Title: List of paintings by Claude Monet
Content:  This is an incomplete list of works by Claude Monet (1840-1926), including nearly all the finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant). What made Monet different from the other Impressionist painters was his innovative idea of creating Series paintings devoted to paintings of a single theme or subject. With the repetitious study of the subject at different times of day Monet's paintings show the effects of sunlight, time and weather through color and contrast. Monet's "Series paintings" are well known and notable, and include Haystacks, Water Lilies, Rouen Cathedrals, Houses of Parliament, Charing Cross Bridge, and Poplar Trees. His prodigious output of nearly 2000 paintings was catalogued by Daniel Wildenstein in the Monet: Catalogue Raisonné.
Title: Claude Monet
Content:  Oscar-Claude Monet (,, ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his 
Title: Portrait of the Painter Claude Monet
Content:  Portrait of the Painter Claude Monet is an 1875 oil on canvas portrait of Claude Monet by Pierre-Auguste Renoir. It is exhibited in the Musée d'Orsay in Paris.
Title: Claude Monet
Content:  series of paintings of specific subjects sought to document the different conditions of light and weather. As light and weather changed throughout the day, he switched between canvases—sometimes working on as many as eight at one time—usually spending an hour on each. In 1895, he exhibited 20 paintings of Rouen Cathedral, showcasing the façade in different conditions of light, weather and atmosphere. The paintings do not focus on the grand Medieval building, but on the play of light and shade across its surface, transforming the solid masonry. For this series, he experimented with creating his own frames. His first series exhibited was of haystacks, painted from 
Title: Claude Monet
Content:  a figure painter who depicted "explicitly contemporary, bourgeois", an intention that continued into the 1870s. He did evolve his painting technique and integrate stylistic experimentation in his plein-air style—as evidenced by The Beach at Sainte-Adresse and On the Bank of the Seine respectively, the former being his "first sustained campaign of painting that involved tourism". Several of his paintings had been purchased by Gaudibert, who commissioned a painting of his wife, alongside other projects; the Gaudiberts were for two years "the most supportive of Monet's hometown patrons". Monet would later be financially supported by the artist and art collector Gustave Caillebotte, Bazille and perhaps Gustave Courbet, although creditors still pursued him.
Title: Claude Monet
Content:  Speaking of Monet's body of work, Wildenstein said that it is "so extensive that its very ambition and diversity challenges our understanding of its importance". His paintings produced at Giverny and under the influence of cataracts have been said to create a link between Impressionism and twentieth-century art and modern abstract art, respectively. His later works were a "major" inspiration to Objective abstraction. Ellsworth Kelly, following a formative experience at Giverny, paid homage to Monet's works created there with Tableau Vert (1952). Monet has been called an "intermediary" between tradition and modernism—his work has been examined in relation to postmodernism—and was an influence to Bazille, Sisley, Renoir 
Title: Claude Monet
Content:  Monet reprimanding Renoir for defying it. He often depicted the suburban and rural leisure activities of Paris and as a young artist experimented with still lifes. From the 1870s onwards, he gradually moved away from suburban and urban landscapes—when they were depicted it was to further his study of light. Contemporary critics—and later academics—felt that with his choice of showcasing Belle Île, he had indicated a desire to move away from the modern culture of Impressionist paintings and instead towards primitive nature. After meeting Boudin, Monet dedicated himself to searching for new and improved methods of painterly expression. To this end, as a young man, he visited 
Title: Claude Monet
Content:  paintings were increasingly darker. To achieve his desired outcome, he began to label his tubes of paint, kept a strict order on his palette and wore a straw hat to negate glare. He approached painting by formulating the ideas and features in his mind, taking the "motif in large masses" and transcribing them through memory and imagination. This was due to him being "insensitive" to the "finer shades of tonalities of and colors and seen close up". Monet's output decreased as he became withdrawn, although he did produce several panel paintings for the French Government, from 1914 to 1918 to great financial success and he would later create works for the state. His work on the "cycle of paintings" mostly occurred 
Title: Claude Monet
Content:  his Japanese bridge, in 1900. He returned to London—now residing at the prestigious Savoy Hotel—in 1899 to produce a series that included 41 paintings of Waterloo bridge, 34 of Charing Cross bridge and 19 of the House of Parliament. Monet's final journey would be to Venice, with Alice in 1908. Depictions of the water lilies, with alternating light and mirror-like reflections, became an integral part of his work. By the mid-1910s Monet had achieved "a completely new, fluid, and somewhat audacious style of painting in which the water-lily pond became the point of departure for an almost abstract art". Claude Roger-Marx noted in a 
Title: Claude Monet
Content:  house and property and began a vast landscaping project, including a water-lily pond. His ambition to document the French countryside led to a method of painting the same scene many times so as to capture the changing of light and passing of the seasons. Among the best known examples are his series of haystacks (1890–91), paintings of the Rouen Cathedral (1894) and the paintings of water lilies in his garden in Giverny that occupied him continuously for the last 20 years of his life. Frequently exhibited and successful during his lifetime, his fame and popularity soared in the second half of the 20th century when he became one of the world's most famous painters and a source of inspiration for burgeoning groups of artists.

Question: what type of art does claude monet do?
Answer: Impressionism.