Title: Technological Threat
Content:  The film takes place in an office staffed by wolves who hand-copy documents using pencils. One of them passes out because of overwork. The bulldog boss pushes a button that carries him through a trapdoor below the worker's desk, and replaces him with a robot that writes faster. Another yawns, and is also dropped through a trapdoor under his desk and replaced by a robot. Three more are eliminating for drinking water, sneezing and injury (one of them desperately plugs his nose with two pencils, but is unable to keep from sneezing, propelling the pencils into another's head). They are replaced by more robots. The remaining worker, madly scribbling away, is shocked to discover that his boss has been replaced by a boss robot. When the latter leaves, the last 
Title: Technological Threat
Content:  decides to take action, and begins destroying the robots in various cartoony ways (blowing one up with a stick of dynamite, dropping another through its desk trapdoor, yet another by hitting it with different objects, and electrically shocking another into a pile of cinders). As the worker and the one remaining robot are locked in a life-or-death struggle, they see the boss robot threatening to push the trapdoor button. In a sudden instance of cooperating, they shove the trapdoor beneath the boss robot, who falls in. As the two workers peer down the open trapdoor, the remaining worker becomes aware of the opportunity being presented and shoves the robot in thus ending the film with a cigar in his hand and eventually pushing the trapdoor button on the viewer.
Title: Thriller film
Content:  Techno-thriller is a suspenseful film in which the manipulation of sophisticated technology plays a prominent part. Examples include The Thirteenth Floor, I, Robot, Source Code, Eagle Eye, Supernova, Hackers, The Net, Futureworld, eXistenZ, and Virtuosity.
Title: Technophobia
Content:  being targeted by the mutants who wish to destroy all science and machinery due to their technophobic beliefs. Technophobia is also thematic in Walter M. Miller's novel A Canticle for Leibowitz, in which nuclear war produces an attempt to stamp out science itself, which is held to be responsible. In the 1970s, films such as Colossus: The Forbin Project and Demon Seed offered samples of domination by computers. The film Westworld, released in 1973, revolves around world of entertainment humanoids going completely wrong when they turn against humans. Also in the 1970s, Rich Buckler created Deathlok, a cyborg revivified by a madman as 
Title: Techno
Content: High Tech Soul – Catalog No.: PLX-029; Label: Plexifilm; Released: September 19, 2006; Director: Gary Bredow; Length: 64 minutes. ; Paris/Berlin: 20 Years Of Underground Techno – Label: Les Films du Garage; Released: 2012; Director: Amélie Ravalec; Length: 52 minutes. ; We Call It Techno! – A documentary about Germany's early Techno scene and culture – Label: Sense Music & Media, Berlin, DE; Released: June 2008; Directors: Maren Sextro & Holger Wick. ; Tresor Berlin: The Vault and the Electronic Frontier – Label: Pyramids of London Films; Released 2004; Director: Michael Andrawis; Length: 62 minutes ; Technomania – Released: 1996 (screened at NowHere, an exhibition held at Louisiana Museum of Modern Art, Denmark, between May 15 and September 8, 1996); Director: Franz A. Pandal; Length: 52 minutes. ; – Label: Les Films à Lou; Released: 1996; Director: Dominique Deluze; Length: 63 minutes. 
Title: Tech noir
Content:   Tech-noir (also known as cyber noir, future noir and science fiction noir) is a hybrid genre of fiction, particularly film, combining film noir and science fiction, epitomized by Ridley Scott's Blade Runner (1982) and James Cameron's The Terminator (1984). The tech-noir presents "technology as a destructive and dystopian force that threatens every aspect of our reality."
Title: Techno-thriller
Content:  A techno-thriller or technothriller is a hybrid genre drawing from science fiction, thrillers, spy fiction, action, and war novels. They include a disproportionate amount (relative to other genres) of technical details on their subject matter (typically military technology); only hard science fiction tends towards a comparable level of supporting detail on the technical side. The inner workings of technology and the mechanics of various disciplines (espionage, martial arts, politics) are thoroughly explored, and the plot often turns on the particulars of that exploration. This genre began to exist and establish itself in the early 20th century with further developments and focus on the genre in the mid 20th century.
Title: Technophobia
Content:  someone had stopped being a man and become simply a machine. Virtuosity speaks of a virtual serial killer who manages to escape to the real world. He goes on a rampage before he is inevitably stopped. This is a true technophobic movie in that its main plot is about technology gone wrong. It introduces a killer who blatantly destroys people. Avatar is exemplary of technology's hold on humans who are empowered by it and visually demonstrates the amount of terror it instills upon those native to the concept. It enforces the notion that foreign creatures from Pandora are not only frightened by 
Title: Technophobia
Content:  but it is something they loathe; its potential to cause destruction could exceed their very existence. In contrast, the film itself used advanced technology such as the stereoscope in order to give viewers the illusion of physically taking part in an experience that would introduce them to a civilization struggling with technophobia. The 2009 animated film 9 opens with the line, "We had such potential, such promise; but we squandered our gifts, our intelligence. Our blind pursuit of technology only sped us quicker to our doom. Our world is ending." Godfrey Reggio's Qatsi trilogy also deals heavily with issues of technophobia. The 
Title: TechnoCalyps
Content:  TechnoCalyps is a 2006 Belgian transhumanism documentary film written and directed by Frank Theys. It explores the advance of technology.

Question: Who was the director of Technological Threat?
Answer: Bill Kroyer.
William Kroyer.