Title: Cornelis Bloemaert
Content:   Cornelis Bloemaert II (1603 – 28 September 1692), was a Dutch Golden Age painter and engraver.
Title: Cornelis Bloemaert
Content:  Bloemaert was born at Utrecht. He studied with his father, Abraham Bloemaert, his brothers Hendrick and Adriaan, and his father's pupil, Gerard van Honthorst. Though originally trained as a painter, he devoted himself primarily to printmaking, which he learned from Crispijn van de Passe. He went to Paris in 1630, where he made engravings from among others, Michel de Marolles's Temple des Muses, before going to Rome in 1633. His chisel can be recognised by the colours' richness and the smoothness of their transitions. Amongst his pupils were Michel Natalis and Gilles Rousselet. Some of his better known engravings are of Annibale Carracci's The Holy Family, Pietro da Cortona's Adoration of the Shepherds, and Rubens' Meleager. 
Title: Adriaan Bloemaert
Content:  Adriaan Bloemaert (after 1609, Utrecht – buried 8 January 1666, Utrecht) was a Dutch painter. Bloemaert was the fourth son of Abraham Bloemaert, and younger brother of Hendrick, Frederik and Cornelis Bloemaert. He received his first instruction from his father. He was sent to Italy, where he studied until 1637. He then visited Vienna, where he became employed, but settled at Salzburg the same year. In 1640 he visited Freistadt. By 1651 he had returned to his hometown, where he stayed until his death. Bloemaert painted history and portraits with some success. Heineken attributes to this artist several plates of portraits, although they are without his name.
Title: Cornelis Bloemaert
Content:  to Houbraken he traveled to Rome, where he made prints of many Italian paintings. During 1664-1677, working with Charles de la Haye, he completed engraving of the Pietro da Cortona frescoes in the Palazzo Pitti, published as Heroicae Virtutes Imagines quas eques Petrus Beretinus pinxit Florentiae (1677). In 1659 and 1667 he did frontispiece engravings for Daniello Bartoli's Istoria della Compagnia di Gesu. He was so successful that he stayed there until receiving word that his father wished to see him once more before he died. He delayed his return so long, that his father died, so he remained in Rome until his own death. He was a member of the Bentvueghels with the nickname Winter.
Title: Hendrick Bloemaert
Content:  Hendrick was the oldest son of Abraham Bloemaert. His brothers Cornelis and Adriaen were also painters. In 1626 he was registered in Rome, but by 1631 he was back in Utrecht, where he registered in the Utrecht Guild of St. Luke and married Margaretha van der Eem, the daughter of a lawyer.
Title: Abraham Bloemaert
Content:  Bloemaert was born in Gorinchem, Habsburg Netherlands, the son of the architect Cornelis Bloemaert I, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. From the age of 15 or 16, he then spent three years in Paris from 1581–1583, studying six weeks under a Jehan Bassot (possibly Jean Cousin the Younger) and then under a Maistre Herry. While in the School of Fontainebleau he received further training from his fellow countryman Hieronymus Francken. He returned to Utrecht in 1583, just before the French Wars of Religion began, which destroyed much of the work 
Title: Hendrick Bloemaert
Content:  Hendrick Bloemaert (1601 or 1602 &ndash; 30 December 1672) was a Dutch Golden Age painter.
Title: Cornelis Boel
Content:  Cornelis Boel (c. 1576 – c. 1621) was a Flemish draughtsman and engraver. He is sometimes known as Cornelis Bol, or Cornelis Bol I, to distinguish him from later artists of the same name.
Title: Frederik Bloemaert
Content:  De Hanabijters. Frederik Bloemaert (c. 1614 – 11 June 1690) was a Dutch printmaker and draftsman. Bloemart was born and died in Utrecht. He was th youngest son of Abraham Bloemaert and distinguished himself as an engraver. He learned the art from his father, and was chiefly occupied in engraving after his designs. His principal work was a drawing-book, containing 173 plates, engraved from the designs of his father. He also executed a few plates entirely with the graver. His prints are sometimes signed A. Bloem. inv. F. B. filius fecit, and sometimes F. B. The following are principally after his father's designs: 
Title: Abraham Bloemaert
Content:  the Chateau of Fontainebleau. When his father was appointed city architect (Stads-bouwmeester) in Amsterdam 1591 he accompanied him there, and on his father's death in 1593 returned finally to Utrecht, where he set up a workshop and in 1594 became dean ("deken") of the "zadelaarsgilde", as from 1367 the painters were included in the saddlemaker's guild, with no Guild of St. Luke of their own. In 1611, along with the two other leading Utrecht painters, Joachim Wtewael and Paulus Moreelse, he was one of the founders of the Utrecht Guild of Saint Luke (St Lucas-gilde) a new Utrecht painters' guild, and became its deken in 1618. Many of Bloemaert's paintings 

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