Title: Home from the Hill (film)
Content:  George Hamilton was cast after MGM executives were impressed by his performance in Crime and Punishment U.S.A.. He later said: "What Vincente later told me he saw in me was not my tortured soul but that I had the quality of a privileged but sensitive mama's boy." Husband-and-wife team Harriet Frank Jr. and Irving Ravetch wrote the screenplay, making some key changes in Humphrey's story to emphasize the core conflicts. They created the role of Mitchum's illegitimate son and made his wife a desirable though bitter woman instead of the aging crone from the book. The writers also tried to capture the cadence of Southern speech and had written another family drama located in the South, The Long, Hot Summer. Minnelli would later call the screenplay "one of the few film scripts in which I didn't change a word." This film was originally intended for Clark Gable and Bette Davis, but the roles then went to Robert Mitchum and Eleanor Parker.
Title: Hands Up or I'll Shoot
Content:  On 8 January 1965, screenwriter Rudi Strahl submitted a treatment under the working title The Luckiest Man ('Der glücklichste Mensch') to the DEFA studio. The comedy presented a police officer who is virtually out of work, whose name was Holms — a reference to Sherlock Holmes. Strahl's proposition would become the third in a series of four films created by him which starred Rolf Herricht, one of the country's most successful comedians, who would receive the role of Holms. The others were Geliebte weiße Maus, Der Reserveheld and Meine Freundin Sybille. On 5 March, Hans-Joachim Kasprzik — who was regularly employed by the Deutscher Fernsehfunk television channel — agreed to direct the future film. On 19 May, 
Title: 48 Hrs.
Content:  Hill and editor Roger Spottiswoode. Spottiswoode wanted to direct and Hill suggested he break in by writing a script. He did a draft of 48 Hours supervised by Hill for Columbia Pictures, who had financed 48 Hours. Later Tracy Keenan Wynn worked on the script The film moved from Columbia to Paramount, who wanted to do a draft for Clint Eastwood. They hired Hill to rewrite the script with Eastwood as the criminal. He did so "but when I turned it in I said that I didn't think it would work," Hill said, adding "that the best idea would be to make Richard 
Title: Walter Hill
Content:  well as the noncommercial success of Southern Comfort and Long Riders and the fact that there was a writer's strike. All of that meant that Walter hadn't worked in a while. Meaning a year or so. And what happened was the strike ended and the studios didn't have a lot of ready scripts. So this clever colleague, Larry Gordon, dusted off a script that had been shuttling around development and got it greenlit at Paramount with his friend Michael Eisner. And that script was 48 Hrs.." 48 Hrs. was originally meant to star Clint Eastwood and Richard Pryor but both dropped out. Nick 
Title: Dr. Heckyl and Mr. Hype
Content:  Griffith says the film's title was one of five joke titles he originally came up with to show Francis Ford Coppola. He then showed them to Menahem Golan, who was talking to Griffith about writing The Happy Hooker Goes to Washington. After that fell through, Golan asked if Griffith had any other ideas. Griffith pitched him Dr Feelgood and Mr Hype, a black comedy about a hippie who invents a new drug that turns everyone into advertising executives. Golan agreed, but insisted that "the ugly guy is the good guy.” Griffith says he had only three weeks to write and prepare the film, four weeks to shoot and two weeks to edit. He was paid $25,000 to write and $25,000 to direct. Griffith originally wanted Dick Van Dyke to play the lead, but since Van 
Title: Hellzapoppin' (film)
Content:  A mousy screenwriter, Harry Selby, played outlines his script for the screen adaptation of Olson and Johnson’s Broadway play Hellzapoppin, and the rest of the movie’s “plot” depicts Selby’s proposed script — a sappy romance typical of the kind found in other films at the time. In it, a producer and composer, Jeff Hunter, wants to marry an ingenue, Kitty Rand, but he has to compete with her bland fiancee Woody Taylor. However, this story is undercut with elaborate dance sequences, fourth-wall breaks mocking the Jeff/Kitty/Woody story, arguments with Louie the projectionist, and random anarchic chaos that threatens to overwhelm conventional narrative.
Title: From Hell to Texas
Content:  When first offered the role of Tod Lohman, Don Murray turned it down, complaining that the script for "The Hell-Bent Kid" was "filled with unnecessary violence." According to Hollywood columnist Hedda Hopper, the actor eventually agreed to appear in the movie, but only after a complete rewrite job was done, omitting all the elements that Murray complained about. The actor then began work by "taking daily riding lessons to get in shape for the cowboy role." Dennis Hopper, who had trained as a Method actor, walked off the set of From Hell to Texas several times over disagreements with director Henry Hathaway, who would continually order Hopper to "get over there and hit your mark and say your lines like I tell ya." After 
Title: It Happened Tomorrow
Content:  Director and producer Frank Capra originally purchased the rights to Hugh Wedlock and Howard Snyder's story, but when he discovered the concept was similar to that in Lord Dunsany's 20-year-old one act play, he bought it as well; later, when he was going into the Army to serve in World War II, he sold both to Arnold Pressburger. Pressburger approached Rene Clair about directing the film, and the two hired Clair's friend Dudley Nichols to assist in writing the script. They set the time period in the 1890s to avoid dealing with the war. Clair initially wanted Cary Grant for the lead role, but wound up with Dick Powell, who was on the verge 
Title: Honkytonk Sue
Content:  McMurtry, among others, worked on scripts (four were created over a two-year period) for a Goldie Hawn vehicle, which was never made. The film was in development for more than six years before it was officially dropped. The Arizona Republic wrote, "Sue has gone through more rewrites than the New Testament, including one by Terms of Endearment sob sister Larry McMurtry, which changed Sue from a contemporary woman of the West to a superfeminist Native American activist. One of the last rewrites came from the pens of Peggy Sue Got Married scripters Jerry Leichtling and Arlene Sarner". Honkytonk Sue had a revival on the pages of True West Magazine (which is edited by Bell) in 2002 and ran for several years.
Title: Sky Riders
Content:  The film was a failure at the box office in the US but did better internationally. Howard hired Jack Hill to write a sequel. He later said "I pitched them my idea, which they thought was good, and I wrote the script. Well, it turned out that the movie was a big flop and no one could understand why. I knew why - it was because they had the theory that it should be wall to wall action and there is nothing more boring." Hill then wrote City of Fire and Death Ship for Howard.

Question: Who was the screenwriter for Humpday?
Answer: Lynn Shelton.