The Gibson Victory was an electric guitar produced by Gibson Guitars from 1981 until 1983 (although some sources say production lasted until 1984).
 During the late 1970s and early 1980s, musicians watched Eddie Van Halen play his Frankenstrat and questioned and rethought everything about their instruments.
 They insisted on engineering advances allowing more speed and playability of skyscraping leads and rock crushing shred.
 The master luthiers in Kalamazoo responded to these demanding guitarists by designing the Victory.
 The Victory, a superstrat, was radical departure from Gibson's image as an old-fashioned guitar maker.
 MV stood for Multi-Voice.
 X stood for ten They were created by the Gibson research and development team in Kalamazoo, MI, with the body work by Chuck Burge, and the multi-voice electronics by Tim Shaw.
 The Victory MV's were available with an optional / special order Kahler Tremolo System.
 The Victory MV's had the first three-point top-adjust bridge designed by Rendal Wall and patent granted in June 1982.
 The three post holes in the underside allowed either side of the bridge unit to be moved forwards or backwards allowing intonation of ultra light to extremely heavy string gauges, and twelve interchangeable individually-adjustable saddles, six standard nylon saddles and 6 optional brass saddles for fine adjustment of intonation and to affect tone.
 String gauge affects sound and playability.
 If you are a professional with strong fingers, using heavier strings produces greater dynamic and timbral range, more sustain, & less buzzing using slide.
 Using lighter strings allows easier bending, easier hammer-ons, pull-offs & very fast solos.
 Victories were built tough and stiff to easily handle the high tension of using much heavier string gauges without a truss rod adjustment.
 The Victory MV's came with a series of specially designed Humbucker Pickups carefully made one at a time on the “center focused” KZ/LP115 PAF Pickup Winder, with high sensitivity and unique tonal signature with fewer turns of wire compared to newer high production winding machines that produce more scatter and a wider magnetic aperture, Each pickup across the range is different, and specifically designed for the role it was assigned.
 Most musicians adjust the height of the individual pole pieces so they mirror the radius of the fretboard and then fine adjust by ear.
 The location of the Victory MV's pickups were carefully calculated to provide full frequency response and minimize dead spots by avoidance of string nodal points.
 The majority of harmonics coincide with where the twenty fourth fret would be located.
 If you want to play your Victory above the 22nd fret, use a ring slide.
 Humbucker pickups are inherently low noise because the interference is significantly reduced via phase cancellation, however the Victory MV’s have additional shielding connected to ground with the use of special electrically conductive black paint in the routed out area under the pickguard.
 Truly silent when it should be.
 The coil tap switch in the up position is humbucker; in the down position is single coil, indistinguishable from traditional unshielded single coils minus the noise.
 Victory MV’s are totally immune from “Strat-Itis” (simultaneous multiple discordant frequency syndrome) In other single-coil pickups, strat-Itis is an annoying out-of-tune harmonic, oscillating/warbling /shriek/dissonant sound.
 Gibson had well established business agreements for over 100 years with the best wood suppliers in the world and Gibson Luthiers had first pick to craft the Victory MV's.
 The availability of premium old growth wood with tight grain was better in the 1980s than it is today because of new laws and limited natural resources.
 The Victory MV's body and tri-laminated quartersawn neck were crafted from solid eastern hard rock maple, with a Janka Hardness ranking of 1450 pound-force, a crushing strength of 7,830 pound-force per square inch , and a tensile elasticity modulus of 1,830,000 pound-force per square inch.
 Eastern Hard Rock Maple is extremely hard, dense, and stiff, producing earthquaking sustain.
 The stacked laminate opposing wood grain neck design strengthens the overall neck, gives more tuning stabilization, and allowed the luthiers to eliminate the scarf joint at the headstock.
 Contrasting mirror image graining angles provide the best resistance against impact cracking over single piece or scarf joint necks.
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 Wood improves with age, the polymerization of sap over decades, once the wood is removed from the living tree crystalizes.
 Aged wood also loses its ability to absorb moisture, causing the wood to become more stiff and stable as it ages… the perfect recipe for a straight, high quality guitar neck, level fret board, and great sound.
 Victory MV’s have binding along the edges of the fretboard that cover the unfinished fret tangs and fret slot end gaps, slightly covering the nibs on the fret ends that can protrude.
  Binding is tedious painstaking work and requires skill to install properly, but provides a slick smooth feel, is especially nice for sliding your hand along the fretboard, and gives a dressy look.
 Not to be confused with undercut, fret over binding.
 Using glue that is stronger than the wood itself, the Victory MV's mortise-and-tenon Set-in neck and silky smooth rock-hard quartersawn Madagascan ebony fret board required better tools, more time, accuracy, attention to detail, and skill to craft, but produces a warmer fuller tone and transfers resonant energy freely and immediately due to the tight permanent coupling, and facilitates ripples of vibrational energy that round out and thicken the sound.
 (Unlike other guitars with weak removable "screw-on" necks with a metal plate, adjustment shims, and a creaky neck pocket / body gap.
 So called "bolt-on" necks have no proper neck torque specs, over-tightening the screws crushes the wood, cracks the finish, and strips the holes or screw head, requiring a toothpick or dowel to be glued in the stripped hole).
 The Victory's elegant headstock shape has a fourteen degree non-scarfed break angle, and tuning machine alignment that allows for a "perfectly straight" symmetrical pull on the strings that provides optimum string down pressure on the nut for the string to seat in the nut slot but not pinch, bind, or rattle in the slot, transferring all the vibration into the nut instead of into the tuning machines.
 (Unlike other guitars that need junky string tree clips, retainers, or guides that cause friction and pings/cracking noise.)
 The Victories chamfered cutaway offers musicians with large hands better access to play in the top frets.
 The Gibson Victory MV's are not recommended for the weak, these sledge axes weigh a solid nine pounds but are perfectly balanced both on the strap or on the knee, Luthiers know guitars with more mass and density have more brilliance and sustain.
 According to Gibson, Victory MV’s were only produced in Candy Apple Red, Antique Cherry Sunburst, & Twilight Blue.
 However sometimes a retailer who did a lot of business with Gibson would be able to ask for a small number of guitars with a special finish.
 Mention has been made of Roy Orbison's special order black Victory MVX.
 The Victory MV's came standard with a rugged black Gibson branded "8170" dual lock and key padded hard case with internal storage box.
 Decode the serial number on the back of the headstock to determine if your Victory was hand made by finding the location and the date of it's manufacture.
A neck frill is the relatively extensive margin seen on the back of the heads of reptiles with either a bony support such as those present on the skulls of dinosaurs of the suborder Marginocephalia or a cartilaginous one as in the frill-necked lizard.
 In technical terms, the bone-supported frill is composed of an enlarged parietal bone flanked by elongated squamosals and sometimes ringed by epoccipitals, bony knobs that gave the margin a jagged appearance.
 In the early 1900s, the parietal bone was known among paleontologists as the dermosupraoccipital.
 In some genera, such as "Triceratops", "Pentaceratops", "Centrosaurus" and "Torosaurus", this extension is very large.
 Despite the neck frill predominantly being made of hard bone, some neck frills are made of skin, as is the case with the frill-necked lizard of today that resides in Australia.
 The use of the neck frill in dinosaurs is uncertain; it may have been used for thermoregulation or simply as a defense mechanism.
 Indeed, during battles for territory, competing "Triceratops" crashed heads together with their elongated horns and the neck frill may have been employed as a kind of shield, protecting the rest of the animal from harm.
 However, usage of the neck frill in modern reptiles is better documented.
 Two chief and disparate examples are the horned lizards (genus "Phrynosoma") with a bony frill, and the frill-necked lizard (genus "Chlamydosaurus") with a cartilaginous frill.
 The frill-necked lizard's frill is mainly made up of flaps of skin, which are usually coloured pink, supported by cartilaginous spines.
 Similar to the portrayal of the dinosaur "Dilophosaurus" in Steven Spielberg's "Jurassic Park", frill-necked lizard puff out these neck frills on either side of its head when threatened.
 The lizards often raise their frills when battling for territory or when coming into contact with another lizard, especially during mating season.
 There is, however, no evidence that suggests that "Dilophosaurus" neither had nor didn't have the same abilities, as many of its features in the "Jurassic Park" film were mostly fictional.
The epitrachelion (Greek: ἐπιτραχήλιον "around the neck"; Slavic: Епитрахиль, "epitrachil"; often called simply a "stole" in casual English-language usage) is the liturgical vestment worn by priests and bishops of the Orthodox Church and Eastern Catholic Churches as the symbol of their priesthood, corresponding to the Western stole.
 It is essentially the "orarion" adapted for priests and bishops, worn around the neck with the two ends hanging down equally in front (more or less to the ankle) and with the two adjacent sides sewn or buttoned together up the center, leaving enough space through which to place the head.
 In practice, the "epitrachelion" is made to be worn only this way, tailored to lie flat around the neck, and is never actually unfastened.
 The portion hanging down in front is sometimes even a solid piece of fabric.
 It is usually made of brocade with seven embroidered or appliquéd crosses, one at the back of the neck and three down each side.
 The "epitrachelion" is the only required vestment whenever a priest is conducting an Orthodox service, otherwise he is unable to perform the service.
A Sou'wester is a traditional form of collapsible oilskin rain hat that is longer in the back than the front to protect the neck fully.
 A gutter front brim is sometimes featured.
 A possible theory for the derivation of the name is to do with the Sou'wester wind which is the prevailing wind in the seas around the UK.
 A Sou'west wind tends to bring warm air containing moisture, thus rain.
 A fishing net would always be brought up in the lee of the wind so that a fisherman facing the net would have his back to the wind and without a hat the rain would be driven down the fisherman's neck, above his oilskin jacket.
 A Sou'wester hat has a roll up brim at the front which works like a gutter whilst keeping the face clear.
 The hat extends down the back, bridging and protecting the neck.
 Sou'wester hats were popular to dress small boys in during the 1950s in Britain.
The Fender Custom Shop NoNeck Stratocaster is a '60 Stratocaster with a custom neck shape produced in collaboration with retail store The Music Zoo, starting in 2006.
 At the time of this writing (2/08/10) over 50 NoNeck Strats have been made.
 The main feature of the guitar is the large, "baseball bat" neck shape that has been borrowed from another Fender Custom Shop guitar, the '51 Nocaster.
 It has the neck shape from a Nocaster, hence "NoNeck".
 They have been produced in NOS and Heavy Relic, Team Built and Masterbuilt, with the majority of NoNecks being Team Built Heavy Relics.
 Most of these Heavy Relic NoNecks have no arm wear, but do have the finish worn from the back of the neck.
"My Neck, My Back (Lick It)" is a song written and recorded by American rapper Khia.
 It was released in April 2002 as the lead single from her debut album, "Thug Misses".
 Due to its sexually explicit lyrics, an edited version of the song was released to mainstream radio.
 The song reached number 42 on the U.S. "Billboard" Hot 100.
 It also reached the top five in the United Kingdom two years later and the top fifteen in Australia.
In professional wrestling, a neckbreaker is any throw or slam that focuses its attack on the opponent's neck.
 One type of neckbreaker involves the wrestler slamming an opponent's neck against a part of the wrestler's body, usually the knee, head or shoulder.
 The other type of neckbreaker is a slam technique in which the wrestler throws an opponent to the ground by twisting the opponent's neck.
 This also refers to a "back head slam" where a wrestler drops to the mat while holding an opponent by their neck.
The Frank Bello Bass is an Artist Series electric bass guitar made by Fender Musical Instruments Corporation for thrash metal band Anthrax's bassist, Frank Bello.
 Modeled after the Aerodyne J-Bass, this signature model features a slab-cut alder Jazz Bass body, a modern C-shaped maple Precision Bass neck featuring a rosewood fretboard with 20 medium jumbo frets and a matching black headstock with a Fender Bass decal.
 Electronics consisted by a Seymour Duncan Basslines SPB-3 Quarter Pound split-coil humbucking pickup in the neck position, a Samarium Cobalt Noiseless Jazz Bass single-coil pickup in the bridge and a single volume control knob.
 Other features include Fender/Schaller Deluxe Lite-Bass straight-shaft tuning machines, a BadAss III strings-through-body/top-load bridge, Bello's caricature on the back of the headstock and his signature on the neck plate.
 It was introduced in 2005 and followed by a Squier version in 2007, featuring a skull graphic on the body, a skull inlay on the 12th fret, an Angry Man graphic on the back of the headstock, a standard vintage-style bridge, standard open-gear tuners and two single separate volumes without tone controls for the P neck and J bridge pickups.
Khia Shamone Finch ( ; born Khia Shamone Chambers, November 8, 1970), better known as just Khia, is an American rapper, songwriter, singer, and record producer.
 She is best known for her hit single "My Neck, My Back (Lick It)".
 To date Khia has collectively sold over 2 million records worldwide.
Musculoskeletal disorders (MSDs) are injuries or pain in the human musculoskeletal system, including the joints, ligaments, muscles, nerves, tendons, and structures that support limbs, neck and back.
 MSDs can arise from a sudden exertion (e.g., lifting a heavy object), or they can arise from making the same motions repeatedly repetitive strain, or from repeated exposure to force, vibration, or awkward posture.
 Injuries and pain in the musculoskeletal system caused by acute traumatic events like a car accident or fall are not considered musculoskeletal disorders.
 MSDs can affect many different parts of the body including upper and lower back, neck, shoulders and extremities (arms, legs, feet, and hands).
 Examples of MSDs include carpal tunnel syndrome, epicondylitis, tendinitis, back pain, tension neck syndrome, and hand-arm vibration syndrome.

Question: My Neck, My Back was a song by the rapper of what nationality?
Answer: American