Title: Beyond Our Control
Content:  Company members who went on to greater fame include Larry Karaszewski (Emmy Award-winning screenwriter and producer The People v. O. J. Simpson: American Crime Story), Daniel Waters (screenwriter, Heathers), David Simkins (screenwriter, Adventures in Babysitting), Diane Werts (film critic, creator of "For Better or Werts"), Dean Norris (SAG Award-winning actor, Breaking Bad), Traci Paige Johnson (animator, creator of Blue's Clues), Phil Frank (journalist, videographer, and documentary producer ), Chris Webb (screenwriter, Toy Story 2), Katharine Eliska Kimbriel (fantasy novelist, Night Calls ), Corrie Wynns (journalist for WMAQ radio, AP Radio Network and Sheridan Broadcasting Network), and Mary Willems Armstrong (co-author of Encyclopedia of Film Themes, Settings and Series ). An adviser from 1975 to 1977, Donald P. Borchers became a film producer, notable for the 1984 and 2009 versions of Children of the Corn. Alumni of Beyond Our Control are still rescuing and archiving material from the show. For more information, see beyondourcontrol.org
Title: Screenwriters: Words Into Image
Content:  Screenwriters: Words Into Image (1982) is a PBS documentary series produced in the United States and featuring six 30-minute episodes. Each explored the work of a single significant American screenwriter. The series was directed by Terry Sanders and Freida Lee Mock. Individual episodes featured Carl Foreman, who was blacklisted in the 1950s after being classified as an uncooperative witness by the House Unamerican Activities Committee and worked for years in Great Britain; William Goldman, Paul Mazursky, Eleanor Perry, Neil Simon, and Robert Towne. The series was nominated for the Primetime Emmy Award for Outstanding Informational Series in 1983.
Title: The Quatermass Xperiment
Content:  The first draft of the screenplay was written by Richard Landau, an American who had worked on six previous Hammer productions, including Spaceways (1953), one of the company's first forays into science fiction. Landau made significant changes in condensing the action to less than half the length of the original teleplay. The opening thirty minutes of the television version are covered in just two minutes in the Hammer film. In the process Landau played up the horror elements of Kneale's original teleplay. Aware that the film would be co-funded by American backers, Landau added a transatlantic dimension to the script: Quatermass's "British Rocket Group" became the "British-American Rocket Group" and the character of his assistant, Briscoe, 
Title: Terminator Salvation
Content:  he had faced a similar challenge when following Ridley Scott's Alien with Aliens. He maintained two elements of the previous films; that John is an outsider to the authorities, and someone of future importance is being protected, and in this film, it is Kyle Reese. The first full screenplay for the film was written by Terminator 3 writers John Brancato and Michael Ferris, who received full screenplay credit. Paul Haggis rewrote Brancato and Ferris's script, and Shawn Ryan made another revision three weeks before filming. Jonathan Nolan also wrote on set, which led to McG to say, "I would have to characterize Jonah as the lead writer of the film." In response 
Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: Vertigo (film)
Content:  There were three screenwriters involved in the writing of Vertigo. Hitchcock originally hired playwright Maxwell Anderson to write a screenplay, but rejected his work, which was titled Darkling, I Listen, a quotation from Keats's Ode to a Nightingale. According to Charles Barr in his monograph dedicated to Vertigo, "Anderson was the oldest (at 68) [of the 3 writers involved], the most celebrated for his stage work and the least committed to cinema, though he had a joint script credit for Hitchcock's preceding film The Wrong Man. He worked on adapting the novel during Hitchcock's absence abroad, and submitted a treatment in September 1956." A second version, written by Alec Coppel, again left the director dissatisfied. The final script was written by Samuel A. Taylor—who was recommended to Hitchcock due to his knowledge of San Francisco— from notes by Hitchcock. Among Taylor's creations was the character of Midge. Taylor attempted to take sole credit for the screenplay, but Coppel protested to the Screen Writers Guild, which determined that both writers were entitled to a credit, but to leave Anderson out of the film writing credits.
Title: 60th Writers Guild of America Awards
Content: Into the Wild - Sean Penn (screenplay); Jon Krakauer (author) ; Le scaphandre et le papillon (The Diving Bell and the Butterfly) - Ronald Harwood (screenplay); Jean-Dominique Bauby (author) ; There Will Be Blood - Paul Thomas Anderson (screenplay); Upton Sinclair (author) ; Zodiac - James Vanderbilt (screenplay); Robert Graysmith (author)  No Country for Old Men  - Joel Coen and Ethan Coen (screenplay); Cormac McCarthy (author)
Title: Columbia University School of the Arts
Content: Ayad Akhtar - screenwriter and actor, The War Within; Pulitzer Prize-winning playwright, Disgraced ; Alice Arlen - screenwriter of Silkwood, The Weight of Water, Then She Found Me ; Bogdan Apetri (2006) - screenwriter, film director ; Sophie Barthes - screenwriter, film director ; Albert Berger - Producer Little Children, Little Miss Sunshine, Cold Mountain ; Shari Springer Berman and Robert Pulcini - Academy Award nominated screenwriter-directors, American Splendor, The Nanny Diaries ; Kathryn Bigelow (1979) - screenwriter, film director, producer and two time Academy Award winner for The Hurt Locker (2009). ; Anna Boden - co-screenwriter and director, Half Nelson, Captain Marvel ; Richard Brick (1971) - producer Hangin' with 
Title: Production of Watchmen (film)
Content:  In August 1986, producer Lawrence Gordon acquired the film rights to Watchmen for 20th Century Fox, with producer Joel Silver working on the film. Fox asked author Alan Moore to write a screenplay based on his story, but when Moore declined the studio enlisted screenwriter Sam Hamm. On September 9, 1988, Hamm turned in his first draft, but said that condensing a 338-page, nine-panel-a-page comic book into a 128-page script was arduous. He took the liberty of re-writing Watchmens complicated ending into a "more manageable" conclusion involving an assassination and a time paradox. Fox put the film into turnaround in 1991, and 
Title: Dick Tracy (1990 film)
Content:  strict financial and artistic control. That same year, Mutrux and Linson eventually took the property to Paramount Pictures, who began developing screenplays, offered Steven Spielberg the director's position, and brought in Universal Pictures to co-finance. Universal put John Landis forward as a candidate for director, courted Clint Eastwood for the title role, and commissioned Jim Cash and Jack Epps, Jr. to write the screenplay. "Before we were brought on, there were several failed scripts at Universal," reflected Epps, "then it went dormant, but John Landis was interested in Dick Tracy, and he brought us in to write it." Cash and Epps' simple orders 

Question: Who was the screenwriter for Control?
Answer: Matt Greenhalgh.
Matthew Greenhalgh.