Title: Chinese rock
Content:   Chinese rock (also, lit. "Chinese rock and roll music") is a wide variety of rock and roll music made by rock bands and solo artists from the People's Republic of China. (native Chinese-speaking regions such as Taiwan, Hong Kong, Macau are considered separate scenes). Typically, Chinese rock is a fusion of forms accompanying the grand presentation of traditional Chinese music.
Title: Chinese rock
Content:  Rock music did not take hold in Mainland China until the end of the Cultural Revolution and the onset of the Reform and Opening. The Peking All-Stars were a rock band formed in Beijing in 1979, by foreigners then resident in the Chinese capital. While the first rock band in China, they were not Chinese. Chinese rock had its origins in Northwest Wind style of music, which emerged as a main genre in Mainland China. The new style was triggered by two new songs, "Xintianyou" (《信天游》) and "Nothing To My Name" (《一无所有》), both of which drew heavily on the folk song traditions of northern Shaanxi. They combined this with a western-style fast tempo, strong beat and extremely aggressive bass lines. In contrast to the mellow cantopop style, Northwest Wind songs were sung loudly and forcefully. It represented the musical branch of the large-scale Root-Seeking (寻根, 
Title: Chinese rock
Content:  The birthplace of Chinese rock was in Beijing. As the nation's capital, the music was highly politicised and open to a range of foreign influences. It was marginal for most of the 1980s, consisting of live performances in small bars and hotels. The music was almost exclusively for the domain of university students and "underground" bohemian circles. In late 1989 and early 1990 Chinese rock partially emerged into mainstream music as a combination of the Northwest Wind and prison song fads. The first Chinese rock song was arguably the Northwest Wind anthem "Nothing To My Name", first performed in 1984 by Cui Jian, widely recognised as the father of Chinese rock. The song introduced into post-revolutionary China a whole new ethos that combined individualism, direct and bold expression. It soon came to symbolise the frustration 
Title: Roots revival
Content:  popular style using electric guitars and other importations, while Manu Dibango brought makossa to new audiences around the world. Chinese music: Partially as a reaction against attempts by the Communist government to use traditional styles to drum up patriotism and loyalty, the 1970s saw the creation of Chinese rock and Cantopop (in Hong Kong), both of which made some use of native folk styles, especially in vocal techniques. The leader of Chinese rock is undoubtedly Cui Jian. Ivorian music: Ernesto Djédjé's ziglibithy style incorporates a number of folk genres from across Côte d'Ivoire, a diverse country with hundred of ethnic groups; Djédjé's most immediate influence 
Title: Chinese rock
Content: Interview with Dennis Rea about early Chinese rock, from KUOW, November 9, 2006 ; "A History of Chinese Rock: Post-Punk, Post-Politics and Post-Putonghua" An analysis of the stylistic development of rock in China Paul Kendall April 2009 
Title: Music of China
Content:  Annual events such as the Midi Modern Music Festival in Beijing attracts tens of thousands of visitors. There was also the "Snow Mountain Music Festival" in Yunnan province 2002. Today, rock music is centered on almost exclusively in Beijing and Shanghai, and has very limited influence over Chinese society. Wuhan and Sichuan are sometimes considered pockets of rock music culture as well. It points to a significant cultural, political and social difference that exist between China, the West, or even different parts within China. While rock has existed in China for decades, the milestone that put the genre on the international map is when Cui Jian played with The Rolling Stones in 2003, at 
Title: Rock in China
Content:  Rock in China is a website dedicated to the documenting and archiving of contemporary Chinese music, ranging from rock music to punk, metal, electro, jazz and hiphop. It was founded in 2004, and in 2006 became a wiki. The website currently runs on MediaWiki and Semantic MediaWiki.
Title: Chinese rock
Content:  colony Yuan Ming Yuan near Bei Da in Beijing before it was closed down. The core participants in rock subculture adopted characteristic nonconformist appearance and behaviour. These included glam rock styles: pretty face, long hair, jeans, silver metal ornaments, black leather coats, as well as emerging grunge styles: Flannel shirts, and do it yourself ethics, coupled with a carefree, hippie-style behaviour. The decline of Northwest Wind and simultaneous rise of rock music represented a shift in the attitude of many of China's intellectuals. Nostalgia changed into an unequivocally fierce negation, a sense of alienation from China's traditional and rural culture.
Title: Chinese rock
Content: 华流另类AllChinaAlternative https://web.archive.org/web/20090222033724/http://www.live365.com/stations/bluemonty2 ; 伦敦华语 London Chinese Radio http://www.londonhuayu.co.uk/ 
Title: Timeline of Chinese music
Content: Punk rock begins in China. Chinese hip hop begins in Hong Kong and Taiwan. People's Republic of China: Hong Kong SAR and ROC Taiwan

Question: Verify the following claims with "True" or "False": I know that Chinese rock is not one of Reggae's stylistic origins.
Answer: True