Title: The Treatment (2006 film)
Content:  The Treatment won in the category of Best New York Narrative at the 2006 Tribeca Film Festival. John Zorn who composed the score for the film won a MacArthur Foundation, the "Genius" award for his music in 2006. The album, titled Filmworks XVIII: The Treatment features a full score for film by John Zorn. The album was released on Zorn's own label, Tzadik Records.
Title: Filmworks XVIII: The Treatment
Content:  Filmworks XVIII: The Treatment features a score for film by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 2006 and contains music that Zorn wrote and recorded for the romantic comedy, The Treatment (2006), directed by Oren Rudavsky.
Title: Filmworks XVIII: The Treatment
Content:  The Allmusic review by Thom Jurek awarded the album 4 stars stating "This plays, as have all of Zorn's scores of late, like a piece, a gorgeous piece of divinely inspired tight writing that brings not only the Argentinean tango to mind, but also klezmer, Yiddish folk music, and even cantorial music. There is a bit of Radical Jewish Culture in everything Zorn writes, and this set is a furthering of his own vision. Suffice it to say, and even though he doesn't let on in the liner notes, his scoring of The Treatment may have even surprised the composer himself". John Zorn who composed the score for the film won a MacArthur Foundation, the "Genius" award for his music in 2006.
Title: Filmworks XVIII: The Treatment
Content: 1) "The Treatment" - 3:34 ; 2) "Romance" - 5:10 ; 3) "Why Me?" - 3:56 ; 4) "Family" - 2:15 ; 5) "Marking Time" - 4:53 ; 6) "Anxieties" - 5:00 ; 7) "Freud's Rondo" - 4:26 ; 8) "Totem and Taboo" - 6:55 ; 9) "Rush Hour" - 3:47 ; 10) "Bad Dreams" - 1:20 ; 11) "Uncertainty" - 6:24 ; 12) "Happy Ending" - 2:44 All compositions by John Zorn
Title: Filmworks XVIII: The Treatment
Content: Shanir Ezra Blumenkranz - bass ; Rob Burger - accordion ; Mark Feldman - violin ; Kenny Wollesen - vibraphone ; Marc Ribot - guitar 
Title: Quatermass and the Pit (film)
Content:  Tristram Cary was chosen to provide the score for Quatermass and the Pit. He developed an interest in electronic music while serving in the Royal Navy as an electronics expert working on radar during the Second World War. He became a professional composer in 1954, working in film, theatre, radio and television, with credits including The Ladykillers (1955). He said of his assignment, "I was not mad about doing the film because Hammer wanted masses of electronic material and a great deal of orchestral music. But I had three kids, all of which were at fee-paying schools, so I needed every penny I could get!". Cary also recalled that, "The main use of 
Title: The Tournament (2009 film)
Content:  Laura Karpman composed the musical score, with additional music by George Acogny, John Hunter and James Edward Barker. The film also contained music from: Ruth Jacott, Fabian "R-CANE" Schlosser, Kevin Hissink and El Rod.
Title: Death of a Corrupt Man
Content:  The film score was composed and arranged by Philippe Sarde and features saxophonist Stan Getz fronting the London Symphony Orchestra and the soundtrack album was first released on the French Melba label. Allmusic's Yuri German noted, "Film director Georges Lautner, who worked with Philippe Sarde on a dozen films, said that he was always impressed by the composer's ability to find an original musical approach to each picture. This time, Sarde, who always closely follows the editing process, suggested that they needed a strong soloist, preferably a tenor saxophone player, who would serve as a musical counterpart for the actor Alain Delon's famous good looks. Being a 
Title: The Blood on Satan's Claw
Content:  The film's score was composed by Marc Wilkinson, an Australian composer who had previously worked alongside Haggard at the National Theatre. "[He] had a wonderful command of strange sounds," said the director. "He wasn't somebody who would ever give you a stock sound. And I think he absolutely excelled himself. It's certainly one of the best scores I've ever had for a film."
Title: The Berlin Government District Part 1: 1932–1938
Content:  The soundtrack of the film was composed and played by Lorraine Shannon and Robert Sch√∂der. Both musicians are members of SAMRO, the Southern African Music Rights Organisation. Primary the music is pianomusic accompanied by many strings.

Question: Who was the composer of The Treatment?
Answer: John Zorn.