Samantha912/NLP_A2_WTH huggingface dataset:
Jazz Radio (formerly Fréquence Jazz) is a French radio station dedicated to jazz and soul that started in 1996.

Jazz Radio is based in Lyon, France, and broadcasts with around 45 frequencies throughout France and Monaco.

History
In January 1996 Fréquence Jazz was created by Christophe Mahé (should not be confused with the French singer Christophe Maé) in Lyon on 97.3 MHz and became the first French jazz station broadcasting around the clock.

In August 1996, a Parisian version of Fréquence Jazz was created named Paris Jazz but with different programming. The CSA allowed broadcasting in Paris by sharing broadcast time with Générations on 88.2 MHz, also owned by Espace Group. Paris Jazz broadcast between 14:00 – 19:00 and 23:00 – 07:00. Like Fréquence Jazz in Lyon, its sister station was dedicated entirely to jazz music. In 2002, after six years of activity Paris Jazz stopped broadcasting for unspecified reasons to let Générations 88.2 broadcast all day, seven days a week.

In 2006, Fréquence Jazz started broadcasting in 20 cities under the name Jazz Radio 2.

In 2008, the name Fréquence Jazz and Jazz Radio 2 were changed to become Jazz Radio. Then in June and July 2008, Jazz Radio started broadcasting on 4 new frequencies in the regions Centre and Midi-Pyrénées. In the end of 2008, Jazz Radio continues its extension of frequencies throughout France with 9 new frequencies in the North and East of France.

Since May 2012, Jazz Radio has also been available in Monaco on the 95.7 MHz frequency. In December 2012, the CSA allowed Jazz Radio to start broadcasting on their 45th frequency in Dijon on 106.3 MHz. In January 2013, the CSA allowed the Jazz Radio station to start broadcasting in Paris digitally on RNT (Radio Numérique Terrestre) (DAB+).

Jazz Radio plays mainly jazz and soul but also plays funk, blues, lounge, Latin jazz, bossa nova, groove, swing, and gospel. Jazz Radio is also available over the internet and via satellite.

Broadcasting area
Jazz Radio broadcasts throughout France in frequency modulation (FM) on the following frequencies (in MHz):
 
Aix-en-Provence: 96.2
Alençon: 99.2
Annecy: 99.0
Apt: 107.4
Argentan: 106.8
Arras: 89.4
Aurillac: 99.6
Auxerre: 87.6
Bagnols-sur-Cèze: 105.9
Bastia: 88.7
Besançon: 92.4
Boulogne-sur-Mer: 91.1
Bourges: 93.4
Cahors: 103.4
Calvi: 97.0
Châlons-en-Champagne: 98.4
Chamonix: 94.3
Charleville Mézières: 89.4
Chartres: 94.1
Cherbourg: 104.4
Clermont-Ferrand: 99.4
Courchevel: 100.0
Epernay: 88.3
Gap: 92.4
Ghisonaccia: 88.7
Le Puy en Velay: 105.1
Lisieux: 106.7
Lyon: 97.3
Marseille: 92.8
Monaco: 95.7
Montélimar: 106.6
Narbonne: 102.3
Nogent-le-Rotrou: 93.9
Pamiers: 103.3
Reims: 93.7
Rethel: 93.8
Roanne: 92.9
Saint-Lô: 99.2
Tours: 103.4
Troyes: 94.9
Vienne: 100.9

Logos
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References

External links

 Link to the Jazz Radio internet radio's 

Jazz radio stations in France
Radio stations in France
Mass media in Lyon
Radio stations established in 1996
Edward Wichers (March 25, 1892 – January 1984) was a US chemist and Associate Director of the National Bureau of Standards from 1958-62. He is notable for his work on atomic weights of the elements.

Edward Wichers graduated from Hope College in 1913 and from 1948 to 1958 Wichers headed the Chemistry Division at the National Bureau of Standards. In 1941 he was awarded the Honorary Doctor of Science degree at Hope College commencement. Wichers was assigned to the Manhattan Project at Los Alamos to work on the first atomic bomb, 1944-1945. He headed the International Atomic Weights Commission from 1950–59 and from 1964–69, and was the President of the IUPAC's Inorganic Chemistry Division from 1955-1957.

References 

1892 births
1984 deaths
20th-century American chemists
People from Zeeland, Michigan
People from Montgomery Village, Maryland
Hope College alumni
The Truth Hurts 1985-2000 is a compilation album by Dessau, released on July 28, 2009, by Mausoleum. The album packages tracks from band's first two EPs, four previously unreleased songs produced by Paul Barker, alternate mixes and two live covers of Joy Division and New Order.

Reception
Connexion Bizarre criticized The Truth Hurts 1985-2000 for being a poorly assembled collection and said "it's perfectly passable industrial of a kind that is all but history now, but the thing is, others did it better." Fabryka Music Magazine awarded the collection a perfect rating of four out of four stars.

Track listing

Personnel
Adapted from the liner notes of The Truth Hurts 1985-2000.

Dessau
 John Elliott – vocals (1-3, 5–17), programming (1-10, 12–14), percussion (14, 15), drums (11), piano (15), keyboards (17), production (1, 2, 10, 16, 17), mixing (1, 2, 9, 12)

Additional performers
 Steve Anderson – guitar (5, 7)
 Paul Barker – production (5-8), recording (5-8), mixing (5-8), bass guitar (3, 5, 7, 8), programming (5), guitar (8)
 Robert Benjamin – guitar (1, 2)
 Patrick Benson – drums (15, 17)
 Frank Brodlo – bass guitar (11)
 Clay Brocker – vocals (7)
 Van Christie – production, recording, mixing and programming (3, 4)
 Dave D'eath – bass guitar (1, 2, 16), arrangements (1, 2)
 Kim Ervin Elliott – vocals (14, 15)
 Mike Griffith – saxophone (9), recording (10)
 Lynn Green – percussion (3)
 Tom Gregory – percussion, production, recording and mixing (13)
 Kevin Hamilton – guitar (14)
 James Horn – bass guitar (14)
 Jim Marcus – programming (4)
 Jason McNinch – production, recording, mixing and programming (3, 4)
 Barry Nelson – bass guitar (6, 9, 10)
 Skot Nelson – guitar (11, 13, 15, 17)
 Richard Patrick – guitar (9)
 Mike Orr – guitar (6, 9, 10) vocals (9, 10), bass guitar (13, 15, 17)
 Andy Schmidt – guitar (12)
 Norm Rau – guitar (3, 16), vocals (3)
 Terry Townson – horn (7)
 Jason Williams – keyboards (1, 2)

Production and design
 Art of the Groove – art direction, design
 Tom Der – recording (11, 14, 15), piano (11)
 Robb Earls – recording (5-9, 12), mixing (7, 8, 12), production (9, 12)
 Martin Hannett – production and mixing (14, 15)
 Tom Harding – production, recording and mixing (13)
 Mark McCleerey – recording, mixing and programming (1, 2)
 John Trevethan – mastering, editing, programming (5)
 Rick Will – mixing (10)

Release history

References

External links 
 The Truth Hurts 1985-2000 at Discogs (list of releases)
 The Truth Hurts 1985-2000 at Bandcamp
 The Truth Hurts 1985-2000 at iTunes

2009 compilation albums
Dessau (band) albums
Albums produced by Paul Barker
Albums produced by Martin Hannett
Albums produced by Giles Reaves
WTII Records compilation albums
Paula Sofía Viera (born 25 March 1990) is a Uruguayan futsal player and a footballer who plays as a right back for Peñarol. She has been a member of the Uruguay women's national team.

International career
Viera represented Uruguay at the 2010 South American U-20 Women's Championship. At senior level, she played the 2010 South American Women's Football Championship.

International goals
Scores and results list Uruguay's goal tally first

References 

1990 births
Living people
Women's association football fullbacks
Uruguayan women's footballers
Uruguay women's international footballers
Club Atlético River Plate (Montevideo) players
Peñarol players
Uruguayan women's futsal players
Rustam Dushmanziyar () was a Daylamite aristocrat and the ancestor of the Kakuyid dynasty. His personal name was Rustam, but was known as Dushmanziyar, which is the Daylami version of the Persian word Dushmanzar ("he who brings grief to his enemy").

Biography 
Rustam was the brother of the wife of the Buyid ruler Fakhr al-Dawla, Sayyida Shirin, who was sister, or more likely, the niece of the Bavandid ruler al-Marzuban. Rustam had a son named Muhammad ibn Rustam Dushmanziyar, who would later establish the Kakuyid dynasty of Isfahan.

Rustam, because of his great service to Fakhr al-Dawla, was rewarded with land in Alborz in appreciation of his services. His duty was to protect Ray and northern Jibal against the local leaders from Tabaristan. He later died at an unknown date before 1007, which was the date Muhammad ibn Rustam Dushmanziyar established the Kakuyid dynasty.

References

Sources 

 
 
 
 
 

Daylamites
1000s deaths
Date of birth unknown
Kakuyids
10th-century Iranian people
Buyid generals
Buyid governors
Bavand dynasty
Bearheart: The Heirship Chronicles is a 1990 novel by Gerald Vizenor; it is a revised version of his 1978 debut novel Darkness in Saint Louis Bearheart. The novel is a part of the Native American Renaissance and is considered one of the first Native American novels to introduce a trickster figure into a contemporary setting, even as he drew on trickster traditions from various Native American tribes, such as Nanabozho (Anishinaabe) and Kachina (Pueblo).

The novel follows the adventures of Proude Cedarfair as he leads a group of mixedbloods on a pilgrimage across a postapocalyptic, postindustrial United States that has run out of gas. This novel demonstrates several of Vizenor's key concepts: his use of trickster figures; his use of mixedblood (or "crossblood") Indian characters in a non-tragic way; his version of magical realism—what he calls "mythic verism"; and his conception of "postindian" identity; and his use of parody, as in the way the novel parodies both Chaucer's The Canterbury Tales and Frederick Jackson Turner's "Frontier Thesis".

References

1990 American novels
1978 American novels
Novels by Gerald Vizenor
Native American novels
Novels set in Minnesota
Novels set in New Mexico
1978 debut novels
This article is a list of events in the year 2005 in Chad.

Incumbents
 President: Idriss Déby
 Prime Minister: Moussa Faki (until February 3), Pascal Yoadimnadji (from February 3)

Events

January 

 January 28 - An outbreak of meningitis occurs in a community of refugees from Darfur.

April 

 April 29 - Chad joins the Arab League as an observer state.

August 

 August 12 - 6 of Hissène Habré's close government connections are removed from their positions in the government.
 August 19 - 4,000 refugees from the Central African Republic enter chad, fleeing from violence.

September 

 September 27 - 2005 Chad attacks: 46 people are killed in clashes between Sudanese fighters and the Chadian government.

December
 December 23 - President Déby claims that his country is in a state of war with Sudan following rebel attacks.

References

 
2000s in Chad
Years of the 21st century in Chad
Chad
Chad
The Shareef Show Mubarak Ho (previously The Shareef Show) is a late night Pakistani talk show hosted by Umer Shareef, airing on Geo TV. The show was first aired on 26 October 2009 featuring Ghulam Mustafa Khar as a guest.

The Shareef Show invites celebrity guests from the world of film, television, music, fashion, sport and politics.

References

External links 
 

Geo TV original programming
Pakistani television talk shows
2009 Pakistani television series debuts
Chaetopleura pertusa, the orange hairy chiton, is a species of chitons in the family Chaetopleuridae. It is a marine mollusc. It is endemic to South Africa.

Distribution
This species is found around the South African coast from Saldanha Bay to Kosi Bay, subtidally to at least 20 m.

Description
The orange hairy chiton is a distinctive chiton  with pink or orange mottled valves. The valves have a granular texture and are surrounded by a wide girdle of pink or orange. The girdle has branched bristles and short hairs. The animal may grow up to 50 mm in total length.

Ecology
The orange hairy chiton lives under rocks during the day but emerges at night.

References

Chaetopleuridae
Endemic molluscs of South Africa
Molluscs of Africa
Chitons described in 1847
Neck-through-body (commonly neck-thru or neck-through) is a method of electric guitar construction that combines the instrument's
neck and core of its body into a single unit.  This may be made of a solid piece of wood, or two or more laminated together. The strings, fretboard, pickups and bridge are all mounted on it, with additional body side components (if any) filling out its full shape glued or mechanically attached.  The technique is also used on electric  bass guitars.

Neck-through-body construction is considerably more expensive than the traditional glued set-in neck and least costly bolt-on neck, but less than the rare and difficult "one-piece" fabrication out of a single piece of material.

History 
The first electric bass guitar, the solid-body "Audiovox 736" created by Paul Tutmarc circa 1937, had a neck-through construction.

"The Log", a prototype solid-body guitar built by Les Paul in 1941, can be considered as a forerunner of neck-through designed instrument.  Les Paul built the model using a recycled 4x4 fence post as the neck and body core, and mounted the disassembled parts of an Epiphone and Gibson archtop guitar onto it.  

The 1952-57 Harmony H44 had this construction feature.

In 1956 Rickenbacker was one of the first guitar manufacturers to use the modern variant of this technique, although this was originally restricted exclusively to semi-hollowbody guitars.

Pros and cons 
Neck-through construction is significantly harder to mass-produce than bolt-on or set-in neck constructions and is primarily found on high-end guitars. It is somewhat more common in basses than in guitars. Neck-through construction allows easier access to higher frets, because there is no need for a heel — the thickened area of the neck where it attached to the body. Many musicians   assert that neck-through construction provides greater sustain and allows the instrument to stay in tune longer.

Repairs to the neck are usually expensive and tedious.  In many cases, it is usually easier to remove the old neck completely, either by taking the wings off and putting an entirely new core in, or by converting the guitar to a bolt-on or set neck by creating a heel and affixing the new neck to the core already in place, rather than to try to repair the neck itself. However, thanks to excellent stability and reaction to string tension and pressure, neck-through guitars are often much more sturdy than many other guitars on the market.

Use 
This structure is used by many companies, including Parker Guitars, BC Rich, Yamaha, Cort Guitars, Ibanez (primarily on basses), Jackson, Alembic, Schecter, Carvin, ESP Guitars, and Rickenbacker.

Many configurations of the Gibson Firebird and Thunderbird are also built neck-through.

The construction method is also popular with independent guitar builders, who can typically devote more time to such a labor-intensive neck joint than a mass-producing company could.

References 

Guitar neck joints
The 2020–21 season was Hamburger SV's 102nd season in existence and the club's third consecutive season in the second flight of German football. In addition to the domestic league, Hamburger SV participated in this season's edition of the DFB-Pokal. The season covered the period from 1 July 2020 to 30 June 2021.

Players

First-team squad

Out on loan

Transfers

In

Out

Pre-season and friendlies

Competitions

Overview

2. Bundesliga

League table

Results summary

Results by round

Matches
The league fixtures were announced on 7 August 2020.

DFB-Pokal

Statistics

Appearances and goals

|-
! colspan=16 style=background:#dcdcdc; text-align:center| Goalkeepers

|-
! colspan=16 style=background:#dcdcdc; text-align:center| Defenders

|-
! colspan=16 style=background:#dcdcdc; text-align:center| Midfielders

|-
! colspan=16 style=background:#dcdcdc; text-align:center| Forwards

|-
! colspan=16 style=background:#dcdcdc; text-align:center| Players transferred out during the season

Goalscorers

Notes

References

External links

Hamburger SV seasons
Hamburger SV
Anton van Anrooy (11 January 1870 – 13 February 1949) was a British painter. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.

References

1870 births
1949 deaths
20th-century British painters
British male painters
Art competitors at the 1928 Summer Olympics
People from Zaltbommel
19th-century British male artists
20th-century British male artists
Dutch emigrants to the United Kingdom
Art competitors at the 1932 Summer Olympics
Rasmus and the Vagabond, also Rasmus and the Hobo (original title: Rasmus på luffen) is a children's book written by Astrid Lindgren.

Plot 
Rasmus is living in an orphanage. He wants to be adopted and find a family. However, he realizes that only girls seem to get adopted. So he tries to take matter in his own hands. He decides to leave the orphanage and find a family himself. On his way he meets the homeless man Oscar. Oscar and Rasmus travel together to the country and collect money by playing music. One day a robbery takes place at a house Oscar and Rasmus are playing music. The police later believes Oscar is responsible for the robbery. However, with the help of Oscar and Rasmus the police finally manages to catch the real robbers. Then Oscar reveals that he has a home. He takes Rasmus to his home, where Oscars wife is already waiting for Oscar. The couple decides to adopt Rasmus as their child.

Background 
The book is based on an radioplay written by Astrid Lindgren in the early 1950s. In 1955 the radioplay was turned into the Swedish movie Luffaren och Rasmus.  The screenplay was written by Astrid Lindgren. One year later the novel Rasmus and the Vagabond was published. After this the films Erazem in potepuh and Rasmus-brodyaga were produced in Slovenia and the Soviet Union. In 1981 another Swedish movie was made: Rasmus på luffen by Olle Hellbom.

The story has also been adapted to theater stage as Rasmus and the Tramp by Staffan Götestam who played Jonathan in Astrid Lindgren's The Brothers Lionheart.

Reception 
In 1958 Astrid Lindgren received the Hans Christian Andersen Award for her book Rasmus and the Vagabond.

Atle Hetland from The Nation believes that with this book Lindgren is "drawing attention to class and social inequality issues". He thinks that the orphan Rasmus, is "cared better for by a homeless man than all the social workers and bourgeois pillars of society". The relationship of the boy and the homeless man is described "in a moving and unfussy way".

Kirkus Reviews state that "Rasmus has all the appeal of the spirited and neglected orphan and his sentimental alliance with a hobo is handled with a winning freshness."

References

Sources

Swedish children's literature
1956 children's books
20th-century Swedish literature
Works by Astrid Lindgren
Rabén & Sjögren books
Novels about families
Children's books about families
Children's books set in orphanages
The Madeley Wood Company was formed in 1756 when the Madeley Wood Furnaces, also called Bedlam Furnaces, were built beside the River Severn, one mile west of Blists Hill.

Bedlam Furnaces 

The Madeley Wood Furnaces or Bedlam Furnaces were owned by this company, which held mineral leases in Madeley Parish, enabling it to extract coal and iron ore.  The works were taken over by Abraham Darby III of the Coalbrookdale Company in 1776.  When the company was reorganised in 1797, the Madeley Wood Works became separate from Coalbrookdale, continuing (in conjunction with the Ketley Ironworks) in the hands of the Reynolds family who had been in partnership with the Darby family at Coalbrookdale since the 1760s.  After Joseph Reynolds decided to concentrate on his bank, the Madeley Wood Company works passed to the Anstice family, one of whom had managed it, and their business became another Madeley Wood Company.

The name Bedlam Furnaces may have originated with a painting by John Sell Cotman (1782–1842) who painted the furnace in 1803 and titled it Bedlam Furnace Near Irongate,[sic] Shropshire. He was on tour with a fellow less well known artist called Paul Sandby Munn (1773–1845) who also painted the same subject and titled it Bedlam Furnace, Madeley Dale, Shropshire. It was both a metaphor (the place appeared to the painters to resemble a lunatic asylum), and simultaneously a jest at the expense of Fletcher of Madeley (1729–1785) a then famous Methodist preacher in whose parish the ironworks were located. The furnaces were also painted, under the same name, by the painter Edward Dayes (d. 1804) at around the same time. This work is now part of the Tate Gallery.

The site history through the 20th century is less well documented. Dense vegetation cover was allowed to establish itself amongst the ruins until the late 1950s when the site was subject to spoil dumping, which completely buried the furnace bases. In the 1970s what was to become the Ironbridge Gorge Museum Trust began clearing and restoring the works.

Blists Hill 

Upon its opening in 1790, the ironworks had access to the Shropshire Canal, the Blists Hill section of which ran immediately to the east of the Blists Hill works site. Proximity of raw materials and the means of transporting the finished product persuaded the company to build a blast furnace at Blists Hill in 1832.

Additional furnaces were added in 1840 and 1844, making a total of three, and the site remained active in the production of pig iron until 1912 when the ironworks ceased production, following the blowing in of two of the furnaces.

The furnace settings and blowing houses are now preserved, but unrestored, as part of the Blists Hill Victorian Town, one of the Ironbridge Gorge Museums.

References

Further reading

Telford
Ironbridge Gorge
Defunct companies of the United Kingdom
Industrial history of the United Kingdom
Ironworks and steelworks in England
Companies based in Shropshire
British companies established in 1756
Organizations established in 1756
1756 establishments in England
Ann Jones defeated the three-time defending champion Billie Jean King in the final, 3–6, 6–3, 6–2 to win the ladies' singles tennis title at the 1969 Wimbledon Championships. It was her first Wimbledon title, and her third and last Grand Slam singles title overall.

Seeds

  Margaret Court (semifinals)
  Billie Jean King (final)
  Virginia Wade (third round)
  Ann Jones (champion)
  Nancy Richey (quarterfinals)
  Kerry Melville (second round)
  Julie Heldman (quarterfinals)
  Judy Tegart (quarterfinals)

Qualifying

Draw

Finals

Top half

Section 1

Section 2

Section 3

Section 4

Bottom half

Section 5

Section 6

Section 7

Section 8

References

External links

1969 Wimbledon Championships – Women's draws and results at the International Tennis Federation

Women's Singles
Wimbledon Championship by year – Women's singles
Wimbledon Championships
Wimbledon Championships
The Kumar River () is a river in south-western Bangladesh.

Course

The Kumar River takes off from the Mathabhanga River at Hatboalia and follows a circuitous course to the east and south-east, for a long distance forming the boundary between Kushtia District to the north and Alamdanga Upazila of Chuadanga District and Harinakunda Upazila of Jhenaidah District to the south. Finally it joins the Nabaganga River near Magura town.

The other two branch rivers which take off from the Mathabhanga and are among the principal water courses both for communication and natural irrigation, are the Nabaganga River and the Chitra River. The remains of old flourishing villages and Indigo Planters' Kathibary (factory house) on the silted up course still mark their past importance. The dry beds of these two channels like that of the course of the Bhairab are still shown in the survey maps of Bangladesh.

References

Rivers of Bangladesh
Rivers of Khulna Division