Out of the famous artists who created in minimalist style, the name of Anne Truitt stands out as the proclamation of the outstanding power of art. Truitt’s paintings and sculptures are remarkable due to the choice of colors and techniques. The artist is well-known both in the US and abroad, and her exhibitions gather thousands of visitors. The work I chose to analyze is Knight’s Heritage (Truitt). With this sculpture, Truitt expresses the freedom of thought, exceptionable grace, and comforting warmth. Knight’s Heritage is a wooden block-like sculpture painted with acrylic paints in three colors (see fig. 1). The crimson and yellow divisions are almost equal in width whereas the black division is narrower than the other two. Unlike the majority of minimalists who preferred using neutral tones in their works, Truitt used a more vivid palette that captured the attention of the viewers. With the help of colors, she tried to reflect the states of memory and mind, both the viewers’ and her own (Marzona 94). The variety of colors gave way to a variety of thoughts, allowing each person to see something different in each piece of art. As the majority of sculptures created during the minimalist period, Knight’s Heritage has a geometric shape scaled to the body of the viewers and placed on the floor directly and without any base. The piece was created in 1963 in the US (Truitt). The materials and techniques used by the artist make the piece look extremely impressive, and it is impossible to get rid of the feeling that there is something alive about it. The brushwork is readily apparent, and rather than distracting from the subject matter, it creates a feeling of coziness and the artist’s presence. There is a low impasto whose function is to provide texture to the work. The piece of art is not integral to my perception of paintings or sculptures since it is rather big. The size of the sculpture is 60-3/8 x 60-3/8 x 12 inches (Harren). Being an especially large work, the sculpture made a profound impact on me as the viewer. I cannot describe this feeling as a negative one. Rather, it suggests some protection, comfort, and security. The sculpture as if invites people to approach it and view it from different angles and perspectives, and in each of the cases, it is possible to discover something new about it. Even the name of the piece of the art name is unique. While Truitt’s colleagues chose to leave their minimalist works untitled or numbered, she made hers more animated by naming them after places, things, or people (Marzona 94). The artist was sincere in each of her creations, be it sculptures, paintings, or written pieces. What makes Knight’s Heritage so memorable for me is the combination of a number of features that make it an exceptional work not only among other artists’ creative heritage but even in Truitt’s legacy. While there are many pieces presented at the exhibition that draws attention and provoke particular interest, Knight’s Heritage has some magic and magnetism that is impossible to explain. One is merely attracted to the piece and may spend many hours contemplating it and trying to reveal its secrets. Fig. 1. Knight’s heritage (Truitt). Not less