Title: Science and inventions of Leonardo da Vinci
Content:  Leonardo da Vinci (1452–1519) was an Italian polymath, regarded as the epitome of the "Renaissance Man", displaying skills in numerous diverse areas of study. Whilst most famous for his paintings such as the Mona Lisa and the Last Supper, Leonardo is also renowned in the fields of civil engineering, chemistry, geology, geometry, hydrodynamics, mathematics, mechanical engineering, optics, physics, pyrotechnics, and zoology. While the full extent of his scientific studies has only become recognized in the last 150 years, during his lifetime he was employed for his engineering and skill of invention. Many of his designs, such as the movable dikes to protect Venice from invasion, proved too costly or impractical. Some of 
Title: Leonardo da Vinci
Content:   Leonardo's approach to science was observational: he tried to understand a phenomenon by describing and depicting it in utmost detail and did not emphasise experiments or theoretical explanation. Since he lacked formal education in Latin and mathematics, contemporary scholars mostly ignored Leonardo the scientist, although he did teach himself Latin. His keen observations in many areas were noted, such as when he wrote "Il sole non si move." ("The Sun does not move.") In the 1490s he studied mathematics under Luca Pacioli and prepared a series of drawings of regular solids in a skeletal form to be engraved as plates for Pacioli's 
Title: Science and inventions of Leonardo da Vinci
Content:  Claims are sometimes made that Leonardo da Vinci was an alchemist. He was trained in the workshop of Verrocchio, who according to Vasari, was an able alchemist. Leonardo was a chemist in so much as that he experimented with different media for suspending paint pigment. In the painting of murals, his experiments resulted in notorious failures with The Last Supper deteriorating within a century, and The Battle of Anghiari running off the wall. In Leonardo's many pages of notes about artistic processes, there are some that pertain to the use of silver and gold in artworks, information he would have learned as a student. Leonardo's scientific process was based mainly upon observation. His practical experiments are also founded in observation rather than belief. Leonardo, who questioned the order of the Solar System and the deposit of fossils by the Great 
Title: Science and inventions of Leonardo da Vinci
Content:  During the Renaissance, the study of art and science was not perceived as mutually exclusive; on the contrary, the one was seen as informing upon the other. Although Leonardo's training was primarily as an artist, it was largely through his scientific approach to the art of painting, and his development of a style that coupled his scientific knowledge with his unique ability to render what he saw that created the outstanding masterpieces of art for which he is famous. As a scientist, Leonardo had no formal education in Latin and mathematics and did not attend a university. Because of these factors, his scientific studies were largely ignored by other scholars. Leonardo's approach to science was one of intense observation and detailed recording, his tools of investigation 
Title: Leonardo da Vinci
Content:  leather working, mechanics, and woodwork, as well as the artistic skills of drawing, painting, sculpting, and modelling. Leonardo was a contemporary of Botticelli, Ghirlandaio and Perugino, who were all slightly older than he was. He would have met them at the workshop of Verrocchio or at the Platonic Academy of the Medici. Florence was ornamented by the works of artists such as Donatello's contemporaries Masaccio, whose figurative frescoes were imbued with realism and emotion, and Ghiberti, whose Gates of Paradise, gleaming with gold leaf, displayed the art of combining complex figure compositions with detailed architectural backgrounds. Piero della Francesca had made a detailed study of perspective, and was the first painter to make a scientific study of light. These studies and 
Title: Leonardo da Vinci
Content:   Leonardo started his study in the anatomy of the human body under the apprenticeship of Verrocchio, who demanded that his students develop a deep knowledge of the subject. As an artist, he quickly became master of topographic anatomy, drawing many studies of muscles, tendons and other visible anatomical features. As a successful artist, Leonardo was given permission to dissect human corpses at the Hospital of Santa Maria Nuova in Florence and later at hospitals in Milan and Rome. From 1510 to 1511 he collaborated in his studies with the doctor Marcantonio della Torre. Leonardo made over 240 detailed drawings and wrote about 13,000 words toward a treatise on anatomy. Only a small amount of the material on anatomy was published in 
Title: Science and inventions of Leonardo da Vinci
Content:  the inclination of pelvis and sacrum and stressed that sacrum was not uniform, but composed of five fused vertebrae. He also studied the anatomy of the human foot and its connection to the leg, and from these studies, he was able to further his studies in biomechanics. Leonardo was a physiologist as well as an anatomist, studying the function of the human body as well as examining and recording its structure. He dissected and drew the human skull and cross-sections of the brain, transversal, sagittal, and frontal. These drawings may be linked to a search for the sensus communis, the 
Title: Leonardo da Vinci
Content:  Divina proportione, published in 1509. While living in Milan, he studied light from the summit of Monte Rosa. Scientific writings in his notebook on fossils have been considered as influential on early palaeontology. The content of his journals suggest that he was planning a series of treatises on a variety of subjects. A coherent treatise on anatomy is said to have been observed during a visit by Cardinal Louis d'Aragon's secretary in 1517. Aspects of his work on the studies of anatomy, light and the landscape were assembled for publication by Melzi and eventually published as A Treatise on Painting in France 
Title: Leonardo da Vinci
Content:  if published would undoubtedly have made a major contribution to medical science.  Leonardo also closely observed and recorded the effects of age and of human emotion on the physiology, studying in particular the effects of rage. He drew many figures who had significant facial deformities or signs of illness. Leonardo also studied and drew the anatomy of many animals, dissecting cows, birds, monkeys, bears, and frogs, and comparing in his drawings their anatomical structure with that of humans. He also made a number of studies of horses. Leonardo's dissections and documentation of muscles, nerves, and vessels helped to describe the physiology and mechanics of movement. He attempted to identify the source of 'emotions' and their expression. He found it difficult to 
Title: Biomechanics
Content:  The next major biomechanic would not be around until 1452, with the birth of Leonardo da Vinci. Da Vinci was an artist and mechanic and engineer. He contributed to mechanics and military and civil engineering projects. He had a great understanding of science and mechanics and studied anatomy in a mechanics context. He analyzed muscle forces and movements and studied joint functions. These studies could be considered studies in the realm of biomechanics. Leonardo da Vinci studied anatomy in the context of mechanics. He analyzed muscle forces as acting along lines connecting origins and insertions, and studied joint function. Da Vinci tended to mimic some animal features in his machines. For example, he studied the flight of birds 

Question: what area of science did leonardo da vinci study?
Answer: Writer.