The Queen of Spades, Op. 68 (Russian: Пиковая дама , "Pikovaya dama", French: La Dame de Pique ) is an opera in 3 acts (7 scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a short story of the same name by Alexander Pushkin, but the plot was dramatically altered.
 The premiere took place in 1890 in St. Petersburg (at the Mariinsky Theatre), Russia.
The Maid of Orleans (Russian: Орлеанская дева , "Orleanskaja deva") is an opera in 4 acts, 6 scenes, by Pyotr Ilyich Tchaikovsky.
 It was composed during 1878–1879 to a Russian libretto by the composer, based on several sources: Friedrich Schiller’s "The Maid of Orleans" as translated by Vasily Zhukovsky; Jules Barbier’s "Jeanne d’Arc" ("Joan of Arc"); Auguste Mermet’s libretto for his own opera; and Henri Wallon’s biography of Joan of Arc.
 Dedicated to conductor Eduard Nápravník, this work represents the composer's closest approach to French grand opera, albeit in the Russian language, notably with its inclusion of a ballet in Act 2.
The 1917 Petipa/Ivanov/Drigo revival of Swan Lake is a famous version of the ballet "Swan Lake", (ru. "
Лебединое Озеро"), (fr.
 "Le Lac des Cygnes").
 This is a ballet by Pyotr Ilyich Tchaikovsky based on an ancient German legend, presented in either four acts, four scenes (primarily outside Russia and Eastern Europe), three acts, four scenes (primarily in Russia and Eastern Europe) or, more rarely, in two acts, four scenes.
 Originally choreographed by Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky (opus 20), it was first presented as "The Lake of the Swans" by the Ballet of the Moscow Imperial Bolshoi Theatre on 20 February/4 March 1877 (Julian/Gregorian calendar dates) in Moscow, Russia.
 Although the ballet is presented in many different versions, most ballet companies today base their stagings both choreographically and musically on this revival by Marius Petipa and Lev Ivanov, staged for the Imperial Ballet, first presented on 15 January/27 January 1895, at the Imperial Mariinsky Theatre in St. Petersburg, Russia instead of the original version.
Iolanta, Op.
 69, (Russian: Иоланта ) is a lyric opera in one act by Pyotr Tchaikovsky.
 It was the last opera he composed.
 The libretto was written by the composer's brother Modest Tchaikovsky, and is based on the Danish play "Kong Renés Datter " ("King René's Daughter") by Henrik Hertz, a romanticised account of the life of Yolande de Bar.
 In the original Danish play, the spelling of the princess's name was "Iolanthe", later adopted for the otherwise unrelated Gilbert and Sullivan operetta of that name.
 The play was translated by Fyodor Miller and adapted by Vladimir Zotov.
 The opera received its premiere on 18 December 1892 in Saint Petersburg.
Mavra is a one-act opera buffa composed by Igor Stravinsky, and one of the earliest works of Stravinsky's 'neo-classical' period.
 The libretto of the opera, by Boris Kochno, is based on Alexander Pushkin's "The Little House in Kolomna".
 Mavra is about 25 minutes long, and features two arias, a duet, and a quartet performed by its cast of four characters.
 The opera has been characterised as both an homage to Russian writers, and a satire of bourgeois manners and the "Romeo and Juliet" subgenre of romance.
 Philip Truman has also described the music as satirising 19th-century comic opera.
 The dedication on the score is to the memory of Pushkin, Glinka and Pyotr Ilyich Tchaikovsky.
Vladimir Galouzine (Russian: Владимир Галузин , "Vladimir Galuzin", ] ) is a Russian tenor.
 He has performed in such Russian operas as "The Queen of Spades", "Boris Godunov" and "Khovanshchina" and has performed the lead roles in Italian operas like "Madama Butterfly", "Otello", "Tosca", "Aida", and "Manon Lescaut".
Eugene Onegin (Russian: Евгений Онегин , "Yevgény Onégin"), Op.
 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky.
 The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's novel in verse, retaining much of his poetry.
 Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether should be composed following Western or native practices.
 Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics.
 The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training.
 While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression.
 Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination.
 Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
Dubrovsky (Russian: "Дубровский" ) is an opera in four acts (5 scenes) Op. 58, by Eduard Nápravník, to a Russian libretto by Modest Ilyich Tchaikovsky after the novel of the same title (1832) by Alexander Pushkin.
Vakula the Smith (Russian: Кузнец Вакула , Kuznets Vakula, Smith Vakula), Op. 14, is an opera in 3 acts, 8 scenes, by Pyotr Ilyich Tchaikovsky.
 The libretto was written by Yakov Polonsky and is based on Nikolai Gogol's story "Christmas Eve" (Russian: "Ночь перед Рождеством" , "Noch péred Rozhdestvóm").
 It was written for composer Alexander Serov, who died in 1871 leaving only fragments of an opera on the subject.

Question: Vladimir Galouzine is a Russian tenor, he has performed in such Russian operas, such as which opera in 3 acts (7 scenes), by Pyotr Ilyich Tchaikovsky, to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a short story of the same name by Alexander Pushkin?
Answer: The Queen of Spades