Title: Triumphal march
Content:  "Honours March") which is an excerpt from Verdi's march. The piece is also one of three compositions (the other two being the Spanish anthem Marcha Real and the French anthem La Marseillaise) that influenced the Philippine National Anthem, according to its composer, Julián Felipe. Verdi's triumphal march has also become the background of many a popular football chant, especially in his native Italy. Among other composers who have composed triumphal marches are Ludwig van Beethoven, Edward Elgar, Edvard Grieg and Alfred Hollins. Alexander Glazunov's is known as the "Triumphal March on the Occasion of the Worlds Columbian Exposition in Chicago, 1893".
Title: Triumphal march
Content:  A triumphal march is a musical form generally reflecting a triumph, victory or great joy. Many composers have written a triumphal march, with maybe the best known one being by Italian opera composer, Giuseppe Verdi for his 1871 grand opera, Aida, where, in the second act, Radames leads the Egyptian army on its return following their victory over the Ethiopians. The triumphal scene gives directors the opportunity for elaborate spectacle typical of the grand opera of the period in the nineteenth century. It often played during graduation ceremonies in Latin America and the Philippines which is also called the Martsang Pandangál (Filipino 
Title: The Triumph of Time (Birtwistle)
Content:  The Triumph of Time, sometimes also referred to as Triumph of Time, is a composition for orchestra by British composer Harrison Birtwistle written 1971 and 1972. It is one of Birtwistle's best-known compositions, as well as one of the works that earned him international reputation.
Title: De triomfeerende Min
Content:  De triomfeerende Min (Love Triumphant) is a 1678 pastoral semi-opera by Carolus Hacquart to celebrate the Peace of Nijmegen. It is one of the earliest surviving attempts at Dutch-language opera, 8 years before Bacchus, Ceres en Venus, a 1686 Dutch-language pastoral opera by Johan Schenck. A reconstruction was the basis for a recording by Camerata Trajectina in 2012.
Title: The Triumph of Time (Birtwistle)
Content:  abandoned version of The Triumph of Time, all composed between 1970 and 1971. Unlike most pieces that are contemporary to the Triumph, this is a fine example (and one of the few ones) of program music in the 70s. Even though The Triumph of Time was created as a standalone composition, Birtwistle said on one occasion that this work, Earth Dances and Deep Time could be viewed as a triptych, even though they were not initially planned as such and the composer never made such a connection present in his work. The final version of this composition was a commission from the Royal Philharmonic Orchestra, which gave the first performance under Lawrence Foster on 1 June 1972 at the Royal Festival Hall.
Title: The Triumph of Time and Truth
Content:  In March 1757, possibly without much involvement from the blind and aging Handel, the oratorio was further expanded and revised. The libretto was reworked into English, probably by the composer’s prolific last librettist, Thomas Morell, while John Christopher Smith Jr. probably assembled the score. Although Jephtha (1751) is considered the composer’s true last oratorio, this third version of Il trionfo comes later. Isabella Young sang the role of Counsel (Truth) at the premiere.
Title: William P. Perry
Content:  arrangers have contributed their talents to the compositions represented in the Trobriand catalogue. Included among these are William David Brohn, Richard Hayman, Peter Breiner, Donald Sosin and Robert Nowak. Trobriand has also commissioned works for important contemporary soloists. This includes a Trumpet Concerto for Armando Ghitalla, the Jamestown Concerto for Cello and Orchestra for Yehuda Hanani, the Summer Nocturne for flutist Keith Bryan and the Gemini Concerto for Violin, Piano and Orchestra for the Albek Duo. The company has been affiliated with the American Society of Composers, Authors and Publishers (ASCAP) since 1975. Trobriand publications are represented on a number of record labels including Naxos, Bridge, Opus, Premier, and LML Music.
Title: Silas G. Pratt
Content:  The Triumph of Columbus, was composed for the quadricentennial of Columbus's discovery of the New World, and was performed at Carnegie Hall on 10 October 1892. Among his other compositions was a symphony about the sinking of the Titanic, completed in June 1913. He was also the first composer to set "America the Beautiful". Pratt is known to have taught piano for a time in Joliet, Illinois. In 1895, he was appointed principal of the West End School of Music in New York. He later moved to Pittsburgh, and established the Pratt Institute of Music and Art in 1906; he served as the Institute's 
Title: Carolus Hacquart
Content:  Hacquart is the composer of the first opera in the Dutch language with the title De triomfeerende Min (Triumphant Love). The opera was based on a text by which he wrote on the occasion of the Treaty of Nijmegen of 1678. The opera was not performed during Hacquart's lifetime. The first known performance dates to 1920 when the piece was performed in Arnhem. Unfortunately most of the music of this opera has to be considered lost. Three other publications of his music have survived. His first published work is the Cantiones Sacrae, which consists of religious pieces for vocal soloists, choir and instrumentalists which could be sung by both Catholics and Protestants 
Title: The Triumph of Time (Birtwistle)
Content:  The Triumph has received very positive reviews. Pianist Joanna MacGregor described the piece in 2012 as being "sculpted, dream-like and mesmeric", and some of the younger generation of composers regard it as being "flawless" and "one of the most important orchestral scores to have been composed by an Englishman" written up until the 70s. Professor Robert Adlington stated that, unlike in Chronometer, the composer is more concerned about the qualitative aspect of time, rather than the quantitative – that is, it "involves itself not so much with time's extent and length as with the form of its motion". Scholar Seth Brodsky also stated the following about The Triumph of Time: "Cosmic or terrestrial, Birtwistle's The Triumph of Time is still one of his most disturbing pieces, a vast adagio of Mahlerian compass and inexorable tread".

Question: Who was the composer of Triumphant?
Answer: Mariah Carey.
MC.
Mirage.
Mimi.
Elusive Chanteuse.
Songbird Supreme.
Carey.