Title: La nonne sanglante
Content:  La nonne sanglante (The Bloody Nun), is a five-act opera by Charles Gounod to a libretto by Eugène Scribe and Germain Delavigne. Written between 1852 and 1854, it was first produced on 18 October 1854 at the Salle Le Peletier by the Paris Opéra. It received 11 performances between October and November 1854. Its poor reception, in the midst of various crises, contributed to the overthrow of the Opéra director Nestor Roqueplan, who was replaced by his adversary François Crosnier. Crosnier immediately cancelled the run, saying that 'such filth' (pareilles ordures) would no longer be tolerated.
Title: La nonne sanglante
Content:  Although the first run sold well, Gounod's opera disappeared completely for a very long time. After the unfortunate beginning, no other opera manager took the risk. One year later, British composer Edward James Loder presented his version of the subject, Raymond and Agnes. This opera was first shown in Manchester and was brought to London in 1859. Loder's version was not very successful either. It was revived only once, 1866 in Cambridge. In 2008, Theater Osnabrück and its music director Hermann Bäumer presented La nonne sanglante for the first time on a German stage. On 2 June 2018 the opera had a rare Paris revival at the Opéra Comique with Michael Spyres as Rodolphe, Jodie Devos as Arthur, Jean Teitgen as Pierre and Marion Lebègue as the nun, conducted by Laurence Equilbey, and directed by David Bobée.
Title: The Monk
Content:  Edward Loder used the work as the basis for his 1855 opera Raymond and Agnes. La nonne sanglante (The Bloody Nun), freely based on The Monk, is a five-act opera by Charles Gounod to a libretto by Eugène Scribe and Germain Delavigne. Written between 1852 and 1854, it was first produced on 18 October 1854 at the Salle Le Peletier by the Paris Opéra. Soprano Anne Poinsot created the role of Agnès. La nonne sanglante, a 5-act play by Auguste Anicet-Bourgeois and Julien de Mallian, which premiered on 16 February 1835 in Paris at the Théâtre de la Porte Saint-Martin, was very popular in its day. The legendary actress Mlle 
Title: Charles Gounod
Content:  sanglante (The Bloody Nun, 1854), a melodramatic ghost story with a libretto that Berlioz had tried and failed to set, and that Auber, Meyerbeer, Verdi and others had rejected. The librettists, Eugène Scribe and Germain Delavigne, reworked the text for Gounod and the piece opened at the Opéra on 18 October 1854. The critics derided the libretto but praised the music and production; the work was doing well at the box-office until it fell victim to musical politics. The director of the Opéra, Nestor Roqueplan, was supplanted by his enemy, François-Louis Crosnier, who described La Nonne sanglante as "filth" and shut the production down after its eleventh performance.
Title: Sophie Cruvelli
Content:  a new opera by Charles Gounod, La nonne sanglante, but declined it. The role was instead offered to Palmyre Wertheimber, a new singer from the Opéra-Comique who had made her debut at the Opéra as Fidès in Le prophète and was much admired and praised by Théophile Gautier. Cruvelli, meanwhile, returned to London for engagements at Covent Garden, where she sang Desdemona in Rossini's Otello (with Antonio Tamburini and Giorgio Ronconi), Leonore (in Fidelio) and Donna Anna (Don Giovanni). Chorley, who never admired her, called it 'an inroad, the result of which in no respect bore out her popularity in the Haymarket.' She then went back to Paris to sing Alice in Robert le diable, and through that 
Title: André Heyboer
Content:  Paolo Albiani: Gounod's La Nonne sanglante, Opéra Comique, conductor: Laurence Equilbey Sharpless: Puccini's Madame Butterfly, Opéra de Limoges, conductor: Robert Tuohy
Title: The Monk
Content:  and Nicol Williamson. Maria de Rudenz is a tragic opera by Gaetano Donizetti (1797–1848). The libretto by Salvadore Cammarano is based on a 5-act French play (1835), La nonne sanglante, by Auguste Anicet-Bourgeois and Julien de Mallian, a drama informed by motifs and imagery from The Monk. The opera premiered at the Teatro La Fenice in Venice, 30 January 1838, with soprano Carolina Ungher (1803–1877) singing the eponymous role. In 1990 The Monk was produced by Celtic Films. It starred Paul McGann as the title character, and was written and directed by Francisco Lara Polop. Grant Morrison and Klaus Janson's 1990 DC Comics graphic novel Batman: Gothic relies heavily 
Title: Maria de Rudenz
Content:  Maria de Rudenz is a dramma tragico, or tragic opera, in three parts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, based on "a piece of Gothic horror", La nonne sanglante by Auguste Anicet-Bourgeois and Julien de Mallian, and The Monk by Matthew Gregory Lewis. It premiered at La Fenice in Venice, on 30 January 1838.
Title: Michael Spyres
Content:  Versailles spectacles 2019 ; Charles Gounod, La Nonne sanglante, Laurence Equilbey, Conductor, Insula Orchestra, Choeur Accentus, Michael Spyres (Rodolphe), Marion Lebeque (La nonne sanglante), Vannina Santoni, (Agnès), Jérôme Boutillier (Le Comte), Jodi Devos (Arthur), Jean Teitgen (Pierre L'Ermite), Luc Bertin-Hugault (Le baron), Enquerrand De Hys (Fritz), stage Director David Bobée. DVD or Blu-ray Naxos 2019. ; Antonin Dvorak, Stabat Mater, Eri Nakamura, Elisabeth Kulman, Michael Syres, Jongmin Park, Czech Philarmonic Orchestra, Prague Philarmonic Choir, conducted by Jiri Bëlohlávek. CD Decca 2020 ; Antonin Dvorak, Requiem, Biblical songs, Te Deum, Michael Spyres, Jan Martinik, Ailyn Pérez, Christianne Stotijn, conductors, Jakub Hrusa, Jiri Belohlavek,                              CD Decca 2020 
Title: Giselle Galos
Content:  Giselle Galos, commonly known as C. Galos, (sometimes misspelled Galas), was an obscure 19th century Italian or French musician and composer who is responsible for composing two popular pieces of salon music, Le Chant du Berger (Nocturne, Op. 17) and Le Lac de Come (Nocturne, Op. 24). Both pieces are in the form of easy nocturnes. Galos' pieces are composed of stock salon clichés and often appear in collections of famous piano pieces. Galos did not perform in public and her music was typically published under the pseudonym C. Galos. For many years there was debate regarding whether Galos was male or female. Music historians disagreed over what the composer's first name was, with suggestions from Celestino to Charles, based on the "C. Galos" pseudonym. Early publications of Galos' Le Lac de Como have subsequently been discovered under the names "Giselle Galos" and "Madmoiselle Giselle Galos", finally confirming the composer's full name.

Question: Who was the composer of La nonne sanglante?
Answer: Charles Gounod.
Charles François Gounod.
Ch. Gounod.