Title: Eric Brevig
Content:  Since his film school days at UCLA, Brevig had been fascinated with the potential of 3-D for live-action movie production, and he learned everything he could about it. During the production of 1986's Captain EO short for the Disney theme parks he was substantially responsible for supervising the technical aspects of the 3D photography. After several second unit director's assignments in special effects-heavy films like Men in Black and Michael Bay's Pearl Harbor, Brevig's previous 3D experience and expertise turned out to be the factor that helped him get his first full-blown director's job when he was offered the chance to direct the 2008 film Journey to the Center of the Earth 3-D (a New Line Cinema release), the first narrative feature shot entirely in digital 3-D. He next directed Yogi Bear, another 3D movie, for Warner Bros. Following that, he was chosen to direct a 3-D Korean War drama, 17 Days of Winter, about the 1950 Battle of Chosin Reservoir. The film, with a screenplay by Frank Pierson and a budget of US$100 million, was scheduled to begin shooting in South Korea in late 2011, with a target release date in 2013, but it did not move forward.
Title: Marc Dorcel
Content:  Dorcel is a pioneer in producing 3D/360° films.
Title: Fort Ti
Content:  William Castle says Sam Katzman was inspired to make the film by the success of Bwana Devil. Castle says he "decided to throw every goddamn thing I could think of at the camera" in the movie. 3-D supervision was by M.L. Gunzburg, creator of the Natural Vision 3-D system that had initiated the 3-D boom, previously used on Bwana Devil and House of Wax. The film was shot at Columbia Studios and on location in Utah and Southern California.
Title: Zero Dark Thirty
Content:  Bigelow and Boal had initially worked on and finished a screenplay centered on the December 2001 Battle of Tora Bora, and the long, unsuccessful efforts to find Osama bin Laden in the region. The two were about to begin filming when news broke that bin Laden had been killed. They immediately shelved the film they had been working on and redirected their focus, essentially starting from scratch. "But a lot of the homework I'd done for the first script and a lot of the contacts I made, carried over," Boal remarked during an interview with Entertainment Weekly. He added, "The 
Title: Zero Dark Thirty
Content:  Author Karen J. Greenberg wrote that "Bigelow has bought in, hook, line, and sinker, to the ethos of the Bush administration and its apologists" and called the film "the perfect piece of propaganda, with all the appeal that naked brutality, fear, and revenge can bring". Peter Maass of The Atlantic said the film "represents a troubling new frontier of government-embedded filmmaking". Jane Mayer of The New Yorker, who has published The Dark Side, a book about the use of torture during the Bush administration, criticized the film, saying that Bigelow was "milk[ing] the U.S. torture program for drama while sidestepping 
Title: Martin Kunert
Content:  NBC/StudiosUSA signed Kunert to an exclusive writing/directing/producing contract. He wrote and executive produced "Witch Doctor", a TV pilot for Beacon TV and ABC television studios in 2008. In 2011, DirecTV, Technicolor, and Panasonic got together to finance an experimental 3D film for Kunert to direct and shoot on Panasonic's new 3D camera systems. As part of it, Technicolor trained Kunert extensively on how to make clean, non-headache inducing, 3D motion images. DirecTV will distribute the 3D film internationally. Kunert is a graduate of New York University's film school. He is a member of the Directors Guild of America and Writers Guild of America. He was born in Warsaw, Poland and grew up in Westfield, New Jersey before attending the New York Military Academy.
Title: Zero Dark Thirty
Content:  the efficacy of torture and the claim that it contributed to the discovery of bin Laden. In an open letter, social critic and feminist Naomi Wolf criticized Bigelow for claiming the film was "part documentary" and speculated over the reasons for Bigelow's "amoral compromising" of film-making, suggesting that the more pro-military a film, the easier it is to acquire Pentagon support for scenes involving expensive, futuristic military equipment. Wolf likened Bigelow to the acclaimed director and propagandist for the Nazi regime Leni Riefenstahl, saying: "Like Riefenstahl, you are a great artist. But now you will be remembered forever as torture's 
Title: Kathryn Bigelow
Content:  bin Laden. Zero Dark Thirty was acclaimed by film critics but also attracted controversy and strong criticism for its allegedly pro-torture stance. Bigelow won the New York Film Critics Circle Award for Best Director for the film, making her the first woman to win the award twice. She had already won previously for directing The Hurt Locker. She was also the first woman to receive the National Board of Review Award for Best Director. Bigelow collaborated with Mark Boal for the third time on the film Detroit, set during the 1967 Detroit riots. Detroit began filming in the summer of 2016 and was released in July 2017, around 
Title: Zero Dark Thirty
Content:  Writer Boal has stated his interest in making the original film on the 2001 Tora Bora hunt for bin Laden that he and Bigelow conceived. That finished screenplay had been set aside after bin Laden was killed in 2011 to focus on what became Zero Dark Thirty. "I love reporting, so being on a big story is really exciting to me," said Boal, a former war journalist, of his scramble to write a new script after the event. "But nobody likes to throw out two years of work."
Title: The Naked Director
Content:  Executive producer Kazutaka Sakamoto came across Nobuhiro Motohashi's Zenra Kantoku Muranishi Toru Den in early 2017. A director friend of his had been trying to adapt it, but gave up and hoped Sakamoto could make it happen at Netflix. Although mainly taking place in the 1980s, Netflix expected it to be universal and relevant to contemporary viewers, and that it be a compelling underdog story. After the production was green-lit, Sakamoto brought in Jason George, a producer on the Netflix series Narcos, as a consultant. He wanted George's advice on depicting an outlaw character that viewers can empathize with and how to make sure the sex scenes would not come across as gratuitous or disrespectful to women. The discussions were 

Question: Who was the director of 360?
Answer: Fernando Meirelles.
Fernando Ferreira Meirelles.