Sachinkry/imdb-preference-10k huggingface dataset:
I must say, I thought I had seen it all. I am an extremely jaded movie buff. This movie didn't shock me, by any means. I'm way past that point. But it did take me to certain emotional places I didn't know I could go to. I had no idea I could ever find (ick) the idea of beastiality erotic. Never never never. Ever. Ever. But there you go. He did it. I have to give the director credit. He pulled it off.
For the first 40 minutes this movie is a TOTAL bore. We start off with some very explicit footage of two horses having sex. After five minutes of this I started wondering if buying this movie wasn't a mistake. Then an old guy in a wheelchair talks to some other old guy about two people getting married. Then some nervous guy shaves. Then we see (briefly) a hot chick getting it on with a butler (but this is very brief). At this point I was cursing the movie out loud while trying to stay awake. In fact, I fell asleep at about the 40 minute mark and forced myself to finish it the next night.
We finally get the good stuff when a girl (who knows who she is, or who anyone is in this movie) has a dream about a Victorian-era gal being ravaged by a beast-thing in the forest. The scene goes on for quite some time and is really the meat (heh-heh) of the whole deal. It's beautifully shot, superbly edited, and does deliver the goods. They do try to wrap up the plot at the end and it sort of makes sense but sort of doesn't either. Oh well. I would definitely recommend this film. The first 40 minutes made me want to shoot myself (and my TV) but the last 50 minutes totally redeems it.

I only rented this because i loved the first movie. However, calling it John Carpenters Vampires: Los Muertos is just a con trick to get you to rent it. He is in fact executive producer and clearly had nothing to do with the making of this film (Jeepers Creepers Anyone?)
A tragic storyline, terrible special effects and Jon Bon Jovi as the least convincing Vampire Hunter of all time. It's not even comically bad.
What we end up with is a dull, uninvolving film with a terrible script and indefinsibly bad and clichéd acting. It just reeks of low budget.
Avoid like the Bubonic plague.
Outragously entertaining period piece set in the 30s, it is a spin on the classic cliffhanger series, as much as "Raiders of the Lost Ark", only done on a low budget and much campier by director Michael Anderson. The opening scenes laces liberal amount of gothic art nuveau, predating Batman by two decades. Starring Ron Ely (Tarzan) as a perfectly cast hero and the gorgeous Pamela Hensley as the local latina Mona tagging on to our hero on a goldhunt in the non-existent latin american country of Hidalgo. Best line, our hero to Mona, holding a fist to her chin just as you expect him to be tender with her and give her a hug: "Mona, you're a brick!"
Paul Wexler's ham-and-cheese blackhat, Captain Seas is a an absolute delight. Expect a little "Raiders..", a dash of "Batman", a little "The Lost World", a little "Lost Horizons" and a whole lot of campiness and you'll get it just right. Watch out for cult favorite Michael Berryman in a small part as undertaker and enjoy the campy use of John Philip Sousa's patriotic music. A prime candidate for DVD release, it is certainly overdue. An unmissable treat for the whole family. 9/10

Dynasty Revisited in Hawaii... Full of clichés, highly predictable, unrealistic and sometimes even stupid. If you have nothing better to do however, it does provide 40 minutes of simple, unpretensive entertainment, endless looks at great male and female muscles and very good photography of the spectacular Hawaiian scenery. On the other hand, If you are looking for anything more than that, stay away...
Oh, and by the way, if you have ever worked in a Hotel or know anything about running one, you have two options: 1. You will feel sick every two minutes at the sheer stupidity and silliness of how the show presents Hotel Business or, 2. Look at it as science fiction comedy as I did, lie back, relax, and laugh about it!
I have seen a lot of Saura films and always found amazing the way he assembles music, dance, drama and great cinema in his movies. Ibéria shows an even better Saura, dealing with multimedia concepts and a more contemporary concept of dance and music. Another thing that called my attention is the fact that, in this movie, dancers and musicians, dance and music, are equally important: the camera shows various aspects of music interpretation, examining not only technical issues but also the emotional experience of playing. The interest of Saura on the bridge between classical and contemporary music and dance is one more ingredient in turning this movie maybe the most aesthetically exciting among his other works. That's why I recommend it strongly to those who love good cinema, good music, good dance, great art.

I am ashamed to have this movie in my collection. The most redeeming factor to owning the DVD is the short film in the bonus features. My vote for this movie is a big fat ZERO. Don't misunderstand, I'm a horror girl. but i want some meat behind the story, not to mention i prefer the evil to happen to humans, not to be tricked in to watching, what seemed like forever, clips of animal snuff. Acts of brutality interrupt achingly long silence and poor acting. If i was forced to make a comparison to another film, the only one that comes to mind is Cannibal Holocaust. Bad, boring, pointless and a wholly uncomfortable watch.
"Mechenosets" is one of the most beautiful romantic movies I've ever seen. The name of the film can be translated in English as "the sword-bearer". The main hero (Sasha) was born with one exceptional ability: he can protect himself with the extremely sharp sword which emerges from under the skin in his hand. At first side he can seem one more foolish superhero from the senseless movie about unreal events and feelings. But it is not about Mechenosets. He hardly can be even called the anti-hero. I think he is just a person who lost the purport in his life and faith in good, justice and love. In his life he has never met someone who could understand and love him (except his mother). Every his step is stained with blood; he takes revenge on everybody for his gift which became a damnation for him. And suddenly he meets her. She doesn't need the idle talks and explanations. She loves him for what he is. She doesn't care what he did. The fact that he's next to her is more important than anything else. But soon she finds out his secret: he kills two people (her ex-boyfriend and his bodyguard) to protect her before her very eyes. Even after that she couldn't escape her feelings. They try to run but it's hart to hide. Finally they have a serious car accident. He is caged; she is in a mental hospital. They don't know anything about each other, but she believes that he'll save her. He surmounts a lot of obstacles but finally finds her. They run again but they aren't invulnerable. She is wounded, she needs a rest, but police almost catch them. He doesn't know what to do, they drive into a corner, and then his sword begins to cut down trees, helicopter around them, but there is no need for it, because she is already dead in his arms, and he is the lonely person in the whole world again.

I was expecting a little something from "K-911", I mean it did look like a cute movie that I could get into. I always did love the dog comedy movies. But it looked like it was supposed to be Jame's movie, not Jerry Lee's. The plot was pretty lame and the two love interests really didn't have chemistry to begin with. Not to mention that James seemed to have a total sexist view in the movie despite the fact the writer wasn't going in that direction. James just really ticked me off for more than half the film. The dogs were the true stars and that's pretty sad that they out shined the actors.
So, I'm glad it's not just me on IMDb who agrees that this was a pretty stupid movie. But hopefully, James will realize it was his brother Jim who was the talented one, no offense, but not everyone can be their star sibling. Don't you wish Ashlee Simpson would take that same advice? :D
3/10
Clean family oriented movie. I laughed, I cried...I loved it. I was worried I wouldn't be able to see Steve Carrell as anything but goofy Michael from The Office. Boy, was I wrong. He should win an Oscar for his performance. I will definitely buy this on DVD when it comes out. My husband enjoyed it and he isn't into movies of this "type". I saw it with 2 other couples in the 30 year old range and we all agreed it was the best movie we had seen in a LONG time and certainly the cleanest. Only 1 cuss word! Not even sure why it was PG13. I would highly recommend this movie to anyone who likes comedy, drama, romance and more!

What a disappointment, especially in light of the budget provided, the technical resources available, and the talent assembled. Isn't the fundamental rule for science fiction/drama to create in the audience the willing suspension of disbelief. POA 2001 creates a plausible beginning, suckering us in, but thereinafter Mr. Burton forgets that his moviegoers have working brains. The over the top libertarian of Helena Bonham Carter's chimp, the worthlessness of the humans' lockup, the ease of their escape, their extraordinary skills of horsemanship (this is an astronaut and a group of human primitives suddenly riding full tilt), the massive and immediate human rebellion all are too unbelievable. Mark Wahlberg never once projects any sense of real fear, danger or comeuppance in this world turned upside down. Compare to the original, in which Chuck Heston's nakedness metaphorically captured his utter helplessness and astonishment at his turn of events. The uniformed Wahlberg preserves his modesty, but also his apparent sense of management and control in an inherently wacky situation, and we never really wonder about his well being. Unlike Heston, he seems never to be in real jeopardy. Tim Burton should have used some of the f/x budget for some competent screenwriting. In fact, after this inferior fiasco, I wonder why Hollywood's producers ever bothered to settle the screenwriters and directors strike threats. Let them walk. Trained monkeys could have done as well as they did in Planet of the Apes 2001. I'll bet the repeat viewings of this effort will be nonexistent. It could have been a new franchise, and a wonderful new step for imagination. Another opportunity lost.
Its not Braveheart( thankfully),but it is fine entertainment with engaging characters and good acting all around. I enjoyed this film when it was released and upon viewing it again last week,find it has held up well over time. Not a classic film,but a very fine and watchable movie to enjoy as great entertainment.

I am SURE there is some sort of IMDB cult that likes movies that MST3K made fun of. After seeing both this and "Werewolf" and reading dozens of comments about how underated they are, I became convinced that there is some conpiricy going on here. Alot of people are saying that people who hate it "are only scared by gore", "Don't know good horror" or stuff like that. Well, I don't really care for gore, but I do want SOMETHING to happen in a movie! Most of it is just the wife sitting and looking around! Or walking around the house/garden! A movie requires something to give it atmosphoere, you don't get it by just have pointless scenes were someone walks around and stares. Oh, and "Makes you think"? Yeah, I was thinking "MOVE! YOU @#$0&%!!" One of the worst horror movie I have ever scene!
P.s. For the record, I am a big fan of the old style of horror, Dracula, Frankenstein, That kind of stuff.
A very promising directorial debut for Bill Paxton. A very dark thriller/who-really-done-it recommended by Stephen King. This is a strong, well-conceived horror tale about a devout, but demented man in Thurman, Texas that goes on a murdering spree after getting orders from God to eliminate demons trying to control mankind. A couple of plot twists and an eerie finale makes for your moneys worth. Most of the violence you don't really see, but still enough to double up your stomach.
Director Paxton plays the twisted man to be known as the Hand of God Killer. Matthew McConaughey is equally impressive as the demented man's eldest son that ends up telling this story to a Dallas FBI Agent(Powers Boothe). Boothe, as always, is solid and flawless. Suspenseful white knuckler! Highly recommended.

I'm amazed how many comments on this show are about how "real" it is. Maybe I'm not part of the same universe because if Veronica Mars is anything, it's over the top in a big way.
The acting is chewing the scenery with enthusiasm and the plots have holes you could drive a truck through. That's not what I call real.
It is so earnest in its desire to be "relevant" that it only shows how cut-off from reality Rob Thomas and his staff are.
Overall, I found it to be at best a snooze-fest and at worst more than a little annoying. Kristen Bell looks like she could be a good actress, but it's hard to tell with the over-the-top style of the whole show.
This is one of the most underrated masterpieces of all time in my opinion, its thought provoking, funny and sad with amazing performances all around!. All the characters are wonderful, and the story is just brilliant!, plus Jodie Foster and Cherie Currie are simply amazing in this!. The Ending is very powerful, however I won't spoil it for you, and I thought the character development was top notch!, plus you can really relate to all of the characters, especially Jeanie and Annie, as you will be rooting for them!, plus I loved how it moved slowly, and giving you a chance to get to know all the characters and what there about. I can't believe this only has a 5.9 rating on here as it should be much higher in my opinion, and it was funny seeing Randy Quaid in this type of role, plus this is extremely well written and made as well!. One scene that really got to me was when Madge(Marilyn Kagan), is totally embarrassed by her mother for having the party, and the film has many surprising moments as well!, plus the dialog is especially excellent. This is one of the most underrated masterpieces of all time (In my opinion), its thought provoking, funny and sad with amazing performances all around, and i say Go see it immediately!, your bound to love it!. The Direction is fantastic!. Adrian Lyne does a fantastic job here, with awesome camera work, and keeping the film at an extremely engrossing pace!. The Acting is amazing!. Jodie Foster is really cute, and is amazing as always!, she was extremely likable, caring, had a lovable character, was intense in some scenes, was focused, and she and Cherie Currie were the heart of the film as Jeanie and Annie!(Foster Rules!!!!!!!). Cherie Currie is way hot, and is amazing here, i really felt sorry for her character, as she had a very likable character that just needed help, she gives a powerful performance, and created a very memorable character she was amazing!. Scott Baio is great as Brad he was really likable, and did his job well i liked him. Randy Quaid is great in his serious role surprisingly i liked him. Sally Kellerman is great as the mother i liked her a lot. Marilyn Kagan and Kandice Stroh are both very good as Madge and Deirdre, and did what they had to do well as the other two friends. Laura Dern has a very early role here, as it was cool to see her, not much of a part though. Rest of the cast do fine. Overall go see it immediately, it's an underrated masterpiece!. ***** out of 5

I despise horror movies, that is no secret. No plot, bad acting and gallons of blood are staples of these mistakes of cinema, and this "movie" is no exception. I cannot believe some cable stations actually run this garbage. (This particular garbage was released straight-to-video, as I recall.) As mentioning any other movie would be a great insult to that other movie, I say this: All of the Phantasm movies, all of the Jason movies, Freddy movies, Chucky movies, and most of the Michael Myers movies can be summed up in one word: TERRIBLE!!!
Rating (Phantasm III): 0.5/10
It's all about Mitzi. I loved her in this. And didn't she look fantastic?! I love these Lifetime Sunday afternoon popcorn movies. This is like one of those nailbiters where they always go to commercial at the most annoying times. The Richard character was completely creepy. I've dated guys like that. Well, not totally like that lol. I wish Zack hadn't have gotten killed. He was a cutie and very easy on the eyes. I LOVE these stalker type stories. It always makes me get up and make sure my doors are locked. My husband doesn't usually like these types of movies but actually sat through the entire thing with me and actually enjoyed it. I can't wait to see what Mitzi does next!

I really wanted to like this movie. It has a nice prison setting, conspiracy theories, bloodthirsty zombies, a perfectly hideous 80s-touch and it is a directorial effort by actor John Saxon, who also plays a bad (you guessed it) a bad guy. It reminds me of some (beloved) Italian horror flicks. But the direction is very wooden and there is no nightmarish/frightening moment in there. It just goes on and on and on, and then it (logically) has to end. More suspense and more daring visuals and its destiny as a cult classic would have been sealed.
In what will probably find itself on my list of Fuller's best movies (that is, once I see more of them that just this and Shock Corridor), Pickup on South Street is a film noir where the femme fatale, as well as the male protagonist, are not the stereotypical ones in the genre. Like most of his other works, Fuller injects his own experiences and the sense of New York style that is usually absent in the Hollywood noirs. On a small budget- at least for the likes of Darryl F. Zanuck- Fuller and his actors create personas that are likable even in such a dark atmosphere. The good guys are basically the ones who won't get violent with you even as they're looking for an extra buck.
Richard Widmark, Jean Peters, and Thelma Ritter are all terrific in the lead parts. Widmark is one only a few actors I can think of who could've really pulled off this character. He's a little like Bugs Bunny, as he can be a wise-ass who is a little sneaky. On the other hand, the character of Skip McCoy does have a set of values in his life. He doesn't go into other people's affairs, and doesn't try and care about much of the working world outside of his little shack on the river, after being sent away for three years. He slips up, unbeknownst to him, when he pickpockets a woman (Peters) on the train, and lifts an item that's under the eye of the Government. It may have some secrets that could make him a lot of money. But at what cost is the centerpiece of the film, as it involves stoolie Moe (Ritter is one of the finest, and most believable, character actors from the period), the woman's ex (a volatile Kiley), and the police department.
Aside from the thematic elements, which are told with a keen dramatic, journalistic style (as was Fuller's previous position, along with boxer), the dialog is fresh and involving. There's a spontaneity in many of Fuller's camera moves. And what a third act. This is a lean, tight film-noir that is worth checking out even if you're not familiar with Fuller (it's comparatively less bizarre than some of his later works).

This movie should have never been made.
What a shame of the budget.
Please hire convincing actors, and make a proper movie. Very thin plot, and unconvincing lines. Almost hilarious, and that is a shame for an action movie....
Definitely not worth watching.
They keep replaying the same "shots" of an Stealth airplane flying away. You have seen it ones, and that was not worth re-running 3 or 4 times.
It is time for Steven Seagal to retire from movie-making.
His movies are getting worser every time.
Black Dawn, and Submerged were already bad, but this movie is even worse.
I was quite a fan of the series as a child and after that it has always remained in my mind as one of those memorable cartoons that made a difference in the early 80s compared to previous animated series (Heidi, Barbapapa, Il Etait une Fois l'Homme..., most of which I love). I find that other similar Japanese cartoons of this kind released later can't match Mazinger Z, as they started to boringly repeat the same pattern.
That very thing, the novelty, may be one of the best features of Mazinger Z. Another good point is its inventiveness, with so many extravagant monsters, strange devices and bizarre characters; actually, we were eager to see each new installment to find out what kind of new fiend or evil machine was awaiting us!

Since Crouching Tiger Hidden Dragon came along, there's been a lot of talk about a revival of the Hong Kong movie industry. Don't believe it. The people now making movies in HK give new meaning to the word crass. Running Out of Time 2 is a perfect example. Ekin Cheng is the name draw, here, but he spends most of the film just grinning idiotically and flipping a coin. He flips the coin over and over and again and again. Why? Who knows? Sean Lau plays a cop who chases after the coin-flipping pretty boy. But once again: who knows why? There's a pretty actress in the female lead who runs some sort of company and she has to pay a ransom or something but she mostly just looks like she would rather be at a spa or shopping centre than in front of a camera. Nothing makes any sense. There is no action. There is no sex. There is no comedy. All there is is a name: Ekin Cheng. And you know what? Who cares?