Title: Rumba flamenca
Content:  Rumba flamenca, also known as flamenco rumba or simply rumba, is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in Andalusia, southern Spain, where Cuban music first reached the country.
Title: Rumba flamenca
Content:  The rumba flamenca dance has some origins in Catalonia, specifically in the downtown areas of Barcelona, where gypsies performed rumba catalana at the times of this genre's flowering popularity. The dance that it accompanied was improvised with prominent hip and shoulder movements, more overtly sexual than other styles of flamenco dances.
Title: Rumba
Content:  In Spain, the term rumba was introduced in the early 20th century as rumba flamenca, one of the palos (styles) of flamenco. Particularly, it is considered one of the cantes de ida y vuelta, since flamenco itself might have had an influence on Cuban rumba, particularly on its vocal style. However, musicologists agree that rumba flamenca does not truly derive from Cuban rumba, but from guaracha, a fast-paced music style from Havana. Apart from rumba flamenca, other syncretic styles of Afro-Cuban origin have been named "rumba" throughout the Iberian peninsula, outside of the context of flamenco (where the term cantes de ida y vuelta is mostly restricted), such 
Title: Flamenco
Content:  It is believed that the flamenco genre emerged at the end of the 18th century in cities and agrarian towns of Baja Andalusia, highlighting Jerez de la Frontera as the first written vestige of this art, although there is practically no data related to those dates and the manifestations of this time they are more typical of the bolero school than of flamenco. There are hypotheses that point to the influence on flamenco of types of dance from the Indian subcontinent – the place of origin of the Romani people – such as the kathak dance. But also, the documentary Gurumbé, songs from your black memory, shows the African influence on the rhythms and choreographies of flamenco. The musician and anthropologist Raúl Rodríguez points out that in the Bantu language fanda means party, and the suffix -ngo (as in "Congo" or "Mandinga") indicates a possible African origin of the word "fandango".
Title: Rumba flamenca
Content:  In term rumba as applied to the flamenco style stems from its use in Cuba to refer to Cuban rumba (originally, "rumba" meant "party"). Within flamenco circles, the genre is simply called "rumba", and other terms have been used to distinguish it from Cuban rumba, including gypsy rumba (rumba gitana) and Spanish rumba, which are nonetheless ambiguous since they may also be used to mean Catalan rumba or other contemporary styles such as tecno-rumba.
Title: Rumba flamenca
Content:  Rumba flamenca was primarily influenced by guaracha, an uptempo style of vocal music which originated in Havana's musical theatre. Some elements from Cuban rumba were also incorporated, although minor, despite the name. Although unlikely, both guaracha and Cuban rumba might have been influenced by flamenco earlier in the 19th century. Guarachas can be traced back to the Spanish jácaras, thus justifying the classification of rumba flamenca as a cante de ida y vuelta. The first rumba flamenca recordings were made by La Niña de los Peines in the 1910s. During the late 20th century, Paco de Lucía, together with percussionist Rubem Dantas, incorporated Afro-Peruvian musical elements such as the cajón (wooden box) and certain rhythms.
Title: Rumba flamenca
Content:  In Cuba, the rumba is performed with multiple percussion instruments, playing in duple meter. The flamenco version of it uses palmas, guitar, and golpes (slapping the guitar). In addition, rumba flamenca has a particular guitar strumming pattern absent in other flamenco styles. The rhythm is a modified tresillo rhythm with eight beats grouped into a repeating pattern of 3+3+2. Unlike traditional flamenco, rumbas may be played in any key, major, minor and modal. At approx. 100-120bpm, the tempo of rumba flamenca is slower than other more traditional flamenco styles such as bulerías and fandangos. There are 4 beats per bar with an accent on the 2nd and 4th beats.
Title: Rumba flamenca
Content:  The rumba flamenca instrumentation consists of flamenco guitars, hand clapping, occasional body slapping, castanets and the cajón. As a result, it bears little resemblance to Cuban rumba, whose instrumentation is based on the congas and claves. Nonetheless, some artists such as Paco de Lucía and Tomatito have included congas alongside their cajones in their ensembles, although with a minor role.
Title: Catalan rumba
Content:  The Catalan rumba (rumba catalana, ) is a genre of music that developed in Barcelona's Romani community beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian flamenco rumba, with influences from Cuban music and rock and roll. The Catalan rumba originated in the Romani communities in the Gràcia, carrer (street) de la Cera del Raval and Hostafrancs neighborhoods. The Romani community in those neighborhoods is long-established and bilingual in Catalan and were influenced by the heavy Andalusian immigration to Barcelona during this period. The genre is based in a fusion of Catalan-Andalusian flamenco singing and the Afro-Cuban claves. It is in time, and consists of vocalists and handclaps, accompanied by guitar, bongos, and güiro; later groups also incorporate timbales, conga drums, small percussion instruments, piano, wind 
Title: Galician rumba
Content:  the Rumba prototype and defined as follows: “That original product, which we can call the Rumba prototype, was the result of a process of cultural fusion, in which certain European components, such as the lyrics, the tonal relationships (Major-Minor), the melodic and harmonic structures and the “quatrain-refrain” (copla-estribillo) form, were combined with syncopated rhythmic patterns and micro-metric fluctuations (micro time) of African origin.” Also like in the rumba flamenca, the melody in the rumba gallega is frequently based on the Spanish Andalusian cadence, while in the background it generally utilizes one or several rhythms which are characteristic of some Cuban music genres such as the guaracha, the rumba and the habanera.

Question: Verify the following claims with "True" or "False": Flamenco rumba grew out of reggae.
Answer: False