Title: Sacha Gervasi
Content:  television. Gervasi got his filmwriting start with The Big Tease, which he co-wrote with Craig Ferguson. He went on to pen The Terminal, made into a 2004 film directed by Steven Spielberg. According to London's The Daily Telegraph: "He is one of only two English screenwriters to have their scripts made into movies by Steven Spielberg. The other is Tom Stoppard [for Empire of the Sun]." Other films for which he has written include Comrade Rockstar and How to Marry a Millionaire. He wrote and executive produced Henry's Crime. The film debuted at the Toronto Film Festival in September 2010. He was appointed the Hunter/Zakin screenwriting chair at UCLA and taught there in spring 2009. In 2009, Gervasi presented Steven Zaillian with the Austin Film Festival's Distinguished Screenwriter Award.
Title: Production of Ben-Hur (1959 film)
Content:  Wyler said that he tried to get Tunberg and Fry co-credit for writing the screenplay. Tunberg initially agreed, Wyler said, but then changed his mind when the Screen Writers' Guild routinely investigated the claim. According to Gore Vidal and film historian Gary Giddins, however, Wyler tried to get Fry an unshared credit for the screenplay. The dispute over who would receive screen credit quickly became a public one. According to The New York Times, Vidal challenged the initial determination by the Screen Writers' Guild regarding who would receive writing credit for the film. The Screen Writers' Guild arbitrated the credit under its screenwriting credit system, and unanimously awarded full and sole credit for the script to Tunberg (who, coincidentally, was a former president of the Guild). Both director William Wyler 
Title: Gerard Maguire
Content:  While producing a film adaptation of a novel during the mid-1980s, he replaced the screenwriter originally working on the screenplay. Contacted by Columbia Pictures, he flew to California to discuss the project, he met producer and then Senior Vice-President Jane Alsobrook. He soon began a romantic relationship and Maguire ended up staying in Los Angeles for the next several years. In 1993, he and Lance Peters co-wrote Gross Misconduct later directed by George T. Miller and, the following year, wrote Seduce Me: Pamela Principle 2 and was the script supervisor for Tunnel Vision. He was also involved in acting workshops with actors such as Jon Voight among others.
Title: The Guardian (1990 film)
Content:  The original script for The Guardian bore a closer resemblance to its source material, The Nanny by novelist Dan Greenburg, which told the story of a nanny who steals children. According to screenwriter Stephen Volk, Sam Raimi was originally attached to the picture. Raimi had dropped out of the production to direct Darkman, at which point William Friedkin was brought in to direct. The script, which had originally been conceived as a tongue-in-cheek thriller for Raimi, eventually "metamorphosed into something different" during the course of filming, as Friedkin made numerous changes. Volk attempted to rework the script for Friedkin, initially re-writing the character of the nanny as a 
Title: The Devil's 8
Content:  The film was based on a story by Larry Gordon, who was a story editor at AIP. The first draft was done by James Gordon White, who wrote several films for AIP. White was then given a job working on Killers Three. Gordon had the script rewritten by his two assistants, John Milius and Willard Huyck, who had gotten a summer job working in the story department of AIP after studying at USC. Milius says they were given two weeks to write it and they did it in ten days. "I don't think we ever thought it was our best work. It was pretty good; it was funny... a lot of noise 
Title: Gore Vidal
Content:  In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote significant portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur, and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM. Thirty-six years later, in 
Title: Production of Ben-Hur (1959 film)
Content:  Lew Wallace's 1880 novel, Ben-Hur: A Tale of the Christ, ran to about 550 pages. Zimbalist hired a number of screenwriters to cut the story down and turn the novel into a script. According to Gore Vidal, more than 12 versions of the script had been written by various writers by the spring of 1958. Vidal himself had been asked to write a version of the script in 1957, refused, and been placed on suspension for his decision. Karl Tunberg was one of the last writers to work on the script. Zimbalist had initially chosen director Sidney Franklin to helm the 
Title: Dan Gordon (screenwriter)
Content:  Dan Gordon (דן גורדון; born May 5, 1947) is an Israeli-American screenwriter, television writer, television producer, television director, film producer, novelist, playwright, film director, and reserve duty captain in the Israel Defense Forces. As a screenwriter, he has written films including Wyatt Earp, Passenger 57, Murder in the First, and The Hurricane, and developed the story for Rambo: Last Blood. He has been the producer, screenwriter and story editor for over 200 hours of television, including Highway to Heaven, Highlander, and Soldier of Fortune, Inc. He has also written stage adaptations of Terms of Endearment and Rain Man, and novels based on his screenplays as well as his own experiences fighting in the Gaza War.
Title: Che (2008 film)
Content:  They began looking for someone to rewrite the screenplay; Peter Buchman was recommended to them because he had a good reputation for writing about historical figures, based on a script he worked about Alexander the Great. He spent a year reading every available book on Guevara in preparation for writing the script. The project was put on hold when Bickford and Del Toro made Traffic with Soderbergh. Soderbergh wanted to incorporate Guevara's experiences in Cuba and at the United Nations in 1964. Buchman helped with the script's structure, which he gave three storylines: Guevara's life and the Cuban Revolution; his demise in Bolivia; and his trip to New York to speak at the U.N. Buchman 
Title: Ben-Hur (1959 film)
Content:   Wyler felt Tunberg's draft was too much of a morality play overlaid with current Western political overtones, and that the dialogue was too modern-sounding. Zimbalist brought in playwright S. N. Behrman (who also wrote the script for Quo Vadis) and then playwright Maxwell Anderson to write drafts. Gore Vidal biographer Fred Kaplan states that British poet and playwright Christopher Fry was hired simultaneously with Vidal, although most sources (including Vidal himself) state that Vidal followed Anderson, and that Fry did not come aboard until Vidal was close to leaving the picture. Vidal arrived in Rome in early March 1958 to meet with Wyler. Vidal claimed that Wyler had not read the 

Question: Who was the screenwriter for The Guru?
Answer: Ruth Prawer Jhabvala.
James Ivory.