The notion and understanding is beauty is one of the most complex and disputable questions today. Philosophers and designers, ordinary citizens and musicians try to establish certain standards and principles of beauty derived from social and cultural values. Naomi Wolf argues that the “beauty myth is always actually prescribing behavior and not appearance”. It is possible to disagree with this statement because at the beginning of the 21 st century, beauty myth is appearance prescribed by fashion designers and cultural trends rather than a certain behavior. Cultural trends suggest that beauty myth is appearance based on the sweeping skirts, elaborate hats, and tight-waisted blouses of the fashionable ladies. When fashion changes, appearance is also changed. Sharpley-Whiting portrays that black women might prefer the hip-hop or break-dancing look-parachute pants, bandanas tied around the wrists and ankles, a loose sports jacket, and fancy high-top sneakers. Baggy sweat clothes or oversized shorts or jeans worn with a baseball cap and sneakers were also part of this style. Hip-Hop popularizes loose, curly hair and dancewear for girls: loose sweatshirts cut out at the neck and hem, leotards or tights, and leg warmers. Having a body that looks good in such clothes becomes increasingly essential for the fashionable girl; ballet and aerobic dance workouts helps. If teens really want to shock parents and teachers, they adopt the punk look, imported from England: a Mohawk haircut (shaved down the sides with a high shelf of hair down the middle) or spiked hair sometimes dyed green or orange, a whole row of earrings climbing up the rim of the ear (or more conservatively for boys, a single ear stud), and a black leather jacket. Some girls try the “gothic” look: all black clothes, very pale face with dramatic eye makeup and black lipstick. A decade ago, although at first it was rather sexy for younger or more conservative teen girls to wear them, Lycra leggings gradually became part of most girls’ wardrobes because they were cheap, comfortable, and easy for most body types to wear with a tunic top. These trends show that beauty myth is appearance based on unique cultural patterns and styles. Following Sharpley-Whiting: “Although managers are increasingly embracing a more complex consideration of beauty that values diversity, the standard continues to be the blond, tall, well- endowed beauty with tan lines”. Many girls have commented on the combination of boyishness and sex appeal in the style. Certainly it does flaunt the combination of youth and sex in a way never before seen in girls and women. The style is less boyish than childlike; the dropped-waist blouses and Mary Jane shoes with their round toes and straps over the arch that were stylish in the Twenties had been worn by children in earlier decades. Was the young flapper displaying her sexuality and at the same time keeping real sexual activity at bay by looking like a child? This same question would be raised about the model Twiggy in the Sixties and again in the Nineties about model Kate Moss. A woman’s superb physical strength and attractiveness, as well as determination, offers an alternative to the image of idle teens smoking and dancing the Charleston in speakeasies. Sport has always been connected with youthfulness and beauty, but the connection becomes even more important as an antidote to the media’s attention to flaming youth. Sharpley-Whiting demonstrates that fashion fads for girls include very curly permed hair, pony tails worn on the side rather than the back of the head, Swatch watches, jelly bracelets, bangle bracelets, braided friendship bracelets, and anything in neon colors. Young te