Title: Boulevard (2014 film)
Content:  Screenwriter Douglas Soesbe underwent a similar coming out experience, telling Creative Screenwriting, "I came out very late and with a great deal of guilt. This movie is not about me, but I really understand that character." Soesbe wrote the first draft of the screenplay, which was set in Los Angeles, 10 years earlier, and because of its subject matter did not expect it to ever be produced. When producers showed interest in the project, Soesbe rewrote the script to set the story in a small town that would be "more constricted than Los Angeles."
Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: They Came Together
Content:  The film was written by David Wain and Michael Showalter. Rudd and Poehler participated in a table read of the script at the SF Sketchfest in January 2012.
Title: On the Basis of Sex
Content:  The film's script, written by Daniel Stiepleman who is Ginsburg's nephew, had made the 2014 blacklist of the best unproduced screenplays of the year.
Title: Dana Stevens (screenwriter)
Content:  She has worked on films including the adaptation of Nicholas Sparks' novel, Safe Haven, directed by Lasse Hallstrom; City of Angels, starring Nicolas Cage and Meg Ryan; For Love of the Game, directed by Sam Raimi; Blink, directed by Michael Apted; and Life or Something Like It, starring Angelina Jolie. She was the creator and executive producer of What About Brian, an ABC television series produced by J. J. Abrams that aired for two seasons. Stevens did an uncredited rewrite on The World Is Not Enough, directed by her then-husband Michael Apted, primarily to strengthen the female characters' roles. She was the last female screenwriter involved with writing a Bond film until Phoebe Waller-Bridge provided a script polish to No Time to Die in 2019. Currently, is writing and producing the TV series Reckless, a legal drama she created for CBS. She is a regular advisor at the Sundance Institute writer and filmmaker labs, and serves on the final selection committee for the Academy's Nicholl's Fellowship Screenwriting Award.
Title: What They Had
Content:  In 2014, Elizabeth Chomko was selected for the Sundance Institute's Screenwriters Lab with a script for the drama film What They Had. In September 2015, Chomko's script was announced as a winner for the Nicholl Fellowships in Screenwriting. In June 2016, Chomko revealed she would also direct the film from her screenplay. Albert Berger and Ron Yerxa were later reported to produce for Bona Fide Productions, along with Bill Holderman, and Andrew Duncan and Alex Saks producing for June Pictures, and Keith Kjarval producing for Unified Pictures.
Title: Loving Jezebel
Content:  The screenplay for the film was written independently by writer/director Bader in his New York apartment on 86th Street and Broadway, its title inspired by the Sade song Jezebel, which Bader was playing the night he started typing the screenplay. When he heard her lyric, "Jezebel wasn't born with a silver spoon in her mouth/She probably had less than every one of us/But when she knew how to walk she knew/How to bring the house down" he knew he'd found the shared quality of the women he was writing about. With Nicole Ari Parker as the first actor attached to the script and David Lancaster taking on the role of producer, rights to the screenplay were acquired in 1998 by Starz! Encore at the International Film Financing Conference (IFFCON) in San Francisco, CA, where the screenplay had been selected for inclusion as one of the best independent screenplays in the United States that year.
Title: Never Say Never Again
Content:  Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; however, Mankiewicz declined as he felt he was under a moral obligation to Eon's Albert R. Broccoli. Semple Jr. ultimately left the project after Irvin Kershner was hired as director and Schwartzman began cutting out the "big numbers" from his script to save on the budget. Connery then hired British television writers Dick Clement and Ian La Frenais to undertake re-writes, although they went uncredited for their efforts despite much of the final shooting script being theirs. This was because of a restriction by the Writers Guild of America. Clement and La Frenais continued rewriting during the 
Title: You Came Along
Content:  The first version of the screenplay was written by Robert Smith, based on his short story, Don't Ever Grieve Me, which became the working title for the film. Originally conceived as a Barbara Stanwyck vehicle, producer Hal Wallis hired Ayn Rand to rewrite the script. , Rand wrote, "As to 'You Came Along', it was originally a very cute story—not profound, but clever and appealing." However, Rand felt Smith's screenplay was badly written. "I kept whatever was good in the original script and wrote the rest; I got second credit which was fine even though I saved it." The Bob Collins character was originally called "Ace" in the Smith–Rand 
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.

Question: Who was the screenwriter for Because?
Answer: Sidney Morgan.