Sachinkry/imdb-preference-10k huggingface dataset:
I found this movie to be very good in all areas. The acting was brilliant from all characters, especially Ms.Stone and Morissey. Tramell's Character just gets smarter and more psychologically twisted by the minute. The plot is interesting even though, this movie is more for the mind playing between the main characters and how Catherine continues her writing with new ways and twists for her novels. The setting was also fabulous and the whole atmosphere of the movie was that mysterious,thriller like masterpiece. Go see this film now , it deserves better than what it got from the audience ,which was misled by some faulty terrible reviews about the movie(Before it even started).....You won't regret it,if you go see it...

I have yet to read a negative professional review of this movie. I guess I must have missed something. The beginning is intriguing, the three main characters meet late at night in an otherwise empty bar and entertain each other with invented stories. That's the best part. After the three go their separate ways, the film splits into three threads. That's when boredom sets in. Certainly, the thread with the Felliniesque babushkas who make dolls out of chewed bread is at first an eye opening curiosity. Unfortunately, the director beat this one to death, even injecting a wild plot line that leads nowhere in particular. Bottom line: a two-hour plot-thin listlessness. If you suffer from insomnia, view it in bed and you will have a good night sleep.
This would have been so much fun to see in a theater, back in 1996. There is a guilty pleasure corner of my movie taste which really appreciates really well done shocker movies.
"The Dentist" is panned sometimes probably because people usually have strong feelings over dental matters. Maybe the ADA launched a campaign against it, since dentists report they have to apologize for this movie and for "The Marathon Man" (which only has one scene comparable to the many in "The Dentist").
It's amazing to note that according to the trivia page, the movie was shot in 21 days. Of course, post production can take longer than movie shooting sometimes and the editing for "The Dentist" is picture perfect. The quick cuts heighten the tension so much that in the scene where the Dentist "takes care" of his wife there's only two quick cuts showing what is happening. The rest is left to our very fertile imaginations! Corbin Bernsen was a good choice for the role since he has lots of experience playing psychologically "off" characters and he completely sold the obsessive compulsive aspects of the dentist.
For me the pacing of the movie was just right. The film makers reveal the wife's naughtiness in just the right way. All of the characters in the dental office look like they are actual people working in a real office. There's lots of tension while they are dealing with impatient people awaiting the dentist's arrival. Meanwhile the dentist is off on the cusp of a huge psychotic breakdown! Unlike so many movies of this genre, the script is very very tight. All the victims fall into the dentist's trap in very calculated ways. Two law enforcement types even get involved in a little subplot that ends up creating a shocker of a showdown near the end.
Definitely not for the faint of heart or the dental-phobic but a real roller coaster ride and heavily recommended for fans of intelligent gorefests.

I totally disagreed with those comments which said this is a good movie. This is a totally SUCKED movie. I mean SUCKED - S.U.C.K.E.D. The story development is strange. Mia Kirshner changed from an innocent girl to a party-fun seeking chick for no convincing reasons at all. In addition, all the actresses looked way too old for being college students - College students looked like about 30 years old - you figure out the rest. I watched only about first ten minutes and started fast forwarding to look for sex scenes. all the sex scenes are lame, hasty and, most importantly, no frontal at all. All the sex scenes are laughable, considering how many clothes they had on. Do yourself a favor - put it down and save yourself a few bucks. Conclusion: Story - 0, Sex - 0, Acting - 0, Score - 0 out 10.
This movie was one of the best movies that I have seen this year. I didn't see any cameos in the movie, but it is still pretty good. It is similar to Anchorman in the humor department, but I think this is a better put together movie. It actually has a point. If you are going to see a whole bunch of T&A you will be disappointed. Just a well put together movie!!!! If you have nothing to do for the day or you need a lot of humor, you will find this to be a really good movie. I definitely think that Ebert and Roeper's review of this movie is right on. I mean, I don't really like Ebert on most movies, but this is the movie that I will agree about. The movie contains a good enough story that it is actually believable that these type of people are out there. There is definitely something to be said about how they treat virginity in this movie. Yea, sure, you get laughed at when it is found out about, but it still suggests that you wait. Steve did a wonderful job of portraying the person that he did in this movie and yet, it is still funny.

I'm not going to bag this film for all the myriad technical f|u|c|k|u|p|s, it would take two days to outline how the whole thing isn't even remotely possible. Others have pointed out all the relevant stupidities already.
Given all that, I still could have sort of enjoyed it, if only they hadn't included all the maudlin, nauseating, infuriating, Disneyesque sentimental crap, which is so out of place anywhere, but nowhere more than out in space, where the tiniest mistake can mean instant death.
The "crew", as well as the "real" astronaut were equally guilty of putting all their fatuous nonsense ahead of everything else. It completely ruined any value the production may have had left.
I'm surprised NASA let this garbage out so that so many people would get so much misinformation about something so important to them. If you haven't seen this yet, save yourself the irritation. Watch Apollo 13 again. At least that tried to be sort of real.
The year is 1896.Jeff Webster (James Stewart) doesn't like people.There's only one friend he's got and he's Ben Tatum (Walter Brennan), an old sympathetic man.They're driving a cattle herd with them.That would be their key to richness.In Skagway they run into trouble when Sheriff Gannon (John McIntire) takes the cattle.Now Jeff only has to get it back and drive it through the U.S. Canadian border to Dawson.Now they have a group of other people with them, like the ladies Ronda Castle (Ruth Roman) and Renee Vallon (Corinne Calvet).There the two men get into the gold business.Anthony Mann's and James Stewart's fourth collaboration, The Far Country (1954) is a fine western, indeed.The acting work is superb.Walter Brennan makes a terrific sidekick to Stewart.Ruth Roman is brilliant and Corinne Calvet's delightful.Jay C. Flippen is very good as Dawson Marshal Rube Morris.The great Jack Elam and Kathleen Freeman are seen in smaller roles.It's fantastic to watch how Jimmy Stewart overcome's all the troubles in his way.There's just the man and his rifle.But also he's vulnerable.

THis movie may be the worst movie I have ever seen. Basically it is right above Leprachaun 5, the only difference is that it missing Ice T. The scene where he does the chick with the carrott...priceless. Oh yeah they made a second one, genius
One of the best musicals ever made, this is an example of where the producers and director were not afraid to pick actors for their talent, rather than for what people might expect. The lighting and set are unique, giving it a very interesting effect (this has a special name that I cannot think of). The dialog is also unique in that no contractions are used. The movie is well paced, beautifully acted and interesting from start to finish. A real joy is the MUSIC. Such an array of first-rate songs, from beginning to end, that are perfectly performed and orchestrated. Also, the music is very original and very memorable, and I think superior to many musicals from the thirties through the sixties. It certainly has more original and beautiful songs than most musicals, that might have only two or three. Not bad for a director with no experience in this type of movie. Another quality is that it is fresh each time one sees it.

Yes, I am just going to tell you about this one so don't read if you want surprises. I got this one with the title Christmas Evil. There was also another Christmas horror on the DVD called Silent Night, Bloody Night. Whereas Silent Night, Bloody Night (not to be confused with Silent Night, Deadly Night) had lots of potential and was very close to being good, this one wasn't quite as good. It started out interesting enough watching the villain (if you can call him that) watching the neighborhood kids and writing in books about who is naughty and nice, but after awhile you are looking for some action and this movie doesn't deliver. You need character development, but this goes overboard and you are still never sure why the heck the guy snaps. About an hour in he kills three of four people while a whole crowd watches in terror, and the guys he kills aren't even his targets they are just making fun of him. This is one of many unsuccessful attempts by the killer to knock of the naughty. He then proceeds to try and kill this other guy, and he tries to break into his house by squeezing himself into the fireplace. He promptly gets stuck and barely manages to get out. He then enters through the basement and then tries to kill the guy by smothering him in his bedroom. He can't seem to kill the guy this way so he grabs a star off the tree and slits the guys throat. What the heck was a tree even doing in the bedroom in the first place? Oh yeah, the killer before this kill stopped off at a party and had some fun too. Well that is about it except for the town people chasing him with torches and the unresolved part with his brother and that tune he wants to play. What was that even about? He kept talking about something that was never really explained. How does it end you ask, well since I have spoilers I will tell you. He runs off the road in his van and proceeds to, well lets just say it was lame!!!!!!!!!!!!
The film exposes the blatant exploitation of the Chinese worker - generally female - garnering footage from the Chinese business owner who shares his unashamed and delusional viewpoint, his American counterpart also as unashamed and delusional, the oppressed workers who are given a voice and, of course, the drunken Americans who wear the beaded necklaces mindlessly celebrating in New Orleans.
The glimmer of hope comes when some Americans are actually outraged that people making their beaded necklaces were getting paid like $0.10 per hour to do so. You also have a feeling that the workers may have a chance to escape working in the bead factory, but will probably do so when they get fed up with the punishment treatment popular with the factory owner and/or they just get too exhausted to work up to 20 hours a day of hard labor.
I have wondered where those necklaces came from, not realizing how completely grueling and arduous it would be to make them. I just truly appreciated this film as it beautifully portrays the impact American indulgence has over something we consider relatively innocuous in our society on peoples on the other side of the world. Honorable mention goes to Wal-Mart. It is simply amazing. And clearly, just the tip of the iceberg!

This movie goes beyond just being bad, it is definitively the worst movie I have ever seen in my entire life. Unless you yourself have a problem with necrophilia than you will not enjoy will not enjoy the scenes depicting it in this film, (if you can call it that).
Just the ultimate masterpiece in my opinion. Every line, every phrase, every picture is exactly in place and Lindsay Crouse and Joe Mantegna are just THE cool shrink and the sleazy con-man, so well cast. 10 out of 10!

I agree with the previous comment, the beginning of the movie is quite good, and get's you wandering about what is to come....... Which is nothing. All open story lines remain open; two characters who at first seemed like they might be of some importance are completely left out of the picture, save for 1 or 2 very short scenes. I wander if Ilya wouldn't have done better to just completely leave them out.... As for the one remaining character, nothing is done with her either. She just visits some god-awful place, and suddenly the movie isn't about her anymore, but about some geriatric witches who spend their days making dolls out of bread, drinking homemade vodka, and apparently flashing each other. Some may say the movie does well in showing a society crumbling, like the judges of the IFFR, but for me it is just bad taste, bad camera-work, a lousy script and frightfully bad direction. Therefor I can not be as generous as my predecessor when it comes to grading: 1!
I never really watched this program before although it came highly recommended by members of my family. Funnily enough, my girlfriend lives in Hadfield (the filming location) and she pointed out a few landmarks when I first visited.
This got my interest going so I bought the 1st series on video and sat down to watch. Besides recognising some of the locations, I found myself not in the least bit surprised. Once again the BBC were responsible for producing another example of the finest comedy in the world. TLOG easily ranks up there with Red Dwarf, Fawlty Towers and Monty Python as probably the best.
Suffice to say I am hooked on the program now. The characters are superb and show unusual depth while retaining a scarily realistic edge. The look and feel of the program is perfect and reflects the sometimes bleak feeling of the North (no disrespect to Hadfield which I have found a very welcoming and warm place).
I only hope that it continues its originality throughout its run (which based upon the 2nd series which concluded its rerun in the UK last night, it certainly is).
Well done the BBC!!

Frank Tashlin's 'The Home Front' is one of the more lifeless Private Snafu shorts, a series of cartoons made as instructional films for the military. Rather than have Snafu take some inadvisable actions leading to disaster, 'The Home Front' instead focuses on his loved ones back home and how much they have to offer to the war effort too. Snafu realises he was wrong when he thought they had it easy. It's a concept with few possibilities for good gags and instead Tashlin plays the risqué card more heavily, extended jokes involving strippers and scantily clad dancing girls in place of much effective comic relief. The result is a well-meaning short which has little relevance or entertainment value today other than as an historical artefact.
War Inc. is a funny but strange film. The actors are likable, the film is likable also, but I don't know how to describe the plot. I will go into the plot later on. This is a movie with some weird casting choices. Besides John Cusack as a hit-man, which we saw years ago in Grosse Point blank which I liked.
Here we have Hilary Duff playing a Russian pop star named Yonica Babyya or something like that. Her character is odd. There is a scene where she sticks a scorpion down her pants. And hits on Hauser(Cusack). There is a twist in the end involving the two characters. It makes sense.
That is the only casting choice I am going into. Cause it just plain strange. The whole movie is strange. But at times incredibly funny and I was never bored. Here we have some of the best actors out there. Excluding Miss Duff. She ain't great. But here we have John Cusack, Marisa Tomeii, Joan Cusack, Ben Kingsley. See what I mean?
This is the story of a hit-man named Hauser(Cusack). He is sent down to some Middle Eastern city to put a hit on an oil man named Omar Sheriif(not the actor). While trying to deal with his own personal problems, he has to help out the wedding of a popstar(played by Hilary Duff). And he falls in love with a news reporter(played by Marisa Tomeii). There is a thing about the popstar though. Hauser is disgusted by her. There is a scene where she is singing a song to him and afterwards he throws up.
The twist in the end of the film reveals kind of why. The thing about the twist is that I did kind of see it coming. But that doesn't matter. This is a strange, funny, and entertaining comedy. I love most of the actors. So really, how could I not recommend it?
War,Inc.:3.5/5

European Vacation (aka National Lampoon's European Vacation) is the weakest of the Vacation films (the first and third one the most superior of the films). While Chevy Chase and Beverly D'Angelo return as Clark and Ellen Griswold (with new actors in the roles of Russ and Audrey Griswold), this time they are given a weaker script with very bad dialogue. This causes the pacing to suffer, with the jokes not very funny at all. To be more specific, what really causes this film to suffer is the fact that the "jokes" as they are, are just pasted together into a cobbled-together script), rather than serving a central plot as the other 3 Vacation films have. Oh well, they can't win them all. 4 out of 10.
for those of you who love lord of the rings and love special effects, watch this movie! this will be sure to keep you glued to the screen. you will probably even like it if you like watching people fight with magical stuff.

I have seen romantic comedies and this is one of the easiest/worst attempts at one. A lot of the scenes work in a plug-and-play manner inserted strictly to conform to the romantic-comedy genre. Usually this is okay because we're dealing with a genre, but the challenge generally resides in making it original, new and inventive. This movie fails to do so.
There is no sense of who the characters really are, apart from Sylvie Moreau's (who is the real star of this movie, not Isabelle Blais). They fit into this one-dimensional cliché and they become nothing more than simple puppets serving the purpose of a very light narrative.
The pacing of the movie can become annoying, rhythm lacks, and the editing is filled with unnecessary close-ups. I should also mention the overly stylized decors making some scenes devoid of any naturally, or rather, making the attempt at naturally seem too obvious. Of course, along with that, you have the right-on-cue sappy music which unfortunately often sounds mismatched.
I can't believe that a movie who makes obvious Woody Allen allusions ends up being this deceptive. If you expect a good light-hearted romantic comedy, this is not it. Or rather, this a poor attempt at it. You will only leave the theater wondering why this film has been getting such praise when cinema is now more than 100 years old and there are far superior Quebecois directors making better flicks.
Les Aimants is a good movie for what it is. But it's a bad one if you regard cinema as an art and directors as auteur's.
'Iphigenia' is the great achievement of Michael Cacoyannis. This masterful play is masterfully adapted for the screen and brought to life by a wonderful cast. Cacoyannis achieved the impossible. He managed to film a Greek tragedy to screen without losing its effectiveness and importance. A stellar greek cast helps him in this. Newcomer Tatiana Papamoschou is extremely impressive as Iphigenia. Equally impressive is Irene Papas ,who even though she sometimes seems over the top, it is very realistic. A wonderful Greek film, beautifully adapted and directed by Michael Cacoyannis, with an excellent music score by Mikis Theodorakis which is ideal in every scene.
P.S. Rumours say that the film lost the best foreign language film Oscar by only 1 vote!!!

Or listening to, for that matter. Even the soundtrack is a bore.
Honestly, this isn't the worst gay movie I've seen (that would be Regarding Billy), but it's down there very close to the bottom of the barrel.
This thing drags and drags and drags. It's not that the plot is inane--in the hands of a good writer it might have worked . . . it certainly could have been much more entertaining. There's not one plot point you can't see coming for ten miles down the road. The dialog is flat. The jokes are old. To add insult to injury, it's full of one-dimensional, stereotypical gays.
Nothing in this movie convinced me that the situation or the relationship of the two leads was possible, much less real. There was no chemistry, no dynamic, in fact no evidence of why the leads love each other . . . we're just told they're in love. Hard to figure when they have nothing in common and aren't compatible sexually. They like the same book? Huh?
The acting is not totally bad, but the pacing is excruciatingly slow. I mean, almost Jarmusch- slow, but without Jarmusch quality. In fact, that would be a good barometer for you. If you like Jarmusch films, avoid this one.
With the advent of the IMDb, this overlooked movie can now find an interested audience. Why? Because users here who do a search on two-time Academy Award winner Glenda Jackson can find 'The Return of The Soldier' among her credits. So can those checking out Oscar winner Julie Christie. Fans of Ann-Margret can give the title a click, as will those looking into the career of the great Alan Bates. Not to mention the added bonus of a movie with supporting heavyweights Ian Holm and Frank Finlay. Any movie with so many notables in it is rewarded by the IMDb, given all the cross-referencing that goes on here. So, why isn't this movie out on DVD? Don't the Producers realize the Internet Movie Database is a marketing gift for such a film? And 'The Return of The Soldier' is definitely a gem waiting to be discovered. Get with it, people.

OK, anyone who could honestly say that this movie was Great or even Good is either delusional or knows the Director, Writer and Producers and is trying to boost the buzz on this film. I watched the movie because a friend of mine worked on it and it was Horrible. I'm an actress and have worked in the industry for a while now on big films and even independents and this movie bored me to tears. The reason I'm being so harsh is because this film was clearly a different take on "Of Mice and Men" and they should sue because it is such a horrible rip-off of the story. In an industry where Hollywood seems to be creatively bankrupt...for someone to take a classic book and film "Of Mice and Men" and destroy it with a new spin bugs me so much. The actors, the accents, the dialog and the direction were amateurish and the writing was dismal. I mean if your going to take a new spin on an existing story make sure its just as good or better than the original to make the new spin justified. Did not like this movie at all.