Title: Copyright lawsuits by Superman's creators
Content: Joseph Shuster (July 10, 1914 – July 30, 1992) &mdash; Illustrator, co-creator of Superman. ; Jean Adele Peavy (born Feb 1, 1921 ) &mdash; Sister of Joseph Shuster, mother of Mark Warren Peary and Dawn Peavy. ; Mark Warren Peary (born Jan 14, 1962) &mdash; Nephew of Joseph Shuster, son of Jean Peavy. He changed his named from "Peavy" to "Peary". ; Dawn Peavy &mdash; Niece of Joseph Shuster, daughter of Jean Peavy. ; Frank Shuster (April 29, 1918 – Nov 7, 1996) &mdash; Brother of Joseph Shuster. Not to be confused with Frank Shuster (died 2002), cousin to Joseph Shuster and professional comedian. 
Title: Don Perlin
Content:  Roger Stern and John Byrne in Captain America #250 (Oct. 1980). McKenzie and Perlin received credit for the idea on the letters page at Stern's insistence. McKenzie and Perlin would also receive credit in the follow-up story in What If? #26 (April 1981). From 1980–1986, Perlin was the regular (and longest-serving) artist on the superhero-team title The Defenders, which Perlin said gave him "a chance to draw almost every character Marvel had at one time or another." Perlin penciled Transformers for nearly two years from early 1986 to late 1987, and then became Marvel's de facto managing art director, a role he served from 1987–1991: "[W]hile I was doing the Transformers, [editor-in-chief] Jim Shooter asked 
Title: John Romita Sr.
Content:  After editor-in-chief and art director Stan Lee assumed the positions of publisher and president in 1972, he promoted Romita to the position of art director in July 1973 after Romita had been in that position unofficially but on staff since 1972. In that capacity through at least the late 1980s, Romita played a major role in defining the look of Marvel Comics and in designing new characters. Among the characters he designed or helped design are the Punisher, Wolverine, Luke Cage, Bullseye, Tigra, and Brother Voodoo. In 1976, Romita did uncredited art corrections on the large-format, first DC/Marvel intercompany crossover, Superman vs. the Amazing Spider-Man, over the pencils of Ross Andru. Later that same year, Romita inked Jack Kirby's pencil work on Captain America's Bicentennial Battles, a one-shot story published in an oversized treasury format. 
Title: Roger Stern
Content:  Roger McKenzie and Don Perlin. Stern, in his capacity as editor of the title, had originally rejected the idea but later changed his mind about the concept. McKenzie and Perlin received credit for the idea on the letters page at Stern's insistence. His first regular monthly book was as staff writer for The Incredible Hulk taking over for departing Len Wein in 1978. Stern later became the writer of The Spectacular Spider-Man with issue #43 (June 1980). He then took over The Amazing Spider-Man with issue #224 (January 1982). In addition to his Spider-Man work, Stern is known for his lengthy stints on Doctor Strange, and The Avengers. 
Title: Roger McKenzie (comics)
Content:  tone reminiscent of his horror writings. Miller joined McKenzie on the series starting with #158 (May 1979). In 1979, he collaborated with artist Ernie Colón on an adaptation of Battlestar Galactica for Marvel. McKenzie wrote Captain America (1978–1980) as well. McKenzie and artist Don Perlin developed the idea of Captain America running for the office of President of the United States. Marvel originally rejected the idea but it would be used later by Roger Stern and John Byrne in Captain America #250 (October 1980). McKenzie and Perlin received credit for the idea on the letters page at Stern's insistence. McKenzie and Perlin would also receive credit in the 
Title: Roger Stern
Content:  Stern broke into the industry as a writer in 1975 as part of the Marvel Comics "third wave" of creators, which included artists John Byrne and Frank Miller, and writers Jo Duffy, Mark Gruenwald and Ralph Macchio. Stern worked as an editor from 1976 to 1980. Jim Shooter claims that Stern co-plotted (as a ghostwriter) his last few stories for DC Comics in 1976. Stern wrote the "Guardians of the Galaxy" feature in Marvel Presents #10-12 in 1977. He briefly collaborated with Byrne on Captain America. The two produced a story wherein Captain America considered running for the office of President of the United States, an idea originally developed 
Title: Don McGregor
Content:  readers saw P. Craig Russell take artistic ownership of 'Killraven'. ... Much like Jim Steranko's work on Marvel's Nick Fury, Agent of S.H.I.E.L.D, events flowed through some pages in a style that was as reminiscent of fine art as it was of comic art. Also impressive was his sense of design. Russell arguably produced some of the most imaginative, and visually horrific, monsters and villains in Marvel's history. Don McGregor handled the writing for this issue-run, and credit must be given to his involved plots, as well as his ability to pack a lot of story into a 32-page pamphlet". — McGregor soon established himself as one 
Title: Creator ownership in comics
Content:  Marvel Comics had a mixed history of responding to the issue of creator's rights. In 1978, Marvel and Howard the Duck writer Steve Gerber clashed over issues of creative control, and Gerber was abruptly removed from the series. This was the first highly publicized creator's rights case in American comics, and attracted support from major industry figures. Gerber subsequently launched a lengthy legal battle for control of Howard the Duck, culminating in a 1981 lawsuit. In contrast, in 1980 Marvel created the mature readers anthology Epic Illustrated, offering its writers and artists ownership rights and royalties in place of the industry-standard work for hire contracts. The success of Epic Illustrated led to the 1982 formation of the long-running imprint Epic Comics, which specialized in creator-owned titles. Around this 
Title: Seal and Serpent
Content: Stanhope Eccleston Blunt, '09 ; George "Gus" Ruhlen Jr., '07 ; Benjamin "Stuzzie" Stuart McConnell, '08 ; Alfred "Shep" William Shepherd, '07 ; Carrollton "Twig" Crawford Sprigg, '07 ; Albert "Bert" Church Blunt Jr., '07 ; Romeo "Romey" Benvenuto Kuehns, '07 ; Earl "Zim" William Zimmerman, '07 ; Alvin "Gub" Ward King, '07 ; Harold "Monie" Mead McConnell, '07 William Henry McCaully '08 ; Charles “Dickie” Chester Byron Dickson ’08 ; Frederic "Fritz" Sanford Sly, '07  Not Pictured:
Title: Don McGregor
Content:  a 1970s wave of Marvel writers, including Steve Englehart, Steve Gerber and Doug Moench, who took often minor characters and helped create a writerly Renaissance. Former Marvel editor-in-chief Roy Thomas said in 2007, McGregor became a proofreader for Marvel Comics in late 1972, earning $125 a week, before establishing himself as a Marvel editor and writer. His first stories for the company were co-writing, with Gardner Fox, the six-page supernatural story "The Man with Two Faces" in Journey into Mystery vol. 2, #4 (April 1973; credited as "Donald F. McGregor"); and, solo, the six-page "A Tomb By Any Other Name", with art by Syd Shores, in Chamber 

Question: Verify the following claims with "True" or "False": Protector (Marvel Comics) was created by Duncan Rouleau and Steven T. Seagle.
Answer: False