Title: Mento
Content:  Mento draws on musical traditions brought by enslaved West Africa people. Enslaved musicians were often required to play music for their masters and often rewarded for such skills. The Africans created a creole music, incorporating such elements of these traditions, including quadrille, into their own folk music. The Jamaican mento style has a long history of conflation with Trinidadian calypso. The lyrics of mento songs often deal with aspects of everyday life in a light-hearted and humorous way. Many comment on poverty, poor housing, and other social issues. Thinly veiled sexual references and innuendo are also common. Mento can be seen as a precursor of some of the movement motifs and themes 
Title: Mento
Content:   Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. Mento typically features acoustic instruments, such as acoustic guitar, banjo, hand drums, and the rhumba box — a large mbira in the shape of a box that can be sat on while played. The rhumba box carries the bass part of the music. Mento is often confused with calypso, a musical form from Trinidad and Tobago. Although the two share many similarities, they are separate and distinct musical forms. During the mid-20th century, mento was conflated with calypso, and mento was frequently referred to as calypso, kalypso and mento calypso. Mento singers frequently used calypso songs and techniques. As in calypso, mento uses topical lyrics with a humorous slant, commenting on poverty and other social issues. Sexual innuendo is also common.
Title: Mento
Content:  in Jamaica, especially in areas frequented by tourists. Lloyd Bradley, reggae historian and author of the seminal reggae book, Bass Culture, said that Lee "Scratch" Perry’s seminal 1976 dub album, Super Ape, contained some of the purest mento influences he knew. This style of music was revived in popularity by the Jolly Boys in the late 1980s and early 1990s with the release of four recordings on First Warning Records/Rykodisc and a tour that included the United States. Stanley Beckford and Gilzene and the Blue Light Mento Band also revived rural mento in the 2000s. The mento dance is a Jamaican folk-form dance with acoustic guitar, banjo, hand drums and rhumba box.
Title: Mento
Content:  Bedasse with Chin's Calypso Sextet, Laurel Aitken, Denzil Laing, Lord Composer, Lord Lebby, Lord Power, Hubert Porter, and Harry Belafonte, a New Yorker of Jamaican origin. His wildly popular hit records in 1956-1958, including "Day-O (The Banana Boat Song)" and "Jamaica Farewell," were mento songs sold as calypso. Previously recorded Jamaican versions of many Belafonte's classic "calypso" hits can be heard on the Jamaica - Mento 1951-1958 CD released by Frémeaux & Associés in 2009. Due in part to Belafonte's popularity, mento became widely conflated with calypso in the 1950s. In a 1957 interview for Calypso Star magazine, Lord Flea explained: "'In Jamaica, we call our music 'mento' until very recently. Today, 
Title: Music of Jamaica
Content:  Mento is a style of Jamaican music that predates and has greatly influenced ska and reggae music. Mento typically features acoustic instruments, such as acoustic guitar, banjo, hand drums, and the rhumba box—a large mbira in the shape of a box that can be sat on while played. The rhumba box carries the bass part of the music. Lord Flea and Count Lasher are two of the more successful mento artists. Well-known mento songs include Day-O, Jamaica Farewell and Linstead Market. Mento is often confused with calypso, a musical form from Trinidad and Tobago.
Title: Mento
Content:  is beginning to be used for all kinds of West Indian music. This is because it's become so commercialized there. Some people like to think of West Indians as carefree natives who work and sing and play and laugh their lives away. But this isn't so. Most of the people there are hard working folks, and many of them are smart business men. If the tourists want 'calypso', that's what we sell them.'" This was the golden age of mento, as records pressed by Stanley Motta, Ivan Chin, Ken Khouri and others brought the music to a new audience. In the 1960s it became overshadowed by ska and reggae. Mento is still 
Title: Afro-Caribbean music
Content:  Main article: mento Mento (also known as Jamaican calypso ) is a type of afro-Caribbean folk music that originated in Jamaica. This genre was a precursor of other afro-Caribbean sub-genres such as ska and reggae. Mento incorporates African rhythmic elements, such as the drums, with European elements, such as the guitar and the use of melodies. Like other Jamaican music genres, mento places emphasis on the after-beat.
Title: Mento
Content: Floyd Jr, Samuel A (1999). "Black Music in the Circum-Caribbean". American Music, Vol. 17, No. 1 (Spring, 1999), pp. 1–38. ; Neely, Daniel (2001). "Long Time Gal! Mento is Back!". The Beat, December 2001, vol. 20, no. 6: 38-42. Available in pdf format at New York University homepages. ; Neely, Daniel (2007). "One of mento's great voices silenced". "Jamaica Observer, March 18, 2007, ; Neely, Daniel (2007). "Calling All Singers, Musicians and Speechmakers : Mento Aesthetics and Jamaica’s Early Recording Industry." Caribbean Quarterly, Vol. 53, No. 4. (December 2007), pp. 1–15. 
Title: Mentirosa
Content:  "Mentirosa" (lit. "liar" (female)) is a single by Mellow Man Ace from his debut album, Escape from Havana. It was one of the first songs produced by Tony G, with scratches provided by Tony's fellow DJ at Los Angeles' KDAY radio station, Julio G (no relation, despite internet sites calling him Tony's brother). The song was Mellow Man Ace's lone hit single, peaking at number 14 on the Billboard Hot 100, spending 24 weeks on the chart. "Mentirosa" was additionally certified Gold by the Recording Industry Association of America, and was 99th on the Billboard Year-End Hot 100 singles of 1990. The track is performed in Spanglish, and samples "No One to Depend On" and "Evil Ways" by Santana.
Title: Mentiras, el musical
Content:  Mentiras, el musical, is a 2009 Mexican Jukebox musical based on popular songs from the 1980s written and directed by Jose Manuel Lopez Velarde. It is produced by OCESA, with Federico Gonzalez Compean and Morris Gilbert as Executive Producers. The Musical celebrated 600 shows in November 2010, and a soundtrack has been released in CD and iTunes. Later it was produced the karaoke CD of the shown. It is currently playing in "Teatro Mexico" in Mexico City and in a national tour through Mexico.

Question: What genre is Mentors?
Answer: heavy metal.
heavy metal music.
Heavy Metal.
Metal.
Metal music.
metal.
Heavy Metal Music.