Title: Queen of the Damned
Content:  a doomed project. In spite of their showing no interest in me as the screen writer, they have not been able to find one themselves for this bizarre idea of THE QUEEN OF THE DAMNED. I'm not too surprised. I think any respectable script writer would be crazy to tackle that novel without having fully developed the background story of Lestat. Anyway, that is where it is." During 1999, the script was developed by TV screenwriter Scott Abbott and Australian writer/director Michael Petroni. Another Australian, Michael Rymer, was confirmed to direct. Rymer suggested the film be shot in his home city of Melbourne, which would save considerably 
Title: Resident Evil: Apocalypse
Content:  to direct due to his commitments to Alien vs. Predator (2004). He stayed on as the film's screenwriter and as one of its producers. Anderson used the game Resident Evil 3: Nemesis as the basis of the story and wrote in elements from his favorite films, such as the perimeter wall in Escape from New York and the deserted city in The Omega Man. Alexander Witt was hired to direct the film, marking his feature film directorial debut. The script had already been completed when Witt was hired. He made some suggestions to Anderson and fellow producer Jeremy Bolt, which resulted in some minor script changes.
Title: Dustin Lee Abraham
Content:  Artists Agency had reviewed it. CAA had found a lucrative buyer but the director refused to sell and instead what he felt was a lackluster movie, The Runner, was produced in 1999 (although it starred John Goodman, Courteney Cox, and Ron Eldard). Abraham wrote his first script, which he calls boilerplate, for John Wells which got him some exposure. Abraham then received a call from his agent that Method Man and Redman wanted him to write How High which was released in 2001. Abraham then worked on the CSI franchise as a writer for nine years. In 2007, he ventured into production and produced his first episode of CSI: Crime Scene Investigation, Cockroaches, directed by William Friedkin.
Title: Lovers (1991 film)
Content:  up during the pre-production of Los Amantes de Tetuán. The script was written by Aranda, Alvaro del Amo, and Carlos Perez Merinero, using some elements of the actual crime and reinventing many others to recreate the background of the characters, about which little was known. The television project was halted from 1987 to 1990, and when the time came to start production, Los Amantes de Tetuán took a separate life from La Huella del Crimen. It was going to be the last chapter to be filmed because Vicente Aranda was immersed in the making of a mini-series for TVE. By then, Aranda was initially reluctant to make another production for television, and 
Title: Scott Aukerman
Content:  Sarah Silverman Program writer Jon Schroeder shouting over current soft-rock hits. This was put out in limited release on AST Records. In 2009, Aukerman and Porter wrote a pilot script for NBC, titled Privates. The network ultimately passed on the show. That year, Aukerman took on the role as head writer for the 2009 MTV Movie Awards and executive produced and co-wrote a pilot for Comedy Central, The New Andy Dick Show. The network ultimately passed on ordering it to series. In 2010, Aukerman wrote a feature film script for friend Zach Galifianakis for Fox, and he and Patton Oswalt co-wrote a television pilot for Fox, which the network ultimately passed on. Later that year, Aukerman joined a "writers lab", writing film scripts for Imagine Entertainment.
Title: The Shuttered Room
Content:  The script was originally written by Alexander Jacobs and Nathaniel Tanchuck. Filming began in April 1966. Sam Peckinpah's Straw Dogs (1971) would have many similarities.
Title: The Story of Ruth
Content:  In 1957, Simon Windelburg was announced as the film's screenwriter. Michael Kanin and his wife, Fay Kanin, who were later hired to write the screenplay, wrote treatments for the film. Frank G. Slaughter wrote a screenplay based on his 1954 novel The Song of Ruth: A Love Story From the Old Testament. Norman Corwin wrote an entirely new screenplay after summer 1958. Corwin submitted his final draft of the script on September 1, 1959. Production began in late November 1959 and ended in mid-February 1960.
Title: Alex Cox
Content:  In 1996, producer Stephen Nemeth employed Alex Cox to write and direct an adaptation of Hunter S. Thompson's Fear and Loathing in Las Vegas. After creative disagreements with the producer and Thompson, he was sacked from the project, and his script rewritten when Terry Gilliam took over the film. (Cox later sued successfully for a writing credit, as it was ruled that there were enough similarities between the drafts to suggest that Gilliam's was derivative of Cox's. Gilliam countered that the screenplays were based on the source book and similarities between them were a consequence of this.) In 1997, Alex Cox made a deal with Dutch 
Title: The Beginning or the End
Content:  and a percentage of the box office gross. The Beginning or the End had a number of working titles, including Atom Bomb, The Manhattan Project and Top Secret. Bob Considine was hired to produce a treatment, which was submitted to MGM writers. The script underwent a number of revisions, with Ayn Rand being one of the writers. Her contributions include the montage of Hitler's conquests, a sequence in which a dying informant sends a message to Albert Einstein, and the sequence in which President Franklin Roosevelt authorizes the Manhattan Project. Other writers involved with the script were Robert Smith, Frank "Spig" Wead, Norman Krasna, David 
Title: The Lost City (2005 film)
Content:  Bill Murray appeared in the movie as the character of "the Writer". He shows up early in the movie asking Fico for a job, and hovers around Fico, commenting on the absurdities of life, though never playing a clear part in those absurdities. According to the “making of” video, the role is similar to that of a Greek chorus and is really the personality of the movie's author G. Cabrera Infante. Again, according to the making-of video, Murray was given some latitude in improvising dialogue – the scene toward the end where Murray and Hoffman (as Meyer Lansky) discuss egg creams was almost entirely improvised.

Question: Who was the screenwriter for Abandoned?
Answer: Elizabeth Sarnoff.
Elizabeth "Liz" Sarnoff.
Liz Sarnoff.