Title: Ghost (2019 film)
Content:  This music of the film is composed by Nayeem –Shabir, Sanjeev–Darshan, Arko Pravo Mukherjee, Sonal Pradhan and Vinay Ram Tiwari with lyrics written by Shakeel Azmi, Sanjeev-Ajay, Arko Pravo Mukherjee, Sonal Pradhan and Rashmi Virag.
Title: Ghost (1990 film)
Content:  The music for Ghost was written by veteran French composer Maurice Jarre, whose work was nominated for the 1990 Academy Award for Best Original Score (won by John Barry for Dances with Wolves). The soundtrack also featured the 1955 song "Unchained Melody", composed by Alex North with lyrics by Hy Zaret. This was originally written for the film Unchained – a very different, low-budget movie about prison life. In Ghost, the song appears both in instrumental and vocal form, the latter being the version recorded by Bobby Hatfield of The Righteous Brothers in 1965. The soundtrack album was issued worldwide on Milan Records, but licensed to Varèse Sarabande in North America. It was reissued with two extra tracks in 1995, and later as part of Milan's Silver Screen Edition series with the extra tracks and an interview with Maurice Jarre.
Title: Ghostbusters (1984 soundtrack)
Content:  The Ghostbusters score was composed by Elmer Bernstein and performed by the 72-person Hollywood Studio Symphony orchestra at The Village in West Los Angeles, California. It was orchestrated by Bernstein's son, Peter and David Spear. Bernstein had previously scored several of Ivan Reitman's films and was hired before filming had begun or all the cast had been signed. Reitman wanted a grounded, realistic score and did not want the music to tell the audience when something was funny. Bernstein used the ondes Martenot (effectively a keyboard equivalent of a theremin) to produce the "eerie" effect. Bernstein had to bring a musician, Cynthia Millar, from England to play the instrument because there were so few trained ondists. He also used three Yamaha DX7 synthesizers. In a 1985 interview Bernstein described Ghostbusters as the most difficult score he had written, finding it challenging to balance the film's varying comedic and serious tones. He created an "antic" theme for the Ghostbusters he described as "cute, without being really way out." He found the latter parts of the film easier to score, aiming to make it sound "awesome and mystical."
Title: Ghosts 'n Goblins
Content:  The original score for the initial arcade release of Ghosts 'n Goblins was composed by Ayako Mori. The music developed for the game's first level, entitled "Graveyard, Forest & Ice Palace," has since become recognized as the official theme for the franchise, appearing in a re-mixed form in every entry of the main series as well as making cameo appearances in other Capcom games such as Mega Man 7 and Ultimate Marvel vs. Capcom 3. Tamayo Kawamoto composed the score for Ghouls 'n Ghosts, the next entry in the series, followed by Mari Yamaguchi for Super Ghouls 'n Ghosts (with Tomohiro Masuda and Nobuhiko Isa 
Title: Ghostkeeper
Content:  The film's score was composed by Paul Zaza, who also composed music for fellow Canadian slasher film productions Prom Night (1980), My Bloody Valentine (1981), and Curtains (1983). Zaza got on board due to the involvement of film editor Stan Cole. In fact, some of the musical themes featured in Ghostkeeper were also used in Prom Night.
Title: Ghostbusters
Content:  The Ghostbusters score was composed by Elmer Bernstein and performed by the 72-person Hollywood Studio Symphony orchestra at The Village in West Los Angeles, California. It was orchestrated by David Spear and Bernstein's son Peter. Elmer Bernstein had previously scored several of Reitman's films and joined the project early on, before all the cast had been signed. Reitman wanted a grounded, realistic score and did not want the music to tell the audience when something was funny. Bernstein used the ondes Martenot (effectively a keyboard equivalent of a theremin) to produce the "eerie" effect. Bernstein had to bring a musician from England to play the instrument because there were so few trained ondists. He also used three Yamaha DX7 synthesizers. In a 1985 
Title: Ghostbusters II (soundtrack)
Content:  Randy Edelman composed the score for Ghostbusters II. It was one of Edelman's first experiences working with a large scale orchestra. Although familiar with Ghostbusters, he chose not to re-watch it for inspiration so the sequel would have its own unique sound. Edelman believed the distinct personalities of the existing characters meant they rarely needed a musical accompaniment, and instead focused his efforts on scoring the supernatural and action setpieces to represent the menace and "dark nature of the evil Carpathian."
Title: The Ghost in the Swamp
Content:  The film's soundtrack was composed by Dalibor Grubačević. It was distributed under Croatia Records 10 October 2006.
Title: Ghost (Swedish band)
Content:  tried to deliberately have every song have its own signature." Only a few members actually write songs. The writers compose an acoustic outline of songs before other instrumentation is added so it sounds like a group, rather than being dominated by guitar. In 2017, Forge claimed that he was the main author of every song except "Year Zero" and "Zenith", which were Persner's ideas. Asked how he keeps Ghost's sound intact despite large lineup changes, Forge said he has to teach them to play like he does; explaining that while he is a good guitar player, he is only an "okay" drummer, bassist and 
Title: Ghost (soundtrack)
Content:  Ghost is the official soundtrack, on the Milan Records label, of the 1990 Academy Award- and Golden Globe-winning film Ghost starring Patrick Swayze, Demi Moore and Whoopi Goldberg (who won the Academy Award for Best Supporting Actress for her role as "Oda Mae Brown" in this film) and Tony Goldwyn. The score was composed by Maurice Jarre. The album was nominated for the Academy Award for Best Original Score.

Question: Who was the composer of Ghost?
Answer: Hossein Shahabi.