Title: The Dark Side of the Moon
Content: David Gilmour – vocals, guitars, Synthi AKS ; Nick Mason – drums, percussion, tape effects ; Richard Wright – organ (Hammond and Farfisa), piano, electric piano (Wurlitzer, Rhodes), EMS VCS 3, Synthi AKS, vocals ; Roger Waters – bass guitar, vocals, VCS 3, tape effects Dick Parry – saxophone on "Us and Them" and "Money" ; Clare Torry – vocals on "The Great Gig in the Sky" ; Doris Troy – backing vocals ; Lesley Duncan – backing vocals ; Liza Strike – backing vocals ; Barry St. John – backing vocals Alan Parsons – engineering ; Peter James – assistant (incorrectly identified as "Peter Jones" on first US pressings of the LP ) ; Chris Thomas – mix supervisor ; Doug Sax, James Guthrie – 1992 remastering at The Mastering Lab ; James Guthrie, Joel Plante – 2011 remastering at das boot recording Hipgnosis – sleeve design, photography ; George Hardie – sleeve art, stickers art Pink Floyd Additional musicians Production Design
Title: Return to the Dark Side of the Moon
Content: Produced & Mixed By Billy Sherwood ; Engineers: Billy Sherwood, Rob Audrey, Ken Latchney, Erik Jordan, Andy Partridge, Jeff Knowler ; Mastered By Joe Gastwirt 
Title: The Dark Side of the Moon
Content:  loops, and analogue synthesisers, including experimentation with the EMS VCS 3 and a Synthi A. Engineer Alan Parsons was responsible for many sonic aspects and the recruitment of singer Clare Torry, who appears on "The Great Gig in the Sky". A concept album, The Dark Side of the Moon explores themes such as conflict, greed, time, death and mental illness. Snippets from interviews with the band's road crew are featured alongside philosophical quotations. The sleeve, which depicts a prism spectrum, was designed by Storm Thorgerson in response to keyboardist Richard Wright's request for a "simple and bold" design, representing the band's lighting and the album's themes. The album was promoted with two singles: "Money" and "Us and Them". The Dark Side of the Moon is among the most critically acclaimed records 
Title: The Dark Side of the Moon
Content:  Following the completion of the dialogue sessions, producer Chris Thomas was hired to provide "a fresh pair of ears". Thomas's background was in music, rather than engineering. He had worked with Beatles producer George Martin, and was an acquaintance of Pink Floyd's manager, Steve O'Rourke. All four members of the band were engaged in a disagreement over the style of the mix, with Waters and Mason preferring a "dry" and "clean" mix that made more use of the non-musical elements, and Gilmour and Wright preferring a subtler and more "echoey" mix. Thomas later claimed there were no such disagreements, stating "There was no difference in opinion between them, I don't remember 
Title: Pink Floyd
Content:   Pink Floyd recorded The Dark Side of the Moon between May 1972 and January 1973 with EMI staff engineer Alan Parsons at Abbey Road. The title is an allusion to lunacy rather than astronomy. The band had composed and refined the material while touring the UK, Japan, North America and Europe. Producer Chris Thomas assisted Parsons. Hipgnosis designed the packaging, which included George Hardie's iconic refracting prism design on the cover. Thorgerson's cover features a beam of white light, representing unity, passing through a prism, which represents society. The refracted beam of coloured light symbolises unity diffracted, leaving an absence of 
Title: From the Dark Side of the Moon
Content: Mary Fahl - vocals, arrangements ; Mark Doyle - producer, instrumentation ; David Werner - producer ; Bob Clearmountain - mixing 
Title: The Dark Side of the Moon
Content:  The Dark Side of the Moon was recorded at Abbey Road Studios in two sessions, between May 1972 and January 1973. Pink Floyd were assigned staff engineer Alan Parsons, who had worked as assistant tape operator on their fifth album, Atom Heart Mother (1970), and gained experience as a recording engineer on the Beatles' Abbey Road and Let It Be. The Dark Side of the Moon sessions made use of advanced studio techniques; the studio was capable of 16-track mixes, which offered greater flexibility than the eight- or four-track mixes Pink Floyd had previously used, although they often used so many tracks that to make more space available second-generation copies were made. The first track recorded was "Us and Them" on 1 June, followed six days later by "Money". 
Title: The Dark Side of the Moon (1990 film)
Content:  The Dark Side of the Moon is a 1990 direct-to-video science fiction horror film. It was directed by D. J. Webster from the screenplay by brothers Chad and Carey Hayes.
Title: The Dark Side of the Moon
Content:  The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. Primarily developed during live performances, the band premiered an early version of the suite several months before recording began. The record was conceived as an album that focused on the pressures faced by the band during their arduous lifestyle, and dealing with the apparent mental health problems suffered by former band member Syd Barrett, who departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London. The record builds on ideas explored in Pink Floyd's earlier recordings and performances, while omitting the extended instrumentals that characterised their earlier work. The group employed multitrack recording, 
Title: Dark Side of the Black Moon: What Planet Are We On?
Content: produced & engineered by Kawabata Makoto ; digital mastered by Yoshida Tatsuya ; packaging designed by Seldon Hunt 

Question: Who was the producer of The Dark Side of the Moon?
Answer: Pink Floyd.
The Pink Floyd.
The Pink Floyd Sound.