Title: Phenomena (film)
Content:  Unlike Argento's previous films, Phenomena adopts a mid-1980s trend of containing popular songs in the soundtrack. This includes original compositions from artists such as Bill Wyman and Claudio Simonetti, with the solo soprano voice of Pina Magri, heavy metal music by artists like Iron Maiden as well as goth favorites such as Sex Gang Children. The band Goblin is credited as contributing to the score, including two cues from their score from Dawn of the Dead, which are faintly heard when the character Sophie watches television in the film as well as a handful of original themes recorded for the film and credited to the group. Cinevox released the soundtrack to the film in 1985 on vinyl, which included parts of the film's score and the rock music tracks. This album was re-issued on compact disc in 1987. The film's score with unused and unreleased tracks was released by Cinevox in 1997 on compact disc. The film score was remastered and reissued in 2007. In 2018, the complete soundtrack was released for the first time by Waxwork Records on a double LP. It included alternate, bonus, and unused tracks.
Title: Philomena (film)
Content:  The score of the film was composed by Alexandre Desplat.
Title: O magnum mysterium (Lauridsen)
Content:  The American composer Morten Lauridsen is professor of composition at the USC Thornton School of Music. He wrote his setting of "O magnum mysterium" in 1994, on a commission from the Los Angeles Master Chorale, by Marshall Rutter for his wife Terry Knowles. The composition was first performed at the Dorothy Chandler Pavilion in Los Angeles on 18 December 1994 by the Los Angeles Master Chorale, conducted by Paul Salamunovich. It was published in 1995 by Southern Music Publishing. The popular setting was often performed and recorded and became one of Lauridsen's signature pieces. Sandra Dackow wrote an arrangement for strings.
Title: Quadrophenia
Content:  There have been several amateur productions of a Quadrophenia musical. In 2007, the Royal Welsh College of Music & Drama performed a musical based on the original album at the Sherman Theatre, Cardiff, featuring a cast of 12 backed by an 11-piece band. In October 1995, the rock group Phish, with an additional four-man horn section, performed Quadrophenia in its entirety as their second Halloween musical costume at the Rosemont Horizon in the Chicago suburb of Rosemont, Illinois. The recording was later released as a part of Live Phish Volume 14. The band also covered the tracks "Drowned" and "Sea and Sand" on their live album New Year's Eve 1995 – Live at Madison Square Garden. In June 2015, Townshend released an orchestral version of the album entitled Classic Quadrophenia. The original album was orchestrated by his partner Rachel Fuller and conducted by Robert Ziegler, with music provided by the Royal Philharmonic Orchestra. Tenor Alfie Boe sang the lead role, supported by the London Oriana Choir, Billy Idol, Phil Daniels and Townshend.
Title: The Phantom (1996 film)
Content:  The film's score was composed by David Newman, who previously collaborated with director Simon Wincer on Operation Dumbo Drop, and performed by the London Metropolitan Orchestra under the composer's baton. A soundtrack album was released by Milan on June 4, 1996; La-La Land Records issued an expanded edition on July 3, 2012.
Title: Phantasmagoria (video game)
Content:  Sierra composers Mark Seibert and Jay User created the musical score for Phantasmagoria, with Neal Grandstaf providing additional music. Most of the music is a mixture of real instruments with synthesized and sampled sounds, and unlike previous Sierra games, the score was recorded live, rather than created in the computer. Themes for the music ranged from rock and roll to opera. The composers observed the game and various scenes to prepare their score, trying to create an ambiance and identify spots to build the tension with music, creating stingers as needed. For cinematic scenes, they watched tapes after the scenes were shot and composed the music afterward. This was a new process for Sierra and the computer game industry in general, but the same concept was 
Title: Quadrophenia (musical)
Content:  Quadrophenia is a stage musical based on the sixth studio album by English rock band The Who, released on 19 October 1973, and a film of the same name, released in 1979. The album was the group's second full-length rock opera, and the story reveals social, musical and psychological events from an English teenager's perspective. The music and songs were composed by Pete Townshend and the story is set in London and Brighton in 1964 and '65. The name of the musical is a variation on the popular usage of the medical diagnostic term "schizophrenia" as dissociative identity disorder, which reflects the four distinct personalities of Jimmy, the story's protagonist, as well as the personalities of the four members of The Who.
Title: Works inspired by J. R. R. Tolkien
Content:  Publishers. Queen Margarethe II of Denmark gave permission to use her illustrations in the CD layout. Aulis Sallinen, one of the leading classical music composers of Finland, composed his Seventh Symphony named "The Dreams of Gandalf" in 1996, from music initially meant to accompany a ballet. Australian musician, Patrick Flegg, late husband of Tolkien illustrator Mary Fairburn, composed a piano suite, Anduin: The Mighty River, recorded by Wendy Rowlands (2001). Canadian composer Glenn Buhr has written a three-movement tone poem Beren and Lúthien which he has recorded with the Winnipeg Symphony Orchestra as part of his CD Winter Poems.
Title: Omen IV: The Awakening
Content:  The score was composed by Jonathan Sheffer, who wrote original music and referenced themes written by Jerry Goldsmith for the previous films.
Title: John Wall (electronic composer)
Content:  John Wall (born 1950) is an English autodidact electronic composer, whose contribution to the field is widely noted by critics of new music. His work has moved from early plunderphonic compositions – where he brought together unlikely combinations of musical genres to create fantastical new works – to large scale works composed of thousands of tiny fragments which create the impression of virtual orchestras. Critics have remarked on "his extraordinary feeling for musical narrative" which is achieved through a working method that has been described as "phenomenally painstaking". According to one critic, Wall's "releases sound like the most finely crafted audio sculptures, somewhere between the contemporary composition of Lachenmann and the experiments of early laptop musicians of the mid 90s."

Question: Who was the composer of Phenomenon?
Answer: Thomas Newman.
Thomas Montgomery Newman.