Title: The Twilight Zone (1959 TV series)
Content:  "You're traveling through another dimension, a dimension not only of sight and sound but of mind; a journey into a wondrous land whose boundaries are that of imagination. Your next stop...the Twilight Zone." - Rod Serling In his third year as executive producer, host, narrator and primary writer for The Twilight Zone, Serling was beginning to feel exhausted. "I've never felt quite so drained of ideas as I do at this moment," said the 37-year-old playwright at the time. In the first two seasons he contributed 48 scripts, or 73% of the show's total output; he contributed 56% of this season's output. "The show now seems to be feeding off itself", said a 
Title: Screenwriters: Words Into Image
Content:  Screenwriters: Words Into Image (1982) is a PBS documentary series produced in the United States and featuring six 30-minute episodes. Each explored the work of a single significant American screenwriter. The series was directed by Terry Sanders and Freida Lee Mock. Individual episodes featured Carl Foreman, who was blacklisted in the 1950s after being classified as an uncooperative witness by the House Unamerican Activities Committee and worked for years in Great Britain; William Goldman, Paul Mazursky, Eleanor Perry, Neil Simon, and Robert Towne. The series was nominated for the Primetime Emmy Award for Outstanding Informational Series in 1983.
Title: Production of Sense8
Content:  Initial writing for the first season was split between the Wachowskis and Straczynski. The Wachowskis wrote episodes one, two, three, seven and eight while Straczynski wrote episodes four, five, six, nine and ten. Then the Wachowskis rewrote Straczynski's scripts and vice versa. Straczynski said a good portion of the writing was done by just Lana and himself. Straczynski believes writing with the Wachowskis helped mask each other's weaknesses and also allowed each party to learn from the other. He recognizes action and plot as their biggest strengths but structure as their weakness. On the other hand, he views himself as really good on structure but weak on action. Straczynski 
Title: Sense8
Content:  season, where the Wachowskis and Straczynski split the number of scripts in half and worked remotely from each other, writing for the second season was performed by Lana and Straczynski by collaborating inside a shared writers' room. David Mitchell and Aleksandar Hemon worked as additional writers on the second season and were credited as "consultants". They spent a week in September 2015 with Lana, Straczynski, and script supervisor Julie Brown, proposing to them situations to be further developed by Lana and Straczynski. Later, once filming began, Lana did a lot of rewrites on a daily basis as she got inspired by the locations, actors, and so on, even on the set. When the series finale special was announced, Lana, Mitchell, and Hemon returned as writers.
Title: The Falcon and the Winter Soldier
Content:  Spellman wanted to model the series after. Spellman had a migraine when he pitched his take to Feige, and he felt that the presentation did not go well. Moore advocated for Spellman and his approach, which the writer felt was because Moore agreed that focusing on race was the right direction for the series. Spellman was hired to write the limited series by the end of October 2018. Feige felt Spellman was the right person for the job because he understood what was needed to make the series fun and action-packed, while also being a Black male television writer which gave him the 
Title: The Twilight Zone (1985 TV series)
Content:  CBS replaced the original production team, and set out to do thirty 22-minute episodes for the third season; this way they could have enough episodes to sell the series into syndication. Robin Ward replaced Aidman as the narrator of these Canadian-produced episodes, and he also re-recorded Aidman's narration when the CBS episodes were edited for inclusion in the syndication package. To lead the writing team, the producers brought in a new group led by executive producer Mark Shelmerdine (I, Claudius) and supported by story editors Paul Chitlik, Jeremy Bertrand Finch, and J. Michael Straczynski. Straczynski authored more episodes that season than anyone else on staff. The producers named Straczynski the sole story editor following the release of Chitlik and Finch. Harlan Ellison was coaxed back to The Twilight Zone in the third season, and wrote what would be the third-to-last episode of the series, titled "Crazy as a Soup Sandwich."
Title: InAlienable
Content:  The screenplay was written by Walter Koenig of the original Star Trek series. He told Starburst magazine that he was watching the 2000 World Series with friends, one of whom had appeared in The Blob. "We proceeded to have other conversations along the way about making a film that, at least initially, began the same way as The Blob, with something landing from outer space. And I really took it from there." He told interviewer Chris Wood (who identifies the friend as Anthony Franke), "I wanted to examine the intensity of familial bonding. That was one thing. I also wanted 
Title: Virgil Williams
Content:  and "From Here to Paternity". He was promoted again to supervising producer for the fourteenth season. He wrote three episodes "Gravity", "Believe the Unseen", and "Tandem Repeats". He remained a supervising producer for the fifteenth and final season and wrote two further episodes entitled "Oh, Brother" and "Separation Anxiety". In 2011, he joined the writer staff of Criminal Minds, for which he wrote ten episodes and held the rank of a co-executive producer. In 2017, he signed a deal with Universal Television. He received a nomination for the Academy Award for Best Adapted Screenplay in 2018 for co-writing the film Mudbound along with director Dee Rees. The film is adapted from the novel of the same name by Hillary Jordan.
Title: Production of Sense8
Content:  episode is written in a way that you could never do a pilot. With pilots you have to set up all the rules and explain everything to hook people in," said Stranczynski. Instead, taking advantage of the binge-watching model Netflix promotes, the series was written as a continuous 12-hour movie, making it possible to tell the story at a different pace. Lana Wachowski, a trans woman, has written her first transgender character in her career in the series: Nomi Marks. For that she partly used her own experiences. "It has some very intense, autobiographical scenes, and that was very difficult and surreal," said Lana. Jamie Clayton, who plays Nomi, 
Title: Eric R. Williams
Content: 1) Screenwriters taxonomy ; 2) Kortlander-Williams Theme Matrix ; 3) Triangle of knowledge Williams' first feature film, Snakes & Arrows opened the door for him to meet Peter Falk, who hired him to write a Columbo made-for-tv murder mystery for Universal Pictures / Universal Studios in 1998. He later developed and co-produced a pilot program for American Movie Classics called Don’t Try This At Home. In the 2000s, Williams worked as a freelance screenwriter and was often hired to write adaptations. Notably, he adapted Luis Alberto Urrea’s anthology "Across the Wire" in 2003; Bill Littlefield's novel "The Prospect" in 2005; and the anthology Voices from the Heartland in 2008. Williams' work on Voices received the "Ohio Arts Council Award of Individual Excellence in Screenwriting" in 2009. These scripts are shared as examples in his book Screen Adaptation: Beyond the Basics. By 2010, Williams had co-directed and co-produced two documentary television series (Redefining Appalachia and Guyana Pepperpot) as well as the documentary Breaking News (featuring Dianne Rehm, Walter Cronkite and Terry Anderson). Over the course of ten years as a professor, Williams developed three unique concepts for film and television, publishing two books on the topics: 

Question: Who was the screenwriter for Wavelength?
Answer: Mike Gray.
Harold Michael Gray.