Title: Raphael
Content:  Raffaello Sanzio da Urbino (March 28 or April 6, 1483 – April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his early death at 37, leaving a large body of work. His career falls naturally into three phases and three styles, first described by Giorgio 
Title: Raphael
Content:  also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career.
Title: St. Michael Vanquishing Satan
Content:  to have set the standard for other artists." Even though Raphael had success, he had his differences amongst the elites of his time including Popes, cardinals, literati, and dukes. According to the art historian Giorgio Vasari, Raphael was an artist that had created his own style of painting by learning from previous masters and applying it to his works. Raphael was born in the city of Urbino in the year 1483. He moved to Florence in 1504 to study art. Having been exposed to the aesthetics of Florentine painters, Raphael’s painting skills were elevated and refined. He adopted a certain style that emphasized musculature within the human form and a sense of tension created with intense compositions.
Title: List of paintings by Raphael
Content:  The following is a list of paintings by Italian Renaissance painter Raphael. Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period. He was enormously prolific, despite his early death at 37, and a large body of work remains, especially in the Vatican, where Raphael and a large team of assistants, executing his drawings under his direction, frescoed the Raphael Rooms known as the Stanze. He was extremely influential in his lifetime, but after his death the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when his more tranquil qualities were again widely taken as models.
Title: Palazzo dei Convertendi
Content:  MORTALI VITA DECESSIT / DIE VI MENSIS APR. / ANNO REP. SALVTIS MDXX Here died Raphael Sanzio on 6 April 1520" The building has a yard with arches resting on rusticated Doric pillars sustaining spherical vaults. On the first floor is a display of 120 Russian paintings on religious subjects, almost all produced by Russian painter Leonida Brailowsky (1872–1937). The new palace also contains several frescoes from the original building in Piazza Scossacavalli, among them a group of lunettes attributed to the school of Pomarancio, five landscape paintings in the so-called Popes (or Patriarchs) reception room on the first floor, and two battle scenes in the Audience room.
Title: Raffaello Sanzio Morghen
Content:  A list of the artist's works, published at Florence in 1810, comprised 200 compositions; the number was afterwards considerably increased. Other than those mentioned above, the most notable include his engravings of Raphael's Transfiguration, a Mary Magdalene by Murillo, a Head of the Saviour by da Vinci, Guido Reni's Aurora, Poussin's A Dance to the Music of Time and The Flight into Egypt, Domenichino's Archery Contest of Diana and her Nymphs, Van Dyck's Portrait of Francesco de Moncada and anonymous portraits of Dante, Petrarch, Leonardo, Ariosto, Tasso and other famous men. They also include engravings of Antonio Canova's Theseus and the Minotaur and the same sculptor's monument to Pope Clement XIII. His prints have hardly maintained the reputation which they enjoyed during the artists lifetime. Though carefully and delicately executed, they are somewhat mechanical and wanting in force and spirit. Giovanni Folo of Bassano was a pupil of Volpato, then of Morghen himself. Giovacchino Cantini was also a pupil of Morghen.
Title: Italian art
Content:  are softer in outline and more poetic than those of Michelangelo. Raphael was skilled in creating perspective and in the delicate use of color. He painted a number of beautiful pictures of the Madonna (Virgin Mary) and many outstanding portraits. One of his greatest works is the fresco The School of Athens. The painting was influenced by classical Greek and Roman models. It portrays the great philosophers and scientists of ancient Greece in a setting of classical arches. Raphael was thus making a connection between the culture of classical antiquity and the Italian culture of his time. Leonardo da Vinci painted two of the most famous works of Renaissance 
Title: Renaissance architecture
Content:  Raphael (1483–1520), born in Urbino, trained under Perugino in Perugia before moving to Florence, was for a time the chief architect for St. Peter’s, working in conjunction with Antonio Sangallo. He also designed a number of buildings, most of which were finished by others. His single most influential work is the Palazzo Pandolfini in Florence with its two stories of strongly articulated windows of a "tabernacle" type, each set around with ordered pilasters, cornice and alternate arched and triangular pediments.
Title: Raphael
Content:  Raphael made no prints himself, but entered into a collaboration with Marcantonio Raimondi to produce engravings to Raphael's designs, which created many of the most famous Italian prints of the century, and was important in the rise of the reproductive print. His interest was unusual in such a major artist; from his contemporaries it was only shared by Titian, who had worked much less successfully with Raimondi. A total of about fifty prints were made; some were copies of Raphael's paintings, but other designs were apparently created by Raphael purely to be turned into prints. Raphael made preparatory drawings, many of which survive, for Raimondi to translate into engraving. The 
Title: Raphael
Content:  Florence itself. Several other artists and their teams of assistants were already at work on different rooms, many painting over recently completed paintings commissioned by Julius's loathed predecessor, Alexander VI, whose contributions, and arms, Julius was determined to efface from the palace. Michelangelo, meanwhile, had been commissioned to paint the Sistine Chapel ceiling. This first of the famous "Stanze" or "Raphael Rooms" to be painted, now known as the Stanza della Segnatura after its use in Vasari's time, was to make a stunning impact on Roman art, and remains generally regarded as his greatest masterpiece, containing The School of Athens, The Parnassus and the Disputa. Raphael was then given 

Question: what type of art did raphael sanzio create?
Answer: Painting.