In this satire of the commercialization and 'lightheartedness' of war, John Cusack plays Brand Hauser, an assassin sent to to 'Turaqistan' to take out Omar Sharif, who is doing some oil business that will spell trouble for the former Vice President of the US's own company. In addition to this, Hauser must juggle his fake position as a trade show producer, a wedding for pop princess Yonica (Hillary Duff), and a nosy Liberal journalist, Natalie (Marisa Tomei).
Assessing the technical aspects:
- The acting (by the main characters,at least) was good, as was to be expected. Some of John Cusack's dialogue was quite obviously not written for him as he often seemed uncomfortable saying it. . . maybe unrealistic is more accurate. Joan put forth a great, and often hilarious, performance. Marisa Tomei, while I've never been a big fan of hers, was more than suitable for the role and worked well. Hillary Duff, however, was pretty terrible. They needed an attractive Middle Eastern (or Russian, or whatever that accent was supposed to be) pop-star. Unfortunately, they went 0 for 3 with her.
- Like I said above, the writing seemed a little stiff and mismatched at points, especially John Cusack's dialogue. Not much of it, mind, but some. The story also got a bit ludicrous at points, which is fine for a satire to a point, but it took it to a whole new level here. Luckily, the Cusacks and Tomei keep a relatively cool, calm demeanor throughout, and that makes a nice even mix of the craziness of the film and the levelheadedness of the actors.
- Joshua Seftel, who previously had a drought of real credits to his name, did a fine job with a rather wide-spectrum film. He handled the small ($10 million) budget very well, stretching it to make it appear to be much more. Seftel also managed to nicely blend the humour of the story. . . with the painful and hard-to-watch parts of the real war (including slaughter of civilians, etc.).
- As far as the general satire goes, its exaggerated look on the commercializing of war is very well done, especially the 'Golden Palace Poker' ads on the U.S. tanks. At points, it becomes a little too much, but, in the end, it still accurate portrays what it's going for an a young 'Mel Brooks'-type of style.
Overall, the film is very well made for the meager budget and it's definitely worthy of a look. It won't go down as one of the great satires of cinema, but it's certainly not the worst.
7/10.

Put a DVD of this flick in a time capsule, and it will definitely illustrate for future generations a perfect example of one which warrants the minimal rating on a 1-to-10-star scale.
Bill Cosby and Ray Romano have been at the top - in ratings and with tens of millions in earnings annually - with their television series'. Yet each has had no success in big-screen offerings. This has also been true for other TV personalities - perhaps because many of the stories which are presented for two hours or so seem more suited to either a 10-minute skit, or at most, the 22 or 23 minutes of drama during a half-hour program.
This film, however, doesn't have one single element which would warrant two or three minutes of time on MAD TV, SNL, or anywhere else on a screen or stage.
Its origination date is listed as 2002, but release date - to DVD only - is shown as 2004. It also was filmed not long before Rodney Dangerfield's death, so its one redeeming value is that it probably provided at lease a few hundred thousand more dollars for his heirs.
I'd never heard of it, but found it when turning-on my set, and frankly became fascinated by it. Some movies are so truly awful that they rate a sort of top rating in reverse - so bad that you can move the dial backwards to a 9 or 10. "Plan 9 from Outer Space" is the best example - and the Bruce Jenner/Village People opus, "Can't Stop the Music," is another.
Unfortunately this flick falls short even there. Even if Rodney's earlier work (as well as some of his fellow cast-members') fell short of "Citizen Kane" or "Casablanca," there were many moments of humor and a story providing at least a modicum of interest.
Unfortunately, this presentation doesn't seem to possess even a minute or two's worth of such material.