Title: The Shadow (1994 film)
Content:  The original score for The Shadow was composed by Jerry Goldsmith, who used his (at the time) signature music style for big orchestra, supported by a prominent percussion section, and musical effects with the help of instruments, especially synthesizers. Among the leitmotifs of his score are a romantically dark, yet lush heroic melodical main theme for the protagonist, which is accompanied by several secondary themes. For the antagonist, rather than a fully developed theme, Goldsmith used a musical effect in horns and synthesizers imitating a howling sound, a technique that would later echo in his scores for The Ghost and the Darkness (1996) and The Edge (1997). For the album and end credits, 
Title: Shadows (2007 film)
Content:  The music was composed by Ryan Shore.
Title: Shadow (2013 film)
Content:  The music of the film was composed by S. Thaman and released on T-Series Audio Company. The title track of this film was released at Ramanaidu Studios in Hyderabad. Venkatesh, V. V. Vinayak, Meher Ramesh, Producer Paruchuri Prasad, Paruchuri Kireeti, Kona Venkat, Gopimohan and Thaman attended this event. Vinayak launched the title song of the movie. The audio launch of this film was held at Shilpakala Vedika in Hyderabad on 15 March 2013. Vinayak unveiled the T-Series audio albums and handed one to Boyapati Srinu. Gopichand Malineni, K. L. Narayana, Nagababu, Boyapati Srinu and V. V. Vinayak launched the songs of the movie. Madhurima, Kona Venkat, Gopimohan, Baba Sehgal, Adithya Pancholi attended this event.
Title: Shadow and Bone (TV series)
Content:  Joseph Trapanese is the composer for the series. Heisserer and Bardugo appeared on a panel at New York Comic Con in October 2020, during which they played some of the score. Executive producer Josh Barry reported on December 16, 2020 that the final sound mix was complete. Trapanese wrote the score over 11 months. In an interview with AwardsDaily, he explained how he put it together in lockdown, between conducting an orchestra over Zoom and incorporating solo recordings. Russian and Slavic music provided the basis of the score's inspiration, Bardugo naming Sergei Prokofiev and folk songs as specific examples. In addition, elements from other musical traditions were used, such as gamelan.
Title: Lost in Shadow
Content:  director for the game and drew the Japanese box cover, as part of a team of seven graphic artists. The music composed by Takasi Watanabe is mostly ambient in nature, and is supplemented by the image song "Hinagiku" from artist Gutevolk. The team conceived the easier puzzles in the game with a computer program, though actual toy blocks were used to model more complex ones, resulting in a lot of trial and error. However, most of the development time of one and a half years was spent on creating and adjusting the shadow engine which posed many unforeseen problems for the game's programmers.
Title: Shadowland: The Legend
Content:  Over 80 minutes of the original score for the film was written by Romuald Lipko who has written numerous hit songs for many famous European pop stars and also is the famous leading composer for the Polish music band Budka Suflera, which is toping the music charts for over 30 years. In the creating of the music for "Shadowland: The Legend" participated two other associate composers, also members of "Budka Suflera": Piotr Kominek and Lukasz Pilch. One of the musical pieces written by Romuald Lipko became the film’s main theme song, titled also “Shadowland: The Legend”. Johanna Kern wrote the lyrics, and Lukasz Pilch performed and recorded the song. The song quickly hit many English and French language radio stations across Canada, and is also available worldwide on iTunes in the POP MUSIC section.
Title: Music of the Shadow Hearts series
Content:  Composition for Shadow Hearts: Covenant, known in Japan as Shadow Hearts II, was led by Hirota. Mitsuda returned from the original Shadow Hearts, along with series newcomers Kenji Ito and Tomoko Kobayashi; Kobayashi, a staff member at Sacnoth, was responsible for writing some short story-related pieces. The soundtrack includes over sixty songs. Mitsuda contributed between five and six solo pieces, along with working on a few collaborative tracks. The music for the game, as included on the soundtrack album, was composed between June 2002 and the end of 2003. According to sound director Hirotomi Imoto, he asked the composers to take the original sound for Shadow Hearts, deconstruct it and rebuild it. The composers 
Title: Shadow Hearts
Content:  The music for the Shadow Hearts series was primarily composed by Yoshitaka Hirota, who had earlier worked as a sound designer on Koudelka. Hirota's work on the series music was influenced by his work as a sound designer, incorporating sound effects alongside a wide range of music genres. Hirota collaborated with several different composers on each soundtrack. For Shadow Hearts, the collaborators were Masaharu Iwata, Yasunori Mitsuda and Ryo Fukuda. For Covenant, Mitsuda returned along with series newcomers Kenji Ito and Tomoko Kobayashi. With From the New World, Fukuda returned and was joined by Tomoko Imoto and Hirotomi Imoto. The music of Koudelka was composed by Kikuta, who found the experience of writing it to be the easiest aspect of the game's production. All four games received soundtrack albums released between 1999 and 2005,   while Hirota released an arrange album in 2005.
Title: The Shadow (album)
Content: Composer and producer – Ketil Bjørnstad ; Album devised from poems by John Donne (1562–1626) ; Ingar Marcussen - in memoriam ; Engineered by Jan Erik Kongshaug ; Recorded and mixed at Rainbow Studio, Oslo, Norway 1990. ; Mastered at The Cutting Room, Stockholm, Sweden ℗ & © 1990 Kirkelig Kulturverksted, Oslo, Norway
Title: The Shadow (album)
Content:  The Shadow is an album containing Bjørnstads melodious compositions for piano, built over poems about love and death by the English poet John Donne.

Question: Who was the composer of Shadow?
Answer: S. Thaman.