Sachinkry/imdb-preference-10k huggingface dataset:
The previous reviewer has said it exactly. I saw it once, was enchanted, saw it a second time when it was re-broadcast within a week or two of the first airing. I still remember some of the scenes. The setting is the opening of the 20th century, the war referred to in the title is World War I. One of the scenes was set in a women-only section of a public place, which was an interesting historical note. The moment when one of the women first touches the other is one of my all-time great movie moments. I don't think of this as a "gay movie," it's an interesting and tender period love story, where the two principals happen to be women. I would love to see this movie again; I would buy this one if it ever came out on DVD.

If you are looking for eye candy, you may enjoy Sky Captain. Sky Captain is just a video game injected with live performers. The visials are nice and interesting to look at during the entire movie. Now, saying that, the visuals are the ONLY thing good in Sky Captain.
After ten minutes, I knew I was watching one of the worse movies of all time. I was hoping this movie would get better, but it never achieved any degree of interest. After thirty minutes, the urge to walk out kept growing and growing. Now, I own over 2000 movies and have seen probably five times that number. Yet, this is only the second movie I felt like walking out of my entire life.
Acting---there is none. The three main performers are pitiful. Jude Law (also in the other movie I wanted to walk out on) is just awful in the title role. I would rather sit through Ben Affleck in Gigli than watch Law again.
Paltrow tries SO hard to be campy, that it backfires in her face. The last article I had read said that Paltrow is thinking of staying home and being a mother rather than acting. After this performance, I would applaud that decision.
Story---Soap operas are better written. The story behind Sky Captain starts out bad and gets continually worse as it progresses.
Directing---none. Everything was put into the special effects that story, acting and directing suffer greatly. Even "the Phantom Menace" had better acting and that is NOT saying a great deal.
I would have to give this movie a "0" out of "10". Avoid paying theatre prices and wait until video release.
If you are looking for a sonic-boom-special-effects monster, click the BACK button on your browser.
Deathtrap was written by Ira Levin (Sliver, The Stepford Wives, Rosemary's Baby). It's a stage play, adapted for the screen. 95% of the movie takes place in the gorgeous home of playwright Sidney Bruhl (Michael Caine). He's the author of a fabulously successful Broadway play, but his last 4 efforts have flopped - horribly.
An aspiring playwright, Clifford Anderson (Christopher Reeve), who attended a play-writing workshop given by Sydney, has sent him a copy of the play he has written. Sydney tells his wife, Myra (Dyan Cannon) the play is fabulous - a sure-fire hit. But is it good enough to die for? Time will tell.
Clever dialog and numerous twists and turns in the plot keep this movie entertaining from beginning to end. The whole cast seems to have a good time. It's reminiscent of another fun Michael Caine mystery: Sleuth. Worth watching.

I picked up this movie in the hope it would be similar to the hilarious "The Gamers" by Dead Gentlemen Productions (which is highly recommendable, by the way). Boy, what a disappointment! The movie is shot in this fake documentary style made famous by the office but it fails to deliver. The reason is partly the stiff acting but mostly the writing and directing. True, it can be funny to use every singe cliché there is about role playing games, but here it is done in such a way that it becomes extremely predictable. Already at the beginning of each scene you know what the "joke" will be about. But maybe the biggest problem is that everything is depicted way over the top. There is no subtlety in this movie, if there would be captions "LAUGH NOW" or a cheap 80s-style fake-laughter track it would not make much difference. With some scenes you can't help to think "Yea, I get why they thought this would be funny" but the way it is executed takes all momentum out of the possible joke.
There are very few movies that are so funny as this one. I was lucky enough to watch this movie at a theater "reserved" for movie buffs like me, so it was not so embarrassing sitting there laughing till my jaw was completely sore and my shirt sleeves were all wet from drying my eyes...
At times the story was a bit "slow", but that is perhaps for the best - a bit of rest in-between the rolling amongst the aisles (I nearly fell out of the seat...) was most welcome.

My kids picked this out at the video store...it's great to hear Liza as Dorothy cause she sounds just like her mom. But there are too many bad songs, and the animation is pretty crude compared to other cartoons of that time.
Forget depth of meaning, leave your logic at the door, and have a great time with this maniacally funny, totally absurdist, ultra-campy live-action "cartoon". MYSTERY MEN is a send-up of every superhero flick you've ever seen, but its unlikely super-wannabes are so interesting, varied, and well-cast that they are memorable characters in their own right. Dark humor, downright silliness, bona fide action, and even a touching moment or two, combine to make this comic fantasy about lovable losers a true winner. The comedic talents of the actors playing the Mystery Men -- including one Mystery Woman -- are a perfect foil for Wes Studi as what can only be described as a bargain-basement Yoda, and Geoffrey Rush as one of the most off-the-wall (and bizarrely charming) villains ever to walk off the pages of a Dark Horse comic book and onto the big screen. Get ready to laugh, cheer, and say "huh?" more than once.... enjoy!

I'm not quite sure why, but this movie just doesn't play the way it should. It should be humerous and fun, but instead is just boring. I think a large part of it is because they way over played the "gadgets." The old cartoon it is based on is much better.
3/10
After seeing the movie last night I was left with a sense of the hopelessness faced by organisations trying to tackle the problem the film portrays. The scale of the prostitution seems so large that it's hard to see how it can be defeated without major governmental changes in Cambodia.
Anyway, on with the review.
Although it is a sombre movie with an uncomfortable central relationship this is a very compelling film, and I'd even go so far as to say it was enjoyable. The film was well edited for the running time and the performance by Thuy Nguyen was excellent. I also felt Ron Livingston played a very difficult role well.
It would have been nice to have a little more insight into why Patrick feels he has to help Holly, but maybe the reason is a simple as he explains to Chris Penn's character. I won't explain it here - go see the movie.
This is a good, thought-provoking film with obviously good intentions. I hope it gets a wide enough release to reach a decent sized audience and gain more support for the K-11 Project.

If you like occasional nudity with junior high school level slap stick comedy, then look no further.
Starting at about the halfway point, the beautiful and erotic Arielle Dombasle starts disrobing at every opportunity. That is the only thing that made this movie worth watching.
The story is both lame and preposterous, the humor is corny, and character development is basically non-existent.
Although I generally do not like remakes believing that remakes are waste of time; this film is an exception. I didn't actually know so far until reading the previous comment that this was a remake, so my opinion is purely about the actual film and not a comparison.
The story and the way it is written is no question: it is Capote. There is no need for more words.
The play of Anthony Edwards and Eric Roberts is superb. I have seen some movies with them, each in one or the other. I was certain that they are good actors and in case of Eric I always wondered why his sister is the number 1 famous star and not her brother. This time this certainty is raised to fact, no question. His play, just as well as the play of Mr. Edwards is clearly the top of all their profession.
I recommend this film to be on your top 50 films to see and keep on your DVD shelves.

How many more of those fake "slice of life" movies need to be made? Hopefully not too many.
Raising Victor Vargas is a very self-conscious attempt by the director Peter Solett at garnering the attention of Hollywood. Nothing wrong with that in general. What is wrong with this film in particular is that it ignores the audience and piles on every cliché in the book of supposedly "edgy" Hollywood independent production.
It's supposed to be "real" so left shake the camera "documentary style", except no documentarian would shake the camera on purpose...
It's "edgy" so let's not waste any time lighting the film.
It's "hip", so let's have the children use swear words like Al Pacino in Scarface...
And so on, and so forth. All that you are left with is a very self-conscious attempt at impressing Hollywood that won't impress anyone outside of the "rarefied" indie crowd that seems to still heap acclaim on every bad film.
A lawyer is drawn into a deadly game of cat and mouse when he becomes involved with a femme fatale in this adaptation of a Grisham novel. Altman creates a suspenseful, Gothic atmosphere but the script is weak. Sporting a Southern drawl, Branagh is convincing as the lawyer, and Davidtz is alluring as the object of his desire. Downey is likable as a private detective. Duvall has a small role, which does not allow him to do much with his weird character. Hannah and Berenger round out the impressive cast. After an interesting setup, the film bogs down and does not really deliver on its initial promise, but Altman is always worth a look.

Definitely one of funny man Eddie Murphy's lesser films is this nonsense about a kidnapped mystical child, three hundred year old dragons and a "Chosen One".
Murphy is the "Chosen One" in question, and as the opening song suggests, he is "the best man in the world". A finder of lost and missing children, he is approached by a mysterious Tibetan woman (Charlotte Lewis) who tells him he is "The Chosen One", and that it is his destiny to find and rescue "The Golden Child". For if the child were to die, compassion would die with him, as he is the bearer of compassion.
If all this hocus pocus rubbish hasn't ruined it for you now, it surely will once the movie begins. Suffice to say the plot is abominable and destroys the whole film. Meant to be another vehicle for Murphy's egotistical brand of humour (the comedy isn't so great mind you), the movie fails on many levels. Even Charles Dance as the evil Sardo Numspa can't do much for proceedings. Very silly and disappointing.
Sunday, December 12, 1993 - T.V.
The Five Deadly Venoms is easily the most memorable K.F. flick from the Shaw Brothers' stable (exc. maybe Master Killer). It has the artists who came to be known as simply "The Venoms", some of the best fight choreography ever, and, surprisingly for a Kung Fu movie, a great plot! One of my all-time favorites!!!

Matt Cordell is back from the dead for a third go-round, although I'm not sure anyone cared at this point except for rabid MANICA COP fans. Cordell, who died in the last flick, is resurrected through voodoo, and is now hot on the trail of several miscreants involved in the shooting of a fellow officer Cordell is very fond of. I missed part of this early '90s low-budget quickie, but it was pleasing to see Cordell wracking up the body count in various, gruesome ways. Problem is, the overall film is pretty static, and Cordell simply ain't Jason or Freddy. The interest wanes pretty fast, even with that grand B-movie master Robert Forster as a doctor who ends up with his brains scrambled. Stick with the first film in the series, which is funny and scary and exciting, all at the same time.
The film did not do well at the box office.
I saw it in a sneak preview.
I have always enjoyed the film.
I live in 1 of the cities mentioned in the film where past players moved to.
Not the best film ever put to screen, but enjoyable.
Robin did well with his role.
Best line of the film at the beginning, by Robin's character Jack: "I was that SOB!" Cleaned up here as not to offend anyone.
Was glad when it came to DVD a few years back in the wide screen/letter box format.
I am not a football fan or a real sports fan. But, you do not need to be one to like this film.

A chemical spill is turning people into zombies. It's up to two doctor's to survive the epidemic. It's an Andreas Schnaas film so you know what the par for the course will be. Bad acting, horribly awful special effects, and no budget to speak of. The dubbing is ridiculous with a capital R and the saddest thing is that I feel compelled to write one word about this piece of excrement, much less the ten lines mandatory because of the guidelines placed on me by IMDb. My original review of merely one word: Crap wouldn't fly so I have to revise it and go more in to how bad it is. But I don't know if I can, so.. wait I think I may have enough words, or lines rather to make this review pass. Which is cool, I guess. So in summation: This movie sucks balls, don't watch it.
My Grade: F
This is a great film. Touching and strong. The direction is without question breathless. Good work to the team. I feel so sorry for Marlene, By the grace of God go you or I

I wasn't really fond of the first "Cube" movie. It was a good idea, but the annoying acting and characters always kept me from liking it too much. Didn't really feel the need to see its sequel but when I heard they were making a third movie that would act as more of a prequel to the original. I was intrigued, thinking that maybe they would fix some of the original's problems and provide us with a memorable cast of characters. Well I thought wrong.
"Cube Zero" starts well enough by introducing us with the two characters in charge of watching and maintaining the never-ending maze of traps that plagues the people in the Cube. The filmmakers succeed in providing a sense of mystery with the establishment of the two men's daily routine. Several questions are created from it, concerning the reason why people are send there and also the true nature of the ones who run the entire operation. All of which are left entirely to the viewer. The acting was a bit weak but all in all the movie's first half moved relatively well.
With the story moving on, one of the two "watchers" begins to develop serious doubts about what he is doing. And later decides to go and help a group of the people trapped. Here is where everything rapidly starts to dissolve into dull cheese.
Sent by the people who run the Cube program we are introduced to the character "Jax". Along with his two underlings play a major reason as to why this movie is failure. To start of "Jax" looks and talks more like a third rate villain taken directly from a James Bond movie complete with the ever "popular" glass eye, that alone ruins any atmosphere created by the first half's relatively nice pace. Whats more is that it begins to feel more like a comedy rather than a serious movie. With some incredibly corny lines, perhaps the screenwriter got bored and didn't care. The acting itself degrades to a further low when the former "watcher" meets the group in the Cube. The entire interaction is painful to watch as is everything else following it.
Again failing to impress on anything but weak characters, dialog and acting "Cube Zero" is a waste of time for those searching for a good horror movie.
I watched FIDO on some movie channel and I have to say that I've become an instant fan. The film feels like a comic book that perfectly captures the look and feel of the surreal 1950s, you know the wholesome decade when they danced to Elvis while dropping nuclear bombs in the desert just for the heck of it. People were so naive back then that it's frightening and the idea that those clean cut folks would find it normal to have zombies as pets actually works here.
Kudos to this Canadian production, the colorful crisp cinematography and the excellent cast, including Carrie Anne Moss, Billy Connolly, Henry Czerny and the kid.
It's a shame this film wasn't a bigger hit. It deserved more recognition. It's much better than the stuff from Tim Burton or the SHAUN OF THE DEAD team. Oh well. It's an instant classic nonetheless.

Unspeakably discombobulated turkey, a mix of anti-Nazi musical (!!), pre-war Americana and Agatha Christie whodunit spoof with one big, big problem: it's deadly unfunny. Besides the single-digit I.Q. plot and dialog, the most amazing aspect of "Lady..." is the berserk casting. Gene Wilder (star AND co-writer) tries hard at it all: he plays a romantic lead (with his looks!! and his age!! he and Woody Allen should start a club for clueless, mirrorless ageing comedians), and he tries to be moving and funny and poignant and smart, and tries to sing and dance, and succeeds in NONE!! A looong shot from his good old days with Mel Brooks.
For a while I thought I was having a myopia fit, because everybody in the movie keeps saying Cherry Jones is this pretty hot chick, and that Michael Cumpsty is this impossibly handsome stallion!! The guy who plays Claire Bloom's male secretary is a bespectacled balding thin actor as sexy as a chair and is the object of passion of the two leading ladies!! Mike Starr's over-the-top acting as the most incompetent, phoniest cop you EVER saw deserves to rank among the 10 most abhorrent performances in recent film history. The saddest note is to see wonderful Claire Bloom and Barbara Sukowa completely miscast and offensively wasted. At least I hope both stars payed their bills back home (and subsequently fired their agents) with this flop. No wonder acting prodigy Sukowa returned to Germany after she saw what Hollywood had in store for her!!
If you want to see how to accomplish a really bad film out of a really bad script with a berserk casting director, study this one - otherwise stay away!!! - 1/10
Actually my vote is a 7.5. Anyway, the movie was good, it has those funny parts that make it deserve to see it, don't misunderstand me, is not the funniest movie of the world, and its not even original because its a idea that we have seen before in other movies, but this one has its own taste, a friend of mine told me that this was a film for boyfriends... I think that not exactly but who cares? Also there is another movie that show us almost the same topic, Chris Rock appears in it, the name is Down to Earth, men, that one its a very funny movie, see both if you want and I know that you will agree that Mr. Rock won with his movie. I would liked that the protagonist male character were given to Ashton Kutcher, however, the film is good.

I totally disagreed with those comments which said this is a good movie. This is a totally SUCKED movie. I mean SUCKED - S.U.C.K.E.D. The story development is strange. Mia Kirshner changed from an innocent girl to a party-fun seeking chick for no convincing reasons at all. In addition, all the actresses looked way too old for being college students - College students looked like about 30 years old - you figure out the rest. I watched only about first ten minutes and started fast forwarding to look for sex scenes. all the sex scenes are lame, hasty and, most importantly, no frontal at all. All the sex scenes are laughable, considering how many clothes they had on. Do yourself a favor - put it down and save yourself a few bucks. Conclusion: Story - 0, Sex - 0, Acting - 0, Score - 0 out 10.
I first saw this movie here in the U.K. in December 1989 when Central TV broadcast it. I still have the video tape, although worn out (over the years many friends and family members have borrowed it and have also been chilled by it!).
Anyway, I remember coming home that night, grabbing a Christmas tipple, switching the lights out and watching what was advertised as a 'Christmas Ghost Story'. Even now I remember certain scenes that still send the hairs on my neck standing on-end...
I have seen some comments on the movie which say it's not this and not that...I think those people get scared by Friday 13th and the like, stalk and slash rammel, which are laughable. This is a 'traditional' ghost story; there is no big budget action or special effects...no swearing, no blood, no gratuitous sex scenes, no chainsaws or guns etc...So how refreshing!!!! It's atmospheric. IF you like chilling horror, well written, well acted and with a genuinely scary atmosphere, this is the movie for you. I like the original horrors; only last night I saw the original Haunting and that is a superb movie. Very atmospheric again - and so is The Woman In Black. The end of the movie differs to the book, but still very good. I recommend it. Try it...you *will* like it if you like traditional ghost stories...SO...turn off the lights, turn up the fire, lock the doors, grab a drink...and enjoy... :)

However, the ladies of all ages will lap it up, no doubt; at least the opposite sex understand what it is to be a mother, and most of us men try to fathom out what it is to be a father. Whether changing nappies is not at all my favourite occupation and trying to get those bottled baby-foodstuffs into errant toothless mouths must rank very high on household duties preferably left to its mother, has absolutely nothing to do with the matter.
Some good interpretations here, and a good story idea; the handling of the matter, limited to rather scanty TV-production concepts, gives the film a rather over-mellowy taste with not much new to offer. An insipid way of delivering the goods, and in the end the outcome is so forseeable during the last 20 minutes or so, even my wife dozed off, and I was jumping up to the computer to get the on-line scoring in the Barcelona-Deportivo match, hoping the away team would do something rather good. They did. This film did not.
Better by far is Mike Leigh's magnificent "Secrets and Lies" (qv) which touches on the same subject matter, but with Brenda Blethyn playing a far superior part.