Title: Indo-Islamic architecture
Content:  and Mughal style) such as the Telangana High Court, City College, Public Gardens, (formerly Bagh-e-Aaam), Jubilee Hall, Asafia Library, The Assembly building, Niloufer Hospital, the Osmania Arts College and Osmania Medical College, as well as palaces like Hyderabad House and Chowmahalla Palace. The so-called Indo-Saracenic architecture, beginning in the late 18th century, but mainly developing from the 1840s until independence a century later, was mostly designed by British or other European architects, and adopted Islamic or specifically Indian features, usually as a decorative skin on buildings whose essential forms reflected contemporary Western types and uses, whether as office buildings, palaces, courts of justice, railway stations or hotels. The style, which is very variable, thus became one of a number of revival architecture styles that were available to the Victorian architect. The usual type of Indian architecture borrowed from was Mughal architecture, or its Rajput palace version.
Title: Indo-Saracenic architecture
Content:  Indo-Saracenic architecture (also known as Indo-Gothic, Mughal-Gothic, Neo-Mughal, or Hindoo style) was a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states. It drew stylistic and decorative elements from native Indo-Islamic architecture, especially Mughal architecture, which the British regarded as the classic Indian style, and, less often, from Hindu temple architecture. The basic layout and structure of the buildings tended to be close to that used in contemporary buildings in other revivalist styles, such as Gothic revival and Neo-Classical, with specific Indian features and decoration added. The style drew from western exposure to depictions 
Title: Lahore
Content:  As capital of British Punjab, British colonialists made a lasting architectural impression on the city. Structures were built predominantly in the Indo-Gothic style – a syncretic architectural style that blends elements of Victorian and Islamic architecture, or in the distinct Indo-Saracenic style. The British also built neoclassical Montgomery Hall, which today serves as the Quaid-e-Azam Library. Lawrence Gardens were also laid near Civil Station, and were paid for by donations solicited from both Lahore's European community, as well as from wealthy locals. The gardens featured over 600 species of plants, and were tended to by a horticulturist sent from London's Royal Botanic Gardens at Kew. The British authorities built several important structures around the time of the Golden Jubilee of Queen Victoria in 1887 in the distinct Indo-Saracenic style. The Lahore Museum and Mayo School of Industrial Arts were both established around this in this style. Other prominent examples of the Indo-Saracenic style in Lahore include Lahore's prestigious Aitchison College, the Punjab Chief Court (today the Lahore High Court), Lahore Museum and University of the Punjab. Many of Lahore's most important buildings were designed by Sir Ganga Ram, who is sometimes called the "Father of modern Lahore."
Title: Architecture of India
Content:  one large central part covered with a larger dome. Colonnades separate the two chambers. Each corner holds a smaller dome and is floored with marble plinth. The memorial stands on 26 hectares of garden surrounded by reflective pools. The period of British rule saw wealthy Bengali families (especially zamindar estates) employing European firms to design houses and palaces. The Indo-Saracenic movement was strongly prevalent in the region. While most rural estates featured an elegant country house, the cities of Calcutta had widespread 19th and early 20th century urban architecture, comparable to London, Sydney or Auckland. Art deco influences began in Calcutta in the 1930s.
Title: Bengal Presidency
Content:  Civic architecture began following European styles after the advent of the East India Company's authority. The Indo-Saracenic style, merging Gothic and Indo-Islamic architecture, was started by British architects in the late 19th-century. While cities such as Calcutta and Dacca featured more civic architecture, country houses were built in many towns and villages across Bengal. Art deco influences began in the 1930s. Wealthy Bengali families (especially zamindar estates) employed European firms to design houses and palaces.
Title: Architecture of Dhaka
Content:  The Indo-Saracenic (also known as Indo-Gothic, Mughal-Gothic, Neo-Mughal, Hindoo or Hindu-Gothic) was an architectural style movement by British architects in the late 19th century in British India. It drew elements from native Indo-Islamic and Indian architecture, and combined it with the Gothic revival and Neo-Classical styles favoured in Victorian Britain. The style gained momentum in the west with the publication of the various views of India by William Hodges and the Daniell duo, (William Daniell and his uncle Thomas Daniell) from about 1795.
Title: Architecture of India
Content:  garden house became ideal a full-time dwelling, deserting the fort in the 19th Century. Mumbai (Bombay) has some of the most prominent examples of British colonial architecture. This included the gothic revival (Victoria terminus, University of Bombay, Rajabai Clock Tower, Bombay High Court, BMC Building), Indo-Saracenic (Prince of Wales Museum, Gateway of India, Taj Mahal Palace Hotel) and Art Deco (Eros Cinema, New India Assurance Building). Madras and Calcutta were similarly bordered by water and division of Indian in the north and British in the south. An Englishwoman noted in 1750 "the banks of the river are as one may say absolutely studded with elegant 
Title: Architecture of Chennai
Content:  Victoria Public Hall, and the Madras Medical College's anatomy block are examples of Indo-Saracenic-style structures found in Park Town. Structures such as Bharat Insurance Building, Agurchand Mansion and the Poombhuhar Showroom are found along the Anna Salai, and Amir Mahal is in Triplicane. Structure found in Guindy include College of Engineering and Old Mowbrays Boat Club. Egmore is dotted with several such structures including the Government Museum, Metropolitan Magistrate Court, Veterinary College, State Archives building, National Art Gallery, and College of Arts and Crafts. St. George's School Chapel and the Southern Railway Offices in Aminjikarai are other examples of the Indo-Saracenic structures in the city.
Title: Indies Empire style
Content:  Indies Empire style (Dutch: Indisch Rijksstijl) is an architectural style that flourished in the colonial Dutch East Indies (now Indonesia) between the middle of the 18th century and the end of the 19th century. The style is an imitation of neoclassical Empire Style which was popular in mid-19th-century France. Conformed to the tropical setting of Indonesia, the style became known in the Dutch East Indies as Indies Empire style.
Title: Architecture of India
Content:  Indo-Saracenic architecture was a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states. It drew stylistic and decorative elements from native Indo-Islamic architecture, especially Mughal architecture. The basic layout and structure of the buildings tended to be close to that used in contemporary buildings in other revivalist styles, such as Gothic revival and Neo-Classical, with specific Indian features and decoration added. According to Thomas R. Metcalf, a leading scholar of the style, "the Indo-Saracenic, with its imagined past turned to the purposes of British colonialism, took shape outside India [ie the subcontinent] most fully only in 

Question: Verify the following claims with "True" or "False": the architecture style of 103 Colmore Row falls under indo-mughal style.
Answer: False