Title: Die Hard
Content:  Screenwriter Steven E. de Souza rewrote Stuart's script, as he had experience in blending action and comedy. He approached the story as if Gruber is the protagonist. He said, "If [Gruber] had not planned the robbery and put it together, [McClane] would have just gone to the party and reconciled or not with his wife. You should sometimes think about looking at your movie through the point of view of the villain who is really driving the narrative." De Souza used blueprints of Fox Plaza to help him lay out the story and character locations within the building. The script continued to undergo changes up to 
Title: Dreams on Spec
Content:  The film follows three aspiring screenwriters as they struggle to turn their scripts into movies. David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach. Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the great American screenplay. And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.
Title: The Devil Wears Prada (film)
Content:  "My view was that we should be grateful for excellence. Why do the excellent people have to be nice?" He prepared to move on and consider more scripts. Two days later his manager persuaded him to reconsider and look for something he liked that he could shape the film into. He took the job, giving Finerman extensive notes on the script and laying out a detailed vision for the film. Four screenwriters worked on the property. Peter Hedges wrote the first draft, but did not think he could do more; another writer passed. Paul Rudnick did some work on Miranda's scenes, followed by 
Title: The British Invasion (Dexter)
Content:  Dexter staff writers Daniel Cerone and Melissa Rosenberg were initially planning to write the script of the finale together. They were in the process of developing the story, however, when Rosenberg was hired to write the film adaptation of the novel Twilight. She described Cerone as "incredibly understanding" when she asked him to write the teleplay himself, though they had both worked on the episode's story. The writers planned from the pilot episode to eventually kill Doakes off the show. Executive producer Clyde Phillips said that Doakes "always had a shelf life because of the collision course [with Dexter]", while executive producer Sara Colleton believed it would be unrealistic to keep Doakes on for a third season without having him discover that Dexter is a murderer. Rosenberg said that risks had to be taken on the 
Title: Screenwriter's salary
Content:  nuclear-terrorist technothriller The Ultimatum by Laurence Dworet and Robert Roy Pool and WWII action comedy Hell Bent... and Back! by Doug Richardson and Rick Jaffa, both of which sold for a million dollars. None of these movies has been produced so far. ; 1992: Sherry Lansing is hired to run Paramount and spends $3.6 million in less than a week, $2.5 million for a two-page outline of Jade by Joe Eszterhas, and $1.1 million (about $ in 2018) for the script Milk Money by John Mattson. Both deals are records, respectively, for outlines and romantic comedy specs. ; 2005: Terry Rossio and Bill Marsilii are paid $3 million against $5 million for the script of Deja Vu. 
Title: Die Hard
Content:  who disappears early in the novel, is present throughout Stuart's draft, supporting McClane by broadcasting rap music over the terrorists' radios. Among the script's original characters is the unscrupulous journalist Richard Thornburg. A fan of prominent Western film actor John Wayne, Stuart was inspired to carry a Western theme throughout the script, including cowboy lingo. He befriended a construction superintendent at the under-construction Fox Plaza in Los Angeles, allowing him access to the building to gain ideas on how to lay out the characters and scenes. He delivered the finished screenplay in June 1987. It was greenlit the following day, in part because 20th Century Fox needed a summer blockbuster for 1988.
Title: No Time to Die
Content:  interest to Broccoli and Wilson about directing a future Bond film. Linus Sandgren was hired as cinematographer in December 2018. Purvis and Wade were brought back to start working on a new script with Fukunaga in September 2018. Casino Royale and Quantum of Solace screenwriter Paul Haggis turned in an uncredited rewrite in November 2018, with Scott Z. Burns doing the same in February 2019. At Daniel Craig's request, Phoebe Waller-Bridge provided a script polish in April 2019. Waller-Bridge was hired to revise dialogue, work on character development and add humour to the script. Waller-Bridge is the second female screenwriter credited with writing a Bond 
Title: Dark City (1998 film)
Content:  Proyas co-wrote the screenplay with Lem Dobbs and David S. Goyer. Goyer had written The Crow: City of Angels, the sequel to Proyas's 1994 film The Crow; Proyas invited Goyer to co-write the screenplay for Dark City after reading Goyer's screenplay for Blade, which had yet to be released. Writers Guild of America initially protested at crediting more than two screenwriters for a film, but it eventually relented and credited all three writers. Proyas originally conceived a story about a 1940s detective who is obsessed with facts and cannot solve a case where the facts do not make sense. "He slowly starts to go insane through the story", says Proyas. "He can't put the facts together because they don't add up to anything rational." In the process of creating the fictional world for the character of the detective, Proyas created other characters, shifting the focus of the film from the detective (Bumstead) to the person pursued by the detective (Murdoch). Proyas envisioned a robust narrative where the audience could examine the film from the perspective of multiple characters and focus on the plot.
Title: Deadly Friend
Content:  matter to them." Craven had a hand in selecting Bruce Joel Rubin to write the screenplay for Deadly Friend. Rubin agreed with Craven that the film should have a gentler tone than his other features. Craven couldn't write the script himself because he was directing episodes of The Twilight Zone at the time. Craven and producer Robert M. Sherman hired Rubin as the screenwriter because they read his script for Jacob's Ladder, which was unproduced at the time. For the scene chronicling the transplant of BB's microchip into Samantha's brain, Craven called on the advice of retired neurosurgeon William H. Faeth, who has a cameo in 
Title: The Devil Wears Prada (film)
Content:  Don Roos rewrite. After that, Aline Brosh McKenna, who was able to relate her own youthful experiences attempting to launch a journalism career in New York to the story, produced a draft after a month's work that struck the right balance for Finerman and Frankel, whose notes were incorporated into a final version, rearranging the plot significantly, following the book less closely and focusing the story on the conflict between Andy and Miranda. She found the experience of writing a story with female protagonists that did not center around a relationship "very liberating ... I felt I was allowed to do what the 

Question: Who was the screenwriter for The Detail?
Answer: Ed Burns.
David Simon.
David Judah Simon.