Sam Wells (November 4, 1950 – June 3, 2011) was an American experimental filmmaker and photographer based in Princeton, New Jersey.
 He is best known for the film "Wired Angel" (1999), an avant-garde feature inspired by the life and trial of Joan of Arc.
 Filmed on high-contrast black-and-white reversal film and featuring a musical score written by Academy Award-winning composer Joe Renzetti, "Wired Angel" was well received at underground film festivals in both Chicago and New York, with Film Threat magazine naming it one of the best unseen films of 2001.
Film Threat was an online publication and, earlier, a national magazine that focused primarily on independent film, although it also reviewed videos and DVDs of mainstream films as well as Hollywood movies in theaters.
 It first appeared as a photocopied zine in 1985, created by Wayne State University students Chris Gore and André Seewood.
 In 1997, "Film Threat" was converted to a solely online resource.
Piece By Piece is a documentary film directed by Nic Hill.
 The film documents San Francisco's graffiti culture from the early 1980s to 2004.
 It is narrated by the San Francisco graffiti artist Senor One, better known as Renos.
 The "San Francisco Bay Guardian"<nowiki>'</nowiki>s Cheryl Eddy singled the film out as the highlight of the 2006 Hi/Lo film festival, calling it "an educational experience" and "a thoughtful document".
 In a full review for that same paper, Johnny Ray Huston said it was "a thorough history that still makes time ... for abstract, lyrical flowing passages".
 Huston complained that sections such as those featuring Tie One or Reminisce could make movies in themselves, and wished to see more detailing of artists' entries into the legitimate art world.
 He concluded that the film and director "succeeded at a mighty task" and were interested in displaying "a deep but entertaining understanding of the city as both a historical site and a nexus for contemporary change".
 Rory L. Aronsky in "Film Threat" wrote that the documentary "gets this graffiti culture completely right" while for Dennis Harvey in "Variety" it was "an excellent overview of two decades' graffiti in San Francisco".
The Yankee hurricane of 1935 was a rare Category 2 hurricane that affected the Bahamas and South Florida in November.
 It remains the only tropical cyclone to affect Miami from the northeast in November.
 The sixth tropical cyclone and fifth hurricane of the 1935 Atlantic hurricane season, it developed 227 mi east of Bermuda.
 It strengthened to a hurricane on November 1, initially posing a threat to the Carolinas.
 Subsequently, the cyclone turned southwest.
 It attained its peak intensity on November 3, and it made landfall near Miami Beach on November 4.
 The hurricane's unusual approach toward Florida and late arrival earned it the nickname of the Yankee Hurricane.
Michael Quentin Schmidt (born April 20, 1953) is an American film and television actor and fine arts model.
 According to "Film Threat", he "has become a much-in-demand presence thanks to his versatility and his willingness to take roles to wild extremes".
Threat (2006) is an independent film about a straightedge "hardcore kid" and a hip hop revolutionary whose friendship is doomed by the intolerance of their respective street tribes.
 It is an ensemble film of kids living in New York City in the aftermath of 9-11, each of them suffering from a sense of doom brought on by dealing with HIV, racism, sexism, class struggle, and general nihilism.
 The intellectual issues are played out amid an aesthetic of raw ultraviolence that has earned director Matt Pizzolo both accolades and condemnations (such as Film Threat's rave review stating "great art should assail the status quo, and that is what Pizzolo and Nisa’s film has skillfully accomplished"  in contrast to Montreal Film Journal's scathing review saying the film "openly glorifies murderous revolt, literally telling the audience to go out and beat up random people, just because").
 Unlike past urban dramas, the film does not outright condemn its characters' violent outbursts.
 Although it does show harsh consequences for acts of violence, numerous critics have pointed out that it is unclear whether or not the film intends to glorify violence and/or class conflict.
Tessa Hughes-Freeland is a British-born experimental film maker and writer living in New York City.
 Her films have screened internationally in North America, Europe and Australia and in prominent museums and galleries, including the Museum of Modern Art, the Museum of Contemporary Art, Los Angeles, the Whitney Museum of American Art, the New Museum of Contemporary Art in New York, and the KW Institute of Contemporary Art in Berlin.
 She has collaborated on live multi-media projects with musicians like John Zorn and J. G. Thirlwell.
 The co-founder of the New York Film Festival Downtown in 1984 and its co-director until 1990, she later served as President of the Board of Directors of the Film-Makers Co-Operative in New York City from 1998-2001.
 Hughes-Freeland has published articles in numerous books, including “Naked Lens: Beat Cinema” and “No Focus: Punk Film,” and in periodicals including PAPER Magazine, "Filmmaker" magazine, GQ, the "East Village Eye", and Film Threat.
Resilience is a 2006 American drama/thriller film.
 It was written and directed by Paul Bojack, and starred Henry LeBlanc, Al Rossi, Julie Alexander, Steve Wilcox, and Amy Arce.
 "Resilience" garnered strong reviews from "The New York Times", "Variety", and Film Threat.
 The Library of the Academy of Motion Picture Arts and Sciences acquired the screenplay for its permanent core collection.
Yankee Magazine was founded in 1935 and is based in Dublin, New Hampshire, United States.
Seth Landau is an actor/writer/director and former newspaper reporter for The Arizona Republic and New Times.
 Landau is known for two independent films, "Take Out" and "A.P.U.: Art, Pot and Underwear".
 The latter was termed by Film Threat as "a look at Hollywood you're not likely to find anywhere else".
 The former, "Take Out", was the target of a locally publicized dispute regarding Michael Sergio's film of the same name.
 The movies have distinctly different plots - Landau's being about a reporter who battles chain restaurants, and Sergio's being about a woman being stalked in a parking garage.
 Landau was "caught off guard" by the lawsuit filed against him, while Sergio felt that Landau was merely trying to gain free publicity off his Slamdance screening months earlier.

Question: Yankee and Film Threat, are which form of publication?
Answer: magazine