Title: Contact! Contact!
Content:  The following personnel contributed to ''Contact! Contact!'':
Title: Contact (musical)
Content:  Contact is a musical "dance play" that was developed by Susan Stroman and John Weidman, with its "book" by Weidman and both choreography and direction by Stroman. It ran both off-Broadway and on Broadway in 1999–2002. It consists of three separate one-act dance plays.
Title: Contact (magazine)
Content:  Contact was an American literary "little magazine" published during the early 1920s and again in 1932. Following their introduction in 1920 by Marsden Hartley at a party hosted by Lola Ridge, William Carlos Williams and Robert McAlmon endeavored to create an outlet for works showcasing Williams' theory of "contact", a theory centered on the belief that art should derive from an artist's direct experience and sense of place and should reject traditional notions of value. Williams desired to create a distinctly American form of art free of the literary tradition running throughout the work of T. S. Eliot. Under the co-editorship of Williams and McAlmon, four issues of Contact appeared between December 1920 and 
Title: Contact (musical)
Content:  The idea that Contact was initially developed, researched, and written by Mike Ockrent's (Stroman's husband) development executive and assistants during his brief production deal at Warner Bros, is more than likely untrue. According to Playbill in a 1999 article, the musical was inspired by an experience that Stroman had "... when she visited a dance club in the Meat Market district. There she witnessed a fascinating woman in a yellow dress who took turns dancing with different partners throughout the night. Watching from the sidelines, Stroman thought, 'she's going to change someone's life tonight' ." Robin Pogrebin wrote in The New York Times in 1999 of Stroman visiting a swing club and noticing a dancer in a yellow dress. "The woman would step up to 
Title: Contact improvisation
Content:  magazine's statement,"Contact Quarterly is the longest living, independent, artist-made, not-for-profit, reader-supported magazine devoted to the dancer's voice. Founded in 1975, Contact Quarterly (CQ) began as a forum for discussion of the emerging dance form Contact Improvisation. Serving as a meeting ground for a worldwide network of contact improvisers, CQquickly grew to include writings and interviews on postmodern and contemporary experimental dance, somatic movement practices, improvisational dance, mixed-abilities dance, teaching methods, creative process, and performance."While the development of contact improvisation has benefited greatly from Nancy Stark Smith and Lisa Nelson's editorial work to support the writings of dancers in their exploration of the form, it also owes much to the cameras of Steve Christiansen and then Lisa Nelson, who documented many moments of the work (especially in performance) and allow the contactors to observe themselves with meticulousness.
Title: Contact improvisation
Content:  In 1975, the dancers working with Steve Paxton considered trademarking the term contact improvisation in order to control the teaching and practice of the dance form, consequently for reasons of safety. This idea was rejected in favor of establishing a forum for communication: this became the Contact Newsletter founded by Nancy Stark Smith, which evolved into the bi-annual journal Contact Quarterly which continues to be published online by the non-profit Contact Collaborations (incorporated in 1978) after a final print edition came out in January 2020. The journal, now co-edited by Nancy Stark Smith and Lisa Nelson, brings together different reflections of contact improvisation teachers and practitioners and cements an international community by equipping it with a communication organ, as well as hosting several other orders of reflections, including writings by contemporary dancers and somatic practitioners. According to 
Title: Contact (musical)
Content:  ; Part Three – "Contact" ; "Contact" is set in contemporary time, and explores the emptiness of the career-driven lives of Manhattan apartment dwellers. A lonely advertising executive on the brink of suicide is somehow transported to a bar, where he encounters a stunning woman in a yellow dress. To win her and take control of his life, he must gain the confidence to make contact with another human being. It helped to create a surge of interest in acrobatic and rock and roll swing dancing. Contact is made up of three separate dance pieces, each set to pre-recorded music, including from Tchaikovsky, Stéphane Grappelli, the Squirrel Nut Zippers, Royal Crown Revue, and The Beach Boys. In each story, the central character expresses a longing to make a romantic connection. All three stories concern "contact", or its lack. 
Title: Contact (magazine)
Content:  Nathanael West to be his partner in running the magazine. Each of the three issues of Contact s second run is approximately 130 pages in length. Advertising, mostly for books by Contact s contributors or otherwise published by Contact Editions, appear at the beginning of the magazine, and notably the magazine contains one of the first large bibliographies of contemporary little magazines. This bibliography, compiled by David Moss, was too large to publish in a single edition of Contact and therefore ran over the course of all three of the 1932 issues. In addition, the second run of Contact contained chapters from West's novel Miss Lonelyhearts and four poems by E. E. Cummings.
Title: Contact/II
Content:  Contact/II, or simply Contact II, was an American magazine from New York. Established in 1976, the periodical was primarily directed and edited by Maurice Kenny and J G Gosciak. Contact II published reviews, interviews, and poetry. It has been said that Kenny has immensely contributed to "the growth of multicultural literatures of North America in his work as an editor [...] and as a mentor to emerging writers of color." Alex Jacobs, an Native American poet, said that Kenny helped emerging poets receive funding from the New York State Council on the Arts. Kenny also often published new poets in Contact II and Strawberry Press. Contact II also supported the feminist movement of the late '70s and 80's. The magazine published a special edition on women's writing and only included works by and about women for that issue. It featured articles about Audre Lorde, Laura Riding, and Judy Grahn, as well as poems by Carol Berge, Ntozake Shange, Rachal Hadas, Sharon Olds, Joan Colby, Frances Chung, Carolyn Stoloff, Wanda Coleman, and many others.
Title: Contact (Indo G album)
Content:  Contact is the third studio by American rappers Indo G and Lil' Blunt. It was released on November 12, 2002 via Blackhouse Entertainment.

Question: Who is the author of Contact?
Answer: Carl Sagan.
Carl Edward Sagan.
Sagan.
Carl E. Sagan.
Carl E Sagan.
C. E. Sagan.
C.E. Sagan.
C E Sagan.
C. Sagan.
C Sagan.
Sagan C.
Sagan C.
Sagan C. E.
Sagan CE.