Sachinkry/imdb-preference-10k huggingface dataset:
This movie is exciting,daring and the music is very good.The movie Moonwalker was meant to coincide with the album Bad(1987).I have Bad.It is excellent(*****).The movie begins with Michael Jackson performing"Man In The Mirror"on stage.then,it shows a history of Michael,from his early days in the Jackson 5 right up to the Bad era. Oh,and Badder is good too(Badder is a music video parody of the music video for Bad the single).It then shows the Speed Demon video.The song and the video are very,very good indeed.Same for leave me alone,which appears after.Then it shows the movie Moonwalker.after a few minutes,he plays smooth criminal in a club called club 30s.like it when he does the lean.anyway,nice to see you.bye bye.

Quite honestly, The Omega Code is the worst movie I have seen in a very long time. During the first 30 minutes I sat stunned in my seat, trying to decide if I should demand a refund. But since I hadn't paid to see it in the first place (passes), I figured I might as well stay. And I didn't think it could possibly get any worse.
It did. I will quickly run through the low points (includes some spoilers): The horrible miscasting of Casper Van Dien as Gillen Lane, a motivational speaker with two PhDs. The characterization was inconsistent; for example, Lane, despite his credentials, is a complete nitwit. Then there's the lame-o depiction of the fulfillment of the Biblical prophecies; we see a bunch of sensational news soundbites accompanied by ridiculous computer print outs of the translated Biblical Code. Also, terrible "action" sequences: Lane escapes from tough situations without explanation, and the one time Lane actually does seem to be in danger, it turns out to be a dream sequence! That's cute for grammar school writing assignments, but it's an inexcusable plot device in a motion picture. The pacing was bad: after a long opener, the first third of the movie changes scenes every 90 seconds. Later, the pacing improves, but there is still far too much unnecessary jumping around. And as someone else mentioned, years pass yet no one (not even Lane's young daughter) ages. That was disconcerting.
There are a few good things, though. The quality of the film (e.g. lack of graininess) is high and very attractive. The outdoor shots were well done and the location shooting added a touch of realism. Also, there are a few moments in the last part of the film when Lane calls on God (finally) to help him - this proved to be quite exhilarating - even to me, someone who does not accept Jesus as a personal savior. But I liked this because it struck me as being the only genuine scene in the movie. Unfortunately, it was followed by major incomprehensibility.
The characters, dialogue, direction and acting were ALL poorly done. Michael Ironside had nothing to do, and Michael York was just weird. I think the producers wanted to do too much; if the plot had been tighter and more focused, and the characterization more fleshed out, the film would have been far better.
In a nutshell, The Omega Code disappoints. Definitely do not pay to see this. I give it ** out of ten stars.
"Ko to tamo peva" is one of the best films I ever saw. A tragicomedy with very deep implications on the fate of humankind shown through the eyes of seemingly very plain and common people from a God-forsaken Serbian province just before the start of the World War II. I saw it in a small movie theater in Russia where the film had had a very limited distribution, and I had no chance to come across it ever since. It is such a pity that this excellent film is almost forgotten now. I searched for a VHS or DVD copy of it many times, and alas - could find none. I would be most grateful to other fans of this little gem of movie-making for a suggestion of the ways to purchase a copy.

I've had a thing for this Kari chick for a while, and as far as how she looked in this movie, no complaints. But after catching it last night in HIGH DEFINITION, I am certain: that's the only thing in the movie that isn't substandard. The script is horrible, the acting is horrible, the direction is horrible. I saw in another comment someone commenting on how great the sex scenes were...what? Not at all. When a movie is this bad you might as well just turn it into softcore porn, but instead I get to see some pasty white dude blocking me from seeing Wuhrer's body and scenes that offer me nothing except a tease. They should have just gone cinemax so that the movie wasn't a complete waste of time, but no. With a script this awful they should've capitalized on Wuhrer's looks, since that's the lone pro of the movie. 2/10, only because she looked so hot.
My short comment for this flick is go pick it up. Chances are you are going to be positively surprised by a diversity of elements superbly explored in this criminal thriller. There is no way the character of Miklos, claiming and pushing for room in every way possible, wont push your nerves to the edge...2 thumbs up!

I'm sure to people watching this move outside of Britian this film will be an entertaining watch, but for someone from the UK it's painful in it's errors.
Right at the start of the film Elijah Wood gets off a tube at Bank station, which has been trashed. He says to his sister, who he's meeting, "What happened here" and she replies "Oh Tottenham were in town yesterday"!!! Tottenham are in town already.. they're part of the town, they don't have to go there! And if Tottenham fans wanted to fight other fans the last place on earth they'd do it is Bank station, where there are probably more security cameras than anywhere else in the world.
There are several other similar errors but the biggest failing for me is the actor who plays the lead hooligan. He clearly decided it wasn't worth trying to speak with an East End accent and instead opted for a Dick Van Dyke style mock-ney which made my ears bleed. It was accentuated by the fact the rest of his gang all spoke in the way you'd expect West Ham fans to speak. This error made him unbelievable in the role and really spoilt the film.
Off the blocks let me just say that I am a huge zombie fan so I don't make statements like the above lightly. Secondly let me say that this is an Italian zombie film and Fulci only directed 15 minutes of it before handing over to Bruno (Rats, Night Of Terror) Mattei. This is no Dawn of the Dead folks.
That said this is easily one of the most entertaining zombie films I have ever seen.
The script is wonderfully horrible. Just check out the two scientists trying to find an antidote ("Let's try putting these two molecules together").
The zombies come in all varieties. From moaning shufflers, to machete wielding maniacs, to birds!
The gore is plentiful. Legs are bitten off, arms amputated, stomachs burst open.
The pace is fast, flying from one zombie attack to the next.
Then there's the head in the fridge. Oh the head in the fridge! One of the greatest moments in horror since Ash got his hand possessed in Evil Dead 2.
You should know already whether you're the sort of person who's going to like this sort of film. Get some mates and some beer and you'll be in for a fun night.
Did I mention the head in the fridge?!?!?

The secret is...this movie blows. Sorry, but it just did.
****SPOILER****
In this bad riff on I KNOW WHAT YOU DID LAST SUMMER and SCREAM, Beth, played admirably by Dorie Barton, joins several friends on a Spring Break trip. The group rents a fancy house and tries to enjoy a fun vacation. Then, the deaths begin. First one then another then another of the friends is murdered, leading to a sad and trite climax with predictable results.
One note, Dorie Barton is the poor man's Reese Witherspoonshe looks like Reese, acts like Reese and could pass for Reese in a police lineup. Maybe that's how they cast her? Anyhoo, decent cinematography and fair acting could not quite make up for bad dialog and terrible writing.
I really, really enjoyed watching this movie! At first, seeing its poster I thought it was just another easy romantic comedy ... but it is simply more than this! I personally believe that this idea (that I'm sure a good part of the viewers had just before they saw the movie) it's yet another important part of the big concept of this movie itself (or even of its marketing strategy)! What I mean is: Nowadays we are slaves to images! To impressions! I went to the cinema to view this film having the wrong impression, the wrong expectations, and at the end I felt how superficial I could be! To exemplify it comes to my mind the sequence near the end in which Sidney buys the plane ticket to go back to New York and as he is asked to 'give an autograph', meaning to sign for the ticket, he believes that just because he got on TV thanks to the scandal at the awards he is now some kind of celebrity. And this is just, I believe, the climax of this main theme around which the movies revolves. Above this, I believe the movie also offers us a solution to get along with this, illustrated throughout the movie by Sidney's attitude: don't become too serious about yourself or about anybody else ... "even saints were people in the beginning" ... as Sophie once says in the movie. The saints of the moment are the stars. We attribute them an 'aura' of perfection, of eternal happiness, but the reality is much less than that. Even the saints of any religion are images, ideal models of how to behave and how to live your life. Even they were not for real ... they became 'for real' after they died and we looked back at them. And that's the catch: we need our saints! we need our stars! We strive for them as if it wasn't for them we wouldn't have anything to strive for. And television and all other media are means to create and capture our strivings. We desperately need benchmarks in regard to which to measure ourselves. And that's how we got in the cinema to watch this movie in the first place: to see if we can fit the benchmark, or if the benchmark is to small for us. This time it was larger than we expected.

This movie was one of the greatest movies ever made,,,, it had everything to make a movie great. Incredible acting, awesome special effects...... oh wait I must be thinking of a good movie. Well this wasn't one of them, it just plain sucked.
What I want to know is, what kind of bone head would think that this movie was a 10. When I casted my vote there were 206 out there, god knows what goes on in their head. Now as for any other vote, a 8 or 9 was even too high, but a 10??? Come on, what made this movie sooooo good to give it a 10? I know these are the same 206 that thought that Jean Claude Van Damme is a great dramatic actor.
On one level, this film can bring out the child in us that just wants to build sandcastles and throw stuff in the air just for the sake of seeing it fall down again. On a deeper level though, it explores a profound desire to reconnect with the land. I thoroughly empathized with the artist when he said, "when I'm not out here (alone) for any length of time, I feel unrooted."
I considered Andy Goldsworthy one of the great contemporary artists. I'm familiar with his works mainly through his coffee-table books and a couple art gallery installations. But to see his work in motion, captured perfectly through Riedelsheimer's lens, was a revelation. Unfrozen in time, Goldsworthy's creations come alive, swirling, flying, dissolving, crumbling, crashing.
And that's precisely what he's all about: Time. The process of creation and destruction. Of emergence and disappearing. Of coming out of the Void and becoming the Universe, and back again. There's a shamanic quality about him, verging on madness. You get the feeling, watching him at work, that his art is a lifeforce for him, that if he didn't do it, he would whither and perish.
Luckily for us, Goldsworthy is able to share his vision through the communication medium of photography. Otherwise, with the exception of a few cairns and walls, they would only exist for one person.

From the acting, direction, scriptwriting and art direction this film is just entirely ill conceived and the money would have been better spent on shoes for land mine victims. When did we get so sad that they have to fill a a children's movie with sexual innuendo to keep the parents attention.
Dr Suess is rolling in his grave right now, what with the "dirty ho" "S.H.I.T" and fake erection scenes etc etc etc. Its shameful how they trade on the name of Suess to get the parents to bring their kids, throw in the profanities to try for the teens and a few sad parents who won't watch a a film with their child if there is no T & A. Greed greed and more greed.
Compare this to the classic children's films and we can get a disturbing view of world is turning into. These guys should stick to making MTV videos. How on earth this movie got >400 votes as a perfect 10 is beyond me. (unless its the directors family)
This amazing Oscar winner (4 in total) and John Ford's first Academy Award winner, is simply spellbinding with a pounding score by Max Steiner. Called an Art film, because Ford had very little money to make this great story about guilt and retribution, and greed and stupidity. But what makes this movie such a classic, is the direction and astounding photography and use of fog and lighting, that was so different from the usual American film, and more in the tradition of German expressionism. And the Oscar winning performance by Victor McLaglen as the drunken Gypo is simply unbelievable. Basically the movie takes place in Ireland, and Gypo turns in a friend in the rebel movement to the English to collect 20 pounds to give to his girlfriend. But having all that money, he starts blowing it on an all night drunk and giving it away, while the leaders of the movement are trying to track down the informer. The whole movie is one night in a dark and foggy Ireland, and a cast of characters that are memorable but all along, the whole world of Gypo is closing in on him, both psychologically. If I had to pick maybe three directors to have ALL their movies on a deserted island forever, and nobody elses, John Ford would certainly be one of them. What a truly remarkable movie...

Christ. A sequel to one of the most cloying films of all time, this at least has the decency to leave out the songs (bar a reprise of the unbearable "Tomorrow") but does continue the tradition of being nauseating and unfunny. This time, Annie and her friends head off to London and get caught up in Joan Collins's plot to blow up Buckingham Palace or some such shite. The movie has a bizarrely sycophantic attitude towards its eponymous character at odds with how irritating she is: every time the little bugger squeals "Leapin' lizards!" I could feel my teeth grinding themselves down into powder. Drearily photographed, slushy and plodding, the movie has only one memorable line ("Unhand me, you stupid genius!") and the fact that it's not the original to recommend it.
A meteorite falls in the country of a small town, bringing a jelly creature. An old farmer is attacked by the alien in his hand, and the youths Steve Andrews (Steve McQueen) and his girlfriend Jane Martin (Aneta Corsaut) take him to Dr. T. Hallen (Steven Chase). The local doctor treats carefully the blister, and asks Steve to investigate the location where they found the old man. When Steve returns, he sees the blob killing the doctor. Steve and Jane try to warn the police and the dwellers, but nobody believe on them, while the blob engulfs many people, getting bigger and bigger.
"The Blob" is a cult and classic sci-fi. It is a low budget movie, with many ham actors and actresses (with the exception of Steve McQueen), awful effects, but also delightful and very, but very funny. This is the first time that I see this classic (I had seen the 1988 remake with Kevin Dillon), and I really recommend it to fans of Steve McQueen and sci-fi B-movies from the 50s. The film subject of my review number 1,400 could not be better. My vote is seven.
Title (Brazil): "A Bolha" ("The Blob")

I decided to watch this serial after seeing the endless adverts for it on the BBC in the weeks prior to it starting. I watched it despite the fact that I don't like the pretentious kind of stuff that Alan Hollinghurst writes (sorry to his fans but I think we have a case of the emperor's new clothes with this author's work). I admit that the acting is excellent, it is beautifully shot and I was reasonably entertained by it - however- I found that the storyline was extremely thin and after watching all three episodes feel very unsatisfied with this rather empty production. The 'explicit' gay sex that the media droned on about has all been done before on TV - several times - so it was nothing very shocking I'm afraid. Full marks for production values but low ones for storyline/content I'm afraid.
This movie has its ups and downs, but to me the good stuff in this movie very much outweighs the bads...
What's not so good about the movie are indeed sometimes the dialogue, the sounds, the lighting(am I the only one who noticed the way the sets were lighted was amateur, and the acting....
What is very good are the highly original storyline, the very intense atmosphere, the gore factor which is very high, and the effects which are done supremely.
So, definitely worth watching, or maybe even a must-see for all you horror and gore fans....

The only thing that prevented this flick from being a total disaster were a couple of interesting stylish touches.
(Moderate Spoiler Alert) Death by comic is a bit derivative of a scene in Twilight Zone: The Movie, which delivers death by cartoon. Still this was handled nicely, especially watching the ink bleed and the color being sapped out.
Additionally, there is one other good scene with a demon motorcycle.
Having said that, I was glad I got the DVD cheap at a store going out of business sale, because this was pretty awful. I bought "Soul Survivors" at the same time and both movies were similarly annoying with the constant realizations that you have been watching a dream. However , where "Soul Survivors" has nothing to redeem it, or have it make any sense, this at least had a couple of stylish notes, referred to above.
Interestingly, the DVD lets you go to the 8 'nightmares' where something actually happens, which is the only way to watch this. The scripting between the creative gore moments is rather unbearable.
3 out of 10.
I was never a big fan of television until I watched 24 for the first time. I got into the series very late. Season 5 ended before I even saw my very first episode. It was an episode of Series 3 that was on my parents DVR (digital video recorder) box while I was house sitting for the weekend. It took that one episode for me to be hook line and sinker into the world of Jack Bauer. And boy was I hooked!! I watched the next six episodes without blinking an eye. The next day I went to Blockbuster and signed up for an unlimited month pass for twenty something dollars and needless to say it has been the greatest blockbuster money I've ever spent. I watched the first three seasons in three weeks. That's 72 forty minute episodes!!! I will say that finding out what happens next is easier on DVD than waiting an entire week. I can only imagine the anticipation of watching Season 6 week to week!! I find it mildly torturous and cruel but I'm going to give it a try and watch it just like the rest of America!! The DVR is set and you can bet I'll be chomping at the bit!!

I am compelled to write a review of this IMAX feature as a means of warning others to SAVE YOUR MONEY. Almost any episode of Desmond Morris' "The Human Animal" or David Suzuki's "The Nature of Things" could have bested the material presented. Not only does the director fail to make use of IMAX's incredible 65 to 70 mm film stock and gigantic presentation screen, everything on screen is extremely unimpressive given the accessibility of such programming mentioned previously. Viewers are introduced to a pregnant Heather, her husband Buster, and their niece and nephew. We follow them for an interminable forty-odd minutes as they eat, sweat, listen to music, etc. Although we are given access to scenes inside the human digestive track and learn about babies' natural diving reflexes, do we really learn anything more than most grade-school graduates? Are we even remotely entertained by the trans-Atlantic Heather? Do we care? Avoid this film at all cost. If you do wish to see an IMAX feature, I suggest the beautifully photographed "India: Kingdom of the Tiger" or the technically thrilling "Space Station 3D". Trust me.
Actually I liked this movie very, very much. Not because of it`s plot, acting, jokes, no. I liked it, because it`s one of the worse movies ever created. It`s so lame, so bad, that it becomes terribly funny. Some jokes are actually cool, but the rest makes me pray for unemployment for the scriptwriter. "Men in white" are so dumb and stupid, that you can do only two things. Turn the TV off or roll on the floor laughing (beer helps a lot:). I chose the second option.

This is really terrible.
The only redeeming feature about this movie is that the next time people ask me what is the worst vampire movie I have ever watched, I would have a suitable reply.
I think it is filmed on 35 mm so it is already tacky like hell. I wouldn't have bothered commenting but I noticed some fanboys (probably connected to the movie) had claimed that this was the best movie since the Matrix. Let me debunk the myths and lies.
There is nothing good in the movie. Everything yells tacky. The actress is ugly. The fight choreography is the worst I have ever seen. The fight scenes are unbelievably amateurish. Imagine a girl flailing her arms around in a circle helplessly and delivering weak kicks which wouldn't hurt a kitten. Obviously, the director just pulled people off the street to give them roles in the movie.
I know the director did not have much budget for the movie but still better movies have been made on smaller budget before. Unforgivable.
An enjoyable Batman animated film. Not on par with "Return of the Joker" or "Mask of the Phantasm", but solid nonetheless. I liked how the movie kept you guessing as to who Batwoman was. There was nice twist. Nice action sequences. I've always been of the opinion that the Batman cartoons are better then any of the pitiful Batman live action film sequels. The trend continues here.
7.5 out of 10

This movie is a perfect example of an excellent book getting ruined by a movie. Jacob Have I Loved is quite possibly the worst film that I have ever seen. There is no storyline, plots disappear, and the editing is awful. To top it all off, the music is straight from a synthesizer and sounds unbelievably terrible. Bridget Fonda's acting is decent, but everyone else's acting is totally amateur. I would suggest this movie to someone who is studying to be a producer as a study on how not to produce a movie as it is chock full of bad cut-scenes, bad transitions and acting that should have been re-shot! Read the book and don't waste your time with this film.