Title: The Virgin Suicides (film)
Content:  Coppola wrote the script for the film in 1998 after the project was already greenlit at another studio, adapting it from the source novel, of which she was a fan. Another script had already been written by Nick Gomez, but the production company that owned the rights at the time, Muse Productions, was dissatisfied with the script. After the rights to the novel lapsed, Coppola pitched her manuscript to Muse executives Roberta and Chris Hanley, the latter of whom signed on to co-produce. Coppola was inspired to write the film after reading the source novel: "I really didn't know I wanted to be a director until I read The Virgin Suicides and saw so clearly how it had to be done," she said. "I immediately saw the central story as being about what distance and time and memory do to you, and about the extraordinary power of the unfathomable."
Title: No Sun in Venice
Content:  The film was made by Roger Vadim and producer Raoul Levy, who had just made And God Created Woman which was yet to be released. It was based on an unpublished novel Vadim had written a few years before. Levy had it relocated from Paris to Italy and cast Francoise Arnoul as he did not want to risk casting Brigitte Bardot in case And God Created Woman was not a success.
Title: Venice in media
Content:  by Ugo Liberatore. ; Who Is Killing the Great Chefs of Europe? (1978), directed by Ted Kotcheff, based upon the novel by Nan and Ivan Lyons ; A Little Romance (1979), directed by George Roy Hill ; Moonraker (1979), a James Bond film directed by Lewis Gilbert, (the first time principal photography for the series took place in the city) ; The Great Gambler (1979), directed by Shakti Samanta, starring Amitabh Bachchan, Neetu Singh, Zeenat Aman, Prem Chopra ; The Pleasure (1985), directed by Joe D'Amato, starring Andrea Guzon and Gabriele Tinti. ; Vampire in Venice (1988), directed by Augusto Caminito, starring Klaus Kinski, Christopher Plummer, 
Title: Venus in Furs (1995 film)
Content: Directors: Maartje Seyferth & Victor Nieuwenhuijs ; Cinematography: Victor Nieuwenhuijs ; Lighting: Peter Gray ; Sound: Peter Burghout/Volfango Pecoraio ; Editing: Herbert van Drongelen/Maartje Seyferth 
Title: The Virgin and the Gypsy (film)
Content:  Haymarket and New York’s 68th Street Playhouse Theatre, and continued to earn millions throughout the world. The rest of the press were also enthusiastic, which helped promote a film not made by a major US studio. Vincent Canby of the New York Times wrote “An immensely romantic movie with style and critical intelligence. ‘The Virgin and the Gypsy’ is satisfying because it realises its goals". Alexander Walker of the Evening Standard said “It makes a refreshing change to find a film today directed with taste and grace. Director Christopher Miles debut as a feature director reveals a flair for composition, proportion and craftsmanship. I can confidently recommend Kenneth Harper’s production”. News Week said “A finely etched portrait 
Title: The Virgin Suicides (film)
Content:  The Virgin Suicides is a 1999 American psychological drama film written and directed by Sofia Coppola (in her feature directorial debut), co-produced by Francis Ford Coppola, and starring James Woods, Kathleen Turner, Kirsten Dunst, AJ Cook and Josh Hartnett. The film also features Scott Glenn, Michael Paré, and Danny DeVito in minor roles, with voice narration by Giovanni Ribisi. The Virgin Suicides is based on the 1993 best selling debut novel of the same name by the American author Jeffrey Eugenides. The film follows the lives of five attractive adolescent sisters, in an upper-middle-class suburb of Detroit during the mid-1970s. After the youngest sister, Cecilia, 
Title: Cleopatra (1963 film)
Content:  Sophia Loren, and Gina Lollobrigida were also under consideration. In December 1958, Ludi Claire, a writer and former actress, was hired to write a rough draft of the script. That same month, art director John DeCuir was hired to produce conceptual artwork to illustrate the visual scale of the project. In March 1959, English author Nigel Balchin was hired to write another script draft. Meanwhile, Wanger had approached Alfred Hitchcock to direct the film, having worked with him on Foreign Correspondent (1940), but Hitchcock declined. Skouras then selected Rouben Mamoulian, who had worked with Wanger on Applause (1929), to direct. With 
Title: Virginia (1941 film)
Content:  Virginia was a Paramount Pictures production. Edward H. Griffith directed and produced the film and is also co-credited with the story. Virginia Van Upp wrote the screenplay and is also co-credited with the story. Bert Glennon and William V. Skall were the directors of photography. Hans Dreier and Ernst Fegté provided the production design, and Eda Warren was the film's editor. Thomas Jefferson reportedly played a part in designing the four historic homes used in the picture. This led the director to suggest that, if the art directors guild would permit, Jefferson's name should be added to the art direction credits along with Dreier and Fegté.
Title: Vampire in Venice
Content:  Nosferatu the Vampyre. Caminito originally secured Maurizio Lucidi as the director but later felt that film would be better with a more well known director and a higher budget, leading Lucidi to be dropped as the director in favor of Pasquale Squitieri. Squiteri made several changes to the script which did not appeal to Caminito, which led to him paying Squiteri and terminating his contract. This led to further budget cuts in the film and hiring Mario Caiano on as the director. After clashing with Kinski on set, Caiano left the film leading Caminito to direct the film himself. During filming, Kinski would not follow rehearsal and demanded changes in the actors appearing 
Title: The Virgin and the Gypsy (film)
Content:  In 1967 Kenneth Harper, the producer, worked with director Christopher Miles and screenwriter Alan Plater on the script of “The Virgin and the Gypsy” and their first draft was discussed with John Van Eyssen, Chief Production Executive at Columbia Pictures in the UK, who although he had read Lawrence’s story and commissioned the script, wanted the gypsy to appear in the first reel. This Miles felt would not work, as the whole point of the start of the film was to establish the virgin in relationship to her family, and the rectory, and to feel the frustration of the young girl. Also 

Question: Who was the director of Vogue?
Answer: David Fincher.
David Andrew Leo Fincher.