Title: Psyché (play)
Content:  Psyché is a five-act tragicomédie et ballet, originally written as a prose text by Molière and versified in collaboration with Pierre Corneille and Philippe Quinault, with music composed by Jean-Baptiste Lully in 1671 and by Marc-Antoine Charpentier in 1684 (music lost). The plot is based on the story of Cupid and Psyche in The Golden Ass, written in the 2nd century by Apuleius. It was first performed on 17 January 1671 before the royal court of Louis XIV at the Théâtre des Tuileries, with ballets by Pierre Beauchamps, Anthoine des Brosses, and Nicolas Delorge, and spectacular scenery and special effects designed by Carlo Vigarani.
Title: Psyché (opera)
Content:  Psyché is an opera (tragédie lyrique) in a prologue and five acts composed by Jean-Baptiste Lully to a libretto by Thomas Corneille (adapted from Molière's original play for which Lully had composed the intermèdes). Based on the love story of Cupid and Psyche, Psyché was premiered on April 19, 1678 by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris.
Title: Cupid and Psyche
Content: Psyche (symphonic poem) by César Franck (1888) ; "Psyché:poème dramatique en trois actes," (play) by Gabriel Mourey, Paris, Mercure de France, 1913. "Syrinx" was composed by Claude Debussy as incidental music for the play. ; Eros and Psyche (opera) with libretto by Jerzy Żuławski, composed by Ludomir Różycki (Wroclaw, Poland, 1917) ; Psyche: An Opera in Three Acts (opera) based on the novel Psyche by Louis Couperus, composed by Meta Overman (1955) ; Metamorphoses (play) by Mary Zimmerman, adapted from the classic Ovid poem Metamorphoses, including the myth of Eros and Psyche (Northwestern University, 1996; Circle in the Square Theatre, Broadway, NYC 2002) ; The Golden Ass (play) by Peter Oswald, adapted from Apuleius, commissioned for Shakespeare's Globe (London, England 2002) ; Cupid and Psyche (musical) by with book and lyrics by Sean Hartley and music by Jihwan Kim (New York City, NY 2003). ; 
Title: Stéphane Picq
Content:  Stéphane Picq (born 16 August 1965) is a French composer of video game music, primarily for ERE Informatique/Exxos and Cryo Interactive.
Title: Gérard Pape
Content:  Gérard Pape studied clinical psychology and music simultaneously at the University of Michigan, and is a practicing Lacanian psychoanalyst as well as a composer. After moving to France at the beginning of the 1990s, his compositions came under the influence of the Mexican composer Julio Estrada. Estrada shares with Pape an interest in psychoanalysis and focuses on what he calls "sound fantasies"—fantasies that occur "inside the head of the composer and take the form of sequences of sounds". Pape extended Estrada's conception by treating chaos as a formal concept. For example, in his opera-in-progress, Weaveworld, Pape "employs sudden and unpredictable patterns in streams of sound in a plasma that draws from chaos models". The tape part for Makbénach I and III 
Title: Psyche 59
Content:  Psyche 59 is a 1964 British drama film directed by Alexander Singer and written by Julian Halevy. It is based on the 1963 novel Psyche '59 by Françoise des Ligneris. The film stars Patricia Neal, Curd Jürgens, Samantha Eggar, Ian Bannen, Beatrix Lehmann and Elspeth March. The film was released on 29 April 1964, by Columbia Pictures.
Title: Psyche (Locke)
Content:  Psyche is a semi-opera in five acts with music by Matthew Locke to a libretto by Thomas Shadwell with dances by Giovanni Battista Draghi. It was first performed at Dorset Garden Theatre, London on 27 February 1675 by the Duke's Company with choreography the French dancing-master Saint-André. Stage machinery was by Thomas Betterton and the scenery by Stephenson. The work is loosely based on Jean-Baptiste Lully's 1671 tragédie-ballet Psyché.
Title: Gérard Pape
Content:  Gérard Pape (born April 22, 1955 in Brooklyn, New York) is a composer of electronic music, author, and psychologist. He is a former student of David Winkler, George Cacioppo, William Albright, and George Balch Wilson. He became the director of Les Ateliers UPIC (now CCMIX) in 1991.
Title: History of Paris (1946–2000)
Content:  The most influential figure classical music in postwar Paris was Olivier Messiaen (1908-1992), organist at the Trinity Church beginning in 1930 and professor at the Paris Conservatory of Music from 1942. He was noted for his scientific study of bird songs (1958), his adaptions of traditional Asian and Latin American rhythms (1960); and original church music. Other notable composers included Pierre Schaeffer, founder of the school called music concréte and composer of Symphonie pour un home seul (1950) and Orphée 51 (1951); the composer Pierre Henry, a collaborator of Schaeffer, pioneer of electro-acoustic music; and composer of The Well-Tempered microphone; and the conductor and composer Pierre Boulez, a pioneer of serial music.
Title: Pelléas et Mélisande (Fauré)
Content:  conducted by Albert Wolff. There are two different versions of the original theatre score for Pelléas et Mélisande in existence. The first is Koechlin's autograph of the orchestral score, dating from May and June 1898, and incorporating several rough sketches by Fauré in short score. The second is the conducting score used by Fauré in London; this is also a manuscript in Koechlin's handwriting. Fauré later reused the music for Mélisande's song in his song cycle La chanson d'Ève, adapting it to fit words by the Symbolist poet Charles van Lerberghe. After Fauré, three other leading composers completed works inspired by Maeterlinck's drama: Debussy's opera (1902), Schoenberg's early tone poem (1903) and Sibelius's incidental music (1905).

Question: Who was the composer of Psyché?
Answer: Jean-Baptiste Lully.
Giovanni Battista Lulli.
Lulli.