Juan Mascaró (December 8, 1897 – March 19, 1987) was a Spanish translator born in Majorca to a farming family.
 He is responsible for one of the most popular English translations of the Hindu text Bhagavad Gita, and of some of the major "Upanishads".
 He also translated a key Buddhist text, "Dhammapada", into English from Pāli, which was published in 1973.
 His first work, "Lamps of Fire", was a collection of religious and spiritual wisdom from across the world; a selection from the book inspired the Beatles song The Inner Light.
 Though his native tongue was Catalan, he translated into English.
Keith Hennessy (born 1959 in Sudbury, Ontario, Canada) is a San Francisco-based dancer, choreographer, and performance artist regarded as a pioneer of queer and AIDS-themed performance.
 He is known for non-linear performance collages that combine dance, speaking, singing, and physical and visual imagery, and for improvised performances that often undermine the performer-observer barrier.
 Hennessy directs ZERO PERFORMANCE / CIRCO ZERO, which has received commissions from Les Subsistances (Lyon) & Les Laboratoires (Paris), FUSED (France-US Exchange), as well as funds from the Zellerbach Family Fund, San Francisco Arts Commission, California Arts Council, Grants for the Arts, and The San Francisco Foundation.
 Hennessy's performances are embedded in leftist and anarchist social movements; his career began in anti-nuclear juggling, acrobatics, and vaudevillian comedy.
 In 1982, he hitchhiked to the San Francisco Bay Area for a juggling convention, and stayed.
 In his San Francisco living room he co-founded the grassroots performance art coalition "848 Community Space," which later became CounterPULSE.
 He was influenced by and has worked with Lucas Hoving, Gulko, Ishmael Houston-Jones and Patrick Scully, Terry Sendgraff, Karen Finley, Joseph Kramer, the collective CORE (Jess Curtis, Stanya Kahn, Jules Beckman, Stephanie Maher, Hennessy), and Contraband, a company directed by Sara Shelton Mann.
 His work also developed from his participation in social and political activism inspired by Direct Action to Stop the War, Critical Resistance, ACT UP and Queer Nation.
 In San Francisco Hennessy's work has been presented at numerous venues including Dance Mission, Theater Artaud, Mama Calizo's Voice Factory and Yerba Buena Center for the Arts.
The Literary Mind and the Carving of Dragons () is a highly influential work on Chinese literary aesthetics.
 Dating from the 5th century, its author, Liu Xie, composed the work in fifty chapters (篇) according to the principles of numerology and divination found in the "Book of Changes" or "I Ching".
 The work also draws on and argues against the 3rd century author Lu Ji's work the Wen fu文賦 ("On Literature").
 Liu Xie wished to give a complete and internally consistent account of literature.
 Among his contributions is his remarkable notion that affections are literally the medium of literature, and language merely the product.
Yativṛṣabha, also known as Jadivasaha, was a mathematician and Jain monk.
 He is believed to have lived during the 6th century, probably during 500-570.
 He lived and worked between the periods of two great Indian mathematicians, Aryabhata (476 – 550) and Brahmagupta (598-668).
 He wrote the book named "Tiloyapannatti" which describes cosmology from the point of view of Jain religion and philosophy.
 "The work also gives various units for measuring distances and time."
 Tiloya Panatti postulated different concepts about infinity.
"While My Guitar Gently Weeps" is a song by the English rock band the Beatles from their 1968 double album "The Beatles" (also known as "the White Album").
 It was written by George Harrison, partly as an exercise in randomness after he consulted the Chinese "I Ching".
 The song also serves as a comment on the disharmony within the Beatles at the time.
 The recording includes a lead guitar part played by Eric Clapton, although he was not formally credited for his contribution.
The I Ching ( in Mandarin), also known as Classic of Changes or Book of Changes, is an ancient Chinese divination text and the oldest of the Chinese classics.
 Possessing a history of more than two and a half millennia of commentary and interpretation, the "I Ching" is an influential text read throughout the world, providing inspiration to the worlds of religion, psychoanalysis, business, literature, and art.
 Originally a divination manual in the Western Zhou period (1000750), over the course of the Warring States period and early imperial period (500200) it was transformed into a cosmological text with a series of philosophical commentaries known as the "Ten Wings."
 After becoming part of the Five Classics in the 2nd century BC, the "I Ching" was the subject of scholarly commentary and the basis for divination practice for centuries across the Far East, and eventually took on an influential role in Western understanding of Eastern thought.
Notations is a book that was edited and compiled by American avant-garde composer John Cage (1912–1992) with Alison Knowles and first published in 1969 by Something Else Press.
 The book is made up of a large collection of graphical scores, facsimiles of holographs, from the Foundation for Contemporary Performance Arts, with text by 269 composers, which are presented in alphabetical order, with each score allotted equal space, and in which the editor has no more authority than the reader in assigning value to the work.
 The book includes the manuscript for the Beatles song "The Word" (song lyrics, but no musical notation) from the "Rubber Soul" album (1965).
William Batty (1801–1868) was an equestrian performer, circus proprietor, and longtime operator of Astley's Amphitheatre in London.
 Batty was one of the most successful circus proprietors in Victorian England and helped launch the careers of a number of leading Victorian circus personalities, such as Pablo Fanque, the versatile performer and later circus proprietor (best known today from his mention in The Beatles song "Being for the Benefit of Mr. Kite!
"), and W.F. Wallett, one of the most celebrated clowns of the era.
 Also, while in operation for only two years, Batty's most lasting legacy is probably Batty's Grand National Hippodrome, also known as Batty's Hippodrome, an open-air amphitheate he erected in 1851 in Kensington Gardens, London, to attract audiences from the Crystal Palace Exhibition nearby.
Alan W. Pollack is a musicologist.
 He is best known for having musically analysed every Beatles song released.
 He started the task in 1989 and finished in 2000, with 187 original songs and 25 cover songs.
 The analyses have come to be known as the "Notes on ..." series, as each is entitled "Notes on 'Love Me Do'", "Notes on 'Help!
'" and so on.
 The notes were released weekly, usually on Wednesdays, on the rec.music.beatles usenet group.
 Pollack's individual song analyses and comments on unifying themes in the Beatles' work were later incorporated by musicologist Walter Everett in his two-volume study "The Beatles as Musicians".
 The "Notes on …" series is also among the "Recommended Resources" in author and critic Kenneth Womack's 2014 book "The Beatles Encyclopedia".
Maria Adelaide Sneider (6 December 1937 – 1 May 1989) (also known as Maria Adelaide Sneider Ludovici, her second surname being "Ludovici") was an Italian mathematician working on numerical and mathematical analysis.
 She is known for her work on the theory of electrostatic capacities of non-smooth closed hypersurfaces: Apart from the development of precise estimates for the numerical approximation of the electrostatic capacity of the unit cube, this work also led her to give a rigorous proof of Green's identities for large classes of hypersurfaces with singularities, and later to develop an accurate mathematical analysis of the points effect.
 She is also known for her contributions to the Dirichlet problem for pluriharmonic functions on the unit sphere of ℂ.

Question: Which Beatles song is inspired by a work also known as the Book of Changes?
Answer: "While My Guitar Gently Weeps"