Title: John Barry (composer)
Content:  After the success of Dr. No, Barry was hired to compose and perform eleven of the next fourteen James Bond films, while Monty Norman was never offered another James Bond film. Norman is legally recognised as the composer of the James Bond Theme. In his tenure with the film series, Barry's music, variously brassy and moody, achieved very wide appeal. For From Russia with Love he composed "007", an alternative James Bond signature theme, which is featured in four other Bond films (Thunderball, You Only Live Twice, Diamonds Are Forever, and Moonraker. The theme "Stalking", for the teaser sequence of From Russia with Love, was covered by colleague 
Title: Tabloid (film)
Content:  The film's score was composed by John Kusiak, who had previously worked with Errol Morris on The Fog of War and First Person. According to Kusiak the process of composing the soundtrack was unusual as Morris "likes to have music early on in the process and he likes to actually edit the film to the music rather than the traditional Hollywood approach.” The soundtrack was officially released on July 12, 2011 by Milan Records.
Title: Love &amp; Friendship
Content:  On December 29, 2015, a contributor to Film Music Reporter confirmed the film's score was being composed by Mark Suozzo, who has composed the music for all of Stillman's previous films. French composer Benjamin Esdraffo wrote additional pieces, including the opening harp theme. The score was recorded in August 2015 at the Windmill Lane Studios in Dublin, with Suozzo conducting the Irish Film Orchestra. Film editor Sophie Corra was involved in selecting the music, while Etienne Jardin, an expert on period music, helped with the musical research. Stillman commented that while Austen's novel was written during the 1790s, they felt earlier music appeared to reflect 'the spirit of the piece' better. Suozzo added that 'the music of Love & Friendship brings the Georgian era to life through a variety of musical styles'. The soundtrack includes original compositions and well-known and obscure classical pieces by William Boyce, George Frideric Handel, Henry Purcell, Wolfgang Amadeus Mozart and Antonio Vivaldi. The score was released on May 6, 2016.
Title: Music of Grim Fandango
Content:  Tim Schafer, Peter McConnell and other members of the development team had had long and overlapping careers from previous projects at LucasArts. For McConnell, who had joined LucasArts at the urging of Michael Land, another acclaimed composer of LucasArts, that included working on the music of other notable computer games, including Monkey Island 2: LeChuck's Revenge (1991), Indiana Jones and the Fate of Atlantis (1992), Sam & Max Hit the Road (1993), Day of the Tentacle (1993), Full Throttle (1995). In composing for Grim Fandango, McConnell benefitted from having been a big jazz and film noir fan since his college time. He had his first experience in composing jazz in his work for Monkey Island; a team of 
Title: Never Say Never Again
Content:  James Horner was both Kershner's and Schwartzman's first choice to compose the score after being impressed with his work on Star Trek II: The Wrath of Khan. Horner, who worked in London for most of the time, wound up unavailable according to Kershner, though Schwartzman later claimed Sean Connery vetoed the American. Frequent Bond composer John Barry was invited, but declined out of loyalty to Eon. The music for Never Say Never Again was written by Michel Legrand, who composed a score similar to his work as a jazz pianist. The score has been criticised as "anachronistic and misjudged", "bizarrely intermittent" and "the most disappointing feature of the film". Legrand also wrote the main theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman — who had also worked with Legrand on the Academy Award-winning song "The Windmills of Your Mind" — and was performed by Lani Hall after Bonnie Tyler, who disliked the song, had reluctantly declined. Phyllis Hyman also recorded a potential theme song, written by Stephen Forsyth and Jim Ryan, but the song — an unsolicited submission — was passed over, given Legrand's contractual obligations with the music.
Title: The Ipcress File (film)
Content:  John Barry, who had worked on all of the Bond films up to this time, composed the music score for the soundtrack. As opposed to the electric guitar which carried the melody in the "James Bond Theme", Barry made prominent use of a cimbalom. The complex electronic sound effect of the brain-washing process was conceived by sound engineer Norman Wanstall and created by the BBC Radiophonic Workshop.
Title: Forest of the Damned 2
Content:  The score was composed by Robert Pawliczek, Bernhard Riener and Arlen Figgis. The soundtrack features songs by Belligerence.
Title: The Thin Blue Line (1988 film)
Content:  The film was scored by composer Philip Glass. The original film soundtrack was published by Dunvagen Music Publishers, Inc. The music for the original film was produced by Kurt Munkasci, and the performing orchestra conducted by Michael Riesman. Morris has claimed that prior to Glass' involvement in the project, he personally edited The Thin Blue Line to a mix-tape of Glass' earlier works, including selections from Mishima and In the Upper Room and Glassworks. In an interview with Marc Glassman of POV magazine, Morris explained his rationale for seeking Glass to compose the score:"I had the good fortune of actually convincing him [Philip Glass] to write the soundtrack himself. Someone asked me, ‘Why Philip Glass?’ And I said, ‘because he does existential dread better than anybody. He’s the master of existential dread.’"
Title: Hoodwinked!
Content:  The film's score was composed by John Mark Painter, who along with his wife Fleming McWilliams, constituted the rock duo Fleming and John in the 1990s. The Edwards brothers were fans of the group and first met Painter while Cory was performing in an animated film on which Painter served as the composer. The score was inspired by music from the 1960s and the soundtracks to Planet of the Apes, Dark Shadows, and The Untouchables have been cited as influences, as well as the works of Henry Mancini. It was recorded in Nashville, Tennessee, where Kristin Wilkinson served as the orchestrator and conductor. In an effort 
Title: The Favourite
Content:  The soundtrack of The Favourite consists mostly of baroque and classical music, including pieces by W. F. and J. S. Bach, Handel, Purcell, Vivaldi, Schumann and Schubert. It also includes works by 20th-century composers Olivier Messiaen and Luc Ferrari, and the contemporary British composer Anna Meredith. The first song to play over the closing credits is "Skyline Pigeon" by Elton John, from his début album Empty Sky (1969), in the harpsichord version. Much of the music that appears to be contemporaneous with the time in which the film is set was composed later; for example, Bach's Organ Fantasia in G minor, Schubert's Piano Trio No. 2 and Piano Sonata in B-flat, and Schumann's Piano Quintet. The film's sound designer Johnnie Burn said; "There was no composer on this film; we were working a lot in that space between music and sound". He also said he used "specific EQ frequencies to shape [atmospheric sound] like score".

Question: Who was the composer of The Firm?
Answer: Dave Grusin.
Robert David Grusin.