Jean ("Jehan") Titelouze (c. 1562/63 – 24 October 1633) was a French composer, poet and organist of the early Baroque period.
 His style was firmly rooted in the Renaissance vocal tradition, and as such was far removed from the distinctly French style of organ music that developed during the mid-17th century.
 However, his hymns and Magnificat settings are the earliest known published French organ collections, and he is regarded as the first composer of the French organ school.
Johann Sebastian Bach's Clavier-Übung II was published in 1735, containing two works written for performance on a two-manual harpsichord.
 In the publication, Bach contrasted a work in Italian style – a "Concerto nach Italienischem Gusto" ("Concerto after the Italian taste", now known as the "Italian Concerto"), BWV 971, with a work in French style, a suite which he called "Ouvertüre nach franzosischer Art" ("Overture in the French style", also known as the "French Overture"), BWV 831.
Marcel Moyse (pron.
 "moh-EEZ"; May 17, 1889 in St. Amour, France – November 1, 1984 in Brattleboro, Vermont, United States) was a French flutist.
 Moyse studied at the Paris Conservatory and was a student of Philippe Gaubert, Adolphe Hennebains, and Paul Taffanel; all of whom were flute virtuosos in their time.
 Moyse played principal flute in various Paris orchestras and appeared widely as a soloist and made many recordings.
 His trademark tone was clear, flexible, penetrating, and controlled by a fast vibrato.
 This was a characteristic of the ‘French style’ of flute playing that was to influence the modern standard for flutists worldwide.
Urban Kiz is a couple-dance that originated in France somewhere between 2000 and 2014 (Famous Dancer Moun Red claims to be dancing since 2008, (not known if he referred to Urban Kiz)).
 Urban Kiz is short for Urban Kizomba, but in speech one hardly ever refers to Urban Kizomba.
 Around 2015 the dance still went under various different names, such as: French Style, New Style, Neo-Kizomba, because no consensus was reached on a final name.
 The dance style evolved from Kizomba, when Kizomba music was influenced by urban music styles such as R&B, Rap, Dance and Hip Hop.
 As the music changed, the dancers made new interpretations on how to move on this music.
 The main difference with Kizomba is that the dancers generally have a larger distance between them and often don't have the chest-to-chest connection as is common with Kizomba.
 The figures made often also require movement along straight lines or changing direction only at perpendicular angles or reversing direction.
 Pivots and pirouettes of the lady are also more common in Urban Kiz than in Kizomba, although they did appear in Kizomba and especially in Semba (Kizomba was derived mainly from Semba influences), but not as much, since the chest-to-chest frame did not allow for it as much.
 The Urban Music is also characterized with a more dynamic change of pace, so in Kizomba one sees more slow transitions, accelerations and breaks (standing still in one pose).
 Contratempos are also often performed and preferably in sync with the Kizomba-beat.
 Characteristic for Urban Kiz are also the feint movements of the legs of the men and the hip movements or popping of the lady especially on tarraxinha-like music.
André Vera (1881–1971) was a French garden designer, town planner and pioneer of the Art Deco style.
 He is known for his collaboration with his brother, the painter and decorator Paul Vera.
 He wanted to renew French design, which he felt had been in decline since the 1840s, and to introduce a modern French style that maintained continuity with earlier French tradition.
 He was an advocate of the formal French garden, with strictly geometrical designs based on lines and squares in place of the curvilinear forms of Art Nouveau.
 In urban design he stressed the importance of including trees as architectural elements, which he thought would enhance the mental and physical health of the residents.
Louis XVI style, frequently also called Louis Seize, is a characteristic French style in art, architecture, and decorative motif which developed during the 19-year reign of the French monarch Louis XVI (1774–1793) though it often thought to encompass nearly twice that many (1750-1800).
 It saw the final phase of Rococo-style art as well as the birth of French neoclassicism and the Directoire style which followed it: whereas Rococo has become labeled as overdone and gawdy with its constant use of symmetric flourishes and excessive precise decoration, neoclassicism sought to evoke the artistic styles that were just then being rediscovered in Herculaneum and Pompeii: the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple, etc., as well as the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow.
The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach.
 The name "ouverture" refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music.
 More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture.
 This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that "Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written"; Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100.
 Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard.
 The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity.
Irish dance or Irish dancing is a group of traditional dance forms originating in Ireland, encompassing dancing both solo and in groups, and dancing for social, competitive and performance purposes.
 Irish dance in its current form developed from various influences such as French quadrilles and English country dancing throughout the 18th and 19th centuries.
 Dance was taught by "travelling dance masters" across Ireland throughout this period, and separate dance forms developed according to regional practice and differing purposes.
 Irish dance became a significant part of Irish culture, particularly for Irish nationalist movements.
 From the early 20th century, a number of organisations promoted and codified the various forms of dance, creating competitive structures and standardised styles.
Bernadette Mary Flynn (born 1 August 1979 in Nenagh, County Tipperary, Ireland) is an Irish dancer best known for her work in "Lord of the Dance" and "Feet of Flames".
The Kelley House is a historic building located in Dubuque, Iowa, United States.
 John and Mary Kelley bought this property from James Fanning in 1855.
 Kelley built this two-story structure, which is a rare example of Mississippi Valley French Colonial architecture in Iowa.
 While Kelley was not of French ancestry, the Dubuque area was initially settled by French Canadians. However, this house, completed by 1858, was completed well after the French influence in the area.
 It is also an example of the French style from the Southern United States and the Caribbean.
 Typical of this style is the full-length "galerie", or porch, with an exterior staircase, and the main living quarters located above a full-height ground floor level.
 Both of these elements are found in the Kelley house.
 It was listed on the National Register of Historic Places in 1978.

Question: Bernadette Flynn was a dancer in the style that took its influence from what French style?
Answer: quadrilles