Title: Dreams on Spec
Content:  The film follows three aspiring screenwriters as they struggle to turn their scripts into movies. David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach. Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the great American screenplay. And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.
Title: Fourteen Hours
Content:  Steve Fisher wrote the script. Filming took place in November 1955.
Title: Friday the 13th: The Final Chapter
Content:  The filmmakers wanted Joseph Zito, who had previously produced and directed The Prowler, to direct and write the screenplay for the film. He initially claimed that he wasn't a writer, but he later accepted it when the contract offered him payment for directing and writing. Zito secretly used the extra salary to hire Barney Cohen to write the script. Their process entailed Zito taking one-hour phone calls every night with Phil Scuderi to discuss the film's screenplay and story. He then met Cohen in a New York apartment to use the ideas Scuderi had offered, which then they would turn into script pages sent that day to Scuderi in Boston to be discussed again over the phone. Cohen remained credited for writing the film, but he eventually got into trouble with the Writer's Guild of America 
Title: What They Had
Content:  In 2014, Elizabeth Chomko was selected for the Sundance Institute's Screenwriters Lab with a script for the drama film What They Had. In September 2015, Chomko's script was announced as a winner for the Nicholl Fellowships in Screenwriting. In June 2016, Chomko revealed she would also direct the film from her screenplay. Albert Berger and Ron Yerxa were later reported to produce for Bona Fide Productions, along with Bill Holderman, and Andrew Duncan and Alex Saks producing for June Pictures, and Keith Kjarval producing for Unified Pictures.
Title: The Story of Ruth
Content:  In 1957, Simon Windelburg was announced as the film's screenwriter. Michael Kanin and his wife, Fay Kanin, who were later hired to write the screenplay, wrote treatments for the film. Frank G. Slaughter wrote a screenplay based on his 1954 novel The Song of Ruth: A Love Story From the Old Testament. Norman Corwin wrote an entirely new screenplay after summer 1958. Corwin submitted his final draft of the script on September 1, 1959. Production began in late November 1959 and ended in mid-February 1960.
Title: Fourteen Hours
Content:  Writer Joel Sayre wrote about the Warde suicide in The New Yorker, in an article entitled "That Was New York: The Man on the Ledge", which was published on April 16, 1949. The story was purchased by Twentieth Century Fox in April 1949 and the studio assigned Sol C. Siegel to produce. In August 1949 Fox said that the team of James Gow and Arnaud D'asseu, who had written the Broadway hit Tomorrow the World, would write the script. In January 1950 Fox assigned screenwriter John Paxton to write the script. Paxton completely fictionalised the story. He decided not to use flashbacks to explain why the lead character was up on the ledge. Richard Basehart, who eventually 
Title: Production of Ben-Hur (1959 film)
Content:  Lew Wallace's 1880 novel, Ben-Hur: A Tale of the Christ, ran to about 550 pages. Zimbalist hired a number of screenwriters to cut the story down and turn the novel into a script. According to Gore Vidal, more than 12 versions of the script had been written by various writers by the spring of 1958. Vidal himself had been asked to write a version of the script in 1957, refused, and been placed on suspension for his decision. Karl Tunberg was one of the last writers to work on the script. Zimbalist had initially chosen director Sidney Franklin to helm the 
Title: Ben-Hur (1959 film)
Content:   Wyler felt Tunberg's draft was too much of a morality play overlaid with current Western political overtones, and that the dialogue was too modern-sounding. Zimbalist brought in playwright S. N. Behrman (who also wrote the script for Quo Vadis) and then playwright Maxwell Anderson to write drafts. Gore Vidal biographer Fred Kaplan states that British poet and playwright Christopher Fry was hired simultaneously with Vidal, although most sources (including Vidal himself) state that Vidal followed Anderson, and that Fry did not come aboard until Vidal was close to leaving the picture. Vidal arrived in Rome in early March 1958 to meet with Wyler. Vidal claimed that Wyler had not read the 
Title: Production of Ben-Hur (1959 film)
Content:  Wyler said that he tried to get Tunberg and Fry co-credit for writing the screenplay. Tunberg initially agreed, Wyler said, but then changed his mind when the Screen Writers' Guild routinely investigated the claim. According to Gore Vidal and film historian Gary Giddins, however, Wyler tried to get Fry an unshared credit for the screenplay. The dispute over who would receive screen credit quickly became a public one. According to The New York Times, Vidal challenged the initial determination by the Screen Writers' Guild regarding who would receive writing credit for the film. The Screen Writers' Guild arbitrated the credit under its screenwriting credit system, and unanimously awarded full and sole credit for the script to Tunberg (who, coincidentally, was a former president of the Guild). Both director William Wyler 
Title: Ben-Hur (1959 film)
Content:  Lew Wallace's 1880 novel, Ben-Hur: A Tale of the Christ, ran to about 550 pages. Zimbalist hired a number of screenwriters to cut the story down and turn the novel into a script. According to Gore Vidal, more than 12 versions of the script had been written by various writers by the spring of 1958. Vidal himself had been asked to write a version of the script in 1957, refused, and been placed on suspension for his decision. According to Vidal, Karl Tunberg was one of the last writers to work on the script. Other sources place Tunberg's initial involvement much earlier. Tunberg cut out everything in the book after the crucifixion 

Question: Who was the screenwriter for 15?
Answer: Royston Tan.
陈子谦.
Chén Zǐqiān.
Tân Jí-khiam.
Tan Ji-khiam.