Title: Dub music
Content:  Dub is a genre of electronic music that grew out of reggae in the late 1960s and early 1970s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. The style consists predominantly of partly or completely instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually through the removal of some or all of the vocals, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as echo and reverb, and the occasional dubbing 
Title: Reggae genres
Content:   Dub is a genre of reggae that was pioneered in the early days by studio producers Lee 'Scratch' Perry and King Tubby. It involves extensive remixing of recorded material, and particular emphasis is placed on the drum and bass line. The techniques used resulted in an even more visceral feel described by King Tubby as sounding "jus’ like a volcano in yuh head." Augustus Pablo and Mikey Dread were two of the early notable proponents of this music style, which continues today.
Title: List of dub artists
Content:  Dub is a subgenre of reggae which developed in the late 1960s and early 1970s. This is a list of notable dub musicians, singers and producers.
Title: Electronic dance music
Content:  Author Michael Veal considers dub music, a Jamaican music stemming from roots reggae and sound system culture that flourished between 1968 and 1985, to be one of the important precursors to contemporary electronic dance music. Dub productions were remixed reggae tracks that emphasized rhythm, fragmented lyrical and melodic elements, and reverberant textures. The music was pioneered by studio engineers, such as Sylvan Morris, King Tubby, Errol Thompson, Lee "Scratch" Perry, and Scientist. Their productions included forms of tape editing and sound processing that Veal considers comparable to techniques used in musique concrète. Dub producers made improvised deconstructions of existing multi-track reggae mixes by using the studio mixing board as a performance instrument. They 
Title: Dub Proof
Content:  Dub Proof writes its own music, and also covers classic by Bob Marley, Augustus Pablo, Sugar Minott and others. They have backed and performed with Burning Spear, Mighty Diamonds, Mykhal Rose of Black Uhuru, Pato Banton & The Now Generation, Badfish, EOTO, Culture, Nina Sky, Kosha Dillz, Kyle Rapps, Predator Dub Assassins and others. The Courier News wrote that Dub Proof “brings the free-form vibe of dub to a live music setting for island-flavored reggae grooves.” Dub Proof released 'It's the Music' (feat. Grindstone Road's Stephanie Quick) under the name Jersey Dub in 2007. “Dub Proof lays down sensible, thinking man’s groove that puts them right at the highest rank of performers specializing in soul-flavored reggae and slicked-back funk rock,” The Aquarian Weekly wrote. “Styled from the old school, groove-oriented icons of Yellowman and the contemporary slant of Gogol Bordello, Dub Proof takes all bold chances as they move fluidly from the traditional into the jazz smooth sounds of Sade and the bluesy darkness of Curtis Mayfield.”
Title: Dub music
Content:   Dub music and toasting introduced a new era of creativity in reggae music. From their beginning, toasting and dub music developed together and influenced each other. The development of sound system culture influenced the development of studio techniques in Jamaica, and the earliest DJs, including Duke Reid and Prince Buster among others, were toasting over instrumental versions of reggae and developing instrumental reggae music.
Title: Dub music
Content:  Dub has continued to evolve, its popularity waxing and waning with changes in musical fashion. Almost all reggae singles still carry an instrumental version on the B-side and these are still used by the sound systems as a blank canvas for live singers and DJs. In 1986, the Japanese band Mute Beat would create dub music using live instruments such as trumpets rather than studio equipment, and became a precursor to club music. In the 1980s, the United Kingdom became a new centre for dub production with Mikey Dread, Mad Professor and Jah Shaka being the most famous. It was also the time when 
Title: Dub music
Content:  Dub music is characterized by a "version" or "double" of an existing song, often instrumental, initially almost always pressed on the B-sides of 45 RPM records and typically emphasizing the drums and bass for a sound popular in local sound systems. A "version" is an alternative cut of a song made for the DJ to "toast" over (a form of Jamaican rapping), usually with some or all of the original vocal removed. These "versions" were used as the basis of new songs by rerecording them with new elements. The instrumental tracks are typically treated with sound effects such as echo, reverb, with instruments and vocals dropping in and out of 
Title: Dubstep
Content:  Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. It is generally characterised by sparse, syncopated rhythmic patterns with prominent sub-bass frequencies. The style emerged as an offshoot of UK garage, drawing on a lineage of related styles such as 2-step and dub reggae, as well as jungle, broken beat, and grime. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. In 2001, this sound and other strains of garage music began to be showcased and promoted at London's night club Plastic 
Title: Dub music
Content:  well over 50 years. The true importance and relationship between the sound system and dub music can be found in the dubbed out versions of sounds that became the source of Dub music. These dubbed out versions of songs consisted of the original track, without the vocals. Through reggae soundscape and the Jamaican Sound System, dub artists were able to creatively manipulate these dubbed out versions or remixes of songs. These dub remixes were heavily influenced with effects, vocal samples, and were essential to the progression of dub. The remixes, often referred to as versions were the B-sides of a specific record. The dub musician would add in dramatic pauses and breakdowns in 

Question: Verify the following claims with "True" or "False": Dub music takes its origin in the reggae music.
Answer: True