Title: Trains of Winnipeg
Content:  Trains of Winnipeg is a film and multimedia art project by Clive Holden, released in stages between 2001 and 2004. The final project included a series of 14 short films, designed as visual representations of Holden's poetry, as well as a soundtrack CD and a book. The short films were scored by Emily Goodden, Christine Fellows, Jason Tait and Steve Bates; additional contributors on the CD included John K. Samson and Leanne Zacharias, as well as an archival recording of Al Purdy. The film series won the New Vision Award at the 2005 Copenhagen International Documentary Festival.
Title: Trains of Winnipeg
Content: 1) "Trains of Winnipeg" ; 2) "Grain Train" ; 3) "18,000 Dead in Gordon Head" ; 4) "Death at Neepawa" ; 5) "Neighbours Walk Softly" ; 6) "Nanaimo Station" ; 7) "Condo" ; 8) "Bus North to Thompson with Les at the Wheel" ; 9) "Wind" ; 10) "Transcona" ; 11) "Babette" ; 12) "Nanoose" ; 13) "Necropsy of Al Purdy" ; 14) "Transience" ; 15) "Unbreakable Bones" 
Title: Trains of Winnipeg
Content: 1) "Trains of Winnipeg" ; 2) "18000 Dead In Gordon Head" ; 3) "Love in the White City" ; 4) "F-Movie" ; 5) "Burning Down the Suburbs" ; 6) "Nanaimo Station" ; 7) "The Jew & the Irishman" ; 8) "Saigon Apartments" ; 9) "Bus North to Thompson with Les at the Wheel" ; 10) "Condo" ; 11) "Neighbours Walk Softly" ; 12) "Unbreakable Bones" ; 13) "Active Pass" ; 14) "Hitler! (revisited)" 
Title: Clive Holden
Content:  Holden's best-known and publicized project to date is the award-winning "film poem" series Trains of Winnipeg, a collection of 14 short films featuring Holden's poetry with musical accompaniment by Christine Fellows, John K. Samson, Jason Tait, Steve Bates and Emily Goodden. Trains of Winnipeg was screened internationally, a.o. at the IFFR. In it is included the haunting short, 18000 Dead in Gordon Head, in which Holden recalls the shooting of a young girl in Gordon Head, a suburb of Victoria. The 18,000 in the title refers to the average number of murders a television viewer has seen by the time they reach the age of sixteen years.
Title: Trainspotting (film)
Content:  Producer Andrew Macdonald read Irvine Welsh's book on a plane in December 1993, and felt that it could be made into a film. He turned it on to director Danny Boyle and writer John Hodge in February 1994. Boyle was excited by its potential to be the "most energetic film you've ever seen – about something that ultimately ends up in purgatory or worse". Hodge read it and made it his goal to "produce a screenplay which would seem to have a beginning, a middle and an end, would last 90 minutes and would convey at least some of the spirit and the content of the book". Boyle convinced Welsh to let them option the rights to 
Title: My Winnipeg
Content:  My Winnipeg is a 2007 Canadian film directed and written by Guy Maddin with dialogue by George Toles. Described by Maddin as a "docu-fantasia", that melds "personal history, civic tragedy, and mystical hypothesizing", the film is a surrealist mockumentary about Winnipeg, Maddin's home town. A New York Times article described the film's unconventional take on the documentary style by noting that it "skates along an icy edge between dreams and lucidity, fact and fiction, cinema and psychotherapy". My Winnipeg began when Maddin was commissioned by the Documentary Channel, and originally titled Love Me, Love My Winnipeg. Maddin's producer directed "Don't give me the frozen hellhole everyone knows that Winnipeg is", so Maddin cast Darcy Fehr in the role of "Guy Maddin" and structured the documentary around a metafictional plot that mythologizes the city and Maddin's autobiography.
Title: Winnipeg arts and culture
Content:  Winnipeg is home to a number of acclaimed filmmakers such as Guy Maddin, whose feature My Winnipeg is a stylized tribute to his hometown. Noam Gonick, whose feature on Winnipeg street gangs Stryker (2004) premiered at the 61st Venice Film Festival and Adam Smoluk, whose grocery store based caper-comedy Foodland played across Canada on Super Channel. Other Winnipeg filmmakers include animators Richard Condie and Cordell Barker, who often work with the National Film Board of Canada's Prairie Centre studio, as does documentary filmmaker John Paskievich. From 2005-2008, the Atelier national du Manitoba filmmaking and art project produced films and other media pertaining to the history and culture of Winnipeg and Manitoba.
Title: Winnipeg–Churchill train
Content:  The Winnipeg–Churchill train (formerly known as the Hudson Bay and, before that, Northern Spirits) is a semiweekly passenger train operated by Via Rail between Winnipeg and Churchill, Manitoba. It is the only dry-land connection between Churchill and the rest of Canada. The service, which runs through Manitoba and Saskatchewan, travels on the Canadian National Railway line north to The Pas, where it transfers to the Hudson Bay Railway, passing through Wabowden, Manitoba, with a spur from Thicket Portage to Thompson, and Gillam on its way to the Port of Churchill on Hudson Bay.
Title: Winnipeg Transit
Content: Baker, John E. (1982). Winnipeg's Electric Transit: The Story of Winnipeg's Streetcars and Trolley Busses. West Hill, Ontario: Railfare. ISBN: 0-919130-31-3. ; Darragh, Brian K. (2015). The Streetcars of Winnipeg: Our Forgotten Heritage. Victoria, BC: Friesen Press. ISBN: 978-1-4602-4653-5 
Title: Music for a Blue Train
Content:  Music for a Blue Train is a 48-minute 2003 documentary about busker musicians in the Montreal Metro subway train system. It was written and directed by Mila Aung-Thwin of EyeSteelFilm and produced by Germaine Ying Gee Wong for the National Film Board of Canada. A harmonica player known as Bad News Brown (real name Paul Frappier) acts as an impromptu host in the documentary bringing the viewers snippets of the lives of musicians in Montreal's subway system – The Metro – run by Société de transport de Montréal (STM) that gives around 60 spots on a first-come, first-served basis, provided the musician-busker registers his name early enough as soon as the Metro opens to the public and returns during his assigned time to perform for an hour or two, amidst indifference from most passersby or, at times, a token word of encouragement.

Question: Who was the producer of Trains of Winnipeg?
Answer: Christine Fellows.
Clive Holden.
Jason Tait.