# దుర్గా ఖోటే

| దుర్గా ఖోటే |
| --- |
| దుర్గా ఖోటే |
| జననం | విటా లాడ్ (1905-01-14)1905 జనవరి 14 బొంబాయి, బాంబే ప్రెసిడెనీ, బ్రిటిష్ ఇండియా |
| మరణం | 1991 సెప్టెంబరు 22(1991-09-22) (వయసు: 86) ముంబై, మహారాష్ట్ర. భారత దేశం |
| వృత్తి | నటి, చలనచిత్ర నిర్మాత |
| క్రియాశీలక సంవత్సరాలు | 1931–1983 |
| పురస్కారాలు | * BFJA ఉత్తమ నటి అవార్డ్
* ఫిల్మ్‌ఫేర్ ఉత్తమ సహాయనటి పురస్కారం
* పద్మశ్రీ (1968)
* మహారాష్ట్ర స్టేట్ అవార్డ్ (1970)
* దాదాసాహెబ్ ఫాల్కే పురస్కారం (1983)
 |

**దుర్గా ఖోటే** (14 జనవరి 1905 − 22 సెప్టెంబర్ 1991) ఒక భారతీయ చలనచిత్ర నటి. ఈమె హిందీ, మరాఠీ సినిమాలలోను, నాటకాలలోను 50 సంవత్సరాల పాటు విరివిగా నటించింది. ఈమె దాదాపు 200 సినిమాలలో నటించింది. ఈమె తన జీవితకాల సాఫల్యతకు భారతీయ సినిమారంగంలో అత్యున్నత పురస్కారమైన దాదాసాహెబ్ ఫాల్కే పురస్కారాన్ని 1983లో అందుకుంది.

పద్మశ్రీ పురస్కారం

## వృత్తి

*అయోధ్యేచ రాజా* చిత్రంలో తారామతి వేషంలో దుర్గా ఖోటే.
1931లో ప్రభాత్ ఫిలిం కంపెనీ తీసిన *ఫరేబి జాల్*  మూకీ చిత్రంలో ఒక చిన్న పాత్రలో నటించడం ద్వారా దుర్గా ఖోటే సినిమా రంగప్రవేశం చేసింది. తరువాత *మాయా మశ్చీంద్ర*  అనే హిందీ,మరాఠీ ద్విభాషా చిత్రంలో నటించింది. 1932లో *అయోధ్యేచ రాజా* చిత్రంతో కథా నాయికగా నటించడం ఆరంభించింది. ఈ చిత్రంలో తారామతి వేషం ధరించింది. Indeed, she ventured yet another pioneering trend: Despite working closely with the Prabhat Film Company, she broke away from the "studio system" (exclusive contract with a studio to work in its films on a monthly salary) then in vogue and became one of the first "freelance" artistes of that era by working occasionally with the New Theatres, East India Film Co. (both at Calcutta), and Prakash Pictures.

In 1936, she played Saudamini in *Amar Jyoti*, which is one of her most memorable roles.

In 1937, she produced and directed a film titled *Saathi*, making her one of the first women to step into this role in Indian cinema. The 40s opened for her in a big way, with award-winning performances in Aachary Atre's *Payachi Dasi* (Marathi) and *Charnon Ki Dasi* (Hindi) (1941) and Vijay Bhatt's classic *Bharat Milap* (1942), both of which got her the BFJA Best Actress Award for two consecutive years.

Durga Khote remained active in the theatre circuit for many years, especially the Marathi theatre in Mumbai. She was actively associated with the Indian People's Theatre Association (IPTA) and worked in several plays for the Mumbai Marathi Sahitya Sangh. In 1954, she famously performed the role of Lady Macbeth in V.V. Shirwadkar's Marathi adaptations of Macbeth, as *Rajmukut*, *The Royal Crown*, along with Nanasaheb Phatak.

పోస్టేజి స్టాంపుపై దుర్గా ఖోటే
Durga Khote played a wide variety of roles over a career that was not only long, but also untouched by scandal. She was the inspiration for several generations of Indian actresses, including veterans such as the late Shobhna Samarth, who frequently spoke of how she had been inspired by Khote's example.

During later years, she played several important character roles, such as the mother of the protagonist. Her portrayal of Jodhabai, the queen of Akbar torn between duty towards her husband and love towards her son in *Mughal-e-Azam* (1960) was well received. In 1963, she acted in Merchant Ivory's debut film *The Householder* (1963).

She went on to play other widely appreciated character roles in later movies, such as the role of the grandmother of the heroine in *Bobby* (1973), the hero's aunt in *Abhimaan* (1973), and the very memorable *Bidaai* (1974), where she played a mother, a very sensitive role that can make one cry and received the Filmfare Best Supporting Actress Award.

Her final memorable role was in Subhash Ghai's *Karz* (1980), where she played the role of the mother of Raj Kiran and later, mother to Rishi Kapoor, who played the role of Raj Kiran's reincarnation after the screen death of Raj Kiran in the movie.

She acted in over 200 films in her career. By the 1980s she successfully diversified into production of short films, ad films and documentaries by setting up Fact Films and later, Durga Khote Productions, which produced the Doordarshan TV series *Wagle Ki Duniya*.

## వ్యక్తిగత జీవితం

Durga Khote was married when she was a teenager to Vishwanath Khote, a gentleman of her own caste and similar social background, in a match arranged by their parents in the usual Indian manner. It was a traditional marriage into an orthodox family, the couple lived a harmonious and happy life, and the marriage was blessed with two sons. Vishwanath was a mechanical engineer who had graduated from Banaras Hindu University. His family was upper middle class and professional, with modern English education and high social standing; his ancestors had been prominent bankers.

Unfortunately, Vishwanath Khote died young, when Durga was barely into her 20s. She and her sons continued to reside with her in-laws, as is traditional in India, but she was not comfortable with her dependent position, especially because her father-in-law was no more, and they were dependent on other family members for their expenses. Shs thus felt impelled to make a living any which way she could, and the opening in films happened entirely by chance. The fact that she came from a modern and English-educated family meant that, even as a widow, she was able to act in films, which was derided as a disreputable profession in those days.

Durgaji, thus raised her two sons, Bakul and Harin, single-handedly. Both of them went on to become well-settled in life. But she suffered the loss of her son Harin, who predeceased her and died in his 40s. Harin was married to Vijaya Jaywant, and they were the parents of two sons. After Harin's early death, his widow married a Parsi man named Farrokh Mehta and became famous as the film-maker Vijaya Mehta.

Durga Khote's grandchildren (children of Bakul and Harin) include her grandson Ravi, a filmmaker; granddaughter Anjali Khote, an actress; and grandson Deven Khote, a successful producer who is one of the co-founders of UTV, and who has also directed a film. Deven Khote is noted for producing films such as *Jodhaa Akbar* and *Life in a Metro.*

Durga Khote's brother-in-law, Nandu Khote (brother of Vishwanath), was a noted stage and silent movie actor. Two of Nandu's children are also active in the film industry. His son Viju Khote is an actor perhaps best known for his role of "Kalia" in *Sholay* (1975). Nandu's daughter is the actress Shubha Khote, who debuted in *Seema* (1955) and worked as a heroine in several films before moving to character roles. Still later, she moved to directing and producing Marathi films and also entered television in the 90s. Shubha's daughter, Bhavana Balsavar, is also an award-winning TV actress who appeared in sitcoms like *Dekh Bhai Dekh* and *Zabaan Sambhalke* before deciding to settle down and raise a family. Thus, the acting profession which was pioneered by Durga Khote in her family has been fully embraced by her late husband's family.

Durga Khote also had some rather improbable, distinguished relatives with no connection to films. The socialite and politician Sharda Mukherjee (nee Sharada Pandit), who herself served as governor of the states of Gujarat and Andhra Pradesh, and who was the wife of Subroto Mukherjee, India's first Chief of the Air Staff, was Durga Khote's first cousin (her mother's sister's daughter). Sharda Mukherjee's paternal uncle, Ranjit Sitaram Pandit, was the husband of Jawaharlal Nehru's sister Vijayalakshmi Pandit. In other words, Durga Khote's *mausi* (mother's sister) was the *Devrani* of Vijayalakshmi Pandit; their husbands were the Pandit brothers.

Later in life, Durga Khote wrote an autobiography in Marathi, entitled *Mee, Durga Khote,* which was translated into English as *I, Durga Khote*, and moved to Alibaug, near Mumbai. Durga Khote died on 22 September 1991.

## ఫిల్మోగ్రఫీ

అమర్ జ్యోతి(1936) చిత్రంలో దుర్గా ఖోటే

| సంవత్సరం | సినిమా పేరు | పాత్ర | వివరాలు
 |
| --- | --- | --- | --- |
| 1931 | *ఫరేబీ జాల్* |  |  |
| 1932 | *అయోధ్యేచ రాజ* | తారామతి | హిందీ/మరాఠీ సినిమా
 |
| 1932 | *మాయా మశ్చీంద్ర* | రాణి | హిందీ/మరాఠీ సినిమా
 |
| 1933 | *పతిత్ పావన్* |  |  |
| 1933 | *రాజ్‌రాణి మీరా* | మీరా |  |
| 1934 | *సీత* | సీత |  |
| 1935 | *ఇంక్విలాబ్* | మిస్ రినీ |  |
| 1935 | *జీవన్ నాటక్* | మిస్ క్వీన్ |  |
| 1936 | *అమర్ జ్యోతి* | సౌదామిని |  |
| 1937 | *ప్రతిభ* | ప్రతిభ |  |
| 1938 | *నందకుమార్* |  |  |
| 1938 | *సాథీ* |  |  |
| 1939 | *అధూరీ కహానీ* | హర్బలా |  |
| 1940 | *యామ్లా జాత్* |  |  |
| 1940 | *గీతా* | దుర్గ | హిందీ/మరాఠీ సినిమా
 |
| 1940 | *నర్సీ భగత్* | మానెక్ బాయి | గుజరాతీ/హిందీ సినిమా
 |
| 1941 | *చరణోఁ కీ దాసి* / *పాయచి దాసి* | విద్య అత్తగారు | హిందీ/మరాఠీ సినిమా
 |
| 1942 | *భారత్ మిలాప్* | కైకేయి | హిందీ/మరాఠీ సినిమా
 |
| 1942 | *విజయ్* |  |  |
| 1943 | *ఖుర్బాని* |  |  |
| 1943 | *మహాసతి అనసూయ* |  |  |
| 1943 | *మహాత్మా విదుర్* |  |  |
| 1943 | *పృథ్వీ వల్లభ్* | మృణాళ్‌వతి |  |
| 1943 | *తస్వీర్* | విద్యాదేవి |  |
| 1943 | *జమీన్* |  |  |
| 1944 | *మహారథి కర్ణ* | కుంతి |  |
| 1945 | *లఖ్‌రానీ* | బిచ్వా |  |
| 1945 | *పన్నాదాయి* |  |  |
| 1945 | *ఫూల్* |  |  |
| 1945 | *వీర్ కునాల్* |  |  |
| 1946 | *మహారాణి మినాల్ దేవి* |  |  |
| 1946 | *రుక్మిణి స్వయంవర్* |  |  |
| 1948 | *అంజుమన్* |  |  |
| 1948 | *సీతా స్వయంవర్* |  |  |
| 1949 | *సింగార్* |  |  |
| 1949 | *జీత్* | రతన్ తల్లి |  |
| 1949 | *మాయా బజార్* |  |  |
| 1950 | *అలక్ నిరంజన్* |  |  |
| 1950 | *బే కసూర్* |  |  |
| 1950 | *హర్ హర్ మహదేవ్* |  |  |
| 1950 | *మగ్రూర్* |  |  |
| 1950 | *Nishana* |  |  |
| 1950 | *Hamara Ghar* |  |  |
| 1951 | *Aaram* | Sita |  |
| 1951 | *Hamari Shaan* |  |  |
| 1951 | *Humlog* | Mother |  |
| 1951 | *Nai Zindagi* |  |  |
| 1951 | *Sazaa* |  |  |
| 1952 | *Aandhiyan* |  |  |
| 1952 | *Lal Kunwar* |  |  |
| 1952 | *Mordhwaj* |  |  |
| 1952 | *Narveer Tanaji* |  |  |
| 1952 | *Sandesh* |  |  |
| 1953 | *Chacha Chowdhury* |  |  |
| 1953 | *Mashooka* |  |  |
| 1953 | *Naag Panchami* |  |  |
| 1953 | *Naulakha Haar* | Devla |  |
| 1953 | *Shikast* |  |  |
| 1954 | *Lakeeren* |  |  |
| 1954 | *Mirza Ghalib* | Amma, Chaudvin's mother |  |
| 1954 | *Shri Chaitanya Mahaprabhu* |  |  |
| 1955 | *Adil-E-Jahangir* |  |  |
| 1956 | *Justice* |  |  |
| 1956 | *Parivar* |  |  |
| 1956 | *Patrani* | Raj Mata |  |
| 1956 | *Rajdhani* |  |  |
| 1957 | *Bade Sarkar* |  |  |
| 1957 | *Bhabhi* | Ratan's aunt |  |
| 1957 | *Mera Salaam* |  |  |
| 1957 | *Musafir* | Mrs. Nilambar Sharma |  |
| 1958 | *Raj Tilak* |  |  |
| 1959 | *Ardhangini* | Prakash's mother |  |
| 1959 | *Ghar Ghar Ki Baat* |  |  |
| 1959 | *Maine Jeena Seekh Liya* |  |  |
| 1960 | *Mughal-E-Azam* | Maharani Jodha Bai |  |
| 1960 | *Parakh* | Rani Ma, J.C. Roy's mother |  |
| 1960 | *Love in Simla* | Sonia's grandmother |  |
| 1960 | *Usne Kaha Tha* |  |  |
| 1961 | *Bhabhi Ki Chudiyan* | Prabha's mother |  |
| 1961 | *Kismet Palat Ke Dekh* |  |  |
| 1961 | *Senapati* |  |  |
| 1962 | *Main Shadi Karne Chala* |  |  |
| 1962 | *Man-Mauji* | Dr. Mohan's mother |  |
| 1962 | *రంగోలీ* | Subhagi |  |
| 1962 | *Son of India* | Head Nun |  |
| 1963 | *The Householder* | Prem's mother |  |
| 1963 | *Mujhe Jeene Do* |  |  |
| 1964 | *Benazir* |  |  |
| 1964 | *Door Ki Awaaz* | Prakash's mother |  |
| 1964 | *Kaise Kahoon* |  |  |
| 1964 | *Main Suhagan Hoon* |  |  |
| 1964 | *షగున్* |  |  |
| 1965 | *దో దిల్* | Ranimaa |  |
| 1965 | *Kaajal* | Rani Sahiba |  |
| 1965 | *Purnima* | Sharda R. Lal |  |
| 1966 | *Anupama* | Ashok's mother |  |
| 1966 | *Daadi Maa* | Daadi Maa/Maharani |  |
| 1966 | *Devar* |  |  |
| 1966 | *Pyar Mohabbat* | Rajmata Rajeshwari |  |
| 1966 | *Sagaai* | Sheel's mother |  |
| 1967 | *Chandan Ka Palna* | Mrs. Radha Laxmidas |  |
| 1968 | *Jhuk Gaya Aasman* | Mrs. Saxena |  |
| 1968 | *Sapno Ka Saudagar* | Peter's mother |  |
| 1968 | *Sunghursh* | Mrs. Bhawani Prasad |  |
| 1969 | *Dharti Kahe Pukarke* |  |  |
| 1969 | *Ek Phool Do Mali* | Leela |  |
| 1969 | *Jeene Ki Raah* | Janki |  |
| 1969 | *Pyar Ka Sapna* | Sudha's mother |  |
| 1970 | *Khilona* | Thakurain Singh |  |
| 1971 | *Anand* | Renu's mother | Guest Appearance
 |
| 1971 | *Banphool* | Haria's maternal grandma |  |
| 1971 | *Ek Nari Ek Brahmachari* | Rajlaxmi S. Chaudhary |  |
| 1972 | *Bawarchi* | Seeta Sharma |  |
| 1972 | *Mere Bhaiya* | Avinash's mother |  |
| 1972 | *Raja Jani* | Rajmata |  |
| 1972 | *Shararat* | Harry's mother |  |
| 1973 | *బాబీ* | మిసెస్ బ్రగాంజా |  |
| 1973 | *నమక్ హరామ్* | సోము తల్లి |  |
| 1973 | *Abhimaan* | Durga Mausi |  |
| 1973 | *Gopi* | Kunwar's mother |  |
| 1973 | *Agni Rekha* |  |  |
| 1974 | *Bidaai* | Parvati | Won 1975 Filmfare Award for Best Supporting Actress
 |
| 1974 | *Dil Diwana* | Vijay's Dadimaa |  |
| 1974 | *Insaaniyat* | Ram's mother |  |
| 1975 | *Chaitali* | Manish's mother |  |
| 1975 | *Kala Sona* | Mrs. Ranjeet Singh |  |
| 1975 | *Khushboo* | Brindaban's mother |  |
| 1976 | *Jaaneman* | Ronnie's mother |  |
| 1976 | *Jai Bajrang Bali* | Devi Maa Anjani |  |
| 1976 | *Rangila Ratan* |  |  |
| 1976 | *Shaque* | Mrs. Bannerjee |  |
| 1977 | *Chacha Bhatija* | Mrs. D'Silva |  |
| 1977 | *Darling Darling* |  |  |
| 1977 | *దో చెహెరే* | దాదీమా |  |
| 1977 | *నామీ చోర్* |  |  |
| 1977 | *పాపి* | అశోక్ తల్లి |  |
| 1977 | *పహేలి* | బ్రిజ్‌మోహన్ తల్లి |  |
| 1977 | *సాహెబ్ బహదూర్* | మీనా అమ్మమ్మ |  |
| 1979 | *చోర్ సిపాయీ* | రాజా తల్లి |  |
| 1980 | *కర్జ్* | శాంతా ప్రసాద్ వర్మ |  |
| 1983 | *దౌలత్ కె దుష్మన్* | సునీల్ తల్లి |  |

## అవార్డులు

| సంవత్సరం
 | ప్రతిపాదించిన విభాగం
 | పురస్కారం
 | ఫలితం
 |
| --- | --- | --- | --- |
| 1942
 | *Charnon Ki Dasi* | BFJA Awards: Best Actress
 | గెలుపు
 |
| 1943
 | *Bharat Milap* | BFJA Awards: Best Actress
 | గెలుపు
 |
| 1968
 | –
 | Padma Shri, fourth highest civilian award by the Government of India.
 | Awarded
 |
| 1970
 |  *Dhartichi Lekre* | Maharashtra State Award
 | గెలుపు
 |
| 1974
 | *Bidaai* | Filmfare Best Supporting Actress Award
 | గెలుపు
 |
| 1983
 | –
 | Dadasaheb Phalke Award, the lifetime recognition award for films from Government of India
 | Awarded
 |

## గుర్తింపు

A postage stamp, bearing her face, was released by India Post to honour her on 3 May 2013.

## మూలాలు

## ఇవి కూడా చదవండి

* *I, Durga Khote: An autobiography*, translated into English by Shanta Gokhale (2006); ISBN 978-0-19-567475-0 & ISBN 0-19-567475-8

## బయటి లింకులు

* ఇంటర్నెట్ మూవీ డేటాబేసు లో దుర్గా ఖోటే పేజీ
* Durga Khote filmography
* Film music history – First section titled *Until 1935*
* Mention of her role in theatre and ads