# Rita Hayworth

Rita Hayworth
Res apud Vicidata repertae:Rita Hayworth: imagoRita Hayworth: subscriptio
*Nativitas*: 17 Octobris 1918; Novum Eboracum
*Obitus*: 14 Maii 1987; Novum Eboracum
*Patria*: Civitates Foederatae Americae
*Nomen nativum*: Margarita Carmen Cansino
**FamiliaGenitores*: Eduardo Cansino, Sr.; Volga Hayworth
*Coniunx*: Orson Welles, Prince Aly Khan, Dick Haymes, James Hill, Edward C. Judson
*Proles*: Yasmin Aga Khan, Rebecca Welles

**MemoriaSepultura*: Holy Cross Cemetery

Rita Hayworth anno 1942
**Rita Hayworth** (nata *Margarita Carmen Cansino* in Urbe Novo Eboraco die 17 Octobris 1918; mortua in Urbe Novo Eboraco die 14 Maii 1987) fuit actrix cinematographica et saltatrix Americana. Nota praecipue est pellicularum gratia: *Cover Girl*, *Gilda* et *The Lady from Shanghai*.

Anno 1949 Rita Hayworth illustri Prince Aly Khan nupsit, sed iam anno 1953 cum eo divortium fecit.

Anno 1999, Americanum Pellicularum Institutum in *AFI's 100 Years… 100 Stars* programmate Hayworth novam ab summa omnium temporum stella feminea numeravit.

## Pelliculae

Rita Hayworth anno 1941
Rita Hayworth anno 1977
* *Cruz Diablo* (1934)
* *Dante's Inferno* (1935)
* *Under the Pampas Moon* (1935)
* *Charlie Chan in Egypt* (1935)
* *Paddy O'Day* (1935)
* *Human Cargo* (1936)
* *Meet Nero Wolfe* (1936)
* *Rebellion* (1936)
* *Old Louisiana* (1937)
* *Hit the Saddle* (1937)
* *Trouble in Texas* (1937)
* *Criminals of the Air* (1937)
* *Girls Can Play* (1937)
* *The Game That Kills* (1937)
* *Paid to Dance* (1937)
* *The Shadow* (1937)
* *Who Killed Gail Preston?* (1938)
* *Special Inspector* (1938)
* *There's Always a Woman* (1938)
* *Convicted* (1938)
* *Juvenile Court* (1938)
* *The Renegade Ranger* (1938)
* *Homicide Bureau* (1939)
* *The Lone Wolf Spy Hunt* (1939)
* *Only Angels Have Wings* (1939)
* *Music in My Heart* (1940)
* *Blondie on a Budget* (1940)
* *Susan and God* (1940)
* *The Lady in Question* (1940)
* *Angels Over Broadway* (1940)
* *The Strawberry Blonde* (1941)
* *Affectionately Yours* (1941)
* *Blood and Sand* (1941)
* *You'll Never Get Rich* (1941)
* *Tales of Manhattan* (1942)
* *My Gal Sal* (1942)
* *You Were Never Lovelier* (1942)
* *Cover Girl* (1944)
* *Tonight and Every Night* (1945)
* *Gilda* (1946)
* *Down to Earth* (1947)
* *The Lady from Shanghai* (1947)
* *The Loves of Carmen* (1948)
* *Affair in Trinidad* (1952)
* *Salome* (1953)
* *Miss Sadie Thompson* (1953)
* *Fire Down Below* (1957)
* *Pal Joey* (1957)
* *Separate Tables* (1958)
* *They Came to Cordura* (1959)
* *The Story on Page One* (1959)
* *The Happy Thieves* (1962)
* *Circus World* (1964)
* *The Money Trap* (1965)
* *The Poppy Is Also a Flower* (1966)
* *L'Avventuriero* (1967)
* *I Bastardi* (1968)
* *Road to Salina* (1970)
* *The Naked Zoo* (1971)
* *The Wrath of God* (1972)

## Bibliographia

* John Kobal: *Rita Hayworth: The Time, The Place and the Woman*. W.W. Norton, New York 1977, ISBN 0-393-07526-5
* Joe Morella, Edward Z. Epstein: *Rita. The Life of Rita Hayworth*. Allen, London 1983, ISBN 0-385-29265-1
* Gerald Peary: *Rita Hayworth: A Pyramid Illustrated History of the Movies*. Harcourt, 1976, ISBN 0-515-04116-5
* Gene Ringgold: *The Films of Rita Hayworth*. Citadel Press, Secaucus, NJ 1974, ISBN 0-8065-0439-0
* Caren Roberts-Frenzel: *Rita Hayworth: A Photographic Retrospective*. Abrams, New York 2001, ISBN 0-8109-1434-4
* James Hill: *Rita Hayworth: A Memoir*. Robson, 1983, ISBN 0-671-43273-7
* Adrienne L. MacLean: *Being Rita Hayworth. Labor, Identity and Hollwood Stardom*. Rutgers University Press, New Brunswick 2004, ISBN 0-8135-3389-9
* Neil Grant: *Rita Hayworth in Her Own Words*. Hamlyn, London 1992, ISBN 0-600-57459-8

## Nexus externi

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|  | **Vicimedia Communia** plura habent quae ad **Ritam Hayworth** spectant. |

* Opera Ritae Hayworth aut de Rita Hayworth apud Bibliothecam Nationalem Germanicam **(Theodisce) De Rita Hayworth in Indice Interretiali Pellicularum **(Anglice) Biographia et imagines Ritae Hayworth
* Biographia et imagines Ritae Hayworth
* Imagines Ritae Hayworth

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| David's face | *Haec stipula ad biographiam spectat. Amplifica, si potes!* |