Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: Dreams on Spec
Content:  The film follows three aspiring screenwriters as they struggle to turn their scripts into movies. David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach. Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the great American screenplay. And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.
Title: Josh Friedman
Content:  Josh Friedman (born 1967) is an American screenwriter and television producer. He is best known for his work on the science-fiction action genre, including on the series Terminator: The Sarah Connor Chronicles, the film adaptation of H. G. Wells' War of the Worlds (2005), Terminator: Dark Fate (2019), and James Cameron's Avatar 2. He also wrote the neo-noir murder mystery The Black Dahlia (2006). Friedman has developed several television pilots, including the TNT series Snowpiercer, based on Bong Joon-ho's film of the same name. Friedman departed the program in January 2018 due to creative differences with the network, and he was replaced by Graeme Manson. Friedman later claimed that he felt pressured to leave by TNT due to a "radical difference in vision", with an implicit threat of blacklisting should he fail to comply. Following his departure, several cast and crew members announced their departure likewise in solidarity with Friedman. He is currently attached to Foundation, based on Isaac Asimov's Foundation series. Friedman is Jewish.
Title: Screenwriters: Words Into Image
Content:  Screenwriters: Words Into Image (1982) is a PBS documentary series produced in the United States and featuring six 30-minute episodes. Each explored the work of a single significant American screenwriter. The series was directed by Terry Sanders and Freida Lee Mock. Individual episodes featured Carl Foreman, who was blacklisted in the 1950s after being classified as an uncooperative witness by the House Unamerican Activities Committee and worked for years in Great Britain; William Goldman, Paul Mazursky, Eleanor Perry, Neil Simon, and Robert Towne. The series was nominated for the Primetime Emmy Award for Outstanding Informational Series in 1983.
Title: Friday the 13th: The Final Chapter
Content:  The filmmakers wanted Joseph Zito, who had previously produced and directed The Prowler, to direct and write the screenplay for the film. He initially claimed that he wasn't a writer, but he later accepted it when the contract offered him payment for directing and writing. Zito secretly used the extra salary to hire Barney Cohen to write the script. Their process entailed Zito taking one-hour phone calls every night with Phil Scuderi to discuss the film's screenplay and story. He then met Cohen in a New York apartment to use the ideas Scuderi had offered, which then they would turn into script pages sent that day to Scuderi in Boston to be discussed again over the phone. Cohen remained credited for writing the film, but he eventually got into trouble with the Writer's Guild of America 
Title: Terminator: Dark Fate
Content:  Josh Friedman, creator of the television series Terminator: The Sarah Connor Chronicles. Cameron and the writers watched the Terminator sequels that came after his initial films. They determined that the storylines of the later films were too complex when it came to time travel. Weeks were spent working on the story which was eventually envisioned as a new Terminator film trilogy. Goyer wrote a draft for the first film in the trilogy that would ultimately become Terminator: Dark Fate. Goyer moved on to other projects. By November 2017, Billy Ray was brought in to polish the script. Ray rewrote much of Goyer's draft. Miller wrote the film's 
Title: Grant Morrison
Content:  Morrison wrote the screenplays Sleepless Knights for DreamWorks and WE3 for New Line Cinema. They wrote the adaptation of the video game Area 51 home console game for Paramount in development with CFP Productions producing. Morrison has written a screenplay for a film entitled Sinatoro. In 2011 they worked on the screenplay Dinosaurs vs Aliens  for Sam Worthington's production company, Full Clip Production, and said they planned to work with them again on a screenplay based on the 2000 AD story "Rogue Trooper". They pitched a science fiction television series entitled Bonnyroad, to the BBC with director Paul McGuigan and Stephen Fry. In 2017, Morrison co-created the Syfy TV series Happy! starring Christopher Meloni and Patton Oswalt, which aired its second season in 2019. Morrison co-created and worked as a writer and producer on the 2020 TV series Brave New World for the Peacock Streaming Service, having developed it for adaptation.
Title: Terminator: Dark Fate
Content:  Before screenwriters were hired, Miller had asked that a group of novelists be consulted on how to reinvent the franchise. Among the novelists were Joe Abercrombie, Neal Asher, Greg Bear, Warren Ellis, and Neal Stephenson. Abercrombie suggested the idea of a female character who is half human and half machine, forming the origins of the character Grace. A human-machine character, Marcus Wright, was previously featured in Terminator Salvation, portrayed by Sam Worthington. The film's story was conceived by Miller, Cameron, and Ellison, and a team of writers was hired to write the script. They included Charles H. Eglee, David S. Goyer and his writing partner Justin Rhodes, 
Title: F/X
Content:  The unsolicited screenplay was written by two novice writers, actor Gregory Fleeman and documentarian Robert T. Megginson. Producer Jack Wiener read their script, which was submitted as a low-budget television movie, and felt that it should be made into a theatrical release. Wiener and his co-producer Dodi Fayed hired Robert Mandel, an Off-Broadway director. They did not want to hire an action director, but instead wanted a director who would bring a realistic touch to the film and make the audience care about the main character. Mandel accepted the job because he wanted to dispel the perception that he was a "soft, arty director". Initially he was not impressed with the film's screenplay, which he felt was not well-crafted but felt that it provided for "a lot of action and a lot of things I did not have 
Title: What Lies Beneath
Content:  Documentary filmmaker Sarah Kernochan had adapted a personal experience with the paranormal as a script treatment featuring a retirement aged couple dealing with restless but compassionate spirits. DreamWorks commissioned a rewrite from actor-writer Clark Gregg. This script was later delivered in 1998 by Steven Spielberg himself to his director friend Robert Zemeckis, who had signed a deal for DreamWorks to distribute the films of newly founded production company ImageMovers, and announced interest in doing a thriller film. Harrison Ford then signed to star on the film, even agreeing to clear room in his schedule for the project. Michelle Pfeiffer then followed as DreamWorks started to deal with 20th Century Fox regarding the 

Question: Who was the screenwriter for The Future?
Answer: Miranda July.
Miranda J. Grossinger.