Minyan ware is a broad archaeological term describing varieties of a particular style of Aegean burnished pottery associated with the Middle Helladic period (c. 2000/1900–1550 BC).
 The term was coined in the 19th century by German archaeologist Heinrich Schliemann after discovering the pottery in Orchomenos, Greece.
 Excavations conducted during the 1960s confirmed that Minyan ware evolved from the burnished pottery developed by the Tiryns culture of the Early Helladic III period (c. 2200/2150–2000/1900 BC).
Newcomb Pottery, also called Newcomb College Pottery, was a brand of American Arts & Crafts pottery produced from 1895 to 1940.
 The company grew out of the pottery program at H. Sophie Newcomb Memorial College, the women's college now associated with Tulane University in New Orleans, Louisiana.
 The Pottery was a contemporary of Rookwood Pottery, the Saturday Evening Girls, North Dakota pottery, Teco and Grueby.
MacDuff's Castle is a ruined castle near East Wemyss, in Fife, Scotland.
 The site is associated with the MacDuff Earls of Fife, the most powerful family in Fife in the middle ages, although nothing survives from this period.
 The present ruins are the remains of the home of the Wemyss family, who lived here from the 14th century, and their successors in the 16th century.
Wemyss Castle (pronounced [wi:ms]) is situated in Wemyss on the sea cliffs between the villages of East Wemyss and West Wemyss in Fife, Scotland.
K’axob is an archaeological site of the Maya civilization located in Belize.
 It was occupied from about 800 B.C. to A.D. 900.
 The site is located in northern Belize in the wetlands of Pulltrouser Swamp in proximity to the Sibun River Valley in central Belize.
 Research has shown that K’axob was occupied from the Late Preclassic Period to the Early Postclassic Period.
 This period in time and the site is characterized by specific ceramic types as well as agriculture and an increase in social stratification.
 K’axob is a village site centered on two pyramid plazas and later grew in size during the Early Classic Period to the Late Classic Period.
 The site includes a number of household, mounds and plazas.
 K’axob is mostly based on residential and household living but also has some ritualistic aspects.
 Many of the structures at the site show evidence of household dwellings as well as ritual purposes.
 There are many burials at the site that illustrate the ritualistic aspects and social stratification at K’axob.
 Many of the individuals, some more than others, were interned with beads made of shell as well as ceramic vessels, demonstrating this potential social stratification.
 The pottery vessels recovered from the site demonstrates regularity in the production of pottery.
 The most prominent type of ceramic vessels recovered from the site were ‘serving bowls,’ with a tripodal base, and were present during the Early Classic Period.
 There is also evidence of specialized areas for pottery production.
 There are middens at the site that yielded a great deal of pottery sherds and are associated with structures that are believed to be kilns as well as with tools similar to modern pottery making tools.
 There is also some evidence of stone tool production at the site.
 The most common stone tool recovered from the site is a chert oval biface and is associated with agriculture and thought to have been used for weeding and hoeing.
Minoan pottery is more than a useful tool for dating the mute Minoan civilization.
 Its restless sequence of quickly maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the strata of their sites.
 Pots that contained oils and ointments, exported from 18th century BC Crete, have been found at sites through the Aegean islands and mainland Greece, on Cyprus, along coastal Syria and in Egypt, showing the wide trading contacts of the Minoans.
 The extremely fine palace pottery called Kamares ware, and the Late Minoan all-over patterned "Marine style" are the high points of the Minoan pottery tradition.
Wemyss Ware was a line of pottery first produced in 1882 by Czech decorator Karel Nekola and Fife pottery-owner Robert Heron.
 The pottery took its name from the Wemyss family, titled incumbents of Wemyss Castle on the east coast of Fife, who were early and enthusiastic patrons of Nekola and Heron's ceramic creations.
 After being desirable in its own day, the pottery subsequently became extremely popular with collectors.
 Since 1985, the name has been used by the Griselda Hill Pottery in Ceres, Fife.
Aldermaston Pottery was a pottery located in the Berkshire village of Aldermaston, England.
 It was founded in 1955 by Alan Caiger-Smith and was known for its tin-glaze pottery and particularly its lustre ware.
 Alan Caiger-Smith worked with almost sixty assistants over a period of forty years at the Pottery; the first, Geoffrey Eastop, joined him in 1956, a year after the pottery started.
After the glaciers of the Ice Age in the Early Stone Age withdrew from the area, which since about 1000 AD is called Pomerania, in what are now northern Germany and Poland, they left a tundra.
 First humans appeared, hunting reindeer in the summer.
 A climate change in 8000 BC allowed hunters and foragers of the Ertebølle-Ellerbek culture to continuously inhabit the area.
 These people became influenced by farmers of the Linear Pottery culture who settled in southern Pomerania.
 The hunters of the Ertebølle-Ellerbek culture became farmers of the Funnelbeaker culture in 3000 BC.
 The Havelland culture dominated in the Uckermark from 2500 to 2000 BC.
 In 2400 BC, the Corded Ware culture reached Pomerania and introduced the domestic horse.
 Both Linear Pottery and Corded Ware culture have been associated with Indo-Europeans.
 Except for Western Pomerania, the Funnelbeaker culture was replaced by the Globular Amphora culture a thousand years later.
Shino ware (志野焼 , Shino-yaki ) is Japanese pottery, usually stoneware, originally from Mino Province, in present-day Gifu Prefecture, Japan.
 It emerged in the 16th century, but is now widespread, including use abroad.
 It is identified by thick white glazes, red scorch marks, and a texture of small holes.
 Some experts believe it should not treated as distinct from Oribe ware but described as "white Oribe", with the pottery usually called just Oribe described as "green Oribe" instead.

Question: In what country is the castle associated with the line of pottery called Wemyss Ware located?
Answer: Scotland