The rapid development of the scientific thought has resulted in the appearance of a number of concerns related to various spheres of human activity. The impact of science could be seen everywhere, and there is hardly an aspect that remains unchanged. The reconsideration of the main patterns which regulate the functioning of society poses numerous challenges to scientists, common people and artists. The last ones acquire the unique possibility to share their feelings and emotions with the help of new tools and remedies. For this reason, the modern art is characterized by numerous attempts to find the balance between art and science and embody it using various devices. Hence, interactive objects of art that demonstrate certain moments became one of the major concerns of the modern art. In Very Nervous System , a work of 1983, David Rokeby touches upon the sphere of science and motion to raise the question about the persons mediated interaction with the world. The given artwork presents itself “a series of interactive sound installations that use video image processing to detect visitors’ motions and generate synthesized sound in response” (Wilson 730). The interaction between technologies, human thought, and an individual proves the unique character of the given work and emphasizes its outstanding significance for the further development of art. Very Nervous System serves as the background to demonstrate the authors vision of the modern world and the role technologies play in it. A common spectator might obtain his/her own vision of the process embodied with the help of the devices used in the day to day life. David Rokeby, the author of the given artwork, emphasizes the fact that one of the main reasons for its creation was “a simple impulse towards contrariness” (“Very Nervous System (1986-1990)” para. 1). Being one of the pioneers of the integrative art, he tries to impact the peoples vision of the technologies and the role they might play in their life. Rokeby also tries to “move against the limitations and the predictable definiteness of standard interfaces” (Wilson 370) and alter the biased attitude towards computers. For these very reasons, the artist devotes a great deal of attention to the interaction between a person and technologies surrounding him/her. The majority of Rokebys works pose a challenge towards the traditional forms of art, implementing the newest approaches to their interaction with science. Very Nervous System introduces several essential concerns related to the modern art and the artists perception of it. However, the central idea is the presentation of motion with the help of numerous devices. The whole artwork constantly changes, responding to the slightest actions of a person who interacts with it. It symbolizes the nervous system of a human being which is not able to remain steady. Although, the artwork also tends to present the idea of the constant motion peculiar to the modern art, society, and science. Rokeby explores the idea of the interactive art and its significance for the modern society. A person is taken as the part of the digital environment that guarantees the evolution of the society and its essential aspects. Additionally, Very Nervous System focuses on the investigation