Title: Le temps l'horloge
Content:  Le temps l'horloge (Time and the Clock) is a song cycle for soprano and orchestra, by the French composer Henri Dutilleux. He wrote the original three-movement version between 2006 and 2007 based on two poems by Jean Tardieu ("Le temps l'horloge" and "Le masque"), and one by Robert Desnos ("Le dernier poème"'). He later added a fourth purely instrumental movement, "Interlude", inspired by another Tardieu poem ("Le futur antérieur"), and a fifth based on Charles Baudelaire's prose poem, "Enivrez-vous". The work was composed for American soprano Renée Fleming, whom Dutilleux called "a great artist". The composer said, "I constantly thought of her voice's character, of her power of lyrical expression" while writing the piece.
Title: L'heure espagnole
Content:  Lucien Mans (Don Iñigo Gomez), L'Orchestre Radio-Symphonique de Paris de la Radiodiffusion Française; René Leibowitz, conductor (1953) ; Deutsche Grammophon 138 970 (original LP issue): Jane Berbié (Concepción), Michel Sénéchal (Gonzalve), Jean Giraudeau (Torquemada), Gabriel Bacquier (Ramiro), José van Dam (Don Iñigo Gomez); Orchestre National de l'ORTF, Paris; Lorin Maazel, conductor (1963) ; Erato ECD 75318: Elizabeth Laurence (Concepción), Tibère Raffalli (Gonzalve), Michel Sénéchal (Torquemada), Gino Quilico (Ramiro), François Loup (Don Iñigo Gomez); Nouvel Orchestre Philharmonique; Armin Jordan, conductor (1987) ; Deutsche Grammophon 0289 457 5902 9: Kimberly Barber (Concepción), John Mark Ainsley (Gonzalve), Georges Gautier (Torquemada), Kurt Ollmann (Ramiro), David Wilson-Johnson (Don Inigo Gomez), London Symphony Orchestra; André Previn, conductor ; Naxos 8.660337: Isabelle Druet (Concepción), Frédéric Antoun (Gonzalve), Luca Lombardo (Torquemada), Marc Barrard (Ramiro), Nicolas Courjal (Don Inigo Gomez); 
Title: Il est cinq heures, Paris s'éveille
Content:  as "no more than a carcass" ("...n'est plus qu'une carcasse...") because, at the time the song was written, it was in the process of demolition to make way for the Tour Montparnasse skyscraper. The flute solo in the recording was added at the end of the session. Dutronc and Lanzmann were unhappy with the arrangement and felt that it lacked something. Dutronc had the idea of adding a manouche-style guitar part, but a flautist working elsewhere in the same building, Roger Bourdin, was asked to listen to the recording and agreed to improvise the short but evocative solos that appear after each sung line on the finished track. The lyrics to the song are co-credited to Lanzmann's wife at the time, Anne Ségalen.
Title: Le temps l'horloge
Content: Renée Fleming, Seiji Ozawa and the Orchestra National de France – Poèmes – Decca CD – 2012. 
Title: Il est cinq heures, Paris s'éveille
Content:  Words by Jacques Lanzmann and Anne Ségalen, music by Jacques Dutronc.
Title: À la musique
Content:  À la musique is a vocal work by Emmanuel Chabrier for solo soprano, women’s chorus and orchestra (or piano). The words are by poet and playwright Edmond Rostand. It was written as a 'house-warming' gift for Jules "Tergis" Griset, industrialist and keen cellist (member of the famous Geloso Quartet with Albert Géloso, Pierre Monteux and Bloch), to whom it is dedicated ('to inaugurate the house of a friend'). It was first performed in November 1890 at Griset's house (then Place de Laborde, now 12 Place Henri-Bergson, Paris) by the Société Chorale d'Amateurs Guillot de Sainbris with Chabrier at the piano. The first public performance was on 23 March 1891 with Mme Rachel-Pascaline Leroux-Ribeyre and the Colonne Orchestra conducted by Édouard Colonne at the Théâtre du 
Title: ... Au delà du hasard
Content:  After completing the first draft of Le Temps restitué in December, 1957, Barraqué temporarily set aside his Mort de Virgile project in order to collaborate with Jean Thibaudeau and Jacques Polieri on two dramatic projects (Invitation au voyage and Echelle visuelle). The projects foundered, and Barraqué used some of the music he had composed for them in ... Au delà du hasard. The manuscript score was completed on 22 December 1959, and the composer later added a dedication to André Hodeir, on 12 June 1961. The work was first performed on 26 January 1960 on a concert of the Domaine Musical at the Théâtre de l'Odéon in Paris. The performers were Yvonne Loriod (piano), Ethel Semser, Marie-Thérèse Cahn, and Simone Codinas (vocalists), Hubert Rostaing (clarinet), the Jazz Groupe de Paris (musical director André Hodeir) and the Ensemble du Domaine Musical, all conducted by Pierre Boulez. The score was published in 1967 by Aldo Bruzzichelli in Florence.
Title: Alexandre-Vincent Pineux Duval
Content: Le Prisonnier, musique de Domenico Della-Maria, créé le 10 pluviôse an VI, Opéra-Comique (salle Favart) ; ; Le Vieux Château, musique de Domenico Della-Maria, créé le 25 ventôse an VI, théâtre Feydeau ; ; L'Oncle valet, musique de Domenico Della-Maria, créé le 18 frimaire an VII, Opéra-Comique (salle Favart) ; ; Le Trente et Quarante, ou le Portrait, musique d'Angelo Tarchi, créé le 17 floréal an VI, Opéra-Comique (salle Favart) ; ; La Maison du Marais ou Trois ans d'absence, musique de Domenico Della-Maria, créé le 17 brumaire an VIII, Opéra-Comique (salle Favart) ; ; Maison à vendre, musique de Nicolas Dalayrac, créé le 1er brumaire an IX, Opéra-Comique (salle Favart) ; ; Joseph, opéra biblique en trois actes, musique d'Étienne-Nicolas Méhul, créé le 17 février 1807, Opéra-Comique (théâtre Feydeau).  He made a collection of his works in 9 volumes as well (1812–1825).
Title: Il est cinq heures, Paris s'éveille
Content:  The song originated from an idea put forward by Jacques Wolfsohn, an artistic director at Disques Vogue, during a meal at his home with songwriting partners Jacques Dutronc and Jacques Lanzmann. He suggested a song on the subject of Paris in the morning. The other two Jacques began writing the song at around 11 pm that evening, and completed it at daybreak. It takes inspiration from "Tableau de Paris à cinq heures du matin", an 1802 song by Marc-Antoine Madeleine Désaugiers. The modernized lyrics replace Désaugiers' sunrise tableau of bakeries, fruitstands and street cleaners with a less soothing scene of trucks, cars and strippers. Familiar Parisian landmarks such as the Place Dauphine are reexamined for the 1960s; the grand railway station Gare Montparnasse is 
Title: À la musique
Content:  are completely innocent of any of those undercurrents of irony, bravura or humorous exaggeration which have come to be accepted as the hallmarks of his very idiosyncratic style". À la musique was a favourite piece of Claude Debussy and was chosen by Désiré-Émile Inghelbrecht to open the concert he conducted to inaugurate the new Théâtre des Champs-Élysées on 2 April 1913. Present at the rehearsal for this concert, Debussy asked the conductor to play it again – just for the pleasure of hearing it. À la musique is scored for an orchestra consisting of 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons; 4 horns in F, 2 trumpets in F, 3 trombones; timpani, triangle; 2 harps, violins, violas, cellos and double basses.

Question: Who was the composer of La permission de dix heures?
Answer: Jacques Offenbach.
Offenbach.