Title: Antonio Beccadelli di Bologna
Content:  By 1498 he was working as the estate manager of Giovanna d'Aragona, the young widow of Alfonso I, Duke of Amalfi, who had a young son born after her husband's death. The two soon became intimately involved and were married secretly, having two children. The Duchess chose to make the marriage public in November 1510, when she travelled with a large retinue on a pigrimage to Santa Maria of Loreto. In fact the Duchess went to Ancona to join Antonio. When the marriage became known to Giovanna's brother, Cardinal Luigi d'Aragona he made his disapproval of the relationship sufficiently clear that the Duchess and her family chose to 
Title: Antonio de Cabezón
Content:  Since the late 1540s Antonio and Juan both accompanied Felipe on his various trips, and visited Italy, the Netherlands, Germany (in 1548–49), and England (in 1554–56), where Antonio's variations may have influenced William Byrd and Thomas Tallis, who later took up the form. Practically nothing is known about Cabezón's personal life. He married one Luisa Nuñez de Mocos from Ávila, and the couple had five children. One of Antonio's sons, Hernando de Cabezón (1541–1602) became a composer, and it was through his efforts that the bulk of Antonio's oeuvre was preserved. Another son, Agustín de Cabezón (who died before 1564), became a chorister of the royal chapel. Cabezón died in Madrid on 26 March 1566.
Title: Antonio de' Medici
Content:  Antonio was born under obscure conditions during the lifetime of Francesco I de' Medici's legitimate consort, who died in childbirth in April 1578. The grand duke secretly married his mistress Bianca Cappello only two months later, before celebrating a public wedding in 1579, after the official mourning period. The very existence of the infant was not publicly acknowledged until he was almost three years old, but from the moment he was brought into the court, he was raised as the legitimate heir to Tuscany. During his father's lifetime no doubts were raised either of his paternity, or of Francesco's intention that he should succeed him. Francesco legitimated Antonio and in 1584 he obtained implicit approval from Philip II of Spain, who was the overlord of Siena, that the legitimated Antonio was to rule. Francesco's younger brother, had been designated for the Church, rising to the rank of Cardinal.
Title: Antonio (dancer)
Content:  Antonio Ruiz Soler (4 November 1921, Seville &ndash; 5 February 1996, Madrid), was a Spanish flamenco dancer, choreographer and dance director. He was professionally known as Antonio or Antonio el Bailarín ("Antonio the dancer"). With Rosario (Florence Pérez Padilla) he had a partnership which lasted from 1928 until 1952 and which became world-famous. They were billed as Rosario y Antonio. During appearances in the United States he danced in Ravel's "Boléro" in New York City and appeared in several Hollywood movies, including "Ziegfeld Girl" (1941), "Hollywood Canteen" (1944) and in the Michael Powell- Film "Honeymoon" (1959), a UK/Spain- Production. In 1953 he formed his own Spanish ballet company, Antonio y los Ballets de Madrid, and Rosario also formed a company, partnered by Iglesias. Antonio choreographed many works in Spanish and classical style; several were taken up by other companies.
Title: Antonin Besse
Content:  When he returned to France early in 1907 he met Marguerite Godefroid by chance on a train. They continued to correspond for a year, then married in April 1908. Marguerite belonged to a wealthy aristocratic family and brought much luck to Antonin. Their first child, Meryem Rose-Aye Fernande was born on 11 January 1909 in Brussels. André, their eldest son was born in June two years later in 1911. Marguerite invested heavily in his business and became a partner. The sales of coffee increased seven times in the first year of operation, and after the outbreak of World War I it reached two thousand times. His marriage to Margaret ended in divorce. In 1922, Florence Hilda Crowther became his second wife and soulmate until his death. She gave birth to two sons: Peter and Antonin, and three daughters, Ariane, Joy and Monna. The younger son (Antonin) took over the business (after 1951), and was a patron and honorary vice-president of the United World Colleges.
Title: Antonio Farnese, Duke of Parma
Content:  by his favourite and mistress, the "domineering" Countess Margherita Bori Giusti. By the time of his accession in February 1727, the morbidly obese Antonio had scant desire to rule. His life of hedonism continued unperturbed: he stayed up all night, sat for dinner one hour before dawn, played faro and basset and attended Countess Bori's salons on a daily basis. As there was no heir to the duchy, the secretary of state, Count Anvidi, and Bori coerced an unwilling Antonio to marry Enrichetta d'Este, the sister of his friend the Hereditary Prince of Modena. On 21 July 1727 the marriage contract was signed. His bride was adored by the people of 
Title: Antonio Ricci (painter)
Content:  He came to Spain in 1583, along with several other painters accompanying Federico Zuccaro, to perform decorative work at El Escorial. After six months, they were all dismissed, but he decided to remain there. In 1588, he married Gabriela de Chaves de Guevara and established himself in Madrid, where he occasionally appears in the municipal records. The poet, Alonso de Castillo Solórzano, in his Donaires del Parnaso, dedicated some verses to an "Antonio Riche", which was likely him. He and Gabriela had eleven children, including Juan (1600) and Francisco (1614), who both became painters. Little of his work has been preserved, although he is known to have presided over a busy workshop, where one of his clients was the Patriarch, Juan de Ribera. Among his few identified works are portraits of the Dukes of Ciriza and Sister Margarita de la Cruz, 
Title: Antonio Beccadelli di Bologna
Content:  Antonio Beccadelli of Bologna (c.1475-1513) was an Italian aristocrat, whose tragic love affair and secret marriage with Giovanna d'Aragona, Duchess of Amalfi, inspired several works of literature, most notably John Webster's The Duchess of Malfi and Lope de Vega's El mayordomo de la Duquesa Amalfi.
Title: Antonio I Acciaioli
Content:  monuments, patronising letters, and encouraging chivalry. On 7 August 1422, he conceded privileges to Florentine merchants in Athens. In that year, Alfonso V of Aragon asserted his claim by appointing Tommaso Beraldo, a Catalan, duke. Giovanni Acciaioli, Antonio's uncle and archbishop of Thebes, who was then in Rome, was sent to Venice to appeal the appointment of Tommaso to the senate there, but the pleas were ignored. Antonio died still in power in January 1435 without legitimate children and his succession to the duchy was disputed between his nephews Nerio II and Antonio II and his widow (Maria Melissene?).
Title: Beverly D'Angelo
Content:  In 1981, D'Angelo married Italian Don Lorenzo Salviati, the only son and heir of Don Forese Salviati, 5th Duke Salviati, Marchese di Montieri and Boccheggiano, Nobile Romano Coscritto, and his wife, the former Maria Grazia Gawronska. Later, she began a relationship with Anton Furst, an Academy Award-winning production designer, who took his own life in 1991. She was in a relationship with actor Al Pacino from 1997 until 2003. The couple has twins conceived through IVF, son Anton James and daughter Olivia Rose (born January 25, 2001).

Question: Verify the following claims with "True" or "False": Antonio Bey Figari actually had a spouse.
Answer: False