Return to Ommadawn

Return to Ommadawn is the twenty-sixth and final studio album by English musician and songwriter Mike Oldfield. It was released on 20 January 2017 on Virgin EMI Records and is the sequel to his 1975 album Ommadawn. The CD/DVD-Audio set contains a 5.1 surround sound mix of the album. Return to Ommadawn is the last studio album Oldfield released before the announcement of his retirement in 2023.
Background
In March 2014, Oldfield released his album Man on the Rocks, which marked a diversion from his traditional long-form, instrumental style of music as it comprised standard rock songs with vocals. When Oldfield started on his next album he took to social media, asking fans what sort of album they would like from him. He found that the majority of people who responded wished for a long-form, acoustic-oriented one similar to that of his first three: Tubular Bells (1973), Hergest Ridge (1974), and Ommadawn (1975), and learned that the latter had become a particular favourite among fans. This influenced Oldfield to record a sequel to Ommadawn which had been on his mind for some time; his 1990 album Amarok was originally going to be Ommadawn II before the material "went off in its own direction" and the idea was shelved. In addition, Oldfield wished to make the sequel after he logged into an online chat with French musician Jean-Michel Jarre, who said that he was a fan of Oldfield's music and wished to collaborate with him on his Electronica project, but considered his music "too acoustic". Oldfield recalled: "This got me thinking. If someone like him believes I'm an acoustic musician, then it showed how important that part of my career has been."
Recording
On 16 October 2015, Oldfield posted on his Twitter account that he had started working on music for "a new Ommadawn" for the past week to see if the concept "actually works". Oldfield was aware of the popularity of Hergest Ridge and used the album for inspiration for Return to Ommadawn. This was the case for the introduction, whereby a folk melody was to start the piece before Oldfield changed it to a more atmospheric one. Ideas were explored further in subsequent weeks, and Oldfield began recording in December 2015 at his home studio in Nassau, Bahamas. Early on, Oldfield realised that he was out of practise in his guitar technique, as his fingertips had softened, causing pain when playing. He focused on the instrument for three weeks to get up to scratch.
Oldfield began by gathering the necessary instruments that he intended to play on the album and arrange his studio into an environment that he could work in. This involved the purchase of a mandolin, ukulele, and bodhrán. He then decided to record in time with a wind-up metronome, as opposed to a programmed click track, and set up his workspace and Pro Tools software to resemble a 24-track machine that he had used in the 1970s. Oldfield had used Logic Pro software but found it increasingly unreliable, which prompted him to switch to Pro Tools and invest in larger, 4K resolution screens, which allowed him to view a 20-minute piece on one display without scrolling. Oldfield played sections of the album to his two sons for feedback; one suggested that a part sounded too busy and should instead feature just one instrument, which Oldfield took onboard and has bits that feature one guitar. As with the original Ommadawn, Oldfield left mistakes in the recording to retain a human quality to the music as opposed to a highly produced sound.
In May 2016, Oldfield stated on Facebook that the album was finished and that an official release date had yet to be confirmed. Towards the end of recording in late 2016, the Bahamas suffered a direct hit from Hurricane Matthew, which caused extensive damage to Oldfield's home, resulting in loss of main power for three weeks. When the album was finished, Oldfield delivered the recordings to Virgin EMI using a backup Internet connection through a small satellite dish installed on his roof. The transfer took around 24 hours due to the low speeds. On 7 December 2016, Oldfield announced a release date of 20 January 2017. On the same day, a 3-minute excerpt aired on Steve Wright's afternoon show on BBC Radio 2.
Return to Ommadawn is Oldfield's first album since Incantations (1978) that follows the format of having one track per side of vinyl simply titled "Part One" and "Part Two".
Reception
On Metacritic the album has a score of 64 out of 100 based on reviews from 7 critics, indicating "generally favorable reviews". It charted at number 1 in Spain.
Track listing
All music by Mike Oldfield.
Personnel
Music
All instruments played by Mike Oldfield.
Stringed instruments:
Acoustic steel guitar
Flamenco guitar
Bass guitar
Acoustic bass guitar
Electric guitars
Gibson
Fender Telecaster
Fender Stratocaster
PRS Signature
Mandolins
Banjo
Ukulele
Celtic harp
Keyboards:
Vox Continental organ
Hammond organ
Farfisa organ
Mellotron
Solina string machine
Clavioline
Piano
Percussion:
Bodhran
African table drums
Glockenspiel
Penny whistles in B♭, C, D, E♭, F, and G
Vocal effects derived from the original Ommadawn
Production
Mike Oldfield – production, engineering, inner cover photography, 5.1 surround sound mixing
Paschal Byrne – mastering at Audio Archiving
Miles Showell – half-speed vinyl mastering at Abbey Road Studios
Daryl Easlea – project co-ordination
Rupert Lloyd – illustration
Phil Smee – artwork
Charts
Weekly charts
Year-end charts
References
External links
Mike Oldfield
Mike Oldfield Discography – Return to Ommadawn at Tubular.net
2017 albums
Mike Oldfield albums
Virgin EMI Records albums
Sequel albums