Cahiers du Cinéma
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Date: 2021-12-10

Cahiers du Cinéma, by Wikipedia https://en.wikipedia.org/wiki?curid=7765 / CC BY SA 3.0

#1951_establishments_in_France
#Film_magazines_published_in_France
#French-language_magazines
#Monthly_magazines_published_in_France
#Magazines_established_in_1951
#Magazines_published_in_Paris
#Top_film_lists
Cahiers du Cinéma （French pronunciation: [kaje dy sinema], lit. ' notebooks on cinema'） is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca.
It developed from the earlier magazine Revue du Cinéma （lit. ' review of the cinema ' established in 1928） involving members of two Paris film clubs—Objectif 49 （Robert Bresson,
Jean Cocteau, and Alexandre Astruc, among others; lit. ' objective 49 '） and Ciné-Club du Quartier Latin （lit. ' cinema club of the Latin Quarter '）.
Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer （aka, Maurice Scherer）, it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol, and François Truffaut, who went on to become highly influential filmmakers.
It is the oldest French-language film magazine in publication.
The first issue of Cahiers appeared in April 1951.
Much of its head staff, including Bazin, Doniol-Valcroze, Lo Duca, and the various younger, less-established critics, had met and shared their beliefs about film through
their involvement in the publication of Revue du Cinéma from 1946 until its final issue in 1948; Cahiers was created as a successor to this earlier magazine.
Early issues of Cahiers were small journals of thirty pages which bore minimalist covers, distinctive for their lack of headlines in favor of film stills on a distinctive bright yellow background.
Each issue contained four or five articles （with at least one piece by Bazin in most issues）, most of which were reviews of specific films or appreciations of directors, supplemented on occasion by longer theoretical essays.
The first few years of the magazine's publication were domi...