The word Coloratura (] ) is originally from Italian, literally meaning "coloring", and derives from the Latin word "colorare" ("to color").
 When used in English, the term specifically refers to elaborate melody, particularly in vocal music and especially in operatic singing of the 18th and 19th centuries, with runs, trills, wide leaps, or similar virtuoso-like material.
 Its instrumental equivalent is ornamentation.
 It is also now widely used to refer to passages of such music, operatic roles in which such music plays a prominent part, and singers of these roles.
 (See also bel canto.)
A soubrette is a type of operatic soprano voice often cast as a female stock character in opera and theatre.
 The term arrived in English from Provençal via French, and means "conceited" or "coy".
 A soubrette is also defined as a young woman regarded as flirtatious or frivolous.
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills.
Ines Maria Ferraris (also Ina Maria Ferraris) (6 May 1882 in Turin – 11 December 1971 in Milan) was an Italian operatic soprano and pianist who sang for more than two decades at La Scala in addition to appearances on the international stage.
 Although popular in Italy, she had a particularly devoted fanbase throughout South America.
 A light lyric soprano with a pure and agile voice, Ferraris sang a wide repertoire that encompassed the verismo operas of Puccini, the Italian grand opera of Verdi, and the German operas of Richard Strauss.
 She is particularly remembered for portraying the role of Lisette in the world première of Puccini's "La rondine" in 1917.
A spinto soprano (also lirico-spinto, spinto lyric soprano or "pushed lyric") is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain.
 This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano.
 It generally uses "squillo" to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano.
Mignon Nevada (14 August 1886 – 25 June 1971) was an English operatic soprano.
 She was born in Paris, daughter of the American operatic soprano Emma Nevada and her English husband Raymond Palmer.
 She was named after the title character of the 1866 opera "Mignon", written by her godfather, French composer Ambroise Thomas.
 Her voice was light and agile, and her mother trained her to be a coloratura soprano, although Sir Thomas Beecham thought this was a mistake, that she should have been a mezzo-soprano instead.
The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C) to the A two octaves above (i.e. A–A).
 In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F) and as high as "high C" (C).
 The mezzo-soprano voice (unlike the soprano voice) is strong in the middle register and weaker in the head register, resulting in a deeper tone than the soprano voice.
Lisette Oropesa (born September 29, 1983) is a first generation Cuban American operatic soprano.
 She has a wide repertoire that includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini.
 With her lyric coloratura soprano voice, she has performed roles in her native Spanish and English, as well as German, French and Italian.
 She is particularly noted in the roles of Susanna, Gilda, Konstanze and Lucia.
Hjördis Gunborg Schymberg (April 24, 1909 – September 8, 2008) was a Swedish coloratura and lyric soprano active on the opera stage and in concert halls between 1934 and 1968.
 One of the leading singers of the Royal Swedish Opera, she was awarded the title of "Hovsångerska" (Court Singer) in 1943, and in her later years became a distinguished voice teacher.
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra.
 The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera.
 Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6).
 This is the most common female singing voice.
 There is a tendency to divide lyric sopranos into two groups, light and full.

Question: Hjördis Gunborg Schymberg was what type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills?
Answer: coloratura