Laura Cottingham (born 1959) is an American art critic, curator and visual artist.
 Her most recent book is "Angst essen Seele auf" on Rainer Werner Fassbinder published by the British Film Institute in 2005.
 Her work has been exhibited in galleries and museums throughout Europe and in New York City, her best known videos being "Not For Sale," 1998 and "The Anita Pallenberg Story," 2000.
 She curated "NowHere," for the Louisiana Museum of Art, Denmark in 1996 and "Vraiment Feminisme et art," for Le Magasin in Grenoble, France in 1997.
 She lives in New York City.
He was born in Viareggio, Italy, and moved to London in 1968.
 Between 1971 and 1976 he studied at Camberwell College of Arts and as a postgraduate at the Slade School of Fine Art in London.
 Since 1976 Mannocci has returned annually to a little Italian hamlet in the hills between Lucca and Viareggio.
 In the early 1980s he was a co-founder of the movement La Metacosa and was closely involved in all the group's exhibitions and activities.
 His first Museum exhibition was in 1984 at the 'Hack-Museum' in Ludwigshafen, Germany.
 In 1988 Yale University Press published Mannocci's Catalogue raisonne of the graphic works of Claude Lorrain.
 During the 1990s he exhibited his work in San Francisco, New York, London, Milan, Florence and Bergamo.
 In 2004 his recent paintings were included in the exhibition curated by Philippe Daverio at the Spazio Oberdan in Milan called "Fenomenologia della Metacosa – 7 artisti nel 1979 a Milano e 25 anni dopo", and in 2005 he had a one-person show entitled "Let there be smoke" at the Museo H. Christian Andersen in Rome.
 In 2006 Mannocci exhibited in Delhi and Mumbai in India, and in 2007 he curated an exhibition at the Galleria Ceribelli in Bergamo called "Gli amici pittori di Londra", a homage to painting and friendship.
 On the occasion of his exhibition in 2010 of monotypes at the Fitzwilliam Museum in Cambridge, "Clouds and Myths", Mannocci curated an exhibition on the theme of the Annunciation, "The Angel and the Virgin: A Brief History of the Annunciation".
 The Cartiere Vannucci in Milan exhibited his paintings in 2012.
 In October, he exhibited his work in New York at Jill Newhouse Gallery.
 He had an exhibition at Galleria San Fedele in Milan, "E l’angelo partì da lei", in 2014.
 In the following year, 2015, he presented a solo exhibition of recent works at the Galleria Nazionale d’Arte Moderna di Palazzo Pitti in Florence.
 In May, an invitation to commemorate the 800th centenary of the Magna Carta at Temple Church, London, resulted in a show of monotypes on parchment.
 In June, he exhibited a group of treated postcards at London’s Estorick Collection, "Shaping the Image" which concerned the main protagonists of the Futurists movement.
 In October, he had a one-person exhibition "Stanze", at Galleria Ceribelli in Bergamo, Italy.
The Freestyle exhibition was a contemporary exhibition at The Studio Museum of Harlem from April 28-June 24, 2001 curated by Thelma Golden with the support of curatorial assistant Christine Y. Kim.
 Golden curated the works of 28 emerging black artists for the exhibition, characterizing the work as ‘Post-Black’.
 The latter is a term she generated along with artist Glenn Ligon as a genre of art “that had ideological and chronological dimensions and repercussions.
 It was characterized by artists who were adamant about not being labeled as 'black' artists, though their work was steeped, in fact deeply interested, in redefining complex notions of blackness."
 Freestyle was her first major project at The Studio Museum in Harlem and the first of four ‘F’ themed series of exhibitions including Frequency, Flow and Fore.
The Keltenmuseum in Hallein near Salzburg contains major discoveries from the La Tene period of the Iron Age which come from burials in the area surrounding the nearby Hallein Salt Mine (Salzbergwerk Dürrnberg), at Dürrnberg.
 The Museum was founded in 1882 and was housed in the Bürgerspital.
 In 1930 it was moved into the Rathaus and from 1952 occupied a gateway of the town or stadt's fortifications.
 In 1970 the name was changed to Keltenmuseum and the museum was moved into the former Salt Offices (Saline Hallein) on the Pflegerplatz, which fronts the river Salzach.
 In 1980 the Museum staged a major exhibition "Die Kelten in Mitteleuropa" (The Celts in Central Europe), which demonstrated the wealth of discoveries that were being made at the Hallein.
The Louisiana Museum of Modern Art is an art museum located on the shore of the Øresund Sound in Humlebæk, 35 km north of Copenhagen, Denmark.
 The most visited art museum in Denmark, it has an extensive permanent collection of modern and contemporary art, dating from World War II to the present day; in addition, it has a comprehensive programme of special exhibitions.
 The museum is also acknowledged as a milestone in modern Danish architecture, and is noted for its synthesis of art, architecture, and landscape.
 The museum occasionally also stages exhibitions of work by the great impressionists and expressionists, e.g. Claude Monet was the focus of a major exhibition in 1994.
The Millennium Dome, subsequently referred to simply as The Dome , is the original name of a large dome-shaped building, originally used to house the Millennium Experience, a major exhibition celebrating the beginning of the third millennium of the Common Era.
 Located on the Greenwich Peninsula in South East London, England, the exhibition was open to the public from 1 January to 31 December 2000.
 The project and exhibition was the subject of considerable political controversy as it failed to attract the number of visitors anticipated, with recurring financial problems.
 All of the original exhibition and associated complex has since been demolished.
 The dome still exists, and it is now a key exterior feature of The O2.
 The Prime Meridian passes the western edge of the Dome and the nearest London Underground station is North Greenwich on the Jubilee line.
James Charles Castle (September 25, 1899 – October 26, 1977) was an American artist born in Garden Valley, Idaho.
 Although Castle did not know about the art world outside of his small community, his work ran parallel to the development of 20th-century art history.
 His works have been collected by major institutions.
 The Philadelphia Museum of Art organized a retrospective of Castle's work which toured nationally in 2008 and 2009.
 Castle's work entered the international arena with a major exhibition in Madrid, Spain at the Museo Nacional Centro de Arte Reina Sofía in 2011 and was included in the 2013 Venice Biennale exhibition "The Encyclopedic Palace."
 In 2014 The Smithsonian American Art Museum featured their recent acquisition in the exhibition "Untitled: The Art of James Castle" and the Whitney Museum of American Art included their acquired collection of Castle's work in the 2017 exhibition "Where We Are."
June Yap is the Director of Curatorial, Programmes and Publications at the Singapore Art Museum.
 She was formerly Guggenheim UBS MAP Curator (South and Southeast Asia), Deputy Director and Curator of the Institute of Contemporary Arts Singapore, and curating independently.
 During her residency at the Solomon R. Guggenheim Museum, as part of the Guggenheim UBS MAP Global Art Initiative, she curated the exhibition ‘No Country: Contemporary Art for South and Southeast Asia’.
 In 2011, Yap curated the Singapore pavilion at the 54th Venice Biennale, featuring work by Singaporean artist Ho Tzu Nyen, 'The Cloud of Unknowing'.
 She has also curated exhibitions for the Center for Contemporary Art in Tel Aviv, Institut für Auslandsbeziehungen (ifa) in Stuttgart and Berlin, and the National University of Singapore Museum, amongst others.
 She received her MA in Fine Art at the University of Melbourne and her Ph.D. in Cultural Studies at the National University of Singapore.
 She is the author of "Retrospective: A Historiographical Aesthetic in Contemporary Singapore and Malaysia" (Petaling Jaya: SIRD, 2016).
Jane Livingston is an American art curator.
 She is known for organizing a major museum exhibition of Chicano art, and, together with Marcia Tucker, the first major museum exhibition of Bruce Nauman.
 Other exhibitions include her show of National Geographic, "illustrative" photography; she and curator John Beardsley, also curated an exhibition of black outsider artists in 1982.
 This show "marked an explosion of interest in the work of African American artists."
 Livingston curated a show of John Alexander's works at the Smithsonian in 2008.
Moon Kyungwon (Hangul: 문경원 ; born 1969) is a Seoul-based artist who received her Masters of Fine Arts from the California Institute of the Arts (CalArts) and Ph.D in Visual Communication from Yonsei University, South Korea.
 Moon held her solo exhibition at the Fukuoka Asian Art Museum in 2004.
 Her recent exhibitions include "Poiesis of Collective Intelligence" at Yamaguchi Center Arts and Media in 2013 and "A Different Similarity" at BOCUM Museum, Germany in 2010.
 In 2012, Moon and a fellow artist, Jeon Joonho, participated in Documenta (13) in Kassel, Germany and collectively received the 2012 Noon Award Grand Prize and 2012 Korea Artist Prize at Gwangju Biennale.
 In 2013, the two artists put on a large-scale exhibition called News from Nowhere at the Sullivan Galleries inside the School of the Art Institute of Chicago (SAIC).
 Curated by Sook-Kyung Lee from Tate Modern, Moon Kyungwon and Jeon Joonho were selected to showcase their collaborative video installation, "The Ways of Folding Space and Flying" at the Korean Pavilion for 2015 Venice Biennale.

Question: Who was the focus of a major exhibition in 1994 at the museum where Laura Cottingham curated "NowHere," for?
Answer: Claude Monet