Title: The Lucky Shot
Content:  The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. Lonergan was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. The film can be seen as having another loose aspect to labor issues. The film directly followed first Thanhouser film to address the subject: The Girl Strike Leader. The film loosely refers labor relations when Jack Hunt is killed in a riot while on strike duty and the young widow is struggles to make ends meet. Thanhouser subjects would deal with other pressing social issues in The Girls of the Ghetto, another 
Title: The Writing on the Wall (film)
Content:  The writer of the scenario was Lloyd Lonergan. Lonergan was an experienced newspaperman still employed by The New York Evening World while writing scripts for the Thanhouser productions. He was the most important script writer for Thanhouser, averaging 200 scripts a year from 1910 to 1915. The film director was Barry O'Neil, the stage name of Thomas J. McCarthy. O'Neil would direct many important Thanhouser pictures, including its first two-reeler, Romeo and Juliet. Film historian Q. David Bowers does not attribute a cameraman for this production, but two possible candidates exist. Blair Smith was the first cameraman of the Thanhouser company, but he was soon joined by Carl Louis Gregory who had years of experience as a still and motion picture photographer. The role of the cameraman was uncredited in 1910 productions. The cast for 
Title: A Thanksgiving Surprise
Content:  The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. The film director is unknown, but it may have been Barry O'Neil or Lucius J. Henderson. Cameramen employed by the company during this era included Blair Smith, Carl Louis Gregory, and Alfred H. Moses, Jr. though none are specifically credited. The role of the cameraman was uncredited in 1910 productions. Marie Eline was cast in the film, likely as the newspaper boy. Eline had previously played a newspaper boy in Not Guilty. The role of the flower girl has been claimed to be Frances Gibson by an answer column in Motion Picture Story Magazine. This is disputable because Gibson is known only to 
Title: Love and Law
Content:  The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. The film director is unknown, but it may have been Barry O'Neil or Lucius J. Henderson. Cameramen employed by the company during this era included Blair Smith, Carl Louis Gregory, and Alfred H. Moses, Jr. though none are specifically credited. The role of the cameraman was uncredited in 1910 productions. The only known cast credit is for Julia M. Taylor as Violet Gray. The other cast credits are unknown, but many 1910 Thanhouser productions are fragmentary. In late 1910, the Thanhouser company released a list of the important personalities in their films. The list includes G.W. Abbe, Justus D. Barnes, Frank H. Crane, Irene Crane, Marie Eline, Violet Heming, Martin J. Faust, Thomas Fortune, George Middleton, Grace Moore, John W. Noble, Anna Rosemond, Mrs. George Walters.
Title: The City of Her Dreams
Content:  The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. The film director is unknown, but it may have been Barry O'Neil or Lucius J. Henderson. Cameramen employed by the company during this era included Blair Smith, Carl Louis Gregory, and Alfred H. Moses, Jr. though none are specifically credited. The role of the cameraman was uncredited in 1910 productions. The cast credits are unknown, but many 1910 Thanhouser productions are fragmentary. In late 1910, the Thanhouser company 
Title: Jenks' Day Off
Content:  The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. The comedy of the situation derives from Jenks' own attempts to manufacture some free time to enjoy himself, only to regret the action because of the resultant circumstances. Advertising for the film confirms this by stating, "Jenk's day off was a day of woe instead of the day of joy he meant it to be. It taught him to never, never leave his wife's side - not even for a day!" Jenks' swimming in 
Title: The Flag of His Country
Content:  The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. Lonergan was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. He was the most important script writer for Thanhouser, averaging 200 scripts a year from 1910 to 1915. The film director is unknown, but it may have been Barry O'Neil. Bowers does not attribute a cameraman for this production, but two possible candidates exist. Blair Smith was the first cameraman of the Thanhouser company, but he was soon joined by Carl Louis Gregory who had years of experience as a still and motion picture photographer. The role of the cameraman was uncredited in 1910 productions. The only credit known for the cast is that of Marie Eline in the role of the granddaughter. Other members cast may have included the other leading players of the Thanhouser productions, Anna Rosemond, Frank H. Crane and Violet Heming. Bowers states that most of the credits are fragmentary for 1910 Thanhouser productions.
Title: The Latchkey
Content:  The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. The film director is unknown, but it may have been Barry O'Neil. Film historian Q. David Bowers does not attribute a cameraman for this production, but at least two possible candidates exist. Blair Smith was the first cameraman of the Thanhouser company, but he was soon joined by Carl Louis Gregory who had years of experience as a still and motion picture photographer. The role of the cameraman was uncredited in 1910 productions. There are no known credits for the cast, but Anna Rosemond and Frank H. Crane are two possible actors that were prominent players in 1910. Credits may have included Anna Rosemond, one of two leading ladies of the Thanhouser company in this era. Frank H. Crane was a leading male actor of the company and also involved since the very beginnings of the Thanhouser Company. Bowers states that most of the credits are fragmentary for 1910 Thanhouser productions. A surviving film still leaves open the possibility of identifying three actors.
Title: The Woman Hater (1910 Thanhouser film)
Content:  The writer of the scenario was Lloyd Lonergan. Lonergan was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. He was the most important script writer for Thanhouser, averaging 200 scripts a year from 1910 to 1915. The film director is unknown, but it may have been Barry O'Neil. Film historian Q. David Bowers does not attribute a cameraman for this production, but two possible candidates exist. Blair Smith was the first cameraman of the Thanhouser company, but he was soon joined by Carl Louis Gregory who had years of experience as a still and motion picture photographer. The role of the cameraman was uncredited in 1910 productions. Only one credit for the film is known: Violet Heming as Lou Bennett. The other members cast in the production are unknown, but the cast may have included the leading players of the Thanhouser productions, Anna Rosemond and Frank H. Crane. Rosemond was one of two leading ladies for the first year of the company. Crane was also involved in the very beginnings of the Thanhouser Company and acted in numerous productions before becoming a director at Thanhouser.
Title: Thyra Samter Winslow
Content:  In 1935, Winslow went to Hollywood to work on treatments and screenplays. Her story "She Married Her Boss" was made into a film of the same name that year. According to The Hollywood Reporter, Winslow was assigned to work on the screenplay for RKO Pictures' 1936 film Night Waitress, but nothing more is known about her contributions. Winslow also contributed to the treatment for Four Daughters (1938), adapted from Fannie Hurst's short story "Sister Act." The film was nominated for five Academy Awards, including Best Screenplay, Best Picture, and Best Director. She is credited for writing a story an episode of Matinee Theatre is based upon ("Technique" 1955) as well as a script: "The Anxious Years" (1956). Lux Video Theater also based an episode on her 1935 short story "She Married Her Boss" (1956).

Question: Who was the screenwriter for Labor Day?
Answer: Jason Reitman.
Joyce Maynard.
Daphne Joyce Maynard.