Title: The Gold Seekers
Content:  To write the script, Maneglia immersed herself in a long investigation that began in 2014, when she traveled to the interior of the country to interview "plata yvyguy" (treasures buried during the Paraguayan War) seekers. During the writing process, the material was corrected by Fernando Castets from Buenos Aires, scriptwriter of the Argentine film "El hijo de la novia". The script was developed in collaboration with Mario González Martí and the comments of Paraguayan audiovisual producers, such as Alicia Guerra, Sergio Colmán Meixner, Maribel Bosio, Tito Chamorro and Marcelo Tolces, among several others.
Title: Actor's and Sin
Content:  in Hollywood. Dishonest agent writer's agent Orlando Higgens has been receiving frantic calls from Daisy Marcher about a screenplay she had written called Woman of Sin. Thinking they are crank calls, Higgens tells her to never call his office again. He then learns that through a mixup of the mails, her screenplay had been received by film mogul J.B. Cobb, a man who once passed on Gone With the Wind based on Higgins' advice. Cobb thinks that Higgins sent the script and offers Higgins a lucrative sum for the rights. The problem is that Higgins has no idea where Daisy is, or that she is actually a nine-year-old child.
Title: Starman (film)
Content:  Starman spent five years in development at Columbia. The original script by Bruce A. Evans and Raynold Gideon was purchased by the studio at the urging of executive producer Michael Douglas, shortly before it optioned Steven Spielberg's Night Skies. Screenwriter Dean Riesner came onto the project in late 1981 after director Mark Rydell left the project due to artistic differences with Douglas. Riesner worked on seven rewrites of Starman with six different directors, but did not receive screen credit because, according to him, "the Writers Guild, in their infinite wisdom, decided I didn't contribute 50 percent of the screenplay." Other uncredited writers who worked on the script were Edward Zwick and Diane Thomas. Columbia decided to abandon Night Skies, which was similar in plot to Starman, 
Title: The Projected Man
Content:  The Projected Man was discovered as an unproduced screenplay by film producer Alex Gordon. The script was written by Frank Quattrochi, a Hollywood screenwriter, and was originally set in the United States. Gordon sent it to his brother Richard, also a film producer. Richard enjoyed reading it, but had it re-written to be set in London. He would serve as producer on the film. Ian Curteis was hired to direct The Projected Man, which would be his first theatrical film, as all of his previous work had been in television. Curteis was hired at the insistence of producer John Croydon, who 
Title: Rain Man
Content:  Roger Birnbaum was the first studio executive to give the film a green light; he did so immediately after Barry Morrow pitched the story. Birnbaum received "special thanks" in the film's credits. Real-life brothers Dennis Quaid and Randy Quaid were considered for the roles of Raymond Babbitt and Charles Babbitt. Agents at CAA sent the script to Dustin Hoffman and Bill Murray, envisioning Murray in the title role and Hoffman in the role eventually portrayed by Cruise. Martin Brest, Steven Spielberg and Sydney Pollack were directors also involved in the film. Mickey Rourke was also offered a role but he turned it down. Principal photography included nine weeks of filming on location. Other portions were shot in the desert near Palm Springs, California. Almost all of the principal photography occurred during the 1988 Writers Guild of America strike; one key scene that was affected by the lack of writers was the film's final scene. Bass delivered his last rough cut of the script only hours before the strike started and spent no time on the set.
Title: Southie (film)
Content:  Southie was written by two young screenwriters from Boston, Jimmy Cummings and Dave McLaughlin. It was originally entitled "Brass Ring". The lead role was originally offered to Mark Wahlberg but he was not available following the success of the 1997 film, Boogie Nights. Cummings' younger brother, Dan, suggested Donnie Wahlberg for the leading role. Shea spent a day with Ron Howard in New York as Howard completed the sound mixing on the 1996 film Ransom, in which Wahlberg had a supporting role. Shea liked what he saw and Wahlberg was offered the role. Shooting was scheduled for February 1997, in the middle of a very cold and brutal Boston winter. The 
Title: Man Under Cover
Content:  Louis Victor Eytinge wrote the screenplay for the film while serving a life sentence for murder in an Arizona prison.
Title: Inside Man
Content:  The script for Inside Man was written by Russell Gewirtz, a former lawyer who conceived the idea while vacationing in several countries. A first time-screenwriter, Gewirtz studied a number of screenplays, and spent five years developing the premise. His friend Daniel M. Rosenberg assisted in developing the script, then known as "The Inside Man". After it was completed in 2002, the script was passed around several times. Rosenberg shopped it to a number of Los Angeles agencies, until Universal Pictures executives Scott Stuber and Donna Langley persuaded Gewirtz to take the script to Universal and Imagine Entertainment. Imagine purchased Gewirtz's screenplay in 2002, and the project began development at Universal, who retitled 
Title: The Mackintosh Man
Content:  Newman agreed to star and John Huston wanted to direct. Newman's producing partner John Foreman would produce. The film was financed by Warners as part of the slate of films for Dick Shepherd. "One would like to think you are mistaken about the wonders of your work, but I didn't believe it", said Hill. "That part turned out to be true." Hill worked on the script with Huston and says the director was ill. Although Hill ended up with sole screen credit, he says, "I wrote 90% of the first half, various people wrote the rest. I didn't think it was a very good film." William Fairchild was one of the uncredited writers on the script.
Title: Shadow Man (2006 film)
Content:  When the project first came about, the title was Shadows on the Sun, it was being written by Bey Logan (writer for several Jackie Chan projects) and also had an entirely different plot. The original story was a period piece with Seagal as an intelligence officer who runs a medical clinic in Japan after World War II. By September 2005, however, Logan was no longer involved, and the script was being penned by Joe Halpin (author of several Seagal features in the mid-2000s, including Submerged, Into the Sun, and Today You Die). It was re-titled Shadows of the Past, and the plot assumed its current form. These changes were met with disappointment from some fans, who were excited to see Seagal 

Question: Who was the screenwriter for Searching for Sugar Man?
Answer: Malik Bendjelloul.