Title: The Anderson Tapes
Content:  The Anderson Tapes is a 1971 American crime film directed by Sidney Lumet and starring Sean Connery and featuring Dyan Cannon, Martin Balsam and Alan King. The screenplay was written by Frank Pierson, based upon a best-selling 1970 novel of the same name by Lawrence Sanders. The film is scored by Quincy Jones and marks the feature film debut of Christopher Walken. It was the first major film to focus on the pervasiveness of electronic surveillance, from security cameras in public places to hidden recording devices.
Title: The Anderson Tapes
Content:  The Anderson Tapes was filmed on location in New York City on Fifth Avenue at the Convent of the Sacred Heart (the luxury apartment building), Rikers Island Prison, the Port Authority Bus Terminal, Luxor Health Club and on the Lower East Side. Interiors scenes were filmed at Hi Brown Studio and ABC-Pathé Studio, both in New York City. The production was on a tight budget, and filming was completed from mid-August to October 16, 1970. The film was the first for producer Robert M. Weitman as an independent producer. Columbia Pictures was not happy with the concept for the ending of the film, in which Connery escaped to be pursued by police helicopters, fearing that it would hurt sales to television, which generally required that bad deeds do not go unpunished. The Anderson Tapes made its U.S. network television premiere on September 11, 1972 as an installment of NBC Monday Night at the Movies.
Title: The Anderson Tapes
Content:  The film generated $5 million in U.S. and Canada rentals. Roger Greenspun of The New York Times called The Anderson Tapes "well done and entertaining". He noted Lumet's direction by writing "The quality of professionalism appears in rather lovely manifestations to raise a by no means perfect film to a level of intelligent efficiency that is not so very far beneath the reach of art". Roger Ebert enjoyed the film but called Lumet's emphasis on electronic surveillance a "serious structural flaw". Andrew Sarris of The Village Voice wrote that there was only "eleven good minutes in it", calling the rest of the film "confused and uncertain".
Title: Anthony Anderson (producer)
Content:  Anthony Anderson is an Australian film and television producer, a former lawyer, meditation teacher and a transformational facilitator.
Title: John Anderson (director)
Content:  John Anderson (born 1954) is an Emmy award-winning and Grammy-nominated American documentary film director, producer, editor and writer whose primary subjects are rock, blues and folk musicians. Anderson often makes films about musicians he admires, such as Brian Wilson, the American singer, songwriter, and record producer who co-founded The Beach Boys. His interest in film-making began when he saw Richard Lester’s “A Hard Day's Night” at the age of 10. Some of Anderson's inspirations are the works of many filmmakers, including Michelangelo Antonioni (Blowup, 1966), Murray Lerner (Festival, 1967) and Jerry Lewis (The Disorderly Orderly, 1964). He is an alumnus of Northwestern University School of Communication, where he studied Radio/TV/Film and Music Theory & Composition.
Title: John Anderson (producer)
Content:  John Edgar Thomas Anderson (born 18 May 1948) is a Northern Irish composer, editor, arranger, TV producer and director, record producer and radio presenter. He is "one of Ireland’s most accomplished writers, producers, directors and composers".
Title: Raoul Kraushaar
Content: The Anderson Tapes (1971) - Vic D'Medico - Angelo's Lawyer 
Title: Jamie Anderson (producer)
Content:  Jamie Anderson is an English producer, director and writer best known for his work on the Doctor Who and Terrahawks audio plays for Big Finish Productions, and for his work continuing the legacy of his late father Gerry Anderson.
Title: Anderson (album)
Content:  Anderson recalled that his co-producers envisioned the album's release and its production. "I know I’ve never enjoyed the recording process more than working here with Thomm Jutz and Peter Cooper. They had the vision…I just tried to follow their lead and bring their ideas to life. I only hope that as folks listen, they’ll feel we succeeded," he said. The album was a collection of 11 tracks, all of which were written or co-written by Anderson himself. Among the writers Anderson composed material with for the album was Buddy Cannon and Jamey Johnson. Johnson co-wrote "Everybody Wants to Be Twenty-One", which was also released as a single. Originally, the pair intended to pitch the song to either Willie Nelson or George Strait. However, Anderson reconsidered. "The more I got to foolin' with it, listenin' to it, thinkin' about it, I thought, 'Well, this needs to be an older guy and a younger guy ... looiin' at it from each point of view," he recalled. In addition, the album's opening track, "Old New Things", was first recorded by Joe Nichols for his 2009 studio album of the same name.
Title: Stephen Anderson (artist)
Content:  Stephen John Anderson is an American storyboard artist, screenwriter, film director, and voice actor.

Question: Who was the screenwriter for The Anderson Tapes?
Answer: Frank Pierson.
Frank Romer Pierson.
Frank R. Pierson.