Portrait Werner Herzog (German: Werner Herzog - Filmemacher ) is an autobiographical short film by Werner Herzog made in 1986.
 Herzog tells stories about his life and career.
Werner Herzog Eats His Shoe is a short documentary film directed by Les Blank in 1980 which depicts director Werner Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film "Gates of Heaven".
 The film includes clips from both "Gates of Heaven" and Herzog's 1970 feature "Even Dwarfs Started Small".
 Comic song "Old Whisky Shoes", played by the Walt Solek Band, is the signature tune over the opening and closing credits.
Little Dieter Needs to Fly is a 1997 German-British-French documentary film written and directed by Werner Herzog, produced by Werner Herzog Filmproduktion, and premiered on German television.
 The film was released to DVD in 1998 by Anchor Bay.
Requiem for a Dying Planet (subtitled Sounds for Two Films by Werner Herzog is an album by cellist Ernst Reijseger featuring music for Werner Herzog's 2004 documentary "The White Diamond" and 2005 film "The Wild Blue Yonder" performed with vocalist/poet/performer Mola Sylla and the Voches de Sardinna.
 The original tracks were recorded in 2004 in France and Germany and additional recording undertaken in Germany in 2006 before the album was released on the Winter & Winter label.
Bells from the Deep: Faith and Superstition in Russia, is a 1993 documentary film written and directed by Werner Herzog, produced by Werner Herzog Filmproduktion.
How Much Wood Would a Woodchuck Chuck (German: Beobachtungen zu einer neuen Sprache, literally "Observations of a New Language") is a 1976 documentary film by German director Werner Herzog, produced by Werner Herzog Filmproduktion.
 It is a 44-minute film documenting the World Livestock Auctioneer Championship held in New Holland, Pennsylvania.
 Herzog has said that he believes auctioneering to be "the last poetry possible, the poetry of capitalism."
 Herzog describes the auctioneering as an "extreme language ... frightening but quite beautiful at the same time."
Where the Green Ants Dream (German: "Wo die grünen Ameisen träumen" ) is a 1984 film by German film director Werner Herzog.
 It was Herzog's first film in English.
 Based partly on the "Milirrpum v Nabalco Pty Ltd" case and making use of professional actors as well as Aboriginal activists who were involved in the case, it was a mix of facts and fiction.
 The ant mythology was claimed as Herzog's own, but some natives did consider the green ant as the totem animal that created the world and humans.
 Wandjuk Marika noted that the ant dreaming belief existed in a clan that lived near Oenpelli in the Northern Territory.
 The film is set in the Australian desert and is about a land feud between a mining company called Ayers (based on Nabalco) and the native Aborigines.
 The Aborigines claim that an area the mining company wishes to work on is the place where green ants dream, and that disturbing them will destroy humanity.
 The film was entered in the 1984 Cannes Film Festival.
Lucki Stipetić (also Lucki Herzog) is a German film producer, and the younger half brother of filmmaker Werner Herzog.
 Stipetić is the official head of Werner Herzog Filmproduktion, the production company which has produced almost all of Herzog's films.
La Soufrière – Warten auf eine unausweichliche Katastrophe ("La Soufrière – Waiting for an Inevitable Disaster") is a 1977 West German documentary film in which German director Werner Herzog visits an island on which a volcano is predicted to erupt.
 The pretext of this film was provided when Herzog "heard about the impending volcanic eruption, that the island of Guadeloupe had been evacuated and that one peasant had refused to leave, [he] knew [he] wanted to go talk to him and find out what kind of relationship towards death he had" (Cronin).
 Herzog explores the deserted streets of the towns on the island.
 The crew of three treks up to the caldera, where clouds of sulfurous steam and smoke shift drift like "harbingers of death" (Peucker), an example of the sublime Herzog seeks to conjure in his films.
 Herzog converses in French with three different men he finds remaining on the island: one says he is waiting for death, and demonstrates his posture for doing so; another says he has stayed to look after the animals.
 In the end, the volcano did not erupt, thus sparing the lives of those who had remained on the island, including Herzog and his crew.
Born Rich is a 2003 documentary film (filmed primarily between 1999-2001) about the experience of growing up in wealthy families.
 It was created by Jamie Johnson, an heir to the Johnson & Johnson fortune.
 The film consists primarily of Johnson interviewing 10 other young heirs.
 These interviews are offset by Johnson's exploration of his own experience and family as he comes into a large inheritance on his 21st birthday.
 He seeks out how to be a productive person, avoiding the dysfunction that he sees affecting many of the very rich.
 The film explores the taboo the ultra rich have against about talking about their wealth.
 Johnson believes this secrecy about wealth causes the wealthy to be dysfunctional, and exists because the discussion of their wealth challenges the notion that America is a meritocracy and their right to have their wealth.

Question: Which was released first, Born Rich or Werner Herzog Eats His Shoe?
Answer: Werner Herzog Eats His Shoe