Title: Television crew
Content: The Writer creates and moulds an original story, or adapts other written, told, or acted stories for production of a television show. Their finished work is called a script. A script may also have been a contribution of many writers, so it is the Writers Guild of America's (WGA) task to designate who gets the credit as 'the Writer'. 'Written by' in the credits, is a Writers Guild of America assigned terminology that means, "Original Story and Screenplay By." A screenplay or script is a blueprint for producing a motion picture, and a teleplay is the same thing for a television show. Writers can also come under the category of screenwriters. Screenwriters (also called script writers), are authors who write screenplays for productions. Many also work as script doctors, changing scripts to suit directors or studios. Script-doctoring can be lucrative, especially for better known writers. Most professional screenwriters are unionized, and are represented by organizations such as the WGA. 
Title: Television crew
Content: Script editor Screenwriters or scenarists or scriptwriters create short or feature-length screenplays for films and television programs. 
Title: Screenwriting
Content:  A freelance television writer typically uses spec scripts or previous credits and reputation to obtain a contract to write one or more episodes for an existing television show. After an episode is submitted, rewriting or polishing may be required. A staff writer for a TV show generally works in-house, writing and rewriting episodes. Staff writers&mdash;often given other titles, such as story editor or producer&mdash;work both as a group and individually on episode scripts to maintain the show's tone, style, characters, and plots. Television show creators write the television pilot and bible of new television series. They are responsible for creating and managing all aspects of a show's characters, style, and plots. Frequently, a creator remains responsible for the show's day-to-day creative decisions throughout the series run as showrunner, head writer or story editor.
Title: Television producer
Content:  Because of the restrictions the Writers Guild of America screenwriting credit system places on writing credits, many script writers in television are credited as "producers" instead, even though they may not engage in the responsibilities generally associated with that title. On-screen, a "producer" credit for a TV series will generally be given to each member of the writing staff who made a demonstrable contribution to the final script. The actual producer of the show (in the traditional sense) is listed under the credit "produced by". Bill Lawrence, a television screenwriter, producer, director and series creator (Scrubs, Cougar Town and Spin City) explained during an interview on Off Camera that: "... the end credits of a TV show, it will say Staff Writer, Story Editor, Executive Story Editor, Co-Producer, Producer, Supervising Producer, Co-Executive Producer, Executive Producer. (While) (s)omeone else will (also) be Executive Producer because they help to run the room, every other title is just ... writer who's been here one year, writer who's been here two years, writer who's been here three years, ... and it's just a pay scale."
Title: Martie Cook
Content:  Cook worked as a writer and producer of television and film for ABC, NBC, CBS, and PBS as well as for Warner Bros., 20th Century Fox, Columbia Pictures, and Universal Studios. She has written for series such as Full House, Charles in Charge, Joe's Life and Rysher Entertainment's One West Waikiki. Cook has also served as a writer & producer for Entertainment Tonight, America's Most Wanted, NBC Nightly News, The Today Show, Better Homes and Gardens, and the PBS Emmy-award winning Zoom. Cook is author of the screenwriting guide, Write To TV: Out of Your Head and Onto the Screen, which covers an extensive range of television writing styles and techniques. It's derived from her teaching experiences at Emerson. She also teaches on Series Mania Writers' Campus, with fellow television writer Sarah Treem, a week-long intensive on television drama.
Title: Rod Serling
Content:  the new medium of television, coinciding with the beginning of Serling's writing career. Early programming consisted of newsreels, sporting events and what would be called public-access television today. It was not until 1948 that filmed dramas were first shown, beginning with a show called Public Prosecutor. Serling began having serious dramas produced in 1950 and is given credit as one of the first to write scripts specifically for television. As such, he is said to have helped legitimize television drama. Serling worried that television was on the verge of suffering the same decline as radio. He encouraged sponsors to see television as a platform for the kind of dramatic entertainment that could address important social matters through 
Title: Teresa Zimmerman
Content: Production Personnel (early 1990s) ; Script Writer (1996–2003; January 2008 - April 2008) ; Associate Head Writer (2004–2005) Script Writer (March 2009–present) The Bold and the Beautiful (hired by William J. Bell) The Young and the Restless (hired by Maria Arena Bell)
Title: John Glenn (screenwriter)
Content:  David Goyer) ; Caesar (2015-2016) - as Executive Producer ; Miranda's Rights (2015-2016) - as Executive Producer ; Heavenly Creatures (2015-2016) - as Creator, Writer, Executive Producer ; Under Suspicion (2016) - as Executive Producer ; Dreamer (2016) - as Executive Producer ; The Evidence Room (2016) - as Creator, Writer, Executive Producer ; Samuri (2017) - as Executive Producer ; My Fair Baby (2017) - as Creator, Executive Producer ; Murder Room (2018) - as Showrunner, Creator, Executive Producer ; Trader (2018) - as Showrunner, Creator, Executive Producer ; SEAL Team (2018–19) - as Showrunner / Executive Producer ; Cabin Fever (2018-2019) - as Executive Producer ; Viola Wells (2020) - as Showrunner, Creator, Executive Producer 
Title: Television program creator
Content: Outside television in the United States, the program creator is the person who pitches a new TV show idea and sees it through. ; Within the US, a television program creator is the person who developed a significant part of the format, story, and teleplay, and also has sequel rights to the material. A television program creator has several meanings: Often, the creator is the screenwriter of the pilot episode, or a director, or a producer. Sometimes it is a writer of the series bible, or writers' guidelines. In the United States, a Writers Guild of America (WGA) screenwriting credit system governs credits. For example, the Writers Guild of America West provides specifications for creator credits that govern its members. The Producers Guild of America's corresponding code for producers defines "Executive Producer" and similar roles but 
Title: Sacha Gervasi
Content:  television. Gervasi got his filmwriting start with The Big Tease, which he co-wrote with Craig Ferguson. He went on to pen The Terminal, made into a 2004 film directed by Steven Spielberg. According to London's The Daily Telegraph: "He is one of only two English screenwriters to have their scripts made into movies by Steven Spielberg. The other is Tom Stoppard [for Empire of the Sun]." Other films for which he has written include Comrade Rockstar and How to Marry a Millionaire. He wrote and executive produced Henry's Crime. The film debuted at the Toronto Film Festival in September 2010. He was appointed the Hunter/Zakin screenwriting chair at UCLA and taught there in spring 2009. In 2009, Gervasi presented Steven Zaillian with the Austin Film Festival's Distinguished Screenwriter Award.

Question: Who was the screenwriter for Television?
Answer: Mostofa Sarwar Farooki.