Title: The Good Earth (film)
Content:  The Good Earth is a 1937 American drama film about Chinese farmers who struggle to survive. It was adapted by Talbot Jennings, Tess Slesinger, and Claudine West from the 1932 play by Owen Davis and Donald Davis, which was in itself based on the 1931 novel of the same name by Nobel Prize-winning author Pearl S. Buck. The film was directed by Sidney Franklin, with uncredited contributions by Victor Fleming and Gustav Machaty. The film stars Paul Muni as Wang Lung. For her role as his wife O-Lan, Luise Rainer won an Academy Award for Best Actress. The film also won the Academy Award for Best Cinematography for Karl Freund. It was nominated for Best Director, Best Film Editing, and Best Picture. Its world premiere was at the elegant Carthay Circle Theatre in Los Angeles.
Title: Portrayal of East Asians in American film and theater
Content:  The Good Earth (1937) is a film about Chinese farmers who struggle to survive. It was adapted by Talbot Jennings, Tess Slesinger, and Claudine West from the play by Donald Davis and Owen Davis, which was itself based on the 1931 novel The Good Earth by Nobel Prize-winning author Pearl S. Buck. The film was directed by Sidney Franklin, Victor Fleming (uncredited) and Gustav Machaty (uncredited). The film's budget was $2.8 million, relatively expensive for the time, and took three years to make. Although Pearl Buck intended the film to be cast with all Chinese or Chinese-American actors, the studio opted to use established American stars, tapping Europeans Paul Muni and Luise Rainer for the lead roles. Both had won Oscars the previous year: Rainer for her role in The 
Title: The Good Earth (film)
Content:  the film would create and when MGM decided to shoot on location in China officials took extraordinary steps to control the production, forcing the studio to hire a Nationalist general to advise them on authentic settings and costumes (most of this footage was mysteriously lost when it was shipped home and had to be re-shot in California). There were reports that MGM distributed a different version of the film in China. The film's 1936 production lasted from February 28 to July 23. Thalberg died on September 14, four-and-a-half months before its Los Angeles premiere on January 29, 1937. The film credits stated that this was his "last great achievement". Original prints of the film were presented in sepiatone.
Title: The Good Earth (film)
Content:  In pre-World War I northern China, young farmer Wang Lung (Paul Muni) marries O-Lan (Luise Rainer), a slave at the Great House, the residence of the most powerful family in their village. O-Lan proves to be an excellent wife, hard working and uncomplaining. Wang Lung prospers. He buys more land, and O-Lan gives birth to two sons and a daughter. Meanwhile, the Great House begins to decline. All is well until a drought and the resulting famine drive the family to the brink. O-Lan gives birth to a second daughter but kills her shortly after birth to spare her from starvation. Desperate, Wang Lung considers the advice of his 
Title: The Good Earth (film)
Content:  The film's budget was $2.8 million, a small fortune at the time, and took three years to make. A five-hundred-acre farm in Porter Ranch, California, was transformed into a replica of Chinese farmland for this film. The movie script was more sympathetic to China than the novel had been. Wang Lung's son was now a representative of modern China who goes to university and leads the villagers. The family is a wholesome affectionate unit, even the uncle who in the novel exploits Wang Lung, and the sexual aspect of Lotus is played down. The Hays office, which supervised each Hollywood script, demanded more than twenty rewrites to eliminate what it found offensive. Before Herbert Stothart and Edward Ward 
Title: The Good Earth (film)
Content:  film in China, the Chinese government was divided on how to respond. Initial hostility derived from resentment of the novel, which critics charged focused only on the perceived backwardness of the country, while some government officials hoped to have control which would be gone if the film work was done outside China. Generalissimo Chiang Kai-shek himself intervened, perhaps at the behest of his wife, Mme. Chiang, whose American education made her an advocate for cooperation. Permission was granted on condition that the view of China be favorable, that the Chinese government would supervise and have of shots done in China, and the unenforced stipulation that the entire cast be Chinese. The government in Nanjing did not foresee the 
Title: Portrayal of East Asians in American film and theater
Content:  Chinese blood—to do the only unsympathetic role in the picture featuring an all-American cast portraying Chinese characters." MGM's refusal to consider Wong for this most high-profile of Chinese characters in U.S. film is remembered today as "one of the most notorious cases of casting discrimination in the 1930s". The Good Earth was nominated for five Academy Awards including Best Picture, Best Direction (Sidney Franklin), Best Cinematography (Karl Freund), and Best Film Editing (Basil Wrangell). In addition to the Best Actress award (Luise Rainer), the film won for Best Cinematography. The year The Good Earth came out, Wong appeared on the cover of Look magazine's second issue, which labeled her "The World's Most Beautiful Chinese Girl." Stereotyped in America as a dragon lady, the cover photo had her holding a dagger.
Title: The Good Earth
Content:  of the farmer Wang Lung and his wife O-Lan helped prepare Americans of the 1930s to consider Chinese as allies in the coming war with Japan. The novel was included in Life Magazine's list of the 100 outstanding books of 1924–1944. In 2004, the book returned to the bestseller list when chosen by the television host Oprah Winfrey for Oprah's Book Club. A Broadway stage adaptation was produced by the Theatre Guild in 1932, written by the father and son playwriting team of Owen and Donald Davis, but critics gave a poor reception, and it ran only 56 performances. However, the 1937 film, The Good Earth, which was based on the stage version, was more successful.
Title: The Good Earth
Content:  The Good Earth is a historical fiction novel by American author Pearl S. Buck published in 1931 that dramatizes family life in a Chinese village in the early 20th century. It is the first book in her House of Earth trilogy, continued in Sons (1932) and A House Divided (1935). It was the best-selling novel in the United States in both 1931 and 1932, won the Pulitzer Prize for Fiction in 1932, and was influential in Buck's winning the Nobel Prize for Literature in 1938. Buck, who grew up in China as the daughter of missionaries, wrote the book while living in China and drew on her first-hand observation of Chinese village life. The realistic and sympathetic 
Title: The Good Earth (film)
Content:  engaged to provide the music, negotiations took place with Austrian composer Arnold Schoenberg, who is known to have made some musical sketches for the score before the plan fell through. Pearl Buck intended the film to be cast with all Chinese or Chinese-American actors. Irving Thalberg also envisioned casting only Chinese actors, but had to concede that American audiences were not ready for such a film. According to Variety, Anna May Wong had been suggested for the role of O-Lan, but the Hays Code anti-miscegenation rules required Paul Muni's character's wife to be played by a white actress. Some confusion has resulted because the Production Code of the Motion Picture Producers and Distributors of America, Inc., 1930–1934 stated 

Question: Who was the director of The Good Earth?
Answer: Victor Fleming.
Victor Lonzo Fleming.
Sidney Franklin.
Sidney Arnold Franklin.
Sidney A. Franklin.