Title: The Vicar (music producer)
Content:  The Vicar is a persona and multimedia project created by record producer, songwriter and Internet entrepreneur David Singleton. Since 2001, the project has produced music (singles and albums), a public diary, fictional stories (in blog, videoblog, print paperback and graphic novel form) and several culture-jamming initiatives. Having allowed speculation over the Vicar's true identity to grow for over a decade, Singleton formally (although slightly ambiguously) revealed himself to be the creator of the Vicar in 2013, on the occasion of the release of the first Vicar album Songbook#1. Singleton has summarised the project ethos as being "that music and music alone should take centre stage without the current obsession with personality and celebrity, nor with the damaging thieving hand of the mainstream music business."
Title: Vicentico (album)
Content: Amadeo Alvarez, Walter Arce, Javier Caso – production assistant ; Walter Chacon – engineer, mixing ; Fernando Delgado, Sancho Gomez Escolar – mixing assistant ; Uriel Dorfman – assistant engineer ; Pompi Gutnisky – photography ; Eduardo Rivero – assistant ; Paco Martin – direction ; Manuela Schedlbauer – make-up ; Simona Martínez – wardrobe ; Javier Veraldi – photography, strings, video images ; Afo Verde – art direction, chorus, direction, music advisor, musical direction, producer 
Title: Vic Maile
Content:  Jungle", having recorded the American rockers at the Marquee Club in London. In Chris Coyne's (bass player of The Godfathers) words: "When we were looking for a producer, we remembered "Dirty Love", the b-side of the "Ace of Spades" single. The sound was just incredible, so we rang up Vic expecting this Lemmy-like biker figure but he turned out to be a quiet, unassuming sort of bloke - a real diamond geezer." Motörhead's Lemmy also said "Vic's strength was that he understood rock and roll. He wasn't like a lot of producers who simply rely on the readings from the meters on the desk - he was instinctive and he had the same sense 
Title: The Vicar (music producer)
Content:  The concept for "The Vicar" emerged in 1999 out of a conversation between David Singleton and Robert Fripp (Singleton's creative and business partner in both the Discipline Global Mobile record label and the Ton Prob production team). When Singleton raised the question "why has no-one written whodunnits about the music industry?" Fripp replied "because you haven't written them yet." This inspired Singleton to begin writing satirical mystery stories twisting true events into semi-fictional myths. Chief among the characters were the titular Vicar (an eccentric pseudonymous record producer and accidental sleuth) and his rascally assistant Punk Sanderson (ostensibly the narrator of the stories). Both Singleton and 
Title: The Vicar (music producer)
Content:  the Vicar was also given selected engineering and production credits on assorted Fripp or King Crimson recordings, beginning with the King Crimson live album Vrooom Vrooom. Regular diary readers began to enjoy speculating as to the Vicar's real identity. Suggested candidates included Fripp, Brian Eno, Bill Nelson, Peter Hammill, Anthony Phillips, Andy Partridge, Peter Gabriel, Sting, George Martin and Singleton himself. Various musicians wilfully added themselves to the "history" of the fictional Vicar, with Partridge's comment "since working with the Vicar, I can never feel the same about alpacas" or Nick Cave's "The Vicar? Half Buddha, half backstreet ****" being amongst the more memorable.
Title: Vikings (season 1)
Content:  An Irish-Canadian co-production presented by Metro-Goldwyn-Mayer, Vikings was developed and produced by Octagon Films and Take 5 Productions. Morgan O'Sullivan, Sheila Hockin, Sherry Marsh, Alan Gasmer, James Flynn, John Weber, and Michael Hirst are credited as executive producers. This season was produced by Steve Wakefield and Keith Thompson. Bill Goddard and Séamus McInerney are co-producers. The production team for this season includes casting directors Frank and Nuala Moiselle, costume designer Joan Bergin, visual effects supervisors Julian Parry and Dominic Remane, stunt action designers Franklin Henson and Richard Ryan, composer Trevor Morris, production designer Tom Conroy, editors Aaron Marshall for the first, third, fifth, seventh and ninth episodes, and Michele Conroy for the second, fourth, sixth and eighth episodes, and cinematographer John Bartley. PJ Dillon served as second unit director of photography.
Title: Vikings (season 2)
Content:  An Irish-Canadian co-production presented by Metro-Goldwyn-Mayer, Vikings was developed and produced by Octagon Films and Take 5 Productions. Morgan O'Sullivan, Sheila Hockin, Sherry Marsh, Alan Gasmer, James Flynn, John Weber, and Michael Hirst are credited as executive producers. This season was produced by Steve Wakefield and Keith Thompson. Bill Goddard and Séamus McInerney are co-producers. The production team for this season includes casting directors Frank and Nuala Moiselle, costume designer Joan Bergin, visual effects supervisors Julian Parry and Dominic Remane, stunt action designers Franklin Henson and Richard Ryan, composer Trevor Morris, production designers Tom Conroy for the first to sixth episodes, and Mark Geraghty for the seventh to tenth episodes, editors Aaron Marshall for the first, third, fifth, seventh and ninth episodes, and Don Cassidy for the second, fourth, sixth, eighth and tenth episodes, and cinematographer PJ Dillon.
Title: The Vicar (music producer)
Content:  Vicar's trademark sound is created by Singleton's own songwriting, production and arrangement talents, with guest appearances from some of the world's most outstanding musicians. There is a clear overlap between the Vicar's fictional ethos and the actual campaigning ethos of Discipline Global Mobile (the record label run by Singleton in collaboration with Robert Fripp), and the character has been used as a method for protesting against corrupt practices within the recording business. Consequently, the Vicar has been described as being "a campaigner for artist rights and scourge of the evil empire of the record industry, both fictionally (in the stories) and in reality" while the stories have been described as "Sherlock Holmes meets Spinal Tap." 
Title: Visions of the Beast
Content:  producer (Disc one; track 1) ; Doug Hall – producer (Disc one; track 2) ; Martin Birch – producer (Disc one; tracks 3 to 18, Disc two; tracks 17 to 19) ; Tony Wilson – producer (Disc one; track 13) ; Nigel Green – producer (Disc one; tracks 19 and 21, Disc two; tracks 7 to 12) ; Kevin Shirley – producer (Disc one; track 20, Disc two; tracks 13 to 16) ; Peacock – sleeve illustration, sleeve design ; Rod Smallwood – management ; Andy Taylor – management ; Merck Mercuriadis – management Production credits are adapted from the DVD liner notes.
Title: Vikings (season 3)
Content:  An Irish-Canadian co-production presented by Metro-Goldwyn-Mayer, Vikings was developed and produced by Octagon Films and Take 5 Productions. Morgan O'Sullivan, Sheila Hockin, Sherry Marsh, Alan Gasmer, James Flynn, John Weber, and Michael Hirst are credited as executive producers. This season was produced by Steve Wakefield and Keith Thompson. Bill Goddard and Séamus McInerney are co-producers. The production team for this season includes casting directors Frank and Nuala Moiselle, costume designer Joan Bergin, visual effects supervisors Julian Parry and Dominic Remane, stunt action designers Franklin Henson and Richard Ryan, composer Trevor Morris, production designer Mark Geraghty, editors Aaron Marshall for the first, third, fifth, seventh and ninth episodes, and Tad Seaborn for the second, fourth, sixth, eighth and tenth episodes, and cinematographer PJ Dillon.

Question: Who was the producer of Vic?
Answer: Sage Stallone.
Sage Moonblood Stallone.