Title: Arts and Crafts movement
Content:  William Morris (1834–1896) was the towering figure in late 19th-century design and the main influence on the Arts and Crafts movement. The aesthetic and social vision of the movement grew out of ideas that he developed in the 1850s with the Birmingham Set – a group of students at the University of Oxford including Edward Burne-Jones, who combined a love of Romantic literature with a commitment to social reform. By 1855, they had discovered Ruskin. The medievalism of Mallory's Morte d'Arthur set the standard for their early style. In Burne-Jones' words, they intended to "wage Holy warfare against the age".  Morris began experimenting with various crafts and designing furniture and interiors. He was personally involved in manufacture as well as design, which was the hallmark of the Arts and Crafts movement. Ruskin had argued that the separation of the intellectual act of 
Title: Scottish art
Content:  Movement and a major contributor to the allied Anglo-Japanese movement. The formation of the Edinburgh Social Union in 1885, which included a number of significant figures in the Arts and Craft and Aesthetic movements, became part of an attempt to facilitate a Celtic Revival, similar to that taking place in contemporaneous Ireland, drawing on ancient myths and history to produce art in a modern idiom. Key figures were the philosopher, sociologist, town planner and writer Patrick Geddes (1854–1932), the architect and designer Robert Lorimer (1864–1929) and stained-glass artist Douglas Strachan (1875–1950). Geddes established an informal college of tenement flats for artists at Ramsay Garden on Castle Hill in Edinburgh in the 1890s. Among the figures involved with the movement 
Title: Arts and Crafts movement
Content:  Romantic style, akin to the British Gothic Revival. In Hungary, under the influence of Ruskin and Morris, a group of artists and architects, including Károly Kós, Aladár Körösfői-Kriesch and Ede Toroczkai Wigand, discovered the folk art and vernacular architecture of Transylvania. Many of Kós's buildings, including those in the Budapest zoo and the Wekerle estate in the same city, show this influence. In Russia, Viktor Hartmann, Viktor Vasnetsov, Yelena Polenova and other artists associated with Abramtsevo Colony sought to revive the quality of medieval Russian decorative arts quite independently from the movement in Great Britain. In Iceland, Sölvi Helgason's work shows Arts and Crafts influence.
Title: Arts and Crafts movement
Content:  • Charles Robert Ashbee • William Swinden Barber • Barnsley brothers • Detmar Blow • Herbert Tudor Buckland • Rowland Wilfred William Carter • T. J. Cobden-Sanderson • Walter Crane • Nelson Dawson • Lewis Foreman Day • Christopher Dresser • Dirk van Erp • Thomas Phillips Figgis • Ernest Gimson • Greene & Greene • Elbert Hubbard • Norman Jewson • Ralph Johonnot • Florence Koehler • William Lethaby • Edwin Lutyens • Charles Rennie Mackintosh • A.H.Mackmurdo • Samuel Maclure • George Washington Maher • Bernard Maybeck • Henry Chapman Mercer • Julia Morgan • William De Morgan • William Morris • Karl Parsons • Alfred Hoare Powell • Edward Schroeder Prior • Hugh C. Robertson • William Robinson • Baillie Scott • Norman Shaw • Ellen Gates Starr • Gustav Stickley • Phoebe Anna Traquair • C.F.A. Voysey • Philip Webb • Margaret Ely Webb • Christopher Whall • Edgar Wood • Charles Rohlfs
Title: Arts and Crafts movement
Content:  The beginnings of the Arts and Crafts movement in Scotland were in the stained glass revival of the 1850s, pioneered by James Ballantine (1808–1877). His major works included the great west window of Dunfermline Abbey and the scheme for St. Giles Cathedral, Edinburgh. In Glasgow it was pioneered by Daniel Cottier (1838–1891), who had probably studied with Ballantine, and was directly influenced by William Morris, Ford Madox Brown and John Ruskin. His key works included the Baptism of Christ in Paisley Abbey, (c. 1880). His followers included Stephen Adam and his son of the same name. The Glasgow-born designer and theorist Christopher Dresser (1834–1904) was one of the first, and most important, independent designers, a pivotal figure in the Aesthetic Movement and a major contributor to the allied Anglo-Japanese movement. The movement had an "extraordinary flowering" in Scotland where it was represented by the development of the 'Glasgow Style' which was based on the talent of the Glasgow School of Art. Celtic revival took hold here, and motifs such as the Glasgow rose became popularised. Charles Rennie Mackintosh (1868 – 1928) and the Glasgow School of Art were to influence others worldwide.
Title: British and Irish stained glass (1811–1918)
Content:  The Aesthetic Movement was a reaction against both the works of industry and the influential Socialist and Christian idealism of Morris and Ruskin who both saw art as directly linked to morality. Followers of the Aesthetic Movement, who included Burne-Jones and other stained glass designers such as Henry Holiday, propounded a philosophy of "Art for Art's sake". The style that evolved was sensuous and luxurious, linked with the rise of Art Nouveau. 
Title: History of Scotland
Content:  played a major part in the creation of the fantasy genre. Scotland also played a major part in the development of art and architecture. The Glasgow School, which developed in the late 19th century, and flourished in the early 20th century, produced a distinctive blend of influences including the Celtic Revival the Arts and Crafts Movement, and Japonisme, which found favour throughout the modern art world of continental Europe and helped define the Art Nouveau style. Among the most prominent members were the loose collective of The Four: acclaimed architect Charles Rennie Mackintosh, his wife the painter and glass artist Margaret MacDonald, her sister the artist Frances, and her husband, the artist and teacher Herbert MacNair.
Title: Medievalism
Content:  The arts and crafts movement was an aesthetic movement, directly influenced by the Gothic revival and the Pre-Raphaelites, but moving away from aristocratic, nationalist and high Gothic influences to an emphasis on the idealised peasantry and medieval community, particularly of the fourteenth century, often with socialist political tendencies and reaching its height between about 1880 and 1910. The movement was inspired by the writings of the critic John Ruskin and spearheaded by the work of William Morris, a friend of the Pre-Raphaelites and a former apprentice to Gothic-revival architect G. E. Street. He focused on the fine arts of textiles, wood and metal work and interior design. Morris also produced medieval and ancient 
Title: The English House
Content:  Muthesius argues that the Pre-Raphaelites' study of nature instigated the fall of the then dominant academic art. Critic John Ruskin introduced the synthesis of artistic creation, nature and construction, which became a guiding principle of the Arts and Crafts Movement. William Morris translated Ruskin’s ideas into practical craftsmanship. Morris established communal craft workshops and the formation of the Century Guild increased awareness of this movement. Growing support enabled the establishment of the Art Worker’s Guild in 1884 which was the first visible sign of the 'new art'. The movement grew stronger as the number of artistic craftsmen who were graduates of the South Kensington Schools increased. Domestic 
Title: British and Irish stained glass (1811–1918)
Content:  was Burlison and Grylls. There are many windows by Charles Eamer Kempe of this type. Aestheticism The Aesthetic Movement included Dante Gabriel Rossetti, Burne-Jones, the illustrator Aubrey Beardsley and writer Oscar Wilde. They propounded "Art for Art's sake", claiming that Beauty was an end in itself and that the creation of art should not be bound to any social or moral ideals. The Aesthetic artists were primarily concerned with the creation of that which was beautiful. Because of this, windows created by these artists are often stylistically diverse from each other and from other styles, yet are highly recognisable as 

Question: who is credited with creating the gothic art movement?
Answer: Abbot Suger.