Title: Ben-Hur (1959 film)
Content:  cornpone [the crew's nickname for Heston] really threw himself into your 'first meeting' scene yesterday. You should have seen those boys embrace!" Film critic F. X. Feeney, in a comparison of script drafts, concludes that Vidal made significant and extensive contributions to the script. The final writer on the film was Christopher Fry. Charlton Heston has claimed that Fry was Wyler's first choice as screenwriter, but that Zimbalist forced him to use Vidal. Whether Fry worked on the script before Vidal or not, sources agree that Fry arrived in Rome in early May 1958 and spent six days a week on the set, writing and rewriting lines of dialogue as well 
Title: Butcher, Baker, Nightmare Maker
Content:  Producer and co-writer Stephen Breimer co-wrote the film's screenplay with Boon Collins and Alan Jay Glueckman, aspiring to blend elements of character-driven films led by female villains (such as What Ever Happened to Baby Jane?) with the slasher film. The genesis of the story was based on Breimer's own curiosity about his biological parents, as he himself was adopted. Though the core of the plot was devised by Breimer and Glueckman, Boone, a writer from Vancouver, helped write several sequences, including the opening car crash death of Billy's parents.
Title: Players (1979 film)
Content:  The film was a passion project of producer Robert Evans, who was an enthusiastic tennis player. He made it under his independent deal with Paramount, where he had been head of production. Evans hired Arnhold Schulman to write a script. There were over 16 drafts. "I had a bitter dispute with the writer", said Evans. Schulman later recalled: "I got in my contract all of the Dramatist Guild guarantees: I had approval of the director, not a word [of the script] could be changed without my consent, and so forth. Immediately after I finished the screenplay, Bob Evans sent me on a wild goose chase to Rome to cast a part he had already 
Title: The Burning Man (The Twilight Zone)
Content:  This segment was written and directed by J. D. Feigelson, who counted Ray Bradbury, writer of the original short story, as a writing mentor of his. Feigelson wrote the teleplay for a proposed anthology series called Strange Dimensions, though he said little was involved in writing the adaptation beyond cutting unnecessary dialogue from the short story and putting it into teleplay form. He did make the minor addition of the tire blowout, simply to add more variety to the shots. All the changes were reviewed by Bradbury for his approval. After Strange Dimensions failed to get picked up, the script was repurposed for The Twilight Zone. Feigelson was reluctant to direct the segment, having never directed a Hollywood production before, but Bradbury insisted that Feigelson be the director since he was afraid that anyone else might take liberties with the story. Like the setting of the story, filming took place on an extremely hot day, and precautions had to be taken to keep the actors and crew from suffering sunburn or heat stroke. The car was not driven but towed along by a truck with a trailer so that there would be a place to mount the camera.
Title: The Player (1992 film)
Content:  Griffin Mill is a Hollywood studio executive dating story editor Bonnie Sherow. He hears story pitches from screenwriters and decides which have the potential to be made into films, green-lighting only 12 out of 50,000 submissions every year. His job is threatened when up-and-coming story executive Larry Levy begins working at the studio. Mill has also been receiving death threat postcards, assumed to be from a screenwriter whose pitch he rejected. Mill surmises that the disgruntled writer is David Kahane, and Kahane's girlfriend June Gudmundsdottir tells him that Kahane is at the Rialto Theater in Pasadena. Mill pretends to recognize 
Title: Screenwriters: Words Into Image
Content:  Screenwriters: Words Into Image (1982) is a PBS documentary series produced in the United States and featuring six 30-minute episodes. Each explored the work of a single significant American screenwriter. The series was directed by Terry Sanders and Freida Lee Mock. Individual episodes featured Carl Foreman, who was blacklisted in the 1950s after being classified as an uncooperative witness by the House Unamerican Activities Committee and worked for years in Great Britain; William Goldman, Paul Mazursky, Eleanor Perry, Neil Simon, and Robert Towne. The series was nominated for the Primetime Emmy Award for Outstanding Informational Series in 1983.
Title: By the Gun
Content:  Emilio Mauro, the screenwriter said of the casting: "I specifically wrote it [the character] for Slaine. Harvey Keitel was an offer. We knew we needed one guy. We went after a bunch and we paid him. Everyone else worked for scale including Toby Jones. Mike Yebaa's in it. Kenny Wormald is in it. Jay Giannone is in it. I knew them all. I wrote Yebba's character for him too. Ben Barnes is gonna show people he can do more. It's a grittier Ben Barnes." Principal photography began in late November 2012 in Boston, Massachusetts and lasted 15 days. Filming also took place in Providence, Rhode Island. The production budget was about $3 million.
Title: The Lodge (film)
Content:  The original screenplay for The Lodge was written by Scottish screenwriter Sergio Casci, which had been sold to Hammer Films. Hammer offered the screenplay to be directed by filmmaking duo Veronika Franz and Severin Fiala. The two agreed, though they rewrote a significant portion of the script, including the ending, which Franz felt "didn't work."
Title: Born to Kill (1947 film)
Content:  Pre-production on the film began in early February 1945, more than two years before its release. Thalia Bell of Motion Picture Daily and Irving Spear for Boxoffice reported then that RKO had hired author Steve Fisher to begin writing the screenplay for James Gunn's 1943 novel Deadlier Than the Male. By April, however, the studio had replaced Fisher and enlisted freelance screenwriter Eve Greene and later Richard Macaulay to compose the script as a team and to manage its editing through production. Cast selections began in August 1945 with Lawrence Tierney being RKO's first choice due to his rising popularity after his powerful performance in Monogram Pictures' Dillinger, 
Title: The Evil That Men Do (film)
Content:  The movie's first draft was written by the novel's writer, R. Lance Hill (as per the terms of his contract). John Crowther was hired to rewrite the draft in the spring of 1982. Crowther was originally hired on a weekly contract, but when the producers realized the extent to which the script needed rewriting, it was drastically extended. Prior to rewriting the film's screenplay, Crowther had written the martial-arts, action movie Kill and Kill Again. Crowther had known Pancho Kohner—the movie's producer—for many years. It was Kohner who hired him to rewrite the script. In addition to this, Crowther had worked on Bronson's earlier movies. For example, he was an uncredited writer on Love and Bullets; and a casting director on 10 to Midnight. 

Question: Who was the screenwriter for The Builder?
Answer: Rick Alverson.