Sachinkry/imdb-preference-10k huggingface dataset:
I have one word to someup this movie, WOW! I saw "Darius Goes West" at the Tribeca Film Festival. People in the theater were sobbing. This movie shows the hardships that Darius sufferes with Muscular Dystrophy. The movie was very well done and really made you part of the movie, I WAS SO emotionally moved by the movie because it made us remember that we are very fortunate to be perfectly healthy, some people in this world are less fortuate then us. And sometimes we should give them a had and help them, to the very end. I would give them ten stars, they gave Darius a had when they weren't asked to, they did't do it for the money they did it for a friend in need, Darius, the world should know, Darius went west.

Without effective indulgence of the supernatural or the poetic motivating nuances of humanity, all this creative team has to hope for is effective usage of its middling, unoriginal elements. 'Party of Five' gone maniacal then genetically unescapable there's little rooting interest because the singular non-homicidal element is a second-rate bland awful-acting 'Wes Bentley' mopester. In fact, all of the acting is skin deep. Even though the dark-haired women appeal, the salaciousness is kept to a minimum. No nudity here. Also lacking are sufficient buckets of blood. All sensations are kept at a teasing, safe distance...an unfortunate fact considering the given name of the directors is 'butcher.' Only the soundtrack, the droning angsty alt-country and the tense fluctuating score provide any palpable tension. Sometimes some static storyboarded compositions add appealing low-angles that adds to the malaise...but for a film that calls itself horror, I did not even get close to flinching once. Perhaps a greater emphasis on societal rejuvenation through blood intake, scenes directed with varying geometric shapes outside the square, and a sustained focus on playfulness through the family's maliciousness or traps sympathetic characters need to escape in order to escape their dilemma would have improved my opinion, but this was not a good start to my excursion through horrorfest.
In the year 1990, the world of Disney TV cartoons was certainly at it's prime. Shows like Chip n Dale Rescue Rangers, DuckTales and Gummi Bears was already popular, and now Disney made another great cartoon and that cartoon brought the birth of the Disney Afternoon. That cartoon is called TaleSpin. It's about old Jungle Book character Baloo the Bear as he gets a job in the plane business. In the series he meets Kit Cloudkicker, former Air Pirate and good cloud surfer, business lady Rebecca Cunningham and her hyperactive daughter Molly. This series is very funny and has tons of great puns that you may not understand as a kid but understand later on in life. This is one cleverly written series and it's great to add to your DVD collection. Parents, buy this for your kids rather letting them watch all of those horrible Nickelodeon cartoons. If you liked TaleSpin, then check out "Darkwing Duck" and "Goof Troop". Spin it!

Well, it's all been said about this movie and I hate it when writing reviews where everyone else already said what's to be said. But the thing is, I have seen zillions of movies and I am working on writing reviews on all the movies that I've seen. So, I have to write something.
The acting is stupid. It's truly stupid how the news anchor expresses her sadness towards the plane crash. The nun is nice though and the professional assistant who comes to take care of the child. the three main killings in the movie are just so weak that you wonder how stupid can the makers of this movie be. Don't they realize that even rip-offs can still be scary. We don't see how the granpa is killed. The dentist and his assistant made me feel they deserve to die, you just don't sympathize with them. And uncle tony in the garage dies in a way that could have been worked better. We just hear him scream and we see nothing!
I saw this film first on my way home from Paris to Newark aboard Air France in August 1996. The film itself I believe is quite a masterpiece. It's the kind of film that people should be making. I still think Daniel Auteuil is one of the sexiest actors around. In this French film, he plays a divorced father and businessman who has lost his zest for life until he across a Down Syndrome man who lives in an institution with other Down Syndrome patients. The actors including the actor who actually has Down Syndrome create a believable friendship and relationship between these two unlikely men. Daniel's life and ours changes forever with the Down Syndrome man. He realizes that life is not just work and not play but for the living and loving and that's what life should be all about. The ending is kind of silly though but I still think it's one of my favorite movies. It's enough to bring a tear to your eye.

This is one of the most boring movies I have ever seen, its horrible. Christopher Lee is good but he is hardly in it, the only the good part is the opening scene.
Don't be fooled by the title. "End of the World" is truly a bad movie, I stopped watching it close to the end it was so bad, only for die hard b-movie fans that have the brain to stand this vomit.
I read somewhere (in a fairly panning review) that this is something of a live-action mecha anime, and I think they're on the right lines. I first watched this movie when I was very young and I've been dying to see it again, and when I finally did just recently all the memories came flooding back. I don't think this is to be taken too seriously - it's just a bit of good old 80's almost-a-TV-movie fun (it is set against the backdrop of a fairly dark future, although this point isn't stressed too much). What I admired most about this movie was that the dialogue didn't sound generic - no clichés, no predictable lines - all in all just good fun! Maybe time hasn't been kind to this little movie, but still I can find appreciation for it in me. It's by no means perfect, but it's entertaining and doesn't try to be anything other than that. Let the nerds and comic-store-guys worry about technicalities - who cares? See it for yourself and make your own decision. No-one else's opinion matters.

No artful writeup here because it doesn't deserve one. Not an art film. Not even one of those 'hidden' gems. You know, like those movies you hear about through a friend who saw this amazing movie downtown where they show all the good independents and art films.
Just pack it into the christmas boxes, and dispose of quickly.
Absolute masterpiece of a film! Goodnight Mr.Tom has swiftly become one of my favourite films of all time. Nobody should miss out on seeing this film, it's just too good! Mr.Tom is perfectly portrayed by John Thaw as the harsh old man who becomes a soft father-figure when William Beech(Nick Robinson) is sent to him for evacuation, almost like 'The town mouse and the country mouse'. A truly heart wrenching film. The director knew exactly how to turn book into film and he has done so extremely well. The film was so excellently shot that the emotions of the characters and what was happening made the audience feel a range of emotions from love to fear, and these emotions could turn on a six-pence. Set in a time of turmoil during World War Two, this film also shows the difference between the cities and the countryside, they are almost like different countries. An absolute must see, those who don't are missing out on a truly amazing and brilliant film.

Except for the better than average acting skills of the two leads, this movie is really, really bad. The cheap production values don't help. Of course, you wouldn't really notice that the production values are cheap if they didn't keep trying to convince you they HAD a production values to begin with. Even for a B-movie genre freak like myself, this movie really sucks.
Okay, I'll admit it--I am a goof-ball and I occasionally love a really silly comedy. While I have seen more films by Kurosawa, Bergman and Truffaut than practically anyone on the planet, I still have a soft spot for a dopey comedy that doesn't try to be sophisticated but is simply funny. A few such films that immediately come to mind are MONTY PYTHON AND THE HOLY GRAIL, UHF, START THE REVOLUTION WITHOUT ME, STRANGE BREW and the Bill and Ted movies. They all lack snob appeal but only a zombie or professional film critic could dislike them.
While BILL & TED'S BOGUS JOURNEY isn't as wonderful as the original Bill and Ted film, it still is great fun. Also, unlike the original, it actually seems to improve with repeated viewing. I remember not loving the film the first time I saw it--possibly because the other movie set such a high standard for laughs. But, every time I see it again I am amazed at all the great moments--particularly those involving the Grim Reaper. And, by the way, this reaper is about as different from Bergman's in THE SEVENTH SEAL as you can get!! In addition to a lot of laughs, this film features some excellent music--one way that it's actually better than the first film. The Kiss anthem at the end is great but so are the rest of the hard rock tunes--provided you aren't an old killjoy like De Nomolos. Great viewing for kids and adults alike.

I am very disappointed with "K-911." The original "good" quality of "K-9" doesn't exist any more. This is more like a sitcom! Some of casts from original movie returned and got some of my memory back. The captain of Dooley now loves to hit him like a scene from old comedy show. That was crazy. What's the deal with the change of Police? It seems like they are now LAPD! Not San Diego PD. It is a completely different movie from "
I participate in a Filmmaker's Symposium, and this film was shown after we had already seen a not so great film and participated in a 40 minute discussion. Even though it was incredibly late and we were weary, the entire audience really enjoyed it.
Personally I thought the film was hilarious in all the right spots, and I loved the quirky cast of characters. They really grow on you in the film.

(This is a review of the later English release by Disney, featuring Alison Lohman, Patrick Stewart, and co.)
I really wanted this film to be good. Really, really. I'm a huge fan of Princess Mononoke and Spirited Away, and after seeing all the glowing reviews on this earlier Miyazaki film, I was eager to see it. But I was shocked, shocked I say, at the quality of this film. Those later films boast well-crafted plots, 3-dimensional characters, and the best film music since...well...ever. This film just doesn't come close.
Might as well start w/ the positive aspects, though. Like all Miyazaki films, this one is still very imaginative, with a bizarre fantasy/sci-fi setting, in a post-apocalyptic world where insects are the dominant species. Nausicaa can also boast some far superior animation to other films from its time. (though not as beautiful and fluid as Miyazaki's later films) And the English voice acting is quite well done.
But this film...just...isn't...good... The characters are all cardboard - from saccharine sweet little Nausicaa, to the ruthlessly evil Tolmekians, to everyone in between. Once you've seen each of them for 30 seconds, you've seen all there is. And the fact that the plot just ambles along doesn't help.
Then there's the music... Now, Hisaichi is hands down my favorite film composer, but Nausicaa doesn't do him justice. Half the music is 80's keyboards on overdrive, and it usually enters and leaves so abruptly that it distracts the visuals rather than helping them. I highly suspect that Hisaichi was told to compose a lot of the music before he even saw the picture.
But wait! There's a great message with this film, right?! Let's all save the environment! Too bad that this film hits you over the head with it like a sledgehammer. There is a scene in which Nausicaa hugs a tree. No, really. I ain't kidding.
It makes me a little sad to talk about how lame this film is. But for some reason all the other reviews on IMDb seem to adore it. And when the characters have to talk to themselves in extended sentences to tell you what's going on, that's lame.
If you're the kind of person who worships anime, enjoys 80's music, and plants a tree every Arbor day, you will probably like this film. Otherwise, save your money for his later films, because they rock big time.
Cecil B. deMille really knew how to create a classic, and after 7 decades his western comes across as the Real McCoy, engrossing, entertaining, spectacular; in no way outdated.
As a real fan of TV's DEADWOOD, I'll tell you the performances of Gary Cooper as Wild Bill Hickock and Jean Arthor as Calamity Jane are far more on-target.
We don't have any giants in Hollywood anymore. PLAINSMAN is just one of dozens of classics from the 1936-1945 decade that have seen enduring commercial life decade after decade: released, re-issued, re-issued all over again. Filmmakers like today's Spielberg, Jackson, Bruckheimer are like kids playing in a sandbox. None of today's movies will be sought out in 7 months let alone 70 years.

I was really horrified by this eerie movie. What an unusual dark atmosphere. And such a creepy musical score. Really promising! Indeed, after ten minutes you really start sweating, and feeling uncomfortable, for you start fearing the worst. This movie has the atmosphere of a true nightmare, and what's worse-it all comes out. For one hour and a half I have been trying to fight complete boredom and falling asleep, but the monstrous soundtrack kept me awake. Nuit Noire is a truly horrifying picture - for your eyes, your ears, your intelligence, and most of all: your wallet, since the thought of spending precious money on a movie ticket for this cheap amateuristic homevideo is the biggest horror of all.
Dahl seems to have been under the influence of Wenders' The American Friend. Innocent Nick Cage gets recruited for a hit. Dennis Hopper plays a real Hit Man. Lara Flynn Boyle is dangerous. The Hero gets more entangled the more he tries to extricate hisself. And small town America does not seem all that safer than the Big City. Like it's predecessor mentioned above, this movie has lots of plot twists and turns that seem improbable, but all lead to the cathartic self discovery.

"Memoirs of a Geisha" is a visually stunning melodrama that seems more like a camp, drag queen satire than anything to do with real people.
The first half of the film defensively keeps insisting that geishas are neither prostitutes nor concubines, that they are the embodiment of traditional Japanese beauty. But other than one breathtaking dance, the rest of the movie degenerates into "Pretty Baby" in Storyville territory, or at least Vashti and Esther in the Purim story, as all the women's efforts at art and artifice are about entertaining much, much older, drunken boorish men. Maybe it is Japanese culture that is being prostituted, and not just to the American louts after World War II.
Perhaps it's the strain of speaking in English, but Ziyi Zhang shows barely little of the great flare she demonstrated in "House of Flying Daggers (Shi mian mai fu)" and "Hero (Ying xiong)." Michelle Yeoh occasionally gets to project a glimmer of her assured performance in "Crouching Tiger, Hidden Dragon (Wo hu cang long)." Only Li Gong shows any real life. Otherwise, I kept picturing Charles Ludlam in various roles, or even Cillian Murphy, as in kabuki theater, particularly as the plot dragged down in cat fight after cat fight.
The supposed love story has zero chemistry, mostly due to the age differences, and I mostly felt sorry for Ken Watanabe and hoped his Hollywood pay check compensated for his loss of dignity as the mysterious "Chairman." I remember more emotion in "Portrait of Jennie" as the young girl is anxious to grow up into Jennifer Jones to please Joseph Cotton.
We see brief glimpses of reality when the geishas pose with regular women as photographic attractions, and as an ageless Ziyi Zhang lives out the war years in a very colorful kimono dying operation. The finale has little sense of normality.
The score includes many chopped up traditional melodies, with cello by Yo Yo Ma and violin by Yitzhack Pearlman instead of traditional instrumentation, that are beautiful to listen to in accompaniment to the lovely cinematography, as long as one completely ignores the plot and stiff acting.
As my mind wandered, I wondered how the great Japanese directors of samurai movies would have dealt with this story, which probably would have been more formal, but a lot more emotional.
Daniel Day-Lewis is the most versatile actor alive. English aristocratic snob in A Room With a View, passionate Irish thief in In the Name of the Father, an impudent, violent butcher in Gangs of New York (in a performance ten times stronger than Adrian Brody's in the Pianist) and as the outrageous Cristy Brown with cerebral palsy in My Left Foot (just to name a few). His roles all influence eachother, but each is seperate, and utterly unique. He changes completely, with each character he takes on. And I'm beginning to believe that he can act as anything. Anything.
As Cristy Brown he is stunning. He does not ridicule the character, and he does not pity the character. A difficult achievement. And Cristy Brown comes to life. A smart man. An outrageous man. Human.
This movie, despite small scene-transition faults and the like, is an inspiration. Yes, it's predictable. But is it stupidly sentimental? No. I laughed. I cried. Not a single moment of cheese. Proof that this isn't a Hollywood movie.
My favourite scene is the scene in the restaurant, when Cristy is discussing painters with Eileen, Peter and her friends. Here's where Daniel Day-Lewis reaches an acting climax. "I'll kick you in the only part of your anatomy that's animated." "Wheel out the cripple!" And his performance never slows down, never falters, and is beautiful. Simply. He has a lot of screen time here. I watch it again again, and I never get tired of Cristy's perspicacious eyes, twitching and guttural speeches.
A must-see. Fo sho, yo!

Uwe Boll has done the impossible: create a game adaptation that stays at least somewhat true to the game; he has turned a game full of antisocial and offensive content into a movie full of antisocial and offensive content. So, as an adaptation, it's a success.
Unfortunately, it's still Uwe Boll we are dealing with here, so don't expect the movie to be actually any good. while it does have it's moment, "Postal" wears out his welcome very fast and becomes a pain to sit through.
At its core, Postal is a satire on the United States, as done by a twelve year old kid. Boll seems to think that offensiveness is linearly proportional to comedic value: the more offensive, the funnier, and the more exaggerated the funnier. This results in a movie that sets new levels of tastelessness while being extremely hit and miss. Yes, some gags do work but it seems to be pure luck. High points include the director satirizing himself, and people getting hit very violently by trucks and other vehicles. Low points include..well pretty much everything else.
After the initial surprise wears off, Postal simply becomes a bore to watch. Yes there is a good joke every and good point ten minutes, but everything else consists of hordes of annoying characters shooting and chasing each other all over the place for what seems to be an eternity.
This probably would have worked as a short movie, but it's just not enough content for something that lasts over 90 minutes (although it feels twice as long). There are nice ideas and nice tries, but they get hopelessly lost in endless and pointless action scenes and content that is offensive just for the sake of it 4/10
This is what I call a "pre Sci Fi; Sci Fi" movie. It gets no better than Lugosi/Karloff in this incredibly good "mood" type motion picture. These two genuine artists are at their very best, as is the story line.
Karloff does an amazing job as a scientist that sees himself caught in a vise of vanity, pride, and scientific competition. I was caught up in the idea of watching a man as he drowns himself in the three previously mentioned concepts. I was saddened and at the same time fascinated with the two stars as they do themselves in.
This is the sort of motion picture that begs for a remake. This time put Harrison Ford in the Karloff part and maybe Kieffer Sutherland as the Bela Lagosi role. It might be possible to do it almost as good.
This is one of the very best that Hollywood EVER produced. As I said..it gets no better. No way.

From the very opening scene you will notice just how hard they tried to mimic the very smart and powerful 'Cruel Intentions', and how flat it landed. You'll also notice what a terrible choice they made by casting Robin Dunne as Valmont... Then in the second scene, you meet the two best things in this movie, Amy Adams and Mimi Rogers as Kathryn and her mother. That is, if you can get past the fact that Kathryn wasn't blonde in the first film... Then the movie goes on, you see the cheap romantic story from miles ago, and you notice Sebastian has already met an Anette in the past, here called Danielle, and a Cecile, here called Cherie... How original is that for a prequel. Then it turns into a low budget 'Wild Things' type of film with lots and lots of oh-my "twists". As I mentioned, Robin Dunne was a very bad choice. Not that he is a bad actor, he's good.. He just doesn't have the charisma Ryan did. Amy Adams, who is in my opinion one of the most talented young actresses of our time, once again delivers. But with all the talent in the world, there is no way one could save this trash. As a whole, this "movie" feels like a 'Beverly Hills, 90210' episode. The score has been stolen from 'Cruel Intentions' and 'Jawbreaker'... Yes, they used the score from JAWBREAKER... Couldn't they at least leave that one alone?! You'll want to pass this one. If you want more Cruel Intentions, watch Stephen Frears' Dangerous Liaisons.
I have become quite fond of Laurence Olivier in the past few weeks, and was thrilled when I discovered this gem. I have always found it wonderful when I run across a film where I do not have to have my finger on the remote control in case nudity rears its ugly head.
The Divorce of Lady X is charming till the final scene, and must have been a true delight for viewers back in 1938. I only wish people today could accept and love true humor instead of the horrid trash talk people now call funny.
The Divorce of Lady X is well worth anyone's time.

Sadly it was misguided. This movie stunk from start to finish. It was hard to watch because I used to watch Clarissa Explains It All every day on Nickelodeon. I LOVED her. Then the next thing I found she did a spread in Maxim and she was gorgeous! I haven't really heard anything about her until I watched this movie on accident. I couldn't believe she would even let something like this be seen with her name all over it. Everything about it was wrong but it still looked like someone somewhere in the team was trying really really hard to save a sunk ship. Too bad.. I hope she continues to act and I would love to see her with a real cast in a real movie.