Who Owns Culture? An Introduction to Copyright Unit 2 Part 2
Channel: Mansfield Library
Date: 2018-08-28

Tammy Ravas is an Associate Professor and the Visual and Performing Arts Librarian at the University of Montana's Mansfield Library.  She is NOT a lawyer and is not qualified to provide legal advice.  The content of this video is based on reliable intellectual property sources and is provided for informational purposes only.  If you need legal advice with intellectual property-related matters, please seek a qualified attorney who specializes in intellectual property.

Reference list: 

8 Anne, c. 19 (1710)
Andersen, I.K. (2008). Who holds the copyright to the word of God? Martin Luther’s Bible translation in the hands of his opponents. In Bjornstad, H (Ed.) Borrowed feathers: Plagiarism and the limits of imitation in early modern Europe. Oslo: Oslo Academic Press.
Atkinson, B. & Fitzgerald, B. (2015). A Short History of Copyright. NY: Springer.  
Bonaventure, ‘In Primum Librum Sententiarium’ [proem, quaest iv] in Quaracchi (ed), Opera (1882) as cited in John Burrow, Medieval Writers and Their Works: Middle English Literature and its Background, 1100-1500 (OUP 1982) 31.
Brecht, M., & Katenz, W. (1996). Luther, Martin. In The Oxford Encyclopedia of the Reformation: Oxford University Press,. Retrieved 20 Aug. 2018, from http://www.oxfordreference.com 
Briggs, A. & Burke, P. (2009). A social history of the media: From Gutenberg to  the internet. Cambridge, UK: Polity Press.  
Buringh, E. & Van Zanden, J.L. (2009). Charting the ‘Rise of the West’: Manuscripts and printed books in Europe, a long-term perspective from the sixth through eighteenth centuries. Journal of Economic History v. 69 no. 2.
Charles-Edwards, T. M. (2000). Columba, Iona, and Lindisfarne. In Early Christian Ireland. Cambridge University Press. pp. 282-343. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/umontana/detail.action?docID=201845. 
Corrigan, Ray (2007). Colmcille and the Battle of the Book: Technology, Law and Access to Knowledge in 6th Century Ireland. In: GikII 2 Workshop on the intersections between law, technology and popular culture at University College London, September 19th, 2007, 19 Sep 2007, London, UK. Available from: http://oro.open.ac.uk/10332/1/GIKII_Colmcille_final.pdf (Accessed August 16, 2018).
Deazley, R. (2008) ‘Commentary on the Statute of Anne 1710', in Primary  Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org
Eisenstein, E.L. (1979). The printing press as an agent of change Vol. 1. Cambridge University Press. pp. 121-122
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Frosio, G. (2018). Reconciling copyright with cumulative creativity: The third paradigm.  Northhampton, MA: Edward Elgar.     
Greene, V. (2006). Introduction. In Greene V. (ed) The medieval author in  medieval French literature. New York: Palgrave Macmillan. pp. 1-11.   
Hobbins, D. (2009). Authorship and publicity before print: Jean Gerson and the transformation of late medieval learning. Philadelphia, PA: University of Pennsylvania Press.
Imperial Privilege for Albrecht Dürer, Nuremberg (1511), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org
Kaborycha, L. (2006). “Copying Culture: Fifteenth-Century Florentines and Their Zibaldoni.” Dissertation, UC Berkeley.
Kostylo, J. (2008) ‘Commentary on Johannes of Speyer's Venetian monopoly (1469)', in Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org 
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Lahey, S.E. (2001). Hus, Jan (c. 1373-1415). In Drees, C.J. (Ed.) Late medieval  age of crisis  and renewal, 1300-1500: A biographical dictionary. Westport, CT:  Greenwood Press.   
Lincoln, E. (2003). Invention and Authorship in Early Modern Italian Visual  Culture. 52 DePaul Law Review 1093, 1120.
Nichols, S.G. (2006). The medieval “author”: An idea whose time hadn’t come. In The Medieval Author in Medieval French Literature.  Greene, V. (ed.). N.Y: Palgrave Macmillan. (pp. 77-101).
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Patterson, L.R. (1968). Copyright in Historical Perspective. Nashville, TN:  Vanderbilt University Press.
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Scotto v. Benalio, Venice (1503), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org
Woodmansee, M. (2016). The ‘romantic’ author. In Research handbook on the history of copyright law. Northhampton, MA: Edward Elgar. pp. 53-77.