Drayman Henschel (German: "Führmann Henschell" ), also known as "Carter Henschel", is an 1898 five-act naturalistic play by the German playwright Gerhart Hauptmann.
 Unlike his 1892 play "The Weavers", Hauptmann focuses on the story's psychological rather than social dimensions.
 As with his 1902 play "Rose Bernd", the play charts the demise of an ordinary man who falls victim to circumstances beyond his control.
 As with many of Hauptmann's dramas, it ends with the main character's suicide.
The Rats is a stage drama in five acts by Gerhart Hauptmann, which premiered in 1911, one year before the author received the Nobel Prize for Literature.
 Unlike other Hauptmann plays, such as "The Weavers" (1892) and "The Assumption of Hannele" (1893), this one does not seem ever to have been performed on Broadway.
The Conflagration (German: "Der rote Hahn" , 1901) is a German play written by Gerhart Hauptmann (1862–1946).
 Like Henrik Ibsen, Hauptmann focuses attention on social issues.
 Unlike "The Weavers" (1892) and "The Assumption of Hannele" (1893), it does not seem to have ever been performed on Broadway; however, it was adapted as a German film in 1962, directed by John Olden and starring Rudolf Platte as Schuhmachermeister Fielitz and Inge Meysel as Frau Fielitz.
Gerhart Johann Robert Hauptmann (15 November 1862 – 6 June 1946) was a German dramatist and novelist.
 He is counted among the most important promoters of literary naturalism, though he integrated other styles into his work as well.
 He received the Nobel Prize in Literature in 1912.
Harry Crosby (June 4, 1898 – December 10, 1929) was an American heir, bon vivant, poet, and publisher who for some epitomized the Lost Generation in American literature.
 He was the son of one of the richest banking families in New England, a Boston Brahmin, and the nephew of Jane Norton Grew, the wife of financier J. P. Morgan, Jr..
 As such, he was heir to a portion of a substantial family fortune.
 He was a volunteer in the American Field Service during World War I, and later served in the U.S. Ambulance Corps.
 He narrowly escaped with his life.
The Ascension of Little Hannele (German: "Hanneles Himmelfahrt" ), also known simply as "Hannele", is an 1893 play by the German playwright Gerhart Hauptmann.
 In contrast to Hauptmann's naturalistic dramas, "The Assumption of Hannele" adopts a more symbolist dramaturgy and includes a dream sequence.
 The play is the first in recorded world literature with a child as its heroine.
 It was first published in 1894.
 Hauptmann was awarded the Grillparzer Prize in 1896 for the play.
Hauptmann is a crater on Mercury.
 It has a diameter of 120 kilometers.
 Its name was adopted by the International Astronomical Union in 1985.
 Hauptmann is named for the German playwright Gerhart Hauptmann, who lived from 1862 to 1946.
The well-made play (French: "la pièce bien faite" , pronounced ] ) is a dramatic genre from nineteenth-century theatre first codified by French dramatist Eugène Scribe.
 Dramatists Victorien Sardou, Alexandre Dumas, fils, and Emile Augier wrote within the genre, each putting a distinct spin on the style.
 The well-made play was a popular form of entertainment.
 By the mid-19th century, however, it had already entered into common use as a derogatory term.
 Henrik Ibsen and the other realistic dramatists of the later 19th century (August Strindberg, Gerhart Hauptmann, Émile Zola, Anton Chekhov) built upon its technique of careful construction and preparation of effects in the genre problem play.
 "Through their example", Marvin Carlson explains, "the well-made play became and still remains the traditional model of play construction."
Georgy Sergeyevich Burdzhalov (Russian: Георгий Сергеевич Бурджалов , born "Бурджалян", Бурджалян; 14 April 1869, Astrakhan, Russian Empire, — 10 December 1924, Moscow, Soviet Union) was an Armenian Russian stage actor and theatre director, associated with Moscow Art Theatre, where he played, in all, 38 parts, including the acclaimed Mikhaylo Golovin ("Tsar Fyodor Ioannovich", A.K. Tolstoy, 1898), The Wood Demon ("The Sunken Bell", Gerhart Hauptmann, 1898), Launcelot Gobbo ("The Merchant of Venice", William Shakespeare, 1898), Kadushkin ("Men Above the Law", Alexey Pisemsky, 1898), Tatishchev ("The Death of Ivan the Terrible", A.K. Tolstoy, 1899).
Die schwarze Maske ("The Black Mask") is an opera by composer Krzysztof Penderecki using a German libretto by the composer and Harry Kupfer which is based on a 1928 play by Gerhart Hauptmann.
 The opera premiered at the Salzburg Festival on 15 August 1986, after which there were productions mounted at the Vienna State Opera and the Great Theatre, Warsaw during the following opera season.
 The work had its United States premiere on July 30, 1988 at the Santa Fe Opera with a cast that included Mark Lundberg.

Question: Are Harry Crosby and Gerhart Hauptmann both poets?
Answer: no