Johann Nepomuk Hummel instrument piano
Music
Hummel's music took a different direction from that of Beethoven. Looking forward, Hummel stepped into modernity through pieces like his Piano Sonata in F-sharp minor, Op. 81, cherished by Robert Schumann, and his Fantasy, Op. 18, for piano. These pieces are examples where Hummel may be seen to both challenge the classical harmonic structures and stretch the sonata form.
His main oeuvre is for the piano, on which instrument he was one of the great virtuosi of his day. He wrote eight piano concertos, a double concerto for violin and piano, ten piano sonatas (of which four are without opus numbers, and one is still unpublished), eight piano trios, a piano quartet, a piano quintet, a wind octet, a cello sonata, two piano septets, a mandolin concerto, a mandolin sonata, a Trumpet Concerto in E major written for the keyed trumpet (usually heard in the more convenient E-flat major), a "Grand Bassoon Concerto" in F, a quartet for clarinet, violin, viola, and cello, four hand piano music, 22 operas and Singspiels, masses, and much more, including a variation on a theme supplied by Anton Diabelli for part 2 of Vaterländischer Künstlerverein.
Although thought of in terms of the piano in modern times, Hummel was seriously and constantly interested in the guitar, and he was talented with the instrument. He was prolific in his writing, and his compositions for it begin with opus 7 and finish with opus 93. Other guitar works include Opp. 43, 53, 62, 63, 66, 71 and 91, which are written for a mixture of instruments.Hummel's output is marked by the conspicuous lack of a symphony. Of his eight piano concertos the first two are early Mozartesque compositions (S. 4/WoO 24 and S. 5) and the later six were numbered and published with opus numbers (Opp. 36, 85, 89, 110, 113, and posth.)
A full list of Hummel's works is available online.
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