The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Lucretia.
 In his previous narrative poem, "Venus and Adonis" (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to write a "graver work".
 Accordingly, "The Rape of Lucrece" has a serious tone throughout.
Acquaintance rape is rape that is perpetrated by a person who is known to the victim.
 Examples of acquaintances include someone the victim is dating, a classmate, co-worker, employer, family member, spouse, counselor, therapist, religious official or medical doctor.
 Acquaintance rape includes a subcategory of incidents labeled date rape that involves people who are in romantic or sexual relationships with each other.
 When a rape is perpetrated by a college student on another student, the term campus rape is sometimes used.
Kathleen Mary Ferrier, CBE (22 April 19128 October 1953) was an English contralto singer who achieved an international reputation as a stage, concert and recording artist, with a repertoire extending from folksong and popular ballads to the classical works of Bach, Brahms, Mahler and Elgar.
 Her death from cancer, at the height of her fame, was a shock to the musical world and particularly to the general public, which was kept in ignorance of the nature of her illness until after her death.
Nationality is a legal relationship between an individual person and a state.
 Nationality affords the state jurisdiction over the person and affords the person the protection of the state.
 What these rights and duties are vary from state to state.
During the Bosnian War, and the Bosnian genocide, the violence assumed a gender-targeted form through the use of rape.
 The geographical, cultural, religious and political tensions that accompanied the rise of nationalism in the former Yugoslav created a breeding ground for gender inequalities, and more specifically a political climate that encouraged rape as a strategic wartime device.
 In terms of context, rape and sexual violence are defined differently across time and space.
 However, in International Relations, and according to the International Criminal Court, rape is defined as “the invasion of any part of the body of the victim or of the perpetrator with a sexual organ, or of the anal or genital opening of the victim with any object or any other part of the body by force, coercion, taking advantage of a coercive environment, or against a person incapable of giving genuine consent.”
Brazilian nationality law is based on both the principles of "jus soli" and of "jus sanguinis".
 As a general rule, any person born in Brazil acquires Brazilian nationality at birth, irrespective of status of parents.
 Nationality law is regulated by Article 12 of the Brazilian Federal Constitution.
Multiple citizenship, also called dual citizenship or multiple nationality or dual nationality, is a person's citizenship status, in which a person is concurrently regarded as a citizen of more than one state under the laws of those states.
 There is no international convention which determines the nationality or citizen status of a person, which is defined exclusively by national laws, which vary and can be inconsistent with each other.
 Multiple citizenship arises because different countries use different, and not necessarily mutually exclusive, criteria for citizenship.
 Colloquial speech refers to people "holding" multiple citizenship but technically each nation makes a claim that this person be considered its national.
Venezuelan nationality law is based on the principle of Jus soli.
 Any person born in Venezuela acquires Venezuelan citizenship at birth, irrespective of nationality or status of parents.
 Nationality law is regulated by Section 1 of Chapter 2 of the Constitution of Venezuela and by the Nationality and Citizenship Act of 2004 .
The Rape of Lucretia (Op. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role.
 Ronald Duncan based his English libretto on André Obey's play "".
Sophie Irene Hunter (born 16 March 1978) is an English avant-garde theatre and opera director, playwright, and former performer.
 She made her directorial debut in 2007 co-directing the experimental play "The Terrific Electric" at the Barbican Pit after her theatre company Boileroom was granted the Samuel Beckett Theatre Trust Award.
 In addition, she has directed an Off-Off-Broadway revival of Henrik Ibsen's "Ghosts" (2010) at Access Theatre, the performance art titled "Lucretia" (2011) based on Benjamin Britten's opera "The Rape of Lucretia" at Location One's Abramovic Studio in New York City, and the Phantom Limb Company's "69° South" also known as "Shackleton Project" (2011) which premièred at the Brooklyn Academy of Music's Harvey Theatre and later toured North America.

Question: What nationality was the person The Rape of Lucretia was written for ?
Answer: English