Title: Kompleksi
Content: Sara Pain (directed by Tina Ulevik / Spul Films Australia, 2007) 
Title: The Emancipation of Mimi
Content:  "elements of hip-hop and rhythm and blues into pop songs that appeal to a broad cross-section of listeners." According to Billboard staff, "Carey's emancipation is drenched in hip-hop and old-school R&B ballads". Alyssa Rashbaum of MTV deemed the record "a predominantly pop and R&B effort [...] tinged with hip-hop inflections. Meanwhile, AllMusic's Stephen Thomas Erlewine considered The Emancipation of Mimi "a slick, highly crafted piece of dance-pop". Aside from the ballads and uptempo tracks, The Emancipation of Mimi incorporates elements of soul and 1970s-inspired genres, as evident on the gospel-tinged closing track, "Fly Like a Bird". While most tracks derive instrumentation from live bands and musical instruments, some of the 
Title: I Like to Move It
Content:  chart commentary, "Straight from nowhere come Reel 2 Real to become the first dance act for several months to charge straight into the Top 10 without a previous hit to their name." Andy Beevers from Music Week rated the song four out of five, adding, "Originally released by Strictly Rhythm, this inspired combination of NY house rhythms and The Mad Stuntman's ragga rhymes has been generating plenty of interest on import." Another editor, Alan Jones complimented it as a "fierce ragga house anthem". James Hamilton from the magazine's RM Dance Update deemed it a "madly happy gruff ragga rapped bogle/soca-style leaper".
Title: The Real Rock
Content:  The Los Angeles Times thought that "even the strongest songs are more well-crafted than inspirational, and the cleverest verbal forays are undercut by the musical retrenchment." Trouser Press wrote that "the music on The Real Rock is more sophisticated in terms of technology and styling, but the songs are hit-and-miss." The Washington Post declared that "the album's highlight ... is an inspired remake of Sly Stone's 'Family Affair', which mixes slap bass, scratching, soul singing and speed-rapping into an imaginative defense of black music, black neighborhoods and the black family." AllMusic called the album "one of the best rap releases of 1990," writing that "the East Coast resident wisely avoids being predicable."
Title: I Like to Move It
Content:  In 2020, a reviewer from AllMusic stated that Reel 2 Real's "I Like to Move It" "still sounds as hot today as it did when it first came out in 1993. The pulsing synths and sirens of the song made for an instant wall shaker." Larry Flick from Billboard noted that "reggae beat sensibilities are woven around loose house and rave keyboards. The Mad Stuntman toasts with predictable speed, cutting through the fairly thick groove with a raspy edge. His energy transforms what could have been a laid-back record into a rousing peak-hour anthem." Music writer James Masterton wrote in his weekly 
Title: Komal Gandhar
Content:  Komal Gandhar (কোমল গান্ধার Kōmal Gāndhār), also known as A Soft Note on a Sharp Scale, is a 1961 Bengali film written and directed by legendary film maker Ritwik Ghatak. The title refers to the Hindustani equivalent of "E-flat". It was part of the trilogy composed of Meghe Dhaka Tara (1960), Komal Gandhar and Subarnarekha (1962), all dealing with the aftermath of the Partition of India in 1947 and the refugees coping with it, though this was the most optimistic film of his oeuvre. The film explores three themes juxtaposed in the narrative: the dilemma of Anusuya, the lead character, the divided leadership of IPTA, and the fallout from the partition of India.
Title: The Loud Family
Content:  the no-longer-hip 1980s "college rock" scene, it was more likely due to the group's complex, unpredictable song structures, and to Miller's cryptic lyrics, which tended to place rock's standard lyrical concerns (love, heartbreak, alienation, nascent spirituality, etc.) within the much-wider contexts of modernist literature, politics, art history, semiotics, relativity and contemporary academic sociocultural theory. In 1996, CMJ New Music Monthly′s review of 1996's Interbabe Concern categorized the music as "pop of the most depraved variety," and wrote, "There's always some jarring detail added or subtracted, some unsettling minor component that takes these tunes out of the realm of the normal. Gently plucked acoustic guitars will suddenly be ripped apart by 
Title: Komaali Kings
Content:  The film is inspired from the Sri Lankan box office hit 1976 Tamil film Komaligal. The theme of the movie is Simple, but a master plan. "Komaali Kings" revolves around Siva Sithambaram (Raja Ganesan), an average next-door neighbour whose mundane life takes a hilarious turn when a distant relative Pat (King Ratnam) and his family from London decide to stay with him for the duration of their trip to attend a family wedding.
Title: Ear to the Street
Content:  Trouser Press deemed the album a "busy-beat debut," calling the group "a young Oakland tag team possessing average skills, big attitudes and no pretense of political awareness." The East Bay Express wrote that the album's two singles "are recognized as classics in the hip-hop canon." Complex listed "Fonky Expedition" at #46 on its list of "The 50 Greatest Bay Area Rap Songs."
Title: Komal Gandhar
Content:  The title was taken from the line of a poem by Rabindranath Tagore that meant a sur or note, E-flat. As in other films by Ghatak, music plays a pivotal role in the movie. Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle. Unlike his other films, this one runs along an upbeat mood with the lead pair of lovers (Vrigu and Anusua) being reunited.

Question: What genre is The Complex?
Answer: punk rock.
punk.
punk music.