Title: Herman J. Mankiewicz
Content:  Newspaperman (uncredited) ; Rise and Shine (1941) — Writer (screenplay) ; This Time for Keeps (1942) — Writer (characters) ; The Pride of the Yankees (1942) — Writer (screenplay) ; Stand By for Action (1942) — Writer (screenplay) ; The Good Fellows (1943) — Writer (play) ; Christmas Holiday (1944) — Writer ; The Enchanted Cottage (1945) — Writer ; The Spanish Main (1945) — Writer (screenplay) ; A Woman's Secret (1949) — Writer (screenplay), producer ; The Pride of St. Louis (1952) — Writer ; Lux Video Theatre (TV series episode, 1955): The Enchanted Cottage — Writer (original screenplay) He was involved with the following films: 
Title: Gordon Kahn
Content:  In 1930, former Mirror colleague Samuel Marx (later head of scenery at MGM), invited Kahn to move to Hollywood and try his luck as a screenwriter. He wrote more than a script a year (well over two dozen) in a period under two decades. Writing credits include: The Death Kiss (1932), Newsboys' Home (1938), and Buy Me That Town (1941). Kahn joined several leftist and liberal causes and helped found the Screen Writers Guild (now Writers Guild of America). He was the first managing editor of The Screen Writer.
Title: Sandra Hochman
Content: Hochmann was commissioned to write film scripts by David Brown, the producer of Jaws (film) ““Jaws”” and many more. 
Title: Richard Maibaum
Content:  Lazenby. He did an early draft of Diamonds Are Forever (1971), then the producers wanted an American writer and hired Tom Mankiewicz to rework it. Mankiewicz was the sole screenwriter on Live and Let Die (1973), Roger Moore's first Bond movie. Instead, Maibaum wrote and produced a TV movie, Jarrett (1973), starring Glenn Ford. Maibaum was brought back to the Bond movies to work on Mankiewicz's draft of The Man with the Golden Gun (1974). He was one of the many writers who worked on The Spy Who Loved Me (1977), sharing credit with Christopher Wood. Maibaum was not used on Moonraker (1979), the producers preferring Wood. Instead, Maibaum worked on a Bond spoof, S.H.E: Security Hazards Expert (1980).
Title: John Mankiewicz
Content:  John Mankiewicz (born February 18, 1954) is an American television and film executive producer and screenwriter. He was co-executive producer for House of Cards and Bosch, he co-created the television series The Street and has written and produced episodes for House M.D. and occasionally writes for The New Yorker. He was born in New York City the son of Ilene Thelma (Korsen) and screenwriter Don Mankiewicz, a member of the Mankiewicz family. He is a cousin of Ben Mankiewicz, Josh Mankiewicz and Nick Davis.
Title: Tom Mankiewicz
Content:  Attending one of the four performances of Georgy was United Artists production head David Picker who admired Mankiewicz's book for the musical. Picker and James Bond producer Albert "Cubby" Broccoli were looking for a writer to do a major reworking of Diamonds Are Forever in hopes of luring Sean Connery back to play Bond. Picker suggested that Broccoli add Mankiewicz to his list of possibles. He was hired on a two-week guarantee, stayed on the film for six months and received shared screenplay credit with the original writer, Richard Maibaum. This began a long relationship with the Bond films. Mankiewicz received sole writing credit on the next, Live and Let Die, shared credit with Maibaum on The Man with the Golden Gun, did an uncredited rewrite on The Spy Who Loved Me, and helped Broccoli and director Lewis Gilbert get Moonraker off the ground.
Title: Jim Jennewein
Content:  Jennewein graduated from the University of Notre Dame, and worked as a copywriter in advertising before becoming a screenwriter. With fellow copywriter Parker, the duo wrote Stay Tuned on spec. Within two days, the pair had signed with the Bauer Benedek agency and sold it for $750,000. With Parker, Jennewein wrote the first draft of the film version of Super Mario Bros., which was a comedic fairy tale, focusing on Mario and Luigi attempting to rescue a princess named Hildy from Koopa. On The Flintstones, their most commercially successful project, they were part of a record 35 writers attached to the project before it was shot. Conversely, Ri¢hie Ri¢h underperfomed at the North America box office, making back less than its $40 million budget, but made $125 million in VHS rentals. In 2008, he partnered with Parker and together they wrote their first novel, Runewarriors: Shield of Odin, which is based on Norse mythology. The Runewarriors series was continued with 2010's Sword of Doom and 2011's Ship of the Dead. He taught screenwriting at CSU Northridge, and is currently a professor at Fordham University, teaching screenwriting and TV Drama.
Title: Tom Jankiewicz
Content:  After the success of Grosse Pointe Blank, Jankiewicz spent the next fifteen years writing newspaper articles and working as an advertising copywriter. He worked as a "script doctor," editing and improving screenplays written by other screenwriters. In September 2000, Jankiewicz scored his biggest sale with the spec script, "Kung Fu Theater," to Mandalay Pictures. The potential film, which Jankiewicz pitched as a combination of Enter the Dragon and Pleasantville, follows the story of a "slacker" who becomes trapped in a kung fu movie from the 1970s. The comedy was picked up by DreamWorks, with Marlon Wayans and Jamie Foxx attached to star at one point, but remained in development Jankiewicz was finishing a novel at the time of his death. He was also near the completion of a new film script based on the 1961 Goldsboro B-52 crash.
Title: Raising Kane
Content:  Screen Writers Guild and claim full credit for writing the entire script by himself. After lodging a protest with the Screen Writers Guild, Mankiewicz withdrew it, then vacillated. The question was resolved in January 1941 when the studio, RKO Pictures, awarded Mankiewicz credit. The guild credit form listed Welles first, Mankiewicz second. Welles's assistant Richard Wilson said that the person who circled Mankiewicz's name in pencil, then drew an arrow that put it in first place, was Welles. The official credit reads, "Screenplay by Herman J. Mankiewicz and Orson Welles". Mankiewicz's rancor toward Welles grew over the remaining 12 years of his life.
Title: The Man with the Golden Gun (film)
Content:  Tom Mankiewicz wrote the first draft for the script in 1973, delivering a script that was a battle of wills between Bond and Scaramanga, who he saw as Bond's alter ego, "a super-villain of the stature of Bond himself." Tensions between Mankiewicz and Guy Hamilton and Mankiewicz's growing sense that he was "feeling really tapped out on Bond" led to the re-introduction of Richard Maibaum as the Bond screenwriter. Maibaum, who had worked on six Bond films previously, delivered his own draft based on Mankiewicz's work. Much of the plot involving Scaramanga being Bond's equal was sidelined in later drafts. For one of the two main aspects of 

Question: Who was the screenwriter for Mahjong?
Answer: Edward Yang.