Title: Jour de fête
Content:  Jour de fête (The Big Day) is a 1949 French comedy film starring Jacques Tati in his feature film directorial debut as an inept and easily distracted mailman in a backward French village. Shot largely in and around Sainte-Sévère-sur-Indre, where Tati had lived during the Occupation, most of the actors were unknown and villagers served as extras.
Title: Jour de fête
Content: Jacques Tati as François ; Paul Frankeur as Marcel ; Guy Decomble as Roger 
Title: Jour de fête
Content:  Over 7 million tickets for Jour de fête had been sold in French cinemas up to 2015, making it one of the top 40 most popular French films of all time.
Title: Jacques Tati
Content:  Tati's first major feature, Jour de fête (The Big Day), is about an inept rural village postman who interrupts his duties to inspect the traveling fair that has come to town. Influenced by too much wine and a documentary on the rapidity of the American postal service, he goes to hilarious lengths to speed his mail deliveries aboard his bicycle. Tati filmed it in 1947 in the village of Sainte-Sévère-sur-Indre, where he had found refuge during the war. Due to the reluctance of French distributors, Jour de fête was first successfully released in London in March 1949, before obtaining a French release on 4 July 1949, where it became a great public success, receiving 
Title: Jour de fête
Content:  In Jour de fête, several characteristics of Tati's work appear for the first time in a full-length film. Largely a visual comedy in the silent tradition, dialogue is used at times to tell part of the story and an ancient woman with a goat appears sybil-like on occasions as a commentator. Music is mostly diegetic, coming from the carousel, the village brass band, and the pianola in the bar. Sound effects are a vital element, with imaginative use of voices and other background noises, particularly of birds, to provide both ambiance and humor. Giving a sympathetic portrayal of what was already a vanishing way of life, where the villagers do not yet have cars or tractors and water comes from the pump, the film introduces what would 
Title: Belle de Jour (film)
Content:  Belle de Jour is a 1967 drama film directed by Luis Buñuel, and starring Catherine Deneuve, Jean Sorel, and Michel Piccoli. Based on the 1928 novel Belle de jour by Joseph Kessel, the film is about a young woman who spends her midweek afternoons as a high-class prostitute, while her husband is at work. The title of the film is a play on words on the French term belle de nuit ("beauty of the night", i.e., a prostitute), as Séverine works during the day under the pseudonym "Belle de Jour". Her nickname can also be interpreted as a reference to the French name of the morning glory (Convolvulaceae), meaning "beauty of [the] day", a flower that blooms only during the day. Belle de Jour is one of Buñuel's most successful and famous films with many film historians calling Deneuve's performance her finest. It won the Golden Lion and the Pasinetti Award for Best Film at the Venice Film Festival in 1967.
Title: Jacques Tati
Content:  1950 Le Grand prix du cinéma français. The film was intended to be the first French feature film shot in colour; Tati simultaneously shot the film in black and white as an insurance policy. The newly developed Thomson colour system proved impractical, as it could not deliver colour prints. Jour de fête was therefore released only in black and white. Unlike his later films, it has many scenes with dialogue, and offers a droll, affectionate view of life in rural France. The colour version was restored by his younger daughter, film editor and director Sophie Tatischeff, and released in 1995. The film won the Prize for Best Original Script at the Venice Film Festival.
Title: Le jour S...
Content:  Le jour S... is a 1984 Canadian drama film directed by Jean Pierre Lefebvre. It was screened in the Un Certain Regard section at the 1984 Cannes Film Festival. Jean-Baptiste (Pierre Curzi), a restless Québécois in his late 30s, spends the day alone in Montreal while his current partner (Marie Tifo) is pursuing a career in Toronto. Every woman he encounters reminds him of her. He relives his past through actual encounters as well as his imaginative memory. The film was a sequel to Lefebvre's 1968 film Patricia and Jean-Baptiste (Patricia et Jean-Baptiste).
Title: Belle de Jour (novel)
Content:  The 1967 film adaptation starred Catherine Deneuve, Jean Sorel and Michel Piccoli and was directed by Luis Buñuel.
Title: Belle de Jour (film)
Content: Catherine Deneuve as Séverine Serizy, alias Belle de Jour ; Jean Sorel as Pierre Serizy ; Michel Piccoli as Henri Husson ; Geneviève Page as Madame Anaïs ; Pierre Clémenti as Marcel ; Françoise Fabian as Charlotte ; Macha Méril as Renée ; Maria Latour as Mathilde ; Marguerite Muni as Pallas ; Francis Blanche as Monsieur Adolphe ; François Maistre as The professor ; Georges Marchal as Duke ; Francisco Rabal as Hyppolite 

Question: Who was the director of Jour de Fête?
Answer: Jacques Tati.
Jacques Tatischeff.