Title: Production of Sense8
Content:  The show's directors were attached to locations instead of episodes and with several countries appearing in every episode, in reality none of them has a singular director. During the first season the Wachowskis were responsible for directorial duties in scenes shot in Chicago and San Francisco along with London and Iceland, two places which were initially announced to be helmed by Straczynski. Straczynski eventually opted to offer them to the siblings because of the extensive action scenes involved in those locations and instead focused his energy on post-production. James McTeigue (V for Vendetta, Ninja Assassin) worked on the Mexico City and Mumbai parts along with some in Reykjavík and German director Tom Tykwer (Cloud Atlas), whose Nairobi Half 
Title: Production of Sense8
Content:  produced in Nairobi: Soul Boy and Nairobi Half Life. In the second season, production used again mostly F55 cameras, paired with Panavision Primo 11:1 zoom, Carl Zeiss Ultra Prime, and Fujinon 19-90mm Cabrio Premier lenses. Ruhlmann returned to work with McTeigue in Mexico City, Almesberger with Tykwer in Nairobi, and Toll with Lana Wachowski in all the remaining locations. They used a two camera setup (A and B), with the first being nearly all of the time Steadicam, and the second being hand-held all the time. Toll explained this setup was necessitated by both their tight schedule and large volume of the material, but also by Lana's commitment 
Title: Production of Sense8
Content:  she remained active as co-creator. Straczynski, who had a very active role during season 1 from pre-production to post-production in order to assist the Wachowskis with their first foray into TV, said his primary involvement in season 2 finished with the completion of the writing phase, as Lana felt this time she had the required experience to tackle the filmmaking aspect of the show on her own. He also said that the second season was designed to explore the mythology of sensates, introduce other clusters, and provide answers to many of the questions viewers had after the first season. Lana came up with the idea 
Title: Production of Sense8
Content:  Seoul unit director Dan Glass and Jim Mitchell were the visual effects supervisors of the first season. The season had a total VFX shot count of about 1200. An in-house VFX team was established in Chicago which completed over 700 shots. The major external VFX vendors were Locktix VFX (160-180 shots), Technicolor VFX (over 100 shots) and Encore VFX. Additional work was done by Studio 8 FX, Trace VFX and Almost Gold. Because of the series' tight budget and timeline the production made the decision to do most of the effects in-camera and only enhance them digitally where appropriate. In fact for a great number of shots 
Title: Marc Rosen
Content:  Marc Rosen (born May 12, 1976) is an American film and television producer. He has been an executive and producer in film and television at major studios/networks as well as independent companies for 20 years. With the recent 2-hour finale of the Wachowski's SENSE8 on Netflix, Rosen has produced or executive produced over 50 hours of film and high-end ($3–$8mn/episode) Scripted Series including THRESHOLD with David Goyer and David Heyman, SENSE8, one of streaming's first original series, with the Wachowskis, and THE AFTER with Chris Carter as one of Amazon's first pilots and series orders.
Title: Production of Sense8
Content:  Sense8 (a play on the word sensate ) is an American science fiction drama web television series created by Lana and Lilly Wachowski and J. Michael Straczynski for Netflix. The production companies behind Sense8 include the Wachowskis' Anarchos Productions (replaced by Lana and her wife's Venus Castina Productions in the second season), Straczynski's Studio JMS, and Georgeville Television, with Unpronounceable Productions having been set up specifically for this show. The show's first season introduced a multinational ensemble cast, with Aml Ameen, Doona Bae, Jamie Clayton, Tina Desai, Tuppence Middleton, Max Riemelt, Miguel Ángel Silvestre, and Brian J. Smith portraying eight 
Title: Production of Sense8
Content:  began, Lana did a lot of rewrites on a daily basis as she got inspired by the locations, actors, and so on, even on the set. After completing writing for the second season, Straczynski moved on to other projects as a writer, while Mitchell and Hemon signed contracts to write for the third season over the summer of 2017. When the season was canceled by Netflix and later replaced by a special, Lana, Mitchell and Hemon returned as writers. Working 12–14 hours a day for six days per week, the three of them developed an outline within a week, and a 160-paged "writers' cut" of the completed script 
Title: Production of Sense8
Content:  production impressed the Wachowskis, helmed Berlin and Nairobi. Dan Glass, who had been the visual effects supervisor for every Wachowski film since The Matrix Reloaded, reprised his role in Sense8 while also making his directorial debut in the Seoul part of the story. Even though there were times that units located in different countries were simultaneously shooting, the Wachowskis would travel to the various locations and have collaborations with the attached directors. Reportedly the Wachowskis directed such segments in locations where a different director was otherwise attached as the stunts the character of Silvestre performed for his action movie in Mexico City and in Nairobi car chase scenes with the "Van Damn" bus along with a fight 
Title: Production of Sense8
Content:  Netflix required the production to shoot with 4K cameras to make the look of the show future-proof and John Toll who is credited as the main director of photography for overseeing the distinct look of the nine featured locations, made the decision to shoot by using mostly Sony's CineAlta PMW-F55 cameras, paired with Carl Zeiss Ultra Prime and Cooke Optics S4 lenses. During the first season, Toll, once again collaborating with the Wachowskis and Glass after Cloud Atlas and Jupiter Ascending, personally handled the cinematography in San Francisco, Chicago, London, Iceland, and Seoul. Toll's approach to shooting was to use a lot of Steadicam and hand-held partly out of 
Title: Production of Sense8
Content:  of long takes, with the actors told to try different variations on how they play their parts. McTeigue returned as director for Mexico City. Tykwer returned as director for the Nairobi parts but not for the Berlin ones, as he was busy working on his own TV series, Babylon Berlin. According to Glass, in the second season he directed the second unit in Seoul, and he also did some directing in Berlin. Overall, six episodes of the second season, including the Christmas special, credit Lana as director, three credit McTeigue, and Tykwer and Glass get credited each in one. Lana returned as the main director of the series' second special, and Tykwer collaborated with her in Berlin.

Question: Who was the producer of 18?
Answer: Moby.
Richard Melville Hall.
Voodoo Child.
Barracuda.
Brainstorm.
Schaumgummi.
Pippy Baliunas.
UHF.
Elizabeth McBride.