Book Summary In the introductory section of the book, Beatriz Dujovne discusses the history of tango which is now regarded as the most popular dances in the history of the twentieth century. The author challenges the historical myth according to which tango was created by people who could represent the criminal world or the lower social classes (Dujovne 5). Moreover, it is often assumed that the performances of tango were often prohibited (Dujovne 7). The author notes that such stereotypes are not supported by historians who argue that tango was embraced by different social classes. Moreover, this dance was not criminalized (Dujovne 7). Additionally, Beatriz Dujovne discusses the spread of tango throughout the world. Overall, this part of the book enables the readers to challenge some of the main assumptions about this dance. This is why this section should not be overlooked. In the first chapter called In Strangers’ Arms, Beatriz Dujovne discusses the social aspects of tango. In particular, the author argues that this dance enables people to transcend their external differences (Dujovne 26). This is why she introduces the term “milonga” which can be understood of as social dance (Dujovne 26). Beatriz Dujovne also points out that tango requires a certain degree of trust, because a woman makes herself more vulnerable in the arms of a stranger. The writer distinguishes several important characteristics of tango. In particular, this dance gives people an outlet for displaying their emotions on public. More importantly, it enables them to establish closer relations with one another. Furthermore, the author notes that in Argentina, one can better understand tango as a social phenomenon. The second chapter is aimed at examining experiencing of people living in Buenos Aires. In particular, the writer lays stress on the idea that it is a multicultural metropolis that incorporates Italian, Spanish, and French influences (Dujovne 38). Furthermore, the author notes that the residents of this city are usually willing to interact with visitors. Beatriz Dujovne notes that tango is imbedded in the culture of this city; to a great extent, this dance is “the voice” of this metropolis (Dujovne 38). Some of songs that often accompany tango were written about the streets of this city. For instance, one can mention Corrientes y Esmeralda (Dujovne 40). To a great extent, this dance reflects people’s need for creativity, aestheticism, and sensuality (Dujovne 55). Moreover, tango facilitates the socialization of people living in Buenos Aires. Yet, one should keep in mind that this dance can play a similar role in other parts of the world. In the second chapter, the writer examines the concept of milonga in greater detail. As it has been said before, this notion can be described as the social dance. In the writer’s opinion, this activity is an important part of tango culture (Dujovne 58). In this case, a milonga can be viewed as the social event during which people dance various forms of tango (Dujovne 58). Such a place as Confeteria Ideal is one of the places where milongas are often held. Sometimes, these events can be accompanies by stage performances, but they are not very wi