Sachinkry/imdb-preference-10k huggingface dataset:
When people ask me why do I like movies so much, I usually respond, "have you seen the art-gallery sequence in De Palma's Dressed to Kill?" That scene alone, pretty much represents everything I want to see in a film. If I was a film director, that would be the kind of thing I'd like to do. "Pure cinema" is one way of describing that sequence, and it is truly amazing to see how director De Palma's entire movie works at the same high artistic frequency of that scene. It is a dream-like movie, clever as hell, and with more zest and intelligence than a dozen films put together. I think the movie raises an important point that will always be a topic of heated discussion: could a movie rely solely on technique and still be considered an artistic success? The film has no message to speak of, acting is great but it is at the service of the style, and the script is short on logic. De Palma's movie makes a really good case that style, when handled properly, can sustain a feature length film. Sure, Michael Caine, Angie Dickinson, Nancy Allen and Keith Gordon give superlative performances, but this is a director's movie all the way to the fadeout. It is a sensational demonstration of the possibilities of the film medium. I won't tell you what Hitchcock movie the film pays homage to (I don't want to spoil any surprises), but I think De Palma transcends the story's arc, and he manages to create a film that pretty much summarizes his entire career. Not for the faint of heart!

This 'Movie' has to be the biggest pile of steaming C*^p I have ever
seen, What more can I say than BAD, BAD, BAD, BAD, BAD, BAD. There is NOTHING to save this 'movie' and I pray that they NEVER even talk about making a sequel. If you are thinking about watching this then you should know that the storyline is that two garbage men get dragged into saving the earth. Movies like Men in Black has been torn to shreds and put back together to make this 'Comedy' but have TOTALLY failed. Please avoid this movie, (save yourself).
For those who think it is strictly potty humor and immaturity, you are in fact the mindless one. While the show does contain its share of potty jokes it also contains a lot of satirical material and pokes fun at social problems, racial barriers, cliché's,stereotypes etc. You just need to read into some of her material a bit more to get it.
What I also love is that not everything is a punchline. For those expecting a formulated joke like Friends (I LOVE friends fyi), you won't find it here. Instead Sarah uses situations and other ways to achieve her humour which is more realistic. We don't walk around in this world and have witty punchlines for everything said, which is in most comedies. Instead the Sarah Silverman Program makes it more realistic in this sense.
So don't take it as mindless humor because it is so much more than that.

Sure, this one isn't really a blockbuster, nor does it target such a position. "Dieter" is the first name of a quite popular German musician, who is either loved or hated for his kind of acting and thats exactly what this movie is about. It is based on the autobiography "Dieter Bohlen" wrote a few years ago but isn't meant to be accurate on that. The movie is filled with some sexual offensive content (at least for American standard) which is either amusing (not for the other "actors" of course) or dumb - it depends on your individual kind of humor or on you being a "Bohlen"-Fan or not. Technically speaking there isn't much to criticize. Speaking of me I find this movie to be an OK-movie.
I feel like I have some uber-rare disease that no one has heard of and I have finally come across a support group on the net! I finally found this title by asking for an answer on an "experts" site on the web. I too, saw this movie in my youth and was struck by the atmosphere and especially the ending. I have never forgotten it and have never seen it since. No one I know saw the film and I had almost given up on ever finding it's title. Alas, even knowing the name, I shall probably never see the film again as it is impossible to find commercially. Small steps...
G

Really bad shot on video "film" made by not one, not two, but three amateur video makers.
If you're going to make a bad horror film at least throw in some blood, gore and nudity. There is some blood provided by latex cut off arm props bought at a Halloween store. There are lesbians and hookers but no nudity or sex. The lesbians spend a lot of time in bed but only talking.
There seems to be no editing effects- fades, wipes etc. Once in a while a bit of black appears to separate scenes.
Terrible music by bad heavy metal bands whose websites take up the majority of the end credits.The werewolves are represented by rubber masks that are attached to just the "actors" face. They didn't even bother to apply brown makeup to their necks, arms or wrists.
I guarantee a 10 year old with a video camera could put together a better movie.No reason at all to buy, rent or watch this film except as an example of how not to make a low budget video.
A fierce, shockingly intelligent piece of work from the gifted British writer Hanif Kureishi who wrote "My Beautiful Laundrette", (this is the best thing he's done since then). It's about intelligent people whose lives don't add up to much. They've squandered what they have been given and are largely empty vessels. The only character on screen who is alive is the mother of the title yet she feels dead inside until a rough handyman shows her some affection and awakens her to the joys of sex. He has his own motives but Kureishi treats him with a good deal of compassion. This is a film in which people and places feel familiar, where characters exist beyond the confines of the screen. In some respects it's a bit like "Sunday, Bloody Sunday" but it's an altogether tougher piece of work. The director, Roger Michell, allows scenes to build instinctively. And it is beautifully acted.
As the eponymous mother Anne Reid betrays her wasted life in every gesture. There is not a false note in her extraordinarily lived-in performance, and that very fine actor Daniel Craig displays shadings to his character than even Kureishi hasn't tapped into. If the film strikes a false note it is, perhaps, in the character of the talentless daughter, caught up in a messy affair with the man her mother seduces (or should that be the other way round) and even messier life, but she is so well played by Cathryn Bradshaw she hooks you in nevertheless. The film is also extremely beautiful to look at (DoP Alwin Kuchler) and must rank, unhesitatingly, as the best British film of the year.

I view probably 200 movies a year both at theaters and at home and I can say with confidence that this movie is by far the worst I have seen this year (If not ever, however I have not actually seen "Quest of the Delta Knights" yet). This movie is just bad joke after bad joke geared to the 13 year old and because I had he displeasure of viewing it on a bus trip I couldn't walk out.
Do yourself a favor and skip this one in the rental aisle. The four dollars could be better spent on any movie by numbers produced by Jerry Bruckheimer.
One of the last great musicals of the 60s. I was 7 years old the first time I saw this movie, and it's always been a favorite since then. The musical numbers are all memorable. In the 60s the people who were cast in musicals actually had musical talent (unlike a CERTAIN Academy Award nominated current musical based in a large midwestern city). All of the main roles were beautifully cast...Ron Moody shines as Fagin, as does Shani Wallis as Nancy. Oliver Reed was a menacing Bill Sikes (who thankfully has no musical numbers, lol), and Mark Lester as Oliver and Jack Wild as the Dodger were great too. Mark Lester comes across as an innocent waif, which was what Dickens intended when he wrote the book! Then, of course there are the dozens of dancers who perform in "consider yourself," "I'd Do Anything" "Who Will Buy" and "be Back Soon," many who were children! This is a great show for the whole family.

Really a terrible movie. It's to be expected, though. Clearly a low budget: nothing all that innovative, an actress (if you can call what she does "acting") who always has roles with nudity in a shower scene, a man in a reptile suit almost modeled after predator, a cabin in the woods, etc. But there are some redeeming points. Although the story is not new, for the most part, there's a few parts that aren't so regurgitated. For one, the black guy doesn't die when he's attacked (the first time) and he isn't even one of the first couple to die. But that's minor. More importantly, there's a very interesting twist regarding Kat's experiments and Wes & Steve that I didn't see coming. When Steve told Kat he knew what she did, I believed what he said and what Kat replied with. But when the creature revealed who he really was, I was pleasantly surprised at the novelty of the revelation. It could be because of my lack of experience with the genre, or that it's a genuinely clever twist.
Either way, the movie's pretty bad and don't watch it if there's anything better on... Unless you're in the mood for a cheap scifi flick.
How much could the general Hollywood director learn from this movie? All... when it comes to actually scaring people. This movies truly shows that it is possible to really frighten and scare a viewer, and that monstrous monsters and long knifes never will be the best way of achieving this. All who love a real psychological thriller must see this movie... it is the best of it's kind.

Essentially a story of man versus nature, this film has beautiful cinematography, the lush jungles of Ceylon and the presence of Elizabeth Taylor but the film really never gets going. Newlwed Taylor is ignored and neglected by her husband and later is drawn to the plantation's foreman, played by Dana Andrews. The plantation is under the spell of owner Peter Finch's late father whose ghost casts a pall over Elephant Walk that becomes a major point of contention between Taylor and Finch. The elephants are determined to reclaim their traditional path to water that was blocked when the mansion was built across their right-of-way. The beasts go on a rampage and provides the best moments of action in the picture. Taylor and Andrews have some good moments as she struggles to remain a faithful wife in spite of he marital difficulties with Finch.
I LOVE this show, it's sure to be a winner. Jessica Alba does a great job, it's about time we have a kick-ass girl who's not the cutesy type. The entire cast is wonderful and all the episopes have good plots. Everything is layed out well, and thought over. To put it together must have taken a while, because it wasn't someone in a hurry that just slapped something together. It's a GREAT show altogether.

To preface this review, I must say that I was, I suppose, a little curious about this movie.. However, I probably would not have seen it had I not had my arm slightly twisted.
In my opinion, this movie shows just how depraved man can be. In my eyes, the worst thing about this whole Springer phenomenon is not that type of people on the "Jerry Springer Show" act as they do (which in itself is eminently reproachable), but that many people are so curious and excited to watch them and hear about their lives (yes, I suppose that includes me.. to whatever extent it is true). If not glorifying that kind of behavior (as some might say) at the very least we may be subtly corrupting our minds and/or desenstizing ourselves to this type of behavior.
But enough soapbox (sort of). Here's the skinny: the movie has an R rating, and while it may deserve only that (I did look away at some scenes, so I'm not completely sure), I feel that an NC-17 (tip of the hat to the other reviewer) might be a little more appropriate for the immense sexual content (a cynic might comment that the movie was just one big excuse to show sex on the big screen). The plot is very bizarre, tying together the stories of an absolutely dysfunctional family and a group of stereotypical blacks upset who will appear on different Springer shows. At the end, the movie leaves one with some resolvement- and Springer rhetoric about the need for us to see the real world (evidently as seen through his show). I agree with him there- it is important to know how the world really is so that we can seek to effect positive change. Having said that, let me just tell you- the world's pretty bad- glance in a newpaper or the news to see that, but let's not shell out good money to support the kind of sensationalistic and perhaps formulaic titallition that Springer seeks to give us.
Having never heard of this film until I saw the rental DVD I as a bit sceptical, there have been many films in the past with good ensemble casts that can't do anything film a bad script, and in some cases don't seem to care.
Well having just watched it there was no reason not to give this movie a theatrical release, it IS good. The story like most in this genre can seem a little forced at times but there does appear to be a good amount of realism here too that allows the momentum to carry. I was pleasantly surprised at how good a job Justin Timberlake does here too with such a major role, OK he's not Oscar material yet, but he'll learn with each role and he shows a LOT of promise for the future here. Dylan McDermott too was amazingly good in his unexpectedly nasty role and is definitely the cream of the crop in this movie.
Ultimately, just give it a go. you won't be disappointed, you won't be bored, in fact, I think you'll be more than happy with the end result.

Your attitude going into Prom Night II will determine how much joy you take away from the film. If you're expecting a horror masterpiece, look elsewhere. If you like campy movies that are rather fun to watch unfold, you'll like this. Lisa Schrage has the time of her life playing an over the top Mary Lou and Wendy Loyd channels Schrage's rage perfectly during her time "possessed".
Not classic cinema but a fun way to kill a couple of hours with a wicked ending.
I've spent years looking for a copy of this film(16mm,dvd,vhs), so I could show it to my kids. The movie is funny, and Spike and the members of his band show why they were the best musicians in the business. They had to be that good to play that demented. I like it and recommend it for movie lovers of all ages.
The movie is about a turn of the century firehouse, with a crew of misfits that are firemen and the department band (when not fighting the fires). There's the usual running gags, plus the mayhem of Spike Jones and his Orchestra. Also, comedy relief provided by comedian Buddy Hackett and straight-man Hugh O'Brien.

Why else would he do this to me?
Not that I expect Dean Cain to produce hit movies. Or even decent movies. I saw Lois and Clark, I am aware of just how... "good" Dean Cain is.
Obviously this is gonna be a cheesey flick, and each cheesey flick has its own special way to make you scratch your head. I will not call these spoilers as you can't really spoil this movie any more than it already is.
To begin with... why is that a fake helicopter? I mean... why?
How come that one scientist is from Chicago and that other scientist is from LA and neither one could be any more eastern european if they tried? How hard would it have been to get either an american actor, or just change that lame state sheet the movie provides us with to say those people aren't american?
Why are there 2 occasions when the movie gives us a slug line? We get helipad-day and then mess hall-day later on. And then that's it, who cares about the timeline. To be honest, who cared about it even when they mentioned it, but I guess that's beside the point.
Does a movie really get better if you are able to view it through multiple split screens? The answer is no.
That dragon sure can walk down that hall..over..and over...and over....and over...
Who on earth was responsible for one of the worst endings in film history? It was straight out of scooby doo. Oh, the dragon's dead now...say, wanna get dinner? Sure, but not at some Chinese place....with Dragon in the name!! AH HA HA HA!! HA HA HA!! HAHA HA! I used to be Superman! AHA HA HA! HA HA!
fade to black
my god, it made me cringe it was so stupid.
But never fear..even though the whole building exploded...and no one was left alive..for some reason there's a second untouched, unmanned lab that survived pretty well, so they can make a sequel. Hurray for us all.
I already loved "How the Grinch Stole Christmas" when it was released and I'm still loving it now, 5 years later. Still lots of people seem to disagree with my opinion and this movie never really had received much love at the time it came out.
Sure, the movie is over-the-top and campy but that at the very same is also the reason why this movie is so charming and fun to watch. All of the sets, costumes and characters are done perfectly over-the-top in a fun way, without ever becoming truly ridicules. It's a visually spectacular movie to watch. It's a campy movie making at its very best! Director Ron Howard really surprises with this fun little Christmas movie.
Main reason why the movie works and why it's so much fun to watch is Jim Carrey as the Grinch. He truly carries the movie with his good and fun role. He is of course helped by the convincing make-up, which also received an Academy Award. Of course if you're a Jim Carrey hater you shouldn't even think about watching this movie. This movie is really his movie and he makes it all work and so much fun to watch. Other fun and memorable roles are being played by Jeffrey Tambor, Clint Howard and Josh Ryan Evans as the young Grinch.
The movie has a good morale but it is all a bit sappy to me. Perhaps it's because I'm Dutch and we don't really celebrate Christmas that enthusiastic and big here, as in the United States or England. For me the movie was simply fun and entertaining and the morale just left me quite cold to be honest.
The musical score by James Horner is good and fun, even though it's your average every day Horner stuff, it still all works perfectly for the movie and helps to make some of the scene's work.
Perfect Christmas entertainment.
8/10

There is no question as to who is in command of the training of cadets in this film: Major Chick Davis (Pat O'Brien). O'Brien plays an officer who adheres to military discipline in the creation of a new kind of soldier from his cadets--the bombardier. But he is not so rigid as to be unfair or unfriendly. In fact, he even changes his opinion as to the value of women working in the military. He's tough when he has to be, yet at other times he is a clear mix of coach and pastor, roles he perfected in other films. His character is the foundation of the action around which everything revolves. O'Brien seems natural in the role, and plays it in fine fashion. Two things help this movie: O'Brien's performance and the spectacular special effects ending.
Its no surprise that Busey later developed a tumor in his sinus cavity, this film is also a poor decision, but one I enjoyed fully. The first 5 minutes is the most uninspiring 5 minutes in any film; boring, bad dialouge, and then, with a Spiderman stance, Busey yells the best-worst line in any film ever created..."your worst nightmare butthorn!" I coughed up some of my egg nog laughing so hard. That line resonates so well, it even tops Clooney's infamous "hi Freeze, I'm Batman" line. Other classic moments is Busey constantly getting upset for people reminding him that he got his ex-CIA partner killed...which he did by accidentally shooting him in the chest (all made possible by a super slow-motion flashback sequence that makes watching paint dry seem exciting). There's an ashtray to the nads, punches to the face, and a "that wasn't my fault and you know it!" Well, the footage shows him missing the bad guy and hitting his buddy, so... Other scream out-loud moments has to be his ex girl-friend dropping a grenade to the ground to enable his escape--a plan that defies all logic, physics, and absurdity. And lastly, when McBain jumps out of the Thunderblast during intense guerrilla warfare and starts to run and hurdles a small object, I almost wet myself. Some of Busey's best work by far, rent or buy it today "butthorn!" My vote is a perfect 10 (on the poo meter that is).

This romantic comedy isn't too bad. There are some funny things happening here and there, and there are some rather memorable characters in it.
The acting, however, is amateurish (with the exception of the banker). While some scenes are great fun, others are simply embarrassing. In particular, I found the "romantic" part of the story poor.
All in all, I guess it's worth seeing if you like football and romantic comedies. It's not really a bad movie, and the ending did feel quite good. Just don't expect anything out of the ordinary. Fair enough if you have an hour and a quarter to kill.
Tsui Hark's visual artistry is at its peek in this movie. Unfortunately the terrible acting by Ekin Cheng and especially Cecilia Cheung (I felt the urge to strangle her while watching this, it's that bad :) made it difficult to watch at times.
This movie is a real breakthrough in the visual department. When I first saw this, my jaw dropped repeatedly and I thought to myself that I've never seen anything remotely like it but this is how it should be done in order to do full justice to the mythical world of Chinese historical kung-fu novels! Without a doubt this is one of the best-looking Chinese historical kung-fu epic ever made.
But alas, Tsui Hark hasn't improved much in the writing department, and the story and dialog are rather juvenile (his apparent obsession with the silly and overly-long depiction of the evil guys didn't help either). To make it worse, this movie is very badly cast. They decided to use the "hot" popular Hong Kong idols as lead characters, but unfortunately both Ekin Cheng and especially Cecilia Cheung are totally unsuited for historical kung-fu dramas because they lack the nobility and mystique that such characters are supposed to embody. Adam Cheng Siu-Chow and Brigitte Lin in the 1983 version are infinitely better.
I wish that someday Zhang Yi-Mou and Tsui Hark can join forces and produce a movie that has the visual artistry of Tsui but with the maturity and story-telling poetry of Zhang...

This is the biggest insult to TMNT ever. Fortunantely, officially Venus does not exist in canon TMNT. There will never be a female turtle, this took away from the tragic tale of 4 male unique mutants who will never have a family of their own, once gone no more. The biggest mistake was crossing over Power Rangers to TMNT with a horrible episode; the turtle's voices were WRONG and they all acted out of character. They could have done such a better job, better designs and animatronics and NO VENUS.
don't bother with this people...it's cringe worthy material. the lip flap was slow and unnatural looking. they totally disrespected shredder. the main baddie, some dragonlord dude was corny. the turtles looked corny with things hanging off their bodies, what's with the thing around raph's thigh? the silly looking sculpted plastrons!?
If they looked normal, acted in character and got rid of Venus, got rid of the stupid kiddie cartoon sounds...and better writing it could have been good.