Title: Star Trek: First Contact
Content:  Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes (in his motion picture directorial debut) and based on the franchise Star Trek. It is the eighth film in the Star Trek film series, the second to star the cast of Star Trek: The Next Generation. In the film, the crew of the USS Enterprise-E travel back in time from the 24th century to the mid-21st century to stop the cybernetic Borg from conquering Earth by changing their past. After the release of Star Trek Generations in 1994, Paramount Pictures tasked writers Brannon Braga and Ronald D. Moore with developing the next film in the series. Braga and Moore wanted to feature 
Title: Star Trek: First Contact
Content: Patrick Stewart as Jean-Luc Picard, the captain of the USS Enterprise-E who is haunted by his time as a member of the Borg. Stewart was one of the few cast members who had an important role in developing the script, offering suggestions and comments. Picard's character was changed from the "angst-ridden character [viewers have] seen before", to an action hero type. Stewart noted that Picard was more physically active in the film compared to his usual depiction. ; Jonathan Frakes as William T. Riker, the ship's first officer who leads the away team on Earth. Frakes said he did not have much difficulty directing 
Title: Star Trek: First Contact
Content:  Principal photography took a more leisurely pace than on The Next Generation because of a less hectic schedule; only four pages of script had to be filmed each day, as opposed to eight on the television series. First Contact saw the introduction of cinematographer Matthew F. Leonetti to the Star Trek franchise; Frakes hired him out of admiration for some of his previous work on films such as Poltergeist and Strange Days. Leonetti was unfamiliar with the Star Trek mythos when Frakes approached him; to prepare for the assignment, he studied the previous four films in the franchise, each with a different 
Title: Star Trek: First Contact
Content:  The majority of First Contacts effects were handled by Industrial Light & Magic under the supervision of John Knoll. Smaller effects sequences, such as phaser fire, computer graphics, and transporter effects, were delegated to a team led by visual-effects supervisor David Takemura. Accustomed to directing episodes for the television series, Frakes was frequently reminded by effects artist Terry Frazee to "think big, blow everything up". Most of the effects sequences were planned using low-resolution computer-generated animatics. These rough animated storyboards established length, action and composition, allowing the producers and director to ascertain how the sequences would play out before they were shot. First Contact was the 
Title: Star Trek: First Contact
Content:  shooting in Arizona and California, before production moved to new sets for the ship-based scenes. The Borg were redesigned to appear as though they were converted into machine beings from the inside-out; the new makeup sessions took four times as long as their appearances on the television series. Effects company Industrial Light & Magic rushed to complete the film's special effects in less than five months. Traditional optical effects techniques were supplemented with computer-generated imagery. Jerry Goldsmith produced the film’s score. Star Trek: First Contact was released on November 22, 1996, and was the highest-grossing film on its opening weekend. It eventually made $92 million in the United States and Canada with an additional $54 million in 
Title: Star Trek: First Contact
Content:  First Contact was the first Star Trek film to make significant use of computer-generated starship models, though physical miniatures were still used for the most important vessels. With the Enterprise-D destroyed during the events of Generations, the task of creating a new starship fell to veteran Star Trek production designer Herman Zimmerman. The script's only guide on the appearance of the vessel was the line "the new Enterprise sleekly comes out of the nebula". Working with illustrator John Eaves, the designers conceived the new Sovereign-class Enterprise-E as "leaner, sleeker, and mean enough to answer any Borg threat you can imagine". Braga 
Title: Star Trek: First Contact
Content:  all of the mentioned qualities, and being impressed by her performance in Ghost Story; the director considers her the sexiest Star Trek villain of all time. Krige suffered a large amount of discomfort filming her role; her costume was too tight, causing blisters, and the painful silver contact lenses she wore could only be kept in for four minutes at a time. First Contact is the first film in the Star Trek film series in which none of the main characters from The Original Series appear. Rather, the main cast of Star Trek: The Next Generation play the following characters: The film also 
Title: Star Trek: First Contact
Content:  than any ILM digital doodle. Here is real acting! In a Star Trek film!" The special effects were generally praised. Jay Carr of The Boston Globe said that First Contact successfully updated Star Trek creator Gene Roddenberry's concept with more elaborate effects and action. Thompson's assessment mirrored Carr's; he agreed that the film managed to convey much of the original 1960s television show, and contained enough "special effects wonders and interstellar gunplay" to sate all types of viewers. Ebert wrote that while previous films had often looked "clunky" in the effects department, First Contact benefited from the latest in effects technology. A dissenting opinion was offered by Scott, who 
Title: Star Trek: First Contact
Content:  First Contact garnered positive reviews on release. Ryan Gilbey of The Independent considered the film wise to dispense with the cast of The Original Series: "For the first time, a Star Trek movie actually looks like something more ambitious than an extended TV show," he wrote. Conversely, critic Bob Thompson felt that First Contact was more in the spirit of the 1960s television series than any previous installment. The Globe and Mail Elizabeth Renzeti said that First Contact succeeded in improving on the "stilted" previous entry in the series, and that it featured a renewed interest in storytelling. Kenneth Turan of the Los Angeles Times wrote, "First Contact does everything 
Title: Star Trek: First Contact
Content:  territories, combining to a worldwide total of $146 million. Critical reception was mostly positive; critics including Roger Ebert considered it to be one of the best Star Trek films, and it was the most positively reviewed film in the franchise (93% of reviews were positive) until being marginally surpassed (94%) by the 2009 reboot film. The Borg and the special effects were lauded, while characterization was less evenly received. Scholarly analysis of the film has focused on Captain Jean-Luc Picard's parallels to Herman Melville's Ahab and the nature of the Borg. First Contact was nominated for the Academy Award for Best Makeup and won three Saturn Awards. It was followed by Star Trek: Insurrection in 1998.

Question: Who was the director of Star Trek: First Contact?
Answer: Jonathan Frakes.
Jonathan Scott Frakes.