Shawshank, Godfather, Pulp Fiction... all good films. Great films. But nothing, and I mean nothing lives up to the greatest Christmas movie of all, Santa Claus.
The film is so great and has so many messages, I cried while watching it. Seriously, this is one of those movies you need to watch 10 times. When we see Pitch get told he will have to eat ice cream, we see the sadness in his eyes, and we feel the deep sorrow, and then we wonder... what is so bad about this ice cream? Is it implying that we as humans are treating ice cream as good when all it does is make us evil? Think movie makes you think.
This movie has the best rendition of Santa Claus ever. Unlike other Santas, he is a normal person. We see him imprisoning children and spying on kids dreams, and we wonder; is the Santa we believe in really that good? Also, this Santa actually mentions Christ, the whole meaning behind Christmas.
You owe yourself to watch this cinematic masterpiece. We should just stop making movies and air nothing but this epic 24/7. Whether it's Christmas or not, this movie gets a 500/10. Whoever says this movie is bad is an ignorant fool.

I'm a true fan of the original Cracker series, and own all of them on DVD. Cracker had a tendency to be over-the-top on occasion, but Robbie Coltrane and the other cast members, as well as the writers, always seemed to carry it off despite themselves. I count the original Cracker among the great Brit TV crime series of that time, and there's some stiff competition: Prime Suspect, Inspector Frost, Inspector Morse, Jeremy Brett's Sherlock Homes, and a host of others. Cracker, along with Prime Suspect, was on the top of my list.
Which makes "A New Terror" all the more sad...
Ultimately, this was a very pale imitation of Cracker's former glory. I forced myself to sit through the whole thing, convinced that it couldn't actually be this bad, and that some spark would eventually ignite. I was wrong, it was bad from beginning to end.
A few criticisms: First, just to get any potential bias up-front right off: I was offended by the anti-American, anti-war screed that droned on and on throughout most of the show. The topper: the murder of two American's innocent of any crime and a British Junkie is, in Fitz's words, "understandable, but not justified". I thought "I waded through two hours of crap just to hear this disgusting bit of drivel?" So I had a negative reaction to the anti-war/American tone brought on by my beliefs... Beyond the politics, I had the distinct sense that this Cracker was merely a prop for the propaganda, and it actually helped to undermine an already terribly weak script.
Second, just how much air-time did Robbie Coltrane get? Fitz was almost a bit player in this one, as if he was an afterthought plugged into some story originally written without any thought of Fitz's role. Coltrane could have carried the show on his own broad and still suitably flabby shoulders, but the writer was apparently thinking of other things, and missed the chance, and by a wide margin.
Third: WHAT AN ABYSMAL SCRIPT! There was some sparkle, and a couple of bits of actual character development (Fitz's son ranting that Fitz couldn't stay at his house if he missed his plane to Australia, the Detective that liked to beat his poor-performers over the backs of their heads, and some of the old sparks between Fitz and his Missus) but not nearly enough to carry the tedious storyline.
Fourth, where the hell was Panhallagan? Now that would have been interesting... It was Manchester after all, and 10 years on she'd be up in the ranks. Another wasted opportunity (or perhaps the actress wasn't interested?)
Well, there's much more (that's bad) to say , but I'll close with a curiosity: at the end of the show (as it aired on BBCA), when the advertisement announced that the "Director's Cut" was available on BBC On-Demand, I thought AH-HA! The Director's cut, which, presumably, one has to pay for, might have all of the goodies I expected to see tonight but never did, like a coherent, interesting storyline. Unfortunately, after convincing myself to sit through the horrible free version of "A New Terror" with the hope of seeing something, anything, worth watching, only to be disappointed, I have no hope left to motivate me to actually pay for a second, potentially longer and more tedious version. Besides, it angered me to think that BBCA sliced and diced, and sacrificed show time to accommodate the endless (every ten minutes or so) stream of commercials, and then turned around and asked me to pay for what probably should have been version aired tonight.
To close, I quote the first paragraph of Variety's review of "A New Terror": it really says it all: "Initial excitement about Robbie Coltrane reprising his role as the BBC's flawed, boozing, womanizing criminal psychologist is snowed under by the heavy-handed political statement writer Jimmy McGovern is determined to deliver within this revival vidpic. Jolting at first in its message -- namely, that Americans are a bunch of whiny namby-pambies who didn't care a whit about terrorism before it came crashing onto our doorstep -- McGovern's chest-clearing rant overwhelms the narrative and mutes the pleasure of seeing Fitz back on the case."