Title: Footloose (2011 film)
Content:  In October 2008, Kenny Ortega was announced as director but left the project a year later after differences with Paramount and the production budget. Peter Sollett was also hired to write the script. Dylan Sellers, Neil Meron and Craig Zadan served as producer; Zadan having produced the original Footloose. In 2010, Craig Brewer came on to re-write the script after Crawford and Ortega left the project and also served as director. The writer of the original film, Dean Pitchford, also co-wrote the screenplay. Amy Vincent served as cinematographer.
Title: Fear and Loathing in Las Vegas (film)
Content:  Cox started writing the screenplay with Tod Davies, a UCLA Thompson scholar. During pre-production, Cox and producer Laila Nabulsi had "creative differences" and she forced Rhino to choose between her and Cox. She had an arrangement with Thompson to produce the film and the studio fired Cox and paid him $60,000 in script fees. Thompson's disapproval of the Cox/Davies script treatment is documented in the film Breakfast with Hunter. The decision was made to not use the Cox/Davies script, which gave Gilliam only ten days to write another. Gilliam has stated in an interview "When we were writing the script, we really tried not to invent anything. We sort of cannibalized the book." The 
Title: Seth Lochhead
Content:  Lochhead attended Vancouver Film School's Writing for Film & Television program, where he wrote his first screenplay, Hanna, while he was in his early 20s. He completed the script after leaving film school and in 2006 it was listed on the Hollywood Black List of the best unproduced scripts in Hollywood. Lochhead sold the screenplay to Focus Features in March 2007, although he received a much higher bid from another American production company. Hanna was directed by Joe Wright and released in 2011 after being in development for a total of six years. Lochhead shared the writing credit with David Farr, a British writer and theatre director, who wrote another 
Title: Alex Cox
Content:  In 1996, producer Stephen Nemeth employed Alex Cox to write and direct an adaptation of Hunter S. Thompson's Fear and Loathing in Las Vegas. After creative disagreements with the producer and Thompson, he was sacked from the project, and his script rewritten when Terry Gilliam took over the film. (Cox later sued successfully for a writing credit, as it was ruled that there were enough similarities between the drafts to suggest that Gilliam's was derivative of Cox's. Gilliam countered that the screenplays were based on the source book and similarities between them were a consequence of this.) In 1997, Alex Cox made a deal with Dutch 
Title: Seth Lochhead
Content:  of the film during its development but whom Lochhead does not personally know. He has been chosen to write for the upcoming Shadow of the Colossus movie. Before Hanna had been produced, Lochhead was approached to pitch himself as a writer for Sherlock Holmes: A Game of Shadows and a film adaptation of the Masters of the Universe series featuring He-Man. He has written several screenplays since Hanna, including Cadar, which was sold to Spitfire Pictures, and Governess, which was picked up by Warner Bros. with Michael Bay as a producer. He has considered becoming a film director in addition to screenwriting, as well as relocating to Los Angeles.
Title: Mary Loos
Content:  After graduating from Stanford, Loos worked in the publicity department of Fox Films. In the mid-1930s she turned to acting, and had roles in several Fox pictures. She began her career as a publicist in New York before moving out to the West Coast and working as a screenwriter in 1941. She and her first husband, Richard Sale, wrote about 20 successful screenplays together before divorcing. After working with her husband, Loos continued in the written field. She became a story editor for Mike Frankovich Productions. She was both co-creator and one of the writers for Yancy Derringer (1958-1959), an American Western TV series. Bantam Books also published some of her novels. In her lifetime she wrote four total: "The Beggars Are Coming," "Belinda," "Barstow Legend" and "Pride of Lovers."
Title: Gordy Hoffman
Content:  In 2002, he wrote the screenplay for the film Love Liza, about a man dealing with his wife's suicide. The Guardian Peter Bradshaw described it as a "very melancholy evening in the cinema ... an intelligent and harrowing movie," while Ed Gonzalez from Slant Magazine disparagingly wrote: "Love Liza will have a difficult time distinguishing itself from Alexander Payne's About Schmidt, another widower-in-chaos comedy starring Bates in an undervalued role. Love Liza is nowhere near as condescending but its shrill pitch makes it just as difficult to take." The film received the Waldo Salt Screenwriting Award at the 2002 Sundance Film Festival. Hoffman is the founder of the BlueCat Screenplay Competition—for finding and fostering undiscovered writing talent. The winning screenplay from the 2005 competition, Balls Out: Gary the Tennis Coach, was purchased by Greenestreet Films, and was released in 2009. He taught graduate screenwriting at the USC School of Cinematic Arts.
Title: The Lodge (film)
Content:  The original screenplay for The Lodge was written by Scottish screenwriter Sergio Casci, which had been sold to Hammer Films. Hammer offered the screenplay to be directed by filmmaking duo Veronika Franz and Severin Fiala. The two agreed, though they rewrote a significant portion of the script, including the ending, which Franz felt "didn't work."
Title: The French Lieutenant's Woman (film)
Content:  Fowles to suggest a television adaptation, to which Fowles was amenable, but the producer Saul Zaentz finally arranged for the film version to be made. A number of directors were attached to the film: Sidney Lumet, Robert Bolt, Fred Zinnemann and Miloš Forman. The script went through a number of treatments, including one by Dennis Potter in 1975 and by James Costigan in 1976, before Pinter's final draft. Actors considered for the role of Charles Smithson/Mike included Robert Redford and Richard Chamberlain, and Sarah/Anna included Francesca Annis, Charlotte Rampling, Gemma Jones and Fowles's choice Helen Mirren. The award-winning music was composed by Carl Davis and performed by an unidentified orchestra and viola soloist Kenneth Essex.
Title: Anita Loos
Content:  She sent her first attempt at a screenplay, He Was a College Boy, to the Biograph Company, for which she received $25. The New York Hat, starring Mary Pickford and Lionel Barrymore and directed by D. W. Griffith, was her third screenplay and the first to be produced. Loos dredged real life, including her own, for scenarios: she dished up her father's cronies and brother's friends, also using the rich vacationers from the San Diego resorts; eventually every experience became grist for her script mill. By 1912, Loos had sold scripts to both the Biograph and Lubin studios. Between 1912 and 1915, she wrote 105 scripts, all but four of which were produced. She wrote 200 scenarios before she ever visited a film studio.

Question: Who was the screenwriter for Loft?
Answer: Kiyoshi Kurosawa.