Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: Closet Land
Content:  The script was Radha Bharadwaj's winning submission to The Nicholl Fellowships in Screenwriting program in 1989. The Nicholl Fellowships are run by the Academy of Motion Picture Arts and Sciences. Bharadwaj later stated: "That same year, the screenplay was selected to participate in the prestigious Sundance Screenwriting Lab. At Sundance, I met director Alan Rudolph, who encouraged me enormously, pushing me to not compromise or give up in my fight to make my film on my own terms. I put in a cold call to director Oliver Stone's office. To my amazement, he not only read the script himself but also called me in for a meeting. He became a powerful supporter of my 
Title: The Commitments (film)
Content:  Following the 1988 publication of Roddy Doyle's novel The Commitments (1987) in the United Kingdom, producers Lynda Myles and Roger Randall-Cutler acquired the film rights, and asked Doyle to write an adaptation. Doyle, an inexperienced screenwriter, spent one year drafting the script, accompanied by Myles and Randall-Cutler. Although a script was completed, Myles felt it needed improvement, and passed the book on to Dick Clement and Ian La Frenais, hoping that they would suggest a more experienced writer. Upon reading the novel, Clement and La Frenais agreed to help write the script themselves. In 1989, Myles took the project to Beacon Pictures, an independent film company established that year by Armyan Bernstein, a former television journalist turned screenwriter and producer. Clement and La Frenais traveled to Los Angeles to discuss the project with Alan Parker, and gave him a copy of the novel. Upon reading the 
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: The First Wives Club
Content:  The film project originally belonged to Sherry Lansing, who bought the unpublished manuscript of the novel in 1991, after many publishers had rejected it, and handed it over to producer Scott Rudin when she became CEO of Paramount Pictures in 1992. "It was one of the single best ideas for a movie I've ever heard," she said in a 1996 interview with The New York Times. "The situation of a woman getting left for a younger version of herself was far too common. But we didn't want a movie about women as victims. We wanted a movie about empowerment." Rudin consulted Robert Harling to write the screenplay, whose script was reworked by Paul Rudnick when Harling left to direct 1996's The Evening Star, the sequel to the 1983 drama Terms of Endearment. Rudnick, however, felt the final script was "incomprehensible": "To figure out the structure of that movie would require an undiscovered Rosetta Stone," he told The New York Times.
Title: Szamanka
Content:  The screenplay had been written by Manuela Gretkowska, a Polish writer and feminist. The screenplay had initially been rejected by Polish Television due to its "controversial" content. The production was then financed by Canal + Polska, Visa Films, the French Compagnie des Films, and several private investors. "Written with a truly feminist mettle by a very young woman who has been enjoying dazzling literary success in Poland, the screenplay demands of the director a sense of restraint, mystery and depth that can make it address to young Europeans today. The violence, exuberance and sexuality of the author's text are as much signs of revolt as of intelligence. My hope is to respond to that freshness by consolidating it with maturity and an aestethic sense that 
Title: Marc Norman
Content:  After working for Leonard Stern, David Suskind and Daniel Melnick, Norman wrote several features and television projects, including the TV movie The Challenge and an episode of the Mission: Impossible TV series. Other screenwriting credits include the films Oklahoma Crude (which he would later adapt into a novel), The Killer Elite and The Aviator . In 1995, he was one of several writers hired to rewrite Cutthroat Island, at the behest of director Renny Harlin. With Tom Stoppard, Norman won the Oscar for Best Original Screenplay in the 71st Academy Awards of 1998, for his script of Shakespeare in Love. The original idea was suggested to Norman in the late 1980s by his son Zachary. He also shared a Best Picture Oscar for the film as co-producer. British Bafta for their screenplay and a Silver Bear for an outstanding single writing achievement at the 49th Berlin International Film Festival. His latest original screenplay, Vivaldi, will be produced by Fox Searchlight in 2020.
Title: Dreams on Spec
Content:  The film follows three aspiring screenwriters as they struggle to turn their scripts into movies. David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach. Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the great American screenplay. And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.
Title: Nicholl Fellowships in Screenwriting
Content: James Acker, Sadboi ; Beth Curry, Lemon ; Vanar Jaddou, Goodbye, Iraq ; Kate Marks, The Cow of Queens ; Jane Therese, Sins of My Father 2020 Nicholl Fellows
Title: Kathryn Scola
Content:  adaptation of the Dashiell Hammett novel, with writer Kubec Glasmon. In 1937, Scola and Darrell Ware collaborated to write the script for the film Second Honeymoon, directed by Walter Lang. In 1943, at the outset of the Second World War, Scola and Julien Josephson wrote the script for Happy Land, a 20th Century Fox production that was meant to prepare audiences for the losses of the war. During 1946, Scola wrote a screenplay for the Max Ophüls 1949 American film noir Caught, which would eventually be rejected by the censorship board due to what was deemed questionable material. Scola’s script was revised by various writers and eventually abandoned, leading to the final screenplay by playwright and screenwriter Arthur Laurents. Scola and Julien Josephson also worked together on the original screenplay for “In Times Like These” in 1956, a teleplay included in the anthology series The 20th Century Fox Hour.

Question: Who was the screenwriter for Submission?
Answer: Salvatore Samperi.