Title: Public Enemies (2009 film)
Content:  producer Kevin Misher. Novelist and screenwriter Ronan Bennett had written a screenplay about Che Guevara which Mann had intended to develop, but the project was shelved as Steven Soderbergh was already working on his two-part biopic about Guevara. Starting in 2006, Bennett worked for over 18 months on adapting Burrough's book, writing several drafts. Former NYPD Blue writer and Southland creator Ann Biderman rewrote the screenplay with Mann, who polished it before shooting began. Of the screenplay, Burrough has said "it's not 100 percent historically accurate. But it's by far the closest thing to fact Hollywood has attempted, and for that I am both excited and quietly relieved."
Title: Public Enemies (2009 film)
Content:  Public Enemies is based on Bryan Burrough's 2004 non-fiction book, Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933–34. Burrough had originally begun researching the subject with the aim of creating a miniseries. The idea was accepted by HBO and Burrough was made an executive producer, along with Robert De Niro's Tribeca Productions, and was asked to write the screenplay. However, Burrough had no experience in screenwriting, and says his drafts were probably "very, very bad. Ishtar bad." He began simultaneously writing a non-fiction book, which he found easier, spending two years working on it while the interest in the miniseries disappeared. Burrough's book was 
Title: Public Morals (2015 TV series)
Content:  Creator Edward Burns began working on film scripts about Irish-American New York City police officers and Irish-American gangsters when executive producer Steven Spielberg suggested he write a script about his father's experience on the NYPD, while on the set of Saving Private Ryan. Though Public Morals did not draw from those scripts, Burns' research for them helped establish a foundation for the television series. In May 2015, TNT placed a 10-episode order for the series. While producing the series, Burns incorporated references to some of his favorite police and gangster films, including references to The Hustler, The Godfather, The French Connection, and Mean Streets, among other films.
Title: Public Access
Content:  Bryan Singer, Christopher McQuarrie, and Michael Feit Dougan wrote the screenplay for Public Access. Singer directed the screenplay in 1992 on a budget of $250,000 and with a schedule of 18 days. The crew used leftover film stock from Bram Stoker's Dracula and Hoffa. The director recalled the production experience, "Chris and I look at that film and wince a little. Part of our reaction is, 'Wow, look what we did then. It was so small and undeveloped.'  Part of it is reliving the circumstances of the days we filmed each scene. This production was fraught with 100 times more turmoil than Usual Suspects—every day was a crisis. And then we also feel very nostalgic about it." Singer compared Public Accesss themes to his follow-up film The Usual Suspects, "The two films are similar in the notion of things not always being what they seem. They're also about audiences' projections on a stranger. In many ways, Verbal in The Usual Suspects is an extension of Whiley, by being a foil for our projections. Both films are about telling stories and provoking, which segues into my style—using sound and images and music to create tension."
Title: The Public (film)
Content:  The Public is a 2018 American drama film directed and written by Emilio Estevez, who also stars in the film alongside an ensemble cast including Alec Baldwin, Jena Malone, Christian Slater, Gabrielle Union, Taylor Schilling, Jacob Vargas, Michael Kenneth Williams, and Jeffrey Wright. The film had its world premiere on September 9, 2018, at the Toronto International Film Festival. It was theatrically released in the United States on April 5, 2019, by Greenwich Entertainment.
Title: Private (novel series)
Content:  In 2016, a film adaptation of Private began production at Warner Bros., with Stacy Rukeyser attached as writer. When asked about the film in November 2020, Rukeyser replied that Warner Bros had decided not to move forward with the project.
Title: Public Enemies (1941 film)
Content:  Public Enemies is a 1941 American comedy film directed by Albert S. Rogell and written by Edward T. Lowe Jr. and Lawrence Kimble. The film stars Wendy Barrie, Phillip Terry, Edgar Kennedy, William Frawley, Marc Lawrence and Nana Bryant. The film was released on October 30, 1941, by Republic Pictures.
Title: The Public Menace
Content:  The Public Menace is a 1935 American black-and-white romantic drama film starring Jean Arthur, George Murphy and Douglass Dumbrille. A newspaper reporter keeps losing and regaining his job due to a manicurist he is persuaded to marry.
Title: Public Enemies (2009 film)
Content:  to be published in the summer of 2004 and he asked HBO to return the movie rights. They agreed and after the book was released, the rights were re-sold to production companies representing Michael Mann and Leonardo DiCaprio, the latter of whom was interested in playing John Dillinger. Burrough met with a representative and then heard nothing for three years. The actor eventually left the project to appear in Martin Scorsese's Shutter Island. Mann had written a screenplay about Alvin Karpis in the 1980s which was never produced. After reading an excerpt from Burrough's book in Vanity Fair, he eventually worked to develop a film based on the book 
Title: The Public Eye (film)
Content:  The Public Eye is a 1992 American crime thriller film produced by Sue Baden-Powell and written and directed by Howard Franklin, starring Joe Pesci and Barbara Hershey. Stanley Tucci and Richard Schiff appear in supporting roles. The film is loosely based on New York Daily News photographer Arthur "Weegee" Fellig, and some of the photos in the film were taken by Fellig.

Question: Who was the screenwriter for Public Relations?
Answer: Matthew Weiner.
Matthew Hoffman Weiner.