Title: Gnawa music
Content:   Gnawa music (Ar. ڭْناوة or كْناوة) is a body of Moroccan and West African Islamic religious songs and rhythms. Its well-preserved heritage combines ritual poetry with traditional music and dancing. The music is performed at lila, communal nights of celebration dedicated to prayer and healing guided by the Gnawa maalem, or master musician, and their group of musicians and dancers. Though many of the influences that formed this music can be traced to West African kingdoms, its traditional practice is concentrated in Morocco. Gnawa music has spread to many other countries in Africa and Europe, such as France. The word "Gnawa", plural of "Gnawi", is taken to be derived from the 
Title: Gnawa
Content:  The Gnawa (or Gnaoua, Ghanawa, Ghanawi, Gnawi'; Arabic: ڭناوة ) are an ethnic group inhabiting Morocco. The name Gnawa had probably originated in the indigenous language of North Africa and the Sahara Desert. The phonology of this term according to the grammatical principles of Berber is as follows: agnaw (singular), ignawen (plural), which means mute, dyslalic. Gnawa was inscribed in 2019 on the Representative List of the Intangible Cultural Heritage of Humanity
Title: Gnawa music
Content:  During the last few decades, Gnawa music has been modernizing and thus become more profane. However, there are still many privately organized lilas that conserve the music's sacred, spiritual status. Within the framework of the Gnaoua World Music Festival of Essaouira ("Gnaoua and Musics of the World"), the Gnawa play in a profane context with slight religious or therapeutic dimensions. Instead, in this musical expression of their cultural art, they share stages with other musicians from around the world. As a result, Gnawa music has taken a new direction by fusing its core spiritual music with genres like jazz, blues, reggae, and hip-hop. For four days 
Title: Gnawa
Content:  Gnawa music mixes classical Islamic Sufism with pre-Islamic African traditions, whether local or sub-Saharan. The term Gnawa musicians generally refers to people who also practice healing rituals, with apparent ties to pre-Islamic African animism rites. In Moroccan popular culture, Gnawas, through their ceremonies, are considered to be experts in the magical treatment of scorpion stings and psychic disorders. They heal diseases by the use of colors, condensed cultural imagery, perfumes and fright. Gnawas play deeply hypnotic trance music, marked by low-toned, rhythmic melodies played on a skin-covered lute called sintir or guembri, call-and-response singing, hand clapping and cymbals called krakeb (plural of karkaba). Gnawa ceremonies use music and dance to evoke ancestral saints who can drive out evil, cure psychological ills, or remedy scorpion stings. Gnawa music has won an international profile 
Title: Gnawa music
Content:  Khalsa. Brennan has pointed out that the metal qraqeb and gut bass strings of the guembri parallel the cymbal and bass in jazz sound. In the 1990s, young musicians from various backgrounds and nationalities started to form modern Gnawa bands. Gnawa Impulse from Germany, Mehdi Qamoum aka Medicament (The cure) from Morocco and Gnawa Diffusion from Algeria are some examples. These groups offer a rich mix of musical and cultural backgrounds, fusing their individual influences into a collective sound. They have woven elements of rap, reggae, jazz, blues and rai into a vibrant musical patchwork. These projects incorporating Gnawa and Western musicians are essentially Gnawa fusions.
Title: Gnawa
Content: Ibiblio.org: Gnawa Stories: Mystical Musician Healers from Morocco ; gnawa at the Moroccan ministry of Communication website ; WorldMusicCentral.org ; PTWMusic.com: gnawa by Chouki El Hamel at Duke University December 1, 2000 ; Etymology of "Gnawa" from Encyclopædia Britannica ; Ben Saidi, A (2003) Amazigh Kateb Yassin discusses Maghreb Blues and Ghanawa Music-a diffusion of Berber, Arabic genres 
Title: Gnawa
Content:  The Gnawa population is generally believed to originate from the Sahelian region of West and Central Africa which had long and extensive trading and political ties with Morocco The Gnawa are an ethnic group who were brought to Morocco by Ismail Ibn Sharif as slaves, their ancestry is traced to sub saharan Africa. After the abolition of slavery, they became a part of the Sufi order in Maghreb. While adopting Islam, Gnawa continued to celebrate ritual possession during rituals where they are devoted to the practice of the dances of possession and fright. This rite of possession is called Jedba (جدبة).
Title: Gnawa
Content:  appeal. Many Western musicians including Bill Laswell, Brian Jones, Randy Weston, Adam Rudolph, Tucker Martine, Robert Plant, Jacob Collier and Jimmy Page, have drawn on and collaborated with Gnawa musicians such as Mahmoud Guinia. Some traditionalists regard modern collaborations as a mixed blessing, leaving or modifying sacred traditions for more explicitly commercial goals. International recording artists such as Hassan Hakmoun have introduced Gnawa music and dance to Western audiences through their recordings and concert performances. The centre for Gnawa music is Essaouira in the southwest of Morocco where the Gnaoua World Music Festival is held annually. The Gnawa of Marrakesh hold their annual festival at the sanctuary of Moulay Brahim in the Atlas Mountains. The Gnawa of Khamlia hold their annual festival in August at the village Khamlia in Erg Chebbi.
Title: Gnawa Diffusion
Content:  and roots music. Gnawa Diffusion is very popular in Algeria and is also well known in many other countries including Morocco, Tunisia and France. The band's lyrics are in Algerian Arabic, Tamazight, French and English. Gnawa Diffusion started their career in 1993 with the release of the album Légitime différence. Members of the band: The lead singer's lyrics are often controversial. Themes range from discussions of poverty in Algeria or corruption in government to denunciations of global military actions and perceived imperialism. Nevertheless, in spite of a strong political direction, this band also has numbers which focus on self-determination and improvement.
Title: Gnawa music
Content:  bass drums" mentioned by Schuyler are not typically featured in a more traditional setting. Gnawa have venerable stringed-instrument traditions involving both bowed lutes like the gogo and plucked lutes like the hajhuj. The Gnawa also use large drums called tbel in their ritual music. Gnawa hajhuj players use a technique which 19th century American minstrel banjo instruction manuals identify as "brushless drop-thumb frailing". The "brushless" part means the fingers do not brush several strings at once to make chords. Instead, the thumb drops repeatedly in a rhythmic pattern against the freely vibrating bass string, producing a throbbing drone, while the first two or three fingers of the same (right) hand pick out percussive patterns in a drum-like, almost telegraphic, manner.

Question: Verify the following claims with "True" or "False": I know that Gnawa is not a sub genre of pop rock.
Answer: True