Title: Like Crazy
Content:  The film's original score was composed by pianist Dustin O'Halloran. Other music used in the film included songs by Paul Simon, M83, Stars, The Mary Onettes and Figurine. Doremus listened to several of these artists as he developed the story; he said that their songs "became the fabric of the film". He assembled a similar set of songs on a CD which he gave to the cast and crew to listen to throughout production. An official soundtrack, titled Like Crazy: Music from the Motion Picture, was released on CD and in digital format in conjunction with the film's release. The track listing is as follows:
Title: Notorious (1946 film)
Content:  The music for Notorious is the least celebrated of the major Hitchcock scores, writes film scholar Jack Sullivan, one that few writers or fans talk about. "The neglect is unfortunate, for Roy Webb composed one of the most deftly designed scores of any Hitchcock film. It weaves a unique spell, one Hitchcock had not conjured before, and the hip, swingy source music is novel as well." The composer was Roy Webb, a staff composer at RKO, who had most recently scored the dark films of director Val Lewton for that studio. He wrote the fight song for Columbia University while he was there in the 
Title: NOTA (film)
Content:  The musical score and soundtrack were composed by Sam. C. S. The audio rights of the film were secured by Lahari Music and T-Series. Vijay Deverakonda released the "Shot Number" song on 20 September 2018. The full album was released in both Tamil and Telugu versions on 4 October 2018. For the theme song "The Rise Of A Leader" composer Sam worked with the Macedonian Symphony Orchestra with 150 live musicians, were a part of the film's background score, especially for this song. The background score of the film was appreciated whereas the songs were criticised. Writing for The Times of India, Thinkal Menon reviewed the song "Yethikka Yethikka" as an "energetic party song which celebrates the spirit of youth" and "Raja Raja Kula" as "an average one", while "Hey Amaicha" is stated as "neither exceptional nor a tiresome one and "Yaar Kalikku as "a poignant track" - calling the album an above average fare.
Title: People Like Us (soundtrack)
Content:  People Like Us: Original Motion Picture Soundtrack is the soundtrack to Alex Kurtzman's 2012 film of the same name. It is composed by Academy Award-winning composer A.R. Rahman whose last successful international release was 127 Hours. Rahman began recording the patch work of score in 2011 and the score was completed by late September 2011. The Original Motion Picture Soundtrack was released on June 19, 2012, under the label Lakeshore Records.
Title: Alex North
Content:  North managed to integrate his modernism into typical film music leitmotif structure, rich with themes. One of these became the famous song, "Unchained Melody". Nominated for fifteen Oscars but unsuccessful each time, North is one of only two film composers to receive the Lifetime Achievement Academy Award, the other being Ennio Morricone. North's frequent collaborator as orchestrator was the avant-garde composer Henry Brant. He won the 1968 Golden Globe award for his music to The Shoes of the Fisherman (1968). His best-known film scores include A Streetcar Named Desire, Death of a Salesman, Viva Zapata!, The Rainmaker, Spartacus, The Misfits, Cleopatra, Who's Afraid of Virginia Woolf?, Dragonslayer and Under the Volcano. His music for The Wonderful Country makes 
Title: Spies Like Us
Content: 1) The Ace Tomato Company (5:06) ; 2) Off To Spy (1:52) ; 3) Russians In The Desert (2:21) ; 4) Pass In The Tent (2:58) ; 5) Escape (3:25) ; 6) To The Bus (3:14) ; 7) The Road To Russia (3:39) ; 8) Rally 'Round (2:39) ; 9) W.A.M.P. (2:48) ; 10) Martian Act (3:08) ; 11) Arrest (2:21) ; 12) Recall (2:38) ; 13) Winners (1:16) The film's score was composed by Elmer Bernstein and performed by the Graunke Symphony Orchestra, conducted by the composer. The soundtrack album was released by Varèse Sarabande; it does not contain the Paul McCartney song. The film also featured "Soul Finger," by the Bar-Kays, also absent from the soundtrack. Fitz-Hume watches Ronald Reagan singing "I'll Be Loving You" from the musical She's Working Her Way Through College early in the film. 
Title: American Sniper
Content:  There is no "Music by" credit on this film. Clint Eastwood, who has composed the scores for most of his films since Mystic River (2003), is credited as the composer of "Taya's Theme". Joseph S. DeBeasi is credited as composer of additional music and as music editor. The film also features the song "Someone Like You" by Van Morrison, which plays during the wedding scene, and "The Funeral" by Ennio Morricone.
Title: It's Now or Never (film)
Content:  The Music was composed by Simon Smith as a happy feel good comedy score with touches of brit pop, punk and jazz. Much of the score was also played by Simon Smith, including guitars, bass, piano, drums, violin, trumpet, vocals as well as writing many of the English songs. Other key musicians were brought in to provide baritone sax, lead trumpet, guitars, and double bass. One of them Victor Hernandez is the lead vocal for many of the composed songs ( Crazy for you, Run for what you want etc.) There are also international songs included such as Alright (from Supergrass), Tick, tick, boom! (Belonging to The Hives), Walk like an Egyptian (The Bangles) and classic Spanish pop, like Te estoy amando locamente (Las Grecas) and Volando voy (Kiko Veneno), among others.
Title: Just Like Us (film)
Content:  Just Like Us features an original score by Omar Fadel, as well as licensed tracks from, Fredwreck, MC Rai, and Tom Morello's Street Sweeper Social Club.
Title: Invention for Destruction
Content:  The film's score was written by Zdeněk Liška, a highly regarded film composer known for his skill with musical characterizations and humor, as well as for his innovative use of electronic music techniques. In the mid-20th century, he was the foremost Czech composer of fantasy film scores. The score is written in an old-fashioned style complementing the quaintness of the visuals, and often redolent of the film's imaginary machinery. Liska would suggest editing cuts to the director, to speed up the rhythm of the film and to make his music flow more smoothly with what is on screen. The main theme, reminiscent of a music box, is scored for harpsichord, accompanied by a chamber ensemble of string instruments and woodwinds. The love theme, apparently based on the song "Tit-willow" from the Gilbert and Sullivan comic opera The Mikado, is likewise played by woodwinds and a muted harpsichord. Liška's score also includes various shorter cues, such as a short pathos-filled theme for the sinking of the ship Amelie, keyboard strikes matching the attacks on the giant octopus, and a serene finale for string orchestra. The film's score remains one of Liška's most notable works.

Question: Who was the composer of Not Like the Movies?
Answer: Greg Wells.
00248553252 IPI.
00248553350 IPI.
William Gregory Wells.
Katy Perry.
Katheryn Elizabeth Hudson Perry.
Katheryn Elizabeth Hudson.
Katheryn Hudson.
Katy Hudson.
Katheryn Perry.