Title: InAlienable
Content:  The screenplay was written by Walter Koenig of the original Star Trek series. He told Starburst magazine that he was watching the 2000 World Series with friends, one of whom had appeared in The Blob. "We proceeded to have other conversations along the way about making a film that, at least initially, began the same way as The Blob, with something landing from outer space. And I really took it from there." He told interviewer Chris Wood (who identifies the friend as Anthony Franke), "I wanted to examine the intensity of familial bonding. That was one thing. I also wanted 
Title: Star! (film)
Content:  the material in the books, so the interviews became the basis of the screenplay. Wise felt it was important to hire a British screenwriter, and he decided on William Fairchild. The contrast between text in the books and the stories from the interviews found its way into the script, which initially had an animated Lawrence telling the story while the live version played out what (more or less) really happened. Eventually, Fairchild suggested Lawrence's story be told in (color) flashback while she watched a (black-and-white) documentary about her life, thus allowing the real Lawrence, who is seen on a set that is 
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: Curious George (film)
Content:  According to Stacey Snider, then-chairman of Universal Pictures, it was challenging to turn the relatively simple Curious George books into a full-length film with substantial character development. During the film's production process, many screenwriters wrote potential scripts for the project, including Joe Stillman, Dan Gerson, Babaloo Mandel, Lowell Ganz, Mike Werb, Brian Levant, David Reynolds, and Audrey Wells. Kirschner said that screenwriter Pat Proft wrote a live action draft of the film "that had a lot of really funny, funny stuff, but in the end, what we really wanted was the special relationship between this man and this little monkey... it was really difficult to capture the innocence of that." Brewster recalled that earlier versions of the script by Brad Bird and William Goldman 
Title: My Lucky Star (2013 film)
Content:  spy-tastic adventure where Sophie has to step up to the plate? And she loved that.'" Chow wrote the first draft of the script in China, while stateside, the story was developed by Gordon, with American screenwriter Snow and producer Kwei. Chinese writers Huang and Meng also contributed to the script. After several translated drafts and much cross-cultural collaboration, the team was able to strike the right balance of humor and cultural relevance for Chinese audiences. In an interview with Asia Pacific Arts, Snow explained how much she enjoyed the process: "'It was so fun when I got to work with Sean [Huang], who 
Title: Nathanael West
Content:  as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel Before the Fact (1932) by Francis Iles. West and Ingster wrote the screenplay in seven weeks, with West focusing on characterization and dialogue and Ingster focusing on the narrative structure. RKO assigned the film, eventually released as Suspicion (1941), to Alfred Hitchcock; but Hitchcock already had his own, substantially different, screenplay. Hitchcock's screenplay was written by Samson Raphaelson, Joan Harrison (Hitchcock's secretary), and Alma Reville (Hitchcock's wife). West and Ingster's screenplay was abandoned, but the text can be found in the Library of America's edition of West's collected works.
Title: The Danish Girl (film)
Content:  Screenwriter Lucinda Coxon worked on the screenplay for a decade before it was produced. She told Creative Screenwriting: "I started in 2004 and within a couple of years we had a script we were happy to send out. We were terribly excited and I was fantastically naïve, because when you fall in love with a project, you assume that everyone else will be in love with it as well. The actors were very much in love with it. Several well-known actresses wanted to play Gerda, but the subject matter made it quite difficult to find someone to play Lili. We scheduled various directors and with each director came a new draft."In September 2009, Tomas Alfredson revealed to Variety 
Title: Bryan Edgar Wallace
Content:  Evil Mind; Bryan co-wrote the screenplay based on Ernst Lothar's novel The Clairvoyant ; Strangers on a Honeymoon (1936) Bryan co-wrote this screenplay based on his father's novel ; The Squeaker (1937) released in U.S. as Murder on Diamond Row; Bryan co-wrote the screenplay based on his father's novel ; You're in the Army Now (1937) Bryan co-wrote this screenplay with three other writers ; Inspector Hornleigh (1939) Bryan co-wrote this screenplay with two other writers, based on a BBC radio series ; The Mysterious Mr. Reeder (1939) Bryan co-wrote this screenplay based on his father's novel, The Mind of Mr. Reeder 
Title: Screenwriting
Content:  naïve New York playwright who comes to Hollywood with high hopes and great ambition. While there, he meets one of his writing idols, a celebrated novelist from the past who has become a drunken hack screenwriter (a character based on William Faulkner). ; Mistress (1992)&mdash;In this comedy written by Barry Primus and J. F. Lawton, Robert Wuhl is a screenwriter/director who's got integrity, vision, and a serious script &mdash; but no career. Martin Landau is a sleazy producer who introduces Wuhl to Robert De Niro, Danny Aiello and Eli Wallach - three guys willing to invest in the movie, but with one catch: each one wants his mistress 
Title: Dreams on Spec
Content:  The film follows three aspiring screenwriters as they struggle to turn their scripts into movies. David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach. Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the great American screenplay. And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.

Question: Who was the screenwriter for Interesting?
Answer: Ben Elton.
Benjamin Charles Elton.
Rik Mayall.
Richard Michael Mayall.
Lise Mayer.