Gary Edward "Garrison" Keillor (born August 7, 1942) is an American author, storyteller, humorist, voice actor, and radio personality.
 He is best known as the creator of the Minnesota Public Radio show "A Prairie Home Companion" (called "Garrison Keillor's Radio Show" in some international syndication), which he hosted from 1974 to 2016.
 Keillor created the fictional Minnesota town Lake Wobegon, the setting of many of his books, including "Lake Wobegon Days "and "".
 Other creations include Guy Noir, a detective voiced by Keillor who appeared in "A Prairie Home Companion" comic skits.
The live weekly radio variety show, A Prairie Home Companion with Chris Thile, whose title indicates the new program host, musician Chris Thile, derives from the historic "A Prairie Home Companion with Garrison Keillor" ("APHC") radio show, where the changeover in the onstage hosting and program began on October 15, 2016.
 Thile, an American virtuoso mandolinist and singer-songwriter, had a two decade history with "APHC" and is known for his work in the folk and progressive bluegrass groups Nickel Creek and Punch Brothers.
 After two unprecedented guest host spots in 2015, Keillor decided on his successor, featured Thile as host again in January–February 2016, and fully ceded his hosting role to Thile in the October 2016 performance at the Fitzgerald Theater in St. Paul, Minnesota, continuing as the show's Executive Producer.
 As of 1 November 2016, the new program presents expanded musical and comedic elements, retaining the template of the earlier program (e.g., its most recent acting and sound effect cast, and "sponsorships" from faux companies), but without such features as its earlier signature "Lives of the Cowboys" series and "News from Lake Wobegon" monologue.
 Early reviews of the new program have been uniformly positive, focusing on the remaining familiar elements and on the new music and expanded musical focus brought by the new host.
John Alan Maxwell (March 7, 1904 – April 13, 1984) was an American artist known primarily for his book and magazine illustrations, as well as historical paintings.
 He also was an illustrator for many commercial publications, including "Collier's Weekly", "The Saturday Evening Post", "The Golden Book Magazine", "The American Magazine", and "Woman's Home Companion".
Crowell-Collier Publishing Company is a defunct American publisher that owned the popular magazines "Collier's", "Woman's Home Companion" and "The American Magazine" as well as general interest books and references such as "Collier's Encyclopedia" and the Harvard Classics series of books.
 After shuttering the magazine operations in the 1950s, Crowell-Collier merged with the American Macmillan Company in 1960 and became a large educational company with subsidiaries for books, textbooks, correspondence schools and other educational tools and materials.
 The company officially changed its name to Macmillan, Inc. in 1973.
Bessie Pease Gutmann (April 8, 1876 – September 29, 1960) was an American artist and illustrator, initially as Bessie Collins Pease, most noted for her paintings of putti, infants, and young children.
 During the early 1900s she was one of the better-known magazine and book illustrators in the United States.
 Her artwork was featured on 22 magazine covers such as "Woman's Home Companion" and "McCall's" between 1906 and 1920.
 She also illustrated popular children's books including a notable 1907 edition of "Alice's Adventures in Wonderland".
 Although the commercial popularity of Gutmann's art declined during World War II, there was renewed interest in her illustrations from collectors by the late 20th century.
Woman's Home Companion was an American monthly magazine, published from 1873 to 1957.
 It was highly successful, climbing to a circulation peak of more than four million during the 1930s and 1940s.
 The magazine was headquartered in Springfield, Ohio and discontinued in 1957.
The Woman's Viewpoint was a woman's magazine founded in Texas in 1923 and published by Florence M. Sterling.
 The magazine was progressive and ran from 1923 to 1927.
Ajumma (Korean: 아줌마 ), sometimes spelled ajoomma, is a respectful Korean word for a married, or marriage aged woman.
 It comes from the Korean word "Ajumeoni" (Korean: 아주머니 ).
 Although it is sometimes translated "aunt", it does not actually refer to a family relationship.
 There is some indication that the word historically meant "wife of a professor".
 It is most often used to refer to any middle-aged or older woman since referring to an elder by name without a title in Korea is not socially acceptable.
 An ajumma is neither a young unmarried woman ("agassi") or grandmother ("halmoni").
 Typically she would be a married woman with children, although not necessarily so.
 On the other hand, the Korean word "Samo'nim", was originally interpreted as "wife of mentor" or "wife of superior", describes a married woman of high social status.
 The Lonely Planet guide to Seoul describes ajumma as a term of respect, but it can be used in a mildly pejorative sense as well.
 An ajumma is often a restaurant worker, street vendor, or housewife.
The Sick Child (Norwegian: Det syke barn) is the title given to six paintings and a number of lithographs, drypoints and etchings completed by the Norwegian artist Edvard Munch (1863–1944), between 1885 and 1926.
 All record a moment before the death of his older sister Johanne Sophie (1862–1877) from tuberculosis at 14.
 Munch returned to this deeply traumatic event again and again in his art, over six completed oil paintings and many studies in various media, over a period of more than 40 years.
 In the works, Sophie is typically shown on her deathbed accompanied by a dark-haired, grieving woman assumed to be her aunt Karen; the studies often show her in a cropped head shot.
 In all the painted versions Sophie is sitting in a chair, obviously suffering from pain, propped by a large white pillow, looking towards an ominous curtain likely intended as a symbol of death.
 She is shown with a haunted expression, clutching hands with a grief-stricken older woman who seems to want to comfort her but whose head is bowed as if she cannot bear to look the younger girl in the eye.
Whore dialogues are a literary genre of the Renaissance and the Enlightenment and a type of erotic fiction.
 The first example was the "Ragionamenti" by Pietro Aretino, followed by such works as "La Retorica delle Puttane" ("The Whore's Rhetoric") (1642) by Ferrante Pallavicino; "L'Ecole des Filles" (The School for Girls) (1655), attributed to Michel Millot and Jean L'Ange and also known as "The School of Venus"; "The Dialogues of Luisa Sigea" (c. 1660) by Nicolas Chorier—known also as "A Dialogue between a Married Woman and a Maid" in various editions.
 Such works typically concerned the sexual education of a naive younger woman by an experienced older woman and often included elements of philosophising, medical folklore, satire and anti-clericalism.
 The later works in this genre, such as that by Chorier, indulge in a more sophisticated type of sexual fantasy and are the precursors of the more explicit pornography which followed in Europe.

Question: Which magazine is older Woman's Home Companion or The Woman's Viewpoint?
Answer: Woman's Home Companion