Title: South Seas genre
Content:  The South Seas genre is a genre of literature, film, or entertainment (such as Tiki culture) that is set in the islands of the southern Pacific Ocean. Many Hollywood films were produced on studio backlots or on Santa Catalina Island. The first feature non documentary film made on location was Lost and Found on a South Sea Island, shot in Tahiti. The genre was known for its portrayal of tropical men as savages and cannibals, and women as shapely, innocent, exotic beauties. The genre was seen as financially lucrative by the movie studios in the 1940s, despite criticisms that the genre was unrealistic and not well-informed. Typical examples include 1941's South of Tahiti and White Savage (1943).
Title: Java Head (1923 film)
Content:  Java Head is a 1923 American silent romantic drama film directed by George Melford and starring Leatrice Joy, Jacqueline Logan, Frederick Strong, Alan Roscoe, and Betty Bronson in a bit part. It is based on a popular novel of the same name by Joseph Hergesheimer, which in turn is named after the geographical feature. Java Head was remade in a 1934 British sound film starring Anna May Wong which was released by Associated Talking Pictures.
Title: Cinema of Malaysia
Content:  such as Southern Winds II (続・南の風, 1942, Shochiku Studios), Tiger of Malay (マライの虎, 1942, Daiei Studios) or Singapore All-Out Attack (シンガポール総攻撃, 1943, Daiei Studios) presented the area as a land rich in resources, occupied by simple but honest people, and highly exotic. Japanese colonial films also associated the region with sex as many "Karayuki-san", or prostitutes had been either sold to brothels or chosen to go to Southeast Asia to earn money around the turn of the century. Karayuki-san (からゆきさん, 1937, Toho Studios), Kinoshita Keisuke's Flowering Port (花咲く港, 1943, Shochiku Studios), and Imamura Shohei's Whoremonger (女衒, 1987, Toei Studios), which were all or at least partly shot on location, are examples of the extent to which this subgenre dominates the representations of Malaya in Japanese cinema.
Title: Java Head (1934 film)
Content:  Java Head is a 1934 British historical drama film directed by Thorold Dickinson and J. Walter Ruben. It stars Anna May Wong, Elizabeth Allan and Ralph Richardson.
Title: Seoul Jesus
Content:  Seoul Jesus (lit. "Seoul Emperor") is a 1986 South Korean film written and directed by Jang Sun-woo.
Title: Bajar dengan Djiwa
Content:  Bajar dengan Djiwa, produced in 1940, was released by February 1941. By July 1941 the film was being screened in Singapore, then part of British Malaya. A novelisation of the film, written by Saeroen, was published by the Yogyakarta-based Kolff-Buning. In the East Indies, children under age 17 were prohibited from viewing. Advertisements, some which referred to the film with the Dutch title Met den Dood Betaald, emphasised the film's "realistic" depiction of a married life. A review in the Java Bode found that Bajar dengan Djiwa was one of the Best Malay films yet made, with "almost no stiffness and woodenness" in the acting. Another review, in the Nieuws van den Dag voor Nederlandsch-Indië, described the film as "striking proof" of Saeroen's knowledge of indigenous society and praised the film's romance and humour.
Title: Lily van Java
Content:  Lilly van Java (Lily of Java), also known as Melatie van Java (Jasmine of Java), is a 1928 film from the Dutch East Indies directed by Nelson Wong. Initially meant to be produced by South Sea Film and shot by an American director, the film – which follows a woman told to marry a man she does not love – was ultimately completed by Wong's Halimoen Film. Details on its cast and performance are contradictory, although the film is recognised as the first of a long series of ethnic Chinese-produced films in the country. It is likely a lost film.
Title: Si Tjonat
Content:  Si Tjonat (Perfected Spelling: Si Conat) is a likely lost 1929 bandit film from the Dutch East Indies (now Indonesia) directed by Nelson Wong and produced by Wong and Jo Eng Sek. Based on the novel by F.D.J. Pangemanann, the silent film followed an indigenous man who, having killed his fellow villager, flees to Batavia (today Jakarta) and becomes a bandit. After kidnapping an ethnic Chinese woman, he is defeated and brought to justice. A commercially oriented work aimed at ethnic Chinese audiences, Si Tjonat received mixed reviews; box office proceeds are unclear. Although intended as a serial, no sequel was ever made; the production house, Batavia Motion Picture, closed soon afterwards. Several works in the same genre were released soon afterwards, including Si Pitoeng, which used the same director and star.
Title: Karayuki-san
Content:  The Japanese film studios shot a number of films in Shonan (what the Japanese renamed Singapore during the occupation in World War II) depicting the area as a sort of Japanese frontier. Films such as Southern Winds II (続・南の風, 1942, Shochiku Studios), Tiger of Malay (マライの虎, 1942, Daiei Studios) or Singapore All-Out Attack (シンガポール総攻撃, 1943, Daiei Studios) presented the area as a land rich in resources, occupied by simple but honest people, and highly exotic. Japanese colonial films also associated the region with sex as many "Karayuki-san", or prostitutes had been either sold to brothels or chosen to go to Southeast 
Title: Eulis Atjih
Content:  Eulis Atjih was produced by Java Film Co., which had made the first film in the Dutch East Indies, Loetoeng Kasaroeng, in 1926. The earlier film had left Java Film Coy in a poor financial after it underperformed; as such, for Eulis Atjih the company had to find financial backers. The film was directed by G. Krugers and based on the novel by Joehana. The film featured native Indonesian actors, including Arsad and Soekria. It was a black and white, silent film. Eulis Atjih was the second film to include native Indonesians in its cast, and the second feature film produced in the country. The native role was emphasised in the film's promotion; a poster for a screening at the Orient Theatre in Surabaya, for example, wrote that the film's native cast was equal to any American or European one. Of note is the film's use of the word "Indonesia", which was not to be formalised as a preferred term for the archipelago until the Youth Pledge in 1928.

Question: What genre is South by Java Head?
Answer: World War II.
WW2.
World War Two.
2nd World War.
WWII.
World War 2.
the Second World War.
Second World War.
WW 2.
WW II.
II World War.