Title: Messa (Puccini)
Content:  Giacomo Puccini's Messa or Messa a quattro voci (currently more widely known under the apocryphal name of Messa di Gloria) is a Mass composed for orchestra and four-part choir with tenor and baritone soloists. Strictly speaking, the piece is a full Mass, not a true Messa di Gloria (which contains only the Kyrie and Gloria and omits the Credo, Sanctus, Benedictus and Agnus Dei).
Title: Messa (Puccini)
Content: Alfonso Scarano (cond.), Aleš Briscein (tenor), Roman Janál (baritone), Czech Philharmonic Choir Brno, North Czech Philharmonic Orchestra Teplice, 2014 ; Martin Elmquist (cond.), Marcello Bedoni (tenor), Jeff Speres (baritone), Luxembourg Philarmonia, Classico, 2010 ; Karl Rathgeber (cond.), Bernhard Schneider (tenor), Christian Schmidt-Timmermann (baritone), Prague Philharmonic Orchestra, 2006 ; Ingo Schulz (cond.), Daniel Magdal (tenor), Stefan Stoll (baritone), Ölberg chor, 2004 ; Pier Giorgio Morandi (cond.), Antonello Palombi (tenor), Gunnar Lundberg (baritone), Hungarian Opera Orchestra and Radio Choir, Naxos, 2002 ; Jürgen Budday (cond.), Willi Stein (tenor), Thomas Pfeiffer (baritone), Kantorei Maulbronn (Choir), South West German Radio Baden-Baden and Freiburg Symphony Orchestra, K&K Verlagsanstalt, 2001 ; Antonio Pappano (cond.), Roberto Alagna (tenor), Thomas Hampson (baritone), 
Title: Messa per Rossini
Content:  The Messa per Rossini is a Requiem Mass composed to commemorate the first anniversary of Gioachino Rossini's death. It was a collaboration among 13 Italian composers, initiated by Giuseppe Verdi. The composition was intended to be performed on 13 November 1869 in the Basilica of San Petronio, Bologna, where Rossini grew up and spent a large part of his life.
Title: Messa (Puccini)
Content:  Symphony Orchestra and Chorus, Emi Classics, 2001 ; Wilfried Maier (cond.), Rolph Romei (tenor), Guillermo Anzorena (baritone), Schwäbischer Sängerbund, Württembergische Philharmonie Reutlingen, 1999 ; Volker Hempfling (cond.), Kölner Philarmoniker, Motette Records, 1995 ; András Ligeti (cond.), Dénes Gulyas (tenor), Balazs Poka (baritone), Chœurs de la Radio-Télévision Hongroise, Orchestre Symphonique de Budapest, Hungaroton Classic, 1992 ; Claudio Scimone (cond.), José Carreras (tenor), Hermann Prey (baritone), The Ambrosian Singers Philharmonia Orchestra, Erato, 1984 ; Eliahu Inbal (cond.), Kari Løvaas (soprano), Werner Hollweg (tenor), Barry McDaniel, Chor des Westdeutschen Rundfunks, Radio-Sinfonie-Orchester Frankfurt, Philips Classics, 1975 ; Michel Corboz (cond.), William Johns (tenor), Philippe Huttenlocher (baritone), Chœur symphonique et orchestre de la foundation Gulbenkian de Lisbonne, Erato, 1974 
Title: Messa (Puccini)
Content:  Puccini composed the Mass as his graduation exercise from the Istituto Musicale Pacini. It had its first performance in Lucca on July 12, 1880. However, the Credo had already been written and performed in 1878 and was initially conceived by Puccini as a self-contained work. Puccini never published the full manuscript of the Messa, and although well received at the time, it was not performed again until 1952 (first in Chicago and then in Naples). However, he re-used some of its themes in other works, such as the Agnus Dei in his opera Manon Lescaut and the Kyrie in Edgar. At the end of World War II, Fr. Dante Del Fiorentino purchased an old copy of the manuscript of the Messa from the Vandini family in Lucca, imagining it was the original score. However, the autograph, in the possession of the Puccini family, was given by his daughter-in-law to Ricordi, Puccini's publishing firm. The ensuing legal battle was finally resolved by dividing the rights to the work between Ricordi and Mills Music (the publishers of Fiorentino's manuscript).
Title: Messa (Puccini)
Content: G. Puccini: Messa di Gloria - published choral score ; G. Puccini: Messa di Gloria – version for chamber orchestra G. Puccini: Messa di Gloria – version for chamber orchestra 
Title: Messa di Santa Cecilia
Content:   The Messa di Santa Cecilia (mass of Saint Cecilia) is a religious work by Alessandro Scarlatti, written in 1720 for five soloists (SSATB), choir and orchestra, commissioned by and dedicated to cardinal Francesco Acquaviva of Aragona. Scarlatti was sixty years old at the time and composed at the beginning of the 18th century, in a modern style of the period, characterised by brio and seduction, which culminated in the great masses of Bach and Beethoven and "seems to foretell Haydn's last masses". This remarkable work, "coronation of all his church music", almost contemporary of Bach's Magnificat (1723), has nothing to envy to it, "both in terms of musical interest and stylistic synthesis of early 18th century trends".
Title: Messa per Rossini
Content:  The complete Messa per Rossini was discovered by American musicologist David Rosen in 1970 and premiered in 1988 by the Gächinger Kantorei conducted by Helmuth Rilling at the European Music Festival in Stuttgart and later at other festivals, such as the Rheingau Musik Festival in 2001. The first performance in the United States took place in October 1989 in New York at Avery Fisher Hall, also conducted by Rilling, with the soprano Gabriela Beňačková, the mezzo Cornelia Kallisch, the tenor James Wagner, the baritone Jacob Will and the bass Brian Matthews, the Gächinger Kantorei and the New York Philharmonic. The work has subsequently been recorded on CD. The first performance in France takes place in 1998 at the Radio France-Montpellier Festival in Montpellier, under the direction of Enrique Diemecke, with the soprano Luana DeVol, the mezzo-soprano Phyllis 
Title: Guilielmus Messaus
Content:  Guilielmus Messaus (or Messaulx, Missau) (bapt. 2 July 1589 – 8 March 1640) was a Flemish composer who was born and died in Antwerp. Between 1609 and 1610 he was a sacristan of St. Joris and in 1613 he became a schoolmaster and sacristan at St. Wllibrordus. From 1614 to 1618 he was also a teacher at St Walburgis and St Andries, but was dismissed for bad behaviour. From before 1620 he was a singer and a choir-master at St Walburgis, a post he held until his death. We know this because in 1620 he was temporarily suspended due to refusing to perform a plainchant mass instead of a polyphonic one for the burial of a child. Messaus composed at least 14 masses, 57 motets, Dutch hymns, a canon and 3 secular songs in Dutch. He is now remembered mostly as a very productive musical arranger of cantiones natalitiae (Christmas songs), which were very popular in the Low Countries. He was also an active copyist of motets and harpsichord music.
Title: Jacopo Puccini
Content: Messa a 3 (1760). Consists of Kyrie, Gloria, and Credo.  Scored for 2 violins in unison, cello, bass, continuo, and three-part chorus (SSA or SAA).  Original title: 1760/ Messa Piena a 3 voci, cioè Canto, e due Alti/ Con violini a beneplacito Unis: [soni]/ Per il Concerto di S. Giovannetto/ di Giacomo Puccini. ; Messa di requiem (1760). Requiem mass for 8 voices, strings, and continuo. 

Question: Who was the composer of Messa?
Answer: Giacomo Puccini.
Puccini.
Giacomo Antonio Domenico Michele Secondo Maria Puccini.