Title: The Buster Keaton Story
Content:  The Buster Keaton Story is a 1957 American biographical drama film directed by Sidney Sheldon and written by Sidney Sheldon and Robert Smith, following the life of Buster Keaton. The film stars Donald O'Connor, Ann Blyth, Rhonda Fleming, Peter Lorre, Larry Keating and Jackie Coogan. It was released on April 21, 1957, by Paramount Pictures. The film was described by AllMovie as "sublimely inaccurate" regarding details of Keaton's life. It was produced by Paramount Pictures, which paid Keaton $50,000 for the rights to his life story.
Title: The Buster Keaton Story
Content: Donald O'Connor as Buster Keaton ; Ann Blyth as Gloria Brent ; Rhonda Fleming as Peggy Courtney ; Peter Lorre as Kurt Bergner ; Larry Keating as Larry Winters ; Jackie Coogan as Elmer Case ; Richard Anderson as Tom McAffee ; Dave Willock as Joe Keaton ; Claire Carleton as Myra Keaton ; Larry White as Buster Keaton, age 7 ; Dan Seymour as Indian chief ; Michael Ross as Assistant chief ; Nan Martin as Edna ; Robert Christopher as Nick ; Richard Aherne as Franklin ; Cecil B. DeMille as Himself ; Richard Alexander as Tough Guy (uncredited) ; Ethan Laidlaw as Backstage prop man (uncredited) ; Minta Durfee as Boarder 
Title: The Buster Keaton Story
Content:  up. While Keaton is in a drunken black-out, she marries him in order to move in with him and take care of him so he doesn’t die. Buster doubts Gloria’s motivation for marrying him and neglects and verbally abuses her. Things thaw between them; Buster has been offered a small part in a talking film by director Kurt Bergner. Buster quits the film in anger as he is not allowed enough screen time to develop any of his famous comedy routines. On his way home Buster meets some children playing baseball and joins them, making up comedy bits within the game 
Title: Buster Keaton: A Hard Act to Follow
Content:  Buster Keaton: A Hard Act to Follow is a three-part television documentary series made in 1987, charting the life and career of Buster Keaton. The series was written and produced by Kevin Brownlow and David Gill for Thames Television and narrated by Lindsay Anderson. It was one of three such series produced as follow-ups to Brownlow and Gill's epic documentary series Hollywood (1980), falling between Unknown Chaplin (1983) and Harold Lloyd: The Third Genius (1989). The series makes extensive use of Keaton's own words, taken from various radio and television interviews. Clips from Keaton's movies are taken from the best available sources (though without the benefit of modern digital remastering techniques), and clips from Keaton's silent films are shown at their original speed. Keaton's widow Eleanor and his business associate Raymond Rohauer worked closely with Brownlow and Gill in the production, and appear in the documentary. PBS aired the film in the U.S. as part of its American Masters series in 1987, and it has more recently been aired on Turner Classic Movies. It is currently available on DVD in the United Kingdom, as a companion to the Buster Keaton Chronicles movie box set.
Title: Buster Keaton Rides Again
Content:  Buster Keaton Rides Again is a 55-minute 1965 documentary film directed by John Spotton and narrated by Michael Kane. The film is a behind-the-scenes documentary shot while Buster Keaton's film The Railrodder (1965), was being produced. Although it is a production documentary, the film is actually longer than The Railrodder, which was only 24 minutes long. Both films were produced by the National Film Board of Canada (NFB). In addition, a French version of Buster Keaton Rides Again, Avec Buster Keaton was released.
Title: Buster Keaton
Content:  Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian and filmmaker. He is best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. Working with independent producer Joseph M. Schenck, Keaton made a series 
Title: The Buster Keaton Story
Content:  In the late 19th and early 20th centuries, child vaudevillian Buster Keaton stays in boarding houses, rides in train boxcars, and performs with his mother and father in a knock-about (physical comedy) act called The Three Keatons. As a young man Keaton travels on his own to Hollywood and tricks his way onto the grounds of silent-film studio Famous Studio as a workman carrying a board, as in one of his trademark comic bits. Sneaking onto a set, he attracts the attention of a young casting director, Gloria Brent. He demonstrates his type of physical comedy to a director Kurt Bergner, 
Title: Buster's Bedroom
Content:  Buster's Bedroom is a 1990 independent German comedy film directed by Rebecca Horn. The film follows a young woman with an infatuation for Buster Keaton. The film was shown at the Marché du Film of the Cannes Film Festival in May 1990. Later that year it was shown at the Museum of Contemporary Art, Los Angeles together with Horn's exhibition. The objects of the exhibition were connected to the film, as themes, character references and props. The film was released in Germany on 9 May 1991. The film stars Amanda Ooms, Donald Sutherland and Geraldine Chaplin.
Title: Buster Keaton
Content:  version of that film, released in 2013, contains a scene where Jimmy and Culpeper talk on the telephone. Lost after the comedy epic's "roadshow" exhibition, the audio of that scene was discovered and combined with still pictures to recreate the scene.) Keaton starred in four films for American International Pictures: 1964's Pajama Party and 1965's Beach Blanket Bingo, How to Stuff a Wild Bikini, and Sergeant Deadhead. Director William Asher recalled: "I always loved Buster Keaton.… He would bring me bits and routines. He'd say, "How about this?" and it would just be this wonderful, inventive stuff." In 1965, Keaton starred in the short 
Title: Buster Keaton
Content:   Keaton signed with Metro-Goldwyn-Mayer in 1928, a business decision that he would later call the worst of his life. He realized too late that the studio system MGM represented would severely limit his creative input. For instance, the studio refused his request to make his early project, Spite Marriage, as a sound film and after the studio converted, he was obliged to adhere to dialogue-laden scripts. However, MGM did allow Keaton some creative participation on his last originally developed/written silent film The Cameraman, 1928, which was his first project under contract with them, but hired Edward Sedgwick as the official director. Keaton was forced to use a stunt double during some of the more dangerous scenes, something he had never done 

Question: Who was the director of The Buster Keaton Story?
Answer: Sidney Sheldon.
Sidney Schechtel.