Title: Fantastic Planet
Content:  The film's score was composed by Alain Goraguer. In a review for AllMusic, François Couture noted: "The main theme is very reminiscent of Pink Floyd's "Atom Heart Mother Suite" (same half-time tempo, mellotron, harpsichord, and wah-wah guitar), and the other two are a ballad and a circus-like waltz. The music is very '70s-clichéd and will appeal to fans of French and Italian '70s soundtrack stylings. Although repetitive, the album itself creates an interesting marijuana-induced sci-fi floating mood, blending psychedelia, jazz, and funk… [It] has been sampled by a few hip-hop artists." The soundtrack was originally pressed on vinyl during the mid-70's in France. These original pressings command a high dollar on the secondary market given the soundtrack's limited release. In 2000, DC Recordings released the soundtrack on CD, and the soundtrack was later reissued on LP.
Title: The Towering Inferno
Content:  Nick Redman. FSM's was an almost completely expanded version remixed from album masters at Warner Bros. archives and the multi-track 35mm magnetic film stems at 20th Century Fox. Placed into chronological order and restoring action cues, it became one of the company's biggest sellers; only 4000 copies were pressed and it is now out of print. Reports that this soundtrack and that of the film Earthquake (also composed by Williams) borrowed cues from each other are inaccurate. The version of "Main Title" on the FSM disc is the film version. It differs from the original soundtrack album version. There is a different balance of instruments 
Title: The Fast and the Furious (2001 film)
Content:  The film's score was composed by music producer BT, mixing electronica with hip-hop and industrial influences. Two soundtracks were released for the film. The first one features mostly hip-hop and rap music. The second one, titled More Fast and Furious, features alternative metal, post-grunge and nu metal songs, as well as select tracks from BT's score.
Title: The Fate of the Furious (score)
Content:  The Fate of the Furious: Original Motion Picture Score is the original film score album of the 2017 action film of the same name. It was released by Back Lot Music on April 28, 2017. The score was written and composed by Brian Tyler, who also wrote and composed the musical score for the third, fourth, fifth and seventh installments.
Title: The Fast and the Furious (soundtrack)
Content:  The Fast and the Furious: Original Motion Picture Soundtrack is the first of two soundtracks to Rob Cohen's 2001 action film The Fast and the Furious. It was released on June 5, 2001, via Murder Inc Records/Def Jam Recordings/Universal Music Group. Production was handled mostly by Irv Gotti, as well as twelve other record producers, including Channel 7, Damizza, Nick "Fury" Loftin and Swizz Beatz. It features contributions from the film star Ja Rule, along with Armageddon, Ashanti, Black Child, Boo & Gotti, Caddillac Tah, DMX, Faith Evans, Fat Joe, Funkmaster Flex, Limp Bizkit, Method Man, Nate Dogg, N.O.R.E., O-1, Petey Pablo, Redman, R. Kelly, Scarface, Shade Sheist, Tank and Vita. The album reached number seven on the Billboard 200, number five on the Top R&B/Hip-Hop Albums, and went platinum in 2002 in both the United States and Canada. The lone single released from the soundtrack is "Put It On Me". Official music videos were done for "Put It On Me", "Furious" by Ja Rule, "POV City Anthem" by Cadillac Tah, "Good Life (Remix)" by Faith Evans and "Justify My Love" by Vita.
Title: More Fast and Furious
Content:  More Fast and Furious: Music from and Inspired by the Motion Picture The Fast and the Furious is the second of two soundtracks for the film The Fast and the Furious. It was originally released on December 18, 2001, by Island Records. In contrast to the hip hop-oriented first soundtrack, this album contains alternative metal and nu metal songs, as well as selected tracks from the film score composed by BT.
Title: The Falcon and the Winter Soldier
Content:  many locations visited in the series also allowed Jackman to explore some environment-specific music, such as elements of the Blues genre when exploring Wilson's backstory in Louisiana, or electronic music for Madripoor which Jackman described as "a grungy rave scenario". Jackman reprises several of his themes from the films in the series: the composer expanded his Falcon motif from Winter Soldier into a full, classical superhero theme that he combined with some of the Blues elements to acknowledge Wilson's history (the new Falcon theme is used as the series' end credits theme, titled "Louisiana Hero"); Jackman's Winter Soldier theme, which consists of a "scream" and "clangs" that he described as "the last fragments of a human soul trapped inside some mechanistic 
Title: FM3
Content:  An extended nine-minute version of the track "P.Pa" appears in the 2010 installation "Ten Thousand Waves" by Turner-prize-nominated filmmaker Isaac Julien. FM3 band member Zhang Jian created the soundtrack for the 2016 Zhang Yang (director) film "Soul on a String" using music from unreleased FM3 material and live performances. The soundtrack was nominated for Best Original Film Score at the 53rd Golden Horse Film Festival and Awards.
Title: Music of the Marvel Cinematic Universe
Content:  Man scores, Tyler took influence from the works of John Williams, Alex North, and John Barry, among others. Tyler composed the new theme on piano, but always intended it to be a "march and anthem" with a large brass component. Tyler also used the same theme played on a harp to represent Stark's sad emotional state after he is stranded without the Iron Man suit, and created a "wild 1960s style" arrangement of it for the film's main titles which had reminded Tyler of a typical police series from that era. For the Extremis technology, Tyler wanted a motif with a magical quality as he felt that it was technology 
Title: Session 9
Content:  out her heart and lungs and put them in his backyard on a stake. Anderson states that it was also "as you imagine, very much inspired by the location", Danvers State Asylum. Don't Look Now, directed by Nicolas Roeg, was one inspiration for the film, for its sense of place and because the lead character realizes in the climax that he is at the heart of the mystery. Anderson has stated that he aimed to use sound to convey the plot as well as to generate "a creepy tone"; the sound design incorporated the subliminal use of animal and mechanical noises.

Question: What genre is Foundation?
Answer: non-fiction.
nonfiction.
non fiction.