Saint Joseph occupation carpenter
Professional life
In the Gospels, Joseph's occupation is mentioned only once. The Gospel of Matthew asks about Jesus:Is not this the carpenter's son (ho tou tektōnos huios)?
Joseph's description as a "tekton" (τέκτων) has been traditionally translated into English as "carpenter", but is a rather general word (from the same root that gives us "technical", "technology") that could cover makers of objects in various materials. The Greek term evokes an artisan with wood in general, or an artisan in iron or stone. But the specific association with woodworking is a constant in Early Christian tradition; Justin Martyr (died c. 165) wrote that Jesus made yokes and ploughs, and there are similar early references.In recent centuries – in step with a growing interest in Joseph's role in Gospel exegesis – he himself has become a focal figure in representations of the Holy Family. He is now often portrayed as a younger or even youthful man (perhaps especially in Protestant depictions), whether going about his work as a carpenter, or participating actively in the daily life of Mary and Jesus as an equal and openly affectionate member. Art critic and self proclaimed atheist Waldemar Januszczak however emphasises the preponderance of Joseph's representation as an old man, and sees this as the need. However Carolyn Wilson challenges the long-held view that pre-Tridentine images were often intended to demean him. According to Charlene Villaseñor Black, "Seventeenth-century Spanish and Mexican artists reconceptualized Joseph as an important figure, ... representing him as the youthful, physically robust, diligent head of the Holy Family." In Bartolomé Esteban Murillo's The Two Trinities, Saint Joseph is given the same prominence as the Virgin.Full cycles of his life are rare in the Middle Ages, although the scenes from the Life of the Virgin or Life of Christ where he is present are far more often seen. The Mérode Altarpiece of about 1425, where he has a panel to himself, working as a carpenter, is an early example of what remained relatively rare depictions of him pursuing his métier.Some statues of Joseph depict his staff as topped with flowers, recalling the non-canonical Gospel of James's account of how Mary's spouse was chosen by collecting the walking sticks of widowers in Palestine, and Joseph's alone bursting into flower, thus identifying him as divinely chosen. The Golden Legend, which derives its account from the much older Gospel of Pseudo-Matthew, tells a similar story, although it notes that all marriageable men of the Davidic line and not only widowers were ordered by the High Priest to present their rods at the Temple. Several Eastern Orthodox Nativity icons show Joseph tempted by the Devil (depicted as an old man with furled wings) to break off his betrothal, and how he resists that temptation. There are some paintings with him wearing a Jewish hat.
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