Eberhard Bosslet (born 1953) is a German contemporary artist who has been producing site-specific art and architectural-related works, such as sculpture, installation, light art and painting, all indoors and outdoors, since 1979.
 Born in Speyer, Germany, and living in Berlin and Dresden, he co-founded the artist group, "Material & Effect" ("Material & Wirkung") in Berlin in 1981, and since 1980, has been the co-director of the artistspace "MOPEDS" in Berlin/Kreuzberg that is involved in curating and managing non-conventional artshows.
Graham Goddard (born April 12, 1982) is a Trinidadian American conceptual artist known for making visual statements about the environment, spirituality and commodification through painting, sculpture and site-specific land art installations.
 Goddard's work has been exhibited at the Skirball Museum, the California African American Museum and numerous art galleries in the United States and abroad.
 Goddard is also the founder of All Public Art, a social media platform and mobile app for artists and art enthusiasts, which assists in the discovery of artwork in public spaces and provides a photo-sharing and e-commerce component for people to sell or purchase art related items.
The Ulrich Museum is an art museum located on the campus of Wichita State University, Wichita Kansas.
 It is known for the large Venetian glass and marble mosiac by Joan Miró, titled "Personnages Oiseaux," a 28 by mural on 80 panels.
 It is also well known for the large outdoor sculpture collection of 76 works across 330 acres, which was named Top Ten among campus sculptures in 2006 by "Public Art Review".
 The sculpture collection includes works by Joan Miró, Auguste Rodin and Fernando Botero.
 While the Ulrich features rotating exhibitions, its permanent collection includes works by Andy Goldsworthy, Zhang Huan, Sol LeWitt, Gordon Parks, Kara Walker, Andy Warhol and Frank Lloyd Wright.
Land Arts of the American West is a studio-based field program that seeks to construct an expanded definition of land art through direct experience connecting the full range of human interventions in the landscape—from pre-contact indigenous to contemporary practice.
 Land art includes everything from constructing a road, to taking a walk, building a monument, and leaving a mark in the sand.
 The program seeks to expand upon connections between typically separate fields.
 Each fall we spend two months camping while traveling 7,000 miles to engage sites that range from the CLUI complex at Wendover, Utah to the pottery culture at Mata Ortiz, Mexico, from earth works like Robert Smithson's Spiral Jetty to archeological sites like Chaco Canyon.
 We learn from the fact that Donald Judd surrounded himself with both contemporary sculpture and Navajo rugs; that Chaco Canyon and Roden Crater function as celestial instruments; and that the Very Large Array is a scientific research center with a powerful aesthetic presence on the land.
 We spend the semester living and working in the landscape with guest scholars that expand the range of our definition in disciplines including archeology, art history, architecture, ceramics, criticism, writing, design, and studio art.
 The immersive nature of how we experience the landscape triggers an amalgamated body of inquiry where students have the opportunity of time and space to develop authority in their work through direct action and reflection.
 Land Arts hinges on the primacy of first person experience and the realization that human-land relationships are rarely singular.
Andy Goldsworthy (born 26 July 1956) is a British sculptor, photographer and environmentalist producing site-specific sculpture and land art situated in natural and urban settings.
 He lives and works in Scotland.
Jason deCaires Taylor (born 12 August 1974 in Dover) is a British sculptor and creator of the world’s first underwater sculpture park - the Molinere Underwater Sculpture Park - and underwater museum.
 He is best known for installing site-specific underwater sculptures which develop into artificial coral reefs integrating his skills as a sculptor, marine conservationist, underwater photographer and scuba diving instructor.
 His works in Grenada have been listed among the Top 25 Wonders of the World by National Geographic.
 His most ambitious projects to date are the creation of the world's largest underwater sculpture museum, the Cancún Underwater Museum, situated off the coast between Cancún and Isla Mujeres, Mexico, and Ocean Atlas (2014), a 5-metre tall, 60-ton sculpture off the Bahamas.
 Taylor is currently based on the island of Lanzarote, Spain, working on a major new underwater museum for the Atlantic Ocean.
Phillip King PRA (born 1 May 1934,) is a British sculptor.
 He is one of Anthony Caro's best known students, even though the two artists are near contemporaries.
 Their education followed similar trajectories and they both worked as assistants to Henry Moore.
 Following the "New Generation" show at the Whitechapel Gallery, both Caro and King were included in the seminal 1966 exhibit, "Primary Structures" at the Jewish Museum in New York representing the British influence on the "New Art".
 In 2011, his work was represented in the Royal Academy exhibition on Modern British Sculpture which explored British sculpture of the twentieth century.
Miwon Kwon (born November 18, 1961) is a Korean-American curator and art history educator.
 Her work focuses on contemporary art, land art and site-specific art.
 She has curated several exhibitions at the Whitney Museum of American Art, and most recently she co-curated the exhibition "Ends of the Earth: Land Art to 1974" at the Museum of Contemporary Art, Los Angeles with Philipp Kaiser.
 She began her position in the Art History Department at UCLA in 1998, where she currently maintains her tenure as the department chair.
A sculpture garden or sculpture park is an outdoor garden dedicated to the presentation of sculpture, usually several permanently sited works in durable materials in landscaped surroundings.
 These installations are related to several similar concepts, most notably land art, where landscapes become the basis of a site-specific sculpture, and topiary gardens, which consists of training live plandliving sculptures.
Scrap and Salvage was a theatre company based in San Francisco, California dedicated to producing site-specific work.
 The company existed roughly from 2002 to 2009.
 It was created and co-directed by James Mulligan and Rafal Klopotowski.
 The company was likely the only group dedicated to producing site-specific work in Northern California during that period.

Question: What is the name of this British sculptor, photographer, and environmental producing site-specific sculpture and land art, who has a permanent exhibit at the Ulrich Museum?
Answer: Andy Goldsworthy