Title: Mona Lisa
Content:  The Mona Lisa (Gioconda or Monna Lisa ; Joconde ) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting's novel qualities include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism. The painting is probably of the Italian noblewoman Lisa Gherardini, the wife of Francesco del Giocondo, and is in oil on a white Lombardy poplar panel. Leonardo never gave the 
Title: Mona Lisa
Content:  Today the Mona Lisa is considered the most famous painting in the world, a destination painting, but until the 20th century it was simply one among many highly regarded artworks. Once part of King Francis I of France's collection, the Mona Lisa was among the first artworks to be exhibited in the Louvre, which became a national museum after the French Revolution. Leonardo began to be revered as a genius, and the painting's popularity grew in the mid-19th century when French intelligentsia praised it as mysterious and a representation of the femme fatale. The Baedeker guide in 1878 called it "the most celebrated work of Leonardo in the Louvre", but 
Title: Mona Lisa
Content:  The title of the painting, which is known in English as Mona Lisa, comes from a description by Renaissance art historian Giorgio Vasari, who wrote "Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife." Monna in Italian is a polite form of address originating as ma donna – similar to Ma'am, Madam, or my lady in English. This became madonna, and its contraction monna. The title of the painting, though traditionally spelled Mona in English, is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), but this is rare in English. Vasari's account 
Title: Mona Lisa
Content:  The Mona Lisa began influencing contemporary Florentine painting even before its completion. Raphael, who had been to Leonardo's workshop several times, promptly used elements of the portrait's composition and format in several of his works, such as Young Woman with Unicorn (c. 1506), and Portrait of Maddalena Doni (c. 1506). Later paintings by Raphael, such as La velata (1515–16) and Portrait of Baldassare Castiglione (c. 1514–15), continued to borrow from Leonardo's painting. Zollner states that "None of Leonardo's works would exert more influence upon the evolution of the genre than the Mona Lisa. It became the definitive example of the Renaissance portrait and perhaps for this reason is seen not just as the likeness of a real person, 
Title: Mona Lisa replicas and reinterpretations
Content:  At the beginning of the 16th century, Leonardo da Vinci was commissioned by Florentine nobleman Francesco del Giocondo to paint a portrait of his wife, Lisa. The painting is believed to have been undertaken between 1503 and 1506. Leonardo's portrait of Mona Lisa ("Mona" or "Monna" being the Italian honorific for "Madame") has been on display as part of the permanent collection at Paris' Louvre museum since 1797. It is also known as La Joconde in French and La Gioconda in Italian, and has been known by other names in the past. There is a new study setting the beginning of the Mona Lisa to an earlier date than previously thought, 
Title: Vanna
Content: Monna Vanna, by Dante Gabriel Rossetti (1866) ; Dante and Beatrice, by Henry Holiday (1883) ; Monna Vanna, a nude version of the Mona Lisa painted by Salaì (Gian Giacomo Caprotti da Oreno), a pupil of Leonardo da Vinci. (Monna was the Renaissance title for "Lady", e.g., Mona Lisa, Monna Vanna). 
Title: Mona Lisa
Content:   The Mona Lisa bears a strong resemblance to many Renaissance depictions of the Virgin Mary, who was at that time seen as an ideal for womanhood. The woman sits markedly upright in a "pozzetto" armchair with her arms folded, a sign of her reserved posture. Her gaze is fixed on the observer. The woman appears alive to an unusual extent, which Leonardo achieved by his method of not drawing outlines (sfumato). The soft blending creates an ambiguous mood "mainly in two features: the corners of the mouth, and the corners of the eyes". The depiction of the sitter in three-quarter profile is similar to late 15th-century works by Lorenzo di Credi and Agnolo di Domenico del Mazziere. 
Title: Painting
Content:  Portrait paintings are representations of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person. The art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. One of the best-known portraits in the Western world is Leonardo da Vinci's painting titled Mona Lisa, which is thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo.
Title: The Mona Lisa Myth
Content:  Isleworth Mona Lisa is an earlier work by Leonardo, and is the original portrait of the Florentine subject, "while the Mona Lisa in the Louvre is an allegorical representation of the Madonna Annunziata". He further noted that "24 of 27 recognised Leonardo scholars have agreed this is a Leonardo". One author notes: "In their book The Mona Lisa Myth, art historians Jean-Pierre Isbouts and Christopher Heath Brown suggest that there is historical evidence pointing to the painting's authenticity: back in 1550, Leonardo's biographer Georgio Vasari had referred to an unfinished Mona Lisa in his book Lives of the Most Excellent Painters, Sculptors, and Architects". 
Title: Mona Lisa replicas and reinterpretations
Content:   Leonardo da Vinci's Mona Lisa is one of the most recognizable and famous works of art in the world, and also one of the most replicated and reinterpreted. Mona Lisa replicas were already being painted during Leonardo's lifetime by his own students and contemporaries. Some are claimed to be the work of Leonardo himself, and remain disputed by scholars. Prominent 20th-century artists such as Marcel Duchamp and Salvador Dalí have also produced derivative works, manipulating Mona Lisa image to suit their own aesthetic. Replicating Renaissance masterpieces continues to be a way for aspiring artists to perfect their painting techniques and prove their skills. Contemporary Mona Lisa replicas are often created in conjunction with events or exhibitions 

Question: what genre of art is the mona lisa?
Answer: Portrait.