Title: The Projected Man
Content:  about a rigidly tight four-week shooting contract and an inadequate budget. After four weeks the finance ran out and producer John Croydon took over the direction, unpaid and meeting the remaining financial demands himself in order to complete the film. However, Croydon remained uncredited as the producers did not wish to publicise the problems which had occurred on set. The Projected Man has received mixed reviews. Several sources were critical of the film's resemblance to other science fiction films, with The Fly and 4D Man being singled out by critics and moviegoers alike as possible inspirations, although the film's executive producer Richard Gordon has denied this. The Projected Man was featured in a ninth season episode of comedy television series Mystery Science Theater 3000, and has been released on DVD by Cinema Club.
Title: Orson Welles
Content:  RKO Radio Pictures president George Schaefer eventually offered Welles what generally is considered the greatest contract offered to a filmmaker, much less to one who was untried. Engaging him to write, produce, direct and perform in two motion pictures, the contract subordinated the studio's financial interests to Welles's creative control, and broke all precedent by granting Welles the right of final cut. After signing a summary agreement with RKO on July 22, Welles signed a full-length 63-page contract August 21, 1939. The agreement was bitterly resented by the Hollywood studios and persistently mocked in the trade press.
Title: The Brigand (film)
Content:  There is no producer credit on the film but the movie was produced by Edward Small just before he left Columbia to return to United Artists. In May 1949 it was reported that Small had hired Robert Libott and Frank Burt to write the script in 1949. In December 1949 Small signed a two-year contract with Columbia to make "two to six" films, which would include Lorna Doone and The Brigand, "projects he had been developing for some time." This contract was separate to one Small had signed with Columbia to distribute Valentino. In August 1950 Small announced that he would make two films starring Anthony Dexter, who had made Valentino for the producer. The films would be The Brigand and a remake of The Sheik. In May 1951 Jesse Lasky Jr was reportedly writing the script. The same month Phil Karlson was announced as director. Ron Randell had appeared in Lorna Doone for Small. In August 1951 he signed to appear in The Brigand; he was to do it at the same time as appearing in Broadway Bill at the Pasadena Playhouse''. Filming started 9 July 1951.
Title: Conan the Destroyer
Content:  The third film in the Conan trilogy had been planned for a 1987 release with the title Conan the Conqueror. The director was to have been either Guy Hamilton or John Guillermin. Arnold Schwarzenegger was committed to the film Predator, and De Laurentiis's contract with the star had expired after his obligation to Red Sonja (his role in which was originally intended to be Conan) and Raw Deal, and he was not keen to negotiate a new one. The third Conan film fell into development hell, the script eventually being turned into Kull the Conqueror. In October 2012, Universal Pictures announced plans for Schwarzenegger to return 
Title: Charles B. Griffith
Content:  Following his success with Corman, Columbia Pictures signed Griffith to a contract as producer and director. Jonathan Haze later recalled: Chuck had a friend who was a lawyer, Art Sherman, who had met Gordon Stolberg, then vice-president of Columbia Pictures. Art sold Stolberg on the idea that Chuck was the talent behind Roger Corman. At that point, Columbia was making a lot of Sam Katzman movies and Art sold Columbia on the idea that Chuck could do better than Katzman, and cheaper. So, they gave him a two-picture deal.Had he come through and he had really done what he said he was going to do. Chuck would have had it really made. Both pictures 
Title: Screenplay for Citizen Kane
Content:  signed the contract it was again made clear that all credit for his work belonged to Welles and the Mercury Theatre, the "author and creator". Welles hesitated to officially agree to give Mankiewicz credit. His contract with RKO stated that the film would be produced, directed, performed and written by Welles, and his "boy wonder" persona had great publicity value for the studio. Welles's attorney, Arnold Weissberger, did not want to give RKO any cause to break Welles's contract should they wish to promote the film as solely his work. The contract with Mankiewicz left the matter of his receiving credit open; Welles's correspondence with his lawyer indicated 
Title: Citizen Kane
Content:  Citizen Kane was the only film made under Welles's original contract with RKO Pictures, which gave him complete creative control. Welles's new business manager and attorney permitted the contract to lapse. In July 1941, Welles reluctantly signed a new and less favorable deal with RKO  under which he produced and directed The Magnificent Ambersons (1942), produced Journey into Fear (1943), and began It's All True, a film he agreed to do without payment. In the new contract Welles was an employee of the studio and lost the right to final cut, which later allowed RKO to modify and re-cut The Magnificent Ambersons over his objections. In June 1942, Schaefer resigned the presidency of RKO Pictures and Welles's contract was terminated by his successor.
Title: The Projected Man
Content:  funding, he became quickly overwhelmed, and The Projected Man started going over its budget and falling behind on schedule. Executive producers Tony Tenser and Michael Klinger threatened to take over production as they did not want to increase the budget. Since Croydon had hired Curteis, it became his responsibility to fire him and finish directing the film. Richard Gordon suggested that "I think Curteis was relieved to step out because he simply didn't know any longer what to do." Croydon was not credited for his directing work on the film; as Gordon said, "one tries not to publicize such incidents."
Title: The Fourth Protocol (film)
Content:  Michael Caine read the draft manuscript of the novel and suggested to Forsyth that they produce a film together. They hired George Axelrod to write a script and John Frankenheimer to direct, but were unable to raise finance. Axelrod and Frankenheimer left the project, Forsyth wrote the script himself and they got a new producer and director.
Title: Howard Hawks
Content:  Jack London and Zane Grey. Hawks worked on the scripts for all of the films produced, but he had his first official screenplay credit in 1924 on Tiger Love. Hawks was the Story Editor at Famous Players (later Paramount Pictures) for almost two years, occasionally editing such films as Heritage of the Desert. Hawks signed a new one-year contract with Famous-Players in the fall of 1924. He broke his contract to become a story editor for Thalberg at MGM, having secured a promise from Thalberg to make him a director within a year. In 1925, when Thalberg hesitated to keep his promise, Hawks broke his contract at MGM and left.

Question: Who was the director of Contract?
Answer: Ram Gopal Varma.
RGV.
Penmetsa Ram Gopal Varma.