New!
 is a British weekly magazine, specialising in celebrity news and is published by Northern & Shell, who also oversee "OK!
" magazine and the "Daily Star".
Kathie Sarachild, born Kathie Amatniek in 1943, is an American feminist writer and campaigner.
 In 1968 she took the last name Sarachild (after her mother Sara), coined the phrase "Sisterhood is Powerful" in a flier she wrote for the keynote speech she gave for New York Radical Women's first public action at the convocation of the Jeannette Rankin Brigade, was one of four women who held the Women's Liberation banner at the Miss America protest, and had her paper "A Program for Radical Feminist Consciousness-Raising" presented at the First National Women's Liberation Conference outside Chicago on November 27, 1968 (it was later published in "Notes from the Second Year" in 1970.)
 She was a member of New York Radical Women.
 In February 1969 she led Redstockings in their disruption of the New York State Abortion Reform Hearing, at which women first demanded to testify about their own abortions.)
New Directions for Women was an important early feminist newspaper.
 It began as a mimeographed newsletter in 1972 in New Jersey, but soon expanded into a tabloid-sized quarterly newspaper.
 Edited by Paula Kassell of Dover, a member of the Morristown chapter of National Organization for Women (NOW), the paper offered news reports from a feminist perspective as well as book reviews, women's history articles, and editorials, and was the first national feminist newspaper in the United States.
 After years of struggling to attain financial stability, the newspaper discontinued publishing in 1993.
 This was five years before Pamela Wilder founded the non-profit drug rehab "New Directions for Women" in 1977 through the Junior League of Orange County.
 New Directions for Women is still helping women, pregnant women, and their children find recovery.
A digital edition is an online magazine or online newspaper delivered in electronic form which is formatted identically to the print version.
 Digital editions are often called digital facsimiles to underline the likeness to the print version.
 Digital editions have the benefit of reduced cost to the publisher and reader by avoiding the time and expense to print and deliver like a paper edition.
 This format is considered more environmentally friendly due to the reduction of paper and energy use.
 These editions also often feature interactive elements such as hyperlinks both within the publication itself and to other internet resources, searching and bookmarking, and can also incorporate multimedia such as video or animation to enhance articles themselves or for advertisements.
 Some delivery methods also include animation and sound effects replicating page turning to further enhance the experience of their print counterparts.Traditionally, magazine publishers have relied on two revenue sources: selling ads and selling magazines.
 Additionally some publishers are using other electronic publication methods such as RSS to reach out to readers and inform them when new digital editions are available.
Woman's World is an American supermarket weekly magazine with a circulation of 1.6 million readers.
 Printed on paper generally associated with tabloid publications and priced accordingly, it concentrates on short articles about subjects such as weight loss, relationship advice and cooking, along with feature stories about women in the STEM fields and academia.
 It has held the title of the most popular newsstand women's magazine, with sales of 77 million copies in 2004.
 It competes with more general-market traditional magazines such as "Woman's Day" and "Family Circle".
Science-Fiction Plus was a U.S. science fiction magazine published by Hugo Gernsback for seven issues in 1953.
 In 1926 Gernsback had launched "Amazing Stories," the first science fiction magazine, but he had not been involved in the genre since 1936, when he sold "Wonder Stories".
 "Science-Fiction Plus" was initially in slick format, meaning that it was large-size and printed on glossy paper.
 Gernsback had always believed in the educational power of science fiction, and he continued to advocate his views in the new magazine's editorials.
 The managing editor, Sam Moskowitz, had been a reader of the early pulp magazines, and published many writers who had been popular before World War II, such as Raymond Gallun, Eando Binder, and Harry Bates.
 Combined with Gernsback's earnest editorials, the use of these early writers gave the magazine an anachronistic feel.
 Sales were initially good, but soon fell.
 For the last two issues Gernsback switched the magazine to cheaper pulp paper, but the magazine remained unprofitable.
 The final issue was dated December 1953.
Whit Burnett (1900–1972) was an American writer and writing teacher who founded and edited the literary magazine "Story".
 In the 1940s, "Story" was an important magazine in that it published the first or early works of many writers who went on to become major authors.
 Not only did Burnett prove to be a valuable literary birddog for new talent, but "Story" remained a respectable though low-paying (typically $25 per story) alternative for stories rejected by the large-circulation slick magazines published on glossy paper like "Collier's" or "The Saturday Evening Post" or the somewhat more prestigious and literary slick magazines such as "The New Yorker".
 While "Story" paid poorly compared to the slicks and even the pulps and successor digest-sized magazines of its day, it paid better than most of, and had similar cachet to, the university-based and the other independent "little magazines" of its era.
Joy Press (born 1966) is a writer and editor.
 In the 1980s she was a music critic for American magazines and for the English weekly music paper "Melody Maker".
 In 1996 she became the editor of the "Village Voice" literary supplement, "VLS".
 Press later became the chief book critic and TV critic for the "Village Voice".
 She edited the paper's 50th anniversary issue.
 By 2006 she was the culture editor for the "Voice".
 Press is now culture editor for Salon.com.
 She has contributed to the "Village Voice", "New York Times", and Slate.com.
 In 2003, the Association of Alternative Newsweeklies awarded her second place for Arts Criticism.
 Press has written extensively on the topic of gender.
 She is married to the British rock critic Simon Reynolds.
Strange Tales was a British digest magazine that produced two issues in 1946.
 It was published by Utopian Publications of London, and edited by Walter Gillings, who was not credited.
 Technically these were anthologies, not magazines: Postwar paper shortages meant that new magazines could only be launched after an application process that did not apply to anthologies, so the publisher treated them as anthologies.
 Its writers included Jack Williamson, Robert Bloch, and Ray Bradbury.
 The issues, which were not dated, appeared in February and March 1946.
 They were both 64 pages long; the first was priced at 1/-; the second at 9d.
Peg's Paper was a weekly British women's magazine, published from 1919 to 1940 in about 1,100 issues.
 It was one of the first women's magazines aimed at the working-class female reader, and mainly consisted of fictional romance across class lines.
 It also had a regular feature of photostories of movie stars, as well as other features including fortune-telling and a letters page.
 Its advertising concentrated on looks.
 It was the parent paper of "Peg's Companion", which launched in 1921 and had two fictional stories in each issue.
 Richard Hoggart considered "Peg's Paper" an example of working-class art whose "overriding interest is in the close detail of the human condition", using it as an example of such in his book "The Uses of Literacy".

Question: Are New! and Peg's Paper both women's magazines?
Answer: no