Guy Fawkes sex or gender male
Legacy
On 5 November 1605, Londoners were encouraged to celebrate the King's escape from assassination by lighting bonfires, provided that "this testemonye of joy be carefull done without any danger or disorder". An Act of Parliament designated each 5 November as a day of thanksgiving for "the joyful day of deliverance", and remained in force until 1859. Fawkes was one of 13 conspirators, but he is the individual most associated with the plot.In Britain, 5 November has variously been called Guy Fawkes Night, Guy Fawkes Day, Plot Night, and Bonfire Night (which can be traced directly back to the original celebration of 5 November 1605). Bonfires were accompanied by fireworks from the 1650s onwards, and it became the custom after 1673 to burn an effigy (usually of the pope) when heir presumptive James, Duke of York, converted to Catholicism. Effigies of other notable figures have found their way onto the bonfires, such as Paul Kruger, Margaret Thatcher, Liz Truss, Rishi Sunak and Vladimir Putin. The "guy" is normally created by children from old clothes, newspapers, and a mask. During the 19th century, "guy" came to mean an oddly dressed person, while in many places it has lost any pejorative connotation and instead refers to any male person and the plural form can refer to people of any gender (as in "you guys").James Sharpe, professor of history at the University of York, has described how Guy Fawkes came to be toasted as "the last man to enter Parliament with honest intentions". William Harrison Ainsworth's 1841 historical romance Guy Fawkes; or, The Gunpowder Treason portrays Fawkes in a generally sympathetic light, and his novel transformed Fawkes in the public perception into an "acceptable fictional character". Fawkes subsequently appeared as "essentially an action hero" in children's books and penny dreadfuls such as The Boyhood Days of Guy Fawkes; or, The Conspirators of Old London, published around 1905. According to historian Lewis Call, Fawkes is now "a major icon in modern political culture" whose face has become "a potentially powerful instrument for the articulation of postmodern anarchism" in the late 20th century.
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