Title: Theodora McCormick Du Bois
Content:  short fiction too, beginning with "Thursday and the King and Queen" (Woman's Home Companion, 1920), and including "Devils and Four Gold Cups" (The Century Magazine, 1921), "Eblis" (Harper's, 1926), "Circe" (The Century Magazine, 1927), "King Solomon or the Iceman" (The Century Magazine, 1927), "A Pirate in the Linen Closet" (The Century Magazine, 1927), "Martyrs in the Ice-Box" (The Century Magazine, 1928). About half of Du Bois's books featured the characters Jeffrey McNeill, a forensic scientist, and his wife Anne McNeill, who narrates their mystery-solving adventures. Her unflattering depiction of the House Un-American Activities Committee hearings in Seeing Red (1954) caused her publisher, Doubleday, to stop publishing her books.
Title: DuEwa Frazier
Content:  Frazier is the author of several books of poetry, a children's book, and novels for teens. In addition, Frazier is the editor and publisher of the award-nominated anthology, Check the Rhyme: An Anthology of Female Poets & Emcees (Lit Noire Publishing, 2006). Check the Rhyme Anthology was nominated for both the 2007 NAACP Image Award in Outstanding Literary Work – Poetry and the 2007 AALAS Book Awards in New York. In March 2010, Check the Rhyme received an Honorable Mention for the 17th Annual Writer's Digest International Self Publishing Awards. Frazier wrote and performed the one-woman poetic show Flash Femininity, which featured commentary on women 
Title: D. K. Broster
Content:  Literary historian Jack Adrian describes Couching at the Door as "a pure masterwork, one of the most satisfying weird collections of the century". The poet Patricia Beer was an admirer of Broster's novels, stating she had been fascinated by The Flight of the Heron when she read it aged thirteen.
Title: Bloodhound mysteries
Content:  Duell published an average of nine books per year under their Bloodhound Mysteries imprint. These included a variety of detective fiction sub-genres including suspense & psychological thrillers, locked room mysteries, police procedurals and hardboiled detective stories. The Bloodhound imprint published new works by respected crime novelists in their prime, such as Elizabeth Sanxay Holding, Anthony Boucher, and Lawrence Blochman. Yet the editors and reviewers at Duell, lead by Marie Rodell also specialised in detecting the talent in younger, unproven writers. The most notable example of this is Dorothy B. Hughes, who had only published two volumes of poetry before her first novel The So Blue Marble, launched both her career as 
Title: Thomas Dempster
Content:  were all Scots, and even Boadicea becomes a Scottish author." The last chapter was intended as his autobiography, which Matteo Pellegrini, a friend at Bologna, completed posthumously. Much of what it says about him; for example, that his mother had 29 children and that he himself was one of triplets, is counted as prevarication. The low quality of this work after so much brilliance remains unexplained. ; Some of his Latin verse is printed in the first volume (pp. 306–354) of Delitiae poetarum Scotorum (Amsterdam, 1637). Some of his Latin verse is printed in the first volume (pp. 306–354) of Delitiae poetarum Scotorum (Amsterdam, 1637).  Dempster was equally at home in philology, criticism, law, biography, and history. He was a master of the Latin language and wrote in Latin, as was still the academic custom of the times. His works are: 
Title: Bruce Durie
Content:  Bruce Durie's genealogical and historical works were initially for Sutton Publishing (now The History Press). His interest in Victorian crime is expressed in his loving recreation of the works of J E P Muddock (Dick Donovan), one of the most influential detective story writers and popular before Sherlock Holmes, but now largely forgotten. His own Victorian detective fiction had its first outing with The Murder of Young Tom Morris (Gath-Askelon Publishing, 2004). He also has a series of comic fantasy novels, currently The High History of the Holy Quail and The King of Elfland's Dafter (Gath-Askelon Publishing).
Title: Dumero
Content:  The book was launched as a part of 2020 series of Nepa~laya publication which featured books of four women writers. The other books are Singha Durbarko Ghumne Mech by Dr. Sudha Sharma, Parityakta by Bhuwan Dhungana and Kumari Prashnaharu by Durga Karki. It is the debut novel of the writer.
Title: Guy Burgess
Content:  Indiscretions by Chatto & Windus, London 1990) (Originally published as Tom Driberg: His Life and Indiscretions by Chatto & Windus, London 1990) (Originally published as Tom Driberg: His Life and Indiscretions by Chatto & Windus, London 1990) (Originally published as Tom Driberg: His Life and Indiscretions by Chatto & Windus, London 1990) (Originally published as Tom Driberg: His Life and Indiscretions by Chatto & Windus, London 1990) (Originally published as Tom Driberg: His Life and Indiscretions by Chatto & Windus, London 1990) (Originally published as Tom Driberg: His Life and Indiscretions by Chatto & Windus, London 1990) (Originally published as Tom Driberg: His Life and Indiscretions by Chatto & Windus, London 1990) (Originally published as Tom Driberg: His Life and Indiscretions by Chatto & Windus, London 1990) 
Title: Eileen Dewhurst
Content:  According to Martin Edwards in St. James Guide to Crime and Mystery Writers, Dewhurst favors plots that involve impersonation and disguise, including transvestism. Her writing style is "admirably unfussy", he says, and her stories are inventive rather than formulaic. She takes risks with her plots, and her best novels, such as A Private Prosecution, are "excellent". Her work, though "uneven", he says, "deserves to be better known." The unevenness mentioned by Edwards is noted by others. A reviewer for Publishers Weekly praises Dewhurst for skillfully connecting the plot twists in Now You See Her but finds the "myriad and rapid name and character changes" of the protagonist, Phyllida Moon, "hard to credit." On the other hand, a review of a later Phyllida Moon novel, No Love Lost, praises the character changes as well as the plot: "Brisk dialogue and the complications of Moon's many alter egos add flair to this old-fashioned whodunit." Less impressed with No Love Lost is the reviewer for Kirkus Reviews, who finds Phyllida's alter egos unconvincing. This and other plot twists lead to a denouement "that doesn’t bear close scrutiny."
Title: Trouvère
Content:  accepted and an effort has been made to identify anonymous songs composed by women on the basis of lyrics and contextual clues. The latest monograph on women trouvères identifies eight known by name or title, plus a further six named women who judged jeux partis. The term troveresse has sometimes been used for women trouvères. The lexicographer Frédéric Godefroy defined this Old French word trouverresse as "she who composes, invents", citing a manuscript of a continuation of Robert of Auxerre's Chronicle. The spelling troverresse also appears in the late 14th-century French–Latin dictionary Aalma, where it corresponds to Latin inuentrix (inventor). The eight named women trouvères are: 

Question: Who is the author of Durchmusterung?
Answer: Friedrich Wilhelm Argelander.
Friedrich Wilhelm August Argelander.