Title: The Passion of Joan of Arc
Content:  Different scores were used for the two premieres of the Passion of Joan of Arc in Copenhagen and Paris. The music of the Paris version, for orchestra and singers, has survived and has been revived. It was composed by Leo Pouget and Victor Alix, who as well as being film composers, both wrote operettas; Pouget was coming to the end of his career, whereas Alix was regarded by Le Ménestrel as becoming an established composer. Their score for the Passion of Joan of Arc has been seen in recent years as having some limitations, but seems to have been regarded as acceptable at the time. In the 1920s, film music was normally played live in the theatre. However, some of the Pouget/Alix score was recorded. In 1929, selections were released in 78 format in a performance by "l'orchestre symphonique du Lutetia Wagram" (the Lutetia Wagram being a large Parisian cinema of the time, since demolished). Dreyer also heard the soundtrack of Joseph-Marie Lo Duca's version of the film which came out in the 1950s. It featured Bach, Albinoni and Vivaldi: Dreyer disapproved; he appears not to have encountered a score which he considered definitive.
Title: 21st-century classical music
Content:  Adams' On the Transmigration of Souls (2002) is a choral piece commemorating the victims of the 11 September 2001 attacks (for which he won the Pulitzer Prize for Music in 2003). Roxanna Panufnik's recent output includes The Song of Names and All Shall be Well. Golijov's La Pasión según San Marcos, Gubaidulina's Johannes-Passion, Tan Dun's Water Passion, and Wolfgang Rihm's Deus Passus were all composed for the Passion 2000 project, through which the Internationale Bachakademie Stuttgart commemorated the 250th anniversary of the death of J.S. Bach. Golijov, being a Jew and Latin American, offered a different perspective on the Passion: he drew on African-influenced traditions from Cuba and Brazil, flamenco and Baroque music to create a work that enacts the story as a ritual through voices, dance and movement. Henri Dutilleux's last works (died 2013) include Correspondances and Le temps l'horloge, both of which are song cycles.
Title: The Passion of Joan of Arc
Content:  Film Festival founders Christian Ditlev Bruun and Lene Pels Jorgensen to provide a new score for the Danish Film Festival: Los Angeles. ; In 2009, the Estonian composer Tõnu Kõrvits wrote a score for small orchestra (for L´Ensemble De Basse-Normandie 2009/10 concert season) for this film. ; In 2009, the Lithuanian composer Bronius Kutavičius wrote a score for chamber orchestra (for St. Christopher Chamber Orchestra), performed in Scanorama – European film forum in Vilnius. ; In 2010, American electronic/chamber composer/arranger George Sarah provided an original score along with a string quartet and choir featuring members of the LA Master Chorale at a screening of the film in Los Angeles. ; 
Title: The Passion of the Christ (soundtrack)
Content:  The Passion of the Christ is the soundtrack, on the Sony label, of the 2004 Academy Award-nominated film The Passion of the Christ starring James Caviezel, Maia Morgenstern, Christo Jivkov, Hristo Shopov, Francesco De Vito and Monica Bellucci. The original score was composed by John Debney. The album was nominated for the Academy Award for Best Original Score. Mel Gibson, the director for The Passion of the Christ, is believed to have sung in part of the soundtrack.
Title: François Dompierre
Content:  Jesus of Montreal, The Tin Flute and The Passion of Augustine. In 2008, Dompierre was the recipient of the Lifetime Achievement Award at the Francophone SOCAN Awards held in Montreal. He was appointed a Member of the Order of Canada in 2014. Dompierre composed 24 Preludes, in remembrance of Bob Alain, a jazz pianist who influenced his early career. In 2015, the film La passion d’Augustine, scored by Dompierre, was released. That year the Prix Jutra announced that Dompierre would be given a lifetime achievement award at the 2016 awards. In 2018 the Sutton Museum mounted an exhibition of Dompierre's work, including a presentation of his composition, "Petit Concerto de Saint-Irénée". In 2019 Dompierre published a biography of his longtime friend and collaborator Monique Leyrac.
Title: Sankt-Bach-Passion
Content:  In 2002, Paul Griffiths compared recordings of four Passions modeled after Bach's works, commissioned for another Bach-Year in 2000 by the Internationale Bachakademie Stuttgart: Osvaldo Golijov's Pasión Según San Marcos, Sofia Gubaidulina's St. John Passion, Wolfgang Rihm's Deus Passus, and Tan Dun's Water Passion After St. Matthew. He called Kagel's work "the most intelligent attempt hitherto at a new Passion – and, indeed, the most moving", because Kagel "changed the game by making Bach himself the suffering protagonist."
Title: François-Adrien Boieldieu
Content:  its repertoire of patriotic spectacles and presenting the lighter works of Étienne Méhul, the Feydeau offering the heroic dramas of Cherubini or Jean-François Le Sueur. In 1797, Boieldieu offered the Feydeau La famille suisse and L'heureuse nouvelle. In 1798, he presented the Favart with Zoraime et Zulmare, which brought him extraordinary success. The spiritual heir of André Grétry, Boieldieu focused on melodies which avoided too much ornamentation, set to light but intelligent orchestration. Hector Berlioz described his music as possessing "a pleasing and tasteful Parisian elegance". In 1800, he scored a veritable triumph with Le calife de Bagdad (The Caliph of Baghdad). In 1804, following 
Title: Sofia Gubaidulina
Content:  Composers for unapproved participation in some festivals of Soviet music in the West. Gubaidulina became better known abroad during the early 1980s through Gidon Kremer's championing of her violin concerto Offertorium. "She sprang to international fame in the late 1980s". She later composed an homage to T. S. Eliot, using the text from the poet's Four Quartets. In 2000, Gubaidulina, along with Tan Dun, Osvaldo Golijov, and Wolfgang Rihm, was commissioned by the Internationale Bachakademie Stuttgart to write a piece for the Passion 2000 project in commemoration of Johann Sebastian Bach. Her contribution was the Johannes-Passion. In 2002 she followed this by the Johannes-Ostern ("Easter according to John"), commissioned by Hannover Rundfunk. The two works together form 
Title: Pierre Max Dubois
Content:  conductor; and in that capacity toured Belgium, Canada, France, and the United States. While primarily a composer of instrumental pieces, Dubois also composed music for the stage. These include the ballets Impressiones foraines (1951), Le docteur Ox (composed 1961; premiered by the Lyon Opéra Ballet in 1965), and Hommage à Hoffnung (composed 1980, premiered at the Grand Théâtre de Bordeaux in 1981); and the operas Comment causer (composed 1970; premiered at the Opéra Royal de Wallonie in 1971), Les Suisses (composed 1972, premiered at the Opéra Royal de Wallonie in 1973), and Le ruban merveilleux (composed in 1990, premiered at the Forum des Halles in Paris on 31 May 1991). Dubois was a professor of analysis at the Paris Conservatoire. He died in Rocquencourt in the Île-de-France region of North Central France on August 29, 1995.
Title: The Passion of the Christ
Content:  Three albums were released with Mel Gibson's co-operation: (1) the film soundtrack of John Debney's original orchestral score conducted by Nick Ingman; (2) The Passion of the Christ: Songs, by producers Mark Joseph and Tim Cook, with original compositions by various artists, and (3) Songs Inspired by The Passion of the Christ. The first two albums each received a 2005 Dove award, and the soundtrack received an Academy Award nomination of Best Original Music Score. A preliminary score was composed and recorded by Lisa Gerrard and Patrick Cassidy, but was incomplete at film's release. Jack Lenz was the primary musical researcher and one of the composers; several clips of his compositions have been posted online.

Question: Who was the composer of The Greater Good, or the Passion of Boule de Suif?
Answer: Stephen Hartke.
Stephen Paul Hartke.