Title: Barbara Benedek
Content:  Benedek was a psychiatric researcher prior to becoming interested in screenwriting. Her first entertainment industry job was as sitcom storywriter and editor for Witt-Thomas-Harris. Her first film screenplay was for the 1983 comedy-drama film The Big Chill. For her work on the film she received, along with co-writer Lawrence Kasdan, the Writers Guild of America Award for Best Original Screenplay in 1984. She was also nominated for the Academy Award for Best Original Screenplay, Golden Globe Award for Best Screenplay, BAFTA Award for Best Original Screenplay, and was runner-up for the Los Angeles Film Critics Association Award. She went on to write screenplays for Immediate Family (1989) and Men Don't Leave (1990). In his two-star review of Men Don't Leave, Roger Ebert speculated that Benedek's screenplay started out "a good deal more 
Title: Raymond Chandler
Content:  film adaptations led to a demand for Chandler himself as a screenwriter. He and Billy Wilder co-wrote Double Indemnity (1944), based on James M. Cain's novel of the same title. The noir screenplay was nominated for an Academy Award. Said Wilder, "I would just guide the structure and I would also do a lot of the dialogue, and he (Chandler) would then comprehend and start constructing too." Wilder acknowledged that the dialogue which makes the film so memorable was largely Chandler's. Chandler's only produced original screenplay was The Blue Dahlia (1946). He had not written a denouement for the script and, according to producer John Houseman, Chandler concluded 
Title: Clifford Odets
Content:  a phrase that would dog Odets for the rest of his life Like most screenwriters of the time, Odets worked within the studio system until the advent of independent production in the 1950s. Thus Odets would often write drafts for films such as Rhapsody in Blue and It's a Wonderful Life that were handed off to another screenwriter or team for further development. Odets declined to be credited for many of the films on which he worked. He did, however, accept full credit as both screenwriter and director for None but the Lonely Heart (1944), adapted from the novel by Richard Llewellyn and produced by RKO. The film starred Cary Grant, Ethel Barrymore (who won an Oscar for Best Supporting Actress), 
Title: Benedict Fitzgerald
Content:  Benedict Fitzgerald (born 1949) is an American screenwriter who co-wrote the screenplay for 2004 film The Passion of the Christ with its director, Mel Gibson. His other writing credits include a television screenplay of Moby-Dick in 1998 (uncredited) and Wise Blood in 1979. He is a consulting producer on the Paramount+ television series Evil.
Title: My Dear Miss Aldrich
Content:  The film was written by Herman J. Mankiewicz. It was one of a number of scripts written by Mankiewicz early in his career which film historian Charles Higham called "hackwork" and "manufactured...written without enthusiasm". The director was George B. Seitz, a director best known for the gentle and bland "Andy Hardy" series of family comedies which starred Mickey Rooney.
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: Script doctor
Content:  ; Quentin Tarantino: It's Pat (1994) and Crimson Tide (1995). ; Robert Towne: Bonnie and Clyde (1967), The Godfather (1972), and Armageddon (1998). Author Peter Biskind writes in Easy Riders, Raging Bulls (1998) that Francis Ford Coppola asked Towne if he wanted credit for his contributions to the screenplay of The Godfather, and Towne replied: "Don't be ridiculous. I only wrote a couple of fuckin' scenes. If you win an Oscar, thank me." Coppola won the Academy Award for Best Writing (Adapted Screenplay) and thanked Towne. ; Joss Whedon: Speed (1994), The Quick and the Dead (1995), Waterworld (1995), Twister (1996), and X-Men (2000). 
Title: Kurt Luedtke
Content:  but was unavailable to help on the screenplay. Luedtke offered to write the screenplay for free providing that he could have his idea back if Orion didn't proceed with the movie. Ultimately, Sydney Pollack was available to direct the movie, which became Absence of Malice, beginning the working relationship between the two men. Luedtke received a nomination for the Academy Award for Best Original Screenplay, a rare accomplishment for a first-time screenwriter. He again collaborated with Pollack in Out of Africa (1985). The film won seven Oscars (from 11 nominations), including Luedtke's award for Best Adapted Screenplay. His final partnership with Pollack came in Random Hearts, released in 1999.
Title: The Verdict
Content:  Film rights to the novel were bought by the team of Richard Zanuck and David Brown. A number of actors, including Roy Scheider, William Holden, Frank Sinatra, Cary Grant and Dustin Hoffman, expressed interest in the project because of the strength of the lead role. Arthur Hiller was originally attached to direct while David Mamet hired to write a screenplay. Though Mamet had already made a name for himself in the theater, he was still new to screenwriting. The producers were uncertain whether Mamet would take the job given the standards he set with his own previous work, but according 
Title: The Divergent Series
Content:  Snow White and the Huntsman screenwriter Evan Daugherty and Hope Springs screenwriter Vanessa Taylor co-wrote the screenplay for Divergent. During the time that Neil Burger was originally going to direct the sequel, Brian Duffield was recruited to write the screenplay for The Divergent Series: Insurgent, but after Burger dropped out of the film and Robert Schwentke took over as director, he brought in Akiva Goldsman and Mark Bomback to rewrite Duffield's script. The screenplay for the two-part finale, The Divergent Series: Allegiant and Ascendant, was written by Noah Oppenheim, Adam Cooper, Bill Collage, and Stephen Chbosky.

Question: Who was the screenwriter for Dedication?
Answer: David Bromberg.