Göttinger Hainbund influenced by Friedrich Gottlieb Klopstock
Origin and description
It was by means of a midnight ritual in an oaken grove that the Göttinger Hainbund was founded on 12 September 1772 by Johann Heinrich Voss, Ludwig Christoph Heinrich Hölty, Johann Martin Miller, Gottlieb Dieterich von Miller, Johann Friedrich Hahn and Johann Thomas Ludwig Wehrs, in the university town of Göttingen. The members knew one other through their presence at the University of Göttingen or through their contributions to the Göttinger Musenalmanach, a literary annual founded by Heinrich Christian Boie in 1770.
Their evident delight in wilderness and untamed Nature (as a counterweight to the rationalism of the Enlightenment) is what scholars use to connect them to Sturm und Drang, although not all commentators agree on who influenced whom, and in what way.
In the poetry of the 48-year-old Friedrich Gottlieb Klopstock they found their ideal. Their respect for him ran parallel to their disdain for Christoph Martin Wieland's jesting poetry, which they saw as frivolous, Frenchified work. On 2 July 1773, they celebrated Klopstock's birthday:Klopstock's chair, adorned with roses and carnations, stood at the head of the long table, also decorated with flowers; on it were placed the works of the poet, while under the chair lay Wieland's Idris torn up. "Cramer," relates Voss, "read some of Klopstock's odes having relation to Germany; then we took coffee, and made lighters for our pipes out of Wieland's writings. Even Boie, who did not smoke, was compelled to light one and to stamp upon the torn Idris. Afterwards we drank, in Rhine wine, to the health of Klopstock, the League, Ebert, Goethe, and Herder, and to the memory of Luther and Hermann. Klopstock's "Ode to Rhine Wine," and some others, were read. Conversation then flowed freely. With hats on, we talked about liberty and Germany and virtue; you can just imagine how. Then we supped, and finally burnt Wieland's Idris and likeness. Whether Klopstock has heard of our doings, or only guessed at them, I do not know; but he has written to ask for a description of the day."Wieland was untroubled and responded generously, referring to the members of the Hainbund, in a letter to Friedrich Heinrich Jacobi, as "well-meaning" youngsters without experience of the world. In fact, by 1779, Voss was counted among Wieland's friends.
The term Hainbund refers to Klopstock's ode "Der Hügel und der Hain" ("The Hill and the Grove", 1767), which contrasts citified Ancient Greek artistic ideals (symbolised by Mount Parnassus) with the simple rural virtue of the German bard. The two literary predecessors, Poet and Barde, vie for the allegiance of the modern Dichter. The Poet condemns the "voice of coarse Nature", but the Barde wins by emphasizing the closer spiritual connection he holds with the living German, and the Dichter exclaims: