Title: Rosencrantz and Guildenstern Are Dead
Content:   Rosencrantz and Guildenstern Are Dead is an absurdist, existential tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare's Hamlet, the courtiers Rosencrantz and Guildenstern. The main setting is Denmark. The action of Stoppard's play takes place mainly "in the wings" of Shakespeare's Hamlet, with brief appearances of major characters from Hamlet who enact fragments of the original's scenes. Between these episodes the two protagonists voice their confusion at the progress of events occurring onstage without them in Hamlet, of which they have no direct knowledge. Comparisons have also been drawn with Samuel Beckett's Waiting for Godot, for the presence of two central characters who almost appear to be two halves of a single character. Many plot features are similar as well: the characters pass time by playing Questions, impersonating other characters, and interrupting each other or remaining silent for long periods of time. Rosencrantz and Guildenstern Are Dead garnered acclaim. In 2017, Andy Propst of Time Out ranked the play the 22nd greatest of all time.
Title: Rosencrantz and Guildenstern Are Dead
Content:  With William Shakespeare's play Hamlet as the backdrop, Rosencrantz and Guildenstern Are Dead concerns the musings and mishaps of the title characters. The play is structured as the inverse of Hamlet, in which Rosencrantz and Guildenstern are two minor characters who were childhood friends of the Prince; instead, the duo remains the focus and Hamlet himself is a minor role whose actions occur largely offstage, with the exception of a few short scenes in which the dramatic plays converge. In Hamlet, Rosencrantz and Guildenstern operate under the King's command in an attempt to discover Hamlet's motives and plot against him. Hamlet, however, derisively mocks and outwits them, so that they, rather than he, are sentenced to death in the end. Rosencrantz and Guildenstern Are Dead explores these events from the perspective of the duo; their actions seem largely nonsensical because they are superseded and, therefore, determined 
Title: Rosencrantz &amp; Guildenstern Are Dead (film)
Content:  Rosencrantz & Guildenstern Are Dead is a 1990 tragicomedy film written and directed by Tom Stoppard based on his 1966 play of the same name. Like the play, the film depicts two minor characters from William Shakespeare's play Hamlet, Rosencrantz and Guildenstern, who find themselves on the road to Elsinore Castle at the behest of the King of Denmark. They encounter a band of players before arriving to find that they are needed to try to discern what troubles the prince Hamlet. Meanwhile, they ponder the meaning of their existence. Filmed in Trogir, Croatia, the movie won the Golden Lion at the 47th Venice International Film Festival. The film stars Gary Oldman as Rosencrantz and Tim Roth as Guildenstern, although a running theme throughout has many characters, themselves included, uncertain as to which is which. It also features Richard Dreyfuss as the leading player, Iain Glen as Hamlet, Ian Richardson as Polonius, Joanna Miles as Gertrude, and Donald Sumpter as King Claudius. This was Stoppard's first and, to date, only film as a director.
Title: Rosencrantz and Guildenstern
Content:  W. S. Gilbert's play (1874) is a comedy in which Rosencrantz plots with his friend Guildenstern to get rid of Hamlet, so that Rosencrantz can marry Ophelia. They discover that Claudius has written a play. The king's literary work is so embarrassingly bad that Claudius has decreed that anyone who mentions it must be executed. They obtain the manuscript and convince Hamlet to perform it. When he does, Claudius decrees that he must die, but is eventually persuaded to banish him to England. Rosencrantz and Ophelia can now be together.
Title: Rosencrantz and Guildenstern Are Dead
Content:  pirates from the ship). Rosencrantz and Guildenstern panic, then re-read the letter to find that it now calls for them to be put to death instead of the prince. Guildenstern cannot understand why he and Rosencrantz are so important as to necessitate their executions. The Player tells Guildenstern that all paths end in death. Guildenstern snaps and draws the Player's dagger from his belt, shouting that his portrayals of death do not do justice to the real thing. He stabs the Player and the Player appears to die. Guildenstern fully believes that he has killed the Player. Seconds later, the Tragedians begin to clap and the Player 
Title: Rosencrantz and Guildenstern Are Dead
Content:  Rosencrantz and Guildenstern find themselves on a ship that has already set sail. The pair seems to have no knowledge of how they got there. At first, they try to determine whether they are still alive, before they recognize that they are not dead and are on board a boat. They remember that Claudius has given them a letter to deliver to England. After some brief confusion over who actually has the letter, they find it and eventually open it. They realize that Claudius has asked for Hamlet to be killed. While Rosencrantz seems hesitant to follow their orders now, Guildenstern convinces him that they are not worthy 
Title: Rosencrantz and Guildenstern Are Dead
Content: 24 December 1978, an adaptation by Stoppard himself, directed by John Tydeman; the cast included Edward Petherbridge as Guildenstern, Edward Hardwicke as Rosencrantz, Freddie Jones as The Player, Robert Lang as Claudius, Maxine Audley as Gertrude, Angela Pleasence as Ophelia, and Martin Jarvis as Hamlet. ; 15 July 2007 as part of a celebration of Stoppard's 70th birthday, another version of Stoppard's adaptation, this time directed by Peter Kavanagh; the cast included Danny Webb as Rosencrantz, Andrew Lincoln as Guildenstern, Desmond Barrit as The Player, John Rowe as Polonius, Abigail Hollick as Ophelia, Liza Sadovy as Gertrude, Simon Treves as Claudius and John Dougall as Hamlet. ; A two-part adaptation was broadcast 30 and 31 March 2019 on BBC 
Title: Rosencrantz and Guildenstern Are Dead
Content:  The play had its first incarnation as a 1964 one-act titled Rosencrantz and Guildenstern Meet King Lear. The expanded version under the current title was first staged at the Edinburgh Festival Fringe on 24 August 1966, by the Oxford Theatre Group. The play debuted in London with a production at the Old Vic directed by Derek Goldby, designed by Desmond Heeley, and scored by Marc Wilkinson. It premiered on 11 April 1967, with John Stride as Rosencrantz, Edward Petherbridge as Guildenstern, Graham Crowden as the Player, and John McEnery as Hamlet. The play returned to the National Theatre on 14 December 1995 and this production with Adrian Scarborough as Rosencrantz and Simon Russell Beale as Guildenstern subsequently toured to Belfast, Cork, Bath, Newcastle, Sheffield and Bradford. In 2011 the play 
Title: Rosencrantz and Guildenstern Are Dead
Content:  The stage becomes dark. When the stage is once again visible, Rosencrantz and Guildenstern lie in the same position as had the actors portraying their deaths. The duo are upset that they have become the pawns of the royal couple. Claudius enters again and tells them to find where Hamlet has hidden Polonius' corpse. After many false starts, they eventually find Hamlet, who leaves with Claudius. Rosencrantz is delighted to find that his mission is complete, but Guildenstern knows it has not ended. Hamlet enters, speaking with a Norwegian soldier. Rosencrantz decides that he is happy to accompany Hamlet to England because it means freedom from the orders of the Danish court. Guildenstern understands that wherever they go, they are still trapped in this world.
Title: Rosencrantz and Guildenstern Are Dead
Content:  4, directed by Emma Harding; the cast included Mathew Baynton as Rosencrantz, Andrew Buchan as Guildenstern, Toby Jones as The Player, Sam Dale as Tragedian, Ronny Jhutti as Alfred, Sarah Ovens as Ophelia, Michael Bertenshaw as Polonius, Parth Thakerar as Hamlet, Don Gilet as Claudius and Clare Corbett as Gertrude. The play has been adapted three times for BBC Radio: A 1983 radio adaptation was broadcast on the BBC World Service on 17 October directed by Gordon House, with Nigel Anthony as Rosencrantz, Nicky Henson as Guildenstern, Jack May as The Player, John Duttine as Hamlet, Peter Vaughan as Claudius, Marcia Warren as Gertrude, Eileen Tully as Ophelia, Cyril Shaps as Polonius and Alex Jennings as a Tragedian.

Question: when was rosencrantz and guildenstern are dead written?
Answer: 1966.