Title: Kazimierz Braun
Content: 1963: Best Director, Caucasian Chock Circle (Brecht), Toruń Theatre Festival ; 1964: Best Director, Enchanted Circle (Rydel), Television Theatre Festival ; 1965: Best Director, Actor (Norwid), Television Theatre Festival and Kalisz Theatre Festival ; 1966: Best Director, The Wedding (Wyspiański), Toruń Theatre Festival ; 1970: Best Director, Interrupted Act (Różewicz), Kalisz Theatre Festival ; 1971: Medal for Merit to Culture, Poland ; 1976: Medal for Educational Theatre, Poland ; 1978: Gold Cross of Merit, Poland ; 1979: Award for the Mise-en-Scène, Operetta (Gombrowicz), International Theatre Festival, Sitges, Spain ; 1980: Golden Fredro Award for Director, Birth Rate (Różewicz), Wrocław ; 1980: Japanese Foundation Award ; 1984: Golden Fredro Award for Director, The 
Title: Brenda Chapman
Content:  (Lotte Reiniger of The Adventures of Prince Achmed, Joy Batchelor of Animal Farm, and Arna Selznick of The Care Bears Movie). She also worked on Chicken Run, and several projects in development while at DreamWorks before leaving the studio on maternity leave. Chapman moved to Pixar in 2003 after being invited by her old colleague Joe Ranft, where she had a brief stint on Cars before beginning development on and directing Brave. Chapman conceived the project and was announced as the director of the film, making her Pixar's first female director. In October 2010, however, she was replaced by Mark Andrews following creative disagreements between her and John Lasseter. There were rumors 
Title: Mark Andrews (filmmaker)
Content:  Mark Elliott Andrews (born September 12, 1968) is an American director, screenwriter, animator, he is best known for the 2012 Pixar feature film Brave. He was the story supervisor for The Incredibles, directed the short film One Man Band and co-wrote the short films Jack-Jack Attack and One Man Band. Andrews studied animation at the Character Animation Program at CalArts. After that he was one of five who got a Disney internship, but was fired after three months. He is also considered to be Brad Bird's "right-hand man". Some of his student films have been featured at MOMA's exhibition TOMORROWLAND: CalArts in Moving Pictures. Unlike most other CalArts alumni, he was not a huge fan of Disney 
Title: Leo Brady
Content:  locally in the Washington, D.C., area, including a musical, The Coldest War of All, which received an off-Broadway mounting in 1969. For about five years, he was a major contributor of articles on regional theater to the industry standard Burns Mantle annual Best Plays volumes. Another writing venture he took on successfully was crafting documentary filmscripts for Oscar-winning producer Charles Guggenheim. As a director, Brady tended toward classics and comedies, with a special affinity for the works of Shakespeare, Shaw, Molière, Chekhov, Ibsen, Anouilh, O’Casey, Synge and Arthur Miller. His lone New York directing credit was an off-Broadway production of the Hecht-MacArthur newspaper drama 
Title: André Brassard
Content:  André Brassard (born 28 August 1946) is a Canadian stage director, filmmaker and actor, best known for staging the vast majority of Michel Tremblay's plays. He was the director of the French section of the National Arts Center from 1982 to 1989 and the National Theatre School from 1992 to 2000. His 1974 film Once Upon a Time in the East was entered into the 1974 Cannes Film Festival. His 1977 film Le soleil se lève en retard was entered into the 10th Moscow International Film Festival. Brassard received a Governor General's Performing Arts Award for his lifetime contributions to Canadian theatre in 2002. He is openly gay.
Title: Brice Mack
Content:  after leaving during the strike of 1941, producing and directing animated and live action commercials for the Peterson Company, as well as work for Disney. He later went on to form Unicorn Productions, with which he continued to work on commercials, films, and theme park rides, continuing to consult for Disney into the early 1990s, when he retired. His feature work includes directing the 1978 live-action horror film Jennifer, written by Steve Krantz. Other director credits include Rooster: Spurs of Death (1983), Swap Meet (1979), and Half a House (1979). He was the executive in charge of production for Ruby and the producer of Mara of the Wilderness. Mack was survived by his wife, Ginni, three sons and three grandsons. His son Kevin Mack is an Academy Award–winning visual effects supervisor.
Title: Brad Bird
Content:  Father, Like Clown." He served as an executive consultant for the show for its first eight seasons. Also while at Klasky Csupo, he was one of the animators of the Rugrats pilot "Tommy Pickles and the Great White Thing." He worked on several other animated television series, including The Critic and King of the Hill, before pitching Warner Brothers to write and direct the animated film The Iron Giant. Despite receiving near-universal acclaim from critics, it failed at the box office due to lack of marketing and promotion from Warner Bros. He was then hired by Steve Jobs who wanted him to work for 
Title: Ron Scot Fry
Content:  Fry was the entertainment director of the Bristol Renaissance Faire from 1989 until 2008. He also filled several other roles such as teacher, designer, technician, Fight Cast director and performer. As entertainment director, Fry was a key player in the success of the Bristol Renaissance Faire. His approach to street theatre helped to make the Bristol Faire an interactive Renaissance Faire. In 1989, Fry started BAPA, the Bristol Academy for the Performing Arts, where young performers learned how to speak Olde English, fight with swords, interact with guests and develop improvisational skills. Fry brought in teachers from Chicago's Second City and The Players Workshop. He oversaw most of the acts at the Bristol Faire and directed all of the faire's scenario shows, much of the street theatre, and all new performers coming into BAPA. Fry founded the Bristol Academy for the Performing Arts (BAPA), which held classes in movement, character development, street, commedia dell'arte, and improvisation.
Title: A. G. Bainbridge
Content:  Bainbridge was born in Pittsburgh, Pennsylvania in 1885. At the age of 17 he began working as a bill poster for the Sells-Forepaugh Brothers Circus. He later advanced to working as a press agent for the Barnum & Bailey Circus. He also worked with theaters in Chicago during summers and with The 101 Ranch Wild West Show during the winter. He later relocated to Minneapolis and, from the 1920s through the 1930s, he managed the Shubert Theater. He also founded and managed a company of actors called the Bainbridge Players which became one of the city's leading theater ensembles. In 1933, Bainbridge surprised many by challenging incumbent mayor William A. Anderson. Playing on his theatrical roots, he announced his candidacy on Friday the 13th while standing under a ladder with an open umbrella and his fingers 
Title: William A. Brady
Content:  Brady ran a successful theatre operation for thirty years, having met actresses like Grace George (whom he later married) and having, at one point, hired famous humorist Robert Benchley to complete ad copy for him. Brady's success continued until the Stock Market Crash of 1929, which wiped out his entire savings. He was able to secure the funds to produce Street Scene, which was written by Elmer Rice, won the Pulitzer Prize, and netted Brady a half a million dollars. His total theatrical output included over 260 plays, including a version of Uncle Tom's Cabin that was later used as images for a book in 1904, and a number of movies before his death.

Question: Who was the director of Bread and Circuses?
Answer: Ralph Senensky.