Title: Screenwriter's salary
Content: Deja Vu by Terry Rossio and Bill Marsilii Arthur & Lancelot (unproduced) by David Dobkin Milk Money by John Mattson ($1.1 million, outright purchase ) ; Epsilon (unproduced) by Rhett Reese and Paul Wernick ("Sources say the Sony deal closed in the $1 million range." ) ; The Imitation Game by Graham Moore, at "seven figures" to Warner Brothers Some of the highest amounts paid to writers for spec screenplays: $5 million:  $2 million: $1 million: 
Title: Screenwriter's salary
Content:  nuclear-terrorist technothriller The Ultimatum by Laurence Dworet and Robert Roy Pool and WWII action comedy Hell Bent... and Back! by Doug Richardson and Rick Jaffa, both of which sold for a million dollars. None of these movies has been produced so far. ; 1992: Sherry Lansing is hired to run Paramount and spends $3.6 million in less than a week, $2.5 million for a two-page outline of Jade by Joe Eszterhas, and $1.1 million (about $ in 2018) for the script Milk Money by John Mattson. Both deals are records, respectively, for outlines and romantic comedy specs. ; 2005: Terry Rossio and Bill Marsilii are paid $3 million against $5 million for the script of Deja Vu. 
Title: Writers Guild of America Award for Best Adapted Screenplay
Content: 3 Awards ; Alexander Payne 2 Awards ; Francis Ford Coppola and Mario Puzo ; Blake Edwards ; Waldo Salt ; Alvin Sargent ; Jim Taylor  
Title: Writer
Content:  Screenwriters write a screenplay – or script – that provides the words for media productions such as films, television series and video games. Screenwriters may start their careers by writing the screenplay speculatively; that is, they write a script with no advance payment, solicitation or contract. On the other hand, they may be employed or commissioned to adapt the work of a playwright or novelist or other writer. Self-employed writers who are paid by contract to write are known as freelancers and screenwriters often work under this type of arrangement. Screenwriters, playwrights and other writers are inspired by the classic themes and often use similar 
Title: The Devil Wears Prada (film)
Content:  "My view was that we should be grateful for excellence. Why do the excellent people have to be nice?" He prepared to move on and consider more scripts. Two days later his manager persuaded him to reconsider and look for something he liked that he could shape the film into. He took the job, giving Finerman extensive notes on the script and laying out a detailed vision for the film. Four screenwriters worked on the property. Peter Hedges wrote the first draft, but did not think he could do more; another writer passed. Paul Rudnick did some work on Miranda's scenes, followed by 
Title: Sara Parriott
Content:  Sara Parriott is an American screenwriter working in partnership with Josann McGibbon. The team's first major success was a screenwriter credit for the early Brad Pitt film, The Favor. Their major works since then include Three Men and a Little Lady, Runaway Bride and the Descendants franchise. Parriott was nominated for two primetime Emmys in 2007, and won a Writers Guild of America Award in 2016 for Disney's 2015 television film Descendants. McGibbon & Parriott have been featured in interviews in IndieWire and FSM Media, among others.
Title: Skyfall
Content:  Peter Morgan was originally commissioned to write a script, but left the project when MGM filed for bankruptcy and production of the film stalled; despite his departure, Morgan later stated that the final script was based on his original idea, retaining what he described as its "big hook". Mendes denied this as "just not true", insisting that Morgan's approach had been discarded once he had agreed to direct. Robert Wade later said that "Neal and I were pretty steeped in Fleming. I think Peter was more interested in Le Carré. It just didn't work." Morgan cowrote the treatment Once Upon a Spy with Neal Purvis and Robert Wade, which had M being blackmailed by a Russian oligarch, who would be a former KGB agent she had an affair with while stationed in West 
Title: Dog Day Afternoon
Content:  Landsman, retained $3,500 of the payment he received. Meanwhile, Warner Bros paid for Naturile's funeral. The working title of the film was The Boys in the Bank. The budget was set at an estimate of $3.5 million (equivalent to $ million in ), or $3.8 million (equivalent to $ million in ). Frank Pierson was hired to write the screenplay. Aside from Kluge and Moore's research, Pierson conducted his own. He contacted journalist Randy Wicker, who covered the story of the heist for gay publications, and provided technical assistance regarding Manhattan's gay nightclub scene. Pierson decided he wanted to center the story around Wojtowicz, who refused to receive Pierson in prison while he was in a financial 
Title: Columbia University School of the Arts
Content:  screenwriter Please Give, Enough Said, Friends With Money, Sex and the City, Gilmore Girls, Six Feet Under ; Courtney Hunt - Academy Award nominated screenwriter and film director, Frozen River, The Whole Truth ; Phil Johnston - screenwriter, Wreck-It Ralph, Zootopia; co-director, Ralph Breaks the Internet ; Khary Jones - Award-winning screenwriter and film director, Hug ; Simon Kinberg - screenwriter Mr. & Mrs. Smith, X-Men: First Class, X-Men: Days of Future Past ; Yves Lavandier (1983–85) - screenwriter, director and script doctor ; Jennifer Lee (2005) - Academy Award-winning screenwriter and director, Frozen, Wreck-It Ralph ; John Magary - film director, screenwriter The Mend (film) ; James Mangold - 
Title: War and Peace (1956 film)
Content:  War and Peace has six credited screenwriters, an unusually high number for a mainstream film, even in 1956. The first draft of the screenplay was five hundred six pages, roughly five times the size of an average screenplay. Contemporaneous sources claim that Irwin Shaw was one of the writers, but insisted his name be stricken from the credits after he learned that Vidor’s wife, Elizabeth Hill, rewrote much of the dialogue. Vidor also made extensive rewrites during filming. Uncredited contributors to the final script included Jean Aurenche, Pierre Bost, Sergio Amidei, Gian Gaspare Napolitano, and second-unit director Mario Soldati.

Question: Who was the screenwriter for Paid?
Answer: Lucien Hubbard.
Charles MacArthur.
Charles Gordon MacArthur.