Architecture in the 20th Century
Institutional Architecture

01 Austrian Postal Savings Bank, Otto Wagner, 1906.
Elaborate and abstract atrium space covered withtranslucent glass.
02 Glass Pavilion, Werkbund Pavilion, Bruno Taut, 1914.
Small temple of beauty topped by the glass polyhedral
cupola.
03 Stockholm Town Hall, Ragnar OE stberg, 1923.
20th-century Scandinavian Romanticism built withtraditional materials and historical styles.
04 Bauhaus (Dessau), Walter Gropius, 1926.
Representation of nonbearing and transparent building
exterior with a curtain wall.
05 Stockholm City Library, Erik Gunnar Asplund, 1928.
Magnificent cylinder of books symbolizing the microcosmof knowledge.

06 Rusakov Worker's Club, Konstantin Melnikov, 1928.
Constructivist exterior embodying the hall’s spatial
inclination and multiple perspectives.
07 German Pavilion in Barcelona, Ludwig Mies van derRohe, 1929. Minimalist composition of cruciform columns
and precise texture of wall and floor materials.
08 Danteum, Giuseppe Terragni, 1938.
Spatial interpretation of Dante's Divine Comedy: From theforest of hundred columns to hell, purgatory, and heaven.
09 Hiroshima Peace Center, Kenzo Tange, 1955.
The starting point of postwar Japanese architecture thatbegan with the reconstruction plan of the disaster area.
10 Notre-Dame du Haut, Le Corbusier, 1955.
”l’espace indicible” that is filled with silence, prayer, peace,and inner joy.

11 Louisiana Museum of Modern Art, Jørgen Bo +Vilhelm Wohlert, 1958. Architectural utopia where the sea,forest, spaces, and artworks coexist.
12 Castel Vecchio Museum, Carlo Scarpa, 1964.
Careful preservation of the medieval castle and its
ingenious transformation into a museum.
13 Oita Prefectural Library, Arata Isozaki, 1966.
Growing architecture designed with process planning thatincorporates time factors.
14 Kimbell Art Museum, Louis Kahn, 1972.
Miraculous vaulted spaces derived from the idea of "Silenceand Light.”
15 Hedmark Museum, Sverre Fehn, 1979.
Dialogue with the past through a museum built on top of
the remains since the Middle Ages.

16 Parc de la Villette, Bernard Tschumi, 1989.
Urban park with a superimposed system of points, lines,and planes.
17 Jewish Museum Berlin, Daniel Libeskind, 1999.
Void of lost identity that penetrates the architecture.
18 Nakagawa-machi Bato Hiroshige Museum of Art,
Kengo Kuma, 2000. Materialization of the possibility of“wooden architecture” not limited to wooden structures.
Composition Design: Fumio Matsumoto
3D Modeling: Yuta Yamaguchi, Sho Tazaki, Takeru Imuro,
Kohei Abe (The University of Tokyo)
3D Printing: KURIMOTO Co.,LTD
Scale: 1/300 Production Date: November, 2021
Production: The University Museum, The University of Tokyo

Architecture in the 20th Century
Residential Architecture

01 Dom-Ino House, Le Corbusier, 1914.
Archetype of modern architecture consisting of slabs,
columns, and stairs.
02 Schröder House, Gerrit Thomas Rietveld, 1924.
De Stijl with surfaces and lines that evolved from furnitureto space.
03 Lovell Beach House, Rudolph Michael Schindler,1926.
"Spatial architecture" embodied by spatial forms and a newlanguage.
04 Melnikov House, Konstantin Melnikov, 1929.
Retreat for the avantgarde created by innovative use ofconventional technology.
05 Villa Savoye, Le Corbusier, 1931.
Diverse design vocabulary of modern architecture with theseparation of columns and walls.

06 Villa Malaparte, Adalberto Libera, 1938.
Grand staircase leading to the "solarium," a terrace on acliff overlooking the sea.
07 Breuer House II, Marcel Breuer, 1947.
Floating long box supported by cantilevers.
08 Eames House, Charles Eames, 1949.
Design of a new living space through the active use ofmass-produced materials.
09 Farnsworth House, Ludwig Mies van der Rohe, 1950.
One of the origins of the universal space enclosed by glassand steel.
10 3-Dimensional Minimum House #3, Kiyoshi Ikebe,
1950. Creative plan and sectional design in a minimal living
space.
11 Type 51C, Yasumi Yoshitake, 1950.

Prototype of 2DK housing that achieves separation ofeating and sleeping spaces.
12 Stahl House, Pierre Koenig, 1960.
The Case Study House overlooking the city that became amodernist icon.
13 Vana Venturi House, Robert Venturi, 1963.
Diversity and confrontation contained in a relatively
familiar form.
14 Sea Ranch Condominium, Charles W. Moore (MLTW),
1965. Timber-framed housing complex facing the naturalenvironment of the Pacific Coast.
15 Nakagin Capsule Tower Building, Kisho Kurokawa,
1972. Monument to Metabolism consisting of replaceable
residential capsules.
16 Row House in Sumiyoshi, Tadao Ando, 1976.

External living space inserted in the center of the exposedconcrete box.
17 White U, Toyo Ito, 1976.
U-shaped inner utopia that contains the memories of thefamily.
18 Maison Bordeaux, Rem Koolhaas, 1998.
Elevator as a living space that penetrates the center of thehouse.
Composition Design: Fumio Matsumoto
3D Modeling: Tomoki Kobayashi, Kohei Abe (The Universityof Tokyo)
3D Printing: KURIMOTO Co.,LTD
Scale: 1/100 Production Date: November, 2021
Production: The University Museum, The University of Tokyo