Title: Cinema Camera
Content:  The Cinema Camera is a line of digital movie cameras developed and manufactured by Blackmagic Design, introduced on September 4, 2012. They are a series of small form-factor cameras that shoot in either 4K, 2.5K, and 1080p resolution, and thus are more versatile when compared to standard-resolution digital movie cameras.
Title: List of film director and cinematographer collaborations
Content:  The following is a list of notable film director and cinematographer collaborations. It is ordered by film director. Films for which the cinematographer won the Academy Award are in bold.
Title: Camera phone
Content:  60 second short award" was won by 15-year-old Laura Gaynor, who made her winning cartoon,"Piece of Cake" on her Sony Ericsson C510 camera phone. In 2012, director and writer Eddie Brown Jr. made the reality thriller Camera Phone, one of the first commercial produced movies using camera phones as the story's perspective. The film is a reenactment of an actual case, and the names were changed to protect those involved. Some modern camera phones (in 2013–2014) have big sensors, thus allowing a street photographer or any other kind of photographer to take photos of similar quality to a semi-professional camera.
Title: Hand-held camera
Content:  Kazimierz Prószyński first demonstrated a hand-held film camera in 1898 but it was not reliable. From 1909 to 1911, directors Francesco Bertolini and Adolfo Padavan, with assistant director Giuseppe de Liguoro, shot scenes for L'Inferno, based on Dante's The Divine Comedy. The film was first shown in 1911 and it included hand-held camera shots as well as innovative camera angles and special film effects. In 1915, Thomas H. Ince's The Italian, directed by Reginald Barker, included two hand-held shots, at least one of which represented the viewpoint of a character. The camera swerved suddenly to match what was happening to the 
Title: Cinematographer
Content:  The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture. A number of American cinematographers have become directors, including Reed Morano who lensed Frozen River and Beyonce's Lemonade before winning an Emmy for directing The Handmaid's Tale. Barry Sonnenfeld, originally the Coen brothers' DP; Jan de Bont, cinematographer on films such as Die Hard and Basic Instinct, directed Speed and Twister. Nicolas Roeg, cinematographer on films such as The Caretaker (1963) and The Masque of the Red Death (1964), directed Don't Look Now (1973) and The Man Who Fell to Earth (1976). Ellen Kuras, ASC photographed Eternal Sunshine of The Spotless Mind as well as a number of Spike Lee films such as Summer of Sam and He Got Game before directing episodes of Legion and Ozark. In 2014, Wally Pfister, cinematographer on Christopher Nolan's three Batman films, made his directorial debut with Transcendence, whilst British cinematographers Jack Cardiff and Freddie Francis regularly moved between the two positions.
Title: Film crew
Content: Camera operator ; The camera operator uses the camera at the direction of the cinematographer, director of photography, or the film director to capture the scenes on film or video. Generally, a cinematographer or director of photography does not operate the camera, but sometimes these jobs may be combined. ; First assistant camera ; The first assistant camera, 1st AC or focus puller, is responsible for keeping the camera in focus as it is shooting, as well as building the camera at the beginning of the day and taking it apart at the end. They also thread the film when a new magazine 
Title: Television crew
Content: As the head member of the camera crew, the camera operator uses the camera as instructed by the Director. They ensure the required action is correctly filmed in the frame, and must react instinctively as the proceedings take place. If the camera operator is also a cinematographer, they also help establish the theme and appearance of the show. The cinematographer—or director of photography (DP)—regulates lighting for every scene, frames some shots, chooses lenses, decides on film stock, and strives to match the project's visual appearance to the director's vision. However, the cinematographer does not usually move the camera on the set, as this is usually the exclusive role of a camera operator. 
Title: Moviecam
Content:  Originally started in Vienna, Austria as an in-house project of Fritz Gabriel Bauer and Walter Kindler's Moviegroup film production company in the late 1960s, the amount of research and development needed to create a new and modern motion picture camera system from scratch led to the formal creation of Moviecam as an independent corporate entity in 1976. Although only three camera models (SuperAmerica, Compact, and SL) were produced in significant quantities for international usage, the high quality camera design, simplicity of usage compared to the contemporary models of Arri and Panavision, and integration of modern and pioneering camera features led to widespread usage in the film industry. Arri subsequently bought the company in the 1990s. At Arri, Bauer developed, together with Walter Trauninger and their camera development team, the Arricam System, which combined the basic movement and design of the Moviecam systems with the precision electronic parts and complement of camera accessories already designed by Arri.
Title: Cinematographer
Content:   A cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance 
Title: The Plague of Florence
Content:  built in 1914 for the Continental-Kunstfilm production company. The cameramen Willy Hameister and Emil Schünemann had previously filmed Continental's In Nacht und Eis, the first feature film about the sinking of the : one of the stars in that film was Otto Rippert, who then went on to direct some further ten films for Continental in 1912 and 1913, most of which are considered lost. See also List of films made by Continental-Kunstfilm. Cameraman Hameister had also previously worked on the hugely successful film The Cabinet of Dr. Caligari, released earlier that year. Rippert had earlier that year directed Dance of Death with Fritz Lang's screenplay.

Question: Who was the director of Camera?
Answer: David Cronenberg.
David Paul Cronenberg.
David P. Cronenberg.
David Cronenburg.