Title: Mystery film
Content:  detective. ; The Naked Detective (1996), an R-rated softcore parody of film noir with fetish model/actress Julia Parton. ; The Scream franchise (1996)-(2011), which is a satire of the horror genre, has heavy elements of the detective, mystery and crime fiction genres, and is often self-referential. ; A Gun, a Car, a Blonde (1997), a paraplegic's fantasy (filmed in black and white) of being a tough private eye in a 1950s film noir world. ; Brown's Requiem (1998), detective story based on James Ellroy's Chandleresque first novel. ; Zero Effect (1998) updates the Sherlock Holmes concept with a detective who is brilliant when working on a 
Title: Legal drama
Content:  A legal drama, or a courtroom drama, is a genre of film and television that generally focuses on narratives regarding legal practice and the justice system. The American Film Institute (AFI) defines "courtroom drama" as a genre of film in which a system of justice plays a critical role in the film's narrative. Legal dramas have also followed the lives of the fictional attorneys, defendants, plaintiffs, or other persons related to the practice of law present in television show or film. Legal drama is distinct from police crime drama or detective fiction, which typically focus on police officers or detectives investigating and solving crimes. The focal point of legal dramas, more often, are events occurring within a courtroom, but may include any phases of legal procedure, such as jury deliberations or work done at law firms. Some legal dramas fictionalize real cases that have been litigated, such as the play-turned-movie, Inherit the Wind, which fictionalized the Scopes Monkey Trial. As a genre, the term "legal drama" is typically applied to television shows and films, whereas legal thrillers typically refer to novels and plays.
Title: Heist film
Content:  The heist film or caper film is a subgenre of crime film, consisting of films that focus on the planning, execution and aftermath of a large robbery. One of the early defining heist films was The Asphalt Jungle (1950), which Film Genre 2000 wrote "almost single-handedly popularized the genre for mainstream cinema". It featured robbers whose personal failings ultimately led to the failure of their robbery. Similar films using this formula were Armored Car Robbery (1950), The Killing (1956), and The Getaway (1972). By the 1990s, heist films "experiment and play with these conventions" incorporating things like comedy into heist stories.
Title: The Ipcress File (film)
Content:  Saltzman wanted The Ipcress File to be an ironic and downbeat alternative to the portrayal of espionage in Ian Fleming's novels about the spy James Bond and the film series which followed from them. He also wanted it to be more in the style of his previous realist films. The Ipcress File therefore became the first of the nominally rival Harry Palmer series and some aspects are reminiscent of film noir. In contrast to Bond's public school background and playboy lifestyle, Palmer is a working class Londoner who lives in a Notting Hill bedsit and has to put up with red tape and inter-departmental rivalries. The action is set entirely in "a gritty, gloomy, decidedly non-swinging" London with humdrum locations. The film was made at 
Title: Crime film
Content:  Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir. Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his screenwriters’ taxonomy, claiming that all feature-length narrative films can be classified by these super-genres. The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. Chinatown would be an example of a film that is a drama (film type) crime film (super-genre) that is also a noir (pathway) mystery (macro-genre).
Title: The Italian Job (2003 film)
Content:  Criminologist Nicole Rafter saw The Italian Job as part of a revival of the heist film around the start of the 21st century, along with The Thomas Crown Affair (1999) and Ocean's Eleven (2001), both of which were also remakes of 1960s heist films. In describing his theory of a "team film" genre, film scholar Dr. Jeremy Strong writes that The Italian Job could be categorized as such, along with The Magnificent Seven (1960), The Great Escape (1963), The Dirty Dozen (1967), and more recently The Usual Suspects (1995) and Mission: Impossible (1996). He states that "a team film involves a group working towards a particular objective. However, goal-orientation is a widely shared plot attribute of many 
Title: Genre fiction
Content:  Crime fiction is the literary genre that fictionalises crimes, their detection, criminals, and their motives. It is usually distinguished from mainstream fiction and other genres such as historical fiction or science fiction, but the boundaries are indistinct. Crime fiction has multiple subgenres, including detective fiction (such as the whodunit), courtroom drama, hard-boiled fiction, mystery fiction, and legal thrillers. Suspense and mystery are key elements to the genre.
Title: Hardboiled
Content:   Hardboiled (or hard-boiled) fiction is a literary genre that shares some of its characters and settings with crime fiction (especially detective fiction and noir fiction). The genre's typical protagonist is a detective who battles the violence of organized crime that flourished during Prohibition (1920–1933) and its aftermath, while dealing with a legal system that has become as corrupt as the organized crime itself. Rendered cynical by this cycle of violence, the detectives of hardboiled fiction are often antiheroes. Notable hardboiled detectives include Philip Marlowe, Mike Hammer, Sam Spade, Lew Archer, Slam Bradley, and The Continental Op.
Title: True crime
Content:  True crime is a nonfiction literary, podcast, and film genre in which the author examines an actual crime and details the actions of real people. The crimes most commonly include murder; about 40 percent focus on tales of serial killers. True crime comes in many forms, such as books, films, podcasts, and television shows. Many works in this genre recount high-profile, sensational crimes such as the JonBenét Ramsey killing, the O. J. Simpson murder case, and the Pamela Smart murder, while others are devoted to more obscure slayings. True crime works can impact the crimes they cover and the audience who consumes it. The genre is often criticized for being insensitive to the victims and their families and is described by some as trash culture.
Title: List of genres
Content:  unchanging structure of events: the crime is committed, witnesses are questioned, an arrest occurs, and then a judicial conclusion wraps it up. The show communicates everything "by the book", as it would happen in real life. Examples include: Dragnet, which pioneered this genre; Law & Order, which follows officers up to the point of reading newly-arrested criminals their Miranda rights; and Dick Tracy (1990). ; Romance: This genre is defined by intimate relationships, wherein plots generally lean on the natural conflict derived from the pursuit of intimacy and love. ; Gothic romance film ; Paranormal romance ; Period romance: A romance story defined by its setting in 

Question: What genre is The Firm?
Answer: rock music.
rock and roll.
rock.
Rock.