Bangladeshi hip hop is commonly a genre of music and culture that covers a variety of styles of hip hop music developed in Bangladesh.
 Bangladeshi hip hop is heavily influenced by US hip hop, and started in early 2000.
 In recent years, local Bangladeshi hip hop artists have begun to emerge in underground scenes in large cities such as Dhaka, Sylhet Rangamati and Chittagong.
 The lyrical expression of cultural identity, with lyrics addressing Bangladesh's political and social problems, make hip hop a popular and growing genre.
 Featured artists awarded in the 2015 Bangladeshi Hip Hopping Music Awards were DJ Khaled and Honoka Kousaka, among others.
Hip hop music, also called hip-hop or rap music, is a music genre developed in the United States by inner-city African Americans in the 1970s which consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted.
 It developed as part of hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing.
 Other elements include sampling beats or bass lines from records (or synthesized beats and sounds), and rhythmic beatboxing.
 While often used to refer solely to rapping, "hip hop" more properly denotes the practice of the entire subculture.
 The term "hip hop music" is sometimes used synonymously with the term "rap music", though rapping is not a required component of hip hop music; the genre may also incorporate other elements of hip hop culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Hip hop studies is a multidisciplinary field of study that encompasses sociology, anthropology, communication and rhetoric studies, religious studies, cultural studies, critical race theory, missiological studies, art history, dance, musicology, ethnomusicology, music theory, and gender studies.
 The term "hip hop studies" began circulating in the mid-2000s, and though it is not clear who first coined the term to label the field, the field of hip hop studies is oft cited as having been crystallized by the publication of "That's the Joint!
: The Hip Hop Studies Reader" in 2003.
 "That's the Joint!"
 includes approximately 25 years of scholarship, criticism, and journalism.
 The publication of this anthology was unprecedented, and highlights the evolving and continuous influence of "one of the most creative and contested elements of global popular culture since its advent in the late 1970s."
 The publication of the first edition of "That's the Joint!"
 marked a consolidating moment for the field of hip hop studies because it brought together key writings on hip hop from a diversity of hip hop authorities.
New jack swing or swingbeat is a fusion genre spearheaded by Teddy Riley and Bernard Belle that became popular from the late 1980s into the early 1990s.
 Its influence, along with hip hop, seeped into pop culture and was the definitive sound of the inventive black New York club scene.
 It fuses the rhythms, samples, and production techniques of hip hop and dance-pop with the urban contemporary sound of R&B.
 The new jack swing style developed as many previous music styles did, by combining elements of older styles with newer sensibilities.
 It used R&B style vocals sung over hip hop and dance-pop style influenced instrumentation.
 The sound of new jack swing comes from the hip hop "swing" beats created by drum machine, and hardware samplers, which were popular during the Golden Age of Hip Hop, with contemporary R&B style singing.
The cha-cha-chá, or simply cha-cha in the U.S., is a dance of Cuban origin.
 It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrin in the early 1950's.
 This rhythm was developed from the danzón-mambo.
 The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet.
Fusion dance is a type of contemporary American partner dance that combines different dance styles to create a new aesthetic.
 It is typically an improvised, lead-follow approach to dancing that does not conform to any particular defined dance styles.
 Fusion dancing may involve creating a new dance style, combining existing styles, or both.
Samoan hip hop is a growing subgenre of hip hop.
 The music and culture often travel back and forth between the United States and Samoa, creating layers of identity and authenticity in the music itself.
 At the root of hip hop culture in Samoa is a focus on dancing.
 This stems from the importance of dance in traditional Samoan culture, as explored by Katerina Martina Teaiwa from the University of Hawaii at Manoa.
 She notes how important hip hop culture is for Samoan youth and how the arts are transforming Samoans in the many places they live, including outside of Samoa.
 This is especially true for Samoan youth in California, Hawaii, and other places with communities of Samoan immigrants.
 In Los Angeles, for example, Samoan youth often engage in a style of hip hop dancing called popping-and-locking.
 April Henderson writes, "Recently arrived from the islands and painfully aware of the accents that marked them as 'foreign,' young Samoans in multi-ethnic neighborhoods earned status and respect through mastering the physical vocabularies of dance or sport."
 Many hip hop artists and dancers travel back and forth between Samoa and their other homes, creating a global pathway for Samoan hip hop to continue developing and transforming.
Guapacha pronounced "wapacha", is a modern afro-Cuban partner dance that is a fusion of Cha-cha-cha and hip hop, promoted in 2006 by "Strictly Dance Fever" TV program.
The early/initial visible roots of hip hop in Cuba are believed to have emerged through break dance competitions or battles that were seen on the streets of Cuba.
 The continuous repetition of break dance battles were one of the strong channels or pioneers of the hip hop culture in Cuba.
 Some sources state that hip hop in Cuba strongly emerged in the early nineties as a way out due to the "termination" of the numerous subsidies that were received by the country through the Soviet.
 All the above-mentioned pertaining to Cuban hip hop is vital however, none of it would have been successful without the presence of one of the two Cuban Institutions namely, Asociacion Hermanos Saiz and Agencia Cubana de Rap (Cuban Rap Agency).
 Asociacion Hermanos Saiz and the latter are the two initial Institutions that were funded by the Cuban Government with the major motive of promoting Rap/hip hop in Cuba more so, hip hop groups in Cuba.
Hip hop or hip-hop is a subculture and art movement developed in South Bronx in New York City during the late 1970s.
 While people unfamiliar with hip hop culture often use the expression "hip hop" to refer exclusively to hip hop music (also called "rap"), Hip hop is characterized by nine distinct elements or expressive realms, of which hip hop music is only four elements (rapping, djaying, beatboxing and breaking).
 Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (movement/dance); and graffiti art, which he called "aerosol writin'", although many say that the graffiti that hip hop adopted had been around years earlier, and had nothing to do with hip hop culture.
 (visual art).
 Other elements of hip hop subculture and arts movements beyond the main four are: hip hop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; street entrepreneurship; hip hop language; and hip hop fashion and style, among others.

Question: What t.v. program promoted a modern afro-Cuban partner dance that is a fusion of rhythm developed from the danzón-mambo, and hip hop?
Answer: "Strictly Dance Fever"