Bernardo Cavallino student of Massimo Stanzione
It is said that he trained with Massimo Stanzione, befriended the painter Andrea Vaccaro, and was influenced by Anthony van Dyck, but his paintings could also be described as equidistant from Caravaggio and Bartolomé Esteban Murillo in styles; tenebrism enveloped with a theatrical sweetness, a posed ecstasy and feeling characteristic of the high Roman baroque statuary. He is known to have worked in Neapolitan circles strongly influenced by Stanzione, which included Antonio de Bellis, Artemisia Gentileschi, Francesco Francanzano, Agostino Beltrano and Francesco Guarino.
One of his masterpieces is the billowing proletarian Blessed Virgin at the Brera Gallery in Milan. Passive amid the swirling, muscular putti, this Neapolitan signorina delicately rises from the fog, the updated Catholic baroque equivalent of a Botticelli's Venus. His The Ecstasy of St Cecilia exists both as cartoon (Museo di Capodimonte, Naples) and final copy in the Palazzo Vecchio of Florence. Finally, his Esther and Ahasuerus hangs in the Uffizi Gallery.
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