Product: Snow Falling on Cedars (2000)
Rating: 4.0
Exceptional
Adapting this novel with its tricky, time-shifting narrative was always going to be a big task, but Scott Hicks pulls it off. He and co-writer Ron Bass move quickly into the courtroom and wisely use the trial to drive the plot, telling the backstory - the real story in this case - through a finely-woven complex of flashbacks. The difficulty is that this story is a rich, long and emotional tale which requires a fair degree of exposition for it to be satisfying. The screenplay is superbly economical in this regard, but there is no escaping the fact that the only way to cover so much ground in a film of tolerable length is to fly over it at 30,000 feet. The necessarily distant treatment this requires only occasionally dilutes the emotional force which would have come from a more thorough and leisurely telling. Hicks compensates with a powerfully emotive score - this works, but it doesn't always hit the mark. Rather than engendering emotion, James Newton Howard's music is often so insistently overpowering that it locks the audience out. But that's a minor flaw in an otherwise excellent production. Overall, this is an intelligent and considered adaptation - probably the best that could be made from a novel which would have been incredibly difficult to bring to the screen. It's solidly acted, immaculately lit, and offers some of the most achingly beautiful imagery to illuminate the screen in years. (The opening sequence is magnificent.) Most rewarding of all is the fact that Hicks takes some real stylistic risks with this film. They don't always pay off, but when they do it's magical.