Title: Reißt euch los, bedrängte Sinnen, BWV 224
Content:  Reißt euch los, bedrängte Sinnen (You are torn loose, afflicted sinners), BWV 224, is a cantata by Johann Sebastian Bach. He composed it in Leipzig in 1724 for an unknown occasion. The author of the text is unknown and there are only 30 measures of aria for soprano extant, copied by C. P. E. Bach.
Title: Sie werden euch in den Bann tun, BWV 44
Content:  Sie werden euch in den Bann tun (They will put you under banishment), BWV 44, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Exaudi, the Sunday after Ascension, and first performed it on 21 May 1724.
Title: BWV Anh.
Content:  223 ; data-sort-value="457.003" | I ; data-sort-value="1717-07-01" | 1717–1718? ; Cantata Meine Seele soll Gott loben ; B♭ maj. ; I/34 ; by Handel? ; data-sort-value="0224.000" | 224 ; data-sort-value="457.004" | I ; data-sort-value="1732-07-01" | 1732 ; Aria "Reißt euch los, bekränkte Sinnen" (fragment) ; S ; I/41 ; by Bach, C. P. E.?; in SBB P 491 ; - id="BWV Anhang II" style="background: #D8D8D8;" ; data-sort-value="A023.999" | Anh. II ; data-sort-value="459.000" colspan="8" | Works of doubtful authenticity ; data-sort-value="1331a" | Up ↑ ; data-sort-value="0053.000" | 53 ; data-sort-value="459.001" | II ; Aria "Schlage doch, gewünschte Stunde" (Funeral) ; E 
Title: Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205
Content:  Zerreißet, zersprenget, zertrümmert die Gruft (Destroy, burst, shatter the tomb) or Der zufriedengestellte Aeolus (The contented Aeolus), BWV 205.1, BWV 205, is a secular cantata or dramma per musica by Johann Sebastian Bach. It was written for the name day of August Friedrich Müller, and was first performed on 3 August 1725. The libretto by Picander is based on Greek mythology.
Title: Es reißet euch ein schrecklich Ende, BWV 90
Content:  Johann Sebastian Bach composed the church cantata Es reißet euch ein schrecklich Ende (A horrible end will carry you off), BWV90, in Leipzig for the 25th Sunday after Trinity and first performed it on 14 November 1723.
Title: Warum sollt ich mich denn grämen
Content:  6462 is the variant Johann Sebastian Bach used in Part III of his Christmas Oratorio, with the 15th stanza of Gerhardt's hymn "Fröhlich soll mein Herze springen" ("Ich will dich mit Fleiß bewahren") as text. This version of the melody, a simplification of the Zahn 6461 melody, was first published in 1769 as No. 143 in the second volume of Bach's four-part chorales published by Birnstiel, and is thus attributed to Bach. "Warum sollt ich mich denn grämen", BWV 422, is another four-part chorale harmonisation by Bach of the same tune. Max Reger composed a chorale prelude as No. 43 of his 52 Chorale Preludes, Op. 67 in 1902.
Title: Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172
Content:  Erschallet, ihr Lieder, erklinget, ihr Saiten! (Resound, you songs; ring out, you strings!), BWV 172, is a church cantata by Johann Sebastian Bach, composed in Weimar for Pentecost Sunday in 1714. Bach led the first performance on 20 May 1714 in the Schlosskirche, the court chapel in the ducal Schloss. Erschallet, ihr Lieder is an early work in a genre to which he later contributed complete cantata cycles for all occasions of the liturgical year. Bach was appointed Konzertmeister in Weimar in the spring of 1714, a position that called for the performance of a church cantata each month. He composed Erschallet, ihr Lieder as the third cantata in the 
Title: Klagt, Kinder, klagt es aller Welt, BWV 244a
Content:  Klagt, Kinder, klagt es aller Welt (Cry, children, cry to all the world), also known as Köthener Trauermusik (Köthen funeral music), BWV 1143, BWV244a, is a cantata by Johann Sebastian Bach. He composed it in 1729 for the funeral of Leopold, Prince of Anhalt-Köthen. The music is lost, but the libretto survives. As Bach is known to have used musical material which also appeared in two surviving works, one being the St Matthew Passion, it has been possible to make reconstructions. The cantata is in 24 movements (choruses, arias and recitatives) divided into four parts. The first deals with the principality in mourning, the second the prince's departing and the salvation of his soul. The third part, followed by a homily, details Leopold's commemoration. The final section is about the farewell and about eternal rest.
Title: Erfreut euch, ihr Herzen, BWV 66
Content:  The exuberant first movement was derived from the final movement of the secular cantata. It opens with a virtuoso orchestral introduction of 24 measures, depicting vital joy. First the alto shouts: "Erfreut euch, ihr Herzen" (Rejoice, you hearts), the tenor continues "Entweichet, ihr Schmerzen" (fade away, you sorrows), then all voices proclaim in homophony: "Es lebet der Heiland und herrschet in euch" (the Savior lives and rules within you). The middle section is given mostly to alto and tenor, who illustrate mourning and fear in a sorrowful "series of poignant descending chromatic passages and suspensions", although the words speak of the chasing away these moods: "Ihr könnet verjagen das 
Title: Weinen, Klagen, Sorgen, Zagen, BWV 12
Content:  Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV12, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for Jubilate, the third Sunday after Easter, and led the first performance on 22 April 1714 in the Schlosskirche, the court chapel of the Schloss in Weimar. Bach was appointed Konzertmeister in Weimar in the spring of 1714, a position that called for the performance of a church cantata each month. He composed Weinen, Klagen, Sorgen, Zagen as the second cantata in the series, on a text probably written by court poet Salomon Franck. The work is structured in seven movements, an instrumental Sinfonia, 

Question: Who was the composer of Reißt euch los, bedrängte Sinnen, BWV 224?
Answer: Johann Sebastian Bach.
Bach.
J.S. Bach.
J. S. Bach.
J S Bach.