Shakespeare’s Othello and the Blind Owl by Sedayat can be compared and contrasted in several ways. For instance, it is evident that the characters and plots in the two books are different. Also, some themes such as, love, gender culture and murder are common in both works. However, The Blind Owl includes suicidal incidences, which are missing in Shakespeare’s Othello. The creation ‘Othello’ is one of Shakespeare’s latest works and one of his ardent misfortunes, penned for a moment amid ‘ King Lear’ and ‘ Hamlet’. The production ardently presents cultural pressures – race, femininity, and religion. The play, perhaps more carefully than any of his other plays, relies on the strength of opposition and divergence, the characters. He polarizes the characters into white and black. Othello is a general and a Moorish that has saved Venice. Here, is a man who, regardless of his alien origins, is the savior of his society, a person who is widely respected and well-liked, excluding by his lieutenant, Lago. The basis of Othello’s achievement is his immense love for his lady, Desdemona. On the other hand, in The Blind Owl, the storyteller, a pen-case decorator, falls in love with a naive woman who is virtuous and demonic at the same time. Afterwards, the young woman shows at his front doorstep, goes into his residence, and lies on his sofa, where she dies. In a past life, the storyteller gives an account of his physical and emotional come down following his matrimony to a woman who has numerous lovers, but rejects to have sex with him. He unintentionally kills her. In Lago, Shakespeare thrashes out with blacksmith rhythm, one of his extraordinary creations, a guy fired by jealousy, tempered by nausea, a person whose bravery is engraved into a form and devilishly, expresses himself in duplicitous twists and wrong turns sufficient to bring down Othello. It is the essence of Shakespearean tragedy that the male protagonist should plunge from the transcendent heights to utter impoverishment, anguish, and demise. Winning her hand, securing her affection is his remarkable mastery and lifts him up to unimagined contentment. However, in this precise essence, Lago demoralizes, with the seed of envy. As atheism is a key aim, the whole structure of Othello’s supremacy and wholeness collapses. He murders his spouse, visages the apprehension of what he has done, and distinguishes that everlasting damnation is the least chastisement than enduring life conscious of his own guiltiness. The play “Othello” symbolizes Shakespeare’s oft-repeated thesis of obligation and love as the mortar mix which connects the social order. It is in Othello’s misfortune that he should contaminate mutually, divulging them as weak spots rather than strong points, the alchemy of his passions reducing them to acids which will consume his heart and crook his exact character. On the other hand, Sedayat presents a menacing piece of writing that looks at ideas of lunacy. Shakespeare has taken characterization to a new height. His achievement is not simply in his invigoration of the English literature, but in his psychosomatic consciousness and approaching to get inside the brains of his characters long before social science envisaged. The characters in Othello contain a pragmatism which distinguishes them from the theatrical character as a representative for word and medium for accomplishment. Shakespeare’s character