RevolutionCrossroads/si_us_revolutionary_era_collections huggingface dataset:
William Dunlap self-portrait
Collection: National Portrait Gallery
Object type: Painting
Date: c. 1805
Artist: William Dunlap, 18 Feb 1766 - 28 Sep 1839
Sitter: William Dunlap, 18 Feb 1766 - 28 Sep 1839
Medium: Watercolor on ivory
Dimensions: 6.4 × 4.8cm (2 1/2 × 1 7/8")
Credit line: National Portrait Gallery, Smithsonian Institution; gift of Robert Bayard Severy in memory of Josephine McClintock Bellamy Severy (1914 -- 2001), great, great granddaughter of William Walton Woolsey (1766 -- 1839), brother-in-law of William Dunlap, from her family of Donald Phelps Severy, Robert Bayard Severy, and Arabella McClintock Severy Olander Conserved with funds from the Smithsonian Women's Committee
Topics: Art
Miniaturist
Arts and Culture
Painters
Literature
Self-portraits
Writers
Playwright
Portraits
Theater producer
History
Theater
Portraitist
Men
Entertainers
Artists
Provenance: Dunlap's brother-in-law, William Walton Woolsey; by family descent to Josephine McClintock Bellamy Severy, mother of the donor
[None]
Philadelphia Almanack for the Year of Our Lord 1780
Collection: National Portrait Gallery
Object type: Print
Date: c. 1779
Artist: John Norman, c. 1748 - 1817
Copy after: Charles Willson Peale, 15 Apr 1741 - 22 Feb 1827
Sitter: George Washington, 22 Feb 1732 - 14 Dec 1799
Medium: Engraving on paper
Dimensions: Sheet: 26.5 × 19.5cm (10 7/16 × 7 11/16")
Credit line: National Portrait Gallery, Smithsonian Institution; Alan and Lois Fern Acquisition Fund
Topics: Business and Finance
Congressional Gold Medal
Farmers
Government
Natural resources commerce
Portraits
Civilian awards
Science and Technology
Colonial statesman
Agriculturists
Statesman
Surveyors
Military and Intelligence
Men
American Revolution (1775-1783)
Public officers
Politics
Presidents
Officer
THE ALMANACK EXPLAINED. Note that under the Title of every Month in the Almanack...
Intrepid virtue triumphs over all. The good can never be unfortunate...
JANUARY XXXI table with columns for day, date, and dominical letter.
FEBRUARY XXIX table with columns for day, date, and dominical letter.
MARCH XXXI table with columns for day, date, and dominical letter.
APRIL XXIX table with columns for day, date, and dominical letter.
MAY XXXI table with columns for day, date, and dominical letter.
JUNE XXX table with columns for day, date, and dominical letter.
JULY XXXI table with columns for day, date, and dominical letter.
AUGUST XXXI table with columns for day, date, and dominical letter.
SEPTEMBER XXX table with columns for day, date, and dominical letter.
OCTOBER XXXI table with columns for day, date, and dominical letter.
NOVEMBER XXX table with columns for day, date, and dominical letter.
DECEMBER XXXI table with columns for day, date, and dominical letter.
A TABLE showing the value of any Number of pounds from 1 to 1000 at 6 per cent.
A TABLE of Interest at 6 per cent for 1 Mo., 3 Mo., & 1 Year.
A TABLE of Interest at 7 per cent for 1 Mo., 3 Mo., & 1 Year.
A TIDE-TABLE showing the height of the tide at Philadelphia.
ECLIPSES for the Year - 1780, including details of solar and lunar eclipses.
Public Offices listing various government and commercial offices and their locations.
David Ramsay
Collection: National Portrait Gallery
Object type: Painting
Date: 1771
Artist: Charles Willson Peale, 15 Apr 1741 - 22 Feb 1827
Sitter: David Ramsay, 2 Apr 1749 - 8 May 1815
Place: United States/Pennsylvania/Philadelphia
Medium: Oil on canvas
Dimensions: Stretcher: 53.7 × 48.6 × 2.9 cm (21 1/8 × 19 1/8 × 1 1/8")
Frame: 76.2 × 72.1 × 10.2 cm (30 × 28 3/8 × 4")
Credit line: National Portrait Gallery, Smithsonian Institution; gift of Pattison and Carolyn Fulton
Topics: Legislators
Congressmen
Government
Physicians
Interior decoration
Portraits
Continental congressman
Design
Medicine and Health
Historians
Men
Senators
Public officers
Politics
Education and Scholarship
Provenance: By family descent to F. Barnard O'Connor, New York; Emily O'Connor; her nephew Patrick Fulton; his widow, Carolyn Fulton
[None None]
Joseph Tayadaneega called the Brant, the Great Captain of the Six Nations
Collection: National Portrait Gallery
Object type: Print
Date: 1779
Artist: John Raphael Smith, 1752 - 2 Mar 1812
Copy after: George Romney, 26 Dec 1734 - 15 Nov 1802
Sitter: Thayendanegea, Mar 1743 - 24 Nov 1807
Medium: Mezzotint on paper
Dimensions: Image: 50.7 × 35.5 cm (19 15/16 × 14")
Sheet: 51.8 × 37.1 cm (20 3/8 × 14 5/8")
Credit line: National Portrait Gallery, Smithsonian Institution; gift of the Abraham and Virginia Weiss Charitable Trust, Amy and Marc Meadows, in honor of Wendy Wick Reaves
Topics: Printing
Tomahawk
Chief
Government
Outerwear
Jewelry
Dress accessories
Portraits
Interpretation of cultural and natural resources
Headgear
Native American leader
American Indian interpreter
Weapons
Gorget
Costume
Armor
Men
Feather
Cloaks
Hats
Armband
Politics
JOSEPH TAYADANEEGA called the BRANT , the Great Captain of the Six Nations.
Engraved from an Original Painting of G. Romney in the Collection of the Right Hon ble the Earl of Warwick by J. R. Smith.
Published as the Act directs Feb y 1779.
Russell's American Almanack for the Year of our Redemption, 1790
Collection: National Portrait Gallery
Object type: Print
Date: c. 1779
Artist: Unidentified Artist
Printer: Ezekiel Russell, 1743 - Sep 1796
Sitter: Ethan Allen, 21 Jan 1738 - 12 Feb 1789
Medium: Woodcut on paper
Dimensions: Image: 16.1 × 8.7 cm (6 5/16 × 3 7/16")
Sheet: 17.5 × 11 cm (6 7/8 × 4 5/16")
Book closed: 17.5 × 11 × 0.2 cm (6 7/8 × 4 5/16 × 1/16")
Credit line: National Portrait Gallery, Smithsonian Institution
Topics: Printing
Business and Finance
Soldiers
Arts and Culture
Literature
Writers
Government
Portraits
Patriotism
Headgear
Musical instruments
Symbols & Motifs
Land speculator
Music
Costume
Liberty cap
Military and Intelligence
Men
American Revolution (1775-1783)
Hats
Politics
Cartouche
Military
Officer
RUSSELL'S AMERICAN ALMANACK
For the Year of our REDEMPTION, 1780.
Being BISSEXTILE, or LEAP-YEAR ; And the Fourth Year of the INDEPENDENCE of AMERICA. Calculated By Art, for the Meridian of BOSTON, NEW-ENGLAND, Lat. 42^{\circ} 25' N., but may, without any sensible Error, serve for most of the other AMERICAN STATES. Wherein may be found all Things necessary for this WORK. Containing also a Narrative of the Voyages, Travels and Sufferings of the Hon. Col. E THAN ALLEN, of the State of Vermont.
[ These Calculations were purchased from that learned and ingenious Master-Piece in Astronomy, BENJAMIN WEST, Esq; of Providence, and Author of all the genuine Calculations published under the Name of Bickerstaff for 14 Years ; but he disowns having any Knowledge of those published in Newbury-port for 1776, and in Boston for 1777 and 1780. ]
DANVERS : Printed by E. RUSSELL, next the Bell-Tavern.
Thomas MacDonough
Collection: National Portrait Gallery
Object type: Print
Date: 1814
Artist: George Delleker, 1805 - 1824?
Publisher: P. Price Jr., active early 19th century
Sitter: Commodore Thomas MacDonough, 31 Dec 1783 - 10 Nov 1825
Medium: Engraving on paper
Dimensions: Sheet: 28 × 20 cm (11 × 7 7/8")
Credit line: National Portrait Gallery, Smithsonian Institution
Topics: Nature
Wreath
Congressional Gold Medal
Banner
Portraits
Ecology
Plants
Civilian awards
Laurel wreath
Symbols & Motifs
Military and Intelligence
Men
War of 1812
Officer
Commodore
82
Painted & Aquatinted by
Commodore McDonough
Pub. by E. Price J. Philad. a
Betsey Colt Foot
Collection: National Portrait Gallery
Object type: Painting
Date: 1815
Artist: Ezra Ames, 5 May 1768 - 23 Feb 1836
Sitter: Betsey Colt Foot, 1774 - 1847
Place: United States/New York/Albany/Albany
Medium: Oil on canvas
Dimensions: Stretcher: 75.9 × 60.6 × 2.5 cm (29 7/8 × 23 7/8 × 1")
Credit line: National Portrait Gallery, Smithsonian Institution; Gift from Betsey Colt Foot’s great, great, great, great granddaughter Seelye Burr Longnecker
Topics: Design
Women
Interior decoration
Costume
Curtain
Portraits
Home Furnishings
Education and Scholarship
Educators
Headgear
Provenance: Family descent from Betsey Foot Colt; Seelye Burr Longnecker; gift to NPG 2016
[None]
George Washington
Collection: National Portrait Gallery
Object type: Print
Date: 1787
Artist: Charles Willson Peale, 15 Apr 1741 - 22 Feb 1827
Sitter: George Washington, 22 Feb 1732 - 14 Dec 1799
Medium: Mezzotint on paper
Dimensions: Image: 19 × 15.3 cm (7 1/2 × 6")
Sheet: 24.9 × 16.4 cm (9 13/16 × 6 7/16")
Credit line: National Portrait Gallery, Smithsonian Institution; Funded by Wendy Wick Reaves, Curator Emerita of Prints and Drawings
Topics: Business and Finance
Congressional Gold Medal
Farmers
Government
Natural resources commerce
Dress accessories
Portraits
Civilian awards
Science and Technology
Colonial statesman
Agriculturists
Statesman
Surveyors
Costume
Military and Intelligence
Men
American Revolution (1775-1783)
Public officers
Politics
Presidents
Officer
[None]
Francis Scott Key
Collection: National Portrait Gallery
Object type: Painting
Date: c. 1796
Artist: Rembrandt Peale, 22 Feb 1778 - 3 Oct 1860
Sitter: Francis Scott Key, 1 Aug 1779 - 11 Jan 1843
Place: United States/Maryland/Anne Arundel/Annapolis
Medium: Oil on canvas
Dimensions: Frame: 85.7 × 76.2 cm (33 3/4 × 30")
Stretcher: 74 × 63.8 × 3 cm (29 1/8 × 25 1/8 × 1 3/16")
Credit line: National Portrait Gallery, Smithsonian Institution; funded with support from the Secretary and the Smithsonian National Board and Chapter I - Baltimore, Maryland, The Colonial Dames of America, the Elizabeth Welsh Young Legacy Fund
Topics: Arts and Culture
Literature
Writers
Government
Interior decoration
Portraits
Lawyers
Design
Men
District attorney
Public officers
Law and Crime
Politics
Poets
Exhibition Label: Born Frederick County, Maryland
This painting was made when Francis Scott Key and the artist Rembrandt Peale were both in their late teens. Key would go on to become a prominent Georgetown lawyer. On September 13, 1814, when the War of 1812 (1812–15) was entering its third year, Key traveled to Baltimore to try to negotiate the release of a hostage. That night, he watched the bombardment of Fort McHenry. The next morning, when he saw the fort’s American flag still flying, he wrote a poem that was first published as “Defence of Fort M’Henry” and set to a popular British tune. His song was subsequently renamed “The Star-Spangled Banner.”
During Key’s lifetime, abolitionists noted the irony of a song about “the land of the free” written by a staunch advocate of slavery with narrow views of freedom. More than a century later, in 1931, Congress adopted it as the national anthem.
Nacido en Frederick County, Maryland
Esta pintura se realizó cuando Francis Scott Key y el artista Rembrandt Peale eran aún adolescentes. El primero llegó a ser un prominente abogado en Georgetown. El 13 de septiembre de 1814, cuando la Guerra de 1812 (1812–15) entraba en su tercer año, Key viajó a Baltimore para negociar la libertad de un rehén. Esa noche fue testigo del bombardeo del Fuerte McHenry. A la mañana siguiente, al ver que la bandera estadounidense aún ondeaba, escribió un poema publicado inicialmente como “Defensa del Fuerte M’Henry” y adaptado a una tonada popular inglesa. Luego recibiría el título de “La bandera estrellada”.
En vida de Key, los abolicionistas no pasaron por alto la ironía de que un acérrimo defensor de la esclavitud, con una visión estrecha de la libertad, hubiera escrito una canción a “la tierra de los libres”. Pasado más de un siglo, en 1931, el Congreso la adoptó como himno nacional.
Provenance: The sitter; Mary Alicia Lloyd Nevins Key Pendleton, his daughter, Jane Francis Pendleton Brice (Mrs. Arthur Tilghman Brice, d. 1950), her daughter; Colonel Arthur Tilghman Brice II, 1892-1973, her son; Alice Key Pendleton Brice Joline (Mrs. John Forsyth Joline, Jr., d. 1983), his sister; Laurence Turnbull Joline, her son; Dorothy Doe Joline, Long Island, New York, his wife and the present owner
[None]
Joseph Thayendaneken: The Mohawk Chief
Collection: National Portrait Gallery
Object type: Print
Date: 1776
Artist: Unidentified Artist
Sitter: Thayendanegea, Mar 1743 - 24 Nov 1807
Place: United Kingdom/England/Greater London/London
Medium: Line and stipple engraving on paper
Dimensions: Image/Sheet: 15.8 × 11.1 cm (6 1/4 × 4 3/8")
Mount: 28.7 × 22.9 cm (11 5/16 × 9")
Credit line: National Portrait Gallery, Smithsonian Institution; acquired through the generosity of David C. Ward
Topics: Necklace
Chief
Government
Jewelry
Dress accessories
Portraits
Interpretation of cultural and natural resources
Native American leader
Knife
American Indian interpreter
Weapons
Gorget
Costume
Armor
Men
Newspapers
Feather
Dagger
Politics
JOSEPH THAYENDANEKEN
The Mohawk Chief Brant.
Captain Meriwether Lewis
Collection: National Portrait Gallery
Object type: Drawing
Date: 1802
Artist: Charles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852
Sitter: Meriwether Lewis, 18 Aug 1774 - 11 Oct 1809
Place: United States/Pennsylvania/Philadelphia/Philadelphia
Medium: Black and white chalk on pink paper
Dimensions: Frame: 73.7 × 56.2 × 4.8 cm (29 × 22 1/8 × 1 7/8")
Credit line: National Portrait Gallery, Smithsonian Institution; gift of Jon and Lillian Lovelace
Topics: Science and Technology
Explorers
American West
Government
Military and Intelligence
Territorial Governor
Men
Portraits
Public officers
Politics
Governors
Officer
[None]
Samuel Miles
Collection: National Portrait Gallery
Object type: Painting
Date: c. 1800
Artist: Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828
Sitter: Samuel Miles, 11 Mar 1740 - 6 Dec 1805
Medium: Oil on wood panel
Dimensions: Panel: 74.3 × 59.1cm (29 1/4 × 23 1/4")
Frame: 94.3 × 80.6 × 6.4cm (37 1/8 × 31 3/4 × 2 1/2")
Credit line: National Portrait Gallery, Smithsonian Institution; gift from the Trustees of the Corcoran Gallery of Art (Gift of Elizabeth F. McKean) The Corcoran Gallery of Art, one of the country’s first private museums, was established in 1869 to promote art and American genius. In 2014 the Works from the Corcoran Collection were distributed to institutions in Washington, D.C.
Topics: Business and Finance
Neckwear
Merchants
Businessperson
Dress accessories
Jewelry
Home Furnishings
Public official
Design
Politician
Military and Intelligence
Neckties
American Revolution (1775-1783)
Public officers
Drape
Coat
Jacket
Government
Interior decoration
Outerwear
Portraits
Pendant
Costume
Men
Politics
Officer
Mayors
Provenance: Decedents of Samuel Miles; Elizabeth Ridgate McKean, great-great grand-daughter of Samuel Miles; Gift to the Corcoran Gallery of Art, December 16, 1909; Gift to NPG, 2019.
[None]
John Howard Payne
Collection: National Portrait Gallery
Object type: Painting
Date: 1812
Artist: John Wesley Jarvis, 1780 - 14 Jan 1840
Sitter: John Howard Payne, 9 Jun 1791 - 10 Apr 1852
Place: United States/Maryland/Baltimore Independent City/Baltimore
Medium: Oil on wood panel
Dimensions: Panel: 86 × 67.3 cm (33 7/8 × 26 1/2")
Frame: 109.5 × 91.8 × 7.3 cm (43 1/8 × 36 1/8 × 2 7/8")
Sight: 84.7 × 66.8 cm (33 3/8 × 26 5/16")
Credit line: National Portrait Gallery, Smithsonian Institution; gift from the Trustees of the Corcoran Gallery of Art (Gift of William Wilson Corcoran) The Corcoran Gallery of Art, one of the country’s first private museums, was established in 1869 to promote art and American genius. In 2014 the Works from the Corcoran Collection were distributed to institutions in Washington, D.C.
Topics: Jacket
Shawl
Arts and Culture
Literature
Architecture
Writers
Government
Diplomacy
Playwright
Outerwear
Portraits
Consul
Theater
Column
Actors and actresses
Costume
Editors
Men
Theater critic
Politics
Entertainers
Diplomats
Poets
Coat
Provenance: Jonathan D. Meredith [1785-1872], Baltimore, Maryland; his son, Gilmor Meredith [1824-1899], 1883; Gift to William Wilson Corcoran [1798-1888], 1883; Gift to the Corcoran Gallery of Art, 1883; Gift to NPG, 2019.
[None]
James Madison
Collection: National Portrait Gallery
Object type: Painting
Date: 1809
Artist: Thomas Sully, 19 Jun 1783 - 5 Nov 1872
Derived from: Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828
Sitter: James Madison, 16 Mar 1751 - 28 Jun 1836
Medium: Oil on panel
Dimensions: Sight: 68.3 × 48.6 cm (26 7/8 × 19 1/8")
Panel: 69.9 × 49.5 × 3.8 cm (27 1/2 × 19 1/2 × 1 1/2")
Frame: 97.6 × 78.1 × 5.7 cm (38 7/16 × 30 3/4 × 2 1/4")
Credit line: National Portrait Gallery, Smithsonian Institution; gift from the Trustees of the Corcoran Gallery of Art (Gift of Frederic Edwin Church) The Corcoran Gallery of Art, one of the country’s first private museums, was established in 1869 to promote art and American genius. In 2014 the Works from the Corcoran Collection were distributed to institutions in Washington, D.C.
Topics: Legislators
Books and reading
Arts and Culture
Writers
Containers
Quill
Home Furnishings
Secretary of State
Printed Material
Design
Statesman
Chairs
Column
Seating
Globe
Tables
Public officers
Drape
Presidents
Cabinet member
Inkwell
Congressmen
Literature
Architecture
Government
Interior decoration
Essayist
Portraits
Lawyers
Drafting & Writing Implements
Furnishings
Signer of Constitution
Continental congressman
Men
Law and Crime
Politics
Pens
Provenance: Frederick Edwin Church [1826-1900], New York; Gift to the Corcoran Gallery of Art, 1877; Gift to NPG, 2019.
[None]
Késkètomah, Ancien Sachem de la Nation Onondaga
Collection: National Portrait Gallery
Object type: Book
Date: 1801
Artist: Barthélemy-Joseph-Fuleran Roger, 1770 - 1840
Copy after: Bonfils
Sitter: Kesketomah
Author: Michel Guillaume Jean de Crèvecoeur
Medium: Aquatint on paper
Dimensions: Sheet: 20.6 × 14 cm (8 1/8 × 5 1/2")
Credit line: National Portrait Gallery, Smithsonian Institution
Alternative titles: Voyage dans La Haute Pensylvanie et dans l'Etat de New York, volume 1
Topics: Printing
Chief
Government
Jewelry
Dress accessories
Portraits
Home Furnishings
Native American leader
Textiles
Costume
Men
Feather
Politics
['Bonfils delineavit.\nDirige par P.F. Tardieu,\nGrave par Roger.\nKESKÈT OMAH,\nAncien Sachem de la Nation Onondaga.'
 "Dirigé par P. H. Tardieu.\nGravé par Roger\nVOYAGE\nDANS\nLA HAUTE PENSYLVANIE\nET DANS L'ÉTAT DE NEW-YORK,\nPar un Membre adoptif de la Nation Onéida.\nTraduit et publié par l'auteur des LETTRES D'UN CULTIVATEUR AMÉRICAIN.\nT O M E P R E M I E R.\nDE L'IMPRIMERIE DE CRAPELET.\nA PARIS,\nChez MARADAN, Libraire, rue Pavée S. André- des-Arcs, n o 16.\nAN IX — 1801."
 None None]
Deborah Sampson (1760-1827)
Collection: National Portrait Gallery
Object type: Print
Date: 1797
Artist: George Graham, active 1786 - 1813
Copy after: William Beastall
Sitter: Deborah Sampson Gannett, 17 Dec 1760 - 29 Apr 1827
Medium: Stipple and line engraving on paper
Dimensions: Image/Sheet: 13 × 8.3 cm (5 1/8 × 3 1/4")
Credit line: National Portrait Gallery, Smithsonian Institution; purchase funded by an anonymous donor
Topics: Soldiers
Artwork
Shield
Eagles
Musical instruments
Symbols & Motifs
Weapons
Swords
Military and Intelligence
American Revolution (1775-1783)
Rifle
Nature
Printing
Women
Drums (Membranophones)
Government
Banner
Birds
Portraits
Ecology
Firearms
Patriotism
Animals
Music
Politics
DEBORAH SAMPSON.
Published by H. Mann, 1797.
(by George Graham)
Col. George Gibbs III
Collection: National Portrait Gallery
Object type: Painting
Date: c. 1806-08
Artist: John Vanderlyn, 15 Oct 1775 - 23 Sep 1852
Sitter: George Gibbs, 7 Jan 1776 - 6 Aug 1833
Medium: Oil on canvas
Dimensions: 72.9 × 60.2 × 1.9 cm (28 11/16 × 23 11/16 × 3/4")
Credit line: National Portrait Gallery, Smithsonian Institution; gift of André W. Brewster in memory of Nancy P. Brewster
Topics: Science and Technology
Symbols & Motifs
Military and Intelligence
Earth scientists
Men
Colonel
Portraits
Medal
Scientists
Mineralogist
Mineral collector
Officer
[None]
Flora
Collection: National Portrait Gallery
Object type: Silhouette
Date: c. 1796
Artist: Unidentified Artist
Sitter: Flora, c. 1775 - 1815
Medium: Cut paper on paperboard
Dimensions: Sheet: 35.6 × 33 cm (14 × 13")
Frame: 60.3 × 80.6 × 4.9 cm (23 3/4 × 31 3/4 × 1 15/16")
Credit line: National Portrait Gallery, Smithsonian Institution; owned jointly with the National Museum of African-American History and Culture, museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the Smithsonian American Women’s History Initiative
Topics: Women
Portraits
Silhouette
Law and Crime
Enslaved person
Floras profile
Floras profile
Flora Benjamin
Henry Laurens
Collection: National Portrait Gallery
Object type: Print
Date: 1782
Artist: Valentine Green, 1739 - 1813
Copy after: John Singleton Copley, 3 Jul 1738 - 9 Sep 1815
Sitter: Henry Laurens, 6 Mar 1724 - 8 Dec 1792
Medium: Mezzotint on paper
Dimensions: Image: 58.5 x 40.5 cm (23 1/16 x 15 15/16")
Credit line: National Portrait Gallery, Smithsonian Institution; transfer from the National Gallery of Art; gift of the A.W. Mellon Educational and Charitable Trust, 1942
Topics: Business and Finance
Legislators
Merchants
Businessperson
Natural resources commerce
Quill
Home Furnishings
Carpet
Printed Material
Weapons
Swords
Military and Intelligence
Public officers
Military
Congressmen
Government
Scroll
Portraits
Drafting & Writing Implements
Furnishings
Continental congressman
Planter
Agriculturists
Men
Politics
Pens
Officer
Painted by J. T. Copley, R. A. 1782.
Engraved by S. J. N. Morgan Engraver to his Majesty & to the Hon. Abrahm.
HENRY LAURENS ESQ. R
PRESIDENT OF THE AMERICAN CONGRESS 1778.
Published Oct. 2 d 1782 by J. Stockdale Bookseller.
N o 181, opposite Burlington House, Piccadilly London.