Title: John Houseman
Content:  Houseman was enticed back to MGM as a producer, and given his own production company, John Houseman Productions. His films were All Fall Down (1962), Two Weeks in Another Town (1962) and In the Cool of the Day (1963).
Title: John Houseman
Content:  of risking his future: ... on a partnership with a 20-year-old boy in whose talent I had unquestioning faith but with whom I must increasingly play the combined and tricky roles of producer, censor, adviser, impresario, father, older brother and bosom friend. Houseman later produced for the Negro Theatre Unit Turpentine (1936) without Welles. In 1936, Houseman and Welles were running a WPA unit in midtown Manhattan for classic productions called Project No. 891. Their first production was Christopher Marlowe's Tragical History of Dr. Faustus which Welles directed while also playing the title role. Houseman and Welles put on Horse Eats Hat (1936). Houseman, without Welles, helped in the direction of Leslie Howard's production of Hamlet (1936).
Title: John Houseman
Content:  John Houseman (born Jacques Haussmann; September 22, 1902 – October 31, 1988) was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane and his collaboration, as producer of The Blue Dahlia, with writer Raymond Chandler on the screenplay. He is perhaps best known for his role as Professor Charles W. Kingsfield in the film The Paper Chase (1973), for which he won the Academy Award for Best Supporting Actor. He reprised his role as Kingsfield in the 1978 television series adaptation. Houseman was also known for his commercials for the brokerage firm Smith Barney. He had a distinctive English accent, a product of his schooling.
Title: John Houseman
Content:  Houseman went to RKO where he produced They Live by Night (1948) the directorial debut of Nicholas Ray. He also did The Company She Keeps (1949) and On Dangerous Ground (1951). He returned to Broadway to produce Joy to the World (1949) and King Lear (1950-51), the latter with Louis Calhern.
Title: John Houseman
Content:  Houseman moved into television producing, notably doing The Seven Lively Arts (1957) and episodes of Playhouse 90. He also returned to theatre, producing revivals of Measure for Measure (1957) and The Duchess of Malfi (1957).
Title: The Greatest Showman
Content:  In December 2017, it was reported that James Mangold, who had worked with Jackman on several projects (including 2017's Logan), had been brought in to serve as an executive producer during the film's post-production. In an interview, director Michael Gracey noted, "There were eight producers on this film, and it was amazing having one of them be a filmmaker."
Title: The Incredible Melting Man
Content:  Producer Max Rosenberg, best known for his horror and supernatural films, provided the financing for The Incredible Melting Man. Samuel W. Gelfman was the film's producer, and American International Pictures served as both the production company and the distributor. According to Sachs, Gelfman and Rosenberg decided during shooting that a straight horror film would be more financially successful than a parody, so many of the comedic scenes were edited out and new horror scenes were shot and added to the film. Sachs said he felt the film was taken away from him, and that it suffered as a result because the producers tried to make it 
Title: John Houseman
Content:  In Hollywood he became a vice-president of David O. Selznick Productions. His most notable achievement during that time was helping adapt and produce the adaptation of Jane Eyre (1943) which starred Joan Fontaine and Welles. 
Title: John Houseman
Content:  RKO's head of production had been Dore Schary. When Schary moved to MGM he offered Houseman a contract at the studio, which the producer accepted. Houseman's stint at MGM began with Holiday for Sinners (1952); then he had a huge success with The Bad and the Beautiful (1952), directed by Vincente Minnelli. He followed it with the film adaptation of Julius Caesar (1953) (for which he received an Academy Award nomination for Best Picture) Also popular was Executive Suite (1954), although Her Twelve Men (1954), Minnelli's The Cobweb (1955) and Fritz Lang's Moonfleet (1955) all lost money. So did Lust for Life (1956), a biopic directed by Minnelli of Vincent van Gogh, although it was extremely well-received critically.
Title: Martin Manulis
Content:  In 1977, Manulis was the executive producer of the television series James at 16, a coming-of-age drama starring Lance Kerwin that aired on NBC from 1977 to 1978. Manulis also produced the television miniseries, Chiefs in 1983 (starring Charlton Heston and Keith Carradine) and James Michener's Space in 1985 (starring James Garner, Beau Bridges, and Bruce Dern). From 1987 to 1989, he was the artistic director of the Ahmanson Theatre in Los Angeles. On September 28, 2007, Manulis died of natural causes at his home in Los Angeles, at the age of 92. Manulis' son, John Bard Manulis, is a motion picture producer.

Question: Who was the producer of The Homesman?
Answer: Tommy Lee Jones.
Thomas Lee Jones.