Title: P-47 Aces
Content:  P-47 Aces soundtrack was scored by then-NMK members Akira Hirokami, Kazunori "HIDE-KAZ" Hideya, Manabu Namiki and Sizlla Okamura. In a 2011 interview, Namiki stated Hideya was the game's main composer and that he wrote three songs in MIDI but did not perform a data conversion. Namiki also stated he liked the track for the night desert stage and planned to release the original version in the future. The title was released in Japanese arcades by Jaleco on March 1995 for the Mega System 32 board. The game was also showcased in North America by Jaleco during the 1995 ACME show. On April 27, 2011, an album containing music from the title and its predecessor titled JALECO Retro Game Music Collection was co-published in Japan by Sony Music Entertainment Japan and Team Entertainment. Another album titled SUPER Rom Cassette Disc In JALECO 
Title: P-47: The Phantom Fighter
Content:  P-47: The Phantom Fighters soundtrack was scored by then-NMK member Sizlla Okamura, best known for his work in Viewpoint by Aicom. In a 2017 interview with Red Bull Music Academy, Okamura recounted his experience during development as the project's composer, stating that the team wanted a game that celebrated the fight for freedoom instead of war. Okamura did not wanted the music to be about "the horrors of war", leaning towards the concept of freedom being happy and fun, stating that "it might not sound like good “battle music” at first listen, but that’s why it ended up the way it is." Okamura first composed the music using a Yamaha MSX computer, which featured the same sound chip Jaleco used for their arcade releases, before being converted into a useful 
Title: Metal Gear Solid 4: Guns of the Patriots
Content:  The score to Metal Gear Solid 4 was led by Harry Gregson-Williams, his third Metal Gear Solid soundtrack, and Nobuko Toda, who provided music for Metal Gear Acid and Metal Gear Acid 2. Other contributors are Konami employees Shuichi Kobori, Kazuma Jinnouchi, Akihiro Honda, and Sota Fujimori. Directed by Norihiko Hibino, GEM Impact employees Yoshitaka Suzuki and Takahiro Izutani also made compositions late in the game's production. It was revealed in an interview with Norihiko Hibino that the team, in fact, wrote 90 minutes of music for the game's cutscenes, only 15 minutes of which made its way onto the official soundtrack. There 
Title: Metal Gear Solid 4: Guns of the Patriots
Content:  composers who said we stole their music", referring to an occasion when a group of Russian games journalists presented Hideo Kojima with a composition by Georgy Sviridov and claimed this had been plagiarised to create the theme. Hibino states that "they didn't actually", however, the company was "too sensitive about the situation" and elected to drop the theme. The official soundtrack was released on May 28, 2008, by Konami Digital Entertainment under the catalog number GFCA-98/9. It consists of two discs of music and 47 tracks. A soundtrack album was also packaged with Metal Gear Solid 4: Guns of the Patriots Limited Edition.
Title: Colt .45 (TV series)
Content:  The Colt .45 opening theme music was composed by Hal Hopper with lyrics by Douglas Heyes.
Title: Call of Duty 4: Modern Warfare (Nintendo DS)
Content:  As with all games in the Call of Duty franchise, the music of the game was composed by Michael Giacchino recording the full orchestral scores live. Developer Infinity Ward reinforced those lofty standards with the help of composers Harry Gregson-Williams and Stephen Barton. Though Barton wrote most of the music featured in Call of Duty 4, IGN said that the score was "definitely a team effort."
Title: Devil May Cry 4
Content:  The soundtrack for Devil May Cry 4 was composed by Tetsuya Shibata, Shusaku Uchiyama, Kento Hasegawa, Akihiko Narita, Kota Suzuki, Rei Kondoh, Masayoshi "Chamy" Ishi, Masami Ueda and Shinichiro Sato. Shibata said that since the release of Devil May Cry 3 he had wanted to emphasized lyrics in the fourth title. The game is noted for its use of heavy metal songs. Devil May Cry 4 Original Soundtrack in a three-disc, 104 track soundtrack. It was released in Japan on February 27, 2008. Female vocals are handled by Aubrey Ashburn (1-02) while male vocals are handled by Shawn "Shootie HG" McPherson of Hostile Groove (1-20 and 3-03) and Jason "ShyBoy" Arnold of Hypnogaja (1-13 and 3-38). Tetsuya Shibata is credited as the primary composer, with tracks composed by Shusaku Uchiyama, Kota Suzuki, Akihiko Narita, Rei Kondoh, Chamy Ishikawa and Shinichiro Satoh. The soundtrack was released in the US on November 25, 2008, with new artwork.
Title: Call of Duty 4: Modern Warfare
Content:  of gameplay as well. Map layouts were designed to minimize locations players could hide from enemy gunfire. Most of the music for Call of Duty 4: Modern Warfare was written by British composer Stephen Barton, who had also contributed to film scores by Harry Gregson-Williams, to whom, composed the main theme of the game. Several music tracks from the game are available on Infinity Ward's "7 Days of Modern Warfare" website, and some are available at Barton's own web site. The rap song played during the end credits is performed by Call of Duty 4 s lead animator, Mark Grigsby.
Title: Takeaki Kunimoto
Content:  Takeaki Kunimoto (国本剛章) is a former composer of video game music. He used to work for the Japanese video game developer Hudson Soft. With them he would go on to compose several of their most famous early hits, including Star Soldier, Milon's Secret Castle, Mickey Mousecapade and Robowarrior. In recent years, he has dedicated his time to performing video game music at live houses in Shibuya, as well as releasing several albums containing his video game music material. Kunimoto is noted as one of the first to write accompanying lyrics to the music featured in the video games he composed for, printed in the instruction booklet supplied with the game software.
Title: Metal Gear Solid 2: Sons of Liberty
Content:  Kojima's choice of composer for Metal Gear Solid 2 was highly publicized in the run-up to the game's release, with him deciding upon Harry Gregson-Williams, a film composer from Hans Zimmer's studio, after watching The Replacement Killers with sound director Kazuki Muraoka. A mix CD containing 18 tracks of Gregson-Williams' work was sent to his office. Flattered by the research put into creating the CD (as some of the tracks were unreleased, and that what tracks he'd worked on for some films were undocumented), he joined the project soon after. To bypass the language barrier and allow the score to be developed before the cutscenes were finalized, Gregson-Williams was sent short phrases or descriptions of the intended action. The resultant themes 

Question: Who was the composer of AK-47?
Answer: Hamsalekha.
Naadabramha.