Title: Screenwriting
Content:  naïve New York playwright who comes to Hollywood with high hopes and great ambition. While there, he meets one of his writing idols, a celebrated novelist from the past who has become a drunken hack screenwriter (a character based on William Faulkner). ; Mistress (1992)&mdash;In this comedy written by Barry Primus and J. F. Lawton, Robert Wuhl is a screenwriter/director who's got integrity, vision, and a serious script &mdash; but no career. Martin Landau is a sleazy producer who introduces Wuhl to Robert De Niro, Danny Aiello and Eli Wallach - three guys willing to invest in the movie, but with one catch: each one wants his mistress 
Title: The Long Goodbye (film)
Content:  They commissioned the screenplay from Leigh Brackett, who had been Kastner's client when he was an agent and had written the script for the Humphrey Bogart version of The Big Sleep. Brackett: "... set the deal with United Artists, and they had a commitment for a film with Elliott Gould, so either you take Elliott Gould or you don't make the film. Elliott Gould was not exactly my idea of Philip Marlowe, but anyway there we were. Also, as far as the story was concerned, time had gone by—it was twenty-odd years since the novel was written, and the private eye had become a cliché. It had become funny. You had to watch out what you were doing. If you had Humphrey Bogart at the same 
Title: Good Will Hunting
Content:  ought to end with Will's decision to follow his girlfriend Skylar to California, not them leaving together. At Reiner's request, screenwriter William Goldman read the script. Goldman consistently denied the persistent rumor that he wrote Good Will Hunting or acted as a script doctor. In his book Which Lie Did I Tell? Goldman jokingly writes, "I did not just doctor it. I wrote the whole thing from scratch," before dismissing the rumor as false and saying his only advice was agreeing with Reiner's suggestion. Affleck and Damon proposed to act in the lead roles, but many studio executives said they 
Title: Walter (2014 film)
Content:  The film was commissioned by then BBC director of television Danny Cohen, comedy commissioning controller Shane Allen and BBC One controller Charlotte Moore. Kevin Lygo scripted the film under the pseudonym Ruby Solomon. He told The Guardian that this was "to avoid any potential conflict of interest, because it was to be made by ITV Studios, and also partly because I'm naturally a bit mischievous". Lygo added that "he wrote it at weekends" and that it was "somewhere between New Tricks and Minder". His daughter Madison also stars in the film.
Title: Good Will Hunting
Content:  Matt Damon started writing the film as a final assignment for a playwriting class he was taking at Harvard University. Instead of writing a one-act play, Damon submitted a 40-page script. He wrote his then-girlfriend, medical student Skylar Satenstein (credited in the closing credits of the film), into his script. (Satenstein later married Metallica drummer Lars Ulrich.) Damon said the only scene from that script that survived – "it survived verbatim" – was when Will Hunting (Damon) meets his therapist, Sean Maguire (Robin Williams). Damon asked Ben Affleck to develop the screenplay together. They completed the script in 1994. At 
Title: They Came Together
Content:  The film was written by David Wain and Michael Showalter. Rudd and Poehler participated in a table read of the script at the SF Sketchfest in January 2012.
Title: Karl Tunberg
Content:  than five years before the start of principal photography, Christopher Fry and Gore Vidal contributed to the screenplay during filming. Maxwell Anderson and S.N. Behrman are also mentioned as contributing writers in the film's commemorative booklet. The film's final onscreen writing credits created controversy when, in October 1959, the Writers Guild of America (WGA) awarded Tunberg sole screenplay credit, despite the objections of the film's director, William Wyler, who, in the film's commemorative booklet and elsewhere, claimed that Christopher Fry was more responsible than any other writer for the final screenplay. In response to Wyler's public outcries against their ruling, the WGA took out trade paper ads on November 20, 
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: Wild and Wonderful
Content:  The film had six credited writers, including Waldo Salt, who was then still working his way back from years on the Hollywood blacklist and who reportedly "hated" the film. In his 1999 obituary for Larry Markes, another of the credited writers, Dick Vosburgh of The Independent commented, "Critics found it hard to accept that it had taken six writers to fashion the wafer-thin tale of a jazz flautist whose marriage to a French film star is threatened by the jealous tricks of Monsieur Cognac, her neurotic, alcoholic French poodle." In his obituary for Tony Curtis in 2010, film critic Dave Kehr dismissed the film as "disastrous," noting that Curtis was rebuilding his reputation after an earlier affair with Kaufmann, his co-star in Wild and Wonderful, and subsequent divorce from Janet Leigh.
Title: InAlienable
Content:  The screenplay was written by Walter Koenig of the original Star Trek series. He told Starburst magazine that he was watching the 2000 World Series with friends, one of whom had appeared in The Blob. "We proceeded to have other conversations along the way about making a film that, at least initially, began the same way as The Blob, with something landing from outer space. And I really took it from there." He told interviewer Chris Wood (who identifies the friend as Anthony Franke), "I wanted to examine the intensity of familial bonding. That was one thing. I also wanted 

Question: Who was the screenwriter for Welcome?
Answer: Anees Bazmee.