Introduction For numerous decades now, the creativity industry has been playing a significant role in shaping the socio-economic status of artisans involved in arts as well as the entire public. For instance, movies have essentially improved the social and cultural lives of individuals globally, with most of them providing important lessons that viewers can emulate. China, Japan, and Taiwan in specific have proven important in propelling the acting field by producing several series of movies that have gained global acceptance. However, despite the increasing interest in acting and watching of movies and films, very little viewers understand the importance of lessons or can rarely identify the crucial aspects within movies. This aspect can explain the reason behind the sinking interest in several viewers, who are mainly unable to identify the rudimentary themes in different movies. Therefore, this essay seeks to explore the movie, Goodbye, Dragon Inn to establish lessons relevant to history and culture and to evaluate the mise en scène aspect. Overview of the Movie Goodbye, Dragon Inn is quite a mind-numbing movie for the socially upright. Tsai Ming-liang, who is one of the most acknowledged and celebrated Taiwanese film directors alongside other famous acquaintances in movie directing like Edward Yang and Hou Hsiao-Hsien developed and directed this chef-d’oeuvre. The film’s action occurred entirely inside the Fu-Ho Grand, a spacious metropolitan stronghold that directors introduced during its undisturbed days in the film’s preamble. Tsai wrote the movie to commemorate one of the Taiwanese best film directors, King Hu, who passed on in the year 1997. The movie begins with an introduction of Dragon Inn, one of the 1966 masterpieces produced by Hu, to provide a background into the movie. Tai actually wanted to demonstrate real social issues that are affecting the Taiwanese, Chinese, and Japanese, among other European countries. Goodbye, Dragon Inn portrays antisocial behaviors including homosexuality, which has been the most religious and politically contested issue in the contemporary times. Goodbye, Dragon Inn film takes roughly 90 minutes of action, beginning with a humble introduction of the Dragon Inn film that hit the Taiwanese acting scenes way back in late 1960s. There exists extensive use dialogue techniques applied by Hu in the film Dragon Inn, with a resound of the old movie breaking the silence of a diminishing audience that seems extremely bored. The old and unattractive theatre seems disgusting to film lovers and thus there is hesitance in the lobby. Before the interested viewers can find their seats for comfort into the theatre, a torrential rain goes down at the entrance of the theatre. The heavy downpour forces the present movie lovers to seek shelter in the cinema hall to evade the harsh weather. People in the audience noisily crackdown watermelon seeds and start moving around aimlessly. The atmosphere seems strange as male fans creep in the dark revealing how the theatre has become a meeting point for homosexuals. A female film ticket collector roams around the theatre up and down issuing tickets to the viewers. As the audience commences with their normal film watching activities, a young Japanese boy emerges into the Fu-Hu Cinema house seeking for a homosexual partner in the