Sara Gómez (November 8, 1942 – June 2, 1974) was a Cuban filmmaker.
 Brought up in a middle-class black family in Havana, she studied literature, piano and Afro-Cuban ethnography.
 She worked as a journalist before joining the newly-formed Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) in 1961, where she subsequently served as assistant director to Jorge Fraga and Tomás Gutiérrez Alea, as well as to the visiting French director Agnes Varda.
 One of only two black filmmakers at ICAIC at the time, and for several years its only woman director, Gómez made a series of documentary shorts on assigned topics before directing her first feature.
Lola, is a 1961 romantic drama film, the debut film directed by Jacques Demy as a tribute to director Max Ophüls and is described by Demy as a "musical without music".
 Anouk Aimée starred in the title role.
 The film was restored and re-released by Demy's widow, French filmmaker Agnès Varda.
Anton Schott (born Schloss Staufeneck, Bavaria, June 24, 1846 - died Stuttgart, January 6, 1913) was a German dramatic tenor.
 He was an army officer before turning to a musical career.
 In 1871 he began his studies with Agnes Schebest-Strauss, and by the end of the year had already appeared at the Munich Opera.
 The following year saw him engaged as leading lyric tenor of the Berlin Opera.
 In 1880 he made his London debut, in the title role of "Rienzi"; two years later he went to Italy with Angelo Neumann's company to appear in the works of Richard Wagner.
 He made his American debut at the Metropolitan Opera on November 17, 1884, singing the title role of Wagner's "Tannhäuser"; it marked the beginning of Leopold Damrosch's first season of German opera with the company.
 He remained with the company until 1887, and subsequently was heard in guest performances with European and South American companies.
 He also gave concerts.
 Schott died in 1913.
Arizona Colt, also known as The Man from Nowhere, is a 1966 Italian Spaghetti Western directed by Michele Lupo and starring Giuliano Gemma, Fernando Sancho and Corinne Marchand.
 It was followed by the sequel "Arizona Colt Returns" (1970), with Anthony Steffen replacing Gemma in the title role.
Great Directors is a 2009 documentary film written and directed by Angela Ismailos.
 In the film, Ismailos interviews directors of the late 20th and early 21st centuries, including Bernardo Bertolucci, Catherine Breillat, Liliana Cavani, Stephen Frears, Todd Haynes, Richard Linklater, Ken Loach, David Lynch, John Sayles, and Agnes Varda.
Cléo from 5 to 7 (French: Cléo de 5 à 7 ) is a 1962 Left Bank film by Agnès Varda.
 The story starts with a young singer, Florence "Cléo" Victoire, at 5pm on June 21, as she waits until 6:30pm to hear the results of a medical test that will possibly confirm a diagnosis of cancer.
 The film is noted for its handling of several of the themes of existentialism, including discussions of mortality, the idea of despair, and leading a meaningful life.
 The film also has a strong feminine viewpoint belonging to French feminism and raises questions about how women are perceived, especially in French society.
 The role of mirrors are prevalent to symbolize self-obsession, which Cléo embodies.
Corinne Marchand (born 4 December 1937 in Paris) is a French actress.
 She is best known for playing the pop singer Cléo in "Cléo from 5 to 7".
Renée Fleming (born February 14, 1959) is an American opera singer and soprano whose repertoire encompasses Richard Strauss, Mozart, Handel, bel canto, lieder, French opera and chansons, jazz and indie rock.
 Fleming has a full lyric soprano voice.
 She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English.
 She also speaks fluent German and French, along with limited Italian.
 Her signature roles include Countess Almaviva in Mozart's "Le nozze di Figaro", Desdemona in Verdi's "Otello", Violetta in Verdi's "La traviata", the title role in Dvořák's "Rusalka", the title role in Massenet's "Manon", the title role in Massenet's "Thaïs", the title role in Richard Strauss's "Arabella", the Marschallin in "Der Rosenkavalier", and the Countess in "Capriccio".
Me, Natalie is a 1969 American comedy-drama film directed by Fred Coe about a homely young woman from Brooklyn who moves to Greenwich Village and finds romance with an aspiring painter.
 The screenplay by A. Martin Zweiback is based on an original story by Stanley Shapiro.
 Patty Duke, who starred in the title role, won a Golden Globe Award for her performance.
 The film also starred James Farentino, Salome Jens, Elsa Lanchester, Martin Balsam and Nancy Marchand.
 Al Pacino made his film debut with a bit part.
Glenn Winslade (born 1958) is an Australian operatic tenor known for his interpretations of dramatic roles such as Florestan in "Fidelio", the title role in "Idomeneo", the title role in "La clemenza di Tito", Erik in "The Flying Dutchman", the title role in "Rienzi", the title role in "Lohengrin", the title role in "Tannhäuser", the Emperor in "Die Frau ohne Schatten", Apollo in "Daphne", Bacchus in "Ariadne auf Naxos" and Max in "Der Freischütz".

Question: Corinne Marchand played the title role in what Agnes Varda film?
Answer: Cléo from 5 to 7