Title: Dennis Feldman
Content:  adapting his script Real Men (1987) and produced Dead Again (1991), which he also developed the story with Scott Frank. In 1995 Feldman wrote and co-produced Species, based on a script idea he had in 1985. He also penned a comic book adaptation of the film by Dark Horse Comics and helped Yvonne Navarro write the film's novelization. His latest screenwriter credit is Virus (1999), which Feldman contributed some drafts after the ones made by Chuck Pfarrer, author of the original comic. Feldman has also been part of the Writers Guild of America, West board from 1998 to 2003, being part of the Screenwriters Council, Public Presence Subcommittee, and heading the WGAW Awards Committee and show.
Title: Virgil Williams
Content:  and "From Here to Paternity". He was promoted again to supervising producer for the fourteenth season. He wrote three episodes "Gravity", "Believe the Unseen", and "Tandem Repeats". He remained a supervising producer for the fifteenth and final season and wrote two further episodes entitled "Oh, Brother" and "Separation Anxiety". In 2011, he joined the writer staff of Criminal Minds, for which he wrote ten episodes and held the rank of a co-executive producer. In 2017, he signed a deal with Universal Television. He received a nomination for the Academy Award for Best Adapted Screenplay in 2018 for co-writing the film Mudbound along with director Dee Rees. The film is adapted from the novel of the same name by Hillary Jordan.
Title: The Vampire and the Ballerina
Content:  The film's story and screenplay were written by director Renato Polselli and screenplay authors Giuseppe Pellegrini and Ernesto Gastaldi. The original screenplay for the film was written by Giampaolo Callegaris. Ernesto Gastaldi described the script as "rather canine", and wrote a new one with director Renato Polselli. Gastaldi felt the script was no different than any others he had worked on, with the only new element being vampires. Gastaldi commented that since Dracula starring Christopher Lee had been such a big hit in Italy, producers and distributors were eager to make their own vampire films. Gastaldi recalled the casting for the film involved Gino Turini who put in part of the money for the film and Hélène Rémy as the film was originally going to be a co-production deal with 
Title: The Velvet Vampire
Content:  The film was Stephanie Rothman's follow up to her 1970 hit The Student Nurses. She and her husband Charles Swartz had written a script, The Student Teachers but producer Larry Woolner wanted to make a vampire film after the success of Daughters of Darkness (1970). Rothman and Swartz came up with a present-day vampire story originally entitled Through the Looking Glass. Rothman said she was interested in making a vampire female where a woman was the protagonist rather than the victim. The character name "Diane Le Fanu" was a reference to author Sheridan Le Fanu, writer of Carmilla. The script was written over three 
Title: Laurence Dworet
Content:  Laurence Dworet, M.D. (usually just credited as Laurence Dworet) is an American screenwriter. In 1990, he and his writing partner Robert Roy Pool sold their spec screenplay The Ultimatum for $500,000 against $1,000,000 if a film was made. It was the story of terrorists who plant an atomic bomb in an American city and threaten nuclear devastation unless their demands are met. Steven Spielberg described it as one of the three most exciting scripts he had ever read and was going to direct it, but the script became bogged-down in endless rewrites. Using his medical background, Dworet and Pool wrote the screenplay for Outbreak which they sold to producer Arnold Kopelson for $250,000 as he wanted a rival virus picture to Fox's Crisis in the Hot Zone. Kopelson then paid Ted Tally $500,000 to rewrite the script. An interview with Dworet can be found in William Froug's book The New Screenwriter Looks at the New Screenwriter.
Title: The Last Witch Hunter
Content:   Screenwriter Corey Goodman was largely influenced by talks with Vin Diesel, specifically about his Dungeons & Dragons witch hunter character. Initially Timur Bekmambetov was to direct but was later replaced by Breck Eisner and Goodman's script was re-written by D.W. Harper before Melisa Wallack was brought on to work on the film's script. Both were uncredited. The production filed for a film tax credit in Pennsylvania and was allocated a tax credit of $14 million. In February 2014, Vin Diesel posted a photo of the film's concept artwork to his Facebook page and Lionsgate CEO Jon Feitheimer commented that if successful, The Last Witch Hunter could become a film franchise. In March 2014, Lakeshore Entertainment boarded the film as co-financier with Lionsgate, but 
Title: Venom (2018 film)
Content:  had written a script for the film, but the studio chose to seek out new writers for a different approach from that draft. Sony was also not yet convinced that Grace could serve as the lead actor in the film. That September, Sony hired Paul Wernick and Rhett Reese to write a new script, while industry insiders suggested that Grace should return for the spin-off "because the likeable actor could be a sympathetic evildoer", in response to Venom co-creator Todd McFarlane suggesting that a Venom film could not do well with a villain as the central character. Wernick and Reese had pitched an original 
Title: Jeff Vintar
Content:  Jeff Vintar is an American screenwriter who worked on I, Robot, and The Hot Zone, as well as Long Hello and Short Goodbye and Final Fantasy: The Spirits Within. <!--OTHER CONTENT REDACTED FROM EARLIER VERSIONS, WHICH MAY BE OF USE TO LOCATED FURTHER ARTICLE SOURCING: Vintar has adapted a number of sci-fi literary works including Frederik Pohl's Man Plus and Gateway, Asimov's Foundation, Cordwainer Smith's Scanners Live in Vain, and Greg Bear's Blood Music, many of which remain in active development. Other Vintar screenplays include an early 20th Century Fox draft of Iron Man, co-written with Stan Lee; the first draft of 
Title: Scott Peters (writer)
Content:  Scott Peters is a Canadian television producer, television director and screenwriter, most probably known for his involvement in writing, co-creating and producing for the science fiction television series The 4400. He is also the head writer of the 2009 sci-fi series V, a remake of the 1980s sci-fi miniseries originally created by Kenneth Johnson. Peters is also credited as Executive Producer for the series.
Title: Resident Evil (film series)
Content:  In January 1998, Constantin Film acquired the film rights to the Resident Evil franchise with Alan B. McElroy possibly writing the script. George A. Romero was hired by Sony Pictures and Capcom to direct and write Resident Evil. His script was later rejected and he was ultimately dropped. While Romero's script was supported by a number of people from Capcom and Constantin, it was rejected by Constantin producer Bernd Eichinger, as well as Capcom producer Yoshiki Okamoto, who said that Romero was fired as his script was poor. Paul W. S. Anderson was hired by Sony Pictures to write a screenplay; in late 2000, Anderson was announced as director and writer. Anderson stated the film would not include any tie-ins with the video game series as "under-performing movie tie-ins 

Question: Who was the screenwriter for Virus?
Answer: Kinji Fukasaku.
Sakyo Komatsu.