Title: Lab lit
Content:  as a profession. They may or may not center exclusively on the science or the workplaces of scientists, but all tend to feature scientists as central characters. According to an article in the New York Times, Prominent examples of lab lit include Flight Behavior by Barbara Kingsolver, Intuition by Allegra Goodman,Mendel's Dwarf by Simon Mawer, Real Life by Brandon Taylor, and Richard Powers' The Echo Maker and Generosity. Novels set in the past featuring fictionalized explorations of real-life scientists can also be considered lab lit; examples include Kepler by John Banville, The Signature of All Things by Elizabeth Gilbert, Remarkable Creatures by Tracy Chevelier and Enigma by Robert Harris.
Title: Lab lit
Content:  Lab lit (also "lablit") is a loosely defined genre of fiction, distinct from science fiction, that centers on realistic portrayals of scientists and on science as a profession.
Title: Lab Girl
Content:  Reviews were generally positive. The New York Times wrote that Jahren had "the precision of a poet and the imagination of a scientist" quoting from Vladimir Nabokov, and went on to describe the book as "engrossing" and "thrilling", going on to say that Jahren "does for botany what Oliver Sacks's essays did for neurology, what Stephen Jay Gould's writings did for paleontology". The Guardian wrote, "Jahren writes: 'Love and learning are similar, in that they can never be wasted'. And neither is time spent reading this book." Popular Science wrote that Lab Girl was "A scientific memoir that’s beautifully human".
Title: Lab Girl
Content:  Lab Girl is a 2016 memoir by the American geochemist, geobiologist and professor Hope Jahren, published by Alfred A. Knopf. It is the recipient of the National Book Critics Circle Award for Autobiography, a New York Times notable book, winner of the American Association for the Advancement of Science prize for Excellence in Science Books, a finalist for the PEN/E.O. Wilson Literary Science Writing Award, and was named one of the Best Books of the Year by The Washington Post, Time, NPR, Slate, Entertainment Weekly, Newsday, Minneapolis Star Tribune and Kirkus Reviews.
Title: Lab lit
Content: "Lab lit is not science fiction, and in my opinion it’s not historical fiction about actual scientists (though some fictionalized biographies do appear on the list). Instead, in the Web site’s words, it “depicts realistic scientists as central characters and portrays fairly realistic scientific practice or concepts, typically taking place in a realistic — as opposed to speculative or future — world.'" Unlike science fiction, lab lit is generally set in some semblance of the real world, rather than a speculative or future one, and it deals with established scientific knowledge or plausible hypotheses. In other words, lab lit novels are mainstream or literary stories about the practice of 
Title: Lab lit
Content:  Fiction that incorporates real science into works of fiction that are not science fiction has also been referred to as "science in fiction." Frankenstein has been seen as an early precursor., but realistic portrayals of science in fiction were relatively rare throughout most of the twentieth century. An example from the 1950s is Isaac Asimov's A Whiff of Death, and examples from the beginning of the current upsurge include Cantor's Dilemma by Carl Djerassi. The term "lab lit" was coined by Jennifer Rohn in an essay in 2005, along with the launch of the Lablit website. The term began to appear in the cultural pages of science magazines during the first decade of the 21st century and has been championed by such scientist novelists such as Carl Djerassi, Ann Lingard and Jennifer Rohn. An upturn in the publication of lab-lit novels occurred in the 1990s, with five to ten new titles appearing annually in the early two thousands. The reasons for this increase are unclear, but may include factors such as an increased interest in and familiarity with science on the part of the general public, publishers, and established authors.
Title: Laboratory Life
Content:  Laboratory Life: The Construction of Scientific Facts is a 1979 book by sociologists of science Bruno Latour and Steve Woolgar. This influential book in the field of science studies presents an anthropological study of Roger Guillemin's scientific laboratory at the Salk Institute. It advances a number of observations regarding how scientific work is conducted, including descriptions of the complex relationship between the routine lab practices performed by scientists, the publication of papers, scientific prestige, research finances and other elements of laboratory life. The book is considered to be one of the most influential works in the laboratory studies tradition within Science and Technology Studies. It is inspired but not entirely dependent on the ethnomethodological approach. In turn, it served as the inspiration for Actor–network theory (or ANT); many of ANT's core concepts (like transcription, inscription, translation, and the deployment of networks) are present in Laboratory Life.
Title: Benjamín Labatut
Content:  first book he published, "Antarctica Starts Here," a collection of seven stories. Other influences he has recognized include Pascal Quignard, Eliot Weinberger, William Burroughs, Roberto Bolaño, and W. G. Sebald. In 2016, the Hueders publishing house launched After the Light, a book that in the words of Javiera Guajardo "is a journey through incidents in the lives of a diversity of historical figures: Buddhist monks, scientists like Albert Einstein, psychoanalysts like Sigmund Freud, mathematicians like Srinivasa Ramanujan or writers like Jorge Luis Borges, but who have in common the fact that their ideas broke molds and redefined basic conditions in their time. If his 
Title: Bruno Latour
Content:  After his early career efforts, Latour shifted his research interests to focus on laboratory scientists. Latour rose in importance following the 1979 publication of Laboratory Life: the Social Construction of Scientific Facts with co-author Steve Woolgar. In the book, the authors undertake an ethnographic study of a neuroendocrinology research laboratory at the Salk Institute. This early work argued that naïve descriptions of the scientific method, in which theories stand or fall on the outcome of a single experiment, are inconsistent with actual laboratory practice. In the laboratory, Latour and Woolgar observed that a typical experiment produces only inconclusive data that is attributed to failure 
Title: Franco Moretti
Content:  Together with Matthew Jockers, Moretti has founded Stanford Literary Lab in 2010. Already in his Atlas of the European Novel, Moretti approached literature with quantitative methods. The Literary Lab continued this direction of work, but this time – quantifying literature via the tools of digital text analysis. Those methods include counting word frequencies, topic modeling, building character networks, etc. The results of Lab's work were published as Pamphlets of the Literary Lab (the history of how Lab arrived at this unusual publication format is described by Moretti in Pamphlet 12 ). Stanford Literary Lab became one of the pioneering groups pursuing computational criticism, and a visible actor in the new field of digital humanities. Equally novel was the concept of the humanities "lab", as it is mostly associated with hard sciences.

Question: Who is the author of The Lab?
Answer: Jack Heath.