Title: Amdavad ni Gufa
Content:  Amdavad ni Gufa is an underground art gallery in Ahmedabad, India. Designed by the architect Balkrishna Vithaldas Doshi, it exhibits works of the Indian artist Maqbool Fida Husain. The gallery represents a unique juxtaposition of architecture and art. The cave-like underground structure has a roof made of multiple interconnected domes, covered with a mosaic of tiles. On the inside, irregular tree-like columns support the domes. It was earlier known as Husain-Doshi ni Gufa. There are facilities for special painting exhibitions and for projecting films. Gardens and a café are located above ground.
Title: Amdavad ni Gufa
Content:  The gallery is called gufa ("cave" in Gujarati) because of its resemblance to a cave. It was known earlier as Husain-Doshi ni Gufa, after its architect, B.V. Doshi, and the artist, M.F. Husain. Later it was renamed after the city of Ahmedabad, known locally as Amdavad.
Title: Amdavad ni Gufa
Content:  The gallery space is below ground level. A partially hidden staircase leads to a circular door which opens into a cave-like space. Though designed to display paintings, the cave has no straight walls, instead using a continuation of the curved dome structure which extends down to the floor. The domes themselves are supported by irregularly shaped inclined columns, similar to those found in natural caves. They are also said to resemble the trunks of trees. The entire design is made up of circles and ellipses. Light arrives though snouts, creating spots of light on the floor which move around as the day progresses, intended to create a mystic atmosphere. Structure:- Ahemdabad Ni Gufa is an underground art gallery in Ahemdabad. It exhibits the work of the famous artist Maqbool Fida Hussain. The gallery represents a unique juxtaposition of architecture and art. The cave-like underground structure has a roof made of multiple interconnected domes, covered with a mosaic of tiles. Inside it, there are irregular tree-like columns that support the domes lines taken from https://www.architectsworld.in/2019/12/amdavad-ni-gufa-basic-facts-about.html
Title: Amdavad ni Gufa
Content:  The structure's contemporary architecture draws on ancient and natural themes. The domes are inspired by the shells of tortoises and by soap bubbles. The mosaic tiles on the roof are similar to those found on the roofs of the Jain temples at Girnar, and the mosaic snake is from Hindu mythology. The Buddhist caves of Ajanta and Ellora inspired Doshi to design the interior with circles and ellipses, while Husain's wall paintings are inspired by Paleolithic cave art. The interior is divided by tree trunks or columns similar to those found at Stonehenge.
Title: Amdavad ni Gufa
Content:  While visiting Ahmedabad, Husain asked his friend Doshi to design a permanent art gallery for the exhibition of his works. Together they planned an underground structure capable of withstanding the area's severe summer heat. Computer-assisted planning facilities were used to resolve the structure's unorthodox design. A simple floor of wire mesh and mortar was used instead of a traditional foundation. All the structure's components are self-supporting, relieving stress by their ubiquitous continuity. Ferrocement, only one inch thick, was used for the undulating walls and domes in order to reduce load. The cave was constructed by unskilled tribal labourers using only hand tools. Broken ceramic crockery and waste tiles were used to cover the domes' exterior, which bears a transversal mosaic of a snake. Work was carried out in two phases: the first was the construction of the main cave as an underground art gallery, while the second covered the surrounding structures including the paving, the café, and a separate art gallery for exhibitions.
Title: Muhafiz Khan Mosque
Content:  The Muhafiz Khan Mosque is a fifteenth-century mosque located in the city of Ahmedabad in the Indian state of Gujarat. It is considered to be one of the more exceptional structures in the city. The mosque was constructed in 1465 by Jamail-ud-Din Muhafiz Khan during the reign of Mahmud Shah I (1458-1511), and is considered to be an excellent example of Mughal architecture. It is named for the governor of the region at that time. The mosque is a protected building under the auspices of the Archaeological Survey of India. The façade of the mosque has three arched entrances and a richly carved minaret at either end. The design has similarities with the Isanpur mosque and introduced a new architectural style to Ahmedabad. It measures 51 ft by 36 ft. The minarets stand 50 ft high. Alexander Forbes 
Title: Indian Institute of Management Ahmedabad
Content:  In 1962, the IIM Ahmedabad board came to a formal agreement with the National Institute of Design (NID) for the latter to undertake the task of designing the IIM Ahmedabad campus. The National Institute of Design appointed American architect Louis Kahn and B.V. Doshi as architects for the project. Kahn worked on the IIMA project from 1962 until his death in 1974. Kahn's architecture is characterized by the use of exposed red bricks, the extensive use of geometric shapes in hostels and academic blocks and vast corridors outside the classrooms. He combined Indian traditional and vernacular architecture and modern architecture skillfully. A number of tourists and architecture students often visit the campus for its phenomenal architectural impact.
Title: Amdavad ni Gufa
Content:  Husain used the gallery's walls as a canvas, painting on them with bold strokes and bright colours. The artwork depicts human figures and motifs of animals, including his famous horse figures. He also decorated features such as doors and even air conditioners. The figures were designed to resemble ancient cave paintings in a modern environment. Husain also placed a few metal sculptures of human figures between the inclining columns. His largest work, Sheshnag (the divine serpent), stretches over a length of 100 ft.
Title: Agdam Tea House
Content:  The tea house was based on the idea of the academician Khudu Mammadov during Sadig Murtuzayev's post as first Secretary of the Agdam District Party Committee of the Central Committee of the Azerbaijan SSR. Naik Samadov was chief architect of the Tea House project. In the project, masonry was only used on the first floor. The remainder consisted of metal construction. It was decided to place the tea house near the mosque after discussion with Khudu Mammadov. Penal labor was used to reduce construction costs. The tea house was inaugurated on 26 July 1986. In addition to the regional officials, Vafa Guluzade, the head of the 
Title: Ahmedabad
Content:   Early in Ahmedabad's history, under Ahmed Shah, builders fused Hindu craftsmanship with Persian architecture, giving rise to the Indo-Saracenic style. Many mosques in the city were built in this fashion. Sidi Saiyyed Mosque was built in the last year of the Sultanate of Gujarat. It is entirely arched and has ten stone latticework windows or jali on the side and rear arches. Private mansions or haveli from this era have carvings. A Pol is a typical housing cluster of Old Ahmedabad. After independence, modern buildings appeared in Ahmedabad. Architects given commissions in the city included Louis Kahn, who designed the IIM-A; Le Corbusier, who designed the Shodhan and 

Question: Verify the following claims with "True" or "False": He was the architect that designed Amdavad ni Gufa.
Answer: True