Title: Still Alice
Content:  was composed by Ilan Eshkeri, who wanted to work on Still Alice because of his experience with people affected by Alzheimer's disease in his personal life. He had worked on several Alzheimer's-related projects before, including the 2012 film Ashes, Tim Wheeler's 2014 album Lost Domain, and an advertising campaign for the Alzheimer's Society; he said of working on Still Alice, "in many ways this was a culmination of an artistic expression of something that has deeply touched me." Eshkeri wrote the score to be performed on piano, which he intended to represent Alice's family life, and by a string trio, of which he thought the challenge of composition was similar to "the challenge of coping with the disease".
Title: Alice Parker
Content:  Alice Parker (born December 16, 1925) is an American composer, arranger, conductor, and teacher. She has authored five operas, eleven song-cycles, thirty-three cantatas, eleven works for chorus and orchestra, forty-seven choral suites, and more than forty hymns, all original compositions. Also to be noted are wealth of arrangements based on pre-existing folk-songs and hymns, many of which were produced in collaboration with Robert Shaw. Parker is best known for these kinds of arrangements of spirituals, mountain hymns, and folk songs, early-American hymns, and international folk-songs, most notably in French, Spanish, Hebrew, and Ladino.
Title: Alice in Orchestralia
Content:  Alice in Orchestralia is a 1925 children's novel by American composer and radio producer Ernest La Prade (1889–1969). A girl named Alice visits a symphony concert and, through the portal of a tuba's bell, enters Orchestralia, where a bass viol escorts her and introduces her to a variety of animated musical instruments. In 1934 it was re-issued in a second edition with the title Alice in Orchestra Land. In 1929 La Prade wrote a sequel entitled Marching Notes; in 1952 a British edition of this was published under the title Alice in Music Land. Alice in Orchestralia was also the title of an NBC radio 
Title: Alice (singer)
Content:  Nord ("North Cape"). Co-written and arranged by Battiato, the album saw Bissi making a dramatic change in musical direction as it combined influences from contemporary rock and new wave and a musical landscape with prominent use of synthesizers and distorted electric guitars. At this time Bissi also dropped the Visconti part of her stage name and the Capo Nord album was the first to be credited simply as Alice. It was also Bissi's debut as a composer, with her writing the majority of the songs and over the course of the following albums she would become increasingly involved in the production of her music, both as composer, lyricist, musical arranger and sound engineer.
Title: Alice: An Interactive Museum
Content:  Alice was developed with MacroMind Director. With music by Kazuhiko Katō, and artwork by Kuniyoshi Kaneko, the game has been noted as an ambitiously artistic piece of software.
Title: Alice in Wonderland (1951 film)
Content:  economically unfeasible at the time to take on the fees and other costs to produce a soundtrack album. In 1957, Tutti Camarata arranged and conducted an elaborate original production of the Alice score with Darlene Gillespie, who had shown great promise among the Mickey Mouse Club cast as a singer. Camarata assembled a new orchestra and chorus (possibly with the cooperation of Norman Luboff, as Betty Mulliner (Luboff) and choir member Thurl Ravenscroft can be heard) in the Capitol studios in Hollywood. The resulting album became one of the most influential and acclaimed studio versions of a score, garnering praise from within the industry as well as the public. The original 
Title: Alice in Wonderland (1951 film)
Content:  In an effort to retain some of Carroll's imaginative poems, Disney commissioned top songwriters to compose songs built around them for use in the film. Over 30 potential songs were written, and many of them were included in the film—some for only a few seconds—the greatest number of songs of any Disney film. In 1939, Frank Churchill was assigned to compose songs, and they were accompanied by a story reel featuring artwork from David S. Hall. Although none of his songs were used in the finished film, the melody for "Lobster Quadrille" was used for the song "Never Smile at a Crocodile" in Peter Pan. When work on Alice resumed in 1946, Tin Pan Alley songwriters Mack David, Al Hoffman and Jerry Livingston began composing songs for it after working on Cinderella. However, the only song by the trio that made it into the film was 
Title: Alice's Adventures in Wonderland
Content:  scenes with Charles Dodgson, a young Alice Liddell, and an adult Alice Liddell, to frame the story. Paul Schmidt wrote the play, with Tom Waits and Kathleen Brennan writing the music. Although the original production in Hamburg, Germany, received only a small audience, Tom Waits released the songs as the album Alice in 2002. A musical adaption was written by Michael Sirotta and Heather M. Dominick in 1997, titled Alice in Wonderland, a Musical Adventure. The English composer Joseph Horovitz composed an Alice in Wonderland ballet commissioned by the London Festival Ballet in 1953. It was performed frequently in England and the US. A ballet by Christopher Wheeldon 
Title: Works based on Alice in Wonderland
Content: Deems Taylor: orchestral work Through the Looking-Glass (1918) ; Irving Fine: choral work Three Choruses from Alice in Wonderland (1942) ; David Del Tredici: An Alice Symphony (1969), Final Alice (1976), Child Alice (1980/1981), Haddock's Eyes (1986) ; Carlo Forlivesi, Through the Looking-Glass (2005) for electronics. The piece is included in the CD album SILENZIOSA LUNA (ALCD 76). ; Unsuk Chin: opera Alice in Wonderland (2007) ; Alan John: opera Through the Looking Glass (2008) ; John Craton: ballet Through the Looking-Glass (2010) ; Joseph Hallman: Ballet/Dramaturgy: ALICE (2010) ; Australian composer Leon Coward's "Beautiful Soup" (2014) a lament for piano, string orchestra and vocal ensemble, premiered by Camerata Academica of the Antipodes. Music inspired by, referencing, or incorporating texts from the Alice books include:
Title: American McGee's Alice
Content:  All of the music created for the official American McGee's Alice soundtrack was written and performed by Chris Vrenna with the help of guitarist Mark Blasquez and singer Jessicka. Most of the sounds he used were created using toy instruments and percussion, music boxes (in a short documentary about the making of the game that appeared on TechTV, the music box used appears to be an antique Fisher-Price music box pocket radio), clocks, doors, and sampled female voices were manipulated into nightmarish soundscapes, including instances of them laughing maniacally, screaming, crying, and singing in an eerie, childlike way. The music lends an eerie 

Question: Who was the composer of Alice?
Answer: Bernardo Sassetti.
Bernardo da Costa Sassetti Pais.