The Postmodern Condition: A Report on Knowledge (French: "La condition postmoderne: rapport sur le savoir" ) is a 1979 book by Jean-François Lyotard, in which Lyotard analyzes the notion of knowledge in postmodern society as the end of 'grand narratives' or metanarratives, which he considers a quintessential feature of modernity.
 Lyotard introduced the term 'postmodernism', which was previously only used by art critics, into philosophy and social sciences, with the following observation: "Simplifying to the extreme, I define postmodern as incredulity towards metanarratives".
 Originally written as a report on the influence of technology in exact sciences, commissioned by the "Conseil des universités du Québec", "The Postmodern Condition" was influential.
 Lyotard later admitted that he had a "less than limited" knowledge of the science he was to write about, deeming "The Postmodern Condition" his worst book.
Vincent van Gogh painted at least 18 paintings of olive trees, mostly in Saint-Rémy-de-Provence in 1889.
 At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and wheat fields.
The Starry Night is an oil on canvas by the Dutch post-impressionist painter Vincent van Gogh.
 Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an idealized village.
 It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest.
 It is regarded as among Van Gogh's finest works, and is one of the most recognized paintings in the history of Western culture.
Copies by Vincent van Gogh form an important group of paintings executed by Vincent van Gogh between 1887 and early 1890.
 While at Saint-Paul asylum in Saint-Rémy-de-Provence, France, where Van Gogh admitted himself, he strived to have subjects during the cold winter months.
 Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists.
 About twenty-one of the works were copies after, or inspired by, Jean-François Millet.
 Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique.
 Spiritual meaning and emotional comfort were expressed through symbolism and color.
 His brother Theo van Gogh would call the pieces in the series some of his best work.
Irises is one of several paintings of irises by the Dutch artist Vincent van Gogh, and one of a series of paintings he executed at the Saint Paul-de-Mausole asylum in Saint-Rémy-de-Provence, France, in the last year before his death in 1890.
Saint-Paul Asylum, Saint-Rémy is a collection of paintings that Vincent van Gogh did when he was a self-admitted patient at the Saint-Paul asylum in Saint-Rémy-de-Provence, since renamed the "Clinique Van Gogh", from May 1889 until May 1890.
 During much of his stay there he was confined to the grounds of the asylum, and he made paintings of the garden, the enclosed wheat field that he could see outside his room and a few portraits of individuals at the asylum.
Atmatusti is translated into English as being “what is pleasing to one's self” - it is important to recognize "what is pleasing to one's self, oneself is not equal one's self", for without knowing one's self one cannot know what is pleasing to self.
 For instance, editing this wikipedia line is pleasing to me, I'm self, re-editing it and leaving it to the prior state is also pleasing to me, thus only one who knows one's self must edit, all others are not following Atmatusti, thus Atmatusti is not meant for those who do not know one's self, taking oneself to be one's self is the root of all misery.
 Other scholars have also used different terms to describe atmatusti.
 For example, Derrett’s translation from French to English of Lingat’s ‘‘The Classical Law of India’’ has coined the term “inner contentment” in reference to atmatusti.
 Lingat states that inner contentment can be best understood as "the approval of one's conscious".
 Only Manu and Yājñavalkya refer to atmatusti as the fourth source of dharma within the Hindu Law tradition.
 Scholars reject atmatusti as a fourth source of dharma because of this.
 Textual accounts of Manu's and Yajnavalkya's placement of atmatusti as a fourth source of dharma can be found in The Law Code of Manu 2.6 and The Law Code of Yajnavalkya 1.7.
 Also, atmatusti does not share the same authority as sruti, smriti, and acara.
 Atmatusti differs significantly from the other three sources of dharma in that it is not based on an "authority exterior to man"; in other words, an individual is able to create their own authority for any issue not covered under sruti, smriti, and acara.
 The first three sources of law are rooted in the vedas whereas atmatusti is not.
 It is because of this that atmatusti, as a fourth source, is not recognized by most scholars due to the lack of legitimacy.
The Wheat Field is a series of oil paintings executed by Vincent van Gogh in Saint-Rémy-de-Provence.
 All of them depict the view Van Gogh had from the window of his bedroom on the top floor of the asylum: a field enclosed by stone walls just beneath his window and excluded from normal life by the rear wall of the asylum grounds; beyond this enclosure farm land, accompanied by olive groves and vineyards, ran up to the hills at the foot of the mountain range called Les Alpilles.
Prison Saint-Paul, also named Prison Saint-Paul - Saint Joseph was the maison d'arrêt of Lyon, France, located in the Confluence quarter, 2nd arrondissement of Lyon, in the south of the Gare de Lyon-Perrache.
 It was so named because of its proximity to the Palais de Justice and its address is 33 cours Suchet.
 The building, too old, is now the subject of new projects.
 All prisoners have been moved to the new prison of Corbas.
Self portrait is an 1889 oil on canvas painting by the post-impressionist artist Vincent van Gogh.
 The picture, which may have been van Gogh's last self-portrait, was painted in September that year, shortly before he left Saint-Rémy-de-Provence in southern France.

Question: Which painter of 'Irises' was self admitted to Saint Saint-Paul asylum in Saint-Rémy-de-Provence in 1889?
Answer: Vincent van Gogh