙ ⵉⵣⵡⴰⵔⵏ, ⴷⴰ ⴱⵉⵜⵛⵔ ⴱⵓⵢ, ⵉⵅⴷⵎ ⵏⵉⵛⴰⵏ.
English: Keaton later claimed that he was soon Arbuckle's second director and his entire gag department.
Tamazight: ⴰⵡⵔⵉⵏⵏ ⴽⵉⵜⵓⵏ ⵉⵏⵏⴰ ⵉⵙ ⵔⴰⵢⴳⴰ ⴰⵏⵎⵀⴰⵍ ⵡⵉⵙⵙⵉⵏ ⵏ ⴰⵔⴱⵓⴽⵍ ⴷ ⴽⵓⵍⵍⵓ ⵜⴰⵣⵓⵏⵉⵏⵙ.
English: It was based on a successful play, The New Henrietta, which had already been filmed once, under the title The Lamb, with Douglas Fairbanks playing the lead.
Tamazight: ⵉⵜⵓⴽⵙⵙⴰ ⴳ ⵢⴰⵜ ⵜⴰⵎⵣⴳⵓⵏⵜ ⵢⵜⵜⵓⵙⵙⴰⵏ, ⴷⴰ ⵏⵢⵓ ⵀⵉⵏⵔⵉⵢⵉⵜⵜⴰ, ⵍⵍⵉ ⵉⵜⵜⴰⴷⵢⴰⴼⵓⵙⵏ ⵢⴰⴷ ⵢⴰⵜ ⵜⵡⴰⵍ, ⵙ ⵓⵣⵡⵍ ⵏ ⴷⴰ ⵍⴰⵎⴱ, ⴷ ⴷⵓⴳⵍⴰⵙ ⴼⵉⵔⴱⴰⵏⴽⵙ ⵉⵄⵢⵢⵔⵏ ⴰⵏⴰⴹ.
English: He made a series of two-reel comedies, including One Week (1920), The Playhouse (1921), Cops (1922), and The Electric House (1922).
Tamazight: ⵉⵙⴽⵔ ⵙⵏⴰⵜ ⵜⴰⴽⵓⵎⵉⴷⵉⵢⵉⵏ, ⴳⵉⵙⵏ ⵡⴰⵏ ⵡⵉⴽ (1920), ⴷⴰ ⵒⵍⵉⵀⴰⵡⵙ (1921), ⴽⵓⴱⵙ (1922), ⴷ ⴷⴰ ⵉⵍⵉⴽⵜⵔⵉⴽ ⵀⴰⵡⵙ (1922).
English: Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen.
Tamazight: ⴰⵎⵙⵙⵓⴼⵖ ⵏ ⵜⴽⵓⵎⵉⴷⵉⵜ ⵍⵢⵓ ⵎⴽⴽⴰⵔⵉ, ⵍⵍⵉ ⵉⴽⵜⵜⵉⵏ ⵓⵙⵙⴰⵏ ⵏ ⵓⵎⵙⵙⵓⴼⵖ ⵏ ⵙⵢⵢⵉⵃⵏ ⵏ ⵜⴰⴽⵓⵎⵉⴷⵉⵢⵉⵏ, ⵉⵏⵏⴰ, "ⴽⵓⵍ ⵢⴰⵏ ⴷⵉⴷⵏⵖ ⵉⵔⴰ ⴰⵢⵢⴰⴽⵯⵔ ⵉⵡⴰⵢⵢⴰⴷ ⴰⵣⴼⴼⴰⵍⵙ.
English: During the railroad water-tank scene in Sherlock Jr., Keaton broke his neck when a torrent of water fell on him from a water tower, but he did not realize it until years afterward.
Tamazight: ⵖ ⵍⵓⵇⵜ ⵏ ⵜⴰⵎⵓⵖⵍⵉⵜ ⵏ ⵓⵖⴰⵔⴰⵙ ⵏ ⴰⵍⴰⵡⴰⵢ ⴷ ⵛⵛⴰⵔⵉⵊ ⵖ ⵛⵉⵔⵍⵓⴽ, ⵉⵔⵣⴰ ⵓⵎⴳⴳⵔⴷ ⵏ ⴽⵉⵜⵓⵏ ⵍⵍⵉⵖ ⴼⵍⵍⴰⵙ ⵉⴷⵔ ⴰⵎⵓⴷⵡⵓ, ⵎⴰⵛ ⵓⵔ ⴰⵙ ⵉⵜⵜⴰⴽⴰ ⴰⵔⴽⵉⵖ ⵣⵔⵉⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ.
English: Keaton's character emerged unscathed, due to a single open window.
Tamazight: ⴰⵡⵔⵉⴽ ⵏ ⴽⵉⵜⵓⵏ ⵉⴼⴼⵓⵖⴷ ⵉⴷⵓⵙ ⵙ ⵢⴰ ⵓⴱⵄⵉⵊ ⵉⵔⵣⵎⵏ.
English: Aside from Steamboat Bill, Jr. (1928), Keaton's most enduring feature-length films include Our Hospitality (1923), The Navigator (1924), Sherlock Jr. (1924), Seven Chances (1925), The Cameraman (1928), and The General (1926).
Tamazight: ⵉⵍⵎⵎ ⵙ ⵙⵜⵉⵎⴱⵓⵜ ⴱⵉⵍⵍ ⵊⵔ. (1928), ⵍⴰⴼⵍⴰⵎ ⵍⵍⵉ ⴽⵓⵍⵍⵓ ⵉⵙⵓⵍⴰⵏⵏ ⵖ ⵍⴰⴼⵍⴰⵎ ⵏ ⴽⵉⵜⵓⵏ ⴳⵉⵙⵏ ⴰⵡⵔ ⵀⵓⵙⴱⵉⵜⴰⵍⵉⵜⵉ (1923), ⴷⴰ ⵏⴰⴼⵉⴳⴰⵜⵓⵔ (1924), ⵛⵉⵔⵍⵓⴽ ⵊⵔ. (1924), ⵙⵉⴼⵉⵏ ⵜⵛⴰⵏⵙⵉⵣ (1925), ⴷⴰ ⴽⵉⴼⵎⴰⵏ (1928), ⴷ ⴷⴰ ⵊⵉⵏⵉⵔⴰⵍ (1926).
English: Though it would come to be regarded as Keaton's greatest achievement, the film received mixed reviews at the time.
Tamazight: ⵍⴼⵉⵍⵎ ⵢⵓⵎⵣ ⵉⵎⴰⵣⴰⵎ ⵓⵎⵙⵉⵏ, ⵎⴰⵛ ⵉⴳⴰ ⴰⵎⴰⴼⴰⵢ ⵖ ⵉⵏⵉⴹⵉ ⵏ ⴽⵉⵜⵓⵏ.
English: His distributor, United Artists, insisted on a production manager who monitored expenses and interfered with certain story elements.
Tamazight: ⴰⵏⴱⴹⵓⵏⵙ, ⵢⵓⵏⴰⵢⵜⵉⴷ ⴰⵔⵜⵉⵙⵜⵙ, ⵉⵙⴷⴷⵉⴷ ⴼ ⵢⴰ ⵓⵏⵎⵀⴰⵍ ⵏ ⵜⴰⵙⵢⴰⴼⵓⵜ ⵍⵍⵉ ⵉⴳⴰⴱⵍⵏ ⴰⵇⵇⴰⵔⵕⵉⴹ ⴷ ⵉⵎⵛⴽⵛⵓⵎ ⵖ ⴽⴰⵔⵏ ⵢⴼⵔⴷⴰⵙ ⵏ ⵜⴰⵃⴰⵊⵉⵜ.
English: The actors would phonetically memorize the foreign-language scripts a few lines at a time and shoot immediately after.
Tamazight: ⵉⵙⵎⴷⴰⵢⵏ ⵓⵟⵟⴼⵏ ⵉⵎⵙⵉⵙⵍⵉ ⵏ ⵜⵓⵜⵍⴰⵢⵜ ⵜⴰⵎⵣⵣⵉⵜ ⵉⵎⵉⴽ ⵙⵉⵎⵉⴽ ⴷⴰⵜ ⴰⴷ ⵙⵙⵓⵍⴼⵏ.
English: The director was usually Jules White, whose emphasis on slapstick and farce made most of these films resemble White's famous Three Stooges shorts.
Tamazight: ⵉⵏⵙⵉ ⵊⵓⵍⵙ ⵡⴰⵢⵜ ⴰⵢⴳ ⵓⵎⵙⵙⵓⴼⵖ, ⵜⵓⴼⴼⴰⵢⵜⵏⵙ ⵖ ⵙⵢⵢⵃ ⵖⴰⵢⴰⴷ ⵎⴰⴼⴳⴰⵏ ⵜⵓⴳⵜ ⵏ ⵍⴰⴼⵍⴰⵎⵏⵙ ⵣⵓⴷ ⵜⵔⵉ ⵙⵜⵓⵊⴻⵣ ⵏ ⵡⴰⵉⵜ.
English: However, director White's insistence on blunt, violent gags resulted in the Columbia shorts being the least inventive comedies he made.
Tamazight: ⵎⴰⵛ ⴰⵖⴰⵏⴻⵏ ⵏ ⵡⴰⵉⵜ ⵙ ⵜⴰⴽⵓⵎⵉⴷⵉⵜ ⵉⵙⵢⵢⵃⵏ, ⴷ ⵓⴽⵕⵉⴹⵏ ⵢⵓⵊⵊⴰ ⵍⴰⴼⵍⴰⵎ ⵉⴽⵓⴹⴰⴹⵏ ⵏ ⴽⵓⵍⵓⵎⴱⵢⴰ ⴳⵯⵉⵍⵍⵉ ⴽⵓⵍⵍⵓ ⵉⵙⵏⵓⵍⴼⵓⵏ ⵖ ⵍⴰⴼⵍⴰⵎⵏⵙ.
English: He made his last starring feature El Moderno Barba Azul (1946) in Mexico; the film was a low-budget production, and it may not have been seen in the United States until its release on VHS in the 1980s, under the title Boom in the Moon.
Tamazight: ⵉⵙⵙⵓⴼⵖ ⵍⴼⵉⵍⵎⵏⵙ ⵍⵍⵉ ⴽⵓⵍⵍⵓ ⵉⴳⴳⵓⵕⴰⵏ ⵉⵍ ⵎⵓⴷⵉⵔⵏⵓ ⴱⴰⵔⴱⴰ ⴰⵣⵓⵍ (1946) ⵖ ⵜⴰⵎⴰⵣⵉⵔⵜ ⵏ ⵎⵉⴽⵙⵉⴽ, ⵍⴼⵉⵍⵎ ⴷⴰⵔⵙ ⵜⴰⵙⴰⵢⴰⴼⵓⵜ ⵏ ⵜⴰⵎⵙⴰⵙⵜⵏⵜ ⵉⴷⵔⵓⵙⵏ, ⴷ ⵓⵔ ⵉⵜⵜⵎⵣⵔⴰ ⵖ ⵜⴰⵎⴰⵣⵉⵔⵜ ⵏ ⵎⴰⵔⵉⴽⴰⵏ ⴰⵢⵍⵍⵉⵖ ⴼⴼⵓⵖⵏⵜ ⵜⵉⵙⴼⵉⴼⵉⵏ ⵖ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ1980, ⵙ ⵓⵣⵡⵍ ⵏ ⴱⵓⵎ ⵉⵏ ⴷⴰ ⵎⵓⵏ.
English: In In the Good Old Summertime, Keaton personally directed the stars Judy Garland and Van Johnson in their first scene together, where they bump into each other on the street.
Tamazight: ⵖ ⵍⴼⵉⵍⵎ ⵏ ⴳⵓⴷ ⵓⵍⴷ ⵙⴰⵎⵔⵜⴰⵢⵎ, ⴻⵙⵙⵓⴳⵓⵔ ⴽⵉⵜⵓⵏ ⵉⵜⵔⴰⵏ ⵊⵓⴷⵉ ⴳⴰⵔⵍⴰⵏⴷ ⴷ ⴼⴰⵏ ⵊⵓⵏⵙⵓⵏ ⵖ ⵜⴰⵎⵓⵖⵍⵉⵜⵏⵙⵏ ⴻⵣⵡⴰⵔⵏ, ⵍⵍⵉⵖ ⵎⵎⵉⴳⴳⵉⵕⵏ ⵖ ⵓⵖⴰⵔⴰⵙ.
English: Reaction was strong enough for a local Los Angeles station to offer Keaton his own show, also broadcast live, in 1950.
Tamazight: ⵉⵃⵎⵍⵜ ⵓⴳⴷⵓⴷ ⴰⵢⵍⵍⵉⵖ ⵜⵙⵙⵎⵏⵉⴷ ⵢⴰⵜ ⵜⴰⵏⵣⵡⴰⵢⵜ ⵖ ⵍⵓⵙ ⴰⵏⵊⵍⵉⵙ ⵉ ⴽⵉⵜⵓⵏ ⴰⵙⴰⵢⵙⵏⵙ, ⵉⵙⵔⴰⴷⵏ, ⵖ 1950.
English: Buster Keaton's wife Eleanor also was seen in the series (notably as Juliet to Buster's Romeo in a little-theater vignette).
Tamazight: ⵜⵜⵎⵣⵔⴰ ⵉⵍⴰⵏⵓⵔ ⵍⵍⵉ ⵉⴳⴰⵏ ⵜⴰⵎⵖⴰⵔⵜ ⵏ ⴱⴰⵙⵜⵔ ⴽⵉⵜⵓⵏ ⵖ ⵓⵎⵙⴷⴷⵉ (ⵜⴳⴰ ⵊⵓⵍⵢⵉⵜ ⵏ ⵔⵓⵎⵢⵓ ⵏ ⴱⴰⵙⵜⵔ ⵖ ⵢⴰⵜ ⵜⴰⵡⵔⵎⵜ ⵎⵥⵥⵉⵏ ⵏ ⵓⵎⵣⴳⵓⵏ).
English: Keaton's periodic television appearances during the 1950s and 1960s helped to revive interest in his silent films.
Tamazight: ⵉⵍⵡⵉ ⵉⵣⵎⵣⴰⵏ ⵏ ⴽⵉⵜⵓⵏ ⵖ ⵜⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏ ⵖ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1950 ⴷ 1960 ⴰⵡⵙⵏⵜ ⴰⵢⵢⴰⵎⵣ ⵓⵏⴼⵔⴰⵔ ⵉ ⵍⴰⴼⵍⴰⵎⵏⵙ ⵉⵃⵉⵙⵙⵉⵏ.
English: Well into his fifties, Keaton successfully recreated his old routines, including one stunt in which he propped one foot onto a table, then swung the second foot up next to it and held the awkward position in midair for a moment before crashing to the stage floor.
Tamazight: ⵍⵍⵉⵖ ⵉⴽⵯⵛⵎ ⵙ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ ⵙⵉⵏ ⵡⴰⴳⵏⴰⵔⵏ ⴷ ⵎⵔⴰⵡ, ⵉⵙⵅⵅⵔ ⴽⵉⵜⵓⵏ ⵙ ⵓⵍⵙ ⵏ ⵉⵚⵏⵉⵄⵏⵙ ⵉⵇⴱⵓⵔⵏ, ⴳⵉⵙⵏ ⵢⴰⵜ ⵙⵢⵢⵃ ⵉⵙⵔⵙ ⴳⵉⵙ ⵢⴰⵡ ⴰⴹⴰⵕ ⵖ ⵉⴳⴳⵉ ⵏ ⵜⴷⴰⴱⵓⵜ, ⴷ ⵉⵥⵕⵕⴹ ⴰⴹⴰⵕ ⵢⴰⴹⵏⵉ ⵜⴰⵎⴰⵏⵙ ⴷ ⵉⴱⵉⴷ ⵖⵉⴽⴰⵏ ⵖ ⵓⴹⵓ ⴷⴰⵜ ⴰⵏⵏⵉⴳⵏⵓⴳⵉ ⵖ ⵜⵙⴼⵔⵉ ⵏ ⵓⵎⵣⴳⵓⵏ.
English: Keaton had prints of the features Three Ages, Sherlock Jr., Steamboat Bill, Jr., and College (missing one reel), and the shorts "The Boat" and "My Wife's Relations", which Keaton and Rohauer then transferred to Cellulose acetate film from deteriorating nitrate film stock.
Tamazight: ⴽⴰⵏⵜⵉⵏ ⴷⴰⵔ ⴽⵉⵜⵓⵏ ⵉⵏⵣⴰⵖⵏ ⵏ ⵍⴰⴼⵍⴰⵎ ⵜⵔⵉ ⵉⵊⵉⵣ, ⵛⵉⵔⵍⵓⴽ ⵊⵔ., ⵙⵜⵉⵎⴱⵓⵜⴱⵉⵍⵍ, ⵊⵔ. ⴰⵏⴷ ⴽⵓⵍⵍⵉⵊ (ⵜⵃⵔⵎⵜ ⵢⴰⵜ ⵜⴰⵊⵕⵕⴰⵕⵜ), ⴷ ⵍⴰⴼⵍⴰⵎ ⵉⴽⵓⴹⴰⴹⵏ ""ⴷⴰ ⴱⵓⵜ"" ⴷ ""ⵎⴰⵢ ⵡⴰⵢⴼⵙ ⵔⵉⵍⴰⵢⵛⵏⵣ"", ⵙⵎⴰⵜⵜⵉⵏⵜ ⴽⵉⵜⵓⵏ ⴷ ⵔⵓⵀⴰⵡⵔ ⵙ ⵙⵉⵍⵍⵓⵍⵓⵣ ⴰⵙⵉⵜⴰⵜ ⵣⵖ ⴰⵙⴰⵜⵉⵎ ⵏ ⵍⴼⵉⵍⵎ ⵏ ⵏⵉⵜⵔⴰⵜ ⵉⵄⴷⵎⵏ.
English: In a series of silent television commercials for Simon Pure Beer made in 1962 by Jim Mohr in Buffalo, New York, Keaton revisited some of the gags from his silent film days.
Tamazight: ⵖ ⵓⵙⴷⴷⵉ ⵏ ⵓⵙⵓⵙⵙⵏ ⵏ ⵜⵉⵏⵉⴼⵉⵣⵢⵓⵏ ⵉ ⵍⴱⵉⵕⵕⴰ ⵏ ⵙⴰⵢⵎⵓⵏ ⴱⵢⵓⵔ ⵍⵍⵉ ⵉⵙⵙoⴼⵖ ⵊⵉⵎ ⵎⵓⵀⵔ ⵖ ⴱⵓⴼⴰⵍⵓ, ⵏⵢⵓ ⵢⵓⵔⵏ, ⵖ 1962, ⵢⵓⵍⵙ ⴽⵉⵜⵓⵏ ⵢⵓⵍⵙ ⴽⵔⴰ ⵏ ⵙⵢⵢⵃⵏⵙ ⵍⵍⵉ ⵉⴽⴽⴰⵜⵜⵉⵏ ⴰⵢⵙⴽⴰⵔ ⵖ ⵍⴰⴼⵍⴰⵎ ⵉⵃⵉⵙⵙⵉⵏⵙ.
English: In December 1958, Keaton was a guest star in the episode "A Very Merry Christmas" of The Donna Reed Show on ABC.
Tamazight: "ⵖ ⴷⵓⵊⴰⵏⴱⵉⵔ 1958, ⵉⴳⴰ ⴽⵉⵜⵓⵏ ⴰⵏⵓⵊⵉ ⵖ ⵜⴰⵏⴷⵔⵜ ""ⴰ ⴼⵉⵔⵉ ⵎⵉⵔⵉ ⴽⵔⵉⵙⵎⴰⵙ"" ⵏ ⵓⵙⴰⵢⵙ ⵏ ⴷⵓⵏⴰ ⵔⵉⴷ ⵖ ⴰⴱⵛ.
English: In 1960, he returned to MGM for the final time, playing a lion tamer in a 1960 adaptation of Mark Twain's The Adventures of Huckleberry Finn.
Tamazight: ⵖ 1960, ⵢⵓⵔⵔⵉⴷ ⵙ ⵎⴳⵎ ⵙ ⵜⵉⴽⵍⵉⵜ ⵉⴳⴳⵓⵔⴰⵏ, ⵢⵓⵔⴰⵔ ⴰⵃⵕⵕⴱ ⵏ ⵓⴳⵔⵣⴰⵎ ⵖ ⵢⴰⵜ ⵜⴰⴽⵙⵙⵓⵢⵜ ⵖ 1960 ⵏ ⵓⴷⵍⵉⵙ ⵏ ⵎⴰⵔⴽ ⵜⵡⴰⵢⵏ ⴷⴰ ⴰⴷⴼⵏⵜⵓⵔⵣ ⵓⴼ ⵀⴰⴽⵍⴱⵉⵔⵉⴼⵉⵏ.
English: He worked with comedian Ernie Kovacs on a television pilot tentatively titled "Medicine Man," shooting scenes for it on January 12, 1962—the day before Kovacs died in a car crash. "
Tamazight: ⵉⵙⵡⵓⵔⵉ ⴷ ⵓⵙⴼⴼⴰⵏ ⴻⵔⵏⵉ ⴽⵓⴼⴰⴽⵙ ⵖ ⵢⴰⵜ ⵜⵉⵏⴷⵔⵜ ⵉⵣⵡⴰⵔⵏ ⵜⵎⵣⵡⵍ ""ⵎⵉⴷⵉⵙⵉⵏ ⵎⴰⵏ"", ⵙⵓⵍⴼⵏ ⵜⵉⵎⵓⵖⵍⵉⵢⵉⵏⵏⵙ ⵖ 12 ⵉⵏⵏⴰⵢⵔ, 1962—ⵢⴰⵡ ⴰⵙⵙ ⴷⴰⵜ ⴰⵢⵎⵎⵓⵜ ⴽⵓⴼⴰⴽⵙ ⵖ ⵓⵏⴳⴰⵙ.
English: He traveled from one end of Canada to the other on a motorized handcar, wearing his traditional pork pie hat and performing gags similar to those in films that he made 50 years before.
Tamazight: ⵉⵎⵎⵓⴷⴷⴰ ⵖ ⴽⵓⵍⵍⵓ ⵜⴰⵎⴰⵣⵉⵕⵜ ⵏ ⴽⴰⵏⴰⴷⴰ ⵖ ⵢⴰⵜ ⵜⴰⵙⵏⵙⵖⴰⵍⵜ, ⵉⵍⵙⴰ ⴰⵛⵎⵔⵉⵔ ⵎⵥⵥⵉⵏ ⴷ ⵉⵔⴰⵔ ⵙⵢⵢⵃ ⵣⵓⴷ ⵖⵯⵉⵍⵍⵉ ⵖ ⵍⴰⴼⵍⴰⵎ ⵍⵍⵉ ⵉⵎⵙⵙⵓⴼⵖ 50 ⵉⵙⴳⴳⵯⴰⵙⵏ ⴰⵢⴰ.
English: Also in 1965, he traveled to Italy to play a role in Due Marines e un Generale, co-starring Franco Franchi and Ciccio Ingrassia.
Tamazight: ⴷⴰⵖ ⵖ 1965, ⵉⵎⵎⵓⴷⴰ ⵙ ⵜⴰⵎⴰⵣⵉⵕⵜ ⵏ ⵟⴰⵍⵢⴰⵏ ⴱⴰⵛ ⴰⵢ ⵉⵔⴰⵔ ⵢⴰⵜ ⵜⵉⵍⴰⵍⵜ ⵖ ⴷⵓ ⵎⴰⵔⵉⵏⵉⵙ ⵉ ⵓⵏ ⵊⵉⵏⵉⵔⴰⵍⵉ, ⵏⵜⵜⴰⵏ ⴷ ⴼⵔⴰⵏⴽⵓ ⴼⵔⴰⵏⵛⵉ ⴷ ⵜⵛⵉⵛⵓ ⵉⵏⴳⵔⴰⵙⵙⵢⴰ.
English: One of his most biting parodies is The Frozen North (1922), a satirical take on William S. Hart's Western melodramas, like Hell's Hinges (1916) and The Narrow Trail (1917).
Tamazight: ⵢⴰⵜ ⵖ ⵉⵖⵔⵙⵉⵙⵏ ⵉⵀⵔⵛⵏ ⵜⴳⴰ ⴷⴰ ⴼⵔⵓⵣⴻⵏ ⵏⵓⵔⵜ (1922), ⵙⵢⵢⵃ ⵏ ⴹⴹⵔⴰⵎⴰ ⵜⴰⴳⴳⵔⵡⵜ ⵏ ⵡⵉⵍⵉⴰⵎ ⵙ. ⵀⴰⵔⵜ, ⵣⵓⴷ ⵀⵉⵍⵍⵣ ⵀⵉⵏⴳⴻⵣ (1916) ⴷ ⴷⴰ ⵏⴰⵕⵕⵓ ⵜⵔⴰⵢⵍ 1917).
English: Audiences of the 1920s recognized the parody and thought the film hysterically funny.
Tamazight: ⵉⵙⵙⵏ ⵡⴰⴳⴷⵓⴷ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1920 ⵙⵢⵢⵃⴰⵏ ⴷ ⵉⴷⵚⵚⴰ ⴱⴰⵀⵔⴰ ⴷ ⵍⴼⵉⵍⵎ.
English: The short also featured the impression of a performing monkey which was likely derived from a co-biller's act (called Peter the Great).
Tamazight: ⵍⴼⵉⵍⵎ ⴰⴽⵓⴹⴰⴹ ⴳⵉⵙ ⴷⴰⵖ ⵜⴰⵙⵢⴰⴼⵜ ⵏ ⵢⴰⵡ ⵣⵄⴹⵓⴹ ⵉⵜⵜⵀⴹⴰⵕⵏ ⵍⵍⵉ ⵉⵏⵏⵓⴼⵖⵏ ⵖ ⵓⵔⴰⵔ (ⵉⵙⵎⴰⵙ ⴱⵉⵜⴻⵔ ⴷⴰ ⴳⵔⵉⵜ).
English: Note: Source misspells Keaton's frequent appellation as "Great Stoneface".
Tamazight: ⴰⵎQⵢⵢⴷ: ⴰⵙⴰⴳⵎ ⴰⵔ ⵉⵙⴽⴰⵔ ⴰⵣⵏⵣⵔⵉ ⵖ ⵜⵉⵔⵔⴰ ⵏ ⵓⵣⵡⵍ ⵏ ⴽⵉⵜⵓⵏ "ⴷⵔⵉⵜ ⵙⵜⵓⵏⴼⴰⵢⵙ".
English: Keaton dated actress Dorothy Sebastian beginning in the 1920s and Kathleen Key in the early 1930s.
Tamazight: ⵉⴷⴷⵓⴽⵍ ⴽⵉⵜⵓⵏ ⴷ ⵜⴰⵙⵎⴷⴰⵢⵜ ⴷⵓⵔⵓⵜⵉ ⵙⵉⴱⴰⵙⵜⵢⴰⵏ ⵖ ⵓⵎⵣⵡⴰⵔⵓ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1920 ⴷ ⴽⴰⵜⵍⵉⵏ ⴽⵉ ⵖ ⵓⵎⵣⵡⴰⵔⵓ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1930.
English: He escaped a straitjacket with tricks learned from Harry Houdini.
Tamazight: ⵉⵏⵊⵎ ⵖ ⵢⴰⵜ ⵜⵉⴽⴱⵔⵜ ⵉⵇⵇⵏⵏ ⵙ ⵜⵉⵏⴰⵏⵏⴰⵙⵉⵏ ⵍⵍⵉ ⵉⵙⵙⵍⵎⴷ ⵖ ⴷⴰⵔ ⵀⴰⵔⵉ ⵀⵓⴷⵉⵏⵉ.
English: She filed for divorce in 1935 after finding Keaton with Leah Clampitt Sewell, the wife of millionaire Barton Sewell, in a hotel in Santa Barbara.
Tamazight: ⵜⴹⴰⵍⴱ ⵜⴰⴱⵔⴰⵜⵜⵏⵙ ⵖ 1935 ⵍⵍⵉⵖ ⵜⵓⴼⴰ ⴽⵉⵜⵓⵏ ⴷ ⵍⵉⵢⴰ ⴽⵍⴰⵎⴱⵉⵜ ⵙⵉⵡⴻⵍ, ⵜⴰⵎⵖⴰⵔⵜ ⵏ ⵓⵎⵉⵍⵍⵢⵓⵏⵉⵔ ⴱⴰⵔⵜⵓⵏ ⵙⵉⵡⴻⵍ, ⵖ ⵢⴰ ⵡⴰⵙⵏⵙⵓ ⵖ ⵙⴰⵏⵜⴰ ⴱⴰⵔⴱⴰⵔⴰ.
English: He stopped drinking for five years.
Tamazight: ⵉⴱⴱⵉ ⵛⵛⵔⴰⴱ ⵙⵎⵎⵓⵙ ⵉⵙⴳⴳⵯⴰⵙⵏ.
English: The marriage lasted until his death.
Tamazight: ⵉⵖⴰⵎⴰ ⵉⵜⵉⵀⴰⵍⵏⵙ ⴰⵢⵍⵍⵉⵖ ⵉⵎⵎⵓⵜ.
English: Confined to a hospital during his final days, Keaton was restless and paced the room endlessly, desiring to return home.
Tamazight: ⵉⵏⵏⵓⵎⵥ ⵖ ⵓⵙⵏⴳⴰⴼ ⵖ ⵓⵙⵙⴰⵏⵏⵙ ⴳⴳⵓⵔⴰⵏⵉⵏ, ⴽⵉⵜⵓⵏ ⵓⵔ ⵉⴳⵉⵡⵔ ⴷ ⴰⵔ ⴱⴷⴷⴰ ⵉⴼⵜⵜⵓ ⴷ ⴰⵔ ⵉⴷⵜⵜⴰⵛⵀⴽⴰ ⵖ ⵓⵃⴰⵏⵓ, ⵉⵔⴰ ⴰⵙ ⵢⵓⵔⵔⵉ ⵙ ⵜⵉⴳⵎⵎⵉⵏⵙ.
English: The screenplay, by Sidney Sheldon, who also directed the film, was loosely based on Keaton's life but contained many factual errors and merged his three wives into one character.
Tamazight: ⵉⵜⵜⵓⴼⵔⴰ ⵍⴼⵉⵍⵎ ⵉⵎⵉⴽ, ⵏ ⵙⵉⴷⵏⵉ ⵛⵉⵍⴷⵓⵏ, ⵍⵍⵉ ⵜⵉⵎⵙⵙⵓⴼⵖⵏ, ⵖ ⵜⵓⴷⵔⵜ ⵏ ⴽⵉⵜⵓⵏ ⵎⴰⵛ ⴳⵉⵙ ⵜⵓⴳⴳⵜ ⵏ ⵜⵉⵣⴳⵍⵉⵏ ⴷ ⵉⵙⵙⵔⵄⴰ ⵜⵉⵎⵖⴰⵔⵉⵏⵏⵙ ⵙ ⴽⵔⴰⴹ ⵖ ⵢⴰ ⵓⵡⵔⵉⴽ.
English: Dedicated to bringing greater public attention to Keaton's life and work, the membership includes many individuals from the television and film industry: actors, producers, authors, artists, graphic novelists, musicians, and designers, as well as those who simply admire the magic of Buster Keaton.
Tamazight: ⵉⵍⵜⴰⵖ, ⵍⵍⵉ ⵉⵍⵍⴰⵏ ⴱⴰⵛ ⴰⵜⵙⵎⵓⵏ ⵜⵓⴳⴳⵜ ⵏ ⵉⴳⴷⵓⴷⵏ ⵙ ⵜⵓⴷⵔⵜ ⴷ ⵜⴰⵡⵡⵓⵔⵉ ⵏ ⴽⵉⵜⵓⵏ, ⴳⵉⵙ ⵜⵓⴳⴳⵜ ⵏ ⵎⵉⴷⴷⵏ ⵉⵙⵡⵡⵓⵔⵉⵏ ⵖ ⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏ ⴷ ⵍⴰⴼⵍⴰⵎ: ⵉⵙⵎⴷⴰⵢⵏ, ⵉⵎⵙⴰⵢⵓⴼⴰ, ⵉⵎⴰⵔⴰⵏ, ⵉⵏⴰⵥⵓⵕⵏ, ⵉⵎⴰⵔⴰⵏ ⵏ ⵜⵉⵙⵉⵙⴽⵍⵜ, ⵉⵎⵥⴰⵡⴰⵏⵏ, ⴷ ⵉⵎⴰⵎⴽⵏ, ⴷ ⴽⵓⵍⵍⵓ ⵡⴰⵏⵏⴰ ⵜⵉⵜⵄⵊⴰⴱⵏ ⴱⴰⵙⵜⵔ ⴽⵉⵜⵓⵏ.
English: Hirschfeld said that modern film stars were more difficult to depict, that silent film comedians such as Laurel and Hardy and Keaton "looked like their caricatures".
Tamazight: “ⵉⵏⵏⴰ ⵀⵓⵔⵛⴼⵉⵍⴷ ⵎⴰⴼ ⵉⵙⵎⴷⴰⵢⵏ ⵏ ⵖⴰⵚⵚⴰⴷ ⵛⵇⵇⴰⵏ ⴰⴷ ⵜⴳⵣⵣⵓⵏ, ⴷ ⵉⵣⴼⴼⴰⵏ ⵏ ⵍⴰⴼⵍⴰⵎ ⵉⵃⵉⵙⵙⵉⵢⵉⵏ ⵣⵓⴷ ⵍⵓⵔⵉⵍ ⴷ ⵀⴰⵔⴷⵉ ⴷ ⴽⵉⵜⵓⵏ “”ⵔⵡⴰⵙⵏ ⵉⵙⴼⵔⵖⵏⵙⵏ””.”
English: Film critic Roger Ebert stated, "The greatest of the silent clowns is Buster Keaton, not only because of what he did, but because of how he did it.
Tamazight: ⴰⵎⴰⵥⴰⵎ ⵏ ⵍⴰⴼⵍⴰⵎ ⵔⴻⵊⵉ ⵉⴱⵉⵔⵜ ⵉⵏⵏⴰ, "ⴰⵎⵙⵢⵢⵃ ⴰⵃⵉⵙⵙⵉ ⵓⵎⴰⴼⴰⵢⵏ ⵉⴳⴰ ⴱⴰⵙⵜⵔ ⴽⵉⵜⵏ, ⵓⵔⴷ ⵎⴰⵢⵙⴽⴰⵔ, ⵎⴰⵛ ⵎⴰⵏⵉ ⵙ ⵜⵉⵙⴽⵔ.
English: Filmmaker Mel Brooks has credited Buster Keaton as a major influence, saying: "I owe (Buster) a lot on two levels: One for being such a great teacher for me as a filmmaker myself, and the other just as a human being watching this gifted person doing these amazing things.
Tamazight: “ⴰⵎⵙⵙⵄⴼⵖ ⵏ ⵍⴰⴼⵍⴰⵎ ⵎⵉⵍ ⴱⵔⵓⴽⵙ ⵉⵏⵏⴰ ⵎⴰⴼ ⵉⴳⴰ ⴱⴰⵙⵜⵔ ⴽⵉⵜⵓⵏ ⵉⴹⵉⵚ ⵉⵎⵇⵇⵓⵔⵏ, “”ⴷⴼⴰⵔⵖ (ⴱⴰⵙⵜⵔ) ⵎⵏⵛⴽ ⵖ ⵙⵉⵏ ⵉⵙⵡⵉⵔⵏ: ⵢⴰⵏ ⵍⵍⵉⵖ ⵉⴳⴰ ⴰⵙⵍⵎⴰⴷ ⴰⵎⴰⴼⴰⵢⵏ ⵉ ⵓⵎⵙⵙⵓⴼⵖ ⵣⵓⴷ ⵏⴽⴽⵉ, ⴷ ⵡⴰⵢⵢⴰⴷ ⵍⵍⵉⵖ ⵉⴳⴰ ⵢⴰⵏ ⵍⵍⵉ ⴷⴷⴰⵔ ⵍⵎⴰⵡⵀⵉⴱⴰ ⴷ ⵉⵣⴷⴰⵔ ⴰⵢⵙⴽⵔ ⵜⵓⴳⴳⵜ ⵏ ⵉⵙⴽⴽⵉⵏⵏ ⵄⴷⵍⵏⵉⵏ.”
English: Actor and stunt performer Johnny Knoxville cites Keaton as an inspiration when coming up with ideas for Jackass projects.
Tamazight: ⴰⵙⵎⴷⴰⵢ ⴷ ⴰⵙⵢⵢⵃ ⵊⵓⵏⵢ ⵏⵓⴽⵙⴼⵉⵍ ⴼ ⴽⵉⵜⵓⵏ ⵉⵇ ⵉⴳⴰ tufrayt ⵉ ⵜⵡⴰⵏⴳⵉⵎⵉⵏ ⵏ ⵉⵏⵙⵜⴰⵢⵏ ⵏ ⵊⴰⴽⴰⵙⵙ.
English: Lewis was particularly moved by the fact that Eleanor said his eyes looked like Keaton's.
Tamazight: ⵉⵃⵎⵍ ⵍⵡⵉⵙ ⵍⵍⵉⵖ ⴰⵙ ⵜⵏⵏⴰ ⵉⵍⴰⵏⵓⵔ ⵎⴰⴼ ⵜⵉⵡⴰⵍⵍⵉⵏⵏⵙ ⵔⵡⴰⵙⵏⵜ ⵅⵜⵉⵏ ⵏⴽⵉⵜⵓⵏ.
English: In 1964, he told an interviewer that in making "this particular pork pie", he "started with a good Stetson and cut it down", stiffening the brim with sugar water.
Tamazight: “ⵖ 1964, ⵉⵏⵏⴰ ⵉ ⵢⴰⵏ ⵓⵎⵙⵇⵙⵉ ⵉⵙ ⵍⵉⵉⵖ ⴰⵔ ⵙⵙⵓⴼⵓⵖⵏ “”ⴰⵛⵎⵔⵉⵔⴰⴷ””, ‘’’ⵉⴱⴷⴰ ⵙ ⵢⴰ ⵓⵛⵎⵔⵉⵔ ⵏ ⵙⵜⵉⵜⵙⵓⵏ ⵉⴼⵓⵍⴽⵉⵏ ⵉⴱⴱⵉⵜ””, ⵉⵙⵙⴷⵓⵙ ⵜⴰⵎⴰⵏⵙ ⵙ ⵡⴰⵎⴰⵏ ⵃⵍⴰⵏⵉⵏ.”
English: His paternal great-grandparents were Welsh.
Tamazight: ⴰⵢⴷⴷⴰⵔⵙ ⵏ ⵉⴱⴱⴰⵙ ⴳⴰⵏ ⵖ ⵜⴰⵎⴰⵣⵉⵔⵜ ⵏ ⵡⵉⵍⵣ.
English: Lloyd began collaborating with Roach who had formed his own studio in 1913.
Tamazight: ⵉⵅⴷⵎ ⵍⵓⵢⴷ ⴷ ⵔⵓⵜⵛ ⵍⵍⵉ ⵉⵏⵏⵓⵔⵣⵎⵏ ⵙⵙⵜⵓⴷⵢⵓⵏⵙ ⵖ 1913.
English: In 1919, she left Lloyd to pursue her dramatic aspirations.
Tamazight: ⵖ 1919, ⵜⴼⵍ ⵍⵓⵢⴷ ⴱⴰⵛ ⴰⵜⵜⴹⴼⵔ ⵉⵎⴰⴳⴳⵓⵎⵏⵙ ⵖ ⴹⴹⵕⴰⵎⴰ.
English: Reportedly, the more Lloyd watched Davis the more he liked her.
Tamazight: ⴰⵔ ⵜⵜⵉⵏⵉⵏ, ⵖⵓⵏⵛⴽ ⵍⵍⵉ ⵙ ⴰⵢⵜⵥⵕⵕⴰ ⵍⵓⵢⴷ ⴷⴰⴼⵉⵙ ⵖⵓⵏⵛⴽ ⵍⵍⵉ ⵙ ⴰⵔⵜⵉⵜⵜⵉⵕⵉ.
English: Harold Lloyd would move away from tragicomic personas, and portray an everyman with unwavering confidence and optimism.
Tamazight: ⵉⴳⴳⵯⵊ ⵍⵓⵢⴷ ⵖ ⵉⵡⵔⵉⴽⵏ ⵍⵍⵉ ⵉⵙⵎⵓⵏⴰⵏ ⵜⵔⴰⵊⵉⴷⵢⴰ ⴷ ⵜⴰⴽⵓⵎⵉⴷⵉⵜ, ⴷ ⵉⵔⴰⵔ ⴰⵡⵔⵉⴽ ⵙ ⵜⴰⵎⵢⴰⵎⴰⵏⵜ ⵉⴳⴳⵓⵜⵏ.
English: To create his new character Lloyd donned a pair of lensless horn-rimmed glasses but wore normal clothing; previously, he had worn a fake mustache and ill-fitting clothes as the Chaplinesque "Lonesome Luke". "
Tamazight: “ⴱⴰⵛ ⴰⵢⵙⴽⵔ ⴰⵡⵔⵉⴽⴰⴷ ⵉⵙⵙⵏⵉ ⵍⵓⵢⴷ ⴰⵏⴰ ⵏ ⵜⵉⵙⵎⵎⴰⵇⵇⴰⵍⵉⵏ ⵎⴰⵛ ⵉⵍⵙⴰ ⵉⵎⴽⵕⴰⴹ ⵏ ⴱⴷⴷⴰ; ⵜⵉⵣⵡⵉⵔⴰ, ⵉⵍⵙⴰ ⴰⵛⵍⵖⵓⵎ ⵏ ⵉⵎⵍⵥⵢⵏ ⴷ ⵉⵎⴽⵕⴰⴹ ⵓⵔ ⴷⵉⵙ ⴳⴰⴷⴷⴰⵏ ⵍⵍⵉⵖ ⵉⴳⴰ ⴷⴰ ⵛⴰⴱⵍⵉⵏⵉⵙⴽ “”ⵍⵓⵏⵙⵓⵎ ⵍⵓⴽ””.””
English: They were natural and the romance could be believable."
Tamazight: ""ⴳⴰⵏ ⵉⴳⴰⵎⴰⵏⵏ ⴷ ⵜⴰⵢⵔⵉⵏⵙⵏ ⵜⵜⵢⵓⵎⴰⵏ.""
English: On Sunday, August 24, 1919, while posing for some promotional still photographs in the Los Angeles Witzel Photography Studio, he picked up what he thought was a prop bomb and lit it with a cigarette.
Tamazight: ⵖ ⵓⵙⴰⵎⴰⵙ, ⵡⵓⵙⵙ 24 ⵖⵓⵛⵜ, 1919, ⵍⵍⵉⵖ ⵉⴽⴽⴰⵜⵉⵏ ⴰⵔ ⵉⵙⴽⴰⵔ ⵜⵉⵡⵍⴰⴼⵉⵏ ⵖ ⵙⵜⵓⴷⵢⵓ ⵏ ⵍⵓⵙ ⴰⵏⵊⵍⵉⵙ ⵡⵉⵜⵣⵍ ⵏ ⵜⴰⵡⵍⴰⴼⵜ, ⵢⵓⵙⵉ ⵎⴰⵙ ⵉⵏⵏⴰ ⵜⴳⴰ ⵢⴰⵜ ⵜⴰⵙⴱⵓⵇⵇⵉⵜ ⵏ ⵓⵔⵎⵉⴷⵉ ⵉⵙⵙⵔⵖⴰⵜⵜⵉⵏ ⵙ ⵍⴳⴰⵕⵕⵓ.
English: Lloyd was in the act of lighting a cigarette from the fuse of the bomb when it exploded, also badly burning his face and chest and injuring his eye.
Tamazight: ⵉⴽⴽⴰⵜⵉⵏ ⵍⵓⵢⴷ ⴰⵔ ⵉⵙⵙⴰⴷⴷ ⵍⴳⴰⵔⵔⵓ ⵖ ⵉⵎⵉⵛⵛ ⵏ ⵜⴰⵍⵇⵇⵏⴱⵓⵍⵜ ⵍⵍⵉⵖ ⴼⵍⵍⴰⵙ ⵜⴱⴱⴰⵇⵇⵉ, ⵜⵙⴽⵔⴰⵙ ⵍⵄⴼⵉⵜ ⵉⵍⵖⵓⵖⵙⵏ ⵖ ⵓⴷⵎⵏⵙ ⴷ ⵉⴷⵎⴰⵔⵏⵙ ⴷ ⵜⵓⴳⴳⵙⴷⴰⵙ ⴰⵍⵍⵏⵙ.
English: Lloyd and Roach parted ways in 1924, and Lloyd became the independent producer of his own films.
Tamazight: ⵍⵓⵢⴷ ⴷ ⵔⵓⵛ ⵎⵔⵔⵓⵣⵣⴳⵏ ⵖ 1924, ⴷ ⵉⵙⵢⵓⴼⵖ ⵍⵓⵢⴷ ⵍⴰⴼⵍⴰⵎⵏⵙ ⵡⴰⵃⴷⵓⵜ.
English: All of these films were enormously successful and profitable, and Lloyd would eventually become the highest paid film performer of the 1920s.
Tamazight: ⵍⴰⴼⵍⴰⵎ ⴰⴷ ⴽⵓⵍⵍⵓⵜⵏ ⵎⵎⵓⵔⵙⵏ ⴷ ⵉⵎⵕⵡⵉⵏⵜ ⴱⴰⵀⵔⴰ, ⵔⴰⴷ ⵉⴳ ⵍⵓⵢⴷ ⴰⵙⵎⴷⴰⵢ ⵍⵍⵉ ⴽⵓⵍⵍⵓ ⵉⵣⵣⵍⵏ ⴳ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1920.
English: However, his go-getting screen character was out of touch with Great Depression movie audiences of the 1930s.
Tamazight: ⵎⴰⵛ, ⴰⵡⵔⵉⴽⵏⵙ ⵉⴷⵔⵔⴰⵎⵏ ⵓⵕ ⵉⵜⵜⵓⵃⵎⴰⵍ ⴷⴰⵔ ⵉⴳⴷⵓⴷⵏ ⵏ ⵍⴽⴰⵙⴰⴷ ⴰⵎⵇⵇⵔⴰⵏ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1930.
English: On March 23, 1937, Lloyd sold the land of his studio, Harold Lloyd Motion Picture Company, to The Church of Jesus Christ of Latter-day Saints.
Tamazight: ⵖ ⵡⵓⵙⵙ 23 ⵎⴰⵕⵚ, 1937, ⵉⵣⵣⵏⵣⴰ ⵍⵓⵢⴷ ⴰⴽⴰⵍ ⵏ ⵓⵙⵜⵓⴷⵢⵓⵏⵙ, ⵀⴰⵔⵓⵍⴷ ⵍⵓⵢⴷ ⵎⵓⵛⵏ ⴱⵉⴽⵜⵛⵔ, ⵉ ⵜⴰⵎⵥⵥⴶⵍⵓⵜ ⵏ ⵉⵕⵓⵎⵉⵢⵏ ⵊⵉⵙⵓⵙ ⴽⵔⴰⵢⵙⵜ ⵓⴼ ⵍⴰⵜⵜⵔ ⴷⴰⵢ ⵙⴰⵢⵏⵜⵙ.
English: He returned for an additional starring appearance in The Sin of Harold Diddlebock, an ill-fated homage to Lloyd's career, directed by Preston Sturges and financed by Howard Hughes.
Tamazight: ⵢⵓⵔⵔⵉⴷ ⵖ ⵢⴰⵜ ⵜⵉⵜⵍⴰⵜ ⵢⴰⴹⵏⵉⵏ ⵖ ⴷⴰ ⵙⵉⵏ ⵓⴼ ⵀⴰⵔⵓⵍⴷ ⴷⵉⴷⵍⴱⵓⴽ, ⴰⵙⵎⵖⵔ ⵉⵎⵅⵍⵉⵏ ⵏ ⵜⴰⵖⴰⵔⴰⵙⵜ ⵜⴰⵣⵓⵍⴰⵏⵜⵏⵙ, ⵉⵙⵙⵓⴼⵖⵜ ⴱⵉⵜⵔⵙⴻⵏ ⵙⵜⵓⵔⵊⴻⵙ ⴷ ⵉⵅⵍⵍⵚⵜ ⵀⵓⴰⵔⴷ ⵀⵢⵓⵣ.
English: Lloyd and Sturges had different conceptions of the material and fought frequently during the shoot; Lloyd was particularly concerned that while Sturges had spent three to four months on the script of the first third of the film, "the last two-thirds of it he wrote in a week or less".
Tamazight: “ⵍⵓⵢⴷ ⴷ ⵙⵜⵓⵔⴳⴻⵙ ⵎⵎⴰⵖⵏ ⴱⴷⴷⴰ ⴼ ⵜⵡⵡⵓⵕⵉ ⵍⵍⵉⵖ ⴰⵜⵜⵚⵡⵡⴰⵕⵏ; ⵉⵅⵎⵎⵉⵎ ⵍⵓⵢⴷ ⴱⴰⵀⵕⴰ ⴼ ⵎⴰⴼ ⵙⵜⵓⵔⴳⵉⵙ ⵉⴽⴽⴰⵏ ⴽⵕⴰⴹ ⵏⵖⴷ ⴽⴽⵓⵥ ⵉⵢⵢⵓⵕⵏ ⵖ ⵓⵙⴽⵔⵉⴱ ⵏ ⵜⵓⵍⵓⵜ ⴰⵎⵣⵡⴰⵔⵓ ⵏ ⵍⴼⵉⵍⵎ, “”ⵢⵓⵔⴰ ⵜⵓⵍⵓⵜⴰⵢⵍ ⵉⵎⴳⴳⵓⵔⴰ ⵖ ⵢⴰⵏ ⵉⵎⴰⵍⴰⵙⵙ””.”
English: Some saw The Old Gold Comedy Theater as being a lighter version of Lux Radio Theater, and it featured some of the best-known film and radio personalities of the day, including Fred Allen, June Allyson, Lucille Ball, Ralph Bellamy, Linda Darnell, Susan Hayward, Herbert Marshall, Dick Powell, Edward G. Robinson, Jane Wyman, and Alan Young.
Tamazight: ⴽⵔⴰⵏ ⵎⵉⴷⴷⵏ ⵣⵕⴰⵏ ⴰⵎⵣⴳⵓⵏ ⵏ ⴷⴰ ⵓⵍⴷ ⴳⵓⵍⴷ ⴽⵓⵎⵉⴷⵉ ⵎⴰⴼ ⵉⵔⵡⴰⵙ ⵓⵎⵣⴳⵓⵏ ⵏ ⵍⵓⴽⵙ ⵔⴰⴷⵢⵓ, ⴷ ⴳⵉⵙ ⵉⵡⵔⵉⴽⵏ ⵉⵎⴰⴼⴰⵢⵏ ⵏ ⵍⴰⴼⵍⴰⵎ ⴷ ⵜⴰⵏⵣⴰⵡⴰⵢⵜ ⵏ ⵖⴰⴽⵓⴷⴰⵏ, ⵣⵓⴷ ⴼⵔⵉⴷ ⴰⵍⵍⵉⵏ, ⴷ ⵊⵓⵏ ⴰⵍⵉⵙⵓⵏ, ⴷ ⵍⵓⵙⵉⵍ ⴱⴰⵍ, ⴷ ⵔⴰⵍⴼ ⴱⵉⵍⴰⵏⵉ, ⴷ ⵍⵉⵏⴷⴰ ⴷⴰⵔⵏⵉⵍ, ⴷ ⵙⵓⵣⴰⵏ ⵀⴰⵢⵡⴰⵔⴷ, ⴷ ⵀⵔⴱⵔⵜ ⵎⴰⵔⵛⴰⵍ, ⴷ ⴷⵉⴽ ⴱⴰⵡⵉⵍ, ⴷ ⵉⴷⵡⴰⵔⴷ ⴳ. ⵔⵓⴱⵉⵏⵙⵓⵏ, ⴷ ⵊⵉⵏ ⵡⵉⵎⴰⵏ, ⴷ ⴰⵍⴰⵏ ⵢⵓⵏⴳ.
English: Many years later, acetate discs of 29 of the shows were discovered in Lloyd's home, and they now circulate among old-time radio collectors.
Tamazight: ⵎⵏⵏⴰⵡ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵉⵡⵔⵉⵏⵏ, ⵜⵜⵢⴰⴼⴰⵏⵜ ⵜⵉⵇⴰⵕⵉⴹⵉⵏ ⵏ 29 ⵉⴼⵔⵔⵊⵏ ⵖ ⵜⵉⴳⵎⵎⵉ ⵏ ⵍⵓⵢⴷ, ⵖⵉⵍⴰⴷ ⵍⵍⴰⵏⵜ ⴷⴰⵔ ⵖⵡⵉⵍⵍⵉ ⵙⵎⵓⵏⴰⵏ ⵉⵙⴽⴽⵉⵏⵏ ⵏ ⵉⵇⴷⵉⵎⵏ ⵏ ⵜⴰⵏⵣⴰⵡⴰⵢⵜ.
English: He was a Past Potentate of Al-Malaikah Shrine in Los Angeles, and was eventually selected as Imperial Potentate of the Shriners of North America for the year 1949–50.
Tamazight: ⵉⴽⴽⴰⵜⵉⵏ ⵉⴳⴰ ⴰⵏⴱⴰⴹ ⴰⵇⴷⵉⵎ ⵏ ⵓⵎⴹⵍ ⵏ ⴰⵍ-ⵎⴰⵍⴰⵢⴽⴰ ⵖ ⵍⵓⵙ ⴰⵏⴳⵍⵉⵙ, ⴷ ⵉⵜⵜⵓⴼⵔⴰⵏ ⵖ ⵉⵡⵔⵉⵏⵏ ⴰⵢⴳ ⴰⵍⴱⴰⴹ ⵎⵇⵇⵓⵕⵏ ⵖ ⵉⵎⴹⵍⴰⵏ ⵏ ⴰⵎⵉⵔⵉⴽⴰ ⵜⴰⴳⴰⴼⴰⵢⵜ ⵖ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1949-50.
English: Lloyd was invested with the Rank and Decoration of Knight Commander Court of Honour in 1955 and coroneted an Inspector General Honorary, 33°, in 1965.
Tamazight: ⵢⵓⵎⵥ ⵍⵓⵢⴷ ⵜⴰⵙⵖⵣⵏⵜ ⵏ ⴰⴷⴰⵔ ⴷ ⵜⴰⵎⴰⴷⴰⵢⵜ ⵏ ⵏⴰⵢⵜ ⴽⵓⵎⴰⵏⴷⵔ ⴽⵓⵔⵜ ⵓⴼ ⵓⵏⵓⵔ ⵖ 1955 ⴷ ⵜⵉⴷⵔⵉ ⵏ ⵉⵏⵙⴱⵉⵜⵓⵔ ⵊⵉⵏⵉⵔⴰⵍ, 33°, ⵖ 1965.
English: It said, as first step, Lloyd will write the story of his life for Simon and Schuster.
Tamazight: ⵏⵏⴰⵏ, ⵖ ⵓⵙⵓⵔⵉⴼ ⴰⵎⵣⵡⴰⵔⵓ, ⵔⴰ ⵢⴰⵔⴰ ⵍⵓⵢⴷ ⵜⵓⴷⵔⵜⵏⵙ ⵉ ⵙⴰⵢⵎⵓⵏ ⴷ ⵛⵓⵙⵜⵔ.
English: He became known for his nude photographs of models, such as Bettie Page and stripper Dixie Evans, for a number of men's magazines.
Tamazight: ⵉⵜⵜⵓⵙⵙⴰⵏ ⵙ ⵜⵉⵡⵍⴰⴼⵉⵏⵏⵙ ⵄⵔⴰⵏⵉⵏ ⵏ ⵍⵄⴰⵔⵉⴷⴰⵜ, ⵣⵓⴷ ⴱⵉⵜⵜⵉ ⵃⴰⵢⵊ ⴷ ⴷⵉⴽⵙⵉ ⵉⴼⴰⵏⵣ, ⵉ ⵎⵏⵏⴰⵡ ⵏ ⵜⵉⵙⵖⵡⴰⵏ ⵏ ⵉⵔⴳⴰⵣⵏ.
English: We never intended them to be played with pianos."
Tamazight: ⵓⵔ ⵊⵊⵓ ⵏⵎⵎⴻⵍ ⴰⵜⵉⵔⴰⵔ ⵙ ⵓⴱⵢⴰⵏⵓ."
English: They've come close to it, but they haven't come all the way up".
Tamazight: ⵇⵔⵔⴱⵏⴰⵙ, ⵎⴰⵛ ⵓⵔ ⵍⴽⵎⵏ ⴰⴼⵍⵍⴰ ⴽⵓⵍⵍⵓⵜ".
English: In the early 1960s, Lloyd produced two compilation films, featuring scenes from his old comedies, Harold Lloyd's World of Comedy and The Funny Side of Life.
Tamazight: ⵖ ⵓⵙⴳⴳⵯⴰⵙⵏ ⵣⵡⴰⵔⵏⵉⵏ ⵏ 1960, ⵉⵙⵢⴰⴼⴰ ⵍⵓⵢⴷ ⵙⵉⵏ ⵍⴰⴼⵍⴰⵎ, ⴳⵉⵙⵏ ⵜⴰⵎⵓⵖⵍⵉⵜ ⵜⵉⴽⵓⵎⵉⴷⵉⵢⵉⵏ ⵉⵇⴷⵉⵎⵏ, ⵀⴰⵔⵍⴷ ⵍⵓⵢⴷⵙ ⵡⵓⵔⵍⴷ ⵓⴼ ⴽⵓⵎⵉⴷⵉ ⴷ ⴷⴰ ⴼⴰⵏⵏⵉ ⵙⴰⵢⴷ ⵓⴼ ⵍⴰⵢⴼ.
English: Time-Life released several of the feature films more or less intact, also using some of Scharf's scores which had been commissioned by Lloyd.
Tamazight: ⵜⵙⴷⵓⵔⴼⵉ ⵜⴰⵢⵎ ⵍⴰⵢⴼ ⵜⵓⴳⴳⵜ ⵏ ⵍⴰⴼⵍⴰⵎ, ⵜⵙⵎⵎⵔⵙ ⴰⵣⴰⵡⴰⵏ ⵏ ⵛⴰⵔⴼ ⵉⵙⵇⵇⵉⵎⵏ ⴳ ⵍⵓⵢⴷ.
English: The Brownlow and Gill documentary was shown as part of the PBS series American Masters, and created a renewed interest in Lloyd's work in the United States, but the films were largely unavailable.
Tamazight: ⵉⵜⵜⵉⵎⵍⴰ ⵓⵏⵜⵉⵎ ⵏ ⴱⵔⴰⵡⵏ ⵍⵓ ⴷ ⴳⵉⵍ ⵎⴰⴼ ⵉⴳⴰ ⵓⴳⴹⴰⵎ ⵏ ⵓⵙⴷⴷⵉ ⵏ PBS ⴰⵎⵉⵔⵉⴽⴰⵏ ⵎⴰⵙⵜⵔⵣ, ⴷ ⵉⵙⵙⵏⴽⵔ ⵜⴰⵖⴹⴼⵜ ⵉ ⵜⵡⵡⵓⵔⵉ ⵏ ⵍⵓⵢⴷ ⵖ ⵜⴰⵎⴰⵣⵉⵕⵜ ⵏ ⵎⴰⵔⵉⴽⴰⵏ, ⵎⴰⵛ ⵓⵔ ⵙⵓⵍ ⵍⵍⴰⵏ ⵎⵏⵏⴰⵡ ⵏ ⵍⴰⴼⵍⴰⵎ.
English: They also adopted Gloria Freeman (1924–1986) in September 1930, whom they renamed Marjorie Elizabeth Lloyd but was known as "Peggy" for most of her life.
Tamazight: “ⵙⵙⴳⵎⵏ ⴷⴰⵖ ⴳⵍⵓⵔⵢⴰ ⴼⵔⵉⵎⴰⵏ (1924 - 1986) ⵖ ⵛⵓⵜⴰⵏⴱⵉⵔ 1930, ⵙⵎⵎⴰⵏⵜⵉⴷ ⵎⴰⵔⵊⵓⵔⵉ ⵉⵍⵉⵣⴰⴱⵉⵜ ⵍⵓⵢⴷ ⵎⴰⵛ ⵜⵜⵓⵙⵙⴰⵏ ⴷ “”ⴱⵉⴳⴳⵉ”” ⵖ ⵜⵓⴳⵜ ⵏ ⵜⵓⴷⵔⵜⵏⵙ.”
English: Davis died from a heart attack in 1969, two years before Lloyd's death.
Tamazight: ⵜⵎⵎⵓⵜ ⴷⴰⴼⵉⵙ ⵙ ⵜⴰⵙⵙⴰⵙⵙⵜ ⵏⵓⵍⵍ ⵖ 1969, ⵙⵉⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⴷⴰⵜ ⴰⵢⵎⵎⵜ ⵍⵓⵢⴷ.
English: In 1925, at the height of his movie career, Lloyd entered into Freemasonry at the Alexander Hamilton Lodge No.
Tamazight: ⵖ 1925, ⵖ ⵓⵅⵛⴰⵛ ⵏ ⵜⴰⵔⵉⴷⵉⵜⵏⵙ, ⵉⴽⵛⵎ ⵍⵓⵢⴷ ⵙ ⵜⴰⵎⴰⵙⵓⵏⵉⵜ ⵖ ⴰⵍⵉⴽⵙⴰⵏⴷⵔ ⵀⴰⵎⵉⵍⵜⵓⵏ ⵍⵓⴷⵊ.
English: In 1926, he became a 32° Scottish Rite Mason in the Valley of Los Angeles, California.
Tamazight: ⵖ 1926, ⵉⴳⴰ ⴰⵎⴰⵙⵓⵏⵉ ⵏ ⵙⴽⵓⵜⵍⴰⵏⴷⴰ ⵏ 32° ⵖ ⵓⵣⴰⵖⴰⵔ ⵏ ⵍⵓⵙ ⴰⵏⴳⵉⵍⵉⵙ, ⴽⴰⵍⵉⴼⵓⵔⵏⵢⴰ.
English: A portion of Lloyd's personal inventory of his silent films (then estimated to be worth $2 million) was destroyed in August 1943 when his film vault caught fire.
Tamazight: ⵔⴷⵔⵏ ⵜⵓⴳⴳⵜ ⵏ ⵓⵙⴰⵜⵉⵎ ⵖ ⵍⴰⴼⵍⴰⵎ ⵉⵃⵉⵙⵙⵉⵢⵏ (ⵉⵇⴷⴷⵔⵏ ⵙ 2 ⵎⵍⵜⵓⵏ ⴷⵓⵍⴰⵕ) ⵖ ⵖⵓⵛⵜ 1943 ⵍⵍⵉⵖ ⵜⵓⵎⵣ ⴰⴼⴰ ⵖ ⵜⴰⵣⵇⵇⴰⵏⵙ.
English: The fire spared the main house and outbuildings.
Tamazight: ⵜⵣⵣⵓⵣⵔ ⴰⴼⴰ ⵖ ⵓⴳⵏⵙ ⵏ ⵜⴳⵎⵎⵉ ⴷ ⴰⵡⵍⵊⵏⵙ.
English: Lloyd was honored in 1960 for his contribution to motion pictures with a star on the Hollywood Walk of Fame located at 1503 Vine Street.
Tamazight: ⵉⵜⵜⵓⵙⵎⵖⴰⵔ ⵍⵓⵢⴷ ⵖ 1960 ⴼ ⵜⴰⴱⵣⴰⵔⵜⵏⵙ ⵉ ⵙⵙⵉⵏⵉⵎⴰ ⵙ ⵢⴰⵜ ⵜⵉⵜⵔⵉⵜ ⵖ ⵀⵓⵍⵉⵡⵓⴷ ⵡⴰⵍⴽ ⵓⴼ ⴼⵉⵢⵎ ⵖ 1503 ⴼⴰⵢⵏ ⵙⵜⵔⵉⵜ.
English: The second citation was a snub to Chaplin, who at that point had fallen foul of McCarthyism and had his entry visa to the United States revoked.
Tamazight: ⴰⴱⴷⴰⵔ ⵡⵉⵙⵙⵉⵏ ⵉⴳⴰ ⴰⴹⵏⴰⵥ ⵉ ⵛⴰⴱⵍⵉⵏ, ⵍⵍⵉ ⵉⵙⴽⵔⵏ ⵜⵉⵙⵙⵍⵜ ⵏ ⵜⴰⵊⵎⴰⵡⵜ ⴷ ⴽⵉⵉⵙⵏⴰⵙ ⵍ ⴼⵉⵙⴰ ⵏ ⵎⴰⵔⵉⴽⴰⵏ.
English: Gladys Marie Smith (April 8, 1892 – May 29, 1979), known professionally as Mary Pickford, was a Canadian-American film actress and producer with a career that spanned five decades.
Tamazight: ⴳⵍⴰⴷⵉⵙ ⵎⴰⵙⵉ ⵙⵎⵉⵜ (ⵡⵉⵙⵙ 8 ⵉⴱⵔⵉⵔ, 1892 – ⵡⵉⵙⵙ 29 ⵎⴰⵢⵢⵓ, 1979), ⵜⵓⵙⵙⵏ ⵙ ⵜⵡⵡⵓⵔⵉⵏⵙ ⵙ ⵎⴰⵔⵉ ⴱⵉⴽⴼⵓⵔⴷ, ⵜⴳⴰ ⵜⴰⵙⵎⴷⴰⵢⵜ ⴷ ⵜⴰⵎⵙⴰⴼⴰⵢⵓⵜ ⵜⴰⵎⴰⵔⵉⴽⴰⵏⵉⵜ ⵜⴰⴽⴰⵏⴰⴷⵉⵜ ⴳ ⵢⴰⵜ ⵜⵡⵡⵓⵔⵉ ⵉⴽⴽⴰⵏ ⵙⵉⵏ ⵡⴰⴳⵏⴰⵔⵏ ⴷ ⵎⵔⴰⵡ ⵉⵙⴳⴳⵯⴰⵙⵏ.
English: Her father, John Charles Smith was the son of English Methodist immigrants, and worked a variety of odd jobs.
Tamazight: ⵉⵅⴷⵎ ⵉⴱⴱⴰⵙ, ⵊoⵏ ⵛⴰⵔⵍⵣ ⵙⵎⵉⵜ ⵍⵉⵉ ⵉⴳⴰⵏ ⵉⵡⵉⵙ ⵏ ⵉⵎⵣⵡⴰⴳⵏ ⵏ ⵉⵎⵉⵜⵓⴷⵉⵙⵜ ⵏ ⵏⴳⵍⵉⵣ, ⴷ ⵉⵙⵡⵓⵔⵉ ⵖ ⵉⵏⴰⴹⵉⵏ ⵉⵜⵜⵢⴰⵏⴰⵡⵏ.
English: To please her husband's relatives, Pickford's mother baptized her children as Methodists, the religion of their father.
Tamazight: ⴱⴰⵛ ⴰⵜⵜⴽⵔ ⵍⵅⴰⵟⵕ ⵏ ⴰⵢⴷⴷⴰⵔⵙ ⵓⵓⵔⴳⴰⵣⵏⵙ, ⵜⵔⴰ ⵉⵏⵏⴰⵙ ⵏ ⴱⵉⴽⴼⵓⵔⴷ ⴰⵜⵜⵙⵏⴽⵔ ⵜⴰⵔⵡⴰⵏⵙ ⴱⴰⵛ ⴰⴷⴳⵉⵏ ⵉⵎⵉⵜoⴷⵉⵏ, ⴰⵇⴳⴷ ⵏ ⵉⴱⴱⴰⵜⵙⵏ.
English: Gladys, her mother and two younger siblings toured the United States by rail, performing in third-rate companies and plays.
Tamazight: ⵜⵎⵓⵏⵣⵣ ⴳⴰⵍⴷⵉⵙ, ⴷ ⵉⵏⵏⴰⵙ ⴷ ⵉⵙⵜ ⵎⴰⵙ ⵎⵥⵥⵉⵏⵉⵏⵜ ⵖ ⵎⴰⵔⵉⴽⴰⵏ ⵙ ⵓⵍⴰⵡⴰⵢ, ⵉⵔⴰⵔⵏⵜ ⵖ ⵜⵉⵎⵏⵙⵉⵜⵉⵏ ⵏ ⵓⵎⴰⵍⴰ ⵡⵓⵙⵙ ⴽⵔⴰⴹ ⴷ ⵜⵉⵎⵣⴳⵓⵏⵉⵏ.
English: Gladys finally landed a supporting role in a 1907 Broadway play, The Warrens of Virginia.
Tamazight: ⵜⵓⵎⵥ ⴳⵍⴰⴷⵉⵙ ⵜⵉⵍⴰⵍⵜ ⵉⵥⵥⵉⴹⵕⵏ ⵖ ⵢⴰⵜ ⵜⴰⵎⵣⴳⵓⵏⵜ ⵏ 1907 ⵖ ⴱⵔⵓⴷⵡⴰⵢ, ⴷⴰ ⵡⴰⵔⵔⵉⵏⵣ ⵓⴼ ⴼⵉⵔⴳⵉⵏⵉⴰ.
English: After completing the Broadway run and touring the play, however, Pickford was again out of work.
Tamazight: ⵎⴰⵛ, ⵓⵔ ⵙⵓⵍ ⵜⵍⵍⴰ ⵍⴽⵀⴷⵎⵜ ⴷ ⴱⵉⴽⴼⵓⵔⴷ, ⵍⵍⵉⵖ ⵜⴽⵎⵎ ⵖ ⴱⵔⵓⴷⵡⴰⵢ ⴷ ⵓⵎⵓⴷⴷⵓ ⵏ ⵜⴰⵏⵣⴳⵓⵏⵜ.
English: She quickly grasped that movie acting was simpler than the stylized stage acting of the day.
Tamazight: ⵜⵔⵎⵙ ⴷⴳⵢⴰ ⵉⵙ ⵓⵎⵙⴷⴰⵢ ⵏ ⵙⵙⵉⵏⵉⵎⴰ ⵢⵓⴼ ⵡⵉⵏ ⵓⵎⵣⴳⵓⵏ.
English: As Pickford said of her success at Biograph:I played scrubwomen and secretaries and women of all nationalities ... I decided that if I could get into as many pictures as possible, I'd become known, and there would be a demand for my work.
Tamazight: ⵣⵓⴷ ⵎⴰⵖ ⵜⵏⵏⴰ ⴱⵉⴽⴼⵓⵔⴷ ⵖ ⵓⵙⵎⵓⵔⵙⵏⵙ: ⵉⵔⴰⵔⵖ ⵜⵉⵎⴰⵔⵔⴰⵙⵉⵏ ⴷ ⵜⵉⵎⵉⵔⴰⵜⵉⵏ ⴷ ⵜⵎⵖⴰⵔⵉⵏ ⴳ ⴽⵓⵍⵍⵓ ⵜⵉⵎⵉⵣⴰⵕ... ⵖⵜⵜⵉⵙⵖ ⵉⵖ ⵙⴽⵔⵖ ⵎⵏⵏⴰⵡⵜ ⵏ ⵜⵡⵡⵓⵔⵉⵏ, ⵎⵉⴷⴷⵏ ⵔⴰⴷ ⵉⵢⵉⵙⵙⵏ, ⴷ ⵔⴰⴷ ⵉⵔⵉⵏ ⵜⴰⵡⵡⵓⵔⵉⵏⵓ.
English: In January 1910, Pickford traveled with a Biograph crew to Los Angeles.
Tamazight: ⵖ ⵉⵏⵏⴰⵢⵔ ⵏ 1910, ⵜⵎⵎⵓⴷⴷⴰ ⴱⵉⴽⴼⵓⵔⴷ ⴷ ⵜⴰⴳⴳⴰⵢⵜ ⵏ ⴱⵢⵓⴳⵔⴰⴼ ⵙ ⵍⵓⵙ ⴰⵏⵊⵍⵉⵙ.
English: Actors were not listed in the credits in Griffith's company.
Tamazight: ⵉⵙⵎⴷⴰⵢⵏ ⵓⵔ ⵜⵜⴱⴷⵉⵔⵏ ⵖ ⵓⵎⵙⵏⴰⴷ ⵏ ⵜⴰⵎⵏⵙⵜⵉⵜ ⵏ ⴳⵔⵉⴼⵉⵜ.
English: Pickford left Biograph in December 1910.
Tamazight: ⵉⴼⵍ ⴱⵉⴽⴼⵓⵔⴷ ⴱⵢⵓⴳⵔⴰⴼ ⵖ ⴷⵓⵊⴰⵏⴱⵉⵔ 1910.
English: She returned to Broadway in the David Belasco production of A Good Little Devil (1912).
Tamazight: ⵜⵓⵔⵔⵉⴷ ⵙ ⴱⵔⵓⴷⵡⴰⵢ ⵖ ⵜⴰⵙⴰⵢⴰⴼⵓⵜ ⵏ ⴷⴰⴼⵉⴷ ⴱⵉⵍⴰⵙⴽⵓ ⴰ ⴳⵓⴷ ⵍⵉⵜⵍ ⴷⵉⴼⵉⵍ (1912).
English: In 1913, she decided to work exclusively in film.
Tamazight: ⵖ 1913, ⵜⵖⵜⵉⵙ ⴰⵜⵙⵡⵓⵔⵉ ⵖ ⵍⴰⴼⵍⴰⵎ ⴽⴰ.
English: Pickford left the stage to join Zukor's roster of stars.
Tamazight: ⵉⴼⵍ ⴱⵉⴽⴼⵓⵔⴷ ⴰⵎⵣⴳⵓⵏ ⴱⴰⵛ ⴰⴷⴷⵉⵎⵓⵏ ⴷ ⵉⵜⵔⴰⵏ ⵏ ⵣⵓⴽⵓⵔ.
English: Comedy-dramas, such as In the Bishop's Carriage (1913), Caprice (1913), and especially Hearts Adrift (1914), made her irresistible to moviegoers.
Tamazight: ⵉⵔⴰⵜ ⵉⴳⴷⵓⴷⵏ, ⵍⵍⵉⵖ ⴰⵜⵜⵙⴽⴰⵔ ⵍⴰⴼⵍⴰⵎ ⵏ ⵜⴰⴽⵓⵎⵉⴷⵉⵜ ⴷ ⴷⵔⴰⵎⴰ ⵣⵓⴷ, ⴷⴰ ⴱⵉⵛⵓⴱ ⴽⴰⵔⵢⴰⵊ (1913), ⴽⴰⴱⵔⵉⵛ (1913), ⴷ ⵙⵍⴰⵡⴰⵏ ⴰⴽⴽⵯ ⵀⴰⵔⵜⵙ ⴰⴷⵔⵉⴼⵜ (1914).
English: Tess of the Storm Country was released five weeks later.
Tamazight: ⵉⴼⴼⵓⵖⴷ ⵜⵉⵙ ⵓⴼ ⴷⴰ ⵙⵜⵓⵔⵎ ⴽⵓⵏⵜⵔⵉ ⴰⵡⵔⵉⵏⵏ ⵙ ⵙⵎⵎⵓⵙ ⵉⵎⴰⵍⴰⵙⵙⵏ.
English: Only Charlie Chaplin, who slightly surpassed Pickford's popularity in 1916, had a similarly spellbinding pull with critics and the audience.
Tamazight: ⵛⴰⵔⵍⵉ ⵛⴰⴱⵍⵉⵏ ⵡⴰⵃⴷⵓⵜ, ⵍⵍⵉ ⵢⵓⴳⴳⵯⵔⵏ ⴱⵉⴽⴼⵓⵔⴷ ⵖ ⵓⵏⴳⵏⴰⵏ ⵙ ⵉⵎⵉⴽ ⵖ 1916, ⵉⵜⵜⵓⵃⵎⴰⵍ ⵓⵍⵍⴰ ⵏⵜⴰⵏ ⴷⴰⵔ ⵉⴳⴷⵓⴷⵏ.
English: She also became vice-president of Pickford Film Corporation.
Tamazight: ⵜⴳⴰ ⴷⴰⵖ ⵜⴰⵎⴰⵔⵉⵙⵜ ⵏ ⵉⵏⵙⵙⵉⵅⴼ ⵏ ⴱⵉⴽⴼⵓⵔⴷ ⴼⵉⵍⵎ ⴽⵓⵔⴱⵓⵔⵉⵛⵏ.
English: Due to her lack of a normal childhood, she enjoyed making these pictures.
Tamazight: ⵍⵍⵉⴳ ⴷⴰⵔⵙ ⵟⵓⴼⵓⵍⴰ ⵉⵍⵍⵓⴳⴰⵏ, ⵜⵃⵎⵉⵍ ⴰⵜⵜⵔⴽⵙ ⵍⴰⴼⵍⴰⵎ ⴰⴷ.
English: In August 1918, Pickford's contract expired and, when refusing Zukor's terms for a renewal, she was offered $250,000 to leave the motion picture business.
Tamazight: ⵖ ⵖⵓⵛⵜ 1918, ⵜⵙⵇⴹⵓ ⵜⴰⵎⵖⵓⵏⵜ ⵏ ⴱⵉⴽⴼⵓⵔⴷ, ⵍⵍⵉF ⵓⵔ ⵜⵔⴰ ⵜⵉⴼⴰⴷⴰⵡⵉⵏ ⵏ ⵣⵓⴽⵓⵔ ⴰⵜⵜⵉⵙⵎⴰⵢⵏⵓ, ⴼⴰⵏ ⴰⵙ $250,000 ⴱⴰⵛ ⵉⵜⵜⴼⵍ ⵜⴰⵡⵡⵓⵔⵉ ⵏ ⵍⴰⴼⵍⴰⵎ.
English: Through United Artists, Pickford continued to produce and perform in her own movies; she could also distribute them as she chose.
Tamazight: ⵖ ⵢⵓⵏⴰⵢⵜⵉⴷ ⴰⵕⵜⵉⵙⵜⵙ, ⵜⵙⵓⵍⴷ ⴱⵉⴽⴼⵓⵔⴷ ⵖ ⵓⵔⴰⵔ ⴷ ⵜⴰⵙⴰⵢⴰⴼⵓⵜ ⵏ ⵍⴰⴼⵍⴰⵎⵏⵙ; ⵜⵓⴼⴰ ⴷⴰⵖ ⴰⵙⵙⵜⵏ ⵜⴱⵟⵟⵓ ⵙⴳⵉⵍⵍⵉ ⵜⵕⴰ.
English: During this period, she also made Little Annie Rooney (1925), another film in which Pickford played a child, Sparrows (1926), which blended the Dickensian with newly minted German expressionist style, and My Best Girl (1927), a romantic comedy featuring her future husband Charles "Buddy" Rogers.
Tamazight: “ⵖ ⵓⴳⵓⵔ ⴰⴷ, ⵜⵙⵓⵎⴼⵓⵖⴷ ⵜⵙⵍⵍⵡⵉⴷ ⵍⵉⵜⵍ ⴰⵏⵉ ⵔⵓⵏⵉ (1925), ⵍⴼⵉⵍⵎ ⵢⴰⴹⵏⵉ ⵍⵍⵉⵖ ⵜⵓⵔⴰⵔ ⴱⵉⴽⴼⵓⵔⴷ ⵜⴰⴱⵔⵙⵉⵔⵜ, ⵙⴱⴰⵔⵔⵓⵣ (1926), ⵍⵍⵉ ⵉⵙⵙⵔⵄⵉⵏ ⵜⴰⵎⴰⵎⴽⵜ ⵏ ⴷⵉⴽⵏ ⴷ ⵡⵉⵏ ⵍⴰⵍⵎⴰⵏ, ⴷ ⵎⴰⵢ ⴱⵉⵙⵜ ⴳⵔⵍ (1927), ⵍⴼⵉⵍⵎ ⵏ ⵜⴰⴽⵓⵎⵉⴷⵉⵜ ⵜⴰⵔⵓⵎⴰⵏⵙⵉⵜ ⴷ ⵓⵔⴳⴰⵣⵏⵙ ⵉⵎⴰⵍⵏ ⵛⴰⵔⵍⵣ “”ⴱⵓⴷⵉ”” ⵔⵄⴳⵔⵣ.”
English: She played a reckless socialite in Coquette (1929), her first talkie, a role for which her famous ringlets were cut into a 1920s' bob.
Tamazight: ⵜⵓⵔⴰⵔ ⵢⴰⵜ ⵜⴰⵏⵓⴼⵍⴰⵢⵜ ⵜⴰⵇⵉⵛⵓⵃⵜ ⵖ ⴽⵓⴽⵉⵜ (1929), ⵍⴼⵉⵍⵎⵏⵙ ⵉⵙⴰⵡⴰⵍⵏ ⵉⵣⵡⴰⵔⵏ, ⵜⴱⴱⵉ ⵉⴱⴱⵄⵓⵢⵏⵙ ⵖ ⵜⵉⵜⵍⴰⵍⵜⴰⴷ ⵙ ⵜⵉⵏ 1920.
English: The public failed to respond to her in the more sophisticated roles.
Tamazight: ⵓⵔⵜⵜⵉⵔⴰ ⵓⴳⴷⵓⴷ ⵖ ⵜⵉⵍⴰⵍⵉⵏ ⵉⵎⵀⵢⴰⵔⵏ.
English: Established Hollywood actors were panicked by the impending arrival of the talkies.
Tamazight: ⵎⵏⵓⵙⵏ ⵉⵙⵎⴷⴰⵢⵏ ⵏ ⵀⵓⵍⵉⵡⵓⴷ ⵙ ⵓⵡⴰⴹ ⵏ ⵍⴰⴼⵍⴰⵎ ⵉⵙⴰⵡⴰⵍⵏⵉⵏ.
English: She retired from film acting in 1933 following three costly failures with her last film appearance being Secrets.
Tamazight: ⵜⵜⵡⵡⵃⴷ ⵙ ⵓⵙⵎⴷⵢⴰ ⵖ 1933 ⵉⵡⵔⵉⵏⵏ ⴽⵔⴰⴷ ⵉⴼⴰⵚⴰⵍⵏ ⴷ ⵙⵉⴽⵔⵉⵜⵙ ⵉⴳⴰ ⵍⴼⵉⵍⵎⵏⵙ ⵉⴳⴳⵓⵔⴰⵏ.
English: During World War I she promoted the sale of Liberty Bonds, making an intensive series of fund-raising speeches, beginning in Washington, D.C., where she sold bonds alongside Charlie Chaplin, Douglas Fairbanks, Theda Bara, and Marie Dressler.
Tamazight: ⴳ ⴰⵎⴽⴰⵔⵓ ⴰⵎⴰⴹⵍⴰⵏ ⴰⵎⵣⵡⴰⵔⵓ ⵜⵙⴽⵔ ⵓⵙⵉⵍⵍⵉⵢ ⵏ ⵉⵣⵓⵛⵛⵍⵏ, ⵍⵍⵉⵖ ⵜⵙⵎⵓⵏ ⵎⵏⵏⴰⵡ ⵏ ⵉⵇⴰⵕⵉⴹⵏ ⴳ ⵉⵏⴰⵡⵏ, ⵜⵣⵣⵡⴰⵔ ⴳ ⵡⴰⵛⵉⵏⵟⵓⵏ, ⴷ. ⵙ. ⵍⵍⵉⵖ ⵜⵣⵣⵏⵣⴰ ⵉⵣⵓⵛⵛⵍⵏ ⴷ ⵛⴰⵔⵍⵉ ⵛⴰⴱⵍⵉⵏ, ⴷ ⴷⵓⴳⵍⴰⵙ ⴼⵉⵔⴱⴰⵏⴽⵙ, ⴷ ⵜⵉⴷⴰ ⴱⴰⵔⴰ, ⴷ ⵎⴰⵔⵉ ⴷⵔⵉⵙⵍⵔ.
English: In a single speech in Chicago, she sold an estimated five million dollars' worth of bonds.
Tamazight: ⵜⵣⵣⵏⵣⴰ ⵙⵎⵎⵓⵙ ⵏ ⵎⵍⵢⵓⵏ ⵏ ⴷⴷⵓⵍⴰⵕ ⵏ ⵉⵣⵓⵛⵛⵍⵏ, ⴳ ⵢⴰⵏ ⵉⵏⴰⵡ.
English: At the end of World War I, Pickford conceived of the Motion Picture Relief Fund, an organization to help financially needy actors.
Tamazight: ⵍⵍⵉⵖ ⵉⴽⵎⵎⵍ ⵉⵎⵏⵖⵉ ⴰⵎⴰⴹⵍⴰⵏ ⴰⵎⵣⵡⴰⵔⵓ, ⵉⵙⵙⵓⴼⵖⴷ ⴱⵉⴽⴼⵓⵕ ⴰⴼⵏⵉⵇ ⵏ ⵓⵙⵏⴳⴷⵡⵉ ⵏ ⵜⵡⵍⵍⴰⴼⵉⵏ ⵉ ⵜⵎⵓⵙⵙⵓⵏ, ⵏⵏⴰ ⵉⴳⴰⵏ ⵜⴰⵎⴰⴷⴷⴰⵙⵜ ⵏ ⵢⵉⵡⵙ ⵏ ⵜⵎⵏⴰⴹⵉⵏ ⵉⵜⵜⵓⵅⵙⵙⴰⵏ ⴳ ⵓⵥⵕⴼ.
English: As a result, in 1940, the Fund was able to purchase land and build the Motion Picture Country House and Hospital, in Woodland Hills, California.
Tamazight: ⵜⴰⵢⴰⴼⵓⵜ ⵏ ⵓⵢⵏⵏⴰⵖ, ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1940, ⵉⵖⵢ ⵓⴼⵏⵉⵇ ⴰⴷ ⵉⵙⵖ ⴰⴽⴰⵍ ⵉⵚⴽⵓ ⴰⵙⴳⵏⴰⴼ ⴷ ⵜⴰⴷⴷⴰⵔⵜ ⵏ ⵓⴼⵉⵍⵎ, ⴳ ⵡⵓⴷⵍⴰⵏⴷ ⵀⵉⵍⵍ, ⴽⴰⵍⵉⴼⵓⵔⵏⵢⴰ.
English: She demanded (and received) these powers in 1916, when she was under contract to Zukor's Famous Players in Famous Plays (later Paramount).
Tamazight: ⵜⴻⵜⵜⵔ (ⵜⴰⵎⵥ) ⵜⵉⵏⴱⴰⴹⵉⵏ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1916, ⵍⵍⵉ ⴳ ⵜⴳⴰ ⵜⴰⵏⵎⵖⵓⵏⵜ ⴷ ⵉⵎⵉⵔⴰⵔⵏ ⵉⵎⵛⵏⴰⵄ ⵏ ⵣⵓⴽⵓⵕ ⴳ ⵜⵎⵣⴳⵓⵏⵉⵏ ⵜⵉⵎⵛⵏⴰⵄ (ⵖⵔ ⴷⴰⵜ ⴱⴰⵔⴰⵎⴰⵡⵏⵜ).
English: The Mary Pickford Corporation was briefly Pickford's motion-picture production company.
Tamazight: ⵜⴳⴰ ⵜⵎⵙⵙⵓⵔⵜ ⵏ ⵎⴰⵕⵉ ⴱⵉⴽⴼⵓⵕⴷ ⴽⵓⵔⴱⵓⵔⴰⵜⵢⵓⵏ ⴳ ⵢⴰⵜ ⵜⵉⵣⵉ ⵉⴷⵔⵓⵙⵏ ⵢⴰⵜ ⵜⵎⵙⵙⵓⵔⵜ ⵏ ⵓⴼⴰⵔⵙ ⵏ ⵜⵡⵍⵍⴰⴼⵉⵏ ⵉⵜⵎⵓⵙⵙⵓⵏ ⴳ ⴱⵉⴽⴼⵓⵕⴷ.
English: Distributors (also part of the studios) arranged for company productions to be shown in the company's movie venues.
Tamazight: ⵙⴽⵔⵏ ⵉⵏⴱⴹⴰ ( ⴰⵡⴷ ⴰⵇⵛⵓⵕ ⴳ ⵉⴷ ⵙⵜⵓⴷⵢⵓ) ⴰⵙⴼⵙⵔ ⵏ ⵜⵢⴰⴼⵓⵜⵉⵏ ⵏ ⵜⵎⵙⵙⵓⵔⵜ ⴳ ⵡⴰⵏⵙⵉⵡⵏ ⵉⴼⵉⵍⵎⵏ ⵏ ⵜⵎⵙⵙⵓⵔⵜ.
English: It was solely a distribution company, offering independent film producers access to its own screens as well as the rental of temporarily unbooked cinemas owned by other companies.
Tamazight: ⵜⴽⴽⴰ ⵜⴳⴰ ⵖⴰⵙ ⵢⴰⵜ ⵜⵎⵙⵙⵓⵔⵜ ⵏ ⵓⴱⵟⵟⵓ, ⴷⴰ ⵜⵙⵎⵏⵉⴷ ⵉ ⵉⵎⵙⵢⴰⴼⵓⵜⵏ ⵏ ⵉⴼⵉⵍⵎⵏ ⵉⵙⵉⵎⴰⵏⵏ ⴰⴷ ⵏⵏ ⴰⵡⴹⵏ ⵉⵎⵉⵥⴰⵕⵏ ⵏⵏⵙ ⵉⵥⵍⵉⵏ ⴷ ⴰⵡⴷ ⴰⴽⵔⵔⵓ ⵏ ⵙⵙⵉⵏⵉⵎⴰ ⵏⵏⴰ ⵓⵔ ⵉⵜⵜⵓⴽⵔⴰⵏ ⵉⴳⴰⵏ ⵜⵉⵏ ⵜⵎⵙⵙⵓⵔⵉⵏ ⵢⴰⴹⵏ.
English: As a co-founder, as well as the producer and star of her own films, Pickford became the most powerful woman who has ever worked in Hollywood.
Tamazight: ⵙ ⵓⴼⵔⵉⵙ ⵏⵏⵙ ⵜⴳⴰ ⵜⵉⵎⵔⵙⵍⵜ ⵢⴰⵎⵓⵏ ⴷ ⵜⵎⵙⵢⴰⴼⵓⵜ ⴷ ⵜⵉⵜⵔⵉⵜ ⵏ ⵉⴼⵉⵍⵎⵏ ⵏⵏⵙ ⵉⵥⵍⵉⵏ, ⵜⴰⵖⵓⵍ ⴱⵉⴽⴼⵓⵔⴷ ⵜⴳⴰ ⵜⴰⵎⵟⵟⵓⴹⵜ ⵉⴷⵓⵙⵏ ⵏⵏⴰ ⴰⴽⴽⵯ ⵉⵙⵡⵓⵔⵉⵏ ⴳ ⵀⵓⵍⵉⵡⵓⴷ.
English: She and Chaplin remained partners in the company for decades.
Tamazight: ⵜⵇⵇⵉⵎⴰ ⵏⵜⵜⴰⵜ ⴷ ⵛⴰⴱⵍⵉⵏ ⵉⵎⵙⵙⵓⵔⵏ ⴳ ⵜⵎⵙⵙⵓⵔⵜ ⵉⵙⴳⴳⵯⴰⵙⵏ.
English: It is rumored she became pregnant by Moore in the early 1910s and had a miscarriage or an abortion.
Tamazight: ⴰⵔ ⵜⵜⵉⵏⵉⵏ ⵎⴰⵙ ⴷⴰ ⵜⵜⴰⵔⵡ ⵙⴳ ⵎⵓⵕ ⵜⵉⵣⵡⵓⵔⵉ ⵏ 1910 ⵜⵙⵙⴽⵔ ⵢⴰⵜ ⵜⴰⵔⵡⴰ ⵓⵔ ⵉⵃⵍⵉⵏ ⵏⵖⴷ ⵜⵖⵔⵉ.
English: The couple lived together on-and-off for several years.
Tamazight: ⴷⴷⵔⵏ ⵉⵙⵍⴰⵏ ⵙ ⵙⵉⵏ ⵙ ⵢⴰⵜ ⵜⴰⵍⵖⴰ ⵉⴱⴱⵉⵏ ⴽⵉⴳⴰⵏ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ.
English: Around this time, Pickford also suffered from the flu during the 1918 flu pandemic.
Tamazight: ⴰⵜⵜⴰⵢⵏ ⵏ ⵜⵉⵣⵉ ⴰⴷ, ⵢⵓⴹⵏ ⴱⵉⴽⴼⵓⵔⴷ ⴰⵡⴷ ⵏⵜⵜⴰ ⴳ ⵉⵏⴼⵍⵓⵡⴰⵏⵣⴰ ⴳ ⵜⵉⵣⵉ ⵏ ⵡⴰⵟⵟⴰⵏ ⵏ ⵉⵏⴼⵍⵓⵡⴰⵏⵣⴰ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1918.
English: They went to Europe for their honeymoon; fans in London and in Paris caused riots trying to get to the famous couple.
Tamazight: ⴷⴷⴰⵏ ⵙ ⵓⵔⵓⴱⴱⴰ ⴰⴷ ⵣⵣⵔⵉⵏ ⴰⵢⵢⵓⵔ ⵏ ⵜⴰⵎⵉⵎⵜ; ⴰⴳⴷⵓⴷ ⵏ ⵍⵓⵏⴷⵓⵏ ⴷ ⴱⴰⵔⵉⵣ ⴰⵢⴷ ⵉⴳⴰⵏ ⵜⴰⵍⵏⵜⵉⵍⵜ ⵏ ⵡⴰⵇⵇⵓⵔ ⴷⴷⴰ ⴳ ⵔⴰⵏ ⴰⵏⵏ ⴰⵡⴹⵏ ⵉⵙⵍⴰⵏ ⵉⵜⵜⵓⵢⴰⵙⵙⴰⵏⵏ.
English: Pickford continued to epitomize the virtuous but fiery girl next door.
Tamazight: ⵜⵙⵙⵓⴷⴰ ⴱⵉⴽⴼⵓⵕⴷ ⴳ ⵓⵣⵔⴽ ⵏⵏⵙ ⵎⴰⵛⴰ ⵜⵍⵍⴰ ⵎ ⵡⴰⴼⴰ ⴹⴰⵔⵜ ⵜⴼⵍⵓⵜ.
English: Foreign heads of state and dignitaries who visited the White House often asked if they could also visit Pickfair, the couple's mansion in Beverly Hills.
Tamazight: ⵉⵙⵍⵡⴰⵢⵏ ⵏ ⵜⵎⵓⵔⴰ ⴷ ⵉⵅⴰⵜⴰⵔⵏ ⵏ ⴱⵕⵕⴰ ⵏⵏⴰ ⵉⵔⴰⵏ ⴰⴷ ⵉⴽⴽ ⵜⴰⴷⴷⴰⵔⵜ ⵜⴰⵎⵍⵍⴰⵍⵜ ⴷⴰ ⵜⴻⵜⵜⵔⵏ ⴽⵉⴳⴰⵏ ⴰⴷ ⴽⴽⵏ ⴰⵡⴷ ⴱⵉⴽⴼⴰⵢⵔ, ⵉⵖⵔⵎ ⵏ ⵉⵙⵍⴰⵏ ⴳ ⴱⵉⴼⵉⵔⵍⵢ ⵀⴰⵢⵍⵣ.
English: Other guests included George Bernard Shaw, Albert Einstein, Elinor Glyn, Helen Keller, H. G. Wells, Lord Mountbatten, Fritz Kreisler, Amelia Earhart, F. Scott Fitzgerald, Noël Coward, Max Reinhardt, Baron Nishi, Vladimir Nemirovich-Danchenko, Sir Arthur Conan Doyle, Austen Chamberlain, Sir Harry Lauder, and Meher Baba, among others.
Tamazight: ⵙⴳ ⵉⵏⴱⴳⵉⵡⵏ ⵢⴰⴹⵏ ⵊⵓⵕⵊ ⴱⵉⵕⵏⴰⵔ ⵛⵓ, ⴷ ⴰⵍⴱⵉⵔⵜ ⵉⵏⵛⵜⴰⵢⵏ, ⴷ ⵉⵍⵉⵏⵓⵕ ⵊⵍⵉⵏ, ⴷ ⵀⵉⵍⵉⵏ ⴽⵉⵍⵕ, ⴷ ⵉⵜⵛ ⵊⵉ ⵡⵉⵍⵥ, ⴷ ⵍⵓⵕⴷ ⵎⴰⵡⵏⵜⴱⴰⵜⵏ, ⴷ ⴼⵔⵉⵜⵣ ⴽⵔⵉⵙⵍⵉⵔ, ⴷ ⴰⵎⵉⵔⵢⴰ ⵉⵔⵉⵀⴰⵔⵜ, ⴷ ⵉⴼ ⵙⴽⵓⵜ ⴼⵉⵜⵣ ⵊⵉⵕⴰⵍⴷ, ⴷ ⵏⵡⵉⵍ ⴽⵡⴰⵕⴷ, ⴷ ⵎⴰⴽⵙ ⵔⵉⵏⵀⴰⵕⵜⴷ, ⴷ ⴱⴰⵕⵓⵏ ⵏⵉⵛⵉ, ⴷ ⴼⵍⴰⴷⵉⵎⵉⵔ ⵏⵉⵎⵉⵕⵓⴼⵉⵜⵛ ⴷⴰⵏⵜⵛⵉⵏⴽⵓ, ⴷ ⴰⵍⵙⵉⵕ ⴰⵕⵜⵔ ⴽⵓⵏⴰⵏ ⴷⵡⵉⵍ, ⴷ ⵓⵙⵜⵏ ⵜⵛⴰⵎⴱⵕⵍⵉⵏ , ⴷ ⴰⵍⵙⵉⵔ ⵀⴰⵕⵉ ⵍⵓⵕⴷ, ⴷ ⵎⴰⵀⵉⵕ ⴱⴰⴱⴰ, ⵙⴳ ⵡⵉⵢⵢⴰⴹ.
English: They were also constantly on display as America's unofficial ambassadors to the world, leading parades, cutting ribbons, and making speeches.
Tamazight: ⴽⴽⴰⵏ ⴰⵡⴷ ⴰⵔ ⵜⵜⵓⵖⵔⴰⵏ ⴷ ⵉⵎⵙⵇⴰⴷⵏ ⴰⵔⵉⵎⴰⴷⴷⴰⴷⵏ ⵏ ⵎⵉⵔⵉⴽⴰⵏ ⴳ ⵓⵎⴰⴹⵍ, ⴰⵔ ⵏⵔⵔⵓⵏ ⵜⵉⵡⴰⴷⵉⵡⵉⵏ, ⴰⵔ ⵜⴱⴱⵉⵏ ⵉⵙⴼⵉⴼⵏ, ⴰⵔ ⵜⵜⵉⵏⵉⵏ ⵜⵉⵏⴰⵡⵉⵏ.
English: They divorced January 10, 1936.
Tamazight: ⵎⵢⴰⵕⵥⴰⵎⵏ ⴳ 10 ⵉⵏⵏⴰⵢⵔ 1936.
English: She criticized their physical imperfections, including Ronnie's small stature and Roxanne's crooked teeth.
Tamazight: ⵜⵓⵥⵎ ⵉⴼⵔⵔⵓⵖⵏ ⵏ ⵜⴼⴳⴳⵉⵡⵉⵏ ⵏⵏⵙⵏ, ⵣⵓⵏⴷ ⵜⵉⴷⴷⵉ ⵏ ⵕⵓⵏⵉ ⵉⵍⵥⵥⵉⵢⵏ ⴷ ⵜⵓⵖⵎⴰⵙ ⵏ ⵕⵓⴽⵙⴰⵏ ⵉⵎⵎⵓⵏⴹⵏ.
English: Her siblings, Lottie and Jack, both died of alcohol-related causes in 1936 and 1933, respectively.
Tamazight: ⵎⵎⵓⵜⵏ ⴰⵢⵜ ⵎⴰⵙ,ⵍⵓⵜⵉ ⴷ ⵊⴰⴽ, ⵙ ⵜⵎⵏⵜⵉⵍⵉⵏ ⵉⵣⴷⵉⵏ ⵙ ⵜⵉⵙⵙⵉ ⴳ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ 1936 ⴷ 1933 ⵉⵎⵎⴹⴼⴰⵕⵏ.
English: Pickford withdrew and gradually became a recluse, remaining almost entirely at Pickfair and allowing visits only from Lillian Gish, her stepson Douglas Fairbanks Jr., and few other people.
Tamazight: ⵜⵙⵔⵙ ⴱⵉⴽⴼⵓⵕⴷ ⵜⵓⵖⵓⵍ ⵜⴷⴷⵉⵔⵣ ⵉⵎⵉⴽ ⵙ ⵉⵎⵉⴽ, ⵜⵃⴹⴰⵔ ⴰⴷ ⴰⴽⴽⵯ ⵜⵇⵇⵉⵎ ⴳ ⴱⵉⴽⴼⴰⵢⵕ, ⵓⵔ ⵜⵓⴷⵊⵉ ⵉⵔⴼⴰⵣⵏ ⵖⴰⵙ ⵉ ⵍⵉⵍⵢⴰⵏ ⴳⵉⵛ ⴷ ⵓⵔⴳⴰⵣ ⵏⵏⵙ ⴷⵓⴳⵍⴰⵙ ⴼⵉⵔⴱⴰⵏⴽⵙ ⵊⵓⵏⵢⵓⵕ., ⴷ ⴽⵔⴰ ⵏ ⵎⴷⴷⵏ ⵉⴷⵔⵓⵙⵏ.
English: She appeared in court in 1959, in a matter pertaining to her co-ownership of North Carolina TV station WSJS-TV.
Tamazight: ⵜⵣⵔⵉ ⴷⴰⵜ ⵏ ⵜⵙⵏⴱⴹⴰⵢⵜ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1959, ⴳ ⵢⴰⵜ ⵜⵎⵏⵜⵉⵍⵜ ⵉⵣⴷⵉⵏ ⵙ ⵢⵉⵍⵉ ⵏⵏⵙ ⴰⵎⵙⵙⵓⵔ ⵏ ⵢⴰⵏ ⵓⵙⴰⵔⵙ ⴰⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏⵉⵢ ⵉⵣⵍⵎⴷ ⵏ ⴽⴰⵕⵓⵍⵉⵏⴰ WSJS-TV.
English: Charles "Buddy" Rogers often gave guests tours of Pickfair, including views of a genuine western bar Pickford had bought for Douglas Fairbanks, and a portrait of Pickford in the drawing room.
Tamazight: ⵛⴰⵕⵍ ""Buddy"" ⵕⵓⵊⵉⵕ ⴷⴰ ⵉⵙⵎⵔⴰⵙ ⴱⵉⴽⴼⴰⵉⵕ ⵉ ⵉⵏⴱⴳⴰⵡⵏ, ⴳ ⵍⵍⴰⵏ ⵉⵙⴽⵙⵉⵡⵏ ⵏ ⵢⴰⵜ ⵜⵃⴰⵏⵓⵜ ⵏⵏⴰ ⵜⵙⵖⴰ ⴱⵉⴽⴼⵓⵔⴷ ⵉ ⴷⵓⴳⵍⴰⵙ ⴼⴰⵢⵕⴱⴰⵏⴽⵙ, ⴷ ⵢⴰⵜ ⵜⵡⵍⵍⴰⴼⵜ ⵏ ⴱⵉⴽⴼⵓⵕⴷ ⴳ ⵜⴷⴰⵍⴰ ⵏ ⵓⴽⵍⵓ.
English: She also owned a house in Toronto, Ontario, Canada.
Tamazight: ⵖⵓⵔⵙ ⴰⵡⴷ ⵢⴰⵜ ⵜⴰⴷⴷⴰⵔⵜ ⴳ ⵜⵓⵕⵓⵏⵜⵓ, ⵓⵏⵜⴰⵔⵢⵓ, ⴽⴰⵏⴰⴷⴰ.
English: Her handprints and footprints are displayed at Grauman's Chinese Theatre in Hollywood, California.
Tamazight: ⴷⴰ ⵜⵜⵓⵙⵎⵔⴰⵙⵏⵜ ⵜⵡⴳⴳⴰⴹ ⵏⵏⵙ ⴷ ⵍⴰⵜⵕ ⵏ ⵉⴹⴰⵔⵏ ⵏⵏⵙ ⴳ ⵓⵎⵣⴳⵓⵏ ⵏ ⴳⵕⵓⵎⴰⵏ ⴰⵚⵚⵉⵏ ⴳ ⵀⵓⵍⵉⵡⵓⴷ, ⴽⴰⵍⵉⴼⵓⵔⵏⵢⴰ.
English: The Mary Pickford Theater at the James Madison Memorial Building of the Library of Congress is named in her honor.
Tamazight: ⵉⵜⵜⵡⴰⴳ ⴰⵙ ⵉⵙⵎ ⵏ ⴰⵎⵣⴳⵓⵏ ⵏ ⵎⴰⵕⵉ ⴱⵉⴽⴼⵓⵕⴷ ⴳ ⵜⵓⵚⴽⴰ ⵊⵉⵎⵙ ⵎⴰⴷⵉⵙⵓⵏ ⴰⵙⵎⴽⵜⴰⵢ ⴳ ⵜⵙⴷⵍⵉⵙⵜ ⵏ ⵓⴽⵓⵏⴳⵔⵉⵙ ⵅⴼ ⵡⵓⴷⴷⵓⵔ ⵏⵏⵙ.
English: A first-run movie theatre in Cathedral City, California is called The Mary Pickford Theatre, which was established on May 25, 2001.
Tamazight: ⴰⵎⵣⴳⵓⵏ ⴰⵎⵣⵡⴰⵔⵓ ⵏ ⵙⵙⵉⵏⵉⵎⴰ ⴳ ⴽⴰⵜⵉⴷⵔⴰⵍ ⵙⵉⵜⵉ, ⴽⴰⵍⵉⴼⵓⵔⵏⵢⴰ ⵉⵙⵎ ⵏⵏⵙ ⴰⵎⵣⴳⵓⵏ ⵎⴰⵕⵉ ⴱⵉⴽⴼⵓⵕⴷ, ⵏⵏⴰ ⵎⵉ ⵜⵜⵓⵙⵔⵙ ⵜⵉⵔⵙⵍⵜ ⴳ 25 ⵎⴰⵢⵢⵓ 2001.
English: Among them are a rare and spectacular beaded gown she wore in the film Dorothy Vernon of Haddon Hall (1924) designed by Mitchell Leisen, her special Oscar, and a jewelry box.
Tamazight: ⵙⴳ ⴷⵉⴳⵙⵏ ⵢⴰⵜ ⵜⴽⴱⵔⵜ ⵉⴷⵔⵓⵙⵏ ⵉⵥⵉⵍⵏ ⵙ ⵡⴰⵇⵇⴰⵢⵏ ⵏⵏⴰ ⵜⵍⵙⴰ ⴳ ⵓⴼⵉⵍⵎ ⵏ Dorothy Vernon of Haddon Hall (1924) ⵏⵏⴰ ⴰⵙ ⵉⵖⴳⴳⵯⵙ ⵎⵉⵜⵛⵉⵍ ⵍⵉⵙⵉⵏ, ⴷ ⵓⵙⴽⴰⵕ ⵏⵏⵙ ⴰⵎⵥⵍⴰⵢ, ⴷ ⵓⴼⵏⵉⵇ ⵏ ⵜⵣⵓⵣⴰⴼ.
English: The family home had been demolished in 1943, and many of the bricks delivered to Pickford in California.
Tamazight: ⵜⵜⵓⵔⴷⴰⵍ ⵜⴰⴷⴷⴰⵔⵜ ⵏ ⵜⴰⵡⵊⴰ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1943, ⴷ ⵜⵜⵡⴰⵙⵉⵏ ⴽⵉⴳⴰⵏ ⵏ ⵡⵓⵟⵟⵓⴱⵏ ⵙ ⴱⵉⴽⴼⵓⵔⴷ ⴳ ⴽⴰⵍⵉⴼⵓⵔⵏⵢⴰ.
English: In 1993, a Golden Palm Star on the Palm Springs Walk of Stars was dedicated to her.
Tamazight: ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1993, ⵙⵔⵉⵣⵣⴼⵏ ⴰⵙ ⵜⵉⵜⵔⵉⵜ ⵏ ⵜⵣⴷⴰⵢⵜ ⵏ ⵡⵓⵔⵖ ⵅⴼ ⵓⴱⵔⵉⴷ ⵏ ⵉⵜⵔⴰⵏ ⴱⴰⵍⵎ ⵙⴱⵔⵉⵏⴳ.
English: From January 2011 until July 2011, the Toronto International Film Festival exhibited a collection of Mary Pickford memorabilia in the Canadian Film Gallery of the TIFF Bell LightBox building.
Tamazight: ⵙⴳ ⵉⵏⵏⴰⵢⵔ 2011 ⴰⵔ ⵢⵓⵍⵢⵓⵣ 2011, ⵉⵙⵎⵔⵙ ⵓⵏⵎⵓⴳⴳⴰⵔ ⴰⵎⴰⴹⵍⴰⵏ ⵏ ⵙⵙⵉⵏⵉⵎⴰ ⵜⵓⵕⵓⵏⵜⵓ ⴽⵉⴳⴰⵏ ⵏ ⵉⵙⵎⴽⵜⴰⵢⵏ ⵏ ⵎⴰⵕⵉ ⴱⵉⴽⴼⵓⵕⴷ ⴳ ⵓⵙⴼⵙⵔ ⴰⴽⴰⵏⴰⴷⵉⵢ ⵏ ⵉⴼⵉⵍⵎⵏ ⴳ ⵜⵓⵚⴽⴰ TIFF Bell LightBox.
English: It was donated to Keene State College and is currently undergoing restoration by the Library of Congress for exhibition.
Tamazight: ⵉⵜⵜⵓⴼⴽⴰ ⵉ ⵜⵙⴷⴰⵡⵉⵜ ⵏ ⴽⵉⵏ ⵙⵜⴰⵢⵜ ⴰⵔ ⴰⵙ ⵉⵜⵜⵓⴳⴰ ⴷⵖⵉ ⵓⵙⵎⴰⵢⵏⵓ ⵙⴳ ⵖⵓⵔ ⵜⵙⴷⵍⵉⵙⵜ ⵏ ⵓⴽⵓⵏⴳⵔⵉⵙ ⴰⴼⴰⴷ ⴰⴷ ⵜ ⴼⵙⵔⵏ.
English: The Google Doodle of April 8, 2017 commemorated Mary Pickford's 125th birthday.
Tamazight: ⵉⵙⴼⵓⴳⵍⴰ ⵓⴽⵍⵓ ⵏ ⵜⵎⴰⵜⴰⵔⵜ ⵏ ⴳⵓⴳⵍ ⵜⴰⵏⵓⵣⴰⴼⵜ ⴳ 8 ⵉⴱⵔⵉⵔ 2017 ⵙ ⵡⴰⵙⵙ ⵏ ⵜⵍⴰⵍⵉⵜ ⵏ ⵎⴰⵕⵉ ⴱⵉⴽⴼⵓⵕⴷ ⵡⵉⵙⵙ 125.
English: Gloria Josephine May Swanson (March 27, 1899 – April 4, 1983) was an American actress, producer, and businesswoman.
Tamazight: ⵜⴳⴰ ⴳⵍⵓⵔⵢⴰ ⵊⵉⵣⵉⴼⵉⵏ ⵎⴰⵢ ⵙⵡⴰⵏⵙⵓⵏ ( 27 ⵎⴰⵕⵚ 1899 - 4 ⵉⴱⵔⵉⵔ 1983) ⵢⴰⵜ ⵜⵙⵎⴷⴰⵢⵜ ⴷ ⵜⵎⵙⵢⴰⴼⵓⵜ ⴷ ⵍⴰⵍ ⵏ ⵜⵡⵓⵔⵉⵡⵉⵏ.
English: Her schoolgirl crush on Essanay Studios actor Francis X. Bushman led to her aunt taking her to tour the actor's Chicago studio.
Tamazight: ⵜⵎⵣⵉ ⵜⵏⵍⵎⴰⴷⵜ ⵏⵏⵙ ⴳ ⵓⵙⵜⵓⴷⵢⵓ ⵉⵙⵙⴰⵏⴰⵢ ⵢⴰⵏ ⵓⵙⵎⴷⴰⵢ ⴼⵕⴰⵏⵙⵉⵙ X. ⵢⵓⵡⵉ ⴱⵓⵛⵎⴰⵏ ⵄⵜⵜⵉ ⵏⵏⵙ ⴰⴷ ⵉⴷⵙ ⵜⵎⵓⵏ ⵙ ⵢⴰⵏ ⵡⵓⵜⵓⵢ ⴳ ⵓⵙⵜⵓⴷⵢⵓ ⵏ ⵓⵙⵎⴷⴰⵢ ⴳ ⵛⵉⴽⴰⴳⵓ.
English: Her sound film debut performance in the 1929 The Trespasser, earned her a second Academy Award nomination.
Tamazight: ⵢⵓⵡⵉ ⵓⴼⵉⵍⵎ ⵏⵏⵙ ⵉⵍⵉⵎⵙⵍⵉ ⴰⵎⵣⵡⴰⵔⵓ ⴳ The Trespasser ⴳ 1929 ⵏⵏⴰ ⴳ ⵜⵜⵓⵙⵜⴰⵢ ⵙ ⵜⵙⵎⵖⵓⵔⵜ ⵏ ⵓⵙⴽⴰⵕ ⵜⵉⵙ ⵙⵏⴰⵜ.
English: Her father was a Swedish American and her mother was of German, French, and Polish ancestry.
Tamazight: ⵉⴳⴰ ⴱⴱⴰ ⵏⵏⵙ ⴰⵎⵉⵔⵉⴽⵉⵢ ⴰⵙⵡⵉⴷⵉⵢ ⵜⴳ ⵎⵎⴰ ⵏⵏⵙ ⵙⴳ ⵓⵥⵓⵕ ⴰⵍⵎⴰⵏⵉⵢ ⴷ ⵓⴼⵔⴰⵏⵙⵉⵙ ⴷ ⵓⴱⵓⵍⴰⵏⴷⵉⵢ.
English: In either version, she was soon hired as an extra.
Tamazight: ⴳ ⵜⵉⵥⵕⵉⴳⵉⵏ ⵏⵏⵙ ⵙ ⵙⵏⴰⵜ, ⴼⵉⵙⴰⵖ ⴰⵢⴷ ⵜⵜ ⵉⴳⴰⵏ ⴷ ⵜⵏⵓⴼⵍⴰⵢⵜ.
English: Her first role was a brief walk-on with actress Gerda Holmes, that paid an enormous (in those days) $3.25.
Tamazight: ⵜⵉⵍⴰⵍⵜ ⵏⵏⵙ ⵜⴰⵎⵣⵡⴰⵔⵓⵜ ⵜⴳⴰ ⵢⴰⵏ ⵓⵙⵙⴰⵔⴰ ⴰⵎⵣⵣⴰⵏ ⴷ ⵜⵙⵎⴷⴰⵢⵜ ⵊⵉⵔⴷⴰ ⵀⵓⵍⵎⵣ, ⵏⵏⴰ ⵉⴼⵔⴰⵏ ⵢⴰⵏ ⵓⵏⴰⵍⵍⴰⵎ (ⵓⵙⵙⴰⵏ ⵏⵏⴰⵖ) “3.25 ⵏⵉⴷ ⴷⵓⵍⴰⵕ.
English: In 1915, she co-starred in Sweedie Goes to College with her future first husband Wallace Beery.
Tamazight: ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1915, ⵜⵙⵙⴰⵔ ⵜⴰⴱⵔⵣⴰ ⴳ ⵓⵙⵡⵉⴷⵉⵢ ⵉⴷⴷⴰⵏ ⵙ ⵜⵙⴷⴰⵡⵉⵜ ⵏⵜⵜⴰⵜ ⴷ ⵡⴰⵏⵏⴰ ⵔⴰⴷ ⵉⴳ ⴰⵔⴳⴰⵣ ⵏⵏⵙ ⵡⴰⵍⴰⵚ ⴱⵉⵔⵉ.
English: Vernon and Swanson projected a great screen chemistry that proved popular with audiences.
Tamazight: ⵉⵙⵎⵔⵙ ⴼⵉⵔⵓⵏ ⴷ ⵙⵡⴰⵏⵙⵓⵏ ⵢⴰⵏ ⵓⵎⵉⵥⴰⵕ ⴰⵛⵉⵎⵉⵢ ⵉⵙⵜⴰⵡⵀⵎⵎⴰⵏ ⵏⵏⴰ ⵉⵙⵙⵓⵙⵎⵏ ⴰⴳⴷⵓⴷ.
English: Badger was sufficiently impressed by Swanson to recommend her to the director Jack Conway for Her Decision and You Can't Believe Everything in 1918.
Tamazight: ⵙⵡⴰⵏⵙⵓⵏ ⵜⵙⵙⵓⵙⵎ ⴱⴰⴷⵊⵉⵔ ⵉⵙⵖⵍⴼ ⵖⵉⴼⵙ ⴰⵎⵙⵙⵓⴼⵖ ⵊⴰⴽ ⴽⵓⵏⵡⴰⵢ ⵅⴼ ⵜⵖⵜⴰⵙⵜ ⵏⵏⵙ ⴷ ⵓⵔ ⵜⵏⵏⵉⴷ ⴰⴷ ⵜⵙⴳⵍⵓⴷ ⴽⵓⵍⵛⵉ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1918.
English: 1920), Something to Think About (1920), and The Affairs of Anatol (1921) soon followed.
Tamazight: (1920), ⴽⵔⴰ ⴳ ⵉⵅⵙⵙⴰ ⵓⵙⵡⵉⵏⴳⵎ (1920), ⴼⵉⵙⴰⵄ ⴰⵢⴷ ⵜ ⵉⴷ ⴷⴼⴰⵕⵏ ⵉⵙⴽⴽⵉⵏ ⵏ ⴰⵏⴰⵟⵓⵍ (1921).
English: He had become a star in 1921 for his appearance in The Four Horsemen of the Apocalypse, but Swanson had known him since his days as an aspiring actor getting small parts, with no seeming hope for his professional future.
Tamazight: ⵢⴰⵖⵓⵍ ⵉⴳⴰ ⵉⵜⵔⵉ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1921 ⵙ ⵡⵓⴼⵓⵖ ⵏⵏⵙ ⴳ ⴽⴽⵓⵥ ⵏ ⵉⵎⵏⴰⵢⵏ ⴳ ⵓⵎⵓⴷⴷⵓ ⵏ ⵜⵡⴰⵔⴳⵉⵜ, ⵎⴰⵛⴰ ⵙⵡⴰⵏⵙⵓⵏ ⵉⵙⵙⵏ ⵜ ⵙⴳ ⵡⵓⵙⵙⴰⵏ ⴳ ⵉⴳⴰ ⴰⵙⵎⴷⴰⵢ ⵉⵜⵜⴰⵎⵥⵏ ⵉⵇⵛⵔⴰⵏ ⵉⵎⵥⵥⵢⴰⵏⵏ, ⴳ ⵓⵔ ⵉⵍⵍⵉ ⵓⵏⴰⵔⵓⵣ ⴳ ⵉⵎⴰⵍ ⵏⵏⵙ ⴰⵣⵣⵓⵍⴰⵏ.
English: Filming was allowed for the first time at many of the historic sites relating to Napoleon.
Tamazight: ⵓⴷⵊⴰⵏ ⴰⵙⵓⵍⴼ ⵜⵉⴽⴽⵍⵜ ⵉⵣⵡⴰⵔⵏ ⴳ ⴽⵉⴳⴰⵏ ⵏ ⵡⴰⵏⵙⵉⵡⵏ ⵉⵎⵣⵔⴰⵢⵏ ⵏⵏⴰ ⵉⵣⴷⵉⵏ ⵙ ⵏⴰⴱⵓⵍⵢⵓⵏ.
English: At the time, Swanson was considered the most bankable star of her era.
Tamazight: ⴳ ⵜⵉⵣⵉ ⵏⵏⴰⵖ, ⵜⴳⴰ ⵙⵡⴰⵏⵙⵓⵏ ⵜⵉⵜⵔⵉⵜ ⵏⵏⴰ ⵉⵖⵉⵏ ⴰⴷ ⵉⵜⵜⵓⵙⵥⵕⴼ ⴳ ⵓⵣⵎⵣ ⵏⵏⵙ.
English: The production was a disaster, with Parker being indecisive and the actors not experienced enough to deliver the performances she wanted.
Tamazight: ⵉⴳⴰ ⵓⴼⴰⵔⵙ ⵜⴰⵡⴰⵖⵉⵜ, ⵉⴷⵖ ⵜⵔⴽⴻⴽ ⴱⴰⵕⴽⵔ ⴷ ⵉⵙⵎⴷⴰⵢⵏ ⵓⵔ ⵙⵙⵉⵏⵏ ⴽⵉⴳⴰⵏ ⴰⴼⴰⴷ ⵙⵎⵔⵙⵏ ⵉⵙⴼⵙⵔⵏ ⵏⵏⴰ ⵜⵔⴰ.