Georg Henri Anton "Joris" Ivens (18 November 1898 – 28 June 1989) was a Dutch documentary filmmaker.
 Among the notable films he directed or co-directed are "A Tale of the Wind", "The Spanish Earth", "Rain", "...A Valparaiso", "Misère au Borinage" ("Borinage"), "", "The Seine Meets Paris", "Far from Vietnam", "Pour le Mistral" and "How Yukong Moved the Mountains".
The woman's film is a film genre which includes women-centered narratives, female protagonists and is designed to appeal to a female audience.
 Woman's films usually portray "women's concerns" such as problems revolving around domestic life, the family, motherhood, self-sacrifice, and romance.
 These films were produced from the silent era through the 1950s and early 1960s, but were most popular in the 1930s and 1940s, reaching their zenith during World War II.
 Although Hollywood continued to make films characterized by some of the elements of the traditional woman's film in the second half of the 20th century, the term itself disappeared in the 1960s.
 The work of directors George Cukor, Douglas Sirk, Max Ophüls, and Josef von Sternberg has been associated with the woman's film genre.
 Joan Crawford, Bette Davis, and Barbara Stanwyck were some of the genre's most prolific stars.
The actuality film is a non-fiction film genre that, like the documentary film, uses footage of real events, places, and things, yet unlike the documentary is not structured into a larger argument, picture of the phenomenon or coherent whole.
 In practice, actuality films preceded the emergence of the documentary.
 During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts.
 The line between "fact" and "fiction" was not so sharply drawn in early cinema as it would become after the documentary came to serve as the predominant non-fiction filmmaking form.
 An actuality film is not like a newspaper article so much as it is like the still photograph that is published along with the article, with the major difference being that it moves.
 Apart from the traveling actuality genre, actuality is one film genre that remains strongly related to still photography.
The Seine Meets Paris (French: La Seine a rencontré Paris ) is a 1957 French short documentary film directed by Joris Ivens from a screenplay by Jacques Prévert.
 Told from the perspective of a boat trip through the city, it features scenes of daily life along the river.
 The film won the short film Palme d'Or at the 1958 Cannes Film Festival.
Issy-les-Moulineaux (] ) is a commune in the southwestern suburban area of Paris, France, lying on the left bank of the river Seine.
 It is one of Paris entrances and is located 6.6 km from Notre-Dame Church, which is considered Kilometre Zero of France.
 On 1 January 2010, Issy-les-Moulineaux became part of the Communauté d'agglomération "Grand Paris Seine Ouest", which merged into the Métropole du Grand Paris in January 2016.
A film genre is a motion picture category based on similarities in either the narrative elements or the emotional response to the film (namely, serious, comic, etc.).
 Most theories of film genre are borrowed from literary genre criticism.
 The basic genres include fiction and documentary, from which subgenres have emerged, such as docufiction and docudrama.
 Other subgenres include the courtroom and trial-focused drama known as the legal drama.
 Types of fiction which may seem unrelated can also be combined to form hybrid subgenres, such as the melding of horror and comedy in the "Evil Dead" films.
 Other popular combinations are the romantic comedy and the action comedy film.
OP Eiga (オーピー映画 ) , also known as Ōkura Eiga (大蔵映画 ) is the largest and one of the oldest independent Japanese studios which produce and distribute pink films. Along with Shintōhō Eiga, Kantō, Million Film, and Kōji Wakamatsu's production studio, Ōkura was one of the most influential studios on the pink film genre.
 Among the many notable pink films released by the studio are Satoru Kobayashi's "Flesh Market" (1962), the first film in the pink film genre.
The île des Cygnes or île Maquerelle was an island on the river Seine in Paris.
 It was in the north-west part of the 7th arrondissement, between rue de l'Université and the Seine, the Invalides and the Champ de Mars.
 The Musée du quai Branly is located on it.
The Future of Food is a 2004 American documentary film written and directed by Deborah Koons Garcia to describe an investigation into unlabeled, patented, genetically engineered foods sold in grocery stores in the United States for the past decade.
 In addition to the US, there is a focus on Canada and Mexico.
The Singapore Short Film Awards (abbreviation: SSFA) is an annual event which promotes and recognises excellence in short films in Singapore.
 It began in 2010 and was jointly organised by The Substation and Objectifs, presented by The Substation's Moving Images.
 Created by filmmaker Chai Yee Wei, former Programme Manager of The Substation's Moving Images Low Beng Kheng and current Co-Founder of Objectifs Yuni Hadi, the Singapore Short Film Awards highlights quality work done annually in the short film genre in Singapore - by seeking out new talent, reflecting current standards of the short film genre and to bring together both the veterans and the young talents as a community to create a space for networking and sharing.

Question: The Future of Food and The Seine Meets Paris are both part of which film genre?
Answer: documentary