What Next for Labour?
 Ideas for a New Generation is a book released in 2011, edited by Labour blogger and activist Tom Scholes-Fogg and former Liberal Democrat supporter Hisham Hamid.
 The book is an edited compilation of 29 essays written by members of the British Labour Party including Members of Parliament, peers and activists.
 The book seeks to present ideas from all areas of the party's political spectrum, discussing the central theme of the future of the Labour Party following the 2010 general election.
 Topics covered include suggestions for the ideological direction of the party post–New Labour, policy ideas and broad analysis of Labour's time in government.
 Contributors include Peter Watt, Lord West of Spithead, Baroness Goudie, Rupa Huq, Aaron Porter, Ann Black, William Bain, Lord Temple-Morris, David Hanson, Siôn Simon, Graham Stringer, Lord Hunt of Kings Heath, Nick Palmer, Tony Lloyd, Bill Esterson, Lord Knight of Weymouth and Eric Joyce.
 The publication is the first book by both Tom Scholes-Fogg and Hisham Hamid.
Ira Spring (1918–2003) was an American photographer, author, mountaineer and hiking advocate.
 He was the photographer and co-author, with Harvey Manning and his brother Bob Spring, of the ""100 Hikes"" series of books published by The Mountaineers.
 He co-founded the trails advocacy and maintenance organization Washington Trails Association (WTA) along with fellow trails advocate Louise Marshall.
 In 1998 he published an autobiography entitled "An Ice Axe, a Camera, and a jar of Peanut Butter" detailing his long photographic career on several continents.
 In recognition of this work in conservation and wilderness-preservation, he was presented with the Roosevelt Conservation Award by President George H. W. Bush in 1992.
 Spring was born in Jamestown, New York with a twin, Bob, and grew up in Shelton, Washington.
 He was an army aerial photographer in World War II.
 He died on June 5, 2003 in Edmonds, Washington of prostate cancer.
Ablaze is a 2001 American film, starring John Bradley, Tom Arnold and Michael Dudikoff.
 It was directed by Jim Wynorski.
 The film uses stock footage from two other films.
 The car chase scene at the beginning of the film is edited from the 1993 film "Striking Distance".
 Ablaze also uses several footage from the film "City on Fire" during the entire movie.
 The film also contains stock footage from the 1970s TV Show "Emergency!
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Louise Manning Hodgkins (August 5, 1846 - November 28, 1935) was a 19th-century American educator, author, and missionary newspaper editor from Massachusetts.
 After completing her studies at Pennington Seminary and Wilbraham Wesleyan Academy, she became a teacher and preceptress at Lawrence College, before receiving a Master of Arts degree from that institution in 1876.
 She taught at Wellesley College for over a decade before turning her attentions to writing and editing.
 Her main works included "Nineteenth Century Authors of Great Britain and the United States", "Study of the English Language", and "Via Christi".
 She served as editor of "The Heathen Woman's Friend", the first organ of the Woman's Foreign Missionary Society of the Methodist Episcopal Church, and also edited "Milton lyrics : L'allegro, Il penseroso, Comus, and Lycidas" and Matthew Arnold's "Sohrab and Rustum".
Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools.
 He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator.
 Matthew Arnold has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues.
Oakfield; or, Fellowship in the East is a novel by William Delafield Arnold, first published in 1853.
 The book is one of the earliest novelistic accounts of life in British India, and its plot strongly mirrors the biography of its author.
 Set in India in the years surrounding the First Afghan War, the novel describes the unhappy experiences of the eponymous Edward Oakfield, an Oxford graduate who, we are told, enlisted in the East India Company's military service because he had grown tired of the metaphysical debates dominating that university.
 In India, Oakfield is repelled by what he sees as an absence of Christian gentlemanliness among the Company's military officers, and he soon retreats to introspection and the comradeship of a few, thinly spread, kindred spirits.
William Manning (1747–1814) was a New England farmer, foot soldier and author.
 After fighting in the American Revolutionary War, he began to believe that his service and labor meant little to those in charge.
 He soon became a member of the Jeffersonian Republican Party (otherwise known as the Democratic-Republican Party) in response to the day’s ruling Federalist Party.
 As the years passed and his distrust in government grew, he wrote multiple papers on what he deemed was the corruptness of the “Few” and what the “Many” endured because of it.
 In 1798, Manning wrote his most famous work, "The Key of Libberty" (later corrected to "The Key of Liberty"), in which he wrote that the goal of the Few was to distress and force the Many into financially depending on them, creating a continued cycle of dependence.
 He continued that the Many’s only hope was to vote for leaders that would fight for those with lesser power and urge for smaller government.
 His work, however, would not be published for more than a century, mostly due to its controversial content.
Alembic was a poetry magazine established by Peter Barry, Ken Edwards, and Robert Gavin Hampson, which appeared eight times during the 1970s.
 The first issue appeared in 1973: it was a collection of poems by Barry, Edwards, Hampson and Jim Stewart with graphic work by John Simpson, Robert Snell and Sibani Raychaudhuri.
 The work was printed on different colours and sizes of paper - and contained in a plastic bag.
 It was sold at the Edinburgh Festival of 1973, where Hampson was working with the Liverpool-based multimedia group Zoom Cortex.
 (See Adrian Henri, "Events and Happenings", Thames and Hudson, for Zoom Cortex.)
The second issue maintained the same format (a collection of loose pages in a plastic bag) but with an increased number of poets.
 Richard Kostelanetz's assemblages have been described by the editors as their model for this mode of publication.
 With the third issue, the magazine adopted the standard little-magazine format of the time: A4 pages, card cover, stapled.
 Alembic 3, 4 and 5 also marked a more self-conscious engagement with contemporary London-based experimental poetry.
 "Alembic" 3 (Spring 1975) announced the intention to engage with "one area of contemporary creative practice' in each issue in order to represent the range of poetry being written in the UK.
 This issue focused on contemporary work that had its roots in surrealism.
 It included Lee Harwood's essay 'Surrealist Poetry Today', which had been a talk given at the Poetry Society, and it included work by Harwood, Paul Matthews, Jeff Nuttall, Heathcote Williams and others.
 "Alembic" 4 was edited solely by Hampson and was dedicated to open field poetry and the idea of place.
 Allen Fisher was the featured poet: in addition to work by him, there was also an interview with him conducted by Barry and Edwards.
 This issue also included work by Roy Fisher, Eric Mottram, and a small number of American poets, including Alan Davies, who was to be associated with LANGUAGE poetry.
 "Alembic" 5 (Autumn 1976)was edited solely by Edwards and focused on experimental prose, including work by Paul Buck, Opal Nations, Jeff Nuttall, Maxim Jakubowski, David Miller, the Canadian writer Greg Hollingshead and James Sherry, who was also associated with LANGUAGE poetry.
 This issue was also the first to be offset.
 (Like "Alembic" 4.
 it had a wrap around cover rather than card.)
 "Alembic" 6 (Summer 1977)was again solely edited by Hampson.
 It included further work by contributors to earlier issues.
 The featured poet was the Australian poet David Miller: as well as poems and essays by Miller, there was also poetry by Robert Lax and a reprint of work by Charles Madge, on both of whom Miller had written.
 In addition, there was also work by Rosmarie Waldrop, Tom Leonard, Elaine Randell and Barry MacSweeney.
 "Alembic" 7 (Spring 1978), edited by Edwards and Hampson out of Lower Green Farm, was the 'Assemblage Issue', assembled by inviting a range of poets and visual artists to provide the contents.
 It included work by Jeremy Adler, Paul Buck, Herbert Burke, Paula Claire, cris cheek, Bob Cobbing, Glenda George, Robert Sheppard, E. E. Vonna-Michel, Lawrence Upton and others.
 A particular feature of this issue was that every cover was different: they were hand-printed by Vonna-Michel with a rubber-stamp used for the title.
 "Alembic" 9 (to be edited by Hampson) was promised, but never appeared: Edwards had begun to publish "Reality Studios" as a slimmer, faster and more frequent publication.
 This eventually metamorphosed (through an amalgamation with Wendy Mulford's Street Editions) into Reality Street, which has been a major publisher of experimental poetry and prose since the 1980s.
William Delafield Cook AM (1936–2015) was an Australian artist who was known for his stark landscapes.
William Delafield Arnold (7 April 1828 – 9 April 1859) was a British author and colonial administrator.

Question: Which work by the brother of Tom and William Delafield Arnold was edited by Louise Manning Hodgkins?
Answer: Sohrab and Rustum