PoetryMTEB/EnglishPoetryFormClassification huggingface dataset:
On the Medusa of Leonardo Da Vinci in the Florentine Gallery
by Percy Bysshe Shelley

It lieth, gazing on the midnight sky,
  Upon the cloudy mountain peak supine;
Below, far lands are seen tremblingly;
  Its horror and its beauty are divine.
Upon its lips and eyelids seems to lie
  Loveliness like a shadow, from which shrine,
Fiery and lurid, struggling underneath,
The agonies of anguish and of death.

Yet it is less the horror than the grace
  Which turns the gazer's spirit into stone;
Whereon the lineaments of that dead face
  Are graven, till the characters be grown
Into itself, and thought no more can trace;
  'Tis the melodious hue of beauty thrown
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain.

And from its head as from one body grow,
  As [   ] grass out of a watery rock,
Hairs which are vipers, and they curl and flow
  And their long tangles in each other lock,
And with unending involutions shew
  Their mailed radiance, as it were to mock
The torture and the death within, and saw
The solid air with many a ragged jaw.

And from a stone beside, a poisonous eft
  Peeps idly into those Gorgonian eyes;
Whilst in the air a ghastly bat, bereft
  Of sense, has flitted with a mad surprise
Out of the cave this hideous light had cleft,
  And he comes hastening like a moth that hies
After a taper; and the midnight sky
Flares, a light more dread than obscurity.

'Tis the tempestuous loveliness of terror;
  For from the serpents gleams a brazen glare
Kindled by that inextricable error,
  Which makes a thrilling vapour of the air
Become a [ ] and ever-shifting mirror
  Of all the beauty and the terror there—
A woman's countenance, with serpent locks,
Gazing in death on heaven from those wet rocks.

Form: ekphrasis
Of Love: A Sonnet
by Robert Herrick

How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part ’tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.

Form: sonnet
I never saw that you did painting need (Sonnet 83)
by William Shakespeare

I never saw that you did painting need
And therefore to your fair no painting set;
I found, or thought I found, you did exceed
The barren tender of a poet’s debt;
And therefore have I slept in your report,
That you yourself being extant well might show
How far a modern quill doth come too short,
Speaking of worth, what worth in you doth grow.
This silence for my sin you did impute,
Which shall be most my glory, being dumb;
For I impair not beauty being mute,
When others would give life and bring a tomb.
    There lives more life in one of your fair eyes
    Than both your poets can in praise devise.

Form: sonnet
Book 2, Epigram 22
by Thomas Bastard

I met a courtier riding on the plain,
 Well-mounted on a brave and gallant steed;
 I sat upon a jade, and spurred to my pain
 My lazy beast, whose tired sides did bleed:
 He saw my case, and then of courtesy
 Did rein his horse, and drew the bridle in,
 Because I did desire his company:
 But he corvetting way of me did win.
      What should I do, who was besteaded so?
       His horse stood still faster than mine could go.
 ﻿

Form: couplet
To Robert Browning
by Walter Savage Landor

There is delight in singing, tho’ none hear
Beside the singer; and there is delight
In praising, tho’ the praiser sit alone
And see the prais’d far off him, far above.
Shakspeare is not our poet, but the world’s,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale,
No man hath walkt along our roads with step
So active, so inquiring eye, or tongue
So varied in discourse. But warmer climes
Give brighter plumage, stronger wing: the breeze
Of Alpine highths thou playest with, borne on
Beyond Sorrento and Amalfi, where
The Siren waits thee, singing song for song.

Form: ode
At the Tomb of Napoleon Before the Elections in America—November, 1912
by Alan Seeger

I stood beside his sepulchre whose fame,
Hurled over Europe once on bolt and blast,
Now glows far off as storm-clouds overpast
Glow in the sunset flushed with glorious flame.
Has nature marred his mould? Can Art acclaim
No hero now, no man with whom men side
As with their hearts’ high needs personified?
There are will say, One such our lips could name;
Columbia gave him birth. Him Genius most
Gifted to rule. Against the world’s great man
Lift their low calumny and sneering cries
The Pharisaïc multitude, the host
of piddling slanderers whose little eyes
Know not what greatness is and never can.

Form: sonnet
Love's Apparition and Evanishment: An Allegoric Romance
by Samuel Taylor Coleridge

Like a lone Arab, old and blind,
Some caravan had left behind,
Who sits beside a ruin'd well,
Where the shy sand-asps bask and swell;
And now he hangs his ag{'e}d head aslant,
And listens for a human sound—in vain!
And now the aid, which Heaven alone can grant,
Upturns his eyeless face from Heaven to gain;—
Even thus, in vacant mood, one sultry hour,
Resting my eye upon a drooping plant,
With brow low-bent, within my garden-bower,
I sate upon the couch of camomile;
And—whether 'twas a transient sleep, perchance,
Flitted across the idle brain, the while
I watch'd the sickly calm with aimless scope,
In my own heart; or that, indeed a trance,
Turn'd my eye inward—thee, O genial Hope,
Love's elder sister! thee did I behold
Drest as a bridesmaid, but all pale and cold,
With roseless cheek, all pale and cold and dim,
      Lie lifeless at my feet!
And then came Love, a sylph in bridal trim,
      And stood beside my seat;
She bent, and kiss'd her sister's lips,
      As she was wont to do;—
Alas! 'twas but a chilling breath
Woke just enough of life in death
      To make Hope die anew.

Form: couplet
Adam's Curse
by W. B. Yeats

We sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, "A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world."
                                              And thereupon
That beautiful mild woman for whose sake
There's many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, "To be born woman is to know—
Although they do not talk of it at school—
That we must labour to be beautiful."
I said, "It's certain there is no fine thing
Since Adam's fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
precedents out of beautiful old books;
Yet now it seems an idle trade enough."

We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time's waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no one's but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we'd grown
As weary-hearted as that hollow moon.

Form: ars poetica
The House of Life: 36. Life-in-Love
by Dante Gabriel Rossetti

Not in thy body is thy life at all
     But in this lady's lips and hands and eyes;
     Through these she yields thee life that vivifies
What else were sorrow's servant and death's thrall.
Look on thyself without her, and recall
     The waste remembrance and forlorn surmise
     That liv'd but in a dead-drawn breath of sighs
O'er vanish'd hours and hours eventual.

Even so much life hath the poor tress of hair
     Which, stor'd apart, is all love hath to show
     For heart-beats and for fire-heats long ago;
Even so much life endures unknown, even where,
     'Mid change the changeless night environeth,
     Lies all that golden hair undimm'd in death.

Form: sonnet
Gitanjali 14
by Rabindranath Tagore

My desires are many and my cry is pitiful, but ever didst thou save me by hard refusals; and this strong mercy has been wrought into my life through and through.

Day by day thou art making me worthy of the simple, great gifts that thou gavest to me unasked—this sky and the light, this body and the life and the mind—saving me from perils of overmuch desire.

There are times when I languidly linger and times when I awaken and hurry in search of my goal; but cruelly thou hidest thyself from before me.

Day by day thou art making me worthy of thy full acceptance by refusing me ever and anon, saving me from perils of weak, uncertain desire.

Form: prose poem
Sonnet 101 [Ways apt and new to sing of love I’d find]
by Petrarch

Ways apt and new to sing of love I’d find,
Forcing from her hard heart full many a sigh,
And re-enkindle in her frozen mind
Desires a thousand, passionate and high;
O’er her fair face would see each swift change pass,
See her fond eyes at length where pity reigns,
As one who sorrows when too late, alas!
For his own error and another’s pains;
See the fresh roses edging that fair snow
Move with her breath, that ivory descried,
Which turns to marble him who sees it near;
See all, for which in this brief life below
Myself I weary not but rather pride
That Heaven for later times has kept me here.

Form: sonnet
Devouring Time, blunt thou the lion's paws (Sonnet 19)
by William Shakespeare

Devouring Time, blunt thou the lion’s paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger’s jaws,
And burn the long-lived phœnix in her blood;
Make glad and sorry seasons as thou fleets,
And do whate’er thou wilt, swift-footed Time,
To the wide world and all her fading sweets;
But I forbid thee one most heinous crime:
O, carve not with thy hours my love’s fair brow,
Nor draw no lines there with thine antique pen;
Him in thy course untainted do allow
For beauty’s pattern to succeeding men.
    Yet, do thy worst, old Time: despite thy wrong,
    My love shall in my verse ever live young.

Form: sonnet
“Thin little leaves of wood fern, ribbed and toothed”
by Frederick Goddard Tuckerman

from Sonnets, Third Series

              IV

Thin little leaves of wood fern, ribbed and toothed,
Long curved sail needles of the green pitch pine,
With common sandgrass, skirt the horizon line,
And over these the incorruptible blue!
Here let me gently lie and softly view
All world asperities, lightly touched and smoothed
As by his gracious hand, the great Bestower.
What though the year be late? some colors run
Yet through the dry, some links of melody.
Still let me be, by such, assuaged and soothed
And happier made, as when, our schoolday done,
We hunted on from flower to frosty flower,
Tattered and dim, the last red butterfly,
Or the old grasshopper molasses-mouthed.

Form: sonnet
When the Year Grows Old
by Edna St. Vincent Millay

I cannot but remember
  When the year grows old—
October—November—
  How she disliked the cold!

She used to watch the swallows
  Go down across the sky,
And turn from the window
  With a little sharp sigh.

And often when the brown leaves
  Were brittle on the ground,
And the wind in the chimney
  Made a melancholy sound,

She had a look about her
  That I wish I could forget—
The look of a scared thing
  Sitting in a net!

Oh, beautiful at nightfall
  The soft spitting snow!
And beautiful the bare boughs
  Rubbing to and fro!

But the roaring of the fire,
  And the warmth of fur,
And the boiling of the kettle
  Were beautiful to her!

I cannot but remember
  When the year grows old—
October—November—
  How she disliked the cold!

Form: ode
Sonnet 73: That time of year thou mayst in me behold
by William Shakespeare

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.
In me thou see'st the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consum'd with that which it was nourish'd by.
This thou perceiv'st, which makes thy love more strong,
To love that well which thou must leave ere long.

Form: sonnet
The Pike
by Amy Lowell

In the brown water,
 Thick and silver-sheened in the sunshine,
 Liquid and cool in the shade of the reeds,
 A pike dozed.
 Lost among the shadows of stems
 He lay unnoticed.
 Suddenly he flicked his tail,
 And a green-and-copper brightness
 Ran under the water.
Out from under the reeds
 Came the olive-green light,
 And orange flashed up
 Through the sun-thickened water.
 So the fish passed across the pool,
 Green and copper,
 A darkness and a gleam,
 And the blurred reflections of the willows on the opposite bank
 Received it.

Form: free verse
No, Time, thou shalt not boast that I do change: (Sonnet 123)
by William Shakespeare

No, Time, thou shalt not boast that I do change:
Thy pyramids built up with newer might
To me are nothing novel, nothing strange;
They are but dressings of a former sight.
Our dates are brief, and therefore we admire
What thou dost foist upon us that is old,
And rather make them born to our desire
Than think that we before have heard them told.
Thy registers and thee I both defy,
Not wondering at the present nor the past,
For thy records and what we see doth lie,
Made more or less by thy continual haste.
    This I do vow and this shall ever be;
    I will be true, despite thy scythe and thee.

Form: sonnet
Sonnet 23: Methought I saw my late espoused saint
by John Milton

Methought I saw my late espoused saint
       Brought to me, like Alcestis, from the grave,
       Whom Jove's great son to her glad husband gave,
       Rescu'd from death by force, though pale and faint.
Mine, as whom wash'd from spot of child-bed taint
       Purification in the old Law did save,
       And such as yet once more I trust to have
       Full sight of her in Heaven without restraint,
Came vested all in white, pure as her mind;
       Her face was veil'd, yet to my fancied sight
       Love, sweetness, goodness, in her person shin'd
So clear as in no face with more delight.
       But Oh! as to embrace me she inclin'd,
       I wak'd, she fled, and day brought back my night.

Form: sonnet
Days
by Ralph Waldo Emerson

Daughters of Time, the hypocritic Days,
Muffled and dumb like barefoot dervishes,
And marching single in an endless file,
Bring diadems and fagots in their hands.
To each they offer gifts after his will,
Bread, kingdoms, stars, or sky that holds them all.
I, in my pleached garden, watched the pomp,
Forgot my morning wishes, hastily
Took a few herbs and apples, and the Day
Turned and departed silent. I, too late,
Under her solemn fillet saw the scorn.

Form: blank verse
Yarrow Unvisited
by William Wordsworth

From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my "winsome Marrow ,"
"Whate'er betide, we'll turn aside,
And see the Braes of Yarrow."
"Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, 'tis their own;
Each maiden to her dwelling!
On Yarrow's banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.
"There's Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There's pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?
"What's Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder."
—Strange words they seemed of slight and scorn;
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!
"Oh! green," said I, "are Yarrow's holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O'er hilly path, and open Strath,
We'll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.
"Let beeves and home-bred kine partake
The sweets of Burn-mill meadow,
The swan on still St. Mary's Lake
Float double, swan and shadow!
We will not see them; will not go,
To-day, nor yet to-morrow;
Enough if in our hearts we know
There's such a place as Yarrow.
"Be Yarrow stream unseen, unknown!
It must, or we shall rue it:
We have a vision of our own;
Ah! why should we undo it?
The treasured dreams of times long past,
We'll keep them, winsome Marrow!
For when we'er there, although 'tis fair,
'Twill be another Yarrow!
"If Care with freezing years should come,
And wandering seem but folly,—
Should we be loth to stir from home,
And yet be melancholy;
Should life be dull, and spirits low,
'Twill soothe us in our sorrow,
That earth has something yet to show,
The bonny holms of Yarrow!"

Form: common measure
Toussaint L’Ouverture
by Henrietta Cordelia Ray

To those fair isles where crimson sunsets burn,
We send a backward glance to gaze on thee,
Brave Toussaint! thou was surely born to be
A hero; thy proud spirit could but spurn
Each outrage on the race. Couldst thou unlearn
The lessons taught by instinct? Nay! and we
Who share the zeal that would make all men free,
Must e’en with pride unto thy life-work turn.
Soul-dignity was thine and purest aim;
And ah! how sad that thou wast left to mourn
In chains ’neath alien skies. On him, shame! shame!
That mighty conqueror who dared to claim
The right to bind thee. Him we heap with scorn,
And noble patriot! guard with love thy name.

Form: ode
Anthem for Doomed Youth
by Wilfred Owen

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.

Form: sonnet
Tis better to be vile than vile esteem'd (Sonnet 121)
by William Shakespeare

’Tis better to be vile than vile esteem’d,
When not to be receives reproach of being,
And the just pleasure lost which is so deem’d
Not by our feeling but by others’ seeing:
For why should others’ false adulterate eyes
Give salutation to my sportive blood?
Or on my frailties why are frailer spies,
Which in their wills count bad what I think good?
No, I am that I am, and they that level
At my abusers reckon up their own:
I may be straight, though they themselves be bevel;
By their rank thoughts my deeds much not be shown;
    Unless this general evil they maintain,
    All men are bad, and in their badness reign.

Form: sonnet
The Fitful Alternations of the Rain
by Percy Bysshe Shelley

The fitful alternations of the rain,
When the chill wind, languid as with pain
Of its own heavy moisture, here and there
Drives through the gray and beamless atmosphere.

Form: couplet
Sonnet 16
by Richard Barnfield

Long have I long’d to see my love againe,
  Still have I wisht, but never could obtaine it;
  Rather than all the world (if I might gaine it)
Would I desire my love’s sweet precious gaine.
Yet in my soule I see him everie day,
  See him, and see his still sterne countenaunce,
  But (ah) what is of long continuance,
Where majestie and beautie beares the sway?
Sometimes, when I imagine that I see him,
  (As love is full of foolish fantasies)
  Weening to kisse his lips, as my love’s fees,
I feele but aire: nothing but aire to bee him.
  Thus with Ixion, kisse I clouds in vaine:
  Thus with Ixion, feele I endles paine.

Form: sonnet
The Unfortunate Lover
by Andrew Marvell

Alas, how pleasant are their days
With whom the infant Love yet plays!
Sorted by pairs, they still are seen
By fountains cool, and shadows green.
But soon these flames do lose their light,
Like meteors of a summer’s night:
Nor can they to that region climb,
To make impression upon time.

’Twas in a shipwreck, when the seas
Ruled, and the winds did what they please,
That my poor lover floating lay,
And, ere brought forth, was cast away:
Till at the last the master-wave
Upon the rock his mother drave;
And there she split against the stone,
In a Caesarean sectión.

The sea him lent those bitter tears
Which at his eyes he always wears;
And from the winds the sighs he bore,
Which through his surging breast do roar.
No day he saw but that which breaks
Through frighted clouds in forkèd streaks,
While round the rattling thunder hurled,
As at the funeral of the world.

While Nature to his birth presents
This masque of quarrelling elements,
A numerous fleet of cormorants black,
That sailed insulting o’er the wrack,
Received into their cruel care
Th’ unfortunate and abject heir:
Guardians most fit to entertain
The orphan of the hurricane.

They fed him up with hopes and air,
Which soon digested to despair,
And as one cormorant fed him, still
Another on his heart did bill,
Thus while they famish him, and feast,
He both consumèd, and increased:
And languishèd with doubtful breath,
The amphibíum of life and death.

And now, when angry heaven would
Behold a spectacle of blood,
Fortune and he are called to play
At sharp before it all the day:
And tyrant Love his breast does ply
With all his winged artillery,
Whilst he, betwixt the flames and waves,
Like Ajax, the mad tempest braves.

See how he nak’d and fierce does stand,
Cuffing the thunder with one hand,
While with the other he does lock,
And grapple, with the stubborn rock:
From which he with each wave rebounds,
Torn into flames, and ragg’d with wounds,
And all he ’says, a lover dressed
In his own blood does relish best.

This is the only banneret
That ever Love created yet:
Who though, by the malignant stars,
Forcèd to live in storms and wars,
Yet dying leaves a perfume here,
And music within every ear:
And he in story only rules,
In a field sable a lover gules.

Form: couplet
Earth Upon Earth
by Anonymous

Earth took of earth, earth with woe,
Earth other earth to the earth added;
Earth laid earth in an earthen grave.
Then had earth of earth enough earth.

Form: free verse
Full many a glorious morning have I seen (Sonnet 33)
by William Shakespeare

Full many a glorious morning have I seen
Flatter the mountain tops with sovereign eye,
Kissing with golden face the meadows green,
Gilding pale streams with heavenly alchemy;
Anon permit the basest clouds to ride
With ugly rack on his celestial face,
And from the forlorn world his visage hide,
Stealing unseen to west with this disgrace:
Even so my sun one early morn did shine,
With all triumphant splendour on my brow;
But out! alack! he was but one hour mine,
The region cloud hath mask’d him from me now.
    Yet him for this my love no whit disdaineth;
    Suns of the world may stain when heaven’s sun staineth.

Form: sonnet