Title: Noise music
Content:  Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high 
Title: Noise in music
Content:   Noise music (also referred to simply as noise) has been represented by many genres during the 20th century and subsequently. Some of its proponents reject the attempt to classify it as a single overall genre, preferring to call noise music a non-genre, an aesthetic, or a collection of genres. Even among those who regard it as a genre, its scope is unclear. Some commentators use the phrase "noise music" (or "noise") to refer specifically to Japanese noise music, while others instead use the term Japanoise. While noise music is often nowadays associated with extreme volume and distortion and produced by 
Title: Noise rock
Content:  Noise rock (sometimes called noise punk) is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement. Some groups are tied to song structures, such as Sonic Youth. Although they are not representative of the entire genre, they helped popularize noise rock among alternative rock audiences by incorporating melodies into their droning textures of sound, which set a template that numerous other groups followed. Other early noise rock bands were Big Black and Swans.
Title: Noise pop
Content:  Noise pop is a subgenre of alternative or indie rock that developed in the mid-1980s in the United Kingdom and United States. It is defined by its mixture of dissonant noise or feedback with the songcraft more often found in pop music. Shoegazing, another noise-based genre that developed in the 1980s, drew from noise pop.
Title: Noise rock
Content:  Noise rock fuses rock to noise, usually with recognizable "rock" instrumentation, but with greater use of distortion and electronic effects, varying degrees of atonality, improvisation, and white noise. One notable band of this genre is Sonic Youth who took inspiration from the no wave composers Glenn Branca and Rhys Chatham. Sonic Youth's Thurston Moore has stated: "Noise has taken the place of punk rock. People who play noise have no real aspirations to being part of the mainstream culture. Punk has been co-opted, and this subterranean noise music and the avant-garde folk scene have replaced it."
Title: The Noise FM
Content:  The Noise FM is a musical group composed of brothers Alex (Vocals, Keyboard, Guitar) and Austin Ward (Drums, Vocals). The band performs live as a trio with Barry Kidd playing bass. The band's sound is commonly described as a blend of melodic, beat-and-keyboard-driven, indie rock. The Noise FM is currently based in Los Angeles, California.
Title: Noise pop
Content:  Noise pop has been described by AllMusic as "the halfway point between bubblegum and the avant-garde"; the combination of conventional pop songwriting with experimental sounds of white noise, distorted guitars and drones. Accordingly, the style "often has a hazy, narcotic feel, as melodies drift through the swirling guitar textures. But it can also be bright and lively, or angular and challenging." AllMusic cites the Velvet Underground as the earliest roots of the genre, with their experiments with feedback and distortion on their early albums. Early American alternative rock bands like Sonic Youth, Yo La Tengo, Hüsker Dü and Dinosaur Jr., who mixed pop song structures with extreme guitar distortion and feedback, were immediate forerunners. The Jesus and Mary Chain's 1985 
Title: NOISE (compilation album)
Content:  NOISE (stylized as N O I S E) is a compilation album released by Adult Swim. It was curated by Laura Sterritt and incorporates a wide variety of styles within the genre of noise music.
Title: Noise pop
Content:  Psychocandy, is considered by AllMusic to be the archetype for the noise pop genre ("pretty much birthed the style"). Kareem Estefan of Stylus Magazine cited the album for "transforming the use of distortion in indie rock with its screeching abrasion, yet managing to feature some of the catchiest melodies of the 80s." Later in the 1980s, noise pop was a major inspiration for the British shoegazing movement. Influenced by The Jesus and Mary Chain, My Bloody Valentine started to experiment with a fusion of 1960s pop music and noise on their EP, The New Record by My Bloody Valentine, paving way to their forthcoming shoegazing sound. Noise pop continued to be influential in the indie rock scene into the 1990s.
Title: Noise music
Content:  is often associated with extreme volume and distortion. Notable genres that exploit such techniques include noise rock and no wave, industrial music, Japanoise, and postdigital music such as glitch. In the domain of experimental rock, examples include Lou Reed's Metal Machine Music and Sonic Youth. Other notable examples of composers and bands that feature noise based materials include works by Iannis Xenakis, Karlheinz Stockhausen, Helmut Lachenmann, Cornelius Cardew, Theatre of Eternal Music, Glenn Branca, Rhys Chatham, Ryoji Ikeda, Survival Research Laboratories, Kris T Reeder, Whitehouse, Coil, Merzbow, Cabaret Voltaire, Psychic TV, Jean Tinguely's recordings of his sound sculpture (specifically Bascule VII), the music of Hermann Nitsch's Orgien Mysterien Theater, and La Monte Young's bowed gong works from the late 1960s.

Question: What genre is Noise?
Answer: trip hop.
Bristol sound.
trip-hop.