Task: Question Generation
Input (English): Context_1 : Jeanne Marie Beaumont is an American poet, author of four poetry collections, most recently, "Letters from Limbo" (CavanKerry Press, 2016), and "Burning of the Three Fires" (BOA Editions, Ltd. 2010), "Curious Conduct" (BOA Editions, Ltd., 2004), and "Placebo Effects" (Norton, 1997). Her work has appeared in "Boston Review, Barrow Street, Colorado Review, Court Green, Harper’s, Harvard Review, Manhattan Review, The Nation, New American Writing, Ploughshares, Poetry Northwest, Witness," and "World Literature Today," and she has had poems featured on "The Writer's Almanac with Garrison Keillor." In 2006, San Francisco film-maker Jay Rosenblatt made a film based on her poem "Afraid So" as narrated by Garrison Keillor. The film has been shown at several major international film festivals, and included on a program of Rosenblatt's work screened at the Museum of Modern Art in October 2010. Beaumont was co-editor of "American Letters & Commentary" from 1992 to 2000. She was judge for the 2011 Cider Press Review Book Award. She grew up in the suburban Philadelphia area and moved to New York City in 1983. She earned her B.A. from Eastern College and an M.F.A. in Writing from Columbia University. She has taught at Rutgers University and regularly teaches at the 92nd Street Y. She served as the Director of The Frost Place Advanced Seminar from 2007–2010, and serves on the faculty for the Stonecoast MFA Program in Creative Writing. Context_2 : "Autumn Day in Kui Prefecture" is a poem by 8th-century Chinese poet Du Fu (712–770). The full title of this poem is "Autumn Day in Kui Prefecture, A Song Submitted to Supervisor Zheng and Advisor Li, in One Hundred Rhymes" (according to title translation by Alfreda Murck). As a poem, "Autumn Day in Kui Prefecture" is an example of Tang poetry, which received considerable attention during the Song dynasty, in Song poetry, and later, even through modern times. During the Song dynasty Du Fu's "Autumn Day in Kui Prefecture" received particular attention, with the poem being subtly alluded to through rhyme-scheme referencing by Su Shi and his circle: in other words, Su Shi and the poets of his circle wrote poems which utilized the same rhyming words from Du Fu's poem, thus subtly referencing the sense and sentiment of Du Fu's line, but without overtly stating what might be censured as inappropriate. This allowed him and others to express opinions about government and society, without suffering the consequences, as Su Shi had previously done, in the Crow Terrace Poetry Trial, when his poetry was used as evidence resulting in his conviction and exile. Context_3 : "Politics" is a poem by Irish poet William Butler Yeats written on May 24, 1938. It was composed during the time of the Spanish Civil War as well as during the pre-war period of Adolf Hitler's Third Reich in Germany. The poem hints at the political situations of Rome (or Italy), Russia, and Spain, but ultimately discusses topics more relevant to private human interaction rather than public, or political situations. The poem never mentions Germany or Hitler, despite the fact that the "war and war's alarms" surrounding the poem's creation arose from fears of Germany's aggression rather than Italy's, Russia's, or Spain's. Many versions of the text exist: the original typescript of May 1938, the first typescript with hand-written corrections dated August 12, 1938, as well as a final "Coole Edition" of the poem dated June 29, 1939, which was not published until it was included in "Last Poems" in 1939. Yeats intended for the poem to be printed last in the collection, as an envoi to "The Circus Animals' Desertion", and while a debate as to the true order of the poems has continued since 1939, "Politics" was the last lyric poem Yeats wrote and remains the final work printed in all posthumous editions. Context_4 : Limbo is a poem written by Samuel Taylor Coleridge. Most of its text was published posthumously. Context_5 : Álvaro de Campos (] ) (October 15, 1890 – November 30, 1935) was one of the poet Fernando Pessoa's various heteronyms, widely known by his powerful and wrathful writing style. According to his author, this "alter ego" was born in Tavira, Portugal, studied mechanical engineering and finally graduated in ship engineering in Glasgow. After a journey in Ireland, Campos sailed to the Orient and wrote his poem "Opiario" in the Suez Canal "onboard". He worked in 'Barrow-on-Furness' (sic) (of which Pessoa wrote a poem about) and Newcastle-on-Tyne (1922). Unemployed, Campos returned to Lisbon in 1926 (he wrote then the poem "Lisbon Revisited"), where he lived ever since. He was born in October, 1890, but Pessoa didn't put an end to the life of Campos, so he should survided his author who died in November, 1935. Campos' works may be split in three phases: the decadentist phase, the futuristic phase and the decadent (sad) phase. He chose Whitman and Marinetti as masters, showing some similarities with their works, mainly in the second phase: hymns like ""Ode Triunfal"" and ""Ode Marítima"" praise the power of the rising technology, the strength of the machines, the dark side of the industrial civilization, and an enigmatic love for the machines. The first phase (marked by the poem «Opiário» shared some of its pessimism with Pessoa's friend Mário de Sá-Carneiro, one of his co-workers in "Orpheu" magazine. In the last phase, Pessoa drops the mask, and reveals through Campos all the emptiness and nostalgy that grew during his last years of life. Context_6 : "Limbo" is a poem by Barbadian poet Edward Kamau Brathwaite. Context_7 : Andrzej Zbylitowski was born "ca." 1565, probably in Zagorzyce, Świętokrzyskie Voivodeship, as a son of Stanisław and Jadwiga Rożnówna, and also a first cousin of Piotr Zbylitowski. After he finished studies abroad, he back to the country, and in 1585 became a courtier on the royal court of Stefan Batory, and later of Zygmunt III Waza. In 1592 he became a Master of the Pantry of the Crown (Polish: "stolnik nadworny" ). In his political views, he was a follower of Jan Zamoyski. As a political poet known for his surname, he became popular during the "sejm" in the years of 1590–1591. Zbylitowski was a very productive court poet, his most notable political works includes 1587 welcoming writing for Zygmunt III Waza who was back to Rzeczpospolita, congratulatory poem for Battle of Byczyna "O zwycięstwie osiągniętym w r. 1588", today unknown poem for Anna of Finland "Pisanie satyrów puszcz litewskich... o łowach w Białobieżach" (1589), "Epithalamium na wesele... Zygmuntowi III i arcyksiężnie JM rakuskiej Annie" (1592) and 1595 genethliacon for the occasion of prince Władysław baptism. In 1593 Zbylitowski travelled to Sweden with companion of Zygmunt III Waza, and depicted that travel in poem "Droga do Szwecyjej namożniejszego w północnych krainach Pana, Zygmunta III, polskiego i szwedzkiego króla, odprawiona w roku 1594", published later in 1597 by Jakub Siebeneicher. In "ca." 1597 he settled in Zbylitowska Góra where he wrote two rural poems: "Żywot szlachcica we wsi" (1597) and "Wieśniak" (1600). Context_8 : Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. The poem’s origins are unknown, but it was partly inspired by Gray’s thoughts following the death of the poet Richard West in 1742. Originally titled "Stanzas Wrote in a Country Church-Yard", the poem was completed when Gray was living near St Giles' parish church at Stoke Poges. It was sent to his friend Horace Walpole, who popularised the poem among London literary circles. Gray was eventually forced to publish the work on 15 February 1751, to pre-empt a magazine publisher from printing an unlicensed copy of the poem. Context_9 : Béroul was a Norman poet of the 12th century. He wrote "Tristan", a Norman language version of the legend of Tristan and Iseult of which a certain number of fragments (approximately 3000 verses) have been preserved; it is the earliest representation of the so-called "vulgar" version of the legend (the "courtly" version being represented by fragments from Thomas of Britain's poem). Eilhart von Oberge wrote a treatment of this version in German, and many of Béroul's episodes that do not appear in Thomas reappear in the Prose "Tristan". Beroul's poem survives in a single manuscript now in the Bibliothèque Nationale in Paris. This copy is poorly written and there is a suggestion that part of the poem was written by a different scribe from the rest. The actual content of the poem also differs from the modern conception of what a narrative poem should be; the plot is disjointed and lacking in a flow of cause and effect, and the characters are poorly defined. Nevertheless, Fedrick proposes that this was common of literature in Beroul's time. Context_10 : Samuel Taylor Coleridge ( ; 21 October 177225 July 1834) was an English poet, literary critic, philosopher and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems "The Rime of the Ancient Mariner" and "Kubla Khan", as well as the major prose work "Biographia Literaria". His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Ralph Waldo Emerson and American transcendentalism. fact_1 : Limbo is a poem written by Samuel Taylor Coleridge. fact_2 : Samuel Taylor Coleridge ( ; 21 October 177225 July 1834) was an English poet, literary critic, philosopher and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. Answer: England
Output (English): When was the country that poet who wrote the poem Limbo was born in?