Title: The Rejected
Content:  The Rejected is a made-for-television documentary film about homosexuality, produced for KQED in San Francisco by John W. Reavis. The Rejected was the first documentary program on homosexuality broadcast on American television. It was first shown on KQED on September 11, 1961, and was later syndicated to National Educational Television (NET) stations across the United States. The Rejected received positive critical reviews.
Title: Rejected
Content:  the Third Dimension, and the End of the Show. Rejected was scheduled to air on Adult Swim in 2001 but was delayed for unknown reasons—it was rescheduled to air in November 2002 "uncut and commercial free", and was heavily promoted on the network that week. However, the short was pulled from the schedule at the last minute, for unknown reasons. Rumors about the reasons behind this highly unusual action have included: the film's brief use of the phrase "Sweet Jesus" ("Jesus" being a word allegedly not allowed on a Turner Network back then), and an anonymous high-ranking network executive simply not finding the short to be funny. 
Title: The Rejected
Content:  The Rejected was critically and popularly well-received upon its initial airing. Variety described it as handling the topic in a "matter-of-fact down-the-middle manner, covering it quite thoroughly and, for the most part, interestingly". Terrence O'Flaherty, critic for the San Francisco Chronicle, concurred, praising KQED for its courage in addressing the subject matter, as did the San Francisco Examiner, which said the program "handled [the topic] soberly, calmly and in great depth". Of the letters KQED received, which numbered in the hundreds, 97% were positive and many of the writers encouraged the station to make more programs like it. Dorian Book Service of San Francisco published a transcript of The Rejected, and close to 400 people ordered copies. KQED 
Title: The Rejected
Content:  Fisher spoke for gay men. The Rejected was unusual for its time in that it included actual gay people as opposed to only presenting ostensibly heterosexual experts. Reavis, an independent producer who was apparently unconnected to the homophile movement, wrote up his idea for The Rejected in 1960. Reavis originally titled the documentary The Gay Ones. He explained his goals for the program in his proposal: "The object of the program will be to present as objective analysis of the subject as possible, without being overly clinical. The questions will be basic ones: who are the gay ones, how did they become gay, how 
Title: The Rejected
Content:  one segment on location at the Black Cat Bar, a San Francisco gay bar that had been fighting state and police harassment since 1948. Reavis and co-producer Irving Saraf filmed The Rejected on a budget of less than $100. Reavis and director Richard Christian utilized the talk show format, breaking down the subject matter into a series of smaller topics. Each segment included one or more subject matter experts discussing homosexuality from a different perspective. Within each segment, Reavis presented a stereotype about homosexuality and then challenged the validity of that stereotype through the expert interviews. His goal, as he noted in his 
Title: The Rejected
Content:  The Rejected to NET channels across the country; it aired on as many of 40 of the 55 NET stations and was repeated on educational stations in 1963 and 1964. Conservative members of the gay community were pleased with how the Mattachine members presented themselves as ordinary people, an image that differed from the perception held by many outside the community. Some more radical activists, including Frank Kameny and Randy Wicker, found the program wanting for the apologetic tone it took toward homosexuality. In 2002, the Gay & Lesbian Alliance Against Defamation presented KQED with the first Pioneer Award, in recognition of its production of The Rejected as the beginning of a long history of LGBT-related programming.
Title: The Rejected
Content:  copy, for the purpose of making it available online. The 60-minute film was released by the TV Archive online on May 22, 2015. The co-producer of the film, Irving Saraf, also alluded to 30 extra minutes of unaired footage, including content filmed in the Black Cat Bar. This extra footage has not been recovered. Production correspondence written from March to July 1961 between KQED's Program Manager Jonathan Rice and NET's Director of TV Programming Donley F. Feddersen refer to scenes featuring the bar and its owner Sol Stouman that had been shot but were probably going to be cut from the final edit. These documents were preserved by the Wisconsin Historical Society.
Title: The Revenant (2015 film)
Content:  Development of The Revenant began in August 2001, with producer Akiva Goldsman acquiring the rights to Michael Punke's then-unpublished manuscript. David Rabe had written the film's script. The production was picked up by Park Chan-wook, with Samuel L. Jackson in mind to star. Park later left the project. The development stalled until 2010 when Mark L. Smith wrote a new adaptation of the novel for Steve Golin's Anonymous Content. In May 2010, Smith revealed that John Hillcoat was attached to direct the film and that Christian Bale was in negotiation to star the movie. Hillcoat left the project in October 2010. Jean-François Richet was considered to replace him, but Alejandro G. Iñárritu signed on to direct in August 2011. Goldsman was also confirmed 
Title: The Revenant (2009 film)
Content:  The Revenant was written, directed, and produced by Kerry Prior, who also supervised the visual effects on the film. Liam Finn and Jacques Thelemaque were co-producers. The film was edited by Kerry Prior, though the opening credits state "image juxtaposition designer Walter Montague Urch". "Walter Montague Urch" could be a reference to Walter Map and Montague Summers, who have written about revenants and men who have returned from the dead.
Title: Alien Resurrection
Content:  Trainspotting director Danny Boyle was the producers' first choice to direct the film. Boyle and his producer met with effects supervisors to discuss the film, but he was not interested in pursuing the project and went on to make A Life Less Ordinary instead. Peter Jackson was also approached, but declined as he could not get excited about an Alien film. In 1995, after the release of The Usual Suspects, 20th Century Fox approached Bryan Singer to direct. Jean-Pierre Jeunet was asked to direct, as the film's producers believed he had a unique visual style. Jeunet had just completed the script to 

Question: Who was the director of Rejected?
Answer: Don Hertzfeldt.
Donald Hertzfeldt.