Indonesia is a source, transit, and destination country for women, children, and men trafficked for the purposes of commercial sexual exploitation and forced labor.
 The greatest threat of trafficking facing Indonesian men and women is that posed by conditions of forced labor and debt bondage in more developed Asian countries and the Middle East.
 The government stopped permitting Indonesian women to travel to Japan and South Korea as “cultural performers,” to curtail a practice that led to victims being trafficked for commercial sexual exploitation.
 However, in 2007 traffickers increasingly used false documents, including passports, to obtain tourist visas for women and girls who are subsequently forced into prostitution in Japan, through the unlawful exploitation of recruitment debts as high as $20,000 each.
 Trafficking of young girls to Taiwan as brides, mainly from West Kalimantan, persisted.
 Traffickers use false marriage licenses and other false documentation in order to obtain visas and subsequently force the women and girls into prostitution.
 Women from the People’s Republic of China, Thailand, and Eastern Europe are trafficked to Indonesia for commercial sexual exploitation, although the numbers are small compared with the number of Indonesians trafficked for this purpose.
 A significant number of Indonesian men and women who migrate overseas each year to work in the construction, agriculture, manufacturing, and domestic service sectors are subjected to conditions of forced labor or debt bondage in Malaysia, Saudi Arabia, Iraq, Singapore, Taiwan, Hong Kong, United Arab Emirates, Jordan, Kuwait, Qatar, Syria, France, Belgium, Germany, and the Netherlands.
 Malaysia and Saudi Arabia are the top destinations for legal and illegal Indonesian migrant workers who are trafficked for domestic servitude, commercial sexual exploitation, and forced labor.
 Some labor recruitment companies, known as PJTKIs, operated similarly to trafficking rings, luring both male and female workers into debt bondage, involuntary servitude, and other trafficking situations.
 Some workers, often women intending to migrate, entered trafficking and trafficking-like situations during their attempt to find work abroad through licensed and unlicensed PJTKIs.
 These labor recruiters charged workers high commission fees—up to $3,000—which are not regulated under Indonesian law and often require workers to incur debt to pay, leaving them vulnerable in some instances to situations of debt bondage.
 PJTKIs also reportedly withheld the documents of some workers, and confined them in holding centers, sometimes for periods of many months.
 Some PJTKIs also used threats of violence to maintain control over prospective migrant workers.
 Recruitment agencies routinely falsified birth dates, including for children, in order to apply for passports and migrant worker documents.
 Internal trafficking is a significant problem in Indonesia with women and children exploited in domestic servitude, commercial sexual exploitation, rural agriculture, mining, fishing, and cottage industries.
 Women and girls are trafficked into commercial sexual exploitation in Malaysia, Singapore, and throughout Indonesia.
 Indonesians are recruited with offers of jobs in restaurants, factories, or as domestics and then forced into the sex trade.
 Young women and girls are trafficked throughout Indonesia and via the Riau Islands, Kalimantan, and Sulawesi to Malaysia and Singapore.
 Malaysians and Singaporeans constitute the largest number of sex tourists, and the Riau Islands and surrounding areas operate a “prostitution economy,” according to local officials.
 Sex tourism is rampant in most urban areas and tourist destinations.
 A 2006 bilateral MOU between the Indonesian and Malaysian governments, governing the employment of an estimated one million Indonesian domestic workers in Malaysia, failed to provide adequate protection to Indonesian migrant workers and explicitly endorsed a practice that is widely seen as a potential facilitator of forced labor—the right of Malaysian employers to hold the passports of Indonesian workers.
 This agreement has not been amended to offer protections from forced labor conditions.
The culture of the Isle of Man is influenced by its Celtic and, to a lesser extent, its Norse origins, though its close proximity to the United Kingdom, popularity as a UK tourist destination, and recent mass immigration by British migrant workers has meant that British influence has been dominant since the Revestment period.
 Recent revival campaigns have attempted to preserve the surviving vestiges of Manx culture after a long period of Anglicisation, and significant interest in the Manx language, history and musical tradition has been the result.
The Bloemfontein Conference was a meeting that took place in Bloemfontein, capital of the Orange Free State from May 31 until June 5, 1899.
 The main issue dealt with the status of British migrant workers called "Uitlanders", who mined the gold fields in Transvaal.
Dubplate Drama is a British television series that aired on Channel 4 between 11 November 2005 and 3 July 2009.
 The premise of the series involved a group of young musicians, leading role played by Shystie attempting to make it big by securing a record deal.
 Three series of the show were broadcast - the first series contained twelve fifteen-minute episodes, the second contained twelve thirty-minute episodes, and the third contained two feature-length specials of sixty minutes each.
 The show was described as "the world's first interactive drama series", as it allowed viewers to vote on the outcome of each episode.
 The first two series of the show were released on DVD, with the third remaining unreleased.
 The show was notable for its well-known British talent, including roles played by Shystie, Noel Clarke, Adam Deacon, N-Dubz and Tim Westwood.
Noel Anthony Clarke (born 6 December 1975) is an English actor, screenwriter, director, and comic book writer from London.
 He is known for playing Wyman Norris in "Auf Wiedersehen, Pet" and Mickey Smith in "Doctor Who".
 Clarke appeared in and wrote the screenplay for "Kidulthood" and wrote, directed and starred in the sequel, "Adulthood", which earned £1,209,319 during the opening weekend of its release.
 Clarke studied Media at the University of North London before going on to take acting classes at London's Actors Centre.
 Clarke won the Laurence Olivier Award for Most Promising Performer in 2003 and was awarded a BAFTA Orange Rising Star Award in 2009.
Adulthood (stylised as AdULTHOOD) is a 2008 British drama film.
 It was directed and written by Noel Clarke, who also stars as the protagonist, Sam Peel.
 Adulthood is a sequel to the 2006 film "Kidulthood", which Clarke also wrote, and depicts Peel's experiences after he is released from jail.
 It grossed £1,203,319 at the UK Box Office during its opening weekend, ranking above "The Incredible Hulk", "Indiana Jones and the Kingdom of the Crystal Skull" and "Sex and the City".
 After starring in the film, Adam Deacon decided to write and star in his own urban film, "Anuvahood".
Shanika Warren-Markland is a British actress.
 Markland began her career in television by playing the lead role of Lillie in Channel 4 program 'More Than Love’ and is best known for her lead role in BAFTA Award-winning director Noel Clarke’s action film "4.3.2.1.
".
Fast Girls is a 2011 British drama film directed by Regan Hall and written by Jay Basu, Noel Clarke and Roy Williams.
 It stars Lenora Crichlow, Lily James, Bradley James, Noel Clarke and Rupert Graves.
 The film follows the story of two women as they become professional sprinters and join the British relay team for a World Championship event.
 The film was launched at the Toronto International Film Festival in 2011, before having its world premiere in London on 7 June 2012.
 The film was released on 15 June in the United Kingdom.
Auf Wiedersehen, Pet (] , "Goodbye, Pet") is a British comedy-drama television programme about seven British migrant construction workers.
 In the first series, the men live and work on a building site in Düsseldorf.
Mícheál Ó hAodha was born in Galway, Ireland, the eldest of 11 children, Ó hAodha grew up between the west of Ireland and the north of England.
 He is one of the last of a very small group of poets who write in both Irish and English.
 His first collection, the bilingual “Survivor” Dúchas Dóchasach (2007) was introduced by National Book Award winner Colum McCann and illustrated by Irish-African artist Jean Hakizimana.
 His collection "Slán le hÉireann (Coiscéim] 2012)" (A Farewell to Ireland: Migrant Poems) on the experiences of Irish construction workers in England received high praise in "Poetry Ireland" and other publications.

Question: Noel Clarke is known for playing Wyman in what British comedy-drama television show about seven British migrant construction workers
Answer: Auf Wiedersehen, Pet