Title: Matthew Curtis (composer)
Content:  discussing the neglect of light classical music ), but his output extends to more substantial works for orchestra, chamber music, songs and choral works. Reviews of his work in Gramophone, on MusicWeb International, an extensive review of his early work by the British Music Society, and other reviews of recordings devoted to his orchestral works in the British Composer Series all draw attention to his emphasis on and mastery of melody and orchestral colouring, and make stylistic references to Edward Elgar, Eric Coates and Haydn Wood among others. A showcase of his work was given on the 21st of September 2018 at the Hastings and Bexhill International Composers Festival.
Title: Eugene Kurtz
Content:  Eugene Allen Kurtz (December 27, 1923 – July 7, 2006) was an American composer of contemporary classical music. He received an M.A. in music from the Eastman School of Music in 1949. His instructors included Arthur Honegger, Darius Milhaud, and Max Deutsch. He served as a guest professor of composition at the University of Michigan, the Eastman School of Music, and several other universities. His notable students include John Burke, Roger Briggs, John S. Hilliard, and Robert Morris. His best-known composition is The Last Contrabass in Las Vegas (1974), for double bass and female narrator, which was composed for Bertram Turetzky and his wife Nancy Turetzky, who have performed it frequently. He was also commissioned by Radio France. Kurtz was born in Atlanta and served in the U.S. Army during World War II; he first arrived in France in 1944. He settled in Paris in 1952, living there until his death there of a lung infection at the age of 82.
Title: Kurt Stallmann
Content:  was on the SEAMUS Board of Directors (Society for Electro-Acoustic Music in the United States) while he served as editor of the SEAMUS Newsletter. He has also been an active member of two composer’s collectives, Musiqa in Houston (2002–2004), and Composers in Red Sneakers in Boston (2001–2003). Recent works include Moon Crossings (commissioned by the Fromm Music Foundation), a 17-minute work for 15 performers, video, and surround sound system; Following Franz, Now, a String Quartet with optional electronics for the Grammy nominated Enso String Quartet (commissioned by Chamber Music America); Breaking Earth Meet the Composer (Commissioned by Meet the Composer Commissioning Music/USA Program and DiverseWorks ArtSpace), a twenty-two-minute multi-disciplinary installation with filmmaker Alfred 
Title: Matthew Curtis (composer)
Content:  of music recorded His music has been played in concert by the BBC Concert Orchestra and I Musici de Montréal. and by several non-professional and youth orchestras, most notably the National Children’s Orchestras of Great Britain, for which he has composed a number of pieces. Curtis was commissioned to compose for the English Music Festival in 2008, and his Festival Overture opened the final concert of the event. Curtis is probably best known for his short orchestral pieces in the British light music tradition (he has been seen as part of the "renaissance" of British Light Music and singled out for praise in an article in The Spectator among other 
Title: Curt Cress
Content:  of temporary legal quarrels between the keyboardist Hans-Jürgen Fritz and the drummer Hans Bathelt, concerning the name of the group, it was presented as New Triumvirat Presents Pompeii. Cress is also known as a producer, most notably for Uwe Ochsenknecht, Claudia Cane, Heiner Pudelko, Nena, Nina Hagen and the Royal Philharmonic Orchestra. He continued to work as a studio musician, as for Boney M., Hubert Kah, Michael Cretu, Scorpions, Alphaville, BAP, Inga and Annette Humpe, Peter Cornelius, Marianne Rosenberg, Stefan Waggershausen, Udo Lindenberg, Meat Loaf and Freddie Mercury (Mr. Bad Guy). Cress also made himself a name as a TV and film music composer. He composed the music for the series SK Kölsch, The Red Mile, HeliCops – Einsatz über Berlin and for the telenovelas Bianca – Wege zum 
Title: Franz Curti
Content: Wenn ich wär der Mondenschein (If I were the moonlight), in Six Vocal Quartets, op. 2 ; Zwiefacher Frühling (Twice the Springtime), op. 8 ; Vier Männerquartette (Four Male Quartets), op. 12 ; Frieden der Nacht (Peace of the Night), op. 17 ; Die Schlacht (The Battle), op. 45 Am See (By the lake), op. 6 ; Ave Maria, op. 7 ; Seligkeit (Bliss), op. 11 ; Der Maria Wiegenlied (The Maria Lullaby), op. 16 Die Gletscherjungfrau (The Glacier Maiden), M. Vollhardt-Wittich, cantata, later reworked into an opera, 1882 ; Hertha, M. Vollhardt-Wittich, romantic opera, 1887 ; Reinhard von Ufenau, 1889 ; Erlöst (Redeemed), one act music drama, 1893 ; Lili-Tsee, 1896 ; Das Rösli vom Säntis (The Rösli from the Säntis), 1898 Symphony in B flat major, op. 14 ; Semele (F. v. Schiller), 1887 ; Die Schweiz (Switzerland), orchestral suite, 1892 ; Schneefried, 1895 Choral: Solo: Stage and opera: Instrumental:
Title: Natalie Curtis
Content:  Curtis Burlin may be considered among a small group of US American composers who used native American material in her own compositions. Others are Charles Wakefield Cadman, Arthur Nevin, and Thurlow Lieurance. She composed about 15 short, original works, many based on native American or African American themes.
Title: Leah Curtis (composer)
Content:  Leah Curtis is a Los Angeles-based Australian musician and composer. She is best known for her work as composer and orchestrator for film, as well as in contemporary classical composition.
Title: Alan Curtis (harpsichordist)
Content:  an academic career divided between UC Berkeley and Europe, Curtis devoted his time to performing dramatic music from Monteverdi to Mozart. As a student in the 1950s, he was the first modern harpsichordist to examine problems surrounding Louis Couperin's unmeasured preludes for harpsichord, and to commission the first modern copy of a chitarrone and the first chromatic (split-key) harpsichord constructed in the 20th century. He also researched operas from the baroque and pre-baroque eras, using period instruments and authentic choreography. In the late 1970s, Curtis founded the European ensemble Il complesso barocco, with which he made a number of commercial recordings for such labels as Virgin Classics, Deutsche Grammophon (Archiv),   and Deutsche Harmonia Mundi.
Title: Fred Katz (cellist)
Content:  of Roger Corman: The Best of the Cheap Acts, each time Katz was called upon to write music for Corman, Katz sold the same score as if it were new music. Katz explained that his music for Corman's The Little Shop of Horrors was created by a music editor piecing together selections from other soundtracks that he had produced for Corman. Later in his career, Katz became a professor of ethnic music in the Anthropology Department at California State University, Fullerton and California State University, Northridge, where he taught world music, anthropology, religion, and Jewish mysticism for over 30 years. He was a longtime Fullerton resident. One of his students was John Densmore, drummer of The Doors. Katz died on September 7, 2013, in Santa Monica, California.

Question: Who was the composer of Curtains?
Answer: John Kander.
John Harold Kander.