evil knight, glowing halo, fantasy art, bloody armor, legendary armor, located in a castle, morning sunlight through the window, decorated, high quality, highly detailed, 4 k

cyberpunk evil concept inspired sports car, futuristic look, highly detailed body, very expensive, photorealistic camera shot, bright studio setting, studio lighting, crisp quality and light reflections, unreal engine 5 quality render

giant scary quadrupedal mining machine, four legs, highly detailed body, retro, industrial, in the style of simon stalenhag

evil knight, glowing halo, fantasy art, red intricate armor, located in a castle, morning sunlight through the window, decorated, high quality, highly detailed, 4 k

cyberpunk bladerunner concept inspired sports car, futuristic look, highly detailed body, very expensive, photorealistic camera shot, bright studio setting, studio lighting, crisp quality and light reflections, unreal engine 5 quality render

a detailed digital art of a stoned ancient celtic god alien on a balcony, outside alone smoking weed, a tropical mountain on a full moon night with dark clouds in the skies, artstation, ornate, award - winning art, 8 k, vivid color scheme, tilt shift focus, wide angle shot,

giant scary quadrupedal mining machine with drill, four legs, highly detailed body, retro, industrial, dark, dystopian, apocalyptic, in the style of simon stalenhag

cyberpunk ford concept inspired sports car, futuristic look, highly detailed body, very expensive, photorealistic camera shot, bright studio setting, studio lighting, crisp quality and light reflections, unreal engine 5 quality render

in the style of moebius, yoshitaka amano, ljuba popovic, miles johnston, agnes pelton, moebius, salmon khoshroo, lee griggs, timothy von rueden, odilon redon, miles johnston, klimt, mohrbacher, peter ferguson, leonora carrington, yukio kitt, yago hortal, lindsay kennedy, william bradford, william turner, by, lowell birge harrison, ivan aivazovsky, geovanni strazza, bernini, gerhard richter, zdzislaw beksinski, alphonse mucha, wallace and, inarticulatable space between words and images that foucault seeks to highlight. foucault even more than that, it may be the case that any historiable to operate outside of itself, it is possible that art is incapable of self - reflexive representation. shapiro writes, “ foucault is indeed concerned to make inescapable the gap between wmy collection 1 8 2 total ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ “ dreamy mountains, wavy, pallete knife, grains, impasto, paint pour, fractal, oil on canvas, smoke tendrils, in the style of yago hortal, lindsay kennedy, louise zhang, james jean, victor charreton, detail, 4 k, clay, 3 d render ” ￼ nathaniel × dall · e human & ai share hat we are able to say about the painting and what the painter, the king, or informed observers in the seventeenth century would have been able to say about it... every ekphrasis, we might say, is specif exstitute classical representation : that being the artist ( the one who represents ),