Title: Ryszard Kapuściński
Content:  theory of "the responsibility of witness". One reviewer saw in Kapuściński's mixing of subtle psychological reflection with vivid description an invitation to a comparison with Joseph Conrad; Binyavanga Wainaina and Aleksandar Hemon made the same comparison, if for other, less laudatory reasons. Kapuściński confirmed to Bill Deedes the fact that Conrad was one of his literary inspirations. Neal Ascherson likened him to Egon Erwin Kisch (1885–1948) considered the father of literary reportage. Kapuściński himself cites Kisch with approval as the "classic of reportage" who dealt a death blow to traditional forms of reporting by putting the person of the reporter at centre stage. 
Title: Ryszard Kapuściński
Content:  Ryszard Kapuściński (4 March 1932 – 23 January 2007) was a Polish journalist, photographer, poet and author. He received many awards and was considered a candidate for the Nobel Prize for Literature. Kapuściński's personal journals in book form attracted both controversy and admiration for blurring the conventions of reportage with the allegory and magical realism of literature. He was the Communist-era Polish Press Agency's only correspondent in Africa during decolonization, and also worked in South America and Asia. Between 1956 and 1981 he reported on 27 revolutions and coups, until he was fired because of his support for the pro-democracy Solidarity movement in his native country. He was celebrated by other practitioners of the genre. The acclaimed Italian reportage-writer Tiziano Terzani, Colombian writer Gabriel García Márquez, and Chilean writer Luis Sepúlveda accorded him the title "Maestro". Notable 
Title: Ryszard Kapuściński
Content:  coined by Adam Hochschild in 1994. Kapuściński often introduced himself with the line "I am a poor reporter who unfortunately lacks the imagination of a writer". Italian journalist Tiziano Terzani and Ryszard Kapuściński shared a similar vision of journalism. Jaime Abello Banfi, the friend and associate of Gabriel García Márquez, reports that García Márquez and Kapuściński, unbeknownst to each other, shared the opinion that the way to good journalism led through poetry (on account of the fact that it inculcates both the conciseness of expression and its aptness). Kapuściński considered the ancient Greek historian Herodotus a great reporter and his master. He wrote 
Title: Ryszard Kapuściński
Content:  Kapuściński had a global reputation, and is one of the Polish writers translated into the highest number of foreign languages. In an obituary published in Der Spiegel, Kapuściński was described by German journalist Claus Christian Malzahn as "one of the most credible journalists the world has ever seen". Daniel Alarcón, a Peruvian-American novelist, cited Kapuściński as a formative influence together with Dostoyevsky. The American journalist and reportage-writer Richard Bernstein, saw value in the "penetrating intelligence" of Kapuściński's vision and in his "crystallised descriptive" style of writing. The British journalist Bill Deedes, who had witnessed the Rwandan genocide first-hand, said of Kapuściński that what he "writes 
Title: Ryszard Kapuściński
Content:  character in Andrzej Wajda's 1978 film Without Anesthesia. Aleksandar Hemon, the Bosnian-American novelist (who had previously impugned Robert D. Kaplan's stereotyping of "the Balkan mind"), in a critique of Kapuściński's Africa writings published in The Village Voice, accused Kapuściński's readers of turning a blind eye to "the underlying proto-racist essentialism" that informs his vision of and his approach to the cultures of the continent: "[Kapuściński] fumes against the racism absurdly based on skin colour, and would probably be shocked if told that his obsessive listing of essential differences [between "the African mind" and "the European mind"] is essentially racist".
Title: Ryszard Kapuściński
Content:  book Travels with Herodotus where he shows that the Histories of Herodotus are timeless and the masterpiece of reportage. He also considered Curzio Malaparte, Melchior Wańkowicz, Ksawery Pruszyński and Franciszek Gil (1917–1960) to have been his literary models and stylistic precursors. On some level, Pruszyński and Wańkowicz shared a very similar approach to facts with Kapuściński, believing that the general picture of the story can be glued from bits and pieces to reveal a truth as a wholly independent construct. Students of Kapuściński's work observed correspondences between his work and that of J. M. Coetzee in that both writers were supposedly beholden to 
Title: Zygmunt Krasiński
Content:  Napoleon Stanisław Adam Feliks Zygmunt Krasiński (19 February 1812 – 23 February 1859) was a Polish poet traditionally ranked with Adam Mickiewicz and Juliusz Słowacki as one of Poland's Three Bards – the Romantic poets who influenced national consciousness in the period of Partitions of Poland. Of the three, he is considered the least influential. Krasiński was the most famous member of the Krasiński family. He was born in Paris to Count Wincenty Krasiński and Maria Urszula Radziwiłł, and became the close companion of his father after his mother's early death from tuberculosis. He was educated by tutors prior to attending the 
Title: Romanticism in Poland
Content:  developed the idea of the poeta wieszcz (the prophet). The wieszcz (bard) functioned as spiritual leader to the nation fighting for its independence. The most notable poet so recognized was Adam Mickiewicz. His famous verse epic Pan Tadeusz describes his love for the partitioned homeland and people of his native country: "O Lithuania, my country, thou Art like good health; I never knew till now How precious, till I lost thee. Now I see Thy beauty whole, because I yearn for thee." (— Opening stanza of Pan Tadeusz, Kenneth R. Mackenzie translation) Other notable Polish Romantic writers active abroad included Juliusz Słowacki, Zygmunt Krasiński and Cyprian Kamil Norwid. A number of Romantics remained active in 
Title: Tadeusz Miciński
Content:   Tadeusz Miciński (9 November 1873, in Łódź – February 1918, in Cherykaw Raion, Belarus) was an influential Polish poet, gnostic and playwright, and was a forerunner of Expressionism and Surrealism. He is one of the writers of the Young Poland period (Neoromanticism movement). His writings are strong influenced by Dark Romanticism and Romantic gothic fiction, with a focus on moral battles between good and evil. He was called by many a wizard poet and a worshipper of mysteries.
Title: Polish literature
Content:  folklore, country life, as well as the propagation of the ideals of independence. The most famous writers of the period were: Adam Mickiewicz, Seweryn Goszczyński, Tomasz Zan and Maurycy Mochnacki. In the second period (after the January uprising), many Polish Romantics worked abroad, often banished from the Polish soil by the occupying power. Their work became dominated by the ideals of freedom and the struggle for regaining their country's lost sovereignty. Elements of mysticism became more prominent. Also in that period, the idea of the poeta-wieszcz (nation's bard) developed. The wieszcz functioned as spiritual leader to the suppressed people. The most notable poet among the ''leading bards of Romanticism, so recognized in both periods, was Adam Mickiewicz. Other two national poets were: Juliusz Słowacki and Zygmunt Krasiński. Polish writers and poets of the Romantic period include:

Question: Verify the following claims with "True" or "False": I emphasized that Andrzej Piotr Ruszczyński was influenced by Gerard Manley Hopkins.
Answer: False