Title: McCabe &amp; Mrs. Miller
Content:  Maddow, a well-known poet and screenwriter. In 1969, Altman was in post-production on M*A*S*H and sneaked Foster into the screening; Foster liked the film, and signed Altman to direct a film based on McCabe. They agreed to wait until M*A*S*H became a box-office hit to take the pitch for McCabe to a studio for funding. A second screenplay – independent of Maddow's – was commissioned from Brian McKay, who completed it in only five weeks. A revised version of that screenplay dated July 1970 became the "shooting script" for the film. Altman and McKay are listed in the film's credits as its screenwriters; Maddow 
Title: Philip Mackie
Content:  In August 1955 Mackie became, along with Nigel Kneale, one of the first two staff scriptwriters to be employed by BBC Television; scriptwriters had previously been employed on short-term or freelance contracts. The same year he adapted one of his television works into a successful stage play The Whole Truth which ran for more than a hundred performances in the West End and was then adapted into a film of the same title by Columbia Pictures. In the early 1960s he wrote several screenplays for the series of films made at Merton Park Studios, loosely based on Edgar Wallace stories and novels. Mackie was the producer and writer of the acclaimed 1968 ITV historical drama series The 
Title: Mad Max (film)
Content:  hired one: James McCausland, the Melbourne finance editor of The Australian, with whom Miller had previously bonded at a party as a fellow film buff. McCausland was paid roughly $3,500 for about a year’s worth of writing. The basic concept for the film was already established when McCausland was brought on to the project. He worked from a one-page outline prepared by Miller, writing each evening from about 7pm to midnight. Miller would then arrive at 6am the next day to confer on the pages. McCausland had never written a script before and did no formal or informal study in preparation, other than going repeatedly 
Title: Don Macpherson
Content:  Don Macpherson (born 7 September 1954) is a British screenwriter working in films and television.
Title: Mac and Me
Content:  Stewart Raffill, who had made a number of family films, was brought on as director even before the film had a completed script. He says he was recommended to the producer by James Brolin, with whom Raffill had made 1981's High Risk. Raffill later recalled: "I was hired out of the blue. And the producer asked me to come down to the office. So I did and he had a whole crew there, a whole crew on the payroll. It was amazing. He had the transportation captain. The camera department head. The AD. The Production Manager. He had everybody already hired and I said, 'Well, what's the script?' And he said, 'We don't have a script. I don't like the script. You have to write the script. You're gonna have to write it quickly so prep the movie and write the script on the weekends.'" The crew aimed 
Title: Ranald MacDougall
Content:  Ranald MacDougall (March 10, 1915 – December 12, 1973) was an American screenwriter who scripted such films as Mildred Pierce (1945), The Unsuspected (1947), June Bride (1948), and The Naked Jungle (1954), and shared screenwriting credit for 1963's Cleopatra. He also directed a number of films, including 1957's Man on Fire with Bing Crosby and 1959's The World, the Flesh and the Devil, both of which featured actress Inger Stevens.
Title: Doug MacLeod (TV writer)
Content:  MacLeod was a working writer for ABC Radio's comedy department in the 1980s, before spending two years as head writer of Network Ten's The Comedy Company. He was a writer on the sketch comedy programs Fast Forward and Full Frontal. He was the script editor of Kath & Kim while the series aired on the ABC. As a break from sketch comedy he co-wrote five episodes of SeaChange with Andrew Knight. He co-wrote the animated children's series Dogstar which won him the inaugural John Hinde prize for science fiction in 2008. He also worked on series two in 2011 with co-writer Philip Dalkin. In 2008 MacLeod won the Fred Parsons Award for Contribution to Australian Comedy at the Australian Writers' Guild Awards.
Title: The Mack
Content:  According to director Michael Campus, the original script for the film was written on prison toilet paper by Bobby Poole, an inmate at San Quentin. While staying in Oakland for two months, Campus met Frank Ward, a real pimp and drug dealer from Oakland. Max Julien's character of Goldie is based upon him. In order to shoot the movie, Campus needed Ward's permission, because many scenes were filmed in his territory. In exchange for his guidance and protection, Campus put Ward in the film. All of the homeless people, junkies, pimps and women in the film were supplied by Frank Ward. Although Campus had Ward's protection, the film was also in Black 
Title: Steve MacManus
Content:  When it was cancelled later the same year, he became Gosnell's sub on 2000 AD, replacing Nick Landau who was moved to Battle. He wrote scripts for "M.A.C.H. 1", and was the main writer for its spin-off "M.A.C.H. Zero", as well as contributing episodes of "The V.C.s", and also wrote "The Lawless Touch" for another of Gosnell's titles, Tornado. In 1979 he was promoted to editor of 2000 AD, a job he held until 1986. This period is widely regarded as the title's "golden age", during which John Wagner, Alan Grant, Pat Mills and Alan Moore produced some of their best work, and 
Title: MacGruber
Content:  The character of MacGruber was created by SNL writer Jorma Taccone. The sketches are written by Forte, Taccone and John Solomon and directed by Taccone, except for the March 2008 and May 2008 installments, which were directed by Solomon.

Question: Who was the screenwriter for Mac?
Answer: John Turturro.
John Michael Turturro.