Title: The Artist (film)
Content:  Director Michel Hazanavicius had been fantasizing about making a silent film for many years, both because many filmmakers he admires emerged in the silent era, and because of the image-driven nature of the form. According to Hazanavicius, his wish to make a silent film was at first not taken seriously, but after the financial success of his spy-film pastiches OSS 117: Cairo, Nest of Spies and OSS 117: Lost in Rio, producers started to express interest. The forming of the film's narrative started with Hazanavicius' desire to work again with actors Jean Dujardin and Bérénice Bejo, who had both starred in OSS 117: Cairo, Nest of Spies. Hazanavicius 
Title: Blood Bath
Content:  In 1963, while on vacation in Europe, Roger Corman made a $20,000 deal to distribute an as-yet unproduced Yugoslavian espionage thriller titled Operacija Ticijan/Operation: Titian. Corman also insisted on involvement in the production to ensure it could be adequately "Americanized", and provided two well-known English-speaking cast members, William Campbell and Patrick Magee for lead roles. In addition, Francis Ford Coppola, then fresh out of "film school" and formerly associated with Corman in the Americanization of Nebo Zovyot, was installed as the production’s script supervisor. Unfortuantely, the completed film was deemed unreleasable by Corman, although a redubbed, slightly re-edited version would eventually be released directly to television under the title Portrait in Terror.
Title: Stanley O'Toole
Content:  Daybreak for Warner Bros. Directed by Lewis Gilbert, it was shot mostly on location in Prague and was based on the true story of the assassination of Reinhard Heydrich. Stanley prepared a Warner Bros. project about the Entebbe Raid in Israel, but the project ended up being shelved and was never made. Stanley was quoted as saying: As filmmakers, we were committed to producing the most definitive version of the Entebbe raid, and Israel was committed to protecting state secrets. We couldn't go on. An Israeli government spokesperson said this was not the case, and that they helped as much as possible. It was on this 
Title: Quantum of Solace
Content:  Haggis's draft was originally titled Sleep of the Dead. Roger Michell was hired as director, but backed out because of the slow progress on the script. In June 2007, Marc Forster was confirmed as director. He was surprised that he was approached for the job, stating he was not a big Bond film fan, and that he would not have accepted had he not seen Casino Royale which he felt had humanised Bond; since travelling the world had become less exotic since the series's advent, it made sense to focus more on Bond as a character. Born in Germany and raised in Switzerland, 
Title: Ordinary Decent Criminal
Content:  Thaddeus O'Sullivan began trying to adapt the book The General by Paul Williams, but abandoned a direct adaption. Having previously worked on Nothing Personal about loyalist paramilitaries, and a biopic about John Gotti for NBC, O'Sullivan did not want to again work under the factual and legal constraints of a film based on real people, and was more interested in making a comedy or caper, and instead they developed their own story only loosely based on Martin Cahill. The original project went back on the market and John Boorman came on board as director. O'Sullivan was worried that investors might think the two projects were too similar, but after Boorman's The General screened at 
Title: OSS 117
Content:  and Seventeen ("cent dix-sept" in French) as opposed to Double One Seven (a light jab at James Bond's 00-prefix). The first two films, OSS 117: Cairo, Nest of Spies (2006) and OSS 117: Lost in Rio (2009), are both directed by Hazanavicius and co-written with Halin. However, for the third film, Hazanavicius chose not to return due to creative differences with Halin regarding the script. Instead, Nicolas Bedos took over the directing duties and worked closely with Halin on adapting his screenplay, resulting in OSS 117: From Africa With Love (2021), which, unlike the first two films, opts for contemporary filming techniques.
Title: Destination Hitchcock: The Making of North by Northwest
Content:  Destination Hitchcock: The Making of North by Northwest is a 2000 documentary film about the making of Alfred Hitchcock's classic thriller film North by Northwest. It is hosted and narrated by the film's female lead, Eva Marie Saint and features interviews with Patricia Hitchcock, several of the technical and behind-the-scenes people involved with the production of the film, and the main surviving actor, Martin Landau. The film has gained wide circulation due to its inclusion in Universal's release of North by Northwest in VHS and DVD formats which include this film as an additional feature.
Title: Eye of the Devil
Content:  had been discovered by Ransohoff when she went to audition for Petticoat Junction; he was impressed and put her under a seven-year contract. Tate had spent months studying and playing small roles at Ransohoff's expense before making her debut. "Everybody should make an effort to show a new face in every major picture," Ransohoff said. The original director was Sidney J. Furie, who had signed a three-picture deal with Ransohoff. In August 1965, shortly before filming was to begin, Furie was replaced by Michael Anderson. When Anderson fell ill, he was replaced in turn by J. Lee Thompson. Shortly before filming started, the title of the movie was changed to 13.
Title: X the Unknown
Content:  The film was originally intended by Hammer to be a sequel to the previous year's successful The Quatermass Xperiment, but writer Nigel Kneale refused permission for the character of Bernard Quatermass to be used. The original director of the film was Joseph Losey, working under the name Joseph Walton – Losey was an American director who had moved to the UK after being placed on the Hollywood blacklist. Although Losey did begin shooting the film and some of his footage is included in the final cut, he was replaced by Leslie Norman due to illness. An alternative version is that Jagger refused to work with him because of his blacklisting. Norman was borrowed from Ealing. He had just made his directorial debut with The Night My Number Came Up. He later said "I hated working at Hammer... because I never got on with Anthony Hinds." Half the film's budget was provided by Sol Lesser, a producer for RKO Pictures. This amount, $30,000, went towards the salary for Dean Jagger. Nonetheless, the American distribution deal between Hammer and RKO fell through due to the latter company's pending demise, and the film was distributed in the U.S. by Warner Bros.
Title: John Cromwell (director)
Content:  In reviving novelist Anthony Hope's swashbuckler The Prisoner of Zenda, David O. Selznick took a calculated risk as to popular taste. That leading man Ronald Colman was under contract to Selznick was the key factor in proceeding with the project. The decision to pick John Cromwell as director was based on his demonstrated ability to handle actors, and his disciplined observance of budgetary restraints. Despite Cromwell's skill with both male and female actors, an amusing contretemps arose during script and storyboard development. Ronald Colman (like screen actor John Barrymore) favored presenting just one facial profile to the camera to conceal his "bad side". Co-star Madeleine Carroll soon 

Question: Who was the director of The Objective?
Answer: Daniel Myrick.