# Igor Stravinsky

Igor Stravinsky
**Igor Fyodorovich Stravinsky** (Rọ́síà: Игорь Фёдорович Стравинский, *Igor' Fjodorovič Stravinskij*) (17 June [O.S. 5 June] 1882 – 6 April 1971) jẹ́ olu
ọ̀kọrin, atẹdùrù, àti Adarí orin ọmọ orílẹ̀-èdè Rọ́ṣíà, ó gbajúmọ̀ gẹ́gẹ́ bí ọ̀kan nínú Ọ̀kọrin tí ó nípa jùlọ nínú orin ní sẹ̀ńtúrì ogún tó kọjá.

## Ijako

## Awon itokasi

* Adorno, Theodor. 1973. *Philosophy of Modern Music*. Translated by Anne G. Mitchell and Wesley V. Blomster. New York: Continuum. ISBN 0-8264-0138-4 Original German edition, as [*Philosophie der neuen Musik*] error: {{lang}}: text has italic markup (help). Tübingen: J. C. B. Mohr, 1949.
* Anonymous. 1940. "Musical Count". *Time Magazine* (Monday, March 11).
* Berry, David Carson. 2006. "Stravinsky, Igor." *Europe 1789 to 1914: Encyclopedia of the Age of Industry and Empire*, editors-in-chief John Merriman and Jay Winter, 4:2261–63. Detroit: Charles Scribner’s Sons.
* Berry, David Carson. 2008. "The Roles of Invariance and Analogy in the Linear Design of Stravinsky's 'Musick to Heare.'" *Gamut* 1/1. Accessible at Archived 2009-04-09 at the Wayback Machine..
* Blitzstein, Marc. 1935. "The Phenomenon of Stravinsky". *Musical Quarterly* 21, no. 3 (July): 330–47. Reprinted 1991, *Musical Quarterly* 75, no. 4 (Winter): 51–69.
* Browne, Andrew J. 1930. "Aspects of Stravinsky's Work". *Music & Letters* 11, no. 4 (October): 360–66. Online link accessed 2007-11-19 (subscription access)
* Cocteau, Jean. 1918. *Le Coq et l'arlequin: notes de la musique*. Paris: Éditions de la Sirène. Reprinted 1979, with a preface by Georges Auric. Paris: Stock. ISBN 2-234-01081-0 English edition, as *Cock and Harlequin: Notes Concerning Music*, translated by Rollo H. Myers, London: Egoist Press, 1921.
* Cohen, Allen. 2004. *Howard Hanson in Theory and Practice*. Westport, Conn.: Praeger Publishers. ISBN 0-313-32135-3
* Copland, Aaron. 1952. *Music and Imagination*. Cambridge, Massachusetts: Harvard University Press.
* Craft, Robert. 1993. *Stravinsky: Glimpses of a Life*, St Martins Press.
* Craft, Robert. 1997. *Stravinsky: Chronicle of a Friendship*. Vanderbilt University Press.
* Dubal, David. 2001. *The Essential Canon of Classical Music*. New York: North Point Press.
* Eksteins, Modris. 1989. *Rites of Spring: The Great War and the Modern Era*. Boston: Houghton Mifflin Company. ISBN 0-395-49856-2 (Reprinted 1990, New York: Anchor Books ISBN 0-385-41202-9; reprinted 2000, Boston: Mariner Books ISBN 0-395-93758-2)
* Glass, Philip. 1998. “Igor Stravinsky” *Time* (Monday, 8 June).
* Greene, David Mason (1985). *Biographical Encyclopaedia of Composers*. New York: Doubleday.
* Holland , Bernard. 2001. "Stravinsky, a Rare Bird Amid the Palms: A Composer in California, at Ease if Not at Home", *The New York Times* (11 March).
* Lambert, Constant. 1936. *Music Ho! A Study of Music in Decline*. New York: Charles Scribner's Sons.
* Lawson, Rex. 1986. *Stravinsky and the Pianola*, in *Confronting Stravinsky*, ed. Pasler. Los Angeles: University of California Press. ISBN 0-520-05403-2.
* Lehrer, Jonah. 2007. *Igor Stravinsky and the Source of Music*, in his *Proust Was a Neuroscientist*. Boston: Houghton Mifflin Co. ISBN 0-618-62010-9.
* Page, Tim. 2006. "Classical Music: Great Composers, a Less-Than-Great Poser and an Operatic Impresario". *Washington Post* (Sunday, 30 July): BW13.
* Robinson, Lisa. 2004. "Opera Double Bill Offers Insight into Stravinsky's Evolution". *The Juilliard Journal Online* 19, no. 7 (April). (No longer accessible as of March 2008.)
* Siegmeister, Elie (ed.). 1943. *The Music Lover's Handbook*. New York:William Morrow and Company.
* Slonimsky, Nicolas. 1953. *Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time*. New York: Coleman-Ross. Second edition, New York: Coleman-Ross, 1965, reprinted Washington Paperbacks WP-52, Seattle: University of Washington Press, 1969, reprinted again Seattle: University of Washington Press, 1974 ISBN 0-295-78579-9, and New York: Norton, 2000 ISBN 0-393-32009-X (pbk).
* Straus, Joseph N. 2001. *Stravinsky's Late Music*. Cambridge Studies in Music Theory and Analysis 16. Cambridge, New York, Port Melbourne, Madrid, and Cape Town: Cambridge University Press. ISBN 0-521-80220-2 (cloth) ISBN 0-521-60288-2 (pbk)
* Stravinsky, Igor. 1936. *Chronicle of My Life*. London: Gollancz. Reprinted as *An Autobiography (1903–1934)*. London: Marion Boyars, 1990. ISBN 0-7145-1082-3. Reprinted, New York: W. W. Norton & Co., 1998. ISBN 0-393-31856-7.
* Stravinsky, Igor, and Robert Craft. 1959. *Conversations with Igor Stravinsky*. Garden City, NY: Doubleday. OCLC 896750 Reprinted Berkeley: University of California Press, 1980. ISBN 0-520-04040-6
* Stravinsky, Igor, and Robert Craft. 1962. *Expositions and Developments*. London: Faber & Faber.
* Stravinsky, Igor, and Robert Craft. 1960. *Memories and Commentaries*. Garden City, N.Y.: Doubleday. Reprinted 1981, Berkeley and Los Angeles: University of California Press. ISBN 0-520-04402-9 Reprinted 2002, London: Faber and Faber. ISBN 0-571-21242-5
* Stravinsky, Théodore, and Denise Stravinsky. 2004. *Catherine and Igor Stravinsky: A Family Chronicle 1906–1940*. New York: Schirmer Trade Books; London: Schirmer Books. ISBN 0-8256-7290-2
* Taruskin, Richard. 1996. *Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra*. Two vols. Berkeley: University of California Press. ISBN 0-520-07099-2
* Volta, Ornella. 1989. *Satie Seen through His Letters*. London: Boyars. ISBN 0-7145-2980-X.
* Wallace, Hellen. 2007. *Boosey & Hawkes, The Publishing Story*. London: Boosey & Hawkes. ISBN 978-0-85162-514-0.
* Walsh, Stephen. 2000. *Stravinsky. A Creative Spring: Russia and France 1882–1934*. London: Jonathan Cape.
* Walsh, Stephen. 2001. "Stravinsky, Igor." *New Grove Dictionary of Music and Musicians*, 2nd edition. London: MacMillian.
* Wenborn, Neil. 1985. *Stravinsky*. London: Omnibus Press. ISBN 0-7119-7651-1.
* Zappa, Frank, and Peter Occhiogrosso. 1989. *The Real Frank Zappa Book*. New York: Poseidon Press. ISBN 0-671-63870-X (reprinted twice in 1990, New York: Fireside Books, ISBN 0-671-70572-5 and New York: Picador Books ISBN 0-330-31625-7)

## Ikawe miran

* Cross, Jonathan (1999). *The Stravinsky Legacy*. Cambridge: Cambridge University Press. ISBN 9780521563659.
* Joseph, Charles M. (2001). *Stravinsky Inside Out*. New Haven: Yale University Press. ISBN 0300075375.
* Joseph, Charles M. (2002). *Stravinsky and Balanchine, A Journey of Invention*. New Haven: Yale University Press. ISBN 0-300-08712-8.
* Kohl, Jerome (1979–80). "Exposition in Stravinsky's Orchestral Variations". *Perspectives of New Music* **18** (1/2): 391–405. doi:10.2307/832991.  Retrieved 2007-11-19. (subscription access)
* Kundera, Milan; Asher, Linda (translator) (1995). *Testaments Betrayed: An Essay in Nine Parts*. New York: HarperCollins. ISBN 0060171456.
* Kuster, Andrew T. (2005). *Stravinsky's Topology* (Univ. of Colorado, Boulder D.M.A. Dissertation ed.). Morrisville, NC: Lulu.com. ISBN 1411664582.
* Stravinsky, Igor (1947). *Poetics of Music in the Form of Six Lessons*. Cambridge, MA: Harvard University Press. OCLC 155726113.
* White, Eric Walter (1979). *Stravinsky: The Composer and His Works* (Second edition ed.). Berkeley and Los Angeles: University of California Press. ISBN 0520039831.
* Wallace, Helen (2007). *Boosey & Hawkes, The Publishing Story*. London: Boosey & Hawkes Music Ltd. ISBN 9780851625140.