Title: Toy theater
Content:  in popularity, toy theater remained in the realm of influential artists who championed its resurgence. In 1884 British author Robert Louis Stevenson wrote an essay in tribute of toy theater’s tiny grandeur entitled “Penny Plain, Twopence Coloured” in which he extolled the virtues of the dramas supplied by Pollock's. Other children’s authors like Lewis Carroll and Hans Christian Andersen also dabbled in toy theater, as did Oscar Wilde. The brothers Jack and William Butler Yeats both used toy theaters as mock-ups for their work in art and stagecraft. In the 20th century toy theater became a tool for the avant-garde, messed with by futurist founder F.T. Marienetti 
Title: Toy theater
Content:  Gorey, American author ; Alfred Lunt, American actor ; Filippo Tommaso Marinetti, Italian poet and founder of the Futurist movement ; Ian McKellen, British actor ; Michel Ocelot, French writer and director of animated films ; Laurence Olivier, British actor ; Pablo Picasso, Spanish painter and sculptor ; J. B. Priestley (1894–1984), English novelist, playwright and broadcaster ; Brian Selznick, American children's book author ; Edwin Smith, British photographer ; Robert Louis Stevenson, British author ; Jan Švankmajer, Czech animator and filmmaker ; Andrew Lloyd Webber, British composer ; Orson Welles, actor and director of radio dramas and films ; Oscar Wilde, British author ; Jack Butler Yeats, Irish artist ; William Butler Yeats, Irish poet, dramatist and literary luminary ; Paul Zaloom, American puppeteer and children's television host 
Title: Toy Symphony (play)
Content:  Toy Symphony is a two-act play written by Australian playwright Michael Gow and published by Currency Press in 2008. It is Gow’s first full-length play in over a decade since Sweet Phoebe and won several awards at its 2007 premiere production at Belvoir St Theatre in Sydney. Toy Symphony is the story of writer Roland Henning, a character who has appeared in Gow’s earlier play Furious, Toy Symphony tells the story of the turmoil Henning faces as a result of his writer's block, as he tries to explain his past to his therapist in order to grasp some understanding of his current situation. It is considered to be at least partially autobiographical.
Title: Barbara Toy
Content:  story The Monkey's Paw, the film of which was released in 1948. In 1945, Toy travelled to Germany and the Netherlands for ENSA, the Entertainments National Service Association, to compile a report on the state of theatre in liberated Western Europe. After she returned to England, Toy became the director of a new theatre production company with her friend Moie Charles. Together, they also wrote dramatisations of three novels. In 1949 Toy and Charles approached Agatha Christie about adapting her 1930 novel Murder at the Vicarage into a play of the same name. Christie's official biography suggests that the play was written by Christie with changes then made by Charles and Toy, presumably enough for 
Title: Toy book
Content:  Toy books were illustrated children's books that became popular in England's Victorian era. The earliest toy books were typically paperbound, with six illustrated pages and sold for sixpence; larger and more elaborate editions became popular later in the century. In the mid-19th century picture books began to be made for children, with illustrations dominating the text rather than supplementing the text. The earliest toy books were hand painted, but in the mid-19th century London publishing house Dean & Son began printing toy books using chromolithography to colour the illustrations. Edmund Evans was the premier engraver and printer of toy books in London from the mid-19th century to the early-20th century, producing books for Routledge, Warne & Routledge using the wood block printing technique of chromoxylography. He was instrumental in popularizing children's books through the production of toy books during this period. To illustrate the books he hired and collaborated with Walter Crane, Randolph Caldecott and Kate Greenaway—known as the triumvirate of children's toy book illustrators.
Title: Toy advertising
Content:  1908. In America, Playthings magazine was launched in 1902. These trade-oriented journals began to publish articles advising toymakers and toy retailers on methods for optimising sales of children's toys. By the late 19th century, toymakers were beginning to adopt modern marketing practices. Manufacturers and distributors began using mail-order catalogues to reach consumers directly. Montgomery Ward, for example, produced a catalog listing 23,000 items including toys. The new department stores began to include toys in window displays in which goods were featured as part of an artistic fantasy. Toymakers began to develop a unique style or personality that could be linked to a company name or brand. Advertising for toys began to appear in 
Title: Playart
Content: Johnson, Dana. 1998.  Collector's Guide to Diecast Toys, second edition.  Padukah, Kentucky: Collector Books, A division of Schroeder Publishing, Inc. 
Title: Toy book
Content:  page. Children's literature scholar Anne Lundin explains that at the end of the 19th century, as toy books became more elaborate, contemporary reviewers said of them, "Art for the nursery has become Art indeed", in contrast to books of a few decades earlier, described as "plain and clumsy to ugliness in their exterior". By 1882 the Magazine of Art  contrasted ornately illustrated contemporary toy books, characterized by the use of quality paper and good colour printing, to earlier 18th century books produced "when expectations were low". The more elaborate toy books, such as Walter Crane's The Baby's Opera, brought higher prices, selling for as much as five shillings.
Title: Toy book
Content:  in the 1840s, were hand-coloured often by children apprentices in print-shops, until mechanical colour printing became more prevalent, and toward the end of the century children's books became quite elaborate. In the mid-1800s, the primary publishers of toy books in London were Dean & Son, using popularly coloured chromolithographs for the illustrations. By the end of the 1850s they published more than 200 titles, each book of equal size, each costing sixpence. The main characteristic of a toy book was that it was a coloured picture book with emphasis on pictures rather than text. Vicki Anderson, author of The Dime Novel in Children's Literature, writes that toy books were both temptingly colourful and not instructive. The books were inexpensive and often were reprints and condensed versions of existing stories such as fairy tales, which were commonly reprinted as toy books, as were books such as Defoe's Robinson Crusoe.
Title: John T. Marshall
Content:  John T. "Toyzilla" Marshall is an author, pop culture expert, comic book writer and film producer. He has written five reference books on vintage toys: (GI Joe And Other Backyard Heroes (1997), Action figures of the 1980s (1998), Action Figures of the 1960s (1998), Comic Book Hero Toys (1999), and Collecting Monster Toys (1999), all published by Schiffer Publishing). He has also been a columnist for Toy Shop, Collectors' Showcase, and Collecting Toys. Additionally he has been a contributor to several notable books on vintage toys, such as The Collectible GI Joe by Derryl DePriest. In 1993 he formed a comic book publishing company, Marshall Comics, and in the mid-1990s wrote for independent comic book publisher Antarctic Press, including seven issues of Ninja High School. In 2007 he wrote and produced an independent film, Slammerella, co-starring Tiffany Pao.

Question: Who is the author of The Moving Toyshop?
Answer: Edmund Crispin.
Robert Bruce Montgomery.
Bruce Montgomery.
Edmund Crispin.