Title: WALL-E
Content:  of a plant growing among pavements. Before they turned their attention to other projects, Stanton and Lasseter thought about having WALL-E fall in love, as it was the necessary progression away from loneliness. Stanton started writing WALL-E again in 2002 while completing Finding Nemo. Stanton formatted his script in a manner reminiscent of Dan O'Bannon's Alien. O'Bannon wrote his script in a manner Stanton found reminded him of haiku, where visual descriptions were done in continuous lines of a few words. Stanton wrote his robot "dialogue" conventionally, but placed them in brackets. In late 2003, Stanton and a few others created a 
Title: WALL-E
Content:  WALL-E (stylized with an interpunct as WALL·E) is a 2008 American computer-animated science fiction film produced by Pixar Animation Studios and released by Walt Disney Pictures. It was directed and co-written by Andrew Stanton, produced by Jim Morris, and co-written by Jim Reardon. It stars the voices of Ben Burtt, Elissa Knight, Jeff Garlin, John Ratzenberger, Kathy Najimy and Sigourney Weaver, with Fred Willard in the film's (and Pixar's) only prominent live-action role. The overall ninth feature film produced by the company, WALL-E follows a solitary robot on a future, uninhabitable, deserted Earth, left to clean up garbage. However, he is 
Title: WALL-E
Content:  Producer Jim Morris recommended Ben Burtt as sound designer for WALL-E because Stanton kept using R2-D2 as the benchmark for the robots. Burtt had completed Star Wars: Episode III – Revenge of the Sith and told his wife he would no longer work on films with robots, but found WALL-E and its substitution of voices with sound "fresh and exciting". He recorded 2,500 sounds for the film, which was twice the average number for a Star Wars film, and a record in his career. Burtt began work in 2005, and experimented with filtering his voice for two years. Burtt described the robot voices as "like a toddler ... universal language of 
Title: WALL-E
Content:  Andrew Stanton conceived WALL-E during a lunch with fellow writers John Lasseter, Pete Docter, and Joe Ranft in 1994. Toy Story was near completion and the writers brainstormed ideas for their next projects — A Bug's Life, Monsters, Inc., and Finding Nemo—at this lunch. Stanton asked, "What if mankind had to leave Earth and somebody forgot to turn off the last robot?" Having struggled for many years with making the characters in Toy Story appealing, Stanton found his simple Robinson Crusoe-esque idea of a lonely robot on a deserted planet strong. Stanton made WALL-E a waste collector as the idea was instantly 
Title: BURN-E
Content:  BURN-E (stylized as BURN·E) is a short presentation created by Pixar in 2008. It is a parallel spin-off from Pixar's associated movie WALL-E. The titular repair robot of this short is a minor character from the movie, and this short is intercut with scenes from WALL-E, which takes place concurrently. WALL-Es director Andrew Stanton acted as co-writer and executive producer on BURN-E. BURN-E was produced at the same time as WALL-E and was directed by the feature film's lead animator, Angus MacLane. The short movie is included as bonus material to the Blu-ray and DVD releases of WALL-E  and has since also been aired on TV. BURN-E features music composed and conducted by J. A. C. Redford, who was also orchestrator on the film WALL-E. The BURN-E robot appears briefly in WALL-E during the scene in which WALL-E and EVE dance in space. When they re-enter the Axiom, they accidentally lock him out, and he is last seen banging his fists against the door.
Title: The Wall (2017 film)
Content:  On November 12, 2014, it was announced that Amazon Studios had bought its first ever original spec script by Dwain Worrell, about an American sharpshooter trapped behind a wall by an Iraqi sniper. Worrell wrote his screenplay while teaching English in China. Worrell drew from his background as a playwright to flesh out the second act of the screenplay, which focuses on Isaac's conversation with the sniper. Worrell said, "What interested me about it was the simple conversation between two people. That could almost be had on a New York City park bench with two guys playing chess. There is 
Title: WALL-E
Content:  WALL-E's romantic leanings. He praised Burtt's sound design, saying "If there is such a thing as an aural sleight of hand, this is it." Roger Ebert of the Chicago Sun-Times named WALL-E "an enthralling animated film, a visual wonderment, and a decent science-fiction story" and said the scarcity of dialogue would allow it to "cross language barriers" in a manner appropriate to the global theme, and noted it would appeal to adults and children. He praised the animation, describing the color palette as "bright and cheerful ... and a little bit realistic", and that Pixar managed to generate a "curious" 
Title: WALL-E
Content:  giving them perseverance in animating a character with an unchanging expression. As he rewatched these, Stanton felt that filmmakers—since the advent of sound—relied on dialogue too much to convey exposition. The filmmakers dubbed the cockroach WALL-E keeps as a pet "Hal", in reference to silent film producer Hal Roach (as well as being an additional reference to HAL 9000). They also watched 2001: A Space Odyssey, The Black Stallion and Never Cry Wolf, films that had sound but were not reliant on dialogue. Stanton acknowledged Silent Running as an influence because its silent robots were a forerunner to the likes of R2-D2, and that the "hopeless romantic" Woody Allen also inspired WALL-E.
Title: WALL-E
Content:  Thomas Newman recollaborated with Stanton on WALL-E since the two got along well on Finding Nemo, which gave Newman the Annie Award for Best Music in an Animated Feature. He began writing the score in 2005, in the hope that starting this task early would make him more involved with the finished film. But, Newman remarked that animation is so dependent on scheduling he should have begun work earlier on when Stanton and Reardon were writing the script. EVE's theme was arranged for the first time in October 2007. Her theme when played as she first flies around Earth originally used more orchestral elements, and Newman was encouraged to make it sound more feminine. Newman said Stanton had thought 
Title: WALL-E
Content:  a 2007 test screening, as he wanted to show EVE replacing her directive of bringing the plant to the captain with repairing WALL-E, and it made WALL-E even more heroic if he held the holo-detector open despite being badly hurt. Stanton felt half the audience at the screening believed the humans would be unable to cope with living on Earth and would have died out after the film's end. Jim Capobianco, director of the Ratatouille short film Your Friend the Rat, created an end credits animation that continued the story—and stylized in different artistic movements throughout history—to clarify an optimistic tone.

Question: Who was the screenwriter for WALL·E?
Answer: Jim Reardon.
Andrew Stanton.
Andrew Christopher Stanton Jr.
Andrew Ayers Stanton.