Coagula Curatorial is a contemporary art gallery founded in April 2012 by Mat Gleason, Los Angeles art critic & curator.
 From 1992-2011, Gleason published Coagula Art Journal, a free zine-style publication on contemporary art, which gained notoriety for its "no holds barred" critique of the contemporary art world.
Gerardo Mosquera (Havana, 1945) is a freelance curator, critic, art historian, and writer based in Havana, Cuba.
 He was one of the organizers of the first Havana Biennial in 1984 and remained central to the curatorial team until he resigned in 1989.
 Since then, his activity turned to be mainly international: he has been traveling, lecturing and curating exhibitions in more than 70 countries.
 Mosquera was adjunct curator at the New Museum of Contemporary Art, New York, from 1995 to 2009.
 Since 1995 he is advisor in the Rijksakademie van Beeldende Kusten in Amsterdam.
 His publications include several books on art and art theory (and a short stories' volume), and more than 600 articles, reviews and essays have appeared in such magazines as "Aperture", "Art in America", "Art & Text", "Art Criticism", "Art Journal", "Art Nexus", "Atlántica", "Cahiers", "Casa de las Américas", "ArtForum", "Kunstforum", "La Jornada Semanal", "Lápiz", "Neue Bildende Kunst", "Oxford Art Journal", "Parkett", "Plural", "Poliester", "Third Text", etc.
 Among other volumes, Mosquera has edited "Beyond the Fantastic: Contemporary Art Criticism from Latin America" (Cambridge, MA and London: INIVA and The MIT Press, 1995) and co-edited (with Jean Fisher) "Over Here: International Perspectives on Art and Culture" (Cambridge, MA and New York: The MIT Press and New Museum of Contemporary Art, 2004).
 His theoretical essays – which have been influential in discussing art’s cultural dynamics in an internationalized world, and contemporary Latin American art – are dispersed in English, but have been collected in books in Caracas and Madrid in Spanish, and in Chinese in Beijing.
 Mosquera was the Artistic Director of PHotoEspaña, Madrid (2011–2013), and the Chief Curator of the 4th Poly/Graphic San Juan Triennial, (2015-2016).
Tessa Hughes-Freeland is a British-born experimental film maker and writer living in New York City.
 Her films have screened internationally in North America, Europe and Australia and in prominent museums and galleries, including the Museum of Modern Art, the Museum of Contemporary Art, Los Angeles, the Whitney Museum of American Art, the New Museum of Contemporary Art in New York, and the KW Institute of Contemporary Art in Berlin.
 She has collaborated on live multi-media projects with musicians like John Zorn and J. G. Thirlwell.
 The co-founder of the New York Film Festival Downtown in 1984 and its co-director until 1990, she later served as President of the Board of Directors of the Film-Makers Co-Operative in New York City from 1998-2001.
 Hughes-Freeland has published articles in numerous books, including “Naked Lens: Beat Cinema” and “No Focus: Punk Film,” and in periodicals including PAPER Magazine, "Filmmaker" magazine, GQ, the "East Village Eye", and Film Threat.
International Journal of Art and Design Education is a peer-reviewed academic journal published thrice annually by Wiley-Blackwell on behalf of The National Society for Education in Art and Design (NSEAD).
 The journal was established in 1982 as the "Journal of Art & Design Education" and became the "International Journal of Art & Design" in 2002.
 The journal publishes articles on topics such as the visual arts, creativity, crafts, design and art history in educational contexts and learning situations.
Emmanuel Guigon (born 1959, Besançon) is a museologist, holds a doctorate in art history and is the current director of the Museu Picasso in Barcelona.
 He holds dual French-Swiss nationality.
 Guigon earned his doctorate in contemporary art at the Paris-Sorbonne University (France), and is a specialist in historical avant-gardes, surrealism, modern Spanish art and European post-war art.
 Before becoming the director of the Picasso Museum Barcelona, he was deputy director of museums in Besançon.
 Prior to that, he was director and head curator at the Strasbourg Museum of Modern and Contemporary Art (France) and head curator at the Valencia Institute of Modern Art (IVAM).
 He was a member of the Science Section at the École Pratique des Hautes Études Hispaniques Casa de Velázquez in Madrid, having previously lectured in contemporary art history at the Université de Franche-Comté (UFR) between 1985 and 1987.
 He is an associate member of numerous organisations, including the Training and Research Unit (UFR) of Iberian and Latin-American Studies at the Panthéon-Sorbonne University; the André Chastel Centre, Laboratoire de Recherche en Histoire de l’Art; AICA France (International Association of Art Critics); the Technical Committee of the Fonds Régional d’Art Contemporain (FRAC) Alsace; and the Board of Directors of the Société des Amis de Paul Éluard.
 He was named Knight in the Order of Academic Palms and Knight in the Order of Arts and Letters by the Ministry of Culture of the French government.
The Journal of the Burma Research Society (Burmese: မြန်မာနိုင်ငံသုတေသနအသင်းဂျာနယ် ) was an academic journal covering Burma studies that was published by the Burma Research Society between 1911 and 1980.
 When it began publication in 1911, the journal became the first peer-reviewed academic journal focused on Burma studies.
 Over the 69-year period, the journal published 59 volumes and 132 issues, including over 1,300 articles.
 It was published twice a year at the Rangoon University Estate in both English and Burmese.
An academic or scholarly journal is a periodical publication in which scholarship relating to a particular academic discipline is published.
 Academic journals serve as permanent and transparent forums for the presentation, scrutiny and discussion of research.
 They are usually peer-reviewed or refereed.
 Content typically takes the form of articles presenting original research, review articles, and book reviews.
 The purpose of an academic journal, according to the first editor of the world's oldest academic journal Henry Oldenburg, is to give researchers a venue to "impart their knowledge to one another, and contribute what they can to the Grand design of improving natural knowledge, and perfecting all Philosophical Arts, and Sciences."
October is a peer-reviewed academic journal specializing in contemporary art, criticism, and theory, published by MIT Press.
Claire Bishop is an art historian, critic, author, and professor in the art history department at CUNY Graduate Center, New York since September 2008.
 Bishop is editor of "Participation" (2006) and "Installation Art: A Critical History" (2005) and is a contributor to many art journals including "Artforum" and "October."
Ian McKay (born 1962) is an English environmental writer, critic, publisher, and translator.
 A former editor of "Contemporary Art" magazine, and the founder-editor of "The Journal of Geography and Urban Research", throughout the 1990s he was best-known for his writings on the arts of Eastern Europe, being cited as the first British art critic to emphasize the negative impact of the western art market in that region.
 Throughout the 1990s and early-2000s, he was a contributor to a wide range of art journals, as well as writing on subjects relating to photography, cinema, and music.
 Since 2007 his publishing activities have mainly centred on UK Rural Affairs, and the environment however.
 Though periodically he continues to publish works of art criticism, his most recent publications concern social justice in rural Britain, as well as environmental conservation in the wider European sphere.
 He has also worked as an academic in several UK universities.

Question: Claire Bishop is a contributor to the academic journal of contemporary art published by which company?
Answer: MIT Press