Title: The Terminator
Content:  The Terminator soundtrack was composed and performed on synthesizer by Brad Fiedel. Fiedel was with the Gorfaine/Schwartz Agency, where a new agent, Beth Donahue, found that Cameron was working on The Terminator and sent him a cassette of Fiedel's music. Fiedel was invited to a screening of the film with Cameron and Hurd. Hurd was not certain about having Fiedel compose the score, as he had only worked in television, not theatrical films. Fiedel convinced the two by showing them an experimental piece he had worked on, thinking that "You know, I'm going to play this for him because it's really dark and I think it's interesting for him." The song convinced Hurd and Cameron to hire him. Fiedel said his score reflected 
Title: The FP
Content:  George Holdcroft composed the score for The FP. He was invited to a screening of the film by producer Christian Agypt, and asked if he could compose the music for it. Holdcroft, who lived in Chicago at the time, spent 12 hours a day composing the score and e-mailed his compositions to the Trost brothers. To emulate the sound of a choir for one song, Holdcroft sang the same segment more than 200 times using different voices and melodies to achieve the desired result. For another song, he sang in falsetto and altered the pitch of his voice to make himself sound like a woman. Holdcroft had never played Dance Dance Revolution, though he was familiar with video game music—specifically the compositions of Koji Kondo, the score of Final Fantasy, and the music of early Nintendo games. The film's soundtrack consists of 61 songs.
Title: Fantastic Voyage
Content:  The score was composed and conducted by Leonard Rosenman. The composer deliberately wrote no music for the first four reels of the film, before the protagonists enter the human body. Rosenman wrote that "the harmony for the entire score is almost completely atonal except for the very end when our heroes grow to normality".
Title: The Fountainhead (film)
Content:  The film's score was composed by Max Steiner. Chris Matthew Sciabarra described Steiner as a "veritable film score architect...perhaps, the 'fountainhead' of film music" and says that Steiner's cues "immediately call to mind the story of Howard Roark". Philosophy professor Glenn Alexander Magee has offered that the score suggested "a strong affinity for The Fountainhead...[it] perfectly conveys the feel of a Rand novel," and that Steiner's music accents the story's themes of redemption and renewal, providing insight into Roark's opposition, Francon's sense of life, and Wynand's flaw. Excerpts from Steiner's score were included in RCA Victor's tribute to the composer, an album featuring the National Philharmonic Orchestra conducted by Charles Gerhardt that was released on LP in 1973 and reissued on CD.
Title: Federico De Robertis
Content:  De Robertis started working on soundtracks in 1991 with the director Gabriele Salvatores, then with Carlo Vanzina, as well as others. In October 2011, he founded a music group, Fede & gli Infedeli, with which he performed several soundtracks and songs of his own composition. In 2018, he authored a theme for the film Volare (film) directed by Gabriele Salvatores, and the same year he worked on the composition of the music for a multimedia art project on La rondine by Giacomo Puccini. The following year, as part of an event organized by Lucca Film Festival, the arrangements of the original music for Blade Runner composed by Vangelis. In 2020, he composed the original music for Italia Lockdown, a collective film edited by Salvatores.
Title: The Reluctant Fundamentalist: Original Motion Picture Soundtrack
Content:  The Reluctant Fundamentalist: Original Motion Picture Soundtrack is the film soundtrack to the film of the same name, originally composed, orchestrated and conducted by Michael Andrews.The soundtrack was released by Universal Music Group India in Asia and Internationally released by Knitting Factory under Universal rights on April 30, 2013. The music is composed by Michael Andrews (Original film scorer & composer). Other composers include Amy Ray, Wazir Afzal, Fareed Ayaz & Abu Muhammad, Farhad Humayun, Mohsin Raza Khan, Atif Aslam, Amy Ray, Meesha Shafi, Rizzle Kicks, Ali Sethi, Zahra Haider Khan, Faiz Ahmed Faiz(lyrics), Hazeen Qadri, Javed Akhtar and Peter Gabriel (uncredited).
Title: Being There
Content:  Incidental music is used very sparingly. What little original music is used was composed by Johnny Mandel, and primarily features two recurrent piano themes based on "Gnossiennes" No. 4 and No. 5 by Erik Satie. The other major piece of music used is the Eumir Deodato jazz/funk arrangement of the opening fanfare from Also Sprach Zarathustra by Richard Strauss. Mandel was also assisted by his cousin and fellow composer Miles Goodman with the orchestration of the film.
Title: Tenet (film)
Content:  Ludwig Göransson was chosen as the composer after Nolan's frequent collaborator and first choice, Hans Zimmer, turned down the offer in favor of the 2021 film Dune. During the COVID-19 pandemic, Göransson recorded musicians at their homes. Researching retrograde composition led him to generate melodies that would sound the same forward and backward. He experimented with distorted industrial noise and, to represent Sator's irradiated breathing, asked Nolan to tape his own in studio. Göransson produced ten to fifteen minutes of music each week. The first scoring session was held in November 2019, continuing into early 2020. The Tenet soundtrack contains "The Plan," a song by Travis Scott, which plays over the film's closing credits.
Title: Tomb Raider (soundtrack)
Content:  On June 14, 2017, Tom Holkenborg was announced as the film's composer for Tomb Raider. He was originally scoring Zack Snyder's Justice League but was replaced by Danny Elfman. Holkenborg commented that "It pains me to leave the project, but a big thanks to Zack for asking me to be part of his vision, and I wish Danny, Joss and Warner Bros all the best with Justice League." For the basis of the score, Holkenborg looked to the late Jóhann Jóhannsson's score to Sicario. But the majority of his inspiration came from the film score album, Birdy by Peter Gabriel which served as the foundation for the 
Title: Prometheus (2012 film)
Content:  Marc Streitenfeld, who had worked with Scott on earlier projects, composed the musical score for Prometheus. It took just over a week to record with a 90-piece orchestra at Abbey Road Studios in London, England. Streitenfeld began writing ideas for the score after reading the script before filming commenced. He used some unusual techniques to compose the score, and said, "I actually wrote out the sheet music backwards so the orchestra played it backwards and then I digitally flipped it. So you're hearing the score as it's written, the same melody, but with a backwards sounding orchestra which gives it a kind of unusual, unsettling sound." The Prometheus (Original Motion Picture Soundtrack) album was released on iTunes on May 15, 2012, and on CD on June 4, 2012. It features 23 tracks by Streitenfeld and two supplemental tracks by Harry Gregson-Williams. Frédéric Chopins "Raindrop prelude" (1838) is also featured in the film.

Question: Who was the composer of The Foundation?
Answer: Joseph Koo.
Koo Ka Fai.
Joseph Koo Kar-Fai.