Claudia La Rocco is a poet, critic and performer who works as a columnist for ARTFORUM→ and writes about books and theater for "The New York Times"; prior to that she worked as a dance and theater critic for the paper from 2005-2013.
 She began her career as a general arts writer for the Associated Press and freelance journalist for various visual art and literary publications.
 She founded thePerformanceClub.org, which won a 2011 Creative Capital/Warhol Foundation Arts Writers Grant and focuses on criticism as a literary art form, and teaches at the School of Visual Arts MFA Art Criticism and Writing program.
Bill Marx (born January 8, 1937) is a theater critic based in Boston, Massachusetts.
 Marx served as theater and arts critic for WBUR from 1982 to 2006 and as the host of a podcast dedicated to books in translation for WGBH (FM) and Public Radio International's The World (radio program) from 2007 to 2011.
The Elliot Norton Awards are presented annually to honor the best achievements in Boston-area theater.
 The genesis of the awards was the Norton Medal, which was first awarded in 1983 and was named after long-time theater critic Elliot Norton (1903-2003), a 1922 graduate of Boston Latin School, who had retired in 1982 after 48 years as a Boston theater critic.
 In addition to bestowing awards on the best theatrical productions and theatrical personnel, the Elliot Awards include a Lifetime Achievement Award and the Norton Prize for Sustained Excellence.
The Boston Theater Critics Association is an organization of professional theater critics in the greater Boston area who volunteer to sponsor and bestow the Elliot Norton Awards.
 For the 2011 awards, the panel included "Boston Globe" chief theater critic Don Aucoin; WGBH-TV reporter Jared Bowen; is an Emmy-winning reporter with WGBH-TV; former "Boston Herald" chief theater critic Terry Byrne; "Boston Phoenix" chief drama critic Carolyn Clay; former Boston Herald theater critic Iris Fanger; former WBZ-TV entertainment critic Joyce Kulhawik; and former "Boston Globe" theater critic Ed Siegel.
Bob Mondello (Washington, D.C.) is an American film critic.
 He has worked for National Public Radio since 1984 as the arts critic / film and theater commentator for "All Things Considered".
 He has also been theater critic for "Washington City Paper" since 1987.
 Each year, Mondello sees well in excess of 200 films and 100 plays, commenting on them on radio, in print, and in speaking engagements at film clubs and public radio presentations around the country.
 He has also written for such publications as "The Washington Post", "USA Today", and "Preservation Magazine".
Kevin Daniel Williamson (born September 18, 1972) is the roving correspondent for "National Review."
 He is also the theater critic for "The New Criterion".
 He was previously deputy managing editor at "National Review".
Hilton Als (born 1960) is an American writer and theater critic.
 He is an associate professor of writing at Columbia University and a staff writer and theater critic for "The New Yorker" magazine.
 He is a former staff writer for "The Village Voice" and former editor-at-large at "Vibe" magazine.
Alastair Macaulay is a dance critic for the "New York Times".
 He was previously chief dance critic at "The Times" Literary Supplement and chief theater critic of the "Financial Times", both of London.
 He founded the British quarterly "Dance Theater Journal" in 1983.
 He writes that his first morning in New York City was before September 1981.
The New Criterion is a New York-based monthly literary magazine and journal of artistic and cultural criticism, edited by Roger Kimball (editor and publisher) and James Panero (executive editor).
 It has sections for criticism of poetry, theater, art, music, the media, and books.
 It was founded in 1982 by Hilton Kramer, former art critic for "The New York Times", and Samuel Lipman, a pianist and music critic.
 The name is a reference to "The Criterion", a British literary magazine edited by T. S. Eliot from 1922 to 1939.
Christopher Nigel "Chris" Jones (born September 10, 1963) is an American journalist and the chief theater critic and Sunday culture columnist of the "Chicago Tribune".
 On January 28, 2014 it was announced that he would also become the director of the Eugene O’Neill Theater Center’s National Critics Institute in Waterford, Connecticut.
 Jones also appears live on the news broadcast of CBS-2 Chicago as a weekly theater critic.
 In 2001, he was featured in an article in "American Theatre" magazine about the 12 most influential theater critics in America.
 In 2016, the "New York Times" cited Jones as an important reason that Broadway shows try out in Chicago, noting the role his reviews have played in helping producers improve the productions for New York runs.

Question: Q: Kevin D. Williamson is the theater critic for which magazine founded in 1982?
Answer: The New Criterion