Task: Question Generation
Input (English): Context_1 : "Zoroastre"'s premiere in 1749 was not a success; despite the magnificence of the staging, it failed to compete with Mondonville's new "opéra-ballet" "Le carnaval du Parnasse". Rameau and Cahusac decided to rework the opera completely before offering it to the public again in 1756. Acts 2,3 and 5 were heavily rewritten and there were several modifications to the plot. This time audiences took to the opera, although the critic Melchior Grimm was withering about Cahusac's libretto: "In "Zoroastre" it is day and night alternately; but as the poet...cannot count up to five he has got so muddled in his reckoning that he has been compelled to make it be day and night two or three times in each act, so that it might be day at the end of the play". "Zoroastre" was chosen to open the new Paris opera house on January 26, 1770, the old one having burned down in 1763. It was also translated into Italian by Casanova for a performance in Dresden in 1752, although some of Rameau's music was replaced by that of the ballet master Adam. Its first modern revival was in a concert version at the Schola Cantorum, Paris in 1903. The United States premiere of the opera was staged by Boston Baroque (then known as Banchetto Musicale) at Harvard University's Sanders Theater under conductor Martin Pearlman in 1983 with Jean Claude Orliac in the title role and James Maddalena as Abramane. Context_2 : Uno sguardo dal ponte is an opera in two acts by composer Renzo Rossellini. The work uses an Italian language libretto by Gerardo Guerrieri which is based on Arthur Miller's play "A View from the Bridge". The opera premiered at the Teatro dell'Opera di Roma on March 11, 1961 using a staging by Franco Rossellini, the composer's son. The premiere cast included Clara Petrella, Gianna Galli, Alfredo Kraus, Giuseppe Valdengo, and Nicola Rossi-Lemeni. The Philadelphia Lyric Opera Company presented the United States premiere of the opera on October 17, 1967 with Rossi-Lemeni as Eddie Carbone and Gloria Lane as Beatrice. Context_3 : The Vanishing Bridegroom is an opera by composer Judith Weir. Commissioned by the Glasgow District Council, the opera was premiered by the Scottish Opera as a part of the 1990 European Capital of Culture celebrations in Glasgow. The United States premiere of the opera was given by the Opera Theatre of Saint Louis in 1992 with soprano Lauren Flanigan as the Bride/Wife/Mother. Context_4 : The opera was first performed at the Opéra Comique in Paris on 8 May 1894. After its premiere the work was performed at La Monnaie in November 1894 and the Teatro del Fondo in Naples in December 1894. The work received its United States premiere at the French Opera House in New Orleans in 1895. It was also produced at The Waldorf-Astoria Hotel on 13 December 1897. The Opéra Comique revived the opera in 1900 and it was mounted at the Théâtre Lyrique in September 1922, after which the work fell out of the performance repertory. After a more than 60-year absence from the stage, "Le portrait de Manon" was mounted at La Fenice on 13 April 1985. Four years later the Opéra de Monte-Carlo staged the work. The opera was most recently revived by the Glimmerglass Opera in 2005. In 2014 "kultur.theater.musik" produced the first performance in German (as "") at the 'Sommeroper im Amthof' festival in Feldkirchen, Carinthia, and in other theatres in Lower Austria. Context_5 : The Palace Theatre is a stage production venue at 76-96 Hanover Street in Manchester, New Hampshire, United States. Built in 1914, the theatre was listed on the National Register of Historic Places as the Athens Building. Context_6 : Die schwarze Maske ("The Black Mask") is an opera by composer Krzysztof Penderecki using a German libretto by the composer and Harry Kupfer which is based on a 1928 play by Gerhart Hauptmann. The opera premiered at the Salzburg Festival on 15 August 1986, after which there were productions mounted at the Vienna State Opera and the Great Theatre, Warsaw during the following opera season. The work had its United States premiere on July 30, 1988 at the Santa Fe Opera with a cast that included Mark Lundberg. Context_7 : Armida, Hob. XXVIII/12, is an opera in three acts by Joseph Haydn, set to a libretto based upon Torquato Tasso's poem "Gerusalemme liberata" ("Jerusalem Delivered"). The first performance was 26 February 1784 and it went on to receive 54 performances from 1784 to 1788 at the Esterháza Court Theatre. During the composer's lifetime it was also performed in Pressburg, Budapest, Turin and Vienna. Haydn himself regarded "Armida" as his finest opera. "Armida" then disappeared from the general operatic repertoire; it was revived in 1968 in a concert rendition in Cologne, and later a production in Bern. The United States premiere of the opera was given at the Palace Theatre in Manchester, New Hampshire, with the New Hampshire Symphony Orchestra for the Monadnock Music Festival in September 1981. Sarah Reese sang the title role; the director Peter Sellars set the production during the Vietnam War. Context_8 : La reine Fiammette is an opera in four acts by composer Xavier Leroux. The opera uses a French language libretto by Catulle Mendès which is based on Mendès's 1898 work of the same name, a "conte dramatique" in six acts set in Renaissance Italy. The opera's premiere was given by the Opéra-Comique at the Salle Favart theatre in Paris on 23 December 1903. The production was directed by Albert Carré and conducted by André Messager. The United States premiere of the work was given at the Metropolitan Opera in New York City on 24 January 1919. That production was directed by Richard Ordynski, conducted by Pierre Monteux, and starred Geraldine Farrar as Orlanda, Hipolito Lazaro as Danièlo, Adamo Didur as Giorgio, Léon Rothier as César, and Flora Perini as Pantasilée. Up to the Second World War the opera received 59 performances at the Opéra-Comique. Context_9 : Mârouf, savetier du Caire ("Marouf, Cobbler of Cairo") is an "opéra comique" by the French composer Henri Rabaud. The libretto, by Lucien Nepoty, is based on a tale from the "Arabian Nights". "Mârouf" was first performed at the Opéra-Comique, Paris, on 15 May 1914. The premiere was a great success and "Mârouf" became Rabaud's most popular opera. The score makes great use of oriental colour. The United States premiere of the opera was given at the Metropolitan Opera on December 19, 1917, with Giuseppe De Luca in the title role, Frances Alda as Princess Saamcheddine, and Pierre Monteux conducting. The opera was revived at the Opéra-Comique in 2013 in a production by Jérôme Deschamps, with Jean-Sébastien Bou in the title role, conducted by Alain Altinoglu. Context_10 : Tea: A Mirror of Soul (Chinese 茶 "tea") is a 2002 Chinese-language western-style opera by Tan Dun, to a libretto by the composer and Peking opera librettist Xu Ying. The opera was commissioned by Suntory Hall in Tokyo, Japan and was given its world premiere performance there. The United States premiere was given on July 21, 2007 at the Santa Fe Opera in Santa Fe, New Mexico. fact_1 :  The United States premiere of the opera was given at the Palace Theatre in Manchester, New Hampshire, with the New Hampshire Symphony Orchestra for the Monadnock Music Festival in September 1981. fact_2 : The Palace Theatre is a stage production venue at 76-96 Hanover Street in Manchester, New Hampshire, United States. Answer: New Hampshire
Output (English): The theatre in which the United States premiere of the opera Armida was given is located in which state?