Thanks for sharing. Leyendecker's work pairs well against Sargent's before it. Whereas Sargent opts for soft edges nearly everywhere save a few points of sharp focus, Leyendecker sharpens every corner of every subject to a crisp finish. The difference may be one of scale: while Sargent intended his work to be viewed in person at full size, Leyendecker worked toward page-sized, eye-catching reproductions. Straddling both ends of this spectrum, Brad Holland's oeuvre features sharply-contoured editorial work [1] *and* softer, more mercurial canvases [2].