Title: Odi Pop
Content:  Odi pop is a Kenyan music style which involves localized Hip Hop and draws influences from Reggae and Dancehall music to build on an African Rhythm base performed in sing-along rap in heavy Kiswahili/Sheng language. There are several sub-genres stemming from this umbrella term including Gengeton, Dabonge, Debe and others. The music is spearheaded by Kenyan youth and most of them are pursuing their careers as music groups opposed to solo careers. The term Odi Pop was coined in 2019 by musician and music scholar Dan 'chizi' Aceda, who is popular for Benga music. He described the naming on The Elephant: For the sake of definitional simplicity, I am proposing the collective term “Odi-pop” to refer to all the sub styles of this new sound. I am aware of each group having named their style separately e.g Gengetone, Dabonge style and so on and my definition is not trying to replace that. For me this musical style is basically pop but with a common sound (hip-hop rap influence blended with Caribbean phrase and rhyme schemes, all constructed on an African rhythm base and performed in sing-along rap with heavy Kiswahili/Sheng inflections). My naming structure is borrowed from K-Pop.
Title: Ado-Odo
Content:  specifically at the Oodu'a Temple in Ilaje and its environs, that corroborate this. In pre-colonial times, the independent state of Ado had at various times been referred to as Ado-Oodu'a, Ado-Ife, Ado-Ibini, and Ado-Awori, all pointing to its generational evolution. The advent of British rule led to the adoption of Ado-Odo as a clear-cut identity, setting the town apart from other major settlements bearing similar names in other parts of Yorubaland (such as Ado-Ekiti, Ado-Awaye and Ado-Soba). The Ado Kingdom is currently inhabited by the Aworis and Yewas of Ishaga, Imasayi, Ibooro, and Ketu. Other groups found include Eguns (Ogu), Oyos, Ijebus, and Egbas as well as non-Yoruba elements, particularly the Hausa, Igbo, and Ijaw. The exact date of the kingdom's founding is as yet unknown, but Ado probably emerged around the eleventh century, when conditions in Ile-Ife forced inhabitants to search for new, more prosperous lands.
Title: Ado-Odo
Content:  Ado-Odo is the metropolitan headquarters of the ancient kingdom of Ado, renowned for its Oduduwa/Obatala temple, the ancient fortress of the traditional practice of Ifá (Ado n'ile Ifa). Oodu'a is also regarded by traditionalists as the mother of all deities, world over. All of these made Ado an inviolate territory in western Yorubaland&mdash;the same "father figure" status accorded to Ile-Ife. Unlike the other kingdoms, which had at one time or the other engaged in the internecine wars that ravaged Yorubaland in the nineteenth century, Ado stood out as an unconquered sanctuary city-state throughout the period. Ado-Odo is located in modern-day Ogun State in the southwestern part of Nigeria. Ado, as an ancient Awori town, could be described as the melting pot of the ancient Ife and Benin traditions, where the languages of these two important communities remain the lingua franca in their shrines. There are relics in the 
Title: Oladad
Content:  Oladad is a hip-hop folk-fusion group from Madagascar. They perform a fusion of hip-hop, dance and the traditional horija music of the Betsileo people, including such instruments as the kabosy, jejy, sodina and fiddle. The band was formed in 1996 in Fianarantsoa. The band draws its name from the reverse spelling of the name of lead member Dadalo, whose name signifies "luck" (vintana mahery adalo). Oladad comprises five singers (Dadalao, Evans, Kids, Tsiry and Lova) and six musicians. From 1996 to 2001, Oladad was an early act on the nascent Malagasy hip-hop and rap scene. Beginning in 2002, the band originated a rhythm they termed "dombe" (from the Malagasy mandona be, "heavy strike"), merging hip-hop rhythms with horija Betsileo music. They released their first album 
Title: OAG (band)
Content:  The original line-up of the band were Radhi, Qi(drums), Mohd Azrie Hadi aka Ayie( guitar), Ivan (lead guitar) and Lam (bass guitar). Ivan and Lam however returned to their studies in 1996, with them being replaced ter by Edmund Boey (bass guitar) and Adin (lead guitar) in 1996. Radhi, Qi, Edmund and Adin have been arguably dubbed 'the Classic OAG line-up' by many. Their big break came when Paul Moss, the producer from Positive Tone at that time heard their music and wanted them to send a new demo. OAG quickly recorded their demos within a few weeks (some say within a week) to submit it to Paul. Paul 
Title: Reggae
Content:  Reggae in Australia originated in the 1980s. Australian reggae groups include Sticky Fingers, Blue King Brown, Astronomy Class and The Red Eyes. Others such as The Fraud Millionaires combine reggae with rock, while many more artists include some reggae songs in their repertoires, but don't identify as reggae bands. Desert Reggae is a developing contemporary style possibly originating in Central Australia and featuring lyrics often sung in Australian Aboriginal languages. Yirrmala by Yothu Yindi (1996) is an example of an Aboriginal reggae song. New Zealand reggae was heavily inspired by Bob Marley's 1979 tour of the country, and early reggae groups such as Herbs. The genre has seen many bands like Fat Freddy's Drop, Salmonella Dub, The Black Seeds and Katchafire emerging in more recent times, often involving fusion with electronica. In 2017 The first-ever chart dedicated to reggae and dancehall music established in Australia by radio presenter DJ Ragz, music producer DJ Wade and Dancehall Reggae Australia.
Title: Oudaden
Content:  Oudaden was founded in 1978 in Ben Sergao near Agadir. The group has performed throughout Morocco and internationally, particularly in Europe and the United States. They performed in Malaysia at the Rainforest World Music Festival, and in Tanzania on occasion of the Sauti za Busara. Their first album was released in 1985. The band's discography has grown to thirty-eight albums, contributing to the revival of Amazigh song. In 2012 they went on tour in France and performed, in particular, at the Arab World Institute.
Title: Oudaden
Content:  Oudaden (in Berber: ⵓⴷⴰⴷⴻⵏ) is a Moroccan musical group that plays Berber amazigh music. It was formed in 1978 in Ben Sergao near Agadir, in the Sous region of Morocco. Its leader is Abdellah el Foua.
Title: Yacub Addy
Content:  family moved to Seattle in 1975, where he found work performing and teaching. In 1982 while he was living in the Washington, D.C. area, Addy formed the ensemble Odadaa!, composed primarily of Ga artists and which remained active for decades. The group's name translates as "Let the music begin!" They performed both traditional Ghanaian music and dance, arranged and choreographed by Addy, as well as collaborations with artists from other traditions such as kora and jazz. Two of Addy's brothers performed with Odadaa! for many years. Odadaa! made their first appearance at the New Orleans Jazz & Heritage Festival in 1984. Addy had wanted to visit the city 
Title: A-O-K (song)
Content:  "A-O-K" is a song by American singer-songwriter Tai Verdes. It was released on June 8, 2021, as the fifth single from his debut studio album TV via Arista Records. The song was written by Adam Friedman, Brian William Brundage, Martijn Tienus Konijnenburg and Tyler Colon, and produced by Friedman. A remix featuring guest vocals from American rapper 24kGoldn was released on September 10, 2021.

Question: Verify the following claims with "True" or "False": I know, Aodh is a derivative of Reggae.
Answer: False