François Truffaut: Stolen Portraits (French: François Truffaut: Portraits volés ) is a 1993 French documentary film directed by Michel Pascal and Serge Toubiana, about the film director François Truffaut.
 It was screened in the Un Certain Regard section at the 1993 Cannes Film Festival.
The Wild Child (French: L'Enfant sauvage , released in the United Kingdom as The Wild Boy) is a 1970 French film by director François Truffaut.
 Featuring Jean-Pierre Cargol, François Truffaut, Françoise Seigner and Jean Dasté, it tells the story of a child who spends the first eleven or twelve years of his life with little or no human contact.
 It is based on the true events regarding the child Victor of Aveyron, reported by Jean Marc Gaspard Itard.
 The film sold nearly 1.5 million tickets in France.
The Soft Skin (French: "La peau douce" ) is a 1964 French-Portuguese romantic drama film directed by François Truffaut and starring Jean Desailly, Françoise Dorléac, and Nelly Benedetti.
 Written by Truffaut and Jean-Louis Richard, the film is about a successful married publisher and lecturer who meets a beautiful air hostess with whom he has a love affair.
 The film was shot on location in Paris, Reims, and Lisbon, and several scenes were filmed at Paris-Orly Airport.
 At the 1964 Cannes Film Festival, the film was nominated for the Palme d'Or.
 Despite Truffaut's recent success with "Jules and Jim" and "The 400 Blows", "The Soft Skin" did not do well at the box office.
The Green Room (French: "La Chambre verte" ) is a 1978 French film directed by François Truffaut and based on the Henry James short story, "The Altar of the Dead", in which a man becomes obsessed with the dead people in his life and builds a memorial to them.
 It is also based on two other short stories by Henry James: "The Beast in the Jungle" and "The Way It Came".
 It was Truffaut's seventeenth feature film as a director and the third and last of his own films in which he acted in a leading role.
 It starred Truffaut, Nathalie Baye, Jean Dasté and Patrick Maléon.
Une Visite (French: "A Visit" ) was the first short film made by 23-year-old François Truffaut.
 It was filmed in Jacques Doniol-Valcroze’s apartment and its crew included Jacques Rivette, Alain Resnais and Truffaut's boyhood friend Robert Lachenay.
 It was only briefly screened for friends and is the only Truffaut film that has never been available for public viewing since Truffaut was unhappy with it.
Claude de Givray (born 7 April 1933) is a French film director and screenwriter.
 In 1960 he was co-director with François Truffaut for "Tire-au flanc".
 He directed the 1965 film "Un mari à un prix fixe", which starred Anna Karina.
 He was François Truffaut's co-writer to his films "Stolen Kisses" and "Bed and Board".
 Between the two films he wrote and directed the mini-series "Mauregard" starring Claude Jade, the heroine of the two Truffaut-Films.
 His last movie as Director was "Dernier banco" in 1984, starring Jean-Pierre Cassel and Michel Duchaussoy.
 In 1988 Claude Miller made the film "The Little Thief" based on a book by de Claude de Givray and Truffaut.
François Roland Truffaut (] ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave.
 In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films.
 Truffaut's film "The 400 Blows" came to be a defining film of the French New Wave movement.
 Unique in world cinema, the movie is followed over 20 years with classics "Stolen Kisses", "Bed and Board" and "Love on the Run" between 1958 and 1979.
 He also directed such other classics as "Shoot the Piano Player" (1960), "Jules et Jim" (1961), "The Wild Child" (1970), "Two English Girls" (1971), "Day for Night" (1973) and "The Woman Next Door" (1981).
The François Truffaut Award (Italian: "Premio François Truffaut" ) is an Italian film award, named in memory of French director François Truffaut, that has been awarded since 1988 at the Giffoni Film Festival.
Tarsem Singh Dhandwar (Punjabi: ਤਰਸੇਮ ਸਿੰਘ ਧੰਦ੍ਵਾਰ ; born 26 May 1961), known professionally as Tarsem, is an Indian-American director who has worked on films, music videos, and commercials.
Les Mistons ("The Mischief Makers") is a short film directed by François Truffaut in 1957.
 It was his second film after "Une Visite" in 1955 but it is considered his "first short film of any real consequence".
 Truffaut simply called it "my first real film".
 Moreover, it was Bernadette Lafont's film debut.
 She was at that time Gérard Blain's wife.
 The film demonstrates already some examples for Truffaut's "trademark tracking shots" and would "help define his style" as well as "set Truffaut on a path for his career".
 Truffaut's narrative stresses the details of life, hereby establishing one of the traits of the French New Wave.
 Thus he also became a predecessor of French film directors such as Jean-Pierre Jeunet ("Amélie").
 It has been stated that the formation of the French New Wave could be "tracked through two short films": Jean-Luc Godard's "All the Boys Are Called Patrick" and Truffaut's "Les Mistons".
 In 2013 the Museum of Modern Art in New York City screened this film together with Truffaut's "The 400 Blows".

Question: Are François Truffaut and Tarsem Singh of the same nationality?
Answer: no