"Waqt" (Urdu: وقت, literal English translation: "time") is an alternative rock-influenced song by the Pakistani rock band Entity Paradigm, from their 2003 album Irtiqa.
 It was released as the fifth single from the album in 2004.
 The single was a hit and reach #1 on the music charts.
 "Waqt" features many electronics, live strings and guitars.
 The song was written by the band vocalist, Ahmed Ali Butt and Danish J. Khan.
USA European Connection was a disco group featuring vocals by Leza Holmes, Renne Johnson, and Sharon Williams.
 In 1978 USA European Connection hit #1 on the Hot Dance Music/Club Play chart with the "Come into My Heart" album.
 The genius behind USA European Connection is pioneering producer Boris Midney who was among the principal architects of the Eurodisco sound and one of the first to exploit the full potential of 48-track recording, his trademark blend of strings, horn and percussion created a sound as deep and lush as any heard during the disco era.
 Born in Russia, Midney is a classically trained composer who started out writing film scores; turning to disco, however, he discovered his true calling, and working under a number of guises including Caress, Beautiful Bend, the USA/European Connection, Masquerade, Double Discovery, Companion and Festival, he produced an enormously prolific body of work from his New York City studio ERAS recording.
"Daydream" is a song recorded in 1969 by the Belgian band Wallace Collection.
 It was composed by band members Sylvain Vanholme and Raymond Vincent, with David MacKay who also produced the single.
 The song is in the symphonic pop/rock genre, and uses strings and flutes.
 The song was a hit in mainland Europe, though popularity didn't make it to English speaking countries, despite its use of English lyrics.
 The song was covered several times, most notably by the Gunter Kallmann Orchestra in 1970.
We Broke the Rules is the second studio album by the Dominican-American band Aventura, released on July 2, 2002, by Premium Latin music.
 In "We Broke the Rules", Aventura pioneered the incorporation of elements of urban music like Pop, Hip-hop, and R&B, giving Bachata a new flavor and extending its appeal to those who preferred urban music styles.
 This new recipe used in "We Broke the Rules" gave birth to a new style of Bachata, “The NewYork School” or “Urban Bachata,” which is characterized by the inclusion of electric guitars instead of acoustic, and lyrics in Spanish and English instead of just Spanish.
 In addition, the singing style takes after R&B melodies.
 Part of this album’s success was because Aventura’s new style sounded smoother and more modern than previous Bachata groups’.
 "We Broke the Rules" was the beginning of Aventura’s success and the final step in solidifying Bachata as a relevant music genre, internationally speaking.
 The biggest hit of the album was a song called "Obsesión" featuring Judy Santos.
 According to the article called, "Aventura’s Adventure", “Obsesion, was the very first bachata act to land a No. 1 single, in Spanish, in virtually every European territory.”
 The song did more than just attract a Dominican or Spanish-speaking audience.
 Proof of its success is that the album sold around 1.5 million units internationally and remained in the number one position in the European charts in countries like Italy, France, Germany, and Norway for several weeks.
 For example, Obsession remained in the number one position in the French top 100 singles charts for seven weeks.
 Due to its sales, the song Obsession became the 442nd best selling in France’s music history.
 It was number one in the Italian top 50 singles for 16 weeks.
 The album’s themes mainly included heartbreak and melancholy, although it also included social themes like in “Amor de Madre,” or “Mother’s Love,” which is a song describing the lifelong struggle of a prostitute and her son.
 With its innovation and unique sound, "We Broke the Rules" opened the gates for a new era of Bachata, an era in which bachateros would not be considered third class musicians, but instead would be socially accepted, acclaimed, and respected.
Talluri Rameshwari (also known as Rameshwari) is an Indian actress.
 She was born and raised in Andhra Pradesh and spent her childhood in Kakinada.
 She is the younger of two sisters and has no brothers.
 Her elder sister's name is Krishna Kumari.
 She also acted in one of the Telugu movies.
 They used to live in Munsiff street, near 2-Town police station, Surya rao peta, Kakinada.
 She studied 1st standard to 5th standard in City Aided Elementary School.
 She studied from 6th to 10th standard in Municipal Girl's High School, Temple street.
 During that time they shifted their residence to 50 buildings area, Kakinada.
 She used to be so beautiful in her childhood as well as in her adolescence, resembling the veteran Hindi actress Rajshree ( V. Shantaram's daughter).
 She grew up speaking Telugu.
 She attended and graduated from FTII in 1975.
 She became very popular and still remains popular for her two hit Hindi films: "Dulhan Wahi Jo Piya Man Bhaye" (1977) and "Aasha" (1980), the latter earned her a Filmfare Nomination as Best Supporting Actress.
 She played the character Seetalu in the hit film "Seetamalakshmi" (1978), directed by K.Vishwanath, for which she received the Nandi Award for Best actress.
 Her credits include several other movies include Sunayana, Mera Rakshak, Sharda and others.
 She also worked in several films in other languages (Malayalam, Kannada, Bengali, Oriya, Bhojpuri).
 She is not a career savvy individual and never really pushed hard to reach her potential.
 She is very close and remains close to her family.
 She married her FTII class mate and pal, Punjabi actor-producer, Deepak Seth and has two sons Bhaskara Pratap Seth and Surya Prem Seth.
 She took a sabbatical from acting to raise her children, but recently returned to acting in films, playing mature roles.
 She and her husband produced a Hindi film titled "Hun Farishte Nahin" (1988) and a Punjabi film titled "Mein tuun assin tussin" (2007) based on the Shakespeare play "The Comedy of Errors".
 Lately she has been working in television series.
1 More Hit is a documentary film by Shauna Garr.
 It follows the life of hip hop producer J-Swift, formerly of The Pharcyde, from homelessness and crack addiction to his mission to win back his life and music career.
 1 More Hit screened at SXSW in 2007.
Black Sifichi is a Scottish / American spoken word artist and writer born in New York City and who now lives in Paris.
 He has recorded albums with a multitude of artists, including "Unsavoury Products" and "Genetically Modifidied" with The Black Dog.
 He co-wrote the cult hit 'Versus' with the group Ez3kiel.
 Recent releases are "Lost-Wax" with The Floating Roots Orchestra and "The Uncertain Trail" and "Floating Roots" with Lena.
 "Ashes to Ashes - Dub to Dub", "Spoken Dub Manifesto Vol 1."
 and a fourth album, Burning Before Sunset (TBR in March 2010 on Jarring Effects records) with 'Brain Damage' the duo from Saint-Étienne, France.
 In 2008 Sifichi recorded two tracks for Barry Adamson's label Central Control for the album "Our Moon is Full" with Strings of Consciousness led by Philippe Petit.
Speaking in Strings is a 1999 documentary film directed by Paola di Florio.
 The film is based on the life of Italian-born violinist Nadja Salerno-Sonnenberg, and it received a nomination for Best Feature Documentary Film at the 72nd Academy Awards.
Siddique–Lal are a screenwriter and director duo, consisting of Siddique and Lal.
 They were active together in Malayalam cinema during 1989–1995.
 Particularly known for making films in the comedy genre, the films that came out of the partnership include "Ramji Rao Speaking" (1989), "In Harihar Nagar" (1990), "Godfather" (1991), "Vietnam Colony" (1992), and "Kabooliwala" (1993).
 All of these films were some of the biggest hits in Malayalam cinema and many of them have a cult following in Kerala.
Beach party movies were an American subgenre of feature films produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, "Beach Party" in July 1963.
 With this film, AIP is credited with creating the genre.
 In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike.
 According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.

Question: Speaking in Strings and 1 More Hit, are films of which genre?
Answer: documentary