Gaspar de Crayer instance of human
Gaspar de Crayer or Jasper de Crayer (18 November 1584 – 27 January 1669) was a Flemish painter known for his many Counter-Reformation altarpieces and portraits.  He was a court painter to the governors of the Southern Netherlands and worked in the principal cities of Flanders where he helped spread the Rubens style.Life
Gaspar de Crayer was born in Antwerp as the son of Gaspard de Crayer the Elder, a decorative painter, illuminator and art dealer. His mother Christina van Abshoven or Apshoven descended from a family of painters who at the time enjoyed some fame, but whose work is barely known now. Rather than stay in Antwerp, he looked for opportunity in the capital Brussels.  He is believed to have studied under Raphael Coxie, the court painter of the governors of the Spanish Netherlands Albert VII, Archduke of Austria and Isabella Clara Eugenia. He became a master in the Brussels Guild of Saint Luke in 1607.  He was a dean of the Guild from 1611 to 1616 and was a member of the Brussels city council in 1626–1627.  He remained in Brussels until 1664.Work
Gaspar de Crayer mainly painted portraits of the elite and Counter Reformation altarpieces for local and foreign churches.  His early work is in the trend of the 16th century tradition of artists such as Maerten de Vos of Antwerp and Hendrik de Clerck of Brussels who worked in a late Mannerist style.  Typical for this style is the unnatural perspective and the crowding of long wooden figures in the foreground. From 1618 he came under the influence of Rubens.  The level of borrowing of motifs from Rubens suggests that he had some form of contract with the workshop of Rubens since he could only have seen some models there. The influence is shown in a more monumental rendering of figures in more balanced compositions. Until 1630, de Crayer followed the style of Rubens' Classicist period.  The work Mocking of Job (1619, Musée des Augustins, Toulouse) is an example of this style.
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