Title: Oscar Asche
Content:  innovative productions of Shakespeare plays, such as As You Like It, with Asche as Jacques, and Othello, with Asche in the title role. They made their first tour in Australia in 1909–10, with Asche playing Petruchio, Othello and other roles. Asche was much touched by his reception at Melbourne. In his 1929 autobiography he said, "What a home-coming it was! Nothing, nothing can ever deprive me of that." On Asche's return to London in 1911, Edward Knoblock wrote the play Kismet for him, with the understanding that Asche could revise it. He shortened and partly re-wrote it and produced it with much success, playing 
Title: Herman Wildenvey
Content: 1912 William Shakespeare: As you like it (Norw. title: Livet i skogen; "Life in the Forest") ; 1926 Paul Géraldy: Toi et moi (Norw. title: Du og jeg; "You and Me") ; 1929 Heinrich Heine: Buch der Lieder (Norw. title: Sangenes bok; "The Book of Songs") ; 1930 Ernest Hemingway: A Farewell to Arms (Norw. title: Farvel til våpnene) ; 1931 Liam O'Flaherty: Mr. Gilhooley ; 1942 Aisōpos: Aesop's Fables (Norw. title: Æsops fabler) 
Title: Lemuel Ayers
Content:  G. Eberhart's Eight O'Clock Tuesday (1941), Max Catto's They Walk Alone (1941), James Edward Grant's Plan M (1942), Norma Mitchell and John Harris's Autumn Hill (1942), S. N. Behrman's The Pirate (1942), Norman Armstrong's Lifeline (1942), John Patrick's The Willow and I (1942), Florence Ryerson's Harriet (1943), Rodgers and Hammerstein's landmark production ofOklahoma! (1943, and the 1951 revival), Ernest Pascal's Peepshow (1944), and Tennessee Williams's Camino Real (1953). He designed both sets and costumes for the Broadway productions of Shakespeare's As You Like It (1941), Shakespeare's Macbeth (1942), Patrick Hamilton's Angel Street (1943), Harold Arlen's St. Louis Woman (1946), Edmond Rostand's 
Title: Alan Jay Lerner
Content: Royal Wedding, 1951 (screenwriter/lyricist) ; An American in Paris (1951) (writer) ; Brigadoon, 1954 (film) (screenwriter/lyricist) ; Gigi, 1958 (screenwriter/lyricist) ; The Adventures of Huckleberry Finn, 1960 (lyricist) ; My Fair Lady, 1964 (screenwriter/lyricist) ; Camelot, 1967 (screenwriter/lyricist) ; Paint Your Wagon, 1969 (producer/screenwriter/lyricist) ; On a Clear Day You Can See Forever, 1970 (screenwriter/lyricist) ; The Little Prince, 1974 (screenwriter/lyricist) ; Tribute, 1980 ("It's All for the Best," lyricist) ; Secret Places, 1984 (title song lyricist) Source: TCM 
Title: 35th Academy Awards
Content: A: During pre-production on Lawrence of Arabia, producer Sam Spiegel and director David Lean were unhappy with Michael Wilson's original screenplay, so Spiegel asked playwright Robert Bolt to rewrite the script, as Spiegel wanted to get the film rights of Bolt's play A Man for All Seasons. Bolt found the script lacking in good dialogue and also character depth. He essentially wrote the whole script, using T.E. Lawrence's book, The Seven Pillars of Wisdom, as his starting point. While Bolt rewrote the whole script, he still retained the characterization of all of the characters found in Wilson's original script. It was decided that Bolt would be credited as the sole writer of Lawrence of Arabia and not Wilson, because he was blacklisted at the time. The nomination for Wilson was granted on September 26, 1995, by the Academy Board of Directors, after research at the WGA found that the then-blacklisted writer shared the screenwriting credit with Bolt. 
Title: Percy Waram
Content:  The Greet troupe specialized in presenting plays by William Shakespeare, and Waram appeared in As You Like It, The Merchant of Venice, Macbeth, Julius Caesar, Much Ado About Nothing, A Midsummer Night's Dream, Hamlet, and The Taming of the Shrew. The Greet players occasionally did other plays, and Waram appeared in She Stoops to Conquer in 1908. Waram sometimes worked for other companies as well. He appeared in the Violet Allen Company's production of Twelfth Night an American tour in 1903, the Frances Delaval Company's production of Her Lost Self at the St. James' Theatre in London in 1906, and performed for the William Faversham Company in 1909. In 1910, Waram formed a very small troupe under the name "Percy Waram & Co.", and toured the Keith-Albee-Orpheum and Proctor theater circuits in vaudeville in the sketch The Boatswain's Mate ( The Bos'n's Mate). W. W. Jacobs and Herbert N. Sargent wrote the sketch specifically for Waram, adapting a short story of the same name by Jacobs. The sketch made its debut at the Montauk Theatre in Passaic, New Jersey, and Waram & Co. performed it until October 1915. Vaudeville proved highly lucrative for him.
Title: Kirsten Smith (writer)
Content:  they embarked on a teen comedy called 10 Things I Hate About You, a twist on William Shakespeare's Taming of the Shrew partially inspired by the recent teen comedy Clueless. In 1997, Smith made her first sale as a screenwriter, with 10 Things I Hate About You, a speculative screenplay. Shortly thereafter, the movie was green-lit, starring the-then-unknown Heath Ledger and Julia Stiles It was shot in Tacoma, Washington, near Smith's hometown. In the writing process for 10 Things, Smith was eager to add feminism and post-feminism from her women's studies classes into the movie's context and had wanted more of a riot grrrl sound for the soundtrack. Smith went on to co-write Legally Blonde, 
Title: The Favourite
Content:  Producer Ceci Dempsey, who read the first draft, said she was "haunted" by "the passion, the survival instincts of these women, the manipulations and what they did to survive". Dempsey had difficulty securing finance due to the script's lesbian content and the lack of male representation, which financers felt would be challenging to market. Almost a decade later, producer Ed Guiney obtained the script and was also attracted to the complex plot and relationships of the three women; he said, "We didn't want to make just another British costume drama ... [we wanted] a story that felt contemporary and relevant and vibrant—not 
Title: Clifford Odets
Content:  a phrase that would dog Odets for the rest of his life Like most screenwriters of the time, Odets worked within the studio system until the advent of independent production in the 1950s. Thus Odets would often write drafts for films such as Rhapsody in Blue and It's a Wonderful Life that were handed off to another screenwriter or team for further development. Odets declined to be credited for many of the films on which he worked. He did, however, accept full credit as both screenwriter and director for None but the Lonely Heart (1944), adapted from the novel by Richard Llewellyn and produced by RKO. The film starred Cary Grant, Ethel Barrymore (who won an Oscar for Best Supporting Actress), 
Title: Your Ticket Is No Longer Valid
Content:  The film was based on a novel by Romain Gary which was optioned by producer Robert Lantos. His assistant Leila Basen wrote a draft of the script. She later recalled: "If the book was totally sexist, the first draft screenplay written by an American writer was even more misogynist... There never was a script contract. Robert continued to pay me my executive assistant salary of $350 a week. I sat in my usual desk in a room with the other four secretaries. But instead of writing lunch orders, I was writing what was to become the biggest-budget Canadian film of that time... In lieu of money, I got an IBM Selectric II, a free trip to Paris, where some of the film was shot, and tons of experience screenwriter-wise. I 

Question: Who was the screenwriter for As You Like It?
Answer: Kenneth Branagh.
Sir Kenneth Charles "Ken" Branagh.
Sir Kenneth Branagh.
Sir Kenneth Charles Branagh.