The Stonebreaker instance of painting
Perhaps in the most thickly-peopled country, some three days annually might suffice to shoot all the able-bodied Paupers that had accumulated during the year.
It was later claimed that by this painting, Wallis moved away from the Pre-Raphaelite principles towards those of an early Victorian Social Realism. However, for Wallis' contemporaries, The Stonebreaker consolidated his reputation as a true Pre-Raphaelite.The dead man wears the smock of an agricultural labourer which suggests that in former times  he would have been employed year-round on a farm. Changing social conditions have robbed him of his employment and forced him instead to accept the charity of the workhouse and the arduous job of flint-knapping to produce material for the roads.
type of example of manifestation of representation of