Sachinkry/imdb-preference-10k huggingface dataset:
I have to totally disagree with the other comment concerning this movie. The visual effects complement the supernatural themes of the movie and do not detract from the plot furthermore I loved how this move was unlike Crouching Tiger because this time the sword action had no strings attached and most of the time you can see the action up close.
I think western audiences will be very confused with 2 scenes one of which involves a monk trying to burn himself alive and the other concerning the villagers chanting that it is the end of the world. The mentioned scenes are derived from certain interpretations of Mahayana Buddhist text (Mahayana Buddhism can be found in China, Korea and Japan) and the other scene deals with a quirk in the Japanese calendar...people back then really thought that the world would come to an end... Gojoe has the action, story and visuals to mesmerize any viewer. I strongly believe that with some skillful editing it can be sold in the U.S. My one complaint is in the last fight scene (I can't give anything away--sorry).

If the scale went negative I would be happier. Seeing Sushmita Sen was nice, and Nisha Kothari has a bright future but the producer and the director ruined any and all enjoyment in this story. The choice of angles, choice of lighting and well everything distracted from trying to remember what is the story. Oh, if the songs and dances haven't caused you to rip your ears off your head, first. The film could have been made twice at 1.25 hours, and been pretty good, kinda like "Seven Samurai" but the director and writer didn't go that direction, even if the "townsfolk" finally find their backbone and want to help. This movie fails on so many levels: editing, writing, photography angles, style, lighting, script - name any aspect of this film - it was BAD - probably the food from the caterer was bad too. I have never in 6 years of watching Indian (Bollywood) movies seen something this badly made.
I don't know why the critics trashed this movie. I hardly ever agree with them anyway.
The movie could have been a little scarier - I don't usually go to Horror movies! I even had to psych myself up to see it in the daytime. I needn't have bothered! ;) (The Cinema was full of kids too, heh! ;) ... Liam was great as always. I also liked Catharine Zeta Jones (Theo) and Lili Taylor (Eleanor-Nell)
The house was very Gothic and beautiful in a spooky way. The special and sound effects were awesome. I also loved the music score, particularly the gentle tunes for Eleanor and her journey to save the children, how she grew out of her stagnant routine and life and finally gain her power, peace and freedom.

This apocalyptic zombie film tries to be vicious and shocking; but FEEDING THE MASSES comes off lame as some of the stiff-legged zombies stalking the streets. In Rhode Island, a zombie epidemic known as the Lazarus Virus is being played down by the government manipulated newspapers and television stations. A couple of brave, but dumb, souls at Channel 5 TV News feels its audience is being given false hope and no idea of the real danger at hand. An eager reporter(Racheal Morris)and her cameraman(William Garberina), with the aid of a military escort(Patrick Cohen), risk life and limb to present a 'live' broadcast to show the doom at hand. Do yourself a favor and don't watch. This thing is obviously very low budget and comes across with the feel of a high school play gone bad. Acting is atrocious and the flesh-hungry zombies are almost comical. Also appearing are: Michael Propster, William DeCoff and Brenda Hogan. FEEDING THE MASSES should be left to starve.
Answer: despite that fact that this film was written and directed by a woman, your ex is creepier, nastier, and more irrational than any zombie that ever lurched the earth.
The acting in this independent film actually is quite good, despite the less-than-wonderful script. It takes a pretty good actor to deliver an overwritten, clichéd line and make it sound vaguely believable. Young Anthony de Marco, as Jake, puts in a particularly good performance.
Fortunately, the plot of this film is a lot better than the dialog. Try it, especially if you're not a monster fan. This is NOT a horror flick. Even though all the adult females are pretty monstrous, and although all the adult males act as if their brains were eaten in some earlier zombie film, "Jake's Closet" is suitable for mature adults.
The whole, this time, is much better than the sum of its parts.

Eleven "great" filmmakers, eleven pieces of garbage. Eleven minutes each of sheer tedium, sophistry, condescension, self-indulgence. Treats for people of all nations. Yussef Chahine of Egypt giving a "hip hip hooray!" for terorism in his amateurish segment. Across the green line we have Amos Gitai of Israel, using his eleven minutes to show a terrorist act and focus on a jerky newscaster. Alejandro González Iñárritu of Mexico concentrated on the Twin Towers but seemed to forget to turn on his camera. Sean Penn not knowing that there were no buildings within the shadow of the Trade Center on 9-11. Shohei Imamura of Japan ignoring the whole thing. Claude Lelouch focussing on a trivial and cliched love affair. Ken Loach of the UK focussing on Chile. Etc. etc.
Jane Austen would definitely approve of this one!
Gwyneth Paltrow does an awesome job capturing the attitude of Emma. She is funny without being excessively silly, yet elegant. She puts on a very convincing British accent (not being British myself, maybe I'm not the best judge, but she fooled me...she was also excellent in "Sliding Doors"...I sometimes forget she's American ~!).
Also brilliant are Jeremy Northam and Sophie Thompson and Phyllida Law (Emma Thompson's sister and mother) as the Bates women. They nearly steal the show...and Ms. Law doesn't even have any lines!
Highly recommended.

First let me be honest. I did not watch all this movie. I watched the first five minutes and when i realized that I had nearly fallen to sleep i decided that I may as well fast forward and see if it got any more interesting later on... It didn't. This film is just a collection of lame attempts to make a story which is already uninteresting and badly told into something that it would never become: a decent horror movie. Because I feel it is important to say that even a movie with poor special effects can still be good if it is well made. This film isn't and will only put you into a deep sleep if you attempt to watch it. Lastly I feel it is important to say that I think this movie is in the publicdomain so if you feel that you must absolutely watch it than a littlesearch on the internet will surely show you a place where you won't need to pay to watch this pile of cinematographic dung.
Elvira(Cassandra Peterson) is the host of a cheap horror show. After she finds out that her dead aunt has left her some stuff, elvira goes to England to pick it up, hoping it will be some money. But to her horror, elvira finds out that all her aunt has left her is her house, her dog and a cookbook. Elvira decides to settle in the house anyways, but with her striking dark looks and her stunning features, she will not be able to live in peace. All the neighbours are now turning the whole town against her, and with Elvira's outrageous attitude and looks, everyone better watch out, because Elvira is on Fire! I really enjoyed this movie, it's really fun to watch get Elvira into all these adventures, she's just great. The whole movie puts you into a halloween mood, sure, it's silly and the jokes are cheap but it's a pleasure to watch it. I would give Elvira, Mistress Of The Dark 8/10

This is one of the worst movies I have seen recently. When a man says that he wishes he had a super power of being able to orally pleasure himself I pretty much consider the movie to be in the realm of childish 14 year old male fantasies. The bed room scene was over the top and reduced an intimate moment into a farce of biological functions akin to passing gas in public. From the first every other scene was a discussion about how little sex they where getting, how long its been since they got some, when their next sexual liaison will be, and with whom it should be with. On top of that the dialogue and acting was very poor and very forced, not felt, and they filled their lack of content with sleazy sex scenes. This could have been really funny because the concept is actually interesting but it is poorly executed here. Please, do not even think about taking anyone under 16 if you have to go and see it.
Watching Midnight Cowboy is like taking a masterclass in acting/ directing/ cinematography/ editing/ writing. I was too young to watch it when it was originally released, and only saw it for the first time a couple of years ago, but it has absolutely stood the test of time, and I have watched it several times since.
Everything about this film is brilliant, from the poignant performances from Voight and Hoffman (even though I know this movie well, I still find myself welling up every time Voight flashes one of his innocently pained looks, or Hoffman coughs in his sickly and ominous way) to the stunning cinematography and superbly edited dream sequences.
It's a shame that more of our contemporary filmmakers aren't prepared to take a risk on making movies that are as visually and aurally interesting as this one. Midnight cowboy should be required viewing at all film schools.
10/10

For this review,a list of good points and bad points.I'll start with the bad.
Bad points:The casting choices(especially Burt Reynolds as Boss Hogg),the acting of said badly chosen cast,the storyline,the idea of setting the film in the modern day,the direction,the editing,the soundtrack,and above all,the whole idea of making a feature film out of a television series that wasn't that great to start with,despite it's popularity.
Good points:Jessica Simpson in a red bikini............that's it!
One might make an analogy here.In the scene where Jessica Simpson as Daisy Duke struts her way up to Michael Weston as Enos,and asks the question,"Enos,where's Boss Hogg and Roscoe?",in his clouded judgment, tells her where they are.She might just as well have asked,"Enos,is this a good movie?",the red bikini would have clouded his judgment into saying yes,even though in his right mind he would have said,"No, not really."As good as she looked in the bikini,she could have been stark naked,and even that would not have saved this horrible piece of film-making.Stay out of Hazzard!
Not many reviews, hence thought i would add one.
DO NOT GO BY THE OTHER REVIEWS! This was a excellent movie.
RKS is one of the very few Indian directors that can actually put together a really good movie.
AB and Akshay given yet another example of great acting, as does bhoomika too, which was a little unexpected, but great to watch.
Am surprised there has not been much hype around release.
Or filmfare/other awards nominations, considering how good the movie was.
Better then Khakee i thought and i thought Khakkee too was good movie.
Is a fairly long movie, but definitely worth it and while watching it, definitely does seem long.
Cant wait for RKS next movie and the next AB, Akshay movie they always seem to do well together... e.g. waqt.
Bhoomika too has acted really well in the movie and should do really well if she continue in the same fashion in the future.

Oh Geez... There are so many other films I want to see out there... I got stuck with my nephew for the weekend and this is what he wanted - Yeah...
I used to watch this show when I was in college...it was mindless, kinda fun, and somewhat action-oriented. The show had a good heart tho...and the characters were cute; no one ever got killed or even hurt badly... it was like a cartoon come to life. Cut to 2005...What happened? This one doesn't work. As others have said, there simply isn't a cohesive story and the performances are weird...almost annoying - definitely not faithful to the original characters...the whole thing is a like a Mad TV skit and it lasts over 100 minutes! This was one of the few times I've been EMBARRASSED watching a film. What were they thinking? As best I can tell, must've been for the product marketing, toys, etc. All I can say is, let this one die a quick death. It makes the original Dukes of Hazzard seem like Masterpiece Theater...
I think the only remake left to do from TV is Gilligan's Island... Good Luck!
Channel 4 is a channel that allows more naughty stuff than any of the other channels, this show was certainly a naughty one. The presenter of this sometimes gross adult chat show, Four-time BAFTA winning and British Comedy Award winning (also twice nominated) Graham Norton was just the perfect gay host for a good show like this. It had one or more famous celebrities in the middle of it. They basically had an adult idea which would either gross, humiliate or humour the guest, but some are not for the faint-hearted. They had women playing the recorder with their parts, men using their dicks to play a xylophone, women weeing upwards in the bath, men with or without pants under their kilts, and many more gross but hilarious ideas. This is just for adults, but enjoy it! It won the BAFTA twice for Best Entertainment (Programme or Series), it won the British Comedy Awards for Best Comedy Entertainment Programme (also nominated), Best Comedy Talk Show, it won an Emmy for episode #18 (?), and it won the National Television Awards twice for Most Popular Talk Show. It was number 52 on The 100 Greatest Funny Moments. Very good!

I've had a thing for this Kari chick for a while, and as far as how she looked in this movie, no complaints. But after catching it last night in HIGH DEFINITION, I am certain: that's the only thing in the movie that isn't substandard. The script is horrible, the acting is horrible, the direction is horrible. I saw in another comment someone commenting on how great the sex scenes were...what? Not at all. When a movie is this bad you might as well just turn it into softcore porn, but instead I get to see some pasty white dude blocking me from seeing Wuhrer's body and scenes that offer me nothing except a tease. They should have just gone cinemax so that the movie wasn't a complete waste of time, but no. With a script this awful they should've capitalized on Wuhrer's looks, since that's the lone pro of the movie. 2/10, only because she looked so hot.
I simply never tire of watching FREEBIRD. My husband was an extra so I was involved from the start. Have kept in touch with Jon and have helped out with promoting the film both in Cinemas and now the DVD release. Even to the extent of distributing promotional postcards on cross channel ferries and various places throughout France. FREEBIRD was expertly written and directed with the perfect combination of fun and serious moments plus choice casting. Only Phil Daniels could fit the role of Grouch. Great privilege to meet Jon and the cast at the party following the premier in January. Anything else you want doing Jon just ask, either email or phone, you know how to get me. Sue xx

What on earth has become of our dear Ramu? Is this the same man who made Sarkar, Satya, and Comapny? I refuse to believe so. If AAG was Ramu's most ambitious project, he has clearly jumped off the high cliff he has ascended by giving the industry some of the greatest works of all times. This movie is made to fall like a brick. I was cringing to leave the theater, but I was forced to sit because I wouldn't have been able to take my car out of the parking lot before others also left. Else, nothing would have made me sit beyond interval.
This movie is nowhere close to Sholay. It doesn't even come near it within a mile. I believe Ramu surely loves The Godfather more than Sholay, since Sarkar was a classic piece of work. I read Ramu's interview a couple of days back, in which the interviewer said that Ramu doesn't sleep for more than 4 hours a day, that too not at a stretch. I completely agree with this now, as his lack of sleep has probably taken its toll on the movie.
There is no power in the performance. Amitabh Bachchan doesn't even look scary. He looked more terrifying in the few posters and wallpapers I saw earlier. Ramu's favorite Nisha Kothari did a fantastic job in Sarkar because she didn't have many dialogs (in fact none if I remember clearly). She opened her mouth in this movie, and has found a place in history. The new guy playing Jai's role seems to have that brash look, but didn't manage Jai's role at all. I cant go on... Im sorry... my pain is too big for me to manage right now.
I promised myself throughout the movie that I will watch the original Sholay once more just to see that it is still there.
Bottom Line: Horrible movie. The media and critics are going to cook Ramu's goose. And just to remind all readers once more, I am one of the biggest Ramu fans, and even I cant spare him for this act.
I know many people have a special fondness for the Alistair Sim version of Dickens' story, but for me, this 1984 version is the one to beat. My wife and I own a copy of this film on VHS, and we watch it together every Christmas Eve. I often remark that we could watch it on Halloween too, because it's a very creepy ghost story.
Scott--typecast as Scrooge--is shudderingly mean and nasty, making his transformation all the more miraculous and moving. I think it's up there with his performance in Patton. The spirits are all effective, each one creepier than the last. Watching the dark, floating, skeletal form of the Spirit of Christmas Yet to Come sends shivers down my spine every year. And what a supporting cast! David Warner, in particular, is in top form as Bob Cratchit, as is Susannah York as his wife.
I seem to recall that this version sticks closer to the original story than most others--but I may be mistaken, as it's been several years since I read it. Regardless, this is a terrific Christmas classic.

God, I was bored out of my head as I watched this pilot. I had been expecting a lot from it, as I'm a huge fan of James Cameron (and not just since "Titanic", I might add), and his name in the credits I thought would be a guarantee of quality (Then again, he also wrote the leaden Strange Days..). But the thing failed miserably at grabbing my attention at any point of its almost two hours of duration. In all that time, it barely went beyond its two line synopsis, and I would be very hard pressed to try to figure out any kind of coherent plot out of all the mess of strands that went nowhere. On top of that, I don't think the acrobatics outdid even those of any regular "A-Team" episode. As for Alba, yes, she is gorgeous, of course, but the fact that she only displays one single facial expression the entire movie (pouty and surly), makes me also get bored of her "gal wit an attitude" schtick pretty soon. You can count me out of this one, Mr. Cameron!
The selection of Sylvester Stallone to perform the protagonist by Renny Harlin is commendable since Stallone is that sort of tough and craggy person who had earlier rendered the requisite audaciously versatile aura to the characters of Rocky Balbao and Rambo. But to compare Die Hard series with Cliffhanger is a far-fetched notion.
The excellently crafted opening scene introduces the audience to the thrill, suspense and intrigue which is going to engulf them in the ensuing bloody and perilous encounter with the outlaws. The heist and the high altitude transfer of hard cash in suit cases from one plane to the other is something not filmed before.
The biting cold of the snow capped Alps and the unfolding deceit and treachery among the antagonist forces makes one shiver with trepidation. The forces of awesome adventure and ruthless murder kicks the drama through to the end.
Good movies are not made every year and people don't get a feast for eyes to watch every now and then. Apart from the filthy language/parlance which endows brazen excitement during certain scenes, the movie can be regarded as one that is not going to fade its captivating appeal even watching it after so many years.

"That 'Malcom' show on FOX is really making a killing... can't we do our own version?" I speculate and paraphrase, of course, but in our hearts we all know it's true, and that the only thing NBC added to the 'Malcom' metric was sex. And, boy, did they add sex...
Thirteen-year-old Tucker gets a boner and covers it up with his skateboard. Tucker accidentally walks in on his Aunt in the shower and she accuses him of watching her and beating off. He spies on the cute girl in the next house from his bedroom window, and she knows he wants to see her topless but she teases him by smiling and closing the window. And this is all in the pilot.
Take it from a grown man- a boy's puberty is so sex-crazy and testicle-driven it is impossible to make it funny for a mainstream audience. The only times anyone has ever come close has been in movies, and you can count those on one hand. So it's no surprise that "Tucker" has the warmth and appeal of a strip-club bathroom. Did the network actually think we would like watching kids grapple with puberty? Isn't this the stuff people go to jail for? If you doubt the show's depravity consider this: 13 episodes were filmed but NBC canceled it after only 4 episodes aired; they then made the unprecedented move of "burning off" the remaining episodes by airing them AT MIDNIGHT so no children could see them. Ironic since kids were originally the target audience.
Apart from its general scuzziness Tucker features a running voice-over from the lead character to flesh out the shoddy writing. Even in 2000 it was horribly dated, with it's ska incidental music and super-sarcasm. I couldn't like any of the characters enough to laugh at the jokes and the jokes didn't exactly come a mile-a-minute... Shame on NBC for this dirty rip-off... they're better than that.
GRADE: C-
I saw it in a posh movie theater where the audience is usually white, educated, and urban. The showing I attended had a sprinkling of African-Americans, and it made the difference in audience-reaction between the two groups a wonderful social commentary on the state of race relations in this country. Basically, the white folks were AFRAID to laugh or laughed nervously at the funny bits --and there are many! -- because they'd be "laughting at Blacks", while the Blacks also stayed pretty silent because many couldn't laugh at themselves in front of the whites.
I, on the other hand, being Asian (and thus belonging to neither group), had a great time viewing this satire of rap culture and its egos/trappings/values/pseudo-philosophies. The cast is talented and does at great job becoming the characters portrayed. The songs are too funny to be believed.
This film is one of the best pseudo-documentaries to come along, including "A Mighty Wind"

Strange... I like all this movie crew and dark humor movies; but didn't like this one at all! It's awful, horrible and surely not funny at all. Pity cannot do a whole movie plot, disgust either. And it was really boring. Long empty moments fills the movie; it could have been removed. It should have been in another shorter format, surely. Maybe i expected too much from the crew - like saving the movie lol -. It's also filled with overused clichés of characters and situations... I don't get it why people liked it... "Poetry", "hope"; nope 'mam, didn't see anything like that! ^^ All in all, it's empty and crude, pitiful and hopeless. Oh darn this one........