All the King's Men (1949 film)

All the King's Men (1949 film)
All the King's Men is a 1949 American drama written, produced, and directed by Robert Rossen. It is based on the Robert Penn Warren's 1946 novel of the same name. The film stars Broderick Crawford, John Ireland, Mercedes McCambridge, and Joanne Dru. The plot focuses on the rise and fall of the ambitious and ruthless politician Willie Stark (Crawford) in the American South. Though a fictional character, Stark strongly resembles Louisiana governor Huey Long.
The film won three Academy Awards, including Best Picture, Best Actor (Crawford), and Best Supporting Actress (McCambridge). In 2001, All the King's Men was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and was selected for preservation in the United States National Film Registry.
Plot
Jack Burden, a reporter, is sent on assignment to write about Willie Stark, a man running for county treasurer. Stark lives in Kanoma City in an undisclosed state in the American South. Stark's campaign is run on honesty and talking about the corruption of the local politicians. Burden meets Stark and his family and writes an inspiring story on Stark's honesty and courage. Using their power, including sway over the police, the local political machine shuts out Stark. After his loss, Stark earns a law degree. A local Kanoma school experiences a structural collapse that kills twelve students during a fire drill. Stark is encouraged to work on their legal affairs at the children's funeral, and he ultimately wins a lawsuit against the county, leading to a state-wide investigation. Willie uses this to build his political momentum, and he is eventually drafted as a spoiler candidate for Governor by the frontrunner in a three-way race.
Stark embarks on the campaign trail with Sadie Burke, an associate of the campaign installed as a mole from a separate gubernatorial candidate, and Burden. Initially Stark has trouble on the campaign trail as he speaks obtusely and plainly about his plan for the state. However, once Burke reveals he is just a spoiler candidate, Stark begins to give more impassioned speeches. During this time, Burden continues to report on Stark's campaign, but he resigns after being told to stop writing positively about Stark. Ultimately Stark loses the race, but draws large grassroots support from the rural areas of the state.
Over the next four years, Stark continues to campaign and make backroom deals to gain political influence and campaign funds. Meanwhile, Burden has had a tough time finding another job, but is hired by Stark to serve as a researcher for the campaign. Stark and Burden go back to Burden's home to convince Burden's friends and family to support the campaign. Skeptical of Stark's alleged deals and big promises, Adam, brother of Jack Burden's girlfriend, Anne Stanton, asks questions and is not fully convinced. However, Anne believes fully in Stark's message. Burden gets the group on board by promising State Attorney General to Anne's Uncle, Judge Stanton. Willie ends up winning the election in a landslide.
During his time as Governor, Stark ends up utilizing his power in aggressive and corrupt ways. He covers up a scandal by a member of his administration, after which Judge Stanton resign as Attorney General and publicly asserts Stark's corruption. Stark's loss of morals, corruption, and alienation from his small town self is exacerbated as he philanders with many women, including Anne and Sadie. Feeling the pressure of his father's status, Stark's adopted college-aged son Tommy drinks to deal with his feelings about his father. Following a football practice where Stark berates Tommy for drinking, Tommy gets drunk and crashes his car, injuring himself and killing his female passenger. To combat the bad press, Stark pressures Tommy into a game despite him not being fully recovered. During the game, Tommy gets badly tackled and is rushed to the hospital. Stark, blaming himself for Tommy's injury, begs Adam, a surgeon, to do all he can. Adam agrees after Stark agrees to build him a new hospital. Tommy ends up paralyzed from the legs down.
Following this, Burden gives Anne evidence of Judge Stanton's possible past wrongdoing that Burden has hidden. Stark begins his re-election campaign for Governor by visiting his estranged family in Takoma City. While there, Judge Stanton publicly blames Stark for the death of the girl in Tommy's car accident's father after he refused Stark's bribe. An impeachment trial is brought against Stark. In retaliation, Stark visits Judge Stanton and attempts to strongarm him with the evidence that Burden found, given to him by Anne. However, Judge Stanton commits suicide, and the impeachment ends with Stark's acquittal. During his public victory celebration, Adam assassinates Stark, believing that the only reason he was appointed as the director for the hospital was that his sister was Willie Stark's mistress. Having lost his respect for Stark, Jack tries to get Anne's agreement to find a way to destroy Stark's reputation following his death. As Stark dies, he speaks his final words to Burden.
Cast
Broderick Crawford as Willie Stark
John Ireland as Jack Burden
Joanne Dru as Anne Stanton
John Derek as Tom Stark
Mercedes McCambridge as Sadie Burke
Shepperd Strudwick as Adam Stanton
Ralph Dumke as Tiny Duffy
Anne Seymour as Mrs. Lucy Stark
Katharine Warren as Mrs. Burden
Raymond Greenleaf as Judge Monte Stanton
Walter Burke as Sugar Boy
Will Wright as Dolph Pillsbury
Grandon Rhodes as Floyd McEvoy
Larry Steers as Man at Impeachment Hearing (uncredited)
Houseley Stevenson as Madison the newspaper editor
Paul Ford as State Senator and impeachment prosecutor
Production
The film was the 15th adaptation of a Pulitzer Prize winning work.
Rossen originally offered the starring role to John Wayne, who found the proposed film script unpatriotic and indignantly refused the part. Crawford, who eventually took the role, won the 1949 Academy Award for Best Actor, beating out Wayne, who had been nominated for his role in Sands of Iwo Jima.
Paul Tatara, writing for TCM, describes the film as "one of those pictures that was saved in the editing". The original cut, done by Al Clark, had difficulty making a coherent version, because so much footage was shot. Rossen and Columbia Studios head Harry Cohn hired Robert Parrish to make changes. However, Parrish's efforts proved unsuccessful as Rossen stayed heavily involved and the film was still over 250 minutes long following several weeks. Cohn almost released this cut before Rossen had Parrish "[s]elect what you consider to be the center of each scene... regardless of what's going on." After All the King's Men won its Academy Award for Best Picture, Harry Cohn repeatedly gave Parrish credit for saving the film. Although Clark is credited as the "Film Editor" (with Parrish being credited as "Editorial Advisor"), both Clark and Parrish received a nomination for an Academy Award for Best Film Editing.
Locations
The film was shot at various locations in California using local residents, something that was fairly unknown for Hollywood at the time. The scene near the beginning of the film, where Stark is arrested for unauthorized public speaking was filmed on the old Suisun City, California, Plaza, and the officer that warns, then arrests, Stark was played by local citizen, A.C. Tillman, who was the sheriff of Suisun City at that time.
A house in nearby Fairfield was used for the exterior of Willie Stark's house in the film. Sets were built in the nearby M & M Skateway (now gone) for the interior scenes at the house, which were closely based on photos of the actual interiors of that house.
The elementary school that plays a pivotal role in the film was also local, but no longer exists.
The old San Joaquin County courthouse in Stockton, built in 1898 and demolished about a dozen years after the film's release, was featured prominently.
Reception
Critical response
The film received wide acclaim upon its release. Film critic Bosley Crowther lauded the film and its direction in his review, writing, "Robert Rossen has written and directed, as well as personally produced, a rip-roaring film of the same title ... We have carefully used that descriptive as the tag for this new Columbia film because a quality of turbulence and vitality is the one that it most fully demonstrates ... In short, Mr. Rossen has assembled in this starkly unprettified film a piece of pictorial journalism that is remarkable for its brilliant parts." Critic William Brogdon, writing for Variety magazine, was also complimentary and praised Broderick Crawford's work, "As the rural Abe Lincoln, springing up from the soil to make himself a great man by using the opinionless, follow-the-leader instinct of the more common voter, Broderick Crawford does a standout performance. Given a meaty part, his histrionic bent wraps it up for a great personal success adding much to the many worthwhile aspects of the drama." It won an Associated Press poll in 1950 as the best film of 1949, and Broderick Crawford was regarded as the best actor in that same poll.
On Rotten Tomatoes, All the King's Men holds a rating of 97% based on 70 reviews, with an average rating of 8.10/10. The consensus summarizes: "Broderick Crawford is spellbinding as politician Willie Stark in director Robert Rossen's adaptation of the Robert Penn Warren novel about the corrosive effects of power on the human soul."
Later analysis
Film historian Spencer Selby calls the film "[A] hard-hitting noir adaptation of Warren's eloquent novel". Joe Goldberg, film historian and former story editor for Paramount Pictures, wrote about the content of the plot and its noirish fatalistic conclusion, "The plot makes sense, the dialogue is memorable, the story arises from the passions and ideas of the characters. It deals with graft, corruption, love, drink and betrayal, and the subversion of idealism by power, and it might even make someone angry... The story moves toward its conclusion with the dark inevitability of film noir." Author Harry Keyishian wonders if Willie Stark is "a good man corrupted by the political process, or a bad one whose inherent vice emerges when he gets a chance for power."
Accolades
In 2001, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The Academy Film Archive preserved All the King's Men in 2000. , it is the last Best Picture winner to be based on a Pulitzer Prize-winning novel.
Academy Awards 1949
All the King's Men received seven Academy Awards nominations, winning three.
See also
List of American films of 1949
All the King's Men (2006 film, directed by Steven Zaillian and also based on Warren's book)
Politics in fiction
References
Notes
Bibliography
Silver, Alain and James Ursini (editors). Film Noir: Reader 2. All the King's Men film noir themes discussed in essay, "Violence and the Bitch Goddess" by Stephen Farber, pgs. 54-55 (1974). Proscenium Publishers, Inc., New York (July 2003). Second Limelight Edition. .
External links
All the King's Men information site and DVD review at DVD Beaver (includes images)
All the President's Men essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 , pages 428–429.
Streaming audio
All The King's Men on NBC University Theater: January 16, 1949
1949 films
1949 drama films
American political drama films
Best Drama Picture Golden Globe winners
Best Picture Academy Award winners
American black-and-white films
Columbia Pictures films
1940s English-language films
Film noir
Films à clef
Films about elections
Films about politicians
Films based on American novels
Films directed by Robert Rossen
Films featuring a Best Actor Academy Award-winning performance
Films featuring a Best Drama Actor Golden Globe winning performance
Films featuring a Best Supporting Actress Academy Award-winning performance
Films featuring a Best Supporting Actress Golden Globe-winning performance
Films whose director won the Best Director Golden Globe
Films with screenplays by Robert Rossen
United States National Film Registry films
Huey Long
1940s American films