Helena Dix

Helena Dix (born 26 May 1979) is an Australian operatic soprano and specialist in bel canto roles. In 2005 Dix represented Australia in BBC Cardiff Singer of the World. She was awarded as an associate of The Royal Academy of Music in 2015 for her significant contribution to the music industry.
Early life and education
Dix was born in Melbourne, Australia. She attended Caulfield Grammar School and gained a scholarship to Melba Memorial Conservatorium of Music, where she studied with her first teacher Margaret Nisbett OBE. She went on to do a postgraduate diploma in opera at the Royal Academy of Music in London, where she held an ABRSM scholarship and studied with Elizabeth Ritchie.
Career
Dix's operatic repertoire includes the title role in Cristina Regina di Svezia for Wexford Festival Opera, Oldenburgisches Staatstheater and Chelsea Opera Group. Elettra in Idomeneo and Odabella in Attila for Staatstheatrer Nurnberg and Theatre Lubreck. Gioconda in La Gioconda for Proyecto Ópera Universidad de Valladolid, Flowermaiden in Parsifal for English National Opera, Elvira (cover) in Ernani for the Metropolitan Opera, Isabella in Das Liebesverbot for Chelsea Opera Group. Rosalinde in Die Fledermaus and Hanna Glawari in The Merry Widow for Scottish Opera where she has also covered Frasquita in Carmen and Karolina in The Two Widows. Also, Fiordiligi in Cosi fan tutte, Donna Anna in Don Giovanni, Contessa in Le Nozze di Figaro and Nella in Gianni Schicchi for The Opera Project.
In 2014 Dix was nominated in the Best Young Singer category in The International Opera Awards.
Dix has developed a long working relationship with privately funded Melbourne Opera, in Victoria, Australia, returning in 2014 to perform her first Wagner role as Elsa in Lohengrin as well as many of the bel canto roles; Norma (Bellini) and Elisabetta (Elizabeth I) in Roberto Devereux (Donizetti) and most recently, Lady Macbeth from Verdi's Macbeth and Lucrezia Borga from Donizetti's opera of the same name.
In April 2020, Dix contracted COVID-19 that developed complications and required her to be hospitalised; she was featured in media outlets talking about using her operatic training to rehabilitate her body post infection.
For many years Dix has understudied roles at the Metropolitan Opera in New York, making her main stage debut in Verdi's Falstaff as Alice Ford. In March 2023, due to the last-minute withdrawal of Sonya Yoncheva, Dix gave her Metropolitan debut as Norma (Bellini). An audio recording of the performance, which includes Michael Spyres as Pollione and Ekaterina Gubanova as Adalgisa and is conducted by Maurizio Benini, is available for streaming at Met Opera on Demand.
Critical reception
Her portrayal of Elizabeth I in Roberto Devereux received positive reviews. Rob Holdsworth said she was "The most exciting voice since Sutherland" and The Age wrote:
The Arts Desk praised her performance in Das Liebesverbot:
Her portrayal of Lady Macbeth in Verdi's Macbeth was highly praised by Cassidy Knowlton of Time Out Melbourne, who said:
References
External links
Australian operatic sopranos
Musicians from Melbourne
1979 births
Living people
21st-century Australian singers
21st-century Australian women singers