Samantha912/NLP_A2_WTH huggingface dataset:
The Lonely Tree (German: Der einsame Baum, sometimes translated as "The Solitary Tree") is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich.  It measures .  The work depicts a panoramic view of a romantic landscape of plains with mountains in the background.  A solitary oak tree dominates the foreground.

An ancient oak stands at the centre of the painting, clearly damaged but still standing.  The tree's branches, dark in silhouette, project into the largely overcast morning sky.  Banks of cloud seem to form a dome above the tree.  The crown of the tree is dead, and the top of its trunk and two truncated branches resemble a cross.  A shepherd shelters under the leaf-bearing lower branches.  His flock of sheep graze beside a pond in the wide grassy meadow around the tree.  In the middle distance, villages and a town nestle among other trees and bushes.  Tree-clad hills pile up into blue-grey mountains in the background.

The work was commissioned by banker and art collector Joachim Heinrich Wilhelm Wagener, together with a second painting Moonrise by the Sea (Mondaufgang am Meer) to create a pair of "times of the day", depicting morning and evening landscape scenes, in a tradition of Claude Lorrain.  It was completed before November 1822 and has been held by the Berlin National Gallery since 1861, donated by Wagener as part of its founding collection.  It is now in the Alte Nationalgalerie of the Staatliche Museen in Berlin.

Art historian Helmut Börsch-Supan has suggested that the mountains are in the Riesengebirge, now in the Czech Republic, which historically divided Silesia and Bohemia, southeast of Dresden, where Friedrich settled in 1798.  Friedrich painted the mountains several times between 1806 and 1810.   The double peak may be Jeschken.

The painting has drawn a number of interpretations.  Ludwig Justi sees the old oak as a symbol of the German people, rooted in the landscape; Jens Christian Jensen sees it as a link between the past and the present; and Charlotte Margarethe de Prybram-Gladona sees it as a symbol of loneliness.

See also
List of works by Caspar David Friedrich

References
 Der einsame Baum, Staatliche Museen zu Berlin
 Caspar David Friedrich: Moonwatchers, p. 38-39
 Caspar David Friedrich, Solitary Tree (Village Landscape in Morning Light) (1822), German History in Documents and Images

External links

Paintings by Caspar David Friedrich
Landscape paintings
Paintings in the Alte Nationalgalerie
1822 paintings
Sheep in art
Water in art
Holtug Church (Danish: Holtug Kirke) is a church in Holtug on the Stevns Peninsula, Stevns Municipality, Denmark. The church dates from the middle of the 12th century, but only the walls of the nave from the original Romanesque church have survived.

History
The church was constructed from limestone ashlars in the Romanesque style around 1150. In the 15th century, the chancel was replaced with a newer and larger one. A limestone ashlar from the original chancel, which was reused in the south wall of the new one, features the runal inscription Tirad rist ("Tirad wrote [this]"). The tower was added between 1500 and 1525, and the porch from around 1600.

Interior and furnishings

The western cross vault features murals attributed to the so-called Høvelse Master.

The altarpiece is from 1821 and was painted by J.L. Lund. The font was returned to the church in connection with a restoration in 1984. The pulpit is from  1825 and is made of wood. In 1946, it was decorated with paintings of the Evangelists and Paul by Erik Petersen. The organ is a Ramus organ from 1861 and was expanded by Starup in 1932.

Cemetery
The church is surrounded by a cemetery. Notable burials include:
 Jacob Brønnum Scavenius (1749–1820), landowner
 Peder Brønnum Scavenius (1795–1868), landowner and politician
 Jacob Scavenius (1838–1915), landowner and politician
 Harald Scavenius (1873–1939), diplomat and Minister of Foreign Affairs

References

External links
 Magleby Stevns-Holtug Sogn

12th-century churches in Denmark
Churches in Stevns Municipality
Churches in the Diocese of Roskilde
Lutheran churches converted from Roman Catholicism
Limestone churches in Denmark
The Degodehaus (aka Haus "Degode" or "House Degode") is a historic house in central Oldenburg, Lower Saxony, Germany.

History
The half-timbered building survived the great fire of 1676 in Oldenburg and is considered to be the last medieval patrician residence remaining in Oldenburg.

The typical late medieval house was built in 1502 by Christopher Stindt, as is evident from dating on a crossbeam of the front gable. It attained its present shape in 1617. Count Anton Günther (1603–1667) gave it to Mylius Gnadenfeld.

Mylius Gnadenfeld commissioned a painted wooden ceiling in 1645, including allegorical representations of the known continents: Europe, Asia, Africa, and the Americas, in the style of Dutch engravings. The painted ceiling was concealed by a new stucco ceiling in 1790, but the 39 square meter ceiling painting was rediscovered in 1992.

The house became used by a merchant in the 19th century. In 1860, Wilhelm Degode, also a merchant, acquired the house and since then it has borne his name. In 1862 his son, the painter Georg Wilhelm Degode, was born in the house.

The house is privately owned.

Gallery
Allegorical ceiling painting dating from 1645:

Depiction of Africa

Depiction of America

See also
 List of visitor attractions in Oldenburg

References

External links
 360° panoramic view at Degodehaus

Buildings and structures completed in 1502
Buildings and structures in Oldenburg (city)
Tourist attractions in Oldenburg (city)
Houses in Germany
Timber framed buildings
History of Oldenburg (city)
1502 establishments in the Holy Roman Empire
Knock-Knock Who? is Kimya Dawson's second solo album, released concurrently with My Cute Fiend Sweet Princess in 2004.

Track listing
 "Nobody's Hippie"
 "Great Crap"
 "My Bike"
 "Jest's Birthday"
 "Time to Think"
 "The Sound of Ataris"
 "So Nice So Smart"
 "For Boxer"
 "I'm Fine"
 "Stink Mama"
 "Red White & Blue Dream (Oops!)"
 "Once Upon a Time"

References 

Kimya Dawson albums
2004 albums
Important Records albums
"Love Letter" is a song by Nick Cave and the Bad Seeds from their 2001 album, No More Shall We Part. A ballad written by Cave, it features him on vocals and piano with backing vocals by Kate & Anna McGarrigle.

"Love Letter" was first released as one of the songs on Nick Cave's 2000 spoken word album, The Secret Life of the Love Song.
Since its release by Nick Cave and the Bad Seeds on their 2001 album, No More Shall We Part, Uncut magazine has placed "Love Letter" at number 14 in its list of Nick Cave's greatest songs. The song was singled out for praise by author Jonathan Lethem, who says the "shattering simplicity" of its lyrics is "worthy of Shakespeare". In AllMusic's review of No More Shall We Part, "Love Letter" is described as a "tenderly daunting, haunted house". Author Robert Mighall described it as "a staggeringly beautiful song of forlorn love and a broken heart." Musician Victor Krummenacher described “Love Letter” as “extraordinary.”

References

Songs about letters (message)
Nick Cave songs
2002 singles
Rock ballads
Songs written by Nick Cave
2000 songs
Mute Records singles
K. Berchem Sport is a Belgian association football club based in the district of Berchem in the municipality of Antwerp and currently playing in the Belgian Second Amateur Division.  It has formerly played in the first division.

The club was founded in 1906 and became a member of the FA two years later.  It received the matricule n°28 in 1926.  Five years later, it added the prefix Royal to its name, then changed this prefix to its Dutch counterpart Koninklijk in 1967.

Current squad
Updated 10 May 2020.

Coaching staff
Updated 3 April 2018
 Manager:  Kevin Van Haesendonck
 Assistant: Danny van Leuven
 Goalkeeper coach:  Bob Peeters

Other staff
 Sporting director: Marc De Mulder
 Team scout: Patrick Illegems
 Doctor: Peter Verspeelt

Honours
Belgian Pro League:
Runners-up (3): 1948–49, 1949–50, 1950–51
Belgian Second Division:
Winners (5): 1933–34, 1942–43, 1961–62, 1971–72, 1985–86
Belgian Second Division final round:
Winners (1): 1977–78
Belgian Third Division:
Winners (1): 2002–03
Belgian Fourth Division:
Winners (2): 2001–02, 2011–2012
Belgian Provincial league Antwerp:
Winners (4): 1909–10, 1910–11, 1912–13, 1913–14
Belgian Provincial league Antwerp Final Round:
Winners (1): 2000–01
Belgian Cup:
Semi-finalists (2): 1953–54, 1970–71

References

 Official website

 
Sports clubs and teams established in 1906
Football clubs in Belgium
Football clubs in Antwerp
1906 establishments in Belgium
Association football clubs established in 1908
Belgian Pro League clubs
William Frederick Havemeyer was New York City's first fireboat. The vessel entered service in 1875, and retired in 1901. She was named in honor of a recent mayor, William Frederick Havemeyer.

Design and commissioning

The vessel was ordered in 1874, around the time Havemeyer died.  She was a wooden-hulled, steam-powered vessel.  She was  long, with a beam of , and a draft of , and her pumps could throw 6,000 gallons per minute.  She was staffed by a crew of ten, and had accommodation for her crew to live on board.  She cost $23,800.

Operational life

Confrontation at the sanitation docks

On May 18, 1895, the New York Times reported on a confrontation between William Frederick Havemeyer and , a tugboat chartered to the city's Sanitation Department.  A fire had broken out at the Sanitation Department's "dumping wharf". The wharf, a large wooden wharf near 46th Street was used to load barges with the city's garbage. Tugboats, like Restless, would then tow the barges out to sea, where it was dumped.

A colony of homeless men the New York Times called "wharf rats", lived in spaces within the wharf, where they supported themselves by salvaging bottles, rags, and other refuse that had resale value.  The New York Times blamed the fire on cooking fires the homeless men used to cook their breakfasts.

When William Frederick Havemeyer arrived at the wharf it found that Restless was already fighting the fire with its less powerful pumps.  When Restless refused to get out of the way William Frederick Havemeyer turned its pumps on it.  The New York Times reported that the smaller vessel was at risk of being swamped. The conflict between the two vessels consumed fifteen minutes, only ending when a senior fire department official convinced a senior Sanitation Department official to order Restless to get out of the way.

The fire was eventually extinguished when  came to assist William Frederick Havemeyer.

References

Further reading
 
 
 

Fireboats of New York City
1875 ships
The Ufferman Site (also known as the A. Sawyer Site, and designated 33DL12) is an archaeological site in the central part of the U.S. state of Ohio.  Located north of the city of Delaware, it occupies approximately  of land near Delaware Lake on property near to the boundaries of Delaware State Park.  It appears to have been the location of a village of the Cole culture, which inhabited the region during the later portion of the Woodland period.  Ufferman lies only  south of the W.S. Cole Site, the type site for the culture, and approximately  north of the Highbank Park Works, which are believed to have been built by peoples of the Cole culture.

Although archaeologists have never excavated the Ufferman Site, numerous artifacts have been found because of the activities of local groundhogs.  These animals favor the loose soil of the esker upon which the site lies, and their many diggings for their burrows have brought to the surface significant numbers of human and animal bones, pottery, and bits of stone.

In 1974, the Ufferman Site was listed on the National Register of Historic Places because of its archaeological value.  The primary importance of the site is its ability to yield information about the Cole culture, which has been little understood until recent years.  Fifty-five other historic locations in Delaware County are listed on the National Register, including four other archaeological sites.  The Ufferman Site was one of the first of these places to be recognized as a historic site; only four other places — the Delaware County Courthouse and a historic district of three buildings on the Ohio Wesleyan University campus in Delaware, the Spruce Run Earthworks near the village of Galena, and the Highbank Park Works near the city of Worthington — were listed on the Register before the Ufferman Site.

References

Archaeological sites in Ohio
National Register of Historic Places in Delaware County, Ohio
Archaeological sites on the National Register of Historic Places in Ohio
Woodland period
Tomasz Młodzianowski (coat of arms Dąbrowa) (born 21 December 1622 near Ciechanów, died 3 or 9 October 1686 in Wolbrom) was a Polish Jesuit, preacher and writer.

Life 
He was a member of Mazovian yeomanry (drobna szlachta). In 1637 he began the Jesuit novitiate. In 1648 he received the holy orders. From 1654 to 1656 he was a missionary in Isfahan. While coming back he visited the Holy Land. He has been a lecturer in the colleges in various cities of the Polish–Lithuanian Commonwealth and a chaplain. In 1673 he became the deputy provincial. From 1680 to 1683 he was the rector in the well-known college in Poznań. After his death king John III Sobieski said: The order of the Society has a great loss in this man. He was buried in the church of saint Peter and Paul in Kraków.

Works 
He won the fame of a great preacher. In 1674 he was speaking in the coronation mass of John III Sobieski. He has written down 73 homilies and 179 sermons. He used to publish occasional speeches separately. The rest is collected in his Kazania i Homilie (Poznań 1681), with over 2,000 pages in folio in four volumes. He used to avoid macaronic language, speak clearly, make the lecture interesting through concepts, explain abstract ideas to the audience (e.g. comparing the apostles to the MPs), include proverbs. His other works are:
 Praelectiones (1666-1674) – a series of handbooks presenting full theology and philosophy
 Integer cursus theologicus et philosophicus – a revised and expanded version of the above
 Rozmyślania albo Lekcya duchowna – meditations, in 1680-1754 published 6 times
 Akty przygotowania się na śmierć – about good death, between 1685 and 1758 edited 7 times

See also 
 Mikołaj Łęczycki
 Kasper Drużbicki
 Daniel Pawłowski
 Jan Morawski

Bibliography 
Nowy Korbut, ed. Roman Pollak, v. 2, Warszawa 1964, p. 526-527.
Kasper Niesiecki, Herbarz polski, v. VI, Leipzig 1841, p. 427-429.

External links
 Works by Tomasz Młodzianowski in digital library Polona

1622 births
1686 deaths
17th-century Christian mystics
17th-century Latin-language writers
17th-century Polish Jesuits
Roman Catholic mystics
Polish male writers
Adam Mickiewicz University in Poznań
Polish Roman Catholic missionaries
Jesuit missionaries
Roman Catholic missionaries in Iran
17th-century male writers

17th-century Polish philosophers
Dája Bedáňová (born Daniela Bedáňová 9 March 1983) is a former professional tennis player from the Czech Republic. She lives in Leonberg, Germany. Bedáňová turned pro in 2000 and retired in 2005.

She was named the WTA Newcomer of the Year in 2000. Her best performance at a Grand Slam tournament came when she got to the quarterfinals of the 2001 US Open, defeating Joannette Kruger, Silvija Talaja, Meghann Shaughnessy and Monica Seles, then losing to Martina Hingis. She attained a career high ranking of 16 in singles in 2002.

Performance timelines 

Only main-draw results in WTA Tour, Grand Slam tournaments, Fed Cup and Olympic Games are included in win–loss records.

Singles

Doubles

WTA career finals

Singles: 1 title

Doubles: 2 (1 title, 1 runner-up)

ITF finals

Singles: 1 title

Doubles: 4 (2 titles, 2 runner-ups)

Best Grand Slam results details

Top 10 wins

External links
 
 
 

1983 births
Hopman Cup competitors
Czech expatriate sportspeople in Germany
Czech female tennis players
Living people
People from Leonberg
Sportspeople from Stuttgart (region)
Sportspeople from Ostrava
Wimbledon junior champions
US Open (tennis) junior champions
Tennis players at the 2000 Summer Olympics
Grand Slam (tennis) champions in girls' doubles
Olympic tennis players for the Czech Republic
The 1940 Georgia Teachers Blue Tide football team represented the Georgia Teachers College—now known as Georgia Southern University—during the 1940 college football season. The team was led by Crook Smith in his 12th year as head coach.

South Georgia was ranked at No. 638 (out of 697 college football teams) in the final rankings under the Litkenhous Difference by Score system for 1940.

Schedule

References

Georgia Teachers
Georgia Southern Eagles football seasons
Georgia Teachers Blue Tide football
The Club () is a 2015 Chilean drama film directed, co-produced and co-written by Pablo Larraín. It was screened in the main competition of the 65th Berlin International Film Festival where it won the Jury Grand Prix. It was selected as the Chilean entry for the Best Foreign Language Film at the 88th Academy Awards but it was not nominated.

Plot
Four retired Catholic priests share a secluded house on the outskirts of a small Chilean beach town under the supervision of a vigilant female caretaker who used to be a nun. The four men are there to discreetly purge their alleged sins and crimes, including child abuse, baby-snatching for adoptions, and whistleblowing. They are not permitted to mingle with the townsfolk and are only allowed out during early morning and late night. Their only hobby is breeding a racing dog and entering competitions. Their routine changes when a new priest arrives, and a victim of his child abuse follows him, leading the priest to commit suicide. Subsequently, a new spiritual director arrives, disrupting their lives and routine.

Cast

Reception
The film was well received, with The Guardian giving it five stars and said Pablo Larraín was "at his most masterful".  Variety called it "an original and brilliantly acted chamber drama in which Larrain’s fiercely political voice comes through as loud and clear as ever".

On Rotten Tomatoes, the film has an 88% score based on 89 reviews, with an average rating of 7.86/10. The site's consensus states: "The Club finds director Pablo Larraín continuing to pose difficult questions while exploring weighty themes -- and getting the most out of a talented cast." Metacritic reports a 73 out of 100 score based on 26 reviews, indicating "generally favorable reviews".

Awards

See also
 Cinema of Chile
 List of submissions to the 88th Academy Awards for Best Foreign Language Film
 List of Chilean submissions for the Academy Award for Best Foreign Language Film

References

External links
 
 
 
 

2015 films
2015 drama films
2010s Spanish-language films
Chilean drama films
Films about Catholic priests
Films about child abuse
Films directed by Pablo Larraín
Films set in Chile
Films shot in Chile
Silver Bear Grand Jury Prize winners
2010s Chilean films
Edward Hull (1823 – 3 February 1906) was a British illustrator and watercolourist who exhibited at the Royal Academy in London. He was the brother of William Hull, another well known illustrator and watercolour painter.

Biography
Hull was born in Keysoe in Bedfordshire, England, the fourth son (and sixth child) of a farmer, James Hull, who became a Moravian missionary to Manchester. He was an engraver who also painted many watercolours and, in later life, became known as a book illustrator. He was employed from 1855 to 1861 by The Illustrated Times, a successful London weekly, and was an illustrator for several books such as Stratford on Avon by Sidney Lee (published around 1890) and The Laureate's Country (a book on Alfred Tennyson) by Alfred J. Church, published around the same time.

Hull symbolises the spirit of illustration in the 19th century. The great illustrators such as Phiz (who illustrated many of Dickens's books) are well known. Hull represents the many who plied their trade in periodicals and books before the advent of photography in the early 20th century. Hull was also a wood-engraver as recognised by his inclusion in Rodney Engen's Dictionary of Victorian Wood Engravers (1990).

Hull lived most of his life in London. He travelled widely in England as his paintings and illustrations show. He married and had two daughters and three granddaughters. He died on 3 February 1906 and is buried in St Peters Church at Sharnbrook, Bedfordshire.

The Royal Academy shows a number of Hull's paintings being exhibited there to 1874. The earliest one shown from 1827 is by another Edward Hull, a son of Thomas Henry Hull – a well-known miniaturist – and originally thought to be a relative of Edward Hull (1823–1906), but they are no longer thought to be related. The two are often confused. There is also another Edward Hull who was a furniture maker and shop owner who was a close friend of Augustus Pugin (the designer of much of the interior of the House of Commons). He also lived in London at the same time but is also not related.

References

Illustrated books
Church, Alfred J. The Laureate's Country: a description of places connected with the life of Alfred Lord Tennyson - Seeley & Co Ltd. 1891.
Lee, Sidney. Stratford-on-Avon - Seeley & Co Ltd. 1885.
Hull, Edward. William Cowper Album - Produced for Frederick Cosens (a wealthy sherry merchant) in 1889 and re-published to commemorate the 250th Anniversary of Cowper's birth on 15 November 1981.

19th-century English painters
English male painters
20th-century English painters
English illustrators
1823 births
1906 deaths
English watercolourists
People from the Borough of Bedford
19th-century English male artists
20th-century English male artists
The 22353 / 22354 Patna–SMVT Bengaluru Humsafar Express is a superfast train belonging to East Central Railway zone that runs between Patna Junction and SMVT Bengaluru of Bengaluru city.

It is currently being operated with 22353/22354 train numbers on a weekly basis.

Coach composition 

The trains is completely 3-tier AC sleeper trains designed by Indian Railways with features of LED screen display to show information about stations, train speed etc. and will have announcement system as well, Vending machines for tea, coffee and milk, Bio toilets in compartments as well as CCTV cameras.

Service

The 22353/Patna - Sir M. Visvesaraya Terminal, Bengaluru Humsafar Express has an average speed of 54 km/h and covers 2640 km in 48h 45m.

The 22354/Sir M. Visvesaraya Terminal, Bengaluru - Patna Humsafar Express has an average speed of 56 km/h and covers 2640 km in 47h 30m.

Route and halts

Traction
This route is fully electrified and both trains are hauled by a Gomoh Loco Shed based WAP-7 locomotive on its entire journey.

Schedule

See also 

 Humsafar Express
 Patna Junction railway station
 Banaswadi railway station

Notes

References 

Humsafar Express trains
Rail transport in Andhra Pradesh
Rail transport in Bihar
Rail transport in Karnataka
Rail transport in Maharashtra
Rail transport in Madhya Pradesh
Rail transport in Tamil Nadu
Rail transport in Telangana
Rail transport in Uttar Pradesh
Transport in Patna
Transport in Bangalore
Railway services introduced in 2019