Title: Columbia University School of the Arts
Content: Ayad Akhtar - screenwriter and actor, The War Within; Pulitzer Prize-winning playwright, Disgraced ; Alice Arlen - screenwriter of Silkwood, The Weight of Water, Then She Found Me ; Bogdan Apetri (2006) - screenwriter, film director ; Sophie Barthes - screenwriter, film director ; Albert Berger - Producer Little Children, Little Miss Sunshine, Cold Mountain ; Shari Springer Berman and Robert Pulcini - Academy Award nominated screenwriter-directors, American Splendor, The Nanny Diaries ; Kathryn Bigelow (1979) - screenwriter, film director, producer and two time Academy Award winner for The Hurt Locker (2009). ; Anna Boden - co-screenwriter and director, Half Nelson, Captain Marvel ; Richard Brick (1971) - producer Hangin' with 
Title: Nathanael West
Content:  as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel Before the Fact (1932) by Francis Iles. West and Ingster wrote the screenplay in seven weeks, with West focusing on characterization and dialogue and Ingster focusing on the narrative structure. RKO assigned the film, eventually released as Suspicion (1941), to Alfred Hitchcock; but Hitchcock already had his own, substantially different, screenplay. Hitchcock's screenplay was written by Samson Raphaelson, Joan Harrison (Hitchcock's secretary), and Alma Reville (Hitchcock's wife). West and Ingster's screenplay was abandoned, but the text can be found in the Library of America's edition of West's collected works.
Title: The Lost Moment
Content:  The film was produced at Universal Pictures by Walter Wanger, from a screenplay by Leonardo Bercovici based on the 1888 novella The Aspern Papers by Henry James. Bercovici wrote the script in 1946 for Charles Feldman who developed several projects for the property. Wagner bought the script in January 1947 for a reported $200,000. (In fact no money changed hands - Wanger bought the script in exchange for a scenario called The Washington Flyer. ) The script was called The Lost Love. Wagner said the script would be directed by Martin Gable, who had just worked as producer on Smash-Up, the Story of 
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: The Bridge on the River Kwai
Content:  The screenwriters, Carl Foreman and Michael Wilson, were on the Hollywood blacklist and, even though living in exile in England, could only work on the film in secret. The two did not collaborate on the script; Wilson took over after Lean was dissatisfied with Foreman's work. The official credit was given to Pierre Boulle (who did not speak English), and the resulting Oscar for Best Screenplay (Adaptation) was awarded to him. Only in 1984 did the Academy rectify the situation by retroactively awarding the Oscar to Foreman and Wilson, posthumously in both cases. Subsequent releases of the film finally gave them proper screen credit. David Lean himself also claimed that producer 
Title: Seven Pounds
Content:  Seven Pounds is based on a script written by Grant Nieporte under Columbia Pictures. In June 2007, Will Smith joined the studio to star in the planned film and to serve as one of its producers. In September 2007, director Gabriele Muccino, who worked with Smith on The Pursuit of Happyness (2006), was attached to direct Seven Pounds, bringing along his creative team from the 2006 film. Smith was joined by Rosario Dawson and Woody Harrelson the following December to star in Seven Pounds. Filming began in February 2008. Most of the film was shot in Los Angeles, Pasadena, and Malibu, California. Points of interest used in the film include the Travel Inn in Tujunga, California, the Colorado Bar, the Huntington Library, the Sheraton, and the Pasadena Ice Skating Rink all in Pasadena, as well as Malibu Beach in Malibu.
Title: InAlienable
Content:  The screenplay was written by Walter Koenig of the original Star Trek series. He told Starburst magazine that he was watching the 2000 World Series with friends, one of whom had appeared in The Blob. "We proceeded to have other conversations along the way about making a film that, at least initially, began the same way as The Blob, with something landing from outer space. And I really took it from there." He told interviewer Chris Wood (who identifies the friend as Anthony Franke), "I wanted to examine the intensity of familial bonding. That was one thing. I also wanted 
Title: The Big Country
Content:  Robert Wyler and Jessamyn West wrote the first screenplay for the film based on the Donald Hamilton story that had been serialized in The Saturday Evening Post. Leon Uris wrote a second screenplay and Robert Wilder wrote another, with the final script by James R. Webb and Sy Bartlett. After arbitration, Webb, Bartlett and Wilder received screenplay credit and Wyler and West received adaptation credit. Uris was not given credit as his script deviated too much from the original story. Director William Wyler was known for shooting an exorbitant number of takes on his films, usually without explaining to the actors what to do differently except "[make it] better", and this one was no exception. Many of the actors, including Jean Simmons and Carroll Baker, were so traumatized by his directing style that they refused to speak about 
Title: Island of Lost Women
Content:  The film was based on an original story by Prescott Chaplin. Film rights were bought by Jaguar Productions, Alan Ladd's production company, which had a film development deal with Warner Bros. Ray Buffum was hired to write the script. Frank Tuttle, who just made Hell on Frisco Bay for Jaguar, was assigned to direct. Jeff Richards was given the lead role and was signed by Jaguar to a five-year contract for two films a year. Warner Bros contract star Venetia Stevenson was cast opposite him. June Blair was borrowed from 20th Century Fox.
Title: The Drowning Pool (film)
Content:  was co-produced by First Artists at Warner Bros. By July 1974, Joanne Woodward had agreed to co-star and Lorenzo Semple had rewritten the script. Producer Foster says it was Woodward's suggestion to relocate the story from California to Louisiana, as she felt it would offer a point of difference. By September 1974, Tracy Keenan Wynn, who had earned a strong reputation writing TV movies, was working on the screenplay. Hill said that later Eric Roth did some writing on it. Jack Garfein said his agent pitched Garfein to direct the movie and Newman was agreeable, but then Stewart Rosenberg approached Newman asking for the job, saying he was going through personal problems and was "desperate" 

Question: Who was the screenwriter for The Weight?
Answer: Terence Winter.
Terence Patrick Winter.