Samantha912/NLP_A2_WTH huggingface dataset:
Na Mira (born 1982), also known as Dylan Mira, is an American artist and educator, known for her installation art. She is based out of Los Angeles, California, "on Tongva, Gabrielino, Kizh, and Chumash lands."

Early life and education 
Na Mira was born in 1982 in Lawrence, Kansas. She grew up between the United States and East Asia, and is of Korean-American descent.

Mira received a BFA degree in 2006 in Film, Video, New Media at the School of the Art Institute of Chicago; and a MFA degree in 2013 in New Genres at the University of California, Los Angeles.

Artistic practice and exhibitions 
Beginning in 2018, Mira has a since ongoing video installation series titled Night Vision. The Night Vision series started with a noted visual glitch when filming with an infrared camera in Jeju Island in South Korea, and the work features audio components. Her Night Vision work touches on topics such as esotericism, Korean shamanism, feminism, and personal family history.

In January 2022, Fulcrum Arts hosted a conversation titled "Unfolding Dimensions" between Mira, Simon Leung, and Satyan Devadoss, focused on an analysis of Mira’s research work in the archives of Theresa Hak Kyung Cha.

In April 2022, Mira participated in a "multi-sensorial, durational performance" Eternal Spa, organized with QNA (collective) at the Museum of Contemporary Art, Los Angeles.

Mira was selected to participate in the 2022 Whitney Biennial titled "Quiet as It's Kept" curated by Adrienne Edwards and David Breslin. Mira presented Night Vision (Red as never been), 2022, a video installation at the 2022 Whitney Biennial, a work in conversation with the work of Theresa Hak Kyung Cha.

Mira is on the faculty at University of California, Riverside (UCR) in the Department of Art.

References

External links 
 Na Mira Interview, 2018, Phantom Limb

Living people
American artists of Korean descent
Artists from Los Angeles
People from Lawrence, Kansas
American installation artists
School of the Art Institute of Chicago alumni
University of California, Los Angeles alumni
American women installation artists
1982 births
We Cheer 2, known in Japan as , is a dance video game releases by Namco Bandai Games. It is the sequel to We Cheer.

Gameplay
The gameplay is the same as the original We Cheer using the Wii Remote as a virtual pom-poms. In the single player mode, players can use either two Wii Remotes (one in each hand) or one Wii Remote (in either the left or right hand) to follow the on-screen motions. The game also offers cooperative and competitive modes for up to 4 players. New to the game are further customization of characters and the ability to play as a male or female cheerleader.

Development
The game features 36 licensed music tracks.

Reception

The game received "mixed" reviews according to the review aggregation website Metacritic. In Japan, Famitsu gave it a score of one eight, two sevens, and one eight for a total of 30 out of 40.

See also
All Star Cheer Squad
All Star Cheer Squad 2
We Cheer

References

External links
 

2009 video games
Cheerleader video games
Cheerleading
Music video games
Bandai Namco games
Video games developed in Japan
Video games with gender-selectable protagonists
Wii-only games
Wii games
Mineral County is a county located in the U.S. state of Montana. As of the 2020 census, the population was 4,535. Its county seat is Superior.

Geography
According to the United States Census Bureau, the county has a total area of , of which  is land and  (0.3%) is water.

Major highways
  Interstate 90
  U.S. Route 10 (Former)
  Montana Highway 135

Adjacent counties

 Sanders County - north
 Missoula County - east
 Clearwater County, Idaho - southwest/Pacific Time Border
 Shoshone County, Idaho - northwest/Pacific Time Border

National protected area
 Lolo National Forest (part)

Politics
Mineral County has voted for the Republican Party candidate in all national elections since 2000. Before that, its voting was more balanced.

Demographics

2020 census
As of the census of 2020, there were 4,535 people.

2010 census
As of the census of 2010, there were 4,223 people, 1,911 households, and 1,229 families in the county. The population density was . There were 2,446 housing units at an average density of . The racial makeup of the county was 94.9% white, 1.5% American Indian, 0.7% Asian, 0.3% black or African American, 0.2% from other races, and 2.4% from two or more races. Those of Hispanic or Latino origin made up 1.9% of the population. In terms of ancestry, 30.9% were German, 16.9% were Irish, 15.4% were English, and 3.0% were American.

Of the 1,911 households, 21.9% had children under the age of 18 living with them, 52.4% were married couples living together, 7.3% had a female householder with no husband present, 35.7% were non-families, and 29.7% of all households were made up of individuals. The average household size was 2.20 and the average family size was 2.69. The median age was 49.8 years.

The median income for a household in the county was $37,256 and the median income for a family was $44,271. Males had a median income of $35,536 versus $20,370 for females. The per capita income for the county was $19,209. About 12.7% of families and 19.0% of the population were below the poverty line, including 36.0% of those under age 18 and 4.3% of those age 65 or over.

Communities

Towns
 Alberton
 Superior (county seat)

Census-designated places
 Cyr
 De Borgia
 Haugan
 Riverbend
 Saltese
 St. Regis

Other unincorporated communities

 Borax (part of Saltese)
 Bryson
 Cabin City
 Drexel
 East Portal
 Henderson
 Keystone
 Lozeau
 Quartz
 Sohon
 Spring Gulch
 Tammany
 Tarkio
 Westfall

Former communities
 Taft

See also
 List of lakes in Mineral County, Montana
 List of mountains in Mineral County, Montana
 National Register of Historic Places listings in Mineral County, Montana

References

External links
Mineral County website

 
1914 establishments in Montana
Populated places established in 1914
Tsepina () or Tzepaina () was a castle and town in the western Rhodope mountains, southern Bulgaria, now in ruins. It is  from the Dorkovo village in the north-eastern part of the Chepino Valley. Tsepina is  above sea level.

The town was built on a steep height at  above  sea level. Its outer walls closed an area of 25 decares and was dominated by a citadel at the top of the cliff. The foundations of three churches have been excavated as well as four large water storage tanks up to  deep.

History 
The site was already settled in prehistoric times. Remnants of pottery from the 4th–6th century and houses and a large three-aisled church in the area of the citadel point to a settlement during early Byzantine times. 

The Bulgarians took the castle in the 9th century but with the end of the First Bulgarian Empire in the beginning of the 11th century the Byzantines conquered it.

The other buildings and pottery found on the site date to the 12th–14th centuries, when the fortress was repeatedly fought over between the Byzantines and Bulgarians due to its strategic location. During the reign of the Bulgarian emperor Kaloyan (1197–1207), the fortress was the residence of his nephew, the despot Alexius Slav. In 1246 it fell, along with the other fortresses in the region, to the Empire of Nicaea, but Bulgarian emperor Michael II Asen (1246–1256) recovered it soon after the death of the Nicaean emperor John III Vatatzes in 1254. The Nicaeans launched several unsuccessful attempts to recapture the fortress, but in 1256 Michael II Asen ceded it by treaty to Vatatzes' son and successor, Theodore II Laskaris.

The fortress remained in Byzantine hands thereafter, forming, along with nearby Stenimachos, its own province, until it was ceded  in 1343 or 1344 to the Bulgarians during the Byzantine civil war of 1341–1347, when the regency council tried to obtain Bulgarian support against the usurper John VI Kantakouzenos. Around 1373 it was seized by the Turks under the command of Daud Pasha, after a bloody nine-month siege. The fortress fell only after the Ottomans cut off the water-conduit. Soon after that it was abandoned by its inhabitants and fell into ruin, although one of the churches continued to be used until the 17th century, possibly as part of a monastery (whence the local names Metoha, 'metochion', or Manastirat, 'monastery', for the settlement).

Footnotes

References 
Tsepina
 Сырку, П. Старинная Чепинская крепость у с. Доркова и два византийских рельефа из Чепина (в Болгарии). – Византийский временник, Т. V (1898), 603-617
 

Castles in Bulgaria
Buildings and structures in Pazardzhik Province
Rhodope Mountains
Medieval Thrace
The Fly Castelluccio Flash is a family of Italian paramotors that was designed and produced by Fly Castelluccio of Ascoli Piceno for powered paragliding. Now out of production, when it was available the aircraft were supplied complete and ready-to-fly.

Design and development
The  Flash was designed to comply with the US FAR 103 Ultralight Vehicles rules as well as European regulations. It features a paraglider-style wing, single-place accommodation and a single engine in pusher configuration powering a two-bladed wooden propeller. The fuel tank capacity is .

As is the case with all paramotors, take-off and landing is accomplished by foot. Inflight steering is accomplished via handles that actuate the canopy brakes, creating roll and yaw.

Variants
Flash Top 80
Model with a  Per Il Volo Top 80 engine in pusher configuration with a reverse-turning gear box reduction drive and a  diameter two-bladed wooden propeller.
Flash Sky 100
Model with a Sky 100 engine in pusher configuration with a reduction drive and a  diameter two-bladed wooden propeller.
Flash Snap 100
Model with a Snap 100 engine in pusher configuration with a reduction drive and a  diameter two-bladed wooden propeller.

Specifications (Flash Top 80)

References

External links
 archive

Flash
2000s Italian ultralight aircraft
Single-engined pusher aircraft
Paramotors
was a province of Japan, located in Kinai, corresponding to present-day Nara Prefecture in Honshū. It was also called . Yamato consists of two characters, 大 "great", and 和 "Wa". At first, the name was written with one different character (), but due to its offensive connotation, for about ten years after 737, this was revised to use more desirable characters () (see Names of Japan). The final revision was made in the second year of the Tenpyō-hōji era (c. 758). It is classified as a great province in the Engishiki.

The Yamato Period in the history of Japan refers to the late Kofun Period (c. 250–538) and Asuka Period (538–710). Japanese archaeologists and historians emphasize the fact that during the early Kofun Period the Yamato Kingship was in close contention with other regional powers, such as Kibi Province near present-day Okayama Prefecture. Around the 6th century, the local chieftainship gained national control and established the Imperial court in Yamato Province.

The battleship , the flagship of the Japanese Combined Fleet during World War II, was named after this ancient province.

Capital
During the Kofun period (300 to 538) and the Asuka period, many palace capitals were located in Kashihara, Asuka, and Sakurai. Yamato was the first central government of the unified country in the Kofun period. Heijō-kyō capital was placed in Nara City during the Nara period.

In the 14th century, the capital of the Southern Court was established in Yoshino and Anou.

Temples
The provincial temple for monks is popularly thought to have been Tōdai-ji, but it may have in fact been a different one in Kashihara. The one for nuns was Hokke-ji.

The primary shrine was Sakurai's Ōmiwa Shrine, but there have been no records stating as such found at the shrine itself. There were no secondary shrines. The sōja (or principal Shinto shrine in the province) was Kokufu Shrine (Takatori, Takaichi, Nara).

Kami of Yamato
Minamoto no Shigetoki
Minamoto no Suetō
Utsunomiya Nobufusa
Oda Hidanaga
Oda Toshisada
Oda Tatsusada
Oda Tatsukatsu
Mitsuki Naoyori
Honjō Fusanaga
Tōyama Kagetō
Jushii-ge Nakai Masakiyo
Jushii-ge Matsudaira Tomonori
Jushii-ge Matsudaira Naotsune
Jugoi-ge Kanō Hisachika
Jushii-ge Matsudaira Naonobu
Jushii-ge Matsudaira Tsunenori
Jushii-ge Matsudaira Naoyoshi

Districts

Domains
Yagyū Domain
Kōriyama Domain
Koizumi Domain
Yanagimoto Domain
Kaijū Domain / Shibamura Domain
Kujira Domain
Uda-Matsuyama Domain
Takatori Domain
Okidome Domain
Tatsuta Domain
Tawaramoto Domain
Kishida Domain
Yamato-Shinjō Domain
Gose Domain
Yamato-Gojō Domain

See also
Yamataikoku
Yoshino Province
List of Provinces of Japan
List of Han
Yamato period

Yamato people (Japanese)
Yamato-damashii - 'the Japanese spirit'
Thirteen Buddhist Sites of Yamato

Notes

References
 Nussbaum, Louis-Frédéric and Käthe Roth (2005).  Japan encyclopedia. Cambridge: Harvard University Press. ;  OCLC 58053128

External links 

 Murdoch's map of provinces, 1903

 
Former provinces of Japan
Arthur is an unincorporated community in Claiborne County, Tennessee, United States. It is located along State Route 63 southwest of Harrogate, and a few miles south of the Cumberland Gap.  Its zip code is 37707.

History
In 1870, land developer Alexander A. Arthur moved to the area from Montreal, Quebec, Canada. He laid out a town, based on consolidated land parcels. In 1876 the area was called Butcher Springs and with the creation of a post office the town became known as Arthur in 1890. Alexander Arthur was key in having a railroad from Knoxville to Middlesboro, Kentucky be installed through Arthur, allowing his namesake to develop into a railroad town. The town shipped coal, ore and other minerals.

As of 1901, a school, Wester College, was located in Arthur. The school was operated by Dan Wester and all grades were taught. The school burned down in the 1910s.

Geography

The Powell River travels through the Arthur. The river flooded the area in March 1826.

Amenities and attractions

Arthur Methodist Church was organized and the first church built in 1914. Located on Old Highway 63, the current church was built in 1947. As of 1986, the church had 56 members.

The community has two cemeteries: Chumley Cemetery, which is maintained by a board of trustees comprising six Arthur residents, and Sowder Cemetery, which is located on private property and primarily serves as the final resting place for the Sowder family.

Notable people

Milton Estes, early country singer

References

External links

Unincorporated communities in Claiborne County, Tennessee
Unincorporated communities in Tennessee
Mohsin Maghiana (Urdu: محسن مگھیانہ) (born 1956) is a Pakistani physician, writer, columnist and humorist. He is mostly recognized by his literary and humorous works.

He took his medical degree from Faisalabad Medical University in 1981. Since then he has worked in many different medical institutes and hospitals around Punjab. He has unsuccessfully tried to pass Foreign Medical Graduate Examination in Medical Sciences in United States. He took his master's degree in surgery in 1988 after a few unsuccessful attempts.

Bibliography 
 Making of a Chief Surgeon

References

Punjabi people
Pakistani humorists
Pakistani surgeons
People from Jhang District
Urdu-language humorists
Living people
1956 births
The spirits in prison is a recurrent minor subject in the writings of Christianity.

Greek philosophy

In the Phædrus, Socrates likens the soul of the body to be as imprisoned as an oyster is bound to its shell Joachim Jeremias and others suggested that Peter was making a first reference to Enochic traditions, such as found again in the Second Epistle of Peter chapter 2 and the Epistle of Jude. Stanley E. Porter considers that the broad influence of this interpretation today is due to the support of Edward Selwyn (1946).

Human souls

The concept that the dead await a general resurrection and judgment either in blessed rest or in suffering after a particular judgement at death was a common 1st century Jewish belief (see Lazarus and Dives and bosom of Abraham). A similar concept is taught in the Eastern Orthodox churches, was championed by John Calvin (who vigorously opposed Luther's doctrine of soul sleep), and is reflected in some Early Church Fathers.

In The Church of Jesus Christ of Latter-day Saints, this verse is used in conjunction with 1 Peter 4:6 to support the belief that in the three days between Christ's death and resurrection, He visited the spirit world and set in motion the work of teaching the gospel to those who didn't receive it during mortality, providing them the opportunity to repent and accept saving ordinances performed on their behalf in Latter-day Saint temples.

Other religious traditions
In Islamic tradition, a place called Sijjin  is known to be the prison of unbelieving souls. It is also the place of Satan and his fellow devils. Quran exegete Tabari (839–923 CE) commented on sijjin: "it is the seventh and lowest earth (underworld), in which Satan (Iblis) is chained, and in it are the souls (arwah) of the infidels (kufar). Suyuti (c. 1445–1505 CE) describes it as place of Iblis and his soldiers (Iblis wa junudihi) with the infidels imprisoned.

See also
 Christian views on hell
 Gehenna
 Limbo
 Outer darkness
 Prayer for the dead

References

Christian cosmology
New Testament words and phrases
Bible-related controversies
First Epistle of Peter
Harrowing of Hell
Deities and spirits
The FIBA Saporta Cup Finals Top Scorer was the individual award for the player that was the highest points scorer of the FIBA Saporta Cup Finals. Which was the championship Finals of the European-wide second-tier level professional club basketball competition, the FIBA Saporta Cup.

FIBA Saporta Cup Finals Top Scorers
From the 1966–67 season, to the 2001–02 season, the Top Scorer of the FIBA Saporta Cup Finals was noted, regardless of whether he played on the winning or losing team.

Multiple FIBA Saporta Cup Finals Top Scorers

Top 10 scoring performances in finals games
The 10 highest individual single-game scoring performances in FIBA Saporta Cup Finals games.

See also
EuroLeague Finals Top Scorer (1st tier level)
FIBA Saporta Cup
FIBA Saporta Cup Finals
FIBA Saporta Cup Finals MVP
FIBA Saporta Cup Top Scorer
FIBA Saporta Cup Records
FIBA Festivals
FIBA EuroStars

References

External links
FIBA Saporta Cup @ FIBA Europe.com
FIBA Saporta Cup Winners
FIBA Saporta Cup @ LinguaSport.com

Finals top scorers
European basketball awards
Ralph Francis Howard, 7th Earl of Wicklow (24 December 1877 – 11 October 1946) was an Irish aristocrat and politician.

Biography
Howard was the son of Cecil Howard, 6th Earl of Wicklow and Francesca Maria Chamberlayne. He succeeded as Earl of Wicklow on the death of his father in 1891.

Lord Wicklow was commissioned a second-lieutenant in the 2nd Life Guards on 16 February 1898, promoted to lieutenant on 26 April 1899, and saw active service in South Africa from 1899 to 1900 during the Second Boer War. A squadron from the 2nd Life Guards was attached to the Household Cavalry Regiment during the war, and Lord Wicklow served as Brigade Signalling Officer, and received the Queen's South Africa Medal with three clasps. After his return to the United Kingdom, he was promoted to captain on 3 September 1902.

In 1922, he was nominated by W. T. Cosgrave to the Seanad Éireann of the Irish Free State on its formation. He served for six years until he was defeated at the 1928 Seanad election.

Family
Lord Wicklow married at St. Mark's Church, North Audley Street, London, on 14 January 1902, Lady Gladys Mary Hamilton (1880–1917), daughter of James Hamilton, 2nd Duke of Abercorn and Lady Mary Anna Curzon-Howe. As the couple were both prominent and visible members of Anglo-Irish society, the bride received valuable presents from several public bodies in Ireland, and the ceremony was performed by the Archbishop of Armagh (Primate of All Ireland). They had one son, who succeeded his father as Earl.

Late in Lord Wicklow's life he remarried, in 1942, to Lady Beatrix Herbert, daughter of Sidney Herbert, 14th Earl of Pembroke and Lady Beatrix Louisa Lambton.

References

External links
 

1877 births
1946 deaths
Members of the 1922 Seanad
Members of the 1925 Seanad
Irish representative peers
Irish unionists
Members of the Senate of Southern Ireland
Ralph
Independent members of Seanad Éireann
7
Crackpot is a village in Swaledale, North Yorkshire, England. Its name derives from the Old English kraka (crow) and the Viking word pot (usually a pit or deep hole often in the bed of a river, but in this case it refers to a rift in the limestone).

Crackpot Cave

Located south of Crackpot in Scurvey Scar, Crackpot Cave contains a column where a stalactite has joined up with its stalagmite. It is accessible through the aptly named Knee-wrecker Passage.

References

External links

Villages in North Yorkshire
Swaledale
Caves of North Yorkshire
Eliot Greenwald (born 1983, Portland, Maine) is a self taught artist currently based in Ashfield, Massachusetts. Greenwald is prominently known for his Night Car series, which depicts deceptively simple compositions of sci-fi, psychedelic Americana landscapes of a car in motion, yet suspended in time. Crafted by hand, the amorphous shape of his artworks adds to the surreal nature of his subject matter, giving them the appearance of a cartoon-like dream bubble. Through painting, sculpture, and assemblage, Greenwald utilizes a highly saturated color palette to emphasize the uncertainty of time and explore the spiritual force of objects.

Greenwald’s artistic practice blends comical futurism with an underlying residue of static energy; one dedicated to an individual quest of traveling without meeting a destination.  His artworks find resonance with shows like “The Twilight Zone” and “Black Mirror,” where the use of the sci-fi genre critiques societal fears of the postmodern, existentialist self in the age of technology and escapism.

Early life

Eliot Greenwald came from a family of openly creative people. His mother made clothing for the family, his father played instruments, his older sister painted, his grandfather built model boats, and his grandmother influenced his consistent interaction with nature. Greenwald decided to become an artist around the age of seven. He recalled a time where he concocted the idea to sell dirt, hamburger cookies, and natural geographic magazines to sell at his parent’s garage sale. The dirt sold within two hours, and although Greenwald retold the story from a place of excitement, it was later revealed that his mother convinced a stranger to purchase Greenwald’s display. His mother's actions did not deter Greenwald from embracing an artistic livelihood, instead it crystallized the importance of community to artistic development and patronage.

Further reading
 Greenwald, Eliot (2020), Night Car. New York, NY: Hesse Flatow.

References

1983 births
American artists
Living people
American male painters
Artists from Portland, Maine