Sachinkry/imdb-preference-10k huggingface dataset:
This is one of the greatest love story movies I have ever seen. Yes, I can agree that some parts may seem dated, but this does not distract from the film. One should try to observe, criticize and enjoy any art form from the perspective of the time. Clearly by the "Sex in the City" standards, Charlie Chaplin was horribly boring. However, when judged from the prospective of 1925 America, he was fantastic. Likewise Sayonara is a breakthrough film in its look into a mixed-race love affair, American "manifest destiny" arrogance and prejudice, and the complexity of different cultures. It is a natural next step to such films as Gentleman's Agreement. Its purpose, however, was not just social commentary, rather, it is entertaining and enjoyable, with innumerable lines that one just doesn't forget.
However, even when taken only as a love story, it is terrific. Although, some attack Brando's accent, he is at his near best in nuance and characterization. Buttons and Umeki (who both won Oscars) and the rest of the supporting cast add much to the film.
Taka, the real star, does a fabulous job making you feel the passion she has for Brando, while being torn by her sense of obligation and loyalty. Her speech when she first meets and speaks with Brando is a classic and something rarely if ever matched in cinema. The dialog between Taka and Brando in her dressing room in Tokyo at the film's end is equally good. Of course, it doesn't have the mouth-sucking, spit-swapping and worse, that exemplifies love in today's movies, but that makes it all the better. It portrays true love and passion, and not just "heat." If this movie doesn't touch you, then you are just too young, too cynical or dead.

Look carefully at the wonderful assortment of talent put together to make this movie: Connery, Fishburne, Capshaw, Harris, Underwood, Beatty, Thigpen, even cameos by Slezak, Lange, and Plimpton. They prove, in spades, the adage that a good cast cannot save a bad script. The story line requires so many leaps of faith from the audience that its implausibility should have exceeded even Hollywood standards. It's not particularly original, and the "twists" are downright cruel.
I thought "The River of Souls" was a very good Babylon 5 movie, with some exceptional performances from Martin Sheen, Tracy Scoggins and Ian MacShane. If this were an episode of the series (without the humour) it would probably be one of my favourite stand-alone stories of the series.
Personally, I've always preferred Scoggins to Christian, although granted JMS didn't write her as well for much of the series and she did have to endure the Byron/Telepath plot. If you take out the smutty humour about the brothel and the "poorer" actors in those scenes, then this movie is solid stuff. Probably my third favourite of the four movies, but in no means bad at all.

A short review but...
Avoid at all costs, a thorough waste of 90mins. At the end of the film I was none the wiser as to what had actually happened. It's full of cameos (Stephen Fry (3mins), Jack Dee (30 secs), the "Philadelphia" girls) and some vaguely recognisable people but it just doesn't make any sense. Whether the story just got lost in the edit I don't now but jeez...
Put on a DVD instead or go to bed and get some rest!!!
2 out of 10 (for the cameos and a Morris Minor car chase)
'The Rookie' was a wonderful movie about the second chances life holds for us and also puts an emotional thought over the audience, making them realize that your dreams can come true. If you loved 'Remember the Titans', 'The Rookie' is the movie for you!! It's the feel good movie of the year and it is the perfect movie for all ages. 'The Rookie' hits a major home run!

It seems like anybody can make a movie nowadays. It's like all you need is a camera, a group of people to be your cast and crew, a script, and a little money and walla you have a movie. Problem is that talent isn't always part of this equation and often times these kind of low budget films turn out to be duds. The video store shelves are filled with these so called films. These aren't even guilty pleasures, they're just a waste of celluloid that are better off forgotten. Troma Entertainment is known for making trash cinema, but most of their films are b movie gold. However, some of the films they've put out they had nothing to do with making and some, like 'Nightmare Weekend,' didn't deserve any form of release at all.
Pros: The cast members do the best they can with the lousy material. Some unintentional hilarity. Moves at a good pace (Should at 81 minutes).
Cons: Awful writing, which includes putrid dialogue and countless plot holes. Poorly lit, especially the night scenes and the ending, which you can't make out at all. Doesn't make a lick of sense. Badly scored. Cheap and very dated effects. Total lack of character development and you won't care about anybody. This is supposed to be a horror film, but it's lacking in that area and isn't the least bit scary. Nothing interesting or exciting happens. Loaded with unnecessary padding.
Final thoughts: I never expected this to be some forgotten gem, but I never imagined it would be this bad. I don't know if it's the worst film ever made, but it's a definite contender. Troma should have let this film rot instead of giving it a release. Don't make the same mistake I did and let your curiosity get the best of you.
My rating: 1/5
The Ancient Mariner is a truly classic piece of work, as the original poem was/is. The context/setting with the old mariner himself is fine, clear, and without pretense. The artistic work that accompanies the reading of the poem fits perfectly the time/period of the setting and of the work itself, carrying the audience into the period with a still, yet moving accompaniment, using excellent still-movement strategies only well conquered by the pre-MTV era producers and much less apparent in more current works. (MTV brought to television and video a static movement that races through, often irrelevant cuts, from theme to theme without forward movement and without clear relationships to theme or storyline.) The voice, intonation and vitality of Redgrave's reading brings this touching poem to life with all its fear, strife and pain. In addition, the smooth movement of the video emphasizes the cadence and occasional monotone (in this case a positive mood under the theme of the story itself)of the author's rendition of the ancient mariner's sad and spooky tale. This is a must for any love of classic poetry, the sea, a tall tale, that almost rings true, and a story that has left a lasting impact on our world and culture. Who does not understand the meaning of an "albatross"? or the concept of "water, water everywhere and not a drop to drink?" A truly fine experience. Thank you Mr. DaSilva for bringing this to life for us, never to be forgotten.

This "movie" is such a bad work! Nothing seems to even try and be realistic. Plot is weak, acting - miserable, actors wondering around like in a 1st year production, trying very hard to act with no chance at all from the beginning. What a flop! What a waste of time, money and effort to all concerned including the audience. Well, as in any thriller, here too are murders, corpses and blood. Just imagine someone who 5 minutes ago, committed a murder with a knife, and came out calm and smiling, not to mention clean as a whistle, as if slashing one's throat is done by a virtual agent. Also, this murder was supposed to be done by a tiny fragile woman on a high strong male, and she cut his throat!!! Did she ask him, politely, to bend down for her? Much more stupidity of that same kind is going on and on leaving the audience wondering if this meant to be a joke which just turned out to be a bad one. Continuity is another huge problem as for instance: The eager-hungry groom is lying in bed, waiting for his virgin-bride to get out of the bathroom and after a long while, falls asleep(!?!). Next scene opens with the young couple entering the reception-area, asking for guidance to scenery spots! NOT A WORD ABOUT LAST NIGHT??? Such a waste of time even to try and write about this low-low supposed-to-be "movie".
I remember seeing this in a the Salem movie theater (where I used to attend "Kiddie Matinée"s almost every Saturday) in Dayton, Ohio when I was a young boy and have never forgotten it. It simply amazed me and my friends. I do wish there were some way I could see it again! I have tried to find some compilation of shorts or something like that to no avail. I only recently discovered that it was a Cousteau film and that blew my mind even more. How the heck he accomplished this is beyond my understanding. The fish is ACTUALLY IN THE CAT'S MOUTH at one point, if I remember correctly! If anyone could help me find a way to see it again I would be extremely grateful!

I almost drowned in CHEESE watching this movie. In fact I could not even finish it. I want my money back. One more of Hollywood's feeble attempts to come up with a new idea. Good thing I keep a bowl of lemons in the fridge. Just in case. They should of gave Nic Cage a hat and a bull-whip. Swashbucklin'. Cage's performance in Raising Arizona or Leaving Las Vegas beats this "lemon". People who are completely and totally marketed(and most of them are) should love this movie. If this film had been animated, I would have taken it more seriously. I would of rather paid to see a completely stupid movie that did not try to hide it. In my opinion, this was a incredibly stupid movie and it made a even more incredibly sad attempt to try and hide that FACT.
All the SHEEP seem to love it though.
Eytan Fox did it again : move the viewer's heart in a modest story taking place in an overwhelming mess. The movie also succeeds in describing so perfectly and subtly the atmosphere of the incredible city that is Tel Aviv.
I was there a month ago and it is all there : the lifestyle, the relationships, the heart-beating city, the mess, the chock of utopian mindsets in the most light-hearted, blithe and oblivious megalopolis ever.
Strongly recommend: it is a voyage for the heart and the mind, with an interesting perspective to the Israelo-Palestinian conflict.
Nota Bene: There is central gay plot in the movie. If you do not think you are too gay-friendly, be prepared to be challenged and finally see it as "just love". (and don't worry: the chick is hot too!)

For starters, "Hobgoblins" tries to ape the more successful "Gremlins". That's bad enough but they don't even try to make anything that closely resembles a movie here. Instead, it's more like a bargain basement, everything-must-go clearance of embarrassing scenes, inappropriate sound FX, acting as bland as unflavored tapioca and a script that takes everything humans hold sacred in their motion pictures and throws 'em down the old tube-aroo.
The plot? Grrrr.... Meddling kids track down gremlin-like creatures from movie lot before they kill people by projecting their fantasies. Sound cool, does it? Well, see that wall on the other side of your room? Run right at it, top speed, face first. See, THAT is cooler than this movie.
You dare to doubt? Quick, name something else one of the leads has been in other than this. What other scripts have the writers done since "Hobgoblins"? Name another Rick Sloane directoral effort. How many "Hobgoblins" action figures do you have? See? THANK you.
I cannot believe I took so long to write about such a horrible film. I'd rather write about more important things; like the separation of church and state, economic restructuring in Europe, that kind of thing. But no, "Hobgoblins" it is and it is bad - bad like your grandparents' wallpaper, bad as pink flamingos on your lawn, bad like underwear that says "Home of the Whopper"...and I think we'll stop there.
Well, Mike and the robots fight valiantly but try as they might, they can do only so much with "Hobgoblins" before they realize that, yes, the director DOES need kicked in the shin.
Real, real hard.
One star for "Hobgoblins", seven stars for the MST3K version.
The original DeMille movie was made in 1938 with Frederic March. A very good film indeed. Hollywood's love of remakes brings us a fairly interesting movie starring Yul Brynner. He of course was brilliant as he almost always seemed to be in all of his movies. Charlton Heston as Andrew Jackson was a stroke of genius. However, the movie did tend to get a little long in places. It does not move at the pace of the 1938 version. Still, it is a fun movie that should be seen at least once.

Painful. Painful is the only word to describe this awful rendition of such a fun and interesting Shakespearean play. I gave it a shot but was terribly disappointed and couldn't bare to even finish viewing it. To the person who wrote a novel about how wonderful this twist of Much Ado was, I pity you and your bored brain. May your pretenses about young viewers be lifted without retribution. Please do not even bother with this gut wrenching, disgusting excuse for a performance of an acclaimed Shakespeare drama. You will be forced to induce vomiting and will require a commode close to the television with which you choose to watch this crap because involuntary defecation will take place.
Pegg has had a few hits in the past few years, starting with "Shaun Of The Dead" in 2004, movie on to "Hot Fuzz 2007", early 2008 he came out with "Run Fat Boy Run" and now comes this, "How To Lose Friends And Alienate People" which is in many ways one of my favourite comedy's of the year.
The film is about Sidney Yound, a man who writes a failing magazine who makes fun of celebrity's mostly because he is not one of them. Anyway, one of the most successful magazine owners (Played By Jeff Bridges) invites him (Out of nostalgia) to work at his magazine. Sidney is of course excited and moves to America, there he meets a girl currently writing a book, and hilarity ensues.
This film is great and I hope more come out like it in the near future. Pegg has once again given people everywhere another good film and I cant wait to the see the third part of the blood and ice cream trilogy "Paul". I Rate this film 81%.

In director Eric Stanze's 'ISOYC, IPOYG', three men are subjected to torture at the the hands of a woman that they have all sexually abused. The first victim is forced to eat his own crap, before being axed to death. The next bloke ends up with a bullet in the crotch after refusing to have anal sex with the first guy's corpse. But it's the third man who gets it the worst: he has to watch the heavily tattooed 'star' Emily Haack get naked and masturbate with a broom handle (oh, he also gets the handle shoved up his butt too!).
And, unfortunately, so do we (get to see her masturbate, that isnot get a broom handle up our butts!).
Yes, 'ISOYC, IPOYG' is one harsh viewing experience, not because of its relentless violence, but because Haack, who is obviously under the misguided notion that she has the body of a goddess (as opposed to that of a roadie for Metallica) constantly gets buck naked for the camera. It ain't a pretty sight.
In addition to the non-stop nudity from an inked-up Haack, viewers also get to see dreadful direction from Stanze (who thinks that endless shots of tombstones and trees is entertaining stuff), some really bad acting, and a fat guy's penis.
Strangely enough, I give 'ISOYC, IPOYG' a rating of 3/10, which is actually slightly higher than its current 2.9 average. That's one point for the messy axe attack (which, being a gore-hound, I actually enjoyed); one point for the bit where the fat guy gets his face pushed in chocolate mousse masquerading as feces (hilarious); and one point for the sheer nerve to suggest that this film might somehow be a sequel to Meir Zarchi's superior exploitation classic I Spit On Your Grave.
I must have seen this a dozen times over the years. I was about fifteen when I first saw it in B & W on the local PBS station.
I bought a DVD set for the children to see, and am making them watch it. They don't teach history in School, and this explains the most critical event of the 20th Century. It expands their critical thinking.
Impartially, with the participants on all sides explaining in their own words what they did and why, it details what lead up to the war and the actual war.
Buy it for your children, along with Alistair Cooke's America. Watch it with them, and make them understand. You'll be so glad you did.

What begins as a fairly clever farce about a somewhat shady security monitoring company turns, almost instantaneously, into an uninteresting and completely inane murder mystery. David Arquette and the great Stanley Tucci try mightily to make this train wreck watchable, but some things are just not humanly possible.
What, for instance, causes Gale to turn suddenly from a sweet motherly figure into a drunken shrew at Tommy's parents house? Why would Heinrich, although admittedly a sleezebag, want to destroy the business to which he devotes his life, by robbing and possibly murdering his customers? Why does the seemingly sensible Tommy believe that Heinrich could be a murderer (based almost entirely on a dream), and even if that were believable, why wouldn't he go to the police? And why didn't Gale activate the alarm when she got home, especially after scolding Howie about it being off? Of course, all of these events are necessary for the plot (and I use the term very, very loosely) to unfold. And it might be forgivable if it resulted in even the slightest bit of comedy. But everything, from Howie's description of his date rape, to the coroner's misidentification of Gale, to the final "joke" about Gale and Howie still being dead, is more tasteless and pathetic than anything else.
I checked the box indicating that my comments contained "spoilers", but there's nothing more I or anyone else could do to spoil this thing that already stinks to high heaven.
Maybe it's because I saw the movie before reading the book, but I really love this movie. I've seen it many many times and will be watching it many times more. It's a compelling story, that's interesting from the beginning to the end. It has everything: action, romance etc.

What? You were not aware that Scooby-Doo battled zombies? Well, you might also not be aware of this little film that was directed by Victor Halperin, who had also directed White Zombie four years earlier. That would probably make it the second zombie film made.
No, don't go looking for Dorothy Stone to expose her breasts as you would expect in most zombie films, and don't even look for any brains being eaten. This is 1936, you know.
So, what you will see is typical of the period - lots of talking.
You do get to see Dean Jagger (Twelve O'Clock High ) and Bela Lugosi's eyes, but that is about it. Zombies in Cambodia, indeed!
Im really addicted to Caprica, because it's a really good prequel series to Battlestar Galactica. It really has a slow pace start, but surely to pick up soon after new episodes continue to air.
I have heard great things about future episodes and guest stars for the first season.
This Sci Fi drama is sure to please us fans who love a mix of both genres.
Eric Stoltz does an amazing job, as well as Polly Walker as Clarice Willow!!
Totally worth checking out!!
Catch Caprica On Fridays At 9pm/8pm central on SYFY

I do agree that though this story by Melville just might be unfilmable, this isn't even a credible try. To move the story into the 20th century just outrages the original story's intent and nature; possibly you might have been able to move it over to England, but it must be a period piece. Even our story narrator--the proprietor--tells it in a flashback, going back even further, somewhere around 1800. Towards the end of the 19th century, a strangely disobedient worker would be discarded without a thought. And the 20th century? Come on! Give me an expletive deleted break!!! Even around 1800, such behavior didn't work very well, in view of the ending. And the movie's ending? I don't know what it was, because I didn't watch the entire travesty--I had to stop. This was like setting "Streetcar Named Desire" in Elizabethan England.
What an absolutely stunning movie, if you have 2.5 hrs to kill, watch it, you won't regret it, it's too much fun! Rajnikanth carries the movie on his shoulders and although there isn't anything more other than him, I still liked it. The music by A.R.Rehman takes time to grow on you but after you heard it a few times, you really start liking it.

What was the point of this movie? What was the plot? I do not know. Shaq can't act, people don't know how to direct, and I am Kazaam! A genie who raps? Come on. Maybe Eminem or Linkin Park will be in a movie like this. I remember I watched this just to kill time. It didn't really interest me. I just remember thinking, "Who put Shaq in this movie???" The whole story seemed stupid too. It made no sense whatsoever. I guess an unrealized moral of this movie is that you can find anything in the ghetto and anything can happen. I can't comment much more because this movie is so terrible there's nothing worth commenting about. I "wish" this movie would go away.
A haunting piece that the discerning horror film fan will fall upon with gratitude. Keep your Freddys and your Jasons -- this film is in the same company as "The Haunting" (the original). Lyrical and truthful, it stays with you long into the night, much like those terrifying CBS Radio Mystery Theatre shows. A smart rent.

Although I rated this movie a 2 for showing a complete lack of effort in trying to create a quality horror film it was a 10 on the unintentional funny scale. I couldn't figure out what was going on in the movie or who the people were but I didn't care because I knew every scene was going to have something to make me cry with laughter. Dialogue is a minimum throughout the movie but I believe this is because they started filming without a script. The fact that there is no plot line makes the movie extremely versatile. It doesn't matter if you sit down and watch the movie from beginning to end or if you watch it in rewind you will be confused with enjoyment. I particularly like the scene in which the inmates are taking turns running around outside beating each other with sticks. I believe the doctor refers to this as treatment. Genius!
With the death of GEORGE NADER, on 4 February 2002, I thought of this most interesting program, which even though it had only a short run, was a tremendous idea with good story lines throughout. Generally unseen for over 40+ years it would be worth viewing again. The opening credits showed many differing images, one of which was a snippit of COLONEL JOHN PAUL STAPP, riding his famed rocket sled, at the point where he was often referred to as "The Fastest Man Alive".

In 1988, Paperhouse was hailed as a "thinking man's horror film." Wow, you might say, sign me up. This thing is a mess. It features a one time young actress who has a range of like 1 to 2. G. Headley with a bad British (dubbed) accent, and a story with no chills, thrills or spills.
It isn't even interesting psycho-babble. One will only laugh at its cheap effects and long for a showing of Leprechaun 5.
The story involves a girl with glandular fever who escapes in her dreams. WHat you get isn't good horror, art house or even a decent after-school special. I found myself after the two hour point saying..where did my two hours go.
The direction is uninspired and I wished it could even be pretentious...something interesting..it seems like the producers were on lithium.
Even in the dream world things are boring.
A short no on this one.