It is a simple truth that individuals have preferences with regard to all creatures on this planet–including our fellow human beings. Sexism and racism are two most common forms in human culture. Nowadays, with the invention of creative technology AI (artificial intelligence) a new form of discrimination—speciesism comes to the world. Philip K. Dick in his science fiction novel, Do Androids Dream of Electric Sheep, discusses the issue of AI in an imaginary world. Comparing this publication in 1968 to the Shakespeare’s Othello written in 16th century, readers can understand that discrimination will lead to tragedy ends by focusing on characters, plot, settings and symbolism. Othello as a powerful Moor, just as the lonely android Rick Deckard is treated differently in his world. Both works look at discrimination as a force always present in humans’ culture. Discrimination has caused numerous tragedies, and it definitely will cause more in the future. Although it is difficult to achieve the absolute equity in the world, at least racism is no longer a problem in the world of Do Androids Dream of Electric Sheep. Understanding how the imagery world suffered from illogical racist and spiciest will give hope for a future with less discrimination and more tolerance. Despite the time gap that separates the play Othello and the novel Do Androids Dream of Electric Sheep? , there are good reasons to consider that both these literary works are discursively interconnected. The rationale behind this suggestion is quite apparent: both Shakespeare’s tragedy and Philip K. Dick’s novel are concerned with exploring the motif of dehumanization, which can be seen as yet another indication of humanity’s innate predisposition towards discrimination as one of society’s functional principles. In Shakespeare’s play, the motif of discrimination is explored in conjunction with Othello’s dark skin color, something that caused the “noble Moore” to be treated with suspicion by other characters throughout the play. As Hogan has noted: “Everywhere he turns, Othello confronts racism. Its different faces or masks—not only enmity, disdain, abuse, but friendship, admiration, love—serve to make it more insistent, compelling, inexorable” (298). Hogan’s suggestion, in this respect, reveals the subtle nature of Othello’s exposure to racism. After all, because of his history as an accomplished military leader, he had never been forced to deal with any direct mistreatment at the hands of the tragedy’s other characters. Moreover, the very fact that he was able to enjoy a good career in the Venetian army suggests that sixteenth century Venetian society had egalitarian aspects, at least in the racial sense of the word. At the same time, however, there can be little doubt that the practice of racial stereotyping in the city-state of Venice was just as widespread as it is in twenty-first century America. For example, according to the play’s antagonist Iago: “These Moors are changeable in their wills: fill thy purse with money – the food that to him now is as luscious as locusts” (Shakespeare Act I, Scene I). It seems evident that Iago’s statement reflects one of the main racial prejudices regarding people of color