Dashiell Hammett’s writing style is generally adapted as the most acceptable to for rendering in cinemas because it is well versed with describing the circumstances as well as the setting. It is displayed in such a manner that favors an objective observer’s point of view (Hammett 10). Miller’s Crossing and The Glass Key represent two different points of view portrayed in Hammett’s literature. The Glass Key represents direct transformation of Hammett’s novel bearing a similar name whereas the Miller’s crossing elements are based on Red Harvest . These elements are sourced from Red Harvest are then shown in a prose that resembles The Glass Key by Hammett never the less, it readily digresses into a material that is natural. Miller’s Crossing succeeds to manifest the important themes portrayed by Hammett’s novel. Hammett’s novel The Glass Key is set in fabricated and a city that is not known where as Miller’s Crossing gives a true representation of a town full of corruption in Hammett’s literature. In Coen’s movie, the story revolves around the attempts by Tom to bring incite to gangsters which would later on agree on entrenching his boss political power. Tom manages to accomplish his mission via several conflicting deals which contradicts one another. His contrivances finally shutter the fabric of his boss’s opposing regime. This model of employing evil against evil encompassed in common suspicion as one of the ways of bringing destruction is an element adapted from Red Harvest where Continental Op makes use of the well developed distrust found in Personville to do away with the wild corruption. According to Coen, this act of bringing confusion intentionally is a very important method which was used to assemble Miller’s Crossing. Tom, in Miller’s Crossing brings the conflicting ideas in the town to an end, his delicate wits seem to gnash under the enormous power provoked by the people. The Glass Key on the other hand also revolves around political chicanery, murder as well as plans which works to remove balance in an environment vulnerable to mistrust and doubt. Just as seen in Miller’s Crossing, the adaptation fails to come out clearly, instead, other elements evolve in the novel which affect the whole material. Dashiell Hammett explains in his literature about the protagonists who represents individuals with high moral standards as well as strict systems to rules and represented weaknesses on very rare occasions (Hammett 50). Hammett indicates in The Glass Key of his tough protagonists who were cynical devoted to work, courageous, with good moral and not pervious to emotions. For instance, such elements have been brought out clearly by Ladd who expresses his physical strength as being very strong and unbeatable. He restricts his movement in order to appear controlled and calm. He however, gives a blow to one person just like Tom his counterpart in Miller’s Crossing he gives blows to himself repeatedly, even though this appears to be a tactic as opposed to an act of bravery. The influence in Hammett’s hero into Hollywood compromise is a key feature in Miller’s Crossing. Coen’s movie has been influenced greatly by portraying Gabriel in a similar manner to that of Hammett’s protagonists. Gabriel has been clearly brought out as a symbol of psychological assurance and personal confident to be provided in its reality before the boss. In Miller’s Crossing, Tom is one person who takes strides after somebody, whispering in his ear thu