Title: Darin Morgan
Content:  On August 11, 2004, it was announced that Morgan and screenwriter Sam Hamm were writing an untitled screenplay under development by DreamWorks SKG. According to The Hollywood Reporter, the story "concerns a marriage counselor, whose daughter is about to get married, who discovers that his future son-in-law is suffering from the delusion that he's a superhero." Morgan worked on the second episode of former X-Files producer Frank Spotnitz's Kolchak: The Night Stalker remake, as consulting producer, though the show was canceled before any of Morgan's scripts were produced. The only script that Morgan wrote before the show was canceled was called "The M Word". It concerned a serial killer and a were-lizard, who may or may not be 
Title: Jim Butcher
Content:  Television writer and producer Morgan Gendel optioned The Dresden Files in June 2003, paving the way for a film or television release of the series. On April 5, 2004, Sci Fi announced production of a two-hour backdoor pilot film of The Dresden Files based on the events of Storm Front in conjunction with Lions Gate Television and Saturn Films, with Nicolas Cage and Norm Golightly set to executive produce. Gendel was listed to write and executive produce the television series, along with Anthony Peckham. Initially, Harry Dresden was listed as "Erik" Dresden, but by the end of 2004 the name had 
Title: Simon Kinberg
Content:  The Last Stand (2006), which he co-wrote with Zak Penn. Comic-book writer Chris Claremont, who wrote the Dark Phoenix storyline that served as the primary source material for the film, also wrote the novelization of the film and made Kinberg a character in the book. Kinberg reunited with director Doug Liman for the film Jumper (2008). Kinberg wrote and produced the movie, which stars Samuel L. Jackson, Hayden Christensen, and Diane Lane. The following year, Kinberg was writer of Sherlock Holmes, directed by Guy Ritchie, starring Robert Downey, Jr. and Jude Law. In April 2010, his production company, Genre Films, signed a first-look 
Title: A Co-respondent's Course
Content:  Diggers (1931) was originally meant to be released on a double bill with The Haunted Barn. However that movie encountered censorship problems and A Co-respondent's Course, although shot later, was selected to support Diggers instead. It encountered trouble from the Victorian censor. Peter Fitzpatrick, biographer of F.W. Thring, later wrote that the film was "heavy-going": "The lack of action in many of its dialogue scenes is exacerbated by the static single-take camera work, and by an excessive concern with circumstantial realism that produces 'book-ends' of extended hellos and goodbyes in many scenes, and excruciatingly prolonged telephone calls in which phone numbers are always carefully enunciated and there are long pauses while the caller listens patiently to someone whom we cannot see or hear. And a lot of the conversation is stagey and stilted. Still... the film... [has] at least a period charm." Fitzpatrick though the movie was partly redeemed by making fun of the absurdity of its male characters and use of external locations.
Title: Darkwatch
Content:  In 2006, it was reported that Roger Avary, who wrote the script for the film adaptation of the Silent Hill video game series, "recently was asked to work on the Darkwatch movie script based on the Capcom vampire Western game of which he is a fan, but his schedule interfered." In 2011, it was reported that Glen Morgan and James Wong, the writers/directors/producers behind The X-Files and the Final Destination film series, "have developed a pitch based on the game's plot and action sequences, and are currently writing a screenplay." Morgan and Wong's involvement with the project has been first reported already in 2004.
Title: Benjamin Cook (journalist)
Content:  The Writer's Tale, Charlie Brooker devoted an extended edition of his BBC Four TV show Screenwipe entirely to interviews with prestigious writers, including Russell T Davies. In June 2009, The Writer's Tale was shortlisted in the "Best Non-Fiction" category at the 2009 British Fantasy Awards, but ultimately lost out to Stephen Jones' Basil Copper: A Life in Books. Published in January 2010, the paperback edition, The Writer's Tale: The Final Chapter, updates Davies and Cook's correspondence to September 2009, to cover Davies' final year as Head Writer and Executive Producer of Doctor Who, taking in David Tennant's final few episodes as the Doctor. 
Title: The Delinquents (1989 film)
Content:  interviewed in 1990, he cited "a large artistic disagreement with [the] producers" over the direction of the film as the reason he was no longer involved in the film. He said, "the book that I read and the film that they were making had nothing to do with each other", adding "it was a wonderful little book and it should have been a little film. It should have been an Australian film." The Australian Film Commission provided further script development money enabling Dorothy Hewett to write a second draft. Greg Coote and John Tarnoff of Village Roadshow became involved and Coote suggested Kylie Minogue play the lead. At 
Title: Diana Morgan (screenwriter)
Content:  Day, Vic Oliver and Max Wall. Morgan and MacDermot were later hired by stage director Norman Marshall, who was impressed with their witty and satirical scripts. Their task was to write a stage show for Hermione Gingold. Although slow to begin, the show was a great success, selling out for its eight-week run. Morgan and MacDermot would go on to write the stage shows, Lets Face It! (1939) and Swinging the Gate (1940), as well as many revues for the West End and the outlying club theatres. In the 1940s Morgan wrote several plays including a House in the Square (1940) and Rain before Seven 
Title: The Fugitive (1993 film)
Content:  was supposed to shoot. According to Davis, he never met with credited screenwriter David Twohy, whose main contribution was writing the train crash. Beyond that, Davis said "he wasn’t involved in anything we did. Jeb Stuart was there with us...basically responding to things we were coming up with all the time...[Warner Bros.] can’t talk about this because of the Writers Guild, but Tommy Lee Jones, myself, Harrison [Ford] and other people who were close with us, especially coming up with the whole plot about the pharmaceuticals, they were uncredited writers." Jane Lynch, who was cast as Dr. Kathy Wahlund in one of her first film roles, recalled having 
Title: The British Invasion (Dexter)
Content:  Dexter staff writers Daniel Cerone and Melissa Rosenberg were initially planning to write the script of the finale together. They were in the process of developing the story, however, when Rosenberg was hired to write the film adaptation of the novel Twilight. She described Cerone as "incredibly understanding" when she asked him to write the teleplay himself, though they had both worked on the episode's story. The writers planned from the pilot episode to eventually kill Doakes off the show. Executive producer Clyde Phillips said that Doakes "always had a shelf life because of the collision course [with Dexter]", while executive producer Sara Colleton believed it would be unrealistic to keep Doakes on for a third season without having him discover that Dexter is a murderer. Rosenberg said that risks had to be taken on the 

Question: Who was the screenwriter for Dig?
Answer: Gideon Raff.