Introduction Throughout the ages, difference in culture has produced varied art and architecture. Art forms produced in different ages have shown different elements of mythological and religious significance, which can be understood only in context of the particular culture. This essay is an effort to compare and contrast two pieces of art, exhibited in Museum of Fine Arts, Boston. The two pieces of art selected for comparison are Seated Sekhmet, which is an Egyptian sculpture from the New Kingdom Dynasty dated 1309-1352 BC and the other is Statue of Athena Parthenon (the Virgin Goddess) a sculpture made in the Roman Imperial period in the 2 nd or 3 rd CE. The first is an enthroned figure of a woman with the head of a lioness, seated on a square seat, the second is a marble replica of the original statue made in gold, and ivory statue sculpted by the Roman master sculptor Phidias. The essay begins with a description of the two art pieces and then moves on to a more formal description of the style and make of the sculptures. The paper then describes what these two statues stand for and the subject matter that they exude. In the second part of the essay, the paper discusses the meaning and function of the sculptures. Formal Analysis This section presents a detailed description of the two sculptures studied in the paper. The first is a hard sculpture etched in stone of the lion headed Egyptian goddess Sekhmet from the Karnak temple. The sculpture depicts the body of a woman mounted with a head of a lioness, and seated on a square stone throne. The statue is made in granite. The statue was found in the temple of Mut at Karnak, made during 1391-1352 BCE. The height of the sculpture is 49 13/16” high x 21” wide x 26 ¼” deep (Pinch 134). It is located in the second floor of the Egyptian and Nubian gallery in the Boston Museum of Fine Arts. The goddess has small eyes, which are intense and prominent jawline. The facial features of the statue emanate an aura of violence. This is one of the 730 statues found in the Mut temple at Karnak, Egypt. The statue was made during the reign of king Amenhotep III. This is a litany in stone, especially made in granite. The surface of the statue is clean and gleams of the granite stone with which it is made of and despite the weathering due to centuries of exposure to the arid nature, it still hold intact the details of the sculpture. The head of the goddess is crowned with a headdress, which is probably made of some other material, which is presently missing from the sculpture. The head of the lioness shows detailed carvings with the whiskers and ruffs. The eye of the sculpture and the muzzle too are clearly visible. Decorative band is visible of the garment of the sculpture and recognizable just below the breast. Both the forearms show considerable wear and tear, especially the right hand. The left hand holds the ankh , which is placed on the left knee of the goddess. The close knitted dress is sculpted until the nape of her ankle and the hem of the garment is etched with horizontal lines. The goddess is seated on a throne that has black, non-inscribed pillars, which run just above her head. However, the lower vertical bar