Screenwriting has a long history preceding the invention of cinema. It is quite intuitive to say that it has its roots in theatrical screenplays – however, retaining most of the dramatist’ tools and techniques, the industry that now utilizes the craft of a screenwriter demands a higher standard. The elements of the archetypal story never changed, essentially, the plot would always present the audience with a central figure, a protagonist, that the story is about. Usually, not long after that, the main character encounters a problem, then a chain of events unfolds that this problem sparkled – in the end, there is always a resolution, (however, it can take a number of forms). With the rising popularity of cinema in the last century, to say nothing of the number of people engaged in this entertainment enterprise nowadays, watching films or television series, the standard for screenwriting has changed. Cinema proposed a new story-telling device, the one that traditional theatrical play lacked. It is a strong emphasis on visual language, as the cinematography implies full immersion of the audience into the film. Screenwriter, too, has to be concerned with visual storytelling, beside him being a writer, his profession propels him to be a visual one. Tarantino is talented in many fields concerning cinematography. He became a cinephile early on, but it was during the long hours he spent watching classic films that he became brilliant with visual language. His films appear differently to a trained eye: the visual references that he uses are very direct. For example, the references moments from The Warriors (1979) and Band of Outsiders (1964) in Pulp Fiction (1994), Lady Snowblood (1973) and Samurai Fiction (1998) in Kill Bill (2003) (Indiewire). There are countless other instances of this, however, the underlying theme remains – Tarantino’s impeccable visual language repertoire comes from the richness of cinematographic history. Besides being a visionary, Quentin Tarantino is also famous for his great writing skills. Speaking in his own words, his writing style is usually quite spontaneous, with the plot and the characters evolving in the process of writing. Quentin admits that “by the time I actually get to the middle of the story… it’s become something so completely different than what I could have imagined before I started writing” (Kalfrin, 2019). Tarantino is also known for exceeding at writing great dialogue – the way he does it is by promising the audience that something interesting will happen later in the film, thus building anticipation and keeping the viewer’s attention. Tarantino was born in Tennessee in 1963 and moved to California at the age of 4 (Biography). He developed his passion for films early, by the age of 22 being already an experienced, long-time film lover. He landed a job at video rental, where he wrote screenplays for Natural Born Killers and True Romance. While writing scripts for others and editing other writers’ lines of dialogue, he started to excel at screenwriting. His writing skills are most evident in the instances of dialogue – nearly every conversation of his characters implies some kind of conflict, which is a major reason why his films hold the viewer’s attention from start to finish. Leigh Whannell’s fi