Tamazight-NLP/NLLB-Seed_Standard-Moroccan-Tamazight huggingface dataset:
English: He also appeared on The Jack Benny Show, where a surviving kinescope of the live telecast captures him in his only TV sketch-comedy performance (October 25, 1953).
Tamazight: ⵉⴼⴼⵖⴷ ⴰⵡⴷ ⴳ ⵓⵖⴰⵡⴰⵙ ⵏ ⴷⵓ ⵊⴰⴽ ⴱⵉⵏⵉ ⵛⵓⵡ, ⵏⵏⴰ ⴳ ⵜⵉⴷ ⵢⵓⵎⵥ ⵢⴰⵏ ⵓⵎⵉⵥⴰⵕ ⵏ ⵙⵙⵉⵏⵉⵎⴰ ⵙⴳ ⵓⴼⵙⴰⵔ ⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏ ⵓⵙⵔⵉⴷ ⴳ ⵡⴰⴳⴳⴰⵢ ⵏⵏⵙ ⴰⵎⵙⴹⵚⵉ ⴰⵎⵢⵉⵡⵏ (25 ⴽⵜⵓⴱⵔ 1953).
English: Stephen became an author and biographer and hosted a television special about his father on Turner Classic Movies.
Tamazight: ⵢⴰⵖⵓⵍ ⵙⵜⵉⴼⵏ ⴷ ⴰⵎⴳⴰⵢ ⴷ ⵓⵎⵉⵔⴰ ⵏ ⵜⵔⵉⴷⵔⵜ ⵉⵙⵏⴱⴳⵉ ⵢⴰⵏ ⵓⵖⴰⵡⴰⵙ ⴰⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏⵉⵢ ⵉⵥⵍⵉⵏ ⵙ ⴱⴰⴱⴰⵙ ⴳ ⵜⵓⵔⵏⵔ ⴽⵍⴰⵙⵉⴽ ⵎⵓⴼⵉ.
English: In the wake of Santana, Bogart had formed a new company and had plans for a film (Melville Goodwin, U.S.A.) in which he would play a general and Bacall a press magnate.
Tamazight: ⴳ ⵡⴰⵜⵜⴰⵢⵏ ⵏ ⵙⴰⵏⵜⴰⵏⴰ, ⵉⵙⴽⵔ ⴱⵓⴳⴰⵔⵜ ⵢⴰⵜ ⵜⵎⵙⵙⵓⵔⵜ ⵜⴰⵎⴰⵢⵏⵓⵜ ⴰⵔ ⵉⵙⵖⴰⵡⴰⵙ ⵉ ⵓⴼⵉⵍⵎ (ⵎⵉⵍⴼⵉⵍ ⴳⵓⴷⵡⵉⵏ, U.S.A.) ⵢⵓⵔⴰⵔ ⴷⵉⴳⵙ ⵜⵉⵍⴰⵍⵜ ⵏ ⵓⵊⵉⵏⵉⵔⴰⵍ ⴷ ⴱⴰⴽⴰⵍ ⵜⴳⴰ ⵜⴰⵖⵎⵉⵙⵜ.
English: He did not talk about his health and visited a doctor in January 1956 after considerable persuasion from Bacall.
Tamazight: ⵓⵔ ⵉⵙⴰⵡⵍ ⵅⴼ ⵓⴷⵡⴰⵙ ⵏⵏⵙ ⵉⴽⴽ ⴷ ⵖⵓⵔ ⵓⵎⵙⵙⴰⵙⴼⵔ ⴳ ⵉⵏⵏⴰⵢⵔ 1956 ⴳ ⵜ ⵜⵙⵙⵏⵥⵉ ⴱⴰⴽⴰⵍ.
English: He had additional surgery in November 1956, when the cancer had metastasized.
Tamazight: ⵉⵜⵜⵙⴽⴰⵔ ⴰⵙ ⵡⴰⵢⴹ ⵓⴼⵍⴰⵢ ⴳ ⵏⵓⵡⴰⵏⴱⵉⵔ 1956, ⵍⵍⵉ ⴳ ⴷⵉⴳⵙ ⵢⴰⵖ ⵓⴽⵓⵏⵙⵉⵕ.
English: On it was inscribed, "If you want anything, just whistle."
Tamazight: ⴳ ⴰⵙ ⵉⵜⵜⵓⴳⵣⴰⵢ, "ⵉⴳ ⵜⵔⵉⴷ ⴽⵔⴰ ⵏ ⵜⵖⴰⵡⵙⴰ, ⵖⴰⵙ ⵚⵉⵏⵚⴳ."
English: Having studied with Stella Adler in the 1940s, he is credited with being one of the first actors to bring the Stanislavski system of acting and method acting, derived from the Stanislavski system, to mainstream audiences.
Tamazight: ⴹⴰⵕⵜ ⵜⵖⵓⵔⵉ ⵏⵏⵙ ⴷ ⵙⵜⵉⵍⵍⴰ ⴰⴷⵍⵉⵔ ⴳ 1940, ⵉⴳⴰ ⵙⴳ ⵉⵙⵎⴷⵢⴰⵜⵏ ⵉⵎⵣⵡⵓⵔⴰ ⴷ ⵢⵓⵡⵉⵏ ⴰⵏⴳⵔⴰⵡ ⴷ ⵜⵎⴰⵎⴽⵜ ⵏ ⵓⵙⵎⴷⵢⴰ ⵙⵜⴰⵏⵉⵙⵍⴰⴼⵙⴽⵉ, ⴰⵏⴰⴼⵓⵖ ⵏ ⵓⵏⴳⵔⴰⵡ ⵙⵜⴰⵏⵉⵙⵍⴰⴼⵙⴽⵉ, ⵙ ⵓⴳⴷⵓⴷ ⴰⵎⵇⵇⵔⴰⵏ.
English: He directed and starred in the cult western One-Eyed Jacks, a critical and commercial flop, after which he delivered a series of notable box-office failures, beginning with Mutiny on the Bounty (1962).
Tamazight: ⵉⵙⵙⵓⴼⵖ ⴷ ⵢⵓⵔⴰⵔ ⴳ ⴽⵓⵍⵜ ⵡⵉⵙⵜⵉⵔⵏ ⵡⴰⵏ ⵉⵢⴷ ⵊⴰⴽⵙ, ⵓⵔ ⵉⵎⵓⵔⵉⵙ ⴳ ⵓⵣⵖⴰⵏ ⴷ ⵓⵙⴱⴱⴻⴱ, ⵉⵙⵙⵎⵔⵙ ⵢⴰⵜ ⵜⵓⴳⵜ ⵏ ⵉⵕⵥⴰⵏ ⵉⴱⴰⵢⵏⵏ ⴳ ⵓⵙⵉⵔⴰ ⵏ ⵜⵏⴼⵓⵍⵉⵏ, ⵙⴳ ⵓⴼⵉⵍⵎ ⵏ ⵎⵓⵏⵉⵜⵢ ⵓⵏ ⴷⵓ ⴱⵓⵏⵜⵉ (1962).
English: He refused the award due to alleged mistreatment and misportrayal of Native Americans by Hollywood.
Tamazight: ⵓⵔ ⵉⵔⵉ ⵜⴰⵙⵎⵖⵓⵔⵜ ⵙ ⵜⵎⵏⵜⵉⵍⵜ ⵏ ⵓⵙⵎⴽⵍ ⵓⵔ ⵉⵃⵍⵉⵏ ⵏⵏⴰ ⵉⵏⵏⴰ ⴷ ⴳⴰⵔ ⴰⵙⵡⵍⴼ ⵏ ⵉⵏⵚⵍⵉⵢⵏ ⵏ ⵎⵉⵔⵉⴽⴰⵏ ⵙⴳ ⵀⵓⵍⵉⵡⵓⴷ.
English: According to the Guinness Book of World Records, Brando was paid a record $3.7 million ($ million in inflation-adjusted dollars) and 11.75% of the gross profits for 13 days' work on Superman.
Tamazight: ⵏⵉⵍ ⵓⴷⵍⵉⵙ ⵏ ⴳⵉⵏⵉⵣ ⵉ ⵉⵎⴹⴰⵏⵏ ⵉⵏⴰⴼⵍⵍⴰⵜⵏ, ⵢⵓⵎⵥ ⴱⵕⴰⵏⴷⵓ ⴰⵜⵉⴳ ⵏ 3.7 ⵎⵍⵢⵓⵏ ⴷⵓⵍⴰⵕ (ⵎⵍⵢⵓⵏ ⴷⵓⵍⴰⵕ ⵏ ⵉⴷ ⴷⵓⵍⴰⵕ ⵏⵉⵍ ⵓⴱⵣⵣⵓⴳ) ⴷ 11.75% ⵙⴳ ⵉⴱⵖⵓⵔⵏ ⴽⵓⵍⵍⵓ ⵅⴼ 13 ⵏ ⵡⴰⵙⵙ ⵏ ⵜⵡⵓⵔⵉ ⵏ ⵙⵓⴱⵉⵔⵎⴰⵏ.
English: His ancestry was mostly German, Dutch, English, and Irish.
Tamazight: ⵜⴳⴰ ⵜⵜⴰⵚⵉⵍⵜ ⵏⵏⴰⵙ ⵜⴰⵍⵎⴰⵏⵉⵢⵜ, ⵜⴰⵀⵓⵍⴰⵏⴷⵉⵢⵜ, ⵜⴰⵏⴳⵍⵉⵣⵉⵢⵜ, ⴷ ⵜⵉⵔⵍⴰⵏⴷⵉⵢⵜ.
English: Brando was raised a Christian Scientist.
Tamazight: ⵉⵅⴰⵜⵔⴷ ⴱⵕⴰⵏⴷⵓ ⴷ ⴰⵎⴰⵙⵙⴰⵏ ⴰⵎⴰⵙⵉⵃⵉⵢ.
English: However, she was an alcoholic and often had to be brought home from bars in Chicago by her husband.
Tamazight: ⵎⵇⵇⴰⵔ ⴷ ⴰⵢⵏⵏ, ⵜⵜⵓⴱⵍⴰ ⵙ ⵜⵙⵙⵉ ⴰⵔ ⵉⵜⵅⵙⵙⵓ ⵓⵔⴳⴰⵣ ⵏⵏⵙ ⴰⴷ ⵜⵜ ⵉⵔⴰⵔ ⵙ ⵜⴰⴷⴷⴰⵔⵜ ⵙⴳ ⵉⴷ ⵍⴱⴰⵕ ⴳ ⵛⵉⴽⴰⴳⵓ.
English: Brando harbored far more enmity for his father, stating, "I was his namesake, but nothing I did ever pleased or even interested him.
Tamazight: ⵓⵔ ⵉⵃⵎⵉⵍ ⴱⵕⴰⵏⴷⵓ ⴱⴰⴱⴰⵙ ⴽⵉⴳⴰⵏ, ⴰⵛⴽⵓ ⵉⵏⵏⴰ "ⵓⵙⵉⵖ ⵉⵙⵎ ⵏⵏⵙ, ⵎⴰⵛⴰ ⵓⵔ ⴷⵊⵉⵏ ⵢⵓⵙⵉⵢ ⵍⵀⵎⵎ ⵓⵍⴰ ⴰⵏⵜⴰⵢ ⵙ ⵓⵢⵏⵏⴰ ⵙⵙⴽⵔⵖ.
English: Around 1930, Brando's parents moved to Evanston, Illinois, when his father's work took him to Chicago, but separated in 1935 when Brando was 11 years old.
Tamazight: ⴰⵜⵜⴰⵢⵏ ⵏ 1930, ⵎⵎⵓⵜⵜⵉⵏ ⵉⵎⴰⵔⴰⵡⵏ ⵏ ⴱⵕⴰⵏⴷⵓ ⵙ ⵉⴼⴰⵏⵙⵜⵓⵏ, ⵉⵍⵉⵏⵡⵉⵙ, ⵍⵍⵉ ⴳ ⵜ ⵜⵓⵡⵉ ⵜⵡⵓⵔⵉ ⵏ ⴱⴰⴱⴰⵙ ⵙ ⵛⵉⴽⴰⴳⵓ, ⵎⴰⵛⴰ ⵏⵏⵓⵕⵥⵎⵏ ⴳ ⵓⵙⴳⴳⵯⴰⵙ 1935 ⵍⵍⵉ ⴳ ⵉⵍⵍⴰ 11 ⵏ ⵓⵙⴳⴳⵯⴰⵙ ⵖⵓⵔ ⴱⵕⴰⵏⴷⵓ.
English: Brando, whose childhood nickname was "Bud", was a mimic from his youth.
Tamazight: ⴱⵔⴰⵏⴷⵓ ⵎⵉ ⵜⵜⵉⵏⵉⵏ ⴳ ⵜⵎⵥⵉ "ⴱⵓⴷ", ⵉⴳⴰ ⴰⵎⴹⴼⵕ ⵙⴳ ⵜⵄⵓⵔⵔⵎⴰ ⵏⵏⵙ.
English: In the 2007 TCM biopic Brando: The Documentary, childhood friend George Englund recalls Brando's earliest acting as imitating the cows and horses on the family farm as a way to distract his mother from drinking.
Tamazight: ⴳ ⵓⴼⵉⵍⵎ ⵓⵏⵜⵉⵎ ⴱⵔⴰⵏⴷⵓ: ⵅⴼ ⵜⵔⵉⴷⵔⵜ ⵉ TCM ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2007, ⴰⵔ ⵉⵙⵎⴽⵜⴰⵢ ⵓⵎⴷⴷⴰⴽⴽⵍ ⵏ ⵜⵎⵥⵉ ⵊⵓⵕⵊ ⵉⵏⴳⵍⵓⴷ ⵜⴰⵡⵓⵔⵉ ⵜⴰⵎⵣⵡⴰⵔⵓⵜ ⵏ ⴱⵔⴰⵏⴷⵓ ⵍⵍⵉ ⴳ ⴷⴰ ⵉⵜⴳⴳⴰ ⴰⵎ ⵜⴼⵓⵏⴰⵙⵉⵏ ⴷ ⵉⵢⵢⵙⴰⵏ ⴳ ⵜⵓⵥⵓⵜ ⵏ ⵜⴰⵡⵊⴰ ⴰⴼⴰⴷ ⵉⵙⵙⵍⵀⵓ ⵉⵎⵎⴰⵙ ⴰⴷ ⵓⵔ ⵜⵙⵙⴰ.
English: Brando's sister Frances left college in California to study art in New York.
Tamazight: ⵜⵣⵔⵉ ⴼⵕⴰⵏⵙⵉⵙ ⵓⵍⵜⵎⴰⵙ ⵏ ⴱⵔⴰⵏⴷⵓ ⵜⴰⵙⴷⴰⵡⵉⵜ ⴳ ⴽⴰⵍⵉⴼⵓⵕⵏⵢⴰ ⴰⴼⴰⴷ ⵜⵖⵔ ⵜⴰⵥⵓⵕⵉ ⴳ ⵏⵢⵓⵢⵓⵕⴽ.
English: Brando excelled at theater and did well in the school.
Tamazight: ⵉⵎⵓⵔⵙ ⴱⵔⴰⵏⴷⵓ ⴳ ⵓⵎⵣⴳⵓⵏ ⵉⵙⵙⴽⵔ ⴰⴳⴳⴰⵢ ⵉⵖⵓⴷⴰⵏ ⴳ ⵜⵉⵏⵎⵍ.
English: The faculty voted to expel him, though he was supported by the students, who thought expulsion was too harsh.
Tamazight: ⵜⵙⵜⵉ ⵜⵙⴷⴰⵡⵉⵜ ⴰⴷ ⵜ ⵜⵀⵕⴹ, ⵎⵇⵇⴰⵔ ⵜ ⵓⵡⵙⵏ ⵉⵎⵣⵔⴰⵡⵏ, ⵏⵏⴰ ⵉⵜⵜⵉⵏⵉⵏ ⵎⴰⵙ ⴷ ⴰⵟⵟⴰⵢ ⵉⵛⵇⵇⴰ ⴽⵉⴳⴰⵏ.
English: In a 1988 documentary, Marlon Brando: The Wild One, Brando's sister Jocelyn remembered, "He was in a school play and enjoyed it ... So he decided he would go to New York and study acting because that was the only thing he had enjoyed.
Tamazight: ⴳ ⵢⴰⵏ ⵓⴼⵉⵍⵎ ⵓⵏⵜⵉⵎ ⴳ 1988, ⵎⴰⵕⵍⵓⵏ ⴱⵔⴰⵏⴷⵓ: ⴷⵓ ⵡⴰⵢⵍⴷ ⵡⴰⵏ, ⵜⵙⵎⵎⴽⵜⵉ ⵊⵓⵙⵉⵍⵉⵏ ⵓⵍⵜⵎⴰⵙ ⵏ ⴱⵔⴰⵏⴷⵓ, ""ⵉⵍⵍⴰ ⴳ ⵢⴰⵜ ⵜⵎⵣⴳⵓⵏⵜ ⵜⴰⵏⵎⵍⴰⵏⵜ ⵜⵙⵙⵓⵙⵎ ⵜ ... ⴰⵢⵏⵏⴰⵖ ⴰⵅⴼ ⵉⴷⴷⴰ ⵙ ⵏⵢⵓⵢⵓⵕⴽ ⴰⴷ ⵉⵖⵔ ⴰⵙⵎⴷⵢⴰ ⴰⵛⴽⵓ ⵉⴳⴰ ⵢⴰⵜ ⵜⵖⴰⵡⵙⴰ ⵏⵏⴰ ⵜ ⵉⵙⵙⵓⵙⵎⵏ."
English: For a time he lived with Roy Somlyo, who later became a four time Emmy winning Broadway producer.
Tamazight: ⵉⴷⴷⵔ ⵉⵎⵉⴽ ⵏ ⵜⵉⵣⵉ ⴷ ⵕⵓⵢ ⵙⵓⵎⵍⵢⵓ, ⵏⵏⴰ ⵢⴰⵖⵓⵍⵏ ⵉⴳⴰ ⴰⵎⵙⵙⴼⵔⵙ ⵏ ⴱⵔⵓⴷⵡⴰⵢ ⵏⵏⴰ ⵢⵓⵡⵉⵏ ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ ⵉⵎⵎⵉ ⴽⴽⵓⵣ ⵏ ⵜⵉⴽⴽⴰⵍ.
English: Brando's remarkable insight and sense of realism were evident early on.
Tamazight: ⵜⴰⵏⵏⴰⵢⵜ ⵏ ⴱⵔⴰⵏⴷⵓ ⵉⵖⵓⴷⴰⵏ ⴷ ⵓⴼⵔⴰⵢ ⵏⵏⵙ ⴰⵏⵉⵍⴰⵡ ⴳⴰⵏ ⴰⵏⵉⵍⴰⵡⵏ ⵙⴳ ⵣⵉⴽⴽ.
English: According to Dustin Hoffman in his online Masterclass, Brando would often talk to camera men and fellow actors about their weekend even after the director would call action.
Tamazight: ⵏⵉⵍ ⴷⵓⵙⵜⵉⵏ ⵀⵓⴼⵎⴰⵏ ⴳ ⵜⵎⵙⵉⵔⵉⵏ ⵏⵏⵙ ⵜⵉⴷⵙⵍⴰⵏⵉⵏ ⴳ ⵡⵏⵜⵉⵔⵏⵉⵜ, ⴷⴰ ⵉⵙⴰⵡⴰⵍ ⴱⵔⴰⵏⴷⵓ ⴽⵉⴳⴰⵏ ⵉ ⵉⵎⵙⵡⵍⴰⴼⵏ ⴷ ⵉⵎⴷⴷⵓⴽⴽⴰⵍ ⵏⵏⵙ ⵉⵙⵎⴷⵢⴰⵜⵏ ⵅⴼ ⵜⵏⵓⵕⵥⵎⵜ ⵏ ⵜⴳⵉⵔⴰ ⵏ ⵉⵎⴰⵍⴰⵙ ⵇⵇⴰⵔ ⵜⴰ ⵓⵔ ⵉⵖⵔⵉ ⵓⵎⵙⵙⵓⴼⵖ ⵙ ⵜⵉⴳⴰⵡⵜ.
English: His behavior had him kicked out of the cast of the New School's production in Sayville, but he was soon afterwards discovered in a locally produced play there.
Tamazight: ⵉⵥⵥⵍ ⵜ ⵓⵚⵏⵉⵄ ⵏⵏⵙ ⴳ ⵜⵔⴰⴱⴱⵓⵜ ⵏ ⵉⵎⵙⴷⵢⴰⵜⵏ ⵉⵙⴼⴰⵔⵙⵏ ⵜⵉⵏⵎⵍ ⵜⴰⵎⴰⵢⵏⵓⵜ ⴳ ⵙⴰⵢⴼⵉⵍ, ⵎⴰⵛⴰ ⵓⴼⴰⵏ ⵜ ⴹⴰⵕⵜ ⵢⴰⵏ ⵓⵣⵎⵣ ⵉⴷⵔⵓⵙⵏ ⴳ ⵓⴼⴰⵔⵙ ⵏ ⵢⴰⵜ ⵜⵎⴷⴳⵓⵏⵜ ⵜⴰⴷⵖⵔⴰⵏⵜ.
English: Cornell also cast him as the Messenger in her production of Jean Anouilh's Antigone that same year.
Tamazight: ⵉⵙⵜⵉ ⵜ ⴽⵓⵔⵏⵉⵍ ⴷ ⴰⵎⴰⵣⴰⵏ ⴳ ⵓⴼⴰⵔⵙ ⵏⵏⵙ ⵏ ⴰⵏⵜⵉⴳⵓⵏ ⵏ ⵊⵓⵏ ⴰⵏⵡⵉⵍⵃ ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏⵏⴰⵖ.
English: Bankhead had turned down the role of Blanche Dubois in A Streetcar Named Desire, which Williams had written for her, to tour the play for the 1946–1947 season.
Tamazight: ⵓⵔ ⵉⵔⵉ ⴱⴰⵏⴽⵀⵉⴷ ⵜⵉⵍⴰⵍⵜ ⵏ ⴱⵍⴰⵏⵛ ⴷⵓⴱⵡⴰ ⴳ ⵓⴼⵉⵍⵎ ⵜⴰⵎⵙⵙⵓⴷⵓⵜ ⵉⵙⵎ ⵏⵏⵙ ⵢⵉⵔⵉ, ⵏⵏⴰ ⴰⵙ ⵜⵓⵔⴰ ⵡⵉⵍⵢⴰⵎⵣ, ⴰⴼⴰⴷ ⵜⵙⵙⴽⵔ ⴰⵙⵓⵜⵍ ⵏ ⵜⵎⵣⴳⵓⵏⵜ ⴳ ⵡⴰⵏⵏⴰⵣ ⵏ 1946–1947.
English: Wilson was largely tolerant of Brando's behavior, but he reached his limit when Brando mumbled through a dress rehearsal shortly before the November 28, 1946, opening. "
Tamazight: ⵉⴳⴰ ⵡⵉⵍⵙⵓⵏ ⴰⵎⵙⵙⵓⵔⵓⴼ ⴽⵉⴳⴰⵏ ⴷ ⵓⵚⵏⵉⵄ ⵏ ⴱⵔⴰⵏⴷⵓ, ⵎⴰⵛⴰ ⵢⵓⵡⴹ ⵏⵏ ⴰⵡⵜⵜⵓ ⵏⵏⵙ ⴳ ⵉⵜⵎⵜⵎ ⴱⵔⴰⵏⴷⵓ ⴳ ⵢⴰⵏ ⵓⵄⴰⵡⴷ ⴰⵎⴰⵜⴰⵢ ⵉⵎⵉⴽ ⴷⴰⵜ ⵓⵕⵥⵥⵓⵎ ⵏ 28 ⵏⵓⵡⴰⵏⴱⵉⵔ 1946."
English: It was marvelous," a cast member recalled. "
Tamazight: ⴷⴰ ⴷ ⵉⴽⵜⵜⵉ ⵢⴰⵏ ⴳ ⵉⴳⵎⴰⵎⵏ ⵏ ⵜⵔⴰⴱⴱⵓⵜ ⵏ ⵓⵙⵎⴷⵢⴰ, "ⵉⵥⵉⵍ. "
English: Critics were not as kind, however.
Tamazight: ⵎⴰⵛⴰ ⵉⵎⵣⵖⴰⵏ ⵓⵔ ⴳⵉⵏ ⴰⵎ ⵡⴰⵏⴰⵡ ⴰⴷ ⵉⵥⵉⵍⵏ.
English: He received better reviews at subsequent tour stops, but what his colleagues recalled was only occasional indications of the talent he would later demonstrate. "
Tamazight: ⵢⵓⵎⵥ ⵉⵙⵜⵜⴳⵏ ⵉⵖⵓⴷⴰⵏ ⴳ ⵜⵉⵔⴰⵎ ⴷ ⵉⴷⴷⴰⵏ, ⵎⴰⵛⴰ ⴰⵢⵏⵏⴰ ⴱⴷⵔⵏ ⵉⵎⴷⴷⵓⴽⴽⴰⵍ ⵏⵏⵙ ⵉⴳⴰ ⵜⵉⵎⴰⵜⴰⵔⵉⵏ ⵜⵉⵎⵣⵡⵓⵔⴰ ⵏ ⵜⵥⵓⵕⵉ ⵏⵏⴰ ⵔⴰⴷ ⵉⵙⵙⵓⴼⵖ ⵖⵔ ⴷⴰⵜ."
English: Brando displayed his apathy for the production by demonstrating some shocking onstage manners.
Tamazight: ⵉⵙⵙⵓⴼⵖ ⴷ ⴱⵔⴰⵏⴷⵓ ⵡⴰⵔⴽⴽⵓⵍ ⵅⴼ ⵓⴼⴰⵔⵙ ⵙ ⵓⵙⵙⵓⴼⵖ ⵏ ⵜⵎⴰⵎⴽⵉⵏ ⵉⵙⵙⴱⵀⴰⴹⵏ ⴳ ⵜⵎⵥⵕⵉⵜ.
English: After several weeks on the road, they reached Boston, by which time Bankhead was ready to dismiss him.
Tamazight: ⴷⴰⵜ ⴽⵉⴳⴰⵏ ⵏ ⵉⵎⴰⵍⴰⵙⵏ ⴳ ⵓⴱⵔⵉⴷ, ⵉⵡⴹⵏ ⴱⵓⵙⵜⵓⵏ, ⴳ ⵜⵉⵣⵉ ⵏⵏⴰⵖ ⵉⵙⵙⵓⵊⴷ ⴱⴰⵏⴽⵀⵉⴷ ⵓⴽⵓⵙ ⵏⵏⵙ.
English: Pierpont writes that John Garfield was first choice for the role, but "made impossible demands."
Tamazight: ⵢⵓⵔⴰ ⴱⵉⵔⴱⵓⵏⵜ ⵎⴰⵙ ⵉⴳⴰ ⵊⵓⵏ ⴳⴰⵔⴼⵉⵍⴷ ⴰⵙⵜⴰⵢ ⴰⵎⵣⵡⴰⵔⵓ ⵉ ⵜⵉⵍⴰⵍⵜ ⴰⴷ, ⵎⴰⵛⴰ "ⵉⴼⴽⴰ ⵉⵙⵙⵓⵜⵓⵔⵏ ⵢⴰⴳⵓⵎⵏ."
English: It humanizes the character of Stanley in that it becomes the brutality and callousness of youth rather than a vicious old man ... A new value came out of Brando's reading which was by far the best reading I have ever heard."
Tamazight: ⵉⵙⵏⵓⴼⴳⵏ ⴰⵡⵔⵉⴽ ⵏ ⵙⵜⴰⵏⵍⵉ ⴳ ⵓⵏⴰⵎⴽ ⴳ ⵉⵜⴳⴳⴰ ⵓⵥⵥⵉⵕ ⴷ ⵓⵡⵄⴰⵕ ⵏ ⵉⵄⵔⵔⵉⵎⵏ ⴳ ⵓⴷⵖⴰⵔ ⵏ ⵓⵔⴳⴰⵣ ⴰⵡⵙⵙⴰⵔ ⴰⵎⴼⵍⵍⵙ ... ⵉⴼⴼⵖ ⴷ ⵢⴰⵏ ⵡⵓⴷⴷⵓⵔ ⴰⵎⴰⵢⵏⵓ ⵏ ⵜⵖⵔⵉ ⵏ ⴱⵔⴰⵏⴷⵓ ⵏⵏⴰ ⵉⴳⴰⵏ ⵙⴳⵍⵍⵉ ⵜⵉⵖⵔⵉ ⵜⴰⵎⵓⴼⴰⵢⵜ ⵎⵉ ⵙⵍⵍⴰⵖ ⴰⴽⴽⵯ."
English: He said, "The curtain went up and on the stage is that son of a bitch from the gym, and he's playing me."
Tamazight: ⵉⵏⵏⴰ, "ⵉⵜⵜⵡⴰⴽⴽⵙ ⵓⵙⵏⵜⵍ ⵢⵉⵍⵉ ⵎⴻⵎⵎⵉⵙ ⵏ ⵜⵎⴳⴳⴰⵏⵜ ⵏ ⵜⴷⴰⵍⴰ ⵏ ⵍⵊⵉⵎ ⴳ ⵜⵎⵥⵕⵉⵜ, ⴰⵔ ⴷⵉⴷⵉ ⵉⵜⵜⵓⵔⴰⵔ."
English: Brando's first screen role was a bitter paraplegic veteran in The Men (1950).
Tamazight: ⵜⴳⴰ ⵜⵉⵍⴰⵍⵜ ⵜⴰⵎⵣⵡⴰⵔⵓⵜ ⵏ ⴱⵔⴰⵏⴷⵓ ⴳ ⵓⵎⵉⵥⴰⵕ ⴰⵎⵃⵔⴽⴰ ⴰⵣⴰⵢⴽⵓ ⵢⴰⵖ ⵓⴽⴽⵓⵛⵎ ⵉⵃⵕⵕⴰⵏ ⴳ ⴷⵓ ⵎⵉⵏ (1950).
English: By Brando's own account, it may have been because of this film that his draft status was changed from 4-F to 1-A. He had had surgery on his trick knee, and it was no longer physically debilitating enough to incur exclusion from the draft.
Tamazight: ⵙⴳ ⵓⵎⵉⴹⴰⵏ ⵏ ⴱⵔⴰⵏⴷⵓ ⴰⵎⵥⵍⴰⵢ, ⵉⵖⵢ ⵉⴷ ⵙ ⵜⵎⵏⵜⵉⵍⵜ ⵏ ⵓⴼⵉⵍⵎ ⴰⴷ ⵉⵎⵎⵓⵜⵜⵉ ⵡⴰⴷⴷⴰⴷ ⵏⵏⵙ ⵙⴳ 4-F ⵖⵔ 1-A. ⵜⵜⵓⴳⴰ ⴰⵙ ⵢⴰⵜ ⵜⴽⵛⵛⵓⵎⵜ ⵏ ⵓⴼⵍⴰⵢ ⴳ ⵓⴼⵓⴷ ⵉⵜⵜⵓⴽⵏⴰⴷⵏ, ⵓⵔ ⵢⴰⴷ ⵉⴳⵉ ⴰⵎⴰⵃⵓⵍ ⴳ ⵜⴼⴳⴳⴰ ⵏⵏⵙ ⴰⴼⴰⴷ ⵉⵜⵜⵡⴰⴽⴽⵙ ⴳ ⵜⵏⴼⵓⵍⵜ.
English: Coincidentally, the psychiatrist knew a doctor friend of Brando.
Tamazight: ⵙ ⵓⵙⴰⵎⴰ, ⵉⵙⵙⵏ ⵓⴱⵙⵉⴽⵢⴰⵜⵔ ⵢⴰⵏ ⵓⵎⵙⴳⵏⴰⴼ ⴰⵎⴷⴷⴰⴽⴽⵍ ⵏ ⴱⵔⴰⵏⴷⵓ.
English: The role is regarded as one of Brando's greatest.
Tamazight: ⵜⵉⵍⴰⵍⵜ ⵜⴳⴰ ⵢⴰⵏ ⵙⴳ ⵉⵎⵇⵇⵔⴰⵏⵏ ⵏ ⴱⵔⴰⵏⴷⵓ.
English: The film was directed by Elia Kazan and co-starred Anthony Quinn.
Tamazight: ⵉⵍⵉⵢⴰ ⴽⴰⵣⴰⵏ ⴰⵢⴷ ⵉⵙⵙⵓⴼⵖⵏ ⴰⴼⵉⵍⵎ ⴷ ⴰⵏⵟⵓⵏⵉ ⴽⵡⵉⵏ ⴰⵢⴷ ⵉⴳⴰⵏ ⴰⵏⴰⴹ ⵏⵏⵙ.
English: During our scenes together, I sensed a bitterness toward me, and if I suggested a drink after work, he either turned me down or else was sullen and said little.
Tamazight: ⴳ ⵉⵎⵉⵥⴰⵕⵏ ⵏⵏⵖ ⵙ ⵙⵉⵏ, ⴼⵔⴽⵖ ⵙ ⵜⴰⵕⵥⴳⵜ ⵙⵉⵡⴰⵍⴰ ⵉⵏⵓ, ⴷ ⵎⴽ ⵔⵉⵖ ⴰⴷ ⵏⵙⵓ ⴽⵔⴰ ⴹⴰⵕⵜ ⵜⵡⵓⵔⵉ, ⵓⵔ ⴷⴰ ⵉⵜⵜⵉⵔⵉ ⵏⵖⴷ ⵉⵙⵓⴳ ⵉⴷⵔⵉⵙ ⴰⵙ ⵡⴰⵡⴰⵍ.
English: After achieving the desired effect, Kazan never told Quinn that he had misled him.
Tamazight: ⴰⴷⴷⴰⵢ ⵢⴰⵡⴹ ⵉⴹⵉⵚ ⵏⵏⴰ ⵉⵔⴰ, ⵓⵔ ⴰⴽⴽⵯ ⵉⵏⵏⵉ ⴽⴰⵣⴰⵏ ⵉ ⴽⵡⵉⵏ ⵉⵙ ⵜ ⵉⵣⵍⴰ.
English: Gielgud was so impressed that he offered Brando a full season at the Hammersmith Theatre, an offer he declined.
Tamazight: ⵉⵜⵜⵓⵙⵓⵙⵎ ⴳⵉⵍⴳⵓⴷ ⴽⵉⴳⴰⵏ ⴰⵍⵍⵉⴳ ⵉⵙⵓⵎⵔ ⵅⴼ ⴱⵔⴰⵏⴷⵓ ⴰⵏⵏⴰⵣ ⵉⴽⵎⵎⵍⵏ ⴳ ⵓⵎⵣⴳⵓⵏ ⵀⴰⵎⵔⵙⵎⵉⵜ, ⴷ ⴰⵙⵙⵓⵎⵔ ⵢⵓⴳⵉ.
English: It was like a furnace door opening—the heat came off the screen.
Tamazight: ⵉⴳⴰ ⵣⵓⵏ ⵜⵕⵥⵎⴷ ⵜⵉⴼⵍⵓⵜ ⵏ ⵓⴼⵕⵕⴰⵏ—ⵉⴼⴼⵖ ⴷ ⵓⵏⵔⵖⵉ ⴳ ⵓⵎⵉⵥⴰⵕ.
English: By all accounts, Brando was upset by his mentor's decision, but he worked with him again in On The Waterfront. "
Tamazight: ⵙ ⵜⵎⵙⵖⴰⵍⵉⵏ ⴽⵓⵍⵍⵓ, ⵉⵜⵜⵓⵏⴽⴽⴷ ⴱⵔⴰⵏⴷⵓ ⴳ ⵜⵖⵜⴰⵙⵜ ⵏ ⵓⵙⵍⵎⴰⴷ ⵏⵏⵙ, ⵎⴰⵛⴰ ⵉⵙⵡⵓⵔⴰ ⵉⴷⵙ ⵜⵉⴽⴽⵍⵜ ⵢⴰⴹⵏ ⴳ ⴷⵓ ⵡⴰⵜⵔⴼⵔⵓⵏⵜ."
English: Triumph's importers were ambivalent at the exposure, as the subject matter was rowdy motorcycle gangs taking over a small town.
Tamazight: ⴳⴰⵏ ⵉⵎⴽⵛⵉⵎⵏ ⵏ ⵜⵔⵉⵢⵓⵎⴼⵣ ⵉⵎⵖⵏⵏⴻⵏ ⴷ ⵓⴼⵙⴰⵔ, ⴰⵛⴽⵓ ⵉⴳⴰ ⵉⵎⵔⵙⵉ ⵅⴼ ⵜⵔⵓⴱⴱⴰ ⵏ ⵉⵎⵓⵟⵓⵕⵏ ⵢⵓⵎⵥⵏ ⵢⴰⵏ ⵉⵖⵔⵎ ⴰⵎⵥⵥⵢⴰⵏ.
English: When initially offered the role, Brando—still stung by Kazan's testimony to HUAC—demurred and the part of Terry Malloy nearly went to Frank Sinatra.
Tamazight: ⵍⵍⵉ ⴳ ⵜⵜⵓⴼⵙⴰⵔ ⵜⵉⵍⴰⵍⵜ ⵜⵉⵣⵡⵓⵔⵉ, ⴱⵔⴰⵏⴷⵓ—ⵉⵙⵓⵍⵏ ⵉⵜⵜⵓⴹⴰⵚ ⵙ ⵡⴰⵡⴰⵍ ⵏ ⴽⴰⵣⴰⵏ ⴷⴰⵜ HUAC—ⵢⵓⴳⵉ ⴷ ⴷⵔⵓⵖ ⵉⴷⴷⴰ ⵢⴰⵏ ⵓⵇⵛⵓⵔ ⵏ ⵜⵉⵔⵔⵉ ⵎⴰⵍⵡⵉ ⵙ ⵖⵓⵔ ⴼⵕⴰⵏⴽ ⵙⵉⵏⴰⵜⵔⴰ.
English: Brando won the Oscar for his role as Irish-American stevedore Terry Malloy in On the Waterfront.
Tamazight: ⵢⵓⵡⵉ ⴱⵔⴰⵏⴷⵓ ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ ⵓⵙⴽⴰⵔ ⵅⴼ ⵜⵉⵍⴰⵍⵜ ⵏ ⵓⵎⵙⵙⴰⵔⵜⵓ ⵉⵔⵍⴰⵏⴷⵉⵢ-ⴰⵎⵉⵔⵉⴽⴰⵏⵉⵢ ⵜⵉⵔⵔⵉ ⵎⴰⵍⵡⵉ ⴳ ⵓⴼⵉⵍⵎ ⵓⵏ ⴷⵓ ⵡⴰⵜⵔⴼⵔⵓⵏⵜ.
English: In his July 29, 1954, review, The New York Times critic A. H. Weiler praised the film, calling it "an uncommonly powerful, exciting, and imaginative use of the screen by gifted professionals."
Tamazight: ⴳ ⵓⵣⵖⴰⵏ ⵏⵏⵙ ⴳ 29 ⵢⵓⵍⵢⵓⵣ 1954, ⵢⵓⵍⵖ ⵓⵎⵣⵖⴰⵏ ⵏ ⵏⵢⵓⵢⵓⵕⴽ ⵜⴰⵢⵎⵣ A. H. ⵡⵉⵍⵉⵔ ⴰⴼⵉⵍⵎ, ⵉⵙⵏⵓⵎⵎⵍ ⵜ ""ⴰⵙⵙⵎⵔⵙ ⵓⵙⵍⵉⴷ ⵉⴷⵓⵙⵏ, ⴰⵏⴱⴷⴰⵔ, ⴰⵎⴰⵔⵓⵔ ⵏ ⵓⵎⵉⵥⴰⵕ ⵙ ⵉⵣⵣⵓⵍⴰⵏⵏ."""
English: He portrayed Napoleon in the 1954 film Désirée.
Tamazight: ⵉⵙⵡⵍⴼ ⵏⴰⴱⵓⵍⵢⵓⵏ ⴳ ⵓⴼⵉⵍⵎ ⵏⵏⴰ ⵉⵔⴰ ⴳ 1954.
English: Brando was especially contemptuous of director Henry Koster.
Tamazight: ⴱⵔⴰⵏⴷⵓ ⴷⴰ ⵉⵜⵃⵇⵇⴰⵔ ⵙ ⵓⵥⵍⴰⵢ ⴰⵎⵙⵙⵓⴼⵖ ⵀⴻⵏⵔⵉ ⴽⵓⵙⵜⵔ.
English: Relations between Brando and costar Frank Sinatra were also frosty, with Stefan Kanfer observing: "The two men were diametrical opposites: Marlon required multiple takes; Frank detested repeating himself."
Tamazight: ⵉⵣⴷⴰⵢⵏ ⵉⵏⴳⵔ ⴱⵔⴰⵏⴷⵓ ⴷ ⴽⵓⵙⵜⴰⵔ ⴼⵕⴰⵏⴽ ⵙⵉⵏⴰⵜⵔⴰ ⵇⵔⴼⵏ, ⵢⵓⴽⵣ ⵙⵜⵉⴼⴰⵏ ⴽⴰⵏⴼⵔ: "ⵉⵔⴳⴰⵣⵏ ⵙ ⵙⵉⵏ ⵎⵅⴰⵍⴰⴼⵏ ⵏⵏⵉⴽ: ⵎⴰⵔⵍⵓⵏ ⴷⴰ ⵉⵜⵜⵉⵔⵉ ⴰⴷ ⵢⴰⵍⵙ ⴽⵉⴳⴰⵏ ⵏ ⵜⵉⴽⴽⵍⵜ; ⴼⵕⴰⵏⴽ ⵓⵔ ⴷⴰ ⵉⵜⵜⵉⵃⵎⵉⵍ ⴰⴷ ⵢⴰⵍⵙ ⵉ ⵉⵅⴼ ⵏⵏⵙ."
English: Frank Sinatra called Brando "the world's most overrated actor", and referred to him as "mumbles".
Tamazight: ⵉⵏⵏⴰ ⴼⵕⴰⵏⴽ ⵙⵉⵏⴰⵜⵔⴰ ⵅⴼ ⴱⵔⴰⵏⴷⵓ "ⵙⵓⴼⵏ ⵜ ⵓⴳⴳⴰⵔ ⵏ ⵉⵙⵎⴷⵢⴰⵜⵏ ⵏⵓⵎⴰⴹⴰⵍ", ⴷ ⵉⵙⵙⵍⵖ ⴰⵙ "ⵎⵓⵎⴱⵍⵣ".
English: Pauline Kael was not particularly impressed by the movie, but noted "Marlon Brando starved himself to play the pixie interpreter Sakini, and he looks as if he's enjoying the stunt—talking with a mad accent, grinning boyishly, bending forward, and doing tricky movements with his legs.
Tamazight: ⵓⵔ ⵜⵜⵓⴹⴰⵚ ⴱⵓⵍⵉⵏ ⴽⴰⵢⵍ ⵙ ⵓⴼⵉⵍⵎ ⵙ ⵓⵥⵍⴰⵢ, ⵎⴰⵛⴰ ⵜⵓⴽⵣ "ⵜⵙⵍⵍⵓⵥ ⵎⴰⵕⵍⵓⵏ ⴱⵔⴰⵏⴷⵓ ⵉⵅⴼ ⵏⵏⵙ ⴰⴼⴰⴷ ⵜⵓⵔⴰⵔ ⵜⵉⵍⴰⵍⵜ ⵏ ⵓⵎⵙⵙⵓⵖⵍ ⵙⴰⴽⵉⵏⵉ, ⴷ ⵄⵏⵉⵖ ⵉⵙⵙⵓⵙⵎⵜ ⵓⵎⴹⴼⵕ—ⴰⵡⴰⵍ ⵙ ⵓⴳⵕⴹ ⴰⵏⴰⴼⴰⵍ, ⴷ ⵜⴰⴹⵚⴰ ⵙ ⵜⵎⴰⵎⴽⵜ ⵏ ⵉⵎⵥⵥⵢⴰⵏⵏ, ⴰⵔ ⵉⴽⵏⵏⵓ ⵙ ⴷⴰⵜ, ⴰⵔ ⵉⵙⵎⵓⵙⵙⵓ ⵉⴼⴰⴷⴷⵏ ⵏⵏⵙ ⵙ ⵜⵜⴰⵡⵉⵍ.
English: Newsweek found the film a "dull tale of the meeting of the twain", but it was nevertheless a box-office success.
Tamazight: ⵜⵓⴼⴰ ⵏⵢⵓⵣⵡⵉⴽ ⴰⴼⵉⵍⵎ "ⵜⵓⵍⵍⵉⵙⵜ ⵜⴰⵎⵙⵉⵍⴰⵡⵜ ⵏ ⵓⵎⵍⴰⵍⴰ ⵏ ⵉⴽⵏⵉⵡⵏ", ⵎⴰⵛⴰ ⵜⵎⵓⵔⵙ ⵎⵇⵇⴰⵔ ⴳ ⵓⵙⵉⵔⴰ ⵏ ⵜⵏⴼⵓⵍⵉⵏ.
English: The film went on to win four Academy Awards.
Tamazight: ⵢⵓⵡⵉ ⵓⴼⵉⵍⵎ ⴽⴽⵓⵥ ⵏ ⵜⵙⵎⵖⵓⵔⵉⵏ ⵏ ⵓⵙⴽⴰⵕ.
English: By all accounts, Brando was devastated by her death, with biographer Peter Manso telling A&E's Biography, "She was the one who could give him approval like no one else could and, after his mother died, it seems that Marlon stops caring."
Tamazight: ⵙ ⵜⵎⵙⵖⴰⵍⵉⵏ ⴽⵓⵍⵍⵓ, ⵉⴼⵜⵜⵙ ⴱⵔⴰⵏⴷⵓ ⵙ ⵜⵎⵜⵜⴰⵏⵜ ⵏⵏⵙ, ⵉⴷⵖ ⵉⵏⴰ ⵓⵎⵉⵔⴰ ⵏ ⵜⵔⵉⴷⵔⵜ ⴱⵉⵜⵔ ⵎⴰⵏⵙⵓ ⵜⵉⵔⵉⴷⵔⵜ ⵏ A&E's, "ⵏⵜⵜⴰⵜ ⴰⵢⴷ ⵉⵖⵉⵏ ⴰⴷ ⴰⵙ ⵉⴼⴽ ⴰⵎⵙⴰⵙⴰ ⵉⵎⴽⵉ ⵏⵏⴰ ⵓⵔ ⵉⵖⵉⵢ ⴽⵔⴰ ⵢⴰⴹⵏ, ⴹⴰⵕⵜ ⵜⵎⵜⵜⴰⵏⵜ ⵏ ⵉⵎⵎⴰⵙ, ⵄⵏⵉⵖ ⵎⴰⵕⵍⵓⵏ ⵜⵙⴱⴷⴷ ⴰⵏⵀⵍⵍⴰ."
English: The Young Lions also features Brando's only appearance in a film with friend and rival Montgomery Clift (although they shared no scenes together).
Tamazight: ⵉⴳⴰ ⴷⵓ ⵢⵓⵏⴳ ⵍⵢⵓⵏⵙ ⵓⴼⵓⵖ ⵏ ⴱⵔⴰⵏⴷⵓ ⴰⵎⵢⵉⵡⵏ ⴳ ⵓⴼⵉⵍⵎ ⵏⵜⵜⴰ ⴷ ⵓⵎⴷⴷⴰⴽⴽⵍ ⴷ ⵔⵉⴼⴰⵍ ⵎⵓⵏⵜⴳⵓⵎⵔⵉ ⴽⵍⵉⴼⵜ (ⵎⵇⵇⴰⵔ ⵓⵔ ⴰⵎⵓⵏ ⴳ ⴰⵡⴷ ⵢⴰⵏ ⵓⵎⵉⵥⴰⵕ ⵙ ⵙⵉⵏ).
English: Brando portrays the lead character Rio, and Karl Malden plays his partner "Dad" Longworth.
Tamazight: ⵉⵙⵡⵍⴼ ⴱⵔⴰⵏⴷⵓ ⴰⵡⵔⵉⴽ ⴰⴷⵙⵍⴰⵏ ⵔⵉⵢⵓ, ⴷ ⴽⴰⵕⵍ ⵎⴰⵍⴷⵏ ⵢⵓⵔⴰⵔ ⵜⵉⵍⴰⵍⵜ ⵏ ⵓⵎⵙⵙⵓⵔ ⵏⵏⵙ "ⴷⴰⴷ" ⵍⵓⵏⴳⵡⵓⵕⵜ.
English: Brando's inexperience as an editor also delayed postproduction and Paramount eventually took control of the film.
Tamazight: ⴰⵔⵉⵔⵉⵎ ⵏ ⴱⵔⴰⵏⴷⵓ ⴳ ⵓⵙⵏⴰⵢ ⴰⵢⴷ ⵉⵙⵎⴰⵟⵍⵏ ⵜⵉⴼⵔⴽⵜ ⵏ ⴹⴰⵕⵜ ⵓⴼⴰⵔⵙ ⴰⵍⵍⵉⴳ ⵉⴱⴰⴹ ⴱⴰⵔⴰⵎⵓⵏⵜ ⵜⵉⴳⵉⵔⴰ ⴳ ⵓⴼⵉⵍⵎ.
English: By then, I was bored with the whole project and walked away from it."
Tamazight: ⴳ ⵜⵉⵣⵉ ⴰⴷ, ⵇⵏⴹⵖ ⵙⴳ ⵓⵙⵖⵏⵓ ⴽⵓⵍⵍⵓⵜ ⴼⴽⵖ ⴰⵙ ⵙ ⵜⵜⵉⵙⴰⵄ."
English: Brando's revulsion with the film industry reportedly boiled over on the set of his next film, Metro-Goldwyn-Mayer's remake of Mutiny on the Bounty, which was filmed in Tahiti.
Tamazight: ⴰⴳⵔⵓⵔⵙ ⵏ ⴱⵔⴰⵏⴷⵓ ⴳ ⵜⵎⴳⵓⵔⵉ ⵏ ⵓⴼⵉⵍⵎ ⴰⵢⴷ ⵉⵙⵙⵏⴳⵉⵏ ⴰⵙⵏⴰⵢ ⵏ ⵓⴼⵉⵍⵎ ⵏⵏⵙ ⵢⴰⴹⵏ, ⵎⵉⵜⵔⵓ-ⵎⴰⵢⵕⵣ ⵜⴰⵥⵕⵉⴳⵜ ⵜⴰⵎⴰⵢⵏⵓⵜ ⵙⴳ ⵎⵓⵏⵉⵜⵉ ⵓⵏ ⴷⵓ ⴱⵓⵏⵜⵉ, ⵏⵏⴰ ⵉⵜⵜⵓⵙⵡⵍⴼⵏ ⴳ ⵜⴰⵀⵉⵜⵉ.
English: Mutiny director Lewis Milestone claimed that the executives "deserve what they get when they give a ham actor, a petulant child, complete control over an expensive picture."
Tamazight: ⴰⵎⵙⵙⵓⴼⵖ ⵏ ⵎⵓⵏⵉⵜⵉ ⵍⵡⵉⵙ ⵎⵉⵍⵉⵙⵜⵓⵏ ⵉⵙⵏⴰⵍⴰⵡ ⵎⴰⵙ ⴷ ⵉⵎⵙⴽⴰⵔⵏ "ⵓⴽⵍⴰⵍⵏ ⴰⵢⵏⵏⴰ ⵜⵜⴰⵎⵥⵏ ⵜⵉⵣⵉ ⴳ ⴰⴽⴽⴰⵏ ⴰⴽⵙⵓⵎ ⵏ ⵓⵃⵍⵍⵓⴼ ⵉ ⵓⵙⵎⴷⵢⴰ, ⴰⵔⴱⴰ ⵓⵔ ⵉⵃⵍⵉⵏ, ⵜⴰⵏⴱⴰⴹⵜ ⵜⴰⵎⵓⵜⵜⵔⵜ ⵅⴼ ⵢⴰⵜ ⵜⵡⵍⴰⴼⵜ ⵉⵖⵍⴰⵏ."
English: The Ugly American (1963) was the first of these films.
Tamazight: ⴰⵎⵉⵔⵉⴽⴰⵏⵉⵢ ⵓⵔ ⵉⵃⵍⵉⵏ (1963) ⴰⵢⴷ ⵉⴳⴰⵏ ⴰⵎⵣⵡⴰⵔⵓ ⴳ ⵉⴼⵉⵍⵎⵏ ⴰⴷ.
English: All of Brando's other Universal films during this period, including Bedtime Story (1964), The Appaloosa (1966), A Countess from Hong Kong (1967) and The Night of the Following Day (1969), were also critical and commercial flops.
Tamazight: ⴽⵓⵍⵍⵓ ⵉⴼⵉⵍⵎⵏ ⵉⵎⴰⴹⵍⴰⵏⵏ ⵏ ⴱⵔⵓⵏⴷⵓ ⴳ ⵜⵉⵣⵉ ⴰⴷ, ⴳ ⵉⵍⵍⴰ ⵜⵓⵍⵍⵉⵙⵏ ⵏ ⵜⵉⵣⵉ ⵏ ⵢⵉⴹⵙ (1964), ⴷⵓ ⴰⴱⴱⴰⵍⵓⵓⵣⴰ (1966), ⴽⵓⵏⵜⵉⵙⵙⴰ ⵙⴳ ⵀⵓⵏ ⴽⵓⵏⴳ (1967) ⴷ ⵉⴹ ⵏ ⵡⴰⵙⵙ ⴷ ⵉⴷⴷⴰⵏ (1969), ⵍⵍⴰⵏ ⵉⵏⴼⴰⵍⵏ ⵉⵎⵣⵖⴰⵏⵏ ⴷ ⵉⵏⵙⴱⴰⴱⵏ.
English: Brando had also appeared in the spy thriller Morituri in 1965; that, too, failed to attract an audience.
Tamazight: ⵉⴼⴼⵖ ⴷ ⴱⵔⴰⵏⴷⵓ ⴰⵡⴷ ⴳ ⵜⵉⵖⵍⵉ ⵎⵓⵔⵉⵜⵓⵔⵉ ⴰⵙⴳⴳⴰⵙ ⵏ 1965; ⵏⵏⴰ; ⴷ ⵓⵔ ⵉⵍⴷⵉⵢⵏ ⴰⵡⴷ ⵏⵜⵜⴰⵜ ⴰⴳⴷⵓⴷ.
English: Candy was especially appalling for many; a 1968 sex farce film directed by Christian Marquand and based on the 1958 novel by Terry Southern, the film satirizes pornographic stories through the adventures of its naive heroine, Candy, played by Ewa Aulin.
Tamazight: ⵉⵎⵇⵇⵜ ⴽⵉⴳⴰⵏ ⴽⴰⵏⴷⵉ; ⴰⴼⵉⵍⵎ ⴰⵎⵚⴹⵚⵉ ⵏ ⵜⵓⵇⵇⵓⵜ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1968 ⵏⵏⴰ ⵉⵙⵙⵓⴼⵖ ⴽⵔⵉⵙⵜⵢⴰⵏ ⵎⴰⵕⴽⵡⴰⵏⴷ ⵢⵓⵜⴳⵏ ⵙ ⵢⴰⵜ ⵜⵓⵍⵍⵉⵙⵜ ⵏⵏⴰ ⵢⴰⵔⵓ ⵜⵉⵔⵔⵉ ⵙⴰⴷⵔⵏ ⴳ 1958, ⴷⴰ ⵉⵜⵜⴹⵚⴰ ⵓⴼⵉⵍⵎ ⴳ ⵜⵓⵍⵍⵉⵙⵉⵏ ⵏ ⵜⵓⵇⵇⵓⵜ, ⵙⴳ ⵜⵎⵙⴽⵙⴰⵍⵉⵏ ⵏ ⵜⴰⵏⴰⴹⵜ ⵏ ⵓⴼⵉⵍⵎ ⵉⴼⵍⵍⵙⵏ, ⴽⴰⵏⴷⵉ, ⵏⵏⴰ ⵢⵓⵔⴰⵔⵏ ⵜⵉⵍⴰⵍⵜ ⵏ ⵉⵡⴰ ⵓⵍⴰⵢⵏ.
English: In the March 1966 issue of The Atlantic, Pauline Kael wrote that in his rebellious days, Brando "was antisocial because he knew society was crap; he was a hero to youth because he was strong enough not to take the crap", but now Brando and others like him had become "buffoons, shamelessly, pathetically mocking their public reputations."
Tamazight: ⴳ ⵓⵎⴹⴰⵏ ⵏ ⵎⴰⵕⵙ 1966 ⵏ ⵜⵙⵖⵓⵏⵜ ⴰⵟⵍⴰⵏⵜⵉⴽ, ⵜⵓⵔⴰ ⴱⵓⵍⵉⵏ ⴽⴰⵢⵍ ⵎⴰⵙ ⴷ ⴳ ⵡⵓⵙⵙⴰⵏ ⵏⵏⵙ ⵉⵎⵖⵡⵡⵖⵏ, ⴱⵔⴰⵏⴷⵓ "ⵓⵔ ⵉⵃⵎⵉⵍ ⴰⵎⵓⵏ ⴰⵛⴽⵓ ⵉⵙⵙⵏ ⵉⵙ ⵉⴳⴰ ⵓⵎⵓⵏ ⵉⵙⴽⵙⵜⵓⴼⵏ; ⵉⴳⴰ ⴰⵏⴰⴹ ⵉ ⵉⵄⵔⵔⵉⵎⵏ ⴰⵛⴽⵓ ⵉⴷⵓⵙ ⴽⵉⴳⴰⵏ ⴰⴼⴰⴷ ⵓⵔ ⵢⵉⵃⵎⵉⵍ ⵉⵙⴽⵙⵜⵓⴼⵏ", ⵎⴰⵛⴰ ⴷⵖⵉ ⵢⴰⵖⵓⵍ ⴱⵔⴰⵏⴷⵓ ⴷ ⴰⵎ ⵏⵜⵜⴰ ⴳⴰⵏ "ⵉⵀⵢⵢⴰⴹⵏ, ⴱⵍⴰ ⵍⵃⵢⴰ, ⴰⵔ ⵜⵜⴹⵚⴰⵏ ⴳ ⵡⵓⴷⴷⵓⵔ ⵏⵏⵙⵏ ⴰⵍⵍⵉⴳ ⴷⴰ ⵙⵙⵏⵖⴰⵏ ⵜⴰⵙⴰ."
English: I was very convincing in my pose of indifference, but I was very sensitive and it hurt a lot."
Tamazight: ⵏⵥⵉⵖ ⴽⵉⴳⴰⵏ ⵙ ⵡⴰⵏⵙⴰ ⵉⵏⵓ ⵏ ⴰⵔⴰⵎⵣⵉⵔⴰⵢ, ⵎⴰⵛⴰ ⵃⵏⵓⵏⴰⵖ ⴷ ⵓⵢⴰ ⵉⵄⵔⵔⵎⵉ ⴽⵉⴳⴰⵏ."
English: The film overall received mixed reviews.
Tamazight: ⵙ ⵓⵎⴰⵜⴰ ⵢⵓⵎⵥ ⵓⴼⵉⵍⵎ ⵜⴰⵏⵏⴰⵢⵉⵏ ⵉⵎⵣⴰⵔⴰⵢⵏ.
English: Brando dedicated a full chapter to the film in his memoir, stating that the director, Gillo Pontecorvo, was the best director he had ever worked with next to Kazan and Bernardo Bertolucci.
Tamazight: ⵢⵓⴷⵊⴰ ⴱⵔⴰⵏⴷⵓ ⵢⴰⵏ ⵉⵎⵉⵔ ⴽⵓⵍⵍⵓ ⵉ ⵓⴼⵉⵍⵎ ⴳ ⵜⵎⵙⴽⵜⵉⵜⵉⵏ ⵏⵏⵙ, ⵢⵉⵏⵉ ⵎⴰⵙ ⴷ ⴰⵎⵙⵙⵓⴼⵖ, ⴳⵉⵍⵓ ⴱⵓⵏⵜⵉⴽⵓⵔⴼⵓ, ⴷ ⴰⵎⵙⵙⵓⴼⵖ ⴰⵎⵓⴼⴰⵢ ⵏⵏⴰ ⴷ ⵉⵙⵡⵓⵔⵉ ⴰⴽⴽⵯ ⵏⵜⵜⴰ ⴷ ⴽⴰⵣⴰⵏ ⴷ ⴱⵉⵔⵏⴰⵕⴷⵓ ⴱⵉⵔⵜⵓⵍⵓⵜⵛⵉ.
English: In 1971, Michael Winner directed him in the British horror film The Nightcomers with Stephanie Beacham, Thora Hird, Harry Andrews and Anna Palk.
Tamazight: ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1971, ⵉⵙⵙⵓⴼⵖ ⵜ ⵉⴷ ⵎⴰⵢⴽⵍ ⵡⵉⵏⵉⵔ ⴳ ⵓⴼⵉⵍⵎ ⵏ ⵜⴰⵡⴷⴰ ⴰⴱⵕⵉⵜⴰⵏⵉⵢⴷⵓ ⵏⵉⵢⵜⴽⵓⵎⵔⵣ ⴷ ⵙⵜⵉⴼⴰⵏⵉ ⴱⵉⵜⵛⴰⵎ, ⵜⵓⵕⴰ ⵀⴰⵢⵔⴷ, ⵀⴰⵔⵔⵉ ⴰⵏⴷⵔⵓⵣ ⴷ ⴰⵏⵏⴰ ⴱⴰⵍⴽ.
English: He bested Brando at the 1972 New York Film Critics Circle Awards.)
Tamazight: ⵉⵔⵏⴰ ⴱⵔⴰⵏⴷⵓ ⴳ ⵜⴼⵓⴳⵍⴰ ⵏ ⵓⴱⵟⵟⵓ ⵏ ⵜⵙⵎⵖⵓⵔⵉⵏ ⴳ ⵏⵢⵓⵢⵓⵕⴽ ⴼⵉⵍⵎⴽⵔⵉⵜⵉⴽ ⵙⴰⵢⵔⴽⵍ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1972.)
English: Brando also had One-Eyed Jacks working against him, a troubled production that lost money for Paramount when it was released in 1961.
Tamazight: ⵉⵍⵍⴰ ⴰⵡⴷ ⵖⵓⵔ ⴱⵔⴰⵏⴷⵓ ⵡⴰⵏ-ⴰⵢⴷ ⵊⴰⴽⵙ ⵉⵙⵡⵓⵔⵉⵏ ⵎⴳⴰⵍ ⵏⵏⵙ, ⴰⴼⴰⵔⵙ ⵢⵓⵙⵙⴰⵏ ⵎⵉ ⴷⴷⴰⵏ ⵉⴷⵔⵉⵎⵏ ⵉ ⴱⴰⵔⴰⵎⵓⵏⵜ ⵍⵍⵉ ⴳ ⵜⵉⴷ ⵜⵙⵙⵓⴼⵖ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1961.
English: Coppola convinced Brando to a videotaped "make-up" test, in which Brando did his own makeup (he used cotton balls to simulate the character's puffed cheeks).
Tamazight: ⴽⵓⴱⴱⵓⵍⴰ ⵜⵏⵥⴰ ⴱⵔⴰⵏⴷⵓ ⴰⴷ ⵉⵣⵣⵔⵉ ⵉⵔⵉⵎ "ⵍⵄⵏⴰⵢⵜ" ⵉⵜⵜⵓⵙⵡⵍⴰⴼⵏⴳ ⵓⴼⵉⴷⵢⵓ, ⵉⵙⵙⴽⵔ ⴱⵔⴰⵏⴷⵓ ⵍⵄⵏⴰⵢⵜ ⵉⵥⵍⵉⵏ ⵥⴰⵕⵙ (ⵉⵙⵙⵎⵔⵙ ⴽⵔⴰ ⵏ ⵜⴽⵓⵔⵉⵏ ⵏ ⵓⴼⴷⵓⵖ ⴰⴷ ⵉⵙⵙⴽⵔ ⴰⴳⴳⴰⵢⵏ ⵏ ⵓⵡⵔⵉⴽ ⵉⵏⵏⵓⵕⵥⵎⵏ).
English: Brando had doubts himself, stating in his autobiography, "I had never played an Italian before, and I didn't think I could do it successfully."
Tamazight: ⴱⵔⴰⵏⴷⵓ ⵉⵛⴽⴽⴰ ⴳ ⵉⵅⴼ ⵏⵏⵙ, ⴰⵛⴽⵓ ⵉⵏⵏⴰ ⴳ ⵜⵔⵉⴷⵉⵔⵜ ⵏⵏⵙ, "ⵓⵔ ⴷⵊⵓⵏ ⵓⵔⴰⵔⵖ ⵜⵉⵍⴰⵍⵜ ⵜⴰⵟⴰⵍⵢⴰⵏⵉⵢⵜ, ⵓⵔ ⴷⵊⵓⵏ ⵏⵏⵉⵖ ⵉⵙ ⵖⵉⵢⵖ ⴰⴷ ⵙⵙⴽⵔⵖ ⴰⵢⵏⵏⴰⵖ ⵙ ⵓⵎⵓⵔⵙ."
English: Brando was signed for a low fee of $50,000, but in his contract, he was given a percentage of the gross on a sliding scale: 1% of the gross for each $10 million over a $10 million threshold, up to 5% if the picture exceeded $60 million.
Tamazight: ⵉⵙⵏⵢⴰ ⴱⵔⴰⵏⴷⵓ ⵎⴳⴰⵍ ⵏ ⵡⴰⵔⵔⴰⵜⵏ ⵉⴳⴳⵣⵏ ⴰⵏⵛⵜ $50,000, ⵎⴰⵛⴰ ⵜⴰⵎⵖⵓⵏⵜ ⵏⵏⵙ, ⵢⵓⵎⵥ ⵜⵉⴳⵎⵉⴹⵉ ⵙⴳ ⵓⵙⵎⵎⵓⵏ ⵅⴼ ⵜⵙⵇⵇⵓⵍⵜ ⵉⵜⵜⴰⵍⵉⵏ: 1% ⵙⴳ ⵓⵙⵎⵎⵓⵏ ⵉⴽⵓ 10 ⵏ ⵉⴷ ⵎⵍⵢⵓⵏ ⴷⵓⵍⴰⵕ ⵅⴼ ⵓⴱⴰⴷⵓ ⵏ 10 ⵏ ⵉⴷ ⵎⵍⵢⵓⵏ ⴷⵓⵍⴰⵕ, ⴰⵔ 5% ⵉⴳ ⵜⵣⵔⵉ ⵜⵡⵍⴰⴼⵜ 60 ⵏ ⵉⴷ ⵎⵍⵢⵓⵏ ⴷⵓⵍⴰⵕ.
English: In a 1994 interview that can be found on the Academy of Achievement website, Coppola insisted, "The Godfather was a very unappreciated movie when we were making it.
Tamazight: ⴳ ⵢⴰⵏ ⵓⵎⵙⴰⵡⴰⵍ ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1994 ⵏⵏⴰ ⵏⵖⵢ ⴰⴷ ⵏⴰⴼ ⴳ ⵓⵙⵍⴽⵉⵏ ⵏ ⵜⴽⴰⴷⵉⵎⵉⵢⵜ ⵏ ⵓⵃⵟⵟⵓ, ⵉⵙⴷⴷⵉⴷ ⴽⵓⴱⴱⵓⵍⴰ, "ⴷⵓ ⴳⵓⴷⴼⴰⴷⵔ ⵉⴳⴰ ⴰⴼⵉⵍⵎ ⵏⵏⴰ ⵓⵔ ⵉⵜⵜⵓⵙⵜⴰⵍⵏ ⵍⵍⵉ ⴳ ⴷⴰⵜ ⵏⵙⵙⴽⴰⵔ.
English: They didn't like the way I was shooting it.
Tamazight: ⵓⵔ ⵃⵎⵉⵍⵏ ⵜⴰⵖⴰⵔⴰⵙⵜ ⵎⴰⵙⵙⴰ ⵙⵙⵓⴼⵖⵖ.
English: In a 2010 television interview with Larry King, Al Pacino also talked about how Brando's support helped him keep the role of Michael Corleone in the movie—despite the fact Coppola wanted to fire him.
Tamazight: ⴳ ⵢⴰⵏ ⵓⵎⵙⴰⵡⴰⵍ ⴰⵍⵉⴼⵉⵣⵢⵓⵏⵉⵢ ⴷ ⵍⴰⵔⵉ ⴽⵉⵏⴳ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2010, ⵉⵙⴰⵡⵍ ⴰⵡⴷ ⴰⵍ ⴱⴰⵜⵛⵉⵏⵓ ⵅⴼ ⵎⴰⵎⴽ ⵜ ⵜⵓⵡⵙ ⵜⵏⴰⵍⵉⵜ ⵏ ⴱⵔⴰⵏⴷⵓ ⴳ ⵓⵃⵟⵟⵓ ⵏ ⵜⵉⵍⴰⵍⵜ ⵏ ⵎⴰⵢⴽⵍ ⴽⵓⵕⵍⵢⵓⵏⵉ ⴳ ⵓⴼⵉⵍⵎ—ⵎⵇⵇⴰⵔ ⵉⵔⴰ ⴽⵓⴱⴱⵓⵍⴰ ⴰⴷ ⵜ ⵉⵥⵥⵍ.
English: He broke the ice by toasting the group with a glass of wine." '
Tamazight: “ⵉⴱⴱⵉ ⵓⵙⴱⴰⵜ ⵙ ⵍⴽⴰⵙ ⵍⵍⵉ ⵢⵓⵙⵉ ⴼ ⵓⴳⴷⵓⴷ."" '"
English: Caan adds, 'The first day we met Brando everybody was in awe.'"
Tamazight: ⵢⵔⵏⵓ ⴰⵙⴷ ⴽⴰⴰⵏ, 'ⴰⵙⵙ ⴰⵎⵣⵡⴰⵔⵓ ⴳ ⵏⵎⵍⴰⵍⴰ ⴷ ⴱⵔⴰⵏⴷⵓ ⴽⵓⵍⵛⵉ ⵉⵜⵜⵙⴰⵢⵢⴰ.'"
English: Also, because he had so much power and unquestioned authority, I thought it would be an interesting contrast to play him as a gentle man, unlike Al Capone, who beat up people with baseball bats."
Tamazight: ⴰⵡⴷ, ⵉⴷⴷⵖ ⵖⵓⵔⵙ ⵜⵍⵍⴰ ⴽⵉⴳⴰⵏ ⵏ ⵜⴷⵓⵙⵉ ⴷ ⵜⵏⴱⴰⴹⵜ ⵏⵏⴰ ⵅⴼ ⵓⵔ ⵉⵍⵍⵉ ⵓⵎⵅⴰⵍⴰⴼ, ⵖⴰⵍⵖ ⵉⵙ ⵇⴰⴷ ⵢⵉⵍⵉ ⵓⵎⵣⴰⵔⴰⵢ ⵉⵙⵙⵔⵄⴰⴱⵏ ⵉⴳ ⵢⵓⵔⴰⵔ ⵜⵉⵍⴰⵍⵜ ⵏ ⵓⵔⴳⴰⵣ ⵉⵖⵓⴷⴰⵏ, ⵎⴳⴰⵍ ⴰⵍ ⴽⴰⴱⵓⵏ, ⵏⵏⴰ ⵉⴽⴽⴰⵜⵏ ⵎⴷⴷⵏ ⵙ ⵉⵎⵄⵕⴰⴹⵏ ⵏ ⵍⴱⵉⵣⴱⵓⵍ."""
English: There was really no beginning.
Tamazight: ⵣⵣⵉⵖ ⵓⵔ ⴰⴽⴽⵯ ⵍⵍⵉ ⵓⵙⵏⵜⵉ.
English: He boycotted the award ceremony, instead sending indigenous American rights activist Sacheen Littlefeather, who appeared in full Apache attire, to state Brando's reasons, which were based on his objection to the depiction of indigenous Americans by Hollywood and television.
Tamazight: ⵓⵔ ⵉⴷⴷⵉ ⵙ ⵜⴼⵓⴳⵍⴰ ⵏ ⵓⴱⵟⵟⵓ ⵏ ⵜⵙⵎⵖⵓⵔⵉⵏ, ⴳ ⵡⴰⵏⵙⴰ ⵏⵏⵙ ⵢⵓⵣⵏ ⴰⵎⵖⵏⴰⵙ ⴰⵣⵔⴼⴰⵏ ⴰⵎⵉⵔⵉⴽⴰⵏⵉⵢ ⵉⴳⴰⵏ ⵙⴳ ⵉⵎⵣⴰⵖ ⵉⵏⵚⵍⵉⵢⵏ ⵙⴰⵛⵉⵏ ⵍⵉⵜⵍⴼⴰⵢⴷⵔ, ⵏⵏⴰ ⴷ ⵉⴼⴼⵖⵏ ⵙ ⵜⵎⵍⵙⴰ ⵏ ⴰⴱⴰⵜⵛⵉ ⴽⵓⵍⵍⵓ, ⵜⵉⵎⵏⵜⵉⵍⵉⵏ ⵏ ⴱⵔⴰⵏⴷⵓ, ⵏⵏⴰ ⵉⵙⵏⵏⴷⵏ ⵅⴼ ⵉⵙ ⵓⵔ ⵜⵔⵉ ⵀⵓⵍⵉⵡⵓⴷ ⴷ ⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏ ⵏ ⵎⵉⵔⵉⴽⴰⵏ ⴰⴷ ⵙⵡⵍⴼⵏ ⵉⵎⵉⵔⵉⴽⴰⵏⵉⵢⵏ ⵉⵏⴹⵍⵉⵢⵏ.
English: As with previous films, Brando refused to memorize his lines for many scenes; instead, he wrote his lines on cue cards and posted them around the set for easy reference, leaving Bertolucci with the problem of keeping them out of the picture frame.
Tamazight: ⴰⵎ ⵉⴼⵉⵍⵎⵏ ⵉⵣⵔⵉⵏ, ⵓⵔ ⵉⵔⵉ ⴱⵔⴰⵏⴷⵓ ⴰⴷ ⵉⵎⵙⵓ ⵉⵣⵔⵉⵔⵉⴳⵏ ⵏⵏⵙ ⴳ ⴽⵉⴳⴰⵏ ⵏ ⵉⵎⵉⵥⴰⵕⵏ; ⴳ ⵡⴰⵏⵙⴰ ⵏ ⵓⵢⵏⵏⴰⵖ, ⵢⵓⵔⴰ ⵉⵣⵔⵉⵔⵉⴳⵏ ⵏⵏⵙ ⴳ ⵜⴽⴰⵕⴹⵜⵉⵏ ⵉⵙⵎⵎⴽⵜⴰⵢⵏ ⵉⴼⵙⵔⵜⵏⵜ ⴳ ⵜⵔⴰⴱⴱⵓⵜ ⴰⴼⴰⴷ ⵢⵉⵡⵀⵉⵏ ⴰⴷ ⵥⴰⵕⵙ ⵏⵜ ⵢⵓⵖⵓⵍ, ⵢⴰⴷⵊ ⴱⵉⵔⵜⵓⵍⵓⵜⵛⵉ ⴷ ⵓⵎⵓⴽⵔⵉⵙ ⵏ ⵡⴰⴷ ⵜⵏⵜ ⵉⵟⵟⴼ ⴱⵔⵔⴰ ⵏ ⵓⵙⵡⵍⴼ.
English: His gross participation deal earned him $3 million.
Tamazight: ⵜⴰⵎⵖⵓⵏⵜ ⵏⵏⵙ ⵏ ⵡⵓⵎⵓ ⵜⵙⵙⴽⵛⵎ ⴰⵙ 3 ⵏ ⵉⴷ ⵎⵍⵢⵓⵏ ⴷⵓⵍⴰⵕ.
English: Pauline Kael, in The New Yorker review, wrote "The movie breakthrough has finally come.
Tamazight: ⵜⵓⵔⴰ ⴱⵓⵍⵉⵏ ⴽⴰⵢⴽ, ⴳ ⵜⵙⵖⵓⵏⵜ ⵏ ⵏⵢⵓⵢⵓⵕⴽⵔ, "ⴳ ⵜⴳⵉⵔⴰ ⵉⴷⴷⴰⴷ ⵓⵙⵏⴼⵍ ⵏ ⵓⴼⵉⵍⵎ.
English: In 1973, Brando was devastated by the death of his childhood best friend Wally Cox.
Tamazight: ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1973, ⵉⵄⵔⵔⵎ ⴱⵔⴰⵏⴷⵓ ⵙ ⵜⵎⵜⵜⴰⵏⵜ ⵏ ⵓⵎⴷⴷⴰⴽⴽⵍ ⵏ ⵜⵎⵥⵉ ⵏⵏⵙ ⵡⴰⵍⵉ ⴽⵓⴽⵙ.
English: Absent for the first hour of the movie, Clayton enters on horseback, dangling upside down, caparisoned in white buckskin, Littlefeather-style.
Tamazight: ⵉⵄⵟⵟⵔ ⵏⵏ ⵜⴰⵙⵔⴰⴳⵜ ⵜⴰⵎⵣⵡⴰⵔⵓⵜ ⵏ ⵓⴼⵉⵍⵎ, ⵉⴽⵛⵎ ⵏⵏ ⴽⵍⴰⵢⵜⵓⵏ ⵙ ⵡⴰⵢⵢⵉⵙ, ⵉⵔⴰⵔ ⵉⵅⴼ ⵙ ⵉⵣⴷⴰⵔ, ⵉⵍⵙ ⴰⴱⵟⵟⴰⵏ ⴰⵎⵍⵍⴰⵍ ⵏ ⵜⵎⵍⴰⵍⵜ,ⵜⴰⵎⴰⵎⴽⵜ-ⵍⵉⵜⵍⴷⴰⵢⴷⵔ.
English: Penn, who believed in letting actors do their thing, indulged Marlon all the way."
Tamazight: ⴱⵏⵏ, ⵏⵏⴰ ⵉⵜⵜⴰⵎⵏⵏ ⵙ ⵓⵇⵇⵉⵍ ⵏ ⵉⵙⵎⴷⵢⴰⵜⵏ ⴰⴷ ⴳⵏ ⵜⴰⵡⵓⵔⵉ ⵏⵏⵙⵏ, ⴰⵔ ⵉⵙⵃⵉⵏⵏⵉⴱ ⵎⴰⵔⵍⵓⵏ ⴳ ⵓⴱⵔⵉⴷ."
English: In 1978, Brando narrated the English version of Raoni, a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Tamazight: ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1978, ⵉⵇⵇⵉⵙ ⴱⵔⴰⵏⴷⵓ ⵜⴰⵏⵓⵖⵉⵍⵜ ⵜⴰⵏⴳⵍⵉⵣⵉⵜ ⵏ ⵓⴼⵉⵍⵎ ⵔⴰⵡⵏⵉ, ⴷ ⵓⴼⵉⵍⵎ ⵓⵏⵜⵉⵎ ⴰⴼⵕⴰⵏⵙⵉⵢ-ⴰⴱⵍⵊⵉⴽⵉⵢⴱ ⵏⵏⴰ ⴷ ⵉⵙⵙⵓⴼⵖ ⵊⴰⵏ-ⴱⵢⵉⵔ ⴷⵓⵜⵓⵍⵢⵓ ⴷ ⵍⵡⵉⵣ ⴽⴰⵔⵍⵓⵙ ⵙⴰⵍⴷⴰⵏⵀⴰ ⵏⵏⴰ ⵉⵙⵎⵏⵜⵉⵏ ⵜⵓⴷⵔⵜ ⵔⴰⵡⵏⵉ ⵎⵉⵜⵓⴽⵜⵉⵔ ⴷ ⵜⵎⵏⵜⵉⵍⵉⵏ ⵉⵣⴷⵉⵏ ⵙ ⵉⵖⵉⵎⵉ ⵏ ⵜⵇⴱⵉⵍⵉⵏ ⵜⵉⵀⵉⵏⴷⵉⵢⵉⵏ ⵜⵉⵏⵚⵍⵉⵢⵉⵏ ⴳ ⵉⵥⵍⵎⴹ ⵏ ⵡⴰⵎⵎⴰⵙ ⵏ ⵍⴱⵔⴰⵣⵉⵍ.
English: In 1979, he made a rare television appearance in the miniseries Roots: The Next Generations, portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance.
Tamazight: ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1979, ⵉⴼⴼⵖ ⴷ ⵢⴰⵏ ⵡⵓⴼⵓⵖ ⴰⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏⵉⵢ ⵉⴷⵔⵓⵙⵏ ⴳ ⵓⵙⵏⵙⵍ ⴰⴳⵣⵣⴰⵍ ⵉⵥⵓⵕⴰⵏ: ⵜⵉⵙⵓⵜⵉⵡⵉⵏ ⴷ ⵉⴷⴷⴰⵏ, ⵏⵏⴰ ⵉⵙⵡⵍⵍⴼ ⵊⵓⵕⵊ ⵍⵉⵏⴽⵓⵍⵏ ⵕⵓⴽⵡⵉⵍ; ⵢⵓⵡⵉ ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ ⴱⵔⵉⵎⵉⵜⵉⵎ ⵉⵎⵎⵉ ⵉ ⵓⵎⵙⴷⵢⴰ ⴰⵎⴰⵡⴰⵙ ⴰⵎⵓⴼⴰⵢ ⴳ ⵓⵙⵏⵙⵍ ⴰⴳⵣⵣⴰⵍ ⵏⵖ ⴷ ⴰⴼⵉⵍⵎ ⵅⴼ ⵜⴰⴳⴳⴰⵢⵜ ⵏⵏⵙ.
English: Brando was paid $1 million a week for 3 weeks work.
Tamazight: ⵢⵓⵎⵥ ⴱⵔⴰⵏⴷⵓ 1 ⵏ ⵉⴷ ⵎⵍⵢⵓⵏ ⴷⵓⵍⴰⵔ ⵉ ⵉⵎⴰⵍⴰⵙ ⵅⴼ 3 ⵉⵎⴰⵍⴰⵙⵏ ⵏ ⵜⵡⵓⵔⵉ.
English: In the documentary, Coppola talks about how astonished he was when an overweight Brando turned up for his scenes and, feeling desperate, decided to portray Kurtz, who appears emaciated in the original story, as a man who had indulged every aspect of himself.
Tamazight: ⴳ ⵓⴼⵉⵍⵎ ⵓⵏⵜⵉⵎ, ⴷⴰ ⵉⵙⴰⵡⴰⵍ ⴽⵓⴱⵓⵍⴰ ⵅⴼ ⵓⵕⵄⴰⴱ ⵏⵏⵙ ⵍⵍⵉⴳ ⴷ ⵉⴼⴼⵖ ⴱⵔⴰⵏⴷⵓ ⴱⵓ ⵓⵙⵜⴰⵍ ⵉⵣⴰⵢⴷⵏ ⴰⴼⴰⴷ ⴰⴷ ⵜ ⵉⵥⵕ, ⵉⵖⵢⵢⵔ, ⵢⵉⵔⵉ ⴰⴷ ⵉⵙⵡⵍⴼ ⴽⵓ!ⵔⵜⵣ, ⵏⵏⴰ ⵉⵙⴷⵉⴷⵏ ⴳ ⵜⵓⵍⵍⵉⵙⵜ ⵜⴰⵏⵚⵍⵉⵢⵜ, ⴷ ⴰⵔⴳⴰⵣ ⵉⴽⵛⵎⵏ ⴽⵓ ⵜⵙⴳⴰ ⵏ ⵜⵙⴳⴳⵉⵏ ⵏ ⵉⵅⴼ ⵏⵙ.
English: However, he returned in 1989 in A Dry White Season, based on André Brink's 1979 anti-apartheid novel.
Tamazight: ⵉⵎⵉⵍ, ⵢⴰⵖⵓⵍ ⴷ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1989 ⴳ ⵜⵉⵣⵉ ⵉⵎⵍⵍⵓⵍⵏ ⵜⵣⵡⵓ, ⵙ ⵢⵉⵜⴳ ⵏ ⵙ ⵜⵓⵍⵍⵉⵙⵜ ⵏ ⴰⵏⴷⵔⵉ ⴱⵔⵉⵏⴽ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1979 ⵎⴳⴰⵍ-ⴰⴱⴰⵔⵜⴰⵢⴷ.
English: Brando received praise for his performance, earning an Academy Award nomination for Best Supporting Actor and winning the Best Actor Award at the Tokyo Film Festival.
Tamazight: ⵓⵜⵜⵡⴰⵍⵖ ⴱⵔⴰⵏⴷⵓ ⵅⴼ ⵜⴰⴳⴳⴰⵢⵜ ⵏⵏⵙ, ⵢⴰⵎⵥ ⴰⵙⵜⴰⵢ ⵙ ⵜⵙⵎⵖⵓⵔⵜ ⵏ ⵓⵙⴽⴰⵕ ⵉ ⵓⵙⵎⴷⵢⴰ ⴰⵎⴰⵡⴰⵙ ⴰⵎⵓⴼⴰⵢ ⵢⴰⵡⵢ ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ ⵓⵙⵎⴷⵢⴰ ⴰⵎⵓⴼⴰⵢ ⴳ ⵓⵏⵎⵓⴳⴳⴰⵔ ⵏ ⵜⵓⴽⵢⵓ ⵏ ⵙⵙⵉⵏⵉⵎⴰ.
English: Variety also praised Brando's performance as Sabatini and noted, "Marlon Brando's sublime comedy performance elevates The Freshman from screwball comedy to a quirky niche in film history."
Tamazight: ⵜⵓⵍⵖ ⴰⵡⴷ ⴼⴰⵔⴰⵢⵜⵉ ⵜⴰⴳⴳⴰⵢⵜ ⵏ ⴱⵔⴰⵏⴷⵓ ⵣⵓⵏⴷ ⵙⴰⴱⴰⵜⵉⵏⵢ ⵜⴰⴽⵣ ⵎⴰⵙ ⴷ "ⵜⴰⴳⴳⴰⵢⵜ ⵜⴰⴽⵓⵎⵉⴷⵉⵢⵜ ⵉⵖⵓⴷⴰⵏ ⵏ ⵎⴰⵔⵍⵓⵏ ⴱⵔⴰⵏⴷⵓ ⴷⴰ ⵜⵙⵙⵉⵍⵉⵢ ⵉⵎⵙⵏⵜⴰⵢⵏ ⴳ ⵜⴽⵓⵎⵉⴷⵉⵢⵜ ⵙ ⵢⴰⵏ ⵡⴰⵜⵉⴳ ⴰⵎⵇⵇⵔⴰⵏ ⴳ ⵓⵎⵣⵔⵓⵢ ⵏ ⵉⴼⵉⵍⵎⵏ."
English: The Island of Dr. Moreau screenwriter Ron Hutchinson would later say in his memoir, Clinging to the Iceberg: Writing for a Living on the Stage and in Hollywood (2017), that Brando sabotaged the film's production by feuding and refusing to cooperate with his colleagues and the film crew.
Tamazight: ⵉⵏⵏⴰ ⵓⵎⵙⵙⵓⴼⵖ ⵏ ⵜⴳⵣⵉⵔⵜ ⵏ ⴷⵓⴽⵜⵓⵕ ⵎⵓⵕⵓ, ⵔⵓⵏ ⵀⵓⵜⵛⵉⵏⵙⵓⵏ, ⴳ ⵜⵎⵙⴽⵜⵉⵢⵉⵏ ⵏⵏⵙ, ⴰⵎⴰⵥ ⵙ ⴰⴷⵔⴰⵔ ⵏ ⵓⴳⵔⵉⵙ: ⵜⵉⵔⵔⴰ ⵅⴼ ⵜⵓⴷⵔⵜ ⴳ ⵓⵎⵣⴳⵓⵏ ⴳ ⵀⵓⵍⵉⵡⵓⴷ (2017), ⵎⴰⵙ ⴷ ⵉⵙⵅⵙⵔ ⴱⵔⴰⵏⴷⵓ ⴰⴼⴰⵔⵙ ⵏ ⵓⴼⵉⵍⵎ ⵙ ⵓⵎⴰⴷⵓ ⴷ ⵢⵉⴳⵉ ⵏ ⵓⵎⵢⴰⵡⴰⵙ ⴷ ⵉⵎⴷⴷⵓⴽⴽⴰⵍ ⵏⵏⵙ ⴷ ⵜⵔⴰⴱⴱⵓⵜ ⵏ ⵓⴼⵉⵍⵎ.
English: This was his last role and his only role as a female character.
Tamazight: ⵡⴰⴷ ⴰⵢⴷ ⵉⴳⴰⵏ ⵜⵉⵍⴰⵍⵜ ⵏⵏⵙ ⵜⴰⵎⵢⵉⵡⵏⵜ ⴷ ⵜⵎⴳⴳⴰⵔⵓⵜ ⴷ ⴰⵡⵔⵉⴽ ⵏ ⵜⵎⵟⵟⵓⴹⵜ.
English: The actor's son, Miko, was Jackson's bodyguard and assistant for several years, and was a friend of the singer. "
Tamazight: ⵎⴻⵎⵎⵉⵙ ⵏ ⵓⵙⵎⴷⵢⴰ, ⵎⵉⴽⵓ, ⵉⴳⴰⵏ ⴰⵎⵃⴹⴰⵢ ⴷ ⵓⵎⴰⵡⴰⵙ ⵏ ⵊⴰⴽⵙⵓⵏ ⴱⵓⴷⵉⴳⴰⵔⴷ ⴽⵉⴳⴰⵏ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ, ⴷ ⵉⴳⴰ ⴰⵎⴷⴷⴰⴽⴽⵍ ⵏ ⵓⵎⵖⵏⵏⵊ. "
English: Dad had a hard time breathing in his final days, and he was on oxygen much of the time.
Tamazight: ⵉⴽⵕⴼⵙ ⴱⴰⴱⴰ ⴳ ⵡⵓⵏⴼⵓⵙ ⴳ ⵡⵓⵙⵙⴰⵏ ⵏⵏⵙ ⵉⵎⴳⴳⵓⵔⴰ, ⵉⵜⵜⵓⴳ ⴰⵙ ⵡⵓⴽⵙⵉⵊⵉⵏ ⵡⴰⵀⵍⵉ ⵏ ⵜⵉⵣⵉ.
English: So Michael got Dad a golf cart with a portable oxygen tank so he could go around and enjoy Neverland.
Tamazight: ⴰⵢⵏⵏⴰⵖ ⴰ ⵅⴼ ⵢⵓⵎⵥ ⵎⴰⵢⴽⵍ ⵢⴰⵜ ⵜⵎⵙⵙⵓⴷⵓⵜ ⵏ ⵍⴳⵓⵍⴼ ⴷ ⵡⵓⴽⵙⵉⵊⵉⵏ ⴰⵎⴰⵙⴰⵢ ⵉ ⴱⴰⴱⴰ ⴰⴼⴰⴷ ⵉⵙⵙⵓⵜⵓⵍ ⴰⵔ ⵉⵙⵙⴱⵖⴰⵔ ⵙ ⵏⵉⴼⵔⵍⴰⵏⴷ.
English: He also suffered from diabetes and liver cancer.
Tamazight: ⵢⵓⴹⵏ ⴰⵡⴷ ⴳ ⵙⵙⴽⵕ ⴷ ⵓⴽⵓⵏⵚⵉⵔ ⵏ ⵜⴰⵙⴰ.
English: His single recorded line was included within the final game as a tribute to the actor.
Tamazight: ⵉⵜⵜⵓⵙⴽⵛⵎ ⵉⵣⵔⵉⵔⵉⴳ ⵏⵏⵙ ⴰⵎⵢⵉⵡⵏ ⴳ ⵜⵉⵔⴰⵔⵜ ⵜⴰⵎⴳⴳⴰⵔⵓⵜ ⴷ ⵓⴷⴷⵓⵔ ⵉ ⵓⵙⵎⴷⵢⴰ.
English: A distressed Brando told Malden he kept falling over.
Tamazight: ⵉⵏⵏⴰ ⴱⵔⴰⵏⴷⵓ ⵉ ⵎⴰⵍⴷⵏ ⵎⴰⵙ ⴷ ⵉⵙⵓⵍ ⴷⴰ ⵉⵟⵟⴰⵕ.
English: Shortly before his death, he had apparently refused permission for tubes carrying oxygen to be inserted into his lungs, which, he was told, was the only way to prolong his life.
Tamazight: ⴷⴰⵜ ⵏ ⵜⵎⵜⵜⴰⵏⵜ ⵏⵏⵙ ⵙ ⵉⵎⵉⴽ, ⵓⵔ ⵉⵔⵉ ⴰⴷ ⵉⵙⴽⵛⵎ ⵉⵊⵄⴱⴰ ⵉⵜⵜⴰⵡⵉⵏ ⵓⴽⵙⵉⵊⵉⵏ ⵙ ⵜⵓⵔⵉⵏ ⵏⵏⵙ, ⵏⵏⴰ ⵙ ⴰⵙ ⵏⵏⴰⵏ ⵀⴰⵜ ⵜⴰⵎⴰⵎⴽⵜ ⵜⴰⵎⵢⵉⵡⵏⵜ ⴰⴼⴰⴷ ⵉⵖⵣⵉⴼ ⵓⵙⵎⵎⵓⴷ ⵏⵏⵙ.
English: In 1976, he told a French journalist, "Homosexuality is so much in fashion, it no longer makes news.
Tamazight: ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1976, ⵉⵏⵏⴰ ⴰⵙ ⵉ ⵢⴰⵏ ⵓⵏⵖⵎⴰⵙ ⴰⴼⵕⴰⵏⵙⵉⵙ, "ⵉⴳⴰ ⵓⵣⵓⵏⵔⵉⵙ ⵎⵓⴹⴰ ⴽⵉⴳⴰⵏ, ⵓⵔ ⴷⴰ ⵉⵙⴽⴰⵔ ⵉⵏⵖⵎⵉⵙⵏ.
English: He also claimed numerous other romances, although he did not discuss his marriages, his wives, or his children in his autobiography.
Tamazight: ⵢⵓⵡⵙ ⴰⵡⴷ ⴽⵉⴳⴰⵏ ⵏ ⵜⵕⵓⵎⴰⵏⵙⵉⵢⵉⵏ ⵢⴰⴹⵏ, ⵎⵇⵇⴰⵔ ⵓⵔ ⵉⵙⴰⵡⵍ ⵅⴼ ⵜⵡⵜⵎⵉⵏ ⵏⵏⵙ ⵏⵖⴷ ⵉⵛⵉⵔⵔⴰⵏ ⵏⵏⵙ ⴳ ⵜⵔⵉⴷⵉⵔⵜ ⵏⵏⵙ.
English: Brando met actress Rita Moreno in 1954, and they began a love affair.
Tamazight: ⵉⵎⵍⴰⵍⴰ ⴱⵔⴰⵏⴷⵓ ⴷ ⵜⵎⵙⴷⵢⴰⵜ ⵔⵉⵜⴰ ⵎⵓⵔⵉⵏⵓ ⴰⵙⴳⴳⴰⵙ ⵏ 1954, ⵜⵙⵏⵜⵉ ⵉⵏⴳⵔⴰⵙⵏ ⵜⵓⵍⵍⵉⵙⵜ ⵏ ⵜⴰⵢⵔⵉ.
English: Years after they broke up, Moreno played his love interest in the film The Night of the Following Day.
Tamazight: ⵉⵙⴳⴳⵯⴰⵙⵏ ⴹⴰⵕⵜ ⴱⵟⵟⵓ ⵏⵏⵙⵏ, ⵜⵓⵔⴰⵔ ⵎⵓⵔⵉⵏⵓ ⵅⴼ ⵜⴰⵢⵔⵉ ⵏⵏⵙ ⴳ ⵓⴼⵉⵍⵎ ⵏ ⵉⴹ ⵏ ⵡⴰⵙⵙ ⴷ ⵉⴷⴷⴰⵏ.
English: She is said to have been the daughter of a Welsh steel worker of Irish descent, William O'Callaghan, who had been superintendent on the Indian State railways.
Tamazight: ⵉⵜⵜⵓⵏⴰ ⵎⴰⵙ ⴷ ⵜⴳⴰ ⵉⵍⵍⵉⵙ ⵏ ⵓⵎⵡⵓⵔⵉ ⴳ ⵡⵓⵣⵣⴰⵍ ⴰⵡⵉⵍⵥⵉⵢ ⵙⴳ ⵉⵥⵓⵕⴰⵏ ⵉⵕⵍⴰⵏⴷⵉⵢⵏ, ⵡⵉⵍⵢⴰⵎ ⵓⴽⴰⵍⴰⵊⴰⵏ, ⵏⵏⴰ ⵢⵓⵎⵥⵏ ⵉⴱⵔⴷⴰⵏ ⵏ ⵡⵓⵣⵣⴰⵍ ⴳ ⵍⵀⵉⵏⴷ.
English: Brando and Kashfi had a son, Christian Brando, on May 11, 1958; they divorced in 1959.
Tamazight: ⵢⵓⵔⵓ ⴱⵔⴰⵏⴷⵓ ⴷ ⴽⴰⵛⴼⵉ ⵢⴰⵏ ⵓⵔⴱⴰ, ⴽⵔⵉⵙⵜⵢⴰⵏ ⴱⵔⴰⵏⴷⵓ, ⴳ 11 ⵎⴰⵢⵢⵓ 1958; ⵎⵕⵥⴰⵎⵏ ⴳ 1959.
English: They had two children together: Miko Castaneda Brando (born 1961) and Rebecca Brando (born 1966).
Tamazight: ⵖⵓⵔⵙⵏ ⵙⵉⵏ ⵉⵛⵉⵔⵔⴰⵏ: ⵎⵉⴽⵓ ⴽⴰⵙⵜⴰⵏⵉⴷⴰ ⴱⵔⴰⵏⴷⵓ (ⵉⵍⵓⵍⵏ ⴳ 1961) ⴷ ⵔⵉⴱⵉⴽⴽⴰ ⴱⵔⴰⵏⴷⵓ (ⵉⵍⵓⵍⵏ ⴳ 1966).
English: Because Teriipaia was a native French speaker, Brando became fluent in the language and gave numerous interviews in French.
Tamazight: ⵉⴷⴷⵖ ⵜⴳⴰ ⵜⵔⵉⴱⴰⵢⴰ ⵜⵓⵜⵍⴰⵢⵜ ⵜⴰⴼⵕⴰⵏⵙⵉⵙⵜ ⵜⴰⵏⵙⵍⵉⵢⵜ, ⵢⴰⵖⵓⵍ ⴱⵔⴰⵏⴷⵓ ⵉⵙⵙⵏ ⴰⵙ ⵉⵙⵙⴽⵔ ⴽⵉⴳⴰⵏ ⵏ ⵉⵎⵙⴰⵡⴰⵍⵏ ⵥⴰⵕⵙ.
English: Brando and Teriipaia divorced in July 1972.
Tamazight: ⵉⵎⵢⴰⵕⵥⴰⵎ ⴱⵔⴰⵏⴷⵓ ⴷ ⵜⵉⵔⵉⴱⴰⵢⴰ ⴳ ⵢⵓⵍⵢⵓⵣ 1972.
English: Brando had a long-term relationship with his housekeeper Maria Cristina Ruiz, with whom he had three children: Ninna Priscilla Brando (born May 13, 1989), Myles Jonathan Brando (born January 16, 1992), and Timothy Gahan Brando (born January 6, 1994).
Tamazight: ⵉⴷⴷⵓⴽⴽⵍ ⴱⴰⵏⴷⵓ ⵜⴰⵎⵙⵡⵓⴷⴷⵓⵜ ⵏ ⵜⴰⴷⴷⴰⵔⵜ ⵏⵏⵙ ⵎⴰⵔⵉⵢⴰ ⴽⵔⵉⵙⵜⵉⵏⴰ ⵕⵓⵢⵣ ⴽⵉⴳⴰⵏ ⵏⵜⵉⵣⵉ, ⵢⴰⵔⵓ ⴷⵉⴷⵙ ⴽⵕⴰⴹ ⵉⵛⵉⵔⵔⴰⵏ: ⵏⵉⵏⵏⴰ ⴱⵔⵉⵙⴽⵉⵍⵍⴰ ⴱⵔⴰⵏⴷⵓ (ⵉⵍⵓⵍⵏ ⴳ 13 ⵎⴰⵢⵢⵓ 1989), ⵎⵉⵍⵉⵙ ⵊⵓⵏⴰⵜⴰⵏ ⴱⵔⴰⵏⴷⵓ (ⵉⵍⵓⵍⵏ ⴳ 16 ⵉⵏⵏⴰⵢⵔ 1992), ⴷ ⵜⵉⵎⵓⵜⵉ ⴳⴰⵀⴰⵏ ⴱⵔⴰⵏⴷⵓ (ⵉⵍⵓⵍⵏ ⴳ 6 ⵉⵏⵏⴰⵢⵔ 1994).
English: His numerous grandchildren also include Prudence Brando and Shane Brando, children of Miko C. Brando; the children of Rebecca Brando; and the three children of Teihotu Brando among others.
Tamazight: ⵙⴳ ⵡⴰⵢⵢⴰⵡⵏ ⵏⵏⵙ ⵉⴳⴳⵓⵜⵏ ⴱⵔⵓⴷⵏⵙ ⴱⵔⴰⵏⴷⵓ ⴷ ⵛⴰⵢⵏ ⴱⵔⴰⵏⴷⵓ, ⵉⵛⵉⵔⵔⴰⵏ ⵏ ⵎⵉⴽⵓ C. ⴱⵔⴰⵏⴷⵓ; ⵉⵛⵉⵔⵔⴰⵏ ⵏ ⵔⵉⴱⵉⴽⴰ ⴱⵔⴰⵏⴷⵓ; ⴷ ⴽⵕⴰⴹ ⵉⵛⵉⵔⵔⴰⵏ ⵜⵉⵀⵓⵜⵓ ⴱⵔⴰⵏⴷⵓ ⵙⴳ ⵡⵉⵢⴰⴹ.
English: His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star.
Tamazight: ⵉⴳⴰ ⵓⵎⵙⴽⴰⵔ ⵏⵏⵙ ⴳ ⵜⵉⵣⵉ ⵏ ⵓⵙⵡⵍⴼ ⵏⵓⴼⵉⵍⵎ ⵏ ⵎⵓⵏⵉⵜⵉ ⵓⵏ ⴷⵓ ⴱⵓⵏⵜⵉ (1962) ⴷⴰ ⵉⵜⵜⴰⵡⵙ ⵓⴷⴷⵓⵔ ⵏⵏⵙ ⴷ ⵉⵜⵔⵉ ⵉⵛⵇⵇⴰⵏ.
English: Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City.
Tamazight: ⴳⴰⵍⵉⵍⵍⴰ ⵜⴹⴼⴰⵕ ⴱⵔⴰⵏⴷⵓ, ⵏⵏⴰ ⵉⵙⵏⴱⴳⴰ ⵓⵖⴰⵡⴰⵙ ⵏ ⵓⵎⴰⵡⴰⵍ ⴷⵉⴽ ⴽⴰⴼⵉⵜⵜ, ⴹⴰⵕⵜ ⵓⵣⵎⵎⴻⵎ ⵏ ⵓⵖⴰⵡⴰⵙ ⵏ ⴷⵉⴽ ⴷⴰⴼⵉⵜⵜ ⴳ ⵏⵢⵓⵢⵓⵕⴽ ⵙⵉⵜⵉ.
English: The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people.
Tamazight: ⴰⵙⵡⵍⴼ ⵏ ⵓⴼⵉⵍⵎ ⵎⵓⵏⵉⵜⵉ ⵓⵏ ⴷⵓ ⴱⵓⵏⵜⵉ ⵉⵟⵟⴰⵙ ⵜⵓⴷⵔⵜ ⵏ ⴱⵔⴰⵏⴷⵓ ⴽⵉⴳⴰⵏ, ⴰⵛⴽⵓ ⵉⴹⵕ ⴳ ⵜⴰⵢⵔⵉ ⵏ ⵜⴰⵀⵉⵜⵉ ⴷ ⴰⵢⵜ ⵓⵅⴰⵎ ⵏⵏⵙ.
English: The 1983 hurricane destroyed many of the structures including his resort.
Tamazight: ⵜⵣⵍⵍⵄ ⵜⴰⵣⵣⵖⵔⴱⵍⵜ ⵏ 1983 ⴽⵉⴳⴰⵏ ⵏ ⵜⵓⵚⴽⵉⵡⵉⵏ ⵏⵏⴰ ⴳ ⵜⴰⵎⵓ ⵜⵙⴰⵖⵓⵍⵜ ⵏⵏⵙ.
English: He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy.
Tamazight: ⵙⴽⵛⵎⵏ ⵜ ⴳ ⵡⴰⵔⵔⴰⵜⵏ ⵏ ⵜⵙⵇⵇⴰⵎⵓⵜ ⵏ ⵉⵎⵢⴰⵡⴰⴹⵏ ⵉⴼⵉⴷⵉⵔⴰⵍⵉⵢⵏ (FCC) ⵙ ⵢⵉⵙⵎ ⵏ ⵎⴰⵕⵜⴰⵏ ⴱⵔⴰⵏⴹⵓ ⴰⴷ ⵃⴹⵓⵏ ⵜⵓⴷⵔⵜ ⵏⵏⵙ ⵜⵓⵙⵍⵉⴳⵜ.
English: He attended some fundraisers for John F. Kennedy in the 1960 presidential election.
Tamazight: ⵉⵙⵏⴱⴳⴰ ⵉⵎⵙⵎⵓⵏⵏ ⵏ ⵉⴼⵕⵕⵓⵜⵏ ⵉ ⵊⵓⵏ F. ⴽⵉⵏⵉⴷⵉ ⴳ ⵜⴼⵔⵏⵉⵏ ⵜⵉⵙⵍⵡⴰⵢⵉⵏ ⵏ 1960.
English: In autumn of 1967, Brando visited Helsinki, Finland at a charity party organized by UNICEF at the Helsinki City Theatre.
Tamazight: ⴳ ⵓⵎⵡⴰⵏ ⵏ ⵓⵙⴳⴳⵯⴰⵙ 1967, ⵉⴽⴽⴰ ⴱⵔⴰⵏⴷⵓ ⵀⵉⵍⵙⵉⵏⴽⵓⵉ, ⴼⵉⵏⵍⴰⵏⴷⴰ ⴳ ⵢⴰⵜ ⵜⴼⵓⴳⵍⴰ ⵏ ⵓⴼⵓⵍⴽⵉ ⵏⵏⴰ ⵜⵙⵙⵓⴷⵙ ⵍⵢⵓⵏⵉⵙⵙⵉⴼ ⴳ ⵓⵎⵣⴳⵓⵏ ⴳ ⵜⵎⴷⵉⵏⵜ ⵏ ⵀⵉⵍⵙⵉⵏⴽⵢ.
English: He spoke in favor of children’s rights and development aid in developing countries.
Tamazight: ⵉⵙⴰⵡⵍ ⵅⴼ ⵉⵣⵔⴼⴰⵏ ⵏ ⵓⵔⴱⴰ ⴷ ⵜⵡⵉⵙⵉ ⵜⴰⵙⴳⵎⴰⵏⵜ ⴳ ⵜⵎⵓⵔⴰ ⵜⵉⵏⴳⵎⴰⵏⵉⵏ.
English: I felt I'd better go find out where it is; what it is to be black in this country; what this rage is all about," Brando said on the late-night ABC-TV talk show Joey Bishop Show.
Tamazight: ⵉⵏⵏⴰ ⴱⵔⴰⵏⴷⵓ ⴳ ⵓⵖⴰⵡⴰⵙ ⵏ ⵓⵎⵙⴰⵡⴰⵍ ⵊⵓⵡ ⴱⵉⵛⵓⴱ ⵛⵓⵡ ⵅⴼ ⵓⵙⴰⵔⵓ ABC-TV: "ⴼⵔⴽⵖ ⵎⴰⵙ ⴷ ⵢⵓⴼ ⴰⴷ ⴷⴷⵓⵖ ⴰⴷ ⵔⵣⵓⵖ ⵎⴰⵏⵉ ⴳ ⵉⵍⵍⴰ, ⵎⴰⵢⴷ ⵉⴳⴰⵏ ⴰⵃⴱⵛⴰⵏ ⴳ ⵜⵎⵓⵔⵜ ⴰⴷ, ⵎⴰⵜⵜⴰ ⵣⵣⵄⴰⴼ ⴰⴷ ⴽⵓⵍⵍⵓ"".
English: It was one of the most incredible acts of courage I ever saw, and it meant a lot and did a lot."
Tamazight: ⵜⴳⴰ ⵢⴰⵜ ⵙⴳ ⵜⵡⵓⵔⵉⵡⵉⵏ ⵜⵉⵣⵓⵍⴰⵏⵉⵏ ⵉⵥⵉⵍⵏ ⵏⵏⴰ ⵥⵕⵉⵖ ⴳ ⵜⵓⴷⵔⵜ ⵉⵏⵓ, ⵜⴳⴰ ⴽⵉⴳⴰⵏ ⵜⵙⵙⴽⵔ ⴽⵉⴳⴰⵏ."
English: In 1964 Brando was arrested at a "fish-in" held to protest a broken treaty that had promised Native Americans fishing rights in Puget Sound.
Tamazight: ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1964, ⵉⵜⵜⵡⴰⵎⵥ ⴱⵔⴰⵏⴷⵓ ⴳ "ⴼⵉⵛ-ⵉⵏ" ⵅⴼ ⵉⵖⵓⵢⵢⴰⵏ ⵎⴳⴰⵍ ⵜⵎⵖⵓⵏⵜ ⵉⵎⵅⴰⵍⴰⴼⵏ ⵜⴽⴽⴰ ⵜⴽⴰ ⴰⵡⴰⵍ ⵉ ⵉⵎⵉⵔⵉⴽⴰⵏⵉⵢⵏ ⵉⵏⵚⵍⵉⵢⵏ ⴰⴷ ⴳⵎⵔⵏ ⴳ ⴱⵓⵊⵉⵜ ⵙⴰⵡⵏⴷ.
English: Brando ended his financial support for the group over his perception of its increasing radicalization, specifically a passage in a Panther pamphlet put out by Eldridge Cleaver advocating indiscriminate violence, "for the Revolution."
Tamazight: ⵉⵙⴱⴷⴷⴰ ⴱⵔⴰⵏⴷⵓ ⴰⵏⵏⴰⵍ ⵏⵏⵙ ⵉ ⵜⵔⴰⴱⴱⵓⵜ ⵙ ⵜⵎⵏⵜⵉⵍⵜ ⵏ ⵓⵖⵡⵡⵖ ⵏⵏⵙ, ⵙ ⵓⵥⵍⴰⵢ ⵢⴰⵜ ⵜⵙⴷⴷⴰⵔⵜ ⴳ ⵓⴷⵍⵉⵙ ⵏ ⵓⵖⵉⵍⴰⵙ ⵏⵏⴰ ⵉⵙⵙⵢⴼⵖ ⵉⵍⴷⵔⵉⴷⵊ ⴽⵍⵉⴼⵔ ⵏⵏⴰ ⴳ ⵉⵜⵜⴰⵡⵙ ⴰⴽⵕⴰⴹ ⴰⵔⴰⵎⵙⵙⵓⴷⵙ "ⴰⴼⴰⴷ ⵜⵉⵍⵉ ⵜⴳⵔⴰⵡⵍⴰ."
English: Sacheen Littlefeather represented him at the ceremony.
Tamazight: ⵉⵙⵙⵏⴽⴷ ⵜ ⵙⴰⵛⵏ ⵍⵉⵜⵜⵍⴼⴰⵢⴷⵔ ⴳ ⵢⴰⵜ ⵜⴼⵓⴳⵍⴰ.
English: The event grabbed the attention of the US and the world media.
Tamazight: ⵢⵓⵡⵢ ⵓⵎⵣⵣⵓ ⴰⴷ ⴰⵙⵏⵖⵎⵙ ⴰⵎⵉⵔⵉⴽⴰⵏⵉⵢ ⵏ ⵓⵎⴰⴹⵍⴰⵏ.
English: He was also an activist against apartheid.
Tamazight: ⵉⴳⴰ ⴰⵡⴷ ⴰⵎⵖⵏⴰⵙ ⵎⴳⴰⵍ ⴰⵟⵟⵉ ⴰⵎⵙⵙⵥⵓⵕⴰⵏ.
English: He is listed by the American Film Institute as the fourth greatest male star whose screen debut occurred before or during 1950 (it occurred in 1950).
Tamazight: ⵉⵙⴽⵛⵎ ⵜ ⵓⵙⵉⴰⴳ ⵏ ⵓⴼⵉⵍⵎ ⴰⵎⵉⵔⵉⴽⴰⵏⵉⵢ ⴰⵛⴽⵓ ⵉⴳⴰ ⵉⵜⵔⵉ ⴰⵎⴰⵢ ⴰⵎⵓⴼⴰⵢ ⵡⵉⵙ ⴽⴽⵓⵥ ⴷ ⵉⴼⴼⵖⵏ ⴳ ⵓⵎⵉⵥⴰⵕ ⴷⴰⵜ ⴷ ⵉⵡⵏⴰⵏ ⵏ ⵓⵙⴳⴳⵯⴰⵙ 1950 (ⵉⵊⵕⴰⵏ ⴳ 1950).
English: Retrieved August 19, 2009.Encyclopedia Britannica describes him as "the most celebrated of the method actors, and his slurred, mumbling delivery marked his rejection of classical dramatic training.
Tamazight: ⵢⴰⵖⵓⵍ ⴷ ⴳ 19 ⵖⵓⵛⵜ 2009, ⵜⵙⵏⵓⵎⵎⵍⵜ ⵜⵥⴰⵢⵕⵜ ⵏ ⵜⵓⵙⵙⵏⵉⵡⵉⵏ ⵜⴰⴱⵕⵉⵟⴰⵏⵉⵢⵜ "ⵉⵙ ⵉⵜⵜⵡⴰⵙⵙⴰⵏ ⴽⵉⴳⴰⵏ ⵉⵏⴳⵔ ⵉⵙⵎⴷⵢⴰⵜⵏ, ⴷ ⵡⴰⵡⴰⵍ ⵏⵏⵙ ⵉⵜⵜⵖⵎⵖⵉⵎⵏ ⴷ ⵜⴰⵎⴰⵜⴰⵔⵜ ⵏ ⵢⵉⴳⵢ ⵏⵏⵙ ⵉ ⵓⵙⵎⵓⵜⵜⴳ ⴳ ⵓⴷⵔⴰⵎⴰ ⴰⴽⵍⴰⵙⵉⴽⵉⵢ.
English: He was a development from the gangster leader and the outlaw.
Tamazight: ⵉⴳⴰ ⴰⴱⵓⵖⵍⵓ ⵏ ⵓⵏⵎⵖⵓⵔ ⵏ ⵉⵇⵜⵜⴰⵄⵏ ⴷ ⵓⵏⴰⴼⵓⵖ ⵅⴼ ⵓⵣⵔⴼ.
English: His portrayal of the gang leader Johnny Strabler in The Wild One has become an iconic image, used both as a symbol of rebelliousness and a fashion accessory that includes a Perfecto style motorcycle jacket, a tilted cap, jeans and sunglasses.
Tamazight: ⵢⴰⵖⵓⵍ ⵓⵙⵡⵍⴼ ⵏⵏⵙ ⵉ ⵓⵏⵎⵖⵓⵔ ⵏ ⵉⵇⵜⵜⴰⵄⵏ ⵊⵓⵏⵉⵙⵜⵔⴰⴱⵍⵉⵔ ⴳ ⴷⵓ ⵡⵉⵍⴷ ⵡⴰⵏ ⵉⴳⴰ ⵜⴰⵡⵍⴰⴼⵜ ⵜⴰⵙⵏⴼⵍⵓⵍⵜ, ⵉⵜⵜⵓⵙⵎⵔⴰⵙⵏ ⴳ ⵜⵎⴰⵜⴰⵔⵜ ⵏ ⵓⵖⵡⵡⵖ ⴷ ⵍⵄⵏⴰⵢⵜ ⵏ ⵜⵎⵍⵙⴰ ⴳ ⵜⵍⵍⴰ ⵜⴽⴱⵔⵜ ⵏ ⵓⵙⵓⴷⴼ ⴰⵏⴰⵡ ⵏ ⴱⵉⵔⴼⵉⴽⵜⵓ, ⴷ ⵜⴰⵛⴰⵛⵜ ⵉⴼⵔⵖⵏ, ⴷ ⵉⴽⵔⴱⴰⵢⵏ ⵏ ⵊⵉⵏⵙ ⴷ ⵜⵙⵎⴰⵇⵇⴰⵍⵉⵏ ⵏ ⵜⴰⴼⵓⴽⵜ.
English: The "I coulda been a contender" scene from On the Waterfront, according to the author of Brooklyn Boomer, Martin H. Levinson, is "one of the most famous scenes in motion picture history, and the line itself has become part of America's cultural lexicon."
Tamazight: ⴰⵎⵉⵥⴰⵕ ⵏ "ⵖⵉⵢⵖ ⴰⴷ ⴳⵖ ⴰⵏⵎⵣⵉⵣⵡⵔ" ⵙⴳ ⵡⴰⵜⵔⴼⵔⵓⵏⵜ, ⵏⵉⵍ ⵓⵎⵉⵔⴰⵢ ⵏ ⴱⵕⵓⵓⴽⵍⵉⵏ ⴱⵓⵓⵎⵔ, ⵎⴰⵔⵜⴰⵏ H. ⵍⵉⴼⵉⵏⵙⵓⵏ, ⵉⴳⴰ ⵢⴰⵏ ⵙⴳ ⵉⵎⵉⵥⴰⵕⵏ ⵉⵜⵜⵡⴰⵙⵙⵏⵏ ⴳ ⵓⵎⵣⵔⵓⵢ ⵏ ⵜⵡⵍⴰⴼⵉⵏ ⵉⵜⵜⵎⵓⵙⵙⵓⵏ, ⴷ ⵢⴰⵖⵓⵍ ⵓⴱⵔⵉⴷ ⴰⴷ ⵉⴳⴰ ⵙⴳ ⵓⵎⴰⵡⴰⵍ ⴰⴷⵍⵙⴰⵏ ⴰⵎⵉⵔⵉⴽⴰⵏⵉⵢ."
English: You have to make 'em believe that you are dying ... Try to think of the most intimate moment you've ever had in your life."
Tamazight: ⵉⵅⵙⵙ ⴰⴷ ⵜⵏ ⵜⴰⴷⵊⴷ ⴰⴷ ⵉⵖⵉⵍⵏ ⵉⵙ ⴷⴰ ⵜⵜⵎⵜⴰⵜⴷ ... ⴰⵔⵎ ⴰⴷ ⵜⵙⵡⵉⵏⴳⵎⴷ ⴳ ⵜⵉⵣⵉ ⵏ ⵜⴰⵢⵔⵉ ⵏⵏⴰ ⵜⵣⵣⵔⵉⴷ ⴳ ⵜⵓⴷⵔⵜ ⵏⵏⴽ."
English: In 1999 the American Film Institute ranked him eighth among its list of greatest male stars of the Golden Age of Hollywood.
Tamazight: ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1999 ⵉⵙⵜⵉ ⵜ ⵓⵙⵉⵏⴰⴳ ⵏ ⵓⴼⵉⵍⵎ ⴰⵎⵉⵔⵉⴽⴰⵏⵉⵢ ⴳ ⵜⵙⴽⵯⴼⵍⵜ ⵜⵉⵙ ⵜⴰⵎⵜ ⴳ ⵜⵍⴳⴰⵎⵜ ⵏⵏⵙ ⴷ ⵉⵜⵔⵉ ⴰⵎⴰⵢ ⴰⵎⵇⵇⵔⴰⵏ ⴳ ⵓⵣⵎⵣ ⵏ ⵡⵓⵔⵖ ⵏ ⵀⵓⵍⵉⵡⵓⴷ.
English: He spent several years in vaudeville as a dancer and comedian, until he got his first major acting part in 1925.
Tamazight: ⵉⵣⵣⵔⵉ ⴽⵉⴳⴰⵏ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⴳ ⴼⵓⴷⵉⴼⵉⵍ ⴷ ⴰⵎⵕⴽⴰⴹ ⴷ ⴰⵎⵚⴹⵚⴰⵢ,ⴰⵍⵍⵉⴳ ⵢⵓⵎⵥ ⵜⵉⵍⴰⵍⵜ ⵏⵏⵙ ⴰⴷⵙⵍⴰⵏⵜ ⵜⴰⵎⵣⵡⴰⵔⵓⵜ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1925.
English: After rave reviews, Warner Bros. signed him for an initial $400-a-week, three-week contract; when the executives at the studio saw the first dailies for the film, Cagney's contract was immediately extended.
Tamazight: ⴹⴰⵕⵜ ⵉⵎⵉⵥⴰⵕⵏ ⵉⵎⵚⵚⴰⴱⵏ, ⵜⵙⵏⵢⴰ ⴰⵙ ⵜⵎⵙⵙⵓⵔⵜ ⵏ ⵡⴰⵕⵏⵔ ⴱⵔⵓⴷⵔⵣ ⵜⴰⵎⵖⵓⵏⵜ ⵜⴰⵙⵏⵜⴰⵢⵜ ⵙ ⵡⴰⵜⵉⴳ ⵏ 400 ⴷⵓⵍⴰⵕ ⵉ ⵉⵎⴰⵍⴰⵙ, ⴳ ⵜⵉⵣⵉ ⵏ ⴽⵕⴰⴹ ⵉⵎⴰⵍⴰⵙⵏ; ⵍⵍⵉⴳ ⵥⵕⴰⵏ ⵉⵎⴰⵙⵙⴰⵢⵏ ⵉⵎⵙⴽⴰⵔⵏ ⴳ ⵓⵙⵜⵓⴷⵢⵓ ⴰⵖⵎⵉⵙ ⴰⵡⴰⵙⵙⴰⵏ ⴰⵎⵣⵡⴰⵔⵓ ⵏ ⵓⴼⵉⵍⵎ, ⵙⵖⵣⵉⴼⵏ ⵜⴰⵎⵖⵓⵏⵜ ⴳ ⵡⴰⵏⵙⴰ.
English: He was nominated a third time in 1955 for Love Me or Leave Me with Doris Day.
Tamazight: ⵉⵜⵜⵓⵙⵜⴰⵢ ⵜⵉⵙ ⴽⵕⴰⴹⵜ ⵜⵉⴽⴽⴰⵍ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1955 ⴳ ⵉⵔⵉⵢⵉ ⵏⵖⴷ ⴰⴷⵊⵉ ⴳ ⵡⴰⵙⵙ ⵏ ⴷⵓⵔⵉⵙ.
English: Cagney walked out on Warner Bros. several times over the course of his career, each time returning on much improved personal and artistic terms.
Tamazight: ⵉⴼⴼⵖ ⴽⴰⴳⵏⵉ ⵙⴳ ⵡⴰⵔⵏⵔ ⴱⵕⵓⴷⵔⵣ ⴽⵉⴳⴰⵏ ⵏ ⵜⵉⴽⴽⴰⵍ ⵉⵡⵏⴰⵏ ⵏ ⵜⵡⵓⵔⵉ ⵏⵏⵙ ⵜⴰⵣⵣⵓⵍⴰⵏⵜ, ⴽⵓ ⵜⵉⴽⴽⵍⵜ ⴷⴰ ⴷ ⵉⵜⵜⵓⵖⵓⵍ ⵙ ⵜⴼⵉⴷⵉⵡⵉⵏ ⵜⵉⵏⵉⵎⴰⵏⵉⵏ ⴷ ⵜⵥⵓⵕⴰⵏⵉⵏ ⵉⵖⵓⴷⴰⵏ.
English: He worked for an independent film company for a year while the suit was being settled, establishing his own production company, Cagney Productions, in 1942 before returning to Warner seven years later.
Tamazight: ⵉⵙⵡⵓⵔⴰ ⴰⵙⴳⴳⵯⴰⵙ ⴳ ⵜⵎⵙⵙⵓⵔⵜ ⵉⵙⵜⵉⵏ ⵏ ⵉⴼⵉⵍⵎⵏ ⴳ ⵜⵉⵣⵉ ⵏ ⵓⵙⵎⵙⴰⵙⴰ ⵏ ⵍⵅⴹⵉⵢⵜ, ⵉⵙⵙⴽⵔ ⵜⴰⵎⵙⵙⵓⵔⵜ ⵏ ⵓⵙⵙⵓⴼⵖ ⵏⵏⵙ, ⴽⴰⴳⵏⵉⵢ ⵉ ⵓⵙⵙⵓⴼⵖ, ⴳ ⵓⵙⴳⴳⴰⵙ ⵏ 1942 ⵓⵔ ⵜⴰ ⵢⴰⵖⵓⵍ ⵙ ⵡⴰⵕⵏⵔ ⴹⴰⵕⵜ ⵙⴰ ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ.
English: Cagney was the second of seven children, two of whom died within months of their births.
Tamazight: ⵜⴳⴰ ⴽⴰⴳⵏⵉⵢ ⵜⵉⵙ ⵙⵏⴰⵜ ⵙⴳ ⵙⴰ ⵏ ⵉⵛⵉⵔⵔⴰⵏ, ⵎⵎⵜⵏ ⵙⵉⵏ ⴳ ⴽⵔⴰ ⵏ ⵡⴰⵢⵢⵓⵔⵏ ⵅⴼ ⵜⵍⴰⵍⵉⵜ ⵏⵏⵙⵏ.
English: The family moved twice while he was still young, first to East 79th Street, and then to East 96th Street.
Tamazight: ⵜⵎⵎⵓⵜⵜⵉ ⵜⴰⵡⵊⴰ ⵙⵏⴰⵜ ⵜⵉⴽⴽⴰⵍ ⵍⵍⵉ ⴳ ⵉⵙⵓⵍ ⵉⵎⵥⵥⵉⵢ, ⵜⵉⵣⵡⵓⵔⵉ ⵙ ⵓⵏⵇⵇⴰⵔ ⵏ ⵜⵙⵓⴽⵜ 79, ⵙ ⵓⵏⵇⵇⴰⵔ ⵏ ⵜⵙⵓⴽⵜ 96.
English: I feel sorry for the kid who has too cushy a time of it.
Tamazight: ⵉⵙⵙⵇⵏⴹⵉ ⵓⵔⴱⴰ ⵏⵏⴰ ⵖⵓⵔ ⴽⵉⴳⴰⵏ ⵏ ⵜⵉⵣⵉ ⵉⵡⵀⵏⵏ.
English: He was a good street fighter, defending his older brother Harry, a medical student, when necessary.
Tamazight: ⵉⴳⴰ ⴰⵎⵏⵏⴰⵖ ⵉⵖⵓⴷⴰⵏ ⴳ ⵉⵙⵓⴽⵏ, ⴷⴰ ⵉⵜⵜⵔⴰⵔⴰ ⵅⴼ ⵓⵎⴰⵙ ⴰⵎⵇⵇⵔⴰⵏ ⵀⴰⵕⵉ, ⴰⵎⵣⵔⴰⵡ ⵏ ⵓⵙⴳⵏⴼ, ⴳ ⵓⵙⵓⵖⵏ.
English: He became involved in amateur dramatics, starting as a scenery boy for a Chinese pantomime at Lenox Hill Neighborhood House (one of the first settlement houses in the nation) where his brother Harry performed and Florence James directed.
Tamazight: ⵉⴽⵛⵎ ⵙ ⴰⵎⵣⴳⵓⵏ ⴷ ⵢⴰⵏ ⵓⵎⵏⵣⵓ, ⵉⵙⵙⵏⵜⵉ ⵜⴰⵡⵓⵔⵉ ⵙ ⵓⵙⵙⵓⵏⵖ ⴳ ⵢⴰⵏ ⵓⴼⵉⵍⵎ ⴰⵚⵉⵏⵉⵢ ⴳ ⵍⵉⵏⵓⴽⵙ ⵀⵉⵍⵍ ⵏⵉⵖⴱⵓⵔⵀⵓⴷ ⵀⴰⵡⵙ (ⵢⴰⵜ ⵙⴳ ⵜⵉⴷⴷⴰⵔⵉⵏ ⵏ ⵜⵎⵔⵙⴰⵍ ⵜⵉⵎⵣⵡⵓⵔⴰ ⴳ ⵜⵎⵓⵔⵜ) ⵏⵏⴰ ⴳ ⵢⵓⵔⴰⵔ ⵓⴳⵎⴰⵙ ⵀⴰⵕⵉ ⴷ ⴼⵍⵓⵕⴰⵏⵙ ⵊⴰⵢⵎⵙ ⴰⵎⵙⵙⵓⴼⵖ.
English: The show began Cagney's 10-year association with vaudeville and Broadway.
Tamazight: ⵉⵙⵙⵏⵜⵉ ⵓⵎⵉⵥⴰⵕ ⴰⵙⵎⵓⵏ ⵏ 10 ⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ ⴽⴰⴳⵏⵉ ⴷ ⴼⵓⴷⴼⵉⵍ ⴷ ⴱⵔⵓⴷⵡⴰⵢ.
English: Eventually, they borrowed some money and headed back to New York via Chicago and Milwaukee, enduring failure along the way when they attempted to make money on the stage.
Tamazight: ⴳ ⵜⴳⵉⵔⴰ, ⵕⴹⵍⵏ ⴽⵔⴰ ⵏ ⵉⴷⵔⵉⵎⵏ ⵓⵖⵓⵍⵏ ⵙ ⵏⵢⵓⵢⵓⵕⴽ ⵙⵍⵉⵏ ⵛⵉⴽⴰⴳⵓ ⴷ ⵎⵉⵍⵡⵓⴽⵉ, ⵥⵥⵉⴹⵕⵏ ⵉ ⵓⵅⵙⵙⵓⵔ ⴳ ⵓⴱⵔⵉⴷ ⵍⵍⵉ ⴳ ⵔⴰⵏ ⴰⴷ ⴰⵡⵉⵏ ⵉⴷⵔⵉⵎⵏ ⵅⴼ ⵓⵎⵣⴳⵓⵏ.
English: As with Pitter Patter, Cagney went to the audition with little confidence he would get the part.
Tamazight: ⵣⵓⵏⴷ ⴱⵉⵜⵜⵔ ⴱⴰⵜⵜⵔ, ⵜⴷⴷⴰ ⴽⴰⴳⵏⵉ ⵙ ⵢⵉⵔⵉⵎ ⵙ ⵜⵖⵍⵉⴼⵜ ⵜⴰⵎⵓⴷⵔⵓⵙⵜ ⵉⵙ ⵇⴰⴷ ⵜⴰⵡⵉ ⵜⴰⴼⵓⵍⵜ.
English: This was a devastating turn of events for Cagney; apart from the logistical difficulties this presented—the couple's luggage was in the hold of the ship and they had given up their apartment.
Tamazight: ⵉⴳⴰ ⵓⵢⴰⴷ ⵢⴰⵏ ⵓⵙⵏⴼⵍ ⵉⵣⵍⵍⵄⵏ ⵜⵉⵎⵙⴰⵔⵉⵏ ⵖⵓⵔ ⴽⴰⴳⵏⵉ; ⵉⴳ ⵏⵜⵜⵓ ⵉⵎⵉⴽⵔⵉⵙⵏ ⵉⵍⵓⵊⵉⵙⵜⵉⴽⵏ ⵏⵏⴰ ⵉⴳⴰ ⵓⵢⴰⴷ—ⵉⵃⵔⵓⵢⵏ ⴷ ⵉⵎⴰⵙⵙⵏ ⵏ ⵉⵎⵢⵉⵡⵍⵏ ⵍⵍⴰⵏ ⴳ ⵓⴳⵯⵏⵙ ⵏ ⵓⵖⵕⵕⴰⴱⵓ ⵣⵔⵉⵏ ⵜⴰⴷⴷⴰⵔⵜ ⵏⵏⵙⵏ.
English: He made up his mind that he would get a job doing something else."
Tamazight: ⵉⵖⵜⵙ ⵉⵙ ⵇⴰⴷ ⵢⴰⴼ ⵜⴰⵡⵓⵔⵉ ⴰⴼⴰⴷ ⵉⵙⵙⴽⴰⵔ ⴽⵔⴰ ⵢⴰⴹⵏ."
English: Cagney also established a dance school for professionals, and then landed a part in the play Women Go On Forever, directed by John Cromwell, which ran for four months.
Tamazight: ⵜⵙⵙⴽⵔ ⴽⴰⴳⵏⵉ ⴰⵡⴷ ⵜⵉⵏⵎⵍ ⵜⴰⵣⵣⵓⵍⴰⵏⵜ ⵏ ⵓⵕⴽⴰⴹ, ⵜⴰⵎⵥ ⵜⵉⵍⴰⵍⵜ ⴳ ⵜⵎⵣⴳⵓⵏⵜ ⵏ ⵜⴰⵎⵟⵟⵓⴹⵜ ⵉⴷⴷⴰⵏ ⴰⴱⴷⴰ, ⵏⵏⴰ ⴷ ⵉⵙⵙⵓⴼⵖ ⵊⵓⵏ ⴽⵔⵓⵎⵡⵉⵍ, ⵏⵏⴰ ⵉⵣⴷⵉⵏ ⵜⵉⵣⵉ ⵏ ⴽⴽⵓⵥ ⵏ ⵡⴰⵢⵢⵓⵔⵏ.
English: The show received rave reviews and was followed by Grand Street Follies of 1929.
Tamazight: ⵢⵓⵡⵉ ⵓⵎⵉⵥⴰⵕ ⴽⵉⴳⴰⵏ ⵏ ⵉⵙⵙⵓⵜⵓⴳⵏ ⵉⵖⵓⴷⴰⵏ ⴹⴼⵓⵕⵏ ⵜ ⴳⵔⴰⵏⴷ ⵙⵜⵔⵉⵉⵜ ⴼⵓⵍⵉ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1929.
English: Retitled Sinners' Holiday, the film was released in 1930.
Tamazight: ⵉⵜⵜⵓⵙⵏⴼⵍ ⵢⵉⵙⵎ ⵏ ⵓⴼⵉⵍⵎ ⵙⵉⵏⵏⵉⵔ ⵀⵓⵍⴷⴰⵢ, ⵉⴼⴼⵖ ⵓⴼⵉⵍⵎ ⴳ 1930.
English: However, the contract allowed Warners to drop him at the end of any 40-week period, effectively guaranteeing him only 40 weeks’ income at a time.
Tamazight: ⵉⵎⵉⵍ, ⵜⵓⴷⵊⴰ ⵜⵎⵖⵓⵏⵜ ⵡⴰⵕⵏⵔ ⴰⴷ ⵜ ⵜⵙⴹⵕ ⴳ ⵜⴳⵉⵔⴰ ⵏ ⴽⵓ ⵜⵉⵣⵉ 40 ⵏ ⵉⵎⴰⵍⴰⵙ, ⵙ ⵎⴰⵏ ⴰⵢⴰ ⴷⴰ ⴰⵙ ⴷ ⵉⵙⴽⵛⴰⵎ 40 ⵏ ⵉⵎⴰⵍⴰⵙⵙ ⴳ ⵢⴰⵜ ⵜⵉⴽⴽⵍⵜ.
English: Due to the strong reviews he had received in his short film career, Cagney was cast as nice-guy Matt Doyle, opposite Edward Woods as Tom Powers.
Tamazight: ⵜⵜⵓⵙⵜⴰⵢ ⴽⴰⴳⵏⵉ ⴷ ⴰⵔⴳⴰⵣ ⵉⵥⵉⵍⵏ ⵎⴰⵜⵜ ⴷⵓⵢⵍ, ⴰⵛⴽⵓ ⵜⵜⵓⴼⴽⴰⵏ ⵖⵉⴼⵙ ⵉⵣⵣⵔⴰⵢⵏ ⵉⴷⵓⵙⵏ ⵉⵖⵓⴷⴰⵏ ⴳ ⵜⵓⴷⵔⵜ ⵏⵏⵙ ⵜⴰⵣⵣⵓⵍⴰⵏⵜ ⴳ ⵉⴼⵉⵍⵎⵏ ⵉⴳⵣⵣⴰⵍⵏ, ⵎⴳⴰⵍ ⵉⴷⵡⴰⵔⴷ ⵡⵓⴷⵣ ⴳ ⵜⵉⵍⴰⵍⵜ ⵏ ⵜⵓⵎ ⴱⴰⵡⵔⵣ.
English: Producer Darryl Zanuck claimed he thought of it in a script conference; Wellman said the idea came to him when he saw the grapefruit on the table during the shoot; and writers Glasmon and Bright claimed it was based on the real life of gangster Hymie Weiss, who threw an omelette into his girlfriend's face.
Tamazight: ⵉⵏⵏⴰ ⵓⵎⵙⵙⵓⴼⵖ ⴷⴰⵔⵔⵉⵍ ⵣⴰⵏⵓⴽ ⴳ ⵢⴰⵏ ⵓⴳⵔⴰⵡ ⴰⵎⵉⵔⴰⵢ ⵎⴰⵙ ⴷ ⵉⵙⵡⵉⵏⴳⵎ ⴳ ⵜⵖⴰⵡⵙⴰ; ⵉⵏⵏⴰ ⵡⵉⵍⵍⵎⴰⵏ ⵎⴰⵙ ⴷ ⵜⴰⵡⵏⴳⵉⵎⵜ ⵜⴷⴷⴰ ⴰⵙⴷ ⵍⵍⵉ ⴳ ⵉⵥⵕⴰ ⴰⴱⴰⵏⵎⴱⵍⵓⵎⵓⵙ ⴰⴼⵍⵍⴰ ⵏ ⵜⴷⴰⴱⵓⵜ ⴳ ⵜⵉⵣⵉ ⵏ ⵓⵙⵡⵍⴼ; ⴷ ⵏⵏⴰⵏ ⵉⵎⵉⵔⴰⵢⵏ ⴳⵍⴰⵙⵎⵄⵏ ⴷ ⴱⵔⴰⵢⵜ ⵉⵙ ⵉⵙⵏⵏⴷ ⵅⴼ ⵜⵓⴷⵔⵜ ⵜⴰⴷⴻⵜⵜⴰⵏⵜ ⵏ ⵉⵇⵟⵟⴰⵄⵏ ⵀⴰⵢⵎⵉ ⵡⴰⵢⵙ, ⵏⵏⴰ ⵉⴳⵔⵏ ⵜⴳⵍⴰⵢⵜ ⵉⵇⵍⴰⵏ ⵅⴼ ⵡⵓⴷⵎ ⵏ ⵜⵎⴷⴷⴰⴽⵍⵜ ⵏⵏⵙ.
English: I never dreamed it would be shown in the movie.
Tamazight: ⵓⵔ ⴷⵊⵓⵏ ⵡⴰⵔⴳⵖ ⵉⵙ ⵇⴰⴷ ⵉⵜⵜⵓⴼⵙⴰⵔ ⴳ ⵓⴼⵉⵍⵎ.
English: He saw the film repeatedly just to see that scene, and was often shushed by angry patrons when his delighted laughter got too loud."
Tamazight: ⵉⵥⵕⴰ ⴰⴼⵉⵍⵎ ⴽⵉⴳⴰⵏ ⵏ ⵜⵉⴽⴽⵍⵜ ⴰⴼⴰⴷ ⴷⴰⵢ ⵉⵥⵕ ⴰⵎⵉⵥⴰⵕ, ⴰⵔ ⵜ ⵙⴼⵙⵜⴰⵏ ⴽⵉⴳⴰⵏ ⵉⵎⴰⵡⴰⵣⵏ ⵉⵣⵄⴼⵏ ⵍⵍⵉⴳ ⵣⴰⵢⴷⵏⵜ ⵜⴰⴹⵚⵉⵡⵉⵏ ⵏⵏⵙ ⴽⵉⴳⴰⵏ."
English: Warner Bros. was quick to team its two rising gangster stars—Edward G. Robinson and Cagney—for the 1931 film Smart Money.
Tamazight: ⵜⵙⴷⴷⵔⴼ ⵜⵎⵙⵙⵓⵔⵜ ⵏ ⵡⴰⵕⵏⵔ ⴱⵕⵓⴷⵔⵣ ⴰⴷ ⵜⵙⵎⵓⵜⵜⴳ ⵢⴰⵜ ⵜⵔⴰⴱⴱⵓⵜ ⵏ ⵙⵉⵏ ⵉⵜⵔⴰⵏ ⵏ ⵉⵇⵟⵟⴰⵄⵏ ⵏⵏⴰ ⴷ ⵢⵓⵍⵉⵏ—ⵉⴷⵡⴰⵔⴷ G. ⵕⵓⴱⵉⵏⵙⵓ ⴷ ⴽⴰⴳⵏⵉ—ⵅⴼ ⵓⴼⵉⵍⵎ ⵙⵎⴰⵕⵜ ⵎⵓⵏⵉ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1931.
English: As he completed filming, The Public Enemy was filling cinemas with all-night showings.
Tamazight: ⵍⵍⵉ ⴳ ⵉⵙⵎⴷ ⴰⵙⵡⵍⴼ, ⴷⵓ ⴱⵓⴱⵍⵉⴽ ⵉⵏⵎⵉ ⵉⵜⴽⵯⴰⵔ ⵉⴷ ⵙⵙⵉⵏⵉⵎⴰ ⵙ ⵉⵎⵉⵥⴰⵕⵏ ⵎⴰⵢⴷ ⵍⴰⵏ ⵢⵉⴹⴰⵏ.
English: The studio heads also insisted that Cagney continue promoting their films, even ones he was not in, which he opposed.
Tamazight: ⵔⴰⵏ ⵏⵏⵉⴽ ⵉⵏⵎⵖⵓⵔⵏ ⵏ ⵉⴷ ⵓⵙⵜⵓⴷⵢⵓ ⴰⴷ ⵉⵙⵙⵓⴷⵓ ⴽⴰⴳⵏⵉ ⴳ ⵓⵙⵓⵙⵙⵏ ⵏ ⵉⴼⵉⵍⵎⵏ ⵏⵏⵙ, ⴰⵡⴷ ⵡⵉⵏⵏⴰ ⴳ ⵓⵔ ⵉⵍⵍⵉ, ⴰⵢⵏⵏⴰⵖ ⴰⵢⴷ ⵢⵓⴳⵉ.
English: The success of The Public Enemy and Blonde Crazy forced Warner Bros.' hand.
Tamazight: ⴰⵎⵓⵔⵙ ⵏ ⴷⵓ ⴱⵓⴱⵍⵉⴽ ⵉⵏⵎⵉ ⴷ ⴱⵍⵓⵏⴷ ⴽⵔⴰⵢⵣⵉ ⵉⵣⵓⵛⵛⵍ ⵡⴰⵕⵏⵔ ⴱⵕⵓⴷⵔⵣ ⴰⴼⵓⵙ.
English: The film was swiftly followed by The Crowd Roars and Winner Take All.
Tamazight: ⵉⵜⵜⵓⴹⴼⴰⵕ ⵓⴼⵉⵍⵎ ⴼⵉⵙⴰⵄ ⵙⴳ ⴷⵓ ⴽⵔⵓⵡⴷ ⵔⵓⴰⴷⵙ ⴷ ⵡⵉⵏⵏⵔ ⵜⴰⴽ ⴰⵍⵍ.
English: Historians also debate the nature of history as an end in itself, as well as its usefulness to give perspective on the problems of the present.
Tamazight: ⵙⴳⴷⵍⵏ ⵉⵎⵔⵣⴰ ⴰⵡⴷ ⴰⵏⴰⵎⴽ ⵏ ⵓⵎⵣⵔⵓⵢ ⴷ ⴰⵡⵜⵜⴰⵙ, ⴷ ⵓⴱⵖⵓⵔ ⵏⵏⵙ ⴳ ⵜⵉⴽⴽⵉ ⵏ ⵜⴰⵏⵏⴰⵢⵜ ⵅⴼ ⵉⵎⵓⴽⵔⵉⵙⵏ ⵏ ⴷⵖⵉ.
English: However, ancient cultural influences have helped spawn variant interpretations of the nature of history which have evolved over the centuries and continue to change today.
Tamazight: ⵎⵇⵇⴰⵔ, ⵀⴰⵜ ⵓⵡⵙⵏ ⵢⵉⴹⵉⵙⵏ ⵉⴷⵍⵙⴰⵏⵏ ⵉⵣⴰⵢⴽⵓⵜⵏ ⴳ ⵓⴼⴰⵔⵙ ⵏ ⵓⵙⵙⴼⵔⵓ ⵉⵎⵣⴰⵔⴰⵢⵏ ⵉ ⵓⵏⴰⵎⴽ ⵏ ⵓⵎⵣⵔⵓⵢ ⵏⵏⴰ ⵉⴱⵓⵖⵍⴰⵏ ⴳ ⵜⴰⵙⵓⵜⵉⵏ ⴷ ⵜⵙⵓⵍ ⴰⵔ ⵜⵜⵏⴼⴰⵍ ⴰⵙⵙⴰ.
English: Herodotus, a 5th-century BC Greek historian, is often considered the "father of history" in the Western tradition, although he has also been criticized as the "father of lies".
Tamazight: ⵀⵉⵔⵓⴷⵓⵜ, ⴰⵎⵔⵣⵓ ⴰⵢⵓⵏⴰⵏⵉⵢ ⵙⴳ ⵜⴰⵙⵓⵜ 5 ⴷⴰⵜ ⵜⵍⴰⵍⵉⵜ ⵏ ⵄⵉⵙⴰ, ⵉⴳⴰ ⵙ ⵓⵎⴰⵜⴰ, "ⴱⴰⴱⴰⵙ ⵏ ⵓⵎⵣⵔⵓⵢ" ⴳ ⵜⵎⵢⵓⵔⵉⵏ ⵏ ⵓⵖⵍⴰⵢ, ⵎⵇⵇⴰⵔ ⵉⵜⵜⵓⵣⵖⴰⵏ ⴰⵡⴷ ⵏⵜⵜⴰ ⴳⵉⵏ ⵜ ⴷ "ⴱⴰⴱⴰⵙ ⵏ ⵜⴽⵔⴽⴰⵙ".
English: In Middle English, the meaning of history was "story" in general.
Tamazight: ⴳ ⵜⵓⵜⵍⴰⵢⵜ ⵜⴰⵏⴳⵍⵉⵣⵉⵢⵜ ⵏ ⵡⴰⵎⵎⴰⵙ, ⵉⵏⴰⵎⴽ ⵏ ⵓⵎⵣⵔⵓⵢ ⵉⴳⴰⵜ ""ⵜⵓⵍⵍⵉⵙⵜ"" ⵙ ⵓⵎⴰⵜⴰ.
English: In modern German, French, and most Germanic and Romance languages, which are solidly synthetic and highly inflected, the same word is still used to mean both "history" and "story".
Tamazight: ⴳ ⵜⵓⵜⵍⴰⵢⵜ ⵜⴰⵍⵎⴰⵏⵉⵢⵜ ⵜⴰⵜⵔⴰⵔⵜ, ⴷ ⵜⴼⵔⴰⵏⵙⵉⵙⵜ, ⴷ ⵓⵎⴰⵜⴰ ⴳ ⵜⵓⵜⵍⴰⵢⵉⵏ ⵜⵉⵊⵉⵔⵎⴰⵏⵉⵏ ⴷ ⵜⵕⵓⵎⴰⵏⵙⵉⵢⵢⵉⵏ, ⵜⵉⵏⵏⴰ ⵉⵜⵜⵡⴰⵙⴽⴰⵔⵏ ⵙ ⵜⴰⵖⴰⵔⵜ ⴰⵔ ⵜⵜⴹⵉⵚ ⴽⵉⴳⴰⵏ, ⵜⵙⵓⵍⵢⴰⵜ ⵜⴳⵓⵔⵉ ⴷⴰ ⵜⵜⵓⵙⵎⵔⴰⵙ ⴳ ⵓⵏⴰⵎⴽ ⵏ ""ⴰⵎⵣⵔⵓⵢ"" ⴷ ""ⵜⵓⵍⵍⵉⵙⵜ""."
English: In the words of Benedetto Croce, "All history is contemporary history".
Tamazight: ⵏⵉⵍ ⵓⵡⵏⵏⵉ ⵏ ⴱⵉⵏⵉⴷⵉⵜⵜⵓ ⴽⵕⵓⵙ, "ⴰⵎⵣⵔⵓⵢ ⴽⵓⵍⵍⵓ ⴷ ⴰⵎⵣⵔⵓⵢ ⴰⵜⵔⴰⵔ".
English: Therefore, the constitution of the historian's archive is a result of circumscribing a more general archive by invalidating the usage of certain texts and documents (by falsifying their claims to represent the "true past").
Tamazight: ⵙ ⵎⴰⵏⴰⵢⴰ, ⴰⵙⵙⴽⵔ ⵏ ⵜⵎⵃⴹⵉⵜ ⵏ ⵓⵎⵔⵣⵓ ⵉⴳⴰ ⵜⴰⵢⴰⴼⵓⵜ ⵏ ⵓⵙⵜⴰⵢ ⵏ ⵢⴰⵜ ⵜⵎⵃⴹⵉⵜ ⵜⴰⵎⴰⵜⴰⵢⵜ ⵙ ⵜⴱⵔⵉⴷⵜ ⵏ ⵓⵙⴱⴷⴷ ⵏ ⵓⵙⵎⵔⵙ ⵏ ⴽⵔⴰ ⵏ ⵉⴹⵕⵉⵚⵏ ⴷ ⵡⴰⵔⵔⴰⵜⵏ ( ⵙ ⵜⴱⵔⵉⴷⵜ ⵏ ⵓⵙⵏⴼⵍ ⵏ ⵉⵡⴰⵍⵉⵡⵏ ⵏⵏⵙⵏ ⴰⴷ ⵙⵙⵎⵔⵙⵏ ""ⴰⵎⵣⵔⵓⵢ ⵏ ⵜⵉⴷⵜⵜ"")."
English: The study of history has sometimes been classified as part of the humanities and at other times as part of the social sciences.
Tamazight: ⵜⵜⵓⵙⵜⴰⵢ ⵜⵖⵓⵔⵉ ⵏ ⵓⵎⵣⵔⵓⵢ ⴽⵔⴰ ⵏ ⵜⵉⴽⴽⴰⵍ ⴷ ⵓⵇⵛⵓⵔ ⵏ ⵜⵓⵙⵙⵏⵉⵡⵉⵏ ⵜⵉⵏⴰⴼⴳⴰⵏⵉⵏ ⴷ ⵜⵉⵣⵉ ⵢⴰⴹⵏ ⴷ ⵓⵇⵛⵓⵔ ⴳ ⵜⵓⵙⵙⵏⵉⵡⵉⵏ ⵜⵉⵏⴰⵎⵓⵏⵉⵏ.
English: In the 20th century, French historian Fernand Braudel revolutionized the study of history, by using such outside disciplines as economics, anthropology, and geography in the study of global history.
Tamazight: ⴳ ⵜⴰⵙⵓⵜ ⵜⵉⵙ 20, ⵉⵙⵙⴽⵔ ⵓⵎⵔⵣⵓ ⴰⴼⵔⴰⵏⵙⴰⵡⵉⵢ ⴼⵉⵔⵏⴰⵏⴷ ⴱⵔⵓⴷⵉⵍ ⵜⴰⴳⵔⴰⵡⵍⴰ ⴳ ⵜⵖⵓⵔⵉ ⵏ ⵓⵎⵣⵔⵓⵢ, ⵙ ⵓⵙⵎⵔⵙ ⵏ ⵜⵎⵥⵍⴰⵢⵉⵏ ⵙⴳ ⴱⵕⵕⴰ ⵣⵓⵏⴷ ⵜⴰⴷⵎⵙⴰ ⴷ ⵜⵓⵙⵙⵏⴰⴼⴳⴰⵏ ⴷ ⵜⵊⵉⴳⵔⴰⴼⵉⵢⵜ ⴳ ⵜⵖⵓⵔⵉ ⵏ ⵓⵎⵣⵔⵓⵢ.
English: In general, the sources of historical knowledge can be separated into three categories: what is written, what is said, and what is physically preserved, and historians often consult all three.
Tamazight: ⵙ ⵓⵎⴰⵜⴰ, ⵉⵖⵢ ⴰⴷ ⵜⵜⵓⴱⴹⵓⵏ ⵉⵖⴱⵓⵍⴰ ⵏ ⵜⵓⵙⵙⵏⴰ ⵏ ⵓⵎⵣⵔⵓⵢ ⵙ ⴽⵕⴰⴹⵜ ⵜⵔⵓⴱⴱⴰ: ⵎⴰⵢⴷ ⵉⵜⵜⵡⴰⵔⴰⵏ, ⵎⴰⵢⴷ ⵉⵜⵜⵡⴰⵏⴰⵏ, ⴷ ⵓⵢⵏⵏⴰ ⵉⵜⵜⵓⵃⴹⴰⵏ ⵙ ⵜⴼⴳⴳⴰ, ⴷⴰ ⵜⵏ ⵜⵜⵛⴰⵡⴰⵕⵏ ⵉⵎⵔⵣⴰ ⴽⵉⴳⴰⵏ ⵙ ⴽⵕⴰⴹ.
English: Archaeological finds rarely stand alone, with narrative sources complementing its discoveries.
Tamazight: ⵉⴷⵔⵓⵙ ⵎⴰⴳ ⵜⴱⴷⴷⴰⵏⵜ ⵜⵏⴰⵣⵓⴼⵉⵏ ⵜⵓⴷⵔⵣⴰⵏⵉⵏ ⵙ ⵉⵅⴼⴰⵡⵏ ⵏⵏⵙⵏⵜ, ⴰⵛⴽⵓ ⴷⴰ ⵙⵎⵎⴷⵏⵜ ⵉⵙⵓⴳⴰⵎ ⵉⵎⵉⵡⴰⵏⵏ.
English: For example, Mark Leone, the excavator and interpreter of historical Annapolis, Maryland, USA, has sought to understand the contradiction between textual documents idealizing "liberty" and the material record, demonstrating the possession of slaves and the inequalities of wealth made apparent by the study of the total historical environment.
Tamazight: ⵙ ⵓⵎⴷⵢⴰ, ⵉⵔⴰ ⵎⴰⵕⴽ ⵍⵢⵓⵏ, ⴰⵎⵖⴰⵣ ⴷ ⵓⵎⵙⵙⵓⵖⵍ ⴰⵎⵣⵔⵓⵢⴰⵏ ⵏ ⴰⵏⴰⴱⵓⵍⵢⵓⵙ, ⵎⴰⵔⵉⵍⴰⵏⴷ, USA, ⴰⴷ ⵉⵔⵎⵙ ⴰⵎⵣⴰⵔⴰⵢ ⵉⵏⴳⵔ ⵡⴰⵔⵔⴰⵜⵏ ⵉⵎⵉⵔⴰⵢⵏ ⵏⵏⴰ ⵉⵜⵜⴰⴷⵊⴰⵏ "ⵜⵉⴷⵜⵜ" ⴷ ⵜⴰⵎⵙⵎⴰⴷⵜ ⴷ ⵓⵙⵓⵙⵔ ⴰⴽⵎⴰⵎ, ⵏⵏⴰ ⵉⵙⴱⴰⵢⴰⵏ ⴰⴹⴰⴼ ⵏ ⵉⵙⵎⵅⴰⵏ ⴷ ⵜⴰⵔⴰⵏⴳⴰⴷⴷⴰⵢⵜ ⴳ ⵜⵔⵓⵙⵉ, ⵎⴰⵏ ⴰⵢⴰ ⵉⵜⵜⵡⴰⵙⵙⴰⵏ ⵙⴳ ⵓⵣⵣⵔⴰⵢ ⵏ ⵜⵡⵏⵏⴰⴹⵜ ⵏ ⵓⵎⵣⵔⵓⵢ ⴳ ⵜⵙⴷⴰⵡⵉⵜ.
English: It is possible for historians to concern themselves with both the very specific and the very general, although the modern trend has been toward specialization.
Tamazight: ⵉⵖⵢ ⴰⴷ ⵙⵡⵓⵔⵉⵏ ⵉⵎⵔⵣⴰ ⴳ ⵓⵎⵥⵍⴰⵢ ⴷ ⵓⵎⴰⵜⴰⵢ, ⵎⵇⵇⴰⵔ ⴷ ⴰⴱⵔⵉⴷ ⴰⵜⵔⴰⵔ ⵉⴷⴷⴰ ⵙ ⵜⵥⵍⴰⵢⵜ.
English: Thirdly, it may refer to why history is produced: the philosophy of history.
Tamazight: ⵜⵉⵙⵙ ⴽⵕⴰⴹⵜ, ⵜⵖⵢ ⴰⴷ ⵜⵙⵏⵖⵜ ⵙ ⵜⵎⵏⵜⵉⵍⵜ ⵏ ⵓⴼⴰⵔⵙ ⵏ ⵓⵎⵣⵔⵓⵢ: ⵜⴰⴼⵉⵍⵓⵙⵓⴼⵜ ⵏ ⵓⵎⵣⵔⵓⵢ.
English: By whom was it produced (authorship)?
Tamazight: ⵏⵜⵜⴰ ⴰⵢⴷ ⵜⵜ ⵉⵙⴼⴰⵔⵙⵏ (ⴰⵙⵙⵓⴼⵖ)?
English: What is the evidential value of its contents (credibility)?
Tamazight: ⵎⴰⵢⴷ ⵉⴳⴰⵏ ⴰⵜⵉⴳ ⴰⵍⴰⵡⴰⵏ ⵏ ⵜⵓⵎⴰⵢⵉⵏ ⵏⵏⵙ (ⵜⵉⴷⵜⵜ)?