Task: Question Answering
Input (English): Context: Aus der Tiefen rufe ich , Herr , zu dir ( From the depths I call , Lord , to thee ) , BWV 131 , is a church cantata by Johann Sebastian Bach . He composed it in Mühlhausen in either 1707 or 1708 , which makes it one of Bach 's earliest cantatas . The text is based on Psalm 130 ., The Mass in B minor (BWV 232) by Johann Sebastian Bach is a musical setting of the complete Ordinary of the Latin Mass. The work was one of Bach's last compositions, not completed until 1749, the year before his death. Much of the Mass gave new form to vocal music that Bach had composed throughout his career, dating back (in the case of the "Crucifixus") to 1714, but extensively revised. To complete the work, in the late 1740s Bach composed new sections of the "Credo" such as "Et incarnatus est"., The Brandenburg Concertos by Johann Sebastian Bach (BWV 10461051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as some of the best orchestral compositions of the Baroque era., A cantata (literally "sung", past participle feminine singular of the Italian verb "cantare", "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir., Johann Sebastian Bach (28 July 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the "Brandenburg Concertos", the "Goldberg Variations", the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth., In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque. The term originates from the Latin "punctus contra punctum" meaning "point against point"., Subject: aus der tiefen rufe ich, Relation: original_language_of_work, Options: (A) german (B) instrumental (C) italian (D) latin
Output (English): german