New Hollywood, sometimes referred to as the "American New Wave", usually refers to a movement in American film history from the mid-to-late 1960s ("Bonnie and Clyde", "The Graduate" and "Easy Rider") to the early 1980s ("Heaven's Gate", "One from the Heart") when a new generation of young filmmakers came to prominence in United States, influencing the types of films produced, their production and marketing, and the way major studios approached film-making.
 In New Hollywood films, the film director, rather than the studio, took on a key authorial role.
 The definition of New Hollywood varies, depending on the author, with some of them defining it as a movement and others as a period.
 The span of the period is also a subject of debate, as well as its integrity, as some authors, such as Thomas Schatz, argue that the New Hollywood consist of several different movements.
 The films made in this movement are stylistically characterized in that their narrative often strongly deviated from classical norms.
Capital and the Debt Trap is a research monograph by Claudia Sanchez Bajo and Bruno Roelants.
 The first four chapters provide a general summary of the current international economic instability, noting that cooperatives have on average performed better than traditional for-profit corporations.
 The next four chapters describe four different cooperatives in four different countries.
 The final chapter provides a summary.
 Cooperatives seem on average to last longer and be more responsive to the needs of customers and the communities in which they operate, because their shared ownership and participative management generally makes labor more flexible while reducing the incentives of upper management to maximize short-term performance at the expense of the long term.
Francis Ford Coppola ( ; born April 7, 1939), also credited as Francis Coppola, is a semi-retired American film director, producer, screenwriter and film composer.
 He was a central figure in the New Hollywood wave of filmmaking.
Robert Towne (born Robert Bertram Schwartz, November 23, 1934) is an American screenwriter, producer, director and actor.
 He was part of the New Hollywood wave of filmmaking.
 He is best known for his Academy Award-winning original screenplay for Roman Polanski's "Chinatown" (1974), which is widely considered one of the greatest screenplays ever written.
 He later said it was inspired by a chapter in Carey McWilliams's "Southern California Country: An Island on the Land" (1946) and a "West" magazine article on Raymond Chandler's Los Angeles.
 Towne also wrote the sequel, "The Two Jakes" (1990); the Hal Ashby comedy-dramas "The Last Detail" (1973) and "Shampoo" (1975); and the first two "" films.
You Make My Head Spin (Japanese: 世界はテメェでまわってる , Hepburn: Sekai wa Temee de Mawatteru ) is a one-shot Japanese manga written and illustrated by Kazuhiko Mishima.
 It is serialized in Biblos's manga magazine, "Be x Boy ", collected in four chapters.
 It is licensed in North America by Digital Manga Publishing, which released the manga through its imprint, Juné, on September 9, 2008.
Hal Ashby (September 2, 1929 – December 27, 1988) was an American film director and editor associated with the New Hollywood wave of filmmaking.
Brian Russell De Palma (born September 11, 1940) is an American film director and screenwriter.
 He is considered part of the New Hollywood wave of filmmaking.
Mishima: A Life in Four Chapters is the soundtrack to the 1985 film "".
 It features music written by Philip Glass and performed by, among others, Kronos Quartet.
 Sections from the soundtrack have been featured in other films and TV shows, including the piece 'Mishima / Opening', which was used to score the end credits of Peter Weir's 1998 film "The Truman Show" in addition to an appearance on an episode of "Mr. Robot".
Prasna Tantra is a famous work of Neelakantha on Horary astrology.
 Neelakantha Daivagnya, the author of Tajika Neelakanthi was the minister and court astrologer of Mughal Emperor Jalaluddin Akbar.
 "Prasna Tantra" is based on the Tajika system of prognostication.
 It comprises 430 slokas divided into four chapters, and is written in the usual Sanskrit Sloka – format.
 It is believed that this work, which is compact and comprehensive, proven and applicable to modern conditions, is the Third Tantra or division of Neelakantha’s larger work, Tajika Neelakanthi.
 "Prasna Tantra" is divided into four chapters, viz – Prasna Vichara (preliminaries), Bhava Prasna (questions bearing on different houses), Vishesha Prasna (special questions) and Prakirnakadhyaya (concluding remarks).
 The aspects considered by this work are those of the Tajika system, an aspect by itself has no orb but planets have orbs of operation; Yogas in this system arise on the basis of applying and separating aspects, the closer the yoga (Ithsala etc.,), the more certain will be the results.
 The rules and methods initiated by this text have found favour with astrologers since the time it was written and came to light around 1580 A.D. Prasna Tantra by Neelakantha and Daivagya Vallabha of Varahamihira are a must to cover Prasna or Horary astrology.
Mishima: A Life in Four Chapters is a 1985 American biographical drama film co-written and directed by Paul Schrader.
 The film is based on the life and work of Japanese writer Yukio Mishima (portrayed by Ken Ogata), interweaving episodes from his life with dramatizations of segments from his books "The Temple of the Golden Pavilion", "Kyoko's House", and "Runaway Horses".
 It was executive produced by Francis Ford Coppola and George Lucas.

Question: Which executive prodicer of Mishima: A Life in Four Chapters was a central figure in the New Hollywood wave of filmmaking ?
Answer: Francis Ford Coppola