Title: Tristan und Isolde
Content:  Isolde's death. The tonality of Tristan was to prove immensely influential in western Classical music. Wagner's use of musical colour also influenced the development of film music. Bernard Herrmann's score for Alfred Hitchcock's classic, Vertigo, is heavily reminiscent of the Liebestod, most evidently in the resurrection scene. The Liebestod was incorporated in Luis Buñuel's Surrealist film L'Age d'Or. Not all composers, however, reacted favourably: Claude Debussy's piano piece "Golliwog's Cakewalk" mockingly quotes the opening of the opera in a distorted form, instructing the passage to be played 'avec une grande emotion'. However, Debussy was highly influenced by Wagner and was particularly fond of Tristan. Frequent moments of Tristan-inspired tonality mark Debussy's early compositions.
Title: Lorelei
Content:  "Eyrie" on the album Urn, released in 2017. ; German dark rock band Lord of the Lost released the song "Loreley" in their 2018 album named Thornstar. ; Other ; German composer Friedrich Silcher composed a famous song Die Lorelei with words by Heinrich Heine ; Austrian composer Johann Strauss I composed the waltz Lorelei Rhein Klänge (Echoes of the Rhine Lorelei), op. 154, in 1843. ; “The Lorelei" is a song composed by George Gershwin, with lyrics by Ira Gershwin; it was written for their musical Pardon My English (1933). ; The Lorelei is a song written by Barclay 
Title: Fog Island
Content: Sharon Douglas and Karl Hajos - "Liebestraum (Love's Dream)" by Franz Liszt. 
Title: Lorelei
Content: Opera ; German composer Felix Mendelssohn began an opera in 1846 after a libretto by Emmanuel Geibel based on the legend of the Lorelei Rhine maiden for Swedish soprano Jenny Lind. However, he died before he had the chance to finish it. German-Finnish composer Fredrik Pacius composed opera Die Loreley after a libretto by Emmanuel Geibel. It was first performed in Helsinki in 1887. Hungarian composer Franz Liszt composed Die Loreley for piano in 1856, and arranged it for voice and piano in 1861. ; Lorelei is the main character in the English opera Lurline by William Vincent Wallace, first performed 
Title: Tristan und Isolde
Content:  The British composer Ronald Stevenson has made two arrangements based on the opera. The first is The Fugue on the Shepherd's Air from Tristan und Isolde from 1999. Its composition was inspired by a lecture given by the Wagner biographer and chair of the Wagner Society of Scotland, Derek Watson, to whom the piece is dedicated. In a contrapuntal climax, Stevenson combines both the Shepherd's Air and Isolde's Liebestod. The second is a setting, for voices and organ, of lines from Tom Hubbard's 1998 narrative poem in Scots, 'Isolde's Luve-Daith', the premiere of which took place in Greyfriars Kirk, Edinburgh in March 2003. Other works based on the opera include:
Title: Tristan und Isolde
Content:  und Isolde. These were augmented and orchestrated by Markus Lehmann in 1988. Leopold Stokowski made a series of purely orchestral "Symphonic Syntheses" of Wagner's operas during his time as conductor of the Philadelphia Orchestra, bringing to concert audiences of the 1920s and '30s music they might not otherwise have heard. He made a 'long version' of music from Tristan and Isolde which consisted mainly of the act 1 prelude, the Liebesnacht from act 2 and the Liebestod from act 3. A shorter version of music from the 2nd and 3rd acts was called "Love Music from Tristan and Isolde". He made recordings of both versions on 78s and again on 
Title: Musical works of Franz Liszt
Content:  he put an ossia in which also the original accompaniment has disappeared. As own melody by Liszt, the solitary left hand plays a motive with two triplets, most resembling the opening motive of his Tasso. The key is the Gypsy or Hungarian variant of g-Minor. In this sense it was Liszt's answer that his name was "Tasso", with meaning of an artist of outstanding creativity. His true homeland was art. But besides, he was until the grave "in heart and mind" Hungarian. Several of Liszt's pupils of the 1880s left behind records from which the pieces played by themselves and their fellow students are known. 
Title: Tristan und Isolde
Content:  Tristan und Isolde (Tristan and Isolde), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung" (literally a drama, a plot or an action). Wagner's composition of Tristan und Isolde was inspired by the philosophy of Arthur Schopenhauer (particularly The World as Will and Representation), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of 
Title: Lorelei
Content:  A setting by Franz Liszt was also favored and dozens of other musicians have set the poem to music. During the Nazi regime and World War II, Heinrich Heine (born as a Jew) became discredited as author of the lyrics, in an effort to dismiss and hide Jewish contribution to German art. The Lorelei character, although originally imagined by Brentano, passed into German popular culture in the form described in the Heine–Silcher song and is commonly but mistakenly believed to have originated in an old folk tale. The French writer Guillaume Apollinaire took up the theme again in his poem "La Loreley", from the collection Alcools which is later cited in Symphony No. 14 (3rd movement) of Dmitri Shostakovich.
Title: Tristan und Isolde
Content:  done with it and later wrote his own. Wagner then included the prelude in his own three concerts at the Paris Théâtre-Italien in January–February 1860. Wagner called the prelude the "Liebestod" (Love-death) while Isolde's final aria "Mild und leise" he called the "Verklärung" (Transfiguration). In 1867 his father-in-law Franz Liszt made a piano transcription of "Mild und leise", which he called "Liebestod" (S.447); he prefaced his score with a four-bar motto from the love duet from act 2, which in the opera is sung to the words "sehnend verlangter Liebestod". Liszt's transcription became well known throughout Europe well before Wagner's opera reached most places, and it is Liszt's title for 

Question: Who was the composer of Locus iste?
Answer: Anton Bruckner.
Josef Anton Bruckner.
Bruckner.
Anton Josef Bruckner.
Joseph Anton Bruckner.
Anton Joseph Bruckner.
Anton Brückner.