Sachinkry/imdb-preference-10k huggingface dataset:
Mat Spirogolou's (Toby Malone) family know he is a talented footballer, and are pleased when he secures an audition to join a big club. They hope that when he arrives in the city his cousin will look after him.
But the cousins are like chalk and cheese: one a naive farm boy, the other a streetwise spendthrift who has managed to get mixed up with drug dealers and gangsters. Mat is unlikely to have a quiet evening in before his big day.
Having missed his cousin George (Damien Robertson) on arrival in the city, Mat encounters further trouble when a young biker takes him for a ride in more ways than one.
Toby Malone, probably better known for his work in theatre, puts in a commendable performance as the bucolic teenager. There are telltale signs of a low budget, but as with so many other low-budget movies there's more fun, seemingly more spontaneity, and more charm, than there is to be seen in the average Hollywood blockbuster.

As a WWII naval history buff, and someone who is not proud of this country's history of race relations, I was looking forward to seeing this movie. What a disappointing piece of schlock. I made it about 3/4 of the way through, but I should have turned it off at the sub attack scene. The idea that a U-boat would fire a torpedo at a DDE, as if there was a hope of hitting it, and then be able to "run away" from the DDE while submerged, is preposterous. And that's just a small detail. The whole movie was poorly written, poorly directed, and poorly acted. I agree with others on this board that this could have been a good movie. It's as if they decided that, since all those crappy WWII propaganda films were made with all-white casts, they needed to make one with black people. And as bad as those old movies were, this is actually worse. And it almost smacks of false advertising to headline Ossie Davis and Stephen Rea. It turns out they had very minor roles. I have to believe those two fine actors were embarrassed to be associated with this film. I'm done. I've given way too much of my life this crap movie.
This film has all the size and grandeur of many of the great biblical epics of the 1950's and '60's. But it is also perhaps the first that really humanizes the biblical characters themselves. The best thing about it is that it does not diminish them in the eyes of the viewer. This is a unique and compelling balance that helps us to realize that even great people like David are flawed people who find their faith and greatness in facing their flaws.
The actors are all first rate in the film from Gilbert Barnett as David's second son Absolom through to the wonderful Susan Hayward as Bathsheba. Hayward is at her best in this film. Her own truthful but larger than life style of acting is quite at home here. She is ever the seductress, but she plays the role in such a way that you sympathize with her.
Raymond Massey does a great job as Nathan the prophet. As a child when I first saw the film, Massey seemed like he truly had just conversed with the Lord himself and was an awesome sight. No doubt helped also by the great music composed by the always amazing Alfred Newman who also had great successes in other biblical epics like "The Robe" and "The Greatest Story Ever Told" along with perhaps 100 other films too! The cinema photography by Leon Shamroy is well done and adds to the size but also the intimacy of the film. Henry King, a truly underrated film director who like William Wyler never really pigeon-holed himself into any one genre, pulls together a larger than life production that never loses sight of the love story between David and Bathsheba and David's own deep struggle with his faith in God. The path tread in this film could have been very hokey, but King keeps it real and interesting all the way. Plus we never lose the sense of mystery about trying to understand the will of God, just as David himself is struggling with the same. From the first scene where a soldier dies trying to save the ark from destruction. David is not satisfied with Nathan's answer, (to paraphrase)that no one can understand the will of God. This is the journey we embark on right through to the powerful ending where David is finally confronted with himself.
Finally this film belongs to Gregory Peck who wonderful as King David. His David is a man you can believe could rule a country ruthlessly but was at one time a faithful singer of psalms. This is one of his best performances.
I don't see this movie on television much anymore, but when I do I never fail to watch it. I think it still holds up very well today.

I couldn't believe my eyes once I've watched this movie. There's no point in it either then blood and violence. Unlike other scary movies that had gore and a meaning to it this movie is just blood, gore, and killing one after another. This movie isn't interesting at all, has no meaningful plot or story line, nor does it have an intelligence in it. The blood looks very fake and this movie overall, is pointless. Don't even waste your time with it. It's just an hour or two of mindless violence. It has many bloody scenes that aren't scary but just plain revolting. This is probably the worst horror film I have ever watched out of all the horror films I ever saw.
La Teta i la Luna (The Breast and the Moon) describes the life of a 9-10 year old boy named Tete who is obsessed with breasts growing up in Catalunya. I love this movie because the characters are very honest and very human, like all the characters in Bigas Luna's movies (also director of Jamon, Jamon). Tete reminded me of how intriguing and exciting life can be at that age. Also being from Catalunya (North-east of Spain) it brought lots of memories to my mind. This movie shows how beautiful Catalunya is, nice people, nice life and specially lots of non-uptight people.

I cannot see why filmmakers remade this movie.
The 1972 movie with McQueen and McGraw is almost a classic. Steve McQueen was an outstanding actor and Baldwin is only an inadequate actor. He has no passion in his play.Also the action in the original "Getaway" was fantastic. But the remake has no action! It is almost boring despite the fact that the film-making in 1972 was more difficult than in 1994.
I don't understand the way that Baldwin imprisoned from Mexico. I think this is a mistake in the story.
So i think that there was no need to remake it, or if they decided to remake a classic, they must choose an excellent actor for the first role, like Johnny Depp or Brad Pitt...
What i like about you is one of those series you need to see but aren't sure you would see, the beginning is cool and its sucks you into the series just for fun, the second part i season 2-3 which are more stale, they come and go in what you want. what happens with many series is that they don't end with something special because the second part of the series always goes down into the drain, this one also somewhat did, the third part is the one to spoil and ruin the whole series, usually, but it doesn't, this ending is perfect for the series, it fits perfect, actually i was pretty angry about all these guys in Val's life, actually i wanted to end with Jeff in the end, but later on it changed, they chose to take Vic into the series after almost 3 seasons without him, and that was the biggest surprise and also what made the series go on top.
see it many times the series is actually very cool just don't expect the second part to be that good it isn't but the third part does what was needed and made the series to one that was worth the whole thing, i am happy to say i was glad and happy about the series and now i will go over to see two guys a girl and a pizza place, when i have seen the whole series i will be back...

Anyone notice that Tommy only has 3 facial expressions.
1. The angry eyes look he gives every enemy. 2. The holding of the hands to face, mouth agape and frightened eyes. 3. The smiling Tommy Turnbull.
I have to say that i pretty much hate this show, i don't watch it but it's like Code Lyoko, we've all watched at least one, i must say that this show is borderline racist, uninteresting and pointless.
every episode ends with robotboy winning, except for one exception when robotboy basically let this overly geeky freakazoid fly away on a jetpack.
The jokes are pretty crude too, i think it's mostly people saying the word "Suck" or farting, i think the bullies of the show are quite shocking too.
Isn't there one that hides a bowling ball under his hate, and the other uses a chain, for god sake, what kind of school is he going to. Not to mention his older brother, who is borderline psychopathic and has no other character qualities.
The whole show i feel is ripping off megas XLR and Fosters. Like you could say the trio of coop, jamie and Kiva, as well as Robotboy being similar to Megas where he beats everyone no matter what the odds and he's free spirited despite being a robot.
There is simply no appeal to this show, i'm surprised that it's still running.
In my line of work, I occasionally get contacted by independent filmmakers who are trying to publicize their film. When I can, I take a look at these low-budget films and often they make me think that the future of Hollywood is going to the dogs. Once in a while, though, there is a film that is born of pure passion and desire, as if created for the purpose of reminding the film industry that good movies are still possible. The short film B R O K E N, directed by Alex Ferrari, is a genuine surprise and worth a second look.
Clocking in at a scant 20 minutes, B R O K E N tries to tell a compelling (but surreal) story with almost no back story. The audience is plopped down in the middle of the action with no clue as to what is happening. A young woman (Samantha Jane Polay) awakens from a dream to hear a gunshot and is subsequently abducted from her home. When she awakes, she is surrounded by a group of mercenary thugs that look like they would be at home in a comic book. These nasty guys and girls are larger than life. They are all guns and knives. There is no way out.
The kicker here is that, despite being a low budget film it doesn't play like one. From the very beginning, the feeling is that B R O K E N has been shot, edited, and produced by professionals. It looks like something Quentin Tarantino might have done on his day off when he was jamming with the Wachowski brothers. The film is sharp and cool, it looks good and it feels like something big.
The acting is much better than I usually see in these smaller films. Polay and Paul Gordon (who plays the head killer, Duncan) were well chosen. As two of the few speaking roles in the film, it is up to them to carry the film. No special effects, no matter how good, would have saved this film from bad acting. Thankfully, Polay manages to convey true fear and Gordon manages to come off as a real psycho. Some of the more limited roles seem to be filled by lesser talent, but it hardly shows.
The downside to B R O K E N is that it's only 20 minutes long. The story ends with a Twilight Zone twist that seems a bit contrived and is hardly subtle. Watching it, I felt like I was supposed to have some epiphany, but there was only a feeling that it was much more mundane than I had hoped it would be. The film tries hard to be one of those puzzles that leaves audiences talking for hours at the local coffee shop, but it comes off as unsatisfying. I keep thinking that this is the first 20 minutes of a longer film.
MY RATING: 8 out of 10.

I was dreading taking my nephews to this movie, as I didn't think it was going to be well done. The kids, ages 6 and 10 were set on seeing it, so I caved. I must admit that it was not nearly as bad as I had thought, but was still a far cry from the book. The movie seemed right on with the 10 year old's understanding and sense of humor. I found that the 6 year old understood what was going on and he was presenting solutions to the issues that were taking place. I eventually had to explain that sometimes the movies don't show the best solutions to the problems because it is more fun to watch what happens if they make the "silly" or "stupid" choices.
I saw this in theaters and absolutely adored it. Geoffery Rush gave the best performance as a super villain that I have ever seen since Gene Hackman as Lex Luther. Kel Mitchel and Paul Rubens were a match maid in heaven. This film also introduced me to William H. Macy, who is now one of my favorite actors. Hank was great as the Blue Raja, and I especially loved that the character wasn't really British. The scene with him and telling his mom that he was a superhero almost brought tears to my eyes. I loved the fact that The Bowler talked to the ball. Some of the funniest stuff involved Stiller and his character Mr. Furious's false rage, and the fact that his threats and one-liners were all gibberish, and that they never made any sense. I could barely stop myself from applauding when he said "fraculater, Freinken-puss," was said. But one of the things I most enjoyed was that Captain Amazing actually dies in the movie. I HIGHLY recommend this film for any occasion, and I give it my own personal two-thumbs-up.

I've now watched all four Bo Derek vehicles directed by her husband, John; all are quite terrible, of course, but this is certainly the pits. Featuring the usual flimsy plot, bad scripting  by the director, naturally  and acting, not to mention gratuitous nudity by the star, it deals with her losing much older husband Anthony Quinn (she accepts his shotgun suicide by saying he had always admired Hemingway!!) but who continues to appear and talk to her. In fact, he wants to come back in another, younger bodybut actually does so only in the very last scene! Derek is lovely as always, and still playing naïve(!)  especially during a muddled mid-section which has her pursued by a hired killer at a spa. Quinn, too, is typically larger-than-life (read: hammy) here, but this easily constitutes his nadir; besides, for much of the duration, he acts from behind a piece of shiny plastic (presumably suggesting his being in some sort of limbo)! His 'replacement', then, is obviously a handsome-looking stud who hasn't a lick of talent or even personality. Also featured in the cast are Hollywood veterans Don Murray (as Quinn's best friend and Bo's business consultant) and Julie Newmar (as Quinn's guardian angel in the afterlife)  plus a surprising cameo appearance by billionaire Donald Trump (who presumably needed this on his resume')! It also goes without saying that John Derek was his own cinematographer on the film, that the end credits are filled with useless (and corny) expressions of gratitude to the many people who lent a helping hand, and that GHOSTS CAN'T DO IT swept the board at the 1990 Razzie Awards!
One of the best "Amitabh comeback" movies I liked. This was the phase when Govinda was going strong with Dhawan. The songs were awesome and totally as we call it "masti" type. An evergreen entertainer with the likes of the multifaceted Anupam Kher chipping in. The story line has a lot of hilarious twists and turns as is known for David Dhawan's potboilers. With a timely appearance by Mrs.Madhuri "Nene" Dixit, it was a total riot towards the end. It was great to see Amit perform with such force and humor after a long exile. Although some may consider it a typical "Bollywood Masala" movie, I would watch it any day. I am giving it an easy 8 out of 10 just for being pure Bollywood.

"Steve"(Chris Hoffman)gathers a group from high school for a reunion at the cabin location where his twin brother Wes went missing. While they are there, a reptilian creature in the shape of a man(reminded me a lot of the Gillman from CREATURE FROM THE BLACK LAGOON)awaits in the wilderness choosing the right time to pick them apart one by one. A biker, Ellen Ripley-type time female bad-ass, Kat(Chase Masterson)has an underground military bunker she practices experiments in, while it also serves as a place of safety from the thing on the bloody rampage. Kat knows more than she's telling(she also suffered the loss of a child), but there's another novelty twist most of the group have no idea of. This creature might just be more human than they realize..and it's former identity might shed some light on a deception only one other person has been hiding since Wes' death. Kat holds the key to many of the mysteries that unlock as the group remains near the cabin.
Thankfully, a large portion of the film stays away from the creature which leaps in the air while we also see a hazy screen when we look through it's eyes. The film has Dawson's Creek-type melodramatics which often hinder any real tension that needs to build in a little monster movie. The direction is very bland leading to a relatively dull experience instead of eliciting scares. The cast is rather life-less and uninteresting. Pretty Maggie Grace(THE FOG remake) might be the only draw for this film.
It's all about Mitzi. I loved her in this. And didn't she look fantastic?! I love these Lifetime Sunday afternoon popcorn movies. This is like one of those nailbiters where they always go to commercial at the most annoying times. The Richard character was completely creepy. I've dated guys like that. Well, not totally like that lol. I wish Zack hadn't have gotten killed. He was a cutie and very easy on the eyes. I LOVE these stalker type stories. It always makes me get up and make sure my doors are locked. My husband doesn't usually like these types of movies but actually sat through the entire thing with me and actually enjoyed it. I can't wait to see what Mitzi does next!

I watched an episode. Yes I sat through the entire miserable experience, and I have to say, this brand of comedy is one of the worst you will get. Imagine Peter Griffin, of Family Guy fame. Now imagine Peter Griffin as a(admittedly slim and minus the glasses) woman, except that he now lacks the something that made him hilarious. Peter Griffin is an idiot, but he doesn't know he's an idiot. Sarah has none of the genuine character, none of the acting ability to pull her character off. Maybe its the trite, formulaic jokes that pull her comedy even lower than her character can take it by herself. Maybe it's the lack of believable foils. Her insensitive, bigoted persona may appeal to insensitive, bigoted people unlike the mass appeal that Stephen Colbert's insensitive, bigoted character has. Like Bill O'Reilly, Sarah creates an annoying, unfunny character. She lacks something that is necessary for the genre of satire, let alone for the entire world of comedy. What Sarah Silverman lacks, its noticeable. And when you don't believe it and identify with it, it's not funny anymore.
This show is freaking hilarious! the jokes are original, god and i Love Eric and Kelso! yeah i know what they say, after the 8th season it's not funny anymore because Eric and Kelso are no longer in the show, and Randy is a real dumbass. Randy is, comparing to Eric and Kelso.
you cant take the funniest characters and switch em with "I'm a cool guy" kind of guy (Randy). it isn't his fault anyway, but the writers are trying to keep the 8th season funny, it's still is, not as much as the earlier seasons, but its alright.
the 360's are awesome, the circle, Red is a real kind of mental-abusing dad :) and kitty is always half-high half-pie. Hyde tries to be cool all the time, he has his moments too. the least favrioutes characters are Jackie and Donna. they're cool, but not without Kelso and Eric.
great show. Dumbass!

Kol, space prisoner on space death row, manages to hijack a space shuttle and escape to the woods of America where he, along with some new found friend try to escape from the 'Alienator" a female cyborg killing machine. Made one year after the best movie of Fred Olen Ray's career, "Hollywood Chainsaw Hookers", this one can't help but feel like a bit of a letdown. Just as low-budget as that earlier film, but not nearly as fun as I had with it. None of the actors really stood out at me. The film is alright for the undiscriminating viewer during a rainy Saturday afternoon, but that's pretty much all it's good for.
My Grade: D+
Where i saw it: Showtime Thriller
As other reviewers have noted, this is an unjustly neglected Depression-era film. Directed by Frank Borzage (two Oscars) and written by Jo Swerling (Leave Her to Heaven, The Westerner, Lifeboat, etc.), it is a tough-minded, well-structured and -realized move about denizens of a New York City shantytown. They're grifters, beggars, and women forced into prostitution, but they're a community of people both good and bad, with loyalties as complex as any group's.
Perhaps primary among this movie's many admirable qualities is the contrast between Spencer Tracy's character, Bill, and Loretta Young's Trina. He tough-talking, physically aggressive, and evidently fearless-- but Bill is not the character who gives this film its steely sense of survival. While he blusters, Trina actually hangs tough (if that term can be applied to a character so ladylike). Her devotion to him is obvious, and complete. When she becomes pregnant, she says she will raise it herself if he wants to leave, or "I'll even give up the kid if you'll only be happy." Such is the dignity of Loretta Young's performance (at age 20) as a quite simple character, that she seems neither weak or dependent, but rather a woman who recognizes happiness when she finds it, and wants nothing more.

This is a bit of a first for me, the first time I have ever been disappointed in a Tim Burton film. POTA isn't a bad film (great sets, costumes and the odd great performance) but it could have been made by any off-the-shelf hollywood director. The pacing was very odd, the last third was just spent waiting for the film to end, by myself and the cast. Tim Roth was excellent, probably the only pleasure in the film. Come back Tim.
`Stanley and Iris' is a heart warming film about two people who find each other and help one another overcome their problems in life. Stanley's life is difficult, because he never learned to read or write. Iris is a widower with two teenage children working in a bakery where she meets Stanley. She decides to teach Stanley how to read at her home in her spare time. Over time they become romantically involved. After Stanley learns to read, he goes off to a good job in Chicago, only to return to Iris and ask her to marry him.
It's a really good film without nudity, violence, or profanity, that which is rare in today's films. A good film all round.

The case is the best part of the movie but it alone is not worth the purchase price. I expected a "Based on the true story" movie only to find a shot on home video hodge-podge of poorly shot clips tied together with pathetic acting and non-related slaughter house scenes. The video scenes had numerous rewind situations which were used probably to extend the length of the feature rather than for effects. I started this review before I was even halfway through the movie and waited till it was over just in case it had a better ending but, low and behold it only got worse. If I could mark it any lower it would have been a negative ten. Learn from my mistake and save your money and time with this one.