Title: Splatter University
Content:  Splatter University is a 1984 American slasher film directed by Richard W. Haines. It was distributed by Troma Entertainment.
Title: Splatter film
Content:  Last Taboo: A Critical Survey Of The Wildly Demented Sub Genre Of The Horror Film That Is Changing The Face Of Film Realism Forever. The first significant publication to attempt to define and analyse the 'Splatter Film', McCarty suggests that Splatter is indicative of broader trends in film production. Though Splatter is associated with fairly extreme Horror Films, and such works form the main focus of the book, a relatively diverse range of titles dating mainly from the 1960s to late 1970s are also included, for example John Waters' Female Trouble, Magnum Force, the 1973 sequel to Dirty Harry, Terry Gilliam's Jabberwocky, and Walter 
Title: Splatter (web series)
Content:  Splatter is a 2009 interactive short horror web series directed by Joe Dante produced by Roger Corman and starring Corey Feldman. It was created for Netflix. The film aired over 3 parts on October 29, November 6 and 13, and was subsequently combined into a single 29 minute segment. In October 2019, the film website Trailers from Hell released all ten variations of the series, giving the viewer the option of whom to kill next. This is the first time every filmed episode of the series has ever been released to the public.
Title: Splatter film
Content:   A splatter film is a subgenre of horror film that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake. The term was popularized by John McCarty's 1981 book Splatter Movies, exhaustively subtitled: Breaking 
Title: Splatter film
Content:  to a lesser degree, evident in films such as Rendition (2007) starring Jake Gyllenhaal, Law Abiding Citizen (2009), and Unthinkable (2010) starring Samuel L. Jackson. In the mid-2000s, the splatter film was given a major boost within the horror industry by a new wave of French films—commonly referred to as the New French Extremity—which became internationally known for their extremely brutal nature: Martyrs (2008), directed by Pascal Laugier, Frontier(s) (2007), directed by Xavier Gens, and Inside (2007), directed by Alexandre Bustillo and Julien Maury. Rapper Eminem explored the genre in his music video for the single "3 a.m." that year. Danish 
Title: Splatter film
Content:  defined as physical comedy that involves dismemberment. Splatstick seems to be more common in Japan, with the examples of Robogeisha, Tokyo Gore Police, and Machine Girl.  Splatter films have pioneered techniques used in other genres. For example, the popular 1999 film The Blair Witch Project is similar to the 1980 film Cannibal Holocaust. The story in Cannibal Holocaust is told through footage from a group of people making a documentary about a portion of the Amazon which is said to be populated by cannibals. Although the Blair Witch directors had not seen Cannibal Holocaust at the time of filming, this "mockumentary" format was later used in their film.
Title: Splatterpunk
Content:  "seemed to have reached a peak" in the mid-1990s. The term is still sometimes used for horror with a strong gruesome element, such as Philip Nutman's novel Cities of Night. Writers known for writing in this genre include Clive Barker, Poppy Z. Brite, Jack Ketchum, Richard Laymon, J. F. Gonzalez, Joe Lansdale, Brian Keene, Richard Christian Matheson, Robert McCammon, Shane McKenzie, Wrath James White, David J. Schow (described as "the father of splatterpunk" by Richard Christian Matheson), John Skipp, Craig Spector, Edward Lee, and Michael Boatman. Some commentators also regard Kathe Koja as a splatterpunk writer. In 2018 the organizers of KillerCon established the Splatterpunk Awards (or "Bernies") to honor achievement in the fields of Splatterpunk and Extreme Horror.
Title: Splatter Theatre
Content:  A spoof of gory slasher films, along the lines of Friday the 13th or Halloween, Splatter Theatre features thirteen characters, all clichéd horror movie characters--the high school jock, the virgin, the class jerk, the bimbo, the nerd--killed in various creatively disgusting ways. The stage itself is freshly painted white, and the actors wear white costumes, allowing the red blood to stand out for the audience.
Title: Splatterthrash
Content:  Splatterthrash is an album released in June 2006 by Ghoul. The album features many surf guitar riffs, as well as thrash metal riffs.
Title: Splatterpunk
Content:  which inspires nausea". William F. Nolan and Charles L. Grant also censured the movement. However, critics R.S. Hadji and Philip Nutman praised the movement, the latter describing splatterpunk as a "survivalist" literature that "reflects the moral chaos of our times". Though the term gained some prominence in the 1980s and 1990s, and, as a movement, attracted a cult following, the term "splatterpunk" has since been replaced by other synonymous terms for the genre. The last major commercial endeavor aimed at the Splatterpunk audience was 1995's Splatterpunks II: Over the Edge, an anthology of short stories which also included essays on horror cinema and an interview with Anton LaVey. By 1998, one commentator suggested interest in splatterpunk was declining, saying 

Question: What genre is The Splatters?
Answer: puzzle video game.
puzzle game.
Puzzle video games.
puzzle/jigsaw video game.