SOUNDTRACK : 1920´s - 1930´s MUSIC FOR SILENT PEOPLE - Ragtime, & Honky Tonk Piano (Album)
Channel: ARGONOTA - PRESENT FROM THE PAST
Date: 2022-05-26

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🔘 Film music was largely live in the silent cinema but its practice was specific to the various cultures and nations where it was heard. In the United States phonograph recordings were sometimes used in early film exhibition; in Japan the tradition of live narration extended throughout the silent period. 

The notion of pairing film and music had a number of antecedents, among them the nineteenth-century stage melodrama. The conventional explanation for the use of music in silent film is functional: music drowned out the noise of the projector as well as talkative audiences. But long after the projector and the audience were quieted, music remained. 

Music eventually became so indispensable a part of the film experience that not even the advent of mechanically produced sound could silence it (although for a few years it looked as though it might). Film is, after all, a technological process, producing larger-than-life, two-dimensional, largely black and white, and silent images.

Accepting them as "real" requires a leap of faith. Music, with its melody, harmony, and instrumental color (not to mention the actual presence of live musicians), fleshes out those images, lending them credibility. Further, music distracts audiences from the unnaturalness of the medium. Adorno and Eisler even posit that film music works as a kind of exorcism, protecting audiences from the "ghostly" effigies confronting them on the screen and helping audiences, unaccustomed to the modernity of such sights, "absorb the shock

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🔘 🇫🇷 La musique de film était largement en direct dans le cinéma muet, mais sa pratique était spécifique aux différentes cultures et nations où elle était entendue. Aux États-Unis, des enregistrements de phonographes étaient parfois utilisés dans les premières projections de films ; au Japon, la tradition de la narration en direct s'est prolongée pendant toute la période du muet. 

L'idée d'associer le cinéma et la musique avait un certain nombre d'antécédents, notamment le mélodrame de théâtre du XIXe siècle. L'explication conventionnelle de l'utilisation de la musique dans le cinéma muet est d'ordre fonctionnel : la musique étouffe le bruit du projecteur ainsi que celui des spectateurs bavards. Mais longtemps après que le projecteur et le public se sont tus, la musique est restée. 

La musique est finalement devenue un élément si indispensable de l'expérience cinématographique que même l'avènement du son produit mécaniquement n'a pas pu la faire disparaître (bien que pendant quelques années, cela ait semblé possible). Le cinéma est, après tout, un processus technologique qui produit des images plus grandes que nature, bidimensionnelles, en grande partie en noir et blanc et muettes.


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🔘 🇫🇷 Details de la video dans peu de temps....

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