Title: Nocturne
Content:  most famous pieces of 19th-century salon music was the "Fifth Nocturne" of Ignace Leybach, who is now otherwise mostly forgotten. Later composers to write nocturnes for the piano include Gabriel Fauré, Alexander Scriabin, Erik Satie (1919), Francis Poulenc (1929), as well as Peter Sculthorpe. In the movement entitled 'The Night's Music' ('Musiques nocturnes' in French) of Out of Doors for solo piano (1926), Béla Bartók imitated the sounds of nature. It contains quiet, eerie, blurred cluster-chords and imitations of the twittering of birds and croaking of nocturnal creatures, with lonely melodies in contrasting sections. American composer Lowell Liebermann has written 
Title: Nocturne
Content:  Nocturnes for piano, of which No.6 was arranged by the composer as Nocturne for Orchestra. Other notable nocturnes from the 20th century include those from Michael Glenn Williams, Samuel Barber and Robert Helps. Other examples of nocturnes include the one for orchestra from Felix Mendelssohn's incidental music for A Midsummer Night's Dream (1848), the set of three for orchestra and female choir by Claude Debussy (who also wrote one for solo piano) and the first movement of the Violin Concerto No. 1 (1948) by Dmitri Shostakovich. French composer Erik Satie composed a series of five small nocturnes. These were, however, 
Title: Notturno (Strauss)
Content:  "Notturno" (translated as Nocturne), Opus 44, Number 1 (TrV 197), is an orchestral song written for low voice, which Richard Strauss composed in 1899 based on a poem Erscheinung (translated as Apparition) by the German poet Richard Dehmel (1863-1920). In performance it takes about 13 minutes. Norman Del Mar described it as “ranking amongst Strauss’s finest as well as more ambitious works”.
Title: Nocturnal (Varèse)
Content:  Nocturnal (1961) for soprano, male choir, and orchestra, is a musical composition by Edgard Varèse with text consisting of syllables by Varèse and words and phrases adapted from House of Incest by Anaïs Nin (1936), revised and completed posthumously by Chou Wen-chung (1968), The piece is commissioned by and dedicated to the Koussevitzky Music Foundation, published 1972. It includes music for flexatone and two ondes Martenots. The use of Dada-like "meta-language" in Ecuatorial and in Nocturnal was suggested by Antonin Artaud. The premier was conducted by Robert Craft at The Town Hall in New York on May 1, 1961.
Title: Nocturne
Content:  dreaming"), plus his collection of three Liebesträume (Love Dreams), a series of three Notturnos, of which no.3 is the most famous, Les cloches de Genève: Nocturne (The Bells of Geneva: Nocturne) in B major ; Donald Martino: Notturno, for six instrumentalists (1973, winner of the 1974 Pulitzer Prize for Music) ; Felix Mendelssohn Bartholdy wrote the incidental music, for William Shakespeare's play, A Midsummer Night's Dream ; Johann Kaspar Mertz: 3 Nocturnes for Guitar, opus 4. ; Ernest John Moeran: Nocturne, for baritone, chorus, and orchestra (1934, text by Robert Nichols) ; Andrzej Panufnik: Nocturne for orchestra (1947, rev. 1955) ; Francis Poulenc: eight for 
Title: Musica notturna delle strade di Madrid
Content:  Musica notturna delle strade di Madrid (Night Music of the Streets of Madrid), Opus 30 No. 6 (G. 324), is a quintettino (quintet) for stringed instruments (ca. 1780), by Luigi Boccherini, the Italian composer in service to the Spanish Court from 1761 to 1805.
Title: Julian Bream
Content:  Many composers worked with Bream, and among those who dedicated pieces to him were Malcolm Arnold, Richard Rodney Bennett, Benjamin Britten, Leo Brouwer, Peter Racine Fricker, Hans Werner Henze, Humphrey Searle, Toru Takemitsu, Michael Tippett, William Walton and Peter Maxwell Davies. Britten's Nocturnal is one of the most famous pieces in the classical guitar repertoire and was written with Bream specifically in mind. It is an unusual set of variations on John Dowland's "Come, Heavy Sleep" (which is played in its original form at the close of the piece). Bream also took part in many collaborations, including work with Peter Pears on Elizabethan music for lute and voice, and three records of guitar duets with John Williams.
Title: Night People (2015 film)
Content:  Over a six-month period, composer Cian Furlong created over an hour's worth of densely layered, completely electronic music. His score was made entirely on Mulab while also using orchestral samples such as brass and strings. The score included a new electronic version of The Flower Duet from the opera Lakme. Its inclusion was intended by Lough as a homage to director Tony Scott who used the same music in his feature debut The Hunger, a film that influenced Night People. Musically the rest of the film included seven different synthesizer tracks from various up and coming bands and artists such as Electro Kill Machine (who contributed two songs). All of the film's visual effects were produced solely by Paul Barrett. The film received a '16' certificate from the Irish Film Censor Office for "Strong scenes of gory violence/torture" and "Strong sex references".
Title: La Reina de la Noche
Content:  more harmonious album. The last one was full of ballads, it was an album in which I had nothing to do with, the label didn't let me get involved in absolutely anything. This new album is completely mine, in fact, there are some songs written by me. 'La Reina de la Noche' was written by William Luque, a Venezuelan composer who's had several hits in Europe. [...] The idea of Mozart's chords was mine, and then my manager also liked the idea, it was so beautiful that we were in the same page, and also the scale of chords fit perfectly for our melody'."
Title: Torneo notturno
Content: 1) Le serenate ; 2) La tormenta ; 3) La foresta ; 4) La taverna del buon tempo ; 5) Il focolare spento ; 6) Il castello della noia ; 7) La prigione Torneo notturno (Nocturnal Tournament) is an opera by the Italian composer Gian Francesco Malipiero. It was first performed at the Nationaltheater in Munich on 15 May 1931. The libretto, by the composer, is based on works by Serafino Aquilano, Francesco Sacchetti and Tuscan folk songs. The work is made up of seven scenes or notturni linked by instrumental interludes. The titles of the notturni are:

Question: Who was the composer of La Notte?
Answer: Giorgio Gaslini.