Title: The Painted House
Content:  The film has no songs. A background score makes an appearance only at the end of the film. The score of the film was composed by K. Santhosh.
Title: House series (Lichtenstein)
Content:  South Korea originally consisted of the industrial automobile paints Awlgrip and Imron. The painters of this edition of House I used Awlgrip for the roof of the house and Imron for the body of the house. Additionally, an account from an employee of the J. Paul Getty Museum who was involved in the restoration of Lichtenstein's outdoor sculpture Three Brushstrokes (1984) cites Lichtenstein's usage of automobile paints for the large-scale outdoor sculpture. In the absence of official records about the paints used for the original House pieces, it is impossible to make a definitive conclusion about the constituent paints of the House sculptures. However, based upon the accounts of automobile paints being used for a replica of House I and Three Brushstrokes (1984), Lichtenstein likely relied upon similar automobile paints to create the original members of the House series.
Title: House by the Railroad
Content:  House by the Railroad is a 1925 oil on canvas painting by Edward Hopper. The house that is said to have inspired the painting is a Second Empire style Victorian mansion in Haverstraw, New York, where it still stands today. The painting is reported to have influenced the Bates home in Alfred Hitchcock's Psycho, one of the homes in the 1956 film Giant directed by George Stevens, the home Charles Addams created for The Addams Family,  and the house in Days of Heaven. In 1929–30 House the canvas was included in Paintings by 19 Living Americans The Museum of Modern Art’s initial show solely of American art. It was purchased by MoMA in 1930, one of the inaugural pieces to become part of the then new art institution’s holdings. In 1930 the work was donated to the MoMA by the Singer sewing machine company heir, art collector, and philanthropist Stephen Clark.
Title: Painted ladies
Content:  In American architecture, painted ladies are Victorian and Edwardian houses and buildings repainted, starting in the 1960s, in three or more colors that embellish or enhance their architectural details. The term was first used for San Francisco Victorian houses by writers Elizabeth Pomada and Michael Larsen in their 1978 book Painted Ladies: San Francisco's Resplendent Victorians. Although polychrome decoration was common in the Victorian era, the colors used on these houses are not based on historical precedent: Since then, the term has also been used to describe groups of colorfully repainted Victorian houses in other American cities, such as the Charles Village neighborhood in Baltimore; Lafayette Square in St. Louis; the greater San Francisco and New Orleans areas, in general; Columbia-Tusculum in Cincinnati; the Old West End in Toledo, Ohio; the neighborhoods of McKnight and Forest Park in Springfield, Massachusetts; and the city of Cape May, New Jersey.
Title: House series (Lichtenstein)
Content:  As mentioned above, Houses I and III are composed of painted aluminum plates. In contrast, due to the function of House II as a mounted interior wall piece, it is made of painted fiberglass. Neither Lichtenstein nor scholars of the House series provide explicit descriptions of the paints used to create the House sculptures. However, a 2015 peer-reviewed record of the restoration of a second edition of House I, which is identical to the original House I and included in the Roy Lichtenstein Foundation's catalogue of the artist's works, details the paints of this edition. In addition, the painting techniques outlined in this record corroborate evidence from other articles about Lichtenstein's painting process for outdoor sculptures. According to Lew and Choi (2015), before recent restoration programs, the second edition of House I held at the Leeum, Samsung Museum of Art 
Title: Painted ladies
Content: Reprint of Comstock's Modern House Painting, 1883. Reprint of Comstock's Modern House Painting, 1883. Reprint of Comstock's Modern House Painting, 1883. Reprint of Comstock's Modern House Painting, 1883. Reprint of Comstock's Modern House Painting, 1883. Reprint of Comstock's Modern House Painting, 1883. 
Title: House (1977 film)
Content:  The soundtrack for the film was created and released before the film's production. Asei Kobayashi, who worked with Obayashi on his television commercials, contributed the piano pieces for the film's soundtrack. Kobayashi felt that younger people should contribute to the film's soundtrack and suggested Mickie Yoshino and his band Godiego should contribute songs based on Yoshino's piano pieces. Singer Ken Narita played blues harp on the track "Hungry House Blues", and also contributed vocals to "House Love Theme". All tracks arranged by Mickie Yoshino, and produced by Yoshino with Asei Kobayashi.
Title: House series (Lichtenstein)
Content:  The House series was produced by Roy Lichtenstein in the late 1990s and consists of several large-scale outdoor sculptures and an interior wall piece. The House series includes three distinct works: House I, House II, and House III. Each piece depicts the exterior of a simplified cartoon house, while actively producing an optical illusion. Houses I and III are available for display at the National Gallery of Art Sculpture Garden in Washington, D.C. and the High Museum of Art in Atlanta, GA, respectively. No records indicate the current location of House II.
Title: Painted ladies
Content:  World War II, many of these houses were painted battleship gray with war-surplus Navy paint. Another sixteen thousand were demolished, and many others had the Victorian decor stripped off or covered with tarpaper, brick, stucco, or aluminum siding. In 1963, San Francisco artist Butch Kardum began combining intense blues and greens on the exterior of his Italianate-style Victorian house. His house was criticized by some, but other neighbors began to copy the bright colors on their own houses. Kardum became a color designer, and he and other artists / colorists such as Tony Canaletich, Bob Buckter, and Jazon Wonders began to transform dozens of gray houses into Painted Ladies. By the 1970s, the colorist movement, as it was called, had 
Title: Painters Painting
Content: Emile de Antonio and Mitch Tuchman. Painters Painting: A Candid History of the Modern Art Scene, 1940-1970. Abbeville Press, 1984. (ISBN: 0-89659-418-1) Compilation based on transcripts of interviews from the film. 

Question: What genre is A Painted House?
Answer: legal thriller.