Title: Dirge (album)
Content:  Compared to the band's previous album Abuse, Dirge is said to feature less of a death metal influence in favor of a punk rock- and crust-indebted sound while still staying firm in their metallic roots. According to Allmusic, the album features 25 songs, "every one a relentless assault of grinding guitar (doubled in the studio to give extra heft), anarchic yet complex drumming, and hoarse, agitated vocals." The shortest track on the record, "You Suffer But Why Is It My Problem", pays tribute to Napalm Death. The track "Deceased Occupation" is driven by a sludgy riff reminiscent of Eyehategod, while the track "Principle of Puppet Warfare" was described as "a pure punk rock slam-fuel." In an interview with Exclaim!, guitarist Rasyid stated: "Dirge is much more punk and noise, in terms of production, sound of the band and composition. It's faster than Abuse, and I'm not talking about BPMs; it's unfriendly, less accessible. There's less death metal riffage and more punk chords."
Title: Manic Street Preachers
Content:   The band's debut album, Generation Terrorists, was released in 1992 on the Columbia Records imprint. The liner notes contained a literary quote for each of the album's eighteen songs and the album lasted just over seventy minutes. The album's lyrics are politicised like those of the Clash and Public Enemy, with the album's songs regularly switching from a critical focus on global capitalism to more personal tales of despair and the struggles of youth. About the musical style of the album Pitchfork writer Joe Tangari wrote that Generation Terrorists "walked a weird line between agit-punk, cock rock, romantic melodicism and glam, and 
Title: The Only Difference Between Martyrdom and Suicide Is Press Coverage
Content:  "The Only Difference Between Martyrdom and Suicide Is Press Coverage" (often shortened to "The Only Difference...") is the debut single and second track from American rock band Panic! at the Disco's debut studio album A Fever You Can't Sweat Out (2005). It achieved some commercial success and exposed the band to an audience, subsequently reaching number 77 on the US Billboard Hot 100. No music video was ever made for it. Like several of Panic! at the Disco's song titles on A Fever You Can't Sweat Out, the title of this track is paraphrased from the novel Survivor by Chuck Palahniuk.
Title: Manic Street Preachers
Content:  Generation Terrorists and Gold Against the Soul. In addition to the album's alternative rock sound the album incorporates various elements from other musical genres, such as hard rock, British punk, post-punk, new wave, industrial, art rock and gothic rock. Lyrically the album deals with subjects including prostitution, American consumerism, British imperialism, freedom of speech, the Holocaust, self-starvation, serial killers, the death penalty, political revolution, childhood, fascism and suicide. According to Q: "the tone of the album is by turns bleak, angry and resigned". There was also an element of autobiographic subjects, like in the song "4st 7lb" where the lyrics clearly 
Title: Artwork (album)
Content:  Feeling that the band's previous albums had a similar sound, they had hoped to make a brand new genre they refer to as "gross pop" with Artwork. In Alternative Press magazine, McCracken described the new genre, "In the past, we've always kind of brought pop sensibility into heavy rock, but this is going to be all that much more tantalizing and brutal. Our songs are 10 times messier and noisier than they've ever been." The themes of the record include "coming to grips with how much you really hate yourself" and the concept of mortality. McCracken, who had previously lived a "reckless life," recently 
Title: Kiss Kiss Kill Kill
Content:  Kiss Kiss Kill Kill is the third album by the Danish punk trio HorrorPops. The cover and songs convey a cinematic theme (particularly those with repressed female protagonists and escapist themes, the obvious example being the track "Thelma and Louise"). The album art mimics archetypical B-movie posters, promising "Twelve Tales About Love and Murder... Starring HorrorPops". Only "Boot to Boot" doesn't conform to the film formula. Inspired by the rioting in Copenhagen that followed the destruction of the Ungdomshuset(Youth House), an anarcho-punk squat and self-managed social centre, by police forces in 2007. Of the album's sound, lead singer Patricia Day stated in the Hellcat review of the album that the band was started "So that we could play all kinds of music [but]... We really wanted to get back to the classic new wave feel that we love. And I think our excitement about these songs has made a hell of difference."
Title: Plunge (album)
Content:  Plunge contains aggressive beats and synths, and showcases a more varied sound than that of Fever Ray. Release Magazine described the album as "some absolutely cracking experimental electronic pop." Dreijer's voice is notably not hidden behind pitch-shifting as it was on Fever Ray, but instead, is "sharpened and pushed high in the mix, the better to emphasize her strange, elastic, playful diction." Pitchfork stated that the album "feels much more manic" and "conflicted" than their debut, while noting that in opposition to the numbness and "penumbral chill" of Fever Ray, Plunge "puts the heat and light back into her alias: the fever, the radiance, the beams emanating from red-ringed eyes." Lyrically, the album focuses on themes of love and desire with a striking candor. It features Dreijer's most verbose, dense and direct lyrics, and was said to be "political in a way Dreijer has not been before."
Title: The Kiss, the Hope
Content:  Musically, the album represents mostly a sludge metal style such as on "Hell Calls Hell" (featuring Ilkka of Benea Reach) and "A Little Less to Heal". "Åndenød – The Easy Kill" consists of industrial noise sounds and "Tales of Lost Love" is jazz-influenced, while "The Pale People" is a gothic rock or post-punk song reminiscent of The Cure with Robert Smith type vocals and echoed, dark guitars.
Title: Pretty on the Inside
Content:  York Times described the album as "a cauldron of negativity... [the band] grind[s] out torturous sound, vaguely redolent of Black Sabbath... Ms. Love's songs explore the full spectrum of female emotions, from vulnerability to rage. The songs are fueled by adolescent traumas, feelings of disgust about the body, passionate friendships with women and the desire to escape domesticity. Her lyrical style could be described as emotional nudism." Jonathan Gold of the Los Angeles Times similarly noted that the lyrics present "a terrifying emotional landscape, closer to Kathy Acker novels than to anything you might think of as pop." Additionally, Gold praised Love's vocals as "astonishingly expressive" and ranging from "howling rage to 
Title: The Unquestionable Truth (Part 1)
Content:  The Unquestionable Truth (Part 1) focuses on much more serious and ominous lyrical subject matter than the band is generally known for, including propaganda, Catholic sex abuse cases, terrorism and fame. IGN reviewer Spence D. described the album's sound as being "sinister", calling Wes Borland's guitar playing on "The Propaganda" a "skirling swirl of darkness". Allmusic reviewer Stephen Thomas Erlewine described the album's music as "neo-prog alt-metal". "The Truth" was strongly influenced from industrial music, while "The Key" features a funk-based sound. "The Surrender" features Fred Durst singing against Sam Rivers' minimalist bass lines and ambiance provided by DJ Lethal. On those rare clips of the music video of The Truth, Leyla Milani played the addictive pornographic woman who drank too much and shaken her sexual nightmares many times owned by demons.

Question: What genre is Pressure?
Answer: reggae.
reggae music.