Jour de fête color black and white
Production
The movie was originally filmed in both black-and-white and Thomsoncolor, an early and untried color film process. In using both formats, Tati feared that Thomsoncolor might not be practical, a well-founded concern when the firm proved unable to complete the processing. A colour version has subsequently been released, with a prologue detailing the failure of the original colour recording and asserting that the new version is in accordance with the director's intentions. This version is in fact the work of Sophie Tatischeff, editor and daughter of Jacques Tati, and François Ede, cinematographer, who meticulously edited and restored the film from the original camera negative which had been preserved and stored away for years. The optical system device that allowed the restitution of the colors was restored and allowed, more than forty years after the shooting, to produce the original colors of the film.
hue tint shade tone pigmentation