Title: Chinese rock
Content:   Chinese rock (also, lit. "Chinese rock and roll music") is a wide variety of rock and roll music made by rock bands and solo artists from the People's Republic of China. (native Chinese-speaking regions such as Taiwan, Hong Kong, Macau are considered separate scenes). Typically, Chinese rock is a fusion of forms accompanying the grand presentation of traditional Chinese music.
Title: Chinese rock
Content:  The birthplace of Chinese rock was in Beijing. As the nation's capital, the music was highly politicised and open to a range of foreign influences. It was marginal for most of the 1980s, consisting of live performances in small bars and hotels. The music was almost exclusively for the domain of university students and "underground" bohemian circles. In late 1989 and early 1990 Chinese rock partially emerged into mainstream music as a combination of the Northwest Wind and prison song fads. The first Chinese rock song was arguably the Northwest Wind anthem "Nothing To My Name", first performed in 1984 by Cui Jian, widely recognised as the father of Chinese rock. The song introduced into post-revolutionary China a whole new ethos that combined individualism, direct and bold expression. It soon came to symbolise the frustration 
Title: Chinese rock
Content:  Rock music did not take hold in Mainland China until the end of the Cultural Revolution and the onset of the Reform and Opening. The Peking All-Stars were a rock band formed in Beijing in 1979, by foreigners then resident in the Chinese capital. While the first rock band in China, they were not Chinese. Chinese rock had its origins in Northwest Wind style of music, which emerged as a main genre in Mainland China. The new style was triggered by two new songs, "Xintianyou" (《信天游》) and "Nothing To My Name" (《一无所有》), both of which drew heavily on the folk song traditions of northern Shaanxi. They combined this with a western-style fast tempo, strong beat and extremely aggressive bass lines. In contrast to the mellow cantopop style, Northwest Wind songs were sung loudly and forcefully. It represented the musical branch of the large-scale Root-Seeking (寻根, 
Title: Reggae
Content:  of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is deeply linked to Rastafari, an Afrocentric religion which developed in Jamaica in the 1930s, aiming at promoting pan-Africanism. Soon after the Rastafarian movement appeared, the international popularity of reggae music became associated with and increased the visibility of Rastafari and spread its 
Title: Reggae
Content:  In the Philippines, several bands and sound systems play reggae and dancehall music. Their music is called Pinoy reggae. Japanese reggae emerged in the early 1980s. Reggae is becoming more prevalent in Thailand as well. Reggae music is quite popular in Sri Lanka. Aside from the reggae music and Rastafari influences seen ever more on Thailand's islands and beaches, a true reggae sub-culture is taking root in Thailand's cities and towns. Many Thai artists, such as Job 2 Do, keep the tradition of reggae music and ideals alive in Thailand. By the end of the 1980s, the local music scene in Hawaii was dominated by Jawaiian music, a local form of reggae. Famous Indian singer Kailash Kher and music producer Clinton Cerejo created Kalapi, a rare fusion piece of Reggae and Indian music for Coke Studio India. Other than this high-profile piece, Reggae is confined to a small, emerging scene in India. Thaikkudam Bridge, a neo-Indian band based in Kerala, India is known for inducing Reggae into Indian regional blues.
Title: Reggaeton
Content:  In the Philippines, reggaeton artists primarily use the Filipino language instead of Spanish or English. One example of a popular local reggaeton act is Zamboangueño duo Dos Fuertes, who had a dance hit in 2007 with "Tarat Tat", and who primarily uses the Chavacano language in their songs. In 2020, Malaysian rapper Namewee released the single and music video "China Reggaeton" featuring Anthony Wong. It is the first time reggaeton was sung in the Chinese language (Mandarin and Hakka) and accompanied by traditional Chinese instruments like the erhu, pipa and guzheng, creating a fusion of reggaeton and traditional Chinese musical styles.
Title: Music and Black liberation
Content:  Reggae originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae," effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, especially the New Orleans R&B practiced by Fats Domino and Allen Toussaint, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political comment. Reggae is deeply linked to the Rastafari, an Africa-centred religion which developed in Jamaica in the 1930s, aiming at promoting Pan Africanism. Soon after the Rastafarian movement appeared, the international popularity of reggae music became associated with and increased the visibility of spreading the Rastafari gospel throughout the world.
Title: Reggae
Content:  Reggae en Español spread from mainland South American Caribbean from Venezuela and Guyana to the rest of South America. It does not have any specific characteristics other than being sung in Spanish, usually by artists of Latin American origin. Samba reggae originated in Brazil as a blend of samba with Jamaican reggae. Reggae also has a presence in Veracruz, Mexico. The most notable Jarocho reggae group being Los Aguas Aguas from Xalapa. Some of the most popular reggae groups across Latin America come from the Southern Cone, such as the Chilean band Gondwana, and the Argentinian band Los Cafres. The Puerto Rican band Cultura Profética is also 
Title: Chinese Rocks
Content:  There are differing recollections as to how the song became part of the Heartbreakers' repertoire. Richard Hell said, "I brought it to the next rehearsal, exactly as it was done by the Heartbreakers for all those years. I would sing it because it was a song I brought in." Dee Dee, on the other hand, wrote in his memoir, "When Jerry was over at my place one day, we did some dope and then I played him my song, and he took it with him to a Heartbreakers' rehearsal." In either case, the song became one of the band's most popular songs. As Hell said, "After I left the Heartbreakers, they kept playing 'Chinese Rocks' and then ended up recording it" for the band's 1977 debut album, L.A.M.F.. "And they put all of their names on it, though nothing had changed about the song—they just added 
Title: Timeline of Chinese music
Content: Punk rock begins in China. Chinese hip hop begins in Hong Kong and Taiwan. People's Republic of China: Hong Kong SAR and ROC Taiwan

Question: Verify the following claims with "True" or "False": Well, I know that Chinese rock is one of the origins of reggae.
Answer: False