Plato is an ancient Greek thinker whose beliefs significantly affected the development of modern philosophy as a science. The myth of Plato’s cave is a well-known allegory that is considered one of the critical concepts of objective idealism. The metaphor of prisoners chained in the dark is a myth’s core applied to explain the hardship of attaining and maintaining a just and intellectual spirit. Plato’s Allegory of the Cave is a timeless characterization of the distinction between appearances and reality, prompting humanity to step out of the ignorance into the glow of sunlight. The Divided Line is another concept that separates the world into perceived and cognized. It can be considered a theoretical basis for the Allegory of the Cave , representing humankind’s experience in exploring the visible and comprehensible globe. The correspondence of the four phases of The Cave can be related to the four types of knowledge in The Divided Lines (Bonazzi, 2020). The visual world of the cave resembles the assumption about the mirror images, while the natural objects whose images cast shadows symbolize mathematical reasoning. The cognitive method of conceptual thinking is attributed to the parable of lines, and the perception of the sky corresponds in this scheme to the mind’s cognition. Allegory of the Cav e can be divided into several levels of awareness, each characterized by distinctive features. The first stage is the cave captives, accustomed to believing in shadows and illusions. Only a few manage to reach the second stage, liberation, attained through questioning, research, and study. Acceptance can be considered the third and most challenging level because it involves abandoning previous beliefs. Plato assumed that the past determines the experience of the present, which is a reason for a suggestion that radical change in the way one understands things must necessarily lead to discomfort (Bonazzi, 2020). Finally, the return involves the culmination of learning between diverse realities. This level consists of disseminating new ideas that may cause confusion, contempt, or hatred for having the indiscretion to question the fundamental dogmas that structure society. The significance of Plato’s ideas has remained intact even after thousands of years. New interpretations and studies have emerged, but his allegories have not renounced their relevance among others. Their prominence is also evident in the twenty-first century when the issue of people’s attachment to social networks is especially acute. People spend a considerable amount of time on media and, realizing their attachment, cannot find the strength to stop. Once on a social network, people are immersed in virtual life, and the concern is that all of this fascinating, vibrant life has nothing in common with reality (Bonazzi, 2020). Therefore, social networks are a cave in which people are imprisoned, and all the photos, videos, posts are shadows reflecting on the walls of this cave. Creating an ideal image on the Internet is much more effortless, and that is why people try to escape from all the troubles and burdens to another globe. The concern is that this happiness is constructed on illusions and fantasies, which Plato urges to abandon. His allegory promotes an understand