The premise of this movie has been tickling my imagination for quite some time now. We've all heard or read about it in some kind of con-text. What would you do if you were all alone in the world? What would you do if the entire world suddenly disappeared in front of your eyes? In fact, the last part is actually what happens to Dave and Andrew, two room-mates living in a run-down house in the middle of a freeway system. Andrew is a nervous wreck to say the least and Dave is considered being one of the biggest losers of society. That alone is the main reason to why these two guys get so well along, because they simply only have each other to turn to when comforting is needed. Just until...
Straight from the beginning of the film lots and lots of problems happen to them. Both of them get involved with crime, Andrew suffers from paranoia and simply doesn't dare going out of the house. Dave is unsuccessful at his job and his colleagues don't treat him very well and with the respect he deserves. The amount of problems they face keeps increasing until that one day where they may have to face the inevitable and deal with it. This is just too much for them and they wish that everything would just go away... And of course that is exactly what happens.
The rest of the story places Dave and Andrew in this world of nothingness. At first they are surprised and have problems understanding and dealing with the features of this crazy environment, but later on they find out that they can do just about everything they want because it seems as if they are the only ones still left.
Nothing features an incredibly small cast - in fact, besides the first couple of shots from the film, we only see Dave (David Hewlett) and Andrew (Andrew Miller) in the entire film. It is clear that in order to pull this off, the cast has to be more than up for the task, because in a world where nothing exists there is nothing that can distract the viewer in any way. Vincenzo has decided to use a reasonable amount of close-up head shots to make it more interesting and it actually works quite well. Director of Photography, Derek Rogers, also has a nice way of teasing the audience by withholding visual information, especially at times where a character sees something and reacts to it, but we don't see it right away.
Obviously, this can't be an event driven film and it's not. Much of the action happens outside their house when they move around in the void. And that's where some of the most hilarious scenes take place, especially in the case of when Andrew discovers a candy bar.
Now, one could be thinking: "How does nothing look like?" Well, it looks like nothing indeed. The entire world of nothing is white... white no matter in what direction you look. This is the weakness of this film... After an hour or less it's getting extremely boring to look at and there has to be events to make sure it's more interesting to look at. Thank God, there are some. For example at times when the two lads, due to the properties of nothing, are able to jump really high as if nothing is made out of... tofu (as Andrew claims). It's fun to see how they are instantly able to use nothing to become gods of their own little society.
One of the best parts of the film is the set... Production designer Jasna Stefanovic has done a beautiful job in this film, the house in which these two guys live is so unnaturally fun to look at, still it seems right for these two to be living in a place like this. All in all, the production design is with no doubt one of the most powerful aspects of this film at it really makes the film worth watching...
However, the very best part of the film is the acting. Both David Hewlett and Andrew Miller really look like the professional actors they both are. The camera is on them for every second of the film and as previously said, there are just about no props in the film, they are really on a bare stage. With plenty of character development and some decent one-liners, clever dialogue (at times hilariously stupid), it all works to that end - and this really moves the movie away from the low-budget area to well-crafted handwork.
Let's talk a little about the visual effects, because they are definitely worth mentioning. Nothing features digital visual effects and prosthetics that equals any modern horror film. There's a rather horrifying dream sequence in the film, and although The Drews have milked that scene completely it's still fun to watch. One of the best visual effects in the film is at the end where Andrew and Dave suddenly discover their powers in this environment - they have the abilities to wish everything away, so what if they can do it the other way around and make things appear?
"Nothing" is a bright and well-lit movie, it really helps promoting the idea of them probably being dead (this is in fact one of their theories), but "Nothing" is a comedy and it slowly destroys its own theory. We don't know where they are or what has happened to them. We don't know if they will ever get out, because the movie ends before we see anything like that. The ending, by the way, is not as good as it could've been. It's rather easy to predict what is going to happen, still the writers have thought up a few incidents that help make it a little more interesting and in the end, it's a reasonably satisfactory one.
Take "Hollow Man", "Kill Bill", "Cube", "Epoch" and lots of other films and you have "Nothing". It really is an amalgam of different styles, still there is no other film (at least that I know of) Nothing is really like. For the people remembering the original Cube Production Commentary on its DVD may remember that Vincenzo Natali talked about how he came up with the story of Cube. He talks about him and André Bijelic having been room-mates at a time and they both were in this extremely dull room with no hope of getting out, "Nothing" could very well be the screened version of the origin of the Cube story, and to that end, it's almost like one of the Cube prequels.
What can I say? I enjoyed "Nothing", it is a great movie and the different parts of the movie are extremely well-made with tons of intelligent ideas, still I feel the movie is missing something and I have problems finding out precisely what it is... Maybe if we have a "Nothing 2" I can answer that question. "Nothing" is a great film, but not as good as I expected it to be.
Final rating: 7.5 / 10

I am 17, and I still like most of the Scooby Doo movies and the old episodes. I love the 1990s movies, and recently we were treated to one of the better direct to DVD Scooby Doo outings of this decade, Scooby Doo and the Goblin King, which I wasn't expecting to be as good as it was. Anyway, back to Get a Clue! I watched some episodes, expecting something very good, but from what I saw of it, I wasn't impressed at all. First of all, I hated the animation. It was flat, deflated and very Saturday- morning -cartoon -standard, easily the worst aspect of the series. Even some shows I really hate had slightly better animation. Even worse, Shaggy and Scooby looked like aliens, and I really missed Fred, Velma and Daphne, as they added a lot to the old episodes, when Scooby Doo was positively good. I also hated the character changes, because it seemed like instead of solving mysteries, Shaggy and Scooby were now playing superhero, something they would've never had done in the movies or in the Scooby-Doo Where Are You? show. The theme tune wasn't very good either, I can't even remember it, and the jokes were lame and contrived. Though, I do acknowledge that there is a very talented voice cast, had they had better material, and hadn't been told to sound as different to the original voices as humanly possible, which they did, might I add. In conclusion, I personally thought it was awful, and I am not trying to discredit it, it's what I personally feel. 1/10 Bethany Cox