The Guns of August (1962), also published as "August 1914", is a volume of history by Barbara W. Tuchman.
 It is centered on the first month of World War I.
 After introductory chapters, Tuchman describes in great detail the opening events of the conflict.
 Its focus then becomes a military history of the contestants, chiefly the great powers.
L'Oiseau bleu (also known as The Blue Bird and Der Blaue Vogel) is a large oil painting created in 1912–1913 by the French artist and theorist Jean Metzinger (1883–1956); considered by Guillaume Apollinaire and André Salmon as a founder of Cubism, along with Georges Braque and Pablo Picasso.
 "L'Oiseau bleu", one of Metzinger's most recognizable and frequently referenced works, was first exhibited in Paris at the Salon des Indépendants in the spring of 1913 (n. 2087), several months after the publication of the first (and only) Cubist manifesto, "Du «Cubisme»", written by Jean Metzinger and Albert Gleizes (1912).
 It was subsequently exhibited at the 1913 in Berlin (titled "Der blaue Vogel", n. 287).
 Apollinaire described "L'Oiseau bleu" as a 'very brilliant painting' and 'his most important work to date'.
 "L'Oiseau bleu", acquired by the City of Paris in 1937, forms part of the permanent collection at the Musée d'Art Moderne de la Ville de Paris.
Guillaume Apollinaire (] ; 26 August 1880 – 9 November 1918) was a French poet, playwright, short story writer, novelist, and art critic of Polish descent.
Elias Gaucher was a prolific printer and publisher of clandestine erotica who worked out of the Malakoff and Vanves communes in the southwestern suburbs of Paris, France, about 3 miles from the centre of the City.
 He primarily reprinted or pirated the books of other publishers, but is best known today as the original publisher of "Les Exploits d'une Jeune Don Juan" (1905), Guillaume Apollinaire's translation of a German erotic work called "Kindergeilheit.
 Geständnisse eines Knaben" (Berlin, 1900), and Apollinaire's surrealist masterpiece "Les Onze mille verges" (c. 1907).
Le Port, also known as The Harbor, The Port or simply Marine, is a painting by the French artist Jean Metzinger.
 The work was exhibited in the spring of 1912 at the Salon des Indépendants in Paris, and at the Salon de La Section d'Or, Galerie La Boétie, October 1912, Paris, (no. 117 of the catalogue, entitled "Marine", collection Mme L. Ricou).
 "Le Port" was reproduced a few months later in the first major text on Cubism entitled "Du "Cubisme"", written in 1912 by Jean Metzinger and Albert Gleizes, published by Eugène Figuière Editeurs the same year.
 "The Harbor" was subsequently reproduced in "The Cubist Painters, Aesthetic Meditations (Les Peintres cubistes, Méditations Esthétiques)", written by Guillaume Apollinaire, published by Figuière in 1913 (collection Mme L. Ricou).
 At the Salon des Indépendants of 1912, Apollinaire had noticed the classical Ingresque qualities of Metzinger's "Le Port", and suggested that it deserved to be hung in the Musée du Luxembourg's modern art collection.
 The dimensions and current whereabouts of "Le Port" are unknown.
Samuel Eliot Morison, (July 9, 1887 – May 15, 1976) was an American historian noted for his works of maritime history and American history that were both authoritative and popular.
 He received his Ph.D. from Harvard University in 1912, and taught history at the university for 40 years.
 He won Pulitzer Prizes for "Admiral of the Ocean Sea" (1942), a biography of Christopher Columbus, and "John Paul Jones: A Sailor's Biography" (1959).
 In 1942, he was commissioned to write a history of United States naval operations in World War II, which was published in 15 volumes between 1947 and 1962.
 Morison wrote the popular "Oxford History of the American People" (1965), and co-authored the classic textbook "The Growth of the American Republic" (1930) with Henry Steele Commager.
 Over the course of his distinguished career, Morison received eleven honorary doctoral degrees, and garnered numerous literary prizes, military honors, and national awards from both foreign countries and the United States, including two Pulitzer Prizes, two Bancroft Prizes, the Balzan Prize, the Legion of Merit, and the Presidential Medal of Freedom.
Calligrammes:Poems of Peace and War 1913-1916, is a collection of poems by Guillaume Apollinaire which was first published in 1918 (see 1918 in poetry).
 "Calligrammes" is noted for how the typeface and spatial arrangement of the words on a page plays just as much of a role in the meaning of each poem as the words themselves - a form called a calligram.
 In this sense, the collection can be seen as either concrete poetry or visual poetry.
 Apollinaire described his work as follows:
The March of Folly: From Troy to Vietnam is a book by Barbara W. Tuchman, an American historian and author.
 It was published on March 19, 1984 by Knopf in New York.
The prix Guillaume Apollinaire is a French poetry prize first awarded in 1941.
 It was named in honour of French writer Guillaume Apollinaire.
 It annually recognizes a collection of poems for its originality and modernity.
Barbara Wertheim Tuchman ( ; January 30, 1912 – February 6, 1989) was an American historian and author.
 She won the Pulitzer Prize twice, for "The Guns of August" (1962), a best-selling history of the prelude to and the first month of World War I, and "Stilwell and the American Experience in China" (1971), a biography of General Joseph Stilwell.

Question: Who won more Pulitzer Prizes, Barbara W. Tuchman or Guillaume Apollinaire?
Answer: Barbara Wertheim Tuchman