The Zora Neale Hurston National Museum of Fine Arts, also known as The Hurston, is an art museum in Eatonville, Florida.
 The Hurston is named after Zora Neale Hurston, an African-American writer, folklore, and anthropologist who moved to Eatonville at a young age and whose father became mayor of Eatonville in 1897.
 “Its mission is to provide a place “in the heart of the community” where the public can view the work of artists of African descent, who live on the Continent and/or in the Diaspora”.
Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an African-American novelist, short story writer, folklorist, and anthropologist known for her contributions to African-American literature, her portrayal of racial struggles in the American South, and works documenting her research on Haitian voodoo.
 Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel "Their Eyes Were Watching God".
Mule Bone: A Comedy of Negro Life is a 1930 play by American authors Langston Hughes and Zora Neale Hurston.
 The process of writing the play led Hughes and Hurston, who had been close friends, to sever their relationship.
 "Mule Bone" was not staged until 1991.
"The Gilded Six-Bits" is a 1933 short story by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American literature and a leading prose writer of the Harlem Renaissance.
 Hurston was a relative newcomer on the literary scene when this short story was published, but eventually had greater success with her highly acclaimed novel, "Their Eyes Were Watching God".
 "The Gilded Six-Bits" is now published in Hurston's compilation of short stories entitled "Spunk" in which it is now considered one of her best stories.
 "The Gilded Six-Bits" is a story full of love, betrayal, and forgiveness.
 It portrays the life of two happy newlyweds who both test their relationship and their love for one another when a charismatic outsider comes into their community and into their home.
 The story embodies Hurston's typical writing style in which it focuses on the common African-American lifestyle, represented by regional dialect and metaphors, and is set in her native town Eatonville, FL where it reflects the traditions of the community.
 "The Gilded Six-Bits" symbolizes the meaning of a true marriage and the truth that lies underneath its meaning.
Cheryl A. Wall is a literary critic and professor of English at Rutgers University.
 She specializes in black women's writing, particularly the Harlem Renaissance and Zora Neale Hurston.
 She has edited several volumes of Hurston's writings for the Library of America.
 She is also a section editor for "The Norton Anthology of African American Literature" and is on the editorial board of "American Literature", "The African American Review" and "Signs".
Władysław Stanisław Reymont ([vwaˈdɨswaf staˈɲiswaf ˈɾɛjmɔnt] , born Rejment; 7 May 1867 – 5 December 1925) was a Polish novelist and the 1924 laureate of the Nobel Prize in Literature.
 His best-known work is the award-winning four-volume novel "Chłopi" (The Peasants).
The Zora Neale Hurston House was the home of author Zora Neale Hurston in Fort Pierce, Florida.
 It was originally located at 1734 School Court but was moved north 500 feet in 1995 to 1734 Avenue L to allow for expansion of Lincoln Park Academy, the school at which Hurston taught.
 On December 4, 1991, it was designated as a U.S. National Historic Landmark.
Jonah's Gourd Vine is the 1934 debut novel by Zora Neale Hurston.
 The novel is a semi-autobiographical novel describing the migration of characters, similar to her parents, from Alabama to Hurston's home of Eatonville, Florida.
The Secte Rouge, also called the Cochon Gris or the Vinbrindingue, is or was a secret society in Haiti, which Zora Neale Hurston described in her 1938 book "Tell My Horse".
 Hurston's sources of information were lore related by Haitians, as well as a few earlier books.
How It Feels To Be Colored Me (1928) is an essay by Zora Neale Hurston published in "World Tomorrow" as a "white journal sympathetic to Harlem Renaissance writers", illustrating her circumstance as an African American woman in the early 20th century in America.
 Most of Hurston's work involved her "Negro" characterization that were so true to reality, that she was known as an excellent anthropologist, "As an anthropologist and as an African- American writer during the Harlem Renaissance, Hurston was uniquely situated to explore the critical possibilities of marginality."

Question: What type of profession does Zora Neale Hurston and Władysław Reymont have in common?
Answer: novelist