Title: Supremacy (film)
Content:  The screenplay was written by Eric J. Adams, [https://www.imdb.com/name/nm2147822/?ref_=fn_al_nm_1 an award-winning producer, writer and journalist. Adams also co-wrote Archie's Final Project (aka My Suicide), winner of 21 major international film festival awards including the Crystal Bear at the Berlin International Film Festival].
Title: Supervixens
Content:  1973 and wrote the script. It was the first screenplay he wrote entirely by himself and he did the first draft in eight days. Meyer says he rewrote it nine times, with input of the actors. "I think actors contribute to the comfort of words because it's one thing to sit in a little green room somewhere and write dialogue, but when you hear actors speaking it, it doesn't necessarily flow as well as it might," said Meyer. The two main female characters in the film were Superangel and Supervixen. "Superangel, she's totally bad but beautiful," said Meyer. "Supervixen, she's totally good. They're bookends. I like bookend 
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: Nathanael West
Content:  as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel Before the Fact (1932) by Francis Iles. West and Ingster wrote the screenplay in seven weeks, with West focusing on characterization and dialogue and Ingster focusing on the narrative structure. RKO assigned the film, eventually released as Suspicion (1941), to Alfred Hitchcock; but Hitchcock already had his own, substantially different, screenplay. Hitchcock's screenplay was written by Samson Raphaelson, Joan Harrison (Hitchcock's secretary), and Alma Reville (Hitchcock's wife). West and Ingster's screenplay was abandoned, but the text can be found in the Library of America's edition of West's collected works.
Title: Production of Watchmen (film)
Content:  In August 1986, producer Lawrence Gordon acquired the film rights to Watchmen for 20th Century Fox, with producer Joel Silver working on the film. Fox asked author Alan Moore to write a screenplay based on his story, but when Moore declined the studio enlisted screenwriter Sam Hamm. On September 9, 1988, Hamm turned in his first draft, but said that condensing a 338-page, nine-panel-a-page comic book into a 128-page script was arduous. He took the liberty of re-writing Watchmens complicated ending into a "more manageable" conclusion involving an assassination and a time paradox. Fox put the film into turnaround in 1991, and 
Title: Headline Shooter
Content:  In early March 1933, RKO announced that they were producing a film about two newsreel cameramen, originally titled News Reel, Harold Shumate was supposed to be the screenwriter. Later that month, on March 23, RKO further announced that Sarah Y. Mason and William Ulman, Jr. had been chosen to collaborate on the screenplay. The two had earlier worked on another film, Hock Shop. In April, it was announced that two cameramen from the Pathe' newsreel group were being brought in to consult on the film, still tentatively titled, News Reel. Further Pathe participation was developed when Jack Connolly, Pathe News general manager was flown to Hollywood to consult on the picture. On April 25, 
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: John Sullivan (writer)
Content:  During this time, Sullivan continued to submit scripts to the BBC. Sullivan admired Steptoe and Son, Till Death us do Part and Phil Silvers' US show, Bilko, and "anything by Neil Simon" before in November 1974 getting a job in the BBC props department. He was warned not to pester or approach the stars of the corporation. He eventually approached television producer Dennis Main Wilson with a script about a young Marxist. This led to a pilot for Comedy Special in 1977 which, following a positive reaction, was commissioned for a full series, Citizen Smith (1977–80). Citizen Smith ran for four series, after which Sullivan was asked to submit another idea. An initial idea for a 
Title: Mike Sussman (TV series writer/producer)
Content:  other with the intention of taking the show more in the direction of The Original Series. He also advocated for Star Trek novelists Judith and Garfield Reeves-Stevens to be added to the writing team. He also suggested the closing montage scene in the Enterprise finale "These Are the Voyages..." which showed all the main ships from the various Star Trek series. Sussman has been credited with writing over 30 Star Trek episodes. Post-Star Trek, he has worked on television series Threshold and Sam Raimi's Legend of the Seeker. He since produced Perception for TNT alongside Biller. Later, Sussman went on to write and produce the SyFy Channel series, 12 Monkeys; and The Last Ship from Executive Producer Michael Bay and TNT Originals.
Title: Watchmen (film)
Content:  In 1986, producers Lawrence Gordon and Joel Silver acquired film rights to Watchmen for 20th Century Fox. After author Alan Moore declined to write a screenplay based on his story, Fox enlisted screenwriter Sam Hamm. Hamm rewrote Watchmens complicated ending, making a "more manageable" conclusion involving an assassination and a time paradox. Fox put the project into turnaround in 1991, and the project was moved to Warner Bros. Pictures, where Terry Gilliam was attached to direct and Charles McKeown to rewrite the script. Gilliam and Silver were only able to raise $25 million for the film (a quarter of the necessary budget) because their previous 

Question: Who was the screenwriter for The Supplement?
Answer: Krzysztof Zanussi.
Krzysztof Pius Zanussi.