Title: American Night
Content:  The two times Oscar Nominee composer Marco Beltrami (The Hurt Locker, 3:10 to Yuma, Logan, World War Z, I, Robot, Venom: Let There Be Carnage) composed the original score along with Ceiri Torjussen.
Title: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
Content:  numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir. For "colour", he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music. The soundtrack received two Golden Globe Award nominations: "Best Original Score" and "Best Original Song" (for "Wunderkind"). EMI also released a compilation soundtrack entitled Music 
Title: The Ambushers (film)
Content:  Hugo Montenegro became the third composer in as many films to do the score for the series. He wrote (along with Herbert Baker who worked on Murderer's Row) the theme song, "The Ambushers", which featured the vocals of Boyce & Hart, two of the songwriters from Murderer's Row. Montenegro went on to compose the score solo for the next Matt Helm film, The Wrecking Crew.
Title: Night at the Museum
Content:  Alan Silvestri replaced John Ottman as score composer. Silvestri's score was used for the teaser trailer of Horton Hears a Who!
Title: James Horner
Content:  James Roy Horner (August 14, 1953 – June 22, 2015) was an American composer, conductor, and orchestrator of film scores. He was known for the integration of choral and electronic elements, and for his frequent use of motifs associated with Celtic music. Horner's first major score was in 1979 for The Lady in Red, but he did not establish himself as an eminent film composer until his work on the 1982 film Star Trek II: The Wrath of Khan. His score for James Cameron's Titanic is the best-selling orchestral film soundtrack of all time. He also wrote the score for one 
Title: James Horner
Content:  Horner's first credit as a feature-film composer was for B-movie director and producer Roger Corman's Battle Beyond the Stars. As his work gained notice in Hollywood, Horner was invited to take on larger projects. One of his first major scores was for 1979's The Lady in Red. Horner's big break came in 1982 when he was asked to score Star Trek II: The Wrath of Khan. It established him as an A-list Hollywood composer. Director Nicholas Meyer quipped that Horner was hired because the studio could no longer afford the first Trek movie's composer, Jerry Goldsmith; but that by the time Meyer returned to the franchise with 
Title: Tender Is the Night (film)
Content: "Has Anybody Seen My Gal?", composed by Ray Henderson ; "Charleston", composed by James P. Johnson ; "Auld Lang Syne", traditional music: lyrics by Robert Burns, lyrics by Andreas Frege ; "Honey", music by Richard A. Whiting, lyrics by Seymour Simons & Haven Gillespie ; "Jeannine, I Dream of Lilac Time", composed by Nathaniel Shilkret, lyrics by L. Wolfe Gilbert The film score was composed by Bernard Herrmann. Soundtracks included the main theme "Tender Is the Night" composed by Sammy Fain with lyrics by Paul Francis Webster (above). This song was played in the film by pianist George Greeley (uncredited). Other songs were:
Title: Nathan Scott (composer)
Content:  Nathan Scott (May 11, 1915 – February 27, 2010) was an American film score and television composer. He composed, conducted, arranged and orchestrated more than 850 separate credits in television, as well as the music for more than 100 films. His credits in television included Lassie, The Twilight Zone and Dragnet, while his film credits included the film score for Wake of the Red Witch.
Title: List of Star Trek composers and music
Content:  James Horner, composer for The Wrath of Khan and The Search for Spock, declined to return for The Voyage Home. Because of this Nimoy turned to his friend Leonard Rosenman, who had written the music to, among other films, Fantastic Voyage, Ralph Bakshi's The Lord of the Rings, and three Planet of the Apes sequels. Rosenman wrote an arrangement of Alexander Courage's Star Trek television theme as the title music for The Voyage Home, but Nimoy suggested that he write his own instead. As music critic Jeff Bond writes, "The final result was one of the most unusual Star Trek movie themes," consisting of a six note theme and variations 
Title: Never Say Never Again
Content:  James Horner was both Kershner's and Schwartzman's first choice to compose the score after being impressed with his work on Star Trek II: The Wrath of Khan. Horner, who worked in London for most of the time, wound up unavailable according to Kershner, though Schwartzman later claimed Sean Connery vetoed the American. Frequent Bond composer John Barry was invited, but declined out of loyalty to Eon. The music for Never Say Never Again was written by Michel Legrand, who composed a score similar to his work as a jazz pianist. The score has been criticised as "anachronistic and misjudged", "bizarrely intermittent" and "the most disappointing feature of the film". Legrand also wrote the main theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman — who had also worked with Legrand on the Academy Award-winning song "The Windmills of Your Mind" — and was performed by Lani Hall after Bonnie Tyler, who disliked the song, had reluctantly declined. Phyllis Hyman also recorded a potential theme song, written by Stephen Forsyth and Jim Ryan, but the song — an unsolicited submission — was passed over, given Legrand's contractual obligations with the music.

Question: Who was the composer of Nurse?
Answer: M. B. Sreenivasan.
Manamadurai Balakrishnan Sreenivasan.