Title: Ettore Panizza
Content:   Ettore Panizza (born Héctor Panizza; 12 August 1875 – 27 November 1967) was an Argentinian conductor and composer, one of the leading conductors of the early 20th century. Panizza possessed technical mastery and was popular and influential during his time, widely admired by Richard Strauss and Giacomo Puccini, among others.
Title: Ettore Panizza
Content:  he conducted were Francesca da Rimini and Conchita by Riccardo Zandonai, Sly by Ermanno Wolf-Ferrari, and The Island God by Gian Carlo Menotti. He also conducted many local premieres in London, New York, and Milan such as Mussorgsky's Khovanshchina and Respighi's La campana sommersa. Panizza composed four operas; Il fidanzato del mare (1897), Medio Evo Latino (1900), Aurora (1908), his most successful work (the tenor aria "Alta en el cielo" in the second Spanish version became the patriotic song school children sing to the flag) and Bizancio (1939). He published his autobiography Medio Siglo de Vida Musical in 1952. Panizza died in Milan in 1967.
Title: Ettore Panizza
Content:  Panizza was born in Buenos Aires, of Italian parents. His birth name was Héctor Panizza but throughout his career he was known as Ettore. Panizza studied first with his father, who was a cellist at the old Teatro Colón, and later in Milan. He made his debut as assistant conductor at the Rome Opera in 1897. He was closely associated with La Scala in Milan (where he conducted, along with Toscanini, titles like Wagner's Ring in 1926), the Royal Opera House in London, the Metropolitan Opera in New York City- where he succeeded Tullio Serafin as principal conductor of Italian repertoire, working for eight seasons with 
Title: Ettore Panizza
Content: Enzo Valenti Ferro, Los Directores: Teatro Colón 1908-1984 (Buenos Aires: Ediciones de Arte Gaglianone, 1985): 23-6. ; MICHAEL KENNEDY and JOYCE BOURNE. "Panizza, Ettore." The Concise Oxford Dictionary of Music. 1996. MICHAEL KENNEDY and JOYCE BOURNE. "Panizza, Ettore." The Concise Oxford Dictionary of Music. 1996. 
Title: Ettore Panizza
Content:  Gina Cigna), 1942 (Aida and Simon Boccanegra with Zinka Milanov and Leonard Warren), 1943 (Falstaff), 1944 (Bizancio), 1945 (Aurora), 1946, 1947 (Tosca and Andrea Chénier with Maria Caniglia and Beniamino Gigli), 1948, 1949, 1951, 1952 (Madama Butterfly with Victoria de los Ángeles), 1954 and 1955. He also worked with singers such as Alessandro Bonci, Nellie Melba and Ezio Pinza. He also made guest appearances in Paris, Madrid, Chicago, Vienna, Berlin and other European capitals. He heard British soprano Eva Turner in 1924 as Madama Butterfly and recommended her to Toscanini, launching her impressive international career (as also did the young conductor Antonino Votto). Among the many 
Title: Panizza
Content: Bartolomeo Panizza (1785–1867), Italian anatomist ; Darrell Panizza (born 1959), Australian footballer and coach ; Ettore Panizza (1875–1967), Argentianian conductor and composer ; Giacomo Panizza (1804–1860), Italian conductor ; John Panizza (1931–1997), Australian politician ; Oskar Panizza (1853–1921), German psychiatrist and author ; Serge Panizza (born 1942), French fencer ; Ugo Panizza, Italian economist ; Wladimiro Panizza (1945–2002), Italian bicycle racer ; Kevin Panizza (born 1963), musician & photographer ; Sergio Panizza (born 1967), pharmacist & Author Panizza is an Italian surname. Notable people with the surname include: 
Title: Ettore Panizza
Content: Verdi - Otello - Giovanni Martinelli, Elisabeth Rethberg - 1938, Naxos Historical 8.111018-19 ; Verdi - La traviata - Rosa Ponselle, Fredrick Jagel, Lawrence Tibbett - Metropolitan Opera ; Verdi - La traviata - Bidu Sayão, Bruno Landi, Thelma Votipka, Alessio De Paolis, 1942 ; Verdi - Simon Boccanegra - Elisabeth Rethberg, Giovanni Martinelli, Lawrence Tibbett, Ezio Pinza, Leonard Warren. Met 1939 ; Verdi - Aida - Zinka Milanov, Arthur Carron, Richard Bonelli, Bruna Castagna, Norman Cordon; 1939 ; Verdi - Il trovatore - Stella Roman, Bruna Castagna, Arthur Carron (or Charles Kullman), Norman Cordon; 1941 ; Verdi - Un ballo in maschera - Stella Roman, Giovanni Martinelli, Bruna Castagna, Josephine Antoine, Norman Cordon, Nicola Moscona; 1942 ; Ponchielli - La Gioconda - Zinka Milanov, Giovanni Martinelli, Metropolitan 1939 ; Puccini - Madama Butterfly - Licia Albanese, Charles Kullman, Irra Petina; 1941 ; Puccini - Tosca - Grace Moore, Frederick Jagel, Alexander Sved, 1942 ; Mendelssohn - Symphony No. 4 ; Felipe Boero - excerpts from opera El Matrero ; Mozart - The Marriage of Figaro. Ezio Pinza, John Brownlee, Licia Albanese, Jarmila Novotná, Elisabeth Rethberg - Metropolitan 1940 
Title: Ettore Panizza
Content:  like Rosa Ponselle and Enrico Caruso - and mainly at the Teatro Colón in Buenos Aires where his opera Aurora was premiered during the inaugural season. He conducted Puccini's Turandot with the ending by Franco Alfano after the world premiere at La Scala on 25 April 1926 conducted by Arturo Toscanini, who stopped at the point where Puccini had ceased writing before his death. He worked at the Teatro Colón in 1908, 1909, 1921, 1927 (Claudia Muzio as Tosca and in La bohème), 1929 (Turandot with Rosa Raisa), 1930, 1934 (Carmen with Gabriela Besanzoni), 1935, 1936, 1939 (Boris Godunov, La traviata, Macbeth, Turandot, Aida with Bizancio 
Title: Pasquale Panella
Content:  Born in Rome, after graduating from the Istituto Magistrale Panella started his career as author and sometimes also actor of avant-garde theatre. In 1976 he began collaborating as a lyricist with Enzo Carella, notably writing the lyrics of "Barbara", which placed second at the 29th edition of the Sanremo Music Festival. In 1983 Panella was commissioned by Lucio Battisti the lyrics of the Battisti-produced Adriano Pappalardo's album ''Oh! Era Ora; starting from the 1986 album Don Giovanni'', he then became the lyricist of the Battisti's following albums. In the second half of the 1980s he also started a successful and sometimes uncredited collaboration with Amedeo Minghi. His collaborations also include Zucchero Fornaciari, Mina, Mango, Premiata Forneria Marconi, Gianni Morandi, Angelo Branduardi, Marcella Bella, Anna Oxa, Mietta, Sergio Cammariere, Mino Reitano. Also active as novelist and poet, he collaborated with Riccardo Cocciante writing the lyrics of the Italian versions of the stage musicals Notre-Dame de Paris and Giulietta e Romeo. His surreal and sometimes hermetic writing style has been variously described as dadaist, minimalist, avant-garde, and miniaturist.
Title: Oskar Panizza
Content:  Leopold Hermann Oskar Panizza (12 November 1853 – 28 September 1921) was a German psychiatrist and avant-garde author, playwright, novelist, poet, essayist, publisher and literary journal editor. He is best known for his provocative tragicomedy, Das Liebeskonzil (The Love Council, 1894), for which he served a one-year prison sentence after being convicted in Munich in 1895 on 93 counts of blasphemy. Upon his release from prison, he lived for eight years in exile, first in Zürich and later in Paris. His deteriorating mental health forced him to return to Germany, where he spent his last sixteen years in an asylum in Bayreuth. The scandal-ridden Panizza suffered more than any other German author under the repressive censorship imposed during the reign of Kaiser Wilhelm II.

Question: What genre is Ettore Panizza?
Answer: opera.
lyric drama.
European opera.
Western classical opera.