Title: Yours, Mine and Ours (1968 film)
Content:  commissioned another writer (Leonard Spigelgass) to rewrite the script. Mr. Spigelgass does not seem to have succeeded in breaking free of Lucy's television work, so producer Robert Blumofe hired yet two more writers (Mickey Rudin and Bernie Weitzman) to make an attempt. When this failed, Blumofe hired Melville Shavelson, who eventually directed. All further rewrite efforts came to an abrupt end at the insistence of United Artists, the film's eventual distributor. At this point in the production cycle, Helen Beardsley's book Who Gets the Drumstick? was actually released in 1965. Like many film adaptations, exactly how much the book informed the final shooting script is 
Title: Mutual Friends (film)
Content:  Watts reportedly used his relationship with writer/co-producer and wife Amy Higgins as material for the script.
Title: Such Good Friends
Content:  Through his son Erik, who was working as his story editor, producer Otto Preminger heard about a manuscript by Lois Gould that was rumored to be a hot property. He negotiated with the author and purchased the film rights for $200,000 in February 1970, three months before the book was published. The novel, narrated in stream-of-consciousness mode by Julie Messinger, proved to be difficult to adapt for the screen. Joan Micklin Silver initially tackled the project, but Preminger found her to be too much of a feminist who was more psychologically attuned to the character than he thought was necessary. He then hired Joan Didion and John Gregory Dunne and worked with them for several months. 
Title: Navy SEALs (film)
Content:  In the winter of 1986 Brenda Feigen, then an agent at the William Morris Agency, was introduced to Chuck Pfarrer through one of her clients. Pfarrer, an active duty navy SEAL who wrote screenplays in his spare time, had just sold "The Crook Factory," a script about Ernest Hemingway's life. Feigen encouraged him to write a script based on his experiences. After retiring from the SEALs, Pfarrer wrote the script, which Feigen shopped to Orion Pictures, Warner Brothers, and United Artists, hoping to create a bidding war. Orion ultimately purchased the script, with Feigen acting as producer. Feigen wanted Ridley Scott to direct, but negotiations fell through. Richard Marquand was then hired, 
Title: To Write Love on Her Arms (film)
Content:  Josh Lujan Loveless, Bob Massey, Jamie Tworkowski, and Renee Yohe all served as story consultants for the film, collaborating with Frankowski for the script. The film is produced by David Blair McKenna, a long time friend of Yohe's who provided her his home as a place to get sober, as depicted in the film, so she could enter rehab.
Title: War and Peace (1956 film)
Content:  War and Peace has six credited screenwriters, an unusually high number for a mainstream film, even in 1956. The first draft of the screenplay was five hundred six pages, roughly five times the size of an average screenplay. Contemporaneous sources claim that Irwin Shaw was one of the writers, but insisted his name be stricken from the credits after he learned that Vidor’s wife, Elizabeth Hill, rewrote much of the dialogue. Vidor also made extensive rewrites during filming. Uncredited contributors to the final script included Jean Aurenche, Pierre Bost, Sergio Amidei, Gian Gaspare Napolitano, and second-unit director Mario Soldati.
Title: Richard Glatzer
Content:  Glatzer originally heard of a book about Errol Flynn's last love affair The Big Love through his mentor, Jay Presson Allen, the screenwriter of The Prime of Miss Jean Brodie and Cabaret. The story is told by Flynn's girlfriend's mother, Florence Aadland with co-writer Tedd Thomey and has been praised by the likes of William Styron and W.H. Auden as the ultimate unreliable narrator story. Glatzer and Westmoreland started researching the screenplay in 2003, earning the trust of Florence's daughter, Beverly, and the friendship of author Tedd Thomey and Flynn's chauffeur in his final years, Ronnie Shedlo. They wrote the first draft of the screenplay in 2007 but it was not until 2011, and the attachment of Kevin 
Title: Screenwriters: Words Into Image
Content:  Screenwriters: Words Into Image (1982) is a PBS documentary series produced in the United States and featuring six 30-minute episodes. Each explored the work of a single significant American screenwriter. The series was directed by Terry Sanders and Freida Lee Mock. Individual episodes featured Carl Foreman, who was blacklisted in the 1950s after being classified as an uncooperative witness by the House Unamerican Activities Committee and worked for years in Great Britain; William Goldman, Paul Mazursky, Eleanor Perry, Neil Simon, and Robert Towne. The series was nominated for the Primetime Emmy Award for Outstanding Informational Series in 1983.
Title: Love Story (1970 film)
Content:  Erich Segal originally wrote the screenplay and sold it to Paramount Pictures. While the film was being produced, Paramount wanted Segal to write a novel based on it, to be published on Valentine's Day to help pre-publicize the release of the film. When the novel came out, it became a bestseller on its own in advance of the film. The original director was Larry Peerce. He backed out and was replaced by Anthony Harvey. Harvey dropped out and was replaced by Arthur Hiller. Jimmy Webb wrote a score for the film that was not used. The lead role of Oliver Barrett IV was turned down 
Title: Beyond Our Control
Content:  Company members who went on to greater fame include Larry Karaszewski (Emmy Award-winning screenwriter and producer The People v. O. J. Simpson: American Crime Story), Daniel Waters (screenwriter, Heathers), David Simkins (screenwriter, Adventures in Babysitting), Diane Werts (film critic, creator of "For Better or Werts"), Dean Norris (SAG Award-winning actor, Breaking Bad), Traci Paige Johnson (animator, creator of Blue's Clues), Phil Frank (journalist, videographer, and documentary producer ), Chris Webb (screenwriter, Toy Story 2), Katharine Eliska Kimbriel (fantasy novelist, Night Calls ), Corrie Wynns (journalist for WMAQ radio, AP Radio Network and Sheridan Broadcasting Network), and Mary Willems Armstrong (co-author of Encyclopedia of Film Themes, Settings and Series ). An adviser from 1975 to 1977, Donald P. Borchers became a film producer, notable for the 1984 and 2009 versions of Children of the Corn. Alumni of Beyond Our Control are still rescuing and archiving material from the show. For more information, see beyondourcontrol.org

Question: Who was the screenwriter for Our Relations?
Answer: Stan Laurel.
Arthur Stanley Jefferson.