Intabulation, from the Italian word "intavolatura", refers to an arrangement of a vocal or ensemble piece for keyboard, lute, or other plucked string instrument, written in tablature.
 It was a common practice in 14th–16th century keyboard and lute music.
 A direct effect of intabulation was one of the early advantages of keyboards, the ability to render multiple instruments' music on one instrument.
 The earliest intabulation is from the mid-14th century Robertsbridge Codex, also one of the first sources of keyboard music still in existence.
 Some other early sources of intabulated music are the Faenza and Reina manuscripts (from the 14th century) and the Buxheim manuscript (from the 15th century).
 The Faenza manuscript,the largest of these early manuscripts, written circa 1400, contains pieces written or transcribed in the 14th century, such as those by Francesco Landini and Guillaume de Machaut.
 More than half of its pieces are intabulations.
 The large Buxheim manuscript is dominated by intabulations, mainly of prominent composers of the time, including John Dunstaple, Gilles Binchois, Walter Frye, and Guillaume Dufay.
 The term "intabulation" continued to be popular through the 16th century, but fell out of use in the early 17th century, though the practice continued.
 The exception is the 16th- and 17th-century Italian keyboard pieces which included both vocal and instrumental music.
 Intabulations contain all the vocal lines of a polyphonic piece, for the most part, although they are sometimes combined or redistributed in order to work better on the instrument the intabulation is intended for, and idiomatic ornaments are sometimes added.
Derby Cathedral, known as the Cathedral of All Saints, is a grade I listed cathedral church in the city of Derby, in the county of Derbyshire, England.
 It was promoted from parish church status into a cathedral in 1927 in order to create a seat for the Bishop of Derby, which new see was created in that year.
 The original church of All Saints was founded in the mid-10th century as a royal collegiate church, dedicated to All Saints.
 It became a cathedral in 1927.
 The main body of the church as it stands today is a Georgian rebuilding by James Gibbs, completed in 1725.
 The tower dates from the 16th century, and a retrochoir was added in the 20th century.
Minster is an honorific title given to particular churches in England, most famously York Minster in York, Westminster in London and Southwell Minster in Southwell.
 The term "minster" is first found in royal foundation charters of the 7th century.
 Although it corresponds to the Latin "monasterium" or monastery, it then designated any settlement of clergy living a communal life and endowed by charter with the obligation of maintaining the daily office of prayer.
 Widespread in 10th-century Anglo-Saxon England, minsters declined in importance with the systematic introduction of parishes and parish churches from the 11th century onwards.
 It continued as a title of dignity in later medieval England, for instances where a cathedral, monastery, collegiate church or parish church had originated with an Anglo-Saxon foundation.
 Eventually a minster came to refer more generally to "any large or important church, especially a collegiate or cathedral church".
 In the 21st century, the Church of England has designated additional minsters by bestowing the status on existing parish churches.
Simone da Orsenigo was an Italian architect and builder of the 14th century.
 Hailing from Lombardy, he was most likely a native of Orsenigo, near Como.
 Orsenigo is remembered mostly for his work on the Cathedral of Milan.
 On a 1387 list of masters working on the Duomo, his name comes immediately after that of Marco da Campione, who headed the associates.
 On it, Orsenigo is called an engineer ("Insegnerius").
Fra Simone da Carnuli (born 15th century) was an Italian (Genoese) painter.
 He was a Franciscan monk of Genoa.
 He painted several pictures for his convent, two of which are dated 1519, representing the "Last Supper" and "Preaching of St. Anthony".
 He painted architectural designs and bird's-eye views with figures seen from an aerial perspective.
Parque Lira is a public park in the Tacubaya district of Mexico City, once a separate town from Mexico City.
 It is located on the 18th century estate of Vicente Lira.
 It is entered by a monumental archway designed by Italian architect Francesco Saverio Cavallari, an Italian architect who was active in Mexico 1857-1864.
Duomo ( , ] ) is a term for an Italian cathedral church.
 The formal Italian word for a church that is now a cathedral is "cattedrale"; a "duomo" may be either a present or a former cathedral (the latter always in a town that no longer has a bishop and therefore no longer has a cathedral, as for example Trevi).
 Some, like the Duomo of Monza, have never been cathedrals, although old and important.
The Cathedral of the Dormition (Russian: Успенский Собор , or "Uspensky sobor"), also known as the Assumption Cathedral or Cathedral of the Assumption is a Russian Orthodox church dedicated to the Dormition of the Theotokos.
 It is located on the north side of Cathedral Square of the Moscow Kremlin in Russia, where a narrow alley separates the north from the Patriarch's Palace with the Twelve Apostles Church.
 Southwest is Ivan the Great Bell Tower.
 Separately in the southwest, also separated by a narrow passage from the church, is the Palace of Facets.
 The Cathedral is regarded as the mother church of Muscovite Russia.
 In its present form it was constructed between 1475–79 at the behest of the Moscow Grand Duke Ivan III by the Italian architect Aristotele Fioravanti.
 From 1547 to 1896 it is where the Coronation of the Russian monarch was held.
 In addition, it is the burial place for most of the Moscow Metropolitans and Patriarchs of the Russian Orthodox Church.
Church of St. John the Baptist and St. John the Evangelist, since 1935 Minor Basilica, since 1992 the Cathedral of Toruń Diocese, is former main parish church of Old Town of Toruń.
 One of three Gothic churches of the town, built from brick, an aisled hall with a monumental west tower.
 The first church from the 13th century was a small hall without aisles and with polygonal presbytery.
 This was replaced by aisled hall church in the first half of the 14th century, which has been rebuilt many times and extended until it reached its present form at the end of 15th century.
 The interior is richly decorated and furnished.
 The earliest painted decorations in the presbytery date back to the 14th century and depict the Crucifixion and the Last Judgement.
 One of the side chapels is connected with Nicolaus Copernicus.
 There is a 13th-century baptismal font, supposedly used for baptizing the astronomer, 16th-century epitaph to him, and 18th-century monument.
 At the tower hangs Tuba Dei, the third-largest bell in Poland, cast in 1500.
Giuseppe Sardi (1680 – documented until 1768) was an Italian architect active in Rome.
 He was born at Sant'Angelo in Vado, Marche which was then part of the Papal States.
 Known primarily for his church of Santa Maria del Rosario in Marino outside Rome, his name has been linked with the design of the façade of the church of Santa Maria Maddalena in Rome although his involvement with this and with some other building projects remains uncertain.
 He is not to be confused with the Swiss Italian architect, Giuseppe Sardi (1624–1699), who was active in Venice.

Question: Simone da Orsenigo was an Italian architect and builder of the 14th century, his name is on the list of masters working on which term, for an Italian cathedral church?  
Answer: Duomo