Title: Heathers
Content:  Daniel Waters began writing the screenplay in spring of 1986, while he was working at a video store. Waters wanted the film to be directed by Stanley Kubrick, not only out of admiration for him, but also from a perception that "Kubrick was the only person that could get away with a three-hour film". (The cafeteria scene near the start of Heathers was written as an homage to the barracks scene which opens Kubrick's Full Metal Jacket.) After a number of failed attempts to get the script to Kubrick, Waters approached director Michael Lehmann, who he met through a mutual friend. Lehmann agreed to helm the film with producer Denise Di Novi. In the 
Title: Michael Lehmann
Content:  Michael Stephen Lehmann (born March 30, 1957) is an American film and television director known for directing the black comedy Heathers.
Title: Harold Hecht
Content:  Lancaster, Montgomery Clift and Laurence Olivier, with Olivier also directing. But Lancaster decided he didn't want to be directed by another actor. Plans were delayed and Clift's part was recast with Kirk Douglas and Olivier dropped out from directing. Instead, Alexander Mackendrick was hired as director, but he was later fired shortly after filming began. Mackendrick was replaced by future James Bond director Guy Hamilton. The film was partly shot at the famous Ealing Studios in England, from a script by Roland Kibbee and John Dighton. It also earned a BAFTA Award nomination for Best British Actor (for Olivier). 
Title: Harold Hecht
Content:  Hecht-Lancaster Productions was to produce and they hired a young western TV writer, Sam Peckinpah, to write a teleplay. But the pilot was never produced. After Vera Cruz, Hecht-Lancaster Productions delivered three more successful box office films financed by UA. One of the best remembered films of the 1950s, Marty was originally a television episode on The Philco Television Playhouse. The teleplay was written by Paddy Chayefsky and directed by Delbert Mann. Hecht hired both of them to develop the story into a movie and approached Ernest Borgnine, who had never been given a starring role in a film, to play the 
Title: Marc Edward Heuck
Content:  Heuck has worked as a film projectionist at Nuart Theatre, New Beverly Cinema, and Cinefamily. Heuck provided audio commentary tracks and interview segments for the DVD releases of the 1981 slasher Scream, 1995 slasher satire Night of the Dribbler, Savage Streets, Cheerleaders' Wild Weekend, The Candy Snatchers, The Pyx, The Visitor, and the dark comedy Men Cry Bullets. Heuck also recorded a bonus commentary for the 1981 punk rock satire Ladies and Gentlemen, The Fabulous Stains. Heuck wrote the foreword for Marc Salzman's DVD Confidential, a non-fiction book designed to help DVD viewers locate easter eggs in movies. He has been a writer for New Beverly Cinema and Night Flight and wrote trivia bumpers for El Rey Netowork's "Grindhouse Friday" movie broadcasts. He appeared as a contestant on Win Ben Stein's Money before being cast as The Movie Geek on Beat the Geeks. In 2014, Heuck was an Associate Producer on The Director's Chair for El Rey Network during its first season.
Title: Harold Hecht
Content:  Tough was initially set to be a big-budget picture starring Tony Curtis (also to be co-produced by his independent production company), but it eventually starred John Saxon instead. Television director Paul Stanley made his film directorial debut and the movie was topped by one of the first "Jazz Samba" soundtracks, composed by guitarist Laurindo Almeida. One of Hecht's most coveted film rights purchases came when he procured The Devil's Disciple from Nobel Prize-winner George Bernard Shaw's estate. Set in Colonial America, the story tells of the American Revolutionary War. Initially planned for a 1956 production, the film was to 
Title: Pat Healy (actor)
Content:  Sugalski on Eagleheart, as well as a celebrity guest appearance in Metalocalypse on Adult Swim. In 2000, Healy wrote and directed the short film "Mullitt", starring himself, Michael Shannon and Henry Gibson. The film premiered at the 2001 Sundance Film Festival before being acquired by HBO. His feature scripts Snow Ponies and Strange Skies landed spots on the Black List in 2006 and 2007, respectively. He has also written three episodes of HBO's In Treatment, Weeks 1–3 of Walter (John Mahoney)'s sessions in Season Two. Healy's feature directorial debut Take Me premiered at Tribeca Film Festival in April 2017. The film was produced by Duplass Brothers Productions and stars Healy alongside Taylor Schilling. It was acquired by The Orchard for a May 2017 release.
Title: Heathers: The Musical
Content:  Andy Cohen and J. Todd Harris secured the rights from Daniel Waters (the screenwriter of the film) and immediately thought of Andy Fickman to direct. After seeing Laurence O'Keefe's work with Legally Blonde and how he transitioned film to theatre, he decided to pair him with Reefer Madness collaborator Kevin Murphy. Originally, lyricist Amy Powers was on the creative team, but she transitioned to joining producers Cohen and Harris. Fickman, Murphy and O'Keefe were also producers on the original productions in Los Angeles and New York. Fickman said of the experience, "we found that Heathers gave a great deal of opportunity for '80s commentary and a great chance for music and storytelling."
Title: Harold Hecht
Content:  The Devil's Disciple was shooting in England, Hecht-Hill-Lancaster Productions was simultaneously producing Summer of the Seventeenth Doll in Australia. The film was based on Ray Lawler's successful dramatic play about sugarcane cutters in Australia, but was greatly re-written and Americanized by screenwriter John Dighton. It was directed by Leslie Norman and starred Ernest Borgnine (his final collaboration with Hecht and Lancaster), Anne Baxter, Angela Lansbury and John Mills. The film was released in Australia in late 1959 but was only released in the United States in late 1961, under the title Season of Passion. A long-time supporter of racial 
Title: Ben Hecht
Content:  Hawks, with "Hecht the wordsmith and Hawks the engineer...", who became "one of the few directors with whom Hecht enjoyed working". It starred Paul Muni playing the role of an Al Capone-like gangster. "Scarface's all-but-suffocating vitality is a kind of cinematic version of tabloid prose at its best." The story of how Scarface came to be written represents Hecht's writing style in those days. Film historian Max Wilk interviewed Leyland Hayward, an independent literary agent, who, in 1931, managed to convince Hecht that a young oil tycoon in Texas named Howard Hughes wanted him to write the screenplay to his first book. Hayward wrote 

Question: Who was the director of He?
Answer: Rouzbeh Rashidi.