Title: Alvar Aalto
Content:  1928–29. Aalto's biographer, Göran Schildt, claimed that Bryggman was the only architect with whom Aalto cooperated as an equal. With an increasing quantity of work in the Finnish capital, the Aaltos' office moved again in 1933 to Helsinki. The Aaltos designed and built a joint house-office (1935–36) for themselves in Munkkiniemi, Helsinki, but later (1954–56) had a purpose-built office erected in the same neighbourhood – now the former is a "home museum" and the latter the premises of the Alvar Aalto Academy. In 1926, the young Aaltos designed and had built for themselves a summer cottage in Alajärvi, Villa Flora.
Title: Studio Aalto
Content:  The Studio Aalto  is a house in the Tiilimäki neighbourhood of Munkkiniemi, Helsinki, which Alvar Aalto designed during 1955–56 to be the studio of his architect bureau. Due to a large number of commissions, the office needed more space in which to work. The studio is said to be one of his best buildings from the 1950s. Near the studio there is also Villa Aalto, the home (and previous office) of the Aaltos. Both the studio and the Villa are now part of the Alvar Aalto Museum, and they are open to the public. The Alvar Aalto Academy and Alvar Aalto Museum Architectural Heritage Department are housed in Studio Aalto.
Title: William Aalto
Content:  William Eric Aalto, of Finnish extraction, was born in the Bronx, New York on July 30, 1915. His mother, a militant member of the Finnish Communist Party, had fled to the United States due to her radical political beliefs. She enrolled in the local communist party, educating her son with Marxist ideology. After leaving school, he worked as a truck driver and was a member of the Young Communist League.
Title: Villa Mairea
Content:  Villa Mairea is a villa, guest-house, and rural retreat designed and built by the Finnish modernist architect Alvar Aalto for Harry and Maire Gullichsen in Noormarkku, Finland. The building was constructed in 1938–1939. The Gullichsens were a wealthy couple and members of the Ahlström family. They told Aalto that he should regard it as 'an experimental house'. Aalto seems to have treated the house as an opportunity to bring together all the themes that had been preoccupying him in his work to that point but had not been able to include them in actual buildings. Today, Villa Mairea is considered one of the most important buildings Aalto designed in his career.
Title: Aino Aalto
Content:  a joint house-office (1935–36) for themselves in Munkkiniemi, a suburb of Helsinki, but later (1954–55) had a purpose-built office built in the same neighbourhood. Aino Aalto's role in the design of the architecture attributed to Alvar Aalto has never been specifically verified. Their early built works were mostly small-scale buildings, especially summer villas, designed in the style of Nordic Classicism. Aino’s first project that was accredited entirely to her was Villa Flora (1926) the Aalto’s holiday home in western Finland which expressed the efficiency of modernism and the simplicity of rural Finnish life, Villa Flora in Alajärvi from 1926 (extended 1938). Aino was not completely on board with the ideologies of modernism 
Title: Alvar Aalto
Content:  and Town Plan, Kotka, Finland ; 1937–1939: Villa Mairea, Noormarkku, Finland ; 1939: Finnish Pavilion, at the 1939 New York World's Fair ; 1945: Sawmill at Varkaus, Finland ; 1947–1948: Baker House, Massachusetts Institute of Technology, Cambridge, Massachusetts, U.S. ; 1949–1966: Helsinki University of Technology, Espoo, Finland ; 1949–1952: Säynätsalo Town Hall, Säynätsalo (now part of Jyväskylä), Finland; 1949 competition, built 1952 ; 1950–1957: National Pension Institution office building, Helsinki, Finland ; 1951–1971: University of Jyväskylä various buildings and facilities on the university campus, Jyväskylä, Finland ; 1952–1958: House of Culture, Helsinki, Finland ; 1953: The Experimental House, Muuratsalo, Finland ; 1953–1955: Rautatalo office 
Title: Villa Mairea
Content:  The Villa Mairea was designed for Harry and Maire Gullichsen, to whom Aalto was introduced in 1935, by Nils-Gustav Hahl. Hahl was keen to promote his bentwood furniture designs. Maire, after whom the house was named, was the daughter of Walter Ahlström, of the Timber and Paper Company. She studied painting in Paris during the early 1920s, and in 1928, married the businessman Harry Gullichsen, who four years later became managing director of the A. Ahlström Company. Maire and Hahl had the idea of founding an avant-garde art gallery in Helsinki to act as a focus of progressive culture, and in due course this became ‘ARTEK’, now world-famous as manufacturers and distributors of Aalto's furniture and glassware. The Gullichsens believed in the possibility of a social utopia based on technological progress, and found in Alvar Aalto a designer who shared their ideals and could give them convincing architectural expression. Aalto and his first wife Aino had undertaken various projects for the Ahlström Company, including workers' housing, social facilities, and the celebrated Sunila Plant, completed in 1939, but it was in the Villa Mairea itself that the character of their utopian vision was demonstrated most fully.
Title: Villa Aalto
Content:  Aalto became acquainted with Munkkiniemi and developed a liking toward it when he was drafting a proposition for building of the shores of Laajalahti Bay for the company of M.G. Stenius. The proposition never materialised, it would have meant that the shores would have been lined with long, white apartment buildings. However, in 1934 Aino and Alvar Aalto acquired a lot in Munkkiniemi, in a place that was still nearly in its natural state, and designed for the lot a house, which was completed in August 1936, roughly at the same time as the Viipuri Library. When he house was under construction, passers-by are said to have wondered what kind of a henhouse it was going to be, as the house was radically different from anything that had been built in Munkkiniemi by that time.
Title: Alvar Aalto
Content:  Hugo Alvar Henrik Aalto (3 February 1898 – 11 May 1976) was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a 
Title: Villa Mairea
Content:  Aalto began work on the Villa towards the end of 1937, and was given an almost free hand by his clients. His first proposal was a rustic hut modelled on vernacular farmhouses. Early in 1938, however, inspiration came from a radically different source, the residence named ‘Fallingwater’ designed by Frank Lloyd Wright, which had just received international acclaim thanks to an exhibition at the Museum of Modern Art in New York and publication in Life and Time magazines, as well as in architectural journals. Such was Aalto's enthusiasm for the design, Schildt tells us, that he tried to persuade the Gullichsens to build their home over a stream on Ahlström land a few miles out of Noormarkku.

Question: Verify the following claims with "True" or "False": He was born in a city now led by the Labour Party and designed Villa Aalto.
Answer: False