# Igor Fjodorowitsch Strawinski

Da **Igor Fjodorowitsch Strawinski** (russ. Игорь Фёдорович Стравинский, frz. Transkription **Igor Stravinski,** engl. Transkription **Igor Stravinsky**; \* 5. Junijul. / 17. Juni 1882greg. z Oranienbaam [heit: Lomonossow], Russland; † 6. Aprui 1971 in da Stod Nei York) wor a russisch-franzesisch-amerikanischa Komponist.

Des Weak vom Strawinski hod a grousse stuilistische Vuifoit. Sei Schoffn wead in drei Periodn eiteit: russische, neoklassizistische und serielle (*Neiche Musi*). Da Strawinski hod an guadn Gschäftssinn ghobt. Ea is aa ois Pianist und Dirigent aftredn, und vui vo seine Kompositiona worn Aftrogsorbadn.

## Auszoachnung

* 1954: Royal Philharmonic Society, Goid Medain
* 1959: Léonie Sonning Music Prize
* Grammy Awards
	+ 1962: Best Classical Composition by Contemporary Composer (*The Flood*)
	+ 1962: Best Classical Performance – Orchestra (*The Firebird*, Igor Stravinsky conducting Columbia Symphony Orchestra)
	+ 1962: Best Classical Performance – Instrumental Soloist (with orchestra) (Violin Concerto in D, Isaac Stern; Igor Stravinsky conducting Columbia Symphony Orchestra)
	+ 1987: Lifetime Achievement (posthum)

## Weak

Des is a Listn vo de Kompositiona vom Igor Stravinsky.

## Opan, Theata

* *Le Rossignol*  (*De Nochtigoi*), Opa in drei Aktn (1914)
* *Renard* (*Reinecke Fux*), a Burlesque fia 4 Pantomimen und Orchesta (1916)
* *Histoire du soldat* (*De Gschicht vom Soidotn*), fia Kammamusikapejn (chamber ensemble) und drei Sprecha (1918)
* *Mavra*, Opa in oam Akt (1922)
* *Oedipus rex*, Opan-Oratorium in zwoa Aktn (1927)
* *Perséphone*, Melodrama fia Sprecha, Solistn, Chor und Orchesta (1933)
* *The Rake's Progress*, Opa in drei Aktn (1951)
* *The Flood* (*De Sindfluad*), Televisions-Opa (1962)

## Ballett

* *The Firebird* (*L'oiseau de feu*) (1910, rev. 1919/1945)
* *Petrushka* (1911, rev. 1947)
* *The Rite of Spring* (*Le sacre du printemps*) (1913, rev. 1947/1967)
* *Les noces* (*The Wedding*), for soloists, choir, four pianos and percussion (1914–17; 1919–23)
* *Pulcinella*, for chamber orchestra and soloists (1920)
* *Apollo* (*Apollon musagète*), for string orchestra (1928, rev. 1947)
* *Le baiser de la fée* (*The Fairy's Kiss*) (1928, rev. 1950)
* *Jeu de cartes* (*Card Game*) (1936)
* *Danses concertantes* for chamber orchestra (1942)
* *Scènes de ballet* (1944)
* *Orpheus*, for chamber orchestra (1947)
* *Agon* (1957)
* *Ode*

## Orchesta

* *Symphony in E-flat major*, Op. 1 (1907)
* *Scherzo fantastique*, Op. 3 (1908)
* *Feu d'artifice* (*Fireworks*), Op. 4 (1908)
* *Le chant du rossignol* (*Song of the Nightingale*) (1917)
* Suite from *Pulcinella* (1920)
* Suite No. 2 for chamber orchestra (1921, arrangement of *Trois pièces faciles* and *Cinq pièces faciles* No. 5)
* Suite No. 1 for chamber orchestra (1925, arrangement of *Cinq pièces faciles* Nos. 1–4)
* *Quatre études*, for orchestra (1928, arrangement of Three Pieces for String Quartet and *Étude pour pianola*)
* Divertimento (Suite from *Le Baiser de la fée*, 1934)
* Concerto in E-flat *Dumbarton Oaks*, for chamber orchestra (1938)
* Symphony in C (1940)
* *Circus Polka* for orchestra (1942)
* *Four Norwegian Moods* for orchestra (1942)
* *Ode* for orchestra (1943)
* *Scherzo à la russe* for orchestra (1944, also a version for Paul Whiteman's band)
* Symphony in Three Movements (1945)
* Concerto in D, for string orchestra (1946)
* *Tango* for chamber orchestra (1953, arrangement of 1940 work for piano)
* *Greeting Prelude* for orchestra (1955), for the 80th birthday of Pierre Monteux
* *8 Instrumental Miniatures* for 15 Players (1963, orchestration of *Les Cinq Doigts*)
* Variations (Aldous Huxley in Memoriam) (1963/1964)
* *Canon on a Popular Russian Tune* (1965)

## Konzeat

* Concerto for Piano and Wind Instruments (1923-24, rev. 1950)
* Capriccio for Piano and Orchestra (1929/1949)
* Violin Concerto in D (1931)
* Movements for Piano and Orchestra (1958/1959)

## Chor

* *Le roi des étoiles (The King of the Stars)*, for men's choir and orchestra (1912)
* *Pater Noster* (1926, rev. 1949)
* *Symphony of Psalms*, for chorus and orchestra (1930, rev. 1948)
* *Credo* (1932, rev. 1964)
* *Ave Maria* (1934, rev. 1949)
* *Babel* (1944)
* *Mass* (1944–48)
* *Cantata*, for mezzo-soprano, tenor, female chorus, 2 flutes, oboe, English horn, and cello (1951–52)
* *Canticum Sacrum* (1955)
* *Threni* (1958)
* *A Sermon, a Narrative and a Prayer* (1961)
* *Anthem (The dove descending breaks the air)*, for chorus a cappella (1962)
* *Introitus* (1965)
* *Requiem Canticles* (1966)

## Vokal

* *Romance for Voice and Piano* (1902)
* *Faun and Shepherdess*, for mezzo-soprano and orchestra, Op. 2 (1907)
* *Pastorale*, for vocalise soprano and piano (1907, arranged for soprano and wind quintet 1923)
* *Two Melodies*, for mezzo-soprano and piano, Op. 6 (1908)
* *Deux poèmes de Paul Verlaine*, for baritone and piano, Op. 9 (1910, arranged for baritone and orchestra 1951)
* *Two Poems of K. Balmont*, for voice and piano (1911, arranged for voice and small orchestra 1954)
* *Three Japanese Lyrics* (*Trois poésies de la lyrique japonaise*), for voice and piano or chamber orchestra (1913)
* *Trois petites chansons*, for voice and piano (1906-1913, arranged for voice and small orchestra 1930)
* *Pribaoutki*, for voice, flute, oboe, clarinet, bassoon, violin, viola, cello, double bass (1914)
	+ *Kornílo* (Uncle Kornilo)
	+ *Natashka* (Little Natalie)
	+ *Polkovnik* (The Colonel)
	+ *Starets i zayats* (The Old Man and the Hare)
* *Berceuses du chat*, for contralto and three clarinets (1916)
* *Three Tales for Children*, for voice and piano (1917)
	+ *Tilim-bom*
	+ *Geese, Swans*
	+ *The bear's little song*
* *Four Russian Peasant Songs*, for female voice unaccompanied (1917)
* *Berceuse*, for voice and piano (1918)
* *Quatre chants russes*, for voice and piano (1918–19)
	+ *Selezen’* (The Drake)
	+ *Zapevnaya* (Counting Song)
	+ *Sidit varabey na chuzhoy garadbe* (Dish-divination Song)
	+ *Sektanskaya* (Song of the Sectarian)
* *Petit ramusianum harmonique*, for single voice or voices (1938)
* *Three Songs from William Shakespeare*, for mezzo-soprano, flute, clarinet, and viola (1953)
* *Four Songs*, for mezzo-soprano, flute, harp and guitar (1954, arrangement of *Quatre chants russes* Nos. 1 & 4; *Three Tales for Children* Nos. 1 & 2)
* *In Memoriam Dylan Thomas (Dirge-canons and song)*, for tenor, string quartet, and four trombones (1954)
* *Abraham and Isaac*, a sacred ballad for baritone and orchestra (1963)
* *Elegy for J.F.K.*, for baritone or mezzo-soprano and three clarinets (1964)
* *The Owl and the Pussy Cat*, for soprano and piano (1966)

## Kammamusi

* Three Pieces for String Quartet (1914)
* *Pour Pablo Picasso*, piece for clarinet (1917)
* Canon for Two Horns (1917)
* *Ragtime for Eleven Instruments* (1917–18)
* Duet for Two Bassoons, "Lied ohne Namen" (1918)
* Suite from *Histoire du soldat*, for violin, clarinet, and piano (1919)
* Three Pieces for Clarinet (1919)
* *Concertino*, for string quartet (1920)
* *Symphonies of Wind Instruments* (1920, rev. 1947)
	1. 1. Octet for Wind Instruments *(1923)*
* *Suite on themes, fragments and pieces by Giambattista Pergolesi*, for violin and piano (1925)
* Duo Concertant for Violin and Piano (1932)
* *Suite italienne* (from *Pulcinella*), for cello and piano (1932/33) (in collaboration with Gregor Piatigorsky)
* *Pastorale*, for violin and piano or violin and wind quintet (1933)
* *Suite italienne* (from *Pulcinella*), for violin and piano (1934) (in collaboration with Samuel Dushkin)
* *Preludium for Jazz Band* (1936/37)
* *Elegy*, for solo viola (1944)
* *Ebony Concerto* for clarinet and jazz band (1945)
* Septet for clarinet, horn, bassoon, violin, viola, cello, and piano (1953)
* *Concertino*, for small ensemble (1953) (arrangement of 1920 work for string quartet)
* *Epitaphium*, for flute, clarinet and harp (1959)
* *Double Canon*, for string quartet 'Raoul Dufy in Memoriam' (1959)
* *Monumentum pro Gesualdo di Venosa ad CD Annum*, for chamber ensemble (1960)

1. "Asciugate I begli ochi"
2. "Ma tu, cagion di quella"
3. "Belta poi che t'assenti"

* Lullaby, for two recorders (1960) (arrangement of item from *The Rake's Progress*, 1951)
* *Fanfare for a New Theatre*, for two trumpets (1964)

## Piano

* Tarantella (1898)
* Scherzo (1902)
* Piano Sonata in F-sharp minor (1903–4)
* *Quatre études*, Op. 7 (1908)
* *The Firebird* (*L'oiseau de feu*) (1910)
* *The Rite of Spring* (*Le sacre du printemps*), for four hands on one piano (1913)
* *Valse des fleurs*, for two pianos (1914)
* *Trois pièces faciles*, for four hands (1915)
* *Souvenir d'une marche boche* (1915)
* *Cinq pièces faciles*, for four hands (1917)
* *Valse pour les enfants* (1917)
* *Piano-Rag-Music* (1919)
* *Chorale* (1920)
* *Les cinq doigts* (1921)
* *Trois mouvements de Petrouchka* (1921)
* *Piano Sonata* (1924)
* *Serenade in A* (1925)
* *Concerto for Two Pianos* (1935)
* *Tango* (1940)
* *Sonata for Two Pianos* (1943)
* *Two Sketches for a Sonata* (1967)

## Pianola

* *Étude pour pianola (Study for Pianola)* – Aeolian Company, London, Themodist T967 (1921)
* *Pulcinella* Pleyel, Paris, Pleyela 8421 – 8428 (1921)
* *The Rite of Spring* (*Le sacre du printemps*) – Pleyel, Paris, Pleyela 8429 – 8437 (1921)
* *The Rite of Spring* (*Le sacre du printemps*) – Aeolian Company, London, Themodist T24150 – T24153 (1921)
* *Piano-Rag-Music* – Pleyel, Paris, Pleyela 8438 (1921)
* *Ragtime* – Pleyel, Paris, Pleyela 8450 (1921)
* *Petrushka* – Pleyel, Paris, Pleyela 8441 – 8447 (1922)
* *Le chant du rossignol (Song of the Nightingale)* – Pleyel, Paris, Pleyela 8451 – 8453 (1922/3)
* *Three Tales for Children* – Pleyel, Paris, Pleyela 8454 (1922/3)
* *Quatre chants russes (Four Russian Songs)* – Pleyel, Paris, Pleyela 8455 (1922/3)
* *Concertino* – Pleyel, Paris, Pleyela 8456 (1923)
* *Les noces (The Wedding)* – Pleyel, Paris 8831 – 8834, 8861 (1923)
* *The Firebird* (*L'oiseau de feu*) – Pleyel, Paris, Pleyela 10039 – 10045 (1926)
* *The Firebird* (*L'oiseau de feu*) – Aeolian Company, London, Duo-Art D759 – D769 (1929)

## Beleg

## Literatua

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* Adorno, Theodor W. 2006. *Philosophy of New Music*, translated, edited, and with an introduction by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press. ISBN 0-8166-3666-4.
* Anonymous. 1940. "Musical Count". *Time Magazine* (Monday, 11 March).
* Anonymous. 1944. "Stravinsky Liable to Fine". *The New York Times* (16 January) (Retrieved 22 June 2010).
* Anonymous. 1962. "Life Guide: Salutes to Stravinsky on His 80th; A Funny Faulkner, Farm Tours", *Life Magazine* (8 June): 17.
* Berry, David Carson. 2006. "Stravinsky, Igor." *Europe 1789 to 1914: Encyclopedia of the Age of Industry and Empire*, editors-in-chief John Merriman and Jay Winter, 4:2261–63. Detroit: Charles Scribner's Sons.
* Berry, David Carson. 2008. "The Roles of Invariance and Analogy in the Linear Design of Stravinsky's 'Musick to Heare.'" *Gamut* 1/1.
* Blitzstein, Marc. 1935. "The Phenomenon of Stravinsky". *The Musical Quarterly* 21, no. 3 (July): 330–47. Reprinted 1991, *The Musical Quarterly* 75, no. 4 (Winter): 51–69.
* Browne, Andrew J. 1930. "Aspects of Stravinsky's Work". *Music & Letters* 11, no. 4 (October): 360–66. Online link accessed 19 November 2007 (subscription access).
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* Copland, Aaron. 1952. *Music and Imagination*. Cambridge, Massachusetts: Harvard University Press.
* Copeland, Robert M. 1982. "The Christian Message of Igor Stravinsky". *The Musical Quarterly* 68, no. 4 (October): 563–79.
* Craft, Robert. 1982. "Assisting Stravinsky: On a Misunderstood Collaboration". *The Atlantic* 250, no. 6 (December): 64–74.
* Craft, Robert. 1992. *Stravinsky: Glimpses of a Life*. London: Lime Tree; New York: St Martins Press. ISBN 0-413-45461-4 (Lime Tree); ISBN 0-312-08896-5 (St.Martins).
* Craft, Robert. 1994. *Stravinsky: Chronicle of a Friendship*, revised and expanded edition. Nashville: Vanderbilt University Press. ISBN 0-8265-1258-5.
* Davis, Mary. 2006. "Chanel, Stravinsky, and Musical Chic". *Fashion Theory* 10, no. 4 (December): 431–60.
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* Eksteins, Modris. 1989. *Rites of Spring: The Great War and the Modern Era*. Boston: Houghton Mifflin Company. ISBN 0-395-49856-2. Reprinted 1990, New York: Anchor Books ISBN 0-385-41202-9; reprinted 2000, Boston: Mariner Books ISBN 0-395-93758-2.
* Glass, Philip. 1998. "The Classical Musician Igor Stravinsky" *Time* (Monday, 8 June).
* Greene, David Mason. 1985. *Biographical Encyclopaedia of Composers*. New York: Doubleday. Griffiths, Paul, Igor Stravinsky, Robert Craft, and Gabriel Josipovici. 1982. *Igor Stravinsky: the Rake's Progress*. Cambridge Opera Handbooks. Cambridge. London, New York, New Rochelle, Melbourne, and Sydney: Cambridge University Press. ISBN 0-521-23746-7 (cloth); ISBN 0-521-28199-7 (pbk).
* Hazlewood, Charles. 2003. "Stravinsky—*The Firebird Suite*". On *Discovering Music*. BBC Radio 3 (20 December). Archived at Discovering Music: Listening Library, Programmes.
* Holland, Bernard. 2001. "Stravinsky, a Rare Bird Amid the Palms: A Composer in California, at Ease if Not at Home", *The New York Times* (11 March).
* Joseph, Charles M.. 2001. *Stravinsky Inside Out*. New Haven: Yale University Press. ISBN 978-0-300-07537-3.
* Karlinsky, Simon. 1985. "Searching for Stravinskii's Essence". *Russian Review* 44, no. 3 (July): 281–87.
* Lambert, Constant. 1936. *Music Ho! A Study of Music in Decline*. New York: Charles Scribner's Sons.
* Lawson, Rex. 1986. *Stravinsky and the Pianola*, in *Confronting Stravinsky*, edited by Jann Pasler. Los Angeles: University of California Press. ISBN 0-520-05403-2.
* Lehrer, Jonah. 2007. *Igor Stravinsky and the Source of Music*, in his *Proust Was a Neuroscientist*. Boston: Houghton Mifflin Co. ISBN 0-618-62010-9.
* Morand, Paul. 1976. *L'Allure de Chanel*. Paris: Hermann. Nouv. éd. du texte original, Paris: Hermann, 1996. ISBN 2-7056-6316-9. Reprinted, [Paris]: Gallimard, 2009; ISBN 978-2-07-039655-9 English as *The Allure of Chanel*, translated by Euan Cameron. London: Pushkin Press, 2008. ISBN 978-1-901285-98-7 (pbk). Special illustrated ed. London: Pushkin, 2009. ISBN 978-1-906548-10-0 (pbk.).
* Oliver, Michael. 1995. *Igor Stravinsky*. London: Phaidon Press. ISBN 0-7148-3158-1.
* Page, Tim. 2006. "Classical Music: Great Composers, a Less-Than-Great Poser and an Operatic Impresario". *Washington Post* (Sunday, 30 July): BW13.
* Palmer, Tony. 1982. *Stravinsky: Once at a Border...*. (TV documentary film). [UK]: Isolde Films. Issued on DVD, [N.p.]: Kultur Video, 2008.
* Pasler, Jann. 1983. "Stravinsky and His Craft: Trends in Stravinsky Criticism and Research". *The Musical Times* 124, no. 1688 ("Russian Music", October): 605–609.
* Robinson, Lisa. 2004. "Opera Double Bill Offers Insight into Stravinsky's Evolution". *The Juilliard Journal Online* 19, no. 7 (April). (No longer accessible as of March 2008.)
* Sachs, Harvey. 1987. *Music in Fascist Italy*. New York: W. W. Norton.
* Satie, Erik. 1923. "Igor Stravinsky: A Tribute to the Great Russian Composer by an Eminent French Confrère". *Vanity Fair* (February): 39 & 88.
* Siegmeister, Elie (ed.). 1943. *The Music Lover's Handbook*. New York: William Morrow and Company.
* Simeone, Lisa, with Robert Craft and Philip Glass. 1999. "Igor Stravinsky" *NPR's Performance Today: Milestones of the Millennium* (16 April). Washington, DC: National Public Radio. Archive (edited) at NPR Online.
* Simon, Scott. 2007. The Primitive Pulse of Stravinsky's 'Rite of Spring'. With an interview with Marin Alsop recorded on Friday 23 March 2007. NPR Weekend Edition. (Saturday 24 March). Washington, DC: National Public Radio.
* Slim, H. Colin. 2006. "Stravinsky's Four Star-Spangled Banners and His 1941 Christmas Card". *The Musical Quarterly* 89, nos. 2 and 3 ([northern] Summer–Fall): 321–447.
* Slonimsky, Nicolas. 1953. *Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time*. New York: Coleman-Ross. Second edition, New York: Coleman-Ross, 1965, reprinted Washington Paperbacks WP-52, Seattle: University of Washington Press, 1969, reprinted again Seattle: University of Washington Press, 1974 ISBN 0-295-78579-9, and New York: Norton, 2000 ISBN 0-393-32009-X (pbk).
* Straus, Joseph N. 2001. *Stravinsky's Late Music*. Cambridge Studies in Music Theory and Analysis 16. Cambridge, New York, Port Melbourne, Madrid, and Cape Town: Cambridge University Press. ISBN 0-521-80220-2 (cloth) ISBN 0-521-60288-2 (pbk)
* Stravinsky, Igor. 1947. *Poetics of Music in the Form of Six Lessons*. Cambridge, MA: Harvard University Press. OCLC 155726113.
* Stravinsky, Igor. 1962. *An Autobiography*. New York: W. W. Norton & Company. ISBN 0-393-00161-X; OCLC,311867794}. Originally published in French as *Chroniques de ma vie*, 2 vols. (Paris: Denoël et Steele, 1935), subsequently translated (anonymously) as *Chronicle of My Life*. London: Gollancz, 1936. OCLC 1354065. This edition reprinted as *Igor Stravinsky An Autobiography*, with a preface by Eric Walter White (London: Calder and Boyars, 1975) ISBN 0-7145-1063-7 (cloth); ISBN 0-7145-1082-3 (pbk.). Reprinted again as *An Autobiography (1903–1934)* (London: Boyars, 1990) ISBN 0-7145-1063-7 (cased); ISBN 0-7145-1082-3 (pbk). Also published as *Igor Stravinsky An Autobiography* (New York: M. & J. Steuer, 1958).
* Stravinsky, Igor, and Robert Craft. 1959. " *Conversations with Igor Stravinsky*. Garden City, NY: Doubleday. OCLC 896750 Reprinted Berkeley: University of California Press, 1980. ISBN 0-520-04040-6
* Stravinsky, Igor, and Robert Craft. 1960. *Memories and Commentaries*. Garden City, N.Y.: Doubleday. Reprinted 1981, Berkeley and Los Angeles: University of California Press. ISBN 0-520-04402-9 Reprinted 2002, London: Faber and Faber. ISBN 0-571-21242-5.
* Stravinsky, Igor, and Robert Craft. 1962. *Expositions and Developments*. London: Faber & Faber. Reprinted, Berkeley and Los Angeles: University of California Press, 1981. ISBN 0-520-04403-7.
* Stravinsky, Igor, and Robert Craft. 1966. *Themes and Episodes*. New York: A. A. Knopf.
* Stravinsky, Igor, and Robert Craft. 1969. *Retrospectives and Conclusions*. New York: A. A. Knopf.
* Stravinsky, Vera, and Robert Craft. 1978. *Stravinsky in Pictures and Documents.* New York: Simon and Schuster.
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* Thom, Paul. 2007. *The Musician as Interpreter*. Studies of the Greater Philadelphia Philosophy Consortium 4. University Park: Pennsylvania State University Press. ISBN 0-271-03198-0.
* Volta, Ornella. 1989. *Satie Seen through His Letters*. London: Boyars. ISBN 0-7145-2980-X.
* Wallace, Helen. 2007. *Boosey & Hawkes, The Publishing Story*. London: Boosey & Hawkes. ISBN 978-0-85162-514-0.
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* Wenborn, Neil. 1985. *Stravinsky*. London: Omnibus Press. ISBN 0-7119-7651-1.
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* Zappa, Frank, and Peter Occhiogrosso. 1989. *The Real Frank Zappa Book*. New York: Poseidon Press. ISBN 0-671-63870-X (reprinted twice in 1990, New York: Fireside Books, ISBN 0-671-70572-5 and New York: Picador Books ISBN 0-330-31625-7).
* Cross, Jonathan. 1999. *The Stravinsky Legacy*. Cambridge and New York: Cambridge University Press. ISBN 978-0-521-56365-9.
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* Joseph, Charles M. 2002. *Stravinsky and Balanchine, A Journey of Invention*. New Haven and London: Yale University Press. ISBN 0-300-08712-8.
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* Kundera, Milan. 1995. *Testaments Betrayed: An Essay in Nine Parts*, translated by Linda Asher. New York: HarperCollins. ISBN 0-06-017145-6.
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* van den Toorn, Pieter C. 1987. "Stravinsky and *The Rite of Spring*"

## Im Netz

 **Commons: Igor Fjodorowitsch Strawinski** – Sammlung vo Buidl, Videos und Audiodateien
* Literatur von und über Igor Fjodorowitsch Strawinski im Katalog der Deutschen Nationalbibliothek
* Irmgard Zündorf: *Tabellarischa Lebmslauf vo Igor Strawinsky* im LeMO (DHM und HdG)
* Weakvazoachnis Strawinski im russischn Musiarchiv
* Strawinski und das Pianola af pianola.org (englisch)
* Gmoafreie Notnausgom vo Igor Fjodorowitsch Strawinski im International Music Score Library Project
* The Stravinsky Foundation website
* A Riotous Premiere, an interactive website about *The Rite of Spring* from the *Keeping Score* series by the San Francisco Symphony
* Huxley on Huxley.. Archiviert vom Original  am 8. Novemba 2014. Abgerufen am 22. Mai 2014.
* Stravinsky A to Z, a BBC Radio 3 reference page containing links to information about Stravinsky
* A Biografie vo Igor Fjodorowitsch Strawinski af da Hoamseitn vo IRCAM (franzesisch)
* Jews and Geniuses On Stravinsky being a Jew or not and about his antisemitism. See also another response and the original media review by Robert Craft.
* Igor Stravinsky at Project Gutenberg
* Igor Stravinsky at the Pianola Institute
* Stravinsky and Numerology
* Portrait of Igor Stravinsky conducting – A series of images from the UBC Library Digital Collections depicting the composer rehearsing with the New York Philharmonic.

Audio und Video
* An audio recording made by William Malloch of Stravinsky rehearsing his *Symphonies of Wind Instruments in Memory of Debussy* (a 1947 recording, first broadcast in 1961)
* An archive recording of a radio program by William Malloch@1@2Vorlage:Toter Link/www.archive.org (Seite nicht mehr abrufbar; Suche in Webarchiven) that includes a discussion of how attitudes toward Stravinsky’s music changed through the years. Included are excepts from the *The Firebird*, *Petrouchka* and *The Rite of Spring* recorded from the 1930s to the 1950s by a variety of conductors, including the composer himself.
* Excerpts from sound archives of Stravinsky's works from the Contemporary Music Portal