Staging a discussion of William Shakespeare perhaps invites people to reminiscent the glamour of his literary works, which were masterfully created within a quarter of a century. Introspection of Shakespeare works, “individually, several of them are among world’s finest written works; taken collectively, they establish Shakespeare as foremost literally talent of his own Elizabeth age and more impressively as a genius whose creative achievement has never been surpassed in any age” (Dutton and Howard 7). Shakespeare consequently emerges as one of the widely popular English language authors who not only made an immense impact in the seventieth century, but the impacts of his works have remained intact even in the twentieth century. To the millions of people who admire him, perhaps he is also the most gorgeous. As Dutton and Howard posit, “since his death in 1616, no other writer has surpassed his ability to capture the human soul in words, and no other writer has been more read, more written about, and more debated” (10). Creativity in his works, Merchant of Venice and Hamlet, is portrayed by the manner he makes choice of characters, the way themes are tied up with stylistic language to reflect hidden meanings reflective of the society he lived in during his life. These two works of Shakespeare are introspected to reveal the aspects of literal creativity. Various scholarly proponents of Shakespeare’s essays, poems, critics and dramas works have acclaimed his works as rich in both technical skills and creativity. Wilson laments, “One might succeed in discussing individual facets of Shakespeare’s unique genius, but it is utterly impossible to summarize his achievement. There is something miraculous about Shakespeare’s peculiar gifts; and every sensitive reader will eventually discover the miracle for himself” (30). The rhyming of words to fit given context evidences, one aspect of creativity, in both Merchant of Venice and Hamlet. Surprisingly William Shakespeare wrote his literally work in times when dictionaries were nonexistent. However, his vocabulary was essentially appalling. In fact, according to scholarly research findings, an average person utilizes slightly higher than 1000 word in general communication, slightly lower than 1000 words while expressing himself or herself in writing and can only be able only about 5000 different words. However, Shakespeare utilized “over 25,000 different words in his writings – that is more than any other English writer has ever used!” (Hale para.2). With the absence of dictionaries, it meant that he had no way to refer on whether he had used a certain word correctly and or in the right context. However, scrutinizing Merchant of Venice and Hamlet, and examining the meaning of the hefty vocabularies in these two works reveals no fault in the use of vocabularies. What made him achieve such success? His impeccable level of creativity must have done the trick. Creativity in writing infers the capacity to express ones feelings, thoughts, and perceptions of how the society needs to look like. However, such criticisms need be presented through deployment of stylistic devices such as symbolism, mockery and humor among others to make the works interesting. More oft