Cumbia - Ringtone [With Free Download Link]
Channel: Minim Ringtones
Date: 02/07/2017

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Cumbia refers to a number of musical rhythm and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indians, Africans enslaved during colonial times and Europeans. Examples include:

Colombian cumbia, a Colombian musical rhythm and folk dance, the result of the musical and cultural mixture of indigenous and black slaves on the Caribbean Coast during the Spanish Conquest and Colony.[1]
Panamanian cumbia, a Panamanian musical genre and folk dance, developed by Africans enslaved during the colonial period and later syncretized with Amerindian and European cultural elements.Argentine cumbia
cumbia villera, a subgenre of Argentine cumbia born in the slums
pop cumbia, a subgenre of Argentine and Uruguayan cumbia
cumbia santafesina, a musical genre emerged in Santa Fe, Argentina
Bolivia
Bolivian cumbia
Chile
Chilean cumbia
New Chilean cumbia, a subgenre derived from Colombian cumbia
Costa Rica
Costa Rican cumbia
Mexico
Mexican cumbia
Southeast cumbia or chunchaca, a variant of Mexican cumbia
Northern Mexican cumbia, a variant of Mexican cumbia, developed in northeastern Mexico and part of Texas (former Mexican territory)
Cumbia sonidera, a variant of Mexican cumbia
Paraguay
Cachaca, a fusion of cumbia sonidera, norteña, vallenato and cumbia villera
Peru
Peruvian cumbia;
Chicha or Andean tropical music
Amazonian cumbia or jungle cumbia, a popular subgenre of Peruvian cumbia, created in the Peruvian Amazon
Cumbia piurana, a set of styles and sub-genres linked to cumbia that have been produced in Piura, a region on the north Peruvian coast, since the mid-1960s
Cumbia sanjuanera, a subgenre of cumbia piurana
Cumbia sureña, a subgenre of Peruvian cumbia, a fusion of Andean cumbia and techno
El Salvador
Salvadoran cumbia
Venezuela
Venezuelan cumbiaCumbia [ˈkumbja] is a folkloric genre and dance from Colombia.[1][2][3][4]

Since the 1940s, commercial or modern Colombian cumbia expanded to the rest of Latin America, after which it became popular throughout the continent, including in Argentina, Bolivia, Chile, the Dominican Republic, Ecuador, Mexico, Peru, El Salvador, Uruguay, and Venezuela.Most folklorists and musicologists, such as Narciso Garay, Delia Zapata Olivella, and Guillermo Abadia Morales, assume that cumbia is derived from the Bantu root kumbe "to dance", or any other of the many Bantu words with "comb" or "kumb".[5] Cf. samba, macumba.

Another possibility is the Tupi-Guarani word cumbi "murmuring, noise".[6]

Cumbia was also a kind of fine woolen garment produced for the Inca.[7]

In 2006, Colombian musician and musicologist Guillermo Carbo Ronderos said that the etymology of the word cumbia is "still controversial" and that "seems to derive from the Bantu word cumbé"[8]Sociologist Adolfo Gonzalez Henriquez, in his work "La música del Caribe colombiano durante la guerra de independencia y comienzos de la República" (Music of the Colombian Caribbean during the war of independence and the beginning of the Republic),[9] includes a text of Admiral José Prudencio Padilla which records cumbiambas and indigenous gaitas during the festival of John the Baptist in the neighboring town of Arjona, a few days before the naval battle that took place in the Bahía de las Ánimas of Cartagena between the last Spanish resistance and the republican army, military confrontation that sealed the independence of Colombia:

No era noche de luna la del 18 de junio de 1821; pero la pintoresca población de Arjona ostentaba la más pura serenidad en el cielo tachonado de estrellas, y en el alegre bullicio de las gaitas y cumbiambas con que festejaban los indígenas, al abrigo de las armas republicanas, la aproximación de la celebrada fiesta de San Juan...

— Almirante José Prudencio Padilla, p. 96.[9]
Translated as

It was a night without the moon, that of June 18, 1821; but the picturesque town of Arjona showed the purest serenity in the starry sky, and the cheerful bustle of gaitas and cumbiambas with which the indigenous people celebrated, sheltered from the republican arms, the approach of the festival of St. John...In the afternoon of the second day they were preparing a large indigenous dance in the village. The dance floor was the street, bounded by a narrow circle of spectators surrounding the orchestra and dancers.

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