Title: Golden Raspberry Award for Worst Screenplay
Content:  only "winners" credited in the film; the other 29 recipients all wrote drafts of the screenplay.) ; Color of Night, screenplay by Matthew Chapman and Billy Ray, story by Ray ; Milk Money, written by John Mattson ; North, screenplay by Alan Zweibel and Andrew Sheinman, from the novel by Zweibel ; On Deadly Ground, written by Ed Horowitz & Rubin Russin ; 1995 Showgirls, written by Joe Eszterhas ; Congo, screenplay by John Patrick Shanley, based on the novel by Michael Crichton ; It's Pat, written by Jim Emerson & Stephen Hibbert & Julia Sweeney, based on characters created by 
Title: Carrie (1976 film)
Content:  I found out that nobody had bought it yet. A lot of studios were considering it, so I called around to some of the people I knew and said it was a terrific book and I'm very interested in doing it. Then nothing happened for, I guess, six months." Lawrence D. Cohen was hired as the screenwriter, and produced the first draft, which had closely followed the novel's intentions. United Artists accepted the second draft but only allocated De Palma a budget of $1.6 million, a small amount considering the popularity of horror films at the time. The budget eventually rose to $1.8 million. Certain scripted scenes were omitted from the final version, mainly due to financial limitations.
Title: Frank Chase (screenwriter)
Content:  His earliest writing work was for the Johnny Tuvo episode of The Texan, which starred Rory Calhoun, featuring Ron Hagerthy as Johnny Tuvo. From 1961 to 1969, he scripted 14 episodes of Bonanza. And episode entitled The Ballerina, which aired in January 1965, is said to have been written by Chase with his ballerina sister Barrie in mind. He also scripted 10 episodes for The Virginian, with airing dates from 1963 to 1970. He also wrote 4 episodes of The High Chaparral. He wrote the story for the 1967 film, Sullivan's Empire, his only film.
Title: Screenwriter's salary
Content: 1900: One of America's first screenwriters, New York journalist Roy McCardell, is hired to write ten scenarios (each about 90 seconds long) for $15 each. ; 1949: Ben Hecht is paid $10,000 a week (about $ in ). Claims David O. Selznick paid him $3,500 a day (about $ in ). ; 1984: Shane Black sells the screenplay to Lethal Weapon for $250,000. ; 1989: During the 1988 strike, John Raffo, sold his female-courier-has-to-take-a-cure-across-state-lines sci-fi spec script Pincushion to Columbia for $500,000. ; 1990: Kathy McWorter, who was promoted by her agent as a 21-year-old wunderkind, though in fact she was 28 years old, sells her sex comedy The Cheese Stands Alone for $1 million. This was followed 
Title: Money for Nothing (1993 film)
Content:  The film adaptation of Joey Coyle's story originated in December 1983, when a New York-based production company known as The Film Writers Company expressed interest in producing a film detailing his discovery of the money. Screenwriter Mark Kram and story editor David Loucka were scheduled to meet with Coyle, and tour South Philadelphia during pre-production. Coyle signed a contract with the production company in which he would receive an estimated $100,000, plus a percentage of the film's profits. Coyle and his lawyer Harold Kane were approached by numerous film and television executives, but production plans languished in development hell. After being informed by Kane that the rights had been optioned, the film's executive producers Gordon Freedman and Matt 
Title: Screenwriter's salary
Content:  nuclear-terrorist technothriller The Ultimatum by Laurence Dworet and Robert Roy Pool and WWII action comedy Hell Bent... and Back! by Doug Richardson and Rick Jaffa, both of which sold for a million dollars. None of these movies has been produced so far. ; 1992: Sherry Lansing is hired to run Paramount and spends $3.6 million in less than a week, $2.5 million for a two-page outline of Jade by Joe Eszterhas, and $1.1 million (about $ in 2018) for the script Milk Money by John Mattson. Both deals are records, respectively, for outlines and romantic comedy specs. ; 2005: Terry Rossio and Bill Marsilii are paid $3 million against $5 million for the script of Deja Vu. 
Title: Wall Street: Money Never Sleeps
Content:  R. Pressman. Stone stated that he reconsidered passing on directing the film after the stock market crash. The film was co-produced by Eric Kopeloff with Alessandro Camen and Celia D. Costas serving as executive producers. In addition to screenwriter Loeb, the film's overall writer is Schiff. Bryan Burrough received credit as a consultant, and may have done uncredited work on the story. At the time of the film's announcement the plot details were kept under wraps, but Loeb later confirmed that its plot would primarily focus on Gekko, recently released from prison and re-entering a much more "chaotic" financial world than the one he once oversaw from the previous film. Its 
Title: Wall Street: Money Never Sleeps
Content:  In October 2008, 20th Century Fox confirmed that Allan Loeb, who is a licensed stock broker, had been selected to re-write the script. Stanley Weiser had worked on a treatment for a sequel set in the present with Gekko being released from jail; the second part would be set in China. The studio felt that the material was dated, and put the project in turnaround. Stone had a falling out with Pressman, the producer, and began work on W. with Weiser. Weiser's treatment for Wall Street Two was discarded and the film began taking shape from an original script by Stephen Schiff. It was reported that Aaron Sorkin 
Title: Borden Chase
Content:  Chase began writing for TV with "The Windmill" for General Electric Theatre (1955). He wrote the screenplay for Backlash (1956), directed by John Sturges and Night Passage (1957) for Mann and Stewart. The latter also starred Audie Murphy who was in Ride a Crooked Trail (1958), written by Chase. Chase wrote several episodes of Tales of Wells Fargo (1959), Overland Trail (1960), The Detectives (1961), The Tall Man (1961), Whispering Smith (1961), Bonanza (1962), Route 66 (1962) and The Roy Rogers and Dale Evans Show (1962). He did some uncredited writing on Mutiny on the Bounty (1962) and wrote Gunfighters of Casa Grande (1964). Chase continued working for TV shows such as Daniel Boone, The Virginian (1964), and Branded (1965).
Title: Dreams on Spec
Content:  The film follows three aspiring screenwriters as they struggle to turn their scripts into movies. David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach. Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the great American screenplay. And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.

Question: Who was the screenwriter for Cash?
Answer: Ben Elton.
Benjamin Charles Elton.
Rik Mayall.
Richard Michael Mayall.
Lise Mayer.