Samantha912/NLP_A2_WTH huggingface dataset:
Char Dervesh () is a 1964 Indian Hindi-language action fantasy film directed by Homi Wadia for Basant Pictures. The film was produced by Wadia Brothers and its music composer was G. S. Kohli. Feroz Khan acted in several "small-budget" costume films such as Homi Wadia's Char Dervesh as hero, before he became popular as second lead and later as hero, producer and director in mainstream cinema. The film was declared a hit. The film starred Feroz Khan, Sayeeda Khan, Naaz, B. M. Vyas, Mukri and Sunder.

The fantasy film revolves around Qamar, who is in love with the princess Nargis Banu and his adventures that follow in an attempt to rescue the princess' sister Hamida.

Plot
Three Derveshes are praying at a shrine, each has a wish to fulfil but that can't happen till a fourth one arrives. A white horse appears with a rider, and it is the fourth Dervesh who is seeking to redeem himself. His name is Qamar. Qamar has been a care-free person getting into trouble for his innocent misdeeds and basically a source of worry for his two covetous brothers. He sees the beautiful princess Nargis Bano and falls in love with her. However, he's caught by the palace guards and whipped and sent to exile. His brothers throw him off the ship they are travelling in and he lands in an underwater sea kingdom. He sees a woman turned to stone up to her neck. There is another princess, Hamida, imprisoned there by an evil magician. The stone woman turns out to be the mother of the two princesses and she wants Qamar to marry the imprisoned princess. However, Qamar fails to fulfill her demand and in turn, the stone-lady is angered and she turns Qamar's skin black and thus, he meets the other three dervishes. After the stone-lady learns the facts, she forgives him and the problem with the skin is reversed. He now has to decide which princess to marry. Several actions and chase scenes follow, with sword-fighting and flying on magic carpets to rescue the princess and finally marry the one he loves.

Cast
 Feroz Khan as Qamar Bakht 
 Sayeeda Khan as Nargis
 Naaz as Hameeda
 Mukri
 B. M. Vyas
 Amarnath
 Ratnamala
 Jeevankala
 Sunder
 W. M. Khan
 Paul Sharma

Production
Babubhai Mistry was once again the art and special effects director for the Wadia film. He had made a name for himself as a special effects artist in mythology and fantasy films. Char Dervesh had plenty of special effects in the form of underwater sea kingdom, two-headed monsters and flying carpets. The film was a "classic B-movie" with many fight and "stunt" scenes.

Music
The music was composed by G. S. Kohli and the lyricists were Anjaan, Saba Fazli and Raja Mehdi Ali Khan. The playback singing was given by Mohammed Rafi, Asha Bhosle, Usha Mangeshkar and Jaani Babu Qawwal.

Song list

References

External links

1964 films
1960s Hindi-language films
Films directed by Homi Wadia
Films scored by G. S. Kohli
Indian fantasy action films
1960s fantasy action films
Films based on Indian folklore
Films based on fairy tales
Danilo Gregorić (; 1900–1957) or Gregorič (Грегорич) was a Yugoslav diplomat to Germany and the newspaper editor for Vreme during World War II.

His father Cvetko Gregorić was the secretary of the Industrial Corporation in Belgrade, of Slovenian descent. Danilo Gregorić joined the movement of Dimitrije Ljotić, but soon left and joined the Yugoslav Radical Union of Milan Stojadinović, who knew his father. When President of the Government Dragiša Cvetković formed government, he took Gregorić, who knew perfect German, as one of his direct envoys to Germany. Gregorić was the intermediary between Cvetković and Joachim von Ribbentrop, and had a role in the Tripartite Pact talks. He was often in conflict with Foreign Minister Aleksandar Cincar-Marković. Gregorić sought to become the Minister for Propaganda, but did not succeed. When Cvetković changed his views on Germany, Gregorić was appointed the Deputy Commissioner of Vreme, subsequently the Commissioner and editor of the magazine. This was done according to the German government's wish. The tone of the magazine became pro-German, stressing that Yugoslavia needed to join the Axis powers. He was informed that tanks appeared in the streets, then left for Zemun, crossing the bridge, but was apprehended and imprisoned, on 27 March 1941, the day of the Yugoslav coup d'état. He was sentenced to 13 years of prison and forced labor on 16 August 1949 by the Communist Yugoslav court.

Works

References

Sources

20th-century Serbian people
Diplomats from Belgrade
Yugoslav diplomats
Serbian newspaper editors
Yugoslav editors
Germany–Yugoslavia relations
1900 births
1957 deaths
Yugoslav prisoners and detainees
Serbian people of Slovenian descent
Yugoslav people of World War II
Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9th and 10th, 1959, at Bell Sound Studios in New York City.  It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.

The album was released in 1960 by Vee-Jay Records, and was also issued later under the title Blues a la Carte. Tracks from this session were included on the 1972 compilation Shorter Moments as well as the 2000 compilation The Complete Vee Jay Lee Morgan-Wayne Shorter Sessions

On November 10th, Shorter also participated in the recording of the Blakey album Africaine, his first studio session with the Jazz Messengers, which included two of his compositions, one of which was the title track.

Reception

In a review for AllMusic, Scott Yanow called the music "quite enjoyable," and wrote that the album "shows that, even at this early stage, Shorter was far along toward developing his own sound." The authors of The Penguin Guide to Jazz stated that the album gives "the impression of a searching performer who has sufficient lateral vision to keep himself one step ahead of the game."

Writing for All About Jazz, C. Michael Bailey commented: "This is rarified music that is immediately enjoyable. It illuminates the sheer talent and genius of Wayne Shorter, even so early in his playing career. He is definitely a tenor for our time." In a separate article for the same publication, Chris May wrote: "Like practically every other tenor saxophonist of his generation, Shorter was profoundly influenced by Coltrane, seven years his senior; that comes through on Introducing, not least in Shorter's tone, but there are clear glimpses of the singularity to come."

Track listing 
All compositions by Wayne Shorter except where noted.

 "Blues a la Carte" [Take 4] – 5:35
 "Harry's Last Stand" [Take 5] – 4:40
 "Down in the Depths" [Take 5] – 9:41
 "Pug Nose" [Take 3] – 6:49
 "Black Diamond" [Take 7] – 6:00
 "Mack the Knife" [Take 5] (Marc Blitzstein, Bertolt Brecht, Kurt Weill) – 4:27

Bonus tracks on CD reissue
 "Blues a la Carte" [Take 3] – 5:43
 "Harry's Last Stand" [Take 4] – 4:58
 "Down in the Depths" [Take 3] – 10:18
 "Black Diamond" [Take 1] – 7:42

Recorded on November 9 (#1-2) and November 10 (#3-6), 1959.

Personnel
Wayne Shorter – tenor saxophone
Lee Morgan – trumpet
Wynton Kelly – piano
Paul Chambers – double bass
Jimmy Cobb – drums

References

External links 
 Wayne Shorter - Introducing Wayne Shorter (1959) album releases & credits at Discogs
 Wayne Shorter - Introducing Wayne Shorter (1959) album to be listened on Spotify

1960 debut albums
Wayne Shorter albums
Vee-Jay Records albums
Hard bop albums
Nuestra Señora de Fátima is the Spanish name for Our Lady of Fátima.

Nuestra Señora de Fátima may also refer to:

Nuestra Señora de Fátima (Buenos Aires Premetro) - a station on the Premetro E2 line in Buenos Aires, Argentina.
Nuestra Señora de Fátima, Pocitos, Montevideo - A church in Montevideo, Uruguay.
Mount Fenton () is a peak  high, rising from the northern part of Skinner Ridge,  northeast of Mount Mackintosh, in Victoria Land, Antarctica. It was mapped by the United States Geological Survey from surveys and U.S. Navy air photos, 1956–62, and was named by the Advisory Committee on Antarctic Names for Michael D. Fenton, a geologist at McMurdo Station, 1965–66.

References 

Mountains of Victoria Land
Scott Coast
Drilling fluid invasion is a process that occurs in a well being drilled with higher wellbore pressure (normally caused by excessive mud weights) than formation pressure.  The liquid component of the drilling fluid (known as the mud filtrate, or spurt) continues to "invade" the porous and permeable formation until the solids present in the mud, commonly bentonite, clog enough pores to form a mud cake capable of preventing further invasion.

If invasion is severe enough, and reservoir pressures are unable to force the fluid and associated particles out entirely when the well starts producing, the amount of oil and gas a well can produce can be permanently reduced.  This is especially true when a process called phase trapping occurs.  This is when a fluid enters a formation that is below its irreducible saturation of that fluid.  Once the fluid is present, it is held in place by capillary forces and usually can not be removed.

Invasion also has significant implications for well logging.  In  many cases the "depth of investigation" of a well logging tool is only a few inches (or even less for methods such as sonic logs), and it is quite possible that drilling fluid has invaded beyond this depth. In these cases readings are strongly influenced by mud filtrate properties rather than pure formation (in situ) properties. This influence must be considered when interpreting the resulting logs.

See also
Resistivity logging

References

Drilling fluid
Well logging
Jacques Saada,  (; born November 22, 1947) is a Canadian politician and former cabinet minister.

Saada is a teacher and linguist by profession and was Chief Executive Officer of a translation firm,  a consultant and a lecturer in translation prior to entering politics.

He was first elected to the House of Commons of Canada as a Liberal Member of Parliament (MP) from the Quebec riding of Brossard—La Prairie in the 1997 federal election. He served as Deputy Government Whip from 2001 to 2003. When Paul Martin became Prime Minister of Canada on December 12, 2003, he had Saada appointed as a privy councillor(giving him the prenominal "The Honourable" and the postnominal "PC" for life) and to the Cabinet as Minister Responsible for Democratic Reform and Government House Leader.

Following the 2004 election with the election of a Liberal minority government, Saada was transferred to the positions of Minister for the Economic Development Agency of Canada for the Regions of Quebec and Minister responsible for La Francophonie.

Saada was born in Tunis, the main city of Tunisia, to a Jewish family. In the 2004 election his campaign was the target of anti-Semitic graffiti, letters, and phone calls.

Saada was defeated in the 2006 election, losing his seat in Brossard—La Prairie to Bloc Québécois candidate Marcel Lussier. His former constituency assistant, Alexandra Mendès, defeated Lussier in the 2008 election.

He was the Quebec Chair for the Rae campaign for the leadership of the Liberal Party. In September 2007, Saada was named president and chief executive officer of the Quebec Aerospace Association (AQA). He resigned from that position in December 2011.

Electoral record (partial)

References

External links

Background
Statement in the Canadian Parliament, April 9, 2002
Quebec Aerospace Association

1947 births
Canadian people of Tunisian-Jewish descent
Jewish Canadian politicians
Liberal Party of Canada MPs
Living people
Members of the House of Commons of Canada from Quebec
Members of the King's Privy Council for Canada
People from Brossard
Politicians from Tunis
Tunisian emigrants to Canada
Tunisian Jews
Members of the 27th Canadian Ministry
The African Union of Broadcasting (AUB, , , ) is a professional body composed of the national radio and television organizations of African states. The organization works to develop the African broadcast industry by encouraging the exchange of indigenous programming and obtaining preferential satellite tariffs for member organizations. It is a member of the World Broadcasting Unions.

History
AUB was founded in 1962 as the Union of African National Television and Radio Organizations (, URTNA), an autonomous specialized agency working under the auspices of the OAU. The organization was renamed to African Union of Broadcasting at the 2006 URTNA General Assembly held in Abuja, Nigeria.

Members

These are members who are independent nations within the AUB broadcasting region, and consist of at least one member per country.

Participant members

The following nine AUB broadcast members have status as Participants as of May 2022.

Associate members
Below is a list of associate members of the AUB. These are international broadcasters beyond the AUB regions, and national broadcasting associations.

References

External links
 

Broadcasting associations
Organizations established in 1962
The Serbian Superliga ( / Superliga Srbije) is the highest level of men's volleyball in Serbia and it is organized by Serbian Volleyball Federation. Serbia Volleyball League is currently contested by 12 clubs.

2022–23 teams

Map

Champions

Including titles in Serbia and Montenegro

 1992 Vojvodina
 1993 Vojvodina
 1994 Vojvodina
 1995 Vojvodina
 1996 Vojvodina
 1997 Vojvodina
 1998 Vojvodina
 1999 Vojvodina
 2000 Vojvodina
 2001 Budvanska Rivijera Budva
 2002 Budućnost
 2003 Crvena zvezda
 2004 Vojvodina
 2005 Budućnost
 2006 Budućnost

Including titles in Serbia

 2007 Vojvodina
 2008 Crvena zvezda
 2009 Radnički Kragujevac
 2010 Radnički Kragujevac
 2011 Partizan
 2012 Crvena zvezda
 2013 Crvena zvezda
 2014 Crvena zvezda
 2015 Crvena zvezda
 2016 Crvena zvezda
 2017 Vojvodina
 2018 Vojvodina
 2019 Vojvodina
 2020 Vojvodina
 2021 Vojvodina
 2022 Vojvodina
 2023 Partizan

All-time

External links 
 Official Website
 Official Website of Serbian Volleyball Federation

Serbia
Volleyball competitions in Serbia
Sports leagues established in 2006
2006 establishments in Serbia
Professional sports leagues in Serbia
Complex segregation analysis  (CSA) is a technique within genetic epidemiology to determine whether there is evidence that a major gene underlies the distribution of a given phenotypic trait.  CSA also provides evidence to whether the implicated trait is inherited in a Mendelian dominant, recessive, or codominant manner.

Purpose of CSA
CSA is often a preliminary step in genetic epidemiology. The purpose of CSA is to provide initial evidence that a single gene has a major effect on a particular phenotypic trait. Only phenotypic information, not genotypic information, is required for CSA.  CSA can provide evidence, but not definitively prove a trait is under the control of a single gene. Evidence from CSA studies can be used to justify which phenotypes might be appropriate for more in-depth studies such as linkage analysis.

Study design and data analysis
CSA requires phenotypic information on family members in a pedigree.  A variety of models with different parameters and assumptions about the nature of the inheritance of the trait are fit to the data.  CSA studies may include non-genetic models which assume the trait has no genetic component and is only determined by environmental factors, models which include environmental components as well as multi-gene heritability components, and models which include environment, multi-gene heritability, and a single major gene to best fit the data.  CSA software uses a maximum likelihood estimator to assign the best fitting coefficients to each component in all models.  Nested models are then tested for their goodness of fit starting at the most complex.  If two models are found to fit equally well, the more complex model is rejected in favor of the simpler model.  If the best fitting model includes a single major gene component, there is evidence that the trait of interest is under Mendelian control.

Examples of publications using CSA

See also
 Genetic epidemiology
 Genetic segregation

References

Statistical genetics
Epidemiology
Algebraic code-excited linear prediction (ACELP) is a speech coding algorithm in which a limited set of pulses is distributed as excitation to a linear prediction filter. It is a linear predictive coding (LPC) algorithm that is based on the code-excited linear prediction (CELP) method and has an algebraic structure. ACELP was developed in 1989 by the researchers at the Université de Sherbrooke in Canada.

The ACELP method is widely employed in current speech coding standards such as AMR, EFR, AMR-WB (G.722.2), VMR-WB, EVRC, EVRC-B, SMV, TETRA, PCS 1900, MPEG-4 CELP and ITU-T G-series standards G.729, G.729.1 (first coding stage) and G.723.1. The ACELP algorithm is also used in the proprietary ACELP.net codec.  Audible Inc. use a modified version for their speaking books. It is also used in conference-calling software, speech compression tools and has become one of the 3GPP formats. 

The ACELP patent expired in 2018 and is now royalty-free.

Features
The main advantage of ACELP is that the algebraic codebook it uses can be made very large (> 50 bits) without running into storage (RAM/ROM) or complexity (CPU time) problems.

Technology
The ACELP algorithm is based on that used in code-excited linear prediction (CELP), but ACELP codebooks have a specific algebraic structure imposed upon them.

A 16-bit algebraic codebook shall be used in the innovative codebook search, the aim of which is to find the best innovation and gain parameters. The innovation vector contains, at most, four non-zero pulses.

In ACELP, a block of N speech samples is synthesized by filtering an appropriate innovation sequence from a codebook, scaled by a gain factor g c, through two time-varying filters.

The long-term (pitch) synthesis filter is given by:

The short-term synthesis filter is given by:

References

Speech codecs
The Cathedral of St. John the Baptist () is a parish of the Roman Catholic Church in Fira, on the island of Santorini in Greece. It serves as the cathedral of the Roman Catholic Diocese of Santorini (Dioecesis Sanctoriensis or Επισκοπή Θήρας) which was created in 1204.

The cathedral is located in the city center, in the Catholic neighborhood. The current church, a baroque structure of blue-gray and cream, was built in 1823. It was completely restored and rebuilt in 1970, after the earthquake of 1956.

See also
Catholic Church in Greece

References

John the Baptist
Churches in Santorini
Roman Catholic churches completed in 1823
19th-century Roman Catholic church buildings in Greece
Crommelynck may refer to:
 Fernand Crommelynck (1886–1970), Belgian dramatist
 Aldo Crommelynck (1931–2008), Belgian printmaker, son of Fernand 
 Duo Crommelynck (1974–1994), classical piano duo of Patrick Crommelynck and Taeko Kuwata 
 Eva van Crommelynck, a character in novels by David Mitchell
Terry Henderson Jr. (born March 21, 1994) is an American professional basketball player for the Calgary Surge of the Canadian Elite Basketball League (CEBL). He played college basketball for West Virginia and NC State.

College career
He played two seasons for the West Virginia Mountaineers and averaged 8.0 points per game as a freshman. Henderson increased those numbers to 11.7 points and 2.9 rebounds per game as a sophomore while making 17 starts. In 2014 he transferred to NC State, choosing the Wolfpack over Maryland and Richmond. After sitting out a redshirt year per NCAA regulations, he played seven minutes of their first match against William & Mary and broke the ligament of his right knee, which left him out of competition for the rest of the season. Once recovered, in his only full season with the team he averaged 13.8 points and 3.1 rebounds per game and led N.C. State in 3-pointers (78). Henderson applied for a sixth year of eligibility but was denied by the NCAA in May 2017.

Professional career
After not being selected in the 2017 NBA draft, in September he signed with the Charlotte Hornets to play in the preseason. On October 13, he was cut by the Hornets before the season began, shortly afterwards joining the Greensboro Swarm of the NBA G League. Henderson was invited to play for the Hornets in the 2018 Summer League. He played for Scagliera Verona in Italy during the 2018–19 season and started 19 games with averages of 12.4 points, 2.9 rebounds and 1.4 assists per game. Henderson was acquired by the Greensboro Swarm on February 6, 2020. On February 16, Henderson totaled 13 points, six rebounds, two assists and a block in a loss to the Wisconsin Herd.

On July 14, 2020, Henderson signed with GTK Gliwice of the PLK.

On July 5, 2023, Henderson signed with the Calgary Surge of the Canadian Elite Basketball League.

References

External links
 NC State Wolfpack bio

1994 births
Living people
American expatriate basketball people in Canada
American expatriate basketball people in Italy
American men's basketball players
Basketball players from Raleigh, North Carolina
Calgary Surge players
Greensboro Swarm players
NC State Wolfpack men's basketball players
Scaligera Basket Verona players
Shooting guards
West Virginia Mountaineers men's basketball players
Raisanwala is a village in the Punjab province of Pakistan.

References

Villages in Punjab, Pakistan
The African yellow bat (Scotophilus dinganii) is a species of bat in the family Vespertilionidae, the vesper bats. Other common names include African yellow house bat, yellow-bellied house bat, and Dingan's Bat. It is one of fifteen species in the genus Scotophilus.

Description
The African yellow bat is a medium sized, rather attractive bat with a dog-like snout. It is light brown above with a yellow belly, its eyes are clearly visible and its snout is short and broad. The wings vary in colour and may be olive, grey or red while the interfemoral membrane is brown and translucent. The total body length averages 130 mm, the forearm length is 50–58 mm and its average weight is 23g.

Distribution
The African yellow bat is native to Sub-Saharan Africa, where it occurs from Senegal and Gambia east to  Djibouti, Eritrea, and Somalia south to South Africa, where they reach the Eastern Cape.

Habitat
This species lives in savanna habitat, and it can be found near human habitation, where it roosts in houses. It may roost singly or in small colonies.

Habits
African yellow bats mate in the Austral Autumn in southern Africa and then give birth to twins towards the end of November or early December in the Austral Spring. The young are able to fend for themselves from quite a  young age, the females wean then within weeks of birth. African yellow bats show a strong faithfulness to roost sites.

African yellow bats red during the day in hollows and cracks of large trees, their colonies rarely consisted of more than 12 individuals. Roosts are often situated in secluded spots in cracks in walls and roofs and as a result they have become frequent in suburbia. The roosts are normally very quiet and any households who host them are usually blissfully unaware of its presence. They do not normally fly out of the roost until total darkness has descended and they normally feed until they have satiated themselves, usually for around two hours before returning. They sometimes share roosts with the smaller Cape serotine, from which it may be distinguished by its larger wing size and faster flight. They prey mostly on beetles, but also plant-sucking bugs, flies, flying termites, moths and lacewings.

References

Scotophilus
Mammals described in 1833
Bats of Africa
Taxonomy articles created by Polbot