Title: Russian Rhapsody (Rachmaninoff)
Content:  Russian Rhapsody is a piece for two pianos in E minor composed by Sergei Rachmaninoff in 1891, when he was 18 years old. It is more accurately described as a set of variations on a theme, rather than a true rhapsody. It was premièred on October 29, 1891, and its performance lasts approximately nine minutes.
Title: Rhapsody (film)
Content:  Rhapsody is a 1953 American musical drama film directed by Charles Vidor and starring Elizabeth Taylor, Vittorio Gassman, John Ericson, and Louis Calhern based on the 1908 novel Maurice Guest by Henry Handel Richardson. It revolves around a debutante who follows the man she loves and hopes to marry to Zurich where he studies violin at a conservatory. There she meets a piano student who falls madly in love with her. She must then choose between this man who loves her more than his music and the violinist who loves his music more than anything else. Rhapsody features music by Franz Liszt, Sergei Rachmaninov, Pyotr Ilyich Tchaikovsky, Felix Mendelssohn, Claude Debussy, and Pablo de Sarasate.
Title: Rhapsody (operetta)
Content:  Rhapsody is an operetta in 2 Acts by Fritz Kreisler (music) and John La Touche (lyrics) with a book by Arnold Sundgaard and Leonard Louis Levinson that is based on an original story by A. N. Nagler. The music from the operetta is taken mainly from Kreisler's 1932 Austrian-language operetta Sissy (operetta) and from his large collection of works for violin and piano; with only a relatively small portion of new music by Kreisler being added to the operetta's score. While La Touche was the primary lyricist, playwright Blevins Davis and American composer Robert Russell Bennett also contributed some lyrics. Additionally, 
Title: Russian Rhapsody (Rachmaninoff)
Content:  While still a student at Moscow Conservatory, Rachmaninoff wrote to Natalia Skalon on mentioning that he had begun work on a piece for two pianos that he wanted to play with Alexander "Sasha" Siloti. He dated the manuscript January 12&ndash;15, 1891 O.S., implying that he had the composition in his head at the time of the letter, and only recorded the days he notated it on paper. Despite his stated intentions, he began rehearsing with Leonid Maximov, who had been a fellow student of Nikolai Zverev and pupil of Siloti, to play at a student concert at the Conservatory on March 8, 1891. However, Zverev, still upset over Rachmaninoff's request for a separate composing room, did not allow them to play together, so at the concert Rachmaninoff ended up conducting his choral work Deus Meus (1890) instead. The Rhapsody received its first performance after he graduated, on October 29, 1891, played by Rachmaninoff and Josef Lhévinne at the Conservatory.
Title: Romanian Rhapsodies (Enescu)
Content:  The Rhapsody No. 1 in A major is dedicated to the composer and pedagogue Bernard Crocé-Spinelli (a fellow student with Enescu in André Gedalge's counterpoint class at the Conservatoire), and is the better known of the two rhapsodies. The essence of this rhapsody is the dance. Enescu claimed that it was "just a few tunes thrown together without thinking about it", but his surviving sketches show that he carefully worked out the order in which the melodies should appear, and the best instrumental setting for each one. It was completed on 14 August 1901, when Enescu was still only 19 years old. 
Title: Rhapsody, Op. 1 (Bartók)
Content:  The Rhapsody for piano was a very important work, especially for the fact that it was at that time when Bartók decided to begin his third list of compositions. In this stage, he decided to embark on a new period in his artistic career where he would mainly explore folk music from Romania and Hungary. This turned out to be the pivotal work from which he developed a new direction for both his compositional style and his preoccupations as an artist. The Rhapsody was completed in late 1904 and was dedicated to Emma Gruber, who later became the wife of Zoltán Kodály. Drafts for the composition are not extant. The virtuoso piano writing of the work's "elaborate textures and sectional contrasts" relates to the model of Franz Liszt. After five revisions and updates, Bartók also released a version for piano and orchestra in 1905 and a version for two pianos. In 1907, Bartók also composed a fourth version of the same piece, which was shortened by almost half of the total length of the composition.
Title: Lithuanian Rhapsody
Content:  It was composed between April and November 1906. While Karłowicz began working on it in Warsaw, he later moved to Zakopane. At the time he finished the Rhapsody he was already residing in Leipzig. The first performance took place in Warsaw on 25 or 26 February 1909 under Grzegorz Fitelberg, shortly after Karłowicz's tragic death (8 February). In 1910 or early 1911 a Gebethner and Wolff first edition was published by the Warsaw Music Society (plate G 4791 W). In later years the Rhapsody was heard in Polish concert halls of Warsaw, Kraków and Lviv, but also abroad: in Nice, Glasgow, Saint Petersburg and London. It was performed by several prominent conductors like Grzegorz Fitelberg, Emil Młynarski, Mieczysław Sołtys, Zdzisław Birnbaum, Henryk Opieński and José Lassalle. In 1923 a ballet with the music of this tone poem was staged at the Grand Theater of Poznań. In 1983 together with the Violin Concerto and some songs of Karłowicz the Rhapsody was included in a theatre play of Adam Hanuszkiewicz at the Grand Theatre of Łódź.
Title: Rhapsody (music)
Content:  Jan Tomášek’s fifteen Rhapsodies, the first of which appeared in 1810. Although vocal examples may be found as late as Brahms's Alto Rhapsody, Op. 53 (1869), in the 19th century the rhapsody had become primarily an instrumental form, first for the piano and then, in the second half of the century, a large-scale nationalistic orchestral "epic"—a fashion initiated by Franz Liszt. Interest in Romani violin playing beginning in the mid-19th century led to a number of important pieces in that style, in particular by Liszt, Antonín Dvořák, George Enescu, Ernő Dohnányi, and Béla Bartók, and in the early 20th century British composers exhibiting the influence of folksong composed 
Title: Rhapsodies for Orchestra
Content:  Rhapsodies for Orchestra is a single-movement orchestral composition by the American composer Steven Stucky. The work was jointly commissioned by the New York Philharmonic and the BBC for the Philharmonic's European tour in August and September 2008. The piece had its world premiere August 28, 2008 in Royal Albert Hall at The Proms, with the New York Philharmonic performing under conductor Lorin Maazel.
Title: Russian Rhapsody (Rachmaninoff)
Content:  The piece is more often described as a set of variations rather than a true rhapsody, and a letter from Rachmaninoff's friend Vladimir Wilshaw describes the possible origin of the composition as a session in which Rachmaninoff improvised on a melody set forth by pianist Yuri Sakhnovsky. Although both he and Lhévinne were more than capable performers, after the premiere, Rachmaninoff considerably simplified three passages. This is cited as the first of many future instances in which he would revise some of his pieces for no apparent reason, since it could not have been the ability of the performers that caused him to do so.

Question: Who was the composer of Russian Rhapsody?
Answer: Sergei Rachmaninoff.
Sergei Vasilievich Rachmaninoff.
Rachmaninoff.
Rach.
Sergei Vasilyevich Rachmaninoff.