Title: Screenwriting
Content:  naïve New York playwright who comes to Hollywood with high hopes and great ambition. While there, he meets one of his writing idols, a celebrated novelist from the past who has become a drunken hack screenwriter (a character based on William Faulkner). ; Mistress (1992)&mdash;In this comedy written by Barry Primus and J. F. Lawton, Robert Wuhl is a screenwriter/director who's got integrity, vision, and a serious script &mdash; but no career. Martin Landau is a sleazy producer who introduces Wuhl to Robert De Niro, Danny Aiello and Eli Wallach - three guys willing to invest in the movie, but with one catch: each one wants his mistress 
Title: Coming Up (TV series)
Content:  the talent scheme which recruited writers and directors for the series was revamped. A single screenplay, extended to ninety minutes, was to be produced using three writers from a pool of six and a single director. This version of the scheme ran for a second year in 2015. In 2016, the scheme was again revamped, and retitled as 4Stories. It encouraged applications from under-represented talent: women, disabled people, BAME, and people from disadvantaged backgrounds, to work on a series of three inter-connected half-hour films. Notable writers and directors who started with this program include Jack Thorne, Jon Sen, Tom Harper and Yann Demange. The series has also produced the debut writing credits of actor Christian Solimeno, actress Bronagh Taggart and presenter Rick Edwards.
Title: John Cork
Content:  Cork, who is a screenwriter, has penned the civil rights drama, The Long Walk Home, starring Sissy Spacek and Whoopi Goldberg, and has written screenplays for many major film studios. Bruce Scivally has worked for several motion picture production companies, co-edited The Special Effects and Stunts Guide, and was the Production Coordinator for the 2001 Academy Awards Show. Both authors live in Los Angeles. In addition, in 2007, for the release of the Spider-Man 2.1 DVD, Cork and Bruce Scivally wrote and compiled the Spidey Sense 2.1-trivia track, a closed captioning feature on Disc 1 of the DVD, which includes integrated pop-ups that provides information about the Spider-Man actors, directors, production, comic books and Spider-Man legacy. The feature is available via closed captioning that plays during the course of key scenes throughout the film.
Title: Sarah Williams (screenwriter)
Content:  out in 2006. After reading in 2004 Becoming Jane Austen, a 2003 biography by Jon Hunter Spence, Williams approached Ecosse Films about the possibility of adapting it into a film about Austen's early life. The resulting film, Becoming Jane, starring Anne Hathaway and James McAvoy was released in 2007. Williams was the screenwriter for the 2007 docudrama, Sinking of the Lusitania: Terror at Sea. The following year, Williams adapted the novel Poppy Shakespeare starring Anna Maxwell Martin and Naomie Harris for Channel Four television. The Guardian called her script an example of "good art," and she received a nomination for Best Television Short-Form Drama at the 2009 Writers' Guild of Great 
Title: Accidents Happen
Content:  American-born screenwriter Brian Carbee wrote Accidents Happen based on his childhood in 1980s Connecticut, changing his own name to "Billy Conway". He had previously performed in a one person show titled In Search of Mike, which director Andrew Lancaster saw and asked Carbee if he would adapt the show to a short film. Carbee subsequently wrote a novel which served as the basis for his Accidents Happen screenplay. He developed the screenplay through the prestigious Aurora Script Workshop in Sydney, where producer Anthony Anderson had worked and collaborated on his 2004 film Somersault. In 2004, the completed script was nominated for an Australian Inside Film Award for Best Unproduced Screenplay, but it took a further three years to gather finances for the project. Anderson, 
Title: Scream (1996 film)
Content:  for him to direct. However, by the time Craven read the script, it had already been sold. Bob Weinstein approached Craven early in the planning stages, because he felt Craven's previous work in the genre that combined horror and comedy would make him the perfect person to bring Williamson's script to screen. Craven was already busy developing a remake of The Haunting and was considering distancing himself from the horror genre. He was growing weary of what he felt was an inherent misogyny and violence in it. Weinstein approached other directors, including Robert Rodriguez, Danny Boyle, George A. Romero, and Sam Raimi. Williamson said that they "didn't get 
Title: Monster: Living Off the Big Screen
Content:  Monster: Living Off the Big Screen is a 1997 book in which John Gregory Dunne recounts his experiences as a screenwriter in Hollywood. The book focuses on the process of drafting the screenplay for Up Close & Personal (1996), a movie starring Robert Redford and Michelle Pfeiffer. It details the meetings, writing, rewriting and all the other struggles in the way of creating a sellable screenplay. It also describes how a film that started being about Jessica Savitch ends up being a Star Is Born-type film, where one character is a "rising star," and the person she/he is in love with becomes a "falling star."
Title: Dreams on Spec
Content:  The film follows three aspiring screenwriters as they struggle to turn their scripts into movies. David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach. Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the great American screenplay. And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.
Title: Susan Slept Here
Content:  Mark Christopher is a successful 35-year-old Hollywood screenwriter who has suffered from partial writer's block since winning an Academy Award and has been unable to produce a decent script. One Christmas Eve, he receives an unexpected and very unwanted surprise present. Vice Squad Sergeant Sam Hanlon brings 17-year-old Susan Landis to Mark's luxurious apartment. Susan had been abandoned by her mother and was arrested for vagrancy and hitting a sailor over the head with a beer bottle. Not wanting to keep her in jail over the holidays and aware that Mark was interested in writing a script about juvenile delinquency, the kindhearted cop decides to bend the rules (much to the disapproval of his partner). 
Title: Kathryn Scola
Content:  adaptation of the Dashiell Hammett novel, with writer Kubec Glasmon. In 1937, Scola and Darrell Ware collaborated to write the script for the film Second Honeymoon, directed by Walter Lang. In 1943, at the outset of the Second World War, Scola and Julien Josephson wrote the script for Happy Land, a 20th Century Fox production that was meant to prepare audiences for the losses of the war. During 1946, Scola wrote a screenplay for the Max Ophüls 1949 American film noir Caught, which would eventually be rejected by the censorship board due to what was deemed questionable material. Scola’s script was revised by various writers and eventually abandoned, leading to the final screenplay by playwright and screenwriter Arthur Laurents. Scola and Julien Josephson also worked together on the original screenplay for “In Times Like These” in 1956, a teleplay included in the anthology series The 20th Century Fox Hour.

Question: Who was the screenwriter for Homecoming?
Answer: David Simon.
David Judah Simon.
Rafael Alvarez.