While conflict, used interchangeably with a clash or violence, refers to a state of opposition between people, views, or objectives, violence “…is any condition that prevents a human being from achieving her or his full potential” (Cortright 7). The issue of conflicts has become a daily subject as cases of killings, bombings, and assassinations continue to occur at an alarming level. Racial, color, religious, tribal and economic differences are the major fuels behind conflicts. Peace, on the other hand, refers to the prevailing conditions in the absence of conflicts and violence. As clashes continue to persist around the globe, playwrights, among other people, have resolved into addressing the issue, the causes, effects, and the possible solutions. According to Terry George, the director of the famous Hotel Rwanda film, the world is yearning for people who can courageously campaign for peace and justice. Hotel Rwanda , the fascinating composition of Terry George, brings to light the most horrifying upshots, as contemporary history unfolds. It features both tribal and religious conflicts as they occurred during the 1994 Rwandan genocide. It is a sensitive account of the Hutus of Rwanda, whose genocide campaigns saw the death of thousands of the marginalized Tutsis, upon whom the departed Belgian colonizers had bestowed power. Revolving around a prominent hotel in Kigali, George features Don Cheadle as the manager of the hotel and a representative of the majority Hutus, the wealthy tribe that enjoys majority of the country’s resources. His wife stands in for the minority Tutsis. She is the least happy as she watches her people suffer harassments and severe beatings. She pleads to her husband to help them despite being a Hutu. As the violence intensifies, killings of the Tutsi begin based on race, religion, and social status. As the European clients and staff force their way out of the country, Paul becomes in charge of the visitor’s hotel. He cannot tolerate the mass killings anymore and therefore opts to transform the hotel into a refugee camp for the Tutsis, a step that his Hutu people perceive as betrayal. However, from this courageous step, he ends up preserving the lives of at least 1238 Tutsi people. However, the director qualifies in his good way of demonstrating peace and justice, as this is his objective. The aforementioned subject of conflicts and violence dominates the movie. Nevertheless, efforts of nurturing peace and justice still stand out. The director features both tribal and religious conflicts as observed, not only in Rwanda, but also in the world allover. The majority Hutus clash with the minority Tutsis claiming, “We are the majority. Tutsis are the minority. Hutus must kill all the Tutsis…” (George). From these words, the director brings to light death as one of the many the consequences of conflicts. The singling out of a Paul from his people, Hutus, to bring salvation to the minority Tutsis is subject to discussion. As Paul struggles to foster peace among the Tutsis, he is welcomes conflicts from the other side, who view him as a traitor, validating Cortright’s words that “Peace does not mean the absence of conflicts” (7). Patriotism is mor