Anna Elisabeth Söderström {'1': ", '2': ", '3': 'CBE', '4': "} (married name Olow; 7 May 192720 November 2009) was a Swedish soprano who performed both opera and song, and was known as a leading interpreter of the works of Janáček, Rachmaninov and Sibelius.
 She was particularly well known for her recordings of the lead soprano roles in the three Janáček operas "Jenůfa", "Káťa Kabanová", and "The Makropoulos Affair", all of which received "Gramophone" Awards.
 The "Gramophone" critic John Warrack described her portrayal of Káťa Kabanová as "establishing by an infinity of subtle touches and discreet, sensitive singing the picture of Káta as the richest and most human character in the drama."
Eve Queler (born January 11, 1931) is an American conductor and the "emerita" Artistic Director of the Opera Orchestra of New York (OONY).
 She founded the OONY in 1971, after having worked on the staff of the Metropolitan Opera and the New York City Opera.
 She is notable for her advocacy for, and conducting of, lesser known and less-frequently performed operas, such as "Rienzi" and "Jenůfa".
Jenůfa    (Její pastorkyňa, "Her Stepdaughter" in Czech) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play "Její pastorkyňa" by Gabriela Preissová.
 It was first performed at the Brno Theater, Brno, 21 January 1904.
 It was written between 1896 and 1902, and counts among the first operas written in prose.
Adolf Čech (11 December 184127 December 1903) was a Czech conductor, who premiered a number of significant works by Antonín Dvořák (the 2nd, 5th and 6th symphonies, more than any other conductor; other important orchestral works, four operas, the "Stabat Mater"), Bedřich Smetana ("Má vlast", five operas), Zdeněk Fibich (two operas) and other Czech composers.
 He also led the first performances outside Russia of two operas by Pyotr Ilyich Tchaikovsky and the Czech premieres of seven operettas by Jacques Offenbach.
 He was also a bass singer and a translator of opera librettos.
Oberon Books is a small but prolific independent publishing house, specialising in theatre, drama and the performing arts.
 Oberon publishes many playwrights working today, including Duncan Macmillan, Richard Bean, Lulu Raczka, Alice Birch, Robert Icke, Tanika Gupta, Mojisola Adebayo and Laura Wade – to name but a few.
 Oberon also has a backlist of over 1500 plays including some of the best of British theatre since the 1940s, including theatre in translation and well-known classics from the world's leading dramatists.
 Oberon also publish a number of biographies and autobiographies from the world of theatre and dance, as well as a range of dance photography books, including Carlos Acosta at the Royal Ballet, and Natalia Osipova: Becoming a Swan.
Oberon, or The Elf King's Oath is a 3-act romantic opera in English with spoken dialogue and music by Carl Maria von Weber.
 The libretto by James Robinson Planche was based on a German poem, "Oberon", by Christoph Martin Wieland, which itself was based on the epic romance "Huon de Bordeaux", a French medieval tale.
Marie Wilt (also Maria Vilda and Marie Liebenthaler) (30 January 1833 – 24 September 1891) was an Austrian dramatic coloratura soprano.
 Possessing a wide vocal range with a significant amount of power and flexibility, Wilt sang a wide repertoire that encompassed the operas of Wolfgang Amadeus Mozart, the German operas of Richard Wagner, the grand operas of Giuseppe Verdi, and the bel canto operas of Bellini, Rossini, and Donizetti.
 She sang for many years at the Vienna Hofoper (now Vienna State Opera) and for a number of seasons at the Royal Opera House, Covent Garden in London.
 She notably portrayed the role of Sulamith in the world premiere of Karl Goldmark's "Die Königin von Saba" in 1875.
 Also a regular performer of the concert repertoire, Wilt often appeared in performances of works by Beethoven, Haydn, and Mendelssohn.
Oberon, or The Elf King (German: "Oberon oder König der Elfen" ), or simply Oberon, originally known as Huon and Amanda (German: "Hüon und Amande" ), is a romantic Singspiel in five acts by Friederike Sophie Seyler, based on the poem "Oberon" by Christoph Martin Wieland, which itself was based on the epic romance "Huon of Bordeaux", a French medieval tale.
 It has been named for two of its central characters, the knight Huon and the fairy king Oberon, respectively.
Styled a "festa teatrale", "Le feste d'Apollo" consists of a prologue and three self-contained acts on the model of French "opéra-ballet" (the court of Parma was passionately interested in French culture).
 Gluck knew the Archduchess Maria Amalia well as she had sung in two of his operas, "Il Parnaso confuso" and "La corona", in Vienna.
 The composer recycled a lot of music from his earlier operas in the score of "Le feste".
 In fact, the whole of the third act, "Orfeo", is a shorter reworking of his most famous piece, "Orfeo ed Euridice" (1762).
 The overture to the prologue is taken from "Telemaco".
 Gluck later reused some of the choruses in two of the operas he wrote for Paris, "Iphigénie en Aulide" and "Iphigénie en Tauride".
Cenap Samet a.k.a. Dzenap Samet, or Џенап Самет, (born 2 April 1980, Skopje, Macedonia) is Macedonian-Turkish actor.
 Samet has acted on the TV series "Elveda Rumeli" (Farewell Rumelia), "Balkan Düğünü" (The Balkan wedding), "Son Yaz - Balkanlar 1912" (Last Summer - Balkans 1912), "Büyük Sürgün Kafkasya" (Caucasian Exile) He also acts at the Turkish Theatre in Skopje.
 Samet has acted in more than 20 plays including: "La Dame de chez Maxim" (as Faik), "Storm" (as Trinculo – Stephano), "Noises Off" (as Loyd), "Poor Women" (as Apo), "Leonce and Lena" (as King Peter), "Romeo & Juliet" (as Capulet (member of all family)), "Waiting for Godot" (as Pozzo), "A Midsummer Night's Dream" (as Nick Bottom and Oberon)... and others.
 Also he had a role in the movie "A Misleaded" and some others

Question: Do both operas Jenůfa and Oberon have the same number of acts?
Answer: yes