Title: Antoni Gaudí
Content:  Gaudí is usually considered the great master of Catalan Modernism, but his works go beyond any one style or classification. They are imaginative works that find their main inspiration in geometry and nature forms. Gaudí studied organic and anarchic geometric forms of nature thoroughly, searching for a way to give expression to these forms in architecture. Some of his greatest inspirations came from visits to the mountain of Montserrat, the caves of Mallorca, the saltpetre caves in Collbató, the crag of Fra Guerau in the Prades Mountains behind Reus, the Pareis mountain in the north of Mallorca and Sant Miquel del Fai in Bigues i Riells.
Title: Antoni Gaudí
Content:  ground-plan floor structure, with catenary arches, parabolic towers, and hyperboloid windows. Gaudí deeply regretted the project's eventual demise, always keeping his design with him. In spite of this, the project influenced the works of the Sagrada Família, in particular the design of the towers, with their paraboloid shape like those of the Missions. In 1895 he designed a funerary chapel for the Güell family at the abbey of Montserrat, but little is known about this work, which was never built. That year, construction finally began on the Bodegas Güell, the 1882 project for a hunting lodge and some wineries at La Cuadra de Garraf (Sitges), property of 
Title: Antoni Gaudí
Content:  the Bellesguard house as well as in the crypt and the apse of the Sagrada Família. Eventually, Gaudí embarked on a more personal phase, with the organic style inspired by nature in which he would build his major works. During his time as a student, Gaudí was able to study a collection of photographs of Egyptian, Indian, Persian, Mayan, Chinese and Japanese art owned by the School of Architecture. The collection also included Moorish monuments in Spain, which left a deep mark on him and served as an inspiration in many of his works. He also studied the book Plans, elevations, sections and details of the Alhambra 
Title: Antoni Gaudí
Content:  Owen Jones, which he borrowed from the School's library. He took various structural and ornamental solutions from Nasrid and Mudéjar art, which he used with variations and stylistic freedom in his works. Notably, Gaudí observed of Islamic art its spatial uncertainty, its concept of structures with limitless space; its feeling of sequence, fragmented with holes and partitions, which create a divide without disrupting the feeling of open space by enclosing it with barriers. Undoubtedly the style that most influenced him was the Gothic Revival, promoted in the latter half of the 19th century by the theoretical works of Eugène Viollet-le-Duc. The French architect called for studying the 
Title: Antoni Gaudí
Content:   Gaudí's professional life was distinctive in that he never ceased to investigate mechanical building structures. Early on, Gaudí was inspired by oriental arts (India, Persia, Japan) through the study of the historicist architectural theoreticians, such as Walter Pater, John Ruskin and William Morris. The influence of the Oriental movement can be seen in works like the Capricho, the Güell Palace, the Güell Pavilions and the Casa Vicens. Later on, he adhered to the neo-Gothic movement that was in fashion at the time, following the ideas of the French architect Eugène Viollet-le-Duc. This influence is reflected in the Teresian College, the Episcopal Palace in Astorga, the Casa Botines 
Title: Antoni Gaudí
Content:  of a creative genius who, inspired by nature, developed a style of his own that attained technical perfection as well as aesthetic value, and bore the mark of his character. Gaudí's structural innovations were to an extent the result of his journey through various styles, from Doric to Baroque via Gothic, his main inspiration. It could be said that these styles culminated in his work, which reinterpreted and perfected them. Gaudí passed through the historicism and eclecticism of his generation without connecting with other architectural movements of the 20th century that, with their rationalist postulates, derived from the Bauhaus school, and represented an antithetical evolution to that initiated by Gaudí, given that it later reflected 
Title: Antoni Gaudí
Content:  its peak in the late 19th and early 20th centuries. His work transcended mainstream Modernisme, culminating in an organic style inspired by natural forms. Gaudí rarely drew detailed plans of his works, instead preferring to create them as three-dimensional scale models and moulding the details as he conceived them. Gaudí's work enjoys global popularity and continuing admiration and study by architects. His masterpiece, the still-incomplete Sagrada Família, is the most-visited monument in Spain. Between 1984 and 2005, seven of his works were declared World Heritage Sites by UNESCO. Gaudí's Roman Catholic faith intensified during his life and religious images appear in many of his works. This earned him the nickname "God's Architect" and led to calls for his beatification.
Title: Antoni Gaudí
Content:  Antoni Gaudí i Cornet (25 June 1852 – 10 June 1926) was a Catalan architect known as the greatest exponent of Catalan Modernism. Gaudí's works have a highly individualized, sui generis style. Most are located in Barcelona, including his main work, the church of the Sagrada Família. Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and integrated into his architecture such crafts as ceramics, stained glass, wrought ironwork forging and carpentry. He also introduced new techniques in the treatment of materials, such as trencadís which used waste ceramic pieces. Under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the Modernista movement which was 
Title: Antoni Gaudí
Content:  him, such as Josep Maria Pericas (Casa Alòs, Ripoll), Bernardí Martorell (Olius cemetery) and Lluís Muncunill (Masia Freixa, Terrassa). Nonetheless, Gaudí left a deep mark on 20th-century architecture: masters like Le Corbusier declared themselves admirers, and the works of other architects like Pier Luigi Nervi, Friedensreich Hundertwasser, Oscar Niemeyer, Félix Candela, Eduardo Torroja and Santiago Calatrava were inspired by Gaudí. Frei Otto used Gaudí's forms in the construction of the Munich Olympic Stadium. In Japan, the work of Kenji Imai bears evidence of Gaudí's influence, as can be seen in the Memorial for the Twenty-six Martyrs of Japan in Nagasaki (Japanese National Architecture Award in 1962), where the use of Gaudí's famous "trencadís" stands out.
Title: Antoni Gaudí
Content:  the field of architecture and design culminated in the 1984 listing of Gaudí's key works as UNESCO World Heritage Sites. Gaudí's style have subsequently influenced contemporary architects such as Santiago Calatrava and Norman Foster. Gaudí was the subject of the 1984 documentary Antonio Gaudi. Due to Gaudí's profoundly religious and ascetic lifestyle, the archbishop of Barcelona, Ricard Maria Carles proposed Gaudí's beatification in 1998. In 1999, American composer Christopher Rouse wrote the guitar concerto Concert de Gaudí, which was inspired by Gaudí's work; it went on to win the 2002 Grammy Award for Best Classical Contemporary Composition. On the occasion of the 150th anniversary 

Question: what was antoni gaudi inspired by?
Answer: William Morris.