Frank Henenlotter (born August 29, 1950 in New York City), is an American screenwriter, film director and film historian.
 He is known primarily for his horror comedies, though he would prefer to be classified as an "exploitation" filmmaker (rather than horror).
 "I never felt that I made ‘horror films’, he has said.
 "I always felt that I made exploitation films.
 Exploitation films have an attitude more than anything – an attitude that you don’t find with mainstream Hollywood productions.
 They’re a little ruder, a little raunchier, they deal with material people don’t usually touch on, whether it’s sex or drugs or rock and roll."
Brain Damage is a 1988 American comedy horror film directed by Frank Henenlotter.
Basket Case is a 1982 American horror comedy film written and directed by Frank Henenlotter, and produced by Edgar Ievins.
 Kevin Van Hentenryck stars as a normal-looking person who seeks vengeance for the unwanted surgery that separated him from his deformed conjoined twin brother.
 The film gained an audience in the 1980s due to the advent of home video and has been considered a cult film.
 The film spawned two sequels, "Basket Case 2" (1990) and "" (1991), which were also directed by Henenlotter.
Body horror, biological horror, organic horror or visceral horror is horror fiction in which the horror is principally derived from the unnatural graphic transformation, degeneration or destruction of the physical body.
 Such works may deal with decay, disease, parasitism, mutation or mutilation.
 Other types of body horror include unnatural movements or the anatomically incorrect placement of limbs to create "monsters" from human body parts.
 David Cronenberg, Frank Henenlotter, Brian Yuzna, Stuart Gordon, Lloyd Kaufman, and Clive Barker are notable directors of this genre.
 The term "body horror" was coined with the "Body Horror" theme issue of the University of Glasgow film journal "Screen" (vol.
 27, no. 1, January–February 1986), containing several essays on the subject.
Basket Case 3: The Progeny is a 1991 American comedy horror film written and directed by Frank Henenlotter.
 It is the third installment of the "Basket Case" series, which was released on DVD by 20th Century Fox Home Entertainment in 2004.
 Synapse Films released a new DVD on October 9, 2012.
D.W. Kann is a film maker who has been working in the film industry for nearly 20 years.
 He started as a prop master, then make-up artist, art director, production designer, before moving on to editor, producer and director.
 He appears at festivals and conventions every year to promote his work.
Frankenhooker is a 1990 American black comedy horror directed by Frank Henenlotter.
 Very loosely inspired by Mary Shelley's novel "Frankenstein", the film stars James Lorinz as medical school drop-out Jeffrey Franken and former Penthouse Pet Patty Mullen as the title character (who wears a fatsuit in the beginning of the film).
Bad Biology is a dark horror comedy film directed and produced by Frank Henenlotter and rapper R.A. the Rugged Man.
 It stars Charlee Danielson and Anthony Sneed as sexually unfulfilled people who are drawn together because of their mutated genitalia.
 It was released on DVD in the UK in 2009, and in the US in 2010.
 Reviews were positive.
Basket Case 2 is a 1990 American comedy horror film written and directed by Frank Henenlotter.
 It was released on DVD by Synapse Films in October 2007.
 The film spawned a sequel, "", released in 1991.
James Callaghan "Chic" Charnley (born 11 June 1963 in Glasgow) is a former Scottish football player and coach.
 Charnley's playing career lasted nearly 20 years, with spells at Hamilton Academical, St Mirren, Hibernian and Dundee, however he is perhaps best known for his numerous spells at Partick Thistle.
 He also was a coach at Thistle for a short time and was briefly assistant manager of Clyde.
 Throughout his career, Charnley had a reputation as being a hot-head; he was sent off 17 times in a senior career which lasted for nearly 20 years.

Question: Which of the two, Frank Henenlotter or D.W. Kann has need on the film industry for nearly 20 years? 
Answer: D.W. Kann