The introduction Some fundamentals on the movie The movie I want to discuss is created by a Chinese film director Wu Tianming. It is a kind of mythic movie, which principal themes are considered to be the subordinate position of women to men and the Confucian value of filiality. The director of the movie reflects some interesting facts from China’s history and criticizes a well-known system of ethics. Generally, it must be noted that the director of The King of Masks highlights important philosophical issues. The thesis statement Wu Tianming provides viewers with an opportunity to consider the basic Confucian values from the modernized point of view. Thus, keeping in mind the plot of the movie, one can state that the issues of gender inequality and filial piety are to be revalued, in order to resolve the conflict between a person’s public duty and his or her own desires. The body The relationship between two genders as one of the key themes of the movie While watching The King of Masks , it becomes evident that one of the director’s main intentions was to reveal traditional values of Confucianism in the modern China; although some new approaches concerning a well-known teaching are introduced. Thus, one can notice that Wu Tianming draws viewers’ attention to the relationship between two genders. Generally, there is a wide range of themes the movie reflects; although the burning problems Wu Tianming depicts are a devastating underpopulation of females and a system of important philosophical and ethical teachings written by Confucius. As far as the problems are closely interdependent, one can conclude that they cannot be regarded separately. The principal values of Confucianism Nobody will deny the fact that in China the issue of gender in relation to Confucianism was of great importance, as political and social standards were determined by men (Jay 226). Thus, the basic principles an important philosophical teaching is based on involve the issues of humaneness, filial piety and ritual. The director of the movie provides viewers with an opportunity to delve deeply into a prime virtue of Confucianism, which is recognized to be the root of humanity. So, the issue of filial piety can be traced back, if viewers analyze the relations between the main characters in detail. The protagonist of the movie Wang is deeply concerned about social interactions and ethical norms of Confucianism, because he understands that the society cannot approve of his relations with a little girl. For this reason, the situation he experiences seems to be rather ambiguous: on the one hand, he realizes his greatest affection towards a girl; on the other hand, he understands that according to Confucian principles he cannot give a girl an opportunity to study his art. The protagonist of the movie and his internal conflict The director of the movie depicts the internal conflict, which the protagonist cannot cope with. Wang starts to cast doubt on the correctness of Confucian morality. Of course, it is a big problem, as nobody has a right to prejudice ancient authentic principles of philosophical and ethical teachings founded by Confucius; so, the main character feels uncertainty and cannot decide what to do. Wang is worried about his moral obligations in relation to society, but his personal attitudes seem to prevent him from taking a right decision. This moment is considered to be extremely important, as Wu Tianming suggests that traditional values of Confucianism can be regarded within a new perspective. In other words, one can probably conclude that certain aspects of Confucianism should be changed, as nothing can remain the same. If times are changing, why ancient