The Woman from the Folies Bergères (German: Die Frauen von Folies Bergères) is a 1927 French-German silent film directed by Joe Francis and Max Obal and starring Claire Rommer, Carl Auen and Josephine Baker.
Folies Bergère de Paris is a 1935 American musical comedy that won at the 8th Academy Awards for the short lived Best Dance Direction category, along with "Broadway Melody of 1936".
 The winner was Dave Gould.
 This is one of only four films to win in this category.
 It is a story of mistaken identity, with Maurice Chevalier playing both a music-hall star and a business tycoon who resembles him.
 This was Chevalier’s last film in Hollywood for twenty years, and reprised familiar themes such as the straw hat and a rendering of the French song "Valentine".
 This is also the last film to be distributed by Twentieth Century Pictures before it merged with Fox Film to form 20th Century Fox in 1935.
Liane de Pougy (2 July 1869 – 26 December 1950), was a Folies Bergère vedette and dancer renowned as one of Paris's most beautiful and notorious courtesans.
Josephine Baker (born Freda Josephine McDonald; 3 June 1906 – 12 April 1975) was an entertainer, activist, and French Resistance agent.
 Her career was centered primarily in Europe, mostly in her adopted France.
 During her early career she was renowned as a dancer, and was among the most celebrated performers to headline the revues of the Folies Bergère in Paris.
 Her performance in the revue "Un Vent de Folie" in 1927 caused a sensation in Paris.
 Her costume, consisting of only a girdle of bananas, became her most iconic image and a symbol of the Jazz Age and the 1920s.
Lottie Gee (born 1886—?)
 was entertainer who performed in shows and musicals next to other prominent female entertainers during the Harlem Renaissance.
 She appears in literature from the era and is most known as a performer in the 1921 Broadway hit, "Shuffle Along", the show that launched the careers low Josephine Baker and Florence Mills
Odette Valery (spelled Valéry in French publications), née Helene Vasilardi, (1883–?)
 was an Italian dancer of Greek parentage.
 She made her début at La Scala in 1898 at the age of fifteen.
 She moved to Paris where she danced with the Ballet Excelsior at the Folies Bergère.
 She came to regard dancing "en pointe" as "old-fashioned" and made her name doing reconstructions of ancient Greek dances in bare feet.
 Later she portrayed Cleopatra and did an Egyptian dance with a live asp.
 She was well-educated and spoke French, German, Italian, Spanish and Russian as well as some English and she played the piano well.
 In 1908, she caused a sensation in New York when she danced in the last act of "Samson and Delilah" at the Manhattan Opera House where she had been engaged by Oscar Hammerstein I.
 Her dance included the participation of one of three snakes (with fangs removed) which were cared for by their own groom, Robert, whom she had engaged in addition to other servants who travelled with her.
 In 1910 she was earning $1000 a week when dancing in the Teatro Comunale di Bologna.
 She owned several automobiles and amassed a fortune in jewellery.
 She spent lavishly and by 1912, she was destitute.
 Her money ran out when she had to have an operation and as a result she could not work for an extended period.
 Although her weekly salary was what a workman earned in a year at the time, she hadn't saved a penny.
 She was found ill and starving in a cheap boarding house in Notting Hill, London where she was being cared for by her seven-year-old son Gaeton.
 She had been surviving thus for a year by pawning her jewellery.
 She was found by a friend who was performing at Hammerstein's London Opera House.
 The friend took her in and was planning to send her back to her home in France to recover.
 She returned to Paris and although she was reputed to have had twenty-eight love affairs in one year at the height of her fame, she had few real friends and continued to live in poverty.
 It was a California heiress, Mrs. Jackson Gouraud, who came to her aid on reading about her plight and gave a fund-raising ball in her honour at Martin's, New York.
 The hostess wore a live python around her neck for the event.
An Adventurous Automobile Trip (French: Le Raid Paris–Monte-Carlo en automobile or Le Raid Paris–Monte-Carlo en deux heures) is a 1905 French short silent comedy film directed by Georges Méliès.
 The film, a spoof of the devil-may-care motoring exploits of King Leopold II of Belgium, features the King engaging in a manic, implausibly fast automobile ride from Paris to Monte Carlo.
 The singer-comedian Harry Fragson stars as the King, supported by a large cast of stage performers from the Folies Bergère cabaret and other venues, with two cameo appearances from Méliès himself.
A Bar at the Folies-Bergère (French: "Un bar aux Folies Bergère" ), painted and exhibited at the Paris Salon in 1882, is considered the last major work of French painter Édouard Manet.
 It depicts a scene in the Folies Bergère nightclub in Paris.
 It originally belonged to the composer Emmanuel Chabrier, who was Manet's neighbor, and hung over his piano.
Ziegfeld Girls were the chorus girls from Florenz Ziegfeld's theatrical Broadway revue spectaculars known as the "Ziegfeld Follies" (1907–1931), in New York City, which were based on the Folies Bergère of Paris.
Florenz Edward Ziegfeld Jr. (March 21, 1867 – July 22, 1932), popularly known as Flo Ziegfeld, was an American Broadway impresario, notable for his series of theatrical revues, the "Ziegfeld Follies" (1907–1931), inspired by the "Folies Bergère" of Paris.
 He also produced the musical "Show Boat".
 He was known as the "glorifier of the American girl".
 Ziegfeld is a member of the American Theater Hall of Fame.

Question:  Lottie Gee appears in literature from the era and is most known as a performer in the 1921 Broadway hit, "Shuffle Along", the show that launched the career of Josephine Baker,   renowned as a dancer, and was among the most celebrated performers to headline the revues of the Folies Bergère in what French city?
Answer: Paris