Title: Balls to the Wall (song)
Content:  "Balls to the Wall" is a song by German heavy metal band Accept. It was released as the lead single from their 1983 fifth studio album of the same name. The anthemic title track is the album's best known song, and became Accept's signature song, for which a music video was shot that received American airplay on MTV.
Title: Balls to the Wall (song)
Content:  Filmed in January 1984 in London, the song's music video consists of clips of the band performing the song onstage intercut with scenes of a wrecking ball taking down a clock tower and scenes with fans of the band headbanging against the wall of the tower. Later during the buildup to the final chorus, the fans march through the rubble of the tower, and presumably head towards the stage where the band is performing. At the end of the video, singer Udo Dirkschneider rides the wrecking ball into the tower and takes out the front doors of the building it stands upon. When he discussed the scene with songfacts.com, Dirkschneider explained he was apprehensive about riding the ball 
Title: Balls to the Wall (film)
Content:  Balls to the Wall is a 2011 American comedy film written by Jason Nutt and directed by Penelope Spheeris. The film had its premiere at the Newport Beach Film Festival on April 30, 2011.
Title: Balls to the Wall
Content:  Balls to the Wall is the fifth studio album by German heavy metal band Accept. European label Lark Records released the album in December 1983, but its United States release was delayed until a month later in January 1984 as to not compete with the band's then-current album Restless and Wild, which had arrived in the US in early 1983. It is Accept's only record to attain Gold certification in the US. The album's title track became Accept's signature tune and remains a metal anthem and trademark in the genre.
Title: Wall to Wall (song)
Content:  "Wall to Wall" was written by Brown, Sean Garrett and Walter Scott, and produced by Sean Garrett and Walter Scott; the latter, however, is credited as the co-producer. Carlton Lynn recorded it at Silent Sound Studios - a recording studio in Atlanta, Georgia. The song was mixed at Chung King Studios in New York City, New York by Brian Stanley with assistance from Anthony Palazzole. The song was finally mastered by Chris Athens at Sterling Sound in New York City, New York. "Wall to Wall" was released as the lead single from Brown's second studio album Exclusive (2007). On May 29, 2007, Jive Records and Zomba Recordings serviced the song to urban radios in the United States. "Wall to Wall" is in the key of G minor with an uptempo vibe. It combines elements of dance music with a bouncing rhythm. The lyrics are based on an attraction to women.
Title: Balls to the Wall
Content:  Balls to the Wall received very positive reviews and was praised by Accept's contemporaries and successors. Ty Tabor of the American hard rock band King's X, was a fan of the album and its production, saying that it "set a new bar for what heavy rock could sound like on a record". Dimebag Darrell of Pantera and Damageplan, Doro Pesch of Warlock and Kai Hansen of Helloween were all fans of the band and consider Accept among their main musical influences. The Swedish power metal band HammerFall said they recorded their album Renegade in 2000 with Michael Wagener because they had Balls to the Wall in mind. HammerFall also covered the song "Head Over Heels" 
Title: Balls to the Wall
Content:  has as individuals -so little to do with controversy and absolutely nothing in particular with anything but being VERY straight'" However, the front cover image bears a striking resemblance to photographer Robert Mapplethorpe's work "Patrice, N.Y.C." (1977). This album was the only Accept album which guitarist Herman Frank played on until 2010's Blood of the Nations (though he was given credit on 1982's Restless and Wild). Professional wrestler Chris Jericho's band, Fozzy, did their own cover of the song "Balls to the Wall". The Swedish band Amon Amarth also covered the song as a bonus track for their 2011 album Surtur Rising.
Title: Accept (band)
Content:  Accept's next release, Balls to the Wall, was released in 1983, now with guitarist Herman Frank (ex-Sinner). The album was more conceptual, and included lyrical themes about politics, sexuality and human relationships. For example, "Balls to the Wall" refers to slaves revolting against oppressing masters, while "Fight It Back" is about social misfits fighting against conformity. All songs were credited to Accept and "Deaffy". Deaffy was manager Gaby Hauke's pseudonym as the band's lyricist, although she did not officially claim ownership until the band had broken up for the second time. During a 1983 show in their hometown, the band met Jörg Fischer by chance and on Hauke's insistence, Fischer rejoined the band. A world tour followed through 1984, including the Monsters of Rock festival. By 
Title: If Walls Could Talk
Content:  Michael Paoletta from Billboard highlighted this song. Stephen Thomas Erlewine claimed the song worked well as a "pretty" ballad.
Title: Who's Been Writing on the Wall Again
Content:  The song was later recorded by Lori Balmer with the Gibb brothers on backing vocals, Lori was only 8 years old when they recorded the song. Balmer recalls that she rehearsed the song with the Gibb brothers in St. Clair Studio but the recording was not done. Barry directed the session, and all Bee Gees can be heard singing on it, with no credit, likely for contractual reasons. That version produced by Ron Wills and was recorded in EMI Studios, Sydney, Balmer's version was released as a single at the start of 1967 while its flipside "In Your World" was also written by Barry. It was Balmer's first single released on the RCA, the second was "Treacle Brown" which was written and produced by the Gibb brothers and only released in the United Kingdom on Polydor Records.

Question: who wrote the song balls to the wall?
Answer: Deaffy.
Udo Dirkschneider.
Herman Frank.
Wolf Hoffmann.
Stefan Kaufmann.
Peter Baltes.