Title: The Burning (film)
Content: Track listing ; 1) "Theme from The Burning" – 3:32 ; 2) "The Chase Continues (Po's Plane)" – 3:53 ; 3) "Variations on the Fire" – 5:13 ; 4) "Shear Terror and More" – 4:39 ; 5) "The Burning (End Title Theme)" – 2:00 ; 6) "Campfire Story" – 3:08 ; 7) "The Fire" – 3:25 ; 8) "Doin' It" – 2:42 ; 9) "Devil's Creek Breakdown" – 2:21 ; 10) "The Chase" – 2:00 ; 11) "Shear Terror" – 2:49 A soundtrack album featuring Rick Wakeman's score was released on LP in 1981 in Europe, and shortly after in the United States and Japan. It includes music from the film and rock band arrangements by Wakeman, known as The Wakeman Variations, as well as selections from the score, written by Alan Brewer and Anna Pepper. Brewer was musical director for the film and co-producer of the score and soundtrack album with Wakeman. On February 26, 2007, the soundtrack was released in the United Kingdom for the first time on CD. 
Title: Piano burning
Content:  In 1968, New Zealand composer Annea Lockwood wrote a piece called Piano Burning. The score specifies that the performer uses an upright piano that is beyond repair. In the composer's words, "Piano burning should really be done with an upright piano; the structure is much more beautiful than that of a grand when you watch it burn. The piano must always be one that’s irretrievable, that nobody could work on, that no tuner or rebuilder could possibly bring back. It’s got to be a truly defunct piano." She asks the performer to soak paper in lighter fluid, set it alight, and drop it into the piano. She also specifies that balloons may be attached, and the piano may be played for as long as the performer is able. Piano Burning is a part of her Piano Transplants series, which also includes Piano Drowning, Piano Garden, and Southern Exposure. Experimental trio Clipping performed a version of this composition as the closing track to their 2019 album There Existed an Addiction to Blood.
Title: The Burning (film)
Content:  The Burning is a 1981 American slasher film directed by Tony Maylam, and starring Brian Matthews, Leah Ayres, Brian Backer, Larry Joshua, and Lou David. Its plot follows a summer camp caretaker who is horribly burnt from a prank gone wrong, where he seeks vengeance at a nearby summer camp years later. Based on the New York urban legend of the Cropsey maniac, the screenplay was written by Bob Weinstein and Peter Lawrence, from a story conceived by producer Harvey Weinstein, Tony Maylam, and Brad Grey. The film marks the debut of Jason Alexander, Fisher Stevens, and Holly Hunter. Rick Wakeman, of the progressive rock band Yes, composed the score. The Burning was theatrically released on May 8, 1981 by Filmways. While the film did not generate the interest nor revenue achieved by other slasher films at the time, it has since become a cult classic and received positive reappraisal from film critics.
Title: Fire Burning in Snow
Content:  Fire Burning in Snow is a composition for mezzo-soprano solo and chamber ensemble by the British composer Charlotte Bray. The work was commissioned by the Birmingham Contemporary Music Group with the support of individual donors in memory of the arts administrator Jack Phipps. It was first performed on June 18, 2013 at the Aldeburgh Festival by mezzo-soprano Lucy Schaufer and the Birmingham Contemporary Music Group. The piece is set to three poems by Nicki Jackowska. Bray dedicated the composition to Jackowska and to the memory of the composer Jonathan Harvey.
Title: The Burning Fiery Furnace
Content:  The Burning Fiery Furnace is an English music drama with music composed by Benjamin Britten, his Opus 77, to a libretto by William Plomer. One of Britten's three Parables for Church Performances, this work received its premiere at the St Bartholomew's Church, Orford, Suffolk, England, on 9 June 1966 by the English Opera Group. Colin Graham was the stage director of this first production. Set designs were by Annena Stubbs. The United States premiere was presented at the Caramoor Summer Music Festival on 25 June 1967 with Andrea Velis as Nebuchadnezzar. The scale and manner of instrumentation are similar to those in Curlew River, but one notable difference is the use of the alto trombone. Clifford Hindley has commented on a reading of a subtext sympathetic to homosexuality on the part of both Britten and Plomer in their treatment of the story.
Title: Piano burning
Content:  Diego Stocco composed a piece called The Burning Piano, which is made up entirely of his recordings of a burning piano. Stocco began the burning process by pointing a butane lighter directly towards the strings and played single notes, and after the flame was extinguished he played with what remained. He recorded the entire process and later rearranged samples to create the piece of music. The virtual instrument company Spectrasonics created a sample library called Omnisphere which includes a Burning Piano sample recorded by Stocco.
Title: The Burning (British Lion album)
Content:  All songs are written by Steve Harris, Richard Taylor, and David Hawkins, except where noted.
Title: Roger Zare
Content:  Fire also received an ASCAP Morton Gould award in 2012 and a BMI student composer award. Bennu's Fire has since been performed by the United States Air Force Band, with Technical Sergeant Brian Wahrlich as the soloist. Throughout the summer of 2012, Zare served as composer in residence with the Salt Bay Chamberfest in Damariscotta, Maine, and made three trips to present about his music to patrons of the festival. Through a program called "Sound Investment," he was commissioned by a consortium of patrons to write a new piece for the festival, On the Electrodynamics of Moving Bodies. Named after Albert Einstein's paper of the same name that 
Title: Resistance: Burning Skies
Content:  The score for Burning Skies was composed by Jason Graves and Kevin Riepl. The score for large orchestra was recorded at Ocean Way Studios in Nashville, Tennessee, in the spring of 2012. The orchestra was led and contracted by Alan Umstead of Nashville Music Scoring.
Title: Halt and Catch Fire (TV series)
Content:  The original score was composed by Austrian musician Paul Haslinger, formerly of German electronic music group Tangerine Dream from 1986 to 1990. He secured the position on the series through his connection to its music supervisor, his friend Thomas Golubić. Having previously recorded music during the 1980s, Haslinger was drawn to Halt and Catch Fire as a second chance to write for the decade. Rather than merely revive 1980s music, he instead wanted to draw from its moodiness, and to combine his favorite retro sounds with modern-day elements. Haslinger's score was electronic, making heavy use of synthesizers; he used his original equipment and samples as well as virtual instruments, creating a blend of 

Question: Who was the composer of The Burning Train?
Answer: Rahul Dev Burman.
R. D. Burman.
Pancham.