Title: There Will Be Blood
Content:  Will Be Blood because he felt "there's not enough of the book to feel like it's a proper adaptation". He said of writing the screenplay: "I can remember the way that my desk looked, with so many different scraps of paper and books about the oil industry in the early 20th century, mixed in with pieces of other scripts that I'd written. Everything was coming from so many different sources. But the book was a great stepping-stone. It was so cohesive, the way Upton Sinclair wrote about that period, and his experiences around the oil fields and these independent oilmen. 
Title: There Will Be Blood
Content:  having a really good collaborator, the book." Anderson, who had said that he would like to work with Daniel Day-Lewis, wrote the screenplay with Day-Lewis in mind and approached the actor when the script was nearly complete. Anderson had heard that Day-Lewis liked his earlier film Punch-Drunk Love, which gave him the confidence to hand Day-Lewis a copy of the incomplete script. According to Day-Lewis, being asked to do the film was enough to convince him. In an interview with The New York Observer, he elaborated that what drew him to the project was "the understanding that [Anderson] had already 
Title: Will They Never Come?
Content:  The film was written by two publicists from Australasian Films and was made with the co-operation of the Minister of Defence, Senator Pearce. Colonel Wallack and Majors Page and Sadler were the military liaisons. It was shot at Liverpool using real members of the First Australian Imperial Force, who when the film was released were serving in the Dardanelles. The lead role was played by the "very cockney comic lead of the late lamented George Blood Co."
Title: Ishtar (film)
Content:  Warren Beatty felt indebted to Elaine May, who, in addition to co-writing his 1978 hit Heaven Can Wait, had done a major uncredited rewrite on the script of his Academy Award-winning Reds and helped immensely with its post-production. He began looking for a project that she could write and direct. She had never, he believed, had a sufficiently protective producer, and by starring in and producing her next film he could give her the chance to make the film he believed her to be creatively and commercially capable of making. At a dinner with Beatty and Bert Fields, their agent, May said she would like 
Title: Good Will Hunting
Content:  Matt Damon started writing the film as a final assignment for a playwriting class he was taking at Harvard University. Instead of writing a one-act play, Damon submitted a 40-page script. He wrote his then-girlfriend, medical student Skylar Satenstein (credited in the closing credits of the film), into his script. (Satenstein later married Metallica drummer Lars Ulrich.) Damon said the only scene from that script that survived – "it survived verbatim" – was when Will Hunting (Damon) meets his therapist, Sean Maguire (Robin Williams). Damon asked Ben Affleck to develop the screenplay together. They completed the script in 1994. At 
Title: Warren Beatty
Content:  Beatty, who wrote, co-produced and directed the film. It co-stars Alden Ehrenreich and Lily Collins, with supporting actors including Annette Bening, Alec Baldwin, Matthew Broderick, Candice Bergen, Ed Harris and Martin Sheen. Some have said that Beatty's film is 40 years in the making. In the mid-1970s, Beatty signed a contract with Warner Bros. to star in, produce, write, and possibly direct a film about Howard Hughes. The project was put on hold when Beatty began Heaven Can Wait. Initially, Beatty planned to film the life story of John Reed and Hughes back-to-back, but as he was getting deeper into the project, he eventually focused primarily on the Reed film Reds. In June 2011, it was 
Title: I Will, I Will... for Now
Content:  The film was based on an original script by Norman Panama and Alfred Lewin. It was made by Brut Productions the short lived film company of Faberge, headed by George Barrie. When Ross Hunter took over as president of the company in December 1973, he listed the film as among his potential projects. Hunter left the company after only a few months but in December 1974 Barrie said Brut would make the film. "We think it is a very funny, new wrinkle on marriage," said Barrie. He said the film was about a separated couple who reunite at their daughter's wedding. The wedding ceremony involves reading out a clause with options for renewal or dissolution of the marriage. The couple decide to try again using this arrangement. Barrie wanted Paul Newman and Glenda Jackson to star. Norman Panama had made Brut's most successful film to date, A Touch of Class. "I'm hoping lightning will strike twice", said Barrie. By January 1975 Elliott Gould, who had just made Whiffs for Brut, agreed to star.
Title: There Will Be Blood
Content:  Thomas Anderson approached him first. Anderson had been working on a screenplay about two fighting families. He struggled with the script and soon realized it was not working. Homesick, he purchased a copy of Oil! in London, drawn to its cover illustration of a California oilfield. As he read, Anderson became more fascinated with the novel. After contacting Schlosser, he adapted the first 150 pages to a screenplay. He began to get a real sense of where his script was going after making many trips to museums dedicated to early oilmen in Bakersfield. Anderson changed the title from Oil! to 
Title: I Will, I Will... for Now
Content:  trapped inside of an antiquated laugh-provoking machine." John Pym of The Monthly Film Bulletin wrote, "A relentless flow of innuendo, limp wisecracks and an attempted tone of sexual sophistication (buttressed by a series of ludicrously opulent sets) suggest that I Will...I Will... For Now was derived from some rejected Doris Day—Rock Hudson script of the Fifties." Gould said the film "was almost fully not realized" but had "an interesting story and idea. I wouldn’t have necessarily cast Paul Sorvino in that part, but I love Paul Sorvino, I love his family. And anytime I can work with Diane Keaton is a great bonus for me.”
Title: The Way We Were
Content:  regretted recommending Pollack. The director demanded the role of Hubbell be made equal to that of Katie, and throughout filming, for unexplained reasons, he kept Laurents away from Redford. What was intended to be the final draft of the screenplay was written by Laurents and Pollack at Stark's condominium in Sun Valley, Idaho. Laurents, dismayed to discover very little of his work remained when it was completed, left the project. Over time, 11 writers, including Dalton Trumbo, Alvin Sargent, Paddy Chayefsky, and Herb Gardner, contributed to the script. The end result was a garbled story filled with holes that neither Streisand nor Redford liked. Laurents was asked to return and 

Question: Who was the screenwriter for I'll Be There?
Answer: Craig Ferguson.