Mstislav Leopoldovich "Slava" Rostropovich (Russian: Мстисла́в Леопо́льдович Ростропо́вич , "Mstislav Leopol'dovič Rostropovič", ] ; 27 March 192727 April 2007) was a Soviet and Russian cellist and conductor.
 He is considered to be one of the greatest cellists of the 20th century.
 In addition to his interpretations and technique, he was well known for both inspiring and commissioning new works, which enlarged the cello repertoire more than any cellist before or since.
 He inspired and premiered over 100 pieces, forming long-standing friendships and artistic partnerships with composers including Dmitri Shostakovich, Sergei Prokofiev, Henri Dutilleux, Witold Lutosławski, Olivier Messiaen, Luciano Berio, Krzysztof Penderecki, Alfred Schnittke, Norbert Moret, Andreas Makris and Benjamin Britten.
Edward Benjamin Britten, Baron Britten {'1': ", '2': ", '3': ", '4': "} (22 November 1913 – 4 December 1976) was an English composer, conductor and pianist.
 He was a central figure of 20th-century British classical music, with a range of works including opera, other vocal music, orchestral and chamber pieces.
 His best-known works include the opera "Peter Grimes" (1945), the "War Requiem" (1962) and the orchestral showpiece "The Young Person's Guide to the Orchestra" (1945).
Sergei Sergeyevich Prokofiev ( ; Russian: Сергей Сергеевич Прокофьев , "Sergej Sergejevič Prokofjev" ; 27 April 1891 – 5 March 1953) was a Soviet composer, pianist and conductor.
 As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century.
 His works include such widely heard works as the March from "The Love for Three Oranges," the suite "Lieutenant Kijé", the ballet "Romeo and Juliet" – from which "Dance of the Knights" is taken – and "Peter and the Wolf."
 Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a Symphony-Concerto for cello and orchestra, and nine completed piano sonatas.
Visions fugitives, Op. 22, are a series of short piano pieces composed by Russian composer Sergei Prokofiev (1891–1953) between 1915 and 1917.
 They were premiered by Prokofiev on April 15, 1918 in Petrograd, Soviet Union.
 They were written individually, many for specific friends of Prokofiev's, and he originally referred to them as his "doggies" because of their "bite".
 In August 1917, Prokofiev played them for Russian poet Konstantin Balmont, and others, at the home of a mutual friend.
 Balmont was inspired to compose a sonnet on the spot, called "a magnificent improvisation" by Prokofiev who named the pieces ""Mimolyotnosti"" from these lines in Balmont's poem: ""In every fleeting vision I see worlds, Filled with the fickle play of rainbows"".
 A French-speaking friend at the house, Kira Nikolayevna, immediately provided a French translation for the pieces: "Visions Fugitives".
 Prokofiev often performed only a couple of them at a time as encores at the end of his performances.
Barabbas is a 1950 novel by Pär Lagerkvist.
 It tells a version of the life of Barabbas, the man whom the Bible relates was released instead of Jesus.
 The novel is built on antithesis: Jesus dies first among the three crucified – Barabbas dies last.
 Jesus dies among several of his friends – Barabbas dies alone.
 Jesus talks to God – Barabbas talks to the darkness.
 The novel starts with Jesus' crucifixion and ends with Barabbas' crucifixion in Rome.
Benjamin Britten: A Life in the Twentieth Century is a book by the Australian author and composer Paul Kildea first published in January 2013 to mark the centenary year of British composer Benjamin Britten.
 The book was featured on BBC Radio 4's "Book of the Week" in February 2013.
Sergei Prokofiev's Lieutenant Kijé (Russian: Поручик Киже , "Poruchik Kizhe") music was originally written to accompany the film of the same name, produced by the Belgoskino film studios in Leningrad in 1933–34 and released in March 1934.
 It was Prokofiev's first attempt at film music, and his first commission from within the Soviet Union; he had lived abroad since the 1917 October Revolution.
 After the film's release, Prokofiev adapted the music into what became a popular orchestral suite, his Op.
 60.
Sergei Olegovich Prokofieff (16 January 1954 – 26 July 2014) was a Russian anthroposophist.
 He was the grandson of the composer Sergei Prokofiev and his first wife Lina Prokofiev, and the son of Oleg Prokofiev and his first wife Sofia Korovina.
 Born in Moscow, he studied fine arts and painting at the Moscow School of Art.
 He encountered anthroposophy in his youth, and soon made the decision to devote his life to it.
Sergei Prokofiev set to work on his Piano Concerto No. 2 in G minor, Op. 16, in 1912 and completed it in 1913.
 But this concerto is lost; the score was destroyed in a fire following the Russian Revolution.
 Prokofiev reconstructed the work in 1923, two years after finishing his Third Concerto, and declared it to be “so completely rewritten that it might almost be considered [Concerto] No. 4”; indeed its orchestration has features that clearly postdate the 1921 concerto.
 Performing as solo pianist, Prokofiev premiered this surviving “No. 2” in Paris on 8 May 1924 with Serge Koussevitzky conducting.
 It is dedicated to the memory of Maximilian Schmidthof, a friend of Prokofiev's at the St. Petersburg Conservatory who had killed himself in 1913.
Semyon Kotko (Russian: Семён Котко ), Op. 81, is an opera in five acts by Sergei Prokofiev to a libretto by Sergei Prokofiev and Valentin Katayev based on Katayev's 1937 novel "I, Son of Working People" (Russian: Я, сын трудового народа… ).
 It was premiered on 23 June 1940 at the Stanislavsky Opera Theatre in Moscow.

Question: Who dies first Benjamin Britten or Sergei Prokofiev?
Answer: Sergei Sergeyevich Prokofiev