Title: The Artist (film)
Content:  The film's music was largely composed by Ludovic Bource, but includes works by other composers such as Alberto Ginastera's "Estancia". The soundtrack was recorded in Belgium by the Brussels Philharmonic and was conducted by Ernst Van Tiel; the Brussels Jazz Orchestra also cooperated. The recording took place during six days in April 2011 at Flagey's Studio 4 in Brussels. The film's climactic scene is set to Bernard Herrmann's "Scène d'amour" from his score to Alfred Hitchcock's film Vertigo. In Vertigo, that composition similarly accompanies an extended scene without dialogue. Only one song (sung, with lyrics) is used in the soundtrack, "Pennies from Heaven", sung by Rose "Chi-Chi" Murphy (uncredited). This song was written in 1936 although the film is set between 1927 and 1932. The soundtrack was released on 21 October 2011 through Sony Classical Records.
Title: Until They Sail
Content:  The score for the film was composed and conducted by David Raksin. The title song included lyrics by Sammy Cahn and was performed under the main titles by vocalist Eydie Gorme. The complete score was issued on CD in 2009, on Film Score Monthly records.
Title: Francis Kuipers
Content: Armageddon here I come: composer of original score. Written and directed by Michael Noonan and Alexander Guyan, Auckland, New Zealand ; Tiny Alice, composer of original score. Written by Edward Albee and directed by Abel Ferrara 
Title: Odd Man Out
Content:  Composer William Alwyn was involved writing the leitmotif-based film score from the very beginning of the production. It was performed by the London Symphony Orchestra and conducted by Muir Mathieson.
Title: The Composer Is Dead
Content:  The Composer Is Dead was originally created as an orchestral work by Nathaniel Stookey with narration by Lemony Snicket. The work was commissioned by the San Francisco Symphony and premiered at Davies Symphony Hall on July 8, 2006, with Lemony Snicket narrating and Edwin Outwater conducting. It was first published by G. Schirmer/Associated Music Publishers. The Composer Is Dead was inspired by Sergei Prokofiev's Peter and the Wolf and is similar to Benjamin Britten's The Young Person's Guide to the Orchestra in that it is intended to introduce young audiences to the instruments in the orchestra. The world premiere recording by the San Francisco Symphony, with Handler narrating as Snicket and Edwin Outwater conducting, is to be included with every copy of the expanded book. After its premiere, The Composer Is Dead was immediately taken up by the Toronto Symphony's New Creations Festival and has since been programmed by many orchestras including the Chicago Symphony, the Philadelphia Orchestra, the Dallas Symphony, the Buffalo Philharmonic Orchestra, the Los Angeles Philharmonic, Orpheus Sinfonia and the Treasure Valley Symphony. On January 26, 2008, Dino Antagonist led the Little Orchestra Society in the work's New York premiere at Avery Fisher Hall.
Title: Jeremiah Johnson (film)
Content:  The score was composed by Tim McIntire and John Rubinstein (sung by Tim McIntire ); known primarily as actors, they were also musicians. This was their film composing debut, arising after Rubinstein met Sydney Pollack through his agent. As Pollack recalls in the DVD commentary, McIntire and Rubinstein were "kids that just auditioned with a tape." The soundtrack L.P. was not released until 1976 by Warner Bros. Records. On October 5, 2009, a restored and extended version of the L.P. was released by Film Score Monthly.
Title: Compensation (film)
Content:  Reginald R. Robinson, a noted ragtime composer and performer, served as the film's period music score composer. He incorporated the piano and mandolin into all his compositions for the film. Atiba Y. Jali, served as the contemporary music score composer. He used instruments that are not as common such as the balafou, berimbau and yidaki but also included the drums and flute.
Title: The Witnesses
Content: Marcia Baila Les Rita Mitsouko ; I'm a lover Andrea ; Don't Forget the Nite Les Rita Mitsouko ; Qual Favellar ? from Lorlando finto pazzo Act 3 Antonio Vivaldi ; Barbarina's Aria from Le nozze di Figaro Wolfgang Amadeus Mozart ; Restez avec Moi Les Rita Mitsouko ; Docteur Miracle Johan Libéreau The original score for the film was written by Alain Sarde, regular composer in Téchiné's films. The sound track includes an eclectic mix of artist and styles like:
Title: As You Like It
Content:  The composer is credited as "Young". Donovan set "Under the Greenwood Tree" to music and recorded it for A Gift from a Flower to a Garden in 1968. Hans Werner Henze, in the first part of his sonata Royal Winter Music, which portraits Shakespearean characters, included "Touchstone, Audrey and William" as its 5th movement, in 1976. John Rutter composed a setting of "Blow, Blow, Thou Winter Wind" for chorus in 1992. Michael John Trotta composed a setting of "Blow, Blow, Thou Winter Wind" for choir in 2013. Meg Sturiano and Benji Goldsmith added original songs to their 2019 production.
Title: Episode (film)
Content:  The score was composed by Willy Schmidt-Gentner, using foreign compositions from the early 1920s. The title song was composed by Robert Katscher; the director Walter Reisch co-wrote the lyrics. The Viennese music publisher Ludwig Doblinger (Bernhard Herzmansky) published three songs from the film: Ein Dirndl muß klein sein, Es kommt einmal der Augenblick and Jetzt müßte die Welt versinken.

Question: Who was the composer of The Act?
Answer: John Kander.
John Harold Kander.