Armande Béjart spouse Molière
Life
She was the daughter of Madeleine Béjart and belonged to the Béjart family, a famous theatre family in 17th-century France. In 1643 her mother Madeleine co-founded, with Molière, the theatre company called Illustre Théâtre.
Molière directed her education and she grew up under his eye. Armande married Molière in 1662, when he was 40 and she 17. Together, they had three children: Louis (19 January – 11 November 1664), Marie Madeleine Esprit (3 August 1665 – 23 May 1723) and Pierre Jean-Baptiste Armand (15 September – 11 October 1672).Early career
She played her first important role in Molière's company in June 1663, as Élise in the Critique de l'école des femmes. She was out of the cast for a short time in 1664, when she had a son with Molière, with Louis XIV and Henrietta of England standing sponsors to the child.  Her mother had a relationship with Molière, which likely continued after her marriage to him.
In the spring, beginning with the fêtes at Versailles given by the king to Anne of Austria and Maria Theresa of Spain, she started her long list of important roles.  She was at her best as Celimène, really her own highly finished portrait, in Le Misanthrope, and just as admirable as Angélique in Le Malade imaginaire. She was the Elmire at the first performance of Tartuffe, and the Lucile of Le Bourgeois gentilhomme.All these parts were written by her husband to display her talents to the best advantage, and she made the most of her opportunities.
Neither was happy; the wife was a flirt, the husband jealous. On the strength of a scurrilous anonymous pamphlet, La Fameuse Comédienne, ou histoire de la Guérin (1688), her character was slandered. She was certainly guilty of indifference and ingratitude, possibly of infidelity; they separated after the birth of a daughter in 1665, and met only at the theatre until 1671. But Molière too could not resist the charm and grace which fascinated others, and they were reconciled.
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