Title: 10 Downing Street
Content:  reassembled on top of it, allowing for much needed expansion and modernisation. Any original materials that were beyond repair – such as the pair of double columns in the Cabinet Room – would be replicated in detail. This was a formidable undertaking: the three buildings contained over 200 rooms spread out over five floors. The architect Raymond Erith carried out the design for this painstaking work and the contractor that undertook it was John Mowlem & Co. The Times reported initially that the cost for the project would be £400,000. After more careful studies were completed, it was concluded that the "total cost was likely to be £1,250,000" and would take 
Title: Robert Lorimer
Content:  of the Arts and Crafts approach to architecture. He assembled a collaborative group of artists and craftsmen who, collectively, often contributed to his various commissions and to the manufacture of furniture sent to the Arts and Crafts exhibitions in London. In 1896 he was elected to the Art Workers Guild. Lorimer designed a series of cottages in the Arts and Crafts style in the Colinton area of Edinburgh, the so-called "Colinton Cottages". Constructed using traditional methods and materials, each cottage included a garden layout and interior design, including furniture, in keeping with the Arts and Crafts concept. By 1900, eight cottages had been built and four others were under construction. As his reputation grew the scale of 
Title: Noel Park
Content:  On 14 February 1881, Rowland Plumbe was appointed Consulting Architect to the Artizans Company, with a brief to prepare a third estate. A leading architect of the period, Plumbe had primarily been a designer of hospitals, such as the London Hospital, and Poplar Hospital; he had been President of the Architectural Association in 1871–72 and a Council Member of the Royal Institute of British Architects since 1876. In April 1881, the Artizans Company inspected sites at Fulham and "in the vicinity of Alexandra Park" in the Tottenham Local Board. The Fulham site was rejected as too prone to flooding, and the Wood Green site rejected as being too far from any centre of population. However, the next month, the decision was taken to bid for the site near Wood Green. Despite its distance from London at 
Title: Queen's Royal College
Content:  The foundation stone was laid on 11 November 1902 by Courtney Knollys, who was the acting Governor of the day. The structure was designed by Daniel M. Hahn, who was Chief Draughtsman of the Public Work Department and an Old Boy of Queen's Royal College, during the period when the school was housed at the Princess Building. The architecture of the building is German Renaissance in style, evident by the solid appearance. Constructed at a cost of 15000 British pounds 1,845,000.00 British pounds adjusted for inflation, the original building accommodated six classes for 30 boys each. The lecture hall could hold over five hundred persons at a time. Notwithstanding the German origin of the plan, a legacy perhaps of Mr. Hahn's student days in Berlin, the design of the interior is tropical with a aristocratic touch from the days when European school architecture was austere. QRC was not free at some point but after a couple years it became free.
Title: Robin Day (designer)
Content:  Robin Day grew up in the furniture-making town of High Wycombe in Buckinghamshire. High Wycombe Technical Institute, where he was a junior day student, had close links with the local furniture industry. Being gifted at drawing, Day progressed to High Wycombe School of Art in 1931 and then won a scholarship to study design at the Royal College of Art in 1934. On leaving the RCA in 1938, there were no suitable openings in the furniture industry, so he made architectural models and took a teaching post at Beckenham School of Art, where he developed a ground-breaking course in 3D design. Day met his future wife, Lucienne Conradi, in 1940 at a dance at the RCA, where she was studying printed textile design. They married in 1942, moving into a flat in Chelsea. In 1952 the couple moved to a house on Cheyne Walk, their home and joint studio for the next 50 years.
Title: William Morris
Content:  and Dante Gabriel Rossetti and with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded the Morris, Marshall, Faulkner & Co. decorative arts firm with Burne-Jones, Rossetti, Webb, and others, which became highly fashionable and much in demand. The firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, he assumed total control of the company, which was renamed Morris & Co. Morris rented the rural retreat of Kelmscott Manor, Oxfordshire, from 1871 while also retaining a main home in London. He was greatly 
Title: Red House, Bexleyheath
Content:  Neo-Gothic styles are reflected throughout the building's design. It was constructed using Morris' ethos of craftsmanship and artisan skills and is an early example of what came to be known as the Arts and Crafts movement. A number of Morris' friends visited, most notably the Pre-Raphaelite painters Edward Burne-Jones and Dante Gabriel Rossetti, both of whom aided him in decorating the House; various Burne-Jones wall murals remain. While at Red House, Morris was involved in the formation of his design company, Morris, Marshall, Faulkner & Co., and embarked on his earliest wallpaper designs. It was also here that his two daughters, Jenny and May, were born. Although initially intending to live there for the rest of his life, Morris found that 
Title: Belsize Architects
Content:  Belsize Architects have completed buildings in a number of different sectors, ranging from commercial to residential. Notably, the practice has been commissioned to design new student accommodation for the University College, Oxford, after having previously completed the University College Boathouse for the institution, a project which won a Royal Institute of British Architects (RIBA) Award in 2008. Previous projects include: Klippan House in Hampstead, London (originally known as ‘Thwaitehead’) – a large Victorian Grade II listed building originally designed and lived in by Ewan Christian. The practice’s conversion of The Brassworks, a former Boosey and Hawkes musical instrument factory, into apartments for the Church Commissioners, was shortlisted for a RIBA Award in 2013. Belsize Architects have also worked for the London School of Economics and completed a contemporary extension to a John Nash designed house in Regent’s Park, London.
Title: Rowland Plumbe
Content:  Hospital between 1891 and 1902 and Napsbury Hospital, London Colney completed in 1905. He also designed the entertainment hall (completed 1879) at the Normansfield home for people with a learning disability in Teddington, built at the instigation of John Langdon Down. The Artizans, Labourers & General Dwellings Company (Artizans Company) was established to build low rise, high-quality houses for the working classes in open countryside, alongside existing railway lines, to allow workers to live in rural surroundings and commute into the city. In 1881 they appointed Plumbe to design their Noel Park estate with 2,200 houses in five classes. At the other end of the residential scale, 
Title: Arts and Crafts movement
Content:  Many of the leaders of the Arts and Crafts movement were trained as architects (e.g. William Morris, A. H. Mackmurdo, C. R. Ashbee, W. R. Lethaby) and it was on building that the movement had its most visible and lasting influence. Red House, in Bexleyheath, London, designed for Morris in 1859 by architect Philip Webb, exemplifies the early Arts and Crafts style, with its well-proportioned solid forms, wide porches, steep roof, pointed window arches, brick fireplaces and wooden fittings. Webb rejected classical and other revivals of historical styles based on grand buildings, and based his design on British vernacular architecture, expressing the texture of ordinary materials, such as stone and tiles, with an asymmetrical and picturesque building composition. The London suburb of Bedford Park, built mainly in the 1880s and 1890s, has about 360 

Question: Verify the following claims with "True" or "False": The architect, born in Rybinsk, designed 103 Colmore Row!
Answer: False