Title: Pygmalion (1938 film)
Content:  The Hungarian producer Gabriel Pascal wished to create a set of films based on Shaw's works, beginning with Pygmalion, and went to see Shaw in person to gain permission to do so. Shaw was reluctant to allow a film adaptation of Pygmalion owing to the low quality of previous film adaptations of his works, but Pascal managed to convince him (on the condition Shaw retained constant personal supervision of the adaptation) and later went on to adapt Major Barbara, Caesar and Cleopatra and Androcles and the Lion. The resulting Pygmalion scenario by Cecil Lewis and W.P. Lipscomb removed exposition unnecessary outside a theatrical context and added new scenes and dialogue by Shaw. Ian Dalrymple, Anatole de Grunwald and Kay Walsh also made uncredited contributions to the screenplay. A 
Title: Pygmalion (1938 film)
Content:  George Bernard Shaw, Cecil Lewis, Ian Dalrymple, and W.P. Lipscomb won the 1938 Academy Award for Writing (Adapted Screenplay). The film also received nominations for Best Picture, Best Actor (Howard) and Best Actress (Hiller). Shaw's reaction to his award was: "It's an insult for them to offer me any honour, as if they had never heard of me before – and it's very likely they never have. They might as well send some honour to George for being King of England [sic]." However, his friend Mary Pickford later reported seeing the award on display in his home. At the 1938 Venice Film Festival, Leslie Howard 
Title: Michael Goldenberg
Content:  Michael Goldenberg (born January 18, 1965) is an American playwright, screenwriter and film director. He graduated from the Carnegie Mellon College of Drama in 1986 with a B.F.A. Goldenberg is best known for writing the screenplay for the film Harry Potter and the Order of the Phoenix, which was the only time a Harry Potter film did not have its screenplay written by Steve Kloves.
Title: Michael Goldenberg
Content:  Goldenberg was the screenwriter and director of Bed of Roses (1996). He was the co-screenwriter for the film adaptation of Contact (1997) and co-adapted the live-action version of Peter Pan (2003) with director P. J. Hogan. He is also the screenwriter for the fifth Harry Potter film Harry Potter and the Order of the Phoenix (2007). Goldenberg was selected to write the screenplay for Harry Potter and the Order of the Phoenix in November 2004 when Steve Kloves, who had adapted the previous four Harry Potter books, turned down the opportunity to do the fifth film due to exhaustion and an interest in pursuing other projects. The BBC reported Goldenberg was to write 
Title: Ian Dalrymple
Content:  He went into screenwriting with great success. He was nominated for an Oscar for his contribution to the script of Pygmalion. Dalrymple went to work on Alexander Korda's propaganda film The Lion Has Wings (1939). One of its directors, Michael Powell, called Dalrymple "an extremely able and very nice man and a wonderful organiser."
Title: Skyfall
Content:  Peter Morgan was originally commissioned to write a script, but left the project when MGM filed for bankruptcy and production of the film stalled; despite his departure, Morgan later stated that the final script was based on his original idea, retaining what he described as its "big hook". Mendes denied this as "just not true", insisting that Morgan's approach had been discarded once he had agreed to direct. Robert Wade later said that "Neal and I were pretty steeped in Fleming. I think Peter was more interested in Le Carré. It just didn't work." Morgan cowrote the treatment Once Upon a Spy with Neal Purvis and Robert Wade, which had M being blackmailed by a Russian oligarch, who would be a former KGB agent she had an affair with while stationed in West 
Title: The Playwright's Love
Content:  The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. The New York Dramatic Mirror points out the plot of the film resembles a popular stage production The Prince Chap from several years ago. The plot of the play bear striking familiarities to the Thanhouser production. The play focuses on William Peyton, a sculptor, who takes in a young girl, Claudia, at the request of her dying mother. Claudia grows into a young woman, rejects her suitor, 
Title: Sorcerer (film)
Content:  Friedkin appointed Walon Green as the film's screenwriter. The director got to know Green in the 1960s, and was since highly impressed with his work in Sam Peckinpah's western The Wild Bunch. Friedkin described Green as a multilingual person, fluently speaking French, Spanish, Italian, and German, as well as having "an encyclopedic knowledge of classical music and literature". Prior to writing the script, Green expressed enthusiasm about the project and suggested Friedkin read Gabriel García Márquez's novel One Hundred Years of Solitude. Friedkin described it as "another lifechanging work" which served as a workprint for their adaptation of Wages of Fear. The story outline was created by both Friedkin and Green, and the script was finished in four months. Gerard 
Title: Romancing the Stone
Content:  The screenplay for Romancing was written five years earlier by a Malibu waitress named Diane Thomas in what would end up being her only screenplay made into a movie. She died in a car crash a year and a half after the film's release.
Title: Philippa Boyens
Content:  Philippa Jane Boyens (born 1962) is a New Zealand screenwriter and film producer who co-wrote the screenplay for Peter Jackson's films The Lord of the Rings series, King Kong, The Lovely Bones, and the three-part film The Hobbit, all with Jackson and Fran Walsh. She, Jackson, and Walsh won the Academy Award for Best Adapted Screenplay for The Lord of the Rings: The Return of the King at the 76th Academy Awards in 2004. She was also co-producer on every one of Jackson's films since King Kong, and on District 9. Prior to screen-writing, Boyens worked in theater as a playwright, teacher, producer, and editor. She also spent time as director of the New Zealand Writers Guild.

Question: Who was the screenwriter for Pygmalion?
Answer: Ludwig Berger.