There are three elements of modernist poems. They include the individuals, experimentation and anti-realism. The contents of this paper will focus on these three elements. Traditional writers were more stereotyped, employing ceaseless experimentation and rejected the old forms of writing. One of the facts about modern poems is their ability to represent the writer’s inner nature by themselves, rather than mirror the nature. The poet’s vision in the modernist age was extremely beneficial despite secluding him from the scientific concerns of the day or the society. It was essential for the poets to remain in the aristocratic world of Avant garden , keen observers who were detached and avoided the basic formulations that were essential. Post structuralist theories appeared in various embodiments despite sharing a common preoccupation with language. The contents we read and write do not mediate this fact, but they are made up of those actions in totality. Therefore, analysts observe the world through the poems and wonder if what is presented in them is adequate, true, or appropriate. Generally, people put much emphasis on the devices employed in the text provided. From the modernist theories, we are urged to evaluate the aesthetic unity of the poem with little or no emphasis on the irrelevancies of the author’s past conventions, social context and purpose. Such cooperation is highly discounted by the poststructuralist’s criticisms, encouraging readers to follow the loser’s view of the art. The main reason for such a proposal is that the losers’ contend accords with realities that appear in everyday life of the poet. It exhibits how language suppresses conflicting views from the politically or socially disadvantaged readers. Advertising and graphical elements influence the rise for the experimental aspect of the poetry. This fact drives the readers desire to consider that modernism lacks precise boundaries. An Anglo-American literature observes that the period runs from the 1890’s to 1920’s, with Pound, Joyce Eliot and Witham Lewis being the key participants (David 13). The term was applied retrospectively, among the British scholars who mostly did not share common aims and objectives. The theme of 19 th Century is passed over to the 20 th Century, hence the need to regard modernism as a wide plexus of issues or concerns which are represented variably in a hundred and twenty years of British writing. It is worth noting that modernism has become a useful term. This is because writing poems in a society that is venerated by literary critics and academia is quite challenging. The universities produce focused writers who are guided by modernism’s charts. Therefore, the various assumptions need to be properly understood in order to appreciate contemporary work of any type. There is increased suspicion that contemporary writing has lost its way in the field of academia (Harry 35). Therefore, if we understand Modernism better, we can see where the alternatives lie. The most striking element of the three is experimentation. Experimentation is defined as a ‘change that arises for the sake of change’. It is considered to be at the cutting edge of thoughts and technique in a continuous manner (Harry 36). “Make it new”- These are the words used by Pound; they were well