Title: Only Angels Have Wings
Content:  The film's original script outline was written by Anne Wigton; the working title originally was Plane No. 4. Howard Hawks re-wrote the film's scenario himself, based on a story that he wrote in 1938 titled Plane from Barranca. While he was scouting locations several years earlier, for the filming of Viva Villa!, Hawks had been especially inspired by the stoic aviation personnel that he had met in Mexico. The film's final script was written and re-written throughout the film's production, mostly by Hawks and Jules Furthman, but also with contributions by Eleanore Griffin and William Rankin. Hawks had previously worked with Cary Grant the year before on Bringing up Baby and this was the second of five collaborations between the director and star. He cast Jean Arthur in the leading role of Bonnie Lee after appraising her acting in several films 
Title: Neon City
Content:  Television writer Ann Lewis Hamilton wrote the script for Neon City as an update to John Ford's Stagecoach, set in a post-apocalyptic world inspired by Mad Max. Having had difficulty with sexism in the past, she used a masculine pseudonym, Buck Finch, to sell the script. The protagonist was originally a woman, but the producers cast Ironside as the lead. Shooting took place in Salt Lake County, Utah. Principal photography ended in March 1991.
Title: Maurice (film)
Content:  Ivory's usual writing partner, Ruth Prawer Jhabvala, was unavailable because she was busy writing her novel Three Continents. Ivory wrote the screenplay with Kit Hesketh-Harvey, who had become connected with Merchant Ivory Productions through his sister, journalist and author Sarah Sands (born Sarah Harvey), who was then the wife of Julian Sands, the leading man in A Room with a View. Hesketh-Harvey had previously written documentaries for the BBC. He had attended Tonbridge School and Cambridge University, where Forster was educated, and knew the background. Ivory later said, "What Kit brought to the script was his social background. He went to Cambridge and a fancy prep school. His knowledge of the British upper middle class, that was incredibly useful – the dialect, the speech, the slang, and so many other things. As an American, I could not have possibly written the script without him." Jhabvala reviewed the script and suggested changes. On her advice, Clive Durham's unconvincing conversion to heterosexuality during a trip to Greece was justified by creating an episode in which Clive's university friend Risley is arrested and imprisoned after a homosexual entrapment, which frightens Clive into marrying.
Title: Silver Street
Content: Sonali Battacharya ; Gurpreet Bhati ; Lorna French ; Tanika Gupta ; Shai Hussain ; Waris Islam ; Kris Kenway ; Sonia Likhari ; Amber Lone ; Nirjay Mahindru ; Anjum Malik ; Prakash Patel ; Philip Qizilbash ; Saman Shad ; Sukhbender Singh ; Darren Rapier Silver Street had a roster of around six writers at a time that changed over the years. Commissions were made monthly and each writer was commissioned to write one week of episodes. Past writers include: 
Title: Naked City (TV series)
Content:  iteration of the series, writer Silliphant was forced to reduce his involvement considerably, as he was simultaneously working as the main scriptwriter for Route 66 which began in October 1960. Silliphant wrote the first three episodes of Naked City's second season, then did not write any further episodes until he wrote three episodes for season four. Those employed as writers of Naked City episodes during seasons 2, 3 and 4 included veteran TV writer Howard Rodman (who also served as story editor), blacklisted screenwriter Arnold Manoff (writing with the pseudonym "Joel Carpenter"), and Shimon Wincelberg, amongst others. Noted science-fiction TV writers Charles Beaumont and Gene Roddenberry also each contributed one episode.
Title: Raging Bull
Content:  Under the guidance of Chartoff and Winkler, Mardik Martin was asked to start writing the screenplay. According to De Niro, under no circumstances would United Artists accept Martin's script. The story was based on the vision of journalist Pete Hamill of a 1930s and 1940s style, when boxing was known as "the great dark prince of sports". De Niro was unimpressed when he finished reading the first draft, however. Taxi Driver screenwriter Paul Schrader was swiftly brought in to rewrite the script around August 1978. Some of the changes that Schrader made to the script included a rewrite of the scene with the uncooked steak and inclusion of LaMotta seen masturbating in a Florida cell. The character of 
Title: Such Good Friends
Content:  in early 1971, Elaine May, his original choice for screenwriter, became available. May worked on the script for ten weeks, although Preminger found it difficult to adjust to her method of writing. The two would meet for a story conference, then May would disappear and remain incommunicado for two weeks or so, finally emerging with a substantial part of the screenplay completed. Preminger would give her notes and she would disappear again, and this routine continued until the script was finished. Not wanting her name attached to work started by others, May insisted she did not want screen credit and used the pseudonym Esther Dale, the name of a Hollywood character actress, instead of her 
Title: Against All Flags
Content:  the script was rewritten by Joseph Hoffman and Anthony Quinn signed early on as the villain. By November Howard Christie was set as producer, George Sherman as director and Maureen O'Hara the co-star. Sherman later wrote that Flynn was unsure about the scene where he fenced against a woman. He said "I'm supposed to be the bravest guy on screen? How could I fight a woman?" Sherman had worked with O'Hara before and assured him she was capable of holding her own "with a sword, a gun or her fists if need be" and warned Flynn he needed to be in shape.
Title: Against All Flags
Content:  The film was originally written by Aeneas MacKenzie and director Richard Wallace as a vehicle for Douglas Fairbanks, Jr., who had just made Sinbad the Sailor with Wallace. In January 1950 it was announced Fairbanks would make the film for his own company in April or May in Hollywood once he finished making State Secret in England. However, the film was not produced and Aeneas MacKenzie sold his original script to Universal in July 1950. Alexis Smith and Yvonne De Carlo were mentioned as possible female leads and Jack Gross was assigned to be the producer. The script featured a number of tropes 
Title: Seven (1995 film)
Content:  The primary influence for the film's screenplay came from Andrew Kevin Walker's time spent in New York City while trying to make it as a screenwriter. "I didn't like my time in New York, but it's true that if I hadn't lived there I probably wouldn't have written Seven." He envisioned actor William Hurt as Somerset and named the character after his favorite author, W. Somerset Maugham. Jeremiah S. Chechik was attached to direct at one point. During pre-production, Al Pacino was considered for the Detective Somerset role, but he decided to do City Hall instead. Denzel Washington and Sylvester Stallone decided to turn down the 

Question: Who was the screenwriter for On the Avenue?
Answer: Irving Berlin.
Israel Isidore Baline.
Israel Balin.
Israel Baline.
I. Berlin.