Task: Sentiment Analysis
Input (English): Good or bad?  Your choice, really... . Being an avid enthusiast of the drum n' bass &quot;scene,&quot; as pretentious as it occasionally sometimes is, in listening to this Cd I feel this is not a strong representation of the genre. This could very well be  personal, (so you headz chill) but this type of jazzy, tech-step like, a  cappella jam seems occasionally cheesy and filled  with..well...&quot;filler.&quot;  I realize that during 1998 this was where  it was at for Grooverider. He was hardly setting off bombs in the d n b  fabric with other producers overshadowing his less-than-fresh efforts.   This album has a few choice cuts, and his production skills are  commendable, but combining so-called jazz harmonies with this type of genre  is definately an abuse of power.  The loungy progressions are worn thick,  and lacking any true creativity deep down.  This album comes nowhere near  stuff on the &quot;Prototype Years&quot; ep which was showcasing the fine  talents of heavy hitters Dillinja, Ed Rush, Fierce, Lemon D, Optical, and  Boymerang, to name a few.  It goes without saying that Grooverider has been  one of the most respected and talented DJ's, probably getting all of these  afforementioned producers their starts.  A big name gets alot of support   and can get away unscathed by negativity due to that stardom.  No one would  dare defy that Grooverider's attempt at making d n b is off key, but let's  not give in to someone's production skills because they are graciously  empowered in the scene like a king.  Purveyor's of fine drum n' bass can  find sanctuary elsewhere.  Stick with your records for the best
Output (English): NEG