Title: Nineteen Eighty-Four
Content:  Nineteen Eighty-Four (also stylised as 1984) is a dystopian social science fiction novel and cautionary tale written by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance and repressive regimentation of people and behaviours within society. Orwell, a democratic socialist, modelled the totalitarian government in the novel after Stalinist Russia and Nazi Germany. More broadly, the novel examines the role of truth and facts within politics and the ways in which they are manipulated. The story takes place in an imagined future, the year 1984, when much of the world has fallen victim 
Title: Nineteen Eighty-Four
Content: George Orwell – Eric Arthur Blair ; Project Gutenberg Australia (e-text) ; HTML and EPUB editions from The University of Adelaide Library ; Nineteen Eighty-Four (Canadian public domain Ebook – PDF) Nineteen Eighty-Four (Canadian public domain Ebook – PDF) 
Title: Nineteen Eighty-Four (1984 film)
Content:  Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian science fiction film written and directed by Michael Radford, based upon George Orwell's 1949 novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level. The film, which was Burton's last screen appearance, is dedicated to him. The film was nominated for a BAFTA Award for Best Art Direction, and won two Evening Standard British Film Awards for Best Film and Best Actor.
Title: Nineteen Eighty-Four
Content:  a late amendment." - Dorian Lynskey Throughout its publication history, Nineteen Eighty-Four has been either banned or legally challenged as subversive or ideologically corrupting, like the dystopian novels We (1924) by Yevgeny Zamyatin, Brave New World (1932) by Aldous Huxley, Darkness at Noon (1940) by Arthur Koestler, Kallocain (1940) by Karin Boye, and Fahrenheit 451 (1953) by Ray Bradbury. Some writers consider Zamyatin's We to have influenced Nineteen Eighty-Four. The novel also bears significant similarities in plot and characters to Koestler's Darkness at Noon, which Orwell had reviewed and highly praised. The original manuscript for Nineteen Eighty-Four is Orwell's only surviving literary manuscript. It is presently held at the John Hay Library at Brown University.
Title: Nineteen Eighty-Four
Content:  perpetual war, omnipresent government surveillance, historical negationism, and propaganda. Great Britain, known as Airstrip One, has become a province of the totalitarian superstate Oceania, ruled by the Party, who employ the Thought Police to persecute individuality and independent thinking. Big Brother, the dictatorial leader of Oceania, enjoys an intense cult of personality, manufactured by the party's excessive brainwashing techniques. The protagonist, Winston Smith, is a diligent and skillful rank-and-file worker and Outer Party member who secretly hates the Party and dreams of rebellion. He enters into a forbidden relationship with his colleague Julia and starts to remember what life was like before the Party came to power. Nineteen Eighty-Four has become a classic literary example of political and dystopian 
Title: Nineteen Eighty-Four
Content:  When it was first published, Nineteen Eighty-Four received critical acclaim. V. S. Pritchett, reviewing the novel for the New Statesman stated: "I do not think I have ever read a novel more frightening and depressing; and yet, such are the originality, the suspense, the speed of writing and withering indignation that it is impossible to put the book down." P. H. Newby, reviewing Nineteen Eighty-Four for The Listener magazine, described it as "the most arresting political novel written by an Englishman since Rex Warner's The Aerodrome." Nineteen Eighty-Four was also praised by Bertrand Russell, E. M. Forster and Harold Nicolson. On the other hand, Edward Shanks, reviewing Nineteen Eighty-Four for The Sunday Times, was dismissive; Shanks claimed Nineteen Eighty-Four "breaks all records for gloomy vaticination". C. S. Lewis was also critical of the novel, claiming that the relationship of Julia and Winston, and especially the Party's view on sex, lacked credibility, and that the setting was "odious rather than tragic". On 5 November 2019, the BBC named Nineteen Eighty-Four on its list of the 100 most influential novels.
Title: Nineteen Eighty-Four
Content:  In 1944, Orwell began work which "encapsulate[d] the thesis at the heart of his... novel", which explored the consequences of dividing the world up into zones of influence, as conjured by the recent Tehran Conference. Three years later, he wrote most of the actual book on the Scottish island of Jura from 1947 to 1948 despite being seriously ill with tuberculosis. On 4 December 1948, he sent the final manuscript to the publisher Secker and Warburg, and Nineteen Eighty-Four was published on 8 June 1949. The Last Man in Europe was an early title for the novel, but in a letter dated 22 October 1948 to his publisher Fredric Warburg, eight months before publication, Orwell wrote 
Title: Inventing Elliot
Content:  The book is extremely influenced by the novel Nineteen Eighty-Four by George Orwell, a story about a totalitarian state in which the government is attempting to eliminate freedom of thought. Like Winston Smith, the hero of Nineteen Eighty-Four, Elliot struggles to hide what he really thinks and feels, and is terrified of the truth coming out, yet also longs to be free. Holminster High is effectively ruled by a single organization, just like the fictional country of Airstrip One in Nineteen Eighty-Four. The key 'villain' of Inventing Elliot bases his strategy on ideas taken from Nineteen Eighty-Four. Another important influence is The Chocolate War, a controversial novel for young adults written by the US writer Robert Cormier. Graham Gardner has said that he could not have written Inventing Elliot in the way that he did without the lead set by The Chocolate War. The two books 
Title: Nineteen Eighty-Four (1984 film)
Content: John Hurt as Winston Smith ; Rupert Baderman as Young Winston Smith ; Richard Burton as O'Brien ; Suzanna Hamilton as Julia ; Cyril Cusack as Mr. Charrington ; Gregor Fisher as Parsons ; James Walker as Syme ; Andrew Wilde as Tillotson ; Merelina Kendall as Mrs. Parsons ; John Boswall as Emmanuel Goldstein ; Phyllis Logan as Telescreen Announcer (voice) ; Roger Lloyd-Pack as Waiter ; Bob Flag as Big Brother (only as a still image) ; Pam Gems as the Washerwoman ; Pip Donaghy as Inner Party Speaker ; Janet Key as the Instructress ; Hugh Walters as Artsem Lecturer ; Shirley Stelfox as the Prostitute ; Corinna Seddon as Winston's Mother ; Martha Parsey as Winston's Sister ; Matthew Scurfield and Garry Cooper as Guards ; Rolf Saxon as Patrolman 
Title: Nineteen Eighty-Four (British TV programme)
Content:  Nineteen Eighty-Four is a British television adaptation of the 1949 novel of the same name by George Orwell, originally broadcast on BBC Television in December 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.

Question: Who is the author of Nineteen Eighty-Four?
Answer: George Orwell.
Eric Blair.
P. S. Burton.
Eric Arthur Blair.
John Freeman.