Siam0703/SQuAD-EN-Passage-to-Question huggingface dataset:
The convergence of these various sources into a uniform theory of groups started with Camille Jordan's Traité des substitutions et des équations algébriques (1870). Walther von Dyck (1882) introduced the idea of specifying a group by means of generators and relations, and was also the first to give an axiomatic definition of an "abstract group", in the terminology of the time. As of the 20th century, groups gained wide recognition by the pioneering work of Ferdinand Georg Frobenius and William Burnside, who worked on representation theory of finite groups, Richard Brauer's modular representation theory and Issai Schur's papers. The theory of Lie groups, and more generally locally compact groups was studied by Hermann Weyl, Élie Cartan and many others. Its algebraic counterpart, the theory of algebraic groups, was first shaped by Claude Chevalley (from the late 1930s) and later by the work of Armand Borel and Jacques Tits.

Questions:
When did the uniform theory of groups develop from different sources?
Who presented a method for specifying a group by means of generators and relations?
What theory did Hermann Weyl study in addition to locally compact groups?
Who initially molded the theory of algebraic groups?
Mathematicians often strive for a complete classification (or list) of a mathematical notion. In the context of finite groups, this aim leads to difficult mathematics. According to Lagrange's theorem, finite groups of order p, a prime number, are necessarily cyclic (abelian) groups Zp. Groups of order p2 can also be shown to be abelian, a statement which does not generalize to order p3, as the non-abelian group D4 of order 8 = 23 above shows. Computer algebra systems can be used to list small groups, but there is no classification of all finite groups.q[›] An intermediate step is the classification of finite simple groups.r[›] A nontrivial group is called simple if its only normal subgroups are the trivial group and the group itself.s[›] The Jordan–Hölder theorem exhibits finite simple groups as the building blocks for all finite groups. Listing all finite simple groups was a major achievement in contemporary group theory. 1998 Fields Medal winner Richard Borcherds succeeded in proving the monstrous moonshine conjectures, a surprising and deep relation between the largest finite simple sporadic group—the "monster group"—and certain modular functions, a piece of classical complex analysis, and string theory, a theory supposed to unify the description of many physical phenomena.

Questions:
What level of finality do mathematicians try to reach with math concepts?
What area of classification leads to troublesome arithmetic?
What defines finite groups of order p, a prime number, as being necessarily cyclic (abelian) groups Zp?
What can be used to classify small groups even though there is no classification of all finite groups?
What describes finite simple groups as the building pieces for all finite groups?
Asthma is clinically classified according to the frequency of symptoms, forced expiratory volume in one second (FEV1), and peak expiratory flow rate. Asthma may also be classified as atopic (extrinsic) or non-atopic (intrinsic), based on whether symptoms are precipitated by allergens (atopic) or not (non-atopic). While asthma is classified based on severity, at the moment there is no clear method for classifying different subgroups of asthma beyond this system. Finding ways to identify subgroups that respond well to different types of treatments is a current critical goal of asthma research.

Questions:
How is asthma clinically classified?
How else is asthma classified?
When asthma is caused by allergens that is called what?
What  is asthma usually classified based on?
What is a important goal of asthma research?
Avoidance of triggers is a key component of improving control and preventing attacks. The most common triggers include allergens, smoke (tobacco and other), air pollution, non selective beta-blockers, and sulfite-containing foods. Cigarette smoking and second-hand smoke (passive smoke) may reduce the effectiveness of medications such as corticosteroids. Laws that limit smoking decrease the number of people hospitalized for asthma. Dust mite control measures, including air filtration, chemicals to kill mites, vacuuming, mattress covers and others methods had no effect on asthma symptoms. Overall, exercise is beneficial in people with stable asthma. Yoga could provide small improvements in quality of life and symptoms in people with asthma.

Questions:
What is a key component of control and preventing asthma attacks?
What are some of the more common triggers?
What can reduce the effectiveness of medications?
What did law that limit smoking accomplish?
What type of exercise can provide small improvements?
The prognosis for asthma is generally good, especially for children with mild disease. Mortality has decreased over the last few decades due to better recognition and improvement in care. Globally it causes moderate or severe disability in 19.4 million people as of 2004 (16 million of which are in low and middle income countries). Of asthma diagnosed during childhood, half of cases will no longer carry the diagnosis after a decade. Airway remodeling is observed, but it is unknown whether these represent harmful or beneficial changes. Early treatment with corticosteroids seems to prevent or ameliorates a decline in lung function.

Questions:
What is the prognosis for asthma?
What has caused the mortality rate to decrease?
Worldwide, how many people suffer from asthma?
How many cases that are diagnosed in childhood make it past 10 years with asthma?
Another significant issue unique to LaserDisc is one involving the inconsistency of playback quality between different makers and models of player. On most televisions, a given DVD player will produce a picture that is visually indistinguishable from other units. Differences in image quality between players only becomes easily apparent on large televisions and substantial leaps in image quality are generally only obtained with expensive, high-end players that allow for post-processing of the MPEG-2 stream during playback. In contrast, LaserDisc playback quality is highly dependent on hardware quality. Major variances in picture quality appear between different makers and models of LD players, even when tested on a low to mid-range television. The obvious benefits of using high quality equipment has helped keep demand for some players high, thus also keeping pricing for those units comparably high. In the 1990s, notable players sold for anywhere from US$200 to well over $1,000, while older and less desirable players could be purchased in working condition for as little as $25.

Questions:
Is LaserDisc quality consistent or inconsistent between player brands?
What is LaserDisc playback quality dependent on?
How cheaply could an older LaserDisc player be purchased in the 1990s?
What range of prices were high-end LaserDisc players in the 1990s?
On St. George's Night (Estonian: Jüriöö ülestõus) 23 April 1343, the indigenous Estonian population in the Duchy of Estonia, the Bishopric of Ösel-Wiek and the insular territories of the State of the Teutonic Order tried to rid themselves of the Danish and German rulers and landlords, who had conquered the country in the 13th century during the Livonian crusade, and to eradicate the non-indigenous Christian religion. After initial success the revolt was ended by the invasion of the Teutonic Order. In 1346 the Duchy of Estonia was sold for 19,000 Köln marks to the Teutonic Order by the King of Denmark. The shift of sovereignty from Denmark to the State of the Teutonic Order took place on 1 November 1346.

Questions:
What is the date of St. George's Night?
When did the indigenous Estonians try to overthrow their Danish and German rulers?
What belief system did the native Estonians try to remove?
What event ended the uprising?
What date did sovereignty shift from the state of Denmark?
The 2008 United Nations Human Rights Council report called "extremely credible" the description of the citizenship policy of Estonia as "discriminatory". According to surveys, only 5% of the Russian community have considered returning to Russia in the near future. Estonian Russians have developed their own identity – more than half of the respondents recognised that Estonian Russians differ noticeably from the Russians in Russia. When comparing the result with a survey from 2000, then Russians' attitude toward the future is much more positive.

Questions:
What document labeled the the description of the citizenship policy of Estonia as "discriminatory"?
What percentage of Estonian Russians have though of going back to Russia?
What proportion of Estonian Russians see themselves as different from their Russian counterparts?
In response to a given problem situation (), a number of competing conjectures, or tentative theories (), are systematically subjected to the most rigorous attempts at falsification possible. This process, error elimination (), performs a similar function for science that natural selection performs for biological evolution. Theories that better survive the process of refutation are not more true, but rather, more "fit"—in other words, more applicable to the problem situation at hand (). Consequently, just as a species' biological fitness does not ensure continued survival, neither does rigorous testing protect a scientific theory from refutation in the future. Yet, as it appears that the engine of biological evolution has, over many generations, produced adaptive traits equipped to deal with more and more complex problems of survival, likewise, the evolution of theories through the scientific method may, in Popper's view, reflect a certain type of progress: toward more and more interesting problems (). For Popper, it is in the interplay between the tentative theories (conjectures) and error elimination (refutation) that scientific knowledge advances toward greater and greater problems; in a process very much akin to the interplay between genetic variation and natural selection.

Questions:
What process in science is like the process of natural selection in nature?
What is a better description for theories that survive scientific scrutiny than "more true?"
What is another term for the tentative theories enter the process of error elimination in science?
Toward what does Popper believe scientific understandings progress?
A mandolin (Italian: mandolino pronounced [mandoˈliːno]; literally "small mandola") is a musical instrument in the lute family and is usually plucked with a plectrum or "pick". It commonly has four courses of doubled metal strings tuned in unison (8 strings), although five (10 strings) and six (12 strings) course versions also exist. The courses are normally tuned in a succession of perfect fifths. It is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.

Questions:
What country did the mandolin originate from?
What does mandolin translate to?
What musical family does the mandolin come from?
How is the mandolin usually played?
How many courses does a mandolin commonly have?
There are many styles of mandolin, but four are common, the Neapolitan or round-backed mandolin, the carved-top mandolin and the flat-backed mandolin. The round-back has a deep bottom, constructed of strips of wood, glued together into a bowl. The carved-top or arch-top mandolin has a much shallower, arched back, and an arched top—both carved out of wood. The flat-backed mandolin uses thin sheets of wood for the body, braced on the inside for strength in a similar manner to a guitar. Each style of instrument has its own sound quality and is associated with particular forms of music. Neapolitan mandolins feature prominently in European classical music and traditional music. Carved-top instruments are common in American folk music and bluegrass music. Flat-backed instruments are commonly used in Irish, British and Brazilian folk music. Some modern Brazilian instruments feature an extra fifth course tuned a fifth lower than the standard fourth course.

Questions:
What are the four common styles of mandolins?
What is the round-back mandolin made of?
Which style of mandolin has a shallower, arched back, and arched top?
Which form of music do Neapolitan mandolins feature?
Which mandolin is commin in American Folk music and blue grass music?
Much of mandolin development revolved around the soundboard (the top). Pre-mandolin instruments were quiet instruments, strung with as many as six courses of gut strings, and were plucked with the fingers or with a quill. However, modern instruments are louder—using four courses of metal strings, which exert more pressure than the gut strings. The modern soundboard is designed to withstand the pressure of metal strings that would break earlier instruments. The soundboard comes in many shapes—but generally round or teardrop-shaped, sometimes with scrolls or other projections. There is usually one or more sound holes in the soundboard, either round, oval, or shaped like a calligraphic F (f-hole). A round or oval sound hole may be covered or bordered with decorative rosettes or purfling.

Questions:
What did most of the development of the mandolin revolve around?
Were premandolins quiet or loud instruments?
What are modern mandolins' strings made of?
What is the most common soundboard shape?
What are the sound holes covered with?
Beside the introduction of the lute to Spain (Andalusia) by the Moors, another important point of transfer of the lute from Arabian to European culture was Sicily, where it was brought either by Byzantine or later by Muslim musicians. There were singer-lutenists at the court in Palermo following the Norman conquest of the island from the Muslims, and the lute is depicted extensively in the ceiling paintings in the Palermo’s royal Cappella Palatina, dedicated by the Norman King Roger II of Sicily in 1140. His Hohenstaufen grandson Frederick II, Holy Roman Emperor (1194 - 1250) continued integrating Muslims into his court, including Moorish musicians. By the 14th century, lutes had disseminated throughout Italy and, probably because of the cultural influence of the Hohenstaufen kings and emperor, based in Palermo, the lute had also made significant inroads into the German-speaking lands.

Questions:
Who introduced the lute to Spain?
What country helped transfer the lute from Arabian to European culture?
Who brought the lute to Sicily?
What court held singer-lutenists after the Norman conquest?
What building has ceeiling painting dedicated to the lutenists?
There is confusion currently as to the name of the eldest Vinaccia luthier who first ran the shop. His name has been put forth as Gennaro Vinaccia (active c. 1710 to c. 1788) and Nic. Vinaccia. His son Antonio Vinaccia was active c. 1734 to c. 1796. An early extant example of a mandolin is one built by Antonio Vinaccia in 1759, which resides at the University of Edinburgh. Another is by Giuseppe Vinaccia, built in 1893, is also at the University of Edinburgh. The earliest extant mandolin was built in 1744 by Antonio's son, Gaetano Vinaccia. It resides in the Conservatoire Royal de Musique in Brussels, Belgium.

Questions:
What is there currently confusion over?
Who is said to have ran the first shop?
Where does the mandolin built by Antonio Vinaccia reside?
Where does the mandolin built by Giuseppe Vinaccia reside?
Where does the mandolin that Gaetano Vinaccia reside?
The transition from the mandolino to the mandolin began around 1744 with the designing of the metal-string mandolin by the Vinaccia family, 3 brass strings and one of gut, using friction tuning pegs on a fingerboard that sat "flush" with the sound table. The mandolin grew in popularity over the next 60 years, in the streets where it was used by young men courting and by street musicians, and in the concert hall. After the Napoleonic Wars of 1815, however, its popularity began to fall. The 19th century produced some prominent players, including Bartolomeo Bortolazzi of Venice and Pietro Vimercati. However, professional virtuosity was in decline, and the mandolin music changed as the mandolin became a folk instrument; "the large repertoire of notated instrumental music for the mandolino and the mandoline was completely forgotten". The export market for mandolins from Italy dried up around 1815, and when Carmine de Laurentiis wrote a mandolin method in 1874, the Music World magazine wrote that the mandolin was "out of date." Salvador Léonardi mentioned this decline in his 1921 book, Méthode pour Banjoline ou Mandoline-Banjo, saying that the mandolin had been declining in popularity from previous times.

Questions:
What year was the beginning of the transition from mandolino to mandolin?
Where did the mandolin grow in popularity?
When did the mandolin's popularity begin to fall?
Who were two of the promiment players in the 19th century?
What year did the export market for manodlins from Italy dry up?
Beginning with the Paris Exposition of 1878, the instrument's popularity rebounded. The Exposition was one of many stops for a popular new performing group the Estudiantes Españoles (Spanish Students). They danced and played guitars, violins and the bandurria, which became confused with the mandolin. Along with the energy and awareness created by the day's hit sensation, a wave of Italian mandolinists travelled Europe in the 1880s and 1890s and in the United States by the mid-1880s, playing and teaching their instrument. The instrument's popularity continued to increase during the 1890s and mandolin popularity was at its height in "early years of the 20th century." Thousands were taking up the instrument as a pastime, and it became an instrument of society, taken up by young men and women. Mandolin orchestras were formed worldwide, incorporating not only the mandolin family of instruments, but also guitars, double basses and zithers.

Questions:
When did the mandolin's poplarity rebound?
What popular group performed at the Paris Exposition?
When was it said that mandolin's popularity peaked?
What instrument was the mandolin confused with during the 1880's?
What were formed worldwide that incorporated the mandolin famiy of instruments and other instruments as well?
Like any plucked instrument, mandolin notes decay to silence rather than sound out continuously as with a bowed note on a violin, and mandolin notes decay faster than larger stringed instruments like the guitar. This encourages the use of tremolo (rapid picking of one or more pairs of strings) to create sustained notes or chords. The mandolin's paired strings facilitate this technique: the plectrum (pick) strikes each of a pair of strings alternately, providing a more full and continuous sound than a single string would.

Questions:
What happens to mandolin notes when plucked?
Do mandolin notes decay faster or slower than larger string instruments?
What is tremolo?
What parts of the mandolin faciliate the tremolo technique?
What is a plectrum?
In his 1805 mandolin method, Anweisung die Mandoline von selbst zu erlernen nebst einigen Uebungsstucken von Bortolazzi, Bartolomeo Bortolazzi popularised the Cremonese mandolin, which had four single-strings and a fixed bridge, to which the strings were attached. Bortolazzi said in this book that the new wire strung mandolins were uncomfortable to play, when compared with the gut-string instruments. Also, he felt they had a "less pleasing...hard, zither-like tone" as compared to the gut string's "softer, full-singing tone." He favored the four single strings of the Cremonese instrument, which were tuned the same as the Neapolitan.

Questions:
Who popularised the Cremonese Mandolin?
What was Bartolomeo Bortolazzi's popular mandolin method?
How many strings did the Cremonese Mandolin have?
Did Bortolazzi like playing the new wire strung mandolins?
What did Bortolazzi say about the sound?
These styles generally have either two f-shaped soundholes like a violin (F-5 and A-5), or an oval sound hole (F-4 and A-4 and lower models) directly under the strings. Much variation exists between makers working from these archetypes, and other variants have become increasingly common. Generally, in the United States, Gibson F-hole F-5 mandolins and mandolins influenced by that design are strongly associated with bluegrass, while the A-style is associated other types of music, although it too is most often used for and associated with bluegrass. The F-5's more complicated woodwork also translates into a more expensive instrument.

Questions:
What shape sounds holes do these styles of mandolins have?
Where are the soundholes located?
What mandolin is associate with Bluegrass music?
What style is associate with other types of music?
Why is the F-5 mandolin more expensive?
Numerous modern mandolin makers build instruments that largely replicate the Gibson F-5 Artist models built in the early 1920s under the supervision of Gibson acoustician Lloyd Loar. Original Loar-signed instruments are sought after and extremely valuable. Other makers from the Loar period and earlier include Lyon and Healy, Vega and Larson Brothers. Some notable modern American carved mandolin manufacturers include, in addition to Kay, Gibson, Weber, Monteleone and Collings. Mandolins from other countries include The Loar (China), Santa, Rosa (China), Michael Kelly (Korea), Eastman (China), Kentucky (China), Heiden (Canada), Gilchrist (Australia) and Morgan Monroe (China).

Questions:
What style of Gisbon Mandolin was largely replicated?
When was the Gibson F-5 largely replicated?
Who supervised the Gibson F-5's replication?
Who are the other makers from the Loar period?
Who were notable modern American mandolin manufacturers?
The international repertoire of music for mandolin is almost unlimited, and musicians use it to play various types of music. This is especially true of violin music, since the mandolin has the same tuning of the violin. Following its invention and early development in Italy the mandolin spread throughout the European continent. The instrument was primarily used in a classical tradition with Mandolin orchestras, so called Estudiantinas or in Germany Zupforchestern appearing in many cities. Following this continental popularity of the mandolin family local traditions appeared outside of Europe in the Americas and in Japan. Travelling mandolin virtuosi like Giuseppe Pettine, Raffaele Calace and Silvio Ranieri contributed to the mandolin becoming a "fad" instrument in the early 20th century. This "mandolin craze" was fading by the 1930s, but just as this practice was falling into disuse, the mandolin found a new niche in American country, old-time music, bluegrass and folk music. More recently, the Baroque and Classical mandolin repertory and styles have benefited from the raised awareness of and interest in Early music, with media attention to classical players such as Israeli Avi Avital, Italian Carlo Aonzo and American Joseph Brent.

Questions:
What instrument does the mandolin share the same tuning of?
Where was the mandolin primarily used?
When was the mandolin considered a fad?
Who contributed to the idea that the mandolin was a fad?
When did the mandolin craze end?
Phil Skinner played a key role in 20th century development of the mandolin movement in Australia, and was awarded an MBE in 1979 for services to music and the community. He was born Harry Skinner in Sydney in 1903 and started learning music at age 10 when his uncle tutored him on the banjo. Skinner began teaching part-time at age 18, until the Great Depression forced him to begin teaching full-time and learn a broader range of instruments. Skinner founded the Sydney Mandolin Orchestra, the oldest surviving mandolin orchestra in Australia.

Questions:
Who played a key role Australian mandolin movement?
When did the Australian mandolin movement begin?
When was Phil Skinner awarded an MBE?
What was Phil Skinner's birth name?
At what age did Phil Skinner begin playing music?