Title: The Fly (film series)
Content:  The movie was based on the short story "The Fly" written by George Langelaan, which was published on Playboy magazine in 1957. According to Maury Dexter, an American producer who once worked with Robert Lippert, the novel was originally found and brought to the studio by Kurt Neuman. Although Robert Lippert was the one who brought the idea to 20th Century Fox and got its agreement on filming the movie, Fox replaced Lippert by Neuman as the producer afterwards due to Lippert's conflict with Screen Actors Guild. The Fly was then made in colour as a Fox Film. James Clavell was hired by Lippert for the adaption of the screenplay, and his work, based on what Harry Spalding has said, was “the best 
Title: The Fly (1958 film)
Content:  Producer-director Kurt Neumann discovered the short story by George Langelaan in Playboy magazine. He showed it to Robert L. Lippert, head of 20th Century Fox's subsidiary B-movie studio Regal Pictures. The film was to be made by Lippert's outfit, but was released as an "official" Fox film, not under the less-prestigious Regal banner. Lippert hired James Clavell to adapt Langelaan's story on the strength of a previous sci-fi spec script at RKO, which had never been produced. It became Clavell's first filmed screenplay. As Harry Spalding recalled, the script was "the best first draft I ever saw, it needed very little work." The adaptation remained largely faithful to Langelaan's short story, apart from moving its setting from France to Canada, and crafting a happier ending by eliminating a suicide.
Title: The Fly (1958 film)
Content:  The Fly is a 1958 American science fiction horror film and the first installment in the The Fly film series. Produced and directed by Kurt Neumann and starring David Hedison, Patricia Owens, Vincent Price, and Herbert Marshall. The screenplay by James Clavell was based on the 1957 short story of the same name by George Langelaan. The film tells the story of a scientist who is transformed into a grotesque creature after a common house fly enters unseen into a molecular transporter with which he is experimenting, resulting in his atoms being combined with those of the insect, which produces a human–fly hybrid. The film was released in CinemaScope with color by Deluxe by 20th Century Fox. It was followed by two black-and-white sequels, Return of the Fly (1959) and Curse of the Fly (1965). The original film was remade in 1986 by director David Cronenberg.
Title: The Fly (1986 film)
Content:  an outline similar to that of Langelaan's story, but both he and Cornfeld thought that it would be better to rework the material to focus on a gradual metamorphosis instead of an instantaneous monster. However, when executives read the script, they were so unimpressed that they immediately withdrew from the project. After some negotiation, Cornfeld orchestrated a deal whereby Fox would agree to distribute the film if he could set up financing through another source. The new producer was Mel Brooks and the film was to be produced by his company, Brooksfilms. Cornfeld was a frequent collaborator and friend of Brooks, who together also produced 
Title: The Fly (1968 film)
Content: Written by: Vatroslav Mamica ; Backgrounds: Pavao Štalter ; Drawings: Aleksandr Marks ; Animation: Vladimir Jutriša ; Assistant Director: Darko Gospodnetić ; Cinematography: Ivan Hercigonja ; Sound Recording: Mladen Prebil ; Music Supervision: Tea Brunšmid ; Directed by: Aleksander Marks, Vladimir Jutriša 
Title: The Fly (film series)
Content:  When Lippert first mentioned the idea of making a third Fly, Spalding was surprised and kind of reluctant, saying they were “lucky to be able to do a second one”. Having Claude Rains in his mind as the main character, Spalding completed the script. However, Lippert put Brian Donlevy in the role instead, since Donlevy has previously worked well in another horror movie, Creeping Unknown, and Lippert wanted to stick to what has worked before. Spalding also pointed out the difficulty of writing the screenplay in Los Angeles for a production located in England due to the lack of collaboration between him and the director as well as the rest of the crew.
Title: The Fly (1986 film)
Content: Pogue's draft Cronenberg's draft In the early 1980s, co-producer Kip Ohman approached screenwriter Charles Edward Pogue with the idea of remaking the classic science fiction horror film The Fly. Pogue began by reading George Langelaan's short story and then watching the original film, which he had never seen. Deciding that this was a project in which he was interested, he talked with producer Stuart Cornfeld about setting up the production, and Cornfeld very quickly agreed. The duo then pitched the idea to executives at 20th Century Fox and received an enthusiastic response, and Pogue was given money to write a first draft screenplay. He initially 
Title: The Fly (1986 film)
Content:  by conspiring with him to reintegrate a non-contaminated version of his original body. Cronenberg endorsed this concept at the time. Geena Davis was open to doing a sequel (and only pulled out of The Fly II because her character was to be killed in the opening scene), while Goldblum was not (although he was okay with a cameo), and this treatment reflects that. However, a later treatment written by Jim and Ken Wheat was used as the basis for the final script, written by Frank Darabont. Mick Garris also wrote a treatment, with elements incorporated into the final film.
Title: The Fly (1986 film)
Content:  The Fly is a 1986 American science fiction-horror film directed and co-written by David Cronenberg. Produced by Brooksfilms and distributed by 20th Century Fox, the film stars Jeff Goldblum, Geena Davis and John Getz. Loosely based on George Langelaan's 1957 short story of the same name and the 1958 film of the same name, The Fly tells of an eccentric scientist who, after one of his experiments goes wrong, slowly turns into a fly-hybrid creature. The score was composed by Howard Shore and the make-up effects were created by Chris Walas, along with makeup artist Stephan Dupuis. The Fly was released on August 15, 1986, to massive acclaim by critics and audiences, with praise mainly regarding the special effects and Goldblum's performance. It grossed $60.6 million at the box office against its nine-million-dollar budget, becoming the largest commercial success of Cronenberg's career. Walas and Dupuis' work on the film resulted in their winning an Academy Award for Best Makeup, the only Oscar won by a film directed by Cronenberg. A sequel, directed by Walas, was released in 1989.
Title: The Fly (film series)
Content:  In the early 1980s, producer Kip Ohman proposed to Charles Edward Pogue about the idea of remaking the classic sci-fi horror movie The Fly (1958 film). After reading the original novel by George Langelaan and watching The Fly made in 1958, Pogue was very interested in the remake plan, therefore he found Stuart Cornfeld to work with 20th Century Fox. Pogue's initial idea of the screenplay was very similar to Langelaan's original work, but he and Cornfeld then felt the focus should be put on the protagonist's mutating process, not the final result of the mutation. Unexpectedly, the film script did not impress Fox, 

Question: Who was the screenwriter for Fly?
Answer: Moira Walley-Beckett.
Moira Walley.
Moira Walley-Becket.
Moira Wally.
Moria Wally.
Sam Catlin.