Title: Twilight's Last Gleaming
Content:  The writers Ronald M. Cohen and Edward Huebsch wrote the script together over six weeks. Aldrich called it "the most unlikely marriage in the world. Huebsch's a little wizened old man, sixty-two, sixty-three years old, been in the political wars for forty years, probably the most knowledgeable political analyst in town - or at least up there with Abe Polonsky and Ring Lardner. And Cohen is a loud-mouthed, extroverted, young, smart-ass guy who knows that he votes Democratic... an extraordinarily gifted writer in terms of what people say and how they say it. The script was originally 350 pages. "If that movie's anti-American so is Jimmy Carter," said Aldrich. "The most inflammatory statement in the movie is that it opts for open government."
Title: Conspiracy: The Trial of the Chicago 8
Content:  The docudrama was written, produced and directed by Jeremy Kagan for Inter Planetary Productions. Kagan wrote the script in 1979, and hoped to make the film in 1979; CBS commissioned a script but ultimately declined to make the film - the language of the defendants in court was unacceptable to the network, and Kagan said he believed the political issues also made the CBS executives nervous. The Los Angeles Times reports that Kagan, "his voice etched with emotion," recalled "[i]n 1976 I had Marlon Brando, Walter Matthau, George C. Scott and Dustin Hoffman committed to working on the project for scale and CBS turned it down. They thought the material was 
Title: Conspiracy of Hearts
Content:  The film version was written by Robert Presnell Jr., who set the story in 1943. Presnell was reportedly a front for Dalton Trumbo. The script was optioned by Albert C. Gannaway in 1958, but he could not get financing to make the picture. Betty Box became enthusiastic about the movie and wanted to make it. She took it to the Rank Organisation. Box says Rank did not want them to make the movie but allowed her because of the success of the Doctor in the House series. "They said, 'It's religion, it's nuns, it's wartime, who wants to know? Tell you what, make us another Doctor and you can do it!" Box and Thomas made Doctor in Love (1960) as a pay off for Rank financing the movie. The film was shot on location in Italy and at Pinewood Studios in London. Some filming took place at La Certosa di Galluzzo monastery near Florence.
Title: Father Dowling Mysteries
Content:  scriptwriter, on the TV series The Man From U.N.C.L.E.). And Gerry Conway, whose career began as a well-regarded writer at Marvel Comics, was now appointed as a script consultant, initially acting as script editor on the series before being promoted to co-producer for the third season, also writing many of the episodes. For the third and longest season (the show's only full season), Brian Clemens, who had been producer and executive producer on The Avengers and had written many of its best regarded episodes, was added as a script consultant, and wrote or co-wrote many third-season episodes—a number of them in collaboration with 
Title: Conspiracy of Hearts
Content:  The film was originally a teleplay credited to Dale Pitt, a writer who was acting as a "front" for blacklisted Hollywood screenwriter Adrian Scott. This teleplay was set in 1946 and concerned nuns helping Jewish children to get to Palestine. It aired in 1956 as an episode of Goodyear Playhouse directed by Robert Mulligan.
Title: The Beginning or the End
Content:  and a percentage of the box office gross. The Beginning or the End had a number of working titles, including Atom Bomb, The Manhattan Project and Top Secret. Bob Considine was hired to produce a treatment, which was submitted to MGM writers. The script underwent a number of revisions, with Ayn Rand being one of the writers. Her contributions include the montage of Hitler's conquests, a sequence in which a dying informant sends a message to Albert Einstein, and the sequence in which President Franklin Roosevelt authorizes the Manhattan Project. Other writers involved with the script were Robert Smith, Frank "Spig" Wead, Norman Krasna, David 
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: The Conspirators (1944 film)
Content:  Production on The Conspirators ran from late April to mid-May 1944. The film's working title was Give Me This Woman. In pre-production, a number of actors were considered for roles in The Conspirators, including Joan Fontaine, Helmut Dantine, Humphrey Bogart, and Ann Sheridan, before Hedy Lamarr was borrowed from MGM for the film to star in the lead female role. Hal B. Wallis had asked Ayn Rand to help rewrite the love scenes in this film for the director, Jean Negulesco; apparently, only a few of Rand's lines were retained in the film, and she is uncredited as having contributed anything to the script. See a review by David Hayes.
Title: Screenplay for Citizen Kane
Content:  the result of direct collaboration between us; after this we separated and there were two screenplays: one written by Mr. Mankiewicz, in Victorville, and the other, in Beverly Hills, by myself. … The final version of the screenplay … was drawn from both sources." In 1969, when he was interviewed for the official magazine of the Directors Guild of America, Houseman concurred with Welles's description of the scripting process: "He [Welles] added a great deal of material himself, and later he and Herman had a dreadful row over the screen credit. As far as I could judge, the co-billing was correct. The Citizen 
Title: Never Say Never Again
Content:  Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; however, Mankiewicz declined as he felt he was under a moral obligation to Eon's Albert R. Broccoli. Semple Jr. ultimately left the project after Irvin Kershner was hired as director and Schwartzman began cutting out the "big numbers" from his script to save on the budget. Connery then hired British television writers Dick Clement and Ian La Frenais to undertake re-writes, although they went uncredited for their efforts despite much of the final shooting script being theirs. This was because of a restriction by the Writers Guild of America. Clement and La Frenais continued rewriting during the 

Question: Who was the screenwriter for The Congress?
Answer: Ari Folman.