L’Étoile de Grenade is a ballet "divertissement" choreographed by Marius Petipa to music by Cesare Pugni.
 This was the first collaboration between Marius Petipa and the composer Cesare Pugni.
 Petipa did not receive credit for the production of this ballet in the theatre program.
The Sergeyev Collection is a collection of choreographic notation, music, designs for décor and costumes, theatre programs, photos and other materials that document the repertory of the Imperial Ballet (precursor of the Kirov/Mariinsky Ballet) of St. Petersburg, Russia at the turn of the 20th century.
 The majority of the choreographic notations document with varying degrees of detail the original works and revivals of the renowned choreographer Marius Petipa, who served as "Premier Maître de ballet" of the St. Petersburg Imperial Theatres, as well as notation and music documenting the ballets of Lev Ivanov, who served as second "Maître de ballet".
 Also included in the collection are choreographic notation documenting dances from various operas by both Petipa and Ivanov, respectively.
Vassilie Trunoff (1929 in Melbourne, Australia – 1985 in London, England) was an Australian ballet dancer.
 He was born of Russian emigre parents and began dancing in his mother's folk dancing troupe.
 His dancing was noticed by Edouard Borovansky who offered him classes at the Borovansky school.
 He soon became a member of the fledgling Borovansky Ballet.
 He performed a wide variety of roles in the Borovansky repertoire and in 1946 created the part of the Aborigine in Borovansky's "Terra Australis".
 At the end of the 1947 Borovansky season Trunoff joined Ballet Rambert for its Australian tour and performed with the company under the name of Basil Truro.
 He performed in a season of the musical "Oklahoma!
" and subsequently married fellow dancer Joan Potter.
 In 1950, Trunoff left Australia for London.
 He joined the London Festival Ballet as a soloist and he was soon promoted to principal, gaining a reputation for his virtuosity of technique.
 At Borovansky's invitation, Trunoff and his wife returned to Australia in 1954, however in 1958 they both rejoined the London Festival Ballet as ballet master and ballet mistress respectively.
 As ballet master, Trunoff toured to Australia in 1975 and 1977 with Festival Ballet productions that included "Romeo and Juliet" and "Giselle".
 He returned again in 1980 to produce "Scheherazade" and "Graduation Ball" for the Australian Ballet's special tribute season in honour of Edouard Borovansky.
 Trunoff died in London in 1985.
Trilby is a "ballet" in 2 acts and 3 scenes, with choreography by Marius Petipa and music by Yuli Gerber.
 Libretto by Marius Petipa, based on the 1822 novella "Trilby, ou le lutin d'Argail " by Charles Nodier, first presented by the Ballet of the Moscow Imperial Bolshoi Theatre on January 25/February 6 (Julian/Gregorian calendar dates), 1870, in Moscow with Polina Karpakova as Trilby and Ludiia Geiten as Miranda and restaged by Petipa for the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre on January 17–29, 1871 in St. Petersburg with Adèle Grantzow as Trilby and Lev Ivanov as Count Leopold.
Giselle (French: "Giselle, ou les Wilis" ] ) is a romantic ballet in two acts.
 It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on Monday, 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle.
 The ballet was an unqualified triumph.
 "Giselle" became hugely popular and was staged at once across Europe, Russia, and the United States.
 The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg.
Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem "The Corsair" by Lord Byron.
 Originally choreographed by Joseph Mazilier to the music of Adolphe Adam, it was first presented by the ballet of the Théâtre Impérial de l´Opéra in Paris on 23 January 1856.
 All modern productions of "Le Corsaire" are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century.
Barbe-bleue (en.
 "Bluebeard") (ru.
 «Синяя борода», "Sinjaja boroda") is a "ballet-féerie" in three acts and seven scenes, originally choreographed by Marius Petipa to the music of Pyotr Schenk.
 The libretto was created by the author and dramatist Countess Lydia Pashkova from the fairy tale "Bluebeard" by Charles Perrault.
 The ballet was first presented by the Imperial Ballet on December 20 [O.S. December 8] 1896 at the Imperial Mariinsky Theatre in St. Petersburg, Russia, the first performance being a benefit in honor of Marius Petipa's fiftieth anniversary in service to the St. Petersburg Imperial Theatres.
The 1917 Petipa/Ivanov/Drigo revival of Swan Lake is a famous version of the ballet "Swan Lake", (ru. "
Лебединое Озеро"), (fr.
 "Le Lac des Cygnes").
 This is a ballet by Pyotr Ilyich Tchaikovsky based on an ancient German legend, presented in either four acts, four scenes (primarily outside Russia and Eastern Europe), three acts, four scenes (primarily in Russia and Eastern Europe) or, more rarely, in two acts, four scenes.
 Originally choreographed by Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky (opus 20), it was first presented as "The Lake of the Swans" by the Ballet of the Moscow Imperial Bolshoi Theatre on 20 February/4 March 1877 (Julian/Gregorian calendar dates) in Moscow, Russia.
 Although the ballet is presented in many different versions, most ballet companies today base their stagings both choreographically and musically on this revival by Marius Petipa and Lev Ivanov, staged for the Imperial Ballet, first presented on 15 January/27 January 1895, at the Imperial Mariinsky Theatre in St. Petersburg, Russia instead of the original version.
The Talisman (a.k.a. "Le Talisman" or "Il Talismano") - "Fantastic ballet" in 4 Acts-7 Scenes, with choreography by Marius Petipa, and music by Riccardo Drigo.
 Libretto by Konstantin Augustovich Tarnovsky and Marius Petipa.
 It was premièred on February 6 [O.S. January 25] 1889 at the Imperial Mariinsky Theatre in St. Petersburg, Russia This ballet gave rise to the so-called "Talisman Pas de Deux", which is today danced by many ballet companies.
The Beauty of Lebanon, or The Mountain Spirit (French: "La Belle du Liban, ou L'Esprit des montagnes" ; Russian: Ливанская красавица, или Горный дух ) is a fantastic ballet in three acts and seven scenes, with choreography by Marius Petipa and music by Cesare Pugni.
 Libretto by E. Rappoport and Marius Petipa.
 The ballet was first presented by the Imperial Ballet on December 12/24 (Julian/Gregorian calendar dates), 1863 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, with Mariia Surovshchikova-Petipa (as the Mountain Spirit) and Timofei Stukolkin (as Beshir).

Question: What is the name of the ballet that Vassilie Trunoff performed when he toured Australia in 1975 & 1977 that derives from revivals staged by Marius Petipa?
Answer: Giselle