Title: A Composer's Guide to Game Music
Content:  A Composer’s Guide to Game Music is a 2014 book written by Winifred Phillips, a video game composer with over 11 years experience creating music for such games as Assassin’s Creed Liberation, God of War and multiple games in the LittleBigPlanet franchise. Through the use of autobiographical anecdotes, scholarly discussion and practical advice, Phillips explores the creative and technical process of composing music for video games. The book was published by The MIT Press on February 14, 2014. The book has received many positive reviews     and has won multiple awards.
Title: He Got Game
Content:  The soundtrack for He Got Game was composed of numerous orchestral pieces by Aaron Copland with songs created by Public Enemy. It was released by Def Jam on April 21, 1998.
Title: The Game Awards 2017
Content:  The show included musical performances from French indie pop band Phoenix and The Game Awards Orchestra, a mixed group consisting of an orchestra and other guest musicians, such as Avenged Sevenfold guitarist Synyster Gates and cellist Tina Guo, who performed music from a number of the nominated games. The show also had numerous guests as award presenters or commentators, such as Metal Gear series creator Hideo Kojima, Mortal Kombat series creator Ed Boon, Nintendo of America president Reggie Fils-Aimé, film director Guillermo del Toro, television producers Justin Roiland and Conan O'Brien, and actors Norman Reedus, Andy Serkis, Felicia Day, Aisha Tyler, and 
Title: A Composer's Guide to Game Music
Content:  The Film Music Society that A Composer’s Guide to Game Music is a "beautifully organized, intelligently written book about music for games," going on to say that "gamers as well as composers may be fascinated by her thorough analysis of what music works, and why, in various game genres," and adding that "the challenges unique to game composers are discussed at length." The Los Angeles Review of Books describes A Composer’s Guide to Game Music as "a level-headed worker’s tour of a fantasy-fueled world," adding that Phillips "calmly guides the reader through new and old world compositional problems," and that the book "simply aims to be transparent and generous, and to 
Title: Video Games Live
Content:  segments where audience members can play video games, synchronized in real-time by the orchestra. The concerts on occasion feature interviews with video game composers, sometimes live or through video. Examples of invited composers include Koji Kondo, composer of Mario and Zelda; Marty O’Donnell and Mike Salvatori, composers of Halo and Destiny; Wataru Hokoyama, who composed the soundtrack to Afrika; Austin Wintory, the first video game composer nominated for a Grammy for Best Score Soundtrack for the music in Journey; Christopher Tin, the first video game composer to win a Grammy for his song "Baba Yetu" on Civilization IV; Peter McConnell and Clint 
Title: Symphonic Game Music Concerts
Content:  series does not rely on showing game footage or extensive light effects, but rather on the quality of the music and its performance. The original inspiration GC in Concert drew from the Orchestral Game Music Concerts was reflected in the presentation and rearrangement of two of its compositions and the use of orchestra figures designed by Chisa Suzuki, akin to those depicted on the Orchestral Game Music Concert CD covers. Many famous game music composers have attended the events and the associated autograph sessions, while Shiro Hamaguchi, Michiru Yamane, Yuzo Koshiro and Takenobu Mitsuyoshi actively participated in the series as guest arrangers and performers.
Title: GATE (video game)
Content:  The game was programmed by Henrik Gudat when he was a college student. The starting point was a bet at school who could actually write a complete action game. After the basic functions were implemented, Jörg Kienzle and Yann Le Tensorer were both involved to provide graphics, sound effects and music. Yann Le Tensorer, who later became a key figure in the Rayman series of jump and run games from UbiSoft, provided most of the music and sound effects. Meanwhile, Jörg Kienzle designed graphical elements, developed the story line and contributed additional sound effects. The game was initially published by Toolbox S.A. from Argenteuil. After Toolbox went out of business, the game's publishing and marketing was taken over by Seven Hills Software, Tallahassee FL.
Title: The Game Awards 2018
Content:  2014, as he felt that it was a metaphor for bringing the industry together. While all three leaders personally agreed to the speech, it took several months of negotiations before confirmation; Keighley felt that it had "fallen apart" in the days before the show, but "magically it came back together" in time. The Game Awards Orchestra, conducted by Lorne Balfe, opened the show with its new theme song, accompanied by Harry Gregson-Williams, Lena Raine, Sarah Schachner, and Hans Zimmer. The theme song was an original composition by Balfe; he was primarily inspired by Keighley, and wrote the piece to represent his work and the general gaming 
Title: A Composer's Guide to Game Music
Content: University of Cambridge ; Juilliard School ; Harvard University ; Berklee College of Music ; University of Oxford ; UCLA ; Stanford University ; Princeton University ; Oberlin Conservatory of Music ; Yale University ; Eastman School of Music ; University of Chicago ; Massachusetts Institute of Technology ; Johns Hopkins University ; University of Edinburgh, Scotland ; Cornell University ; New York University ; Trinity College, Dublin ; University of St Andrews, Scotland ; Nanyang Technological University, Singapore ; University of Adelaide, Australia ; Royal College of Music, Stockholm A Composer’s Guide to Game Music is a subject of instruction at multiple colleges/universities and post-graduate programs that offer courses in creative music technology, sound for interactive media, adaptive music for video games, and other similar courses of study. Institutions using the book as an instructional text include the London College 
Title: The Golden Compass (video game)
Content:  The game's score was composed by Jamie Christopherson. He stated on his website, "I wrote and recorded the score to this game within about a month's time, before the score for the movie was even complete, so the music is completely original. Given the grand scope of the game, the music was recorded with a full orchestra at Warner Brothers Studios in LA. We finished the music just 2 days before my wife gave birth to our daughter, and I think that "Lyra's Theme" was in some ways inspired by that fact." In an interview with IGN, Christopherson stated "It was apparent from the beginning that the game would require a completely original approach. I didn't try 

Question: Who was the composer of Game?
Answer: Joshua Sridhar.