Title: Alfredo Zitarrosa
Content:  Alfredo Zitarrosa (March 10, 1936 – January 17, 1989) was a Uruguayan singer-songwriter, poet and journalist. He specialized in Uruguayan and Argentinean folk genres such as zamba and milonga, and he became a chief figure in the nueva canción movement in his country. A staunch supporter of Communist ideals, he lived in exile between 1976 and 1984. He is widely regarded as one of the most influential singer-songwriters of Latin America.
Title: Alfredo Zitarrosa
Content:  banned in Argentina, Chile and Uruguay during the dictatorial regimes that ruled those countries. He lived then successively in Argentina, Spain and Mexico, starting from February 9, 1976. After the ban on his music was lifted, like that of so many in Argentina after the Falklands War, he settled again in Buenos Aires, where he gave three memorable concerts at the Arena Obras Sanitarias the first day of July 1983. Almost a year after he returned to his country, he had a massive reception in the historic concert of March 31, 1984, which was described by him as la experiencia más importante de mi vida ("the most important experience of my life").
Title: Alfredo Zitarrosa
Content:  contains rhythms and songs of peasant origin, mainly milongas. Alfredo briefly returned with his adoptive family, to Montevideo and in early adolescence, moved on to live with his biological mother and her husband, the Argentine Alfredo Nicolás Zitarrosa, who would eventually give him his surname. Together with his newborn sister, they lived in the area now known as Rincón de la Bolsa, at km. 29.50 of the old route to Colonia, San José Department. Based there, he commuted to study at the High School in Montevideo, where he eventually moved into his early youth. First he lived with the Duráns and then in Mrs. Ema's pension, located at Colonia and Medanos (today 
Title: Alfredo Zitarrosa
Content:  Zitarrosa was born as the illegitimate son of 19-year-old Jesusa Blanca Nieve Iribarne (Blanca), at The Pereira Rossell Hospital, Montevideo. Shortly after being born, Blanca handed over her son to be raised by Carlos Durán, a man of many trades, and his wife, Doraisella Carbajal, then employed at the Council for Children, becoming Alfredo "Pocho" Durán. They lived in several cities neighbourhoods, and moved between 1944 and the end of 1947, they moved to the town of Santiago Vázquez. They frequently visited the countryside near Trinidad, capital city of the Flores Department, where Alfredo's adoptive mother was born. This childhood experience stayed with him forever, notably in his repertoire, the majority of 
Title: Alfredo Zitarrosa
Content:  Fragment Guitarra Negra (Black Guitar): ""Hoy anduvo la muerte revisando los ruidos del teléfono, distintos bajo los dedos índices, las fotos, el termómetro, los muertos y los vivos, los pálidos fantasmas que me habitan, sus pies y manos múltiples, sus ojos y sus dientes, bajo sospecha de subversión... Y no halló nada... No pudo hallar a Batlle, ni a mi padre, ni a mi madre, ni a Marx, ni a Arístides, ni a Lenin, ni al Príncipe Kropotkin, ni al Uruguay ni a nadie... ni a los muertos Fernández más recientes... A mí tampoco me encontró... Yo había tomado un ómnibus al Cerro e iba sentado 
Title: Alfredo Zitarrosa
Content:  una sorpresa para mí, que me permitió reunir algunos pesos…" ("I had no money, but I had many friends. One of them, Cesar Durand, happened to manage a publicity agency and I was included in a TV program, and forced to sing. I was paid 50 dollars for two songs. It was a surprise for me, and it allowed me to earn some money…") Shortly thereafter, going back to Bolivia by Uruguay, he conducted several programs on Radio Altiplano of La Paz, debuting later in Montevideo, back in 1965, in the auditorium of SODRE (Radio Broadcasting ServiceOfficer ). His participation in this space served him as a stepping stone to be invited, 
Title: Alfredo Zitarrosa
Content:  lado de la vida..."" ""Today death was browsing the noises of the telephone, different under index fingers, photographs, the thermometer, the dead and the living, the pale ghosts inhabiting me, their multiple hands and feet, their eyes and their teeth, on suspicion of subversion... And did not find anything... Unable to find Batlle, or my father or my mother, neither Marx nor Arístides, or Lenin, or the Prince Kropotkin, or the Uruguay nor anyone... Nor to the latest dead Fernandez … it found neither me... I had taken a bus to Cerro and was sitting next to life..."" Excerpt from El Violín de Becho (Becho's fiddle):
Title: Alfredo Zitarrosa
Content:  early 1966, at recognized Festival of Cosquín, in Argentina, again in 1985. On February 29, 1968, he married Nancy Marino, with whom he had his eldest daughter Carla Moriana January 27, 1970, and his youngest daughter María Serena on December 12, 1973 From the beginning, he was established as one of the great voices of Latin American popular song, with clear leftist and folkloric roots. He cultivated a contemptuous and manly style, and his thick voice and a typical accompaniment of guitars gave his hallmark. He entered and adhered to the Frente Amplio of the Uruguayan left, fact which earned him ostracism and finally exile during the years of dictatorship. His songs 
Title: Alfredo Zitarrosa
Content:  located in the Montevidean neighborhood known as "El Buceo" [The Diving])." He paid tribute to the same Carlos Durán, who had been, among other trades, police ('milico' in the popular language) by necessity, dedicating one of its most emblematic, Chamarrita de los milicos (Chamarrita song about soldiers). He explains it this way: "[…] Fue escrita de un tirón en la mesa de un bar de Bvar. Artigas y 18 de julio, el 27 de enero de 1970. Ese día había nacido mi hija Carla Moriana y yo sentía que le estaba escribiendo al que no pudo ser su abuelo, mi padre adoptivo, Carlos Durán, quien siendo 
Title: Alfredo Zitarrosa
Content:  orgullo vacilante." "[…] was written at a stretch in a bar table of Bvar. Artigas and July 18, January 27, 1970. That day my daughter Carla Moriana was born and I felt I was writing to the one who could not be his grandfather, my adoptive father, Carlos Durán, who being the son of a Colonel 'Colorado', had ended up being a 'milico' in the 1940s. Poor as we were, I remember the large revolver of my father unloaded, which he kept in a drawer of the 'trinchante', after taking off his 'straps' every night or every morning, depending on the shifts. The bullets, always separated, 

Question: Verify the following claims with "True" or "False": I have heard that Alfredo Zitarrosa did not die in Montevideo.
Answer: False