题目:
海伦凯勒的老师沙利文的人物分析 英语
人物特点的分析
解答:
Louis Henry Sullivan (September 3, 1856 – April 14, 1924) was an American architect, and has been called the "father of skyscrapers"and "father of moderni".He is considered by many as the creator of the modern skyscraper, was an influential architect and critic of the Chicago School, was a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School. Along with Henry Hobson Richardson and Wright, Sullivan is one of "the recognized trinity of American architecture".He posthumously received the AIA Gold Medal in 1944.
Biography
Louis Henry Sullivan was born to an Irish-born father, Patrick Sullivan, and a Swiss-born mother, née Andrienne List, both of whom had immigrated to the United Statesin the late 1840s.After graduating from high school, Sullivan studied architecture briefly at the Massachusetts Institute of Technology. Learning that he could both graduate from high school a year early and pass up the first two years at the Massachusetts Institute of Technology by passing a series of examinations, Sullivan entered MIT at the age of sixteen. After one year of study, he moved to Philadelphia and took a job with architect Frank Furness.
The Depression of 1873 dried up much of Furness"s work, and he was forced to let Sullivan go. At that point Sullivan moved on to Chicago in 1873 to take part in the building boom following the Great Chicago Fire of 1871. He worked for William LeBaron Jenney, the architect often credited with erecting the first steel-frame building. After less than a year with Jenney, Sullivan moved to Paris and studied at the École des Beaux-Arts for a year. He returned to Chicago and began work for the firm of Joseph S. Johnston & John Edelman as a draftan. Johnston & Edleman were commissioned for the design of the Moody Tabernacle, with the interior decorative "fresco secco" stencils (stencil technique applied on dry plaster) designed by Sullivan. In 1879 Dankmar Adler hired Sullivan; a year later, he became a partner in the firm. This marked the beginning of Sullivan"s most productive years.Adler and Sullivan initially achieved fame as theater architects. While most of their theaters were in Chicago, their fame won commissions as far west as Pueblo, Colorado, and Seattle, Washington(unbuilt). The culminating project of this phase of the firm"s history was the 1889 Auditorium Building (1886-1890, opened in stages) in Chicago, an extraordinary mixed-use building which included not only a 4,200-seat theater, but also a hotel and an office building with a 17-story tower, with commercial storefronts at the ground level of the building fronting Congress and Wabash Avenues. After 1889 the firm became known for their office buildings, particularly the 1891 Wainwright Building in St. Louis, The Schiller (later Garrick) Building and theater (1890) in Chicago, along with the Chicago Stock Exchange Building (1894), the Guaranty Building (also known as the Prudential Building) of 1895–1896 in Buffalo, New York and the 1899-1904 Carson Pirie Scott Department Store by Sullivan on State Street in Chicago.