The Chicago film industry is a central hub for motion picture production and exhibition that was established before Hollywood became the undisputed capital of film making.
 In the early 1900s, Chicago boasted the greatest number of production companies and filmmakers.
 Essanay Studios founded by George K. Spoor was one of the earliest successful studios to produce movies in Chicago, employing stars such as Charlie Chaplin and Gloria Swanson.
 Actor and co-founder of Essanay Studios "Broncho Billie" Anderson gave birth to the western genre.
 Early film companies such as Essanay Studios produced multiple silent films every week and rented viewing equipment to showcase the latest cinematography to the public.
 This rental culture gave birth to the popularity of Nickelodeons up until the Great Depression.
 However, due to the high demand for motion pictures during this time, a black market for films and equipment developed.
 The Motion Picture Patents Company, established in 1909 as a conglomerate of the major studios, sought to eliminate all illegal use of patented film equipment.
 As a result, independent ventures entered the film scene.
 Independents drove the film industry to the west to avoid legal trouble with the trust of major film companies united under the Motion Picture Patents Company.
 The west offered fairer weather and scenery that better accommodated film making.
 Not until the 1980s and early 21st century has Chicago experienced a film production revival.
 Blockbusters, such as "Blues Brothers", "Sixteen Candles", and "The Dark Knight", have rejuvenated the Chicago film scene.
 In the 21st century, Chicago further experienced a film revival due to a tax bill the state of Illinois passed to give filmmakers a 30% tax break on production costs.
The Filipino Academy of Movie Arts and Sciences Awards (also known as FAMAS Awards) are the annual honors given by the Filipino Academy of Movie Arts and Sciences (FAMAS), an organization composed of prize-winning writers and movie columnists, for achievements in the Philippine cinema for a calendar year.
 It should have been proposed that the members of the Academy should nonetheless be the people behind film making themselves (directors, actors, actresses, producers, screenwriters, cinematographers, sound editor, sound technician, make up artists, costume designer etc.) and not prize winning writers nor the columnists not involved, directly or indirectly with the film making as with the other motion picture academy around world most particularly the Hollywood.
 Members of the academy including avid movie viewers, fans or enthusiasts will cast their votes on who should win the statuettes on different categories they were nominated.
 Established since 1952, it the oldest existing film industry award-giving body in the Philippines and one of the oldest in Asia (the oldest is the Kinema Junpo Awards in Japan).
 The FAMAS Awards, from 1952 to 1982, was the highest Filipino film award a filmmaker or artisan could receive in the local movie industry.
Incite Productions, or Incite Productions Inc., is a 501(c)(3) nonprofit documentary production company based in Boulder, Colorado.
 It is the producer of Seoul Train, the critically acclaimed PBS documentary on North Korean refugees.
 Members of the board of Incite Productions are Jim Butterworth and Lisa Sleeth.
Kirk Johnson (born 1960) is an American scientist, author, curator, and museum administrator, and is currently serving as Director of Smithsonian's National Museum of Natural History.
 Dr. Johnson is the host of the PBS Nova series, "Making North America", which is a three-part series that describes the shaping of North America, which aired on November 4, 11 and 18, 2015.
Aaron Lubarsky is a documentary filmmaker known for his work on the HBO documentary "Journeys with George", the PBS documentary "Seoul Train" and "Sportsfan".
 After graduation from Stanford University's Documentary Film Program, he worked as a documentarian at Lucasfilm on "The Making Of ".
 In 2005, he founded Flicker Flacker Films, specializing in non-fiction production.
 He lives and works in New York.
Making North America is a 2015 American documentary film which premiered nationwide on November 4, 2015.
 The PBS Nova film, in three-episodes of one hour each, was hosted by Kirk Johnson (Director of the Smithsonian National Museum of Natural History); Peter Oxley directed the first episode while Gwyn Williams directed the second and third.
 The series describes the very beginnings and later developments of the North American continent: from the origin of planet Earth 4.54 billion years ago; to the various movements of tectonic plates and their effect on the sculpturing of the continent's land and mountains, including the Rocky Mountains, Yellowstone and the Grand Canyon; to the emergence of life on the continent and its later evolution; and, finally, to the more recent settlement of the land by humans.
 According to Johnson, "Most people will not have considered a time when there was no North America ... What was there before North America?
 How did it form?
 When did it start?
 How did it come together?"
Jim Butterworth is a technology entrepreneur, documentary filmmaker, and former investment banker and venture capitalist.
 He is the co-founder of the nonprofit documentary production company Incite Productions, and a director and producer of the award-winning film "Seoul Train".
 He is the President and founder of Naked Edge Films, which has produced more than a dozen documentaries, which have won an Oscar, two Alfred I. duPont Silver Batons, and have been nominated for three Emmys.
 He is also the inventor of 53 U.S. and foreign patents in the field of streaming media.
Seoul Train is a 2004 documentary film that deals with the dangerous journeys of North Korean defectors fleeing through or to China.
 These journeys are both dangerous and daring, since if caught, they face forced repatriation, torture, and possible execution.
Chelangatt Gopalakrishnan (June 6, 1932 - June 4, 2010) was born in Cherthala Alappuzha dist.
 in Kerala to Sri Nediyedathu Kesava Pillai and Thrikkeparambil Ammukkutti Amma.
 After graduation, he started his career as a journalist in a regional newspaper; Malayali.
 Later he worked for some other newspapers including Mathrubhumi.
 During this time, he established his own name in the film journalism.
 Several forgotten personalities including J.C. Daniel, the father of Malayalam Cinema, have been disclosed before readers and public by him.
 During this time he had released several books.
 Most of them are about cinema and its history.
 The historical narrations of cinema have been started from the birth of world cinema till the contemporary Malayalam films.
 The renowned Malayalam Film Maker Adoor Gopalakrishnan in his book Cinemayude Lokam, which won many awards including the award from Government of India says ; "The history of Malayalam Cinema is not started with stars born with fortunes, from sky.
 But, it is the tearful story of some, who experimented with their lives and assets.
 Most of the experiments had been tragedies.
 We got that history from the articles written by Chelangatt Gopalakrishnan.
 S. Guptan Nair called Chelangatt Gopalakrishnan, the Chief Architect of Malayalam Film Literature and Journalism.
 He was in the Kerala State Film Awards Jury for several years.
 Many books related with novel, biographies, history and technical aspects of film making have been written by him.
 He had run a film studio named 'Ajanta Studio' at Aluva.
 Many classical films including 'Olavum Theeravum' written by M.T. Vasudevan Nair have been filimized at this studio.
 He had written more than 20 books about cinema alone.
 Vincent Muthal Vincent Vare, Mukhathodu Mukham, The History of World Cinema, The History of Indian Cinema, The History of Malayalam Cinema, The History of Film Persons in Kerala, The History of Malayalam Journalism etc., are few among them.
 He was a regular writer about many of the prominent periodicals in Malayalam language.
SEOUL International Women’s Film Festival (SIWFF, previously International Women's Film Festival in Seoul, IWFFIS) first took place on April 1, 1997, which marked the second appearance of the international film festival in Korea following Busan International Film Festival launched in 1996.
 This was the time when there was no clear idea about how to define a film festival.
 At that time, SEOUL International Women’s Film Festival came up with a catchphrase See the world through women’s eyes, setting its main goal to introduce women’s films that explore the “women’s reality from the women’s perspectives”.
 Featuring films by women, for women, and of women, the 1st edition of SEOUL International Film Festival received a number of positive reviews from the audience, which was never anticipated this much.
 Thanks to continuous support from the audience, SEOUL International Film Festival that used to be happening every other year has become an annual event since the 3rd edition in 2001.
 For the 6th edition in 2004, SEOUL International Women’s Film Festival looked for changes by relocating the festival office and venues to Sinchon, the street of youth and culture.
 For the 9th edition in 2007, the Queer Rainbow section was first introduced, presenting films about life and culture of gender minorities.
 In order to go beyond the gender boundaries based on biological sex and to reach out for solidarity, SEOUL International Women’s Film Festival newly created the Open Cinema section encompassing feminist films made by male directors.
 Now in 2015, SEOUL International Film Festival attempts to build its new festival identity and become a cultural platform more approachable for a wide variety of audiences by changing the official English title of the festival from International Women’s Film Festival in Seoul to SEOUL International Women’s Film Festival as well as by retouching the festival logo used for last 17 years.

Question: Seoul Train and Making North America are both films in what style of cinema or film making genre?
Answer: documentary