Good Night, and Good Luck

Good Night, and Good Luck (stylized as good night, and good luck.) is a 2005 historical drama film about American television news directed by George Clooney, with the movie starring David Strathairn, Patricia Clarkson, Jeff Daniels, Robert Downey Jr., and Frank Langella as well as Clooney himself. The film was co-written by Clooney and Grant Heslov, and it portrays the conflict between veteran journalist Edward R. Murrow (Strathairn) and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-communist Senator's actions with the Senate Permanent Subcommittee on Investigations.
Although released in black and white, it was filmed on color film stock, but on a grayscale set, and was color-corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when U.S. journalism offer voices of dissent from government policy. The movie takes its title (which ends with a period or full stop) from the line with which Murrow routinely signed off his broadcasts.
The film was a box office success and received critical acclaim for Clooney's direction, the writing, cinematography, production design and performances (particularly Strathairn's). It was nominated for six Academy Awards, including Best Picture, Best Director and Best Actor for Strathairn.
Plot
On 25 Oct 1958, at a gathering entitled 'A Salute to Edward R Murrow', Ed Murrow delivers a speech where he mentions Senator McCarthy among others. The film then reverts to October 14, 1953, in the CBS Studios, with on screen titles explaining that McCarthy has claimed that there are over 200 Communists in the US government.
Fred Friendly and the news team discuss the latest news stories for the forthcoming episodes, and Murrow declares that he wants to go after the American military, who have tried and convicted a member of the Air Force, Milo Radulovich, because his sister and father have been accused of being communist sympathisers. Murrow mentions that the charges against Radulovich were in a sealed envelope and that nobody saw them, suggesting that they investigate the story to see if it is worth covering.
Five days later Friendly, Murrow, and Mickelson, CBS director, watch footage of Wershba interviewing Milo Radulovich; Mickelson criticises the report as being unbalanced and accuses he reporter of editorialising. Military men come to Friendly's office, attempting to persuade him not to broadcast the story, but CBS go ahead and the segment features on Murrow's show See It Now.
The focus of the news team shifts to going after McCarthy himself. In one clip, McCarthy accuses a man who was provided with an attorney by the American Civil Liberties Union (ACLU) in 1932 of being a communist.
During the segment on McCarthy, Murrow personally invites the Senator on the show to defend the claims made about his corrupt influence. As the story continues, Murrow challenges McCarthy's questioning techniques, and the untruths he espouses in his hearings. Murrow notes that the ACLU is not on the list that McCarthy claims it to be, and that it has in fact been commended by several US presidents.
Shirley reads out mostly favorable reports from the newspaper, but one journalist, O'Brien, accuses Hollenbeck, a CBS journalist, of being a "pinko", meaning a communist sympathizer. The team are informed that the Air Force has reinstated the wrongfully terminated Radulovich.
McCarthy appears on the show on April 6 1954, and addresses the camera directly without interruption, accusing Murrow of being a communist, something that Murrow suspected would happen. In the proceeding show, Murrow gives his response, where he unequivocally denies the accusation that he was a member of the Communist party and highlights that anyone who criticizes or opposes Senator McCarthy's methods is accused of being a communist. From this point on, the tide turns on McCarthy and he himself is investigated, due to charges the Army has made against him and his Operation. John Aaron later announces this in the newsroom, but the celebration is cut short when a phone call to Friendly informs the news team that Hollenbeck has committed suicide by gassing himself.
We see footage of the Army-McCarthy hearings, where a lawyer questions McCarthy's sense of decency. Shortly after, CBS chief executive Paley speaks with Murrow and Friendly in his office and tells them they have lost one of their major sponsors, and as a result he will only give them five more one-hour episodes, and also move their slot from Tuesday night to Sunday afternoon.
Paley speaks to Friendly privately and informs him that he needs to fire some people. The film ends with Murrow finishing his speech from the opening scene, extolling the importance of ideas and information. Murrow concludes his speech with his iconic catchphrase "Good night, and good luck."
Cast
Production
In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio; Salt Lake City, Utah; Los Angeles, California; and Buffalo, New York. The elder Clooney also ran for Congress in 2004.
George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck, which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeffrey Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide.
The CBS offices and studios seen in the movie were all sets on a sound stage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license—the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the MetLife Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building.
Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert F. Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.
Music
A small jazz combo starring jazz singer Dianne Reeves was hired to record the soundtrack to the movie. This combo (Peter Martin, Christoph Luty, Jeff Hamilton and Matt Catingub) was featured in the movie in several scenes; for example, in one scene the newsmen pass a studio where she is recording with the rest of the band. The CD is Dianne Reeves's second featuring jazz standards (including "How High the Moon", "I've Got My Eyes on You", "Too Close For Comfort", "Straighten Up and Fly Right" and "One for My Baby"), and it won the Grammy Award in 2006 for Best Jazz Vocal Album.
Soundtrack
The soundtrack to Good Night, and Good Luck was released on September 27, 2005. The film's score was composed by Jim Papoulis.
Reception and legacy
Critical reception
On review aggregator Rotten Tomatoes, the film holds an approval rating of 93% based on 226 reviews, with an average rating of 8.1/10. The website's critics consensus states: "A passionate and concise cinematic civics lesson, Good Night, and Good Luck has plenty to say about today's political and cultural climate, and its ensemble cast is stellar." On Metacritic, the film has a weighted average score of 80 out of 100 based on 41 critics, indicating "generally favorable reviews".
Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the Australian Broadcasting Corporation's film review show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful", but also praised Clooney for the film's importance. Pomeranz commented that, "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted: "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message."
Jack Shafer, at the time a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some Republicans were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after school special".
One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.
Accolades
The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn). It was also nominated for six BAFTAs at the 2005 BAFTA Awards, and four Golden Globes at the 2006 Golden Globe Awards. The American Film Institute named Good Night, and Good Luck as one of the Top Ten Movies of 2005.
Television series
As of November 2022, AMC is developing a television series adaptation of the film with Jonathan Glatzer as showrunner and Clooney as executive producer.
See also
2005 in film
George Clooney filmography
History of CBS
McCarthyism
Tail Gunner Joe
Television news in the United States
References
External links
Good Night, and Good Luck at Turner Classic Movies
Grammy Award for Best Jazz Vocal Album
2005 films
2005 independent films
2000s historical drama films
2000s political drama films
Japanese black-and-white films
Japanese historical drama films
French black-and-white films
French historical drama films
French political drama films
British black-and-white films
British historical drama films
British political drama films
American black-and-white films
American historical drama films
American political drama films
Drama films based on actual events
English-language French films
English-language Japanese films
European Film Awards winners (films)
Films about freedom of expression
Films set in the 1950s
Films about McCarthyism
Films about television
Films about the Hollywood blacklist
Films directed by George Clooney
Films produced by Grant Heslov
Films set in 1953
Films set in 1958
Japanese films set in New York City
British films set in New York City
Films with screenplays by George Clooney
Films with screenplays by Grant Heslov
Davis Films films
Redbus Pictures films
Tohokushinsha films
Metropolitan Filmexport films
Lionsgate films
Participant (company) films
Procedural films
Warner Independent Pictures films
Warner Bros. films
Biographical films about journalists
2000s English-language films
2000s American films
2000s British films
2000s Japanese films
2000s French films