Tofo Tofo Dance Group is made up of three Mozambican men who integrated Kwaito music and Pantsula dance to create their own unique type of dance that has become internationally celebrated.
 This new form of movement has brought local African dance onto a global stage.
The funaná ] is a music and dance genre from Cape Verde.
 "Funaná" is an accordion-based music.
 It is perhaps the most upbeat form of Cape Verdean music.
 The rhythm is usually provided by the ferrinho much like the use of washboards in zydeco, the saw in Caribbean ripsaw music , the scraper in Sub-Saharan African music and the güiro in Latin and Pre-Columbian music .
Sub-Saharan African music is characterised by a "strong rhythmic interest" that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting "one main system".
 C. K. Ladzekpo also affirms the "profound homogeneity" of approach.
 West African rhythmic techniques carried over the Atlantic were fundamental ingredients in various musical styles of the Americas: samba, forró, maracatu and coco in Brazil, Afro-Cuban music and Afro-American musical genres such as blues, jazz, rhythm & blues, funk, soul, reggae, hip hop, and rock and roll were thereby of immense importance in 20th century popular music.
 The drum is renowned throughout Africa.
Pygmy music includes the Sub-Saharan African music traditions of a broad group of people who live in Central Africa, especially in the Congo, the Central African Republic and Cameroon.
 Pygmy groups include the Baka, the Aka, the Twa peoples and the Efé.
 Music is an important part of Pygmy life, and casual performances take place during many of the day's events.
 Music comes in many forms, including the spiritual likanos stories, vocable singing and music played from a variety of instruments including the bow harp ("ieta"), "ngombi" (harp zither) and "limbindi" (a string bow).
Black music is a term encompassing music produced or inspired by black people, including Sub-Saharan African music traditions and African popular music as well as the music genres of the African diaspora, including Afro-Caribbean music and African American music.
 These genres include negro spiritual, gospel, blues, jazz, R&B, rock and roll, soul, funk, ska, reggae, hip hop.
African Harps, particularly arched or "bow" harps, are found in several Sub-Saharan African music traditions, particularly in the north-east.
 Used from early times in Africa, they resemble the form of harps in ancient Egypt with a vaulted body of wood, parchment faced, and a neck, perpendicular to the resonant face, on which the strings are wound.
Sub-Saharan African music traditions exhibit so many common features that they may in some respects be thought of as constituting a single musical system.
 While some African music is clearly contemporary-popular music and some is art-music, still a great deal is communal and orally transmitted while still qualifying as a religious or courtly genre.
The Museum of African Culture is a museum in Portland, Maine, United States, that specializes in Sub-Saharan African tribal art and culture.
 Changing exhibits also include art inspired by the African diaspora, and the museum's programs include music, storytelling, films, poetry, literature, healing ceremonies and other Sub-Saharan African cultural traditions.
 Collections include wooden masks, figures, textiles, household objects and tools.
 It was established in 1998 and, as of 2010 , had over 1,500 pieces of art.
 It is the only museum in northern New England devoted to African arts and culture.
Tresillo ( ; ] ) is a more basic form of the rhythmic figure known as the habanera.
 It is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music.
 Tresillo was introduced in the New World through the Atlantic slave trade during the Colonial period.
 The pattern is also the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions.
African dance refers mainly to the dance of Sub-Saharan Africa, and more appropriately African dances because of the many cultural differences in musical and movement styles.
 These dances must be viewed in close connection with Sub-Saharan African music traditions and Bantu cultivation of rhythm.
 African dance utilizes the concept of as well as total body articulation.

Question: To what form of dance following the Sub-Saharan African music traditions and Bantu cultivation of rhythm does the Tofo Tofo Dance Group perform?
Answer: African dance