Title: Ned Washington
Content:  including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. With Leigh Harline, he contributed most of the melodic songs that distinguished the Pinocchio soundtrack, including "When You Wish Upon a Star". He also served as a director of the ASCAP from 1957 until 1976, the year he died of a heart ailment. Washington is a member of the Songwriters Hall of Fame. His grave is located in Culver City's Holy Cross Cemetery. He was posthumously honored as a Disney Legend, in 2001.
Title: Rain Worthington
Content:  Rain Worthington is an American composer of classical music. Her influences include world music, minimalism, and romanticism. Writing in Chamber Music magazine, Kyle Gann said "...her music takes ideas of American musical style to a new place - like a walk in a familiar, yet very different park... And isn't afraid to come up with its own startling conclusions." The music journalist Bob Briggs noted, "...she writes music which speaks to the senses, is packed with real emotion and, most important of all in contemporary music, really communicates." She has been awarded grants from Meet The Composer, ASCAP, the American Music Center, NYFA, and the American Composers Forum. Worthington also serves as Artistic Administrator and Composer Advocate for the New York Women Composers.
Title: Windows (Druckman)
Content:  Windows is a one-movement orchestral composition written by Jacob Druckman in 1972. It won the Pulitzer Prize for Music in the same year. Windows was commissioned by the Serge Koussevitzky Music Foundation for conductor Bruno Maderna and the Chicago Symphony Orchestra and is dedicated to conductor Serge Koussevitzky and his wife Natalie. Druckman himself explained the name of the composition as follows: "The 'Windows' of the title are windows inward. They are points of light which appear as the thick orchestral textures part, allowing us to hear, fleetingly, moments out of time – memories, not of any music that ever existed before, but memories of memories, shadows of ghosts. The imagery is as though, having looked at an unpeopled wall of windows, one looks away and sees the afterimage of a face." Much of the work involves the use of aleatoric processes, similar to those associated with Witold Lutosławski. Windows was originally going to share a program with Claude Debussy's Jeux when it was premiered and Druckman wanted to pay homage to Debussy. A typical performance of the piece lasts about 20 minutes.
Title: Charles Wuorinen
Content:  Charles Peter Wuorinen (June 9, 1938 – March 11, 2020) was a Pulitzer Prize-winning American composer of contemporary classical music based in New York City. He performed his works and other 20th-century music as pianist and conductor. He composed more than 270 works, including orchestral music, chamber music, solo instrumental and vocal works, and operas such as Brokeback Mountain. Salman Rushdie and Annie Proulx have collaborated with him. Wuorinen's work has been called serialist, but he came to disparage that term as meaningless. His Time's Encomium, his only purely electronic piece, received the Pulitzer Prize for Music. Wuorinen also taught at several institutions, including Columbia University and Manhattan School of Music.
Title: Aftertones of Infinity
Content:  Aftertones of Infinity is a symphonic poem written by the American composer Joseph Schwantner. The work was commissioned by the American Composers Orchestra and completed in 1978. It was first performed by the American Composers Orchestra conducted by Lukas Foss in Alice Tully Hall, New York City, on January 29, 1979. The piece was later awarded the 1979 Pulitzer Prize for Music.
Title: Cleburne Building
Content: Madeleine L'Engle ; Estelle Parsons ; Andy Borowitz ; Norman Podhoretz and Midge Decter ; Charlie Smalls, composer of "The Wiz" 
Title: John Watts (composer)
Content:  John Everett Watts, Jr. (1929&ndash;1982) was an American composer of electronic music throughout the 1970s and 1980s. One of the medium's main advocates and teachers, Watts wrote about new music, experimenting with literary composition and journalism. Watts worked extensively with his wife, Laura Foreman, on performance art and dance pieces. Together, they formed the Composers and Choreographers Theatre, "an entity that quickly grew into a nationally recognized venue for contemporary dance and music in New York City." From 1969 until 1982, Watts was a faculty member at the New School for Social Research in New York City. While there, he directed the Electronic Music Program and coordinated music workshops, concerts, and festivals.
Title: Composer of the Week
Content:  Composer of the Week is a long-running biographical music programme produced by BBC Cymru Wales and broadcast on BBC Radio 3. Originally This Week's Composer, it was first broadcast on 2 August 1943 on the BBC Home Service, transferring to the BBC Third Programme in 1964 and changing title to Composer of the Week in 1988. In terms of longevity, it is only surpassed by Desert Island Discs (first heard on 29 January 1942). The programme is broadcast daily from Monday to Friday, each week being a series of five programmes dedicated to a particular composer or a group of related composers. With the "great composers", weeks dedicated to them tend to focus on a particular aspect of their life or works. The series has been written and presented by Donald Macleod since 1999. Sometimes the programme is recorded on location with Macleod visiting composers such as Harrison Birtwistle at home.
Title: Time's Encomium
Content:  Time's Encomium (Jan. 1968-Jan. 1969, 31'43") is an electronic, four channel, musical composition by Charles Wuorinen for synthesized and processed synthesized sound. Released on Nonesuch Records in 1969, the composition was commissioned by Teresa Sterne for the label. It was awarded the 1970 Pulitzer Prize for Music, and was realized on the RCA Mark II Synthesizer at the Columbia-Princeton Electronic Music Center, NYC. At the time Wuorinen was the youngest composer ever to win the Pulitzer. The piece is also the first electronic piece to win the prize. "Time's Encomium is the title because in this work everything depends on the absolute, not the seeming, length of events and sections. Being electronic, Time's Encomium has no inflective dimension. Its rhythm is always quantitative, never qualitative. Because I need time, I praise it; hence the title. Because it doesn't 
Title: Greg Danner
Content: "The Greatest Generation" C. Alan Productions. Commissioned by the American School Band Directors Association ; "Of Thee I Sing" C. Alan Productions. Commissioned by the United States Air Force Band of Mid-America ; "On Great White Wings" C. Alan Productions. Commissioned by the Tennessee Music Educators Association ; "Adagio and Caprice" Bourne Music Publications. Written for the Washington University Wind Ensemble ; "Walls of Zion" Daehn Publications. 1999 CBDNA Young Band Composition Contest winner ; "Concerto for Tuba and Band" Tuba-Euphonium Publications. Written for R. Winston Morris ; "Cuico-Concerto for Three Percussion and Wind Ensemble" C. Alan Productions. Commissioned by the Caixa Trio ; "Song of the Universal" Willis Music Company/Hal Leonard. Taghkanic Chorale Composition Contest winner ; "Catch the Wind" self-published. 2005 Composers Guild Composition winner ; "Sky Scenes" self-published. Commissioned by the University of Louisiana-Lafayette ; "Shazam!" C. Alan Publications. Written for the Brass Arts Quintet ; "Nova Aquile" self-published. Commissioned by Kansas State University ; "Time..." C. Alan Productions. 2000 Delius Composition Contest Vocal Category and Grand Prize winner ; "Slide Ride" C. Alan Productions. 20?? Written for Joshua Hauser and Tennessee Tech Symphony Band 

Question: Who was the composer of The Washington Post?
Answer: John Philip Sousa.
John Phillip Sousa.
John Philip Sousa I.