Title: Yojimbo
Content:  The soundtrack for the film has received positive reviews. Michael Wood writing for the London Review of Books found the film's soundtrack by Masaru Sato as effective in its 'jaunty and jangling' approach stating: "The film is full of music, for instance, a loud, witty soundtrack by Masaru Sato, who said his main influence was Henry Mancini. It doesn’t sound like Breakfast at Tiffany’s, though, or Days of Wine and Roses. The blaring Latin sound of Touch of Evil comes closer, but actually you wouldn’t think of Mancini if you hadn’t been told. Sato’s effect has lots of drums, mixes traditional Japanese flutes and other instruments with American big band noises, and feels jaunty and jangling throughout, discreetly off, as if half the band was playing in the wrong key. It’s distracting at first, then you realise it’s not decoration, it’s commentary. It’s a companion to Sanjuro, the sound of his mind, discordant and undefeated and unserious, even when he’s grubby and silent and apparently solemn."
Title: Planetarian: Storyteller of the Stars
Content:  and Tomohiro Takeshita; Magome Togoshi is credited for his work on the music of the original visual novel. Sound and music direction was headed by Tsuda and Takayuki Yamaguchi. Tsuda decided on what kind of music to order from the composers while discussing it with Yamaguchi, and Tsuda started to think about how to use the music in specific scenes when he was drawing up the storyboard. Tsuda found it very helpful to have direct interaction with Orito who would come to him with various comments about the music. In contrast with the ONA series which uses music that emphasizes Yumemi's 
Title: Trauma Center: Under the Knife
Content:  by Meguro, who acted as sound director for the project. He found the limited sound environment even more of a challenge than earlier consoles he had composed for. Tsuchiya's work focused on environmental themes and general sound design, while Kikkawa's scores focused on orchestral tracks. While Merugo and Kikkawa composed standard-definition music and reduced it to fit into the DS sound environment, Tsuchiya composed his tracks within the sound environment. At the time, Atlus did not have a MIDI interface for DS composition, so the composers had to guess what the sound would be like when transplanted into the game.
Title: P.T.O.
Content:  The music was composed by longtime anime musician Hiroshi Miyagawa, who wrote a completely orchestral score. The soundtrack was recorded with the Tokyo City Philharmonic Orchestra featuring soprano voice of Kazuko Kawashima among July 18-August 4, 1989. An album CD titled Teitoku no Ketsudan was published by KOEI Sound Ware and distributed by Polydor K.K. on September 5. The disc covers a total duration of 41:01 with 8 tracks, the first half dedicated to the orchestral suite in four movements. This soundtrack has the honor of being the first in-game orchestral score for a video game in history, a milestone achieved in April 1990 when it was released on CD-ROM for FM Towns. In fact, the previous version released for PC-88 already used the Teitoku no Ketsudan album synchronized with the game taking advantage of Sound Ware system made up by KOEI.
Title: Yoko Mizuki
Content:  Yoko Mizuki (水木 洋子) was a Japanese screenwriter. Born in Tokyo, she later graduated from Bunka Gakuin and began writing screenplays to support her family after her father died. Mizuki was active in the 1950s era of the Japanese studio system and is notable for her work with directors Tadashi Imai and Mikio Naruse. Her work had received several Best Screenplay Awards from Kinema Junpo and has been described in the book Women Screenwriters: An International Guide as "One of the most important and accomplished Japanese female screenwriters of all time".
Title: Yu Yu Hakusho Makyō Tōitsusen
Content:  during the game's creation. Treasure's staff was made up chiefly of programmers Masaki Ukyo and Mitsuru Yaida; graphics artists Makoto Ogino and Hiroshi Iuchi; director and graphics designer Tetsuhiko Kikuchi; and lead sound effects and music composer Satoshi Murata. Alongside Katsuhiko Suzuki, Aki Hata, and Norio Hanzawa, Murata composed original music tracks for the game while also providing instrumental versions of the songs Hohoemi no Bakudan and Unbalance na Kiss o Shite from the Yu Yu Hakusho anime. The game's main theme, "Tokenai Hono" (溶けない炎), was written and arranged by Hata, who also performed a vocal version of the song for its official soundtrack CD and later one of her own albums. The game also features an extensive array 
Title: Jun Miyake
Content:  and BAFTA 2012 as Best non-English language film. With Katsuhiro Otomo in 1995, he composed the soundtrack of the episode "Stink Bomb" for the anime Memories, where he uses a combination of jazz and funk to emphasize the film's chaotic and comedic nature. He has also worked closely with Robert Wilson - White Town (2002), an homage to Arne Jacobsen at Bellevue Teatret in Copenhagen; Jean-Paul Goude who has done the artwork for Stolen from Strangers, Lost Memory Theatre act-1, Lost Memory Theatre act-2, Oliver Stone, and Philippe Decouflé, among others, as well as collaborations with artists such as Hal Willner, Arto Lindsay, Peter Scherer, Arthur 
Title: Tokyo File 212
Content:  Albert Glasser provided the music score. In addition to the above titles "Oyedo Boogie" by Yasuo Shimizu & Shizuo Yoshikawa was also included. The soundtrack's LP record was released in 1987 under the label of Screen Archives Entertainment.
Title: Rashomon
Content:  The film was scored by Fumio Hayasaka, who is among the most respected of Japanese composers. At the director's request, he included an adaptation of "Boléro" by Maurice Ravel, especially during the woman's story. Due to setbacks and some lost audio, the crew took the urgent step of bringing Mifune back to the studio after filming to record another line. Recording engineer Iwao Ōtani added it to the film along with the music, using a different microphone.
Title: Takeshi Kimura
Content:  Takeshi Kimura (木村 武), known by the pen name Kaoru Mabuchi (馬淵 薫), was a Japanese screenwriter who wrote many films for Toho studios. Kimura scripted several films for director Ishirō Honda, including Matango, Frankenstein Conquers the World, The War of the Gargantuas, King Kong Escapes, and Destroy All Monsters. He was a member of the Japanese Communist Party whose screenplays often included political themes. His scripts are frequently contrasted with those written by Shinichi Sekizawa, whose scripts for kaiju films typically had a more lightweight, "fun" tone. Kimura considered the screenplay for Ishirō Honda's Matango to be his best work, and he considered all of his scripts from Frankenstein Conquers the World onward to be merely work for hire. Kimura was known for having a dark and gloomy personality, and he was reportedly never very close to any of his fellow Toho employees. He died from a throat obstruction in his Tokyo apartment in 1988.

Question: Who was the screenwriter for Map of the Sounds of Tokyo?
Answer: Isabel Coixet.
Isabel Coixet Castillo.