Title: The Man with the Golden Gun (film)
Content:  Tom Mankiewicz wrote the first draft for the script in 1973, delivering a script that was a battle of wills between Bond and Scaramanga, who he saw as Bond's alter ego, "a super-villain of the stature of Bond himself." Tensions between Mankiewicz and Guy Hamilton and Mankiewicz's growing sense that he was "feeling really tapped out on Bond" led to the re-introduction of Richard Maibaum as the Bond screenwriter. Maibaum, who had worked on six Bond films previously, delivered his own draft based on Mankiewicz's work. Much of the plot involving Scaramanga being Bond's equal was sidelined in later drafts. For one of the two main aspects of 
Title: The Gun (1974 film)
Content:  The Gun is a made-for-television film, of the suspense-thriller type, which ABC-TV aired as a Movie of the Week on November 13, 1974. It starred David Huffman, Ron Thompson, Richard Bright, Pepe Serna, Lee de Broux, and Stephen Elliott, and was written directly for television by Jay Benson, Richard Levinson, and William Link and directed by John Badham, then a working director of television productions. Levinson and Link were also the producers of the film. The Gun was inspiration for the song "Golden Ring", recorded by George Jones and Tammy Wynette in 1976. The song would reach number-one on the Billboard Country Singles chart later that year. There have been episodes of TV series inspired by this TV-movie, such as a 1975 episode of Hawaii Five-O titled "Diary of a Gun." A 1982 episode of Quincy, M.E. titled "Guns Don't Die" has a very similar plot to The Gun, including the ending.
Title: The Story of Ruth
Content:  In 1957, Simon Windelburg was announced as the film's screenwriter. Michael Kanin and his wife, Fay Kanin, who were later hired to write the screenplay, wrote treatments for the film. Frank G. Slaughter wrote a screenplay based on his 1954 novel The Song of Ruth: A Love Story From the Old Testament. Norman Corwin wrote an entirely new screenplay after summer 1958. Corwin submitted his final draft of the script on September 1, 1959. Production began in late November 1959 and ended in mid-February 1960.
Title: Raging Bull
Content:  Under the guidance of Chartoff and Winkler, Mardik Martin was asked to start writing the screenplay. According to De Niro, under no circumstances would United Artists accept Martin's script. The story was based on the vision of journalist Pete Hamill of a 1930s and 1940s style, when boxing was known as "the great dark prince of sports". De Niro was unimpressed when he finished reading the first draft, however. Taxi Driver screenwriter Paul Schrader was swiftly brought in to rewrite the script around August 1978. Some of the changes that Schrader made to the script included a rewrite of the scene with the uncooked steak and inclusion of LaMotta seen masturbating in a Florida cell. The character of 
Title: 100 Rifles
Content:  The film was the first of a four-picture deal producer Martin Schwartz had with 20th Century Fox. It was based on a novel by Robert McLeod. The script was originally written by Clair Huffaker. Tom Gries signed to direct following his successful feature debut with Will Penny. Gries wrote two further drafts of the script himself. "He says he's not a carpenter", reported the Los Angeles Times. "He says he can't work with a script that he doesn't believe in himself." Huffaker later requested his name be taken off the credits and replaced with a pseudonym, "Cecil Hanson", because "the finished product... bears absolutely no resemblance to my original script."
Title: The Rifleman
Content:  The series was created by Arnold Laven and developed by Sam Peckinpah, who became a director of Western movies. Peckinpah, who wrote and directed many early episodes, based many characters and plots on his own childhood on a ranch. His insistence on violent realism and complex characterizations, as well as his refusal to sugarcoat the lessons he felt the Rifleman's son needed to learn about life, put him at odds with the show's producers at Four Star. Peckinpah left the show and created a short-lived series, The Westerner, with Brian Keith.
Title: Robin Hood of El Dorado (film)
Content:  The screenplay was written by the actor Joseph Calleia, Melvin Levy and Wellman, with assistance from Robert Carson, whom MGM had assigned as his writing partner. In 1937 Wellman and Carson won an Academy Award for Best Screenplay for A Star Is Born. The Robin Hood of El Dorado was based on the biography of Murrietta by Walter Noble Burns and was MGM's attempt as a follow up to Viva Villa!. The film's working title was "I AM JOAQUIN!" Film historian Frank T. Thompson writes that "Wellman made a stronger statement on the subject of racism than a whole spate of later films (like Gentleman's Agreement)." The Robin Hood of El Dorado also anticipates the revisionist westerns of the 1960s, especially The Wild Bunch (1969), directed by Sam Peckinpah. Both films mix violence and sentimentality with an undercurrent of regret for a vanishing way of life. Specifically, the Mexican folk song, La Golondrina, is used to similar effect—as a farewell to the outlaw band and as a prelude to extremely violent climaxes. Art director David Townsend was killed in a car accident while scouting locations for the film.
Title: Arnold Laven
Content:  In 1957, Laven and his partners were collaborating with young screenwriter, Sam Peckinpah, on an episode of Zane Grey Theater when Laven came up with the concept for The Rifleman. Looking for a hook to separate the idea from other westerns, Laven suggested that they focus on the relationship between the rifle-toting settler and his son. Laven recalled that he was "inspired by his own relationship with his son, Larry, and told writer Sam Peckinpah to develop a father-son relationship." The Rifleman, with former professional baseball and basketball player Chuck Connors in the lead role, proved to be Laven's biggest success. The series ran 
Title: The Gun (novel)
Content: The novel was made into a movie in 1957, under the title The Pride and the Passion. ; It was adapted for radio by Mike Walker on 12 March 2011 and broadcast on BBC Radio 4's Saturday Play program. The cast included Scott Arthur as Jorge, Matthew Gravelle as El Balbanito, Keiron Self as Isadore, Don Gilet as Carlos O'Neill, Kevin Doyle as Father Bernard, Sule Rimmi as Duke Alonso and Richard Nicholls as Urquiola. 
Title: Gunman's Walk
Content:  Ric Hardman wrote the original script and it was adapted by Frank Nugent. Van Heflin signed to star in August 1957. Rudolph Mate was originally meant to be the director but he dropped out (he would be replaced by Phil Karlson). Tab Hunter was borrowed from Warner Bros. Columbia contractee James Darren was assigned to a support role. Filming started in November 1957. Director Phil Karlson says the film reduced Columbia studio head Harry Cohn to tears. "He had two sons and this was a story about a father and two sons. He identified completely."

Question: Who was the screenwriter for The Rubber Gun?
Answer: Stephen Lack.