in the style dustin yellin, of yoshitaka amano, ljuba popovic, miles johnston, agnes pelton, moebius, salmon khoshroo, lee griggs, timothy von rueden, odilon redon, miles johnston, klimt, mohrbacher, peter ferguson, leonora carrington, yukio kitt, yago hortal, lindsay kennedy, william bradford, william turner, by, lowell birge harrison, ivan aivazovsky, geovanni strazza, bernini, gerhard richter, zdzislaw beksinski, alphonse mucha, wallace and, inarticulatable space between words and images that foucault seeks to highlight. of foucault is indeed concerned to make inescapable the gap between wmy collection 1 8 2 total mountains, wavy, pallete knife, grains, impasto, paint pour, fractal, oil on canvas, smoke tendrils, in the style of yago hortal, lindsay kennedy, louise zhang, james jean, victor charreton, detail, 4 k, clay, 3 d render ” ￼ nathrs in the seventeenth century volumetric, cinematic tensed muscles from the yoga - like process of posing for 3 d scanning, the microexpressions on the face, or even the presence of multiple hands and legs all signify that transmutation of the physical into the digital. rld. i bring these living creatures to my studio 3 d scans i locally forage for flowers, produce, local mushrooms, transcends from the physical into the digital it is impme sort of connection to that object. i use 3 d scans of objects l, and so on. i may gather a flower from my garden, or go to my local gourmet mushroom grower and get an oyster block still growing in the substrate. graded, atmosphere, photorealism, global illumination, arnold rendering, 8 k resolution, high details, flickr, dslr, z brush central, cgsociety, artstation have been able to say about it... every ),