Cupid instance of Roman deity
Roman Cupid
The ancient Roman Cupid was a god who embodied desire, but he had no temples or religious practices independent of other Roman deities such as Venus, whom he often accompanies as a side figure in cult statues. A Cupid might appear among the several statuettes for private devotion in a household shrine, but there is no clear distinction between figures for veneration and those displayed as art or decoration. This is a distinction from his Greek equivalent, Eros, who was commonly worshipped alongside his mother Aphrodite, and was even given a sacred day upon the 4th of every month.  Roman temples often served a secondary purpose as art museums, and Cicero mentions a statue of "Cupid" (Eros) by Praxiteles that was consecrated at a sacrarium and received religious veneration jointly with Hercules. An inscription from Cártama in Roman Spain records statues of Mars and Cupid among the public works of a wealthy female priest (sacerdos perpetua), and another list of benefactions by a procurator of Baetica includes statues of Venus and Cupid.Cupid became more common in Roman art from the time of Augustus, the first Roman emperor. After the Battle of Actium, when Antony and Cleopatra were defeated, Cupid transferring the weapons of Mars to his mother Venus became a motif of Augustan imagery. In the Aeneid, the national epic of Rome by the poet Virgil, Cupid disguises himself as Iulus, the son of Aeneas who was in turn the son of Venus herself, and in this form he beguiles Queen Dido of Carthage to fall in love with the hero. She gives safe harbor to Aeneas and his band of refugees from Troy, only to be abandoned by him as he fulfills his destiny to found Rome. Iulus (also known as Ascanius) becomes the mythical founder of the Julian family from which Julius Caesar came. Augustus, Caesar's heir, commemorated a beloved great-grandson who died as a child by having him portrayed as Cupid, dedicating one such statue at the Temple of Venus on the Capitoline Hill, and keeping one in his bedroom where he kissed it at night. A brother of this child became the emperor Claudius, whose mother Antonia appears in a surviving portrait-sculpture as Venus, with Cupid on her shoulder.  The Augustus of Prima Porta is accompanied by a Cupid riding a dolphin. Cupids in multiples appeared on the friezes of the Temple of Venus Genetrix (Venus as "Begetting Mother"), and influenced scenes of relief sculpture on other works such as sarcophagi, particularly those of children.
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