Product: Julia (1971)
Rating: 4.0
Jane Fonda Comes of Age
Too bad this one's out of stock, but worse was that the poltical backlash Vanessa Redgrave's Best Supporting Actress acceptance speech detracted from the film's importance. Despite that, "Julia" may well be the best work in Redgrave's and Jane Fonda's impressive bodies of work. For the latter, the film launched the socially-themed works that followed, and Fonda may well have come of age in this one. She plays writer Lillian Hellman to Redgrave's title character, an upper-class rich kid who grows into social activist and lays her life on the line to smuggle condemned Jews from the death camps of Hitler's Third Reich. Redgrave is superlative, and Fonda is rivting as Julia's childhood friend who gradually comes to recognize the evil unleashed by man on man at the time. As Julia's long-time lover, Dashell Hammitt, the late Jason Robards nailed down one of his back-to-back Supporting Actor Oscars ("All the President's Men" was the other), and the raw talent of the Fonda-Redgrave-Robards package helps make "Julia" one of Fonda's best works. The importance of the film's subject matter is so overwhelming that it easily displaces the Vietnam-related controvery that dogged (and may still) Fonda through the '70s and the unpopular words Redgrave used in her Oscar acceptance speech (she was literally booed off the stage). Far from a "chick flic," "Julia" is an important film that delves into but one relam in the darkest of human history, and it's earned a lofty spot among films of its genre.