Hipponax writing language Ancient Greek
Muse, sing of Eurymedontiades, sea-swilling Charybdis,
his belly a sharp-slicing knife, his table manners atrocious;
sing how, condemned by public decree, he will perish obscenely
under a rain of stones, on the beach of the barren salt ocean''—fragment 128Most archaic poets (including the iambic poets Archilochus and Semonides) were influenced by the Ionian epic tradition, as represented in the work of Homer. Except for parody, Hipponax composed as if Homer never existed, avoiding not only heroic sentiment but even epic phrasing and vocabulary. He employed a form of Ionic Greek that included an unusually high proportion of Anatolian and particularly Lydian loanwords, as for example here where he addresses Zeus with the outlandish Lydian word for 'king' (nominative πάλμυς):Ὦ Ζεῦ, πάτερ Ζεῦ, θεῶν Ὀλυμπίων πάλμυ,
τί μ᾽ οὐκ ἔδωκας χρυσόν...
Zeus, father Zeus, sultan of the Olympian gods,
why have you not given me gold...?—fragment 38Eating, defecating and fornicating are frequent themes and often they are employed together, as in fragment 92, a tattered papyrus which narrates a sexual encounter in a malodorous privy, where a Lydian-speaking woman performs some esoteric and obscene rites on the narrator, including beating his genitals with a fig branch and inserting something up his anus, provoking incontinence and finally an attack by dung beetles—a wild scene that possibly inspired the 'Oenothea' episode in Petronius's Satyricon.
Hipponax remains a mystery. We have lost the matrix of these fascinating but puzzling fragments; ripped from their frame they leave us in doubt whether to take them seriously as autobiographical material (unlikely, but it has been done), as complete fiction (but there is no doubt that Bupalus and Athenis were real people), as part of a literary adaptation of some ritual of abuse (a komos or something similar), or as dramatic scripts for some abusive proto-comic performance. Whatever they were, they are a pungent reminder of the variety and vitality of archaic Greek literature and of how much we have lost." —B.M. Knox
The extant work also includes fragments of epodes (fr. 115-118) but the authorship is disputed by many modern scholars, who attribute them to Archilochus on various grounds, including for example the earlier poet's superior skill in invective and the fragments' resemblance to the tenth epode of Horace (an avowed imitator of Archilochus). Archilochus might also have been the source for an unusually beautiful line attributed to Hipponax (a line that has also been described "as clear, melodious and spare as a line of Sappho"):
εἴ μοι γένοιτο παρθένος καλή τε καὶ τέρεινα—fr. 119
If only I might have a maiden who is both beautiful and tender.
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