Title: Blood+
Content:  Produced by Production I.G and Aniplex and directed by Junichi Fujisaku, Blood+ was inspired by the 2000 anime film Blood: The Last Vampire; however, there are only a few allusions and basic elements from the film. Fujisaku has been involved with both works, including acting as the director for Blood+ and writing the novelization of Blood: The Last Vampire.
Title: Blood In Blood Out
Content:  The origin for “Blood In. . . Blood Out” had its genesis in the early 1980s when producer Jerry Gershwin hired novelist Ross Thomas to write the first script, which initially went into development at New Visions Pictures under director Harold Becker. Actor Edward James Olmos was offered to both direct and star in the film, but due to creative differences, Olmos turned down the project. After New Visions Pictures folded, Producer Taylor Hackford would take over directing duties. Screenwriter Floyd Mutrux was then brought on to do a script rewrite, as did writer Jeremy Iacone, and Jimmy Santiago Baca, whom Hackford credits with contributing most of the final story. The three prison gangs 
Title: Brain of Blood
Content:  Brain of Blood was produced by Samuel M. Sherman, Al Adamson and Kane W. Lynn. It was written by Joe Van Rodgers (screenplay) along with Lynn and Sherman. It was filmed by cinematographer Louis Horvath and edited by J.P. Spohn.
Title: Bad Blood (2011 film)
Content: Christophe Petit – Producer ; Michael Yebba – Producer 
Title: Bad Blood: A Cautionary Tale
Content:  Bad Blood: A Cautionary Tale is a documentary film about contaminated hemophilia blood products. The film was co-written by Marilyn Ness and Sheila Curran Bernard, produced and directed by Marilyn Ness, with cinematography by David Ford, editing by Marion Sears Hunter, and original music score by Joel Goodman and David Bramfitt. The film premiered on July 28, 2010 in New York City.
Title: Bloodthirsty (2020 film)
Content:  The film originated with producer Mike Peterson. As Montreal-based director Amelia Moses recalled, "I was finishing up my first feature [Bleed with Me], and I was looking for some friendly advice from a producer about distribution in Canada." She was put in touch with Peterson, who told her he was seeking a director for a project. "He checked out my previous work and sent me the script, and I assumed it was still in development. But instead, he's like, 'No, we're shooting in two months in Alberta.'" Moses met with screenwriter Wendy Hill-Tout, who wrote the script with daughter Lowell Boland, "and then it all just happened really quickly." 
Title: Blood &amp; Oil
Content:  The project was written by Josh Pate and Rodes Fishburne, with Tony Krantz as executive producer. In September 2011, ABC bought the script (then titled The Bakken) along with several other projects by Krantz, but did not order a pilot for the 2012–13 television season. In October 2014, the project moved to the USA Network under the title Boom and would be produced by ABC, but was never filmed. On January 30, 2015, it was announced that the project had returned to ABC and had been picked up as pilot, which was filmed in Northern Utah and was directed by Jonas Pate. On May 7, 2015, ABC picked up the pilot to series (still untitled). By May 27, 2015, the title was Oil. On June 1, 2015, it was reported that Cynthia Cidre had been hired as executive producer and co-showrunner of the project, now titled Blood & Oil. On August 5, 2015, it was announced that Cidre would be replaced by Jon Harmon Feldman as showrunner, after the production ran into problems due "to its big scope".
Title: The Krays: New Blood
Content:  The Krays: New Blood is an upcoming British crime drama film written and directed by Richard John Taylor and starring Marc Pickering, Nathanjohn Carter, Josh Myers and Nicholas Ball. It is the sequel to the 2018 film The Krays: Dead Man Walking.
Title: Blood and Wine
Content:  British producer Jeremy Thomas was attracted to work with Rafelson due to what he perceived as the director's European sensibilities. He later remembered: "It was a different experience for me, because growing up as an independent producer it was difficult to interact with a corporate system. But then I got this screenplay which had Jack Nicholson attached to it and Bob Rafelson, who I knew quite well, and so I thought, I had never gone near a genre-type of film and so maybe I will try some noir-ish sort of film, set in Miami, which is the flavour of Hollywood, and see if we can do it. It was certainly an incredible cast, and I sold the film to 
Title: BloodSpell
Content:  BloodSpell was in development for more than two years. In late 2003, executive producer Hugh Hancock first began to work on the project in response to a claim that his work had lost its "punk edge". Production costs were under £10,000. The film was made using the Neverwinter Nights Aurora game engine, which provides a Dungeon Master (DM) client that allows actor models to be created or removed at will. Multiple DMs can join a single local Neverwinter Nights server. Under this configuration, any character can be controlled by any of the DMs to accomplish actions that are needed for the scene being filmed. Additionally, a number of modifications to Neverwinter Nights are used, from additional animations, to a custom set of camera tools, allowing scripted camera movements, to a texture switching OpenGL tool that allows for the appearance of lip syncing, referred to by the BloodSpell team as "TOGLFaceS" (Take Over GL Face Skins).

Question: Who was the producer of New Blood?
Answer: Peter Gabriel.
Peter Brian Gabriel.