Title: Schindler's List
Content:  John Williams, who frequently collaborates with Spielberg, composed the score for Schindler's List. The composer was amazed by the film, and felt it would be too challenging. He said to Spielberg, "You need a better composer than I am for this film." Spielberg responded, "I know. But they're all dead!" Itzhak Perlman performs the theme on the violin. In the scene where the ghetto is being liquidated by the Nazis, the folk song Oyfn Pripetshik (אויפֿן פּריפּעטשיק, 'On the Cooking Stove') is sung by a children's choir. The song was often sung by Spielberg's grandmother, Becky, to her grandchildren. The clarinet solos heard in the film were recorded by Klezmer virtuoso Giora Feidman. Williams won an Academy Award for Best Original Score for Schindler's List, his fifth win. Selections from the score were released on a soundtrack album.
Title: Laurie Ann Haus
Content:  ; (2012) The Scorpion King: Battle for Redemption - Trevor Morris ; (2012) Australia on Trial, Composer - Dale Cornelius ; (2011) Showtime's Series, The Borgias (Season 1, Episode 5) Composer- Trevor Morris ; (2011) Assassination Games, Composer, Neal Acree ; (2011) Weapon, Composer - Neal Acree ; (2011) National Lampoon's: The Legend of Awesomest Maximus (Comedy Central) Composer -Scott Glasgow ; (2010) World of Warcraft: Cataclysm (Track 17 - Nightsong, Blizzard Entertainment) Composer - Neal Acree ; (2010) SyFy Channel Original Movie, Witchville, Composer- Neal Acree ; (2010) Starcraft 2: Wings of Liberty (Tracks Blizzard Entertainment) Composer Neal Acree ; (2010) Witchville (SyFy Channel), Composer: Neal Acree 
Title: Birmingham Triennial Music Festival
Content:  In 1873 the Festival commissioned Arthur Sullivan who composed his oratorio The Light of the World. The 1879 Festival commissioned a work from Max Bruch, Das Lied von der Glocke. In 1882 Charles Gounod was commissioned and produced Redemption, which was performed twice. In 1885 Antonín Dvořák provided The Spectre's Bride and Gounod provided Mors et Vita. In 1891 Dvořák's commission delivered his Requiem for £650. 1900 saw the commission The Dream of Gerontius from Edward Elgar. The chorus master, Charles Swinnerton Heap had died suddenly four months before the concert was due, and with ten works in hand and only one copy of the score, rehearsal started only a few days before the performance date. It was not sung well but was strongly applauded and well reviewed as a composition. He returned in 1903 with The Apostles, and 1906 with The Kingdom. His commission for 1912 created The Music Makers, incorporating themes from the Enigma Variations, Gerontius, his violin concerto, and The Apostles. The principal conductor for 1912 was Henry Wood.
Title: Franz Schmidt
Content:  one of relatively few composers to write an oratorio fully on the subject of the Book of Revelation (earlier works include Georg Philipp Telemann: Der Tag des Gerichts, Schneider: Das Weltgericht, Louis Spohr: Die letzten Dinge, Joachim Raff: Weltende, and Ralph Vaughan Williams: Sancta Civitas). Far from glorifying its subject, it is a mystical contemplation, a horrified warning, and a prayer for salvation. The premiere was held in Vienna on 15 June 1938, with the Vienna Symphony Orchestra under Oswald Kabasta: the soloists were Rudolf Gerlach (John), Erika Rokyta, Enid Szánthó, Anton Dermota, Josef von Manowarda and Franz Schütz at the organ.
Title: Lara Croft: Tomb Raider – The Cradle of Life
Content:  A score composed and conducted by Alan Silvestri, and performed by London Symphony Orchestra, was released in 2003.
Title: Of Sinners and Saints
Content:  The film score was composed by Franco Eco, an Italian musician.
Title: Invention for Destruction
Content:  The film's score was written by Zdeněk Liška, a highly regarded film composer known for his skill with musical characterizations and humor, as well as for his innovative use of electronic music techniques. In the mid-20th century, he was the foremost Czech composer of fantasy film scores. The score is written in an old-fashioned style complementing the quaintness of the visuals, and often redolent of the film's imaginary machinery. Liska would suggest editing cuts to the director, to speed up the rhythm of the film and to make his music flow more smoothly with what is on screen. The main theme, reminiscent of a music box, is scored for harpsichord, accompanied by a chamber ensemble of string instruments and woodwinds. The love theme, apparently based on the song "Tit-willow" from the Gilbert and Sullivan comic opera The Mikado, is likewise played by woodwinds and a muted harpsichord. Liška's score also includes various shorter cues, such as a short pathos-filled theme for the sinking of the ship Amelie, keyboard strikes matching the attacks on the giant octopus, and a serene finale for string orchestra. The film's score remains one of Liška's most notable works.
Title: Steven Price (composer)
Content:  film's composer Nigel Godrich. Among the other composers that he has worked with and learned from are Hans Zimmer, James Newton Howard, Harry and Rupert Gregson-Williams, George Fenton, Dario Marianelli, and Anne Dudley. He has composed music for advertising campaigns in both the U.K. and U.S. After contributing additional music to Richard Curtis' Pirate Radio, he composed the original score for Joe Cornish's sleeper success Attack the Block, winning awards from both the Austin Film Critics Association and the Sitges - Catalan International Film Festival. In 2013, Price composed the score for Alfonso Cuarón's Gravity, for which he won the Academy Award for Best Original Score.
Title: The Composer Is Dead
Content:  The Composer Is Dead was originally created as an orchestral work by Nathaniel Stookey with narration by Lemony Snicket. The work was commissioned by the San Francisco Symphony and premiered at Davies Symphony Hall on July 8, 2006, with Lemony Snicket narrating and Edwin Outwater conducting. It was first published by G. Schirmer/Associated Music Publishers. The Composer Is Dead was inspired by Sergei Prokofiev's Peter and the Wolf and is similar to Benjamin Britten's The Young Person's Guide to the Orchestra in that it is intended to introduce young audiences to the instruments in the orchestra. The world premiere recording by the San Francisco Symphony, with Handler narrating as Snicket and Edwin Outwater conducting, is to be included with every copy of the expanded book. After its premiere, The Composer Is Dead was immediately taken up by the Toronto Symphony's New Creations Festival and has since been programmed by many orchestras including the Chicago Symphony, the Philadelphia Orchestra, the Dallas Symphony, the Buffalo Philharmonic Orchestra, the Los Angeles Philharmonic, Orpheus Sinfonia and the Treasure Valley Symphony. On January 26, 2008, Dino Antagonist led the Little Orchestra Society in the work's New York premiere at Avery Fisher Hall.
Title: Death Becomes Her
Content:  The score was composed by American film composer Alan Silvestri.

Question: Who was the composer of Sacrifice?
Answer: Kevin Manthei.