Title: Let's Get Ready to Rhumble
Content:  saying his trademark catchphrase. “Rumble” was delberately spelled as "rhumble" to avoid copyright problems, since Buffer had trademarked the phrase, and the chosen additional “h” was a homage to the rhumba dance. The single was re-released in March 2013, with royalties from sales donated to the charity ChildLine. The song peaked at number one on the UK Singles Chart in its first week of new release, becoming their first ever single to reach that spot and gave DMG TV's Edsel label a number one. The song was performed on Ant & Dec's Saturday Night Takeaway. The single was re-released in February 2014.
Title: Rumble (instrumental)
Content:  At a live gig in Fredericksburg, Virginia, in early 1958, attempting to work up a backing for The Diamonds' "The Stroll", Link Wray & His Ray Men came up with the instrumental "Rumble", which they originally called "Oddball". It was an instant hit with the live audience, which demanded four repeats that night. Eventually the instrumental came to the attention of record producer Archie Bleyer of Cadence Records, who hated it, particularly after Wray poked a pencil through the cone of his amplifier to make the recording sound more like the live version. But Bleyer's stepdaughter loved it, so he released it despite his misgivings. Phil Everly heard it and suggested the title "Rumble", as it had a rough sound and said it sounded like a street fight. It was banned in several US radio markets, because the term 'rumble' was a slang term for a gang fight, and it was feared that the piece's harsh sound glorified juvenile delinquency.
Title: Let's Get Ready to Rhumble
Content:  "Let's Get Ready to Rhumble" is a 1994 song by PJ & Duncan AKA, the performing name used by British duo Ant & Dec at the time. The song was released in the United Kingdom on 11 July 1994 as the third single from their debut studio album Psyche. The song was written by Nicky Graham, Deni Lew and Mike Olton, and produced by Nicky Graham. It peaked at number 9 in the UK Singles Chart in 1994, and was later #1 almost two decades after its original chart appearance. The song includes a repeatedly-used sample of boxing and wrestling announcer Michael 
Title: Shake, Rattle and Roll
Content:  In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll". (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll"). However, the phrase had been used in earlier songs. In 1910, vaudeville performer "Baby" Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice, in New Orleans; in 1919, Al Bernard recorded a version of the song.
Title: Rumble strip
Content:  Rumble strips are also known as audible lines,  sleepy bumps,  wake up calls, growlers, drift lines, waker-uppers and drunk bumps.
Title: WKNR
Content:  started using "rock and roll" on-air to describe the music, Mintz conceived of the phrase in 1948 while watching customers seemingly "rocking and rolling" into Record Rendezvous instead of just walking in, and suggested the phrase to Freed. As Freed's popularity grew, he and Mintz decided to organize live events that showcased some of the musicians on The Moondog House Party. With assistance from concert promoter Lew Platt, the first such event—the Moondog Coronation Ball—was booked for March 21, 1952, at the Cleveland Arena, with Paul Williams, Tiny Grimes, The Dominoes, Varetta Dillard and Danny Cobb among the featured performers, with a 
Title: Origins of rock and roll
Content:  words "We're gonna rock, we're gonna roll" as a background chant. One of the most popular was "Rock the Joint", first recorded by Jimmy Preston in May 1949, and a R&B top 10 hit that year. Preston's version is often considered a prototype of a rock-and-roll song, and it was covered in 1952 by Bill Haley and the Saddlemen. Marshall Lytle, Haley's bass player, claimed that this was one of the songs that inspired Alan Freed to coin the phrase "rock and roll" to refer to the music he played. Freed first started playing the music in 1951, and by 1953 the 
Title: Origins of rock and roll
Content:  The alliterative phrase "rocking and rolling" originally was used by mariners at least as early as the 17th century to describe the combined "rocking" (fore and aft) and "rolling" (side to side) motion of a ship on the ocean. Examples include an 1821 reference, "... prevent her from rocking and rolling ...", and an 1835 reference to a ship "... rocking and rolling on both beam-ends". The hymn "Rocked in the Cradle of the Deep", with words written in the 1830s by Emma Willard and tune by Joseph Philip Knight, was recorded several times around the start of the 20th century by the Original Bison City Quartet before 1894, 
Title: Origins of rock and roll
Content:  so amusing that the large audience fairly rocked and rolled with laughter." The earliest known recordings of the phrase were in several versions of "The Camp Meeting Jubilee", by both the Edison Male Quartet and the Columbia Quartette, recorded between 1896 and 1900. It contained the lyrics "Keep on rockin' an' rolling in your arms/ Rockin' an' rolling in your arms/ Rockin' an' rolling in your arms/ In the arms of Moses." "Rocking" was also used to describe the spiritual rapture felt by worshippers at certain religious events, and to refer to the rhythm often found in the accompanying music. At around the same time, the terminology was used 
Title: Alan Freed
Content:  Freed was the first radio disc jockey and concert producer who frequently played and promoted rock and roll; he popularized the phrase "rock and roll" on mainstream radio in the early 1950s. (The term already existed, and had been used by Billboard as early as 1946, but it remained obscure.) Several sources suggest that he first discovered the term (as a euphemism for sexual intercourse) on the record "Sixty Minute Man" by Billy Ward and his Dominoes. The lyrics include the line, "I rock 'em, roll 'em all night long", however, Freed did not accept that inspiration (or that meaning of the expression) in interviews, and explained his view of the term as follows: 

Question: who coined the phrase let get ready to rumble?
Answer: Michael Buffer.