Penrod and Sam is a 1931 American Pre-Code comedy film directed by William Beaudine and starring Leon Janney and Frank Coghlan Jr. It is an adaptation of the novel "Penrod and Sam" by Booth Tarkington.
 Beaudine had previously directed a 1923 silent version "Penrod and Sam", and was invited to remake his earlier success.
Billy the Kid vs. Dracula is a 1966 American low-budget horror-Western film directed by William Beaudine.
 It was released theatrically as part of a double bill, along with "Jesse James Meets Frankenstein's Daughter".
 Both films were shot in eight days at Corriganville Movie Ranch and at Paramount Studios in mid 1965; both were the final feature films of director William Beaudine.
 The film revolves around Billy the Kid played by stuntman Chuck Courtney trying to save his fiancee from Dracula (John Carradine repeating his role from the low-budget Universal Studios movie sequels to the Bela Lugosi classic).
 The films were produced by television producer Carroll Case for Joseph E. Levine.
Men in Her Life is a 1931 American Pre-Code drama film directed by William Beaudine and starring Lois Moran, Charles Bickford and Victor Varconi.
 It was based on a novel by Warner Fabian (Samuel Hopkins Adams).
 It was made during a brief spell Beaudine had working at Columbia Pictures.
 Critics considered the film one of the studio's better B releases.
 Part of the film was set in the Café de la Paix in Paris which was reconstructed authentically at the Columbia studios.
 Columbia also made a Spanish-language version of this film, entitled "Hombres en mi vida".
Road to Paradise is a 1930 American pre-Code drama film produced and distributed by First National Pictures, and starring Loretta Young, Jack Mulhall and Raymond Hatton.
 It was directed by William Beaudine and is based on a 1920 play Dodson Mitchell by Zelda Sears called "Cornered".
 The film was a remake of a 1924 silent version, entitled "Cornered", which was also directed by William Beaudine.
Adventures of Kitty O'Day is a 1945 American comedy mystery film directed by William Beaudine and starring Jean Parker, Peter Cookson and Tim Ryan.
 It was a sequel to the 1944 film "Detective Kitty O'Day".
 The two films were an attempt to create a new detective series but no further films were made.
 A third film, "Fashion Model", also directed by Beaudine, was made using a similar formula but with another actress playing a heroine with a different name.
"Le Cochon" (""The Pig"") is a fifty-minute featurette co-directed by Jean Eustache and Jean-Michel Barjol in 1970.
 Shot in a cinema verité style, it documents the traditional killing of a plump pig in a French rural village.
 Eustache had directed his first version of "La Rosiere de Pessac" (surrounding another annual tradition in his home village) in much the same unobtrusive style two years previously.
La Rosière de Pessac (The Virgin of Pessac) is the title of two hour-long films directed by Jean Eustache (in 1968 and 1979 respectively).
 The films cover an annual ceremony, held in Eustache's place of birth, in which the Mayor and his associates nominate a girl as the town's most virtuous.
 Therefore, the girls chosen in the two stated years are eponymous subjects of these documentaries, presented with the director's trademark hands-off style.
William Washington Beaudine (January 15, 1892 – March 18, 1970) was an American film actor and director.
 He was one of Hollywood's most prolific directors, turning out films in remarkable numbers and in a wide variety of genres.
The Mother and the Whore (French: La Maman et la Putain ) is a 1973 French film directed by Jean Eustache and starring Jean-Pierre Léaud, Bernadette Lafont and Françoise Lebrun.
 An examination of the relationships between three characters in a love triangle, it was Eustache's first feature film and is considered his masterpiece.
 Eustache wrote the screenplay drawing inspiration from his own relationships, and shot the film from May to July 1972.
Jean Eustache (] ; 30 November 1938 – 5 November 1981) was a French filmmaker.
 During his short career, he completed numerous shorts, in addition to a pair of highly regarded features, of which the first, "The Mother and the Whore", is considered a key work of post-Nouvelle Vague French cinema.

Question: Who has a wider scope of profession, Jean Eustache or William Beaudine?
Answer: William Washington Beaudine