The Hypothesis of the Stolen Painting (French: L'Hypothèse du tableau volé ) is a 1978 French experimental mystery film directed by Chilean filmmaker Raúl Ruiz and shot by cinematographer Sacha Vierny.
 The film was inspired by the themes of French writer Pierre Klossowski (1905 - 2001) and makes references to many of Klossowski’s works including "The Revocation of the Edict of Nantes", "The Baphomet" and “La Judith de Frédérique Tonnerre.”
 Ruiz was originally commissioned by a French TV network to make an arts documentary on Klossowski, but what emerged is this film, a parody of the art documentary.
 The film was featured in film festivals after its release such as the London Film Festival in 1979.
 "Hypothesis of the Stolen Painting" has been noted as one of Ruiz’s masterpieces that challenges the boundaries of cinema and film theory.
Count Your Blessings is a 1959 drama film made by Metro-Goldwyn-Mayer.
 It was directed by Jean Negulesco, written and produced by Karl Tunberg, based on the 1951 novel "The Blessing" by Nancy Mitford.
 The music score was by Franz Waxman and the cinematography by George J. Folsey and Milton R. Krasner.
 The costume design was by Helen Rose.
The Young Philadelphians is a 1959 drama film starring Paul Newman, Barbara Rush, Robert Vaughn and Alexis Smith, and directed by Vincent Sherman.
 The film is based on the 1956 novel, "The Philadelphian", by Richard P. Powell.
Pour Sacha (English title: "For Sacha") is a 1991 French romantic drama film directed by Alexandre Arcady and starring Sophie Marceau, Gérard Darmon, and Ayelet Zurer.
 The film is set just prior to the outbreak of the Six-Day War in 1967.
A Zed & Two Noughts is a 1985 film written and directed by Peter Greenaway.
 This film was Greenaway's first with cinematography by Sacha Vierny, who went on to shoot virtually all of Greenaway's work in the 1980s and 1990s, until Vierny's death; Greenaway referred to Vierny as his "most important collaborator".
 The film is a rumination on life, love, bad sex, doubling, man's mistreatment of animals, artifice vs. the life force and the inevitability of birth, death and decay.
Hiroshima mon amour (] , "Hiroshima My Love"; Japanese: 二十四時間の情事 "Nijūyojikan'nojōji", "Twenty-four-hour affair") is a 1959 drama film directed by French film director Alain Resnais, with a screenplay by Marguerite Duras.
 It is the documentation of an intensely personal conversation between a French-Japanese couple about memory and forgetfulness.
 It was a major catalyst for the Left Bank Cinema, making highly innovative use of miniature flashbacks to create a uniquely nonlinear storyline.
La Bien-aimée is a 1967 French television drama directed by Jacques Doniol-Valcroze.
 It was based on short story "Fanny" by Lucie Faure who wrote screenplay.
 The music score is by Maurice Leroux.
 The production designer was Jean d'Eaubonne and the cinematographer was Sacha Vierny.
Jet Over the Atlantic (also known as High Over the Atlantic) is a 1959 drama film directed by Byron Haskin and stars Guy Madison, Virginia Mayo, and George Raft.
 The film's title was misleading as the airliner was a Bristol Britannia turboprop-engined, not "pure" jet-powered aircraft.
 George Raft's biographer Everett Aaker called "Jet Over the Atlantic" "a precursor of the disaster genre."
We Still Kill the Old Way is a British crime drama film written by Dougie Brimson, Sacha Bennett and Gary Lawrence, directed by Sacha Bennett and starring Ian Ogilvy, Alison Doody, Lysette Anthony and James Cosmo.
Sacha Vierny (10 August 1919 – 15 May 2001) was a French cinematographer.
 He was born in Bois-le-Roi, Seine-et-Marne, Île-de-France, France, and died in Paris, France, at the age of 81.
 He is most famous for his work with Alain Resnais – especially for the two films "Hiroshima mon amour" and "L'année dernière à Marienbad" – and with Peter Greenaway ("The Cook, the Thief, His Wife & Her Lover", "Prospero's Books").

Question: Which 1959 Drama film did Sacha Vierny do the cinematography for ?
Answer: Hiroshima mon amour