Abstract art has definitely shaken the world, reinventing people’s perception of what reality is (Walther, 2000); and, talking about abstract art, Kandinsky and his daring experiments should be mentioned first. By far the most famous, the most frequently researched and the most often misinterpreted, his Improvisation 28 deserves a close attention. Despite the fact that the chaos depicted in the artwork is typically attributed to the horrors of the World War I, it can be assumed that the artist’s goal was to display not the pointless bloodbath that the WWI was, but the atmosphere of complete denial and total loss of hope that swung in the air since the World War I broke out. Even being a specimen of an abstract art, Kandinsky’s work still has all the properties of a traditional artwork. However, some of these properties have been stretched to their furthest extremes, therefore, making the painting look almost grotesque and yet managing to convey the despair that the Improvisation 28 is shot through with. For example, the line is very smooth in the composition; neither or the elements has any sharp edges or simply looks clumsy – every single line is drawn in a nonchalant yet smooth manner. Another formal element worth a discussion is the color cast. On the one hand, the work looks unusually colorful for expressing the despair and sorrow that gripped the world after the WWI. Indeed, taking a quick look at the painting is enough to see that Kandinsky’s choice of colors is very versatile. With yellow, green and blue being the focus of the picture, and a touch of the red color to mark the edges and add the impression of flickers of fire, or, perhaps, a dawning day, the picture might seem rather optimistic. However, the gloomy, almost grayish shades that Kandinsky uses in his painting suck all the liveliness out of the picture, therefore, making one think of the hopes that used to be so daring and yet were killed so mercilessly. Hence the use of another formal element, i.e., light, stems. With a number of spots left empty on the white canvas, Kandinsky managed to keep the light out of the picture as hard as possible therefore, hinting at the probable post-apocalyptic results of the WWI for the entire humankind (Aronov, 2006). As a result, Kandinsky made a very wise use of space, cluttering the elements that are supposed to symbolize the outcomes of the WWI and leaving considerable white space at the bottom of the picture. Thus, the emptiness, which the bloodbath of the WWI resulted in, was shown to the audience. The structure of the artwork is rather peculiar. On the one hand, there is no clear symmetry in the painting; every single element has its own unique shape and role in the artwork. However, together, these elements see, weirdly harmonic. For example, the two picture planes that the right prolonged elements split the artwork in, make the painting look especially organic. The line drawn from the upper right side of the picture into the horizon also contributes to understanding the structure of the picture better. The texture of the picture is rather standard. By using oil on canvas, Kandinsky managed to create a truly outstanding work of art. Finally, one must say a couple of words abou