Title: The Desert Music
Content:  The Desert Music is a work of music for voices and orchestra composed by the minimalist composer Steve Reich. It is based on texts by William Carlos Williams and takes its title from the poetry anthology The Desert Music and Other Poems. The composition consists of five movements, with a duration of about 46 minutes. In both its arrangement of thematic material and use of tempi, the piece is in a characteristic arch form (ABCBA). The piece was composed in 1983 and had its world premiere on 17 March 1984 in Cologne, Germany. The formation of the piece is explained by the composer as follows: "The title is taken from Dr. Williams’ book of collected poems, The Desert Music. From this collection I chose parts of The Orchestra and Theocritus: Idyl I – A version from the Greek. From another collection I chose a small part of Asphodel, That Greeny Flower. There are no complete poems used and the arrangement of parts is my own. This arrangement was my first compositional activity and the form of the piece into a large arch follows the text."
Title: Lost in the Desert
Content:  have a sudden emotional breakdown, in which he interrupts his playing by hitting the piano's keyboard angrily with his fists and producing loud crashing discords. In addition, the very opening scene of the actual story (after the differing introductions to the two versions of the film) shows Dirkie and his father playing Chopsticks together on the piano as a duet. Other than classical pieces, original music for the film was composed by Art Heatley and Sam Sklair with a faux African musical cue by William Loose. One German web site also credits Gilbert Gibson as another composer for the film. The DVD credits only Sklair for original music. The Australian jazz singer Edwin Duff (1928–2012) is credited in the end titles as singing the theme song "Wait for Tomorrow". However current versions of the movie do not include the song.
Title: The Desert Song
Content: Sid El Kar (tenor) ; Hassi (baritone) ; Mindar ; Benjamin Kidd (comic baritone) ; Captain Paul Fontaine (baritone or tenor) ; Azuri (mezzo-soprano) ; Margot Bonvalet (soprano) ; General Birabeau (baritone) ; Pierre Birabeau/Red Shadow (lyric baritone) ; Susan (soprano or mezzo-soprano) ; Ali Ben Ali (bass) ; Clementina ; Hadji ; Chorus of Riffs, soldiers and inhabitants of the fortress 
Title: Lion of the Desert
Content:  The musical score of Lion of the Desert was composed and conducted by Maurice Jarre, and it was performed by the London Symphony Orchestra. The songs Giovinezza, Marcia Reale and O sole mio are played but are not credited.
Title: Desert Hearts
Content:  The music for Desert Hearts was supervised by Terri Fricon and Gay Jones.
Title: Desert Transport
Content:  Desert Transport is a symphonic poem by the American composer Mason Bates. The work was commissioned by the Arizona Music Festival and was completed in 2010. It was premiered in February 2011 by the Arizona Music Festival Orchestra under conductor Robert Moody.
Title: Le désert
Content:  Le désert is an "ode-symphonie" in three parts by the French composer Félicien David with words by fellow Saint-Simonien Auguste Colin, written after the composer's stay in Egypt and the Holy Land. The work was first performed to great acclaim at the Paris Conservatoire on 8 December 1844, conducted by Théophile Tilmant, and taken up at the Théâtre-Italien and by Berlioz. At its premiere the work was played alongside two other Saint-Simonien works also by David; Chant du Soir and Le Sommeil de Paris. David had needed to borrow 1,200 francs to pay for the orchestra and hall. David's friends and colleagues Charles Duveyrier (half brother 
Title: Déserts
Content:  that distant inner space no telescope can reach, where one is alone." - Varèse (1950) The piece was created as a soundtrack to a modernist film. According to "Blue" Gene Tyranny, "It is now recognized as an exceptional example of truly humanistic music." It "has been described… as atonal, athematic,… amotivic," and its orchestration has "been labeled subtle." As Paul Griffiths describes: "The plan of Déserts, unprecedented, was that electronic and orchestral music should be brought face to face: three sequences of 'organized sound' on tape are interpolated into a composition for an orchestra of wind, piano, and percussion. Babbitt has drawn attention to the subtlety with which Varèse assembles timbres from his ensemble, 
Title: The Desert Music and Other Poems
Content: "The Descent" ; "To Daphne and Virginia" ; "The Orchestra" ; "For Eleanor and Bill Monahan" ; "To a Dog Injured in the Street" ; "The Yellow Flower" ; "The Host" ; "Deep Religious Faith" ; "The Mental Hospital Garden" ; "The Artist" ; "Theocritus: Idyl I" ; "The Desert Music" set on the El Paso / Juarez border.  Except for the title poem, all the pieces here are in triadic stanza form (with slight exceptions), as in the opening of "The Descent": The descent beckons as the ascent beckoned. Memory is a kind of accomplishment, a sort of renewal even Parts of "Theocritus: Idyl I" and "The Orchestra" were used in The Desert Music, a composition for chorus and orchestra or voices and ensemble by Minimalist composer Steve Reich in 1984.
Title: The Desert Inbetween
Content: Michał Karcz – cover images ; Sam Rosenthal – graphic design ; Steve Roach – composer, arranger, recorder, producer, mastering, electric guitar, synthesizer, electronics, waterphone, sounds, ocarina, percussion ; Brian Parnham – composer, arranger, recorder, producer, synthesizer, didgeridoo, udu, shaker, sounds, engineer, bass guitar, percussion, other trace elements Adapted from Discogs

Question: Who was the composer of The Desert Music?
Answer: Steve Reich.
Stephen Reich.
Stephen Michael Reich.