Title: Romance (novel)
Content:  Romance is a novel written by Joseph Conrad and Ford Madox Ford. It was the second of their three collaborations. Romance was eventually published by Smith, Elder & Co. in London in 1903 and by McClure, Phillips and Company in New York in March 1904. According to Max Saunders, Conrad, in his quest to obtain a literary collaborator, had been recommended by several literary figures. W. E. Henley pointed to Ford as a suitable choice for Conrad. Literary collaboration was not particularly uncommon when Conrad proposed it to Ford, but neither was it considered the proper way for serious novelists, as Ford was aware: "The critics of our favoured land do not believe in collaboration." The novel was adapted into the film The Road to Romance.
Title: Romance (play)
Content:  Romance is a play by David Mamet. It premiered Off-Broadway in 2005 and also ran in London.
Title: Romance Studies (journal)
Content:  Romance Studies is a quarterly peer-reviewed academic journal covering the study of the Romance literatures and cultures. It is published in English, French, Italian, Spanish, and Portuguese by Maney Publishing. It was established in 1982 by Valerie Minogue and Brian Nelson.
Title: Romance (prose fiction)
Content:  under three headings: "novels of character and environment", such as Tess of the D'Urbervilles; "novels of ingenuity", such as A Laodicean; "romances and fantasies", such as A Pair of Blue Eyes (1873); The Trumpet-Major (1880); Two on a Tower: A Romance (1882); A Group of Noble Dames (1891, a collection of short stories); The Well-Beloved: A Sketch of a Temperament (1897) (first published as a serial from 1892) Amongs twentieth century writers of romance are Joseph Conrad, Mary Webb, and John Cowper Powys. Joseph Conrad wrote Romance (1905), and The Rescue, A Romance of the Shallows (1920). Literary critic John Sutherland refers to Mary Webb as the pioneer of the genre of "soil and gloom romance". 
Title: Reading the Romance
Content:  Reading the Romance is a book by Janice Radway that analyzes the Romance novel genre using reader-response criticism, first published in 1984 and reprinted in 1991. The 1984 edition of the book is composed of an introduction, six chapters, and a conclusion, structured partly around Radway's investigation of romance readers in Smithton (a pseudonym) and partly around Radway's own criticism. Radway herself expresses preference for reader-response criticism throughout the course of the book, as opposed to the popular new criticism during the 1980s. The book continues to sell at much the same rate it did in its first year of publication, having been adopted as a critical text in the fields of anthropology, sociology, history, and library studies, as well as in literary criticism.
Title: Romance Studies (journal)
Content:  The editors-in-chief are Lloyd Hughes Davies (Swansea University, 2007–present) and Gayle Zachmann (University of Florida, 2016-present). Past editors have been Elizabeth Emery (Montclair State University, 2003-2016), Susan Harrow (Bristol University, 1999–2008), Derek Gagen (1999–2007), Valerie Minogue (1982-2004), and Brian Nelson (1982–1986).
Title: Romance (prose fiction)
Content:  constraints of rationalism imposed by the Enlightenment, and associated classical aesthetic values, were also a significant influence. In addition to Walpole, Scott, and the Brontës other romance writers (as defined by Scott) include E. T. A. Hoffmann, Victor Hugo, Nathaniel Hawthorne, Robert Louis Stevenson, and Thomas Hardy. In the twentieth century, examples are, Joseph Conrad, John Cowper Powys, and more recently, J. R. R. Tolkien and A. S. Byatt, whose best-selling novel Possession: A Romance won the Booker Prize in 1990. Though the modern literary romances has its beginnings in the eighteenth century, the genre has a long history that includes the ancient Greek novel and medieval romances.
Title: Romance novel
Content:  Fantasy romance, also known as romantic fantasy, is a subgenre of fantasy fiction, describing a fantasy story using many of the elements and conventions of the romance genre. Romantic fantasy has been published by both fantasy and romance lines, with some publishers distinguishing between "fantasy romance" being more like a contemporary fantasy novel with romantic elements, and "romantic fantasy" with more emphasis on the romance elements of the story.
Title: The Romance of Lust
Content:  Questions of authorship exist for this novel, and there are two likely candidates, William Simpson Potter, and Edward Sellon. Sellon is the author of other erotic novels and a book on snake worship, whereas Potter wrote and had privately printed two books of letters on the Prince of Wales' visit to India in 1875–1876. From examining the text in Letters from India during H. R. H. the Prince of Wales visit in 1875–6, from William S. Potter to his sister, one could make a stronger case for Potter, as there are similarities in writing style between the book of letters and The Romance of Lust. Ashbee asserts that Potter acted as editor to contributions by a number of aficionados.
Title: Romance/Romance
Content:  Romance/Romance is a musical with a book and lyrics by Barry Harman and music by Keith Herrmann. The show is composed of two acts linked only by the common theme of love and one song performed in both acts. The first, The Little Comedy, is based on a short story by Arthur Schnitzler and explores the budding relationship between two people who have adopted personas other than their own. Set in late 19th century Vienna, it focuses on Josefine, a demimondaine weary of the social life provided by her upper class lovers, and wealthy playboy Alfred, who has tired of a seemingly endless round of inconsequential affairs. She assumes the guise of a working class woman, while he pretends 

Question: Who is the author of Romance?
Answer: Ford Madox Ford.
Ford Hermann Hueffer.
Ford Madox Hueffer.
Joseph Leopold Ford Hermann Madox Hueffer.
Joseph Conrad.
Jozef Teodor Konrad Korzeniowski.