Alhamshary, Y. A. (2021). “ Aladdin” in the eyes of Disney 2019: Reflections on cultural representation of Middle East identity . Web. The author examines how correctly the Arab cultural identity is reflected in the film Aladdin (2019), which contributes to the formation of the idea of Arab culture among representatives of other cultures. The research aims to identify various cultural dimensions, values, and changes in Disney’s representation of Arab identity. The results indicate a marked shift in Disney’s outlook on Arab identity, with a constant bias towards the strength of American culture and a definitive emphasis on Arab values. Islam, M. M. & Akter, N. (2020). Disney’s Aladdin (2019), the old rum in the new Bottle. Ultimacomm: Jurnal Ilmu Komunikasi, 12 (1), 72-87. Web. The authors investigate how Guy Ritchie in the Aladdin (2019) managed to change the message of the animated film Aladdin (1992), which brought many stereotypes about Arab culture into the minds of viewers. According to Islam and Akter (2020), Aladdin (2019) is just the official remake of the cartoon with changes to the storylines. The depiction of the racial group remained the same, where skin colors were used to stereotype the presence of good and evil. Berker, D. Y. (2021). Reproducing orientalism with cinema: Aladdin (2019). In I. Tombul & G. Sarı (Eds.), Handbook of research on contemporary approaches to orientalism in media and beyond (pp. 953–973). Information Science Reference. The author analyzed Aladdin (2019) and examined how the oriental perspective is reproduced in the cinema and how the oriental image is denied. The significance of this source lies in the fact that in the study, preference was given to the method of critical discourse analysis to analyze the social and political premises of ideologies in the film. Theyssen, J. (2020). “ A whole new world”? – A comparative analysis of Middle Eastern representation in Aladdin 1992 and Aladdin 2019 . Leiden University. Web. The author examines the factors of the negative perception of the Middle East and its people in the Aladdin 1992 and 2019. The use of semiotics and Daniel Bar-Tal’s model for the formation of stereotypes attaches particular importance to the study, which helps the author highlight the factors influencing the representation of Arab culture in films. Bullock, K. & Zhou, S. (2017). Entertainment or blackface? Decoding Orientalism in a post-9/11 era: Audience views on Aladdin. The Review of Education, Pedagogy, and Cultural Studies, 39 (5), 446-469. Web. According to Bullock and Zhou (2017), negative perceptions of Islam and Muslims have been a staple in the media over the past several decades. In turn, Aladdin (1992) is filled with many Hollywood stereotypes about Muslims and Arabs as inferior, bizarre, exotic, backward, and barbaric oriental subjects. This article examines the audience’s perception of media reports related to Islam to connect adverse media reporting and anti-Muslim prejudice. It is critical because it provides insight into Hollywood’s relationship to Arab culture and its evolution. Proposal: Representations of Arabs in Hollywood In modern culture, cinema occupies a special place due to its mass character, imagery, brightness, and emotional impact on the viewer. The relevance of the topic is explained by the fact that filmmakers often express the poi