Title: Trusted Mole
Content:  In 2005 the author was approached by the actor James Cromwell with a view to a film adaptation of Trusted Mole. They met in Beverley Hills in August 2005 to discuss the project, and then subsequently in London later that year. Cromwell understood that the underlying theme in Trusted Mole was that of identity and set up Koshari Films as the production vehicle for the project. He approached George Clooney to direct. Clooney considered the project but decided against it on the basis that it was too similar to his geopolitical thriller Syriana, which had gone to the box office that same year. The project stalled at that point.
Title: Saving Mr. Banks
Content:  In 2002, Australian producer Ian Collie produced a documentary film on P. L. Travers titled The Shadow of "Mary Poppins". During the documentary's production, Collie noticed that there was "an obvious biopic there" and convinced Essential Media and Entertainment to develop a feature film with Sue Smith writing the screenplay. The project attracted the attention of BBC Films, which decided to finance the project, and Ruby Films' Alison Owen, who subsequently hired Kelly Marcel to co-write the screenplay with Smith. Marcel's drafts removed a subplot involving Travers and her son, and divided the story into a two-part narrative: the creative conflict between Travers and Walt Disney, 
Title: Dick Tracy (1990 film)
Content:  strict financial and artistic control. That same year, Mutrux and Linson eventually took the property to Paramount Pictures, who began developing screenplays, offered Steven Spielberg the director's position, and brought in Universal Pictures to co-finance. Universal put John Landis forward as a candidate for director, courted Clint Eastwood for the title role, and commissioned Jim Cash and Jack Epps, Jr. to write the screenplay. "Before we were brought on, there were several failed scripts at Universal," reflected Epps, "then it went dormant, but John Landis was interested in Dick Tracy, and he brought us in to write it." Cash and Epps' simple orders 
Title: Trouser Bar
Content:  Trouser Bar is a 2016 British silent erotic comedy/fantasy film directed by Kristen Bjorn (born: Robert Russell), photographed by Sam Hardy, and edited by Esteban Requejo. The executive producer and driving force behind Trouser Bar is British screenwriter, playwright and producer David McGillivray, who famously collaborated with directors including Pete Walker and Norman J. Warren. There has been much controversy over the authorship of "Trouser Bar"; accord to McGillivray, the, "Authorship of the [Trouser Bar] screenplay has not been unequivocally established. The authorship of the script of this film is unattributed. The producers of the film firmly discourage any speculation as to authorship. Pathetique Films can confirm that the script was passed on to them by the late Peter de Rome." Focusing on 
Title: Trashed (film)
Content:  It was produced by Blenheim Films, and released by First Pond Entertainment (USA). Candida Brady wrote, directed and co-produced (along Titus Ogilvy) the film. Jeremy Irons, Rose Ganguzza and Tom Wesel worked as executive producers, while Tabitha Troughton as associate producer. Garry Waller worked as art director, while Sean Bobbitt was the cinematographer. Brady and Irons discussed various possible topics, and decided on the problem of waste, because "despite all the evidence and research available, it is not being seriously faced". Irons helped to raise the finance, and persuaded his friend Vangelis to score the music. The director Candida Brady notes they tried to address potential backlash "by putting all the 
Title: TRC Family Entertainment
Content:  one of the directors life about which there was no information. The Prime Minister Joseph Muscat added that the director had a history of unsuccessful business ventures. He also highlighted that although in businesses bankruptcy was always a risk, the opposition had access to the due diligence report. During its initial period of operation, conflicts between the management and the employees frequently rose to very high levels with the result that productivity was initially impaired.[1] A new management team was subsequently appointed to head the project and continue with operations with good progress being achieved until the default by Euphoria Media (Ireland) Limited and Simon R. Smith in 2014.
Title: David Trumble
Content:  In 2010, Trumble collaborated with longtime friend Greg Lock to make a short film entitled The Shift. Trumble produced and directed the film, partly based on Lock's own experiences from working in the ambulance service. He also co-wrote the film with Matt Brothers and Lock.
Title: Trancers III
Content:  Thomerson campaigned for Joyner to direct the film, and Joyner found Thomerson great to work with. Joyner asked Albert Band for advice at times during the filming. The film was shot in Los Angeles Producer Band was pleased that Helen Hunt agreed to return for the film, as by the time of filming she had become a well known star on Mad About You Writer/Director Courtney also praised Hunt's work and dedication to the film.
Title: Reg Traviss
Content:  From 2003 to 2005 Traviss worked on his directorial debut for the big screen Joy Division, a fictionalised biopic which he wrote with Rosemary Mason, based on real life events set in the last months of World War II and the early years of the Cold War. The film was co-produced by German production company Dreamtool Entertainment and Traviss' company Kingsway Films on a budget of $6,000,000. The film starred an ensemble of German, British and Hungarian actors including the rising European stars Tom Schilling and Bernadette Heerwagen, British actor Ed Stoppard, television actress and pop singer Michelle Gayle, alongside veteran big screen performers Bernard Hill and Suzanne von Borsody and was filmed in London, Canada, Hungary, Germany and 
Title: Trancers
Content:  The idea of the film came from the producers admiration of Humphrey Bogart's work. In 2021, screenwriter Danny Bilson appeared on The Ghost of Hollywood, to discuss he and Paul DeMeo's work at Empire Pictures, with a focus on the making of Trancers.

Question: Who was the director of The Trust?
Answer: Lon Chaney.
Leonidas Frank Chaney.
Lon Chaney, Sr.
The Man of a Thousand Faces.