Title: The Thing (1982 film)
Content:  Ennio Morricone composed the film's score, as Carpenter wanted The Thing to have a European musical approach. Carpenter flew to Rome to speak with Morricone to convince him to take the job. By the time Morricone flew to Los Angeles to record the score, he had already developed a tape filled with an array of synthesizer music because he was unsure what type of score Carpenter wanted. Morricone wrote complete separate orchestral and synthesizer scores and a combined score, which he knew was Carpenter's preference. Carpenter picked a piece, closely resembling his own scores, that became the main theme used throughout the film. He also played the score from Escape from New York for Morricone as an example. Morricone made several more attempts, bringing the score closer to Carpenter's own style 
Title: Soundtrack
Content:  2018. A soundtrack for J. R. R. Tolkien's The Hobbit and The Lord of the Rings was composed by Craig Russell for the San Luis Obispo Youth Symphony. Commissioned in 1995, it was finally put on disk in 2000 by the San Luis Obispo Symphony. For the 1996 Star Wars novel Shadows of the Empire (written by author Steve Perry), Lucasfilm chose Joel McNeely to write a score. This was an eccentric, experimental project, in contrast to all other soundtracks, as the composer was allowed to convey general moods and themes, rather than having to write music to flow for specific scenes. A project called "Sine Fiction" has made some soundtracks to 
Title: Kobol's Last Gleaming
Content:  Rymer asked composer Bear McCreary to write a classical-sounding piece for Baltar's vision of the Opera House. The result was "The Shape of Things to Come", which is closely connected to "Passacaglia", the piece McCreary wrote for the Part 1 teaser. McCreary recalled that Rymer was unsatisfied with earlier versions of the Part 1 teaser music and encouraged McCreary to stop approaching it as a film score. McCreary stopped looking at the footage for inspiration and produced "Passacaglia".
Title: A Little Chaos
Content:  The soundtrack was composed by Peter Gregson. It was the first feature film for Gregson, who previously composed music for a 2014 short film Every Quiet Moment. Veigar Margeirsson's 2008 composition "Rise above" was used in the trailer of the film but was not part of soundtrack album, which was released by Milan Records on 16 April 2015.
Title: Veigar Margeirsson
Content:  Veigar Margeirsson (born 1972) is a film score composer from Iceland. He composed the original score for Eric Schaeffer's 2004 film Mind the Gap. He was also one of the composers who arranged and orchestrated Clint Mansell's Lux Aeterna from Requiem for a Dream for full orchestra and choir for The Lord of the Rings: The Two Towers trailer. The piece, named "Requiem for a Tower", was made exclusively for the trailer and was featured in neither Requiem for a Dream nor The Lord of the Rings film trilogy.
Title: John Kaefer
Content:  composed for another short film, Forget Me Not, and contributed the theme music for Focus Earth with Bob Woodruff. That year, he also composed the thematic music package for ABC’s hour-long news magazine, 20/20. In 2010, Kaefer composed his second full-length film score for the crime-drama The Rise and Fall of Their American Dream and for another short, Lily of the Feast. He was credited as music programmer and orchestrator for the film One Fall in 2011. In 2012, Kaefer composed for another short, Pandora’s Box, and ended his time with Good Morning America and Good Morning America Weekend Edition. In 2013, Kaefer provided the theme music for Primetime: Would You Fall 
Title: Lost in the Desert
Content:  have a sudden emotional breakdown, in which he interrupts his playing by hitting the piano's keyboard angrily with his fists and producing loud crashing discords. In addition, the very opening scene of the actual story (after the differing introductions to the two versions of the film) shows Dirkie and his father playing Chopsticks together on the piano as a duet. Other than classical pieces, original music for the film was composed by Art Heatley and Sam Sklair with a faux African musical cue by William Loose. One German web site also credits Gilbert Gibson as another composer for the film. The DVD credits only Sklair for original music. The Australian jazz singer Edwin Duff (1928–2012) is credited in the end titles as singing the theme song "Wait for Tomorrow". However current versions of the movie do not include the song.
Title: Thomas Z. Shepard
Content:  for the lost music of Thespis (2008), which has been called "a love letter to Gilbert and Sullivan  and ... might be better than the original". In 1971, he composed the motion picture score for Such Good Friends, directed by Otto Preminger, and in 1974, he wrote a children's cantata, In the Night Kitchen, with words by Maurice Sendak. He also composed the piano folio Folk a la Classique for Carl Fischer Music (2003; original compositions for children) and was the composer and lyricist for children's educational material for the Carnegie Hall Explorers Division, The Children’s Symphony (2004, intended to teach the instruments of the orchestra to second-and third-grade schoolchildren) and for the PBS television show Between the Lions (2007).
Title: It (2017 film)
Content:  On March 23, 2017, Benjamin Wallfisch was announced as the composer of Its score. Wallfisch stated that Jerry Goldsmith, John Williams, Alan Silvestri, as well as Dave Grusin's composition for The Goonies (1985) were largely influential in the score of It, as he felt so passionate about those "big thematic style of scoring", albeit at the same time wishing to go beyond the idea that it would be a purely orchestral and adventurous score. According to Wallfisch, he had to develop a theme for Pennywise which included finding and creating music that could infect all the other melodies as there are several themes in the film but the Pennywise score is a very quiet and whispered childlike tune using very high strings. Wallfisch spoke of Pennywise's second theme, inspired by Skarsgård's portrayal, in which he used the old children's song "Oranges and Lemons", which had always disturbed him as a child: "We knew we wanted some kind of children's song to signify Pennywise's strange and demented inner monologue. I also very subtly use certain melodic fragments from it in other themes, for example the piano music that opens and closes the movie."
Title: Works inspired by J. R. R. Tolkien
Content:  Publishers. Queen Margarethe II of Denmark gave permission to use her illustrations in the CD layout. Aulis Sallinen, one of the leading classical music composers of Finland, composed his Seventh Symphony named "The Dreams of Gandalf" in 1996, from music initially meant to accompany a ballet. Australian musician, Patrick Flegg, late husband of Tolkien illustrator Mary Fairburn, composed a piano suite, Anduin: The Mighty River, recorded by Wendy Rowlands (2001). Canadian composer Glenn Buhr has written a three-movement tone poem Beren and Lúthien which he has recorded with the Winnipeg Symphony Orchestra as part of his CD Winter Poems.

Question: Who was the composer of Something?
Answer: George Harrison.
The Quiet Beatle.
Nelson Wilbury.
00013482508 IPI.