Conversation on The Hardest Word with the Roma Theatre Retrospective on Wednesday 30 Sept 2020
Channel: HowlRound Theatre Commons
Date: 01/10/2020

Independent Theater Hungary presents a performance and conversation around The Hardest Word (Scotland) as part of the Roma Theatre Retrospective 2020 livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Wednesday 30 September 2020 at 9:30 a.m. PDT (San Francisco, UTC -7) / 12:30 p.m. EDT (New York, UTC -4) / 17:30 BST (London, UTC +1) / 18:30 CEST (Budapest, UTC +2) / 19:30 EEST (Bucharest, UTC +3).

The Hardest Word at Independent Theater tells about the civil activity of Jess Smith, a writer, poet, and storyteller belonging to the Gypsy Traveler community in Scotland.

The goal that Jess sets for herself is nothing less than demand the country’s first minister to apologize for the long centuries of persecution that Travelers had to suffer.

The monodrama displays both the vulnerability and the firm character of Jess. From her confession, we learn what challenges she has to face while fighting steadily for her goals—against her own family, the society or the authority.

Sometimes civil disobedience is the only way to maintain our dignity, she believes.

Background and impact of the play
Richard R O’Neill’s play, based on the story of Jess Smith, was first performed at Edinburgh Storytelling Festival in 2008. The issue of the centuries long persecution caught the attention of the Church of Scotland when one of the priests, Russel McLarty attended Jess Smith’s show at the festival.

After the premiere, Jess met the church leaders and this experience initiated long-lasting changes in the church’s approach to Traveler’s history.

When Jess Smith told her friend, the playwright Richard R. O’Neill about her plan to demand a statement of apology from the state, he offered to write a monologue for Jess—so this play is the demand itself.

Although neither the state nor the first minister apologized to the Traveler communities for the violation of their human rights, on 25 May 2012 the Church of Scotland did so.

In the UK, the performance brought countrywide recognition for the artists, inspired the everyday work of health care and community development organisations, and encouraged Roma women to write.

Written by: Richard R. O’Neill
Translated by: Viktória Kondi
Hungarian translation supervised by: Ágnes Stemler
Directed by: Rodrigó Balogh
Screenplay by: Márton Illés
Jess Smith – Edina Dömök
In Hungarian with English subtitles.