Bluebeard

Bluebeard
"Bluebeard" is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of the present one to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another". The verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of women.
Plot
In one version of the story, Bluebeard is a wealthy and powerful nobleman who has been married six times to beautiful women who have all mysteriously vanished. When he visits his neighbor and asks to marry one of his daughters, they are terrified. After hosting a wonderful banquet, the youngest decides to be his wife and goes to live with him in his rich and luxurious palace in the countryside, away from her family.
Bluebeard announces that he must leave for the country and gives the palace keys to his wife. She is able to open any room with them, each of which contain some of his riches, except for an underground chamber that he strictly forbids her to enter lest she suffer his wrath. He then goes away, leaves the palace, and the keys in her hands. She invites her sister, Anne, and her friends and cousins over for a party. However, she is eventually overcome with the desire to see what the secret room holds, and she sneaks away from the party and ventures into it.
She immediately discovers that the room is flooded with blood and the murdered corpses of Bluebeard's previous six wives hanging on hooks from the walls. Horrified, she drops the key in the blood and flees the room. She tries to wipe the blood stain off the key, but the key is magic and the stain cannot be removed from it.
Bluebeard unexpectedly returns and finds the bloody key. In a blind rage, he threatens to kill his wife on the spot, but she asks for one last prayer with Anne. Then, as Bluebeard is about to deliver the fatal blow, Anne and the wife's brothers arrive and kill him. The wife inherits his fortune and castle, and has his six dead wives laid to rest. She uses the fortune to have her siblings married then remarries herself, finally moving on from the horror of her time with Bluebeard.
Sources
Although best known as a folktale, the character of Bluebeard appears to derive from legends related to historical individuals in Brittany. One source is believed to have been the 15th-century convicted serial killer Gilles de Rais, a nobleman who fought alongside Joan of Arc and became both Marshal of France and her official protector, then was hanged and burned as a murderous witch. However, Gilles de Rais did not kill his wife, nor were any bodies found on his property, and the crimes for which he was convicted involved the sexually driven, brutal murder of children rather than women.
Another possible source stems from the story of the early Breton king Conomor the Accursed and his wife Tryphine. This is recorded in a biography of St. Gildas, written five centuries after his death in the sixth century. It describes how after Conomor married Tryphine, she was warned by the ghosts of his previous wives that he murders them when they become pregnant. Pregnant, she flees; he catches and beheads her, but St. Gildas miraculously restores her to life, and when he brings her to Conomor, the walls of his castle collapse and kill him. Conomor is a historical figure, known locally as a werewolf, and various local churches are dedicated to Saint Tryphine and her son, Saint Tremeur.
Commentaries
The fatal effects of female curiosity have long been the subject of story and legend. Pandora and Psyche are examples of women in mythic stories whose curiosity have dire consequences. In giving his wife the keys to his castle, Bluebeard is acting the part of the serpent, and therefore of the devil, and his wife the part of the victim held by the serpent's gaze.
While some scholars interpret the Bluebeard story as a fable preaching obedience to wives (as Perrault's moral suggests), folklorist Maria Tatar has suggested that the tale encourages women not to unquestioningly follow patriarchal rules. Women breaking men's rules in the fairy tale can be seen as a metaphor for women breaking society's rules and being punished for their transgression. The key can be seen as a sign of disobedience or transgression; it can also be seen as a sign that one should not trust their husband.
Tatar, however, does go on to speak of Bluebeard as something of a "Beauty and the Beast" narrative. The original Beauty and the Beast tale by Jeanne-Marie Leprince de Beaumont is said to be a story created to condition young women into the possibility of not only marriage, but marrying young, and to placate their fears of the implications of an older husband. It shows the beast as secretly compassionate, and someone meant to curb the aggressive sexual fears that young women have towards marriage. Though "Beauty and the Beast" holds several similarities in Gothic imagery to "Bluebeard" (such as is shared with Cupid and Psyche as well, in the case of a mysterious captor, a looming castle, and a young, beautiful heroine), Tatar goes on to state that the latter tale lives on the entire opposite side of the spectrum: one in which, instead of female placation, the tale simply aggravates women's apprehension, confirming one's "worst fears about sex".
Jungian psychoanalyst Clarissa Pinkola Estés refers to the key as "the key of knowing" which gives the wife consciousness. She can choose to not open the door and live as a naive young woman. Instead, she has chosen to open the door of truth.
For folklorist Bruno Bettelheim, Bluebeard can only be considered a fairy tale because of the magical bleeding key; otherwise, it would just be a monstrous horror story. Bettelheim sees the key as associated with the male sexual organ, "particularly the first intercourse when the hymen is broken and blood gets on it". For Bettelheim, the blood on the key is a symbol of the wife's indiscretion.
For scholar Philip Lewis, the key offered to the wife by Bluebeard represents his superiority, since he knows something she does not. The blood on the key indicates that she now has knowledge. She has erased the difference between them, and in order to return her to her previous state, he must kill her.
Aarne–Thompson classification
According to the Aarne–Thompson system of classifying folktale plots, the tale of Bluebeard is type 312. Another such tale is The White Dove, an oral French variant. The type is closely related to Aarne–Thompson type 311 in which the heroine rescues herself and her sisters, in such tales as Fitcher's Bird, The Old Dame and Her Hen, and How the Devil Married Three Sisters. The tales where the youngest daughter rescues herself and the other sisters from the villain are in fact far more common in oral traditions than this type, where the heroine's brother rescues her. Other such tales do exist, however; the brother is sometimes aided in the rescue by marvelous dogs or wild animals.
Some European variants of the ballad Lady Isabel and the Elf Knight, Child ballad 4, closely resemble this tale. This is particularly noteworthy among some German variants, where the heroine calls for help much like Sister Anne calls for help to her brothers in Perrault's Bluebeard.
Bluebeard's wives
It is not explained why Bluebeard murdered his first bride; she could not have entered the forbidden room and found a dead wife. Some scholars have theorized that he was testing his wife's obedience, and that she was killed not for what she discovered there, but because she disobeyed his orders.
In the 1812 version published in Grimms' Fairy Tales, Wilhelm Grimm, on p. XLI of the annotations, makes the following handwritten comment: "It seems in all Märchen [fairy tales] of Bluebeard, wherein his Blutrunst [lust for blood] has not rightly explained, the idea to be the basis of himself through bathing in blood to cure of the blue beard; as the lepers. That is also why it is written that the blood is collected in basins."
Maurice Maeterlinck wrote extensively on Bluebeard and his plays name at least six former wives: Sélysette from Aglavaine et Sélysette (1896), Alladine from Alladine et Palomides (1894), both Ygraine and Bellangère from La mort de Tintagiles (1894), Mélisande from Pelléas et Mélisande, and Ariane from Ariane et Barbe-bleue (1907).
In Jacques Offenbach's opera Barbe-bleue (1866), the five previous wives are Héloïse, Eléonore, Isaure, Rosalinde and Blanche, with the sixth and final wife being a peasant girl, Boulotte, who finally reveals his secret when he attempts to have her killed so that he can marry Princess Hermia.
Béla Bartók's opera Bluebeard's Castle (1911), with a libretto by Béla Balázs, names "Judith" as wife number four.
Anatole France's short story "The Seven Wives of Bluebeard" names Jeanne de Lespoisse as the last wife before Bluebeard's death. The other wives were Collette Passage, Jeanne de la Cloche, Gigonne, Blanche de Gibeaumex, Angèle de la Garandine, and Alix de Pontalcin.
In Edward Dmytryk's film Bluebeard (1972), Baron von Sepper (Richard Burton) is an Austrian aristocrat known as Bluebeard for his blue-toned beard and his appetite for beautiful wives, and his wife is an American named Anne.
In Alex Garland's film Ex Machina (2014), Nathan is an internet mogul who designs robots with a human female body inside his home. Each time he starts a new iteration of the robot, he eliminates the AI of the previous one and puts the robot body inside a cupboard in his vault. Nathan's company is called Blue Book and a key plays a central role in the movie.
"Bluebeard" and Orientalism
Several scholars have noted the presence of Orientalism in illustrations of the tale, particularly those from the late 19th and early 20th centuries, although the trend has been dated as far back as 1805. Artists such as Arthur Rackham, Edmund Dulac, Harry Clarke, Jennie Harbour, and others portrayed Bluebeard with an Oriental appearance, wearing clothing such as a turban, a vibrantly colored silk robe, and pointed slippers, carrying a scimitar. These motifs often extended to depictions of his castle (which has been likened to "a harem") and the attire of the wife, who usually retained her "European features". Dulac in particular was known for incorporating such themes into his work, and his lavish illustrations of the tale are often cited as prime examples of the trend, with Anna Guiterrez calling them "[an] Oriental [fantasy]".
Folklorist Maria Tatar has claimed the popularity of Sir Richard Francis Burton's 1888 ten-volume translation of the Middle eastern story collection One Thousand and One Nights influenced such depictions, with Victorian and Edwardian artists perhaps seeing a link between Bluebeard and the frame story's Persian king Shahryār, who similarly had a succession of wives whom he killed before the current one, when the story begins. Another recognized influence is the 1798 opera The Grand Dramatic Romance Blue-Beard, or Female Curiosity by George Colman the Younger, composed by Michael Kelly. Pantomime versions of the tale were staged at the Theatre Royal, Drury Lane in London as early as 1798, and continued until at least 1901. Often, these productions set the story in the Ottoman Empire or Persia with elaborate Eastern-inspired costumes and sets. On a psychological level, Marina Warner has noted the similarities between the French words for "beard" and "barbarian" (barbe and barbare, respectively), which she theorized lead to artists such as Rackham portraying the king as "a Turk in pantaloons and turban, who rides an elephant, and grasps his wife by the hair when he prepares to behead her with his scimitar."
Tatar further theorized in a later article that the apparent mismatch between Orientalist illustrations and the story's European origin stemmed from the violent plot clashing with the prim morals of society at the time, writing "After all, it’s much more comforting for the French reader to think of such marital discord and violence as having taken place long ago and far away, rather than at home in today’s France." Kelly Faircloth also noted this discrepancy, citing the illustrations as "pushing the whole disquieting tale into the geographic and cultural distance".
More uncommonly, these Orientalist themes sometimes extended to the text itself, with rewrites moving the setting from the French countryside to a Middle Eastern city such as Baghdad and giving the wife the Arabic name "Fatima", though Bluebeard and the wife's sister Anne often contradictorily retained their European names. New retellings of the story contained Orientalist themes as late as 1933.
Though criticism of this phenomenon did not widely come about until the 21st century, an early detractor was Scottish folklorist Andrew Lang, selector and editor of the popular children's series Lang's Fairy Books. Lang was displeased with the Orientalist themes in then-current illustration, seeing it as a deliberate masking of the story's European origins, and commented in the introduction to the first volume of the series, 1889's The Blue Fairy Book: “Monsieur de la Barbe Bleue was not a Turk!...They were all French folk and Christians; had he been a Turk, Blue Beard need not have wedded to but one wife at a time.” Despite Lang's grievances, the illustrations for the tale in the volume by G.P. Jacomb-Hood portray Bluebeard, his wife, and the castle with a Middle Eastern motif.
Orientalist themes gradually disappeared from retellings in the latter half of the 20th century and beyond, which were increasingly aimed at recontextualizing the morals and themes of the tale (such as Angela Carter's 1979 short story "The Bloody Chamber", which explicitly sets the tale in France).
Real Life Accounts
Henri Désiré Landru was a French serial killer during the First World War and nicknamed the "Bluebeard of Gambais". His story was lampooned in the Charlie Chaplin black comedy film Monsieur Verdoux (1947).
A eponymous dramatic film, Landru, was released in France in 1963.
Variants
"Bluebeard", a fairy tale (KHM 62a, dropped from later editions) collected by The Brothers Grimm in Kinder- und Hausmärchen (KHM) (1812)
"The Robber Bridegroom", a variant (KHM 40) in Grimms' Fairy Tales (1812)
"Fitcher's Bird", another variant (KHM 48) in Grimms' Fairy Tales (1812)
"The Castle of Murder" (KHM 73a, dropped from later editions), another variant in Grimms' Fairy Tales (1812)
"Mr. Fox", an English variant of Bluebeard
"The White Dove" a French variant of Bluebeard
Versions and reworkings
Literature
Other versions of Bluebeard include:
Commentaires Apostoliques et Théologiques sur les Saintes Prophéties de l'auteur Sacré de Barbe-Bleue (1779), a satire by Frederick the Great
Die Sieben Weiber des Blaubart ("The Seven Wives of Bluebeard") (1797), a novel by Ludwig Tieck
"Blaubart" ("Bluebeard") (1850), a fairy tale by Alexander von Ungern-Sternberg
"Captain Murderer" (1860), a short story by Charles Dickens
"Le Sixième Mariage de Barbe-Bleue" ("Bluebeard's Sixth Marriage") (1892), a short story by Henri de Régnier
"Bluebeard's Keys" (1902), a short story by Anne Thackeray Ritchie
"The Seven Wives of Bluebeard" (1903), a short story by Anatole France
Chevalier Blaubarts Liebesgarten ("Knight Bluebeard's Love Garden") (1910), a novel by Joseph August Lux
Ritter Blaubart ("Bluebeard the Knight") (1911), a short story by Alfred Döblin
The Blue Castle (1926), a novel by L. M. Montgomery
Sister Anne (1932), a novella by Beatrix Potter
The Robber Bridegroom (1942), a novella by Eudora Welty
"The Bloody Chamber" (1979), a short story by Angela Carter
Bluebeard (1982), a novel by Max Frisch
"Bluebeard's Egg" (1983), a short story by Margaret Atwood in a collection of the same name
Blaubarts Letzte Reise ("Bluebeard's Last Journey") (1983), a short story by Peter Rühmkorf
"Bluebeard", (1986), a short story by Donald Barthelme
Bluebeard (1987), a novel by Kurt Vonnegut
"Blue-Bearded Lover" (1987), a short story by Joyce Carol Oates
Blaubarts Schatten ("Bluebeard's Shadow") (1991), a novel by Karin Struck
"Bluebeard in Ireland"' (1994), a short story by John Updike
Fitcher's Brides (2002), a novel by Gregory Frost
Barbe-Bleue ("Bluebeard") (2012), a novel by Amélie Nothomb
Mr. Fox (2011), a novel by Helen Oyeyemi
How to be Eaten (2022), a novel by Maria Adelmann
Bluebeard's Castle (2023), a novel by Anna Biller
In Charles Dickens' short story "Captain Murderer", the title character is described as "an offshoot of the Bluebeard family", and is far more bloodthirsty than most Bluebeards: he cannibalises each wife a month after marriage. He meets his demise after his sister-in-law, in revenge for the death of her sister, marries him and consumes a deadly poison just before he devours her.
In Anatole France's The Seven Wives of Bluebeard, Bluebeard is the victim of the tale, and his wives the perpetrators. Bluebeard is a generous, kind-hearted, wealthy nobleman called Bertrand de Montragoux who marries a succession of grotesque, adulterous, difficult, or simple-minded wives. His first six wives all die, flee, or are sent away under unfortunate circumstances, none of which are his fault. His seventh wife deceives him with another lover and murders him for his wealth.
In Angela Carter's "The Bloody Chamber", Bluebeard is a 1920s decadent with a collection of erotic drawings, and Bluebeard's wife is rescued by her mother, who rides in on a horse and shoots Bluebeard between the eyes, rather than by her brothers as in the original fairy tale.
In Joyce Carol Oates' short story, "Blue-Bearded Lover", the most recent wife is well aware of Bluebeard's murdered wives: she does not unlock the door to the forbidden room, and therefore avoids death herself. She remains with Bluebeard despite knowing he is a murderer, and gives birth to Bluebeard's children. The book has been interpreted as a feminist struggle for sexual power.
In Helen Oyeyemi's Mr. Fox, Mr. Fox is a writer of slasher novels, with a muse named Mary. Mary questions Mr. Fox about why he writes about killing women who have transgressed patriarchal laws, making him aware of how his words normalize domestic violence. One of the stories in the book is about a girl named Mary who has a fear of serial killers because her father raised her on stories about men who killed women who did not obey them and then killed her mother.
Kurt Vonnegut's Bluebeard features a painter who calls himself Bluebeard, and who considers his art studio to be a forbidden chamber where his girlfriend Circe Berman is not allowed to go.
In Donald Barthelme's Bluebeard, the wife believes that the carcasses of Bluebeard's previous six wives are behind the door. She loses the key and her lover hides the three duplicates. One afternoon Bluebeard insists that she open the door, so she borrows his key. Inside, she finds the decaying carcasses of six zebras dressed in Coco Chanel gowns.
In theatre
Ritter Blaubart ("Knight Bluebeard") (1797), a play by Ludwig Tieck
Bluebeard (1895), a ballet by Georges Jacobi, choreographed by Carlo Coppi
Bluebeard (1896), a ballet by choreographer Marius Petipa to the music of composer Pyotr Schenk.
Ariane et Barbe-bleue (1899), a symbolist play by Maurice Maeterlinck
Bluebeard's Eighth Wife (1921), a French farce by Alfred Savoir
Saint Joan (1923), a play by George Bernard Shaw, features Gilles de Rais, nicknamed Bluebeard for his tinted beard and believed by some to be a source of the legend
Bluebeard (1941), by Jacques Offenbach, choreographed by Michel Fokine
Blaubarts Traum (""Bluebeard's Dream) (1961), a ballet by Harold Saeverud, choreographed by Yvonne Georgi
Bluebeard (1970), an off-Broadway absurdist comedy by Charles Ludlam, adapted from The Island of Dr Moreau Blaubart: Drama giocoso (1985), a play by Martin Mosebach
Bluebeard (2015), a ballet based on the novel The Seven Wives of Bluebeard by Anatole France, directed and choreographed by Staša Zurovac and composed by Marjan Nećak Bluebeard's Friends (2019), one of three short plays by Caryl Churchill
In music
Raoul Barbe-bleue (1789), an opera by André Grétry
The Grand Dramatic Romance Blue-Beard, or Female Curiosity, a 1798 opera by George Colman the Younger, composed by Michael Kelly.
Barbe-bleue (1866), an operetta by Jacques Offenbach
Blue Beard, Jr. (1889), musical with a libretto by Clay M. Greene and music by Fred J. Eustis, Richard Maddern, and John Joseph Braham Sr.
Ariane et Barbe-bleue (1907), an opera by Paul Dukas
Bluebeard's Castle (1918), an opera by Béla Bartók and Béla Balázs
"Bluebeard" (1993), a song by the Cocteau Twins, on the album Four-Calendar Café "Go Long" by Joanna Newsom (2010), on the album Have One on Me "Aoki Hakushaku no Shiro" ("The Blue Marquis' Castle"), a song by Sound Horizon, on the album Märchen "Mrs. Bluebeard", a song by They Might Be Giants, on the album I Like Fun"Bluebeard" (2019) a song by Patty Griffin, on the album Patty Griffin
"Nightmares by the Sea", a song by Jeff Buckley, on the album Sketches for My Sweetheart the Drunk"Eve, Psyche and Bluebeard's Wife" (2023), a song by Le Sserafim, on the album UnforgivenIn film
Barbe-bleue, a 1901 short film by Georges Méliès
Bluebeard's 8th Wife, a 1923 silent comedy film directed by Sam Wood and starring Gloria SwansonMiss Bluebeard, a 1925 silent comedy film directed by Frank Tuttle and starring Bebe Daniels, based on the play Little Miss Bluebeard Barbe-bleue, a 1936 claymation short film directed by Jean Painlevé
Bluebeard's Eighth Wife, a 1938 remake of the Swanson silent film, directed by Ernst Lubitsch and starring Claudette Colbert and Gary Cooper
Bluebeard, a 1944 film directed by Edgar G. Ulmer, starring John CarradineGaslight, Rebecca, and Suspicion are classical Hollywood cinema variations on the Bluebeard tale.
Monsieur Verdoux, a 1947 black comedy film directed by and starring Charles Chaplin
Secret Beyond the Door, a 1948 contemporary adaptation directed by Fritz Lang, starring Michael Redgrave and Joan Bennett
Bye, Bye Bluebeard is a 1949 Warner Brothers cartoon by Arthur Davis in which Bluebeard is portrayed as a blue-bearded wolf/a killer on the loose who appears at the home of Porky Pig.
Bluebeard's Six Wives, a 1950 Italian comedy film directed by Carlo Ludovico Bragaglia, starring Totò
Barbe-Bleue (titled Bluebeard in the U.S.), a 1951 German-French film directed by Christian-Jaque, starring Hans Albers
Juliette, or Key of Dreams, a 1951 French film based on the 1930 play of the same name, in which a main character is directly inspired from BluebeardBluebeard's Ten Honeymoons, a 1960 British thriller directed by W. Lee Wilder and starring George Sanders Landru (titled Bluebeard in the U.S.), a 1963 French drama directed by Claude Chabrol starring Charles Denner, Michèle Morgan, and Danielle DarrieuxHerzog Blaubarts Burg ("Duke Bluebeard's Castle"), a 1963 film directed by Michael Powell, a film of the Béla Bartók opera Bluebeard's Castle Bluebeard, a 1972 film directed by Edward Dmytryk, starring Richard Burton, Joey Heatherton, Raquel Welch, and Virna Lisi
Очень синяя борода [Ochen' siniya boroda] (Very Blue Beard), a 1979 Soviet animated film, gives modern satirical variations on the theme of BluebeardLa Barbe-bleue, a 1986 French TV movie adaptation directed by Alain Ferrari
The Piano, a 1993 film directed by Jane Campion, a loose adaptation which features a Christmas pageant presentation of the fairy tale BluebeardBarbe Bleue, a 2009 film directed by Catherine Breillat
Ex Machina, a 2015 film directed by Alex Garland, adapts the Bluebeard character as the reclusive CEO of a fictional tech company called "Bluebook"
Crimson Peak, a 2015 Gothic horror film, has plot similarities to the tale of Bluebeard in that a woman is taken to her husband's castle where he hides a dark, forbidden secret.
Elizabeth Harvest, a 2018 film directed by Sebastian Gutierrez, takes a modern approach to the tale.
In poetry
"Bluebeard's Closet" (1888), a poem by Rose Terry Cooke
"Der Ritter Blaubart" ("The Knight Bluebeard") (1911), a poem by Reinhard Koester
"I Seek Another Place" (1917), a sonnet by Edna St. Vincent Millay
"Bluebeard", a poem by Sylvia Plath
The story is alluded to in Seamus Heaney's 1966 poem "Blackberry Picking": "Our hands were peppered/With thorn pricks, our palms sticky as Bluebeard's."
References in literature
In Charlotte Brontë's 1847 novel Jane Eyre, the narrator alludes to her husband as Bluebeard, and to his castle as Bluebeard's castle.
In Machado de Assis’s story "The Looking Glass", the main character, Jacobina, dreams he is trying to escape Bluebeard.
In The Scarlet Pimpernel by Baroness Orczy, the story of Bluebeard is referred to in Chapter 18, with Sir Percy's bedroom being compared to Bluebeard's chamber, and Marguerite to Bluebeard's wife.
In William Shakespeare's Much Ado About Nothing, the character Benedick exclaims, "Like the old tale, my lord: It is not so nor 'twas not so but, indeed, God forbid it should be so." Here, Benedick is quoting a phrase from an English variant of Bluebeard, Mr. Fox, referring to it as "the old tale".
In The Blue Castle, a 1926 novel by Lucy Maude Montgomery, Valancy's mysterious new husband forbids her to open one door in his house, a room they both term "Bluebeard's Chamber".
In Stephen King's The Shining, the character Jack Torrance reads the story of Bluebeard to his three-year-old son Danny, to his wife's disapproval. The Shining also directly references the Bluebeard tale in that there is a secret hotel room which conceals a suicide, a remote 'castle' (The Overlook Hotel), and a husband (Jack) who attempts to kill his wife.
In Javier Marías’ 1992 novel, A Heart So White, the narrator’s father is called "worse than Bluebeard" for having lost three wives in succession.
In Fifty Shades of Grey, by E. L. James, Mr. Grey has a bloody S & M chamber where he tortures Anastasia, and she refers to him at least once as Bluebeard.
"Bones", a short story by Francesca Lia Block, recasts Bluebeard as a sinister L.A. promoter.
The short story Trenzas (Braids) by Chilean writer María Luisa Bombal has some paragraphs where the narrator comments on Bluebeard's last wife having long and thick braids that would get tangled in Bluebeard's fingers, and as he struggled to undo them before killing her, he was caught and killed by the woman's protective brothers.
In Carmen Maria Machado's In the Dream House, the author uses the story of Bluebeard to illustrate tolerance in domestic abuse situations.
In television
Bluebeard is featured in Grimm's Fairy Tale Classics as part of its "Grimm Masterpiece Theater" season. The bride is the peasant teenage girl Josephine, raised by her three woodworker brothers; she is deliberately chosen by Bluebeard for her beauty, her naivete and her desire to marry a prince. The character design for Bluebeard strongly resembles the English King Henry VIII.
Bluebeard is featured in Sandra the Fairytale Detective as the villain in the episode "The Forbidden Room".
Bluebeard is featured in Scary Tales, produced by the Discovery Channel, Sony and IMAX, episode one, in 2011. (This series is not related to the Disney collection of the same name.)
Bluebeard was the subject of the pilot episode of an aborted television series, Famous Tales (1951), created by and starring Burl Ives with music by Albert Hague.
A Korean stage play of the Bluebeard story serves as the backstory and inspiration for the antagonist, a serial kidnapper, in the South Korean television show, Strong Woman Do Bong-soon (2017).
In Hannibal, Season 3 episode 12 "The Number of the Beast is 666", Bedelia Du Maurier compares herself and the protagonist Will Graham to Bluebeard's brides, referring to their relationships with Hannibal Lecter.
You, Season 1 episode 10 "Bluebeard's Castle", along with taking the episodes namesake from the fairy tale, heroine Guinevere Beck compares the character Joe Goldberg to Bluebeard and his glass box to Bluebeard's Castle.
It's Okay to Not Be Okay is a South Korean Drama in which this tale is narrated in episode 6.
The TV series Grimm, episode 4, season 1, "Lonely Hearts", is based on Bluebeard. The antagonist is a serial rapist who keeps all of his (living) victims in a secret basement room.Succession, season 2, episode 9 when Rhea called Logan 'bluebeard' because she thinks he is trying to kill her by putting her up for the CEO position and takes the fall for the Cruise coverup.
In other media
The fairy tale of Bluebeard was the inspiration for the Gothic feminine horror game Bluebeard's Bride by Whitney "Strix" Beltrán, Marissa Kelly, and Sarah Richardson published by Magpie Games. It is centered around the premise of the fairy tale with players acting out emotions and thoughts from the shared perspective of the Bride, each taking on an aspect of her psyche.
In DC Comics' Fables series, Bluebeard appears as an amoral character, willing to kill and often suspected of being involved in various nefarious deeds.
Bluebeard is a character in the video game The Wolf Among Us by Telltale Games, based on the Fables comics.
In the Japanese light novel and manga/anime Fate/Zero, Bluebeard appears as the Caster Servant, where his character largely stems from Gilles de Rais as a serial murderer of children.
The Awful History of Bluebeard consists of 7 original drawings by William Makepeace Thackeray from 1833, given as a gift to his cousin on her 11th birthday and published in 1924.
A series of photographs published in 1992 by Cindy Sherman illustrate the fairy tale Fitcher's Bird (a variant of Bluebeard).
Bluebeard appears as a minor Darklord in the Advanced Dungeons & Dragons (2nd ed.) Ravenloft accessory Darklords.
BBC Radio 4 aired a radio play from 2014 called Burning Desires written by Colin Bytheway, about the serial killer Landru, an early 20th-century Bluebeard.
The 2013 fantasy horror comic Porcelain: A Gothic Fairy Tale (by Benjamin Read and Chris Wildgoose) employs the Bluebeard story element with the bloody key to a secret room of horrors.
The 1955 film The Night of the Hunter includes a scene at the trial of serial wife killer in which the crowd/mob chants "Bluebeard!" repeatedly.
A mausoleum containing the remains of Bluebeard and his wives can be seen at the exit of The Haunted Mansion at Walt Disney World.
The card "Malevolent Noble" in the Throne of Eldraine expansion of Magic: The Gathering is a visual reference to Bluebeard.
The tale inspired the plot of hidden object game Dark Romance 5: Curse of Bluebeard, by developer DominiGames.
Ceramic tiles tell the tale of Bluebeard and his wives in Fonthill Castle, the home of Henry Mercer in Doylestown, Pennsylvania.
Bluebeard and a variation of his tale appears in the manga Ludwig Kakumei.
The song Predator by Toni Childs from her album The Woman's Boat references Bluebeard in its lyrics.
References
Further reading
Barzilai, Shuli. Tales of Bluebeard and His Wives from Late Antiquity to Postmodern Times. London: Routledge, 2009. Print.
Estés, Clarissa P. (1992). Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. New York: Random House, Inc.
Hermansson, Casie E. (2009). Bluebeard: A Reader's Guide to the English Tradition. Jackson, Mississippi: University Press of Mississippi.
Loo, Oliver (2014). The Original 1812 Grimm Fairy Tales Kinder- und Hausmärchen Children's and Household Tales.
Tatar, Maria (2004). Secrets Beyond the Door: The Story of Bluebeard and His Wives''. Princeton / Oxford, Princeton University Press.
Vizetelly, Ernest Alfred (1902). Bluebeard: An Account of Comorre the Cursed and Gilles de Rais, with Summaries of Various Tales and Traditions; Chatto & Windus; Westminster, England.
External links
SurLaLune Fairy Tale Pages: Heidi Anne Heiner, "The Annotated Bluebeard"
Variants
"Bluebeard and the Bloody Chamber" by Terri Windling
Leon Botstein's concert notes on Dukas' Ariane et Barbe-bleue
Glimmerglass Opera's notes on Offenbach's Barbe Bleue, the Bluebeard fairy tale in general, and operetta in the time of Offenbach.
A Shakespeare reference
Bluebeard, audio version
1697 short stories
ATU 300-399
Fictional French people in literature
Fictional nobility
Fictional serial killers
Fictional uxoricides
French fairy tales
French folklore
Grimms' Fairy Tales
Male characters in fairy tales
Male literary villains
Works by Charles Perrault