Title: George Jonas
Content:  the film before commercial release, so did not influence what was done.) Of some critics' assertions that his source for the book had fabricated his story, Jonas told the publishers and Jonas that he was head of a Mossad hit team. Given the nature of intelligence and secret operations, Jonas acknowledged there was no sure way to determine whether his source was telling the truth, as governments do not like to confirm such material. But he had done considerable research, and said that he could confirm details at some of the places where his source had claimed to be operating.
Title: Josephine Earp
Content:  with over 35,000 copies sold. It was cited by scholars and relied upon as factual by filmmakers. Beginning in about 1994, critics began to challenge the accuracy of the book, and eventually many parts of the book were refuted as fictional. In 1998, a series of articles by Tony Ortega in the Phoenix New Times, including interviews with Glenn Boyer, argued that Boyer invented large portions of the book. In 2000, the University responded to criticism of the university and the book and removed it from their catalog. The book has become an example of how supposedly factual works can trip up researchers, historians, and librarians. It was described by the Annual Review of Information Science and Technology in 2006 as a creative exercise that cannot be substantiated or relied on.
Title: Non-fiction novel
Content:  When Boyer could not prove the existence of the Clum manuscript, he equivocated, saying that he did not receive the Clum manuscript from Colyn after all, instead it was given to him by one of Earp's nieces. Then he changed his story further, saying, "the Clum manuscript is a generic term," Boyer told Wildcat student-reporter Ryan Gabrielson. "This--in addition [to other source materials]--was supported by literally hundreds, maybe thousands of letters and documents." When confronted with allegations that his book was a hoax, Boyer said he had been misunderstood. "My work is beginning to be recognized by all but a few fanatics and their puppets as a classic example of the newly recognized genre 'creative non-fiction.'" In March 2000, the University of Arizona Press removed the book from their catalog.
Title: Weston, Oregon
Content:  While the legend that Jones was sued and ran out of town for his book is not true, members of the town made an effort to locally suppress access to the book: copies of the novel were stolen from the local library; after the novel became the subject for a high school student's book report, his English teacher removed the book from both the reading list and the high school library. According to George Venn, local literary historian, even in the 1980s, "trying to figure out or trying to remember who the 'real people' in the novel is still a local pastime."
Title: Joan Lowell
Content:  was exposed as pure invention. The Cradle of the Deep was later parodied by Corey Ford in his book Salt Water Taffy, in which Lowell abandons the sinking ship (which had previously sunk several times before, "very badly") and swims to safety with her manuscript. Later in 1929, Lowell's book about growing up at sea was exposed as a fabrication when her former neighbors in Berkeley were interviewed by the San Francisco Chronicle. The Simon & Schuster had to reclassify her book as fiction and offer a refund for returns. Despite all newspaper revelations and ensuing controversy, the book continued to sell well. In an interview, Lowell commented on the fabrication charges as follows: "Eighty per cent of it was true and the rest I colored up. I made some changes to protect people and the rest to make it better reading. That's an author's privilege."
Title: Moonwalk (book)
Content:  Jacqueline Kennedy Onassis, who was an editor at Doubleday, secured the book deal and paid Jackson a $300,000 advance. As part of the deal Jackson wanted Onassis to write a foreword, which she initially refused not wanting her name on any books she worked on but agreed to three paragraphs. She also edited the book. The first manuscript of the book was written by Robert Hilburn and was refused by the publishers, Doubleday, because it lacked "juicy details". A second manuscript was written by Stephen Davis, which Jackson drastically edited. Jackson finally decided to write the book himself, with help from Shaye Areheart (although there were reports that Areheart later quit after Jackson threw a snake at her). Due to the public interest in Jackson, Moonwalk was prepared for publication in secret. Relatives of Doubleday employees were hired as couriers, to deliver portions of the book from the company's head office in Manhattan to the printing plant in Fairfield, Pennsylvania. At the printing plant, the book was given the code name "Neil Armstrong", after the first "moonwalker".
Title: David Barton (author)
Content:  In 2012, Barton's New York Times bestseller The Jefferson Lies: Exposing the Myths You've Always Believed About Thomas Jefferson (published April 10, 2012) was voted "the least credible history book in print" by the users of the History News Network website. A group of ten conservative Christian professors reviewed the work and reported negatively on its claims, saying that Barton misstated facts about Jefferson. In August 2012, Christian publisher Thomas Nelson withdrew the book from publication and stopped production, announcing that they had "lost confidence in the book's details" and "learned that there were some historical details included in the book that were not adequately supported." A senior executive said that Thomas Nelson could not stand by the book because "basic truths just were not there." Glenn Beck, who wrote the foreword, announced that his Mercury Ink imprint would issue a new edition of the book once the 17,000 remaining copies that Barton bought of the Thomas Nelson edition had been sold. A revised edition of The Jefferson Lies was published by WND Books in January 2016.
Title: Nard Jones
Content:  Jones' first novel, Oregon Detour, was set in a fictional Oregon town of 600 inhabitants called "Creston". When his novel, written according to the tenets of the New Realism literary movement (established years before by Sherwood Anderson, Sinclair Lewis and others) was published in 1930, many of the residents of Weston were convinced that his characters were based on local inhabitants, and considered the work a slander against the town. While the legend that Jones was sued and ran out of town for his book is not true, members of the town made an effort to suppress local access to the book: copies of the novel were stolen from the local library; after the novel became the subject for a high school student's book report, his English teacher removed the book from both the reading list and the high school library. According to George Venn, local literary historian, even in the 1980s "trying to figure out or trying to remember who the 'real people' in the novel is still a local pastime."
Title: Victoria E. Bynum
Content:  Her book "Free State of Jones" on the civil war history of Jones County, Mississippi was the an inspiration for the 2016 film of the same name. Bynum sold the rights to the book to Universal Studios in 2007. However, Bynum objected to a later book on the subject by John Stauffer and Sally Jenkins, based on the movie's screenplay, which gave the character of Newton Knight a motivating romance.
Title: Primary Colors (novel)
Content:  An early reviewer opined that the author wished to remain unknown because "Anonymity makes truthfulness much easier". Later commentators called the publishing of the book under an anonymous identity an effective marketing strategy that produced more publicity for the book, and thus more sales, without calling into question the author's actual inside knowledge. Several people, including former Clinton speechwriter David Kusnet, believed the style of writing had similarities to that of Klein. This was also supported by a quantitative stylometric analysis of the book by Vassar professor Donald Foster. Klein initially denied writing the book and publicly condemned Foster. Klein denied authorship again in Newsweek, speculating that another writer wrote it. Washington Post Style editor David von Drehle, in an interview, asked Klein if he was willing to stake his journalistic credibility on his denial, to which Klein agreed. In July 1996, after The Washington Post published the results of a handwriting analysis of notes made on an early manuscript of the book, Klein finally admitted that he was the author.

Question: Verify the following claims with "True" or "False": The book was not actually written by J. V. Jones and has not the OCLC number 52456771.
Answer: True