Chèo (] ) is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam.
 It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers.
 Chèo stage art is one of the great cultural heritage of the Vietnamese folk treasure.
 Chèo has been a popular art form of the Vietnamese people for many generations and has fostered the national spirit through its lyrical content.
The Halling ("hallingdansen") is a folk dance ("bygdedans") traditionally performed in rural Norway, although versions of the halling can also be found in parts of Sweden .
 The dance is traditionally performed by young men at weddings and parties.
Dongjing music (洞经音乐; "dòngjīng yīnyuè") or donjiang is a type of Chinese ritual music traditionally performed by the Nakhi people of Yunnan.
Chindu Bhagavatam is a drama type art which is very near to Yakshaganam and this is widely performed in Telangana, India.
 The art form has evolved over time from being restricted to a small sub-sect within a community to being performed all over the region and utilised by the State government.
Senegalese wrestling ("Njom" in Serer, "Lutte sénégalaise" or simply "Lutte avec frappe" in French, "Laamb" in Wolof, "Siɲɛta" in Bambara) is a type of folk wrestling traditionally performed by the Serer people and now a national sport in Senegal and parts of The Gambia, and is part of a larger West African form of traditional wrestling (fr. "
Lutte Traditionnelle").
 The Senegalese form traditionally allows blows with the hands ("frappe"), the only one of the West African traditions to do so.
 As a larger confederation and championship around Lutte Traditionnelle has developed since the 1990s, Senegalese fighters now practice both forms, called officially "Lutte Traditionnelle sans frappe" (for the international version) and "Lutte Traditionnelle avec frappe" for the striking version.
Butoh (舞踏 , Butō ) is a form of Japanese dance theatre that encompasses a diverse range of activities, techniques and motivations for dance, performance, or movement.
 Following World War II, butoh arose in 1959 through collaborations between its two key founders Hijikata Tatsumi and Ohno Kazuo.
 The art form is known to "resist fixity" and be difficult to define; notably, founder Hijikata Tatsumi viewed the formalisation of butoh with "distress".
 Common features of the art form include playful and grotesque imagery, taboo topics, extreme or absurd environments, and it is traditionally performed in white body makeup with slow hyper-controlled motion.
 However, with time butoh groups are increasingly being formed around the world, with their various aesthetic ideals and intentions.
Chinese variety art (Chinese: 雜技藝術) refers to a wide range of acrobatic acts, balancing acts and other demonstrations of physical skill traditionally performed by a troupe in China.
 Many of these acts have a long history in China and are still performed today.
The segaki (施餓鬼 , "feeding the hungry ghosts") is a ritual of Japanese Buddhism, traditionally performed to stop the suffering of the gaki or muenbotoke (the dead who have no living relatives), ghosts tormented by insatiable hunger.
 Alternatively, the ritual forces them to return to their portion of hell or keeps the spirits of the dead from falling into the realm of the gaki.
 The segaki may be performed at any time, but traditionally performed as part of the yearly Urabone (ullambana、
Yakshagana ( Kannada : "ಯಕ್ಷಗಾನ", Tulu : "ಆಟ") is a traditional theatre form that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form.
 This theatre style is mainly found in Tulunadu and some parts of Malenadu region's of Karnataka and Kerala.
Yakshagana is traditionally presented from dusk to dawn.
Margi Sathi (official name P. S. Sathi Devi) (1965 - 2015) was an exponent of Nangiǎr Kūthu which is a form of performing art derived from Koodiyattam and which is traditionally performed by the female members of the Chakkyar community of Kerala.
 She was also an accomplished expert in enacting the female characters in Koodiyattam.
 She has performed extensively within India and abroad.
 A notable performance was at the UNESCO headquarters in Paris in October 2001 as part of a programme to mark UNESCO's proclamation of Kutiyattam as a "masterpiece of oral and intangible heritage of humanity".
 Sathi had written the "attaprakaram" (performance manuals) for several Nangiǎr Kūthu performance.
 The "attaprakaram" for Sreeramacharitham (the story of Rama from Sita’s point of view) has been published as a book in 1999.
 She has also appeared in a few Malayalam movies.

Question: Where is the drama type of art which is very near to Chindu Bhagavatam is traditionally performed during what portion of the day? 
Answer: from dusk to dawn