Title: True Blue (Madonna song)
Content:  "True Blue" is a dance-pop song which was musically inspired by the Motown's girl groups from the 1960s which are considered the direct antecedents of Madonna's musical sound, and the music she had grown up in her hometown Detroit. The song is composed in the key of B major. It is set in compound quadruple meter, commonly used in doo-wop, and has a moderate tempo of 118 beats per minute. "True Blue" features instrumentation from a rhythm guitar, a synthesizer, keyboards, and drums for the bassline, with a basic sequence of I–vi–IV–V (B–Gm–E–F) as its main chord progression. Madonna's vocal range spans a bit less than one and a half octaves, from F3 to B4. 
Title: True Blue (Madonna song)
Content:  of the same paper believed it was "charming". Steve Morse of The Boston Globe, when describing the song, said that it was a "bid to be an '80s Helen of Troy". Sal Cinquemani from Slant Magazine called it as an "authentic throwback to the girl-group-era pop". AllMusic's Stephen Thomas Erlewine felt that "True Blue" was Madonna's "real trick" to keep her status as a "dance-pop diva" and recalled the classic pop girl influence. Writing for Stuff.co.nz website, James Croot listed the track as the "crowning glory" on the album, describing it as a "toe-tapping 1950s-inspired ditty, it is simply pop-song confection perfection". Terry Hearn from The Metropolist opined that calling 
Title: True Blue (Madonna song)
Content:  "True Blue" is a song by American singer Madonna. It is the title track from her third studio album True Blue (1986), and was released as the album's third single on September 17, 1986, by Sire Records. Written and produced by Madonna and Steve Bray, the song deals with Madonna's feelings for her then-husband Sean Penn. A dance-pop song, it features instrumentation from a rhythm guitar, a synthesizer, keyboards, and drums. The main chorus is backed by an alternate one, incorporating a chord progression generally found in doo-wop music. Received by critics as a light-hearted and cute retro song, "True Blue" 
Title: True Blue (Madonna album)
Content:  was released as the album's third single in September 1986. It is a dance-pop song inspired by the Motown's girl groups from the 1960s. Critics generally received the song as a light-hearted, fun track having a 50's feeling to it, although some critics believed that it was "sassless and neutered" as compared to the other songs on the record, and that it was "merely cute and not really up to being the title track of an album". The song became another top ten hit for Madonna reaching number three on the Billboard Hot 100 chart, and peaked at number one in 
Title: Music (Madonna song)
Content:  electro funk, while Richard S. He of the same publication described the record as "postmodern, escapist dance-pop". The instrumental riff in the track is created by a 1970s analogue Moog synthesizer, which ultimately leads to the song fading out. The production in "Music" not only referenced disco and funk, but was also campy in nature as noted by Jarman-Ivens. Lyrically the song reiterates the uniting power of music. The primary hook was deemed as having political implications, with Madonna renouncing the bourgeoisie. Fouz-Hernández believed that the line "I wanna dance with my baby" reinforced a connection with gay listeners 
Title: Girls' Generation
Content:  hip hop, a genre that Girls' Generation had never ventured into. The titular studio album, according to AllMusic's reviewer Tim Sendra, includes uptempo dance tracks "with a straight pop radio feel." Girls' Generation's 2012 single "Dancing Queen"—a remake of British singer Duffy's "Mercy" (2008)—features a "funky pop" production, as opposed to the group's signature electropop sound. Their 2013 single "I Got a Boy" was noted for its eclectic musical style, utilizing various genres ranging from bubblegum pop, electropop and drum and bass to pop-rap, EDM, and dubstep. Jeff Benjamin from Billboard lauded the song as "one of the most-forward thinking lead pop singles heard in any country." Both aforementioned singles' 
Title: Girl You Know It's True (song)
Content:  The Milli Vanilli version of "Girl You Know It's True", recorded at Frank Farian's FAR studios in Rosbach, Germany in the spring of 1988, started with only a drum track and two female vocalists, Linda Rocco and Jodie Rocco, American twin sisters living in Germany and successful in the music industry. Frank asked the girls to listen to the Numarx version so they would know what to sing. The record was on a turntable in the studio and Frank played the vocal parts for the girls. There was only the drum track to follow, making the Rocco twins were the first vocals on the track. The New York City subway remix of the song features samples from several pop and R&B artists who were popular in the 80's. These include Flavor Flav's signature "Yeah, boyyy" phrase and a piece from Dennis Edwards' 1984 song "Don't Look Any Further."
Title: Girl You Know It's True (song)
Content:  "Girl You Know It's True" is a song by Maryland-based group Numarx, later made internationally famed by German dance-pop group Milli Vanilli. Released as the lead single from Milli Vanilli's European debut album, All or Nothing, and the duo's American debut album, Girl You Know It's True, the song peaked at number one on the German Singles Chart, number two in the United States and number three in the United Kingdom, becoming one of Milli Vanilli's most successful singles.
Title: The Real Thing (Gwen Stefani song)
Content:  Musically, "The Real Thing" has been described as a "beat-driven" synth-pop, Europop, and new wave ballad. The Miami Heralds Howard Cohen felt the song would appeal to a mostly teen-fanbase and compared Stefani's singing style to that of Madonna. David Browne from Entertainment Weekly described the track's genre as "glacial '80s synthpop" while Jenny Eliscu from Rolling Stone called the song "so eighties, in fact, that members of New Order are the backing band". Slant Magazines Sal Cinquemani described the song as Europop inspired by the style of American musician Prince. John Murphy from musicOMH compared "The Real Thing" to ''Love. Angel. Music. Baby.''s 
Title: Real Rock
Content:  "Real Rock" is an instrumental reggae song by Jamaican band Sound Dimension. It was recorded in 1967 at Jamaica Recording Studio in Kingston, Jamaica, and released as a single in 1968 through Studio One. The song was produced by Clement "Coxsone" Dodd and performed by Eric Frater (guitar), Boris Gardiner (bass), Phil Callender (drums), Denzel Laing (percussion), Vin Gordon (trombone) and Jackie Mittoo (keyboards), who played the riddim's signature three-note Hammond organ figure. The song is significant for giving rise to perhaps the most popular reggae riddim of all time, having been versioned hundreds of times by artists ranging from The Clash to KRS-One to 311. According to a 2004 The New York Times article, C. Dodd considered the song his crowning achievement.

Question: Verify the following claims with "True" or "False": The song Mermaid belongs to the musical band Train written in the reggae music genre where Pop rock is the genre.
Answer: True