Title: Symphonies by Pyotr Ilyich Tchaikovsky
Content: No. 1 in G minor, Op. 13, Winter Daydreams (1866) ; No. 2 in C minor, Op. 17, Little Russian (1872) ; No. 3 in D major, Op. 29, Polish (1875) ; No. 4 in F minor, Op. 36 (1877&ndash;1878) ; Manfred Symphony, B minor, Op. 58; inspired by Lord Byron's poem Manfred (1885) ; No. 5 in E minor, Op. 64 (1888) ; No. 6 in B minor, Op. 74, Pathétique (1893) ; Symphony in E-flat (sketched 1892 but not finished; reconstructed during the 1950s and subsequently published as Symphony No. 7) 
Title: Pyotr Ilyich Tchaikovsky
Content:  Scribner's Sons, 1973). ISBN: 978-0-684-13558-8. ; Wiley, Roland John, "Tchaikovsky, Pyotr Ilyich". In The New Grove Dictionary of Music and Musicians, Second Edition (London: Macmillan, 2001), 29 vols., ed. Sadie, Stanley. ISBN: 978-1-56159-239-5. ; Wiley, Roland John, The Master Musicians: Tchaikovsky (Oxford and New York: Oxford University Press, 2009). ISBN: 978-0-19-536892-5. ; Zhitomirsky, Daniel, "Symphonies". In Russian Symphony: Thoughts About Tchaikovsky (New York: Philosophical Library, 1947).. ; Zajaczkowski, Henry, Tchaikovsky's Musical Style (Ann Arbor and London: UMI Research Press, 1987). ISBN: 978-0-8357-1806-6. Ritzarev, Marina, Tchaikovsky's Pathétique and Russian Culture (Ashgate, 2014). ISBN: 978-1-4724-2411-2. ; Roberts, David, "Modulation (i)". In The New Grove Dictionary of Music and Musicians (London: MacMillan, 1980), 20 vols., 
Title: List of compositions by Pyotr Ilyich Tchaikovsky
Content:  Pyotr Ilyich Tchaikovsky wrote several works well known among the general classical public—Romeo and Juliet, the 1812 Overture, and his three ballets: The Nutcracker, Swan Lake, and The Sleeping Beauty. These five, along with two of his four concertos, three of his six symphonies (seven if his program symphony Manfred is included), and two of his ten operas, are probably among his most familiar works. Almost as popular are the Manfred Symphony, Francesca da Rimini, the Capriccio Italien, and the Serenade for Strings.
Title: Music of Pyotr Ilyich Tchaikovsky
Content: No. 1 in G minor, Op. 13, Winter Daydreams (1866) ; No. 2 in C minor, Op. 17, Little Russian (1872) ; No. 3 in D major, Op. 29, Polish (1875) ; No. 4 in F minor, Op. 36 (1877&ndash;1878) ; Manfred Symphony, B minor, Op. 58; inspired by Byron's poem Manfred (1885) ; No. 5 in E minor, Op. 64 (1888) ; No. 6 in B minor, Op. 74, Pathétique (1893) ; Symphony in E-flat (reconstructed by Semyon Bogatyrev; published in 1961 as Symphony No. 7) Tchaikovsky's first three symphonies, while seemingly optimistic and nationalistic, are also chronicles of his attempts to reconcile his training from the Saint Petersburg Conservatory 
Title: Pyotr Ilyich Tchaikovsky
Content:  A. Knopf House, 2011), tr. Bouis, Antonina W. ISBN: 978-0-307-27063-4. ; Warrack, John, Tchaikovsky Symphonies and Concertos (Seattle: University of Washington Press, 1969).. ; Warrack, John, Tchaikovsky (New York: Charles Scribner's Sons, 1973). ISBN: 978-0-684-13558-8. ; Wiley, Roland John, "Tchaikovsky, Pyotr Ilyich". In The New Grove Dictionary of Music and Musicians, Second Edition (London: Macmillan, 2001), 29 vols., ed. Sadie, Stanley. ISBN: 978-1-56159-239-5. ; Wiley, Roland John, The Master Musicians: Tchaikovsky (Oxford and New York: Oxford University Press, 2009). ISBN: 978-0-19-536892-5. ; Zhitomirsky, Daniel, "Symphonies". In Russian Symphony: Thoughts About Tchaikovsky (New York: Philosophical Library, 1947).. ; Zajaczkowski, Henry, Tchaikovsky's Musical Style (Ann Arbor and London: UMI Research Press, 1987). ISBN: 978-0-8357-1806-6. 
Title: Symphonies by Pyotr Ilyich Tchaikovsky
Content:  Tchaikovsky's opening entry for his diary of 1872 reads as follows: "Yesterday, on the road from Vorozhba to Kiev, music came singing and echoing through my head after a long interval of silence. A theme in embryo, in B-flat major, took possession of my mind and almost led me on to attempt a symphony. Suddenly the thought came over me to cast aside Stasov's not too successful Tempest and devote the summer to composing a symphony which should throw all my previous works in the shade." This entry confirms that Tchaikovsky's priority in composition was a notable, complete melody, what musicologist John Warrack calls the "lyrical idea." With that melody might come the inspiration to use 
Title: Music of Pyotr Ilyich Tchaikovsky
Content:  E flat in 1892, before beginning the Pathetique, but discarded it as unsatisfactory. After finishing the Pathetique, he recycled the opening movement as his Third Piano Concerto, which was left as a single-movement Allegro de concert upon his death. Although the composer's friend and colleague Sergei Taneyev completed the slow movement and finale for piano and orchestra and these are sometimes combined with the single-movement work to form a full-length concerto, it remains unclear whether this was actually the composer's intent. The symphony was reconstituted in what is believed to be its original form by Russian composer Semyon Bogatyriev; it was published in 1961 after a 10-year period of reconstruction. 
Title: Symphonies by Pyotr Ilyich Tchaikovsky
Content:  the work became difficult, as it would when he worked on the Manfred symphony, he became discouraged and complained that writing to a program was unpleasant and it was easier to do so without one. In a letter to von Meck dated December 5, 1878, Tchaikovsky outlined two kinds of inspiration for a symphonic composer, a subjective and an objective one: "In the first instance, [the composer] uses his music to express his own feelings, joys, sufferings; in short, like a lyric poet he pours out, so to speak, his own soul. In this instance, a program is not only not 
Title: Symphonies by Pyotr Ilyich Tchaikovsky
Content:  in development, were foreshortened. Codas, where pieces of music generally wind to a close, were greatly enlarged to a size and scope that can affect the listener's concept of the themes. Themes shuffled into new and unexpected patterns of order and three- or four-movement structures were rolled into one in a continual process of creative experimentation. A number of composers, especially Bohemian and Russian, followed in Liszt's footsteps to develop the symphonic poem further. Added to this was the Russian love of story-telling, for which the genre seemed expressly tailored. Tchaikovsky wrote a symphonic poem, Fatum, after he had finished his First Symphony and first opera, The Voyevoda. There, he dabbled with the free form 
Title: List of compositions by Pyotr Ilyich Tchaikovsky
Content:  (1873) ; Op. 22 String Quartet No. 2 in F (1874) ; Op. 23 Piano Concerto No. 1 in B minor (1875) ; Op. 24 Eugene Onegin, opera (1878) ; Op. 25 6 Songs (1874) ; No. 1 Reconciliation ; No. 2 As When Upon Hot Ashes (Over Burning Ashes) ; No. 3 Mignon's Song ; No. 4 The Canary ; No. 5 I Never Spoke To Her ; No. 6 As They Repeated: "Fool" ; Op. 26 Sérénade mélancolique in B minor, for violin and orchestra (1875) ; Op. 27 6 Songs (1875) ; Op. 28 6 Songs (1875) ; Op. 29 Symphony No. 3 

Question: Who was the composer of list of symphonies by Pyotr Ilyich Tchaikovsky?
Answer: Pyotr Ilyich Tchaikovsky.
Pyotr Il'yich Tchaikovsky.
Pyotr Tchaikovsky.
Peter Ilich Tchaikovsky.
Tchaikovsky.
Peter Tchaikovsky.
Pyotr Il'ich Chaikovskiy.
Tschaikowski.
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Chajkovskij.
Chaikovsky.
Piotr Ilyitch Tchaikovsky.