Sachinkry/imdb-preference-10k huggingface dataset:
My Super Ex Girlfriend turned out to be a pleasant surprise for me, I was really expecting a horrible movie that would probably be stupid and predictable, and you know what? It was! But this movie did have so many wonderful laughs and a fun plot that anyone could get a kick out of. I know that this was a very cheesy movie, but Uma and Anna were just so cool and Steve was such a great addition along with a great cast that looked like they had so much fun and that's what made the movie really work.
Jenny Johnson(scary, that's my best friend's actual name) is not your typical average librarian looking woman, when Matt, your average male, asks her out, he's in for more than he expected, he's asked G-Girl out on a date, the super hero of the world! But when he finds out what a jealous and crazy girl she really is and decides that it may be a good idea that they spend some time apart, but Jenny won't have it since he's fallen for another girl, Hannah, and she will make his life a living hell, I mean, let's face it, he couldn't have chosen a better girl to break up with.
The effect were corny, but you seriously move past them quickly, the story and cast made the story really work and I loved Uma in this movie, it was such a step up from Prime. My Super Ex Girlfriend is a fun movie that you shouldn't really take seriously, it's just a cute romantic comedy that I think if I could get a laugh out of it, anyone could.
7/10

Wealthy widower Anthony Steffen (as Alan Cunningham) is a sadomasochistic lover, and British Lord. He brings sexy red-haired women to his castle, where he whips and murders them. Black-booted stripper Erika Blanc (as Susie) gets away, temporarily. Mr. Steffen is haunted by wife "Evelyn", who died in childbirth. As therapy, he decides to marry again, after meeting pretty blonde Marina Malfatti (as Gladys). By the end of the movie, they will have had to dig a few more graves. "The Night Evelyn Came Out of the Grave" is great title, at least.
** La notte che Evelyn uscì dalla tomba (1971) Emilio Miraglia ~ Anthony Steffen, Marina Malfatti, Erika Blanc
Although I agree that it's a good but not great movie, for many of the reasons other posters have mentioned, I still enjoy it. One reason is the music: I'd call attention to the very cool appearance by the Candoli brothers -- Conte and Pete -- in a well-staged scene in the nightclub. These guys were two of the best jazz trumpeters of their day, and they manage to convincingly boggle the mind of Jimmy Stewart by playing an hysterical trumpet duet, one trumpet in each of Stewart's ears. The Candolis really did play that well, too, though I suspect the actual music for that scene was dubbed later by the two of them. I don't know much about George Duning, who gets the credit for the music (other than that he seems to have worked with the Three Stooges on more than one occasion), but the casting of the Candoli brothers as jazz-playing warlocks was a real nice touch.

Okay, let me coin a new word here: polyphobia: The fear of polyamorous relationships. This is yet another in a long line of movies which start out by titillating audiences about some kind of threesome, only to turn on a dime and go all preachy about how it is oh so necessary and the only moral thing to find a monogamistic solution. Only one person in a thousand understands the delight of being able to love more than one person, and this director is not one of them. Bleh.
Mark my words: a few decades from now, polyphobia is going to be just as big a faux-pas as homophobia, but guess who was too close-minded to realize this? Right the first time: the producers of this movie. And so many like it. Why even make a ridiculously conservative and old-fashioned type of movie like this? Priding itself on being limitlessly open-minded about gayness, it completely overlooks the fact that we live in an age where monogamy is turning into sequential monogamy, which in turn in turning into swinging and polyamory. Open your eyes, people, please!
This is a disappointing, run-of-the-mill chick-flick. (But, damn, I gotta say, Heather Graham is the cutest thing alive.)
3 out of 10.
When I first saw this film in the 1980's, I was in my middle teenage years and somewhat reluctant to see this since I considered myself grown up and out of the "Sesame Street/Muppets" age. I honestly don't remember if I liked it at the time or not. However, somewhere in college I watched this film again, and it wound up going (and staying) into my personal Best Films Ever collection.
This film is LOADED with humor that goes far above and beyond what one would have expected from the Muppets. I mean, obviously the Muppets always have appealed to adults and children because there's humor geared towards both generations. But come on...Janice is accidentally overheard telling someone "I don't take my clothes off for anyone, even if it IS artistic"...there's a joke from a father to a son that if the son in love with Kermit the Frog then the father doesn't want to hear it...Gonzo saves a chicken with mouth-to-mouth resuscitation (sp?) and afterwards says "I think we're engaged now"...these and plenty of other moments in the film had me rolling. Add to that very smart dialogue, very smart New York/Broadway "wink wink" humor, the usual large amount of celebrity cameos and some really enjoyable songs that don't border on "kid-level cheesy" whatsoever...this film is a masterpiece! I don't throw "10"'s out on a regular basis...but this one deserves it. Over 20 years later, this film totally holds up, perhaps even more so. The Muppets never were and never will be again, as funny and smart and just plain brilliant as this film was and is. ---Q

And the Oscar for the most under-rated classic horror actor goes to - Dwight Frye. Seriously his name should be stated with the same awe as Karloff, Lugosi, and Price, and this movie proves it. His character Herman was one of the 2 reasons I can give to watch this movie. Dwight gave this somewhat more than slightly disturbed misfit a lovable yet creepy demeanor that led you hoping for a larger role the entire movie.
The other reason is the comic relief of M. Eburne. Being in the medical profession myself I have to give kudos to the expert performance of a self-pity prone hypochondriac. Though other "medical mistakes" did give a brief chuckle especially when the good doctor samples his fellow physicians medication... "Well continue giving it to her" Unfortunately these 2 outstanding performances could not keep me awake through 3 attempts of sitting through this unbearably slow movie. The plot is predictable with only few minor twists. The filming while pulling off a legitimate spooky atmosphere was more productive at making me yawn - yes you can use too much shadow.
My recommendation - watch this once to see Frye and Eburne - but only when wide awake and with lots of caffeine.
I need to be honest. I watched and enjoy this show because it was gross, offensive, hilarious, and raunchy. Yeah, there is a lot of humor for all tastes. If you are into the kind of humor that deals with making fun of people falling from skateboards, for example then you will have a great time for it.
Or, if you enjoy people on extreme stunt actions going bad, you will also have a great time. And if you enjoy scatological humor and extreme situations oh , you will enjoy the show.
I enjoy all three kinds of humor that "Dirty Sànchez" offers. I like to have a hard laugh with the situations of the show. "Jackass" is like a walk in the park compared to this one. So if you are tired of the typical American stupidity of Jackass, give it a try to English extreme stupidity on this show. With all due respect.
This is a show that has little taste or class. It's not recommended for those who are easily offended or grossed out.
Now, these guys need to see a psychologist. Specially the Paco character.

What the F*@# was this I just watched? Steven STOP!! Please! This movie is insatiably bad and silly. In a bizarre departure from action and adventure, Mr. Seagal is now fighting (obviously) wish-they-were-vampire 'like' creatures with super human strength.? OK? Oh, and their eyes blink sideways in an inhuman way? Wow! Even still in this movie however, to quell Seagals have-to-have-the-last-punch-and-no-one-can-kick-my-a$$ ego, HE is somehow stronger than they are. However all of the average humans are getting crushed all around him. Come on, I can understand the big mouth neighborhood bully or drug dealer, but these are super human strength people. Oh and get this, Seagal goes through a brief sting of identity issues, because apparently he and his cohorts in the film think he is Wolverine! Oh My GO... And worst than all of that! Yes, there is a worse than that. He has a voice over even changing voice in mid sentence while we are looking at his face. They obviously sound nothing like him and I believe it may be one of the other actors in the film. It was pure madness. Although I wanted to turn it off I always watch a movie to he end. This is an all time low even for your direct to video movies Steven. Awful! Awful! Awful! Two thumbs down! Redemeption qualities? Well I guess so, I will be fair in that aspect. At least some of the special effects were OK, and I like the choice of wardrobe for the actors and actresses. The women all were quite attractive IMO. Still, and I said STILL, it does not make up for the blatant X-Men, Underworld, (insert your favorite zombie, vampire movie here) rip off! The director, writer, producer, ALL should be bansihed & exile from the movie business. I think I feel the way that most people feel about Blood Rayne (and just about all other Uwe Boll pictures) about this film. That's my whole $1.00 on this film. View if you dare.
"Le Locataire"("The Tenant")is without a doubt one of the most important horror movies ever made.Polanski stars as a Trelkovsky,a timid file clerk living in Paris,who answers an advertisement for an apartment,only to find that the previous tenant attempted suicide by leaping from the apartment window.Trelkovsky is compelled to visit her in the hospital and there he meets Stella(Isabelle Adjani).Trelkovsky immediately moves in when the previous tenant dies and,at first,is quite pleased with having found such a nice apartment.His happiness is soon replaced by waves of paranoia as he becomes increasingly suspicious of his neighbours,who seem to be trying to provoke Trelkovsky into repeating the previous tenant's suicide.This film is great.Polanski manages to create a surreal atmosphere of dread and paranoia.Plenty of brilliant moments such as the classic scene where Trelkovsky discovers the previous tenant's tooth in a hole in the wall,or the fever dream where he wanders into the building's bathroom to find the walls covered with hieroglyphics.The photography by Sven Nykvist is truly beautiful."The Tenant" is a neglected gem.It may be difficult to track down,but it is more than worth the effort.

The Dereks did seem to struggle to find rolls for Bo after "10".
I used to work for a marine park in the Florida Keys. One day, the script for "Ghosts Can't Do It" was circulating among the trainers in the "fish house" where food was prepared for the dolphins. There was one scene where a -dolphin- supposedly propositions Bo (or Bo the dolphin), asking to "go make eggs." Reading the script, we -lauuughed-...
We did not end up doing any portion of this movie at our facility, although our dolphins -were- in "The Big Blue!"
This must have been very close to the end of Anthony Quinn's life. I hope he had fun in this film, as it certainly didn't do anything for his legacy.
Kurosawa weaves a tale that has a cast of characters as diverse as any Shakespearean drama, and the acting is true to the story, with each star playing their role as a part of the larger tale. It is touching, funny and intriguing in all parts. The character development is near perfect, the cinematography is vivid and engaging, and the story draws you in.
I would like to say that the "Samurai freaks" and those obsessed with late 18th and 19th century dynastic tales of Japan may snub this film as not Kurosawa's best work. Perhaps not his best, but even at his worst, Kurosawa is better than many of the best. This story is so based in elevating the mundane lives of ordinary people in a time of great change, that it is timeless, despite being set in the not-so-distant past.
I would heartily recommend this to any movie buff, and especially to those who are likely to continue on to read the novel on which the film is based.

Good lord, whoever made this turkey needs to be buried alive. I'm sorry, but the other reviewer must not have seen this movie, he must be watching something else, or have never seen a movie before... 9 out of ten stars? He's saying what, this is as good as Ben Hur or Gone With the Wind? Unintentionally funny, massively unbelievable characters, absurd situations, looks like it was shot in Griffith Park (which works out pretty well--MASH was shot in Griffith Park), crappy script, just about everything that could possibly be wrong with a movie all rolled into one package. Should be required viewing for all prospective film makers as an example of how a movie could be horribly wrong. It reminds me of something a USC student may make for a film class.
Give this one a pass unless you do drugs and are into high camp.
I'm surprised no-one has thought of doing a movie like this before. Horror is often most effective when it uses real life unpleasantness as a theme. And nobody (except for Steve Martin in The Little Shop of Horrors) likes going to the dentist. Tooth torture has been done before (see The Marathan Man for example), but this brings the terror into suburbia.
The plot revolves around a dentist, Dr. Alan Feinstone (Corbin Bernsen), who descends into madness. Now our dear doctor wasn't playing with a full deck to begin with, but driven by jealousy and an obsessive-compulsive disorder he begins to reek havoc on those around him. The doctors spiraling mental condition is kinda close to what we see in Micheal Douglas's character in Falling Down, but with a horror edge.
Written and directed by horror stalwarts Stuart Gordon and Brian Yuzna, its witty and has a great flow. Also featured playing a cop, is the ever welcome Ken Foree.
Now I believe this movie would not work without the absolutely fantastic performance from Corbin Bernsen. Having really only seen him in LA Law before, I was blown away by his acting.
The sequel The Dentist 2 is also worth watching, but slightly under par compared to the original.
TTKK's Bottomline - A fun movie with some scenes that will make you cringe, capped (pun intended) by a great performance from Bernsen

I am a fan of the Nightmare series but this one is horrible. The deaths are so trendy. If you were to watch this 20 years later the whole nintendo scene is outdated. I did like the flashbacks. I think they should have just made a prequel about when he was still alive. That would have been more interesting. This is a movie you can take or leave. Depends on how much spare time you have.
As a rule, a Full Moon production logo is a warning sign to avoid a film. But because I've enjoyed Jeffrey Combs in other films, I gave it a shot.
It's not bad. Not great, but that's something else. The film involves a struggle with a mystic (evil) "brother" who wants to dominate the worlds, and the title character. Dr. Mordrid also has to deal with people, and authorities in the mundane world, which he does successfully.
Possible spoilers follow.
Dr. Mordrid can travel between "dimensions," and does so to find a companion guarding a fortress; however, the guard has been blinded. His eyes are ruined pits. So the wizard passes his hands across the other's eyes, and hey, presto! His eyes have been restored! This sort of healing apparently only works with eyes.
Later, Mordred and his "brother" animate a couple of animal skeletons in a museum to fight. Guess which one wins.
However, side from that, the picture isn't at all bad, though much like a comic book. Dr. Mordred's more "human" adventures are okay, and Combs plays the role convincingly.
I've seen lots worse.

DD films were damn corny, damn stupid and had a plot which seemed wafer thin but those days they was a plot at least
This film isn't just a comedy but a mix of melodrama, romance everything
Every drama scene is blown out of proportion
The comedy is funny but corny too Yet the film keeps you entertained, those days Govinda films were loud, crass yet they had some funny moments people enjoyed
David Dhawan does a okay job Music is okay
Govinda acts well in comedy and drama Karisma is decent in parts and annoys in parts Kader is as usual Gulshan, Prem Chopra are typecast Shakti is hilarious
Omigosh, this is seriously the scariest movie i have ever, ever seen. To say that i love horror movies would be an understatement, and i have seen heaps (considering the limited availability in New Zealand, that's quite a lot), but never before have i had to sleep with the light on...until i saw The Grudge.
Some may say that it is a rip off of The Ring (both based on Japanese horror movies), both similar (yet different) story lines, but the Grudge holds its own as a terrifying movie - seeing at at the cinema, i even screamed at a certain point in the movie.
The acting is great, particularly from the supporting characters - KaDee Strickland is fantastic and steals the show, she is such an enthusiastic person. Jason Behr is a real hottie, and William Mapother looks like he is having fun. However, while i am normally a fan of Clea DuVall's, she doesn't really seem into this movie. Of the supporting characters, hers probably got the most depth and back story, but she doesn't seem like she is all there. As for Sarah Michelle Gellar, well, she stays about the same through all her films and roles doesn't she? The ghosts were genuinely scary, the music and sound effects were chilling (particularly the noise being made when KaDee Strickland's character answered the phone in her apartment), the ending was cool too.
Super highly recommended. 9/10

You've got to admire director Todd Sheets for his dedication, drive and enthusiasm when it comes to movie-making: between 1985 and 2000, he made a whopping 34 films. Unfortunately, if his Zombie Bloodbath trilogy is anything to go by, they're probably all crap (and a quick look at their IMDb ratings seems to verify my hunch).
Part 3 sees a group of obnoxious students finding detention a little more eventful than usual after they are attacked by hordes of the living dead, who have escaped from a top-secret army base located directly beneath their school. Working from a dreadful script by Brian Eklund (which relies heavily on liberal use of the f-bomb) director Sheets delivers yet another embarrassingly amateurish effort featuring some mind-numbingly awful performances from his talent-free cast, dreadful visual effects (some crap CGI and what looks like the front of a giant cardboard space-shuttle) and his trademark shoddy gore (handfuls of offal pulled from beneath his victims' clothing).
Finally, after what seems like an eternity watching irritating characters running for their lives, and unconvincing undead people fondling animal innards, Zombie Armageddon finishes with a time-travel/paradox twist ending which forces viewers to re-watch several torturous minutes from the beginning of the film. Honestly... once was enough, Mr. Sheetswhat have we done to deserve having to watch it again?
I don't want to spend to long here rambling about the plot- you've seen the trailer, and if you haven't its online. I don't recommend seeing it though- it was poorly crafted and didn't pack any of the laughs or magic from the film. So those avoiding this film due to its lousy trailer should give this one a chance. It's really funny. I was blown away by the cleverness and originality in this film. The first 40 minutes had me on the floor in hysterics- my only problem was that it unnecessarily evolved into a bad Austin Powers film in the final 20. This however, is one of the few films where the campy ending didn't make me dislike the rest of the film (which is normally the case). Everyone gives a great performance (especially Joan Cusack) and there are some really great moments throughout. I personally plan on seeing it again when it comes out- only to catch all the details which I was laughing over during the first viewing!

I expected a bad movie, and got a bad movie. But I couldn't really imagine in my worst fantasy how bad this movie was. I don't even want to try to explain what Blood Surf is about. Is not about blood surfing, but a big a$$ crocodile. They are complaining about the fake shark in Jaws, but Spielberg was wise and didn't show the shark until the end. Here the crocodile is shown a lot of times, and it's the worst fake crocodile I have ever seen, and they don't try to hide it. If you want to see a good fake crocodile watch Lake Placid.
The director had an opportunity to make a decent surf/shark movie, but he had to make a bad b-monster movie. He had the chance to make an original surf movie, but he wanted to make a monster movie. So you have understand how bad this movie is, does it have some good parts? Not really, it got some nudity, and a sex scene that is taken straight out of a playboy movie. The acting isn't half bad either, and Kate Fischer looks good. Too bad she doesn't take her top off. The lead actors aren't bad either. They had some potential. The location was beautiful and the movie start good with some nice surf scenes. The blame is on the untalented writer and director. The dialogue is some of the worst I have ever seen, and the script is really badly written, and the director got no talent what so ever, and not much of a fantasy either.
Don't watch it. Even if you want to watch the beautiful Kate Fischer. It isn't worth it. Watch Sirens to watch Kate nude, and watch Lake Placid if you want some good crocodile action.
3/10 because I'm in a good mood, and Maureen Larrazabal looks good naked, and Kate looks good (but is bad actress,)and Dex Miller, Joel West and Matt Borlenghi did a good job with the piece of sh#t they had to work with.
Splendid film that in just eight minutes displays an unusual genre mix: mystery, thriller, musical. Briefly, we are allowed to tell about the story: a girl comes into a European Cafeteria and then... Soft transit from nonsense mystery to narrative logic. In a no time, no place way Vigalondo managed a delight in B/W by means of imagination and despite (thanks to) the tightest of budgets.
Because of the unity of time-space the film reaches the intensity of a short poem (almost a haiku). Spain, land of quick poetry in B/W (¿remember the early Buñuel?).
A must see for reassuring our belief in young cinema outside the States.

I have to say although this movie was formulaic throughout with a plot stolen from films like Friday the 13th/I Know What You Did Last Summer, this movie wasn't that bad. In fact it wasn't as bad as most of the Horror films Hollywood has released recently. The killings although at times a little too imaginative were in most instances just that, original. The cast was mediocre which is to be expected from low-budget features but much better than what that much bigger studio Artisan/Lions Gate has been offering. My only real complaint that wasn't due to the film's budget, which must have been small, was the contrived "twist" ending. I'm sorry but this is what put this film in the bad category for me. The ending was just stupid and tacked on. Before that I was a little bored, but actually enjoying it. 4/10