Title: Carnosaur (film)
Content:  first". Adam Simon, a frequent collaborator with Corman, was tasked with directing Carnosaur and writing its screenplay. The crew was allocated more time to carry out their work than was typical for a Corman production, with Simon having six months for research and writing. On a small budget, his screenplay ignored key plot elements of the novel and reduced the large variety of dinosaur species to two. According to Corman, the main antagonist Dr. Jane Tiptree was originally envisioned for a male actor who had a "great deal of strength and at the same time an intelligent person". With no one available, Corman rewrote 
Title: F/X
Content:  The unsolicited screenplay was written by two novice writers, actor Gregory Fleeman and documentarian Robert T. Megginson. Producer Jack Wiener read their script, which was submitted as a low-budget television movie, and felt that it should be made into a theatrical release. Wiener and his co-producer Dodi Fayed hired Robert Mandel, an Off-Broadway director. They did not want to hire an action director, but instead wanted a director who would bring a realistic touch to the film and make the audience care about the main character. Mandel accepted the job because he wanted to dispel the perception that he was a "soft, arty director". Initially he was not impressed with the film's screenplay, which he felt was not well-crafted but felt that it provided for "a lot of action and a lot of things I did not have 
Title: Nat Faxon
Content:  Faxon and writing partner Jim Rash, whom he met while performing at The Groundlings, co-wrote the screenplay for the film The Descendants, starring George Clooney and directed by Alexander Payne. On February 26, 2012, the screenplay for The Descendants won an Oscar, with Faxon, Rash, and Payne all receiving Oscars for their efforts. The duo made their directorial debut with The Way, Way Back (2013), based on their original screenplay, and starring Steve Carell, Toni Collette, and Sam Rockwell, among others. The film premiered at the Sundance Film Festival, where Fox Searchlight Pictures acquired it for $10 million, and was released domestically to acclaimed reviews that July.
Title: Spirit: Stallion of the Cimarron
Content:  Writer John Fusco, best known for his work in the Western and Native American genres (such as the films Young Guns and Young Guns II), was hired by DreamWorks Animation to create an original screenplay based on an idea by Jeffrey Katzenberg. Fusco began by writing and submitting a novel to the studio and then adapted his own work into screenplay format. He remained on the project as the main writer over the course of four years, working closely with Katzenberg, the directors, and artists.
Title: Coyote Ugly (film)
Content:  Kevin Smith, who did an uncredited rewrite of the script, stated that a total of eight writers worked on the script while the Writers Guild of America only gave credit to Gina Wendkos, who wrote the first draft of the script, which, according to Smith, scarcely resembles the final film. (See WGA screenwriting credit system.) Jeff Nathanson wrote a draft that director David McNally credits as the draft that "brought the thing home"; Nathanson was credited on the initial theatrical poster but not in the finished film. Carrie Fisher also wrote a draft.
Title: The Flintstones (film)
Content:  scripts that had about 18 writers". Levant made eight more revisions before finally registering a shooting script on August 7, 1993. Of the 35 writers, the Flintstone Eight were submitted for arbitration by the Writers Guild of America plus Wilson for story credit, however, credit was given to the first script by De Souza and to Jennewein and Parker for their drafts. The effects for Dino, the Dictabird and other prehistoric creatures were provided by Jim Henson's Creature Shop while most of the film's CGI effects were provided by Industrial Light & Magic after Levant was impressed by their work on the dinosaurs in Jurassic Park (another Universal/Amblin production released the previous year).
Title: Alien (franchise)
Content:  Writer Dan O'Bannon, wanting to write a science-fiction action film, collaborated with screenwriter Ronald Shusett on a script, initially titled Star Beast, but eventually changed to Alien. Brandywine Productions, a company which had a distribution deal with 20th Century Fox, bought the script. The writers expected it to be a low-budget film, but the success of Star Wars inclined Fox to invest millions. In the original script, the ship had an all-male crew, though it noted that all parts were gender-interchangeable. The Ripley character was initially to be played by Tom Skerritt, but when Fox president Alan Ladd Jr. and the producers at Brandywine heard rumors of Fox working on other titles with strong female leads, it was decided to cast 
Title: Jurassic Park (film)
Content:  Universal paid Crichton a further $500,000 to adapt his own novel, which he had finished by the time Spielberg was filming Hook. Crichton noted that because the book was "fairly long" his script had about 10 to 20 percent of the novel's content; scenes were dropped for budgetary and practical reasons, and the violence was toned down. Malia Scotch Marmo began a script rewrite in October 1991 over a five-month period, merging Ian Malcolm with Alan Grant. Spielberg wanted another writer to rework the script, so Universal president Casey Silver recommended David Koepp, co-writer of Death Becomes Her. Koepp started afresh from Marmo's draft, and used Spielberg's idea of a cartoon shown to the visitors to remove much 
Title: Frankenstein Unbound
Content:  Producer Thom Mount approached Roger Corman with the idea to get him back into directing after a two decade absence. To get a strong script, Corman looked to known writers including Wes Craven and Floyd Mutrux to craft something original before ultimately having F.X. Feeney adapt Brian Aldiss' novel Frankenstein Unbound with input from Corman himself.
Title: Brendan Foley
Content:  Farmoor (makers of The Fall) and Northern Ireland Screen (UK home of Game of Thrones) and, in 2016, he developed Tunnel Kings, a mini-series on World War II POW ‘escape-artists’ for CBC and Dream Street, Canada. Foley completed pilot scripts for SOS, a new eco-thriller series by Finnish producers Luminoir, and Kvenland, set in the Dark Ages. Previously he wrote the pilot for drama Dr Feelgood for Monday TV (Denmark). He has written books for US and UK publishers. Under The Wire, a World War II POW escape drama, which he wrote along with its subject, pilot William Ash, was published by Random House, London and St Martin's Press, New York in 2005 and 

Question: Who was the screenwriter for The Fossil?
Answer: Yasushi Inoue.