Title: Trauma Team
Content:  The music was primarily composed by Atsushi Kitajoh, a veteran of New Blood, and newcomer Ryota Kozuka. Further tracks were contributed by Shoji Meguro, an established Atlus composer who worked on Trauma Center: Under the Knife. Some of the music was remixed from earlier Trauma Center themes created by Kenichi Kikkawa. Due to the variety of the game's cast and the wish to avoid repetition of themes, Kitajoh divided the work between himself and Kozuka. This variety was expressed through different lead instruments, such as a guitar for surgery segments, jazz elements for the diagnosis chapters, and Japanese instruments for the endoscope sections. Including one-off cues and short jingles, the 
Title: Trauma Center: Under the Knife
Content:  by Meguro, who acted as sound director for the project. He found the limited sound environment even more of a challenge than earlier consoles he had composed for. Tsuchiya's work focused on environmental themes and general sound design, while Kikkawa's scores focused on orchestral tracks. While Merugo and Kikkawa composed standard-definition music and reduced it to fit into the DS sound environment, Tsuchiya composed his tracks within the sound environment. At the time, Atlus did not have a MIDI interface for DS composition, so the composers had to guess what the sound would be like when transplanted into the game.
Title: An American Tail
Content:  John Philip Sousa and Poor Wand'ring One from the 1880 comic opera The Pirates of Penzance by Gilbert and Sullivan. There is also a musical reference to the 1947 song Galway Bay popularized by Bing Crosby. Initially Bluth and his team were disappointed with the first score recording, but once edited, they found the music worked quite well. The final score became one of the film's strongest points. The initial songs were written by Tom Bahler, who had worked as a music supervisor and composer. Bahler left the project, in which Cynthia Weil and Barry Mann were later brought on to compose new songs. After the first round of songs 
Title: Legal Eagles
Content:  The film's score was composed and conducted by Elmer Bernstein, his final collaboration with Ivan Reitman. The soundtrack album was released by MCA Records, featuring selections from the score re-recorded in England under the composer's baton, and the songs "Good Lovin'" by The Rascals, "Magic Carpet Ride" by Steppenwolf, and Daryl Hannah's "Put Out The Fire" (which she performs onscreen). Rod Stewart's "Love Touch" was featured in the movie, but being a Warner Bros. Records exclusive it does not appear on the album.
Title: Swarm of the Snakehead
Content:  The original score was composed and conducted by Tom Alonso and features players from the Baltimore Symphony Orchestra. Bands contributing songs to the soundtrack include Kip Winger, Ravyns, Bootcamp, Glen Nevous, Tony Sciuto of Little River Band, The Big Sky, and Dagmar and the Seductones.
Title: Visitors (2013 film)
Content:  The musical score for Visitors was composed by Philip Glass, who previously collaborated with director Godfrey Reggio on the Qatsi trilogy. Performed by the Bruckner Orchestra Linz and conducted by Dennis Russell Davies, the music was released as a soundtrack album by Orange Mountain Music on September 3, 2013.
Title: Halt and Catch Fire (TV series)
Content:  The original score was composed by Austrian musician Paul Haslinger, formerly of German electronic music group Tangerine Dream from 1986 to 1990. He secured the position on the series through his connection to its music supervisor, his friend Thomas Golubić. Having previously recorded music during the 1980s, Haslinger was drawn to Halt and Catch Fire as a second chance to write for the decade. Rather than merely revive 1980s music, he instead wanted to draw from its moodiness, and to combine his favorite retro sounds with modern-day elements. Haslinger's score was electronic, making heavy use of synthesizers; he used his original equipment and samples as well as virtual instruments, creating a blend of 
Title: Motoaki Takenouchi
Content:  Motoaki Takenouchi (武内 基朗) is a Japanese composer, most recognized for his video game soundtracks during the 1990s, particularly for the Shining series of games. He has worked for companies such as Sega, Enix, Climax Entertainment, and Game Arts. Takenouchi studied music at the Tokyo University of the Arts, where he and fellow composer Hayato Matsuo were classmates. Around this time, he was involved with several projects, including arrangement under the supervision of Koichi Sugiyama. Takenouchi's compositional approach often encompasses elements of progressive rock, jazz fusion, and symphonic, frequently making use of odd time signatures, virtuosic musical lines, syncopation and dissonance. He cited King Crimson, Yes, Frank Zappa, and Emerson, Lake & Palmer as some of his influences. In addition to his work on video game soundtracks, Takenouchi also composed music for some of the early releases on Shinji Hosoe's Troubadour record label. In 2000, he composed and arranged the song "Shower" for Rina Chinen. He also plays keyboards for "Autumn-River Willow" under the pseudonym of "dj".
Title: Casual-T
Content: Siren Song (2015) Aristos Films - composer ; Treasure Nest (2014) - composer/sound design/voice over artist ; Curious Cat's Christmas (2013) - composer/sound design/voice over artist ; Fat Cory (2013) - composer/sound design/voice over artist ; Terra Sai (2013) - composer/sound design ;  Fishy Business (2012) - composer/sound design ;  The Mustard Seed (2012) - composer/sound design ;  Evy in the New Word (2012) - composer/sound design ;  Losing Grandma (2011) - composer ; Desperate Crossing (2011) – composer/sound design/voice over ; Shinobi Blues (2011) – composer/sound design/voice over ; Lure of the Plume (2011) – composer/sound design ; The Job Interview (2011) – composer/sound design ; One Cakey Afternoon (2010) – composer/sound design/voice over ; Only Time Will Tell (2010) – composer ; Frankie's Jewels (2009) Pacific Storm Films- composer ; Son of a Hustler (2009-unreleased) – composer ; Fighting Nirvana (2009) Honeydew546 Productions – composer ; Degradation (2009) – composer ; Lawn God and the Chronicles of Dent De Lion (2008) Cinekoncept – composer ; Preston (2008 – 48 Hour Film Project) HCQ Productions – composer ; Ctrl, Alt, Del – A Love Story (2007 – 48 Hour Film Project) HCQ Productions – composer 
Title: The Tournament (2009 film)
Content:  Laura Karpman composed the musical score, with additional music by George Acogny, John Hunter and James Edward Barker. The film also contained music from: Ruth Jacott, Fabian "R-CANE" Schlosser, Kevin Hissink and El Rod.

Question: Who was the composer of Touch?
Answer: Dave Grohl.
David Eric Grohl.