Title: Darin Morgan
Content:  On August 11, 2004, it was announced that Morgan and screenwriter Sam Hamm were writing an untitled screenplay under development by DreamWorks SKG. According to The Hollywood Reporter, the story "concerns a marriage counselor, whose daughter is about to get married, who discovers that his future son-in-law is suffering from the delusion that he's a superhero." Morgan worked on the second episode of former X-Files producer Frank Spotnitz's Kolchak: The Night Stalker remake, as consulting producer, though the show was canceled before any of Morgan's scripts were produced. The only script that Morgan wrote before the show was canceled was called "The M Word". It concerned a serial killer and a were-lizard, who may or may not be 
Title: Meg Bennett
Content: Script Writer: 1987–1989 ; Executive Storyline Consultant: August 6, 2002 – October 2004 (hired by Bradley Bell) Breakdown Writer: 1987–1989; 1994–1997 (hired by Claire Labine); 1999 – December 2000; April 3, 2009–July 2011 ; Actress: Allegra Montenegro (August 2005) Script Writer: August 9 – October 4, 2007 Writer: 1989–1990 Breakdown Writer: 1991–1993 ; Actress: Megan Richardson 1989 Associate Head Writer: 1997 ; Co-Head Writer: October 1997 – August 1998 Script Writer: 1981–1987 ; Actress: Julia Newman 1980–1984, 1986–1987, 2002, 2018, 2020 The Bold and the Beautiful General Hospital General Hospital: Night Shift Generations (hired by Sally Sussman Morina) Santa Barbara Sunset Beach The Young and the Restless
Title: Production of Watchmen (film)
Content:  In August 1986, producer Lawrence Gordon acquired the film rights to Watchmen for 20th Century Fox, with producer Joel Silver working on the film. Fox asked author Alan Moore to write a screenplay based on his story, but when Moore declined the studio enlisted screenwriter Sam Hamm. On September 9, 1988, Hamm turned in his first draft, but said that condensing a 338-page, nine-panel-a-page comic book into a 128-page script was arduous. He took the liberty of re-writing Watchmens complicated ending into a "more manageable" conclusion involving an assassination and a time paradox. Fox put the film into turnaround in 1991, and 
Title: Margo Lane
Content:  Margo was created for the radio version of The Shadow in 1937, because it was felt that having Harry Vincent as The Shadow's chief aid, and thus two male voices, would not provide sufficient "vocal contrast". Margo was based on socialite Brenda Frazier and You Can't Take It with You star Margot Stevenson. The relationship between Lamont and Margo was modelled on the Thin Man film series. During World War II, Walter B. Gibson felt he could no longer write stories about spy rings, since they had now become a reality. Instead he focused on whodunits, which suited the Cranston persona of the Shadow. Thus the character of Margo came to the fore, and eventually became a permanent fixture in the stories, finally being promoted to a full agent. Margo appears in at least 55 of the Shadow novels.
Title: Mad Dog Morgan
Content:  Mad Dog Morgan is based on the book Morgan: The Bold Bushranger, by Margaret Frances Carnegie. Mora wrote the script on a ship voyage from London to Melbourne in 1974. This was submitted to the Australian Film Development Corporation in early 1975 who agreed to support it. The budget was raised from the Australian Film Commission (what the AFDC turned into), Greater Union and private investment, including Mora's father Georges, Margaret Carnegie, tycoon Victor Smorgon and Lyn Williams, the wife of artist Fred Williams. Mora and producer Jeremy Thomas flew to Los Angeles to cast the lead role. Their first choice, Stacy Keach turned it down; Martin Sheen and Jason 
Title: McCabe &amp; Mrs. Miller
Content:  Maddow, a well-known poet and screenwriter. In 1969, Altman was in post-production on M*A*S*H and sneaked Foster into the screening; Foster liked the film, and signed Altman to direct a film based on McCabe. They agreed to wait until M*A*S*H became a box-office hit to take the pitch for McCabe to a studio for funding. A second screenplay – independent of Maddow's – was commissioned from Brian McKay, who completed it in only five weeks. A revised version of that screenplay dated July 1970 became the "shooting script" for the film. Altman and McKay are listed in the film's credits as its screenwriters; Maddow 
Title: Morgan (2016 film)
Content:  Morgan, a sci-fi thriller scripted by Seth W. Owen, was placed on the 2014 Black List of Best Unproduced Screenplays. With 20th Century Fox attached as financier and distributor, Ridley Scott's Scott Free Productions was set to produce. On March 10, 2015, Kate Mara was announced as having been cast in the lead role, corporate risk-management consultant Lee Weathers; Dakota Johnson, Claire Holt, Lena Dunham and Carice van Houten were also considered, while Luke Scott, son of Ridley, was set to make his directing debut, with Ridley Scott producing, along with Michael Schaefer and Elishia Holmes. Anya Taylor-Joy was also added to the cast in the title role of Morgan, the genetically-engineered being. On April 29, 2015, Paul Giamatti and Toby Jones were cast as a psychologist and chief scientist in charge of the lab facility, respectively. Boyd Holbrook was also set to play a nutritionist at the facility, and Jennifer Jason Leigh and Michelle Yeoh were later cast in supporting roles.
Title: 4 for Texas
Content:  Aldrich announced the film in November 1960 as Two for Texas, from a script by Teddi Sherman. The proposed stars were Lisa Kirk, Martine Carol and Aldo Ray. Aldrich later said he wrote the first draft of the script but "you could change that over and over and it was still a disaster." Eventually Aldrich and Sherman shared the writing credit, with some sources stating that W. R. Burnett contributed uncredited work to the screenplay. In January 1963, Dean Martin signed to make the film. At that stage his female co-stars would be Anita Ekberg and (it was hoped) Gina Lollobrigida. Warners, who had 
Title: Watchmen (film)
Content:  In 1986, producers Lawrence Gordon and Joel Silver acquired film rights to Watchmen for 20th Century Fox. After author Alan Moore declined to write a screenplay based on his story, Fox enlisted screenwriter Sam Hamm. Hamm rewrote Watchmens complicated ending, making a "more manageable" conclusion involving an assassination and a time paradox. Fox put the project into turnaround in 1991, and the project was moved to Warner Bros. Pictures, where Terry Gilliam was attached to direct and Charles McKeown to rewrite the script. Gilliam and Silver were only able to raise $25 million for the film (a quarter of the necessary budget) because their previous 
Title: Peter Morgan
Content:  in April 2010 that Morgan had quit the production after Sam Mendes was hired to direct, and that Patrick Marber would replace him. MGM dismissed the Telegraphs claims as speculation. In the end Morgan did not receive credit but rather it was Neal Purvis, Robert Wade, and John Logan who were credited as the film's screenwriters. He has since finished the script for Hereafter, a supernatural thriller "in the vein of The Sixth Sense". DreamWorks bought the screenplay on spec in March 2008. The development was later transferred to Warner Bros. and filming began in October 2009 under the direction of Clint Eastwood.

Question: Who was the screenwriter for The Margin?
Answer: Walerian Borowczyk.