Arthur P. Schmidt

Arthur P. Schmidt (August 21, 1912 – July 22, 1965) was an American film editor and producer. He had more than sixty film credits for editing from 1934 through 1962. In the 1950s, Schmidt edited five films directed by Billy Wilder, who has been called one of the great 20th Century filmmakers. In the 1960s, Schmidt was the associate producer for seven Jerry Lewis comedies.
Biography
Schmidt's first editing credits are for films from RKO Pictures, which was one of the major Hollywood studios in the 1930s; his RKO credits include Anne of Green Gables (1934). By 1936 he was working at a second studio, Paramount Pictures, where he remained for twenty years. He worked on several of the Bulldog Drummond B-movies, The Blue Dahlia (1946) and When Worlds Collide (1951). He edited seven films directed by George Marshall, including three comedies starring Bob Hope (Monsieur Beaucaire (1946), Sorrowful Jones (1949), and Off Limits (1953)).
At Paramount, Schmit began his notable collaboration with the director Billy Wilder. With Doane Harrison, he edited Sunset Boulevard (1950), which was nominated for the Academy Award for Best Film Editing. Harrison had been the editor for all of Wilder's films since his first American film as a director, The Major and the Minor (1942); ultimately, the two worked together on films for nearly thirty years.
Schmidt edited Wilder's next film, Ace in the Hole (1951), with Harrison again being credited as "editorial supervisor". Roger Ebert recently commented on this film, "There's not a wasted shot in Wilder's film, which is single-mindedly economical. Students of Arthur Schmidt's editing could learn from the way every shot does its duty. There's not even a gratuitous reaction shot."
Schmidt's third film with Wilder was Sabrina (1954), which was Wilder's last film with Paramount. Harrison's credit had changed to "editorial advisor". By 1957 both Schmidt and Wilder were working independently of Paramount. He edited The Spirit of St. Louis (1957); by then, Harrison was being credited as a producer. Schmidt's editing of The Spirit of St. Louis still attracts critical attention long after the film's release; the film tells the story of Charles Lindbergh's historic, first aircraft crossing of the Atlantic Ocean in 1927.
In 2004, Richard Armstrong wrote, "Lindbergh's takeoff is spellbinding. Like the aircraft, the editing is superbly designed. Editor Arthur Schmidt juggles shots of the runway, the plane, Lindbergh's goggled concentration, the muddying undercarriage, Mahoney, the girl, back to the plane, ... for as long as it takes Lindbergh to clear the telegraph wires and trees. Notice that the shots of the pilot find him visibly connected to the controls. Man and machine have never been more at one. It is an alarming passage, suggesting just how many are being "carried" by that flimsy little aircraft." Gene D. Phillips wrote in 2010 that, "The takeoff in the rain from Roosevelt Field in Long Island is a virtuoso set piece" that is "superbly edited by Schmidt".
In the same year as Spirit of Saint Louis, Schmidt and Philip W. Anderson were nominated for the Academy Award for their editing of Sayonara (1957-directed by Joshua Logan). Schmidt also edited The Old Man and the Sea (1958-directed by John Sturges). Schmidt's fifth and final film with Wilder was Some Like It Hot (1959); Daniel Mandell edited Wilder's Witness for the Prosecution (1957), and subsequently edited Wilder's films through the 1960s.
The final phase of Schmidt's career was working on Jerry Lewis comedy films. He edited Cinderfella (1960) and It's Only Money (1962), which was his last editing credit. He was the associate producer for seven of Lewis' films, from The Errand Boy (1961) through The Family Jewels (1965). Schmidt died suddenly on July 22, 1965, in Los Angeles, California.
One of Schmidt's sons, Arthur R. Schmidt, was also a notable film editor who won Academy Awards for Who Framed Roger Rabbit (1988) and Forrest Gump (1994). The younger Schmidt died on August 5, 2023.
Selected filmography
1962 – It'$ Only Money
1960 – Cinderfella
1959 – Li'l Abner
1959 – Some Like It Hot
1958 – The Old Man and the Sea
1958 – The Naked and the Dead
1957 – Sayonara
1957 – The Spirit of St. Louis
1956 – The Vagabond King
1955 – We're No Angels (as Arthur Schmidt)
1954 – Sabrina (as Arthur Schmidt)
1954 – Red Garters
1953 – Here Come the Girls
1953 – Off Limits
1953 – The Stars Are Singing
1952 – The Savage (as Arthur Schmidt)
1951 – When Worlds Collide (as Arthur Schmidt)
1951 – Ace in the Hole (as Arthur Schmidt)
1951 – The Redhead and the Cowboy (as Arthur Schmidt)
1950 – Sunset Boulevard (as Arthur Schmidt)
1949 – Sorrowful Jones (as Arthur Schmidt)
1948 – Hazard (as Arthur Schmidt)
1948 – I Walk Alone (as Arthur Schmidt)
1947 – The Perils of Pauline (as Arthur Schmidt)
1946 – Monsieur Beaucaire (as Arthur Schmidt)
1946 – The Blue Dahlia (as Arthur Schmidt)
1945 – Ed Gardner's Duffy's Tavern
1945 – A Medal for Benny (as Arthur Schmidt)
1943 – Salute for Three (as Arthur Schmidt)
1942 – Street of Chance
1942 – Priorities on Parade
1942 – Dr. Broadway
1941 – Aloma of the South Seas
1941 – Las Vegas Nights
1940 – The Texas Rangers Ride Again (as Arthur Schmidt)
1940 – Queen of the Mob (as Arthur Schmidt)
1940 – Opened by Mistake
1939 – Million Dollar Legs
1939 – Bulldog Drummond's Secret Police (as Arthur Schmidt)
1939 – Disbarred
1938 – Touchdown, Army
1938 – Dangerous to Know
1937 – Bulldog Drummond's Revenge
1937 – Blonde Trouble
1937 – Hotel Haywire
1936 – Chatterbox (as Arthur Schmidt)
1935 – In Person (as Arthur Schmidt)
1935 – The Return of Peter Grimm (as Arthur Schmidt)
1935 – Chasing Yesterday (as Arthur Schmidt)
1934 – Anne of Green Gables (as Arthur Schmidt)
1934 – Finishing School
See also
List of film director and editor collaborations
References
External links
IMDB - Arthur P. Schmidt - Awards
IMDB - Arthur P. Schmidt - Biography
IMDB - Arthur P. Schmidt - Filmography
1912 births
1965 deaths
Place of birth missing
American film editors