Le Médecin volant ("The Flying Doctor") is a French play by Molière, and his first, written in 1645.
 The date of its actual premiere is unknown, but its Paris premiere took place on 18 April 1659.
 Parts of the play were later reproduced in "L'Amour médecin", and "Le Médecin malgré lui".
 It is composed of 16 scenes and has seven characters largely based on stock "commedia dell'arte" roles:
Alexis Emmanuel Chabrier (] ; January 18, 1841September 13, 1894) was a French Romantic composer and pianist.
 Although known primarily for two of his orchestral works, "España" and "Joyeuse marche", he left an important corpus of operas (including "L'étoile"), songs, and piano music.
 He was admired by composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Schmitt, Stravinsky, and the group of composers known as Les six.
 Stravinsky alluded to "España" in his ballet "Petrushka"; Gustav Mahler called "España" "the beginnings of modern music" and alluded to the "Dance Villageoise" in the "Rondo Burleske" movement of his Ninth Symphony.
 Ravel wrote that the opening bars of "Le roi malgré lui" changed the course of harmony in France, Poulenc wrote a biography of the composer, and Richard Strauss conducted the first staged performance of Chabrier's incomplete opera "Briséïs".
Le roi malgré lui ("King in Spite of Himself" or "The reluctant king") is an opéra-comique in three acts by Emmanuel Chabrier of 1887 with an original libretto by Emile de Najac and Paul Burani.
 The opera is revived occasionally, but has not yet found a place in repertory.
Le roi l'a dit ("The King Has Spoken") is an opéra comique in three acts by Léo Delibes to a French libretto by Edmond Gondinet.
 It is a lively comedy, remarkably requiring 14 singers – six men and eight women.
 The libretto had first been offered in 1871 to Offenbach; the title also went through various permutations ("Le Talon rouge", "Si le Roi le savait", "Le Roi le sait") before settling on its final name.
 The 1885 revival brought further modifications to the libretto.
The accession of the King of France was legitimized by coronation ceremony performed with the Crown of Charlemagne at Notre-Dame de Reims.
 However, the person did not need to be crowned in order to be recognized as French monarch; the new king ascended the throne when the coffin of the previous monarch descended into the vault at Saint Denis Basilica, and the Duke of Uzes proclaimed "Le Roi est mort, vive le Roi"!
Le Médecin malgré lui (] ; "The doctor/physician in spite of himself") is a farce by Molière first presented in 1666 (published as a manuscript in early 1667) at le théâtre du Palais-Royal by la Troupe du Roi.
 The play is one of several plays by Molière to center on Sganarelle, a character that Molière himself portrayed, and is a comedic satire of 17th century French medicine.
The Warlock in Spite of Himself is a science fantasy novel by American author Christopher Stasheff, published in 1969.
 It is the first book in "Warlock of Gramarye" series.
 The title is a play on the title of Molière's "Le Médecin malgré lui" ("The Doctor, in Spite of Himself").
L'heureux malgré lui ("The Man Happy in Spite of Himself") is an opera by the French composer Étienne Méhul.
 It takes the form of an "opéra bouffon" in one act.
 It premiered at the Opéra-Comique, Paris on 29 December 1803.
 The libretto is by Claude Godard d'Aucourt de Saint-Just.
 It was a complete failure, only enjoying two performances.
Manon (] ) is an "opéra comique" in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel "L’histoire du chevalier des Grieux et de Manon Lescaut" by the Abbé Prévost.
 It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (Act I), Auguste-Alfred Rubé and Philippe Chaperon (Acts II and III), and Jean-Baptiste Lavastre (Act IV).
The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs.
 In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique.
 Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located in Place Boïeldieu, in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra.
 The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France, and to French opera.
 Its current mission is to reconnect with its history, and discover its unique repertoire, to ensure production and dissemination of operas for the wider public.
 Mainstays of the repertory at the Opéra-Comique during its history have included the following works which have each been performed more than 1,000 times by the company: "Cavalleria Rusticana", "Le chalet", "La dame blanche", "Le domino noir", "La fille du régiment", "Lakmé", "Manon", "Mignon", "Les noces de Jeannette", "Le pré aux clercs", "Tosca", "La bohème", "Werther" and "Carmen", the last having been performed more than 2,500 times.

Question: In between Le roi malgré lui and Manon, which one was first performed at the Opéra-Comique in Paris on 19 January 1884? 
Answer: Manon