Title: The Singing Nun (film)
Content:  Henry King was originally announced as director but left after differences with producer John Beck. He was replaced by Henry Koster. Koster called it "probably the most difficult thing I ever did. Not the picture but the procedure of production. On that picture there was absolutely nothing but friction. I decided that this was the last thing I'd ever do. I never did another picture." Koster says the friction was mainly between producer John Beck and Debbie Reynolds.
Title: Peter R. Hunt
Content:  Broccoli and Saltzman selected Hunt as director. Hunt also asked for the position during the production of Chitty Chitty Bang Bang (1968), and he brought along with him many crew members, including cinematographer Michael Reed and editor John Glen. Hunt was concerned to put his mark on the production – "I wanted it to be different than any other Bond film would be. It was my film, not anyone else's." On Her Majesty's Secret Service was the last James Bond film on which Hunt worked. Hunt was asked to direct numerous other Eon Bond films — including Live and Let 
Title: The Cotton Club (film)
Content:  Inspired to make The Cotton Club by a picture-book history of the nightclub by James Haskins, Robert Evans was the film's original producer. Evans hoped the film would bring public attention to African-American history in a similar way that Gone with the Wind did for the American Civil War and the Reconstruction era. On December 12, 1980, it was announced that Evans and Paramount Pictures would serve as co-producers of the film while Robert Altman would direct and Mario Puzo would write. However, Evans and Altman's film Popeye premiering that day became a box-office flop. Although Evans secured $12 million worth of financing from Saudi 
Title: The Vintner's Luck
Content:  The development of a film adaptation of the novel was announced in 2003, to be directed and co-written by New Zealand director Niki Caro. Caro was at the time promoting her successful film Whale Rider; having just learned that the novel's option was available for purchase, she visited Knox's home doorstep with flowers and suggested that she purchase the option. At that time, Knox said she was confident Caro would do the novel justice. In 2009 the adaptation was released, under the title The Vintner's Luck (later renamed A Heavenly Vintage for its 2011 release in the United States). It was almost universally panned at the 34th Annual Toronto International Film Festival. Knox was disappointed at the direction the 
Title: Peter R. Hunt
Content:  Peter Roger Hunt (11 March 1925 – 14 August 2002) was a British director, editor and producer of film and television, best known for his work on the James Bond film series, first as an editor and then as a second unit director. He finally served as director for On Her Majesty's Secret Service. His work on the series helped pioneer an innovative, fast-cutting editing style.
Title: A Heavenly Vintage
Content:  The film was directed by Niki Caro and co-written by Caro and Joan Scheckel. The film is based on the novel The Vintner's Luck by Elizabeth Knox. Its development was announced in 2003, while Caro was promoting her previous film Whale Rider; Caro had learned that the novel's option was available for purchase and visited Knox's home doorstep with flowers. At that time, Knox said she was confident Caro would do the novel justice. However, after its release Knox was disappointed at the direction taken by the film. She felt Caro "took out what the book was actually about", referring to the romantic homosexual relationship between Sobran and Xas, which was a core aspect of the novel and was very noticeably toned down in the film version, though it still hinted at it. Knox said that she "laid in bed and cried for days" after being shocked and upset by how much it departed from her story. The film was shot in Auckland, New Zealand, Belgium, and France – including in the medieval castle of Berzé.
Title: The Ninja (novel)
Content:  Originally in the 1980s, the rights to make a film adaptation were bought by producers Richard D. Zanuck and David Brown for 20th Century Fox to produce. Irvin Kershner was hired to direct, using a screenplay written by W.D. Richter, which followed the novel very closely. Tom Cole was hired to write a draft, while Kershner himself also wrote a draft. Lustbader's choice for portraying Nicholas Linnear was Richard Gere, but it never got to that point. Kershner turned out to be the wrong man for the job and was replaced by John Carpenter as new director. Carpenter co-wrote a second draft with Tommy Lee Wallace in 1983, but it turned out not filmable. A frustrating year after being hired, Carpenter left, and the project was still without a workable draft. By around this time, Joe Wizan, who had become the new head of Fox, put The Ninja and other projects that were green-lit into turnaround. This caused Zanuck and Brown to quit Fox and start working for Warner Brothers.
Title: On Her Majesty's Secret Service (film)
Content:  cutting had set the style for the series. It was also the result of a long-standing promise from Broccoli and Saltzman for a directorial position, which they honored after Lewis Gilbert declined to direct. Hunt also asked for the position during the production of Chitty Chitty Bang Bang, and he brought along with him many crew members, including cinematographer Michael Reed. Hunt was focused on making his mark – "I wanted it to be different than any other Bond film would be. It was my film, not anyone else's." On Her Majesty's Secret Service was the last film that Hunt worked on in the series.
Title: The Contortionist's Handbook
Content:  The novel's film rights were optioned by Greenestreet Films in 2007. Currently British filmmaker Miguel Sapochnik has been hired to direct the film based on a screenplay by Robin Shushan. Clevenger has expressed his disapproval for the screenplay and the changes made to the plot of this novel with a posting on his website in September 2010.
Title: The Story of the Kelly Gang
Content:  Shooting of the film reportedly involved a budget variously estimated between £400 (Gibson) and £1,000 (Tait) and took six months. While it is now commonly accepted that the Tait's experienced older brother Charles directed the film, only ten years after it was made, pioneer Australian director W. J. Lincoln claimed it was actually "directed by Mr Sam Crews [sic], who... worked without a scenario, and pieced the story together as he went along." Lincoln also claimed that "the principal characters were played by the promoters and their relatives, who certainly made no pretensions to any great histrionic talent." Viola Tait's memoirs, published in the early 1970s, identifies Charles as 

Question: Who was the director of The Knitting?
Answer: Yoon Eun-hye.