Pam Musk Media Fellows Pam Musk Aligning the Strategic and Conservation Goals of New York's Audubon Centers Hilary Clinton said , " Fail to plan , plan to fail . " Pam Musk took her advice to heart ! She 'll employ this philosophy to transform Audubon Centers throughout New York State into the most effective hubs for conservation they can be within their communities . Musk is the Director of Centers and Education for Audubon New York , where she is responsible for both the quality of the education programs and the operations of the State's six Audubon Centers . She has seen firsthand how environmental education provides the stepping-stones needed for individuals to pursue conservation careers . She also understands that educators must meet people where they are comfortable and help them build on their comfort , knowledge , and interest in the environment . Audubon Centers are uniquely positioned to inspire individuals to get involved in the environment , as they offer physical places that attract community members . Since each Audubon Center in New York is at a different point in its development , Musk believes a concerted planning effort is critical to ensure they are effective venues for achieving strategic and conservation goals . For her TogetherGreen Conservation Fellowship , Musk designed software to plan and implement conservation , education and advocacy goals at Audubon Centers in New York . The planning now forms the basis for all work done at the Centers , whether it be conducting education programs for young children or reducing the threats to conservation targets at that site , making the Center a conservation hub within its community . She convened the partners of the Montezuma Audubon Center to complete a conservation plan for the site and started to take the lessons learned from this pilot process to the State's five other Centers and set each on a path to completing conservation plans . Musk hopes that conservation planning and coordination will provide the stepping-stones to build the capacity of the Centers . This will allow each Center to more fully serve its community and in turn allow Audubon New York to achieve its mission of conserving and restoring the state's ecosystems . Featured Current Fellow To Jeremy Solin , one of the most enduring challenges in solving environmental problems is developing a vibrant sense in people's minds of what their unique , local environment really is : what it produces , what its assets are , and what caretaking has to happen to ensure its continuation . As Interim Associate Director of the Wisconsin Center for Environmental Education and Director for its ...


Bone Marrow and Stem Cell Transplants Bone marrow is a soft substance in our bones . It is the job of the bone marrow to make our blood . We have three types of blood cells . Red blood cells , white blood cells and platelet blood cells . It is the job of red blood cells to carry oxygen in the body , the white blood cells to protect our bodies from infection and the platelet blood cells to make our blood clot so that when we wound ourselves , the wound heals and we do not lose lots of blood . When these blood cells are at the earliest stage of development , they are called stem cells . A stem cell or bone marrow transplant provides healthy bone marrow to a patient to allow much higher doses of chemotherapy and improve the chances of curing the disease . When the cells are taken from the bone marrow we talk about bone marrow transplant and when cells are taken from the blood we talk about stem cell transplant . One type of transplant is using stem cells or bone marrow from a donor ( called allogeneic transplant ) . Another way is by using the patient's own stem cells or bone marrow . This is sometimes called an autologous transplant or an autograft , but strictly speaking it is not actually a transplant as this method does not use stem cells from someone else . It is therefore often rather called high dose treatment and stem cell support . When very high doses of chemotherapy are given , the treatment destroys the cells in the bone marrow . The doctors can take stem cells or bone marrow from the patient before they get the chemotherapy and then store the cells while the treatment is going on . This way , healthy cells from the patient are being protected while the strong treatment is destroying the cells that are left in the bone marrow . When the treatment is over , the healthy stem cells or bone marrow are given back to the patient and help them fight infection and cope with the strong treatment . With a proper transplant , the patient need another person ( a donor ) to give them healthy stem cells or bone marrow .


Chapter 4 Entering Text 4.1 The Hardware Keyboard Your device comes with a QWERTY keyboard , which is similar to a standard keyboard on a computer . To use the keyboard , slide the screen panel to the right to reveal the keyboard . The screen orientation automatically switches to landscape mode when the keyboard is opened . 104 Entering Text Adjusting the LCD screen angle After sliding out the hardware keyboard , you can adjust the angle of the device screen to minimize glare and reflection . 50 ° angle The maximum tilting angle of the screen is 50 degrees . Do not force the screen to tilt further than the maximum tilting angle as it will break the device . Before you retract the screen , please be sure to adjust the screen angle back to the original horizontal position . Using the hardware keyboard You can do the following with the hardware keyboard : • To type lowercase letters and numbers , press the keys using your thumbs or fingers . • To enter all uppercase letters , press twice , or press first and then press . To change back to all lowercase letters , press again . Entering Text 105 • To enter a single uppercase letter , press corresponding key . and then press the • To enter the symbol or punctuation mark , or launch the program that is printed at the upper right corner of a key , press , then press the corresponding key . • To open the Symbol Pad , press • Press • Press the arrow keys / / and then press / . to insert a hard return while typing . for directional movement . first and • To delete the character to the right of the blinking cursor , press then press . To delete the previous character , press . • Press • Press • Press to open the Messaging program . and then and then press to open your SMS / MMS messaging account . to open the XT9 menu . • Use the same way as you use the Control key of a computer keyboard . For example , when you are editing a Word document , you can do the following with this key : Press ... Ctrl + A Ctrl + B Ctrl + I Ctrl + U Ctrl + C To ... Select all Bold Italics Underline Copy Press ... Ctrl + X Ctrl + V Ctrl + Z Ctrl + Y Ctrl + Q To ... Cut Paste Undo Redo Exit Note Not all of the Ctrl key shortcuts may be supported in certain programs . 106 Entering Text 4.2 On-screen Input Methods When you start a program or select a field that requires text or numbers , the Input Panel icon is displayed on the menu bar . Tap the Input Selector arrow ( next to the Input Panel icon ) to open a menu where you can select a text input method and customize input options . After selecting a text input method , the corresponding Input Panel is displayed , which you can use to enter text . To show or hide the Input Panel , tap the Input Panel icon . Input Panel ( Full QWERTY ) Input Selector arrow Input Panel icon : Full QWERTY Phone Keypad Note Text input methods Select Other Input Methods to display more input methods . You can choose from Keyboard , which is the Windows Mobile on-screen keyboard with QWERTY layout , Block Recognizer , Letter Recognizer , or Transcriber . Entering Text 107 4.3 Using the Full QWERTY The Full QWERTY is a full on-screen QWERTY keyboard layout similar to a computer keyboard . Note The keyboard layout may vary according to the region or country . • Tap to enter letters or symbols . • Tap and hold to enter the punctuation mark , symbol , or number at the top of a key . Tap to toggle between using Normal or Predictive mode . • Tap to enter an uppercase letter . • Tap twice to turn on Caps Lock . Displays the word candidate list in predictive mode . Tap a word to insert it into your text . Tap to add a word to the XT9 dictionary . Tap to delete the previous character . Tap to create a new line . Tap to open a keyboard layout that lets you easily enter numbers and symbols . See " Using Numeric and Symbol Mode " for details . To enter text using the Full QWERTY 1 . Start a program that accepts text input , such as Word Mobile . 2 . Tap the Input Selector arrow , then tap Full QWERTY . 3 . Start tapping keys on the keyboard to enter your text . 108 Entering Text As you tap the keys , the activated character displays on top of the key . Activated character Key when tapped . To learn how to enter text using Predictive mode , see " Using Predictive Mode " in this chapter . To enter accented characters 1 . Tap and hold a key with accent options ( for example , vowels ) to display the accented characters bar . Accented characters bar Tapped key Slide your finger left or right on the screen to select an accented character . 2 . Slide your finger left or right on the screen to select the accented character you want to enter . Entering Text 109 3 . When you have selected the character , release your finger to enter it . Tip You can also use the Numeric and Symbol mode to enter accented characters . For more information , see " Using Numeric and Symbol Mode " in this chapter for details . 4.4 Using the Phone Keypad The Phone Keypad is an on-screen keypad that has a layout similar to mobile phone keypads , plus some additional keys . The Phone Keypad has large keys and enhanced input features such as predictive text input , which make it faster for you to enter text in your messages and documents . • Tap to enter letters or symbols . • Tap and hold to enter the punctuation mark , symbol , or number at the top of the key . Tap to toggle between using Normal or Predictive mode . • Tap to enter an uppercase letter . • Tap twice to turn on Caps Lock . Displays the word candidate list in Predictive mode . Tap a word to insert it into your text . Tap to add a word to the XT9 dictionary . Tap to delete the previous character . Tap to create a new line . Tap to open a keyboard layout that lets you easily enter numbers , symbols , and accented characters . See " Using Numeric and Symbol Mode " for details . 110 Entering Text To enter text using the Phone Keypad 1 . Start a program that accepts text input , such as Word Mobile . 2 . Tap the Input Selector arrow , then tap Phone Keypad . 3 . When in multitap mode ( ) , enter a character by tapping a key until the desired character is displayed on the screen . As you tap the keys , the activated key displays just above the tapped key . • To enter the first letter that shows on a key , tap the key once . To enter the second letter , tap twice , and so on . • To enter a punctuation mark , symbol , or number that appears at the top of a key , tap and hold the key . Note You can also use the Predictive text input mode in Phone Keypad . For more information , see " Using Predictive Mode " in this chapter . 4.5 Using Predictive Mode XT9 is a predictive text input mode which displays a word candidate list as you enter the first few characters so you just select the word that you want . To enter text using Predictive mode 1 . Make sure that the input mode is set to XT9 ( ) . 2 . Start entering the first few letters of a word . As you enter each letter , predicted words appear in the word candidate bar . 3 . Tap the desired word to enter . If the word is highlighted in the word candidate bar , you can also tap the Enter key or the Space bar to enter it . Note If there are several words to choose from , touch the left or right directional arrow keys below the input panel to navigate through the word candidate list . Entering Text 111 To add a word to the XT9 dictionary If the word that you have entered is not found in the dictionary , you can add it to the dictionary . 1 . While in Predictive mode , type a letter and then tap word candidate list . 2 . Type the word you want to add , and then tap key or the Space bar to add the word . on right side of the . You can also tap the Enter Cancel word addition . To customize Predictive mode settings 1 . Tap the Input Selector arrow , then tap Touch Input Settings . 2 . On the XT9 Settings tab , select or clear the following options according to your preferences : • Spell Correction . Lets you correct typographical errors by selecting from a list of possible words that reflect the characters of the keys you have tapped as well as characters of nearby keys . • Word Completion in XT9 mode . Lets you select from a list of possible words based on the keys that you have tapped and on the words available in the dictionary . • Word Completion in ABC mode ( Phone Keypad only ) . Lets you select from a list of possible combinations based on the characters that appear on the keys that you tapped . • Auto-Substitution . Automatically inserts an apostrophe when you type common contracted words ( for example , " dont " automatically becomes " do n't " ) . 3 . Tap OK . 112 Entering Text 4.6 Using Numeric and Symbol Mode Switch to Numeric and Symbol mode to easily enter numbers and common symbols such as parentheses , braces , currency signs , punctuation marks , and special characters . To switch to Numeric and Symbol mode 1 . While using Full QWERTY or Phone Keypad , tap Tap a number or symbol to enter it . Go to the previous or next page of symbols . Tap to switch back to the letter keyboard layout . Phone Keypad Full QWERTY . 2 . Locate and tap the desired number or symbol to enter it . To automatically switch to the letter keyboard layout By default , the keyboard in Numeric and Symbol mode is locked so you can continuously enter symbols and numbers . Do the following if you want to automatically switch to the letter keyboard layout after entering a symbol . 1 . Tap the Input Selector arrow and then tap Touch Input Settings . 2 . On the Options tab , clear Turn on symbol lock . 3 . Tap OK .


The amount you need to eat changes as you get older . It also depends on how active you are , if you are still growing or not , and how much you already weigh . The more active you are , the more energy you need from food . The energy food gives you is measured in calories . Hector says : " If we eat more food than we need to make energy , the extra food turns to fat and this is stored in our bodies . " Children are much smaller than adults but they are usually very active and still growing . They usually need between 1000 and 2000 calories every day . Adult women need between 2000 and 4000 calories every day and men need between 3000 and 5000 calories , depending on how active they are . Adult bodies are larger than children's so adults need to eat more to produce energy . Older people generally tend to use less energy than other adults . Depending on how active they are , they only need between 1000 and 2000 calories a day .


Notice of Public Information Meeting April 28 , 2015 at 7 : 00 p.m. Village of Shorewood Hills , Village Hall 810 Shorewood Boulevard Public Discussion – How Will Future Development Affect Shorewood Hills ? You are encouraged to attend and participate in a meeting to discuss development along the University Avenue / Marshall Court Corridor April 28 , 2015 at 7 : 00 p.m. at the Village Hall • A Review of the Past • A Look at the Present • Planning for the Future • Presentations • Panel of Experts • Public Input with Questions , some Answers and identification of issues needing further investigation


Billboard rules of the road We 've pulled out all the stops to advertise the launch of our very own Ascend's Golden Guide . One of the ways we 've decided to advertise the publication and website is through four strategically placed billboards located next to highways throughout the Kansas City metro . Creating a successful billboard is actually more challenging than long-form content . Despite the large space , you have to get your message across instantaneously . Drivers often have fewer than 10 seconds to view . Here are six fundamental rules : Writing for billboards – or bus signs , meeting banners and other large signs meant to be seen from far away – is all about the short and sweet hook . Twitter's 140-character limit is a good introduction to writing concise content , but actually , the most eye-catching billboards are ones that feature seven words or less . It should be catchy and have an immediate effect on the reader . The best billboards hit a nerve with readers . Signs that elicit an emotional response are more memorable . Try the humorous approach , pull on their heartstrings or intrigue or surprise your readers . " Good advertising is storytelling , " according to the Outdoor Advertising Association of America ( OAAA ) . " Dramatic tension or suspense influences viewer interest [ that ] can be expressed on three different cognitive levels : rational , emotional and cultural . " Rely on imagery over words , if possible . For our billboard campaign , we chose to use a picture of the Ascend's Golden Guide cover for recognition , as the publication is now available in magazine racks at various locations , such as libraries , CVS pharmacies , doctor's offices and more , across the city . Think outside the billboard . Check with your billboard vendor to see if you can take your message or graphic past the frame . " Extensions or other 3-D embellishments and environmental applications will enhance an overall design by producing greater impact , " according to the OAAA . Fonts must be easy to read from variable distances . Make the text large and legible , paying close attention to the spacing between letters . For our billboard , which we wanted drivers to be able to read from the highway , we used Myriad , a sans-serif font .


When his bed sheets began to hint at something more beneath them , Bruce Bailey blamed his wayward mind . It had played nothing but dirty tricks for months now – since the day Sheila died – yes , since then . So , when he entered his bedroom that Tuesday to catch a nap before his late shift at the factory , he frowned , rubbed his jaw and thought : I made the bed , did n't I ? I always make the bed . He slept fitfully . Nothing strange in that : just another legacy from Sheila's death . As much as he disliked the thought Bruce was growing used to the nightmarish quality of his days ; of the long drawn out shadows that breathed and lurched drunkenly around his room . The light fixture had begun to resemble a blind milky eye , as if age itself worked upon it . Sometimes he wished it would simply blow . It offered little comfort anyway ; its glow had grown sickly . Bruce imagined jaundiced skin clinging to it , tainting the light as it passed through . It was these thoughts that occupied the greater part of Bruce's mind , and when they were n't there , Sheila's face would take up residence , wounded , half pleading waiting to come in from the cold . Unable to sleep , he staggered out of bed , stood for a moment trying to recollect what he was supposed to do next . He 'd slept in his work clothes again , something Mr Shueman had remarked upon the day before . His sympathy had long died along with his patience towards Bruce's shattered attention . " Ca n't work on a fac-to-ry floor Bruce , if you 're playing with the fairies . " He 'd said in his neat and concise way . For the second time that day ( did n't I make it before ? ) Bruce re-made the bed . In the bathroom he washed his face , ignoring his reflection . On impulse he pulled off his white shirt and dragged on a blue one , it was unwashed but wearable . He returned to the bedroom and stopped . The sheets were dishevelled , pulled in places into curves and valleys . Sheila had been dead four months , not long enough for him to forget how a woman looked beneath bed covers . Bruce knew he was n't mistaken ; there was someone in his bed . She lay curled on her side , her hands beneath her head and her feet drawn up . " It 's my fucking head , " Bruce muttered , working his fists . " My goddamned head ! " The sheets moved . A sigh shivered into the room , strong enough to upset the fabric stifling the woman's mouth . Bruce stumbled back , shock sending jolts of ice into his gut . This was by far the most lucid of his wild imaginings . So much so that he believed he could smell her . An acrid stench of something charred , it grew thick and cloying . Over-cooked meat . Bad meat , Bruce thought , against his better judgement stepping closer . His mind had grown unhealthy , ( that 's it and that 's all it is , right ? ) He could n't blame it , the way he 'd been living . The house was a mess ; dirty clothes strewn everywhere , litter overflowing the bin . His thoughts had adapted to their surroundings ; to his depression . Why else , did n't he simply remove the unsightly bulb and replace it with a new one ( should turn the Goddamned thing off ! ) , open the curtains instead of putting up with sullied shadow ? Because he did n't want to , Bruce wanted to nurture the only thing he had left , Sheila – no - Sheila's dead . He found himself standing by the bed . The bed he 'd slept in for four months now wishing human warmth beside him . A pillow was a poor companion . His weary eyes took in the sheets , the slender figure beneath them . Definitely there . He could even see the rise and fall of her breath . Her breath . Sheila ... Toying with the corner of the sheet Bruce said , " Come out . " The figure turned , called from sleep , her blind face searching , " Bruce ? " She said , and her voice cracked like a bad connection . " Bruce ? " Unable to bear it Bruce screamed and tore away the sheet . The fabric whispered – only friction makes a sound like that – against her skin , her hands reached for her face , fingers splayed against her cheeks . " Sheila - " his voice failed him , his legs buckled , Bruce found himself kneeling before the parody of his wife . Her hands fled to her chest , her stomach , they squeezed and prodded , as if unable to believe she was intact . Almost . She had no hair . Her eyes no longer blue but yellow and shrivelled , her collarbone and chest was littered with fragments of metal . Because of the crash , she 'd always thought small cars were safer , so wrong . A small guy will always come off worst against a giant , and her mini resembled an accordion after the accident . Could n't get free , could n't escape the flames . Burnt away her hair , her face . " You 're dead ! " Bruce gasped , oily sweat pock-marking his face and neck . Her yellow eyes pinned him ; lips tried to smile . " Huh huh , " Sheila said , shaking her head . An odd , contemplative look shadowed her naked face , " I 've come to keep our bed warm , " she whispered in that strange long distance way , crawling ( like a broken puppet ) toward the foot of the bed where Bruce knelt frozen , " You 've been missing me , Bruce , have n't you ? "


CHAPTER XXXIII When Mr. St. John went , it was beginning to snow ; the whirling storm continued all night . The next day a keen wind brought fresh and blinding falls ; by twilight the valley was drifted up and almost impassable . I had closed my shutter , laid a mat to the door to prevent the snow from blowing in under it , trimmed my fire , and after sitting nearly an hour on the hearth listening to the muffled fury of the tempest , I lit a candle , took down " Marmion , " and beginning -- " Day set on Norham's castled steep , And Tweed's fair river broad and deep , And Cheviot's mountains lone ; The massive towers , the donjon keep , The flanking walls that round them sweep , In yellow lustre shone " -- I soon forgot storm in music . I heard a noise : the wind , I thought , shook the door . No ; it was St. John Rivers , who , lifting the latch , came in out of the frozen hurricane--the howling darkness--and stood before me : the cloak that covered his tall figure all white as a glacier . I was almost in consternation , so little had I expected any guest from the blocked-up vale that night . " Any ill news ? " I demanded . " Has anything happened ? " " No. How very easily alarmed you are ! " he answered , removing his cloak and hanging it up against the door , towards which he again coolly pushed the mat which his entrance had deranged . He stamped the snow from his boots . " I shall sully the purity of your floor , " said he , " but you must excuse me for once . " Then he approached the fire . " I have had hard work to get here , I assure you , " he observed , as he warmed his hands over the flame . " One drift took me up to the waist ; happily the snow is quite soft yet . " " But why are you come ? " I could not forbear saying . " Rather an inhospitable question to put to a visitor ; but since you ask it , I answer simply to have a little talk with you ; I got tired of my mute books and empty rooms . Besides , since yesterday I have experienced the excitement of a person to whom a tale has been half-told , and who is impatient to hear the sequel . " He sat down . I recalled his singular conduct of yesterday , and really I began to fear his wits were touched . If he were insane , however , his was a very cool and collected insanity : I had never seen that handsome-featured face of his look more like chiselled marble than it did just now , as he put aside his snow-wet hair from his forehead and let the firelight shine free on his pale brow and cheek as pale , where it grieved me to discover the hollow trace of care or sorrow now so plainly graved . I waited , expecting he would say something I could at least comprehend ; but his hand was now at his chin , his finger on his lip : he was thinking . It struck me that his hand looked wasted like his face . A perhaps uncalled-for gush of pity came over my heart : I was moved to say -- " I wish Diana or Mary would come and live with you : it is too bad that you should be quite alone ; and you are recklessly rash about your own health . " " Not at all , " said he : " I care for myself when necessary . I am well now . What do you see amiss in me ? " This was said with a careless , abstracted indifference , which showed that my solicitude was , at least in his opinion , wholly superfluous . I was silenced . He still slowly moved his finger over his upper lip , and still his eye dwelt dreamily on the glowing grate ; thinking it urgent to say something , I asked him presently if he felt any cold draught from the door , which was behind him . " No , no ! " he responded shortly and somewhat testily . " Well , " I reflected , " if you wo n ' t talk , you may be still ; I 'll let you alone now , and return to my book . " So I snuffed the candle and resumed the perusal of " Marmion . " He soon stirred ; my eye was instantly drawn to his movements ; he only took out a morocco pocket-book , thence produced a letter , which he read in silence , folded it , put it back , relapsed into meditation . It was vain to try to read with such an inscrutable fixture before me ; nor could I , in impatience , consent to be dumb ; he might rebuff me if he liked , but talk I would . " Have you heard from Diana and Mary lately ? " " Not since the letter I showed you a week ago . " " There has not been any change made about your own arrangements ? You will not be summoned to leave England sooner than you expected ? " " I fear not , indeed : such chance is too good to befall me . " Baffled so far , I changed my ground . I bethought myself to talk about the school and my scholars . " Mary Garrett's mother is better , and Mary came back to the school this morning , and I shall have four new girls next week from the Foundry Close--they would have come to-day but for the snow . " " Indeed ! " " Mr. Oliver pays for two . " " Does he ? " " He means to give the whole school a treat at Christmas . " " I know . " " Was it your suggestion ? " " No. " " Whose , then ? " " His daughter 's , I think . " " It is like her : she is so good-natured . " " Yes . " Again came the blank of a pause : the clock struck eight strokes . It aroused him ; he uncrossed his legs , sat erect , turned to me . " Leave your book a moment , and come a little nearer the fire , " he said . Wondering , and of my wonder finding no end , I complied . " Half-an-hour ago , " he pursued , " I spoke of my impatience to hear the sequel of a tale : on reflection , I find the matter will be better managed by my assuming the narrator's part , and converting you into a listener . Before commencing , it is but fair to warn you that the story will sound somewhat hackneyed in your ears ; but stale details often regain a degree of freshness when they pass through new lips . For the rest , whether trite or novel , it is short . " Twenty years ago , a poor curate--never mind his name at this moment--fell in love with a rich man's daughter ; she fell in love with him , and married him , against the advice of all her friends , who consequently disowned her immediately after the wedding . Before two years passed , the rash pair were both dead , and laid quietly side by side under one slab . ( I have seen their grave ; it formed part of the pavement of a huge churchyard surrounding the grim , soot-black old cathedral of an overgrown manufacturing town in --- shire . ) They left a daughter , which , at its very birth , Charity received in her lap--cold as that of the snow-drift I almost stuck fast in to-night . Charity carried the friendless thing to the house of its rich maternal relations ; it was reared by an aunt-in - law , called ( I come to names now ) Mrs. Reed of Gateshead . You start--did you hear a noise ? I daresay it is only a rat scrambling along the rafters of the adjoining schoolroom : it was a barn before I had it repaired and altered , and barns are generally haunted by rats . -- To proceed . Mrs. Reed kept the orphan ten years : whether it was happy or not with her , I can not say , never having been told ; but at the end of that time she transferred it to a place you know--being no other than Lowood School , where you so long resided yourself . It seems her career there was very honourable : from a pupil , she became a teacher , like yourself--really it strikes me there are parallel points in her history and yours--she left it to be a governess : there , again , your fates were analogous ; she undertook the education of the ward of a certain Mr. Rochester . " " Mr. Rivers ! " I interrupted . " I can guess your feelings , " he said , " but restrain them for a while : I have nearly finished ; hear me to the end . Of Mr. Rochester's character I know nothing , but the one fact that he professed to offer honourable marriage to this young girl , and that at the very altar she discovered he had a wife yet alive , though a lunatic . What his subsequent conduct and proposals were is a matter of pure conjecture ; but when an event transpired which rendered inquiry after the governess necessary , it was discovered she was gone--no one could tell when , where , or how . She had left Thornfield Hall in the night ; every research after her course had been vain : the country had been scoured far and wide ; no vestige of information could be gathered respecting her . Yet that she should be found is become a matter of serious urgency : advertisements have been put in all the papers ; I myself have received a letter from one Mr. Briggs , a solicitor , communicating the details I have just imparted . Is it not an odd tale ? " " Just tell me this , " said I , " and since you know so much , you surely can tell it me--what of Mr. Rochester ? How and where is he ? What is he doing ? Is he well ? " " I am ignorant of all concerning Mr. Rochester : the letter never mentions him but to narrate the fraudulent and illegal attempt I have adverted to . You should rather ask the name of the governess--the nature of the event which requires her appearance . " " Did no one go to Thornfield Hall , then ? Did no one see Mr. Rochester ? " " I suppose not . " " But they wrote to him ? " " Of course . " " And what did he say ? Who has his letters ? " " Mr. Briggs intimates that the answer to his application was not from Mr. Rochester , but from a lady : it is signed ' Alice Fairfax . ' " I felt cold and dismayed : my worst fears then were probably true : he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent . And what opiate for his severe sufferings--what object for his strong passions--had he sought there ? I dared not answer the question . Oh , my poor master--once almost my husband--whom I had often called " my dear Edward ! " " He must have been a bad man , " observed Mr. Rivers . " You do n't know him--do n't pronounce an opinion upon him , " I said , with warmth . " Very well , " he answered quietly : " and indeed my head is otherwise occupied than with him : I have my tale to finish . Since you wo n ' t ask the governess's name , I must tell it of my own accord . Stay ! I have it here--it is always more satisfactory to see important points written down , fairly committed to black and white . " And the pocket-book was again deliberately produced , opened , sought through ; from one of its compartments was extracted a shabby slip of paper , hastily torn off : I recognised in its texture and its stains of ultra-marine , and lake , and vermillion , the ravished margin of the portrait-cover . He got up , held it close to my eyes : and I read , traced in Indian ink , in my own handwriting , the words " JANE EYRE " -- the work doubtless of some moment of abstraction . " Briggs wrote to me of a Jane Eyre : " he said , " the advertisements demanded a Jane Eyre : I knew a Jane Elliott . -- I confess I had my suspicions , but it was only yesterday afternoon they were at once resolved into certainty . You own the name and renounce the _alias_ ? " " Yes--yes ; but where is Mr. Briggs ? He perhaps knows more of Mr. Rochester than you do . " " Briggs is in London . I should doubt his knowing anything at all about Mr. Rochester ; it is not in Mr. Rochester he is interested . Meantime , you forget essential points in pursuing trifles : you do not inquire why Mr. Briggs sought after you--what he wanted with you . " " Well , what did he want ? " " Merely to tell you that your uncle , Mr. Eyre of Madeira , is dead ; that he has left you all his property , and that you are now rich--merely that--nothing more . " " I ! -- rich ? " " Yes , you , rich--quite an heiress . " Silence succeeded . " You must prove your identity of course , " resumed St. John presently : " a step which will offer no difficulties ; you can then enter on immediate possession . Your fortune is vested in the English funds ; Briggs has the will and the necessary documents . " Here was a new card turned up ! It is a fine thing , reader , to be lifted in a moment from indigence to wealth--a very fine thing ; but not a matter one can comprehend , or consequently enjoy , all at once . And then there are other chances in life far more thrilling and rapture-giving : _this_ is solid , an affair of the actual world , nothing ideal about it : all its associations are solid and sober , and its manifestations are the same . One does not jump , and spring , and shout hurrah ! at hearing one has got a fortune ; one begins to consider responsibilities , and to ponder business ; on a base of steady satisfaction rise certain grave cares , and we contain ourselves , and brood over our bliss with a solemn brow . Besides , the words Legacy , Bequest , go side by side with the words , Death , Funeral . My uncle I had heard was dead--my only relative ; ever since being made aware of his existence , I had cherished the hope of one day seeing him : now , I never should . And then this money came only to me : not to me and a rejoicing family , but to my isolated self . It was a grand boon doubtless ; and independence would be glorious--yes , I felt that--that thought swelled my heart . " You unbend your forehead at last , " said Mr. Rivers . " I thought Medusa had looked at you , and that you were turning to stone . Perhaps now you will ask how much you are worth ? " " How much am I worth ? " " Oh , a trifle ! Nothing of course to speak of--twenty thousand pounds , I think they say--but what is that ? " " Twenty thousand pounds ? " Here was a new stunner--I had been calculating on four or five thousand . This news actually took my breath for a moment : Mr. St. John , whom I had never heard laugh before , laughed now . " Well , " said he , " if you had committed a murder , and I had told you your crime was discovered , you could scarcely look more aghast . " " It is a large sum--do n't you think there is a mistake ? " " No mistake at all . " " Perhaps you have read the figures wrong--it may be two thousand ! " " It is written in letters , not figures , -- twenty thousand . " I again felt rather like an individual of but average gastronomical powers sitting down to feast alone at a table spread with provisions for a hundred . Mr. Rivers rose now and put his cloak on . " If it were not such a very wild night , " he said , " I would send Hannah down to keep you company : you look too desperately miserable to be left alone . But Hannah , poor woman ! could not stride the drifts so well as I : her legs are not quite so long : so I must e ' en leave you to your sorrows . Good-night . " He was lifting the latch : a sudden thought occurred to me . " Stop one minute ! " I cried . " Well ? " " It puzzles me to know why Mr. Briggs wrote to you about me ; or how he knew you , or could fancy that you , living in such an out-of-the-way place , had the power to aid in my discovery . " " Oh ! I am a clergyman , " he said ; " and the clergy are often appealed to about odd matters . " Again the latch rattled . " No ; that does not satisfy me ! " I exclaimed : and indeed there was something in the hasty and unexplanatory reply which , instead of allaying , piqued my curiosity more than ever . " It is a very strange piece of business , " I added ; " I must know more about it . " " Another time . " " No ; to-night ! -- to-night ! " and as he turned from the door , I placed myself between it and him . He looked rather embarrassed . " You certainly shall not go till you have told me all , " I said . " I would rather not just now . " " You shall ! -- you must ! " " I would rather Diana or Mary informed you . " Of course these objections wrought my eagerness to a climax : gratified it must be , and that without delay ; and I told him so . " But I apprised you that I was a hard man , " said he , " difficult to persuade . " " And I am a hard woman , -- impossible to put off . " " And then , " he pursued , " I am cold : no fervour infects me . " " Whereas I am hot , and fire dissolves ice . The blaze there has thawed all the snow from your cloak ; by the same token , it has streamed on to my floor , and made it like a trampled street . As you hope ever to be forgiven , Mr. Rivers , the high crime and misdemeanour of spoiling a sanded kitchen , tell me what I wish to know . " " Well , then , " he said , " I yield ; if not to your earnestness , to your perseverance : as stone is worn by continual dropping . Besides , you must know some day , -- as well now as later . Your name is Jane Eyre ? " " Of course : that was all settled before . " " You are not , perhaps , aware that I am your namesake ? -- that I was christened St. John Eyre Rivers ? " " No , indeed ! I remember now seeing the letter E. comprised in your initials written in books you have at different times lent me ; but I never asked for what name it stood . But what then ? Surely -- " I stopped : I could not trust myself to entertain , much less to express , the thought that rushed upon me--that embodied itself , -- that , in a second , stood out a strong , solid probability . Circumstances knit themselves , fitted themselves , shot into order : the chain that had been lying hitherto a formless lump of links was drawn out straight , -- every ring was perfect , the connection complete . I knew , by instinct , how the matter stood , before St. John had said another word ; but I can not expect the reader to have the same intuitive perception , so I must repeat his explanation . " My mother's name was Eyre ; she had two brothers ; one a clergyman , who married Miss Jane Reed , of Gateshead ; the other , John Eyre , Esq. , merchant , late of Funchal , Madeira . Mr. Briggs , being Mr. Eyre's solicitor , wrote to us last August to inform us of our uncle's death , and to say that he had left his property to his brother the clergyman's orphan daughter , overlooking us , in consequence of a quarrel , never forgiven , between him and my father . He wrote again a few weeks since , to intimate that the heiress was lost , and asking if we knew anything of her . A name casually written on a slip of paper has enabled me to find her out . You know the rest . " Again he was going , but I set my back against the door . " Do let me speak , " I said ; " let me have one moment to draw breath and reflect . " I paused--he stood before me , hat in hand , looking composed enough . I resumed -- " Your mother was my father's sister ? " " Yes . " " My aunt , consequently ? " He bowed . " My uncle John was your uncle John ? You , Diana , and Mary are his sister's children , as I am his brother's child ? " " Undeniably . " " You three , then , are my cousins ; half our blood on each side flows from the same source ? " " We are cousins ; yes . " I surveyed him . It seemed I had found a brother : one I could be proud of , -- one I could love ; and two sisters , whose qualities were such , that , when I knew them but as mere strangers , they had inspired me with genuine affection and admiration . The two girls , on whom , kneeling down on the wet ground , and looking through the low , latticed window of Moor House kitchen , I had gazed with so bitter a mixture of interest and despair , were my near kinswomen ; and the young and stately gentleman who had found me almost dying at his threshold was my blood relation . Glorious discovery to a lonely wretch ! This was wealth indeed ! -- wealth to the heart ! -- a mine of pure , genial affections . This was a blessing , bright , vivid , and exhilarating ; -- not like the ponderous gift of gold : rich and welcome enough in its way , but sobering from its weight . I now clapped my hands in sudden joy--my pulse bounded , my veins thrilled . " Oh , I am glad ! -- I am glad ! " I exclaimed . St. John smiled . " Did I not say you neglected essential points to pursue trifles ? " he asked . " You were serious when I told you you had got a fortune ; and now , for a matter of no moment , you are excited . " " What can you mean ? It may be of no moment to you ; you have sisters and do n't care for a cousin ; but I had nobody ; and now three relations , -- or two , if you do n't choose to be counted , -- are born into my world full-grown . I say again , I am glad ! " I walked fast through the room : I stopped , half suffocated with the thoughts that rose faster than I could receive , comprehend , settle them : -- thoughts of what might , could , would , and should be , and that ere long . I looked at the blank wall : it seemed a sky thick with ascending stars , -- every one lit me to a purpose or delight . Those who had saved my life , whom , till this hour , I had loved barrenly , I could now benefit . They were under a yoke , -- I could free them : they were scattered , -- I could reunite them : the independence , the affluence which was mine , might be theirs too . Were we not four ? Twenty thousand pounds shared equally would be five thousand each , justice--enough and to spare : justice would be done , -- mutual happiness secured . Now the wealth did not weigh on me : now it was not a mere bequest of coin , -- it was a legacy of life , hope , enjoyment . How I looked while these ideas were taking my spirit by storm , I can not tell ; but I perceived soon that Mr. Rivers had placed a chair behind me , and was gently attempting to make me sit down on it . He also advised me to be composed ; I scorned the insinuation of helplessness and distraction , shook off his hand , and began to walk about again . " Write to Diana and Mary to-morrow , " I said , " and tell them to come home directly . Diana said they would both consider themselves rich with a thousand pounds , so with five thousand they will do very well . " " Tell me where I can get you a glass of water , " said St. John ; " you must really make an effort to tranquillise your feelings . " " Nonsense ! and what sort of an effect will the bequest have on you ? Will it keep you in England , induce you to marry Miss Oliver , and settle down like an ordinary mortal ? " " You wander : your head becomes confused . I have been too abrupt in communicating the news ; it has excited you beyond your strength . " " Mr. Rivers ! you quite put me out of patience : I am rational enough ; it is you who misunderstand , or rather who affect to misunderstand . " " Perhaps , if you explained yourself a little more fully , I should comprehend better . " " Explain ! What is there to explain ? You can not fail to see that twenty thousand pounds , the sum in question , divided equally between the nephew and three nieces of our uncle , will give five thousand to each ? What I want is , that you should write to your sisters and tell them of the fortune that has accrued to them . " " To you , you mean . " " I have intimated my view of the case : I am incapable of taking any other . I am not brutally selfish , blindly unjust , or fiendishly ungrateful . Besides , I am resolved I will have a home and connections . I like Moor House , and I will live at Moor House ; I like Diana and Mary , and I will attach myself for life to Diana and Mary . It would please and benefit me to have five thousand pounds ; it would torment and oppress me to have twenty thousand ; which , moreover , could never be mine in justice , though it might in law . I abandon to you , then , what is absolutely superfluous to me . Let there be no opposition , and no discussion about it ; let us agree amongst each other , and decide the point at once . " " This is acting on first impulses ; you must take days to consider such a matter , ere your word can be regarded as valid . " " Oh ! if all you doubt is my sincerity , I am easy : you see the justice of the case ? " " I _do_ see a certain justice ; but it is contrary to all custom . Besides , the entire fortune is your right : my uncle gained it by his own efforts ; he was free to leave it to whom he would : he left it to you . After all , justice permits you to keep it : you may , with a clear conscience , consider it absolutely your own . " " With me , " said I , " it is fully as much a matter of feeling as of conscience : I must indulge my feelings ; I so seldom have had an opportunity of doing so . Were you to argue , object , and annoy me for a year , I could not forego the delicious pleasure of which I have caught a glimpse--that of repaying , in part , a mighty obligation , and winning to myself lifelong friends . " " You think so now , " rejoined St. John , " because you do not know what it is to possess , nor consequently to enjoy wealth : you can not form a notion of the importance twenty thousand pounds would give you ; of the place it would enable you to take in society ; of the prospects it would open to you : you can not -- " " And you , " I interrupted , " can not at all imagine the craving I have for fraternal and sisterly love . I never had a home , I never had brothers or sisters ; I must and will have them now : you are not reluctant to admit me and own me , are you ? " " Jane , I will be your brother--my sisters will be your sisters--without stipulating for this sacrifice of your just rights . " " Brother ? Yes ; at the distance of a thousand leagues ! Sisters ? Yes ; slaving amongst strangers ! I , wealthy--gorged with gold I never earned and do not merit ! You , penniless ! Famous equality and fraternisation ! Close union ! Intimate attachment ! " " But , Jane , your aspirations after family ties and domestic happiness may be realised otherwise than by the means you contemplate : you may marry . " " Nonsense , again ! Marry ! I do n't want to marry , and never shall marry . " " That is saying too much : such hazardous affirmations are a proof of the excitement under which you labour . " " It is not saying too much : I know what I feel , and how averse are my inclinations to the bare thought of marriage . No one would take me for love ; and I will not be regarded in the light of a mere money speculation . And I do not want a stranger--unsympathising , alien , different from me ; I want my kindred : those with whom I have full fellow - feeling . Say again you will be my brother : when you uttered the words I was satisfied , happy ; repeat them , if you can , repeat them sincerely . " " I think I can . I know I have always loved my own sisters ; and I know on what my affection for them is grounded , -- respect for their worth and admiration of their talents . You too have principle and mind : your tastes and habits resemble Diana's and Mary's ; your presence is always agreeable to me ; in your conversation I have already for some time found a salutary solace . I feel I can easily and naturally make room in my heart for you , as my third and youngest sister . " " Thank you : that contents me for to-night . Now you had better go ; for if you stay longer , you will perhaps irritate me afresh by some mistrustful scruple . " " And the school , Miss Eyre ? It must now be shut up , I suppose ? " " No. I will retain my post of mistress till you get a substitute . " He smiled approbation : we shook hands , and he took leave . I need not narrate in detail the further struggles I had , and arguments I used , to get matters regarding the legacy settled as I wished . My task was a very hard one ; but , as I was absolutely resolved--as my cousins saw at length that my mind was really and immutably fixed on making a just division of the property--as they must in their own hearts have felt the equity of the intention ; and must , besides , have been innately conscious that in my place they would have done precisely what I wished to do--they yielded at length so far as to consent to put the affair to arbitration . The judges chosen were Mr. Oliver and an able lawyer : both coincided in my opinion : I carried my point . The instruments of transfer were drawn out : St. John , Diana , Mary , and I , each became possessed of a competency .


This may vary from vendor to vendor , but NSS has n't tested the capabilities of these devices to " learn " the networks they 're installed in without manual intervention . The recommendation has always been to install them in a passive monitoring mode , watch what they alert on , and then have custom exclusions written for unique applications . NGFWs do not natively include the ability to ' self-learn ' the behavior of custom apps . It requires manual intervention to identify the unknown application traffic in order for the NGFW to properly identify and manage the application . What impact will the trend of social media webpages like Facebook moving towards https have on the ability to block " specific " traffic or traffic patterns ? You will need SSL interception capabilities on your NGFW . The most common problem in this type of implementation is to manage the whitelist / blacklist sites . For regulatory reasons corporations do not want to intercept SSL connections to employee benefits / payroll / personal banking sites . Many organizations now require secure file transfers ( SFTP or FTPS ) ... how can a next-gen firewall inspect that traffic if the data is encrypted ? Absolutely . One reason why you do n't hear much from most NGFW vendors about IPv6 is that they have not built in the dual-stack support and feature & performance parity necessary to provide the same level protection for IPv6 as they deliver for IPv4 traffic . In other words , they hope you do n't have a requirement to support IPv6 because they ca n't support it today . Why this is an issue is threefold : You likely have IPv6 traffic in your network whether you know it or not . Many devices and OS have supported native IPv6 enabled , and can send and receive IPv6 traffic by default . Dual stack support does n't mean feature parity , and most vendors only support IPv6 in software . Supporting IPv6 is just the first significant step – vendors have to invest the R & D resources to ensure that their products can deliver the same features / functions in both protocols , and also invest in the custom processors to deliver hardware-based acceleration of the IPv6 data to avoid becoming a security bottleneck . How quickly , realistically , can an organization expect to apply the Next-Gen Firewall capabilities to a legacy ruleset ? IPS is probably the easiest . Application control might be also quickly implemented if the organization has proper logging and analysis done on the legacy ruleset . Perhaps the NNGFW ( next-next-generation firewall ) ? In all seriousness , the NGFW will evolve , and the term will at some point be replaced . Vendors have to keep adding new features to keep pace with the changing networking environment . One area that we at Fortinet have launched is client reputation , which provides a set of behaviors that the FortiGate device uses to calculate a reputation score . The value of this is that a change in behavior by a device ( whether sudden or over an extended period of time ) will trigger an alert , providing a real-time method to identify the bad actors in your network at any time , as well as identity potentially compromised systems . Two trends we are certainly seeing are : 1 ) More consolidation – firewalls will get better at consolidating network security functions , not just IPS , but also URL filtering and advanced malware detection , and are likely to add more capabilities . 2 ) Virtual ( Hypervisor-based ) Firewalls – while adoption is limited currently , firewalls that can inspect VM to VM traffic will become more prevalent , as organizations will virtualize their environment to the point where workloads that differ in their security requirements are executed on the same physical machine . I think NGFW is still not mature , Data Loss Prevention is just scratching the surface of NGFW . IPv6 will bring some more challenges in firewall space . Content examination within protocols , digital marking for DLP , authentication function for bidirectional connection to support mobile devices are probably some areas of interest . Thanks to our panelists for responding to these questions . For more commentary on where the firewall is headed , check out our " Evolution of the Firewall " blog .


Chapter 11 Camera and Multimedia 11.1 Taking Photos and Videos Use Camera to take photos and record video clips . To open the Camera screen On the Home screen , slide to the Photos and Videos tab and then tap the camera icon ( ) . The screen orientation automatically switches to landscape mode when you open Camera . To close the Camera Tap the On-screen control button ( ) , and then tap . Changing the capture mode Tap , then tap the capture mode icon ( – the icon displayed is based on the current capture mode ) . On the menu , tap the capture mode you want to use . Icon Capture Mode Captures standard still images . Records video clips , with or without audio . 196 Camera and Multimedia Icon Capture Mode Captures still images continuously in one direction , and then stitches them to create a panoramic view of a scenery . Records video clips suitable for sending via MMS . Captures a still image that you can assign as a contact picture . Captures still images and places them within frames . Note When using the second camera to capture , you can use all modes , except for Panorama . Using the focus Note Use the automatic focus or Touch Focus function to capture sharp and crisp photos and videos . The second ( front ) camera has no auto-focus function . Auto-focus Auto-focus sets the focus on the object at the center of the screen and is available for all capture modes . By default , touching the Virtual Camera button ( ) activates auto-focus and a flashing white bracket ( ) appears in the center of the screen . When focus is set , the bracket changes to a steady green bracket ( ) , and then the Camera takes the photo or starts to record the video . Touch Focus Touch Focus allows you to focus on a particular area of the screen . Touch Focus is enabled by default and is only available for Photo or Contacts Picture mode . Note To disable Touch Focus , see " Setting advanced options " in this chapter . Camera and Multimedia 197 To use Touch Focus : 1 . Set the Camera to Photo or Contacts Picture mode . 2 . Touch the area on the screen that you want to focus . The Touch Focus indicator ( ) positions itself on the selected area . Note If you tap outside the effective focus area , a white box appears to indicate the area where you can use Touch Focus . 3 . Touch to activate auto-focus on the selected area and take the photo . See " Auto-focus " in this chapter for more information . Tip To move the Touch Focus indicator back to the center of the screen , tap . Capturing photo or recording video By default , the Camera automatically takes the shot or starts capturing video after you have set the focus . • In Photo or Contacts Picture mode , touch the Virtual Camera button to activate auto-focus ; when focus is set , the Camera automatically takes the shot . • In Video or MMS Video mode , touch the Virtual Camera button to activate auto-focus ; when focus is set , the Camera automatically starts recording . Touch the Virtual camera button again to stop recording . • In Picture Theme or Panorama mode , touch the Virtual Camera button to activate auto-focus ; when focus is set , the Camera automatically takes the first shot . Do the same for each shot you need to take . 198 Camera and Multimedia The Review screen Icon After capturing a photo or recording video , the Review screen gives you the option to view / play , send , or delete the photo or video clip . Function Return to the live Camera screen . / View the captured image or play the captured video in Album . See " Viewing Photos and Videos Using Album " in this chapter . Delete the captured image or video . Send the captured image or video via MMS or e-mail . After capturing in Contacts Picture mode , tap to assign the photo to a contact . On-screen controls Tap to display the on-screen controls . 1 2 3 4 5 6 7 1 Album . Open the Album program . See " Viewing Photos and Videos Using Album " for details . 2 Capture mode . See " Changing the capture mode " for details . 3 Touch Focus / Auto-focus indicator . See " Using the focus " for details . Camera and Multimedia 199 4 Menu . Open the Menu Panel . See " Menu Panel " for details . 5 Virtual Camera button . Activates the auto-focus and functions as the shutter release button . 6 Template Selector icon . In Picture Theme mode , tap to select another frame . 7 Progress indicator . In Picture Theme and Panorama modes , this shows the number of consecutive shots . Menu Panel The Menu panel lets you quickly adjust common camera settings and provides access to more advanced camera settings . To open the Menu panel , tap on the Camera screen , and then tap . To adjust a setting , keep tapping a button , for instance , White Balance , to cycle through the available settings . Note The available menu panel buttons depend on the selected capture mode . Icon Function Select the white balance setting according to the current lighting condition to capture colors more accurately . Open the Brightness bar and adjust the brightness level . Tap outside the Brightness bar to apply the change . Select the camera to use . You can choose from main camera ( second camera ( ) . ) or Set the ISO level manually to 100 , 200 , 400 , or 800 , or set it back to AUTO . Higher ISO numbers are better for taking pictures in low light conditions . Note The camera automatically adjusts the ISO level up to 400 only . Set the self-timer to 2 seconds , 10 seconds , or Off when in Photo or Contacts Picture mode . Open the advanced camera settings . See " Setting advanced options " for details . 200 Camera and Multimedia Zooming Before capturing a photo or a video clip , you can zoom in or out on your subject . To zoom in or out , slide your finger up or down on the Zoom bar while holding the device sideways . While you are sliding your finger on the Zoom bar , the level of zoom is shown on the zoom control bar on the screen . Zoom control bar Zoom bar The camera zoom range for a photo or a video clip depends on the capture mode and resolution . Refer to the table for more information . Capture mode Photo Resolution Normal : 2048 x 1536 3M Widescreen : 2048 x 1216 Normal : 1600 x 1200 2M Widescreen : 1600 x 960 Normal : 1280 x 960 1M Widescreen : 1280 x 768 Normal : 640 x 480 L Widescreen : 640 x 384 Normal : 320 x 240 M Widescreen : 320 x 192 Zoom range 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 3 . 2x Camera and Multimedia 201 Capture mode Video Resolution VGA 640 x 480 * CIF 352 x 288 L 320 x 240 M 176 x 144 S 128 x 96 M 176 x 144 S 128 x 96 L 640 x 480 M 320 x 240 M 272 x 272 Determined by the current template Zoom range 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 1 . 6x 1 . 0x to 3 . 2x 1 . 0x to 3 . 2x Depends on the size of the selected template MMS Video Panorama Contacts Picture Picture Theme * Available only in some models . Note The capture resolutions and zoom ranges are only for the main camera . Setting advanced options The Advanced options let you adjust options for your selected capture mode and set Camera program preferences . Tap Advanced on the Menu panel to open the Advanced screen . Tap an item to change the setting . Tap to go back to the Camera screen . Tap to navigate through the Advanced option screens . 202 Camera and Multimedia • Resolution . Select the resolution to use . • Widescreen ( Photo mode ) . When On ( default ) you can use the entire screen as viewfinder . Refer to the zoom table for the resolution when Widescreen is On . • Touch Focus ( Photo and Contacts Picture modes ) . Enables or disables the Touch Focus function . Touch Focus is On by default . • Review Duration . Set the time for a captured photo / video to remain on the Review screen . • Quality . Select the image quality level for captured photos . • Capture Format ( Video and MMS Video modes ) . Select the file format for recorded videos . • Time Stamp ( Photo mode ) . Include the date and time on captured photos . • Storage . Select where to save photos and videos . You can either save the files to the main memory , or to a storage card if available . • Keep Backlight . Turn the backlight on or off . This overrides your device backlight settings while you are using the camera . • Shutter Sound . Play a shutter sound when you tap the Virtual Camera button . • Image Properties . Adjust the image properties . 1 2 Tap a property to adjust . Save the settings . Decrease the value . Reset all properties to default . Increase the value . Close the Image Properties screen without applying and saving the changes . 1 3 4 5 6 2 3 4 5 6 • Effect . Apply a special effect to your photos or videos . Camera and Multimedia 203 • Metering Mode . Select a metering mode to allow the camera to measure the amount of light and calculate the best-fit exposure value before capturing . • Prefix . The file name of a newly captured photo or video is set to " IMAGE " or " VIDEO " followed by a sequential number , for example : IMAGE_001 . jpg . You can also choose the current date or date and time as the file name prefix . Note You can not change the file name prefix when saving captured photos to a storage card . Captured photos are named using the convention IMAGnnnn . jpg ( where ' nnnn ' is the counter ) , and are saved to the \ DCIM \ 100MEDIA folder on the storage card . • Counter . Reset the file naming counter back to 1 . • Flicker Adjustment . When taking indoor shots under fluorescent lighting , keep this setting on Auto or change it to the proper frequency ( 50Hz or 60Hz ) of the power in your country to reduce flicker . • Grid ( Photo mode ) . Show a grid on the screen so you can easily frame and center your subjects . • Record with Audio ( Video or MMS Video mode ) . Select On to record videos with audio , or Off to record videos without audio . • Recording Limit ( Video mode ) . Set the maximum duration or file size for recording video . • Template ( Picture Theme mode ) . Select a template . • Template Folder ( Picture Theme mode ) . By default , templates are stored in the \ My Documents \ Templates folder on the device's Main Memory . If you transferred some templates to a storage card , set this option to Main + Card . • Show Reminder ( Contacts Picture mode ) . Select On if you want the Camera to prompt you to assign the captured picture to a contact . • Direction ( Panorama mode ) . Choose the direction in which to stitch the photos in a panorama . • Stitch Count ( Panorama mode ) . Select the number of shots to take and stitch into a panorama . 204 Camera and Multimedia 11.2 Viewing Photos and Videos Using Album Use Album to view photos and videos in your device . To open Album On the Home screen , slide to the Photos and Videos tab , and then tap Album . You can also tap while on the Camera program to open Album . Open the Camera program . View the photo in full screen . View another album . Play the video file . Start a slideshow , set the album as favorite , and more . Camera and Multimedia 205 Viewing photos While viewing a photo , tap the screen to open the menu . Send the photo using e-mail or MMS . Save the photo as a contact picture , save the on-screen image as a new file , and more . Start the slideshow . Return to the previous screen . To view the next or previous photo in the album When you are holding your device upright , view the next or previous photo by swiping your finger up or down the screen . When you turn your device sideways , view the next or previous photo by swiping your finger left or right across the screen . To zoom in or out on an photo Double-tap the area on the photo you want to zoom in on . To zoom out , doubletap the screen again . Tips • Use the zoom bar to zoom in on the center of the photo . Slide your finger to the right of the zoom bar to zoom in . Slide to the left of the zoom bar to zoom out . • When you zoom in on a photo , tap and hold the screen to pan and view other areas of the photo . When you zoom in on a photo , tap the screen , tap and then select Save Screen Image to save the zoomed in photo as a new file . 206 Camera and Multimedia To view a slideshow of photos in the current album While viewing a photo , tap the screen , and then tap Note . Animated GIF and video files are excluded from the slideshow . During the slideshow , tap the screen to show the playback controls . Return to the previous screen . Set the transition effect , time per slide , and orientation of the photos . Go back to the previous image . Tip Go to the next image . Play or pause the slideshow . If the photos are in your favorite album , you can start the slideshow from the Photos and Videos tab on the Home screen . See " Photos and Videos " in Chapter 3 for details . Camera and Multimedia 207 Playing videos While playing back video , tap the screen to show the playback controls . Drag to go forward or backward in the video . Elapsed time Go back to the beginning of the video . Play or pause Stop the video . the video . Total duration Change the video display mode to Fit & Crop ( default ) , Best Fit , or Stretch . Closing Album Tap When viewing photos in full screen , tap the screen to show the on-screen menu or playback controls and then tap to go back to the main Album screen . on the main Album screen to close Album . 208 Camera and Multimedia 11.3 Using Windows Media ® Player Mobile Windows Media ® Player Mobile plays digital audio and video files that are stored on your device or on the web . To open Windows Media ® Player Mobile Tap Start > All Programs > Windows Media . Windows Media ® Player Mobile opens with the Library screen . Use the Library screen to find and play songs , videos , and playlists that are stored on your device or on the storage card . Playing media To update the Library In most cases , Windows Media ® Player Mobile automatically updates the library . However , you can manually update the library to ensure that it contains new files that you recently copied to your device or to the storage card . Tap Menu > Update Library to manually update the library list . To play audio and video files 1 . On the Library screen , tap the Library arrow ( near the top of the screen ) , then tap the media storage that you want use , for example , Storage Card . 2 . Select a category ( for example , My Music or My Playlists ) . 3 . Tap and hold the item that you want to play ( such as a song , album , or artist name ) , and then tap Play . Camera and Multimedia 209 The playback screen opens and plays the audio or video file . Drag to jump to any part of the video or audio . Full screen Mute / Unmute Increase volume Visit WindowsMedia . com Decrease volume Skip to the beginning of Skip to the next file . the current file or to the Play / Pause previous file . Synchronizing video and audio files Use the latest version of Windows Media ® Player on your computer to synchronize digital media files from your computer to your device . This ensures that protected files and album art ( for skins ) are correctly copied to your device . To automatically synchronize content to your device 1 . On your computer , open Windows Media ® Player , then connect your device to your computer . 2 . In the Device Setup Wizard , select Yes , search my computer now . 210 Camera and Multimedia Note If you have previously opened Windows Media ® Player and searched for media on your computer , you are not prompted to search your computer in step 2 . 3 . On the Device Setup dialog box , enter a name for your device and click Finish . Note If you installed a storage card that has a capacity of more than 4GB and your entire library can fit into the storage card , Windows Media Player will automatically synchronize your music files . The device also needs to be set to Disk Drive mode for Windows Media Player to automatically synchronize . 4 . On the left panel of Windows Media ® Player , right-click the name of your device and click Set Up Sync . Note To set up media synchronization on a storage card , right-click Storage Card in the left panel of Windows Media ® Player , then click Set Up Sync . 5 . Select the playlist ( s ) that you want to sync between your computer and device , then click Add . Note On the Device Setup dialog box , make sure that the Sync this device automatically check box is selected . 6 . Click Finish . The files begin synchronizing to your device . The next time you connect your device to your computer while Windows Media ® Player is running , synchronization will start automatically . To manually synchronize content to your device 1 . If you have not set up media synchronization between your device and computer , follow steps 1 to 3 in " To automatically synchronize content to your device " . 2 . Click the Sync tab on the Windows Media ® Player of your computer . Select a Playlist or a Library on the left panel of the Windows Media ® Player . 3 . From the Content List , drag the media files that you want to sync to your device and drop them to the Sync List . Camera and Multimedia 211 Playlists and Library List Content List Sync List 4 . Click Start Sync to start synchronizing the selected files to your device . Notes • Use Windows Media ® Player 11 or higher on your computer to synchronize media files to your device . • Audio files copy faster if Windows Media ® Player is configured to automatically set the quality level for audio files copied to your device . For more information , see the Windows Media ® Player Help . Creating playlists Create a new playlist by saving the current Now Playing playlist and giving it a new name . To save a new playlist 1 . If you are not on the Library screen , tap Menu > Library . 2 . Tap to select a category ( for example , My Music or My Playlists ) . 212 Camera and Multimedia 3 . Select a media file that you want , then tap Menu > Queue Up . This adds the file to the Now Playing list . Repeat this step until you have added all desired media files to the Now Playing list . Note You can not select multiple files simultaneously . 4 . After adding the media files , tap Menu > Now Playing . 5 . On the Now Playing screen , tap Menu > Save Playlist . 6 . Enter the playlist name , then tap Done . 7 . To play back the playlist you created , tap My Playlists in the Library , select your playlist , then tap Play . Troubleshooting For troubleshooting information , visit http://www.microsoft.com/windowsmobile/ en-us / help / more / windows-media-player . mspx Camera and Multimedia 213 11.4 Using Audio Booster Audio Booster optimizes sound by providing an audio equalizer for a better listening experience . To use Audio Booster , connect the supplied wired headset to your device . To open Audio Booster Tap Start > All Programs > Audio Booster . 1 3 1 2 3 4 Enable or disable the equalizer . Apply the modified settings . Choose the equalizer preset to use . Drag the sliders to adjust the frequency . Exit Audio Booster without applying the modified settings , or save or delete preset equalizer settings . 4 5 2 5 To create a custom equalizer preset 1 . Adjust the frequency bands to your desired values by dragging the equalizer controls . 2 . When finished , tap Menu > Save as Preset . 3 . Enter a preset name and then tap Done . The equalizer preset is added to the preset list box . Note To delete a custom equalizer preset , select it on the preset list box and then tap Menu > Delete Preset . You can not delete pre-installed equalizer presets . 214 Camera and Multimedia


Potential of wind power projects under the Clean Development Mechanism in India Results : CDM Potential of Wind Power Projects in India Considerable variation has been observed in the reported values of the PLF of the wind power plants in the CDM Project Design Documents ( Table 5 ) . Therefore , in this study to estimate the CDM potential of wind power projects in India the PLF of the wind power plants have been taken as 25 % . There are five regional grids within the country – the Northern , Western , Southern , Eastern and North-Eastern . Therefore , the CO2 emissions mitigation potential through wind power projects in India is estimated on the basis of the regional grids , whose emission factors have been calculated by the Central Electricity Authority ( CEA ) of the Government of India in 2006 . Table 6 presents the estimated values of CDM potential through wind power projects in India on the basis of the regional baselines . We now do a sensitivity analysis with regards to additionality determination . The case of lax additionality assumes that all wind power projects submitted are registered . The median case assumes that the rejection rate remains at the current level ( 2 out of 18 projects , i . e . 11 % ) . The case of stringent additionality assumes that 50 % of the projects are registered . In the lax additionality case , gross annual CER potential of wind power in India reaches 86 million . Similarly , based on the technical potential of wind power projects in India the CDM potential has been estimated as 25 million tonne . Among all the states in India , Gujarat has the largest CO2 emissions mitigation potential through wind power ( 19 million tonne ) followed by Andhra Pradesh ( 15 . 6 million tonne ) , Madhya Pradesh ( 10 . 8 million tonne ) , Karnataka ( 12.5 million tonne ) , Rajasthan ( 8 . 9 million tonne ) , and so on ( Table 6 ) . The annual electricity generation by wind power projects based on the gross and technical potential is also given in Table 6 . With 25 % PLF of wind power projects the annual gross electricity generation potential has been estimated at 99 TWh whereas the annual technical electricity generation potential has been estimated at 28 TWh . Table 7 presents the projected values of the cumulative capacity of wind power and likely CER generation using the logistic model described in the Methods section while Figure 5 shows the development over time . It may be noted that with the current trend of dissemination of wind power projects in the country , around 22 GW capacity could be installed up to the end of first crediting period in the SS scenario whereas in the OS scenario 36 GW capacity could be installed . Up to the the year 2020 , more than 44 GW capacity of the wind power projects are expected to be installed that would generate 87 million CERs . Discussion : How the CDM could be applied to the Diffusion of Wind Power Projects ? The CDM was slow to take off as after the Marrakech Accords of 2001 it took another three years to define the bulk of the rules . The CDM Executive Board ( EB ) which is the body defining the CDM rules surprised many observers by taking a rigorous stance on critical issues such as baseline and additionality determination ( see below ) . Once the key rules were in place , a " gold rush " happened in 2005 and 2006 . Over 1500 projects were submitted with an estimated CER volume of about 1.5 billion . However , the volume share of renewable energy projects has been less than expected due to the high attractiveness of projects reducing industrial gases and methane from waste . Out of the 1478 CDM projects submitted to the EB , 456 projects had been registered by the EB till 20th December , 2006 [ 32,33 ] . 183 CDM projects related to wind energy of which 47 have been registered , 9 requested registration and 127 were at the validation stage [ 33 ] . Figure 6 presents the status of the wind power projects from India . Out of the 89 projects submitted to the UNFCCC , 18 projects had been registered and two projects had submitted the request for registration . 67 projects were at the validation stage whereas 2 projects had been rejected by the EB . The quantification of GHG benefits of a CDM project is done by means of a " baseline " . A baseline describes the ( theoretical ) emissions that would have occurred in case the CDM project was not implemented . The amounts of CERs that can be earned by the project are then calculated as the difference of baseline emissions and project emissions . The CO2 emissions mitigation benefits associated with a wind power project depend upon the amount of electricity saved . To estimate the CDM potential of wind power project in the country , the approved consolidated baseline methodology for grid-connected electricity generation from renewable sources ACM0002 ( Version 06 ) has been used . For the small scale CDM ( SSC ) projects , the small scale methodology AMS - I. D. " Grid connected renewable electricity generation " in its version of 23rd December 2006 [ 34 ] can be used which explicitly mentions wind power for electricity generation . In India , most of the wind power projects are grid connected and substitute grid electricity . Therefore , for such systems , the baseline is the kWh produced by the renewable generating unit multiplied by an emission coefficient ( measured in g CO2eq . / kWh ) calculated in a transparent and conservative manner . This coefficient is 800 g CO2eq . / kWh for a grid where all generators use exclusively fuel oil and / or diesel fuel , whereas it is the weighted average of the so-called operating margin ( emission factor of all thermal power plants serving the grid ) and build margin ( emission factor of the most recently built plants that provide 20 % of the grid's electricity ) . For wind power , the weight of the operating margin is 0.75 while the build margin is weighted at 0.25 . Alternatively , project developers can use the weighted average emissions of the current generation mix but this will always be less than the emission factor derived previously and thus unattractive . For intermittent and non-dispatchable generation types such as wind and solar photovoltaic , ACM0002 allows to weigh the operating margin ( OM ) and build margin ( BM ) at 75 % and 25 % , respectively , however , in this study we have used combines margin by using equal weights for OM and BM as given in CEA document [ 35 ] . To maintain the environmental integrity of the Kyoto Protocol , CERs are given only for " additional " activities that would otherwise not be expected to occur [ 36 ] . Therefore , any CDM project requires careful analysis of additionality . This has probably been the most contentious point in the development of the CDM and also resulted in great confusion amongst project developers [ 37,38 ] . The Kyoto Protocol stops short of requiring project proponents to show strict financial additionality – that the CDM revenue makes an uneconomic project economic – and left scope for the CDM EB to refine the demonstration of additionality . The EB subsequently took a fairly strict interpretation of additionality and developed an additionality tool which formally is voluntary but which has become de facto mandatory as it was incorporated in most baseline methodologies . The additionality tool requires an investment analysis and / or a barrier analysis to determine whether the CDM project is the most attractive realistic alternative . This means that the project can be profitable and additional as long as developers can show that another project type was even more profitable . It is estimated that wind power in many countries is already competitive with fossil fuel and nuclear power if social / environmental costs are considered [ 28 ] . However , in India , in terms of costs per kWh in grid-connected areas , costs of wind power are higher than electricity provided by a coal plant projects thus be additional at any rate . The unit cost of electricity generation is 0.05 € / kWh for coal and 0.06 € / kWh for fuel oil based system whereas in case of wind , the unit cost of electricity generation is 0.07 € / kWh in the best locations . The problem with this reasoning is that if wind projects are used to displace expensive grid electricity for industrial consumers ( priced at 0.09 € / kWh [ 39 ] ) , they are invariably the most attractive alternative unless they are built in locations with low wind speed . The situation for wind projects that supply to the grid at the state-guaranteed feed-in tariff is less clear ; the attractiveness depends on the level of the tariff . As the investment test will not be passed by most wind projects ( or only if they omit the tax incentives , as has been done by a project that achieved registration ) , project developers will use the barrier test . The barrier of higher capital cost compared to fossil fuel power plants is not really credible due to the abundance of capital for wind power in India and thus is mentioned only rarely . More credible barriers are low capacity utilization factor , and possible reduction in feed-in tariffs . The former depends on the siting of the project . The latter is very important as shown by the policy of Rajasthan ( see Table 3 ) and other states . In 2001 , Tamil Nadu Electricity Board ( TNEB ) changed its policy and froze the power purchase tariff for wind energy at Rs 2.70 per kWh with no escalation till 2006 and had informed that this power purchase tariff would be reviewed at 2006 and a new tariff would be fixed then . This was a major barrier for establishing new wind farms as other renewable energy plants continued to get a higher tariff . For instance , the power purchase tariff for electricity from an industrial waste / municipal waste based generation was Rs 3.49 for the year 2005 as against Rs 2.70 for wind energy . This policy encourages investors to invest in other renewable energy plants . Reduction in power purchase tariff was a major investment barrier . Moreover , feed-in-tariffs may be replaced by the Availability Based Tariff ( ABT ) in which the generators with firm delivery of power against commitment will start getting more prices for the generated power , whereas wind power producers can not guarantee supply of electricity and will be thus receive lower rates . For the projects that substitute grid electricity at industrial tariffs , there is the risk that the wind power benefit will melt down as liberalization permits industrial electricity consumers to choose the supplier in a competitive environment . Some projects have also highlighted the technological risks associated with new types of wind turbines . Lack of familiarity and experience with such new technologies can lead to perceptions of greater technical risk than for conventional energy sources . Doing the investment test – case study A 125 MW wind project in Karnataka calculated an IRR of 7.3 % . At that rate , the project would clearly be unattractive for an investor . However , the picture changes if one analyzes the project more closely . If one uses industry averages for the investment cost ( Rs 5 crore per MW ) , the IRR is 11 % . If one includes the accelerated depreciation of 80 % in the first year and the 10 year income tax holiday , the IRR reaches 22 % ( personal communication by Mr. Sanjeev Chadha ) . It would be difficult to find serious alternatives that are more attractive . Nevertheless , the project was registered by the EB . Table 5 presents the additionality arguments of Indian wind power projects . 14 projects out of 20 have carried out investment and barrier analysis for the justification of additionality whereas 6 projects carried out the barrier analysis only . An assessment of the PDD's indicates that the investment analysis is not convincing in most of the cases . Two wind projects from India were rejected due to lack of additionality . The rejection was mainly due to the following statement in the annual report of the company that had invested in the projects : " The project is extremely beneficial on a standalone basis and has a payback period of three years with an internal rate of return in excess of 28 per cent . In addition to hedging Bajaj Auto's power costs , this investment also provides sales tax incentives and an income tax shield " [ 40 ] .


Military Provisioning Guardian 6 Recommendations . 1 : Increasing long-term federal investment in high-technology industries , particularly those involving advanced research and manufacturing capabilities . The distinguishing attribute of the U.S. defense industrial base is technological innovation . As foreign nations continue manufac ¬ turing an ever-larger share of America's defense supplies , the United States increases its risk of diminishing its capacity to design and commercialize emerging defense technologies . To help ensure that our armed forces dominate the future battlefield , Congress should provide funding for American manufacturers to develop and implement advanced process technologies . 2 : Properly applying and enforcing existing laws and regulations to support the U.S. defense industrial base . Domestic source preferences already enacted into law , such as those that apply to the steel and titanium industries under the Specialty Metals Clause , must be retained to ensure that important defense capabilities remain secure and available for the U.S. armed forces . 3 : Developing domestic sources of key natural resources required by our armed forces . Right now the United States relies far too heavily on foreign nations for certain key metals and other raw materials needed to manufacture weapons systems and other military supplies . For example , most rare earth elements , which are essential components of many modern military technologies , currently must be purchased from China . The U.S. government and industry must stockpile these vital raw materials , strengthen efforts to resume mining and transformation of the materials in the United States , improve recycling to make more efficient use of current supplies , and identify alternate materials . 4 : Developing plans to strengthen our defense industrial base in the U.S. National Military Strategy , National Security Strategy , and the Quadrennial Defense Review process . This would make creating and sustaining a healthier defense industrial base a higher national priority , with a focus on increasing support for the most important and vulnerable industrial sectors . 8 : Crafting legislation to support a broadly representative defense industrial base strategy . Congress and the Administration must collaborate on economic and fiscal policies that budget for enduring national security capabilities and sustain the industrial base necessary to support them . 9 : Modernizing and securing defense supply chains through networked operations . These operations should be built on the excellent work that the DOD and industry are already doing to map and secure defense supply chains . The operations would provide ongoing communications between prime contractors and the supply chains they depend on . Closer communications , patterned on the networked operations of U.S. military forces around the world , would help managers identify and solve recurring problems with military supplies . 10 : Identifying potential defense supply chain chokepoints and planning to prevent disruptions . This recommendation would require determining the scope of foreign control over critical military supply chains and finding ways of restoring U.S. control . Subscribe Now !


You can not live to please everyone else . You have to edify , educate and fulfill your own dreams and destiny , and hope that whatever your art is that you 're putting out there , if it 's received , great , I respect you for receiving it . If it 's not received , great , I respect you for not .


We are humbly appealing in your good office to intervene or to investigate the suspension of our Local Executive Mayor Celso Gomera Regencia issued from your office through Executive Secretary , Paquito M. Ochoa , Jr. Dear Mr. President , May the Spirit of the Almighty God to be with you ! We , the undersigned , are the people of Iligan City . We are humbly appealing in your good office to intervene on the suspension of our Local Executive Mayor Celso Gomera Regencia issued from your office through Executive Secretary , Paquito M. Ochoa , Jr. Based on our prayer reflections and consultations - legal and moral matters , we find that our City Mayor never commits a grave abuse of authority . What we had done is following to your thrust of office which is " ANG TUWID NA DAAN " . Because of his new leadership , the misuse of public fund ceases , and the corruptors start to get nothing . One great act of our City Mayor that we appreciate most was his unearthing of the three thousand more ghost casuals who were receiving salaries for a couple years . It is in this regards that we ask you , our dear President , to look and make further investigation on this case . We do n't want that your thrust of office " ANG TUWID NA DAAN " which is beginning to effect now through our City Mayor comes to nothing by suspending him , and the ghost casuals start to resurrect . We are praying for your immediate actions , and your reversal of the decision . God bless you and more power ! Respectfully yours , People of Iligan City