Title: L'amico Fritz
Content:  The opera was first performed in Rome at the Teatro Costanzi, on 31 October 1891. Other first performances include those in Hamburg on 16 January 1892 with Gustav Mahler conducting; in London on 23 May 1892 at the Royal Opera House, Covent Garden; and inAustralia on 19 October 1893 at the Princess's Theatre in Melbourne.
Title: Aus Italien
Content:  The first performance of the work took place in Munich on March 2, 1887, by the Court Orchestra, which was conducted by the composer himself. As Richard Strauss's sister Johanna later recalled, the first three movements were received with applause, but the last movement was not well-approved and derisory whistles came from various quarters. Norman Del Mar's biography of the composer tells a different story: the first three movements were not well received, and the final was accorded booing and applause. Strauss himself found the work itself as new and revolutionary, and he was satisfied despite the critical responses for the première. The first performance in the United States was given on March 8, 1888, with the Theodore Thomas Orchestra (Theodore Thomas conducting) at the Academy of Music in Philadelphia.
Title: Das Liebesverbot
Content:  Music Society in the old Gymnasium. In North America its most successful revival was in 1983, conducted by Wolfgang Sawallisch, but its fully staged premiere took place on 19 July 2008 at the Glimmerglass Festival in a production by Nicholas Muni. The cast was led by Mark Schnaible as Friedrich and Claudia Waite as Isabella; Corrado Rovaris conducted. In 1994 Das Liebesverbot was performed at the Wexford Opera Festival. The first fully staged performance in the United States was at Glimmerglass Opera in Cooperstown, NY, in the summer of 2008. In 2009, a concert production was presented at the International Festival of Young Singers at the Kammeroper Schloss Rheinsberg 
Title: I due timidi
Content:  It was originally written as a radio production for Radio Audizioni Italiane and first performed, on air, on 15 November 1950. The first staged production was in London at the Scala Theatre (London Opera Club) on 17 March 1952. It was also given at the Teatro Petruzzelli in Bari on 18 January 1971, and at the Teatro Donizetti in Bergamo on 23 October 1972. It was revived by the Wiener Kammeroper opera company in Vienna in 2007. and again by the Santa Fe Opera as part of their "One-Hour Opera" program in the spring of 2008.
Title: Candida (play)
Content:  The play was first performed at the Theatre Royal, South Shields on 30 March 1895. It was revived by the Independent Theatre Company, at Her Majesty's Theatre, Aberdeen on 30 July 1897. It was first performed in London at the Stage Society, The Strand, on 1 July 1900. However, it was not until late 1903, when Arnold Daly mounted a production in New York that the play became a success. Daly's production was quickly followed by one in London. The first public performance in London was on 26 April 1904, at the Royal Court. The play was so popular in 1904 that the phenomenon was referred to as "Candidamania". In the words of The New York Sun, "A new complaint has 
Title: The Rape of Lucretia
Content:  The opera was first performed at Glyndebourne in England on 12 July 1946. It is the first work to which Britten applied his term "chamber opera." The opera debuted in the United States on Broadway at the Ziegfeld Theatre in a production staged by Agnes de Mille which opened on 29 December 1948 and closed on 15 January 1949 after 23 performances. The cast notably included Giorgio Tozzi as Tarquinius, Kitty Carlisle as Lucretia, Lidija Franklin as Bianca, Brenda Lewis as the Female Chorus, and Adelaide Bishop as Lucia. In 1996 the opera was presented at the Opera Theatre of St. Louis directed by Britten expert and friend, Colin Graham. It also appeared in the Opera Company of Philadelphia's 2009 season. In 2013, the opera was performed for the first time by Glyndebourne since its premiere, directed by actress Fiona Shaw. This production opened on tour to great acclaim. Shaw's production premiered at Glyndebourne's festival in 2015 to similar acclaim.
Title: Offending the Audience
Content:  Offending the Audience has been performed all over Europe since its German premiere in 1966, and after its translation was published in English in 1970. The first performance was by Michael Locascio's troupe at various locations in New York City in 1969. Subsequently, it was produced at numerous locations, especially colleges, in the U.S., Australia, China, South Africa and the UK. It was revived in 2008 at The Flea Theater in New York City.
Title: L'infedeltà delusa
Content:  The earliest recorded performance, which may have been the premiere, was at Eszterháza (in modern Hungary) on 26 July 1773. This was the name day of the Dowager Princess Estaházy and this date is given in the printed libretto. It was revived for the visit of Empress Maria Theresa on 1 September 1773, and again on 1 July 1774. University of Kent in collaboration with Kent Opera staged the opera in English at the Gulbenkian Theatre in 1978, conducted by Harry Newstone and directed by Christopher Webber. In 2014, it was performed by New Chamber Opera at New College, Oxford.
Title: Alceste (Gluck)
Content:  Pizzi, in its unabridged Italian version, also including the parts that Gluck himself had cut at the Vienna premiere out of practical necessities. The Metropolitan Opera gave Alceste in three different seasons, with four sopranos starring in eighteen performances. Its premiere on 24 January 1941, sung in French, featured Marjorie Lawrence. There were four more performances that season, two starring Lawrence and two Rose Bampton. In 1952 the opera was given in English, with Kirsten Flagstad in the title role. On 6 December 1960 Eileen Farrell made her Metropolitan Opera debut as Alceste, also in English. She sang the role eight times that season, and her last performance, on 11 February, remains the last time Alceste 
Title: Press Cuttings
Content:  The censor allowed the play to be performed publicly with names of the characters changed to Prime Minister "Johnson" and General "Bones". The first public performance was at the Gaiety Theatre, Manchester, on 27 September 1909. Some productions were put on as part of the suffrage cause. The first public London production in 1910 by the Actresses' Franchise League in a double bill with Cicely Hamilton's play How the Vote was Won. A special performance was given by Oswald Yorke's Company in America in 1912, at a Woman's Suffrage Party benefit. A benefit performance was produced in Washington, D.C. by the Group Players of the Washington Drama League to raise money for the House of Play, the Drama League's children's theater. There have been two radio adaptations of the play:

Question: when was as you like it first performed?
Answer: 1603.