Title: From Dusk till Dawn
Content:  From Dusk till Dawn was conceived by Robert Kurtzman, who hired Tarantino to write the script as his first paid writing assignment. Universal Pictures originally considered Tarantino's screenplay for From Dusk till Dawn as the follow-up to Demon Knight and the second in a proposed Tales from the Crypt film trilogy, but ultimately produced another vampire film, Bordello of Blood, instead.
Title: The Divergent Series
Content:  Snow White and the Huntsman screenwriter Evan Daugherty and Hope Springs screenwriter Vanessa Taylor co-wrote the screenplay for Divergent. During the time that Neil Burger was originally going to direct the sequel, Brian Duffield was recruited to write the screenplay for The Divergent Series: Insurgent, but after Burger dropped out of the film and Robert Schwentke took over as director, he brought in Akiva Goldsman and Mark Bomback to rewrite Duffield's script. The screenplay for the two-part finale, The Divergent Series: Allegiant and Ascendant, was written by Noah Oppenheim, Adam Cooper, Bill Collage, and Stephen Chbosky.
Title: Nathaniel Dusk
Content:  Don McGregor wrote and Gene Colan provided pencils for both series. McGregor has said that he based Dusk on characters played by actor Robert Culp. He had been watching I Spy, a series starring Culp, when the idea of Nathaniel Dusk came into his mind.
Title: The British Invasion (Dexter)
Content:  Dexter staff writers Daniel Cerone and Melissa Rosenberg were initially planning to write the script of the finale together. They were in the process of developing the story, however, when Rosenberg was hired to write the film adaptation of the novel Twilight. She described Cerone as "incredibly understanding" when she asked him to write the teleplay himself, though they had both worked on the episode's story. The writers planned from the pilot episode to eventually kill Doakes off the show. Executive producer Clyde Phillips said that Doakes "always had a shelf life because of the collision course [with Dexter]", while executive producer Sara Colleton believed it would be unrealistic to keep Doakes on for a third season without having him discover that Dexter is a murderer. Rosenberg said that risks had to be taken on the 
Title: David Diamond (screenwriter)
Content:  along with Diamond and Weissman. The film was originally written as a serious horror science fiction film, until director Reitman re-wrote much of the script. A short-lived animated series, Alienators: Evolution Continues, loosely based on the film, was broadcast months after the film was released. They partnered with Wedding Crashers producer Andrew Panay on Old Dogs and When In Rome. Since 2018, Diamond has been teaching screenwriting at the Shalhevet High School in Los Angeles. In 2019, the duo published a screenwriting manual, Bulletproof: Writing Scripts That Don't Get Shot Down. The book draws from their extensive film experience.
Title: Scott Darling (screenwriter)
Content:  to develop the directorial skills required for the rapidly changing technology. A prolific and diverse writer, during the 1930s and 1940s, Darling wrote more than seventy screenplays that were used for major films and popular B-movie thrillers produced by American studios in Hollywood as well as in London. Among these were Universal's The Ghost of Frankenstein (1942) and Sherlock Holmes and the Secret Weapon (1943) that received critical acclaim and were considerable box office successes. Darling also wrote four scripts at Twentieth Century Fox for their Laurel & Hardy productions. In 1950 and '51, five more of Darling's scripts were made into films. After his death his final script, after 119 Hazards of Helen episodes and 167 other screenplays, was posthumously released on film in 1952.
Title: Andrew Chambliss
Content:  Chambliss began his career working as an assistant to the executive producers on Crossing Jordan and Heroes, after which he worked as a story editor on the short-lived 2007 remake of The Bionic Woman. In 2009 he joined the writing staff of Joss Whedon's philosophical science-fiction series Dollhouse. His first script was the ninth episode of the first season, "A Spy in the House of Love". He continued to work on the show as a writer and story editor through the show's second season, for which he wrote four episodes, including the series finale. After the cancellation of Dollhouse, he wrote an episode of the Starz historical epic Spartacus: Blood and Sand before joining the staff of The Vampire Diaries on The CW. Chambliss is the main writer of the ninth season of Buffy the Vampire Slayer. He said in an interview with Hero Complex, "'Buffy' is such a huge part of what made me want to become a writer, especially in television". In summer 2011, Chambliss joined the ABC fantasy series Once Upon a Time as a writer and co-producer.
Title: Paul Stupin
Content:  In 1995, he read the script for a horror movie that had precipitated a bidding war between producers. The script was for Scream and the author was Kevin Williamson. Stupin thought Williamson would be ideal to create another high school drama. Williamson's script, to become Dawson's Creek was first offered to Stupin's old network, but Fox turned it down. The WB leapt at it to fill their new night of programming, Tuesdays, with Buffy the Vampire Slayer. Dawson's Creek; the show became an instant hit and a defining show for The WB. Stupin, while remaining an executive at Columbia, was one of Dawson's Creek's executive producers. He will work as executive producer for the movie adaption of the novel Betwixt, the storybook for the adaption is written by Elisabeth Chandler. The teen horror film is an WBTV and CBS Studios production.
Title: Quick Before They Catch Us
Content:  In the summer of 1966, BBC Television commissioned a replacement series for Dixon of Dock Green during that show's summer hiatus. Five writers – N. J. Crisp, George F. Kerr, Jack Trevor Story, Margot Bennett and John Gray – were hired to create an action serial for children and teenagers. Pamela Franklin, Teddy Green and David Griffin were cast in the lead roles. Green and Griffin had previously guest starred on Dixon of Dock Green. Each screenwriter wrote one four-episode story. The first story was written by Crisp who, at the time of the series, had written over a dozen original television plays and was a regular contributor for Doctor Finlay's Casebook and Dixon Of Dock Green. The production crew included Richard Martin, Derek Martinus, Morris Barry and Paddy Russell, all of whom also directed stories for Doctor Who. Barry Newbery, Peter Kindred and Oliver Bayldon worked on the series as set designers.
Title: Luke Dawson
Content:  Luke Dawson is an American screenwriter who is best known for his scripts of the remake of Shutter and the Thriller film The Lazarus Effect.

Question: Who was the screenwriter for Dust?
Answer: Milcho Manchevski.