Sachinkry/imdb-preference-10k huggingface dataset:
Is this your typical women in chains navy transport love story? Maybe, hell, you know how the formula works by now, pretty woman is introduced in to a picture, someone has to fall in love with her.
I think this film does follow some typical story lines, but that doesn't say anything about the content. There are great scenes with Crispen Glover, Dennis Hopper, and Gary Busey, although short. Some things didn't make sense, such as the need to get in to random fights, but it is entertaining to watch, the fights were actually well done.
This is definitely a comedy foremost, but it does have a lot of good feel to it. The humor is well balanced, you won't hurt your stomach on this, but you will keep a smile.
There is a little bit of steamy action, so not one for the kids.

Disney goes to the well one too many times as anybody who has seen the original LITTLE MERMAID will feel blatantly ripped off. Celebrating the birth of their daughter Melody, Ariel and Eric plan on introducing her to King Triton. The celebration is quickly crashed by Ursula 's sister, Morgana who plans to use Melody as a defense tool to get the King 's trident. Stopping the attack, Ariel and Eric build a wall around the ocean while Melody grows up wondering why she cannot go in there.
Awful and terrible is what describes this direct to video sequel. LITTLE MERMAID 2 gives you that feeling everything you watch seemed to have come straight other Disney movies. I guess Disney can only plagiarize itself! Do not tell me that the penguin and walrus does not remind you of another duo from the LION KING!
Other disappointing moments include the rematch between Sebastien and Louie, the royal chef. They terribly under played it! The climax between Morgana and EVERYONE seemed to be another disappointment.
I will not give anything away, but in 75 minutes, everything seemed incredibly cramped and too much to handle. An embarrassment to Disney, LITTLE MERMAID 2 is better left to rent and laugh at. Then you can prepare for the rest of the other sequels Disney is going to drown you in later on.
I really have to say, this was always a favorite of mine when I went to see my grandma. And it still is. It is very, very close to the book. The way it is filmed, and the players were just all excellent! I have to recommend this movie to everyone who hasn't seen it. Almost everyone I talk to hates TV movies, but this was really great! I gave it 10/10.

I watched this movie when I was a young lad full of raging hormones and it was about as sexy a movie as I had ever seen-or ever was to see. It may not have been a great movie. My guess is it wasn't. I don't really remember much about it, to tell you the truth. I only remember the sexual chemistry between Crosby and Biehn. No woman in ANY movie has ever done it for me as the unbelievably sexy Cathy did in this movie. I haven't seen it since that first time I caught it on TV in the 70s and I don't think I'd want to see it again since I'm sure it would be a disappointment-my hormones aren't as raging and I've become more jaded over the years. Still, when I think back on the shower scene I can still remember how great it felt way back when.
Added later: After watching the movie again, I discovered that it's dangerous to go home again. What was once erotic is now pretty tame. The older woman-younger man thing still works for me, just not as much as it once did, probably because I'm no longer a 12-year-old. That older woman is now younger than I am. Also, the amateurishness of the whole thing wasn't perceived by my twelve-year-old mind.
Moral: Sometimes it's better not to revisit the past.
Barbra Streisand is a tour de force in this Hollywood story. Her performances and the songs are one-of-a-kind and are special in the halls of great movies. The scene where she is introduced to the unexpecting audience by Kristopherson, against the crowds' wishes and hers, only to turn them around with her magnificent performance of "Woman In the Moon" is one of the best examples on film of how well a great performer can win over an audience. It's real. The scene where she records Evergreen ranks with the best in the business.. all live, no lip-sync, very special. Streisand is often criticized for being a Diva, but she delivers on this one. She is majestic singing "With One More Look At You. She deserved the Oscar she and Paul Williams got for Evergreen. Kristopherson had his moments too, far above most of his movie appearances. This version of the "Born" franchise ranks with the first one of 1937 (Janet Gaynor, Frederic March)although I will always enjoy Judy Garland and James Mason musical remake of 1954. I haven't seen the DVD yet and don't know about its quality.

When you have a disembodied skull, an empty mansion, a schizophrenic wife, a scheming cad and a nutzo gardener, throw in a minister and his wife - what have you got?
AIP's answer to insomnia.
"The Screaming Skull" gets points for audacity, offering free caskets for anyone who dies of fright from watching the film. Pretty safe bet, when you're lulled into a stupor by people who think they're in a production of "Suspense for Dummies".
But Peggy Webber was a cutie, anyway. She had a few good moments of acting here and there (especially when trying to communicate with the gardener) and no one else fills a nightgown like she. But that scared face she makes - scary in itself. Whoa.
As a whole, though, there is little suspense here and everything is telegraphed like a punch thrown by a mime. You can't be scared by this film, it's impossible. It has its moments, but not enough of them.
HOWEVER, thanks to a certain Mike Nelson and his two robot pals, there are several moments of pure joy, especially in the copy THEY got hold of ("The film jumped, and it was really scary!").
One star for "The Screaming Skull", eight and a half for the MST3K version.
Talk about a "Screaming" bore....
By no means my favourite Austen novel, and Paltrow is by no means my favourite actress, but I found the film almost totally delightful. Paltrow does a good job, and Cummings, Stevenson and the one who plays 'Miss Bates' are all absolutely terrific. The period detail is not alienating; the feel of the movie is just right, in fact. But the real 'find' is Jeremy Northam as Mr Knightley. There could not be more perfect casting, IMO. I hated Mr K in the novel, but found him wonderfully human and humane in the film. Northam's good looks and smiling eyes are no hindrance to enjoyment, either! Highly recommended. AnaR

I go to the cinema to be entertained. There is absolutely nothing entertaining about this film. From beginning to end, there is no respite from the gray, grinding reality of this woman's life. It is one-paced, with no change of mood. I remained until the end only because I was convinced that things must get better. They don't, and I don't think I was the only one, as evidenced by the many groans ringing around the cinema as the film drew mercifully to a close. Honestly depicting social depravation is no crime, but boring your audience to groans is not the way to win the sympathy of the public. A dreadful film.
I had no idea of the facts this film presents. As I remember this situation I accepted the information presented then in the media: a confused happening around a dubious personality: Mr. Chavez. The film is a revelation of many realities, I wonder if something of this caliber has ever been made. I supposed the protagonist was Mr.Chavez but everyone coming up on picture
was important and at the end the reality of that entelechy: the people, was overwhelming. Thank you Kim Bartley and Donnacha O´Briain.

I had suspicions the movie was going to be bad. I'm a Duke's fan from way back. Have three years of the TV series on DVD. Well I was right. Took the family to see it. I really wanted to see the General jump again and some of the chase jump scenes were good. But to sum it up, the movie was a dumbed down tarted up version of the TV show.
Jessica Simpson was pathetic. While I can honestly say that the original Daisy's outfits were just as revealing, Jessica Simpson's interpretation of Daisy was simply awful. Sorrel Booke and Denver Pyle must be rolling in their graves as well.
Don't waste your money. If you are an old tried and true Dukes fan like me and my three kids are you will be very disappointed.
Love is overwhelming... In all it's manifestations... Gorgeous, absolutely gorgeous... Tudor Chirila, Maria Popistasu and Ioana Barbu, one truly dramatic story about love in all it's shapes, a story about the undecipherable ways of young hearts, about life and lost innocence all directed by the skillful eye of Tudor Giurgiu. With a magnificent soundtrack featuring Faultline & Chris Martin and Vama Veche it surprises in every way leaving behind the sour taste of misunderstanding love... Truly remarkable... Is it me or is Romanian cinematography slowly but surely advancing and gaining respect? This is a brilliant film... Two thumbs up to everybody involved.

Now this film isn't going to scare anyone, but it was interesting for two reasons - two big reason and a smaller one- well, that's three reasons, isn't it.
The first reason this is interesting is the special effects. I found them to be quite interesting and somewhat spectacular. To see the hair growing on Marsha A. Hunt and Sybil Danning was creepy, especially when they were participating in a ménage à trois.
Of interest, is the fact that this Marsha Hunt is the famous "Brown Sugar" of the Rolling Stones song, and that she was in the infamous nude scene in the London cast of the rock musical Hair.
Besides the special effects, there were two other points of note in this film, and they were brought out repeatedly during the closing credits. I lost count, but i swear that Sybil Danning bared those points for us in the closing credits at least a dozen times and maybe many more. Theyu were the most outstanding feature of the film.
This movie is full of references. Like "Mad Max II", "The wild one" and many others. The ladybug´s face it´s a clear reference (or tribute) to Peter Lorre. This movie is a masterpiece. We´ll talk much more about in the future.

A young couple Mandy Pullman (Mitch Martin) and Roy Seeley (Matt Birman) are relaxing on a beach in the small town of Galen. They decide to start playing practical jokes on each other. Mandy hides in an old run down cabin, she is attacked and raped by an unknown assailant. Roy tries to help her after hearing her screams but is killed. Dr. Sam Cordell (John Cassavetes) and his daughter Jenny (Erin Flannery) are both new to Galen after the death of Sam's wife. Sam is called into action by Police Chief Hank Walden (John Ireland) when Mandy and Roy are found. He performs the autopsy on Roy and treats Mandy for her horrific injuries. Soon after a curator at the local museum named Carolyn Davis (Denise Furgusson) is also attacked and raped. A local journalist named Laura Kincaid (Kerrie Keane) reports the events and suggests to Sam that a similar string of rapes and murders occurred in the town 30 years earlier. More rapes and murders occur. Meanwhile Jenny's boyfriend Tim Galen (Duncan MacIntosh) has been having strange dreams and nightmares and is convinced that he has something to do with the horrific acts. Tim's story and digging into the towns past makes Sam become convinced of the existence of a creature known as an Incubus - a shape-shifting demonic entity that exists only to reproduce! Directed by John Hough this is one seriously dull horror film. The script by George Franklin based on the novel by Ray Russell is slow to say the least. Nothing interesting or exciting happens and it finishes with one of the most boring none event of a twist ending I've ever seen and frustratingly it just finishes suddenly. As the story plods along at a snails pace there are a few rapes, but none are shown on screen. There is only one gore scene in the entire film too. The monster itself is only shown at the very end and has all of three short scenes. Everything about this film production-wise is very static and flat, the film has no energy or pace. The acting is dull and you don't feel or care for anyone. Check out the scene in the autopsy room where you can clearly see the boom mike at the top of the screen on several occasions. The type of rubbish horror film making that you'll forget within a day. A real waste of time, don't bother.
I have been wanting to see cut since the day i have heard of it, which was sometime last year. Anyway i got to see today, and when the movie started i thought that it started rather week but it got better after 10 mins or so. I thought that the movie was pretty good. but the thing i didn't like was how the killer was created, i was thinking just before i rented that it would probably suck just like Urban legends: final cut, i almost died it. mostly everything in UL final cut needed to be improved. CUT is 100 times better than UL:final cut. The best part of CUT is the killer and the death scenes. The killer kicks MO F***ING ASS.
i give cut a 8 out of 10

1st watched 12/24/2009  4 out of 10 (Dir-Robert Ellis Miller): Emotional Christmas fluff that doesn't really get specific enough to explain how the real story happened in this factual-based incident of a man who is wrongly put in jail trying to get a job for his family to make Christmas happen for them. The three kids in the family then run away from home on a trek to Washington D.C. to enlist the then President of the United States, Herbert Hoover. This trek provides some side stories like their positive encounters with a hobo and a puppeteer, which makes the story kind of like a Disney "animals on the run" movie and doesn't quite fit here. At the ending, there isn't any details given as to how the President helped the family and this is another downpoint to the movie, in my opinion. The movie does eventually bring tears, but it takes too long to get to this. The movie isn't supposed to have been an original TV movie(according to IMDb) but it has the obvious fade-outs that make it look this way  so I'm not sure their information is accurate. All in all, this is a simple movie(that could have been more complex) with a happy Christmas-like story but blandly played and without a lot of substance.
This long episode packs amount of astounding of surprises, thriller, mystery and concerns about a battle of wits of Sherlock against Charles Augustus Milverton, a master blackmailer. This is an excellent overlong runtime of Jeremy Brett-Holmes series. In the film appear usual Holmes's cannon as Inspector Lestrade and Mrs Hudson, though no Moriarty, however is a greatest villain, Charles Augustus.
It's a genuine ripping yarn with intrigue, thrills, and suspense, including an exciting final twist. This is a particular Sherlock movie but we find to Holmes falling in love with a servant, kissing, crying and even robbing. This time along with the episode ¨Scandal in Boheme¨ with Irene Adler, result to be the only one which Holmes is enamored. Top-notch Brett performance, he alongside Peter Cushing are the best Sherlock TV , while in the cinema is forever Basil Rathbone. Brett performs as a resolutive, headstrong, impetuous sleuth. Here Doctor Watson isn't a comic, botcher, and clumsy pal personified by Nigel Bruce, but is an astute and cunning partner well incarnated by Edward Hardwicke, a perfect counterpoint of Brett. Casting is frankly magnificent, special mention to Robert Hardy as astute nasty. Hardy, today famous by role as Cornelius Fudge in Harry Potter, is a veteran actor with forty years of career and with several success such as, The 10th kingdom and Winston Churchill. Furthermore appear secondaries actors with terrific performances, Nickolas Grace, Sophie Gordon, Serena Gordon, among others. The movie gets a colorful atmosphere , the London streets and 221 Baker Street's house are well designed. The motion picture is well directed by Peter Hammond, director of various episodes. It's a must see for the Arthur Conan Doyle fans.

My husband and I were intrigued by the spectacle - a strong willed Southern lady with a messy personal life solves crimes for the LAPD. The first season was must-see TV for us. Unfortunately, the stories of her personal life in the second season became so tedious and unworthy of the strong character that we stopped watching.
My husband and I were troubled by the episode where she tries to hide from her mother the fact that she is shacked up. But the deal breaker was the episode where she hides her possible pregnancy from her boyfriend but tells her boss. Why would a strong, middle aged woman do those things? The answer is she wouldn't. Additionally, my husband and I pick out the bad guy with almost perfect accuracy. It is almost always a white male or female introduced in cameo at the murder scene or in an idealized family. Can't the script writers do something original from time to time? As I mentioned, we are no longer viewers. We prefer shows that don't betray the characters and insult our intelligence.
Why did it sound like the husband kept calling her Appy ? It ruined a great episode and so I can only give it a 6. Proper grammar and pronunciation are essential to a film.
It was very Hellraiser what with all the skin ripping though I dunno how anyone can survive without skin the skin is a vital organ to the body the biggest organ actually and without we would die. The more a horror film is true the more creepy it can be and more entertaining.
I do admit though that the stories from the great horror directors are very disappointing and very mediocre.
6/10 come on Yankies get your English up to par !

This movie is not only a very bad movie, with awful actors --or presumed actors--, a bored direction and a story unattractive, it also copies exactly an scene from the excellent "giallio" "Torso", directed by Sergio Martino in 1973 (two years before), one of the most celebrated psycho-thrillers of Italian cinema and a cult-movie around the world. In "La Sanguinusa conduce la danza", the director replays the bed scene between the black girl and the white girl, with an peeping-tom watching from a window of the bedroom. Naturally, the scene in Rizzo's movie is ridiculous and inferior to the softness and charming in Martino's film. To put another black girl, another white girl and another peeping-tom replaying the scene is simply the most appropriate way of prove that Rizzo's movie has no ideas, no originality, no taste, and nothing at all. I think that such things are an offense to spectator.
This was a very good movie and is absolutely unfair to judge it without taking into account the time when it was released. There are some movies which do not get older but this is clearly out of date. However, I saw this film when I was a boy and for more than twenty years both the images as the story were unforgettable for me and most of my friends, until we could appreciate it again on DVD. Actually, I do remember this movie as the topic of several chats and meetings where old boys were talking about things we have in common. Therefore there was a little feeling of disappoint and even sadness when we finally had the DVD. Firstly, there was a theory about how naives our generation was. Secondly, I think there is something more. I would asset that this movie has something which should be interesting for all the modern film makers, specifically those who focus on the decaying horror genre. This is the mutilation, the idea which gives coherence to the film; the fact of a human being mutilated produces a deeper horror than death and torture. I remember how sick the sensation was, when the monster rip Kurt's arm out. And at the end; when the creature bites the doctor's neck to take a piece of his veins. Another remarkable thing is the morbid atmosphere which prevails without decaying in intensity through all the scenes, no matter if the action is on a secret lab, a lonely street where the man in a car is looking for a female body, a striper dressing room, and so on. May be the reasons why it is not longer a good movie are just technical things. For example, in the scene of the accident and the man saving his fiancée's head a more accurate work, made for another and modern second unit director could be interesting. Same thing with all action scenes, including the one of Kurt's arm. Furthermore, something could be done with the monster's make up. Some remakes have been good; I think in this case an attempt would worth while. Nevertheless, the black and white tones should be conserved.

DO NOT WATCH THIS SAD EXCUSE FOR A FILM. I have wasted time and money on this and am pretty p**sed off about it.
The acting is comparable with high school plays. The script is shocking. There is no plot. Twenty minutes from the end (which I believe I should be rewarded for reaching) I had a headache from all the screaming, crying and wailing the five girls make.
The majority of the violence is (rare for a film nowadays) suggested rather than graphically depicted but I found the characters so damn irritating that I wanted to see them, and indeed every single person involved in the making of this piece of s**t, die in the most horrible ways possible.
I spend ten more minutes of my life saving you from a very poor 100 minutes of yours. Don't do it.
I rented this movie and watched it 20 times before I took it back to the store. Bill Paxton hired some first rate talent to make a good thriller with some interesting twists. The story is original and well written. Powers Booth and Paxton both deliver good performances. The story is told in an interesting manner with both flashbacks 20 years back, then spots in the present, alternating back and forth. This style of storytelling makes for a good thriller that can't get dull. Bill Paxton, please make more horror movies, you have the talent for it!

Criminally Insane 2 is included on the new DVD of Satan's Black Wedding/Criminally Insane, and it's a good thing too, because when I've seen a movie and know there's a sequel (especially something that's as obscure as this) I'm always curious. I've now had my curiosity satisfied and will never watch this again. Most of CI2 is nothing but "flashbacks" to CI, and footage of Ethel asleep, recalling fond memories, I guess. Thanks to Proposition 13 she's released from Napa State (wonder if she got to see The Cramps play while she was there?) and sent to a halfway house run by a nice old lady that Ethel promptly takes to calling "granny". This is all filmed with a video camera so the picture and sound are rather pathetic, and it's even complete with a couple of "rolls". Of course Ethel does her thing, which is to dispatch anyone between her and food, especially the guy that witnesses one of her acts of mayhem and extorts her dessert. Also, you have to wonder about any halfway house for murderers having a big drawer full of sharp knives in the kitchen and rat poison under the kitchen sink. Guess that's all a matter of misguided "trust". If you liked or disliked Criminally Insane, either way there's no good reason to watch this except out of curiosity. One wonders why the makers of this even bothered. 2 out of 10.