Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: 35th Academy Awards
Content: A: During pre-production on Lawrence of Arabia, producer Sam Spiegel and director David Lean were unhappy with Michael Wilson's original screenplay, so Spiegel asked playwright Robert Bolt to rewrite the script, as Spiegel wanted to get the film rights of Bolt's play A Man for All Seasons. Bolt found the script lacking in good dialogue and also character depth. He essentially wrote the whole script, using T.E. Lawrence's book, The Seven Pillars of Wisdom, as his starting point. While Bolt rewrote the whole script, he still retained the characterization of all of the characters found in Wilson's original script. It was decided that Bolt would be credited as the sole writer of Lawrence of Arabia and not Wilson, because he was blacklisted at the time. The nomination for Wilson was granted on September 26, 1995, by the Academy Board of Directors, after research at the WGA found that the then-blacklisted writer shared the screenwriting credit with Bolt. 
Title: Quigley Down Under
Content:  John Hill first began writing Quigley Down Under in 1974. He was inspired by a Los Angeles Times article about the genocide of the aborigines in 19th-century Australia. Although Westerns were in decline in the 1970s, Hill said that the script "opened a lot of doors for me," and led to other assignments. The script was first optioned in 1979 by producer Mort Engelberg for Steve McQueen, with whom he teamed on The Hunter; however McQueen died of cancer shortly after completing The Hunter. The script was bought by CBS Theatrical Films where it was attached to director Rick Rosenthal. It then went to Warner Bros with Tom Selleck to star and Lewis Gilbert to direct around 1987. Warner Bros had the script for 
Title: Where Did You Get That Girl?
Content:  The film was based on an original story by Jay Dratler. In August 1940 Universal reported that Stanley Rubin and Hal Brock were writing the script. By October Helen Parrish and Charles Lang were set as lead actors. Filming started 30 October.
Title: Little Evil
Content:  In May 2013, Universal Pictures acquired the film's script, with Eli Craig directing the film, based upon the screenplay he wrote, while Scott Stuber, Nicholas Nesbitt, would serve as producers under their Mandalay Pictures and Bluegrass Films banners respectively. In September 2016, it was announced Evangeline Lilly, Adam Scott, Clancy Brown, Donald Faison, Chris D'Elia, Bridget Everett, Owen Atlas, Brad Williams, and Marcus Terrell Smith had joined the cast of the film, Dylan Clark and Jason Michael Berman would serve as producers, and Netflix would produce and distribute the film. That same month, Kyle Bornheimer joined the cast of the film.
Title: Sexy Evil Genius
Content:  Writer Scott Lew suffers from ALS. According to The Hollywood Reporter, he wrote early drafts of the script through dictation; after his condition worsened, he was limited to pointing at letters and words. Lew wanted to focus on the theme of an unhappy adult whose ex-girlfriend forces him to reflect on their teenage years, a more creative time in his life. Katee Sackhoff, who served as co-producer, had a hand in the casting. Shooting took twelve days, and the scenes were shot in order. It was shot in Los Angeles in June 2011. The script and the opportunity to work with Sackhoff drew Seth Green to the project.
Title: Get the Girl
Content:  "Get the Girl" was written by Charlie Grandy, his second eighth season writing credit after "Lotto". The episode was directed by series regular Rainn Wilson, who portrays Dwight Schrute. This episode marked his third directing credit to the series, after the sixth season's "The Cover-Up", and the seventh season's "Classy Christmas". The Season Eight DVD contains a number of deleted scenes from this episode. Notable cut scenes include Nellie offering to give Meredith, Nate, and Darryl a raise; Robert inviting Nellie out for coffee; and Jim, Pam and Darryl attempting to contact Andy; the office discussing the situation with Nellie as manager, Robert refusing to put his foot down; Andy talking to Erin about his drive to Tallahassee; and Andy telling the camera that he will not give up on their relationship easily.
Title: Highlander (film)
Content:  Gregory Widen wrote the script for Highlander, as a class assignment while he was an undergraduate in the screenwriting program at UCLA. Widen also used Ridley Scott's 1977 film The Duellists as inspiration for his story. After reading the script, Widen's instructor advised him to send it to an agent. Widen sold the script for US$200,000. It became the first draft of what would eventually be the screenplay for the film. According to Widen, "The idea of the story was basically a combination of a riff on The Duellists –  guy wants to finish a duel over years–  and a visit I made both to Scotland and 
Title: Such Good Friends
Content:  Through his son Erik, who was working as his story editor, producer Otto Preminger heard about a manuscript by Lois Gould that was rumored to be a hot property. He negotiated with the author and purchased the film rights for $200,000 in February 1970, three months before the book was published. The novel, narrated in stream-of-consciousness mode by Julie Messinger, proved to be difficult to adapt for the screen. Joan Micklin Silver initially tackled the project, but Preminger found her to be too much of a feminist who was more psychologically attuned to the character than he thought was necessary. He then hired Joan Didion and John Gregory Dunne and worked with them for several months. 
Title: Quigley Down Under
Content:  years but then dropped their option. The script then became the subject of bidding between Pathe Entertainment, Disney and Warner Bros. It sold to Pathé for $250,000 which Hill said "is pretty good, when you consider that for 15 years I'd been making money optioning and rewriting that screenplay." Pathé's then head of production, Alan Ladd Jr, agreed to commit a $20 million budget. Selleck agreed to star and the director was an Australian, Simon Wincer. Wincer felt a good story had been ruined by numerous rewrites from people who knew little about Australian history, so he brought on Ian Jones as writer. They went back to the original draft, re-set it from the 1880s to the 1860s and made it more historically accurate.

Question: Who was the screenwriter for Get Low?
Answer: Chris Provenzano.