Title: Big Trouble in Little China
Content:  The first version of the screenplay was written by first-time screenwriters Gary Goldman and David Z. Weinstein. Goldman had been inspired by a new wave of martial arts films that had "all sorts of weird actions and special effects, shot against this background of Oriental mysticism and modern sensibilities". They had written a Western originally set in the 1880s with Jack Burton as a cowboy who rides into town. Goldman and Weinstein envisioned what amounts to a Weird Western, in this case, combining Chinese fantasy elements within an Old West setting. They submitted the script to TAFT Entertainment Pictures executive producers Paul Monash and Keith Barish during the summer of 1982. Monash bought 
Title: The Chinese Ring
Content:  The screenplay for The Chinese Ring was written by W. Scott Darling. The plot is nearly identical to Mr. Wong in Chinatown, the 1939 film starring Boris Karloff and released eight years earlier. That film was also an adaptation of Scott Darling's script for the 1931 film Murder at Midnight.
Title: My Lucky Star (2013 film)
Content:  spy-tastic adventure where Sophie has to step up to the plate? And she loved that.'" Chow wrote the first draft of the script in China, while stateside, the story was developed by Gordon, with American screenwriter Snow and producer Kwei. Chinese writers Huang and Meng also contributed to the script. After several translated drafts and much cross-cultural collaboration, the team was able to strike the right balance of humor and cultural relevance for Chinese audiences. In an interview with Asia Pacific Arts, Snow explained how much she enjoyed the process: "'It was so fun when I got to work with Sean [Huang], who 
Title: Chenyang Zhao
Content:  2002, Chenyang Zhao graduated from Beijing Film Academy, both Chinese mainland director, and screenwriter. She was originally a television show host and the editor of the documentary film. 2005, Zhao was assigned as the screenwriter of TV series Ten Month Pregnancy, this is also her first time working as an independent screenwriter. 2008, Zhao was assigned as the screenwriter for the family TV series Chun Cao and collaborated with another well known screenwriter Yi Zhou. This TV series depicted how a peasant girl Chun Cao suffered in all kinds of difficulties, insisted in all dilemma, fought for her destiny and finally reached to the success. 2009, assigned as director for the first time, directed and wrote the family 
Title: Long Live the Missus!
Content:   Screenplay  Eileen Chang (Zhang AiLing (张爱玲)) was already a well-known essayist and novelist in China before entering the film industry. She became a screenwriter because she was “blacklisted from publishing after Japan’s defeat" due to her relationship with the top collaborationist official Hu Lancheng. Filmmaking then became an alternative way as both self-expression and employment since the film industry was struggling during the postwar period and was more tolerable of talents and celebrities' moral problems. In the 1940s, Shanghai's film industry experienced high demand for domestically produced romantic tragedies and transplanted Hollywood love stories in local settings. Chang was aware of this trend, and noted that 
Title: Chan Man-kwai
Content:  Chan Man-kwai (born 1 April 1948 ) is a Chinese screenwriter who began his career in Hong Kong. He has written over 40 films and TV series in Hong Kong, Taiwan and mainland China. Chan was born and grew up in Xiamen. During the Cultural Revolution he laboured as a sent-down youth in the mountains of Yongding in southwestern Fujian. After the Cultural Revolution, he migrated to British Hong Kong in 1978, doing odd-and-end jobs for 3 years before deciding to write fiction. One of his works was published in the magazine Southern Movies (南國電影), run by the renowned Shaw Brothers Studio, which hired him as a screenwriter shortly thereafter.
Title: Far Away Love
Content:  The screenplay of the film is officially attributed to the director Chen Liting, but according to Chen himself, it was actually written by the leftist playwright Xia Yan. Xia and Chen were both prominent dramatists who had collaborated many times. As Xia had joined the Communist Party in 1927, whereas the China Film No. 2 Studio was owned by the Kuomintang government, enemy of the Communists, Xia Yan's authorship had to be concealed. However, in Xia Yan's own autobiography, he states that he did not write any screenplay between 1937 and 1949.
Title: Felix Chong
Content:  Felix Chong Man-Keung (born January 1, 1968, in Hong Kong) is a Hong Kong screenwriter, film director and actor. He is one of the most celebrated screenwriters in Hong Kong and has won several prestigious awards at the Hong Kong Film Awards. Chong is known for frequently working alongside cinematographer/director Andrew Lau, and writer/director Alan Mak. Chong's best known film as a screenwriter is Infernal Affairs, which he co-wrote alongside Alan Mak. Other films written by Chong include Infernal Affairs 2, Infernal Affairs 3, Initial D, Dance of a Dream, and Confession of Pain. filming of “Project Gutenberg", a big-budget Chinese-language action film, started. The picture is written and being directed by Chong. In Feb 2021, Chong will write and direct a new major action movie titled Goldfinger, backed by Emperor Motion Pictures and mainland Chinese partners, with a reported budget of around $30.8 million (RMB200 million).
Title: Li Qiang (screenwriter)
Content:  Li Qiang (born 1968) is a Chinese screenwriter.
Title: China (1943 film)
Content:  The script was based on Fourth Brother, an unproduced play by Archibald Forbes about an American oil salesman in China who joins in the fight against the Japanese with three Chinese guerrillas. Paramount bought the screen rights for $25,000 in May 1942.

Question: Who was the screenwriter for China?
Answer: Halsted Sullivan.
Warren Lieberstein.
Warren Keith Lieberstein.