Photographers of the American Civil War | Wikipedia audio article
Channel: wikipedia tts
Date: 2018-12-05

This is an audio version of the Wikipedia Article:
Photographers of the American Civil War


00:00:50 1 Historical context
00:01:21 2 Northern photographers
00:01:30 2.1 Mathew Brady
00:05:54 2.2 Alexander Gardner
00:11:50 2.3 George N. Barnard
00:14:30 2.4 Timothy H. O'Sullivan
00:16:35 2.5 James F. Gibson
00:17:53 2.6 Andrew J. Russell
00:19:55 2.7 Thomas C. Roche
00:21:33 2.8 Jacob F. Coonley
00:24:04 2.9 Sam A. Cooley
00:25:48 2.10 John Reekie
00:27:03 2.11 David B. Woodbury
00:28:21 2.12 David Knox
00:30:51 2.13 William R. Pywell
00:32:07 2.14 William F. Browne
00:33:21 2.15 Isaac G. and Charles J. Tyson
00:34:31 2.16 George Stacy
00:36:01 2.17 Frederick Gutekunst
00:36:55 2.18 E. T. Whitney
00:39:17 2.19 Jeremiah Gurney
00:41:39 2.20 G. O. Brown
00:42:54 2.21 Haas &amp; Peale
00:45:30 2.22 John Carbutt
00:47:32 2.23 Bierstadt Brothers
00:49:37 2.24 Henry P. Moore
00:51:32 3 Southern photographers
00:52:19 3.1 George S. Cook
00:55:06 3.2 Osborn &amp; Durbec
00:56:52 3.3 J.D. Edwards
00:58:55 3.4 McPherson &amp; Oliver
01:00:27 3.5 Charles Richard Rees
01:03:35 3.6 Andrew D. Lytle
01:04:58 3.7 Julian Vannerson
01:05:54 4 Clandestine photography
01:06:04 4.1 Andrew David Lytle
01:07:22 4.2 Robert M. Smith
01:08:11 5 Itinerant photographers
01:08:35 6 Taxes
01:09:29 7 Copyright
01:11:19 8 Legacy
01:12:03 9 Photographer portraits
01:12:13 10 See also



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SUMMARY
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The American Civil War was the most widely covered conflict of the 19th century. The images would provide posterity with a comprehensive visual record of the war and its leading figures, and make a powerful impression on the populace.
Something not generally known by the public is the fact that roughly 70% of the war's documentary photography was captured by the twin lenses of a stereo camera. The American Civil War was the first war in history, whose intimate reality would be brought home to the public, not only in newspaper depictions, album cards and cartes-de-visite, but in a popular new 3D format called a "stereograph", "stereocard" or "stereoview." Millions of these cards were produced and purchased by a public eager to experience the nature of warfare in a whole new way.