Title: Sorry to Bother You
Content:  Boots Riley describes the film as "an absurdist dark comedy with aspects of magical realism and science fiction inspired by the world of telemarketing". The screenplay for Sorry to Bother You was inspired by his own time working as a telemarketer and telefundraiser in California and his need to put on a different voice to find success. Riley finished the screenplay in 2012, and with no means to produce it, recorded an album of the same title with his band The Coup, inspired by the story. The screenplay was originally published in full as part of McSweeney's issue 48 in 2014. In June 
Title: SurVision
Content: Adam Aitken ; Peter Boyle ; Patrick Chapman ; Patrick Deeley ; Alison Dunhill ; Janet Hamill ; Philip Hammial ; Helen Ivory ; Candice James ; George Kalamaras ; Noelle Kocot ; Medbh McGuckian ; Mary O'Donnell ; Ciaran O'Driscoll ; John Olson ; Dilys Rose ; Stuart Ross ; John W. Sexton ; G. C. Waldrep ; Les Wicks ; Dean Young 
Title: Scary Movie
Content:  The screenplay was developed by Shawn Wayans and Marlon Wayans with Buddy Johnson and Phil Beauman, writers for the sitcom The Wayans Bros. At the same time, Miramax was developing a spoof of Scream scripted by Jason Friedberg and Aaron Seltzer. Due to a WGA decision, all six writers were credited, despite Friedberg and Seltzer not actually working on the filmed script.
Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: Reality Bites
Content:   In 1991, producer Michael Shamberg had an idea to make a film about people in their twenties. He had read a screenplay entitled Blue Bayou, written by Helen Childress on spec in 1990. He liked it and met with her, and she proceeded to tell him about her life and friends, and their struggle to find work during a recession in the United States at the time. For three years, she wrote and rewrote Reality Bites, generating 70 different drafts. Childress decided to use her friends, their personalities and experiences as the basis for her film. The film's producers saw 
Title: Simon Beaufoy
Content:  Simon Beaufoy (born 26 December 1966) is a British screenwriter. Born in Keighley, West Riding of Yorkshire, he was educated at Malsis School in Cross Hills, Ermysted's Grammar School and Sedbergh School, he read English at St Peter's College, Oxford and graduated from Arts University Bournemouth. In 1997, he earned an Oscar nomination for Best Original Screenplay for The Full Monty. He went on to win the 2009 Academy Award for Best Adapted Screenplay for Slumdog Millionaire as well as winning a Golden Globe and a BAFTA award. Beaufoy has recently completed adaptations of The Raw Shark Texts by Steven Hall, Salmon Fishing in the Yemen by Paul Torday, and a new adaptation of The Full Monty as a stage play. In March 2014, Spanner Films announced that Beaufoy will be one of the writers for Undercovers, a television drama series about the undercover police officers who spied on activists, and the women who unknowingly had long-term relationships and even children with the spies.
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: From a Whisper to a Scream (film)
Content:  From a Whisper to a Scream was developed by Jeff Burr, C. Courtney Joyner, Mike Malone, and Darin Scott, all former film students and friends who met one another while attending the University of Southern California. Burr devised the idea of a "haunted Southern town" in which various horror stories would take place. The four each wrote screenplays for short films that would be relayed within the frame story, with the fictional town of Oldfield being the common denominator. Each of the stories was written with certain taboos being central to the plot, such as necrophilia and children committing murder.
Title: Boulevard (2014 film)
Content:  Screenwriter Douglas Soesbe underwent a similar coming out experience, telling Creative Screenwriting, "I came out very late and with a great deal of guilt. This movie is not about me, but I really understand that character." Soesbe wrote the first draft of the screenplay, which was set in Los Angeles, 10 years earlier, and because of its subject matter did not expect it to ever be produced. When producers showed interest in the project, Soesbe rewrote the script to set the story in a small town that would be "more constricted than Los Angeles."
Title: Slumdog Millionaire
Content:  Screenwriter Simon Beaufoy wrote Slumdog Millionaire based on the Boeke Prize-winning and Commonwealth Writers' Prize-nominated novel Q & A by Vikas Swarup. To hone the script, Beaufoy made three research trips to India and interviewed street children, finding himself impressed with their attitudes. The screenwriter said of his goal for the script: "I wanted to get (across) the sense of this huge amount of fun, laughter, chat, and sense of community that is in these slums. What you pick up on is this mass of energy." By the summer of 2006, British production companies Celador Films and Film4 Productions invited director Danny Boyle to read the script of Slumdog Millionaire. 

Question: Who was the screenwriter for You'd Be Surprised?
Answer: Robert Benchley.
Robert Charles Benchley.