PoetryMTEB/EnglishPoetryFormClassification huggingface dataset:
A Sonnet on Cervantes
by Rubén Darío

In all my days of troubled loneliness
And fretted grief Cervantes is to me
A faithful friend, and none so true as he,
That brings me precious gifts of quietness.

All nature his, and life. Of his largesse
My dreams, that are knight-errants bold and free,
Have golden casques to crown them gloriously.
He is, for me: sigh, prayer, joyousness.

He speaks as runs a brook, so amorous
And very gentle is this Christian knight,
Ever undaunted. And I love him thus,

Beholding how the world, by fate’s design,
Reaps, from his deathless sorrow, rich delight,
And laughter from a madness so divine!

 

Soneto a Cervantes

Horas de pesadumbre y de tristeza
paso en mi soledad. Pero Cervantes
es buen amigo. Endulza mis instantes
ásperos, y reposa mi cabeza.

El es la vida y la naturaleza;
regala un yelmo de oro y de diamantes
a mis sueños errantes.
Es para mí: suspire, ríe y reza.

Cristiano y amoroso caballero
parla como un arroyo cristalino.
¡Así le admiro y quiero,

viendo cómo el destino
hace que regocije al mundo entero
la tristeza inmortal de ser divino!

Form: sonnet
My Last Duchess
by Robert Browning

FERRARA

That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now; Fra Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Fra Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek; perhaps
Fra Pandolf chanced to say, “Her mantle laps
Over my lady’s wrist too much,” or “Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat.” Such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart—how shall I say?— too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech—which I have not—to make your will
Quite clear to such an one, and say, “Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark”—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse—
E’en then would be some stooping; and I choose
Never to stoop. Oh, sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretense
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!

Form: ekphrasis
Ode on a Grecian Urn
by John Keats

Thou still unravish’d bride of quietness,
    Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
    A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
    Of deities or mortals, or of both,
        In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
    What mad pursuit? What struggle to escape?
        What pipes and timbrels? What wild ecstasy?
 
Heard melodies are sweet, but those unheard
    Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
    Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
    Thy song, nor ever can those trees be bare;
        Bold lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
    She cannot fade, though thou hast not thy bliss,
        For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
    Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
    For ever piping songs for ever new;
More happy love! more happy, happy love!
    For ever warm and still to be enjoy’d,
        For ever panting, and for ever young;
All breathing human passion far above,
    That leaves a heart high-sorrowful and cloy’d,
        A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
    To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
    And all her silken flanks with garlands drest?
What little town by river or sea shore,
    Or mountain-built with peaceful citadel,
        Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
    Will silent be; and not a soul to tell
        Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
    Of marble men and maidens overwrought,
With forest branches and the trodden weed;
    Thou, silent form, dost tease us out of thought
As doth eternity: Cold pastoral!
    When old age shall this generation waste,
        Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
    “Beauty is truth, truth beauty”—that is all
        Ye know on earth, and all ye need to know.

Form: ekphrasis
This is his cheek the map of days outworn (Sonnet 68)
by William Shakespeare

This is his cheek the map of days outworn,
When beauty lived and died as flowers do now,
Before these bastard signs of fair were born,
Or durst inhabit on a living brow;
Before the golden tresses of the dead,
The right of sepulchers, were shorn away,
To live a second life on second head;
Ere beauty’s dead fleece made another gay:
In him those holy antique hours are seen,
Without all ornament, itself and true,
Making no summer of another’s green,
Robbing no old to dress his beauty new;
    And him as for a map doth Nature store,
    To show false Art what beauty was of yore.

Form: sonnet
Prayer of a Soldier in France
by Joyce Kilmer

My shoulders ache beneath my pack
(Lie easier, Cross, upon His back).

I march with feet that burn and smart
(Tread, Holy Feet, upon my heart).

Men shout at me who may not speak
(They scourged Thy back and smote Thy cheek).

I may not lift a hand to clear
My eyes of salty drops that sear.

(Then shall my fickle soul forget
Thy agony of Bloody Sweat?)

My rifle hand is stiff and numb
(From Thy pierced palm red rivers come).

Lord, Thou didst suffer more for me
Than all the hosts of land and sea.

So let me render back again
This millionth of Thy gift. Amen.

Form: couplet
Gitanjali 20
by Rabindranath Tagore

On the day when the lotus bloomed, alas, my mind was straying, and I knew it not. My basket was empty and the flower remained unheeded.

Only now and again a sadness fell upon me, and I started up from my dream and felt a sweet trace of a strange fragrance in the south wind.

That vague sweetness made my heart ache with longing and it seemed to me that it was the eager breath of the summer seeking for its completion.

I knew not then that it was so near, that it was mine, and that this perfect sweetness had blossomed in the depth of my own heart.

Form: prose poem
Farewell! Thou art too dear for my possession (Sonnet 87)
by William Shakespeare

Farewell! Thou art too dear for my possessing,
And like enough thou know’st thy estimate:
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting?
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gravest, thy own worth then not knowing,
Or me, to whom thou gavest it, else mistaking;
So thy great gift, upon misprison growing,
Comes home again, on better judgement making.
    Thus have I had thee, as a dream doth flatter,
    In sleep a king, but waking no such matter.

Form: sonnet
What is your substance, whereof are you made (Sonnet 53)
by William Shakespeare

What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen’s cheek all art of beauty set,
And you in Grecian tires are painted new:
Speak of the spring and foison of the year;
The one doth shadows of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.
    In all external grace you have some part,
    But you like none, none you, for constant heart.

Form: sonnet
The Retreat
by Henry Vaughan

Happy those early days! when I
Shined in my angel infancy.
Before I understood this place
Appointed for my second race,
Or taught my soul to fancy aught
But a white, celestial thought;
When yet I had not walked above
A mile or two from my first love,
And looking back, at that short space,
Could see a glimpse of His bright face;
When on some gilded cloud or flower
My gazing soul would dwell an hour,
And in those weaker glories spy
Some shadows of eternity;
Before I taught my tongue to wound
My conscience with a sinful sound,
Or had the black art to dispense
A several sin to every sense,
But felt through all this fleshly dress
Bright shoots of everlastingness.
       O, how I long to travel back,
And tread again that ancient track!
That I might once more reach that plain
Where first I left my glorious train,
From whence th’ enlightened spirit sees
That shady city of palm trees.
But, ah! my soul with too much stay
Is drunk, and staggers in the way.
Some men a forward motion love;
But I by backward steps would move,
And when this dust falls to the urn,
In that state I came, return.

Form: couplet
An Autograph
by John Greenleaf Whittier

I write my name as one,
On sands by waves o’errun
Or winter’s frosted pane,
Traces a record vain.

Oblivion’s blankness claims
Wiser and better names,
And well my own may pass
As from the strand or glass.

Wash on, O waves of time!
Melt, noons, the frosty rime!
Welcome the shadow vast,
The silence that shall last!

When I and all who know
And love me vanish so,
What harm to them or me
Will the lost memory be?

If any words of mine,
Through right of life divine,
Remain, what matters it
Whose hand the message writ?

Why should the “crowner’s quest”
Sit on my worst or best?
Why should the showman claim
The poor ghost of my name?

Yet, as when dies a sound
Its spectre lingers round,
Haply my spent life will
Leave some faint echo still.

A whisper giving breath
Of praise or blame to death,
Soothing or saddening such
As loved the living much.

Therefore with yearnings vain
And fond I still would fain
A kindly judgment seek,
A tender thought bespeak.

And, while my words are read,
Let this at least be said:
“Whate’er his life’s defeatures,
He loved his fellow-creatures.

“If, of the Law’s stone table,
To hold he scarce was able
The first great precept fast,
He kept for man the last.

“Through mortal lapse and dulness
What lacks the Eternal Fulness,
If still our weakness can
Love Him in loving man?

“Age brought him no despairing
Of the world’s future faring;
In human nature still
He found more good than ill.

“To all who dumbly suffered,
His tongue and pen he offered;
His life was not his own,
Nor lived for self alone.

“Hater of din and riot
He lived in days unquiet;
And, lover of all beauty,
Trod the hard ways of duty.

“He meant no wrong to any
He sought the good of many,
Yet knew both sin and folly,—
May God forgive him wholly!”

Form: couplet
I grant thou wert not married to my Muse (Sonnet 82)
by William Shakespeare

I grant thou wert not married to my Muse
And therefore mayst without attaint o’erlook
The dedicated words which writers use
Of their fair subject, blessing every book.
Thou art as fair in knowledge as in hue,
Finding thy worth a limit past my praise,
And therefore art enforced to seek anew
Some fresher stamp of the time-battering days.
And do so, love; yet when they have devised
What strained touches rhetoric can lend,
Thou truly fair wert truly sympathized
In true plain words by thy true telling friend;
    And their gross painting might be better used
    Where cheeks need blood; in thee it is abused.

Form: sonnet
Or I shall live your epitaph to make (Sonnet 81)
by William Shakespeare

Or I shall live your epitaph to make,
Or you survive when I in earth am rotten;
From hence your memory death cannot take,
Although in me each part will be forgotten.
Your name from hence immortal life shall have,
Though I, once gone, to all the world must die:
The earth can yield me but a common grave,
When you entombed in men’s eyes shall lie.
Your monument shall be my gentle verse,
Which eyes not yet created shall o’er-read,
And tongues to be your being shall rehearse
When all the breathers of this world are dead;
    You still shall live—such virtue hath my pen—
    Where breath most breathes, even in the mouths of men.

Form: sonnet
Alack, what poverty my Muse brings forth (Sonnet 103)
by William Shakespeare

Alack, what poverty my Muse brings forth,
That having such a scope to show her pride,
The argument all bare is of more worth
Than when it hath my added praise beside!
O, blame me not, if I no more can write!
Look in your glass, and there appears a face
That over-goes my blunt invention quite,
Dulling my lines and doing me disgrace.
Were it not sinful then, striving to mend,
To mar the subject that before was well?
For to no other pass my verses tend
Than of your graces and your gifts to tell;
    And more, much more, than in my verse can sit
    Your own glass shows you when you look in it.

Form: sonnet
The Arrow and the Song
by Henry Wadsworth Longfellow

I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.

I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?

Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.

Form: couplet
Milton
by Henry Wadsworth Longfellow

I pace the sounding sea-beach and behold
      How the voluminous billows roll and run,
      Upheaving and subsiding, while the sun
      Shines through their sheeted emerald far unrolled,
And the ninth wave, slow gathering fold by fold
      All its loose-flowing garments into one,
      Plunges upon the shore, and floods the dun
      Pale reach of sands, and changes them to gold.
So in majestic cadence rise and fall
      The mighty undulations of thy song,
      O sightless bard, England's Mæonides!
And ever and anon, high over all
      Uplifted, a ninth wave superb and strong,
      Floods all the soul with its melodious seas.

Form: sonnet
Gitanjali 9
by Rabindranath Tagore

O fool, to try to carry thyself upon thy own shoulders! O beggar, to come to beg at thy own door!

Leave all thy burdens on his hands who can bear all, and never look behind in regret.

Thy desire at once puts out the light from the lamp it touches with its breath. It is unholy—take not thy gifts through its unclean hands. Accept only what is offered by sacred love.

Form: prose poem
Song of Myself: 35
by Walt Whitman

Would you hear of an old-time sea-fight?
Would you learn who won by the light of the moon and stars?
List to the yarn, as my grandmother’s father the sailor told it to me.

Our foe was no skulk in his ship I tell you, (said he,)
His was the surly English pluck, and there is no tougher or truer, and never was, and never will be;
Along the lower’d eve he came horribly raking us.

We closed with him, the yards entangled, the cannon touch’d,
My captain lash’d fast with his own hands.

We had receiv’d some eighteen pound shots under the water,
On our lower-gun-deck two large pieces had burst at the first fire, killing all around and blowing up overhead.

Fighting at sun-down, fighting at dark,
Ten o’clock at night, the full moon well up, our leaks on the gain, and five feet of water reported,
The master-at-arms loosing the prisoners confined in the after-hold to give them a chance for themselves.

The transit to and from the magazine is now stopt by the sentinels,
They see so many strange faces they do not know whom to trust.

Our frigate takes fire,
The other asks if we demand quarter?
If our colors are struck and the fighting done?

Now I laugh content, for I hear the voice of my little captain,
We have not struck, he composedly cries, we have just begun our part of the fighting.

Only three guns are in use,
One is directed by the captain himself against the enemy’s mainmast,
Two well serv’d with grape and canister silence his musketry and clear his decks.

The tops alone second the fire of this little battery, especially the main-top,
They hold out bravely during the whole of the action.

Not a moment’s cease,
The leaks gain fast on the pumps, the fire eats toward the powder-magazine.

One of the pumps has been shot away, it is generally thought we are sinking.

Serene stands the little captain,
He is not hurried, his voice is neither high nor low,
His eyes give more light to us than our battle-lanterns.

Toward twelve there in the beams of the moon they surrender to us.

Form: free verse
The Day is Done
by Henry Wadsworth Longfellow

The day is done, and the darkness
      Falls from the wings of Night,
As a feather is wafted downward
      From an eagle in his flight.

I see the lights of the village
      Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
      That my soul cannot resist:

A feeling of sadness and longing,
      That is not akin to pain,
And resembles sorrow only
      As the mist resembles the rain.

Come, read to me some poem,
      Some simple and heartfelt lay,
That shall soothe this restless feeling,
      And banish the thoughts of day.

Not from the grand old masters,
      Not from the bards sublime,
Whose distant footsteps echo
      Through the corridors of Time.

For, like strains of martial music,
      Their mighty thoughts suggest
Life's endless toil and endeavor;
      And to-night I long for rest.

Read from some humbler poet,
      Whose songs gushed from his heart,
As showers from the clouds of summer,
      Or tears from the eyelids start;

Who, through long days of labor,
      And nights devoid of ease,
Still heard in his soul the music
      Of wonderful melodies.

Such songs have power to quiet
      The restless pulse of care,
And come like the benediction
      That follows after prayer.

Then read from the treasured volume
      The poem of thy choice,
And lend to the rhyme of the poet
      The beauty of thy voice.

And the night shall be filled with music,
      And the cares, that infest the day,
Shall fold their tents, like the Arabs,
      And as silently steal away.

Form: common measure
Dead
by Winifred M. Letts

In misty cerements they wrapped the word
My heart had feared so long: dead... dead... I heard
But marvelled they could think the thing was true
Because death cannot be for such as you.
So while they spoke kind words to suit my need
Of foolish idle things my heart took heed,
Your racquet and worn-out tennis shoe,
Your pipe upon the mantel,—then a bird
Upon the wind-tossed larch began to sing
And I remembered how one day in Spring
You found the wren’s nest in the wall and said
“Hush!... listen! I can hear them quarrelling...”
The tennis court is marked, the wrens are fled,
But you are dead, beloved, you are dead

Form: sonnet
Extempore Effusion upon the Death of James Hogg
by William Wordsworth

When first, descending from the moorlands,
I saw the Stream of Yarrow glide
Along a bare and open valley,
The Ettrick Shepherd was my guide.

When last along its banks I wandered,
Through groves that had begun to shed
Their golden leaves upon the pathways,
My steps the Border-minstrel led.

The mighty Minstrel breathes no longer,
'Mid mouldering ruins low he lies;
And death upon the braes of Yarrow,
Has closed the Shepherd-poet's eyes:

Nor has the rolling year twice measured,
From sign to sign, its stedfast course,
Since every mortal power of Coleridge
Was frozen at its marvellous source;

The rapt One, of the godlike forehead,
The heaven-eyed creature sleeps in earth:
And Lamb, the frolic and the gentle,
Has vanished from his lonely hearth.

Like clouds that rake the mountain-summits,
Or waves that own no curbing hand,
How fast has brother followed brother,
From sunshine to the sunless land!

Yet I, whose lids from infant slumber
Were earlier raised, remain to hear
A timid voice, that asks in whispers,
"Who next will drop and disappear?"

Our haughty life is crowned with darkness,
Like London with its own black wreath,
On which with thee, O Crabbe! forth-looking,
I gazed from Hampstead's breezy heath.

As if but yesterday departed,
Thou too art gone before; but why,
O'er ripe fruit, seasonably gathered,
Should frail survivors heave a sigh?

Mourn rather for that holy Spirit,
Sweet as the spring, as ocean deep;
For Her who, ere her summer faded,
Has sunk into a breathless sleep.

No more of old romantic sorrows,
For slaughtered Youth or love-lorn Maid!
With sharper grief is Yarrow smitten,
And Ettrick mourns with her their Poet dead.

Form: elegy
[London, my beautiful]
by F. S. Flint

London, my beautiful,
it is not the sunset
nor the pale green sky
shimmering through the curtain
of the silver birch,
nor the quietness;
it is not the hopping
of birds
upon the lawn,
nor the darkness
stealing over all things
that moves me.

But as the moon creeps slowly
over the tree-tops
among the stars,
I think of her
and the glow her passing
sheds on the men.

London, my beautiful,
I will climb
into the branches
to the moonlit tree-tops,
that my blood may be cooled
by the wind.

Form: ode
“Hope” is the thing with feathers
by Emily Dickinson

“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -

And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -

I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.

Form: common measure
Most Sweet it is
by William Wordsworth

Most sweet it is with unuplifted eyes
To pace the ground, if path be there or none,
While a fair region round the traveller lies
Which he forbears again to look upon;
Pleased rather with some soft ideal scene,
The work of Fancy, or some happy tone
Of meditation, slipping in between
The beauty coming and the beauty gone.
If Thought and Love desert us, from that day
Let us break off all commerce with the Muse:
With Thought and Love companions of our way,
Whate'er the senses take or may refuse,
The Mind's internal heaven shall shed her dews
Of inspiration on the humblest lay.

Form: sonnet
Gitanjali 7
by Rabindranath Tagore

My song has put off her adornments. She has no pride of dress and decoration. Ornaments would mar our union; they would come between thee and me; their jingling would drown thy whispers.

My poet’s vanity dies in shame before thy sight. O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.

Form: prose poem