RevolutionCrossroads/si_us_revolutionary_era_collections huggingface dataset:
A Nymph and Shepherd
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1775
original artist: Cignani, Carlo
delineator: Farington, George
engraver: Michel, Jean Baptiste
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: sheet: 34 cm x 40.5 cm; 13 3/8 in x 15 15/16 in
plate: 31.4 cm x 38 cm; 12 3/8 in x 14 31/32 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Landscapes
Animals
Communications
Description: Line engraving after original painting by Carlo Cignani once in the Gallery at Houghton. Now in the State Hermitage Museum, St. Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. The painting's title has varied as nymph or shepherdess over the years.
The Fisherman
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1775
original artist: Dughet, Gaspard
delineator: Farington, Joseph
publisher: Boydell, John
engraver: Mason, James
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 40.2 cm x 48.1 cm; 15 13/16 in x 18 15/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Landscapes
Communications
Fishing
Description: Engraving after original painting by Gaspard Dughet [called Poussin] once in the Gallery at Houghton. Now in the State Hermitage Museum, St. Petersburg, with descriptive title Landscape with a Fisherman. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
The painter Gaspard Dughet took the name Poussin after the French artist Nicolas Poussin, his mentor and the husband of his sister.
The Larder
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1775
artist attribution: Vos, Marten de
Vos, Paul de
engraver: Earlom, Richard
delineator: Farington, Joseph
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 47 cm x 59.7 cm; 18 1/2 in x 23 1/2 in
plate: 45.1 cm x 57.5 cm; 17 3/4 in x 22 5/8 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Communications
Food
Description: Mezzotint after original painting by Paul de Vos once in the Gallery at Houghton. Now in the State Hermitage Museum, St. Petersburg, with descriptive title Cook at a Kitchen Table with Dead Game. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. Formerly attributed to Marten de Vos as referenced on the print.
Tenier's Kitchen
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1777
original artist: Teniers II, David
engraver: Michel, Jean Baptiste
delineator: Farington, Joseph
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 48.3 cm x 60.6 cm; 19 1/32 in x 23 27/32 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Communications
kitchen
Food
Description: Engraving after original painting by David Teniers II once in the Common Parlour at Houghton. Now in the State Hermitage Museum, St. Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
The Waggoner
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1776
original artistr: Rubens, Peter Paul
engraver: Browne, John
delineator: Farington, Joseph
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 48.3 cm x 60.2 cm; 19 1/32 in x 23 11/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Landscapes
Communications
Wagons
Description: Engraving after original painting by Peter Paul Rubens once in the Gallery at Houghton. Now in the State Hermitage Museum, St. Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
The Adoration of the Shepherds
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1775
original artist: Murillo, Bartolome Esteban
engraver: Green, Valentine
delineator: Farington, George
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 51.8 cm x 37.7 cm; 20 13/32 in x 14 27/32 in
plate: 50.5 cm x 35.5 cm; 19 7/8 in x 13 31/32 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Communications
Religion
Nativity
Description: Mezzotint after original painting by Bartolome Murillo once in the Salon at Houghton. Now in the State Hermitage Museum, St. Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
The Immaculate Conception
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1776
original artist: Murillo, Bartolome Esteban
engraver: Green, Valentine
delineator: Boydell, Josiah
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 52.5 cm x 37.7 cm; 20 21/32 in x 14 27/32 in
plate: 50.3 cm x 35.7 cm; 19 13/16 in x 14 1/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
Virgin
Art
Communications
Religion
Description: Mezzotint after original painting by Bartolome Murillo once in the Salon at Houghton. Now in the State Hermitage Museum, St. Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. Titled on print as The Assumption of the Virgin.
Abraham, Sarah, and Hagar
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1776
original artist: Cortona, Pietro da
engraver: Michel, Jean Baptiste
delineator: Farington, George
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 51.5 cm x 44 cm; 20 9/32 in x 17 5/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Bible
Communications
Religion
Description: Engraving from original painting by Pietro da Cortona once in the Gallery at Houghton. Now in Pushkin Museum of Fine Arts, Moscow, as The Return of Hagar. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
The Goats-Herd
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1776
engraver: Canot, Pierre Charles
delineator: Farington, Joseph
publisher: Boydell, John
original artist: Roos, Philipp Peter
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 32.7 cm x 40.7 cm; 12 7/8 in x 16 1/32 in
plate: 30 cm x 37.8 cm; 11 13/16 in x 14 7/8 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Animals
Communications
Description: Engraving from original painting by P. P. Roos (also known as Rosa da Tivoli) once in the Embroider’d Bed Chamber at Houghton. Originally in the Hermitage Palace, later in the Gatchina Palace; disappeared during World War II. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
The Shepherd
Collection: National Museum of American History
Object type: print, engraving
Engraving
date made: 1778
engraver: Canot, Pierre Charles
delineator: Farington, Joseph
publisher: Boydell, John
original artist: Roos, Philipp Peter
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 30 cm x 37.5 cm; 11 13/16 in x 14 3/4 in
sheet: 32.8 cm x 40.5 cm; 12 29/32 in x 15 15/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Animals
Communications
Description: Engraving from original painting by P. P. Roos (also known as Rosa da Tivoli) once in the Embroider’d Bed Chamber at Houghton. Originally in the Hermitage Palace, later in the Gatchina Palace; believed to have been sold during the 1920s; current location unknown. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
The Holy Family
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1776
engraver: Green, Valentine
delineator: Farington, George
publisher: Boydell, John
original artist: Ponzone, Matteo
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 28.9 cm x 35 cm; 11 3/8 in x 13 25/32 in
overall: 31.6 cm x 37.8 cm; 12 7/16 in x 14 7/8 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Communications
Religion
Holy Family
Description: Mezzotint after painting by Matteo Ponzone, once in the Cabinet at Houghton. Now in Pavlovsk Palace State Museum, St Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
Portrait of Anne Lee, Marchioness of Wharton
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1776
engraver: Earlom, Richard
original artist: Lely, Peter
publisher: Boydell, John
delineator: Boydell, Josiah
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 40.3 cm x 29 cm; 15 7/8 in x 11 13/32 in
sheet: 41.8 cm x 30.5 cm; 16 15/32 in x 12 in
Credit line: Marsh Collection
Topics: Marsh Collection
Women
Art
Communications
Portraits
Description: Mezzotint after painting by Peter Lely once in the Common Parlour at Houghton. Not included in the sale to Catherine II of Russia, although engraved for the volume of prints. Present location unknown. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. Anne Lee (1659-1685), first wife of Thomas, Baron Wharton, was an accomplished poet who used the pseudonym Urania.
Landscape with figures
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1777
engraver: Peake, James
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 23.4 cm x 26.3 cm; 9 7/32 in x 10 11/32 in
overall: 26.5 cm x 30 cm; 10 7/16 in x 11 13/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Landscapes
Communications
Description: Engraving after painting attributed to Jacques Courtois (called Bourgogne or Bourguignon) or possibly his pupil Pandolfo Reschi, once in the Cabinet at Houghton. Now in State Hermitage Museum, St Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. Print titled Mendicants; painting has been called Landscape with Figures and Landscape with a Rider. Paired with print titled Banditti/Seashore with figures.
Wooster Family Bible
Collection: National Museum of American History
Object type: book with box
date made: 1806
place made: United States: New York, New York City
associated place: United States: New York, Albany
United States: Vermont, Fairfield
Measurements: overall bible: 17 3/8 in x 11 in x 3 1/2 in; 44.1325 cm x 27.94 cm x 8.89 cm
overall box: 21 1/8 in x 13 3/8 in x 4 1/2 in; 53.6575 cm x 33.9725 cm x 11.43 cm
Credit line: Frances A. Anderson in memory of her dear niece Karen Schutz Vaspol
Topics: Gifts & Presents
Bible
Religion
War of 1812
Seashore with figures
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1777
engraver: Peake, James
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 23 cm x 26.5 cm; 9 1/16 in x 10 7/16 in
overall: 26.2 cm x 30 cm; 10 5/16 in x 11 13/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Landscapes
Communications
Ocean
Description: Engraving after painting attributed to Jacques Courtois (called Bourgogne or Bourguignon) or possibly his pupil Pandolfo Reschi, once in the Cabinet at Houghton. Current location unknown. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. Print titled Banditti; painting now known as View of the Seashore. Paired with print titled Mendicants/ Landscape with figures.
Dogs and Still Life
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1778
original artist: Vos, Paul de
engraver: Canot, Pierre Charles
delineator: Farington, Joseph
publisher: Boydell, John
artist attribution: Jervas, Charles
place made: United Kingdom: England, London
Measurements: overall: 23 cm x 26.7 cm; 9 1/16 in x 10 1/2 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Animals
Dogs
Communications
Description: Engraving after painting attributed to Charles Jervas once in the Dressing Room at Houghton, Now in State Hermitage Museum, St Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.One of two prints with same title mounted on same page. The paintings are now considered likely to be copies by Jervas after Paul de Vos. This one shows two dogs and a cat facing off over dead birds, with a large cabbage at lower right.
Dog and Still Life
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1778
original artist: Vos, Paul de
engraver: Canot, Pierre Charles
delineator: Farington, Joseph
publisher: Boydell, John
artist attribution: Jervas, Charles
place made: United Kingdom: England, London
Measurements: overall: 23 cm x 26.7 cm; 9 1/16 in x 10 1/2 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Animals
Dogs
Communications
Description: Engraving after painting attributed to Charles Jervas once in the Dressing Room at Houghton, Now in State Hermitage Museum, St Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. Second of two prints with same title mounted on same page. The paintings are now considered likely to be copies by Jervas after Paul de Vos. Dog and cat vie for dead bird; dead deer hangs at rear.
Portrait of a young man
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1777
original artist: Hals, Frans
engraver: Michel, Jean Baptiste
delineator: Farington, George
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: overall: 21.5 cm x 16.8 cm; 8 15/32 in x 6 5/8 in
plate: 18.5 cm x 14 cm; 7 9/32 in x 5 1/2 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Communications
Portraits
Description: Engraving after painting by Frans Hals once in the Common Parlour at Houghton. Sent to the Hermitage Palace; sold to Andrew Mellon in 1930 and now in the National Gallery of Art, Washington. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. Once considered a self-portrait of the Dutch artist; sitter not identified.
Portrait of a man
Collection: National Museum of American History
Object type: print, engraving
Engraving
date made: 1777
original artist: Rosa, Salvator
engraver: Michel, Jean Baptiste
delineator: Farington, George
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 19.5 cm x 14 cm; 7 11/16 in x 5 1/2 in
overall: 22.5 cm x 17 cm; 8 27/32 in x 6 11/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Communications
Portraits
Description: Engraving after painting by Salvator Rosa once in the Common Parlour at Houghton. Now in State Hermitage Museum, St Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. Captioned by Boydell as a Captain of Bandits; now identified as a male portrait but considered possibly a self-portrait of Rosa.
Still Life with Grapes
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1776
engraver: Earlom, Richard
delineator: Farington, Joseph
publisher: Boydell, John
original artist: Campidoglio, Michelangelo di
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 30.5 cm x 35.2 cm; 12 in x 13 27/32 in
overall: 33.2 cm x 38.2 cm; 13 1/16 in x 15 1/32 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Communications
Description: Mezzotint after painting by Michelangelo del Campidoglio once in the Marble Parlour at Houghton. Now in State Hermitage Museum, St Petersburg as Still Life with Grapes. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
Rearing Horse
Collection: National Museum of American History
Object type: print, mezzotint
Mezzotint
date made: 1777
artist attribution: Van Dyck, Anthony
Rubens, Peter Paul
engraver: Earlom, Richard
delineator: Farington, Joseph
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 29.2 cm x 18.5 cm; 11 1/2 in x 7 9/32 in
overall: 32.6 cm x 22 cm; 12 27/32 in x 8 21/32 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Animals
Communications
Horses
Description: Mezzotint after painting attributed to Anthony Van Dyck but now given to Rubens, once in the Small Breakfast Room at Houghton. Sent to the Hermitage Palace in 1779; sold 1931; now in private collection. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. At Houghton Hall the painting was hung as a pair with A Greyhound’s Head by Wyck, and the two prints were mounted on the same page in the volume.
A Greyhound's Head
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1777
engraver: Earlom, Richard
delineator: Farington, Joseph
publisher: Boydell, John
artist attribution: Wyck, Thomas
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 29.2 cm x 18.4 cm; 11 1/2 in x 7 1/4 in
overall: 32.8 cm x 22.3 cm; 12 29/32 in x 8 25/32 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Animals
Dogs
Communications
Description: Mezzotint after painting by Jan Wyck, once in the Small Breakfast Room at Houghton. Now in State Hermitage Museum, St Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. At Houghton Hall the painting was hung as a pair with A Horse’s Head by Rubens, and the two small prints were mounted on the same page in the volume.
Virgin and Child with Saints
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1778
delineator: Farington, George
publisher: Boydell, John
original artist: Berrettoni, Niccolo
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 31.6 cm x 37.9 cm; 12 7/16 in x 14 29/32 in
overall: 34 cm x 40.4 cm; 13 3/8 in x 15 29/32 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Virgin and Child
Communications
Religion
Description: Engraving after painting by Niccolo Berrettoni, once in the Carlo Marratta Room at Houghton. Now in Catherine Palace, Tsarskoye Selo State Museum Reserve, Russia, as Virgin and Child with Saints Elizabeth, John the Baptist, and Joseph. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
King Charles the First
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1778
original artist: Van Dyck, Anthony
publisher: Boydell, John
graphic artist: Boydell, Josiah
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 52.7 cm x 35 cm; 20 3/4 in x 13 25/32 in
overall: 55 cm x 37.3 cm; 21 21/32 in x 14 11/16 in
Credit line: Marsh Collection
Topics: Marsh Collection
British Royalty
Art
Communications
Description: Mezzotint after painting by Anthony van Dyck once in the Drawing Room at Houghton Hall, Norfolk, England. Now in the State Hermitage Museum, St Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. A line engraving after this painting was included in vol. 2 of Marsh's set. See 1978.0534.03.69.
Woman in an Armchair
Collection: National Museum of American History
Object type: print
mezzotint
Mezzotint
date made: 1778
artist attribution: Rubens, Peter Paul
Vos, Cornelis de
engraver: Watson, James
delineator: Farington, George
publisher: Boydell, John
place made: United Kingdom: England, London
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 45.7 cm x 30.6 cm; 18 in x 12 1/16 in
overall: 47.5 cm x 32.4 cm; 18 11/16 in x 12 3/4 in
Credit line: Marsh Collection
Topics: Marsh Collection
Women
Art
Communications
Portraits
Description: Mezzotint after painting once in the Gallery at Houghton. Formerly attributed to Peter Paul Rubens. Now in the State Hermitage Museum, St Petersburg, attributed to Cornelis de Vos. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1.
A Small Town in Latium
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1778
original artist: Dughet, Gaspard
delineator: Farington, Joseph
publisher: Boydell, John
place made: United Kingdom: England, London
Associated Place: Italy: Latian, Rome
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 23.5 cm x 26.5 cm; 9 1/4 in x 10 7/16 in
overall: 26.2 cm x 29.5 cm; 10 5/16 in x 11 5/8 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Landscapes
Communications
Description: Engraving after painting by Gaspard Dughet [as Gaspard Poussin] once in the Cabinet at Houghton. Now in Pushkin Museum of Fine Arts, Moscow, as A Small Town in Latium. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. One of two small landscapes mounted on the same page.
Landscape near Rome
Collection: National Museum of American History
Object type: print
engraving
Engraving
date made: 1778
original artist: Dughet, Gaspard
designer: Farington, Joseph
publisher: Boydell, John
place made: United Kingdom: England, London
Associated Place: Italy: Latian, Rome
Physical Description: paper (overall material)
ink (overall material)
Measurements: plate: 23.4 cm x 26.5 cm; 9 7/32 in x 10 7/16 in
overall: 25.8 cm x 29.5 cm; 10 5/32 in x 11 5/8 in
Credit line: Marsh Collection
Topics: Marsh Collection
Art
Landscapes
Communications
Description: Engraving after painting by Gaspard Dughet [as Gaspard Poussin] once in the Cabinet at Houghton. Now in State Hermitage Museum, St. Petersburg. Print tipped onto sheet bound in George P. Marsh’s copy of The Houghton Gallery, vol. 1. One of two small landscapes mounted on the same page. Ruins may be the Baths of Caracalla near Rome.