Pontormo has works in the collection Uffizi Gallery
Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo, was an  Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity.On the wall to the right of the Deposition, Pontormo frescoed an Annunciation scene (at left).  As with the Deposition, the artist's primary attention is on the figures themselves rather than their setting.  Placed against white walls, the Angel Gabriel and Virgin Mary are presented in an environment that is so simplified as to almost seem stark.  The fictive architectural details above each of them, are painted to resemble the gray stone pietra serena that adorns the interior of Santa Felicità, thus uniting their painted space with the viewer's actual space.  The startling contrast between the figures and ground makes their brilliant garments almost seem to glow in the light of the window between them, against the stripped-down background, as if the couple miraculously appeared in an extension of the chapel wall.  The Annunciation resembles his above-mentioned Visitation in the church of San Michele at Carmignano in both the style and swaying postures.
Vasari tells us that the cupola was originally painted with God the Father and Four Patriarchs. The decoration in the dome of the chapel is now lost, but four roundels with the Evangelists still adorn the pendentives, worked on by both Pontormo and his chief pupil Agnolo Bronzino. The two artists collaborated so closely that specialists dispute which roundels each of them painted.
This tumultuous oval of figures took three years for Pontormo to complete. According to Vasari, because Pontormo desired above all to "do things his own way without being bothered by anyone," the artist screened off the chapel so as to prevent interfering opinions. Vasari continues, "And so, having painted it in his own way without any of his friends being able to point anything out to him, it was finally uncovered and seen with astonishment by all of Florence..."A number of Pontormo's other works have also remained in Florence; the Uffizi Gallery holds his mystical Supper at Emmaus as well as portraits.
Many of Pontormo's well-known canvases, such as the early Joseph in Egypt series (c. 1515) and the later Martyrdom of St Maurice and the Theban Legion (c. 1531) depict crowds milling about in extreme contrapposto of greatly varied positions.
His portraits, acutely characterized, show similarly Mannerist proportions.
holds works in the collection