Groupe de femmes, also called Groupe de trois femmes, or Groupe de trois personnages, is an early Cubist sculpture created circa 1911 by the Hungarian avant-garde, sculptor, and graphic artist Joseph Csaky (1888–1971).
 This sculpture formerly known from a black and white photograph (Galerie René Reichard) had been erroneously entitled "Deux Femmes (Two Women)", as the image captured on an angle showed only two figures.
 An additional photograph found in the Csaky family archives shows a frontal view of the work, revealing three figures rather than two.
 Csaky's sculpture was exhibited at the 1912 Salon d'Automne, and the 1913 Salon des Indépendants, Paris.
 A photograph taken of Salle XI "in sitiu" at the 1912 Salon d'Automne and published in "L'Illustration", 12 October 1912, p. 47, shows "Groupe de femmes" exhibited alongside the works of Jean Metzinger, František Kupka, Francis Picabia, Amedeo Modigliani and Henri Le Fauconnier.
FIAFED (French: Filles d'aujourd'hui, Femmes de demain; "Girls of today, women of tomorrow"), founded June 16, 2000 by Irène Maloba Kayembe, is a non-governmental organization based in the Democratic Republic of the Congo.
 The organisation's goals consist of bringing free education, affordable health care and job training to thousands of families living in several remote villages in the Democratic Republic of the Congo.
Femmes d’Aujourd’hui (meaning "Women of Today" in English) is a French language weekly women's magazine published in Mechelen, Belgium.
 Founded in 1933, it is one of the oldest magazines in the country and the first Belgian women's magazine.
Ornament and Crime was an essay and a lecture by modernist architect Adolf Loos, that criticizes ornament in art, first given on 21 January 1908 in Vienna and first published in "Cahiers d'aujourd'hui" (issue 5 of 1910) under the German title "Ornament und Verbrechen".
 It was under this challenging title that in 1913 the essay was translated into French; it was not published in German until 1929.
 "The evolution of culture marches with the elimination of ornament from useful objects", Loos proclaimed, linking the optimistic sense of the linear and upward progress of cultures with the contemporary vogue for applying evolution to cultural contexts.
 Loos' work was prompted by regulations Loos encountered when he designed a tailorshop without ornamentation next to a palace.
 He eventually conceded to requirements by adding a flowerpot.
Olivier Boissiere (Olivier Boissière, born in 1939) is a French writer and commentator of contemporary art and architecture.
 His profiles, comments, features and interviews have been published in international magazines such as Domus, Abitare, L'Architecture d'Aujourd'hui and Vogue Paris.
 Boissiere is the author of several books about the works of Jean Nouvel, Frank Gehry, Le Corbusier, Ron Arad and Philippe Starck.
 He has been on Jean Nouvel's team more than ten years and still serves as an advisor and consultant to different architecture projects such as the recent winning entry of the team Sou Fujimoto+Manal Rachdi for the "Reinventer Paris" competition.
Ariel Moscovici (born 1956, Bucharest, Romania) is a sculptor born in Romania and based in France.
 His drawings and sculptures have appeared in France at Salons de Mai, Grands et Jeunes d'aujourd'hui, Salon des Réalités Nouvelles, 33rd Salon de la Jeune Sculpture, 3Oth Salon de Montrouge, and others.
 Internationally, his work has been the subject of exhibits and installations in Andorra, Spain, Belgium, Germany, Luxembourg, Korea, Taiwan and Japan.
 Moscovici works have been awarded first prize at the Biennale Internationale de Sculpture Contemporaine, Collioure and purchase awards from the Taipei Fine Arts Museum in Taiwan.
 Moscovici's public art work "Between Sky and Earth", was installed at Taipei 101 in 2003.
Lewis Baltz (September 12, 1945 – November 22, 2014) was a visual artist and photographer who became an important figure in the New Topographics movement of the late 1970s.
 His work has been published in a number of books, presented in numerous exhibitions, and appeared in museums such as the Museum of Modern Art, Paris, Museum of Contemporary Art, Helsinki, San Francisco Museum of Modern Art and The Whitney Museum of American Art, New York.
 He wrote for many journals, and contributed regularly to "L'Architecture d'Aujourd'hui".
Janus was a feminist science fiction fanzine edited by Janice Bogstad and Jeanne Gomoll in Madison, Wisconsin, and closely associated with that city's science fiction convention, WisCon (Several early WisCon program books doubled as special issues of "Janus".)
 It was repeatedly nominated for the Hugo Award for Best Fanzine (1978, 1979 and 1980); this led to accusations that if "Janus" had not been feminist, it wouldn't have been nominated.
 Eighteen issues were published under this name from 1975–1980; it was succeeded by "Aurora SF" ("Aurora Speculative Feminism").
Femmes d'aujourd'hui is the second studio album by Jeanne Mas, released in April 1986 by Pathé Marconi.
 Music for 8 of the 10 tracks was written by Romano Musumarra.
 The French singer Daniel Balavoine also participated in the production of the album (including "Cœur en stéréo").
 Charting from 3 May 1986, it peaked at #1 for two months on the French Albums Chart and featured for 63 weeks in the top 30, most of them in the top ten.
 It was certified Platinum disc and remains Mas' most successful album to date in terms of sales and chart performance.
"En Rouge et Noir" is a 1986 French single recorded by Jeanne Mas, from her album "Femmes d'aujourd'hui".
 It achieved a great success in France, topping the chart during 1986 summer.
 At present, it is undoubtedly the most known song of this artist.

Question: Which written work was published in Belgium, Femmes d’Aujourd’hui or Janus?
Answer: Femmes d’Aujourd’hui