Title: Man of La Mancha (film)
Content:  Quixote), but was in turn also fired when it was learned that he planned to eliminate most of the songs. It was then that Arthur Hiller and Saul Chaplin joined the project. Hiller re-hired Wasserman to adapt his own stage libretto, although, according to Wasserman, the film's new opening sequence, showing the actual arrest of Cervantes before he enters the prison, was not by him. Writer John Hopkins, who most likely wrote the scene Wasserman refers to, had been brought in by Glenville, and had left when Glenville was fired. However, it has never been made clear whether it was Glenville or Hiller who cast non-singing actors Sophia 
Title: José Ángel Mañas
Content:  Historias del Kronen was Manas' first novel made into a movie and the screenplay earned him the respective Goya award. In Montxo Armendáriz' adaptation, some of the intellectual references from the novel are missing, such as, the endless appearances of Bret Easton Ellis' American Psycho in the conversations between Carlos and Roberto. Salvador García Ruiz realized the film version of Mensaka, which came out in 1998. Mañas' novel Soy un escritor frustrado was made for the big screen with the title Imposture, directed by Patrick Bouchitey, and premiered in 2005, the same year that Caso Karen was published.
Title: Man of La Mancha (film)
Content:  Man of La Mancha is a 1972 film adaptation of the Broadway musical Man of La Mancha by Dale Wasserman, with music by Mitch Leigh and lyrics by Joe Darion. The musical was suggested by the classic novel Don Quixote by Miguel de Cervantes, but more directly based on Wasserman's 1959 non-musical television play I, Don Quixote, which combines a semi-fictional episode from the life of Cervantes with scenes from his novel. Though financed by Italian producer Alberto Grimaldi and shot in Rome, the film is in English, with all principal actors either British or American, excepting Loren. (Gino Conforti, the Barber, is an American of Italian descent.) The film was released by United Artists, and is known in Italy as L'Uomo della Mancha. Produced and directed by Arthur Hiller, the film stars Peter O'Toole as both Miguel de Cervantes and Don Quixote, James Coco as both Cervantes' manservant and Don Quixote's "squire" Sancho Panza, and Sophia Loren as scullery maid and prostitute Aldonza, whom the delusional Don Quixote idolizes as Dulcinea. Gillian Lynne staged the choreography and fight scenes.
Title: Sergio Mena (journalist)
Content: «La Pantalla» («The Screen», 2004. co-directed with Marcos Ripalda) 
Title: Achero Mañas
Content:  various prestigious directors, including Adolfo Aristarain, Carlos Saura, Ridley Scott, Manuel Gutiérrez Aragón, José Luis Cuerda, and Jorge Grau. When his daughter Laura was born, Mañas decided to quit acting and become a filmmaker. He wrote and directed his first short film, Metro, in 1995. The film won the Luis Buñuel Prize for cinematography and Best Short Film Prize at the Montecatini International Short Film Festival. In 1996, he wrote, directed, and produced his second short film, Cazadores (Hunters), which won several awards, among them the Goya for Best Fictional Short Film, the following year. In 1997, he wrote, directed, and produced his third and last short, Paraísos Artificiales (Artificial Paradises), 
Title: La Mansión de Araucaima
Content:  'La Mansión de Araucaima' is a story written by Álvaro Mutis published in 1973, as part of a bet with his friend the director Luis Buñuel in which the latter dismissed the possibility of capturing the Gothic genre in the Latin American tropics. Mutis' intention was for Buñuel to film the story, but the project did not materialize. Years later, the Cinematic Development Company (FOCINE) handed the project over to Carlos Mayolo after his success with his film Carne de tu carne, and together with his friend and colleague Luis Ospina, they adapted the story giving it the characteristic essence of Buñuel; the confrontation between the real world and one of fantasy, the confinement as a metaphor for class and sex as the motor of the actions of the characters. Mayolo hired Vicky Hernández, Adriana Herrán and David Guerrero, with whom he had worked in Carne de tu carne, adding Luis Fernando Montoya and Alejandro Buenaventura, two renowned Colombian actors. And finally he hired José Lewgoy and Antonio Sampaio, two renowned Brazilian actors. Frank Ramírez was considered for the role of Guardian Paul but turned it down because he was not starring.
Title: Ana Maria in Novela Land
Content:  The film was written by Georgina Garcia Riedel (How the Garcia Girls Spent Their Summer) and Jose Nestor Marquez (ISA) from a story by Jose Nestor Marquez. The movie was directed by Riedel. The picture was shot by Tobias Datum and edited by Phillip Bartell (Dear White People). It was produced by Synthetic Cinema International for Fluency.
Title: Laura Mañá
Content:  Laura Mañá (born January 12, 1968 in Barcelona, Catalonia, Spain) is an actress, film director and screenwriter. As an actress, she has worked for directors such as Bigas Luna or Vicente Aranda. In 1997 she directed Paraules, her first short film and in 2000 her first feature film, Sexo por compassion, selected at the Sundance and Toronto film festivals and awarded at the Malaga Film Festival (Best Film and Audience Award) and at the Festival de Miami (Best Screenplay), among others.
Title: Man of La Mancha
Content:  Man of La Mancha is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay I, Don Quixote, which was in turn inspired by Miguel de Cervantes and his 17th-century novel Don Quixote. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or Don Quixote. Wasserman complained repeatedly about people taking the work as a musical version of Don Quixote. The original 1965 Broadway production ran 
Title: Man of La Mancha (film)
Content:  Albert Marre, who had directed the original show but had never before directed a film, were hired to make the motion picture, and original cast stars Richard Kiley and Joan Diener were screen tested in anticipation of the two actors repeating their stage roles. Because of Marre's inexperience with moviemaking, however, he (according to Wasserman) used up part of the film's budget on screen tests, which angered the UA executives. Marre was fired, and as a result Wasserman, Leigh, Kiley and Diener, who was married to Marre, also left the project. British director Peter Glenville was then brought in (it was he who cast Peter O'Toole as Cervantes 

Question: Who was the screenwriter for Las Meninas?
Answer: Ihor Podolchak.