Title: Lo squadrone bianco
Content:  Lo squadrone bianco (Italian for "The White Squadron") is a 1936 Italian film directed by Augusto Genina. The plot features a cavalry lieutenant, unlucky in love, who redeems himself by battling the "rebels" of Tripolitania (modern Libya). The film won the Mussolini Cup at the Venice Film Festival, during the Second Italo-Abyssinian War.
Title: Lo squadrone bianco
Content:  The film is based on the novel L'Escadron blanc by French writer Joseph Peyré, who had a hand in the adaptation of the script to the screen. It was shot at the Cines Studios in Rome. Genina's noted shots of the Tripolitanian desert were all done on location. For its use of foreign technologies, it has been called the "first sample of the Americanised technical powers of Italy's huge new cinema city."
Title: Lo squadrone bianco
Content:  Traditionally, the film is divided into three narrative segments in the theme of the Fascist male conversion: "the bourgeois prologue, the colonialist segment, and the epilogue." Lo squadrone bianco has been interpreted as an "exemplary film" of the Fascism reinterpretation of pre-Fascist historical narratives for contemporary purposes, i.e. "expansionist propaganda." Others consider it first and foremost an Italian neorealist film, only indirectly nationalistic through its use of patriotic themes. As in other Fascist colonial films like Il cammino degli eroi, the native "rebels" are portrayed as well-armed with European weapons. The film plays down the overwhelming disparities between the Italian and Tripolitanian forces, omitting for example the offensive use of aircraft (in addition to reconnaissance) and the use of gas warfare by the Italians. Other analyses of the film draw on Gustave Le Bon's theory of crowds (i.e. the native Tripolitanians) and space (i.e. the desert) as "two interconnected phenomena," noting that the natives themselves are "virtually absent from the screen." Genina was temporarily banned from Italian studios for his work on such imperialist war films, but continued to find work after 1945, in a climate where nearly all Italian filmmakers had collaborated to some degree with the regime.
Title: Fosco Giachetti
Content:  Fosco Giachetti (28 March 1900, in Sesto Fiorentino – 22 December 1974, in Rome) was an Italian actor. Fosco Giachetti was the protagonist of Lo squadrone bianco (1936), directed by Augusto Genina. He became the leading man in Fascist propaganda films such as Tredici uomini e un cannone (1936), Sentinelle di bronzo (1937), Scipione l'Africano, Edgar Neville's Italian Carmen fra i rossi (1939), L'assedio dell'Alcazar (1940) and Bengasi (1942). In 1942, he also co-starred in Goffredo Alessandrini's two part Noi Vivi and Addio Kira!. Un colpo di pistola (1942) by Renato Castellani and Fari nella nebbia (1942) by Gianni Franciolini were not as successful as his earlier films. After the war, he returned to the stage. He worked in Spain with Edgar Neville in Nada and in Carne de horca. He had a supporting role in 1959 Dino Risi's successful comedy Il mattatore. In 1964, he appeared in an adaptation of A. J. Cronin's novel, The Citadel. In 2003, the Galleria Fosco Giachetti in Sesto Fiorentino was opened in his honor.
Title: Tony Lo Bianco
Content:  Lo Bianco was a Golden Gloves boxer and also founded the Triangle Theatre in 1963, serving as its artistic director for six years and collaborating with lighting designer Jules Fisher, playwright Jason Miller and actor Roy Scheider. He performed as an understudy in a 1964 Broadway production of Incident at Vichy, and the following year had a supporting role in a Broadway production of Tartuffe. From late 1965 through the spring of 1966, he starred on Broadway as Fray Marcos de Nizza in The Royal Hunt of the Sun. He made his film debut in The Sex Perils of Paulette (1965) before appearing as 
Title: Bianco, rosso e Verdone
Content:  Bianco, rosso e Verdone is an 1981 Italian comedy film directed and starred by Carlo Verdone, playing three characters. It was produced by Sergio Leone, soundtrack composed by Ennio Morricone and guest starred by Mario Brega, all formerly scored in the Dollars trilogy and Spaghetti Western movies in the 1960s.
Title: Execution Squad
Content:  Execution Squad (La polizia ringrazia) is a 1972 crime film directed by Steno and starring Enrico Maria Salerno. Set during Italy's tumultuous anni di piombo ("Years of Lead"), the film obtained a great commercial success.
Title: Bianco, rosso e...
Content:  Bianco, rosso e... (internationally released as White Sister and The Sin) is a 1972 Italian comedy film directed by Alberto Lattuada. The film was a commercial success.
Title: Tony Lo Bianco
Content:  Lo Bianco, an Italian American, was the national spokesperson for the Order Sons of Italy in America. His humanitarian efforts have earned multiple awards, including Man of the Year for Outstanding Contributions to the Italian-American Community from the Police Society of New Jersey; a Man of the Year Award from the State of New Jersey Senate; a Lifetime Entertainment Award from the Columbus Day Parade Committee; the 1997 Golden Lion Award; Humanitarian Award of the Boys' Town of Italy. In October 2014, he opposed the Metropolitan Opera's decision to stage the controversial play The Death of Klinghoffer, which he described as "outrageous" because it "tries to justify the killing of a helpless man in a wheelchair because he happens to be Jewish". Lo Bianco was married from 1964 until 1984 to Dora Landey. They had three daughters. He was married to Elizabeth Fitzpatrick from 2002 until 2008. He married his current wife, Alyse Best Muldoon, in June 2015.
Title: The Blue Squadron (1937 film)
Content:  The Blue Squadron (El escuadrón azul) is a 1937 Argentine film directed and written by Nelo Cosimi. The film was released in the United States on 3 June 1938 by the Cinexport Distributing Co.

Question: Who was the director of Lo squadrone bianco?
Answer: Augusto Genina.