Title: Sue Me
Content:  before. The song was written in September 2017, after Carpenter concluded the De Tour, by Sabrina Carpenter, Warren "Oak" Felder, Steph Jones, Trevor Brown and William Zaire Simmons. It was produced by Felder with Brown and Zaire Koalo as co-producers. Felder, Brown and Koalo did the background vocals while Felder programmed the track and Koalo handled the drum programming. Felder engineered the track at SuCasa Recording in Los Angeles with Keith "Daquan" Sorrells serving as an assistant engineer. The song was mixed by Eric J Dubowsky at Hercules St. Studios in Sydney and Tim Watt served as a mix assistant. The song was mastered at Sterling Sound in New York City by Chris Gehringer.
Title: Sue (album)
Content:  All songs written and composed by Tim Freeman, except where noted.
Title: Sue (Or in a Season of Crime)
Content:  "Sue (Or in a Season of Crime)" is a song by English musician David Bowie released on 17 November 2014 as the lead single from the 2014 compilation album Nothing Has Changed. Co-produced by Bowie and longtime collaborator Tony Visconti, the song originated after the two saw bandleader Maria Schneider perform with her orchestra in May 2014. They began collaborating on Bowie's first major project since The Next Day (2013). Following workshop sessions in mid-June, the track was recorded officially at Avatar Studios in New York on 24 July 2014, with contributions from Schneider's orchestra. Although he had experimented with jazz earlier in his career, "Sue" marked Bowie's first explorations into experimental jazz. Musically, the song contains an array of instrumentation and is driven by a brass and flute motif. Saxophonist Donny McCaslin provided the solos. Inspired by the writings 
Title: Sue (Or in a Season of Crime)
Content:  a rock deity." According to Visconti, who co-produced the track with Bowie, Schneider and the core members of her band "jammed to the bass line for several hours ... over the course of three long sessions in a rehearsal studio". Schneider told biographer Chris O'Leary that the initial workshop version of the track was "very different". She initially had the players improvise over an E major chord, but felt it was "too much", and changed it to a "B section" for Bowie, which allowed him to continue to revise the lyrics up to the final recording. The rhythms began to form and Bowie found his lyrics after a few more sessions. After the final workshop session, Bowie and Schneider met to finalise the arrangement and structure.
Title: Sue (Or in a Season of Crime)
Content:  found your note that you wrote last night / It can't be right you went with him") and murders her ("I pushed you down beneath the weeds"), kisses her corpse and says goodbye. Following her murder, the narrator finds a note that tells the whole story ("you went with that clown"). Bowie starts the last verse "Sue, I never dreamed", which was the title of the first song he ever recorded, with his first band the Kon-Rads in 1963. Pegg credits the writings of poet Robert Browning, specifically "Porphyria's Lover" and "My Last Duchess", as inspiration for the lyrics.
Title: Sue Me
Content:  Carpenter wrote the song after she was sued by her ex music managers Stan Rogow and Elliot Lurie for allegedly not paying them commissions after she fired them in August 2014. They claimed that they should have some of the revenue from Carpenter's previous two albums Evolution and Eyes Wide Open. Carpenter has confirmed this is the background, but has not commented on the situation or stated an outcome if there is one yet. Carpenter also stated this song as representing pure confidence. Carpenter said that "Sue Me" was the first track that was giving a direction to the album because it was in a different lane than the other songs that she had 
Title: Sue (Or in a Season of Crime)
Content:  poet Robert Browning, the lyrics of "Sue" are open-ended, depicting the fall of a marriage. Premiered in October 2014, the song garnered positive reviews from music critics, but some felt its inclusion on a compilation album downplayed the track. A music video directed by Tom Hingston promoted it. Bowie re-recorded both "Sue" and its B-side, "'Tis a Pity She Was a Whore" for his twenty-fifth and final studio album, Blackstar (2016). The new version features players from the original, including McCaslin, drummer Mark Guiliana and guitarist Ben Monder, along with pianist Jason Lindner, bassist Tim Lefebvre and James Murphy of LCD Soundsystem on percussion. The remake is more stripped down than the original, featuring a harder, punchier sound influenced by drum'n'bass, while Bowie's vocals are more subdued. Many critics have praised the remake as superior to the original recording.
Title: Sue (Or in a Season of Crime)
Content:  "Sue" was officially recorded on 24 July 2014 at Avatar Studios in New York; Bowie had intended to use the Magic Stop, the studio where he had recorded The Next Day, but it proved too small for the 17-person orchestra. Bowie handed out his lyrics to the musicians at the start of the session; the track's title was revealed on the music sheets. The song's arrangement provided the musicians with a substantial amount of freedom during the session. Guiliana later recalled: "Aside from David and Maria's overall direction, the chart I was playing from was quite minimal ... More of a guide, rather than a specific notation." During the session, Schneider 
Title: Sue (album)
Content:  Sue is the debut album by Frazier Chorus and was released in 1989. The CD version of the album included an extra track "Little Chef". The album was reissued in 2008 on the Cherry Red Records label.
Title: Sue (Or in a Season of Crime)
Content:  apart, moving at different tempos". The bass line played by Keberle borrows heavily from Plastic Soul's 1997 single "Brand New Heavy", which earned that song's writers, Paul Bateman and Bob Bhamra, co-writing credits on "Sue" with Bowie and Schneider. McCaslin's playing is prevalent throughout the track, often emphasising the lyrics. In the closing section, his saxophone takes center stage, with the remaining orchestra playing around him. Both Bowie and Visconti praised McCaslin's saxophone contributions, with the latter telling Mojo: "It's one of the most soulful saxophone solos David and I have ever heard ... It always made us weep, especially the end part. He's such a passionate player."

Question: Who was the composer of Sue?
Answer: Maria Schneider.
Maria Lynn Schneider.
David Bowie.
David Robert Jones.
David Jones.
Bowie.
Davy Jones.
Thin White Duke.
Halloween Jack.