Title: The Clearing (Homeland)
Content:  The episode was written by executive producer Meredith Stiehm, and was directed by John Dahl.
Title: Clear (The Walking Dead)
Content:  "Clear" was directed by Tricia Brock, marking her first directing credit for the series. It was written by supervising producer Scott M. Gimple, marking his fifth writing credit for the series after joining the writing staff in season two. Gimple's appointment to succeed Glen Mazzara as showrunner for season four was announced in February 2013. "Clear" fits at least part of the definition of a "bottle episode," an episode with few regular cast members that takes place in a small number of locations.
Title: The Clearing (Homeland)
Content:  Alan Sepinwall of HitFix called it a "great, resonant, character-focused episode", praising Mandy Patinkin's performance, and highlighting the Carrie/Brody meet up as a "fantastic scene." The A.V. Club's Emily VanDerWerff graded it an "A-," crediting Meredith Stiehm's writing and declaring the episode successful in bringing together several disconnected story lines.
Title: Clear Rivers
Content:  Along with other Final Destination characters, Clear was conceived by series creator Jeffrey Reddick. Ali Larter, who starred in the 1999 film Varsity Blues, was cast as Clear Rivers. Larter stated that she was thrilled to "be playing a more introverted, darker character than [she] was accustomed to at the time". She thought the script was special and turned down all other scripts where she would have been cast in roles such as a cheerleader or a victim. Larter liked the themes of both films and thought they were fascinating within their genre. According to her, the film shows how easy it is to turn on someone and to blame someone when you're scared and about trusting your intuitions and yourself. On the subject of returning for the sequel, Larter was chosen by New Line Cinema over her co-star Devon Sawa, who played as Alex Browning 
Title: Clear Rivers
Content:  the first film. "We’ve brought back Clear in an interesting way and we just felt that to bring both of them back would make you wonder too much just what the hell they’d been doing for the past few months", producer Craig Perry conveyed on developing the cliffhanger of Final Destination. Perry said that bringing back Clear over Alex was due to narrative reasons, stating that there were no financial problems that prevented Sawa from returning. He also observed that Clear is more knowledgeable in terms of mentoring the new protagonist and that she was used as the main link to the original film. Larter was delighted when New Line reinstated her and found it "terrific" that she had some input into the script. As a result, Sawa's character was killed off-screen in Final Destination 2, as divulged by Clear to Kimberly during their first meeting.
Title: Clear Rivers
Content:  Larter defined Clear as a girl who's suffered numerous losses in her life, has fallen into herself, and has made a life within that. She broadened her description as an estranged artist who's holding to her grip for what the world has given her. In the original screenplay of James Wong and Glen Morgan, she is described as the loner in the group who wears dark colors to hide her sex appeal, something she's insecure about. Larter dyed her hair brunette for the majority of the film to suit Clear's gothic outlook. Despite this, Larter reverted to her original blonde hair colour for the film's 
Title: Clear Rivers
Content:  the group" and a girl who's insecure about her sex appeal and tries to hide it with a gothic appearance. Larter described her as someone who's suffered from many losses in her life, causing her to close off from other people. Clear's death occurs in the second installment of the franchise, where she was fatally incinerated in an oxygenated explosion. Along with Tony Todd, Larter is the only actor to reprise their role in the series. The character of Clear has polarized critics, particularly for her characterization, which has earned mixed reviews. However, Larter's portrayal of the character was praised, winning a Young Hollywood Award and earning a nomination for a Blockbuster Entertainment Award.
Title: Clear and Present Danger (film)
Content:  After completing The Hunt for Red October, John McTiernan had wanted to direct an adaptation of Clear and Present Danger, and departed from the production after an early script by John Milius was rejected in favor of Patriot Games. Milius's first draft was more faithful to the original book than the final film, and he later added the sequence where Jack Ryan is ambushed in SUVs. He said that the original ending had Cortez going to Washington to kill the National Security Advisor, only to be killed in a mugging by drug addicts. After Clancy's dissatisfaction with Patriot Games, he was reluctant to allow any further adaptations of his material, but acquiesced after negotiations with Paramount Pictures and a large financial deal. In March 1992, Donald E. Stewart was hired to rewrite Milius's script to provide greater screen time to Jack Ryan. After Clancy openly criticized the script, Steven Zaillian rewrote it further in an attempt to gain his approval. Milius was retained during production to provide consultation on the action scenes.
Title: Clear Rivers
Content:  Clear Rivers made her literary debut in January 2006 when Natasha Rhodes released a novelization of the film entitled Final Destination. The book follows the events of the film, but expands on Clear's backstory regarding her parents. The last adaptation to feature Clear was Final Destination 2; it was released 28 days following its precursor. Likewise co-written by Rhodes and Nancy A. Collins, the novel follows the events of Final Destination 2, with the substitution of a birthday cake in conducting the combustion and the inclusion of a hospital orderly among the victims.
Title: Clear Rivers
Content:  LaSalle of the San Francisco Chronicle noted Larter and Sawa's relationship as appealing as the film progresses. Similarly, Clear also garnered mixed reviews in Final Destination 2. Robert Koehler of Variety said that Larter was cast little light; while Putman of TheMovieBoy.com admired that Larter accurately plays Clear as an emotionally worn-down young woman who may still be alive, but realizes that it is only a matter of time before fate has its way with her. Nevertheless, Putman found her performance short. David Grove of Film Threat stated that she spends the whole movie looking miserable with her frigid acting; and criticized her and 

Question: Who was the screenwriter for The Clearing?
Answer: Justin Haythe.
Pieter Jan Brugge.