Sachinkry/imdb-preference-10k huggingface dataset:
For everyone who expects a traditional superhero-movie it might be an unpleasant surprise. It is definitely more of a drama rather than an action movie. It focuses mainly on emotions and it's a bit like a Greek tragedy - whatever the main character does it always goes wrong somehow.
That's because Sasha, like each superhero, takes the law into his own hands and the society doesn't appreciate it. Sasha becomes an outlaw. While on the run, he meets a beautiful girl and falls in love so things get even more complicated for him.
As you can see, the plot itself is really dramatic but the movie lacks in dynamics. It reminds me slightly of the narration in the recent movies by Ram Gopal Varma. Everything happens very slowly. However, when there's an action scene it gets so immensely dynamic that before you realize what's going on, it's all over. But the director does not want to impress us with flashy and showy action. What is more important here is the outcome of Sasha's actions, which are mostly very drastic. The score is very scarce, which also makes it more difficult to concentrate on the film. So basically you need to be very patient in order to watch it.
Is the film worth it? That is a question really difficult to answer. I don't think that this experience enriched me so very much, but somehow I keep on thinking about this movie and feel like watching it again. Mostly due to the atmosphere, which is really dense, but not suffocating because all the time Sasha and Katya have hope. After all they're young people, who have all their lives to live. So no matter how hard it gets there's always a slight joyous tune when they are together.

From the moment the film begins, already there is a discrepancy. As this film takes place on the borders of Normandy and the middle East, and is also an international film, one would expect proper accents portrayed. This is not done as the majority of the cast sound American. Also, I find the acting to be rehearsed at best, the story line a little difficult to follow from the beginning. Who is who? Otherwise the film is very accurate in costume and scenery. If you want to see a movie to get a feel of what it was like in the past (albeit the lack of accents) then this movie is worth a rent. If you're looking for a movie as epic as Kingdom of Heaven, then look elsewhere.
Just Cause takes some of the best parts of three films, Cape Fear, A Touch of Evil and Silence of the Lambs and mixes it together to come up with a good thriller of a film.
Sean Connery is a liberal law professor, married to a former Assistant District Attorney, Kate Capshaw and he's a crusader against capital punishment. Blair Underwood's grandmother Ruby Dee buttonholes Connery at a conference and persuades him to handle her grandson's appeal. He's sitting on death row for the murder of a young girl.
When Connery arrives in this rural Florida county he's up against a tough sheriff played by Laurence Fishburne who's about as ruthless in his crime solving as Orson Welles was in Touch of Evil.
Later on after Connery gets the verdict set aside with evidence he's uncovered, he's feeling pretty good about himself. At that point the film takes a decided turn from Touch of Evil to Cape Fear.
To say that all is not what it seems is to put it mildly. The cast uniformly turns in some good performances. Special mention must be made of Ed Harris who plays a Hannibal Lecter like serial killer on death row with Underwood. He will make your skin crawl and he starts making Connery rethink some of those comfortable liberal premises he's been basing his convictions on. Many a confirmed liberal I've known has come out thinking quite differently once they've become a crime victim.
Of course the reverse is equally true. Many a law and order conservative if they ever get involved on the wrong end of the criminal justice system wants to make real sure all his rights are indeed guaranteed.
Criminal justice is not an end, but a process and a never ending one at that for all society. I guess if Just Cause has a moral that would probably be it.

I found this film to be an interesting study in cause and effect but little more than that. The basic plot follows the lives of a handful of people and how their actions (deliberate and otherwise) effect the lives of the others. The film's premise holds great promise but I feel it fails to deliver on its promise. Too much time is spent telling the audience about chaos theory and too little time actually showing it. As a result, I never got a true feel for any of the characters and never made a good connection with them emotionally. By the end of the movie, I had a "so what" attitude about all of them. A stronger direction in character development would have made this movie great, but as it stands it is merely so-so
This movie is so wonderful, it's hard to find words to describe it. This is the only time I can't decide which was better, the book or the movie.
Whoopi Goldberg is awesome, and Oprah Winfrey, such a good actress, she could be funny, happy and miserable all at the same time. All together the movie was well directed by Steven Speilberg, and should not be passed up. 9/10

I thought that the nadir of horror film making had been reached with "Book of Shadows", I was wrong. This film makes that look like "The Magnficiant Ambersons" compared to this piece of shameless, unexpurgated fecal matter that has the audacity to call itself a movie. I'd write more but I'm still to angry that I was idiot enough to spend £3 renting it, bobbins.
And were these people English? and where is the forest> I have lived in the UK two thirds of my life and as far as I know there are no dark uncharted woodlands in the midlands. The whole bally thing looked like a national trust conifer plantation. Those angels looked like anorexic pornstars (turned most of them were, did my research). I did however like the bit when Judd got ripped in pieces.
P.S I love and admire Tom Savini but HE CANNOT ACT
Walter Pidgeon is Braley Mason, a civil attorney who takes on a criminal case in "The Unknown Man," a 1951 film also starring Ann Harding, Barry Sullivan, Keefe Braselle, and Richard Anderson. A great believer in justice, Pidgeon accepts a pro bono case defending a young man, Rudi Walchek (Braselle) accused of murder and gets him acquitted. Shortly afterward, he realizes that the man is guilty and was extorting protection money from his victim as well as other shopkeepers in the neighborhood. He is advised by the DA (Sullivan) that Rudi is small change, that to wipe out the organized crime, one has to find the top man. Mason finds the top man, and is faced with a dilemma.
"The Unknown Man" is a small, black and white film that manages to hold the viewer's interest with its various plot twists, though the plot is somewhat contrived. It's really the story of a good man seeking his god, justice, and what he is willing to do in order to attain it. And that's the most contrived part of all. I suppose there was a time before O.J., the Menendez Brothers, etc., etc., when people believed in justice and the integrity of attorneys. For this viewer anyway, those days are long over.
Walter Pidgeon does an excellent job -- his handsome, elegant demeanor and declamatory voice show us a successful, confident man but also a deeply caring one. Pidgeon had a magnificent career spanning 60 years but never really rose to superstardom. He was a solid actor who could play just about anything and did. It may be because by the time he was getting leads, he was well into his thirties and missed being a matinée idol; or it could be he lacked that certain something; or that he was typed early on as second lead to a big female star like Greer Garson. Hard to say. He gives an honest and touching performance here.
Very good movie with good performances.

Roy Rogers stars as Jesse James and his look-alike, gambler man Clint Burns. George "Gabby" Hayes is Mr. Rogers's ex-pal, Sheriff Gabby. Gale Storm (Jane Fillmore) and Sally Payne (Polly Morgan) are a noteworthy team, as two reporters on the lookout for stories about the elusive outlaw hero.
Of course, mistaken identity / impersonation is a plot development, since Rogers essays a "dual role". Rogers is charming, as usual; but, there is nothing really elevating this his performance above the ordinary - any potential to deliver a memorable Jekyll/Hyde performance is done in by poor material. The better pair to watch are Ms. Storm and Ms. Paye as the St. Louis Journal reporters - they are the film's highlight. The songs are fine, though badly synched.
*** Jesse James at Bay (1941) Joseph Kane ~ Roy Rogers, George 'Gabby' Hayes, Gale Storm
This film was absolutely BRILLIANT!! Every performance in this film is excellent, especially Jake Gyllenhaal and Chris Cooper. It looks like Mr Gyllenhaal will have a HUGE film career if this is anything to go by. I thought that Joe Johnston was an odd choice as director as he is usually associated woth big budget blockbusters(Jumanji, Honey I shrunk the kids). He pulls of every scene with sheer class. My favourite scene was where Homer is going down the mineshaft and looking at the sky, going down, as all of his dreams were, it was beautiful. Joe Johnston should direct more of these brilliant, acting driven films as well as his Big budget blockbuster faire, which is also excellent. KUDOS!! to all involved in this masterpiece!

As with most of Ben Affleck's movies, the comedy is dry and story is predictable. That is if you want to call this a story. Many points were left connected with no thought at all. I want to thank the director for not explaining the points better. I say that because, that would mean the torture would have lasted longer. As for any of Ben Affleck's failures, this one is no exception and is survivable only by the other actors. Even then, the acting for the most part was contrived and was not believable. The trip down memory lane with actors I have not seen in years was not worth the price of admission. All thought it should be told, they too are quickly joining the ranks of the "has-been". My choice was to wait for my car to be fixed or watch this movie. I made the wrong decision. All in all I would give it a one laugh ... mainly because that is all I got out of it.
Brilliant! My wife and I joined the sprawling line to see Holly at the Edinburgh Film Festival. After seeing the film, I can understand why there was such a long line. Holly is a touching story about an impossible connection between two people. She is a young girl, he is a worn out westerner. The film grasped every bone in our body. There aren't any graphic scenes or anything that is hard to watch - its the surrealism of normality that really kicks you in the gut. The film is beautifully shot. Among others, we loved the scene where Patrick teaches Holly to ride a small motorcycle. Thuy Ngoyen's rawness (cant believe this is her first acting job)and Ron Livingston's performance stayed with me for a couple of days. Highly recommended.

Belmondo is a tough cop. He goes after a big-time drug dealer (played by Henry Silva, normally a great villain - see "Sharky's Machine"; but here he is clearly dubbed, and because of that he lacks his usual charisma). He goes to the scuzziest places of Paris and Marseilles, asks for some names, beats up some people, gets the names, goes to more scuzzy places, asks for more names, beats up more people, etc. The whole movie is punch after punch after punch. It seems that the people who made it had no other ambition than to create the French equivalent of "Dirty Harry". Belmondo, who was 50 here, does perform some good stunts at the beginning; apart from those, "Le Marginal" is a violent, episodic, trite, shallow and forgettable cop movie. (*1/2)
I really like this movie. I can watch it on a regular basis and not tire of it. I suppose that is one of my criteria for a great movie.
The story is very interesting. It introduces us to 6 characters; each has a unique kung fu style that is very secret and very deadly. Each of these characters are trained by the same master but their identities are kept secret from each other. The dying master sends the 6th venom, his last student, to attempt to make right the wrongs that he suspects some of his students have committed.
How will the last pupil find the other venoms? How will he know which of them is bad? The way these questions are answered is part of what makes this movie great.
We also get to see the venoms fight each other in every combination. It is fun to see how their styles match up against each other.
If you want to see if you like kung fu movies, this is a good movie to start with. It doesn't get any better than this.

Quite possibly the worst movie I've ever seen; I was ready to walk out after the first ten minutes. The only people laughing in the theater were the tweeners. Don't get me wrong, I love silly, stupid movies just as much as the next gal, but the whole premise, writing and humor stunk. It seemed to me that they were going for a "Napoleon Dynamite" feel - strange and random scenes which would lead to a cult audience. Instead, it ended up being forced, awkward and weird.
The only bright light was Isla Fisher and I just felt utterly awful that she (and Sissy Spacek) had signed up for this horrible thing.
Thank gosh I didn't pay for it.
Here Italy (I write from Venice). Why cancelated? The ABC should have given it a chance to build an audience. The cast (w/Hope Davis, Campbell Scott, Erika Christensen, Zoe Saldana, Jay Hernandez and Bridget Moynahan) is one of the best I've seen in recent. We need more shows like this that makes viewers feel like they are intelligent individuals not mindless drones. I hope that ABC will reconsider its decision or another station will pick it up. Please sign online petition to Abc: http://www.PetitionOnline.com/gh1215/petition.html Please sign online petition to Abc: http://www.PetitionOnline.com/gh1215/petition.html

Killer Tomatoes movies have this special kind of humor - you either love it or hate it. I personally like it, but in this fourth movie the feeling is gone. The tomatoes aren't the same, jokes are lame, even the actors aren't as funny. Because that's the only thing this kind of movies are supposed to be - funny.
So now following the plot made to laugh, is annoying. They really shouldn't have done the fourth part to the Killer Tomatoes trilogy.
Show favorites Green Arrow (introduced this season), Aquaman (introduced in Season 5), "Impulse" (Season 4), and Cyborg (Season 5) all come together, along with Clark, to stop one of Lex's evil plans in this thrilling mid-season episode.
Through his sophisticated technology, Green Arrow learns that Lex Luthor is constructing laboratories across the world that hold people induced by the meteor substance kryptonite and people with abilities to run tests on. Green Arrow over the past months has allied Arthur Curry (Aqua), Bart Allen (Impulse) and Victor Stone (Cyborg) to stop Lex and destroy these facilities. After recruiting Clark to help, the team puts on quite a show in interrogating and destroying a local laboratory.
This episode is incredible. Full of action, humor, and fabulous dialog, it feels more like a movie. It is full of entertainment and provides as a springboard for the most interesting storyline of the sixth season.

I gave this a four purely out of its historical context. It was considered lost for many years until it popped up out of the blue on Showtime in the early nineties.
Moe is the straight man and Larry and Curly act as a duo. Spade Cooley has a couple of numbers. I guess it had something to do with working on a ranch. I'm not quite sure because the plot was so minimal nothing really sticks in my memory. I vaguely remember it being a western musical comedy. Even the Stooge's seem to be going through the motions. Overall there's nothing much really to recommend here.
If you're not a Stooge fan then don't bother. If you are a Stooge fan, then stick with the shorts.
This may just be the most nostalgic journey back in time & through time to when one's childhood starts a journey to reminiscences back & forth onwards & upwards,forwards & backwards,up & down & all around.The boy Jimmy,H.R. Puffinstuff,Dr.Blinky,Cling & Clang,Ludicrous Lion,& even the evil Witchie Poo too through & through. The latter day inspirations of Lidsville,"The Brady Kids Saturday Morning Preview Special" Sigmund & the Sea Monsters,and Land of the lost both the new & old are what this very show bridged the gap to as well as The Donny & Marie Show,The Brady Bunch Variety Hour a.k.a. Brady Bunch Hour & Even The Paul Lynde Halloween Special. Maybe even other things in between & Beyond the Buck just keeps on moving on & on & even beyond expectations & as well as unexpected bounds.Now as we get updated in March of '06 we know that Jack Wild's gone & so now it make's it even more symbolic for us to really get nostalgic.Including now in August of '06 both when Jack Wild guest stars as himself on Sigmund and The Sea Monsters as well as when on a latter episode H.R.Puffinstuff does too and to recall all of the other nostalgic journeys of all the Syd & Marty Kroft Characters as well including The H.R.Puffinstuff Goodtime Club;The Donny and Marie Show;The Brady Bunch Variety Hour a.k.a. The Brady Bunch Hour;etc. Truthfully,Stephen "Steve" G. Baer a.k.a. "Ste" of Framingham,Ma.USA.

This may or may not be the worst movie that Steve Martin has ever made, but it certainly was far from his best. Obviously, he did this crap for the pay check. Dreck like this certainly does nothing to enhance his reputation as a funny man. What he doesn't seem to grasp is that when people go to see a Steve Martin movie, they expect to be entertained, not bored to tears. It's sad that he dragged Dan Aykroyd and Phil Hartman down with him. I don't understand why talented people can't get a grip on the fact that people don't want to see them in lousy movies. If you're going to call a movie a comedy, then it should be funny. This wasn't. Shame on the US military for allowing itself to be associated with this pabulum, too. Full Metal Jacket had more laughs than this miserable excuse for a "service comedy." Surely, Phil Silvers is rolling over in his grave.
If you came into the film with expectations, throw them away now, because no amount of hype will do this film justice.
To categorize this film into a single genre would be criminal. It's a spy thriller, has elements of noir, bits and pieces of action, science fiction, and cyberpunk all tied together with a brilliant narrative, mind-bending plot twists, and gorgeous cinematography.
A lot of the comments here have centered around it being derivative, both in good and bad ways, of other movies. But as they say, every story cribs from Shakespeare, so once you can get past that, you're in for a hell of a ride.
You will need to suspend your disbelief at some points, and while the set never becomes unbelievable, there are portions (read: the elevator) which suffer from a low budget and somewhat cheesy visuals. Don't misconstrue that to mean it's on the same level as cheesy Sci-Fi channel movies, though, because this is on a much higher level.
If you're looking for action, you should turn away. This is pure psychology. But if you're willing to sit down and devote a good 90 minutes of your life to a novel cinematic experience, by all means, DO IT NOW! Watch this movie now before it becomes cool to have seen it!

It is such a strange movie, you can call it awful or if you sit with friends it can give you a killer laugh-athon. Strange comes to mind again and again. Shot amateurishly, acted even worse and the directions, maybe none. The special effects are funny but the music accompanying a flying demon baby will surely be the biggest hit. See it if you got time to kill. But don't, don't even try to take it seriously. Supposed to be a tribute to 'Porno holocaust ',. Since I haven't seen it, from the tribute I can assume it to be as bad. Should have given it 1/10, but it did give me a good laugh or two, so it gets a 3. Excessive gore, the only thing somebody worked on. Stay away if you are squeamish, more gore than laughs. Wonder if the makers had a laugh making it?
For a mature man, to admit that he shed a tear over this film is a mature response, to a mature film.
If one need admit more then perhaps one could say that, "Life" can never be the same, after viewing such advent for it has moved us to the next level.

The silent one-panel cartoon Henry comes to Fleischer Studios, billed as "The world's funniest human" in this dull little cartoon. Betty, long past her prime, thanks to the Production Code, is running a pet shop and leaves Henry in charge for far too long -- five minutes. A bore.
that kid a is such a babe; this movie was no Titan A.E.(of which it is in many ways modeled after) but still came off as entertaining, the fact this lost to a piece of monkey crap like Tomb raider makes wanna cry; includes some of the most entertaining characters i've seen in disney film

This film is really vile. It plays on the urban paranoia of the 70s/80s and puts it into a school context. I'm not saying that urban crime wasn't a problem for a lot of people or that schools weren't/aren't problem areas but this vile piece of exploitation takes the biscuit. Violence is beyond anything realistically imaginable but in this case it's not a case of social issues but a white, upper-middle class student uses it to turn himself into the crime kingpin of his local high schoiol. And of course he knows how to play the system. Does that sound familiar. Yes. This turd is pure violent exploitation, a really nasty piece of work. It's disturbing brutality dressed up as a social comment. This belongs in the same category as trash like Exterminator, Death Wish 2-5 and so on and so on. The only remarkable thing is that Michael Fox was so broke at the time that he had to do stuff like this.
At first I wasn't sure if I wanted to watch this movie when it came up on my guide so I looked it up on IMDb and thought the cover looked pretty cool so I thought I would give it a try expecting a movie like Elephant.
Once I got past the fact that I am supposed to dislike the Alicia character played excellently by Busy Phillips, I realized what a good job this movie was doing toward setting up the relationship between Alicia and Deanna. Alicia is so mean to Deanna played by Erika Christensen almost throughout the entire movie but we eventually find out that they despite being polar opposites they have one thing in common besides being present at the shooting. They share loneliness and to what extent is revealed as the film progresses.
I've just got to say how much I loved this movie and was glad to see all of the positive comments about it. I couldn't even get through Elephant because it just seemed to be exploiting the Columbine tragedy. This movie on the other hand was compelling and realistic. Busy Phillips acting is OFF the CHAIN!!! That is a good thing and I would love to see her progress into some more mature roles.

I remember watching ATTACK when it first came out and caught it again recently. The sci fi channel has run worse, but not by much. A shameless ripoff of Jurassic Park, ATTACK substitutes sabertooth cats for dinosaurs. And they are on the loose, devouring as many extras as possible. The CGI is pretty bad, and closeups of prosthetic cat heads are laughable. We get some gore, which helps a little. Wait until you see how the mad scientist who started this whole mess gets it. Other than Robert Carradine, who has very little to do, the cast is unknown. Apparently this was shot in Fiji. Nice work if you can get it. Reminds me of all those low-budget monster STVs that were popular in the 80s and 90s.