Title: James N. Black
Content:  of the 1960s, playing there with Dr. John, James Booker, Fats Domino, Professor Longhair, Charles Neville, James Rivers, Earl Turbinton, and the Dukes of Dixieland. He was a session musician for Scram Records, and can be heard e.g. on Eddie Bo's single "Hook and Sling". In the 1980s he worked with Cassandra Wilson, Wynton Marsalis, and Germaine Bazzle. Black also composed; among his works are the tunes "Monkey Puzzle" and "Dee Wee", both of which were recorded by Ellis Marsalis's ensemble in the early 1960s. As a composer, Black received two grants from the National Endowment for the Arts. Recordings under his name were compiled by Night Train Records and released on CD as I Need Altitude: Rare and Unreleased New Orleans Jazz and Funk, 1968-1978.
Title: Black, Rock and Ron
Content:  Black, Rock and Ron was an American hip hop trio from Hollis, Queens, composed of Lord Black (David Cootryer), The Ruler Master Rock (Greig Walsh), and Ron Scratch (Ron Walsh).
Title: Black Gold (2006 film)
Content:  Andreas Kapsalis, whom Marc James Francis and Nick Francis met during the Sundance Documentary Composers Lab, wrote the final soundtrack. In doing so, he used in part Mathew Coldrick's Ethiopian instrumental samples, recorded from Ethiopia. Joe Henson, Kunja Chatterton, and Mathew Herbert also contributed to the soundtrack.
Title: Black Sunday (1960 film)
Content:  sequence was crudely inserted between Sonya's milking of a cow and Javutich's resurrection without Bava or Serandrei's approval. The music for the Italian and ELDA versions of Black Sunday was composed by Roberto Nicolosi and conduced by Pier Luigi Urbini. Lucas notes that both versions used the score sparingly, leaving the creation of much of the soundscape to the sound editor, although key dramatic scenes, such as the climactic fight between Andrej and Javutich, play with no music at all, suggesting the difficulties of creating music for a film in a genre that was in its infancy in Italy. He deems much of the score to be derivative of James Bernard's work on Dracula, but singles out the romantic "Katia's Theme" motif for praise.
Title: Stanley Black
Content:  Black is remembered for writing numerous scores for radio, television and cinema, including the theme-tune for The Goon Show. Other films he composed scores for include Laughter in Paradise (1951), The Naked Truth (1957), Blood of the Vampire (1958), Too Many Crooks (1958), The Long and the Short and the Tall (1961), West 11 (1963), The System (1964), Crossplot (1969), and the Cliff Richard musicals The Young Ones (1961) and his orchestral backing for Richard's follow up, Summer Holiday (1962), which won him an Ivor Novello Award. His work also became familiar to millions of cinema audiences as a consequence of his theme tune and music library for Pathé News, written in 1960. He also recorded many classical works, including collections of Tchaikovsky and George Gershwin. In 1965 he won a Gramophone Award for his version of Rimsky-Korsakov's Capriccio Espagnol. In addition, he arranged and conducted many commercially successful albums on LP and later CD like Tropical Moonlight, Cuban Moonlight, Black Magic, and series of Film Spectacular and Broadway Spectacular for Decca.
Title: Arnold Black
Content:  In the early 1950s, Black was composer in residence at the Circle in the Square Theatre in Manhattan. He worked with director José Quintero to produce scores for various notable productions including Ulysses in Nighttown. His concert works include a children's opera based on The Phantom Tollbooth, a novel by Norton Juster, and a piece entitled My Country, 1998–1999, commissioned by the St. Petersburg String Quartet.
Title: Jim Black
Content:  His band AlasNoAxis includes Hilmar Jensson on electric guitar, Chris Speed on tenor saxophone and clarinet, and Skúli Sverrisson on bass guitar. The music is in some ways closer to post-rock than jazz, concentrating on rhythmic shifts and ensemble texture rather than featured solos. Since 2000 Winter & Winter has released several of the band's albums. Pachora includes Black, Speed, Sverrisson, and Brad Shepik on tambura and electric saz. This band plays music that is rhythmically diverse and inspired by Balkan rhythms. Black participated as drummer 12 in the Boredoms 77 Boadrum performance on July 7, 2007 at the Empire-Fulton Ferry State Park in Brooklyn, New York. He is also one-third of the group BBC (Berne/Black/Cline) with alto saxophonist Berne and Nels Cline of Wilco. The group released the album The Veil in 2011.
Title: Robert Black (conductor)
Content:  Cage. Robert Black came to serious composition very late in his life. His works were particularly influenced by Charles Wuorinen and Ralph Shapey, and include Underground Judges, Three Pieces for Violin and Piano, later reworked as the orchestral work Capriccio (Blown Apart), and Earth Fire, for viola and piano. His sole piece for solo piano was Foramen Habet!, dedicated to Beveridge Webster. A recording titled "The Art of Robert Black" includes a number of his works. Robert Black died of melanoma in Palo Alto, California, on November 14, 1993, aged 43, survived by his wife, parents and two siblings.
Title: Black (video game)
Content:  own distinct voice. For example, there are three enemies firing, one would be assigned a low voice, another a medium voice, and the third a high voice. This allows all the weapons being fired in any particular scene to harmonize and deliver a distinct sound for the game. Blacks sound was nominated for Best Audio at the 2006 BAFTA Video Games Awards, and won Best Art & Sound jointly with Burnout Revenge (another game by Criterion) at the 2006 Develop Industry Excellence Awards. The music for Black was composed by Chris Tilton, using a theme co-authored with Oscar-winning composer Michael Giacchino. It was recorded at the Newman Scoring Stage.
Title: Stanley Black
Content:  Stanley Black OBE (14 June 1913 – 27 November 2002) was an English bandleader, composer, conductor, arranger and pianist. He wrote and arranged many film scores, recording prolifically for the Decca label (including their subsidiaries London and Phase 4). Beginning with jazz collaborations with American musicians such as Coleman Hawkins and Benny Carter during the 1930s, he moved into arranging and recording in the Latin American music style and also won awards for his classical conducting.

Question: Who was the composer of Black Patch?
Answer: Jerry Goldsmith.
Jerrald King Goldsmith.