Title: The Photographical Congress Arrives in Lyon
Content:  The Photographical Congress Arrives in Lyon (also known as Neuville-sur-Saône: Débarquement du congrès des photographie à Lyon) is an 1895 French short black-and-white silent documentary film directed and produced by Louis Lumière and starring P.J.C. Janssen as himself. It was first screened on 12 June 1895.
Title: The Photographical Congress Arrives in Lyon
Content: P.J.C. Janssen as Himself 
Title: The Photographical Congress Arrives in Lyon
Content:  Given its age, this short film is available to freely download from the Internet. It has also featured in a number of film collections including Landmarks of Early Film volume 1.
Title: The Photographical Congress Arrives in Lyon
Content:  Photographers leave the deck of a riverboat in large numbers. In the background a bridge can be seen spanning the river. The video covers a group who have assembled in Neuville for the Congress of Photographic Societies. The film was produced in the morning and then screened to the congress that afternoon.
Title: The Photographical Congress Arrives in Lyon
Content:  This short documentary was filmed in Neuville-sur-Saône, Rhône, France. It was filmed by means of the Cinématographe, an all-in-one camera, which also serves as a film projector and developer. As with all early Lumière movies, this film was made in a 35 mm format with an aspect ratio of 1.33:1.
Title: Auguste and Louis Lumière
Content:  couverture ("Jumping Onto the Blanket"), 41 seconds ; 9) La Places des Cordeliers à Lyon ("Cordeliers Square in Lyon"—a street scene), 44 seconds ; 10) La Mer (Baignade en mer) ("the sea [bathing in the sea]"), 38 seconds On 22 March 1895 in Paris, at the "Society for the Development of the National Industry", in front of a small audience, one of whom was said to be Léon Gaumont, then director of the company the Comptoir Géneral de la Photographie, the Lumières privately screened a single film, La Sortie de l'usine Lumière à Lyon. The main focus of the conference by Louis Lumière concerned the recent developments in the photographic industry, 
Title: Nathan Lyons
Content:  the "snapshot aesthetic" in his exhibition "Toward a Social Landscape" in 1966 that included the work of Bruce Davidson, Lee Friedlander, Danny Lyon, Duane Michals and Garry Winogrand and further explored the aesthetic in his lecture "Photography and the Picture Experience" regarding the snapshot as "authentic picture form." Lyons also organized the exhibitions The Persistence of Vision,, 1967, Photography in the Twentieth Century, 1967, and Vision and Expression, 1969 at George Eastman House. In 1962, "recognizing the growing importance of photography at museums and university art departments, he organized a conference for curators and teachers that evolved into the Society for Photographic Education. The Society for Photographic Education is a nonprofit 
Title: Paris Film Congress
Content:  The Paris Film Congress was a major meeting of European film producers and distributors in the French capital Paris from 2–4 February 1909. It intended to create an association to protect the interests of the participants through the formation of a trade organisation, a plan that ultimately failed. Amongst the major companies taking part were Pathé, Gaumont and Éclair of France, Cines and Ambrosio Film of Italy, Messter Film of Germany, Hepworth Pictures of Britain and Nordisk of Denmark. Vitagraph an American producer and member of the MPCC, but who had extensive distribution and production interests in Europe, also attended. It was called 
Title: The Courier of Lyon
Content:  The Courier of Lyon (French: L'affaire du courrier de Lyon) is a 1937 French historical drama film directed by Claude Autant-Lara and Maurice Lehmann and starring Pierre Blanchar, Dita Parlo and Jacques Copeau. It is based on the Courrier de Lyon case of 1796. A previous silent film inspired by the story, was released in 1923. It was shot at the Epinay Studios in Paris. The film's sets were designed by the art director Jacques Krauss.
Title: Salon Indien du Grand Café
Content: 1) La Sortie de l'Usine Lumière à Lyon (literally, "the exit from the Lumière factory in Lyon", or, under its more common English title, Workers Leaving the Lumiere Factory), 46 seconds ; 2) Le Jardinier (l'Arroseur Arrosé) ("The Gardener", or "The Sprinkler Sprinkled"), 49 seconds ; 3) Le Débarquement du Congrès de Photographie à Lyon ("the disembarkment of the Congress of Photographers in Lyon"), 48 seconds ; 4) La Voltige ("Horse Trick Riders"), 46 seconds ; 5) La Pêche aux poissons rouges ("fishing for goldfish"), 42 seconds ; 6) Les Forgerons ("Blacksmiths"), 49 seconds ; 7) Repas de bébé ("Baby's Breakfast" (lit. "baby's meal")), 41 seconds ; 

Question: What genre is The Photographical Congress Arrives in Lyon?
Answer: documentary film.
documentary movie.
doc.
film documentary.
motion picture documentary.
documentary.
factual film.