Ruy Blas Victor Hugo / Bu Güne Kadar Çok Şey Değişti ! ? #ilberortaylı #celalşengör #fatihaltaylı
Channel: MG Tube
Date: 2023-11-19

Ruy Blas Victor Hugo / Bu Güne Kadar Çok Şey Değişti ! ? #ilberortaylı #celalşengör #fatihaltaylı

Bu video  Fatih Altaylı'nın Youtube kanalında 12 Kasım 2023 tarihinde yayınlanan ''Fatih Altaylı ile Pazar Sohbeti: Bilim özel bölümü! Prof. Dr. Celal Şengör & Prof. Dr. İlber Ortaylı'' adlı videodan alınmıştır. 

Bölümün tamamını izlemek isteyenler Fatih Altaylı'nın Youtube kanalından veya aşağıdaki Youtube Linkine tıklayarak izleyebilir. 

Kaynak:
https://www.youtube.com/watch?v=Y_Unh_N1tvw
https://www.youtube.com/@UCdS7OE5qbJQc7AG4SwlTzKg 

Afiyet olsun beyler !
Asaletli nazırlar !
Müstakim müşavirler !
İftihar edin, hizmet bu mudur ?
Yağma ettiniz aziz vatanı

Dün beni de soydular Toledo Köprüsü’nde.
Memleketin bir yarısı öbür yarısını soyuyor.
Hakimlerse halktan rüşvet alıp doyuyor.

Ahhh, memleket değil batan geminin salı,
Dahilde herkes meşgul, birbirine savletle,
Manastır manastırla eyalet eyaletle.

Savlet: Şiddetli Saldırı.

Ruy Blas
Ruy Blas is a tragic drama by Victor Hugo. It was the first play presented at the Théâtre de la Renaissance and opened on November 8, 1838. Though considered by many to be Hugo’s best drama, the play was initially met with only average success.
Characters
Ruy Blas
Don Salluste de Bazan, Marquis of Finlas
Don César de Bazan, Count Of Garofa
Don Guritan
The Count of Camporeal
The Marquis of Santa-Cruz
The Marquis of Basto
The Count of Albe
The Marquis of Priego
Don Manuel Arias
Montazgo
Don Antonio Ubilla
Covadenga
Gudiel
Doña Maria de Neubourg, Queen of Spain
The Duchess of Albuquerque
Casilda
A lackey, an alcalde, alguacils, pages, ladies, lords, privy councillors, chaperones, guards, chamber and court bailiffs
Synopsis
The scene is Madrid; the time 1699, during the reign of Charles II. Ruy Blas, an indentured commoner (and a poet), dares to love the Queen. The play is a thinly veiled cry for political reform.
The story centers around a practical joke played on the Queen, Maria de Neubourg, by Don Salluste de Bazan, in revenge for being scorned by her. Knowing that his valet Ruy Blas has secretly fallen in love with the Queen, and having previously failed to enlist the aid of his scapegrace but chivalrous cousin, Don César in his scheme Don Salluste disguises Blas as a nobleman and takes him to court. Intelligent and generous, Blas becomes popular, is appointed prime minister, and begins useful political and fiscal reforms, and conquers the Queen's heart. A long speech, 101 lines, in which he contrasts the sordid struggle for sinecures in a decaying monarchy with the glories of Emperor Charles V (King Charles I of Spain), is notable.[1][2]
Don Salluste returns to take his revenge. The Queen and Ruy Blas are betrayed into a compromising situation by Don Salluste, who, when Don César threatens to frustrate his revenge, ruthlessly sacrifices his cousin to his injured vanity. Don Salluste discloses the masquerade by cruelly humiliating Blas – he commands Blas to close the window and pick up his handkerchief, while trying to explain the condition of Spanish politics. Blas kills him and decides to commit suicide with poison. At his dying moment, he is forgiven by the Queen who openly declares her love for him.
Antecedents
Hugo says he began to write the play on 4 July 1838. The play has, except for the dénouement, constant and perplexing likeness to Edward Bulwer-Lytton's The Lady of Lyons, first acted on 14 February 1838. The idea of a valet set by a scorned lover to woo a fine lady had been turned to dramatic account in Molière's Les Précieuses ridicules. Hugo certainly used Henri de Latouche's La Reine d'Espagne (1831). In his very inaccurate autobiography, Victor Hugo raconté par un témoin de sa vie, Hugo notes as sources for the play Madame d'Aulnoy's Memoirs de la cour d'Espagne, Relation du voyage d'Espagne (1690), Alonso Nuñez de Castro's Solo Madrid es corte (1675) and Jean de Vayrac's État présent d'Espagne (1718).