PoetryMTEB/EnglishPoetryFormClassification huggingface dataset:
Good-Bye
by Ralph Waldo Emerson

Good-bye, proud world! I'm going home:
Thou art not my friend, and I'm not thine.
Long through thy weary crowds I roam;
A river-ark on the ocean brine,
Long I've been tossed like the driven foam;
But now, proud world! I'm going home.

Good-bye to Flattery's fawning face;
To Grandeur with his wise grimace;
To upstart Wealth's averted eye;
To supple Office, low and high;
To crowded halls, to court and street;
To frozen hearts and hasting feet;
To those who go, and those who come;
Good-bye, proud world! I'm going home.

I am going to my own hearth-stone,
Bosomed in yon green hills alone, —
A secret nook in a pleasant land,
Whose groves the frolic fairies planned;
Where arches green, the livelong day,
Echo the blackbird's roundelay,
And vulgar feet have never trod
A spot that is sacred to thought and God.

O, when I am safe in my sylvan home,
I tread on the pride of Greece and Rome;
And when I am stretched beneath the pines,
Where the evening star so holy shines,
I laugh at the lore and the pride of man,
At the sophist schools, and the learned clan;
For what are they all, in their high conceit,
When man in the bush with God may meet?

Form: couplet
The Lady's Yes
by Elizabeth Barrett Browning

" Yes !" I answered you last night ;
" No !" this morning, Sir, I say !
Colours, seen by candle-light,
Will not look the same by day.

When the tabors played their best,
Lamps above, and laughs below —
Love me sounded like a jest,
Fit for Yes or fit for No !

Call me false, or call me free —
Vow, whatever light may shine,
No man on your face shall see
Any grief for change on mine.

Yet the sin is on us both —
Time to dance is not to woo —
Wooer light makes fickle troth —
Scorn of me recoils on you !

Learn to win a lady's faith
Nobly, as the thing is high ;
Bravely, as for life and death —
With a loyal gravity.

Lead her from the festive boards,
Point her to the starry skies,
Guard her, by your truthful words,
Pure from courtship's flatteries.

By your truth she shall be true —
Ever true, as wives of yore —
And her Yes, once said to you,
SHALL be Yes for evermore.

Form: ballad
Idea 37: Dear, why should you command me to my rest
by Michael Drayton

Dear, why should you command me to my rest
When now the night doth summon all to sleep?
Methinks this time becometh lovers best;
Night was ordain'd together friends to keep.
How happy are all other living things
Which, though the day disjoin by sev'ral flight,
The quiet ev'ning yet together brings,
And each returns unto his love at night!
O thou that art so courteous else to all,
Why should'st thou, Night, abuse me only thus,
That ev'ry creature to his kind dost call,
And yet 'tis thou dost only sever us?
Well could I wish it would be ever day,
If when night comes you bid me go away.

Form: sonnet
Holy Sonnets: Death, be not proud
by John Donne

Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul's delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell,
And poppy or charms can make us sleep as well
And better than thy stroke; why swell'st thou then?
One short sleep past, we wake eternally
And death shall be no more; Death, thou shalt die.

Form: sonnet
Archy's Song from Charles I (A Widow Bird Sate Mourning)
by Percy Bysshe Shelley

Heigho! the lark and the owl!
     One flies the morning, and one lulls the night:
Only the nightingale, poor fond soul,
     Sings like the fool through darkness and light.

          "A widow bird sate mourning for her love
               Upon a wintry bough;
          The frozen wind crept on above,
               The freezing stream below.

          "There was no leaf upon the forest bare,
               No flower upon the ground,
          And little motion in the air
               Except the mill-wheel's sound."

Form: common measure
To Autumn
by John Keats

Season of mists and mellow fruitfulness,
   Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
   With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
   And fill all fruit with ripeness to the core;
      To swell the gourd, and plump the hazel shells
   With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
      For summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?
   Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
   Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
   Drows'd with the fume of poppies, while thy hook
      Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
   Steady thy laden head across a brook;
   Or by a cyder-press, with patient look,
      Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?
   Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
   And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
   Among the river sallows, borne aloft
      Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
   Hedge-crickets sing; and now with treble soft
   The red-breast whistles from a garden-croft;
      And gathering swallows twitter in the skies.

Form: ode
Argonauts
by Luis G. Dato

From Asia’s teeming highlands, coasts and bays,
They ploughed the outmost rim of ocean foam,
In pathless deeps envisioning a home
Where suns perennial drop unslanted rays.
They ventured from the people-trodden ways,
And in their light, swift-wingéd barangays,
The seas below, aloft the flaming skies,
They found the ocean haven of Malays.
They set their eyes on points unvisited,
On wave-lapped isles enchantedly remote,
The yawning reefs kept tally of the dead,
Transforming into graves the homes they sought.
From Asia’s naked shores by fancy led,
They spread their sails, and drifted, monsoon-caught.

Form: sonnet
Strange Meeting
by Wilfred Owen

It seemed that out of battle I escaped
Down some profound dull tunnel, long since scooped
Through granites which titanic wars had groined.
Yet also there encumbered sleepers groaned,
Too fast in thought or death to be bestirred.
Then, as I probed them, one sprang up, and stared
With piteous recognition in fixed eyes,
Lifting distressful hands, as if to bless.
And by his smile, I knew that sullen hall,— 
By his dead smile I knew we stood in Hell.
With a thousand fears that vision's face was grained;
Yet no blood reached there from the upper ground,
And no guns thumped, or down the flues made moan.
“Strange friend,” I said, “here is no cause to mourn.” 
“None,” said that other, “save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something had been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled.
Or, discontent, boil bloody, and be spilled.
They will be swift with swiftness of the tigress. 
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery;
Wisdom was mine, and I had mastery: 
To miss the march of this retreating world
Into vain citadels that are not walled.
Then, when much blood had clogged their chariot-wheels, 
I would go up and wash them from sweet wells,
Even with truths that lie too deep for taint.
I would have poured my spirit without stint
But not through wounds; not on the cess of war.
Foreheads of men have bled where no wounds were.
“I am the enemy you killed, my friend.
I knew you in this dark: for so you frowned
Yesterday through me as you jabbed and killed.
I parried; but my hands were loath and cold.
Let us sleep now. . . .”

Form: couplet
A Salutation
by Louise Imogen Guiney

High-hearted Surrey! I do love your ways,
Venturous, frank, romantic, vehement,
All with inviolate honor sealed and blent,
To the axe-edge that cleft your soldier-bays:
I love your youth, your friendships, whims, and frays;
Your strict, sweet verse, with its imperious bent,
Heard as in dreams from some old harper’s tent,
And stirring in the listener’s brain for days.
Good father-poet! if to-night there be
At Framlingham none save the north-wind’s sighs,
No guard but moonlight’s crossed and trailing spears,
Smile yet upon the pilgrim named like me,
Close at your gates, whose fond and weary eyes
Sought not one other down three hundred years!

Form: sonnet
From you have I been absent in the spring (Sonnet 98)
by William Shakespeare

From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him,
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odor and in hue,
Could make me any summer's story tell,
Or from their proud lap pluck them where they grew.
Nor did I wonder at the lily's white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight,
Drawn after you, you pattern of all those.
    Yet seemed it winter still, and, you away,
    As with your shadow I with these did play.

Form: sonnet
Love (II)
by George Herbert

Immortal Heat, O let Thy greater flame
   Attract the lesser to it; let those fires
   Which shall consume the world first make it tame,
And kindle in our hearts such true desires.
As may consume our lusts, and make Thee way:
   Then shall our hearts pant Thee, then shall our brain
   All her invention on Thine altar lay,
And there in hymns send back Thy fire again.
Our eyes shall see Thee, which before saw dust,
   Dust blown by wit, till that they both were blind:
   Thou shalt recover all Thy goods in kind,
Who wert disseized by usurping lust:
All knees shall bow to Thee; all wits shall rise,
And praise Him Who did make and mend our eyes.

Form: sonnet
Marriage a-la-Mode
by John Dryden

Why should a foolish marriage vow,
     Which long ago was made,
Oblige us to each other now
     When passion is decay'd?
We lov'd, and we lov'd, as long as we could,
     Till our love was lov'd out in us both:
But our marriage is dead, when the pleasure is fled:
     'Twas pleasure first made it an oath.

If I have pleasures for a friend,
     And farther love in store,
What wrong has he whose joys did end,
     And who could give no more?
'Tis a madness that he should be jealous of me,
     Or that I should bar him of another:
For all we can gain is to give our selves pain,
     When neither can hinder the other.

Form: common measure
The Uses of Poetry
by William Carlos Williams

I've fond anticipation of a day
O'erfilled with pure diversion presently,
For I must read a lady poesy
The while we glide by many a leafy bay,

Hid deep in rushes, where at random play
The glossy black winged May-flies, or whence flee
Hush-throated nestlings in alarm,
Whom we have idly frighted with our boat's long sway.

For, lest o'ersaddened by such woes as spring
To rural peace from our meek onward trend,
What else more fit? We'll draw the latch-string

And close the door of sense; then satiate wend,
On poesy's transforming giant wing,
To worlds afar whose fruits all anguish mend.

Form: ars poetica
The Flaming Heart
by Richard Crashaw

(excerpt)

....

O heart, the equal poise of love’s both parts,
Big alike with wounds and darts,
Live in these conquering leaves; live all the same,
And walk through all tongues one triumphant flame;
Live here, great heart, and love and die and kill,
And bleed and wound, and yield and conquer still.
Let this immortal life, where’er it comes,
Walk in a crowd of loves and martyrdoms;
Let mystic deaths wait on ’t, and wise souls be
The love-slain witnesses of this life of thee.
O sweet incendiary! show here thy art,
Upon this carcass of a hard cold heart,
Let all thy scatter’d shafts of light, that play
Among the leaves of thy large books of day,
Combin’d against this breast, at once break in
And take away from me my self and sin;
This gracious robbery shall thy bounty be,
And my best fortunes such fair spoils of me.
O thou undaunted daughter of desires!
By all thy dow’r of lights and fires,
By all the eagle in thee, all the dove,
By all thy lives and deaths of love,
By thy large draughts of intellectual day,
And by thy thirsts of love more large than they,
By all thy brim-fill’d bowls of fierce desire,
By thy last morning’s draught of liquid fire,
By the full kingdom of that final kiss
That seiz’d thy parting soul and seal’d thee his,
By all the heav’ns thou hast in him,
Fair sister of the seraphim!
By all of him we have in thee,
Leave nothing of my self in me:
Let me so read thy life that I
Unto all life of mine may die.

Form: couplet
The Garden
by Andrew Marvell

How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’rs and all trees do close
To weave the garlands of repose.

Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.

No white nor red was ever seen
So am’rous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name;
Little, alas, they know or heed
How far these beauties hers exceed!
Fair trees! wheres’e’er your barks I wound,
No name shall but your own be found.

When we have run our passion’s heat,
Love hither makes his best retreat.
The gods, that mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so,
Only that she might laurel grow;
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.

What wond’rous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnar’d with flow’rs, I fall on grass.

Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.

Here at the fountain’s sliding foot,
Or at some fruit tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide;
There like a bird it sits and sings,
Then whets, and combs its silver wings;
And, till prepar’d for longer flight,
Waves in its plumes the various light.

Such was that happy garden-state,
While man there walk’d without a mate;
After a place so pure and sweet,
 What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises ’twere in one
To live in paradise alone.

How well the skillful gard’ner drew
Of flow’rs and herbs this dial new,
Where from above the milder sun
Does through a fragrant zodiac run;
And as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d but with herbs and flow’rs!

Form: couplet
Shakesperian Readings
by Phoebe Cary

Oh, but to fade, and live we know not where,
To be a cold obstruction and to groan!
This sensible, warm woman to become
A prudish clod; and the delighted spirit
To live and die alone, or to reside
With married sisters, and to have the care
Of half a dozen children, not your own;
And driven, for no one wants you,
Round the pendant world; or worse than worse
Of those that disappointment and pure spite
Have driven to madness: ’Tis too horrible!
The weariest and most troubled married life
That age, ache, penury, or jealousy
Can lay on nature, is a paradise
To being an old maid.

That very time I saw, (but thou couldst not,)
Walking between the garden and the barn,
Reuben, all armed; a certain aim he took
At a young chicken standing by a post,
And loosed his bullet smartly from his gun,
As he would kill a hundred thousand hens.
But I might see young Reuben’s fiery shot
Lodged in the chaste board of the garden fence,
And the domesticated fowl passed on,
In henly meditation, bullet free.

My father had a daughter got a man,
As it might be, perhaps, were I good-looking,
I should, your lordship.
And what’s her residence?
A hut my lord, she never owned a house,
But let her husband, like a graceless scamp,
Spend all her little means,—she thought she ought,—
And in a wretched chamber, on an alley,
She worked like masons on a monument,
Earning their bread. Was not this love indeed?

Form: blank verse
Keats
by Henry Wadsworth Longfellow

The young Endymion sleeps Endymion's sleep;
      The shepherd-boy whose tale was left half told!
      The solemn grove uplifts its shield of gold
      To the red rising moon, and loud and deep
The nightingale is singing from the steep;
      It is midsummer, but the air is cold;
      Can it be death? Alas, beside the fold
      A shepherd's pipe lies shattered near his sheep.
Lo! in the moonlight gleams a marble white,
      On which I read: "Here lieth one whose name
      Was writ in water." And was this the meed
Of his sweet singing? Rather let me write:
      "The smoking flax before it burst to flame
      Was quenched by death, and broken the bruised reed."

Form: elegy
Whilst I alone did call upon thy aid (Sonnet 79)
by William Shakespeare

Whilst I alone did call upon thy aid,
My verse alone had all thy gentle grace,
But now my gracious numbers are decay’d
And my sick Muse doth give another place.
I grant, sweet love, thy lovely argument
Deserves the travail of a worthier pen,
Yet what of thee thy poet doth invent
He robs thee of and pays it thee again.
He lends thee virtue and he stole that word
From thy behaviour; beauty doth he give
And found it in thy cheek; he can afford
No praise to thee but what in thee doth live.
    Then thank him not for that which he doth say,
    Since what he owes thee thou thyself dost pay.

Form: sonnet
Annabel Lee
by Edgar Allan Poe

It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.

I was a child and she was a child,
   In this kingdom by the sea,
But we loved with a love that was more than love—
   I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
   Coveted her and me.

And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.

The angels, not half so happy in Heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in Heaven above
   Nor the demons down under the sea
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
   Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea—
   In her tomb by the sounding sea.

Form: ballad
Beat! Beat! Drums!
by Walt Whitman

Beat! beat! drums!—blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying,
Leave not the bridegroom quiet—no happiness must he have now with his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering his grain,
So fierce you whirr and pound you drums—so shrill you bugles blow.

Beat! beat! drums!—blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets;
Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds,
No bargainers’ bargains by day—no brokers or speculators—would they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.

Beat! beat! drums!—blow! bugles! blow!
Make no parley—stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child’s voice be heard, nor the mother’s entreaties,
Make even the trestles to shake the dead where they lie awaiting the hearses,
So strong you thump O terrible drums—so loud you bugles blow.

Form: free verse
To Quilca, a Country House not in Good Repair
by Jonathan Swift

Let me thy Properties explain,
A rotten Cabin, dropping Rain;
Chimnies with Scorn rejecting Smoak;
Stools, Tables, Chairs, and Bed-steds broke:
Here Elements have lost their Vses,
Air ripens not, nor Earth produces:
In vain we make poor Sheelah toil,
Fire will not roast, nor Water boil.
Thro' all the Vallies, Hills, and Plains,
The Goddess Want in Triumph reigns;
And her chief Officers of State,
Sloth, Dirt, and Theft around her wait.

Form: couplet
Song: Memory, hither come
by William Blake

Memory, hither come,
         And tune your merry notes;
And, while upon the wind, 
         Your music floats,
 I'll pore upon the stream, 
         Where sighing lovers dream,
And fish for fancies as they pass
         Within the watery glass.

I'll drink of the clear stream,
         And hear the linnet's song;
And there I'll lie and dream
         The day along:
 And, when night comes, I'll go
         To places fit for woe,
Walking along the darken'd valley, 
         With silent Melancholy.

Form: couplet