Title: An American Tail
Content:  John Philip Sousa and Poor Wand'ring One from the 1880 comic opera The Pirates of Penzance by Gilbert and Sullivan. There is also a musical reference to the 1947 song Galway Bay popularized by Bing Crosby. Initially Bluth and his team were disappointed with the first score recording, but once edited, they found the music worked quite well. The final score became one of the film's strongest points. The initial songs were written by Tom Bahler, who had worked as a music supervisor and composer. Bahler left the project, in which Cynthia Weil and Barry Mann were later brought on to compose new songs. After the first round of songs 
Title: The Tail of Beta Lyrae
Content:  The Tail of Beta Lyrae's soundtrack was composed by Gary Gilbertson using Philip Price's Advanced Music Processor. Gilbertson considered the computer games to be an audio/visual experience, and even though he only had four square wave voices to work with, he was determined to make the sound as memorable as possible.
Title: An American Tail: Fievel Goes West
Content:  The soundtrack was composed by James Horner and includes "Dreams to Dream", which was nominated for a Golden Globe award and a contender by the Academy Award voters for a Best Original Song nomination, although didn't receive one. Other original songs written for the film include "Way Out West" performed by a chorus, and "The Girl You Left Behind" performed by Cathy Cavadini. The film also features the cover of "Rawhide" from the Blues Brothers 1980 film. An Entertainment Weekly review compared the score to the soundtracks of Gunsmoke and Oklahoma! (1955) as well as the works of Aaron Copland. On July 19, 1991, the Los Angeles Daily News announced Anita Baker would sing "Dreams to Dream", but this did not happen. Although Linda Ronstadt originally 
Title: An American Tail: Fievel Goes West
Content:  Phil Nibbelink and ex-Richard Williams storyboard artist Simon Wells, the great-grandson of science-fiction author H. G. Wells, to direct the project. Nibbelink and Wells had both previously worked with Spielberg as supervising animators on Who Framed Roger Rabbit. Bluth stated in April 1992 that he regretted his decision, admitting that he disliked the final product of Fievel Goes West and "maybe we could've helped that film a little more." With Cleese as the first choice for Cat R. Waul, he was approached in 1989 by one of the film's producers at what Cleese vaguely called "the Italian Oscars". He accepted the offer based on his 
Title: George Tibbles
Content:  George F. Tibbles (June 7, 1913 February 21, 1987) was a composer and screenwriter. He and Ramez Idriss co-wrote "The Woody Woodpecker Song" for the 1948 short film, Wet Blanket Policy; the song would receive an Academy Award nomination (Academy Award for Best Original Song), and by June 30, 1948, it was third on the hit parade. Tibbles also composed the theme music for Bringing Up Buddy and Pistols 'n' Petticoats. Tibbles wrote the scripts for the TV series My Three Sons, as well as several for the shows Leave It to Beaver, The Betty White Show, and One Day at a Time.
Title: Tinker Bell (film)
Content:  The score to the film was composed by Joel McNeely, who recorded the music with an 88-piece ensemble of the Hollywood Studio Symphony and Celtic violin soloist Máiréad Nesbitt at the Sony Scoring Stage.
Title: Joby Talbot
Content:  Joby Talbot (born 25 August 1971) is a British composer. He has written for a wide variety of purposes and an accordingly broad range of styles, including instrumental and vocal concert music, film and television scores, pop arrangements and works for dance. He is therefore known to sometimes disparate audiences for quite different works. Prominent compositions include the a cappella choral works The Wishing Tree (2002) and Path of Miracles (2005); orchestral works Sneaker Wave (2004), Tide Harmonic (2009), Worlds, Stars, Systems, Infinity (2012) and Meniscus (2012); the theme and score for the popular BBC Two comedy series The League of Gentlemen (1999–2002); silent film scores The Lodger 
Title: Tinker Bell and the Lost Treasure
Content:  The score to the film was composed by Joel McNeely, who scored the first Tinker Bell film. He recorded the music with an 82-piece ensemble of the Hollywood Studio Symphony and Celtic violin soloist Máiréad Nesbitt at the Sony Scoring Stage.
Title: An American Tail
Content:  Warren T. Rat by reciting excerpts of Shakespeare's Hamlet in the voice of a Brooklyn taxi driver. This idea inspired the writers to make Warren a pretentious illiterate who continually misquoted Shakespeare. ; Musick (Tony Toponi) is one of a small number of women in animation chosen to voice a male character. She based his voice on a friend she knew from grade school. ; DeLuise (Tiger) had worked previously with Bluth in The Secret of NIMH, and DeLuise even added material to the script at various points. During the song "A Duo", he suggested they stop the music where the 
Title: An American Tail
Content:  Spielberg's original vision for the film was as a musical. It is said he wanted a "Heigh-Ho" of his own (referring to the popular song from Disney's Snow White and the Seven Dwarfs). Jerry Goldsmith who had worked on The Secret of NIMH with Bluth was initially supposed to work on the score, but had to drop out of the film due to a busy schedule. After he completed Aliens, James Horner composed the score for the film, which was recorded in England and performed by The London Symphony Orchestra and the Choir of King's College. Two excerpts of period music also appear in the film: The Stars and Stripes Forever 

Question: Who was the composer of Tailor Wibbel?
Answer: Mark Lothar.