Title: Blood Diner
Content:  Blood Diner is a 1987 American horror comedy directed by Jackie Kong and starring Rick Burks, Carl Crew, Roger Dauer, LaNette LaFrance, and Lisa Guggenheim. It was written by Michael Sonye. The plot follows two brothers setting up a restaurant as a front for them to kill women and collect their severed body-parts to summon forth the Lumerian goddess Sheetar. The film was originally conceived to be a sequel to Blood Feast, but it was then changed to be a standalone film of its own. Although general reception towards the film has been mixed, it has become a cult film since its release.
Title: Raymond Chandler
Content:  film adaptations led to a demand for Chandler himself as a screenwriter. He and Billy Wilder co-wrote Double Indemnity (1944), based on James M. Cain's novel of the same title. The noir screenplay was nominated for an Academy Award. Said Wilder, "I would just guide the structure and I would also do a lot of the dialogue, and he (Chandler) would then comprehend and start constructing too." Wilder acknowledged that the dialogue which makes the film so memorable was largely Chandler's. Chandler's only produced original screenplay was The Blue Dahlia (1946). He had not written a denouement for the script and, according to producer John Houseman, Chandler concluded 
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: Blood Diner
Content: Rick Burks as Michael Tutman ; Carl Crew as George Tutman ; LaNette LaFrance as Sheba Jackson ; Roger Dauer as Mark Shepard ; Lisa Guggenheim as Connie Stanton ; Max Morris as Chief Miller ; Roxanne Cybelle as Little Michael ; Sir Rodenheaver as Little George ; Drew Godderis as Anwar Namtut ; Tanya Papanicolas as Sheetar/Bitsy ; Michael Barton as Vitamin ; John Barton Shields as Little Jimmy Hitler ; Effie Bilbrey as Peggy ; Karen Hazelwood as Babs ; Bob Loya as Stan Saldin ; Alisa Alvarez-Wood as Aerobic Girl ; Al Davis as Blonde Dancer ; Gene Wells as Doctor, Zombie, Wrestling Fan, EMT, also worked with wardrobe 
Title: Nathanael West
Content:  as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel Before the Fact (1932) by Francis Iles. West and Ingster wrote the screenplay in seven weeks, with West focusing on characterization and dialogue and Ingster focusing on the narrative structure. RKO assigned the film, eventually released as Suspicion (1941), to Alfred Hitchcock; but Hitchcock already had his own, substantially different, screenplay. Hitchcock's screenplay was written by Samson Raphaelson, Joan Harrison (Hitchcock's secretary), and Alma Reville (Hitchcock's wife). West and Ingster's screenplay was abandoned, but the text can be found in the Library of America's edition of West's collected works.
Title: The Lodge (film)
Content:  The original screenplay for The Lodge was written by Scottish screenwriter Sergio Casci, which had been sold to Hammer Films. Hammer offered the screenplay to be directed by filmmaking duo Veronika Franz and Severin Fiala. The two agreed, though they rewrote a significant portion of the script, including the ending, which Franz felt "didn't work."
Title: The Short Night
Content:  Hitchcock commissioned screenplays by James Costigan and frequent collaborator Ernest Lehman, both of whom wrote several drafts. The script draft by David Freeman, reproduced in Freeman's book The Last Days of Alfred Hitchcock, takes place after the prison break out of Gavin Brand (the screenplay's version of Blake). Hitchcock, comparing his intentions for the project to Notorious, considered Walter Matthau, a onetime guest star on Alfred Hitchcock Presents, for the role of Brand. He also reportedly offered the same role to Ed Lauter, who appeared in Family Plot, as well as Sean Connery, Clint Eastwood, and Steve McQueen. French international film star Catherine Deneuve and Norwegian star Liv Ullmann were considered for the leading female role. The movie was to be filmed on location in Finland. Because of the director's ill health, Universal Pictures cancelled the project in 1979, and the film never got beyond the early pre-production stage with such Hitchcock associates as Norman Lloyd, Henry Bumstead and Robert F. Boyle actively involved.
Title: Raymond Chandler
Content:  could finish the script only if drunk, with the assistance of round-the-clock secretaries and drivers, which Houseman agreed to. The script gained Chandler's second Academy Award nomination for screenplay. Chandler collaborated on the screenplay of Alfred Hitchcock's Strangers on a Train (1951), an ironic murder story based on Patricia Highsmith's novel, which he thought implausible. Chandler clashed with Hitchcock and they stopped talking after Hitchcock heard Chandler had referred to him as "that fat bastard". Hitchcock made a show of throwing Chandler's two draft screenplays into the studio trash can while holding his nose, but Chandler retained the lead screenwriting credit along with Czenzi Ormonde. In 1946, the 
Title: The British Invasion (Dexter)
Content:  Dexter staff writers Daniel Cerone and Melissa Rosenberg were initially planning to write the script of the finale together. They were in the process of developing the story, however, when Rosenberg was hired to write the film adaptation of the novel Twilight. She described Cerone as "incredibly understanding" when she asked him to write the teleplay himself, though they had both worked on the episode's story. The writers planned from the pilot episode to eventually kill Doakes off the show. Executive producer Clyde Phillips said that Doakes "always had a shelf life because of the collision course [with Dexter]", while executive producer Sara Colleton believed it would be unrealistic to keep Doakes on for a third season without having him discover that Dexter is a murderer. Rosenberg said that risks had to be taken on the 
Title: Never Say Never Again
Content:  Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; however, Mankiewicz declined as he felt he was under a moral obligation to Eon's Albert R. Broccoli. Semple Jr. ultimately left the project after Irvin Kershner was hired as director and Schwartzman began cutting out the "big numbers" from his script to save on the budget. Connery then hired British television writers Dick Clement and Ian La Frenais to undertake re-writes, although they went uncredited for their efforts despite much of the final shooting script being theirs. This was because of a restriction by the Writers Guild of America. Clement and La Frenais continued rewriting during the 

Question: Who was the screenwriter for The Dinner?
Answer: Ettore Scola.