Title: In the Cut
Content:  In the Cut is a 1995 thriller novel by American writer Susanna Moore. The plot follows an English professor at New York University who becomes entangled in a sexual relationship with a detective investigating a series of gruesome murders in her neighborhood. The novel was adapted into a feature film of the same name in 2003 by director Jane Campion.
Title: In the Cut (film)
Content:  In the Cut is a 2003 psychological thriller film written and directed by Jane Campion and starring Meg Ryan, Mark Ruffalo, and Jennifer Jason Leigh. Campion's screenplay is an adaptation of the novel of the same name by Susanna Moore. The film focuses on an English teacher who becomes personally entangled with a detective investigating a series of gruesome murders in her Manhattan neighborhood. The film received a limited release on October 22, 2003 in the United States, and was subsequently given a wide release on Halloween that year in the United States and United Kingdom. The film received mixed reviews from critics upon release. Negative reviews were critical of the story and narrative structure, while positive reviews praised the acting and Campion’s visuals. In recent years and in the wake of the Me Too movement, the film has undergone a reappraisal for its subversion of the male gaze and other common movie tropes.
Title: In the Cut (film)
Content:  erotically awakened by a homicide detective. But the story's unpalatable narrative holes and dramatic missteps will hold sway over the pic's better qualities." Noel Murray of The A.V. Club wrote: "Though the oppressive artiness makes the early scenes fairly ridiculous, the director's odd methods add rare tension to the climax, as it becomes evident that the finale won't be so predictable in Campion's hands." In a positive review for the Los Angeles Times, Manohla Dargis wrote “the film is filled with surreal, hothouse flourishes that tell the story as vividly and often more eloquently than either the plot mechanics or dialogue”, adding that it 
Title: The Cut (2017 film)
Content:  The Cut is a 2017 Kenyan film directed by Peter Wangugi Gitau.
Title: In the Cut (film)
Content:  in kind, with her own contradictory sexual persona, which at certain times is defiantly autonomous and at others almost timidly girlish. A Looking for Mr. Goodbar for the post-9/11 age (the remnants of that tragedy form one of the movie's many visual leitmotifs), In the Cut focuses on the darker face of the classic New York romance. It's a face that's grimly credible, if seldom seen. Within an otherwise flawed, forgettable movie, Campion has managed to offer a vivid, if fleeting, glimpse of the wariness, self-deception and fear that shadow so many illicit thrills of sex in the city."Hornaday also singled out Ruffalo’s performance, 
Title: Cut (2011 film)
Content:  Cut was initially inspired by the director Amir Naderi's relationship with the late John Cassavetes. After he met the actor Hidetoshi Nishijima at the Tokyo Filmex festival in 2002, he decided to adapt the story to Japan.
Title: Cut (2011 film)
Content:  Cut is a 2011 Japanese drama film directed by Amir Naderi, starring Hidetoshi Nishijima and Takako Tokiwa.
Title: In the Cut (film)
Content:  the actor is “unsettlingly convincing as a man whose sexual magnetism lies not in leading-man good looks but in his ability to portray himself as both a protector and, if the situation warrants, a predator”. In the Cut was among the films discussed favorably by Slavoj Žižek in The Pervert's Guide to Cinema (2006). Retrospective In the years since In the Cut 's original release, the film has been reexamined and praised as a feminist erotic thriller. Critics noted how Campion foregrounds female agency and pleasure, and subverts many tropes of the genre such as the femme fatale archetype and the male gaze. Writing 
Title: In the Cut (film)
Content:  Laurie Parker and Jane Campion spent five years developing the film. Nicole Kidman got a producer credit because she was originally cast as Frannie, but dropped out because she was getting a divorce and needed more time with her children. This film was executive produced by Effie T. Brown, in association with Sony Screen Gems and Pathe International.
Title: In the Cut (film)
Content:  be the most maddening and imperfect great movie of the year”. Mick LaSalle of the San Francisco Chronicle said although In the Cut “falls short of the masterpiece Campion intended, it's unquestionably the most ambitious and important film to come along in months”. Ann Hornaday of The Washington Post wrote although the film was flawed as a thriller, "it's not such a write-off as a psychosexual portrait of a certain kind of single Manhattan woman at the turn of the new century. With its restless, jittery camera, the movie captures the jangly paranoia of a city that is often equally tantalizing and threatening; Frannie 

Question: What genre is In the Cut?
Answer: mystery film.
erotic thriller.