Title: Love You To
Content:  "Love You To" is a song by the English rock band the Beatles from their 1966 album Revolver. The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood (This Bird Has Flown)" in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music. The recording was made with minimal participation from Harrison's bandmates; instead, he created the track with tabla player Anil Bhagwat and other Indian musicians from the Asian Music Circle in London. The composition adheres to the pitches of the Indian equivalent of Dorian mode and emulates the khyal vocal tradition of Hindustani classical music. For musical inspiration, Harrison drew from the work of master sitarist Ravi Shankar, who became his sitar tutor shortly 
Title: Love You to Death (2012 film)
Content:  Love You To Death is a 2012 Hindi-language comedy film directed by Rafeeq Ellias, featuring Yuki Ellias, Chandan Roy Sanyal, Sheeba Chaddha in the lead roles. The films music was composed by Ronit Chaterji. The film was released on 3 February 2012.
Title: Love You To
Content:  Peter Lavezzoli describes "Love You To" as "the first conscious attempt in pop to emulate a non-Western form of music in structure and instrumentation", while Reck calls it "the first song in the Euro-American pop music canon that is scored predominantly for Asian musical instruments, [with] sitar, tabla and tambura replacing rock band guitars, keyboards, bass and drums". Lavezzoli says of the sitar part: "[Harrison's] playing throughout the song is an astonishing improvement over 'Norwegian Wood'. In fact, 'Love You To' remains the most accomplished performance on sitar by any rock musician." Music critic Lester Bangs termed "Love You To" "the first injection of ersatz Eastern wisdom into rock", 
Title: Love You To
Content:  and most of it made its way onto our records." The basic track for "Love You To" was taped in London at EMI Studios (now Abbey Road Studios) on 11 April 1966. According to Beatles historian Mark Lewisohn, Harrison initially sang and played acoustic guitar, accompanied by Paul McCartney on backing vocals. By the end of the first session that day, three takes of the song had been made, with Harrison introducing his sitar on the last of these takes. Work resumed at 8 pm, with the participation of Anil Bhagwat, a tabla player that Harrison had sourced through Patricia Angadi. Other outside contributors, also from the AMC, included musicians on 
Title: Love You To
Content:  the recording was completed. In its lyrical themes, "Love You To" is partly a love song to Harrison's wife, Pattie Boyd, while also incorporating philosophical concepts inspired by his experimentation with the hallucinogenic drug LSD. In the context of its release, the song served as one of the first examples of the Beatles expressing an ideology aligned with that of the emergent counterculture. "Love You To" has been hailed by musicologists and critics as groundbreaking in its presentation of a non-Western musical form to rock audiences, particularly with regard to authenticity and avoidance of parody. Author Jonathan Gould describes the song's slow sitar introduction as "one of the most brazenly exotic acts of stylistic experimentation ever heard on a popular LP". Ronnie Montrose, Bongwater, Jim James and Cornershop are among the artists who have covered "Love You To".
Title: Love to Love You (Cristy Lane song)
Content:  "Love to Love You" is a song written by David Heavener that was originally recorded by American Christian and country singer Cristy Lane. In 1981, it was released as a single on Liberty Records and became a top 30 charting hit on the North American country charts. "Love to Love You" was released on Lane's corresponding album titled I Have a Dream.
Title: Love You To
Content:  "Love You To" is in the key of C and adheres to the pitches of Kafi thaat, the Indian equivalent of Dorian mode. The composition emulates the khyal vocal tradition of Hindustani (or North Indian) classical music. Structurally, it comprises an opening alap; a gat section, which serves as the main portion of the song; and a short drut (fast) gat to close the piece. The alap consists of sitar played in free tempo, during which the song's melody is previewed in the style of an Indian raga. Described by Harrison biographer Simon Leng as "essentially an adaptation of a blues lick", the seven-note motif that closes the alap serves as a recurring motif during the ensuing gat. The change of metre following the 
Title: Love You To
Content: George Harrison &ndash; lead and backing vocals, acoustic guitar, sitar, rhythm guitar, fuzz-tone lead guitar ; Paul McCartney &ndash; backing vocal ; Ringo Starr &ndash; tambourine Anil Bhagwat &ndash; tabla ; Unnamed musicians from the Asian Music Circle &ndash; sitar, tambura According to Kenneth Womack and Ian MacDonald: The Beatles Additional musicians
Title: Love You To
Content:  that "Love You To" "opened creative doors through which Harrison's bandmates may not – and [George] Martin certainly would not – have ever dreamed of passing". Rolling Stone contributor Greg Kot pairs it with "Taxman" as two "major contributions" that saw Harrison "[come] into his own as a songwriter" on Revolver. Kot describes "Love You To" as "a boldly experimental track" and "the first full-scale incorporation of Eastern instruments on a Beatles album". Writing on his music website Elsewhere, Graham Reid views the song as a "classic" due to its standing as "arguably the first in Western pop ... which owes nothing to pop music traditions. It is an 
Title: Love You To
Content:  "Love You To" was the third track the Beatles recorded for Revolver, after "Tomorrow Never Knows" and "Got to Get You into My Life". Rodriguez comments that "Love You To" "[made] explicit the Indian influence implicit throughout the entire album", as songs such as "Tomorrow Never Knows" and "Got to Get You into My Life", together with the non-album single tracks "Paperback Writer" and "Rain", all incorporate drone sounds or otherwise display the limited harmonic movement that typifies the genre. In a 1997 interview, Harrison said that the song's inclusion reflected the band's willingness to experiment during this period, adding: "We were listening to all sorts of things, Stockhausen, avant-garde music, 

Question: Who was the composer of Love You To?
Answer: George Harrison.
The Quiet Beatle.
Nelson Wilbury.
00013482508 IPI.