Title: Giacomo Guardi
Content:  Giacomo Guardi (13 April 1764 &ndash; 3 November 1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him.
Title: Francesco Guardi
Content:  Francesco Guardi was born in Venice into a family of nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolò and Gian Antonio were also painters, later inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo. In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works are from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his older brother, Gian Antonio. The first work signed by Francesco is a Saint Adoring the Eucharist (c. 1739). His 
Title: Giovanni Antonio Guardi
Content:  Giovanni Antonio Guardi (1699 – 23 January 1760), also known as Gianantonio Guardi, was an Italian painter and nobleman. Guardi was one of the founders of the Venetian Academy in 1756.
Title: Giovanni Antonio Guardi
Content:  He was born in Vienna into a family of nobility from Trentino. His father Domenico (born in 1678) was a Baroque painter. Gianantonio and his brothers Niccolò and Francesco (also painters), later inherited the family workshop after their father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to his brother Francesco Guardi. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo. He may have received his artistic training in Vienna, where he is first recorded in 1719, but had established a workshop in Venice by 1730. Among his first important clients was the connoisseur and collector Johann Matthias von der Schulenburg, for whom Guardi 
Title: Fiorello La Guardia
Content:  La Guardia was born in Greenwich Village, New York City, on December 12, 1882. His father, Achille La Guardia, was a Catholic native of Cerignola, Italy. "His father was an Italian immigrant to the United States and a non-practicing Catholic." His mother, Irene Luzzatto Coen, was a Jewish native of Trieste, then part of the Austro-Hungarian Empire. His maternal grandmother Fiorina (Luzzatto) Coen was a Luzzatto, a member of the prestigious Italian-Jewish family of scholars, kabbalists, and poets and had among her ancestors the famous rabbi Samuel David Luzzatto. La Guardia's parents met and married in Trieste. Fiorello was raised an Episcopalian and practiced that religion all his life. His middle name "Enrico" was anglicized to "Henry" when he was a child. He moved to Arizona in 1890 with his family, where his father had a bandmaster position at Fort Whipple in 
Title: House of Guardato
Content: Francesco Guardi ; Gian Antonio Guardi ; Domenico Guardi ; Niccolò Guardi ; Maria Cecilia Guardi ; Diana Guardato Mother of Ferdinando d' Aragona y Guardato, 1st Duke of Montalto ; Pietro-Siniscalco Guardati Nobleman born in 1404 in the Kingdom of Two Sicilies ; Francesco Guardati Patrician of the city of Sorrento, n. June 21, 1811, son of the nobleman Antonio Guardati (15 November 1758 – 15 November 1842). ; Domini Guardato (n. 1100s) Landowner, Merchant, and Knight. 
Title: Francesco Guardi
Content:  in this period included both landscapes and figure compositions. His early vedutas show influence both from Canaletto and Luca Carlevarijs. On 15 February 1757, he married Maria Mattea Pagani, the daughter of painter Matteo Pagani. In 1760 his brother Gian Antonio died and his first son, Vincenzo, was born. His second son, Giacomo, was born in 1764. In 1763 he worked in Murano, in the church of San Pietro Martire, finishing a Miracle of a Dominican Saint clearly influenced by Alessandro Magnasco in its quasi-expressionistic style. Francesco Guardi's most important later works include the Doge's Feasts, a series of twelve canvases celebrating the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo. In his later years, Canaletto's influence on his art diminished, as shown by 
Title: Joe DioGuardi
Content:  DioGuardi's father, Joseph Sr., immigrated to the United States from Greci, Italy. The family traces its roots to the Arbëreshë (Albanian) minority in Italy. His father eventually established a grocery and vegetable store in East Bronx. The family moved to Westchester County, New York, in 1957. Joseph Sr. married Grace Paparella on January 8, 1939, and the couple settled in Orchard Hills in White Plains. Their son, Joseph J., is the oldest of three DioGuardi children. After the family's move to Westchester, he attended Fordham Preparatory School. In 1957, he landed a summer job as a busboy for Elmwood Country Club in Westchester County. He advanced to a waiter position.. DioGuardi graduated from Fordham University in 1962. After college, he was hired at Arthur Andersen & Co.. He became a Certified Public Accountant and achieved partner status at age 31, after 10 years at the firm. DioGuardi specialized in federal and state taxation for non-profit organizations, as well as the tax economics of charitable giving.
Title: Gemma La Guardia Gluck
Content:  Gemma La Guardia (or LaGuardia as the surname is normally written in the United States) was born in New York on 24 April 1882. Her father, Achille La Guardia, was an Italian immigrant originally from a Catholic family of Cerignola [1]; by profession he was a musician and in 1885 he became director of the 11 US Infantry band. Her mother was Irene Luzzatto Coen, a Jewish Italian woman originally from Trieste, a niece on the maternal side of Samuel David Luzzatto. Gemma (with her brothers Fiorello, born in 1882, and Richard, born in 1885) followed the family to the various places where her father was 
Title: Zanetta Farussi
Content:  Giacomo was born and (according to Giacomo's memoirs) Gaetano suspected that Michele Grimani (1697–1775), the theater's proprietor, was actually the father. The following year, they accepted a theatrical engagement in London. It was there they had their second son, Francesco, who became a well-known painter. It was rumored that his father was actually the Prince of Wales (who shortly after became King George II); whether for scurrilous motives or publicity is unclear. They returned to Venice in 1728 and eventually had four more children; Giovanni, who also became a painter, Faustina Maddalena (1731–1736), Maria Maddalena (1732–1800) and Gaetano Alvise (1734–1783), who became a priest; born two months after his father died of an infected abscess in 

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