Title: ER (TV series)
Content:  executive producer and showrunner for the series' seventh season. He held these roles for three seasons before leaving the series at the end of the ninth season. Orman was also a frequent writer and directed three episodes of the show. David Zabel served as the series' head writer and executive producer in its later seasons. He initially joined the crew for the eighth season and became an executive producer and showrunner for the twelfth season onward. Zabel was the series' most frequent writer, contributing to 41 episodes. He also made his directing debut on the series. Christopher Chulack was the 
Title: Jack Orman
Content:  Orman made his script writing debut as a freelance writer for an episode of JAG. The script was so well-received that Orman was hired as a staff writer and within half a season Paramount Television made him a co-producer on the show. Orman contributed a further 8 episodes over the next year and a half. Following his success on JAG, Orman was recruited to join the production team of ER in 1997. He became a writer and co-producer on the fourth season of ER. He was promoted to supervising producer for the fifth season and continued to write episodes. He became a co-executive producer for the sixth season. Orman then became an executive producer and the series show runner for the seventh season. He also made 
Title: Laurie Bates
Content:  (Kathy) struggles to move on from the ordeal and trust other men (Laurie); however, the new emphasis on a more balanced mix between "light and heavy storylines" gave the "illusion" that the show had lost a "certain edge". By the end of the year EastEnders had acquired a new executive producer, Michael Ferguson, who had previously been a successful producer on ITV's The Bill. Ultimately, Ferguson was responsible for bringing in a new sense of vitality, and creating a programme that was "more in touch" with the "real world" than it had been over the last year. A new era began in 1990 with the introduction of the Mitchell brothers, Phil (Steve 
Title: Celestine and Etta Tavernier
Content:  In the latter part of 1989 EastEnders acquired a new executive producer named Michael Ferguson, who took over from Mike Gibbon. Ferguson had previously been a producer on ITV's The Bill — a hard-hitting, gritty and successful police drama, which seemed to be challenging EastEnders in providing a realistic vision of modern life in London. Due to his success on The Bill, Peter Cregeen, the Head of Series at the BBC, poached Ferguson to become executive producer of EastEnders. Following a relatively unsuccessful inclination towards comic storylines throughout 1989, Ferguson decided to take the soap in a new direction in 1990. 
Title: Trevor Short
Content:  the new emphasis on a more balanced mix between "light and heavy storylines" gave the illusion that the show had lost a "certain edge". By the end of the year EastEnders had acquired a new executive producer, Michael Ferguson, who had previously been a successful producer on ITV's The Bill. Ultimately, Ferguson was responsible for bringing in a new sense of vitality and creating a programme that was more in touch with the real world than it had been over the last year. A new era began in 1990 with the introduction of the Mitchell brothers, two hugely successful 
Title: Jane Harris (producer)
Content:  Harris worked on the BBC play Cathy Come Home in 1966. The play was produced by Tony Garnett, who Harris has described as her mentor. She later moved to America, where she worked on the soap opera General Hospital, and the successful action series The A-Team. When she returned to the United Kingdom, she worked for the BBC soap opera EastEnders. In 1988, she was the serial's programme editor, but rose to producer in 1995, and eventually took control of the show as the series/executive producer in 1996, following the departure of Corinne Hollingworth. At EastEnders, Harris was responsible for introducing the di Marco family, the Flahertys, Irene Hills, Lorna Cartwright and bringing back Frank Butcher and Dot Cotton as full-time characters. Axings included characters such as Ted Hills, Frankie Pierre and Felix Kawalski. Storylines that aired under 
Title: Clyde Tavernier
Content:  In the latter part of 1989, Michael Ferguson became the new executive producer of EastEnders, taking over from Mike Gibbon. Ferguson had previously been a producer on ITV's The Bill – a hard-hitting, gritty and successful police drama, which seemed to be challenging EastEnders in providing a realistic vision of modern life in London. Due to his success on The Bill, Peter Cregeen, the Head of Series at the BBC, poached Ferguson to become the executive producer of EastEnders. Following a relatively unsuccessful inclination towards comic storylines throughout 1989, Ferguson decided to take the soap in a new direction in 1990. 
Title: Kate Harwood
Content:  Harwood spent over 15 years working at the BBC, including as Script Editor and Script Executive, before becoming an executive producer in the BBC Drama Serials department. As a producer, she has worked on dramas including The Beggar Bride, Close Relations, The Echo, David Copperfield, Man and Boy and BAFTA winner Charles II: The Power and The Passion (released in the US under the title The Last King: the Power and the Passion of Charles II, in a heavily edited version on the A&E cable network). In her role as executive producer in BBC drama serials, she was responsible for programmes including Crime and Punishment, Daniel Deronda, The Lost World, and Final Demand. Harwood was appointed the executive producer of EastEnders in February 2005, a position she retained until October 2006, when 
Title: EastEnders
Content:  John Yorke became the Executive Producer of EastEnders in 2000. Yorke was given the task of introducing the soap's fourth weekly episode. He axed the majority of the Di Marco family and helped introduce popular characters such as the Slater family. As what Mal Young described as "two of EastEnders' most successful years", Yorke was responsible for highly rated storylines such as "Who Shot Phil?", Ethel Skinner's death, Jim Branning and Dot Cotton's marriage, Trevor Morgan's domestic abuse of his wife Little Mo Morgan, and Kat Slater's revelation to her daughter Zoe Slater that she was her mother. In 2002, Louise Berridge succeeded Yorke as the Executive 
Title: Hattie Tavernier
Content:  In the latter part of 1989 EastEnders acquired a new executive producer named Michael Ferguson, who took over from Mike Gibbon. Ferguson had previously been a producer on ITV's The Bill — a hard-hitting, gritty and successful police drama, which seemed to be challenging EastEnders in providing a realistic vision of modern life in London. Due to his success on The Bill, Peter Cregeen, the Head of Series at the BBC, poached Ferguson to become executive producer of EastEnders. Following a relatively unsuccessful inclination towards comic storylines throughout 1989, Ferguson decided to take the soap in a new direction in 1990. Big changes were implemented 

Question: Who was the producer of The Era?
Answer: Jay Chou.
Zhou Jielun.
Chou Chieh-lun.
sheldon.