Title: Public-access television
Content:  Public-access television is traditionally a form of non-commercial mass media where the general public can create content television programming which is narrowcast through cable TV specialty channels. Public-access television was created in the United States between 1969 and 1971 by the Federal Communications Commission (FCC), under Chairman Dean Burch, based on pioneering work and advocacy of George Stoney, Red Burns (Alternate Media Center), and Sidney Dean (City Club of NY). Public-access television is often grouped with public, educational, and government access television channels, under the acronym PEG. PEG channels are typically only available on cable television systems. In 2020, the Alliance for Community Media published a directory listing over 1600 organizations operating these channels in the United States.
Title: Public Access T.V.
Content:  Public Access T.V. were an American band formed in New York City in 2014. The group has supported notable acts such as The Pixies, Weezer, The Killers, Kings of Leon, and others. They have also received critical acclaim from Rolling Stone, The New York Times, Fader, Zane Lowe, The Guardian, USA Today, NME, BBC, and other outlets. The band's East Village loft exploded in the 2015 East Village gas explosion.
Title: Public-access television
Content:  The first experiments in public-access television and/or non-commercial community television began in 1968 with Dale City, Virginia's Dale City Television (DCTV) and 1970 with Bob & Janeen Burrel at Stoughton, Wisconsin's WSTO TV. Also, at that same time in New York City, Fred Friendly, head of the Cable TV and Communications Commission, made recommendations for a leased-access channel for public use. The rent for equipment usage and studio time was opposed and later dropped. This free-access requirement was the contractual beginnings of PEG. Filmmakers George Stoney, and Red Burns (who had served on the Canadian Film Board), along with Sidney Dean (City Club of NY), were instrumental in developing the theoretical legal basis and the practical need for public-access television, and helped to eventually obtain public-access television requirements in the franchise agreement between the city government and the cable company. The legal basis of the local municipality regulating cable companies—which use public rights-of-way in order to make profits—to meet certain minimum standards of public service requirements, i.e., facilities and equipment, channel capacity, and funding, came out of this work of these pioneers.
Title: Public-access television
Content:  In the United States, public-access television is an alternative system of television which originated as a response to disenchantment with the commercial broadcasting system, and in order to fulfill some of the social potential of cable television.
Title: Public, educational, and government access
Content:  producers would make shows using college owned ( or shared) equipment and college students as crew. This can be very beneficial to both entities, as the students earn credits for the work while contributing to the public access channel. However, difficulties can arise when the programming made for public access is of a type that does not reflect the values or tastes of the supporting college, and in such situations, colleges often make the decision to downplay or abandon the public access element of the channel, depending on how much funding is earned by assuming the public access television duties. Public, educational, and government access 
Title: Pittsburgh Public Theater
Content:  starred in biographical one-man show The Play by Gene Collier about Bleier's life. In 2017, television and film actor Zach Grenier fulfilled his dream to play Willy Loman in Death of a Salesman. In February 2017, The Public introduced new accessibility initiatives using new technology for hearing and sight impaired audiences. On March 9, 2017, Pappas declared his intent to step down as producing artistic director at the end of his contract in August 2018. The Public announced in December 2017 that they will begin the 2018-2019 season with a new leadership team of Artistic Director Marya Sea Kaminski and Managing Director Lou Castelli.
Title: Pittsburgh Public Theater
Content:  Downtown Cultural District. On October 4, 1999, The Public announced that Ted Pappas, a director-choreographer who was president of the Society of Stage Directors and Choreographers, would be leading The Public in its brand new facility. The 650-seat venue, designed by architect Michael Graves and built by The Pittsburgh Cultural Trust, opened with the world premiere of August Wilson's King Hedley II in December 1999. The auditorium was named for Barry Rigg Sullivan and the rehearsal hall was named for Helen Wayne Rauh. Pappas kicked off his first season at The Public with You Can’t Take it With You by Pittsburgh playwright George S. Kaufman 
Title: Public-access television
Content:  Hundreds of public-access television production facilities were launched in the 1970s after the Federal Communications Commission issued its Third Report and Order in 1972, which required all cable systems in the top 100 U.S. television markets to offer three access-channels, one each for public, educational, and local government use. The rule was amended in 1976 to require that cable systems in communities with 3,500 or more subscribers set aside up to 4 cable TV channels and provide access to equipment and studios for use by the public.
Title: Street Safari
Content: MC = 83/100 link ; rev1 = AllMusic ; rev1Score = ; rev2 = NME ; rev2Score = ; rev3 = DIY Magazine ; rev3Score = ; rev4 = MOJO ; rev4Score = 8/10 ; rev5 = Q Magazine ; rev5Score = ; rev6 = The Guardian ; rev6Score = {{Rating|3|5}} ; rev7 = Line of Best Fit ; rev7Score = {{Rating|8|10}} ; rev8 = The Guardian ; rev8Score = {{Rating|3|5}}} ; rev9 = Record Collector ; rev9Score = {{Rating|4|5}}} ; rev10 = Clash ; rev10Score = {{Rating|4|5}}}} {{Album ratings Street Safari is the second studio album by American band Public Access T.V.. The album was released on 23 February, 2018 via Cinematic. Several singles and music videos were released prior the album, including "MetroTech" and "Lost in the Game". The album received critical acclaim. The band supported it by several tours of the United States and Europe.
Title: The Public (play)
Content:  The Public was first presented at the University of Puerto Rico on 15 February 1978, where it was directed by Victoria Espinosa. A translated version by Henry Livings (in consultation with the director/designer, Ultz) was first performed on 3 October 1988 at the Theatre Royal Stratford East. The U.S. premiere opened at the Shepard Theatre Complex in Los Angeles, CA on February 23, 1989 and was presented by Kaliyuga Arts. The production was directed and designed by John Sowle, with costumes by Silvia Jahnsons and incidental music composed by Jules Langert, and featured Robert J. Bennett, Denise Y. Dowse, Roger Gutierrez, Alex Katehakis, Kevin Kirby, Khin-Kyaw Maung, Richard Neil, Steven Patterson, Jane Thurow, Richard Vidan, Courtney Walsh and B. Wyatt in the cast. Mauricio Sotelo composed an opera based on the play: The Public premiered in 2015 at the Teatro Real in Madrid, Spain.

Question: Who was the director of Public Access?
Answer: Bryan Singer.
Bryan Jay Singer.