Title: Deep Impact (film)
Content:  Spielberg planned to produce and direct The Hammer of God himself for his then-fledgling DreamWorks studio, but opted to merge the two projects with Zanuck and Brown, and they commissioned a screenplay for what would become Deep Impact. In 1995, the forthcoming film was announced in industry publications as "Screenplay by Bruce Joel Rubin, based on the film When Worlds Collide and The Hammer of God by Arthur C Clarke" though ultimately, following a subsequent redraft by Michael Tolkin, neither source work would be credited in the final film. Spielberg still planned to direct Deep Impact himself, but commitments to his 1997 film Amistad prevented him from doing so in time, particularly as Touchstone Pictures had just announced their own 
Title: Influence of Stanley Kubrick
Content:  Leading directors, including Martin Scorsese, Steven Spielberg, Francis Ford Coppola, George Lucas, Richard Donner, Clint Eastwood, James Cameron, Woody Allen, Terry Gilliam, Chris Columbus, the Coen brothers, Brian De Palma, Tim Burton, Quentin Tarantino, David Lynch, John Carpenter, Ridley Scott, Robert Zemeckis, Tobe Hooper, Sam Raimi, Oliver Stone, Wes Craven, Paul Thomas Anderson, David Fincher, Henry Selick, Robert Rodriguez, Peter Jackson, Wes Anderson, Michael Moore, Todd Field, Eli Roth, Darren Aronofsky, Kevin Smith, Andy Muschietti, Sam Mendes, Rob Reiner, Richard Attenborough, Roland Emmerich, Christopher Nolan, the Wachowskis, James Gunn, James Wan, James DeMonaco, Edgar Wright, Gaspar Noé, Michael Mann, Richard Linklater, Mike Flanagan, Mary Harron, Phil Lord and Christopher Miller, 
Title: Up Jumped a Swagman
Content:  The film was made when Frank Ifield was at the height of his popularity, and attempts to reproduce the success of Cliff Richard's musicals. Ifield's agent, Leslie Grade, suggested another one of his clients, Christopher Miles, as director. Miles was only 25 and had never made a feature film before. He said the script was to be written by the people who wrote Richard's musicals: "Unfortunately the two writers of the Cliff pictures were not then on speaking terms, so the two halves of a rather soggy script arrived separately in the post, and not surprisingly made no sense at all. So Leslie, not one 
Title: Christopher Miles
Content:  Due to ‘A Vol d’Oiseau’ Miles was able to persuade the Boulting Brothers to part finance his first 35mm project The Six Sided Triangle (1963), which he wrote, directed and co-produced. The film was nominated for an Academy Award. After joining the Grade Organization, Leslie Grade asked Miles to write and direct a film for The Shadows pop group. Rhythm ‘n Greens (1964) which was distributed as a supporting feature throughout the ABC Cinemas circuit. Grade then offered Miles his first feature film, Up Jumped a Swagman (1965) a surrealist musical comedy. At 26, Miles became the youngest feature director working in England, which position he held for another 
Title: Kenneth Anger
Content:  instead focusing on Hollywood Babylon II (1984). At the dawn of the 21st century he once more returned to filmmaking, producing shorts for various film festivals and events. Anger has described filmmakers such as Auguste and Louis Lumière, Georges Méliès, and Maya Deren as influences, and has been cited as an important influence on later film directors like Martin Scorsese, David Lynch and John Waters. He has also been described as having "a profound impact on the work of many other filmmakers and artists, as well as on music video as an emergent art form using dream sequence, dance, fantasy, and narrative".
Title: Cecil B. DeMille
Content:  Wilder's Sunset Boulevard when Gloria Swanson spoke the line: "All right, Mr. DeMille. I'm ready for my close-up." DeMille plays himself in the film. DeMille's reputation had a renaissance in the 2010s. As a filmmaker, DeMille was the aesthetic inspiration of many directors and films due to his early influence during the crucial development of the film industry. DeMille's early silent comedies influenced the comedies of Ernst Lubitsch and Charlie Chaplin's A Woman of Paris. Additionally, DeMille's epics such as The Crusades influenced Sergei Eisenstein's Alexander Nevsky. Moreover, DeMille's epics inspired directors such as Howard Hawks, Nicholas Ray, Joseph L. Mankiewicz, and George Stevens 
Title: Deep Impact (film)
Content:  The origins of Deep Impact started in the late 1970s when producers Richard Zanuck and David Brown approached Paramount Pictures proposing a remake of the 1951 film When Worlds Collide. Although several screenplay drafts were completed, the producers were not completely happy with any of them and the project remained in "development hell" for many years. In the mid-1990s, they approached director Steven Spielberg, with whom they had made the 1975 blockbuster Jaws, to discuss their long-planned project. However, Spielberg had already bought the film rights to the 1993 novel The Hammer of God by Arthur C. Clarke, which dealt with a similar theme of an asteroid on a collision course for Earth and humanity's attempts to prevent its own 
Title: Michael Hemschoot
Content:  In an interview with Oxford American, Hemschoot stated that his film sensibility was formed by the works of Hal Ashby, John Sayles, Sam Peckinpah, George Roy Hill, and Walter Hill, as well as by such later directors as Alfonso Cuarón, Lars von Trier, Alejandro González Iñárritu, and Walter Salles. Specifically noting animation in an article, Hemschoot selected 5 animated performances that influenced him creatively, including Bill Tytla's "Chernabog" from Fantasia and Stromboli from Pinocchio, Milt Kahl's "Shere Khan" from The Jungle Book, Glen Keane's "Professor Ratigan" from The Great Mouse Detective and John Lounsbery's "Tony" from Lady and the Tramp.
Title: White Sun of the Desert
Content:  The director, Vladimir Motyl, said such films as Stagecoach and High Noon influenced him and he has described the film as being a "cocktail" of both an adventurous Russian folktale and a western. Initially several directors, including Andrei Tarkovsky and Andrei Konchalovsky, were offered the film but they turned it down, Motyl claims, for two main reasons. Firstly, Konchalovsky thought only American actors could pull off the part of a lead role in a western, and secondly the screenplay was considered weak. Motyl also initially turned down the offer, but then found himself in a no-choice situation, as he would not be given any other film to direct. After the first version of the film was turned down by Mosfilm, Valentin Yezhov and Rustam Ibragimbekov were assigned to improve the script. Ibragimbekov was chosen 
Title: It (2017 film)
Content:  Director Andy Muschietti said influences on It included the "visceral" authority of horror cinema: The Howling (1981), The Thing (1982), and Near Dark (1987). He also spoke of the influential contributions of Clive Barker and John Carpenter. He cited the influence of Steven Spielberg in "the way of understanding story and filmmaking, because he has such a strong emotional element to all his stories.", while crediting Stephen King, alongside directors such as [Carpenter] and Joe Dante. He also sought to emulate the whimsical and nostalgic perspective on childhood, while providing a balance with a much harsher viewpoint. He stated: "The movie, the tone of the 

Question: Who was the director of Impulse?
Answer: Sondra Locke.
Sandra Louise Anderson.
Sandra Louise Smith.
Sandra Locke.