Not always Postmodernism can be easily distinguished from Modernism. Modernism separates “fine art” and “low art”, or “high culture” and “mass culture”, while Postmodernism tends to compare and mix non-traditional media and images (Harris 2001). Postmodern artists “share a healthy suspicion of all traditional truth claims and value standards, all hierarchical authority and institutions” (Kleiner 2008, p. 987). Postmodern art can be defined through several characteristics, which are most common for all postmodern artworks. The characteristics might include such qualities as expansion, complexity, simplification, performance art, response to surroundings, appropriation, responding to context, appropriation, juxtaposition, collage, politics, feminism, installation art, site-specific, non-traditional materials, mixing images and media, mundane elements, kitsch ( Postmodernism Characteristics 2012). An efficient way to define and characterize postmodern art is to have a close look at some postmodern artists and examine their works. Let us consider three different Postmodernists and make an analysis of some of their works. They are Australian artistic photographer and sculptor Fiona Margaret Hall, American Post-Modern Expressionism artist Donray and Japanese appropriation artist Yasumasa Morimura. The main themes of Fiona Hall’s art are society and culture. It also reflects the problem of human influences upon nature and the whole world. Fiona’s ideas and way of thinking are usually multi-faceted. Her works are often complex and highly detailed. Fiona Hall, Medicine Bundle for the non-born Child, 1993-1994. For example, her work Medicine Bundle for the non-born Child is made from recycled Coca-Cola cans and knitting. Coca leaves from South America and cola nuts from Africa are used in the world’s most popular soft drink, which is a symbol of capitalism and globalization. It is also a global marker of modernity. The work shows the misappropriation of knowledge from the Third World countries, as well as the theme of the desire for consumer goods (Guthrie 2010). Fiona wants viewers to become concerned about their children’s future. She combines a very popular brand and child’s clothes made of it. Hall makes a visible contrast with the object, creating the underlying emotional mood. This also helps to deliver the message to the viewer. Contrast is one of the main elements. It can be seen in the materials, which is the objects of these work made of. The cold and sharp metal stripes can be hardly combined with something that is related to a child. At the first glance, it looks like knitted wool, but then viewers realize that it is something sharp, cutting, and unappropriated for a child’s clothes. This work is unified by repeated use of colors, shapes and items. Yasumasa Morimura often inserts his face or body into historical artists’ images. By inserting himself into the different works of historical great artists, he shows his respect to them, but it can be viewed as “a cultural statement on many (still) taboo categories of debate – masculinity, femininity, essentialism and the appropriation of historical works” ( Yasumasa Morimura 2009). His work includes the painstaking process. He spends a lot of time “re-creating an environment (sometimes to perfect scale)” and “focuses a great deal in sourcing costumes, makeup and props” ( Yasumasa Morimura 2009). Sometimes Yasumasa in