Title: Madea Goes to Jail
Content:  On its opening weekend, the film opened at #1, and grossed $41,030,947 (2,032 theaters, $20,192 average), the biggest Friday to Sunday take since Twilight in November 2008. It broke Madea's Family Reunion weekend gross at $30 million as the highest weekend gross for a Tyler Perry film. It broke Saw IIIs record at $33 million for the highest weekend gross for Lionsgate Entertainment. "We were cautiously optimistic we could do 30-plus," Steve Rothenberg said. On its second weekend, it dropped 61 percent, but remained at #1 grossing another $16,175,926 (2,052 theaters, $7,883 average), bringing the 10-day gross to $64,525,548. The film closed on April 23, 2009 with a final domestic gross of $90,508,336.
Title: A Madea Family Funeral
Content:  A Madea Family Funeral is a 2019 American comedy film written, directed, and produced by Tyler Perry. It is the eleventh installment of the Madea cinematic universe, and stars Perry in several roles, including as the titular character, as well as Cassi Davis and Patrice Lovely. The plot follows Madea and her friends as they must set up an unexpected funeral during a family get-together in Georgia. The film was released in the United States on March 1, 2019. The film received generally negative reviews from critics but grossed over $75 million worldwide. This is the last film from Tyler Perry to be released by Lionsgate, with Paramount Pictures and Netflix taking over distribution of future Perry films via his deal with ViacomCBS. Though A Madea Family Funeral was originally intended to be the final film in the series, a sequel, A Madea Homecoming is set to be released in 2022.
Title: Peter Medak
Content:  Medak was signed to direct television films for MCA Universal Pictures in 1963. In 1967, he signed with Paramount Pictures to make feature films. His first such film was Negatives (1968). Some of his most notable other works are The Ruling Class (1972), The Changeling (1980), The Krays (1990) and Let Him Have It (1991). Medak has also directed a number of TV episodes and films, including The Feast of All Saints (a mini-series), Homicide: Life on the Street, The Wire  and Carnivàle.
Title: A Madea Family Funeral
Content:  A Madea Family Funeral has grossed $73.3 million in the United States and Canada, and $1.5 million in other territories, for a worldwide total of $74.8 million, against a production budget of $20 million. In the United States and Canada, A Madea Family Funeral was released alongside Greta, and was projected to gross $18–20million from 2,442 theaters in its opening weekend. It made $1.1 million from Thursday night previews, a record for the Madea films, as well as one of the highest of Perry's career. It went on to debut to $27.1 million, finishing second at the box office behind holdover How to Train Your Dragon: The Hidden World and marking the third-best opening of the series. In its second weekend the film dropped 53% to $12.5 million, finishing third behind newcomer Captain Marvel and How to Train Your Dragon, and then made $8.1 million in its third weekend, finishing fifth.
Title: Rachel McAdams
Content:  McAdams an opportunity to play a dishevelled and sardonic sister, rather than the usual "obvious" girlfriend or wife roles. She was eager to work with Keaton and remarked, "It's never about line counts for me. It's about the people I get to work with." Justin Chang of Variety noted that "a deglammed but still radiant McAdams proves once again that she's the real deal, delivering a deliciously feisty performance". Manohla Dargis of The New York Times felt that her "engaging screen presence holds your attention and sympathy despite the handicap presented by her character's personality." The film was a commercial success: it cost $18million to make and grossed over $92million worldwide.
Title: Guy Maddin
Content:  During his break from making feature films, Maddin began teaching film classes at the University of Manitoba, where he met and encouraged the younger filmmaker Deco Dawson. After being impressed with Dawson's short films, Maddin hired Dawson to work on a short film for the Toronto International Film Festival — Maddin was one of a number of directors (including Atom Egoyan and David Cronenberg) commissioned to make four-minute short films that would screen prior to the various feature films at the 2000 festival. After hearing rumours that other directors were planning films with a small number of shots, Maddin decided that his film would instead contain over 
Title: Mike Medavoy
Content:  Medavoy began his career at Universal Studios in 1964. In 1965 he became an agent at the General Artists Corporation, later moving to Creative Management Associates. He became Creative Management's vice president of the motion picture department in 1967, where he worked with Steven Spielberg and Francis Ford Coppola among others, and headed to International Famous Agency in 1970. In 1974, United Artists brought Medavoy in as senior vice president of production. There, he was part of the team responsible for One Flew Over the Cuckoo's Nest, Rocky, and Annie Hall, which won Best Picture Oscars in 1975, 1976 and 1977, respectively. United Artists made a number of other notable films at the time, including Apocalypse Now, Raging Bull, Network, The Black Stallion, and Coming Home.
Title: Rachel McAdams
Content:  to the role saying, "I'm not funny. So I said, 'if you need me to be funny, you might want to look somewhere else'". The film's director Roger Michell had a number of dinners with McAdams and persuaded her to join the cast. Since working with Keaton, McAdams has described her as a mentor figure. Kenneth Turan of the Los Angeles Times said McAdams "gives the kind of performance we go to the movies for" while Roger Ebert of the Chicago Sun-Times felt she played "as lovable a lead as anyone since Amy Adams in Junebug" in an otherwise 
Title: Tyler Perry
Content:  Perry raised a US$5.5 million budget in part from the ticket sales of his stage productions to fund his first movie, Diary of a Mad Black Woman, which went on to gross US$50.6 million domestically, while scoring a 16% approval rating at the film review web site Rotten Tomatoes. Perry made his directorial debut on his next film, an adaptation of Madea's Family Reunion, and has directed all of his subsequent Madea films. On its opening weekend, February 24–26, 2006, Madea's Family Reunion opened at number one at the box office with $30.3 million. The film eventually grossed $65 million. Perry and his co-stars promoted the film on The Oprah Winfrey 
Title: Madman (film)
Content:  In 1979, filmmakers Joe Giannone and Gary Sales, both graduates of Richmond College, were inspired to make a horror film after the commercial successes of recent low-budget horror films. In developing a screenplay, Sales recalled the urban legend of the Cropsey maniac which he had heard as a child, and suggested it as a possible basis for the story. The two devised the working title Madman: The Legend Lives, with Giannone writing the screenplay, while Sales attempted to find an investor to help fund the production. After numerous failed attempts at attracting an investor, producer Sam Marion agreed to help fund the picture. By 1980, Giannone and Sales had secured enough financing to 

Question: Who was the director of Madea Gets a Job?
Answer: Tyler Perry.
Emmitt Perry Jr.