Hisham Bizri is a film director, writer, producer, and scholar born in Beirut, Lebanon.
 He started working in films in the US and Hungary with filmmakers Stan Brakhage, Raoul Ruiz, and Miklós Jancsó.
 and has directed 25 short films to date.
 He has taught film at MIT, UC Davis, NYU, Boston University, The School of the Museum of Fine Arts (Boston), the University of Minnesota, and in Lebanon, Korea, Japan, Ireland, and Jordan (where he also initiated a number of academic film programs).
 His students have gone on to study film at NYU, USC, AFI, UCLA, La Fémis (Paris) and FAMU (Prague).
 Most recently, he has served as Professor of Filmmaking and Screenwriting in the Literary Arts Department at Brown University.
 In 2015, in response to the Syrian refugee crisis, Bizri began partnering with Jordan's Royal Film Commission to oversee production of documentaries made by Arab filmmakers chronicling life in the Zaatari refugee camp and in 2016 presented film programs to Syrian refugee children in Amman.
Miklós Jancsó (] ; 27 September 192131 January 2014) was a Hungarian film director and screenwriter.
Private Vices, Public Pleasures (Italian: Vizi privati, pubbliche virtù ) is a 1976 Italian-Yugoslavian drama film directed by Miklós Jancsó.
 It was entered into the 1976 Cannes Film Festival.
Electra, My Love (Hungarian: Szerelmem, Elektra ) is a 1974 Hungarian drama film directed by Miklós Jancsó.
 It was included in the official selection for the 1975 Cannes Film Festival.
Hungarian Rhapsody (Hungarian: Magyar rapszódia ) is a 1979 Hungarian drama film directed by Miklós Jancsó.
 It was entered into the 1979 Cannes Film Festival.
Giovanna Gagliardo (born 12 December 1943) is an Italian film director and screenwriter.
 Her 1982 film "Via degli specchi" was entered into the 33rd Berlin International Film Festival.
 She is also known as a longtime partner (1968–80) to major Hungarian film director Miklós Jancsó.
The Round-Up (Hungarian: "Szegénylegények" , "Outlaws") is a 1966 Hungarian film directed by Miklós Jancsó.
 Well received in its home country, it was Jancsó's first film to receive international acclaim.
The Red and the White (Hungarian: Csillagosok, katonák ) is a 1967 film directed by Miklós Jancsó and dealing with the Russian Civil War.
 The original Hungarian title, "Csillagosok, katonák", can be translated as "Stars on their Caps" (literally 'starries, soldiers'), which, as with a number of Jancsó film titles, is a quote from a song.
 The film was listed to compete at the 1968 Cannes Film Festival, but the festival was canceled due to the events of May 1968 in France.
 It was voted as "Best Foreign Film of 1969" by the French Syndicate of Cinema Critics.
Hungary has had a notable cinema industry from the beginning of the 20th century, with Hungarians who affected the world of motion picture both inside and outside the borders.
 The former could be characterised by directors István Szabó, Béla Tarr, or Miklós Jancsó, the latter by William Fox, who founded Fox Studios, Alexander Korda, playing a leading role in start of Britain's film industry, or Adolph Zukor, founder of Paramount Pictures.
 Examples of successful Hungarian films include "Merry-go-round", "Mephisto", "Werckmeister Harmonies", and "Kontroll".
Mikael Salomon (born 24 February 1955) is a Danish-born cinematographer, director and producer of film and television.
 After a long cinematography career in Danish cinema, he transitioned to the Hollywood film industry in the late 1980s and has remained highly prolific there, earning two Academy Award nominations.
 He is also an acclaimed and prolific television director whose credits include dozens of series, films and miniseries including "Band of Brothers, Salem's Lot, Rome," and "The Andromeda Strain", for which has received numerous awards and nominations including a Primetime Emmy Award and Directors Guild of America Award.

Question: Who was born first, Mikael Salomon or Miklós Jancsó?
Answer: Miklós Jancsó