Samantha912/NLP_A2_WTH huggingface dataset:
Bearnstow is a summer camp on Parker Pond in Mount Vernon, Maine.  The camp offers weeklong and day programs for adults and children, with an emphasis on appreciation of nature through the arts and sciences.  Founded in 1946, the camp occupies  on the east side of the pond, and is centered on the former Spruce Point Camps, whose facilities, built in the 1920s and 1930s, are listed on the National Register of Historic Places.

Setting
Bearnstow occupies 65 acres of mostly wooded landscape between Ithiel Gordon Road and the eastern shore of Parker Pond in westernmost Mount Vernon.  The centerpiece of the camp is a , where most of its infrastructure is located.  Its facilities include a main lodge and dining hall near one another and the lakeshore, with camp cabins sprinkled through the woods along the shore to the north and south.  Near the central facilities are rock ledges facing the water, and there is a beach further south.  A small outdoor performance space is located inland near the main parking area.

History
The core property was first developed as a private summer retreat around the turn of the 20th century, with the building that is now the main lodge already standing when the property was sold in 1906.  It was developed as a summer sporting camp in the mid-1910s, with the construction of four cabins just south of the lodge.  By 1922 additional cabins had been built, and the dining hall was also added about 1922.  Later facilities include an employee cabin, wood shed, and toolhouse (by 1938) and the stable (1956).  The outdoor performance space is an adaptive reuse of a level area that previously served as a tennis court.

The camp was opened in 1915 as a fishing camp by Charles Stevens, a carpenter from Fayette.  He sold the property in 1922 to Webster Chester, a professor at Colby College, who operated the camp until 1938.  It closed in 1940 for the duration of World War II, and was reopened under new ownership as Bearnstow in 1945.

See also
National Register of Historic Places listings in Kennebec County, Maine

References

External links
Bearnstow web site

Historic districts on the National Register of Historic Places in Maine
National Register of Historic Places in Kennebec County, Maine
Buildings and structures completed in 1915
Buildings and structures in Kennebec County, Maine
Summer camps in Maine
Temporary populated places on the National Register of Historic Places
Bunker is a surname.

People
Notable people with the surname include:
 Berkeley L. Bunker (1906–99), American politician
 Chang and Eng Bunker (1811–74), Thai-American conjoined twin brothers
Christopher Bunker (born 1956), British dermatologist
 Clive Bunker (born 1946), drummer
 Dennis Miller Bunker (1861–90), American painter
 Earle Bunker (1912–75), American photographer, one of the two winners of the 1944 Pulitzer Prize
 Eber Bunker (1761–1836), American sea captain and pastoralist
 Edward Bunker (Mormon) (1822–1901), American Mormon pioneer 
 Edward Bunker (1933–2005), American writer
 Ellsworth Bunker (1894–1984), American diplomat
 Howard G. Bunker (1905–94), USAF General
 Larry Bunker (1928–2005), American jazz drummer, vibraphonist, and percussionist
 Mark Bunker, American broadcast journalist, videographer and documentary filmmaker
 Max Bunker (born 1939), Italian comic book artist
 Michael Bunker (born 1937), Anglican clergyman
 Nathaniel M. Bunker (1817–89), American politician
 Paul Bunker (1881–1943), American football player and soldier
 Philip Bunker, British-Canadian scientist
 Rob Bunker (born 1988), American race car driver
 Robert J. Bunker, American academic
 Wally Bunker (born 1945), former Major League Baseball pitcher

Fictional characters
 Bunker (DC Comics), character in Teen Titans, a super-hero
 Archie Bunker, Carroll O'Connor's character on All in the Family
 Edith Bunker, Jean Stapleton's character on All in the Family
 Gloria Stivic (née Bunker), from All in the Family
Mindy Jones is an American singer-songwriter from Los Angeles, California and is currently the lead singer for recording artist Moby. Her collaborations with him include co-writing the track "The Waste of Suns" on the album Everything Was Beautiful, and Nothing Hurt, a cover of "The Big Dream" by American director David Lynch for the album Innocents, a live version of "Go" at a benefit concert for the David Lynch foundation, and his last two albums, played during his most recent tour at the Fonda and Ace theatres in downtown Los Angeles.

She is currently working on a new project called ADLT VDEO with Luke Top of Fool's Gold.

In addition to Blindspot, her songs have also been featured in Pretty Little Liars, Hot Girls Wanted, Hemlock Grove, Timeless, Stitchers, the Super Bowl commercial for Independence Day: Resurgence, Scream and many more.

In 2021, she covered Bjarke Niemann's "Champions of the Wild Side" for the launch trailer of Hitman 3.
The same year, she sang the cover of David Bowie's Heroes on Moby's album Reprise, released by Deutsche Grammophon.

References

External links
 

American women singer-songwriters
Singers from Los Angeles
1980 births
Living people
21st-century American singers
21st-century American women singers
Singer-songwriters from California
"Simple" is a song by American country music duo Florida Georgia Line. It is their fifteenth solo single release, and the first from their fourth studio album Can't Say I Ain't Country. Written by duo members Tyler Hubbard and Brian Kelley along with Michael Hardy and Mark Holman, the song expresses romantic love as a "simple" concept. The song has been promoted through the use of black-and-white photography on the duo's Instagram account, along with a music video directed by Justin Clough.

Content
The song was one of two tracks leaked in advance of Florida Georgia Line's upcoming fourth studio album. It is their first solo single release since "Smooth" in late 2017, although the duo had hit singles as featured artists on Morgan Wallen's "Up Down", Hailee Steinfeld's "Let Me Go" and Bebe Rexha's "Meant to Be" in between. Duo members Tyler Hubbard and Brian Kelley wrote the song with Michael Hardy and Mark Holman, and Joey Moi produced the track. It features "banjos and a whistling melody", and a hook in which the two spell out the title. Chris Parton of Rolling Stone Country compared the song's sound to Mumford & Sons and Edward Sharpe and the Magnetic Zeros.

Hubbard and Kelley both discussed the song in an interview with Nash Country Daily. Hubbard said that "Majority of the time, I just find that for us it’s just easy to keep it simple. There's no need to complicate it, especially when it comes to love and [our] relationships with our wives and our families. Just a little reminder to simplify things every now and then and have a good time while you do it", while Kelley stated that it was "the next step for FGL" and a "fresh sound". The two also stated in an interview on iHeartRadio's website that the two drew lyrical inspiration from their relationships with their own wives and families. Thematically, the song is about keeping a relationship "simple" and expressing the emotion of romantic love in simple fashions.

The duo promoted the song on Instagram by erasing all other pictures from the account and replacing them with captioned black-and-white photos.

Commercial performance
Simple debuted at No. 24 on the Country Airplay chart on its release on June 1, 2018. It peaked at No. 1 on Country Airplay in October 2018, which is Florida Georgia Line's 14th No. 1 on the chart, making them a duo or group with the second-most No. 1s on the chart, tying with Rascal Flatts behind Brooks & Dunn. The song was certified double platinum on September 13, 2019. The song has sold 367,000 copies in the United States as of January 2019.

Music video
Directed by Justin Clough, the music video features a grandfather recalling a romantic story to his grandchildren, interspersed with scenes from his wife and his younger self crashing a party in the 1930s.

Charts

Weekly charts

Year-end charts

Certifications

References

2018 songs
2018 singles
Florida Georgia Line songs
Republic Nashville singles
Songs written by Tyler Hubbard
Songs written by Brian Kelley (musician)
Songs written by Hardy (singer)
Song recordings produced by Joey Moi
The 2015 season was Sogndal's first season back in the OBOS-ligaen following their relegation at the end of the 2014 season. They finished the season as Champions, whilst also reaching the Third Round of the Norwegian Cup where they were defeated by Hønefoss.

Squad

Transfers

Winter

In:

Out:

Summer

In:

Out:

Competitions

OBOS-ligaen

Results summary

Results by round

Results

Table

Norwegian Cup

Squad statistics

Appearances and goals

|-
|colspan="14"|Players away from Sogndal on loan:
|-
|colspan="14"|Players who left Sogndal during the season:

|}

Goal scorers

Disciplinary record

References

Sogndal Fotball seasons
Sogndal
A pay-for-performance fee structure, in relation to the investment industry, describes a fee that is paid to a financial advisor or investment manager when their performance returns exceed those of their designated benchmark. The performance fee is generally calculated as a percentage of the investment outperformance gained. The rationale for a pay-for-performance fee is that it provides a low-cost base solution for investors and aligns their interests with investment managers who only get compensated for outstanding performance.

Typically, investors pay a base fee for investment management services and performance fees are paid dependent upon the investments’ performance over a given period in relation to the industry benchmark used. With increasing attention on the cost of fees for investment services, the onset of alternative investment firms including performance-based investment management firms are increasingly on the rise. One Canadian pay-for-performance firm is structured to only receive a profit when their clients’ investments outperform the industry benchmark.

Studies

A 2013 study found that funds with performance fees offer better risk-adjusted returns. The introduction of a performance fee increases the funds’ ex post four-factor alpha by on average 83 basis points per quarter. The results hold also when using Sharpe ratio and the raw quarterly return as dependent variables. The use of performance fees does not increase funds’ volatility levels relative to funds without such fees. Furthermore, funds with performance fees, on average, offer lower management fees than funds without these fee structures.

An additional study by The Journal of Finance explains that one of the advantages to incentive, or performance-based, fees is that they align manager interest with investor interests. On this point, both groups do better when the investment does better. It is argued that management effort is generally higher for funds with performance fees. Since investors realize that funds with performance fees draw the best managers and elicit the most effort, investors may be willing to place more money in these funds.

See also

Performance-related pay
Investment Management

References

Investment
The following is a list of Orthodox Archbishops of Mount Sinai and Raithu (). The Church of Sinai is an autonomous (given that the Archbishop, and abbot of the monastery, is elected by the assembly of the monks (Brotherhood of Sinai) but is ordained by the Greek Orthodox Patriarch of Jerusalem) body of the Orthodox Church of Jerusalem:

Eugenios (1567–1583)
Anastasios (1583–1592)
Laurentios (1592–1617)
Ioasaf (1617–1661)
Nektarios II (1661)
Ananias (1661–1671)
Ioannikios I (1671–1702)
Kosmas (22 Apr 1703 – 13 Feb 1706)
Athanasios IV (1708–1720)
Ioannikios II (1721–1728)
Nikiforos (1728–1747)
Konstantios I (1748–1759)
Kyrillos II (28 Oct 1759 – Jan/Feb 1790)
Dorotheos II (1794–1797)
Konstantios II (1804 – 9 Jul 1859)
Kyrillos III (7 Dec 1859 – 5 Sep 1867)
Kallistratos (1867–1884)
Porphyrios I (21 Aug 1885 – 7 May 1904)
Porphyrios II (7 May 1904 – Jul 1926)
Porphyrios III (29 Jul 1926 – 24 Nov 1968)
Grigorios II (4 Jan 1969 – 11 Sep 1974)
Damianos I (10 Dec 1974 – present)

Sources
Rulers.org: Orthodox Churches
The Hierarchs Catalog of Monastery St. Catherine form Sinai
Adrian Marinescu, Catalogul intaistatatorilor de la Muntele Sinai

Sinai and Raithu
Sinai and Raithu
Church of Sinai
1567 establishments in Africa
The northern New Guinea tree frog (Nyctimystes gramineus) is a species of frog in the subfamily Pelodryadinae. It is endemic to Papua New Guinea. Its natural habitats are subtropical or tropical moist lowland forests and subtropical or tropical moist montane forests. It is threatened by habitat loss.

References

Nyctimystes
Amphibians of Papua New Guinea
Taxonomy articles created by Polbot
Amphibians described in 1905
Taxobox binomials not recognized by IUCN
John Reynes (fl. 1527–1545) was a stationer, bookseller, publisher and bookbinder in London in the 16th century. He was born Jan Rijens at Wageningen, Gueldres, in the Low Countries, and was granted letters of denization on 7 June 1510.

Reynes's name first appears in the colophon of an edition of Ralph Higden's Polycronycon, issued in 1527, and he continued to publish books at intervals up to 1544. He is better known as a bookbinder and a number of stamped bindings are in existence which bear his device. They have, as a rule, on one side a stamp containing the emblems of the passion, and the inscription Redemptoris mundi arma, and on the other a stamp divided into two compartments containing the arms of England and the Tudor rose. His other stamps, about six in number, are rarer.

John Cawood, the printer, who was master of the Company of Stationers in 1557, was apprenticed to Reynes, and put up a window in his memory in Stationers' Hall.

References

16th-century English businesspeople
1544 deaths
Bookbinders
Year of birth unknown
The Workshop on Structure and Constituency in Languages of the Americas (WSCLA) is an annual linguistics conference, which started in 1995. The central objective of WSCLA  is to bring together linguists who are engaged in research on the formal study of the indigenous languages of the Americas in order to exchange ideas across theories, language families, generations of scholars, and across the academic and non-academic communities who are involved in language maintenance and revitalization.

Papers and posters presented at WSCLA meetings are published by the University of British Columbia Working Papers in Linguistics (UBCWPL).

External links
WSCLA 15
WSCLA 17
WSCLA 20
WSCLA 22
WSCLA 21
WSCLA 22
WSCLA 23
WSCLA 24
WSCLA 25

Recurring events established in 1995
International conferences in Canada
Linguistics conferences
Nutcracker dolls, also known as Christmas nutcrackers, are decorative nutcracker figurines most commonly made to resemble a toy soldier. In German tradition, the dolls are symbols of good luck, frightening away malevolent spirits.
While nearly all nutcrackers from before the first half of the 20th century are functional, a significant proportion of modern nutcrackers are primarily decorative, and not able to crack nuts. Nutcrackers are also a part of German folklore, serving as protectors of a house.

History

Nutcracker dolls originate from late-17th century Germany, particularly the Ore Mountains (German: Erzgebirge) region. One origin story attributes the creation of the first nutcracker doll to a craftsman from Seiffen. They were often given as gifts, and at some point they became associated with Christmas season. They grew in popularity around the 19th century and spread to nearby European countries. As the demand grew, nutcracker doll production also began on a mass scale in factories.  (1844–1923), commonly known in Germany as "father of the nutcracker", began the first mass production of the design (using a lathe) at his workshop in Seiffen in Saxony during 1872.

Decorative Nutcracker dolls began being popularized outside of Europe after the Second World War, when numerous American soldiers stationed in Germany came home to the United States with German nutcrackers as souvenirs. Further popularization came from Pyotr Ilyich Tchaikovsky's The Nutcracker, an 1892 ballet adaptation of E. T. A. Hoffmann's 1816 story "The Nutcracker and the Mouse King", which featured a toy soldier nutcracker. The ballet, introduced to America during the mid-20th century, became a favorite holiday tradition across the United States and helped make nutcracker dolls a Christmas decoration and a seasonal icon across Western culture.

Design

An average handcrafted nutcracker doll is made out of about 60 separate pieces. Nutcracker dolls traditionally resemble toy soldiers, and are often painted in bright colors. Different designs proliferated early; by the early 19th century there were ones dressed as miners, policemen, royalty or soldiers from different armies. More recent variations have been made to resemble various pop-culture or historical figurines, from Benjamin Franklin to Operation Desert Storm-uniformed American soldiers.

See also
 Leavenworth Nutcracker Museum

References

External links

 Erstes Europa Nussknacker Museum website 

zh-yue:公仔合桃鉗
Christmas characters
Christmas decorations
Toy figurines
Figurines
Mechanical hand tools
Culture of the Ore Mountains
Christmas art
Objects believed to protect from evil
Christmas in Germany
"The Problem with Popplers" is the fifteenth episode in the  second season of the American animated television series Futurama, and the 28th episode of the series overall. It originally aired on the Fox network in the United States on May 7, 2000. The title is a reference to the Star Trek: The Original Series episode "The Trouble with Tribbles".  The episode focuses on the Planet Express crew discovering what they think is fast food they call "Popplers," but they turn out to be the young of the Omicron aliens, and the Omicronian leader Lrrr seeks revenge.

Plot
When the Planet Express crew lands on a planet in search of a fast food restaurant, they find that it abounds in a delicious edible life-form, which they call "Popplers". The highly addictive "Popplers" soon inspire a new business venture for the crew. However, after Popplers become an incredibly popular food item and the organization MEAT (Mankind for Ethical Animal Treatment) begins to protest against them, it is learned that they are the larval stage of the Omicronian race, and that the planet where they came from is one of the nursery planets of the Omicronians.

Leela, the first to discover this when a Poppler awakens in her hands, leads the charge to stop the eating of Popplers. This mostly fails, partly due to Bender's subversive actions. The warlike natives of Omicron Persei 8, led by Lrrr, arrive to seek justice for humans devouring billions of their young. The Omicronians demand that they be allowed to eat the same number of Earthlings as "Popplers" which were eaten. Since there are fewer humans on Earth than the number of Popplers that were eaten, and since Lrrr filled up on nuts during the negotiations, the Omicronians choose instead to eat the first Earthling to eat their young: Leela.

In order to fool the Omicronians, Zapp Brannigan brings a female orangutan dressed and styled as Leela. The Omicronians are initially fooled because they have difficulty recognizing individual humans; however, hippie Free Waterfall Junior exposes the sham to protect "one of Mother Earth's most precious creatures". After realizing the trick, and after Ndnd eats the orangutan, Lrrr demands the real Leela. With Leela in Lrrr's mouth, the small Omicronian, Jrrr, whom Leela had been nannying since birth, arrives. Jrrr jumps into Leela's mouth and convinces the Omicronians that it is wrong to eat other intelligent life out of revenge. The Omicronians leave, but not before Lrrr devours Waterfall Junior. The amount of drugs in Waterfall's system leads to Lrrr becoming stoned.

The episode ends with the Planet Express Crew eating a smorgasbord buffet of unintelligent animals, including a suckling pig and a dolphin who wasted all his money on instant-lottery tickets.

Reception
The episode was ranked number eleven on IGN's top 25 episode list, particularly noting its great premise. In Doug Pratt's DVD Pratt called the episode "original and inspired". The A.V. Club gave the episode an A.

Usages of the name 
The PDF library Poppler is named after the lifeform in this episode.

References

External links

Futurama (season 2) episodes
2000 American television episodes
Fiction set around Omicron Persei
John Whalley (1699 – 12 December 1748) was an English academic at the University of Cambridge, clergyman, and poet.

Whalley was the son of John Whalley, Rector of Riddlesworth, Norfolk.

He was educated at Pembroke College, Cambridge, matriculating in 1715, graduating B.A. 1720, M.A. 1723, B.D. 1732, D.D. 1737 (from Peterhouse). He was appointed a Fellow of Pembroke College in 1721, Taxor in 1730, and served as Master of Peterhouse, Cambridge 1733–48, Vice-Chancellor of the University of Cambridge 1738–39, and Regius Professor of Divinity 1742–48.

Ordained deacon in 1724 and priest in 1725, he held the following livings in the church:
 Rector of Hungry Hatley, Cambridgeshire, 1728
 Vicar of Shepreth, Cambridgeshire, 1730
 Vicar of Hatley St George, Cambridgeshire, 1731–32
 Vicar of Tilney, Norfolk, 1732–48
 Rector of Glaston, Rutland, 1734
 Rector of Somersham, Huntingdonshire, 1742–48

Whalley was also a poet, who composed Cuddy, why sitten wee thus mute, ne cast (1738), a rustic elegy for Queen Caroline imitating the style of Edmund Spenser. Whalley was Master of Peterhouse when the poet Thomas Gray was a student then a Fellow there; Gray wrote that Whalley hated him, and had described him publicly as "a kind of atheist".

Family
Whalley married Mary Squire, daughter of Francis Squire, Chancellor of Wells Cathedral. They had the following children:
 John Whalley (1737–1763), officer in the 23rd Regiment (Welch Fusiliers), died on a voyage to India
 Susan Whalley (1739–), married Dr. Crane
 Mary Whalley (1742–1817), married James Wickham
 Francis Edwardes Whalley (1743–1813), Colonel of the Somerset Militia
 Elizabeth Whalley (1745–1778), married Isaac Sage
 Thomas Sedgwick Whalley (1746–1828), clergyman and writer
 Richard Chapple Whalley (1748–1817), clergyman

References

1699 births
1748 deaths
Alumni of Pembroke College, Cambridge
Fellows of Pembroke College, Cambridge
Regius Professors of Divinity (University of Cambridge)
Masters of Peterhouse, Cambridge
Vice-Chancellors of the University of Cambridge