Eva von Sacher-Masoch, Baroness Erisso (1911–1991) was an Austrian aristocrat, great-niece of utopian humanist author Leopold von Sacher-Masoch (1836–1895) whose father Leopold Johann Nepomuk Ritter von Sacher ("Ritter" meaning knight, a title of nobility), combined his own with the von Masoch Slovak aristocratic title of his wife (last in that line) when his loyal services as Commissioner of the Imperial Police Forces in Lemberg (in present-day Ukraine) were rewarded with a new title, , by the Austrian Emperor.
The Masoch Fund is a Ukrainian art association founded in 1991 in Lviv by Roman Viktyuk, Ihor Podolchak and Ihor Dyurych.
 Its artistic practice is connected with the tradition of European actionism and Nicolas Bourriaud’s “relational aesthetics”.
 The Fund is named after Leopold von Sacher-Masoch, which makes a reference to the marginal fields of culture and society and also underlines the locality (Sacher-Masoch was born in Lviv).
Venus in Fur (French: La Vénus à la fourrure ) is a 2013 French drama film directed by Roman Polanski.
 It is based on the play of the same name by American playwright David Ives, which itself was inspired by Leopold von Sacher-Masoch's novel "Venus in Furs".
Venus in Furs (Italian: "Venere in pelliccia" ) (also known as Devil in the Flesh) is a 1969 Italian erotic drama film directed by Massimo Dallamano.
 Based on the novel "Venus in Furs" by Leopold von Sacher-Masoch, the film was first released in 1969 in Germany under the title "Venuz im pelz".
 In Italy, the film did not pass the censorship examination because of the sex scenes deemed too rough and all attempts to overcome the censorship's remarks, with various cut versions, were unsuccessful.
 The film was eventually released in 1973 under the title "Venere nuda", but even this cut version was confiscated after a few days for contempt of decency.
 In 1975, the film was finally released in Italian cinemas under the title "Le malizie di Venere", in a heavily censored version which was altered by a new editing and by the introduction of new scenes filmed by Paolo Heusch, which turned the film plot into a" giallo".
 The new title was a specific reference to the Laura Antonelli's box-office success of two years before "Malizia".
Seduction: The Cruel Woman (Verführung: Die grausame Frau) is a 1985 West German film, directed by and Monika Treut, who both also wrote the screenplay.
 Wanda is played by .
 The film was inspired by Leopold von Sacher-Masoch's "Venus in Furs".
Venus in Furs (German: "Venus im Pelz" ) is a novella by the Austrian author Leopold von Sacher-Masoch, and the best known of his works.
 The novel was to be part of an epic series that Sacher-Masoch envisioned called "Legacy of Cain".
 "Venus in Furs" was part of "Love", the first volume of the series.
 It was published in 1870.
The bibliography of the Austrian author Leopold von Sacher-Masoch (1836—1895) includes a complete, exhaustive list of original books published during the author's lifetime.
The Legacy of Cain (German: "Das Vermächtnis Kains" ; sometimes translated as "Heritage of Cain") is an unfinished cycle of novellas by the 19th century Austrian author Leopold von Sacher-Masoch.
 His original plan was to group various novellas into 6 volumes, each of which was titled according to its central theme; those are "Love", "Property", "State", "War", "Work", and "Death".
 Only the first two volumes, "Love" (1870) and "Property", (1877) were completed.
 By the middle of the 1880s, Masoch abandoned the grandiose idea of "The Legacy of Cain", although some of the novellas intended for the cycle had been published.
The Mother of God is a novel, originally the work of the Austrian author, Leopold von Sacher-Masoch (1836–1895) that was published in 1886 as "Die Gottesmutter" and then in French as "La Mère de Dieu".
 The present English translation, released by William Holmes in January 2015, is the only known version in that language.
Masochism: Coldness and Cruelty (French: "Présentation de Sacher-Masoch" , ) is a 1967 book by Gilles Deleuze, originally published in French as Le Froid et le Cruel (Les Éditions de Minuit, 1967), in which the author philosophically examines the work of the late 19th-century Austrian novelist Leopold von Sacher-Masoch.
 In the "Foreword" Deleuze states that Masoch has a particular way of "desexualising love while at the same time sexualizing the entire history of humanity".
 Deleuze attempts to "cut through" the various forms of expression and content that are the artistic creation of Leopold von Sacher-Masoch.
 He also attempts to develop a problematic of masochism in contradistinction to sadism, concluding that the two forms of 'pornology' are non-communicating, and cannot be integrated into Sadomasochistic entity.
 Deleuze argues that Masochism is something far more subtle and complex than the enjoyment of pain and that Masochism has nothing to do with Sadism.

Question: The best know of Austrian author Leopold von Sacher-Masoch's works was made into a French film in what year?
Answer: 2013