Title: Queen of the Damned
Content:  a doomed project. In spite of their showing no interest in me as the screen writer, they have not been able to find one themselves for this bizarre idea of THE QUEEN OF THE DAMNED. I'm not too surprised. I think any respectable script writer would be crazy to tackle that novel without having fully developed the background story of Lestat. Anyway, that is where it is." During 1999, the script was developed by TV screenwriter Scott Abbott and Australian writer/director Michael Petroni. Another Australian, Michael Rymer, was confirmed to direct. Rymer suggested the film be shot in his home city of Melbourne, which would save considerably 
Title: Resident Evil: Apocalypse
Content:  to direct due to his commitments to Alien vs. Predator (2004). He stayed on as the film's screenwriter and as one of its producers. Anderson used the game Resident Evil 3: Nemesis as the basis of the story and wrote in elements from his favorite films, such as the perimeter wall in Escape from New York and the deserted city in The Omega Man. Alexander Witt was hired to direct the film, marking his feature film directorial debut. The script had already been completed when Witt was hired. He made some suggestions to Anderson and fellow producer Jeremy Bolt, which resulted in some minor script changes.
Title: The Shuttered Room
Content:  The script was originally written by Alexander Jacobs and Nathaniel Tanchuck. Filming began in April 1966. Sam Peckinpah's Straw Dogs (1971) would have many similarities.
Title: Dustin Lee Abraham
Content:  Artists Agency had reviewed it. CAA had found a lucrative buyer but the director refused to sell and instead what he felt was a lackluster movie, The Runner, was produced in 1999 (although it starred John Goodman, Courteney Cox, and Ron Eldard). Abraham wrote his first script, which he calls boilerplate, for John Wells which got him some exposure. Abraham then received a call from his agent that Method Man and Redman wanted him to write How High which was released in 2001. Abraham then worked on the CSI franchise as a writer for nine years. In 2007, he ventured into production and produced his first episode of CSI: Crime Scene Investigation, Cockroaches, directed by William Friedkin.
Title: The Story of Ruth
Content:  In 1957, Simon Windelburg was announced as the film's screenwriter. Michael Kanin and his wife, Fay Kanin, who were later hired to write the screenplay, wrote treatments for the film. Frank G. Slaughter wrote a screenplay based on his 1954 novel The Song of Ruth: A Love Story From the Old Testament. Norman Corwin wrote an entirely new screenplay after summer 1958. Corwin submitted his final draft of the script on September 1, 1959. Production began in late November 1959 and ended in mid-February 1960.
Title: Lovers (1991 film)
Content:  up during the pre-production of Los Amantes de Tetuán. The script was written by Aranda, Alvaro del Amo, and Carlos Perez Merinero, using some elements of the actual crime and reinventing many others to recreate the background of the characters, about which little was known. The television project was halted from 1987 to 1990, and when the time came to start production, Los Amantes de Tetuán took a separate life from La Huella del Crimen. It was going to be the last chapter to be filmed because Vicente Aranda was immersed in the making of a mini-series for TVE. By then, Aranda was initially reluctant to make another production for television, and 
Title: The Beginning or the End
Content:  and a percentage of the box office gross. The Beginning or the End had a number of working titles, including Atom Bomb, The Manhattan Project and Top Secret. Bob Considine was hired to produce a treatment, which was submitted to MGM writers. The script underwent a number of revisions, with Ayn Rand being one of the writers. Her contributions include the montage of Hitler's conquests, a sequence in which a dying informant sends a message to Albert Einstein, and the sequence in which President Franklin Roosevelt authorizes the Manhattan Project. Other writers involved with the script were Robert Smith, Frank "Spig" Wead, Norman Krasna, David 
Title: Never Say Never Again
Content:  Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; however, Mankiewicz declined as he felt he was under a moral obligation to Eon's Albert R. Broccoli. Semple Jr. ultimately left the project after Irvin Kershner was hired as director and Schwartzman began cutting out the "big numbers" from his script to save on the budget. Connery then hired British television writers Dick Clement and Ian La Frenais to undertake re-writes, although they went uncredited for their efforts despite much of the final shooting script being theirs. This was because of a restriction by the Writers Guild of America. Clement and La Frenais continued rewriting during the 
Title: The Lost City (2005 film)
Content:  Bill Murray appeared in the movie as the character of "the Writer". He shows up early in the movie asking Fico for a job, and hovers around Fico, commenting on the absurdities of life, though never playing a clear part in those absurdities. According to the “making of” video, the role is similar to that of a Greek chorus and is really the personality of the movie's author G. Cabrera Infante. Again, according to the making-of video, Murray was given some latitude in improvising dialogue – the scene toward the end where Murray and Hoffman (as Meyer Lansky) discuss egg creams was almost entirely improvised.
Title: William Eubank
Content:  While Love was still being edited, Eubank began writing a second screenplay, The Signal. He collaborated on the script with fellow screenwriters David Frigerio and his brother, Carlyle Eubank. In an interview, Eubank described his first thoughts for the project: "I'm a big fan of The Twilight Zone, of what Rod Serling used to do as a storyteller, and I always wanted to do one of those – a story with intangibility and strangeness that makes you say, 'What the heck is going on?' I’d been thinking about the concept of an individual thrust into a specific and extreme situation, the true nature of which this person would have to uncover." Before production could begin, Eubank worked as second unit director on the 

Question: Who was the screenwriter for The Abandoned?
Answer: Francesco Maselli.