Introduction Romanticism is a multifaceted artistic, fictional, and intellectual association that initiated in the second half of the 18th century in Western Europe, and increased power during the Industrial Revolution. It was partially a rebellion against aristocratic social and political standards of the Age of Enlightenment and a response against the scientific explanation of nature and was exemplified most powerfully in the visual arts, music, and literature. Origins Key political and social transformations at the end of the eighteenth century, chiefly the French Revolution, prompted a new strain of writing now known as Romanticism. William Wordsworth and Samuel Taylor Coleridge started the trend for taking emotionalism and introspection to English literature, with an innovative focus on the personal and the common man. The response to urbanism and industrialization prompted lyricists to discover nature, for instance, the Lake Poets. At around the same time, the iconoclastic painter William Blake, mainly disconnected from the central watercourses of privileged literature of the time, was creating his own highly personal poetic creations, while the Scottish nationalist poet Robert Burns was gathering and adapting the folk songs of Scotland into a corpse of nationwide poetry for his motherland. The key “second generation” Romantic bards entailed George Gordon Byron, 6th Baron Byron. They flouted communal conferences and often used verse as a supporting voice. Responding to the innovative political, financial, common, theoretical, and spiritual movements of the epoch, Romantic writers required in new ways just what human beings could recognize, be, and perform. Their examinations of awareness, realization, and invention confronted particularly the notions of current science and progress. In their examinations of dreams, dreams, and the function of the unconscious in the original procedure, Romantic authors not only disproved Locke, Hartley, and other Empiricists who observed the operations of the mind simply as chemical and mechanical retorts to sensory stimuli but also expected the theories of Freud and Jung, particularly Jung’s theories of the collective unconscious and archetypal prototypes. Featured by the liberty of the mind and an unrealistic view of human origin, Romanticism gradually crept out of Neoclassicism to turn to be one of the most powerful periods of British literature. It is the appearance of this new literary period regarded Romanticism that blended an interest in those who were starving for a new form of writing and consideration. This notion, although comparatively short-lived and lasting only from 1798-1832, had massive effects on the viewpoint and literature of the time while leaving its step on the history of England. Conclusion It is, essentially, a condition of mind, a meticulous viewpoint on life, in which the human sentiments and the human thoughts act upon facts, either taking them or leaving them alone since the romanticist is attracted chiefly in regarding things as he would like them to be rather than as they essentially are. Although featured by freedom of the mind and unrealistic regard of human origin, the Romantic period, while appearing to be the shortest of any time epoch in the history of Europe, is regarded as being one of the most powerful epochs of British literature and viewpoint.