Aurora Borealis (painting) depicts ship
Description and influences
The iconography of the painting suggested personal and nationalistic references. The peak in the painting had been named after Church during Hayes's expedition. Aurora Borealis incorporated details of Hayes' ship, drawn from a sketch he brought back upon returning from his expedition. Contrasted with Church's earlier painting of the north, The Icebergs (1861), the intact ship highlights Hayes' achievement in navigating this space, as well as the state of the nation in navigating the contentious historical moment. Presenting the ship's safe passage through the dark Arctic environment, Church suggested optimism for the future; a tiny light shines out from the ship's window.Charles Millard describes Church's paintings as "large in scale and size, sharply horizontal in format" and "dramatic in subject, but yielding in execution, and tend[ing] to exploit both value contrast and continuous tonal transition." Church's works, including Aurora Borealis, were completed using small touches of pigment built together through thin applications, leaving the viewer unaware of fracture between strokes. These works are also built around the tones of "ochre, brown, gray going to blue or green, and green" at the expense of the full value of color.
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