Samantha912/NLP_A2_WTH huggingface dataset:
Brindabellaspis stensioi ("Erik Stensiö's Brindabella Ranges Shield") is a placoderm with a flat, platypus-like snout from the Early Devonian of the Taemas-Wee Jasper reef in Australia. When it was first discovered in 1980, it was originally regarded as a Weejasperaspid acanthothoracid due to anatomical similarities with the other species found at the reef.

According to Philippe Janvier, anatomical similarities of B. stensiois brain and braincase with those of jawless fish, such as the Osteostraci and the Galeaspida, strongly suggest that B. stensioi, and also the antiarchs, are basal placoderms closest to the ancestral placoderm.

References

Young, Gavin C. 1980, A new Early Devonian placoderm from New South Wales, Australia, with a discussion of placoderm phylogeny: Palaeontographica 167A pp. 10–76. 2 pl., 27 fig.
 Janvier, Philippe. Early Vertebrates Oxford, New York: Oxford University Press, 1998. 
 Long, John A. The Rise of Fishes: 500 Million Years of Evolution' Baltimore: The Johns Hopkins University Press, 1996.

External links
 Palaeos article on B. stensioi 

Placoderm genera
Early Devonian fish
Devonian placoderms
Placoderms of Australia
Franz Xaver Pecháček (4 July 1793 in Vienna – 15 September 1840 in Karlsruhe) was an Austrian-German violin virtuoso and composer of Bohemian origin. Besides polonaises, variations, Rondos and potpourris for violin and orchestra, he composed two string quartets and the Adagio et Polonaise for clarinet and orchestra.

Biography
Franz Pecháček was a very gifted student and already at a very early age performed as a soloist. He was trained by his father František Martin Pecháček and by Ignaz Schuppanzigh and Emanuel Aloys Förster. When he was six he performed before the imperial court and in 1803 he went publicly with his father for the first time to Prague, where he was received with great success, thus gaining his reputation as a child prodigy. Other musical education he acquired in Vienna, where he studied composition with Förster.

From 1809 to 1822 he was a violinist at the Theater an der Wien, first as a concertmaster and later as a second conductor. In 1818 he was appointed first violinist of the Hanoverian court orchestra. Guest performance tours took him further to Dresden and Leipzig, and from 1824 to 1825 the cities of southern Germany. He also became concertmaster of the court orchestra in Stuttgart from 1822 until 1826, being appointed as concertmaster of the Grand Duke of Baden Karlsruhe court orchestra in 1827, where he worked until 15 September 1840. In 1832 he made a trip to Paris, but there the expected success did not come. Parisians saw in his play an imitation of Niccolo Paganini and, as a result of his strenuous concerts, he was only a disappointment.

As a violinist and composer Pecháček was very esteemed, writing works almost exclusively for solo violin with accompaniment. As a virtuoso, however, he never defined himself as such. He composed about 40 works. These are short pieces for violin and orchestra, dances and variations.

Works
Deuxie (1822)
Grand Quatuor for two Violins, Viola and Violoncello, Op. 4 (1818)
Quatuor brillant for two Violins, Viola and Violoncello, Op. 7
Variations on Schubert's German Dance D365 No. 2 Trauerwalzer, Op. 9
Adagio et Polonaise for Piano four-hands, Op. 14
First concertino for Violin with accompaniment of Orchestra, Op. 16 (1826)
Variations sur un theme hongrois for Violin with Orchestra or two Violins, Viola and Violoncello, Op. 17 (1834)
Polonaise for Violin with Orchestra accompaniment, Op. 18 (1826)
Divertissement for Solo Violin with accompaniment of Orchestra or two Violins, Viola and Violoncello, Op. 20 (1826)
Introduction and Brilliant Variations on a Favorite Air for Violin with accompaniment for Pianoforte, Op. 28 (1845)

See also
List of composers by name

References

Attribution
This article is based on the translation of the corresponding article on the German Wikipedia. A list of contributors can be found there at the History section.

External links

1793 births
1840 deaths
Austrian violinists
Male violinists
Austrian Romantic composers
Musicians from Vienna
19th-century classical composers
Austrian male classical composers
19th-century male musicians
Francisco Diego Díaz de Quintanilla y de Hevía y Valdés, O.S.B. (4 October 1587 – 6 December 1656) was a Roman Catholic prelate who served as Bishop of Antequera, Oaxaca (1655–1656) and Bishop of Durango (1639–1655).

Biography
Francisco Diego Díaz de Quintanilla y de Hevía y Valdés was born in Oviedo, Spain on 4 October 1587 and ordained a priest in the Order of Saint Benedict.
On 8 August 1639, he was appointed during the papacy of Pope Urban VIII as Bishop of Durango.
On 8 January 1640, he was consecrated bishop by Juan de Palafox y Mendoza, Bishop of Tlaxcala, with Cristóbal Pérez Lazarraga y Maneli Viana, Bishop of Chiapas, and Mauro Diego de Tovar y Valle Maldonado, Bishop of Caracas, serving as co-consecrators. 
On 14 May 1655, he was appointed during the papacy of Pope Alexander VII as Bishop of Antequera, Oaxaca.
He served as Bishop of Antequera, Oaxaca until his death on 6 December 1656.

While bishop, he was the principal consecrator of Pedro de Barrientos Lomelin, Bishop of Durango (1656); and Juan de Montiel, Bishop of Santiago de Cuba (1656).

References

External links and additional sources
 (for Chronology of Bishops) 
 (for Chronology of Bishops) 
 (for Chronology of Bishops) 
 (for Chronology of Bishops) 

17th-century Roman Catholic bishops in Mexico
Bishops appointed by Pope Urban VIII
Bishops appointed by Pope Alexander VII
1587 births
1656 deaths
Benedictine bishops
Lilian Andrews ( Lilian Rusbridge; 2 August 1878 – 1962) was a British artist who specialised in creating paintings of birds and animals.

Biography
Andrews was born in Brighton, where her father was an inventor and engineer, and where she studied at the Brighton School of Art and won a bronze medal for design. Awarded an Art Masters' Teaching Certificate, Andrews was teaching art by the age of twenty-two.

Working in pastels and watercolours Andrews painted landscapes and depicted birds and animals. Andrews had solo exhibitions in Leeds, Bradford, Newcastle upon Tyne and in Bournemouth and Brighton. Between 1912 and 1960 she exhibited some 39 pictures at the Royal Academy in London, the majority of which were bird paintings. She also exhibited with the Royal Scottish Academy during 1954 and 1955 and, in 1952, with the Royal Glasgow Institute of the Fine Arts and at the Paris Salon. For a time Andrews taught at the Brighton College of Art but after her marriage to Douglas Sharpus Andrews in 1910, the principal of Leeds School of Art, she also lived in Leeds, Sheffield, Bath and, latterly, London. The Laing Art Gallery in Newcastle upon Tyne, Leeds Art Gallery and Nottingham Art Gallery all hold examples of Andrews' paintings.

References

1878 births
1960s deaths
20th-century English women artists
Alumni of the University of Brighton
Artists from Brighton
English women painters
Edgemont Park may refer to:

Edgemont Park, Michigan 
Edgemont Park, Montclair, New Jersey
Edgemont Park, Alabama in Jefferson County, Alabama

See also
 Edgemont (disambiguation)
Justice Elliott may refer to:

Byron Elliott (1835–1913), associate justice of the Indiana Supreme Court
Charles B. Elliott (1861–1935), associate justice of the Minnesota Supreme Court
Jehu Elliott (1813–1876), associate justice of the Indiana Supreme Court
Victor A. Elliott (1839–1899), associate justice of the Colorado Supreme Court

See also
Judge Elliott (disambiguation)
Justice Ellett (disambiguation)
Ashgill is a village in South Lanarkshire, Scotland near Larkhall. It is part of the Dalserf parish. The village church dates back to 1889 

The village has a shop and a Post Office. The village had a small William Low supermarket until 1996.

The local school was first in Scotland to have an automated bell, installed in 1947.

Famous residents 
Jim McLean Scottish football player

John Anderson TV personality (until 1992)

References

Villages in South Lanarkshire
was an educator, mathematician and politician in Meiji period Japan. He was the twelfth head of Gakushūin Peers’ School, and an early Japanese Scouting notable.

Biography 
Hōjō was born as the second son of a samurai retainer of the Maeda clan of Kanazawa Domain, (now Kanazawa City, Ishikawa Prefecture. His family claimed descent from the famous Hōjō family of Kamakura. His name as a child was .

In 1885, Hōjō graduated from the Mathematics Department, Science Faculty of Tokyo Imperial University. He was hired as a teacher at Ishikawa Prefectural Technical School in his home town of Kanazawa, but returned to Tokyo in 1888 to attend the graduate school of Tokyo Imperial University. In 1894, he became deputy principal of Yamaguchi High School in Yamaguchi Prefecture, becoming principal of the same school in 1896. However, in 1898, he was transferred to assume the job of principal of Ishikawa Prefecture Technical School, which had by that time been renamed the Fourth High School. He then transferred in 1902 to become first principal of Hiroshima Normal High School (now Hiroshima University).

In 1908, Hōjō attended an international conference on morality in London, England, at the request of Japanese Minister of Culture, . One of the reasons for his trip was to conduct a survey of the British Scouting organization, and its applicability towards furthering the Japanese government's program of instilling moral education in schools. He returned to Japan with Scout uniforms and documents on Scouting, and took an active role in promoting the Japanese Scouting movement in Hiroshima and elsewhere in Japan.
In 1913, Hōjō was appointed head of Tohoku Imperial University. He became head of the Gakushūin Peers's School in 1917.

In 1920, Hōjō became an advisor to the Imperial Court, and was appointed a member of the House of Peers of the Diet of Japan.

On April 27, 1929, he died of liver cancer, aged 71.

See also

Sources 
Much of this article was translated from the equivalent article in the Japanese Wikipedia, as referenced on December 23, 2008.

Hōjō clan
Members of the House of Peers (Japan)
Heads of schools in Japan
19th-century Japanese mathematicians
20th-century Japanese mathematicians
University of Tokyo alumni
Scouting in Japan
1858 births
1929 deaths
Scouting pioneers
People from Kanazawa, Ishikawa
People of Meiji-period Japan
Deaths from cancer in Japan
Deaths from liver cancer
Tohoku University
Academic staff of Hiroshima University
Payoyo may refer to:
The demonym for Villaluenga del Rosario, Spain
Payoyo cheese
Payoya goat
Kimberley was an electoral district of the Legislative Council of Western Australia from 1887 to 1890, during the period when the Legislative Council was the sole chamber of the Parliament of Western Australia.

Kimberley was created by the Legislative Council Act Amendment Act 1886 (50 Vict. No. 10), comprising the territory above 19° 30′ S which had previously belonged to the North District. Almost all of the territory of the present-day Kimberley region fell within its bounds. Kimberley was the last district to be created before the council's reconstitution in 1890.

Alexander Forrest (the brother of Sir John Forrest, the first Premier of Western Australia) was the only man elected to represent Kimberley in the Legislative Council. He went on to serve in the Legislative Assembly after the advent of responsible government in 1890, representing the seat of West Kimberley.

Members

References

 

Kimberley
1887 establishments in Australia
1890 disestablishments in Australia
Constituencies established in 1887
Constituencies disestablished in 1890
Electoral district
Gajewo may refer to the following places:
Gajewo, Czarnków-Trzcianka County in Greater Poland Voivodeship (west-central Poland)
Gajewo, Śrem County in Greater Poland Voivodeship (west-central Poland)
Gajewo, Golub-Dobrzyń County in Kuyavian-Pomeranian Voivodeship (north-central Poland)
Gajewo, Lubusz Voivodeship (west Poland)
Gajewo, Pomeranian Voivodeship (north Poland)
Gajewo, Warmian-Masurian Voivodeship (north Poland)
Gajewo, Drawsko County in West Pomeranian Voivodeship (north-west Poland)
Gajewo, Koszalin County in West Pomeranian Voivodeship (north-west Poland)
The name Artemidoros or Artemidorus () may refer to:

 Artemidorus Aristophanius, , ancient Greek grammarian
 Artemidorus of Ascalon, ancient historian who wrote on Bithynia
 Artemidorus Ephesius, (fl. 100 BCE), geographer from Ephesus
 Artemidoros Aniketos (c. 100–80 BCE), Indo-Greek king
 Artemidorus Daldianus, also known as Artemidoros Ephesios (2nd century CE), diviner and author of the Oneirocritica (Interpretation of Dreams)
 Artemidorus of Knidos (fl. 100 BCE), historical figure from Knidos
 Artemidorus of Megara, a philosopher, who, according to Diogenes Laertius in his Lives and Opinions of Eminent Philosophers (9.53) wrote a work against Chrysippus
 Artemidorus, a philosopher who was the son-in-law of the philosopher Gaius Musonius Rufus, was a friend of Pliny the Younger, one of whose letters (3.11) is full of his praise for Artemidorus.
 Artemidorus of Parion was an astronomer whose views were described by Seneca the Younger in his Naturales quaestiones (1.4, 7.13)
 Artemidorus of Tarsus, an ancient grammarian whose works are sometimes confused with those of Artemidorus Aristophanius
 Artemidorus of Tralles, victor of the 69 CE Olympic games at the Pankration
 Artemidorus of Thyateira, winner of the Stadion race at the 193rd Olympiad in 8 BCE
Sir Frederick Chalmers Bourne,  (12 August 1891 – 3 November 1977) was an English colonial administrator who served in British India until 1947 and then in the new Dominion of Pakistan until 1950.

Early life 

Frederick Chalmers Bourne was born on 12 August 1891. He studied in Rugby and finished his master's degree in Christ Church, Oxford. His father was Frederick Samuel Augustus Bourne, a British consular official in China and later Judge of the British Supreme Court for China and Japan.

Career 

Bourne was commissioned into the British Army in 1910, and served in the Queen's Own Royal West Kent Regiment. In 1920, he joined the Indian Civil Service and held several prominent positions in the administrations of Lahore and the Punjab between 1937 and 1945.

He was appointed acting Governor of the Central Provinces and Berar from May to October 1945, and as the acting Governor of Assam in 1946.

He became the last Governor of the Central Provinces and Berar in 1946, serving until independence of India on 15 August 1947. Bourne then became the first Governor of Pakistan's East Bengal, and served until 5 April 1950.

References

External links 

Sir Frederick Chalmers Bourne at the National Portrait Gallery, London
Frederick Chalmers Bourne in the National Archives

|-

1891 births
1977 deaths
Knights Commander of the Order of the Star of India
People from Kent
Alumni of Christ Church, Oxford
Governors of East Pakistan
British expatriates in Pakistan
Indian Civil Service (British India) officers
Companions of the Order of the Indian Empire
British people in colonial India
The Colonial Theater is a historic movie theater at 139 Water Street in downtown Augusta, Maine.  Built in 1913 and rebuilt after a fire in 1926, it is a fine example of Beaux Arts architecture, with features presaging the Art Deco movement.  It is the last surviving movie theater building in downtown Augusta.  It was listed on the National Register of Historic Places in 2014, at which time had been standing vacant for many years.

Description and history
The Colonial Theater stands near the northern end of Water Street, Augusta's principal commercial downtown thoroughfare.  It stands on the east side of the street, just south of the junction with Commercial Street, with the Kennebec River at its rear.  It is a large rectangular two-story masonry building, constructed out of brick, with a flat roof and a concrete foundation.  Its main facade is seven bays wide, divided into five sections separated by brick piers.  The outer sections have secondary exits on the ground floor, while the center section has three bays, each of which has a main entrance on the ground level.  The upper level bays have sash windows with granite sills, with all but the outer bays also having keystones above.  The center three bays are topped by a decorative parapet.  The interior of the retains a significant amount of original material, but has deteriorated in a number of places due to damage by water and wildlife that has gained entry in its long period of vacancy.

The theater was built in 1913 to a design by Harry S. Coombs, then one of the state's leading architects.  It is the last of downtown Augusta's theaters to stand, and is unusual in the downtown for its Beaux Arts and Georgian Revival features, along with features that hint at the later Art Deco style.  The building was extensively damaged by fire in 1926, and rebuilt, making modest alterations that accentuated the emerging Art Deco features.  The theater's early history included the showing of silent movies with live orchestral accompaniment; the stage was eventually extended over the orchestra pit.  It was the site that premiered silent films produced by Maine native Holman Francis Day (now apparently lost).  It had a nominal seating capacity of about 1200.  It was one of two theaters built on Water Street; the other burned down in 1983.

See also
 National Register of Historic Places listings in Kennebec County, Maine

External links
Recent photographs of the Colonial Theater

References

Theatres on the National Register of Historic Places in Maine
Theatres completed in 1913
National Register of Historic Places in Augusta, Maine
Buildings and structures in Augusta, Maine
"Last Romance" is a song by Australian singer songwriter Mark Holden. It was released in November 1976 as the third and final single from Holden's second studio album, Let Me Love You (1976). The song was a commercial success peaking at number 11 on the Kent Music Report.

Track listing
7"/ Cassette (EMI 11304)
Side A
 "Last Romance" - 2:50

Side B
 "Hurricane Rider" - 3:37

Charts

Weekly charts

Year-end charts

References

1976 songs
Mark Holden songs
1976 singles
Pop ballads
Joan of Arc () is a 1935 German historical drama film directed by Gustav Ucicky and starring Angela Salloker, Gustaf Gründgens and Heinrich George. It depicts the life of Joan of Arc, and is the first female embodiment of the Nazi Führer figure in film. The press in Germany and abroad detected direct parallels between the presentation of France in 1429 and the situation in Germany in 1935.

It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig.

Cast

Reception
Writing for The Spectator in 1935, British writer Graham Greene criticized the film for historical inaccuracies (like Joan's rescue of Charles VII at Orléans rather than meeting at Chinon), as well as for what he called its "Nazi psychology" (including the "heavily underlined" political parallels between the June 30 purge and that of Trémoille, and between the Reichstag fire and the execution of Joan in Rouen). Greene described the overall effect to be dull and noisy, and described the direction as "terribly sincere, conveying a kind of blond and shaven admiration for poor lonely dictators who have been forced to eliminate their allies."

References

External links

1930s historical drama films
German historical drama films
Films of Nazi Germany
Films directed by Gustav Ucicky
Films about Joan of Arc
UFA GmbH films
Films shot at Babelsberg Studios
German black-and-white films
1935 drama films
1930s German films
1930s German-language films
The Lithuanian Aviation Museum is located in Kaunas, Lithuania. The museum was officially opened in 1983. The permanent collection of the museum contains more than 18 000 displays of different fields of technology. The major part of the collection is dedicated to the history of aviation in Lithuania. It includes about 40 flying machines, models of airplanes, flyers, gliders and helicopters of various times, and designed during the Interwar period of Lithuania first combat aircraft the ANBO I by General Antanas Gustaitis.

The museum is located at the airfield where the aviators Darius and Girėnas were expected to land following their trans-atlantic flight.  However, the remains of their plane are on display in the Vytautas the Great War Museum, rather than at the aviation museum.

The museum organizes exhibitions, exchanges publications with aviation museums, historians in different countries of the world.

Exhibits

References

Museums in Kaunas
Aerospace museums
Fightin' Air Force was a bimonthly war comic  published by Charlton Comics from 1956 to 1966. Telling fictional stories of American military pilots, it was a sister title of the other Charlton war comics Fightin' Army, Fightin' Marines, and Fightin' Navy.

Regular contributors to Fightin' Air Force included Dick Giordano (who illustrated many early covers), Sam Glanzman, Jack Keller, Rocke Mastroserio, Bill Molno, Charles Nicholas, Jack Abel, and inker Vince Alascia. Editor Pat Masulli helmed the book for most of its run.

Publication history 
As with many comic book titles published at the time, Fightin' Air Force did not start with issue number one; it was a renaming of a Charlton war comic called Never Again, which published two issues starting in August 1955.

The first issue of Fightin' Air Force was #3, published in February 1956. Early issues sported the tagline "Jet Aces in Action." Issue #12 (Oct. 1958) was a 100-page special. Fightin' Air Force ceased publication with issue #53, dated Feb./Mar. 1966. Altogether, the title published 51 issues.

Beginning in June 1966, Charlton created a new war title, War and Attack, which took over the numbering of Fightin' Air Force. War and Attack mostly featured infantry stories based during World War II; it published ten issues before it was cancelled with issue #63 (Dec. 1967).

Features 
Most of the stories in Fightin' Air Force take place during World War II, telling tales of American pilots battling the Japanese and the Germans. (Despite the title of the comic, the United States Air Force wasn't formed as a separate branch of the military until 1947, after the conclusion of World War II; before that it was part of the United States Army.) Some issues featured Korean War stories, and a few went back to World War I for material.

Regular text features told true stories of notable aircraft and famous aviation missions.

The title's last four issues (#50–53) hosted a recurring feature called "American Eagle," with art by Charles Nicholas and Vince Alascia. The Eagles — a trio of flyers named "Reb" Folsom, "Hotrock" Hutchins, and "Ugly" Harrison Clymes — battled Baron von Kesselein, the "Flaming Sabre of Hitler," and other World War II villains.

References

Notes

Sources consulted

External links 
 Never Again / Fightin' Air Force / War and Attack cover gallery

Comics magazines published in the United States
War comics
Comics set during World War II
1956 comics debuts
1966 comics endings
Charlton Comics titles
Aviation comics
Defunct American comics
Magazines established in 1956
Magazines disestablished in 1966
This is a list of films which have placed number one at the weekly box office in Australia during 1993. Amounts are in Australian dollars.

Number-one films

Highest-grossing films

References

See also
 List of Australian films - Australian films by year
 Lists of box office number-one films

1993
Australia
1993 in Australian cinema