Red Sorghum is a Chinese movie directed by Zhang Yimou. The movie depicts a young woman Jiu’er who was forced to marry old owner of winery because of her farther exchanging his daughter for a new mule. Frustrated and overwhelmed with grief, the girl does not afraid of being hunted by the bandit. However, she was successfully rescued by one of the servants with whom she falls in love. Though the story plot is not distinguished by originality of ideas, the cinematography makes the film fascinating and interesting to watch. While using a sophisticated combination of music and colors, the director manages to render the feelings of the heroes, as well as provide movie with the undertone of mystery. Thus, cinematography contributes significantly to the overall atmosphere of the movie. While watching the movie, the first thing I paid attention to was the fact that dialogues and remarks were of secondary importance for the director. Instead, the focus is made on the way landscape, colors and music contribute to unveiling the themes and ideas of the movie. Describing peasantry on the picturesque background of sorghums, as well as representing the main heroes in an unconventional way makes me think of the movie as of the brightest example of the Chinese avant-garde. The story acquires a mysterious and mesmerizing tone because looks and gazes tell more about feelings and emotions endured by the protagonists rather than dialogues. I especially admire the scene when the future bride is carried in a sedan, particularly the desperate and frustrated look expressed on her face. The dramatic effect of the scene is enhanced by the color of the sedan interior. Red colors symbolize the inevitability of the oncoming marriage, as well as the tragedy that is going to happen. The emphasis placed on environment and colors does not only enhance the historical spirit of times, but also provides a better picture of relations, attitudes, and beliefs. Within this context, the main heroine is not represented here as an independent individual, but a symbolically embodiment of all Chinese women. Close-ups made by camera allow to obtain a deeper understanding of how the progressive woman should look like. Once again, the scene depicting the pre-marriage preparation and brides’ emotions proves her strength and reconciliation. Jiu’er is reluctant to reveal her weaknesses and, therefore, she accepts the challenges on her fate. At the same time, she never rejects her willingness to love and be loved. She is definite about her life goals because the woman never stops hoping for better future. Looking at the first scene of the movie, therefore, allows the viewers to conceive the image of progressive, emancipated Chinese women. The scene also brightly illustrates the historic background of the time. In particular, the director introduces specific elements of the Chinese culture, including rituals, customs, and traditions. Wedding prejudices and stereotypes are also reflected in the movie through the introductory scene. The bride ceremonial dress and hairstyle is carefully managed, which is especially important for the wedding. The colors are also symbolic. The music accompanying the episode accentuates the importa