Title: Starship Titanic
Content:  The story was created by Adams, who wrote the game's script with Michael Bywater and Neil Richards. Additional dialogue was written by D. A. Barham. Adams's inspiration for the game—particularly the objective of upgrading from third to first-class—came from an experience with airline ticketing personnel, where he was told he would be given an upgrade from economy-class tickets upon checking in for his flight, but found out upon arrival that the upgrade had not been arranged; he said the idea is based on the premise that "everyone wants a free upgrade in life". Adams had devised a story concept to add an additional gameplay element where players would be able to enter the ship's data system as a "full realtime, flyable environment" and 
Title: Raise the Titanic (film)
Content:  The screenplay also underwent numerous rewrites. The first writer to work on it was Adam Kennedy, who wrote the script for Stanley Kramer's film for Lew Grade, The Domino Principle. He was followed by Eric Hughes, Millard Kaufman and Arnold Schulman. Kennedy was brought back to do further revisions on the script and he gets sole credit. Novelist Larry McMurtry – who disliked Cussler's novel, considering it "less a novel than a manual on how to raise a very large boat from deep beneath the sea" – claims that he was one of approximately 17 writers who worked on the screenplay and the only one not to petition for a credit on the finished 
Title: Victor Kendall
Content:  Victor Kendall (26 September 1903–date unknown) was a British screenwriter notable for his work in the 1930s. Kendall wrote the screenplay for Atlantic the first sound portrayal of the Titanic Disaster. Kendall worked for several British studios and production companies but spent most of his screenwriting career with the large British International Pictures organisation where he wrote scripts for several of the companies leading directors such as Ewald André Dupont and Thomas Bentley. According to IMDb, this was the same person who proceeded to an acting career in the United States, commencing as one of the not-specifically-named (and distinctly mature-looking) 
Title: El Amor infiel
Content:  The film was produced by executive producer Hugo Flesc. The screenplay was written by the director Mario David, which is based on a novel by María Angélica Bosco. Cinematographer Adelqui Camuso was hired to shoot the film. Víctor Proncet composed the soundtrack, while the editing was done by Oscar Pariso.
Title: The Mambo Kings
Content:  Arne Glimcher, an art dealer based in New York City and a fan of mambo music, learned that his longtime friend Oscar Hijuelos was writing a novel relating to the latter subject. After reading a manuscript of Hijuelos's novel The Mambo Kings Play Songs of Love, Glimcher purchased the film rights in 1988, one year before the book was published. He also appointed himself as director, believing that he was the only person capable of successfully adapting the book to film. Glimcher later hired Cuban-born screenwriter Cynthia Cidre to write the film adaptation. Cidre spent eighteen months working on the screenplay, and after 24 
Title: Death Smiles on a Murderer
Content:  actor." The film credits the script to D'Amato, Romano Scandariato and Claudio Bernabei; the latter was said to just be a typist by Scandariato. The story is credited to D'Amato, which Scandariato said was "more or less one page." Scandariato stated the film was originally written with more suspense and as more of a giallo, but this was changed out of necessity. D'Amato later claimed he wrote the screenplay entirely on his own, saying in an interview "I'm afraid it's a very imperfect film.....but this is due to the fact that I wrote the script on my own. When you don't work with someone else....it's much harder to come up with a good 
Title: Michiko Yamamoto (screenwriter)
Content:  Michiko Yamamoto (山本 美智子) is a Filipina screenwriter. Her screenwriting credits include Magnifico (2003), The Blossoming of Maximo Oliveros (2006), Remington and the Curse of the Zombadings (2013), On the Job (2013), and Honor Thy Father (2015).
Title: Lovers (1991 film)
Content:  up during the pre-production of Los Amantes de Tetuán. The script was written by Aranda, Alvaro del Amo, and Carlos Perez Merinero, using some elements of the actual crime and reinventing many others to recreate the background of the characters, about which little was known. The television project was halted from 1987 to 1990, and when the time came to start production, Los Amantes de Tetuán took a separate life from La Huella del Crimen. It was going to be the last chapter to be filmed because Vicente Aranda was immersed in the making of a mini-series for TVE. By then, Aranda was initially reluctant to make another production for television, and 
Title: Screenwriting
Content:  naïve New York playwright who comes to Hollywood with high hopes and great ambition. While there, he meets one of his writing idols, a celebrated novelist from the past who has become a drunken hack screenwriter (a character based on William Faulkner). ; Mistress (1992)&mdash;In this comedy written by Barry Primus and J. F. Lawton, Robert Wuhl is a screenwriter/director who's got integrity, vision, and a serious script &mdash; but no career. Martin Landau is a sleazy producer who introduces Wuhl to Robert De Niro, Danny Aiello and Eli Wallach - three guys willing to invest in the movie, but with one catch: each one wants his mistress 
Title: Travis Beacham
Content:  Just prior to graduating from the University of North Carolina School of the Arts in 2005 after studying screenwriting, Beacham contributed to the independent feature Dog Days of Summer directed by fellow alum Mark Freiburger. Beacham's first spec script A Killing on Carnival Row was picked up by New Line Cinema in 2005. Characterized as "a dark neo-noir fantasy thriller," the project was in development for years with directors Guillermo del Toro and Neil Jordan. However in May 2017 it was announced that Amazon Studios had ordered an eight-episode television series based on the script, Carnival Row. In May 2006, Beacham was hired to write an early draft of the Warner Bros. remake of the 1981 mythology epic Clash of the Titans. His second spec 

Question: Who was the screenwriter for Amistad?
Answer: David Franzoni.
David Harold Franzoni.