PoetryMTEB/EnglishPoetryFormClassification huggingface dataset:
Elegy IX: The Autumnal
by John Donne

No spring nor summer beauty hath such grace
         As I have seen in one autumnal face.
Young beauties force our love, and that's a rape,
         This doth but counsel, yet you cannot scape.
If 'twere a shame to love, here 'twere no shame;
         Affection here takes reverence's name.
Were her first years the golden age? That's true,
         But now she's gold oft tried and ever new.
That was her torrid and inflaming time,
         This is her tolerable tropic clime.
Fair eyes, who asks more heat than comes from hence,
         He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were,
         They were Love's graves, for else he is no where.
Yet lies not Love dead here, but here doth sit
         Vow'd to this trench, like an anachorit;
And here till hers, which must be his death, come,
         He doth not dig a grave, but build a tomb.
Here dwells he; though he sojourn ev'rywhere
         In progress, yet his standing house is here:
Here where still evening is, not noon nor night,
         Where no voluptuousness, yet all delight.
In all her words, unto all hearers fit,
         You may at revels, you at council, sit.
This is Love's timber, youth his underwood;
         There he, as wine in June, enrages blood,
Which then comes seasonabliest when our taste
         And appetite to other things is past.
Xerxes' strange Lydian love, the platan tree,
         Was lov'd for age, none being so large as she,
Or else because, being young, nature did bless
         Her youth with age's glory, barrenness.
If we love things long sought, age is a thing
         Which we are fifty years in compassing;
If transitory things, which soon decay,
         Age must be loveliest at the latest day.
But name not winter faces, whose skin's slack,
         Lank as an unthrift's purse, but a soul's sack;
Whose eyes seek light within, for all here's shade;
         Whose mouths are holes, rather worn out than made;
Whose every tooth to a several place is gone,
         To vex their souls at resurrection:
Name not these living death's-heads unto me,
         For these, not ancient, but antique be.
I hate extremes, yet I had rather stay
         With tombs than cradles, to wear out a day.
Since such love's natural lation is, may still
         My love descend, and journey down the hill,
Not panting after growing beauties. So,
         I shall ebb on with them who homeward go.

Form: couplet
To One Who Has Been Long in City Pent
by John Keats

To one who has been long in city pent,
         'Tis very sweet to look into the fair
         And open face of heaven,—to breathe a prayer
Full in the smile of the blue firmament.
Who is more happy, when, with heart's content,
         Fatigued he sinks into some pleasant lair
         Of wavy grass, and reads a debonair
And gentle tale of love and languishment?
Returning home at evening, with an ear
         Catching the notes of Philomel,—an eye
Watching the sailing cloudlet's bright career,
         He mourns that day so soon has glided by:
E'en like the passage of an angel's tear
         That falls through the clear ether silently.

Form: pastoral
The Tyger
by William Blake

Tyger Tyger, burning bright, 
In the forests of the night; 
What immortal hand or eye, 
Could frame thy fearful symmetry?

In what distant deeps or skies. 
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat.
What dread hand? & what dread feet?

What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?

When the stars threw down their spears 
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?

Form: couplet
Porphyria's Lover
by Robert Browning

The rain set early in to-night,
       The sullen wind was soon awake,
It tore the elm-tops down for spite,
       And did its worst to vex the lake:
       I listened with heart fit to break.
When glided in Porphyria; straight
       She shut the cold out and the storm,
And kneeled and made the cheerless grate
       Blaze up, and all the cottage warm;
       Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
       And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
       And, last, she sat down by my side
       And called me. When no voice replied,
She put my arm about her waist,
       And made her smooth white shoulder bare,
And all her yellow hair displaced,
       And, stooping, made my cheek lie there,
       And spread, o'er all, her yellow hair,
Murmuring how she loved me — she
       Too weak, for all her heart's endeavour,
To set its struggling passion free
       From pride, and vainer ties dissever,
       And give herself to me for ever.
But passion sometimes would prevail,
       Nor could to-night's gay feast restrain
A sudden thought of one so pale
       For love of her, and all in vain:
       So, she was come through wind and rain.
Be sure I looked up at her eyes
       Happy and proud; at last I knew
Porphyria worshipped me; surprise
       Made my heart swell, and still it grew
       While I debated what to do.
That moment she was mine, mine, fair,
       Perfectly pure and good: I found
A thing to do, and all her hair
       In one long yellow string I wound
       Three times her little throat around,
And strangled her. No pain felt she;
       I am quite sure she felt no pain.
As a shut bud that holds a bee,
       I warily oped her lids: again
       Laughed the blue eyes without a stain.
And I untightened next the tress
       About her neck; her cheek once more
Blushed bright beneath my burning kiss:
       I propped her head up as before,
       Only, this time my shoulder bore
Her head, which droops upon it still:
       The smiling rosy little head,
So glad it has its utmost will,
       That all it scorned at once is fled,
       And I, its love, am gained instead!
Porphyria's love: she guessed not how
       Her darling one wish would be heard.
And thus we sit together now,
       And all night long we have not stirred,
       And yet God has not said a word!

Form: dramatic monologue
Safety
by Rupert Brooke

Dear! of all happy in the hour, most blest
      He who has found our hid security,
Assured in the dark tides of the world that rest,
      And heard our word, ‘Who is so safe as we?’
We have found safety with all things undying,
      The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
      And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time’s throwing.
      We have gained a peace unshaken by pain for ever.
War knows no power. Safe shall be my going,
      Secretly armed against all death’s endeavour;
Safe though all safety’s lost; safe where men fall;
And if these poor limbs die, safest of all.

Form: sonnet
An Inscription
by Ambrose Bierce

For a Statue of Napoleon

A conqueror as provident as brave,
He robbed the cradle to supply the grave.
His reign laid quantities of human dust:
He fell upon the just and the unjust.

Form: couplet
Marching Men
by Marjorie Pickthall

Under the level winter sky
I saw a thousand Christs go by.
They sang an idle song and free
As they went up to calvary.

Careless of eye and coarse of lip,
They marched in holiest fellowship.
That heaven might heal the world, they gave
Their earth-born dreams to deck the grave.

With souls unpurged and steadfast breath
They supped the sacrament of death.
And for each one, far off, apart,
Seven swords have rent a woman's heart.

Form: couplet
Written with a Diamond on her Window at Woodstock
by Queen Elizabeth I

Much suspected by me,
Nothing proved can be,
Quoth Elizabeth prisoner.

Form: couplet
The Gallery
by Andrew Marvell

Clora, come view my soul, and tell   
Whether I have contrived it well.   
Now all its several lodgings lie   
Composed into one gallery;
And the great arras-hangings, made   
Of various faces, by are laid;   
That, for all furniture, you’ll find   
Only your picture in my mind.

Here thou are painted in the dress
Of an inhuman murderess;   
Examining upon our hearts   
Thy fertile shop of cruel arts:   
Engines more keen than ever yet   
Adorned a tyrant’s cabinet;
Of which the most tormenting are
Black eyes, red lips, and curlèd hair.

But, on the other side, th’art drawn   
Like to Aurora in the dawn;
When in the East she slumbering lies,   
And stretches out her milky thighs;   
While all the morning choir does sing,   
And manna falls, and roses spring;   
And, at thy feet, the wooing doves   
Sit pérfecting their harmless loves.

Like an enchantress here thou show’st,   
Vexing thy restless lover’s ghost;   
And, by a light obscure, dost rave   
Over his entrails, in the cave;   
Divining thence, with horrid care,   
How long thou shalt continue fair;
And (when informed) them throw’st away,
To be the greedy vulture’s prey.

But, against that, thou sit’st afloat   
Like Venus in her pearly boat.
The halcyons, calming all that’s nigh,   
Betwixt the air and water fly;   
Or, if some rolling wave appears,   
A mass of ambergris it bears.
Nor blows more wind than what may well   
Convoy the perfume to the smell.

These pictures and a thousand more
Of thee my gallery do store
In all the forms thou canst invent   
Either to please me, or torment:   
For thou alone to people me,   
Art grown a numerous colony;   
And a collection choicer far
Than or Whitehall’s or Mantua’s were.

But, of these pictures and the rest,
That at the entrance likes me best:   
Where the same posture, and the look   
Remains, with which I first was took:   
A tender shepherdess, whose hair
Hangs loosely playing in the air,   
Transplanting flowers from the green hill,   
To crown her head, and bosom fill.

Form: couplet
Fragment 7: When Hope but made Tranquillity be felt
by Samuel Taylor Coleridge

When Hope but made Tranquillity be felt—
A Flight of Hopes for ever on the wing
But made Tranquillity a conscious Thing—
And wheeling round and round in sportive coil
Fann'd the calm air upon the brow of Toil—

Form: couplet
Verses to the Moon
by Luis Carlos López

Oh moon, who now look over the roof
of the church, in the tropical calm
to be saluted by him who has been out all night,
to be barked at by the dogs of the suburbs,

Oh moon who in your silence have laughed at
all things! In your sidereal silence 
when, keeping carefully in the shadow, the
municipal judge steals from some den.

But you offer, saturnine traveler,
with what eloquence in mute space
consolation to him whose life is broken,

while there sing to you from a drunken brawl
long-haired, neurasthenic bards,
and lousy creatures who play dominos.

 

 

 

¡Oh, luna, que hoy te asomas al tejado
de la iglesia, en la calma tropical,
para que te salude un trasnochado
y te ladren los perros de arrabal!

¡Oh, luna! . . . ¡En tu silencio te has burlado
de todo! . . . En tu silencio sideral,
viste anoche robar en despoblado
. . . ¡y el ladrón era un Juez municipal!

Mas tú ofreces, viajera saturnina,
con qué elocuencia en los espacios mudos,
consuelo al que la vida laceró,

mientras te cantan, en cualquier cantina,
neurasténicos bardos melenudos
y piojosos, que juegan dominó. . .

Form: sonnet
Sunset
by E. E. Cummings

Great carnal mountains crouching in the cloud
That marrieth the young earth with a ring,
Yet still its thoughts builds heavenward, whence spring
Wee villages of vapor, sunset-proud.—
And to the meanest door hastes one pure-browed
White-fingered star, a little, childish thing,
The busy needle of her light to bring,
And stitch, and stitch, upon the dead day’s shroud.
Poises the sun upon his west, a spark
Superlative,—and dives beneath the world;
From the day’s fillets Night shakes out her locks;
List! One pure trembling drop of cadence purled—
“Summer!”—a meek thrush whispers to the dark.
Hark! the cold ripple sneering on the rocks!

Form: sonnet
Defeated
by Sophie Jewett

When the last fight is lost, the last sword broken;
The last call sounded, the last order spoken;
When from the field where braver hearts lie sleeping,
Faint, and athirst, and blinded, I come creeping,
With not one waving shred of palm to bring you,
With not one splendid battle-song to sing you,
O Love, in my dishonor and defeat,
Your measureless compassion will be sweet.

Form: couplet
Ode to the West Wind
by Percy Bysshe Shelley

I
O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed

The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow

Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:

Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh hear!

II
Thou on whose stream, mid the steep sky's commotion,
Loose clouds like earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread
On the blue surface of thine aëry surge,
Like the bright hair uplifted from the head

Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might

Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh hear!

III
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull'd by the coil of his crystalline streams,

Beside a pumice isle in Baiae's bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,

All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic's level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh hear!

IV
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share

The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be

The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seem'd a vision; I would ne'er have striven

As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chain'd and bow'd
One too like thee: tameless, and swift, and proud.

V
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe
Like wither'd leaves to quicken a new birth!
And, by the incantation of this verse,

Scatter, as from an unextinguish'd hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken'd earth

The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?

Form: ode
Book 2, Epigram 21: In Momum.  ﻿
by Thomas Bastard

Momus, to be a Poet Laureate,
 Has strained his wits through an iron grate.
 For he has rhymes and rhymes, and double strains,
 And golden verses, and all kinds of veins,
 Now to the press he presses hastily,
 To sell his friends stinking eternity.
      For who would be eternal in such fashion,
      To be a witness to his condemnation.
 ﻿

Form: couplet
A Gull Goes Up
by Léonie Adams

Gulls when they fly move in a liquid arc,
Still head, and wings that bend above the breast, 
Covering its glitter with a cloak of dark,
Gulls fly. So as at last toward balm and rest, 
Remembering wings, the desperate leave their earth, 
Bear from their earth what there was ruinous-crossed,
Peace from distress, and love from nothing-worth, 
Fast at the heart, its jewels of dear cost.

Gulls go up hushed to that entrancing flight,
With never a feather of all the body stirred.
So in an air less rare than longing might 
The dream of flying lift a marble bird.
Desire it is that flies; then wings are freight 
That only bear the feathered heart no weight.

Form: sonnet
Sonnet to William Wilberforce, Esq.
by William Cowper

Thy country, Wilberforce, with just disdain,
Hears thee, by cruel men and impious, call'd
Fanatic, for thy zeal to loose th' enthrall'd
From exile, public sale, and slav'ry's chain.
Friend of the poor, the wrong'd, the fetter-gall'd,
Fear not lest labour such as thine be vain!
Thou hast achiev'd a part; hast gain'd the ear
Of Britain's senate to thy glorious cause;
Hope smiles, joy springs, and tho' cold caution pause
And weave delay, the better hour is near,
That shall remunerate thy toils severe
By peace for Afric, fenc'd with British laws.
   Enjoy what thou hast won, esteem and love
   From all the just on earth, and all the blest above!

Form: sonnet
Shakespeare
by Henry Wadsworth Longfellow

A vision as of crowded city streets,
      With human life in endless overflow;
      Thunder of thoroughfares; trumpets that blow
      To battle; clamor, in obscure retreats,
Of sailors landed from their anchored fleets;
      Tolling of bells in turrets, and below
      Voices of children, and bright flowers that throw
      O'er garden-walls their intermingled sweets!
This vision comes to me when I unfold
      The volume of the Poet paramount,
      Whom all the Muses loved, not one alone; —
Into his hands they put the lyre of gold,
      And, crowned with sacred laurel at their fount,
      Placed him as Musagetes on their throne.

Form: sonnet
My Letters! all dead paper... (Sonnet 28)
by Elizabeth Barrett Browning

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee tonight.
This said—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand. . . a simple thing,
Yes I wept for it—this . . . the paper's light. . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this . . . 0 Love, thy words have ill availed
If, what this said, I dared repeat at last!

Form: sonnet
What potions have I drunk of Siren tears (Sonnet 119)
by William Shakespeare

What potions have I drunk of Siren tears,
Distill’d from limbecks foul as hell within,
Applying fears to hopes and hopes to fears,
Still losing when I saw myself to win!
What wretched errors hath my heart committed,
Whilst it hath thought itself so blessed never!
How have mine eyes out of their spheres been fitted
In the distraction of his madding fever!
O benefit of ill! now I find true
That better is by evil still made better;
And ruin’d love, when it is build anew,
Grows fairer than at first, more strong, far greater.
    So I return rebuked to my content
    And gain by ills thrice more than I have spent.

Form: sonnet
Holy Sonnets: At the round earth's imagin'd corners, blow
by John Donne

At the round earth's imagin'd corners, blow
Your trumpets, angels, and arise, arise
From death, you numberless infinities
Of souls, and to your scatter'd bodies go;
All whom the flood did, and fire shall o'erthrow,
All whom war, dearth, age, agues, tyrannies,
Despair, law, chance hath slain, and you whose eyes
Shall behold God and never taste death's woe.
But let them sleep, Lord, and me mourn a space,
For if above all these my sins abound,
'Tis late to ask abundance of thy grace
When we are there; here on this lowly ground
Teach me how to repent; for that's as good
As if thou'hadst seal'd my pardon with thy blood.

Form: sonnet
Interlude
by Amy Lowell

When I have baked white cakes
And grated green almonds to spread upon them;
When I have picked the green crowns from the strawberries
And piled them, cone-pointed, in a blue and yellow platter;
When I have smoothed the seam of the linen I have been working;
What then?
To-morrow it will be the same:
Cakes and strawberries,
And needles in and out of cloth.
If the sun is beautiful on bricks and pewter,
How much more beautiful is the moon,
Slanting down the gauffered branches of a plum-tree;
The moon,
Wavering across a bed of tulips;
The moon,
Still,
Upon your face.
You shine, Beloved,
You and the moon.
But which is the reflection?
The clock is striking eleven.
I think, when we have shut and barred the door,
The night will be dark
Outside.

Form: free verse
The Bumblebee
by James Whitcomb Riley

You better not fool with a Bumblebee!—
Ef you don't think they can sting—you'll see!
They're lazy to look at, an' kind o' go
Buzzin' an' bummin' aroun' so slow,
An' ac' so slouchy an' all fagged out,
Danglin' their legs as they drone about
The hollyhawks 'at they can't climb in
'Ithout ist a-tumble-un out ag'in!
Wunst I watched one climb clean 'way
In a jimson-blossom, I did, one day,—
An' I ist grabbed it — an' nen let go—
An' "Ooh-ooh! Honey! I told ye so!"
Says The Raggedy Man; an' he ist run
An' pullt out the stinger, an' don't laugh none,
An' says: "They has be'n folks, I guess,
'At thought I wuz predjudust, more er less,—
Yit I still muntain 'at a Bumblebee
Wears out his welcome too quick fer me!"

Form: couplet
The Taxi
by Amy Lowell

When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?

Form: free verse
Bath
by Amy Lowell

The day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air.
       The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light.
       Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.

Form: prose poem
Idea 53: Clear Ancor, on whose silver-sanded shore
by Michael Drayton

Clear Ancor, on whose silver-sanded shore
My soul-shrin'd saint, my fair Idea lies,
O blessed brook, whose milk-white swans adore
Thy crystal stream, refined by her eyes,
Where sweet myrrh-breathing Zephyr in the spring
Gently distils his nectar-dropping showers,
Where nightingales in Arden sit and sing
Amongst the dainty dew-impearled flowers;
Say thus, fair brook, when thou shalt see thy queen:
Lo, here thy shepherd spent his wand'ring years,
And in these shades, dear nymph, he oft hath been,
And here to thee he sacrific'd his tears.
Fair Arden, thou my Tempe art alone,
And thou, sweet Ancor, art my Helicon.

Form: sonnet