Le baiser et la quittance, ou Une aventure de garnison ("The Kiss and the Receipt, or A Garrison Adventure") is an opera by the composers Étienne Méhul, François-Adrien Boieldieu, Rodolphe Kreutzer and Nicolas Isouard.
 It takes the form of an "opéra bouffon" in three acts.
 It premiered at the Opéra-Comique, Paris on 18 June 1803.
 The libretto is by Picard, Longchamps and Dieulafoy.
 The work was a failure and only ran for four performances.
Le calife de Bagdad ("The Caliph of Baghdad") is an "opéra comique" in one act by the French composer François-Adrien Boieldieu with a libretto by Claude Godard d'Aucourt de Saint-Just.
 It was first performed at the Opéra-Comique, Paris on 16 September 1800 and soon became highly popular throughout Europe.
 It was Boieldieu's first major triumph.
 One member of the audience who was less impressed was the noted composer Luigi Cherubini who reproached Boieldieu, "Aren't you ashamed of such a great success, and doing so little to deserve it?"
 Boieldieu immediately applied to Cherubini for lessons in compositional techniques.
Faust is a grand opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play "Faust et Marguerite", in turn loosely based on Johann Wolfgang von Goethe's "Faust, Part One".
 It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon.
This is a list of the operas written by the French composer François-Adrien Boieldieu (1775–1834).
 All premieres took place in Paris unless otherwise indicated.
Le chevalier d’Harmental is an opéra comique in five acts of 1896, with music by André Messager and a French libretto by Paul Ferrier, after Dumas père and Auguste Maquet.
 The play of the novel – in five acts, a prologue and ten tableaux – was first performed on 16 July 1849 at the Théâtre-Historique in Paris.
 The opera was first performed at the Opéra Comique (Théâtre Sarah Bernhardt) in Paris on 5 May 1896, but ran for only six performances.
 It was seen at the Vienna Hofoper during the 1896-97 season.
The French composer Hector Berlioz made four attempts at winning the Prix de Rome music prize, finally succeeding in 1830.
 As part of the competition, he had to write a cantata to a text set by the examiners.
 Berlioz's efforts to win the prize are described at length in his "Memoirs".
 He regarded it as the first stage in his struggle against the musical conservatism represented by the judges, who included established composers such as Luigi Cherubini, François-Adrien Boieldieu and Henri Montan Berton.
 Berlioz's stay in Italy as a result of winning the prize also had a great influence on later works such as "Benvenuto Cellini" and "Harold en Italie".
 The composer subsequently destroyed the scores of two cantatas ("Orphée" and "Sardanapale") almost completely and reused music from all four of them in later works.
 There was a revival of interest in the cantatas in the late 20th century, particularly "La mort de Cléopâtre", which has become a favourite showcase for the soprano and mezzo-soprano voice.
La dame blanche ("The White Lady") is an opéra comique in three acts by the French composer François-Adrien Boieldieu.
 The libretto was written by Eugène Scribe and is based on episodes from no fewer than five works of the Scottish writer Sir Walter Scott, including his novels "The Monastery", "Guy Mannering", and "The Abbot".
 The opera has typical elements of the Romantic in its Gothic mode, including an exotic Scottish locale, a lost heir, a mysterious castle, a hidden fortune, and a ghost, in this case benevolent.
 The work was one of the first attempts to introduce the fantastic into opera and is a model for works such as Giacomo Meyerbeer's "Robert le diable" and Charles Gounod's "Faust".
 The opera's musical style also heavily influenced later operas like "Lucia di Lammermoor", "I puritani" and "La jolie fille de Perth".
The opera was first performed at the Opéra Comique in Paris on 8 May 1894.
 After its premiere the work was performed at La Monnaie in November 1894 and the Teatro del Fondo in Naples in December 1894.
 The work received its United States premiere at the French Opera House in New Orleans in 1895.
 It was also produced at The Waldorf-Astoria Hotel on 13 December 1897.
 The Opéra Comique revived the opera in 1900 and it was mounted at the Théâtre Lyrique in September 1922, after which the work fell out of the performance repertory.
 After a more than 60-year absence from the stage, "Le portrait de Manon" was mounted at La Fenice on 13 April 1985.
 Four years later the Opéra de Monte-Carlo staged the work.
 The opera was most recently revived by the Glimmerglass Opera in 2005.
 In 2014 "kultur.theater.musik" produced the first performance in German (as "") at the 'Sommeroper im Amthof' festival in Feldkirchen, Carinthia, and in other theatres in Lower Austria.
This is a list of compositions by the French composer François-Adrien Boieldieu.
La Dame Blanche (French; literally "The White Lady") was the codename for an underground intelligence network which operated in German-occupied Belgium during World War I.
 It took its name from a German legend which stated that the fall of the Hohenzollern dynasty would be announced by the appearance of a woman wearing white.

Question: La dame blanche ("The White Lady") is an opéra comique in three acts by the French composer François-Adrien Boieldieu, the work was one of the first attempts to introduce the fantastic into opera and is a model for works such as Faust , a grand opera in five acts by who?
Answer: Charles Gounod