Title: Soylent Green
Content:  Soylent Green is a 1973 American ecological dystopian thriller film directed by Richard Fleischer, and starring Charlton Heston, Leigh Taylor-Young and Edward G. Robinson in his final film role. Loosely based on the 1966 science fiction novel Make Room! Make Room! by Harry Harrison, the film combines police procedural and science fiction genres, the investigation into the murder of a wealthy businessman and a dystopian future of dying oceans and year-round humidity, due to the greenhouse effect, resulting in pollution, poverty, overpopulation, euthanasia and depleted resources. In 1973, it won the Nebula Award for Best Dramatic Presentation and the Saturn Award for Best Science Fiction Film.
Title: Soylent Green
Content:  The screenplay was based on Harry Harrison's novel Make Room! Make Room! (1966), set in the year 1999 with the theme of overpopulation and overuse of resources leading to increasing poverty, food shortages and social disorder. Harrison was contractually denied control over the screenplay and was not told during negotiations that Metro-Goldwyn-Mayer was buying the film rights. He discussed the adaptation in Omni's Screen Flights/Screen Fantasies (1984), noting the "murder and chase sequences [and] the 'furniture' girls are not what the film is about – and are completely irrelevant" and answered his own question, "Am I pleased with the film? 
Title: Soylent Green
Content:  highly intelligent former college professor and police analyst (referred to as a "Book"). Roth remembers the world when it had animals and real food; he has a small library of reference materials to assist Thorn. Thorn is tasked with investigating the murder of the wealthy and influential William R. Simonson, a board member of the Soylent Corporation, which he suspects was an assassination. The Soylent Corporation produces the communal food supply of half of the world, and distributing the homonymous brand of wafers, including "Soylent Red" and "Soylent Yellow". Their latest product, "Soylent Green", a more nutritious variant, is advertised as being made from ocean 
Title: Soylent Green
Content:  giant snow shovel scoop the police use to round up rowdies. You may never stop laughing". Arthur D. Murphy of Variety wrote, "The somewhat plausible and proximate horrors in the story of 'Soylent Green' carry the Russell Thacher-Walter Seltzer production over its awkward spots to the status of a good futuristic exploitation film". Charles Champlin of the Los Angeles Times called it "a clever, rough, modestly budgeted but imaginative work". Penelope Gilliatt of The New Yorker was negative, writing, "This pompously prophetic thing of a film hasn't a brain in its beanbag. Where is democracy? Where is the popular vote? Where is women's lib? Where are the uprising poor, 
Title: Soylent Green
Content:  The film was released April 19, 1973 and met with mixed reactions from critics. Time called it "intermittently interesting", noting that "Heston forsak[es] his granite stoicism for once" and asserting the film "will be most remembered for the last appearance of Edward G. Robinson.... In a rueful irony, his death scene, in which he is hygienically dispatched with the help of piped-in light classical music and movies of rich fields flashed before him on a towering screen, is the best in the film". New York Times critic A. H. Weiler wrote "Soylent Green projects essentially simple, muscular melodrama a good deal more effectively than it does the potential of man's 
Title: Soylent Green
Content:  witless destruction of the Earth's resources"; Weiler concludes "Richard Fleischer's direction stresses action, not nuances of meaning or characterization. Mr. Robinson is pitiably natural as the realistic, sensitive oldster facing the futility of living in dying surroundings. But Mr. Heston is simply a rough cop chasing standard bad guys. Their 21st-century New York occasionally is frightening but it is rarely convincingly real". Roger Ebert gave the film three stars out of four, calling it "a good, solid science-fiction movie, and a little more". Gene Siskel gave the film one-and-a-half stars out of four and called it "a silly detective yarn, full of juvenile Hollywood images. Wait 'til you see 
Title: Soylent (meal replacement)
Content:  Soylent is named after a food in Harry Harrison's 1966 science fiction novel Make Room! Make Room! In the novel, most types of soylent are made from soy and lentils, hence the name of the product, a combination of "soy" and "lent". The word also evokes the 1973 film adaptation Soylent Green, in which the eponymous food is made from human remains. Rhinehart also says he chose the name, with its morbid associations, to pique curiosity and deeper investigation, since the name was clearly not chosen with a traditionally "flashy" marketing scheme in mind.
Title: Soylent Green
Content:  would say fifty percent". While the book refers to "soylent steaks", it makes no reference to "Soylent Green", the processed food rations depicted in the film. The book's title was not used for the movie on grounds that it might have confused audiences into thinking it a big-screen version of Make Room for Daddy. This was the 101st and last movie in which Edward G. Robinson appeared; he died of bladder cancer twelve days after the completion of filming, on January 26, 1973. Robinson had previously worked with Heston in The Ten Commandments (1956) and the make-up tests for Planet 
Title: The Green Green Grass
Content:  The main writer of The Green Green Grass was John Sullivan. He wrote all six episodes of the first series and the extended length special, "One Flew Over the Cuckoo Clock" in 2005. He also wrote the episode "Here's to You, Mrs Boyce" in series two and co-wrote another three episodes of the second series as well as the 2006 Christmas special. He co-wrote the episode "Sweet Sorrow" for the third series and the 2007 Christmas special with Keith Lindsay. Sullivan has written three of the episodes in series four. Jim Sullivan, John Sullivan's son, wrote two episodes for series two and three episodes for series three. He also wrote 
Title: Sorcerer (film)
Content:  Friedkin appointed Walon Green as the film's screenwriter. The director got to know Green in the 1960s, and was since highly impressed with his work in Sam Peckinpah's western The Wild Bunch. Friedkin described Green as a multilingual person, fluently speaking French, Spanish, Italian, and German, as well as having "an encyclopedic knowledge of classical music and literature". Prior to writing the script, Green expressed enthusiasm about the project and suggested Friedkin read Gabriel García Márquez's novel One Hundred Years of Solitude. Friedkin described it as "another lifechanging work" which served as a workprint for their adaptation of Wages of Fear. The story outline was created by both Friedkin and Green, and the script was finished in four months. Gerard 

Question: Who was the screenwriter for Soylent Green?
Answer: Harry Harrison.
Henry Maxwell Dempsey.
Harry Max Harrison.
Harry Maxwell Harrison.
Felix Boyd.
Hank Dempsey.
Wade Kaempfert.