Title: Giora Godik
Content:  Giora Godik (1921 - 1977) was a Polish-born Jewish Israeli theater producer and impresario, famous for bringing musical comedies to Israel. Called the "King of musicals," the 2007 film documentary, "Waiting for Godik", tells the story of his rise and fall from one of the most "legendary" theater figures in Israel—someone who "endeavored...to bring the American dream to Tel Aviv", to someone destitute, who hit bottom. He "skyrocketed to the top and plummeted to the lowest depths."
Title: Giora Godik
Content:  Godik founded the "Godik Theater," first to bring singers and performers from outside Israel to produce foreign-made musical plays, and then to work with original productions. "At its peak," the enterprise managed by Godik "had about 200 employees, and paid very high salaries to dozens of actors, singers, musicians, directors, and dancers."
Title: Waiting for Godik
Content:  Waiting for Godik is a 2007 documentary written and directed by Ari Davidovich, chronicalling the rise and fall of the Israeli theater producer and impresario Giora Godik.
Title: Waiting for Godik
Content:  According to the description on the Internet Movie Database, this documentary "tells the story of the rise and fall of the Israeli King of Musicals, legendary producer and impresario Giora Godik. The tragic story of the man, who touched the dream and crashed, is also the story of an unforgettable era and the tale of the local version of the musical genre." Originally establishing himself by bringing performers including Marlene Dietrich to Israel he established the "Godik Theater," becoming famous for producing Hebrew language versions of American and international musical comedies to the Israel stage. "At its peak," the enterprise managed by Godik "had about 200 employees, and paid very high salaries to dozens of 
Title: Giora Godik
Content:  into debt. "One morning all of Israel - and especially the 200 employees of Godik's theatre - were shocked to hear that the noted producer had fled the country during the night. The theatre closed down at once." Godik fled to Germany. "Utterly destitute, he sold hot-dogs for a living, at the central railway station in Frankfurt. He believed he would soon resume his position as King of Musicals. But Godik stayed far away from the theater, never to return." According to the documentary that recorded both his rise and fall, this "tragic story of the man, who touched the dream and crashed, is also the story of an unforgettable era and the tale of the local version of the musical genre."
Title: Giora Godik
Content:  Godik entered Israeli show business in the mid-1950s as an impresario specializing in the import of foreign entertainers. Among the individual performers brought to Israel was Marlene Dietrich, who told Meyer Weisgal in 1960 that she would like to him to arrange a visit for her to Israel and perform there simply for the cost of her transportation. Weisgal relates that he chose Godik, who was so happy with the idea that he immediately flew to Paris to make the arrangements. Her performance was an outstanding success, with fourteen curtain calls. At the end, she said to the audience, "We have suffered, you and I, during those terrible years [of the Holocaust]. If there is any consolation or comfort for the incalculable suffering of your people and my people, your 
Title: Gidi Gov
Content:  Gideon "Gidi" Gov (גידי גוב; 4 August 1950) is an Israeli singer, TV host, entertainer, and actor. He was married to the late Anat Gov with whom he had three children.
Title: Waiting for Godik
Content:  singers, musicians, directors, and dancers." "Godik, one of the prominent symbols of Israel's happy 60s, endeavored, in his way, to bring the American dream to Tel Aviv. However, the dream was shattered when Godik skyrocketed to the top and plummeted to the lowest depths." After losing his money and accumulating massive debts, Godik fled to Germany, "utterly destitute," where he ended up selling hot-dogs at the central railway station in Frankfurt. According to Davidovich, the film's writer and director, the documentary "brings back to life the story of a man who believed that life was a musical." Through the story of Godik's successes and failures, "a bygone historical era in Tel Aviv is also exposed."
Title: Giora Godik
Content:  Ha’aretz credited Godik as "being a primary force in Israel’s emulation of American culture". After enormous success with his production of Fiddler on the Roof,  Godik "was looking for more musical material," but "After having difficulty finding an American or British musical which would arouse as much interest as Fiddler", he decided to stage "an original Israeli musical," and decided on a musical version of the Mossinsohn play, Casablan. That musical, Kazablan, was a tremendous success, with a huge impact in Israel. The musical's huge success made "young Jerusalem-born singer" Yehoram Gaon "not only...an overnight singing star, but also a figure of solidarity and pride for people of Sephardic origin, many of whom were entering a theatre for the first time." Gaon later reprised his role in the film version.
Title: Giora Godik
Content:  Godik was a legend during his heyday, but his empire collapsed in the early 1970s, bringing an end to the period when musicals seemed to rule Israeli theater. Although after Godik's successes and eventual collapse, "occasionally the major theaters and some independent producers continued to produce international musical hits such as Cabaret and Les Misérables, "musicals were never again considered the forte of the Israeli stage." The time following the 1967 Six-Day War was a time of "stock-market mania and the desire for instant profits," and it was this mania that "infected Godik as well." It led him to make "a series of disastrous decisions," including failed attempts to stage musical's including "The Witch" and Neil Simon's "Promises, Promises", causing him to 

Question: What is Giora Godik's occupation?
Answer: impresario.
Talent Manager.