Title: Screenwriters: Words Into Image
Content:  Screenwriters: Words Into Image (1982) is a PBS documentary series produced in the United States and featuring six 30-minute episodes. Each explored the work of a single significant American screenwriter. The series was directed by Terry Sanders and Freida Lee Mock. Individual episodes featured Carl Foreman, who was blacklisted in the 1950s after being classified as an uncooperative witness by the House Unamerican Activities Committee and worked for years in Great Britain; William Goldman, Paul Mazursky, Eleanor Perry, Neil Simon, and Robert Towne. The series was nominated for the Primetime Emmy Award for Outstanding Informational Series in 1983.
Title: The Current War
Content:  Michael Mitnick began writing the script for The Current War in 2008, basing it on the real life "war of the currents" AC/DC conflict between Edison and Westinghouse. The screenplay is the conclusive result of sixty drafts, a ten-year writing process, first as a musical and finally as a film. In 2011 Mitnick's screenplay made the Black List, an industry survey of "most liked" screenplays not yet produced. On May 3, 2012, it was reported that Timur Bekmambetov's company, Bazelevs, had acquired the rights to Mitnick's screenplay. Bekmambetov was set to direct. On March 31, 2014, it was reported that Ben Stiller was in negotiations to direct the film. As of September 24, 2015, Benedict Cumberbatch and Jake Gyllenhaal were in talks to play Thomas Edison and George Westinghouse, 
Title: Nathanael West
Content:  as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel Before the Fact (1932) by Francis Iles. West and Ingster wrote the screenplay in seven weeks, with West focusing on characterization and dialogue and Ingster focusing on the narrative structure. RKO assigned the film, eventually released as Suspicion (1941), to Alfred Hitchcock; but Hitchcock already had his own, substantially different, screenplay. Hitchcock's screenplay was written by Samson Raphaelson, Joan Harrison (Hitchcock's secretary), and Alma Reville (Hitchcock's wife). West and Ingster's screenplay was abandoned, but the text can be found in the Library of America's edition of West's collected works.
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: War and Peace (1956 film)
Content:  War and Peace has six credited screenwriters, an unusually high number for a mainstream film, even in 1956. The first draft of the screenplay was five hundred six pages, roughly five times the size of an average screenplay. Contemporaneous sources claim that Irwin Shaw was one of the writers, but insisted his name be stricken from the credits after he learned that Vidor’s wife, Elizabeth Hill, rewrote much of the dialogue. Vidor also made extensive rewrites during filming. Uncredited contributors to the final script included Jean Aurenche, Pierre Bost, Sergio Amidei, Gian Gaspare Napolitano, and second-unit director Mario Soldati.
Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: What Now
Content:  whom have gone on to roles as directors and writers. A more recent presenter who made a significant behind-the-scenes contribution was Anthony Samuels, who also trained as a director. Off-screen personnel who have shaped What Now over the years are many. They include camera operator and director Alan Henderson (also the brains behind Jason Gunn's sidekick Thingee), Directors Keith Tyler-Smith, Bill de Friez, Peter Verstappen, Mike Rehu, Brian Wickstead, Mark Owers, Mike Ritchie, Jason Gunn and Richard Hansen. Producers include Richard Driver, Mike Rehu, Tony Palmer, Anne Williams, Emma Martini(Gribble), Reuben Davidson, Jo Eade, Adam Percival and Executive Producer Janine Morrell-Gunn.
Title: Dreams on Spec
Content:  The film follows three aspiring screenwriters as they struggle to turn their scripts into movies. David is a hip talent agent's assistant with three scripts circulating around town. He's plugged into "young Hollywood" - and when he's not working or writing, he's usually hanging out at the beach. Joe is a middle-aged family man who has split time over the last three years between caring for his autistic daughter and writing what he believes could be the great American screenplay. And Deborah is trying to become one of the few African-American women to ever write and direct a feature film, though she's struggling just to pay her bills while she searches for money to produce her script. Between these stories, the film intercuts critical insight from such Hollywood screenwriters as James L. Brooks, Nora Ephron, Carrie Fisher, Gary Ross, Steven E. de Souza, Ed Solomon, Paul Guay, Scott Alexander and Larry Karaszewski.
Title: Tomorrow Never Dies
Content:  As had been the case with several previous films in the series, an entirely original story was required as there remained no Ian Fleming novels or stories to adapt. The scriptwriting process was finished very late due to lengthy disputes. Initial writers on the project included John Cork, Richard Smith, and novelist Donald E. Westlake. In 1995, Westlake wrote two story treatments in collaboration with Wilson, both of which featured a villain who plans to destroy Hong Kong with explosives on the eve of the city's July 1997 transfer of sovereignty to China. Westlake used some of his ideas for a novel he completed the next year, though it 
Title: The Way We Were
Content:  regretted recommending Pollack. The director demanded the role of Hubbell be made equal to that of Katie, and throughout filming, for unexplained reasons, he kept Laurents away from Redford. What was intended to be the final draft of the screenplay was written by Laurents and Pollack at Stark's condominium in Sun Valley, Idaho. Laurents, dismayed to discover very little of his work remained when it was completed, left the project. Over time, 11 writers, including Dalton Trumbo, Alvin Sargent, Paddy Chayefsky, and Herb Gardner, contributed to the script. The end result was a garbled story filled with holes that neither Streisand nor Redford liked. Laurents was asked to return and 

Question: Who was the screenwriter for The Past?
Answer: Asghar Farhadi.