Title: A.I. Artificial Intelligence
Content:  A.I. Artificial Intelligence (also known as A.I.) is a 2001 American science fiction drama film directed by Steven Spielberg. The screenplay by Spielberg and screen story by Ian Watson were based on the 1969 short story "Supertoys Last All Summer Long" by Brian Aldiss. The film was produced by Kathleen Kennedy, Spielberg and Bonnie Curtis. It stars Haley Joel Osment, Jude Law, Frances O'Connor, Brendan Gleeson and William Hurt. Set in a futuristic post-climate change society, A.I. tells the story of David (Osment), a childlike android uniquely programmed with the ability to love. Development of A.I. originally began with producer-director Stanley Kubrick, after he acquired the rights to Aldiss' story in the early 1970s. Kubrick hired a series of writers until the mid-1990s, including Brian Aldiss, Bob Shaw, Ian Watson, and Sara Maitland. The film languished in development 
Title: A.I. Artificial Intelligence
Content:  for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed A.I. to Spielberg, but the film did not gain momentum until Kubrick's death in 1999. Spielberg remained close to Watson's film treatment for the screenplay. A.I. Artificial Intelligence was released in North America on June 29, 2001, by Warner Bros. Pictures and internationally by DreamWorks Pictures. The film received generally positive reviews from critics and grossed approximately $235 million against a budget of $90-100 million. It was nominated for Best Visual Effects and Best Original Score at the 74th Academy Awards. In a 2016 BBC poll of 177 critics around the world, A.I. Artificial Intelligence was voted the eighty-third-greatest film since 2000. A.I. is dedicated to Kubrick.
Title: A.I. Artificial Intelligence
Content:  producer Jan Harlan reflected. "But it was a total failure, it looked awful." Hans Moravec was brought in as a technical consultant. Meanwhile, Kubrick and Harlan thought A.I. would be closer to Steven Spielberg's sensibilities as director. Kubrick handed the position to Spielberg in 1995, but Spielberg chose to direct other projects, and convinced Kubrick to remain as director. The film was put on hold due to Kubrick's commitment to Eyes Wide Shut (1999). After Kubrick's death in March 1999, Harlan and Christiane Kubrick approached Spielberg to take over the director's position. By November 1999, Spielberg was writing the screenplay based on Watson's 90-page story treatment. It was his first solo screenplay credit since Close Encounters of the Third Kind (1977). 
Title: A.I. Artificial Intelligence
Content:  In early 1994, the film was in pre-production with Christopher "Fangorn" Baker as concept artist, and Sara Maitland assisting on the story, which gave it "a feminist fairy-tale focus". Maitland said that Kubrick never referred to the film as A.I., but as Pinocchio. Chris Cunningham became the new visual effects supervisor. Some of his unproduced work for A.I. can be seen on the DVD, The Work of Director Chris Cunningham. Aside from considering computer animation, Kubrick also had Joseph Mazzello do a screen test for the lead role. Cunningham helped assemble a series of "little robot-type humans" for the David character. "We tried to construct a little boy with a movable rubber face to see whether we could make it look 
Title: Stanley Kubrick
Content:  Kubrick's production unit, he directed the movie A.I. Artificial Intelligence (2001) which was produced by Kubrick's longtime producer (and brother-in-law) Jan Harlan. Sets, costumes, and art direction were based on the works of conceptual artist Chris Baker, who had also done much of his work under Kubrick's supervision. Spielberg was able to function autonomously in Kubrick's absence, but said he felt "inhibited to honor him", and followed Kubrick's visual schema with as much fidelity as he could. Spielberg, who once referred to Kubrick as "the greatest master I ever served", now with production underway, admitted, "I felt like I was being coached by a ghost." The film was released in June 2001. It contains a posthumous production credit for Stanley Kubrick at the beginning and the brief dedication "For Stanley Kubrick" at the end. John Williams's score contains many allusions to pieces heard in other Kubrick films.
Title: A.I. Artificial Intelligence
Content:  Kubrick began development on an adaptation of "Super-Toys Last All Summer Long" in the late 1970s, hiring the story's author, Brian Aldiss, to write a film treatment. In 1985, Kubrick asked Steven Spielberg to direct the film, with Kubrick producing. Warner Bros. agreed to co-finance A.I. and cover distribution duties. The film labored in development hell, and Aldiss was fired by Kubrick over creative differences in 1989. Bob Shaw briefly served as writer, leaving after six weeks due to Kubrick's demanding work schedule, and Ian Watson was hired as the new writer in March 1990. Aldiss later remarked, "Not only did the bastard fire me, he hired my enemy [Watson] instead." Kubrick handed Watson The Adventures of Pinocchio for inspiration, calling A.I. "a picaresque robot version of Pinocchio". Three weeks later, 
Title: A.I. Artificial Intelligence
Content:  Visual effects supervisors Dennis Muren, Stan Winston, Michael Lantieri, and Scott Farrar were nominated for the Academy Award for Best Visual Effects, while John Williams was nominated for Best Original Music Score. A.I. Artificial Intelligence lost to The Lord of the Rings: The Fellowship of the Ring in both categories. Steven Spielberg, Jude Law and Williams received nominations at the 59th Golden Globe Awards. A.I. was successful at the Saturn Awards, winning five awards, including Best Science Fiction Film along with Best Writing for Spielberg and Best Performance by a Younger Actor for Osment.
Title: List of artificial intelligence films
Content:  This article contains a chronological list of films which included artificial intelligence either as a protagonist or as an essential part of the film.
Title: Supertoys Last All Summer Long
Content:  The short story was used as the basis for the first act of the feature film A.I. Artificial Intelligence (2001). Stanley Kubrick originally obtained the rights in the 1970s to produce a film adaptation. However, the project was bogged down in development hell and was repeatedly postponed. A few years before Kubrick's death in 1999, he suggested to Steven Spielberg that it might be a project better suited for Spielberg to direct than himself. After Kubrick's death, Spielberg ultimately did direct the film, which was released in 2001.
Title: A.I. Artificial Intelligence (soundtrack)
Content:  A.I. Artificial Intelligence - Music from the Motion Picture is the film score of the 2001 film of the same name, composed and conducted by John Williams. The original score was composed by Williams and featured singers Lara Fabian on two songs and Josh Groban on one. Soprano Barbara Bonney provided the vocal solos in several tracks.

Question: Who was the director of A.I. Artificial Intelligence?
Answer: Steven Spielberg.
Steven Allan Spielberg.
Spielberg.