Sachinkry/imdb-preference-10k huggingface dataset:
I liked it... just that... i liked it, not like the animated series... i love it!!!. The fact that this make less appealing is that we all try to compare and not to appreciate, but this cartoon was awesome, but it really didn't like it that much. There's too much people talking about Bruce being so cold, but if this is around 5 years later, anybody in a crime-fighting gang would get this angry and darker attitude, so to me it isn't a flaw. Batgirl was awesome she really fit there, as there isn't more Dick Grayson as a robin, batman needed a good teammate, not like the new robin, he is just a child and you cant rely that much on a child. But heres what didn't work: The new artwork... it isn't horrible but... to me it does'nt work in a series like batman. This is a dark character, with a maniac killer like the joker, so you cant put this kind of artwork in this cartoon, The joker isn't a bad design but i still like the past joker (but to me the BEST joker ever was the one who appeared in batman beyond:return of the joker) , so this joker isn't near as good. The good thing about the joker is that it still mark Hamil voice. My favorite character: Harley Quinn (im in love for her) They put an awesome episode for her: Mad love (to me the best episode of this series). Here we finally know how she turned Harley Quinn, and how the joker twisted her mind, and it feel that atmosphere that you feel in the animated series, darker, no happy ending, brutal fight with the joker (but too short), this is how it was to be ALL the series. BUT in general i didn't like how she made Harley in this series... in almost every episode they put funny but in a ridiculous way, she get punched, she say nonsenses, she make flaws... c'mon she is funny in a way you can laugh with her, not from her... and here they put ridiculous (like i said the only episode where i don't think that its in mad love and beware of the creeper) So in general its a good series, it has it upsides and downs, the drawn could be better ( MY GOOD!!! KILL THAT CATWOMAN!!!!) nice sound effects, nice music, nice voices and nice episodes: my favorites, Mad love, Jokers millions, Old Wounds, Sins of the father, and Cold comfort. If you enjoyed Batman:TAS you can watch this but don't spec too much, in the other hand if you didn't watched TAS, watch this first and then watch TAS in that way you're really gonna love TAS :D

I was really looking forward to watching this, being that I love Danny Dyer and I think Gillian Anderson is a gifted actress. The beginning was interesting. I liked the relationship between the two stars. It then quickly jumps to the main plot, which is they get attacked by a group of strangers and Dyer gets beaten extremely bad while Anderson gets raped. They then decide to go for some revenge. Sounds good, right? Well, it's not. The story gets boring and side-tracked, and certain things get really weird. I won't give out any details, but things happen that I, for one, have no desire to see. I like to give all movies the benefit of the doubt, and I really wanted to like this one. It just didn't work out. I give it a 3 out of 10, mainly for the acting.
Men of Honor has many great aspects to it. Good action sequences, plenty of "feel good" scenes, a good musical score, but the part that really makes the movie is the great acting. Mostly by Robert Deniro. The story of Men of Honor is focused about Carl Brashear played by Cuba Gooding Jr. who wants to be the first African American deep sea diver in the navy. It chronicles his rough struggle from being a poor farmer to getting into diving school and even further. It is a good story, but it seems like it has been done many times before. A person, against all of the odds, won't give up until they accomplish their goals that they set for some sentimental reason many years ago. It could happen, but a lot of the struggles the Brashear faces in the movie are questionable including the C.O. of the diving school tampering with his final test. However, all of that is made up for the scene when Robert Deniro finally enters the movie. Deniro plays Mater Chief Sunday who is the teacher at the diving school Brashear is attending. As soon as Deniro come in he omits this vibe of extreme arrogance that you can't hate unless you have incredible wilpower. Before the movie ends, Deniro gives off multiple speeches that would have you laughing at how cool he is but you are too stunned at the way he punches them out. In the end you must doubt some of the aspects of the film, but admit it, if it was all the truth, it would have you snoozing it your seat by the first twenty minutes.

Ok first of all, this movie sucks. But lets examine why. The proposition that a machine is capable of transforming matter into energy, storing it, and then transporting it and reasembling it is at the least intriguing. But that's as far as they take this premise. Instead of delving into what could happen if someone made this kind of machine, they break the damn thing. This could have been a good premise. Living with the responsibilty of this kind of power, and dealing with the constant temptation, ie.. the invisible man. But no.. they break the damn thing. And Lembach wants to leave. So then the doctor jerry-rigs the thing back together, and trys to transport himself. Only to have it goofed up by his beautiful but dumb secretary, (duh). Which wouldn't happened if Lembach hadn't decided to leave. So now he is roaming the country side killing people because his little experiment failed, and they wouldn't give him money. Wah. Then to make the movie worse, throw in a dry British relationship between the two semi-competent professors hired to assist him. Between their loving sessions, they make a couple of half-hearted attempts to find him while he kills off half of London. All of this could have been headed off by not breaking the damn machine, which would never have happened if Lembach hadn't left. This movie tried so I give it an honest 2 stars for effort, but it would have been better if they hadn't broke the damn machine, making Lembach leave, making him try it again. Damn you Lembach!!!!!!!!!!!!!!!!
This movie was so good. Leon Phelps is hilarious. I went out after and bought a case of Cognac!!!!! I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!I went out after and bought a case of Cognac!!!!!

Okay, I struggled to set aside the fact that in selling EVP as real the movie was basically lying to me from the get-go. I reasoned that hell, I don't believe in vampires but I still liked Dracula so I could live with this.
However, even with that accepted the movie is just not very good. It's competently made and acted, but it doesn't really capture you at all. There are several "jump" moments, and I just looked at them and thought "yeah, I didn't expect that" without actually jumping in the slightest.
Also the resolution doesn't make sense. If the force behind this is capable of doing the things it seems to be, then why the hell does it need to use a proxy? Plus, the end caption was absurd. They obviously put it there as part of the "give the movie credibility by claiming it's all real" thing, but for that to work it really needs to be at the start. But they can't put it at the start because then they give the plot away... sticking it in at the end just made it stick out like a sore thumb.
The Human Tornado is a campy 70's Blaxploitation movie starring nightclub comedian Rudy Ray Moore in perhaps his most endearing role to date. The movie tells the tale of Dolemite, a bad ass pimpin' hustler who gets on the wrong side of a white, racist sheriff by sleeping with his wife. Dolemite barely escapes, and journeys to sunny California to visit an old friend, a nightclub owner (and Madam to Dolemite's 'ladies') named Queen Bee. However, it seems that a rival nightclub owner with Mob connections is trying to muscle in on her racket, so Dolemite takes matters into his own hands. Rudy Ray Moore showcases many diverse talents in this landmark film, including strong dramatic skills, a mastery of Kung Fu, an impressive singing voice (he provides two of the songs on the soundtrack), a touching, compassionate side with the ladies, and an overall compelling charisma and keen sense of comic timing. This film has it all, people: A deep plot, blistering action, laugh-a-minute comedy, beautiful women in distress, a slam-bang ending...what more could you ask from a movie? Run, don't walk, to your local video store and rent The Human Tornado today. And be sure to share it with your family.

I vowed a long time ago to NEVER, EVER watch a movie that has ANYONE who EVER was a regular cast member of "Saturday Night Live". I didn't rent "Corky Romano" but I was forced by my unfailing good manners to watch it for half an hour. Then my good manners failed. Stupid, not funny. Tedious, not hilarious. Bad, not good. That in a nutshell is all I can say for this video.
Highly memorable, intelligent and suspenseful movie from one of French movies' true geniuses, the formidably able Henri Verneuil. The plot is an exact parallel of the JFK assassination, and takes place in a non-descript, fictional country. The film, visually as well as plot-wise, is razor-sharp. Shot with meticulous precision, it follows Henry Volnay, the Procuror who takes on himself to unravel the coup. In many ways, it's a very disturbing movie, not the least for the cold and analytical precision of its comment on a so-called modern state's inner workings. The atmosphere and characters are all utterly believable, and Verneuil left nothing to chance in its tight plotting. On another level, this relatively little-known movie just had a 15 years head-start on Oliver Stone, who was acclaimed for the "JFK" movie, a inferior film in many areas, the least of which not being credibility...
It's a masterpiece, any cinema lover should see it, preferably in its original French version with subs.

Yesterday was Earth Day (April 22, 2009) in the US and other countries, and I went to see the full-feature movie-version of "Earth" by DisneyNature. I guess, like the auto manufacturers, Disney is trying to convince us that they care about the planet. Maybe they really do care about the planet, I don't know, but I don't think it warrants a special unit with the word "nature" in it. I do know that my youngest daughter loves Mickey Mouse, and who am I to tell a one-year old my personal feelings about Disney?
Aside from incredible cinematography, it was a typical Disney disappointment for me. Preceded by a half-dozen Disney movie trailers, rife with Disney cliché ("circle of life", "falling with style"), over-dramatic music, recycled footage (Disney claims "40% new footage"). I was even starting to think that James Earl Jones narration is getting a bit boring. I like James Earl Jones, but his work for Disney and Morgan Freeman doing every Warner Brothers narrative starts to wear thin. I really think that Disney bought some BBC nature photography that was so spectacularly done, they felt it would sell itself if they slapped some orchestral music and recognizable sound-bites on it.
And what is Disney's obsession with showing predators chasing and killing baby animals? There were a half-dozen such scenes, complete with bleating youngsters on the verge of getting their throats ripped out. I think Disney needs to recognize that animals have a rich and interesting life outside of life and death struggles that appeal to the action-movie oriented teenagers that got dragged to this film by their parents. I was also cognizant of how Disney stopped well short of implying that man had anything to do with the climate change. Are they so afraid of the tiny minority of deniers that they think it's still a controversial subject?
I recommend skipping this one and renting the Blue Planet DVDs on Netflix. Nature films seem to be best done by the British at the moment.
In conception a splendid film, investigating the tensions that occur in family life in the idyllic setting of Galiano Island off the coast of British Columbia, _The Lotus Eaters_ is marred by the fact that it has been packaged as a made-for-TV movie, diminishing itself throughout by the addition of chirpy music over potentially powerful scenes, as if to get ready for the interruption of commercials. A pity, really.

I had high hopes for this film, since it has Charlton Heston and Jack Palance. But those hopes came crashing to earth in the first 20 minutes or so. Palance was ridiculous. Not even Heston's acting or Annabel Schofield's beauty (or brief nude scenes) could save this film. Some of the space effects were quite good, but others were cheesy. The plot was ludicrous. Even sci-fi fans should skip this one. Grade F
When I first heard that Hal Hartley was doing a sequel to Henry Fool, I was excited (it's been a personal favorite for years now), and then wary when I heard it had something to do with terrorism. Having just seen it though, I was surprised to find that it worked, while still being an entirely different sort of movie than Henry Fool. The writing and direction were both dead on and the acting was superb...especial kudos go to Hartley for reassembling virtually the whole cast, right down to Henry's son, who was only four in the original. Like I said though, this movie is quite different from the first, but it works: I reconciled myself with the change in tone and subject matter to the fact that 10 years have passed and the characters would have found themselves in very different situations since the first film ended. In this case, an unexpected adventure ensues...and that's about all I'll give away...not to mention the fact that I'll need to see it again to really understand what's going on and who's double crossing who. While it was certainly one of the better movies I've seen in some time, it suffers like many sequels with its ending, as it appears that Hartley is planning a third now and the film leaves you hanging. I'll be sure to buy my tickets for part 3 ('Henry Grim'?) in 2017.

This movie was rented by a friend. Her choice is normally good. I read the cover first and was expecting a good movie. Although it
was a horror movie. Which i don't prefer. But no horror came to mind while watching the movie. It was a dull,
not very entertaining movie. The appearance of Denise Richards
was again a pleasure for the eye. But that's it. We (the four of us)
we're a little bit disappointed. But feel free to see this movie and
judge it yourself.
This movie stars Jay Leno as a Detroit cop, Tony Costas and Pat Morita as a Tokyo cop sent to Detroit to retrieve a stolen prototype of a car motor. A Japanese man traveled to Detroit hoping to sell it to a up and coming car company ran by a man named Derrick Jarryd. Unfortunately for him the men who were supposed to negotiate the deal killed him and took the prototype. An angry Derek Jarryd tries to distance himself from Phillip Madras who led the men. But Madras(played by Chris Sarandon) has none of it and threatens Jarryd forcing him to continue their partnership. Meanwhile in the same junk yard where the Japanese man had been killed, a friend of Tony Costas was also killed by the same men. Tony's friend had been watching the junk yard.
Tony sets out to find the killer against his superior's order. Tony is on robbery while obviously homicide should investigate the case. While Tony is investigating the crime he runs into the Japanese cop and mistakingly he arrests him. Eventually they end up working together on the case. They make an odd pair and there are some genuinely amusing parts as well as some ridiculous scenes such as Pat Morita jumping and kicking right through a the windshield of a moving car and kicking Madras in the head. But it ends up being an enjoyable buddy cop movie, at least in my opinion. Jay Leno is no actor, but he is likable in the role and Pat Morita is good as well. Still, they make for one of the more unlikely buddy cop duos in an action film. If you liked buddy cop films, cheesy 80's movies or you want to see Jay Leno as an actor then I recommend this movie.

A cast of 1980's TV movie and TV series guest stars (Misty Rowe, Pamela Hemsley,Clevon Little, Seymour Cassel among several others)in the story of a photographer who has dreams about killing his models. Of course the models and other people start turning up dead causing all sorts of complications.
Over done not very good thriller has enough nudity and violence to get an R rating but not enough good material to engender any real interest. This is best described as the sort of movie that gave the cable channel Cinemax the alternate name of Skinamax. I really can't see the point of watching this unless you need to see every sleazy thriller out there. (I also have to comment that this film is filled with smoking, to the point that it becomes laughable when anyone lights up)
Halloween is a film I have to get out and watch every time it's THAT day of the year.I even watch it sometimes when it's not the holiday!!!This film is SO great.Jamie Lee Curtis is an actress I can never stop loving.This movie might be old,but the story line still gets me right there every time,and the acting was absolutely fantastic!!!Although I have not seen the remake,I feel already that it was TOTALLY unnecessary.I think Rob Zombie should have NEVER remade such a classic.What kills me though,is to know that there are some people out there who have seen the remake without even hearing of the original.I am getting furious just thinking about it!!!!!!This movie was great,and it will always be remembered in history as a classic.

OK now, lets see. What was funny in the first movie? I know, people with funny accents, people falling into the water, silly boat crashes and funny comments between the two teams. In this movie they have twisted the accent part to the max, no good. A whole a lot of people are falling into the water for uncertain reasons, no good. Boatcrash, check. Funny comments between the two teams, they tried but failed. Also, there are too may personalities they are following in this movie. This film should be about what is happening on the water, not on land. I am sorry to say that there is too far between the funny parts and the sponsors of the film are exploited to the max. No good. All in all, I give it four out of ten since it has some funny parts.
The story centers around Barry McKenzie who must go to England if he wishes to claim his inheritance. Being about the grossest Aussie shearer ever to set foot outside this great Nation of ours there is something of a culture clash and much fun and games ensue. The songs of Barry McKenzie(Barry Crocker) are highlights.

This movie is just plain terrible!!!! Slow acting, slow at getting to the point and wooden characters that just shouldn't have been on there. The best part was the showing of Iron Maiden singing in some video at a theater and thats it. the ending was worth watching and waiting up for but that was it!! The characters in this movie put me to sleep almost. Avoid it!!!
This was my second time watching the film (via the French-language version as opposed to the first, which was dubbed in Italian) and I feel that it improves on subsequent viewings.
A compelling if slowly built-up character study that's beautifully shot and with the Parisian settings being equally impressive. In the long run, it's not top-grade Polanski and I would rank it at number 9 in his filmography but it's still a confident mix of subtle chills and, surprisingly, often broad comedy. It also features a fine cast, all of whom are in good form, but especially Isabelle Adjani, Melvyn Douglas and Jo Van Fleet.
Even so, I'm a bit baffled by the sudden compulsion for Trelkovsky to 'change' into the previous tenant; apart from the owner of the café opposite the apartment building, where he is given whatever Simone used to have without asking him if he wished any different, there is little to indicate (as far as I could discern, anyway) that this is what everybody wanted of him! Okay, so he found Simone's belongings still lying in the apartment but what exactly drove him to wear her dresses and make himself up as her (even if he apparently started doing this unconsciously)? Following his nightmarish visions in the bathroom, the last section of the film (where Adjani all but disappears) is almost anti-climactic - especially the scene where the landlord and the other tenants witness his attempted suicide as if it were a night at the Opera, a concept which had already been used 46 years earlier by Jean Cocteau in THE BLOOD OF A POET (1930)!
The ending, then, is at once predictable and unresolved: just what made the two occupants of this particular apartment jump out of the window?!; I remember this factor bugging me on first viewing as well, and I'm sorry to say it's no clearer now! Mind you, the film's first two-thirds are pretty solid but I wish that Polanski had been less reliant on obscure plot points throughout.

Taped this late night movie when I was in grade 11, watched it on fast forward. I sugest you do the same. I though it would be and action film, but went to a cort tv type movie. In the end it fits in with the early 70's social activest type films. Glad I missed that era. 2/10
Despite some reviews being distinctly Luke-warm, I found the story totally engrossing and even if some critics have described the love story as 'Mills and Boon', so what? It is good to see a warm, touching story of real love in these cynical times. Many in the audience were sniffing and surreptitiously dabbing their eyes. You really believe that the young Victoria and Albert are passionately fond of each other, even though, for political reasons, it was an arranged marriage. I did feel though that Sir John Conroy, who was desperate to control the young Queen, is perhaps played too like a pantomime villain. As it is rumoured that he was in fact, the real father of Victoria (as a result of an affair with her mother The Duchess of Kent) it would have been interesting to explore this theory. Emily Blunt is totally convincing as the young Princess, trapped in the stifling palace with courtiers and politicians out to manipulate her. She brilliantly portrays the strength of character and determination that eventually made Victoria a great Queen of England, which prospered as never before, under her long reign. I believe word of mouth recommendations will ensure great success for this most enjoyable and wonderful looking movie.

Well, I was excited at first to download an animated open source movie, only to be ruined by a demo reel. The animation is excellent, the lip syncing is awful, and you keep watching the movie hoping to understand what's going on, only to realize nothing is going on. You feel no emotion for the characters, only pity for the creators for wasting their time. I have seen short films with twice the emotion in half the time! This could of been an excellent short film, if they had just taken the time to hire a real director. I'm sure everyone over at Blender is excited to showcase their software and its rendering capabilities, but sorry guys-story telling is what makes a movie.
Forget the jaded comments that come before these. This is an action packed but sensitive movie about people who overcome real problems in a beautiful setting. Well-acted, even by Elizabeth Berkley. Recommended for anyone who wants to feel something and experience change.

This movie was awesome!! (Not quite as good as the Leif Garrett masterpiece Longshot) but still awesome!! I thought Ashley looked freakin' huge compared to Mary-Kate in this film. I wonder why. Who woulda thought they could swith places like that and almost get away with it. Dad was kinda a jerk though and Mom was a little too chummy with Helmit Head. I give it 4. Any one who likes this movie shoudl check out Longshot.