Title: Black Umbrella
Content:  AllMusic wrote that "a wide variety of sonic textures, complex rhythms, and an eclectic musical range, from heavy metal to alternative to jazz, support what is perhaps the band's strongest set of intricate, progressive melodies yet."
Title: Until the Ribbon Breaks
Content:  The band "blends genres like electronic, pop, rock, and hip-hop, but it’s all done with a sharp alternative edge," and Pitchfork Media has called UTRB "avant-R&B savants." The band often writes music in front of a projector, with Winfield stating "For me, it just allows my mind to wander further than the confines of where it normally would. Silent moving images of nature, space, a busy street, whatever it maybe, take on a new sense of gravitas when soundtracked and vice versa. The music is given meaning by the image." Winfield has also stated that, "Lyrics, to me, are the most essential part of writing music. I always start with the music, and depending on how I feel and what mood the music is conveying, that gives me an idea of what kind of thing I should be saying over it."
Title: The Octopus Project
Content:  new tunes, the band dove into writing what would become their next record, 2017's Memory Mirror. The album was mixed and recorded by Dave Fridmann and Danny Reisch. Their newest release, the soundtrack for the film Damsel (2018 film) (a western directed by the Zellner Bros. and starring Robert Pattinson & Mia Wasikowska) came out June 22, 2018 on Milan Records. Produced on period specific instruments—banjo, musical saw, acoustic guitar, flute, wine glasses—the score finds the band in unknown territory sounding at once both haunting and majestic. 2019 saw the band expanding further into art installation territory, with LOOM II—an immersive, ambient surround sound & surround light performance, which premiered at the Fusebox Festival in Austin, TX.
Title: Lyckantropen Themes
Content:  Lyckantropen Themes (subtitled Original Soundtrack For The Short Film By Steve Ericsson) is an original soundtrack album by Norwegian experimental electronica band Ulver. Produced by Ulver on mobile equipment in Oslo, Norway and Stockholm, Sweden in May 2002 for the Swedish short film Lyckantropen, the album was issued in November 2002 via Jester Records. Lyckantropen Themes is Ulver's first foray into film soundtrack music, although musically it has continuity with their previously released EPs, Silence Teaches You How to Sing and Silencing the Singing. The soundtrack has been described as “ambiguous moods and lurking-in-the-shadows electronic ambiances, setting the alternately suspenseful and melancholy mood of the soundtrack.” The soundtrack was nominated for a Spellemannprisen in 2002; an award presented to Norwegian musicians, in the 'Open Class' category. The film’s DVD release features an interview with Kristoffer Rygg and Jørn H. Sværen, entitled Shape Shifting - The 1st Decade of Ulver.
Title: Riverhead (soundtrack)
Content:  Alex Lynham, writing for Prog magazine, says “their electronic and ambient influences shine strongly, and lend themselves well to the cinematic atmosphere, but perhaps less obviously where there are organic instruments there remains a strong folk influence.” Lynham concludes, “As a soundtrack album, it’s entirely possible that only hardcore fans of Ulver will find it essential; however, for those interested in the band beyond their early mercurial folk and black metal records, this is an interesting and captivating document of their electronic and cinematic work.” The Wire magazine’s review in their February 2017 issue explains, “The film deals with poisonous rivalry existing between two hierarchical neighbours over family and religion. It’s bleak and minimalist in its telling, and Ulver’s score accompanies the mood of the story perfectly, with sawing strings and frozen musical passages giving a sense of immediate danger as the plot unravels. Also impressive is the way the music entwines round the film’s snowy landscape, soughing through the trees like an ill wind to add an extra chill to the proceedings.”
Title: Humbug (album)
Content:  Angeles and the Mojave Desert alongside New York City recordings produced by James Ford. Musically, the album is a departure from the punk-influenced sound of the band with it having a desert/surf and ambient tone. Homme has been credited by writers for introducing the album's darker sound. Percussion instruments were used on the album, including xylophones, glockenspiels and shakers. Lead singer Alex Turner's vocals on the album is noted as a drastic change from the upbeat approach on Arctic Monkeys' previous albums to a slower and hushed approach. Turner's songwriting also is a departure from his kitchen-sink realism poetry, instead being replaced by analogies. The release preceded the band's headline performances at 
Title: Lyckantropen Themes
Content:  William York, writing for AllMusic, rated the album 3/5, concluding, “Taken on its own, Lyckantropen is a solid, respectable album of semi-dark ambient-electronic music, and at 37 minutes long, it doesn't wear out its welcome.” SputnikMusic rated the soundtrack 4/5, concluded, “[The soundtrack] can stand alone from the film and still procreate an impact. Ulver formidably accomplish this with apparent ease and grace, and also illustrate an unfamiliar way to approach arranging the soundtrack apart from the film. The best thing about Ulver is their ability to adapt. They can use any given situation or feeling and produce a whole record without overplaying or showboating, they just get their point across and finish in 
Title: Upholstery (band)
Content:  Upholstery's music does not clearly fall into one contemporary musical genre; though it may be generally described as eclectic post-progressive. Lyrical themes are inspired by noir fiction, science fiction, and historical fantasy and employ world-building, allegory, and abstract poetry.
Title: Ulver
Content:  track "CUT WOODeD" - a tribute to the deceased film director Ed Wood, which later appeared on Sunn O)))'s WHITEbox box set, issued in July 2006. Shadows of the Sun was issued in October 2007 in Europe and the United States and would include collaborations with artists Pamelia Kurstin contributing theremin, Mathias Eick on trumpet and Christian Fennesz, adding supplemental shimmer. Rygg described it as "our most personal record to date." Described as "low-key, dark and tragic," the album received critical acclaim, and in February 2008 the album won the Oslo Awards for Album of the Year, in 2008. The album was also voted best album of 2007 at the website Sonic Frontiers.
Title: Paradox (soundtrack)
Content:  In a mostly positive review for Pitchfork, Stephen Thomas Erlewine wrote: "Drifting between spooky guitar solos, sweet strums, and half-remembered choruses, this soundtrack occasionally stops for a full-fledged song, but these complete moments feel accidental, as if the fog lifts just long enough to reveal a full landscape." Uncut's Michael Bonner wrote: "In many respects, the ramshackle, campfire vibe of the soundtrack mirrors Hannah’s film itself – but, critically, it is neither a fully immersive experience like the Dead Man soundtrack or a third album with Promise of the Real. It’s perhaps best not to view Paradox (either film or soundtrack) as a major work from a significant artist, but yet another of Young’s shaggy digressions."

Question: What genre is Umbrella?
Answer: documentary film.
documentary movie.
doc.
film documentary.
motion picture documentary.
documentary.
factual film.