"Fantaisie" for piano and orchestra, L. 73, is a composition for piano and orchestra by French composer Claude Debussy.
 It was composed between October 1889 and April 1890 but it received its first public performance only in 1919, a year after Debussy's death, in London by the Royal Philharmonic Orchestra with Alfred Cortot as soloist.
 It is Debussy's only composition for piano and orchestra and, even though it is written in a three movement form, it was not composed as a Piano Concerto.
 Today it is one of Debussy's least frequently performed works.
　This work is dedicated to the pianist René Chansarel, who had been scheduled to play the solo part for the cancelled premiere in 1890.
Jeux ("Games") is the last work for orchestra written by Claude Debussy.
 Described as a "poème dansé" (literally a "danced poem"), it was originally intended to accompany a ballet and was written for the Ballets Russes of Sergei Diaghilev to choreography by Vaslav Nijinsky.
 Debussy initially objected to the scenario, but reconsidered the commission when Diaghilev doubled the fee.
 Debussy wrote the score quickly, from mid-August to mid-September 1912.
 Robert Orledge has analysed the chronology of Debussy's composition and preserved manuscripts of the score.
Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer.
 He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions.
 He was made Chevalier of the Legion of Honour in 1903.
 He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
The Orchestre Lamoureux (] ) officially known as the Société des Nouveaux-Concerts and also known as the Concerts Lamoureux) is an orchestral concert society which once gave weekly concerts by its own orchestra, founded in Paris by Charles Lamoureux in 1881.
 It has played an important role in French musical life, including giving the premieres of Emmanuel Chabrier's "España" (1883), Gabriel Fauré's "Pavane" (1888), Claude Debussy's "Nocturnes" (1900 and 1901) and "La mer" (1905), Maurice Ravel's "Menuet antique" (1930) and "Piano Concerto in G major" (1932).
Ariettes oubliées ("Forgotten Songs") is a song cycle for voice and piano, L. 60 by Claude Debussy, based on poems by Paul Verlaine.
 The six "arriettes" were composed mostly in Rome in 1886.
 The first two were completed in Paris in March 1887.
 They are dedicated to the singer Mary Garden who also sang Mélisande.
 The poetry of Paul Verlaine had a more profound influence on Claude Debussy's music than did Debussy's closest literary or musical acquaintances.
Flute, viola and harp are the instruments of a chamber music grouping that have become common through the establishment of ensembles that feature this set of instruments and have enjoyed new compositions written for the set.
 The first major composition written for the instruments was the Sonata for flute, viola and harp (1915) by Claude Debussy; Debussy had set out to compose a set of chamber works for "diverse ensembles," as distinguished from more common groupings like string quartet or piano trio.
 Though other composers have written chamber works that feature harp, this set of instruments has gained a repertoire, which places it among other established genres of the twentieth century such as the "Pierrot ensemble" (flute, clarinet, piano, violin and cello, with frequently added percussion or voice).
Six épigraphes antiques, L. 131, is a suite of six pieces by Claude Debussy, originally written for piano duo.
 Completed in July 1914, the suite was Debussy's only completed composition that year.
 In 1915 Debussy transcribed them for piano solo.
 Much of the music (over 100 measures) is taken from the musical accompaniments he had written in 1901 for his friend Pierre Louÿs's erotic lesbian poems "Les Chansons de Bilitis".
The Seduction of Claude Debussy is a 1999 concept album by Art of Noise, featuring a line-up of Trevor Horn, Anne Dudley, Paul Morley, and Lol Creme.
 Also appearing on the album are John Hurt, soprano Sally Bradshaw, Rakim, and Donna Lewis.
 The group blended the music of French impressionist composer Claude Debussy with drum and bass, opera, hip hop, jazz, and narration, and described the album as "the soundtrack to a film that wasn't made about the life of Claude Debussy."
Alexis Emmanuel Chabrier (] ; January 18, 1841September 13, 1894) was a French Romantic composer and pianist.
 Although known primarily for two of his orchestral works, "España" and "Joyeuse marche", he left an important corpus of operas (including "L'étoile"), songs, and piano music.
 He was admired by composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Schmitt, Stravinsky, and the group of composers known as Les six.
 Stravinsky alluded to "España" in his ballet "Petrushka"; Gustav Mahler called "España" "the beginnings of modern music" and alluded to the "Dance Villageoise" in the "Rondo Burleske" movement of his Ninth Symphony.
 Ravel wrote that the opening bars of "Le roi malgré lui" changed the course of harmony in France, Poulenc wrote a biography of the composer, and Richard Strauss conducted the first staged performance of Chabrier's incomplete opera "Briséïs".
Gwendoline is an opera in two acts and three scenes by the French composer Emmanuel Chabrier, with a libretto by Catulle Mendès.
 It was first performed at the Théâtre de la Monnaie, Brussels, Belgium on 10 April 1886.
 Further performances followed in Karlsruhe in 1889, Leipzig in 1890 and then in Lyons and Paris in 1893.
 "Gwendoline" was Chabrier's attempt to write a serious opera in the style of Richard Wagner.

Question: What country of origin does Claude Debussy and Emmanuel Chabrier have in common?
Answer: French