Sachinkry/imdb-preference-10k huggingface dataset:
For those of you unfamiliar with Jimmy Stewart, this is one of his "lesser" films from later in his career. And, while it isn't a great film compared to many of his other pictures, it isn't bad and is a decent time-passer--but not much more.
Kim Novak is a witch in New York City and for some inexplicable reason, she decides to cast a spell on poor Jimmy to make him fall in love with her. Over time, the cold and detached Ms. Novak also begins to fall in love with Stewart--and apparently in the witch's rule book, this is a definite NO, NO!!
The film is odd in its sensibilities about the witches. They are neither the baby-sacrificing nor the all-powerful variety. Most of their magic is pretty limited and pointless (such as Jack Lemmon using his powers to turn off street lamps). And, very oddly, the witches all seem to be bohemians who hang out in hip bars where you might find people wearing berets and listening to crappy jazz. Considering what I think of jazz, it must really stink to be a witch in this movie's world!
Anyway, the film is pretty romantic and mildly comedic, but not something I would rush out to watch. The acting is pretty good, but the script doesn't offer enough payoff to make this an exceptional film--in fact, I almost scored the film a 6--it was really close.

Please, spare me of these movies that teach us that crime is fun and justified. Couple that with a vacuous script with an intense desire to be a Farrelly or a Coen brother, plus the lives of yet ANOTHER group of supposedly high school age people acting out their Dawson Creek-brand teen angst complete with a GenXYZ soundtrack that woefully tries to make the movie "feel" cool and, we have intensely and painfully inept satire.
This isn't even watered-down 'Ferris Bueller'...I'd rather watch a traffic light change.
Only one scene stands out as anywhere near worth the price of admission: when the Betty Masked girls meet a Richard Nixon Masked friend. It's a surreal moment. Priceless even.
But for the rest of it, I'd rather have a toothache. At least I can apply some Benzocaine(tm) to stop the pain.
I saw this film when I was 10 or 11 years old, alone in my parent's basement on a Saturday night. It was being shown on "Chiller Theatre," a regular fright feature that I watched religiously as a young 'un. Now, I have seen many old horror films thanks to Chiller Theatre, but none ever stuck with me like "Danse Macabre," a.k.a. "Castle of Blood." I am 51 now, and only last year was I fortunate enough to locate a relatively recent, quality DVD edition of this wonderfully shudder-inducing supernatural classic, having thought I'd never manage to see it again. I have already watched it four more times, and cannot seem to get tired of it.
They just don't make spook films like this one anymore. Haunted catacombs and mist-enshrouded graveyards just don't work as well in color as they did in black and white back in the day. Anyway, this one has Edgar Allen Poe and Barbara Steele, deliciously shadowy, cobweb-wrap'ed haunted castle sets, restless spirits re-enacting their deaths... and a wickedly ironic ending.
IMO, this one's right up there with Robert Wise's "The Haunting," "The Innocents" (with Deborah Kerr), and the more recent "The Others."

This horror movie is really weak...that is if this is the correct movie I am commenting on. Nothing really terrible goes on as a family adopts a cute little German Shepard pup. I had a German Shepard and it is a really good dog. I did not get the idea to get one from this movie though, but rather from the comedy "K-9". That is another story all together though. This movie really doesn't have much horror at all as the most horrific scene is at the end and it looks really cheesy. Also, we see a guy almost put his hand into a lawn mower. That is about it. The father suspects something though, as his family seems to be getting rather strange, somewhere he finds out if you hold a mirror to them while they are sleeping you can see if they are possessed. All in all a really weak horror movie even by television standards...television movies that do work are out there as "This House Possessed" is pretty good and there is another haunted house movie about a woman and these strange creatures that is also rather good. This one is really rather dull.
This is an excellent, fast paced thriller by Wes Craven (Nightmare on Elm Street), who for 85 minutes leaves aside the supernatural and presents us with something even more terrifying - the evil of human beings. We are far more likely to encounter the benign evil of Jackson Rippner than Freddy Kruger, and Cillian Murphy (Batman Begins) does an excellent job of presenting a sociable, friendly, even charismatic killer. The performances by Murphy and by Rachel McAdams (Claire, from The Wedding Crashers)are brilliant. Most of the film takes place on a very intimate level, between two people, their eyes, their faces. It is action on a small scale, not the broad sweep of the canvas, and it is no less compelling for these limitations. The cinematography is nothing special, though of course one can do only so much with a camera in the confines of a passenger jet, but the dialog is excellent, the story taut. There are no distractions, no subplots confuse the issue which is at its heart a battle between the main characters. By keeping his focus and avoiding distractions, Wes Craven is able to take what is a very minimal plot and turning it into an exciting, fast-paced action thriller.

I agree with most if not all of the previous commenter's Tom (bighouseaz@yahoo.com). The Zatoichi series is a great character study combined with great sword fighting and excitement.
I have seen Zatoichi 1-13,15,16; I believe 14 has not been released on Zone 1 (usa). Zatoichi the Outlaw was disappointing. The story line was complicated, and seemed to be a hodgepodge of many previous Zatoichi story lines. At one point, I was wondering if I was not seeing a remake of a previous Zatoichi film.
This film was disappointing because it started to depend on effects (a head rolling, limbs severed, blood) and less on the nobility of the Zatoichi character. All the previous films succeeded based on the storyline and action, and won a great following without having to resort to effects.
I am just hoping that the remaining Zatoichi films do NOT follow the same trend. This is the first Zatoichi film from his studio. I highly recommend all the previous Zatoichi films -- and recommend them.
I first saw this movie 3 years ago, and it was introduced by then Disney chief Eisner and the real Jim Morris.
About a month ago, it came back on TV, and this time I taped it. Since then I must've watched it at least three times.
This is a wonderful, inspirational, feel good movie that is intelligently written and believably acted by everyone concerned. It resists going for every sentimental trick in the book, as well as all of the other clichés.
It is refreshing to see a movie where the kids aren't jerks and have a whole slew of behavioral issues, and the jocks aren't portrayed as testosterone driven muscleheads.
These are just normal people who have dreams like you and I.
In my opinion, Hollywood as gone the other extreme to what they term "gritty realism", making movies where everyone curses, and has problems with aggression.
This movie is about a man who has a dream, and is encouraged by friends and family to pursue that dream. The people in Big Lake TX seem so personable that I want to move there.
As I said b4, the film doesn't try to go overboard with sentimentality. Dennis Quaid, as usual, never disappoints. I've watched him from the late 70's, and he is so underrated.
But this movie has excellent performances from EVERYONE concerned, and kudos to the writers.
A gem in the movie is near the end when Jim is practicing in the dugout before the big game, and his wife calls out to him from the stands. He rushes over and reaches out to his family. The look on the faces of the three other pitchers sitting on the bench in the dugout is priceless.
If you're looking for a change of pace, then pick this movie up.

Great cast. Great acting. Unpredictable story line for the first half
hour or so. I was really wanting to know what was going to
happen to each of these unredeeming characters, and how their
seemingly disparate lives would become intertwined. But when
the writers took out the glue to start connecting the players, they
mistakenly used super glue and brought the movie to a standstill
for the last two hours. I kept thinking it would get better, but it only
got worse. Don't believe the reviews. This is a waste of time.
Think about it -- Tom Cruise made ugly -- why? The gorgeous
hunky bartender wearing braces -- why? I know it had to do with
the plot, but without them, at least there would have been one
attractive cast member to remember.
Weak, fast and multicolor,this is the Valvoline's movie in fact you can see always this brand of oil in a lot of scene. The real protagonist are the cars,weak performances of Cage and Duvall. A intresting Angelina Jolie is a unlikely mechanic. For the lovers of dream car(LAMBORGHINI and FERRARI over all).

Typical Troma-trash, this smutty 80's flick is considered one of the "highlights" of Lloyd Kaufman's notorious production studio, alongside "The Toxic Avenger" released one year earlier. "The Toxic Avenger" is far superior if you ask me, but this demented splatter-flick is nevertheless endurable as well; just make sure you leave your full brain capacity at the door. The events take place in Tromaville, a little town that proudly claims to be the toxic chemical capital of the world, and they certainly aren't lying. The safety precautions in the local nuclear power plant are substandard, to say the least (even Homer Simpson never was this nonchalant) and toxic waste seeps through to the nearby high school. The first intoxicated victim is the stereotypical nerd, who starts spurting green stuff out of all his body cavities, but his death is believed to be an accident because he had no less than TWO microwave ovens in his house! Oh, the humanity! Shortly after, however, the nuclear leaks also affect the school's weed plantation and thing really start to get messy. After smoking a joint at a party, the cutest couple in school produce a gigantic worm monster that settles in the basement and feeds on teenage scum. "Class of Nuke 'em High" is bottom-of-the-barrel horror film-making, with dialogs so dumb they hurt your ears and make-up effects that give a whole new meaning to the word tasteless. If you enjoy watching faces melting away, getting crushed or splitting in half, this is definitely a must-see! Unlike the aforementioned "The Toxic Avenger", this film suffers from a couple of really dull and overlong moments where nothing really significant happens, like for example when Chrissy and Warren try to figure out what's wrong with their hormones. The crude humor isn't as effective as in "Toxic Avenger" and the acting performances are unforgivably amateurish. Proceed only if you're an avid Troma-fanatic.
Panic is a sneaky little gem of a film - you think you have it figured out by the first half hour only to realize, with great pleasure, that Henry Bromell is a much better writer/director than that.
The film builds slowly, with one quietly devastating scene after another, all enacted perfectly by William H. Macy, Donald Sutherland, Neve Campbell, Tracey Ullman, John Ritter, and the most remarkable child actor I've seen in a long time, David Dorfman, as Macy's son, who delivers his lines as if they're completely unscripted thoughts being created in his mind. Rich and rewarding, this film will stay with you long after the credits have rolled.

Imagine turning the American national anthem into a cartoon. Throw in a couple of cute animals, some terrible puns and a pair of roller skates and you'd find yourself with almost an exact replica of this film.
I remember seeing this when I was younger; I made my Mother rent it from the video shop about 5 times. The story itself isn't too bad, it's just that any Marxists watching would certainly have something to complain about.
If you don't like America you won't like this film.
i love this film. the songs and story lines are great fun. and the song "saying goodbye" always moves me. what a brilliant thing to do to bring puppets to life, in a way that you actually care about these things made of cloth and fabric and whatever. great voices and great talent. why were all the other muppet films that came after this one so much less interesting, moving and funny? is it that mr. henson is just so very missed?

Seldom do I give up on a movie without seeing the entire show. This is particularly true when I have rented it on DVD. Syriana was one in which I did give up. Half way through I turned it off in bored disgust.
This movie is disjointed, boring, confusing and lackluster. The acting was dry and without credible portrayals. The general plot was good but developed in such an insipid and boring fashion that it failed to grasp my attention or interest. The multiple sub plots often failed to connect to each other and seemed more like random stories than an actual connected plot. Too bad such a serious subject and such great actors could create such a flop. I cannot imagine this movie receiving any nominations much less an award.
Whatever you become in your life,you must never forget that you have roots.This is the story of true facts that was made into a beautiful and moving movie! I dare to say that this movie is well underrated.This shows us a reality of life...the more evil surrounds you ,the better person you become.Trust in your instincts and be aware that the ideal of life is to live it happy...without grudges,without living "under a rock" . The movie concept is more that interesting...connecting the storytelling with real life events...keeping us aware of everything..from facts to emotions! Bless these people and make everyone happy ! See it,i recommend it to all young people.it's not about racism it's about how to live your life !

As I sat subjected to this televised mediocrity, I wondered why? Why did Dianne Keaton agree to this trash? The movie uses meaningless, contrived plot lines to deliver trash to homes of thousands. The movie takes a political agenda to a new level. The movie was meaningless, and all creditability was lost to the excessive use of stereotype.
It was obvious that Keaton tried to make this movie worthwhile, but in the end she needs to remember the age old adage that you cannot polish a turd. I hope that you did not waste your New Year's Day watching another mindless made for TV movie. I now know why the networks started airing series on Sunday night, to rid us of trash!
Tim Meadows has to be the most underrated of SNL's recent cast members. What initially was a low-brow look at a sleazy gigilo develops into a thoroughly entertaining 90 minute run, albeit, still low-brow. Don't pop this one in expecting beautiful cinematography or Oscar-worthy performances. Walk into it expecting brilliant silliness with Tim Meadows and Will Ferrell doing what they do best - making the audience laugh.
Leon "The Ladies' Man" Phelps is a naive, likable radio sex show host who knows very little about anything except the ways of the wang. As a gifted Ladies Man, he lays waste to the wives of countless saps who've banded together in order to hunt him down. The director does an inspired job of guiding the actors on a comedic tryst which makes up completely for the lack of plot development. How much plot would one expect from an SNL skit? While some scenes are a little off the mark, for the most part, Meadows' one liners and absurd sexual comments hit the funny bone squarely. For instance, in one scene, Meadows compares himself to Mother Theresa, but for bonin'. Sure it's crass, but don't we all in the privacy of our homes get a chuckle out of his advice to an entire city for "doin' it in the butt"? In another scene, immediately after a heartfelt kiss with the female lead, he suddenly remembers the name of his would be benefactor, a woman he slept with years ago. He stands up in front of the woman who's obviously fallen for him and proclaims that "The Ladies' Man is back," to her obvious chagrin.
Billy Dee Williams hits the ball out of the park as the bartender/narrator. Will Ferrell, the repressed homosexual, rounds out solid performances.
See this movie if you're into adult humor. If not, stay away with extreme prejudice.

I waited almost 25 years to see this movie, thinking it might be an underrated work, from a period animation was no longer of the quality it had once been. It starred one of the best film villains of all time, was based on a beloved series of children's books, and was a Disney Studios production. What could possibly be wrong with it? As it turns outs, almost everything.
Well, not everything. Vincent Price as Rattigan and Henry Mancini's swanky score are the movie's two saving graces. Price is wickedly enjoyable, and Mancini more professional than the material deserves. They bring class to a project that otherwise belongs in obscurity.
Meanwhile the rest of the movie, while filled with inappropriately adult situations, still suffers from a completely dull script, blandly generic voice work, terrible songs, and lazy animation that wouldn't have been out of place on any of Disney's mid-1980s Saturday morning TV shows.
This was a complete disappointment to me. It's amazing that this movie was nearly contemporary with The Secret of NIMH. Costing a fraction of this, an independent studio produced something with more creativity in its trailer than GMD has in its endless running time.
The extra star that keeps this from being "awful" goes to Price and Mancini.
A meteorite falls in the country of a small town, bringing a jelly creature. An old farmer is attacked by the alien in his hand, and the youths Steve Andrews (Steve McQueen) and his girlfriend Jane Martin (Aneta Corsaut) take him to Dr. T. Hallen (Steven Chase). The local doctor treats carefully the blister, and asks Steve to investigate the location where they found the old man. When Steve returns, he sees the blob killing the doctor. Steve and Jane try to warn the police and the dwellers, but nobody believe on them, while the blob engulfs many people, getting bigger and bigger.
"The Blob" is a cult and classic sci-fi. It is a low budget movie, with many ham actors and actresses (with the exception of Steve McQueen), awful effects, but also delightful and very, but very funny. This is the first time that I see this classic (I had seen the 1988 remake with Kevin Dillon), and I really recommend it to fans of Steve McQueen and sci-fi B-movies from the 50s. The film subject of my review number 1,400 could not be better. My vote is seven.
Title (Brazil): "A Bolha" ("The Blob")

Bill (Buddy Rogers) is sent to New York by his uncle (Richard Tucker) to experience life before he inherits $25million. His uncle has paid 3 women Jacqui (Kathryn Crawford), Maxine (Josephine Dunn) and Pauline (Carole Lombard) to chaperone him and ensure that he does not fall foul of gold-diggers. One such lady Cleo (Geneva Mitchell) turns up on the scene to the disapprovement of the women. We follow the tale as the girls are offered more money to appear in a show instead of their escorting role that they have agreed to carry out for the 3 months that Bill is in New York, while Bill meets with Cleo and another woman. At the end, love is in the air for Bill and one other .............
The picture quality and sound quality are poor in this film. The story is interspersed with musical numbers but the songs are bad and Kathryn Crawford has a terrible voice. Rogers isn't that good either. He's pleasant enough but only really comes to life when playing the drums or trombone. There is a very irritating character who plays a cab driver (Roscoe Karns) and the film is just dull.
Superb movie. Very good photography of 1969/70 Bolton, which seems now to be a different world. Thoughtful and an excellent dramatisation and production. James Mason a real first class star. It is and I would agree with the above comment that this movie is a national treasure.

Odd slasher movie from Producer Charles Band. In the days of Full Moon's greatest success Band said that he would never make "real killer films" because he felt that little puppets and big monsters added a fantasy element that made the films better - people killing each other is thus real and less fun. A nice philosophy and a true shame that Band, having destroyed the Full Moon studio through possible shoddy business dealings became so desperate for home cinema profits that he started making exactly what the likes of Blockbuster wanted and therefore sacrificed creativity and originality. The team behind this one also worked on 'Delta Delta Die!' and 'Birth Rite' - both equally bland by Full Moon standards. Debbie Rochon is on usual top form here as a newbie to a gang of dudes and dudettes who decide to make up a story about a 'murder club'. She - as one would obviously - does all she can to join and then panic sets in because it was not a true story and silly Ms Rochon believed it and now everybody will have to run around getting covered in blood and maybe killing each other or maybe not. The choice is there's and with regard to this movie its yours...not recommended but not entirely bad either.
I don't know who could find fault with a simply human and funny film like this with lots of delights for your heart. I enjoyed each minute of it and guessed the ending half way through the movie -- but that did not disappoint me at all. It will not only touch your heart but it's such a good family friendly film--we need many more like these!

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Long time inmate Twitch (Kurupt) gets himself transfered to a tougher prison than the re-opened Alcatraz. He claims it's to be closer to his lady but his real motives are a bit more grandiose. There he crosses paths with Burke (Bill Goldberg) a bulky prisoner who can take care of himself. Twitch, despite being less muscular, is just as mouthy and is pretty much the same. But there is a gang war brewing between the black and hispanic inmates that explodes into a hostile takeover of the prison when the black's gang leader is shot dead and the finger points at Burke. But the sh!t really hits the fan when the real killer and leader of the hispanics, Cortez (Robert Madrid) takes Twitch's girlfriend and Burke's daughter hostage.
Steven Seagal doesn't do sequels (reportedly very opposed to the idea of Under Siege 2 and only agreeing to do it on the condition the film company he was with at the time let direct his own movie) so despite this being a DVD sequel, the lead role this time round goes to Bill Golberg (Steve doesn't even appear in some of the stock footage from the first film that appears towards the end.) But there's a reason he hasn't done much work since Universal Soldier 2 and that's because he's not much of an actor, and not much of an action star either, managing a character that begins as very dark and brooding but unsubtly turns into a standard action hero awkwardly quipping off dull one-liners. Support wise, veterans from the first film, Kurupt and Tony Plana, have merely jumped at the chance of extra work.
This is a film that's tried to copy the style of the original quite well, with the dim lighting, dark shadows and rap music playing over a lot of it. It does this quite well, unfortunately it can't contend with an unengaging hero, an equally cardboard villain and an apathetic story that the makers do very much seem to have made up as they went along. **