Title: Steven E. de Souza
Content:  Steven E. de Souza (born November 17, 1947) is an American screenwriter, producer, and director of film and television widely known for writing blockbuster action films like Commando, Die Hard, and Judge Dredd. He is among a handful of screenwriters whose films have earned over US$2 billion at the worldwide box office.
Title: The Commitments (film)
Content:  Following the 1988 publication of Roddy Doyle's novel The Commitments (1987) in the United Kingdom, producers Lynda Myles and Roger Randall-Cutler acquired the film rights, and asked Doyle to write an adaptation. Doyle, an inexperienced screenwriter, spent one year drafting the script, accompanied by Myles and Randall-Cutler. Although a script was completed, Myles felt it needed improvement, and passed the book on to Dick Clement and Ian La Frenais, hoping that they would suggest a more experienced writer. Upon reading the novel, Clement and La Frenais agreed to help write the script themselves. In 1989, Myles took the project to Beacon Pictures, an independent film company established that year by Armyan Bernstein, a former television journalist turned screenwriter and producer. Clement and La Frenais traveled to Los Angeles to discuss the project with Alan Parker, and gave him a copy of the novel. Upon reading the 
Title: Star Trek: The Motion Picture
Content:  hired now while he is cheap and humble." The result was a list of 34 names, none of whom were chosen to pen the script. Finally, British screenwriters Chris Bryant and Allan Scott, who had penned the Donald Sutherland thriller Don't Look Now, were hired to write a script. Bryant believed he earned the screenwriting assignment because his view of Kirk resembled what Roddenberry modeled him on; "one of Horatio Nelson's captains in the South Pacific, six months away from home and three months away by communication". Povill also wrote up a list of possible directors, including Coppola, Steven Spielberg, Lucas, and Robert Wise, but 
Title: Michael Arndt
Content:  Screenplay for his work for Toy Story 3, and became the first ever screenwriter to be nominated for both Academy Awards for Best Original Screenplay and Best Adapted Screenplay for his first two screenplays. Arndt was one of several screenwriters brought on to perform script revisions for Men in Black 3. Arndt wrote the script for The Hunger Games sequel, The Hunger Games: Catching Fire, based on the best-selling novel of the same name by Suzanne Collins. In November 2012, Arndt was announced as the screenwriter for Star Wars: The Force Awakens. In October 2013, it was announced that Lawrence Kasdan and director J. J. Abrams were rewriting Arndt's script.
Title: Star Cops
Content:  five, with the rest written by John Collee (three scripts) and Philip Martin (two scripts). Having previously qualified and worked as a doctor, Collee was a journalist who wrote for The Observer newspaper and later moved into films, most notably writing the screenplay for Master and Commander: The Far Side of the World. Martin was an experienced scriptwriter, best known for the controversial BBC drama series Gangsters, with previous experience in television science fiction, having written for Doctor Who. Two directors were assigned to the show: Christopher Baker, who had worked with Gridneff before on Hold the Back Page as well 
Title: Master and Commander: The Far Side of the World
Content:  20th Century Fox executive Tom Rothman had wished to adapt O'Brian's novels since first reading them, recognizing the potential for a film franchise. Becoming CEO, he recruited director Peter Weir to helm the project.
Title: Dai Satō
Content: Ace Combat 3 (1999): Screenplay ; Blood: The Last Vampire (2000): Screenplay ; Ghost in the Shell: Stand Alone Complex (2004): Screenplay ; Resident Evil: Revelations (2012): Chief script writer ; E.X. Troopers (2012): Story ; Resident Evil: Revelations 2 (2015): Chief script writer 
Title: Predator (film)
Content:  forces operations during that period. As the Thomas brothers were first time screenwriters with little credibility in Hollywood, they struggled to attract attention for their proposed film, and eventually resorted to slipping the script under the door of 20th Century Fox producer Michael Levy (who would go on to serve as executive producer on the film's sequel, Predator 2). Levy then brought the screenplay to producer Joel Silver who, based on his experience with Commando, decided to turn the science fiction pulp storyline into a big-budget film. Silver enlisted his former boss Lawrence Gordon as co-producer and John McTiernan was hired as director for his first studio film. At one point, New Zealand director Geoff Murphy was also considered to direct.
Title: Navy SEALs (film)
Content:  In the winter of 1986 Brenda Feigen, then an agent at the William Morris Agency, was introduced to Chuck Pfarrer through one of her clients. Pfarrer, an active duty navy SEAL who wrote screenplays in his spare time, had just sold "The Crook Factory," a script about Ernest Hemingway's life. Feigen encouraged him to write a script based on his experiences. After retiring from the SEALs, Pfarrer wrote the script, which Feigen shopped to Orion Pictures, Warner Brothers, and United Artists, hoping to create a bidding war. Orion ultimately purchased the script, with Feigen acting as producer. Feigen wanted Ridley Scott to direct, but negotiations fell through. Richard Marquand was then hired, 
Title: Michael Cimino's unrealized projects
Content:  In September 1982, Cimino approached Raymond Carver and Tess Gallagher to re-write a screenplay based on the life of Fyodor Dostoevsky. According to Carver, Cimino presented him an existing screenplay with no author credit, commissioned by the veteran Italian film producer, Carlo Ponti. The first draft had been written by a Russian writer, and then translated to English by two Italian writers. Carver and Gallagher opted to re-write the entire script, delivering a 220-page draft to Cimino in November 1982. The director was impressed with the results, but the producer returned to Europe shortly thereafter, halting further script development.

Question: Who was the screenwriter for The Command?
Answer: Samuel Fuller.
Samuel Michael Fuller.
Sam Fuller.