Wife vs. Secretary

Wife vs. Secretary (or Wife Versus Secretary) is a 1936 American romantic comedy drama film starring Clark Gable, Myrna Loy and Jean Harlow. Directed and co-produced by Clarence Brown, it was the fifth of six collaborations between Gable and Harlow and the fourth of seven between Gable and Loy. The screenplay was based on the short story of the same title by Faith Baldwin, published in Cosmopolitan magazine in May 1935. The screenplay was written by Norman Krasna, John Lee Mahin and Alice Duer Miller.
May Robson, George Barbier, Hobart Cavanaugh, and James Stewart appear in support, with Stewart playing the secretary's suitor in one of his first memorable roles.
Plot
High-end magazine publisher Van Stanhope and his wife, Linda, are celebrating their third wedding anniversary. They are very much in love, and demonstrate it in every way. However, Van's secretary, the beautiful and bright Helen "Whitey" Wilson, is thought by Van's mother to be too great a temptation to him. Linda refuses to listen to her, or her own friends, as she trusts her husband implicity, the hallmark of her relationship with him and envy of all others.
Meanwhile, Whitey's beau, Dave, is frustrated with her when Van calls one night during dinner and she once again drops everything to rush off and serve him, any time, any place. When Dave asks her to marry him, she refuses, and buries herself deeper in her work.
Van covets J. D. Underwood's popular weekly to broaden his reader base. To prevent his chief rival from beating him to it, the pursuit is kept top secret - only Whitey is permitted to know.
When Van returns from meeting Underwood and tells Linda the white lie that he has spent the day at his club, Linda accidentally learns that he hadn't been there but had spent part of it with Whitey (who'd merely helped him prepare his sales pitch). At a company skating party, Linda is too sick to skate, but Van and Whitey crack the whip together gleefully. Linda meanwhile gets a misinformed earful from a gabby wife - who, clueless who Linda is - plants more seeds of fear and jealousy. On the ride home Van reveals he'd turned down a request to promote Whitey elsewhere in the company, explaining she is too valuable to him. Linda pleads with him to assent; he refuses, they quarrel, she strides angry and hurt into their home, and he stomps off the same way for the refuge of his club.
She gives in and calls Van there. Overjoyed, he rushes home into her arms.
Van promises Linda a trip together to the Caribbean, but to preserve the secrecy of his still-pending blockbuster is vague about a date. His top company rep falls ill, and Van is forced to take his place at a big industry convention in Havana. He knows it will be all work and no play, so refuses Linda's repeated requests to accompany him there in lieu of the promised island getaway.
A day into the confab Whitey learns that Van's top rival is also scheming a deal with Underwood, who's playing both ends against the middle. She tells Van, and he has her catch the next flight down to help him prepare an immediate contract proposal to head off the gambit.
The two plunge headlong into a work marathon. Caught up in the cloak-and-dagger, Van neglects to make promised calls to an increasingly broken-hearted wife, and Whitey falls evermore in unrequited love with him.
Van cinches the deal, and gets staggering drunk celebrating with Whitey. He develops a woozy attraction to her, which she weakens towards. Before things can go too far, Linda rings. It's 2 AM when Whitey answers Van's phone; Linda assumes the worst and hangs up. The chastened twosome retire separately.
Pushed past her limit, Linda files for divorce, and refuses all Van's explanations and entreaties. His desperation yields to loneliness, and he invites Whitey to join him on a trip to Bermuda to clear his head. She agrees, but revealing her essential decency rushes to confront Linda before Linda's Europe-bound liner can depart. She makes it clear that to that point everything had indeed been business between she and Van, but that was going to change. Linda refuses to believe her account. Whitey says she's a fool not to, and hopes she doesn't, as she'll get Van and Linda will never win him back.
Shortly later it's business again back at Van's office, Van talking to Whitey and past her heart. Linda appears, recognizing she'd let others undermine a perfect marriage. Van is overjoyed. Whitey quietly leaves, finds Dave waiting for her, and they make up, he moving some her way and she some way his.
Cast
Clark Gable as Van 'V.S.'/'Jake' Stanhope
Jean Harlow as Helen 'Whitey' Wilson
Myrna Loy as Linda Stanhope
May Robson as Mimi Stanhope
George Barbier as J.D. Underwood
James Stewart as Dave
Hobart Cavanaugh as Joe
John Qualen as Mr. Jenkins
Tom Dugan as Finney
Gilbert Emery as Simpson
Marjorie Gateson as Eve Merritt
Gloria Holden as Joan Carstairs
Eugene Borden as Ship's Officer (uncredited)
Production
Wife vs. Secretary was the fifth collaboration of Gable and Harlow and the fourth of Gable and Loy. The picture was the first time that Harlow and Loy worked together; they would both appear as well in Libeled Lady later in 1936, with Harlow billed above William Powell and Spencer Tracy.
On Harlow during the making of Wife vs. Secretary, Loy said, "Jean was beautiful, but far from the raucous sexpot of her films. As a matter of fact, she began to shake that image in Wife vs. Secretary....She'd begged for a role that didn't require spouting slang and modeling lingerie. She even convinced them to darken her hair a shade, in hopes of toning down that brash image. It worked. She's really wonderful in the picture and her popularity wasn't diminished one bit. Actually we did kind of a reversal in that picture. Jean, supposedly the other woman, stayed very proper, while I had one foot in bed throughout. That's the sexiest wife I've ever played. In one scene, Clark stands outside my bedroom door and we banter, nothing more, but there's just no question about what they've done the night before. Clarence Brown, our director, made it all so subtle, yet, oh, so wonderfully suggestive. (In fact, the only vulgarity in the picture is in the breakfast scene, where I discover a diamond bracelet that Clark has hidden in the brook trout I'm about to eat. It didn't seem chic or funny to me—merely messy, typical of Hollywood's misguided notion of upper-class sophistication. I tried to get them to take it out, but they wouldn't. Needless to say, it's the scene everyone remembers, so what do I know?). Where sex is concerned, the double entendre, the ambiguity, it seems to me, is much more effective than being too explicit. This is something the moviemakers don't seem to understand today."
James Stewart, meanwhile, spoke of his scene in the car with Harlow, saying, "Clarence Brown, the director, wasn't too pleased by the way I did the smooching. He made us repeat the scene about half a dozen times...I botched it up on purpose. That Jean Harlow sure was a good kisser. I realized that until then I had never been really kissed." Despite being billed sixth in the cast, Stewart enjoys the most screen time aside from the three leads, mainly romantic sequences with Harlow, including the final scene and dialogue in the movie.
Reception
Box office
The picture was a success with the filmgoing public, with MGM records indicating it earned $1,350,000 in the US and Canada and $717,000 elsewhere, turning a profit of $876,000.
Critical response
References
External links
1936 films
1936 comedy-drama films
1936 romantic comedy films
1936 romantic drama films
1930s American films
1930s English-language films
1930s romantic comedy-drama films
American black-and-white films
American romantic comedy-drama films
Films based on American short stories
Films based on works by Faith Baldwin
Films directed by Clarence Brown
Films scored by Edward Ward (composer)
Films scored by Herbert Stothart
Films set in New York City
Films set in Cuba
Metro-Goldwyn-Mayer films