Title: The Full Treatment
Content:  The Full Treatment (also known as The Treatment and Stop Me Before I Kill!) is a 1960 black-and-white, British thriller film directed by Val Guest and starring Claude Dauphin, Diane Cilento and Ronald Lewis. It was based on the 1959 novel The Full Treatment by Ronald Scott Thorn.
Title: Mercury Theatre
Content:  technicolour cameras to film the carnival, and he could decide how to use the film later. Studio director Norman Foster was heavily involved in both projects. Officially, he was the sole director of Journey into Fear. However, studio documentation and photographs show Welles directing that film (often in costume for his supporting role as "Colonel Haki"), and fuelled by amphetamines, he was directing Ambersons in the day and Journey at night. He finished his Journey scenes in the small hours of the morning he left for Brazil, and Foster directed the rest of the film to Welles's specific instructions. RKO found Journey into Fear 
Title: No Way to Treat a Lady (film)
Content:  In October 1966 it was announced that Sol C. Siegel had signed a three-picture deal with Paramount Pictures, of which the first was to be an adaptation of No Way to Treat a Lady. In December Siegel hired John Gay to do the script. (Jack Smight later said Goldman refused to do the screen adaptation claiming that a novelist should never adapt his or her work for the screen. ) In March 1967, Jack Smight signed to direct. By May, Rod Steiger was playing the lead and George Segal joined the cast in June. Paramount was helmed by Robert Evans at the time, but Smight said he received more assistance from his executive Peter Bart. "He was enormously helpful to me under some very trying circumstances," said Smight. Tony Curtis was Evans' choice to play the detective, but Smight insisted that the role go to George Segal.
Title: The Deadly Trackers
Content:  The film began as a project written and directed by Sam Fuller, Riata, starring Richard Harris and Bo Hopkins. Production was halted during filming and then reassembled with a new director and cast; the only one of the original cast to return was Harris. According to costar Rod Taylor, Harris hated Fuller's script and walked out on the original production. Once Taylor signed on, he contributed to the re-write (Taylor was a member of the Screenwriters Guild) by adding scenes to flesh out his villainous character. It was through Harris' relentless drive that the film was completed at all, even using musical outtakes from other movies to cobble together the score.
Title: Never Say Never Again
Content:  disliked the script. Former Eon Productions' editor and director of On Her Majesty's Secret Service, Peter R. Hunt, was approached to direct the film but declined due to his previous work with Eon. Irvin Kershner, who had previously worked with Connery on A Fine Madness (1966), and had achieved success in 1980 with The Empire Strikes Back was then hired. A number of the crew from the 1981 film Raiders of the Lost Ark were also appointed, including first assistant director David Tomblin, director of photography Douglas Slocombe, second unit director Mickey Moore and production designers Philip Harrison and Stephen Grimes.
Title: The Killing Fields (film)
Content:  The Killing Fields is a 1984 British biographical drama film about the Khmer Rouge regime in Cambodia, which is based on the experiences of two journalists: Cambodian Dith Pran and American Sydney Schanberg. It was directed by Roland Joffé and produced by David Puttnam for his company Goldcrest Films. Sam Waterston stars as Schanberg, Haing S. Ngor as Pran, Julian Sands as Jon Swain, and John Malkovich as Al Rockoff. The adaptation for the screen was written by Bruce Robinson; the musical score was written by Mike Oldfield and orchestrated by David Bedford. The film was a success at the box office and an 
Title: The Field (film)
Content:  The Field is a 1990 Irish drama film written and directed by Jim Sheridan and starring Richard Harris, John Hurt, Sean Bean, Brenda Fricker and Tom Berenger. It was adapted from John B. Keane's 1965 play of the same name. The film is set in the early 1930s in County Kerry, although it was shot almost entirely in the Connemara village of Leenaun.
Title: William Goldman
Content:  Cliff Robertson read an early draft of No Way to Treat a Lady and hired Goldman to adapt the short story Flowers for Algernon for the movies. Before he had even finished the script, Robertson recommended him to do some rewriting on the spy spoof Masquerade (1965), in which Robertson was starring. Goldman did that, then finished the Algernon script. Robertson disliked it, though, and hired Stirling Silliphant, instead, to work on what became Charly (1968). Producer Elliot Kastner had optioned the film rights to Boys and Girls Together. Goldman suggested that Kastner make a film of the Lew Archer novels of Ross Macdonald and offered to do an adaptation. Kastner agreed, and Goldman chose The Moving Target. The result was Harper (1966) starring Paul Newman, which was a big hit.
Title: Night Will Fall
Content:  Arabs in Palestine, then a League of Nations mandate under British control. The director Alfred Hitchcock was recruited for the film. The documentary includes a recording of an interview with him about this project. While he worked on it a short time, commentators believe that he strongly influenced its shape and expression. This documentary also includes clips of interviews with surviving cameramen who had filmed at the concentration camps after, or during, liberation. It recounts the production of German Concentration Camps Factual Survey, which included the assembling of a team that included "perhaps the best known film editor in London," Stewart McAllister, Hitchcock and Richard Crossman.
Title: Doctors Don't Tell
Content:  The Hollywood Reporter stated that the film has been on Republic Pictures schedule for about two years before it went into production. The films opening credits state it was taken from a Liberty magazine story, but the screenplay Theodore Reeves and Isabel Dawn are original with only the title of the magazine article being used for the film. Production began on the film in July 1941. How director Jacques Tourneur became involved in the development of Doctors Don't Tell is unknown. The films editor Edward Mann was allowed to film additional scenes in early August 1941.

Question: Who was the director of The Treatment?
Answer: Oren Rudavsky.