Title: Pole (Stockhausen)
Content:  Pole (Poles), for two performers with shortwave radio receivers and a sound projectionist, is a composition by Karlheinz Stockhausen, written in 1970. It is Number 30 in the catalogue of the composer's works.
Title: Pole (Stockhausen)
Content:  Pole was composed in Bali in February 1970, at that time under the working title of Duo. Between 14 March and 14 September 1970, Pole was played and sung over a thousand times at Expo '70 in Osaka, Japan, in daily performances by twenty different musicians including the composer. The score is dedicated to Harald Bojé and Péter Eötvös, who played in the majority of the early performances, and who also made a number of radio recordings and two commercially released recordings of the piece.
Title: Pole (album)
Content: Stefan Betke – composition, production, mastering ; Fat Jon – lyrics, vocals (1, 4, 5, 8) ; Thomas Haas – saxophone (2, 7) ; August Engkilde – upright bass (7, 9) ; Bianca Strauch – artwork Credits adapted from liner notes.
Title: Pole (album)
Content:  Pole is a studio album by Pole. It was released by Mute Records in 2003. It features contributions from rapper Fat Jon, saxophonist Thomas Haas, and bassist August Engkilde.
Title: Pole (musician)
Content:  Pole is the artistic name of Stefan Betke (born 18 February 1967), a German electronic music artist commonly associated with the glitch genre as well as dubtronica.
Title: Pole (musician)
Content:  Born in Düsseldorf, Pole took his name from a Waldorf 4-Pole filter, which he accidentally dropped and broke in 1996. Though the filter was perhaps no longer appropriate for DJ work in its damaged state, Betke found the strange hissing and popping noises the filter now made interesting sounds. He then began using the broken filter to create music, launching his musical career. Betke's first four albums, titled 1, 2, 3, and R (an intentional trilogy of albums, followed by a collection of remixes of Pole's 1998 debut EP Raum), were all based around this filter, with songs usually taking the form of dub basslines and rhythms with percussion provided by the 
Title: Pole (Stockhausen)
Content:  Pole is the last in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Pole and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Expo for three), this material is to be drawn spontaneously during the performance from shortwave radio broadcasts. The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being "the same".
Title: Pole (musician)
Content: 1 (1998) ; 2 (1999) ; 3 (2000) ; R (2001) ; Pole (2003) ; Steingarten (2007) ; Wald (2015) ; Fading (2020) 
Title: Poldowski
Content:  Poldowski was a gifted composer of songs, and her style shows strong influences of Claude Debussy. She set 22 French texts of Paul Verlaine, as well as English texts by William Blake, W. B. Yeats, Alfred, Lord Tennyson and others.
Title: Mars Polaris
Content: Edgar Froese — composer, musician ; Jerome Froese — composer, musician 

Question: Who was the composer of Pole?
Answer: Karlheinz Stockhausen.
Karl-Heinz Stockhausen.
Karlheinz Stockhausen.