Title: Fear Street Part Two: 1978
Content:  On October 9, 2015, it was announced that a film based on Stine's Fear Street series was being developed by 20th Century Studios (then known as 20th Century Fox before its acquisition by Disney) and Chernin Entertainment. Screenwriter Zak Olkewicz was hired to write the script for the second film while Kyle Killen and Silka Lusia were assigned to Part One and Part Three respectively. In July 2017, Leigh Janiak was hired to lead the project, directing and rewriting the films. Janiak oversaw a writers room with her writing partner, Phil Graziadei. In January 2019, Alex Ross Perry was slated to direct the second installment. By 
Title: Chronicle (film)
Content:  Josh Trank had conceived the idea for Chronicle in high school and spent the following years generating ideas for the film. Up-and-coming screenwriter Jeremy Slater had collaborated with Trank while working on an unmade spec script. By 2010, Slater had moved on, leading to Trank contacting Max Landis, who agreed to co-write the film. The first draft of the script was written in three weeks after Landis had pitched the film behind Trank's back. Trank's original draft had the character of Steve being hit by a plane and dying in the middle of the second act. Landis removed this from his revisions, which "solved the entire second act". 20th Century Fox bought the rights to the project and greenlit the film with Trank serving as director in January 2011.
Title: Cyrano Agency
Content:  Kim Hyun-seok wrote the first draft of the script in his 20s while a student on his military service, eventually forgetting about it as his career progressed. In the 1990s a production company bought the rights to the script but no movie was produced, and after the option expired, the rights reverted to Kim. After he wrote and directed Scout in 2007, Kim returned to the Agency draft. He worked on the script for 2 years, changing almost everything in the first draft but the film's basic framework. Comparing the original draft to the final script, Kim said "(What) changed the most was that in my 20s I had a fantasy of love—like I believed if I lived well, then I could meet a beautiful woman. But years later, when I began the 
Title: The City on the Edge of Forever
Content:  The writing of this episode took over ten months, from the initial pitch by Harlan Ellison to the final re-write by Gene Roddenberry. Steven W. Carabatsos and D. C. Fontana, both story editors on the show, undertook re-writes of the teleplay, and changes have also been attributed to producer Gene L. Coon. The experience led to animosity between Ellison and Roddenberry for the rest of the latter's life, in particular over a claim by Roddenberry that Ellison had the character Scotty dealing drugs in one version of the script. The episode went over budget by more than $50,000 and overran the production schedule. Mistakes were made in the set design with an instruction for "runes" misconstrued as a request for "ruins". With Matt Jefferies ill, Rolland Brooks designed the set and the Guardian of Forever, to the surprise of Jefferies on his return.
Title: Michael Cimino's unrealized projects
Content:  In September 1982, Cimino approached Raymond Carver and Tess Gallagher to re-write a screenplay based on the life of Fyodor Dostoevsky. According to Carver, Cimino presented him an existing screenplay with no author credit, commissioned by the veteran Italian film producer, Carlo Ponti. The first draft had been written by a Russian writer, and then translated to English by two Italian writers. Carver and Gallagher opted to re-write the entire script, delivering a 220-page draft to Cimino in November 1982. The director was impressed with the results, but the producer returned to Europe shortly thereafter, halting further script development.
Title: Forever and a Day (1943 film)
Content:  with This Changing Time and Forever and a Day both later put forward as possibilities - had its original projected completion date of 1 June 1941 negated by the screenplay not being completed until April 1941. W. P. Lipscomb - who was paid $10,000 - wrote this screenplay, reportedly drawing on the brainstorming sessions of a committee of writers musing on a scenario proposed by Robert Stevenson. This scenario, attributed by Stevenson to an unpublished novel he'd written, overtly reprised the scenario of Cavalcade (1933), the first British film to emphatically find favor with the American film industry and moviegoers, which 
Title: The City on the Edge of Forever
Content:  before holding aloft a copy of the original script and yelling "Remember, never let them rewrite you!" Ellison walked past the Desilu table as he left the podium, and shook the copy of the script at Roddenberry and his party. When Glen A. Larson claimed that it was Coon who had rewritten the original script and it was this version that was submitted to the Writer's Guild, Ellison said that "pandas will fly out of Glen Larson's ass!". He explained that as the credited writer, he had the option of which version of the script to submit to the Guild. A further 
Title: Fear Street Part One: 1994
Content:  In October 1997, Hollywood Pictures struck a deal to acquire the Fear Street series of books, which were set to be developed with Parachute Entertainment as a Scream-like feature franchise. Developments never materialized. On October 9, 2015, it was announced that a film based on R.L. Stine's Fear Street series was being developed by 20th Century Studios (then known as 20th Century Fox before its acquisition by Disney) and Chernin Entertainment. On February 13, 2017, Kyle Killen was hired as screenwriter. In July, the project was announced as a trilogy of films, set in different time periods, with Leigh Janiak, who had previously directed the 2014 horror film Honeymoon, set to direct, as well as rewrite with her partner Phil Graziadei. The Hollywood Reporter stated that the trilogy would be shot back-to-back, with the films released one month apart. In 
Title: Scream (1996 film)
Content:  The script for what was then known as Scary Movie went on sale on a Friday in June 1995, but received no bids. By the following Monday, the script had become the subject of a significant bidding war among a host of established studios, including Paramount Pictures, Universal Pictures, and Morgan Creek Productions. Producer Cathy Konrad read the script and felt it was exactly what the Weinstein brothers of the fledgling Dimension Films – then a part of Miramax – were looking for. Dimension had previously released several horror films and intended to focus on that genre. Konrad brought the script to Bob Weinstein's assistant, Richard Potter. Believing 
Title: The International (2009 film)
Content:  The screenplay was written by Eric Warren Singer after he developed an interest in the banking scandals from the 1980s and 90s, he was looking for "a paranoid thriller vibe" from that period; "The Godfather III was really the only film up to this point that dealt with the banking scandals, because it was really gangster warfare on a corporate level, and I thought that was the best part of the film." Later reviewers compared it directly to The Parallax View (1974) and All The President's Men (1976). A year later Tom Tykwer got involved through his agent, but decided a contemporary setting would work better. In April 2007, Clive Owen agreed to perform in The International. He said the script interested him because he was reminded of "those '70s paranoia 

Question: Who was the screenwriter for Century?
Answer: Stephen Poliakoff.