Title: Where No One Has Gone Before
Content:  The original story for "Where No One Has Gone Before" was developed before the start of Star Trek: The Next Generation, with Michael Reaves and Diane Duane invited to pitch story ideas. Duane did not belong to the Writers Guild of America (a requirement to write for the show at the time), and doubted she would be asked to write a script. Duane and Reaves worked together on several ideas; after a week, Reaves informed Duane that he developed an idea based on her 1983 Star Trek novel The Wounded Sky and asked her to collaborate with him. She worked on the 
Title: Where No Man Has Gone Before
Content:  for the episode. Like "The Cage", the episode was shot at Desilu's Culver City studios. The episode was directed by James Goldstone. He was hired primarily to get his opinion on which of the first three scripts should be the second pilot. While his best friend Stephen Kandel wrote "Mudd's Women", Goldstone agreed "Where no man has gone before" was the right choice. Ernest Haller, who had won the Oscar for Best Color Cinematography on the movie Gone with the Wind (1939), served as director of photography for the episode. He had been brought in out of semi-retirement at Goldstone's recommendation 
Title: Where No Man Has Gone Before
Content:  the latter to Stephen Kandel. Roddenberry asked long-time associate and veteran scriptwriter Samuel Peeples to submit ideas for another. Peeples came up with the premise and episode title for "Where No Man Has Gone Before," and was assigned to write it. Roddenberry rewrote Peeples's script several times and while he enjoyed working with Roddenberry, after seeing the pilot Peeples preferred his original version of the script. There was some discussion over who came up with the title "Where no man has gone before"; Peeples stated unequivocally that it was his idea, and not Roddenberry's. Kandel had fallen ill and his script was 
Title: Where No One Has Gone Before
Content:  "Where No One Has Gone Before" is the sixth episode of the American science-fiction television series Star Trek: The Next Generation, which originally aired October 26, 1987, in broadcast syndication in the United States. A high-definition, remastered version of the episode received a limited theatrical release for one day (along with the episode "Datalore") to celebrate the 25th anniversary of the series on July 23, 2012. The story was originally developed with the title "Where None Have Gone Before" and was based on Diane Duane's book, The Wounded Sky. Duane and Michael Reaves pitched the idea to David Gerrold and Gene Roddenberry, and then submitted a script. Their script was subsequently rewritten by Maurice Hurley, whose first effort was poorly received; however, he subsequently rewrote it and that version was filmed. The 
Title: Where No One Has Gone Before
Content:  was the first of the series directed by Rob Bowman, who went on to direct 12 more episodes. It was the only Star Trek: The Next Generation assignment for writers Duane and Reaves. Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. In "Where No One Has Gone Before", the Enterprise is visited by Mr. Kosinski (Stanley Kamel) and an alien known as the Traveler (Eric Menyuk). The Traveler sends the Enterprise to distant parts of the universe, and help is required from Wesley Crusher (Wil Wheaton) to bring the ship back home. In this episode, Menyuk made the first of three appearances as the Traveler. Biff Yeager made his first appearance as the longest-running chief engineer of the first season.
Title: Where no man has gone before
Content:  The phrase was first introduced into Star Trek by Samuel Peeples, who is attributed with suggesting it be used as an episode name. The episode became "Where No Man Has Gone Before", the second pilot of Star Trek. The phrase itself was subsequently worked into the show's opening narration, which was written after the episode. Indeed, the introductory sequence was devised in August 1966, after several episodes had been filmed, and shortly before the series was due to debut. It is the result of the combined input of several people, including Star Trek creator Gene Roddenberry and producers John D. F. Black and Bob Justman. 
Title: Where No Man Has Gone Before
Content:  "Where No Man Has Gone Before" is the third episode of the first season of the American science fiction television series, Star Trek. Written by Samuel A. Peeples and directed by James Goldstone, it first aired on September 22, 1966. In the episode, after the Enterprise attempts to cross the Great Barrier at the edge of the galaxy, two crew members develop powerful ESP abilities  which threaten the safety of the crew. The episode was the second pilot, produced in 1965 after the first pilot, "The Cage", was rejected by NBC. Reportedly, Lucille Ball, who owned Desilu Productions (where the pilot was produced), persuaded NBC management to consider a second pilot, thereby exercising 
Title: Where No Man Has Gone Before
Content:  The episode was adapted into a short story by James Blish for Star Trek 8, published in 1972. It also became the second in Bantam's series of Fotonovels, published in 1977.
Title: Where No Fan Has Gone Before
Content:  first week on jury duty, and then broke his ankle. Despite this, he described "Where No Fan Has Gone Before" as the most fun he has ever had writing a script.  Series creator Matt Groening stated that while he is a fan of the Star Trek franchise, he has never seen an episode of The Original Series in its entirety, but has seen Star Trek: The Motion Picture. Director Pat Shinagawa said that there was a certain amount of jealousy among the crew that she got to work on the episode. All of the living members of the original Star Trek cast agreed to appear in the episode with the exception of James Doohan, whose agent 
Title: Where No One Has Gone Before
Content:  "Where No One Has Gone Before" was the second episode scored by Ron Jones. Some themes in the soundtrack were rearrangements of Jerry Goldsmith's score from Star Trek: The Motion Picture. In the piece "Talk with Mom" (played during Picard's meeting with his mother), Jones tried to create an effect identical to the finale of Aaron Copland's 1944 Appalachian Spring. Alexander Courage's themes from The Original Series are included in a seven-note ostinato in the pieces "Log", "Visitors", and "Fly-By". The score was recorded with a 40-piece orchestra. Jones formatted the orchestra to generate a bigger sound than normally heard on television soundtracks to make it sound more like Goldsmith's The Motion Picture score. Keyboards were used to make the cellos more prominent, and other changes included an increase in the midrange of the string section. The soundtrack to "Where No One Has Gone Before" was released (as part of The Ron Jones Project box set of Star Trek: The Next Generation scores) in a limited run of 5,000 copies in 2010 by Film Score Monthly.

Question: Who was the screenwriter for Where No One Has Gone Before?
Answer: Michael Reaves.
James Michael Reaves.
Diane Duane.