Title: Lumumba, la mort d'un prophète
Content: Director: Raoul Peck ; Production: Velvet Film ; Scenario: Raoul Peck ; Image: Philippe Ros Matthias Kälin ; Sound: Eric Martin Witz Vaucher ; Editing: Ailo Auguste-Judith Raoul Peck Eva Schlensag 
Title: Jack Palance
Content:  Warwick Films hired him to play the hero in The Man Inside (1958), shot in Europe. He was reunited with Robert Aldrich and Jeff Chandler when they worked on Ten Seconds to Hell (1959), filmed in Germany, playing a bomb disposal expert. He made Beyond All Limits (1959) in Mexico, and Austerlitz (1960) in France, then did a series of films in Italy: Revak the Rebel, Sword of the Conqueror, The Mongols, The Last Judgment, and Barabbas (all 1961), and Night Train to Milan and Warriors Five (both 1962). Jean-Luc Godard persuaded Palance to take on the role of Hollywood producer Jeremy Prokosch in the nouvelle vague movie Le Mépris (1963) with Brigitte Bardot. Although the main dialogue was in French, Palance spoke mostly English.
Title: Ernst Lubitsch
Content:  Lubitsch seized upon the advent of sound films to direct musicals. With his first sound film, The Love Parade (1929), starring Maurice Chevalier and Jeanette MacDonald, Lubitsch hit his stride as a maker of worldly musical comedies (and earned himself another Oscar nomination). The Love Parade (1929), Monte Carlo (1930), and The Smiling Lieutenant (1931) were hailed by critics as masterpieces of the newly emerging musical genre. Lubitsch served on the faculty of the University of Southern California for a time. His next film was a romantic comedy, written with Samson Raphaelson, Trouble in Paradise (1932). Later described (approvingly) as "truly amoral" by critic David Thomson, the cynical comedy was popular both with critics 
Title: Peter Palitzsch
Content:  Helene Weigel, Angelika Hurwicz, Regine Lutz, Ernst Busch, Wolf Kaiser, Ekkehard Schall and Heinz Schubert. The film received a special award (Prize of the Jury or Anerkennungspreis) at the Locarno Film Festival in 1961. Palitzsch was called to West Germany, as a representative of authentic productions of Brecht's plays. He staged Eduard II in Stuttgart, Mann ist Mann (Man Equals Man in Wuppertal, and Der Kaukasische Kreidekreis (The Caucasian Chalk Circle and Der gute Mensch von Sezuan (The Good Person of Szechwan in Ulm. On 1 September 1961, shortly after the Berlin Wall, he directed there the West German 
Title: Schleissheim Palace
Content: Decision Before Dawn (1951) directed by Anatole Litvak used interiors and exteriors of Schleißheim when the Oskar Werner medic/spy character is picked to become an aide to a panzer General. ; Paths of Glory (1957) directed by Stanley Kubrick used the palace and its grounds extensively. The palace served as the French Army division headquarters; the execution of the World War I French soldiers was filmed in the grand garden of the new Palace (Gartenfassade des Neuen Schlosses); and the court martial in the Great Hall (Grosser Saal) inside the Palace. ; Last Year at Marienbad (1961) directed by Alain Resnais used the palace (along with two others in Munich) as a principal filming location. ; The Three Musketeers (2011) filmed some scenes in the palace. ; Per me, per sempre (2001 Music Video: Eros Ramazzotti) Directed by Paolo Scarfo'. Cinematographer: Massimo Zeri. Entirely shot in the Palace. Several notable motion pictures have used Schleißheim Palace as a film location: 
Title: Anatole Litvak
Content:  Palme d'Or. It starred Anthony Perkins who was reunited with Litvak in Five Miles to Midnight (1962) with both films shot in Paris. He produced, but did not direct, Jules Dassin's 10:30 P.M. Summer (1966). Litvak filmed The Night of the Generals (1967) in France, Germany and Poland; a movie about three Nazi Generals suspected of murder, starring Peter O'Toole and Donald Pleasence. Litvak said about the film's subdued tones: "We tried staying away from color as much as we could; color can be bad, particularly with the war; it takes away from reality in the most horrible way." In France and Poland, he later filmed The Lady in the Car with Glasses and a Gun.
Title: The Flame (1923 film)
Content:  The Flame (German: Die Flamme) is a 1923 German silent drama film directed by Ernst Lubitsch and starring Pola Negri, Hermann Thimig and Alfred Abel. The film is based on a play by Hans Müller. In the United States it was released under the alternative title Montmartre. It was the last film Lubitsch made in Germany before emigrating to Hollywood where he directed his first American film Rosita for United Artists the same year.
Title: Lutz Mommartz
Content:  Lutz Mommartz moved with his parents to Düsseldorf in 1937. From 1952 to 1975 he worked at local government administration of Düsseldorf as an inspector. Since 1967, when he gave up painting, Lutz Mommartz began shooting 16mm films. In the same year, he won a world-famous filmpreis with his film "Selbstschüsse" at the international experimental film festival in Knokke-le-Zoute, Belgium. On 1 October 1975 he founded a film class at the Kunstakademie Düsseldorf, Department of Kunsterzieher Münster. In 1977, he received the Federal Film Prize in silver for Beckett and 1978 the same for The Garden of Eden. In 1978 he received the professorship for film at the Künstakademie Münster. He is currently working on securing and distributing his archive. Lutz Mommartz lives and works today in Düsseldorf, from 2001 to 2011 also in Berlin.
Title: Albert and David Maysles
Content: Psychiatry in Russia (1955) ; Russian Close-Up (1957) ; Six in Paris (1965) – as cinematographer for segment "Montparnasse-Levallois" written and directed by Jean-Luc Godard ; Monterey Pop (1968) – as a cinematographer, with D. A. Pennebaker as director ; Horowitz Plays Mozart (1987, with Susan Froemke, Charlotte Zwerin) ; Jessye Norman Sings Carmen (1989, with Susan Froemke) ; They Met in Japan (1989, with Susan Froemke) ; Soldiers of Music: Rostropovich Returns to Russia (1991, with Susan Froemke, Peter Gelb and Bob Eisenhardt) ; Abortion: Desperate Choices (1992, with Susan Froemke and Deborah Dickson) ; Baroque Duet (1992, with Susan Froemke, Peter Gelb, Pat Jaffe) ; Accent on the Offbeat (1994, with Susan Froemke, Deborah Dickson) ; Umbrellas (1995, with Henry Corra, Grahame Weinbren) – featuring Christo and Jeanne-Claude ; Letting Go: A Hospice Journey (1996, with Susan Froemke, Deborah 
Title: The White Hell of Pitz Palu (1929 film)
Content:  The White Hell of Pitz Palu (Die weiße Hölle vom Piz Palü) is a 1929 German silent mountain film co-directed by Arnold Fanck and G. W. Pabst and starring Leni Riefenstahl, Gustav Diessl, Ernst Petersen, and World War I flying ace Ernst Udet. Written by Arnold Fanck and Ladislaus Vajda, the film is about a man who loses his wife in an avalanche while climbing the Piz Palü mountain, and spends the next few years searching the mountain alone for her body. Four years later he meets a young couple who agree to accompany him on his next climb. The White Hell of Pitz Palu was filmed on location in the Bernina Range in Graubünden, Switzerland. The 1929 theatrical release starred Kurt Gerron, who was Jewish, as a night club guest. The film was edited to remove scenes featuring Gerron, and it was rereleased as a 90-minute German-language sound film in 1935. It was remade in 1950.

Question: Who was the director of Les Palmes de M. Schutz?
Answer: Claude Pinoteau.