Product: Frequency (2000)
Rating: 5.0
Let's rewrite H.G. Wells
A thriller that associates many interesting elements. First a serial killer, running after him, trying to stop him, in the radical way of today, a good self-defense shot. Then a fireman (yes not very politically correct: firefighter it should have been, but in 1969...) father and heroism, and dying on duty. Then a nurse mother, which is rather banal but explains the overworking schedule of the mother and the over-protective attitude. Then a time warp that happens in a strange way, through an old radio from the time before transistors and computers, with beautiful lamps and diodes. The orphaned son of the fireman father in 1999 gets in contact through this radio with his father in 1969 or about and they try to stop the killer. After discovering he is a cop. And it works, and the past is changed, and the future of that past is changed, hence the past future is no longer what it could have been or should have been and is what we would have liked it to be. Father, son et grand son. Grandfather, father and son. Three generations instead of two and the orphaned son of the second generation no longer being unable to cope with starting the third generation. Typically American: the desire to change the past, the only thing you cannot change. The future? Maybe if you try hard, and yet without any guarantee. But the past, no way, no hope, and yet there is always an American somewhere who is trying and believing Auschwitz can disappear in thin air. But the most difficult part of the film is the constant shifting from one time to another without being very clear all the time where we stand or are. Except that we get confused after a while.Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne