Sachinkry/imdb-preference-10k huggingface dataset:
My father was the warden of the prison (he is retired now) showcased in this documentary and I've grown up around the prison life, so perhaps my views will be totally different from everyone else who watches this movie. I will say this, the filmmakers who brought us this 93-minute miracle are fantastic artists and even better people. They were brave enough to A) Show up and tell this story, B) Get inside these inmates minds and hearts, and C) Do all of this responsibly. Responsible to their art and, more importantly, responsible to the inmates and staff of Luther Luckett Correctional Complex. They should be commended without end for this work. To take 170 hours, yes HOURS, of footage and be able to cut and whittle it down to 93 riveting minutes is nothing short of extraordinary and they have my utmost respect.
I saw this film under circumstances that only a very, very few were able to see it. I was at the inmate screening. I was in the same room with these men as they watched their hearts being poured out on screen. I saw men crying on television crying in the chair in front of me and let me tell you, it was a very profound experience. These men have committed horrendous crimes in some cases, yet have found ways to try to redeem themselves, even if they view themselves as unredeemable. How many of us have the courage to do this? How many people could do what they have done in such a harsh environment? To see them react to the film was an experience I am eternally grateful for, and I will never forget that. I thank the men who allowed me this glimpse into their lives, I thank my father for making ALL of this possible, and I thank Philomath Films for taking the time to pour their blood, sweat, soul, and tears into this project.
This movie will change everything you think you know about prison life, and the inmates held within it. 'Oz' is not real, television is not real. 'Shakespeare Behind Bars' is.

The action in this movie beats Sunny bhai in Gadar. Akshay Kumar possess the superpowers of Leonidus in 300, Neo in Matrix along with Spiderman and Superman. It is hilarious. Except for the typical Akshay Kumar and Anil Kapoor comedy I cannot see anything positive in this film. The story looks like the writer told his 10yr old son to write. The movie is so unreal that Anil Kapoors long range shooting with a shotgun is the least most mistake by the director. Except for the directors Tashan to make this movie there is no other Tashan. I regret wasting my money on this movie and I would not recommend it to anybody. 1/10 is the least I can give on IMDb or I would give it a zero.
After high-school graduation, best friends Alice and Darlene, decide to take a trip to Thailand. Whilst they are there, they meet a charming Australian guy named Nick. After spending some time with Nick, he asks them if they want to take a weekend trip to Hong Kong with him. They agree. At the airport though, they are get busted for smuggling drugs and then get convicted for 33 years in a Thai prison for something they say they haven't done. Not really knowing what to do they end contacting Yankee Hank, an American lawyer who lives in Thailand with his wife. Word has it that if you have the money he can help you. Things start of well, but they still can't get out.
The movie is really good because it doesn't let on what's going to happen and it's interesting all the time. I couldn't believe the ending though. It was one of those endings where you don't know the 100% truth, but you still kind of know what really happened with Nick and the drug smuggling because of the 'owning up' etc.
Claire Danes and Kate Beckinsale both give quite good performances here. Beckinsales performance was a little weak though. Both Danes and Beckinsales characters friendship is good but could of seemed stronger. Paul Walker even has a small uncredited role here. ;)
Anyway, I thought Brokedown Palace was a good movie and I give it a 7/10.

I usually don't walk out of a movie, but halfway thru I did. This movie promised something different, but I kept thinking haven't I seen that before? Spoiler Alert! Back in 1, the spaceship crashes and lands on earth, well, all these years later, with a super adult on board no less, this thing still manages to burn up and crash! What, this advanced civilization can't seem to develop landing gear? For an industry that's so liberal, we get to see another Woody Allen movie, no blacks please! Superman runs around saving people, making sure he sticks to Europe and the US, don't go into darkie areas please. Maybe I could stomach this about 30 years ago, but now now.
... It even beats the nasty "raw". Almost twenty years old is this show and still I laughed VERY MUCH when I was watching it last night. It shows Eddie Murphy dressed in tight red clothes(Old School)and he jokes with everything from celebertis to his family. He was only 22-years old then and this is a must-see!
8/10

one of the worst films i have seen to date. Pathetic action scene and really bad acting also do not help. The only good point is Gary busey's parts but this does not lift the film very much. it lives up to its B film ranking and passes the test with flying colours. A waste of my money although i found entertaining to begin with its gets annoying after a few watches. i do not recommend this film unless you watch it for free or its a gift. ( a gift you can ask for the receipt and send back for a complete refund).
Really BAd.
1/10.
This movie is just so good! Despite Carmen Electra, this has to be one of the better films I have seen in awhile. Jamie Kennedy is just amazing, and Loren Dean plays an insane spoiled movie star very well. The plot is great as well. It's all very real which is scary. It says here that it's a drama, but this is one of the damn funniest dramas I have ever seen. Go check it out.

The Thumb idea isn't such a winner the second time round. ThumbTanic wasn't as good as Thumb Wars for a number of reasons. Primarily, I think, Mr Oedekerk had far less to work with in the Titanic send-up. Unlike Star Wars, the movie Titanic hasn't (yet?) become a cultural myth and there are far fewer references to be made which will resonate with the audience.
In ThumbTanic, the holes are filled by one-off jokes which don't really seem related to anything. For example, the hero's insinuation that the heroine isn't clean during the "jump off end of ship" scene - it's not funny. Rather, you just think to yourself, "Did I miss something in the original movie?". There were too many of these type of baseless jokes (cf. arachnid).
By contrast, the send-up of the smarmy ship's designer had meaning and was funny. Also very funny was the send up of the bloke in the movie who wanted to go "faster" as a maniac running around demanding *everything* be "faster" including the sinking of the ship and himself being the first to die. These sort of jokes meant something in the Titanic context and lent meaningful humour to Thumbtanic.
The thumb "media", the faces and the voices, are still amusing. The props and sets and the CG animation are worthy of appreciation. Overall, although ThumbTanic proves that quirkiness alone won't work, this filmette still keeps you amused and chuckling to the end.
Although Super Mario 64 isn't like the rest of the games in the series, it is still a classic and is every bit as good as the old games. Games with this much replay value are few and far between. Plus, this game has so much variety. There are 15 levels each with several different tasks you can do, and many other hidden tasks. The game isn't very challenging, but its lack of challenge doesn't take away from the game at all. Once you beat it, you'll want to erase your game and start again. And its just as much fun the second time, or third time, or two hundredth time. A must own for any Nintendo 64 owner, and is a reason in itself to own a Nintendo 64.

"Visitor Q" is a failed attempt at black comedy which focuses on what might be the world's most dysfunctional family including physical abuse from beatings to murder to incest to sodomy to necrophilia to a lactating mom who nurses her husband and adult daughter, etc. The film is so outrageous it garnered some critical praise and established a small cult following. However, with home video quality and a slapdash production, "Visitor Q" just doesn't hold up even as a curiosity. Genitals are blurred out and sanitary appliances clearly visible, make-up is awful, and everything else is amateurish at best. A waste of time. (C-)
This game is very addictive, I kept playing it for hours straight until late at night but also the fact that you can't save a game when you are in space contributed to this, at times I just HAD to play on in order not to loose any game data.
So yes, "Freelancer" is addictive but also quite flawed. Also for instance, something that extremely bothered me was that you couldn't skip any of the cut scene's with as a result that at times you had to watch the same few minute cut scene time after time. A great opportunity for me to multitask to check my e-mail or have a chat with my friends and more things like that, while I had to wait for the cut scene to be over.
The story starts of promising but the further you get the more ridiculous it all gets. Also the game also ends quite abrupt, at least it did so for me. It is quite obvious that they are hinting at a upcoming sequel. I don't know if a sequel is in the works at the moment but I am sure that most likely I will pick one up once it will be released.
The gameplay is very easy! Even for those who are not familiar with flight games. To put it boldly, every fool can play this game. Yes, some levels are quite hard and require lots of effort. It took me about 1-2 weeks for me to finish this game which might be a bit too short. But thank God for the multi-player option! It allows you to keep playing short missions, just like the single player game once you have completed it by the way.
Even though lot's of mission are the same, it just simply stays cool to be in the middle of the at times massive dogfights.
The graphics are good but just not anything revolutionary or anything.
Addictive game but beware of its flaws.
7/10

A group of us watched this film are were really disgusted. We were willing to forgive the fact that our favorite character Jo wasn't on (it's not like the writers/producers could do anything about that). The writing was poor, the script was sub-par. What REALLY annoyed us: 1. When the two guys realized they were both dating Natalie, they didn't just leave they put up with that stupid (and ultimately degrading) contest - but only because they were macho competing guys, not because they really wanted Natalie. 2. Despite being unable to choose between the two guys before the reunion, Natalie suddenly decides that she really loves one of the guys and is now ready to marry him? (and there was no foreshadowing that he was really a better guy, it's as if the writers flipped a coin and then just had her spit it out at some convenient point in the film). 3. Blair makes a point of talking about how she does not want children and then all of a sudden when her husband says he wants to have children, she blissfully agrees with him.
This was by far the best war documentary ever made. From the very beginning of the first episode when Sir Laurence Olivier described the horrific events in Oradour-Sur-Glane 'The day the soldiers came'. To the final days of the war when the mushroom clouds appeared over Japan, I never missed a second of this classic series and I remember it well even though it was screened way back in 1974. Each and every aspect of this tragedy was covered in detail. This whole series should be compulsory viewing for as many of the world's children as possible so that the tragedy of World War Two is not repeated and that bigotry, hatred, greed and intolerance are not confused with patriotism or religious zeal.

I first heard about White Noise when I saw the TV advert. Before then I didn't even know it existed. I watched the trailer online and decided that I would go and see it. Now being a fan of films like The Sixth Sense, I thought that this film would give me everything I wanted. It has Michael Keaton in it, and he rocks. Unfortunately the film did not deliver. It tried to be another Sixth Sense or Stir of Echoes, and failed miserably. It has a very promising start, but the middle just drags on repeating itself, and ends with a completely poor twist which any monkey could have figured out. Unfortunately like most "Scary" films nowadays it relies on loud noises and bangs to make the audience jump. This film could have been so much more. It's a shame because it was a good idea.
Sadly not available on DVD as yet, but worth pursuing on TCM or VHS. A secretary believes her boss is wrongly accused of murder, and courageously takes on many dangerous characters in an effort to establish the truth. A movie with many twists and dark alleyways, none of which I will mention! The jazz band sequence where our heroine seeks the information about the killer, is one of the most erotic scenes in Hollywood history, despite being at very low budget and made during WWII in black and white. Despite the low budget - Long Island looks somewhat mountainous - this is a movie of original style and outstanding vision. Ella Raines was a great actress discovered by Howard Hawks who knew much about these matters, casting the feistiest women - Joanne Dru, Hepburn, Angie Dickinson, Lauren Bacall, Ann Sheridan - of their era. Robert Siodmak was of one of several German, Hungarian & Czech film-makers - Sirk, Wilder, Zinnemann, Lubitsch, Curtiz,Lang, etc - who émigrés relocated to Hollywood, and brought a highly original fresh vision with them. Sadly Ella Raines was never given such a great part again, and eventually ended up in poorly produced westerns.

An updated version of a theme which has been done before. While that in and of itself is not bad, this movie doesn't reach the ring like the other "inherent and pure" evil ones do.
Predictable, ambitious attempt that falls short of the mark. Not worth sitting through for the tired contrived ending.
After Chicago, I was beginning to lose all respect for Richard Gere and then along came The Flock. There's just so far a nice smile and a couple of stock facial gestures can get you, but he proved to me that he's finally gotten hold of his craft and can act with the best of them. Clare Danes was also super as his "trainee/replacement". Some have suggested there was too much unnecessary violence, but I don't see it that way. Nothing I saw detracted from the power of this film. I was really shocked I hadn't heard of it being released in theaters and came across it at Blockbuster instead. Really an exceptional film with just the right blend of action, suspense, thrills, and social consciousness. As good as 7even? Well, maybe. And you'll see better acting out of Gere than anyone's ever gotten out of Pitt.

This is not a good movie. It's disjointed, all the acting is bad, and has a lame story you've seen a thousand times done much better else where. Not to mention you can see every plot point coming from a mile away. Worst of all, no one bothered to tell Lonette Mckee she can't sing. But who cares, she's sooooo damn good looking. But I digress, nothing new here. Bottom-line, hot girl group gets taken advantage of, some one gets hooked on drugs, someone gets hooked on a guy, some one gets the hell out, and then the horrible stuff happens. Surprise, surprise. Welcome to the music business. I can't believe so many people out there think this is a good movie. So many of you seem to want to use a sliding scale when it comes to grading Black Movies. I don't play that! If you want to support these films by going to see them - great! If you enjoyed it - super! To each his own. But don't try to tell me it was good. Pleeeease! I wish colored folks would not fawn over these kind of movies just because they feature black actors. Wanna see a good African-American movie? See Love Jones. Ray. Or The Color Purple. Those would be great movies no matter what the color of the actors skin. Why? Because they told compelling stories with great acting, that made you feel something long after you left the theater. Just because it's our experience does not automatically make it a good film. It's only good -- when it's good. Period.
I could not take my eyes off this movie when it showed up on cable. The dialogue and costumes are of a quality most readily associated with soft-core porn. In this case the expedient plot serves as a vehicle not for sex but for serial thrashings with nunchuks. (Perhaps for sex as well, but not on Indian TV, anyway.)
Not being a fan of the genre I couldn't place Jeff Wincott, and had no leads to search from. Only once Brigitte Nielsen traded in her futuristic-nurse coif (so mayoral!) for the high-top fade we remember from Beverly Hills Cop II did I make the positive ID on her.
This movie will no doubt entertain any admirer of early 90's couture or nod-and-wink schlock à la Paul Verhoeven. Can we add a genre tag for "so-bad-it's-good"?

AntiTrust could have been a great vehicle for Rachael Leigh Cook, but the director cut out her best scenes. In the scenes that she are in, she is just a zombie. She is involved in a sub-plot that is simular to a sub-plot in "Get Carter", but she handles the sub-plot better in "Get Carter".(I blame the director) The director's homage to Hitchcock was corny. (It's the scene were Ryan Philippe's charactor realizes he may not be able to trust Tim Robbin's charactor, at least I think it's a homage to Hitchcock. The DVD shows the scenes that were cut out. I think the director should have trust his instincts and not listen to the test audiences.
At last! A decent British comedy that isn't centred around some mockney bank robbers or spun off from a TV series. John Ivay's film is a psychoactive tale of discovery, dressed in biker gear. The three protagonists are gentle fools with a penchant for failure and each at a turning point in their lives, giving a sensitive, emotional trio of sub-plots to sew the riotous comedy together. The chemistry between the three amigos is palpable and makes for a touching companionship with hilarious dialogue and some classic comedic moments. It feels part Withnail and I, part American Werewolf in London, and part Quadraphenia (but only because of the bike gangs, and Phil Daniels). In fact, Phil Daniels' lovable rogue reminds you of Danny the dealer in Withnail and I, with his scholarly approach and scientific commitment to drugs. This is a great film, particularly for those who've dabbled in psychoactive substances in the past, who will relate to many moments in the film. A personal favourite is the brilliant scene in the Welsh corner shop, buying munchies while tripping on 'shrooms. This gentle comedy will warm the cockles of your heart and have you laughing out loud. And you don't have to ride bikes or even like them to enjoy it. But it'll add to it if you do. Brilliant.

This wilfully bizarre adaptation of Borges short story is typical Cox. His strong visual sense is, as usual, undone by the appalling half baked acting of most of the cast. The film is definitely in the surreal tradition of Bunuel's Mexican period, and looks at times like a poor man's take on Lars Von Trier's Elements of Crime. Cox's apparent preference for single takes, jump cuts, and ambient sound recording all work against the film's effectiveness. Worth a look but ultimately disappointing.
I wanted to see Valentine ever since I saw that Denise Richards and Marley Shelton were in it because they had played in some of my favorite movies ever. When I watched Valentine, I was amazed at how great the story line actually was. It kills me to see that it has a low rating because it was not horrible at all. The actors and actresses played the parts wonderfully and the way it ended was so brilliant and cunning. Some scenes were a little unbelievable and or poor, and I admit at a few minor parts it got just a small bit boring, but overall it was non-stop entertaining and suspenseful. It had a mind-twisting story line which made you guess the whole way through and it doesn't deserve all the crap it gets. I recommend this movie to watch anytime, but especially on Valentine's Day because it's sure to give you a ton of chills. Oh, and don't even pay attention to the trailer OR rating, please, DON'T...

Like most people I was intrigued when I heard the concept of this film, especially the "film makers were then attacked" aspect that the case seems to emphasize, what with the picture on the cover of the film makers being chased by an angry mob.
Then, to watch the film and discover, oh, what they mean by "the film makers were attacked" was some kids threw rocks at a sign and a number of people complained loudly and said "Someone should beat those two kids up." The picture on the cover, "the chase" as it were? Total fabrication. Which I guess ties in with the theme of the film, lying and manipulation to satisfy vain, stupid children with more money and time then sense.
I have no idea what great truth the viewer is supposed to take away from this film. It's like Michael Moore's "Roger & Me", but if "Roger & Me" was Moore mocking the people of Flint. It's completely misdirected and totally inane. Wow! Can you believe that people who suffered under the yoke of Communism would be really excited to have markets full of food? What jerks! And it's not so much, "Look at the effects of capitalism and western media blah blah blah", since it wasn't just that their fake market had comparable prices to the competitors, it was that, as many people in the film say, the prices were absurdly low, someone mentions that they should've known it was fake by how much they were charging for duck. That's not proving anything except that people who are poor, will go to a store that has low prices, bravo fellas, way to stick it to the people on the bottom.
Way to play a stupid practical joke on elderly people. You should be very proud. How about for your next movie you make a documentary about Iraq and show how people there will get really excited for a house without bullet holes in the walls and then, say, "HAHA! NO SUCH HOUSE EXISTS! YOUR SO STUPID AND LOVED TO BE LIED TO BY THE MEDIA!".
Morgan "Please Like Me" Spurlock unleashed this wet fart of a film and it's no surprise since Spurlock as One Hit Wonder prince of the documentary world seems to throw his weight behind any silly sounding concept to stay relevant in a world that really has no need of him.
Avoid like the plague.