Title: James Marsh (director)
Content:  James Marsh (born 30 April 1963) is a British film and documentary director best known for his work on Man on Wire, which won the 2008 Academy Award for Best Documentary Feature, and The Theory of Everything, the multi-award-winning biopic of physicist Stephen Hawking released in 2014.
Title: James Marsh (director)
Content:  Marsh began his early career in directing with several documentaries made for the BBC. His first TV documentary was the 90-minute Troubleman – The Last Years of Marvin Gaye, and was followed by the 26-minute 1990 documentary The Animator of Prague starring Jan Švankmajer and his works. Later came The Burger and the King: The Life and Cuisine of Elvis Presley, which was made in 1995 and released in 1996, and the Welsh musician John Cale, which was made in 1998 and released in 1999. His relationship continued with the BBC as a director and producer for three Arena series episodes, including the celebrated film Wisconsin Death Trip (1999). In 2005 he directed 
Title: James Marsh (director)
Content:  donkey as it passes through various human owners. The structure of Project Nim reflects a lot from this film as we see the drama of the human world through the eyes of the chimpanzee. In 2012, he directed Shadow Dancer, a joint Irish/UK production about the Irish republican movement, which was filmed in Dublin and London. The film features Clive Owen, Andrea Riseborough, Gillian Anderson, Domhnall Gleeson and Aidan Gillen. Marsh directed The Theory of Everything released in 2014, a biopic on Stephen Hawking starring Eddie Redmayne and Felicity Jones. Marsh received a nomination for the BAFTA for Best Director and the film was nominated for five Academy Awards including Best Picture.
Title: Marsh Marshall
Content:  Marshall's television career was centered at the British Broadcasting Corporation in London, where he was trained in news and current affairs production. Marshall was with the British Broadcasting Corporation for five years and produced and directed more than a dozen major programs and films. His filmography includes Life After Debt for BBC Panorama; Moneylenders for PBS Frontline; On Course for War (for Panorama); Czech Mate (with BBC Foreign Affairs Editor John Simpson); Review of the Year 1989 with Jonathan Dimbleby, a 90-minute Christmas season film for BBC1,     In 1993, he directed a BBC drama, War with America, a special effects film set in the future, with a cast of British actors,.
Title: Moshé Mizrahi
Content:  Moshé Mizrahi (משה מזרחי; 5 September 1931 – 3 August 2018) was an Israeli film director.
Title: Frank Marshall (filmmaker)
Content:  Kennedy created The Kennedy/Marshall Company and began producing their own films. Marshall directed the company's first film, Alive (1993), about a rugby team struggling to survive in the snow after their plane crashes in the Andes. Next, he directed Congo (1995), based on Michael Crichton's novel, followed by Eight Below (2006), an adventure about loyalty and the bonds of friendship set in the extreme wilderness of Antarctica. In 1998, he directed the episode "Mare Tranquilitatis", from the Emmy Award-winning HBO miniseries From the Earth to the Moon. As part of ESPN's 30 for 30 series, Marshall directed a documentary about Olympian Johann Olav 
Title: Archie Marshek
Content:  Born in Cass Lake, Minnesota, in 1902, Marshek started his career at Joseph P. Kennedy's Film Booking Offices of America (FBO) in 1927. When Kennedy formed R.K.O. in 1929 by merging F.B.O. with the Keith-Albee-Orpheum vaudeville theater circuit and striking a deal with David Sarnoff of Radio Corporation of America in order to access his sound technology patents, Marshek moved to the new studio. He was a staff editor at R.K.O. - Radio Pictures from 1929 to 1936 and at Paramount Pictures from 1937 to 1967. Marshek was the first editor to cut a three-strip, live-action Technicolor film, the 1934 short La Cucaracha. He also was the first to cut a full-length, three-strip Technicolor feature film, Becky Sharp (1935). He worked with directors King Vidor, Gregory La Cava, Lewis Milestone, Rouben Mamoulian, Frank Tuttle, Jack Smight and the actors Anthony Quinn and Marlon Brando when they made their feature-film directing debuts. He cut films featuring the top stars at Paramount, including Bing Crosby, Bob Hope, Dean Martin and Jerry Lewis, and Elvis Presley. Marshek died at the age of 90 in Lawton, Oklahoma.
Title: Oliver T. Marsh
Content:  Oliver T. Marsh (January 30, 1892 in Kansas City, Missouri, United States &ndash; May 5, 1941 in Hollywood, California, United States) was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone. Marsh worked on Sadie Thompson (1928), Rain (1932), The Merry Widow (1934), David Copperfield (1935), A Tale of Two Cities (1935), The Great Ziegfeld (1936), San Francisco (1936) and Another Thin Man (1939). He and Allen Davey received Academy Honorary Awards "for the color cinematography of the Metro-Goldwyn-Mayer production, Sweethearts" (1938) at the 11th Academy Awards. The pair were also nominated for Best Cinematography (Color) for Bitter Sweet (1940). Marsh is interred at Forest Lawn Memorial Park in Glendale, California. He is the brother of actresses Marguerite Marsh (1888–1925) and Mae Marsh (1894–1968), as well as editor Frances Marsh, and the father of jazz saxophonist Warne Marsh (1927–1987).
Title: Frank Marshall (filmmaker)
Content:  Archer City, Texas, doubling as location manager and actor in this seminal film. Under Bogdanovich's guidance, Marshall would work his way up from producer's assistant to associate producer on five more films. He branched out to work with Martin Scorsese as a line producer on the music documentary The Last Waltz (1978) and as an associate producer on director Walter Hill's gritty crime thriller, The Driver (1978). The following year, Marshall earned his first executive producer credit on Hill's cult classic street gang movie, The Warriors (1979). He continues to collaborate with Bogdanovich, working to complete their tenth film together, Orson Welles' unfinished 
Title: Mae Marsh
Content:   Marsh worked with D. W. Griffith in small roles at Biograph when they were filming in California and in New York. Her big break came when Mary Pickford, resident star of the Biograph lot and a married woman at that time, refused to play the bare-legged, grass-skirted role of Lily-White in Man's Genesis. Griffith announced that if Pickford would not play that part in Man’s Genesis, she would not play the coveted title role in his next film, The Sands of Dee. The other actresses stood behind Pickford, each refusing in turn to play the part, citing the same objection. Years later, Marsh recalled in an interview in The 

Question: Who was the director of MASH?
Answer: Fred Williamson.
Frederick Robert Williamson.
Robert Altman.