extremely detailed, tall man with long red hair, beautiful sly face, wearing black kimono, freckles, good posture, small golden earrings, big light blue eyes, winter, foggy forest, nighttime, mohtz artist

photograph of a red - necked fairy wren perched on twig,

selfie photograph of a cute thin petite chinese young woman with light pink hair, long hair, with full bangs, youthful face, small nose, porcelain skin tone, red blush, wearing casual clothes, small smile, relaxing on a couch, cozy living room, medium shot, 8 k, trending on instagram, trending on pinterest, portra 4 0 0

cute catgirl with long black curly hair and 2 small cat ears on her head wearing nice black lace short evening dress and black high - heeled shoes, in the middle of the square of a ruined post - apocalyptic city at sunset, full round face, short smile, symmetry face, fine details, cinematic lightning, 3 5 mm photo, cinematic wallpaper

in the style of yoshitaka amano, ljuba popovic, miles johnston, agnes pelton, moebius, salmon khoshroo, lee griggs, timothy von rueden, odilon redon, miles johnston, klimt, mohrbacher, peter ferguson, leonora carrington, yukio kitt, yago hortal, lindsay kennedy, william bradford, william turner, by, lowell birge harrison, ivan aivazovsky, geovanni strazza, bernini, gerhard richter, zdzislaw beksinski, alphonse mucha, wallace and, inarticulatable space between words and images that foucault seeks to highlight. foucault even more than that, it may be the case that any historiable to operate outside of itself, it is possible that art is incapable of self - reflexive representation. shapiro writes, “ foucault is indeed concerned to make inescapable the gap between wmy collection 1 8 2 total ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ ￼ “ dreamy mountains, wavy, pallete knife, grains, impasto, paint pour, fractal, oil on canvas, smoke tendrils, in the style of yago hortal, lindsay kennedy, louise zhang, james jean, victor charreton, detail, 4 k, clay, 3 db render ” ￼ nathaniel × dall · e human & ai share hat we are able to say about the painting and what the painter, the king, or informed observers in the seventeenth century would have been able to say about it... every ekphrasis, we might say, is specif exstitute classical representation : that being the artist ( the one who represents ),