Title: The Archers
Content:  editor. Yorke's arrival prompted charges that the programme was importing the values of EastEnders to Borsetshire, with fans and commentators complaining that characters were behaving unrealistically simply to generate conflict. This was denied by Yorke, who wrote that he agreed to take over "on one condition – that it stayed exactly as it was and that I didn't have to change anything." Whitburn was succeeded as editor by Sean O'Connor in September 2013. In September 2016, Huw Kennair-Jones took over as editor though O'Connor continued to oversee the Helen and Rob storyline until its conclusion. Kennair-Jones announced in October 2017 that he was to leave the 
Title: Archer &amp; Armstrong
Content:  In March of 2017, a feature film centered around the titular duo was announced. The project, which is said to be a buddy action comedy in tone, will be a joint-venture production between Valiant Entertainment and Sean Daniel Company. BenDavid Grabinski will serve as screenwriter, while Dinesh Shamdasani, Sean Daniel and Jason Brown are attached as producers. In March 2017, Ruben Fleischer signed onto the project as director, with Terry Rossio re-writing the script.
Title: Vanessa Whitburn
Content:  She became the Editor of The Archers in June 1991. She became executive producer of all radio drama for BBC Birmingham at BBC Pebble Mill in 1995 (later based at The Mailbox), including Silver Street for the BBC Asian Network. Clashes between Whitburn and Smethurst (who had left the programme in 1986) became publicly known in 1996, with the former accusing Smethurst of "fluffy and frothy" Conservative propaganda, and the latter retaliating with the assertion that Whitburn had "no understanding of the countryside" and the serial under her had become "badly written feminist tripe". Smethurst wrote that then current plot lines simply did not happen in the countryside, although journalists pointed to real-life parallels. "Farming is, and will always be, central 
Title: The Archers
Content:  with for over twenty years"; but were 'into post-natal depression and alcoholism on the way to self-discovery'. By the mid-1980s the Radio Four Review Board noted that scripts, directing and acting was "very good" and sometimes "better than ever". In August 1985 The Listener said that the programme's revival was "sustained by some of the best acting, direction and writing on radio." Tony Shryane MBE was the programme's producer from 1 January 1951 to 19 January 1979. Vanessa Whitburn was the programme's editor from 1992 till 2013. Whitburn took service leave from March to July 2012, when John Yorke, a former executive producer of EastEnders, was the 
Title: The Archers
Content:  (and Radio 4 from Sunday, 1st October 1967). Early afternoon repeats of the previous evening's episode began on 14 December 1964. The original scriptwriters were Geoffrey Webb and Edward J. Mason, who were also working on the nightly thriller series about the special agent Dick Barton. The popularity of his adventures partly inspired The Archers, which eventually took over Barton's evening slot. At first, however, the national launch placed the serial at the 'terrible' time of 11.45 am, but it moved to Dick Barton's former slot of 6.45 pm from Monday, 2 April 1951. An omnibus edition of the week's episodes began on Saturday, 5 January 1952. 
Title: ARQ (film)
Content:  The concept dates back to 2008, prior to writer-director Tony Elliot's work on the television series Orphan Black; the show's creators hired him based on his unproduced script. The script had been optioned but remained in development hell for years. After the rights reverted to Elliott, Netflix contacted his producer and offered to produce it. In January 2016, it was announced that Netflix would produce and distribute the film. Mason Novick, John Finemore, Kyle Franke, and Nick Spicer produced the film under their Lost City and XYZ Films banner. That same month, it was announced that Robbie Amell and Rachael Taylor had been cast in the film. Shooting took place in Toronto over 19 days. Elliott quoted the budget at "under $2 million".
Title: Archangel (Harris novel)
Content:  Screenwriters Dick Clement and Ian La Frenais purchased the rights and hoped to make a film version, but were unable to find sufficient backing. In the event, they wrote a three-part television version starring Daniel Craig, Yekaterina Rednikova, Gabriel Macht, and Avtandil Makharadze as Joseph Stalin. The adaptation was screened on BBC One in March 2005. The director was Jon Jones, and the adaptation was produced by Christopher Hall for the BBC's own in-house drama department, in collaboration with the independent production company Power and Baltic Film Services. It was filmed partly on location in Moscow, and also in Riga, Latvia. Later in the year, it was released on DVD.
Title: Armageddon (1998 film)
Content:  In addition to Robert Roy Pool, Jonathan Hensleigh, Tony Gilroy, Shane Salerno and J. J. Abrams, the writers involved included Paul Attanasio, Ann Biderman, Scott Rosenberg and Robert Towne. Originally, it was Hensleigh's script, based on Pool's original, that had been given the green-light by Touchstone. Then-producer, Jerry Bruckheimer, hired the succession of scribes for rewrites and polishes. Bruce Willis was cast in the film as part of a three-picture deal he cut with the studio to compensate them for the dissolution of 1997's Broadway Brawler. He received a significant pay cut for the picture as part of the deal.
Title: My Word!
Content:  In 1956, Edward J. Mason and Tony Shryane, respectively the writer and producer of the popular radio soap opera The Archers, decided that by way of a change they would devise and produce what Frank Muir called "a new kind of not-very-academic literary quiz". The Aeolian Hall in London was booked for the recording of a pilot show, but at the last minute two of the four panellists were unexpectedly unavailable. Shryane sought the help of Muir and his writing partner Denis Norden, scriptwriters of the popular BBC comedy series Take It From Here, who were based in a nearby office. They thought of themselves as writers rather than performers, but at Shryane's urgent request they agreed to stand in for the absentees. Muir was partnered by Isobel Barnett – a panel show regular – and Norden by the journalist Nancy 
Title: Angel (1999 TV series)
Content:  Script-writing was done by Mutant Enemy, a production company created by Joss Whedon in 1997. The writers with the most writing credits for the series include: Joss Whedon, David Greenwalt, Tim Minear, Jeffrey Bell, David Fury, Steven S. DeKnight, Mere Smith, and Elizabeth Craft and Sarah Fain. Other authors with writing credits include: Shawn Ryan, Ben Edlund, Drew Goddard, Jeannine Renshaw, Howard Gordon, Jim Kouf, Jane Espenson, Doug Petrie, Tracey Stern, David H. Goodman, Scott Murphy, Marti Noxon and Brent Fletcher. Jane Espenson has explained how scripts came together for Mutant Enemy Productions series Buffy, Angel and Firefly: a meeting was held and an idea was floated (generally by Whedon) and the writers brainstormed to develop the central theme of the episode and the character development. Next, the staff met in the anteroom to Whedon's office 

Question: Who was the screenwriter for Arsenal?
Answer: Oleksandr Dovzhenko.
Alexander Petrovich Dovzhenko.
Oleksander Petrovych Dovzhenko.
Oleksandr Petrovych Dovzhenko.
Oleksander Dovzhenko.