Raga Desh or Raga Des is a Hindustani classical music raga.
 It is commonly used in songs with a sentimental patriotic feel.
Pandit Suman Ghosh is an internationally acclaimed Hindustani Classical Vocalist of the Mewati Gharana of Hindustani Classical Music and a torch-bearing disciple of Sangeet Martand Pandit Jasraj.
 He is the founder and President of the Center for Indian Classical Music of Houston (CICMH).
Rattan Mohan Sharma (born 14 June 1971) is an Indian classical vocalist.
 He belongs to the Mewati gharana of Hindustani classical music.
 He performs classical music forms such as Khayal, Tarana, Dhrupad, Haveli Sangeet, Tappa and also in light classical forms and folk music including Bhajan as well as Rajasthani Folk.
 He is considered an "A" grade artist on All India Radio .
Lakshmi Shankar (born Lakshmi Sastri, 16 June 1926 – 30 December 2013) was a noted Hindustani classical vocalist of the Patiala Gharana.
 She was known for her performances of "khyal", "thumri", and "bhajans".
 She was the sister-in-law of sitar player Ravi Shankar and the mother-in-law of violinist L. Subramaniam (her daughter Viji (Vijayashree Shankar) Subramaniam being his first wife).
Pandit Ramesh Narayan (born 3 November 1959) is an Indian classical vocalist, composer and music producer.
 He belongs to the Mewati gharana of Hindustani classical music.
 He began his initial training in Carnatic music and later mastered the classical Hindustani style from Pandit Jasraj of Mewati gharana
Malabika Kanan (December 27, 1930 - February 17, 2009) was a noted Hindustani classical vocalist.
 Her musical rendering of khyals was exceptional among the singers of that genre and her exposition of Bairagi and Desh in a rich voice was of special tonal quality.
Swami Harballabh was an Hindustani classical vocalist and a saint.
 He established the first Hindustani classical music festival in the world in 1875 known as Harballabh Sangeet Sammelan.
Sanhita Nandi is a prominent Hindustani classical vocalist of the Kirana Gharana.
 The central motif of her style is slow tempo "raga" development (voice culture, voice throw, and tonal application) and ornamented "sargams".
Sanhita Nandi has rightly established herself as a leading exponent of Khayal, earning high acclaim from discerning critics and enthusiastic audiences on an international scale.
 Sanhita has developed a distinctive singing style based on firm grounding of traditional training (or taleem), combining pure lyricism with impeccable technique.To further enrich her repository of Kirana Lineage and traditional compositions, Sanhita continues to get trained under the able guidance of Ustad Mashkoor Ali Khan.
The heart of her music is the slow, leisurely development of Raag Bhava in Merukhand style in Ati vilambit.
 The vistar is richly embellished by meend, harkat, and sargams.
 As the badhat gets slowly ornamented in the choicest pearls of melodic variations that build the sculpture of the raga, it slowly gets decorated into faster tempo where it befriends sargams, chota khayal, tarana and soft silky sapat taans .
Extreme care is taken not to disrupt the Raag Bhava even in faster tempo .
Even the phirat adds to the wet, warmth of feelings embedded in the raga.
Vikas Kashalkar (born 16 July 1950) is a noted Hindustani classical vocalist, scholar, teacher and musicologist.
 He has received training in the Gwalior, Jaipur and Agra gharanas.
 He hails from a family with music tradition.
Mohanrao Palekar (Devanagari: मोहनराव पालेकर) (1898–1962) was a noted Hindustani classical vocalist and is considered a stalwart of Jaipur-Atrauli Gharana, commonly referred as ""Jaipur Gharana"".

Question: Malabika Kanan was a noted Hindustani classical vocalist exposition of a classical music raga is  commonly used in songs with what?
Answer: a sentimental patriotic feel