Title: Music of the African diaspora
Content:  Zouk is a style of music originating in Guadeloupe and Martinique during the 1980s,It has many influences, from Haitian, calypso, beguine and compas. The conventional zouk sound has a slow tempo, and it is sung in Antillean Creole, although it also has varieties that have developed in francophone Africa. It is popular throughout the French-speaking world, including France and Quebec.
Title: Zouk
Content:  Zouk is a musical movement pioneered by the French Antillean band Kassav' in the early 1980s. It has actually become undistinguishable from compas. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm and a loud horn section. The fast zouk beton of Martinique and Guadeloupe faded away in the same 80s. Thus musicians from Martinique and Guadeloupe added MIDI technology to their compas style, dubbed zouk-love. The original fast carnival style, which is only featured by the band Kassav', became known as "zouk béton", "zouk chiré" or "zouk hard". The fast carnival zouk beton is considered a synthesis of various French Antillean dance music styles of the 20th century: kadans, konpa and biguine. Unlike the fast carnival zouk beton, zouk love is actually the French Lesser Antilles compas. This light compas influenced the Cape-Verdean new generation.
Title: Music of the Lesser Antilles
Content:  the late 1970s and early 1980s, using elements of previous styles of antillean music, as well as importing other genres. The band Kassav' remain the best known zouk group. Kassav' drew in influences from balakadri and bal granmoun dances, biguine's and mazurka's, along with more contemporary Caribbean influences like compas, reggae and salsa music. Zouk live shows soon began to draw on American and European rock and heavy metal traditions, and the genre spread across the world, primarily in developing countries. Zouk has diversified into multiple subgenres. These include zouk-love, pop ballads by artists like Edith Lefel and Gilles Floro, Zouk-R&B, and ragga-zouk bands like Lord Kossity who fused the genre with other influences.
Title: Music of Guadeloupe
Content:  The inspiration for Zouk's style of rhythmic music comes from the Haitian compas, as well as music called cadence-lypso - Dominica cadence popularized by Grammacks and Exile One. Elements of gwo ka, tambour, ti bwa and biguine vidé are prominent in zouk. Though there are many diverse styles of zouk, some commonalities exist. The French Creole tongue of Martinique and Guadeloupe is an important element, and are a distinctive part of the music. Generally, zouk is based around star singers, with little attention given to instrumentalists, and is based almost entirely around studio recordings. Music authors Charles De Ledesma and Gene Scaramuzzo trace zouk's development to the Guadeloupean gwo ka and Martinican bèlè (tambour and ti bwa) folk traditions. Ethnomusicologist Jocelyn Guilbault, however, describes zouk as a synthesis of Caribbean popular styles, especially Dominica cadence-lypso, Haitian cadence, Guadeloupean biguine. Zouk arose in the late 1970s and early 1980s, using elements of previous styles of Antillean music, as well as imported genres.
Title: Music of the Lesser Antilles
Content:  The inspiration for Zouk's style of rhythmic music comes from the Haitian compas, as well as music called cadence-lypso - Dominica cadence popularized by Grammacks and Exile One. Elements of gwo ka, tambour, ti bwa and biguine vidé are prominent in zouk. Though there are many diverse styles of zouk, some commonalities exist. The French Creole tongue of Martinique and Guadeloupe is an important element, and are a distinctive part of the music. Generally, zouk emphasises star singers, with little attention given to instrumentalists, and performances consist almost entirely of studio recordings. Ethnomusicologist Jocelyn Guilbault believes zouk's evolution was influenced by other Caribbean styles especially Dominica cadence-lypso, Haitian cadence and Guadeloupean biguine. Zouk arose 
Title: Music of Guadeloupe
Content:  The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique. Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition.
Title: Music of Martinique
Content:  The inspiration for Zouk's style of rhythmic music comes from the Haitian compas, as well as music called cadence-lypso - Dominica cadence popularized by Grammacks and Exile One. Elements of gwo ka, tambour, ti bwa and biguine vidé are prominent in zouk. Though there are many diverse styles of zouk, some commonalities exist. The French Creole tongue of Martinique and Guadeloupe is an important element, and are a distinctive part of the music. Generally, zouk is based around star singers, with little attention given to instrumentalists, and is based almost entirely around studio recordings. Music authors Charles De Ledesma and Gene Scaramuzzo trace zouk's development to the Guadeloupean gwo ka and Martinican bèlè (tambour and ti bwa) folk traditions. Ethnomusicologist Jocelyn Guilbault, however, describes zouk as a synthesis of Caribbean popular styles, especially Dominica cadence-lypso, Haitian cadence, Guadeloupean biguine. Zouk arose in the late 1970s and early 1980s, using elements of previous styles of Antillean music, as well as imported genres.
Title: Brazilian Zouk
Content:  body movements which are led out of axis by intricate leading and following techniques. Other features include body isolations, tilted turns and more recently counter-balance techniques. Brazilian Zouk is a dance with well defined basic steps and rhythmic patterns. The representation of these steps and rhythmic patterns varies depending on the substyle of Zouk. The overall plasticity of the movements and the range of musical genres it is danced to, make Brazilian Zouk a partner dance that caters to creativity and improvisation. Over time, Zouk dancers have experimented and incorporated other styles of music into Zouk, such as R'n'B, pop, hip hop and contemporary (amongst others).
Title: Music of Dominica
Content:  The inspiration for Zouk's style of rhythmic music comes from the Haitian compas, as well as music called cadence-lypso – Dominica cadence popularized by Grammacks and Exile One. Elements of gwo ka, tambour, ti bwa and biguine vidé are prominent in zouk. Though there are many diverse styles of zouk, some commonalities exist. The French Creole tongue of Martinique and Guadeloupe is an important element, and are a distinctive part of the music. Generally, zouk is based around star singers, with little attention given to instrumentalists, and is based almost entirely around studio recordings. Music authors Charles De Ledesma and Gene Scaramuzzo trace zouk's development to the Guadeloupean gwo ka and Martinican bèlè (tambour and ti bwa) folk traditions. Ethnomusicologist Jocelyn Guilbault, however, describes zouk as a synthesis of Caribbean popular styles, especially Dominica cadence-lypso, Haitian cadence, Guadeloupean biguine. Zouk arose in the late 1970s and early 1980s, using elements of previous styles of Antillean music, as well as imported genres.
Title: Music of Guadeloupe
Content:  Zouk Love is the French Antilles cadence or compas, characterized by a slow, soft and sexual rhythm. The lyrics of the songs often speak of love and sentimental problems. The music kizomba from Angola and cabo-love from Cape Verde are also derivatives of this French Antillean compas style, which sounds basically the same, although there are notable differences once you become more familiar with these genres. A main exponent of this subgenre is Ophelia Marie. Other Zouk Love artists come from the French West Indies, the Netherlands, and Africa. Popular artists include French West Indian artists Edith Lefel and Nichols, or like Netherlands based Suzanna Lubrano and Gil Semedo, the African artist Kaysha.

Question: Verify the following claims with "True" or "False": Zouk is a fusion genre which includes some elements of pop and rock music.
Answer: False