Title: F/X
Content:  The unsolicited screenplay was written by two novice writers, actor Gregory Fleeman and documentarian Robert T. Megginson. Producer Jack Wiener read their script, which was submitted as a low-budget television movie, and felt that it should be made into a theatrical release. Wiener and his co-producer Dodi Fayed hired Robert Mandel, an Off-Broadway director. They did not want to hire an action director, but instead wanted a director who would bring a realistic touch to the film and make the audience care about the main character. Mandel accepted the job because he wanted to dispel the perception that he was a "soft, arty director". Initially he was not impressed with the film's screenplay, which he felt was not well-crafted but felt that it provided for "a lot of action and a lot of things I did not have 
Title: University of Auckland
Content: Philippa Boyens, Academy Award-winning screenwriter ; Niki Caro, film director, producer and screenwriter. ; Jacqueline Feather, screenwriter ; Lucy Lawless, actress ; Christine Tan, CNBC news anchor ; Yasmine Ryan (ca. 1983 – 2017), journalist 
Title: Screenwriting
Content: Crashing Hollywood (1931)&mdash;A screenwriter collaborates on a gangster movie with a real-life gangster. When the film is released, the mob doesn't like how accurate the movie is. ; Sunset Boulevard (1950)&mdash;Actor William Holden portrays a hack screenwriter forced to collaborate on a screenplay with a desperate, fading silent film star, played by Gloria Swanson. ; In a Lonely Place (1950)&mdash;Humphrey Bogart is a washed up screenwriter who gets framed for murder. ; Paris, When it Sizzles (1964)&mdash;William Holden plays a drunk screenwriter who has wasted months partying and has just two days to finish his script. He hires Audrey Hepburn to help. ; Barton Fink (1991)&mdash;John Turturro plays 
Title: Screenplay (book)
Content:  Screenplay: The Foundations of Screenwriting is a non-fiction book and filmmaking guide written by Syd Field. First published in 1979, Screenplay covers the art and craft of screenwriting. Considered a bestseller shortly after its release, to date it has sold millions of copies. It has served as a reference for Judd Apatow, James Cameron, Frank Darabont, Tina Fey and many other professional screenwriters. Now translated into more than a dozen languages, Screenplay is considered the "bible" of the screenwriting craft.
Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: Syd Field
Content:  Field worked as a script reader in the 1970s. Field got his start in the shipping department of David L. Wolper Productions, where he later worked his way up to writer/researcher for the company's Biography series, hosted by reporter Mike Wallace, in the early 60's. By the release of the expanded edition for Screenplay 1994, he was credited as writer/producer at Wolper Productions. Field was also a freelance screenwriter and script consultant. He wrote nine screenplays, one of which was produced as the Argentinian film, Los Banditos. Field wrote and produced the television series Men in Crisis in 1964 and the Vegas nightlife documentary, Spree, in 1967; the latter of which he also narrated. He wrote Hollywood and the Stars, National Geographic, and Jacques Cousteau Specials from 1963 −1965 for David L. Wolper Productions. He was the head of story at Cinemobile System when founder Fouad Said decided to diversify the location services company into an entertainment studio.
Title: Screenwriters: Words Into Image
Content:  Screenwriters: Words Into Image (1982) is a PBS documentary series produced in the United States and featuring six 30-minute episodes. Each explored the work of a single significant American screenwriter. The series was directed by Terry Sanders and Freida Lee Mock. Individual episodes featured Carl Foreman, who was blacklisted in the 1950s after being classified as an uncooperative witness by the House Unamerican Activities Committee and worked for years in Great Britain; William Goldman, Paul Mazursky, Eleanor Perry, Neil Simon, and Robert Towne. The series was nominated for the Primetime Emmy Award for Outstanding Informational Series in 1983.
Title: Karl Tunberg
Content:  than five years before the start of principal photography, Christopher Fry and Gore Vidal contributed to the screenplay during filming. Maxwell Anderson and S.N. Behrman are also mentioned as contributing writers in the film's commemorative booklet. The film's final onscreen writing credits created controversy when, in October 1959, the Writers Guild of America (WGA) awarded Tunberg sole screenplay credit, despite the objections of the film's director, William Wyler, who, in the film's commemorative booklet and elsewhere, claimed that Christopher Fry was more responsible than any other writer for the final screenplay. In response to Wyler's public outcries against their ruling, the WGA took out trade paper ads on November 20, 
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: Film, Film, Film
Content:  A screenwriter tries to write a script with a typewriter, but tears it up several times. In a fit of desperation, he prepares to commit suicide (implied by his cigarette smoke forming a noose), but a winged Muse descends to him. He frantically completes the script before passing out. His friend, a film director, walks in and, after reading the script, wakes him up, enthusiastically praises him and offers to pitch the script to multiple production companies. The two pitch the script to the companies in a labyrinthine office building, where the script gets stamped with various criticisms. The two shorten the text, then add the text back, before the director finally manages to approve the script behind the door with the grandest design. The film director goes to the film studio and begins to gather the film crew: the art director, the cinematographer, the composer, 

Question: Who was the screenwriter for Film?
Answer: Samuel Beckett.
Samuel Barclay Beckett.
Andrew Belis.
Sam Beckett.
Sa-miao-erh Pei-kʻo-tʻe.
Samuel Beḳeṭ.