Title: The Circus (1928 film)
Content:  In 1947, Hanns Eisler worked on music for the film. Eisler then used the music he composed for his Septet No. 2 ("Circus") for flute and piccolo, clarinet in B flat, bassoon, and string quartet. Eisler's sketch of scene sequences and rhythms is in the Hans Eisler Archive in Berlin. In 1967, Chaplin composed a new musical score for the film and a recording of him singing "Swing Little Girl" playing over the opening credits. A new version of the film opened in New York on December 15, 1969, with the new score. It was released in London in December 1970.
Title: The Circus Bee
Content:  "The Circus Bee" is a circus march, or screamer, composed by Henry Fillmore in February 1908. It is a technically advanced composition and is used as openers and encores in concerts. "The Circus Bee" was a celebration of sorts for the fact that Henry Fillmore and his father, who managed their publishing business, finally agreed that the young composer could publish his music "at home" even though it did not meet the elder Fillmore's standard of being religious music. The march is named after an imaginary circus newspaper and reflects Fillmore's lifelong interest in circuses and his varied experiences while touring with five different big top shows.
Title: Circus music
Content:  Although circuses have been in existence since the time of the ancient Romans, circus music first started as a performance by a fiddler or a flutist. It was not until the twentieth century that circus music was performed by big bands. The first modern circus director and performer was Philip Astley (1742–1814), a veteran of the Seven Years' War and a skilled equestrian. With his horsemanship skills and the addition of jugglers, acrobats, and clowns, Astley opened Paris's first circus in 1782. The first known composer of circus music was Charles Dibdin (1745–1814). He was partners with Astley and was also the one who financed the theatre used for 
Title: The Circus (1928 film)
Content:  The Circus finally premiered in New York City on January 6, 1928, at the Strand Theatre, and in Los Angeles on January 27 at Grauman's Chinese Theatre. It came right at the beginning of the sound film era, with the very first feature sound film, The Jazz Singer (1927), having been released just months earlier. Chaplin composed a new score for the film in 1967, and this new version of the film (see below) was copyrighted in 1968 (to "The Roy Export Company Establishment") and released in 1969/70.
Title: Circus (1936 film)
Content:  Circus (Цирк; translit. Tsirk) is a 1936 Soviet melodramatic comedy musical film. It was directed by Grigori Aleksandrov and Isidor Simkov at the Mosfilm studios. In his own words, it was conceived as "an eccentric comedy...a real side splitter." Starring the glamorous and immensely popular Lyubov Orlova (Aleksandrov's wife), the first recognized star of Soviet cinema and a gifted singer, the film contains several songs which instantly became Soviet classics. The most famous is the "Song of the Motherland" (Широка страна моя родная). ISWC code for film music: T-926.406.620-8 The film was based on a comedy written by Ilf and Petrov and Valentin Kataev and performed by Moscow music hall, Under the Circus Dome (Под куполом цирка), which was seen and liked by Aleksandrov. They made the play into the plot, but during the initial film shooting they went to America. Upon return, they disliked the director's interpretation, and after a conflict they abandoned the work, forbade the mention of their names in the credits, and further work on the plot was continued by Isaac Babel.
Title: Circus Polka
Content:  Circus Polka: For a Young Elephant was written by Igor Stravinsky in 1942. He composed it for a ballet production that the choreographer George Balanchine did for Ringling Bros. and Barnum & Bailey Circus. The ballet was performed by fifty elephants and fifty ballerinas. In 1944, Stravinsky published an orchestration of the piece, which is now part of the repertoire of many orchestras.
Title: When the Circus Came to Town
Content: Directed by: Boris Sagal ; Second Assistant Director: Stephen A. Glanzrock ; Written by: Larry Grusin ; Executive Producer: Barry Krost ; Producer: Robert Halmi, Sr. ; Associate Producer: Robert Halmi, Jr. ; Original Music: Charles Gross ; Orchestrator: Gary Anderson ; Cinematography: Michel Hugo ; Film Editor: Murray Solomon ; Production Design: Robert Gundlach ; Choreographer: Marge Champion Sagal ; Dialogue Coach: Marge Champion Sagal 
Title: Circus music
Content:  royal circus. Dibdin was a very well known composer in his time and had written hundreds of works before he decided to join Astley to work for the circus. He wrote all of the pieces used in the circus, which were mostly intermezzos or comedy pieces. An ensemble of approximately sixty children was used as singers and dancers to perform the many pieces that he wrote for the circus, such as “The Graces”, “Clump and Cudden”, and “Pandora”, which was arguably the most famous piece that was used in the circus because it was originally used in a popular puppet show that mocked contemporary figures of the time.
Title: Circus music
Content:  but would only end when the ringmaster signaled the end of an act. If the act went longer, the galop could be extended by playing da capo. One of the best-known examples is Gustav Peter's widely popular Memory of Circus Renz, which was published in 1894 with the title Souvenir de Cirque Renz. The piece was originally written for the xylophone. Circus music catered to the needs of the different acts. For example, a high-flying, nimble trapeze act could be characterized by a dizzying galop or a graceful waltz. An act containing ferocious wild animals, such as lions, would probably use a march.
Title: The Circus Girl
Content:  The Circus Girl is a musical comedy in two acts by James T. Tanner and Walter Apllant (Palings), with lyrics by Harry Greenbank and Adrian Ross, music by Ivan Caryll, and additional music by Lionel Monckton. The musical was produced at George Edwardes's Gaiety Theatre, beginning 5 December 1896, and ran for a very successful 497 performances. It starred Seymour Hicks as Dick Capel and his wife Ellaline Terriss as Dora Wemyss. Edmund Payne and Arthur Williams also appeared. The show also had a successful New York run at two theatres in 1897 for a total of 172 performances. It was produced by Charles Frohman. Mabelle Gilman Corey played Lucille and Nancy McIntosh played La Favorita in New York. Set in Paris, the plot concerns a group of English tourists who get mixed up with a circus troupe. Two of the famous songs from the show are "A Simple Little String" and "The Way to Treat a Lady".

Question: Who was the composer of The Circus?
Answer: Charlie Chaplin.
Charles Spencer Chaplin.
Charles Chaplin.
Sir Charles Spencer Chaplin.