Product: Romeo and Juliet [Region 2] (1968)
Rating: 5.0
"For never was a story of more woe Than this of Juliet and her Romeo."
I've loved it since I saw it first time - I was 16 and for me, Romeo and Juliet were not the Shakespeare's characters, they were just a girl and a boy who loved each other and died together because they could not live without each other. I did not know the names behind the production but I remember that the costumes were gorgeous (I still remember the red and gold dress Juliet wore in her first scene), the score and song were sweet and tender, and the cinematography brought to life a very real Verona, colorful and violent. Only much later I learned that Nino Rota was the composer, Danilo Donati a costume designer, and Pasqualino De Santis a cinematographer. Both Donati and De Santis won very well deserved Oscars.)I was absolutely charmed by Olivia Hussey - she could be the most beautiful (and sensual and youngest) Juliet ever on screen. The only other film I've seen her was "Death on the Nile" - and she was not lost among very famous costars (Peter Ustinov, Bette Davis, and Angela Lansbury among others). I also remember that even though I was in love with Leonard Whiting's Romeo, I realized that as an actor he was much less interesting than John McEnry (whimsical Mercucio), Milo O'Shea (Friar Laurence) and Pat Heywood (the Nurse). Zeffirelli came from a successful career as an international opera designer and director in London, New York, and Milan with a reputation for opulent spectacle. It may explain his ability to handle crowds on the screen so effortlessly and skillfully. He also at one point of his career worked as Luchino Visconti's assistant - perhaps he learned a lot from him. In "Romeo and Juliet" he was able to make a very dynamic film that did not feel at all as an adapted play and also was a great romance which made me feel incredibly close to its characters. Four hundreds years seemed to disappear and Shakespeare became my contemporary. I've seen "Romeo and Juliet" many times and I believe Zeffirelli's is the best adaptation of the play. Well, there is of course, the ballet with the Sergey Prokofiev's music - but it is a different story altogether.