Title: Cabaret (2019 film)
Content:  The soundtrack of the film is composed by Kaustav Narayan Niyogi and Munish Makhija except for the song "Phir Teri Bahon Mein", which is composed by Tony Kakkar. The soundtrack consists of 6 songs. The background music is composed by Bapi Tutul.
Title: Cabaret (musical)
Content:  Cabaret is a 1966 musical with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff. The musical was based on John Van Druten's 1951 play I Am a Camera which was adapted from Goodbye to Berlin (1939), a semi-autobiographical novel by Anglo-American writer Christopher Isherwood which drew upon his experiences in the poverty-stricken Weimar Republic and his relationship with nineteen-year-old cabaret singer Jean Ross. Set in 1929–1930 Berlin during the waning days of the Weimar Republic as the Nazis are ascending to power, the musical focuses on the hedonistic nightlife at the seedy Kit Kat Klub, and revolves around American 
Title: Cabaret (Cabaret song)
Content:  "Cabaret" is the title song of the 1966 musical of the same name, sung by the character Sally Bowles. It was composed by John Kander, with lyrics by Fred Ebb.
Title: Cabaret (musical)
Content:  The musical opened on Broadway on November 20, 1966, at the Broadhurst Theatre, transferred to the Imperial Theatre and then the Broadway Theatre before closing on September 6, 1969, after 1,165 performances and 21 previews. Directed by Harold Prince and choreographed by Ron Field, the cast featured Jill Haworth as Sally, Bert Convy as Cliff, Lotte Lenya as Fräulein Schneider, Jack Gilford as Herr Schultz, Joel Grey as the Emcee, Edward Winter as Ernst, and Peg Murray as Fräulein Kost. Replacements later in the run included Anita Gillette and Melissa Hart as Sally, Ken Kercheval and Larry Kert as Cliff, and Martin Ross as the Emcee. In addition, John Serry Sr. performed as the orchestral accordionist. The original Broadway production was not 
Title: Cabaret (1972 film)
Content:  Cabaret is a 1972 American musical drama film directed by Bob Fosse, and starring Liza Minnelli, Michael York and Joel Grey. Set in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from Christopher Isherwood's semi-autobiographical novel The Berlin Stories (1945) and the 1951 play I Am a Camera adapted from the same work. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation. In the traditional manner of musical theater, most major characters in the stage version sing to express their emotions and advance the plot; 
Title: Kabaret Starszych Panów
Content:  The Cabaret was founded and led by composer Jerzy Wasowski (b. 1913) and writer Jeremi Przybora (b. 1915), the two older gentlemen in the cabaret's title. Wasowski wrote the music, and Przybora, the TV script. The cabaret focused on two Bourgeoisie characters, Pan A and Pan B (Mr. A and Mr. B) "in dinner jackets, bowler hats, and with carnations in their button holes," who tried to find themselves in the new world of communist People's Republic of Poland, invariably poking fun at the changing reality. Their humor has been described as "absurdist, sophisticated and elegant". Music formed an important element of the cabaret's style, leading some critics to assert that the show was less of cabaret and more of a "musical theatre of absurd". Many top Polish actors of that time played in the cabaret as guests. Most notable performers included Mieczysław Czechowicz, Edward Dziewoński, Wiesław Gołas, Kalina Jędrusik, Irena Kwiatkowska, Barbara Krafftówna, Zdzisław Leśniak, Wiesław Michnikowski.
Title: The Cabaret Girl
Content:  The Cabaret Girl is a musical comedy in three acts with music by Jerome Kern and book and lyrics by George Grossmith, Jr. and P. G. Wodehouse. It was produced by Grossmith and J. A. E. Malone at the Winter Garden Theatre in London's West End in September 1922 and featured Dorothy Dickson, Grossmith, Geoffrey Gwyther, and Norman Griffin (later replaced by Leslie Henson) in the leading roles. The first performance was originally scheduled for Thursday, 14 September 1922, with Henson in a leading role, but he fell ill on the morning of the scheduled opening, which was delayed to allow Griffin to prepare for the part. The show finally opened the following Tuesday, 19 September. According to the reviewer in The Times, "Last night the piece received the warmest of receptions and thoroughly deserved it." 
Title: Cabaret (musical)
Content:  first in New York City since the Roundabout Theatre Company revival in 2014. The production was directed by Broadway Workshop founder Marc Tumminelli. Among the cast were Michael Nigro and Micaela Diamond. A 2017 revival production with new direction played Sydney and Melbourne, Australia. The production starred Paul Capsis as the Emcee and Chelsea Gibb as Sally. The production mixed elements of the Mendes production, such as its version of "Two Ladies" and its portrayal of a gay Cliff, with the colorful art design of the original (the Emcee is in full makeup and clothed) and most of the additional songs from the 1972 film (with the exception of "Mein Herr").
Title: Cabaret (musical)
Content:  Clifford Bradshaw's relations with English cabaret performer Sally Bowles. A sub-plot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Overseeing the action is the Master of Ceremonies at the Kit Kat Klub, and the club itself serves as a metaphor for ominous political developments in late Weimar Germany. The original Broadway production opened on November 20, 1966, and became a box office hit that ran for 1,165 performances. The award-winning musical inspired numerous subsequent productions in London and New York as well as the popular 1972 film of the same name.
Title: Cabaret (musical)
Content:  of the Jazz Age in late 1920s Berlin. Consequently, the songwriting team John Kander and Fred Ebb were invited to join the project. Their new version was initially a dramatic play preceded by a prologue of songs describing the Berlin atmosphere from various points of view. As the composers distributed the songs between scenes, they realized the story could be told in the structure of a more traditional book musical, and they replaced several songs with tunes more relevant to the plot. Prince and Masteroff altered Isherwood's original characters as well. The male protagonist became an American writer; the anti-Semitic landlady was transformed into a tolerant woman with a Jewish beau who owned 

Question: Who was the composer of Cabaret?
Answer: John Kander.
John Harold Kander.