Title: F/X
Content:  The unsolicited screenplay was written by two novice writers, actor Gregory Fleeman and documentarian Robert T. Megginson. Producer Jack Wiener read their script, which was submitted as a low-budget television movie, and felt that it should be made into a theatrical release. Wiener and his co-producer Dodi Fayed hired Robert Mandel, an Off-Broadway director. They did not want to hire an action director, but instead wanted a director who would bring a realistic touch to the film and make the audience care about the main character. Mandel accepted the job because he wanted to dispel the perception that he was a "soft, arty director". Initially he was not impressed with the film's screenplay, which he felt was not well-crafted but felt that it provided for "a lot of action and a lot of things I did not have 
Title: Elan Mastai
Content:  Elan Mastai is a Canadian screenwriter and novelist. He is best known for The F Word, for which he won the Canadian Screen Award for Best Adapted Screenplay at the 2nd Canadian Screen Awards in 2014. His other screenwriting credits include MVP: Most Vertical Primate and Fury. He has described The F Word as the first time he wrote a screenplay in his own voice, rather than to the commercial demands of a mass-audience film. He was born and raised in Vancouver, British Columbia, to a Canadian mother and an Israeli immigrant father. Both his parents are Jewish, and they met in Jerusalem. He studied 
Title: Spirit: Stallion of the Cimarron
Content:  Writer John Fusco, best known for his work in the Western and Native American genres (such as the films Young Guns and Young Guns II), was hired by DreamWorks Animation to create an original screenplay based on an idea by Jeffrey Katzenberg. Fusco began by writing and submitting a novel to the studio and then adapted his own work into screenplay format. He remained on the project as the main writer over the course of four years, working closely with Katzenberg, the directors, and artists.
Title: Sorcerer (film)
Content:  Friedkin appointed Walon Green as the film's screenwriter. The director got to know Green in the 1960s, and was since highly impressed with his work in Sam Peckinpah's western The Wild Bunch. Friedkin described Green as a multilingual person, fluently speaking French, Spanish, Italian, and German, as well as having "an encyclopedic knowledge of classical music and literature". Prior to writing the script, Green expressed enthusiasm about the project and suggested Friedkin read Gabriel García Márquez's novel One Hundred Years of Solitude. Friedkin described it as "another lifechanging work" which served as a workprint for their adaptation of Wages of Fear. The story outline was created by both Friedkin and Green, and the script was finished in four months. Gerard 
Title: Frank Fenton (writer)
Content:  partnered on twenty-one film projects for Twentieth Century-Fox, Goldwyn, RKO and MGM. In 1938, Fenton branched out into magazine writing, penning a total of nine short stories for Collier's in just over a two-year period (see "Short Stories" in "Selected bibliography" below). He also wrote what many consider to be a classic (and satirically biting) look at the way "original stories" and screenplays were produced in Hollywood in an article for The American Mercury. During these years, Fenton could be found in one of three primary places: behind his typewriter, out on the town with his writer friends (often in the back room of Musso & Frank's restaurant on Hollywood Boulevard ), or on a golf course.
Title: The F Word (2005 film)
Content:  Combining fictional scenes - written by over thirty different writers - set among actual protests with documentary footage of people Joe meets along the way, the film weaves together a seamless narrative. In a uniquely interactive writing process, each day new scenes were written and appropriated to upcoming events and in response to the previous day's footage. It is often impossible to tell the difference between fiction and reality. The concept is loosely inspired by Medium Cool by Haskell Wexler. The film was shot by cinematographer Christian Ditlev Bruun and Heather Greer on two main cameras at 24 frames/second, as well as several other video formats for b-roll. The film was unconventionally color corrected and composited using several different types of software as well as in-camera adjustments creating a unique, photographic expression. Motion graphics, titles, and color grading as well as the official poster and website was designed by Christian D. Bruun.
Title: The Fugitive (1993 film)
Content:  was supposed to shoot. According to Davis, he never met with credited screenwriter David Twohy, whose main contribution was writing the train crash. Beyond that, Davis said "he wasn’t involved in anything we did. Jeb Stuart was there with us...basically responding to things we were coming up with all the time...[Warner Bros.] can’t talk about this because of the Writers Guild, but Tommy Lee Jones, myself, Harrison [Ford] and other people who were close with us, especially coming up with the whole plot about the pharmaceuticals, they were uncredited writers." Jane Lynch, who was cast as Dr. Kathy Wahlund in one of her first film roles, recalled having 
Title: The Favourite
Content:  Producer Ceci Dempsey, who read the first draft, said she was "haunted" by "the passion, the survival instincts of these women, the manipulations and what they did to survive". Dempsey had difficulty securing finance due to the script's lesbian content and the lack of male representation, which financers felt would be challenging to market. Almost a decade later, producer Ed Guiney obtained the script and was also attracted to the complex plot and relationships of the three women; he said, "We didn't want to make just another British costume drama ... [we wanted] a story that felt contemporary and relevant and vibrant—not 
Title: Frankenstein Unbound
Content:  Producer Thom Mount approached Roger Corman with the idea to get him back into directing after a two decade absence. To get a strong script, Corman looked to known writers including Wes Craven and Floyd Mutrux to craft something original before ultimately having F.X. Feeney adapt Brian Aldiss' novel Frankenstein Unbound with input from Corman himself.
Title: Fury (1936 film)
Content:  Norman Krasna was inspired to write the story after reading about a lynching in The Nation. He pitched the idea to Samuel Marx and Joseph L. Mankiewicz at MGM, who were attracted to it. Krasna claimed that he did not write a script; he verbally pitched it to Mankiewicz, who then dictated it. Multiple changes were made from Krasna's story to the final script. Fury was Lang's first American film, and is considered by critics to have been compromised by the studio, which forced Lang to tack on a reconciliation between Tracy's character and his girlfriend at the end. The film was a major departure for MGM, known for its 

Question: Who was the screenwriter for F?
Answer: Johannes Roberts.