Title: So Big (1953 film)
Content: Jane Wyman as Selina DeJong ; Sterling Hayden as Pervis DeJong ; Steve Forrest as Dirk DeJong ; Nancy Olson as Dallas O'Mara ; Walter Coy as Roelf Pool ; Elisabeth Fraser as Julie Hempel ; Jacques Aubuchon as August Hempel ; Martha Hyer as Paula Hempel ; Roland Winters as Klaas Pool ; Ruth Swanson as Maartje Pool ; Lillian Kemble-Cooper as Mrs. Fister ; Richard Beymer as Roelf, ages 12–16 ; Tommy Rettig as Dirk, age 8 ; James Dime as a man at auction. 
Title: So Big (1953 film)
Content:  So Big is a 1953 American drama film that stars Jane Wyman, Sterling Hayden and Steve Forrest, directed by Robert Wise. The screenplay by John Twist was based on the 1924 novel by Edna Ferber. It was the third adaptation of the book, following a 1924 silent film with Colleen Moore and So Big! with Barbara Stanwyck, released in 1932.
Title: So Big (1953 film)
Content:  So Big was adapted as an hour-long radio play on Studio One's December 29, 1947 broadcast with Joan Blondell, and on Lux Radio Theatre's September 21, 1954 broadcast with Ida Lupino and Robert Stack.
Title: So Big (novel)
Content:  So Big was presented on Stories America Loves in 1942. Joan Blaine had the role of Selena Peake in the adaptation.
Title: So Big (1932 film)
Content:  So Big is a 1932 pre-Code American drama film directed by William A. Wellman and starring Barbara Stanwyck. The screenplay by J. Grubb Alexander and Robert Lord is based on the 1924 Pulitzer Prize-winning novel of the same name, by Edna Ferber. So Big was the second full-scale screen adaptation of the Ferber novel. The first was a 1924 silent film of the same name directed by Charles Brabin and starring Colleen Moore. A 1953 remake was directed by Robert Wise and starred Jane Wyman. The story was also made as a short in 1930, with Helen Jerome Eddy.
Title: So Big (novel)
Content:   So Big is a 1924 novel written by Edna Ferber. The book was inspired by the life of Antje Paarlberg in the Dutch community of South Holland, Illinois, a Chicago suburb. It was a best-seller in the United States and won the Pulitzer Prize for the Novel in 1925.
Title: So Big (1932 film)
Content:  Andre Sennwald of The New York Times called the film "a faithful and methodical treatment of Miss Ferber's novel, but without fire or drama or the vitality of the original." He added, "A fine actress, Miss Stanwyck seems ill-suited to a role that hustles her in jerky steps from girlhood to old age; a role in which she is asked to express rugged grandeur and the beauty of a life well-lived from behind a mask of grease paint ... Little Dickie Moore is delightful as the younger So Big. Bette Davis ... is unusually competent." Variety noted, ""Wellman's endeavor at kaleidoscopic flashes in the life 
Title: So Big (1924 film)
Content:  So Big is a 1924 American silent drama film based on Edna Ferber's 1924 novel of the same name which won the Pulitzer Prize for the Novel in 1925. It was produced by independent producer Earl Hudson the film and distributed through Associated First National. Unseen for decades, it is considered to be a lost film. Only a trailer survives at the Library of Congress.
Title: Edna Ferber
Content:  Big. Ferber initially believed her draft of what would become So Big lacked a plot, glorified failure, and had a subtle theme that could easily be overlooked. When she sent the book to her usual publisher, Doubleday, she was surprised to learn that he strongly enjoyed the novel. This was reflected by the several hundreds of thousands of copies of the novel sold to the public. Following the award, the novel was made into a silent film starring Colleen Moore that same year. An early talkie movie remake followed in 1932, starring Barbara Stanwyck and George Brent, with Bette Davis in a supporting role. A 1953 version of So Big starring 
Title: So Big (1953 film)
Content:  Bosley Crowther of The New York Times wrote"Despite the fact that the story is 'dated,' that it offers a very familiar theme and that the present production is loaded with some typical 'Hollywood' flaws, there is still a great deal of solid substance in this latest retelling of the tale ...For the better part of the picture, we are largely indebted to Jane Wyman...remarkably strong and effective in every forthright little bit she does. From her earliest appearance...to her ultimate poignant scene...she is humble, restrained and sure...Where the picture falls down is in those phases in which the grown-up son 

Question: Who was the screenwriter for So Big?
Answer: John Twist.