Jammin' the Blues is an Oscar-nominated short from 1944 that is basically 10 minutes of improvisational jazz played in one long jam. Marie Bryant sings "The Sunny Side of the Street" at one point for the film's highlight then jitterbugs with Archie Savage to bring this most entertaining "jam session" to its exciting end. The director Gojn Mili was a photographer and that experience shows in some of the double exposure shots of some of the musicians that makes this one of the most innovative angles of the '40s. According to some notes I read one of the musicians was white and had to be filmed in silhouette in reflection of the social attitudes of the time. What a shame. Still, this most unusual film of the time is available on YouTube so if you love jazz, I suggest you seek it out there.

Green Street, as it was called in the UK, or Hooligans is a bad film. The story is full of fantastical ideas and premises that anyone who lives in England, has been to a football match or knows the first thing about football will spot immediately.
My first main gripe with Hooligans is the poor casting of the two main characters. Don't get me wrong, I like Elijah Wood and have a great respect for his work, but despite his best efforts he struggled to pull off this role. The main motivation for his character is anger at the system and anger at betrayal, however he spends much of the film placid and cheery, only displaying his pent up aggression in one brief scene towards the end of the film. This linked with his looks and physique make him a thoroughly unconvincing addition to a gang of football hooligans. At no point during the film was I convinced that a) he could handle himself in a fight against such thugs and b) the 'firm' of thugs would accept such a person into their fold.
The other main character is played by Charlie Hunnam. Charlie looks the part, and is fairly convincing as a thug. Unfortunately, being a native of Newcastle Upon Tyne in the North of England, he demonstrates the worst East London accent since Dick Van Dyke tried to go cock-en-y in Marry Poppins. Details such as this probably will not bother an American audience who will be less attuned to regional dialect in the UK, but being from the UK it was a problem I couldn't ignore and it contributed to ruining the movie for me. The supporting cast all gave convincing performances and were well cast, especially the role of Bover. The lad playing this character would have been much more suited to the main role that Charlie played. With a film like this, you have to convince the audience that your characters are plausible, unfortunately, the casting failed. Imagine if you made a film like The Godfather and had Sean Hayes (Jack) from Will and Grace playing Michael Corleone's part. You would not be convinced. The story in Hooligan is also full in implausibilities. I am no football Hooligan, but I am a fantatical football fan. I know how cliquey a group of 'regular' football supporters can be, as such it deem it impossible for a non-football fan, who is not a fan of the club in question, is not from the area in question and not even of English nationality to be embraced by a 'firm' who equate to a secret organisation in some severe cases. My final, and biggest, problem with this film, is the way it portrays football hooligans. I take objection to the film's idea that despite being very violent individuals, hooligans are excused as they live by some sort of code of ethics in their own world and should be admired for being brave and loyal to each other. This is complete rubbish. Football hooligans are complete scum. They take football, the national sport of England and use it as an excuse to terrorise, frighten and intimidate people. They only represent a tiny percentage of football fans but give the whole game and people of this country a bad reputation. They are not brave or loyal, they are cowardly and evil. If the 'GSE' in this film truly loved their club, West Ham, why would the devote their lives to being a stain on its name. Hooligans are an embarrassment to football and to English society. Football hooligans do for the reputation of football what Hitler did to the reputation of Germans. Although this film tries/intends to show the 'gritty' side of football violence. It does nothing more than promote it as some kind of excusable activity for extreme fans of the sport. It does not show the poor innocent by-standers at football matches who have their day ruined by some idiot throwing coins/lighters/glass into the crowd. It does not show the innocent home and property owners who have to put up with graffiti and broken windows. It does not show the REAL fans of football clubs who suffer indignity and embarrassment when their teams supporters are banned from travelling to away matches or abroad to European games because the thugs among them ruin it for everyone. If you want to see a good film about football violence, watch the BBC drama 'The Firm'.