Grammatical person, in linguistics, is the grammatical distinction between deictic references to participant(s) in an event; typically the distinction is between the speaker (first person), the addressee (second person), and others (third person).
 Put in simple colloquial English, first person is that which includes the speaker, namely, "I," "we," "me," and "us," second person is the person or people to whom are spoken, literally, "you," and third person includes all that is not listed above.
 Grammatical person typically defines a language's set of personal pronouns.
 It also frequently affects verbs, and sometimes nouns or possessive relationships.
The definition of a direct–inverse language is a matter under research, but it is widely understood to involve different grammar for transitive predications according to the relative positions of their "subject" and their "object" on a "person hierarchy", which, in turn, is some combination of saliency and animacy specific to a given language.
 The direct construction is the unmarked one.
 The direct construction is used when the subject of the transitive clause outranks the object in the person hierarchy, and the inverse is used when the object outranks the subject.
 The existence of direct–inverse morphosyntax is usually accompanied by proximate–obviative morphosyntax.
 The direct–inverse dimension subsumes the proximate–obviative dimension.
 Across languages, obviation almost always involves the third person (although second-person obviation is reported for some Nilo-Saharan languages ), and the direct–inverse alternation is usually presented as being a way of marking the proximate–obviative distinction between two (or more) third person arguments of a sentence.
 However, there are at least two languages with inverse systems, the Mesoamerican languages Zoque and Huastec, in which inverse morphosyntax is never used when both subject and object are third person, but only when one of these arguments is third person and the other is a speech act participant (SAP), the first or second person .
Third Person was an improvising trio formed in 1990 in New York City, led by cellist Tom Cora and drummer Samm Bennett.
 Each performance featured an invited guest: A third person.
 Guests included guitarist Marc Ribot, harpist Zeena Parkins, clarinet player Don Byron and saxophone players George Cartwright and Kazutoki Umezu and many others.
Kimila Ann "Kim" Basinger ( ; born December 8, 1953) is an American actress, singer and former fashion model.
 Following a successful modeling career in New York during the 1970s, Basinger moved to Los Angeles where she began her acting career on television in 1976.
 She starred in several made-for-TV films, including a remake of "From Here to Eternity" (1979), before making her feature debut in the 1981 drama "Hard Country".
 She won the Academy Award for Best Supporting Actress for her performance as Lynn Bracken in the 1997 film "L.A. Confidential".
Du-reformen (] , "the you-reform") was the process in the late 1960s of popularization of the second-person singular pronoun "du" as a universal form of address in Sweden.
 The use of "du" (cognate with English "thou", French "tu", and German "du") replaced an intricate former system where people chiefly addressed each other in third person, with or without a preceding Mr./Mrs./Ms. "(herr, fru "or" fröken)" before the title, often omitting both surname and given name.
 Less respectfully, people could be addressed with Mr./Mrs./Ms. plus surname, or in a family setting, alternatively even less respectfully, with the plain name or third person pronoun "han" ("he") or "hon" (she).
Third Person is a 2013 British-German-American romance film directed and written by Paul Haggis and starring an ensemble cast consisting of Liam Neeson, Mila Kunis, Adrien Brody, Olivia Wilde, James Franco, Moran Atias, Kim Basinger, and Maria Bello.
 The film premiered at the 2013 Toronto Film Festival.
Pitcairn's Island is the third installment in the fictional trilogy by Charles Nordhoff and James Norman Hall about the mutiny aboard HMS "Bounty".
 It is preceded by "Mutiny on the "Bounty"" and "Men Against the Sea".
 The novel first appeared in "The Saturday Evening Post" (from 22 September 1934 through 3 November 1934) then was published in 1934 by Little, Brown and Company.
 Chapters I–XV are told in the third person, and Chapters XVI–XXI are told in the first person by John Adams.
 The epilogue that follows is in the third person.
Note verbale (] , verbal note) is a piece of diplomatic correspondence prepared in the third person and unsigned: less formal than a note (also called a letter of protest) but more formal than an aide-mémoire.
 A note verbale can also be referred to as a third person note (TPN).
Shinji Mikami (Japanese: 三上 真司 , Hepburn: Mikami Shinji , born August 11, 1965) is a Japanese video game director and producer.
 Starting his career at Capcom in 1990, he went on to direct many of the company's biggest titles.
 He directed the first installment of the survival horror series "Resident Evil" in 1996 and the first installment of "Dino Crisis" in 1999.
 He returned to Resident Evil to direct the remake of the first game in 2002.
 He returned to direct third person shooter "Resident Evil 4" in 2005.
 The last game he directed at Capcom was 2006's God Hand, a third person brawler.
 He then worked with PlatinumGames to direct the third person shooter "Vanquish" in 2010.
 After that he started his own studio called Tango Gameworks.
 Under that company he directed the third person horror game "The Evil Within".
 The company has since been acquired by the American company ZeniMax Media.
"Appears" is a song recorded by Japanese recording artist Ayumi Hamasaki.
 It was released by Avex Trax on November 10, 1999 as the sixth single from her second studio album "Loveppears" (1999), which was released on the same day.
 Alongside this, it has been released in several other territories with different release dates under her Western alias Ayu.
 It also served as Hamasaki's first limited edition single, limiting physical sales to 300,000 copies.
 The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura.
 Musically, "Appears" is a dance song written in third person perspective, and is about the third person watching a happy and loving relationship.
 Upon its release, "Appears" received positive reviews from music critics.
 Alexey Eremenko, writing for AllMusic, selected the track as the best song from the album and her career.
 However, an editor from "CD Journal" criticized the amount of remixes on the CD single.

Question: What acress starred in both "Third Person" and "From Here to Eternity"?
Answer: Kim Basinger