Task: Question Generation
Input (English): Context_1 : Popular music of the United Kingdom in the 1970s built upon the new forms of music developed from blues rock towards the end of the 1960s, including folk rock and psychedelic rock. Several important and influential subgenres were created in Britain in this period, by pursuing the limitations of rock music, including British folk rock and glam rock, a process that reached its apogee in the development of progressive rock and one of the most enduring subgenres in heavy metal music. Britain also began to be increasingly influenced by aspects of World music, including Jamaican and Indian music, resulting in new music scenes and subgenres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave and post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s. Context_2 : The Age of Plastic is the debut studio album by the British new wave duo The Buggles, composed of Trevor Horn and Geoff Downes. The name of the record was conceived from the group's intention of being a "plastic group". The album has lyrical themes of nostalgia and anxiety about the possible effects of modern technology. The titular song, "Living in the Plastic Age", views the experiences of watching media coverage of the Vietnam War, while "Kid Dynamo" follows a child overexposed to media and its resulting effects on him. Described by writers as the first technopop landmark, the record is an electropop new wave album that includes musical elements and influences of disco, punk, progressive rock and 1960s pop music. In a 1979 interview, Downes defined the album as "science fiction music. It's like modern psychedelic music. It's very futuristic." Context_3 : Susumu Hirasawa (平沢 進 ) (born April 1, 1954) is a Japanese musician and composer. In the fifth year of elementary school, Hirasawa took up the electric guitar, inspired by the surf and instrumental rock bands he heard on the radio and on TV, later joining his junior high school's band. In 1973 he formed Mandrake, a progressive rock band that incorporated elements from heavy metal and krautrock. Being one of the few Japanese progressive rock bands of its time, Mandrake achieved little success and released no albums during its lifetime. After discovering punk rock and working on synthesizer-heavy projects, Hirasawa felt that progressive rock became just for entertainment and decided to reform the band as the electronic rock band P-Model in 1979. Originally met with success, they turned to decidedly uncommercial post-punk and experimental rock after Hirasawa went through an averse reaction to his fame. With Hirasawa at the forefront, the band went through various lineups and achieved some popularity in the Japanese independent music scene. Context_4 : Katatonia is a Swedish metal band formed in Stockholm in 1991 by Jonas Renkse and Anders Nyström. The band started as a studio-only project for the duo, as an outlet for the band's love of death metal. Increasing popularity lead them to add more band members for live performances, though outside of the band's founders, the lineup was constantly changing, revolving door of musicians throughout the 1990s, notably including Mikael Åkerfeldt of the band Opeth for a period. After two death/doom albums, "Dance of December Souls" (1993) and "Brave Murder Day" (1996), problems with Renkse's vocal cords coupled with new musical influences lead the band away from the screamed vocals of death metal to a more traditional, melodic form of heavy metal music. The band released two more albums, "Discouraged Ones" (1998) and "Tonight's Decision" (1999), before settling into a stable quintet lineup for all of 2000's. The band released four more albums with said lineup - "Last Fair Deal Gone Down" (2001), "Viva Emptiness" (2003), "The Great Cold Distance" (2006), and "Night Is the New Day" (2009), with the band slowly moving away from their metal sound while adding more progressive rock sounds to their work over time. While lineup changes started up again into the 2010s, Renkse and Nyström persisted, and the band continued to release music, including "Dead End Kings" (2012) and their most recent, their tenth studio album, "The Fall of Hearts", released on May 20, 2016. Context_5 : "I Love You (Miss Robot)" is a song written, performed and produced by the Buggles, a duo of Trevor Horn and Geoff Downes, for their 1980 debut studio album "The Age of Plastic". It was not released as a single. The song is, according to Downes, about "being on the road and making love to someone you don't really like", although music critics consider the song's subject having to do with a robot. The song was performed live in 2010, as part of the first performance of all the tracks from "The Age of Plastic". Context_6 : Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music. It grew out of the British folk rock and progressive folk movements of the later 1960s. Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments. This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock. Nevertheless, the genre had a considerable impact within progressive rock where early music and medievalism in general, was a major influence and through that in the development of heavy metal. More recently medieval folk rock has revived in popularity along with other forms of medieval inspired music such as Dark Wave orientated neo-Medieval music and medieval metal. Context_7 : British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to rock 'n' roll and later to rock music. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion of the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general. Context_8 : The Missing Piece is the ninth album by British progressive rock band Gentle Giant which was released in 1977. After the Interview tour this return to the studio marked a change of direction for the band with the first side of the album exploring different musical directions than the band was previously known for, including pop music and punk rock, while the second side was more in the vein of Gentle Giant's signature progressive rock style. This was the last Gentle Giant album to chart in the United States. Context_9 : Progressive rock is subgenre of rock music that developed in the United Kingdom and United States throughout the mid to late 1960s. Progressive rock, which initially had classical music influences, has come to include other fusions of music styles including jazz fusion, metal and folk rock musics. Progressive rock is an approach that combines elements of diverse styles. Jerry Ewing, editor of "Prog Magazine", explains that "Prog is not just a sound, it's a mindset." Dream Theater guitarist John Petrucci outlines that Progressive rock is defined by its very lack of stylistic boundaries. The advent of the concept album, plus the genre's roots in psychedelia, led albums and performances to be viewed as combined presentations of music, lyrics, and visuals. Context_10 : K-pop (abbreviation of Korean pop; Hangul: 케이팝 ) is a music genre originating in South Korea that is characterized by a wide variety of audiovisual elements. Although it includes all genres of "popular music" within South Korea, the term is often used in a narrower sense to describe a modern form of South Korean pop music drawing inspiration on a range of styles and genres incorporated from the rest of the world such as Western pop music, rock, experimental, jazz, gospel, Latin, hip hop, R&B, reggae, electronic dance, folk, country and classical on top of its uniquely traditional Korean music roots. The more modern form of the genre emerged with one of the earliest K-pop groups, Seo Taiji and Boys, forming in 1992. Their experimentation with different styles and genres of music and integration of foreign musical elements helped reshape and modernize South Korea's contemporary music scene. fact_1 : "I Love You (Miss Robot)" is a song written, performed and produced by the Buggles, a duo of Trevor Horn and Geoff Downes, for their 1980 debut studio album "The Age of Plastic". fact_2 :  Described by writers as the first technopop landmark, the record is an electropop new wave album that includes musical elements and influences of disco, punk, progressive rock and 1960s pop music. Answer: the Buggles
Output (English): Which band released the song I Love You Miss Robot and has music that includes musical elements and influences of disco, punk, progressive rock and 1960s pop music?