Title: Scary Movie
Content:  The screenplay was developed by Shawn Wayans and Marlon Wayans with Buddy Johnson and Phil Beauman, writers for the sitcom The Wayans Bros. At the same time, Miramax was developing a spoof of Scream scripted by Jason Friedberg and Aaron Seltzer. Due to a WGA decision, all six writers were credited, despite Friedberg and Seltzer not actually working on the filmed script.
Title: Scary Monsters (The X-Files)
Content:  "Scary Monsters" was written by Thomas Schnauz, who had previously penned the ninth-season episode "Lord of the Flies". The entry was directed by Dwight H. Little, his first and only directing credit for the series. Schnauz explained that before the episode was green-lit, the writing staff needed to get the script done as quickly as possibly, but Schnauz only had the teaser conceived. When he went to pitch it, he even had a "whole other story that wasn't working." Fellow writer Vince Gilligan suggested that Shnauz make the child the root of the all of the episode's problems. However, the writing staff did not want the story to develop into a "kid-in-the-cornfield" territory, according to Gilligan (a reference to a 1961 episode of The Twilight Zone entitled "It's a Good Life", in which a monster-child can control the world. When the writers began to piece the script together, they realized that they needed a villain, and the only character that could play the part would be Tommy.
Title: Los Monstruos del Terror
Content:  Lead actor Paul Naschy also wrote the screenplay at the request of producer Robert Prades, who was impressed by the box office success of Naschy's La Marca del Hombre Lobo that year and wanted to film a sequel. The original shooting title was The Man Who Came from Ummo, but the producer changed it to The Monsters of Terror. Direction was split between two Argentine-born filmmakers, Hugo Fregonese and Tulio Demicheli. Naschy said Fregonese quit the project two-thirds of the way through, and Demichelli stepped in to finish the film. Only Demichelli was actually credited on the prints. Naschy claimed that Hollywood actor Robert Taylor volunteered to play 
Title: Danger: Diabolik
Content:  The initial treatment for Danger: Diabolik was written by Adriano Baracco, which was then adapted into a full screenplay by Dino Maiuri, who had previously scripted the Eurospy comedy Kiss the Girls and Make Them Die for De Laurentiis. The script was later revised by the British writing team of Brian Degas and Tudor Gates, who were hired by Bava due to their positive collaboration on the aborted giallo project Cry Nightmare (later filmed by Antonio Margheriti as The Young, the Evil and the Savage). The final screenplay, which is credited to Maiuri, Degas, Gates and Bava in the English version of the film, 
Title: Monster: Living Off the Big Screen
Content:  The Guardian called Monster "among the funniest, cruellest and most 'New York' takes on the fate of writers in the Hollywood system. Contemptuous of so much of what he saw, yet unwilling to detach himself from his own role in the process, which turned a dark, amoral tale of psychological disintegration into a feel-good vehicle for Robert Redford, Dunne wrote a classic."
Title: Monsters, Inc.
Content:  one sneaks into the factory, that child dubbed Boo must be returned home before it is too late. Docter began developing the film in 1996, and wrote the story with Jill Culton, Jeff Pidgeon and Ralph Eggleston. Stanton wrote the screenplay with screenwriter Daniel Gerson. The characters went through many incarnations over the film's five-year production process. The technical team and animators found new ways to simulate fur and cloth realistically for the film. Randy Newman, who composed the music for Pixar's three prior films, returned to compose for its fourth. Upon its release on November 2, 2001, Monsters, Inc. received critical acclaim 
Title: Mad Monster Party?
Content:  themes, complete with musical numbers and inside jokes. Mad Magazine creator Harvey Kurtzman penned the script (with writer Len Korobkin) and Mad artist Jack Davis designed many of the characters. Davis was a natural for the job, being famous both for his humor work and his monster stories in the pages of EC Comics. It has long been rumored that Forrest J. Ackerman had a hand in the script, but while the dialogue is rife with Famous Monsters of Filmland-like puns, Ackerman's involvement has never been confirmed and his name never appeared in the on-screen credits or in original promotion 
Title: The Monster (2016 film)
Content:  In 2014, Bryan Bertino announced that he would direct the film from a screenplay he also wrote. William Green and Aaron Ginsburg of Atlas Entertainment and Adrienne Biddle of Unbroken Pictures would serve as producers, while Richard Suckle and Sonny Mallhi would serve as executive producers. Commenting on his aspirations writing the screenplay, Bertino stated: "I did decide I was going to push myself to explore different kinds of fear, but finding my window in is always going to be the victims first. Even though monsters aren't real, it was fascinating to me to think, "Okay, I'm going to write a story in which I'm not necessarily here to tell you if monsters are real or not, I'm just saying what would happen if you broke down on the side of the road and there was a monster? What would you do? How terrifying would that be?"
Title: Monsters, Inc.
Content:  character in the film. Originally, Mike had no arms and had to use his legs as appendages; however, due to some technical difficulties, arms were soon added to him. Screenwriter Daniel Gerson joined Pixar in 1999 and worked on the film with the filmmakers on a daily basis for almost two years. He considered it his first experience in writing a feature film. He explained, "I would sit with Pete [Docter] and David Silverman and we would talk about a scene and they would tell me what they were looking for. I would make some suggestions and then go off and write the sequence. We'd get together again and 
Title: Danger Girl
Content:  In April 2010, Hitman: Agent 47 producer Adrian Askarieh announced that he was developing a film based on the comic with Todd Lincoln as director. In November 2017, Constantin Film acquired the rights to develop Danger Girl as both a film and potential TV series, in partnership with Askarieh's Prime Universe Films and Jeremy Bolt's Bolt Pictures. In February 2018, Umair Aleem was announced as the film's writer, with creators J. Scott Campbell and Andy Hartnell serving as executive producers alongside Constantin Film's Martin Moszkowicz. In March 2019, Jeff Wadlow was announced to write and direct the film.

Question: Who was the screenwriter for Dennis the Menace?
Answer: John Hughes.
John Hughes, Jr.