"Ach bleib mit deiner Gnade" is a hymn with text by  written in 1627. The melody is taken from "Christus, der ist mein Leben", a 1609 song by Melchior Vulpius that became one of the key melodies in Protestant hymnody. It is part of several current hymnals, the Protestant Evangelisches Gesangbuch as EG 347, the Catholic Gotteslob as GL 436 and the  as MG 149. It belongs to the ecumenical hymns.

History 
Stegmann was a Lutheran theologian at the  from 1621. During the Thirty Years' War, the town was occupied for half a year in 1623 by troupes of Christian von Braunschweig-Wolfenbüttel. From the mid-1625s, it was also stricken by the plague. Stegmann wrote "Ach bleib mit deiner Gnade" and published it in 1627 in the second edition of his prayer book Christliches Gebet Büchlein, subtitled "... auff die bevorstehende Betrübte, Krigs, Theurung und Sterbens Zeiten gerichtet, benebenst Morgen und Abendtsegen auff alle Tage in der Wochen, so wol auch Beicht, Communion und andern Gebetlein auff allerhand Noth der Christenheit accommodiret" (... for the upcoming sad times of war, inflation and dying, with blessings for morning and evening for all days of the week, as well as accommodating repentance, communion and other little prayers for several needs of Christianity). The first edition, probably of 1626, is lost.

Theme 
Each of the six stanzas begins with "Ach bleib ... bei uns" (Remain ... with us). It is reminiscent of a line from the narration of the walk to Emmaus: "Bleib bei uns, denn es will Abend werden", which was set to music by Bach in his cantata Bleib bei uns, denn es will Abend werden, BWV 6 and Rheinberger's Abendlied, 's round "Herr, bleibe bei uns" and Jacques Berthier's "Bleib mit deiner Gnade".

The six stanzas pray that Jesus may remain "with us" ("bei uns") with his grace, word, illumination, blessing, protection and faithfulness, possibly derived from 1 Corinthians 1:4–9.

Melody and music 
The melody was taken from a 1609 hymn, "", by Melchior Vulpius, which developed to a key melody of Protestant congregational singing.

More songs were written to the same melody, such as the 1850 "Nun schreib ins Buch des Lebens" (Now write into the book of life" in Strasbourg, and the Catholic "Beim letzten Abendmahle" (At the last supper"), written by Christoph von Schmid in 1807, ad part of the Gotteslob as GL 282.

Heinrich Schütz composed a choral setting, SWV 445.  composed another, Op. 70,1, and Sigfrid Karg-Elert wrote an organ chorale, one of his 66 Chorale improvisations for organ, Op. 87,1.

The jazz musicians Till Brönner (flugelhorn) and Dieter Ilg (double bass) included the song in their 2018 albumm Nightfall.

Translation 
Catherine Winkworth translated the text into English in 1863 as "Abide among us with Thy grace". She changed the metre, making it impossible to sing it to the common melody in German-speaking areas, but it became popular with several different tunes.

References

Further reading 
 , Wilhelm Tümpel: Das deutsche evangelische Kirchenlied des siebzehnten Jahrhunderts. Zweiter Band, Bertelsmann, Gütersloh 1905, S. 486.
 Beate und : Den Kummer vom Herzen singen. So entstanden bekannte Lieder. Band 1, Hänssler-Verlag, Holzgerlingen 1997, ISBN 978-3-7751-2797-4, S. 279–280 (PDF)
 Hans Zappe: Alle singen sein Lied. Impressionen vom Leben und Wirken Josua Stegmanns. Evangelische Verlags-Anstalt, Berlin 1962.

External links 

 Ach bleib mit deiner Gnade wochenliederpodcast.podigee.io

Lutheran hymns
17th-century hymns in German