Title: The Rapeman
Content:  The comic was mentioned by name in articles published in foreign publications in an attempt to delve into Japan's sex culture in the wake of the Waseda University Super Free "rape club" scandal. A band called Rapeman credits the comic for the name the band chose. Frontman Steve Albini and drummer Rey Washam admitted their obsession with the character and that obsession carrying over to naming the band. On 4 October 1999, almost 3 years after the final release in the franchise, a fictional 14th volume of the series was featured in episode 3 "...Or Just Look Like One" of the crime drama TV series Law and 
Title: Rick Wakeman
Content:  more accessible and concise songs, Wakeman agreed to play on the album as a session musician. Lane and Squire convinced him to rejoin as a full-time member; Wakeman noticed the new edition of Melody Maker with the headline "Wakeman rejoins Yes" appeared hours after he agreed. He asked Lane what would have happened if he declined, and said: "It's just one of those decisions a manager has to make." Wakeman described the record as "the album Yes should have made instead of Topographic Oceans." Released in July 1977, the album spent two weeks at No. 1 in the UK and spawned the 
Title: Rapeman
Content:  Rapeman was a short-lived American noise rock band founded in 1987 and disbanded in 1989. It consisted of Steve Albini (formerly of Big Black) on guitar and vocals, David Wm. Sims (formerly of Scratch Acid and simultaneously of The Jesus Lizard) on bass and Rey Washam (formerly of Scratch Acid and Big Boys) on drums. Their sound was also described by some as post-hardcore. Rapeman were formed as a parallel sister project to The Jesus Lizard, although they outlasted Rapeman by several years.
Title: Rick Wakeman
Content:  English Rock Ensemble following a renewed interest in progressive rock there. He recruited Fernandez, Damian Wilson on vocals, Adam Wakeman on keyboards, Ant Glynne on guitar, and Lee Pomeroy on bass. Wakeman was particularly pleased with his playing, calling it his "best in a long time." At its conclusion, Wakeman entered early discussions with Keith Emerson regarding a potential music project, but the idea was shelved in early 2002. Following months of speculation, Yes management announced Wakeman's return to the band for a fifth time, on 16 April 2002. Wakeman remembered it took "eight months to get the paper work together" to make his return happen. Upon Wakeman's return, the group entered rehearsals for their Full Circle Tour that ran from 
Title: Rick Wakeman
Content:  Richard Christopher Wakeman (born 18 May 1949) is an English keyboardist. He is best known for being in the progressive rock band Yes across five tenures between 1971 and 2004 and for his solo albums released in the 1970s. Born and raised in West London, Wakeman intended to be a concert pianist but quit his studies at the Royal College of Music in 1969 to become a full-time session musician. His early sessions included playing on "Space Oddity", among others, for David Bowie, and songs by Junior's Eyes, T. Rex, Elton John, and Cat Stevens. Wakeman became a member of The Strawbs in 1970 before joining Yes a 
Title: Tom Werman
Content:  In 1970, bored with his work in advertising, he sent a letter to Clive Davis at CBS Records and landed a job at Epic Records as an A&R man. His discoveries included Boston, Cheap Trick, REO Speedwagon, and Ted Nugent, whose first album he co-produced as his first production credit. He also brought Kiss, Lynyrd Skynyrd, and Rush to Epic, but the label passed on all three. After combining A&R with record producing at Epic until the end of 1982, Werman moved to Elektra Records the following year, but left after four months and continued in producing as an independent; he also worked for a while as an executive at Capitol Records. He retired from the 
Title: Rick Wakeman's Criminal Record
Content:  Rick Wakeman's Criminal Record is the seventh studio album by English keyboardist Rick Wakeman, released in November 1977 on A&M Records. The album was recorded in Montreux, Switzerland after Wakeman rejoined Yes in late 1976 as they were making Going for the One. With its concept loosely based on criminality, the album is an instrumental progressive rock record with the exception being "The Breathalyser", in which Bill Oddie provides vocals. Bassist Chris Squire and drummer Alan White of Yes also play on three tracks. The album received some mixed reviews upon release, and reached No. 25 in the UK. In 2006, the album was remastered as a limited edition with 5,000 copies produced.
Title: The Six Wives of Henry VIII (album)
Content:  In August 1971, Rick Wakeman joined the progressive rock band Yes as a replacement for their original keyboardist Tony Kaye. Towards the end of the year, he signed a five-album deal with A&M Records as a solo artist. While touring the United States with Yes on their Fragile Tour promote Fragile (1971), Wakeman was informed by his manager Brian Lane that A&M co-founder and executive Jerry Moss wished to meet him at A&M Studios in Los Angeles. Moss wished for Wakeman to record a solo album and offered an advance of $12,500, around £4,000, to produce it which Wakeman accepted. As part of his signing on fee, Wakeman received a 1957 Cadillac 
Title: R.E.M.
Content:  R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. Liner notes from some of the band's albums list attorney Bertis Downs and manager Jefferson Holt as non-musical members. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a 
Title: Sandy Pearlman
Content:  In 1967, Pearlman hand-picked musicians for a rock band to perform the lyrics that he was writing, based on his Imaginos poems. He dubbed the band "Soft White Underbelly" (from a World War II speech by Winston Churchill) and later changed their name to "Blue Öyster Cult". He managed the band (with Murray Krugman) from 1967–1995, and produced or co-produced 7 of their studio albums, and 4 of their live albums. Significantly, Pearlman was co-producer, with David Lucas and Murray Krugman, of BÖC's "(Don't Fear) The Reaper" in 1976. The song reached No. 12 on the Top 40 charts and has remained an FM radio staple since. On the Rolling Stone list of 

Question: Verify the following claims with "True" or "False": Yep! He was created by Rick Berman and Steven T. Seagle.
Answer: False