Task: Sentiment Analysis
Input (English): Dreadful! . I don't understand the previous reviews - I found this recording positively dreadful, with Ruthie Henshall being the only one worth listening to. John Sinclair is abominable as George - he sounds like he's doing a (bad) imitation of Michael Crawford in &quot;Hello, Dolly.&quot; He does strange things to his words - I guess he's trying not to sound British, but why is he singing &quot;Summ-ar weath-ar&quot; instead of &quot;summer weather&quot;?    The Ilona is a bass - almost literally. &quot;I Resolve&quot; has been lowered for her, and yet she still cannot master the range of the song. To accomodate her, the second part of &quot;I Don't Know His Name&quot; has a truly odd key change. Were she remotely talented I could understand key changes to facilitate her singing, but she's not worth it.    The orchestrations are odd, too, with strange sleigh bell sounds appearing frequently. The rest of the singers range from fair (Kodaly - a pretty voice but not much expression) to bad (Mr. Maraczek drags down EVERY SINGLE NOTE of &quot;Days Gone By.&quot; Luckily this is his only song.)    The Broadway revival, to my ear, still has the best voices, except, of course, that Barbara Cook (the original) outshines Diane Fratantoni, who is merely good (but who was a vast improvement over the Roundabout's original Amalia, the annoying Judy Kuhn.)     Get the original or revival recordings instead - this London version I would recommend only to die-hard SHE LOVES ME fans, or masochists. I'd rather sit through another terrible viewing of &quot;You've Got Mail&quot; than listen to this again
Output (English): NEG