Sachinkry/imdb-preference-10k huggingface dataset:
I vaugely recall seeing this when I was 3 years old, then my parents accidentally taped over all but a few seconds of it with some other cartoon. Then I was about 8 or 9 years old when I rediscovered it and since I was then able to comprehend things better, I thought it was a good movie then. Fast forward to Just a few weeks ago (June 2006) when I re-re discovered it thanks to some internet articles/video clips and it's just not the same movie. I'm sure it's still good with the kids, but to us 20-30 somethings it's definitely got "Cult Status" written all over it. It's a shame that the original production went through a painful process; if Fox gave it enough time it would probably be more recognized in the public eye today. Maybe if they were to remake it with a totally different story and an all star voice cast it could be, but that's for Fox to decide. I'm rambling here, I know. I Still think it's a great film, but it could be better than great.

Words fail me.
And that isn't common.
Done properly this could have been great, funny spoof B-movie sci-fi, but sadly, it was not to be. Rarely in the field of drama have so many competent actors struggled so vainly with such a dogs-breakfast of a script. I can only endorse the previous reviewer's comments - go clean the bathroom. In fact do ANYTHING except watch this film.
Positives: Lucy Beeman's nose. Negatives: Everything else.
Most apposite line: "This isn't going anywhere".
If only every plastic surgeon could meet with such a fate.
Sure, the plot isn't Oldboy. It seems the only "great" movies these days are amazingly shocking or high-budget/hyped in some way.
Spin Kick is a drama/comedy about a group of people who decide to pour their hearts into tae kwon do. Regardless of what you expect from this film, you're guaranteed to feel moved by the work, pain, and expectations that the characters force themselves to experience. Though comedic at times, many moments and characters are rendered beautifully: there's the old guard character who takes things too seriously, the hoodlum turned good-guy who just wants a second chance at life, the meek team-substitute who would die happy if he just won once in his life, and many other well-rounded characters with their own problems-- but most importantly, their own their hopes and dreams. While the plot and the goals of the movie are simple, these aspects of the movie merely highlight the development of the characters as they overcome their personal and inter-personal struggles.
In short, this film will leave you feeling fresh, determined, and satisfied.

Weak plot, predictable violence, only semi interesting characters. Like the writer (also one of the stars?) was fictionalizing his own screw ups and added an incredulous fantasies of drugs and murder to make it "hot". From the predictable rap and house soundtrack, to the family conflicts, it's poorly acted, stereotypical, and ultimately terribly boring. Even the title has been done before - IMDb lists FIVE movies with the same name released in 2007-2008!!
Note: Saw it on Showtime, which listed the synopsis for one of the other movies. Was halfway thru before I realized no one was an undercover cop. Even tho another stereotype, would have made it interesting if it happened.
Kate Beckinsale is excellent as the manipulative and yet irresistibly charming Emma in this TV-adaptation of Jane Austen´s novel. When I read that novel I was sometimes quite doubtful whether the protagonist really deserved to be considered the heroine of the story: for honestly, she is so terribly self-righteous and scheming that one is tempted to dislike her seriously. Kate Beckinsale´s interpretation, however, saves Emma from herself so to speak: she is portrayed with all the innocence and generosity of her character in full view, and one can´t help but give in and like (not to say love) her in spite of her less amiable qualities. Kate Beckinsale is the main, but not the only, reason why this TV-series is so delightful; Raymond Coulthard is perfect as Mr. Frank Churchill, expressing this character´s personal magnetism to the full (which is all the more conspicuous because of this role being not very well handled by Ewan McGregor in the 1996-screen adaptation of Emma), and Mark Strong, Samantha Morton, Bernard Hepton, and Olivia Williams are all as they should be in their respective roles. This production is, in short, a great achievement and one to view many times with increasing pleasure.

I wonder if there is any sense of sense in this movie. Its a big joke. Good.. Its entertaining .. You get to see the most stupid plot played very seriously in the form of a film .. I wonder which audience group this movie is basically targeted to.
Priety (a pros) plays a surrogate mom for a happy couple Salman/Rani who want a child but can't. I wonder how it would be if this drama was a real-life take-off from a real couple's life.
Rani appears happy with another pretty lady in her house who has been brought in to make a child for her & Salman. She cares for Priety and tries pushing her husband Salman to Preity so they may have some romance. When will the audience get fed up of Salman's nakhras.
Though a good past-time, this movie is unbearable. Absurd.
A stunning film of high quality.
Apparently based on true events which, as told, has the clear ring of truth about it, this movie is highly emotional and deeply moving.
An abused and neglected child often becomes wayward in adulthood, as one of life's failures, be it as a gangster, drug addict or burden on society.
Antwone Fisher as a young adult in the navy, is troubled. He is on the brink of being a loser. He is counselled in therapy by a psychiatrist and it is that relationship which takes center stage in the play.
In flash-backs and therapy the source and remedies to Antwones angst are revealed.
Outstanding performances from the whole cast. The story is in effect a family tragedy with emotional and physical torment. All the actors give full blooded performances with conviction and realism.
One message from the movie is the importance of raising children decently.
The real Antwone deserves success. To have endured wickedness as a child but to rise above that, shows a magnificent character.
And to all those out there who have endured such torment but to have survived and succeeded: you are all winners. 10 out of 10.

I watched this movie. To the end. And that was really not easy. It is so boring, bad played and in nearly every detail stolen from "BLAIR WITCH PROJECT" that you can't believe the makers take this serious. Even harder to believe, is how this "product" made it onto VHS and DVD.
So, if want to see a horror-movie, just watch "Scream", but if you want to laugh out loud and have a good time, watching some kids running through the woods screaming at each other and showing of their inability, watch dark area.
While I don't consider myself a big fan of fairy tale movies, Stardust intrigued me based on seeing Michelle Pfeiffer in the trailers as a villain (especially since I was about to see her as the bossy Velma Von Tussle in Hairspray). Boy, is she so convincingly evil here as a witch, especially with her age-ugly makeup in the beginning and end! Robert De Niro is also great as the pirate captain who's forced to hide "in the closet" to protect his "reputation"! Just about all the actors like Claire Danes, Rupert Everett, Ricky Gervais, Peter O'Toole and many others do fine work here. While Danes and Pfeiffer are classic beauties, there's also stunning faces of Sienna Miller, Olivia Grant (as Girl Bernard), and Kate Magowan especially when we first meet her. Newcomer Charlie Cox is fine as the lead Tristan and he looked so much like his father Dunstan as a young man that I thought that was him in early scenes with Magowan (actually Ben Barnes). Many comments have compared this to The Princess Bride and while I can see some resemblances, the main difference was that with PB, you always knew it was just an imaginary tale as told by an old man to his grandson. Stardust makes you believe, for the most part, that what you're seeing and hearing could have actually happened even with all the hilarity that happens throughout. So on that note, I highly recommended Stardust.

After seeing the trailer for this movie and finding out Spike Lee was directing, I was excited to hear about this event. I wasn't alive at the time, I didn't live in New York, so I expected more of a history lesson than anything. What I got was some interesting acting, a lot of sex, and about 30 minutes worth of film that actually had anything to do with the Son of Sam. I guess the film wasn't about the Son of Sam, but it was a peek into the summer of '77. Label me disappointed.
To a certain extent, I actually liked this film better than the original VAMPIRES. I found that movie to be quite misogynistic. As a woman and a horror fan, I'm used to the fact that women in peril are a staple of the genre. But they just slap Sheryl Lee around way too much. In this movie, Natasha Wagner is a more fully-realized character, and the main bad guy is a gal! Arly Jover (who played a sidekick vamp in BLADE) is very otherworldly and deadly. Jon Bon Jovi... okay, yeah, no great actor, but he does OK. At least he doesn't start to sing. Catch it on cable if you can. It's on Encore Action this month.

This is a case of a bunch of people thinking they are so clever they have a story that fits the time. Remember the all-around political conspiracies caught on camera in the years leading to the Watergate and a little later? Most movies trying to cash in on made-for-TV 'o so powerful, o so mind numbing' conspiracies were in fact caught in their own navel-gazing attitude.
I was never a fan of The Conversation which I find as much dated as others conspiracy stints of the time but Coppola was true to his main character and Hackman was a pretty engaging actor to observe. I mean these conspiracy movies are mostly drowning in the character pool of noir heroes. Lots of questions unanswered, lots of dis-communication... Well this takes at least Bergman to build a movie about such un-visual bases.
The Next Man is a perfect example of its time: one political soup served with an idealistic character and an horrendous conspiracy tightening its web around him. Neither part is interesting in itself and the whole doesn't get any better. In fact you can tell how much it will be bad from the very first sequences piling up 'watcha that' murders without ever advancing any storyline. Pedestrian directing at its worst as most of the movie is one pompous accumulation of scenes revolving around violence naively brought under the viewer's eyes.
An excellent interpretation of Jim Thompson's novel, this neo-noir thriller has all the requisite elements--deranged ex-boxer turned drifter, alcoholic widow with sinister desires, ex-cop turned small-time crook, and a kidnap plot destined for doom. Yet, the film never crosses into cliche country, but remains fresh and intriguing. The performances are all superb, particularly Bruce Dern's role as the wicked sleazeball, Uncle Bud. There is a tense uncertainty to the film's movement which, intentional or not, adds to the grim proceedings. Highly recommended.

I'm a Christian. I have always been skeptical about movies made by Christians, however. As a rule, they are "know-nothings" when it comes to movie production. I admire TBN for trying to present God and Jesus in a positive and honest way on the screen. However, they did a hideous job of it. The acting was horrible, and unless one is familiar with the Bible in some fashion, one COULD NOT have understood what the movie was trying to get across. Not only was the movie terribly made, but the people who made it even had some facts wrong. However, in this "critique", those facts are irrelevent and too deep to delve into. In short, the Omega Code is the absolute worst movie I have ever seen, and I would not recommend it to anyone, except for comic relief from the every day grind.
I am glad other people enjoyed this movie, cause I know it doesn't have the greatest reputation and it made no money at the box office. I thought it was terrific and there are several reasons why - Bogdanovich directs with the lightest of touches, the cast (especially Coleen Camp) is perfect and the Big Bad Apple never looked better on film. You've seen worse movies!

1/10 and that's only because I don't go lower with my ratings.
skip this "movie" and wait for the last movie of the "Trilogy", don't buy or rent it. trust me you won't be missing a thing. the Architect brings no new info: _(spoiler)_ there have been more NEO's before him, he's like nr.6 or something. you could already figure something like that out from the first movie: Agent Smith telling us the first Matrix created didn't work because it was too perfect. Trinity died and Neo's "love" brought her back, where have I seen this before ? Oh right in the first movie the roles where reversed ! same as the action-scenes nothing new just with more opponents. the Action-scene (the 20+ ships) in the BIG battle which we didn't see (maybe in Revolutions ?), betrayed by someone (hmmmm, maybe the guy holding the knife who wanted to stab Neo?!) who pushed the EGM-button to soon.
all in all a shameless ploy to make money (especially off the guys who went to see it more then once), which evidently worked like a charm.
And that goes especially for lawyers & cops. Puerto Rico,which boasts of a small,but potent film production firm,brings this multi layered tale of corruption,due to the on going drug cartel that starts in South America,makes a pit stop on the island commonwealth,and then northbound into North America. Steven Bauer,the most recognizable face on screen here,leads a cast of top notch actors,in a story of "can you spot the only respectable face in the crowd?". Ricardo Mendez Matta moves up from directing mainly action adventure fare for American television,in a screenplay written by Matta,along with Poli Marichal. The rest of the cast (Elpidia Carrillo,Magda Rivera,Jose Herredia,Luz Maria Randon,to mention a few)turn in oh so fine roles,in a film that will keep you wondering "is there any respectable characters here?". Spoken in Spanish with English subtitles. Rated 'R' by the MPAA,this film contains outbursts of vulgar language,brief flashes of nudity,adult content & violence,some of which is quite lurid.

The film attempts to be a mockumentary--shot in the documentary form but with many obviously scripted parts--but fails in not providing the audience with any characters with which to create the illusion of the mockumentary. Also, the film purports to be about finding real love in Los Angeles, but is nothing more than an uninteresting look at an amateur filmmaker trying to make his first "big movie."
The Sopranos (now preparing to end) is the very peak of adult television and drama. When The Sopranos hits the mark, it really hits the mark. Using great writing and great actors (most of them being extras from Goodfellas) the series is aloud to progress in a satisfyingly unpredictable and exceptional way. Heading up the cast is James Gandolfini, who for all intensive purposes is Tony Soprano, and Edie Falco, who certainly holds her own. The series also boasts a great collection of regulars to push the plot along by any means necessary (usually violence and foul language). Tony Sirico, Michael Imperioli and Steve Van Zandt are great secondary characters that make every episode more interesting. Seasonal extras are also worth note including names like Steve Buscemi (great!), Joe Pantoliano (great!), David Proval (good), Robert Patrick, Robert Loggia and Frank Vincent.
The Sopranos is a great family drama and a realistic interpretation of modern day mafia societies that despite the rare bad story lines manages to be unique TV. Symbolism and simple story lines, dreams and shoot-outs and many other things create intertwining stories and relationships that at the end of each season are resolved to create yet another perfect HBO package. Watch it...

I saw this movie as a very young girl (I'm 27 now) and it scared me witless for years. I had nightmares about every aspect of this film from the way it was drawn to the music to (obviously) the violence. My parents still argue about who allowed me to watch it and both of them say that they would never let me watch such a movie. I think they only say that knowing that I have such strong feelings about it ;0) I am currently reading the book (out of morbid curiosity and the fact that it's a classic) and it is really a great story. However I don't think that it should have been made into a cartoon. Ever. Well, maybe kids nowadays would find it quaint but it gave me nightmares for weeks and weeks and I still have a hard time seeing rabbits drawn in a similar way. Gives me a little heart palpitation every time. Yah I am a wuss but I strongly suggest that any parent looking to show this movie to their kids, read them the book instead or watch it first to make certain that they approve of the content. Not everyone finds it as disturbing as I did but we are out there ;0)
This is actually a trilogy of 3 of Somerset Maugham's short tales. The first one is The Verger, which is about 15 minutes long and very enjoyable. After 17 years Albert Foreman is laid off from his church job because he can't read nor write. So what does he do? Opens a tobacco shop, of course!
The second is Mr. Know-All which was actually a story I had read for school 6 years ago and instantly forgotten, until I heard the familiar introduction. Another 15 minute one, and also very good. It worked better on film than in a book for me, but then perhaps that's because I was only 14 the last time, afterall.
The 3rd one is nearly a let-down. Almost an hour in length, it simply drags. It's not all that bad, but not as quick and snappy as the last 2. I watched the first quarter hour of it and then skipped forward to the last quarter hour, and found that it still made sense and really I hadn't missed a thing!
Overall I give them 8, 9, and 6 out of 10, respectively.

I was interested in the title and description of Big Rig while attending the SXSW Film Festival in Austin, TX. However, I was eager to get the heck out of the seats as soon as Big Rig ended. Big Rig is comprised of several "big rig" drivers who set out to deliver goods driven across the United States. The characters are all wonderful people, however the filmmakers never dug deep into the complexity of them as people. Instead, the story meanders as much as the maps in the film are meant to guide, but never do. At most, we get lost. We - the audience - end up going nowhere and, like the direction of the storytelling, end up somewhere but without direction, location, or plot. Why are we here? Where are we? How did we get here? The storytelling is sloppy and the directors' intent on "humanizing" a group of people who they regard as "overlooked" and "invisible" comes across as unconsciously and irritatingly condescending. The problem here here lies in the perspective of the directors instead of the truck drivers. The directors bring their own naive assumptions about truckers forward and then simply edit the film to confirm those assumptions. Overall, the story lacks any tension, the film is entirely too long (should have been a 15 min sketch), the big question of "So what" is never answered, and the entire film is one piece of see-through propaganda that does nothing to further "enlighten" (as the directors claim) the outside world about big riggers.
Christopher Lloyd is funny and really believable as "Al the head angel". This movie is much better than the first, but it has great special effects that the first did not have as well as a much better plot and writing.
OK - it was written for kids, but adults have as much fun as the kids do. Tony Danza does a very realistic job in his role - but this is NOT a Taxi reunion.
Danny Glover is actually good and even seems to be very human in his emotions as well as showing some real acting talent for a change, a pleasant change.
Watch at least once - it is worth the effort to catch it.

At least the seats in the theater were comfortable and I ate the pop corn as loud as possible to drown out the inferior dialogue. This is absolutely not a girls film. Any blokes who like it, are the ones us ladies can be sure to stay far away from. Dumb story, mediocre dialogue and an overall cheap looking film. I've seen many, many movies but this one is the new winner in the bad category. If you do happen to see it, the one thing you'll look forward to is the ending. So you can finally run out of the theater as fast as you can.
Since Siskel's death and Ebert's absence the show has been left in the incapable hands of Richard Roeper. Roeper is not a film critic he just criticizes anything he doesn't like personally i.e. films with country music get panned because "I don't like country music!" and children's movies get a standard "Don't see it now, wait until it comes out on DVD and rent it for your kids!" Roeper may well be an idiot savant, but in some other field. The weekly guests 'sitting-in' for Ebert fare better, but who wants to pick a daisy in the midst of a cow pat? All that said, it IS the only show in town and that alone makes it worth watching. As for Roger Ebert, if Stephen Hawking can talk, so can you! It's your mind and thoughts we long for. Do whatever is necessary to get that usurper off his self-declared throne.

An obvious b-grade effort to cash in on the Hostel/Saw buzz, my expectations for this film were low (really low!) and yet it still managed to disappoint on every level. The acting is so bad it's not even funny, the plot-line is non-existent and the only scare was realizing that I had wasted 1hour 21 minutes watching it! I'm surprised to note that 34 people gave it a 10 star rating. I can only suspect that 33 of these are Cast and Crew. The 34th is possibly the directors mother? - although I'm sure even she would find it hard to go higher than a 2! DVD extras include an hour long "making of" feature. Which raises the question, "Why?" (although perhaps it serves to demonstrate what not to do!). Avoid at all costs.
For starters, it's a very funny movie with a few crazy characters running around that are bound to make laugh (check out the two Russian bugs).
A Bug's Life has a classical Disney storyline, but that's one of the good things about the movie. Family values are praised and the main characters of the film undergo some evolution in order to stand up against the grasshoppers in the end. And it also has a couple of great voice-overs by Dave Foley, Julia-Louise Dreyfus, Kevin Spacey (of course),... But actually, the most amazing thing about this movie is the animation. It's just wonderful. All the details, great colors, every ant looks different, beautiful backgrounds... And the guys and girls at Pixar made it all look so realistic. All in all, a very nice piece of work. This is the best animation by Disney since Aladdin.

Republic pictures comes late in the game to the "werewolf" er Werecat genre. The plot has a writer returning to Paris after a long trip abroad during which he developed jungle fear during which he had blackouts. He is arriving to great acclaim as his novel that parallels an infamous trial is a best seller. The French government wants to know if he had access to secret documents, something that seems more likely when an official is killed by a "catman". Suspicion really falls on the writer when his fiancé ends up dead. Complicating matters is the return of the blackouts so the writer doesn't know if he's the killer or not.
Okay thriller is much too leisurely to be fully enjoyed. There are too many musical numbers early on and too much dead time when things are all talk in the middle and later sections. The acting is fine and the sets quite good but there is a reason why most people I know only remember the top hatted killer, he's the most interesting thing in this film. despite its short running time (just over an hour) I think the reason that this film was rarely seen on TV was that after 20 minutes you begin to lose patience with it. As good as the talk is, I just wished someone would do something. When it finally did happen, in the closing minutes, it was too little too late..
Take a pass.