Bilderstreit contributor to the creative work or subject Per Kirkeby
Bilderstreit (iconoclasm)
Hans Belting cites in Bilderstreit: ein Streit um die Moderne Jorge Luis Borges's The Duel: "Clara Glencairn entschied sich dafür, eine abstrakte Malerin zu sein." (El informe de Brodie, El duelo, "Clara Glencairn decided to become an abstract artist.")
Michael Compton discusses in Das Spiel der Stile – Duchamp und Picabia heute local differences and the role of America and Anti-Americanism.
Siegfried Gohr starts Über das Häßliche, das Entartete und den Schmutz with a contemplation about Picassos Les Demoiselles d'Avignon.
René Denizot mentions in Farbe Verbrechen the iconoclasm.
Per Kirkeby writes from a Danish point of view about visible and invisible Iconoclasm.
R. H. Fuchs speaks in Begegnung im Prado about artworks, that mirror each other.
Luciano Fabro finds in Die Kunst vor Gericht that the Autodafés started again in 1968.
Collaborator Co-creator Partner Contributing artist Feature