Task: Sentiment Analysis
Input (English): in roger michell 's romantic comedy notting hill , william thacker ( hugh grant ) leads a rather dreary life maintaining his flagging travel bookshop in the quaint section of london which lends it 's name to the film 's title .
one day , american movie superstar anna scott ( julia roberts ) walks in to purchase a book on turkey .
quickly enamored of each other , the two embark upon an on - again , off - again love affair replete with romance , humor , and the occasional lump in the throat .
the film opens with a non - verbal cue to anna 's stardom as the title credits appear over a montage of slow motion sequences featuring the actress 's appearances in films and at premieres - coming out of limousines , walking the red carpets and such . without words , this sequence gives us a background to her character .
following , however , is a set - up narration by william indicating what he does and where he lives .
i do n't know why the filmmakers chose to go with a narration which tells us nothing we could n't have figured out by watching the first ten minutes of film , and which never resurfaces after the movie 's beginning , but there it is .
if there were ever a clear case for " less is more , " this would be it .
the film is told nearly first person from william 's point of view , as he is in every scene .
by nature of this arrangement , we get a very definite sense of what he is all about , and his nice guy personality wins us over easily .
in fact , much of notting hill 's strength lies in the great dialog written for this character by richard curtis .
a scene where william is still in shock over the fact that he 's even talking to a silver screen goddess is made golden by the way bumbles through his attempt to offer her some honey - soaked apricots from his refrigerator . or take an instance where anna kisses william and asks him never to tell anyone for fear of the incident hurting her image .
william assures her he would n't say a word , then
adds , " well , i 'll probably tell myself now and then , but i 'd never believe it .
" great stuff .
the downside to spending so much time with william is that we do n't get to see enough of anna to make their relationship whole and plausible .
we 're constantly exposed to william 's thoughts , feelings , actions and desires , but do n't actually get the sense of how much anna really feels for him .
there are a couple of instances where she declares her obvious interest , but they nearly come out of nowhere due to the fact that we 're not sure what she 's been thinking all the times in between .
this , combined with the sheer iniquity of screen time between the two , makes this hugh grant 's film hands down .
he gets the great scenes ( look for one in which he has to portray an interviewer from horse and hound magazine in order to speak with anna ) , the great lines , and gives an overall wonderful performance .
julia roberts fans will probably be disappointed by the actress 's top billing and subsequent lack of involvement in the film ( ala sandra bullock in a time to kill ) along with her detached performance which is only worsened by her character 's unpredictable behavior .
anna does n't get a lot of our compassion .
this romantic comedy leans a little more toward the comedy than the romance , much of it supplied by grant himself , but with considerable help from the supporting cast .
most notable is rhys ifans as spike , william 's eccentric roommate , who is in the film for no other purpose than to make us laugh .
hugh bonneville , emma chambers , james dreyfus , and gina mckee bring up the guard as william 's friends and family , particularly shining in a scene where william brings anna to his sister 's birthday dinner , and we get to see how these common folks react to the presence of a movie star in their midst .
it 's a scene most of us will probably think would play out in our own living rooms were we faced with a similar situation .
roger michell 's use of visuals does n't sweep us off our feet , but does give us more than your typical movie of this type .
for example , there are a couple of instances in this film where large amounts of time pass .
whereas some films are content to simply put in a caption saying " eight months later , " michell presents us with more interesting cues , such as william 's walk though his neighborhood while the seasons change around him .
another memorable shot occurs in a park where the camera is lifted from ground level to a couple of hundred feet in the air .
we 're generally used to scenes where our point of view is lifted from the earth to treetop level or so , but in this case , the camera just keeps going up and up until we have a bird 's eye view of the ground below .
music is used rather glaringly as an enhancement to many of the film 's scenes , and some of this might have been better toned down , but in other areas it works to full effect .
it 's kind of a mixed bag , but still fares better than many of today 's lighthearted movies which are so influenced by the mtv fare that the film becomes one long music video .
at least this film has some pretty good music that for the most part remains relevant and appropriate .
notting hill 's grant and roberts will not go down in history as one of the all - time greatest film pairings , but the chemistry is decent and the comedic aspects of the movie more than make up for it .
for a couple of hours , you should expect to laugh more than cry , and that 's not so bad , now is it ?
Output (English): P