Task: Story Composition
Input (English): Fact1: Jan recall past life while working for Angelo Living under new identity on island of French-governed Guadalupe, Fact2: band of refugees stripped of friends and country by war To melancholy island of come Guadalupe, Fact3: El Hombre memory was destroyed by brutality of Nazis, Fact4: music drifts into room inhabited by Hoffman wife and invalid charge, Fact5: demented El Hombre takes warning as sign to destroy fishing boat owned by Angelo
Output (English): Jan Foley Lederer, an amnesiac Czech pianist, is a victim of Nazi torture for playing a banned song. Living under a new identity on the island of Frenchgoverned Guadalupe, Jan tries to recall his past life while working for refugee smuggler Angelo Alexander Granach. To the melancholy island of Guadalupe come a band of refugees, stripped of their friends and their country by the war. Among them dwells a brooding, sinister man known only as El Hombre, whose memory was destroyed by the brutality of the Nazis. One evening, as El Hombre sits trancelike at the piano and plays a somber melody, his music drifts into the room inhabited by other refugees, Dr. Hoffman, his wife Anna, and their invalid charge, Marya Volny. El Hombres playing reminds Anna of Jan Volny, a famous pianist from her homeland of Czechoslovakia, and she bitterly reflects upon the life that they lost. After finishing the piece, El Hombre reads a notice from the governor, warning refugees about murder boats that will promise them asylum in the U.S., but will leave them to perish at sea after fleecing them of their savings. The demented El Hombre takes the warning as a sign to destroy the fishing boat owned by his compassionate employer Angelo. El Hombres act infuriates Angelos cruel brothers, Luigi and Marco, who loathe the stranger and wish him dead. As Maryas condition worsens, Anna blames herself for forcing the girl to leave her homeland and recalls the conditions that drove them into exile: After invading Prague, the Nazis grant permission to Czech pianist Jan Volny to present a concert. They stipulate, however, that The Moldau, a muchloved patriotic symphony written by Bedrich Smetana, be excluded from the concert. Carried away by the beauty of the music, Volny ends his concert with a fourminute paraphrase of the famed symphony. Realizing that his act will draw the wrath of the Nazis and that his wife, Marya, will also suffer at the hands of their oppressors, Volny arranges for the Hoffmans to smuggle her out of the country, but before he can escape himself, he is captured and subjected to unspeakable violence, which deranges him. En route to a concentration camp, Volny overpowers his guards and escapes. After making his way to Lisbon, he hides on a fishing boat owned by Angelo and his brothers, which embarks shortly thereafter and carries him to the island of Guadalupe. In the fog of his unhinged brain, Volny fails to remember his own name and identity, and is thus dubbed El Hombre. As Annas thoughts return to the present, Marya, enchanted by the sound of El Hombres piano, rises from her bed, inches her way down the stairs and then collapses in the street. El Hombre finds her there, and as he fingers the crucifix encircling her neck, his memory begins to return. When the Hoffmans come looking for Marya, El Hombre retreats into the shadows. He begins to recall snatches of his life with Marya, but his reverie is cruelly interrupted by Luigis harsh voice challenging him. Angelo hears shots and finds Luigi, gun in hand, standing over El Hombres body. As the brothers argue, Luigi stabs Angelo with an ice pick. Noticing that El Hombre has vanished, the wounded Angelo follows a trail of blood up the stairs to Maryas room, where the Hoffmans are notifying the police of Maryas death. At her bedside, El Hombre cradles Maryas lifeless body in his arms, begging her to return to life. His entreaties echo the words spoken to him by Marya at the time of their separation in Czechoslovakia, affirming her certainty that he will one day come for her.