Title: The Interns (film)
Content:  The film was based on a novel by 26-year-old Richard Frede, who had worked as an intern for two years. It was published in 1960 and became a best seller. Film rights were bought for a reported $75,000 plus 15% of the profits. It was optioned by producer Robert Cohn who set up the project at Columbia. Columbia offered the film to David Swift to direct. "it was the first property that had been presented to me and I thought I could make a fairly decent movie of it, a commercial script", said Swift. Among the changes Swift made was adding more comedy which "leavened the austerity and brutality of the hospital background", according to the director. Robert Wagner had signed a three-picture deal with Columbia, and announced he would play the role of Lew. "This won't be another Dr. Kildare picture, with the standard romance and the other stereotypes, I can assure you", said Wagner. However his role ended up being played by James MacArthur. Sidney Poitier was also announced for the cast but did not appear in the final film.
Title: The Internecine Project
Content:  The film was made by British Lion, then run by Michael Deeley. Deeley wrote in his memoirs that it and another movie, Who? were financed the same way: half the costs coming from a US deal with Allied Artists, the other half coming from a German tax shelter deal. "In terms of cinema history, neither film is important," wrote Deeley, but he took pride in how they were financed saying "such clever means were the only way to keep British Lion alive." In her memoirs, Lee Grant called it "a really flimsy film" where "the script was no more than a sixteen page outline, but the money was good and my co star was James Coburn, an actor I admired and wanted to play with." During filming Grant admitted the film "is a switch for me." She said she did it because she and her husband were about to adopt two children and also because "I thought the picture would be a really great party - a come-as-you-are party because I don't have to put fake wrinkles on as I normally do. My only regret is that I'm breaking my image playing a sexy lady."
Title: Inside Man
Content:  The script for Inside Man was written by Russell Gewirtz, a former lawyer who conceived the idea while vacationing in several countries. A first time-screenwriter, Gewirtz studied a number of screenplays, and spent five years developing the premise. His friend Daniel M. Rosenberg assisted in developing the script, then known as "The Inside Man". After it was completed in 2002, the script was passed around several times. Rosenberg shopped it to a number of Los Angeles agencies, until Universal Pictures executives Scott Stuber and Donna Langley persuaded Gewirtz to take the script to Universal and Imagine Entertainment. Imagine purchased Gewirtz's screenplay in 2002, and the project began development at Universal, who retitled 
Title: Kirsten Smith (writer)
Content:  While in college, Smith got an internship at CineTel Films, an independent film company; after she began working for CineTel reading scripts and writing coverage for them. This led to a full-time job there as a Director of Development in 1995, and then she began pursuing screenwriting in earnest. One of the scripts she happened to read and cover was written by Karen McCullah, an aspiring writer living in Denver, Colorado. The two women formed a friendship over the phone, and when McCullah came to Los Angeles, they met in person, and began writing their first script on cocktail napkins that night. That script never sold, but it inspired the women to write together again, 
Title: Inside Man
Content:  film Inside Man. Imagine co-founder Ron Howard was attached to direct the film, but turned it down after being asked by Russell Crowe to helm Cinderella Man (2005). Howard's Imagine partner Brian Grazer began looking for a new director. After Howard stepped down, Menno Meyjes contributed to Gewirtz's screenplay, and Terry George incorporated the Nazi Germany and diamond ring elements to the script. Meyjes was in negotiations to direct the film, but after he declined, Grazer thought this project was a chance to work with Spike Lee, who had already learned of Gewirtz's script. Lee said of the screenplay, "I liked the script and really wanted to do it. 'Dog Day 
Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: Flight of the Intruder
Content:  Film rights were bought by producer Mace Neufeld, who had filmed The Hunt for Red October. A script was written and John McTiernan was originally going to direct Intruder but dropped out and eventually served as an executive producer. The Russian sequences in the film of October had been rewritten at Sean Connery's request by John Milius, and Milius was signed to direct Intruder. "It was such an internal examination of that life and what it takes to fly," said Milius of the novel. "There was such wonderful reality on life aboard a naval carrier and life in Vietnam. I loved 
Title: The Faculty
Content:  In 1990, David Wechter and Bruce Kimmel wrote their first draft of the script and sent it out, but there were no buyers. It wasn't until after the success of Scream that Miramax bought the script and rushed it into production. Bob Weinstein and Harvey Weinstein brought in Kevin Williamson to do rewrites, keeping the basic story, but rewriting the dialogue and adding new characters to make it more "hip". Originally, Williamson was set to direct the film, but he chose not to so he could direct his self-penned script Teaching Mrs. Tingle. The Weinsteins brought in Robert Rodriguez to direct the film instead.
Title: Fear and Loathing in Las Vegas (film)
Content:  Cox started writing the screenplay with Tod Davies, a UCLA Thompson scholar. During pre-production, Cox and producer Laila Nabulsi had "creative differences" and she forced Rhino to choose between her and Cox. She had an arrangement with Thompson to produce the film and the studio fired Cox and paid him $60,000 in script fees. Thompson's disapproval of the Cox/Davies script treatment is documented in the film Breakfast with Hunter. The decision was made to not use the Cox/Davies script, which gave Gilliam only ten days to write another. Gilliam has stated in an interview "When we were writing the script, we really tried not to invent anything. We sort of cannibalized the book." The 

Question: Who was the screenwriter for The Internship?
Answer: Vince Vaughn.
Vincent Anthony Vaughn.
Vincent Vaughn.