Title: Royal Literary Fund
Content:  In 2001, the RLF sold the rights of the character Winnie the Pooh, and others in the series, to Disney. The $350 million deal gave Disney full rights to the franchise until copyright expires in 2026. Winnie the Pooh author A. A. Milne had sold the rights to the RLF. The RLF gained about $132 million from the deal. Disney first acquired the rights to the characters in the 1960s and paid twice-yearly royalties to the RLF and other beneficiaries.
Title: Winnie the Pooh (Disney character)
Content:  Sometime around 2000, the Pooh Properties Trust licensed additional rights to Disney and accepted a buyout of their claims to royalties as defined in a 1991 lawsuit brought by Stephen Slesinger, Inc. Although Slesinger's rights are arguably more valuable, the combined value paid by Disney to The Pooh Properties Trust is said to be approximately $300 million for Milne's portion of those rights. To further minimize Disney's legal exposure to Slesinger, Disney paid money to the Pooh Properties attorneys and trusts to use the name of Clare Milne, daughter of Christopher Robin, in an attempt to terminate certain of the copyright rights 
Title: A. A. Milne
Content:  In 2001, the other beneficiaries sold their interest in the estate to the Disney Corporation for $350m. Previously Disney had been paying twice-yearly royalties to these beneficiaries. The estate of E. H. Shepard also received a sum in the deal. The UK copyright on the text of the original Winnie the Pooh books expires on 1 January 2027; at the beginning of the year after the 70th anniversary of the author's death (PMA-70), and has already expired in those countries with a PMA-50 rule. This applies to all of Milne's works except those first published posthumously. The illustrations in the Pooh books will remain under copyright until the same amount 
Title: Winnie-the-Pooh
Content:  On 6 January 1930, Stephen Slesinger purchased US and Canadian merchandising, television, recording, and other trade rights to the Winnie-the-Pooh works from Milne for a $1,000 advance and 66% of Slesinger's income, creating the modern licensing industry. By November 1931, Pooh was a $50 million-a-year business. Slesinger marketed Pooh and his friends for more than 30 years, creating the first Pooh doll, record, board game, puzzle, US radio broadcast (on NBC), animation, and motion picture.
Title: Winnie the Pooh (Disney character)
Content:  of consumer products and services protected by trademark. Outside of the U.S. and Canada, Milne retained most of his literary copyright rights which he left to four beneficiaries of his trust: The Garrick Club, Westminster School, The Royal Literary Fund and the A. A. Milne Family. By direction of Milne's will, the Pooh Properties Trust was formed. Mrs. Milne, trustee of the Milne Estate, and Spencer Curtis Brown, Trustee, licensed certain exclusive film rights to Disney in 1961. Christopher Robin Milne sold his rights to the other copyright holders, in order to raise money to support his daughter, before his death in 
Title: Winnie-the-Pooh
Content:  Pooh videos, soft toys, and other merchandise generate substantial annual revenues for Disney. The size of Pooh stuffed toys ranges from Beanie and miniature to human-sized. In addition to the stylised Disney Pooh, Disney markets Classic Pooh merchandise which more closely resembles E. H. Shepard's illustrations. In 1991, Stephen Slesinger, Inc., filed a lawsuit against Disney which alleged that Disney had breached their 1983 agreement by again failing to accurately report revenue from Winnie the Pooh sales. Under this agreement, Disney was to retain approximately 98% of gross worldwide revenues while the remaining 2% was to be paid to Slesinger. In addition, the suit alleged that Disney had failed to pay 
Title: Winnie the Pooh (2011 film)
Content:  In North America, Winnie the Pooh earned $7.8 million in its opening weekend from 2,405 single-screen locations, averaging about $3,267 per venue, and ranking sixth for the weekend. The film closed on September 22, 2011, with a final domestic gross of $26.7 million, with the opening weekend making up 29.44% of the final gross. Among its overseas grosses, Winnie the Pooh had its largest gross in Japan with $4.13 million; the country has had a long-standing affection for the character of Winnie the Pooh. Other international grosses include $1.33 million in Germany, $1.29 million in Poland, $1.18 million in the UK and $1.14 million in Russia. Overall, it made $23.4 million overseas, bringing the worldwide gross to $50.1 million over a budget of $30 million.
Title: Winnie the Pooh (Disney character)
Content:  During his lifetime, Milne was liberal with his grant of rights. At times he licensed the same exclusive rights to more than one entity. In the United States, E. P. Dutton and Company acquired exclusive volume publication rights and Stephen Slesinger, Inc., acquired sole and exclusive rights to virtually all uses outside of the Dutton books as well as rights to any sorts of future uses. Beginning in 1930 Stephen Slesinger created all of the distinctive and colorful images of Pooh outside of the books. Under license from Slesinger, Pooh made his debuts in radio, film, animation, children's theatre, advertising and a 
Title: Winnie the Pooh (franchise)
Content:  American and Canadian merchandising rights from Stephen Slesinger's widow and adopted Slesinger's red-shirted version of Pooh. To Milne's set of characters, Disney added Gopher to add a more traditional and relatable American creature to the mix. Winnie the Pooh and the Honey Tree in 1966 was the franchise's big-screen debut. In the midst of a 2003 battle where Disney stood to lose commercial rights to Winnie the Pooh, The Age noted "Losing control of the Winnie the Pooh franchise would be a disaster for Disney. Analysts believe Pooh is worth $3bn-$6bn of Disney's total annual sales of $25bn." According to a 2013 Variety article, 
Title: A. A. Milne
Content:  time has passed, after the illustrator's death; in the UK, this will be on 1 January 2047. In the United States, copyright will not expire until 95 years after publication for each of Milne's books first published before 1978, but this includes the illustrations. In 2008, a collection of original illustrations featuring Winnie-the-Pooh and his animal friends sold for more than £1.2 million at auction in Sotheby's, London. Forbes magazine ranked Winnie the Pooh the most valuable fictional character in 2002; Winnie the Pooh merchandising products alone had annual sales of more than $5.9 billion. In 2005, Winnie the Pooh generated $6 billion, a figure surpassed by only Mickey Mouse. 

Question: where do the royalties for winnie the pooh go?
Answer: the Slesinger family.
Slesinger, Inc.