Title: Carnosaur (film)
Content:  first". Adam Simon, a frequent collaborator with Corman, was tasked with directing Carnosaur and writing its screenplay. The crew was allocated more time to carry out their work than was typical for a Corman production, with Simon having six months for research and writing. On a small budget, his screenplay ignored key plot elements of the novel and reduced the large variety of dinosaur species to two. According to Corman, the main antagonist Dr. Jane Tiptree was originally envisioned for a male actor who had a "great deal of strength and at the same time an intelligent person". With no one available, Corman rewrote 
Title: Captain Video and His Video Rangers
Content:  movies. This led to derision of the show by the critics of the day, although it always was wildly popular with kids and many adults. This improved after 1952 when scripts began being written by such major science fiction writers active at the time as Damon Knight, James Blish, Jack Vance, and Arthur C. Clarke. These late scripts displayed more intelligence, discipline and imagination than most of the other children's sci-fi series scripts of the era. Other well-known authors who occasionally wrote for the program included Isaac Asimov, Cyril M. Kornbluth, Milt Lesser, Walter M. Miller, Jr., Robert Sheckley, J. T. McIntosh, and Robert S. 
Title: Screenwriting
Content:  be the star. ; The Player (1992)&mdash;In this satire of the Hollywood system, Tim Robbins plays a movie producer who thinks he's being blackmailed by a screenwriter whose script was rejected. ; Adaptation (2002)&mdash;Nicolas Cage portrays real-life screenwriter Charlie Kaufman (as well as his fictional brother, Donald) as Kaufman struggles to adapt an esoteric book (Susan Orlean’s real-life nonfiction work The Orchid Thief ) into an action-filled Hollywood screenplay. ; Dreams on Spec (2007)&mdash;The only documentary to follow aspiring screenwriters as they struggle to turn their scripts into movies, the film also features wisdom from established scribes like James L. Brooks, Nora Ephron, Carrie Fisher, and Gary 
Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: Firestarter (1984 film)
Content:  During filming of The Thing, Universal offered John Carpenter the chance to direct the film. Carpenter hired Bill Lancaster to adapt the novel into a screenplay, which Stephen King approved of. Months later, Carpenter hired Bill Phillips to write another version with Richard Dreyfuss as Andy, but when The Thing underperformed financially, Universal replaced Carpenter with Mark L. Lester, who brought Stanley Mann to write a screenplay that stayed closer to the novel than the abandoned screenplays that Carpenter had commissioned. Lancaster's father, Burt Lancaster, originally was going to portray Captain Hollister, but had to withdraw following heart surgery; Martin Sheen replaced Lancaster. The film was produced by Dino De Laurentiis, and was the first to be shot at his new studio complex in 
Title: Kathryn Scola
Content:  adaptation of the Dashiell Hammett novel, with writer Kubec Glasmon. In 1937, Scola and Darrell Ware collaborated to write the script for the film Second Honeymoon, directed by Walter Lang. In 1943, at the outset of the Second World War, Scola and Julien Josephson wrote the script for Happy Land, a 20th Century Fox production that was meant to prepare audiences for the losses of the war. During 1946, Scola wrote a screenplay for the Max Ophüls 1949 American film noir Caught, which would eventually be rejected by the censorship board due to what was deemed questionable material. Scola’s script was revised by various writers and eventually abandoned, leading to the final screenplay by playwright and screenwriter Arthur Laurents. Scola and Julien Josephson also worked together on the original screenplay for “In Times Like These” in 1956, a teleplay included in the anthology series The 20th Century Fox Hour.
Title: Tourist Trap (film)
Content:  The screenplay for Tourist Trap was written by David Schmoeller and J. Larry Carroll, the latter of whom pitched the film to producer Charles Band. Initially, Schmoeller intended for John Carpenter to direct the film, but Carroll was unsatisfied with the financial arrangements, and opted instead that Schmoeller should direct. Carroll and Schmoeller had previously pitched the film to producers Samuel Z. Arkoff and Bruce Cohn Curtis, but were unable to secure a production arrangement. The original screenplay did not feature the telekinetic powers; according to Carroll, the idea was proposed by Band, who insisted it be implemented into the script.
Title: Cowboys &amp; Aliens
Content:  In the film's period as a developing project under several studios, different versions of the screenplay were drafted by numerous screenwriters, beginning with Steve Oedekerk. Other screenwriters involved included David Hayter, Thomas Dean Donnelly, Joshua Oppenheimer, Jeffrey Boam, Thompson Evans and Chris Hauty. When Universal and DreamWorks re-partnered in 2007, they hired Hawk Ostby and Mark Fergus. In 2009, Ostby and Fergus were replaced by Alex Kurtzman, Roberto Orci and Damon Lindelof. Kurtzman and Orci analyzed American Western films including The Searchers. Orci said, "The first draft was very kind of jokey and broad and then it went very serious. You kind of swing back and forth between the two extremes and the tone until you find the exact right point where a Western and a sci-fi movie can really shake hands without 
Title: James Cameron
Content:  Inspired by John Carpenter's horror film Halloween (1978), in 1982 Cameron wrote the script for The Terminator (1984), a sci-fi action film about a cyborg sent from the future to carry out a lethal mission. Cameron wanted to sell the script so that he could direct the movie. Whilst some film studios expressed interest in the project, many executives were unwilling to let a new and unfamiliar director make the movie. Gale Anne Hurd, a colleague and founder of Pacific Western Productions, to whom Cameron was married from 1984 to 1989, agreed to buy Cameron's script for one dollar, on the 
Title: Star Cops
Content:  five, with the rest written by John Collee (three scripts) and Philip Martin (two scripts). Having previously qualified and worked as a doctor, Collee was a journalist who wrote for The Observer newspaper and later moved into films, most notably writing the screenplay for Master and Commander: The Far Side of the World. Martin was an experienced scriptwriter, best known for the controversial BBC drama series Gangsters, with previous experience in television science fiction, having written for Doctor Who. Two directors were assigned to the show: Christopher Baker, who had worked with Gridneff before on Hold the Back Page as well 

Question: Who was the screenwriter for Camp?
Answer: Todd Graff.