Title: BlacKkKlansman
Content:  In July 2015, screenwriters/co-producers Charlie Wachtel and David Rabinowitz discovered the book Black Klansman by Ron Stallworth. They interviewed Stallworth and wrote a spec screenplay, then pitched the script to producers Shaun Redick and Ray Mansfield. They brought the property to QC Entertainment, which had co-produced the successful 2017 film Get Out. QC again teamed up with Jason Blum's company Blumhouse Productions, and Jordan Peele's company Monkeypaw Productions, to produce the project. In September of that year, Spike Lee signed on as director and John David Washington was in negotiations to star. The following month, Adam Driver, Laura Harrier, Topher Grace, and Corey Hawkins had joined the cast. In November, Paul Walter Hauser, Jasper Pääkkönen, and Ryan 
Title: The Klansman
Content:  The novel was published in 1967. Film rights were purchased by the Robert Leder Company for $100,000. Originally TV director Don Stewart was meant to direct and Chuck Connors was going to star as the sheriff. Film rights were bought by a black film producer, William D. Alexander, who formed a company, The Movie People, to make the film and reportedly spent a year putting it together. Bill Schiffrin who sometimes acted as Sam Fuller's agent said he put the film together. The first draft of the script was done by Sam Fuller. It was rewritten by Millard Kaufman. Schiffrin says Kaufman "distorted" much of what Fuller wrote. "I wanted Fuller", he said. Schiffrin says Terence Young was hired as director at the insistence of the European investors. Young was best known for his work on the James Bond films. In a bit of stunt 
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: The Pagemaster
Content:  The screenwriting credits for this film were the subject of a protracted legal arbitration with the Writers Guild of America (WGA) when its producer, David Kirschner, attempted to claim sole authorship of the screenplay and original story, with no credit for its original screenwriter, David Casci. Typically, proposed credits are submitted to the WGA for approval well in advance of the release of a film or the publishing of posters or novelizations on which writing credits appear. In the case of The Pagemaster, the producers attempted to claim that, as the film was now largely animated, the WGA did not have 
Title: Fight Club
Content:  and they used the shorter script to record its dialogue. Bell sent the recording to Laura Ziskin, head of the division Fox 2000, who listened to the tape and purchased the rights to Fight Club from Palahniuk for $10,000. Ziskin initially considered hiring Buck Henry to write the adaptation, finding Fight Club similar to the 1967 film The Graduate, which Henry had adapted. When a new screenwriter, Jim Uhls, lobbied Donen and Bell for the job, the producers chose him over Henry. Bell contacted four directors to direct the film. He considered Peter Jackson the best choice, but Jackson was too busy filming the 1996 film The Frighteners 
Title: The Confirmation
Content:  Screenwriter Bob Nelson, who had previously worked on penning the screenplay for Nebraska (2013) directed by Alexander Payne, first mentioned the project in an interview with Wall Street Journal in February 2014, where he stated that he had completed the screenplay for the film. Principal photography commenced on November 11, 2014 in Vancouver, British Columbia. On November 18, 2014, it was announced that Clive Owen, Jaeden Lieberher and Maria Bello were cast in the film, along with Robert Forster, Tim Blake Nelson, Patton Oswalt and Matthew Modine. In September 2015, studio company Saban Films revealed that they had secured the distribution rights for a North American release.
Title: Suzanne Clauser
Content:  Suzanne Phillips Clauser (August 25, 1929 - April 11, 2016) was an American television writer. She wrote several award-winning television movies, including The Pride of Jesse Hallam and A Girl Named Sooner which was based on her novel of the same name. Clauser also wrote 11 episodes of the television series, Bonanza and was the only woman to regularly write for the show.
Title: The Countess (play)
Content:  which we want to make into a film." After meeting with Emma Thompson and her producers Potboiler Productions, Murphy was offered a screenwriting fee and co-screenwriting credit with Thompson in settlement of his claim. This settlement offer was later abandoned by Emma Thompson, Greg Wise and their partner Donald Rosenfeld, when their company Sovereign Films took over production of the film and instigated the suit, creating the independent entity Effie Film, LLC, spearheaded by Rosenfeld, to litigate it.  In March 2013, District Court Judge Thomas P. Griesa, after allowing Thompson to submit a second revised screenplay into evidence, from which Murphy claimed "some of the most troubling material" had been removed, ruled that while there were similarities, the screenplays were 
Title: The Other Woman (2014 film)
Content:  On January 16, 2012, it was announced that 2007 Black Listed screenwriter Melissa Stack was hired by 20th Century Fox to write an untitled female revenge comedy, which Julie Yorn would produce through LBI Productions. The film's script was described as the original idea from the 1996 film The First Wives Club, but with younger leads. The film's title was revealed to be The Other Woman on November 13. In January of the following year, Nick Cassavetes signed on to direct the film.
Title: Our Brand Is Crisis (2015 film)
Content:  On April 22, 2007, it was announced that George Clooney would produce a dramatization of the 2005 documentary Our Brand Is Crisis, along with Grant Heslov, and Warner Bros. would handle American distribution rights. Peter Straughan was set to write the script, with Clooney attached as a potential director and star for the film, about the 2002 Bolivian presidential election's campaign by James Carville's Washington, D.C.-based political consulting firm Greenberg Carville Shrum, which was hired by candidate Gonzalo Sánchez de Lozada. On December 11, 2013, Sandra Bullock was in early talks to star in the film, while Clooney chose not to direct, and his starring in the film was also unconfirmed at that time. On August 21, 2014, Bullock's casting was confirmed, playing a retired political consultant called 'Calamity' Jane Bodine, and David Gordon Green was set to direct the film. On September 11, Scoot McNairy was added 

Question: Who was the screenwriter for The Claim?
Answer: Frank Cottrell-Boyce.
Frank Cottrell Boyce.