Sachinkry/imdb-preference-10k huggingface dataset:
The Last Hunt is one of the few westerns ever made to deal with Buffalo hunting, both as a sport and business and as a method of winning the plains Indian wars. Before the white man set foot on the other side of the Mississippi, the plains used to have herds of American Bison as large as some of our largest cities. By the time of the period The Last Hunt is set in, the buffalo had been all but wiped out. The 20th century, due to the efforts of conservationists, saw a revival in population of the species, but not hardly like it once was.
Robert Taylor and Stewart Granger are co-starring in a second film together and this one is far superior to All the Brothers Were Valiant. Here Stewart Granger is the good guy, a world weary buffalo hunter, who has to go back to a job he hates because of financial considerations.
The partner he's chosen to throw in with is Robert Taylor. Forgetting Taylor for the moment, I doubt if there's ever been a meaner, nastier soul than Charlie Gilsen who Taylor portrays. In Devil's Doorway he was an American Indian fighting against the prejudice stirred up by a racist played by Louis Calhern. In The Last Hunt, he's the racist here. He kills both buffalo and Indians for pure pleasure. He kills one Indian family when they steal his mules and takes the widow of one captive. Like some barbarian conqueror he expects the pleasure of Debra Paget's sexual favors. He's actually mad when Paget doesn't see it that way.
No matter how often they refer to Russ Tamblyn as a halfbreed, I was never really convinced he was any part Indian. It's the only weakness I found in The Last Hunt.
However Lloyd Nolan, the grizzled old buffalo skinner Taylor and Granger bring along is just great. Nolan steals every scene he's in with the cast.
For those who like their westerns real, who want to see a side of Robert Taylor never seen on screen, and who don't like cheap heroics, The Last Hunt is the ideal hunt.

This is the absolutely worst piece of crap I've ever had to watch - actually it was so bad that I just HAD to watch it :-)
The CGI is sooo bad it's fun! It's not even close to the shitty CGI animations in Spawn, that's how bad it is, har har har...
I'm amazed over the fact that some distribution company actually has put money down to release this on DVD, but I guess they'll get more money out of it that way, 'cos the cost of making it can not have been more than a few hundred dollars.
It's so awful that a kindergarten class could have made it.
See it and laugh!
I enjoyed this film yet hated it because I wanted to help this guy! I am in my fifties and have a lot of friends in the music business...who are now still trying to become adults....no more fans,groupies,money etc...and they are having such a hard time adjusting to a regular life...as they see the new bands etc getting the spotlight...it is almost like they have to begin anew...this film is a testament to what a lot of the old rockers from the 70's and 80's are going through now....and that's where I find the film sad and depressing.BUT it portrays the life of an old rock star-abandoned and lost-in a believable way.The young girl who arrives at his decrepit home reminds me of Hollis maclaren (Outrageous)...and she is one lady in a film you will cheer for. This film is a must have for folks in their 50's who have seen the rise and fall of bands,people who knew the members, and have watched them hurt as age creeps in,and popularity fades.This is an almost perfect movie....sad but in a way positive....because of the whales. A MUST SEE!

You know Jason, you know Freddy, and you know Leatherface. Now, get ready for: The Safety Pin Killer! That's right, in Killer Workout, a dumb slasher movie if I've ever seen one, the unseen murderer dispatches his (or her?) victims with an oversized, novelty safety pin. It is an odd choice to be sure, the kind of thing that deserves an explanation. Naturally, the movie never even attempts to clarify where the killer acquired such a thing.
As the title suggests, an aerobics gym is under siege by a mad killer and everyone is a suspect. In fact, the movie gives so few clues as to the identity of the killer, just about everyone in the movie is a potential murderer until they get killed. And since just about everyone but the killer winds up dead, it's really just process of elimination.
Oddly, while the entire name cast is killed off, the aerobics classes continue in earnest. In fact, nothing is capable of stopping the dancing. While three men are murdered in the next room, the workout goes on. Death isn't even a factor; one character dies, but is still seen prominently in the later workout sessions. Director David Prior knew what he was doing when named the movie Killer Workout and not Logical Workout.
Cop chases, explosive tanning beds, and hundreds of shots of women's exposed flesh are thrown in for good measure. Much like the woman caught in the tanning bed, I felt very uncomfortable by the end of Killer Workout. Finally, thankfully, THE END flashed on the screen. What happened next? You got it, shots of the women working out. Not even the end of the movie can stop them!
this is best comedy i ever seen! but not all can understand this you must be from Georgia to understand this amazing movie! :) overall one of best film i ever seen......... Vachtangi(Benjamin) and all supporting actors playing very very good but acting of Kote Daoshvili (Father Germogel) is for my opinion best acting in supporting role in history of films :)) in this movie playing many georgian stars like ipolite xvichia,sergo Zakariadze,sofiko chiaureli,verikoan djafaridze,Sesilia Takaishvili,Dodo Abashidze.... they all are Stars in Georgian cinematography :) plus in this movie is playing great Russian star Evgeni Leonov and of course Director of the film Georgy Danelia is one of the best...... i recommending this movie for everyone but remember you must know good Russian language to watch this movie

I am a huge fan of Ted V Mikels and the original "Corpse Grinders" is the main reason why but this is quite possibly the worst film I have ever seen. Even the brilliant casting of the legendary Liz Renay ("Desperate Living") could not save this worthless piece of garbage. This film should serve as a lesson to all past, present and future film makers...when you have a film as successful as the original "Corpse Grinders" was you should probably leave sleeping dogs lie and you should definitely not try to revitalize it over twenty years later (unless you have the financial backing to pull of a superior sequel such as Herschel Gordon Lewis did with "Blood Feast 2: All U can Eat") Even if you do decide to do this you should probably spend a little bit more money than you did on the original and for god's sake...NEVER film a movie onto video...why do film makers even attempt to do this when everyone knows the quality is going to turn out hideous...I personally have yet to see one film made in this fashion that's even worth the powder to blow it to hell...if you can't afford to make a sequel that is better than your original film then sell the rights of the film to someone who can...and what was Ted V Mikels thinking about (or smoking) when he wrote this god-awful script? I mean come on, dog and cat "aliens" from another planet? A cardboard box painted to look like a devastating machine capable of grinding up human bodies...bones and clothes and all? If any of these actors, aside from Liz Renay, were paid more than five dollars for their hideous performances than they are grossly overpaid! Avoid this film at all costs and watch the original instead.
I went to see Vanilla Sky with a huge, huge, huge!!..Tom Cruise fan, my extremely cynical brother and my girlfriend ... what can I say .. I was totally blown away by the movie and especially TC's performance, I thought it was a very moving film and it was not at all what I was expecting.
I had read the reviews and had decided not to go and see it, I am so pleased that I was 'coerced 'into seeing it. The strange thing is I cannot say why, all I can say is that I found it totally involving and could not stop thinking about it the next day. As to what I felt about the film, all I can say about is, ITS NOT THE STORYLINE (fantasy, psychodrama, whatever) its about the people and the events that shape their life and how small events, like getting into a car can change everything......
As to what the critics wrote, yes maybe the original was a stunning 2nd film for Alejandro Amenábar , but this was a totally different interpretation of the subject, and by no means a narcissistic remake for the benefit of Tom Cruise and Penelope Cruz.
I cannot even consider writing a couple of trite, glib sentences to describe the film just go and see it!!!!
Yes I know this isn't a balanced thoughtful review but so what .It's not that kind of film.

The message of this movie is "personality is more important than beauty". Jeanine Garofalo is supposed to be the "ugly duckling", but the funny thing is that she's not at all ugly (actually she's a lot more attractive than Uma Thurman, the friend who looks like a model).
Now, would this movie work if the "ugly duckling" was really unattractive? When will Hollywood stop with this hypocrisy?
In my opinion, despite the message that it wants to convey, this movie is simply ridiculous.
We're talking about a low budget film, and it's understandable that there are some weaknesses (no spoilers: one sudden explosives expert and one meaningless alcoholic); but in general the story keeps you interested, most of the characters are likable and there are some original situations.
I really like films that surprise you with some people that are not who they want you to believe and then twist and turn the plot ... I applaud this one on that.
If you know what I mean, try to see also "Nueve Reinas" (Nine Queens) a film from Argentina.

It is a pity that you cannot vote zero stars on IMDb, because I would not have hesitated! In fact I would go so far as to say that this film was in the negative stars.
I, like many others, bought this film thinking that because it has Michael Madsen in it, it could be good... No chance! This film was shocking! Imagine a movie length 'The Bold and the Beautiful', well, Primal Instinct did not even come close to that good, and I had previously thought that there would be nothing worse than a movie length 'The Bold and the Beautiful'.
Michael Madsen, how could you do this to us? The worst part is, I didn't fast forward a bit, I was hoping that at the end they would reveal that it was all some sort of sick joke, that they thought it would be funny to make us watch such a horribly bad film.
Where do I start...? Directing - Zero Stars, Screenplay - Zero Stars, Acting - Zero Stars, Cinematography - Zero Stars, Digital Effects - Zero Stars, Production Design - Zero Stars, Make-up - Zero Stars, Casting - Zero Stars, Editing - Zero Stars, Trailer - Half a Star, Graphic Design - Half a Star, DVD Menu - Half a Star.
However I think that it is very important to have seen bad films just so that you know what a really bad film is, so for that reason I am happy that I saw this film, just so that I have a bad film to put at the bottom of my list.
Rock 'n' Roll High School was one of the best movies ever made! I think the only reason it was so awesome was because of The Ramones! You couldn't have made the same movie and put something like the Sex Pistols, or The Clash in place of The Ramones, it just wouldn't have been the same. dey young, clint howard, Vincent Van Patten, Mary Woronov, Paul Bartel, and the hall monters, just added to the movie. The whole entire movie is about The Ramones...especially Joey! So everybody showed see Rock 'n' Roll High School if your a huge fan of real PUNK. Not the sissy new crap...but the loud, and fast kind. The kind only The Ramones could do. R.I.P (Rest In Peace) Joey Ramone 1951-2001. Dee Dee Ramone 1952-2002!

This Hitchcock movie bears little similarity to his later suspense films and seems much more like a very old fashioned morality tale. A young couple receives an inheritance that they believe will make them happy. They spend the money traveling about the world and living a very hedonistic existence. However, after a while the excitement begins to wane and the couple become dissipated and pointless in their existence. However, out of no where, when they are on a luxury cruise, the ship sinks and they lose everything--and end up much happier in the end because they now appreciate life! What an odd, silly and preachy film! Personally, I'd like to inherit all that money and find out if it makes me miserable!
The production values are relatively poor compared to later productions--a rough film with poor sound quality and rather amateurish acting.
I do not expect this film to be well understood by viewers out of Romania. This tells something certainly about the value, or maybe about the lack of universality of the film, but also tells something about how different history and even life of common people was in Romania compared to other countries, even in Eastern Europe.
The film is an adaptation of a novel by Marin Preda, a controversial novelist who died during the Communist rule soon after the book was published. It tells the story of an intellectual, professor of philosophy whose life is crushed after he is imprisoned on false accusations at the end of the Stalinist era. Basically the first part of the film tells the story of his fight for survival in prison, the second describes his tentative to regain his life after being released. His release is actually only apparent, Romania of the 60s asks from him different types of compromises and crimes, but yet his fight for survival is as tough morally as in prison.
The film is splendidly acted by some of the best Romanian actors. Stefan Iordache who has the lead role would be in another time and another place a mega-star, we can get here a good glimpse of his fabulous acting art. Although suffering from a hesitant story-telling and falling sometimes in non-essential details or character comics, the film is still an important landmark for the Romanian cinema, as well as for the process of recovering the moral and historic values in the Romanian society.

My life is about saving animals. I do volunteer work with a cat rescue organization. I am a vegetarian because I couldn't kill an animal even to sustain my life. I can't even kill a spider, I put it outdoors. The scene where the children throw rocks at the bird until it dies, with Sooner participating in an attempt to be accepted by the other children, made me sick and has haunted me ever since. It simply convinces me that human beings are pathetic in their need for acceptance. The ending - the foster parents adopt Sooner - does not redeem the depiction of animal cruelty. Why would anyone want their child to see this film?
I found this to be the most enjoyable Muppets movie, because I felt it was the most light-hearted and had the best comic delivery on most of its lines. The Muppets try to go on Broadway to sell an original musical they've written, but along the way, they run into the usual problems, including Kermit's memory loss here. While there aren't as many great cameos here as in the original "Muppets Movie," there are some including Joan Rivers and Dabney Coleman. Simply the timing and delivery of so many of the lines is great, and the situations the Muppets find themselves in are hilarious. The original songs are also good here, and the ending is satisfying. There is not much else to say about the film, but Muppet fans should see it for sure. It is the funniest Muppet movie and is sure to be enjoyed by all.
***1/2 out of ****

I consider Stuart Bliss the worst movie I have ever seen.
The acting was terrible and the plot ludicrous. I get the fact that the main character's wife leaving him triggered a mental breakdown, but it got so silly and boring, after a while I could have cared less about any of the characters.
The movie kept going over and over the same ideas without anything fresh or surprising to add to the plot. The whole thing with the Geiger counter got too much after a while after Stuart started opening up his wall to see what was behind it after the counter indicated something was there.
Then there was the repetitive scenes with the flyer, and the confusing ones where he meets himself.
I should have guessed that this movie was a flop when I didn't recognize any of the actors. Do yourself a favor when this movie comes up, read a book! You'll be better off.
Presenting Lily Mars (MGM, 1943) is a cute film, but in my opinion it could have been better. Judy Garland is great as always, but some scenes in the film seem out of place and the romance between her and Van Heflin develops all too quickly.
I mean, one minute he's ready to beat her butt, but the next minute he falls in love with her. I believe that this production, the film editing, and the script ( even though the photography was great, the scenery was nice and the costumes were nice as well) could have been a little better. It feels as though the production was too rushed.
The supporting cast was good as well, especially little Janet Chapman as the second youngest daughter daughter Rosie. She at the age of 11, looks really cute and it's a shame that she didn't develop into a teenage comic actress. She's much better in this film than in her previous films as Warner Brothers in the late 1930's (except for Broadway Musketeers 1938, she's really good in that), when they tried to make her into a Shirley Temple/Sybil Jason hybrid. Overall, this film could better, but in the end, Judy gave it her all.

First of all there is Gujarati Theatre then there is Bollywood. Both have their strengths and fan following. Director Vipul Shah should look elsewhere instead of Gujarati Theatre when making a Bollywood production. First he made Aankhen (adapted from a Gujarati play) - which had a unique plot, but could not hold as a Hindi film. Now he's adapted another Gujarati play and named it Waqt - a race against time. In sum, the emotions are alien. The plot development is not for Hindi films. For example, the role play between father and son is best left to Gujarati Theatre - don't bring it in a Hindi film. Even the comedy track is best left for the Gujarati stage. All performances are average - nothing to shout about - barring Shefali Chhaya Shah who is fantastic.
The acting- fantastic. The story- amazing. The script- wonderful.
Just a few ways to describe this movie. Yes, it's slow and it has mostly talking, but the whole story of all of their lives and how it's told with the flashbacks thrown in and out makes you want to listen to every little thing to learn more about this haunting and tragic story. I, myself, am reading the book that the movie is based off of and it has shown me even more light into this story and answers some questions that were left unanswered in the movie. I'm also to read the Exectioner's Song, which is the 'other' half of the Gilmore story. This movie made me think so much about the phrase "piering into the other side of the looking glass". You hear a song in the movie called Gary Gilmore's Eyes, which is by a punk band that wrote a song about what it'd be like to have Gary Gilmore's eyes(which is one of the things Gary gave as a transplant when he died) and as you listen to it, which is after the last time Mikal ever sees Gary, you look at the whole situation a little differently if you were to only here the song itself. This movie opened my eyes in that way and in many others. I recommend this movie(and the book) very very much.

Let's see where to begin... bad acting; I'm not sure if I'd even call it that, as it more along the lines of a no-effort script read. The actors didn't even seem to be into their parts and seemed quite lifeless and listless. Sure there was a scene or two with nudity, but that couldn't save this movie from it's lifeless characters.
To call the main character a rapper is an insult to the people who actually do. The lyrics had no rhythm or flow and seemed more along the lines of senseless rants.
Budget? Did this movie even have a budget? It seemed like they used less money than I've seen in a home-shot YouTube video. Bad lighting, props, poor sound post production. Bad special effects, if you want to go so far as to call them that. Story could have been good if the people actually seemed interested in making it so, but there was no life to this flick; I don't care who directed it.
I've seen some really bad flicks in the past year and this one is definitely at the very bottom. Don't waste your time or you'll be wishing you listened to this unbiased review. Check the ratings, you'll see the 1's are rapidly outpacing the fluffed 10's with hardly anything in between. Wish I would have looked a little closer before wasting my time. What a suck-fest!
I recommend watching this film with your significant other if you're planning a romantic evening with him/her. The chemistry between Johnny Weissmuller and Maureen O'Sullivan as Tarzan and Jane is so steamy it could fog up your screen.
After the original film, we begin to see how Tarzan and Jane have adapted to the jungle and to each other. Jane's skimpy jungle wear and Tarzan's protest when Jane covers up for their visitors illuminates that they are not just romantically, but also quite sexually in love.
One's imagination can supplement the constant touching and love talk between Tarzan & Jane to portray how much Jane is actually teaching Tarzan about love emotionally, romantically and sexually. And Jane's student is not only embracing but also thriving with his previously untapped sexuality.
The skin show in this film is off the charts. In addition to Jane's two-piece sexy midriff, leg, and hip baring costume, she also has an underwater nude swim with Tarzan. (although it is not O'Sullivan, but Olympic swimmer Josephine McKim who doubles for her in this scene) Weissmuller, also reveals a tremendous body and perfect pectorals in his barely there loincloth. The ladies will delight when Weissmuller emerges from the water after his lengthy fight with the giant crocodile and sounds his yell - with his water soaked loincloth practically falling off his hips.
It's a shame that the over-protective censors toned down the adult nature of the Tarzan films after this entry. Although the Weissmuller Tarzan films would still prosper in the years to come, they would rarely approach the sex appeal of this movie.

There is absolutely nothing in this movie that shows even the tiniest scrap of talent. Nobody in it has ever tried acting before, even the extras in the coffee shop look as if they've been glued in place. Nothing looks rehearsed.The film quality is terrible. Most of the 'action' takes place in narrow corridors or apartments with the cameraman crammed in as an afterthought, swinging some cheapo camera backwards and forwards between 'actors' as they deliver their lines. No tripod and no proper microphone either, there sound quality is terrible. Even 'Manos' fares better than this, at least they had proper equipment. What plot there is simply gets lost in the production mess.
Stick to home videos, preferably made by some 5 year kid trying out the video feature on daddy's new camera phone. You will be in for a long search to find a movie more inept than this.