Title: Zaza Korinteli
Content:   Zaza Korinteli (ზაზა კორინთელი) better known by his stage name Zumba (born December 29, 1973) is a Georgian rock musician, folklorist and civic activist. His music fuses a wide variety of genres, principally Georgian folk tradition, rock, and reggae. Being a multi-instrumentalist on guitar, bass, wind instruments, percussions, and vocals, he leads the band ZumbaLand and also collaborates within several other musical projects. His stage name is an acronym of a Georgian phrase zogjer ubralod moindome, bolos agisruldeba (ზოგჯერ უბრალოდ მოინდომე ბოლოს აგისრულდება), translated as "Just wish sometimes – it will eventually come true."
Title: Zamba (artform)
Content:  The Zamba is a slow dance in three-quarter time played primarily on guitar and bombo legüero. The steps of the dance are a walking step, an alternate step (two steps at one time), and a tip toe alternate step or "sobrepaso punteado" (three steps at one time). The Zamba also requires a handkerchief.
Title: Zamba (artform)
Content:  The name "zamba" refers to a colonial term for zambo (people that are descendants of Amerindian and African people). It is therefore called zamba because its lyrical content was aimed at its native listeners. The dance originated in the Argentine province of Salta in the Creole genre known as the zamacueca of Peru, in 1824 at the same time that Peru, under José de San Martín, obtained independence. It came to Argentina through "Alto Peru," a region that is modern day Bolivia and through Chile between 1825 and 1830.
Title: Zaz (singer)
Content:  In 2001, she started her singing career in the blues band "Fifty Fingers". She sang in musical groups in Angoulême, especially in a jazz quintet. She became one of the four singers of Izar-Adatz (Basque for "Shooting Star"), a variety band which consisted of sixteen people with whom she toured for two years, especially in the Midi-Pyrenees and the Basque Country. She worked in the studio as a backing singer in Toulouse and performed with many singers, including Maeso, Art Mengo, Vladimir Max, Jean-Pierre Mader, and Serge Guerao. In 2011, Zaz won an EBBA Award. Every year the European Border Breakers Awards (EBBA) recognize the success of ten emerging artists or groups who reached audiences outside their own countries 
Title: Takesure Zamar Ncube
Content:  In 2005, he enrolled for a Music and Musicology Diploma at the Zimbabwe College of Music in Bulawayo. Thereafter, he taught music at a private school in Harare. In 2011, he formed his group Worship Addicts in Harare and in that year the group released its maiden album. His ability to speak and sing in several African languages that include Zulu, Venda, Sotho, Swahili, Ndebele, Shona and Tswana has endeared him with regional of gospel music lovers. He rose to prominence in 2014 when he joined the multi-award-winning gospel ensemble Joyous Celebration as a vocalist. Two years later, Zamar moved to South Africa after joining the Bold Music stable. In a media interview, Zamar said that he has written over 500 songs so far. In 2017, he recorded his first live DVD, which was attended by over 20 South African gospel musicians.
Title: Zamba (artform)
Content:  Zamba is a traditional dance of Argentina. It is a style of Argentine music and Argentine folk dance. Zamba is very different from its homophone, the samba - musically, rhythmically, temperamentally, in the steps of the dance and in its costume. It has six beats to the bar and is a majestic dance, performed by couples who circle each other waving white handkerchiefs very elegantly. It has common elements with the cueca. Zambas are composed about many themes, from those that celebrate people or events of Argentine history, to those that describe the beauty of a region, or of its women. There are zambas of political protest, and even one called Aerolíneas Argentinas. The bombo legüero drum is prominent in the playing of the zamba.
Title: Zamb
Content:  Zamb (ザム) is a Japanese musical group produced by Daiko Nagato. On 10 June, the band debuted with the single Love Satisfaction. The name of the band comes from initial alphabets Zamb - "Zuga Anisong Metal Band" (図画アニソンメタルバンド). Before major debut, they've used the longer name of the band.
Title: Tom Zé
Content:  Remaining true to the experimental and Dada impulses of Tropicália, Zé has been noted for both his unorthodox approach to melody and instrumentation, employing various objects as instruments such as the typewriter. He has collaborated with many of the concrete poets of São Paulo, including Augusto de Campos, and employed concrete techniques in his lyrics. Musically, his work appropriates samba, Bossa Nova, Brazilian folk music, forró, and American rock and roll, among others. He has been praised by avant-garde composers for his use of dissonance, polytonality, and unusual time signatures. Because of the experimental nature of many of his compositions, Zé has been compared with American musicians such as Frank Zappa and Captain Beefheart. One of his last efforts, though, has been a return to Bossa Nova, his Estudando a Bossa – Nordeste Plaza. Says Zé: "That music has inhabited my psyche for 50 to 60 years. Familiar and profound, yet somehow extraterrestrial in my mind. It had to come out, to be dealt with."
Title: Zabalaza (album)
Content:  Zabalaza is the first solo release from the South African kwaito performer, Thandiswa Mazwai. Before this album, Thandiswa was most famously known as the lead singer for the kwaito group Bongo Maffin. Zabalaza (which means Rebellion in the Xhosa language) incorporates elements of kwaito, traditional Xhosa music, mbaqanga, reggae, and gospel music. Several producers and vocalists contributed to the album: Tshepo Tshola features on "Ndilinde"; Xhosa traditional vocalist Madosini sings on "Lahl’umlenze"; Mandla Spikiri produced "Kwanele"; and "Transkei Moon" and "Ndizokulibala" were both produced by D-Rex and Jean-Paul 'Bluey' Maunick of the band Incognito. Malambule produced all other songs on the album, and he is the album's executive producer. The members of Mazwai's backing band were selected from more than 400 candidates 
Title: Baba Zula
Content:  Described as "Turkey’s most beloved alternative music purveyors," Baba Zula create a unique psychedelic sound, combining traditional Turkish instruments, electronica, reggae, and dub. The core of their sound is the saz, a Turkish bouzouki-like stringed instrument with a bright, high-pitched sound. They use a revolutionary approach to electric saz, combining it both with retro and high-end electronic effects that creates an original sound never heard before until now. BaBa ZuLa have performed at festivals such as The Spirit of Tengri (Almaty, Kazakhstan), Images of Middle East (multi-city Denmark tour), Roskilde Festival (Denmark), Sofia Film Festival (Bulgaria), Klinkende Munt Festival (Belgium), Printemps de Bourges (France), Cologne Triennale (Germany), Şimdi/Now Festival (Germany), Arezzo Wave Festival (Italy), the Venice Biennial (Italy), the Boost Festival (Netherlands), and the Era Nowe Horyzonty (Wrocław, Poland).

Question: Verify the following claims with "True" or "False": Considered an art form, Zamba, is the genre of Alfredo Zitarrosa, who started as a solo singer and was signed to Odeon Records.
Answer: True