Takashi Yamazaki

Takashi Yamazaki
is a Japanese filmmaker and visual effects supervisor. Known for his blockbusters with advanced visual effects, Yamazaki is considered a leading filmmaker in the Japanese film industry. The recipient of multiple accolades, he has been nominated for six Japanese Academy Awards, six Nikkan Sports Film Awards and three Asian Film Awards.
Yamazaki developed an interest in filmmaking and visual effects after watching Star Wars and Close Encounters of the Third Kind (both 1977). Starting his career in the industry at Shirogumi in 1986, he later made his feature film debut with Juvenile (2000). Yamazaki gained recognition with his third film, Always: Sunset on Third Street (2005), which won twelve awards at the 29th Japanese Academy Awards. He then moved onto direct several film adaptations of popular anime, novels, and manga, including Space Battleship Yamato (2010), Friends: Mononoke Shima no Naki (2011), The Eternal Zero (2013), and Stand by Me Doraemon (2014) respectively; the latter two films earned a total of nine awards at the 38th Japanese Academy Awards. These were followed by Parasyte (2014), Fueled: The Man They Called Pirate (2016), The Great War of Archimedes (2019), Dragon Quest: Your Story (2019), Lupin III: The First (2019), and Stand by Me Doraemon 2 (2020), Yokaipedia (2022). Yamazaki's highly-anticipated latest film, Godzilla Minus One, will be released in November 2023.
In April 2012, Yamazaki married fellow filmmaker Shimako Satō, whom he had been friends with since his years at .
Early life
Yamazaki was born on June 12, 1964, in Matsumoto, Nagano. Growing up, Yamazaki was influenced to work in the film industry by the 1977 American science fiction films Star Wars and Close Encounters of the Third Kind. He filmed his directorial debut on 8 mm film with the assistance of a friend during his third year at . This 1979 science fiction short, entitled Glory, was lost for 43 year until it was rediscovered in 2022 and screened in the director's hometown.
Career
1984–1999: Early career
In 1984, Yamazaki began working as a miniature builder for . Following his graduation from in 1986, he officially became an employee at Shimamura's animation and special effects studio Shirogumi in Chōfu, Tokyo.
After working on the Eko Eko Azarak series and Parasite Eve (1997), Yamazaki and his team at Shirogumi started pre-production on their feature NUE. The team spent two years preparing the project in collaboration with Robot Communications and they even went location scouting in Australia. Yamazaki, who was still heading the visual effects for up to three commercials monthly at this point, concluded that the film would require him to create the film on a relatively enormous budget of , well above the average budget of usually given to first-time directors. Thus, Robot president Shuji Abe deemed NUE to expensive and requested that Yamazaki scrap it and attempt to make his directorial debut with a smaller scale.
2000–2007: First directorial features and breakthrough
Shortly after abandoning NUE, Yamazaki converted the idea for his debut feature film, Juvenile (2000), which he directed, wrote, and headed the visual effects for. A science fiction film, Juvenile is about a group of elementary school students who find a talking alien robot while camping in the woods and soon discover that it is their only hope in saving the planet from incoming evil alien invaders. Initially, Juvenile was to be shot on entirely on location by Kōzō Shibasaki under Yamazaki's direction on a budget of roughly , with Kiyoko Shibuya directing the visual effects on a budget of under Yamazaki's supervision. However, Abe decided to increase the film's budget to in order to allow Yamazaki to make it a "proper movie for the summer vacation lineup". Toho distributed Juvenile in July 2000 and it grossed , making it the fifteenth highest-grossing Japanese film of that year.
His next film, the science fiction actioner Returner (2002), follows the story of Milly, a young woman living in a war-torn future, who is recruited by a mysterious time traveler named Miyamoto. The film was distributed by Toho in Japan on August 31, 2002 and was later in American theaters in October of the following year, where it was critically savaged. Lou Lumenick of New York Post wrote in his review: "Returner was a huge hit in Japan, but this would- be sci-fi epic is soporific, shamelessly derivative and barely coherent by American standards."
Yamazaki's breakthrough came when he departed from the science fiction genre to create his third directorial feature, Always: Sunset on Third Street (2005), an adaptation Ryōhei Saigan's manga series Sunset on Third Street. Set in Tokyo during postwar Japan, this film tells the "heartwarming" story of the residents living at Third Street: Ryunosuke, a writer from the countryside; Norifumi, an auto mechanic; and sake bar owner Hiromi. Always: Sunset on Third Street – starring Hidetaka Yoshioka, Shinichi Tsutsumi, Koyuki, Maki Horikita, and Kenta Suga – was released to overwhelmingly positive reviews and grossed , ranking fifteenth at the Japanese box office. In 2005, film critic Tadao Satō regarded the film as a milestone in the usage for computer-generated imagery and acclaimed Yamazaki's direction. At the 29th Japanese Academy Awards, the film won twelve awards, including Best Picture and Best Director.
Yamazaki next directed, co-wrote (with ), and headed the visual effects for Always: Sunset on Third Street 2 (2007), a sequel to Always: Sunset on Third Street also based on the manga series. The film opens with an "imaginary sequence" of Godzilla attacking Tokyo before returning to the story of the residents of Third Street. Yamazaki stated that he is a lifelong fan of the Godzilla franchise and incorprated the opening scene in order to "start with something fresh from the first film" and added that "having Godzilla destroy Tokyo Tower with his oral beam was a great way to surprise audiences". Upon its November 3 release, Always: Sunset on Third Street 2 became Yamazaki's biggest box office hit, ranking the third-highest-grosser at Japanese box office that year.
2008–2019: Career expansion
In 2008, Yamazaki turned to assisting his fellow graduate and future wife, Shimako Satō, with the visual effects and screenplay for her action film, K-20: Legend of the Mask. Based on a novel by Sō Kitamura, K-20 is set in an alternate reality version of Japan during the 1940s and follows the mysterious masked antihero known as "K-20" who robs the rich and powerful, leaving behind a trail of dismay. K-20 was released in December 2008 and grossed , making it the eighteenth highest-grossing Japanese film of 2009.
In 2009, Yamazaki created the visual effects for Yōjirō Takita's Sanpei The Fisher Boy – based on the manga Fisherman Sanpei – and directed, wrote and made the effects for the live-action jidaigeki romance film – based on the 2002 anime feature Crayon Shin-chan: Fierceness That Invites Storm! The Battle of the Warring States –. Yamazaki was inspired to create Ballad after visting the filming location of The Last Samurai (2003) and contemplating "Maybe Japan could make a historical drama centered around battles?".
In mid-October 2009, Yamazaki starting filming his first science fiction film since 2002's Returner, Space Battleship Yamato, an adeptaion of famed manga artist Leiji Matsumoto's 1974 anime series of the same name.
2020–present: Godzilla and other activities
After the release of The Great War of Archimedes (2019), Yamazaki was given the opportunity to make a Godzilla film by Toho executive and film producer Minami Ichikawa. Ichikawa stated that he and Yamazaki decided to collaborate on the project during the COVID-19 pandemic in 2020 and Yamazaki spent three years writing the screenplay.
Filmography
Films
Director
Juvenile (2000)
Returner (2002)
Always: Sunset on Third Street (2005)
Always: Sunset on Third Street 2 (2007)
Ballad (2009)
Space Battleship Yamato (2010)
Friends: Naki on Monster Island (2011)
Always: Sunset on Third Street 3 (2012)
The Eternal Zero (2013)
Stand by Me Doraemon (2014)
Parasyte: Part 1 (2014)
Parasyte: Part 2 (2015)
Fueled: The Man They Called Pirate (2016)
(2017)
The Great War of Archimedes (2019)
Dragon Quest: Your Story (2019)
Lupin III: The First (2019)
Stand by Me Doraemon 2 (2020)
(2022)
Godzilla Minus One (2023)
Commercials
Lotte: Airs (2006)
(2007)
Music videos
Bump of Chicken: "Namida no Furusato" (2006)
Bump of Chicken: "Good Luck" (2012)
Theme park attraction
Godzilla the Ride: Giant Monsters Ultimate Battle - Seibu-en (2021)
Ultraman the Ride: The Great Duel of the Century - Seibu-en (2023)
Video games
"Onimusha 3: Demon Siege" (Opening CG movie director) (2004)
Awards and honors
References
External links
Japan Academy Prize for Director of the Year winners
Japanese film directors
1964 births
Living people
People from Matsumoto, Nagano