Title: Director's Cut (film)
Content:  Director's Cut is a 2016 American independent black comedy horror film directed by Adam Rifkin, starring Penn Jillette and Missi Pyle. Principal photography took place in September 2014 and lasted four weeks. It opened the Slamdance Film Festival on January 22, 2016. On November 9, 2017, it was announced that the film had been picked up for distribution by Epic Pictures through its new label Dread Central Presents.
Title: R. J. Cutler
Content:  Coddington. The September Issue received its World Premiere at the 2009 Sundance Film Festival, where it screened in competition and won the Grand Jury Prize for Cinematography. Roadside Attractions acquired the film shortly after Sundance and released it theatrically on August 28, 2009. The September Issue received the 2010 Cinema Eye Honors Audience Choice Award. After completing The September Issue, Cutler returned to outtakes from the footage he shot with Wintour and edited a short film called The Met Ball, which told the story of the 2007 Metropolitan Museum Costume Institute Ball. In 2009, Cutler produced the feature documentary Hick Town, directed by George Hickenlooper. 
Title: A Prayer for the Dying
Content:  There were rumours that there was going to be a director's cut of the film as Mike Hodges had a critical hit film Croupier. That release was going to be by MGM. Both region 1 and 2 have the original theatrical release.
Title: The Director's Cut
Content:  • Mike Patton – vocals, keyboards, melodica, production, arrangement and artwork • Dave Lombardo – drums • Buzz Osborne – guitar • Trevor Dunn – bass guitar • S. Husky Höskul – engineering • Magnum D. I. – engineering assistance • Toji-Division – engineering assistance • Desmond Shea – engineering assistance • DJ Klinger and Radar – engineering assistance • George Horn – mastering • Martin Kvamme – artwork • Kai Myhre – photography
Title: Cut and Run (film)
Content:  Cut and Run was originally slated to be directed by Wes Craven with the working title Marimba. It was initially going to star Tim McIntire, Dirk Benedict and Christopher Mitchum. The film was produced in two separate versions, a "softer" R-rated cut intended for the North American market, and a "harder" version for theatrical release in Europe. The latter features additional, graphic kill scenes and gore not present in the former. Several key sequences were shot twice, once with a "soft" take, and a second time with a "harder" take.
Title: Roger Corman
Content:  After a year of not directing, Corman took a leave of absence under his contract with Columbia to make a film for AIP, the first biker movie, The Wild Angels. It starred Peter Fonda and Nancy Sinatra, from a script by Griffith; Peter Bogdanovich worked as Corman's assistant. The film opened the 1966 Venice Film Festival and was hugely successful at the box office, making over $6 million on a $350,000 budget and kicking off the "biker movie" cycle. He wanted to make a film about the Red Baron, but Columbia turned it down because of The Blue Max (1966). He proposed a movie about the St Valentine's Day Massacre and also an adaptation of the novel Only Lovers Left Alive. Nick Ray was meant to be making Only Lovers in Britain. Corman did begin directing Long Ride Home with Glenn Ford at Columbia. However, 
Title: The Wild Racers
Content:  script." Haller said the original play was to go to Europe. Corman would direct the first unit and Haller would direct second unit – namely, filming all the races on Sunday. However, when he got to Europe, Corman had already shot one of the races and told Haller since that Haller knew the script better than Corman did, Haller should direct first unit while Corman did second unit. Eventually Corman went home for portions of the shoot. Asseyev says Daniel Haller only agreed to direct it if Roger Corman agreed to also finance Haller's pet project, Paddy (1970). The Wild Racers 
Title: The Cars That Ate Paris
Content:  The producers unsuccessfully attempted to negotiate an American release for the film with Roger Corman after it was shown with great success at the Cannes Film Festival. Shortly afterwards Corman recruited Paul Bartel to direct his Death Race 2000; Bartel had not seen The Cars That Ate Paris but he was aware that Corman had a print of the film. The movie struggled to find an audience in Australia, changing distributors and with an ad campaign unsure whether to pitch it as a horror film or art film. However it has become a cult film. In 1980, $112,500 had been returned to the producers. It received an American release in 1976 by New Line Cinema under the title The Cars That Eat People with added on narration and other differences. In 1992, it was adapted as a musical theatre work by Chamber Made Opera. Legendary director Stanley Kubrick included The Cars That Ate Paris on the list of his 93 favourite films.
Title: Roger Corman
Content:  Death Race 2000 (1975), written by Robert Thom and directed by Paul Bartel, was a big hit, earning $4 million. It helped inspire a series of car chase movies: Cannonball (1976), directed by Bartel; Eat My Dust! (1976), directed by Griffith starring Ron Howard, which led to a follow-up, Grand Theft Auto (1978), Howard's directorial debut. There was also The Great Texas Dynamite Chase (1976), Deathsport (1978) and Smokey Bites the Dust (1981). New World's trailers were cut by Joe Dante and Alan Arkush. Corman gave them the chance to direct together, with Hollywood Boulevard (1976), which used outtakes from other New World films. It was successful enough for Corman to give both 
Title: Roger Corman
Content:  the directorial debuts of Curtis Hanson, Sweet Kill (1971), produced by Corman protege Tamara Asseyev. Student Nurses led to a "cycle" of nurse pictures, including Private Duty Nurses (the first film directed by George Armitage), Night Call Nurses (1972) (the first feature directed by Jonathan Kaplan), The Young Nurses and Candy Stripe Nurses (1975). There was also The Student Teachers (1973) and Summer School Teachers (1974). Big Doll House was followed by a series of women in prison pictures, such as Women in Cages (1972), The Hot Box (1972), Black Mama, White Mama (1973), The Arena (1974) (the first film directed by Steve Carver) and Caged Heat (1974) (the first film directed by Demme). Of New World's second year, Corman says 11 of the 12 releases were successful. Corman produced 

Question: Who was the director of Circuit?
Answer: Dirk Shafer.
Dirk Alan Shafer.