Title: New Man (Ed Sheeran song)
Content:  Taylor Weatherby of Billboard named this song the one with the "craziest lyrics" of ÷. She also noticed that "Sheeran found a way to include the phrase "bleached arsehole" into a song (the line "He's got his eyebrows plucked and his arsehole bleached," in the first verse), it definitely can't go unmentioned—especially since Kanye West was the last major artist to incorporate that graphic phrase. Coincidence that West's wife Kim Kardashian is also mentioned in "New Man"? We may never know."
Title: What a Man (song)
Content:  Richard Harrington of The Washington Post interprets the song as "a celebration of strong men who stay home and care for kids." Garth Baker-Fletcher, an Associate Professor of Religion from Texas College, interpreted the version's refrain as "praising a steady-thinking, family-values-yet-sexy man." Writer Keith Boykin described the song portion, "Although most men are hos / He flows on the down low / Cuz I never heard about him with another girl," as if "rather than praise his faithfulness, the artists appreciate his discretion, while tacitly acknowledging his cheating." Moreover, Boykin said that "another girl" refers to Salt-N-Pepa's considerations of "heterosexual infidelity" and as if "some women [...] were publicly excusing their men for their down low behavior."
Title: A Man Needs a Maid (song)
Content:  Music critic Johnny Rogan describes the melody of "A Man Needs a Maid" as "haunting." Allmusic critic William Ruhlmann describes the song as "an impressionistic musing by a man who is contemplating the start of a new romantic relationship." The lyrics of "A Man Needs a Maid" have generated controversy due to interpretations that they are chauvinistic. This is largely the result of Young using the term "maid" with two meanings in the song, one of which is a housekeeper to cook and clean for him, and then leave. However, the rest of the lyrics make it clear that these lyrics were reflecting Young's own feelings of 
Title: One Man, One Woman
Content:  The Sydney Morning Herald described the song as a "big-treatment ballad". Soon after the album was released, The Boston Globe described it as "the most striking of the new songs".
Title: A Man Needs a Maid (song)
Content:  Stone critic John Mendelsohn described it as being "particularly interesting" for how Young "treats his favorite theme — his inability to find and keep a lover — in a novel and arrestingly brazen (in terms of our society's accelerating consciousness of women's rights) manner." The New Rolling Stone Album Guide critic Robert Sheffield described the lyrics as being "unintentionally hilarious." Pitchfork critic Mark Richardson said the song is "one of [Young's] stranger creations, an affecting portrait of loneliness undercut with a clumsy, lunkheaded chorus refrain, the sincerity of which has never been quite clear." Young included "A Man Needs a 
Title: The Man (The Killers song)
Content:  The single received mostly positive reviews from music critics. Ryan Dombal from Pitchfork described "The Man" as an "over shiny, strutting funk descended from James Brown's '80s anthem 'Living in America'", saying Flowers brags about himself to the point of ridiculousness. He added: "The song is called "The Man", but its ideas of manliness are nothing but boyish. As American masculinity continues to evolve, and threatens to fall back on ugly old norms, The Killers try to have it both ways here, poking fun at dick-swinging supremacy while serving up something that could reasonably soundtrack a rough-and-dusted pickup truck commercial." Writing for DIY magazine, Will Richards praised Flowers' confidence on the song and called it "huge, bombastic and fearless". Robin Murray of Clash called the song "daft, delirious and completely addictive".
Title: Fuck Them All
Content:  women, before the final refrain. To Marc Bitton of Public who wrote his article before the single release, "lyrics are both crude and colorful", including "sex and vulgarity", and said that the song was likely to be censored, which was, at his point of view, the real purpose of the singer. According to the psychologist Hugues Royer, the song is "an artistic utopia" and a call to feminists, including the novelist Catherine Breillat, but is not a "political project". Novak said that lyrics surprised many fans, as although Farmer has always been a feminist, she had never expressed so direct a message on the subject.
Title: You're the Man
Content:  "You're the Man" was basically a demanding song in which Gaye was calling out to potential candidates, much prominently George McGovern, asking them if they really have a plan to "right all the wrongs" of the past administration and bring about change. At the same breath, however, Gaye berates the political system with the line, "politics and hypocrites is turning us all into lunatics". Gaye then mockingly shouts the potential candidate out as they're the person to run for, saying to them constantly, "you're the man". Gaye himself years later would admit that he didn't trust the government or the political system. The song was composed under the direction of funk music, a genre Gaye started to flirt with on What's Going On, particularly with the song, "Inner City Blues (Make Me Wanna Holler)", basing off 
Title: Man to Man (Gary Allan song)
Content:  Rick Cohoon of Allmusic in his review, states that the lyrics are "harsh and realistic" but "maybe a bit too glib for Allan’s good." Cohoon states that "‘You want her back, and it’s too late/why don’t we call a spade a spade’ summarizes the song’s tone, but comes across as too abrasive." He states that the writing makes it seem like the situation could have happened to the writer, Jamie O'Hara.
Title: Bitches Ain't Shit
Content:  mouths makes its point. 'What moms can say to their sons is, "Hey, have you ever actually listened to this lyric?" ' Michael Kimmel says. 'That's people like me they're talking about.' Moms can keep guys connected at the concrete level as opposed to the abstract.' " [pp 229–230] Thus, besides the syntax that strictly, but trivially, states that the women's voices are dressed in pink, Lombardi may imagine that they sing the rap song's lyrics, harsher than the rock song's that the women actually sing. Time magazine explains that Lombardi, in any case, "is the author of The 

Question: who said one man's vulgarity is another's lyric?
Answer: Justice Harlan.