Title: Becoming Jane
Content:  consultant on the film, with the task of "see[ing] that, given that the 'story' is a work of imagination, the factual material was as accurate as possible within the limitations of the story." After Williams completed several drafts of the screenplay, the company hired Kevin Hood to aid in further script development. Bernstein believed that Hood's past work contained "a romantic sensibility... There is a poetic quality about his writing as well as there being a rigorous emotional truth which I thought was important for Jane." Hood was attracted to the film because he believed "the story is such an important 
Title: Jane Eyre (1943 film)
Content:  New York City to work with him. After the play's March 24 premiere, Houseman and Stevenson flew to the West Coast and completed the screenplay over the next five weeks. According to Houseman, Stevenson did most of the work. "We finished it and presented it to our leader, only to discover that he had not the slightest intention of producing it," Houseman wrote. Aldous Huxley also contributed to the screenplay, rendering the character of Mrs. Rochester unseen—assuring that she would be more menacing, and circumventing British censorship regulations on the depiction of madness. Other contributors to the script include DeWitt Bodeen and playwright Keith Winter. (Houseman - who had nothing to do with producing the final film - says when he saw the movie he was unhappy and asked for his name to be taken off, but they refused, so his credit stayed. )
Title: Jason and Shirley
Content:  Many artists associated with MIX NYC, including its cofounder Sarah Schulman, were involved in the creation of the film. Director Stephen Winter was working on The Butler, his third film with Lee Daniels, when Sarah Schulman, renowned writer and activist, proposed that two of their mutual friends, performers Jack Waters and Bizzy Barefoot, had conceived a character based on Jason Holliday from the 1967 documentary Portrait of Jason by Shirley Clarke. Schulman's idea was for Winter to direct a new film about the "behind the scenes" of Portrait of Jason starring Waters as "Jason" and Schulman as "Shirley." The film would not be a remake, but a fiction that drew upon emotional truths from the 
Title: Jason and Shirley
Content:  an emerging video artist, photographer and fashion muse, perfect for the mysterious spirit "Billy-Boy." Eamon Fahey, as naïf "Nico" is a New York native Winter has known since he was a teen. Bryan Webster plays 'Candy Man,' and was Winter's first friend upon moving to New York. Peter Cramer as "The Matron" is a central downtown fixture and Jack Waters' better half. Denise Dixon, "Momma," is Winter's neighbor and a Brooklyn science teacher. Tristan Cowen as "John," hardworking cameraman, is Winter's "Game of Thrones" buddy. Orran Farmer, Winter's brother-in-law, came out of actor-retirement to play handsome, authoritative "Carl." And Tony Torn as racist DP "Saul" starred in the first play Winter saw in New 
Title: San Antonio (film)
Content:  in which there's no action." Geller told Burnett to come up with a story with producer Robert Buckner. (According to a later article on Brand, the author contributed to the scripts of the Flynn films Uncertain Glory, The Adventures of Don Juan and Montana before becoming a war correspondent and being killed in May 1944. ) Burnett says he wrote the script in three weeks then rewrote it. He says he pitched Marlene Dietrich for Flynn's co star; Jack Warner was enthusiastic but did not want to pay Dietrich's fee especially when he had so many actors under contract. In March 1944, Warners announced they would make the film from a script by Burnett with Raoul Walsh 
Title: Jason and Shirley
Content:  of Jason Holliday. Production came together quickly, as did the script. Waters was in charge of writing "Jason," and Schulman was tasked with "Shirley." A team from New York's vibrant New Queer Vanguard of Brooklyn and other diverse artistic blocs was assembled. Ned Stresen-Reuter became Director of Photography and Editor. Winter met Producer Jason Ryan Yamas when he worked with Jonathan Caouette on the sequel to his internationally influential documentary Tarnation, which Winter produced. Artist and bon vivant Bizzy Barefoot was the choice for Production Design and Costumes. Bizzy also served as acting coach for Jack Waters, with Broadway veteran Schele Williams. Winter wrote roles for the actors he wished to cast. Mike Bailey Gates 
Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: The Day of the Wolves
Content:  Hyer arrived in the second week of production. Egan, whose career by then was on the wane, had been persuaded to take the role on a deferred compensation by personal plea from Grofe. Jan Murray and Rick Jason played the roles of Wolf #1 and Wolf #4. Jan Murray was famous as a comedian and TV show celebrity, Rick Jason as the star of the popular television show Combat!. Jason, impressed with Grofe's ability to produce a film on a relatively tiny budget, would later use most of the same crew to film his own directorial debut Deja Vu in Hong Kong. Frank Sinatra's protege Frankie Randall 
Title: Adventures of Don Juan
Content:  Flynn didn't agree with me at all because he still wanted to be the wonderful guy who jumps out the window pursued by the irate husband saying 'You made love to my wife' and all that." After three months Flynn told Jack Warner he would not make the film with Negulesco. Warner told the director "Johnny I cannot make Don Juan without Errol Flynn but I can make it without you." Negulesco agreed and Warner assigned him to producer Jerry Wald for Johnny Belinda. By September 1947 Vincent Sherman was to direct from a script by George Oppenheimer and Harry Kurnitz. Romney Brent who played the Dauphin in Joan of Lorraine was signed to play Philip III. In October Viveca Lindfors was given the female lead.
Title: Freddy vs. Jason
Content:  winning and one with Jason winning. Peter Briggs, Jason X writer Todd Farmer and screenwriting duo Jonathan Aibel & Glenn Berger were all later brought in to write for the film. Newcomers Mark Swift & Damian Shannon were hired after delivering a pitch that De Luca was happy with. Goyer returned to the project once again in an effort to trim "every ounce of fat" from Swift & Shannon's 120-page script. According to Swift and Shannon, several endings were considered for the film; one involved Pinhead of the Hellraiser franchise, but New Line did not want to secure the rights for the character.

Question: Who was the screenwriter for January 1?
Answer: Manivannan.