Symphony in White, No. 1, also known as The White Girl, is a painting by James Abbott McNeill Whistler.
 The work shows a woman in full figure standing on a white polar bear skin in front of a white curtain with a white lily in her hand.
 The colour scheme of the painting is almost entirely white.
 The model is Joanna Hiffernan, the artist's mistress.
 Though the painting was originally called "The White Girl", Whistler later started calling it "Symphony in White, No. 1".
 By referring to his work in such abstract terms, he intended to emphasise his "art for art's sake" philosophy.
The Battle of Lepanto (Spanish: La Batalla de Lepanto) is a famous painting by Filipino painter and hero Juan Luna.
 Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture (another one is Félix Resurrección Hidalgo).
 Painted by Luna in 1887, the masterpiece is about the Battle of Lepanto of October 7, 1571.
 The painting features Don Juan of Austria (also known as Don John of Austria) in battle while at the bow of a ship.
 It is one of the “huge epic canvasses” painted by Luna (the others are the "Spoliarium" and "The Blood Compact").
 The painting is also known as The Battle of Lepanto of 1571.
Impression, Sunrise (French: "Impression, soleil levant") is a painting by Claude Monet.
 Shown at what would later be known as the "Exhibition of the Impressionists" in April 1874, the painting is attributed to giving rise to the name of the Impressionist movement.
 "Impression, Sunrise" depicts the port of Le Havre, Monet's hometown, and is his most famous painting of the harbor.
Frank Feller (1848–1908) was a Swiss artist who settled in England and made a career as an illustrator and painter.
 His most famous painting was entitled "The Last Eleven at Maiwand" completed in 1882.
 It depicted a small handful of men from the 66th (Berkshire) Regiment of Foot with their regimental mascot, "Bobby", making a last stand as Afghan horseman approach.
 The original painting has disappeared but is known from the print published by Henry Graves in April 1884.
The denomination Upper Rhenish Master refers to an artist active ca. 1410-20 possibly in Strasbourg.
 The most famous painting of the artist is "Paradiesgärtlein" ("Little Garden of Paradise"), a mixed technique on oakwood, 26.3 x 33.4 cm, now in the Städel Museum (on permanent loan from the Historical museum in Frankfurt since 1922).
 The painting is the Städel's most famous example of the old German school.
James Abbott McNeill Whistler ( ; July 10, 1834 – July 17, 1903) was an American artist, active during the American Gilded Age and based primarily in the United Kingdom.
 He was averse to sentimentality and moral allusion in painting, and was a leading proponent of the credo "art for art's sake".
 His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
 The symbol was apt, for it combined both aspects of his personality—his art was characterized by a subtle delicacy, while his public persona was combative.
 Finding a parallel between painting and music, Whistler entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony.
 His most famous painting is "Arrangement in Grey and Black No. 1" (1871), commonly known as "Whistler's Mother", the revered and oft-parodied portrait of motherhood.
 Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers.
Nan Wood Graham (July 26, 1899 – December 14, 1990) was the sister of painter Grant Wood.
 She is best known as the model for the woman in her brother's most famous painting, "American Gothic".
 She married Edward Graham, a real estate investor; and spent the rest of her life as a historian for her brother's work.
 She died at a nursing home at the age of 91.
Jose Maria Torrijos y Uriarte (March 20, 1791 - December 11, 1831), Count of Torrijos, a title granted posthumously by the Queen Governor, also known as General Torrijos, was a Spanish Liberal soldier.
 He fought in the Spanish War of Independence and after the restoration of absolutism by Ferdinand VII in 1814 he participated in the pronouncement of John Van Halen of 1817 that sought to restore the Constitution of 1812, reason why he spent two years in prison until he was released after Triumph of the pronouncement of Irrigation in 1820.
 He returned to fight the French when the One Thousand Sons of San Luis invaded Spain to restore the absolute power of Ferdinand VII and when those triumphed ending the liberal triennium exiled to England.
 There he prepared a statement which he himself led, landing on the coast of Malaga from Gibraltar on December 2, 1831, along with sixty men accompanying him, but they fell into the trap that had been laid before him by the absolutist authorities and were arrested.
 Nine days later, on December 11, Torrijos and 48 of his fellow survivors were shot without trial on the beach of San Andres de Málaga, a fact that was immortalized by a sonnet of José de Espronceda entitled "To the death of Torrijos and his Companions" and by a famous painting that painted in 1888 Antonio Gisbert.
 "The tragic outcome of his life explains what has happened to history, in all fairness, as a great symbol of the struggle against despotism and tyranny, with the traits of epic nobility and serenity typical of the romantic hero, eternalized in The famous painting Antonio Gisbert."
 The city of Malaga erected a monument to Torrijos and his companions in the Plaza de la Merced, next to the birthplace of the painter Pablo Picasso.
 Under the monument to Torrijos in the middle of the square are the tombs of 48 of the 49 men shot; One of them, British, was buried in the English cemetery (Malaga).
Symphony in White, No. 2, also known as The Little White Girl is a painting by James Abbott McNeill Whistler.
 The work shows a woman in three-quarter figure standing by a fireplace with a mirror over it.
 She is holding a fan in her hand, and wearing a white dress.
 The model is Joanna Hiffernan, the artist's mistress.
 Though the painting was originally called "The Little White Girl", Whistler later started calling it "Symphony in White, No. 2".
 By referring to his work in such abstract terms, he intended to emphasize his "art for art's sake" philosophy.
 In this painting, Heffernan wears a ring on her ring finger, even though the two were not married.
 By this religious imagery, Whistler emphasizes the aesthetic philosophy behind his work.
José Raúl Anguiano Valadez (February 26, 1915 – January 13, 2006) was a notable Mexican painter of the 20th century, part of the “second generation” of Mexican muralists which continued the tradition of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros but experimented with it as well.
 Anguiano was born during the height of the Mexican Revolution, which would inspire a majority of his mural painting.
 He studied painting in his hometown of Guadalajara before moving to Mexico City to begin his career.
 His first major exhibition was held at the Palacio de Bellas Artes, at age 20.
 His works include over 100 individual and collective exhibitions with 50 murals, mostly in Mexico and the United States.
 As he continued his artistry with aspects of the Mexican muralism movement, he also experimented with other styles such as Cubism, Surrealism and Expressionism, with themes such as clowns and prostitutes.
 However, his most famous painting is “La espina” (The thorn) which depicts a Mayan woman digging a thorn out of her foot with a knife.
 His later works concentrated on depicting Mexico in vivid colors and traditional imagery.

Question: What is the most famous painting by the painter of Symphony in White, No. 2?
Answer: Arrangement in Grey and Black