Title: Peter Gabriel (1982 album)
Content: Peter Gabriel – vocals, programming and sequencing (tracks 1–6), synthesizer, piano (track 7), surdo (tracks 1, 8), additional drums on track 2 ; Tony Levin – bass guitar (tracks 1, 6–8), Chapman stick (tracks 2–5) ; David Rhodes – guitar (tracks 2–8) ; Jerry Marotta – drum kit, surdo (track 1), percussion (track 6) ; Larry Fast – synthesizer (tracks 1–5, 7, 8), electronic percussion (track 8) ; John Ellis – backing vocals on tracks 1, 3, 8, guitar on tracks 2, 4 ; Roberto Laneri – treated saxophone on track 4 ; Morris Pert – timbales on track 6, percussion on track 8 ; Stephen Paine – programming on track 4 ; David Lord – synthesizer on tracks 6, 7, piano on tracks 7, 8 ; Peter Hammill – backing vocals on tracks 4, 5, 6 ; Jill Gabriel – backing vocals on track 2 ; Ekome Dance Company – Ghanaian drums on track 1 ; Greg Fulginiti – mastering ; Malcolm Poynter – album art 
Title: Peter Gabriel
Content:  increased during this period as Gabriel wanted to write all of the lyrics himself, and split with the band after director William Friedkin had invited him to work on a screenplay. The project dissolved, and Gabriel returned to work with Genesis. Matters were complicated further with the difficult birth of Gabriel's first daughter, resulting in periods of time away from the band. In the end, Gabriel was late to deliver the lyrics and relied on contributions from Banks and Rutherford. In the liner notes, Gabriel is credited with "experiments with foreign sounds". He had Brian Eno provide additional electronic effects. During a stop in Cleveland, Ohio, early into the album's tour, 
Title: Peter Gabriel Revisited
Content: Val Azzoli – executive producer ; Tom Bouman – art direction, design ; Bob Ezrin – producer ; Stephen Innocenzi – remastering ; Ron Jaramillo – design ; Bob Kaus – compilation ; Michael Mazzarella – research coordination 
Title: Peter Gabriel (1977 album)
Content:  tape machine. It was a fun, intense and scary session, with a great band – who later came out to tour with me."– Peter Gabriel" Peter Gabriel was recorded at The Soundstage in Toronto with producer Bob Ezrin in the autumn of 1976, with additional sessions at Morgan Studios and Olympic Studios, in London, England.  Gabriel and Ezrin assembled musicians for the sessions including guitarist Robert Fripp of King Crimson, bass player Tony Levin (later of King Crimson), drummer Allan Schwartzberg, percussionist Jimmy Maelen, guitarist Steve Hunter, keyboardist Jozef Chirowski and Larry Fast on synthesizers and programming.  The album was 
Title: Rated PG (Peter Gabriel album)
Content: Peter Gabriel – vocals, production (2–10), arrangement (4) ; Paddy Moloney – vocals (1) ; Black Dyke Mills Band – brass (1) ; Soweto Gospel Choir – vocals (2) ; The Worldbeaters (3) ; Atif Aslam – vocals (8), Urdu vocal arrangement (8) 
Title: Peter Gabriel
Content:  crucifix position. The stunt became a staple of his live shows. On Peter Gabriel four (a.k.a. Peter Gabriel 4: Security), Gabriel took on greater responsibility over the production than before. He recorded it in 1981 and 1982, solely on digital tape, with a mobile studio parked at his home, Ashcombe House, in Somerset. Gabriel performs a Fairlight CMI computer and incorporated electronic instrumentation with sampling world beat percussion. "Over the course of the last two albums," he observed, "I've got back into a rhythm consciousness. And the writing – particularly with the invention of these drum machines – is fantastic. 
Title: Peter Gabriel (1977 album)
Content:  Peter Gabriel is the debut solo studio album by English progressive rock singer-songwriter Peter Gabriel and the first of four with the same eponymous title. Released on 25 February 1977, it was produced by Bob Ezrin. Gabriel and Ezrin assembled musicians, including guitarist Robert Fripp, and his future King Crimson bandmate Tony Levin on bass. On the album's release, Gabriel began touring with a seven-piece band under his own name. The album went to No. 7 in UK and No. 38 in the US. This album is often called either Peter Gabriel I or Car, referring to the album cover by London artist 
Title: Peter Gabriel (1980 album)
Content:  Us" ; Phil Collins – drums on "Intruder", "No Self Control" and "And Through the Wire"; drum pattern on "Intruder"; snare on "Family Snapshot"; surdo on "Biko" ; Morris Pert – percussion on "Intruder", "No Self Control" and "Lead a Normal Life" ; Dick Morrissey – saxophone on "Start", "Family Snapshot" and "Lead a Normal Life" ; Kate Bush – backing vocals on "No Self Control" and "Games Without Frontiers" ; Steve Lillywhite, Hugh Padgham – whistles on "Games Without Frontiers" ; Dave Ferguson – screeches on "Biko" Steve Lillywhite – producer ; Hugh Padgham – engineer  Production personnel
Title: Peter Gabriel (1977 album)
Content: ""Bob Ezrin was suggested. For my part, I didn't feel I could be an Alice Cooper, but I made him listen to the extracts of what I had done and he liked them – or, rather, he liked what I liked. We understood each other. We talked. There was an excellent rapport immediately – a human rapport – and that was what I was looking for above all ... I tried to achieve a combination of Bob and me as producers. He controlled the American rhythm sections and I handled the more European things. And, on the album, Bob dominated 
Title: Peter Gabriel
Content:  album Security to differentiate it from the first three. Gabriel's 1982 tour lasted for one year and became his first to make a profit. Recordings from the tour were released on Gabriel's debut live release, Plays Live (1983). Gabriel produced versions of the third and fourth Peter Gabriel albums with German lyrics. The third consisted of the studio recordings, overdubbed with new vocals. The fourth was remixed, with several tracks extended or altered. In 1983, Gabriel developed the soundtrack for Alan Parker's film Birdy (1984). This consisted of new material as well as remixed instrumentals from his previous studio album.

Question: Who was the producer of Peter Gabriel?
Answer: Robert Fripp.