Title: Radio producer
Content:  producer can be in a separate control room separated from the radio studio by a window, which allowed visual contact while blocking noise. With quieter switches and better directional microphones, the producer and the controls may be at the same table as the on-air talent (as shown here) without adding unwanted sound to the product. A radio producer oversees the making of a radio show. The job title covers several different job descriptions: Many radio stations and radio networks have a production director who oversees the above responsibilities. This individual or a production staff, may do the production work for many shows or many stations.
Title: That's Why God Made the Radio
Content:  • Brian Wilson – producer and arranger • Mike Love – executive producer • Joe Thomas – recording • Paul Fauerso - producer and recording (7) • Frank Pappalardo – recording, mixing engineer • Michael Czaszwicz – additional engineering • Wesley M. Seidman – additional engineering • Larry Millas – additional engineering • Tom Gordon – additional engineering • Bob Ludwig – mastering
Title: Radio Radio Radio
Content: Tim Armstrong - lead vocals, guitar ; Matt Freeman - bass, backing vocals ; Lars Frederiksen - guitar, backing vocals ; Brett Reed - drums, backing vocals Donnell Cameron - producer ; Joe Pecterillo - engineer ; Jessie Fischer - photography  Production
Title: Radio Music Society
Content: Esperanza Spalding: producer ; Q-Tip: executive producer, co-producer (3, 11) ; Dave Love: associate executive producer ; Terri Lyne Carrington: additional production ; Dan Hallas: local production ; Zulema Mejias: local production 
Title: Radio producer
Content: Content producers or executive producers oversee and orchestrate a radio show or feature. The content producer might organize music choices, guests and callers for a talk radio show or competitions, timings and overall show content. ; Creative producers, imaging specialists or imaging producers ("Imaging" in the radio business relates to brand management rather than visual material) produce audio content for the show, such as sound clips used on the show and "promo clips" (radio commercials and commercial bumpers used on the same station to promote the show). ; The board operator or technical operator operates the technical controls—such as sound volume levels, recording software and switchboard. 
Title: That's Why God Made the Radio
Content:  is credited as the sole producer, a first for the group since 1977's Love You, while Love is credited as executive producer, and Thomas for "recording". Thomas explains his and Wilson's roles in production: "Brian is still, as you would imagine, the taskmaster in terms of what people play. He’s in charge of those sessions. ... He arranges all the vocals and produces the record. I record it because I think he really likes the fact that technically… you gotta kind of keep up on all the techniques that are available to us right now and that’s kind of what my role is. He’s not going to 
Title: TED Radio Hour
Content:  According to the show credits, in Season 1, TED Radio Hour was produced by Jeff Rogers, Sam Greenspan and Megan Cain with help from NPR's Eric Nuzum, and TED's Chris Anderson, June Cohen, Deron Triff, Emily McManus and Janet Lee. In Season 2, TED Radio Hour was produced by Jeff Rogers, Brent Bachman Megan Cain, Neva Grant and Sanaz Meshkinpour with help from NPR's Portia Robertson Migas and Eric Nuzum, and TED's Chris Anderson, June Cohen, Deron Triff and Janet Lee.
Title: Radio Active (radio series)
Content:  Angus Deayton and Geoffrey Perkins wrote most of the material. The first series was credited as written by Deayton, Perkins and Richard Curtis, as it drew on sketches written by Deayton and Curtis for the original stage show. Other significant additional contributions came from, at various times, Jon Canter, Terence Dackombe, Michael Fenton Stevens, Jack (then John) Docherty, Moray Hunter, and in the later series Jeremy Pascall (with whom Deayton and Perkins were concurrently writing The Uncyclopedia of Rock for Capital Radio). The musical elements were provided by Philip Pope. Four producers worked on the series over the years (Jimmy Mulville, Jamie Rix, Paul Mayhew-Archer and David Tyler).
Title: Radioactive (Yelawolf album)
Content: Ray Alba – publicity ; The Audibles – producer ; Matt Barrett – guitar ; Blaqsmurph – drums, keyboard programming, piano, producer ; Herschel Boone – background vocals ; Borgore – producer, programming ; Leslie Brathwaite – mixing ; Tyler Clinton – cover art ; Regina Davenport – A&R, production coordination ; Archie Davis – A&R ; Cristian DeLano – engineer ; Lionel Deluy – photography ; Ben Didelot – bass ; Diplo – producer, programming ; Fefe Dobson – composer ; Seneca Doss – marketing ; Eminem – additional production, executive producer, mixing, producer, vocal ; Finatik – percussion ; Finatik N Zac – programming ; John Fisher – management ; Brian "Big Bass" Gardner – mastering ; Jimmy Giannos – drum programming, programming ; Matthew Hayes – engineer, mixing 
Title: Radio (Beyoncé song)
Content: Richard Butler, Jr. – producer, publisher, vocals producer, writer ; Jim Caruana – recorder, vocals recorder ; Matt Green – mixer assistant ; Beyoncé Beyoncé – vocals, writer ; Anton Bakholdin – writer ; James Scheffer – producer, recorder, writer ; Mark "Spike" Stent – mixer Source:

Question: Who was the producer of Radio?
Answer: John Zorn.