Title: Spy-fi (subgenre)
Content:  Spy-fi can be defined as media that centers around the adventures of a protagonist (or protagonists) working as a secret agent or a spy. Usually, these adventures will revolve around defeating a rival superpower or singular enemy from achieving a nefarious aim. Content may include themes such as world domination, world destruction, futuristic weapons, and gadgets. Settings vary from outright fantasy, such as outer space or under the sea, to real but exotic locations. Spy-fi does not necessarily present espionage as it is practiced in reality but rather glamorizes spy-craft through its focus on high-tech equipment, agencies, and organizations with nearly limitless resources and incredibly high-stakes 
Title: Spy-fi (subgenre)
Content:  Spy-fi is a subgenre of spy fiction that includes elements of science fiction, and is often associated with the Cold War. Features of spy-fi include the effects of technology on the espionage trade and the technological gadgets used by the characters, even though the technologies and gadgets portrayed are well beyond current scientific reality.
Title: Thriller film
Content:  Spy film is a genre in which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. The subgenre often deals with the subject of espionage in a realistic way (as in the adaptations of John Le Carré's novels). It is a significant aspect of British cinema, with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions, and many films set in the British Secret Service. Thrillers within this subgenre include Berlin Express, Spy Game, Hanna, Traitor, Tinker Tailor Soldier Spy, The Tourist, The Parallax View, The Tailor of Panama, Mission Impossible, Unknown, The Recruit, the James Bond franchise, The Debt, The Good Shepherd, and Three Days of the Condor.
Title: Spy Game (soundtrack)
Content:  The Spy Game is the soundtrack from the film of the same name, released on November 13, 2001.
Title: Spy fiction
Content:  Much spy fiction was adapted as spy films in the 1960s, ranging from the fantastical James Bond series to the realistic The Spy Who Came in from the Cold (1965), and the hybrid The Quiller Memorandum (1966). While Hamilton's Matt Helm novels were adult and well written, their cinematic interpretations were adolescent parody. This phenomenon spread widely in Europe in the 1960s and is known as the Eurospy genre. English-language spy films of the 2000s include The Bourne Identity (2002), Mission: Impossible (1996); Munich (2005), Syriana (2005), and The Constant Gardener (2005). Among the comedy films focusing on espionage are 1974's S*P*Y*S and 1985's Spies Like Us.
Title: Spy film
Content:  The spy film genre, also known sometimes as an espionage film, deals with the subject of fictional espionage, either in a realistic way (such as the adaptations of John le Carré) or as a basis for fantasy (such as many James Bond films). Many novels in the spy fiction genre have been adapted as films, including works by John Buchan, le Carré, Ian Fleming (Bond) and Len Deighton. It is a significant aspect of British cinema, with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions and many films set in the British Secret Service. Spy films show the espionage activities of government agents and their risk of being discovered by their enemies. From the Nazi espionage thrillers of the 1940s to the James Bond films of 
Title: Spy film
Content:  (1966) with George Segal, and the Matt Helm series with Dean Martin. Television also got into the act with series like The Man from U.N.C.L.E and I Spy in the U.S., and Danger Man and The Avengers in Britain. Spies have remained popular on TV to the present day with series such as Callan, Alias and Spooks. Spy films also enjoyed something of a revival in the late 1990s, although these were often action films with espionage elements, or comedies like Austin Powers. Some critics identify a trend away from fantasy in favor of realism, as observed in Syriana, the Bourne film series and the James Bond films starring Daniel Craig since Casino Royale (2006).
Title: Spy (Super Junior song)
Content:  "Spy" is a digital single by South Korean boy band Super Junior. It is the second promotional single for the group's sixth studio album Sexy, Free & Single and title track of the repackaged edition, titled Spy. It was digitally released on August 5, 2012, along with three other new tracks in the repackaged album, which was released offline on August 6.
Title: Spy Fiction
Content:  Spy Fiction (スパイフィクション) is a 2003 stealth-based video game by Access Games for the PlayStation 2. The game is promoted as "stealth action inspired by genre-defined espionage classics" and gives players the ability to disguise themselves as any character in the game. The lack of advertising before release and realism in the game are commonly cited as reasons why this game was outshone by its competitors in the stealth genre and sold poorly.
Title: Spy (Super Junior song)
Content:  "Spy" is a fast urban dance song that is reminiscent of a spy film. It samples a selection from the 1995 TV series "Get Smart". On 3 August, the teaser for the "Spy" music video was released on their official YouTube channel, and the music video was released on August 12. The group made their "Spy" stage debut on 9 August on Mnet's M! Countdown.

Question: What genre is Spy?
Answer: comedy film.
comedy movie.