David (] ) is a masterpiece of Renaissance sculpture created between 1501 and 1504 by Michelangelo.
Replicas of Michelangelo's "David" have been made numerous times, in plaster, imitation marble, fibreglass, snow, and other materials.
 There are many full-sized replicas of the statue around the world, perhaps the most prominent being the one in the original's position in the Piazza della Signoria in Florence, Italy, placed there in 1910.
 The original sculpture was moved indoors in 1873 to the Accademia Gallery in Florence, where it attracts many visitors.
 Others were made for study at art academies in the late nineteenth century and later, while the statue has also been replicated for various commercial reasons or as artistic statements in their own right.
 Smaller replicas are often considered kitsch.
"Stand Up Comedy" is a song by Irish rock band U2.
 It is the seventh track on their 2009 album "No Line on the Horizon".
 The track was first developed during the recording sessions in Fez, Morocco, but the band struggled to complete the song and it was recreated numerous times over the following 16 months.
 It underwent several title changes during this time, being referred to first as "For Your Love", then "Stand Up", and finally "Stand Up Comedy".
Marmorino Veneziano is a type of plaster or stucco.
 It is based on calcium oxide and used for interior and exterior wall decorations.
 Marmorino plaster can be finished via multiple techniques for a variety of matte, satin, and glossy final effects.
 It was used as far back as Roman times, but was made popular once more during the Renaissance 500 years ago in Venice.
List of Aegean frescos is a list of Minoan, Mycenaean, and related frescos and quasi-frescos (not completed before the plaster dried) found at Bronze Age archaeological sites on islands and in and around the shores of the Aegean Sea and other relevant places in the Eastern Mediterranean region.
 In cases where one civilization encroaches on another or a mixture of civilizations is present, both names are used.
 These frescos were primarily murals. Few murals of the times have survived on the walls.
 Rather, the majority of frescos were reconstructed from flakes of fallen plaster and stucco.
 They are not the originals, but are facsimiles of originals.
 Often considerable artistic license has been exercised in the reconstruction.
 More than one reconstruction may exist, and more than one name have been assigned.
 The medium in all cases is plaster for interior walls, stucco for exterior walls.
 Often exterior frescos were in relief.
 Frescos can never be dated more precisely than the period in which they were painted.
 No names of painters have survived from the Bronze Age.
 Due to the necessity for extensive restoration, individual styles are typically not discernible, except those of the restorers; however, some scholars have assigned a school or painter name to a name fresco.
 These are not generally accepted.
The Pantages Theatre is an historic theater in Salt Lake City, Utah in the United States of America.
 It opened in 1918 as the Pantages Theater, after the name of its owner, Alexander Pantages.
 Babe Ruth performed there in 1927.
 Abbott and Costello, Will Rogers, and many other celebrities also performed in the theater during its heyday.
 Formerly also known as the RKO Orpheum and later as the Utah Theater, it was built in 1918.
 The theater was originally built for vaudeville at the princely sum of over two million dollars, making it among the most expensive and opulent structures in the Pantages theater chain.
 The structure, designed by celebrated architect B. Marcus Priteca, was built in the interior of a city block, and reached by long grand gallery extending to Main Street.
 The interior lobby was done in an exotic neo-classical style, [the touted Pantages Greek] with ornate plaster work, an inlaid marble floor, and ramps ascending to the mezzanine level.
 The interior was accented with Alaskan marble and faux tile.
 The auditorium's proscenium was flanked with marble columns and gilded opera boxes.
 The hall's ceiling was decorated with a Tiffany skylight.
 The main floor of the auditorium seated 1700, and the balcony accommodated an additional 600 patrons.
 The theater functioned as a vaudeville venue through the 1920s, before being converted into a movie palace during the 1930s.
 Through most of the decade, the theater was owned by Radio-Keith Orpheum and was renamed the RKO Orpheum.
 By 1937, however, it had taken the name the Utah Theater, which has endured to the present.
 One of the highlights of the Utah as a movie venue was during the mid-1960s, when the Sound of Music had a run in the theater that lasted two years.
 In 1968, the theater was split into upper and lower levels, with the balcony being transformed into a second auditorium.
 This architectural arrangement, commonly known as "piggybacking," was frequently imposed on older traditional theaters during the 1960s and early 1970s.
 With this transformation, an escalator ascended from the Utah's mezzanine to the top rows of the balcony.
 During the remodeling the proscenium, box seating and some of the elaborate ornamentation was removed.
 In 1988, the structure ceased operation as a movie theater, and was used by local dance company until 1992, when the building was sold.
 After passing through the hands of various owners, the vacant building was purchased by the Salt Lake City Redevelopment Agency in 2009.
 At this time there are no definitive plans for the future of this theater.
Bucranium (plural "bucrania"; Latin, from Greek "βουκράνιον", referring to the skull of an ox) was a common form of carved decoration in Classical architecture used to fill the metopes between the triglyphs of the frieze of Doric temples.
 A bas-relief or painted decor consisting of a series of bucrania draped or decorated with garlands of fruit or flowers was a Roman motif drawn from marble altars, which have survived in some number; the motif was also later used on Renaissance, Baroque and Neoclassical buildings.
 The name is generally considered to be a reference to the practice of garlanding sacrificial oxen, the heads of which were displayed on the walls of the temples, a practice with a long history reaching back to the sophisticated Neolithic site of Çatalhöyük in eastern Anatolia, where cattle skulls were overlaid with white plaster.
Dame Lorraine (Trinidad and Tobago) or Mother Sally (Barbados) is a Carnival character.
 She is characterized as a voluptuously large woman who wears a long dress and dances in the mas.
 According to the Trinidad and Tobago National Library, the character is "imitative of the mas played by the 18th and early 19th century French planters, who would dress up in elegant costumes of the French aristocracy and parade in groups at private homes, particularly on Carnival Sunday night.
 They also performed the sophisticated dances of the period.
 The liberated slaves recreated these costumes – complete with elaborate fans and hats – in their own fashion, using materials that were readily available, such as assorted rags and imitation jewellery-type items, but emphasizing and exaggerating the physical characteristics, and dancing to small bandol and cuatro bands.
 they also put pillows or stuffings to make their behind and bosoms bigger".
 Whereas in the past it was mainly men who dressed as the Dame Lorraine character, lately more women portray the character.
The History of the True Cross or The Legend of the True Cross is a sequence of frescoes painted by Piero della Francesca in the Basilica of San Francesco in Arezzo.
 It is his largest work, and generally considered one of his finest, and an early Renaissance masterpiece.
Thomas Kershaw (1819–1898) was a leading British pioneer of marbleizing, the creation of imitation marble finishes.

Question: What is the name of the Renaissance masterpiece recreated numerous times in plaster, imitation marble, fiberglass, snow and other materials?
Answer: David