Title: Love and Money (film)
Content:  Toback wrote the script "on spec". He attached Frank Yablans who unsuccessfully tried to set up the film at 20th Century Fox. It was then bought by Columbia Studios, who put it in development. The management of the studio changed and the project was put into "turnaround". Warren Beatty bought the script on the strength of Toback's debut feature as director, Fingers. He set it up at Paramount intended to star and produce. At Paramount, Beatty got the film critic Pauline Kael to work on the project. Kael was an admirer of Toback's and Beatty's and had recently left film criticism to work 
Title: Women in Love (film)
Content:  Kramer originally commissioned a screenplay from David Mercer. Mercer's adaptation differed too much from the original book and he was bought out of the project. "It was a horrible Marxist tract," Kramer said. "Just horrible. I had no script and no more money for another writer. Ultimately, Kramer wrote the script, although he had not written one before. "I became a writer not by choice but out of necessity," he said. Kramer said "slightly more than half the film" was directly from the novel. He took the rest from various sources including Lawrence's letters, essays, poems and plays. "I wanted to show you can convey emotion along with action and that ideas and talk and beautiful scenery are not incompatible in films," said Kramer. "My first draft was all dialog, the second was mostly visual. The end result was a combination of both."
Title: To Write Love on Her Arms (film)
Content:  Josh Lujan Loveless, Bob Massey, Jamie Tworkowski, and Renee Yohe all served as story consultants for the film, collaborating with Frankowski for the script. The film is produced by David Blair McKenna, a long time friend of Yohe's who provided her his home as a place to get sober, as depicted in the film, so she could enter rehab.
Title: Love Story (1970 film)
Content:  Erich Segal originally wrote the screenplay and sold it to Paramount Pictures. While the film was being produced, Paramount wanted Segal to write a novel based on it, to be published on Valentine's Day to help pre-publicize the release of the film. When the novel came out, it became a bestseller on its own in advance of the film. The original director was Larry Peerce. He backed out and was replaced by Anthony Harvey. Harvey dropped out and was replaced by Arthur Hiller. Jimmy Webb wrote a score for the film that was not used. The lead role of Oliver Barrett IV was turned down 
Title: Write About Love (film)
Content: Miles Ocampo as Female Writer ; Rocco Nacino as Male Writer ; Yeng Constantino as Joyce ; Joem Bascon as Marco 
Title: El Amor infiel
Content:  The film was produced by executive producer Hugo Flesc. The screenplay was written by the director Mario David, which is based on a novel by María Angélica Bosco. Cinematographer Adelqui Camuso was hired to shoot the film. Víctor Proncet composed the soundtrack, while the editing was done by Oscar Pariso.
Title: I Love You, Man
Content:  The script, Let's Be Friends, was originally written by Larry Levin. It was purchased but went unused for about 11 years before the film was made. Hamburg was offered the script and kept turning it down, but after his friends moved to Los Angeles he was inspired by the experience of trying to meet more friends to give it a shot. When Hamburg finally took the script he rewrote it to make it as real as possible. The film was originally announced in December 2007, with production originally scheduled for March 2008. In March 2008, Variety revealed that producer Ivan Reitman's Montecito Picture Company officially began production on I Love You, Man during the week of March 31, 2008.
Title: Love/Hate (TV series)
Content:  Commissioned by RTÉ Drama, it is produced by Octagon Films. The producers are Simon Massey, Suzanne McAuley, and James Flynn. Shooting for the first series began on 12 October 2009. The show is written by Stuart Carolan and initially directed by David Caffrey. The director of photography is Donal Gilligan and the show was filmed on the RED camera, a digital cinema camera, now the Arri Alexa. The production designer is Stephen Daly and the costume designer is Aisling Wallace Byrne. The show is edited by Dermot Diskin. The second series began filming in late March 2011 on location in Dublin. On 12 December 2011, RTÉ.ie reported that a third series was in development. On 17 January 2012 this was confirmed by RTÉ. On 18 December 2012, Irish Independent reported that "filming for the fourth series of Love/Hate is 
Title: I Love My Wife (film)
Content:  The film was originally known as Three Women and was based on an original story by Robert Kaufman. In December 1967 the story was purchased by David Wolper, a television producer who had moved into feature film production. The script was finished by October and in December 1968 Woldper announced the film would be made as part of a slate of films worth $45 million. In April 1969 David Wolper announced he would make the film with Mel Stuart to direct and Stan Marguiles to produce. They had just finished If It's Tuesday, This Must Be Belgium for Wolper. In July Wolper signed a deal with Universal to distribute Three Women which was retitled I Love My Wife. Gould signed to make the film in December 1969. (He had just completed Getting Straight, based on a script by Kaufman.) Brenda Vaccaro Gould turned down McCabe and Mrs Miller to do the film. "The more successful the character seemed to be, as a product of our socioeconomic society, the shallower he became as a human being,” said Gould. “I wanted to be able to experience that.” Filming took place in early 1970.
Title: Women in Love (film)
Content:  Larry Kramer was an American who moved to London in 1961 to work as an assistant story editor at Columbia and had become an assistant to David Picker at United Artists. United Artists wanted Kramer to move to New York but he wanted to live in London and produce, so he quit his job. He went to work on 1967's Here We Go Round the Mulberry Bush as producer and ended up rewriting the script. He was looking for another project when Silvio Narizzano, who had directed the successful Georgy Girl (1966), suggested Kramer make a film of Women in Love. Kramer read the novel, loved it, and optioned the screen rights for $4,200. He wrote a screen treatment based on the chapters and succeeded in selling the project to David Chasman and David Picker at United Artists.

Question: Who was the screenwriter for I Love Trouble?
Answer: Roy Huggins.
John Thomas James.