Title: Kammermusik (Hindemith)
Content:  Kleine Kammermusik (Small Chamber Music or Little Chamber Music ), Op. 24, No. 2, was composed in 1922 for wind quintet. It is structured in five movements: 1. Lustig. Mäßig schnell Viertel (merry. moderately fast quarter-notes) 2. Walzer: Durchweg sehr leise (waltz: consistently very soft) 3. Ruhig und einfach (calm and simple) 4. Schnelle Viertel (fast quarter notes) 5. Sehr lebhaft (very lively) Hindemith composed the work for the Frankfurter Bläser-Kammermusikvereinigung (Frankfurt Wind Chamber Music Association), one of the first wind ensembles in Germany, and dedicated it to them. He took some material from the earlier work, Kammermusik No. 1, compared to which this was named Kleine. The music was premiered in Cologne on 13 June 1922 as part of the second Rheinisches Kammermusikfest (Rhenish Chamber Music Festival) by the Frankfurter Bläser-Kammermusikvereinigung. The duration is given by the publisher Schott as 13 minutes.
Title: Kammermusik (Hindemith)
Content:  Kammermusik No. 2, Op. 36, No. 1, was composed in 1924 as a chamber piano concerto, for piano and 12 instruments. The title on the composer's score is Kammermusik II (Klavierkonzert). It is structured in four movements: 1. Sehr lebhafte Achtel (very lively eighth notes) 2. Sehr langsame Achtel (very slow eighth notes) 3. Kleines Potpourri: Sehr lebhafte Viertel (little potpourri: very lively quarter notes) 4. Finale: Schnelle Viertel (fast quarter-notes) The piano part is not in the tradition of virtuoso pianism, but returns to mostly two-part writing, similar to Bach's Inventions. It is an early work in neo-Bachian style. The work is dedicated to the pianist who was soloist in the premiere: "For Emma Lübbecke-Job". It was premiered in Frankfurt on 31 October 1924, with the Frankfurter Museumsorchester conducted by Clemens Krauss.
Title: Kammermusik (Hindemith)
Content:  Kammermusik No. 1, Op. 24, No. 1 was composed in 1922, set for flute, clarinet, bassoon, trumpet, accordion, piano, string quintet and percussion. It is structured in four movements: 1. Sehr schnell und wild (very fast and wild) 2. Mäßig schnell Halbe (moderately fast half-notes) 3. Quartett: Sehr langsam und mit Ausdruck (quartet: very slow and with expression) 4. Finale 1921: Lebhaft (lively) It is dedicated to the Prince of Fürstenberg, "Dedicated to His Highness the Prince of Fürstenberg". The composition was premiered in Donaueschingen on 31 July 1922 as part of the second Donaueschingen Chamber Music Festival, conducted by Hermann 
Title: Kammermusik (Hindemith)
Content:  used wind instruments. He utilized wind instruments in both works from Op. 24, with Kleine Kammermusik, Op. 24, No. 2, being a wind quintet for flute, oboe, clarinet, horn and bassoon. This work was experimenting with jazz and looking towards his colleague and friend Igor Stravinsky, who coincidentally also explored jazz with his Three Pieces for Solo Clarinet (1918). Its third movement was the result of a letter he received from an American composer describing jazz. In Hindemith's Kleine Kammermusik, Op. 24, No. 2, the composer alludes to Stravinsky by utilizing repeated patterns, similar to repetitive patterns in a groove-like 
Title: Klaviermusik mit Orchester
Content:  Hindemith composed the music in 1923 to a commission by the pianist Paul Wittgenstein. He and his brother, the philosopher Ludwig Wittgenstein, belonged to a wealthy family of industrialists in Vienna. Paul Wittgenstein lost his right arm in the World War. To continue his career, he arranged works for left hand alone, and he commissioned left-hand piano pieces from leading composers of the 1920s, for his exclusive use, including Benjamin Britten, who composed Diversions, Erich Korngold's Piano Concerto for the Left Hand, Ravel's Piano Concerto for the Left Hand, Prokofiev's Piano Concerto No. 4, works by Franz Schmidt, and Parergon and Panathenäenzug by Richard Strauss. Hindemith was regarded as a promising young 
Title: Kammermusik (Hindemith)
Content:  Kammermusik No. 3, Op. 36, No. 2, was written in 1925, like a cello concerto for cello and ten instruments. The title of Hindemith's score reads: Paul Hindemith op 36 II / Kammermusik No III / für obligates Violoncello und zehn Soloinstrumente. It is structured in four movements: 1. Majestätisch und stark. Mäßig schnelle Achtel (majestic and strong: moderately fast eighth-notes) 2. Lebhaft und lustig (lively and merry) 3. Sehr ruhige und gemessen schreitende Viertel (very calm and measuredly striding quarter-notes) 4. Mäßig bewegte Halbe. Munter, aber immer gemächlich (very agitated half-notes. Cheerful, but always leisurely It is dedicated: "For Elsa and Willi Hof". It was premiered in Bochum on 30 April 1925 by members of the municipal orchestra (Städtisches Orchester Bochum), conducted by the composer, with his brother Rudolf Hindemith as the cellist.
Title: Klaviermusik mit Orchester
Content:  Klaviermusik mit Orchester (Piano music with orchestra), Op. 29, is a 1923 piano concerto by Paul Hindemith. Subtitled Klavier nur linke Hand, it is a piano concerto for the left hand alone. It was commissioned by the pianist Paul Wittgenstein, who lost his right arm in the World War. He never played the piece, and when he died, his widow refused access to the score. The premiere, after her death, was played in Berlin in 2004, with Leon Fleisher as the soloist and the Berlin Philharmonic conducted by Simon Rattle. It was published by Schott.
Title: Pauline Volkstein
Content: 12 Folksongs (see External Links) ; 12 Lieder ; 12 Lieder (piano setting by Justus Hermann Wetzel) ; 20 Songs with Guitar Accompaniment ; 24 Folksongs with Simple Accompaniment ; Bloom, Dear Violet (arranged by Armin Knab) ; Jungfrau Zimperlich (text by Ludwig Pfau) ; Melodies (piano setting by Justus Hermann Wetzel) ; New Folksongs (1922) ; Piano compositions ; Spinning Song (arranged by Armin Knab) Pauline Volkstein (19 January 1849 – 6 May 1925) was a German composer of over 1,000 songs. Volkstein was born in Quedlinburg. She had little formal music training, but came from a musical family. Her mother had studied counterpoint with Friedrich Schneider, and her uncle was cellist and composer Bernhard Cossmann. Volkstein lived in Paris, Dresden, Murano, and Naples before settling in Weimar with her sister 
Title: Kammermusik (Hindemith)
Content:  After the premiere, Hindemith was stamped "the badboy" of the music of the 1920s. A reviewer wrote: "We've reached it at last! Modern German music has finally managed to embrace today's lifestyle having its fling at its most frivolous and vulgar. The man who brought about this wonder is the composer Paul Hindemith in his Kammermusik op. 24/1. One is confronted with a kind of music the likes of which no German composer with an artistic attitude has ever even dared think about, let alone write, music of a lewdness and frivolity only possible for a very special kind of composer."
Title: Kammermusik (Hindemith)
Content:  Kammermusik No. 4, Op. 36, No. 3, was written in 1925, like a violin concerto for violin and a larger chamber orchestra. The title of Hindemith's score reads Paul Hindemith Op 36 3 | Kammermusik No IV | für Solo-Violine und grösseres Kammerorchester. It is structured in five movements: 1. Signal: Breite, majestätische Halbe (broad majestic half-notes) 2. Sehr lebhaft (very lively) 3. Nachtstück: Mäßig schnelle Achtel (nocturne: moderately fast eighth-notes) 4. Lebhafte Viertel (lively quarter notes) 5. So schnell wie möglich (as fast as possible) Hindemith wrote in his catalogue that he enjoyed writing this work very much. He scored it for extreme registers, high piccolo flutes and low contrabassoon, bass tuba and four double basses, for a piercing tutti sound. The music is dedicated: "Yashnykneshpeff for a dear lion's birthday" ("Yashnykneshpeff für eines lieben Löwen Geburtstag"). It was premiered in Dessau on 17 September 1925 for the opening concert of the concert series of the Friedrich Theatre, conducted by Franz von Hoesslin, with violinist Licco Amar as the soloist.

Question: Who was the composer of Das neugeborne Kindelein, BWV 122?
Answer: Johann Sebastian Bach.
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J.S. Bach.
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