The Bust of Francesco Barberini is a marble sculpture by the Italian artist Gian Lorenzo Bernini, now in the National Gallery of Art in Washington, D.C..
 It was executed in 1626.
 It was commissioned by Pope Urban VIII, who was nephew of Francesco Barberini, an apostolic protonotary.
 Francesco had actually died in 1600 so Bernini created the bust from an existing painted portrait.
 The painted portrait is in Corsini Collection in Florence; Bernini made close use of the design, although the painting was a three quarter portrait as opposed to a bust of head, shoulders and upper body.
The bust of Matthew E. Welsh is a public artwork by American artist Daniel Edwards.
 It is located on the third floor of the Indiana Statehouse, which is in Indianapolis, Indiana, United States.
 The bronze bust depicts Matthew E. Welsh, the 41st governor of Indiana (1961–1965).
 The bust measures 23.5 x 12.75 x 12 inches and has a wooden base which measures 4 x 14.75 x 10.5 inches.
 In 1996, one year after Welsh's death, the Indianapolis law firm of Bingham, Summers, Welsh & Spilman commissioned artist Daniel Edwards to sculpt the bust of Welsh.
 The bust was dedicated in a ceremony at the Indiana Statehouse on December 20, 1996.
Boom, Bust, Exodus: The Rust Belt, the Maquilas, and a Tale of Two Cities by Chad Broughton is the narrative nonfiction account of a Maytag appliance factory that relocates from Galesburg, Illinois, a small city at the western edge of the American Rust Belt, to Reynosa, Tamaulipas, a booming city at the U.S.-Mexico border.
 The book provides a detailed account of these two places as they change over time drawing on industrial histories, ethnographic observation, oral history interviews, and fieldwork on both sides of the border.
 In the Galesburg chapters, "Boom, Bust, Exodus" explores how blue collar families cope, adapt, and, in some cases, thrive, in the decade after the devastating 2004 layoffs.
 In Reynosa, which in 2015 had nearly 100,000 industrial jobs in the maquiladora (export-oriented factories) sector, "Boom, Bust, Exodus" offers a ground-level look at Mexico's rapid transition to a globalized economy.
 In addition, to tell Reynosa's story, Broughton takes the reader to rural Veracruz—from which many of the maquiladora workers have migrated—in order to more fully understand the brave new world of North American economic integration.
 According to the publisher, ""Boom, Bust, Exodus" gives us the voices of those who have borne the heaviest burdens of the economic upheavals of the past three decades.
 A deeply personal work grounded in solid scholarship, this important, immersive, and affecting book brings home the price and the cost of globalization."
BUST is a women's lifestyle magazine that is published six times a year.
 The magazine is published by Debbie Stoller and Laurie Henzel.
The Bust of Alessandro Peretti di Montalto is a portrait sculpture by the Italian artist Gian Lorenzo Bernini.
 Executed in 1622 and 1623, the sculpture is currently housed in the Kunsthalle Hamburg, in Germany.
 Although possibly mentioned by one of Bernini's early biographers, the bust had been considered lost and therefore makes no appearance in Rudolf Wittkower's catalogue of Bernini’s sculptures of 1955.
 However, the bust was identified in the 1980s and is now considered an authentic work by Bernini.
The Veiled Nun is an 1860 marble bust depicting a female figure.
 Despite the name, the woman depicted is not a nun.
 Sculpted by Italian artist Giuseppe Croff, it is considered one of the artist's greatest works.
 The bust was popular with visitors to the Corcoran Gallery of Art in Washington, D.C. from 1874 until the museum closed in 2014.
 The bust is now displayed in the National Gallery of Art.
Benjamin Harrison is a bust by American artist Richard Peglow, located in the north atrium on the second floor of the Indiana Statehouse, which is in Indianapolis, Indiana, United States.
 The bust is cast in bronze and depicts President Benjamin Harrison.
 The bust is placed in front of a grey and black marble shield with six stars tracing around the edge of the shape.
 The bust and shield are approximately 28 inches wide by 25 inches high and has a depth of 14.5 inches.
 The artwork was cast and placed in the statehouse in 2008 in accordance with Indiana code Section 2.
 IC 4-20.5-6-12.
Gustave Lefebvre (17 July 1879 – 1 November 1957) was a French Egyptologist.
 As Inspector for Middle Egypt for the Egyptian Antiquities Service headed by Gaston Maspero, he (mis)managed the partage of Ludwig Borchardt’s excavations at el-Amarna, Egypt, on January 20, 1913.
 Borchardt and Lefebvre had come to an agreement where the artifacts found the year before by Borchardt's team would be split between the German Oriental Company (which financed the excavation) and the country of Egypt "à moitié exacte," or 50-50.
 The bust of Nefertiti, discovered in the sands of the studio of the sculptor Thutmose, and was a piece that Borchardt wanted for Germany.
 Recent evidence proves that Borchardt manipulated his way into keeping the bust.
 Borchardt first showed the Egyptian official a photograph of the bust "that didn't show Nefertiti in her best light".
 In the accompanying documents, the object was listed as a painted plaster bust of a princess.
 When Gustave Lefebvre came for inspection, the bust was tightly wrapped up in the bottom of a box.
 The document reveals that Borchardt claimed the bust was made of gypsum (a very low-grade material) to mislead the inspector.
 Borchardt was one of the leading Egyptologists in the world, and knew that the bust was actually made out of limestone.
 The bust was one of the artifacts at the top of the exchange list but was never asked for by the Egyptians in 1913.
 The bust of Nefertiti was granted to Germany according to the provisions of Law No. 14 of 1912, and is today a primary exhibition of the Neues Museum in Berlin.
 Time Magazine lists the bust of Nefertiti as one of the Top Ten Plundered Artifacts
Olivia is a monthly Finnish women's magazine published in Finland.
Johann Wolfgang von Goethe is an outdoor bronze portrait bust of German writer Johann Wolfgang von Goethe by sculptor Karl Fischer, located on the south side of Bryant Park in Manhattan, New York.
 It is a replica of an iron and copper bust created by Kischer around 1832, the year of Goethe's death.
 Acquired by the Goethe Society of American in 1987, it was displayed at the Metropolitan Museum of Art until it was relocated to Bryant Park in 1932.
 Following its installation there, the iron and copper bust was replaced with a bronze casting and dedicated on February 15, 1932.
 The sculpture was refurbished in 1992 by the Bryant Park Restoration Corporation.
 The sculpture sits on a Swedish black granite pedestal.

Question: Bust and Olivia are both what?
Answer: magazine