Title: Screenplay
Content: - Paperback ; - Paperback ; - Paperback ; - Paperback ; Luca Bandirali, Enrico Terrone (2009), Il sistema sceneggiatura. Scrivere e descrivere i film, Turin (Italy): Lindau. ISBN: 978-88-7180-831-4. ; Riley, C. (2005) The Hollywood Standard: the complete and authoritative guide to script format and style. Michael Weise Productions. Sheridan Press. ISBN: 0-941188-94-9. 
Title: Columbia University School of the Arts
Content:  screenwriter Please Give, Enough Said, Friends With Money, Sex and the City, Gilmore Girls, Six Feet Under ; Courtney Hunt - Academy Award nominated screenwriter and film director, Frozen River, The Whole Truth ; Phil Johnston - screenwriter, Wreck-It Ralph, Zootopia; co-director, Ralph Breaks the Internet ; Khary Jones - Award-winning screenwriter and film director, Hug ; Simon Kinberg - screenwriter Mr. & Mrs. Smith, X-Men: First Class, X-Men: Days of Future Past ; Yves Lavandier (1983–85) - screenwriter, director and script doctor ; Jennifer Lee (2005) - Academy Award-winning screenwriter and director, Frozen, Wreck-It Ralph ; John Magary - film director, screenwriter The Mend (film) ; James Mangold - 
Title: Wall Street: Money Never Sleeps
Content:  In October 2008, 20th Century Fox confirmed that Allan Loeb, who is a licensed stock broker, had been selected to re-write the script. Stanley Weiser had worked on a treatment for a sequel set in the present with Gekko being released from jail; the second part would be set in China. The studio felt that the material was dated, and put the project in turnaround. Stone had a falling out with Pressman, the producer, and began work on W. with Weiser. Weiser's treatment for Wall Street Two was discarded and the film began taking shape from an original script by Stephen Schiff. It was reported that Aaron Sorkin 
Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: Sex, Lies, and Videotape
Content:  The film was written by Steven Soderbergh in eight days on a yellow legal pad during a cross country trip (although, as Soderbergh points out in his DVD commentary track, he had been thinking about the film for a year). Soderbergh's commentary also reveals that he had written Andie MacDowell's role with Elizabeth McGovern in mind, but McGovern's agent disliked the script so much that McGovern never even got to read it. Laura San Giacomo, who was represented by the same agency, had to threaten to leave that agency in order to be able to play Cynthia. Soderbergh was reluctant 
Title: Screenwriter
Content:  In the silent era, writers now considered screenwriters were denoted by terms such as photoplaywright, photoplay writer, photoplay dramatist and screen-playwright. Screenwriting historian Steven Maras notes that these early writers were often understood as being the authors of the films as shown, and argues that they cannot be precisely equated with present-day screenwriters because they were responsible for a technical product, a brief "scenario", "treatment" or "synopsis" that is a written synopsis of what is to be filmed.
Title: University of Auckland
Content: Philippa Boyens, Academy Award-winning screenwriter ; Niki Caro, film director, producer and screenwriter. ; Jacqueline Feather, screenwriter ; Lucy Lawless, actress ; Christine Tan, CNBC news anchor ; Yasmine Ryan (ca. 1983 – 2017), journalist 
Title: Columbia University School of the Arts
Content:  Homeboys, Caught; Co-Producer Deconstructing Harry, Celebrity, Sweet and Lowdown, Arizona Dream ; Liz Chae - screenwriter, film director, documentary director, The Last Mermaids (documentary) ; Lisa Cholodenko (1998) - screenwriter and film director, The Kids Are All Right, Laurel Canyon, The L Word ; Deborah Chow (2003) - screenwriter, television and film director, The High Cost of Living; director, The Mandalorian ; Richard Corliss - Time magazine film critic ; Cherien Dabis (2004) - filmmaker, screenwriter - The L Word, Amreeka ; Sabrina Dhawan - screenwriter, Monsoon Wedding ; Michael France - screenwriter, Goldeneye, Cliffhanger ; James Franco (2010) - filmmaker, actor, screenwriter, producer ; Nicole Holofcener - film and TV 
Title: It's Pat
Content: I resisted it completely. I just didn't know how we could make it last for two hours. But 20th Century Fox was really keen; our producer was really keen. So we thought, OK, we'll write the script. And after three months, we fell madly in love with the script. Unfortunately, Fox did not. The film was written by Sweeney, Jim Emerson (Sweeney's friend from their days with The Groundlings ), and Sweeney's former husband, Stephen Hibbert. While at the Groundlings, Emerson suggested that the character Pat, at the time a "character based on annoying co-workers who don't leave you alone", be made androgynous. Three months before the film's release, Sweeney commented on her initial reluctance to do a film based on Pat:  Touchstone Pictures decided to produce the film, after Fox bowed out. Quentin Tarantino revealed that he was an uncredited writer on the script.
Title: Spirit: Stallion of the Cimarron
Content:  Writer John Fusco, best known for his work in the Western and Native American genres (such as the films Young Guns and Young Guns II), was hired by DreamWorks Animation to create an original screenplay based on an idea by Jeffrey Katzenberg. Fusco began by writing and submitting a novel to the studio and then adapted his own work into screenplay format. He remained on the project as the main writer over the course of four years, working closely with Katzenberg, the directors, and artists.

Question: Who was the screenwriter for Style?
Answer: Raghava Lawrence.
Lawrence.