Title: Crash (2009 TV series)
Content:  The episodes of Crash are each written by one writer, with the whole production overseen by Tony Jordan. Jordan himself wrote the first episode of the show, while subsequent episodes have been written by a range of new and established writers including playwright Kit Lambert, actor Richard Harrington and winner of the first Red Planet Prize, Joanna Leigh. Unlike other shows that use this writing model, Jordan doesn't rewrite or add to any of the other writers scripts. Instead each writer has to go through several drafts of rewriting their own scripts before they are filmed.
Title: Alex Cox
Content:  In 1996, producer Stephen Nemeth employed Alex Cox to write and direct an adaptation of Hunter S. Thompson's Fear and Loathing in Las Vegas. After creative disagreements with the producer and Thompson, he was sacked from the project, and his script rewritten when Terry Gilliam took over the film. (Cox later sued successfully for a writing credit, as it was ruled that there were enough similarities between the drafts to suggest that Gilliam's was derivative of Cox's. Gilliam countered that the screenplays were based on the source book and similarities between them were a consequence of this.) In 1997, Alex Cox made a deal with Dutch 
Title: The Fugitive (1993 film)
Content:  was supposed to shoot. According to Davis, he never met with credited screenwriter David Twohy, whose main contribution was writing the train crash. Beyond that, Davis said "he wasn’t involved in anything we did. Jeb Stuart was there with us...basically responding to things we were coming up with all the time...[Warner Bros.] can’t talk about this because of the Writers Guild, but Tommy Lee Jones, myself, Harrison [Ford] and other people who were close with us, especially coming up with the whole plot about the pharmaceuticals, they were uncredited writers." Jane Lynch, who was cast as Dr. Kathy Wahlund in one of her first film roles, recalled having 
Title: Crash (2008 TV series)
Content:  Glen Mazzara served as the series executive producer and showrunner. The film's writers Paul Haggis and Robert Moresco and producer Bob Yari joined Mazzara as executive producers. Thomas Becker, Mark R. Harris, Tom Nunan, and Jorg Westerkamp all worked as producers or production executives on the original film project and are credited as co-executive producers on the series. Movie actor Don Cheadle, who was a star and producer of the 2004 film, is also on board as a co-executive producer. Mazzara hired a writing staff that he felt was used to coping with edgier material. Co-executive producer and writer Frank Renzulli had previously worked on HBO drama The Sopranos. Co-executive producer and writer Ted Mann worked on HBO drama Deadwood. Producer and writer Stacy Rukeyser worked with Mazzara on Standoff. Executive story editor Chris Collins came from the recently completed HBO drama The Wire. Executive story editor Randy Huggins had previously worked with Mazzara on The Shield. The pilot episode was directed by Sanford Bookstaver.
Title: The Room
Content:  A film adaptation of The Disaster Artist was announced in February 2014, produced by Seth Rogen and directed by James Franco. Franco has stated The Disaster Artist was "a combination of Boogie Nights and The Master." The film stars Franco as Wiseau and his brother Dave Franco as Sestero, with the script written by The Fault in Our Stars screenwriters Scott Neustadter and Michael H. Weber. On October 15, 2015, it was announced Rogen would co-star (playing Sandy Schklair), and cinematographer Brandon Trost served as the DP. On October 29, 2015, it was announced that Warner Bros. and New Line Cinema would distribute The Disaster Artist. Filming began December 7, 2015. A work-in-progress version was 
Title: Film Crash
Content:  Sitcom Pilot Luther's Gang, Written by Massimiliano Mauceri, First Prize Action Adventure Screenplay The World Lifeguard Championship, Written by J. J. Wheeler, Jury Prize Comedy Feature Screenplay The Winner Mindset, Written by Doug Jacobson, First Prize Comedy Feature Screenplay Big Sister, Written by David Chester, First Prize Dramatic Feature Screenplay Nicole, Her Ex & The Killer, Written by Bob Akins, First Prize Horror Screenplay Devil's Portal, Written by Frank del Aguila, First Prize Best Los Angeles Screenplay Male Delivery, Written by Paul Penley, First Prize Romantic Comedy Screenplay Dinosaur, Written by Frederik With-Seidelin Skov, First Prize Dramatic Short Screenplay Cajun Justice, Written by Mike Briock, First Prize Thriller Screenplay
Title: Damages (season 3)
Content:  After Damages had finished airing its first season in October 2007, FX renewed the series for two additional 13-episode seasons. Production on both seasons was delayed due to the Writer's Guild Strike, which delayed the season two premiere until the beginning of 2009, and season three was consequently delayed until January 2010. As with the previous two seasons, season three of Damages was executive produced by series creators Todd A. Kessler, Glenn Kessler, and Daniel Zelman. Mark A. Baker and Aaron Zelman served as co-executive producers with Mark Fish serving as co-producer. Aaron Zelman and Mark Fish each wrote one episode and co-wrote the sixth episode. Jeremy Doner and Adam Stein also wrote one episode each. The season's main directors were Matthew Penn (three episodes), Todd A. Kessler (two episodes), and Timothy Busfield (two episodes). Co-creators Daniel Zelman and Glenn Kessler each made his directorial debut with episode five and episode seven, respectively, as did series director of photography David Tuttman with episode ten. The remaining three episodes were directed by Tony Goldwyn, Chris Terrio, and series star Tate Donovan.
Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: The Comedy Writer
Content:  The Comedy Writer is a 1998 novel by filmmaker Peter Farrelly. The story revolves around Henry Halloran, a young man who quits his sales job in New England and moves to Los Angeles to pursue his dream of becoming a comedic screenwriter. Henry's pursuit is an arduous one, involving many humiliating rejections, low-paying waitstaff jobs to pay the bills, and a grating, unwanted female roommate. Because many of the exploits of the protagonist are similar or identical to Peter Farrelly's own life, it is believed that this novel is partly (or mostly) autobiographical.
Title: Crash (2008 TV series)
Content:  Starz began looking to develop original television series after the success of series developed by its rivals Showtime and HBO and advertised funding and creative freedom for original programming projects. Crash is the network's first foray into original scripted drama and is based on the Academy Award-winning 2004 film of the same name. The writers of the film, Paul Haggis and Robert Moresco, were interested in developing a series based on the property. Lionsgate and Starz collaborated on developing the series for television. Television writer and producer Glen Mazzara was brought in as an executive producer for the series. Mazzara has worked extensively as a writer and producer on The Shield and had developed new projects for the other networks including Life and Standoff.

Question: Who was the screenwriter for The Injury?
Answer: Mindy Kaling.
Vera Mindy Chokalingam.