Title: Architecture of Birmingham
Content:  became one of the most prolific architects involved in the construction or alteration of churches in Birmingham. Some of his most significant works include the Greek Orthodox Cathedral in Birmingham, which was completed in 1873, Aston Parish Church in 1879, and St Martin in the Bull Ring in 1873. As well as designing churches, he designed the King Edward VI High School for Girls on New Street in 1866 and Bingley Hall in 1850. His son P. B. Chatwin also became an architect, designing King Edward VI Handsworth in 1911 and St Mary the Virgin, Acocks Green Church and Church Hall, Acocks Green which opened around 1908.
Title: Architecture of Birmingham
Content:  construction of the Great Western Arcade in 1876, which was designed by W. H. Ward. Despite major architects making impacts across the country, locally born or resident architects were the more dominant group in Birmingham. Yeoville Thomason, who was born in Edinburgh to a Birmingham family, designed many important buildings with the most significant being the Museum & Art Gallery and the Council House, which were completed in 1879. His range of designs included the Singers Hill Synagogue and a variety of offices for banks, as well as the original Lewis's Department Store, which was completed in 1889 as Birmingham's first concrete and iron building, on Corporation Street.
Title: Architecture of Birmingham
Content:  Birmingham architecture, placing the city at the forefront of English architecture at a time when English architecture was leading the world. Its influence was international: Lethaby was the most important architectural theorist of the whole movement, and built over half of his work in Birmingham or for Birmingham clients, while the buildings of Birmingham architects such as William Bidlake and William Alexander Harvey were to feature prominently in Herman Muthesius's 1905 book The English House, which was to be revolutionary in its introduction of the Arts and Crafts philosophy into Germany, and a pivotal influence on the later birth of the modern movement.
Title: Architecture of Birmingham
Content:  in Birmingham, thirteen scheduled ancient monuments and 27 conservation areas. Many well-known architects come from Birmingham. From the Victorian era, Yeoville Thomason, J. A. Chatwin and Martin & Chamberlain made a big impact on the city. In the early 20th century, Harry Weedon designed over 300 Odeon cinemas across the country. Hurley Robinson also designed numerous cinemas around the United Kingdom. William Alexander Harvey played a key part in the design and construction of Bournville. In the postwar period, John Madin became a prolific architect and more recently, Glenn Howells and Ken Shuttleworth have made their mark on the international stage.
Title: 21 Yateley Road, Edgbaston
Content:  Over a period of some three hundred years, the city of Birmingham expanded from a West Midlands town with few natural advantages into England's second city and "one of the greatest manufacturing centres in the world". The later 19th century saw major growth of the city's suburbs, including that of Edgbaston, to the south-west of the city centre. The area largely belonged to the Gough-Calthorpe family which presided over sensitive development aimed at the city's affluent middle and upper classes. The city's architects developed a distinctive regional variant of the Arts and Crafts architectural style, inspired by William Lethaby's The Hurst at Four Oaks, Sutton Coldfield, and culminating in the Bournville model village developed by the Cadbury family of chocolate manufacturers. Herbert Tudor Buckland (1869-1951) was firmly in this architectural tradition and over the course of a career spent largely in Birmingham, he developed a substantial practice. In 1899, he undertook the construction of a house for himself, 21 Yateley Road, which remained his home until his death. The garden was laid out to a plan devised by Gertrude Jekyll. The house remains a private residence.
Title: Martin &amp; Chamberlain
Content: John Henry Chamberlain (1831–1883) ; Settled in Birmingham in 1856 and went into partnership with William Martin in 1864. He was the innovative designer in the partnership. The grade I listed Birmingham School of Art, Margaret Street was one of his last commissions. It was finished by William Martin after Chamberlain's death. William Martin (1829–1900) ; Was the Birmingham public works architect when J. H. Chamberlain joined him. He continued to work under the name of Martin & Chamberlain after Chamberlain's death. He later went into partnership with his son, Frederick Martin. Frederick Martin ; Son of William Martin, designed the grade I listed former Bell Edison Telephone Building: 17 & 19 Newhall Street.  John Henry Chamberlain, William Martin, and Frederick Martin were architects in Victorian Birmingham, England. Their names are attributed singly or pairs to many red 
Title: Architecture of Birmingham
Content:  made the city architect of Birmingham, with the first being Alwyn Sheppard Fidler who held the position from 1952 to 1964, when he walked out following disagreements over his design for the Castle Vale housing estate. The architecture produced following World War II has been met with mixed reaction. Many of the buildings constructed in this period have since been heavily criticised and refused listing whilst others have been praised and listed. The past decade has seen the demolition of many postwar buildings and more are set to be replaced in the coming years, some controversially such as John Madin's brutalist Birmingham Central Library.
Title: Architecture of Birmingham
Content:  presence. Birmingham's importance as a growing town encouraged the construction of municipal buildings which were designed by some of the most prominent architects of the time. Sir Aston Webb and Ingress Bell's Victoria Law Courts were completed in 1891 and feature extensive use of terracotta on the exterior. The ornamentation on the exterior, which includes a statue of Queen Victoria, is carried on inside the building. Webb was not the only major architect to make an impact on Birmingham. Wealthy landowners saw business opportunities as a result of the arrival of the railways in Birmingham. One such land owner, Isaac Horton, commissioned 
Title: John Henry Chamberlain
Content:  Chamberlain became the unofficial domestic architect to Birmingham's civic leaders, designing a string of prestigious houses in upmarket districts of South Birmingham, including Highbury Hall, the home of Joseph Chamberlain himself. He served from 1865 until his death as Honorary Secretary and on the Council of the Birmingham and Midland Institute. He was also responsible for an extension to the Institute's building, completed in 1881. Shortly before his death he completed the designs for what is generally considered his finest building – the Birmingham School of Art. The building was subsequently completed by William Martin and his son Frederick.
Title: Joseph Lancaster Ball
Content:  Joseph Lancaster Ball (1852–1933) was an English architect. Born to a Methodist family in Maltby in Yorkshire, Ball was articled to the architect William Willmer Pocock in London in 1877, and moved to Birmingham in 1880 to set up in private practice after winning a competition to design the Handsworth Wesleyan Theological College, now the Hamstead campus of Birmingham City University. In 1881 he built a range of offices, shops and warehouses at the junction of Cannon Street and Cherry Street in Birmingham whose Queen Anne revival style marked one of the first signs of the new simplicity in Birmingham architecture that would emerge with the Arts and Crafts movement, in reaction against the heavily decorated terracotta style then prevalent. During the early 1880s, he trained Robert England from Christchurch in New Zealand; England would become a prominent architect 

Question: Verify the following claims with "True" or "False": He was an architect born in Birmingham, England and designed buildings.
Answer: True