Title: Sposa son disprezzata
Content:  "Sposa son disprezzata" ("I am wife and I am scorned") is an Italian aria written by Geminiano Giacomelli. It is used in Vivaldi's pasticcio, Bajazet. The music for this aria was not composed by Vivaldi. The aria, originally called Sposa, non mi conosci, was taken from the Geminiano Giacomelli's opera La Merope (1734), composed before Vivaldi's pasticcio Bajazet. It was a common practice during Vivaldi's time to compile arias from other composers with one own's work for an opera. Vivaldi himself composed the arias for the good characters and mostly used existing arias from other composers for the villains in this opera. "Sposa son disprezzata" is sung by a villain character, Irene. Vivaldi has recently been attributed as the composer of the work, perhaps because Cecilia Bartoli's album "If You Love Me—'Se tu m'ami': Eighteenth-Century Italian Songs," which uses Alessandro Parisotti's 19th-century piano version, attributes the work solely to Vivaldi.
Title: Stephen Storace
Content:  occasion by a trio of composers – Mozart, Salieri, and the unknown "Cornetti" (which may have been a pen-name for Stephen, Salieri, or even perhaps Emperor Joseph II). This rare example of a Mozart-Salieri collaboration was discovered only in 2016. In Vienna, the Storaces knew Mozart very well. Nancy sang Susanna at the premiere of Mozart's Le nozze di Figaro, and Kelly sang Don Curzio. Stephen was regularly playing pool with Wolfgang. One interesting anecdote is that at one occasion in 1785 Haydn, Dittersdorf, Mozart and Wanhal played Storace's string quartet, Dittersdorf taking first violin, Haydn second violin, Mozart viola and Wanhal cello. The "English circle" in Vienna also included the composer Thomas Attwood. Stephen produced a second opera in Vienna, Gli equivoci, founded on Shakespeare's The Comedy of Errors.
Title: Gli sposi malcontenti
Content:  Gli sposi malcontenti (The Discontented Newly-weds) is an opera buffa in 2 acts composed by Stephen Storace to an Italian libretto by Gaetano Brunati. The opera, Storace's first, was first performed at the Burgtheater, Vienna, on 1 June 1785. At the time the composer was in Vienna in the company of his younger sister Nancy Storace who was engaged as a lead soprano in the Imperial Italian opera company. Emperor Joseph II greatly admired Nancy which led him to commission this work from the novice composer. At the première, Nancy's voice failed during the performance, and it took her some weeks to recover. Nevertheless, the opera was a success, with further performances at the Burgtheater.
Title: Flower Festival in Genzano
Content:  the pas de deux to the full-length The Flower Festival in Genzano and the composer of that work, Holger Simon Pauli, adapted Strebinger's music accordingly. For this reason some current companies sometimes insert the pas de deux of Festival de Flores in Genzano in the pas de deux de six of Napoli. Although it is believed that the music of the pas de deux is from the Austrian composer Strebinger, when passing from Napoli it was reorchestrated by Paulli, since he, along with Helsted, had been the authors of the original Genzano Flower Festival, and that is why he continues have attributed to him the authorship of the piece. The entrée of the pas de deux opens with an 
Title: Li zite 'ngalera
Content:  Li zite 'ngalera (The Newlyweds on the Galley) is a commedia per musica in three acts by the Italian composer Leonardo Vinci, first performed at the Teatro dei Fiorentini, Naples, on 3 January 1722. The libretto, by Bernardo Saddumene, is written in the Neapolitan language which characterizes it as commeddeja pe mmuseca.
Title: Stephen Storace
Content:  Don Giovanni. However, presumably at around the date of the No Song triumph, Storace abruptly discarded all of Martini's music in Acts II and III, and had librettist James Cobb produce an entirely new libretto, creating another "romantic" hit situated in the midst of the Ottoman-Austrian war of a few years earlier, The Siege of Belgrade (1791). From this point on Storace abandoned the ballad-opera style completely, and wrote the entire piece in the Mozartian "Singspiel" style. The Siege is remarkable for the extended ensemble numbers such as the Act I Trio for the Seraskier, Lilla and Ghita, "Your passions thus deceiving" – divided 
Title: Nancy Storace
Content:  Storace was on friendly terms with both Mozart and Joseph Haydn. Mozart had been living and working in Vienna since 1781; Haydn enjoyed his visits to Vienna but was compelled by his employment with Prince Nikolaus Esterházy to spend most of his time at Esterháza, Hungary, and Eisenstadt, Austria. Storace sang in Haydn's oratorio Il ritorno di Tobia in March 1784. Haydn later visited Storace with her brother Stephen in their home and played chamber music. He also wrote a cantata "for the voice of my dear Storace", thought to be Miseri noi, H. XXIVa. Storace would have worked closely with Mozart on The Marriage 
Title: Lost operas by Claudio Monteverdi
Content:  (English: "The Rape of Proserpine") Proserpina rapita was the first of the theatrical works that Monteverdi wrote specifically for Venice, under a commission from Mocenigo for his daughter Giustiniana's wedding celebrations. The libretto, by Strozzi, is based on the ancient Greek myth of Pluto and Proserpine. Symbolic rape was a common theme in wedding entertainments designed for Italian courts, intended in Carter's words "both to proclaim the power of love and to set proper bounds on female behaviour". In Strozzi's version of the story, an amorous shepherd Pachino invokes the aid of Pluto, ruler of the underworld, to cure his unrequited obsession with Proserpine. Pluto obliges by turning Pachino into a mountain, though promising his soul 
Title: Nancy Storace
Content:  Recitativo con Rondò. Composto per la Sigra: storace / dal suo servo ed amico W: A: Mozart. / viena li 26 / di dec br: 786 ", is a duet for soprano and piano with orchestra which, in view of Mozart's note in his own thematic catalogue (" Scena con Rondò mit klavierSolo. für Mad:selle storace und mich."), was very likely performed by her, with Mozart himself playing the piano part, at her farewell concert. In 2011 the British composer Peter Seabourne was commissioned by Staatsorchester Rheinische Philharmonie to write an orchestral work Tu Sospiri taking words from this concert aria as a starting point.
Title: John Braham (tenor)
Content:  This 1794 performance also marked Braham's first encounter with the Storace family. Stephen Storace (1762–1796), the son of an Italian musician based in Dublin was an accomplished composer; and his sister Anna, known as Nancy (1765–1817), formerly also a student of Rauzzini, a talented soprano. They had already had much experience in Italy and in Vienna, where in 1786 Nancy created the first Susanna in Mozart's Figaro, and both had been friends of the composer. In Vienna Nancy had contracted an unfortunate marriage with the psychopathic English composer John Abraham Fisher, from whom she soon separated. At Braham's début, which was 

Question: Who was the composer of Nozze istriane?
Answer: Antonio Smareglia.