Pitseolak Ashoona has works in the collection National Gallery of Canada
Through the following decade and until her death in 1983, Pitseolak continued to draw, and to work with new media. An arts grant awarded to her in 1975 sparked experimentation in a new medium – acrylic paint on canvas. Initially, she approached painting like drawing, outlining in pencil and then filling in with colour. As she gradually adapted to the nuances of the medium, she began laying down bold colours side by side to achieve her vivid affect.
Pitseolak found prints to be the most challenging, as she said in Dorothy Harley Eber's book Pitseolak: Pictures of My Life; "To make prints is not easy. You must think first and this is hard to do. But I am happy doing the prints." Though not active as a printmaker, Pitseolak experimented with drawing directly on copper plates and, to a lesser degree, lithographic stones.In 1973 she narrated her story in the National Film Board's animated documentary Pictures out of My Life, directed by Bozenna Heczko and based on interviews from Eber's book. Pitseolak was also featured on a stamp, issued on March 8, 1993 and designed by Heather J. Cooper, in commemoration of International Woman's Day.Pitseolak's work has been featured in exhibitions at Canadian museums, including the National Gallery of Canada, the Winnipeg Art Gallery, the Art Gallery of Ontario, the Canadian museum of civilizations, and the Vancouver Art Gallery. In 1975 she had a retrospective at the Smithsonian Institution in Washington D.C., organized by the Department of Indian and Northern Affairs Canada.
holds works in the collection