Sachinkry/imdb-preference-10k huggingface dataset:
I loved the episode but seems to me there should have been some quick reference to the secretary getting punished for effectively being an accomplice after the fact. While I like when a episode of Columbo has an unpredictable twist like this one, its resolution should be part of the conclusion of the episode, along with the uncovering of the murderer.
The interplay between Peter Falk and Ruth Gordon is priceless. At one point, Gordon, playing a famous writer, makes some comment about being flattered by the famous Lt. Columbo, making a tongue-in-cheek allusion to the detective's real life fame as a crime-solver. This is one of the best of many great Columbo installments.

Woody Allen, when at his best, has one of the sharpest pens around. He can make an acute observation and wrap it around a punch line like nobody else. However, when he's at his worst his movies can stench of pretentiousness. Unfortunately, "Melinda and Melinda" has this stench from opening to closing. The set up is one of his more intriguing ideas in a while. Four friends sit in a restaurant discussing whether the essence of life is comedy or drama. To help settle the argument, one man relates the beginning of a story and asks the two other men arguing (one a comic playwright, the other a dramatic playwright) whether the story is a comedy or a tragedy. The two men then continue the story and the movie plays out the stories that they weave. Now, when I first heard about this film, my understanding was that they tell the exact same story, the genre (comedy or drama) only changes by how you look at it. Now that would have been interesting. However, the stories only share one main element and a few side elements. They are entirely different stories with major plot differences. The drama is so stiffly scripted and pretentious that it can only really work as self-parody. If this was the point, then it failed because these elements prevent the audience from feeling any emotional investment in any of the characters. The comedy is the story that has moments of success, but they are still short and fleeting. Will Farrell is obviously meant to be the stand-in for Woody, but he could have played this character so much more believably without adding Woody's stutters and hand-ticks. Woody is the best at being Woody. When someone else tries, they're not playing a character, they are modeling a recognizable actor. This type of thing only pulls the audience out of the story.
My favorite Woody Allen movies make me leave the theater a little bit lighter in spirit than I walked in. This one made me wish I could get my money back.
Indian Summer! It was very nostalgic for me. I found it funny, heartwarming, and absolutely loved it! Anyone who went to camp as a kid and wishes at times they could go back to the "good Ole' days" for a brief time really needs to see this one! It starts out as 20 years later, a group of old campers returns for a "reunion". I won't comment on the plot anymore cause you have to see it for yourself. The actors were great, and it contains an all star cast. Everyone in it played a terrific role. You actually felt like you were a part of the movie watching it. Alan Arkin was especially good in his role as Uncle Lou. He plays the kind of guy that everyone wishes they had in their lives. This is also a good family movie for the most part. I would suggest this one to anybody in a heartbeat! HIGHLY Recommended!

I was in such high hopes of seeing an adaptation of a classic story like the Arabian Nights. Instead i was disappointed in a film that failed to keep my attention from the very beginning, even though i tried watching it twice!!
It was a bonus that Caradine was in this movie but it didn't amount to much as the actors lacked likability. For something a little similar Zorro with Anthony Hopkins and Bandaras is much better for action, comic moments and overall enjoyability.
OK, so Son of the Dragon has many possible fans out there, but if your looking for something to wow about in terms of martial arts and plot line you wont get it. If you just want the kids to settle down on a Sunday afternoon then maybe this it for you along with the 3 ninjas.
Having heard of Modesty Blaise before, but never having read a novel or a comic strip, my wife and I liked the film a lot. It delivered, in a captivating way, a good introduction to the character and her background.
Although it has some action flick elements, it is much more an intimate play, excellently written. Sadly, this is also, where a major drawback of the movie is revealed. An intimate play lives on the capabilities of its actors and unfortunately only half of the cast delivered. While Alexandra Staden did an excellent job as Modesty Blaise, her counterpart Nikolaj Coaster-Waldau - as the villain Miklos - did not. Smiling his way through the plot as if it is an extend toothpaste commercial, he fails to build up an atmosphere of anxiety that would have made the movie a masterpiece. The supporting cast is somehow similar, from some stereotyped gangsters and sluts to decent performances from Fred Pearson as Professor Lob and Eugenia Yuan as Irina.

Damp telling of the American Revolution.
When farmer 'Tom Dobb' (Al Pacino) and his son arrive in New York Harbor, they are immediately conscripted by street urchin Annie Lennox... Annie Lennox?... to contribute to the war effort.
After getting chopped down by bits of chain-link fired from British cannons, Tom and his son are promptly chastised by Continental Army sympathizer 'Daisy' (Nastassja Kinski) for 'not standing their ground'. Following this Kodak moment, a series of digressive chapters take place including Tom's participation in a 'foxhunt' in which he must carry a model of "poor old Georgie Washington" stuffed in effigy while running from a lace handkerchief-wielding English captain (Manning Redwood), and having a barbecue with a group of Iroquois Indians as they plan on the best way to sneak back into the fighting so Al and his ingrate kid can kick the crap out of British officer Donald Sutherland's butt.
Director Hugh Hudson presents a unique style of film-making and the atmosphere is as thick as the proverbial London fog, but the scriptwriter's painting of the redcoats as evil monsters once again reveals Hollywood's patented hatred of the British.
Steven Berkoff appears as an enlisted American soldier.
The tighter the drama, the better the film of sister rivalry! This little gem was mainly promoted as a comedy upon its release in Sweden, so I'm glad to find that wasn't the whole case. Funny bits on small-town bickering are there to enjoy, surely, but the drama takes center stage, as the story progresses. And not just family drama, it also raises poignant questions on respecting differences of peoples' lifestyle choices.
Great character ensemble with many superb and moving dramatic scenes that score credibility points; and they're not just scattershot, but hold everything in place. It just makes me assume that if Ingmar Bergman had made this (the drama would suit him!), the international attention probably would have been immediate.
7 out of 10 from Ozjeppe.

"Meatball Machine" has got to be one of the most complex ridiculous, awful and over-exaggerated sci-fi horror films that I have ever came across. It is about good against evil and a coming-of-age tale, with the aim of to entertain with bloody, sleazy and humorous context. Because of that the violence isn't particularly gruesome and it doesn't make you squirm, but the gratuitous bloodletting and nudity does run freely. The performances by Issei Takahashi and Toru Tezuka is the worst i have seen, if that was not enough it is also directed by an unheard of director called Yudai Yamaguchi. This movie just have it all, it is bad to the bone!, A must see for every b-movie freak!!!... Simply: an enjoying and rare gem.
I would like to comment on the movie April Love. It's one of my all time favorites because my father, Nelson Malone plays the horse trainer. I remember distinctly when Hollywood came to Lexington, KY, where we were living at the time to make April Love. My Dad had been in numerous plays and was a talented man. I talked him into going to try out for one of the bit parts offered, and lo and behold he came home w/the script. How exciting is that! Also, a number of my classmates were in the crowd scenes -- especially the ones shown at the amusement park. It's very nostalgic every April when I see the movie being shown once again, and the song April Love by Pat Boone is still played on the radio. Timeless and reminiscent of a time long gone when you see the movies they make today w/all the sex, foul language and violence. It would be refreshing to see more movies like April Love come back into focus...

Quite average even by Monogram standards, this mystery (a remake of The Sphinx) has an oddball plot which is not unraveled to much effect -- you'll see through it after about ten minutes. The two leads have some nice breezy dialog at the outset, but John Hamilton is hopelessly dull as the villain (perfectly cast Lionel Atwill originated the role) and Warren Hymer's nitwit shtick is pretty annoying. However, it's worth sitting through for a five-minute appearance by the incomparable Mantan Moreland as Nicodemus the janitor, who gets the better of the defense attorney during a hilarious courtroom appearance. You've got to hand it to Bill "One-Take" Beaudine; he wasn't much of a director, but he would always punch up a routine programmer with some goofy vaudeville.
The second of the Why We Fight Series concentrates on Hitler's grab of the Sudetanland and beyond as he makes a chump out of Neville Chamberlain and embarks on his conquest of Europe.
Clearly meant as propaganda in its day this series over the test of time has become an informative documentary as well with most of the "Allied bias" turning out to be historical fact. The Fuhrer hoists himself on his own petard with smug pronouncements before his people and the world as he says one thing and does another as his army moves East. The Czechs and Austrians quickly capitulate but the Poles put up an heroic struggle against overwhelming odds.
The disparity between Hitler's military might and Chamberlain waving the Munich treaty like a white flag, declaring "Peace in our time" to this day has durable propaganda qualities. Here in its original context it resonates even more powerfully as the darkness of World War ll sets in on Europe leaving the American viewer with two options, freedom or slavery. In 1943 there was no evading this simple truth and The Nazis Strike makes its point effectively.

....CAUSE IT'S CRAP! The kind of movie that makes you want to go and smack the movie maker and say "WHY?". Horrible camera work...count the times the camera tries to remain steady on one person and can't. The dialog is ridiculous. The acting is comical. It looks like they took over a ghost town in the west to see if they could make a movie on the least amount of money possible. I'd bet $10 they used home video cameras to make this. Either that, or most of the cameramen were drunk. Truly the trailers are more entertaining than the movie. If you ever want to host a "Worst Movie Party", bring this one. Want more entertainment...stare at a wall.
"The Lion King" is without a doubt my favorite Disney movie of all time, so I figured maybe I should give the sequels a chance and I did. Lion King 1 1/2 was pretty good and had it's good laughs and fun with Timon and Pumba. Only problem, I feel sometimes no explanations are needed because they can create plot holes and just the feeling of wanting your own explanation. Well, I would highly recommend this movie for lion King fans or just a night with the family. It's a fun flick with the same laughs and lovable characters as the first. So, hopefully, I'll get the same with the third installment to the Lion King series. Sit back and just think Hakuna Matata! It means no worries!
8/10

You may consider a couple of facts in the discussion to be spoilers.
I'm sorry, but Spielberg didn't deserve to win any Oscar for this piece, and I think the Academy was right in that vote. (Other Oscars for best actor nominations and such... that I don't know about. But it would be hard to justify, given what they were told to do and what you see in the final product.) The way Spielberg directs this is so contrived, so meddlesome. While watching this movie a distinction made during a Film as Art course I have taken was screaming at me: "Sentiment is honest emotion honestly rendered. Sentimentality is sugary and unreal, a false view of life." This is over-the-top sentimentality. When in real life to two people ever begin to read out loud in synchronicity, as Celie and Shug Avery do when sitting on the bed going over the letters from Nettie they have found? There are examples of this type of faux behavior throughout the film: all the men crowding around Miss Millie's car and then jumping in unison like a flock of birds taking off when she goes to drive away; Harpo falling through the roofs of various buildings he's working on (a cheap slapstick gag); the whole troop of revelers heading from the Jook Joint en masse to the chapel, as if magically entranced by the choir's singing... on and on. Nothing rings true. I even wondered if Harpo's name was chosen purposefully because it's his wife Sophia's real name, "Oprah," backwards. Spielberg isn't above such "cuteness."
It's not that Spielberg is incapable of honestly rendered action and emotion. Schindler's List was amazing, deeply touching for me, and I greatly admire Saving Private Ryan too for its realism, even if the story is a bit contrived.
In complete contrast to the opinions of the other review, this film actually was surprisingly good! I reluctantly went to see it and expected to be bored by clichés, obvious jokes and overacting, all of which the trailer had promised.
However, after 5 minutes in I found myself genuinely laughing and enjoying the refreshing acting. With only one 'toilet humour' gag, Over Her Dead Body manages to actually come up with realistically funny scenarios and, without spoiling anything too much, some of the moments involving animals are hilarious.
The staple ingredients of a good film are all there; script, director and actors and compared some other recent attempts at romantic comedy, this film stands tall.
Sure, you aren't going to learn anything or have a spiritual awakening, but if you go with an open mind you will more than likely have a good time!

I have never understood the appeal of this show. The acting is poor (Debra Jo Rupp being a notable exception), the plots of most episodes are trite and uninspiring, the dialogue is weak, the jokes unfunny and it is painful to try and sit through even half an episode. Furthermore the link between this show and the '70s' is extremely tenuous beyond the style of dress and the scenery and background used for the show -it seems to be nothing more than a modern sitcom with the same old unfunny, clichéd scripts that modern sitcoms have dressed up as depicting a show from twenty years ago in the hope that it will gain some nostalgic viewers or something like that. Both "Happy Days" and "The Wonder Years" employ the same technique much more effectively and are actually a pleasure to watch in contrast to this horrible, pathetic excuse for a show
I loved the story. Somewhere, a poster said there are no families like the one portrayed in this film. Well maybe there ought to be. I thought everybody seemed really human and believable. What a top notch cast. What great music on the soundtrack. What a nice this, and what a nice that, but most of all, I will say two words to recommend this film.
Steve Carell.
He really showed a nice, subtle depth that touched me. He was truly commanding as a widower who had dedicated himself maybe a little too much to being a good dad first, at the cost of denying his own needs.
Did he act like a petulant ass? Why, yes he did.
And you see, that's what was perfect about this film. The actor who played this character made me believe he was FEELING something, and not simply ACTING like he was feeling something, and he conveyed to me perfectly what it was that he was feeling, and what he was feeling was denied.
Denied happiness.
Denied fulfillment.
Denied love.
Losing your love is painful beyond belief, and many who do so will never feel something like that again.
Beautiful film.
I gave it an eight out of ten.

Chris Rock, apparently desperate for a cozy star-vehicle which would cross his appeal over to white and mainstream black audiences, updates the hit 1978 comedy "Heaven Can Wait" with an urban agenda. He plays a struggling comedian involved in a car accident who has his soul removed too soon from his body--consequently, his angels must find another body to place him in, and can only come up with that of a white businessman. Rewriting a movie as bland and sentimental as "Heaven Can Wait" only shows that Rock's eye was on the box-office (this was strictly a corporate move organized by the most mercenary of Hollywood players). Why not strive for something loftier or more memorable than a silly reincarnation comedy that culminates with an Evening at the Apollo? Terrific supporting cast (including the usually-reliable Regina King, the wonderful Mark Addy, Wanda Sykes, Eugene Levy, and terrific Frankie Faison) do what they can, but Rock seems awkward and unsure of himself throughout. *1/2 from ****
Before watching this movie I thought this movie will be great as Flashpoint because before watching this movie Flashpoint was the last Jenna Jameson and Brad Armstrong movie I previously watched. As far as sexual scenes are concerned I was disappointed, I thought sexual scenes of Dreamquest will be great as Flashpoint sexual scenes but I was disappointed. Except Asia Carrera's sexual scene, any sexual scene in this movie doesn't make me feel great (you know what I mean). The great Jenna Jameson doesn't do those kind of sexual scenes of what she is capable of. Felecia and Stephanie Swift both of those lovely girls disappoint me as well as far as sexual scenes are concerned.
Although its a adult movie but if you aside that sexual scenes factor, this movie is very good. If typical adult movie standards are concerned this movie definitely raised the standards of adult movies. Story, acting, direction, sets, makeups and other technical stuff of this movie are really great. The actors of this movie done really good acting, they all done a great job. Dreamquest is definitely raised the bar of quality of adult movies.

Acting is horrible. This film makes Fast and Furious look like an academy award winning film. They throw a few boobs and butts in there to try and keep you interested despite the EXTREMELY weak and far fetched story. There is a reason why people on the internet aren't even downloading this movie. This movie sunk like an iron turd. DO NOT waste your time renting or even downloading it. This film is and always will be a PERMA-TURD. I am now dumber for having watched it. In fact this title should be referred to as a "PERMA-TURD" from now on. Calling it a film is a travesty and insult. abhorrent, abominable, appalling, awful, beastly, cruel, detestable, disagreeable, disgusting, dreadful, eerie, execrable, fairy, fearful, frightful, ghastly, grim, grisly, gruesome, heinous, hideous, horrendous, horrid, loathsome, lousy, lurid, mean, nasty, obnoxious, offensive, repellent, repulsive, revolting, scandalous, scary, shameful, shocking, sickie, terrible, terrifying, ungodly, unholy, unkind
Before I watched this tv movie I did not know much about one of my favorite actresses. After watching it, I realized how sad Lucille Ball's life really was. It had it's great moments too, but I didn't realize how sad it was. This movie was very good and told the story of the beloved Lucille Ball very well. I highly reccommend it.

this, is NOT one of those films it is one of the biggest pieces of tripe I have ever scene, the camera work is trying to be flashy but it really just crap the whole thing looks like the red shoe diaries, but without the sex, the only reason I bought this was I wanted to try out dvd and this was the cheapest one I could find, possibly the worst buy of my life and could have put you off dvd forever, the soundtrack is REALLY tacky and most of the movie is made up of endless repeats of clips from the first two films, why anyone would want to make a movie as awful as this is beyond me, if they had really attempted to make an original movie and failed I would be nicer in this review but they don't they just got the rights to reproduce stuff from the first two and then edit it and repeat it into this film with about maybe under 1 3rd original footage which is about up to the standards of film school students, DO NOT buy this movie. the only entertainment this dvd can offer is if you were to stick it in the microwave and watch the flashing lights! UTTER UTTER UTTER UTTTER unbelievable GARBAGE! 0/10 if only the voting system would allow that.
I won't give anything away by describing the plot of this film other than to say that it begins with the return to Israel of a young blind woman whose closest friend and companion has just committed suicide. It unfolds like a detective story as the blind woman tries to figure out why her friend ended her life. As she pursues her investigation and the information accumulates, it leads inexorably to a devastating conclusion. The film is expertly paced and the acting, especially by Talia Sharon as Ya'ara, the blind woman, is excellent. Israeli film has definitely come of age and is now fully competitive with other foreign films, though few have found a large audience in the U.S.

The only reason I watched the movie till the end was the "hope" to see something interesting. The movie is really bad and the performance of the girl it is really, really bad, honestly, I am not a movie critic neither an expert but you just need common sense to notice that this work it is incredibly bad.
The first thing that came to my mind as soon as she started to talk was: "She has an affair with Willem Dafoe and he accepted to help her with the screenplay and appear in her movie since she is the brilliant director"... surprise, surprise, next day after I watched the film I found out on internet that Giada Colagrande is his wife. Awful story and terrible performance.
This is simply one of the finest renditions of Dicken's classic tale. The script very accurately follows the story originally penned by Dickens, and captures a perfect balance between a film atmosphere and a play atmosphere. Viewers fond of either format will find enough of the story rooted in their presentation style of choice.
George C. Scott brings a delightfully realistic approach to the character of Scrooge, and is very convincing in the character development instigated by the visits of the ghosts. I found that he was able to win me over to the point where I sympathized with the old miser, something rarely done in other versions. The superb job done by the supporting actors add greatly to this production, which is simply the most enjoyable of all the Christmas Carol versions I have seen.

This is the most messed up entry on IMDb that I've yet to stumble across. All the previous reviewers act like this is the movie. This is NOT the movie. Rather it's merely a featurette that's an extra on the DVD of the movie "The One" It also nowhere near being the 90 minutes that it's listed here as. In actuality it's barely over 13 minutes of how cool Jet Li can do martial arts. and his reflections on the movie. So yeah this IMDb entry is quite a bit fubar. Don't listen to any of the other reviews as they are ALL wrong. You can trust me, because I never feed you, dear reader, BS.
and that's the truth. i guess u can say that i'm "the One" Reviewer that matters.