Title: Beautiful Waste and Other Songs (Mini-Masterpieces 1983–1985)
Content:  Beautiful Waste and Other Songs  is a compilation album by The Triffids, released in 2008. The album brings together a number of Triffids EPs and singles that have never been previously released on CD. Specifically, tracks 1–7 were previously released as the Raining Pleasure EP and 8–13 as Lawson Square Infirmary. Tracks 14–16 comprise the contents of 1985's Field of Glass 12". Of the remaining compositions, "Dear Miss Lonely Hearts" and "Native Bride" appeared previously on the 12" version of the "Wide Open Road" single while "Beautiful Waste" was a 1984 A-side, backed on the 7" by "Property Is Condemned". The original Lawson Square Infirmary EP was the result of a collaboration between McComb and other Triffids with James Paterson (most closely associated with JFK & The Cuban Crisis). Graham Lee, at that time not a member of The Triffids, was also drafted in to play dobro, bolstering the country sound of the recording, and the EP was released not under the moniker of The Triffids but rather as the work of a distinct eponymous band, Lawson Square Infirmary.
Title: Trash Box
Content:  When AIP Records reissued the first five volumes in the Pebbles series on CD, a few tracks were omitted. While most of these tracks are also among those that are omitted from both the Pebbles Box and the Trash Box, there is a single exception: "Cracking Up" by the Wig was inadvertently left off the CD reissue of Pebbles, Volume 1 – although it is listed on the printed material for the CD – and is included on both of these box sets (on Disc One). Additionally, the two best omitted tracks from the Pebbles, Volume 3 LP are on the Trash 
Title: Pebbles, Volume 3
Content:  AIP Records (#AIP-CD-5020) — 1992
Title: Spanish Blue
Content:  Spanish Blue is the second single released by Australian folk rock group, The Triffids in 1982. The single was produced by Les Karski (The Nauts, Ray Arnott, Midnight Oil) for the White Label Records imprint of Mushroom Records, owned by Michael Gudinski. The single was initially released independently by No Records but was re-released in October 1982 following the band's signing with White Label Records. "They'd recorded 'Spanish Blue' when the spectre of the Gudinski organisation loomed, and they were summoned to the Mushroom/White Citadel. Gudinski liked 'Spanish Blue'. 'It was just that he wanted us to re-write it, and re-mix it,' McComb laughs. 'We ended up putting it out ourselves immediately they started dilly dallying because we said we wouldn't re-mix it. We thought that we couldn't just wait for people to decide what they wanted to do.'"
Title: The Black Swan (The Triffids album)
Content:  The Black Swan is the fifth and final studio album by The Triffids, released in April 1989 and peaking at No. 59 on the Australian Album Charts. The album was originally conceived as a double album. In the recording sessions the Triffids were joined by producer Stephen Street (the Smiths' - Strangeways, Here We Come and Morrissey's Viva Hate). The Black Swan used a greater variety of musical instruments than their previous albums with bouzouki, güiro and accordion and a more obvious use of synths and programming. The title of the album was originally going to be Disappointment Resort Complex but was renamed to The Black Swan, which according to a 1989 interview by Stephen Phillips (NME) with David McComb is based on the 1954 novel of the same name by Thomas Mann.
Title: Blue Pear Records
Content:  issued only on 78 rpm format, and others that had been performed on television programmes such as The Ed Sullivan Show and had never been released. Most of these songs had never been pressed on LP before. Blue Pear Records also released at least one recording in EP format, containing instrumental music performed by David Rose and his Orchestra. One side comprised music that Rose himself had originally composed for the film Forbidden Planet (but which went unused when he was replaced on the project by Louis and Bebe Barron) while the other side has selections from the film score for The Swan, composed by Bronislaw Kaper.
Title: Blue Pear Records
Content:  Before, which was issued under the label name Blue Pear – an obvious pun on the word "blooper". In an era before home video recorders (not to mention the internet), the Blue Pear recording of Trek Bloopers remained highly sought-after by Trekkies for some time. The LP cover featured a simplistic caricature of Leonard Nimoy as Spock (credited to an artist with the initials MDL), while the reverse had a track list and perfunctory liner notes. Along the bottom was the name of the record label, a small (trademarked) logo depicting a cluster of blue pears, and the rather unhelpful contact address of Longwood, Florida.
Title: AIP Records
Content:  AIP Records is a record label that was started by Greg Shaw's Bomp! Records in 1983 to continue the Pebbles series. AIP stands for "Archive International Productions". The first 10 volumes in the Pebbles series had been released by BFD Records of Kookaburra, Australia (most likely a fictitious label name to avoid copyright infringement lawsuits) in 1979–1980 and have been kept in print by AIP for many years. Including those in the companion Highs in the Mid-Sixties series – which concentrated on American regional music scenes – there are over 50 LPs covering some 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s 
Title: Www.tism.wanker.com
Content:  Initial pressings of the album were shipped with a bonus disc. The CD in question looks like a blank CDR, with texta writing that reads "Att: SHOCK RECORDS FAULTY PRESSING DO NOT MANUFACTURE"; thinking it was serious, some retail chains actually returned boxes of the "fake" CDs unopened. In reality, it featured a mixture of songs, poems and low-quality audio recordings of Hitler-Barassi and Flaubert discussing various topics whilst watching the Pamela Anderson/Tommy Lee sex tape. The "conversation" tracks have never been given an official title. For the iTunes re-release, these tracks were appended to the start/end of the titled tracks. The titles were available on TISM's website at the time.
Title: Pebbles, Volume 4
Content:  AIP Records (#AIP-CD-5021) — 1992

Question: Verify the following claims with "True" or "False": The Library of Congress Classification of A Severed Wasp is PS3523.E55 S4 1982.
Answer: True