Title: Guarania (music)
Content:  Guarania is a style of music created in Paraguay by musician José Asunción Flores in 1925 with the purpose of expressing the character of the Paraguayan people. This is accomplished by the slow and melancholic rhythms and melodies used in the songs. Since its creation, the Guarania became the biggest musical phenomenon of Paraguay in the 20th century thanks to songs such as Jejuí (the first guarania), Kerasy, India and Arribeño Resay, which generated an immediate acceptance. The best known Guarania songs are Recuerdos de Ypakaraí, Ne rendápe aju, Mis noches sin ti, Panambí Vera, and Paraguaýpe. The Guarania is highly regarded in the urban areas, but not in the countryside. This is because the people in the countryside prefer faster styles of songs, such as the paraguayan polka, which is danced more.
Title: Music of Paraguay
Content:  The Paraguayan polka combines ternary and binary rhythms, where as the European only uses binary. The most famous style of music is Guarania, created by the Paraguayan musician José Asunción Flores in 1926. The Guarania accomplishes this by using a combination of slow rhythms and melodies of melancholia character. Other popular genres of traditional music in Paraguay are the zarzuela and the "Paraguayan Songs", which are derived from the Paraguayan polka. Examples of Paraguayan Guarania are Juan B. Mora – Imposible, Duo Ñamandu – Che Rope'a Vype, Lorenzo Perez – Mi Dicha Lejana, Los Indianos – Mis Noches Sin Ti and others. The 
Title: Guaracha
Content:  passages vary between the chorus and the soloist, improvisation occurs, and references made to daily matters, peppered with crafty witticisms." ; "Una canción popular que se canta a coro... Música u orquesta pobre, compuesta de acordeón o guitarra, güiro, maracas, etc". (a popular song, which is sung alternately (call & response?)... humble music and band &c). ; "Cierto género musical" (a particular genre of music). Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions 
Title: Guaracha
Content:  The guaracha is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word had been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in low-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands.
Title: Guaracha
Content:  In the mid-20th century the style was taken up by the conjuntos and big bands as a type of up-tempo music. Many of the early trovadores, such as Manuel Corona (who worked in a brothel area of Havana), composed and sung guarachas as a balance for the slower boleros and canciónes. Ñico Saquito was primarily a singer and composer of guarachas. The satirical lyric content also fitted well with the son, and many bands played both genres. Today it seems scarcely to exist as a distinct musical form, except in the hands of trova musicians; in larger groups it has been absorbed into the vast maw of Salsa. Singers who could handle the fast lyrics and were good improvisors were called guaracheros or guaracheras. Celia Cruz was an example, though 
Title: Music of Paraguay
Content:  The folkloric traditional music of Paraguay is the Paraguayan polka and the Guarania. The Paraguayan polka comes from polka of Czech origin; that was danced for the first time in Asunción, on November 27, 1858. The guarania was created by the Paraguayan musician José Asunción Flores, in January 1925, after experiencing different arrangements with the old Paraguayan musical theme "Ma'erãpa reikuaase".
Title: Tribal guarachero
Content:  Tribal guarachero music is a fusion of genres such as regional Mexican music, including technobanda, and EDM genres such as techno, electro house and club music. With a 4/4 time signature, the genre is often made up of cascading triplets and a BPM of 140 to 280. The rhythm employs Afro-Cuban rhythms and Latin synths. During the 10s and 20s the style became popular in Colombia with emerging DJs and musicians like Victor Cardenas, Deyvi, DJ Travesura and others. Some reggaetoneros mixed the style and created very popular songs like "Farruko-Pepas".
Title: José Asunción Flores
Content:  In 1925, after experimenting with different arrangements of the old Paraguayan song Maerãpa Reikuaase he managed to create a new genre, which he called Guarania. His first Guarania song was Jejui. The purpose of this new genre was to express the feelings of the Paraguayan people through music. Later Flores would comment on his creation as: "The Guarania is from my people, written for and by my people." In 1928 he met the Guairá-native poet Manuel Ortiz Guerrero, and soon after the two started working together to create the most beautiful Guaranias songs to date such as India, Cerro Corá and Panambí Verá. In 1932 he enrolled in the army to fight for Paraguay in the Chaco War. After the war, political instability ruled in Paraguay and Flores moved to Buenos Aires. While he was living in Argentina his songs were diffused throughout Paraguay and the Guarania genre became a success, confirming the originality and creativity of Flores' work. In 1944 the song India was declared by the Paraguayan government as a "national song". While living in Buenos Aires, Flores also worked on classical music and wrote twelve symphonies in his lifetime.
Title: Music of Cuba
Content:  Many of the early trovadores, such as Manuel Corona (who worked in a brothel area of Havana), composed and sang guarachas as a balance for the slower boleros and canciones. The satirical lyric content also fitted well with the son, and many bands played both genres. In the mid-20th century the style was taken up by the conjuntos and big bands as a type of up-tempo music. Today it seems no longer to exist as a distinct musical form; it has been absorbed into the vast maw of Salsa. Singers who can handle the fast lyrics and are good improvisors are called guaracheros or guaracheras.
Title: Jaime Guardia
Content:  Jaime Guillermo Guardia Neyra (10 February 1933 &ndash; 16 July 2018) was a Peruvian singer and charango player. Considered a master of the Ayacucho regional style of traditional Andean music, he performed and recorded as a solo act and with the group Lira Paucina. He was born in Pauza, Parinacochas Province, department of Ayacucho.

Question: Verify the following claims with "True" or "False": A musical artist is a singer in the Guarania genre?
Answer: True