Jimmy Stewart (musician)

Jimmy Stewart (musician)
Jimmy Stewart (born September 8, 1937) is an American guitarist who has performed a wide variety of music since the late 1950s. He is best known for his association with jazz guitarist Gábor Szabó, but he has been extensively involved in many genres of music as an arranger, conductor, producer, orchestrator, musical director, and educator. Stewart has appeared on over 1,200 recordings.
Early life and education
Stewart was born on September 8, 1937, in San Francisco, California. At the age of four, he commenced piano lessons, switching to guitar when he was eight. He sneaked out of the family house late at night to go to clubs. A professional by age 15, he received the opportunity to play with Earl Hines when he was 16.
After working in Lake Tahoe, he studied at the College of San Mateo, earning a degree in 1957, and the next year married Janet McCoy. In 1960 he attended the Chicago School of Music, where he was a student of classical guitarist and teacher, Richard Pick. He received a certificate in composition and modern arranging from the Berklee School of Music in 1964. He also engaged in private studies with Albert Harris (composition, film scoring and orchestration), Jack Lee (conducting), George M. Smith (classical guitar and studio guitar), Paul Miller (fretted instruments), and Bud Young (dance band arrangements, harmony, and composition from 16th–18th centuries).
US Army
From 1958 to 1960, Stewart served in the US Army, where he became a broadcast specialist. He recorded the 1959 Playboy Jazz Festival for the Armed Forces radio station, was musical director for the weekly radio show, At Ease Show, and produced Parade Rest for St. Louis television. He also played guitar on variety shows and produced radio programs.
Los Angeles
Following his time with Szabó, Stewart moved to Los Angeles, where he became involved in several different areas of music. He recorded his album, The Touch, about which guitarist Jim Ferguson wrote in Guitar Player, "Throughout, Jimmy displays his imagination, depicting a fictional encounter between Szabo and Carlos Santana, as well as paying tribute to influences Jimmy Raney, Jim Hall and Wes Montgomery. In addition to playing jazz, Stewart played heavy metal next to Tommy Bolin at a music industry trade show in Los Angeles.
Studio musician
As a studio musician, Stewart has played on over 1,200 sessions. He was one of the first studio guitarists to introduce the rock guitar to soundtracks and commercials. His versatility made him in demand for many decades. Chris Colombi, Jr. wrote of Stewart in 1986, "His playing and tastes run back to the blues, Charlie Christian and Django Reinhardt, and forward to Al DiMeola, Tony Purrone and Jim Hall."
In Encyclopedia of Jazz in the Seventies, music critic Leonard Feather said that Stewart "attributes his inspiration to a range of influences, from Segovia and Bartók to Charlie Christian and Laurindo Almeida."
Since settling in Los Angeles, Stewart worked as musical director for Lainie Kazan (arranger and conductor on tours from 1972 to 1979) and as an arranger for tours of Andy Williams. He worked with Gary Crosby, Chita Rivera, and Rod McKuen; arranged for John Gary, Lou Gottlieb, Alex Hassel, Chad Mitchell and Tonilee Scott; and coached Linda Ronstadt, Juice Newton, and Lee Ritenour.
TV, film, stage
Stewart's guitar playing has appeared in such movies as Paint Your Wagon, Topaz, Some Kind of Nut, Nice Dreams, Minus One, and Chain of Command. In television, his work has appeared on music for Ironside, The Burt Bacharach Special, The Mike Douglas Show, and The Tonight Show. He also played music for stage shows, such as How to Succeed in Business Without Really Trying, Half a Sixpence, 110 in the Shade, No Strings, Funny Girl, Here's Love, Bye Bye Birdie, Kiss Me Kate, West Side Story, The Boy-Friend, and Man of La Mancha.
Educator and author
Stewart has written over twenty books, including Ear Training for the Guitarist, Sight Reading for the Guitarist, A Tribute to Classical Guitar, The Complete Jazz Guitarist, Rock Guitar, and Heavy Metal Guitar.
Stewart was founder of the guitar program at Dick Grove Music Workshops and was chairman of the Music Department at the Audio/Video Institute of Technology in Hollywood, conducting master classes in record production and music recording history. Stewart also taught guitar at the Musicians Institute; taught music theory, orchestration, and guitar at the University of Southern California; and helped to build the guitar department at Dick Grove Workshops. In the mid-1980s, one of Stewart's guitar students was Linda Ronstadt.
He wrote the monthly column, "The Complete Musician", for Guitar Player from 1971 to 1981 and has written for Jazz Educators Journal, Sound & Recording Magazine, OnStage Magazine and Recording Engineer & Producer Magazine.
Composer
As a classical composer, Stewart has written more than fifteen compositions, including ten Etudes for Classical Guitar, Concertino for Electric Guitar and Orchestra, Folk Songs for Orchestra, Sonata for Unaccompanied Violin, and two string quartets.
Golf and hypnosis
An enthusiastic golfer and a student of the game, Stewart wrote Mastering Golf Through Hypnosis in 2009 and produced a recording of the book. He studied at the Hypnosis Motivation Institute in Los Angeles. He has been an assistant golf coach who teaches children and has also appeared on golf infomercials.
Discography
Solo
1977 Fire Flower (Catalyst)
1981 Street Jazz (Techeku)
1987 The Touch (BlackHawk)
1987 Evolution of Jazz Guitar (Mel Bay; only issued on cassette)
1989 Rock Tracks (Alfred; only issued on cassette)
1991 Power Trax (CPP/Belwin)
1992 Blues Trax (CPP/Belwin)
1992 Heavy Metal Guitar (CPP/Belwin)
1992 Mode Mania (CPP/Belwin)
1993 The Art, History and Style of Jazz Guitar (CPP/Belwin)
1994 The Complete Jazz Guitarist (Mel Bay)
1998 Memorabilia (J-Bird)
2005 Night People (Apophis)
With Gábor Szabó
1967 The Sorcerer (Impulse!)
1967 More Sorcery (Impulse!)
1968 Bacchanal (Sky)
1968 Dreams (Sky)
1977 Faces (Mercury) - one track only
Classical compositions
Opus 1–10 Etudes for Classical Guitar
Opus 11 Folk Tunes for Orchestra
Opus 12 Prelude for Piano
Opus 13 Study in Percussion
Opus 14 Passacaglia for Flute
Opus 15 Homage de Albert Harris for Classical Guitar
Opus 16 Fantasia for Classical Guitar
Opus 17 Sonata for Violin
Opus 18 Concertino for Electric Guitar and Orchestra
Opus 19 String Quartet 1 Plus D. B.
Opus 20 String Quartet II Plus Classical Guitar
Opus 21 Homage de Maruro Giuliani
Opus 22 Homge de Dionisio Agnardo
Opus 23 Homage de Marteo Carcassi
Opus 24 Homage de Napoleon Coste
Opus 25 Guitar Concerto No. 1 for Classical Guitar and Orchestra
Opus 26 Guitar Concerto No. 2 for Jazz Guitar and Orchestra
Opus 27 Guitar Concerto No. 3 for Contemporary Guitar and Orchestra
Articles
"The Complete Musician" 1971–1981 (Guitar Player monthly column)
"An Engineer's Guide to Music" Parts One and Two (Recording Engineer & Producer)
"Quincy Jones with Engineer Bruce Swedien: The Consummate Production Team" (Recording Engineer & Producer)
"The Roots and Branches of Musical Styles" (Jazz Educators Journal)
"Sound Analyze" (Sound & Recording)
"In Session" (On Stage)
"Going Beyond Natural Sound" (Recording Engineer & Producer)
"Personal Use Studios" (Recording Engineer & Producer)
"Alpha Studios" (Recording Engineer & Producer)
"Keith Olsen: Producer" (Recording Engineer & Producer)
Books
1968 Wes Montgomery Jazz Guitar Method, Robbins
1970 The Howard Roberts Guitar Book, Playback
1971 Carol Kaye's Basslines Five, Gwyn
1975 Chord/Melody, Apophis
1975 Jazz Guitar, Apophis
1976 15 Guitar Etudes, Apophis
1977 Ear Training for the Guitarist, Apophis
1977 Guitar for Songwriters, Grove
1977 Orchestration and Arranging, Apophis
1977 Pentatonic Madness, Apophis
1977 Sight Reading for the Guitarist, Apophis
1978 A Tribute to Classical Guitar, GPI
1978 Studio Guitar, Apophis
1980 Contemporary Rhythm Playing for the Guitarist, Apophis
1985 Basic Guitar, GPI/Hal Leonard
1985 Rock Guitar, GPI/Hal Leonard
1987 Evolution of Jazz Guitar, Mel Bay
1987 Rock Guitar, Alfred
1989 The Working Guitarist, Volume 1, Alexander Publishing
1991 Power Trax, CPP/Belwin
1992 Blues Trax, CPP/Belwin
1992 Heavy Metal Guitar, CPP/Belwin
1992 Mode Mania, CPP/Belwin
1993 The Art, History, and Style of Jazz Guitar, CPP/Belwin
1994 The Complete Jazz Guitarist, Mel Bay
1997 Easy Jazz Riffs for Guitar, Cherry Lane
1997 Jazz Harmony, Cherry Lane
1998 Easy Jazz Riffs for Guitar, Japanese Edition, Shinko
References
American jazz guitarists
Living people
1937 births
Record producers from California
American male guitarists
20th-century American guitarists
20th-century American male musicians
American male jazz musicians