Introduction Get Out is a horror film that describes the story of how Chris, an African American, goes to a suburban house to visit and get acquainted with his girlfriends’ parents who are white. Soon, the character finds himself being a part of queer situations and communicating with strange people. It finally appears that Chris’s girlfriend and her family are not the people that they seemed to be, and Chris is in danger. This brief description demonstrates that the movie focuses on racism issues, meaning that it is necessary to find supporting evidence to analyze it. Firstly, Benshoff’s scholarly article is useful because it focuses on what roles minorities play in American horror films. Secondly, Subramanian study focuses on American Horror Story, but it also comments on how monstrous effects are achieved in such movies. Thus, the essay will locate credible evidence to demonstrate that Get Out has an unusual approach to minorities, emphasizing related stereotypes, denying them, and depicting black-skinned heroes as victims rather than monsters. Analyzing the Minorities’ Portrayal There is a specific scene that provides evidence to investigate how the film considers minorities. It refers to a garden party that is attended by wealthy and aged individuals ( Get Out 00:42:40-00:48:03). This scene offers a few cinematic details to demonstrate that a representative of the minority is dehumanized and viewed as a material object. It relates to all those people who assess Chris’s strength, appearance, and body features, drawing no attention to his personality. Furthermore, his talent as a photographer is understated by saying that the character has “a great eye” ( Get Out 00:46:57-00:46:59). It seems that the film tries to demonstrate that minorities often occupy a disadvantaged position in society. It is so because other people judge them based on their experience and existing stereotypes. Thus, Jordan Peele, the film’s director and scriptwriter, has created this piece of art to reveal that some forms of prejudice are present in the modern world even though it is considered equal and developed. The garden party offers another scene to both describe minorities and make the film have horror features. It relates to the conversation between Chris and Logan King, another black-skinned man ( Get Out 00:45:05-00:46:05). On the one hand, this scene demonstrates that when representatives of a minority group enter a majority group, they typically assimilate. This claim is evident because Logan behaves as an aged and aristocratic person. On the other hand, the dialogue creates a horrific effect because seemingly similar individuals do not have any connection; instead, they feel different or other. Benshoff explains that this feeling appears because it focuses on the idea of otherness (31). Since the character cannot identify how and why his dialog partner is different, he starts suspecting that something is wrong with the situation. These two aspects allow for disclosing the thought that it sometimes happens that people forget their origin when they become a part of a different group. The film demonstrates that this process can have adverse consequences because Logan King opp