Raga Jaunpuri , Jonpuri, or Javanpuri is a rāga in Hindustani classical music in the Asavari thaat.
 Some experts like Pandit Omkarnath Thakur consider it indistinguishable from the shuddha rishabh Asavari.
 Its attractive swaras also make it a popular raga in the Carnatic circles with a number of compositions in South India being tuned to Jonpuri.
Yaman (also known as Emaan in West Asia and 'Kalyani' in Carnatic classical music) is a heptatonic (Sampurna) Hindustani Classical raga of Kalyan Thaat.
Ramkali is a sweet early morning raga in Hindustani classical music which belongs to Bhairav thaat.
 In this raga, as in Bhairav, second degree (rishabh) and sixth degree (dhaivat) are flat.
 The vadi-samvadi are P/S, the aroha is S r G M P, G M d N S' and the avroha is S' N d P m P, d (N)d P, G M r S. Flat nishad (seventh degree) and sharp madhyama (fourth degree) are used often.
The Raga Bhinnashadaja is one of the most melodious Ragas of Hindustani Classical Music.
 It belongs to Bilawal Thata (Melakarta No. 29 Dheerashankarabharanam).
 It contains five Shuddha Swaras: Shadaja, Gandhar, Madhyama, Dhaivata and Nishad.
 Rishabh and Pancham are omitted.
 In the form of notation it contains S,G,M,D and N.
Desi (Hindi देसी or देशी) is a Hindustani classical raga.
 This raga may be affiliated with the Asavari thaat or with the Kafi thaat depending on the way of presentation.
 It is similar to raga Barwa.
Jog is a Raga in Hindustani classical music belonging to Khamaj thaat.
 It is one of the more popular ragas appearing often in films.
 Sometimes, experts assign this raga to be a member of Kafi thaat.
Raga Jaijaivanti also spelled as "Jaijaiwanti" is a rāga in Hindustani classical music in Khamaj thaat.
 According to the Guru Granth Sahib, this raga is a mixture of two other ragas - Bilaval and Sorath.
 This raga has not been mentioned in any ancient Indian classical scriptures on music.
 It is also not mentioned in the Ragmala at the end of Granth Sahib.
Asavari is a Hindustani classical raga.
 It belongs to the Asavari thāt and is performed in the morning hours.
Bilawal is a raga and basic "thaat" (musical mode) in Hindustani classical music.
 It is equivalent to the Carnatic melakarta raga Dheerasankarabharanam, as well as the Western Ionian mode (major scale) and contains the notes S R G m P D N S' ("see swara for explanation").
 The pitches of Bilawal thaat are all shuddha, or natural.
 Flat (komal) or sharp (tivra) of pitches always occurs with reference to the interval pattern in Bilawal thaat.
 The Indian national anthem  Jana gana mana is sung in raag Bilawal.
Raga Hameer is a nocturnal Hindustani Classical Raga nominally placed in the "thaat" Kalyan.
 All the "shuddha swaras" (Natural notes) along with "teevra madhyam" (F#) are used in it.
 Generally, its "vaadi swar" (the most used, principal note of a raga on which a pause may be taken) is "dhaivat" (A Natural) and the "samavaadi swar" (the secondmost used important note assisting the "vaadi swar") is "gandhar" (E Natural).
 However, some exponents consider the "vaadi swar" to be "pancham" (G Natural) as Hamir is mainly sung in the upper half of an octave and is nocturnal.
"Pancham" is not taken in the "aaroh" but is taken in "avroh".
Its jati is "Shadav Sampurn".
 "vadi Svar" is 'Dhaivat(Dh)' & 'Samvadi Swar' is 'Gandhar(g)'

Question: Raga Jaunpuri , Jonpuri, or Javanpuri is a rāga in Hindustani classical music, some experts consider it indistinguishable from the shuddha rishabh, in which titled Hindustani classical raga thaat?
Answer: Asavari