Ben-Hur (1959 film) nominated for Academy Award for Best Supporting Actor
Ben-Hur is a 1959 American epic religious film directed by William Wyler, produced by Sam Zimbalist, and starring Charlton Heston as the title character. A remake of the 1925 silent film with a similar title, it was adapted from Lew Wallace's 1880 novel Ben-Hur: A Tale of the Christ. The screenplay is credited to Karl Tunberg, but includes contributions from Maxwell Anderson, S. N. Behrman, Gore Vidal, and Christopher Fry.
Ben-Hur had the largest budget ($15.175 million), as well as the largest sets built, of any film produced at the time. Costume designer Elizabeth Haffenden oversaw a staff of 100 wardrobe fabricators to make the costumes, and a workshop employing 200 artists and workmen provided the hundreds of friezes and statues needed in the film. Filming commenced on May 18, 1958, and wrapped on January 7, 1959, with shooting lasting for 12 to 14 hours a day and six days a week. Pre-production began in Italy at Cinecittà around October 1957, and post-production took six months. Under cinematographer Robert L. Surtees, executives at Metro-Goldwyn-Mayer made the decision to produce the film in a widescreen format. Over 200 camels and 2,500 horses were used in the shooting of the film, with some 10,000 extras. The sea battle was filmed using miniatures in a huge tank on the back lot at the Metro-Goldwyn-Mayer Studios in Culver City, California. The nine-minute chariot race has become one of cinema's most famous action sequences, and the score, composed and conducted by Miklós Rózsa, was at the time the longest ever composed for a film, and was highly influential on cinema for over 15 years.
Following a $14.7 million marketing effort, Ben-Hur premiered at Loew's State Theatre in New York City on November 18, 1959. It was the fastest-grossing, as well as the highest-grossing film of 1959, becoming the second highest-grossing film in history at the time, after Gone with the Wind. It won a record eleven Academy Awards, including Best Picture, Best Director (Wyler), Best Actor in a Leading Role (Heston), Best Actor in a Supporting Role (Griffith), and Best Cinematography – Color (Surtees); it also won Golden Globe Awards for Best Motion Picture – Drama, Best Director, and Best Supporting Actor – Motion Picture for Stephen Boyd. In 1998, the American Film Institute named it the 72nd best American film and the second best American epic film in the AFI's 10 Top 10. In 2004, the National Film Preservation Board selected Ben-Hur for preservation by the National Film Registry of the Library of Congress for being "culturally, historically, or aesthetically significant".Accolades
Ben-Hur was nominated for 12 Academy Awards and won an unprecedented 11. As of 2023, only Titanic in 1998 and The Lord of the Rings: The Return of the King in 2004 have matched the film's wins. The only category that Ben-Hur did not win was for Best Adapted Screenplay (losing to Room at the Top), and most observers attributed this to the controversy over the writing credit. MGM and Panavision shared a special technical Oscar in March 1960 for developing the Camera 65 photographic process.Ben-Hur also won three Golden Globe Awards – Best Motion Picture – Drama, Best Director, Best Supporting Actor – Motion Picture for Stephen Boyd – and received a Special Achievement Award (which went to Andrew Marton for directing the chariot race sequence). Heston was nominated for a Golden Globe in the Best Performance by an Actor in a Motion Picture – Drama category, but did not win. The picture also won the BAFTA Award for Best Film, the New York Film Critics Circle Award for Best Film, and the Directors Guild of America Award for Outstanding Directorial Achievement in a Motion Picture for William Wyler's masterful direction.Ben-Hur also appears on several "best of" lists generated by the American Film Institute, an independent non-profit organization created by the National Endowment for the Arts in 1967. The "AFI 100 Years... series" were created by juries consisting of over 1,500 artists, scholars, critics, and historians, with movies selected based on the film's popularity over time, historical significance, and cultural impact. Ben-Hur appeared at #72 on the 100 Movies, #49 on the 100 Thrills, #21 on the Film Scores, #56 on the 100 Cheers and #2 on the AFI's 10 Top 10 Epic film lists. In 2004, the National Film Preservation Board selected Ben-Hur for preservation by the National Film Registry for being a "culturally, historically, or aesthetically significant" motion picture. It was listed as number 491 on Empire's 500 Greatest films of all time.
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