Title: The Hitcher (1986 film)
Content:  The film's producers then went looking for an inexpensive director. Still photographer-turned-cameraman Robert Harmon was given a copy of the script by his agent and early the next morning called his agent and told him that he wanted to do it. In February 1984, Harmon met with the producers to talk about the script. He recalled, "even the exact actions that remained in the script were described in much bloodier and gorier detail". The producers were impressed with him and the fact that he also envisioned the film as a Hitchcockian thriller. However, Harmon objected to the eyeball in the hamburger scene and never planned to show the girl 
Title: The Hitcher (1986 film)
Content:  faith in their director and stuck by Harmon. Independent producer Donna Dubrow heard about The Hitcher while working on another film and to her it sounded like "Duel with a person". When she went to work for Silver Screen Partners/Home Box Office, she contacted Feldman, a former employer, and asked for a copy of the script. She submitted it to her boss, HBO senior vice-president Maurice Singer. He liked it and sent it back to New York to be read by Michael Fuchs, HBO chairman and chief operating officer. They needed Fuchs' approval to get the film made. It would not be easy to convince him because 
Title: Patricia Churchill
Content:  Higgins was hired as a producer for the third season of Lost in 2006. She remained a producer until the close of the fifth season in 2009. Higgins and the other producers were nominated for an Emmy Award for best drama series for her work on the fourth season at the September 2008 ceremony. They were nominated for the same award for the fifth season at the September 2009 ceremony.
Title: Jean Higgins
Content:  She began her career as a producer working in feature films as a line producer and associate producer. Her first film was Movers & Shakers in 1985. She was a producer for the 1999 film Arlington Road. She became a line producer for the first season of CSI: Miami in 2002. She left the series at the end of the first season in 2003. She joined the crew of Lost as a co-producer on the pilot episode in 2004. She returned as a co-producer for the first season and was promoted to line producer mid-way through the season. Higgins and the producers won an Emmy Award for outstanding drama series at the September 2005 ceremony and a Producers Guild of America (PGA) Award for television producer of the year in episodic for their work on the first season. She returned as a 
Title: Paul Haggis
Content:  Haggis began to work as a writer for television programs, including Dingbat and the Creeps, Richie Rich, Scooby-Doo and Scrappy-Doo, The Love Boat, One Day at a Time, Diff'rent Strokes, and The Facts of Life. With The Facts of Life, Haggis also gained his first credit as producer. During the 1980s and 1990s, Haggis wrote for television series including thirtysomething, The Tracey Ullman Show, FM, Due South, L.A. Law, and EZ Streets. He helped to create the television series Walker, Texas Ranger; Family Law; and Due South. Haggis served as executive producer of the series Michael Hayes and Family Law. In 1999, he signed a first 
Title: The Hitcher (1986 film)
Content:  ripped in half. In early drafts of the script, John Ryder had been described as skeletal in nature and so actors like David Bowie, Sting, Sam Shepard, Harry Dean Stanton, and Terence Stamp were mentioned. Harmon was set on casting Stamp and even carried around his picture to pitch meetings. Stamp received a copy of the script but he turned down the role. Sam Elliott was offered the role but an agreement could not be reached on his salary. Michael Ironside was also considered for the role. Singer mentioned Dutch actor Rutger Hauer. While in L.A. for a short visit, Hauer read the script. Even though he was looking 
Title: The Pros and Cons of Hitch Hiking
Content:  'Waitress' ; Manning Redwood and Ed Bishop as 'Truck Drivers' ; Jack Palance as 'Hell's Angel' ; Madeline Bell as 'Hell's Angel's Girlfriend' Roger Waters and Michael Kamen – producers ; Andy Jackson – engineer ; Laura Boisan – assistant engineer ; Michael King – SFX boffin ; Zuccarelli Labs – holophonics ; Doug Sax and Mike Reese – mastering ; Roger Waters and Gerald Scarfe – sleeve design ; Gerald Scarfe - illustrations and lettering ; Alex Henderson – photography ; The Artful Dodgers – co-ordination Credits adapted from the album's liner notes. The Musicians The Actors (in order of appearance) The Crew
Title: The Man Who Made Husbands Jealous (film)
Content:  The producer, Sarah Lawson, had previously worked with the director she hired for the film, Robert Knights, on the feature film The Dawning (1988). Knights had begun his directing career in the 1970s on BBC television's Play for Today and was in the middle of a distinguished career in television drama and film which had already taken in The History Man (1981), Porterhouse Blue (1987), and Double Vision (1992). His work on Porterhouse Blue and The Glittering Prizes (1976) had been nominated for BAFTA Awards. The casting director did not look for established stars. Stephen Billington, who had the pivotal role of Lysander Hawkley, was almost unknown when he was chosen from the hundreds who auditioned to play the part. Donna King, who played one of Lysander's love interests, had originally been a dancer and had originated the part of Bombalurina in Andrew Lloyd Webber's Cats on Broadway. The costs of the production were reported in May 1997 as £3,000,000. The publicity pictures portrayed "a smooth young opportunist surrounded by eager women of all ages".
Title: The Hitcher (1986 film)
Content:  enough shape to show their boss, producer Ed Feldman, and his partner, Charles Meeker, and prove to them that it was more than an exploitation film. Bombyk worked with Red via several long-distance phone calls to Texas and eventually the writer moved to Los Angeles. Red agreed to work with Ohman on the script until it was ready to be shown to Feldman and Meeker. They liked the script but wondered, "how could we manage to translate it to the screen without making a slasher movie?" Meeker said. Feldman and Meeker decided to come on board as executive producers. Ohman and Red spent 
Title: Jack H. Harris
Content:  He was a producer in all films unless otherwise noted.

Question: Who was the producer of Hired!?
Answer: Jam Handy.
Henry Jamison Handy.
Jamison Handy.