Task: Sentiment Analysis
Input (English): Bizarre Entertainment . The greatest crime you can commit whilst watching a David Lynch film is to NOT watch it in one-sitting; a reason as to why Mr. Lynch did not condone the insertion of chapter breaks in the original 'Mulholland Drive' DVD&#8212;it happens to be the incentive for the viewer to sit through the whole film in unremitting concentration, a sort of meditation. It would also explain his infatuation with 'Transcendental Meditation', which he claims to have been practicing for a number of years, and his desire to instill that peace into his cult following. So, if by any chance you want to unravel this smorgasbord of haunting sexuality, bloody violence, and the mystical bizarreness which is 'Lost Highway' then it is wise to stray away from the conviction of a linear plot. It is much more lucrative to compare the chief theme of each his films rather than trying to put together the scattered images of one film&#8212;let&#8217;s say, as an example, the 'Mystery Man' (Played by Robert Blake in this particular film) and the 'Cowboy' from 'Mulholland Drive'; you can draw the correspondence at once by comparing their facial elements: mainly the shaved eyebrows. Therewith, one can surmise what Lynch tried to personify by those two characters&#8230;a singularly obscure despot&#8212;evil&#8212;like the devil, and also the gateway into the supernatural. Indeed, in a recent interview, director Lynch confessed that Lost Highway and Twin Peaks take place in the same world&#8212;which is more than enough evidence for us to navigate all his films since 1977&#8217;s 'Eraserhead' and search for cohesion on the whole rather than through one individual film. All this aside, 'Lost Highway' is certainly a worthy experience; it is singularly intriguing, interspersed with bizarre sexual liaisons and a chilling soundtrack&#8212;a mix of hard-edged techno-industrial, slightly spooky jazz, and orchestral compositions from Angelo Badalamenti. Patricia Arquette & Bill Pullman pull off memorable performances as the husband and wife whose marriage is on the rocks, Balthazar Getty is thoroughly convincing as the 'reincarnation' of Fred Madison (Bill Pullman&#8217;s character in the story) and Robert Loggia playing the sinister mob boss with insidious perversions. 'Lost Highway' may at times frustrate you with its non-linear narrative or it just might not be on-par with your taste, yet you don&#8217;t have to be genius to figure out that during our brief span of consciousness David Lynch certainly knows how to screw our nerves.
Output (English): POS