Introduction Still paintings and bodegones were very popular during the Spanish golden age. Still paintings and bodegones are artistic works that are at times characterized by inanimate representations. During the Spanish golden era, they were usually portrayed by the arrangement of objects in such anesthetic manner. Unlike those of the rest of Europe that portrayed pleasure, luxurious and flamboyant lifestyles of plentitude, the Spanish still paintings and bodegones had moral and economical cost cutting elements (Thacker, 2007). This was because of the major influence of spiritual and scientific concerns of the time which in turn affected the much fancied literature works. The backgrounds were made in a geometrically designed blocks. Economic management, budgeting and cost cutting as emphasized in the society of the time were reflected in the paintings. The Portrait of Pope Innocent X Diego Velázquez did this Painting. The painter had been mainly influenced by religion in his early paintings and was done when the Spanish painter visited Italy. The painting reflected the respected and charismatic leader of the Catholic Church. The painting mainly represented the head, which had been expertly drawn using the aesthetic variety of the combinations of the crimson curtain. Due to the influence of the church, other artists redrew the painting in imitative style numerous times and Diego’s fame rapidly spread all over Italy. Before making the painting Diego had to prove that he was capable of painting the image of the pope with success. He was required to first paint the Pope’s closest associates which he did with success and hence allowed to make this portrait. The portrait is considered by many as one of the finest and most surreal painting ever to be made. For an artist to be permitted an audience with the Pope, he had to be very renowned and widely acclaimed. For all artists, it was a life long dream to paint the pope. During this time, the church had a widespread influence on all sectors. The portrait was preserved where it continues to fascinate those who get a glimpse at it. Still life with Lemons oranges and a rose This masterpiece, which is still at display at the Norton Simon Museum, is a classical representation of the scientific and spiritual influence on the paintings of the Spanish golden era. The background is silhouetted against pitch darkness being illuminated by a kind of glaring dazzling unearthly light. It portrays the images as if they are in three dimensions though they are in two dimensions. Zurbaran, the artist behind the awesome painting, is best remembered for his classical paintings of spiritual figures. He was fond of painting saints and his paintings depicted the saints’ devotion, dedication, and visions(Walther & Suckale, 2002). Many critics have interpreted this still life image of lemons oranges and a rose to represent innocence and virginity. The citrons are said to be paschal fruit, chastity suggested by the blossoming appealing oranges, the rose and the cup filled with water as a symbol of life full of abundant, unconditional love and purity. The arrangement of the items is in such way they have been closely linked with the votive Christian offerings on an altar. Deus Pictor During the Spanish Golden Era, the notion that the Virgin Mary at the time of her conception had been exempted from the original sin was t