Title: Capricho árabe (Tárrega)
Content:  Capricho árabe (Arabic Caprice) is an 1892 work for classical guitar by Spanish composer Francisco Tárrega. He dedicated it to his friend, conductor Tomás Bretón.
Title: Capriccio Espagnol
Content:  Capriccio espagnol, Op. 34, is the common Western title for a five movement orchestral suite, based on Spanish folk melodies, composed by the Russian composer Nikolai Rimsky-Korsakov in 1887. Rimsky-Korsakov originally intended to write the work for a solo violin with orchestra, but later decided that a purely orchestral work would do better justice to the lively melodies. The Russian title is Каприччио на испанские темы (literally, Capriccio on Spanish Themes).
Title: Capriccio Espagnol
Content:  harp — played over rolls on various percussion instruments. It is then followed by a dance in triple time leading attacca into the final movement. ; 5) The fifth and final movement, Fandango asturiano, is also an energetic dance from the Asturias region of northern Spain.  The piece ends with an even more rousing statement of the Alborada theme. The work has five movements, divided into two parts comprising the first three and the latter two movements respectively..  A complete performance of the Capriccio takes approximately 16 minutes. It is scored for piccolo, 2 flutes, 2 oboes (one doubling on cor anglais), 2 clarinets (in B and A), 2 bassoons, 4 horns (in F), 2 trumpets (in B, A), 3 trombones, tuba, timpani, triangle, side drum, bass drum, cymbals, tambourine, castanets, harp, and strings.
Title: Capriccio Espagnol
Content:  solo, the rhythm of the percussion instruments, etc., constitute here the very essence of the composition and not its garb or orchestration. The Spanish themes, of dance character, furnished me with rich material for putting in use multiform orchestral effects. All in all, the Capriccio is undoubtedly a purely external piece, but vividly brilliant for all that. It was a little less successful in its third section (Alborada, in B-flat major), where the brasses somewhat drown the melodic designs of the woodwinds; but this is very easy to remedy, if the conductor will pay attention to it and moderate the indications of the shades of force in the brass instruments by replacing the fortissimo by a simple forte."
Title: Capriccio Italien
Content:  The Capriccio is scored for: 3 flutes (3rd doubling on piccolo), 2 oboes, English horn, 2 clarinets in A, 2 bassoons, 4 horns in F, 2 cornets in A, 2 trumpets in E, 3 trombones (2 tenor, 1 bass), tuba, 3 timpani, triangle, tambourine, cymbals, bass drum, glockenspiel, harp and strings. After a brief bugle call, inspired by a bugle call Tchaikovsky heard daily in his rooms at the Hotel Constanzi, next door to the barracks of the Royal Italian Cuirasseurs, a stoic, heroic, unsmiling melody is played by the strings. Eventually, this gives way to music sounding as if it could be played by an Italian street band, beginning in the winds and ending with the whole orchestra. Next, a lively march ensues, followed by a lively tarantella, a Cicuzza.  The brothers were there during Carnival, and, despite calling it "a folly," the composer was able to soak up Italian street music and folk songs which he then incorporated into his Capriccio. This enables some "bright primary colors and uncomplicated tunefulness."
Title: Capriccio (music)
Content:  A capriccio or caprice (sometimes plural: caprices, capri or, in Italian, capricci), is a piece of music, usually fairly free in form and of a lively character. The typical capriccio is one that is fast, intense, and often virtuosic in nature. The term has been applied in disparate ways, covering works using many different procedures and forms, as well as a wide variety of vocal and instrumental forces. The earliest occurrence of the term was in 1561 by Jacquet de Berchem and applied to a set of madrigals. In the late 16th and early 17th centuries, it could refer to madrigals, music intended alternatively for voices or instruments, or strictly instrumental pieces, especially keyboard compositions.
Title: Capriccio for Piano and Orchestra
Content:  The Capriccio for Piano and Orchestra (Capriccio pour piano et orchestre) was written by Igor Stravinsky in Nice between 1926 and 1929. The score was revised in 1949. Stravinsky designed the Capriccio to be a virtuosic vehicle which would allow him to earn a living from playing the piano part. The Capriccio, together with the Concerto for Piano and Wind Instruments, belonged to a catalogue of breadwinning pieces which Stravinsky composed to support himself after fleeing the Russian Revolution to live in Western Europe.
Title: Capriccio for Harp and String Orchestra
Content:  Walter Piston's Capriccio for Harp and String Orchestra, was commissioned in 1963 by Broadcast Music Incorporated on the occasion of its twentieth anniversary, and is dedicated to the harpist Nicanor Zabaleta, who premiered it in Madrid on October 19, 1964. The work is in one movement and lasts for approximately 10 minutes.
Title: Capriccio Italien
Content:  The Capriccio Italien, Op. 45, is a fantasy for orchestra composed between January and May 1880 by Pyotr Ilyich Tchaikovsky. It premiered 18 December, 1880 (New System) in Moscow, conducted by Nikolay Rubinstein. A typical performance of the piece lasts about 15 minutes.
Title: España (Chabrier)
Content:  España, rhapsody for orchestra (España, rapsodie pour orchestre or Rapsodie España) is the most famous orchestral composition by French composer Emmanuel Chabrier (1841–1894). Written in 1883 after a trip to Spain, it was dedicated to the conductor Charles Lamoureux, who conducted the first public performance on 4 November 1883, at the Théâtre du Château d’Eau for the Société des Nouveaux Concerts in Paris.

Question: Who was the composer of Capriccio espagnol?
Answer: Nikolai Rimsky-Korsakov.
Nikolai Andreyevich Rimsky-Korsakov.
Nikolai Rimsky-Korsakoff.
Nikolai Andreyevich Rimsky-Korsakoff.
Rimsky-Korsakov.
Rimsky-Korsakoff.
N. Rimsky‐Korsakoff.
Nikolay Rimsky-Korsakov.
Nikolay Rimskiy-Korsakov.