Raymond Wong Ying-wah () is a Hong Kong film score composer.
 Among his works is the score for the 2004 martial arts film directed by Stephen Chow, "Kung Fu Hustle", which was nominated for the Best Original Film Score in the 24th Hong Kong Film Awards.
 He also received nominations in the Hong Kong Film Awards for his score to Chow's 2001 film "Shaolin Soccer", and for the 1995 Tsui Hark film "Love in the Time of Twilight" ( ).
Ceremony for the 20th Hong Kong Film Awards was held on 29 April 2001 in the Hong Kong Cultural Centre and hosted by Eric Tsang, Carol Cheng, Gigi Leung and Eric Ng.
 Eighteen winners in eighteen categories were unveiled.
 The year's biggest winner was "Crouching Tiger, Hidden Dragon", which received eight awards, one award short of the record set by "" in 1997.
 Besides the sixteen regular categories, the 20th Hong Kong Film Awards also presented two special awards, Lifetime Achievement Award and Professional Achievement Award, to veteran actress Pak Suet Sin and action choreographer Yuen Wo Ping respectively.
92 Legendary La Rose Noire is a 1992 Hong Kong comedy film written and directed by Jeffrey Lau and starring Tony Leung, Maggie Shiu, Teresa Mo, Wong Wan-sze and Fung Bo Bo.
 The film was nominated for eight awards at the 12th Hong Kong Film Awards, where Leung won his second Hong Kong Film Award for Best Actor and Fung won her first Hong Kong Film Award for Best Supporting Actress.
 "92 Legendary La Rose Noire" was ranked number 75 of the Best 100 Chinese Motion Pictures at the 24th Hong Kong Film Awards.
 The film was followed two sequels, one released in 1993 titled "Rose Rose I Love You", where Leung reprises his role but features a new storyline, and another released in 1997 confusingly titled "Black Rose II", also featuring a new storyline and different cast.
A Chinese Ghost Story () is a 1987 Hong Kong romantic comedy horror film starring Leslie Cheung, Joey Wong and Wu Ma, directed by Ching Siu-tung and produced by Tsui Hark.
 The plot was loosely based on a short story about Nie Xiaoqian from Qing dynasty writer Pu Songling's "Strange Stories from a Chinese Studio" (聊齋誌異), and also inspired by the 1960 Shaw Brothers Studio film, "The Enchanting Shadow".
 The film was popular in Hong Kong and several Asian countries, including South Korea and Japan, when released.
 Most notably it boosted the stardom of Joey Wong, won Leslie Cheung popularity in Japan, and sparked a trend of folklore ghost films in the Hong Kong film industry, including two sequels, an animated film, a television series and a 2011 remake.
 The film was ranked number 50 of the Best 100 Chinese Motion Pictures presented at the 24th Hong Kong Film Awards.
Boat People () is a Hong Kong film directed by Ann Hui, first shown in theatres in 1982.
 The film stars George Lam, Andy Lau, Cora Miao, and Season Ma.
 At the second Hong Kong Film Awards, "Boat People" won awards for Best Picture, Best Director, Best New Performer, Best Screenplay, and Best Art Direction.
 It was also screened out of competition at the 1983 Cannes Film Festival.
 In 2005, at the 24th Hong Kong Film Awards, "Boat People" was ranked 8th in the list of 103 best Chinese-language films in the past 100 years.
The 24th Hong Kong Film Awards ceremony was held on 27 March 2005, in the Hong Kong Coliseum and hosted by Carol Cheng and Lawrence Cheng.
 Twenty-nine winners in nineteen categories were unveiled, with films "Kung Fu Hustle" and "2046" being the year's biggest winners.
 In conjunction with a hundred years of the Chinese cinema, a list of Best 100 Chinese Motion Pictures, consisting of 103 Chinese films selected by a panel of 101 filmmakers, critics and scholars, was also unveiled during the ceremony.
2046 is a 2004 Hong Kong romantic drama film written and directed by Wong Kar-wai.
 It is a loose sequel to Wong's films "Days of Being Wild" (1990) and "In the Mood for Love" (2000).
 It follows the aftermath of Chow Mo-wan's unconsummated affair with Su Li-zhen in 1960s Hong Kong but also includes some science fiction elements and makes frequent references to the date of December 24 or Christmas Eve, on which many significant events in the film occur.
Ceremony for the 16th Hong Kong Film Awards was held on 13 April 1997 in the Hong Kong Cultural Centre and hosted by Lydia Shum and Nancy Sit.
 In total, sixteen winners in fifteen categories were unveiled.
 Peter Chan's "" became the biggest winner for the year with nine awards, setting the record for the highest number of categories won by a single film.
 The event also marked the last time the Hong Kong Film Awards was held while under British colonial rule.
The Hong Kong Film Award for Best Director is an award presented annually at the Hong Kong Film Awards (HKFA).
 It is given to honour the best director of a Hong Kong film.
 The 1st Hong Kong Film Awards ceremony was held in 1982, with no formal nomination procedure established; the award was given to Allen Fong for his direction of "Father and Son."
 After the first award ceremony, a nomination system was put in place whereby no more than five nominations are made for each category and each entry is selected through two rounds of voting.
 Firstly, prospective nominees are marked with a weight of 50% each from HKFA voters and a hundred professional adjudicators, contributing towards a final score with which the top five nominees advance to the second round of voting.
 The winner is then selected via a scoring process where 55% of the vote comes from 55 professional adjudicators, 25% from representatives of the Hong Kong Film Directors' Guild and 20% from all other HKFA Executive Committee Members.
The Hong Kong Film Award for Best Actress is an award presented annually at the Hong Kong Film Awards (HKFA).
 It is given to honour an actress who has delivered an outstanding performance in a Hong Kong film.
 The 1st Hong Kong Film Awards ceremony was held in 1982, with no formal nomination procedure established; the award was given to Kara Hui for her role in "My Young Auntie".
 After the first award ceremony, a nomination system was put in place whereby no more than five nominations are made for each category and each entry is selected through two rounds of voting.
 Firstly, prospective nominees are marked with a weight of 50% each from HKFA voters and a hundred professional adjudicators, contributing towards a final score with which the top five nominees advance to the second round of voting.
 The winner is then selected via a scoring process where 55% of the vote comes from 55 professional adjudicators, 25% from representatives of the Hong Kong Performing Artistes Guild and 20% from all other HKFA Executive Committee Members.

Question: The biggest winners at the 24th Hong Kong Film Awards ceremony were "Kung Fu Hustle" and a romantic drama film directed by who?
Answer: Wong Kar-wai