Title: Fra Angelico
Content: Christ in Glory ; The Virgin Mary ; The Apostles The life of St Stephen ; The life of St Lawrence ; The Four Evangelists. Orvieto Cathedral Three segments of the ceiling in the Cappella Nuova, with the assistance of Benozzo Gozzoli. Niccoline Chapel The Chapel of Pope Nicholas V, at the Vatican, was probably painted with much assistance from Benozzo Gozzoli and Gentile da Fabriano. The entire surface of wall and ceiling is sumptuously painted. There is much gold leaf for borders and decoration, and a great use of brilliant blue made from lapis lazuli.
Title: Mosaic ceiling of the Florence Baptistery
Content:  The Mosaic ceiling of the Florence Baptistery is a set of mosaics covering the internal dome and apses of the Baptistery of Florence. It is one of the most important cycles of medieval Italian mosaics, created between 1225 and around 1330 using designs by major Florentine painters such as Cimabue, Coppo di Marcovaldo, Meliore and the Master of the Magdalen, probably by mosaicists from Venice.
Title: Sistine Chapel ceiling
Content:   The Sistine Chapel ceiling (Soffitto della Cappella Sistina), painted by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The ceiling is that of the Sistine Chapel, the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. It was painted at the commission of Pope Julius II. The chapel is the location for papal conclaves and many other important services. The ceiling's various painted elements form part of a larger scheme of decoration within the Chapel, which includes the large fresco The Last Judgement on the sanctuary wall, also by Michelangelo, wall paintings by several leading painters of the late 15th century including 
Title: Palazzo Vecchio
Content:  The carved ceiling of the Hall of the Lilies, as this room is usually called, decorated with fleur-de-lys, and the Statue of St. John the Baptist and Putti are all by Benedetto da Maiano and his brother Giuliano. The golden fleur-de-lys decorations on blue background on the ceiling and three walls refer to the (short-lived) good relations between Florence and the French Crown. On the wall are frescoes by Domenico Ghirlandaio, painted in 1482. The apotheosis of St. Zenobius, first patron saint of Florence, was painted with a perspectival illusion of the background. In this background one can see the Cathedral, with Giotto's original facade 
Title: Florence Cathedral
Content:  are in working order. The church is particularly notable for its 44 stained glass windows, the largest undertaking of this kind in Italy in the 14th and 15th century. The windows in the aisles and in the transept depict saints from the Old and the New Testament, while the circular windows in the drum of the dome or above the entrance depict Christ and Mary. They are the work of the greatest Florentine artists of their times, such as Donatello, Lorenzo Ghiberti, Paolo Uccello and Andrea del Castagno. Christ crowning Mary as Queen, the stained-glass circular window above the clock, with a rich range of coloring, 
Title: Complex of San Firenze
Content:  The interior ceiling has a large canvas depicting the Glory of San Filippo Neri by Matteo Bonechi. The elaborate and costly stucco work of the nave was completed between 1668 and 1673 by a team of artists. The Chapel of the Madonna has a Virgin by Carlo Maratta and an Eleven Thousand Martyrs by Stradanus, which had been in the earlier church of San Firenze. The chapel cupola has frescoes by Luigi Sabatelli. The chapel was designed by Zanobi del Rosso, and once had a canvas attributed to Francesco Bacchiacca. The apse and altars of the church were designed by Fortini. He also completed the statues in the presbytery of Charity and Purity, and the bas-reliefs of the Life of St Phillip Neri. Other works are by Antonio Montauti. Other paintings in the church are by Giovanni Pinzani, Tommaso Redi, Antonio Puglieschi, Anton Domenico Gabbiani, S and G Perini. The ceiling of the oratory, designed by Silvani has a canvas of Giovanni Camillo Sagrestani depicting the Glory of St Phillip. The apse has a large fresco depicting the Trinity with Apostles and Florentine Saints, by Niccolò Lapi.
Title: Palazzo Vecchio
Content:  to paint on the opposite wall. Pope Julius II called him to Rome to paint the Sistine Chapel, and the master's sketches were destroyed by eager young artists who came to study them and took away scraps. The surviving decorations in this hall were made between 1555 and 1572 by Giorgio Vasari and his helpers, among them Livio Agresti from Forlì. They mark the culmination of mannerism and make this hall the showpiece of the palace.  On the walls are large and expansive frescoes that depict battles and military victories by Florence over Pisa and Siena: The ceiling consists of 39 panels constructed and 
Title: Florence
Content:  Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome designed by Filippo Brunelleschi.
Title: Florence Cathedral
Content:  end to this project, and the walls of the dome were whitewashed. Grand Duke Cosimo I de' Medici decided to have the dome painted with a representation of The Last Judgment. This enormous work, 3,600 metres² (38 750 ft²) of painted surface, was started in 1568 by Giorgio Vasari and Federico Zuccari and would last till 1579. The upper portion, near the lantern, representing ''The 24 Elders of Apoc. 4'' was finished by Vasari before his death in 1574. Federico Zuccari and a number of collaborators, such as Domenico Cresti, finished the other portions: (from top to bottom) Choirs of Angels; Christ, Mary and Saints; Virtues, 
Title: Florence Cathedral
Content:  Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore (in English Cathedral of Saint Mary of the Flower), is the cathedral of Florence, Italy (Duomo di Firenze). It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris. The cathedral complex, in Piazza del Duomo, includes the Baptistery and Giotto's Campanile. These three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major tourist attraction of Tuscany. The basilica is one of Italy's largest churches, and until the development of new structural materials in the modern era, the dome was the largest in the world. It remains the largest brick dome ever constructed. The cathedral is the mother church of the Roman Catholic Archdiocese of Florence, whose archbishop is Giuseppe Betori.

Question: who painted the ceiling of the florence cathedral?
Answer: Giorgio Vasari.
Federico Zuccari.
Giorgio Vasari and Federico Zuccari.