Title: Bidu Sayão
Content:  throughout the U.S., but in 1957 she decided to retire completely from public performance; two years later she made her final recording as the soprano soloist on Villa-Lobos' world premiere stereo recording of his cantata Forest of the Amazon with the composer conducting the Symphony of the Air. Following her husband's death in 1963, Bidu Sayão lived quietly at her home in Maine. She returned to visit Brazil a last time in 1995 for a tribute to her during the Carnival in Rio de Janeiro. She died on 12 March 1999, aged 96, at the Penobscot Bay Medical Center in Rockport, Maine. Her ashes were scattered across the bay in front of her home.
Title: Manuel Buzón
Content:  Manuel Buzón (December 18, 1904 &ndash; July 14, 1954) was a tango pianist, singer, leader and composer. Buzón was born in Las Flores district of Buenos Aires, to Spanish immigrants Manuel and Dolores Moreno. He was a performer from an early age, at the age of 10 he performed at a Club Social América event. In 1925 Buzón became a regular performer on Argentine radio. Between May 1929 and February 1930 He toured Spain playing in Barcelona, Madrid, Murcia, Alicante, Cartagena and Sevilla. Buzón resumed performing in August 1930 and returned to Argentine radio in 1931. He continued to appear on Argentine radio into the 1940s and he toured Argentina with his orchestra. Between 1942 and 1943 he made a number of recordings for Odeon Records. Buzón died on July 14, 1954 aged only 50, he is remembered as a composer that bridged the gap between old and modern tango and a musician that helped to spread the popularity of the genre in Argentina and in Europe.
Title: Bidu Sayão
Content:  generation. She performed to much acclaim for the University of Michigan May Festival in 1948 with Conductor Thor Johnson. She sang "Un Bel Di" from Madame Butterfly as an encore. Brazilian composer Heitor Villa-Lobos had an artistic partnership with the diva that lasted many years. He made a number of recordings of his compositions, including a famous recording of the Bachianas Brasileiras No. 5. Bidu Sayão and her husband Giuseppe Danise purchased an oceanfront property in Lincolnville, Maine. After fifteen years with the Metropolitan Opera, she gave her last performance in 1952, choosing to retire from opera while still at the top of her form. For the next two years she was a guest 
Title: José Asunción Flores
Content:  José Asunción Flores (27 August 1904 &ndash; 16 May 1972) was a Paraguayan composer and creator of the Guarania music genre.
Title: Modesta Sanginés Uriarte
Content:  Sanginés died on 5 February 1887 in Paris. Bolivia's plenipotentiary minister in France, Aniceto Arce (who would later become Bolivian president) and the Bolivian diaspora living in Paris, paid homage to her, before her remains were returned to her homeland to be interred in the family mausoleum in the General Cemetery of La Paz. She is considered as one of the principal composers of her era in Bolivia. In 2011, the Bolivian historian Patricia Montaño, a relative of Sanginés, had inherited Sanginés' papers and offered them for sale to the Center for Documentation in Latin American Literature and Arts (Centro de Documentación en Artes y Literaturas Latinoamericanas (Cedoal)) to allow for their preservation. Upon authentication, by Javier Parrado, the manuscripts were acquired. A research team from Cedoal transcribed the documents and recovered unpublished scores and performance chronicles from notebooks written by Sanjinés, as well as a book and other scores which had been published in Paris in 1858 and 1881. The newly discovered works were published in a book, Modesta C. Sanjinés Uriarte: Música Boliviana en Partitura (Modesta C. Sanjinés Uriarte: Bolivian Sheet Music) by the Simón I. Patiño Foundation in 2015.
Title: Mercedes Sosa
Content:  National Congress building in Buenos Aires for the public to pay their respects, and President Fernández de Kirchner ordered three days of national mourning. Thousands had queued by the end of the day. She was cremated on 5 October. Sosa's obituary in The Daily Telegraph said she was "an unrivalled interpreter of works by her compatriot, the Argentine Atahualpa Yupanqui, and Chile's Violeta Parra". Helen Popper of Reuters reported her death by saying she "fought South America's dictators with her voice and became a giant of contemporary Latin American music". Sosa received three Latin Grammy nominations for her album, in 2009. She went on to win Best Folk Album about a month after her death.
Title: Mercedes Sosa
Content:  Haydée Mercedes Sosa (9 July 1935 – 4 October 2009), sometimes known as La Negra (literally: 'The Black One'), was an Argentine singer who was popular throughout Latin America and many countries outside the region. With her roots in Argentine folk music, Sosa became one of the preeminent exponents of  La nueva canción. She gave voice to songs written by many Latin American songwriters. Her music made people hail her as the "voice of the voiceless ones". Sosa performed in venues such as the Lincoln Center in New York City, the Théâtre Mogador in Paris and the Sistine Chapel in Vatican City, as well as sell-out shows in New York's Carnegie Hall and the Roman Colosseum during her final decade of life. Her career spanned four decades and she was the recipient of six Latin Grammy awards (2000, 2003, 2004, 2006, 2009, 2011), including a Latin Grammy Lifetime Achievement Award in 2004 and two posthumous Latin Grammy Award for Best Folk Album in 2009 and 2011. She won the Premio Gardel in 2000, the main musical award in Argentina. She served as an ambassador for UNICEF.
Title: Homero Hidrobo
Content:  by Agustin Barrios Mangoré, and "La Maja de Goya" by Granados. His arrangement of the song "Canta Cuando Me Ausente" (Sing, Though I Be Absent) composed by his father Marco Tulio Hidrobo received much acclaim. According to the noted Spanish classic guitarist Andrés Segovia who described him as "The best guitarist of the Americas". "Homero Hidrobo has been an untiring explorer of that constellation of harmonies that captures the sweet enchantment of music. His sensitivity and craftsmanship of his interpretation makes of Hidrobo a great example of permanent overcoming craftsmanship. His disciplined work it is oriented to discover the true face of the Renaissance, Baroque, Romanticism and along with the music of America, and Ecuadorian music in particular". He died on August 5, 1979, only aged 39 from chronic liver disease.
Title: Diego Luzuriaga
Content:  Diego Luzuriaga (born 1955, in Loja) is an Ecuadorian composer of classical music. He was awarded the Guggenheim Fellowship for Music Composition in 1993. Luzuriaga composed Manuela y Bolívar, the first Ecuadorian opera, which relates the love and death of Manuela Sáenz and Simón Bolívar. It premiered in November 2006 at the Sucre National Theater (Teatro Nacional Sucre). He was awarded the Eugenio Espejo National Prize in 2006. This prize is the highest recognition given to an Ecuadorian artist and it is awarded biannually by the president of Ecuador. Andean folk and Latin American music are influences in Luzuriaga's work. His "Responsorio" has been performed by several major American symphony orchestras as part of "Caminos del Inka", a program championed by conductor Miguel Harth-Bedoya.
Title: Ángel Medardo Luzuriaga
Content:  Ángel Medardo Luzuriaga (14 September 1935 &ndash; 19 June 2018) was an Ecuadorian musical artist, precursor of the Andean cumbia. Biography Medardo was born in Loja on 14 September 1935, and in his music he extolled the beauty of the Ecuadorian territory, especially that of the province of Manabí. On 11 September 1967, he founded the orchestra "Don Medardo y sus Players", a group with which he had a record production of 105 albums. He died on June 19, 2018, at the age of 82 in the city of Quito

Question: Verify the following claims with "True" or "False": A musical artist was Boise,Idaho and died in Asuncion which is part of Gran Asunción.
Answer: False