Title: Norma Tyer
Content:  Norma Phyllis Tyer (born 23 April 1928) was an Australian composer who wrote orchestral, choral, electronic and chamber music.
Title: 555 Norma
Content:  This minor planet was named for the principal female character of the opera Norma by Italian composer Vincenzo Bellini (1801–1835). In the opera, Norma is a high priestess of the Druids. In 1955, the official naming citation was published by Paul Herget in The Names of the Minor Planets (H 59)
Title: June Anderson
Content:  sensitivity and accuracy of pitch in the face of extreme vocal challenges devised by the composer, but also in its penetration and detailed communication of the emotions encompassed in the music and drama. It was all this that June Anderson's Norma comprehended and conveyed. . . .Anderson, [] also, as a bonus, looked the part: feminine, classy and dignified. I doubt there's been a markedly better Norma since Callas and Sutherland. The Toronto Star wrote of Anderson's portrayal in Norma: [T]he title role is a jewel for any soprano diva's crown. . . .And how very special that one of the great contemporary Normas, American soprano June Anderson, is present to bring down 
Title: Norma (opera)
Content:  were Grace Bumbry and Shirley Verrett, the American divas who began as mezzo-sopranos and eventually started singing soprano repertoire. During the 1980s and 1990s, the role of Norma was performed by such diverse singers as Katia Ricciarelli, Anna Tomowa-Sintow, Marisa Galvany, Dame Gwyneth Jones, and Jane Eaglen. Other Normas include Hasmik Papian, Fiorenza Cedolins, Galina Gorchakova, Maria Guleghina, Nelly Miricioiu, June Anderson, Edita Gruberová and Carmela Remigio (who performs more frequently the role of Adalgisa). In 2008, Daniela Dessì performed as Norma at Teatro Comunale di Bologna. In 2010 (in Dortmund) and 2013 (at the Salzburg Festival) the role was taken by mezzo-soprano Cecilia 
Title: Norma (opera)
Content:  Norma is a tragedia lirica or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play Norma, ou L'infanticide (Norma, or The Infanticide) by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in act 1 is a famous piece. Probably the most important Norma of the first half of the 20th century was Rosa Ponselle who triumphed in the role both in New York and in London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, Montserrat Caballé.
Title: Norma (opera)
Content:  studio recordings of the opera for EMI/HMV, and several broadcasts of her live performances have been preserved from the early 1950s through her final performances of the role in Paris in 1964. In the 1960s, two very different performers sang the role: the Australian Dame Joan Sutherland and the Turkish Leyla Gencer. Following Sutherland's 1964 debut as Norma, Luciano Pavarotti called her "the greatest female voice of all time." The Dutch coloratura Cristina Deutekom tackled the role in 1970. Throughout the decade, four other bel canto specialists debuted their Normas: Radmila Bakočević, Montserrat Caballé, Beverly Sills, and Renata Scotto. Also singing Norma during this 
Title: Norma (opera)
Content:  Richard Wagner conducted Norma at Riga in 1837. Following the common nineteenth-century practice of adding interpolated arias, he wrote an aria for the bass and men's chorus for this production. However, that aria has not entered the general repertoire. Wagner wrote at the time that Norma was "indisputably Bellini's most successful composition". "In this opera, Bellini has undoubtedly risen to the greatest heights of his talent. In these days of romantic extravaganzas and the hyper-excitement of the so-called musical attractions he presents a phenomenon which can hardly be overrated. The action, free from all theatrical coups and dazzling effects, reminds one instinctively of a Greek tragedy. Perhaps the views expressed by Schiller in his 'Bride of Messina' to the effect that he had hopes for the full revival of 
Title: Norma Wendelburg
Content:  Norma Ruth Wendelburg (March 26, 1918July 26, 2016) was an American composer, Fulbright scholar, pianist and teacher.
Title: Norma (album)
Content:  Norma is a conceptual album that tells the different stages of love, each song will tell part of a story of the relationship, all of them have a music video. The name Norma comes from the artist's first name (Norma Monserrat Bustamante Laferte), that she did not like but she used it to show that in her life love always follows the same "norma" (norm). Norma was recorded in a single session at Studio A of Capitol Studios in Los Angeles, California, on June 16, 2018. The recording was made in a single shot, without using the overdubbing technique of layers of audio, but all the instruments playing simultaneously to give the material the sensation of live recording. 13 musicians participated in this recording. The production of this album was in charge of Omar Rodríguez-López; the recording engineer was Bruce Botnick.
Title: Norma (opera)
Content:  away by the dramatic emotion, the action, and the scene that you do not have to think how to sing the words. That comes of itself. But in Bellini, you must always have a care for beauty of tone and correct emission." According to the Met Opera Archives, Lehmann said this to Herald Tribune critic Henry Krehbiel. Throughout the 20th century, many singers have tackled the role of Norma. In the early 1920s, it was Rosa Raisa, Claudia Muzio, and Rosa Ponselle who were each admired. Maria Callas emerged as a major force in the role in the post-World War II period. She made 

Question: Who was the composer of Norma?
Answer: Vincenzo Bellini.
Bellini.
Vincenzo Salvatore Carmelo Francesco Bellini.