PoetryMTEB/EnglishPoetryFormClassification huggingface dataset:
To Wordsworth
by Felicia Dorothea Hemans

Thine is a strain to read among the hills,
The old and full of voices — by the source
Of some free stream, whose gladdening presence fills
The solitude with sound; for in its course
Even such is thy deep song, that seems a part
Of those high scenes, a fountain from the heart.

Or its calm spirit fitly may be taken
To the still breast in sunny garden bowers,
Where vernal winds each tree’s low tones awaken,
And bud and bell with changes mark the hours.
There let thy thoughts be with me, while the day
Sinks with a golden and serene decay.

Or by some hearth where happy faces meet,
When night hath hushed the woods, with all their birds,
There, from some gentle voice, that lay were sweet
As antique music, linked with household words;
While in pleased murmurs woman’s lip might move,
And the raised eye of childhood shine in love.

Or where the shadows of dark solemn yews
Brood silently o’er some lone burial-ground,
Thy verse hath power that brightly might diffuse
A breath, a kindling, as of spring, around;
From its own glow of hope and courage high,
And steadfast faith’s victorious constancy.

True bard and holy! — thou art e’en as one
Who, by some secret gift of soul or eye,
In every spot beneath the smiling sun,
Sees where the springs of living waters lie;
Unseen awhile they sleep — till, touched by thee,
Bright healthful waves flow forth, to each glad wanderer free.

Form: ode
Verse for a Certain Dog
by Dorothy Parker

Such glorious faith as fills your limpid eyes,
       Dear little friend of mine, I never knew.
All-innocent are you, and yet all-wise.
       (For heaven’s sake, stop worrying that shoe!)
You look about, and all you see is fair;
       This mighty globe was made for you alone.
Of all the thunderous ages, you’re the heir.
       (Get off the pillow with that dirty bone!)

A skeptic world you face with steady gaze;
       High in young pride you hold your noble head;
Gayly you meet the rush of roaring days.
       (Must you eat puppy biscuit on the bed?)
Lancelike your courage, gleaming swift and strong,
       Yours the white rapture of a wingèd soul,
Yours is a spirit like a May-day song.
       (God help you, if you break the goldfish bowl!)

“Whatever is, is good,” your gracious creed.
       You wear your joy of living like a crown.
Love lights your simplest act, your every deed.
       (Drop it, I tell you—put that kitten down!)
You are God’s kindliest gift of all,—a friend.
       Your shining loyalty unflecked by doubt,
You ask but leave to follow to the end.
       (Couldn’t you wait until I took you out?)

Form: ode
“Alone”
by Edgar Allan Poe

From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain—
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view—

Form: couplet
Sin (I)
by George Herbert

Lord, with what care hast thou begirt us round!
      Parents first season us; then schoolmasters
      Deliver us to laws; they send us bound
To rules of reason, holy messengers,
Pulpits and Sundays, sorrow-dogging sin,
      Afflictions sorted, anguish of all sizes,
      Fine nets and stratagems to catch us in,
Bibles laid open, millions of surprises,
Blessings beforehand, ties of gratefulness,
      The sound of glory ringing in our ears,
      Without, our shame, within, our consciences,
Angels and grace, eternal hopes and fears.
      Yet all these fences and their whole array
      One cunning bosom-sin blows quite away.

Form: sonnet
Leisure
by Amy Lowell

Leisure, thou goddess of a bygone age,
   When hours were long and days sufficed to hold
    Wide-eyed delights and pleasures uncontrolled
By shortening moments, when no gaunt presage
Of undone duties, modern heritage,
    Haunted our happy minds; must thou withhold
    Thy presence from this over-busy world,
And bearing silence with thee disengage
    Our twined fortunes? Deeps of unhewn woods
    Alone can cherish thee, alone possess
Thy quiet, teeming vigor. This our crime:
    Not to have worshipped, marred by alien moods
    That sole condition of all loveliness,
The dreaming lapse of slow, unmeasured time.

Form: sonnet
Substitution
by Anne Spencer

Is Life itself but many ways of thought,
Does thinking furl the poets’ pleiades,
Is in His slightest convolution wrought
These mantled worlds and their men-freighted seas?
He thinks—and being comes to ardent things:
The splendor of the day-spent sun, love’s birth,—
Or dreams a little, while creation swings
The circle of His mind and Time’s full girth . . .
As here within this noisy peopled room
My thought leans forward . . . quick! you’re lifted clear
Of brick and frame to moonlit garden bloom,—
Absurdly easy, now, our walking, dear,
Talking, my leaning close to touch your face . . .
His All-Mind bids us keep this sacred place!

Form: ars poetica
Written After Reading King Lear
by Ameen Rihani

Long is his course, O master of our woes,
And joys, and tears, our passions and desires,
In nature’s school—in hell-begotten fires;
Dread is the agony and fell the throes
Which with the Night and Storm he undergoes,
While Treason in his robes herself attires,
And Love beneath adultery’s sheet expires,
And mocked Sincerity sincerer grows.
To vie with wailing winds and weeping clouds
And valleys shrieking in the fangs of storms,
This Human Hurricane thou didst create;
But just as soon as Death this horror shrouds,
I hear the distant cry of fiery forms,
Ay, and the creaking of hell’s deepest gate.

Form: sonnet
O, never say that I was false of heart (Sonnet 109)
by William Shakespeare

O, never say that I was false of heart,
Though absence seem’d my flame to qualify,
As easy might I from myself depart
As from my soul, which in thy breast doth lie:
That is my home of love: if I have ranged,
Like him that ravels I return again,
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe, though in my nature reign’d
All frailties that besiege all kinds of blood,
That it could so preposterously be stain’d,
To leave for nothing all thy sum of good;
    For nothing this wide universe I call,
    Save thou, my rose; in it thou art my all.

Form: sonnet
The Eyes of My Regret
by Angelina Weld Grimké

Always at dusk, the same tearless experience,
The same dragging of feet up the same well-worn path
To the same well-worn rock;
The same crimson or gold dropping away of the sun
The same tints—rose, saffron, violet, lavender, grey
Meeting, mingling, mixing mistily;
Before me the same blue black cedar rising jaggedly to a point;
Over it, the same slow unlidding of twin stars,
Two eyes, unfathomable, soul-searing,
Watching, watching—watching me;
The same two eyes that draw me forth, against my will dusk after dusk;
The same two eyes that keep me sitting late into the night, chin on knees
Keep me there lonely, rigid, tearless, numbly miserable,
       —The eyes of my Regret.

Form: sonnet
Gitanjali 13
by Rabindranath Tagore

The song that I came to sing remains unsung to this day.

I have spent my days in stringing and in unstringing my instrument.

The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart.

The blossom has not opened; only the wind is sighing by.

I have not seen his face, nor have I listened to his voice; only I have heard his gentle footsteps from the road before my house.

The livelong day has passed in spreading his seat on the floor; but the lamp has not been lit and I cannot ask him into my house.

I live in the hope of meeting with him; but this meeting is not yet.

Form: prose poem
The Passionate Shepherd to His Love
by Christopher Marlowe

Come live with me and be my love,
And we will all the pleasures prove,
That Valleys, groves, hills, and fields,
Woods, or steepy mountain yields.

And we will sit upon the Rocks,
Seeing the Shepherds feed their flocks,
By shallow Rivers to whose falls
Melodious birds sing Madrigals.

And I will make thee beds of Roses
And a thousand fragrant posies,
A cap of flowers, and a kirtle
Embroidered all with leaves of Myrtle;

A gown made of the finest wool
Which from our pretty Lambs we pull;
Fair lined slippers for the cold,
With buckles of the purest gold;

A belt of straw and Ivy buds,
With Coral clasps and Amber studs:
And if these pleasures may thee move,
Come live with me, and be my love.

The Shepherds’ Swains shall dance and sing
For thy delight each May-morning:
If these delights thy mind may move,
Then live with me, and be my love.

Form: pastoral
That you were once unkind befriends me now (Sonnet 120)
by William Shakespeare

That you were once unkind befriends me now,
And for that sorrow which I then did feel
Needs must I under my transgression bow,
Unless my nerves were brass or hammer’d steel.
For if you were by my unkindness shaken
As I by yours, you’ve pass’d a hell of time,
And I, a tyrant, have no leisure taken
To weigh how once I suffer’d in your crime.
O, that our night of woe might have remember’d
My deepest sense, how hard true sorrow hits,
And soon to you, as you to me, then tender’d
The humble salve which wounded bosoms fits!
    But that your trespass now becomes a fee;
    Mine ransoms yours, and yours must ransom me.

Form: sonnet
There's a certain Slant of light, (320)
by Emily Dickinson

There's a certain Slant of light,
Winter Afternoons –
That oppresses, like the Heft
Of Cathedral Tunes –

Heavenly Hurt, it gives us –
We can find no scar,
But internal difference –
Where the Meanings, are –

None may teach it – Any –
'Tis the seal Despair –
An imperial affliction
Sent us of the Air –

When it comes, the Landscape listens –
Shadows – hold their breath –
When it goes, 'tis like the Distance
On the look of Death –

Form: common measure
A Celebration of Charis: I. His Excuse for Loving
by Ben Jonson

Let it not your wonder move,
Less your laughter, that I love.
Though I now write fifty years,
I have had, and have, my peers;
Poets, though divine, are men,
Some have lov'd as old again.
And it is not always face,
Clothes, or fortune, gives the grace;
Or the feature, or the youth.
But the language and the truth,
With the ardour and the passion,
Gives the lover weight and fashion.
If you then will read the story,
First prepare you to be sorry
That you never knew till now
Either whom to love or how;
But be glad, as soon with me,
When you know that this is she
Of whose beauty it was sung;
She shall make the old man young,
Keep the middle age at stay,
And let nothing high decay,
Till she be the reason why
All the world for love may die.

Form: couplet
Book 6, Epigram 7: In prophanationem nominis Dei. ﻿
by Thomas Bastard

God’s name is bare of honour in our hearing,
 And even worn out with our blasphemous swearing.
 Between the infant and the aged, both
 The first and last they utter, is an oath.
 Oh hellish manners of our profane age.
 Jehovah’s fear is scoffed upon the stage,
 The Mimicking jester, names it every day;
 Unless God is blashphem’d, it is no play.

Form: couplet
Sonnet 106: When in the chronicle of wasted time
by William Shakespeare

When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme
In praise of ladies dead and lovely knights,
Then, in the blazon of sweet beauty's best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have express'd
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring;
And, for they look'd but with divining eyes,
They had not skill enough your worth to sing:
For we, which now behold these present days,
Have eyes to wonder, but lack tongues to praise.

Form: sonnet
Carrion Comfort
by Gerard Manley Hopkins

Not, I'll not, carrion comfort, Despair, not feast on thee;
Not untwist — slack they may be — these last strands of man
In me ór, most weary, cry I can no more. I can;
Can something, hope, wish day come, not choose not to be.
But ah, but O thou terrible, why wouldst thou rude on me
Thy wring-world right foot rock? lay a lionlimb against me? scan
With darksome devouring eyes my bruisèd bones? and fan,
O in turns of tempest, me heaped there; me frantic to avoid thee and flee?

   Why? That my chaff might fly; my grain lie, sheer and clear.
Nay in all that toil, that coil, since (seems) I kissed the rod,
Hand rather, my heart lo! lapped strength, stole joy, would laugh, chéer.
Cheer whom though? the hero whose heaven-handling flung me, fóot tród
Me? or me that fought him? O which one? is it each one? That night, that year
Of now done darkness I wretch lay wrestling with (my God!) my God.

Form: sonnet
Modern Love: XXXIX
by George Meredith

She yields: my Lady in her noblest mood
Has yielded: she, my golden-crownëd rose!
The bride of every sense! more sweet than those
Who breathe the violet breath of maidenhood.
O visage of still music in the sky!
Soft moon! I feel thy song, m y fairest friend!
True harmony within can apprehend
Dumb harmony without. And hard! ’t is nigh!
Belief has struck the note of sound: a gleam
Of living silver shows me where she shook
Her long white fingers down the shadowy brook,
That sings her song, half waking, half in dream.
What two come here to mar this heavenly tune?
A man is one: the woman bears my name.
And honour. Their hands touch! Am I still tame?
God, what a dancing spectre seems the moon!

Form: sonnet
A Ballad of Baseball Burdens
by Franklin Pierce Adams

The burden of hard hitting. Slug away
      Like Honus Wagner or like Tyrus Cobb.
Else fandom shouteth: “Who said you could play?
      Back to the jasper league, you minor slob!”
      Swat, hit, connect, line out, get on the job.
Else you shall feel the brunt of fandom’s ire
      Biff, bang it, clout it, hit it on the knob—
This is the end of every fan’s desire.

The burden of good pitching. Curved or straight.
      Or in or out, or haply up or down,
To puzzle him that standeth by the plate,
      To lessen, so to speak, his bat-renoun:
      Like Christy Mathewson or Miner Brown,
So pitch that every man can but admire
      And offer you the freedom of the town—
This is the end of every fan’s desire.

The burden of loud cheering. O the sounds!
      The tumult and the shouting from the throats
Of forty thousand at the Polo Grounds
      Sitting, ay, standing sans their hats and coats.
      A mighty cheer that possibly denotes
That Cub or Pirate fat is in the fire;
      Or, as H. James would say, We’ve got their goats—
This is the end of every fan’s desire.

The burden of a pennant. O the hope,
      The tenuous hope, the hope that’s half a fear,
The lengthy season and the boundless dope,
      And the bromidic; “Wait until next year.”
      O dread disgrace of trailing in the rear,
O Piece of Bunting, flying high and higher
      That next October it shall flutter here:
This is the end of every fan’s desire.

ENVOY

Ah, Fans, let not the Quarry but the Chase
      Be that to which most fondly we aspire!
For us not Stake, but Game; not Goal, but Race—
      THIS is the end of every fan’s desire.

Form: ballad
The Haunted Oak
by Paul Laurence Dunbar

Pray why are you so bare, so bare,
   Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
   Runs a shudder over me?

My leaves were green as the best, I trow,
   And sap ran free in my veins,
But I saw in the moonlight dim and weird
   A guiltless victim's pains.

I bent me down to hear his sigh;
   I shook with his gurgling moan,
And I trembled sore when they rode away,
   And left him here alone.

They'd charged him with the old, old crime,
   And set him fast in jail:
Oh, why does the dog howl all night long,
   And why does the night wind wail?

He prayed his prayer and he swore his oath,
   And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
   And the steady tread drew nigh.

Who is it rides by night, by night,
   Over the moonlit road?
And what is the spur that keeps the pace,
   What is the galling goad?

And now they beat at the prison door,
   "Ho, keeper, do not stay!
We are friends of him whom you hold within,
   And we fain would take him away

"From those who ride fast on our heels
   With mind to do him wrong;
They have no care for his innocence,
   And the rope they bear is long."

They have fooled the jailer with lying words,
   They have fooled the man with lies;
The bolts unbar, the locks are drawn,
   And the great door open flies.

Now they have taken him from the jail,
   And hard and fast they ride,
And the leader laughs low down in his throat,
   As they halt my trunk beside.

Oh, the judge, he wore a mask of black,
   And the doctor one of white,
And the minister, with his oldest son,
   Was curiously bedight.

Oh, foolish man, why weep you now?
   'Tis but a little space,
And the time will come when these shall dread
   The mem'ry of your face.

I feel the rope against my bark,
   And the weight of him in my grain,
I feel in the throe of his final woe
   The touch of my own last pain.

And never more shall leaves come forth
   On the bough that bears the ban;
I am burned with dread, I am dried and dead,
   From the curse of a guiltless man.

And ever the judge rides by, rides by,
   And goes to hunt the deer,
And ever another rides his soul
   In the guise of a mortal fear.

And ever the man he rides me hard,
   And never a night stays he;
For I feel his curse as a haunted bough,
   On the trunk of a haunted tree.

Form: ballad
How oft, when thou, my music, music play'st (Sonnet 128)
by William Shakespeare

How oft, when thou, my music, music play’st,
Upon that blessed wood whose motion sounds
With thy sweet fingers, when thou gently sway’st
The wiry concord that mine ear confounds,
Do I envy those jacks that nimble leap
To kiss the tender inward of thy hand,
Whilst my poor lips, which should that harvest reap,
At the wood’s boldness by thee blushing stand!
To be so tickled, they would change their state
And situation with those dancing chips,
O’er whom thy fingers walk with gentle gait,
Making dead wood more blest than living lips.
     Since saucy jacks so happy are in this,
     Give them thy fingers, me thy lips to kiss.

Form: sonnet
A Visit from St. Nicholas
by Clement Clarke Moore

Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
"Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donder and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!"
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight—
“Happy Christmas to all, and to all a good night!”

Form: couplet
Success is counted sweetest (112)
by Emily Dickinson

Success is counted sweetest
By those who ne'er succeed.
To comprehend a nectar
Requires sorest need.

Not one of all the purple Host
Who took the Flag today
Can tell the definition
So clear of victory

As he defeated – dying –
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!

Form: common measure
Follow Your Saint
by Thomas Campion

Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet.
There, wrapp'd in cloud of sorrow, pity move,
And tell the ravisher of my soul I perish for her love:
But if she scorns my never-ceasing pain,
Then burst with sighing in her sight and ne'er return again.

 All that I sung still to her praise did tend,
Still she was first; still she my songs did end;
Yet she my love and music both doth fly,
The music that her echo is and beauty's sympathy.
Then let my notes pursue her scornful flight:
It shall suffice that they were breath'd and died for her delight.

Form: couplet
Sonnet 12: I did but prompt the age to quit their clogs
by John Milton

I did but prompt the age to quit their clogs
       By the known rules of ancient liberty,
       When straight a barbarous noise environs me
       Of owls and cuckoos, asses, apes and dogs:
As when those hinds that were transform'd to frogs
       Rail'd at Latona's twin-born progeny
       Which after held the sun and moon in fee.
       But this is got by casting pearl to hogs,
That bawl for freedom in their senseless mood,
       And still revolt when truth would set them free.
       Licence they mean when they cry liberty;
For who loves that, must first be wise and good.
       But from that mark how far they rove we see,
       For all this waste of wealth and loss of blood.

Form: sonnet
The Simplon Pass
by William Wordsworth

—Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light—
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first and last, and midst, and without end.

Form: blank verse