Title: The Omen (2006 film)
Content:  The score was composed by Marco Beltrami, using cues from Jerry Goldsmith's Oscar-winning score for the original film.
Title: Omen IV: The Awakening
Content:  The score was composed by Jonathan Sheffer, who wrote original music and referenced themes written by Jerry Goldsmith for the previous films.
Title: Ave Satani
Content:  "Ave Satani" is the theme song to the film The Omen (1976) composed by Jerry Goldsmith. The Omen won the Academy Award for Best Original Score, with Ave Satani nominated for Best Original Song, one of the few foreign language (Latin) songs ever to be nominated.
Title: The Omen
Content:  An original score for the film, including the movie's theme song "Ave Satani", was composed by Jerry Goldsmith, for which he received the only Oscar of his career. The score features a strong choral segment, with a foreboding Latin chant. The refrain to the chant is, "Sanguis bibimus, corpus edimus, tolle corpus Satani", Latin for, "We drink the blood, we eat the flesh, raise the body of Satan", interspersed with cries of "Ave Satani!" and "Ave Versus Christus" (Latin, "Hail, Satan!" and "Hail, Antichrist!"). Aside from the choral work, the score includes lyrical themes portraying the pleasant home life of the Thorn family, which are contrasted with the more disturbing scenes of the family's confrontation with evil. According to Goldsmith's wife, Carol, the composer initially struggled with ideas for the score until one evening when he suddenly, happily announced to her, "I hear voices", referring to an orchestral chorus or choir.
Title: Charles Orme
Content:  Goldsmith, his only Oscar, having been nominated no less than eighteen times). In the same year, Orme worked as associate producer on John Boorman's Exorcist II: The Heretic, edited by Tom Priestley, photographed by cinematographer William A. Fraker and starring Linda Blair, Louise Fletcher and Richard Burton. The film's music was composed by another of the greatest film composers of all time, Ennio Morricone. In 1977–78, Orme worked as co-producer on Damien: Omen II, the second installment in The Omen series and was reunited again with producers Harvey Bernhard and Mace Neufeld. The film was directed by Don Taylor and starred William Holden, Lee 
Title: Damien: Omen II
Content:  that Goldsmith's music for The Omen was the highest point of that movie, and that without Goldsmith's music, the sequel would not be successful. Goldsmith's Omen II score uses similar motifs to his original Omen score, but for the most part he avoided re-using the same musical cues. In fact, the first movie's famous "Ave Satani" theme is used only partially, just before the closing credits begin. Goldsmith composed a largely different main title theme for Omen II, albeit one that utilises Latin phrases as "Ave Satani" had done. Goldsmith's Omen II score allows eerie choral effects and unusual electronic sound designs to take precedence over the piano and gothic chanting. Richard Donner, director of the first Omen 
Title: The Omen
Content:  Fox in June 1976, The Omen received mixed reviews from critics but was a commercial success, grossing over $60 million at the U.S. box office and becoming one of the highest-grossing films of 1976. The film earned two Oscar nominations, winning Best Original Score for Jerry Goldsmith, his only Oscar win. A scene from the film appeared at number 16 on Bravo's 100 Scariest Movie Moments. The film spawned a franchise, starting with Damien: Omen II, released two years later, followed by a third installment, Omen III: The Final Conflict, in 1981, and in 1991 with Omen IV: The Awakening. A remake was released in 2006.
Title: Charles Orme
Content:  worked as associate producer with producer Harvey Bernhard and executive producer Mace Neufeld on The Omen, directed by Richard Donner, edited by Stuart Baird and starring Gregory Peck. The film is considered by many as one of the best films of 1976, as well as one of the best horror films ever made. The film was a massive commercial success in the United States. It grossed $4.3m in its opening weekend and $60.9m domestically on a relatively small budget of $2.8m. The film was the fifth highest-grossing movie of 1976 and won an Academy Award for Best Original Score (awarded to the film's composer 
Title: The Omen (2006 film)
Content:  The film was greenlit in July 2005 with Dan McDermott attached to write and John Moore directing. McDermott would later be denied a credit by the Writers Guild of America as the screenplay was judged to bear too close a resemblance to the original 1976 script by David Seltzer; Seltzer received sole credit despite being uninvolved with the production of the remake. In an episode of the Scriptnotes podcast from April 2015, screenwriter Craig Mazin mentioned this as an example of a peculiar WGA arbitration. Chap Taylor also did some uncredited rewriting. According to the feature commentary on the DVD, hosted by Moore, editor Dan Zimmerman, and producer Glenn Williamson, the search for Damien spanned Los Angeles, London and New York. In 2005 newcomer Seamus Davey-Fitzpatrick was cast in the part, with his screen test doubling as the movie's teaser trailer. Principal photography began on October 3, 
Title: The Omen (franchise)
Content: The Omen, written in 1976 by David Seltzer ; Damien: Omen II, written in 1978 by Joseph Howard ; Omen III: The Final Conflict, written in 1980 by Gordon McGill ; Omen IV: Armageddon 2000, written in 1983 by Gordon McGill ; Omen V: The Abomination, written in 1985 by Gordon McGill There are five novels in the Omen series, the first three being novelizations of their film counterparts:

Question: Who was the composer of The Omen?
Answer: Jerry Goldsmith.
Jerrald King Goldsmith.