Title: She's All That
Content:  On June 17, 2013, Jack Lechner (who served as Miramax's head of development in the late 1990s) confirmed that technically both Shyamalan and Fleming contributed to the script: Fleming wrote the initial script that Miramax bought while Shyamalan did an uncredited rewrite (doing more than "a polish") that got the film green-lit. Lechner reiterated that content from both writers was included in the final cut of the film. Producer Richard N. Gladstein said that the script "was pretty much done" already, but that Shyamalan's changes "helped enormously with the relationship with Kevin Pollak [who played Laney's father, Wayne]". Iscove attributed the performance 
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: It's Pat
Content: I resisted it completely. I just didn't know how we could make it last for two hours. But 20th Century Fox was really keen; our producer was really keen. So we thought, OK, we'll write the script. And after three months, we fell madly in love with the script. Unfortunately, Fox did not. The film was written by Sweeney, Jim Emerson (Sweeney's friend from their days with The Groundlings ), and Sweeney's former husband, Stephen Hibbert. While at the Groundlings, Emerson suggested that the character Pat, at the time a "character based on annoying co-workers who don't leave you alone", be made androgynous. Three months before the film's release, Sweeney commented on her initial reluctance to do a film based on Pat:  Touchstone Pictures decided to produce the film, after Fox bowed out. Quentin Tarantino revealed that he was an uncredited writer on the script.
Title: War and Peace (1956 film)
Content:  War and Peace has six credited screenwriters, an unusually high number for a mainstream film, even in 1956. The first draft of the screenplay was five hundred six pages, roughly five times the size of an average screenplay. Contemporaneous sources claim that Irwin Shaw was one of the writers, but insisted his name be stricken from the credits after he learned that Vidor’s wife, Elizabeth Hill, rewrote much of the dialogue. Vidor also made extensive rewrites during filming. Uncredited contributors to the final script included Jean Aurenche, Pierre Bost, Sergio Amidei, Gian Gaspare Napolitano, and second-unit director Mario Soldati.
Title: Presumed Innocent (film)
Content:  Pollack and Rosenberg acquired the rights in December 1986, United Artists negotiated with the producers to finance and distribute the film. In May 1987, Pollack hired Frank Pierson to write the script. Shortly after, United Artists backed out as a distributor. Roger Birnbaum, head of worldwide production for United Artists, claimed that the studio found the project "just too expensive". In July 1988, the project moved to Warner Bros. Pollack and Rosenberg sent the script to Alan J. Pakula, who felt that it needed improvement and spent a year rewriting it with Pierson. Regarding the screenwriting process, Turow said, "There were three 
Title: The Way We Were
Content:  regretted recommending Pollack. The director demanded the role of Hubbell be made equal to that of Katie, and throughout filming, for unexplained reasons, he kept Laurents away from Redford. What was intended to be the final draft of the screenplay was written by Laurents and Pollack at Stark's condominium in Sun Valley, Idaho. Laurents, dismayed to discover very little of his work remained when it was completed, left the project. Over time, 11 writers, including Dalton Trumbo, Alvin Sargent, Paddy Chayefsky, and Herb Gardner, contributed to the script. The end result was a garbled story filled with holes that neither Streisand nor Redford liked. Laurents was asked to return and 
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: Murder in Pacot
Content:  According to Raoul Peck the script was written by 'three hands'. Haitian novelist and poet Lyonel Trouillot and French screenwriter Pascal Bonitzer offered to collaborate with Peck to work on the script.
Title: Never Say Never Again
Content:  Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; however, Mankiewicz declined as he felt he was under a moral obligation to Eon's Albert R. Broccoli. Semple Jr. ultimately left the project after Irvin Kershner was hired as director and Schwartzman began cutting out the "big numbers" from his script to save on the budget. Connery then hired British television writers Dick Clement and Ian La Frenais to undertake re-writes, although they went uncredited for their efforts despite much of the final shooting script being theirs. This was because of a restriction by the Writers Guild of America. Clement and La Frenais continued rewriting during the 
Title: Seven (1995 film)
Content:  The primary influence for the film's screenplay came from Andrew Kevin Walker's time spent in New York City while trying to make it as a screenwriter. "I didn't like my time in New York, but it's true that if I hadn't lived there I probably wouldn't have written Seven." He envisioned actor William Hurt as Somerset and named the character after his favorite author, W. Somerset Maugham. Jeremiah S. Chechik was attached to direct at one point. During pre-production, Al Pacino was considered for the Detective Somerset role, but he decided to do City Hall instead. Denzel Washington and Sylvester Stallone decided to turn down the 

Question: Who was the screenwriter for The Package?
Answer: John Bishop.