Title: Chloe (2009 film)
Content:  After determining the plan for the remake of the film Nathalie..., the investor StudioCanal believed that it was necessary to find a reliable screenwriter to write a script for the film because it tells a relatively complicated family and emotional story. Erin Cressida Wilson was chosen, in part because of her experience writing erotic films such as Secretary (2002). This script took Wilson a lot of time and energy to create, and many times she couldn't figure out what real life was and what was the story in the script. Wilson found it easier to write for Chloe than for Catherine, later saying, "I related to Chloe, the young woman who loved to seduce people".
Title: Paul Chitlik
Content:  In 1984 he wrote his second play, “Casanova Goldberg,” which received a staged reading in Los Angeles, but before it could be produced, Chitlik did a career about-face and began to write for television, first as the executive story editor for a syndicated series, "Guilty or Innocent," and later as a staff writer with writing partner, Jeremy Bertrand Finch, for the Showtime series,"Brothers." Chitlik and Finch wrote for CBS' "The Twilight Zone," "Who's the Boss?,"  and NBC's "Amen." Chitlik joined the Writers Guild of America, west, in 1986, and has been an active member since, serving on the Academic Liaison Committee, the Publications Board, and, most recently, on the Writers with Disabilities Committee. In 1999 he assisted the Guild’s public 
Title: Borden Chase
Content:  Chase began writing for TV with "The Windmill" for General Electric Theatre (1955). He wrote the screenplay for Backlash (1956), directed by John Sturges and Night Passage (1957) for Mann and Stewart. The latter also starred Audie Murphy who was in Ride a Crooked Trail (1958), written by Chase. Chase wrote several episodes of Tales of Wells Fargo (1959), Overland Trail (1960), The Detectives (1961), The Tall Man (1961), Whispering Smith (1961), Bonanza (1962), Route 66 (1962) and The Roy Rogers and Dale Evans Show (1962). He did some uncredited writing on Mutiny on the Bounty (1962) and wrote Gunfighters of Casa Grande (1964). Chase continued working for TV shows such as Daniel Boone, The Virginian (1964), and Branded (1965).
Title: Leigh Chapman
Content:  she pitched an idea for a female remake of The Fountainhead, but it was not made. Chapman wrote Impulse (1990), directed by Sondra Locke and produced by Ruddy. She wrote Storm and Sorrow(1990) based on her own novel. In the early 1990s, she wrote a script for Jean-Claude Van Damme that was not made. Chapman wrote the pilot for Walker, Texas Ranger (1993) starring Norris but had an unhappy experience and left the show after only writing a few episodes. She did an early draft of what became An Eye for an Eye (1996. Chapman appeared in the 2001 USA Network television film After the Storm.
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: John Frankenheimer
Content:  In 1981, Frankenheimer travelled to Japan to shoot the cult martial-arts action film The Challenge, with Scott Glenn and Japanese actor Toshiro Mifune. He told Champlin that his drinking became so severe while shooting in Japan that he actually drank on set, which he had never done before, and as a result he entered rehab on returning to America. The film was released in 1982, along with his HBO television adaptation of the acclaimed play The Rainmaker. In 1985, Frankenheimer directed an adaptation of the Robert Ludlum bestseller The Holcroft Covenant, starring Michael Caine. That was followed the next year with another adaptation, 52 Pick-Up, from the novel by Elmore Leonard. Dead Bang (1989) followed Don Johnson as he infiltrated a group of white supremacists. In 1990, he returned to the Cold War political thriller genre with The Fourth War with Roy Scheider (with whom Frankenheimer had worked previously on 52 Pick-Up) as a loose cannon Army colonel drawn into a dangerous personal war with a Soviet officer. It was not a commercial success.
Title: The Blue Dahlia
Content:  ending. Chandler responded at first with writer's block. Paramount offered Chandler a $5,000 incentive to finish the script, which did not work, according to Houseman:"It was the front-office calculation, I suppose, that by dangling this fresh carrot before Chandler's nose they were executing a brilliant and cunning maneuver. They did not know their man. They succeeded, instead, in disturbing him in three distinct and separate ways: One, his faith in himself was destroyed. By never letting Ray share my apprehensions, I had convinced him of my confidence in his ability to finish the script on time. This sense of security was 
Title: Changeling (film)
Content:  Week magazine, Straczynski first encountered the story of Christine Collins and her son from a Los Angeles City Hall contact. Over the ensuing years he kept researching the story but never felt he was ready to tackle it. Out of television writing for several years and practically blacklisted in the industry because he was considered difficult to work with, he returned to researching and then finally writing the story in 2006. Almost all of the film's script was drawn from thousands of pages of documentation. His first draft became the shooting script; it was his first film screenplay to be produced. Ron Howard had intended to direct the film, but scheduling conflicts led to his replacement by Eastwood. 
Title: Paul Chitlik
Content:  office in their lobbying efforts in Sacramento, Los Angeles, and Burbank. In 2009, he produced the first Hollywood Disabilities Forum featuring Peter Farrelly and Ricky Gervais at UCLA, under the auspices of the WGA and the Screen Actors Guild. When The Twilight Zone was revived for syndication, Chitlik and Finch were brought on board by Executive Producer Mark Shelmerdine to set the direction and tone of the program as story editors. The show has gone on to prove itself a ratings success and takes its place alongside the original as innovative and stimulating programming. Chitlik and Finch won a Writers Guild of America award nomination for one of the "Twilight Zone" episodes they wrote during this time. Chitlik and Finch 
Title: Mad Men
Content:  In 2000, while working as a staff writer for Becker, Matthew Weiner wrote the first draft as a spec script for the pilot of what would later be called Mad Men. Television showrunner David Chase recruited Weiner to work as a writer on his HBO series The Sopranos after reading the pilot script in 2002. "It was lively, and it had something new to say," Chase said. "Here was someone [Weiner] who had written a story about advertising in the 1960s, and was looking at recent American history through that prism." Weiner and his representatives at Industry Entertainment and ICM tried to sell the pilot script to HBO, which expressed an interest, but insisted that David Chase be named executive producer. Chase declined, despite his enthusiasm for Weiner's writing and the pilot script. HBO CEO Richard Plepler 

Question: Who was the screenwriter for The Challenge?
Answer: John Gilling.