Title: Our Friends in the North
Content:  and Simon Cellan Jones the final four. However, after completing the first two episodes and some of the shooting for the third, Urban left the project after disagreements with the production team. Peter Flannery was concerned that Urban's directorial style was not suited to the material that he had written. Christopher Eccleston's viewpoint is that Urban was "only interested in painting pretty pictures." Pattinson agreed that a change was needed, and Michael Jackson agreed to a change of director mid-way through production, which was unusual for a British television drama of this type so far into proceedings. Director Pedr James, who had recently directed an adaptation of Martin Chuzzlewit for Michael Wearing's department, was hired to shoot the remainder of what were to have been Urban's episodes.
Title: The Wire (season 1)
Content:  and served as the script coordinator. David H. Melnick and Shamit Choksey complete the writing staff. Homicide alumnus Clark Johnson, who directed several acclaimed episodes of The Shield, directed the pilot, the second episode, and the fifth episode (Johnson later had a starring role in the fifth season). Another repeat director is Clement Virgo, who directed two episodes. Single episode directors include Ed Bianchi, Joe Chappelle, Gloria Muzio, Milčo Mančevski, Brad Anderson and Steve Shill. The season finale was directed by Tim Van Patten, an Emmy winner who has worked on every season of The Sopranos. The directing has been praised for its uncomplicated and subtle style.
Title: Broadchurch (series 1)
Content:  James Strong directed five episodes of series one of Broadchurch, while Euros Lyn directed three. Strong had helped Chibnall with the creative process of writing the story, and agreed to come aboard the project as director even before casting occurred. Matt Gray was hired as both director of photography and camera operator.
Title: Walter Taffet
Content:  The episode was written by Lara Shapiro and directed by cast member Noah Emmerich, marking his directorial debut.
Title: My Three Sons
Content:  Peter Tewksbury directed the first season. The succeeding director, Richard Whorf, took over the reins for one season and was in turn followed by former actor-turned-director Gene Reynolds from 1962 to 1964. James V. Kern, an experienced Hollywood television director who had previously helmed the "Hollywood" and "Europe" episodes of I Love Lucy, continued in this role for two years until his untimely death at 57 in late 1966. Director James Sheldon was also contracted to finish episodes that had been partly-completed by Kern to complete that season. Fred De Cordova was the show's longest and most consistent director of the series (108 episodes) until he left in 1971 to produce The Tonight Show Starring Johnny Carson. Earl Bellamy rounded out the series as director of the show's final year.
Title: The Deadly Trackers
Content:  The film began as a project written and directed by Sam Fuller, Riata, starring Richard Harris and Bo Hopkins. Production was halted during filming and then reassembled with a new director and cast; the only one of the original cast to return was Harris. According to costar Rod Taylor, Harris hated Fuller's script and walked out on the original production. Once Taylor signed on, he contributed to the re-write (Taylor was a member of the Screenwriters Guild) by adding scenes to flesh out his villainous character. It was through Harris' relentless drive that the film was completed at all, even using musical outtakes from other movies to cobble together the score.
Title: The Undomestic Goddess
Content:  Universal is adapting the book and has just signed a director, Andy Fickman to the project. He was the director of The Game Plan, Race to Witch Mountain, She's the Man and You Again, amongst others. Aline Brosh McKenna has written the script for the film.
Title: 30 Minutes After Noon
Content:  Director David Elliott was unenthusiastic about realising Alan Fennell's script until he saw the spy thriller The Ipcress File. He remembered that the film "used all the old-fashioned shots – looking through a lampshade, etc. On Monday morning, Paddy [Seale, the lighting cameraman came in and said, 'I saw a film this weekend,' and I said, 'So did I.' 'Was it The Ipcress File?' 'Yep. Right, that's what I want to do.'" In homage to the film, Elliott incorporated what commentator Stephen La Rivière terms "quirky visuals" into his direction of the episode. The Glen Carrick Castle scene opens with a tracking shot covering all three walls of the puppet set, for which Elliott co-ordinated the camera movements with operator Alan Perry. In a pioneering move for a Supermarionation series, this scene also uses forced perspective to show a 
Title: Walter (2020 film)
Content:  In September 2018, it was announced that U. Anbarasan would make his directorial debut through a cop film titled Walter and had cast Vikram Prabhu, Arjun and Jackie Shroff in the lead roles. Produced by Madukkur Movie Makers, the movie was set to have music composed by Radhan. However, the project was later shelved. The film restarted in 2019 with new producers, and Sibi Sathyaraj was cast in the lead role, with Gautham Menon and Samuthirakani also a part of the film. Menon later backed out and was replaced by Natarajan Subramaniam. The shooting of the film went on floors from June 2019 in and around Kumbakonam and Thanjavur with casting Sibi Sathyaraj as a cop. The Indian cinematographer Natty and Samuthirakani was also roped in to play crucial roles which remains confidential. Rasamathi, Elaiyaraja, Dharma Prakash, and Vicky were signed up as Cinematographer, Editor, music director, and Stunt Master, respectively.
Title: Press Gang
Content:  of the directors were encouraged to attend the others' shoots so that the visual style would be consistent. The first two episodes were directed by Colin Nutley. However, he was unhappy with the final edit and requested that his name be removed from the credits. Lorne Magory directed many episodes, notably the two-part stories "How To Make A Killing" and "The Last Word." One of the founders of Richmond Films and Television, Bill Ward, directed three episodes, and Bren Simson directed some of series two. The show's cinematographer James Devis took the directorial reins for "Windfall", the penultimate episode.

Question: Who was the director of The Variable?
Answer: Paul A. Edwards.