Title: Mike Jones (screenwriter)
Content:  Jones was born in San Antonio, Texas, and graduated from New York University's Tisch School of the Arts for film. He began his career as an entertainment journalist working as Filmmaker Magazines Managing Editor and IndieWire's Executive Editor. His first screenplay, EvenHand, was produced in 2001 and screened at the AFI Film Festival, Tribeca Film Festival, and South by Southwest. Jones did an uncredited rewrite of City of Ghosts, directed by Matt Dillon, and has since written scripts for Columbia Pictures, United Artists, HBO, Warner Bros. Pictures, Sony Pictures Animation, Fox Searchlight, and Metro-Goldwyn-Mayer. During the 2007-2008 Writers Guild of America strike he became the Managing Editor of Film Festivals for Variety, where he covered the film festival and independent film beats in Variety, Daily Variety, and in a blog called The Circuit. In 2011, his script In the Event of a Moon Disaster was featured on The Black List and optioned by FilmNation Entertainment. In 2013–2014, Jones wrote the English adaptations of Studio Ghibli films The Wind Rises and The Tale of Princess Kaguya, as well as a feature adaptation of Sesame Street.
Title: Lemony Snicket's A Series of Unfortunate Events
Content:  Silberling signed on to direct in February 2003. He was not familiar with the series when he was first approached. He quickly read the first three novels and was excited that "Hollywood was taking a chance to put over $100 million to adapt these inventive children's books onto screen". Handler, who wrote eight drafts of the script for Sonnenfeld, was replaced by Robert Gordon in May 2003. Handler approved of the changes that were made to his original screenplay. "I was offered credit on the film for screenwriting by the Writers Guild of America," Handler continued, "but I didn't take it because I didn't write it. I felt like it would be an insult to the guy who did."
Title: I Witness
Content:  Originally entitled "God's Witness," the script by Colin Greene and rock star Robert Ozn found its way on to many Hollywood executives' "best un-produced screenplays" lists. While it was set up multiple times with a variety of film stars, directors and producers, the film fell apart repeatedly over a period of eight years. Finally, executive producer Paul de Souza was able to get the screenplay in front of David Bixler, then Senior VP of Promark Films. Bixler and Promark's founder, Jonathan Kramer, procured tax credit financing in Puerto Rico and brought producer/casting director Julia Verdin on board along with director Rowdy Herrington. The project got its green light when both Jeff Daniels and James Spader read the material and signed on. Greene and Ozn won the 2003 Method Fest Best Screenplay Award.
Title: F/X
Content:  The unsolicited screenplay was written by two novice writers, actor Gregory Fleeman and documentarian Robert T. Megginson. Producer Jack Wiener read their script, which was submitted as a low-budget television movie, and felt that it should be made into a theatrical release. Wiener and his co-producer Dodi Fayed hired Robert Mandel, an Off-Broadway director. They did not want to hire an action director, but instead wanted a director who would bring a realistic touch to the film and make the audience care about the main character. Mandel accepted the job because he wanted to dispel the perception that he was a "soft, arty director". Initially he was not impressed with the film's screenplay, which he felt was not well-crafted but felt that it provided for "a lot of action and a lot of things I did not have 
Title: Nathanael West
Content:  as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel Before the Fact (1932) by Francis Iles. West and Ingster wrote the screenplay in seven weeks, with West focusing on characterization and dialogue and Ingster focusing on the narrative structure. RKO assigned the film, eventually released as Suspicion (1941), to Alfred Hitchcock; but Hitchcock already had his own, substantially different, screenplay. Hitchcock's screenplay was written by Samson Raphaelson, Joan Harrison (Hitchcock's secretary), and Alma Reville (Hitchcock's wife). West and Ingster's screenplay was abandoned, but the text can be found in the Library of America's edition of West's collected works.
Title: Suspicion (1941 film)
Content:  In November 1939, Nathanael West was hired as a screenwriter by RKO Radio Pictures, where he collaborated with Boris Ingster on a film adaptation of the novel. The two men wrote the screenplay in seven weeks, with West focusing on characterization and dialogue as Ingster worked on the narrative structure. When RKO assigned Before the Fact to Hitchcock, he already had his own, substantially different, screenplay, credited to Samson Raphaelson, Joan Harrison, and Alma Reville. (Harrison was Hitchcock's personal assistant, and Reville was Hitchcock's wife.) West and Ingster's screenplay was abandoned and never produced. The text of this screenplay can be found in the Library of America's edition of West's collected works.
Title: Happening (film)
Content:  During an interview on 23 April 2019 about her directorial debut film Losing It, screenwriter Audrey Diwan revealed she was adapting Annie Ernaux's 2000 autobiographical novel L'événement (translated as Happening), stating that the book was "very important" to her. On 29 May 2020, the Centre national du cinéma et de l'image animée, an agency of the French Ministry of Culture, announced they would support the film, moving the project into pre-production. Principal photography for the film commenced on 27 July 2020 and took place throughout the summer. The film entered post-production in January 2021.
Title: A Series of Unfortunate Events (TV series)
Content:  hired Handler to write the screenplay. About 10 months into production, shortly after the casting of Jim Carrey as Olaf, there was a "big crisis", according to Handler, which caused producer Scott Rudin to walk away and Sonnenfeld left the production under unclear terms. With the film's completion in flux, its producing studios Paramount Pictures and DreamWorks fired Handler. While the film was eventually completed and released, sequels which would adapt the other novels in the series became unlikely due to "corporate shakeups" within DreamWorks, according to Handler, and the child actors that portrayed the Baudelaire children grew too old 
Title: Tomorrow Never Dies
Content:  As had been the case with several previous films in the series, an entirely original story was required as there remained no Ian Fleming novels or stories to adapt. The scriptwriting process was finished very late due to lengthy disputes. Initial writers on the project included John Cork, Richard Smith, and novelist Donald E. Westlake. In 1995, Westlake wrote two story treatments in collaboration with Wilson, both of which featured a villain who plans to destroy Hong Kong with explosives on the eve of the city's July 1997 transfer of sovereignty to China. Westlake used some of his ideas for a novel he completed the next year, though it 
Title: Butcher, Baker, Nightmare Maker
Content:  Producer and co-writer Stephen Breimer co-wrote the film's screenplay with Boon Collins and Alan Jay Glueckman, aspiring to blend elements of character-driven films led by female villains (such as What Ever Happened to Baby Jane?) with the slasher film. The genesis of the story was based on Breimer's own curiosity about his biological parents, as he himself was adopted. Though the core of the plot was devised by Breimer and Glueckman, Boone, a writer from Vancouver, helped write several sequences, including the opening car crash death of Billy's parents.

Question: Who was the screenwriter for The Event?
Answer: Thom Fitzgerald.