Title: Loving Jezebel
Content:  The screenplay for the film was written independently by writer/director Bader in his New York apartment on 86th Street and Broadway, its title inspired by the Sade song Jezebel, which Bader was playing the night he started typing the screenplay. When he heard her lyric, "Jezebel wasn't born with a silver spoon in her mouth/She probably had less than every one of us/But when she knew how to walk she knew/How to bring the house down" he knew he'd found the shared quality of the women he was writing about. With Nicole Ari Parker as the first actor attached to the script and David Lancaster taking on the role of producer, rights to the screenplay were acquired in 1998 by Starz! Encore at the International Film Financing Conference (IFFCON) in San Francisco, CA, where the screenplay had been selected for inclusion as one of the best independent screenplays in the United States that year.
Title: Jane Goldman
Content:  Jane Loretta Anne Goldman (born 11 June 1970) is an English screenwriter, author and producer. With Matthew Vaughn, she co-wrote the screenplays of Kingsman: The Secret Service (2014) and its sequel Kingsman: The Golden Circle (2017), as well as X-Men: First Class (2011), Kick-Ass (2010) and Stardust (2007). Goldman also worked on the story of X-Men: Days of Future Past (2014), the sequel to First Class, in partnership with Vaughn. Both met high critical praise for their partnership works. Goldman's first solo screenplay was The Woman in Black (2012). She also wrote the script for Miss Peregrine's Home for Peculiar Children, a 2016 film adaption of the novel, for Tim Burton. She has also written the books Dreamworld (2000) and The X-Files Book of the Unexplained (1997), and presented her own TV series on the paranormal, Jane Goldman Investigates, on the channel Living, in 2003 and 2004.
Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: Jaws (film)
Content:  make sure a script could be done despite an impending threat of a Writer's Guild strike, given Benchley was not unionized. Overall, he wrote three drafts before the script was turned over to other writers; delivering his final version to Spielberg, he declared, "I'm written out on this, and that's the best I can do." Benchley later described his contribution to the finished film as "the storyline and the ocean stuff—basically, the mechanics", given he "didn't know how to put the character texture into a screenplay." One of his changes was to remove the novel's adulterous affair between Ellen Brody and Matt Hooper, at the suggestion 
Title: Jaws (film)
Content:  paper. He passed the audition one week before Spielberg took him to meet the producers regarding a writing job. While the deal was initially for a "one-week dialogue polish", Gottlieb eventually became the primary screenwriter, rewriting the entire script during a nine-week period of principal photography. The script for each scene was typically finished the night before it was shot, after Gottlieb had dinner with Spielberg and members of the cast and crew to decide what would go into the film. Many pieces of dialogue originated from the actors' improvisations during these meals; a few were created on set. John Milius contributed dialogue polishes, and Sugarland 
Title: Kevin Hood
Content:  that Hood's past work contained "a romantic sensibility. There is a poetic quality about his writing as well as there being a rigorous emotional truth which I thought was important for Jane." Hood agreed to join the production because he believed "the story is such an important one and very much the inspiration for Pride and Prejudice." He worked on the script with director Julian Jarrold over a two-year period. In 2011, Hood was reported to be attached as the screenwriter for Reykjavík, a drama film about the Cold War. Media sources reported that it was to be directed and produced by Ridley Scott, though they also questioned whether his schedule would fit such a film. The film is set to star Michael Douglas as Ronald Reagan and Christoph Waltz as Mikhail Gorbachev, and was to begin shooting in March 2013.
Title: Jane Goldman
Content:  She made the jump to screenwriting, and was part of the writing team for David Baddiel's short-lived sitcom Baddiel's Syndrome, in 2001. Later, she co-wrote the screenplay of Stardust (2007), based on the novel of the same name by Neil Gaiman and directed by Matthew Vaughn. Gaiman introduced Goldman to Vaughn to provide the director some help with the adaptation process. The film received many accolades and gave the screenwriters a Hugo Award for Best Dramatic Presentation, Long Form. After Stardust, Goldman became a frequent collaborator with director Matthew Vaughn, co-writing his next films, the comic-book adaptations Kick-Ass (2010) and X-Men: First Class (2011). Both films won strong praise amongst 
Title: Dudes (film)
Content:  his main characters as modern "dudes". Jahnson pitched his script to producer Miguel Tejada-Flores of independent film company the Vista Organization as "punk rockers out in the wilds of Wyoming", which Tejada-Flores thought was an interesting idea, though a bit "out there" conceptually. He and fellow producer Herb Jaffe sought Ridley Scott to direct, but could not agree with him on the film's "vision". Penelope Spheeris first read the script in March 1986 and expressed interest. Tejada-Flores had been impressed by her previous directorial work, particularly her 1985 film The Boys Next Door, and felt that she could tell an enthralling story from the mix of genres present in Jahnson's script. He showed The Boys Next 
Title: Jaws 3-D
Content:  thing Joe Alves ever directed; the man is a very skilled production designer, but as a director, no. And the so-called 3D just made the film look murky – it had no effect whatsoever. It was a waste of time." Guerdon Trueblood is credited for the story; a reviewer for the website SciFilm says that the screenplay was based upon Trueblood's story about a white shark swimming upstream and becoming trapped in a lake. Carl Gottlieb, who had also revised the screenplays for the first two Jaws films, was credited for the script alongside Richard Matheson. Matheson has reported in interviews that the screenplay was revised by script doctors.
Title: Jaws (franchise)
Content:  Benchley wrote three drafts of the screenplay before deciding to bow out of the project. Tony and Pulitzer Prize-winning playwright Howard Sackler happened to be in Los Angeles when the filmmakers began looking for another writer and offered to do an uncredited rewrite, and since the producers and Spielberg were unhappy with Benchley's drafts, they quickly accepted his offer. Spielberg sent the script to Carl Gottlieb, asking for advice. Gottlieb rewrote most scenes during principal photography, and John Milius contributed dialogue polishes. Spielberg has claimed that he prepared his own draft. The authorship of Quint's monologue about the fate of the cruiser USS 

Question: Who was the screenwriter for Jade?
Answer: Joe Eszterhas.
William Friedkin.
Vilijam Friedkin.