Genco Gulan

Genco Gulan
Genco Gülan (born 13 January 1969) is a contemporary conceptual artist and theorist, who lives and works in Istanbul. His transmedia contextual work involves painting, found objects, new media, drawings, sculpture, photography, performance and video. His work often carries political, social and/or cultural messages; mainly describing his work as idea art.
Gülan studied Media at The New School, New York. His art has appeared at Pera Museum, Museu de Arte Moderna do Rio de Janeiro, ZKM Karlsruhe, Triennale di Milano, Biennial of Tehran and Pompidou Center Paris. Gulan has had solo shows at Gallery Artist in Berlin, Istanbul; State Painting and Sculpture Museums in Ankara, Izmir; Foto Gallery Lang, Zagreb and Artda Gallery, Seoul among other places.
Art
Gülan uses text, codes and even his own DNA in his art. He is a new media artist. Genco Gülan believes in the artistic future of bio-technology, artificial intelligence, and digital communication. In a video piece called Tele-rugby, he filmed a female swim team playing rugby underwater with a TV monitor."If it's not new, it's just media," says Gülan in regards to the importance of novelty. His experimental works include net-art, web art, A.I.gen (generated) images, Robot Games, SCIgen papers and online videos. Genco uses boron in his sculptures.
Genco Gülan's exhibition Untitled came to Istanbul's EKAV Art Gallery on January 21, 2014. The gallery space was used in a manner that allowed all artworks "to talk" with each other. Different mediums were being used with a variety of measurements, colors and display styles.
WorksThe Android Statue was exhibited in Antalya Archeology Museum 12–20 March 2014. In the exhibition, the sketches of his kinetic marble statue series, called "Robotic Statues" were also presented. Gülan has been working on robots in the labs of different universities since the middle of 1990's. He uses hardware and software of robots in many art projects. For example, the artwork titled Robots, Football and War (RFW) of Gülan that consists of physical robots, was part of a computer game "Balkan Wars" that won a prize from European Media Art Festival, Osnabrück in 1995. His play written by artificial intelligence (AI) robots was used in the project YEN! (New), presented in Pera Museum, for 16th Istanbul Theatre Festival.
Gülan's The Great Conjugation, was exhibited at his alma mater, Boğaziçi University's Faculty of Economics and Administrative Sciences building, Washburn Hall through May and June 2014. Gülan's The Great Conjugation used approximately 1000 ties for this installation. All of the connected ties created a route tens of meters long and the line flowed through the all five floors of the building. The ties connected the twin towers of the building from the inside which was built in 1906. During the exhibition Gülan invited the viewers to bring their ties and add them to the installation. The ties used in the project have different colors, designs, and brands. They were gathered from hundreds of domestic and abroad donators. The ties, some of which are silk, nylon and wool, conjugate and become a whole. The same ties were exhibited in The Thessaloniki State Museum of Contemporary Art and Ankara Contemporary Art Center in 2013. At the first display in Istanbul, they were attached with a crane to a skyscraper and raised 160 meters from the ground. Genco Gülan was selected as a finalist at Sovereign Art Foundation European Art Prize in 2011. He had opened his first exhibition at White Saloon inside the Faculty of Economics and Administrative Sciences building where he had also taken many courses while he was studying at the Department of Political Science and International Relations between 1987 and 1991.
A show named Swimming Rocks was in an exhibit of the same name on 27 June 2014 at the Art Gallery of Kırmızı Ardıç Kuşu, Gallery Metazori in Çeşme, Alaçatı where Gülan spent most of his childhood. The "swimming rocks" in question are pumice rocks which can float on the sea and which are found in the Aegean Sea, especially in Çeşme and Alaçatı. Gülan made Swimming Rocks from these and other stones. The artworks of his mother, Tezer Gülan, and his grandmother, Saime İzmiroğlu were also exhibited in the show. Genco Gülan had also a series called New Landscape in this exhibition. This series, a conceptual/electronic interpretation of landscapes as barcodes, examined how landscapes change over time. Gülan also exhibited his series Digital Ghost in the show, painting images from his formatted laptop on large canvases.
Museum
As an art project in 1997, Genco Gülan established the Istanbul Contemporary Art Museum.
"At first the Istanbul Contemporary Art Museum developed as an art series in the manner of Duchamp and Broodthaers until the end of the 1990s. Later it evolved when it was transferred to the Internet. It turned into a new age institution that organized exhibitions, workshops and provided logistic support on cyber space."
For almost a decade, the museum ran a residency program called "I live in a Museum" and hosted artists from the U.S., the Netherlands, Spain, and China at its Galata location.
After the Istanbul location closed, Genco Gülan, in Berlin, manifested himself as a Museum.
Gülan's monograph; "Conceptual Colors" edited by Marcus Graf, is co-published by Revolver Publishing in Berlin in collaboration with Artist Istanbul. His books are available at libraries such as the German National Library, SALT Istanbul, Metropolitan Museum of Art, Thomas J. Watson Library and the Haas Family Arts Library at Yale University. Gülan founded the Web Biennial at the turn of the century, served on the Board of Balkan Biennial in Thessaloniki, International Programming Committee of ISEA Singapore in 2008 and was a guest editor for Second Nature: International Journal of Creative Media. He was in the jury for Turgut Pura Art Prize in Izmir and teaches at Mimar Sinan Academy and Boğaziçi University.
Selected images
References
Bibliography
Marcus Graf. Conceptual Colors of Genco Gulan, Revolver Publishing, 2012.
Marcus Graf. Genco Gulan: Kavramsal Renkler, Galata Perform Publishing, 2008.
Genco Gulan. Portrait of the Artist as the Young Man: (After James Joyce) CreateSpace Independent Publishing Platform, 2013.
Genco Gulan. De-constructing the Digital Revolution: Analysis of the Usage of the Term "Digital Revolution" in Relation with the New Technology'', LAP Lambert Academic Publishing (12 November 2009).
External links
Official Web site gencogulan.com
The Change in Art: Genco Gulan at TEDxModa
Galeri Artist, Istanbul, Berlin.
Banff Centre, Banff, Canada.
Rhizome, at the New Museum, NY.
Java Museum, Koeln interview.
Istanbul Contemporary Art Museum
Official website of the Web Biennial
LABS : Leonardo ABstracts Service
The King beheading himself. Written by Sabine Küper on 21 June 2013.
Goethe Institute
Saatchi Online
Review by Nancy Atakan, Phd.
Review by Marcus Graf at Visual Art Beat Magazine.
Employee of the Month
Turkish Culture and Art
Identity as a Myth, article by Dr. Graf
Turkish video artists
BioArtists
Postmodern artists
Turkish conceptual artists
Contemporary painters
Institutional Critique artists
Installation artists
Conceptual photographers
Artists from New York (state)
Turkish performance artists
Net.artists
Mass media theorists
Futurologists
1969 births
21st-century Turkish sculptors
Living people
20th-century Turkish sculptors
20th-century Turkish male artists
21st-century Turkish male artists