Dance of Time (Clodion) influenced by A Dance to the Music of Time
Iconography
Clodion may have been influenced by Poussin's painting, A Dance to the Music of Time, which was executed between 1634 and 1636 for Giulio Rospigliosi, the future Clement IX, and features figures personifying the hours, the seasons, and the fortunes of mankind. According to the seventeenth-century art critic and biographer Gian Pietro Bellori, the patron was primarily responsible for formulating the iconography of this painting, which reflects on the cycles of life through the representation of the passage of time. Although the painting remained in the Rospigliosi family until 1713, the composition was well known through prints and painted copies. The painting eventually passed through the collection of Cardinal Fesch, uncle of Napoleon Bonaparte, sometime after 1713 and appears to have been in France until 1845. Another source for Clodion's sculpture may have been a Roman copy of a Hellenistic marble group known as the Three Nymphs, which is presently in the collection of the Louvre. Thus, the three graceful figures could represent nymphs, the Three Graces, or the Horae–female deities personifying the passage of time. It is also possible that the dancing maidens were meant to evoke all of these associations while, as one specialist in eighteenth-century sculpture has noted, playing on the theme of the caryatid.