Title: One Wonderful Day
Content:   "One Wonderful Day" was directed by Larry Shaw and written by John Pardee, Joey Murphy, series creator Marc Cherry, Tom Spezialy, and Kevin Murphy. It was filmed in April 2005. The writers were still working on the script when filming began; as a result, the ending narration was written based on the visuals that had been filmed. The episode focused largely on the conclusion of the Mary Alice mystery storyline. Cherry had wanted there to be a "definite end" to the mystery, hoping to avoid similar viewer fatigue that Twin Peaks suffered after drawing out its central mystery past its first season. The storyline relied on two flashback sequences, which featured Jolie 
Title: The Day After Tomorrow (TV special)
Content:   Filming began in July 1975 and ended that September. The production was budgeted at £105,000 (about £ in ). Principal photography was conducted at Pinewood Studios and completed in ten days, while the special effects shooting, which took place at Bray Studios, ran for six weeks. The special was directed by Charles Crichton, who had directed eight episodes of Space: 1999. Other members of the crew – including effects director Brian Johnson, editor David Lane and cinematographer Frank Watts – had also worked on the series. As Anderson's regular composer Barry Gray had other commitments, newcomer Derek Wadsworth was contracted to produce the theme and incidental music (the latter in collaboration with Steve Coe). Wadsworth would later be appointed composer for the second 
Title: Where the Day Takes You
Content:  The film's director, Marc Rocco was attracted to the production when he read the script from Michael Hitchcock. Hitchcock was inspired to write the script due to his experience on working at a shelter for teenage runaways in Hollywood. Despite the low budget, the film features an ensemble cast. Most cast members worked, against the advice of their agents, for a small salary. They prepared for their role by spending days with actual teenage runaways in the Hollywood district. Rocco explained their enthusiasm to work on the project in a 1992 interview: "So few scripts let these actors actually act, so few studios give these actors anything but light comedies, there are so few chances to let these actors create dimensional people." Shooting of the film concluded in August 1991. 
Title: A New Day in the Old Town
Content:  "A New Day in the Old Town" was co-written by consulting producer Akiva Goldsman and co-creator J. J. Abrams, with Goldsman also serving as director. In the DVD special features, actor Joshua Jackson explained the second season begins less than a day after the previous season's finale, "so the characters have only just barely had a chance to catch their breath from all the madness in the first season, and launch right back into the second one". Co-executive producer Jeff Pinkner considered beginning the second season directly after first season's final scene between Olivia and William Bell, but changed his mind because he thought it would be more 
Title: Another Day (TV series)
Content:  James Komack created Another Day and was its executive producer. Paul Mason and George Kirgo produced it. Episode directors were Burt Brinckerhoff, Hal Cooper, Nick Havinga, and Gary Shimokawa. Episode writers were Charlie Hauck, Dinah Kirgo, Julie Kirgo, Carl Kleinschmitt, Lynn Phillips, and Bill Taub. Paul Williams wrote and sang the shows theme song.
Title: Richard Day (writer)
Content:  Richard Day is an American writer, producer, director and occasional actor. He has worked as a writer/producer for several television programs, including, Arrested Development, Spin City, Ellen, Roseanne, Mad About You and Aliens in America. In addition to his work in television, he has also written and directed his own independent films Girls Will Be Girls and Straight-Jacket based on his own off-Broadway play.
Title: Gerry Day
Content:  also be an unofficial bookie for the series' crew, betting on horse races for them, and eventually becoming part owner of a racehorse. She would become well-versed in the Western genre, writing for such series as Here Come the Brides, The High Chaparral, Tate, Temple Houston, The Virginian, The Big Valley, The Outcasts, The New Land, and Little House on the Prairie. She also wrote for such other series as Medical Center, My Friend Tony, Judd, for the Defense, Peyton Place, Marcus Welby, M.D., Dr. Kildare, Court Martial, Hawaii Five-O and Dennis the Menace. She sometimes used the pseudonym Jon Gerald. Day co-wrote scripts with Bethel Leslie, an actress and head writer for the long-running soap opera The Secret Storm. They would write scripts for series such as Bracken's World, Matt Helm, The New Adventures of Perry Mason, Electra Woman and Dyna Girl and Barnaby Jones.
Title: Queen for a Day (film)
Content:  Queen for a Day would be the second in a proposed slate of six films. In November 1949 Seton I Miller signed to be an associate producer and to write the script. The original plan was to film four stories. In January 1950 Stillman bought the screen rights to the story "The High Diver" by John Ainsworth, which he intended use as one of the stories in the movie. The same month he bought the rights to Faith Baldwin's 1948 magazine story "This Gossamer World". The third story, "Horsie" was written by Dorothy Parker, was purchased in June. In the end, these were the only stories used, with Miller adapting them into a script. Lubin signed to make the film in February 1950. Unlike many anthology series, one person, Lubin, directed every episode.
Title: Splendid Days
Content:  The script was personally written by Igor Talankin, and Georgiy Danelia made a storyboard for him; he drew 505 frames of the future film. Before the beginning of the work, the directors agreed that everything is to be done together, each one has an opportunity to veto on any decision, but only every other day. Initially, another actor was invited for the role of Korostelyov. However, the artistic council of the association did not approve this and recommended Sergei Bondarchuk to them. The young directors did not believe that Bondarchuk would agree to act in a directorial debut. But after reading the script, Sergei said that he liked the role. The beginning of the shooting was scheduled for September 1959. Since the action of the picture takes place in the summer, it was decided to build the set in Krasnodar, where autumn has a large number of sunny days.
Title: That'll Be the Day (film)
Content:  According to screenwriter Ray Connolly, the film was Puttnam's idea, who had worked in advertising and recently moved into film production. Connolly says Puttnam was inspired by Harry Nilsson's song "1941", in which an early-1940s father deserts his young son, who subsequently joins a circus; Puttnam suggested changing the circus to a fair. Puttnam hired Connolly, who a journalist he was friends with, to write the script. Connolly wrote the script in the evenings and said they would "ransack our own lives as we created the fictional character of Jim Maclaine, and steal moments from our favourite films, a bit from East of Eden here, something from Francois Truffaut’s The 400 Blows there." Puttnam offered the directing job to Michael Apted who turned it down, Director Claude Watham was given the job off the back of his TV movie Cider with Rosie - Puttnam was impressed with his period detail. Puttnam also liked the fact that Watham was not that interested in rock'n'roll and would provide a counterbalance to Puttnam and Connolly.

Question: Who was the screenwriter for A Special Day?
Answer: Ettore Scola.