Title: The Winner (1996 film)
Content:  The Winner is a 1996 film directed by Alex Cox and written by Wendy Riss based on her play A Darker Purpose. Most noted for its quirky cast (Vincent D'Onofrio, Richard Edson, Michael Madsen, Billy Bob Thornton, and Frank Whaley) and art department, including production designer Cecilia Montiel. The film was substantially re-edited by its executive producers, Mark Damon and Rebecca De Mornay, and the original score – by Cox's longtime collaborators Pray for Rain – was replaced by a jazz score. Cox requested that his name be removed from the credits.
Title: The Winner (2014 film)
Content:  The Winner (A győztes) is a 2014 Hungarian short film directed by Dávid Géczy, starring Andor Lukáts and Iván Kamarás. The film is supported by Media Council Film and Media Funding Scheme.
Title: The Winner (2014 film)
Content: Andor Lukáts (old swimming coach and former Olympic swimming winner in 2014) ; Iván Kamarás (the young Olympic swimming winner in 1980) ; Eszter Földes (his wife) ; Simon Szemző (Simon, child) ; Tamás Racsek (Tomi, child) ; Máté Veczel (Máté, child) ; Adam Lux (doctor) ; Gergő Mikola (Ivan Popov, russian swimmer) ; Askar Shalov (Mongolian Swimmer) ; László Zinner (politician)  
Title: Michael Winner
Content:  Robert Michael Winner (30 October 1935 – 21 January 2013) was an English filmmaker, writer, and media personality. He is known for directing numerous action, thriller, and black comedy films in the 1960s, 1970s and 1980s, including several collaborations with actors Oliver Reed and Charles Bronson. Winner's best-known works include Death Wish (1974) and its first two sequels, the World War II comedy Hannibal Brooks (1969), the hitman thriller The Mechanic (1972), the supernatural horror film The Sentinel (1977), the neo-noir The Big Sleep (1978), the satirical comedy Won Ton Ton, the Dog Who Saved Hollywood (1976), and the Revisionist Westerns Lawman (1971) and Chato's Land (1972). Winner was also known as a media personality in the United Kingdom, appearing regularly on television talk programmes and publishing a restaurant review column for The Sunday Times. He was also a founder of the Police Memorial Trust.
Title: Michael Winner
Content:  which – although set in New York City – was mostly filmed in London for budgetary reasons. Winner produced and edited." Winner was also attached to direct Cannon's 1990 film Captain America, from a script by James Silke, which he would revise with Stan Hey, and then Stan Lee and Lawrence Block. By 1987, however, Winner was off the project. Winner's final film for Cannon was an adaptation of the Agatha Christie novel Appointment with Death (1989) starring Peter Ustinov as Poirot. Winner produced, edited and directed; but despite a strong support cast including Lauren Bacall and Carrie Fisher, the film flopped.
Title: The Winner (1926 film)
Content: Billy Sullivan as Scotty MacTavish ; Lucille Hutton as Patsy Thorne ; Ben Walker as Ben Reader ; Martin Turner as Scotty's Second ; Tom O'Brien as Slugger Martin ; George B. Williams as Archer Thorne 
Title: Michael Winner
Content:  Hannibal Brooks drew notice in Hollywood, and Winner soon received an opportunity to direct his first American film, for United Artists; this was Lawman (1971), a Western starring Burt Lancaster and Robert Duvall, and for which Gerald Wilson was the writer. Back in England, Winner directed Marlon Brando in The Nightcomers (1971), a prequel to The Turn of the Screw by Henry James, the first of many films for which Winner was credited as editor using the pseudonym 'Arnold Crust'.
Title: Michael Winner
Content:  a popular hit. Winner and Reed then made the comedy-drama I'll Never Forget What's'isname (1967), co-starring Orson Welles, Carol White and Harry Andrews, also for Scimitar. Draper wrote the script, which was a spoof of the advertising world, and the film was also done for Universal. Winner did some uncredited directing on A Little of What You Fancy (1967), a documentary about the history of the British music hall. Then he and Reed made their fourth feature together, the World War II satire Hannibal Brooks (1969), again from a Clement/La Frenais script and based on a story by Winner. 20th Century Fox hired Winner to direct The Games (1970), a film about the Olympic Games and which starred Ryan O'Neal and Stanley Baker, with script by Eric Segal.
Title: Michael Winner
Content:  Winner tried to break out of action films with Won Ton Ton, the Dog Who Saved Hollywood (1976), an animal comedy Winner produced and directed, starring Bruce Dern, Madeline Kahn, Art Carney, and Milton Berle. Intended as a satire of Hollywood, it was a financial failure. Of modest success was his horror film The Sentinel (1977), which Winner wrote, produced and directed for Universal, and which was based on the novel by Jeffrey Konvitz. Winner then wrote, produced and directed the remake of Raymond Chandler's novel The Big Sleep (1978), starring Robert Mitchum as Philip Marlowe with a strong support cast including John Mills, Sarah Miles, Richard Boone and Candy Clarke. The film was relocated to England, and financed by ITC Films. Also for ITC, Winner produced, edited and directed the organized crime thriller Firepower (1979). It was meant to star Bronson, who withdrew, and wound up starring Sophia Loren and James Coburn.
Title: Michael Winner
Content:  Winner edited, produced and directed Chato's Land (1972), recounting a mixed race native American fighting with white people. It starred Charles Bronson and was done for Scimitar through United Artists. Once more, Gerald Wilson wrote the script. Winner's second film for Bronson and United Artists was The Mechanic (1972), a thriller in which professional assassins are depicted. It was based on a story and script by Lewis John Carlino and Winner also edited, although he did not produce; he replaced Monte Hellman as director. The following year, Winner cast Lancaster again in the espionage drama Scorpio (1973), co-starring Alain Delon and made for Scimitar and United Artists. Winner also produced and directed a third film with Bronson, The Stone Killer (1973), for Columbia and in collaboration with producer Dino De Laurentiis.

Question: Who was the screenwriter for Winner?
Answer: Sundar C.
Vinayagar Sundar Vel.