Title: Jamie Linden (writer)
Content:  In 2004, he pitched the story to Warner Bros. with film producers Basil Iwanyk and Mary Viola. When Warner Bros. bought the script, Linden and other film crew met with many family members of the plane crash victims including Keith Morehouse, whose father was killed in the crash, to collaborate on the honesty of the script and the dignity of the victims. The film became We Are Marshall, released in 2006 and directed by McG (Joseph McGinty Nichol), founder of Wonderland Sound and Vision. In 2006, it was reported that Linden was writing a biographical film about Olympic gold medalist downhill skier Bill Johnson to be produced by Basil Iwanyk, as well as an adaptation of The Dogs of Babel to be produced by David Heyman and a television pilot titled Flash Back to be directed by McG.
Title: Notorious (1946 film)
Content:  August, the memos commenced anew and centered mainly on Selznick's continuing dissatisfaction with the script. Hitchcock was abroad, so Dozier called on playwright Clifford Odets, who previously wrote None But the Lonely Heart for RKO and Grant, to do a rewrite. With Hitchcock and Selznick both busy, Selznick's script assistant Barbara Keon would be his only contact. Odets's script tried to bring more atmosphere to the story than had previously been present. "Extending the characters' emotional range, he heightened the passion of Devlin and Alicia and the aristocratic ennui of Alex Sebastian. He also added a soupçon of high culture to soften 
Title: Tomorrow Never Dies
Content:  As had been the case with several previous films in the series, an entirely original story was required as there remained no Ian Fleming novels or stories to adapt. The scriptwriting process was finished very late due to lengthy disputes. Initial writers on the project included John Cork, Richard Smith, and novelist Donald E. Westlake. In 1995, Westlake wrote two story treatments in collaboration with Wilson, both of which featured a villain who plans to destroy Hong Kong with explosives on the eve of the city's July 1997 transfer of sovereignty to China. Westlake used some of his ideas for a novel he completed the next year, though it 
Title: Michael H. Weber
Content:  script for The Disaster Artist (2017), the adaptation of the book of the same name. They also wrote Our Souls at Night, an adaptation of Kent Haruf's final novel of the same name, for Netflix, with Robert Redford and Jane Fonda playing the lead roles, the first movie they have made together since 1979's The Electric Horseman. Weber and Neustadter will be also adapting another John Green book, Looking for Alaska. They also are adapting The Rosie Project, with Jennifer Lawrence formerly set to star. In 2019, Weber joined other WGA writers in firing their agents as part of the WGA's stand against the ATA and the unfair practice of packaging.
Title: Michael H. Weber
Content:  reviews. Weber and Neustadter's script was nominated for an Independent Spirit Award for Best Screenplay and the film won a National Board of Review award for Best Independent Film. When Weber and Neustadter heard that 20th Century Fox had purchased the rights to adapt The Fault in Our Stars—a young adult novel written by John Green, about the romantic relationship between two teenagers with cancer—into a film, they campaigned the company's president to hire them to write the screenplay. Weber has said that they won the job by promising not to alter much from the book: "Hello! Please hire us! We want to bring absolutely nothing to the table!" The film, released 
Title: The Way We Were
Content:  regretted recommending Pollack. The director demanded the role of Hubbell be made equal to that of Katie, and throughout filming, for unexplained reasons, he kept Laurents away from Redford. What was intended to be the final draft of the screenplay was written by Laurents and Pollack at Stark's condominium in Sun Valley, Idaho. Laurents, dismayed to discover very little of his work remained when it was completed, left the project. Over time, 11 writers, including Dalton Trumbo, Alvin Sargent, Paddy Chayefsky, and Herb Gardner, contributed to the script. The end result was a garbled story filled with holes that neither Streisand nor Redford liked. Laurents was asked to return and 
Title: The Night of the Hunter (film)
Content:  with experience writing for films. James Agee was hired as the screenwriter because he was from the South and had experience writing about the Depression. Agee began writing in April 1954, and finished in June, but his script was 293 pages: much too long for a feature film. Laughton made significant rewrites to the script, and his was the version used for shooting, even though he insisted that Agee be credited as the only writer. Agee's original script ended with a shot of children's faces floating among the stars, an idea that was eventually moved to the opening of the film. Throughout 1954, Gregory worked with the Production Code Administration to change the script to meet the guidelines of 
Title: Looking for Alaska
Content:  The film rights to the novel were acquired by Paramount Pictures in 2005. The screenplay was potentially going to be written and directed by Josh Schwartz (creator of The O.C.) but, due to a lack of interest by Paramount, the production had been shelved indefinitely. It had been reported that Paramount was putting the screenplay in review due to the success of the film adaptation of John Green's breakout novel, The Fault in Our Stars. On February 27, 2015, The Hollywood Reporter announced that Scott Neustadter and Michael H. Weber, screenwriters for Temple Hill Entertainment who had worked on adaptations for The Fault in Our Stars and Paper Towns, would be writing and executive producing for the film. Paramount was actively casting the latest version of the screenplay, which was written 
Title: The World Is Not Enough
Content:  suggestion of a female main villain, stating that "With Elektra, Bond thinks he has found Tracy, but he's really found Blofeld". Joe Dante, and later Peter Jackson, were initially offered the opportunity to direct the film. Barbara Broccoli enjoyed Jackson's Heavenly Creatures, and a screening of The Frighteners was arranged for her. She disliked the latter film, however, and showed no further interest in Jackson. Jackson, a lifelong Bond fan, remarked that as Eon tended to go for less famous directors, he would likely not get another chance to direct a Bond film after The Lord of the Rings. Barbara Broccoli also was in talks with Alfonso Cuarón to direct, who nearly accepted. Hoping to find a director capable of eliciting 
Title: What If It's Us
Content:  In September 2018, Albertalli and Silvera sold the movie rights to the novel to Anonymous Content. Brian Yorkey was subsequently attached as the screenwriter for the film.

Question: Who was the screenwriter for We Are Not Alone?
Answer: James Hilton.