Sachinkry/imdb-preference-10k huggingface dataset:
Not since Spongebob Squarepants have i seen a greater cartoon on TV. The colors are great, the voices could't be better, the characters are so original, great great cartoon. Hope Nickolodean continues to develop this cartoon. Hope the Season DVD comes out soon!!! I love cartoons like this and I hope more people tune in to se this great cartoon. It is very hard to find the Season DVD, so if somebody finds a store that is selling it please let me Know. The only Catscratch merchandise available on Nick Shop is a great lookin shirt, but very very very expensive!!! If you love Spongebob; and who doesn''t?; you'll love Catscratch too!

What?!?? Why are people saying this is "mind blowing?" Just face it the ending is on of the worst endings in the history of cinematography! 4 left and the whole world has ended! Not to mention the character 9 was a idiot the whole time he got everyone killed. 1 was right the whole time, if he sacrificed 9 then non of this would have happened. People giving there lives for a stupid cause and for what?... to make it rain? I admit the movie had it's parts, and the whole concept was fascinating. But a lot of it was clichés one after another. And did anybody else get this feeling that this is a lot like "Lord of The Rings?" Characters died for stupid reasons, there was almost no character development, and honestly ask yourself is it good to have only four guys left in the world; its pointless and stupid. It was one of the shortest movies I've ever seen, and thank god! How is robots turning against humans creative in any way! It's been done like a hundred times! This movie is really stupid, go see a movie that's worth watching like Star Trek, The Hangover, or Inglorious Basterds, those were good movies!
An American in Paris is a showcase of Gene Kelly. Watch as Gene sings, acts and dances his way through Paris in any number of situations. Some purely majestic, others pure corn. One can imagine just what Kelly was made of as he made this film only a year before "Singin' In The Rain". He is definately one of the all time greats. It is interesting to look at the parallels between the two films, especially in Kelly's characters, the only main difference being that one is based in Paris, the other in L.A.
Some have said that Leslie Caron's acting was less than pure. Perhaps Cyd Charisse, who was originally intended for the role could have done better, however Caron is quite believable in the role and has chemistry with Kelly. Oscar Levant's short role in this film gave it just what it needed, someone who doesn't look like Gene Kelly. Filling the role as the everyman isn't an easy task, yet Levant did it with as much class as any other lead.
The song and dance routines are all perfection. Even the overlong ballet at the end of the film makes it a better film with it than without. Seeing that there really wasn't much screen time to make such a loving relationship believable, Minnelli used this sequence to make it seem as if you'd spent four hours with them. Ingenious!
I would have to rate this film up with Singin' since it is very similar in story and song. Singin' would barely get the nod because of Debbie Reynolds uplifting performance.
Full recommendation.
8/10 stars.

I usually like zombie movies, but this one was just plain bad.
The good parts: Girl swimming topless with thong bottoms, Sonya Salomaa's topless, and Ona Grauer's boobs jiggling in a skimpy top when she ran.
The bad part: too much video cuts, too much Matrix slow motion (it drags the action), not enough blood and guts, bad acting, and no story. The only other person in the theater was smart and left right after the topless swimming scene. A total waste of $6 and time. I give it a 2 out of 10.
It came by surprise. . .the impact & resoloution this film had on my automatic way of being reactive to people & situations. Most vividly was the stirring of the emotion anger. Much like the way a spoiled child would be when reacting to not getting their way. . .a temper tantrum if you will. Thinking I was hiding this anger from others was the most ridiculous farce of all. What was this costing me? Soooo much love. . .sooo many blessings. Now I'm present to how incredible humbling myself feels, and having an ongoing attitude of gratitude for life. . .for what is happening in the moment, without my wild expectations for life to be a particular way, the way I think life or people "should" be. This film has contributed to the freedom I now feel to connect with others, without limits & expectations. . .and to connect with genuine love. . .without fear of loss. . .just to love first, and accept what love is given.

this movie was horrible. I could barely stay awake through it. I would never see this movie again if I were payed to. The so-called horror scenes in it were increadably predictable and over played. There was really nothing about this movie that would have made it original or worth the $7.50 I payed to see it. Don't go see it, don't rent it, don't read about it online because any of these things would be a complete waste of your time. Sarah Michelle Geller gave a lackluster performance and really should be ashamed of herself for sullying her good name with this movie. Shame on you Sarah for being associated with this horrible, horrible movie. Horrible movie, no need to ever see it.
This movie is just a lot of fun. I've seen it a couple of times, but it always has something funny that I remember. The "duckies and bunnies" car scene is one of my favorites, and I still quote Morone's versions of certain words!
There are so many running jokes, that it's amazing. But I love Michael Keaton anyhow!

If you enjoy films like American Pie, Road Trip & Van Wilder; avoid this cinematic refuse at all costs. It is an unamusing, mean-spirited, insipid waste of resources that should never have been discussed aloud; much less actually recorded and sold to unsuspecting consumers. Easily the worst film I have seen in the past 18 months; mind-numbingly bad for the entire 86 minutes of it's runtime. Had it been much longer, I would not have been able to write this review without using profanity. Consider yourself warned!
Take a pinch of GOODFELLAS, mix it with THE GODFATHER, add some Roman mythology and plenty of lowbrow comedy, and you have THE SOPRANOS, about a mob clan operating out of northern New Jersey. It's almost as entertaining as pro wrestling. I am not the biggest fan of this show, but I do admire James Gandolfini's very complicated Tony Soprano, a psychopath with an occasional glimmer of conscience. I also have come to admire te contributions of folks like gravel-voiced Dom Chianese as the bewildered but murderous Uncle Junior, silver-haired Tony Sirico as the perpetually perplexed Paulie and the very beautiful Edie Falco as the duplicitous, tough-as-nails Carmela Soprano. The violence is sudden and graphic, the body count steadily climbs each season, but it is often the small moments that matter most here. Watch Paulie and Tony's nephew Christopher (Michael Imperioli late of LAW & ORDER) as they get lost in the Pine Barrens and sit out a bitter cold night in an abandoned trruck, both convinced they've had it.

if my grandma did films they would probably do much better figure than this one... incredible bad... the main characters (the mom, the dad and son) are OK. Specially the mother she's a nice actress and the kid also proves to be a nice one specially on the scenes where he is supposed to be scary. But does the the director know the meaning of the words Plot Point, Triller and Good Script. the script hasn't any evolving atmosphere to become a suspense thing. If you like being chased by trees you can probably enjoy it, otherwise just stay at home and sleep. oh... actually there was something funny: the movie's from 2001 but we couldn't realize it since the image is so bad (like on mini-dv) and the cars are so old (like 70 and 80's).
THE 40 YEAR-OLD VIRGIN (2005) **** Steve Carell, Catherine Keener, Paul Rudd, Romany Malco, Seth Rogen, Elizabeth Banks, Leslie Mann, Jane Lynch, Gerry Bednob, Shelley Malil, Kat Dennings. Hysterically funny high-concept comedy about the titular Andy Stitzer (wonderfully played by perennial second banana Carell in a truly extraordinarily comic breakthrough performance sure to stratosphere him to the A-list), a tech services rep for an electronics store in Southern California who is found out about his secretive identity by a trio of well-meaning yet entirely clueless womanizing co-worker buddies (Rudd, Malco & Rogen, each one degree funnier than the next) determined to get their friend deflowered no matter the cost. What follows is an unlikely yet very warm-hearted romance with a vivacious mother (the marvelous Keener having lots of fun here) leading to add more fuel to the fires within Andy. A surprisingly good-spirited and unapologetically raunchy romantic comedy; the funniest since "There's Something About Mary" with a shrewdly observant script by director Judd Apatow and Carell that features some astoundingly gut-busting sequences including a scathingly accurate David Caruso joke, homophobic debunking ribbing, send-ups of 'date-a-paloozas' and demystifying the war of the sexes with cheeky aplomb. A true winner and an instant classic; the funniest film of the year.

This is a candidate for the single most disappointing movie experience of my lifetime. Cool title, excellent director (I saw "To Die For" and "Drugstore Cowboy" before this), and hey - Uma Thurman in the cast. How can you go wrong? Well, that is a question that throbbed in my temples for hours after I watched this turkey.
Disjointed and unfunny in an attempt to be offbeat, this is a dead-zone of a movie that should be avoided at all costs. Its critical lambasting was well deserved. You have here one of those rare films that does not contain a single redeeming quality. Zero out of ****.
Who can watch a movie, look at Lucy Liu and not be overjoyed. That woman is amazingly beautiful & a talented actress. That's a tough combination to find now a days. And Jeremy Northam. i heard his name plenty of times, but i never really noticed him. My advice to Hollywood is : "use him more".
now about the movie: I watched it in one of my graveyard shift. I don't recommend that to anyone. It's a bit to complicated & mysterious for that. i still can't believe i didn't see the ending coming. I'm not gonna say what cause that'll spoil the hole movie. although saying this is spoilment enough.
now i'm suppose to cast my vote about this movie. I love the dark mystic story, the actors did a good job & i love the directors (natali) work in the past. There's not a big audience for this kind of thing, that's also pretty risky. you know what, i'm just gonna give this work a 8 cause everybody should see this. Then again, 1 point deduction cause there is always space for improvement.

I am generally more willing to be open minded about rom coms than many, but this was simply not a very good attempt. Its got nothing to do with comparisons with the British original -- have not seen, and doubt I will. It has a whole lot to do with a meandering plot, lack of chemistry between the leads and a godawful performance/character from its supposed male lead (Jimmy Fallon).
Fallon walks onto the screen wearing the clothes and hairdo of a 15 year old and acting a decade younger than that. He's supposed to be a teacher you see, and of course its well known that school districts the world over love to hire individuals less mature than the children they purport to teach. The character is so extremely disturbed and irrational that I have my doubts whether any actor could have made him likable, but old reliables like John Cusack or Adam Sandler might have been able to give it a shot. Not Fallon, who is neither funny, nor an actor, but appears to think he is both. Not once in the entire course of the movie do you either believe Fallon in his role, or believe that there is any way these two people should, or would be together. Near the end of the movie there is a scene where Barrymore (who was cute as usual but could not carry this one alone -- its hard to have a one person romance) tells Fallon that its over, too much has happened, and she's moving on. And rather than feeling bad about the scene, or sorry for Fallon, you are actively cheering her on -- finally she does what she should have done months ago. But of course the plot mechanics won't allow that to be the end of it (an end which actually might have made a statement out of this mess), and instead we get to see the rational career girl throwing it all away to chase after this childish idiot and encourage his delusions. Its of course meant to be gooey and satisfying, but it actually made me more disgusted than anything else.
This movie is one of the masterpieces from Mr. Antonioni. It is about youth, distraction, happiness, alienation, materialism, honor, corruption. And it is like everything else from great Italian director -true art.

As usual, I am making a mad dash to see the movies I haven't watched yet in anticipation of the Oscars. I was really looking forward to seeing this movie as it seemed to be right up my alley. I can not for the life of me understand why this movie has gotten the buzz it has. There is no story!! A group of guys meander around Iraq. One day they are here diffusing a bomb. Tomorrow they are tooling around the countryside, by themselves no less and start taking sniper fire. No wait here they are back in Bagdad. There is no cohesive story at all. The three main characters are so overly characterized that they are mere caricatures. By that I mean, we have the sweet kid who is afraid of dying. We have the hardened military man who is practical and just wants to get back safe. And then we have the daredevil cowboy who doesn't follow the rules but has a soft spot for the precocious little Iraqi boy trying to sell soldiers DVDs. What do you think is going to happen??? Well, do you think the cowboy soldier who doesn't follow rules is going to get the sweet kid injured with his renegade ways?? Why yes! Do you think the Iraqi kid that cowboy soldier has a soft spot for is going to get killed and make him go crazy? Why yes! There is no story here. The script is juvenile and predictable! The camera is shaken around a lot to make it look "artsy". And for all of you who think this is such a great war picture, go rent "Full Metal Jacket", "Deerhunter" or "Platoon". Don't waste time or money on this boring movie!
Amongst the standard one liner type action films, where acting and logic are checked at the door, this movie is at the top of the class. If the person in charge of casting were to have put "good" actors in this flick, it would have been worse(excepting Richard Dawson who actually did act well, if you can call playing yourself "acting"). I love this movie! The Running Man is in all likelihood God's gift to man(okay maybe just men). Definitely the most quotable movie of our time so I'll part you with my favorite line: "It's all part of life's rich pattern Brenda, and you better F*****g get used to it." Ahh, more people have been called "Brenda" for the sake of quoting this film than I can possibly imagine.

(aka: The Bloodsucker Leads the Dance)
Lots of naked babes in this one with a couple of lesbo scenes thrown in. The film is supposed to take place in Ireland but it looks more like Rome and the Adriatic to me.
Gothic lesbians get invited to a Count's island castle for the weekend. One by one they seem to be missing their heads due to a madperson running around.
It's not very scary or bloody and the rooms look like they are lit with floodlights even though candles are lit. Go figure...(sic)
Dubbing is worse than usual and the plot only serves as an excuse for the eroticism and nudity. Directed by euro horror actor Alfredo Rizzo, this is one snoozer.
Pretty boring 2 out of 10
Wow! So much fun! Probably a bit much for normal American kids, and really it's a stretch to call this a kid's film, this movie reminded me a quite a bit of Time Bandits - very Terry Gilliam all the way through. While the overall narrative is pretty much straight forward, Miike still throws in A LOT of surreal and Bunuel-esquire moments. The whole first act violently juxtaposes from scene to scene the normal family life of the main kid/hero, with the spirit world and the evil than is ensuing therein. And while the ending does have a bit of an ambiguous aspect that are common of Miike's work, the layers of meaning and metaphor, particularly the anti-war / anti-revenge message of human folly, is pretty damn poignant. As manic and imaginatively fun as other great Miike films, only instead of over the top torture and gore, he gives us an endless amount of monsters and yokai from Japanese folk-lore creatively conceived via CG and puppetry wrapped into an imaginative multi-faceted adventure. F'n rad, and one of Miike's best!

"After World War I, an expedition representing the Allied countries is sent to Cambodia to stop the efforts of Count Mazovia in creating a zombie like army of soldiers and laborers. Hoping to prevent a possible outbreak of war due to Mazovia's actions, the group presses through the jungle to Angkor Wat in spite of the perils. The group includes Armand who has his own agenda contrary to the group's wishes," according to the DVD sleeve's synopsis.
Heads up! the zombie make-up department revolted before the cameras started to roll.
Also, this "Revolt of the Zombies" has little to do with its supposed predecessor "White Zombie" (1932) *****, which starred Bela Lugosi. If that film's zombies didn't thrill you, this one's certainly won't. A younger-than-usual Dean Jagger (as Armand Louque) stars as a man obsessive with blonde Dorothy Stone (as Claire Duval). A couple supporting performances are good: devilish Roy D'Arcy (as Mazovia) and subservient Teru Shimada (as Buna); however, neither are given enough material to really pull this one out of the dumps.
** Revolt of the Zombies (1936) Victor Halperin ~ Dean Jagger, Dorothy Stone, Roy D'Arcy
Love it, love it, love it! This is another absolutely superb performance from the Divine Miss M. From the beginning to the end, this is one big treat! Don't rent it- buy it now!

The Good Earth is perhaps the most boring film I've seen in my life. The plot is slow and lacking. The acting is borderline comical. While I love Paul Muni, I can now say i have seen a film that does not do his true ability justice. The only saving grace I found with this film is it's production value. The use of hundreds of extras throughout the film creates a very believable and interesting environment. Also, the beautiful effects used to create the illusion of millions of wasps sells easily and was revolutionary at the time. Other than the production value I can say little else that is good or entertaining about this film.
I've really enjoyed this adaptation of "Emma".I have seen it many times and am always looking forward to seeing it again.Though it only lasts 107 minutes, most of the novel plot and sub-plots were developed in a satisfactory way. All the characters are well-portrayed. Most of the dialogues come directly from the novel with no silly jokes added as in Emma Thompson's Sense and Sensibility.
As a foreigner, I particularly appreciate the perfect diction of the actors. The setting and costumes were beautiful. I find this version quite on a par with the 1995 miniseries "Pride and Prejudice" but then the producer and screenwriter were the same. Kate Beckinsale did a really good job portraying "Emma" of whom Jane Austen said she would create a heroin no-one but her would love. She is snobbish but has just enough youth and inexperience to be still likable. Mark Strong was also very good at portraying Mr Knightley, not an easy part, I think, though he has not the charisma shown by Colin Firth's Mr Darcy in Pride and Prejudice. Even the end scene (the harvest festival) which does not happen in the novel provides a fitting end except for when it shows Emma being cold and almost unpleasant with Frank Churchill whereas in the novel she was thoroughly reconciled with him, even telling him that she would have enjoyed the duplicity, had she been in his situation. A strange departure from the faithfulness otherwise shown throughout the film. I find the costumes more beautiful and elaborate than in other adaptations from Jane Austen's novels.

The worlds largest inside joke. The world's largest, most exclusive inside joke.
Emulating the brash and 'everyman' humor of office space, this film drives the appeal of this film into the ground by making the humor such that it would only be properly appreciated by legal secretaries writing books. The audience is asked to assume the unfamiliar role of a legal secretary, and then empathize with the excruciatingly dumb protagonist.
The entire film is centered on the legal secretary finding free time, listening to music and writing a novel while working. These are his goals. You can't imagine the slap in the face it is to the audience when (around halfway through) they find out he has had a job which fit all three of those criteria, but then gives it UP! The director and screenwriter (Jacob Kornbluth and Josh Kornbluth) completely remove the audience's motivation to empathize or even find entertaining a protagonist that has previously thrown away that which he is complaining about the lack thereof.
Apart from that major stumbling block, the legal secretary insider humor fails because they must be explained explicitly to the audience each time they happen. Without these asides, the audience wouldn't have noticed anything particularly strange. Humor is only effective if it doesn't need to be thoroughly explained to the audience what is funny.