Sachinkry/imdb-preference-10k huggingface dataset:
I've read countless of posts about this game being so similar to Max Payne, when i played it the first time i thought it was a bit weird arcade-like game with a desire to rip-off the Max Payne style (not just bullet-time). So when i played it for a couple of hours i realized how much fun it is! and how different from "Max Payne", yeah the bullet time is a bit similar but i think it fits differently to the game-style. This game is non-stop action - a mix between a shoot'em up and a fight'em up, so much fun, as a big fan of Max Payne i must say that the storyline of DTR is not near to the greatness of Max Payne, the graphics are a bit average and some of the levels look the same, but if you want a bit more of that "bullet-time" you should definitely own this game.

Fiction film (it lists as based on a story though it does have a "documented by" credit) about a group of scientists going into the wilds of Canada to try and find a Bigfoot.(They want to capture one and then attach a tracking device). Its lots of scientific mumbo jumbo mixed in what is really a dull film of a bunch of people wandering around in the wilderness. There are some attempts at creating tension and scares, but to be perfectly honest there is nothing here worth seeing outside of some great looking shots of the wilds. This is a perfect definition of an exploitation film, it promises you so much, a look at Bigfoot, but in reality it delivers very little. Recommended for insomniacs only
What a pleasant surprise: A Disney DTV (Direct to Video) sequel that's actually GOOD. "The Lion King 1 1/2" is a comedy affair that involves everyone's favorite meerkat and warthog, Timon and Pumbaa. It starts out with them watching the original movie and making comments, until Timon complains that "we're not here yet". After fighting over the remote, Timon and Pumbaa decide to tell the audience "their story". They start the new movie, and the laughs begin.
To be honest, I was losing hope in Disney. Most of their direct-to-video fare has been aggressively awful, with the story lines desperate to cash in on the original. "1 1/2" decides to try something different: It tells the original story from a new point of view. Okay, it adds some stuff, like where Timon came from and how he and Pumbaa met, but it's an interesting concept. Nathan Lane and Ernie Sabella perfectly recapture the bond and friendship that made us love them in the first movie. There's also some neat movie parodies (including one scene that simultaneously spoofs 'The Good, the Bad, and the Ugly' and 'Cool Hand Luke), and the script is filled with funny memorable lines.
Added to the cast are Julie Kavner ("The Simpsons") as Timon's worry-wart mom, and Jerry Stiller as Timon's slightly crazy Uncle Max. Matthew Broderick shows up as Simba, and his "teen" scene reminded me of Ferris Bueller. Everyone does well, especially Robert Guillame (is that how you spell it?) as Rafiki, who exudes more and more Yoda-speak in this movie (Timon comments on this several times).
'The Lion King 1 1/2' is a perfect alternate choice for those of you getting tired of the Shrekification of animation. 10/10

I saw this movie the first time at about twelve o'clock on a Saturday evening. It really is the perfect time for this one. I have never, EVER seen a movie that was actually more predictable and drenched with stereotypes. If you want to see a thrilling action movie, don't watch it because you might lose the will to live halfway through. However, if you want a good laugh, please watch it! I even bought the Chuck Norris 3DVD collection thanks to my enjoyable Saturday night. What especially struck me is that évery scene that would be expensive to make was copy-pasted from a Discovery documentary or an old TV-special on the US Army. Furthermore I was amazed by the fact that they didn't put the slightest effort in making the production look real. Afghanistan is, as far as I can remember, nowhere near any sea and yet with a single click Deke escapes from the terrorists sand-castle with his jet-pack and is taken away by a submarine (probably Discovery). Later on in the movie, Deke throws an Islam terrorist against the wall. In the slow motion scene you can beautifully see the long hairs of the Korean stuntman flap in the air when smashed against the wall. Gotta love it. I recommend you watch it with some friends and a good amount of beer though, only then you'll understand why I've been mad enough to spend 6,99 euro's on the box.
This is an incredible comeback from movie director mastermind, Tsui Hark. It is one of a few movies that deserves to come a face to face match to Steven Chow's Shaolin Soccer. From the moment the movie started,there was astronishing backdrops at every edge which were
deplicted with superb style. If you are a science fiction or chinese martial arts "geek", you'll love the excessive amounts of many 3D effects and realistic computer generated weapons. There, comes a fine performance(as always) from Ekin Cheung who plays "Sky King". He teams up with Louis Koo(Red) who i was very impressed by his flexible "wing" which deflected incoming attacks. The fighting movements of these actors were proficient in every way. Not only is the action superb but the has a somewhat complex storyline. Many Criticisers of this movie complain of the lack of story/theme or just "shoved in random bits of debrise" and even describe as "The Legend of Poo". However, the viewer cannot rely on watching Dragon Ballz and other similar Manga Cartoons to understand this movie. Others who are famarialy with "Wu Xia" movies will have a better appoach. In due respect. there can be one weakness that could be foreseen. The blow that was deliveried to the enemy at the very last fight scene could of been more substantially and devastiingly made.In spite of all this, its a must see.

"Valentine" is another horror movie to add to the stalk and slash movie list (think "Halloween", "Friday the 13th", "Scream", and "I Know What You Did Last Summer"). It certainly isn't as good as those movies that I have listed about, but it's better than most of the ripoffs that came out after the first "Friday the 13th" film. One of those films was the 1981 Canadian made "My Bloody Valentine", which I hated alot. "Valentine" is a better film than that one, but it's not saying much. The plot: a nerdy young boy is teased and pranked by a couple of his classmates at the beginning of the film. Then the film moves years later when those classmates are all grown up, then they're picked off one-by-one. The killer is presumed to be the young boy now all grown up looking for revenge. But is it him? Or could it be somebody else? "Valentine" has an attractive cast which includes Denise Richards, David Boreanaz, Marley Shelton, Jessica Capshaw, and Katherine Heigl. They do what they can with the material they've got, but a lackluster script doesn't really do them any justice. There are some scary moments throughout, however.
** (out of four)
This film, as low budget as it may be, is one of the best psychological thrillers I've ever seen. If you accept that it's low budget from the start, you can appreciate just how good of a story it is, how very well written the script is, and how great the filmmaker was to produce something so wonderful with so little money.
All the elements of a great film are here. The visuals, though shot on digital, were gorgeous in places. The bizarre, dreamy feel of the film is captured particularly well in the scene with the talking dog, that scene was just amazing. It's such a trippy piece of work, but not done in a pretentious way, and because of that I have a whole lot of respect for this film. It comes highly recommended to anyone looking for something unique and captivating, and different from much of the repetitive films that are out there.

I just saw this movie (mainly because Brady Corbet is in it), and I must say that I was not pleased.
Of course, the computer graphics were amazing, but the story line needed a little touch-up. Also, I think this movie would have done much better with more curses and blood, as well if it were rated PG-13.
That would definitely attract more people to see it-->teens. What would also attract more teens (particularly teen girls), would be a large close up of Brady Corbet on the Thunderbirds poster!
Even though the movie had it's down points, I still saw it and thought it was okay!
I've been watching this every night on VH1 this past week. This is a terrific revealing portrait about the drugs epidemic and how drugs were displayed in the media during the late 60's and on through the 70's.Woodstock,Easy Rider,The Beatles,The Death of Morrison, Hendrix, Joplin are all here. Vh1 has fashioned a complete intricate portrayal of the life and times during the "Drug Years". From the Sanfrancisco Bay Area to Studio 54 this documentary shows the evolution and advancement of the drug business and the death and new life it breathed into the American culture.From Marijuana to LSD to Cocaine this documentary shows the ways drugs were getting into the country, the hippie movement, the conservative resistance, and how drugs effected the arts (music , movies etc.) Featuring tons of fascinating interviews and news reel footage.
Drug Films: The Trip Easy Rider Up In Smoke Reefer Madness Blow Boogie Nights

Spirit of a murdered high school geek animates a scarecrow which then takes revenge on everyone.
This movie really annoyed me. It has a great looking monster, has some good low budget effects, some atmosphere but manages to short circuit the good stuff with bad. Half way in I started to fast forward and then step through the chapters on the DVD.
The problems with this movie are many. First off the cast looks about thirty and yet they are suppose to be in high school. You don't believe anything from the get go as a result. The scarecrow, while looking great isn't much beyond that. He says stupid one liners and moves in a manner more designed to be funny then scary. Is this a comedy or a horror movie? Its a problem that goes beyond the one liners to much of the dialog and set up. It seems more send up of every cliché than heartfelt horror film. I some how expect that the film was made for a very narrow audience in mind, horror fans who want to mock the genre rather than embrace it.
Despite the good looking monster this is a film to avoid. Even if you pick it up in the bargain bin for under five bucks, you're paying too much.
Avoid.
"Bend It Like Beckham" is a film that got very little exposure here in the United States. It was probably due to the fact that the movie was strongly British in dialogue and terminology and dealt a lot with football, (soccer here), which some may have trouble relating too in the U.S. It's unfortunate because this movie is absolutely fantastic and deserved much more coverage over here. I think the basis of the storyline, (following a dream), is something many people can relate to and in the end, "Bend It Like Beckham" proves to be a good-feeling film with a source of inspiration and really good acting. I was not overly excited about seeing this film initially but now I regret not seeing it sooner. I highly recommend this movie!

As someone who likes chase scenes and was really intrigued by this fascinating true-life tale, I was optimistic heading into this film but too many obstacles got into the way of the good story it should have been.
THE BAD - I'm a fan of Robert Duvall and many of the characters he has played, but his role here is a dull one as an insurance investigator.
The dialog is insipid and the pretty Kathryn Harrold is real garbage-mouth. From what I read, there were several directors replacing each other on this film, and that's too bad. You can tell things aren't right with the story. I couldn't get "involved" with Treat Williams' portrayal of Cooper, either. He should have been fascinating, but he wasn't in this movie. It's also kind of a sad comment that a guy committing a crime is some sort of "folk hero," but I admit I wound up rooting for the guy, too.
Not everything was disappointing. I can't complain about the scenery, from the lush, green forests of Oregon to the desert in Arizona.
I'd like to see this movie re-made and done better, because it is a one-of-a-kind story.
On the surface, "Written on the Wind" is a lurid, glossy soap opera about the sexual dysfunctions of a Texas oil family. But underneath it all is a deep, social commentary on 1950's life. Director Douglas Sirk scores again with another Univeral sudser. Robert Stack falls in love with Lauren Bacall. The problem is that Stack's best pal, Rock Hudson, loves her too. When Stack finds out he's sterile and Bacall ends up pregnant, the fireworks fly. And, the all-too-good Dorothy Malone won an Oscar for her portrayl of Texas' biggest nympho who is shunned by Hudson. Good epic soap opera.

I read John Everingham's story years ago in Reader's Digest, and I remember thinking what a great movie it would make. And it probably would have been had Michael Landon never got his hands on it. As far as I'm concerned, Landon was one of the worst actors on earth, and his artistic license went way over the top, similar to his massacre of the "Little House" book series is proof. The acting, for lack of a better word, is atrocious, the screenplay sloppy, and there are more close-ups of Landon's puss than should be allowed.
This movie reflects Everingham's story as much as "Little House On The Prairie" reflects the books is was "based" on. It's just another vehicle to show off Landons horrendous hair.
*** Spoilers*
My dad had taped this movie for me when I was 3. By age 5, I had watched it over 400 times. I just watched it and watched it. And I still do today! It has a grim storyline, a lamb's mother is killed by a wolf--a very emotional scene--and wants to become a wolf, like him. After years of training, the lamb is made into a really REALLY evil looking thing. He and the wolf travel to his old barn, but he cannot kill the lambs, no matter how much he wishes to. He ends up killing the wolf, but is no longer seen as a lamb by his former friends, and can't return to his previous way of life.
The art is beautiful, the songs are..well, okay, and the voice acting is better than some things today.
All in all, you just *have* to see this movie, it is a great masterpiece. Although, it's very hard to find today.

I want to start by stating I am a republican, even though I don't agree with a lot of the things bush has done in office. And I love the daily show and Colbert report. They have to be two of my favorite shows on TV. I enjoy the bush jokes on Conan, Letterman, Leno, because I admit that W is not the smartest guy to ever walk the earth(I do believe he's not the dumbest either.) But it comes to a point when enough is enough and it's not really that funny anymore. I see where it can be funny and it is(hey he's making fun of our authority figure he's hilarious.). Comedy central though is just trying to hard to poke fun at him. I mean maybe one special episode, but an entire series is just dumb. It seems CC is just saying the same bush jokes that we've heard WAY to many times. I really cannot see this show going past 1 season.
You sit there for a half an hour and watch a story, believing it all, then watch another half an hour of the same story utterly unraveling... and then put back together again. Brilliant.
One of the most exciting feature films at the San Francisco International Film Festival is a documentary. I don't know if - other than Andrew Jarecki's "Capturing the Friedmans" - there has ever been anything like Anna Broinowski's "Forbidden Lie$." It features, exposes, defends, reveals, and questions everything about Norma Khouri, author of "Honor Lost," the acclaimed and lambasted 2001 bestseller about honor killings in Jordan.
What is quite incredible and what makes the film so exceptional is that this "exposure" of Khouri is made with Khouri's full participation.
For the initial portion of the film, Khouri presents her story about the supposed honor killing of a friend of hers in Amman, the story of the book. She sounds completely believable, convincing.
Then her story is taken apart, exposed, by eminently believable and convincing people, such as women's rights activists in Jordan, investigative reporters there and in Australia, where Khouri lived for a while.
Khouri comes back and denies the accusations, taking a successful lie-detector test in the process. There comes another segment of devastating exposures - not to be specified here because that would lessen the shock value... and then Khouri comes back and faces the accusations (not all, but the essential ones in the matter of the book).
And the Houdini act continues, with round after round in this heavy-weight, seesaw prize fight, surprise after surprise - and there is no "happy ending" in the sense of resolution. Brilliant.

Now, I'm no film critic, but I truly hated "September 11". This film was, on a general basis, bad. With the exception of Alejandro González Iñárritu's segment, which was the most effective and direct about the subject matter, the short films were at best boring, and at worst offensive. The worst in my mind was Youssef Chahine's pretentious segment in which he compared Palestinian suicide bombers to American soldiers, even going so far as to suggest the suicide bombers were fighting for a greater cause. The segment was completely off topic and, considering Chahine's seeming lack of any decency whatsoever, a waste of my time and patience. The idea of getting eleven different directors from different countries to make a movie featuring their views on a tragedy was good on paper, but in practice, it was tasteless.
After the usual chase scene, Jerry accidentally winds up inside a bottle of invisible ink, which was part of a chemistry set. He quickly discovers he's invisible...so the predictable results occur, meaning he uses his new hidden condition to torment Tom. Jerry often is just defending himself, but often he has sadistic streak in him that torments the cat whenever possible, even when unprovoked.
Here, he makes Tom think his eyes are deceiving him when cheese from a mousetrap disappears before his eyes, or milk from a dish. Tom can't take anymore so he tries to sleep this nightmare off, but Jerry sets fire to his paw! Man, I hope little kids didn't ideas watching these cartoons back in the '40s and '50s! I always found Jerry, the little mouse, more evil than cute.
Thankfully, in cartoons, generally, whatever damage a character suffers is gone within seconds and he's back to normal.
The best part of this cartoon is about two-thirds of the way through when Tom figures out what the story is with Jerry, and tries different methods to detect where the mouse is located (such as putting flour on the floor to see his footprints).

I cannot vote on this because I wouldn't watch garbage from these people. They got my money with another movie (Mr. Jingles) and I swore it would never happen again. I feel it's my civic duty to help people stay away from this trash. Go to the forums on this film and read where cast members try to act like they are seeing the movie for the first time. One guy even responds to himself ...using the same name! There are shills in the forum that say it's as good as Shawshank Redemption and Citizen Kane...Not even close (by no means). If this is the company's 2nd movie, it should be better than the first. That means the 3rd movie should be a lot better. Not so, I've seen it. All I want to know is how you distribute this trash using the same names all the time. Having fun with friends and making a movie over the weekend is fine...but don't try to market that trash!
well, this is an Ivan Reitman film. with the rare exception, Ivan likes to entertain. His films generally aren't "deep", but they are often entertaining enough. My Super Ex-Girlfriend surprised me in that i laughed more than i thought i would. Uma Thurman is just so grand, and i love her portrayals. I like Luke Wilson too, and Rainn Wilson was a straight hoot. Never taking itself seriously, the film is over the top and yet isn't very unique, nor does it go where no one has gone before.... it's a nice rent though and probably an OK date movie, especially if you have a headache and don't want to strain your brain. It's escapist fun and there's nothing wrong with that. When you strip away the "super-girl" stuff, you're left with a story about relationships, and relationships gone bad. It's a boy meets girl, boy leaves girl thing. And in the end, the characters are looking for love. Not all of them take being "dumped" as well as they could....a slice of life with a twist.

Well to answer one persons's question of "why doesn't anyone remember this film?" it's because really,not that many people saw it in 1978 and it's not been shown much on TV since. (If it's on video that'd be news to me!) Even in the era of sometimes mindless comedies that was the '70s,movie-goers had the smarts to avoid this film. Unless they love Billy Crytal,Paul Lynde or Joan Rivers "that" much!
Paul Lynde was funnier on "Bewitched" or "Hollywood Squares" than here. Joan Rivers at this time in her career was getting laughs making cruel jokes about singer Karen Carpenter's lack of weight! Har-har Joan! It also seems like every "somewhat" famous name from the era is in the cast. (Most surprising is Doris Roberts later of "Everybody Loves Raymond".)
Anyhow,a somewhat good idea for a storyline,a man getting pregnant instead of the woman goes to waste here. With help from a male friend Crystal gets set up with a hooker to finally lose his virginity but because she was "on top" instead of him,he gets pregnant! (A commentary on women taking positions of power away from men).
Crystal's stomach grows,he goes through all the female emotions and related feelings. Unfortunately,he is now a socially misunderstood outcast! He's attacked by a mob who wants him rubbed out (I guess).
He's forced to go into seclusion to have his baby...in a barn. Or if you will,a manger (God only knows where it may have exited from! Ewwww!) It turns out (no shock here) to be a girl!
Everything else about this movie is worthless and forgettable,the humor is high school level or less.
2 stars for a good idea and a few good touching & relevant moments w/ Billy Crystal. Ignore the rest of Rabitt Test,it flunks big time!
I can't believe Roddy McDowell signed on either! (END)
"COSBY," in my opinion, is a must-see CBS hit! I'm not sure if I've never seen every episode, but I still enjoyed it. It's hard to say which one is my favorite. Also, I really loved the theme song. If you ask me, even though I liked everyone, it would have been nice if Madeline Kahn hadn't passed away during the show's run. Since that happened, I've always wondered what the show would have been like. Everyone always gave a good performance, the production design was spectacular, the costumes were well-designed, and the writing was always very strong. In conclusion, even though it can be seen on TBS now, I strongly recommend you catch it just in case it goes off the air for good

Set in the 70s, "Seed" centers around convicted serial killer Max Seed (Will Sanderson), who killed 666 people in 6 years. He is sentenced to death, but in the electric chair he doesn't die, even after being shocked three times.
Detective Matt Bishop (Michael Paré) and other officers cover up this secret by burying Seed alive. Seed breaks out and goes after the people who put him in his living coffin.
Filmed by the worst director in the world (Uwe Boll), "Seed" is nothing more than a snuff film about trying to stretch the envelope of decent society and fails to deliver in any aspect of a storyline. And he said this is based on true events because if a person survives the electric chair after being shocked three times, they will be set free. This is an urban legend, and it would never happen. Much like Boll's other abominations ("Alone in the Dark" for one), "Seed" is just utterly horrendous.