It's not easy making a movie with 18 different stories in it. Although 18 different international directors took the challenge, not everyone of them is good, some of them even boring. But in his entity, "Paris, je t'aime" is breathtaking, showing that, as "Love Actually" put it, 'love is all around', especially in the city of love. Here's a resumé (I'll try to make at as spoiler-free as possible) of the 18 different stories.
MONTMARTRE - kind of a dull opening sequence, nothing really special about it. A man finds a parking spot, and sees a lot of odd couples walking by, wondering why he can't find a girl. And than, suddenly, a woman faints next to his car...
QUAIS DE SEINE - another dull sequence, about three teenage boys who are searching for some 'piece of ass', when suddenly a Muslim girl trips right in front of them, receiving help from one of the boys. Really basic, but with a sweet heart to it.
LES MARAIS - this was a huge disappointment! Although a love story between two boys with an artsy background could have been interesting by the great Van Sant. Eventually, everything that comes AFTER the monologue by Ulliel is good, everything before it is just annoying.
TUILERIES - an entertaining sequence by the Coen brothers. Buscemi - without even saying one word - is mesmerizing and the whole sequence is just hilarious. This one kept me hooked until the very end, and this one also gets you truly hooked to the movie.
LOIN DU 16IEME - a beautiful story too, even if the execution is poor, the heart is there. It's the story of an Hispanic woman who drops her child off, early in the morning, to take care of another suburban baby. Beautiful.
PORTE DE CHOISY - this segment has got to be the strangest and weirdest from the whole movie. Some kind of shampoo salesman arrives in a Chinatown-lookalike place in Paris. If I understood it correctly, the story is about inner beauty, but I think I'm wrong.
BASTILLE - a truly wonderful sequence. A man meets with his wife at a restaurant, to break up with her, so that he can run off with his mistress. But the wife has some devastating news. Pretty basic, but truly sad and beautiful! PLACE DES VICTOIRES - a sad sequence as well. Juliette Binoche plays a grieving mother. One night, she wakes up hearing her dead child. When she arrives at the location, a cowboy tells her she can give one last good-bye to her child. One of the best segments! TOUR EIFFEL - two mimes who fall in love could have been great, but, even though it has some nice cinematic tricks, the story isn't intriguing and not funny at all.
PARC MONCEAU - a truly original and great sequence, one of the best of the movie! A young girl and an older man discuss their future and her fear for a certain man... Cuaron does a great directing job, and the actors are amazing! QUARTIER DES ENFANTS ROUGES - an American actress (Gyllenhaal) falls in love with her drug dealer. a beautiful segment again, with a very sad ending PLACE DES FETES - a woman comes to a homeless man, he starts talking romantic to her... because she is the love of his life. Beautiful, sad, shocking, romantic,... Place des Fêtes will make everyone cry.
PIGALLE - a boring sequence between Ardant and Hoskins, who are looking for new thrills in their relationship... very unfunny and unromantic, Pigalle is a let-down.
QUARTIER DE LA MADELEINE - bringing some diversity in the movie, QdlM is a relief. A young guy (Wood) finds a vampire killing a victim... The tourist and the vampire... fall in love! Dark, scary and oddly romantic, Madeleine is superb.
PERE-LACHAISE - another let-down segment. Directed by Wes Craven and with stars as Mortimer and Sewell, it could have been great, but Père-Lachaise is just ordinary, not original at all.
FAUBOURG SAINT-DENIS - the rumors are TRUE, Twyker's short film is beautiful, stunning and well done. A blind man picks up the phone, and hears from his girlfriend (Portman - truly stunning) that she breaks up with him. He reflects on their relationship.
QUARTIER Latin - even though this segment has been co-directed by Depardieu and has such stars as Rowlands, Gazzara and Depardieu, this segment is a let-down too. Nothing happens, lack of chemistry between the actors.
14TH ARRONDISSEMENT - the last sequence is hilarious and sad at the same time. An American tells in her French class about her trip to Paris. Her French is truly terrible, but at the end of the segment, she realizes that Paris is so much more than meets the eye.
With Feist on the background, "Paris, je t'aime" ends in a sweet tone, not letting me down at all, even though some segments bored the hell out of me, the entity of the movie is great! A true cinematic experience for young and old. Paris, je t'aime vraiment!

Not too keen on this really. The story is pretty horrid and unconvincing. I enjoyed the first 10 minutes, bill nunns good. After that it was pretty appalling. Tim doesn't fit the role, he comes across as a smug self inflated ass & Pruitt taylor vince is entirely unconvincing as a trumpet player. It's a idealist film and as a musician, feel slightly offended after watching it. There's no scenes of 1900 practising or playing with his fellow band mates, he's completely self indulgent. I find it hard to build any relationship with this kind of character, maybe i'm watching the wrong film. If you have no real passion for life or sense of what musics all about then happily indulge in the suspension of disbelief and watch this waffle.