Joe D'Amato (birth name: Aristide Massaccesi; 15 December 1936 in Rome – 23 January 1999 in Rome) was an Italian filmmaker who is most well known for his horror and adult films.
Chinatown Nights, also known as Tong War, is a 1929 film starring Wallace Beery and begun as a silent film then finished as an all-talking sound one via dubbing.
 Directed by William A. Wellman and released by Paramount Pictures, "Chinatown Nights" also stars Florence Vidor, former wife of director King Vidor, who did not dub her own voice and quit the movie business immediately afterward, preferring not to work in sound films; her voice in "Chinatown Nights" was supplied by actress Nella Walker.
 The supporting cast includes Warner Oland as a Chinese gangster and Jack Oakie as a stuttering reporter.
 The movie was based upon the story "Tong War" by Samuel Ornitz.
War and Peace (Italian: "Guerra e pace" ) is a 1956 American-Italian war drama film directed by King Vidor and written by Vidor, Bridget Boland, Mario Camerini, Ennio De Concini, Gian Gaspare Napolitano, Ivo Perilli, Mario Soldati, and Robert Westerby based on Leo Tolstoy's 1869 novel of the same name.
 The film, released by Paramount Pictures, was produced by Dino De Laurentiis and Carlo Ponti with a music score by Nino Rota and cinematography by Jack Cardiff.
Our Daily Bread is a 1934 American film directed by King Vidor and starring Karen Morley, Tom Keene, and John Qualen.
 The movie is a sequel to Vidor's silent classic "The Crowd" (1928), using the same characters although with different actors.
 Vidor tried to interest Irving Thalberg of MGM in the project, but Thalberg, who had greenlighted the earlier film, rejected the idea.
 Vidor then produced the film himself and released it through United Artists.
H. M. Pulham, Esq. is a 1941 American drama film directed by King Vidor and starring Hedy Lamarr, Robert Young, and Ruth Hussey.
 Based on the novel "H. M. Pulham, Esq." by John P. Marquand, the film is about a middle-aged businessman who has lived a conservative life according to the routine conventions of society, but who still remembers the beautiful young woman who once brought him out of his shell.
 Vidor co-wrote the screenplay with his wife, Elizabeth Hill Vidor.
 The film features an early uncredited appearance by Ava Gardner.
King Wallis Vidor ( ; February 8, 1894 – November 1, 1982) was an American film director, film producer, and screenwriter whose career spanned nearly seven decades.
 In 1979, he was awarded an Honorary Academy Award for his "incomparable achievements as a cinematic creator and innovator."
 He was nominated five times for a Best Director Oscar, and won eight international film awards during his career.
 Vidor's best known films include "The Big Parade" (1925), "The Crowd" (1928), "Stella Dallas" (1937), and "Duel in the Sun" (1946).
 (He is not related to fellow director Charles Vidor).
Street Scene is a 1931 Pre-Code drama film produced by Samuel Goldwyn and directed by King Vidor.
 With a screenplay by Elmer Rice adapted from his Pulitzer Prize-winning play, "Street Scene" takes place on a New York City street from one evening until the following afternoon.
 Except for one scene which takes place inside a taxi, Vidor shot the entire film on a single set depicting half a city block of house fronts.
Show People is a 1928 American silent comedy film directed by King Vidor.
 The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn.
 Vidor also appears in a cameo as himself, as does Davies (to a decidedly unimpressed reaction by herself in character as Peggy Pepper).
The Intrigue is a surviving 1916 silent film drama produced by Pallas Pictures and released through Paramount Pictures.
 Frank Lloyd directed the film which was written by Julia Crawford Ivers and photographed by her son James Van Trees.
 The star is young Lenore Ulric and a young unknown King Vidor makes one of his earliest appearances in a film as an actor.
 The movie is also one of the earliest surviving films of Vidor's wife Florence.
 Quite fortunately the film is extant at the Library of Congress along with several early Lloyd directed films from 1915/16.
Hurricane in Galveston is a 1913 American short drama film directed by King Vidor.
 It was Vidor's debut film as a director.

Question: Did King Vidor and Joe D'Amato share the same nationality?
Answer: no