Title: Jacques Rivette
Content:  Cannes Film Festival, but was never distributed. It and Duelle received mediocre reviews, causing problems for Rivette with the series' producers. The director said that Susan Sontag enjoyed Noroît, and Jean Rouch recognised ancient African myths in its plot, where Rivette had included Celtic myths. According to the director, it took over a year to recover from his breakdown. Producer Stéphane Tchalgadjieff had renegotiated the contract for the Scènes de la vie parallèle series to require only one more film, the intended first or fourth part. Rivette decided that he wanted to film both or neither and made an unrelated film, Merry-Go-Round (1981). Tchalgadjieff had 
Title: Jacques Rivette
Content:  Schneider), a young Parisian student rehearsing for a production of Shakespeare's Pericles, deals with the sudden death of the play's composer, a missing tape recording of its musical score, a secret society seeking world domination, an eccentric, paranoid American journalist, the suicide of the play's producer and the mysterious death of her brother. Chabrol, Godard, Jacques Demy and Rivette appear in minor roles. Le Beau Serge and The 400 Blows were successful, and at the 1959 Cannes Film Festival, Truffaut and Chabrol used their fame to promote Paris Belongs to Us and help Rivette finish the film. According to Truffaut, who obtained funds for its completion, "The release of Paris 
Title: Laurence Treil
Content:  her two consecutive screen appearances in both French and Canadian cinema, such as 1991's Jesuit Joe and 1993's Entangled featuring Roy Dupuis, Judd Nelson and Pierce Brosnan. In 2003, Treil made her fourth and final screen appearance for Frédéric Brival's Le Veilleur, with Antoine Basler and Jackie Berroyer. Treil had several French television appearances throughout over the years, when she first appeared in Antenne 2's Lunettes noires pour nuits blanches on 11 February 1989 was interviewed by Thierry Ardisson, as well as her second appearance in the special HIV/AIDS edition of Que le meilleur gagne on 24 April 1993, and her third appearance was TF1's Qui veut gagner des millions ? (the French version of Who Wants to Be a Millionaire?) on 6 July 2002, along with Jean-Pierre Foucault is the main host of the show.
Title: Rêves de poussière
Content:  The film was the first full-length feature by Salges. The project quickly secured Avance sur Recettes and GAN Foundation funding, and gained further French and European funding since the director had obtained Burkina Faso citizenship through marriage. The film was a France-Canada co-production between Athénaïse – Sophie Salbot and ACPAV – Marc Daigle. The associate producer was Sékou Traoré of the Burkina Faso company Sahelis Productions.
Title: Laurence Treil
Content: La Vouivre (1989) ; Jesuit Joe (1991) ; Entangled (1993) ; Le Veilleur (2003) 
Title: Jacques Rivette
Content:  of 1973, Céline and Julie Go Boating won the Special Jury Prize at the 1974 Locarno International Film Festival. It was produced by Barbet Schroeder and distributed by Les films du losange. Jonathan Rosenbaum praised it, writing that he knew "many women who consider Céline et Julie vont en bateau their favourite film about female friendship". Rivette then conceived and obtained funding for a series of four films, Scènes de la vie parallèle. Each film would revolve around two female leads. Part one was to be a love story, part two a fantasy, part three an adventure and part four a musical comedy. According to 
Title: You Ain't Seen Nothin' Yet (film)
Content:  Jean-Louis Livi acted as principal producer, having fulfilled the same role for Resnais's previous film Les Herbes folles. The film was produced through F Comme Film for a budget of eight million euro. It received co-production support from Christmas In July, the German company Alamode Film, and the television channel France 2 which invested 1.3 million euro. It received 471,000 euro from the Île-de-France region, as well as funding from the CNC, Canal+ and Ciné+. Principal photography took place at the Saint-Ouen Studios for two months and was completed on 1 April 2011. Resnais agreed with the writer Laurent Herbiet, with whom he had previously worked on Les Herbes folles, that they would use two plays by Jean Anouilh to form the basis of the 
Title: Nicolas Philibert
Content:  in France and internationally. The film was screened out of competition at the 2002 Cannes Film Festival. With Retour en Normandie (2007), he revisited the traces of a previous films, made thirty years earlier by René Allio, with local peasants playing the lead roles. With Nénette (2010), made at the Ménagerie du Jardin des plantes in Paris, he produced an intimated portrait of the most famous of its inhabitants a female orang-utang, Nénette, held in captivity for 36 years. La Maison de la radio (2013), takes us into the heart of the French Radio headquarters in Paris, finding out 
Title: Par où t'es rentré ? On t'a pas vu sortir
Content:  This was one of two films that Lewis made in the 1980s strictly for European release. They have never been released in the US, although it was given a tentative US release title: 'How Did You Get In? We Didn't See You Leave'. Lewis, speaking about this film and Retenez Moi...Ou Je Fais Un Malheur, said that "as long as I have control [over distribution], you'll never see them in this country [United States]".
Title: Jacques Rivette
Content:  Champs-Élysées on 6 February 1963 and closed on 5 March. Although the production was a financial failure, it received good reviews and Karina won several awards for her performance; Lotte Eisner called it "the most beautiful theatre I have seen since Bertolt Brecht". Rivette's staging, in the classical style of Marivaux, was intentionally simple. He and Gruault continued reworking the film script (which was finally passed by the censorship board), but Bourseiller could not afford to produce a film version, so the project was shelved. After André Bazin's death in 1958, Rohmer became editor-in-chief of Cahiers du cinéma. By 1962, Rohmer was often at odds with his staff for not 

Question: Who was the producer of Les Retrouvailles?
Answer: Yann Tiersen.
Yann Pierre Tiersen.