Title: Big Trouble in Little China
Content:  audience". He wrote his own draft in 10 weeks. Goldman contacted Richter and suggested that he should not work on the project. Richter told him, "I'm sorry the studio doesn't want to go forward with you guys, but my turning it down is not going to get you the job. They'll just hire someone else". Fox wanted to deny Goldman and Weinstein writing credit, and eliminated their names from press releases. They wanted only Richter to have credit. In March 1986, the Writers Guild of America, West determined that "written by" credit would go to Goldman and Weinstein, based on the WGA screenwriting credit system which protects original writers. However, Richter did 
Title: Tony Grisoni
Content:  He has co-written several of director Terry Gilliam's films, including Fear and Loathing in Las Vegas and Tideland. Gilliam and Grisoni went to WGA arbitration to get credit for Fear and Loathing; initially only Tod Davies and Alex Cox (who had written a previous version of the screenplay) were credited, despite Gilliam and Grisoni rewriting the entire film from scratch. In the end, all four writers were credited. Later, Gilliam and Grisoni were involved in a similar dispute when original writer Ehren Kruger received sole credit for The Brothers Grimm; as an alternative to receiving a writing credit, Gilliam and Grisoni listed themselves as "dress pattern makers". Grisoni also co-wrote the screenplay for Gilliam's The Man Who Killed Don Quixote, which was abandoned soon after starting filming. During the production, he met filmmakers Keith Fulton and Louis Pepe, who were shooting the making-of documentary that 
Title: John Gatins
Content:  John Gatins (born April 16, 1968 ) is an American screenwriter, director, and actor. For writing the drama film Flight (2012), he was nominated for the Academy Award for Best Original Screenplay. Gatins made his directorial feature debut by filming his screenplay for Dreamer (2005), and also wrote or co-wrote Coach Carter (2005), Real Steel (2011), and Kong: Skull Island (2017). As an actor, he has collaborated three times with Eddie Murphy, on Norbit (2007), Meet Dave (2008) and A Thousand Words (2012).
Title: Sacha Gervasi
Content:  television. Gervasi got his filmwriting start with The Big Tease, which he co-wrote with Craig Ferguson. He went on to pen The Terminal, made into a 2004 film directed by Steven Spielberg. According to London's The Daily Telegraph: "He is one of only two English screenwriters to have their scripts made into movies by Steven Spielberg. The other is Tom Stoppard [for Empire of the Sun]." Other films for which he has written include Comrade Rockstar and How to Marry a Millionaire. He wrote and executive produced Henry's Crime. The film debuted at the Toronto Film Festival in September 2010. He was appointed the Hunter/Zakin screenwriting chair at UCLA and taught there in spring 2009. In 2009, Gervasi presented Steven Zaillian with the Austin Film Festival's Distinguished Screenwriter Award.
Title: The Cable Guy
Content:  Calls in South Carolina, and over a few days, riffed a lot of the set pieces that were added to the script, and further explored how Carrey wanted to perform the character. Apatow took the film to the Writers Guild for arbitration to get a writing credit but ultimately Holtz retained sole credit for the script. Apatow expressed frustration at not getting credit but acknowledged that as he was also a producer on the film, the Writers Guild requirements are set very high to protect writers. The final script had elements so disturbing that Columbia heard many complaints regarding certain scenes. In 
Title: Jerry Rapp
Content:  Rapp is a graduate of the USC School of Cinema/Television, and has been working as a professional screenwriter, director, and producer since 1987. Rapp’s first screenplay, On The Air, was acquired by Imagine Entertainment, and led to a number of other script sales, including a second picture for Imagine, Tourists, Wishing for Paramount, Foster’s Kids for Universal, Guilty of Suspicion for MGM, and Richie Rich Goes Public for HEG. He also wrote and produced the feature film, Sand Trap, which aired on HBO. Rapp’s television credits include, Wishbone for PBS, Itsy Bitsy Spider for USA Network, The Mask for New Line TV, Tales From the Crypt and Monsters. Rapp wrote and directed the indie feature, The Thing at Pete and Julie’s, the documentary Sound Magic, and, either alone or collaborating has written, directed and produced 
Title: The Ghost Goes West
Content:  The film is an adaptation of Eric Keown's short story "Sir Tristam Goes West", and was written by Robert E. Sherwood and Geoffrey Kerr, though Clair and Lajos Biro have been alleged by contemporary sources to have done uncredited writing on the screenplay. This was the first of two films Clair made in England following a deal he made with producer Alexander Korda, the other being his 1938 film Break the News.
Title: Heywood Gould
Content:  Heywood Gould is an American screenwriter, journalist, novelist and film director. He has penned screenplays for the films Rolling Thunder, The Boys from Brazil, Fort Apache, The Bronx, Streets of Gold, Cocktail and directed the films One Good Cop, Trial by Jury, Mistrial and Double Bang.
Title: William Goldman
Content:  Goldman wrote another volume of memoirs, Which Lie Did I Tell? (2000), and a collection of his essays, The Big Picture: Who Killed Hollywood? and Other Essays (2001). His later screenplay credits include Hearts in Atlantis (2001) and Dreamcatcher (2003), both from novels by Stephen King. He adapted Misery into a stage play, which made its debut on Broadway in 2015 in a production starring Bruce Willis and Laurie Metcalf. His script for Heat was filmed again as Wild Card (2015), starring Jason Statham.
Title: The Ghost and the Guest
Content:  The Ghost and the Guest is based on an original story by Milt Gross. The screenplay is the first film script by Morey Amsterdam, who previously wrote lyrics for the 1936 film With Love and Kisses. The film was produced by Alexander-Stern Productions Inc., with Leon Fromkess credited as production supervisor.

Question: Who was the screenwriter for The Guilt Trip?
Answer: Dan Fogelman.