Title: The Empath
Content:  "The Empath" has a distinctive music score, composed by George Duning. His use of the Yamaha organ was, according to the composer himself, the first time that the electronic instrument (newly arrived from Japan) was featured in a Hollywood film score. The enchanting theme for Gem was used in many subsequent episodes during tender, romantic scenes.
Title: Emaan
Content:  The film music was composed by Mohib Hamidi and Ahmad Fanoos.
Title: The Emoji Movie
Content:  The film's score was composed by Patrick Doyle, who previously composed the score for Leondis' Igor (2008). Singer Ricky Reed recorded an original song, "Good Vibrations", for the film. While also voicing a character in the film, Christina Aguilera's song "Feel This Moment" was also used during the film and the end credits.
Title: Emma (1996 theatrical film)
Content:  The musical score of the film was written by British composer Rachel Portman. It was released on 29 July 1996 by Hollywood Records. Portman told Rebecca Jones from the BBC that her score was "purely classical". She continued "It is an orchestral piece, by which I mean that there is nothing in it that you wouldn't find in a symphony orchestra. It was influenced by my roots and my classical background." Portman used various instruments to give a voice to the characters. She revealed that "a quivering violin" would represent Harriet's uneasy stomach, while "a bittersweet clarinet" would accompany Emma though her emotional journey. Josh Friedman from the Los Angeles Times believed Portman's "crafty score guides the audience through the heroine's game playing, and ultimately, to her romantic destiny." He also thought the music had "a sneaky, circular feel". Playbill's Ken LaFave commented that the score 
Title: Emmanuelle (film)
Content:  The soundtrack to Emmanuelle was composed by Pierre Bachelet. The online music database AllMusic described the soundtrack to Emmanuelle as "both more sophisticated and more banal than your average stroke-film soundtrack" as well as stating that "the composers strive for a complexity and intimacy largely absent from the genre". The review compared pieces of the music anticipating the music of British musician Brian Eno's ambient music. The soundtrack employs synthesizers and acoustic guitar. The music featured during Kristel's erotic scenes is a series of variations on "Larks' Tongues in Aspic, Part Two" by King Crimson.
Title: Sense and Sensibility (film)
Content:  Composer Patrick Doyle, who had previously worked with his friend Emma Thompson in the films Henry V, Much Ado About Nothing, and Dead Again, was hired to produce the music for Sense and Sensibility. Asked by the director to select existing music or compose new "gentle" melodies, Doyle wrote a score that reflected the film's events. He explained, "You had this middle-class English motif, and with the music you would have occasional outbursts of emotion." Doyle explains that the score "becomes a little more grown-up" as the story progresses to one of "maturity and an emotional catharsis." The score contains romantic elements and has been described by National Public Radio as a "restricted compass ... of emotion" with "instruments [that] blend together in a gentle sort 
Title: Invention for Destruction
Content:  The film's score was written by Zdeněk Liška, a highly regarded film composer known for his skill with musical characterizations and humor, as well as for his innovative use of electronic music techniques. In the mid-20th century, he was the foremost Czech composer of fantasy film scores. The score is written in an old-fashioned style complementing the quaintness of the visuals, and often redolent of the film's imaginary machinery. Liska would suggest editing cuts to the director, to speed up the rhythm of the film and to make his music flow more smoothly with what is on screen. The main theme, reminiscent of a music box, is scored for harpsichord, accompanied by a chamber ensemble of string instruments and woodwinds. The love theme, apparently based on the song "Tit-willow" from the Gilbert and Sullivan comic opera The Mikado, is likewise played by woodwinds and a muted harpsichord. Liška's score also includes various shorter cues, such as a short pathos-filled theme for the sinking of the ship Amelie, keyboard strikes matching the attacks on the giant octopus, and a serene finale for string orchestra. The film's score remains one of Liška's most notable works.
Title: Landscape in the Mist
Content:  The soundtrack, containing traces of romantic music and stressed by the oboe, was composed by Eleni Karaindrou. Karaindrou stated the impetuous children strongly reminded her of the romantic escapes from earlier times, which is why she wanted the soundtrack to contain traces of Mendelssohn and Franck. When it came to the selection of the fitting instrument, she chose the oboe, because it is romantic and screams at the same time.
Title: The Patriot (2000 film)
Content:  The musical score for The Patriot was composed and conducted by John Williams and was nominated for an Academy Award. David Arnold, who composed the scores to Emmerich's Stargate, Independence Day, and Godzilla, created a demo for The Patriot that was ultimately rejected. As a result, Arnold never returned to compose for any of Emmerich's subsequent films and was replaced by Harald Kloser and Thomas Wander.
Title: Episode (film)
Content:  The score was composed by Willy Schmidt-Gentner, using foreign compositions from the early 1920s. The title song was composed by Robert Katscher; the director Walter Reisch co-wrote the lyrics. The Viennese music publisher Ludwig Doblinger (Bernhard Herzmansky) published three songs from the film: Ein Dirndl muß klein sein, Es kommt einmal der Augenblick and Jetzt müßte die Welt versinken.

Question: Who was the composer of Emotions?
Answer: Mariah Carey.
MC.
Mirage.
Mimi.
Elusive Chanteuse.
Songbird Supreme.
Carey.