Sachinkry/imdb-preference-10k huggingface dataset:
One of director Miike Takashi's very best. It's so good it's difficult to put into words. At nearly fifteen years older than the target audience it thrilled me from beginning to end.
It recalls similar children's films from the 1980s in the sense that (unlike today) those films weren't afraid to scare - there's a lot of nasty detail here that I initially found jarring but soon realised it's nothing different to what I grew up on. The film is a compilation of '80s kid's films conventions. You name it, it's there: a young boy hero thrust from his own unhappy/dysfunctional world into another, inhabited by mythical and mystical goblins; a quest to save both worlds from an evil force; a beautiful heroine he has a crush on; a sadistic henchwoman (Go-Go Yubari from Kill Bill Vol. 1); a lead villain who draws his evil power from something everyone in the world can relate to. But all these genre conventions are given a fresh spin and added depth.
One of the IMDb reviews begins "Where was this film when I was a kid?" and it's a sentiment I agree with wholeheartedly. Even while watching it I lamented the fact that I hadn't grown up on it; that it wasn't a part of my childhood like Labyrinth, Masters Of The Universe and, to a much lesser extent, The Neverending Story. Those films, and others like The Goonies are recalled but never copied - Miike relentlessly offering us a new take on things.
Poor CGI is a staple of many of his films, sometimes due to budgetary limitations but just as frequently an artistic choice - a desire to present things in an outlandish way. Here the CGI is mostly average, solely due to budgetary limitations, but nevertheless he does a fantastic job of putting on a spectacle. The CG effects combine with traditional puppets, animatronics and truly extraordinary make-up to create a world filled with rich characters (and characterisation) that frequently borders on the visionary.
This ranks as one of the greatest children's films ever made. Not for younger or more sensitive kids though.
Just jaw-droppingly wonderful. See it for yourselves and if you think your kids can handle/appreciate it then show it to them. Let them grow up on The Great Yokai War as some small compensation for the fact you couldn't.

This is another typical unbelievable and non-sensical piece of Hollywood dreck.
Kurt Russell, as Snake Pliskin in a business suit, convinces me he was a better 2nd baseman. Ray Liotta as the psychotic cop is totally predictable and absurd. Madeline Stowe is her usual cardboard self, and does little to be a convincing victim.
Every scene in this persiflage is absolutely predictable all the way to the end when Kurt clouts Ray with a vase or something, knocking him down and out. Kurt and Madeline then do their obligatory end-of-the-movie embrace, and EVERYBODY--- except Russell and Stowe, KNOWS Liotta is going to get back up and menace the couple again.
He does, of course, and Russell drills him 10 times with his 9mm, which was ENTIRELY unnecessary. This movie could just as well ended with the bludgeoning scene--- EXCEPT Hollywood dotes on unnecessary violence, and the more they can add, or "enhance", the more slobbery they get.
Second part (actually episode 4-8) of the hit Danish tv-series is slightly inferior to the first one, but has plenty of laughs and scares as well. This time, Udo Kier plays two parts, as the monster baby and his demon-like father. Other standout parts this time are Søren Pilmark´s Doctor Krogshoj, who must face the horrible revenge of Dr. Helmer, and once again, patient Mrs. Drusse tries to solve the mysteries, Miss Marple-style. Ends on a cliffhanger and following the deaths of lead actors Ernst Hugo Järegård (Dr. Helmer) and Kirsten Rolffes (Mrs. Drusse), you wonder how they´re ever going to be able making Part III, but I hope Von Trier will give it a shot. Sadly, Morten Rotne Leffers, the Down´s Syndrome dishwasher #2, died shortly after, as well. Look for Stellan Skarsgård in a cameo. ***

This is an hybrid creature born at Carl Macek mind. With Robotech the second generation (Robotech Masters) and Megazone 23 into one miserable movie, that have no logic! The story is very, very bad, and you cannot forgive the action of Megazone when have nothing to do with Robotech. If this movie have so high rank is for the TV series and not for itself!! I did said it, the name cannot save this!
This great film is composed mostly of documentary footage is currently contained on a DVD along with Prelude to War. The great American filmmaker and story teller Frank Capra made these films which simply and clearly call attention to the main points that caused World War II and Hitler's rise.
Every school child, nay, every American should watch these films today because they are so apropos. History has been repeating itself over and over again! The Lord Chamberlains are still alive and kicking; the tactics used by the Nazis of infiltrating countries through sympathizers and then the Communists and now by Muslim terrorist groups, are still working to these evil group's advantage.
By sitting back and letting Hitler as early as 1935 be aggressive - France, America and England caused over 50 million people's deaths. Americans, French and British today would happily let Hitler do exactly the same thing despite the fact that we should have learned from history what happens when you let dictators break treaties.
These great films may be too simplistic for World War II history buffs. They don't tell the horrors that the Soviet Union caused simply because at the time America was teamed up with them, fighting Hitler. This film does tell the plain facts and motives that led to the terrible war.

In all of low budget history. this movie has to be one of the worst. True ther are some humorous sides to the movie, but in general it was just plain awful. I just can't understand what person could not out run a bunch of slugs. I mean they have to be one of the slowest creatures on the planet. The only part worth while in this movie is the close up of a slugs attempt to bite the finger of a man. This was rather amusing.
"Broken Bow" takes us back to where it all began. Set 150 years in our future and 100 years before Kirk, Spock and McCoy. This installment of the "Star Trek" franchise, is in my opinion the first series since "TOS" to recapture the feelings of wonder, danger and excitement of "Going Where No Man Has Gone Before". Scott Bakula is perfectly cast as Jonathan Archer, the first Captain of the first "Star Ship Enterprise". He and the entire cast truly show a true reverence for the Star Trek legacy. John Billingsley is Brilliant as the alien Dr. Phlox, and Jolene Blalock is totally luscious as the tempting but logical Vulcan science officer T'Pol. Broken Bow is in my opinion the best premier episode of any of the Treks, and I believe Gene Roddenberry would surely be proud.

Hollow point is an alright movie worth a half price rental or if nothing else is on a good time waster with no thought required. There are the requisite explosions and hammy acting and pretty ladies. A pretty good cast with Donald Sutherland, John Lithgow, and the lovely Tia Carrere. This cast plus a light hearted touch make for a not a great movie but a fun one..on a scale of one to ten ..a 4
To all the haters out there: condemning a TV series with one episode is like judging an entire book after reading the first few pages. That being said, I was a huge fan of BSG, thought it was some of the best TV drama (not just sci-fi) on the air. But it was time for it to end and the story to move on. I liked the BSG epilogue "The Plan", but it raised as many new questions as it answered, so I eagerly anticipated "Caprica" and I was not disappointed.
I was hoping it would not try to be another BSG, and I was pleased that "Caprica" is something different, and I personally found the story exciting, in a different way than blazing space battles, explosions and sci-fi special effects (don't get me wrong, I like that stuff too). Eric Stolz and Esai Morales give solid performances, and Alessandra was just wonderful. I can't wait until next week.

I remembered this show from when i was a kid. i couldn't remember too much about it, just a few minor things about the characters. for some reason i remembered it being really intense. also it was on really really early in the morning up in PA. I finally, after looking around the web for a long time, found an episode. the first episode no-less. Criminey! This show was so horrible. it was obviously just made to show kids playing lazer tag and having a great time. the show opens with bhodi li telling his mommy "my names not Christopher, I'm bhodi li-PHOTON WARRIOR!!!!!" we then are forced to watch kids playing lazer tag to the song "foot loose". and not just a quick little bit, but the whole song. ahhhhhhhhh my brain hurts just thinking about it. oh yeah, and as if i couldn't get worse, you cant even see the laser beams from their guns. its like they're just running around to the entire "foot loose" song. later on, after bhodi goes up into space or where-ever, they have a crappy laser gun fight to the Phil Collins song "su-su-sudio." ah, trust me, you don't want to know the rest. what can i say......THE LIGHT SHINES!!!!!!!!!!!
Saw this film in August at the 27th Annual National Association of Black Journalists Convention in Milwaukee, WI, it's first public screening. THE FILM IS GREAT!!! Derek Luke is wonderful as Antwone Fisher. This young actor has a very bright future. The real Antwone Fisher did a great job writing the film and Denzel's direction is right on the money. See it opening weekend. You won't be disappointed.

Jimmy Dean could not have been more hammy or absurdly loutish. Hysterical if viewed through the eyes of Mystery Science Theatre 3000, which I rate as a 10. I mean, the sight of this obese, corn-fed hog trouncing around Malta should be enough to send you to the vomitory, if you make it that far into the film. This ugly, hysterical farce should be placed with the likes of "Booty Call", "Pumpkinhead", "Swarm", and "The Smurfs Go To Bangladesh". A -gulp- film like this proves that sometimes actors, writers, producers, etc. get behind on their mortgage, or get stoned to the point of insanity. It begs the question "who was so stupid to finance such a whale?" But then, had good judgment prevailed and "Final Justice" never was, then we wouldn't have the delightful spoof voice-over in "Mystery Science Theatre 3000"!
Opening the film with a Bach Toccata is an aural hint of what is to unfold in this intense drama. All the compositional devices Bach perfected to keep his listener (and the performer) intrigued and entertained applies to this film. There isn't a mutual tenderness between the two lead characters and the lead female in the final scene I feel is justified in stating she was raped even though her victimizer feels she was forewarned that he was a cad. Mamet compellingly explores the emotional chasm and differences between the genders but I feel he is clueless about how they actually compliment one another given a healthy sense of humor. If Mamet ever developed a healthy humorous take on the interaction between the genders I wonder how this work would have ended? As it exists it is very somber and mean spirited.

It is a pity that you cannot vote zero stars on IMDb, because I would not have hesitated! In fact I would go so far as to say that this film was in the negative stars.
I, like many others, bought this film thinking that because it has Michael Madsen in it, it could be good... No chance! This film was shocking! Imagine a movie length 'The Bold and the Beautiful', well, Primal Instinct did not even come close to that good, and I had previously thought that there would be nothing worse than a movie length 'The Bold and the Beautiful'.
Michael Madsen, how could you do this to us? The worst part is, I didn't fast forward a bit, I was hoping that at the end they would reveal that it was all some sort of sick joke, that they thought it would be funny to make us watch such a horribly bad film.
Where do I start...? Directing - Zero Stars, Screenplay - Zero Stars, Acting - Zero Stars, Cinematography - Zero Stars, Digital Effects - Zero Stars, Production Design - Zero Stars, Make-up - Zero Stars, Casting - Zero Stars, Editing - Zero Stars, Trailer - Half a Star, Graphic Design - Half a Star, DVD Menu - Half a Star.
However I think that it is very important to have seen bad films just so that you know what a really bad film is, so for that reason I am happy that I saw this film, just so that I have a bad film to put at the bottom of my list.
I was all ready to pan this episode, seeing that this 'Master' really doesn't have any horror films under his belt.. but this is easily the best episode of the season.
The acting was good!! I don't know how he wrangled it, but we've got some real talent in this episode! And while you could see things coming from a mile away plot wise, at least it was entertaining and managed to keep me engaged for the full 56 mins, something that has been lacking up to this point in the series.
I especially liked the bit at the end, not a twist per say, but just a funny little bit where he becomes, as ever, the hen-pecked hubby.
Really good effort. Like I've said in other reviews- these are not true masters doing a lot of these episodes.. but they may someday end up being masters in the future.

Yes, the first "Howling" was a classic. A rather good werewolf movie that I admit started slowly, but gained momentum along the way to have a rather good finish then the anchorwoman changed into a cute werewolf only to be gunned down on camera. Yes that made for an entertaining horror movie to be sure...well forget all of that as this movie has nothing to do with that film. Oh sure, they kind of make it out that the anchor woman is the same and that her brother or something is wanting to find out what and why things went down as they did, but they go from the little cozy retreat from the first movie to Transylvania or somewhere here where they must battle evil magician werewolves or something. I often wonder what in the world Christopher Lee was doing in this movie, however I read the trivia here where it says he had never been in a werewolf movie before, but still read the script before you take a role. Maybe you could have gotten into "An American Werewolf in London" hell that could have been possible. It was set in London after all. Heck, werewolves do not seem to figure much into this movie except for a rather bizarre and prolonged sex scene. In fact, the most memorable death in this movie for me was when the one gal started talking loudly and this one dude's ear's started bleeding.
This is simply a classic film where the human voices coming from the animals are really what they're thoughts are. I don't know whether my video copy has a scene missing but it never shows how the dogs got out of the pit. It also shows an animals survival instinct and tracking abilities.Put humans in the same position ant the helicopters would be out. For once an original film is improved by a remake as the voice-over for the first has been removed. Only the use of animals can work in a film of this kind because using people would have had to spice out the story by turning it into murder,proving that,after all,animals are more interesting than people

I saw this bomb when it hit theaters. I laughed the whole time. Why? Because the stupidity of it seemed to have made me go insane. I look back on it and realize there was not ONE funny thing in the whole movie. At leat nothing intentional. It IS awfully funny that Lizzie cn chew a piece of Nurplex and become a gigantic, carnivorous demon...yet her itty-bitty little dress is perfectly intact, despite the fact that she is now hundreds of times larger than she was when she first put it on. Or the kind of movie in which a man can be shocked with a defibulator and only fall unconcious, and return to conciousness without ANY medical attention. And don't let me get started on the ridiculous fate of the "villain" that they decided they needed to create "conflict." Uh huh.
To the person complaining about Disney only targetting kids-The raunchy parts of this film seems to disprove that statement. Do we really need Daryl Hannah accusing Jeff Bridges of having kinky video tapes? You do if you're Disney and you're out of ideas for making the movie appeal to the above-8 crowd without writing a more intelligent script! I am thoroughly convinced that Disney pays off the ratings board so it's movies can get away with murder and still get family-friendly ratings.
What a waste of the DVD format.
Homicide: The Movie proved to be a good wrap-up to a well-written, well-directed, and well-acted series. Loose ends were tied up that weren't properly addressed at the end of the final season. The entire series, and especially the movie, provided a life-like look at life (and death) in Baltimore, a culturally unique city with an extremely high murder rate. My attraction to the series began long before I moved to Baltimore, but once I experienced life here for myself, I realized how realistic it was. And the movie certainly retained that spirit. I will certainly miss new original episodes of the series, but am very grateful to NBC and the producers and cast for giving us one last glimpse at the dark side of Charm City.

This film was probably inspired by Godard's Masculin, féminin and I urge you to see that film instead.
The film has two strong elements and those are, (1) the realistic acting (2) the impressive, undeservedly good, photo. Apart from that, what strikes me most is the endless stream of silliness. Lena Nyman has to be most annoying actress in the world. She acts so stupid and with all the nudity in this film,...it's unattractive. Comparing to Godard's film, intellectuality has been replaced with stupidity. Without going too far on this subject, I would say that follows from the difference in ideals between the French and the Swedish society.
A movie of its time, and place. 2/10.
Oh, what fun there is here!
Amy Heckerling has a flair for directing comedy (Fast Times at Ridgemont High, Look Who's Talking) but here it looks like she told the actors to go out and have fun. Micheal Keaton breezes through the role of Johnny, easily his best screen performance. Joe Piscopo is great as the appropriately named Danny Vermin, what a shame directors didn't pick up on this. And I have even mentioned Richard Dimitri playing Moronie and the character's unique vocabulary. I don't think it's an accident that the bulk of the character's name is spelled MORON.
Good lines are sprinkled throughout the movie, with Peter Boyle, Griffit Dunne.Maurren Stapleton, Merilu Henner given good lines. Even actors with minor roles like Dick Butkus and Alan Hale get in a good lines.
recommend it to a friend.

This is just plain bad. Sometimes remakes, even if they stray from the original, are good on their own. They can bring another viewpoint and achieve a certain interpretation that makes them unique and enjoyable. This was as poorly thought out and carried out as can be. This wasn't any good even standing on it's own. Viggo Mortenson is a top-notch actor, but some of his selections of roles and projects leaves something to be desired. The original "Vanishing Point" was such a thrilling, psychological adventure; this is not an adventure at all, and is not enjoyable or entertaining whatsoever. This was made from a by-the-numbers approach to film-making, stuffing in plot points that someone in Hollywood believes will please what they see as today's film-going audience. Basically, they see us as a bunch of idiots. It's insulting that someone will put this out as a feature film, and even attempt to remake a cult classic this sloppily. The manipulative plot devices, the "make-it-obvious-so-they-don't-miss-the-point" aspects, ridiculous dialogue, stereotyped characters, amateurish direction...
This is plain bad....
Finally, Timon and Pumbaa in their own film...
'The Lion King 1 1/2: Hakuna Matata' is an irreverent new take on a classic tale. Which classic tale, you ask? Why, 'The Lion King' of course!
Yep, if there's one thing that Disney is never short of, it's narcissism.
But that doesn't mean that this isn't a good film. It's basically the events of 'The Lion King' as told from Timon and Pumbaa's perspective. And it's because of this that you'll have to know the story of 'The Lion King' by heart to see where they're coming from.
Anyway, at one level I was watching this and thinking "Oh my god this is so lame..." and on another level I was having a ball. Much of the humour is predictable - I mean, when Pumbaa makes up two beds, a big one for himself and a small one for Timon, within the first nanosecond we all know that Timon is going to take the big one. But that doesn't stop it from being hilarious, which, IMO, is 'Hakuna Matata' in a nutshell. It's not what happens, it's how.
And a note of warning: there are also some fart jokes. Seriously, did you expect anything else in a film where Pumbaa takes centre stage? But as fart jokes go, these are especially good, and should satisfy even the most particular connoisseur.
The returning voice talent is great. I'm kinda surprised that some of the actors were willing to return, what with most of them only having two or three lines (if they're lucky). Whoopi Goldberg is particularly welcome.
The music is also great. From 'Digga Tunnah' at the start to 'That's all I need', an adaption of 'Warthog Rhapsody' (a song that was cut from 'The Lion King' and is frankly much improved in this incarnation), the music leaves me with nothing to complain about whatsoever.
In the end, Timon and Pumbaa are awesome characters, and while it may be argued that 'Hakuna Matata' is simply an excuse to see them in various fun and assorted compromising situations then so be it. It's rare to find characters that you just want to spend time with.
Am I starting to sound creepy?
Either way, 'The Lion King 1 1/2' is great if you've seen 'The Lion King' far too many times. Especially if you are right now thinking "Don't be silly, there's no such thing as seeing 'The Lion King' too many times!"

I gave this a four purely out of its historical context. It was considered lost for many years until it popped up out of the blue on Showtime in the early nineties.
Moe is the straight man and Larry and Curly act as a duo. Spade Cooley has a couple of numbers. I guess it had something to do with working on a ranch. I'm not quite sure because the plot was so minimal nothing really sticks in my memory. I vaguely remember it being a western musical comedy. Even the Stooge's seem to be going through the motions. Overall there's nothing much really to recommend here.
If you're not a Stooge fan then don't bother. If you are a Stooge fan, then stick with the shorts.