Gabriel Marcel

Gabriel Marcel
Gabriel Honoré Marcel (7 December 1889 – 8 October 1973) was a French philosopher, playwright, music critic and leading Christian existentialist. The author of over a dozen books and at least thirty plays, Marcel's work focused on the modern individual's struggle in a technologically dehumanizing society. Though often regarded as the first French existentialist, he dissociated himself from figures such as Jean-Paul Sartre, preferring the term philosophy of existence or neo-Socrateanism to define his own thought. The Mystery of Being is a well-known two-volume work authored by Marcel.
Early life and education
Marcel was born on 7 December 1889 in Paris, France. His mother Laure Meyer, who was Jewish, died when he was young and he was brought up by his aunt and father, Henry Marcel. When he was eight he moved for a year where his father was minister plenipotentiary.
Marcel completed his DES thesis (roughly equivalent to an MA thesis) and obtained the agrégation in philosophy from the Sorbonne in 1910, at the unusually young age of 20. During the First World War he worked as head of the Information Service, organized by the Red Cross to convey news of injured soldiers to their families. He taught in secondary schools, was a drama critic for various literary journals, and worked as an editor for Plon, the major French Catholic publisher.<ref name="stanford">Gabriel (-Honoré) Marcel, Stanford Encyclopedia of Philosophy'</ref>
Marcel was the son of an agnostic, and was himself not a member of any organized religion until his conversion to Catholicism in 1929. Marcel was opposed to anti-Semitism and supported reaching out to non-Catholics.
He died 8 October 1973 in Paris.
Existential themes
He is often classified as one of the earliest existentialists, although he dreaded being placed in the same category as Jean-Paul Sartre; Marcel came to prefer the label neo-Socratic (possibly because of Søren Kierkegaard, the father of Christian existentialism, who was a neo-Socratic thinker himself). While Marcel recognized that human interaction often involved objective characterisation of "the other", he still asserted the possibility of "communion" – a state where both individuals can perceive each other's subjectivity.
In The Existential Background of Human Dignity, Marcel refers to a play he had written in 1913 entitled Le Palais de Sable, in order to provide an example of a person who was unable to treat others as subjects.
Roger Moirans, the central character of the play, is a politician, a conservative who is dedicated to defending the rights of Catholicism against free thought. He has set himself up as the champion of traditional monarchy and has just achieved a great success in the city council where he has attacked the secularism of public schools. It is natural enough that he should be opposed to the divorce of his daughter Therese, who wants to leave her unfaithful husband and start her life afresh. In this instance he proves himself virtually heartless; all his tenderness goes out to his second daughter, Clarisse, whom he takes to be spiritually very much like himself. But now Clarisse tells him that she has decided to take the veil and become a Carmelite. Moirans is horrified by the idea that this creature, so lovely, intelligent, and full of life, might go and bury herself in a convent and he decides to do his utmost to make her give up her intention... Clarisse is deeply shocked; her father now appears to her as an impostor, virtually as a deliberate fraud...
In this case, Moirans is unable to treat either of his daughters as a subject, instead rejecting both because each does not conform to her objectified image in his mind. Marcel notes that such objectification "does no less than denude its object of the one thing which he has which is of value, and so it degrades him effectively."
Another related major thread in Marcel was the struggle to protect one's subjectivity from annihilation by modern materialism and a technologically driven society. Marcel argued that scientific egoism replaces the "mystery" of being with a false scenario of human life composed of technical "problems" and "solutions". For Marcel, the human subject cannot exist in the technological world, instead being replaced by a human object. As he points out in Man Against Mass Society and other works, technology has a privileged authority with which it persuades the subject to accept his place as "he" in the internal dialogue of science; and as a result, man is convinced by science to rejoice in his own annihilation.
Influence
For many years, Marcel hosted a weekly philosophy discussion group through which he met and influenced important younger French philosophers like Jean Wahl, Paul Ricœur, Emmanuel Levinas, and Jean-Paul Sartre. Marcel was puzzled and disappointed that his reputation was almost entirely based on his philosophical treatises and not on his plays, which he wrote in the hope of appealing to a wider lay audience. He also influenced phenomenologist and Thomistic philosopher Karol Wojtyla (later Pope John Paul II), who drew on Marcel's distinction between "being" and "having" in his critique of technological change.
Main works
His major books are the Metaphysical Journal (1927), Being and Having (1933), Homo Viator (1945), Mystery of Being (1951), and Man Against Mass Society (1955). He gave the William James Lectures at Harvard in 1961–1962, which were subsequently published as The Existential Background of Human Dignity.
Works in English translation
1948. The Philosophy of Existence. Manya Harari, trans. London: The Harvill Press. Later editions were titled The Philosophy of Existentialism.
1949. Being and Having. Katherine Farrer, trans. Westminster, London: Dacre Press.
1950. The Metaphysical Journal. Bernard Wall, trans. Chicago: Henry Regnery Company.
1951. The Mystery of Being, Vol. 1, Reflection and Mystery trans. G. S. Fraser; Vol. 2, Faith and Reality. trans. René Hague London: The Harvill Press.
1956. Royce's Metaphysics. Virginia and Gordon Ringer, trans. Chicago: Henry Regnery Company.
1962. Man Against Mass Society. G. S. Fraser, trans. Chicago: Henry Regnery Company.
1962. Homo Viator: Introduction to a Metaphysic of Hope. Emma Craufurd, trans. Harper & Brothers.
1963. The Existential Background of Human Dignity. Harvard University Press.
1964. Creative Fidelity. Translated, with an introduction, by Robert Rosthal. Farrar, Straus and Company.
1967. Presence and Immortality. Michael A. Machado, trans. Pittsburgh: Duquesne University Press.
1967. Problematic Man. Brian Thompson, trans. New York: Herder and Herder.
1973. Tragic Wisdom and Beyond. Stephen Jolin and Peter McCormick, trans. Publication of the Northwestern University Studies in Phenomenology and Existential Philosophy, ed. John Wild. Northwestern University Press.
1998. Gabriel Marcel's Perspectives on The Broken World: The Broken World, a Four-Act Play, Followed by Concrete Approaches to Investigating the Ontological Mystery. Katharine Rose Hanley, trans. Milwaukee: Marquette University Press.
2002. Awakenings. Peter Rogers, trans. Milwaukee: Marquette University Press.
2004. Ghostly Mysteries: Existential Drama: A Mystery of Love & The Posthumous Joke. Katharine Rose Hanley, trans. Milwaukee: Marquette University Press.
2008. A Path to Peace: Fresh Hope for the World. Dramatic Explorations: Five Plays by Gabriel Marcel: The Heart of Others/Dot the I/The Double Expertise/The Lantern/Colombyre or The Torch of Peace. Katharine Rose Hanley, trans. Milwaukee: Marquette University Press.
2009. Thou Shall Not Die. Compiled by Anne Marcel. Katharine Rose Hanley, trans. South Bank: St Augustine's Press.
2019. The Invisible Threshold: Two Plays by Gabriel Marcel. Brendan Sweetman, Maria Traub, Geoffrey Karabin, eds. Maria Traub, trans. South Bank: St Augustine's Press.
2021. Thirst. Michial Farmer, trans. Providence, RI: Cluny Media.
Bibliography
Philosophical works
Existence et Objectivité (1914).
Journal métaphysique (1914-1923), Paris, Gallimard, 1927.
Être et avoir (1918-1933). Paris, Aubier, 1935.
Du refus à l'invocation, Paris, Gallimard, 1940. (Republished in 1967 under the title Essai de philosophie concrète, Paris, NRF/Gallimard, 1967)
Homo viator. Prolégomènes à une métaphysique de l'espérance. Paris, Aubier, 1945
La Métaphysique de Royce. Paris, Aubier, 1945
Position et Approches concrètes du mystère ontologique, introduction by Marcel de Corte. Louvain, E. Nauwelaerts; Paris, Librairie philosophique J. Vrin, 1949
Le Mystère de l'être. Paris, Aubier, 1951, 2 volumes.
Les Hommes contre l'humain, Paris, La Colombe, 1951, Republished: Fayard, 1968
Le Déclin de la sagesse. Paris, Plon, 1954
L'Homme problématique. Paris, Aubier, 1955
Théâtre et Religion. Lyon, Éditions E. Vitte, 1958
Présence et Immortalité. Paris, Flammarion, 1959
La Dignité humaine et ses assises existentielles. Paris, Aubier, 1964
Entretiens Paul Ricœur, Gabriel Marcel. Paris, Aubier, 1968, Republished: présence de Gabriel Marcel, 1999
Pour une sagesse tragique et son au-delà. Paris, Plon, 1968
En chemin, vers quel éveil? Paris, Gallimard, 1971
Coleridge et Schelling. Paris, Aubier, 1971
Plus décisif que la violence. Paris, Plon, 1971
Percées vers un ailleurs. Fayard, 1973
Gabriel Marcel interrogé par Pierre Boutang suivi de Position et approches concrètes du mystère ontologique. Paris, J.-M. Place Éditeur, 1977
Tu ne mourras pas, textes choisis et présentés by Anne Marcel, preface by Xavier Tilliette, éditions Arfuyen, 2005.
Theater
Le Cœur des autres. Paris, Grasset, 1921
L'Iconoclaste. Paris, Stock, 1923
Un homme de Dieu. Paris, Grasset, 1925
La Chapelle ardente (1925), directed by Gaston Baty, Théâtre du Vieux-Colombier.
Le Monde cassé suivi de Position et approches concrètes du mystère ontologique. Paris, Desclée de Brouwer, 1933.
Chemin de Crète, Paris, Grasset, 1936 - Prix Paul-Hervieu of the Académie française .
Le Dard. Paris, Plon, 1936
Le Fanal. Paris, Stock, 1936
La Soif. Paris, Desclée de Brouwer, 1938, republished under the title of Les cœurs avides, La Table Ronde, 1952
Théâtre comique: Colombyre ou le brasier de la paix - La double expertise - Les points sur les i - Le divertissement posthume. Paris, Albin Michel, 1947
Vers un autre Royaume: L'émissaire - Le signe de la croix. Paris, Plon, 1949
Rome n'est plus dans Rome, Paris, La Table Ronde, 1951
Croissez et multipliez. Paris, Plon, 1955
Mon temps n'est pas le vôtre. Paris, Plon, 1955
La Dimension Florestan suivi de la conférence Le Crépuscule du sens commun. Paris, Plon, 1958
Literary and dramatic criticism
Gabriel Marcel et François Mauriac. In : François Bréda, Ca critique littéraire et dramatique de Gabriel Marcel, Les Éditions Grinta, Cluj-Napoca, 2004.Regards sur le théâtre de Claudel, éditions Beauchesne, 1964
Notes
References
Further reading
Emmanuel Levinas, Paul Ricœur and Xavier Tilliette, Jean Wahl et Gabriel Marcel, Beauchesne, 1976, 96 p.,
Paul Marcus, In Search of the Spiritual: Gabriel Marcel, Psychoanalysis, and the Sacred (London: Karnac), 2012.
External links
The Gabriel Marcel Society
Gabriel Marcel Collection at the Harry Ransom Center
Internet Encyclopedia of Philosophy: Gabriel Marcel – by Jill Graper Hernandez.
Stanford Encyclopedia of Philosophy: Gabriel (-Honoré) Marcel – by Brian Treanor.
Homage to Gabriel Marcel (Article from the "Revue Métapsychique''" (no. 14, June 1969, pp. 41–52)
1889 births
1973 deaths
Writers from Paris
20th-century French dramatists and playwrights
20th-century French philosophers
French music critics
French Roman Catholics
French Roman Catholic writers
Catholic philosophers
French people of Jewish descent
Phenomenologists
Existentialist theologians
Christian existentialists
Writers on antisemitism
Converts to Roman Catholicism from atheism or agnosticism
Members of the Académie des sciences morales et politiques
Critics of atheism
Ontologists
Ethicists
University of Paris alumni