The flow of arts and philosophical thought within a definite historical cut is rather strong and significant when looking at the previous background and following effects and reflection. The more mankind urged towards progress and the notion of relevant freedom in the expression of personal views and thoughts, the more developed the spheres in which it was involved and which influenced mankind much due to the aesthetic power and coloring in each of the most prominent epochs in the history of gradual elaboration of human beings. After many attempts of people in various countries to express their own concepts of viewpoints, some of them in the very beginning of the cultural and philosophical development, mainly in the ancient world, were criticized or killed. Others were not heard. When theological affluence drew to a hand, many of the medieval creative philosophers and people of arts were persecuted for their informal way of thinking. Some of them are Giordano Bruno, Galileo, etc. Those dark times of the medieval period showed the impossibility of some ideas striving to be the dominant and rejecting sound-mindedness among a few luminaries at that time, followed by the era full of rebirth and genius approaches found in the works of multiple artists, sculptors, philosophers, etc. The Renaissance epoch shined over the world of dull and borrowing predominant ideologies. Now one capsule with extra information on art representatives of this period and further time, along with the examples of their works, is at disposal. The Renaissance era is known for the painting works of Da Vinci, sculptures of Michelangelo, and other prominent people having left deep footsteps in the history of mankind due to their creative thinking and openness to nature and antiquity as the main source of impression. Florence became the great center of quattrocento (15th-century) art and art theory. The artist began to emerge from the role of artisan to participate in the active current of intellectual pursuits. Together with early humanists, artists augmented their veneration of the purely celestial realm with an appreciation of all aspects of physical nature. (The Columbia Encyclopedia 40578) It is not surprising to find in the capsule the fragments of Da Vinci’s “Mona Lisa” with its hoax in the extent of the picture. Da Vinci tended to express the beauty and mystery of the woman’s beauty throughout this work just to make people think more and more about it. First glimpses of it prove the genius approach of Leonardo, who implemented the new coloring and shaping in the manner of painting. This work of a genius pretends to demonstrate the global overview of the idea of subtext in the depiction of details. His art is reflected in the pop-art stream of Andy Warhol, who imitated the image of “Mona Lisa” in his works in the modern sense. Another representative of this era but from England, not Italy, is, of course, a person who ornamented the literate word with fullness and naturalness of soul components as well as expression of life and vivid interpretations of it. Though another example from the capsule appeared to be William Shakespeare and one of their most known works of his, “Hamlet.