What's That I Hear?
: The Songs of Phil Ochs is a 1998 tribute compilation to the music of the late Phil Ochs.
 The various performers cover several generations of Ochs' admirers.
 All profits from the album's sales were divided equally between the non-profits, the ACLU Foundation of Southern California and "Sing Out!
 Magazine".
Farewells & Fantasies is the 1997 posthumous box set of the work of singer/songwriter Phil Ochs, chronicling his life and career in music from 1964 through 1970.
 With its non-chronological running order, it plays like three separate albums, each showcasing a different side of Ochs.
 The compilation was produced by Gary Stewart, Michael Ochs (Phil's brother) and Meegan Lee Ochs (Phil's daughter).
 Liner notes include a foreword by Meegan Lee Ochs, "The Sound of Freedom Callin'" by Michael Ventura and "Song of a Soldier: The Life and Times of Phil Ochs" by Mark Kemp, (Music News Editor of "Rolling Stone,") track-by-track explanations by Ben Edmonds, discography, selected bibliography, and many photographs, some of which are from the family's private collections.
 The box set is dedicated to a friend, co-writer, and inspiration to Phil Ochs, Bob Gibson, who died while the box set was in production.
 Its title comes from the back of Ochs' LP "Tape from California."
Philip David Ochs ( ; December 19, 1940 – April 9, 1976) was an American protest singer (or, as he preferred, a topical singer) and songwriter who was known for his sharp wit, sardonic humor, earnest humanism, political activism, insightful and alliterative lyrics, and distinctive voice.
 He wrote hundreds of songs in the 1960s and 1970s and released eight albums.
Gunfight At Carnegie Hall is Phil Ochs' final album, comprising songs recorded at the infamous, gold-suited, bomb-threat shortened first set at Carnegie Hall in New York City on March 27, 1970, though it contains less than half of the actual concert.
 The shows recorded that day served to surprise Ochs' fans, from his gold lamé Nudie suit modeled after Elvis Presley's to his covers of Presley, Conway Twitty, Buddy Holly and Merle Haggard songs, to his own re-arranged songs.
 Some fans loved it, but some attendees at the show were unhappy with the music he was playing, wanting only to hear "old" Ochs.
 Before he had a chance to convince them, the concert was cut short by a telephone bomb threat.
 Some angry fans — who had paid for a full concert — confronted Phil at a between-show dinner, and he took their names, promising to get them into the second show for free.
 But the box office was locked — Ochs smashed the glass, severely cutting his thumb.
 Breaking into the lockbox was the last straw.
 While they let Ochs perform the second show, he was immediately afterwards banned from performing at the venue permanently.
 He appeared onstage at the second show with a bandaged hand, telling the audience the story.
Interviews with Phil Ochs, alternatively known as "Broadside Ballads, Vol.
 11", is, as its title states, an interview with folksinger Phil Ochs conducted by "Broadside Magazine" around 1968 and released around eight years later, after Ochs' April 1976 suicide.
 The audio is available as a digital download on iTunes.
 A download or CD is also available from Smithsonian Folkways Recordings at http://www.folkways.si.edu/albumdetails.aspx?itemid=982
The War Is Over: The Best of Phil Ochs is a 1988 compilation album of Phil Ochs' works on A&M Records recorded between 1967 and 1970.
 With varying amounts of tracks from the albums, between two and five, from each album except "Gunfight At Carnegie Hall" (which was unrepresented), it paints a portrait of Ochs' later works that does not emphasize his folk songs, instead presenting the more introspective and/or experimental tracks.
 It did feature a live version of "I Ain't Marching Anymore" later reissued as a part of the 1991 album that presented the entire concert from which it was culled, "".
"There but for Fortune" is a song by American folk musician Phil Ochs.
 Ochs wrote the song in 1963 and recorded it twice, for "New Folks Volume 2" (Vanguard, 1964) and "Phil Ochs in Concert" (Elektra, 1966).
 Joan Baez also recorded "There but for Fortune" in 1964, and her version of the song became a chart hit.
Sings For Broadside, alternatively known as "Broadside Ballads, Vol.
 10", was a 1976 compilation of songs that Phil Ochs had recorded for Broadside Magazine as demonstration recordings or at benefit shows for them.
 Initially, Ochs had hoped for the magazine to release one single concert, but when the material he presented to them came up far too short for a full LP and not featuring several of his best and well-known numbers, he suggested they splice on whatever they desired.
 The result was this album, which featured tracks recorded between about 1965 and about 1973.
"Love Me, I'm a Liberal" is a satirical song by Phil Ochs, a U.S. protest singer.
 Originally released on his 1966 live album, "Phil Ochs in Concert", "Love Me, I'm a Liberal" was soon one of Ochs's most popular concert staples.
 The song mocks the differences between what liberals say and what they do.
Phil Ochs in Concert is Phil Ochs' third long player, released in 1966 on Elektra Records.
 Despite its title, it was not entirely live, as several tracks were actually recorded in the studio, owing to flaws in the live recordings made in Boston and New York City in late 1965 and early 66.
 The album's producers retained the essence of a live album by including song patter and audience reactions between and during the songs.
 "Phil Ochs in Concert" features many of the folksinger's most enduring songs and represents the culmination of Ochs' folk career, the last of his original albums to be all-acoustic.

Question: Which magazine recorded an album by Phil Ochs released the year he died? 
Answer: Broadside Magazine