Frederick the Great writing language French
In 1732, Frederick was restored to the Prussian Army as Colonel of the Regiment von der Goltz, stationed near Nauen and Neuruppin. When Prussia provided a contingent of troops to aid the Army of the Holy Roman Empire during the War of the Polish Succession, Frederick studied under Prince Eugene of Savoy during the campaign against France on the Rhine; he noted the weakness of the Imperial Army under Eugene's command, something that he would capitalise on at Austria's expense when he later took the throne. Frederick William, weakened by gout and seeking to reconcile with his heir, granted Frederick Schloss Rheinsberg in Rheinsberg, north of Neuruppin. At Rheinsberg, Frederick assembled a small number of musicians, actors and other artists. He spent his time reading, watching and acting in dramatic plays, as well as composing and playing music. Frederick formed the Bayard Order to discuss warfare with his friends; Heinrich August de la Motte Fouqué was made the grand master of the gatherings. Later, Frederick regarded this time as one of the happiest of his life.Reading and studying the works of Niccolò Machiavelli, such as The Prince, was considered necessary for any king in Europe to rule effectively. In 1739, Frederick finished his Anti-Machiavel, an idealistic rebuttal of Machiavelli. It was written in French—as were all of Frederick's works—and published anonymously in 1740, but Voltaire distributed it in Amsterdam to great popularity. Frederick's years dedicated to the arts instead of politics ended upon the 1740 death of Frederick William and his inheritance of the Kingdom of Prussia. Frederick and his father were more or less reconciled at the latter's death, and Frederick later admitted, despite their constant conflict, that Frederick William had been an effective ruler: "What a terrible man he was. But he was just, intelligent, and skilled in the management of affairs... it was through his efforts, through his tireless labour, that I have been able to accomplish everything that I have done since."Arts and education
Frederick was a patron of music, and the court musicians he supported included C. P. E. Bach, Carl Heinrich Graun and Franz Benda. A meeting with Johann Sebastian Bach in 1747 in Potsdam led to Bach's writing The Musical Offering. He was also a talented musician and composer in his own right, playing the transverse flute, as well as composing 121 sonatas for flute and continuo, four concertos for flute and strings, four sinfonias, three military marches and seven arias. Additionally, the Hohenfriedberger Marsch was allegedly written by Frederick to commemorate his victory in the Battle of Hohenfriedberg during the Second Silesian War. His flute sonatas were often composed in collaboration with Johann Joachim Quantz, who was Frederick's occasional music tutor in his youth and joined his court as composer and flute maker in 1741. Frederick's flute sonatas are written in the Baroque style in which flute plays the melody, sometimes imitating operatic vocal styles like the aria and recitative, while the accompaniment was usually played by just one instrument per part to highlight the delicate sound of the flute.Frederick also wrote sketches, outlines and libretti for opera that were included as part of the repertoire for the Berlin Opera House. These works, which were often completed in collaboration with Graun, included the operas Coriolano (1749), Silla (1753), Montezuma (1755), and Il tempio d'Amore (1756). Frederick saw opera as playing an important role in imparting enlightenment philosophy, using it to critique superstition and the Pietism that still held sway in Prussia. He also attempted to broaden access to opera by making admission to it free.Frederick also wrote philosophical works, publishing some of his writings under the title of The Works of a Sans-Souci Philosopher. Frederick corresponded with key French Enlightenment figures, including Voltaire, who at one point declared Frederick to be a philosopher-king, and the Marquis d'Argens, whom he appointed as Royal Chamberlain in 1742 and later as the Director of the Prussian Academy of Arts and Berlin State Opera. His openness to philosophy had its limits. He did not admire the encyclopédistes or the French intellectual avant-garde of his time, though he did shelter Rousseau from persecution for a number of years. Moreover, once he ascended the Prussian throne, he found it increasingly difficult to apply the philosophical ideas of his youth to his role as king.Like many European rulers of the time who were influenced by the prestige of Louis XIV of France and his court, Frederick adopted French tastes and manners, though in Frederick's case, the extent of his Francophile tendencies might also have been a reaction to the austerity of the family environment created by his father, who had a deep aversion for France and promoted an austere culture for his state. He was educated by French tutors, and almost all the books in his library, which covered topics as diverse as mathematics, art, politics, the classics, and literary works by 17th century French authors, were written in French. French was Frederick's preferred language for speaking and writing, though he had to rely on proofreaders to correct his difficulties with its spelling.Though Frederick used German as his working language with his administration and with the army, he claimed to have never learned it properly and never fully mastered speaking or writing it. He also disliked the German language, thinking it was inharmonious and awkward. He once commented that German authors "pile parenthesis upon parenthesis, and often you find only at the end of an entire page the verb on which depends the meaning of the whole sentence". He considered the German culture of his time, particularly literature and theatre, to be inferior to that of France; believing that it had been hindered by the devastation of the Thirty Years' War. He suggested that it could eventually equal its rivals, but this would require a complete codification of the German language, the emergence of talented German authors and extensive patronage of the arts by Germanic rulers. This was a project he believed would take a century or more. Frederick's love of French culture was not without limits either. He disapproved of the luxury and extravagance of the French royal court. He also ridiculed German princes, especially the Elector of Saxony and King of Poland, Augustus III, who imitated French sumptuousness. His own court remained quite Spartan, frugal and small and restricted to a limited circle of close friends, a layout similar to his father's court, though Frederick and his friends were far more culturally inclined than Frederick William.Despite his distaste for the German language, Frederick did sponsor the Königliche Deutsche Gesellschaft (Royal German Society), founded in Königsberg in 1741, the aim of which was to promote and develop the German language. He allowed the association to be titled "royal" and have its seat at the Königsberg Castle, but he does not seem to have taken much interest in the work of the society. Frederick also promoted the use of German instead of Latin in the field of law, as in the legal document Project des Corporis Juris Fridericiani (Project of the Frederician Body of Laws), which was written in German with the aim of being clear and easily understandable. Moreover, it was under his reign that Berlin became an important centre of German enlightenment.
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