Title: Cinematography
Content:  1910s. Many black and white movies have been colorized recently using digital tinting. This includes footage shot from both world wars, sporting events and political propaganda. In 1902, Edward Raymond Turner produced the first films with a natural color process rather than using colorization techniques. In 1908, kinemacolor was introduced. In the same year, the short film A Visit to the Seaside became the first natural color movie to be publicly presented. In 1917, the earliest version of Technicolor was introduced. Kodachrome was introduced in 1935. Eastmancolor was introduced in 1950 and became the color standard for the rest of the century. In the 2010s, color films were largely superseded by color digital cinematography.
Title: Color motion picture film
Content:  early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. The rise in color films was also aided by the breakup of Technicolor's near monopoly on the medium. In 1947, the United States Justice Department filed an antitrust suit against Technicolor for monopolization of color cinematography (even though rival processes such as Cinecolor and Trucolor were in general use). In 1950, a federal court ordered Technicolor to allot a number of its three-strip cameras for use by independent studios and filmmakers. Although this certainly affected Technicolor, its real undoing was the invention of Eastmancolor that same year.
Title: Film
Content:  In the early 1950s, the proliferation of black-and-white television started seriously depressing North American theater attendance. In an attempt to lure audiences back into theaters, bigger screens were installed, widescreen processes, polarized 3D projection, and stereophonic sound were introduced, and more films were made in color, which soon became the rule rather than the exception. Some important mainstream Hollywood films were still being made in black-and-white as late as the mid-1960s, but they marked the end of an era. Color television receivers had been available in the US since the mid-1950s, but at first, they were very expensive and few broadcasts were in color. During the 1960s, prices gradually came down, color broadcasts became common, and sales boomed. The overwhelming public verdict in favor of color was clear. After the final flurry of black-and-white films had been released in mid-decade, all Hollywood studio productions were filmed in color, with the usual exceptions made only at the insistence of "star" filmmakers such as Peter Bogdanovich and Martin Scorsese.
Title: Film
Content:  Another major technological development was the introduction of "natural color," which meant color that was photographically recorded from nature rather than added to black-and-white prints by hand-coloring, stencil-coloring or other arbitrary procedures, although the earliest processes typically yielded colors which were far from "natural" in appearance. While the advent of sound films quickly made silent films and theater musicians obsolete, color replaced black-and-white much more gradually. The pivotal innovation was the introduction of the three-strip version of the Technicolor process, first used for animated cartoons in 1932, then also for live-action short films and isolated sequences in a few feature films, then for an entire feature film, Becky Sharp, in 1935. The expense of the process was daunting, but favorable public response in the form of increased box office receipts usually justified the added cost. The number of films made in color slowly increased year after year.
Title: History of film technology
Content:  all-color feature in "New Technicolor" was Becky Sharp (1935). The proliferation of television in the early 1950s contributed to a heavy mid-century push for color within the film industry. In 1947, only 12 percent of American films were made in color. By 1954, that number had risen to over 50 percent. The color boom was aided by the breakup of Technicolor's near-monopoly on the medium. The last stand of black-and-white films made by or released through the major Hollywood studios came in the mid-1960s, after which the use of color film for all productions was effectively mandatory and exceptions were only rarely and grudgingly made.
Title: 20th century
Content:  first modern movie theatre was established in Pittsburgh in 1905. Hollywood developed as the center of American film production. While the first films were in black and white, technicolor was developed in the 1920s to allow for color films. Sound films were developed, with the first full-length feature film, The Jazz Singer, released in 1927. The Academy Awards were established in 1929. Animation was also developed in the 1920s, with the first full-length cel animated feature film Snow White and the Seven Dwarfs, released in 1937. Computer-generated imagery was developed in the 1980s, with the first full-length CGI-animated film Toy Story was released in 1995.
Title: Color motion picture film
Content:  which was then scanned into a digital video format by telecine. Finally, digital image processing was used to align and combine each group of three frames into one color image. As a result, these films from 1902 became viewable in full color. Practical color in the motion picture business began with Kinemacolor, first demonstrated in 1906. This was a two-color system created in England by George Albert Smith, and promoted by film pioneer Charles Urban's The Charles Urban Trading Company in 1908. It was used for a series of films including the documentary With Our King and Queen Through India, depicting the Delhi Durbar (also known as The Durbar at Delhi, 1912), which was filmed in December 
Title: Color motion picture film
Content:  films. They were introduced around 1940 but only came into wide use for commercial motion picture production in the early 1950s. In the US, Eastman Kodak's Eastmancolor was the usual choice, but it was often re-branded with another trade name, such as "WarnerColor", by the studio or the film processor. Later color films were standardized into two distinct processes: Eastman Color Negative 2 chemistry (camera negative stocks, duplicating interpositive and internegative stocks) and Eastman Color Positive 2 chemistry (positive prints for direct projection), usually abbreviated as ECN-2 and ECP-2. Fuji's products are compatible with ECN-2 and ECP-2. Film was the dominant form of cinematography until the 2010s, when it was largely replaced by digital cinematography.
Title: Cinematography
Content:  From its birth in the 1880s, movies were predominantly monochrome. Contrary to popular belief, monochrome does not always mean black and white; it means a movie shot in a single tone or color. Since the cost of tinted film bases was substantially higher, most movies were produced in black and white monochrome. Even with the advent of early color experiments, the greater expense of color meant films were mostly made in black and white until the 1950s, when cheaper color processes were introduced, and in some years the percentage of films shot on color film surpassed 51%. By the 1960s, color became by far the dominant film stock. In the coming decades, the usage of color film greatly increased while monochrome films became scarce.
Title: Cinematography
Content:  After the advent of motion pictures, a tremendous amount of energy was invested in the production of photography in natural color. The invention of the talking picture further increased the demand for the use of color photography. However, in comparison to other technological advances of the time, the arrival of color photography was a relatively slow process. Early movies were not actually color movies since they were shot monochrome and hand-colored or machine-colored afterward (such movies are referred to as colored and not color). The earliest such example is the hand-tinted Annabelle Serpentine Dance in 1895 by Edison Manufacturing Company. Machine-based tinting later became popular. Tinting continued until the advent of natural color cinematography in 

Question: when did movies start coming out in color?
Answer: introduced around 1940.
1895.