Title: The Long Goodbye (film)
Content:  They commissioned the screenplay from Leigh Brackett, who had been Kastner's client when he was an agent and had written the script for the Humphrey Bogart version of The Big Sleep. Brackett: "... set the deal with United Artists, and they had a commitment for a film with Elliott Gould, so either you take Elliott Gould or you don't make the film. Elliott Gould was not exactly my idea of Philip Marlowe, but anyway there we were. Also, as far as the story was concerned, time had gone by—it was twenty-odd years since the novel was written, and the private eye had become a cliché. It had become funny. You had to watch out what you were doing. If you had Humphrey Bogart at the same 
Title: It's a Wonderful Life
Content:  So my wife said, 'We're finished right now.' We quickly wrote out the last scene and we never saw him again after that. He's a very arrogant son of a bitch." Later, a dispute ensued over the writing credits. Capra said, "The Screen Writers' Arbitration committee decided that Hackett and Goodrich and I should get the credit for the writing. Jo Swerling hasn't talked to me since. That was five years ago." The final screenplay, renamed by Capra It's a Wonderful Life, was credited to Goodrich, Hackett, and Capra, with "additional scenes" by Jo Swerling. Seneca Falls, New York, 
Title: Good Will Hunting
Content:  ought to end with Will's decision to follow his girlfriend Skylar to California, not them leaving together. At Reiner's request, screenwriter William Goldman read the script. Goldman consistently denied the persistent rumor that he wrote Good Will Hunting or acted as a script doctor. In his book Which Lie Did I Tell? Goldman jokingly writes, "I did not just doctor it. I wrote the whole thing from scratch," before dismissing the rumor as false and saying his only advice was agreeing with Reiner's suggestion. Affleck and Damon proposed to act in the lead roles, but many studio executives said they 
Title: Hello, Goodbye, and Everything In Between
Content:  In September 2020, Talia Ryder and Jordan Fisher joined the cast of the film, with Michael Lewen set to make his directorial debut, from a screenplay by Ben York Jones and Amy Reed, based upon the novel of the same name by Jennifer E. Smith, with Fisher set to serve as an executive producer. In October 2020, Ayo Edebiri, Nico Hiraga, Jennifer Robertson, Patrick Sabongui, Eva Day, Julia Benson, Dalias Blake, Sarah Grey and Djouliet Amara joined the cast of the film.
Title: The Long Goodbye (film)
Content:  The Long Goodbye is a 1973 American neo-noir  thriller film directed by Robert Altman and based on Raymond Chandler's 1953 novel. The screenplay was written by Leigh Brackett, who co-wrote the screenplay for Chandler's The Big Sleep in 1946. The film stars Elliott Gould as Philip Marlowe and features Sterling Hayden, Nina Van Pallandt, Jim Bouton (in a rare acting role), Mark Rydell and an early uncredited appearance by Arnold Schwarzenegger. The story's period was moved from 1949–50 to 1970s Hollywood. The Long Goodbye has been described as "a study of a moral and decent man cast adrift in a selfish, self-obsessed society where lives can be thrown away without a backward glance ... and any notions of friendship and loyalty are meaningless." In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Title: Goodbye Love (film)
Content: "Goodbye Love" (Written by Con Conrad, Archie Gottler and Sidney D. Mitchell) 
Title: Hello, Goodbye, and Everything In Between
Content:  Hello, Goodbye, and Everything In Between is an upcoming American drama film directed by Michael Lewen, in his directorial debut, from a screenplay by Ben York Jones and Amy Reed. It is based upon the novel of the same name by Jennifer E. Smith. It stars Talia Ryder, Jordan Fisher, Ayo Edebiri, Nico Hiraga, Jennifer Robertson, Patrick Sabongui, Eva Day, Julia Benson, Dalias Blake, Sarah Grey and Djouliet Amara.
Title: All Good Things (film)
Content:  The screenplay for All Good Things was written by Marcus Hinchey and Marc Smerling as a narrative loosely based on the events in the life of Robert Durst, a New York City real estate heir whose first wife, Kathleen McCormack, disappeared in 1982. The film's title refers to a health food store of the same name which Durst and McCormack had established in the 1970s. After the script was completed and Andrew Jarecki had agreed to direct, Ryan Gosling was attached to star and Kirsten Dunst was in negotiations by late January 2008. By early April, Frank Langella was in final negotiations with the film's producers to join. Soon after, The Weinstein Company closed a deal to distribute All Good Things, and 
Title: The Long Goodbye (film)
Content:  It took a number of years for a film of The Long Goodbye to be made, although there had been a television production in 1954 with Dick Powell. By the time of Chandler's death, the only novels of his that had not been made into films were The Long Goodbye and ''Playback. In October 1965 it was announced the rights to Goodbye were held by producers Elliott Kastner and Jerry Gershwin who would make it the following year in Los Angeles and Mexico. In 1967 producer Gabriel Katzka had the rights. He wanted to make it as a follow up to their adaptation of The Little Sister (which became Marlowe). Stirling Silliphant, who wrote Marlowe, did a script. However the film was not made and MGM let their option lapse. Producers Jerry Bick and Elliott Kastner bought the rights back and made a production deal with the United Artists distribution company for them to finance. Sales of Chandler had been consistent over the years and in the early 1970s the author's books were selling as much as when Chandler was alive.
Title: Such Good Friends
Content:  in early 1971, Elaine May, his original choice for screenwriter, became available. May worked on the script for ten weeks, although Preminger found it difficult to adjust to her method of writing. The two would meet for a story conference, then May would disappear and remain incommunicado for two weeks or so, finally emerging with a substantial part of the screenplay completed. Preminger would give her notes and she would disappear again, and this routine continued until the script was finished. Not wanting her name attached to work started by others, May insisted she did not want screen credit and used the pseudonym Esther Dale, the name of a Hollywood character actress, instead of her 

Question: Who was the screenwriter for Get Well Soon?
Answer: Jean Becker.