“Aliens” is an upshot of the movie Alien that was produced and released in 1986. This outstanding work of Cameron has been faced with critical comments since its release. A very high status had already been set by the precedent movie Alien produced and directed by Scott. The status attached to this series has broken a record that almost all directors have not been able to hit. Virtually, all producers and directors trying to follow the lead set by this movie have found themselves resigning to the levels of patchiness among critics. Even “Alien 3,” a film by Fincher went through a hard time trying to compete with the Aliens. The contributors to the success of the film Aliens are seemingly obvious, meaning that, the groundbreaking and fast-paced action. This fast-paced action further helps to portray the movie’s theme in the desired way. These aspects offered the movie a visceral immediacy that was very notable to the dark and worrying, but lethargically paced, description of the first movie. Conversely, the original version of the film was considered by many film analysts to be artistically superior. The Aliens is a fascinating and unique film. However, many audiences and analysts have not regarded it as a very good upshot. The reactions to this critical sentiment would result to emergence of endless critical debates about the film today (Kaplan, 2000). However, despite the debates, the quality of the acting has remained as one of the best during the time of acting. The visceral distinctions between the two movies are obvious. When developing his movie, Scott employs varying sound techniques to influence the emotional faculties of his viewers. Most of the plot development revolves around matters of human reproduction. These components in the film were very unique and authentic in the Alien. They are as vital to the success of the film as the persuading visual structures and plot. In Alien, these psychological aspects are not present. Furthermore, the film has very little suspense in that, predicting the next scene is very easy and this makes the film boring. This makes a viewer to judge Cameron as a less sophisticated movie producer or director (Butler, 2004). The action scenes in the Aliens suggested that fascination with sophisticated guns and stylistic warfare depicted by Cameron were analogous to the shooting scale enthusiast who gathers military paraphernalia. This is facilitated by macho fantasy and perhaps an overt fascist ideology. From a thematic point of view, the two films are almost alike. In Alien, the action is far less aggressive than in the Aliens. As the movie ends, viewers are treated to a bizarre scene characterised by file pictures of the effects of warfare on humans. This is evidence enough that Cameron has a serene and possibly naive philosophical orientation (Adair, 2001). Both films have a special way that they use to represent violence and war. It is notable that violence and war as depicted in the films is not human against human, but rather man versus automated structures. In a nutshell, in these movies, violence is inter-species. This theme could have been informed by varying factors such as continued armed conflicts in various parts of the world. The