Title: Billy's Holiday
Content:  Screenwriter Denis Whitburn had written a play called The Siege of Frank Sinatra in which Max Cullen had starred in its original 1980 production. During the production Cullen and Whitburn would head out to bars and Cullen would sing in a Billie Holiday voice. In the early 1990s Whitburn decided to write a film about this ability and wrote the script in three weeks.
Title: Bill W. and Dr. Bob
Content:   Bill W. and Dr. Bob is a play written by Stephen Bergman and Janet Surrey, published by Samuel French, Inc.. The play will return to Off-Broadway after being produced in some thirty of the fifty United States, Australia, Canada, and England. Bill W. and Dr. Bob began previews at The Soho Playhouse on July 8, 2013. The first production of Bill W. and Dr. Bob began previews off-Broadway at New World Stages on February 16, 2007 and opened on March 5, 2007. It ran for 132 performances and closed on June 10, 2007. It is based on the story of William Wilson (Bill W.) and Dr. Robert 
Title: Billie Bristow
Content:  Billie Bristow (5 January 1897 – 14 March 1981) was a British screenwriter active during the 1930s. She got her start as a journalist and studio publicist. She often wrote her scripts with Charles Bennett (who wrote many of Alfred Hitchcock's earliest films). She began her career at George King Productions and later worked at British Lion.
Title: Elogium
Content:  with this for the first time. "Elogium" inaugurated Biller's term as a writer for Star Trek: Voyager. When he brought in the script for series co-creators Michael Piller and Jeri Taylor to review, he was told that it was a very good script. However, Piller said that "I don't think the teaser works at all." Biller received so many notes on the script that he began to feel as though the experience were an audition. After rewriting the script, Taylor expressed his pleasure with Biller's technical descriptions within the script and asked if Biller had a science background; ironically, 
Title: Kenneth Biller
Content:  Biller's television career began in 1992 when he joined the crew of Beverly Hills, 90210 as an executive story editor. He also wrote for The X Files in 1993. In 1995, Biller joined the team at Star Trek: Voyager as an executive story editor. A year later, he became co-producer of the show and made producer a year after that. During the sixth season of the show he became co-executive producer, and was again promoted, this time to executive producer and showrunner for Voyager's seventh and final season. He received writing credits on several episodes of the show, and directed a number of episodes including "Revulsion" and "One". Biller wrote the episode "Unity" 
Title: Billie and Emma
Content:  Lee, who wrote, directed and produced Billie and Emma, stated that she is making movies that her younger self "needed to see", as she had grown up without seeing representation of herself as a queer youth in the media, and was left feeling invisible. According to her, she made sure this film did that which she thought would never happen in her lifetime: cast queer actors to play queer roles, in a film directed by a queer director. Lee also relates that her trigger for writing the screenplay was actually a series of anti-LGBT tweets, particularly surrounding the legislation of same-sex marriage in Taiwan. One tweet in particular called for "No to SOGIE. Yes to family!", which made her want to envision different variations of what a family could be, and whether a teen-aged girl could step up as a father.
Title: Faces (Star Trek: Voyager)
Content:  The series' writing team were concerned that the episode would be compared to two episodes from Star Trek: The Original Series ("The Enemy Within" and "The Alternative Factor"). Piller added: "[w]e knew we could not do the evil-versus-good story that the original Star Trek had done." Biller was assigned to write the script as his second writing assignment for the series; his first had been for "Elogium". Biller attributed his interest in the episode's concept to his personal experiences with his younger, adopted brother's struggle to understand his biracial identity. Even though Biller was initially critical of the pitch's melodrama, he felt that his version had the melodrama expected of a Star Trek episode. The final draft of the script was submitted on February 24, 
Title: Michael Wilson (writer)
Content:  credits. Director William Wyler wanted his brother, Robert Wyler, and Jessamyn West credited for rewriting the script, but Wilson disputed this. Wyler then was able under the rules of the blacklist to have one of the few films in history credited to no writer at all. Wilson and Carl Foreman worked separately on The Bridge on the River Kwai, but as both were blacklisted, the official credit went to Pierre Boulle, upon whose novel the movie was based, even though Boulle did not even speak English. Wilson remained in France with his family for nine years, before returning to live in Ojai, California in the United States in 1964.
Title: Matt Battaglia
Content:  Fox, in which the studio bought the rights to and financed the costs of the pilot script(s). The first one was Pyrates, in which he was partnered with Oscar winner Ridley Scott's production company Scott Free Productions and producer Tony To. Bad Monkeys received a pilot and script order by Fox Studios and the script was written by writer Jeff Eastin, best known for creating White Collar. He co-produced on the 2009 horror film Kill Theory, directed by Chris Moore. As a feature film actor in 2017, he wrapped a role in director Tom Shadyac's film Brian Banks with Morgan Freeman and 
Title: The BFG (2016 film)
Content:  quite deliver." By 2001, the script had been rewritten by Gwyn Lurie, and was greeted with positive feedback from the Dahl estate. Terry Jones and Ed Solomon also attempted screenplay drafts. While the screenplay lingered in development hell, Paramount subsequently lost the film rights and they reverted to the Dahl estate. In September 2011, DreamWorks acquired the film rights to the book; Kennedy and Marshall were announced to produce, with screenwriter Melissa Mathison adapting the story. Initially, John Madden was hired to direct; however, in April 2014, Steven Spielberg was announced as the director, with Madden now listed as executive 

Question: Who was the screenwriter for Bill?
Answer: Ben Willbond.
Benjamin Thomas Willbond.