Title: Adele Romanski
Content:  In January 2017 it was announced Romanski would be an executive producer on season 2 of The Girlfriend Experience. She produced Under the Silver Lake, which was released in 2018. She was instrumental in instigating Barry Jenkins' sophomore feature, Moonlight, including getting him to decide on concepts, scouting locations and recommending Mahershala Ali for the role of Juan. She won an Academy Award for Best Picture for producing her 2016 film Moonlight. In addition to producing, Romanski has also written and directed the 2012 film Leave Me Like You Found Me. In February 2018, she was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Title: Center for Subjectivity Research
Content:  directors, to developing a closer relation between research and film, CFS worked with the Danish Film Institute, Creative Media Desk Denmark, and Signe Byrge Sørensen from Final Cut for Real. Film directors include Phie Ambo, Joshua Oppenheimer, and Janus Metz. ; As a scientific advisor Kristian Moltke Martiny, then PhD fellow at CFS, was part of the team behind the documentary film Natural Disorder (premiered fall 2015), about living with cerebral palsy, directed by Danish documentarist Christian Sønderby Jepsen and with Jacob Nossell (known from The Red Chapel) as the lead character. Martiny also worked as scientific advisor on an experimental theater play called "Human Afvikling", which premiered on 
Title: Bill Pohlad
Content: Old Explorers (1990) - director, writer, producer ; Brokeback Mountain (2005) - executive producer ; Fur (2006) - producer ; Chicago 10 (2007) - executive producer ; Into the Wild (2007) - producer ; Food, Inc. (2008) - executive producer ; The Runaways (2010) - producer ; Fair Game (2010) - producer ; The Tree of Life (2011) - producer ; 12 Years a Slave (2013) - producer ; Wild (2014) - producer ; Love & Mercy (2014) - director, producer ; Time Out of Mind (2014) - producer ; A Monster Calls (2016) - executive producer ; American Utopia (2020) - executive producer 
Title: Mercury Theatre
Content:  technicolour cameras to film the carnival, and he could decide how to use the film later. Studio director Norman Foster was heavily involved in both projects. Officially, he was the sole director of Journey into Fear. However, studio documentation and photographs show Welles directing that film (often in costume for his supporting role as "Colonel Haki"), and fuelled by amphetamines, he was directing Ambersons in the day and Journey at night. He finished his Journey scenes in the small hours of the morning he left for Brazil, and Foster directed the rest of the film to Welles's specific instructions. RKO found Journey into Fear 
Title: Rolex
Content:  has been filmed in the homonymous documentary that was shot in the Red Sea and the Dahlak Islands and presented at the 15th Venice International Film Festival in 1954. The expedition included commander Raimondo Bucher as director of the sports section, accompanied by his wife Enza, Italian underwater hunting champion, Silverio Zecca, known as the amphibious man, the painter Priscilla Hastings, who would make her own works directly on the sea bed, the journalist Gianni Roghi, the hydrobiologists Francesco Baschieri Salvadori and Luigi Stuart Tovini of the University of Rome, dr. Alberto Grazioli, expedition doctor, film operator Masino Manunza and photographer 
Title: Night Will Fall
Content:  Arabs in Palestine, then a League of Nations mandate under British control. The director Alfred Hitchcock was recruited for the film. The documentary includes a recording of an interview with him about this project. While he worked on it a short time, commentators believe that he strongly influenced its shape and expression. This documentary also includes clips of interviews with surviving cameramen who had filmed at the concentration camps after, or during, liberation. It recounts the production of German Concentration Camps Factual Survey, which included the assembling of a team that included "perhaps the best known film editor in London," Stewart McAllister, Hitchcock and Richard Crossman.
Title: Encounters at the End of the World
Content:  Herzog was drawn to Antarctica after viewing underwater footage filmed by Henry Kaiser. Kaiser was working on music for Herzog's Grizzly Man and was showing the footage to a friend when Herzog noticed it. Kaiser had been to Antarctica on scientific diving expeditions, as well as with the National Science Foundation's Antarctic Artists and Writers Program for his "Slide Guitar Around the World" project. Within two years, Herzog had released The Wild Blue Yonder, which made prominent use of Kaiser's footage. The film was shot in Antarctica as part of the National Science Foundation's Antarctic Artists and Writers Program. The entire film crew consisted of Herzog, who recorded all production sound, and cinematographer Peter Zeitlinger. The two went to Antarctica without any opportunity to plan filming locations or interview subjects, 
Title: From Beyond the Grave
Content:  Kevin Connor says that he got the job as director after Milton Subotsky read some scripts he had adapted with some friends. Subotsky took four of them, linked them, and offered Connor the job. Connor pointed out that he had never directed a film before, but Subotsky argued that editors made the best directors. Connor says that the film's budget was "miniscule [sic]. In the early 70s the film business was in the doldrums and we could get a superb cast for almost minimum Equity." It was one of a number of horror movies starring Diana Dors.
Title: Ida Lupino
Content:  of publicity, and she was invited to discuss the film with Eleanor Roosevelt on a national radio program. Never Fear (1949), a film about polio (which she had personally experienced at age 16), was her first director's credit. The film was noticed by Howard Hughes, who was looking for suppliers of low-budget feature films for distribution by his recently acquired RKO Pictures. Hughes agreed to put up financing and distribute The Filmakers’ next three features through RKO, leaving The Filmakers total control over the content and the production of the films. After producing four more films about social issues, including 
Title: Norman Foster (director)
Content:  film. A co-production of RKO Pictures and the Office of the Coordinator of Inter-American Affairs, the non-commercial project was later terminated by RKO. As Welles prepared to go to Brazil to film the Rio Carnival for It's All True, he temporarily suspended "Bonito" (for which filming was never completed) so Foster could return to Hollywood to direct Journey into Fear (1943). Welles played a small on-screen role in the Mercury Production, and denied that he took over direction of the film himself. Some of Foster's other directorial efforts include Kiss the Blood off My Hands (1948), Rachel and the Stranger (1948), Woman on the Run (1950) and The Sign of Zorro (1958). He directed the Davy 

Question: Who was the director of Experience?
Answer: George Fitzmaurice.