Title: Sydney Mitchell
Content:  Robert Rowand Anderson, came with him as his assistant, despite being 12 years his senior. They had a lifelong relationship. Their first commission came in 1883, for the proprietor of The Scotsman newspaper, John Ritchie Findlay, whose home, 3 Rothesay Terrace, he remodelled. Another significant early commission from Findlay was for Well Court, a workers' housing development in Dean Village, Edinburgh, which he worked on between 1883 and 1886. The same year, Mitchell undertook work for the Commercial Bank, and in 1884 was appointed architect to the Bank, taking over from David Rhind who had retired in 1881. This brought him a steady stream of work, and he designed or remodelled over 20 branches over the following years. In 1885, Mitchell was engaged 
Title: Richard H. Mitchell House
Content:  the Mitchell House has become the location of a different school, The New School Montessori. Richard Mitchell employed Samuel Hannaford as the architect for the house. Popular among wealthy Gilded Age Cincinnatians, Hannaford was the most significant of the city's nineteenth-century architects. He was willing to employ numerous architectural styles, producing buildings in such styles as the Romanesque Revival, the Queen Anne, and the Neo-Renaissance. Other Hannaford structures combined elements of different styles in an eclectic manner, including the Mitchell House. Mitchell's residence was one of his later works, built just five years before the end of his decades-long career.
Title: French Consulate General, New York City
Content:  The Italian Renaissance-style townhouse, designed by architects A. Stewart Walker and Leon N. Gillette, was built between 1925 and 1926 on Fifth Avenue for Charles E. Mitchell. While residing at 934 Fifth Avenue, from 1925 to 1933, Mitchell served as informal advisor to American Presidents Warren G. Harding and Herbert Hoover. But the prestige of this address owed in great part to his wife, Elizabeth Mitchell, who hosted numerous musical evenings at the house. Musicians such as George Gershwin, Fritz Kreisler, Rudolph Ganz, Ignay Padrewski, or José Iturbi regularly gave recitals in the “Pink Room” at 934 Fifth Avenue. In the early 1930s, following the stock exchange crash and investigations on his financial activities, Charles E. Mitchell lost most of his fortune and had to give up his residence. Number 934 is the only survivor of the seven townhouses that formerly lined this block. Within 50 years, the first houses built in the 1880s were replaced by equally luxurious large apartment buildings. The Charles E. Mitchell House was preserved thanks to the decision of the French government, which acquired it in 1942 and made it the official consulate general building.
Title: Mitchell House, Melbourne
Content:  Mitchell House is a six-storey Streamline Moderne art-deco commercial building in Melbourne, Australia. It was designed as a ten-storey building of 132 ft (40 meters), which was the height limit at that time. Out of the ten storeys, six storeys were built. The building is located on the corner of Lonsdale Street and Elizabeth Street. Its exact address is at 352-362 Lonsdale Street. Australian architect Harry Norris planned a ten-storey building, the top four floors of which were never added to the first stage, which was completed in 1937. His client, Thos. Mitchell & Co, manufactured and distributed brushes. The building was classified on 9 July 1987 and added to the Victorian Heritage Database and that of the National Trust.
Title: Mitchell–Arnold House
Content:  It is a picturesque 1-1/2 story wood frame structure, built in 1871 and added to and modified in subsequent decades. It began as a flank-gable cottage, a form typical for the time, and was gradually extended with projecting sections, additions, and an elaborately decorated porch to create a fine example of Queen Anne architecture. The original house was built by James W. Mitchell, a clerk at a local lumber company; the additions were probably made by John H. Arnold, a real estate and insurance broker. The house was listed on the National Register of Historic Places on November 18, 1983.
Title: Andrew Melville Hall
Content:  Designed in the New Brutalist style by the renowned architect James Stirling, Andrew Melville Hall was built during a major expansion of the University in the 1960s using prefabricated concrete modules. Errors in construction meant that extensive remedial work was required over several decades. Plans for further buildings to the same design were abandoned. It was named after Andrew Melville, a 16th-century Scottish scholar, theologian and religious reformer who was a graduate of the University, and who later became its rector and dean of theology. It is of a striking design and is situated prominently at the North Haugh on a ridge overlooking the St Andrews Links. The hall resembles passing ships, a common theme of the architect's style. It has become an important architectural landmark: It was included in DoCoMoMo's 1993 list of Key Scottish Monuments and was ranked number 12 in the top 100 Scottish buildings of the last 50 years. The building was listed Category A in 2011. Alex Salmond, a former First Minister of Scotland, stated in a speech that he had lived at Andrew Melville Hall when a student at St Andrews.
Title: Glencoe–Auburn Hotel and Glencoe–Auburn Place Row Houses
Content:  42 years older). Jethro Mitchell can be inferred as the official builder, for Handy died in a carriage accident in 1884. Handy and Mitchell both spent time working with famous Cincinnati architect James W. McLaughlin, so it is possible that he may have had a hand in the design of the complex. Despite the outward appearance of the facade, the buildings are divided up into single story apartments rather than walkup row houses. It is for this reason, along with early accounts and descriptions of the hotel, that the complex was, and has been intended to be housing for the poor.
Title: Golden Square Mile
Content:  Built in 1886, it was designed by the noted architect Sir Andrew Taylor and was one of the last of his residential projects still standing in the city. In 1986, the Sochaczevski family, the new owners of Francis Redpath's house, began demolition in order to replace it with yet another a vista-changing condominium block. A portion of the house was destroyed before a court injunction was taken out and its destruction was temporarily halted. In 2001, Mayor Pierre Bourque granted immediate demolition of the house. In 2002, following intervention by Heritage Montreal, Projet Montréal and local citizens, the Commission d’arbitrage de la Ville de Montréal refused the demolition permit granted by the Bourque administration, on the 
Title: Mitchell Library
Content:  Located to the west of the original building it occupies the site of the St Andrew's Halls, which were designed by James Sellars, and opened in 1877. Acquired by Glasgow Corporation in 1890 it was Scotland`s pre-eminent venue for concerts and meetings. It had a large and striking classical facade and included a Grand Hall which could hold 4,500 people, two Lesser Halls, further small halls and a large ballroom. The building was gutted by fire on 26 October 1962, although the facade survived and was later incorporated into the 1980 extension of the Mitchell Library, with the principal entrance now being in Granville Street.
Title: Stephen Mitchell (manufacturer and philanthropist)
Content:  tobacco to a few designated chief ports with bonded warehouses. The port of Blackness on the Firth of Forth, historically the port of Linlithgow, was excluded from this change, and so Mitchell transferred the business of Stephen Mitchell & Son, wholesale tobacconist, to Glasgow, establishing new premises at 106 Candleriggs. Despite competition from other tobacco manufacturing firms already established in the city, the business prospered and, by 1832, had prestigious premises at 49/51 (later 36 ) St. Andrew's Square, Glasgow. Mitchell initially set up home at 40 Charlotte Street in Glasgow but, subsequently, lived at 63 Abbotsford Place and, later, 144 West Campbell Street. In his will, Mitchell is also described as having been resident at 13 St. Enoch Square. Mitchell remained as Director of the business until 1859, when he retired to the popular spa town of Moffat, Dumfriesshire, residing at Floral Cottage in Well Road.

Question: Verify the following claims with "True" or "False": Andrew Mitchell was a leader in the city where Hanno Grossschmidt designed 103 Colmore Row!
Answer: False