The Platinum Collection is a compilation album by David Bowie, released in 2005.
 The period from 1969 to 1987 is summarised over three discs.
 The first disc is the same as the compilation "The Best of David Bowie 1969/1974", which was released in 1997, and the second disc is the same as the 1998 compilation "The Best of David Bowie 1974/1979".
 The third disc, original to this collection upon its release in 2005, was later re-released separately as an independent compilation "The Best of David Bowie 1980/1987" by EMI on 19   2007 (2007--) .
 This 2007 release was part of EMI's two-disc Sight & Sound series of releases and features a DVD of 1980s videos on the second disc.
Diamond Dogs is the eighth studio album by the English musician David Bowie, released on 24 May 1974 by RCA Records.
 Thematically, it was a marriage of the novel "Nineteen Eighty-Four" by George Orwell and Bowie's own glam-tinged vision of a post-apocalyptic world.
 Bowie had wanted to make a theatrical production of Orwell's book and began writing material after completing sessions for his 1973 album "Pin Ups", but the author's estate denied the rights.
 The songs wound up on the second half of "Diamond Dogs" instead where, as the titles indicated, the "Nineteen Eighty-Four" theme was prominent.
Nothing Has Changed (also titled Nothing Has Changed: The Very Best of David Bowie) is a compilation album by English musician David Bowie.
 It was released on 18 November 2014 through Parlophone in the United Kingdom, and Columbia Records and Legacy Recordings in the United States.
 It is the first album to showcase Bowie's entire career and includes a new composition, "Sue (Or in a Season of Crime)", which was later re-recorded for his final album "Blackstar" (stylized as ★) (2016).
 "Nothing Has Changed" is notable for including songs from Bowie's unreleased 2001 album "Toy": "Your Turn to Drive", previously an internet-only single, and a previously unreleased re-recorded version of "Let Me Sleep Beside You", both of which are found on the triple CD version of the album.
 The album's title comes from a lyric in the song "Sunday" from Bowie's album "Heathen" (2002).
"Sunmachine" is a song by English electronic music trio Dario G.
 It was released in 31 August 1998 as the third and final single from the album of the same name.
 It is a reinterpretation of a section from the David Bowie song, "Memory of a Free Festival", from his 1969 album release of "Space Oddity".
Quentin Tarantino's Inglourious Basterds: Motion Picture Soundtrack is the soundtrack to Quentin Tarantino's motion picture "Inglourious Basterds".
 It was originally released on August 18, 2009.
 The soundtrack uses a variety of music genres, including spaghetti western soundtrack excerpts, R&B and a David Bowie song from the 1982 remake of "Cat People."
 "The Man with the Big Sombrero", a song from the 1943 screwball comedy "Hi Diddle Diddle", was rerecorded in French for the movie.
 This is the first soundtrack for a Quentin Tarantino film not to feature dialogue excerpts.
 The album was nominated for a Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media, but lost to the "Slumdog Millionaire" soundtrack.
"Big Brother" is a song written by David Bowie in 1973 and intended for his never-produced musical based on George Orwell's "Nineteen Eighty-Four".
 In 1974 it was released on the album "Diamond Dogs".
 It segued into the final track on the record, "Chant of the Ever Circling Skeletal Family".
"Funky Dory" is the second single from "Funky Dory", the debut solo album by Rachel Stevens, released towards the end of 2003.
 It was produced by David Eriksen for Murlyn Music, and received a mixed reception from pop-music critics.
 The song is built around a sample of the David Bowie song "Andy Warhol".
Sleng Teng is the name given to one of the first fully computerized riddims, influential in Jamaican music.
 The riddim, which was created by the collaboration between King Jammy and Wayne Smith, was titled "Under Mi Sleng Teng" in 1984.
 Wayne Smith found the computerized sound in Noel Davey's keyboard, and together he and Davey arranged the riddim, slowed it down, matched it to Smith's key, and rehearsed on it with lyrics inspired by Barrington Levy's "Under Mi Sensi" and Yellowman's "Under me fat ting", before taking it to Jammy's studio in late 1984.
 The riddim itself is apparently an attempt to recreate Eddie Cochran's 1959 rockabilly song "Somethin' Else."
 It is a pattern found in the Casio MT-40 home keyboard.
 However, the pattern's creator, Casio's Product Development and Music Engineer Hiroko Okuda has denied this as the source, saying instead that it was based on a 1970s British rock song she declined to identify, but has been suspected to be the David Bowie song "Hang On to Yourself".
"Hot (I Need To Be Loved, Loved, Loved, Loved)", is a funk song by James Brown.
 Released as a single in December 1975, it reached #31 on the R&B chart.
 It uses the main riff from the David Bowie song "Fame", released earlier the same year.
 (Guitarist Carlos Alomar, who created the borrowed riff and was a co-writer on "Fame", was briefly in James Brown's band in the late 1960s.)
 The song also appeared as the lead track on Brown's 1976 album Hot.
"Hands" is a song by English duo The Ting Tings.
 The song was written by both Katie White and Jules De Martino and mixed by label-mate Calvin Harris.
 The single was released to radio airplay on 18 August 2010 after premiering on the Huw Stephens show on BBC Radio 1 at 9:30 pm; a remix was also be released for free via digital download on 11 October 2010 on the band's Facebook page.
 The song was performed at the Wireless Festival, as part of the setlist; they were joined with dancers holding signs, saying work, which when flipped around, would say dance.
 The song debuted at number 29 on the UK Singles Chart.
 The line spoken by De Martino at the start of the song, "I don't want to go out.
 I want to stay in."
 is a reference to the same line spoken in the David Bowie song "Modern Love".

Question: The David Bowie song "Big Brother" was released on an album released by what record label?
Answer: RCA Records