List of National Treasures of Japan (paintings) | Wikipedia audio article
Channel: wikipedia tts
Date: 2018-12-23

This is an audio version of the Wikipedia Article:
https://en.wikipedia.org/wiki/List_of_National_Treasures_of_Japan_(paintings)


00:05:10 1 Statistics
00:06:12 2 Usage
00:07:38 3 Treasures
00:07:47 4 See also



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SUMMARY
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The term "National Treasure" has been used in Japan to denote cultural properties since 1897.
The definition and the criteria have changed since the inception of the term. These paintings adhere to the current definition, and were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such, they are restricted in transfer and may not be exported. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for changes in location, transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list contains 161 paintings from 8th-century Classical Nara period to the early modern 19th-century Edo period. In fact the number of paintings presented is more than 161, because in some cases groups of related paintings are combined to form a single entry. The paintings listed show Buddhist themes, landscapes, portraits and court scenes. Some of the paintings were imported directly from China. The titles of the works are descriptive rather than the artists' titles; therefore it is possible to find alternate names in the literature for a given work.Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century. They comprise the oldest extant non-primitive paintings in Japan. By the mid-Nara period (ca. 750) Japanese paintings showed influences of the Chinese Tang dynasty (618–907) and in the 9th century early Heian period evolved into the Kara-e genre. Wall murals in the Takamatsuzuka Tomb and the Portrait of Kichijōten at Yakushi-ji exemplify the Kara-e style. Generally, Nara period paintings show religious subjects, and the artists are unknown. During that period, sculptures rather than paintings were more prevalent.Mandalas became predominant in the paintings of the early Heian period as esoteric Buddhism emerged with the Shingon and Tendai sects in the 8th and 9th centuries. The evolution of Pure Land Buddhism caused raigō-zu to be developed as a genre, characterised by depictions of the Amida welcoming the souls of the faithful to his Western Paradise as seen in a 1053 painting in the Phoenix-Hall of Byōdō-in. By the mid-Heian period, Chinese style kara-e painting was replaced with the classical Japanese yamato-e style, in which the images were painted primarily on sliding screens and byōbu folding screens. At the close of the Heian period around 1185, the practice of adorning emakimono hand scrolls with yamato-e paintings flourished. Examples of illustrated hand scrolls include novels such as Genji Monogatari Emaki, historical writings like The Tale of Great Minister Ban, or religious works such as the Scroll of Hungry Ghosts. These genres continued to be produced into the Kamakura period from 1185 to 1333. As during the Nara period, sculpture remained the preferred art form of the period.
Influenced by the Chinese Song and Yuan dynasties, Japanese monochrome ink painting called suibokuga largely replaced polychrome scroll paintings. By the end of the 14th century, monochrome landscape paintings (sansuiga) became the preferred genre for Zen painters, evolving to a unique Japanese style from the Chinese origin. Shūbun, who created Reading in a Bamboo Grove (1446), and his student S ...