Aleksandr Solzhenitsyn notable work The Gulag Archipelago
Later years in the Soviet Union
Solzhenitsyn made an unsuccessful attempt, with the help of Tvardovsky, to have his novel Cancer Ward legally published in the Soviet Union. This required the approval of the Union of Writers. Though some there appreciated it, the work was ultimately denied publication unless it was to be revised and cleaned of suspect statements and anti-Soviet insinuations.After Khrushchev's removal in 1964, the cultural climate again became more repressive. Publishing of Solzhenitsyn's work quickly stopped; as a writer, he became a non-person, and, by 1965, the KGB had seized some of his papers, including the manuscript of The First Circle. Meanwhile, Solzhenitsyn continued to secretly and feverishly work on the most well-known of his writings, The Gulag Archipelago.  The seizing of his novel manuscript first made him desperate and frightened, but gradually he realized that it had set him free from the pretenses and trappings of being an "officially acclaimed" writer, a status which had become familiar but which was becoming increasingly irrelevant.
After the KGB had confiscated Solzhenitsyn's materials in Moscow, in the years 1965 to 1967, the preparatory drafts of The Gulag Archipelago were turned into finished typescript in hiding at his friends' homes in Soviet Estonia. Solzhenitsyn had befriended Arnold Susi, a lawyer and former Minister of Education of Estonia in a Lubyanka Building prison cell. After completion, Solzhenitsyn's original handwritten script was kept hidden from the KGB in Estonia by Arnold Susi's daughter Heli Susi until the collapse of the Soviet Union.In 1969, Solzhenitsyn was expelled from the Union of Writers. In 1970, he was awarded the Nobel Prize in Literature. He could not receive the prize personally in Stockholm at that time, since he was afraid he would not be let back into the Soviet Union. Instead, it was suggested he should receive the prize in a special ceremony at the Swedish embassy in Moscow.  The Swedish government refused to accept this solution because such a ceremony and the ensuing media coverage might upset the Soviet Union and damage Swedish-Soviet relations. Instead, Solzhenitsyn received his prize at the 1974 ceremony after he had been expelled from the Soviet Union. In 1973, another manuscript written by Solzhenitsyn was confiscated by the KGB after his friend Elizaveta Voronyanskaya was questioned non-stop for five days until she revealed its location, according to a statement by Solzhenitsyn to Western reporters on September 6, 1973. According to Solzhenitsyn, "When she returned home, she hanged herself."The Gulag Archipelago was composed from 1958 to 1967, and has sold over thirty million copies in thirty-five languages. It was a three-volume, seven-part work on the Soviet prison camp system, which drew from Solzhenitsyn's experiences and the testimony of 256 former prisoners and Solzhenitsyn's own research into the history of the Russian penal system.  It discusses the system's origins from the founding of the Communist regime, with Vladimir Lenin having responsibility, detailing interrogation procedures, prisoner transports, prison camp culture, prisoner uprisings and revolts such as the Kengir uprising, and the practice of internal exile. Soviet and Communist studies historian and archival researcher Stephen G. Wheatcroft wrote that the book was essentially a "literary and political work", and "never claimed to place the camps in a historical or social-scientific quantitative perspective" but that in the case of qualitative estimates, Solzhenitsyn gave his high estimate as he wanted to challenge the Soviet authorities to show that "the scale of the camps was less than this." Historian J. Arch Getty wrote of Solzhenitsyn's methodology that "such documentation is methodically unacceptable in other fields of history", which gives priority to vague hearsay and leads towards selective bias. According to journalist Anne Applebaum, who has made extensive research on the Gulag, The Gulag Archipelago's rich and varied authorial voice, its unique weaving together of personal testimony, philosophical analysis, and historical investigation, and its unrelenting indictment of Communist ideology made it one of the most influential books of the 20th century.
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