168. WALK THRU THURS - 1 Timothy 1:1-11
Channel: Croak and Crow
Date: 2021-08-06

1 Timothy 1:3-7 
New International Version
Timothy Charged to Oppose False Teachers
3 As I urged you when I went into Macedonia, stay there in Ephesus so that you may command certain people not to teach false doctrines any longer 4 or to devote themselves to myths and endless genealogies. Such things promote controversial speculations rather than advancing God’s work—which is by faith. 5 The goal of this command is love, which comes from a pure heart and a good conscience and a sincere faith. 6 Some have departed from these and have turned to meaningless talk. 7 They want to be teachers of the law, but they do not know what they are talking about or what they so confidently affirm.


The 'Girl with a Pearl Earring' is an oil painting by Dutch Golden Age painter Johannes Vermeer. Going by various names over the centuries, it became known by its present title towards the end of the 20th century after the earring worn by the girl portrayed there. The work has been in the collection of the Mauritshuis in The Hague since 1902 and has been the subject of various literary and cinematic treatments.
The painting is a tronie, the Dutch 17th-century description of a 'head' that was not meant to be a portrait. It depicts a European girl wearing an exotic dress, an oriental turban, and what was thought to be a very large pearl as an earring. In 2014, Dutch astrophysicist Vincent Icke raised doubts about the material of the earring and argued that it looks more like polished tin than pearl on the grounds of the specular reflection, the pear shape and the large size of the earring.
The work is oil on canvas and is 44.5 cm (17.5 in) high and 39 cm (15 in) wide. It is signed "IVMeer" but not dated. It is estimated to have been painted around 1665.

After the most recent restoration of the painting in 1994, the subtle colour scheme and the intimacy of the girl's gaze toward the viewer have been greatly enhanced.[7] During the restoration, it was discovered that the dark background, today somewhat mottled, was originally a deep enamel-like green. This effect was produced by applying a thin transparent layer of paint—a glaze—over the black background seen now. However, the two organic pigments of the green glaze, indigo and weld, have faded.[8]

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In the name of the Father and the Son and the Holy Spirit, Amen.