Title: Bad Lieutenant
Content:  Ferrara did not put much effort in his contributions in the film. According to Jonas Mekas, Lund's ex-boyfriend Edouard de Laurot was reported to have written most of the film's script. David Scott Milton later vouched for this claim. Mekas even claimed he had "scribbles and notes to prove it". Ferrara said in 2012 that he was using drugs during the making of the film: "The director of that film needed to be using, the director and the writer—not the actors." The Special Edition DVD from Lion's Gate has a special feature about the pre-, during, and post-production of the film, in which Ferrara explains the screenplay's genesis, its authorship, and its original brevity. Christopher Walken was originally going to portray the titular character.
Title: 35th Academy Awards
Content: A: During pre-production on Lawrence of Arabia, producer Sam Spiegel and director David Lean were unhappy with Michael Wilson's original screenplay, so Spiegel asked playwright Robert Bolt to rewrite the script, as Spiegel wanted to get the film rights of Bolt's play A Man for All Seasons. Bolt found the script lacking in good dialogue and also character depth. He essentially wrote the whole script, using T.E. Lawrence's book, The Seven Pillars of Wisdom, as his starting point. While Bolt rewrote the whole script, he still retained the characterization of all of the characters found in Wilson's original script. It was decided that Bolt would be credited as the sole writer of Lawrence of Arabia and not Wilson, because he was blacklisted at the time. The nomination for Wilson was granted on September 26, 1995, by the Academy Board of Directors, after research at the WGA found that the then-blacklisted writer shared the screenwriting credit with Bolt. 
Title: The 51st State
Content:  The DVD commentary reveals that the script was originally written with Laurence Fishburne in mind, sometime before Samuel L. Jackson became a star.
Title: Rolling Thunder (film)
Content:  The film was originally written in 1973 for AIP, where Lawrence Gordon was head of production. Gordon took the script with him when he left for Columbia, and for a time writer Paul Schrader was going to direct. However that fell through and the film was set up at 20th Century Fox. John Milius said Schrader wrote the movie for Milius to direct but Milius turned it down. "I didn’t think I wanted to do something that dark at the time...Boy it was a good script, with wonderful stuff in it. Paul at his best." Schrader's script was rewritten by Heywood Gould. It starred William Devane 
Title: Highlander: The Series
Content:  producers at the beginning of the season; from the seventh episode onwards, David Abramowitz became supervising producer instead of Taylor. The producers were Barry Rosen and Gary Goodman. Executives in charge of production were Marc du Pontavice and Denis Leroy. Scripts were contributed by both staff and freelance writers, Brian Clemens among the latter. Brent-Carl Clackson was line producer on the Vancouver segment, from episode one to thirteen. When production moved to Paris, Clackson was succeeded by Patrick Millet (with the title of production manager) for episodes fourteen to twenty-two. The regular directors were Thomas J. Wright, Jorge Montesi and Ray Austin. The fencing coach was Bob Anderson, who coined for himself the title of Master of Swords. 
Title: Lincoln (film)
Content:  While consulting on a Steven Spielberg project in 1999, Goodwin told Spielberg she was planning to write Team of Rivals, and Spielberg immediately told her he wanted the film rights. DreamWorks finalized the deal in 2001, and by the end of the year, John Logan signed on to write the script. His draft focused on Lincoln's friendship with Frederick Douglass. Playwright Paul Webb was hired to rewrite, and filming was set to begin in January 2006, but Spielberg delayed it out of dissatisfaction with the script. Liam Neeson said Webb's draft covered the entirety of Lincoln's term as president. Tony Kushner replaced Webb. Kushner considered Lincoln "the greatest democratic leader in the world" and found the writing assignment daunting because 
Title: Robert Lewin (screenwriter)
Content:  Following his experiences during the Second World War, as a captain commanding an anti-tank unit, he wrote the screenplay for The Bold and the Brave. It was his first screenplay, and he was subsequently nominated for an Academy Award for Best Original Screenplay. He moved on to write for television, working on a variety of shows including winning awards from the Writers Guild of America in both 1968 and 1969 for his work on Judd, for the Defense. He also worked as a producer and was nominated for Emmy Awards for The Paper Chase and Baretta. In January 1987, he was invited to be a producer on Star Trek: The Next Generation by the franchise creator, Gene Roddenberry. The pair had previously worked together on the original Mission: Impossible television series. Lewin's work on that series included co-writing the episode "Datalore", which was the final episode of Star Trek written by Roddenberry. The other episodes that he was credited for writing were "Symbiosis", "11001001" and "The Arsenal of Freedom". Lewin retired after working on the show during the first season, with Maurice Hurley hired to replace him as head writer.
Title: Lethal Weapon
Content:  of it to be too dark. Boam mostly added some more humor into the script, and later did a complete re-write of Shane Black and Warren Murphy's rejected script for the second film. He also wrote the script for the third film and an unused draft for the fourth film. After the script was purchased for $250,000, studio production executives offered it to director Richard Donner, who also loved it. Leonard Nimoy was one of the choices considered for directing, but he did not feel comfortable doing action films, and he was working on Three Men and a Baby at the time. With those key elements in place, the search began for the right combination of actors to play Riggs and Murtaugh.
Title: John Glenn (screenwriter)
Content:  David Goyer) ; Caesar (2015-2016) - as Executive Producer ; Miranda's Rights (2015-2016) - as Executive Producer ; Heavenly Creatures (2015-2016) - as Creator, Writer, Executive Producer ; Under Suspicion (2016) - as Executive Producer ; Dreamer (2016) - as Executive Producer ; The Evidence Room (2016) - as Creator, Writer, Executive Producer ; Samuri (2017) - as Executive Producer ; My Fair Baby (2017) - as Creator, Executive Producer ; Murder Room (2018) - as Showrunner, Creator, Executive Producer ; Trader (2018) - as Showrunner, Creator, Executive Producer ; SEAL Team (2018–19) - as Showrunner / Executive Producer ; Cabin Fever (2018-2019) - as Executive Producer ; Viola Wells (2020) - as Showrunner, Creator, Executive Producer 
Title: Loving Jezebel
Content:  The screenplay for the film was written independently by writer/director Bader in his New York apartment on 86th Street and Broadway, its title inspired by the Sade song Jezebel, which Bader was playing the night he started typing the screenplay. When he heard her lyric, "Jezebel wasn't born with a silver spoon in her mouth/She probably had less than every one of us/But when she knew how to walk she knew/How to bring the house down" he knew he'd found the shared quality of the women he was writing about. With Nicole Ari Parker as the first actor attached to the script and David Lancaster taking on the role of producer, rights to the screenplay were acquired in 1998 by Starz! Encore at the International Film Financing Conference (IFFCON) in San Francisco, CA, where the screenplay had been selected for inclusion as one of the best independent screenplays in the United States that year.

Question: Who was the screenwriter for Leader?
Answer: Sekhar Kammula.
Kumar Sekhar Kammula.