Samantha912/NLP_A2_WTH huggingface dataset:
Grevillea prominens is a species of flowering plant in the family Proteaceae and is endemic to a restricted part of the South West region of Western Australia. It is a shrub with divided leaves, the end-lobes linear to narrow triangular, and creamy-white flowers usually projected beyond the foliage.

Description
Grevillea prominens is a shrub that typically grows to a height of  and has glabrous branchlets. The leaves are  long and divided with three lobes, each usually divided again with a further three lobes, the end lobes linear to narrow triangular,  long and  wide with the edges rolled under. The flowers are arranged on the ends of branchlets, in usually branched clusters, usually beyod the foliage, more or less on one side of a glabrous rachis  long. The flowers are creamy-white, the pistil  long. Flowering mainly occurs in September and October and the fruit is an egg-shaped follicle  long.<ref name=FB>{{FloraBase|name=Grevillea prominens|id=14417}}</ref>

TaxonomyGrevillea prominens was first formally described in 1993 by Peter Olde and Neil Marriott in the journal Nuytsia from specimens collected near Harvey in 1991. The specific epithet (prominens) means "prominent", referring to the flowers held conspiculusly above the foliage.

Distribution and habitat
This grevillea grows in forest along creek lines and is only known from a few locations near Harvey in the Jarrah Forest bioregion of south-western Western Australia.

Conservation statusGrevillea prominens'' is listed as  "Priority Three" by the Government of Western Australia Department of Biodiversity, Conservation and Attractions, meaning that it is poorly known and known from only a few locations but is not under imminent threat.

See also
 List of Grevillea species

References

prominens
Proteales of Australia
Eudicots of Western Australia
Endemic flora of Western Australia
Plants described in 1993
12 is the twelfth studio album by Canadian rock band Sloan. The album debuted at #11 on the Billboard Heatseekers chart,  which is the band's highest position on that chart in their history.

Track listing

Charts

References

2018 albums
Sloan (band) albums
Yep Roc Records albums
Murderecords albums
Donella lanceolata is a plant species in the family Sapotaceae. It is a tree growing up to  tall, with a trunk diameter of up to . The bark is grey to dark brown. Inflorescences bear up to 45 flowers. The fruit are brownish to purplish black, ripening yellow, round, up to  in diameter. Its habitat is lowland forests from sea level to  altitude. Its natural range is Madagascar, India, Sri Lanka, Thailand, Cambodia, Laos, Vietnam, Malaysia, Brunei, Indonesia, the Philippines, Papua New Guinea, the Solomon Islands and Queensland.

Synonyms
Homotypic synonyms
 Chrysophyllum javanicum 
 Chrysophyllum lanceolatum 
 Lucuma lanceolata 
 Nycterisition lanceolatum 

Heterotypic synonyms
 Chrysophyllum acuminatum 
 Chrysophyllum bancanum 
 Chrysophyllum dioicum 
 Chrysophyllum lanceolatum var. papuanum 
 Chrysophyllum lanceolatum var. stellatocarpon 
 Chrysophyllum pentagonum 
 Chrysophyllum roxburghianum 
 Chrysophyllum roxburghii 
 Chrysophyllum roxburghii var. papuanum 
 Chrysophyllum sumatranum 
 Donella lanceolata var. malagassica 
 Donella roxburghii 
 [[Donella roxburghii var. tonkinensis |Donella roxburghii var. tonkinensis]] 
 Lucuma tomentosa 
 Niemeyera papuana

Conservation
This species is listed by the International Union for Conservation of Nature (IUCN)) as least concern, citing its wide distribution across a number of countries, its large population and its occurrence in protected areas as the basis for the assessment.

In Australia, the Queensland Department of Environment and Science (DES) has assessed it as near threatened. Although there is no explanation provided by DES, the species only occurs in a few scattered locations in Queensland, which may account for the status.

References

lanceolata
Flora of tropical Asia
Trees of Australia
Flora of Queensland
Flora of Madagascar
Flora of the Solomon Islands (archipelago)
Taxa named by André Aubréville
Plants described in 1963
Ipofero (trans. Υποφέρω; I Suffer) is the second EP by Greek artist Despina Vandi.

It was released on 13 December 2000 by Minos EMI and certified six times platinum in Greece, selling 120,000 units. It was entirely written by Phoebus and was awarded as being the highest-selling Greek CD single at Virgin Megastores and generally in Greece, by Richard Branson of Virgin Group. The EP also certified four times platinum in Cyprus.

Track listing

Singles and Music videos
All the tracks was released as singles at radio stations and gained massive airplay. The following two official singles was the songs, that was released with music videos and directed by Kostas Kapetanidis.
"Ipofero" (I Suffer)
"Lipamai" (I'm Sorry)

Release history

Charts

Credits and Personnel

Personnel 
 Giannis Bithikotsis: mandolin (tracks: 3)
 Giorgos Chatzopoulos: guitars (tracks: 2, 3)
 Katerina Kiriakou: backing vocals (tracks: 2)
 Andreas Mouzakis: drums (tracks: 3)
 Alex Panagis: backing vocals (tracks: 2)
 Phoebus: computer backing vocals (tracks: 4) || keyboards (tracks: 1) || orchestration (all tracks) || programming (tracks: 1, 2)
 Alexandros Vourazelis: keyboards (tracks: 2, 3, 4) || orchestration (tracks: 2) || programming (all tracks)
 Martha Zioga: backing vocals (tracks: 2)

Production 
 Thodoris Chrisanthopoulos (Fabelsound): mastering
 Vaggelis Siapatis: editing, sound engineer
 Achilleas Theofilou: executive producer
 Manolis Vlachos: mix engineer, sound engineer
 Alexandros Vourazelis: sound engineer

Cover 
 Panos Kallitsis: hair styling, make up
 Kostas Kapetanidis: photographer
 Giannis Sarlis: artwork

Credits adapted from the album's liner notes.

Official remixes
Μawahh (Faithless Vs. Despina Jandi)
In 2005, Faithless released a remix of the song "Ipofero" as a b-side in the LP "The Remixes Vol. 1". The remix was entitled "Μawahh" and by typing mistake in the cover, Despina Vandi's name written Despina Jandi (Faithless Vs. Despina Jandi).

Cover versions
2001: Panterite - Tancyvasht cvyat (Μη μου κλείνεις το φως; Пантерите  - Танцуващ свят) (Bulgaria)
2002: Kosta Markov - Izgaryam (Υποφέρω; Коста Марков - Изгарям) (Bulgaria)
2003: Jelena Karleuša - Jos te volim (Υποφέρω; I still love you) (Serbia)
2005: Magic De Spell - Ipofero (Υποφέρω) (Greece)
2015: The String Theory Ensemble - Ipofero (Υποφέρω) (Greece)

References

Despina Vandi songs
Despina Vandi EPs
2000 singles
Greek-language songs
Music videos directed by Kostas Kapetanidis
Songs written by Phoebus (songwriter)
Number-one singles in Greece
Minos EMI singles
2000 songs
The 1978 Miami Redskins football team was an American football team that represented Miami University in the Mid-American Conference (MAC) during the 1978 NCAA Division I-A football season. In its first season under head coach Tom Reed, the team compiled an 8–2–1 record (5–2 against MAC opponents), finished in third place in the MAC, and outscored all opponents by a combined total of 228 to 161.

The team's statistical leaders included Larry Fortner with 976 passing yards, Mark Hunter with 1,046 rushing yards, and Paul Warth with 299 receiving yards.

Schedule

References

Miami
Miami RedHawks football seasons
Miami Redskins football
A wapenshaw or wapinshaw (from the Old English for "weapon show") was originally a gathering and review of troops formerly held in every district in Scotland. The object was to satisfy the military chiefs that the arms of their retainers were in good condition and that the men were properly trained in their use.

Use of 'Wapenshaw' in Lawn Bowls
The term is still in use, to describe some competitions by bowling clubs in Scotland.

Use of 'Wapenshaw' in Shooting
Wapenshaw is also occasionally used, in Scotland and elsewhere in the United Kingdom for rifle or other gun shows, particularly those involving historic weapons.

The Woodcraft Folk
Wapenshaw is also widely used by The Woodcraft Folk to describe a daily ceremony when camping, which involves each camper removing all belongings from their tent and laying them out on a groundsheet in a fixed order. This serves two purposes: to air out the tent, and to ensure that no items have been lost.

References

Further reading
Wapenshaw as a Woodcraft ceremony. Retrieved June 1, 2005.
National Rifle Association of Great Britain list of events including a wapenshaw by the Historic Breechloading Smallarms Association. Retrieved June 1, 2005.

Military terminology
Military traditions
Military history of Scotland
Camping in the United Kingdom
The Woodcraft Folk
Tatiana "Tania" Baillayre (13 December 1916 – 1 January 1991) was a Romanian artist.

The daughter of Auguste Baillayre and , both artists, she was born in Petrograd She studied painting at the school of art in Chișinău and at the Academy of Fine Arts in Bucharest. She also studied at the Sorbonne in Paris. Baillayre painted portraits, landscapes and still lifes. Her paintings were shown in group exhibitions in France and the Soviet Union. She settled in Bucharest in 1937 and had a number of solo exhibitions there. Her paintings were also included in exhibitions of Romanian art in China, the Soviet Union, Brazil, Sweden and Italy.

She married painter Gheorghe Ceglokoff.

Baillayre died in Bucharest at the age of 74.

Her work is included in the collection of the National Museum of Art of Romania as well as other public and private collections.

Biography
Tatiana Baillayre, also known as Tania Baillayre or Balier, was the daughter of French painter August Baillayre (1879-1962), professor and director (1940-1941) of the Academy of Art in Chişinău.

He studied at the Faculty of Letters at the Sorbonne in Paris and then attended art courses at the Chisinau School of Fine Arts and the Academy of Arts in Bucharest where his professor was Jean Alexandru Steriadi and was awarded the 1940 Anastase Simu Award for Graphics.

Selected works 
 Flori - Flowers (a series of seven paintings, 1934)
 Studiu- Study (series, 1934)
 Schiţă – Sketch (1938)
 Nud – Nude (1938)
 Lăculeţe – Small ponds (1938)
 Cap - Head (1938) 
 Peisaj –landscape (print, 1938)
 Natură moartă – Still life (1938)
 Puntea veche din Banat – The old bridge at Banat (watercolor)
 Natură moartă sau statică – Still life (oil)
 Primăvară – Spring (Two color print)
 Chişinău (print)
 Zbor vechi – Ancient flight (print)
 Trandafirii galbeni – Yellow roses (watercolor)

References 

1916 births
1991 deaths
Romanian women painters
Romanian people of French descent
20th-century Romanian women artists
Brooklyn Jazz Underground is a jazz association founded in Brooklyn, New York, in 2007. The association was formed by ten musicians to promote their work. In 2008, Anne Mette Iversen and Alexis Cuadrado of the Brooklyn Jazz Underground started the sister company, the record label Brooklyn Jazz Underground Records.

Founding members of the association include Tanya Kalmanovitch, Alan Ferber, Alexis Cuadrado, Shane Endsley, Benny Lackner, Dan Pratt, Jerome Sabbagh, Anne Mette Iversen, Sunny Jain, and Ted Poor. In 2006, Kalmanovitch talked about the idea with Ferber and Cuadrado. They began their venture with performances at Smalls Jazz Club. Other activities that the BJU established and has hosted are weekly concert series at the Sycamore Bar & Flowershop and at The Tea Lounge, both in Brooklyn; a series of podcasts about the band members; benefits for schools; five CD samplers; the annual Brooklyn Jazz Underground Jazz Festival; and two albums as the Brooklyn Jazz Underground Ensemble, the CDs A Portrait of Brooklyn and 7x7.

The record label was founded in 2008 with the intent to give musicians more control over their work. Early albums included Puzzles by Alexis Cuadrado, Night for Day by Bernard Emer Lackner, and the double album Best of the West and Many Places by Anne Mette Iversen. Brooklyn Jazz Underground Records continued releasing albums steadily over the years, and by the beginning of 2019 they had 68 albums in their catalog.

References

External links
 Official site
 Brooklyn Jazz Underground Records

Musical collectives
American artist groups and collectives
American jazz ensembles from New York City
Arts organizations based in New York City
Jazz record labels
Organizations based in Brooklyn
Musical groups established in 2004
2004 establishments in New York City
Edward Digby may refer to:

Edward Digby (died 1746), British MP for Warwickshire
Edward Digby, 6th Baron Digby (1730–1757)
Edward Digby, 2nd Earl Digby (1773–1856), British peer
Edward Digby, 9th Baron Digby (1809–1889), British peer
Edward Digby, 10th Baron Digby (1846–1920), British peer and politician
Edward Digby, 11th Baron Digby (1894–1964), British peer, soldier and politician
Edward Digby, 12th Baron Digby (1924–2018), British peer and British Army officer
Edward Aylmer Digby (1883–1935), British naval officer and politician
Brigadeiro Cabral Airport  is the airport serving Divinópolis, Brazil.

It is managed by contract by Infraero.

History
A new passenger terminal was opened on June 1, 2012.

On June 10, 2019, the Municipality of Divinópolis signed a contract of operation with Infraero.

Airlines and destinations
No scheduled flights operate at this airport.

Access
The airport is located  from downtown Divinópolis.

See also

List of airports in Brazil

References

External links

Airports in Minas Gerais
Divinópolis
Fifth (the title is Fifth while the front cover shows the number 5), is the fifth studio album by the jazz rock band Soft Machine, released in 1972. In the US the album was identified on cover and label by number (5).

Overview
Fifth was the first Soft Machine album recorded after the departure of founding member Robert Wyatt and continued the band's progression away from their original blend of psychedelic and progressive rock towards jazz fusion.  Wyatt's replacement was Phil Howard, who contributed to the 1971 sessions that comprise side one, after which he left and was replaced by John Marshall for the 1972 recordings that make up side two.  Future member Roy Babbington played double bass on side two, as a session musician.  Unlike the previous two albums, Elton Dean's saxophone is not augmented by a brass and reeds section composed of session musicians.

Track listing

Side one
"All White" (Mike Ratledge) – 6:06
"Drop" (Ratledge) – 7:42
"M C" (Hugh Hopper) – 4:57

Side two
"As If" (Ratledge) – 8:02
"L B O" (John Marshall) – 1:54
"Pigling Bland" (Ratledge) – 4:24
"Bone" (Elton Dean) – 3:29

2007 CD reissue bonus track
"All White" (take two) - 7:14

Personnel 
Soft Machine

Side one:
 Elton Dean – alto saxophone, saxello; Fender Rhodes electric piano (2)
 Mike Ratledge – Fender Rhodes electric piano, Lowrey organ 
 Hugh Hopper – bass guitar
 Phil Howard – drums 
Side two:
 Elton Dean – alto saxophone, saxello
 Mike Ratledge – Fender Rhodes electric piano, Lowrey organ 
 Hugh Hopper – bass guitar
 John Marshall – drums 
Additional musician
 Roy Babbington – double bass (Side two)

References

External links
 Soft Machine - Fifth (1972) album review by Wilson Neate, credits & releases at AllMusic
 Soft Machine - Fifth (1972) album releases & credits at Discogs
 Soft Machine - Fifth (1972) album credits & user reviews at ProgArchives.com
 Soft Machine - Fifth (1972) album to be listened on Spotify
 Soft Machine - Fifth (1972) album to be listened on YouTube

Soft Machine albums
1972 albums
CBS Records albums
Columbia Records albums
Atiq-uz-Zaman (born 30 November 1975) is a Pakistani cricket coach and former cricketer. He is a right-handed batsman and a wicketkeeper. He played in one Test match in March 2000. He has played for a number of first-class sides in Pakistan as well as playing club cricket for St Annes Cricket Club in Lancashire, England.

In February 2023, Atiq-uz-Zaman was appointed head coach of the Germany national cricket team.

References 

1975 births
Living people
Pakistan One Day International cricketers
Pakistan Test cricketers
Pakistani cricketers
Pakistan Customs cricketers
Karachi Whites cricketers
Karachi cricketers
Karachi Blues cricketers
Habib Bank Limited cricketers
Sui Southern Gas Company cricketers
Khan Research Laboratories cricketers
Cricketers from Karachi
Pakistani cricket coaches
Wicket-keepers
Battle for Midway: Decision in the Pacific, 1942 is a board wargame published by Game Designers' Workshop (GDW) in 1976 that simulates the Battle of Midway during World War II.

Background
In June 1942, six months after the Attack on Pearl Harbor, Japan sought to ambush an American fleet near Midway Island and take control of the island in order to extend their defensive perimeter and offensive capabilities against Fiji, Samoa and Hawaii. However, American codebreakers were able to read the Japanese orders, and the Americans planned a trap of their own, setting up one of the most important naval engagements of the war.

Description
Battle for Midway is a two-player wargame in which one player controls American forces and the other controls Japanese forces. The game, which takes 6-10 hours to play, features submarines, initiative, invasion, combat air patrol, air combat in waves, and storms. The game is relatively complex, including 2 hex grid maps, 480 die-cut counters, an extensive rulebook and several players' aids.

Publication history
Battle for Midway was designed by Marc Miller, and was published by GDW in 1976 as a ziplock bag game. The rulebook artwork by Rodger B. MacGowan served as the game's front cover.

Reception
In the 1977 book The Comprehensive Guide to Board Wargaming, Nick Palmer called the game "Another sizable GDW production, filled with detail", and noted that "Unfortunately, many of the interesting features [...] are ineffective or have an odd effect on the game, and the full-length game adds almost nothing to the abbreviated one. Plenty of potential, but purchasers should experiment with rule modifications." In his 1980 sequel,  The Best of Board Wargaming , Palmer added "A very strange game going well beyond Avalon Hill's simple Midway to little apparent effect." Palmer recommended several rule changes to improve the game. He concluded, "As it stands, it looks to me like a rush job with enthusiasm outpacing testing." Palmer gave the game a very poor "Excitement grade" of only 25%.

In Issue 9 of the UK wargaming magazine Phoenix, Rob Gibson compared Midway to GDW's previously published Coral Sea (1974), and wrote "the new simulation shows considerable additions to the use of ships and aircraft.' In effect, this makes it a more sophisticated simulation." Gibson concluded on a positive note, calling the game "a first-class sim ulation of the battle that destroyed the Japanese capability to wage an offensive naval campaign and passed the initiative to the United States."

In The Guide to Simulations/Games for Education and Training, Martin Campion called this game "a good strategic simulation, and it is not very detailed tactically." He suggested for classroom use that the teacher could use a fully secret movement and search system.

Other reviews and commentary
Fire & Movement 67
Panzerfaust & Campaign #76
Games & Puzzles #57

References

Board games introduced in 1976
Board wargames with artwork by Rodger B. MacGowan
Game Designers' Workshop games
Wargames introduced in 1976
PDB is a container format for record databases in Palm OS, Garnet OS and Access Linux Platform. Its structure is similar to PRC resource databases. The PalmDOC eBook format is a special version of the PDB format.

Structure of PDB file 
A PDB file contains a PDB header, PDB record headers and records.

PDB Header 
The PDB header is located at the beginning of the file and contains meta-information on the file:

PDB Record Header 
For every record, there is an eight byte record header, containing:

PDB Records 
Now the records themselves follow. The usual order is AppInfoArea, SortInfoArea and records, sequentially.

PDB Datetimes 

Many PDB format files used times counting in seconds from 1904-01-01T00:00:00. This is the base time used by the original Macintosh (up to Mac OS 9).  It may be noted that there were close links between Palm OS and Mac OS during early development. Using an unsigned 32-bit integer and the 1904 epoch, integer overflow will overflow will occur sometime in 2040.  

Others may be observed to be counting from 1970-01-01T00:00:00 (the Unix epoch base time), and uses a signed 32-bit integer which will overflow sometime in 2038.

Palm OS Protein C/C++ Compiler Language & Library Reference, Copyright 2004 Palm Source calls the dates calculated from 1904 "old Palm epoch", and the dates calculated from 1970 "UNIX epoch".  Protein C also provides functions (palm_seconds_to_time_t(), and time_t_to_palm_seconds() ) for converting between the two.

Some sources even suggest some very old files may use times counting from 1900 (which would be consistent with the Excel epoch).

This conflict between old Palm (Mac OS 9) epoch and UNIX epoch is unfortunate, the following heuristic may be useful when examining a file copied from a Palm OS device:

 If the time has the top bit set, it's an unsigned 32-bit number counting from 1st Jan 1904
 If the time has the top bit clear, it's a signed 32-bit number counting from 1st Jan 1970. 

This is based on the idea that, otherwise the time would be before 1972 or before 1970 (depending on the interpretation) and the PDB format wasn't around then.

The palmdump utility and other software uses this rule-of-thumb when reading files.

See also 
 PRC format

References 

Computer file formats
Palm OS
I Need That Record! The Death (or Possible Survival) of the Independent Record Store is 2008 documentary film directed by Brendan Toller and distributed by Music Video Distributors. The project began as Toller's undergraduate thesis at Hampshire College in Amherst, MA.

Interviews 
The film features interviews with: Thurston Moore of Sonic Youth, Ian MacKaye of Dischord Records Fugazi/Minor Threat, activist/author Noam Chomsky, Mike Watt of the Minutemen, Lenny Kaye guitarist of the Patti Smith Group, Chris Frantz of the Talking Heads/Tom Tom Club, guitar composer Glenn Branca, Patterson Hood of Drive-By Truckers, Patrick Carney of the Black Keys, punk author Legs McNeil, rock photographer Bob Gruen, BP Helium guitarist from Of Montreal and more.

Release 
I Need That Record! premiered at Hampshire College on May 3, 2008.  It sold out at the National Film Board of Canada and won the Audience Award at Melbourne International Film Festival. I Need That Record! played around the world at over 60 film festivals, centers, and events (Melbourne International Film Festival, Independent Film Festival of Boston, Raindance UK).  After being released to independent record stores on Record Store Day, it was sold at bigger chains on July 27, 2010.

Reception 
Jonathan Perry of the Boston Globe has described the film as "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade."  Rob Young of Uncut called it a "a rounded and quietly impassioned elegy" for the communities that surrounded independent music stores.  Keith Carman of Exclaim! wrote, "However, while I Need That Record is interesting and well laid out enough to be worth a viewing, it's not exactly an epiphany."  Daryl Loomis of DVD Verdict described it as "overly wistful" but "definitely worth a watch".

References

External links 
 

2008 films
2008 documentary films
American documentary films
Documentary films about the music industry
2000s English-language films
2000s American films