Title: Jon Coffelt
Content: "Artistry in Fiber, Vol. 2: Sculpture" by Anne Lee, E. Ashley Rooney, Foreword by Lois Russell, Introduction by Adrienne Sloane 208 pp. Schiffer Books, 2017 Hardcover Absolut Statehood: 51 Painters by Glenn O'Brien, Foreword by Michel Roux, Photography by Antonio Alia Guccione, 116 pgs. Farrar Straus and Giroux, 1993 Hardcover ISBN: 0-89381-563-2 ; The Art Assassin, Volume 1 by qi peng, 713 pgs. Artists Rights Society (ARS) New York Standard Copyright License, 2009 Hardcover Perfect Binding ; UpSouth by bell hooks, Emma Amos and Antoinette Spanos Nordan, University Press, University of Alabama, Birmingham, 1999, pp 70–73 ; New American Paintings. The Open Studios Press, Wellesley, Massachusetts, July 2001 Volume 6, Number 3 ; Law & Disciplinarity -Thinking Beyond Borders by Robert J Beck, 2013 pg 159 ISBN: 978-1-137-03444-1 (Hard Cover) ISBN: 978-0764353420
Title: Stephen J. Bury
Content:  Bury's publications focus on artists' books, which he has defined as "books or book-like objects over the final appearance of which an artist has had a high degree of control; where the book is intended as a work of art in itself." He is the author of Artist's Books: The Book As a Work of Art, 1963–1995 of 1995 (to be re-issued in May 2015), which combines a series of incisive essays on historical aspects of the medium with an extensive bibliography. In 2001, he published Artists' Multiples and Multiplication, and in 2007, Breaking the Rules: The Printed Face of the European Avant-Garde, 1990–1937 appeared. He has had an artists' book column in Art Monthly since 1997. He also regularly contributes to Cassone. In 2019, he contributed a chapter to the book Museums and Digital Culture.
Title: Kent Fine Art
Content: Altered States Curated By Rosetta Brooks And Selected Texts (1989) ; American Myths (1987) ; Artschwager/shapiro/byars (1988) ; Assemblage (1987) ; Dennis Adams: The Architecture Of Amnesia Text By Mary Anne Staniszewski (1989) ; Dennis Adams: Double Feature (2008) ; Dennis Adams: Malraux’s Shoes (2012) ; Herbert Bayer: Bauhaus And Beyond Text By D K Walla ; Varujan Boghosian: Baster Bricoleur Text Notes By Katrina Neumann (2015) ; The Photography Of John Brill (photographer)|john Brill]] Text By Leah Ollman ; Eugène Carrière: The Symbol Of Creation Text By Robert Rosenblum & Robert Bantens (1989) ; Mike Cockrill: Awakening Text By Anthon Hayden-guest 
Title: Flash Art
Content:  It was described by Tony Stankus as "the confident, international journal of European and North American contemporary art" and by Publishers Weekly as a "distinguished by a cacophony of voices and congenial chaos".
Title: Michelle Marder Kamhi
Content:  book's publication in 2000, Torres and Kamhi published What Art Is Online. A chapter-by-chapter supplement to What Art Is, it included a number of articles comparable to those previously published in Aristos. In January 2003, Aristos was reborn online. An article by Kamhi in the inaugural online issue of Aristos—on art and cognition (an important aspect of Rand's theory)—was listed in the popular online aggregator ArtsJournal.com. It generated a protracted online debate about abstract art with the painter Kirk Hughey. An updated and expanded version of the article was later published in After the Avant-Gardes, edited by Elizabeth Millán, professor of philosophy at DePaul University.
Title: William Laurel Harris
Content:  p. 4. ; ——., "Machinery as the Servant of Art." Review of Art In Industry, by Charles R. Richards. New York Times, January 7, 1923, Sec. 3, p. 11. ; ——., "The Mystery of Silver," International Studio, 79 (September, 1924), 388–92. ; ——., "A Modern Guild of Artists." Catholic World, 76 (January, 1903), 436–42. ; ——., Foreword, "Mural Painting in the United States, American Art Annual, 9 (1911), 13. ; ——, "Mural Art School," The New York Herald, 9 Nov., 1913;III;9;5 [describing The Art Centre] ; ——., "A Pentaptych by J. W. Fosdick." International Studio, 56 (July, 1915), XVIII-XXI. "A Remarkable e 
Title: Art versus Nonart: Art out of Mind
Content: Avital. T. (2003). Art versus Nonart : Art out of Mind. Cambridge University Press, Cambridge. (445 pages) ; The book has been published in Chinese by The Commercial Press, Translated by Wang Zuzhe, Beijing, 2009. ; 齐安·亚菲塔（Tsion Avital），2009年，《艺术对飞艺术》，北京：商务印书馆，译者王祖哲，山东大学文学院 ; The book has been published in Spanish: Arte vs. No-Arte: Arte fuera de la mente, Translated by Sandra Luz Patarroyo Rodríguez. Malaga; Vernon Press, 2018. 
Title: Arts of Asia
Content:  in the Imperial Age” from the National Palace Museum as its cover story, written by Wang Yao-t’ing, Lee Yu-min, Tu Shu-hua, and Ho Ch’uan-hsing, the first time that scholarly articles, written by Chinese specialists, were translated into English and presented to an international readership. In 1995, Arts of Asia established its website, offering a searchable database of articles. In 2017, Nguyet's son, Robin Markbreiter, who was the magazine’s executive editor, became publisher and editor. Arts of Asia celebrated its 50th anniversary in 2020, publishing a milestone “50th Anniversary Edition” in January–February, which featured 50 outstanding Asian artworks from prestigious museums, institutions and private collections, selected by museum directors, curators, and specialists of the field.
Title: Grand Arts
Content:  In 2016, Grand Arts published Problems and Provocations: Grand Arts 1995-2015, co-edited by Stacy Switzer and Annie Fischer, with a foreword by Margaret Silva and an introduction by Switzer. The book chronicles 30 of Grand Arts' projects — works by figures including Alice Aycock, Alfredo Jaar, Isaac Julien, William Pope.L, Sanford Biggers, Laurel Nakadate, Stanya Kahn, and Tavares Strachan — with archival materials and project documentation presented alongside newly written anecdotes and reflections by artists and other collaborators. Essays by Pablo Helguera, Iain Kerr, Emily Roysdon, Gean Moreno and Rob Walker consider the models, practices and ethics of art institutions. A critical study conducted by the research studio RHEI identifies and describes Grand Arts’ unorthodox organizational model.
Title: Artforum
Content:  New York City. One of Leider's final essays for the magazine, “How I Spent My Summer Vacation, or, Art and Politics in Nevada, Berkeley, San Francisco and Utah," is a reflective first-person account of a cross-country road trip visiting earthworks, such as Michael Heizer’s Double Negative (1969) and Robert Smithson’s Spiral Jetty (1970). The essay grapples with the relationship between politics and art. The departure of Philip Leider as editor-in-chief in 1971 and the tenure of John Coplans as the new editor-in-chief roughly coincided with a shift towards more fashionable trends and away from late modernism. A focus on minimal art, conceptual art, body art, land 

Question: Who is the author of State of the Art?
Answer: Pauline Kael.