Title: Phantasmagoria (video game)
Content:  Sierra composers Mark Seibert and Jay User created the musical score for Phantasmagoria, with Neal Grandstaf providing additional music. Most of the music is a mixture of real instruments with synthesized and sampled sounds, and unlike previous Sierra games, the score was recorded live, rather than created in the computer. Themes for the music ranged from rock and roll to opera. The composers observed the game and various scenes to prepare their score, trying to create an ambiance and identify spots to build the tension with music, creating stingers as needed. For cinematic scenes, they watched tapes after the scenes were shot and composed the music afterward. This was a new process for Sierra and the computer game industry in general, but the same concept was 
Title: Hitomi Shimizu
Content:  Best Animated Short Film. That film also won the Best Soundtrack Creation Award at the Clermont-Ferrand International Short Film Festival. Shimizu has written music for several horror projects. She was the composer of the television series ‘’Gakkou no Kaidan’’ (School Ghost Story)’’ with Gary Ashiya. Following this series, both musicians composed for the PlayStation 2 title ‘’Siren’’. In 2008, Shimizu was the sole composer of the PlayStation 3 sequel ‘’Siren: Blood Curse’’. The new title features an arrangement of the Siren main theme played on an Ondes Martenot by musician Wakana Ichihashi. The song is voiced by singer Yula Yayoi.
Title: Tales of Zestiria
Content:  The music for Zestiria was composed by Motoi Sakuraba and Go Shiina. Due to the title's status as an anniversary title and the popularity of both composers with the Tales series fanbase, it was decided that they should co-compose the soundtrack. During his work on the project, Sakuraba was involved in the composition of over one hundred tracks. The standard and boss battle themes were intended to evoke the atmosphere of the series as a whole. Shiina, who worked on thirty of the game's tracks, encountered difficulties expressing his musical style in the soundtrack. His role included focusing on thematic themes for Alisha, Zaveid and the Dragons. He included choral work in some of the tracks related to the Seraphim. The game's 
Title: Hitomi Shimizu
Content: Siren (2003): Composer (in collaboration with Gary Ashiya) ; Siren: Blood Curse (2008): Composer 
Title: Valkyrie Profile
Content:  The music of all the Valkyrie Profile games was composed by Motoi Sakuraba. Valkyrie Profile and its remake  were composed by Motoi Sakuraba, with original soundtrack version highlighting just a handful of the songs on the game soundtrack as being really enjoyable, with his use of rock music and harpsichord. The music of Valkyrie Profile 2: Silmeria composed by Motoi Sakuraba of Star Ocean. It has two original soundtracks, Alicia and Silmeria. Each soundtrack is divided into two discs totalling 70 songs from the game. Prior to the release, a special artifact box was released which included a copy of the game, ten musical tracks, a keychain, and a figurine. In 2012, characters Rufus 
Title: Sayonara Wild Hearts
Content:  of pop music on, which Flesser said immediately set the tone they wanted for the game; artists that inspired the soundtrack included Sia, Chvrches and Carly Rae Jepsen. The game's score was composed by Daniel Olsén and Jonathan Eng, with vocals by Linnea Olsson. While most of the compositions are original, the soundtrack also incorporates portions of Debussy's "Clair de lune". Controls for the game were important to Simogo, as they had a general philosophy that their games could be played by those that did not normally play video games. They looked back to classic arcade games to consider their control 
Title: Qix++
Content:  The soundtrack for Qix++ was composed by Koji Sakurai, a composer who also worked on Space Invaders Extreme and Energy Air Force. Sakurai is a former member of Zuntata, the "house band" of Taito that worked on many of the company's games since the late 1980s. Zuntata itself assisted in production of the music. Their compositions, which are inspired by abstract and techno, were made to convey the game's unique, futuristic atmosphere.
Title: Tales of Vesperia
Content:  The music was composed by Motoi Sakuraba, who had composed for nearly all the previous Tales games, and his regular partner Shinji Tamura, the latter working under the alias Hibiki Aoyama. While creating the soundtrack, Sakuraba was caught in the transition between sequenced to prerecorded streamed music, the latter of which gave room for rearrangements and improvisation mid-production. Sequenced music had been used up to Abyss, so it was the first time in the series that Sakuraba used this method, although he had done so for all his other projects at the time. For some tracks, a heavy piano element was used, with Sakuraba playing the instrument. Tamura worked with Sakuraba to create different feelings for 
Title: Sakura Wars (1996 video game)
Content:  The score for Sakura Wars was Kohei Tanaka's first successful video game music composition. He was among the first people to offer support for Hiroi's vision, as few people believed the project would come to fruition. Tanaka was also among the first brought on board for production and served as a teacher figure to the rest of the development team. In a later interview, he stated that he felt like his composing career was at risk while supporting the game. When he began composing the score in 1995, rhythm and percussion dominated Japanese popular music rather than melody. Both Tanaka and Hiroi 
Title: Koichi Sugiyama
Content:  Koichi Sugiyama (すぎやま こういち) was a Japanese composer, conductor, and orchestrator. He was known for composing the music for the Dragon Quest franchise, along with several other video games, anime, film, and television shows. Classically trained, Sugiyama was considered a major inspiration for other Japanese game music composers and was active in composition and orchestration from the 1960s until his death from septic shock in 2021. Sugiyama was also a council member of the Japanese Society for Rights of Authors, Composers, and Publishers (JASRAC), board member of the Japan Institute for National Fundamentals, and honorary chairman of the Japanese Backgammon Society. Prior to his death, he was given the Order of the Rising Sun and was named a Person of Cultural Merit by the Japanese government. He also engaged in activism outside of music, such as the denial of Japanese war crimes and the promotion of Japanese nationalism.

Question: Who was the composer of Sierra?
Answer: John Denver.
Henry John Deutschendorf Jr.
John Deutschendorf Jr.