Title: De pictura
Content:   De pictura (English: "On Painting") is a treatise or commentarii written by the Italian humanist and artist Leon Battista Alberti. The first version, composed in Latin in 1435, was not published until 1450. It is one of his three treatises on art; the other two are De statua and De re aedificatoria, that would form the Renaissance concept for the fine arts: painting, sculpture, and architecture.
Title: De pictura
Content: 1435/6, Della Pittura (in the Tuscan dialect of Italian) ; 1439–41, De pictura (in Latin) 
Title: De pictura
Content: Spencer, J (1956, 1966) On Painting. New Haven. ; Grayson, Cecil (1972) On Painting and On Sculpture: The Latin texts of De Pictura and De Statua. Phaidon. ; Sinisgalli, Rocco (2011) On Painting. A New Translation and Critical Edition. Cambridge University Press. 
Title: De pictura
Content:  dedicated the 1435 edition to him. Alberti argued that multi-figure history painting was the noblest form of art, as being the most difficult, which required mastery of all the others, because it was a visual form of history, and because it had the greatest potential to move the viewer. He placed emphasis on the ability to depict the interactions between the figures by gesture and expression. De pictura relied heavily on references to art in classical literature; in fact Giotto's huge Navicella in mosaic at Old St. Peter's Basilica in Rome (now effectively lost) was the only modern (post-classical) work described in it.
Title: De pictura
Content: Circumscriptio (Italian: disegno), consisting in drawing the bodies' contour ;  Compositio (commensuratio in the Italian version of the treatise), including tracing the lines joining the bodies ; Receptio luminum (color), taking into consideration colors and light. De pictura aimed to describe systematically the figurative arts through "geometry". Alberti divided painting into three parts: The treatise contained an analysis of all the techniques and painting theories known at the time, in this surpassing medieval works such as The book of Art by Cennino Cennini (1390). De pictura also includes the first description of linear geometric perspective around 1416; Alberti credited the discovery to Brunelleschi, 
Title: Pictura: An Adventure in Art
Content:  Ferrero; Narrator, Gregory Peck ; Part 3: Francisco Goya (1746-1828). Producer, Luciano Emmer; Director, Lauro Venturi; Screenplay, Harry Marble; Music, Isaac Albeniz; Guitar, Andrés Segovia; Narrator, Harry Marble ; Part 4: Henri de Toulouse-Lautrec (1863-1901). Directors, Robert Hessens, Olga Lipska; Producer, Pierre Braunberger; Screenplay, Herman Starr; Music, Guy Bernard; Narrator, Lilli Palmer ; Part 5: Paul Gauguin (1848-1903). Director, Allan Resnais; Producer, Pierre Braunberger; Research, Gaston Diehl; Music, Darius Milhaud; Narrator, Martin Gabel ; Part 6: Grant Wood (1892-1942). Director, Marc Sorkin; Producer, Leonid Kipnis; Research, Jules Schwerin; Camera, John Lewis; Music, Lan Adomian; Musical Direction, Jack Shaindlin; Narrator, Henry Fonda 
Title: Franciscus van der Steen
Content:  Pictorium is a shortened name of a book published in 1660 in Antwerp by David Teniers the Younger's brother Abraham Teniers in Antwerp. It was a catalog of 243 Italian paintings in the collection of over 1300 pictures owned by Teniers' employer, the Archduke Leopold Wilhelm of Austria. It contained engravings of these paintings engraved after small models (modelli ) that Teniers had painted after the originals. A second edition with page numbers was published in 1673. Nikolaus van Hoy worked as the intermediary draughtsman for several of the prints as he translated the modelli made by Teniers into drawings. These were then engraved by 
Title: Pictorialism
Content:  Koike, 1878–1947, Japanese-American ; Heinrich Kühn, 1866–1944, Austrian ; Sarah Ladd, 1860–1927, American ; Adelaide Hanscom Leeson, American ; Eugene Lemaire 1874–1948, Belgian ; 1872–1929, Belgian ; Adoph de Meyer, 1868–1949, French/German ; Léonard Misonne 1870–1943, Belgian ; Ogawa Kazumasa, 1860–1929, Japanese ; Constant Puyo 1857–1933, French ; Jane Reece, 1868?–1961, American ; Guido Rey, 1861–1935, Italian ; Henry Peach Robinson, 1830–1901, English ; Sarah Choate Sears, 1858–1935, American ; George Seeley, 1880–1955, American ; Clara Sipprell, 1885–1975, American/Canadian ; Alfred Stieglitz 1864–1946, American ; Karl Struss 1886–1981, American ; Miron A. Sherling 1880–1951, Russian ; Frank Sutcliffe, 1853–1941, English ; John William Twycross 1871–1936, Australian ; Elizabeth Flint Wade, 1849–1915, American ; Agnes Warburg, 1872–1953, English ; Eva Watson-Schütze, 1867–1935, American ; , 1843–1903, Austrian ; Clarence H. White, 1871–1925, American ; Myra Albert Wiggins, 1869–1956, American  
Title: Ut pictura poesis
Content:  18th-century British poet Alexander Pope was partial to ut pictura poesis. He considered both painting and poetry to be equals, and "it can easily be seen that he held that there was a close relationship between the art of poetry and the art of painting, especially perhaps since such a relationship combined the two arts of which he was a practitioner." There is note of Pope finding himself "in a larger context of a continuous line of poetic pictorialism". Ut pictura poesis surfaces in regards to Pope's "Rape of the Lock" through his in-depth descriptions of the characters and plot. Rebecca Ferguson, in her essay "'Quick as her Eyes, and as unfix'd as those': objectification and seeing in Pope's 'Rape of the Lock'", draws attention to these details, specifically with Belinda’s character. Ferguson explains an aspect of how Pope was painting a character and 
Title: Pictura: An Adventure in Art
Content:  Pictura: An Adventure in Art (1951) is a documentary film directed by seven directors, and narrated by several famous Hollywood actors, including Vincent Price, Gregory Peck, Henry Fonda, Martin Gabel, and Lilli Palmer. The film attempts to give the general filmgoing public a taste of art history and art appreciation. The film won a Special Award at the Golden Globes in 1952.

Question: Who is the author of De pictura?
Answer: Leon Battista Alberti.
Leon Batista Alberti.
L. B. Alberti.
Leo Baptista Alberti.
Leon Battista degli Alberti.
Lepidus.
Leo-Battista degli Alberti.
Leone Battista Alberti.