Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: Nathanael West
Content:  as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel Before the Fact (1932) by Francis Iles. West and Ingster wrote the screenplay in seven weeks, with West focusing on characterization and dialogue and Ingster focusing on the narrative structure. RKO assigned the film, eventually released as Suspicion (1941), to Alfred Hitchcock; but Hitchcock already had his own, substantially different, screenplay. Hitchcock's screenplay was written by Samson Raphaelson, Joan Harrison (Hitchcock's secretary), and Alma Reville (Hitchcock's wife). West and Ingster's screenplay was abandoned, but the text can be found in the Library of America's edition of West's collected works.
Title: State of Independence (Homeland)
Content:  The episode was written by executive producer Alexander Cary, and was directed by Lodge Kerrigan, director of the feature film Keane which also starred Damian Lewis.
Title: The Soloist
Content:  The film is based on the true story of Nathaniel Ayers, a musician who developed schizophrenia and became homeless. Directed by Joe Wright, was written by Susannah Grant, based on a series of columns written by Los Angeles Times columnist Steve Lopez, who chronicled the plight of Nathaniel Ayers, Jr., a musician with schizophrenia, and eventually was chronicled in Lopez's book, The Soloist, which was published in the spring of 2008. The film was budgeted at $60 million, twice the budget amount of Wright's previous film, Atonement. Production began in January 2008 and was filmed mostly in Los Angeles, with some scenes shot in Cleveland.
Title: Vertigo (film)
Content:  There were three screenwriters involved in the writing of Vertigo. Hitchcock originally hired playwright Maxwell Anderson to write a screenplay, but rejected his work, which was titled Darkling, I Listen, a quotation from Keats's Ode to a Nightingale. According to Charles Barr in his monograph dedicated to Vertigo, "Anderson was the oldest (at 68) [of the 3 writers involved], the most celebrated for his stage work and the least committed to cinema, though he had a joint script credit for Hitchcock's preceding film The Wrong Man. He worked on adapting the novel during Hitchcock's absence abroad, and submitted a treatment in September 1956." A second version, written by Alec Coppel, again left the director dissatisfied. The final script was written by Samuel A. Taylor—who was recommended to Hitchcock due to his knowledge of San Francisco— from notes by Hitchcock. Among Taylor's creations was the character of Midge. Taylor attempted to take sole credit for the screenplay, but Coppel protested to the Screen Writers Guild, which determined that both writers were entitled to a credit, but to leave Anderson out of the film writing credits.
Title: Joe Somebody
Content:  John Scott Shepherd, who wrote the film's script, had previous experience in advertising as a film and video producer. Shepherd was inspired to write a screenplay about those experiences and the people who have to work behind the scenes in corporate America. "It occurred to me that we all expect to be special, if not famous," recalled Shepherd. The screenplay caught the attention of Kopelson Entertainment executive Matthew Gross, who first read the script while working on a television pilot with Shepherd. Gross passed the script on to his bosses, Anne and Arnold Kopelson, who gave Gross full support with the project. The 
Title: Isla Dewar
Content:  the screenplay. She moved to John and Furnish's mansion in Windsor where she worked on the screenplay. She used a book by Butch Cassidy and the Sundance Kids screenwriter William Goldman, Adventures in the Screen Trade, to explain the details of scriptwriting. Dewar assisted the stars of the film with honing their Scottish accents. The film, starring Helena Bonham Carter, James Nesbitt and Gina McKee, was screened at the 1999 Toronto Film Festival. The story concerned the friendship and betrayals of two women living in 1970s Edinburgh. Dewar became an established Scottish novelist and writer. In 2004 a collection of short 
Title: Solitary (Lost)
Content:  The episode was written by David Fury and directed by Greg Yaitanes. According to series co-creator Damon Lindelof, discussion of both "Solitary" and the following episode, "Raised by Another", began in September 2004, when Lost debuted on television. The production team had fallen behind schedule, so Fury worked on "Solitary" while others went to a separate room to discuss "Raised by Another", with co-creator Carlton Cuse "bouncing between the two universes". Although production codes generally go in ascending order, "Solitary" had production code 107, while "Raised by Another" had production code 106. This was because, despite the broadcast dates, "Raised by Another" was written before "Solitary". The episodes were edited so that Sayid would return at the 
Title: Screenwriting
Content:  ; Seven Psychopaths (2012)&mdash;In this satire, written and directed by Martin McDonagh, Colin Farrell plays a screenwriter who is struggling to finish his screenplay Seven Psychopaths, but finds unlikely inspiration after his best friend steals a Shih Tzu owned by a vicious gangster. ; Trumbo (2015)&mdash;Highly successful Hollywood screenwriter Dalton Trumbo, played in this biopic by Bryan Cranston, is targeted by the House Un-American Activities Committee for his socialist views, sent to federal prison for refusing to cooperate, and blacklisted from working in Hollywood, yet continues to write and subsequently wins two Academy Awards while using pseudonyms. Screenwriting has been the focus of a number of films: 
Title: Island of Lost Women
Content:  The film was based on an original story by Prescott Chaplin. Film rights were bought by Jaguar Productions, Alan Ladd's production company, which had a film development deal with Warner Bros. Ray Buffum was hired to write the script. Frank Tuttle, who just made Hell on Frisco Bay for Jaguar, was assigned to direct. Jeff Richards was given the lead role and was signed by Jaguar to a five-year contract for two films a year. Warner Bros contract star Venetia Stevenson was cast opposite him. June Blair was borrowed from 20th Century Fox.

Question: Who was the screenwriter for Isolation?
Answer: Robert Kirkman.