Title: Come and Get It (1936 film)
Content:  and early Nineties has been reproduced handsomely in the settings and costumes and . . . it never fails to reward your attention. There's nothing static about this one, thanks to Howard Hawks and William Wyler, the directors; to Gregg Toland's photography, and to the work of a uniformly fine cast." He concluded, "You won't find Come and Get It a thoroughly Ferber work, but enough of her has been retained and enough good Goldwyn added to make it a genuinely satisfying picture." British Channel 4 observed, "It's a minor Hawks, to be sure, and the action does tend to lag at times, but the fine performances from Farmer, Brennan and McCrea are what make it."
Title: Come and Get It (1936 film)
Content:  Come and Get It is a 1936 American drama film directed by Howard Hawks and William Wyler. The screenplay by Jane Murfin and Jules Furthman is based on the 1935 novel of the same title by Edna Ferber. For his performance, Walter Brennan as Swan Bostrom, became the first recipient of the Academy Award for Best Supporting Actor.
Title: Come and Get It (1929 film)
Content:  Come and Get It is a lost 1929 American silent action film directed by Wallace Fox and starring Bob Steele, James Quinn, and Betty Welsh. Shortly after the film's production, FBO was merged into the larger RKO Pictures. The film was released in Britain by Ideal Films.
Title: Come and Get It (novel)
Content:   Come and Get It is a 1935 novel by American author Edna Ferber. A film version with the same title was produced in 1936.
Title: Come and Get It (1936 film)
Content:  relented but only when Goldwyn agreed to give Hawks top billing. Wyler never considered Come and Get It a part of his filmography and disowned it whenever he could, although it greatly pleased Ferber, who praised Goldwyn "for the courage, sagacity, and power of decision" he demonstrated by "throwing out the finished Hawks picture and undertaking the gigantic task of making what amounted to a new picture." Exterior scenes were filmed along the North Fork Clearwater River in Idaho. The soundtrack includes "Aura Lea" by George R. Poulton and W. W. Fosdick and "The Bird on Nellie's Hat" by Alfred Solman and Arthur J. Lamb.
Title: Come and Get It (1936 film)
Content:  Samuel Goldwyn paid $150,000 for the screen rights to the Edna Ferber novel, who sold it to him confident he understood she had intended it to be "primarily a story of the rape of America . . . by the wholesale robber barons of that day." Goldwyn was attracted to the melodramatic Barbary Coast-like aspects of the story, which prompted him to hire that film's director, Howard Hawks, to bring Come and Get It to the screen. He also was intrigued by the fact Hawks' grandfather had served as the basis for the character of Barney Glasgow. Ferber had approved Jane Murfin's script, which Hawks found 
Title: Come and Get It (1936 film)
Content: Edward Arnold as Barney Glasgow ; Frances Farmer as Lotta Morgan/Lotta Bostrom ; Walter Brennan as Swan Bostrom ; Joel McCrea as Richard Glasgow ; Mady Christians as Karie ; Mary Nash as Emma Louise Glasgow ; Andrea Leeds as Evvie Glasgow ; Charles Halton as Jed Hewitt ; Frank Shields as Tony Schwerke ; Edwin Maxwell as Sid LeMaire ; Cecil Cunningham as Josie ; Heinie Conklin as Barfly (uncredited) ; Harry Tenbrook as Lumberjack (uncredited) ; Fred Toones as Snowflake (uncredited) 
Title: Come and Get It (1936 film)
Content:  and he persuaded her and Goldwyn to allow him to bring in Jules Furthman to work on a rewrite. Goldwyn announced Miriam Hopkins would play the dual roles of Lotta Morgan and Lotta Bostrom, but Hawks was not happy with his choice. He looked at numerous screen tests of aspiring starlets and finally settled on Andrea Leeds, who previously had played minor or uncredited roles in a handful of films. Eventually he replaced her with the even less experienced Frances Farmer and cast Leeds in the supporting role of Ewie Glasgow, Richard's younger sister, instead. Goldwyn tried to borrow Spencer Tracy from MGM for the lead 
Title: Come and Get It (1936 film)
Content:  the studio, Goldwyn viewed a rough cut of the film and was shocked to discover Hawks had shifted the focus from the unbridled destruction of the land to a love triangle in which brawling Barney Glasgow and Swan Bostrom vied for the affections of lusty Lotta Morgan. The character of Richard Glasgow, intended to be the second lead, barely was in the film, which was cluttered with Hawks-like improvised bits of business. When the director refused to comply with Goldwyn's demands for major changes, the producer fired Hawks from the project. William Wyler had begun post-production work on Dodsworth when he was summoned to Goldwyn's 
Title: Come and Get It (1936 film)
Content:  and told he would be completing Come and Get It. Wyler was loath to take over a film started by someone else, but Goldwyn threatened him with suspension if he refused to accept the assignment. He did so reluctantly, and in later years he recalled, "I was talked into doing it, and I've been sorry about that ever since. The picture wasn't very good." Wyler spent two weeks filming what amounted to about the final third of the completed film. He strongly objected to Goldwyn's desire to give him sole directing credit, and preferred his name not be attached to the film at all. He 

Question: Who was the director of Come and Get It?
Answer: William Wyler.
Wilhelm Weiller.
Howard Hawks.
Howard Winchester Hawks.