Title: Stargate (record producers)
Content:  from this album, was released throughout Europe and gave Stargate attention from the UK music industry. While in Norway, they ventured into the British market, mostly writing songs for R&B-pop performers. At this time they called the team Stargate, a name specifically established for their projects in the United Kingdom. The team's initial successes was in the British market. Stargate's first international success came with British pop outfit S Club 7, whose 1999 single "S Club Party" reached No. 2 in Australia and No. 1 in New Zealand. This success was followed with another British pop group, Hear'Say's single "The Way to Your 
Title: Tony Stratton-Smith
Content:  as being credited as its producer. Other important artists Stratton-Smith was closely associated with include Atomic Rooster, Audience, Brand X, Phil Collins, Peter Gabriel, Steve Hackett, Peter Hammill, Lindisfarne, Julian Lennon, Robert John Godfrey, String Driven Thing and Rare Bird. According to Hackett, Stratton-Smith missed an opportunity to sign Queen, whose demos had been brought in to Charisma. Gail Colson worked with him at Charisma, as label manager and joint managing director. She left to form her own company in the late 1970s and would manage the solo careers of Gabriel and Hammill, among others. In the United States, Charisma Records recordings were often licensed to other labels such as ABC Records (including subsidiary labels Dunhill Records & 
Title: Mike Starrs
Content:  Mike Starrs (born 10 November 1947, Edinburgh ) is a vocalist of Scottish origin. He left Scotland for London in the late 1960s and worked in various minor bands. Starrs was signed by the record producer Tony Atkins for Marquee Productions and released several unsuccessful singles. He joined Colosseum II in 1975 after being spotted singing in a local pub and featured on their first album, Strange New Flesh in 1976. Starrs' powerful and distinctive singing style, complimented the guitar work of Gary Moore, the keyboards of Don Airey and the rhythm section of Neil Murray and Jon Hiseman and the end result was a potential British supergroup in the making. The 
Title: Music for Stowaways
Content:  "[talking] about rejecting the staid structures of the band in favour of the dynamic and flexible 'production company'," and noted it fashioned itself as "a mini-corporation that negotiated with record companies as their equal." The company had one non-musical partner, Bob Last. As a 'production company', the group could hire and fire vocalists session musicians while on a no-royalty, flat-fee basis and work with unpaid machines. Though still in debt from their Human League days, Ware and Marsh signed a new contract with Virgin for British Electric Foundation. Ware recalled: "It was really an unusual deal. We had to deliver one major act 
Title: Michael Stokes (record producer)
Content:  Stokes first rose to prominence in the early 1970s working with Clarence Avant on his Sussex Records label, when writing for and producing acts such as Bill Withers, Creative Source, The Soul Searchers, Faith, Hope & Charity, and Dennis Coffey. When Sussex folded in June 1975, Stokes moved over to Roadshow Records. More success came writing and producing Enchantment's first three albums, along with writing songs for Brass Construction, BT Express, Shirley Caesar (1978), and then Nature's Divine on Infinity Records (1979). In the early 1980s, Stokes took over as A&R at A&M Records where he signed Janet Jackson. Stokes has continued 
Title: Jon St. James
Content:  1 studio in La Habra. F1, as the studio is known, has hosted a wide variety of acts, including Allan Holdsworth, Rusty Anderson, Los Angeles guitarist Dale Hauskins of the Swiss progressive rock band Flame Dream, The Vandals, Blink-182, Warren Fitzgerald, Josh Freese, Bleeding Through, Jon Anderson of Yes, No Doubt, and Tenacious D. St. James sold his F1 studio to Thump Records, a Lowrider magazine-financed record label, for which St. James produced many artists. Since then he built a new personal studio where he has continued to record, write, and produce. Recent clients include Kung Fu Records, The Warped Tour, The Used, Mike Ness, Warren Fitzgerald, and Jason Freese of Green Day. St. James continues to develop young talent, such as the singer, songwriter and producer Andy Carpenter.
Title: Mark Hudson (musician)
Content:  demanded that his vocal be removed, and he was replaced by Tom Petty on the officially released album. However, the version of the recording featuring Tyler had been circulated on advance promotional discs and found its way on to bootlegs. In 2003, Starr told the professional audio industry magazine Mix: "Mark puts the fun back in recording. We always have such a great time. He lets the musician know that anything is possible... He's a great musician, has lots of energy and he's a lot of fun to work with." In June 2007, Starr's attorney, Bruce Grakal, told Beatlefan magazine (issue #141) that the partnership between 
Title: Guy Eckstine
Content:  Group management and production clients, Tiempo Libre, Twin Danger, and Tony Succar: Unity – "The Latin Tribute to Michael Jackson, signed recording contracts to Universal Music Group. In 2014, he also added new clients, Lizzy Loeb, Danielle Johnson, and House of Waters to his IMG management roster. Eckstine also produced, Night at The Speakeasy, by Svetlana and the Delancey Five. 2013, Eckstine signed and produced the debut recording by Capitol Music Group/Manhattan Records recording artist, 16-year-old singer, Grant Davis, and, Delta Devil Dreams by 19-year-old Scottish singer/guitarist, Eilidh McKellar. McKellar's debut, received numerous "Best of 2014" lists from BBC and Blues Magazines. 2012, Eckstine produced the full-length debut 
Title: Tom Sturges
Content:  Michael, and Whitney Houston. After Chrysalis, he was president and general manager of Shaquille O'Neal’s imprint, Twism Records. He then became executive vice president and head of creative for Universal Music Publishing Group. While at Universal, he signed artists 3 Doors Down, 50 Cent, Foo Fighters, Stone Temple Pilots, Jack Johnson, Owl City, Vanessa Carlton, Afroman, and Chris Brown, as well as writer/producers Mark Batson and Sean Garrett. Sturges was fired from the company in 2011. He then joined the advisory board for the Clive Davis Institute of Recorded Music. For over ten years Sturges has taught at UCLA, where he co-created the class “Music Business Now” with Jeff Jampol and Lenny Beer.
Title: Michael Striar
Content:  the Beastie Boys. Striar’s company received international attention when it was featured on the cover of Performance magazine’s April 1987 issue. He promoted major rock concerts with Guns N’ Roses, Alice Cooper, the Allman Brothers, Twisted Sister, Megadeth, the Replacements, Slayer, Kansas, and the Ramones, eventually becoming the producer of record for more than one thousand live shows. He expanded the company in the early 1990s and produced shows with Tony Bennett, illusionist Doug Henning, and the musical Camelot with Richard Harris. Striar eventually sold the concert company and moved to Los Angeles, where he ran Jetrink Management, a company 

Question: Verify the following claims with "True" or "False": Yes, the record producing team Stargate has not worked with musicians such as Michael Jackson.
Answer: False