Title: Harry Mandeno
Content:  Henry Thomas Mandeno (20 June 1879 – 20 August 1973) was a New Zealand modernist architect. Mandeno was born in 1879 at Te Awamutu to John Howe Mandeno and Margaret Caroline (née Leighton), and was educated at St John's College in Auckland. After graduating, he moved to Dunedin to live with his sister. He first worked for builder Robert Crawford, while studying architectural draughtsmanship in night classes. Mandeno worked as an assistant at the architectural firm Mason and Wales, before setting up his own practice, with offices in the New Zealand Express Company building, in 1911. Mandeno's first major commission was the King Edward Technical College (which now has Category I heritage listing), for which he 
Title: John Marden
Content:  in N.S.W for establishing P.L.C, he was responsible for organising the curriculum and hiring the appropriate staff. In 1890, after his examination in jurisprudence, the University of Sydney conferred on him the degree of LL.D. That year the College had outgrown the Ashfield site, and so the Presbyterian Church in New South Wales purchased Shubra Hall, the home of Anthony Hordern III, at Croydon. Marden worked closely with Albert Bond, the architect of the new school, and was responsible for most of the ideas for the new buildings, based on what he had seen at M.L.C Melbourne. Keenly interested in horticulture, 
Title: Mimar Kemaleddin
Content:  Whilst still a student at the Hendese-i Mulkıye (State School of Engineering) where he commenced his studies in 1887 he received the Medal for Industry. He must have been hardworking and creative. These personal attributes may have been related to his greater interest in the lessons of Prof. Jasmund on architecture than in engineering and to the fact that Prof. Jasmund chose him as his assistant. Kemalettin shows himself to be a designer open to learning and experimentation and is also a portrayal of a self-reliant architect. However great an influence Jasmund and the German connections are on his perception of design, the wide scope of his references is also important. The Art Nouveau of Ratip Pasha Mansion, a building of the early era, or the 
Title: St John's College, University of Sydney
Content:  In February 1859, William Wilkinson Wardell, the architect of St Mary's Cathedral, Sydney and St Patrick's Cathedral, Melbourne, was appointed the architect for St John's College. Working from his design for Melbourne, he drew up general plans and sent them to Sydney in May 1859. Wardell originally designed St. John's College as a three-story sandstone Gothic Revival building on an H-shaped plan. Because of budget restrictions, with a limit of £30,000, in July and August there was discussion of Wardell's design and of how much of it could be built. In September and October the general plans were approved by the St John's Council and the university senate. From October 1859 to April 1860, relations between Wardell and the council deteriorated for various reasons, resulting in Wardell's resignation in June 1860. With the main building program already 
Title: A. Michael Mennim
Content:  had not collectively felt enthusiasm for any of the college or university buildings which they had inspected and which had been designed by the architects they had interviewed. He went on to say that Mennim had been selected as architect by the Committee because it had been impressed by his taste and aesthetic judgement and its members believed they could work with him. This was the start of a close working relationship between Mennim and the College of which its greatest fruit was the collection of buildings of pleasing symmetry, constructed in hand-made Stamford bricks with the handsome Main Building in Weldon Stone, all arranged in well laid out courts on the Bredon House site between the years 1972–77. It became 
Title: William McMinn
Content:  action pointed out that with the onset of the dry season and better logistics this loss could easily have been made up. The work was put in the hands of engineer R. V. Patterson with instructions to finish the line by early 1872 no matter what the cost. McMinn was dismissed shortly after his return to Adelaide in July 1871, and William T. Dalwood was later awarded compensation of £11,000. McMinn began practising as an architect in 1867, briefly in partnership with Daniel Garlick, and later with some others, but usually independently. He designed many grand private residences, but also designed or assisted in the design of many of Adelaide's grand public buildings. Whilst in partnership with Edward John Woods, he designed the original Venetian Gothic building (later designated the Mitchell Building) of the University of Adelaide, considered his greatest work.
Title: UWC Mahindra College
Content:  The Mahindra United World College of India is one the twelve campuses worldwide under the United World College banner, lead by Nelson Mandela and Queen Noor of Jordan at the time of its design in the mid-1990's. It was designed by world renowned architect Christopher Charles Benninger, who paid homage to traditional Indian architecture by incorporating elements such as wadas, staggered steps, and lotus ponds. The college is located near the village of Paud in the Taluka Mulshi region of the western state of Maharashtra, India. It is around 40 km from the city of Pune (which, in turn, is around 100 km south-east of Mumbai). 
Title: Sir John Morden, 1st Baronet
Content:  possible, and that, as they had liv'd like Gentlemen, they might dye so." In 1695, after serving two years as Treasurer of Bromley College, a home for clergy widows, he resigned to establish – at a cost of £10,000 – his own hospice or almshouse for 'poor Merchants...and such as have lost their Estates by accidents, dangers and perils of the seas or by any other accidents ways or means in their honest endeavours to get their living by means of Merchandizing'. Morden College was built (to a design sometimes attributed to Sir Christopher Wren, but largely carried out by Edward Strong, his master mason) on the north-east corner of the Wricklemarsh estate and was intended to house 40 single or widowed men. College 
Title: Atelier Mendini
Content:  Alessandro and Francesco Mendini together opened and ran Atelier Mendini in 1989. Andrea Balzari, Bruno Gregori, Alex Mocika and Emanuela Morra later joined as a junior partners of the Atelier since 2000. Alessandro Mendini’s focus is on objects, furniture, concept interiors, paintings, installations and architecture. Francesco Menidni is in charge of architectural projects and exhibitions within the Atelier. Atelier Mendini is well recognized for the notability of their two founders, Alessandro and Francesco Mendini, prior to the opening of the Atelier. Alessandro Mendini is considered one of the well-known figures in contemporary design, known for his critical analysis of “postmodern design” and “re-design” since the 1970s. He has created, built, published, various of works that opens a new face for design as we knew today. Francesco Mendini has also been involved in various architectural and urban planning projects in Italy and worldwide. 
Title: A. Michael Mennim
Content:  In the late 1960s Mennim went for an interview at University College, Cambridge where his friend Hugh Plommer was a Founding Fellow. That newly founded College had been seeking an architect to plan its possible future buildings so that they might approach potential benefactors. Its Building Committee, of which Plommer was a member, could not agree on an architect despite the eminence of the architects they had already interviewed and some of whose buildings they had visited. In the hope of resolving the impasse, Plommer put Mennim's name forward. A visit was made to York to see one or two of his buildings. The President, Mr John Morrison, later announced to the Governing Body of the College that before meeting Mennim the 

Question: Verify the following claims with "True" or "False": John Madin did not design Architect 103 Colmore Row, he was not born in Lehota pod Vtáčnikom.
Answer: False