Delores S. Williams is a theologian notable for her formative role in the development of womanist theology and best known for her book "Sisters in the Wilderness".
 Her writings over the years have discussed the role intersecting oppressions of race, gender, and class have played in the situation of black women.
 As opposed to feminist theology as it was predominately practiced by white women and black theology as predominately practiced by black men, Williams argues that black women's oppression deepens the analysis of oppression in theology.
 In "Sisters in the Wilderness," Williams' primarily develops a rereading of the biblical figure, Hagar, to illuminate the importance of issues of reproduction and surrogacy in black women's oppression.
 According to Aaron McEmrys, "Williams offers a theological response to the defilement of black women... Womanism is an approach to ethics, theology and life rooted in the experiences of African-American women".
 The term "Womanism" was coined by a contemporary of Williams, Alice Walker, used in her 1979 short story "Coming Apart" and again in her 1983 essay collection "In Search of Our Mothers' Gardens".
 Williams wrote the eighth chapter of "Transforming the Faiths of our Fathers: Women who Changed American Religion" (2004), edited by Ann Braude.
Akio Nakamori (中森 明夫 , Nakamori Akio ) , real name Ansaku Shibahara (柴原安作 , Shibahara Ansaku ) , is a columnist and editor born on January 1, 1960, in Mie Prefecture, Japan.
 He is credited as popularizing the term "otaku" in its modern colloquial usage.
 After dropping out of Meiji University's Nakano Junior and Senior High Schools, he graduated from Wako University.
 Along with Yūichi Endō, he launched the "Tokyo Otona Club" in 1982.
"Why Bother?"
, originally published as "Perchance to Dream: In the Age of Images, a Reason to Write Novels", is a literary essay by American novelist Jonathan Franzen.
 It is often referred to as "The Harper's Essay".
 First published in the April 1996 issue of "Harper's" magazine, the essay concerns the persistence of reading within the context of technological growth and distraction.
 Franzen recounts his meditations on the state and possibility of the novel form, often against the backdrop of his personal experience, eventually concluding that the novel still has potential cultural agency in the United States, and often gains it by paradoxical drives of both culture and author.
"On Murder Considered as one of the Fine Arts" is an essay by Thomas De Quincey first published in 1827 in "Blackwood's Magazine".
 The essay is a fictional, satirical account of an address made to a gentleman's club concerning the aesthetic appreciation of murder.
 It focuses particularly on a series of murders allegedly committed in 1811 by John Williams in the neighborhood of Ratcliffe Highway, London.
 The essay was enthusiastically received and led to numerous sequels, including "A Second Paper on Murder Considered as one of the Fine Arts" in 1839 and a "Postscript" in 1854.
 These essays have exerted a strong influence on subsequent literary representations of crime and were lauded by such critics as G. K. Chesterton, Wyndham Lewis and George Orwell.
"The Traffic in Women" is an essay written by anarchist writer Emma Goldman in 1910.
 It has been published in various ways, including within Emma Goldman’s "Anarchism and Other Essays" (1911), published by Mother Earth, and as the named, leading essay of a collection of Emma Goldman essays: "The Traffic in Women, and Other Essays on Feminism" (1970, Times Change Press, 1971 paperback). "
Mother Earth" was a monthly anarchist magazine founded by Goldman, Max Baginski, and others in 1906.
 The essay is one of more than 20 articles that Goldman wrote during 1906 to 1940.
Otaku (おたく/オタク ) is a Japanese term for people with obsessive interests, commonly the anime and manga fandom.
 Its contemporary usage originated with Akio Nakamori's 1983 essay in "Manga Burikko".
 "Otaku" may be used as a pejorative; its negativity stems from the stereotypical view of otaku and the media's reporting on Tsutomu Miyazaki, "The Otaku Murderer", in 1989.
 According to studies published in 2013, the term has become less negative, and an increasing number of people now self-identify as otaku.
Manga Burikko (漫画ブリッコ ) was a lolicon hentai manga magazine published by Serufu Shuppan from 1982 to 1985 in Japan.
 The magazine was launched as a competitor to "Lemon People", but it only lasted three years.
 The manga in the magazine were generally bishōjo and lolita manga which were mostly science fiction, parody, shōjo manga-style, anime-related, idol star related, and anything "otaku" related.
 In response to reader demand, "Manga Burikko" removed nude photographs of girls and explicit sex from its contents.
On the Equality of the Sexes, also known as Essay: On the Equality of the Sexes, is a 1790 essay by Judith Sargent Murray.
 Murray wrote the work in 1770 but did not release it until April 1779, when she published it in two parts in two separate issues of "Massachusetts Magazine".
 The essay predated Mary Wollstonecraft's "A Vindication of the Rights of Women" which was published in 1792 and 1794, and the work has been credited as being Murray's most important work.
Sekai (Japanese: 世界 "World") is a Japanese monthly political magazine published by Iwanami Shoten, which was founded in December 1945.
 The first issue was published in 1946.
 The magazine is published monthly.
 It has a left-wing or progressive political stance.
 The magazine's founding principles were "peace and social justice, freedom and equality, and harmony and solidarity with the peoples of East Asia."
 The headquarters is in Tokyo.
 Yamaguchi Akio served as an editor of the magazine for a long period.
Bartaman Bharat (translated to English as Modern India or Present Day India ) is a Bengali language essay written by Indian Hindu monk Swami Vivekananda.
 The essay was first published in the March 1899 issue of "Udbodhan", the only Bengali language magazine of Ramakrishna Math and Ramakrishna Mission.
 The essay was published as a book in 1905 and later it was compiled into the fourth volume of "The Complete Works of Swami Vivekananda".

Question: Who published the magazine which  Akio Nakamori's 1983 essay is inside
Answer: Serufu Shuppan