Giant Robot is the second studio album by avant-garde guitarist Buckethead (not to be confused with the 1996 "Giant Robot", also featuring Buckethead) and loosely following the same "amusement park" concept as his previous album "(Bucketheadland)".
 It has some re-hashed songs from Buckethead's band Deli Creeps, as well his earlier demo tape "Bucketheadland Blueprints".
 One could describe this album as a more "rock" or "musical" album.
 Re-hashed songs have lost their "basement" or "video game" sounding beats and guitar licks compared to his debut album.
 Again, the album was originally a Japanese only release.
Ideas and Discoveries or i.D. is a magazine covering science, with heavy interest in social science.
 The magazine was first published on 10 December 2010.
 It is an American magazine available in newsstands, published on a bi-monthly basis.
 It is part of the Bauer Media Group.
 This magazine is modeled after the German magazine "Welt der Wunder".
 It is a relatively new magazine, with limited content exposure from its website.
Michael Andrew Hakopian, better known as Pinchface is the drummer of the Deli Creeps, Giant Robot II, and the Cornbugs.
 He has also appeared on numerous Buckethead albums, such as "Population Override" and "Giant Robot" (tracks "I Come In Peace" and "Star Wars").
 He has also appeared on numerous occasions in Buckethead's "Binge Clip Videos".
 In 2006 he toured the United States with Buckethead and Delray Brewer.
 He also works as a real estate agent according to his Facebook page.
Giant Robot was a bi-monthly magazine of Asian and Asian American popular culture founded in Southern California in 1994.
 It was initially created as a small, punk-minded magazine that featured Asian pop culture and Asian American alternative culture, including such varied subject matter as history, art, music, film, books, toys, technology, food and skateboarding.
 The publication grew from its original format—a small, photocopied zine, folded and stapled by hand—to its current full-color format."
 Giant Robot" was one of the earliest American publications to feature prominent Asian film stars such as Chow Yun-fat and Jet Li, as well as Asian musicians from indie and punk rock bands.
 The coverage later expanded into art, design, Asian American issues, travel, and much more.
Sculptural Pursuit was a quarterly art/literary magazine published by Hammer & Pen Productions, a Denver, Colorado publishing company.
 The magazine focuses on sculpture, its collectors and enthusiasts, but painting and poetry are also frequently featured.
Giant Robot is the self-titled debut studio album by Giant Robot, led by guitarist Buckethead.
 The album was released in 1996.
 Buckethead had released a solo album entitled "Giant Robot" in 1994, and to distinguish the two albums, fans refer to this recording as "Giant Robot NTT", after the small recording company, NTT Records.
Film Comment is an arts and culture magazine now published by the Film Society of Lincoln Center, of which it is the official publication.
 "Film Comment" features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.
 Founded in 1962 and originally released as a quarterly, "Film Comment" began publishing on a bi-monthly basis with the Nov/Dec issue of 1972.
 In 2007, the magazine was awarded the Utne Independent Press Award for Best Arts Coverage.
 The magazine's editorial team also hosts the annual Film Comment Selects at the Film Society of Lincoln Center.
"Buddy Complex" is a 2014 Japanese mecha anime series produced by Sunrise in collaboration with Bandai Visual, Bandai Channel, Lantis, Banpresto, and Bandai Namco Games under Bandai Namco Holdings.
 The anime series is original creation of Hajime Yatate and is directed by Yasuhiro Tanabe with series composition by BC project, original character designs and animation direction by Asako Inayoshi and Tomoshige Inayoshi, soundtrack music by Tatsuya Kato and 3D CG by Orange.
 The series follows Aoba Watase, an ordinary high school boy who lived an average, everyday life commuting to high school in the city.
 On the first day back after summer break, Aoba is attacked by a giant robot that appears out of the sky.
 As he's pursued through the city, his classmate Hina Yumihara appears in a giant robot of her own.
 She rescues him, and tells him cryptically that "Dio is waiting," before she sends Aoba into the future and then disappears.
 When Aoba wakes up, he finds himself over seventy years into the future, where the Free Pact Alliance and the Zogilia Republic are at war with each other and there he meets young pilot named Dio Jyunyou Weinberg.
 This begins Aoba's new life as the pilot of the Free Pact Alliance and together with Dio, they would change the fate of the world.
Russkaya Beseda (Russian: Ру′сская бесе′да , English: The Russian Colloquy ) was a Russian literary magazine founded in Moscow, Russian Empire, in 1856 by Alexander Koshelev who remained its editor-in-chief until 1858, when Ivan Aksakov joined in as co-editor.
 The magazine was published on a bi-monthly basis and was belonged to the Slavophile movement; most prominent in it were the literature, science and criticism sections.
 "Selskoye Blagoustroistvo"; (Agrarian landscaping) in 1858–1859 was added as a supplement.
 "Russkaya Beseda" targeted for broad and mixed readership and but, frequently covered articles about the future of the Slavic peoples.
 Among the authors who regularly contributed to the magazine, were Sergei Aksakov, Vladimir Dal, Aleksey K. Tolstoy, Alexander Ostrovsky, Aleksey Khomyakov, Fyodor Tyutchev, Ivan Nikitin, Taras Shevchenko.
 It ceased publication in 1860.
Eric Nakamura is a Japanese American magazine publisher, gallerist, and entrepreneur.
 He is the co-founder of Giant Robot, owner of the Giant Robot store and GR2 Gallery, and curator of the Giant Robot Biennales and other museum exhibitions.

Question: Which published on a bi-monthly basis  Giant Robot or Sculptural Pursuit magazine?
Answer: Giant Robot was a bi-monthly magazine