Luigi Maria Viviani (?
 – 1856) was an Italian composer, conductor and violinist of Florentine origin.
 He was primarily noted for his ballet scores, most of them composed for the choreographers Giovanni Galzerani and Antonio Cortesi.
 His 1851 score for "Fausto" was particularly praised for its obbligato written for the "bimbonclaro" (a variation on the bass clarinet invented by the Florentine clarinetist and instrument-maker, Giovanni Bimboni).
Ghosts Before Breakfast (German: Vormittagsspuk ) is a 1928 German dadaist animated short film directed by Hans Richter.
 It utilizes stop motion for some of its effect and live action for others.
 The film does not present a coherent narrative, and includes a number of seemingly arbitrary images.
 The original accompanying score composed by Paul Hindemith was destroyed by the Nazis.
 New audio tracks have been created by artists such as The Real Tuesday Weld.
 British composer Ian Gardiner, who has written many scores for cinema and television, created a score for the film in 2006 (premiered by the Liverpool group Ensemble 10/10, directed by Clark Rundell).
 UK-based American composer Jean Hasse (Visible Music) wrote a score in 2008 for the UK-based ensemble Counterpoise (violin, trumpet, alto sax, piano).
Giona Ostinelli (born March 12, 1986) is a Swiss–Italian composer who resides and works in Los Angeles.
 He has written scores for over 30 feature films that premiered at Sundance Film Festival, Tribeca Film Festival, Cannes International Film Festival, South by Southwest Film Festival, Fantastic Fest, FrightFest, Cincinnati Film Festival, Hamptons International Film Festival, Palm Springs International Film Festival, Fort Lauderdale International Film Festival, Chicago International Children's Film Festival, among others.
 Ostinelli's score for breakout psychological thriller "Darling" released by Lakeshore Records and fan favorite Mondo Records has been described as "one of the most interesting and innovative soundscapes...".
 His soundtrack for "POD" has been shortlisted for the Academy Awards for Best Original Score.
Cesare Pugni (Russian: Цезарь Пуни ) (] ; 31 May 1802–26 January [O.S. 14 January] 1870 ) born in Genoa, was an Italian composer of ballet music, a pianist and a violinist.
 In his early career he composed operas, symphonies, and various other forms of orchestral music.
 Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870).
 The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni.
 In 1850 Perrot departed London for Russia, having accepted the position of "Premier maître de ballet" of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as "Prima ballerina".
 Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858.
 Pugni went on the compose for Perrot's successors Arthur Saint-Léon and Marius Petipa, serving as the Imperial Theatre's official composer of ballet music until his death in 1870.
Andrea Morricone (born 10 October 1964) is an Italian composer and conductor, known for his film scores.
 He is the son of composer Ennio Morricone.
 He composed the film scores for the American films "Capturing the Friedmans" and "Liberty Heights".
 He collaborated with his father on the famous score for "Cinema Paradiso", for which they won a BAFTA Award.
 He has also composed music for many other Italian films.
Giovanni "Nino" Rota (3 December 1911 – 10 April 1979) was an Italian composer, pianist, conductor and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti.
 He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's "Godfather" trilogy, receiving the Academy Award for Best Original Score for "The Godfather Part II" (1974).
Luis Enríquez Bacalov (born 30 August 1933) is an Argentine-born Italian composer of film scores. Early on in his career, he composed scores for Spaghetti Western films.
 In the early 1970s, he collaborated with Italian progressive rock bands.
 Bacalov has been nominated twice for the Academy Award for Original Score, winning it in 1996 for "Il Postino".
 Bacalov has composed significant works for chorus and orchestra.
 Presently he is the artistic director of the "Orchestra della Magna Grecia" in Taranto, Italy.
Ennio Morricone, (] ; born 10 November 1928) is an Italian composer, orchestrator, conductor, and former trumpet player.
 He composes a wide range of music styles, making him one of the most versatile, experimental and influential composers of all time, working in any medium.
 Since 1946 Morricone has composed over 500 scores for cinema and television, as well as over 100 classical works.
 His filmography includes over 70 award-winning films, including all Sergio Leone films since "A Fistful of Dollars" (including "The Good, the Bad and the Ugly" and "Once Upon a Time in the West"), all Giuseppe Tornatore films (since "Cinema Paradiso"), "The Battle of Algiers", Dario Argento's "Animal Trilogy", Bernardo Bertolucci's "1900", "", "Days of Heaven", several major films in French cinema, in particular the comedy trilogy "La Cage aux Folles I", "II", "" and "Le Professionnel", John Carpenter's "The Thing", Roland Joffé's "The Mission", Brian De Palma's "The Untouchables" and "Mission to Mars", Barry Levinson's "Bugsy" and "Disclosure", Wolfgang Petersen's "In the Line of Fire", Warren Beatty's "Bulworth", Liliana Cavani's "Ripley's Game" and Quentin Tarantino's "The Hateful Eight".
Giovanni Fusco (10 October 1906, Sant'Agata dei Goti, Benevento – 31 May 1968, Rome) was an Italian composer, pianist and conductor, who has written numerous film scores since 1936, including those of Alain Resnais's "Hiroshima mon amour" (1959) and "La guerre est finie" (1966), as well as of most of the 1948-1964 films directed by Michelangelo Antonioni, from "N.U." ("Nettezza Urbana") to "Il deserto rosso", except for "La notte" (soundtrack by Giorgio Gaslini) and some of his early short films.
 Two of his soundtracks, those of Antonioni's "Cronaca di un amore" and "L'avventura", won Silver Ribbon for the best film score from Italian National Syndicate of Film Journalists in 1951 and 1961, respectively.
Crime and Dissonance is a 2005 compilation album of Italian composer Ennio Morricone's film score work.
 Intended as a follow-up to two earlier Morricone compilations assembled by Dagored, the album was put together by Alan Bishop and released by Ipecac Recordings.
 "Crime and Dissonance" features work ranging from the later 1960s to the early 1980s, and contains scores taken from films of several different genres.

Question: Crime and Dissonance is an album of a compilation of score work from this Italian composer who has composed over 500 scores for cinema and television?
Answer: Ennio Morricone