Il caso Mortara (The Mortara Case) is an opera in two acts composed by Francesco Cilluffo to an Italian-language libretto by the composer himself, inspired by "The Kidnapping of Edgardo Mortara" by David Kertzer.
 The opera was commissioned by the Dicapo Opera Theater, New York, and premiered in February 2010.
 It is the first Italian opera commissioned to an Italian composer by a New York opera company since the times of Giacomo Puccini at the Metropolitan Opera.
 "New York Times" critic Anthony Tommasini hailed it as one of the most important events of New York's 2010 operatic season.
Emilio Venturini (1878 - 1952) was an Italian operatic lyric tenor known for his portrayal of character roles.
 He made his professional opera debut in 1900 in Italy where he remained for the next several years.
 In 1901 he sang the role of Brighella in Mascagni's "Le maschere" at the Teatro Regio in Turin.
 He made his La Scala debut in 1903 as Froh in Wagner's "Das Rheingold" and sang in the premiere of Umberto Giordano's "Siberia".
 In 1904, he originated the role of Prince Yamadori in Puccini's "Madama Butterfly" at La Scala.
 In 1905, Venturini joined the roster of the Opéra National de Paris.
 In 1907 he moved to London to sing with Royal Opera at Covent Garden.
 In 1910, Venturini became a member of the Chicago Opera Association where he performed roles until the summer of 1917.
 While in Chicago he sang mostly character parts but did sing some major roles like Turiddu in "Cavalleria rusticana", Edgardo in "Lucia di Lammermoor" and the Pinkerton in "Madama Butterfly".
 In 1911 he sang the roles of Cassio in Verdi's "Otello" and Spoletta in Puccini's "Tosca" at the Metropolitan Opera.
 Venturini also returned to Italy for brief periods in 1910, 1911, and 1916 to perform roles with the Teatro Massimo in Palermo.
 In 1921, Venturini joined the roster at La Scala and sang roles with that opera house until 1948.
 He notably originated the roles of Il Tempiere in Boito's "Nerone" in 1924 and Pang in Puccini's "Turandot" in 1926.
 and was the first to record the role of Nereo in Boito's "Mefistofele" in the 1931 La Scala recording.
Ugo Falena (April 25, 1875 in Rome – September 20, 1931 in Rome), was an Italian silent film director and occasional opera librettist.
 His films include "Otello" (1909), "Beatrice Cenci" (1911), "William Tell" (1911), "Romeo and Juliet" (1912), and a notable adaptation of Mascagni's "Cavalleria rusticana" (1916) featuring the soprano who sang at the premiere of the opera, itself, Gemma Bellincioni.
 He also wrote the libretto for Alfano's opera, "L’ultimo Lord".
Salomè (also known as Salome) is a 1910 Italian short film directed and produced by Ugo Falena.
The film starring Vittoria Lepanto, Laura Orette and Ciro Galvani in the lead roles.
Hao Weiya (Chinese 郝维亚, born Xian) is a Chinese composer.
 His opera "A Village Teacher" (2009) was announced as the first "realistic" opera produced by the NCPA and CNOH.
He also created a new end for the opera Turandot of Giacomo Puccini in 2011.
L'ultimo giorno di Pompei ("The last day of Pompeii") is an opera ("dramma per musica") in two acts composed by Giovanni Pacini to an Italian libretto by Andrea Leone Tottola.
 It premiered to great success at the Teatro San Carlo in Naples on 19 November 1825 followed by productions in the major opera houses of Italy, Austria, France, and Portugal.
 When Pacini's popularity declined in the mid-19th century, the opera was all but forgotten until 1996 when it received its first performance in modern times at the Festival della Valle d'Itria in Martina Franca.
 "L'ultimo giorno di Pompei" influenced either directly or indirectly several other 19th-century works, most notably Karl Bryullov's 1833 painting, "The Last Day of Pompeii".
"Tu che di gel sei cinta " (You who are enclosed by ice) is a soprano aria from act 3, scene 1, of Puccini's 1926 opera "Turandot".
 The words were actually written by Puccini himself.
 Waiting for librettists Giuseppe Adami and Renato Simoni to deliver the next part of the libretto, he wrote the words, and when they read them they decided that they could not do better.
 It is sung by Liù under torture, prior to her suicide.
 Turandot is clearly taken by Liù's resolve and asks her who put so much strength in her heart.
 Liù answers "Princess, Love!"
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Franco Alfano (Posillipo, Naples, 8 March 1875 – Sanremo, 27 October 1954) was an Italian composer and pianist.
 Best known today for his opera "Risurrezione" (1904) and above all for having completed Puccini's opera "Turandot" in 1926.
 He had considerable success with several of his own works during his lifetime.
"Non piangere, Liù" (Don't cry, Liù) is an aria sung by Calàf, the "Unknown Prince", in Act I of the Italian opera Turandot, by Giacomo Puccini.
 The lyrics were written by Giuseppe Adami and Renato Simoni.
 The scene takes place before the walls of the imperial palace.
 In the preceding aria ("Signore, ascolta!
" - "My lord, listen!" )
, Liù begs Calàf not to risk his life by playing a deadly game to marry Princess Turandot, and Calàf responds to her gently, asking her not to cry.
The Last Lord (Italian: L'ultimo lord) is a 1926 Italian silent comedy film directed by Augusto Genina.

Question: Ugo Falena wrote the libretto for the opera "L'ultimo Lord which is by an Italian composer and pianist who is known for having completed Puccini's opera Turandot in what year?
Answer: 1926