PoetryMTEB/EnglishPoetryFormClassification huggingface dataset:
On Seeing the Elgin Marbles
by John Keats

My spirit is too weak—mortality
   Weighs heavily on me like unwilling sleep,
   And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
   Yet ‘tis a gentle luxury to weep,
   That I have not the cloudy winds to keep,
Fresh for the opening of the morning’s eye.
Such dim-conceived glories of the brain
   Bring round the heart an indescribable feud;
So do these wonders a most dizzy pain,
   That mingles Grecian grandeur with the rude
Wasting of old Time—with a billowy main—
   A sun—a shadow of a magnitude.

Form: ekphrasis
November Night
by Adelaide Crapsey

Listen. .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp'd, break from the trees
And fall.

Form: free verse
Before the Birth of One of Her Children
by Anne Bradstreet

All things within this fading world hath end,   
Adversity doth still our joyes attend;
No ties so strong, no friends so dear and sweet,   
But with death’s parting blow is sure to meet.   
The sentence past is most irrevocable,   
A common thing, yet oh inevitable.
How soon, my Dear, death may my steps attend,   
How soon’t may be thy Lot to lose thy friend,   
We are both ignorant, yet love bids me   
These farewell lines to recommend to thee,   
That when that knot’s untied that made us one,   
I may seem thine, who in effect am none.   
And if I see not half my dayes that’s due,
What nature would, God grant to yours and you;   
The many faults that well you know I have  
Let be interr’d in my oblivious grave;   
If any worth or virtue were in me,   
Let that live freshly in thy memory   
And when thou feel’st no grief, as I no harms,   
Yet love thy dead, who long lay in thine arms.
And when thy loss shall be repaid with gains   
Look to my little babes, my dear remains.   
And if thou love thyself, or loved’st me,
These o protect from step Dames injury.
And if chance to thine eyes shall bring this verse,
With some sad sighs honour my absent Herse;   
And kiss this paper for thy loves dear sake,
Who with salt tears this last Farewel did take.

Form: couplet
Wonder and Joy
by Robinson Jeffers

The things that one grows tired of—O, be sure
They are only foolish artificial things!
Can a bird ever tire of having wings?
And I, so long as life and sense endure,
(Or brief be they!) shall nevermore inure
My heart to the recurrence of the springs,
Of gray dawns, the gracious evenings,
The infinite wheeling stars. A wonder pure
Must ever well within me to behold
Venus decline; or great Orion, whose belt
Is studded with three nails of burning gold,
Ascend the winter heaven. Who never felt
This wondering joy may yet be good or great:
But envy him not: he is not fortunate.

Form: sonnet
The Passionate Shepherd to His Love
by Christopher Marlowe

Come live with me and be my love,
And we will all the pleasures prove,
That Valleys, groves, hills, and fields,
Woods, or steepy mountain yields.

And we will sit upon the Rocks,
Seeing the Shepherds feed their flocks,
By shallow Rivers to whose falls
Melodious birds sing Madrigals.

And I will make thee beds of Roses
And a thousand fragrant posies,
A cap of flowers, and a kirtle
Embroidered all with leaves of Myrtle;

A gown made of the finest wool
Which from our pretty Lambs we pull;
Fair lined slippers for the cold,
With buckles of the purest gold;

A belt of straw and Ivy buds,
With Coral clasps and Amber studs:
And if these pleasures may thee move,
Come live with me, and be my love.

The Shepherds’ Swains shall dance and sing
For thy delight each May-morning:
If these delights thy mind may move,
Then live with me, and be my love.

Form: couplet
The Sleeper
by Edgar Allan Poe

At midnight, in the month of June,
I stand beneath the mystic moon.
An opiate vapor, dewy, dim,
Exhales from out her golden rim,
And softly dripping, drop by drop,
Upon the quiet mountain top,
Steals drowsily and musically
Into the universal valley.
The rosemary nods upon the grave;
The lily lolls upon the wave;
Wrapping the fog about its breast,
The ruin moulders into rest;
Looking like Lethe, see! the lake
A conscious slumber seems to take,
And would not, for the world, awake.
All Beauty sleeps!—and lo! where lies
Irene, with her Destinies!

Oh, lady bright! can it be right—
This window open to the night?
The wanton airs, from the tree-top,
Laughingly through the lattice drop—
The bodiless airs, a wizard rout,
Flit through thy chamber in and out,
And wave the curtain canopy
So fitfully—so fearfully—
Above the closed and fringéd lid
’Neath which thy slumb’ring soul lies hid,
That, o’er the floor and down the wall,
Like ghosts the shadows rise and fall!
Oh, lady dear, hast thou no fear?
Why and what art thou dreaming here?
Sure thou art come o’er far-off seas,
A wonder to these garden trees!
Strange is thy pallor! strange thy dress!
Strange, above all, thy length of tress,
And this all solemn silentness!

The lady sleeps! Oh, may her sleep,
Which is enduring, so be deep!
Heaven have her in its sacred keep!
This chamber changed for one more holy,
This bed for one more melancholy,
I pray to God that she may lie
Forever with unopened eye,
While the pale sheeted ghosts go by!

My love, she sleeps! Oh, may her sleep,
As it is lasting, so be deep!
Soft may the worms about her creep!
Far in the forest, dim and old,
For her may some tall vault unfold—
Some vault that oft hath flung its black
And wingéd pannels fluttering back,
Triumphant, o’er the crested palls
Of her grand family funerals—

Some sepulchre, remote, alone,
Against whose portals she hath thrown,
In childhood, many an idle stone—
Some tomb from out whose sounding door
She ne’er shall force an echo more,
Thrilling to think, poor child of sin!
It was the dead who groaned within.

Form: couplet
The Night Patrol
by Arthur Graeme West

France, March 1916.

Over the top! The wire’s thin here, unbarbed
Plain rusty coils, not staked, and low enough:
Full of old tins, though—“When you’re through, all three,
Aim quarter left for fifty yards or so,
Then straight for that new piece of German wire;
See if it’s thick, and listen for a while
For sounds of working; don’t run any risks;
About an hour; now, over!”
                                                    And we placed
Our hands on the topmost sand-bags, leapt, and stood
A second with curved backs, then crept to the wire,
Wormed ourselves tinkling through, glanced back, and dropped.
The sodden ground was splashed with shallow pools,
And tufts of crackling cornstalks, two years old,
No man had reaped, and patches of spring grass.
Half-seen, as rose and sank the flares, were strewn
The wrecks of our attack: the bandoliers,
Packs, rifles, bayonets, belts, and haversacks,
Shell fragments, and the huge whole forms of shells
Shot fruitlessly—and everywhere the dead.
Only the dead were always present—present
As a vile sickly smell of rottenness;
The rustling stubble and the early grass,
The slimy pools — the dead men stank through all,
Pungent and sharp; as bodies loomed before,
And as we passed, they stank: then dulled away
To that vague fœtor, all encompassing,
Infecting earth and air. They lay, all clothed,
Each in some new and piteous attitude
That we well marked to guide us back: as he,
Outside our wire, that lay on his back and crossed
His legs Crusader-wise: I smiled at that,
And thought on Elia and his Temple Church.
From him, at quarter left, lay a small corpse,
Down in a hollow, huddled as in a bed,
That one of us put his hand on unawares.
Next was a bunch of half a dozen men
All blown to bits, an archipelago
Of corrupt fragments, vexing to us three,
Who had no light to see by, save the flares.
On such a trail, so light, for ninety yards
We crawled on belly and elbows, till we saw,
Instead of lumpish dead before our eyes,
The stakes and crosslines of the German wire.
We lay in shelter of the last dead man,
Ourselves as dead, and heard their shovels ring
Turning the earth, then talk and cough at times.
A sentry fired and a machine-gun spat;
They shot a glare above us, when it fell
And spluttered out in the pools of No Man’s Land,
We turned and crawled past the remembered dead:
Past him and him, and them and him, until,
For he lay some way apart, we caught the scent
Of the Crusader and slide past his legs,
And through the wire and home, and got our rum.

Form: blank verse
Elegy Before Death
by Edna St. Vincent Millay

There will be rose and rhododendron
   When you are dead and under ground;
Still will be heard from white syringas
   Heavy with bees, a sunny sound;

Still will the tamaracks be raining
   After the rain has ceased, and still
Will there be robins in the stubble,
   Brown sheep upon the warm green hill.

Spring will not ail nor autumn falter;
   Nothing will know that you are gone,
Saving alone some sullen plough-land
   None but yourself sets foot upon;

Saving the may-weed and the pig-weed
   Nothing will know that you are dead,—
These, and perhaps a useless wagon
   Standing beside some tumbled shed.

Oh, there will pass with your great passing
   Little of beauty not your own,—
Only the light from common water,
   Only the grace from simple stone!

Form: elegy
Prospice
by Robert Browning

Fear death?—to feel the fog in my throat,
The mist in my face,
When the snows begin, and the blasts denote
I am nearing the place,
The power of the night, the press of the storm,
The post of the foe;
Where he stands, the Arch Fear in a visible form,
Yet the strong man must go:
For the journey is done and the summit attained,
And the barriers fall,
Though a battle's to fight ere the guerdon be gained,
The reward of it all.
I was ever a fighter, so—one fight more,
The best and the last!
I would hate that death bandaged my eyes and forbore,
And bade me creep past.
No! let me taste the whole of it, fare like my peers
The heroes of old,
Bear the brunt, in a minute pay glad life's arrears
Of pain, darkness and cold.
For sudden the worst turns the best to the brave,
The black minute's at end,
And the elements' rage, the fiend-voices that rave,
Shall dwindle, shall blend,
Shall change, shall become first a peace out of pain,
Then a light, then thy breast,
O thou soul of my soul! I shall clasp thee again,
And with God be the rest!

Form: ballad
If the dull substance of my flesh were thought (Sonnet 44)
by William Shakespeare

If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then despite of space I would be brought,
From limits far remote, where thou dost stay.
No matter then although my foot did stand
Upon the furthest earth removed from thee;
For nimble thought can jump both sea and land
As soon as think the place where he would be.
But, ah! thought kills me that I am not thought,
To leap large lengths of miles when thou art gone,
But that so much of earth and water wrought
I must attend time’s leisure with my moan,
    Receiving nought by elements so slow
    But heavy tears, badges of either’s woe.

Form: sonnet
Gitanjali 8
by Rabindranath Tagore

The child who is decked with prince’s robes and who has jewelled chains round his neck loses all pleasure in his play; his dress hampers him at every step.

In fear that it may be frayed, or stained with dust he keeps himself from the world, and is afraid even to move.

Mother, it is no gain, thy bondage of finery, if it keep one shut off from the healthful dust of the earth, if it rob one of the right of entrance to the great fair of common human life.

Form: prose poem
Elegy V:  His Picture
by John Donne

Here take my picture; though I bid farewell
Thine, in my heart, where my soul dwells, shall dwell.
'Tis like me now, but I dead, 'twill be more
When we are shadows both, than 'twas before.
When weather-beaten I come back, my hand
Perhaps with rude oars torn, or sun beams tann'd,
My face and breast of haircloth, and my head
With care's rash sudden storms being o'erspread,
My body'a sack of bones, broken within,
And powder's blue stains scatter'd on my skin;
If rival fools tax thee to'have lov'd a man
So foul and coarse as, oh, I may seem then,
This shall say what I was, and thou shalt say,
"Do his hurts reach me? doth my worth decay?
Or do they reach his judging mind, that he
Should now love less, what he did love to see?
That which in him was fair and delicate,
Was but the milk which in love's childish state
Did nurse it; who now is grown strong enough
To feed on that, which to disus'd tastes seems tough."

Form: couplet
Ametas and Thestylis Making Hay-ropes
by Andrew Marvell

1
AMETAS
Think’st thou that this love can stand,
Whilst thou still dost say me nay?
Love unpaid does soon disband:
Love binds love as hay binds hay.

2
THESTYLIS
Think’st thou that this rope would twine
If we both should turn one way?
Where both parties so combine,
Neither love will twist nor hay.

3
AMETAS
Thus you vain excuses find,
Which yourselves and us delay:
And love ties a woman’s mind
Looser than with ropes of hay.

4
THESTYLIS
What you cannot constant hope
Must be taken as you may.

5
AMETAS
Then let’s both lay by our rope,
And go kiss within the hay.

Form: pastoral
Idea 61: Since there’s no help, come let us kiss and part
by Michael Drayton

Since there’s no help, come let us kiss and part.
Nay, I have done, you get no more of me;
And I am glad, yea glad with all my heart,
That thus so cleanly I myself can free.
Shake hands for ever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love’s latest breath,
When, his pulse failing, Passion speechless lies;
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes—
Now, if thou wouldst, when all have given him over,
From death to life thou might’st him yet recover!

Form: sonnet
Gitanjali 65
by Rabindranath Tagore

What divine drink wouldst thou have,
my God, from this overflowing cup of
my life?
    My poet, is it thy delight to see thy
creation through my eyes and to stand
as the portals of my ears silently to
listen to thine own eternal harmony?
    Thy world is weaving words in my
mind and thy joy is adding music to
them. Thou givest thyself to me in
love and then feelest thine own entire
sweetest in me.

Form: ars poetica
Venus Transiens
by Amy Lowell

Tell me,
Was Venus more beautiful
Than you are,
When she topped
The crinkled waves,
Drifting shoreward
On her plaited shell?
Was Botticelli’s vision
Fairer than mine;
And were the painted rosebuds   
He tossed his lady
Of better worth
Than the words I blow about you
To cover your too great loveliness   
As with a gauze
Of misted silver?

For me,
You stand poised
In the blue and buoyant air,
Cinctured by bright winds,
Treading the sunlight.
And the waves which precede you   
Ripple and stir
The sands at my feet.

Form: free verse
When You See Millions of the Mouthless Dead'
by Charles Hamilton Sorley

When you see millions of the mouthless dead
Across your dreams in pale battalions go,
Say not soft things as other men have said,
That you'll remember. For you need not so.
Give them not praise. For, deaf, how should they know
It is not curses heaped on each gashed head?
Nor tears. Their blind eyes see not your tears flow.
Nor honour. It is easy to be dead.
Say only this, “They are dead.” Then add thereto,
“Yet many a better one has died before.”
Then, scanning all the o'ercrowded mass, should you
Perceive one face that you loved heretofore,
It is a spook. None wears the face you knew.
Great death has made all his for evermore.

Form: sonnet
To John Keats, Poet, at Springtime
by Countee Cullen

I cannot hold my peace, John Keats;
There never was a spring like this;
It is an echo, that repeats
My last year’s song and next year’s bliss.
I know, in spite of all men say
Of Beauty, you have felt her most.
Yea, even in your grave her way
Is laid. Poor, troubled, lyric ghost,
Spring never was so fair and dear
As Beauty makes her seem this year.

I cannot hold my peace, John Keats;
I am as helpless in the toil
Of spring as any lamb that bleats
To feel the solid earth recoil
Beneath his puny legs. Spring beats
Her tocsin call to those who love her,
And lo! the dogwood petals cover
Her breast with drifts of snow, and sleek
White gulls fly screaming to her, and hover
About her shoulders, and kiss her cheek,
While white and purple lilacs muster
A strength that bears them to a cluster
Of color and odor; for her sake
All things that slept are now awake.

And you and I, shall we lie still,
John Keats, while Beauty summons us?
Somehow I feel your sensitive will
Is pulsing up some tremulous
Sap road of a maple tree, whose leaves
Grow music as they grow, since your
Wild voice is in them, a harp that grieves
For life that opens death’s dark door.
Though dust, your fingers still can push
The Vision Splendid to a birth,
Though now they work as grass in the hush
Of the night on the broad sweet page of the earth.

“John Keats is dead,” they say, but I
Who hear your full insistent cry
In bud and blossom, leaf and tree,
Know John Keats still writes poetry.
And while my head is earthward bowed
To read new life sprung from your shroud,
Folks seeing me must think it strange
That merely spring should so derange
My mind. They do not know that you,
John Keats, keep revel with me, too.

Form: elegy
Say that thou didst forsake me for some fault (Sonnet 89)
by William Shakespeare

Say that thou didst forsake me for some fault,
And I will comment upon that offence;
Speak of my lameness, and I straight will halt,
Against thy reasons making no defence.
Thou canst not, love, disgrace me half so ill,
To set a form upon desired change,
As I’ll myself disgrace: knowing thy will,
I will acquaintance strangle and look strange,
Be absent from thy walks, and in my tongue
Thy sweet beloved name no more shall dwell,
Lest I, too much profane, should do it wrong
And haply of our old acquaintance tell.
    For thee against myself I’ll vow debate,
    For I must ne’er love him whom thou dost hate.

Form: sonnet
Gitanjali 35
by Rabindranath Tagore

Where the mind is without fear and the head is held high;
   Where knowledge is free;
   Where the world has not been broken up into fragments by narrow domestic walls;
   Where words come out from the depth of truth;
   Where tireless striving stretches its arms towards perfection;
   Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
   Where the mind is led forward by thee into ever-widening thought and action
   Into that heaven of freedom, my Father, let my country awake.

Form: free verse
Sonnets from the Cherokee (III)
by Ruth Muskrat Bronson

What is this nameless something that I want,
Forever groping blindly, without light,—
A ghost of pain that does forever haunt
My days, and make my heart eternal night?
I think it is your face I so long for,
Your eyes that read my soul at one warm glance;
Your lips that I may touch with mine no more
Have left me in their stead a thrusting lance
Of fire that burns my lips and sears my heart
As all the dreary wanton years wear through
Their hopeless dragging days. No lover’s art
Can lift full, heavy sorrow from my view
Or still my restless longing, purge my hate,
Because I learned I loved you, dear, too late.

Form: sonnet
Love is too young to know what conscience is: (Sonnet 151)
by William Shakespeare

Love is too young to know what conscience is;
Yet who knows not conscience is born of love?
Then, gentle cheater, urge not my amiss,
Lest guilty of my faults thy sweet self prove:
For, thou betraying me, I do betray
My nobler part to my gross body’s treason;
My soul doth tell my body that he may
Triumph in love; flesh stays no farther reason;
But, rising at thy name, doth point out thee
As his triumphant prize. Proud of this pride,
He is contented thy poor drudge to be,
To stand in thy affairs, fall by thy side.
    No want of conscience hold it that I call
    Her ‘love’ for whose dear love I rise and fall.

Form: sonnet
Ode on Melancholy
by John Keats

1.

No, no, go not to Lethe, neither twist
       Wolf's-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss'd
       By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
       Nor let the beetle, nor the death-moth be
               Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
       For shade to shade will come too drowsily,
               And drown the wakeful anguish of the soul.

2.

But when the melancholy fit shall fall
       Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
       And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
       Or on the rainbow of the salt sand-wave,
               Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
       Emprison her soft hand, and let her rave,
               And feed deep, deep upon her peerless eyes.

3.

She dwells with Beauty—Beauty that must die;
       And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
       Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
       Veil'd Melancholy has her sovran shrine,
              Though seen of none save him whose strenuous tongue
Can burst Joy's grape against his palate fine;
       His soul shalt taste the sadness of her might,
              And be among her cloudy trophies hung.

Form: ode
The Battle of Tel-el-Kebir
by Knight of the White Elephant of Burmah William McGonagall

Ye sons of Great Britain, come join with me,
And sing in praise of Sir Garnet Wolseley;
Sound drums and trumpets cheerfully,
For he has acted most heroically.

Therefore loudly his praises sing
Until the hills their echoes back doth ring;
For he is a noble hero bold,
And an honour to his Queen and country, be it told.

He has gained for himself fame and renown,
Which to posterity will be handed down;
Because he has defeated Arabi by land and by sea,
And from the battle of Tel-el-Kebir he made him to flee.

With an army about fourteen thousand strong,
Through Egypt he did fearlessly march along,
With the gallant and brave Highland brigade,
To whom honour is due, be it said.

Arabi’s army was about seventy thousand in all,
And, virtually speaking, it wasn’t very small;
But if they had been as numerous again,
The Irish and Highland brigades would have beaten them, it is plain.

’Twas on the 13th day of September, in the year of 1882,
Which Arabi and his rebel horde long will rue;
Because Sir Garnet Wolseley and his brave little band
Fought and conquered them on Kebir land.

He marched upon the enemy with his gallant band
O’er the wild and lonely desert sand,
And attacked them before daylight,
And in twenty minutes he put them to flight.

The first shock of the attack was borne by the Second Brigade,
Who behaved most manfully, it is said,
Under the command of brave General Grahame,
And have gained a lasting honour to their name.

But Major Hart and the 18th Royal Irish, conjoint,
Carried the trenches at the bayonet point;
Then the Marines chased them about four miles away,
At the charge of the bayonet, without dismay!

General Sir Archibald Alison led on the Highland Brigade,
Who never were the least afraid.
And such has been the case in this Egyptian war,
For at the charge of the bayonet they ran from them afar!

With their bagpipes playing, and one ringing cheer,
And the 42nd soon did the trenches clear;
Then hand to hand they did engage,
And fought like tigers in a cage.

Oh! it must have been a glorious sight
To see Sir Garnet Wolseley in the thickest of the fight!
In the midst of shot and shell, and the cannon’s roar,
Whilst the dead and the dying lay weltering in their gore.

Then the Egyptians were forced to yield,
And the British were left masters of the field;
Then Arabi he did fret and frown
To see his army thus cut down.

Then Arabi the rebel took to flight,
And spurred his Arab steed with all his might:
With his heart full of despair and woe,
And never halted till he reached Cairo.

Now since the Egyptian war is at an end,
Let us thank God! Who did send
Sir Garnet Wolseley to crush and kill
Arabi and his rebel army at Kebir hill.

Form: couplet