Title: Milonga (music)
Content:  Uruguayan and Argentine artists known for their milonga compositions and interpretations include Roberto Firpo, Angel D'Agostino, Pedro Laurenz, Villoldo, Francisco Canaro, Rodolfo Biagi, Juan d'Arienzo, Edgardo Donato, Gabino Ezeiza, Aníbal Troilo, Lucio Demare, Domingo Federico, Angel Vargas, Mariano Mores, Alfredo Zitarrosa, Francisco Lomuto, Astor Piazzolla and Carlos Di Sarli. These artists are from the early years and the Golden era of tango. Los Moonlights released a song entitled "Milonga de pelo largo" (Milonga of long hair) on their debut LP, Moonlights. In Rio Grande do Sul, milonga is an important regional genre and it is part of the repertoire of many gaucho musical groups and interpreters. It 
Title: Milonga (music)
Content: Regular Milonga 332  Milonga is a musical genre that originated in the Río de la Plata areas of Argentina, Uruguay and the Brazilian state of Rio Grande do Sul. It was derived from an earlier style of singing known as the payada de contrapunto. The song was set to a lively time signature, as are most milongas. "Milonga is an excited habanera." The original habanera divided into four pulses, in a standard two-four where every note was stressed. In becoming milonga, though, all four notes turned strong, as tempo was doubled. The strength of the first beat weakened the fourth giving an almost waltz-like feel 
Title: Music of Uruguay
Content:  The milonga was an Argentine/Uruguayan style of song that was popular in the 1870s. The milonga was derived from an earlier style of singing known as the 'payada de contrapunto'. The song was set to a lively tempo, and often included musical improvisation. Over time, dance steps and other musical influences were added, eventually giving rise to the tango. Milonga music is still used for dancing, but the milonga dancing of today is derivative of tango.
Title: Josefa Díaz Fernández
Content:  The first type of milonga has a base of flamenco and ends with the rumbita, giving the dance side to the style. The second type is more unhurried in its tempo and has a minor tonality, closer to the style of the vidalita. Nevertheless, the tonal ambiguity between the major and the minor at some parts of the singing process is a characteristic feature of the milonga, which usually ends up in minor. The harmonious scheme is based in the alternation between tonic and dominant with variations established by each artist. People usually cannot differentiate between milongas and vidalitas. This confusion is mainly due to two aspects: the similar rhythmic and melodic nature of both styles and the mention of vidalita in some milonga coplas. Another characteristic of milongas and vidalitas is the performance by a Spanish guitar of an appoggiatura from the ninth chord to the eighth in the fourth string (on top). That is a paradigmatic element of flamenco milongas and vidalitas, which also plays to the accompaniment of the Argentinian milonga.
Title: Josefa Díaz Fernández
Content:  The milonga flamenca is considered as a musical style derived from flamenco, introduced in Spain by the colonists, the deported, artists and soldiers who went back to Spain from the colonies by the end of the 19th century, reminiscing in their music the memories of American lands. The Argentinian milonga is a famous cantabile style and comes from the “payada de contrapunto”, having deep connections with the habanera and the tango antillano at a metrical-rhythmical and harmonious angle. From a musical perspective, it is more interesting the flamenco touch of a foreign music, though it keeps the original rhythm and accent. The milonga followed an evolutive process that probably had its origins in the yaravi and other styles such as triste and cifra. In 1860, triste became milonga¸ and it was between 1880 and 1910 that the milonga reached the top.
Title: Milonga (dance event)
Content:  Milonga is an event where Argentine tango is danced. The venue dedicated to milongas may also be called "milonga". People who frequently go to milongas may be called milongueros. The music played is mainly tango, vals and milonga. Most milongas are held on a regular basis (usually weekly), and they often begin with dancing classes and sometimes demonstration dances. Usually, three to five songs of a kind are played in a row (this is called tanda) followed by a short musical break (called cortina) to clear the dance floor and facilitate partner changes. There are a number of informal rules that dictate how dancers should choose their dancing partners and navigate the floor.
Title: Josefa Díaz Fernández
Content:  As the vidalita, milonga is based in the metric of the tango-tientos, sometimes going against its characteristic free flowing rhythm.
Title: Montevideo
Content:  In Montevideo, as throughout the Rio de Plata region, the most popular forms of music are tango, milonga and vals criollo. Many notable songs originated in Montevideo including "El Tango supremo", La Cumparsita", La Milonga", "La Puñalada" and "Desde el Alma", composed by notable Montevideo musicians such as Gerardo Matos Rodríguez, Pintín Castellanos and Rosita Melo. Tango is deeply ingrained in the cultural life of the city and is the theme for many of the bars and restaurants in the city. Fun Fun' Bar, established in 1935, is one of the most important places for tango in Uruguay as is El Farolito, located in the old part of the city and Joventango, Café Las Musas, Garufa and Vieja Viola. The city is also home to the Montevideo Jazz Festival and has the Bancaria Jazz Club bar catering for jazz enthusiasts.
Title: Milonga (music)
Content:  continues to influence other genres of the modern gaucho music. José Cláudio Machado's "Milonga Abaixo de Mau Tempo", Renato Borghetti's "Milonga para as Missões" and Jayme Caetano Braun's "Bochincho" are examples of the traditional rio-grandense form of milonga, while Vitor Ramil's "Ramilonga" and Bebeto Alves's "Milonga Orientao" are examples of modern form of this genre. Argentine composer and pianist Fernando Otero has based many of his orchestral and chamber works on this rhythm, creating compositions for Symphonic Orchestra, String Quartet and Jazz Combos. Kevin Johansen is a modern Argentine rock artist who has a number of songs that combine folkloric and pop music with a milonga rhythm.
Title: Jazz Tango
Content: 1) Michelangelo 70  (Astor Piazzolla)  5:01 ; 2) La Fundición  (Pablo Ziegler)  6:24 ; 3) Milonga Del Adiós (Ziegler)  9:25 ; 4) Buenos Aires Report (Ziegler)  5:01 ; 5) Blues Porteño (Ziegler)  7:40 ; 6) Fuga Y Misterio  (Piazzolla)  5:16 ; 7) Elegante Canyenguito (Ziegler)  5:52 ; 8) La Rayuela (Ziegler)  5:31 ; 9) Muchacha De Boedo (Ziegler)  9:11 ; 10) Libertango  (Piazzolla)  8:23 Source 

Question: Verify the following claims with "True" or "False": The musical genre of Alfredo Zitarrosa is actually called Milonga.
Answer: True