Title: The Unanswered Question (lecture series)
Content:  The Unanswered Question is a lecture series given by Leonard Bernstein in the fall of 1973. This series of six lectures was a component of Bernstein's duties as the Charles Eliot Norton Professor of Poetry for the 1972/73 academic year at Harvard University, and is therefore often referred to as the Norton Lectures. The lectures were both recorded on video and printed as a book, titled The Unanswered Question: Six Talks at Harvard.
Title: A Question (poem)
Content:  "A Question" is a poem by Robert Frost, first published in 1942 in A Witness Tree.
Title: Question and Answer (album)
Content:  Question and Answer is an album by Pat Metheny with Dave Holland and Roy Haynes. Metheny won the 1991 Grammy Award for Best Instrumental Composition for "Change of Heart"
Title: The Unanswered Question
Content:  Ives composed The Unanswered Question, subtitled "(a Cosmic Landscape)" in Ives's work papers, in 1908 (though it is often erroneously dated 1906), and revised it in 1930–1935, at which time he included a 13-bar introduction, made the woodwind parts more dissonant, and added further dynamic and articulation indications. He also made a small but significant change to the "question motif", which had originally ended on the note that began it, but now remained unresolved. During 1930–1935 he also worked on a version of The Unanswered Question for chamber orchestra. The premiere performance of this version occurred on May 11, 1946 at McMillin Theatre, Columbia University in New York City, played by a chamber orchestra of graduate 
Title: Question and Answer (album)
Content:  Grammy Awards
Title: Question the Answers
Content:  Question the Answers is the fourth studio album by The Mighty Mighty Bosstones, released on October 4, 1994 (see 1994 in music). "Pictures to Prove It" was released to alternative radio on February 17, 1995.
Title: The Unanswered Question (lecture series)
Content:  During his year as visiting professor at Harvard University, Leonard Bernstein had various duties, such as being in residence and advising students, but historically the most significant of these was to deliver a series of lectures. This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse. As the lectures were postponed from the spring semester of 
Title: The Unanswered Question
Content:  of contrasting styles. In 1951, the Polymusic Chamber Orchestra, conducted by Will Lorin, first recorded the piece." Henry and Sidney Cowell wrote: "Silence is represented by soft slow-moving concordant tones widely spaced in the strings; they move through the whole piece with uninterrupted placidity. After they have gone on long enough to establish their mood, loud wind instruments cut through the texture with a dissonant raucous melody that ends with the upturned inflection of the Question."  Ives scholar Wayne Shirley believed that The Unanswered Question shared "imagery, structure, and worldview" with "The Sphinx" (1847) by American Transcendentalist poet Ralph Waldo Emerson, and that the title derived from a line from the poem: "Thou art the unanswered question". While at 
Title: Don't Ask Me No Questions
Content:  "Don't Ask Me No Questions" is a song by American Southern rock band Lynyrd Skynyrd, released on their 1974 album Second Helping. It was written by Gary Rossington and Ronnie Van Zant.
Title: The Unanswered Question
Content:  Linda Mack called The Unanswered Question "a study in contrasts. Strings intone slow diatonic, triadic chords; a solo trumpet asks the question seven times; the flutes try to answer the question, each time getting more and more agitated and atonal." Leonard Bernstein added in his 1973 Norton Lectures which borrowed its title from the Ives work that the woodwinds are said to represent our human answers growing increasingly impatient and desperate, until they lose their meaning entirely. Meanwhile, right from the very beginning, the strings have been playing their own separate music, infinitely soft and slow and sustained, never changing, never growing louder or faster, never being affected in any way by that strange question-and-answer dialogue of the trumpet and 

Question: What genre is A Question and Answer Guide to Astronomy?
Answer: science.