Samantha912/NLP_A2_WTH huggingface dataset:
Greasestock was an American event held yearly in Yorktown Heights, New York. Exhibitors showcase a variety of alternative energy vehicles, as well as exhibits with a sustainable lifestyle theme. Although it is illegal in New York to power a vehicle with waste vegetable oil, authorities in New York have stated they had no problem with the festival and even participated in it.

The event was founded in 2003 by individuals who shared an interest in vegetable powered vehicles. It is held on the grounds of Peter Pratt's Inn, a historic landmark. According to Jon Pratt, founder of the event, while the original event hosted only eight people interested in discussing alternatives to gas, each successive incarnation of the Greasestock celebration has drawn more and more visitors from all over the United States who are interested in cheaper gas, cleaner energy, and helping the environment.

The green technologies demonstrated at the event include vegetable oil powered cars, biodiesel cars, solar powered cars, home heating alternatives, and organic farming exhibits. The event draws exhibitors from all over the United States, and included among the hundred or so vehicles on display is a vegetable powered garbage truck from Mamaroneck, New York, the first of its kind in New York.

References

External links

Greasestock

Festivals in New York (state)
Yorktown, New York
Energy in the United States
Tourist attractions in Westchester County, New York
Festivals established in 2003
Carlos Martiel (born 1989) is a contemporary installation and performance artist.

Martiel was born in Havana, Cuba. He identifies as queer and Afro-Latinx, with Haitian and Jamaican ancestry. He graduated from Cuba's Escuela Nacional de Bellas Artes "San Alejandro" in 2009. In addition, he studied in the Cátedra Arte de Conducta (Behavior Art School) under Tania Bruguera from 2008 to 2010. Martiel lives and works in both Havana and New York City.

Martiel's work can be characterized as endurance art. His artistic practice uses his own body, often nude, in order to draw attention to the embodied experience of Blackness under systems of violence and exploitation. In his durational performances, Martiel frequently subjects himself to physical pain and self-harm. This includes piercing his skin with a miniature flagpole flying an American flag, having a pest exterminator spray his body with insecticide, compressing his legs under the weight of a pear-tree trunk, stitching the collar of a blue shirt to the skin around his neck, and having a piece of his own skin surgically removed and preserved in a gold medal that he had designed. Thematically, his works explore racism and racialization, gender, immigration, and the legacy of European colonialism in the United States.

Martiel's works are included in the collections of the Solomon R. Guggenheim Museum, the Pérez Art Museum Miami, and the Museum of Modern Art, Rio de Janeiro. His awards include a grant from the Franklin Furnace Fund (2016), a Grants & Commissions Program Award from the Cisneros Fontanals Foundation (2014), and the Arte Laguna Prize (2013). In 2001, he also received a Latinx Art Fellowship from the Ford Foundation, Mellon Foundation, and U.S. Latinx Art Forum.

Performances and Exhibitions 

 Arquitectura para un cuerpo, Crystal Bridges Museum of American Art (2022)
 Monumento II, Solomon R. Guggenheim Museum, New York (2021)
 Black Bodies – White Lies, K Contemporary, Denver (2020)
Afro Syncretic [group exhibition], King Juan Carlos I Center, New York University (2020)
Sabor a Lagrimas, Sharjah Biennial 14, United Arab Emirates (2019)
Gente de color (People of Color), Fourteenth Cuenca Biennial, Cuenca, Ecuador (2018)
 Intruder (America), AC Institute, New York (2018)
 América, Pacific Standard Time: LA/LA Performance Art Festival, Museum of Latin American Art, Long Beach (2018)
 Mediterráneo, 57th Venice Biennale (2017)
CUBA: Tatuare la storia [group exhibition], Padiglione d'Arte Contemporanea, Palermo, Italy (2016)
 We the People, Biennale Internationale de Casablanca, Hassan II Mosque, Morocco (2016)
 Intersección, Museo de Arte Contemporáneo del Zulia (MACZUL), Maracaibo, Venezuela (2016)
 30th Anniversary Havana Biennial, Wilfredo Lam Center of Contemporary Art (2014) 
Condecoración Martiel, Carlos, Cisneros Fontanals Art Foundation (2014)
La Otra Bienal de Arte, Video Art of Central America and the Caribbean, La Macarena, Bogota, Colombia (2013) 
Vanishing Point, Nitch Museum, Naples, Italy (2013) 
 Prodigal Son, Witch House , Liverpool, UK (2010)
Source:

References 

Cuban artists
Performance artists
1989 births
Living people
Palas () is a tehsil and valley in Kolai-Palas District, Khyber Pakhtunkhwa the province of Pakistan.

Fauna 
Palas, Kohistan has incredible wildlife, it is home to the largest population of Western horned tragopan, Khalij, Koklass and Himalayan monal occur here, whereas the Cheer pheasant has been reintroduced here. There are 230 bird species in this tehsil. Mammals include carnivores such as the Persian leopard, Himalayan black bear and Red fox are found here. Ungulates such as the Himalayan goral, Himalayan musk deer and Wild boar are found here. For the protection of these species 1 national park, 3 wildlife sanctuaries and 5 game reserves have been established. Several surveys on other wildlife have also been compiled by experts including one on musk deer by Naeem Ashraf Raja.

References

External links 

Populated places in Lower Kohistan District
Union councils of Khyber Pakhtunkhwa
Tehsils of Khyber Pakhtunkhwa
Valleys of Khyber Pakhtunkhwa
The Altar frontal from La Seu d'Urgell or of The Apostles is a Romanesque altar frontal currently exhibited at the National Art Museum of Catalonia. The work dates from the second quarter of the 12th century and comes from a church of the Bishop of La Seu d'Urgell and was acquired in 1905. It is one of the masterpieces of the collection of panel painting of the MNAC. The frontal, the item covering the front of the altar, stands out for the quality of its bright colours and because it illustrates some of the characteristics of composition in Romanesque art, such as bilateral symmetry, abstraction of the background, with no reference to space or context, and the unnatural geometrical treatment of form to be observed in the folds of the clothing. It also shows certain conventions of representation, such as so-called hierarchical perspective, which
consists in representing the chief character in a larger size.

Description 

The composition is presided by the Maiestas Domini, or Christ in Majesty, represented in a double mandorla, typical of earlier Carolingian art. According to the Bible sources inspiring the vision, the Lord's throne is the arc of Heaven and he has the Earth as his footstool. His face is framed by a cruciform halo and his expression is severe. He is holding the Book of Revelation in his left hand and blessing with his right. The Apostles figure in the lateral compartments, arranged in tiered pyramids, an original compositional formula, although it was already known in the art of the
Early Empire and also appears in the famous 11th-century Romanesque bibles of Rodes and Ripoll.

The disciples are all addressing the Saviour, either with their eyes or with the inclination of their heads, and are carrying books or scrolls. St Peter, furthermore, is holding the keys. Opposite him, on the other side, is St Paul, with his characteristic bald head. Both the image of Christ and the quality of the yellow and red used and even the bordering on the frame are very similar to those on the frontal from Sant Martí d’Ix, which probably came from the same workshop.

This frontal was painted in tempera on a pine panel. It is one of the most characteristic representations of Catalan Romanesque, showing Romanesque stylistic principles, such as bilateral symmetry and hierarchical geometric forms, as seen in the folds of the clothing. It is also noteworthy for the quality of the polychromy. The work shows similarities, especially with regard to colors and borders, to the frontal of Saint Martin of Ix, indicating that probably they are from the same author or workshop.

Notes

References

External links 
 The frontal at Museum's website
The Art of medieval Spain, A.D. 500-1200, an exhibition catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on this altar frontal (no. 169)

Paintings depicting Jesus
Paintings depicting Paul the Apostle
12th-century paintings
Catalan paintings
Romanesque paintings
Paintings in the Museu Nacional d'Art de Catalunya
Paintings depicting Saint Peter
Altar frontal
Julia Elisabeth Boland (born 26 November 1985) is an Australian professional golfer. She graduated to the LPGA Tour after finishing 8th in the 2012 Symetra Tour.

Early life and amateur career 
Boland was born in Tamworth, New South Wales and is the youngest of four children. She studied at the University of Sydney while playing for the NSW team and the Australian Amateur team. She won the 2009 Australian Women's Amateur Stroke Play Championship. After winning the Karrie Webb Series she joined the Texas A&M Aggies. She played a lone season in College Station and recorded three victories for the Aggies. She was an All-Big 12 selection and was named Newcomer of the Year in 2010. In her rookie season on the Symetra Tour in 2012, she won the Four Winds Invitational in August and finished eighth on the money list to earn her LPGA Tour card for 2013.

In March 2018, Boland was elected as President of the ALPG (Australia Ladies Professional Golf)

Professional wins

Symetra Tour wins
2012 Four Winds Invitational

Team appearances
Amateur
Espirito Santo Trophy (representing Australia): 2008, 2010
Tasman Cup (representing Australia): 2007
Queen Sirikit Cup (representing Australia): 2009

References

External links

Julia Boland at Golf Australia (archived)

Australian female golfers
Texas A&M Aggies women's golfers
ALPG Tour golfers
LPGA Tour golfers
University of Sydney alumni
Sportswomen from New South Wales
Sportspeople from Tamworth, New South Wales
1985 births
Living people
21st-century Australian women
Alexandra Kertz-Welzel (born October 15, 1970) is Professor and Chair of Music Education at Ludwig-Maximilians-Universität in Munich, Germany. She studied at the Hochschule für Musik Saar and Saarland University in Saarbrücken, where she obtained Master's Degrees in music education, German studies, Philosophy, piano performance (class of Kristin Merscher), and harpsichord performance (class of Gerald Hambitzer), and was a scholarship holder from Cusanuswerk between 1992 and 2000. In 2000, she received a PhD degree in Musicology from Saarland University, with a dissertation on aesthetics in literature and music during the early romanticism in the Nineteenth century. Prior to her employment at LMU Munich in 2011, she was lecturer in music education at the Hochschule für Musik in Saarbrücken (2005–2011), and visiting scholar and lecturer in music education at the University of Washington in Seattle, Washington (2002–2005).

Publications 
Kertz-Welzel is the author of Every child for music: Musikpädagogik und Musikunterricht in den USA (2006), Patriotism and nationalism in music education (2012, along with David G. Hebert), and Globalizing music education: a framework (2018). Recent chapters on internationalizing music education, music education policy, community music, and transcultural childhoods, have appeared in international journals and handbooks.

Prof. Kertz-Welzel has given numerous lectures and keynotes at national and international conferences throughout Europe, in Brazil, China, Nepal, and the United States.

Professional Memberships and Activities 
Prof. Kertz-Welzel was co-chair of the ISME Commission on Policy: Culture, Education and Media from 2016–2018 of the International Society for Music Education (ISME), and chair of the International Society for the Philosophy of Music Education (ISPME) from 2017-2019. Additionally, she is editorial board member of international peer-reviewed journals, such as the Philosophy of Music Education Review, or the Journal of Historical Research in Music Education. At Ludwig-Maximilians-Universität in Munich, she was Excellence Initiative Mentor at the Faculty of History and the Arts from 2011–2017. In 2013, she founded the Munich Community Music Center (MCMC) at LMU Munich. From 2018-2020, she was Executive Director of the College of Arts at LMU Munich.

Books

References

External links
 Website of Alexandra Kertz-Welzel at LMU Munich.

1970 births
Living people
German musicologists
German women musicologists
German music educators
German women music educators
People from Neunkirchen, Saarland
Saarland University alumni
Hochschule für Musik Saar alumni
Academic staff of the Ludwig Maximilian University of Munich
Nemacheilus chrysolaimos is a species of ray-finned fish in the genus Nemacheilus.

Footnotes 

 

C
Freshwater fish of Indonesia
Fish described in 1846
House is a clothing brand and retailer chain, owned by the LPP. Its headquarters are located in Gdańsk, Poland. In 2021, company owed 322 stores, including 170 stores in Poland, and 141 in other countries across Europe. Additionally, it operated online retail in 13 countries. It was established in 2001 by Artman company, and bought by LPP in 2009.

Stores 
In 2021, company owned 322 stores, including 170 stores in Poland, and 141 in other countries across Europe including Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Finland, Hungary, Kazakhstan, Latvia, Lithuania, Poland, Romania, Russia, Serbia, Slovakia, Slovenia, and Ukraine.
Additionally, it operated online retail in 13 countries (Croatia, Czech Republic, Estonia, Germany, Hungary, Latvia, Lithuania, Poland, Romania, Russia, Slovakia, Slovenia, and Ukraine).

Gallery

References

External links 
 Official website

Retail companies of Poland
Multinational companies headquartered in Poland
Clothing companies of Poland
Polish brands
Clothing brands
Companies based in Gdańsk
Polish companies established in 2001
Mark Howkins (born 17 June 1953) is a Canadian sports shooter. He competed at the 1984 Summer Olympics and the 1988 Summer Olympics.

References

External links
 

1953 births
Living people
Canadian male sport shooters
Olympic shooters for Canada
Shooters at the 1984 Summer Olympics
Shooters at the 1988 Summer Olympics
Sportspeople from Brisbane
Commonwealth Games medallists in shooting
Commonwealth Games silver medallists for Canada
Commonwealth Games bronze medallists for Canada
Shooters at the 1986 Commonwealth Games
Shooters at the 1990 Commonwealth Games
Medallists at the 1986 Commonwealth Games
Medallists at the 1990 Commonwealth Games
Lord Charles Spencer-Churchill (né Spencer; 3 December 1794 – 28 April 1840) was a British army officer and politician. He was the second son of George Spencer-Churchill, 5th Duke of Marlborough and Lady Susan Stewart, daughter of John Stewart, 7th Earl of Galloway.

Life and career
His surname was Spencer until 1817, when his father changed his and his children's surname to Spencer-Churchill (by royal licence dated 26 May 1817). Spencer entered the British Army in 1811, and he served in Spain and France. He transferred from the 85th Foot to the 75th Foot as a Captain in 1824. He purchased a Lieutenant-Colonelcy in 1827 and sold his commission in 1832. From 1818 until 1820, he also represented St. Albans in the House of Commons.

He married Ethelred Catherine Benett on 24 August 1827 and had three children:
 Susan Spencer-Churchill (d. 2 February 1898), married the Rev. and Hon. John Horatio Nelson, son of Thomas Nelson, 2nd Earl Nelson, and had issue
 Lt.-Col. Charles Henry Spencer-Churchill (27 May 1828 – 3 April 1877), married in 1862 to Rosalie Lowther, daughter of the Reverend Gorges Paulin Lowther
 Etheldreda Catherine Spencer-Churchill (15 June 1829 - 24 October 1881)
 Lucy Caroline Spencer-Churchill (29 January 1832 - 13 March 1904), married in 1880 to Rev. John Fletcher Dixon-Stewart, uncle of Rowena, Duchess of Somerset.
 John Kemys George Thomas Spencer-Churchill (27 December 1835 – 9 August 1913), married Edith Maxwell Lockhart, aunt of the novelist Jean Rhys

Spencer-Churchill was returned to Parliament in 1830 as member for the family borough of Woodstock, but went out in 1832 when the representation of that borough was reduced by the Great Reform Act. He replaced his elder brother, the Marquess of Blandford, in 1835, but having joined the Whigs was defeated in the election of 1837. Lord Charles was previously a Tory and, unlike his brother, did not support Reform.

References

F W S Craig, British Parliamentary Election Results 1832-1885 (2nd edition, Aldershot: Parliamentary Research Services, 1989)

External links 
 

1794 births
1840 deaths
Charles Spencer-Churchill
King's Shropshire Light Infantry officers
Gordon Highlanders officers
British Army personnel of the Napoleonic Wars
Conservative Party (UK) MPs for English constituencies
Tory MPs (pre-1834)
UK MPs 1818–1820
UK MPs 1830–1831
UK MPs 1831–1832
UK MPs 1835–1837
Younger sons of dukes
The 1964 Tripoli Fair Tournament was the 3rd edition of football at the Tripoli International Fair, and was held from 8 to 17 March 1964 in Tripoli, Libya. Five teams participated: Lebanon, Libya, Morocco B, Sudan B, and Malta B. Lebanon won the tournament.

Matches

References

Tripoli International Fair
1964
1964 Tripoli International Fair
Evening Falls is an album by Norwegian guitarist and composer Jacob Young released on the ECM label in 2004.

Reception

AllMusic awarded the album 4 stars and in its review by Thom Jurek, states "What is immediately startling about Evening Falls is its lyricism, and how it doesn't sound like a guitarist's date. Young's compositions reflect the notion of song, overtly paying careful attention to nuance and dynamic. Inside his deep and winding lyricism is plenty of room for improvisation and group interplay". The Guardian called it "A lyrical, softly swaying debut from a thirtysomething Norwegian acoustic and electric guitarist who, despite his youth, has worked with some of the luminaries of the Scandinavian scene". On All About Jazz John Kelman wrote "Evening Falls heralds the international arrival of an artist who, with a number of years behind him, has already developed a mature and personal approach. As a player, composer and bandleader he will clearly be someone to watch"

Track listing 
All compositions by Jacob Young except as indicated
 "Blue" – 7:19  
 "Evening Air" – 6:48  
 "Minor Peace" – 6:19  
 "Looking for Jon" – 4:29  
 "Sky" – 5:00  
 "Presence of Descant" (Young, Jon Christensen) – 3:56  
 "Formerly" – 6:48  
 "The Promise" – 4:25  
 "Falling" – 4:47

Personnel 
Jacob Young – guitar 
Mathias Eick – trumpet 
Vidar Johansen – bass clarinet, tenor saxophone
Mats Eilertsen – bass 
Jon Christensen – drums

Credits 
Engineered by Jan Erik Kongshaug 
Design by Sascha Kleis
Liner photos by Colin Eick 
Produced by Manfred Eicher

Notes 
Recorded at Rainbow Studio in Oslo, Norway in December 2002

References 

ECM Records albums
Jacob Young (musician) albums
2004 albums
Albums produced by Manfred Eicher
An information school (sometimes abbreviated I-school or iSchool) is a university-level institution committed to understanding the role of information in nature and human endeavors. Synonyms include school of information, department of information studies, or information department. Information schools faculty conduct research into the fundamental aspects of information and related technologies.  In addition to granting academic degrees, information schools educate information professionals, researchers, and scholars for an increasingly information-driven world. 
Information school can also refer, in a more restricted sense, to the members of the iSchools organization (formerly the "iSchools Project"), as governed by the iCaucus. Members of this group share a fundamental interest in the relationships between people, information, technology, and science.  These schools, colleges, and departments have been either newly established or have evolved from programs focused on information systems, library science, informatics, computer science, library and information science and information science.
 
Information schools promote an interdisciplinary approach to understanding the opportunities and challenges of information management, with a core commitment to concepts like universal access and user-centered organization of information. The field is concerned broadly with questions of design and preservation across information spaces, from digital and virtual spaces like online communities, the World Wide Web, and databases to physical spaces such as libraries, museums, archives, and other repositories. Information school degree programs include course offerings in areas such as 
data science, information architecture, design,  economics, policy, retrieval, security, and telecommunications; knowledge management, user experience design, and usability; conservation and preservation, including digital preservation; librarianship and library administration; the sociology of information; and human–computer interaction.

See also
 Education for librarianship
 Information age
 List of information schools
 Outline of information science
 Outline of library science
 Systems science

References

Bibliography
 Cronin, B. (2005). An I-dentity crisis? The information schools movement. International Journal of Information Management, 25: 363–365.
 Debons, A. & Harmon, G. (2006) The I-Conference in Retrospect. Bulletin of the American Society for Information Science and Technology, April/May.
 Larsen, R. (2005). An interview with Ron Larsen about I-schools. Coalition for Networked Information, 27-minute audio recording.

Library science education
Information science
Lionel Nathan Kouadio (born 1 September 2001) is an Ivorian basketball player who plays for CB Morón and the Ivory Coast national team. Standing at , he plays as shooting guard.

He has been described as the "future of Ivorian basketball" by some media outlets.

Early and college career
Kouadio started playing basketball with CO Descartes. He also joined the Basketball Without Borders Africa camp in 2018. Kouadio later played for the LaBase Academy in Abidjan. In August 2020, Kouadio was announced to be part of the incoming class of the Daytona State College basketball team.

Professional career 
In 2021, he returned to Ivory Coast to play for Abidjan Azur in the Ivorian Basketball Championship. He was named the national league's season MVP after averaging 19 points, 7.5 rebounds and 3.4 assists per game.

On 3 November 2021, Kouadio signed a two-year contract with Club Ourense Baloncesto of the LEB Oro.

He later joined Solgáleo Bosco Salesianos of the Liga EBA, the Spanish fourth tier league. In September 2022, Kouadio was named the MVP of the Conference A Finals after scoring 37 points in the final.

In the 2022–23 season, he played for CB Morón in the LEB Plata.

National team career
Kouadio has represented the Ivory Coast national basketball team as well as the U18 team. At age 19 on opening day, he was the youngest player on the roster for AfroBasket 2021.  He won the silver medal at the 2023 FIBA AfroCan in Angola, and averaged 11.3 points and 7.5 rebounds per game.

References

External links
Lionel Kouadio at RealGM

2001 births
Living people
Shooting guards
Ivorian expatriate basketball people in Spain
Ivorian men's basketball players
Club Ourense Baloncesto players