Anchor: We're meant to feel that we're coming to the end of the line, an impression confirmed in Domenico Gnoli's painting of an empty table covered with a lace tablecloth, Without a Still Life (1966), placed toward the end of the show and chosen for the cover of the catalog.
Entailed: Gnoli painted an empty table.
Contradiction: Gnoli painted an empty pool.
Contradiction: Tourists are not welcome at such nightspots.
Contradiction: The reader was referred by DOT to its docket management system in 39 of the 93 DOT rules that did not explicitly provide for electronic comments.
Contradiction: A woman is looking at the vegetables for sale at her grocery store as she pushes the cart down the aisle.
Contradiction: I have returned.