Dragana del Monaco (Serbian Cyrillic: Драгана дел Монако) is a Serbian mezzo-soprano opera singer.
 She received her doctorate from the Faculty of Arts and Music at Belgrade University, where she majored in solo singing.
 Dragana began her singing career in 1982 as a soloist with the Yugoslavian Ensemble Renaissance, and made her operatic debut in 1988 as Rosina in Rossini's "Il barbiere di Siviglia" at the Serbian National Theatre in Novi Sad.
 During that season, she also sang Preziosilla in Verdi's "La forza del destino", as well as Olga and Filippyevna in Tchaikovsky's "Eugene Onegin".
 In 1989, she received a scholarship from the Italian government to further her studies at the Milan Conservatory and went on to perform in many European opera houses as well as in Egypt, Syria, and Algeria.
 She is now the principal soloist of the Serbian National Theatre opera company.
 Amongst her recent opera performances outside Serbia are:
Iva Pacetti (13 December 1898, Prato - 19 January 1981, Milan) was an Italian operatic soprano who had an active international career from 1920-1947.
 Trained in Florence and Milan, she made her professional opera debut in her native city at the age of 21 as the title heroine in Giuseppe Verdi's "Aida" at the Teatro Metastasio.
 She reprised the role the following year at Loew's Lexington Theatre in New York City.
 In 1922 she had a triumphant success at the Teatro Carlo Felice as Elena in Arrigo Boito's "Mefistofele".
 Engagements with other important opera houses soon followed, including La Scala, the Teatro Costanzi, the Teatro di San Carlo, the Opéra de Monte-Carlo, the Chicago Civic Opera, the Teatro Colón, the Teatro Municipal in Rio de Janeiro, and the Theatro Municipal in São Paulo.
 From 1930-1933 she was committed to the Royal Opera House in London, portraying such roles as Desdemona in "Otello", Leonora in "La forza del destino", and the title role in "Tosca".
 The latter years of her career were spent performing primarily at La Scala where she was a frequent partner of Beniamino Gigli.
 She retired from the stage in 1947, after which she was active as a voice teacher in Milan.
La bohème (also known as "La bohème de Puccini") is a 2008 Austrian-German film of an opera directed by Robert Dornhelm.
 It is based on Giacomo Puccini's "La bohème".
Alessandro Polonini (1844, Crema – 1920, Crema) was an Italian bass-baritone.
 He created the roles of Benoît and Alcindoro in Puccini's opera "La bohème", as well as Geronte de Ravoir in his "Manon Lescaut".
 Polonini also created the role of the surgeon in Verdi's "La forza del destino".
La bohème (] , ] ) is an opera in four acts, composed by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on "Scènes de la vie de bohème" by Henri Murger.
 The world premiere performance of "La bohème" was in Turin on 1 February 1896 at the Teatro Regio, conducted by the young Arturo Toscanini; its U.S. premiere took place the following year, 1897, in Los Angeles.
 Since then, "La bohème" has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide.
La bohème (also known as "La bohème de Puccini") is a 1988 Italian-French film of an opera directed by Luigi Comencini.
 It is based on Giacomo Puccini's "La bohème".
La forza del destino (] ; "The Power of Fate", often translated "The Force of Destiny") is an Italian opera by Giuseppe Verdi.
 The libretto was written by Francesco Maria Piave based on a Spanish drama, "Don Álvaro o la fuerza del sino " (1835), by Ángel de Saavedra, 3rd Duke of Rivas, with a scene adapted from Friedrich Schiller's "Wallensteins Lager".
 It was first performed in the Bolshoi Kamenny Theatre of Saint Petersburg, Russia, on 10 November 1862 O.S. (N.S. 22 November).
Mark Delavan is an American operatic bass-baritone.
 He made his professional debut in 1986 at the San Francisco Opera in a small role in Giuseppe Verdi's "Don Carlos".
 He spent the next three years performing in numerous comprimario roles with the company.
 He has since returned to that opera house to sing Scarpia in Giacomo Puccini's "Tosca" (2004, with Carol Vaness in the title role) and Wotan in Richard Wagner's "The Ring Cycle" (2008, 2010, and 2011).
 In 2001 he made his debut at the Metropolitan Opera as Amonasro in Verdi's "Aida" with Deborah Voigt in the title role, Luciano Pavarotti as Radamès, Olga Borodina as Amneris, and James Levine conducting.
 He has since been heard at the Met as Alfio in Pietro Mascagni's "Cavalleria rusticana", Carlo Gérard in "Andrea Chénier", Count Tomsky in "The Queen of Spades", Don Carlo in Verdi's "La Forza del Destino", the Messenger in Richard Strauss' "Die Frau ohne Schatten", Scarpia, and the title roles in Verdi's "Nabucco", Verdi's "Rigoletto", and Verdi's "Simon Boccanegra".
Pier Miranda Ferraro (October 30, 1924 – January 18, 2008) was an Italian operatic tenor who had an active international opera career from 1951 through 1981.
 He particularly excelled in the dramatic Italian repertoire with his signature role being the title role in Giuseppe Verdi's opera "Otello".
 Other important roles in his performance repertoire included Radames in Verdi's "Aida", Alvaro in "La Forza del Destino", and de Grieux in Giacomo Puccini's "Manon Lescaut".
 He also found success in the German repertoire portraying Wagnerian heroes.
 Although he was a gifted singer and had a highly impressive list of performance credits, he never achieved the international recognition enjoyed by his most important contemporaries, such as Franco Corelli or Mario Del Monaco.
 After retiring from the opera stage in 1981 he took up a seteatrcond highly successful career as a voice teacher.
The Force of Destiny (Italian: La forza del destino ) is a 1950 Italian musical film directed by Carmine Gallone and starring Nelly Corradi, Tito Gobbi and Gino Sinimberghi.
 It is based on Giuseppe Verdi's opera "La forza del destino".

Question: Was La forza del destino or La bohème composed by Giacomo Puccini?
Answer: La bohème