Title: It's Pat
Content: I resisted it completely. I just didn't know how we could make it last for two hours. But 20th Century Fox was really keen; our producer was really keen. So we thought, OK, we'll write the script. And after three months, we fell madly in love with the script. Unfortunately, Fox did not. The film was written by Sweeney, Jim Emerson (Sweeney's friend from their days with The Groundlings ), and Sweeney's former husband, Stephen Hibbert. While at the Groundlings, Emerson suggested that the character Pat, at the time a "character based on annoying co-workers who don't leave you alone", be made androgynous. Three months before the film's release, Sweeney commented on her initial reluctance to do a film based on Pat:  Touchstone Pictures decided to produce the film, after Fox bowed out. Quentin Tarantino revealed that he was an uncredited writer on the script.
Title: The Man Who Loved Cat Dancing (film)
Content:  Perry did not go on set because Poll did not want her there. She says much of her script was rewritten by the actors, notably George Hamilton, and several writers, notably William Norton, Robert Bolt, Tracy Keenan Wynn, Steve Shagan and Brian Hutton. Poll denied Bolt, Wynn, Shagan, Hamilton or Hutton rewrote the script. He says he, Sarafin and MGM were dissatisfied with the script and hired William Norton to work on it prior to shooting. He says she was offered the chance to collaborate with Norton but Perry declined. "It was fairly easy to batter me since Westerns are traditionally the turf of jocks", said Perry. In particular she fought with Poll and Sarafin over a rape scene. The lead female was raped in the novel but Perry removed it from the screenplay. 
Title: Against All Flags
Content:  the script was rewritten by Joseph Hoffman and Anthony Quinn signed early on as the villain. By November Howard Christie was set as producer, George Sherman as director and Maureen O'Hara the co-star. Sherman later wrote that Flynn was unsure about the scene where he fenced against a woman. He said "I'm supposed to be the bravest guy on screen? How could I fight a woman?" Sherman had worked with O'Hara before and assured him she was capable of holding her own "with a sword, a gun or her fists if need be" and warned Flynn he needed to be in shape.
Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: The Perfect Mate
Content:  script, and following re-writes to the draft, Leder elected to be credited only under the pseudonym Gary Percante. This was the only time during Piller's tenure as executive producer that a writer chose to be credited under a pseudonym. Piller subsequently praised the episode, saying "We have Beverly argue the point that Kamala's mission amounts to prostitution, and we have Picard taking the other tack; that whether or not we approve, we can't change or interfere with the way these people are. And if you accept [Gene] Roddenberry's vision, which we are built on, you have to respect that." Two of 
Title: Screenwriting
Content:  be the star. ; The Player (1992)&mdash;In this satire of the Hollywood system, Tim Robbins plays a movie producer who thinks he's being blackmailed by a screenwriter whose script was rejected. ; Adaptation (2002)&mdash;Nicolas Cage portrays real-life screenwriter Charlie Kaufman (as well as his fictional brother, Donald) as Kaufman struggles to adapt an esoteric book (Susan Orlean’s real-life nonfiction work The Orchid Thief ) into an action-filled Hollywood screenplay. ; Dreams on Spec (2007)&mdash;The only documentary to follow aspiring screenwriters as they struggle to turn their scripts into movies, the film also features wisdom from established scribes like James L. Brooks, Nora Ephron, Carrie Fisher, and Gary 
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: She's All That
Content:  On June 17, 2013, Jack Lechner (who served as Miramax's head of development in the late 1990s) confirmed that technically both Shyamalan and Fleming contributed to the script: Fleming wrote the initial script that Miramax bought while Shyamalan did an uncredited rewrite (doing more than "a polish") that got the film green-lit. Lechner reiterated that content from both writers was included in the final cut of the film. Producer Richard N. Gladstein said that the script "was pretty much done" already, but that Shyamalan's changes "helped enormously with the relationship with Kevin Pollak [who played Laney's father, Wayne]". Iscove attributed the performance 
Title: The Devil Wears Prada (film)
Content:  "My view was that we should be grateful for excellence. Why do the excellent people have to be nice?" He prepared to move on and consider more scripts. Two days later his manager persuaded him to reconsider and look for something he liked that he could shape the film into. He took the job, giving Finerman extensive notes on the script and laying out a detailed vision for the film. Four screenwriters worked on the property. Peter Hedges wrote the first draft, but did not think he could do more; another writer passed. Paul Rudnick did some work on Miranda's scenes, followed by 
Title: San Antonio (film)
Content:  in which there's no action." Geller told Burnett to come up with a story with producer Robert Buckner. (According to a later article on Brand, the author contributed to the scripts of the Flynn films Uncertain Glory, The Adventures of Don Juan and Montana before becoming a war correspondent and being killed in May 1944. ) Burnett says he wrote the script in three weeks then rewrote it. He says he pitched Marlene Dietrich for Flynn's co star; Jack Warner was enthusiastic but did not want to pay Dietrich's fee especially when he had so many actors under contract. In March 1944, Warners announced they would make the film from a script by Burnett with Raoul Walsh 

Question: Who was the screenwriter for Performance?
Answer: Donald Cammell.
Donald Seton Cammell.