Title: The Owl (1991 film)
Content:  The Owl is a 1991 American action television film inspired by the 1984 novel of the same name by Bob Forward. The film, intended as a pilot for a series on CBS, was written and directed by Tom Holland, who chose to be credited as "Alan Smithee" on the later extended home video release. The film starred Adrian Paul, Patricia Charbonneau, Brian Thompson, and Erika Flores.
Title: The Owl and the Pussycat (film)
Content:  The screenplay, written by Buck Henry, was based on a stage play by Bill Manhoff. In the stage version, the would-be writer and the would-be actress are the only characters. Though the race of the characters is not specified in the script of the play, in the original Broadway production (1964–65), the "Owl" was played by white actor Alan Alda and the "Pussycat" by black actress/singer Diana Sands, and many subsequent productions followed this precedent; the film version omitted the characters' interracial relationship.
Title: The Owl (1991 film)
Content: Adrian Paul as The Owl ; Patricia Charbonneau as Danny Santerre ; Brian Thompson as Barkeeper ; Erika Flores as Lisa ; Jacques Apollo Bolton as Cool Ice ; David Anthony Marshall as Bobby B ; Billy "Sly" Williams as Gullett ; David Selburg as Dr. Clements ; Mark Lowenthal as r. Miller ; Alan Scarfe as Hutchins ; Thomas Rosales Jr. as Morito ; Alejandro Quezada as Gossett ; Gregory Scott Cummins as Trash ; Rick Zumwalt as Packer ; Bridget Klappert as Six-year-old ; Jill Pierce as Dark Haired Lady ; Sondra Spriggs as Black Chick ; Chris Hendrie as Wolpert ; Josh Holland as Mark Wolpert ; Tom Holland as Mugger (uncredited) 
Title: The Owl Service (TV series)
Content:  The Owl Service is an eight-part television series based on the fantasy novel of the same name by Alan Garner. Produced in 1969 and televised over the winter of 1969–1970, the series was remarkably bold in terms of production. It was the first fully scripted colour production by Granada Television and was filmed almost entirely on location at a time when almost all TV drama was studio-bound. It used editing techniques such as jump cuts to create a sense of disorientation and also to suggest that two time periods overlapped. For the series, the book was adapted in seven scripts (later stretched to eight) by Garner and was produced and directed by Peter Plummer. The direction was quite radical and seemed to be influenced by the avant-garde, a noted contrast to what might be expected of a children's serial.
Title: The Owl (1991 film)
Content:  In a critical review of the film, David Bushman of Variety wrote, "unfortunately, it can't resist the temptation to be cute and sentimental, and thus it often loses momentum."
Title: The Owl Service (TV series)
Content:  Following the success of the novel, which had won the Carnegie Medal and Guardian Award for children's literature, there was much interest in turning the story into a TV series with three companies vying for the rights. In the end, during the summer of 1968, Granada won out, approaching Alan Garner to script the series himself. The director chosen was Peter Plummer, who also acted as producer. Since the novel was based on real locations, Plummer opted to use the same places where possible but one key location Bryn Hall could not be used so these interior and exterior scenes were filmed at Poulton Hall near Liverpool, the rest of the filming took place 
Title: Owls (Millennium)
Content:  "Owls" was written by frequent collaborators Glen Morgan and James Wong. It was the twelfth episode to have been written by the pair, who had penned several across the first and second seasons of the series. The pair had also taken the roles of co-executive producers for the season. "Owls" was directed by Thomas J. Wright; Wright had directed eleven episodes previously and would helm a further fourteen over the series' run. Wright would also go on to direct "Millennium", the series' crossover episode with its sister show The X-Files. Morgan has noted that the plot for "Owls", and the concluding two-part episode "Roosters", grew out of the internecine conflict seen within the Millennium Group in "The Hand 
Title: Owl (film)
Content: Shinobu Otake as Mother ; Ayumi Ito as Daughter ; Tomorowo Taguchi as Plumber ; Katsumi Kiba as Dam construction worker A ; Mansaku Ikeuchi as Police inspector ; Akira Emoto as Dam construction worker B ; Daijiro Hara as Dam construction boss ; Kintaro Sakikage as Electrician's boss ; Naomasa Musaka as Electrician ; Ippei Kanie as Mizuguchi ; Yasuhiko Ohchi as Koji, the mother's nephew 
Title: The Owl (1927 film)
Content:  The Owl (German: Die Eule) is a 1927 German thriller film directed by and starring Eddie Polo. It was released in two parts. The film's sets were designed by Fritz Willi Krohn.
Title: The Owl and the Pussycat (soundtrack)
Content:  is completed, the powers that be can do what they want with the score." The record's five song titles correlate with different scenes in the film and are primarily rock-influenced. The soundtrack's creation was headed by Richard Halligan, who composed and arranged the selections. Screenwriter Buck Henry is credited with writing all five album tracks while Thomas Z. Shepard served as the album's sole producer. Rather than the five songs individually, the 8-track cartridge edition of the soundtrack features four consecutive parts of a track called "Highlights from Buck Henry's Hilarious Screenplay". On July 2, 2013, Blood, Sweat & Tears released a compilation album titled Rare, Rarer & Rarest, featuring all five of the tracks on The Owl and the Pussycat in their original, instrumental form.

Question: Who was the screenwriter for The Owl?
Answer: Bob Forward.
Robert D. Forward.