Janet Cardiff part of Janet Cardiff & George Bures Miller
Solo works
Her first major work based on recorded sound was called The Whispering Room, a minimal work consisting of a dark space with 16 small round speakers mounted on stands that play the voice of individual characters. As visitors move through the space and the voices, a film projector is triggered playing a slightly slow-motion film.Some of Cardiff's most well-known solo works are her audio walks. Her first was created somewhat serendipitously during a residency at the Banff Centre in 1991. In 1996, she was asked to create a site-specific piece for the museum grounds at Louisiana Museum in Denmark. Since then, she has created notable walks such as Her Long Black Hair (2004), in and around Central Park, and Words Drawn in Water (2005) for the Hirshhorn Museum.Cardiff has been included in exhibitions such as Present Tense, Nine Artists in the Nineties, San Francisco Museum of Modern Art, NowHere, Louisiana Museum, Denmark, The Museum as Muse, Museum of Modern Art, the Carnegie International '99/00, the Tate Modern Opening Exhibition as well as a project commissioned by Artangel in London. This project ("The Missing Voice (Case Study B)") was commissioned in 1999 and continues to run. It is an audio tour that leaves from the Whitechapel Library, next to the Whitechapel tube stop and snakes its way through London's East End, weaving fictional narrative with descriptions about the actual landscape. Cardiff represented Canada at the São Paulo Art Biennial in 1998, and at the 6th Istanbul Biennial in 1999 with her partner George Bures Miller.In her Forty Part Motet (2001) she placed 40 speakers in 8 groups, each speaker playing a recording of one voice singing Thomas Tallis' Spem in alium, enabling the audience to walk through the space and "sample" individual voices of the polyphonic vocal music. This work is now part of the permanent collection of the National Gallery of Canada in Ottawa, Ontario, Canada., the Museum of Modern Art in New York City, and of Inhotim in Brumadinho, Brazil. This work was presented at The Cloisters, September to December 2013, that museum's first presentation of contemporary art. The work was installed in the Fuentidueña Chapel, which features the late twelfth-century apse from the church of San Martín at Fuentidueña, near Segovia, Spain, providing a transformed acoustic experience.A mid-career retrospective, Janet Cardiff: A Survey of Works, Including Collaborations with George Bures Miller, opened at P.S. 1 Contemporary Art Center, Long Island City, Queens, in 2001 and has travelled to Montréal, Oslo, and Turin. Exhibitions in 2006 include Good Vibrations–Le arti visive e il Rock, Palazzo delle Papesse, Centro Arte Contemporanea, Siena; Anticipation, The Museum of Contemporary Photography, Chicago; and Sonic Presence, Bergen Kunsthall, Bergen, Norway.
In Real Time (1999) was the very first video walk that Cardiff created.  It took place in the library of the Carnegie Museum of Art and begins with the participant donning a pair of headphones attached to a small video camera.  Upon playback Cardiff says to watch the screen and follow along with what we see and hear for approximately 18 minutes.  This piece relies on the discrepancies between what is seen on the video monitor and what is occurring in the library.
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