"Shall We Dance?"
 is a show tune from the 1951 Rodgers and Hammerstein musical, "The King and I".
 It is sung by Anna Leonowens and the King of Siam, played by Gertrude Lawrence (in the original Broadway production) and Yul Brynner respectively.
 In addition, it was sung by Valerie Hobson in the original London West End production, and Marni Nixon (who only voiced-over songs while Deborah Kerr acted) in the 1956 film of "The King and I".
 The song is about Anna reminiscing over the idea of finding love at an English dance.
 The song comes about after a conflict of love's meaning between Anna and the King; the King believes that love is a "silly complication of a pleasant simplicity" and a "fairy tale" while Anna believes that love is real and is natural.
 They sing the song "The Song of the King" which expresses predominantly the viewpoint of the King.
 After the song, Anna is trying to explain the idea of love in a simple way to the King and becomes caught up in her own experience of love at first sight which is told in the song "Shall We Dance?"
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A Biblical genre is a classification of Bible literature according to literary genre.
 The genre of a particular Bible passage is ordinarily identified by analysis of its general writing style, tone, form, structure, literary technique, content, design, and related linguistic factors; texts that exhibit a common set of literary features (very often in keeping with the writing styles of the times in which they were written) are together considered to be belonging to a genre.
 In Biblical studies, genres are usually associated with whole books of the Bible, because each of its books comprises a complete textual unit; however, a book may be internally composed of a variety of styles, forms, and so forth, and thus bear the characteristics of more than one genre (for example, chapter 1 of the Book of Revelation is prophetic/visionary; chapters 2 and 3 are similar to the epistle genre; etc.).
The Court of Common Pleas, or Common Bench, was a common law court in the English legal system that covered "common pleas"; actions between subject and subject, which did not concern the king.
 Created in the late 12th to early 13th century after splitting from the Exchequer of Pleas, the Common Pleas served as one of the central English courts for around 600 years.
 Authorised by Magna Carta to sit in a fixed location, the Common Pleas sat in Westminster Hall for its entire existence, joined by the Exchequer of Pleas and Court of King's Bench.
The Chief Justice of the Common Pleas was the head of the Court of Common Pleas, also known as the Common Bench or Common Place, which was the second-highest common law court in the English legal system until 1875, when it, along with the other two common law courts and the equity and probate courts, became part of the High Court of Justice.
 As such, the Chief Justice of the Common Pleas was one of the highest judicial officials in England, behind only the Lord High Chancellor and the Lord Chief Justice of England, who headed the Queen's Bench (King's when the monarch was male).
Bhpppavageete or Bhavageeth (literally 'emotion poetry') is a form of expressionist poetry and light music.
 Most of the poetry sung in this genre pertain to subjects like love, nature, philosophy etc., and the genre itself is not much different from Ghazals, though ghazals are bound to a peculiar metre.
 This genre is quite popular in many parts of India, notably in Karnataka and Maharashtra.
 This genre may be called by different names in other languages.
The King in Love () is a South Korean historical drama directed by Kim Sang-hyeop with screenplay by Song Ji-na, Park Chan-kyung and No Sun-jae, based on the novel of the same name by Kim Yi-ryung.
 It stars Im Si-wan, Im Yoon-ah and Hong Jong-hyun.
 The pre-produced drama aired on MBC from July 17, 2017 to September 19, 2017 on Mondays and Tuesdays.
Fiction in the '70s brought a return of old-fashioned storytelling, especially with Erich Segal's "Love Story".
 The early seventies also saw the decline of previously well-respected writers, such as Saul Bellow and Peter De Vries, both of whom released poorly received novels at the start of the decade, but rebounded critically as the decade wore on.
 Racism remained a key literary subject.
 John Updike emerged as a major literary figure with his 1971 novel "Rabbit Redux".
 Reflections of the 1960s experience also found roots in the literature of the decade through the works of Joyce Carol Oates and Wright Morris.
 With the rising cost of hardcover books and the increasing readership of "genre fiction", the paperback became a popular medium.
 Criminal non-fiction also became a popular topic.
 Irreverence and satire, typified in Kurt Vonnegut's "Breakfast of Champions", were common literary elements.
 The horror genre also emerged, and by the late seventies Stephen King had become one of the most popular novelists in America, a coveted position he maintained in the following decade.
Genre painting, also called genre scene or petit genre, depicts aspects of everyday life by portraying ordinary people engaged in common activities.
 One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively—thus distinguishing "petit genre" from history paintings (also called "grand genre") and portraits.
 A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model.
 In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question.
 The depictions can be realistic, imagined, or romanticized by the artist.
 Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class.
Justice of the Common Pleas was a puisne judicial position within the Court of Common Pleas of England and Wales, under the Chief Justice.
 The Common Pleas was the primary court of common law within England and Wales, dealing with "common" pleas (civil matters between subject and subject).
 It was created out of the common law jurisdiction of the Exchequer of Pleas, with splits forming during the 1190s and the division becoming formal by the beginning of the 13th century.
 The court became a key part of the Westminster courts, along with the Exchequer of Pleas (qualified to hear cases involving revenue owed to the King) and the Court of King's Bench (authorised to hear cases involving the King), but with the Writ of Quominus and the Statute of Westminster, both tried to extend their jurisdiction into the realm of common pleas.
 As a result, the courts jockeyed for power.
 In 1828 Henry Brougham, a Member of Parliament, complained in Parliament that as long as there were three courts unevenness was inevitable, saying that "It is not in the power of the courts, even if all were monopolies and other restrictions done away, to distribute business equally, as long as suitors are left free to choose their own tribunal", and that there would always be a favourite court, which would therefore attract the best lawyers and judges and entrench its position.
 The outcome was the Supreme Court of Judicature Act 1873, under which all the central courts were made part of a single Supreme Court of Judicature.
 Eventually the government created a High Court of Justice under Lord Coleridge by an Order in Council of 16 December 1880.
 At this point, the Common Pleas formally ceased to exist.
Sageuk (;    ) in Korean denotes historical period dramas, including traditional drama plays, films or television series.
 In English language literature sageuk usually refers to historical films and television series (of South Korea).

Question: What genre does The King in Love and Sageuk have in common?
Answer: drama