Samantha912/NLP_A2_WTH huggingface dataset:
Aku Ankka (Finnish for Donald Duck) is a Finnish weekly Disney comic book published by Sanoma Magazines since 1951.

History and profile
The first issue of Aku Ankka was published on 5 December 1951 and sold 34,017 copies. The first issue, with a special Christmas theme, and the Snow White story published later in the 1950s are very prized collectors' items and can fetch a price of several thousand euros on the collector market. The magazine was published monthly until 1956, twice a month between 1956 and 1960, and every Wednesday since 1961.

Aku Ankka is published by Sanoma Media (formerly Sanoma Magazines), which is part of Sanoma.

Despite being part of a multinational franchise and despite most stories being translations into Finnish of stories first published abroad, Aku Ankka has become a cultural icon in Finland. This is largely due to the magazine's colourful and innovative use of the Finnish language. Many characters' names are Finnish language spoofs of the names of celebrities. In 2001, in recognition of its work for the Finnish language, the editorial team was given the Kielihelmi award by the Finnish language department of the University of Helsinki. 

The Aku Ankka comic is now more popular in Finland than in the country of its origin, the United States (where Disney is better known for its cartoons and films than comics). The US Donald Duck cartoonist Don Rosa is exceptionally popular in Finland, and he has acknowledged this by creating The Quest for Kalevala, a Donald Duck story specifically set in Finland.

There is a popular urban legend that Donald Duck was once banned in Finland for not wearing pants. This myth was sparked by an incident in 1977, when Helsinki councilman Matti Holopainen proposed discontinuing the use of city funds to subscribe to Aku Ankka comics for youth centers, due to the city's financial difficulties. The following year, when Holopainen was running for a parliament seat, his opponent, called him "the man who banned Donald Duck from Helsinki" and Holopainen lost the election. National Coalition Party politician Ben Zyskowicz called Holopainen's decision "an accident at work".

A similar incident had taken place a few years earlier in Kemi, and international reports exaggerated the situation in claims that the character's attire and his extramarital relationship with Daisy Duck were the causes of the local ban.

Circulation
Aku Ankka is one of the most popular weekly publications in Finland as well as the world's largest edition per capita of a Donald Duck magazine.

It had a circulation of 320,500 in 2006, 324,000 in 2007, and 306,555 in 2010. Its circulation of 282,794 in 2012 made it the third most popular magazine in Finland. When 260,455 copies were sold in 2013, it became the best-selling Finnish magazine.

See also
 List of magazines in Finland
Kalle Anka & C:o

References

External links
 Official website 
 Aku Ankka at the INDUCKS

1951 establishments in Finland
1951 comics debuts
Comics magazines published in Finland
Disney comics titles
Donald Duck comics
Magazines established in 1951
Magazines published in Helsinki
Weekly newspapers published in Finland
Pulse fishing is a fisheries management technique for preventing fish stocks from being overfished by periodically permitting a cycle of fishing followed by a fallow period which allows stocks to reconstitute. It should not to be confused with electric pulse fishing which is a fishing technique which involves pulsing electric currents.

References

Fisheries science
Sustainable fishery
Craig Binns (born July 18, 1974) is a Canadian former professional ice hockey defenceman.

Binns played three seasons (1991 – 1994) of major junior hockey in the Ontario Hockey League, scoring 3 goals and 19 assists for 22 points while earning 260 penalty minutes in 168 games played.

Binns went on to play ten seasons years of professional hockey, retiring after the 2003–04 season spent with the Lubbock Cotton Kings of the Central Hockey League.

Following his playing career, Binns settled in Midland, Texas, where he is now a fireman with the Midland Fire Department.

Career statistics

References

External links

1974 births
Living people
Belleville Bulls players
Canadian ice hockey defencemen
Chicago Wolves (IHL) players
Columbus Chill players
Lubbock Cotton Kings players
Mobile Mysticks players
Newcastle Jesters players
Owen Sound Platers players
Tulsa Oilers (1992–present) players
Windsor Spitfires players
Ice hockey people from Ottawa
Canadian expatriate ice hockey players in the United States
Sadan may refer to:
Sədan, a village and municipality in Azerbaijan
Sadan, Burma, a village in Kani Township
Sadan, Iran, a village in Golestan Province, Iran
Sadan, South Khorasan, a village in South Khorasan Province, Iran
Sadan peoples, Indo-Aryan ethnic groups in India
Sadanic languages, languages of these people
Nagpuria people or Sadan, ethnic group of Jharkhand, India
Sadani or Sadri language, Indo-Aryan language spoken by the ethnic group

See also
Sadri (disambiguation)
Sadr (disambiguation)
In Apple Macintosh computer programming, Component Manager was one of many approaches to sharing code that originated on the pre-PowerPC Macintosh. It was originally introduced as part of QuickTime, which remained the part of the classic Mac OS that used it most heavily.

Technical details 
A component was a piece of code that provided various functions that may be invoked by clients. Each function was identified by a signed 16-bit integer ID code. Non-positive codes were reserved for predefined functions that should be understood by all components—open/close a component instance, query whether a function was supported, etc. The meanings of positive function codes depended on the type of component.

A component instance was created by opening a component. This called the component's open function to allocate and initialize any necessary storage for the instance. Closing the instance got rid of this storage and invalidated all references to that instance.

Components and component instances were referenced by 32-bit values that were not pointers. Instead, they were interpreted as keys into internal Component Manager tables. These references were generated in such a way that, once they became invalid, those values were unlikely to become valid again for a long time. This minimized the chance of obscure bugs due to dangling references.

Components were identified by OSType codes giving their type, subtype and "manufacturer". For instance, a component type might be "raster image compressor", subtypes of which might exist for JPEG, H.261, Sorenson, and Intel Indeo, among others. It was possible to have multiple components registered with exactly the same identification codes, giving alternative implementations of the same algorithm for example using hardware versus software, trading off speed versus quality, or other criteria. It was possible for the applications to query the existence of such alternatives and make explicit choices between them, or let the system choose a default.

Among the options available, a component could delegate parts of its functions to another component as a form of subclassing for code reuse. It was also possible for one component to capture another, which meant that all accesses to the captured component had to go through the capturing one.

Mac OS Components 

Mac OS accumulated a great variety of component types:
 Within QuickTime, there were image codecs, media handlers, media data handlers, video digitizer drivers, file format importers and exporters, and many others.
 The Sound Manager moved to a predominantly component-based architecture in version 3.0: sound output devices were represented as components, and there were also component types for mixing multiple channels, converting between different sample rates and sample sizes, and encoding and decoding compressed formats.
 AppleScript introduced the concept of scripting languages implemented as components.
 ColorSync implemented different colour-matching methods as components.
 QuickDraw GX "font scalers" were renderers for the different font formats.

References

Macintosh operating systems development
Component-based software engineering
Bierman or Biermann is a surname.  The genealogy of the Dutch family Bierman is published in the Nederland's Patriciaat (in Dutch)

Notable people with surname Bierman or Biermann:

Adolph Biermann (1842–1914), American politician
Bernie Bierman (1894–1977), American college football coach
Bernie Bierman (1908–2012), American Tin Pan Alley composer
Charlie Bierman (1845–1879), American baseball player
Fred Biermann (1884–1968), U.S. Representative from Iowa
Hugo Biermann (1916–2012), South African military commander
Kroy Biermann (born 1985), American football player for the Atlanta Falcons
Ludwig Biermann (1907–1986), German astronomer
Nick Bierman (1910–1977), South African military commander
Robert Bierman, British film and television director
Ronnie Bierman (1938–1984), Dutch film and television actress
Wolf Biermann (born 1936), German singer and songwriter

See also
 Biermans, a defunct Belgian printing company
 Birman (disambiguation), a similar surname
TR6 may refer to:
Triumph TR6, a British sports car
Triumph TR6 Trophy, a British motorcycle
Tomb Raider: The Angel of Darkness, the sixth video game in the Tomb Raider series
Travan TR-6, the sixth generation of the Travan mass storage magnetic tape computer backup cartridge
 TR6, a postal district in the TR postcode area
"I Do" is the second single from British R&B artist Jamelia. "I Do" was the first single from her debut album Drama and was her first UK top 40 hit, peaking at number 36 on the UK Singles Chart. The Spanish Mix has Slum Village rapping on it as well as a UK rapper named Dubwise (Junior Williams). The track was originally remixed with only Dubwise rapping.

Track listing
 "I Do" (radio mix)
 "I Do" (Raw Soul remix)
 "I Do" (Capital T mix – single edit)
 "I Do" (Rugged Tuff mix)
 "I Do" (Spanish mix; featuring Slum Village)
 "I Do" (Enhanced section – including video and photographs)

Charts

References

1999 singles
Jamelia songs
Songs written by Jamelia
1999 songs
Parlophone singles
Songs written by Colin Emmanuel
Songs written by Daniel de Bourg
Genia Berger (1907–2000) was an Israeli artist, born in the Russian Empire.

Biography 
Genia Berger was born in Kharkov in 1907 to a traditional and Zionist family. In 1925 she moved to Germany, where she studied art. In 1926 she immigrated to Palestine and began to simultaneously study architecture at the Technion Montefiore and painting in Yitchak Frankel's studio in Tel Aviv. In the end of 1929, she returned to Berlin, where she began to study painting and set design at the Academy of Fine Arts. In 1933, she returned to Palestine and began to make a living by designing stage sets. From 1935 to 1937 she resided in Paris, France. In 1953 she became one of the founders of the artists' village of Ein Hod in Northern Israel.

Berger's early work, influenced by French art, was in the post-impressionist painting style. Nonetheless, between the ages of 40 and 60, she focused mainly on theater set design for theater and the opera theater in Israel. Her designs were influenced considerably by Russian Modernist decorative art. Her works include set design for "The King Solomon and the Cobbler" (Ohel Theater, 1943), "Bar Kokhba" (Ohel Theater, 1945), "Khovanshchina" (Israel National Opera, 1952), "Kazmirov Brothers" (Habima, 1956) and more. In the 1950s, Berger returned to painting and began sculpting and creating ceramic reliefs. Her works are characterized by a decorative aspect.

Gallery

Education 
 Sculpture under Leonardo Bloch, Cracow, Russian Empire.
 1925 Painting, State Academy of Fine Arts, Berlin
 1926 Architecture, Montefiore Technion, Tel Aviv
 1926 Painting with Yitzhak Frenkel, Tel Aviv
 1930–1933 State Academy of Fine Arts, Berlin, under Willi Jaekel and Karl Hofer
 1935–1937 Post-graduate studies, Académie de la Grande Chaumière, Paris, France

Awards and recognition
 1986 General Workers' Union Prize, Israel
 The Golomb House Award, The Artists' Village, Ein Hod
 1971 Ministry of Education, Culture and Sport
 1984 Association of Designers in Israel

See also
 Visual arts in Israel
 Yehuda Gabai, "Her Grandmother Babushka", Tel Aviv 1996, Hebrew
 A.D. Shafir, "Theater Works, a collection of works by Genia Berger", Shafir Publishing House, 1994, Hebrew

References

Berger, Genia. Genia Berger. Tel Aviv: United Artists Ltd., 1977
Art Gallery 31. Genia Berger: Paintings 1994–1999. Tel Aviv: Art Gallery 31, 1999
Zach, Natan, ed. Genia Berger – Ceramic Sculpture. Tel Aviv: Graphica Omanim, 1998
Zach, Natan, ed. Genia Berger – Works for the Theatre. Tel Aviv: Genia Berger, 1994

External links 
 
 Genia Berger – The Ein Hod Artist Site
 Israel Zafrir Photographer Archive, The Information Center for Israeli Art, The Israel Museum: Genia Berger
 

1907 births
2000 deaths
20th-century Israeli women artists
20th-century Israeli painters
Israeli ceramists
Israeli women painters
20th-century ceramists
Israeli women ceramists
Burials at Nahalat Yitzhak Cemetery
Soviet emigrants to Mandatory Palestine
Queensmead School Windsor was a Catholic non-selective private day school for boys and girls aged 2 to 18 in Windsor, Berkshire, England, located at the edge of Windsor Great Park. Despite its religious affiliation, the school accepted pupils of all faiths. The school was closed on 31 January 2019 after attempts to sell it to an overseas education provider were unsuccessful.

History
The Brigidine Sisters established a convent and school at Windsor in 1948, the second such founded by the order in England and Wales. Queensmead, the Victorian bricked mansion the Sisters moved into, remained  one of the school's main buildings. The school became run by lay staff but retained its Catholic ethos and religious character.

During the early 2000s, the school experienced financial difficulties; pupil and staff numbers declined and the school was threatened with closure. In 2011 parents and governors discussed a possibility of the school entering the state sector but an agreement could not be reached.

In 2012, further funding was secured and the school remained open and independent.

In 2018 it was renamed from Brigidine to Queensmead.

Closure
After years of financial difficulties, the school closed permanently on 31 January 2019.

At the time of closure, the Head of Education was Simon Larter, and the Head of Business Affairs Dawn Fleming.

Alumni
Tamara Mellon, fashion designer
Susan Sheridan, actress

See also
 Catholic Church in England

References

External links
Official website
Ofsted Report 2009 (as Brigidine School)
Profile on the ISC website

Girls' schools in Berkshire
Educational institutions established in 1948
Defunct schools in the Royal Borough of Windsor and Maidenhead
Educational institutions disestablished in 2019
Defunct Catholic schools in the Diocese of Portsmouth
1948 establishments in England
Brigidine schools
2019 disestablishments in England
Elisabetta Di Prisco (born 26 March 1950) is a former Italian politician. She was a member of the Chamber of Deputies for the Italian Communist Party and the Democratic Party of the Left between 1987 and 1994.

Early life 
Di Prisco was born on 26 March 1950 in Verona, Italy. She worked as a lecturer at the Academy of Fine Arts, Verona and as a scene painter. She served as the head of the women's committee and a member of the regional committee for the Italian Communist Party (PCI).

Political career 
She was elected to the Chamber of Deputies in the 1987 general election on 2 July 1987 as a representative for Verona-Padua-Vicenza-Rovigo. She served as a member on the committee for culture, science and teaching.

She was re-elected in the 1992 general election on 21 April 1992 as a member for the Democratic Party of the Left (PDS). She served as secretary of the Parliamentary Commission for the General Address and Supervision of the Radio and Television Services and as a member of the education commission. She left office on 14 April 1994.

External links

References 

Living people
1950 births
People from Verona
Deputies of Legislature XI of Italy
Deputies of Legislature X of Italy
Democratic Party of the Left politicians
Italian Communist Party politicians
20th-century Italian women politicians
Harry Richardson (born 3 March 1993) is an Australian actor, best known for his roles as Drake Carne in Poldark and Frank Gresham in Doctor Thorne. He currently portrays Larry Russell in HBO's The Gilded Age.

Early life and career 
Richardson was born in Sydney, Australia, before moving to London at the age of two. At the age of 12, he then went back to Australia for high school at Sydney Grammar School, where he discovered his love for acting, and then returned to the UK when he was 18. He then did a short course at the Royal Academy of Dramatic Art in London, before enrolling at the Western Australian Academy of Performing Arts in Perth in 2012 Before graduating from WAAPA in 2014, Richardson took a course with Ivana Chubbuck at the 16th Street Acting School in Melbourne.

Richardson's first film was Looking for Grace in which he stars as Jamie. He auditioned for the role of Frank Gresham in the TV series Doctor Thorne when visiting family in London and attended "an audition in the morning before [his] flight back to Australia". He then starred in Poldark, from the third season onward, as Drake Carne. Richardson dated fellow Poldark actor Eleanor Tomlinson for around one year, until they broke up in June 2018. He appeared in the 2017 film Dunkirk "for a second", but described the experience as a "teaser to a dream that I want to actualize". In 2019, he starred in the Australian TV series Total Control as Senator Irving's Adviser Jonathan Cosgrove. He currently portrays Larry Russell in HBO's The Gilded Age.

Filmography

Film

Television

Radio

Theatre

References

External links 

 Agent profile website page
 

1993 births
Living people
Australian male film actors
21st-century Australian actors
Australian male television actors
Western Australian Academy of Performing Arts alumni
Male actors from Sydney
Devisthan is the name of several towns and villages in Nepal:

Devisthan, Achham
Devisthan, Baglung
Devisthan, Khotang
Devisthan, Myagdi
Devisthan, Parbat
The 1961–62 Turkish National League was the fourth season of professional football in Turkey. The league consisted of 20 clubs, with Galatasaray winning their first title.

Overview
Galatasaray won their first league title after previously finishing second place two times and third in 1959–60. The club qualified for the European Cup, while runners-up Fenerbahçe qualified for the Balkans Cup. Beşiktaş rounded out the top-three, while Altay were the other European representative, earning qualification to the Inter-Cities Fairs Cup. Fikri Elma of finished top scorer of the league, scoring 22 of Ankara Demirspor's 42 goals as they finished last in the league.

Hacettepe and Beyoğluspor were promoted to the 1962–63 Milli Lig, while no clubs were relegated. Before the start of the season, it was decided only one club would be promoted from the Baraj Games in order to cut down the number of competing clubs from 20 to 18. However, after the Baraj Games, cities boycotted for their clubs to remain in the Milli Lig, and Prime Minister İsmet İnönü asked the Turkish Football Federation to allow these clubs to compete. The TFF allowed for five clubs – three already participating and two promoted from the regional leagues – to compete in the 1962–63 season. The TFF decided to create a second division the following season.

Final league table

Results

Baraj Games

References

Turkish National League
1961–62 in Turkish football
Turkey
Ear Magazine was a monthly music magazine devoted to new music.  The magazine was in circulation between 1973 and 1991. It often dealt with musical applications of feminism, politics, and the environment.  It was also notable for its extensive listings of new music events in the Bay Area, and later, New York.

History
Ear Magazine began as a volunteer-based effort in the Bay Area in 1973.  It was first edited by Charles Shere and published by Ann Kish, though Beth Anderson became the principal editor by the fifth issue in May 1973.  It was originally meant to provide a balance between traditional classical music and contemporary music.  Originally published on newsprint, yet still referred to as a magazine, early Ear was notable for its extensive concert listings and for its promise to publish at least one new musical score in each issue.  Several important composers, including Lou Harrison, Beth Anderson, and Gene Tyranny, among others, contributed new scores to early issues.  Over time, Ear began focusing almost exclusively on new music with special attention being paid to Bay Area composers.  As it was originally conceived of as a local magazine, it was primarily circulated at Bay Area concerts and at local booksellers.

Move to New York 
In 1975, Beth Anderson, moved to Brooklyn, NY and began publishing a version of Ear in New York, initially co-edited by Laurie Spiegel and Richard Hayman.  Two Ears existed at this point until the California publication ended in the 1980s.  In 1976, Ear began to be published by the "New Wilderness Foundation," a not-for-profit organization and began to be published in tabloid format. Valerie Samson became an editor in 1977. Anderson left the magazine at 1978, at which point R.I.P. Hayman took the position of editor.  Starting in 1980, Ear began publishing themed issues, with occasional guest editors who were experts in the field. Helen Thorington served as its Radio Editor from 1987—1989; Thorington, Regine Beyer and Gregory Whitehead, co-edited the EAR Supplement, Festival for a New Radio in 1987. In 1989, the format was again changed to glossy 8 1/2 x 11.  The magazine at this point was notable for its contributions from and exclusive interviews with a diverse array of notable contemporary composers and musicians, including Pauline Oliveros, Terry Riley, and Queen Latifah.

Final run 
In 1990, Ear received sponsorship from Absolut Vodka. As part of its advertising campaign, Absolut helped to produce a series of CDs to supplement the articles in the magazine, which was a very popular campaign which doubled its subscriptions. In order to support the increased costs of production, Ear put on a benefit concert, which lost money. Additionally, Ear's printer declared bankruptcy. The final issue was a 1991 Fall Supplement.

References

Defunct magazines published in the United States
Magazines established in 1973
Magazines disestablished in 1991
Magazines published in New York City
Magazines published in the San Francisco Bay Area
Monthly magazines published in the United States
Music magazines published in the United States
Cyperus simplex is a species of sedge that is native to southern parts of North America, Central America and northern parts of South America.

The species was first formally described by the botanist Carl Sigismund Kunth in 1816.

See also
 List of Cyperus species

References

simplex
Plants described in 1816
Taxa named by Carl Sigismund Kunth
Flora of Bolivia
Flora of Brazil
Flora of Colombia
Flora of Costa Rica
Flora of Ecuador
Flora of El Salvador
Flora of Mexico
Flora of Guatemala
Flora of Guyana
Flora of Honduras
Flora of Nicaragua
Flora of Panama
Flora of Suriname
Flora of Peru
Flora of Venezuela