Title: Jaime de Armiñán
Content:  such series as Galeria de Maridos (1959) and Las Doce Caras de Juan (1967). During this period, Armiñán was also building a career as a screenwriter. He soon established himself as one of the most successful and prolific screenwriters, contributing with scripts most notably to José María Forqué, one of the most commercial popular directors of the day. Among his scripts credits during this time are : El Secreto de Mónica (Monica’s Secret) (1961), El juego de La verdad (The game of Truth) (1963),and El diablo bajo la Almohada (The devil under the Pillow). As the natural progression in his work in films, Armiñán moved to 
Title: Armi elää!
Content:  Armi elää! is a 2015 Finnish drama film directed by Jörn Donner. The film is based on the life of Finnish entrepreneur Armi Ratia through years 1949–1968 when she founded the textile and clothing company Marimekko and led it to international success. Written in a form of metafiction, the film follows a theatre group preparing a play of Ratia. In March 2016 the film received two Jussi Awards, for screenplay by Karoliina Lindgren and scenic design by Otso Linnalaakso.
Title: Dino Armas
Content:  retired with the position of school director. In 1965 his first work, En otro y último ardiente verano, won one of the first three prizes in a theater contest organized by the El Tinglado Theater. He is one of the most prolific Uruguayan playwrights, and his works have been staged in Latin America, the United States, and Europe. The 2009 film El novio de la muerta is based on two of his plays: Sus ojos se cerraron (1992) and Mujeres solas. Armas has produced and directed adaptations of texts by authors such as Prosper Mérimée, Saint-Exupéry, and Henry Miller. He is the author of more than 60 plays. In addition to directing them in person, 
Title: Lady in Ermine
Content:  Lady in Ermine (Spanish: La dama del armiño) is a 1947 Spanish historical drama film directed by Eusebio Fernández Ardavín and starring Lina Yegros, Jorge Mistral and Alicia Palacios. It is based on by his brother Luis, which portrays a fictitious relationship between the daughter of the painter El Greco and a young Jewish goldsmith in sixteenth century Toledo. The film was made by Suevia Films, one of the dominant Spanish production companies of the era. It was shot at the Sevilla Film Studios in Madrid, with sets designed by the art director Enrique Alarcón.
Title: Jaime de Armiñán
Content:  Jaime de Armiñán Oliver (born 9 March 1927) is a Spanish screenwriter and film director. His films have been nominated for Academy Awards in the Foreign language film category twice, in 1972 for Mi querida señorita and in 1980 for El Nido. His 1974 film El amor del capitán Brando was entered into the 24th Berlin International Film Festival. His 1985 film Stico was entered into the 35th Berlin International Film Festival, where Fernando Fernán Gómez won the Silver Bear for Best Actor. In 1994, his film Al otro lado del Túnel was entered into the 44th Berlin International Film Festival.
Title: Ana de Armas
Content:  was de Armas's first work in her home country since leaving as a teenager. Glenn Kenny of The New York Times found her "superb" while Jay Weissberg of Variety described her as "a joyous, bewitching presence whose career seems destined for the big time." In 2021, de Armas reunited with her Knives Out co-star Daniel Craig to play a Bond girl in Cary Joji Fukunaga's No Time to Die. Fukunaga wrote the character of a Cuban CIA agent with de Armas in mind. She described the character as bubbly and "very irresponsible". In her short appearance in No Time to Die, her character, Paloma, claimed to have little training but proved to be highly skilled.
Title: Jaime de Armiñán
Content:  Jaime de Armiñán was born on 9 March 1927 in Madrid within a family of artist, politicians and writers. He studied law at Universidad Complutense de Madrid. After graduating as a lawyer, Armiñán began writing articles for such magazines as Fotos and Dígame. In the 1950s, he established himself as an award-winning playwright whose best known works include Eva sin Manzana (Eve Without the Apple) (1953), Nuestro fantasma (1956) (Our Ghost) and Café del Liceo (Cafe of the Opera). Armiñán joined the television industry in 1959 when he was hired by Radiotelevisión Española, and soon developed a reputation as one of television most distinctive writer/directors, thanks 
Title: Death Smiles on a Murderer
Content:  actor." The film credits the script to D'Amato, Romano Scandariato and Claudio Bernabei; the latter was said to just be a typist by Scandariato. The story is credited to D'Amato, which Scandariato said was "more or less one page." Scandariato stated the film was originally written with more suspense and as more of a giallo, but this was changed out of necessity. D'Amato later claimed he wrote the screenplay entirely on his own, saying in an interview "I'm afraid it's a very imperfect film.....but this is due to the fact that I wrote the script on my own. When you don't work with someone else....it's much harder to come up with a good 
Title: El Palomo cojo
Content:  El Palomo cojo, Jaime de Armiñán's fourteenth feature film, is based on the semiautobiographical novel of the same title written by Eduardo Mendicutti published in 1991. The film was shot in Mendicutti's hometown of Sanlúcar de Barrameda and many of the interiors were filmed in the house that belonged to the author's grandparents. The film is a period piece set in the 1950s, portraying the region of Andalucia at that time. The grandfather asks if President Eisenhower is going to visit Spain. Mendicutti commented that "Armiñán changed things in the screen version, since my novel is narrated in the first person and is based more on sensations than on actions". The film is notable for its large cast of some of Spain's best regarded actors. The role of uncle Ricardo was expanded from what it was on the book, to take advantage of the acting skills of veteran actor Francisco Rabal who went on to play a similar role on Carlos Saura's film Pajarico. Particularly noteworthy is the performance of María Barranco as the talkative and foul mouthed maid. She speaks with her strong Andalusian accent.
Title: Jaime de Armiñán
Content:  a film director. He made his debut as director with his own scripts in 1969 with Carola de día, Carola de noche, (Carola by day and by night ), a project tailor-made to revive the sagging career of former child star, Marisol who, at age 21, was starring her first role as an adult. This was followed by the equally forgettable: La Lola dicen que no vive sola (1970) (Lola does not live alone), a comedy about a prostitute who promises to Virgin Mary not to have sex again if her daughter recovers from an illness to the disappointment of the men around her. While this 

Question: Who was the screenwriter for L'arma?
Answer: Pasquale Squitieri.