Title: Writer
Content:  Screenwriters write a screenplay – or script – that provides the words for media productions such as films, television series and video games. Screenwriters may start their careers by writing the screenplay speculatively; that is, they write a script with no advance payment, solicitation or contract. On the other hand, they may be employed or commissioned to adapt the work of a playwright or novelist or other writer. Self-employed writers who are paid by contract to write are known as freelancers and screenwriters often work under this type of arrangement. Screenwriters, playwrights and other writers are inspired by the classic themes and often use similar 
Title: Screenwriter
Content:  Screenwriting is a freelance profession. No education is required to be a professional screenwriter, just good storytelling abilities and imagination. Screenwriters are not hired employees but contracted freelancers. Most, if not all, screenwriters start their careers writing on speculation (spec) and so write without being hired or paid for it. If such a script is sold, it is called a spec script. What separates a professional screenwriter from an amateur screenwriter is that professional screenwriters are usually represented by a talent agency. Also, professional screenwriters do not often work for free, but amateur screenwriters will often work for free and are considered "writers in training." Spec scripts are usually penned by unknown professional screenwriters and amateur screenwriters. There are a legion of would-be screenwriters who attempt to enter the film industry, but it often takes years of trial-and-error, failure, and gritty persistence to achieve success. In Writing Screenplays that Sell, Michael Hague writes, "Screenplays have become, for the last half of [the twentieth] century, what the Great American Novel was for the first half. Closet writers who used to dream of the glory of getting into print now dream of seeing their story on the big or small screen."
Title: John Hunter (screenwriter)
Content:  paper. Hunter began his career while still a Trinity student, as a screenwriter for Smashing Through (1929) and an actor in Varsity (1930, as J. Evans Hunter). After graduating with Third Class Honors he began a successful career as a screenwriter, most notably with Hammer Film Productions. He is best known for 1955's BAFTA nominated Carrington V.C. (film), starring David Niven and Noelle Middleton, and the controversial 1960 Never Take Sweets from a Stranger. Although he married after leaving university, Hunter was Guy Burgess's lover while they were both students at Cambridge. Subsequently divorced, his longtime partner, Michael Ronan, had served time in a British jail for his sexuality. Hunter died in London in 1984.
Title: Chris Carter (screenwriter)
Content:  script work, he brought him over to write for the network. There, Carter developed a number of unproduced television pilots—Cameo By Night, featuring Sela Ward; Brand New Life, which has been described as being similar to The Brady Bunch; Copter Cop, a science fiction series that was hampered by Tartikoff's injuries after a car accident; and Cool Culture, influenced by Carter's passion for surfing and experience with Surfing Magazine. During this time Carter would also work as a producer on Rags to Riches, a job he accepted in order to learn more about producing a series. Peter Roth, at that 
Title: Diana Serra Cary
Content:  had worked as a switchboard operator, a bookstore clerk, and a gift shop manager before she got into freelance writing. Eventually, after years of emotional struggle and open derision from Hollywood insiders and the media, Cary made peace with her Baby Peggy past. She had successful careers as a publisher, historian and author on Hollywood subjects, writing, among other works, an autobiography of her life as a child star, What Ever Happened to Baby Peggy: The Autobiography of Hollywood's Pioneer Child Star, and a biography of her contemporary and rival named Jackie Coogan: The World's Boy King: A Biography of Hollywood's 
Title: Gary W. Goldstein
Content:  Gary Wolff Goldstein (born December 24, 1952) is an American author, speaker, consultant and Hollywood film producer, best known for producing Pretty Woman, Under Siege, and The Mothman Prophecies and generating over a billion dollars in worldwide revenue. He is the author of Conquering Hollywood: The Screenwriter’s Blueprint For Career Success, a successfully funded Kickstarter project, that serves as a road map for transforming talent as a writer into a successful career as a Hollywood screenwriter.
Title: My So-Called Career in Hollywood
Content:  My So-Called Career in Hollywood is a darkly comedic "roman à clé" autobiography of an ill-fated TV writer named E. Klass, who tried - unsuccessfully - to sell a TV script in Hollywood for more than four decades, without every achieving success throughout his entire 'so-called' career. The book chronicles Ellery's relentless efforts to break into the industry, and his long-time relationship with his small-time, literary agent, as E. details his exploits working on - and being fired from - such classic TV shows as Lost in Space (1965–68), Land of the Giants (1968–70), Gilligan's Island, The Andy Griffith Show, and The Partridge Family to name a few, and while the character of E.Klass may be fictitious, his accounts detailed in the book are all based on true fact, making this book a rare inside look at television production of that era. My So-Called Career in Hollywood, published in 2005, was in fact written by Hollywood actor/screenwriter Timothy Williams.Published in October 2005.
Title: Steve Carver
Content:  The Tell-Tale Heart was widely screened and attracted the attention of Roger Corman who had made a number of adaptations of Poe's works. Corman hired Carver to work at New World Pictures. Carver spent his first year at New World cutting trailers. He later estimated he cut 100-150 trailers in that time. He also wrote a number of scripts for Corman, including one on Admiral Byrd that floundered when they could not secure rights from Byrd's estate. He was working on a script about a black female private eye when Corman gave him the chance to direct with The Arena (1974), a film about female gladiators shot in Italy.
Title: Gary Hershberger
Content:  He is a screenwriter and co-wrote the TV movie Python. He wrote the upcoming movie Late in the Season, which will also be his directorial debut. He won a PAGE International Screenwriting Award, and he was a finalist for other screenwriting awards. He and his Twin Peaks co-star Sheryl Lee co-founded the Actor's Director Workshop. They have taught at the University of Southern California, UCLA, Pepperdine, and Loyola Marymount University. His production company is called Deer Mountain Productions.
Title: Chris Carter (screenwriter)
Content:  Pierson's connections at Walt Disney Studios led to chairman Jeffrey Katzenberg hiring Carter on a standard contract. Carter began writing television films for the studio, penning The B.R.A.T. Patrol in 1986 and Meet the Munceys in 1988. These scripts led to Carter being associated with contemporary youth comedy at the studio, and although he enjoyed the work he felt that his real strengths and interests lay in serious drama instead. Carter met the then-president of NBC, Brandon Tartikoff, at a company softball game in Brentwood, California. Tartikoff and Carter began talking between innings, and when Tartikoff eventually read some of 

Question: Who was the screenwriter for Career?
Answer: Dalton Trumbo.
James Dalton Trumbo.
Bert Granet.