Title: Body of Lies (soundtrack)
Content:  Body of Lies is the soundtrack of the film of the same name. It was released on October 14, 2008 by Varèse Sarabande. German-born film composer Marc Streitenfeld reunited with director Ridley Scott to score the film, marking his third score in a row and eighth consecutive music collaboration with Scott. Streitenfeld traveled to Morocco to collaborate with Scott for the spy film, which required a score to support its technological and political style. Streitenfeld used a 90-piece orchestra as well as woods and choir to create the score. Recording all the elements separately allowed Streitenfeld to have more command over the final sound mix.
Title: Body of Lies (film)
Content:  The film score was composed by Marc Streitenfeld, who has now composed music for Ridley Scott for three features. He recorded the orchestral portions of his score at the Eastwood Scoring Stage at Warner Brothers Studios. Of note is the presence of a song in the film named "If the World", performed by Guns N' Roses, and taken from their long-delayed Chinese Democracy album. The track plays over the beginning of the end credits, but is not included on the official film soundtrack. Streitenfeld also collaborated with Mike Patton and Serj Tankian on the song "Bird's Eye", which was written specially for the musical score of the film. It was not included on the soundtrack album but was released separately as a single.
Title: The Blob
Content:  The Blob 's background score was by Ralph Carmichael, who, like Yeaworth, had worked on TV specials for the Billy Graham Evangelistic Association; it was supervised by the director's wife, Jean Yeaworth. It was one of only a few film scores Carmichael wrote. He composed different opening music for the film—a piece called "Violence", intended to start the film on a serious, frightening note. However, the director chose to replace it with the novelty song "The Blob", to encourage audiences to view it as campy fun, and the song has contributed to the film's enduring popularity. Carmichael's original score and Bacharach's and David's song were both included on the soundtrack album, which was re-released in 2008 on the Monstrous Movie Music soundtrack label.
Title: Dead in Tombstone
Content:  For the film's music, director Reine wanted "a contemporary score for a traditional film with a unique twist". The music was composed by British electronic music group Hybrid, comprising Michael Truman, Chris Healings, and Charlotte James. The soundtrack was released on October 15, 2013, by Back Lot Records.
Title: The Composer Is Dead
Content:  The Composer Is Dead is a 2009 composition for narrator and orchestra, released both as a musical recording and as a book with a CD insert, with text by Lemony Snicket, music by Nathaniel Stookey, and illustrations by Carson Ellis. It is a whodunnit about the orchestra.
Title: The Missing Lynx
Content:  The film's score was composed by Sergio de la Puente. The soundtrack also contains "Not My Day", performed by Yuri Mendez and "Space Between Bodies", performed by the Spanish rock band We Are Balboa.
Title: Death Becomes Her
Content:  The score was composed by American film composer Alan Silvestri.
Title: Composer's Voice Concert Series
Content:  Voice is fresh!", Brant Lyon describes a performance at Composer's Voice by the composer and performer Gelsey Bell "...like putting one’s ear to the ground to hear what’s coming in the distance or snuggling the side of your head against a pregnant woman’s belly —e xcept in reverse — for the dissipation, not anticipation. The sounds of her voice resonating with the piano’s had the opposite effect in me: to inspire movement forward. I was hearing something new." The Composer's Voice Concert Series has featured the works of hundreds of composers. Notable composers featured include: Annea Lockwood, Augusta Read Thomas, Liana Alexandra, Dennis Bathory-Kitsz, Eve Beglarian, George Brunner, Noah Creshevsky, 
Title: Death of a Corrupt Man
Content:  The film score was composed and arranged by Philippe Sarde and features saxophonist Stan Getz fronting the London Symphony Orchestra and the soundtrack album was first released on the French Melba label. Allmusic's Yuri German noted, "Film director Georges Lautner, who worked with Philippe Sarde on a dozen films, said that he was always impressed by the composer's ability to find an original musical approach to each picture. This time, Sarde, who always closely follows the editing process, suggested that they needed a strong soloist, preferably a tenor saxophone player, who would serve as a musical counterpart for the actor Alain Delon's famous good looks. Being a 
Title: The Blood on Satan's Claw
Content:  The film's score was composed by Marc Wilkinson, an Australian composer who had previously worked alongside Haggard at the National Theatre. "[He] had a wonderful command of strange sounds," said the director. "He wasn't somebody who would ever give you a stock sound. And I think he absolutely excelled himself. It's certainly one of the best scores I've ever had for a film."

Question: Who was the composer of The Body?
Answer: Ron Geesin.