Title: Jerusalem-Yerushalayim
Content:  Jerusalem-Yerushalayim is an oratorio composed by Antony Pitts between 2006-2008, and is scored for SATB soloists, semi-chorus, full chorus, and ensemble including harp, piano, and organ. The oratorio tells the Biblical story of Jerusalem and the text is based directly on the Old Testament. Unusually, it includes Hebrew transliterations of many names and places. It was first performed in a chamber version by TONUS PEREGRINUS as part of the Opera Fringe festival in Down Cathedral, Downpatrick in Northern Ireland on 8 June 2008. The North American premiere was given by Choral Arts Cleveland, conducted by Martin Kessler in May 2012. 
Title: Jerusalem Symphony Orchestra
Content:  Mendi Rodan, Lukas Foss, Gary Bertini, Lawrence Foster, David Shallon, Leon Botstein and Frédéric Chaslin. The orchestra maintains a varied repertoire which ranges from the Baroque and the Classical periods through the Romantic period, extending to contemporary composers, many of whom have received their Israeli premières with the JSO. The orchestra was the first Israeli Orchestra to perform the works of renowned composers such as Sofia Gubaidolina, Henry Dutilleux, Alfred Schnittke and others. Since its inception the Jerusalem Symphony Orchestra has consistently encouraged Israeli composers by commissioning and performing their works. Over the decades, some of the music world’s legendary musicians have performed 
Title: Die Zerstörung Jerusalems (oratorio)
Content:  Hiller composed the oratorio after spending some years in Italy. He sent a draft of the oratorio to his friend Felix Mendelssohn in the summer of 1839. Mendelssohn was interested in the work and made several recommendations to Hiller which the latter enthusiastically accepted. Mendelssohn also recommended the work for performance at Leipzig, and the oratorio was premiered, conducted by the composer, at the Leipzig Gewandhaus on 2 April 1840. The oratorio deals with the siege of Jerusalem by Nebuchadnezzar II in 587 BC. There are solo roles for the prophet Jeremiah (baritone), King Zedekiah (tenor), and for the non-historical characters of Chamital, Zedekiah's mother (soprano), Achicam, a pious Jew (tenor), and Hanna, Achicam's sister (mezzo-soprano). Steinheim's libretto is largely based on Martin Luther's translation of the Bible into German.
Title: Jerusalem-Yerushalayim
Content:  oratorio is in four parts of three movements each, plus a coda The Peace of Jerusalem which was premiered one year earlier in Israel by Jeremy Summerly and The Choir of London. The a cappella coda has also been recorded by TONUS PEREGRINUS on the Hyperion album Alpha and Omega. The world premiere recording of the complete revised version of the oratorio was made by TONUS PEREGRINUS, Londinium, Aldeburgh Young Musicians, and Tiffin Boys' Choir, under the direction of Joanna Forbes L'Estrange, Ben Parry, and the composer; it was released on 29 July 2013 by 1equalmusic and distributed by Hyperion.
Title: Symphony No. 7 (Penderecki)
Content:  In 1995 Penderecki was commissioned to write a work to commemorate the third millennium of Jerusalem, a city the composer had first visited in 1974 in the aftermath of the Yom Kippur War. Penderecki decided to write an oratorio titled Seven Gates of Jerusalem (there is an eighth "golden" gate but, according to Jewish tradition, this is reserved for the arrival of the Messiah). Penderecki composed the work between April and December 1996. The work was premiered in Jerusalem on 9 January 1997; the orchestra included members of the Jerusalem Symphony Orchestra and Bavarian Radio Symphony Orchestra, conducted by Lorin Maazel. The Polish premiere followed on 14 March 1997, under the direction of Kazimierz Kord. It was only after the Polish performance that the composer decided to call 
Title: Jerusalem Symphony Orchestra
Content:  the JSO, with memorable performances by Igor Stravinsky, Otto Klemperer, Arthur Rubinstein, Yehudi Menuhin, Mstislav Rostropovich, Isaac Stern, Pablo Casals, Igor Markevitch, Henryk Szeryng, Yo Yo Ma, Pierre Boulez, Neville Mariner, Christa Ludwig, Tabea Zimmermann, Martha Argerich, Radu Lupu, Jose Carreras, Jean Pierre Rampal, Maxim Vengerov and Yefim Bronfman. Among the most notable premières performed by the orchestra: the opera David by Milhaud (1954); the cantata Abraham and Isaac by Stravinsky, conducted by Robert Craft (1964); and Symphony No. 7 The Seven Gates of Jerusalem by Krzysztof Penderecki conducted by Maestro Lorin Maazel, which was commissioned as the conclusion for the Jerusalem 3000 
Title: Symphony No. 1 (Bernstein)
Content:  Leonard Bernstein's Symphony No. 1 Jeremiah was composed in 1942. Jeremiah is a programmatic work, following the Biblical story of the prophet Jeremiah. The third movement uses texts from the Book of Lamentations in the Hebrew Bible, sung by a mezzo-soprano. The work won the New York Music Critics' Circle Award for the best American work of 1944.
Title: Jerusalem Symphony Orchestra
Content:  The Jerusalem Symphony Orchestra (Hebrew: התזמורת הסימפונית ירושלים, ha-Tizmoret ha-Simfonit Yerushalayim) is a major orchestra of Israel. Since the 1980s, the JSO has been based in the Henry Crown Symphony Hall, part of the Jerusalem Theater complex.
Title: Jewish music
Content: Maurice Ravel wrote Mélodies hébraïques for violin and piano. ; Max Bruch, a German Protestant, (but a student of the German Jewish composer Ferdinand Hiller) made an arrangement, Kol Nidrei, of the Jewish Yom Kippur prayer Kol Nidre for cello and orchestra. ; Sergei Prokofiev wrote Overture on Hebrew Themes, an arrangement of traditional Jewish folksongs for clarinet, string quartet, and piano. ; Dmitri Shostakovich incorporated elements of Jewish music in some of his compositions. Most notable are the song cycle From Jewish Folk Poetry, and the 13th symphony, titled Babi Yar. A number of non-Jewish composers have adapted Jewish music to their compositions. They include: 
Title: Die Zerstörung Jerusalems (oratorio)
Content:  Die Zerstörung Jerusalems (German: The Destruction of Jerusalem), (Op. 24), is an 1840 oratorio by Ferdinand Hiller to a libretto by Salomon Steinheim largely based on biblical texts from the Book of Jeremiah and the Psalms.

Question: Who was the composer of Jérusalem?
Answer: Giuseppe Verdi.
Verdi.
Giuseppe Fortunino Francesco Verdi.