Adolf Bastian (26 June 18262 February 1905) was a 19th-century polymath best remembered for his contributions to the development of ethnography and the development of anthropology as a discipline.
 Modern psychology owes him a great debt, because of his theory of the "Elementargedanke", which led to Carl Jung's development of the theory of "archetypes".
 His ideas had a formative influence on the "father of American anthropology" Franz Boas, and he also influenced the thought of comparative mythologist Joseph Campbell.
The Gemlich letter refers to a letter written by Adolf Hitler at the behest of Karl Mayr to Adolf Gemlich, a German army soldier.
 The letter, written in 1919 in response to a request for clarification on the Jewish question, is thought to be the first known piece of antisemitic writing by Hitler.
 The first political piece by Hitler, it is thought to have established his credentials as a radical rightist and, amongst conservative groups, as the man who could overthrow the Weimar republic.
 Because the letter is the first record of Hitler's antisemitic views, and because it brought Hitler into politics, it is considered an important document in Holocaust studies.
A New Era of Thought is a non-fiction work written by Charles Howard Hinton, was published in 1888 and reprinted in 1900 by Swan Sonnenschein & Co. Ltd., London.
 "A New Era of Thought" is about the fourth dimension and its implications on human thinking.
 It influenced the work of P.D. Ouspensky, particularly his book "Tertium Organum" where it is frequently quoted, "Scientific American" writer Martin Gardner, who mentioned this book in some of his articles, and influenced Rudy Rucker's "The Fourth Dimension".
 It is prefaced by Alicia Boole and H. John Falk.
 "A New Era of Thought" is inspired by Plato's allegory of the cave and is influenced by the works of Immanuel Kant, Carl Friedrich Gauss and Nikolai Lobachevsky.
 The book has xvi and 230 pages.
Mahimangad Fort (Man T; 17 40' N, 74 25' E; RS.
 Koregaon 20 m. W; p. 3,591), in Man lies within the village limits of Sindi Budruk about five and a half miles west of Dahivadi.
 The easiest way to it is by the Satara-Pandharpur road to a point about half a mile west of the pass descending into the lower parts of the Man taluka.
 From this point a broad track branches off northwards to the fort which lies not more than half a mile from the road.
 There are three hamlets close on the north of the fort which towers about 250 feet above them.
 It consists of a flat nearly triangular table land with the apex to the east surmounting a perpendicular scarp of black trap below which are steep slopes of short grass with a little soil.
 The sides are overgrown in places with prickly pear especially on the north-west corner.
 The ascent should be made from the second hamlet which will be encountered on approaching the Pandharpur road from the north-west.
 A path about five feet wide with rude steps at intervals of almost every yard takes to the fort.
 A steep walk of about five minutes leads up to the gateway, the immediate approach to which is in places almost blocked by prickly pear.
 The path which leads up the side in a south-east direction here takes a turn at nearly right angles to the south-west.
 But before entering, the visitor will probably go some fifteen yards further to see a small tank cut in the rock, the site of an excellent spring always full of water and furnishing the neighbouring hamlets with their hot weather supply.
 The gateway has been cut in the scarp about thirty feet below the summit.
 The passage cut is about six feet wide but the gateway narrows to about five feet.
 It consisted as usual of a single pointed arch about seven feet high of well cut masonry the top of which has fallen in.
 Inside are twenty-two rock-cut steps which wind through a right angle and lead to the top facing east.
 The inner side of the curve is as usual protected and the way up the steps proportionately narrowed by a curtain of solid masonry.
 On emerging on the top and proceeding east along the north face of the fort on right hand is a small hillock on which stood the office now in ruins.
 A little further on is a water tank thirty feet square, originally built of well cut masonry, but now a great deal fallen in.
 Near it are two small tanks lined with cement for the storage either of grain or water, and to the south of these is a large pit roughly hewn out of the rock, perhaps intended for prisoners as in Varugad.
 About fifty yards further east is a turret of considerable size the masonry of which is solid and on which a gun was planted.
 This turret stretches right across the fort but underneath it on the southern side is an archway about four feet high by two broad.
 But creeping through it is reached the eastern end which tapers off nearly to a point.
 The fort is about a hundred yards long by forty wide.
 The walls are about five or six feet high and the masonry, except the top layer, is in fair preservation.
 At the east end is one, and at the west end are two bastions at the north-west and south-west angles.
 Originally all three were crowned with guns and there are still remains of parapets on them.
 On the east bastion is a small stone placed erect for a ling and worshipped as the image of the god Jajarnath Mahadev.
 A small fair is held in honour of the god and the existence of this shrine explains how the path up to the fort is in good order.
 There is also a ruined building of loose stones near the south-west bastion in honour of some Muhammedan saint or pir.
Erdélyi Bastion is a bastion at Buda Castle in Budapest, Hungary.
 It is sometimes calle the Transylvanian bastion.
 It is the strongest part of the fortification South from Bécsi kapu.
 Its floor plan is multi cornered; it looks like an Old Italian fortification.
 It may have been designed by Domenico da Bologna, although Paolo Giovio wrote that it had been built by János Szapolyai during the 1530s.
 The bastion is 50 meters long and 22 meters wide.
 Its wedge shaped facades are connected to the wall of the castle with wings.
Joseph John Campbell (March 26, 1904 – October 30, 1987) was an American mythologist, writer, and lecturer, best known for his work in comparative mythology and comparative religion.
 His work covers many aspects of the human experience.
 Campbell's "magnum opus" is his book "The Hero with a Thousand Faces" (1949), in which he discusses his theory of the journey of the archetypal hero found in world mythologies.
 Since the book's publication, Campbell's theory has been consciously applied by a wide variety of modern writers and artists.
 His philosophy has been summarized by his own often repeated phrase: "Follow your bliss."
A man cave or manspace, and less commonly a manland or mantuary is a male retreat or sanctuary in a home, such as a specially equipped garage, spare bedroom, media room, den, or basement.
 The term "man cave" is a metaphor describing a room inside the house such as the basement or garage or attic or office, or outside the house such as a wood shed or tool room where "guys can do as they please", without fear of upsetting any female sensibility about house decor or design.
 Paula Aymer of Tufts University calls it the "last bastion of masculinity".
 The phrase is thought to come from the 1993 publication, "Men Are from Mars, Women Are from Venus".
Freedom of Speech: Lessons from Lenny Bruce is a work of theatre written by Amanda Faye Martin and devised and directed by Sam Weisman along with the cast.
 It is a play that focuses on the modern politically charged time, in which a comedy club becomes the last bastion for freedom of speech as six college students navigate the inherent boundaries of inclusivity.
 The play was influenced by the works of comedian Lenny Bruce and the newly opened Lenny Bruce collection at the Robert D. Farber Archives at Brandeis University.
 The play premiered at Brandeis University on 10/26/16, and was then featured at a variety of venues around the Greater Boston area.
Scott Baker (born 1947 in Chicago) is an American science fiction, fantasy, and horror writer.
 (Though his middle initial is M., he should not be confused with the horror writer who publishes under the name Scott M. Baker.)
 Baker grew up in Wheaton, Illinois, once a stop on the Underground Railroad, but more recently a bastion of evangelical fundamentalism and political conservativism, resistance to which has been one of the dominant influences on his life and writing.
 After graduating from New College in Florida, co-owning a leather shop in Provincetown, Massachusetts, and then dropping out of the doctoral program at the UC Irvine, he spent a number of years as a hippy, camping near Tassajarra Zen Center in the Los Padres National Forest and passing much of the rest of his time in various bars.
 Forced to the realization that he was not having enough fun as a would-be hedonist to justify the lifestyle, he decided to become a full-time writer.
 On the way there he became what may be the only person to hold a Masters of Arts degree in Speculative Fiction (Goddard College).
 After 20 years in Paris, where he worked as a publisher's reader for several French publishers and, less artistically, as a financial translator for French brokerage houses, he now lives in Pacific Grove, California.
 His first novel, "Symbiote's Crown" ("l'Idiot-roi") received the French "Prix Apollo" award.
 This novel was science fiction.
 He won a World Fantasy Award for Best Short Fiction in 1985 for "Still Life with Scorpion", and has been nominated for the award three other times.
 Baker was co-author of the screenplay for the French film LITAN, which won the "Prix de la Critique" (Critic's Prize) at the Avoriaz Fantastic Film Festival in 1982, and has worked on a number of other French films.
 He wrote some of the websites for WHO KILLED EVAN CHANG?
, the web tie-in for Steven Spielberg’s film, AI (Warner Brothers, 2001).
 He has been a judge for the World Fantasy Award and the Philip K. Dick Award.
 Now in semi-retirement, he devotes most of his time to playing tennis, at which he is tenacious but not particularly gifted.
The Battle of Pozières (23 July – 3 September 1916) took place in France around the village of Pozières, during the Battle of the Somme.
 The costly fighting ended with the British in possession of the plateau north and east of the village, in a position to menace the German bastion of Thiepval from the rear.
 The Australian official historian Charles Bean wrote that Pozières ridge "is more densely sown with Australian sacrifice than any other place on earth."

Question: Adolf Bastion influenced the thought of a man who wrote what? 
Answer: The Hero with a Thousand Faces