Title: Hit and Run Productions
Content: Phil Collins: No Jacket Required (1985) (television) - Executive Producer (Smith only) ; Mike + The Mechanics: A Closer Look (1989) (video) - Executive Producer (Smith only) ; Beautopia (1998) (motion picture) - Executive Producers ; Eye of the Beholder (1999) (motion picture) - Producers ; Children of Men (2006) (motion picture) - Producers ; The Possibility of Hope (2007) (video documentary) - Executive Producers ; Black Oasis (2008) - (motion picture) - Producers 
Title: Running Man (South Korean TV series)
Content:  The staff run the games, often showing up on camera either by actively participating in the game or influencing the outcome of various missions. This includes the personal cameramen (VJs), production directors (PDs), floor directors (FDs), stylists, boom operators, etc. Chief producer, Nam Seung-yong, is responsible for the production of the program, with PD Jo Hyo-jin, Im Hyung-taek, and Kim Joo-hyung (also known as Myeok PD) mainly responsible for the directing and production of the recordings of the program since inception. Other PDs have joined the program to assist as the program shifts from a single landmark to multiple locations for recording, notably Hwang Seon-man, Jeong Cheol-min, and Lee Hwan-jin. FD Go Dong-wan assists in the recordings of the 
Title: On the Record (film)
Content:  In June 2019, Oprah Winfrey joined as an executive producer on the project under her Harpo Productions banner, with Apple TV+ acquiring distribution rights to the film as part of her overall deal with Apple. Ziering and Dick worked closely with Winfrey, sending her cuts, which received her enthusiastic approval. Following the announcement of the film, Winfrey was targeted by Simmons and his supporters including 50 Cent, and she received phone calls and text messages from Simmons directly asking her to cancel the project. Additionally, the women involved with the film were targeted on social media, which the women viewed as attempts to threaten and intimidate them. In January 2020, Winfrey announced she would be withdrawing as an executive producer on the project, which resulted in the cancellation of the film's distribution deal with Apple TV+. She stated 
Title: Jack Christian
Content: His Name is Jeremiah (upcoming) - Producer ; Run Rabbit Run (in production) - Executive Producer ; The Infernal Machine (in production) - Executive Producer ; Mercy Road (in production) - Executive Producer ; Troppo (in production) - Executive Producer ; The Reef: Stalked (2022) - Producer ; Love in Bloom (2021) - Executive Producer ; Seriously Red (2021) - Executive Producer ; Dive Club (2021) - Executive Producer ; Great White (2021) - Executive Producer ; Black Water: Abyss (2020) - Executive Producer ; Never Too Late (2020) - Executive Producer ; Get Ace (2014-2017) - Showrunner / Producer / Director ; Heart&Soul (2013-2015) - Executive Producer 
Title: BH90210
Content:  rather than just one actor. The main cast remained creatively involved in the process and serve as executive producers, On May 16, Paul Sciarrotta was announced as the series' showrunner, replacing Patrick Sean Smith, who left the series alongside two unnamed writers. The writers' departures reportedly stemmed from disagreements with some of the actors and an executive overseeing the project. The writing staff had one week per episode to break the story and write the script. According to Garth, writing took place concurrently with filming, which allowed for their real life experience on-set to be incorporated into the show's storylines. Initially conceived as a half-hour comedy in the vein of Curb Your Enthusiasm, the 
Title: Showrunner
Content:  authority for the program, given the way the honorific "executive producer" was applied to a wider range of roles. There's also the fact that anyone with any power wanted a producer's credit, including the leading actors, who often did no more than say the writers' lines. "It had got to the stage where it was incredibly confusing; there were so many production credits no one knew who was responsible."" Often the showrunner is the creator or co-creator of the series, but they often move on and day-to-day responsibilities of the position fall to other writers or writing teams. Law & Order, ER, The Simpsons, The West Wing, Star Trek: The Next Generation, NYPD Blue, Supernatural and The Walking Dead are all examples of long-running shows that had successive, multiple showrunners.
Title: The O.C. (season 4)
Content:  The season was produced by Warner Bros. Television, College Hill Pictures and Wonderland Sound and Vision. The executive producers were Bob DeLaurentis, creator Josh Schwartz and Wonderland co-founders McG and Stephanie Savage. Ian Toynton and John Stephens served as co-executive producers. The staff writers were Schwartz, Savage, Stephens, J.J. Philbin, Leila Gerstein and Mark Fish. The regular directors throughout the season were Toynton, Michael Lange, Norman Buckley and Patrick Norris.
Title: Showrunner
Content:  A showrunner is the leading producer of a television series. In the United States they are credited as an executive producer and in other countries, such as Canada or Britain, simply as a producer. A showrunner has creative and management responsibility for a television series' production through combining the responsibilities of employer and, in comedy or dramas, typically also character creator, head writer, and script editor, or in animation, a story editor. In films, the director has creative control of a production, but in television, the showrunner outranks the episodic directors.
Title: Crash (2008 TV series)
Content:  Glen Mazzara served as the series executive producer and showrunner. The film's writers Paul Haggis and Robert Moresco and producer Bob Yari joined Mazzara as executive producers. Thomas Becker, Mark R. Harris, Tom Nunan, and Jorg Westerkamp all worked as producers or production executives on the original film project and are credited as co-executive producers on the series. Movie actor Don Cheadle, who was a star and producer of the 2004 film, is also on board as a co-executive producer. Mazzara hired a writing staff that he felt was used to coping with edgier material. Co-executive producer and writer Frank Renzulli had previously worked on HBO drama The Sopranos. Co-executive producer and writer Ted Mann worked on HBO drama Deadwood. Producer and writer Stacy Rukeyser worked with Mazzara on Standoff. Executive story editor Chris Collins came from the recently completed HBO drama The Wire. Executive story editor Randy Huggins had previously worked with Mazzara on The Shield. The pilot episode was directed by Sanford Bookstaver.
Title: Showrunner
Content:  Traditionally, the executive producer of a television program was the chief executive, responsible for the show's creative direction and production. Over time, the title of executive producer was applied to a wider range of roles—from someone who arranges financing to an "angel" who holds the title as an honorific with no management duties in return for providing backing capital. The term showrunner was created to identify the producer who holds ultimate management and creative authority for the program. The blog and book Crafty Screenwriting defines a showrunner as "the person responsible for all creative aspects of the show and responsible only to the network (and production company, if it's not [their] production company). The boss. Usually a writer." Los Angeles Times columnist Scott Collins describes showrunners as: ""Hyphenates", a curious hybrid 

Question: Who was the producer of On the Run?
Answer: Jay Chou.
Zhou Jielun.
Chou Chieh-lun.
sheldon.