Onibaba (film) narrative location Japan
Onibaba (鬼婆, lit. "Demon hag"), also titled The Hole, is a 1964 Japanese historical drama and horror film written and directed by Kaneto Shindō. The film is set during a civil war in medieval Japan. Nobuko Otowa and Jitsuko Yoshimura play two women who kill infighting soldiers to steal their armor and possessions for survival, while Kei Satō plays the man who ultimately comes between them.Plot
The film is set somewhere in Japan near Kyoto, in the mid-fifteenth century during the violent outbreak of the Onin War and the beginnings of the civilly turbulent Sengoku Jidai. Two fleeing soldiers are ambushed in a large field of tall, thick reeds and murdered by an older woman and her young daughter-in-law. The two women loot the dead soldiers, strip them of their armour and weapons, and drop the bodies in a deep pit hidden in the field. The next day, they take the armor and weapons to a merchant named Ushi and trade them for food. The merchant tells them news of the war, which is driving people across the country to desperation. As they leave, Ushi makes a sexual proposition to the older woman, who rebuffs him. A neighbor named Hachi, who has been at war, returns. The two women ask about Kishi, who was both the older woman's son and younger woman's husband, and was drafted along with Hachi. Hachi tells them that they deserted the war and that Kishi was later killed when they were caught stealing food from farmers. The older woman warns the younger woman to stay away from Hachi, whom she blames for her son's death.
Hachi begins to show interest in the younger woman and, despite being warned to stay away from Hachi, she is seduced by him. She begins to sneak out every night to run to his hut and have sex. The older woman learns of the relationship and is both angry and jealous. She tries to seduce Hachi herself, but is coldly rebuffed. She then pleads with him to not take her daughter-in-law away, since she cannot kill and rob passing soldiers without her help.
One night, while Hachi and the younger woman are together, a lost samurai wearing a Hannya mask forces the older woman to guide him out of the field. He claims to wear the mask to protect his incredibly handsome face from harm. She tricks him into plunging to his death in the pit where the women dispose of their victims. She climbs down and steals the samurai's possessions and, with great difficulty, his mask, revealing the samurai's horribly disfigured face.
At night, as the younger woman goes to see Hachi, the older woman blocks her path, wearing the samurai's robes and hannya mask, frightening the girl into running home. During the day, the older woman further convinces the younger woman that the "demon" was real, as punishment for her affair with Hachi. The younger woman avoids Hachi during the day, but continues to try and see him at night. During a storm, the older woman again terrifies the younger woman with the mask, but Hachi, tired of being ignored, finds the younger woman and has sex with her in the grass as her mother-in-law watches. The older woman realizes that despite all her warnings, her daughter-in-law wants to be with Hachi. Hachi returns to his hut, where he discovers another deserter stealing his food; the deserter abruptly grabs his spear and stabs Hachi, killing him.
The older woman discovers that, after getting wet in the rain, the mask is impossible to remove. She reveals her scheme to her daughter-in-law and pleads for her to help take off the mask. The younger woman agrees to remove the mask after the older woman promises not to interfere with her relationship with Hachi. After failing to pull it off, the young woman breaks off the mask with a mallet. Under the mask, the older woman's face is now disfigured, as the deceased Samurai had been. It is implied that the previously removable mask was accursed by supernatural means, binding itself permanently to its wearer’s face by the power of rain (a metaphysical symbol of Buddhist punishment), but the truth behind the implied origin is never fully revealed. The younger woman, now believing her mother—in—law has turned into an actual demon, flees; the older woman runs after her, crying out that she is a human being, not a demon. The young woman leaps over the pit, and as the older woman leaps after her, the film ends.